1
00:00:00,240 --> 00:00:03,080
Speaker 1: Hello the Internet, and welcome to Season two thirty four,

2
00:00:03,200 --> 00:00:08,760
Speaker 1: Episode two of a production of I Heart Radio. This

3
00:00:08,840 --> 00:00:10,799
Speaker 1: is a podcast where we take a deep dive into

4
00:00:10,840 --> 00:00:17,160
Speaker 1: America's share consciousness. It's Tuesday, April, which of course means

5
00:00:17,200 --> 00:00:25,280
Speaker 1: that is National Pretzel Day, making thirsty, making me thirsty. Indeed, pretzels,

6
00:00:25,640 --> 00:00:28,320
Speaker 1: I do. I love pretzels. I like a pretzel crisp.

7
00:00:28,760 --> 00:00:31,880
Speaker 1: I like a pretzel, small pretzel. I'm not as big

8
00:00:31,920 --> 00:00:37,640
Speaker 1: on the big fat Doughey h Street Street pretzels of

9
00:00:38,680 --> 00:00:43,120
Speaker 1: some some like molten cheese. Yeah, I think I I

10
00:00:43,320 --> 00:00:46,559
Speaker 1: ate too many of them without a nut cheese or

11
00:00:46,600 --> 00:00:51,199
Speaker 1: anything except mustard. And but yeah, I'm just I'm not.

12
00:00:51,800 --> 00:00:54,840
Speaker 1: I'm not real Philly. I've never claimed to be real Philly,

13
00:00:54,960 --> 00:00:57,000
Speaker 1: you know. Okay, well, you know it's funny that I

14
00:00:57,000 --> 00:00:58,880
Speaker 1: wouldn't get off my back, all right, man, I'm not

15
00:00:59,000 --> 00:01:05,039
Speaker 1: real Philmy holy sh it, dude, that's I remember, just

16
00:01:05,080 --> 00:01:06,600
Speaker 1: like the first time I would have them, you know,

17
00:01:06,640 --> 00:01:11,039
Speaker 1: like it's like eighties snacks. Snacks stand always had to

18
00:01:11,080 --> 00:01:14,440
Speaker 1: have that like rotating fucking glass thing with like dried

19
00:01:14,560 --> 00:01:17,919
Speaker 1: up pretzels on them, with like salt chunks the size

20
00:01:17,920 --> 00:01:21,840
Speaker 1: of fucking like tennis balls on them, but all those

21
00:01:21,880 --> 00:01:25,039
Speaker 1: are always so like dry and not fresh that for

22
00:01:25,080 --> 00:01:26,680
Speaker 1: the longest time, I'm like, man, if that's what a

23
00:01:26,720 --> 00:01:29,680
Speaker 1: fucking pretzels bucked that? Until I had like a proper one,

24
00:01:29,760 --> 00:01:32,759
Speaker 1: I was like, Okay, I like this. I like pretezel

25
00:01:33,280 --> 00:01:35,320
Speaker 1: and I don't want to shout out the company that

26
00:01:35,400 --> 00:01:39,319
Speaker 1: probably lobbied to make this a national national pretzel day,

27
00:01:39,360 --> 00:01:42,280
Speaker 1: but Anti Ann's I think I still think anti Ans

28
00:01:42,319 --> 00:01:51,000
Speaker 1: is behind it. Probably I mean massive corporation, Yeah, big wetzel. Um,

29
00:01:52,280 --> 00:01:56,520
Speaker 1: What's I do? I do love a loving anti Ans.

30
00:01:56,560 --> 00:01:58,560
Speaker 1: So I'm sure a lot of people don't think I'm real,

31
00:01:58,880 --> 00:02:02,920
Speaker 1: real pretzel gang. But don't worry. I'm fine with that.

32
00:02:03,080 --> 00:02:06,600
Speaker 1: Don't worry. I'm not gonna pull your card anyways. My

33
00:02:06,680 --> 00:02:10,240
Speaker 1: name's Jack O'Brien. A K. Earth Day was the worst day.

34
00:02:10,440 --> 00:02:13,959
Speaker 1: Now I hit bamboo when I'm thirstday as courtesy a

35
00:02:14,080 --> 00:02:23,919
Speaker 1: Walter Chestnut talking about those soggy as paper straws um, wow, clever, clever,

36
00:02:24,320 --> 00:02:27,400
Speaker 1: well done, Walter Chestnut, and I'm thrilled to be joined

37
00:02:27,440 --> 00:02:32,920
Speaker 1: as always buy my co host Mr Miles grab Oh weh.

38
00:02:32,919 --> 00:02:37,919
Speaker 1: I smell just like Little Caesar's oh, drop my pizza

39
00:02:38,040 --> 00:02:43,160
Speaker 1: on the floor. I don't care about that ship anyway.

40
00:02:43,800 --> 00:02:47,560
Speaker 1: I'm too high for that. All right. Shout out to

41
00:02:47,800 --> 00:02:51,119
Speaker 1: Grand Rapidity and Willie on the Discord who attached this

42
00:02:51,400 --> 00:02:54,760
Speaker 1: uh wonderful a k a. With the Weezer Blue album.

43
00:02:54,840 --> 00:02:57,120
Speaker 1: But they're dressed up like they work at Little Caesar's,

44
00:02:57,120 --> 00:02:59,000
Speaker 1: and Little Caesar's mascot is in it, and it says

45
00:02:59,040 --> 00:03:03,560
Speaker 1: Caesar's wee ser um. I appreciate that. I appreciate the

46
00:03:03,639 --> 00:03:06,040
Speaker 1: art direction. Come with a case. Yeah, it was a

47
00:03:06,080 --> 00:03:08,480
Speaker 1: lot of textures. You know, it's more than just words.

48
00:03:08,600 --> 00:03:11,520
Speaker 1: It's it's a feeling, it's a it's a multiverse if

49
00:03:11,560 --> 00:03:14,720
Speaker 1: you will. Was that a reference to an event from

50
00:03:14,720 --> 00:03:17,480
Speaker 1: your life? Dropped dropping the pizza? And still you don't know?

51
00:03:17,560 --> 00:03:19,800
Speaker 1: I think maybe this meme inspired it. They know I

52
00:03:19,840 --> 00:03:22,360
Speaker 1: love Little Caesar's, you know, I like PM Local. You

53
00:03:22,400 --> 00:03:24,400
Speaker 1: know I'm done with my crazy bread all the time.

54
00:03:24,480 --> 00:03:27,200
Speaker 1: So I don't know, you know, I'm I'm not mad.

55
00:03:27,280 --> 00:03:29,480
Speaker 1: And also I love Boddy, I love the Buddy Holly Treck,

56
00:03:29,600 --> 00:03:34,040
Speaker 1: I love that track, the guitar solo. It's really just

57
00:03:34,080 --> 00:03:42,520
Speaker 1: that one, like going that ship. Okay, wow, um, I

58
00:03:42,520 --> 00:03:44,200
Speaker 1: mean it is a good It is a good part

59
00:03:44,600 --> 00:03:48,160
Speaker 1: just you. I don't usually get that energy from you

60
00:03:48,240 --> 00:03:53,520
Speaker 1: over a track that like is you know, mainstream Jack.

61
00:03:53,600 --> 00:03:56,200
Speaker 1: If you could have seen me in oh seven Guitar

62
00:03:56,280 --> 00:03:58,840
Speaker 1: Hero came out, I'm playing my name is Jonas on

63
00:03:59,720 --> 00:04:02,360
Speaker 1: X Hurt, I'm like, I have tears in my eyes

64
00:04:02,720 --> 00:04:06,680
Speaker 1: and You're like, dude, this guy's sucking up bad right now.

65
00:04:07,360 --> 00:04:10,160
Speaker 1: Uh Well, Miles Weird thrilled to be joined in our

66
00:04:10,200 --> 00:04:13,320
Speaker 1: third seat by one of our favorite all time t

67
00:04:13,480 --> 00:04:17,520
Speaker 1: DZ guests, a very funny stand up comedian, writer, podcaster, producer.

68
00:04:17,839 --> 00:04:20,720
Speaker 1: Her stand up album opingon Cave debut at number one

69
00:04:20,720 --> 00:04:24,280
Speaker 1: on iTunes, and the podcast Lady to Lady is just

70
00:04:24,360 --> 00:04:27,560
Speaker 1: one of the best out there. She's performed everywhere from

71
00:04:27,560 --> 00:04:31,240
Speaker 1: a basement in Kentucky to the stages of the Kennedy Center.

72
00:04:31,279 --> 00:04:39,120
Speaker 1: Please welcome the talented and hilarious Brandy Posey. Oh hey, guys.

73
00:04:39,400 --> 00:04:42,840
Speaker 1: I've been quietly sitting here just like they're talking about pretzels.

74
00:04:43,160 --> 00:04:45,640
Speaker 1: They're talking about so many things I have opinions about,

75
00:04:45,839 --> 00:04:47,359
Speaker 1: but I'm gonna be a good guests. And then I

76
00:04:47,400 --> 00:04:50,880
Speaker 1: just yelled wetzel and I broke. I broke my professionality.

77
00:04:51,320 --> 00:04:53,880
Speaker 1: I was like, no one's saying, wet cell I'm here

78
00:04:53,920 --> 00:04:56,600
Speaker 1: for the people at home that our wetzel heads, and

79
00:04:56,680 --> 00:04:58,840
Speaker 1: I just wanted to get it in there, are you,

80
00:04:58,880 --> 00:05:01,640
Speaker 1: big wet wetzell? I love, I love, I love all

81
00:05:01,680 --> 00:05:03,560
Speaker 1: soft pretzels. So so I went to I actually went

82
00:05:03,600 --> 00:05:05,560
Speaker 1: to college in Philly and from Maryland. Originally went to

83
00:05:05,560 --> 00:05:08,200
Speaker 1: college in Philly, and I went to film school, and

84
00:05:08,279 --> 00:05:11,200
Speaker 1: I catered all of my films, all my film sets.

85
00:05:11,480 --> 00:05:13,640
Speaker 1: But because I couldn't sleep the night before shooting anything,

86
00:05:13,880 --> 00:05:15,440
Speaker 1: so at four in the morning every day, I would

87
00:05:15,480 --> 00:05:17,440
Speaker 1: go to like one of the soft pretzel factories and

88
00:05:17,480 --> 00:05:20,359
Speaker 1: get a giant box of soft pretzels for like five

89
00:05:20,440 --> 00:05:22,960
Speaker 1: dollars and just like a big thing of mustard and

90
00:05:23,000 --> 00:05:25,000
Speaker 1: think that was the only food on my sets and

91
00:05:25,080 --> 00:05:31,359
Speaker 1: cote but that it was not fresh, fresh case of pretzels,

92
00:05:31,520 --> 00:05:33,359
Speaker 1: fresh case of pretzels, because you could go straight to

93
00:05:33,360 --> 00:05:35,440
Speaker 1: the factory, like right when they were making them. It

94
00:05:35,520 --> 00:05:38,120
Speaker 1: was the old, weird factories in Philly that just smelled

95
00:05:38,160 --> 00:05:41,360
Speaker 1: like soft pretzels. Like a little old man, like the

96
00:05:41,360 --> 00:05:43,359
Speaker 1: one old man that made the pretzels would just like

97
00:05:43,400 --> 00:05:45,440
Speaker 1: open this door if you knocked at the right time,

98
00:05:45,600 --> 00:05:47,760
Speaker 1: and you just bring you a big, old like cardboard

99
00:05:47,760 --> 00:05:50,919
Speaker 1: box of pretzels. The most Philly I've ever felt in

100
00:05:50,960 --> 00:05:55,000
Speaker 1: my life. And yeah, do you do you feel like

101
00:05:55,040 --> 00:05:58,560
Speaker 1: they are superior to other soft pretzels? Like my dad,

102
00:05:58,600 --> 00:06:01,560
Speaker 1: who's from Philly, grew up in Philly, will like, if

103
00:06:01,600 --> 00:06:06,280
Speaker 1: we're near anywhere near Philly, he wants to he wants

104
00:06:06,279 --> 00:06:09,839
Speaker 1: to stop through and pick up an inordinate number of

105
00:06:09,880 --> 00:06:12,760
Speaker 1: soft pretzels. I think if you're getting them right when

106
00:06:12,800 --> 00:06:16,640
Speaker 1: they are fresh, then they're they're unbeatable. But you know,

107
00:06:16,800 --> 00:06:19,080
Speaker 1: they also because they don't have a lot of preservatives

108
00:06:19,080 --> 00:06:21,760
Speaker 1: in them and stuff like, they do get funky pretty

109
00:06:21,800 --> 00:06:24,680
Speaker 1: quickly the rest of the day. So you know, if

110
00:06:24,680 --> 00:06:26,880
Speaker 1: you can get them like hot off the presses, it's

111
00:06:26,880 --> 00:06:30,040
Speaker 1: a great pretzel. Otherwise an Antian's or a wetzel because

112
00:06:30,040 --> 00:06:33,680
Speaker 1: they just like dunk that ship in butter and whatever.

113
00:06:33,800 --> 00:06:39,160
Speaker 1: It's fine. Yeah, that's what I'm here for. Butter. Most

114
00:06:39,200 --> 00:06:41,400
Speaker 1: bread of any kind dunked in butter, I'm pretty good with.

115
00:06:41,520 --> 00:06:45,200
Speaker 1: I like, like an olive garden breadstick. Yeah, yeah, it's

116
00:06:45,200 --> 00:06:48,160
Speaker 1: all perfect local. We're all we're all well come, we

117
00:06:48,160 --> 00:06:50,480
Speaker 1: will come from the same tree. I didn't realize Philadelphia

118
00:06:50,480 --> 00:06:54,200
Speaker 1: the average Philadelphi in consumes about twelve times as many

119
00:06:54,240 --> 00:06:59,440
Speaker 1: pretzels as a national average. Damn that that tracks that.

120
00:06:59,560 --> 00:07:02,640
Speaker 1: I mean, if you're likely what happens if four all right,

121
00:07:02,800 --> 00:07:05,719
Speaker 1: hit the hit the fucking fresh spot real quick? Have

122
00:07:05,760 --> 00:07:08,320
Speaker 1: that my set food? Yeah? It makes sense. So yeah,

123
00:07:08,360 --> 00:07:10,600
Speaker 1: I mean Philly is like, doesn't mess around. You got

124
00:07:10,600 --> 00:07:12,680
Speaker 1: you got great pizza, you got great cheese steaks, You've

125
00:07:12,680 --> 00:07:15,520
Speaker 1: got pretzels, there, you got rosies. That's just there's what

126
00:07:15,600 --> 00:07:19,080
Speaker 1: do you think? Okay, so Philadelphia they probably more pretzels.

127
00:07:19,120 --> 00:07:23,160
Speaker 1: What do you think New Yorkers need more pizza? Average?

128
00:07:23,400 --> 00:07:28,000
Speaker 1: Probably pizza, although I thought more halal. I've had more

129
00:07:28,080 --> 00:07:31,040
Speaker 1: halal than than pizza, and New York I think more

130
00:07:31,080 --> 00:07:34,880
Speaker 1: street meat than is both uh you know, common in

131
00:07:34,920 --> 00:07:40,760
Speaker 1: America and also advisable by the National uh yeah Street

132
00:07:40,800 --> 00:07:45,760
Speaker 1: Meat Association. Yeah yeah, and then they're like oh no, no, no, no,

133
00:07:45,760 --> 00:07:50,320
Speaker 1: no yeah, and then street tacos out here probably right, yeah,

134
00:07:50,320 --> 00:07:52,240
Speaker 1: I mean that feels like something just in general, because

135
00:07:52,280 --> 00:07:54,920
Speaker 1: our tacos are so good, like passively, you can just

136
00:07:55,200 --> 00:07:59,120
Speaker 1: it's it's not an offensive meal. All right, Brandy, we're

137
00:07:59,120 --> 00:08:00,560
Speaker 1: going to get to know you a bit better in

138
00:08:00,560 --> 00:08:03,440
Speaker 1: a moment. First, Uh, we're gonna tell our listeners a

139
00:08:03,440 --> 00:08:06,840
Speaker 1: couple of the things we're talking about today, such as

140
00:08:07,320 --> 00:08:10,920
Speaker 1: we're just gonna do a little mega heat check grab

141
00:08:10,960 --> 00:08:16,800
Speaker 1: bag check in with um all the all the popular characters. Um,

142
00:08:17,280 --> 00:08:20,280
Speaker 1: we are gonna take a look at the CNN plus

143
00:08:20,880 --> 00:08:26,840
Speaker 1: uh clusterfuck like that, you know just fell apart so fast,

144
00:08:27,400 --> 00:08:32,560
Speaker 1: like it fell apart like an unsheathed Philadelphia pretzel. That's

145
00:08:32,840 --> 00:08:36,640
Speaker 1: you know, just went bad within days. Uh. So we'll

146
00:08:36,679 --> 00:08:41,000
Speaker 1: talk about that. We'll talk about, um, the multiverse, why

147
00:08:41,000 --> 00:08:42,960
Speaker 1: are why are people? Have you guys heard about this thing?

