WEBVTT - The Dark Side of Celebrity Endorsements

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<v Speaker 1>Now really.

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<v Speaker 2>Really now really hello, and welcome to really know really

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<v Speaker 2>with you Jason Alexander and Peter Tilden, who both endorsed

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<v Speaker 2>the idea of you subscribing to our show and as

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<v Speaker 2>if you can see it coming, This episode is about

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<v Speaker 2>celebrity endorsement deals. They are often big money, considerable risk,

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<v Speaker 2>and sometimes they go very very bad.

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<v Speaker 3>Adidas may lose on.

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<v Speaker 2>A billion dollar deal with the controversial artist Ya formerly

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<v Speaker 2>Kanye West, Sean Puff Daddy p Diddy Combs has reportedly

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<v Speaker 2>lost eighteen brand partnerships due to assault allegations, and even

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<v Speaker 2>Brad Pitt and Angelina Jolie's wine brand may go sour.

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<v Speaker 3>Due to their acrimonious divorce.

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<v Speaker 2>Given all this, companies even bother with celebrity endorsers. To

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<v Speaker 2>help answer that question, we've invited Mark Habes, the CEO

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<v Speaker 2>of the Helmsman Group, to weigh in. His company often

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<v Speaker 2>helps big stars and big brands to connect with exceptionally

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<v Speaker 2>lucrative endorsements.

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<v Speaker 3>He'll discuss whether celebrities.

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<v Speaker 2>Really use the brands they're shilling for, what makes it's

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<v Speaker 2>a celebrity and a product of the right fits and

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<v Speaker 2>the fascinating story of what happened when the legendary promoter

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<v Speaker 2>Don King signed Michael Jackson up for a Pepsi commercial

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<v Speaker 2>without his permission.

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<v Speaker 3>Really no, really, here's Jason mcpeter. Now, all right, I

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<v Speaker 3>have a feeling in today's episode that you are going

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<v Speaker 3>to uh, You're going to damage, You're gonna hurt me,

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<v Speaker 3>You're going to enpinge on somehow. This is going to

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<v Speaker 3>be because I am I've been doing commercials since I

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<v Speaker 3>was fourteen years old. I've been doing commercials. They have

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<v Speaker 3>always been a part of my career. Wait, commercials when

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<v Speaker 3>I became an international stock superchol back.

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<v Speaker 4>Off from when you became that the lawsuit what what

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<v Speaker 4>did you do? At fourteen? That you promote?

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<v Speaker 3>My first commercial was for Hershey Kisses. My wife actually

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<v Speaker 3>found my wife when she met me and went, oh

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<v Speaker 3>my god, I remember you from this commercial? What did

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<v Speaker 3>you do? I was fourteen or fifteen years old. It

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<v Speaker 3>was one of those Hrshey commercials where there were, you know,

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<v Speaker 3>three vignettes, and I'm in the first vignette, What you do?

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<v Speaker 3>It's me as a kid in high school. I've got

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<v Speaker 3>my little varsity jacket on and there is an absolutely

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<v Speaker 3>beautiful older teenage girl walking toward me in the background,

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<v Speaker 3>and I'm looking in the camera going Mom always said,

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<v Speaker 3>big things come in little packages, like the big taste

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<v Speaker 3>of chocolate in this little Hershey's kiss, and this beautiful

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<v Speaker 3>girl then goes hi, David, and without looking I go, my, Sheila,

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<v Speaker 3>you know, so I'm the I'm the big thing a

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<v Speaker 3>little page and that was my first commercial, and then

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<v Speaker 3>I all through the commercial agent. At thirteen, already I

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<v Speaker 3>had a manager and yeah, so I was freelancing with

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<v Speaker 3>many ages. But all through the seventies as I was

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<v Speaker 3>going to college, and all through the eighties. My career

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<v Speaker 3>in the eighties was everything I wanted it to be,

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<v Speaker 3>really was. I was working in the theater in New

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<v Speaker 3>York Broadway enough Broadway, and I would do an occasional

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<v Speaker 3>television or film thing, not anything, but I would do them.

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<v Speaker 3>But commercials. Where I made my money was in commercials.

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<v Speaker 3>So when I hit as a celebrity, I went, I

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<v Speaker 3>can make more money.

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<v Speaker 5>So what we wanted to do in this episode, but

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<v Speaker 5>celebrity critise it looks huge.

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<v Speaker 4>But here's the deal.

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<v Speaker 5>I've seen some articles that say celebrity endorsements are now

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<v Speaker 5>fraud with all kinds of issues. You got Ye or

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<v Speaker 5>Kanye who did a deal with Adidas. They now are

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<v Speaker 5>in a position and if I get these numbers wrong,

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<v Speaker 5>look them up. I think they have I think over

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<v Speaker 5>a billion dollars worth of you sneakers that they can

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<v Speaker 5>either a sell as unbranded for next to nothing, b

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<v Speaker 5>sell as easies for next to nothing, or put them

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<v Speaker 5>in a landfill write it off and America will go

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<v Speaker 5>nuts go And you put how many sneakers in a landfill?

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<v Speaker 4>So you got that? Can they write?

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<v Speaker 3>Can they put more letters on it?

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<v Speaker 4>Like?

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<v Speaker 3>Make them?

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<v Speaker 4>Oh?

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<v Speaker 3>Ye, God easy, easy? Right?

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<v Speaker 5>They trust me. I think they got a team working

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<v Speaker 5>on how to do so done?

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<v Speaker 4>So okay. So you got that. You got Bread and

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<v Speaker 4>Angelina are having just this worst worst divorce where they're

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<v Speaker 4>suing each other and fighting about this winery you're drinking.

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<v Speaker 4>You're drinking. You're drinking that wine.

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<v Speaker 5>He got p Diddy is now he has a tequila brand.

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<v Speaker 5>He has a bunch of other stuff not going so

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<v Speaker 5>well because there's all the accusations with Diddy and on

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<v Speaker 5>and on and on.

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<v Speaker 3>You have In the meantime, you got Ryan Reynolds, who

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<v Speaker 3>owns nine thousand different he's doing.

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<v Speaker 4>But that's different. He owns what happened. So we wanted

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<v Speaker 4>an actually to.

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<v Speaker 5>Talk about, I know, to talk about what's happening with

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<v Speaker 5>celebrity brands because it looks like what was our headlines

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<v Speaker 5>for this one?

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<v Speaker 4>Our headline for this one was celebrity because it seemed like.

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<v Speaker 5>It looks like it's going that way, and you know,

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<v Speaker 5>what's the weirdest And I hate to bring this up,

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<v Speaker 5>but what I read was the turning point we're having

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<v Speaker 5>specific contract with specific wording was the Kobe Bryant because

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<v Speaker 5>I guess the endorsers thought, here's a guy'squeaky clean, no problem,

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<v Speaker 5>And when they had the rape accusation, which by the way,

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<v Speaker 5>went away, it was still was like, oh my gosh,

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<v Speaker 5>we got to think about circumstances around athletes, around people,

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<v Speaker 5>because we don't know, and it can tarnish your brand forever.

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<v Speaker 5>And then there's how does the brand respond? Do they

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<v Speaker 5>respond quickly? Did they not? Is it long term? Does

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<v Speaker 5>it last for a long time? And then are we

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<v Speaker 5>moving toward influencers from celebrities? Because if you, Jason Alexander,

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<v Speaker 5>have seven products you endorsing, what does that say to me?

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<v Speaker 3>Can I get up to seven you really want.

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<v Speaker 4>Okay, So if anybody's watching that has any endorsement for Jason,

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<v Speaker 4>obviously you know he's ready to go.

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<v Speaker 3>I'm allergic to cats. Don't get me anything particularly looking

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<v Speaker 3>for travel. Oh, I'll play a game with you later. Okay, Okay,

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<v Speaker 3>all right, we'll find out.

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<v Speaker 5>So we're gonna to talk to Mark has As, the

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<v Speaker 5>CEO of the Helmsman Group, which helps brands navigate the

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<v Speaker 5>world of consumer package good I assume he'll be able

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<v Speaker 5>to tell us what the world of endorsements look. More importantly,

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<v Speaker 5>I understand the subject the whole episode was getting you

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<v Speaker 5>a gig.

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<v Speaker 4>Okay, let's start to Mark.

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<v Speaker 3>Let's find out Mark. I. I don't know how Peter feels.

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<v Speaker 3>I'm delighted you're here. He has an agenda for the show,

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<v Speaker 3>which is to find out about what's going on. I'm

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<v Speaker 3>also well, yes, I don't know. I think you're on

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<v Speaker 3>the unmarked negative.

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<v Speaker 4>Mark.

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<v Speaker 3>This is I'm happy here. I'm pretty sure this is

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<v Speaker 3>going to wind up in some sort of commercial endorsements.

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<v Speaker 4>Because I see, I see, because this man.

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<v Speaker 3>Has this fire. All right, hold on, you are going, Oh,

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<v Speaker 3>it's a trap, it's on the way. It's all going down. Gosh,

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<v Speaker 3>your team negative, I'm team now.

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<v Speaker 5>I see I didn't understand Mark what he was doing.

