1 00:00:01,480 --> 00:00:05,600 Speaker 1: Hey, here we are episode three forty with Billy Ray Cyrus. 2 00:00:06,160 --> 00:00:07,600 Speaker 1: So he's got a new song out and I'll play 3 00:00:07,600 --> 00:00:09,160 Speaker 1: it for you in a second. But we talked about 4 00:00:09,160 --> 00:00:11,880 Speaker 1: all of it. His early life, he worked working at 5 00:00:11,920 --> 00:00:13,640 Speaker 1: a bar, it burned down, why he went to l A, 6 00:00:13,680 --> 00:00:16,440 Speaker 1: why it came to Nashville. I mean, it's a whole story. 7 00:00:16,880 --> 00:00:19,400 Speaker 1: Some of it I knew roughly, but I mean I 8 00:00:19,480 --> 00:00:21,239 Speaker 1: learned a lot about Billy Ray. And he brought his 9 00:00:21,280 --> 00:00:24,520 Speaker 1: guitar and I was feeling bad for a sec because 10 00:00:24,520 --> 00:00:26,760 Speaker 1: he was just sitting with it, and then I realized 11 00:00:26,800 --> 00:00:28,600 Speaker 1: he wants to play some stuff as he told stories. 12 00:00:28,640 --> 00:00:30,520 Speaker 1: Yeah that was cool. Yeah, it was really cool. I 13 00:00:30,560 --> 00:00:32,760 Speaker 1: really like Billy Ray. And so he came over to 14 00:00:32,760 --> 00:00:36,880 Speaker 1: the house after the interview was over. He was wearing 15 00:00:37,000 --> 00:00:38,920 Speaker 1: like this jacket and I saw the brand on it 16 00:00:38,920 --> 00:00:41,040 Speaker 1: and I was like, dang, okay very and he's like 17 00:00:41,200 --> 00:00:42,479 Speaker 1: and I told him how to say the name of 18 00:00:42,479 --> 00:00:44,040 Speaker 1: the brand and he's like, oh, that's how you say. 19 00:00:44,080 --> 00:00:45,839 Speaker 1: It was like, well, why do you have that expensive 20 00:00:45,920 --> 00:00:47,520 Speaker 1: jacket if you did not say the name of the brand. 21 00:00:47,560 --> 00:00:48,920 Speaker 1: He's like, oh no, I gave me that is that. 22 00:00:49,000 --> 00:00:51,440 Speaker 1: It was cool, So his daughter gave it to him 23 00:00:51,560 --> 00:00:52,879 Speaker 1: and I was like, yeah, I look at that. But 24 00:00:53,080 --> 00:00:54,800 Speaker 1: we just had a good time. I mean, Billy Rays 25 00:00:54,800 --> 00:00:57,160 Speaker 1: the man, we do talk about it all. It's funny 26 00:00:57,160 --> 00:00:59,840 Speaker 1: too about how Achy breaking Heart got its name because 27 00:00:59,840 --> 00:01:01,600 Speaker 1: that wasn't the name of the song because he's a 28 00:01:01,600 --> 00:01:03,520 Speaker 1: different song. It was called Don't Tell My Heart, But 29 00:01:03,600 --> 00:01:05,920 Speaker 1: how Ach You Breaking Heart was called that. He talks 30 00:01:05,959 --> 00:01:08,800 Speaker 1: about that. We talked about you know, Snoop Dogg a lot. 31 00:01:09,280 --> 00:01:12,080 Speaker 1: But here you go, before we get to the interview, 32 00:01:12,160 --> 00:01:16,520 Speaker 1: here is a hard working man, Billy Ray Cyrus, Snoop 33 00:01:16,560 --> 00:01:22,600 Speaker 1: Dogg and the Avila Brothers. So you gotta time to 34 00:01:22,640 --> 00:01:43,039 Speaker 1: get you. You gotta be made. You see, so new 35 00:01:43,080 --> 00:01:46,240 Speaker 1: songs out today. We'll talk about the song, we'll talk 36 00:01:46,240 --> 00:01:50,040 Speaker 1: about his life. Here you go, Billy Ray Cyrus. It's 37 00:01:50,040 --> 00:01:54,520 Speaker 1: a Bobby cast. It was super cool to do. I 38 00:01:54,560 --> 00:01:57,320 Speaker 1: was listening to your song. I guess a couple of 39 00:01:57,360 --> 00:01:59,480 Speaker 1: days ago they sent me like the that's not really 40 00:01:59,520 --> 00:02:01,160 Speaker 1: a peak was not a sneak peak, but that the 41 00:02:01,160 --> 00:02:04,280 Speaker 1: early version of it and it said Billy Ray and 42 00:02:04,600 --> 00:02:08,720 Speaker 1: Snoop Dogg and who else on it? The brothers. Yes, yeah, 43 00:02:09,120 --> 00:02:10,919 Speaker 1: I was like, well this will be an interesting listen. 44 00:02:11,400 --> 00:02:15,600 Speaker 1: I like how like like it's about hard, like how grimy. 45 00:02:15,600 --> 00:02:19,000 Speaker 1: It feels like hard working, like that's the texture of it. 46 00:02:19,040 --> 00:02:21,920 Speaker 1: Felt like what you were saying in the song. And 47 00:02:21,960 --> 00:02:23,880 Speaker 1: so I really thought it was cool. I didn't know 48 00:02:23,919 --> 00:02:26,239 Speaker 1: what to expect. How did how in the world did 49 00:02:26,320 --> 00:02:29,959 Speaker 1: this collaboration with you three guys come together? It was 50 00:02:29,960 --> 00:02:32,960 Speaker 1: pretty special, you know. And and it started with the 51 00:02:33,000 --> 00:02:36,079 Speaker 1: fact that I come from the Ohio River Valley and 52 00:02:36,280 --> 00:02:40,399 Speaker 1: steel mills, working people, and said they Snoop Dogg wanted 53 00:02:40,400 --> 00:02:43,359 Speaker 1: to do a song for the working man. And when 54 00:02:43,400 --> 00:02:47,200 Speaker 1: I first heard it, it was a little different connotation 55 00:02:47,280 --> 00:02:50,520 Speaker 1: of what it is now. And uh, I said, man, 56 00:02:50,560 --> 00:02:52,320 Speaker 1: you don't be cool about this. I love all the 57 00:02:52,320 --> 00:02:55,560 Speaker 1: working stuff. And I said, it's having the man. It 58 00:02:55,680 --> 00:02:58,560 Speaker 1: is a working man, but without the woman, the man 59 00:02:58,639 --> 00:03:01,360 Speaker 1: ain't nothing. We all, oh, if mama ain't happen to 60 00:03:01,360 --> 00:03:03,920 Speaker 1: nobody's happy, and we get this has to actually be 61 00:03:04,000 --> 00:03:07,680 Speaker 1: a tip of the hat to mama. And also let's 62 00:03:07,720 --> 00:03:10,639 Speaker 1: put some positive food in there for the kids. Elbow 63 00:03:10,720 --> 00:03:14,120 Speaker 1: Grease Snoop sings about elbow Grease. Well, we all know that, 64 00:03:14,800 --> 00:03:19,120 Speaker 1: you know, hard work is is the key to everything. 65 00:03:19,560 --> 00:03:23,880 Speaker 1: I mean, I've never had anything in life that was 66 00:03:23,919 --> 00:03:26,520 Speaker 1: worth anything that came easy. It always seems like there's 67 00:03:26,520 --> 00:03:29,600 Speaker 1: some elbow grease involved. And knowing that if you can 68 00:03:29,639 --> 00:03:31,680 Speaker 1: think it, you can be it, you can do it. 69 00:03:32,000 --> 00:03:34,079 Speaker 1: What's gonna take some work. And that's what the song 70 00:03:34,200 --> 00:03:36,880 Speaker 1: is about. And I think we found a nice balance 71 00:03:36,920 --> 00:03:40,520 Speaker 1: of um, you know, putting that the food in there, 72 00:03:40,560 --> 00:03:43,600 Speaker 1: tipping the hat to all the people, men and women 73 00:03:43,640 --> 00:03:46,320 Speaker 1: that make this world go around. It's a hard working 74 00:03:46,600 --> 00:03:48,760 Speaker 1: you know, hard work of man, hard working woman, and 75 00:03:49,520 --> 00:03:53,200 Speaker 1: keep mama happy. Whenever they because you say you were 76 00:03:53,240 --> 00:03:55,160 Speaker 1: approached to be in the song, is that I'm getting 77 00:03:55,160 --> 00:03:56,720 Speaker 1: my order right right? Like they came to you and said, hey, 78 00:03:56,720 --> 00:03:58,480 Speaker 1: we have the song. This is kind of what the 79 00:03:58,520 --> 00:04:01,520 Speaker 1: idea is. So do you have a lot of uh 80 00:04:01,560 --> 00:04:03,880 Speaker 1: input on the creative of Okay, I'm gonna be in this, 81 00:04:04,000 --> 00:04:06,400 Speaker 1: but this is my vision as well? And do they 82 00:04:06,560 --> 00:04:08,240 Speaker 1: is it kind of molded so all of you have 83 00:04:08,320 --> 00:04:10,760 Speaker 1: your own voice in there. They came to me with 84 00:04:10,920 --> 00:04:14,400 Speaker 1: UM and this was before Snoop was in UM. It 85 00:04:14,480 --> 00:04:17,400 Speaker 1: was just a title and a little bit of a 86 00:04:17,480 --> 00:04:20,160 Speaker 1: hard working man that was really leaning a little bit 87 00:04:20,160 --> 00:04:24,919 Speaker 1: more towards um like a physical like labor, like physical labor, 88 00:04:25,120 --> 00:04:28,279 Speaker 1: talking about that sexual Oh that kind of hard working man. 89 00:04:28,520 --> 00:04:30,160 Speaker 1: Got it. Yeah, it was a little it was kind 90 00:04:30,160 --> 00:04:31,880 Speaker 1: of going that direction. I said, hey, you know what, 91 00:04:32,000 --> 00:04:35,840 Speaker 1: I really liked this idea, but let's really let's let's 92 00:04:35,839 --> 00:04:39,800 Speaker 1: make it something more than that. Let's let's really and 93 00:04:39,800 --> 00:04:42,279 Speaker 1: and again. This this started over a year ago and 94 00:04:42,320 --> 00:04:44,039 Speaker 1: it was the title and just this thought of a 95 00:04:44,040 --> 00:04:47,000 Speaker 1: workingman's song. And it's a little bit of kind of 96 00:04:47,080 --> 00:04:50,200 Speaker 1: what you said, kind of that little It was basically 97 00:04:50,320 --> 00:04:54,960 Speaker 1: some drums and some banging and clanging of like um, 98 00:04:55,960 --> 00:04:58,560 Speaker 1: I felt like work was being done, Work was being done, 99 00:04:58,600 --> 00:05:01,680 Speaker 1: and the songle wow, man put some positive food in 100 00:05:01,760 --> 00:05:05,360 Speaker 1: here for the kids and the people that have a dream. 101 00:05:05,400 --> 00:05:08,120 Speaker 1: Let's put make this song about something this moment. And 102 00:05:08,200 --> 00:05:11,080 Speaker 1: we all know that the frontline workers, the truck drivers, 103 00:05:11,120 --> 00:05:14,320 Speaker 1: the steel meals, that's that's what makes America go round. 104 00:05:14,920 --> 00:05:17,839 Speaker 1: And we're all going through this list. So that was 105 00:05:17,880 --> 00:05:19,880 Speaker 1: over a year and a couple of months ago when 106 00:05:19,960 --> 00:05:22,680 Speaker 1: i'm I came up with a bit of the you 107 00:05:22,760 --> 00:05:25,080 Speaker 1: gotta go back to what Mama said. Mama said, it's 108 00:05:25,080 --> 00:05:28,600 Speaker 1: gonna take some elbow grease and Mama. It's the whole 109 00:05:28,640 --> 00:05:33,800 Speaker 1: world revolves around mama. Speaking of mama, your wedding ring. 110 00:05:33,920 --> 00:05:35,680 Speaker 1: Is that tattoo so you don't so you don't have 111 00:05:35,680 --> 00:05:38,120 Speaker 1: to remember to wear one? Or is it a hang 112 00:05:38,160 --> 00:05:41,960 Speaker 1: on your guitar? Like? What's the The practical reason is 113 00:05:42,000 --> 00:05:45,600 Speaker 1: that it does get Uh, it's hard to wear any jewelry, though, 114 00:05:45,880 --> 00:05:47,840 Speaker 1: I will strap it on. When you see the video, 115 00:05:47,960 --> 00:05:51,000 Speaker 1: he said, got quite a bit of bling on. I'm thinking, 116 00:05:51,040 --> 00:05:53,200 Speaker 1: what man, I'm doing this with snoop. But I started 117 00:05:53,200 --> 00:05:56,040 Speaker 1: finding anything shining. I started wearing it like I'm I'm 118 00:05:56,080 --> 00:05:58,560 Speaker 1: pretty sure hanging forks on your neck, anything that would 119 00:05:58,760 --> 00:06:00,720 Speaker 1: have any reflection at all, you put it on. Put 120 00:06:00,760 --> 00:06:02,720 Speaker 1: it on. You'll sit in a video when you did 121 00:06:02,839 --> 00:06:04,200 Speaker 1: how long I go? Did you do the ring on 122 00:06:04,240 --> 00:06:07,680 Speaker 1: your finger? Long time ago? And was that your idea 123 00:06:07,800 --> 00:06:13,000 Speaker 1: or your wife's idea? I really don't remember. But I 124 00:06:13,240 --> 00:06:15,360 Speaker 1: like it because I always like I take it off, 125 00:06:15,560 --> 00:06:18,520 Speaker 1: I fiddle with it, and then I have a formal 126 00:06:19,120 --> 00:06:20,880 Speaker 1: ring as well, because this is a piece of rubber 127 00:06:21,120 --> 00:06:22,800 Speaker 1: and I always leave it behind. And if I just 128 00:06:22,839 --> 00:06:24,680 Speaker 1: get the