148
00:08:43,000 --> 00:08:46,680
Speaker 1: Have you seen this? The numbers one version of myself

149
00:08:46,679 --> 00:08:50,360
Speaker 1: has heard about it. Yeah, there you go. Um all

150
00:08:50,400 --> 00:08:53,960
Speaker 1: the other multiverses or have seen it and are over it.

151
00:08:54,520 --> 00:08:59,000
Speaker 1: We're behind the curve, I think. Um. And then we're

152
00:08:59,040 --> 00:09:05,200
Speaker 1: gonna talk about uh Broadway, Broadway, all of that plenty moore.

153
00:09:05,240 --> 00:09:07,440
Speaker 1: But first, Brandy, we do like to ask Eric guest,

154
00:09:07,480 --> 00:09:12,760
Speaker 1: what is something from your search history? Um? So, the

155
00:09:12,840 --> 00:09:15,520
Speaker 1: new the newest season of of Forged in Fire has

156
00:09:15,600 --> 00:09:19,680
Speaker 1: dropped episodes on Hulu, and there's a new host, uh

157
00:09:19,840 --> 00:09:23,480
Speaker 1: controversially new host the first time in seven eight seasons,

158
00:09:23,640 --> 00:09:25,960
Speaker 1: second host of all time on the show. His name

159
00:09:26,040 --> 00:09:28,040
Speaker 1: is Grady Powell, and I needed to know who the

160
00:09:28,080 --> 00:09:31,120
Speaker 1: hell less man was because I loved the old host

161
00:09:31,200 --> 00:09:34,400
Speaker 1: because he was a horrible host to the point he

162
00:09:34,520 --> 00:09:36,920
Speaker 1: had zero charisma, to the point that he was extremely

163
00:09:37,000 --> 00:09:39,440
Speaker 1: charismatic by the end because he just like was so

164
00:09:39,480 --> 00:09:42,120
Speaker 1: bad at it and this new guy has too much

165
00:09:42,160 --> 00:09:46,400
Speaker 1: confidence to fall into that category. UM So I just

166
00:09:46,440 --> 00:09:48,280
Speaker 1: needed to know who the hell this guy was. Turns

167
00:09:48,280 --> 00:09:50,760
Speaker 1: out he's a former Green Beret, so I am scared

168
00:09:50,800 --> 00:09:54,560
Speaker 1: of him, but uh, talk that ship. Let let him know.

169
00:09:57,840 --> 00:10:01,400
Speaker 1: You got zero catchphrases yelling at people like we're still

170
00:10:01,440 --> 00:10:05,000
Speaker 1: in the army, you're unforged in fire. Oh gosh, yeah,

171
00:10:05,080 --> 00:10:08,480
Speaker 1: former green beret. Yeah, it's a lot. It's a lot

172
00:10:08,520 --> 00:10:10,400
Speaker 1: all the other because all the other like the judges

173
00:10:10,440 --> 00:10:12,800
Speaker 1: are very fun and like sweep, but he just comes

174
00:10:12,800 --> 00:10:15,160
Speaker 1: in with this like drill instructor attitude and I'm just

175
00:10:15,200 --> 00:10:17,440
Speaker 1: like not here for it, and I'm gonna give him

176
00:10:17,440 --> 00:10:19,920
Speaker 1: a season to see what happens. But like it's that

177
00:10:20,040 --> 00:10:23,600
Speaker 1: that is my favorite show on TV. Um So it's

178
00:10:23,760 --> 00:10:26,560
Speaker 1: very hard for me to like have changes happen to

179
00:10:26,800 --> 00:10:29,520
Speaker 1: my favorite thing. So whatever, I just went down a

180
00:10:29,520 --> 00:10:31,280
Speaker 1: wormhole on him just to be like, all right, who

181
00:10:31,320 --> 00:10:33,400
Speaker 1: the hell is this guy? Why are you the host?

182
00:10:33,720 --> 00:10:36,680
Speaker 1: Why didn't I get this job? Forged in Fireheads? If

183
00:10:36,679 --> 00:10:39,480
Speaker 1: you're listening, petition me to be the next host when

184
00:10:39,520 --> 00:10:44,240
Speaker 1: Grady is ultimately fired for war crimes exactly. So, yeah,

185
00:10:44,320 --> 00:10:46,080
Speaker 1: how was that tour in Iraq you did as a

186
00:10:46,120 --> 00:10:53,080
Speaker 1: Green Beret? I don't recall that part though, right, So

187
00:10:53,559 --> 00:10:58,200
Speaker 1: the previous host is who I'm more interested in. What

188
00:10:58,280 --> 00:11:00,680
Speaker 1: was their name? What was their back where they just

189
00:11:00,760 --> 00:11:05,640
Speaker 1: like a real sword head and like, well no, will

190
00:11:05,720 --> 00:11:08,560
Speaker 1: Willis also had some sort of I think he was

191
00:11:08,880 --> 00:11:12,520
Speaker 1: a pair of rescue guy. Um so yeah, like they

192
00:11:12,760 --> 00:11:15,000
Speaker 1: always have like somebody that's like former military hosting it.

193
00:11:15,040 --> 00:11:18,800
Speaker 1: But yeah, I remember, Yeah, this guy was perfectly non

194
00:11:18,800 --> 00:11:22,600
Speaker 1: memorable for a show that was really about making fucking swords. Yeah,

195
00:11:22,720 --> 00:11:26,400
Speaker 1: a perfect just a perfect weird little avatar. And then

196
00:11:26,440 --> 00:11:29,520
Speaker 1: he always had bad hair and it was just really

197
00:11:29,559 --> 00:11:32,080
Speaker 1: beautiful just to see him just not know how to

198
00:11:32,160 --> 00:11:34,480
Speaker 1: like riff with the judges, and it was very endearing

199
00:11:34,520 --> 00:11:39,200
Speaker 1: because he was just uncharismatic. And this guy, he's also uncharismatic,

200
00:11:39,200 --> 00:11:41,080
Speaker 1: but he's like yelling at you the whole time, and

201
00:11:41,120 --> 00:11:43,240
Speaker 1: I'm just not I'm not here for that. Because Foraged

202
00:11:43,280 --> 00:11:44,880
Speaker 1: and Fire, you think is going to be like a

203
00:11:44,880 --> 00:11:48,480
Speaker 1: toxic bro show, but it's actually breaking down those barriers

204
00:11:48,520 --> 00:11:50,960
Speaker 1: because that show was all about like guys that like

205
00:11:51,080 --> 00:11:54,360
Speaker 1: make knives separately coming together and meeting more people and

206
00:11:54,400 --> 00:11:58,240
Speaker 1: forging friendships and knives at the same time. And no

207
00:11:58,240 --> 00:12:02,360
Speaker 1: one's ever in shid Is Forged and Fire Friendship. Yeah,

208
00:12:02,400 --> 00:12:06,319
Speaker 1: that's that's what the Forge was forging the whole time. Um,

209
00:12:06,400 --> 00:12:08,360
Speaker 1: And it's just very sweet to see people that could

210
00:12:08,360 --> 00:12:11,080
Speaker 1: be school shooters just finding a craft they're really into

211
00:12:11,160 --> 00:12:16,200
Speaker 1: instead the potential of a career on QVC later on,

212
00:12:16,600 --> 00:12:20,080
Speaker 1: yeah exactly. I mean they I'm looking on a media

213
00:12:20,080 --> 00:12:22,960
Speaker 1: outlet that wants to tell me the real reason will

214
00:12:23,000 --> 00:12:25,840
Speaker 1: Willis isn't on this season. But it wasn't just they

215
00:12:25,840 --> 00:12:28,440
Speaker 1: were like, yo, man, your hair is too weird, like

216
00:12:28,640 --> 00:12:32,640
Speaker 1: your your vibes are all all funked up. I think

217
00:12:32,760 --> 00:12:35,600
Speaker 1: during Quarantine his wife had a baby and he wants

218
00:12:35,640 --> 00:12:38,920
Speaker 1: to go be a dad and whatever. They live in

219
00:12:38,960 --> 00:12:42,960
Speaker 1: like Arrowheads Mozels have have fun, but I do miss him,

220
00:12:43,040 --> 00:12:44,360
Speaker 1: and I do think a lot of people want him

221
00:12:44,360 --> 00:12:47,080
Speaker 1: to come back, So we'll see. We'll see how much

222
00:12:47,120 --> 00:12:50,400
Speaker 1: they pay attention to the fans. I like his he's

223
00:12:50,440 --> 00:12:53,439
Speaker 1: his hairstyles like one where it's like he doesn't pay

224
00:12:53,480 --> 00:12:56,440
Speaker 1: attention to the fact that his hair is growing. And

225
00:12:56,480 --> 00:12:58,840
Speaker 1: then every now and then, what is going on with this?

226
00:12:59,200 --> 00:13:01,640
Speaker 1: I gotta I gotta a red carpet, avoult the hack

227
00:13:01,760 --> 00:13:04,280
Speaker 1: and then he shows up looking like that. You're like wow,

228
00:13:04,679 --> 00:13:06,840
Speaker 1: which is so funny because he literally has hair and

229
00:13:06,840 --> 00:13:09,800
Speaker 1: makeup every day. But they just I'm like, you have

230
00:13:09,840 --> 00:13:13,040
Speaker 1: a perfect You're the host of a TV show. Somebody

231
00:13:13,040 --> 00:13:15,600
Speaker 1: powders your face that nobody says that anything about this air.

232
00:13:16,040 --> 00:13:18,240
Speaker 1: What's happening in the trailer? Is it like trying to

233
00:13:18,240 --> 00:13:20,360
Speaker 1: get like a six year old ready for church or

234
00:13:20,360 --> 00:13:22,679
Speaker 1: they're like you gotta do your hand Like no, I'm

235
00:13:22,960 --> 00:13:26,320
Speaker 1: like smearing it back like fuck whatever. Goal like that.

236
00:13:26,360 --> 00:13:30,120
Speaker 1: Then I'll say Will Willis is just like a name

237
00:13:30,200 --> 00:13:35,200
Speaker 1: that sounds like made up completely like Will Willis Yeah,

238
00:13:35,240 --> 00:13:40,439
Speaker 1: because the Will only has one L is that create yes, yeah, yeah, Jack?

239
00:13:41,120 --> 00:13:45,520
Speaker 1: Can you handle it? I don't think I can, but

240
00:13:45,720 --> 00:13:51,840
Speaker 1: my man one now, but two in the in the

241
00:13:51,920 --> 00:13:53,760
Speaker 1: last name. So that's it. He doesn't want you to

242
00:13:53,800 --> 00:13:57,560
Speaker 1: get confused because he's not trying to freak us out. Now,

243
00:13:58,800 --> 00:14:02,600
Speaker 1: have four L in your two names. That comes too much.

244
00:14:02,640 --> 00:14:05,679
Speaker 1: I mean his parents had knew what was going on. Yeah,

245
00:14:06,240 --> 00:14:08,400
Speaker 1: it does, like because it only has the one L

246
00:14:08,520 --> 00:14:11,319
Speaker 1: in the first name. It does seem like he just

247
00:14:11,400 --> 00:14:13,800
Speaker 1: like messed up writing his last name and then try

248
00:14:13,800 --> 00:14:17,080
Speaker 1: it again because yeah, he like couldn't get the momentum

249
00:14:17,120 --> 00:14:21,440
Speaker 1: going um or or Will Willis is the real war

250
00:14:21,520 --> 00:14:23,880
Speaker 1: crimer between him and Grady Pale, and they're like, what's

251
00:14:23,880 --> 00:14:30,560
Speaker 1: your name, fella, will will Yes, indeed, I would like

252
00:14:30,600 --> 00:14:36,360
Speaker 1: to audition for this job. I definitely strongly prefer Will

253
00:14:36,400 --> 00:14:40,520
Speaker 1: Willis over Grady pal using the infallible technique of just

254
00:14:40,640 --> 00:14:43,200
Speaker 1: Google image searching them and looking at the first like

255
00:14:43,240 --> 00:14:46,920
Speaker 1: ten pictures that come up. Uh yeah, Grady pal just

256
00:14:46,960 --> 00:14:49,840
Speaker 1: looks he's got like a real Captain America vibe, and

257
00:14:50,120 --> 00:14:53,160
Speaker 1: that shows already like pretty rob rob will Willis feels

258
00:14:53,160 --> 00:14:55,400
Speaker 1: like he got out of the army or whatever the

259
00:14:55,400 --> 00:14:57,560
Speaker 1: hell you get out of for pair of rescue and

260
00:14:57,640 --> 00:15:00,920
Speaker 1: he just like got like grow out his hair with

261
00:15:01,000 --> 00:15:03,760
Speaker 1: the leg our Arrowhead smokes like a little bit of

262
00:15:03,800 --> 00:15:06,880
Speaker 1: wheats sometimes just a little bit, like he feels like

263
00:15:06,920 --> 00:15:09,360
Speaker 1: he just gets into it a little bit. He like

264
00:15:09,480 --> 00:15:13,920
Speaker 1: has friends that have been to Burning Man. Yeah, yeah,

265
00:15:14,040 --> 00:15:17,000
Speaker 1: and like Grady pals, like the kind of person where

266
00:15:17,040 --> 00:15:20,040
Speaker 1: like women in Middle America can't believe that a guy

267
00:15:20,080 --> 00:15:23,360
Speaker 1: that hands him is like a fascist or racist. Yes,

268
00:15:23,480 --> 00:15:28,240
Speaker 1: you know like him. No, he's so handsome, Like no, no, no,

269
00:15:28,280 --> 00:15:30,760
Speaker 1: that's that's like that's going to be the next wave

270
00:15:30,840 --> 00:15:32,520
Speaker 1: of faces you're gonna see to try and make this

271
00:15:32,520 --> 00:15:36,200
Speaker 1: thing look normal. Yeah, exactly. What is what something you

272
00:15:36,240 --> 00:15:40,120
Speaker 1: think is overrated? Um? When you go to a convenience

273
00:15:40,160 --> 00:15:44,080
Speaker 1: store and you look where just the recy cups used

274
00:15:44,120 --> 00:15:49,240
Speaker 1: to be, Recy's has taken over, and I think all

275
00:15:49,280 --> 00:15:52,640
Speaker 1: of the Recy's B sides they're all overrated. Just the

276
00:15:52,680 --> 00:15:56,520
Speaker 1: O G Recy's cup, every new version that's got nuts,

277
00:15:56,560 --> 00:15:59,400
Speaker 1: You're putting pretzels in the cup, You're putting potato chips

278
00:15:59,400 --> 00:16:02,200
Speaker 1: in the cup. You got all these different versions. I

279
00:16:02,240 --> 00:16:04,600
Speaker 1: mean they're good, some of them are very good, but

280
00:16:04,680 --> 00:16:07,080
Speaker 1: the quality in the O G Cup has gone down.

281
00:16:07,560 --> 00:16:09,760
Speaker 1: And I just wish that recy has had more confidence

282
00:16:09,800 --> 00:16:12,360
Speaker 1: in itself, Like I wish the Rece's had the confidence

283
00:16:12,360 --> 00:16:15,640
Speaker 1: of a Peppermin patty that's just not changed in a

284
00:16:15,800 --> 00:16:18,880
Speaker 1: hundred years. But they keep throwing all this different stuff out,

285
00:16:19,000 --> 00:16:21,200
Speaker 1: Like there's like there's a Recey's version of a Kit Cat,

286
00:16:21,240 --> 00:16:23,920
Speaker 1: there's a Recy's version of like a Snickers, and they're

287
00:16:23,920 --> 00:16:25,440
Speaker 1: never as good as the other ones. But I just

288
00:16:25,440 --> 00:16:27,160
Speaker 1: wish like they kept the quality up of the O

289
00:16:27,280 --> 00:16:31,040
Speaker 1: G Cup. So York Peppermin Patty famously tried the York

290
00:16:31,040 --> 00:16:35,560
Speaker 1: Peppermint Patty with two with toothbrush particles in there, and

291
00:16:35,640 --> 00:16:41,280
Speaker 1: it did not go over very well. Yeah, um, that

292
00:16:41,360 --> 00:16:44,760
Speaker 1: was like thing, You're right, Miles, that was not a thing.

