1 00:00:04,320 --> 00:00:09,520 Speaker 1: Okay, So it's something occurred to me the other day 2 00:00:10,119 --> 00:00:14,080 Speaker 1: where I just and my brain just thinks. 3 00:00:13,880 --> 00:00:14,840 Speaker 2: About this stuff. 4 00:00:15,040 --> 00:00:18,760 Speaker 1: But uh, i'd like to I'd. 5 00:00:18,600 --> 00:00:21,840 Speaker 2: Like to meet im. I'm so hungry for it. I'd 6 00:00:21,880 --> 00:00:23,160 Speaker 2: like to meet Slash. 7 00:00:23,239 --> 00:00:28,400 Speaker 1: Shake the hand of Slash, allow him to explain himself. 8 00:00:29,200 --> 00:00:33,239 Speaker 1: The first guy who figured out and sorry to go there, 9 00:00:33,920 --> 00:00:39,120 Speaker 1: the first guy who figured out how to have sex, 10 00:00:40,080 --> 00:00:43,559 Speaker 1: like like okay, like all right, so this guy I 11 00:00:43,600 --> 00:00:46,520 Speaker 1: mean thinking about this, this was you know, some caveman 12 00:00:46,680 --> 00:00:49,120 Speaker 1: or something going uh okay, let me just put this 13 00:00:49,159 --> 00:00:53,520 Speaker 1: stuff over here on this thing until uh that goes 14 00:00:53,600 --> 00:00:57,160 Speaker 1: all over there, you know, and it gets on me, 15 00:00:57,520 --> 00:01:01,200 Speaker 1: it gets on these on these Yeah, I mean the 16 00:01:01,240 --> 00:01:02,639 Speaker 1: first guy who figured that out. 17 00:01:02,680 --> 00:01:05,000 Speaker 2: It's like, wow, it must. 18 00:01:04,720 --> 00:01:08,960 Speaker 1: Have been pretty bold, you know, sure you know? Are 19 00:01:09,000 --> 00:01:12,760 Speaker 1: you sure that's what we do? And uh so, you know, 20 00:01:12,880 --> 00:01:14,600 Speaker 1: thank you. I guess I would even be here if 21 00:01:14,600 --> 00:01:17,759 Speaker 1: he hadn't done it. But I've been thinking about I'd 22 00:01:17,760 --> 00:01:18,880 Speaker 1: like to meet that guy. 23 00:01:18,760 --> 00:01:22,479 Speaker 2: That was like him and asked Kim about like how, now, 24 00:01:22,560 --> 00:01:24,200 Speaker 2: tell me what made you think? 25 00:01:24,319 --> 00:01:27,240 Speaker 1: Oh, let me just put this stuff over here and 26 00:01:27,440 --> 00:01:28,440 Speaker 1: uh until. 27 00:01:30,080 --> 00:01:31,720 Speaker 2: Until he get all over it. 28 00:01:31,760 --> 00:01:33,520 Speaker 3: Do you guys know, because you're just talking about it, 29 00:01:33,560 --> 00:01:34,360 Speaker 3: getting all over it. 30 00:01:34,400 --> 00:01:37,520 Speaker 2: Do you you keep talking about that? No, I'm talking 31 00:01:37,520 --> 00:01:40,440 Speaker 2: about the whole concept of it, you know, and so 32 00:01:40,600 --> 00:01:43,000 Speaker 2: focused on that one part, which is like, yes, it's 33 00:01:43,040 --> 00:01:45,759 Speaker 2: a huge part of it. Yeah, it's one of the 34 00:01:45,800 --> 00:01:46,520 Speaker 2: main parts. 35 00:01:46,560 --> 00:01:48,080 Speaker 3: And you said, teach me sense it. I guess what 36 00:01:48,120 --> 00:01:51,120 Speaker 3: I'm wondering is like, are you guys having are you 37 00:01:51,120 --> 00:01:53,440 Speaker 3: guys having trouble with the mechanics of sex and the 38 00:01:53,520 --> 00:01:58,400 Speaker 3: mentor me? Uh, do you guys the engineering of. 39 00:01:58,720 --> 00:02:01,800 Speaker 1: Let's introduce well, let's inter use the show just Yeah, 40 00:02:01,920 --> 00:02:03,600 Speaker 1: you've never you've never been here before. 41 00:02:03,720 --> 00:02:05,880 Speaker 2: You've been asked half times. 42 00:02:06,120 --> 00:02:10,720 Speaker 3: Yeah, and the lady Woods, I don't understand that. 43 00:02:11,200 --> 00:02:13,720 Speaker 2: Woods and the lady say it Woods. 44 00:02:13,400 --> 00:02:16,640 Speaker 3: You guys have a lot of energy about moality. But 45 00:02:16,680 --> 00:02:19,919 Speaker 3: then I don't actually think, you know, it's weird. 46 00:02:20,000 --> 00:02:23,240 Speaker 2: It's still Woods hadn't seen Zach in a while. But 47 00:02:23,280 --> 00:02:27,320 Speaker 2: I still would like they would have sex. They woulds have. 48 00:02:29,080 --> 00:02:33,040 Speaker 3: Guys, are you are you have you guys had sex? 49 00:02:33,080 --> 00:02:33,760 Speaker 3: That felt good to you? 50 00:02:33,800 --> 00:02:34,000 Speaker 2: Guys? 51 00:02:34,120 --> 00:02:37,720 Speaker 1: The show's Hollywood handbook, you know, it's uh, it's an 52 00:02:37,800 --> 00:02:40,440 Speaker 1: insider's guy to kick but dropping names of the reck 53 00:02:40,520 --> 00:02:41,200 Speaker 1: carpet lad back. 54 00:02:41,240 --> 00:02:43,360 Speaker 4: Always this industry we call show biz what up? 55 00:02:43,360 --> 00:02:45,600 Speaker 2: What Up? And it's not really big. It's not a 56 00:02:45,600 --> 00:02:49,520 Speaker 2: show where we like about having like the entire show great. 57 00:02:49,639 --> 00:02:52,000 Speaker 1: Yeah, so no, sometimes one of us will have a 58 00:02:52,000 --> 00:02:56,080 Speaker 1: funny little thought or observation of like, okay, who who 59 00:02:56,200 --> 00:02:57,040 Speaker 1: invented this? 60 00:02:57,440 --> 00:03:00,839 Speaker 2: You know this move where it's like going. 61 00:03:01,480 --> 00:03:05,400 Speaker 3: Going where on it? Yeah, so like. 62 00:03:05,400 --> 00:03:06,480 Speaker 2: Who came up with that? 63 00:03:06,720 --> 00:03:09,519 Speaker 1: But that's just sort of like a fun almost thought experiment, 64 00:03:09,720 --> 00:03:14,400 Speaker 1: and it's meant to be humorous, but we have of 65 00:03:14,400 --> 00:03:17,840 Speaker 1: course it's speaking of humorous. One of the funniest guys 66 00:03:19,240 --> 00:03:23,240 Speaker 1: Zach Woods. And if you haven't seen Zach in a 67 00:03:23,240 --> 00:03:28,800 Speaker 1: little while, trust me you still woulds And he's and 68 00:03:28,919 --> 00:03:31,400 Speaker 1: he's here and we're going to talk to him on 69 00:03:31,440 --> 00:03:33,639 Speaker 1: the shoot on a head gum show before headgum any 70 00:03:33,680 --> 00:03:34,160 Speaker 1: head gum. 71 00:03:34,040 --> 00:03:37,880 Speaker 3: Shows did yeah with with uh, I did a what's 72 00:03:37,920 --> 00:03:41,840 Speaker 3: it called the We're here to help, here to help. 73 00:03:41,680 --> 00:03:44,520 Speaker 2: Did We're here to help? So that's how we got you. 74 00:03:45,160 --> 00:03:46,200 Speaker 3: Okay, what is that? 75 00:03:46,800 --> 00:03:46,880 Speaker 1: No? 76 00:03:47,040 --> 00:03:49,080 Speaker 3: I wanted to do it because I just like you guys, 77 00:03:49,120 --> 00:03:51,440 Speaker 3: and I what does that mean? 78 00:03:51,800 --> 00:03:59,320 Speaker 2: Kevin has been taking the Rolodex into the bathroom. 79 00:03:59,320 --> 00:04:01,720 Speaker 1: Sometimes when he gets contact we're here to help us 80 00:04:01,720 --> 00:04:04,920 Speaker 1: manage to get some decent guests, and so he will 81 00:04:04,960 --> 00:04:07,680 Speaker 1: excuse himself to the bathroom. He'll make up a story 82 00:04:07,720 --> 00:04:09,320 Speaker 1: about what he needs to do in there. I've been 83 00:04:09,320 --> 00:04:11,160 Speaker 1: telling him, just say I need to use the restroom. 84 00:04:11,200 --> 00:04:12,960 Speaker 1: But he gets a lot of detail that what's going 85 00:04:13,000 --> 00:04:13,320 Speaker 1: to happen. 86 00:04:13,360 --> 00:04:15,400 Speaker 2: He'll really have to do it for real, Like he 87 00:04:15,440 --> 00:04:17,520 Speaker 2: needs to prepare in that way, so he'll really have 88 00:04:17,600 --> 00:04:18,279 Speaker 2: to do it for real. 89 00:04:18,320 --> 00:04:20,600 Speaker 3: Both the thing that he has to get it all 90 00:04:20,640 --> 00:04:21,640 Speaker 3: over it whatever. 91 00:04:21,680 --> 00:04:27,240 Speaker 4: He says, Yeah, that's some thinking. No, No, he's in 92 00:04:27,279 --> 00:04:28,080 Speaker 4: there by himself. 93 00:04:28,200 --> 00:04:33,400 Speaker 1: Yeah, yeah, but but he'll take he'll take the email 94 00:04:33,520 --> 00:04:34,680 Speaker 1: or whatever, the secret email. 95 00:04:34,760 --> 00:04:36,880 Speaker 4: He'll bring it in there. And then sometimes you know, 96 00:04:36,960 --> 00:04:38,400 Speaker 4: we get some of the runoff. 97 00:04:39,240 --> 00:04:42,640 Speaker 3: Oh, I independently decided to do your show because I 98 00:04:42,720 --> 00:04:44,760 Speaker 3: value what you guys did well. 99 00:04:44,760 --> 00:04:48,560 Speaker 1: We were told, we were told on multiple occasions that 100 00:04:48,720 --> 00:04:49,440 Speaker 1: know you did it. 101 00:04:51,480 --> 00:04:52,400 Speaker 3: Who told you that? 102 00:04:54,040 --> 00:04:59,520 Speaker 2: Well, I guess twice over the past. 103 00:05:00,880 --> 00:05:04,360 Speaker 1: Ten years I've asked you and been told no, thank you, 104 00:05:05,360 --> 00:05:08,440 Speaker 1: and then the you have a show. 105 00:05:08,279 --> 00:05:10,839 Speaker 2: Now of course in the no on Peacock, please do. 106 00:05:11,440 --> 00:05:13,560 Speaker 1: If you like the way Zach sounds on the mic 107 00:05:13,640 --> 00:05:20,240 Speaker 1: here talking on a sort of radio type format. Yeah, yeah, 108 00:05:20,440 --> 00:05:22,760 Speaker 1: you're gonna love the show because he's doing because he's 109 00:05:22,800 --> 00:05:26,239 Speaker 1: also talking on the mic in a radio type format. 