tattoo like that looks real cool, I don't 129 00:06:24,720 --> 00:06:27,680 Speaker 1: look as cool as you. So what my vibe? I know, 130 00:06:27,800 --> 00:06:30,520 Speaker 1: I like, I'm a big nerd like it fits your 131 00:06:30,600 --> 00:06:34,760 Speaker 1: vibe and you know, but I like that well. It 132 00:06:35,520 --> 00:06:37,760 Speaker 1: really bothered me when I played to have a ring on, 133 00:06:38,160 --> 00:06:40,719 Speaker 1: especially on his hand, and it was always getting caught 134 00:06:40,720 --> 00:06:44,320 Speaker 1: on the strings. And yes, it worked out pretty good. 135 00:06:44,360 --> 00:06:47,640 Speaker 1: Are you still playing a lot of shows? Gosh, she's 136 00:06:47,640 --> 00:06:49,680 Speaker 1: been so long. I played a couple. I would call 137 00:06:49,720 --> 00:06:53,120 Speaker 1: it a couple shows. Like most everything I've had over 138 00:06:53,160 --> 00:06:59,480 Speaker 1: the last two years, UM were either canceled or moved 139 00:06:59,520 --> 00:07:02,200 Speaker 1: because COVID, And it really hurt because my goal was 140 00:07:02,279 --> 00:07:04,200 Speaker 1: after coming out of twenty nineteen, I was going to 141 00:07:04,279 --> 00:07:08,320 Speaker 1: spend all of just celebrating the fans and still being 142 00:07:08,360 --> 00:07:11,880 Speaker 1: here all these years later, and obviously Old Town Road 143 00:07:11,960 --> 00:07:15,680 Speaker 1: and the youth of the music. The shows were so 144 00:07:15,760 --> 00:07:17,720 Speaker 1: cool up to that point. We were getting booked for 145 00:07:17,720 --> 00:07:20,520 Speaker 1: a lot of huge festivals and great crowds, and then 146 00:07:21,160 --> 00:07:24,800 Speaker 1: like everybody, UM pretty much. You know, I came out 147 00:07:24,800 --> 00:07:30,119 Speaker 1: of the Grammys of and fortunately they handed me a couple, 148 00:07:30,200 --> 00:07:32,280 Speaker 1: But the next thing I know, they shut the lights off, 149 00:07:33,160 --> 00:07:35,920 Speaker 1: and it's been like a pretty dark couple of years. 150 00:07:36,280 --> 00:07:40,200 Speaker 1: Are you still in shape to perform, meaning I did 151 00:07:40,200 --> 00:07:41,920 Speaker 1: some stand up at an hour stand up at an 152 00:07:41,920 --> 00:07:45,040 Speaker 1: event a few weeks ago. And it wasn't that I 153 00:07:45,160 --> 00:07:48,360 Speaker 1: remember my jokes and it wasn't that my timing wasn't 154 00:07:49,280 --> 00:07:51,960 Speaker 1: all there, but I just hadn't done it a lot 155 00:07:52,000 --> 00:07:56,120 Speaker 1: in my voice wasn't quite just I wasn't in shape 156 00:07:56,160 --> 00:07:58,480 Speaker 1: to do an hour of stand up. And when you 157 00:07:58,600 --> 00:08:00,480 Speaker 1: hop back on the stage, are you is good to go? 158 00:08:00,600 --> 00:08:02,760 Speaker 1: Or is it stamon? You have to build up. I 159 00:08:02,880 --> 00:08:08,360 Speaker 1: really haven't done a real show of those. Yeah, Um, 160 00:08:08,400 --> 00:08:10,600 Speaker 1: it's been you know, I'm I'm looking forward to it. 161 00:08:10,640 --> 00:08:13,040 Speaker 1: We've got one coming up and it's probably gonna be 162 00:08:13,120 --> 00:08:16,880 Speaker 1: that because I am much better to be in shape 163 00:08:17,120 --> 00:08:19,680 Speaker 1: vocally though. I've been doing a lot of singing, do 164 00:08:19,720 --> 00:08:21,640 Speaker 1: a lot of writing. I wrote a couple of albums 165 00:08:21,720 --> 00:08:25,600 Speaker 1: during this and stuff that's really even this song, Uh, 166 00:08:25,960 --> 00:08:28,960 Speaker 1: hard working man, you know, it's all part of for me, 167 00:08:29,120 --> 00:08:32,679 Speaker 1: the therapy of leaning into the music. It was all 168 00:08:32,720 --> 00:08:35,000 Speaker 1: the light that I could find and faith that this 169 00:08:35,200 --> 00:08:37,160 Speaker 1: thing is there's gonna be a better day. I just 170 00:08:37,200 --> 00:08:39,920 Speaker 1: gotta make it through this storm. And like everybody, it's 171 00:08:39,920 --> 00:08:42,680 Speaker 1: been a hell of a storm. I'm curious I'm gonna 172 00:08:42,679 --> 00:08:45,440 Speaker 1: ask you in just second about your like your Nashville, 173 00:08:45,600 --> 00:08:48,520 Speaker 1: your genesis story of you coming to town. You have 174 00:08:48,600 --> 00:08:51,600 Speaker 1: your guitar with you right now always because you're left handed. 175 00:08:51,600 --> 00:08:54,640 Speaker 1: Where's yours? I have actually have one of yours that 176 00:08:54,720 --> 00:08:57,440 Speaker 1: I keep in a very special place that I'm so 177 00:08:57,480 --> 00:09:00,080 Speaker 1: afraid to play it because it's a John Lennon and 178 00:09:00,080 --> 00:09:01,400 Speaker 1: you wrote a little note on the back of it, 179 00:09:01,840 --> 00:09:05,040 Speaker 1: and I just I'm just like, if if I play it, 180 00:09:06,360 --> 00:09:08,480 Speaker 1: I'm not great and I I won't break it or I'm 181 00:09:08,480 --> 00:09:12,040 Speaker 1: gonna scratch it, and that this is Billy ray cires 182 00:09:12,040 --> 00:09:14,600 Speaker 1: a guitar. So I played it like twice and then 183 00:09:14,600 --> 00:09:16,520 Speaker 1: it sits for people to look at other than that. Well, 184 00:09:16,520 --> 00:09:19,199 Speaker 1: I see, I had this vision. I'm just playing. Oh yeah, 185 00:09:19,200 --> 00:09:22,200 Speaker 1: I want that. I don't ever get to play with 186 00:09:22,440 --> 00:09:24,920 Speaker 1: another lefty. But you don't thought, Okay, that's gonna be 187 00:09:24,920 --> 00:09:28,320 Speaker 1: great handed. Can I see your guitar? Yeah, sure, it's 188 00:09:28,320 --> 00:09:31,480 Speaker 1: even into I want to pick now good and I'm 189 00:09:31,520 --> 00:09:34,200 Speaker 1: just gonna play. But I'm gonna dumb. My songs are 190 00:09:35,000 --> 00:09:38,920 Speaker 1: so I'm playing. Okay, there you go, seek Pope comes 191 00:09:38,920 --> 00:09:43,079 Speaker 1: in handy you ape with there. So when I write songs. 192 00:09:43,920 --> 00:09:46,200 Speaker 1: There are songs about my life, but in a different way. 193 00:09:46,640 --> 00:09:48,240 Speaker 1: You know. Whenever I was growing up as a kid, 194 00:09:49,440 --> 00:09:50,600 Speaker 1: I was like, man, when I get a job, I'm 195 00:09:50,600 --> 00:09:53,400 Speaker 1: get a uniform, I'm gonna get girls because I never 196 00:09:53,400 --> 00:09:56,640 Speaker 1: got girls. And I'm assuming a lot of the music 197 00:09:56,679 --> 00:09:59,839 Speaker 1: that you did was early on to fill your creative cup, 198 00:09:59,840 --> 00:10:04,040 Speaker 1: but also have girls like you. Right, It seemed kind 199 00:10:04,040 --> 00:10:06,520 Speaker 1: of great part of it being in a band. But 200 00:10:06,520 --> 00:10:08,600 Speaker 1: every you know, everybody wants to be the Beatles when 201 00:10:08,600 --> 00:10:10,920 Speaker 1: you start a band. I started working a hobby lobby 202 00:10:10,960 --> 00:10:13,440 Speaker 1: for the same reason so girls would like me. And 203 00:10:13,720 --> 00:10:15,600 Speaker 1: I know you're laughing because you think hobby lobby no girls, 204 00:10:15,600 --> 00:10:17,400 Speaker 1: and you'd be correct, Billy, there are no girls that 205 00:10:17,480 --> 00:10:20,480 Speaker 1: like a guy at hobby lobby. Then they gave me 206 00:10:20,480 --> 00:10:23,680 Speaker 1: my name tag and it said hobby Lobby Bobby. Wow. 207 00:10:24,600 --> 00:10:29,719 Speaker 1: And then it was my name is hobby Lobby Bobby. 208 00:10:29,760 --> 00:10:33,840 Speaker 1: If you like arts and crafts, just call me. I 209 00:10:33,920 --> 00:10:38,800 Speaker 1: can see. So. So that's also that this is not 210 00:10:38,880 --> 00:10:41,200 Speaker 1: for me. No one wants to hear me sing. You 211 00:10:41,280 --> 00:10:44,160 Speaker 1: kind of wrote a hard working man, only the hobby 212 00:10:44,200 --> 00:10:47,120 Speaker 1: lobby version. All right, here we go. I'll give you 213 00:10:47,240 --> 00:10:48,800 Speaker 1: one one verse of question and you do a verse 214 00:10:48,840 --> 00:10:52,080 Speaker 1: of chorus. We'll do a guitar pulled back and forth. Okay, 215 00:10:52,080 --> 00:10:53,800 Speaker 1: here we go. Let me try this one. This is 216 00:10:53,800 --> 00:10:56,200 Speaker 1: another little song. There was an accident. It happened, and 217 00:10:56,200 --> 00:11:02,599 Speaker 1: we'll do it. Are we go? I needed food formal laborador, 218 00:11:03,679 --> 00:11:07,400 Speaker 1: so I went down to my favorite store. I didn't 219 00:11:07,400 --> 00:11:11,040 Speaker 1: think about the close I wore, but I learned a 220 00:11:11,040 --> 00:11:15,120 Speaker 1: hard lesson, that's for sure. I want two, three, four. 221 00:11:15,360 --> 00:11:19,760 Speaker 1: Don't go shopping at Target with khaki pants and a 222 00:11:19,840 --> 00:11:23,559 Speaker 1: red shirt on. Don't go shopping in to see a 223 00:11:23,600 --> 00:11:27,200 Speaker 1: little comedy song. The Offree laughs. They're like, yeah, that's 224 00:11:27,240 --> 00:11:34,360 Speaker 1: so funny. Yeah, this awesome turn. Versus versus. You don't 225 00:11:34,400 --> 00:11:36,920 Speaker 1: need them. Yes, you don't need to hear anything. But 226 00:11:37,040 --> 00:11:39,400 Speaker 1: I had a hobby lobby job and it was in 227 00:11:39,760 --> 00:11:41,959 Speaker 1: You didn't work at hobby lobby, well, it was closed 228 00:11:42,679 --> 00:11:44,960 Speaker 1: pursuing my in the early years. You want to hear 229 00:11:44,960 --> 00:11:47,600 Speaker 1: a bit of the adventure my first four years. You 230 00:11:48,400 --> 00:11:50,600 Speaker 1: first Billy, yeah, and then I want to know all 231 00:11:50,600 --> 00:11:52,000 Speaker 1: about it. I'm let you put the guitar down for 232 00:11:52,000 --> 00:11:53,920 Speaker 1: a second, give me like a verse and of course 233 00:11:53,960 --> 00:11:57,480 Speaker 1: something good. Who's a man and devised the plan to 234 00:11:57,559 --> 00:12:03,840 Speaker 1: keep our farms alive. When the news said this country's did, 235 00:12:04,120 --> 00:12:10,000 Speaker 1: his music said survived when Nurse water Gate and World 236 00:12:10,120 --> 00:12:15,760 Speaker 1: eight the rest seems kind of silly. Don't y'all think 237 00:12:15,800 --> 00:12:22,599 Speaker 1: it's time to stop picking on Willie? I wrote that 238 00:12:22,679 --> 00:12:24,480 Speaker 1: in the late eighties, I was playing a place up 239 00:12:24,480 --> 00:12:27,240 Speaker 1: in West Virginia and Willie was going through some stuff, 240 00:12:27,280 --> 00:12:32,400 Speaker 1: and I wrote, to stop picking on Willie. So let's 241 00:12:32,400 --> 00:12:37,320 Speaker 1: go back to you knowing that Nashville was where you 242 00:12:37,400 --> 00:12:41,120 Speaker 1: needed to be to do what you wanted to do creatively. 