293
00:16:45,280 --> 00:16:47,640
Speaker 1: In my mind. I believed it because it felt like

294
00:16:47,720 --> 00:16:49,760
Speaker 1: some ship from the early nineties that we would have

295
00:16:49,760 --> 00:16:51,480
Speaker 1: been like, I don't know. And it cleans your teeth too.

296
00:16:51,480 --> 00:16:53,960
Speaker 1: I think they trend draw attention away from the fact

297
00:16:54,000 --> 00:17:00,240
Speaker 1: that they mimic the you know, feel, the tactile, the

298
00:17:00,600 --> 00:17:03,880
Speaker 1: and the taste of toothpaste. I still love your Peperit

299
00:17:04,000 --> 00:17:08,359
Speaker 1: package there, you know, you're right though, there there's Reese's.

300
00:17:08,520 --> 00:17:12,000
Speaker 1: Is they're doing too much. It's too much. It's it's

301
00:17:12,080 --> 00:17:14,359
Speaker 1: kind of freaking me out. It's this is what this

302
00:17:14,440 --> 00:17:19,359
Speaker 1: is what CNN did was CNN plus they kept like

303
00:17:19,440 --> 00:17:23,600
Speaker 1: it wasn't enough that paintup butter cups you wanted to

304
00:17:23,640 --> 00:17:25,920
Speaker 1: fucking make. I just put in the link. You can

305
00:17:26,000 --> 00:17:28,720
Speaker 1: look like if you're buying some ship off the website.

306
00:17:29,400 --> 00:17:34,960
Speaker 1: The just takes five Reese's Marshmallow top big cup. Yeah

307
00:17:35,040 --> 00:17:38,359
Speaker 1: this suck. Yeah, I like the Chip one. I really

308
00:17:38,400 --> 00:17:41,160
Speaker 1: like the Chip one. But I like it because we're adding,

309
00:17:41,480 --> 00:17:45,399
Speaker 1: we're adding to right exactly. Uh, and this isn't even branded,

310
00:17:45,400 --> 00:17:48,119
Speaker 1: but like we're even like we're adding to the original

311
00:17:48,200 --> 00:17:49,720
Speaker 1: with that. But then when you got these one, like,

312
00:17:49,760 --> 00:17:52,080
Speaker 1: why do I need to eat a thin one for

313
00:17:52,119 --> 00:17:57,480
Speaker 1: what I've had the white chocolate ones because they take

314
00:17:57,560 --> 00:18:00,920
Speaker 1: up approximately half of the ones in the Easter egg

315
00:18:02,200 --> 00:18:05,080
Speaker 1: bag that I have, and I've never I've never been

316
00:18:05,119 --> 00:18:08,320
Speaker 1: glad like they're they're good, They're better than most other candies.

317
00:18:08,520 --> 00:18:11,080
Speaker 1: They're not as good as the regular chocolate one, and

318
00:18:11,119 --> 00:18:14,600
Speaker 1: I'm never tired of the regular chocolate one to a

319
00:18:14,640 --> 00:18:18,239
Speaker 1: degree where I'm like, give me something, uh that's not

320
00:18:18,320 --> 00:18:20,359
Speaker 1: as good. They formed me to the point where I

321
00:18:20,359 --> 00:18:23,359
Speaker 1: even look at the organic ones with disdain. I'm like

322
00:18:23,840 --> 00:18:27,400
Speaker 1: who the fuck invited you? Yeah, I'm okay with the

323
00:18:27,480 --> 00:18:30,680
Speaker 1: seasonal shapes because it is. That's fine, everybody's going to

324
00:18:30,760 --> 00:18:33,800
Speaker 1: do that. Yeah, I totally get that. I like, I

325
00:18:33,840 --> 00:18:36,679
Speaker 1: actually think that the like the chocolate peanut butter ratio

326
00:18:36,880 --> 00:18:41,479
Speaker 1: is better on the seasonal shapes. Yeah, but yeah, I do.

327
00:18:41,560 --> 00:18:43,840
Speaker 1: I think that. I think the rec's Easter egg is

328
00:18:43,880 --> 00:18:46,520
Speaker 1: a perfect candy. Um, I think it's good. I like

329
00:18:46,560 --> 00:18:48,400
Speaker 1: how thin the chocolate is on it. The peanut butter

330
00:18:48,440 --> 00:18:52,320
Speaker 1: feels fresher because I make them only once a year. Um.

331
00:18:52,359 --> 00:18:54,240
Speaker 1: But yeah, it's like all these other things. I'm like,

332
00:18:54,240 --> 00:18:56,320
Speaker 1: how about you focus on being the best peanut butter

333
00:18:56,359 --> 00:18:59,320
Speaker 1: cup or seasonal shape that you can be. I don't

334
00:18:59,400 --> 00:19:02,679
Speaker 1: need you to. I don't need all these other weird

335
00:19:03,240 --> 00:19:05,800
Speaker 1: like take fives and all sorts of different bars that

336
00:19:05,840 --> 00:19:08,119
Speaker 1: make no sense. This whole section that's just orange of

337
00:19:08,200 --> 00:19:11,919
Speaker 1: the store. I'm against it. Yeah, it just feels like

338
00:19:12,000 --> 00:19:15,520
Speaker 1: somebody is like it feels like Mr. Reese has died

339
00:19:15,640 --> 00:19:21,000
Speaker 1: and he had like fifty horrible children. Each child, Yeah exactly,

340
00:19:21,040 --> 00:19:23,280
Speaker 1: and they're all worse, They're all worse than the original.

341
00:19:23,520 --> 00:19:25,600
Speaker 1: Because I'm trying to find, like you who referenced the

342
00:19:25,640 --> 00:19:29,480
Speaker 1: New York Peppermint Patty, but I didn't. Yeah, because they're

343
00:19:29,520 --> 00:19:31,600
Speaker 1: they're owned by her, She's as well, and I wonder

344
00:19:31,640 --> 00:19:34,520
Speaker 1: if they if her She's is, like, that's the nasty

345
00:19:34,680 --> 00:19:38,199
Speaker 1: step kid. Reese's is the one who graduated honors. So

346
00:19:38,240 --> 00:19:40,720
Speaker 1: we're going to take you to take your other classes,

347
00:19:40,840 --> 00:19:45,159
Speaker 1: fast break class, kick cat class. Meanwhile, you have a

348
00:19:45,200 --> 00:19:48,360
Speaker 1: really great child right there who's consistently just doing it,

349
00:19:48,760 --> 00:19:51,400
Speaker 1: and we're not giving any shine to York. Yeah, exactly,

350
00:19:51,480 --> 00:19:54,000
Speaker 1: York was never the problem child, and it's just been

351
00:19:54,040 --> 00:19:57,840
Speaker 1: steadily just on a roll this entire time. And guess what,

352
00:19:57,920 --> 00:20:00,000
Speaker 1: York is going to turn out okay or doesn't need

353
00:20:00,080 --> 00:20:03,200
Speaker 1: the family. York gets to stop coming home eventually, the

354
00:20:04,520 --> 00:20:08,680
Speaker 1: firstborn with all this attention and all the trying different

355
00:20:08,720 --> 00:20:13,000
Speaker 1: things and not letting Rees's just be Reese's exactly. I'm

356
00:20:13,040 --> 00:20:15,080
Speaker 1: now in my head about whether I'm pronouncing matter and

357
00:20:15,119 --> 00:20:17,880
Speaker 1: like yeah, and like that one scene where York comes

358
00:20:17,920 --> 00:20:20,600
Speaker 1: home for Christmas but grudgingly, and there's still all this

359
00:20:20,680 --> 00:20:23,080
Speaker 1: attention being paid to Resis and like Yorks just outside

360
00:20:23,119 --> 00:20:25,680
Speaker 1: spoken to cigarette Reesis, like, man, it's real tough in there.

361
00:20:26,200 --> 00:20:27,919
Speaker 1: And then York's Like, do you ever just wish like

362
00:20:28,000 --> 00:20:29,440
Speaker 1: Mom and DA would just let you be you? And

363
00:20:29,480 --> 00:20:32,640
Speaker 1: he's like every day, dude, every day. And that's who

364
00:20:32,680 --> 00:20:35,760
Speaker 1: Reesus became. I blame et, you know, that's where that's

365
00:20:35,800 --> 00:20:38,840
Speaker 1: where things became. I think they've they just soared to

366
00:20:38,880 --> 00:20:44,000
Speaker 1: New Yeah, yeah, they're The Reese's page does not have

367
00:20:44,240 --> 00:20:48,040
Speaker 1: a single pieces on it, a single piece. There is

368
00:20:48,080 --> 00:20:51,000
Speaker 1: no evidence of Reese's pieces. I don't know if this

369
00:20:51,080 --> 00:20:55,080
Speaker 1: is because no, yeah, the filter that we have on

370
00:20:55,119 --> 00:20:56,800
Speaker 1: the on the search them I was just sent through

371
00:20:56,800 --> 00:21:00,200
Speaker 1: the chat is just Reese's candy and I'm not seeing

372
00:21:00,200 --> 00:21:06,080
Speaker 1: a single pieces. Um, so what the fuck? Even if

373
00:21:06,080 --> 00:21:09,159
Speaker 1: you load more, I will just say if you put

374
00:21:09,200 --> 00:21:13,040
Speaker 1: anything in New York, it would be gross like that that.

375
00:21:13,840 --> 00:21:16,800
Speaker 1: I don't mind that they're trying things out, like just

376
00:21:16,800 --> 00:21:18,919
Speaker 1: just get over like, figure out which one works and

377
00:21:18,960 --> 00:21:22,600
Speaker 1: get over it quickly. York. If you put York, I

378
00:21:22,640 --> 00:21:24,159
Speaker 1: think what I was trying to get at before. If

379
00:21:24,160 --> 00:21:28,080
Speaker 1: you put York with like pretzel bit or no no, no no,

380
00:21:28,080 --> 00:21:30,280
Speaker 1: no no, right, like you guys like it's like the

381
00:21:30,280 --> 00:21:32,200
Speaker 1: thing that comes out of your mouth after you brush

382
00:21:32,200 --> 00:21:41,399
Speaker 1: your teeth, if you've eaten eating pretzels or yeah, right, Um,

383
00:21:41,480 --> 00:21:46,600
Speaker 1: what is something that you think is underrated? I think

384
00:21:46,680 --> 00:21:50,399
Speaker 1: postcards are underrated. I think that uh, you love them

385
00:21:50,400 --> 00:21:53,480
Speaker 1: whenever you get one, but you don't. We don't send

386
00:21:53,480 --> 00:21:56,480
Speaker 1: them enough. And I think that it's it's a cheaper stamp.

387
00:21:56,960 --> 00:21:59,120
Speaker 1: You don't have to get two in depth on a postcard,

388
00:21:59,119 --> 00:22:01,920
Speaker 1: but they make everybody's day. And I think that more

389
00:22:01,920 --> 00:22:06,840
Speaker 1: people should be postcarding. Yeah, I think that's a great call. Yeah,

390
00:22:06,840 --> 00:22:09,359
Speaker 1: it's an easy cheap way to be like, hey, thinking

391
00:22:09,680 --> 00:22:13,240
Speaker 1: via yum. And it's also like, it's just it's just

392
00:22:13,280 --> 00:22:15,800
Speaker 1: a nice it's just a nice thing to do. It connects,

393
00:22:16,080 --> 00:22:18,400
Speaker 1: it connects, and I think to your point, like, it's

394
00:22:18,400 --> 00:22:21,880
Speaker 1: probably maybe one of the most efficient ways of communicating

395
00:22:21,880 --> 00:22:24,960
Speaker 1: in terms of what the like cost is to you

396
00:22:25,040 --> 00:22:29,040
Speaker 1: to send the postcard. But then also the heightened effect

397
00:22:29,080 --> 00:22:33,600
Speaker 1: of someone receiving something that is handwritten is like whenever

398
00:22:33,600 --> 00:22:36,960
Speaker 1: I get something handwritten, I'm like, oh my god, I know,

399
00:22:39,800 --> 00:22:42,840
Speaker 1: it's very touching. It's very very touching, and something I've

400
00:22:42,840 --> 00:22:44,800
Speaker 1: been doing because I have I live I live in

401
00:22:44,880 --> 00:22:47,240
Speaker 1: l A now, my family is in Maryland. I have

402
00:22:47,280 --> 00:22:49,760
Speaker 1: a niece that's like two and a half and every

403
00:22:49,800 --> 00:22:52,639
Speaker 1: time I travel anywhere now, I send her a postcard

404
00:22:52,680 --> 00:22:55,840
Speaker 1: and she has like a box of postcards for me.

405
00:22:55,960 --> 00:22:59,199
Speaker 1: That's like someday eventually, because it's like, I don't know

406
00:22:59,320 --> 00:23:02,480
Speaker 1: when I'm fifty is one she'll give a ship maybe,

407
00:23:03,760 --> 00:23:05,280
Speaker 1: But am I still gonna be doing cool ship when

408
00:23:05,280 --> 00:23:07,240
Speaker 1: I'm fifty? I hope so, but like it's going to

409
00:23:07,320 --> 00:23:12,280
Speaker 1: be different cool ship sometimes. See like little kids who

410
00:23:12,320 --> 00:23:15,159
Speaker 1: are really into you know, they're cool aunt or uncle.

411
00:23:15,320 --> 00:23:18,520
Speaker 1: So that's keep doing that. That's so, that's so awesome.

412
00:23:18,560 --> 00:23:20,520
Speaker 1: I do not do that. I am not a good uncle,

413
00:23:20,600 --> 00:23:25,359
Speaker 1: but impressed, thank you. Trying my best. It was so funny.

414
00:23:25,400 --> 00:23:27,240
Speaker 1: I started, and she was she was born like six

415
00:23:27,280 --> 00:23:30,320
Speaker 1: months before the pandemic started, and I was like, I'm

416
00:23:30,320 --> 00:23:33,200
Speaker 1: traveling all over place sending his stuff. And then here's

417
00:23:33,240 --> 00:23:40,000
Speaker 1: another one. Here's one from the kitchen from Los Felisa

418
00:23:40,800 --> 00:23:44,320
Speaker 1: went to g MLA's pretty cool sandwich place. Alright, what else?

419
00:23:44,680 --> 00:23:47,399
Speaker 1: Yeah exactly. And then she'll look back and she'll be like,

420
00:23:47,440 --> 00:23:51,000
Speaker 1: these are my postcards from my aunt Brandy, who led

421
00:23:51,080 --> 00:24:00,560
Speaker 1: the Home Depot twelve was skeleton revolt against General Posey. Yeah,

422
00:24:00,720 --> 00:24:08,160
Speaker 1: oh yeah, oh yeah, baby, I'm here. We should uh,

423
00:24:09,760 --> 00:24:11,560
Speaker 1: we need to say. It's one of the most deficion

424
00:24:11,600 --> 00:24:14,639
Speaker 1: ways of communicating until now. We have not seen what

425
00:24:14,680 --> 00:24:17,280
Speaker 1: elam Musk is going to do with Twitter yet now

426
00:24:17,320 --> 00:24:22,200
Speaker 1: that he owns it, So um, you know, stay tuned

427
00:24:22,240 --> 00:24:24,800
Speaker 1: on that one. We'll see if he can beat the postcard.

