1 00:00:00,360 --> 00:00:04,560 Speaker 1: And it was like, how could I be so misunderstood 2 00:00:04,680 --> 00:00:08,760 Speaker 1: in this situation? And so what happens is you read 3 00:00:08,840 --> 00:00:12,320 Speaker 1: the point of like if this is how people react 4 00:00:12,800 --> 00:00:16,800 Speaker 1: to me moving at my most authentic and genuine, then 5 00:00:16,840 --> 00:00:19,600 Speaker 1: like how could I continue to move in this space 6 00:00:20,040 --> 00:00:23,920 Speaker 1: I have to go to? And that is the creative 7 00:00:23,960 --> 00:00:27,600 Speaker 1: activists that I like to call Amanda Seals. She's joining 8 00:00:27,680 --> 00:00:43,839 Speaker 1: us today. Are naked, every champion and every champions to 9 00:00:43,920 --> 00:00:46,880 Speaker 1: be a champion, a champion, and Kerry Champion and Kerry 10 00:00:46,960 --> 00:00:51,120 Speaker 1: Champion a Champion and Kerry Champion and Kerry Champion. Sports 11 00:00:51,159 --> 00:00:55,120 Speaker 1: and entertainment connect it in the world were vulnerable considered, 12 00:00:55,160 --> 00:00:58,880 Speaker 1: we come and remove available entertainments elite. It's a difference 13 00:00:58,880 --> 00:01:01,240 Speaker 1: between what it's real and with the public seats. So 14 00:01:01,320 --> 00:01:04,680 Speaker 1: here's your favorite celebrities behind the scenes. It's refreshing up. 15 00:01:04,720 --> 00:01:07,640 Speaker 1: Then the whole story specific life all to rendivist to 16 00:01:07,720 --> 00:01:09,880 Speaker 1: shape the person that you here. We got a champion, 17 00:01:09,959 --> 00:01:12,880 Speaker 1: they carry champion. They girl, you didn't. It's the greatest sports. 18 00:01:12,959 --> 00:01:16,479 Speaker 1: And then the tame Ainken naked carry champion, they carry champions, 19 00:01:16,480 --> 00:01:19,240 Speaker 1: gonna be a champion, a champion, they carry champion. They 20 00:01:19,319 --> 00:01:22,920 Speaker 1: got a Champion, they carry Champion, they carry Champion read 21 00:01:23,080 --> 00:01:26,319 Speaker 1: Fra Susports and then the tame Ak Naked Warmer. So 22 00:01:27,160 --> 00:01:30,000 Speaker 1: in preparation for this interview, as I have shared with 23 00:01:30,040 --> 00:01:31,839 Speaker 1: you all before, it is hard for me to sometimes 24 00:01:31,880 --> 00:01:33,880 Speaker 1: interview my friends or people that I'm friendly with that 25 00:01:33,959 --> 00:01:36,480 Speaker 1: I get to see out and about in regular life. 26 00:01:36,800 --> 00:01:40,720 Speaker 1: And so in preparation for this interview with comedian, actress, 27 00:01:41,120 --> 00:01:44,600 Speaker 1: talent extraordinaire, writer, director, all the things right, this is 28 00:01:44,600 --> 00:01:48,080 Speaker 1: the creative and also I call her an activist, and 29 00:01:48,120 --> 00:01:50,240 Speaker 1: there's all types of activism, but I do believe she 30 00:01:50,360 --> 00:01:53,440 Speaker 1: is active. I simply went to her ig page like 31 00:01:53,480 --> 00:01:55,320 Speaker 1: I knew what I could read about her, and I've 32 00:01:55,320 --> 00:01:58,560 Speaker 1: participated in some of her productions and I've seen her 33 00:01:58,600 --> 00:02:00,960 Speaker 1: at different productions that we've worked together. The last time 34 00:02:01,000 --> 00:02:04,160 Speaker 1: I saw her was at the Juneteenth special we did 35 00:02:04,200 --> 00:02:07,360 Speaker 1: for CNN, and I remember talking to her thinking, I 36 