110 00:05:26,480 --> 00:05:29,320 Speaker 3: But as character, there's something about the you guys, and 111 00:05:29,480 --> 00:05:32,400 Speaker 3: it's like the more you smile, the more anxious I feel, 112 00:05:34,160 --> 00:05:36,680 Speaker 3: you know what I mean, Like the bigger too. 113 00:05:37,320 --> 00:05:42,360 Speaker 2: If that's helpful, Yeah, it does. Yeah, it does somehow 114 00:05:42,440 --> 00:05:44,120 Speaker 2: make me just so anxious to like. 115 00:05:44,240 --> 00:05:45,360 Speaker 4: Keep doing the show. 116 00:05:45,520 --> 00:05:47,520 Speaker 3: You've heard it like monkey stress face. Do you know 117 00:05:47,520 --> 00:05:48,040 Speaker 3: what that is? 118 00:05:48,680 --> 00:05:49,120 Speaker 2: It's sort of. 119 00:05:49,080 --> 00:05:51,839 Speaker 1: Talking about monkey stress face because you said beforehand this 120 00:05:51,920 --> 00:05:53,520 Speaker 1: is gonna be kind of your main thing on the 121 00:05:53,560 --> 00:05:54,360 Speaker 1: show I did. 122 00:05:54,440 --> 00:05:56,800 Speaker 3: I'm trying to get the word out. If you see 123 00:05:56,800 --> 00:05:58,960 Speaker 3: a monkey, it looks like the monkey's smiling. It might 124 00:05:59,000 --> 00:06:01,320 Speaker 3: not be a smile, might be an indication of some 125 00:06:01,560 --> 00:06:04,760 Speaker 3: years of your stress as a kind of precursor to aggression. 126 00:06:04,880 --> 00:06:07,080 Speaker 3: And that's the feeling when I look at you guys. 127 00:06:08,400 --> 00:06:10,120 Speaker 2: Here it comes, it comes. 128 00:06:10,800 --> 00:06:13,920 Speaker 3: He's gonna rip my buttons off this stress face. 129 00:06:14,000 --> 00:06:16,400 Speaker 2: I do know about the wire mother you're familiar with. 130 00:06:16,480 --> 00:06:17,880 Speaker 3: Yes, the Harlow Monkeys. 131 00:06:17,880 --> 00:06:24,080 Speaker 1: It's actually fine. Yeah, it's so overblown. That's been totally debunked. 132 00:06:24,279 --> 00:06:27,279 Speaker 1: Why are mother's fine. I mean you have to, you know, 133 00:06:27,440 --> 00:06:29,200 Speaker 1: sort of position yourself carefully when. 134 00:06:29,120 --> 00:06:31,840 Speaker 2: You're going to keep on her wire. Bosom. But to 135 00:06:31,839 --> 00:06:33,560 Speaker 2: be clear, guys, it's all bosom. 136 00:06:33,640 --> 00:06:36,520 Speaker 4: It's it's like, it's whatever, Boosom's Boosom. 137 00:06:36,600 --> 00:06:38,560 Speaker 2: I mean we said that. 138 00:06:38,800 --> 00:06:40,520 Speaker 3: Do you say you're saying bosom. 139 00:06:40,320 --> 00:06:42,600 Speaker 2: Bosom's bosom at the end of the day. 140 00:06:42,839 --> 00:06:44,719 Speaker 3: I just for clarity, I don't want to harp on 141 00:06:44,720 --> 00:06:45,960 Speaker 3: this too much. When you say, get it all over, 142 00:06:46,040 --> 00:06:50,680 Speaker 3: are you talking about boosom? Okay for those for the listeners. 143 00:06:51,400 --> 00:06:55,520 Speaker 3: He just shrugged meaningfully, but unspecifically. 144 00:06:55,760 --> 00:07:01,520 Speaker 2: M uh so we talk to this when you were here, Yeah, 145 00:07:01,760 --> 00:07:03,479 Speaker 2: but when when did you do the other show? 146 00:07:03,880 --> 00:07:08,320 Speaker 3: Yeah, we're here to help when. I guess it was 147 00:07:08,360 --> 00:07:09,800 Speaker 3: a couple of weeks ago. I don't know, Kevin, is 148 00:07:09,840 --> 00:07:10,800 Speaker 3: that right, that's right, A. 149 00:07:10,800 --> 00:07:13,440 Speaker 2: Couple of weeks ago. Couple weeks I'm sorry. I bet 150 00:07:13,640 --> 00:07:16,040 Speaker 2: that there have not been any improvements to the facility 151 00:07:16,080 --> 00:07:19,520 Speaker 2: since then. Really, certainly nothing meaningful, certainly nothing from the 152 00:07:19,600 --> 00:07:27,200 Speaker 2: curb appeal perspective, a concept completely alien to leadership and 153 00:07:27,360 --> 00:07:30,240 Speaker 2: rank and file. Here is it? 154 00:07:31,840 --> 00:07:33,880 Speaker 3: You're You're much louder all of a sudden. 155 00:07:33,920 --> 00:07:35,400 Speaker 2: Have you played an alien in a movie? 156 00:07:35,640 --> 00:07:38,640 Speaker 3: I've played an alien in a kids television show once 157 00:07:39,280 --> 00:07:43,760 Speaker 3: called Welcome to the Wreck with Andrew w k. Okay, yeah, 158 00:07:43,800 --> 00:07:45,640 Speaker 3: I had a big bulbous head, a big gray head 159 00:07:45,720 --> 00:07:48,120 Speaker 3: the wreck Welcome to the Wreck. I think it was 160 00:07:48,160 --> 00:07:50,320 Speaker 3: called an I had a big bulbous head, a big 161 00:07:50,360 --> 00:07:51,360 Speaker 3: gray alien head. 162 00:07:52,800 --> 00:07:56,440 Speaker 2: Imagine this. Okay, the sidewalk outside a Hedghumb studio. 163 00:07:56,600 --> 00:07:59,760 Speaker 4: I'm licking my chops. Hayes has something. 164 00:07:59,440 --> 00:08:05,840 Speaker 2: Good podcast Walk of Fame. Wait, the podcast talk Here. Yes, 165 00:08:06,360 --> 00:08:09,320 Speaker 2: that's Talk of Fame. That's better than the podcast Here 166 00:08:09,400 --> 00:08:14,239 Speaker 2: of fab The podcast Talk of Fame podcast was here 167 00:08:15,240 --> 00:08:19,920 Speaker 2: lips instead of hands lips. 168 00:08:20,800 --> 00:08:24,000 Speaker 3: I feel like I'm in one of the worst Allington's poems, 169 00:08:24,080 --> 00:08:25,120 Speaker 3: Kiss the Sign. 170 00:08:27,520 --> 00:08:29,360 Speaker 2: It's like you're or like it's like you're talking. 171 00:08:29,440 --> 00:08:32,680 Speaker 3: But yeah, this is one of the most abstract episodes 172 00:08:32,679 --> 00:08:34,959 Speaker 3: of the show that I've ever heard, because at this 173 00:08:35,040 --> 00:08:37,160 Speaker 3: point it just feels like a sort of associative imagery. 174 00:08:37,200 --> 00:08:39,880 Speaker 2: It's like I'm talking to leadership and rank and file here. 175 00:08:40,040 --> 00:08:43,520 Speaker 2: Honest late, I got the same reaction from them. To me, 176 00:08:43,640 --> 00:08:47,800 Speaker 2: it's a fairly straightforward concept. The podcast Talk of Fame, 177 00:08:47,800 --> 00:08:51,280 Speaker 2: which I can see, is better than the podcast Here 178 00:08:51,360 --> 00:08:52,000 Speaker 2: of fab. 179 00:08:52,040 --> 00:08:56,160 Speaker 1: Yes, and I appreciate that because it's it's not always 180 00:08:56,200 --> 00:09:00,160 Speaker 1: easy to back you off of something like that. It 181 00:09:00,200 --> 00:09:02,360 Speaker 1: does feel like we're talking to leadership rank and file 182 00:09:02,400 --> 00:09:03,000 Speaker 1: a little bit. 183 00:09:03,080 --> 00:09:04,480 Speaker 2: It feels like an agent for the. 184 00:09:04,440 --> 00:09:07,280 Speaker 4: Status quo has infiltrated the episode and. 185 00:09:09,240 --> 00:09:10,319 Speaker 2: We can sort through it. 186 00:09:10,800 --> 00:09:13,000 Speaker 1: What I wanted to say about the show is, of 187 00:09:13,040 --> 00:09:15,480 Speaker 1: course you you you have this show. 188 00:09:16,559 --> 00:09:18,280 Speaker 2: They put their lips in the c I do I 189 00:09:18,480 --> 00:09:22,880 Speaker 2: create it? Oh yeah, they put their lips in the 190 00:09:22,960 --> 00:09:26,439 Speaker 2: cement instead of like their handprints for the like, like 191 00:09:26,640 --> 00:09:28,199 Speaker 2: like they do for the Walk of Fame. They put 192 00:09:28,200 --> 00:09:32,319 Speaker 2: their handprints instead. It's podcasters and so they're talking. That's 193 00:09:32,320 --> 00:09:34,959 Speaker 2: why it's the Tak of Fame, right, And they're putting 194 00:09:35,000 --> 00:09:39,720 Speaker 2: their lips in the cement instead of their hands. That 195 00:09:39,880 --> 00:09:41,319 Speaker 2: a lot of that. They got to fill up a 196 00:09:41,360 --> 00:09:43,520 Speaker 2: lot of cementally, you know, like hands are bigger, that's 197 00:09:43,559 --> 00:09:44,920 Speaker 2: the big thing. So they have to do it a 198 00:09:44,920 --> 00:09:47,160 Speaker 2: bunch of times, kiss it a bunch. 199 00:09:47,040 --> 00:09:49,960 Speaker 4: Of I think they should put chapstick in the concrete. 200 00:09:50,600 --> 00:09:53,480 Speaker 1: Like what do you mean by that, I believe that 201 00:09:53,600 --> 00:09:56,000 Speaker 1: in the blend concrete. Of course, there's no, it's not 202 00:09:56,040 --> 00:09:59,400 Speaker 1: a single substance. It's a blend multiple elements. Okay, yes, 203 00:09:59,440 --> 00:10:02,120 Speaker 1: they should have some sort of bomb in there, because 204 00:10:02,120 --> 00:10:03,200 Speaker 1: people are kissing. 205 00:10:03,040 --> 00:10:05,400 Speaker 3: It a lot, like a mix in, like like Stone 206 00:10:05,440 --> 00:10:07,680 Speaker 3: Cold Creamery, like how they have mixed in. 207 00:10:07,679 --> 00:10:10,760 Speaker 1: Still, Okay, I was like Stone Call Steve Austin does 208 00:10:10,840 --> 00:10:12,600 Speaker 1: not mix chapstick into anything. 209 00:10:13,000 --> 00:10:14,800 Speaker 3: Here's what I'm curious about. Guys like you keep talking 210 00:10:14,800 --> 00:10:18,040 Speaker 3: about the rank and file and the leadership. Are you guys? 211 00:10:18,160 --> 00:10:20,160 Speaker 3: Have you, guys taken kind of a shift, a hard 212 00:10:20,160 --> 00:10:23,079 Speaker 3: shift towards libertarianism or it feels like I feel like 213 00:10:23,120 --> 00:10:25,840 Speaker 3: you're about to go off like rant about Bohemian grove 214 00:10:26,000 --> 00:10:29,600 Speaker 3: or something or the there's a ce kind of vibe 215 00:10:29,600 --> 00:10:30,959 Speaker 3: that I'm picking up from you guys that are. 216 00:10:31,000 --> 00:10:34,840 Speaker 2: Quite the opposite. No, I am very much into now. 217 00:10:35,040 --> 00:10:36,600 Speaker 4: I would never rant about that. 218 00:10:36,520 --> 00:10:43,920 Speaker 2: Anarchic horizontal structures. I am fucking done with having a 219 00:10:43,960 --> 00:10:48,840 Speaker 2: boss here. I've just realized that like everyone who thinks 220 00:10:48,880 --> 00:10:52,880 Speaker 2: they're in charge is actually like I should be like 221 00:10:53,040 --> 00:10:54,240 Speaker 2: in charge instead. 