428
00:24:24,840 --> 00:24:29,360
Speaker 1: But holy sh it, that's depressing. And also you were

429
00:24:29,400 --> 00:24:36,000
Speaker 1: talking before we started recording about skeleton Easter. Um, I like,

430
00:24:36,000 --> 00:24:39,639
Speaker 1: like an idiot, I didn't know what that was. Can

431
00:24:39,680 --> 00:24:44,239
Speaker 1: you can you explain what? Okay? Of course? So, um,

432
00:24:44,400 --> 00:24:46,760
Speaker 1: I'm the proud owner of twelve ft skeleton. It took

433
00:24:46,800 --> 00:24:49,200
Speaker 1: me two years to get at home Depot twelveth Skeleton

434
00:24:49,920 --> 00:24:53,160
Speaker 1: Home Depot, but I did buy a twelht skeleton from them,

435
00:24:53,320 --> 00:24:55,679
Speaker 1: and I regret it zero days of my life for

436
00:24:55,680 --> 00:24:57,439
Speaker 1: the rest of my life. Um, I love it. It

437
00:24:57,560 --> 00:25:00,840
Speaker 1: is still up right now in my backyard. Um. Because

438
00:25:01,200 --> 00:25:04,240
Speaker 1: I'm also part of the twelfoot Skeleton Facebook group and

439
00:25:04,240 --> 00:25:06,760
Speaker 1: everybody that's in it, we're We've been go to each

440
00:25:06,760 --> 00:25:09,680
Speaker 1: other on to keep them up year round and keep

441
00:25:09,760 --> 00:25:18,200
Speaker 1: dressing them up for different holidays. So yeah, oh yeah,

442
00:25:18,280 --> 00:25:22,520
Speaker 1: my skeleton uh is currently Um it has a I

443
00:25:22,560 --> 00:25:26,240
Speaker 1: went to the so also my um media art medium

444
00:25:26,320 --> 00:25:29,920
Speaker 1: for dressing the skeleton are Dollar store table cloths. Uh,

445
00:25:30,040 --> 00:25:34,679
Speaker 1: that's that's what I work in UM so currently, my

446
00:25:34,720 --> 00:25:36,720
Speaker 1: skeleton also had so I went to the dollar Store

447
00:25:36,880 --> 00:25:39,639
Speaker 1: last month and UM they had like a chair cover

448
00:25:39,800 --> 00:25:42,280
Speaker 1: that was a bunny rabbit and I took it and

449
00:25:42,320 --> 00:25:44,159
Speaker 1: I cut it off and it's a perfect size for

450
00:25:44,200 --> 00:25:46,360
Speaker 1: his head and then I put fake blood around it.

451
00:25:46,720 --> 00:25:49,760
Speaker 1: So my skeleton is wearing a rabbit head on his

452
00:25:49,880 --> 00:25:52,840
Speaker 1: head with a tiny Easter basket in his hand, and

453
00:25:52,840 --> 00:25:55,920
Speaker 1: it's very fun. UM. But we've all there's lots of

454
00:25:56,040 --> 00:25:58,159
Speaker 1: lots of people have that decorated and dressed up their

455
00:25:58,200 --> 00:26:00,879
Speaker 1: skeletons for Easter and it's really been pissing off the

456
00:26:00,920 --> 00:26:03,520
Speaker 1: neighbors in the h o ways around the country and

457
00:26:03,560 --> 00:26:06,800
Speaker 1: it's really beautiful to see, like Karen's being radicalized for

458
00:26:06,840 --> 00:26:10,000
Speaker 1: good UM And it's one of the few places online

459
00:26:10,000 --> 00:26:12,160
Speaker 1: that actually gives me hope about the future because people

460
00:26:12,200 --> 00:26:15,000
Speaker 1: are learning to have empathy for people on the other

461
00:26:15,040 --> 00:26:18,159
Speaker 1: side of the country from each other that might have

462
00:26:18,200 --> 00:26:20,400
Speaker 1: a lot of differences, but they do both have twelve

463
00:26:20,400 --> 00:26:22,280
Speaker 1: foot skeletons and at the end of the day, aren't

464
00:26:22,320 --> 00:26:25,280
Speaker 1: we all just skeletons in the first place? Serious? Yeah,

465
00:26:26,320 --> 00:26:30,040
Speaker 1: all the physical manifestations of our inner experience. Yeah, I

466
00:26:30,080 --> 00:26:33,119
Speaker 1: just love that the twelve foot skeleton became popular during

467
00:26:33,160 --> 00:26:36,439
Speaker 1: COVID because just like it's it's literally just like a

468
00:26:36,600 --> 00:26:41,520
Speaker 1: large looming figure of death above us. You know, it's

469
00:26:41,560 --> 00:26:43,240
Speaker 1: just fun to look at every day. And he winks

470
00:26:43,280 --> 00:26:47,399
Speaker 1: that just sometimes, like in the in the Black Death

471
00:26:47,640 --> 00:26:50,720
Speaker 1: wasn't like all the art was like skeletons and like

472
00:26:51,160 --> 00:26:54,040
Speaker 1: grim reapers and ship like that, and people are wearing

473
00:26:54,040 --> 00:26:59,080
Speaker 1: those weird plague masks. Yeah, and now we got twelve

474
00:26:59,080 --> 00:27:02,240
Speaker 1: foot skeletons because that's all we can. Yeah, yep, yep,

475
00:27:02,400 --> 00:27:04,879
Speaker 1: they're great. I love better than what they had. By

476
00:27:04,880 --> 00:27:09,440
Speaker 1: the way, I should know it's cool because those skeletons,

477
00:27:09,480 --> 00:27:12,919
Speaker 1: you'll know, we're not twelve feet tall, whereas yours is

478
00:27:13,000 --> 00:27:15,920
Speaker 1: twelve feet tall. So he's twelve feet. He can also

479
00:27:15,920 --> 00:27:17,919
Speaker 1: put his hands in the air, so he's more like

480
00:27:17,960 --> 00:27:20,600
Speaker 1: sixteen feet at that point, because it's very long arms.

481
00:27:21,000 --> 00:27:23,440
Speaker 1: And early when I first got my skeleton, he came

482
00:27:23,440 --> 00:27:26,200
Speaker 1: with two left arms by accident. And then on the

483
00:27:26,200 --> 00:27:29,480
Speaker 1: twelfth Skeleton Facebook group, I found a man that live

484
00:27:29,600 --> 00:27:32,320
Speaker 1: an old man that lived in Minnesota who had two

485
00:27:32,400 --> 00:27:35,840
Speaker 1: right hands. His skeleton came with two right hands. We

486
00:27:35,960 --> 00:27:39,399
Speaker 1: connected and we swapped and it just it just brought

487
00:27:39,440 --> 00:27:42,320
Speaker 1: us both together. It was very speed. Maybe there is hope.

488
00:27:42,760 --> 00:27:45,720
Speaker 1: I think it's possible. Was there any part of you

489
00:27:45,880 --> 00:27:50,560
Speaker 1: that was tempted to have your skeleton depicting the Risen Christ? Like?

490
00:27:51,680 --> 00:27:56,239
Speaker 1: Was that too too spicy? I thought about it, but

491
00:27:56,480 --> 00:27:59,520
Speaker 1: I I did. But yeah, my like a my my

492
00:27:59,760 --> 00:28:03,720
Speaker 1: part manager would not have been down but down, And

493
00:28:03,760 --> 00:28:06,480
Speaker 1: I'm thankful she hasn't. She loves the skeleton. She's named

494
00:28:06,480 --> 00:28:09,760
Speaker 1: the skeleton Joe Lene. And I was like, all right, um,

495
00:28:10,040 --> 00:28:11,720
Speaker 1: so I'm trying not to, like, I don't want her

496
00:28:11,760 --> 00:28:13,119
Speaker 1: to like have a problem with it. I think she

497
00:28:13,200 --> 00:28:15,240
Speaker 1: keeps being like, Okay, maybe it'll come down now, and

498
00:28:15,280 --> 00:28:20,159
Speaker 1: I'm like, no, it's just stall. No, he's up to

499
00:28:20,160 --> 00:28:24,240
Speaker 1: stay baby, right, all right, let's take a quick break

500
00:28:24,320 --> 00:28:26,320
Speaker 1: and we'll come back and do a quick mega heat

501
00:28:26,359 --> 00:28:38,800
Speaker 1: check and we're back. Um, and yeah, it's you know,

502
00:28:38,880 --> 00:28:42,320
Speaker 1: we're the meg has been in the news for various reasons.

503
00:28:42,360 --> 00:28:47,440
Speaker 1: We got the Marjorie Taylor Green uh trial, we got

504
00:28:47,760 --> 00:28:52,520
Speaker 1: some fundraising, uh figures as well as we enter the

505
00:28:52,560 --> 00:28:56,240
Speaker 1: mid terms. Uh so, Miles, just a real quick heat

506
00:28:56,320 --> 00:29:01,920
Speaker 1: check our man, our political uh you know or expert,

507
00:29:02,080 --> 00:29:06,719
Speaker 1: what what's going on with the sure? Well this is

508
00:29:06,800 --> 00:29:09,640
Speaker 1: these are the things I saw while scrolling on my

509
00:29:09,760 --> 00:29:13,280
Speaker 1: phone on the toilet this week, Um, which is where

510
00:29:13,320 --> 00:29:15,280
Speaker 1: you should see all of your MAGA news. I think,

511
00:29:15,400 --> 00:29:17,200
Speaker 1: oh yeah, yeah, no, no no, no, I mean, if you're

512
00:29:17,240 --> 00:29:20,440
Speaker 1: not defecating while consuming that news, you it's a it's

513
00:29:20,440 --> 00:29:24,240
Speaker 1: a net negative for your body every wee. Um. But yeah,

514
00:29:24,360 --> 00:29:26,840
Speaker 1: so we we got a lot going on. Marjorie Taylor Green,

515
00:29:26,920 --> 00:29:29,560
Speaker 1: I think we touched on it on Friday's Trending episode.

516
00:29:29,600 --> 00:29:32,480
Speaker 1: She was having She was an administrative hearing to determine

517
00:29:32,480 --> 00:29:34,640
Speaker 1: whether or not she's able to run for office under

518
00:29:34,840 --> 00:29:36,880
Speaker 1: the thing we've talked about even for Madison Cawthorne a

519
00:29:36,920 --> 00:29:39,440
Speaker 1: few other people, part of the fourteenth Amendment, you know,

520
00:29:39,480 --> 00:29:41,880
Speaker 1: saying if you're hey, if you funk around and participate

521
00:29:41,920 --> 00:29:46,120
Speaker 1: in insurrection, you're you're going to be barred from holding office. Um.

522
00:29:46,280 --> 00:29:48,080
Speaker 1: The whole time she was at this hearing was just

523
00:29:48,200 --> 00:29:51,520
Speaker 1: very interesting to see her normally be like so aggressive

524
00:29:51,600 --> 00:29:54,080
Speaker 1: and have this like chest out persona of like, I'm

525
00:29:54,120 --> 00:29:57,800
Speaker 1: fucking nasty man, watch me do these pull ups, motherfucker.

526
00:29:58,280 --> 00:30:02,720
Speaker 1: And then in a hearing suddenly you're like the like affected,

527
00:30:02,960 --> 00:30:05,720
Speaker 1: like sort of sickly mob boss, like I don't recall,

528
00:30:06,040 --> 00:30:08,960
Speaker 1: I don't recall. Ever, I don't recall my name is

529
00:30:09,000 --> 00:30:12,640
Speaker 1: Marjorie Taylor Green was like almost the level of uh

530
00:30:13,880 --> 00:30:17,960
Speaker 1: ignorance she was trying to plead, and you know, it

531
00:30:18,240 --> 00:30:20,920
Speaker 1: was it was very funny to watch this performance go down,

532
00:30:21,040 --> 00:30:24,240
Speaker 1: except for at times when like she was asked a

533
00:30:24,280 --> 00:30:27,160
Speaker 1: direct question, started being coy and then realized, oh wait,

534
00:30:27,160 --> 00:30:30,880
Speaker 1: maybe I forgot that everything I've said and done in

535
00:30:30,880 --> 00:30:33,560
Speaker 1: the last like five years has been recorded. Maybe I

536
00:30:33,560 --> 00:30:36,400
Speaker 1: shouldn't lie right now. Um So, I just want to

537
00:30:36,400 --> 00:30:39,640
Speaker 1: play this clip to where she's being real coy about,

538
00:30:40,240 --> 00:30:42,680
Speaker 1: you know, because again what they're trying to say is,

539
00:30:42,720 --> 00:30:45,920
Speaker 1: you know, she had a hand in getting this crowd

540
00:30:46,040 --> 00:30:49,960
Speaker 1: riled up to participate in the in the insurrection, whether

541
00:30:50,000 --> 00:30:52,560
Speaker 1: that's like from the day the election happened or in between.

542
00:30:52,880 --> 00:30:54,560
Speaker 1: This has always been the thing. She's always been using

543
00:30:54,600 --> 00:30:57,120
Speaker 1: this very aggressive rhetoric. And one of the things they're

544
00:30:57,120 --> 00:30:59,680
Speaker 1: pointing out is, I mean, you called Speaker Pelosi a

545
00:30:59,680 --> 00:31:05,640
Speaker 1: trade her. Well, I mean it depends on right. Yeah. Um,

546
00:31:05,800 --> 00:31:09,000
Speaker 1: in the screen, you've had your disagreements with Speaker Pelosi,

547
00:31:09,200 --> 00:31:13,880
Speaker 1: isn't that right? I'm not sure what you mean. You've

548
00:31:13,880 --> 00:31:16,479
Speaker 1: had political disagreements with her. You don't agree with some

549
00:31:16,520 --> 00:31:20,400
Speaker 1: of the things she's done in her career, right, politically speaking,

550
00:31:20,720 --> 00:31:22,520
Speaker 1: that would be correct, right, You don't agree with a

551
00:31:22,520 --> 00:31:26,920
Speaker 1: lot of things she's done, right, politically speaking, that would

552
00:31:26,960 --> 00:31:30,000
Speaker 1: be correct. In fact, you think that Speaker Pelosi is

553
00:31:30,000 --> 00:31:36,960
Speaker 1: a traitor to the country, right, you're I'm not answering

554
00:31:37,000 --> 00:31:40,800
Speaker 1: that question. It's speculation. You've said that, having you miscreen

555
00:31:40,880 --> 00:31:43,120
Speaker 1: that she's a traitor to the country. No, I haven't

556
00:31:43,160 --> 00:31:48,520
Speaker 1: said that. Put up pens Exhibit five. Please, oh no, wait,

557
00:31:49,200 --> 00:32:00,680
Speaker 1: hold on now I believe suck it. Wow? Do I

558
00:32:00,720 --> 00:32:06,520
Speaker 1: think Speaker Pelosi the fucking trader? Right? Okay? Yes? I

559
00:32:06,560 --> 00:32:10,160
Speaker 1: said because she was okay with people who were seeking

560
00:32:10,160 --> 00:32:14,479
Speaker 1: asylum entering the country, that that was true. So that

561
00:32:14,600 --> 00:32:17,640
Speaker 1: was like the energy of this whole hearing. It's very

562
00:32:17,640 --> 00:32:20,800
Speaker 1: interesting again to see somebody who is so like you know, uh,

563
00:32:21,320 --> 00:32:23,600
Speaker 1: I guess it really underscores how performative all the ship

564
00:32:23,760 --> 00:32:25,600
Speaker 1: is when you're when you're like one of these like

565
00:32:25,760 --> 00:32:29,160
Speaker 1: rabid maga folks, like we're in public, you're doing all this.

566
00:32:29,280 --> 00:32:31,200
Speaker 1: You get into hearing you're saying like, oh, I don't

567
00:32:31,240 --> 00:32:35,360
Speaker 1: know politically, it sounds so much like the Alex Jones depositions.

568
00:32:35,680 --> 00:32:38,640
Speaker 1: It's just like the big bloviating character on the stand

569
00:32:38,680 --> 00:32:41,360
Speaker 1: where you can't we're like, they will have follow up

570
00:32:41,400 --> 00:32:43,840
Speaker 1: questions and like you are being stopped and you aren't

571
00:32:43,880 --> 00:32:47,200
Speaker 1: in charge. It's like, oh, look how quickly the bravado

572
00:32:47,280 --> 00:32:50,760
Speaker 1: all goes away because you can't just like lie and

573
00:32:50,800 --> 00:32:54,800
Speaker 1: move on and in like a one way conversation where

574
00:32:54,840 --> 00:32:57,280
Speaker 1: everything you say is not challenging and just taking a

575
00:32:57,320 --> 00:32:59,240
Speaker 1: face value. And then you're like, yeah, it's trader going on.