00:02:07,440 --> 00:02:11,359 Speaker 1: just enjoy her. Now. What I enjoy about Amanda is 37 00:02:11,360 --> 00:02:14,360 Speaker 1: that she shows up authentically herself. She doesn't know how 38 00:02:14,400 --> 00:02:17,520 Speaker 1: to be anyone but herself. That I can understand, that 39 00:02:17,600 --> 00:02:20,480 Speaker 1: I can relate to, that I know can cause problems, 40 00:02:20,600 --> 00:02:23,560 Speaker 1: that I know puts people on defense, and I also 41 00:02:23,680 --> 00:02:28,960 Speaker 1: know it could in many cases stall your movement in 42 00:02:28,960 --> 00:02:32,840 Speaker 1: your career. It could in many cases stall the progress 43 00:02:32,840 --> 00:02:35,760 Speaker 1: of your personal life, you know, as in your professional 44 00:02:35,800 --> 00:02:40,600 Speaker 1: life too. And I understand how you can be received 45 00:02:40,639 --> 00:02:43,800 Speaker 1: and misunderstood. And I feel like a lot of what 46 00:02:43,840 --> 00:02:47,680 Speaker 1: Amanda possesses at times can be a misunderstanding. People misunderstanding 47 00:02:47,720 --> 00:02:49,760 Speaker 1: who she is because of her passion, because of how 48 00:02:49,800 --> 00:02:52,040 Speaker 1: she approaches the world or how she has approached the 49 00:02:52,080 --> 00:02:55,000 Speaker 1: world in the past. And that is where she I 50 00:02:55,040 --> 00:02:58,720 Speaker 1: find myself in naked curiosity with her, meaning I see 51 00:02:58,760 --> 00:03:02,799 Speaker 1: you fully because I see myself misunderstood in so many ways. 52 00:03:04,000 --> 00:03:08,400 Speaker 1: And it reminded me. In this interview, she said, you know, 53 00:03:08,480 --> 00:03:11,800 Speaker 1: she talked about tweeting something and it was so innocuous. 54 00:03:12,080 --> 00:03:13,960 Speaker 1: She couldn't believe that she was trending and people were 55 00:03:14,000 --> 00:03:16,040 Speaker 1: judging her because it was no big deal to her 56 00:03:16,040 --> 00:03:18,040 Speaker 1: in her mind, And a lot of that could be 57 00:03:18,080 --> 00:03:20,520 Speaker 1: just the perception of people of what people have of her. 58 00:03:20,600 --> 00:03:22,600 Speaker 1: They feel like she might be starting trouble, so they 59 00:03:22,800 --> 00:03:26,000 Speaker 1: want to take offense to everything she says. But she said, 60 00:03:26,040 --> 00:03:29,240 Speaker 1: I can't believe I'm so misunderstood, And it reminded me 61 00:03:29,360 --> 00:03:34,440 Speaker 1: of what another famous black woman said to me, and 62 00:03:34,480 --> 00:03:37,720 Speaker 1: that was Serena Williams. She said, she can't understand why 63 00:03:37,720 --> 00:03:40,680 Speaker 1: she's been so misunderstood all these years now retired from tennis. 64 00:03:40,680 --> 00:03:42,400 Speaker 1: I don't know for how long my thoughts, I'll just 65 00:03:42,600 --> 00:03:45,120 Speaker 1: interject that I don't know for how long, but I 66 00:03:45,240 --> 00:03:48,320 Speaker 1: remember her saying she felt very misunderstood in this world 67 00:03:48,360 --> 00:03:50,720 Speaker 1: that had given her so many resources and so much 68 00:03:50,800 --> 00:03:52,840 Speaker 1: life and treated her to this new life that she 69 00:03:52,920 --> 00:03:55,920 Speaker 1: now has, this enterprise that she is building. And it's 70 00:03:55,960 --> 00:03:59,000 Speaker 1: such a dichotomy to love something but be so misunderstood 71 00:03:59,000 --> 00:04:01,440 Speaker 1: by that same thing that you so much happiness, it 72 00:04:01,480 --> 00:04:05,560 Speaker 1: can also bring you pain. Wow, that was powerful. But 73 00:04:05,560 --> 00:04:07,520 Speaker 1: what brings you a lot of happiness can bring you 74 00:04:07,560 --> 00:04:10,800 Speaker 1: pain as well. That was powerful, didn't you think anyway? 