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<v Speaker 5>You never do because I want. I wanted to find

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<v Speaker 5>out because I'm reading articles about all these articles about

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<v Speaker 5>celebrity endorsements, and so many of them. We just talked

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<v Speaker 5>about easy. We talked about Angeline and Joel Liam Bradbett

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<v Speaker 5>arguing fighting each other and yet I'm buying their wine.

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<v Speaker 4>Really, we talked about.

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<v Speaker 3>Let's me wrong. What do you think that they're peeing

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<v Speaker 3>in the wine because they're getting image.

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<v Speaker 4>They're worried about.

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<v Speaker 5>You'll find out from him imaging this brand change. We

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<v Speaker 5>talked about uh P Diddy is having issues right now,

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<v Speaker 5>and on and on and on and on. So the question,

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<v Speaker 5>this is why I searched you out, was our celebrity

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<v Speaker 5>endorsement's gone bad? I mean, is this the beginning of

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<v Speaker 5>the end for celebrity endorsements because they're so fraught with

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<v Speaker 5>issues or or is nothing going to change? Or is

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<v Speaker 5>it going from a and paid endorser to partnerships to

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<v Speaker 5>like Jason brought up Brian Reynolds. So a guy who

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<v Speaker 5>says I don't need any of this, I can create

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<v Speaker 5>it myself. So first of you can address because this

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<v Speaker 5>is your business, your life. What's happening with celebrity endorsements?

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<v Speaker 5>How do you protect yourself with a brand?

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<v Speaker 6>Well, they've they've really taken off.

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<v Speaker 7>There's a lot of endorsements out there right now, and

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<v Speaker 7>celebrities are jumping on the bandwagon. I think because they

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<v Speaker 7>see the success from Ryan Reynolds. I think alcohol as

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<v Speaker 7>a whole is trying to figure out what the direction

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<v Speaker 7>destiny is. And I think the big brands the Augio

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<v Speaker 7>Parno regard, are accessing talent because there's so much competition

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<v Speaker 7>from artisanal products that they've seen a decline in sales,

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<v Speaker 7>and so I think a lot of this is marketing

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<v Speaker 7>led by the big brands to attract more consumers back

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<v Speaker 7>to the base.

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<v Speaker 5>So she Jason get involved in an alcohol brand? Alcohol brand? You,

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<v Speaker 5>by the way, do you have to drink to get

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<v Speaker 5>involved in an alcohol brand.

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<v Speaker 7>I think it's important because there's a degree of authenticity

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<v Speaker 7>I have.

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<v Speaker 5>But I know somebody all right, wait, wait, wait wait wait,

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<v Speaker 5>I just love the way. Yeah, I know somebody who

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<v Speaker 5>is a I don't want to give it away, who

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<v Speaker 5>is a celebrity, Okay, who has an alcohol brand that

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<v Speaker 5>does not drink at all.

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<v Speaker 3>Sure, I well, it's only honestly, Mark, correct me if

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<v Speaker 3>you think I'm wrong. It's only a problem if I go, hey,

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<v Speaker 3>I'm Jason Alexander and I drink slowly every day. If

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<v Speaker 3>I'm lying, there's a problem. But if I go, you know,

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<v Speaker 3>I look at that bottle. That's a beautiful bottle. My

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<v Speaker 3>friends love it when I serve. When I serve vodka,

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<v Speaker 3>I serve slowly. I'm not I'm not saying anything.

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<v Speaker 4>Look at the Look at the cork, Look at the writing,

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<v Speaker 4>Look at the font. Is is this a brand or what?

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<v Speaker 3>Or what is this a brand or what?

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<v Speaker 5>So the alcohol thing, it's funny because initially we're talking,

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<v Speaker 5>we were looking at all the alcohol brands that are popping,

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<v Speaker 5>and we had in Brian Cranson, who is an alcohol brand.

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<v Speaker 3>But it seems like everybody's got a brand. There's that

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<v Speaker 3>when we were when we were playing around with with

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<v Speaker 3>h Cranson, you know, we we talked about, you know,

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<v Speaker 3>he's got it. There's so many there must be easily,

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<v Speaker 3>if we thought about it, two dozen that we could

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<v Speaker 3>name or more.

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<v Speaker 6>Yeah, I know about one hundred of.

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<v Speaker 3>Those of the hundred, Yeah, how did the celebrity get

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<v Speaker 3>involved in some cases like with our with our buddy

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<v Speaker 3>Brian Cranston, he went and became he's the guy, he's

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<v Speaker 3>the producer of the of the alcohol. But for somebody

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<v Speaker 3>who's who has just been invited on as a brand ambassador?

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<v Speaker 3>Mm hmm, what what I mean? Do do the companies

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<v Speaker 3>not feel like they've glutted that market?

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<v Speaker 7>So what I've seen, what I what I when I'm

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<v Speaker 7>experiencing in our industry sectors, there are those that build brands,

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<v Speaker 7>Ryan Reynolds, Cranston for sure, dos Hombres, Matthew Conye and

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<v Speaker 7>his wife Pelatonis. They are coming out with their own product.

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<v Speaker 7>There are there are many that contribute either through collaboration,

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<v Speaker 7>they want to be part of the party, or they're

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<v Speaker 7>sought after for their reach and their audience attraction. Because

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<v Speaker 7>the bigger brands have seen some decline in the last

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<v Speaker 7>three or four years of their top line sales.

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<v Speaker 5>Is that a problem? By the way, are people drinking

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<v Speaker 5>less alcohol? And if they are, what are they going to?

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<v Speaker 7>So that's I would say, yes, it's happening. It's a

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<v Speaker 7>common misconception. So the abstainers pre COVID were about thirty

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<v Speaker 7>eight percent of the marketplace. Now it's about forty one percent.

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<v Speaker 7>So we saw a change of three percent. Call that

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<v Speaker 7>the Abstained great for a podcast, the Abstainer.

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<v Speaker 4>I love that.

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<v Speaker 5>But that's great, okay, And what do we know? Why

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<v Speaker 5>do we know? Psychologically what's happened since COVID.

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<v Speaker 7>During COVID, a lot of people have felt that they

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<v Speaker 7>had permission to indulge whenever however they wanted.

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<v Speaker 6>There was there was no judgment.

0:11:52.600 --> 0:11:56.000
<v Speaker 7>Some people were consuming their favorite cocktails, you know, before noon.

0:11:56.840 --> 0:12:01.559
<v Speaker 7>Now that we're back and socialized again, on premise sales

0:12:01.600 --> 0:12:05.640
<v Speaker 7>have ticked up. The off premise sales have ticked down.

0:12:05.679 --> 0:12:10.800
<v Speaker 7>People are looking at health and better health consciousness, I

0:12:10.800 --> 0:12:15.240
<v Speaker 7>would say, and so the rate has declined.

0:12:15.400 --> 0:12:16.160
<v Speaker 6>It's also.

0:12:17.400 --> 0:12:20.800
<v Speaker 7>As we age millennials in particular and now gen Z

0:12:20.960 --> 0:12:24.480
<v Speaker 7>who's coming into it, they want a more healthful experience

0:12:24.480 --> 0:12:25.600
<v Speaker 7>and so they're just not consuming.

0:12:25.840 --> 0:12:27.520
<v Speaker 5>Well I just saw that, and I also saw a

0:12:27.559 --> 0:12:29.480
<v Speaker 5>studied said, and again, I don't know how much of

0:12:29.520 --> 0:12:31.760
<v Speaker 5>this applies to your area of food and alcohol, but

0:12:31.920 --> 0:12:34.600
<v Speaker 5>in beverage, but seventy eight percent of millennials aren't influenced

0:12:34.600 --> 0:12:38.840
<v Speaker 5>by celebrity endorsements anymore. It just doesn't resonate. You're seeing that,

0:12:38.880 --> 0:12:40.199
<v Speaker 5>you're seeing that as a difference.

0:12:41.840 --> 0:12:46.160
<v Speaker 7>Yeah, I believe that, But there are these these anecdotes

0:12:46.160 --> 0:12:48.920
<v Speaker 7>that are just mind blowing, Like mister Beast, I mean,

0:12:48.960 --> 0:12:52.320
<v Speaker 7>he's able to attract the massive amount of consumers to

0:12:52.360 --> 0:12:52.920
<v Speaker 7>his brands.

0:12:53.320 --> 0:12:57.960
<v Speaker 3>I've referenced Stowshnaiah before. So if I imagine in the

0:12:58.040 --> 0:13:02.760
<v Speaker 3>vodka market, stolely has got to your presence. If there

0:13:02.880 --> 0:13:06.160
<v Speaker 3>is a celebrity on another vodka, is that going to

0:13:06.280 --> 0:13:09.720
<v Speaker 3>push it into competition much faster than another? Is it

0:13:09.760 --> 0:13:12.720
<v Speaker 3>the quality of the product or is it the veneer

0:13:12.760 --> 0:13:16.400
<v Speaker 3>of the celebrity that suddenly makes something bang through like that?

0:13:17.240 --> 0:13:19.439
<v Speaker 6>It there, It depends.