576
00:32:59,280 --> 00:33:02,440
Speaker 1: They slowly like and here we go. Um, and yeah,

577
00:33:02,560 --> 00:33:07,480
Speaker 1: there's something just very relieving about that because it reminds you, Oh,

578
00:33:07,960 --> 00:33:11,640
Speaker 1: the thing that is like so frustrating and demoralizing about

579
00:33:11,640 --> 00:33:16,880
Speaker 1: watching these people in public, you or Alex's Jones, you're mtgs,

580
00:33:17,400 --> 00:33:21,040
Speaker 1: is what they're doing is illegal and and they're acting

581
00:33:21,080 --> 00:33:23,800
Speaker 1: like it's not and then everyone else around them is like,

582
00:33:23,840 --> 00:33:28,680
Speaker 1: it's not illegal, you're you're Nazi, and uh, just like

583
00:33:28,760 --> 00:33:33,080
Speaker 1: seeing them in a court of law being like, oh damn,

584
00:33:33,160 --> 00:33:36,360
Speaker 1: my bad. You you you asked a question and I

585
00:33:36,480 --> 00:33:40,320
Speaker 1: lied to it. So that's where that I mean, I

586
00:33:40,360 --> 00:33:44,000
Speaker 1: think because the sound of that l starting up of

587
00:33:44,000 --> 00:33:50,440
Speaker 1: going can you please pull up plaintiffs Exhibit five? Hold on,

588
00:33:50,480 --> 00:33:51,640
Speaker 1: hold on now, hold on, we don't got to do,

589
00:33:51,760 --> 00:33:53,080
Speaker 1: we don't do we don't have to do all that now.

590
00:33:54,000 --> 00:33:56,800
Speaker 1: And it's to show that just believe me, believe me.

591
00:33:57,080 --> 00:33:58,880
Speaker 1: And like the thing that you always suspect about her

592
00:33:58,960 --> 00:34:01,400
Speaker 1: is that like she's play acting as like she's a

593
00:34:01,480 --> 00:34:05,959
Speaker 1: child pretending to be a politician in some ways, like

594
00:34:06,040 --> 00:34:09,360
Speaker 1: that's the vibes you get, and like here it feels

595
00:34:09,400 --> 00:34:12,080
Speaker 1: like she is a child pretending to be in a

596
00:34:12,080 --> 00:34:15,680
Speaker 1: courtroom scene that she's like seen on you know, soap

597
00:34:15,680 --> 00:34:20,759
Speaker 1: opera or something. And then uh so she does that

598
00:34:20,760 --> 00:34:27,440
Speaker 1: that's speculative and diminutive and I do not allow further.

599
00:34:28,239 --> 00:34:32,520
Speaker 1: I never said that, my bad. She's like, hold on,

600
00:34:32,600 --> 00:34:37,320
Speaker 1: let me put and ship like in reality reality, okay,

601
00:34:37,320 --> 00:34:40,040
Speaker 1: can we cut commercial? Please? Can we please cut commercial? Please?

602
00:34:40,400 --> 00:34:43,760
Speaker 1: I don't know what to happen? A line line line

603
00:34:44,640 --> 00:34:48,879
Speaker 1: um to stop the steal? Huh So in a couple

604
00:34:48,960 --> 00:34:51,080
Speaker 1: that too, Like that's been sort of all of the

605
00:34:51,280 --> 00:34:53,600
Speaker 1: energy for a lot of the big MAGA stars like

606
00:34:53,680 --> 00:34:58,239
Speaker 1: Matt Gates, Marjorie Taylor Green, Lauren Bobert, Madison Cawthorne. They

607
00:34:58,239 --> 00:35:01,719
Speaker 1: were raising so much money at the like towards the

608
00:35:01,719 --> 00:35:04,680
Speaker 1: beginning of Biden's administration, off the heels of January six,

609
00:35:04,719 --> 00:35:08,840
Speaker 1: because they were really they weaponized or monetized that grievance

610
00:35:08,840 --> 00:35:11,560
Speaker 1: to the point where they were pulling in millions of dollars.

611
00:35:12,400 --> 00:35:16,160
Speaker 1: A year later, it's a very different situation, Like Marjorie

612
00:35:16,200 --> 00:35:19,760
Speaker 1: Taylor Green is operating at a three thousand dollar loss.

613
00:35:20,400 --> 00:35:23,160
Speaker 1: A lot of people look at Madison cawthorne spending they're like,

614
00:35:23,320 --> 00:35:26,359
Speaker 1: this doesn't make sense. Same with Lauren Bobert, although she's

615
00:35:26,440 --> 00:35:28,840
Speaker 1: somewhat consistent, but even then they're like, hold on, you

616
00:35:28,880 --> 00:35:32,120
Speaker 1: paid like four hundred grand to this like media firm,

617
00:35:32,200 --> 00:35:34,480
Speaker 1: and like, but your social media posts look like you

618
00:35:34,560 --> 00:35:38,239
Speaker 1: just are taking selfies, Like what what's going on here?

619
00:35:38,280 --> 00:35:40,400
Speaker 1: There's a lot of question marks over them. And on

620
00:35:40,480 --> 00:35:44,359
Speaker 1: top of it, you know, people like um Bobert and

621
00:35:44,480 --> 00:35:47,759
Speaker 1: calw Thorne they're facing primary, they're getting primary too, and

622
00:35:47,760 --> 00:35:51,439
Speaker 1: like they're they're looking at real messy primary challenges. So

623
00:35:51,840 --> 00:35:54,000
Speaker 1: it's odd to see that just like the rhetoric of

624
00:35:54,080 --> 00:35:58,320
Speaker 1: stop this deal isn't it's just that part definitely is fizzling.

625
00:35:58,520 --> 00:36:01,240
Speaker 1: And I underlined that point with the next part because

626
00:36:01,560 --> 00:36:05,280
Speaker 1: in Georgia where Brian Kemp Governor, Brian Kemp is getting

627
00:36:05,320 --> 00:36:07,440
Speaker 1: primary like, you know, he's facing a primary challenge from

628
00:36:07,520 --> 00:36:09,880
Speaker 1: David Perdue, who was that terrible senator who lost to

629
00:36:09,960 --> 00:36:17,120
Speaker 1: John ass Off Um at the the UM right now,

630
00:36:17,440 --> 00:36:19,839
Speaker 1: so Perdue is being backed by Trump like he has

631
00:36:19,880 --> 00:36:22,839
Speaker 1: the full force of MAGA behind him. There's some there's

632
00:36:22,840 --> 00:36:26,240
Speaker 1: some polls that show him twenty four points behind Brian Kemp,

633
00:36:26,640 --> 00:36:30,279
Speaker 1: and it's probably yeah, which is I mean, it's then

634
00:36:30,320 --> 00:36:33,279
Speaker 1: you're like, god, it feels so good that he's They're like,

635
00:36:33,520 --> 00:36:35,839
Speaker 1: I guess Brian, the George, the Georgia voters, they're not

636
00:36:35,920 --> 00:36:39,799
Speaker 1: necessarily as concerned with what Brian Kemp hasn't done because

637
00:36:39,880 --> 00:36:42,439
Speaker 1: that's all produced. I'm like, you didn't help Trump still

638
00:36:42,480 --> 00:36:45,160
Speaker 1: looks you didn't do this. They're like, yeah, but he

639
00:36:45,200 --> 00:36:48,800
Speaker 1: has a pretty steady fair of homophobic and racist bills

640
00:36:48,800 --> 00:36:52,080
Speaker 1: that are more than enough for our palates. Um, And

641
00:36:52,120 --> 00:36:53,960
Speaker 1: you're starting to see that even when you have someone

642
00:36:53,960 --> 00:36:57,920
Speaker 1: who's fully endorsed, like you got the Trump endorsement. He

643
00:36:58,000 --> 00:37:00,239
Speaker 1: went up to their they had a debate on over

644
00:37:00,239 --> 00:37:03,120
Speaker 1: the weekend, and the first thing out of fucking David's

645
00:37:03,160 --> 00:37:08,279
Speaker 1: like David Perdue's mouth was, uh, the election was so

646
00:37:08,520 --> 00:37:15,000
Speaker 1: in From Donald Trump's debate, Brian Camp said, I will

647
00:37:15,040 --> 00:37:17,400
Speaker 1: never He's like, He's like, I will be your governor

648
00:37:17,560 --> 00:37:21,799
Speaker 1: and I will never let Stacy Abrahams be governor or

649
00:37:21,920 --> 00:37:25,080
Speaker 1: president on my watch. And people were like, yeah, there

650
00:37:25,160 --> 00:37:30,360
Speaker 1: you gosogyny. You kept talking about the old hits we

651
00:37:30,360 --> 00:37:34,520
Speaker 1: don't even care about anymore. Exactly. Yeah. I mean it's

652
00:37:35,920 --> 00:37:40,560
Speaker 1: because because the thing, the election is the thing that

653
00:37:40,680 --> 00:37:43,600
Speaker 1: like is most important to Trump, because you know, part

654
00:37:43,640 --> 00:37:46,120
Speaker 1: of him like doesn't give a funk about all the

655
00:37:46,200 --> 00:37:49,440
Speaker 1: things that he rode to power on, like the you know,

656
00:37:49,680 --> 00:37:52,840
Speaker 1: racism and populism as much as he just as he

657
00:37:52,920 --> 00:37:55,279
Speaker 1: cares about them in so far as they serve him.

658
00:37:55,400 --> 00:37:58,200
Speaker 1: And so I just feel like he's not going to

659
00:37:58,239 --> 00:38:02,480
Speaker 1: be able to um internalize the message of like this

660
00:38:02,520 --> 00:38:05,359
Speaker 1: whole movement needs to get back to basics or you're

661
00:38:05,360 --> 00:38:08,080
Speaker 1: gonna lose, because he's already been there and like the

662
00:38:08,080 --> 00:38:10,680
Speaker 1: only thing left for him is for him to feel

663
00:38:10,680 --> 00:38:13,839
Speaker 1: like he got there because of how like cute and

664
00:38:13,880 --> 00:38:17,880
Speaker 1: funny he is and not the stuff that people actually

665
00:38:17,920 --> 00:38:21,080
Speaker 1: cared about. Is my hope? Is that like that that's

666
00:38:21,080 --> 00:38:23,719
Speaker 1: a lesson he can't learn. Yeah, I mean he's like

667
00:38:23,800 --> 00:38:29,680
Speaker 1: not ideological whatsoever. Like he has zero actual policies that

668
00:38:29,719 --> 00:38:32,680
Speaker 1: he cares about. It's just about whatever he says to

669
00:38:32,680 --> 00:38:35,160
Speaker 1: get him to get himself there. And I don't know

670
00:38:35,200 --> 00:38:38,160
Speaker 1: if that will. You know, it seems to be a

671
00:38:38,160 --> 00:38:40,839
Speaker 1: losing point, which is nice, and I think and every

672
00:38:40,920 --> 00:38:42,680
Speaker 1: there's always like when we talk about it too, it's

673
00:38:42,680 --> 00:38:44,799
Speaker 1: like is he losing his grip on the party? Like

674
00:38:44,800 --> 00:38:46,960
Speaker 1: what's his influence over the party? Honest? It just seems

675
00:38:46,960 --> 00:38:51,120
Speaker 1: like his own obsession with revenge and his ego has

676
00:38:51,160 --> 00:38:55,200
Speaker 1: just completely destroyed his own ability to message. Like it's

677
00:38:55,560 --> 00:38:58,680
Speaker 1: it's like new, it's like self neutralizing because he's so

678
00:38:58,760 --> 00:39:01,279
Speaker 1: hung up on this thing and he's trying to tell

679
00:39:01,360 --> 00:39:04,319
Speaker 1: his people who are like his followers, like Okay, yes, sir,

680
00:39:04,440 --> 00:39:06,200
Speaker 1: I will go out with the same grievances you have,

681
00:39:06,560 --> 00:39:10,400
Speaker 1: and people like what like, no, I don't, it's not

682
00:39:10,480 --> 00:39:12,920
Speaker 1: really that just doesn't hit the same way. And I

683
00:39:12,920 --> 00:39:14,839
Speaker 1: think the other part of it too is because he's

684
00:39:14,840 --> 00:39:18,839
Speaker 1: out of office. It's that these people that are like

685
00:39:19,000 --> 00:39:22,920
Speaker 1: Brian Kemp, like Rhonda Santis, like Greg Abbott, they're the

686
00:39:22,960 --> 00:39:27,600
Speaker 1: ones out there putting fucking bills on paper and causing

687
00:39:27,640 --> 00:39:29,720
Speaker 1: the real harm. And I think there's like that level

688
00:39:29,800 --> 00:39:33,800
Speaker 1: that like lack of like you know, potency that also

689
00:39:33,880 --> 00:39:36,439
Speaker 1: like works on voters as they look at Trump, it's like, well, yeah,

690
00:39:36,480 --> 00:39:39,080
Speaker 1: he's like we love him, but these are people making

691
00:39:39,080 --> 00:39:41,600
Speaker 1: it fucking real, fucked up for people out there right now.

692
00:39:41,600 --> 00:39:44,440
Speaker 1: And I think that also has like it's subtly working

693
00:39:44,440 --> 00:39:46,920
Speaker 1: on voters to to see him as less of a

694
00:39:47,040 --> 00:39:49,839
Speaker 1: leader just by virtue of him not being in office. Yeah. Well,

695
00:39:49,880 --> 00:39:52,279
Speaker 1: and he like it's like he did have, like he

696
00:39:52,360 --> 00:39:54,839
Speaker 1: had a strangle hold on the news cycle when he

697
00:39:54,880 --> 00:39:58,080
Speaker 1: was still president, and not having that place to come

698
00:39:58,120 --> 00:40:00,560
Speaker 1: from every day with something new, it's like he doesn't

699
00:40:01,160 --> 00:40:03,640
Speaker 1: his his blips every once in a while. Now he

700
00:40:03,640 --> 00:40:06,320
Speaker 1: doesn't have that same power position, and I can't imagine

701
00:40:06,360 --> 00:40:10,359
Speaker 1: his ego would allow him to acknowledge the reality of that. Yeah,

702
00:40:10,520 --> 00:40:14,560
Speaker 1: so he's still operating from top. Yeah, no, man, you're not,

703
00:40:15,160 --> 00:40:18,720
Speaker 1: because we've seen just from like the the Kevin McCarthy tapes,

704
00:40:18,800 --> 00:40:22,080
Speaker 1: the text messages, they don't, you know, Republicans don't like him,

705
00:40:22,120 --> 00:40:25,440
Speaker 1: but also no, they don't can't publicly dislike him. So

706
00:40:25,480 --> 00:40:30,360
Speaker 1: I'm curious, really what's going to happen when candidacy candidacy

707
00:40:30,480 --> 00:40:33,839
Speaker 1: stuff becomes more real, how the party begins to move

708
00:40:33,920 --> 00:40:35,520
Speaker 1: or just see what the response is, whether or not

709
00:40:35,560 --> 00:40:37,440
Speaker 1: people are sort of like, yeah, you know, thanks so

710
00:40:37,560 --> 00:40:40,200
Speaker 1: much for making it okay to just be out just

711
00:40:40,360 --> 00:40:43,480
Speaker 1: openly hateful and a big it, like, that's really what

712
00:40:43,520 --> 00:40:45,440
Speaker 1: you did for us. And now we've got some other

713
00:40:45,440 --> 00:40:47,759
Speaker 1: people who are kind of maintaining that same energy but

714
00:40:47,840 --> 00:40:49,719
Speaker 1: seem like better candidates for us. I don't know if

715
00:40:49,760 --> 00:40:51,480
Speaker 1: it's going to take that turn or they just all

716
00:40:51,520 --> 00:40:54,520
Speaker 1: fall online and they're like yes, whatever, yeah, sure, just

717
00:40:54,680 --> 00:40:57,520
Speaker 1: go ahead, I'll drop out. Well, I mean, I think

718
00:40:57,600 --> 00:41:00,960
Speaker 1: it's also like they benefited from having such a buffoon

719
00:41:01,040 --> 00:41:03,360
Speaker 1: in the figurehead place because they could do so much

720
00:41:03,440 --> 00:41:05,759
Speaker 1: that nobody was looking at it because everyone was just

721
00:41:05,920 --> 00:41:08,640
Speaker 1: looking at him because he just wanted all the oxygen

722
00:41:08,760 --> 00:41:12,440
Speaker 1: the room. So it depends if they still think that

723
00:41:12,600 --> 00:41:16,279
Speaker 1: is a good strategy or not. I mean hopefully who knows,

724
00:41:16,680 --> 00:41:19,480
Speaker 1: but it doesn't. It really like comes down to whether

725
00:41:19,960 --> 00:41:22,520
Speaker 1: he thinks it's a good strategy because like nobody can

726
00:41:22,560 --> 00:41:27,560
Speaker 1: tell him anything. I think that's an underrated detail, is that,

727
00:41:27,960 --> 00:41:31,200
Speaker 1: like at least when when in his first rise to power,

728
00:41:31,320 --> 00:41:34,879
Speaker 1: he had like Bannon and people who would like give

729
00:41:35,000 --> 00:41:39,600
Speaker 1: him honest feedback I guess you know, uh that he

730
00:41:39,680 --> 00:41:41,839
Speaker 1: was bouncing off of. And now it just seems like

731
00:41:41,880 --> 00:41:46,480
Speaker 1: he is completely out on his own on an island,

732
00:41:46,680 --> 00:41:50,359
Speaker 1: just only hearing what he wants to hear, like well,

733
00:41:50,400 --> 00:41:52,640
Speaker 1: and it's he splintered a lot of his people with

734
00:41:52,719 --> 00:41:57,239
Speaker 1: like coming out eventually being like people should get vaccinated

735
00:41:57,280 --> 00:41:59,880
Speaker 1: and stuff too. Because so it's like you've like called

736
00:42:00,000 --> 00:42:02,520
Speaker 1: people like, okay, you you have this like big chunk

737
00:42:02,560 --> 00:42:04,759
Speaker 1: of people that are like angry they think that that

738
00:42:04,800 --> 00:42:06,879
Speaker 1: was stolen from you. They're like not vaccinated, and he's

739
00:42:06,920 --> 00:42:09,960
Speaker 1: like he's chipping them off in different ways by like

740
00:42:10,120 --> 00:42:12,959
Speaker 1: going back on certain things, like he isn't he isn't

741
00:42:13,040 --> 00:42:16,759
Speaker 1: driving the the opinions of everybody anymore the way that

742
00:42:16,800 --> 00:42:19,000
Speaker 1: he was, because like for so long it was just

743
00:42:19,040 --> 00:42:20,600
Speaker 1: like oh, this new guy on the town. But now

744
00:42:20,600 --> 00:42:23,640
Speaker 1: he's had to like he's had to divide, you know.