75 00:04:11,240 --> 00:04:15,400 Speaker 1: With that being said, I really enjoy having her on 76 00:04:15,440 --> 00:04:18,640 Speaker 1: the podcast, and the word that I think of when 77 00:04:18,640 --> 00:04:20,560 Speaker 1: I see her from when she first came on the scene. 78 00:04:21,120 --> 00:04:24,360 Speaker 1: You know, for many people to her work through Insecure, 79 00:04:24,839 --> 00:04:28,800 Speaker 1: through whatever issues she's had publicly, whatever trending that may 80 00:04:28,800 --> 00:04:31,480 Speaker 1: have happened, or whatever thoughts you have of her, I 81 00:04:31,520 --> 00:04:33,760 Speaker 1: really have watched her evolve and that will be my 82 00:04:33,839 --> 00:04:37,599 Speaker 1: word evolve. I think oftentimes we don't allow people to 83 00:04:37,640 --> 00:04:41,560 Speaker 1: grow and be different and be better and evolve. Dare 84 00:04:41,560 --> 00:04:43,280 Speaker 1: I say, I do believe there will be a time 85 00:04:43,320 --> 00:04:46,520 Speaker 1: when we look back at Kanye and he'll say, he'll 86 00:04:46,560 --> 00:04:48,880 Speaker 1: do his apology tour and we'll watch him evolve from 87 00:04:48,960 --> 00:04:51,440 Speaker 1: whatever he's going through right now. Like I do believe that, 88 00:04:52,880 --> 00:04:55,279 Speaker 1: and I hold grace in space for that. For people 89 00:04:55,920 --> 00:04:58,320 Speaker 1: not to get too spiritualignan, but I just do, and 90 00:04:58,480 --> 00:05:00,680 Speaker 1: sometimes I feel like we don't do that in the 91 00:05:00,720 --> 00:05:03,680 Speaker 1: world that we live in. I hope that the same 92 00:05:03,720 --> 00:05:06,640 Speaker 1: grace in space that I hope for Amanda or Serena, 93 00:05:06,760 --> 00:05:09,039 Speaker 1: or even for Kanye for that matter, people will give 94 00:05:09,040 --> 00:05:12,240 Speaker 1: me the same. On the podcast, we do talk about Kanye. 95 00:05:12,240 --> 00:05:14,559 Speaker 1: We drag him, yes, because he needs to be drug 96 00:05:15,720 --> 00:05:19,320 Speaker 1: if that's correct English. He needs to be drugged or 97 00:05:19,360 --> 00:05:21,920 Speaker 1: maybe he is on drugs stop like digress, but he does. 98 00:05:22,400 --> 00:05:25,440 Speaker 1: He does need a talking to, a stern talking to, 99 00:05:26,320 --> 00:05:28,800 Speaker 1: and Amanda had some great thoughts on that. But we 100 00:05:28,920 --> 00:05:31,479 Speaker 1: also just talk about how we show up in the 101 00:05:31,520 --> 00:05:33,719 Speaker 1: world and what it means to be us. It's a 102 00:05:33,800 --> 00:05:38,240 Speaker 1: really insightful, insightful podcast, and she's such a great mind. 103 00:05:38,560 --> 00:05:41,080 Speaker 1: So whenever you can get minutes with people with great minds, 104 00:05:41,400 --> 00:05:43,680 Speaker 1: ask all you can, but most importantly, listen to how 105 00:05:43,680 --> 00:05:47,000 Speaker 1: they see the world. Her perception of the world, how 106 00:05:47,040 --> 00:05:49,000 Speaker 1: she views things, is so different than what I would 107 00:05:49,000 --> 00:05:51,279 Speaker 1: think about. It's just another layer and another level. It 108 