222 00:10:54,720 --> 00:10:57,960 Speaker 1: There is so uh zach one thing you need to 223 00:10:58,040 --> 00:11:03,600 Speaker 1: understand about human development is that there are sort of 224 00:11:03,720 --> 00:11:08,400 Speaker 1: two modalities, right, power and connection? 225 00:11:09,160 --> 00:11:10,360 Speaker 2: Wow? Right? Yeah? 226 00:11:10,640 --> 00:11:13,920 Speaker 1: And Hayes and I for too long in this show 227 00:11:14,400 --> 00:11:18,240 Speaker 1: have been so much in our connection, right, trying to 228 00:11:18,320 --> 00:11:24,760 Speaker 1: collaborate with these fuckers, And it's finally time to live 229 00:11:24,800 --> 00:11:29,319 Speaker 1: in our power. And this is an omnipotence phase, right, 230 00:11:30,040 --> 00:11:34,800 Speaker 1: And we don't need the interconnectivity that has been stifling 231 00:11:34,880 --> 00:11:38,600 Speaker 1: us and forcing us to do you know, episodes that 232 00:11:38,720 --> 00:11:41,720 Speaker 1: I guess you deem more coherent than this. 233 00:11:42,440 --> 00:11:44,280 Speaker 4: What we need actually. 234 00:11:44,360 --> 00:11:49,840 Speaker 2: Is just to like fucking vibe out and like be 235 00:11:49,960 --> 00:11:51,160 Speaker 2: allowed to. 236 00:11:51,320 --> 00:11:55,480 Speaker 3: Like Sean, yeah, can I can I ask you guys 237 00:11:55,480 --> 00:11:55,880 Speaker 3: a question? 238 00:11:56,160 --> 00:12:00,400 Speaker 2: Sorry, I doubt it. 239 00:12:00,679 --> 00:12:03,600 Speaker 3: I peed before the show and in the bathroom, in 240 00:12:03,640 --> 00:12:06,800 Speaker 3: the in the basket, the waste paper basket. There were 241 00:12:06,800 --> 00:12:09,600 Speaker 3: two goat skin pans. No, no, I peed in the toilet, 242 00:12:09,600 --> 00:12:13,000 Speaker 3: but in the waste paper. I want to be clear. 243 00:12:13,120 --> 00:12:15,120 Speaker 3: I did not pee in the waste paper basket. That 244 00:12:15,120 --> 00:12:16,240 Speaker 3: would be insane. 245 00:12:16,640 --> 00:12:19,360 Speaker 2: That basket also not for waste paper. 246 00:12:20,720 --> 00:12:26,679 Speaker 3: It's it's poorly named. But anyway, the toilet, guys, I 247 00:12:26,760 --> 00:12:29,040 Speaker 3: know you're trying to obfus skate what's actually happening here, 248 00:12:29,040 --> 00:12:31,160 Speaker 3: but there were two goat skin condoms full of what 249 00:12:31,240 --> 00:12:33,760 Speaker 3: looked like cocaine, and I just want to know that 250 00:12:34,000 --> 00:12:35,480 Speaker 3: I'm starting to put two and two together. 251 00:12:36,040 --> 00:12:39,440 Speaker 1: You can see cocaine through goat skin now, it was 252 00:12:39,480 --> 00:12:43,439 Speaker 1: pretty clear. I'm sorry, I just I reject the premise. 253 00:12:43,600 --> 00:12:45,680 Speaker 1: Goat skin famously obscures. 254 00:12:45,760 --> 00:12:49,240 Speaker 3: Are you penis on rescation? Are you boys penision cocaine? 255 00:12:49,240 --> 00:12:53,600 Speaker 3: Because there's a feeling of aggression, a kind of incoherent prattle. 256 00:12:53,920 --> 00:12:55,760 Speaker 3: Are you penision cocaine? That's what I want to know. 257 00:12:55,840 --> 00:13:00,160 Speaker 1: Oh my god, this guy is that we got huh 258 00:13:00,880 --> 00:13:04,200 Speaker 1: rfk is running made over here with the theories you 259 00:13:04,240 --> 00:13:04,839 Speaker 1: know what I mean? 260 00:13:04,960 --> 00:13:07,320 Speaker 3: No, I don't know what you mean. Did you snort 261 00:13:07,400 --> 00:13:12,200 Speaker 3: cocaine interior his voice? Because there's a weird energy, a rangey, 262 00:13:12,320 --> 00:13:14,120 Speaker 3: weird monkey energy, and I hate it. 263 00:13:14,200 --> 00:13:20,079 Speaker 1: What happened is the the in the No Peacock booker 264 00:13:20,240 --> 00:13:24,240 Speaker 1: person said we could not have you, Okay, they told 265 00:13:24,320 --> 00:13:25,439 Speaker 1: us we couldn't. 266 00:13:25,040 --> 00:13:27,200 Speaker 4: Have Zach, and now you're here. 267 00:13:28,360 --> 00:13:32,679 Speaker 1: We were allowed to have Brandon and Carl and Carl 268 00:13:32,760 --> 00:13:37,560 Speaker 1: we had already Carl, and no disrespect to Carl, we 269 00:13:37,679 --> 00:13:41,200 Speaker 1: had him and we'd been having him you'd been having him. 270 00:13:41,400 --> 00:13:45,720 Speaker 1: We had been having Carl for quite some time, guys, 271 00:13:45,760 --> 00:13:47,200 Speaker 1: and frankly we'd had Brandon. 272 00:13:48,280 --> 00:13:50,040 Speaker 3: When you say had, I assume you just mean on 273 00:13:50,120 --> 00:13:57,560 Speaker 3: the show or is there a second meaning? In the lugo, guys, 274 00:13:57,679 --> 00:14:02,040 Speaker 3: I can see there's blood what looks like a small 275 00:14:02,040 --> 00:14:04,199 Speaker 3: blood stain near the zipper of your pants. 276 00:14:04,200 --> 00:14:05,000 Speaker 2: Does your goat? 277 00:14:05,800 --> 00:14:07,720 Speaker 3: Does your penis have a deviated septum? 278 00:14:07,760 --> 00:14:12,320 Speaker 2: Right now? Look? You know, it's like I start the show. 279 00:14:12,480 --> 00:14:15,839 Speaker 1: I have the normal amount of sex conversation that we're 280 00:14:15,880 --> 00:14:17,920 Speaker 1: supposed to have during the show, where we talk about 281 00:14:17,960 --> 00:14:21,320 Speaker 1: sex organs, you know, in this sort of general way 282 00:14:21,360 --> 00:14:23,560 Speaker 1: that everyone can listen to, where we say who came 283 00:14:23,640 --> 00:14:26,080 Speaker 1: up with this thing? And then we put it to bed, 284 00:14:26,240 --> 00:14:28,440 Speaker 1: and we said to you, that's not the bulk of 285 00:14:28,480 --> 00:14:30,840 Speaker 1: the show, like most of it is not going to 286 00:14:30,920 --> 00:14:38,840 Speaker 1: be that. And yet condoms, penis stains. 287 00:14:38,600 --> 00:14:41,200 Speaker 2: You know, waste paper in the. 288 00:14:41,080 --> 00:14:44,320 Speaker 1: Bathroom, Like you just keep bringing it back to these 289 00:14:44,480 --> 00:14:46,440 Speaker 1: hyper sexual topics. 290 00:14:47,560 --> 00:14:50,120 Speaker 3: I just want to understand what I'm walking into because 291 00:14:50,120 --> 00:14:51,440 Speaker 3: I was told that this was going to be a 292 00:14:51,440 --> 00:14:53,200 Speaker 3: conversation about the business. I thought we were talking about 293 00:14:53,240 --> 00:14:54,240 Speaker 3: John Cena's. 294 00:14:54,000 --> 00:14:56,080 Speaker 2: You don't have to. You don't have to dumb it 295 00:14:56,120 --> 00:14:58,520 Speaker 2: down on this show. And then I know what it's 296 00:14:58,640 --> 00:15:02,000 Speaker 2: like moving through all these spaces for you. People think 297 00:15:02,040 --> 00:15:05,200 Speaker 2: the people look at guys like me and Zach and 298 00:15:05,240 --> 00:15:07,760 Speaker 2: Sean out here and guys that are kind of like 299 00:15:07,880 --> 00:15:11,320 Speaker 2: smarter and everybody smarter and everybody and kind of above 300 00:15:11,360 --> 00:15:13,520 Speaker 2: it all, and they think that must be really nice. 301 00:15:13,960 --> 00:15:16,680 Speaker 2: That must be nice. It's actually painful. Kind of just 302 00:15:16,680 --> 00:15:19,720 Speaker 2: float above everybody and just be kind of like just 303 00:15:20,160 --> 00:15:21,240 Speaker 2: looking down, be. 304 00:15:21,240 --> 00:15:25,080 Speaker 1: Smarter, be able to see every angle, like yeah, and 305 00:15:25,160 --> 00:15:28,560 Speaker 1: it's just like it's actually insanely pain It actually be nice. 306 00:15:28,400 --> 00:15:30,560 Speaker 2: To have a real conversation every once in a while. 307 00:15:30,600 --> 00:15:33,320 Speaker 3: I would love that, Yes, I would really love that. 308 00:15:33,440 --> 00:15:36,440 Speaker 2: To really get in there. People think, oh, it must 309 00:15:36,480 --> 00:15:40,680 Speaker 2: be nice being the fucking zoo keeper all day, you 310 00:15:40,840 --> 00:15:44,200 Speaker 2: throwing little like kippers to the armadillo and the dog. 311 00:15:46,880 --> 00:15:49,120 Speaker 2: This is the type of zoo that has a dog 312 00:15:49,240 --> 00:15:49,720 Speaker 2: in it. 313 00:15:49,720 --> 00:15:52,640 Speaker 1: It's it's true, though, I mean that is the zoo 314 00:15:52,720 --> 00:15:54,160 Speaker 1: are chosen zoo. 315 00:15:54,040 --> 00:15:57,240 Speaker 2: The level of the dog, and that's the level of 316 00:15:57,280 --> 00:15:59,760 Speaker 2: this zoo that we're dealing with. Yes, there's a dog 317 00:15:59,800 --> 00:16:01,280 Speaker 2: and armadillo. 318 00:16:00,920 --> 00:16:03,840 Speaker 4: And they're kipper starved, they're mad for kippers. 319 00:16:04,040 --> 00:16:07,600 Speaker 1: And it's and it's not ideal, but we've made the 320 00:16:07,640 --> 00:16:09,680 Speaker 1: most of it. I don't think anyone can argue that 321 00:16:09,760 --> 00:16:13,600 Speaker 1: we haven't thrived. But god damn, I know it looks fun. 322 00:16:13,440 --> 00:16:16,360 Speaker 3: But it can. I say something, guys, I feel like 323 00:16:16,520 --> 00:16:18,960 Speaker 3: language here maybe is a little bit of an obstacle 324 00:16:19,000 --> 00:16:21,680 Speaker 3: that it that language is being used as a way 325 00:16:21,680 --> 00:16:25,240 Speaker 3: of keeping me at bay and keeping you at bay 326 00:16:25,240 --> 00:16:27,560 Speaker 3: from each other. Maybe we could just go into because 327 00:16:27,560 --> 00:16:29,600 Speaker 3: you were talking about different modalities and the modality of 328 00:16:29,680 --> 00:16:32,240 Speaker 3: power in the modality of connection, maybe we could go 329 00:16:32,240 --> 00:16:34,480 Speaker 3: to a kind of vibrational modality where you just make 330 00:16:34,520 --> 00:16:37,240 Speaker 3: the sound of how you're feeling. Because I feel that 331 00:16:37,280 --> 00:16:41,360 Speaker 3: the words you're using are actually masking more than they're revealing. 