745
00:42:25,640 --> 00:42:28,080
Speaker 1: And I think especially when we saw like the booze

746
00:42:28,120 --> 00:42:30,719
Speaker 1: that he got for talking about vaccines at rallies, that

747
00:42:30,800 --> 00:42:34,319
Speaker 1: sort of began the normal normalization of yeah, he can

748
00:42:34,360 --> 00:42:36,399
Speaker 1: be wrong, and I can also agree with this other

749
00:42:36,440 --> 00:42:39,759
Speaker 1: person that's a Republican who's doing it better in this aspect,

750
00:42:39,880 --> 00:42:42,560
Speaker 1: and so it's not like they're against him, but now

751
00:42:43,040 --> 00:42:46,440
Speaker 1: it's just dilutes his power more when it's like moments

752
00:42:46,440 --> 00:42:51,360
Speaker 1: like that come up exactly. All right, let's take another

753
00:42:51,440 --> 00:42:53,400
Speaker 1: quick break and we'll come back and talk about the

754
00:42:53,440 --> 00:43:07,320
Speaker 1: multiverse and we're back. And um, as as we've discussed before,

755
00:43:07,320 --> 00:43:11,120
Speaker 1: I love tracking like the national shared consciousness through what

756
00:43:11,280 --> 00:43:14,759
Speaker 1: movies we all choose to watch and like commit to

757
00:43:14,880 --> 00:43:18,719
Speaker 1: memory and um you know, a lot of that has

758
00:43:18,760 --> 00:43:20,760
Speaker 1: to do with like when I was working at Cracked

759
00:43:20,760 --> 00:43:22,920
Speaker 1: and we're publishing a lot of new articles and like

760
00:43:23,160 --> 00:43:25,440
Speaker 1: myth debunking, I found that a lot of the myths

761
00:43:25,640 --> 00:43:28,720
Speaker 1: were based on just things that showed up in movies.

762
00:43:28,800 --> 00:43:32,200
Speaker 1: Like people's version of like what happens in outer space

763
00:43:32,800 --> 00:43:34,440
Speaker 1: was based on what they had seen in movies in

764
00:43:34,440 --> 00:43:39,359
Speaker 1: outer space. So like I think like movies really you know,

765
00:43:39,840 --> 00:43:45,200
Speaker 1: cement into our brain in ways that are probably slightly underrated. Um.

766
00:43:45,600 --> 00:43:49,839
Speaker 1: And there's been like two movies that have been kind

767
00:43:49,880 --> 00:43:53,920
Speaker 1: of amos anomalously successful in the past couple of years.

768
00:43:54,680 --> 00:43:59,399
Speaker 1: One not very unexpected, The Spider Man Multiverse one, um

769
00:43:59,440 --> 00:44:03,120
Speaker 1: where they got bring back all the old Spider's men

770
00:44:03,320 --> 00:44:07,280
Speaker 1: and all of the old villains. Uh. And then another

771
00:44:07,360 --> 00:44:12,560
Speaker 1: one everything everywhere all at once, which like is still

772
00:44:13,320 --> 00:44:17,440
Speaker 1: getting like doing bigger and bigger numbers every weekend, and

773
00:44:18,080 --> 00:44:21,319
Speaker 1: like nobody, I can't imagine anybody saw it coming. It's

774
00:44:21,320 --> 00:44:23,439
Speaker 1: like an indie film from the makers of Swiss Army

775
00:44:23,480 --> 00:44:27,520
Speaker 1: knife Man, uh m Man, Swiss Army Man, which is

776
00:44:28,200 --> 00:44:31,479
Speaker 1: you know, the only thing I heard about that movie

777
00:44:31,480 --> 00:44:34,160
Speaker 1: when it came out is that I think the kid

778
00:44:34,160 --> 00:44:36,880
Speaker 1: who plays Harry Potter like farts his dead body across

779
00:44:36,920 --> 00:44:43,520
Speaker 1: the ocean at one surfboard. So yeah. But I think

780
00:44:43,560 --> 00:44:45,759
Speaker 1: the things that those two movies have in common is

781
00:44:45,800 --> 00:44:50,480
Speaker 1: they're both like about the multiverse, um, like from a

782
00:44:51,000 --> 00:44:55,080
Speaker 1: subject of the plot is the multiverse. And it's also

783
00:44:55,520 --> 00:45:00,080
Speaker 1: like defines the structure of the movie. UM. And I

784
00:45:00,120 --> 00:45:03,000
Speaker 1: don't know, I like it obviously, Like this is not

785
00:45:03,160 --> 00:45:07,560
Speaker 1: a new concept that has never been explored before, but

786
00:45:08,280 --> 00:45:11,840
Speaker 1: it is. You know, there was a previous Spider Man

787
00:45:12,000 --> 00:45:15,640
Speaker 1: movie into the Spider Verse that was more successful than

788
00:45:15,680 --> 00:45:17,680
Speaker 1: people expected it to be, but it wasn't like the

789
00:45:17,719 --> 00:45:23,120
Speaker 1: most successful movie like uh in movie theaters of the

790
00:45:23,239 --> 00:45:28,160
Speaker 1: year or anything like that. Um. And you know that

791
00:45:28,160 --> 00:45:32,080
Speaker 1: that we've been covered in like TV and movies and

792
00:45:32,680 --> 00:45:39,439
Speaker 1: mainly comic books. Comic books were using multi multiverse plots

793
00:45:39,480 --> 00:45:42,640
Speaker 1: for a long time, but now it like feels like

794
00:45:42,680 --> 00:45:47,440
Speaker 1: it's like boiled up to a complete national obsession. Um,

795
00:45:47,480 --> 00:45:50,080
Speaker 1: which I think, like from a narrative perspective makes sense

796
00:45:50,719 --> 00:45:53,799
Speaker 1: because it allows you to do like fun stuff and

797
00:45:53,840 --> 00:45:58,160
Speaker 1: also kind of easy stuff that like every every plot

798
00:45:58,200 --> 00:46:02,120
Speaker 1: thread like doesn't need to cohere. Um. But the concept,

799
00:46:03,080 --> 00:46:06,080
Speaker 1: the concept is like complicated. It's you know, when you

800
00:46:06,160 --> 00:46:12,040
Speaker 1: try and explain it coherently in words, uh, it's usually

801
00:46:12,080 --> 00:46:16,840
Speaker 1: a mess. So I don't know, do you think I

802
00:46:16,840 --> 00:46:19,680
Speaker 1: mean when when you think about it is what what

803
00:46:19,719 --> 00:46:22,040
Speaker 1: do you think is drawing people to the idea? Is

804
00:46:22,040 --> 00:46:26,160
Speaker 1: It's just that it's it's our own sense of powerlessness

805
00:46:26,280 --> 00:46:30,359
Speaker 1: that the idea that even though I'm experiencing this reality,

806
00:46:30,440 --> 00:46:33,240
Speaker 1: I know that these other ones are possible, and that's

807
00:46:33,400 --> 00:46:37,359
Speaker 1: what I'm I can soothe my wounds by having that

808
00:46:37,400 --> 00:46:41,120
Speaker 1: sort of imagination or what I think that's true. I

809
00:46:41,200 --> 00:46:43,600
Speaker 1: think people are like, well, I'm not going to retire,

810
00:46:43,719 --> 00:46:46,960
Speaker 1: but somewhere, somewhere, some version of me is going to

811
00:46:47,000 --> 00:46:50,080
Speaker 1: get to retire, and that just because like there is

812
00:46:50,120 --> 00:46:54,640
Speaker 1: such a powerlessness and feeling like, you know, change happening

813
00:46:54,640 --> 00:46:56,719
Speaker 1: in in this in this universe. I think that is

814
00:46:56,760 --> 00:47:00,520
Speaker 1: like a way to uh way to dissociate eight and

815
00:47:00,680 --> 00:47:06,000
Speaker 1: feel powerful about it. Maybe the day the filmmakers behind

816
00:47:06,080 --> 00:47:08,719
Speaker 1: Everything Everywhere all at once had like a pretty interesting

817
00:47:09,640 --> 00:47:13,759
Speaker 1: uh analysis where they're saying, i'll just read a direct quote.

818
00:47:13,760 --> 00:47:15,920
Speaker 1: When I think about an infinite number of universes, I

819
00:47:15,960 --> 00:47:19,319
Speaker 1: just think about meaning and narrative breaking down. But there's

820
00:47:19,320 --> 00:47:23,560
Speaker 1: something about the multiverse that's relatable these days when everybody

821
00:47:23,640 --> 00:47:26,319
Speaker 1: is living out a multiple living out multiple lives on

822
00:47:26,360 --> 00:47:28,920
Speaker 1: the Internet depending on which user name and platform you're on,

823
00:47:29,000 --> 00:47:32,319
Speaker 1: and you're also stumbling into other people's bubbles and subcultures.

824
00:47:32,360 --> 00:47:35,719
Speaker 1: So there's something about it that feels not that high concept.

825
00:47:36,440 --> 00:47:41,040
Speaker 1: Um yeah, no, I mean I think that is That's why, like,

826
00:47:41,080 --> 00:47:43,480
Speaker 1: even for a movie like that, despite it being a

827
00:47:43,600 --> 00:47:47,200
Speaker 1: heady concept of like to grapple with the quantum physics

828
00:47:47,280 --> 00:47:50,040
Speaker 1: of what a multi verses and the infinite amount of

829
00:47:50,080 --> 00:47:53,759
Speaker 1: outcomes that are possible and things like that, it's just

830
00:47:53,960 --> 00:47:56,640
Speaker 1: very it's just very simply. I think it just taps in,

831
00:47:56,719 --> 00:47:59,200
Speaker 1: I think to this idea of like we all have

832
00:47:59,400 --> 00:48:02,520
Speaker 1: of looking at our lives and asking what if and

833
00:48:03,640 --> 00:48:05,359
Speaker 1: like just using that as like sort of like our

834
00:48:05,360 --> 00:48:08,200
Speaker 1: foundational understanding of like a multi you know, like what

835
00:48:08,320 --> 00:48:10,560
Speaker 1: if what if my life changed at this point? Like

836
00:48:10,600 --> 00:48:12,520
Speaker 1: what how does how does it fork off there? What

837
00:48:12,600 --> 00:48:14,399
Speaker 1: happens if I did this at that point? How would

838
00:48:14,400 --> 00:48:16,600
Speaker 1: it fork off there? And I think that's like a

839
00:48:16,680 --> 00:48:19,799
Speaker 1: really it's a very elegant way of getting into that,

840
00:48:19,800 --> 00:48:21,360
Speaker 1: that the that the film does. But I don't I

841
00:48:21,360 --> 00:48:22,960
Speaker 1: don't know, like yeah, part of me, I think the

842
00:48:23,000 --> 00:48:25,560
Speaker 1: reason I'm interested is because for as a kid, so

843
00:48:25,640 --> 00:48:27,839
Speaker 1: often I would really think of like what if that

844
00:48:27,960 --> 00:48:30,880
Speaker 1: happened instead of this and this and then this or

845
00:48:30,960 --> 00:48:33,120
Speaker 1: like the first time I saw time travel film or

846
00:48:33,120 --> 00:48:36,640
Speaker 1: there were consequences that even gave me like that imagination

847
00:48:36,760 --> 00:48:39,839
Speaker 1: like holy sh it, like your life is your life

848
00:48:39,880 --> 00:48:43,399
Speaker 1: is like thousands of fucking moves where one thing could

849
00:48:43,400 --> 00:48:46,399
Speaker 1: fucking deviate from you know what you think you have now?

850
00:48:47,200 --> 00:48:49,239
Speaker 1: Oh for sure. I remember being a kid and being

851
00:48:49,280 --> 00:48:51,960
Speaker 1: in fifth grade just being like what if every A

852
00:48:52,160 --> 00:48:54,560
Speaker 1: I got was actually an F and everyone thought I

853
00:48:54,680 --> 00:48:58,520
Speaker 1: was stupid? What would I do then? Remember? Or like

854
00:48:58,560 --> 00:49:00,440
Speaker 1: if every decision was the opposite? Was like what if

855
00:49:00,440 --> 00:49:03,440
Speaker 1: my parents hated me and didn't love right? Like how

856
00:49:03,480 --> 00:49:05,600
Speaker 1: do you survive if that is? You know, it just

857
00:49:05,680 --> 00:49:10,520
Speaker 1: was like weird the survival ship I would put myself through. Yeah, yeah,

858
00:49:10,560 --> 00:49:12,879
Speaker 1: I had like a not not really like a near

859
00:49:12,920 --> 00:49:17,480
Speaker 1: death experience, but like I my friend who's very drunk,

860
00:49:17,520 --> 00:49:19,799
Speaker 1: like pulled me back from being in front of a

861
00:49:19,840 --> 00:49:22,000
Speaker 1: speeding bus, like at the last second, I went by

862
00:49:22,040 --> 00:49:25,960
Speaker 1: my nose and like I've like i I'm like, oh,

863
00:49:26,000 --> 00:49:31,960
Speaker 1: I'm probably dead in like cent of the Universe that

864
00:49:32,520 --> 00:49:36,799
Speaker 1: um and so yeah, I've always since I heard like

865
00:49:36,840 --> 00:49:40,759
Speaker 1: the quantum machine gun, like quantum suicide and all all

866
00:49:40,800 --> 00:49:44,480
Speaker 1: that quantum immortality, like all those thought experiments, I've been

867
00:49:44,560 --> 00:49:48,480
Speaker 1: very interested in it um. But that like takes an

868
00:49:48,640 --> 00:49:52,440
Speaker 1: entire show to like explain all that ship um. And

869
00:49:53,440 --> 00:49:55,920
Speaker 1: you know that's so like that I guess that's what

870
00:49:56,000 --> 00:50:01,239
Speaker 1: I'm like wondering. Is like our there's also like really

871
00:50:01,280 --> 00:50:03,560
Speaker 1: interesting physics at the at the core of it. Like

872
00:50:03,600 --> 00:50:08,560
Speaker 1: one of the most biggest mysteries in modern science is

873
00:50:08,600 --> 00:50:13,200
Speaker 1: how like when they look at an electron at like

874
00:50:13,239 --> 00:50:16,719
Speaker 1: the quantum level, it can be spinning in two directions

875
00:50:16,760 --> 00:50:20,200
Speaker 1: at the same time, and like that from that comes

876
00:50:20,239 --> 00:50:23,440
Speaker 1: like all the like Schroedeger's cat and like all those

877
00:50:23,480 --> 00:50:26,680
Speaker 1: different ideas where like it can be both alive and

878
00:50:26,719 --> 00:50:29,600
Speaker 1: dead at the same time, and like everything exists in

879
00:50:29,600 --> 00:50:34,040
Speaker 1: a cloud of probability um, and like that stuff is

880
00:50:34,080 --> 00:50:38,680
Speaker 1: all like some of the most interesting ideas like and

881
00:50:38,840 --> 00:50:41,520
Speaker 1: thinking happening in the world in my opinion. And it's

882
00:50:41,600 --> 00:50:44,440
Speaker 1: interesting that like even though you can't like really use

883
00:50:44,520 --> 00:50:49,320
Speaker 1: words to explain that to people in a coherent way,

884
00:50:49,520 --> 00:50:52,880
Speaker 1: like our movies have just like kind of leapt to

885
00:50:52,960 --> 00:50:54,759
Speaker 1: that and been like, yeah, I don't worry about it,

886
00:50:54,800 --> 00:50:57,399
Speaker 1: but like this this kind of feels like how things

887
00:50:57,520 --> 00:51:00,359
Speaker 1: actually work right, And there's like a part to their

888
00:51:00,360 --> 00:51:03,080
Speaker 1: minds where we're just like, yeah, it does, like it's

889
00:51:03,120 --> 00:51:09,160
Speaker 1: just really resonating. M hmmm. I just I think I

890
00:51:09,680 --> 00:51:14,560
Speaker 1: the other part of the multiverse idea, right is it?