00:05:51,320 --> 00:05:53,920 Speaker 1: doesn't mean she's right, but it's just another layer and 109 00:05:54,000 --> 00:05:57,039 Speaker 1: another level in which you can digest information and see 110 00:05:57,080 --> 00:05:59,280 Speaker 1: the world. And you can't be wrong with that. Did 111 00:05:59,279 --> 00:06:01,200 Speaker 1: you guys? Hear my elbow crack? I'm getting out. My 112 00:06:01,240 --> 00:06:04,760 Speaker 1: elbow just cracked. Sit back, relax, you're gonna laugh too. 113 00:06:04,839 --> 00:06:06,719 Speaker 1: My cheeks were hurting. I was crying at one point 114 00:06:06,760 --> 00:06:09,240 Speaker 1: because she said there's a place. She says, she thinks 115 00:06:09,279 --> 00:06:11,320 Speaker 1: there's a place. When like people are single like me, 116 00:06:11,680 --> 00:06:13,400 Speaker 1: they're like, how come you ain't got no man? And 117 00:06:13,440 --> 00:06:15,039 Speaker 1: she's like, well, you act like there's a place called 118 00:06:15,080 --> 00:06:17,680 Speaker 1: good Man Island. She didn't say man, but good Man Island. 119 00:06:17,720 --> 00:06:19,919 Speaker 1: And we just we get dropped off a good Man Island. 120 00:06:19,960 --> 00:06:23,000 Speaker 1: Be like, I know he too tall, too rich, he 121 00:06:23,080 --> 00:06:25,600 Speaker 1: too fine. I don't want to be with none of them. 122 00:06:25,760 --> 00:06:28,679 Speaker 1: You know, there's no such place. What does it exist? 123 00:06:29,279 --> 00:06:32,520 Speaker 1: Find it for me? Thank you? Amanda Seals for being unnaked. 124 00:06:36,520 --> 00:06:39,560 Speaker 1: I want to get to everything that I have. I 125 00:06:39,640 --> 00:06:41,880 Speaker 1: was up early studying you. I don't know if you've 126 00:06:41,880 --> 00:06:43,680 Speaker 1: even paid attention. It could have been a series of 127 00:06:43,760 --> 00:06:46,839 Speaker 1: lights on your IG page that was me just just 128 00:06:46,960 --> 00:06:51,520 Speaker 1: like a man. Yes, a man, that's right. And what 129 00:06:52,040 --> 00:06:56,640 Speaker 1: I realized is, I said, in addition to Amanda Verse, 130 00:06:57,080 --> 00:06:59,520 Speaker 1: if I was someone who needed to catch up on 131 00:06:59,560 --> 00:07:01,080 Speaker 1: what is going on in the world, and I have 132 00:07:01,160 --> 00:07:04,000 Speaker 1: been off of social media heavy in the last couple 133 00:07:04,040 --> 00:07:06,599 Speaker 1: of days, I could just go to your page I 134 00:07:06,960 --> 00:07:12,840 Speaker 1: or Amanda Verse and you're talking about everything and all things, 135 00:07:13,080 --> 00:07:18,240 Speaker 1: which to me is exhausting but also fascinating because you're 136 00:07:18,240 --> 00:07:20,640 Speaker 1: so goddamn intelligent and you just always have these quick 137 00:07:20,680 --> 00:07:22,240 Speaker 1: moments where you're like and oh, by the way, and 138 00:07:22,280 --> 00:07:24,160 Speaker 1: I'm not just saying that, it's just true. It just 139 00:07:24,320 --> 00:07:27,840 Speaker 1: is what it is. Thanks Carrie Champs. How do you 140 00:07:28,360 --> 00:07:32,920 Speaker 1: how do you have the capacity? I don't know. I 141 00:07:33,400 --> 00:07:35,640 Speaker 1: don't know. I don't know how. It doesn't come from you, 142 00:07:36,240 --> 00:07:38,800 Speaker 1: it doesn't come from you. It's just in you. It 143 00:07:38,880 --> 00:07:44,280 Speaker 1: must be you know. The Christians would say Jesus. The 144 00:07:44,360 --> 00:07:47,640 Speaker 