243 00:12:42,160 --> 00:12:44,160 Speaker 1: When did you know that you were going to do 244 00:12:44,320 --> 00:12:48,520 Speaker 1: country music in Nashville, Tennessee. Well, my first trip came 245 00:12:48,520 --> 00:12:55,319 Speaker 1: by a couple of demos and Picture two and thinking, man, 246 00:12:55,360 --> 00:12:58,160 Speaker 1: that's it. I'm ready. My goal was to be a 247 00:12:58,160 --> 00:13:00,480 Speaker 1: singer songwriter and that God would give me the wisdom 248 00:13:00,600 --> 00:13:03,640 Speaker 1: envision to use my music to represent His light and 249 00:13:03,679 --> 00:13:06,120 Speaker 1: his love in this world. All I need to record 250 00:13:06,160 --> 00:13:10,920 Speaker 1: Deal eighty one became eighty two, two, three, three four, 251 00:13:10,960 --> 00:13:13,680 Speaker 1: And during the eighty four the bar I was planning, 252 00:13:14,080 --> 00:13:17,480 Speaker 1: uh Ironton, Ohio burnt to the ground and I saw 253 00:13:17,520 --> 00:13:19,760 Speaker 1: it on the news, and I went over there and 254 00:13:19,800 --> 00:13:23,439 Speaker 1: everything had melted. And I'm going through with a flashlight 255 00:13:23,559 --> 00:13:26,400 Speaker 1: and the waters dripping off the ceiling in in places 256 00:13:26,440 --> 00:13:29,600 Speaker 1: mouth at the drum, everything's gone. But this little bible 257 00:13:29,679 --> 00:13:33,640 Speaker 1: that I had found in the floor had parted into 258 00:13:33,720 --> 00:13:36,359 Speaker 1: the middle from the heat. And I shot my flashlight 259 00:13:36,440 --> 00:13:39,760 Speaker 1: on it, and I said, with every adversity lost the 260 00:13:39,800 --> 00:13:43,560 Speaker 1: seed to something better. And I stood there and in 261 00:13:43,600 --> 00:13:46,959 Speaker 1: the darkness, man, this is God telling you. Every time 262 00:13:46,960 --> 00:13:49,839 Speaker 1: you go to Nashville, they say your rock and roll, 263 00:13:50,440 --> 00:13:52,880 Speaker 1: You're You're not country enough, your rock and roll. So 264 00:13:52,920 --> 00:13:55,400 Speaker 1: I said, this is God telling you. You need to 265 00:13:55,400 --> 00:13:58,800 Speaker 1: move to l A. You love rock and roll, and 266 00:13:58,920 --> 00:14:02,920 Speaker 1: so um. Next couple of weeks I left out of 267 00:14:02,960 --> 00:14:06,440 Speaker 1: Ohio and I moved to l A. And UM got 268 00:14:06,480 --> 00:14:09,559 Speaker 1: out there and found everybody telling me I was to country, 269 00:14:09,880 --> 00:14:13,240 Speaker 1: and certainly with my name didn't help at all. Billy 270 00:14:13,320 --> 00:14:16,160 Speaker 1: ray On, Billy ray you you got a mullet, you 271 00:14:16,840 --> 00:14:19,960 Speaker 1: wear a cowboy hat, and your you look you you 272 00:14:20,040 --> 00:14:22,280 Speaker 1: look in sound country. Surely your country. I said, no, 273 00:14:22,360 --> 00:14:25,640 Speaker 1: I love rock and roll. But unfortunately I didn't get 274 00:14:25,640 --> 00:14:28,400 Speaker 1: any jobs or a record deal and appoint me in. 275 00:14:29,360 --> 00:14:32,120 Speaker 1: Out of desperation, I got a job at Baby toy 276 00:14:32,280 --> 00:14:36,040 Speaker 1: Town and baby toy Town is very, very similar to 277 00:14:36,160 --> 00:14:39,320 Speaker 1: hobby lobby. You've been a baby toy town? I don't. 278 00:14:39,440 --> 00:14:40,960 Speaker 1: I don't think I've ever heard of baby is. It 279 00:14:41,040 --> 00:14:43,960 Speaker 1: is baby toy Town on Vanice Boulevard. It was in 280 00:14:44,000 --> 00:14:46,560 Speaker 1: the San Fernando Valley. What do they sell? Baby supplies, 281 00:14:47,400 --> 00:14:51,080 Speaker 1: baby beds, baby strollers, baby everything you would need for 282 00:14:51,120 --> 00:14:53,240 Speaker 1: a baby. Were you now an expert in all things baby? 283 00:14:53,240 --> 00:14:56,640 Speaker 1: And quickly I was a horrible, horrible salesman and a 284 00:14:56,680 --> 00:15:02,000 Speaker 1: horrible whatever. I was just terrible aided my job. Oddly enough, 285 00:15:02,040 --> 00:15:05,120 Speaker 1: somebody came in and uh, I did sell Pat benatar 286 00:15:05,600 --> 00:15:08,640 Speaker 1: Um a baby stroller and some stuff. And that was 287 00:15:08,680 --> 00:15:11,080 Speaker 1: as close to the making it as I came. But 288 00:15:11,920 --> 00:15:15,480 Speaker 1: through our failures, as Thomas Edison said, every time you fail, 289 00:15:15,560 --> 00:15:18,400 Speaker 1: you eliminate that one way that won't work, therefore being 290 00:15:18,440 --> 00:15:21,440 Speaker 1: one way closer to the one way that will. And 291 00:15:21,520 --> 00:15:24,440 Speaker 1: I failed way more times than I ever succeeded, like 292 00:15:24,680 --> 00:15:28,480 Speaker 1: by far way more times of failure, And in some 293 00:15:28,520 --> 00:15:31,760 Speaker 1: ways California too, was just an extension of all my 294 00:15:31,800 --> 00:15:35,280 Speaker 1: failures in Nashville. But I took what I learned from 295 00:15:35,440 --> 00:15:37,440 Speaker 1: l A and a couple of years later in l 296 00:15:37,480 --> 00:15:40,000 Speaker 1: a and my darkest moment said Okay, now go back, 297 00:15:41,640 --> 00:15:44,280 Speaker 1: go back to Nashville with what you've learned here and 298 00:15:45,840 --> 00:15:48,840 Speaker 1: use everything you've learned. And just persistence is to the 299 00:15:48,920 --> 00:15:51,400 Speaker 1: quality of the character of man. What carbon is to steal. 300 00:15:51,520 --> 00:15:55,120 Speaker 1: Just keep be a jackhammer, pape p. It's not the 301 00:15:55,160 --> 00:15:58,840 Speaker 1: force of the jackhammer that breaks the concrete, it's the repetition. 302 00:16:00,600 --> 00:16:06,160 Speaker 1: Just keep going, persistence. I kept knocking and UM nineteen 303 00:16:06,200 --> 00:16:11,160 Speaker 1: eight nine nine UM nine. In one week, I wrote 304 00:16:11,280 --> 00:16:13,560 Speaker 1: three of the songs off the album Some Gay All, 305 00:16:13,640 --> 00:16:16,520 Speaker 1: including some Gay Ball. I had met a Vietnam veteran 306 00:16:17,160 --> 00:16:19,480 Speaker 1: in Huntington, West Virginia at the little bar I played 307 00:16:19,520 --> 00:16:22,680 Speaker 1: that night, and that song happened to be the song 308 00:16:22,720 --> 00:16:25,600 Speaker 1: that I played for Harold shed when after ten years 309 00:16:25,600 --> 00:16:29,800 Speaker 1: of being told no for the first time, somebody said yes. 310 00:16:30,080 --> 00:16:33,160 Speaker 1: And that was the song that made someone go, hey, 311 00:16:33,520 --> 00:16:36,040 Speaker 1: I see like a flicker of something in I came 312 00:16:36,080 --> 00:16:39,720 Speaker 1: in and uh it was actually I was that was down. 313 00:16:39,760 --> 00:16:42,000 Speaker 1: That was gonna be my last try. I said, if 314 00:16:42,040 --> 00:16:44,240 Speaker 1: this doesn't work, I better get a job at the railroad. 315 00:16:45,160 --> 00:16:48,720 Speaker 1: And I had this song I've written some gay Balls. 316 00:16:48,760 --> 00:16:50,480 Speaker 1: The song I should play. And then he said, I'm 317 00:16:50,480 --> 00:16:53,880 Speaker 1: gonna structure you a little deal, and Mercury Records started 318 00:16:53,960 --> 00:16:57,880 Speaker 1: up process of offered me a record deally. It took 319 00:16:57,880 --> 00:17:01,280 Speaker 1: a year or two to make that and the album record. 320 00:17:02,120 --> 00:17:04,280 Speaker 1: It actually took two weeks to make the record. In 321 00:17:04,320 --> 00:17:07,760 Speaker 1: the summer of two weeks. I was living in my 322 00:17:07,840 --> 00:17:10,840 Speaker 1: car parked in the parking lot of the music meal 323 00:17:11,600 --> 00:17:16,000 Speaker 1: and we recorded all ten nine tracks during the first 324 00:17:16,000 --> 00:17:18,520 Speaker 1: week of June, and I stuck around and saying all 325 00:17:18,520 --> 00:17:21,280 Speaker 1: my vocals and did all my harmonies and all my overdubs. 326 00:17:21,280 --> 00:17:24,200 Speaker 1: On the second week of June, and then I went 327 00:17:24,240 --> 00:17:27,359 Speaker 1: back to my gig in West Virginia and got fired 328 00:17:28,000 --> 00:17:31,520 Speaker 1: A big fistbote broke out and and some guns were involved, 329 00:17:31,560 --> 00:17:34,840 Speaker 1: and me and the band stopped playing, and the owner said, 330 00:17:34,840 --> 00:17:38,280 Speaker 1: if you don't keep playing, you're fired. So I out 331 00:17:38,280 --> 00:17:40,520 Speaker 1: of the highest moment of my life came the lowest, 332 00:17:41,720 --> 00:17:44,560 Speaker 1: and I found myself in Richmond, Virginia, at a disco 333 00:17:44,760 --> 00:17:47,320 Speaker 1: where they just hated us. I mean they hated everything 334 00:17:47,400 --> 00:17:50,840 Speaker 1: we did except for when we would play this new 335 00:17:50,880 --> 00:17:53,040 Speaker 1: song i'd cut called at the time, it was called 336 00:17:53,040 --> 00:17:56,360 Speaker 1: Don't Tell My Heart. And I noticed no matter how 337 00:17:56,359 --> 00:17:58,560 Speaker 1: bad they hated us. When I played Don't Tell My Heart, 338 00:17:58,600 --> 00:18:02,000 Speaker 1: they packed the dance floor. And and after that I 339 00:18:02,040 --> 00:18:04,640 Speaker 1: told Mercury Records said, man, that one song, don't Tell 340 00:18:04,760 --> 00:18:08,199 Speaker 1: My Heart. Um, it's a dance song. The even the 341 00:18:08,200 --> 00:18:10,920 Speaker 1: boot scooters, they'd get out there and scoot them boots 342 00:18:10,960 --> 00:18:13,080 Speaker 1: across the floor. And I said, I think that song 343 00:18:13,160 --> 00:18:15,560 Speaker 1: might be called Achy breaky Heart because they ought the 344 00:18:15,640 --> 00:18:18,560 Speaker 1: drunks and or whoever always say play at Acy breaking song. 345 00:18:18,800 --> 00:18:20,680 Speaker 1: That's how you suggested it. Because the people at the 346 00:18:20,680 --> 00:18:24,760 Speaker 1: bar were like play but it was called Don't Tell 347 00:18:24,800 --> 00:18:27,800 Speaker 1: My Heart? And um don band trast the Vietnam veteran 348 00:18:27,840 --> 00:18:31,040 Speaker 1: who ironically wrote the song, when he came to meet 349 00:18:31,080 --> 00:18:34,280 Speaker 1: me at the music meal. Um, I said, hey, uh, sir, 350 00:18:34,880 --> 00:18:37,119 Speaker 1: did you ever think about changing the name of that 351 00:18:37,240 --> 00:18:39,880 Speaker 1: song to Achy breaking Heart? And he said, I don't 352 00:18:39,920 --> 00:18:42,360 Speaker 1: care what you call it. Let's just get it. Get 353 00:18:42,440 --> 00:18:44,840 Speaker 1: him to put it out, and uh they did And 354 00:18:45,080 --> 00:18:47,920 Speaker 1: did you think? And I have some questions about ak 355 00:18:47,920 --> 00:18:50,720 Speaker 1: you breaking on a minute, but some gave all that's 356 00:18:51,000 --> 00:18:52,600 Speaker 1: that's what you running my guitar like. And also have 357 00:18:52,640 --> 00:18:55,720 Speaker 1: affinity for that song and for the message when you 358 00:18:55,960 --> 00:18:58,840 Speaker 1: cut that record, which is Some Gave All that's the 359 00:18:58,840 --> 00:19:02,000 Speaker 1: title track. Did you feel like that was going to 360 00:19:02,119 --> 00:19:05,240 Speaker 1: be like the song for you that represented who you were? First? 361 00:19:05,680 --> 00:19:07,960 Speaker 1: Everything was on the line with some gay Ball because 362 00:19:08,040 --> 00:19:12,679 Speaker 1: that was the big test for me and my band. 363 00:19:12,800 --> 00:19:15,040 Speaker 1: One of the things I had insisted on was I 364 00:19:15,080 --> 00:19:17,560 Speaker 1: wanted to use my band on the session. We played 365 00:19:17,600 --> 00:19:19,840 Speaker 1: every night together and we'd worked the songs up very 366 00:19:19,880 --> 00:19:23,680 Speaker 1: similar to the Springsteen E Street sound. We just had 367 00:19:24,000 --> 00:19:26,239 Speaker 1: a band sound. I said, I really want to use 368 00:19:26,280 --> 00:19:28,040 Speaker 1: my band, and Harold Ship said, you know, why don't 369 00:19:28,040 --> 00:19:32,760 Speaker 1: we We'll trying for one song, and on January thought, 370 00:19:32,960 --> 00:19:37,560 Speaker 1: uh third of They gave us a test at the 371 00:19:37,600 --> 00:19:39,159 Speaker 1: meal and we got to cut one song and we 372 00:19:39,240 --> 00:19:44,800 Speaker 1: cut Some Gave All and they said, Okay, we love it. 373 00:19:45,160 --> 00:19:47,800 Speaker 1: Let's do nine more. And they scheduled the nine for 374 00:19:47,920 --> 00:19:50,919 Speaker 1: the June. So that's like, oh man, I gotta live 375 00:19:51,040 --> 00:19:53,840 Speaker 1: five six more months. And that's when Don't Tell My 376 00:19:53,880 --> 00:19:56,080 Speaker 1: Heart came into my life and I threw off one 377 00:19:56,119 --> 00:19:58,560 Speaker 1: of my songs I had written and added that one 378 00:19:58,640 --> 00:20:01,000 Speaker 1: just because it felt a special. So you threw off 379 00:20:01,040 --> 00:20:05,080 Speaker 1: so last the last song. Basically that was that package. 