0:13:19.440 --> 0:13:21.800
<v Speaker 7>There's three, So there's three attributes that I look at

0:13:21.840 --> 0:13:25.240
<v Speaker 7>when I look at different celebrity endorsement. Stan Akrott has

0:13:25.240 --> 0:13:28.640
<v Speaker 7>a vodka and a lot of that is about the

0:13:28.679 --> 0:13:30.280
<v Speaker 7>bottle and the presence, and he was one of the

0:13:30.280 --> 0:13:32.760
<v Speaker 7>early celebrities to bring a vodka out, so he's going

0:13:32.800 --> 0:13:36.120
<v Speaker 7>to have some staying power. Now there's other vodkas that

0:13:36.120 --> 0:13:38.880
<v Speaker 7>have come into the market. I think it's Pitbull. He's

0:13:38.880 --> 0:13:41.960
<v Speaker 7>got a vodka and all of his claims his attributes

0:13:42.000 --> 0:13:45.240
<v Speaker 7>are filter, filter, filter. It's filtered so many times, then

0:13:45.280 --> 0:13:46.760
<v Speaker 7>filtered again, and then I'm.

0:13:46.679 --> 0:13:47.640
<v Speaker 4>Actually water.

0:13:50.840 --> 0:13:54.200
<v Speaker 5>And then it goes into the bottle pitbull. Every bottle

0:13:54.320 --> 0:13:56.920
<v Speaker 5>goes through me. I'm the final filter.

0:13:58.760 --> 0:13:59.000
<v Speaker 1>Wow.

0:13:59.040 --> 0:14:01.480
<v Speaker 5>Wow Yeah is that okay? So as a marketing guy,

0:14:01.480 --> 0:14:02.679
<v Speaker 5>does that make a difference to people?

0:14:04.360 --> 0:14:04.560
<v Speaker 6>Yeah?

0:14:04.640 --> 0:14:06.840
<v Speaker 7>I mean if you like your celebrity and you want

0:14:06.880 --> 0:14:09.520
<v Speaker 7>to live vicariously through them and be connected to them,

0:14:09.600 --> 0:14:12.319
<v Speaker 7>You're always going to get sales by having a celebrity endorsement.

0:14:12.360 --> 0:14:14.000
<v Speaker 7>It's always going to be a lyft and a pickup.

0:14:14.120 --> 0:14:16.800
<v Speaker 7>But is it going to be a rock solid brand?

0:14:16.800 --> 0:14:20.320
<v Speaker 7>I mean, the case study of Aviation Jin and Ryan

0:14:20.360 --> 0:14:23.320
<v Speaker 7>Reynolds is just it's mind blowing what they were able

0:14:23.320 --> 0:14:24.560
<v Speaker 7>to do with that brand.

0:14:24.360 --> 0:14:26.680
<v Speaker 4>And why is it? What did he have in place?

0:14:26.760 --> 0:14:29.800
<v Speaker 5>What did he have as an endorser and creator that

0:14:29.880 --> 0:14:32.640
<v Speaker 5>nobody else said that he could accelerate so fast?

0:14:33.560 --> 0:14:34.280
<v Speaker 6>He had appeal.

0:14:35.000 --> 0:14:39.400
<v Speaker 7>He used his character persona or his irreverence to kind

0:14:39.400 --> 0:14:42.400
<v Speaker 7>of create this shtick when he was doing his advertisements

0:14:42.440 --> 0:14:44.560
<v Speaker 7>as commercials where he's a novice.

0:14:44.600 --> 0:14:46.520
<v Speaker 6>I don't really know. I'm not really a mixologist.

0:14:46.560 --> 0:14:48.680
<v Speaker 7>I don't know what to do with this, And you know,

0:14:48.800 --> 0:14:52.560
<v Speaker 7>he's just it's this funny, almost slapstick approach to how

0:14:52.920 --> 0:14:56.280
<v Speaker 7>he created those commercials which appealed to every person.

0:14:56.600 --> 0:14:59.720
<v Speaker 3>But if his gin doesn't taste better than Schleimann's gym,

0:15:00.440 --> 0:15:04.360
<v Speaker 3>I don't know from Jen, how is it gonna? I mean,

0:15:04.440 --> 0:15:06.560
<v Speaker 3>what do you get? You might get somebody to go, oh,

0:15:06.600 --> 0:15:09.400
<v Speaker 3>you know, let's try that Ryan Reynolds gin once. But

0:15:09.440 --> 0:15:10.920
<v Speaker 3>if it doesn't measure up.

0:15:11.760 --> 0:15:14.360
<v Speaker 7>So the formula for that aviation, Jen. The reason I

0:15:14.400 --> 0:15:16.720
<v Speaker 7>think it performed really was it's a great product. It's

0:15:16.720 --> 0:15:18.560
<v Speaker 7>a high quality product. So you have to have that.

0:15:18.680 --> 0:15:21.160
<v Speaker 7>You have the presence in the persona and the marketing

0:15:21.160 --> 0:15:24.640
<v Speaker 7>and the brand. Those are powerful elements. But I also

0:15:24.720 --> 0:15:25.440
<v Speaker 7>call it a gateway.

0:15:25.480 --> 0:15:25.640
<v Speaker 1>Jen.

0:15:25.840 --> 0:15:29.160
<v Speaker 7>It's very light in flavor. From a gin perspective, it's

0:15:29.440 --> 0:15:31.760
<v Speaker 7>vodka elevated.

0:15:32.680 --> 0:15:35.280
<v Speaker 4>I like that better than that podka. That's what our

0:15:35.320 --> 0:15:37.240
<v Speaker 4>slogan would be, vodka elevated.

0:15:37.560 --> 0:15:41.120
<v Speaker 3>I'm thinking back, I kind of you'll remember this mark,

0:15:41.160 --> 0:15:44.480
<v Speaker 3>you remember this, You probably remember this, dear. What was

0:15:45.000 --> 0:15:47.640
<v Speaker 3>what was the image you're going for for Paul Gallo

0:15:47.760 --> 0:15:51.800
<v Speaker 3>Wines by having orson wells, oh.

0:15:51.680 --> 0:15:52.720
<v Speaker 4>No wine before it's time?

0:15:52.880 --> 0:15:57.600
<v Speaker 3>Yeah, I mean you got a guy sitting there basically immobile.

0:15:58.040 --> 0:16:00.240
<v Speaker 3>It looks like he's been sitting at that chair for

0:16:00.280 --> 0:16:00.800
<v Speaker 3>a long while.

0:16:01.000 --> 0:16:02.280
<v Speaker 4>You think he's been drinking the product.

0:16:02.760 --> 0:16:08.280
<v Speaker 3>Yeah, I mean, what what would be the.

0:16:09.280 --> 0:16:10.080
<v Speaker 4>I guess that.

0:16:10.120 --> 0:16:12.000
<v Speaker 3>It was about, Oh, I want to live the happy,

0:16:12.480 --> 0:16:15.560
<v Speaker 3>carefree lifestyle of the Ryan Reynolds kind of thing. How

0:16:15.600 --> 0:16:19.840
<v Speaker 3>does they can't transferent them? Oh there's a guy, I

0:16:19.840 --> 0:16:20.160
<v Speaker 3>got it.

0:16:20.200 --> 0:16:23.240
<v Speaker 5>That appeals to people who just want to say, if

0:16:23.240 --> 0:16:27.200
<v Speaker 5>you're not active, if you have no plans of going out,

0:16:27.200 --> 0:16:30.240
<v Speaker 5>of socializing, if you're just drinking home in the dark quietly.

0:16:31.160 --> 0:16:32.880
<v Speaker 3>By the way, the greatest thing of all time is

0:16:32.920 --> 0:16:35.920
<v Speaker 3>if you have never seen them the bloopers when Orson

0:16:36.000 --> 0:16:39.400
<v Speaker 3>Wells was apparently quite inebriated trying to make those commercials,

0:16:39.760 --> 0:16:40.680
<v Speaker 3>and the reading is.

0:16:40.680 --> 0:16:44.920
<v Speaker 4>About I think that sold it more.

0:16:46.280 --> 0:16:48.440
<v Speaker 3>That make me go if he's drinking this stuff, he's

0:16:48.680 --> 0:16:49.320
<v Speaker 3>it's doing.

0:16:49.960 --> 0:16:54.640
<v Speaker 5>And then don't go anywhere. So another question, how do

0:16:54.720 --> 0:16:56.720
<v Speaker 5>you work tequilas? Can you flood the market with like

0:16:56.760 --> 0:16:59.000
<v Speaker 5>how many is too many? All these guys are making

0:16:59.000 --> 0:17:01.520
<v Speaker 5>tequilas and it's like, really we need another tequila?

0:17:01.600 --> 0:17:01.840
<v Speaker 4>Really?

0:17:02.720 --> 0:17:06.040
<v Speaker 7>Yeah, the vodka and secular are the two most predominant

0:17:06.080 --> 0:17:08.760
<v Speaker 7>celebrity indoors products, and you know, I scratched my head

0:17:08.760 --> 0:17:11.040
<v Speaker 7>a little bit. Those are highly competitive spaces. If you

0:17:11.080 --> 0:17:13.320
<v Speaker 7>really want to make a name for yourself, why are

0:17:13.320 --> 0:17:14.919
<v Speaker 7>you going to where everybody else is?

0:17:15.040 --> 0:17:16.400
<v Speaker 6>Choose something a little bit different?