1: spiritual ones would say, the ancestors I mean, you know, 145 00:07:48,280 --> 00:07:53,280 Speaker 1: the Raven Claws would say, Dumbledore. I think it's I'm 146 00:07:53,360 --> 00:08:01,560 Speaker 1: drawing from everywhere, honestly. Honestly, I marvel at the capacity 147 00:08:01,680 --> 00:08:03,880 Speaker 1: because sometimes you're just like, how do you have something 148 00:08:03,920 --> 00:08:08,800 Speaker 1: else to say? Like, how do you have something else 149 00:08:08,840 --> 00:08:11,600 Speaker 1: to saying? It really a stream of consciousness, and I 150 00:08:11,640 --> 00:08:14,560 Speaker 1: think that's part of what the capacity is is that 151 00:08:14,720 --> 00:08:20,520 Speaker 1: I really am not having to think my thoughts within 152 00:08:20,560 --> 00:08:23,920 Speaker 1: a chamber of like is this going to upset a network? 153 00:08:24,040 --> 00:08:26,280 Speaker 1: Is it going to upset a like? I'm not having 154 00:08:26,320 --> 00:08:30,520 Speaker 1: to do the strategicy around my thinking. And I think 155 00:08:30,560 --> 00:08:34,200 Speaker 1: that when they talk about a freethinker, to me, a 156 00:08:34,240 --> 00:08:40,200 Speaker 1: freethinker is not somebody that is saying things without actual 157 00:08:40,320 --> 00:08:47,559 Speaker 1: intellect or you know, you know, without actual backing or support. 158 00:08:47,720 --> 00:08:53,400 Speaker 1: A freethinker is somebody who is able to utilize all 159 00:08:53,440 --> 00:08:56,240 Speaker 1: the information that they know combined with their experience and 160 00:08:56,600 --> 00:09:00,360 Speaker 1: consider new things. That, to me, is a freethinker consider 161 00:09:00,440 --> 00:09:04,160 Speaker 1: new concepts, consider new ideas without the limitations of oh well, 162 00:09:04,520 --> 00:09:07,000 Speaker 1: no one else said this before, so it can't exist. 163 00:09:07,240 --> 00:09:09,360 Speaker 1: So I try to think in that way, like what 164 00:09:09,480 --> 00:09:14,240 Speaker 1: can I add to the conversation that's not just you know, 165 00:09:14,320 --> 00:09:16,000 Speaker 1: some wild shit, which I think is how a lot 166 00:09:16,000 --> 00:09:17,720 Speaker 1: of people think. It's like, how can I just add 167 00:09:17,760 --> 00:09:22,120 Speaker 1: some shocking or wild shit when they start talking about freethinkers. 168 00:09:22,200 --> 00:09:24,560 Speaker 1: As you just so eloquently put, you just have a 169 00:09:24,559 --> 00:09:28,599 Speaker 1: stream of consciousness. You do have a very unique perspective, 170 00:09:28,720 --> 00:09:31,160 Speaker 1: but it does seem very effortless, like Okay, I am 171 00:09:31,160 --> 00:09:32,920 Speaker 1: sitting in the house and there's something else I want 172 00:09:32,960 --> 00:09:34,640 Speaker 1: to tell you. Oh, and I'm back. I forgot to 173 00:09:34,640 --> 00:09:37,160 Speaker 1: tell you this before I take a nap, and then okay, 174 00:09:37,280 --> 00:09:42,079 Speaker 1: now I thought about this. I'm watching this in real 175 00:09:42,120 --> 00:09:43,960 Speaker 1: time and thinking, oh, this makes a lot of sense. 