332 00:16:41,440 --> 00:16:43,040 Speaker 3: So if you were to make a sound about how 333 00:16:43,040 --> 00:16:43,760 Speaker 3: you're feeling. 334 00:16:43,480 --> 00:16:47,640 Speaker 1: Today like you did before, yeah, this guy, oh, don't 335 00:16:47,720 --> 00:16:49,800 Speaker 1: use the words you're using. Use the word I'm using 336 00:16:50,000 --> 00:16:55,320 Speaker 1: penis and septum, two of the most foul words in 337 00:16:55,360 --> 00:16:56,640 Speaker 1: the English language. 338 00:16:57,120 --> 00:16:59,680 Speaker 3: Again, I feel like this is a defense tactic, Like 339 00:16:59,680 --> 00:17:00,360 Speaker 3: if I to. 340 00:17:00,280 --> 00:17:03,320 Speaker 1: Make yeah, okay, yeah, make a sound, please show me 341 00:17:03,360 --> 00:17:04,399 Speaker 1: what a sound is. 342 00:17:05,080 --> 00:17:08,600 Speaker 3: We go oh, that's how I feel right now. 343 00:17:08,720 --> 00:17:10,399 Speaker 2: That's your feeling being on the show. 344 00:17:10,440 --> 00:17:11,760 Speaker 3: That's the sound at this moment. 345 00:17:11,920 --> 00:17:14,840 Speaker 1: Kevin, turn the TikTok camera on. Don't do that, Kevin, 346 00:17:14,880 --> 00:17:22,040 Speaker 1: turn the TikTok camera. This will be because clip cousin, Kevin, cousin, Kevin, 347 00:17:21,640 --> 00:17:25,840 Speaker 1: turn the TikTok camera on, because this is going to 348 00:17:25,880 --> 00:17:30,920 Speaker 1: be isolated. So Zach, great, we've introduced this. So you'd 349 00:17:30,960 --> 00:17:32,720 Speaker 1: like to make a sound that represents how you feel 350 00:17:32,720 --> 00:17:34,400 Speaker 1: in the show. Can we get the sound one more time? 351 00:17:34,400 --> 00:17:36,480 Speaker 3: I already did it, and can I hear it one more? 352 00:17:36,560 --> 00:17:38,680 Speaker 2: Can I hear it one more time? Now? Yeah? It 353 00:17:38,760 --> 00:17:39,760 Speaker 2: probably changed a little bit. 354 00:17:39,760 --> 00:17:42,000 Speaker 3: Another sound. I'd like that, right, I can do it. 355 00:17:42,040 --> 00:17:43,040 Speaker 2: Is a TikTok camera on? 356 00:17:43,119 --> 00:17:44,920 Speaker 3: Okay, I'll do a center for how I feel about 357 00:17:44,920 --> 00:17:45,200 Speaker 3: the show. 358 00:17:45,280 --> 00:17:48,320 Speaker 2: Yeah? Fuck this? Fuck this? 359 00:17:48,600 --> 00:17:50,760 Speaker 4: That is language those are Let me try again. 360 00:17:52,000 --> 00:17:52,600 Speaker 2: Fuck this. 361 00:17:54,880 --> 00:17:56,920 Speaker 3: I'm sorry, I'm trying. I'm making a joke and a 362 00:17:56,960 --> 00:18:03,160 Speaker 3: stupid Oh. 363 00:18:03,640 --> 00:18:07,760 Speaker 2: Okay, okay, okay, my turn. Here's my sound for how 364 00:18:07,800 --> 00:18:09,720 Speaker 2: I feel right now? Is a TikTok camera on? Yes? 365 00:18:09,920 --> 00:18:18,719 Speaker 3: Stop asking that? Okay, Mmm, can we go back to words. 366 00:18:19,840 --> 00:18:21,840 Speaker 3: I immediately regret this idea. 367 00:18:22,920 --> 00:18:25,480 Speaker 4: Well, I guess I'm gonna have to make a sound. 368 00:18:26,200 --> 00:18:28,119 Speaker 4: And now I've got to make a sound. 369 00:18:31,320 --> 00:18:34,160 Speaker 2: Bye bye booe? Am I Right? 370 00:18:34,320 --> 00:18:37,120 Speaker 3: Guys, that's how you're feeling, is baba booie. 371 00:18:37,119 --> 00:18:38,199 Speaker 2: Bye bye booe? 372 00:18:38,400 --> 00:18:41,120 Speaker 1: Yeah? 373 00:18:41,720 --> 00:18:44,359 Speaker 3: Listen, that's pretty before we got on the show. 374 00:18:45,200 --> 00:18:47,120 Speaker 2: And if anyone, if we get in trouble for having 375 00:18:47,119 --> 00:18:49,560 Speaker 2: a TikTok camera, like what is TikTok? 376 00:18:49,800 --> 00:18:52,880 Speaker 1: He's coming down that camera off because while we talk 377 00:18:52,920 --> 00:18:54,919 Speaker 1: about this, Yeah, I do not want to get in trouble. 378 00:18:55,280 --> 00:18:55,560 Speaker 2: Is it? 379 00:18:55,600 --> 00:19:00,399 Speaker 3: Is it a Chinese? Is it because of Chinese? 380 00:19:00,720 --> 00:19:02,840 Speaker 2: That's thank god we have the camera off. 381 00:19:02,960 --> 00:19:04,560 Speaker 3: What are you talking If this is the whole issue 382 00:19:04,560 --> 00:19:07,160 Speaker 3: that it's an intelligence risk? They just passed a bill 383 00:19:07,200 --> 00:19:10,159 Speaker 3: in Congress because they said they were worried about Chinese intelligence. 384 00:19:11,160 --> 00:19:12,760 Speaker 2: What did you talk about? 385 00:19:13,280 --> 00:19:16,119 Speaker 3: Don't feel like I'm on you're on penis cocaine. 386 00:19:16,200 --> 00:19:19,760 Speaker 1: Okay, wait a minute, I'm no longer talking to leadership 387 00:19:19,880 --> 00:19:20,719 Speaker 1: rank and file. 388 00:19:21,000 --> 00:19:26,200 Speaker 2: I am now talking to I don't know what rfk's 389 00:19:26,280 --> 00:19:27,360 Speaker 2: damn running. 390 00:19:27,040 --> 00:19:30,080 Speaker 3: Mate here about rfk is running mate. I'm not rfka's 391 00:19:30,119 --> 00:19:33,639 Speaker 3: running mate. That's Aaron Rodgers or whoever. I don't remember 392 00:19:33,640 --> 00:19:34,320 Speaker 3: who he chose. 393 00:19:35,160 --> 00:19:39,200 Speaker 1: I mean, geez, Louise, it's out of context. Some of 394 00:19:39,280 --> 00:19:42,480 Speaker 1: what you're saying is not going to make the greatest presentation. 395 00:19:42,760 --> 00:19:43,360 Speaker 2: Keep it in kind. 396 00:19:43,640 --> 00:19:46,640 Speaker 1: TikTok camera is for taking things out of context. That's 397 00:19:46,640 --> 00:19:47,560 Speaker 1: why we have it. 398 00:19:48,119 --> 00:19:49,120 Speaker 4: Well, we turned it off. 399 00:19:49,200 --> 00:19:50,560 Speaker 3: What is that? What is it? TikTok? 400 00:19:51,040 --> 00:19:52,240 Speaker 2: Actually I got on. 401 00:19:52,560 --> 00:19:56,320 Speaker 3: Yeah, Kevin, I thought you were a lighthouse in the 402 00:19:56,960 --> 00:20:00,679 Speaker 3: storm of penis cocaine, and it turns out that you 403 00:20:00,720 --> 00:20:02,120 Speaker 3: were just more penis cocaine. 404 00:20:02,160 --> 00:20:05,080 Speaker 1: Let's just say hypothetically, okay, just so we can like 405 00:20:05,200 --> 00:20:08,119 Speaker 1: kind of like close this avenue of discussion. Let's say 406 00:20:08,200 --> 00:20:12,440 Speaker 1: hypothetically that someone was doing cocaine in their penis. 407 00:20:13,080 --> 00:20:14,919 Speaker 4: It would still just be normal cocaine. 408 00:20:16,600 --> 00:20:19,639 Speaker 3: Well, that's bad news for you because you'd want it. 409 00:20:20,160 --> 00:20:22,000 Speaker 3: You'd want to find finer grind. 410 00:20:24,080 --> 00:20:26,399 Speaker 2: Sure would, But we can't have everything in this world. 411 00:20:26,440 --> 00:20:30,000 Speaker 3: Get Away Intelligentsia is right across the street. You could 412 00:20:30,040 --> 00:20:32,600 Speaker 3: have They have very sophisticated coffee grind. 413 00:20:32,600 --> 00:20:39,520 Speaker 2: Theoretically take it into the Trader Joe's. So it's coffee. 414 00:20:39,720 --> 00:20:42,280 Speaker 4: Yeah, yeah, I go, well, I go to the you know, 415 00:20:42,440 --> 00:20:43,680 Speaker 4: you can like make your own. 416 00:20:43,560 --> 00:20:46,560 Speaker 1: Like nut butter uh huh, yeah, I run it through 417 00:20:46,720 --> 00:20:48,280 Speaker 1: like the cashew butter grinder. 418 00:20:48,400 --> 00:20:49,680 Speaker 3: Just at a farm. 419 00:20:50,040 --> 00:20:52,240 Speaker 2: No, no, no, just a grocery store, like a safe 420 00:20:52,240 --> 00:20:52,840 Speaker 2: way or something. 421 00:20:53,080 --> 00:20:53,280 Speaker 1: Yeah. 422 00:20:53,440 --> 00:20:55,760 Speaker 2: They don't all have those, but the good ones do. 423 00:20:56,600 --> 00:20:57,119 Speaker 4: Mm hmmm. 424 00:20:57,840 --> 00:20:59,000 Speaker 2: So guys. 425 00:20:59,080 --> 00:21:00,640 Speaker 4: Uh, well. 426 00:21:02,119 --> 00:21:08,400 Speaker 2: For the show still, like with streaming, then. 427 00:21:07,240 --> 00:21:09,960 Speaker 4: Long, it's a longer tail on the promo phase. 428 00:21:10,240 --> 00:21:10,480 Speaker 2: Yeah. 429 00:21:10,480 --> 00:21:13,679 Speaker 3: I to be honest, I'm less on to promote the 430 00:21:13,760 --> 00:21:16,320 Speaker 3: show and more just to have an experience with two 431 00:21:16,880 --> 00:21:19,520 Speaker 3: uh you know, luminaries in the field. And that's why 432 00:21:19,520 --> 00:21:19,920 Speaker 3: I'm here. 433 00:21:20,640 --> 00:21:22,719 Speaker 2: Well, that's more like it. 434 00:21:22,760 --> 00:21:26,879 Speaker 4: I mean we started there. Yeah, also accusations and all 435 00:21:26,920 --> 00:21:27,280 Speaker 4: the like. 436 00:21:27,480 --> 00:21:31,560 Speaker 2: Yeah, is the network happy that you're not interested in 437 00:21:31,640 --> 00:21:32,720 Speaker 2: doing promo for the show? 438 00:21:32,880 --> 00:21:35,399 Speaker 3: I haven't talked to them about it. It's not happy 439 00:21:35,440 --> 00:21:35,920 Speaker 3: about that. 440 00:21:36,280 --> 00:21:38,159 Speaker 2: Yeah. Are they happy that you haven't talked to them 441 00:21:38,160 --> 00:21:39,680 Speaker 2: about doing promo for the show? 442 00:21:39,880 --> 00:21:42,760 Speaker 4: Are you? Are you happy about it? Like they should 443 00:21:42,760 --> 00:21:43,480 Speaker 4: be talking with you. 444 00:21:44,840 --> 00:21:48,080 Speaker 3: I feel fine about the level of communication I have 445 00:21:48,160 --> 00:21:49,360 Speaker 3: with the network. 