0:17:16.520 --> 0:17:19.040
<v Speaker 4>You know, like that it's for us, Mark, But what

0:17:19.080 --> 0:17:19.640
<v Speaker 4>would that be?

0:17:20.359 --> 0:17:25.640
<v Speaker 3>Yeah? I kind of like a Jason Alexander?

0:17:26.200 --> 0:17:32.000
<v Speaker 5>What would that feel like? Are what would you.

0:17:32.280 --> 0:17:42.320
<v Speaker 1>Well?

0:17:44.400 --> 0:17:47.399
<v Speaker 3>Kind of like a Jason Alexander, what would that feel like?

0:17:47.520 --> 0:17:49.640
<v Speaker 3>What would you would.

0:17:52.440 --> 0:17:52.640
<v Speaker 1>Well?

0:17:52.720 --> 0:17:53.000
<v Speaker 6>Rum?

0:17:53.119 --> 0:17:56.200
<v Speaker 7>I think is interesting because it's an age spirit that's

0:17:56.440 --> 0:18:00.199
<v Speaker 7>you know, under represented in the marketplace, and so as

0:18:00.280 --> 0:18:03.800
<v Speaker 7>a degree of sophistication, it's affordable, it's accessible, so you

0:18:03.800 --> 0:18:07.720
<v Speaker 7>can have a high quality rum at a mid price point.

0:18:08.040 --> 0:18:11.320
<v Speaker 7>And there's only three celebrity endorsements for Rum.

0:18:11.359 --> 0:18:11.880
<v Speaker 4>Who are the other?

0:18:12.000 --> 0:18:15.280
<v Speaker 6>Rolling Stones is coming out with their rum eminently.

0:18:16.000 --> 0:18:18.320
<v Speaker 4>That's for bad boys? Okay, go ahead? Yeah? Who else is.

0:18:20.520 --> 0:18:21.000
<v Speaker 6>Bumboo?

0:18:21.040 --> 0:18:25.240
<v Speaker 3>Who is a little Wayne?

0:18:25.840 --> 0:18:28.679
<v Speaker 7>And in Silver Ray Bruno Mars that's a particularly good.

0:18:28.520 --> 0:18:33.200
<v Speaker 3>Product, all right. I know the demographic that's available based

0:18:33.240 --> 0:18:37.160
<v Speaker 3>on those two guys, and I liked everything that Mark

0:18:37.200 --> 0:18:39.080
<v Speaker 3>said in describing why I would be good for that

0:18:39.119 --> 0:18:42.399
<v Speaker 3>product other than the word aged. Other than that, I

0:18:42.400 --> 0:18:44.320
<v Speaker 3>thought it was very, very all complimentary.

0:18:44.320 --> 0:18:48.240
<v Speaker 4>Big market rum is not huge.

0:18:48.240 --> 0:18:52.000
<v Speaker 7>I think it's so you go to a segment of

0:18:52.040 --> 0:18:54.920
<v Speaker 7>the market that's underrepresented. If you have the brand cachet,

0:18:54.960 --> 0:18:58.040
<v Speaker 7>because there's no competition, you go into that space.

0:18:58.680 --> 0:19:01.719
<v Speaker 3>You know what I like about your thinking more? What

0:19:01.760 --> 0:19:02.760
<v Speaker 3>are you laughing about?

0:19:03.320 --> 0:19:07.119
<v Speaker 4>I actually because it's been so transparent now we just

0:19:07.160 --> 0:19:11.160
<v Speaker 4>shifted into yeah, good topic, let's fund Jason product. It's

0:19:11.280 --> 0:19:12.960
<v Speaker 4>it's actually this is.

0:19:12.920 --> 0:19:16.040
<v Speaker 3>And I hope the rum manufacturers that they're listening. I

0:19:16.080 --> 0:19:19.000
<v Speaker 3>actually like rum on the occasions.

0:19:20.200 --> 0:19:20.840
<v Speaker 4>I love.

0:19:23.040 --> 0:19:26.800
<v Speaker 3>I really I haven't. Rum is roum to me my

0:19:26.960 --> 0:19:30.000
<v Speaker 3>find of alcohol. There is a sweetness to it that

0:19:30.119 --> 0:19:32.960
<v Speaker 3>I really like, and it's it mixes with other things

0:19:32.960 --> 0:19:33.680
<v Speaker 3>I like and mark.

0:19:33.720 --> 0:19:35.040
<v Speaker 5>Not to put you in place, but if you have

0:19:35.080 --> 0:19:40.640
<v Speaker 5>the money, if you have the name Chases Rum, how

0:19:40.640 --> 0:19:41.119
<v Speaker 5>do you come.

0:19:41.040 --> 0:19:43.199
<v Speaker 4>Up with a name for a room for Jason Alexander

0:19:43.800 --> 0:19:44.680
<v Speaker 4>red Rome boy?

0:19:47.200 --> 0:19:48.960
<v Speaker 6>Well, so what motivates you?

0:19:49.119 --> 0:19:49.399
<v Speaker 4>What?

0:19:49.400 --> 0:19:52.880
<v Speaker 7>What do you look for when you see a sea

0:19:52.960 --> 0:19:55.080
<v Speaker 7>of products all over the place? What do you what

0:19:55.200 --> 0:19:56.280
<v Speaker 7>cost you to pick one out?

0:19:57.200 --> 0:20:02.280
<v Speaker 3>Usually the colors on the box. Uh No, I mean

0:20:02.280 --> 0:20:04.800
<v Speaker 3>what would anybody look for. They'd look for quality, they'd

0:20:04.840 --> 0:20:07.800
<v Speaker 3>look for consistency, they'd look for you.

0:20:08.480 --> 0:20:09.199
<v Speaker 6>You haven't bought it.

0:20:09.400 --> 0:20:11.280
<v Speaker 3>I haven't bought it yet. No. For me, then it

0:20:11.320 --> 0:20:14.080
<v Speaker 3>would be Honestly, it's the aesthetics of how it's packaged.

0:20:14.840 --> 0:20:18.040
<v Speaker 6>Okay, And so what what motivates you is it? Is

0:20:18.040 --> 0:20:21.800
<v Speaker 6>it a bright color, a metallic color, blue, red, yellow, green?

0:20:21.960 --> 0:20:28.560
<v Speaker 3>I like all of that. Listen, but look how I'm

0:20:28.680 --> 0:20:30.320
<v Speaker 3>I'm so amenable.

0:20:32.560 --> 0:20:32.800
<v Speaker 5>To him.

0:20:34.280 --> 0:20:37.439
<v Speaker 3>Here's the thing. Here's what I associate with rum that

0:20:37.560 --> 0:20:41.560
<v Speaker 3>makes me go ooh fun pirates. Yeah, a bottle of rum.

0:20:41.640 --> 0:20:43.959
<v Speaker 3>So I would probably go, oh, it's kind of a

0:20:44.000 --> 0:20:45.040
<v Speaker 3>fantasy thing. It's kind of.

0:20:46.640 --> 0:20:47.720
<v Speaker 4>It was a pirate.

0:20:47.480 --> 0:20:52.000
<v Speaker 3>Color gold, silver. Uh, you could go into ocean blues,

0:20:52.119 --> 0:20:55.000
<v Speaker 3>you could go into the red flags or the black flags.

0:20:55.040 --> 0:20:57.040
<v Speaker 3>You could go in Yeah, what.

0:20:57.119 --> 0:20:59.560
<v Speaker 4>Haven't they done a rum with pirates? All right, don't there's.

0:20:59.359 --> 0:21:01.600
<v Speaker 6>Another thing week, Captain Morgan? Sure?

0:21:01.680 --> 0:21:04.879
<v Speaker 4>Yeah, okay, so second pirates? What's your second favorite thing

0:21:04.960 --> 0:21:05.760
<v Speaker 4>to call to you?

0:21:08.800 --> 0:21:11.240
<v Speaker 3>I can't do a secondary pirty theme.

0:21:11.480 --> 0:21:12.560
<v Speaker 4>Oh that's a good question.

0:21:12.640 --> 0:21:16.840
<v Speaker 5>So if Jason put out and Captain Morgan has already

0:21:16.840 --> 0:21:18.640
<v Speaker 5>been out there for seven thousand years.

0:21:19.080 --> 0:21:21.200
<v Speaker 4>Isn't that a challenging way to go? My room is

0:21:21.240 --> 0:21:22.320
<v Speaker 4>called captain.

0:21:24.080 --> 0:21:26.720
<v Speaker 7>I mean you want to you want to leverage your persona,

0:21:26.760 --> 0:21:29.320
<v Speaker 7>you want to leverage your assets. You want it to connect,

0:21:29.720 --> 0:21:32.080
<v Speaker 7>you know, in an obvious way to consumers. They want

0:21:32.119 --> 0:21:36.560
<v Speaker 7>to know, like, you know, what are the casts that

0:21:36.600 --> 0:21:37.920
<v Speaker 7>you are best known for?

0:21:38.280 --> 0:21:38.880
<v Speaker 6>The characters?

0:21:39.280 --> 0:21:43.840
<v Speaker 5>Yeah, no room for you, no room for you, no

0:21:43.920 --> 0:21:44.920
<v Speaker 5>room for your room.

0:21:45.720 --> 0:21:46.239
<v Speaker 3>I like it.