176 00:09:44,240 --> 00:09:47,319 Speaker 1: The way I read it was I see you hosting 177 00:09:47,360 --> 00:09:49,959 Speaker 1: the Daily Show. It was a version of your Daily Show, 178 00:09:50,120 --> 00:09:52,400 Speaker 1: Like if that was what you wanted to do, that 179 00:09:52,559 --> 00:09:55,880 Speaker 1: was the news and the notes that I needed. That 180 00:09:56,120 --> 00:09:58,839 Speaker 1: made sense to me. That really made me think about 181 00:09:58,840 --> 00:10:01,000 Speaker 1: what's going on in the world in a larger perspective, 182 00:10:01,000 --> 00:10:03,960 Speaker 1: in a different perspective. When you talk about Kanye and 183 00:10:04,000 --> 00:10:07,720 Speaker 1: what he's saying and the responsibility of artists, black artists 184 00:10:07,760 --> 00:10:10,360 Speaker 1: in particular, I never really I didn't connect the two, 185 00:10:10,440 --> 00:10:14,840 Speaker 1: but you're so historically speaking. Please share with my listener 186 00:10:15,720 --> 00:10:22,280 Speaker 1: because it was genius. Oh thank you. I mean what 187 00:10:22,320 --> 00:10:24,560 Speaker 1: I was saying about, you know, the importance of black 188 00:10:24,679 --> 00:10:27,720 Speaker 1: artists is that I think a lot of us fail 189 00:10:27,840 --> 00:10:32,559 Speaker 1: to recognize the unique position that black artists have, particularly 190 00:10:32,559 --> 00:10:36,440 Speaker 1: in America, compared to the role that artists play that 191 00:10:36,480 --> 00:10:39,160 Speaker 1: are a part of other cultures, ethnic groups, and races. 192 00:10:39,400 --> 00:10:43,079 Speaker 1: So we'll see comments made like, oh, why are black 193 00:10:43,120 --> 00:10:46,640 Speaker 1: celebrities given so much quote unquote power, Why are they 194 00:10:46,679 --> 00:10:49,360 Speaker 1: expected to be leaders? Why are we even paying so 195 00:10:49,480 --> 00:10:54,599 Speaker 1: much attention to someone like Kanye West? And I conceptualize 196 00:10:54,600 --> 00:10:58,640 Speaker 1: it as black people in America we have a very 197 00:10:58,760 --> 00:11:02,640 Speaker 1: very unique existence unlike black people in other places, in 198 00:11:02,720 --> 00:11:06,079 Speaker 1: that we were stolen from the place that we were 199 00:11:06,120 --> 00:11:09,400 Speaker 1: familiarized with, the place where we shared a past, the present, 200 00:11:09,440 --> 00:11:12,280 Speaker 1: and the future with. We were stolen from those people 201 00:11:12,320 --> 00:11:14,720 Speaker 1: and brought to a new land where we had to 202 00:11:14,800 --> 00:11:18,080 Speaker 1: then create a whole new identity for ourselves without even 203 00:11:18,120 --> 00:11:21,400 Speaker 1: being allowed to connect with the other people that we 204 00:11:21,400 --> 00:11:24,800 Speaker 1: were having a shared experience with because of divide and conquer, 205 00:11:25,000 --> 00:11:29,280 Speaker 1: because of white supremacy, because of slavery, you, etc. Right, 206 00:11:29,640 --> 00:11:33,160 Speaker 1: the brainwashing that went along with that to undermine our 207 00:11:33,200 --> 00:11:40,160 Speaker 1: connectivity and identity so our existence as Black Americans has 208 00:11:40,240 --> 00:11:46,600 Speaker 1: become realized and actualized and made visible in so many 209 00:11:46,640 --> 00:11:50,880 Speaker 1: ways by the existence of artists telling our story. Yeah, 210 00:11:51,040 --> 00:11:53,760 Speaker 1: so when we talk about the importance of slave narratives, 211 00:11:53,760 --> 00:11:56,120 Speaker 1: and we talk about the importance of the blues as 212 00:11:56,200 --> 00:11:58,880 Speaker 1: a form of music that came out of reconstruction and 213 00:11:58,920 --> 00:12:01,480 Speaker 1: black people coming to slavery but realizing that they still 214 00:12:01,520 --> 00:12:05,160 