446 00:21:49,200 --> 00:21:51,960 Speaker 2: Which is none. Not a lotablished at. 447 00:21:51,920 --> 00:21:53,640 Speaker 3: The moment, but there's not a lot to talk. 448 00:21:53,840 --> 00:21:56,240 Speaker 4: I got a bone to pick with the pea cock. 449 00:21:56,000 --> 00:21:59,600 Speaker 3: Gapp okay, yeah, not just I'm not a spokesperson for 450 00:21:59,640 --> 00:22:00,919 Speaker 3: the peak, but go ahead. 451 00:22:01,200 --> 00:22:02,640 Speaker 2: So if you. 452 00:22:02,600 --> 00:22:04,800 Speaker 1: Get if so you get these apps on your TV, 453 00:22:05,280 --> 00:22:07,200 Speaker 1: smart TV or Roku something like this. 454 00:22:07,320 --> 00:22:10,800 Speaker 3: Okay, those are different, but yeah, or maybe they're not. 455 00:22:11,359 --> 00:22:14,520 Speaker 1: They don't have to be, but anyway, so just I'm 456 00:22:14,560 --> 00:22:19,959 Speaker 1: just creating an image so they you can get like 457 00:22:20,000 --> 00:22:25,119 Speaker 1: an app for NBC, right, the NBC app has the logo, 458 00:22:25,200 --> 00:22:29,240 Speaker 1: it has a peacock a multicolored feather design. Or you 459 00:22:29,240 --> 00:22:32,400 Speaker 1: can get an app for NBC Sports separately. It has 460 00:22:32,440 --> 00:22:34,959 Speaker 1: the word sports and like sort of a script writing, 461 00:22:35,000 --> 00:22:38,520 Speaker 1: and then it's it's got a multicolored peacock design. Then 462 00:22:38,560 --> 00:22:41,360 Speaker 1: there's a third app they have. This one's called Peacock. 463 00:22:41,640 --> 00:22:47,040 Speaker 1: It has the word peacock. No fucking logo does not 464 00:22:47,240 --> 00:22:52,400 Speaker 1: use because it has has four or whatever multi colored 465 00:22:53,040 --> 00:22:54,560 Speaker 1: dots on the side. 466 00:22:54,880 --> 00:22:59,879 Speaker 2: So it's like, can we reevaluate this? Like who came 467 00:23:00,119 --> 00:23:00,480 Speaker 2: up with this? 468 00:23:00,600 --> 00:23:03,000 Speaker 1: The same guy who decided to put the thing in 469 00:23:03,119 --> 00:23:06,240 Speaker 1: that stuff and have it get all over those I 470 00:23:06,280 --> 00:23:10,000 Speaker 1: mean really and with worse results, by the way, because 471 00:23:10,040 --> 00:23:15,160 Speaker 1: I actually do like some of how that can be. 472 00:23:15,600 --> 00:23:20,280 Speaker 3: But I saw the background on your iPad was Alex Jones. 473 00:23:20,560 --> 00:23:23,000 Speaker 3: It was just a picture of Alex Jones holding a 474 00:23:23,040 --> 00:23:27,240 Speaker 3: stag's head, and I thought, well, that's I must be iron. 475 00:23:27,119 --> 00:23:29,560 Speaker 2: I'll look at his iPad just because he carries it 476 00:23:29,600 --> 00:23:30,399 Speaker 2: around loose. 477 00:23:31,200 --> 00:23:32,600 Speaker 3: That was weird already. 478 00:23:33,160 --> 00:23:34,159 Speaker 2: What he's outside. 479 00:23:34,320 --> 00:23:36,040 Speaker 4: I don't know how to turn the screen off, and 480 00:23:36,080 --> 00:23:36,800 Speaker 4: I can't find a. 481 00:23:36,760 --> 00:23:37,640 Speaker 2: Case that fits it. 482 00:23:38,320 --> 00:23:42,480 Speaker 1: So obviously people are going to see not in my experience, 483 00:23:43,280 --> 00:23:45,399 Speaker 1: and so people are going to see the background. 484 00:23:45,760 --> 00:23:48,440 Speaker 4: By the way, you can't pick the background. You can't 485 00:23:48,480 --> 00:23:49,320 Speaker 4: change the background. 486 00:23:49,440 --> 00:23:50,840 Speaker 3: You it came from the store. 487 00:23:50,880 --> 00:23:54,960 Speaker 2: With that. I didn't get it from a store, you know. 488 00:23:55,240 --> 00:23:57,280 Speaker 3: It's not like do you get from a friend. 489 00:24:01,200 --> 00:24:04,080 Speaker 1: He's maybe he's my friend. It's like, we don't like 490 00:24:04,840 --> 00:24:08,840 Speaker 1: think about it that way. We just trade stuff. I 491 00:24:08,920 --> 00:24:10,160 Speaker 1: just meet him and we trade. 492 00:24:10,520 --> 00:24:12,880 Speaker 3: What did you have to give to get that iPad? 493 00:24:15,920 --> 00:24:16,800 Speaker 4: Cowskin rug? 494 00:24:19,400 --> 00:24:22,840 Speaker 3: I mean, I guess that's probably a reasonable trade financially. 495 00:24:23,119 --> 00:24:23,960 Speaker 4: Cowskin rug. 496 00:24:24,080 --> 00:24:28,760 Speaker 3: Okay, Uh, how do you guys make a living? 497 00:24:29,200 --> 00:24:31,679 Speaker 2: Well, well, we don't. 498 00:24:31,760 --> 00:24:34,520 Speaker 1: If the interviews keep going like this, I mean, people 499 00:24:34,880 --> 00:24:35,800 Speaker 1: rely on this show. 500 00:24:35,880 --> 00:24:40,919 Speaker 2: Category are you in? On? The menu looks like ralph, 501 00:24:40,920 --> 00:24:42,320 Speaker 2: but it's actually pronounced ralph. 502 00:24:44,520 --> 00:24:47,920 Speaker 3: I think it's rape right, Ray finds or Ray finds it's. 503 00:24:47,920 --> 00:24:49,600 Speaker 2: Ralph finds. 504 00:24:51,040 --> 00:24:51,240 Speaker 3: Rape. 505 00:24:51,920 --> 00:24:54,280 Speaker 2: Which category are you you wonder? I think we're just 506 00:24:54,440 --> 00:24:56,840 Speaker 2: undergo the Nights you can't remember and the Friends We'll 507 00:24:56,880 --> 00:24:59,080 Speaker 2: never forget. There is no comedy one. 508 00:25:00,080 --> 00:25:02,520 Speaker 3: It might be that then and then I will never 509 00:25:02,600 --> 00:25:04,119 Speaker 3: remember in the Friends we can't forget. 510 00:25:04,240 --> 00:25:06,879 Speaker 2: Yeah, that's a nice one. It might be under that. 511 00:25:07,200 --> 00:25:07,920 Speaker 2: That's a fun one. 512 00:25:08,200 --> 00:25:09,360 Speaker 4: Yeah, that one's really good. 513 00:25:11,240 --> 00:25:11,680 Speaker 3: Oh good. 514 00:25:13,040 --> 00:25:15,159 Speaker 4: Rather have a bottle in front of me, that a 515 00:25:15,200 --> 00:25:20,520 Speaker 4: front of the bottomy. That's a good category. 516 00:25:20,760 --> 00:25:23,800 Speaker 3: Yeah, yeah, I'd rather that is a good that's on 517 00:25:23,920 --> 00:25:24,720 Speaker 3: the peacock ap. 518 00:25:24,680 --> 00:25:27,879 Speaker 1: That's on the peacocks on the Yeah, that's one of 519 00:25:27,960 --> 00:25:29,040 Speaker 1: the categories for sure. 520 00:25:30,440 --> 00:25:33,480 Speaker 2: Yeah, you guys are probably on that. Yeah, Parks and 521 00:25:34,200 --> 00:25:36,320 Speaker 2: should we help you do a little promo, I mean, 522 00:25:37,000 --> 00:25:37,880 Speaker 2: like get the thing out. 523 00:25:38,040 --> 00:25:40,720 Speaker 1: Let's just get it while we're here, get a couple 524 00:25:40,920 --> 00:25:43,359 Speaker 1: like talk about some of your famous characters the TikTok 525 00:25:43,400 --> 00:25:43,800 Speaker 1: camera on. 526 00:25:44,000 --> 00:25:44,200 Speaker 4: Yeah. 527 00:25:45,480 --> 00:25:47,119 Speaker 3: Well, I only play one character in the show, and 528 00:25:47,160 --> 00:25:49,800 Speaker 3: that's Lauren Caspian and he's the third most popular host 529 00:25:49,840 --> 00:25:52,640 Speaker 3: of an MPR at NPR interview host. 530 00:25:52,720 --> 00:25:54,480 Speaker 2: I think it might be to see us. 531 00:25:57,000 --> 00:26:01,760 Speaker 1: C s Lewis what small nod to see us Lewis 532 00:26:01,840 --> 00:26:03,520 Speaker 1: and our influences are everywhere. 533 00:26:03,600 --> 00:26:05,120 Speaker 4: Yes, they bleed into. 534 00:26:05,280 --> 00:26:08,120 Speaker 3: Because of Caspian, like Prince Caspian from people. 535 00:26:08,560 --> 00:26:12,680 Speaker 2: Fun to like recover the stuff out there in the world, 536 00:26:12,760 --> 00:26:15,520 Speaker 2: and the people are like incredibly painful. 537 00:26:15,960 --> 00:26:16,640 Speaker 3: It's incredible. 538 00:26:17,920 --> 00:26:20,000 Speaker 2: You guys are Caspy and the friendly ghost. 539 00:26:20,760 --> 00:26:25,359 Speaker 1: Oh god, idiot, idiot, go eat dog food for dinner, 540 00:26:26,240 --> 00:26:26,800 Speaker 1: you know what I mean. 541 00:26:28,320 --> 00:26:31,120 Speaker 2: Just let's just go, like, just go eat dog food. 542 00:26:31,280 --> 00:26:34,960 Speaker 2: Say that's your dinner already. Like that's really what we're 543 00:26:35,000 --> 00:26:36,720 Speaker 2: dealing with in terms of our listeners. 544 00:26:36,880 --> 00:26:39,080 Speaker 3: He met me in the parking lot before I came in, 545 00:26:39,720 --> 00:26:45,760 Speaker 3: and he said, hey, man, your listens understand you want 546 00:26:45,800 --> 00:26:48,520 Speaker 3: to go tell some hot, hot hot babes the truth. 547 00:26:49,200 --> 00:26:50,760 Speaker 3: And I was like, I don't know what that. He goes, 548 00:26:50,800 --> 00:26:52,480 Speaker 3: come on, let's go tell them the truth. So tell 549 00:26:52,520 --> 00:26:57,000 Speaker 3: some pretty ladies the truth, and that is what we want. No, 550 00:26:57,119 --> 00:26:58,359 Speaker 3: I don't want to lie to them, but I just 551 00:26:58,400 --> 00:26:58,760 Speaker 3: didn't know what. 552 00:26:59,000 --> 00:26:59,160 Speaker 2: Man. 553 00:26:59,320 --> 00:27:04,159 Speaker 3: No context hot babe pushed me gently against my passenger door, so. 554 00:27:04,280 --> 00:27:05,720 Speaker 2: What you would have to push you are? 555 00:27:06,040 --> 00:27:10,680 Speaker 3: No, I don't like everything. It's not a criticism. I 556 00:27:10,760 --> 00:27:13,879 Speaker 3: just feel that your listeners should know how endangered you are. 557 00:27:14,160 --> 00:27:16,640 Speaker 2: Your phone next time you're here will freaking hip check 558 00:27:16,680 --> 00:27:20,160 Speaker 2: you into the door that go why to some hot babes? 