0:21:46.320 --> 0:21:48.320
<v Speaker 4>I like it. He likes it.

0:21:48.400 --> 0:21:53.399
<v Speaker 3>You know what Serenity rum Mark, Serenity, I like, no

0:21:53.480 --> 0:21:54.000
<v Speaker 3>room for you?

0:21:54.000 --> 0:21:55.520
<v Speaker 4>Better for you? Right?

0:21:55.600 --> 0:21:55.840
<v Speaker 1>Mark?

0:21:55.920 --> 0:21:56.360
<v Speaker 4>What do you think?

0:21:56.480 --> 0:21:56.640
<v Speaker 1>Yeah?

0:21:56.920 --> 0:21:57.760
<v Speaker 4>Yeah that works? Mark?

0:21:59.200 --> 0:22:01.760
<v Speaker 5>Now can you get us some only by Tuesday?

0:22:02.800 --> 0:22:05.320
<v Speaker 4>Is this my way? Is this what you do? Joking?

0:22:05.720 --> 0:22:05.760
<v Speaker 1>Is?

0:22:05.800 --> 0:22:06.760
<v Speaker 4>This is what he done?

0:22:07.240 --> 0:22:07.840
<v Speaker 3>This is what you do?

0:22:07.880 --> 0:22:08.199
<v Speaker 4>What we do?

0:22:08.560 --> 0:22:09.240
<v Speaker 6>This is what we do?

0:22:09.440 --> 0:22:11.280
<v Speaker 3>Mark. I'm totally up for no room for you.

0:22:11.600 --> 0:22:15.240
<v Speaker 7>I just want to say, so we got to, you know,

0:22:15.320 --> 0:22:17.040
<v Speaker 7>work on what kind of realm it is?

0:22:17.080 --> 0:22:18.240
<v Speaker 6>What flavor profile does?

0:22:18.280 --> 0:22:21.240
<v Speaker 3>What the bottle of coconuttle coconut?

0:22:21.760 --> 0:22:24.520
<v Speaker 5>Next Thursday you come back on with every episode is

0:22:24.560 --> 0:22:26.080
<v Speaker 5>developing Jason's Room.

0:22:26.400 --> 0:22:28.760
<v Speaker 4>Can you imagine that? And it takes off? We have

0:22:28.760 --> 0:22:29.440
<v Speaker 4>the number two.

0:22:29.680 --> 0:22:34.560
<v Speaker 3>Mister Beast has burgers and chocolate. I've got We've got rum. Really, no, really, rum,

0:22:34.760 --> 0:22:35.280
<v Speaker 3>We've done.

0:22:35.920 --> 0:22:37.080
<v Speaker 4>I'm sitting here.

0:22:37.720 --> 0:22:38.640
<v Speaker 3>I'll give you a small piece.

0:22:38.680 --> 0:22:41.359
<v Speaker 5>Because when you do this, this is an interesting process.

0:22:41.400 --> 0:22:43.240
<v Speaker 5>When you do this, does do celebrities come to you

0:22:43.280 --> 0:22:45.880
<v Speaker 5>to say, hey, Mark, help me connect with the product?

0:22:46.240 --> 0:22:46.359
<v Speaker 4>Uh?

0:22:46.720 --> 0:22:48.719
<v Speaker 7>They When they do come to us, they come to

0:22:48.800 --> 0:22:51.920
<v Speaker 7>us for a product idea. They usually have a vision

0:22:51.920 --> 0:22:53.640
<v Speaker 7>of what they want to bring to market, and then

0:22:53.680 --> 0:22:56.240
<v Speaker 7>we work with them to make certain that really reflects

0:22:56.240 --> 0:22:57.399
<v Speaker 7>who they are as a brand.

0:22:57.760 --> 0:22:59.959
<v Speaker 5>Before we go to the morality clause. I'm curious, can

0:23:00.160 --> 0:23:03.600
<v Speaker 5>rouality causes have changed? Do you deal with them? You

0:23:03.640 --> 0:23:05.000
<v Speaker 5>must deal with them on some level.

0:23:05.000 --> 0:23:05.359
<v Speaker 4>Correct.

0:23:07.760 --> 0:23:12.680
<v Speaker 7>Sometimes usually it's we're being asked to sign the morality clauses,

0:23:12.680 --> 0:23:15.399
<v Speaker 7>so we're not the ones executing the agreements on behalf

0:23:15.440 --> 0:23:17.720
<v Speaker 7>of a strategic for a celebrity. But it's important I

0:23:17.800 --> 0:23:19.280
<v Speaker 7>understand what you're asking.

0:23:19.359 --> 0:23:21.679
<v Speaker 4>Yeah, because it seems like, and I read the stats,

0:23:21.720 --> 0:23:25.840
<v Speaker 4>it's increasing that celebrities making mistakes, sleeping with the wrong person,

0:23:25.960 --> 0:23:27.640
<v Speaker 4>saying the wrong thing right.

0:23:28.000 --> 0:23:32.120
<v Speaker 7>Yeah, it's it's incredibly important. And there are a couple

0:23:32.160 --> 0:23:34.800
<v Speaker 7>of recent case studies, and I don't want to go

0:23:34.880 --> 0:23:38.280
<v Speaker 7>into them, but you know, strategic businesses that we're working with,

0:23:38.400 --> 0:23:44.560
<v Speaker 7>key celebrities withdrew their relationship very quickly because of how

0:23:45.560 --> 0:23:49.680
<v Speaker 7>their interaction in the public and the public eye was met.

0:23:50.160 --> 0:23:52.520
<v Speaker 6>And so it's a very real thing. Absolutely.

0:23:52.640 --> 0:23:56.639
<v Speaker 3>I can tell you Peter personal anecdotes. When I years ago,

0:23:58.400 --> 0:24:02.040
<v Speaker 3>when I started doing celebrity endors and the morality's cause

0:24:02.040 --> 0:24:04.520
<v Speaker 3>would come up, I was able to negotiate it to

0:24:04.560 --> 0:24:07.960
<v Speaker 3>the point where it said if I am accused of

0:24:08.000 --> 0:24:11.720
<v Speaker 3>a felony or convicted of a serious misdemeanor, that would

0:24:11.720 --> 0:24:16.800
<v Speaker 3>trigger the clause. Anything else, No, Now I just have

0:24:16.880 --> 0:24:19.639
<v Speaker 3>to sign it as they present. I can't negotiate it

0:24:20.359 --> 0:24:23.920
<v Speaker 3>because if I go on social media and I say

0:24:23.960 --> 0:24:28.040
<v Speaker 3>something and the brand feels it hurts them, they have

0:24:28.119 --> 0:24:30.240
<v Speaker 3>to be able to go. We need to be able

0:24:30.280 --> 0:24:32.280
<v Speaker 3>to and I go, okay, I get that they did.

0:24:32.320 --> 0:24:33.320
<v Speaker 3>Times have changed, you know.

0:24:33.359 --> 0:24:35.720
<v Speaker 5>And times have changed too because I saw that stars

0:24:35.840 --> 0:24:38.560
<v Speaker 5>also associating with brands. Have the brand saw him rally

0:24:38.600 --> 0:24:41.560
<v Speaker 5>cause because if the brand does something, sure they don't like.

0:24:42.119 --> 0:24:47.160
<v Speaker 3>I don't want it to absolutely sure, but but I can. Yeah,

0:24:47.240 --> 0:24:49.080
<v Speaker 3>anecdotical I can just tell you that I used to

0:24:49.119 --> 0:24:51.800
<v Speaker 3>hold the line that you know, what are you accusing

0:24:51.840 --> 0:24:53.240
<v Speaker 3>me of? What do you think is going to happen?

0:24:53.720 --> 0:24:56.720
<v Speaker 3>And now I have to go, well, I get it.

0:24:57.040 --> 0:24:57.959
<v Speaker 3>We're much more exploring.

0:24:58.800 --> 0:25:01.040
<v Speaker 5>The next step is the last ques is do you

0:25:01.119 --> 0:25:03.520
<v Speaker 5>have a company you compare Jason with?

0:25:03.640 --> 0:25:04.240
<v Speaker 4>Before we leave?

0:25:06.200 --> 0:25:07.240
<v Speaker 6>We can figure something out.

0:25:08.119 --> 0:25:11.440
<v Speaker 3>I like the glint in his eyes, a little wheel.

0:25:11.640 --> 0:25:14.160
<v Speaker 5>If you're just listening to this audibly, there's a little

0:25:14.160 --> 0:25:16.440
<v Speaker 5>something something that just happened there. I think we had

0:25:16.680 --> 0:25:17.880
<v Speaker 5>I think we made a marriage here.

0:25:18.400 --> 0:25:20.040
<v Speaker 3>Mark. We will make sure you have a way of

0:25:20.200 --> 0:25:23.240
<v Speaker 3>contact me before you know you're I.

0:25:23.280 --> 0:25:26.080
<v Speaker 5>Was gonna give them the number right now. I don't

0:25:26.119 --> 0:25:27.760
<v Speaker 5>care if people I don't care if people call.

0:25:27.640 --> 0:25:30.240
<v Speaker 3>Your number and somebody out there might have an indorsement.