Speaker 1: don't know where they can go to actually be free, 215 00:12:05,240 --> 00:12:09,439 Speaker 1: right in the midst of in the midst of chain gangs, 216 00:12:09,520 --> 00:12:12,400 Speaker 1: in the midst of the Jim parlaws were about to 217 00:12:12,440 --> 00:12:15,120 Speaker 1: come out of that, etc. So we look at black artists, 218 00:12:15,120 --> 00:12:16,400 Speaker 1: and I think for some of us we look at 219 00:12:16,440 --> 00:12:19,559 Speaker 1: them in a vacuum, just based on our own current existence. 220 00:12:19,600 --> 00:12:24,040 Speaker 1: But the experience of black people in America has for 221 00:12:24,120 --> 00:12:29,800 Speaker 1: many of us been actualized and legitimized too, especially other people, 222 00:12:30,679 --> 00:12:33,240 Speaker 1: by the work and the voices of artists of black artists. 223 00:12:33,280 --> 00:12:35,760 Speaker 1: And so that's why I think, like when we talk 224 00:12:35,800 --> 00:12:38,840 Speaker 1: about black popular culture, like, for instance, we're doing Smartphonny 225 00:12:38,840 --> 00:12:41,559 Speaker 1: and Black in Brooklyn on October twenty nine at the 226 00:12:41,640 --> 00:12:44,200 Speaker 1: Kings Theater. It's a Halloween spectacular, So I'm asking folks 227 00:12:44,240 --> 00:12:46,600 Speaker 1: to come dress as their favorite black characters or icons, 228 00:12:46,880 --> 00:12:48,280 Speaker 1: and some people might say like, well, why are you 229 00:12:48,280 --> 00:12:52,320 Speaker 1: putting the two together. Well, for black folks, black characters 230 00:12:53,480 --> 00:12:57,480 Speaker 1: exists in the same framework as actual living black icons. 231 00:12:57,480 --> 00:13:01,280 Speaker 1: You cannot tell me that Claire Huxtable is not real 232 00:13:01,440 --> 00:13:07,199 Speaker 1: for us, use she represented for us in a way 233 00:13:07,240 --> 00:13:10,359 Speaker 1: that we were not allowed to represent for ourselves in reality. 234 00:13:10,760 --> 00:13:13,920 Speaker 1: So that's true. Oh my gosh, so true, so powerful, 235 00:13:13,960 --> 00:13:17,480 Speaker 1: so true. In my mind, that was the conversation of 236 00:13:18,000 --> 00:13:20,400 Speaker 1: why people are are you like, what is the deal 237 00:13:20,440 --> 00:13:22,559 Speaker 1: with Kanye? Well, this is why people are saying that 238 00:13:22,559 --> 00:13:25,640 Speaker 1: this is calling him like just ignore him, you know, 239 00:13:25,720 --> 00:13:29,240 Speaker 1: just it's like, no, it's impossible. You're doing damage even 240 00:13:29,280 --> 00:13:31,320 Speaker 1: though you think you you you're not. And then you 241 00:13:31,360 --> 00:13:33,320 Speaker 1: had to explain what I thought was great, most Deep, 242 00:13:33,440 --> 00:13:36,520 Speaker 1: sure you're like okay, so guys, hey, you're just like 243 00:13:36,559 --> 00:13:41,559 Speaker 1: so I just say here, okay, I'm back, I gotta 244 00:13:41,880 --> 00:13:44,640 Speaker 1: I gotta take care of y'all. And the fact that 245 00:13:44,679 --> 00:13:48,080 Speaker 1: people I literally say Mostef's name and his I say 246 00:13:48,120 --> 00:13:49,920 Speaker 1: his previous name most Deff, and his current name is 247 00:13:49,920 --> 00:13:53,520 Speaker 1: seen Bay. I say it. It's also in the picture 248 00:13:53,679 --> 00:13:56,880 Speaker 1: in the video it is, and people are still in 249 00:13:56,920 --> 00:13:59,640 Speaker 1: the comments like well this isn't the shut. Kanye was 250 