380 00:20:05,080 --> 00:20:07,000 Speaker 1: If some gave all the record was A Break Your 381 00:20:07,000 --> 00:20:10,639 Speaker 1: Heart Almost. I added one more that came that I 382 00:20:10,720 --> 00:20:12,719 Speaker 1: didn't write, and it was called it Could Have Been Me, 383 00:20:13,280 --> 00:20:15,120 Speaker 1: And it was the follow up to a You Break 384 00:20:15,160 --> 00:20:18,160 Speaker 1: Your Heart written by Reed Nielsen. And uh, those two 385 00:20:18,160 --> 00:20:20,479 Speaker 1: songs I added threw off to the mind. The one 386 00:20:20,520 --> 00:20:24,199 Speaker 1: I threw off was called Whiskey, Wine and Beer, and um, 387 00:20:24,640 --> 00:20:26,159 Speaker 1: I think I wrote it about the same time I 388 00:20:26,280 --> 00:20:28,760 Speaker 1: wrote Stop Picking on Willie. It kind of had. I 389 00:20:28,840 --> 00:20:30,960 Speaker 1: was in a kind of in that zone for a moment. 390 00:20:31,240 --> 00:20:33,560 Speaker 1: I was writing a bunch of songs in nine like 391 00:20:34,480 --> 00:20:39,280 Speaker 1: but um, whenever you break your heart, they come to 392 00:20:39,280 --> 00:20:40,600 Speaker 1: you and go, hey, want this to be the first single? 393 00:20:40,680 --> 00:20:44,080 Speaker 1: Are you like? I agree? Or are you like? I 394 00:20:44,119 --> 00:20:46,720 Speaker 1: don't know. I have these other songs that I feel 395 00:20:46,800 --> 00:20:49,680 Speaker 1: very passionate about. I felt like there was a one, 396 00:20:49,880 --> 00:20:53,440 Speaker 1: like there was something about it that especially um, just 397 00:20:53,520 --> 00:20:56,800 Speaker 1: because when we would play it, you could just feel 398 00:20:56,800 --> 00:20:59,240 Speaker 1: the energy and the dance floors would pack and again. 399 00:20:59,480 --> 00:21:02,760 Speaker 1: But then I started getting these little jobs at country 400 00:21:02,760 --> 00:21:06,679 Speaker 1: clubs were there a lot of bootscoot dancing and that 401 00:21:06,760 --> 00:21:10,360 Speaker 1: kind of thing, and and that really wasn't my expertise. 402 00:21:10,520 --> 00:21:13,000 Speaker 1: It was more like, either I was playing southern rock 403 00:21:14,000 --> 00:21:17,280 Speaker 1: or songs I'd written, or George Jones and Johnny Cash 404 00:21:17,320 --> 00:21:20,879 Speaker 1: and like the standards of country and uh. But when 405 00:21:20,920 --> 00:21:23,360 Speaker 1: I play a key breaky, they just pack it out 406 00:21:23,720 --> 00:21:25,960 Speaker 1: and it just so that was kind of it felt 407 00:21:26,000 --> 00:21:27,879 Speaker 1: like a hit. I don't know what a hit feels like, 408 00:21:27,960 --> 00:21:37,360 Speaker 1: but it felt like it, you know, when I think 409 00:21:37,400 --> 00:21:41,320 Speaker 1: back about you in my childhood. Obviously, ak breaking Up 410 00:21:41,320 --> 00:21:43,880 Speaker 1: was a massive song, but my song was where am 411 00:21:43,920 --> 00:21:47,000 Speaker 1: I Gonna Live? When I get I mean I loved 412 00:21:47,520 --> 00:21:50,880 Speaker 1: and that video on CMT. Do you still play that? Oh? Yeah, yeah. 413 00:21:50,920 --> 00:21:53,760 Speaker 1: I did a little bit of right now Where am I? Like? 414 00:21:55,040 --> 00:22:01,919 Speaker 1: Where am I gone Live? When I get home? My 415 00:22:02,080 --> 00:22:09,400 Speaker 1: own lady throw down everything out? She man walk, she 416 00:22:09,440 --> 00:22:14,639 Speaker 1: said when she wished out was dead, So we're my 417 00:22:14,880 --> 00:22:20,080 Speaker 1: gone little will not get home. That song to me 418 00:22:20,200 --> 00:22:22,240 Speaker 1: is you thank you. And I don't know how you 419 00:22:22,280 --> 00:22:26,480 Speaker 1: feel about that, because I feel you have me. I 420 00:22:26,560 --> 00:22:29,320 Speaker 1: do feel like me again. And that was during the 421 00:22:29,480 --> 00:22:33,119 Speaker 1: month of May of nine. And what had happened was 422 00:22:34,400 --> 00:22:37,640 Speaker 1: the gig got playing West Virginia. We'd start on Tuesday 423 00:22:37,680 --> 00:22:41,360 Speaker 1: night when we played Tuesday, Wednesday, Thursday, Friday, Saturday, and Sunday, 424 00:22:41,359 --> 00:22:44,280 Speaker 1: so five nights a week before sat tonight, and on 425 00:22:44,280 --> 00:22:47,600 Speaker 1: a Tuesday night, I stayed out all night up to 426 00:22:47,680 --> 00:22:50,040 Speaker 1: the next morning. And I was married to a very 427 00:22:50,119 --> 00:22:54,840 Speaker 1: kind lady in Ohio at the time, and I didn't 428 00:22:54,840 --> 00:22:58,600 Speaker 1: come home. It was sunrise Wednesday morning, and I probably 429 00:22:58,600 --> 00:23:02,160 Speaker 1: wreaked of liquor and um maybe some lipstick on my collar. 430 00:23:02,200 --> 00:23:05,119 Speaker 1: I don't know, but it was ugly, and I like 431 00:23:05,240 --> 00:23:08,000 Speaker 1: the son's up and my normal neighbors that have real 432 00:23:08,119 --> 00:23:10,080 Speaker 1: jobs are going to work, and I'm out in front 433 00:23:10,080 --> 00:23:12,280 Speaker 1: of the house in that red truck that's in the video, 434 00:23:12,320 --> 00:23:14,280 Speaker 1: and I'm going, where am I gonna live? Where am 435 00:23:14,280 --> 00:23:15,920 Speaker 1: I gonna look? Where am I gonna live? When I 436 00:23:15,960 --> 00:23:19,199 Speaker 1: get homeless? I wrote it right then. Well then I 437 00:23:19,280 --> 00:23:22,400 Speaker 1: go in, everything goes the crap, and but I had 438 00:23:22,440 --> 00:23:25,359 Speaker 1: the song. And then that night I went back to 439 00:23:25,400 --> 00:23:28,480 Speaker 1: the gig and I was pretty down and depressed and sad, 440 00:23:28,560 --> 00:23:32,320 Speaker 1: and I wrote She's not crying Anymore on Wednesday, and 441 00:23:32,320 --> 00:23:35,600 Speaker 1: then I didn't write anything on Thursday, Friday or Saturday. 442 00:23:35,680 --> 00:23:38,359 Speaker 1: And on Sunday I met Sandy Kane and wrote some 443 00:23:38,520 --> 00:23:41,879 Speaker 1: gave ball. So during that one week of May, I 444 00:23:41,880 --> 00:23:44,760 Speaker 1: wrote three of those songs. In uh nine nine during 445 00:23:44,800 --> 00:23:47,120 Speaker 1: that week, all in a week. In a week, it's 446 00:23:47,200 --> 00:23:50,560 Speaker 1: almost Dolly esque when she goes, you know, I sat 447 00:23:50,600 --> 00:23:52,480 Speaker 1: down for this day and I wrote these two songs. 448 00:23:52,520 --> 00:23:54,040 Speaker 1: And you know you're like, well, I know both of 449 00:23:54,040 --> 00:23:55,840 Speaker 1: those songs. You wrote them the same day. The fact 450 00:23:55,840 --> 00:23:58,320 Speaker 1: that you kind of nailed those three in that time period, 451 00:23:59,040 --> 00:24:01,840 Speaker 1: and I feel like, creatively, it almost takes things to 452 00:24:01,840 --> 00:24:05,359 Speaker 1: happen to us to kind of, um create emotion and 453 00:24:05,400 --> 00:24:10,200 Speaker 1: share emotion. What was happening in your life that had 454 00:24:10,320 --> 00:24:14,360 Speaker 1: you feeling these feelings to create this dynamic music you think. 455 00:24:14,480 --> 00:24:20,320 Speaker 1: I think it was an excess of alcohol. Um, there 456 00:24:20,440 --> 00:24:24,440 Speaker 1: was probably some. I hate to even say there was. 457 00:24:24,640 --> 00:24:27,520 Speaker 1: It was a pretty rough time. It was a very 458 00:24:27,560 --> 00:24:31,840 Speaker 1: excessive alcohol. When you say excessive, did you know it 459 00:24:31,920 --> 00:24:34,520 Speaker 1: was a problem. Are we just partying too hard? I 460 00:24:34,640 --> 00:24:36,880 Speaker 1: was actually working. It was like part of my job. 461 00:24:36,920 --> 00:24:38,639 Speaker 1: I always had a rule. I said, Okay, I go 462 00:24:38,720 --> 00:24:42,440 Speaker 1: play the first set completely straight, straight up. Could you 463 00:24:42,560 --> 00:24:45,280 Speaker 1: play straight and feel? Yeah? I felt really good. I 464 00:24:45,280 --> 00:24:47,600 Speaker 1: always felt like the first set was like probably my 465 00:24:47,640 --> 00:24:51,199 Speaker 1: most correct and then um the second set, like in 466 00:24:51,240 --> 00:24:54,000 Speaker 1: between the break, I might um take a little puff 467 00:24:54,720 --> 00:24:56,679 Speaker 1: and then UM go up to the second set and 468 00:24:56,720 --> 00:24:58,960 Speaker 1: I feel looserd That's probably the best set of the night. 469 00:24:59,240 --> 00:25:02,440 Speaker 1: But by the third set I'd have a puff uh 470 00:25:02,640 --> 00:25:09,400 Speaker 1: possibly unfortunately, maybe a snort um unfortunately. Like then came 471 00:25:09,480 --> 00:25:12,439 Speaker 1: like it was part of people partying with send me 472 00:25:12,520 --> 00:25:15,520 Speaker 1: drinks and some of those drinks would be on fire. 473 00:25:16,040 --> 00:25:17,960 Speaker 1: Someone would be like double shots of who knows what, 474 00:25:18,200 --> 00:25:19,880 Speaker 1: I don't know what it takes the light of drink 475 00:25:19,960 --> 00:25:21,359 Speaker 1: up and then blow it out and drink. But I 476 00:25:21,359 --> 00:25:24,399 Speaker 1: would do that. It was so about third set with 477 00:25:24,680 --> 00:25:28,119 Speaker 1: rocket pretty hard. For set, I was probably legally drunk. 478 00:25:28,760 --> 00:25:37,439 Speaker 1: And unfortunately, Um, Keith Whitley was from my neck of 479 00:25:37,440 --> 00:25:39,359 Speaker 1: the woods up there in Kentucky, and I was a 480 00:25:39,400 --> 00:25:43,760 Speaker 1: huge Keith Whitley fan and um, when he died that 481 00:25:43,920 --> 00:25:46,720 Speaker 1: had a big impact on me, like I can't finally 482 00:25:46,720 --> 00:25:50,560 Speaker 1: get to this point where my dreams about to come true, 483 00:25:50,640 --> 00:25:55,960 Speaker 1: but yet I have some issues. So him him having 484 00:25:56,040 --> 00:25:59,359 Speaker 1: his issues and dying, do you feel like it was 485 00:25:59,520 --> 00:26:02,520 Speaker 1: kind of a r He saved my life. I mean, 486 00:26:02,560 --> 00:26:04,359 Speaker 1: this is no other way to say it. He saved 487 00:26:04,359 --> 00:26:08,480 Speaker 1: my life because my manager, Jack McFadden, was Keith Whitley's manager, 488 00:26:08,600 --> 00:26:11,320 Speaker 1: and he was he was like a son to Jack, 489 00:26:11,880 --> 00:26:14,240 Speaker 1: and Jack at that point I was on his roster, 490 00:26:14,320 --> 00:26:16,400 Speaker 1: but he had never seen me play, never heard my music, 491 00:26:16,440 --> 00:26:18,439 Speaker 1: didn't know exactly what it was that I did, but 492 00:26:18,480 --> 00:26:22,680 Speaker 1: he knew it wasn't exactly straight up country. And Jack 493 00:26:22,720 --> 00:26:26,960 Speaker 1: had managed Merle Haggard and Buck Owens and Keith Whitley 494 00:26:27,119 --> 00:26:31,040 Speaker 1: and tragically on May to Night and again this is 495 00:26:31,160 --> 00:26:36,240 Speaker 1: nine Um May to Night. Um. Jack was gonna take 496 00:26:36,280 --> 00:26:39,920 Speaker 1: me to Sony Records for the first time. Jack was 497 00:26:39,960 --> 00:26:42,040 Speaker 1: gonna take me anywhere. And again, I don't think he'd 498 00:26:42,040 --> 00:26:44,480 Speaker 1: even heard any of my songs, but we had an appointment. 