0:25:30.359 --> 0:25:32.119
<v Speaker 5>Mark, you're a really good sport. But I I just

0:25:32.200 --> 0:25:35.480
<v Speaker 5>we just may have made you possible. This may have

0:25:35.520 --> 0:25:38.000
<v Speaker 5>been of a interview for both of Them's just do

0:25:38.080 --> 0:25:39.960
<v Speaker 5>me a favor tonight. I think think I think some

0:25:40.040 --> 0:25:42.840
<v Speaker 5>other pirates, it's been done. It's been done for the Rum.

0:25:43.200 --> 0:25:43.680
<v Speaker 5>It's been done.

0:25:43.720 --> 0:25:46.000
<v Speaker 3>What do you want to do with Rum? It isn't

0:25:46.040 --> 0:25:46.800
<v Speaker 3>a pirate.

0:25:46.600 --> 0:25:48.280
<v Speaker 4>Zombie to think of something zombie.

0:25:49.119 --> 0:25:50.600
<v Speaker 3>Michael Johnson did it in Thriller.

0:25:50.880 --> 0:25:52.639
<v Speaker 5>By the way, I got to bring this up because

0:25:52.720 --> 0:25:55.119
<v Speaker 5>I just saw this they just did and it was

0:25:55.119 --> 0:25:57.480
<v Speaker 5>so wonderful, not after by anything we're talking about. But

0:25:57.560 --> 0:26:00.240
<v Speaker 5>I didn't know this as far as an endorsement. Michael

0:26:00.359 --> 0:26:03.359
<v Speaker 5>Jackson was doing Thriller forty years ago, whatever that is,

0:26:03.800 --> 0:26:08.680
<v Speaker 5>and Don King made a deal for PEPSI from Michael Jackson,

0:26:08.720 --> 0:26:12.520
<v Speaker 5>and Michael Jackson went, oh, I'm going I don't do this.

0:26:13.119 --> 0:26:16.240
<v Speaker 4>So but he made it. And I guess with Don King,

0:26:16.720 --> 0:26:18.240
<v Speaker 4>you don't say no if you made it. Yeah.

0:26:18.359 --> 0:26:23.600
<v Speaker 5>So his lawyer, John Broncas said, Michael called me and said, Okay,

0:26:23.920 --> 0:26:25.960
<v Speaker 5>I'll be in the commercial. It's a two minute commercial.

0:26:26.280 --> 0:26:29.160
<v Speaker 5>I'll be in the commercial. I'm never holding the product,

0:26:29.440 --> 0:26:33.320
<v Speaker 5>and I'm in the commercial for three seconds. And if

0:26:33.359 --> 0:26:36.000
<v Speaker 5>you watch the commercial, it's kids and a kid dressed

0:26:36.040 --> 0:26:38.119
<v Speaker 5>like Michael. They're out on the street, they're trying to

0:26:38.160 --> 0:26:41.120
<v Speaker 5>do thriller. They're joking around for a good long time,

0:26:41.200 --> 0:26:43.480
<v Speaker 5>and all of a sudden, the kid backs up and

0:26:43.520 --> 0:26:45.919
<v Speaker 5>he realized he's backed up into Michael Jackson and he

0:26:46.040 --> 0:26:51.080
<v Speaker 5>looks up. You can count to three he looks up one, two, three,

0:26:51.240 --> 0:26:54.560
<v Speaker 5>it's Michael and he's gone. And now the kids are

0:26:54.600 --> 0:26:57.719
<v Speaker 5>just elated because they've seen Michael Jackson. They continue dancing,

0:26:57.720 --> 0:26:59.600
<v Speaker 5>they get the number down and they're out.

0:27:00.160 --> 0:27:00.399
<v Speaker 3>Like it.

0:27:00.440 --> 0:27:01.000
<v Speaker 4>I like it too.

0:27:01.040 --> 0:27:04.639
<v Speaker 5>I'm gonna put that close in. Whatever Jason will be,

0:27:04.880 --> 0:27:06.440
<v Speaker 5>I only touched the problem. He's not going to be

0:27:06.440 --> 0:27:09.679
<v Speaker 5>facing forward. You will not be facing forward. Trust me,

0:27:09.720 --> 0:27:12.040
<v Speaker 5>he's easy and you. I'll give you the number. You

0:27:12.080 --> 0:27:14.240
<v Speaker 5>shouldn't talk to him directly. He's he's a troublemaker and

0:27:14.600 --> 0:27:18.200
<v Speaker 5>a pirate thing. Come on, it's already been done. Well,

0:27:18.240 --> 0:27:20.480
<v Speaker 5>thank you man, thanks for being on. Mark has the

0:27:20.520 --> 0:27:23.480
<v Speaker 5>CEO of the Helmsman Group, which helps friends navigate the

0:27:23.520 --> 0:27:25.040
<v Speaker 5>world of consumer packaged goods.

0:27:25.560 --> 0:27:27.440
<v Speaker 4>They've helped over two hundred new.

0:27:27.320 --> 0:27:30.880
<v Speaker 5>Product platforms WOW into the commercial market, representing more than

0:27:31.280 --> 0:27:32.280
<v Speaker 5>two billion in sales.

0:27:32.320 --> 0:27:33.879
<v Speaker 4>Why is he even talking to us?

0:27:34.600 --> 0:27:34.840
<v Speaker 3>You know?

0:27:35.240 --> 0:27:39.240
<v Speaker 4>Because all right, because it's the Jason rum.

0:27:39.520 --> 0:27:41.639
<v Speaker 3>He and I are here for one reason and it

0:27:41.680 --> 0:27:45.080
<v Speaker 3>doesn't have the initials p TA nothing.

0:27:44.760 --> 0:27:45.359
<v Speaker 4>To do with me.

0:27:45.560 --> 0:27:49.439
<v Speaker 5>Thank you very much, Thanks, thank you, pleasure it.

0:27:59.560 --> 0:28:01.679
<v Speaker 3>Can I just say I started this episode saying I

0:28:01.760 --> 0:28:04.359
<v Speaker 3>was not gonna enjoy this. I thought you were trying

0:28:04.400 --> 0:28:06.800
<v Speaker 3>to take a piece of me. I am, and let

0:28:06.800 --> 0:28:08.840
<v Speaker 3>me just say, I get a this has turned out

0:28:08.960 --> 0:28:09.320
<v Speaker 3>very well.

0:28:09.560 --> 0:28:11.960
<v Speaker 4>I think I think this is he's actually the guy

0:28:12.000 --> 0:28:13.480
<v Speaker 4>he does this. I know.

0:28:15.160 --> 0:28:21.399
<v Speaker 3>I'm gonna be mister rum and I'm gonna say remedy, remedy,

0:28:21.640 --> 0:28:24.240
<v Speaker 3>m no, no, no rum for you, no rum for you.

0:28:24.440 --> 0:28:26.080
<v Speaker 3>It doesn't make sense. It's a negative. How do you

0:28:26.080 --> 0:28:29.840
<v Speaker 3>sell a product because it's funny? I don't know that?

0:28:30.119 --> 0:28:31.520
<v Speaker 3>Isn't that a Seinfeld patented?

0:28:31.680 --> 0:28:31.760
<v Speaker 1>Know?

0:28:31.840 --> 0:28:32.320
<v Speaker 4>So it for you?

0:28:32.560 --> 0:28:34.359
<v Speaker 3>That's a can we get a can they have the

0:28:34.440 --> 0:28:36.000
<v Speaker 3>trademark on a sentence? They could?

0:28:37.359 --> 0:28:40.640
<v Speaker 5>Well, we should find that out right right away, all right?

0:28:41.600 --> 0:28:44.240
<v Speaker 5>So I just got to because I had some celebrity

0:28:44.320 --> 0:28:46.200
<v Speaker 5>endorsements to go wrong. I'll just do the one because

0:28:46.200 --> 0:28:47.400
<v Speaker 5>I want to get the Google hunt. But this one

0:28:47.400 --> 0:28:47.720
<v Speaker 5>made me.

0:28:47.720 --> 0:28:48.240
<v Speaker 4>Laugh, all right.

0:28:48.240 --> 0:28:49.880
<v Speaker 3>And then I got after David talks about I got

0:28:49.920 --> 0:28:50.600
<v Speaker 3>a game from.

0:28:50.360 --> 0:28:55.400
<v Speaker 5>Okay, right, so Samsung gets Lebron James to do there's

0:28:55.440 --> 0:28:57.360
<v Speaker 5>Samsung Galaxy, not refune.

0:28:57.920 --> 0:29:01.600
<v Speaker 4>It is an endorser. What thing. He's got twelve million followers.