891
00:51:14,760 --> 00:51:16,640
Speaker 1: I don't know. Man like it it can kind of

892
00:51:16,640 --> 00:51:19,760
Speaker 1: help you feel like make more sense of the chaos

893
00:51:19,840 --> 00:51:22,600
Speaker 1: of of life as it is, you know, Like and

894
00:51:22,680 --> 00:51:24,960
Speaker 1: I think that's a really it's another part of it

895
00:51:25,040 --> 00:51:28,000
Speaker 1: off like you know, right, if things can be bad

896
00:51:28,120 --> 00:51:31,080
Speaker 1: or good or whatever, then they can be it's antithesis

897
00:51:31,120 --> 00:51:33,560
Speaker 1: in another place. But I don't know if that helps

898
00:51:33,640 --> 00:51:36,520
Speaker 1: people like give more meaning to their life or less meaning,

899
00:51:36,640 --> 00:51:39,719
Speaker 1: like because it becomes like fantastic or whatever to sort

900
00:51:39,760 --> 00:51:41,920
Speaker 1: of like really sort of sit with that and like

901
00:51:42,040 --> 00:51:44,120
Speaker 1: be like, oh, I wonder if you know what my

902
00:51:44,160 --> 00:51:46,040
Speaker 1: life would be like like this or this is a

903
00:51:46,040 --> 00:51:49,400
Speaker 1: better way to sort of look at things. But um,

904
00:51:49,719 --> 00:51:51,279
Speaker 1: I don't know. Yeah, it just seems like that, like

905
00:51:51,320 --> 00:51:53,319
Speaker 1: you're saying, like it it taps into something where many

906
00:51:53,320 --> 00:51:55,960
Speaker 1: people feel a certain like it's like a feeling that

907
00:51:56,080 --> 00:51:58,640
Speaker 1: a person has but can't quite articulate it or articulate

908
00:51:58,680 --> 00:52:00,440
Speaker 1: it in many different ways, but kind of comes back

909
00:52:00,480 --> 00:52:03,480
Speaker 1: to this central thing. Yeah, And I think it's also

910
00:52:03,520 --> 00:52:05,239
Speaker 1: a way to kind of just be like, you know,

911
00:52:06,480 --> 00:52:11,480
Speaker 1: this version of me didn't do acts, but maybe somewhere

912
00:52:11,480 --> 00:52:14,160
Speaker 1: else I did do that thing, and we are so

913
00:52:14,280 --> 00:52:18,920
Speaker 1: defined by like, you know, our productivity or whatever. It's

914
00:52:18,920 --> 00:52:21,759
Speaker 1: like some some version of Brandy Posey did do stand

915
00:52:21,840 --> 00:52:23,600
Speaker 1: up on Code or O'Brien, you know what I mean?

916
00:52:25,239 --> 00:52:27,600
Speaker 1: And that means that I get to use that credit

917
00:52:27,600 --> 00:52:33,480
Speaker 1: to god, damn it. Tell here's my multiverse credits. Oh yeah, yeah,

918
00:52:35,760 --> 00:52:40,600
Speaker 1: very successful over there. And I'm sure you would we

919
00:52:40,680 --> 00:52:42,399
Speaker 1: probably would have met, because at that point, I probably

920
00:52:42,440 --> 00:52:44,719
Speaker 1: you probably would have just been for name casting me

921
00:52:44,880 --> 00:52:48,720
Speaker 1: by name casting me for this stuff. But yeah, best

922
00:52:48,800 --> 00:52:54,719
Speaker 1: picture in ye ye, yep, exactly right. Well, you guys

923
00:52:54,719 --> 00:52:57,920
Speaker 1: see a movie like Everything Everywhere Else Wants or The

924
00:52:58,200 --> 00:53:01,200
Speaker 1: Spider Man No Way Home? Is that the multiverse one?

925
00:53:01,360 --> 00:53:04,880
Speaker 1: The most recent one? I don't know. I felt released

926
00:53:05,680 --> 00:53:10,279
Speaker 1: from all things Marvel after the last Avengers movie and

927
00:53:10,360 --> 00:53:13,200
Speaker 1: I haven't been back since, which was also a multiverse movie.

928
00:53:13,320 --> 00:53:18,400
Speaker 1: It was yeah, yeah, that was the time travel of it. Yeah. Um, like,

929
00:53:18,440 --> 00:53:21,520
Speaker 1: do you when you see that, is there anything inside

930
00:53:21,520 --> 00:53:24,560
Speaker 1: you that's like that probably is how things are? Or

931
00:53:24,600 --> 00:53:28,160
Speaker 1: do you feel like I'm watching a plot contrivance like

932
00:53:28,360 --> 00:53:32,200
Speaker 1: that just makes it easier too. I think it's like

933
00:53:32,280 --> 00:53:35,400
Speaker 1: it kind of falls into like a category for me

934
00:53:35,440 --> 00:53:41,160
Speaker 1: that is very like, um, it's like I never I

935
00:53:41,200 --> 00:53:42,920
Speaker 1: never want to say like, oh this is what I

936
00:53:43,280 --> 00:53:45,319
Speaker 1: know to be happening or whatever, but it's very much

937
00:53:45,360 --> 00:53:48,680
Speaker 1: like oh cool, like I get what people are spiritual.

938
00:53:48,760 --> 00:53:50,919
Speaker 1: Like multiverse stuff kind of falls into that too, where

939
00:53:50,920 --> 00:53:53,560
Speaker 1: it's like, yeah, if this concept like brings you comfort

940
00:53:53,680 --> 00:53:57,600
Speaker 1: or empowers you in this moment, cool um. But like,

941
00:53:58,880 --> 00:54:01,560
Speaker 1: don't be concrete on things one way or the another.

942
00:54:01,640 --> 00:54:03,759
Speaker 1: But it's like it's kind of like a prop towards you,

943
00:54:03,840 --> 00:54:06,439
Speaker 1: like feeling like a whole person kind of I think

944
00:54:06,719 --> 00:54:08,600
Speaker 1: I think I would I have to look at a

945
00:54:08,680 --> 00:54:11,000
Speaker 1: multiverse thing and not use that as a way to

946
00:54:11,320 --> 00:54:16,040
Speaker 1: like soothe my pain around a regret, right, And that's

947
00:54:16,080 --> 00:54:17,919
Speaker 1: one way you can look at it like oh my god,

948
00:54:17,960 --> 00:54:20,360
Speaker 1: because you see like you could have been the version

949
00:54:20,360 --> 00:54:23,640
Speaker 1: where you know, Keihoi Kwan was like the dreamy guy,

950
00:54:23,880 --> 00:54:25,640
Speaker 1: you know, like was doing his thing even though he

951
00:54:25,680 --> 00:54:28,439
Speaker 1: wanted to be with her or whatever that is, rather

952
00:54:28,480 --> 00:54:30,399
Speaker 1: than I can look at that and be a little

953
00:54:30,400 --> 00:54:33,640
Speaker 1: more philosophical and try and look at it to say

954
00:54:33,840 --> 00:54:37,719
Speaker 1: that your life actually has infinite potential. You know, if

955
00:54:37,840 --> 00:54:40,800
Speaker 1: all of these things are possible in a multiverse theory,

956
00:54:40,960 --> 00:54:44,000
Speaker 1: like then you you do. Have you there there, you

957
00:54:44,040 --> 00:54:46,319
Speaker 1: can't count out the ways in which your life can

958
00:54:46,360 --> 00:54:48,680
Speaker 1: play out to your benefit or even be aware to

959
00:54:48,719 --> 00:54:50,640
Speaker 1: the ways that you know things might not go the

960
00:54:50,719 --> 00:54:52,560
Speaker 1: right way. So I think that's kind of how I

961
00:54:52,600 --> 00:54:56,080
Speaker 1: would I would take that in Sometimes, like a multiverse

962
00:54:56,120 --> 00:54:58,080
Speaker 1: thing can be used as like a total D S

963
00:54:58,239 --> 00:55:01,359
Speaker 1: X Machina type thing in a script like okay, because

964
00:55:01,400 --> 00:55:05,680
Speaker 1: there's a fucking multiverse. Great, um. But I think some

965
00:55:05,719 --> 00:55:07,200
Speaker 1: of these other films do it in a better way

966
00:55:07,200 --> 00:55:10,400
Speaker 1: that I think kind of help us, you know, see

967
00:55:10,400 --> 00:55:11,960
Speaker 1: our our lives in a little more of like a

968
00:55:11,960 --> 00:55:15,400
Speaker 1: poetic way, if anything. I mean, I will never forget

969
00:55:15,440 --> 00:55:17,960
Speaker 1: the first time I saw It's not not multiverse s necessarily,

970
00:55:18,000 --> 00:55:19,600
Speaker 1: but the first time I saw Men in Black and

971
00:55:19,840 --> 00:55:22,440
Speaker 1: like the end where they like pull back and like

972
00:55:22,520 --> 00:55:26,880
Speaker 1: our galaxy is just one marble on like a fucking

973
00:55:26,960 --> 00:55:29,799
Speaker 1: marble game, but this giant thing is playing. I mean,

974
00:55:30,120 --> 00:55:32,319
Speaker 1: I was like in eighth grade or something, and I

975
00:55:32,400 --> 00:55:36,719
Speaker 1: was like, whoa, I felt that, and like ever since, Yeah,

976
00:55:36,719 --> 00:55:38,839
Speaker 1: it's just like one of those like oh, like any

977
00:55:38,840 --> 00:55:41,120
Speaker 1: of this stuff. I think anything that I think makes

978
00:55:41,160 --> 00:55:45,200
Speaker 1: you realize how tiny your position in the universe is

979
00:55:45,320 --> 00:55:48,399
Speaker 1: is ultimately a good thing because if you can embrace that,

980
00:55:49,320 --> 00:55:52,520
Speaker 1: it can take away the pressure that like society puts

981
00:55:52,520 --> 00:55:54,920
Speaker 1: on us. And I think it's just nice to just

982
00:55:54,960 --> 00:55:57,840
Speaker 1: feel a little bit more like, oh okay, and everything

983
00:55:57,920 --> 00:56:01,880
Speaker 1: is swirling chaos around me. Cool. Yeah, I'm I'm a

984
00:56:01,920 --> 00:56:05,600
Speaker 1: fucking plaything for a three fingered alien and some playground

985
00:56:05,719 --> 00:56:10,239
Speaker 1: far and far away. Exactly kind of nice. Stephanie Shoe,

986
00:56:10,960 --> 00:56:15,520
Speaker 1: who is incredible and everything everywhere all wants uh, had

987
00:56:15,520 --> 00:56:19,479
Speaker 1: a like pretty good summary of like its relation to

988
00:56:19,600 --> 00:56:23,640
Speaker 1: the spiritual modern spiritual condition. She said, even though we're

989
00:56:23,640 --> 00:56:27,160
Speaker 1: in a semi nihilist time, I think there is a

990
00:56:27,239 --> 00:56:30,719
Speaker 1: resurgence of spirituality, which I think is definitely true, And

991
00:56:30,800 --> 00:56:33,640
Speaker 1: then saying just feeling like what is this whole life thing?

992
00:56:33,640 --> 00:56:35,480
Speaker 1: Why did I choose that path? Oh my gosh, I

993
00:56:35,520 --> 00:56:37,239
Speaker 1: was just thinking of this person and they called me

994
00:56:37,280 --> 00:56:40,480
Speaker 1: five minutes later. It feels like we're operating sometimes on

995
00:56:40,480 --> 00:56:43,359
Speaker 1: a frequency outside of our physical plane. It's also very

996
00:56:43,400 --> 00:56:46,080
Speaker 1: confusing time. So a multiverse story is a way of

997
00:56:46,120 --> 00:56:49,480
Speaker 1: tapping into this question of why is this reality the

998
00:56:49,520 --> 00:56:52,759
Speaker 1: way it is? Is it the only reality? And does

999
00:56:52,800 --> 00:56:59,320
Speaker 1: it work? So? Yeah, I don't know imagination ultimately, right, Yeah,

1000
00:56:59,440 --> 00:57:02,960
Speaker 1: I think it's something different, something better. And then our

1001
00:57:03,239 --> 00:57:09,359
Speaker 1: writer Jam McNabb wanted me to acknowledge The Sliders was

1002
00:57:09,400 --> 00:57:16,000
Speaker 1: a TV show Sliders, Yeah, two thousand, um, but that

1003
00:57:16,040 --> 00:57:21,040
Speaker 1: was a show about like teenagers who for some reason,

1004
00:57:21,160 --> 00:57:24,600
Speaker 1: like hot teenagers were the people who could access different

1005
00:57:24,680 --> 00:57:28,600
Speaker 1: parts of the multiverse, like slide in between alternate realities,

1006
00:57:29,080 --> 00:57:33,280
Speaker 1: and um, they are possibly doing a reboot, so um

1007
00:57:34,640 --> 00:57:37,600
Speaker 1: make sure mentioned well. Star Trek Discovery the New The

1008
00:57:37,600 --> 00:57:39,880
Speaker 1: New Star Trek also has like a lot of multiverse

1009
00:57:40,280 --> 00:57:43,240
Speaker 1: um stuff, especially in the first season. That's very cool.

1010
00:57:44,400 --> 00:57:47,440
Speaker 1: It's in the site, it's in the Daily Zite. Guys, guys,

1011
00:57:49,240 --> 00:57:50,880
Speaker 1: this is all we should be talking to it. Like

1012
00:57:50,880 --> 00:57:56,320
Speaker 1: a couple of years later you were on top of it. Yeah,

1013
00:57:56,600 --> 00:57:58,360
Speaker 1: I do wonder also if this is just like you

1014
00:57:58,400 --> 00:58:00,439
Speaker 1: mentioned Back to the Future, which I hadn't really even

1015
00:58:00,520 --> 00:58:05,360
Speaker 1: associated with being a multiverse thing, but like that idea

1016
00:58:05,520 --> 00:58:10,400
Speaker 1: is very clearly represented in that movie in a very

1017
00:58:10,440 --> 00:58:13,800
Speaker 1: crude way, where like suddenly your hand disappears from a

1018
00:58:13,800 --> 00:58:17,680
Speaker 1: photograph that is just there with like one person instead

1019
00:58:17,720 --> 00:58:19,920
Speaker 1: of two, Like what was that one person doing in

1020
00:58:19,960 --> 00:58:23,240
Speaker 1: that picture? Uh? Wow, that's a weird picture of me,

1021
00:58:24,640 --> 00:58:27,560
Speaker 1: just like just with my arm hovering in the air

1022
00:58:27,640 --> 00:58:32,560
Speaker 1: like it's around someone exactly. But I wonder if this

1023
00:58:32,640 --> 00:58:35,840
Speaker 1: has been the gestation period for that idea, and like

1024
00:58:36,080 --> 00:58:39,280
Speaker 1: now people are just like, oh yeah, because I think

1025
00:58:39,320 --> 00:58:42,080
Speaker 1: we all we all talked about even thinking of this

1026
00:58:42,160 --> 00:58:45,440
Speaker 1: as children, right right, Like, like I said, even I

1027
00:58:45,440 --> 00:58:47,880
Speaker 1: didn't realize what I was saying. I was a referencing

1028
00:58:47,920 --> 00:58:50,600
Speaker 1: back to the future. When I saw the like consequences

1029
00:58:50,600 --> 00:58:53,600
Speaker 1: of time travel is when I began to even conceptualize

1030
00:58:53,640 --> 00:58:57,120
Speaker 1: as a kid, holy sh it, like one thing can

1031
00:58:57,160 --> 00:59:00,280
Speaker 1: fucking change everything down the road, good or bad. And yeah,

1032
00:59:00,280 --> 00:59:04,040
Speaker 1: I mean, well this is the whole like kind of

1033
00:59:04,120 --> 00:59:08,439
Speaker 1: plot basically of like Rick and Morty to right Sanche, Yeah,

1034
00:59:08,760 --> 00:59:12,360
Speaker 1: just like discovers a way to travel between different universes

1035
00:59:12,440 --> 00:59:16,760
Speaker 1: and fox them all up and burps burps a lots

1036
00:59:16,760 --> 00:59:20,920
Speaker 1: and every universe. I want to mentioned TV shows exploring it.