499 00:26:44,680 --> 00:26:48,280 Speaker 1: So I came down on the eighth. Tragically, Keith Whitley 500 00:26:48,560 --> 00:26:52,000 Speaker 1: UH passed away on the morning of the ninth, and 501 00:26:52,359 --> 00:26:56,200 Speaker 1: UH the meeting was canceled, obviously, and I drove back 502 00:26:56,240 --> 00:26:59,760 Speaker 1: home to Huntington, West Virginia, and UH played on No 503 00:27:00,080 --> 00:27:02,240 Speaker 1: Ranger to the Rain over and over and over and 504 00:27:02,280 --> 00:27:04,480 Speaker 1: over and over. I better played a hundred times between 505 00:27:04,520 --> 00:27:09,160 Speaker 1: here and Huntington's and it just had a huge impact 506 00:27:09,280 --> 00:27:15,240 Speaker 1: on me. And UH, luckily and m nineteen and ninety one, 507 00:27:16,440 --> 00:27:19,400 Speaker 1: when I realized that, hey, Cyrus, You're about to get 508 00:27:19,440 --> 00:27:23,800 Speaker 1: your chance. This this you've got the album that everybody 509 00:27:23,840 --> 00:27:26,639 Speaker 1: seems to really believe something that well, they told me, 510 00:27:26,680 --> 00:27:29,199 Speaker 1: he said, Man, hang in there, this is about to happen. 511 00:27:30,240 --> 00:27:33,639 Speaker 1: And I stopped at a bridge down here on the 512 00:27:33,680 --> 00:27:36,480 Speaker 1: harpor somewhere and through all my stuff into the river, 513 00:27:37,720 --> 00:27:43,760 Speaker 1: and I said, I can't do this and and not 514 00:27:43,840 --> 00:27:46,760 Speaker 1: be my very best stuff. Worked your stuff do you mean? 515 00:27:46,880 --> 00:27:53,760 Speaker 1: Do you mean your actual stuff for drugs? Cocaine? I 516 00:27:53,840 --> 00:27:56,679 Speaker 1: pulled over and threw my damn cocaine out. Would you 517 00:27:56,680 --> 00:27:59,399 Speaker 1: have considered yourself an addict or someone who and I 518 00:27:59,440 --> 00:28:03,200 Speaker 1: come from a massive family of addictions. So were you 519 00:28:03,240 --> 00:28:05,160 Speaker 1: an addict? Or are you someone who just enjoyed it 520 00:28:05,200 --> 00:28:07,439 Speaker 1: but could also if you needed to stop stop? I 521 00:28:07,480 --> 00:28:11,399 Speaker 1: don't think I could stop stop, especially on alcohol, because 522 00:28:11,480 --> 00:28:15,639 Speaker 1: I drank since I was a kid, and I ain't 523 00:28:15,640 --> 00:28:18,640 Speaker 1: had a beer sense like I mean that I had 524 00:28:18,680 --> 00:28:22,400 Speaker 1: to stop everything. Except I did say, you know what, 525 00:28:23,240 --> 00:28:25,680 Speaker 1: having a little puff every now and then, if marijuana 526 00:28:25,720 --> 00:28:29,040 Speaker 1: helps me, it's medicine to me. And uh so I 527 00:28:29,119 --> 00:28:31,000 Speaker 1: kind of allowed myself to say, Okay, if you get 528 00:28:31,080 --> 00:28:35,080 Speaker 1: rid of these two devil alcohol in the cocaine, you 529 00:28:35,119 --> 00:28:37,080 Speaker 1: can keep a little bit of the marijuana because that's 530 00:28:37,160 --> 00:28:41,880 Speaker 1: kind of your medicine and um and you never look back. No. Wow. 531 00:28:42,760 --> 00:28:47,719 Speaker 1: The fact that you stopped, drew a line and stood 532 00:28:47,760 --> 00:28:51,880 Speaker 1: at that line says a lot about who you are 533 00:28:52,280 --> 00:28:55,360 Speaker 1: deep down, like you, and I think it showed itself 534 00:28:55,400 --> 00:28:57,560 Speaker 1: over and over again with the things you're able to achieve. 535 00:28:57,920 --> 00:28:59,680 Speaker 1: Like you, here's the line, this is my goal, this 536 00:28:59,720 --> 00:29:01,240 Speaker 1: is when going to achieve and I'm not going to 537 00:29:01,600 --> 00:29:05,120 Speaker 1: cross this. And that was a massive step to me. 538 00:29:05,160 --> 00:29:07,120 Speaker 1: I guess I'm surprised in a way, not at you, 539 00:29:07,200 --> 00:29:09,960 Speaker 1: but when you hit so hard and you're on and 540 00:29:10,000 --> 00:29:12,800 Speaker 1: you are a superstar. Now that when you have all 541 00:29:13,120 --> 00:29:16,160 Speaker 1: every resource, everything is available to you again, available more 542 00:29:16,160 --> 00:29:18,040 Speaker 1: than it's ever been to you, by the way you 543 00:29:18,080 --> 00:29:21,320 Speaker 1: have money, you have, fame, you have you. Still I 544 00:29:21,400 --> 00:29:25,400 Speaker 1: didn't get back into it, that run from it. That 545 00:29:25,520 --> 00:29:28,200 Speaker 1: is amazing. I can't. I don't want it around me 546 00:29:28,480 --> 00:29:31,560 Speaker 1: and I don't need won't be a tempted by it 547 00:29:31,600 --> 00:29:34,800 Speaker 1: because it never goes away sometimes, I joked. I joked 548 00:29:34,800 --> 00:29:36,760 Speaker 1: with my little girl Know a couple of weeks ago, 549 00:29:36,840 --> 00:29:39,600 Speaker 1: came to see me. She said, where are you at? Dad? 550 00:29:39,640 --> 00:29:41,160 Speaker 1: I sit down on the banks of the harp with 551 00:29:41,880 --> 00:29:44,240 Speaker 1: what are you doing, I said, looking for my cocaine. 552 00:29:44,280 --> 00:29:46,640 Speaker 1: I thought the way of not anyone. She laughed, Really, 553 00:29:46,920 --> 00:29:48,880 Speaker 1: I know it's a horrible joke, but she thought it was. 554 00:29:49,000 --> 00:29:52,200 Speaker 1: She knew the story and so being able to joke 555 00:29:52,240 --> 00:29:55,400 Speaker 1: about it a little bit. But um, I never knew 556 00:29:55,440 --> 00:29:58,560 Speaker 1: anybody that anything could come out of cocaine. I don't 557 00:29:58,560 --> 00:30:01,800 Speaker 1: know I've I've ever had a drink because I'm so 558 00:30:01,840 --> 00:30:04,600 Speaker 1: scared of it. My mom was an addict and she 559 00:30:04,720 --> 00:30:06,880 Speaker 1: died in her forties. I never knew my dad because 560 00:30:06,880 --> 00:30:10,280 Speaker 1: he was an addict, and so I just I'm an 561 00:30:10,280 --> 00:30:13,920 Speaker 1: addict to a lot of things. But I've purposefully kept 562 00:30:13,920 --> 00:30:16,960 Speaker 1: myself off of drugs and alcohol because I know I will. 563 00:30:17,080 --> 00:30:19,400 Speaker 1: I know I love it. I know that I will 564 00:30:19,920 --> 00:30:22,600 Speaker 1: embrace it and it will be over for me before 565 00:30:22,600 --> 00:30:24,400 Speaker 1: it starts. And so I made that decision like I 566 00:30:24,480 --> 00:30:27,280 Speaker 1: drew that line, and it's difficult. But to experience it 567 00:30:27,320 --> 00:30:29,760 Speaker 1: like you did and then to stop, I think that's 568 00:30:29,760 --> 00:30:32,040 Speaker 1: even harder to do, and to never look back at 569 00:30:32,040 --> 00:30:33,800 Speaker 1: it like that is inspiration for a lot of people 570 00:30:33,840 --> 00:30:35,200 Speaker 1: that are listening to this right now. I appreciate you 571 00:30:35,200 --> 00:30:39,160 Speaker 1: sharing the story. I haven't talked about it very much. Um, 572 00:30:40,040 --> 00:30:42,040 Speaker 1: when I think back, ever, I don't know that I've 573 00:30:42,120 --> 00:30:45,840 Speaker 1: ever been in this moment to just say, but I 574 00:30:45,880 --> 00:30:48,600 Speaker 1: think like we're all in a moment of purpose right now. 575 00:30:48,640 --> 00:30:51,600 Speaker 1: I'm trying to find my purpose in this moment coming 576 00:30:51,640 --> 00:30:54,400 Speaker 1: out of these last couple of years. Same. Wait, this 577 00:30:54,560 --> 00:30:59,240 Speaker 1: can't be an accident that you survived COVID twice and 578 00:30:59,280 --> 00:31:02,959 Speaker 1: that the whole world changed and somehow you just somehow 579 00:31:03,000 --> 00:31:05,280 Speaker 1: you made it through it. So God kept you here 580 00:31:05,320 --> 00:31:08,960 Speaker 1: and you found this song, and I wrote this thing 581 00:31:09,000 --> 00:31:11,600 Speaker 1: with Snoop and the brothers, and it kind of came 582 00:31:11,640 --> 00:31:14,880 Speaker 1: for this moment of tipping your hat to the working 583 00:31:15,600 --> 00:31:17,880 Speaker 1: men and women of the country and around the world 584 00:31:17,920 --> 00:31:21,560 Speaker 1: and giving kids food for thought of how to reach 585 00:31:21,600 --> 00:31:24,920 Speaker 1: their dreams. Again. When I bought a guitar and started 586 00:31:24,920 --> 00:31:26,640 Speaker 1: a band, I prayed God would give me the wisdom 587 00:31:26,640 --> 00:31:29,400 Speaker 1: and vision to use the music to fulfill my purpose 588 00:31:29,480 --> 00:31:31,760 Speaker 1: and the life. So to be in this moment now 589 00:31:31,800 --> 00:31:34,440 Speaker 1: and to be honest with you, I think that's kind 590 00:31:34,440 --> 00:31:36,480 Speaker 1: of going full circle of kind of what I need 591 00:31:36,520 --> 00:31:46,479 Speaker 1: to do as a dad, you know, And you're talking 592 00:31:46,520 --> 00:31:48,560 Speaker 1: now about you know, what you want to leave for 593 00:31:48,800 --> 00:31:50,880 Speaker 1: people here now? And for fut generations and the message 594 00:31:50,920 --> 00:31:53,240 Speaker 1: that you want to, you know, spread. Did you feel 595 00:31:53,280 --> 00:31:55,440 Speaker 1: like that with your kids when they were like, you're 596 00:31:55,440 --> 00:31:57,800 Speaker 1: a dad and now it's your goal to make sure 597 00:31:57,800 --> 00:32:01,360 Speaker 1: that they grow up and know this about society and 598 00:32:01,360 --> 00:32:03,360 Speaker 1: how hard it is they after work? Was that important 599 00:32:03,360 --> 00:32:05,880 Speaker 1: to you really? I always said, watch what I do 600 00:32:05,920 --> 00:32:11,560 Speaker 1: and don't do that. That's a joke, No, I think again, no, No. 601 00:32:11,680 --> 00:32:14,480 Speaker 1: I would say that to him though, and then I'd say, well, 602 00:32:14,520 --> 00:32:16,520 Speaker 1: here's the deal, you know, if they really ask me. 603 00:32:16,600 --> 00:32:20,960 Speaker 1: Somebody said, man, there's a key to life. I just 604 00:32:21,080 --> 00:32:26,360 Speaker 1: know that there are no accidents, no coincidences. Everything that 605 00:32:26,480 --> 00:32:28,920 Speaker 1: you be, have or do in this world starts with 606 00:32:29,040 --> 00:32:31,400 Speaker 1: the thought that you have in your mind. Every thought 607 00:32:31,440 --> 00:32:34,000 Speaker 1: you have is a seat and it's up to you 608 00:32:34,080 --> 00:32:36,680 Speaker 1: to take that seat and nurture it to where you 609 00:32:36,760 --> 00:32:38,520 Speaker 1: want it to grow and what you want to do 610 00:32:38,560 --> 00:32:41,560 Speaker 1: with your life. Knowing that it's all about purpose. It's 611 00:32:41,600 --> 00:32:47,080 Speaker 1: not an accident that we're here in this moment, and um, 612 00:32:47,120 --> 00:32:50,680 Speaker 1: you know most of all, just you know, saying that 613 00:32:50,760 --> 00:32:53,000 Speaker 1: you know, keep on keeping on and believe and know 614 00:32:53,200 --> 00:32:56,200 Speaker 1: that be a jackhammer. That's kind of the the running 615 00:32:56,240 --> 00:32:58,320 Speaker 1: thing with my kids, they'll say to each other, be 616 00:32:58,360 --> 00:33:00,800 Speaker 1: a jackhammer, and I always know that they're talking about 617 00:33:00,880 --> 00:33:06,240 Speaker 1: persistence whenever you were young, teenage years because just you know, 618 00:33:06,280 --> 00:33:08,920 Speaker 1: being a kid and watching you were just ripped like 619 00:33:09,040 --> 00:33:13,719 Speaker 1: muscles on muscles, tank top muscles and muscles like you 620 00:33:13,720 --> 00:33:18,120 Speaker 1: had to be some sort of athlete, crazy athletes. Honestly, 621 00:33:19,320 --> 00:33:21,200 Speaker 1: Noah showed me a couple of weeks ago, this thing 622 00:33:21,240 --> 00:33:23,800 Speaker 1: of thirty years ago. I made my first appearance at 623 00:33:23,800 --> 00:33:27,600 Speaker 1: the Grammys and lost five. Few people can go from 624 00:33:27,640 --> 00:33:30,680 Speaker 1: nothing to losing five Grammys and onnot. But I was 625 00:33:30,840 --> 00:33:33,680 Speaker 1: very I don't, I don't. I was very grateful that 626 00:33:33,720 --> 00:33:35,400 Speaker 1: moment I knew I wasn't gonna win one, so I 627 00:33:35,440 --> 00:33:38,040 Speaker 1: wore a T shirt that I cut the sleeves out 628 00:33:38,040 --> 00:33:40,760 Speaker 1: of it said John three sixteen. It's floating around out 629 00:33:40,920 --> 00:33:42,920 Speaker 1: somewhere that I see the picture in my head right now, 630 00:33:43,240 --> 00:33:46,080 Speaker 1: and it's embarrassing to say, but oddly, yeah, I did 631 00:33:46,160 --> 00:33:51,920 Speaker 1: look more like a linebacker than and and um um. 632 00:33:51,960 --> 00:33:54,120 Speaker 1: But the point was seeing I was gonna be a 633 00:33:54,160 --> 00:33:57,400 Speaker 1: professional baseball player up until I was twenty years old, 634 00:33:57,640 --> 00:34:02,719 Speaker 1: nineteen twenty years old, and um as as things started happening, 635 00:34:02,840 --> 00:34:05,480 Speaker 1: oddly enough, this jacket and you'll see if I turn 636 00:34:05,560 --> 00:34:08,200 Speaker 1: around in this video with Snoop, I took a silver sharpie. 