0:29:01.720 --> 0:29:06.560
<v Speaker 5>Yeah, except that when the phone crapped out temporarily, he

0:29:06.840 --> 0:29:09.560
<v Speaker 5>tweeted out, my phone just eraced everything it had in

0:29:09.560 --> 0:29:12.080
<v Speaker 5>it and rebooted. One of the sickest feelings I've ever

0:29:12.160 --> 0:29:15.800
<v Speaker 5>had in my life. He sent that to his twelve followers,

0:29:16.120 --> 0:29:19.920
<v Speaker 5>and the immediate followed following tweet after that was from

0:29:19.960 --> 0:29:22.440
<v Speaker 5>somebody said, sounds like you just heard. The sound you

0:29:22.520 --> 0:29:27.160
<v Speaker 5>just heard was everyone at Samsung face planting simultaneously because

0:29:27.160 --> 0:29:31.800
<v Speaker 5>their endorser just basically said, my phone, my phones a

0:29:31.840 --> 0:29:34.280
<v Speaker 5>piece of So there, So there you go. So and

0:29:34.320 --> 0:29:38.520
<v Speaker 5>there's a long list of celebrities we've lost their endorsements

0:29:38.520 --> 0:29:42.000
<v Speaker 5>for a number of stuff, including an ever growing list

0:29:42.040 --> 0:29:44.600
<v Speaker 5>of athletes that you can't even imagine. So yeah, but

0:29:44.680 --> 0:29:46.880
<v Speaker 5>on my head is still spinning that you're gonna we

0:29:46.960 --> 0:29:50.120
<v Speaker 5>didn't have to about branding and ended up potentially having

0:29:50.160 --> 0:29:50.880
<v Speaker 5>an alcohol for you.

0:29:50.960 --> 0:29:53.720
<v Speaker 4>So I'll get over it. Oh yeah, I'm good, David.

0:29:53.800 --> 0:29:58.880
<v Speaker 3>You can't possibly top wow. But is there anything you

0:29:58.920 --> 0:30:01.320
<v Speaker 3>would like to add? I have ideas.

0:30:01.520 --> 0:30:08.240
<v Speaker 8>I have ideas of all when when you're doing an advertisement,

0:30:08.280 --> 0:30:12.600
<v Speaker 8>and it includes Michael Jackson and kids, I think three seconds.

0:30:12.280 --> 0:30:13.720
<v Speaker 3>Kids probably.

0:30:15.840 --> 0:30:16.040
<v Speaker 4>Too.

0:30:16.600 --> 0:30:17.480
<v Speaker 3>You get to.

0:30:22.160 --> 0:30:27.160
<v Speaker 5>Everybody said said he wouldn't touch the product.

0:30:27.720 --> 0:30:33.760
<v Speaker 9>All right, all right, Number two, number two, trying to

0:30:33.920 --> 0:30:36.520
<v Speaker 9>get a little bit of peace on your rum brand,

0:30:38.440 --> 0:30:43.960
<v Speaker 9>Jason Alexander head shaped bottle, Right, all.

0:30:43.920 --> 0:30:47.520
<v Speaker 5>Right, moving on, even I just threw wow, no, no, no,

0:30:48.080 --> 0:30:49.400
<v Speaker 5>because Ad has a skull.

0:30:50.280 --> 0:30:53.080
<v Speaker 4>You're drinking rum out of Jason's head. Think about it

0:30:53.080 --> 0:30:55.800
<v Speaker 4>for a second. Okay, exactly. I don't think so, and

0:30:55.840 --> 0:30:56.360
<v Speaker 4>I think you.

0:30:56.360 --> 0:30:58.440
<v Speaker 3>Have to use it. George Land, I don't think.

0:30:58.320 --> 0:31:01.480
<v Speaker 5>That the you can't use a George's line. It's sein film,

0:31:01.640 --> 0:31:09.440
<v Speaker 5>don't pooh pooh. That's where they draw the line.

0:31:09.360 --> 0:31:13.000
<v Speaker 4>Yeah, we're not going to get any of those unless

0:31:13.000 --> 0:31:13.640
<v Speaker 4>you get approval.

0:31:14.360 --> 0:31:17.600
<v Speaker 3>If it is you want, I can marry David's idea

0:31:18.000 --> 0:31:20.760
<v Speaker 3>and a George line. So the bottle was shaped like

0:31:20.880 --> 0:31:24.400
<v Speaker 3>me and the line and the product is called It's

0:31:24.400 --> 0:31:25.560
<v Speaker 3>not Me, it's rom.

0:31:29.400 --> 0:31:31.160
<v Speaker 4>I can't believe it's not Alexander.

0:31:31.880 --> 0:31:32.640
<v Speaker 3>It's not it's right.

0:31:32.680 --> 0:31:32.760
<v Speaker 1>No.

0:31:32.840 --> 0:31:35.000
<v Speaker 3>My famous line is it's not I invented, it's not me.

0:31:35.080 --> 0:31:36.400
<v Speaker 3>It's you. You're telling me it's not you.

0:31:36.600 --> 0:31:36.880
<v Speaker 4>It's me.

0:31:37.360 --> 0:31:37.960
<v Speaker 3>I invented.

0:31:38.000 --> 0:31:38.440
<v Speaker 4>It's not me.

0:31:38.520 --> 0:31:42.080
<v Speaker 3>It's you. It's me, it's not you. It's right, it's wrong.

0:31:42.320 --> 0:31:43.040
<v Speaker 4>It does my head.

0:31:43.080 --> 0:31:46.080
<v Speaker 3>Boy, you're exhausted, you're exhausting.

0:31:45.560 --> 0:31:46.360
<v Speaker 4>Can't stand it?

0:31:46.400 --> 0:31:48.480
<v Speaker 3>All right, so there we go, there you go.

0:31:48.720 --> 0:31:53.120
<v Speaker 4>All right, all right, it's starting with you don't drink

0:31:53.160 --> 0:31:56.600
<v Speaker 4>and now you're a rum. Okay, really really kill me.

0:31:56.800 --> 0:31:57.120
<v Speaker 3>Kill me.

0:32:01.080 --> 0:32:03.480
<v Speaker 4>By the way, I'll be doing a podcast for the

0:32:03.520 --> 0:32:05.960
<v Speaker 4>next four hundred years. For dollar Jason.

0:32:06.800 --> 0:32:09.760
<v Speaker 5>Jason sells rum for three hundred million dollars.

0:32:10.160 --> 0:32:13.560
<v Speaker 9>What also if you wanted to do the pirate ideas

0:32:14.680 --> 0:32:15.600
<v Speaker 9>space pirates?

0:32:16.560 --> 0:32:17.160
<v Speaker 4>You know what's great?

0:32:17.240 --> 0:32:20.320
<v Speaker 5>Spirates Google, and I'm supposed to give us scugahems. He's

0:32:20.400 --> 0:32:29.160
<v Speaker 5>pitching around everybody in the control room. Producer Laurie David

0:32:29.880 --> 0:32:32.040
<v Speaker 5>no Moss on the ideas for the rum. Okay, I

0:32:32.040 --> 0:32:34.040
<v Speaker 5>think let Jason, let's.

0:32:34.400 --> 0:32:42.480
<v Speaker 9>Want to PE's already tell me that you you know what?

0:32:42.520 --> 0:32:46.800
<v Speaker 3>My rum is gold everyone, but tell them what's crazy? Laurie?

0:32:46.840 --> 0:32:48.160
<v Speaker 4>When's our next thing? I don't know. I'm working on

0:32:48.240 --> 0:32:50.560
<v Speaker 4>the Yeah, all right, you ready? David?

0:32:50.560 --> 0:32:51.720
<v Speaker 3>Can I play a game with you? Or do you

0:32:51.720 --> 0:32:51.959
<v Speaker 3>have more?

0:32:52.000 --> 0:32:52.280
<v Speaker 4>Please?

0:32:52.320 --> 0:32:52.840
<v Speaker 1>Do? Please? Do?

0:32:52.880 --> 0:32:53.240
<v Speaker 4>All right?

0:32:53.360 --> 0:32:56.320
<v Speaker 3>These are products that, as far as I know, have

0:32:56.400 --> 0:32:58.760
<v Speaker 3>no celebrity, and this is my thing. I'm going to

0:32:58.800 --> 0:33:01.600
<v Speaker 3>give you the product. You tell me who should endorse it?

0:33:02.240 --> 0:33:02.840
<v Speaker 3>Are you ready?

0:33:03.880 --> 0:33:10.000
<v Speaker 5>Vazzil baz basing one of the the remaining Golden Gers.

0:33:10.000 --> 0:33:13.480
<v Speaker 5>A golden girl living the Golden Girls right away, a golden.

0:33:13.200 --> 0:33:14.440
<v Speaker 4>Girl gold whatever.

0:33:14.480 --> 0:33:22.000
<v Speaker 3>The band aids band Aids aid, who played less despin

0:33:23.080 --> 0:33:24.480
<v Speaker 3>w k RP that guy?

0:33:25.840 --> 0:33:26.080
<v Speaker 8>Wow?

0:33:26.200 --> 0:33:30.160
<v Speaker 4>Yeah, celebrity.

0:33:31.120 --> 0:33:35.760
<v Speaker 5>On the l pay was the unready band Aids should

0:33:35.840 --> 0:33:38.040
<v Speaker 5>be ready, Johnny Knoxville.

0:33:37.880 --> 0:33:40.720
<v Speaker 3>Johnny Knoxville. That's very good. I was thinking Tony Hawk.

0:33:40.760 --> 0:33:45.160
<v Speaker 3>Tony Hawk also very good. O Lestra, well, lest don't

0:33:45.160 --> 0:33:49.040
<v Speaker 3>make it all right. Let's say they did Oprah, Oh

0:33:49.080 --> 0:33:53.520
<v Speaker 3>my god? Why why not heinz ketchup?