1037
00:59:20,920 --> 00:59:24,840
Speaker 1: I was specifically referencing like Dan Harmon Community Ship and

1038
00:59:24,880 --> 00:59:28,680
Speaker 1: also Rick and Morty and but yeah, Sliders, I don't

1039
00:59:28,720 --> 00:59:32,680
Speaker 1: I do not want to engage in Sliders erasure because yeah,

1040
00:59:32,720 --> 00:59:35,520
Speaker 1: it was a show I happened, and you know what,

1041
00:59:35,560 --> 00:59:38,080
Speaker 1: I'd like to do. I'd like to slide into different

1042
00:59:38,120 --> 00:59:42,360
Speaker 1: dimensions and try sliders in different dimensions. How are we

1043
00:59:42,440 --> 00:59:45,960
Speaker 1: improving the burger, the tiny burger in other dimensions? The

1044
00:59:46,080 --> 00:59:50,960
Speaker 1: most high concept show. It's you're going to other dimensions

1045
00:59:51,040 --> 00:59:55,120
Speaker 1: that you're sliding to other dimensions to try sliders. Yeah, listen,

1046
00:59:55,320 --> 00:59:58,400
Speaker 1: listen Food Network. I am pitching this right now, and

1047
00:59:58,400 --> 01:00:01,560
Speaker 1: the Daily's like, guys, I want to slide for sliders

1048
01:00:01,680 --> 01:00:05,760
Speaker 1: and other places. A camera crew co host Jonathan Gold

1049
01:00:05,800 --> 01:00:10,400
Speaker 1: and Anthony Bourdain. Exactly, sick show. You're gonna love this ship.

1050
01:00:11,080 --> 01:00:13,040
Speaker 1: Bring this show back, is what you. You You just say,

1051
01:00:13,320 --> 01:00:16,440
Speaker 1: Bring this show back, like, I'm sorry, did it ever exist?

1052
01:00:16,480 --> 01:00:22,000
Speaker 1: Oh it did it existed? The weirdest meeting effort a

1053
01:00:22,120 --> 01:00:27,160
Speaker 1: hot dog fingers Sometimes it's just a hamburger. Exactly totally

1054
01:00:27,880 --> 01:00:32,439
Speaker 1: TV shows. Thank you well, Brandy, Such a pleasure having you.

1055
01:00:32,720 --> 01:00:36,600
Speaker 1: Where can people find you? Follow you all that good stuff? Sure?

1056
01:00:36,840 --> 01:00:40,440
Speaker 1: I'm on Twitter and Instagram at brand Dazzle, and i

1057
01:00:40,480 --> 01:00:44,919
Speaker 1: am uh begrudgingly on TikTok at brand Dazzle is here

1058
01:00:45,440 --> 01:00:48,840
Speaker 1: because somebody else has my user name on there? Um

1059
01:00:48,880 --> 01:00:52,160
Speaker 1: all I ever post are me changing my Twelfhoth skeleton

1060
01:00:52,280 --> 01:00:55,240
Speaker 1: costumes on TikTok and they do also posted on my

1061
01:00:55,280 --> 01:00:59,960
Speaker 1: Instagram to um and then uh, yeah, I've got if

1062
01:01:00,040 --> 01:01:02,200
Speaker 1: you use bands in town, you can follow me on

1063
01:01:02,240 --> 01:01:05,120
Speaker 1: their Brandy Posey for tour dates that eventually we'll start

1064
01:01:05,120 --> 01:01:08,000
Speaker 1: back up this year. My podcast, Lady the Lady is

1065
01:01:08,040 --> 01:01:11,360
Speaker 1: every Wednesday, but we also do a monthly Zoom show

1066
01:01:11,440 --> 01:01:13,680
Speaker 1: on the first Sunday of every month that's very fun

1067
01:01:13,720 --> 01:01:15,320
Speaker 1: and we have like cool guests and we get like

1068
01:01:15,320 --> 01:01:18,160
Speaker 1: weird variety acts, like we have like a like a

1069
01:01:18,200 --> 01:01:21,680
Speaker 1: balloon making clown that's gonna make us a bunch of

1070
01:01:21,680 --> 01:01:23,760
Speaker 1: weird ship this month. So we just do a lot

1071
01:01:23,760 --> 01:01:25,880
Speaker 1: of weird stuff over there. Um. And then I also

1072
01:01:25,960 --> 01:01:30,280
Speaker 1: produced uh an album uh called Burn This Pandemic that's

1073
01:01:30,280 --> 01:01:32,640
Speaker 1: coming out later this year and it's raising money for

1074
01:01:32,680 --> 01:01:36,680
Speaker 1: Celia where it's a twenty comedians uh doing like three

1075
01:01:36,680 --> 01:01:40,360
Speaker 1: minute pandemic sets of just like burning their pandemic material

1076
01:01:40,880 --> 01:01:44,280
Speaker 1: just like all in one place basically, and um, that'll

1077
01:01:44,320 --> 01:01:46,040
Speaker 1: come out later this summer, So follow me on all

1078
01:01:46,080 --> 01:01:48,760
Speaker 1: the places. And that's got people like um, like Jamie

1079
01:01:48,840 --> 01:01:51,640
Speaker 1: Loftus is on that, like Chris Gethard Chris is Strata

1080
01:01:51,840 --> 01:01:54,120
Speaker 1: like a lot of people, Matt Leeb like a lot

1081
01:01:54,160 --> 01:01:55,760
Speaker 1: of people have been on the show. It's a great

1082
01:01:55,840 --> 01:01:57,640
Speaker 1: it's a really great lineup. It was a super fun

1083
01:01:57,720 --> 01:02:00,680
Speaker 1: night to record UM and all the profits from it

1084
01:02:00,720 --> 01:02:02,920
Speaker 1: are going for a good cause. So follow me on

1085
01:02:02,960 --> 01:02:06,360
Speaker 1: all the things to find out when that drops. Yeah,

1086
01:02:06,720 --> 01:02:08,880
Speaker 1: and is there a tweet or some of the work

1087
01:02:08,920 --> 01:02:12,200
Speaker 1: of social media you've been enjoying. Uh? Yeah, I have

1088
01:02:12,560 --> 01:02:16,400
Speaker 1: two things on Instagram. There is an account called Zillo Tastrophes,

1089
01:02:17,000 --> 01:02:19,840
Speaker 1: and it's a woman that just finds like the craziest

1090
01:02:19,880 --> 01:02:22,920
Speaker 1: houses in the market and then just walks you through them.

1091
01:02:22,960 --> 01:02:25,560
Speaker 1: And it's just fun to know that I'll never own

1092
01:02:25,560 --> 01:02:28,520
Speaker 1: a real house, but to see people that have squandered

1093
01:02:28,560 --> 01:02:32,840
Speaker 1: the opportunity of having one's nice um. And then also

1094
01:02:32,960 --> 01:02:38,160
Speaker 1: today is the Steve Donzinger just got released from his

1095
01:02:38,280 --> 01:02:40,800
Speaker 1: like days of house arrest if you guys don't know

1096
01:02:40,840 --> 01:02:44,320
Speaker 1: his time or not. Uh, And today he like he

1097
01:02:44,360 --> 01:02:46,360
Speaker 1: has posted a picture on his Twitter of like him

1098
01:02:46,400 --> 01:02:49,160
Speaker 1: holding up his release paperwork and he's like he's a

1099
01:02:49,200 --> 01:02:51,120
Speaker 1: free man for the first time in years, and that

1100
01:02:51,240 --> 01:02:54,240
Speaker 1: like hit a special spot seeing that this morning too,

1101
01:02:54,560 --> 01:02:57,760
Speaker 1: So he's the lawyer who got put in house arrest

1102
01:02:58,320 --> 01:03:03,200
Speaker 1: for and then actual jail I think for for prosecuting

1103
01:03:03,280 --> 01:03:09,000
Speaker 1: Chevron proven that they were guilty. Truly a wild story.

1104
01:03:09,320 --> 01:03:15,640
Speaker 1: Oh what if you were guilty? How they Yeah, his

1105
01:03:15,680 --> 01:03:17,440
Speaker 1: story is like terrifying to see it. But it's just

1106
01:03:17,480 --> 01:03:19,720
Speaker 1: like I'm very happy for him to finally be out

1107
01:03:19,720 --> 01:03:22,160
Speaker 1: and he's having like a big block party tonight, and

1108
01:03:22,200 --> 01:03:27,960
Speaker 1: it's just very like, you know, happy for him. Yeah,

1109
01:03:27,080 --> 01:03:30,000
Speaker 1: h Miles, where can people find you? What's a tweet

1110
01:03:30,040 --> 01:03:34,040
Speaker 1: you've been enjoying? Oh? Find me on Twitter and Instagram

1111
01:03:34,080 --> 01:03:38,600
Speaker 1: at Miles of Gray, also at the basketball podcast Mad Boost.

1112
01:03:38,640 --> 01:03:40,400
Speaker 1: He's check that out with Jack and I and also

1113
01:03:40,480 --> 01:03:46,160
Speaker 1: for fiance with Sophia Alexandra. Um. Let's see some tweets

1114
01:03:46,240 --> 01:03:50,240
Speaker 1: that I some tweets that I like. Let's see let

1115
01:03:50,280 --> 01:03:55,160
Speaker 1: me find Okay, Yes, this is from Steve Manicelli at

1116
01:03:55,280 --> 01:04:00,520
Speaker 1: Steven Steve or Steve van Zedi on Twitter tweeted, Remember, folks,

1117
01:04:00,520 --> 01:04:02,600
Speaker 1: if elon Musk buys Twitter, it will be up to

1118
01:04:02,720 --> 01:04:05,360
Speaker 1: us to make sure the value of this platform plummets

1119
01:04:05,360 --> 01:04:11,280
Speaker 1: too unprecedented and potentially bankruptcy inducing lows. So yeah, look,

1120
01:04:11,320 --> 01:04:12,560
Speaker 1: if it comes to that, we're gonna have to get

1121
01:04:12,640 --> 01:04:15,720
Speaker 1: organized on Twitter and just burn it down. Um. And

1122
01:04:15,760 --> 01:04:22,400
Speaker 1: then Brodie Reid tweeted, uh Arajan a place Tuesday, get

1123
01:04:22,480 --> 01:04:26,760
Speaker 1: your booty on the block tonight, make mind day. Um,

1124
01:04:26,800 --> 01:04:33,760
Speaker 1: just like swapping in Arajan for that way. That's great man.

1125
01:04:33,840 --> 01:04:36,240
Speaker 1: The business world is so horny about this. Elon Musk

1126
01:04:37,960 --> 01:04:41,880
Speaker 1: truly stunning. He's done it. It's like fucking nineties six

1127
01:04:42,120 --> 01:04:47,880
Speaker 1: Jordan's Finals for these losers, right right. Anyways, we will

1128
01:04:47,920 --> 01:04:52,560
Speaker 1: have talked about that on yesterday's trending UM tweet I've

1129
01:04:52,560 --> 01:04:56,760
Speaker 1: been enjoying. Jason Mott tweeted, remember it took four unsuccessful

1130
01:04:56,840 --> 01:05:01,960
Speaker 1: mambos before we got Mambo number five. Be patient with yourself. Um.

1131
01:05:02,080 --> 01:05:07,520
Speaker 1: And then uh I also endroid Sarah J tweeting, there's

1132
01:05:07,520 --> 01:05:09,720
Speaker 1: honestly plenty of worms. You don't even need to get

1133
01:05:09,840 --> 01:05:15,600
Speaker 1: up early for them. UM. I like the multiverse where

1134
01:05:15,600 --> 01:05:18,720
Speaker 1: Mambo number one hit number one. Mambo number one was

1135
01:05:18,800 --> 01:05:21,720
Speaker 1: huge actually for me personally, but that was like I was,

1136
01:05:21,800 --> 01:05:25,520
Speaker 1: I was real into the deep cuts at that point

1137
01:05:25,520 --> 01:05:28,720
Speaker 1: in my life. Um, can you imagine? But like in

1138
01:05:28,760 --> 01:05:31,760
Speaker 1: that version to the lyrics are all screwed up. Because

1139
01:05:31,920 --> 01:05:35,080
Speaker 1: like it's not just he's not even like one one

1140
01:05:35,560 --> 01:05:39,600
Speaker 1: one one one, everybody get down for Mambo number one

1141
01:05:39,800 --> 01:05:43,160
Speaker 1: and you're like, there's a little five, Like a lot

1142
01:05:43,240 --> 01:05:48,640
Speaker 1: of the rhymes are all funked up in this um.

1143
01:05:48,920 --> 01:05:51,880
Speaker 1: You can find me on Twitter at Jack Underscore O Brian.

1144
01:05:52,000 --> 01:05:54,400
Speaker 1: You can find us on Twitter at Daily Zekeeist, where

1145
01:05:54,400 --> 01:05:57,200
Speaker 1: at the Daily Zikeeist on Instagram, we have Facebook fan

1146
01:05:57,240 --> 01:06:00,360
Speaker 1: page and a website, Daily zicheist dot com where post

1147
01:06:00,360 --> 01:06:03,800
Speaker 1: our episodes and our footnotes were walk off to the

1148
01:06:03,840 --> 01:06:06,280
Speaker 1: information that we talked about in today's episode, as well

1149
01:06:06,320 --> 01:06:09,720
Speaker 1: as a song that we think you might enjoy. Miles,

1150
01:06:09,760 --> 01:06:11,720
Speaker 1: what song do we think people might as it? This

1151
01:06:11,800 --> 01:06:13,600
Speaker 1: is a track off the new Push the T album

1152
01:06:13,640 --> 01:06:16,960
Speaker 1: It's Almost Dry, came out Friday, but the first track

1153
01:06:17,240 --> 01:06:21,600
Speaker 1: is a time machine because it's a Farrell beat with

1154
01:06:21,720 --> 01:06:25,320
Speaker 1: Push It T. And I feel like it's just it's

1155
01:06:25,360 --> 01:06:28,120
Speaker 1: two thousand four or whatever, like last time when Neck

1156
01:06:28,160 --> 01:06:30,280
Speaker 1: and Risk came out, I was like, it's it's it's

1157
01:06:30,320 --> 01:06:33,800
Speaker 1: good for the old millennial rap fans. Uh, And yes,

1158
01:06:33,920 --> 01:06:36,160
Speaker 1: the first track on the album is pretty good, and yeah,

1159
01:06:36,200 --> 01:06:38,240
Speaker 1: the rest albums not bad too. So this is Brambleton,

1160
01:06:38,320 --> 01:06:41,600
Speaker 1: if I push it t all right, well, The Daily

1161
01:06:41,720 --> 01:06:43,600
Speaker 1: Zey Guys is a production of I Heart Radio from

1162
01:06:43,640 --> 01:06:45,680
Speaker 1: our podcast from my Heart Radio visit the I heart

1163
01:06:45,720 --> 01:06:48,120
Speaker 1: Radio app, Apple podcast, or wherever you listen to your

1164
01:06:48,120 --> 01:06:50,240
Speaker 1: favorite shows. That is going to do it for us

1165
01:06:50,240 --> 01:06:52,760
Speaker 1: this morning, but we're back to this afternoon to tell

1166
01:06:52,800 --> 01:06:54,440
Speaker 1: you what's trending and we will talk to you all day.

1167
01:06:54,640 --> 01:06:55,480
Speaker 1: Bite bite