637 00:34:08,239 --> 00:34:11,680 Speaker 1: I wear a leather jacket. But I'm in this full 638 00:34:11,719 --> 00:34:15,000 Speaker 1: circle moment. And Noah had said to me, and she 639 00:34:15,040 --> 00:34:17,640 Speaker 1: showed me that video, Damn, look at you John three sixteen. 640 00:34:17,680 --> 00:34:19,759 Speaker 1: And I wore the shirt because I knew I wasn't 641 00:34:19,760 --> 00:34:22,640 Speaker 1: gonna win a Grammy. But I wanted to say thank 642 00:34:22,680 --> 00:34:26,279 Speaker 1: you God for allowing me to persist and pursue this 643 00:34:26,360 --> 00:34:28,279 Speaker 1: dream and not give up because I'm here now, and 644 00:34:28,320 --> 00:34:30,960 Speaker 1: I wanted to say thanks, knowing I wouldn't win, and 645 00:34:31,000 --> 00:34:32,799 Speaker 1: get the stand up and say thank you God for 646 00:34:32,840 --> 00:34:36,480 Speaker 1: this moment. So I was that shirt as that reason, 647 00:34:37,400 --> 00:34:40,600 Speaker 1: and UM, Noah said, well you can do It's thirty 648 00:34:40,680 --> 00:34:43,040 Speaker 1: years later. And so I took a silver sharpie and 649 00:34:43,040 --> 00:34:45,160 Speaker 1: I wrote John three sixteen on the back of my 650 00:34:45,239 --> 00:34:48,319 Speaker 1: leather jacket. I didn't wear it in here, but it's 651 00:34:48,320 --> 00:34:52,240 Speaker 1: in the video. I'm gonna wear it this weekend in Vegas. 652 00:34:52,280 --> 00:34:55,200 Speaker 1: And UM, I think there's a lot to that, knowing 653 00:34:55,280 --> 00:34:58,880 Speaker 1: that UM, somewhere along the line, you know you you 654 00:34:59,000 --> 00:35:02,240 Speaker 1: just gotta remember, um, what this journey is all about 655 00:35:02,719 --> 00:35:05,160 Speaker 1: I saw a clip the Snoop had posted on his Instagram. 656 00:35:05,280 --> 00:35:06,840 Speaker 1: I'm trying to think of where I saw it. But 657 00:35:07,719 --> 00:35:09,680 Speaker 1: you were in the was it behind the scenes stuff 658 00:35:09,680 --> 00:35:12,680 Speaker 1: when you guys are making this song? There was a couple, Yeah, 659 00:35:12,800 --> 00:35:15,319 Speaker 1: possibly what did it? Which one did he do? Well? 660 00:35:15,360 --> 00:35:18,240 Speaker 1: To me? I remember being surprised that you were together 661 00:35:18,520 --> 00:35:23,239 Speaker 1: because so many collaborations now, I would say most are 662 00:35:23,320 --> 00:35:25,480 Speaker 1: done where somebody cuts it here that you send over 663 00:35:25,520 --> 00:35:27,480 Speaker 1: the stems and try you do. But you guys were 664 00:35:27,480 --> 00:35:30,880 Speaker 1: together in the video and where was that? Was it? 665 00:35:30,880 --> 00:35:34,440 Speaker 1: It was that this truck stop um over on Interstate 666 00:35:34,480 --> 00:35:38,040 Speaker 1: forty um off of I guess close to Old Hickory 667 00:35:38,080 --> 00:35:41,120 Speaker 1: where forty hits on Kingston Springs sort of there in 668 00:35:41,120 --> 00:35:43,839 Speaker 1: a big truck by the old prison and there's a 669 00:35:43,880 --> 00:35:47,399 Speaker 1: massive truck stop there and man, he went full on video. 670 00:35:47,440 --> 00:35:50,680 Speaker 1: I couldn't believe him. Um it felt really good. It 671 00:35:50,719 --> 00:35:54,759 Speaker 1: was this past Sunday morning, at nine o'clock in the 672 00:35:54,800 --> 00:35:58,759 Speaker 1: morning on a Sunday, and you get the message that 673 00:35:59,000 --> 00:36:01,120 Speaker 1: Snoop wants to see in the back of the bus 674 00:36:01,600 --> 00:36:04,120 Speaker 1: and I was like, oh man, I'm already for this video. 675 00:36:04,280 --> 00:36:07,560 Speaker 1: Rested up and who can say no to that. So 676 00:36:07,680 --> 00:36:10,319 Speaker 1: I go out and go start making my way back 677 00:36:10,320 --> 00:36:14,239 Speaker 1: through Snoop's bus somewhere along the way, like thinking, man, 678 00:36:14,280 --> 00:36:18,120 Speaker 1: I'm learning go like they start getting little foggy and 679 00:36:18,120 --> 00:36:21,680 Speaker 1: and uh. And so we talked a little bit and 680 00:36:21,719 --> 00:36:23,799 Speaker 1: I stood there and that we got off the bus 681 00:36:23,800 --> 00:36:26,640 Speaker 1: and we just started rocking. I mean, we started rocking 682 00:36:26,680 --> 00:36:29,239 Speaker 1: and it felt good. And there I was at ten 683 00:36:29,239 --> 00:36:31,160 Speaker 1: o'clock in the morning, man up on top of a 684 00:36:31,239 --> 00:36:34,200 Speaker 1: semi truck and Snoop was we started singing this song 685 00:36:34,280 --> 00:36:38,680 Speaker 1: with was saying everything in this business, everybody's borrowing something 686 00:36:38,719 --> 00:36:41,920 Speaker 1: from Chuck Berry. And we I started doing this thing 687 00:36:41,960 --> 00:36:47,320 Speaker 1: on the guitar and I'm like, Snoop started beating the 688 00:36:47,360 --> 00:36:50,239 Speaker 1: truck and he's saying, Oh, tell them the tip your 689 00:36:50,239 --> 00:36:53,520 Speaker 1: hat to Chuck. So we wrote a kind of a 690 00:36:53,600 --> 00:36:55,960 Speaker 1: song up on top of the truck about Chuck Berry. 691 00:36:56,080 --> 00:36:59,239 Speaker 1: So you wrote a song. We wrote a song on 692 00:36:59,320 --> 00:37:02,000 Speaker 1: top of the truck called uh kind of a tip 693 00:37:02,000 --> 00:37:04,560 Speaker 1: your hat to Chuck, very sort of thing. And then 694 00:37:04,640 --> 00:37:07,360 Speaker 1: we climbed down off. I remember one of the little 695 00:37:07,400 --> 00:37:09,799 Speaker 1: clips was like here it comes to if he said, hey, man, 696 00:37:09,840 --> 00:37:12,319 Speaker 1: I got this show. I got this show. It's called 697 00:37:12,360 --> 00:37:14,839 Speaker 1: Who's Holding the Blood? And I don't know if he's 698 00:37:14,840 --> 00:37:17,320 Speaker 1: posted that one yet, but it was this brown log 699 00:37:17,360 --> 00:37:21,560 Speaker 1: looking thing and uh, and then naturally everything is a 700 00:37:21,560 --> 00:37:25,840 Speaker 1: song Amazon next thing, I couldn't stop thinking, who's holding blood? 701 00:37:25,960 --> 00:37:30,800 Speaker 1: Who's holding the blood? That dog go hunt Who's holding 702 00:37:30,840 --> 00:37:33,279 Speaker 1: the blood. So when it's hard to tell him what, 703 00:37:33,360 --> 00:37:35,799 Speaker 1: Mike is gonna pop up with me and Snoop. But um, 704 00:37:36,360 --> 00:37:37,880 Speaker 1: it was a special that I can't wait for the 705 00:37:37,960 --> 00:37:41,359 Speaker 1: video to come out. The song comes out April one, 706 00:37:41,960 --> 00:37:46,719 Speaker 1: you know it for me? Which is today, right, Mike? Today? 707 00:37:46,760 --> 00:37:49,839 Speaker 1: When when this comes out on April one, it will 708 00:37:49,840 --> 00:37:52,520 Speaker 1: be April one today. The song comes out today, song 709 00:37:52,600 --> 00:37:56,040 Speaker 1: comes out today, And I'm so excited today after all this, 710 00:37:56,320 --> 00:37:59,600 Speaker 1: And it has been a year in two months since 711 00:37:59,680 --> 00:38:03,040 Speaker 1: I was first approached with the idea of a hard 712 00:38:03,040 --> 00:38:07,080 Speaker 1: working man and a song was Snoop Dogg. And usually 713 00:38:07,120 --> 00:38:10,640 Speaker 1: if something sounds too good to be true, it usually is. 714 00:38:11,840 --> 00:38:14,200 Speaker 1: But something about this really stuck with me. I just 715 00:38:14,239 --> 00:38:15,880 Speaker 1: couldn't let go. And I said, well, I'm gonna do it. 716 00:38:15,960 --> 00:38:18,560 Speaker 1: Let's let's write the song really good and making us 717 00:38:18,560 --> 00:38:20,840 Speaker 1: something special. And then Snoop came in and wrote his 718 00:38:20,960 --> 00:38:23,960 Speaker 1: rap that I mean, man, it's all about the dream. 719 00:38:24,040 --> 00:38:27,880 Speaker 1: I love what Snoop added to it and long beholded 720 00:38:28,040 --> 00:38:31,279 Speaker 1: it again, persistence and not giving up. There was a 721 00:38:31,360 --> 00:38:33,120 Speaker 1: lot of times I looked at this said, I guess 722 00:38:33,200 --> 00:38:35,840 Speaker 1: the that track about the hard working man, it just 723 00:38:35,880 --> 00:38:38,919 Speaker 1: fell away or whatever, but it found its way home 724 00:38:38,960 --> 00:38:40,920 Speaker 1: and now here we are and it's coming out today, 725 00:38:40,920 --> 00:38:47,040 Speaker 1: and it's today like a I watch you play, and 726 00:38:47,080 --> 00:38:49,399 Speaker 1: it's odd because I don't get to watch other people 727 00:38:49,400 --> 00:38:51,440 Speaker 1: like me they're left handed. You know, if I go 728 00:38:51,560 --> 00:38:53,360 Speaker 1: somewhere and they're passing around a guitar and they're like, 729 00:38:53,719 --> 00:38:56,239 Speaker 1: I never get to play because I'm left handed. There's 730 00:38:56,239 --> 00:38:58,880 Speaker 1: never a has being left handed plagued your life in 731 00:38:58,880 --> 00:39:02,400 Speaker 1: a way musically? Always, For the first twenty years of 732 00:39:02,440 --> 00:39:05,239 Speaker 1: my life, I thought I couldn't play because I was 733 00:39:05,280 --> 00:39:08,040 Speaker 1: only surrounded by right handed guitars. So if I ever 734 00:39:08,120 --> 00:39:11,880 Speaker 1: picked anybody's up, and I'd actually keep my dad's guitar 735 00:39:12,200 --> 00:39:15,000 Speaker 1: and study these guitar books, and no matter what, it 736 00:39:15,120 --> 00:39:17,279 Speaker 1: just never would make sense in my head. And I 737 00:39:17,320 --> 00:39:20,640 Speaker 1: just said, came to the clarity that I was meant 738 00:39:20,640 --> 00:39:22,720 Speaker 1: to be a baseball player, that I couldn't play guitar. 739 00:39:23,120 --> 00:39:27,120 Speaker 1: Did you throw left handed through right handed? Wow? Weird 740 00:39:27,560 --> 00:39:31,360 Speaker 1: right hand? But yeah? And I kicked left footed, but 741 00:39:31,440 --> 00:39:33,560 Speaker 1: I right left handed. I brush my teeth with my 742 00:39:33,640 --> 00:39:35,520 Speaker 1: left hand. But you do all that left hand, but 743 00:39:35,600 --> 00:39:38,200 Speaker 1: you throw right handed. I never heard of such thing. 744 00:39:38,680 --> 00:39:42,319 Speaker 1: I pretty mixed up. You right left handed, but you 745 00:39:42,400 --> 00:39:45,840 Speaker 1: throw right handed. I've heard of people kicking opposite footage 746 00:39:45,840 --> 00:39:48,879 Speaker 1: in their hand, but can you can you throw both handed? No, 747 00:39:49,160 --> 00:39:51,680 Speaker 1: not at all. That is bizarre. I know it was crazy, 748 00:39:51,680 --> 00:39:53,960 Speaker 1: and that's why I like when this boy starts telling me, 749 00:39:54,040 --> 00:39:56,839 Speaker 1: by guitars, start a band, you'll find your purpose in life. 750 00:39:56,880 --> 00:39:59,360 Speaker 1: And I'm gonna know my purpose. I'm gonna beat Johnny Bench, 751 00:39:59,440 --> 00:40:03,160 Speaker 1: I'll be a your for Cincinnati Reds and uh, by 752 00:40:03,160 --> 00:40:05,480 Speaker 1: a guitar and started band, You'll find your purpose in life. 753 00:40:05,520 --> 00:40:07,759 Speaker 1: I'm going. And finally I broke down after I'd won 754 00:40:07,800 --> 00:40:09,880 Speaker 1: these tickets to see Neil Diamond and he had this 755 00:40:10,200 --> 00:40:13,359 Speaker 1: inspirational show, and I'm going. I pulled my truck over 756 00:40:13,400 --> 00:40:15,160 Speaker 1: on the side of the road and I said crowded 757 00:40:15,200 --> 00:40:17,480 Speaker 1: to the stars and said, God, but I can't play guitar. 