0:33:54.280 --> 0:34:00.480
<v Speaker 5>Heinz ketchup should be oh, oh, what's your name?

0:34:00.520 --> 0:34:01.000
<v Speaker 1>Melia Mark?

0:34:02.600 --> 0:34:05.080
<v Speaker 4>Why? Because you don't think a heartputting.

0:34:04.720 --> 0:34:05.600
<v Speaker 1>Catch up on the regular.

0:34:05.640 --> 0:34:08.799
<v Speaker 5>But even though I'm royal adjacent, I still live like you.

0:34:09.480 --> 0:34:13.960
<v Speaker 5>I like catch that's I think that's wake. Oh Steven RT,

0:34:14.160 --> 0:34:17.839
<v Speaker 5>you're doing people who are who are Wow? I shouldn't judge,

0:34:17.880 --> 0:34:18.160
<v Speaker 5>by the way.

0:34:18.160 --> 0:34:20.920
<v Speaker 3>I could also dig into why that but seven.

0:34:20.719 --> 0:34:26.920
<v Speaker 5>Eleven seven, eleven, seven and eleven they should have as spokesman.

0:34:27.000 --> 0:34:28.840
<v Speaker 3>They really should have been Celebrity.

0:34:29.000 --> 0:34:33.160
<v Speaker 5>Green Day, the whole group. Why, just because I think

0:34:33.160 --> 0:34:34.880
<v Speaker 5>they would look good in the seven eleven. Go and

0:34:34.920 --> 0:34:36.680
<v Speaker 5>give us this, this, and this before we go into it.

0:34:36.719 --> 0:34:37.560
<v Speaker 5>We look suff this is.

0:34:37.560 --> 0:34:39.920
<v Speaker 3>A big company. Big company. They don't have a celebrity

0:34:39.920 --> 0:34:45.560
<v Speaker 3>spokes Starbucks, Starbucks champette.

0:34:49.960 --> 0:34:53.600
<v Speaker 5>Just because you're serious about coffee, is he? I'm serious

0:34:53.640 --> 0:34:56.080
<v Speaker 5>about saving people as they am about cough. You know what,

0:34:56.120 --> 0:34:57.960
<v Speaker 5>when you got to if you're gotta stay up twenty

0:34:58.000 --> 0:34:59.600
<v Speaker 5>two hours to go save people and hate in the

0:34:59.600 --> 0:35:07.960
<v Speaker 5>world and do the clean up, sure.

0:35:04.320 --> 0:35:06.239
<v Speaker 3>Okay, you need a lot. You got it.

0:35:06.320 --> 0:35:08.319
<v Speaker 4>Ship right away, Ship right away? Where you got right?

0:35:08.400 --> 0:35:08.879
<v Speaker 3>Last one?

0:35:09.200 --> 0:35:15.640
<v Speaker 5>Frontier Airlines, Frontier Airlines, Tara Reid, tell me why.

0:35:15.640 --> 0:35:15.880
<v Speaker 4>Just go.

0:35:18.160 --> 0:35:21.120
<v Speaker 3>John john Way. She hadn't been big, and I think

0:35:21.239 --> 0:35:24.200
<v Speaker 3>saving on air for may maybe.

0:35:25.840 --> 0:35:26.680
<v Speaker 4>Company.

0:35:26.719 --> 0:35:29.080
<v Speaker 3>First of all, I just have an ability to do

0:35:29.120 --> 0:35:30.880
<v Speaker 3>the names just come. They just can't.

0:35:30.640 --> 0:35:34.560
<v Speaker 4>I tell you, I'm just not working on.

0:35:37.120 --> 0:35:40.480
<v Speaker 3>With these ideas off the top of his head ideas.

0:35:42.600 --> 0:35:47.120
<v Speaker 3>All right, this is a very productive day. Good or

0:35:47.200 --> 0:35:50.480
<v Speaker 3>you should you should David I, thank you, Laurie, I

0:35:50.560 --> 0:35:53.600
<v Speaker 3>thank you the future president and vice president of No

0:35:53.719 --> 0:35:58.239
<v Speaker 3>Room for your Costs, Thank you CEO of No Room

0:35:58.280 --> 0:36:06.720
<v Speaker 3>for you ladies in jail for you really the scirt

0:36:06.800 --> 0:36:06.960
<v Speaker 3>or not.

0:36:09.760 --> 0:36:12.799
<v Speaker 2>No Really, as another episode of Really No Really comes

0:36:12.840 --> 0:36:14.840
<v Speaker 2>to it close. I know you're wondering, who are the

0:36:15.000 --> 0:36:18.759
<v Speaker 2>highest paid celebrity endorsers in history? Well, we'll count him

0:36:18.760 --> 0:36:21.040
<v Speaker 2>down in a moment, but first let's thank our guest,

0:36:21.120 --> 0:36:25.080
<v Speaker 2>Mark Hawes. You can follow market his website Helmsmangroup dot com.

0:36:25.080 --> 0:36:28.160
<v Speaker 2>On Instagram, he is at Helmsman Group and on Facebook

0:36:28.200 --> 0:36:32.000
<v Speaker 2>it is the Helmsman Group. Our little show hangs out

0:36:32.040 --> 0:36:36.000
<v Speaker 2>on Instagram, TikTok, YouTube, and threads at Really No Really Podcast,

0:36:36.280 --> 0:36:38.719
<v Speaker 2>And of course you can share your thoughts and feedback

0:36:38.760 --> 0:36:39.920
<v Speaker 2>with us online.

0:36:39.560 --> 0:36:41.160
<v Speaker 3>At reallynoreally dot com.

0:36:41.440 --> 0:36:44.560
<v Speaker 2>If you have a really some amazing fact or story

0:36:44.600 --> 0:36:47.399
<v Speaker 2>that boggles your mind, share it with us and if

0:36:47.400 --> 0:36:49.920
<v Speaker 2>we use it, we will send you a little gift.

0:36:50.280 --> 0:36:53.240
<v Speaker 2>Nothing life changing, obviously, but it's the thought that counts.

0:36:53.840 --> 0:36:56.480
<v Speaker 2>Check out our full episodes on YouTube, hit that subscribe

0:36:56.480 --> 0:36:58.719
<v Speaker 2>button and take that bell so you're updated when we

0:36:58.760 --> 0:37:02.080
<v Speaker 2>release new videos and an episodisodes, which we do each Tuesday.

0:37:02.320 --> 0:37:05.480
<v Speaker 2>So listen and follow us on the iHeartRadio app, Apple

0:37:05.520 --> 0:37:07.960
<v Speaker 2>podcasts or wherever you get your podcasts.

0:37:08.680 --> 0:37:08.960
<v Speaker 1>Now.

0:37:09.000 --> 0:37:11.520
<v Speaker 3>Who are the highest paid celebrity endorsers ever?

0:37:11.640 --> 0:37:14.800
<v Speaker 2>Well, There's Catherine Zata Jones for t Mobile at twenty million,

0:37:15.080 --> 0:37:18.120
<v Speaker 2>Johnny Depp for Dior at twenty million, Taylor Swift for

0:37:18.200 --> 0:37:20.840
<v Speaker 2>Coca Cola at twenty six million, but that was in

0:37:20.920 --> 0:37:24.560
<v Speaker 2>twenty fourteen. Selena Gomez for Puma at a cool thirty mil,

0:37:24.880 --> 0:37:27.760
<v Speaker 2>George Clooney for an Espresso coming in at forty million.

0:37:28.000 --> 0:37:31.080
<v Speaker 2>Julia Roberts topped that with land Comb at fifty million,

0:37:31.280 --> 0:37:34.120
<v Speaker 2>same price for Beyonce and Pepsi. And then we hit

0:37:34.200 --> 0:37:37.480
<v Speaker 2>the big boys, Tiger Woods for Nike at one hundred million.

0:37:37.719 --> 0:37:40.239
<v Speaker 2>George Foreman and his foreman Grill made a deal with

0:37:40.360 --> 0:37:43.720
<v Speaker 2>Sultan Ink for almost one hundred and forty million. David

0:37:43.719 --> 0:37:46.840
<v Speaker 2>Beckham and Adidas come in at one hundred and sixty million,

0:37:47.040 --> 0:37:50.680
<v Speaker 2>and blowing them all away is Lionel Messi and Adidas

0:37:50.719 --> 0:37:54.279
<v Speaker 2>at a deal reportedly worth one billion dollars, all of

0:37:54.320 --> 0:37:58.040
<v Speaker 2>which leads to the unavoidable question, Hey, Adidas, don't you

0:37:58.080 --> 0:37:59.719
<v Speaker 2>need a voice actor for your commercials?

0:37:59.719 --> 0:38:02.239
<v Speaker 3>Because I can do this for way under what you're paying.

0:38:02.239 --> 0:38:05.680
<v Speaker 3>Lionel Messy call me idiotis just do it? Oh wait,

0:38:05.680 --> 0:38:06.840
<v Speaker 3>that's a Nike slogan.

0:38:06.920 --> 0:38:13.200
<v Speaker 2>Huh damn okay, well, call me, we'll figure something out. Really, No,

0:38:13.320 --> 0:38:16.239
<v Speaker 2>Really is the production of iHeartRadio and Blaise Entertainment.