559 00:27:20,400 --> 00:27:22,560 Speaker 3: That's not what I'm asking for? And unless this is 560 00:27:22,600 --> 00:27:25,720 Speaker 3: on the TikTok camera that is deliberately removing context, I 561 00:27:25,800 --> 00:27:28,200 Speaker 3: think people will understand that that's not what I'm asking for. 562 00:27:28,480 --> 00:27:31,240 Speaker 4: Okay, well, uh yeah, I I do. 563 00:27:32,680 --> 00:27:35,320 Speaker 1: I do have to acknowledge that the purpose of the 564 00:27:35,400 --> 00:27:37,960 Speaker 1: show in some ways was to remove some of the 565 00:27:38,080 --> 00:27:41,640 Speaker 1: mystification and obfuscation that happens around some of these concepts 566 00:27:41,680 --> 00:27:44,119 Speaker 1: that we explore, and in a sense that. 567 00:27:44,440 --> 00:27:45,760 Speaker 4: Was, you know, in the shows for everyone. 568 00:27:45,840 --> 00:27:47,440 Speaker 2: It's not just for men. 569 00:27:48,560 --> 00:27:53,399 Speaker 1: So like, yes, we are intentionally telling the truth to 570 00:27:54,520 --> 00:27:56,720 Speaker 1: hot babes. I don't think I use that language, but 571 00:27:56,800 --> 00:27:59,960 Speaker 1: I you know, I also probably did. 572 00:28:01,680 --> 00:28:10,240 Speaker 4: H who. 573 00:28:08,119 --> 00:28:10,320 Speaker 2: Well, you know, did you talk about some of your 574 00:28:10,359 --> 00:28:11,359 Speaker 2: famous characters already? 575 00:28:11,480 --> 00:28:12,680 Speaker 3: I don't have a famous Kevin. 576 00:28:12,760 --> 00:28:16,000 Speaker 4: Pull up the IMDb and let's dig in, you know, 577 00:28:16,320 --> 00:28:17,800 Speaker 4: let's let's get into Summer's ax. 578 00:28:18,760 --> 00:28:20,440 Speaker 3: That's not that I guess that is mine? 579 00:28:21,280 --> 00:28:22,520 Speaker 4: Oh my wife's the ghost? 580 00:28:24,080 --> 00:28:27,720 Speaker 2: Is this your did somebody did it? Has has anonymous 581 00:28:27,760 --> 00:28:29,280 Speaker 2: been through here? Is this not yours? 582 00:28:29,640 --> 00:28:32,359 Speaker 3: That is because I didn't recognize some of the credits. 583 00:28:32,960 --> 00:28:33,800 Speaker 4: Why can't I read? 584 00:28:33,880 --> 00:28:40,400 Speaker 2: Then the ghost geats Wilson, eats Wilson, my wife, the ghost. 585 00:28:41,120 --> 00:28:45,200 Speaker 2: I don't two two thousand and five. So one episode? 586 00:28:45,680 --> 00:28:47,480 Speaker 2: What can we talk to Geats? 587 00:28:48,320 --> 00:28:51,240 Speaker 3: No, because I don't remember who Geats is for ever 588 00:28:51,320 --> 00:28:53,480 Speaker 3: shooting it or what. 589 00:28:53,600 --> 00:28:54,200 Speaker 2: This show is. 590 00:28:54,560 --> 00:28:55,440 Speaker 3: But I would look at that. 591 00:28:55,640 --> 00:28:56,760 Speaker 2: It was only the episode. 592 00:28:56,880 --> 00:28:58,120 Speaker 3: What's the second credit? 593 00:28:58,640 --> 00:29:03,280 Speaker 1: Coke, Chunkie, I've never done an you're junky in a 594 00:29:03,400 --> 00:29:09,680 Speaker 1: short called Coke that you come to my show and 595 00:29:10,000 --> 00:29:13,880 Speaker 1: mob wild accusations at everyone else. 596 00:29:14,120 --> 00:29:17,840 Speaker 3: That's your Capodi in the Swans Coke the TV short. 597 00:29:17,920 --> 00:29:19,680 Speaker 4: People think it's fun to be this smart, you know, 598 00:29:20,000 --> 00:29:22,080 Speaker 4: I keep saying horrible for him, I. 599 00:29:22,080 --> 00:29:24,280 Speaker 2: Think you might have what you're talking about, Capoti the 600 00:29:24,360 --> 00:29:27,640 Speaker 2: friendly Ghost. Oh my god, damn it. 601 00:29:27,880 --> 00:29:30,560 Speaker 1: Get a big scoop of dog food and say about 602 00:29:30,600 --> 00:29:35,719 Speaker 1: your just do it already? Look go up a little bit, 603 00:29:35,760 --> 00:29:37,840 Speaker 1: because this guy can't remember this far. 604 00:29:37,840 --> 00:29:38,880 Speaker 2: Back of this. 605 00:29:39,000 --> 00:29:41,880 Speaker 1: I remember now, yeah, some of it. You useduld be 606 00:29:42,000 --> 00:29:44,680 Speaker 1: Torco the series. You know it's kind of a fucking stretch, 607 00:29:44,760 --> 00:29:45,440 Speaker 1: don't we think. 608 00:29:46,200 --> 00:29:51,160 Speaker 3: All right, Douglas, Douglas, Douglas from the other I had 609 00:29:51,240 --> 00:29:53,880 Speaker 3: one line in that, so, oh. 610 00:29:53,760 --> 00:29:56,640 Speaker 2: Okay, so you had a line in that too, like 611 00:29:56,720 --> 00:30:01,040 Speaker 2: a just like the short coke played the juggie. 612 00:30:01,400 --> 00:30:05,600 Speaker 4: Because this guy's got a lot of lines. Can I 613 00:30:05,800 --> 00:30:08,360 Speaker 4: talk Can I talk to you about Douglas? 614 00:30:08,600 --> 00:30:09,360 Speaker 2: Sure? Yeah? 615 00:30:11,240 --> 00:30:13,480 Speaker 4: What kind of whips this guy pushing around town? 616 00:30:14,200 --> 00:30:15,000 Speaker 3: You mean like his car? 617 00:30:15,240 --> 00:30:16,240 Speaker 4: Kind of wheels he got? 618 00:30:16,600 --> 00:30:18,360 Speaker 3: Well, it was in New York, so he might be 619 00:30:18,520 --> 00:30:20,560 Speaker 3: like a kind of like four or five six train. 620 00:30:21,280 --> 00:30:23,480 Speaker 3: Good guy, because he seemed like he would live on 621 00:30:23,560 --> 00:30:25,400 Speaker 3: the Upper East Side. But again, it was one line, 622 00:30:25,400 --> 00:30:27,080 Speaker 3: so I don't want to get too carried away with 623 00:30:27,120 --> 00:30:27,680 Speaker 3: the backstory. 624 00:30:28,960 --> 00:30:32,800 Speaker 4: What's a smoothie? Everybody's got a smoothie, even if they 625 00:30:32,800 --> 00:30:35,520 Speaker 4: don't drink it. Everyone has one. 626 00:30:35,720 --> 00:30:37,760 Speaker 3: I had one line where I just said my wife 627 00:30:37,840 --> 00:30:40,720 Speaker 3: is dead. I think that was my only line. And 628 00:30:40,840 --> 00:30:43,080 Speaker 3: this whatever that smoothie? 629 00:30:43,160 --> 00:30:45,280 Speaker 2: No, that was in the script. Was she sort of 630 00:30:45,320 --> 00:30:46,320 Speaker 2: a hot babe type. 631 00:30:47,360 --> 00:30:51,760 Speaker 3: The fictional wife. Sure, I mean it's really in the imagine. 632 00:30:51,400 --> 00:30:54,200 Speaker 4: Measure the audience, what her measurements. 633 00:30:56,600 --> 00:30:59,400 Speaker 3: I didn't think about that. I didn't think about what 634 00:30:59,520 --> 00:31:02,680 Speaker 3: my dad wife's measurements were must. 635 00:31:02,480 --> 00:31:05,920 Speaker 4: Have been a hell of a performance. I don't know 636 00:31:05,920 --> 00:31:08,200 Speaker 4: if the see you played a character named Zack. That 637 00:31:08,320 --> 00:31:08,960 Speaker 4: must have been tough. 638 00:31:09,240 --> 00:31:14,400 Speaker 2: Funnier Die presence. That's funnier Christmas. This is. 639 00:31:16,360 --> 00:31:18,040 Speaker 3: It's funnier that presents. 640 00:31:18,480 --> 00:31:21,280 Speaker 1: Every box I open it either somebody trying to be funny, 641 00:31:22,600 --> 00:31:26,520 Speaker 1: some kind of dead goose or something dead bug in 642 00:31:26,600 --> 00:31:29,560 Speaker 1: the thing, and what's your present? This is your funnier 643 00:31:29,720 --> 00:31:33,040 Speaker 1: Die sucks damsels. 644 00:31:32,640 --> 00:31:37,800 Speaker 2: Your character Stewart and funnier Die, the the good enough, 645 00:31:37,920 --> 00:31:41,520 Speaker 2: smart enough and people like me that you're talking about. 646 00:31:41,520 --> 00:31:45,440 Speaker 2: The frank affirmations. Yeah, I'll tell you this. That one 647 00:31:45,440 --> 00:31:48,960 Speaker 2: who dances around and his mommy says cut that out. 648 00:31:50,320 --> 00:31:52,800 Speaker 2: The guy who says, look what I can do. No, 649 00:31:53,040 --> 00:31:53,880 Speaker 2: that's a different No. 650 00:31:54,760 --> 00:31:57,320 Speaker 1: Stewie's mommy does not say cut that. Stewie says cut 651 00:31:57,360 --> 00:31:58,440 Speaker 1: that out to his mommy. 652 00:31:58,160 --> 00:32:01,280 Speaker 4: When he tries to actually commit match aside. People think 653 00:32:01,320 --> 00:32:03,000 Speaker 4: that it's fun to be this smart, it's not. 654 00:32:04,080 --> 00:32:07,680 Speaker 3: I sometimes, guys, when there's as a kid, something would 655 00:32:07,680 --> 00:32:10,160 Speaker 3: scare me sometimes, which is if I saw a balloon 656 00:32:10,440 --> 00:32:13,600 Speaker 3: floating away into the sky and it got higher and 657 00:32:13,680 --> 00:32:15,720 Speaker 3: higher and smaller and smaller, I would almost get like 658 00:32:15,760 --> 00:32:18,560 Speaker 3: a vertigo feeling like fear of heights for the balloon. 659 00:32:18,760 --> 00:32:20,040 Speaker 2: You empathize with the boon. 660 00:32:20,120 --> 00:32:21,960 Speaker 3: I could imagine what it would be like, Oh my god, 661 00:32:22,000 --> 00:32:24,560 Speaker 3: I'm separated. The pressure is changing and going higher and higher, 662 00:32:25,080 --> 00:32:27,800 Speaker 3: and I'm all by myself and you guys are giving 663 00:32:27,880 --> 00:32:28,440 Speaker 3: me that feeling. 664 00:32:28,880 --> 00:32:31,760 Speaker 4: Did you find it easier to connect to inanimate objects 665 00:32:31,800 --> 00:32:32,240 Speaker 4: than people? 666 00:32:32,520 --> 00:32:35,880 Speaker 3: Depends on the people, But at the moment, yes, I 667 00:32:35,960 --> 00:32:38,880 Speaker 3: feel like I have a better rapport with the physical microphone. 668 00:32:38,440 --> 00:32:48,800 Speaker 2: In dambles in distress. Did you meet mister Whitney himself? 669 00:32:49,640 --> 00:32:52,800 Speaker 3: Yes, with Stillman, with Stillman, Yeah, I did. I'm surprised 670 00:32:52,840 --> 00:32:53,600 Speaker 3: that you guys? Uh? 671 00:32:54,000 --> 00:32:57,280 Speaker 2: Or did he happen to mention the time that his 672 00:32:57,600 --> 00:33:03,760 Speaker 2: manager invited a young man into his office because he 673 00:33:03,920 --> 00:33:07,080 Speaker 2: was a fan of his work and his writing, and 674 00:33:07,240 --> 00:33:10,720 Speaker 2: then ten minutes into the meeting realized he had intended 675 00:33:10,800 --> 00:33:13,520 Speaker 2: to be meeting with Hayes Hargrove. 