758 00:40:18,280 --> 00:40:21,160 Speaker 1: And the voice called back and said by left handed guitar. 759 00:40:21,760 --> 00:40:24,800 Speaker 1: And the next day I found one down in Portsmouth, Ohio. 760 00:40:24,920 --> 00:40:26,800 Speaker 1: And as soon as I held it in the store, 761 00:40:26,880 --> 00:40:29,840 Speaker 1: everything that I've been studying right handed, it all of 762 00:40:29,880 --> 00:40:33,160 Speaker 1: a sudden made sense. Holding the right guitar left handed. 763 00:40:33,200 --> 00:40:36,239 Speaker 1: I guess my brain was just wired that way. It 764 00:40:36,280 --> 00:40:37,759 Speaker 1: feels like thor in the hammer. Like a lot of 765 00:40:37,760 --> 00:40:40,320 Speaker 1: people try like you. You tried all the other guitars, 766 00:40:40,360 --> 00:40:42,560 Speaker 1: but finally the right one. It was like you have 767 00:40:42,600 --> 00:40:45,120 Speaker 1: all the power. But that's what it feels like right there. 768 00:40:45,360 --> 00:40:48,480 Speaker 1: I headed upside down and backwards, and they're so different 769 00:40:48,480 --> 00:40:50,920 Speaker 1: in the right hand and the left handed guitar, and 770 00:40:50,920 --> 00:40:53,280 Speaker 1: and they just had this one. And soon I started 771 00:40:53,280 --> 00:40:58,720 Speaker 1: a band that night and we just started playing and yeah, yeah, 772 00:40:59,360 --> 00:41:02,640 Speaker 1: And was how many of those guys hung around your 773 00:41:02,719 --> 00:41:05,840 Speaker 1: life for a bit? Did they move around with you 774 00:41:05,880 --> 00:41:08,359 Speaker 1: at all? I lost a lot of them. Um when 775 00:41:08,360 --> 00:41:12,279 Speaker 1: the bar burnt down in and Ironton, Ohio, and I 776 00:41:12,320 --> 00:41:14,640 Speaker 1: moved to l A. But my brother was in the band, 777 00:41:15,080 --> 00:41:18,839 Speaker 1: my brother Keebo, and he's still up in Kentucky. He's 778 00:41:18,840 --> 00:41:21,960 Speaker 1: an excellent guitar player, and to me, he'll always be 779 00:41:21,960 --> 00:41:31,399 Speaker 1: in the band. He's part of what we started. So 780 00:41:31,719 --> 00:41:34,799 Speaker 1: you have this song with snoop Um. When Oldtown Road 781 00:41:34,880 --> 00:41:37,800 Speaker 1: came out. You know, that was for some people, weird 782 00:41:37,840 --> 00:41:39,319 Speaker 1: for me because I was such a fan growing up. 783 00:41:39,760 --> 00:41:42,839 Speaker 1: Some people was the introduction, Like for young kids, that's 784 00:41:42,840 --> 00:41:44,640 Speaker 1: the first time they've ever seen you and you're on 785 00:41:44,680 --> 00:41:48,759 Speaker 1: this massive song. How did that call come to you, going, hey, 786 00:41:49,080 --> 00:41:50,360 Speaker 1: we need you to get here. We're gonna do this 787 00:41:50,400 --> 00:41:53,760 Speaker 1: new version of Oldtown Road? Now? Who called you UM 788 00:41:53,880 --> 00:41:57,279 Speaker 1: on Oldtown Road? It was Um. Little Noz put out 789 00:41:57,320 --> 00:42:00,360 Speaker 1: the first a p B on Billy Ray sire us 790 00:42:00,440 --> 00:42:03,600 Speaker 1: Um way before the song even charted at all. I 791 00:42:03,640 --> 00:42:06,160 Speaker 1: think he put up a little TikTok or something and 792 00:42:06,160 --> 00:42:09,920 Speaker 1: and said, can anybody get this song to Billy Ray Cyrus. 793 00:42:10,320 --> 00:42:13,000 Speaker 1: That's how you first heard about it, but I didn't 794 00:42:13,000 --> 00:42:15,200 Speaker 1: hear about it. Then it took a couple more months 795 00:42:15,200 --> 00:42:19,600 Speaker 1: and and the song was rising. Columbia came and signed 796 00:42:19,640 --> 00:42:22,920 Speaker 1: a Little Nose and somewhere during uh right about the 797 00:42:22,960 --> 00:42:27,040 Speaker 1: same time rem March the tenth or eleventh that um, 798 00:42:28,320 --> 00:42:35,000 Speaker 1: Columbia sent me the song and said would you sing 799 00:42:35,000 --> 00:42:38,600 Speaker 1: this um and maybe write a verse for it? And 800 00:42:38,640 --> 00:42:40,319 Speaker 1: I listened to it one time and I just fell 801 00:42:40,360 --> 00:42:42,000 Speaker 1: in love with I said, this guy don't need an 802 00:42:42,000 --> 00:42:44,200 Speaker 1: extra verse and he doesn't need my voice on it. 803 00:42:44,360 --> 00:42:47,080 Speaker 1: But I love this song. And they said when can 804 00:42:47,160 --> 00:42:50,480 Speaker 1: you do it? And I said today and they said, oh, 805 00:42:50,520 --> 00:42:54,680 Speaker 1: it's a it's how about Saturday tomorrow? I said, asked 806 00:42:54,800 --> 00:42:56,759 Speaker 1: book it and it was in l A and went 807 00:42:56,800 --> 00:43:01,200 Speaker 1: to Sunset Studio. I wrote my verse the edge and 808 00:43:01,600 --> 00:43:04,680 Speaker 1: sang mom thang and did the whistle? That was that? 809 00:43:04,680 --> 00:43:07,480 Speaker 1: That it was? They said I was done, and they said, 810 00:43:07,560 --> 00:43:09,360 Speaker 1: is there anything I should think? I said, have you 811 00:43:09,400 --> 00:43:13,280 Speaker 1: ever thought about? Uh? Maybe? I said, listen, this is um. 812 00:43:13,320 --> 00:43:18,480 Speaker 1: They're just and they're like, oh, man, little note to 813 00:43:18,600 --> 00:43:20,080 Speaker 1: do it? Do it all the way through it. Man. 814 00:43:20,160 --> 00:43:22,480 Speaker 1: So I whistled, do the song on the long Maho. 815 00:43:22,600 --> 00:43:28,440 Speaker 1: Now I'm the whistler for little nos bts on the 816 00:43:28,480 --> 00:43:32,720 Speaker 1: whistler for snoop. There's a there's a whistle in our tune. UM. 817 00:43:33,080 --> 00:43:39,520 Speaker 1: Never dreamed anybody would give a crap about my whistle. There, whistler, 818 00:43:39,640 --> 00:43:41,040 Speaker 1: I think you had worshop. I think we both had 819 00:43:41,080 --> 00:43:44,319 Speaker 1: worob The whistler actually actually whistled while I worked at 820 00:43:44,400 --> 00:43:47,759 Speaker 1: Baby Toy Town. Whenever you look at your career like 821 00:43:47,800 --> 00:43:51,680 Speaker 1: from uh ten thousand feet up, like you've been able 822 00:43:51,719 --> 00:43:55,239 Speaker 1: to consistently come back and be successful in all these 823 00:43:55,280 --> 00:44:01,440 Speaker 1: different areas music and then television when you know you 824 00:44:01,480 --> 00:44:05,960 Speaker 1: did the show with Miley music again, you keep reinventing 825 00:44:06,000 --> 00:44:08,200 Speaker 1: how you do music like your girl Like, what in 826 00:44:08,239 --> 00:44:11,319 Speaker 1: the world who are you having these conversations with it? 827 00:44:11,320 --> 00:44:13,120 Speaker 1: It's like, all right, Billy, right, that's what you need 828 00:44:13,160 --> 00:44:20,879 Speaker 1: to do now. M Honestly, Dolly, first and foremost, get 829 00:44:20,880 --> 00:44:24,560 Speaker 1: into acting. Don't be dependent on radio for a career. 830 00:44:24,880 --> 00:44:30,680 Speaker 1: She said that to you, Chris Christofferson, um White and 831 00:44:30,800 --> 00:44:37,520 Speaker 1: Jenny and most importantly, my dad said, look at Kenny Rodgers, 832 00:44:38,640 --> 00:44:41,239 Speaker 1: like I have one of those kind of careers. I said, Dad, 833 00:44:41,239 --> 00:44:42,640 Speaker 1: how do you? I'd love to, but how do you 834 00:44:42,640 --> 00:44:44,280 Speaker 1: do that? He said, you got to get into acting. 835 00:44:44,480 --> 00:44:46,680 Speaker 1: And I said, you know, I ain't even been in 836 00:44:46,760 --> 00:44:49,040 Speaker 1: a church play. I can't act. He said, I'm sure. 837 00:44:49,080 --> 00:44:52,400 Speaker 1: It's just like everything else, you just gotta start. And 838 00:44:52,480 --> 00:44:54,920 Speaker 1: that is that such good advice. It is good advice. 839 00:44:55,000 --> 00:44:56,919 Speaker 1: No matter what you're gonna do in life, you ain't 840 00:44:56,920 --> 00:44:59,400 Speaker 1: never gonna get it done if you don't start. And 841 00:44:59,440 --> 00:45:05,280 Speaker 1: so started, and luckily I got hired but uh, David 842 00:45:05,360 --> 00:45:09,520 Speaker 1: Lynch from malland Drive, and that led to doc and 843 00:45:09,560 --> 00:45:13,279 Speaker 1: then pretty soon unfortunately, yet fortunately, I found myself living 844 00:45:13,320 --> 00:45:16,719 Speaker 1: as an actor. But I'm really just a singer songwriter 845 00:45:16,800 --> 00:45:20,560 Speaker 1: from Flatwoods, Kentucky, and I was much more comfortable just 846 00:45:20,600 --> 00:45:23,799 Speaker 1: being a musician. In some ways, I'm glad I did 847 00:45:23,800 --> 00:45:25,799 Speaker 1: what I did, but it it took away maybe some 848 00:45:25,880 --> 00:45:28,320 Speaker 1: of my best years as a singer songwriter. But I 849 00:45:28,719 --> 00:45:30,759 Speaker 1: don't know that I would ever wrote. I might not 850 00:45:30,840 --> 00:45:34,080 Speaker 1: even be here without that those moments, so I can't 851 00:45:34,120 --> 00:45:37,280 Speaker 1: second guess it. But that's why I looked so forward 852 00:45:37,320 --> 00:45:40,799 Speaker 1: to this moment. I hope the world opens back up 853 00:45:40,840 --> 00:45:43,000 Speaker 1: and we get to play these shows that we have 854 00:45:43,160 --> 00:45:47,320 Speaker 1: booked and that more are coming because I to me, mahi, 855 00:45:47,560 --> 00:45:49,640 Speaker 1: what I really realized from the time I bought a 856 00:45:49,640 --> 00:45:53,520 Speaker 1: guitar and started a band. My high is the celebration 857 00:45:53,840 --> 00:45:57,759 Speaker 1: of music with the fans and the band and the 858 00:45:57,880 --> 00:46:02,080 Speaker 1: song all coming together other at one moment when everyone 859 00:46:02,280 --> 00:46:07,040 Speaker 1: can be in unison and harmony. That's as high as 860 00:46:07,040 --> 00:46:09,880 Speaker 1: I get, and I love it. That's That's what I 861 00:46:09,920 --> 00:46:11,440 Speaker 1: want to do with the rest of my life, is 862 00:46:11,480 --> 00:46:16,919 Speaker 1: just play some shows people come together, sing, dance, live, love, laugh, 863 00:46:17,600 --> 00:46:20,879 Speaker 1: And if there is any food for thought, if there's 864 00:46:20,920 --> 00:46:22,480 Speaker 1: someone that looks at my life and says, you don't 865 00:46:22,520 --> 00:46:23,880 Speaker 1: what if he can do it, I can do it. 866 00:46:24,120 --> 00:46:26,400 Speaker 1: If he can reach his dreams, I can reach my dreams. 867 00:46:26,400 --> 00:46:28,680 Speaker 1: And then maybe some kid might say, what was that 868 00:46:28,760 --> 00:46:32,279 Speaker 1: he said about be a jackhammer? Yeah, jackhammer? Keep on 869 00:46:32,440 --> 00:46:35,439 Speaker 1: keeping on. I actually, during the pandemic, wrote a song 870 00:46:35,520 --> 00:46:39,279 Speaker 1: called keep on Keeping On Like it's it's the philosophy, 871 00:46:39,320 --> 00:46:43,400 Speaker 1: you gotta do it. Yeah. I appreciate your dad's words, 872 00:46:44,000 --> 00:46:45,799 Speaker 1: and I think it's been said a few different ways, 873 00:46:45,800 --> 00:46:48,080 Speaker 1: but I like that you like, you just have to start. 874 00:46:48,600 --> 00:46:51,760 Speaker 1: You just have to Your dad though, if I'm correct, 875 00:46:52,600 --> 00:46:54,920 Speaker 1: was he a millworker. He was. He was a steel 876 00:46:54,920 --> 00:46:58,120 Speaker 1: worker of it, armcoat steel. And so that had to 877 00:46:58,160 --> 00:47:00,560 Speaker 1: have an impact on YouTube because my step dad worked 878 00:47:00,680 --> 00:47:03,879 Speaker 1: at a sawmill and I would see him come home, 879 00:47:03,920 --> 00:47:07,000 Speaker 1: and you know, my mom didn't remarr until I was 880 00:47:07,160 --> 00:47:10,040 Speaker 1: twelve or thirteen, but had no stability until him at all. 881 00:47:10,320 --> 00:47:12,399 Speaker 1: But he would come home. He would work so hard, 882 00:47:12,600 --> 00:47:15,359 Speaker 1: but he hated his job and he and he would 883 00:47:15,400 --> 00:47:18,520 Speaker 1: always say to me, I said, I hate this job. 884 00:47:18,560 --> 00:47:20,360 Speaker 1: You need to find something you love to do, because 885 00:47:21,400 --> 00:47:24,399 Speaker 1: at least you'll love doing it. Like, find something you love. 886 00:47:24,719 --> 00:47:26,560 Speaker 1: Don't be like me, don't work in the mill all 887 00:47:26,640 --> 00:47:29,640 Speaker 1: day to just get a paycheck. Did your dad pass 888 00:47:29,719 --> 00:47:32,640 Speaker 1: along any of that to you or do he like 889 00:47:32,760 --> 00:47:37,319 Speaker 1: his mill job. My dad was a people's man, and 890 00:47:37,440 --> 00:47:40,040 Speaker 1: once at the steel mill, he saw a man uh 891 00:47:40,200 --> 00:47:44,240 Speaker 1: lucy's legs from a falling crane, and unfortunately the company 892 00:47:44,640 --> 00:47:48,959 Speaker 1: um wasn't doing right by his family, and my dad 893 00:47:49,080 --> 00:47:52,520 Speaker 1: ended up uh leaving his job and putting himself through 894 00:47:52,520 --> 00:47:57,920 Speaker 1: college and became a state representative in Kentucky and became 895 00:47:57,920 --> 00:47:59,640 Speaker 1: in the head of the a f l c O 896 00:47:59,800 --> 00:48:04,760 Speaker 1: in State of Kentucky, working for working men and women's rights. 897 00:48:05,120 --> 00:48:06,880 Speaker 1: So he did it and then stood for the people 898 00:48:06,920 --> 00:48:09,360 Speaker 1: that also did it. That's another thing that turned me 899 00:48:09,400 --> 00:48:11,960 Speaker 1: on so much about hard working man. I said, you 900 00:48:11,960 --> 00:48:14,160 Speaker 1: know what, in a way, I feel a bit of 901 00:48:14,200 --> 00:48:18,480 Speaker 1: my dad's spirit in this song. I was raised knowing 902 00:48:18,600 --> 00:48:21,880 Speaker 1: that it's the hard working men and women of this 903 00:48:22,000 --> 00:48:25,319 Speaker 1: country that make those mills go, that make the trains run, 904 00:48:25,440 --> 00:48:30,000 Speaker 1: that drive the trucks. And you know, it's kind of 905 00:48:30,000 --> 00:48:32,399 Speaker 1: a philosophy, and there's another side of the steel mill 906 00:48:32,560 --> 00:48:35,799 Speaker 1: that I knew a little bit about steel. And then 907 00:48:35,960 --> 00:48:38,160 Speaker 1: somewhere when I bought a guitar and started a band, 908 00:48:38,239 --> 00:48:41,440 Speaker 1: I said, I gotta harness everything in my mind to 909 00:48:41,520 --> 00:48:44,759 Speaker 1: make this happen. I started studying, and somewhere I read 910 00:48:44,840 --> 00:48:48,520 Speaker 1: that persistence is to the quality of the character of man, 911 00:48:48,640 --> 00:48:52,400 Speaker 1: what carbon is to steal. And I knew that without 912 00:48:52,480 --> 00:48:56,440 Speaker 1: carbon and steel, steel was just plastic or rubber. That 913 00:48:56,560 --> 00:49:01,520 Speaker 1: made sense to me. Persistence. Everybody I'm studying keeps coming 914 00:49:01,560 --> 00:49:06,319 Speaker 1: back to be a jackhammer, keep on keeping on. Persistence. 915 00:49:06,360 --> 00:49:10,760 Speaker 1: It's not a very glorified word, but man's is important. Okay, 916 00:49:10,800 --> 00:49:14,439 Speaker 1: So today the song is out hard working man, Billy 917 00:49:14,520 --> 00:49:17,839 Speaker 1: Ray Cyrus is here with us. This is read read 918 00:49:17,920 --> 00:49:19,840 Speaker 1: runs all the video, all the fancy equipment. He always 919 00:49:19,840 --> 00:49:23,319 Speaker 1: asked one question, read what do you have for Billy Ray? Well, 920 00:49:23,360 --> 00:49:25,480 Speaker 1: I was going to ask about your song. It could 921 00:49:25,520 --> 00:49:28,279 Speaker 1: have been me if that was like, like involved a 922 00:49:28,320 --> 00:49:31,200 Speaker 1: true story or not, but you kind of answered that. Um, 923 00:49:31,200 --> 00:49:34,280 Speaker 1: But is there any kind of memory from either playing 924 00:49:34,280 --> 00:49:37,240 Speaker 1: a show or recording or anything that kind of sticks 925 00:49:37,239 --> 00:49:39,240 Speaker 1: out to you, is like one of your fondest memories. 926 00:49:39,800 --> 00:49:43,680 Speaker 1: I think maybe that moment at the Grammys and knowing 927 00:49:43,800 --> 00:49:46,680 Speaker 1: that the dream was in front of me now to 928 00:49:46,800 --> 00:49:49,399 Speaker 1: be as a good idea is only as good as 929 00:49:49,440 --> 00:49:53,480 Speaker 1: its execution. It has to do with me stopping all 930 00:49:53,480 --> 00:49:57,280 Speaker 1: the bad things and harnessing the good and leaning into 931 00:49:57,320 --> 00:49:59,600 Speaker 1: the music during that time, and most of all because 932 00:49:59,640 --> 00:50:02,359 Speaker 1: at that moment this would be the quintessential moment when 933 00:50:02,440 --> 00:50:05,920 Speaker 1: Johnny Cash wrote me a letter that said, recently saw 934 00:50:06,040 --> 00:50:10,440 Speaker 1: you giving credit to God for all your success. Always 935 00:50:10,440 --> 00:50:13,919 Speaker 1: remember that all things that are good come from oh 936 00:50:13,920 --> 00:50:17,560 Speaker 1: My to God above um. You remind me of my 937 00:50:17,640 --> 00:50:21,920 Speaker 1: friend Elvis Presley in your case, as in, he is 938 00:50:22,000 --> 00:50:25,600 Speaker 1: the good outweighs the bad. Let him have it. I'm 939 00:50:25,680 --> 00:50:30,840 Speaker 1: in your corner, loved Johnny Cash. And that was a 940 00:50:30,880 --> 00:50:33,919 Speaker 1: moment to me. It was during the storm of acy 941 00:50:34,000 --> 00:50:36,920 Speaker 1: breaky was as hot as it could get, and and 942 00:50:37,000 --> 00:50:40,960 Speaker 1: it was Johnny Cash wrote me that letter, and I said, 943 00:50:41,000 --> 00:50:44,800 Speaker 1: you know, if Johnny Cash says it's okay, then that 944 00:50:45,000 --> 00:50:48,040 Speaker 1: and then it's okay. Just do what he said, give 945 00:50:48,080 --> 00:50:49,960 Speaker 1: the glory to God. And what long after that I 946 00:50:49,960 --> 00:50:52,320 Speaker 1: wore that John three six short at the Grammy's and 947 00:50:52,440 --> 00:50:55,800 Speaker 1: realized that, you know, that's so never take up for granted, 948 00:50:55,840 --> 00:50:57,640 Speaker 1: knowing that all things that are good come from all 949 00:50:57,680 --> 00:51:01,400 Speaker 1: money got above. And I could have been me question too, 950 00:51:01,400 --> 00:51:03,680 Speaker 1: because I will tell you at that time both with 951 00:51:04,360 --> 00:51:06,600 Speaker 1: thank you breaking article man, this song is special, and 952 00:51:06,719 --> 00:51:09,160 Speaker 1: I thought I had the the other nine songs I 953 00:51:09,160 --> 00:51:12,320 Speaker 1: would need, and then I heard that, read Nielson doing 954 00:51:12,480 --> 00:51:21,160 Speaker 1: uh uh like his voice. Um, he just got married. 955 00:51:22,400 --> 00:51:27,640 Speaker 1: I took a month long honey moon, and you all 956 00:51:27,800 --> 00:51:33,360 Speaker 1: smiled at the wedding. You crowed when you kissed the ground. 957 00:51:35,680 --> 00:51:40,640 Speaker 1: I got no invitation. I guess the malman didn't bring 958 00:51:40,719 --> 00:51:44,719 Speaker 1: it to me. But I see the whole thing in 959 00:51:44,920 --> 00:51:51,000 Speaker 1: slow motion, even that that try to sleep my butter. 960 00:51:51,120 --> 00:51:55,719 Speaker 1: John said you look pretty pretty, and you acted like 961 00:51:55,960 --> 00:52:01,520 Speaker 1: you were in love. He said. The preacher ask for objections, 962 00:52:02,760 --> 00:52:07,200 Speaker 1: and he thought about standing. And when I heard that, 963 00:52:07,239 --> 00:52:10,520 Speaker 1: I thought, man, I gotta do that song. And uh 964 00:52:10,640 --> 00:52:13,600 Speaker 1: so I threw off to the mine and added aki 965 00:52:13,680 --> 00:52:16,200 Speaker 1: breaking and could have been made end up doing another 966 00:52:16,239 --> 00:52:21,480 Speaker 1: read Nelson on the second album which I became a hit. Um, 967 00:52:21,520 --> 00:52:23,920 Speaker 1: it was called I Know the Words by heart? Do 968 00:52:23,960 --> 00:52:26,279 Speaker 1: you ever hear? That's all? And that was written to me. 969 00:52:26,400 --> 00:52:28,279 Speaker 1: That was the follow up of it. Could have been 970 00:52:28,280 --> 00:52:31,520 Speaker 1: me was I know the words by heart and read Nielson. 971 00:52:31,880 --> 00:52:34,360 Speaker 1: Well you know I love you well, thank you, I 972 00:52:34,400 --> 00:52:36,560 Speaker 1: love you. Love having you around. Anytime I get to 973 00:52:36,560 --> 00:52:38,520 Speaker 1: see it's always a treat for me. You're just the 974 00:52:38,560 --> 00:52:41,280 Speaker 1: best you, and I appreciate your vulnerability. I think people 975 00:52:41,320 --> 00:52:44,359 Speaker 1: hear you and go, Man, that's somebody who says things 976 00:52:44,440 --> 00:52:46,799 Speaker 1: I need to hear. I think you did that here. 977 00:52:46,840 --> 00:52:48,200 Speaker 1: I think there's a lot of people that take your 978 00:52:48,239 --> 00:52:51,680 Speaker 1: message and use it to either remain in a positive 979 00:52:51,680 --> 00:52:53,839 Speaker 1: place or get themselves to a more positive place. So 980 00:52:54,160 --> 00:52:57,279 Speaker 1: I appreciate your words and and just come by. Like 981 00:52:57,440 --> 00:52:59,919 Speaker 1: I said it already once. I love you so, thank you, Bob. 982 00:53:00,200 --> 00:53:02,440 Speaker 1: I appreciate that. Man. Glad you're here. Any any time 983 00:53:02,440 --> 00:53:04,480 Speaker 1: you gonna come over with no microphones, let me know, 984 00:53:05,280 --> 00:53:08,080 Speaker 1: because you're probably in town more than I'm near where 985 00:53:08,160 --> 00:53:10,080 Speaker 1: you are, and I wanna get like. You have a 986 00:53:10,120 --> 00:53:12,480 Speaker 1: fancy place all the woods. You know, you're like the 987 00:53:12,560 --> 00:53:14,480 Speaker 1: last time I saw you come out and I was like, right, 988 00:53:14,760 --> 00:53:16,520 Speaker 1: if I come out to your place, I'm gonna get lost. 989 00:53:17,040 --> 00:53:18,959 Speaker 1: I would be ashamed for you to see my place 990 00:53:19,200 --> 00:53:24,040 Speaker 1: after coming here. I'm talking. No, no, I'm serious, man, No, no, no, no, 991 00:53:24,120 --> 00:53:27,759 Speaker 1: you're a place I'm just like I would be embarrassed, 992 00:53:27,880 --> 00:53:32,640 Speaker 1: like this is really not clean, you just I mean, 993 00:53:32,640 --> 00:53:35,520 Speaker 1: this is I've had enough of this. Okay, listen, A 994 00:53:35,600 --> 00:53:38,400 Speaker 1: hard working band is out today. It's Billy Ray, Snoop 995 00:53:38,400 --> 00:53:40,600 Speaker 1: and the Brothers, and I hope everybody checks it out 996 00:53:40,640 --> 00:53:43,239 Speaker 1: streams it like crazy. And when Billy Ray gets back 997 00:53:43,239 --> 00:53:45,280 Speaker 1: out on the road and you start doing your shows, 998 00:53:45,480 --> 00:53:47,880 Speaker 1: I want everybody just pack it and have that moment 999 00:53:47,920 --> 00:53:51,080 Speaker 1: you're talking about. I look forward to celebration that look 1000 00:53:51,160 --> 00:53:54,680 Speaker 1: forward to that too, And until I see you again, 1001 00:53:55,520 --> 00:53:58,640 Speaker 1: I will treasure this last hour that we spent together. Amen. Brother, 1002 00:53:58,800 --> 00:54:01,680 Speaker 1: thank you all so much, you being with you. Thank 1003 00:54:01,719 --> 00:54:08,239 Speaker 1: you m HM.