676 00:33:15,440 --> 00:33:16,520 Speaker 3: Weirdly, he brought it up. 677 00:33:16,640 --> 00:33:20,920 Speaker 2: He did mention that came up on the setup. Manager 678 00:33:21,040 --> 00:33:25,840 Speaker 2: then said, but hey, let's let's have this meeting. Let's 679 00:33:25,880 --> 00:33:28,120 Speaker 2: continue the meeting. What are you, what are you up to? 680 00:33:28,240 --> 00:33:31,600 Speaker 2: What are you working on and the kid crushed it. 681 00:33:32,400 --> 00:33:34,959 Speaker 3: They did mention it. They have a slightly you know all, 682 00:33:35,080 --> 00:33:36,960 Speaker 3: I guess all stories are subjective, so they had a 683 00:33:37,000 --> 00:33:39,440 Speaker 3: slightly different spin on the whole thing. Bet sure, sure 684 00:33:39,880 --> 00:33:42,520 Speaker 3: his version, his version and the truth, right, that's right, 685 00:33:42,800 --> 00:33:43,239 Speaker 3: that's right. 686 00:33:43,480 --> 00:33:47,560 Speaker 2: Yeah, rash Man, what did he say? 687 00:33:49,360 --> 00:33:52,760 Speaker 3: Uh? He said you're He was like, because I was like, 688 00:33:52,840 --> 00:33:54,080 Speaker 3: what is this stef to do? He came up and 689 00:33:54,120 --> 00:33:55,480 Speaker 3: he was like, hey, I had this meeting once. I 690 00:33:55,520 --> 00:33:57,560 Speaker 3: thought I was meeting with the different Hayes, and then 691 00:33:57,560 --> 00:33:59,560 Speaker 3: it was the wrong haze. And then he just said, 692 00:33:59,560 --> 00:34:02,760 Speaker 3: you're not going to be like that, right, And I said, 693 00:34:02,800 --> 00:34:06,000 Speaker 3: I don't know. I never like who he just said. 694 00:34:06,200 --> 00:34:08,480 Speaker 3: It was confusing. He goes, You're not gonna be like 695 00:34:08,560 --> 00:34:13,640 Speaker 3: that guy, And I was like, the manager, the manager, He's. 696 00:34:13,880 --> 00:34:14,879 Speaker 2: All I know? Is that about? 697 00:34:14,920 --> 00:34:16,520 Speaker 3: There was someone he didn't want me to beat it? 698 00:34:16,800 --> 00:34:21,279 Speaker 2: Fuck up? Pretty good? Yeah, ultimately it was for the best. 699 00:34:21,480 --> 00:34:27,120 Speaker 3: It sounds like he crashed absolutely barreled it, barreled it good. 700 00:34:27,280 --> 00:34:27,919 Speaker 2: Like Yeah. 701 00:34:28,239 --> 00:34:32,000 Speaker 4: The character's name in that Rick do Wolf. 702 00:34:32,440 --> 00:34:36,960 Speaker 3: Yeah, not bad, thank you. 703 00:34:38,640 --> 00:34:41,120 Speaker 2: Don't a lot of damsels around. 704 00:34:42,360 --> 00:34:48,120 Speaker 4: Oh, although the damsels around the wow. 705 00:34:50,760 --> 00:34:50,800 Speaker 2: O. 706 00:34:52,600 --> 00:34:54,920 Speaker 3: That sound feels more accurate to how you guys actually 707 00:34:54,960 --> 00:35:01,400 Speaker 3: are the kind of kind of anim but still sexually 708 00:35:02,080 --> 00:35:03,000 Speaker 3: troubling Wolf. 709 00:35:03,960 --> 00:35:08,160 Speaker 1: I'm starting to wonder if it was a mistake actually 710 00:35:09,600 --> 00:35:10,839 Speaker 1: to pull up your im dB. 711 00:35:11,360 --> 00:35:18,520 Speaker 3: I'd say undeniable. Yes, to pull up a boring website 712 00:35:18,640 --> 00:35:20,920 Speaker 3: on a podcast that people the. 713 00:35:20,960 --> 00:35:26,480 Speaker 1: Websites boring, I'm so over, Oh my god, my entire 714 00:35:26,560 --> 00:35:29,240 Speaker 1: life to Los Angeles, to pursue this as my career. 715 00:35:29,960 --> 00:35:33,040 Speaker 2: It's my whole but but it's so boring to me. 716 00:35:33,440 --> 00:35:37,520 Speaker 3: I heard a rumor that you guys were phony arrested 717 00:35:37,600 --> 00:35:38,080 Speaker 3: and released. 718 00:35:38,120 --> 00:35:40,440 Speaker 2: I think all this stuff is stupid, and I'm smarter 719 00:35:40,560 --> 00:35:42,080 Speaker 2: than I heard. I heard him. 720 00:35:42,160 --> 00:35:43,800 Speaker 3: I heard a rumor that you guys were arrested and 721 00:35:43,880 --> 00:35:47,320 Speaker 3: releases for for bullying the old people at the Motion Picture. 722 00:35:48,000 --> 00:35:51,239 Speaker 2: That came off. I came off. No, I came off 723 00:35:52,040 --> 00:35:52,560 Speaker 2: for people. 724 00:35:52,360 --> 00:35:54,960 Speaker 3: Who don't know outside of Los Angeles. There's an old 725 00:35:55,040 --> 00:35:57,399 Speaker 3: age home for people who have been actors who worked 726 00:35:57,440 --> 00:36:00,839 Speaker 3: in the industry the motion picture. Some of them are yeah, 727 00:36:01,440 --> 00:36:03,920 Speaker 3: well that's what they said. They they said, let's see 728 00:36:04,040 --> 00:36:07,200 Speaker 3: more actors, right that you were asking to see people's IMDb. 729 00:36:07,560 --> 00:36:10,680 Speaker 1: On camera talent, and some of them also were what 730 00:36:10,760 --> 00:36:12,799 Speaker 1: they were doing in those movies was not acting. 731 00:36:13,480 --> 00:36:15,160 Speaker 3: So you were going you were sort of doing a 732 00:36:15,200 --> 00:36:16,040 Speaker 3: little bit of a check. 733 00:36:16,120 --> 00:36:17,400 Speaker 2: I'm just saying, like, it's. 734 00:36:17,480 --> 00:36:21,040 Speaker 1: Very competitive to get in there, and when something is competitive, 735 00:36:21,160 --> 00:36:23,319 Speaker 1: then every once in a while someone needs to get 736 00:36:23,360 --> 00:36:26,640 Speaker 1: in there and fucking trim the fat because I want 737 00:36:26,719 --> 00:36:29,319 Speaker 1: to make sure there's enough space for the people who 738 00:36:29,440 --> 00:36:32,399 Speaker 1: really need that service, which is it is a very 739 00:36:32,600 --> 00:36:35,640 Speaker 1: nice home which provides very excellent care. 740 00:36:35,840 --> 00:36:37,600 Speaker 3: Well that what I heard is that they said they 741 00:36:37,760 --> 00:36:38,319 Speaker 3: found a. 742 00:36:38,400 --> 00:36:40,279 Speaker 2: Woman kind of racism. If you think about it. 743 00:36:40,440 --> 00:36:41,440 Speaker 3: It's not a kind of racism. 744 00:36:41,520 --> 00:36:43,480 Speaker 2: A guy who had they said, they told me that 745 00:36:43,600 --> 00:36:44,680 Speaker 2: they don't think about it. 746 00:36:44,800 --> 00:36:46,560 Speaker 4: Then you yeah, then you just dismiss it. 747 00:36:46,680 --> 00:36:49,520 Speaker 3: But okay, let me think about it for a second. 748 00:36:50,160 --> 00:36:50,480 Speaker 2: Thank you. 749 00:36:51,239 --> 00:36:54,399 Speaker 3: Yeah, I'm even more confident that it's not racism when 750 00:36:54,440 --> 00:36:56,839 Speaker 3: they let the wrong people into the motion picture haul 751 00:36:57,280 --> 00:36:59,800 Speaker 3: for the elderly. And what I was told is that 752 00:36:59,840 --> 00:37:02,680 Speaker 3: there was a woman with type two diabetes and dementia 753 00:37:02,760 --> 00:37:05,360 Speaker 3: who they found at a tied to the back of 754 00:37:05,440 --> 00:37:10,240 Speaker 3: a seven eleven. And then and that you because you wish. 755 00:37:10,120 --> 00:37:14,400 Speaker 2: By the way, not easing very tricky. You need a 756 00:37:14,520 --> 00:37:18,760 Speaker 2: lot of lot of rolla kind of poking. 757 00:37:19,200 --> 00:37:21,880 Speaker 1: No, well, seven eleven is very why you know what 758 00:37:21,960 --> 00:37:25,759 Speaker 1: I mean, it just the time, you know, tied to 759 00:37:25,880 --> 00:37:29,400 Speaker 1: the back of it is ultimately it is accurate, but 760 00:37:29,480 --> 00:37:31,439 Speaker 1: you really have to tie to the whole thing. 761 00:37:31,760 --> 00:37:36,400 Speaker 4: You It's just not Yeah, it's not as simple. 762 00:37:37,239 --> 00:37:39,760 Speaker 1: No, it's a kind of job that once you start 763 00:37:39,840 --> 00:37:42,240 Speaker 1: doing it and you go like, I shouldn't even have started, 764 00:37:42,440 --> 00:37:43,480 Speaker 1: you know, but then you're. 765 00:37:44,560 --> 00:37:47,000 Speaker 3: Yeah, but you want to just clear space for the deserving, 766 00:37:47,120 --> 00:37:47,800 Speaker 3: that's the idea. 767 00:37:49,440 --> 00:37:51,160 Speaker 4: Yeah, I'm sorry, Like is that? 768 00:37:51,520 --> 00:37:51,560 Speaker 2: Like? 769 00:37:52,160 --> 00:37:55,160 Speaker 1: And by without I haven't necessarily having anything to do 770 00:37:55,239 --> 00:38:01,080 Speaker 1: with anything at seven eleven. The the criminal act that's 771 00:38:01,160 --> 00:38:05,920 Speaker 1: being described is wanting to make sure that the excellent 772 00:38:06,160 --> 00:38:10,640 Speaker 1: care which has provided at this facility is being given 773 00:38:10,719 --> 00:38:12,880 Speaker 1: to the people who actually need it. 774 00:38:13,600 --> 00:38:16,440 Speaker 3: What you're saying is based on whether or not they 775 00:38:16,480 --> 00:38:17,440 Speaker 3: were a good actor or not. 776 00:38:19,760 --> 00:38:21,680 Speaker 2: What other criteria do I have to go off? Do 777 00:38:21,719 --> 00:38:23,000 Speaker 2: you think you should go off race? 778 00:38:23,520 --> 00:38:23,560 Speaker 1: No? 779 00:38:25,200 --> 00:38:28,840 Speaker 4: Well, because it's like. 780 00:38:30,719 --> 00:38:32,720 Speaker 3: I just want to be really clear to your listeners, 781 00:38:33,280 --> 00:38:36,560 Speaker 3: I'm not advocating for a race based admission criteria for 782 00:38:36,640 --> 00:38:39,840 Speaker 3: the motion picture. I never said that. 783 00:38:41,440 --> 00:38:44,279 Speaker 4: He did say one before it, Yeah, he did. I 784 00:38:44,400 --> 00:38:48,640 Speaker 4: remember he had concerns about Chinese intelligence. 785 00:38:48,840 --> 00:38:50,719 Speaker 3: I didn't that. When you say it like that, it 786 00:38:50,880 --> 00:38:52,160 Speaker 3: sounds like I'm. 787 00:38:52,080 --> 00:38:53,120 Speaker 2: Saying it how you said it. 788 00:38:54,600 --> 00:38:57,640 Speaker 4: I'm saying it how you said it. The TikTok camera 789 00:38:57,760 --> 00:38:58,760 Speaker 4: got it right, man. 790 00:38:58,680 --> 00:39:04,160 Speaker 2: Got it. Scroll down, Kevin, scroll all the way. We 791 00:39:04,239 --> 00:39:08,200 Speaker 2: miss some high road, probably another of. 792 00:39:08,200 --> 00:39:14,160 Speaker 4: The third floor experience, maybe kind of mister Glasses. 793 00:39:14,480 --> 00:39:17,480 Speaker 3: Yeah, who is who is your normal listener? 794 00:39:17,560 --> 00:39:17,840 Speaker 2: Guys? 795 00:39:18,880 --> 00:39:19,000 Speaker 1: Uh? 796 00:39:19,800 --> 00:39:23,440 Speaker 4: It's a low income dog food eating zoo residents. 797 00:39:23,920 --> 00:39:27,399 Speaker 1: Uh, who you know, hopefully as a Zach Woods fan, 798 00:39:27,480 --> 00:39:28,520 Speaker 1: because otherwise we got. 799 00:39:28,520 --> 00:39:32,919 Speaker 2: Mister the TV series Yeah, yeah, And again you try 800 00:39:32,960 --> 00:39:34,960 Speaker 2: to do and notice that one only lasted for one 801 00:39:34,960 --> 00:39:38,280 Speaker 2: episode as well. You try to do something smart this business. 802 00:39:39,400 --> 00:39:41,839 Speaker 3: You know, you're just assuming it's smart because it's called 803 00:39:41,880 --> 00:39:42,600 Speaker 3: mister Glasses. 804 00:39:42,719 --> 00:39:45,399 Speaker 2: You try to actually put something in front of people 805 00:39:45,560 --> 00:39:48,440 Speaker 2: that's like a little bit elevated and something that like 806 00:39:48,600 --> 00:39:55,640 Speaker 2: actually draws from aeradite source material like mister Glasses. And 807 00:39:55,719 --> 00:39:59,520 Speaker 2: this guy's playing architect one implying that there are multiple 808 00:39:59,760 --> 00:40:03,279 Speaker 2: arc attacks in this show, and they say, no, thanks, 809 00:40:03,320 --> 00:40:05,400 Speaker 2: we'll take this movie two up that has a picture 810 00:40:05,440 --> 00:40:08,560 Speaker 2: of freaking boobies in it? Can I ask you, guys 811 00:40:08,600 --> 00:40:09,719 Speaker 2: a question, who was that? 812 00:40:10,239 --> 00:40:15,400 Speaker 3: Whose boobies are those? Yeah, yeah, boosoms. I don't know. 813 00:40:15,640 --> 00:40:20,120 Speaker 3: I don't even know. I've every measurements. Is the thing 814 00:40:20,200 --> 00:40:25,359 Speaker 3: that gets you most sexually excited is the stats? Are 815 00:40:25,400 --> 00:40:26,279 Speaker 3: you a numbers guy? 816 00:40:26,600 --> 00:40:27,080 Speaker 2: Done? Hurt? 817 00:40:28,800 --> 00:40:29,239 Speaker 4: Done hurt? 818 00:40:29,560 --> 00:40:29,840 Speaker 2: Sorry? 819 00:40:29,920 --> 00:40:34,239 Speaker 4: If I'm intellectually that's you know, that's n except it 820 00:40:34,360 --> 00:40:34,799 Speaker 4: does hurt. 821 00:40:34,880 --> 00:40:39,319 Speaker 2: Certain certain stats can hurt you. He says, it doesn't hurt, 822 00:40:39,400 --> 00:40:41,839 Speaker 2: but like some of the really big ones. 823 00:40:41,960 --> 00:40:45,640 Speaker 3: Can I try an experiment? Her measurements for thirty eight 824 00:40:45,880 --> 00:40:46,880 Speaker 3: something like could fall on you? 825 00:40:46,960 --> 00:40:47,360 Speaker 2: I hurt you? 826 00:40:47,760 --> 00:40:55,760 Speaker 3: Twenty fourteen just sort of conical. Oh, oh my god, 827 00:40:57,280 --> 00:40:58,480 Speaker 3: oh my god, hey. 828 00:40:58,520 --> 00:40:59,879 Speaker 4: Rick the wolf in the bill. 829 00:41:00,320 --> 00:41:10,960 Speaker 3: Okay, her measurements were forty eight, thirty eight, fifty ten fifty. 830 00:41:14,600 --> 00:41:18,560 Speaker 2: Sexual intercourse American style the TV series, So that's a 831 00:41:18,640 --> 00:41:19,480 Speaker 2: straight up porno. 832 00:41:19,840 --> 00:41:25,600 Speaker 1: No, all these TV series guys, you seem so tired. 833 00:41:26,640 --> 00:41:29,480 Speaker 1: I am getting actually worn out, and you have one 834 00:41:29,800 --> 00:41:31,080 Speaker 1: guest today, so you have. 835 00:41:31,160 --> 00:41:34,719 Speaker 2: To well, how can I let's let's shake the ES guts, 836 00:41:34,800 --> 00:41:37,800 Speaker 2: one for one for you, one for them. One poor No, 837 00:41:42,680 --> 00:41:46,760 Speaker 2: that's not a bad approach to a career in Hollywood. 838 00:41:46,800 --> 00:41:48,080 Speaker 2: Won for you, one for them, one porno. 839 00:41:48,800 --> 00:41:51,560 Speaker 3: That's what Jason Schwartzman did to get his start. 840 00:41:51,600 --> 00:41:56,000 Speaker 2: One another poor Not Well, then you're just a porn actor, 841 00:41:56,040 --> 00:41:56,399 Speaker 2: I think. 842 00:41:56,719 --> 00:41:58,319 Speaker 4: But you reverse the order. 843 00:41:58,840 --> 00:42:01,279 Speaker 3: Can we just can we start fresh? And just how 844 00:42:01,320 --> 00:42:03,480 Speaker 3: can I help you make the best possible show? 845 00:42:03,600 --> 00:42:04,080 Speaker 2: Let's start? 846 00:42:04,200 --> 00:42:08,279 Speaker 1: Yeah, Well, what I mean you said something earlier on 847 00:42:08,440 --> 00:42:11,400 Speaker 1: that really caught my ear, which was that you felt 848 00:42:11,560 --> 00:42:14,640 Speaker 1: that this was the most disjointed episode of the show 849 00:42:14,880 --> 00:42:17,480 Speaker 1: that we had done, which means that you've heard other 850 00:42:17,760 --> 00:42:21,960 Speaker 1: episodes that you thought were, if not successful, at least coherent. 851 00:42:22,640 --> 00:42:25,239 Speaker 2: I've heard you talk about right here that got me 852 00:42:26,000 --> 00:42:30,120 Speaker 2: in the right in the breastplate, the boosom. 853 00:42:31,719 --> 00:42:33,879 Speaker 3: I've heard you guys talk a lot about lizard Brain 854 00:42:34,040 --> 00:42:36,240 Speaker 3: at various points, and I thought that was pretty interesting 855 00:42:36,320 --> 00:42:37,040 Speaker 3: at various points. 856 00:42:37,080 --> 00:42:40,959 Speaker 2: I mean, you're referring to twenty fifteen, but that's true. 857 00:42:41,719 --> 00:42:44,520 Speaker 3: I just remember that part in particular because it was 858 00:42:44,680 --> 00:42:49,080 Speaker 3: such an obsession the lizard brain, and I just found 859 00:42:49,120 --> 00:42:53,279 Speaker 3: it perplexing and interesting and it's kind of a big 860 00:42:53,360 --> 00:42:53,920 Speaker 3: takeaway for me. 861 00:42:54,080 --> 00:42:57,160 Speaker 1: Well, I mean, this episode really has activated my lizard 862 00:42:57,200 --> 00:43:00,120 Speaker 1: brain in many ways, you know, and we've got and 863 00:43:00,320 --> 00:43:06,200 Speaker 1: into this you know, animal sort of fear like because 864 00:43:06,239 --> 00:43:10,080 Speaker 1: it has been like we've been threatening each other. Basically, 865 00:43:11,239 --> 00:43:14,920 Speaker 1: you're trying to get me, h, prosecuted for something that 866 00:43:15,080 --> 00:43:17,719 Speaker 1: may or may not have happened at the Hollywood Old 867 00:43:17,760 --> 00:43:21,400 Speaker 1: Folks Home. And uh, you know, I'm turning on the 868 00:43:21,480 --> 00:43:24,360 Speaker 1: TikTok camera and yeah, this man swallowed a cricket. 869 00:43:24,640 --> 00:43:27,600 Speaker 3: What m hm, You just swallowed a cricket. And yeah, 870 00:43:28,000 --> 00:43:30,080 Speaker 3: you know, my siblings went to a Quaker camp in 871 00:43:30,280 --> 00:43:34,520 Speaker 3: Vermont and on visiting day they would serve crickets. 872 00:43:34,600 --> 00:43:36,240 Speaker 2: Or it fell in my mouth, but I did swallow. 873 00:43:36,239 --> 00:43:38,960 Speaker 3: It fell from your hand into your mouth. 874 00:43:39,320 --> 00:43:41,919 Speaker 2: It fell from the ceiling into my hand into my mouth. 875 00:43:43,480 --> 00:43:47,400 Speaker 2: But you had had it when I was cupping my 876 00:43:47,520 --> 00:43:51,080 Speaker 2: hands and I could see that it was going to fault. 877 00:43:52,680 --> 00:43:54,120 Speaker 4: And then and he had last suited it with a 878 00:43:54,120 --> 00:43:56,200 Speaker 4: piece of dental floss when he spotted it on the ceiling. 879 00:43:57,280 --> 00:43:58,960 Speaker 3: And then you yanked it down and ate it. 880 00:44:00,280 --> 00:44:02,760 Speaker 4: But you had like a companion story or something. 881 00:44:03,080 --> 00:44:04,759 Speaker 3: No, it wasn't a prairy home companion story. It was 882 00:44:04,840 --> 00:44:08,520 Speaker 3: just about people would eat cricket at the at the 883 00:44:08,640 --> 00:44:09,719 Speaker 3: visiting day of this camp. 884 00:44:11,160 --> 00:44:12,040 Speaker 2: That was the story. 885 00:44:13,080 --> 00:44:14,400 Speaker 3: Yeah, that was the whole story. 886 00:44:16,400 --> 00:44:19,720 Speaker 2: That's the same as my story. Almost were we about 887 00:44:19,719 --> 00:44:20,439 Speaker 2: to tell the same story. 888 00:44:20,480 --> 00:44:21,920 Speaker 3: I was trying to connect with you. I was like, oh, 889 00:44:21,960 --> 00:44:23,919 Speaker 3: I know other people have eaten crickets. I was trying 890 00:44:23,920 --> 00:44:25,520 Speaker 3: to dissipate the hostility. 891 00:44:25,560 --> 00:44:29,000 Speaker 2: Oh, he started the story because of your story. That's awesome. 892 00:44:30,680 --> 00:44:33,160 Speaker 4: I need to do it, you know what. 893 00:44:35,640 --> 00:44:38,160 Speaker 3: I just want to know how many people you've disappointed. 894 00:44:43,840 --> 00:44:45,000 Speaker 2: Pull up my IMDb. 895 00:44:45,840 --> 00:44:46,880 Speaker 4: I'm getting around with you. 896 00:44:47,719 --> 00:44:48,000 Speaker 1: Bye.