00:13:59,679 --> 00:14:04,680 Speaker 1: wearing it though, and I'm like, you know what, I 251 00:14:04,760 --> 00:14:07,840 Speaker 1: can't do it all or we're not yeah we should 252 00:14:07,880 --> 00:14:10,000 Speaker 1: like look, I can lead you here to the water 253 00:14:10,040 --> 00:14:12,280 Speaker 1: if you'd like to drink, drink, but I can't literally 254 00:14:12,320 --> 00:14:14,760 Speaker 1: put the cup to your mouth. I saw someone called 255 00:14:14,880 --> 00:14:17,680 Speaker 1: the failure to see that. I saw someone call you know, 256 00:14:17,720 --> 00:14:20,160 Speaker 1: people were like, how y'all cannot comprehend this? And I 257 00:14:20,200 --> 00:14:22,360 Speaker 1: saw someone call that ableism, and I was like, you 258 00:14:22,360 --> 00:14:28,640 Speaker 1: know what, I gotta I gotta say, nap, Why are 259 00:14:28,640 --> 00:14:31,000 Speaker 1: you guys making fun of other people for their lack 260 00:14:31,040 --> 00:14:36,280 Speaker 1: of comprehension? Is that where we've come as a people? Yes? Yes, yes, yes, 261 00:14:36,320 --> 00:14:40,400 Speaker 1: because I'm tired of yes. I think it's interesting because 262 00:14:40,400 --> 00:14:43,400 Speaker 1: when I see you, I see me. I see a 263 00:14:43,440 --> 00:14:45,640 Speaker 1: lot of black women I know who have a platform 264 00:14:45,720 --> 00:14:50,600 Speaker 1: that um boldly speak what they feel and and step 265 00:14:50,600 --> 00:14:53,680 Speaker 1: into their power, knowing that society says that we should not. 266 00:14:54,440 --> 00:14:58,000 Speaker 1: And you gave an interview on Headspace. There were several 267 00:14:58,040 --> 00:15:00,160 Speaker 1: things that you said that I thought were very Oh 268 00:15:00,200 --> 00:15:05,400 Speaker 1: my god, Karry, you was really researching. Yeah. I know 269 00:15:05,520 --> 00:15:06,960 Speaker 1: her too, She like you acting like you don't know. 270 00:15:07,200 --> 00:15:10,160 Speaker 1: I do, but I needed to do my homework because 271 00:15:10,520 --> 00:15:13,080 Speaker 1: I was this morning in such a clear space that 272 00:15:13,160 --> 00:15:15,080 Speaker 1: I just wanted to just make sure I'm familiar. And 273 00:15:15,120 --> 00:15:16,920 Speaker 1: I caught up and I couldn't get all. I mean, 274 00:15:17,040 --> 00:15:18,840 Speaker 1: that's legit. I'm not even just being a fan. I 275 00:15:18,880 --> 00:15:20,840 Speaker 1: was like, oh my god. And then and then and 276 00:15:20,880 --> 00:15:25,040 Speaker 1: then it was about your tone, about how you talk 277 00:15:25,160 --> 00:15:28,400 Speaker 1: to people, about how people receive what you say, and 278 00:15:28,440 --> 00:15:30,400 Speaker 1: you you know, it's I think the shirt was I'm 279 00:15:30,440 --> 00:15:33,040 Speaker 1: not angry on oh, this was the style like you 280 00:15:33,160 --> 00:15:37,200 Speaker 1: interview where I had to like stripped down with every question. Yeah, 281 00:15:37,240 --> 00:15:39,480 Speaker 1: I hadn't know. My shirt was I'm not hostile. I'm 282 00:15:39,520 --> 00:15:45,680 Speaker 1: just passionate. I'm just passionate. I mean, why why is 283 00:15:45,680 --> 00:15:49,880 Speaker 1: there this misconception? I think there's a couple of elements there, right, 284 00:15:49,920 --> 00:15:52,960 Speaker 1: Like I have a deep voice, so there's that. Then 285 00:15:52,960 --> 00:15:57,080 Speaker 1: there's also like I'm very direct, I have what's called 286 00:15:57,120 --> 00:15:58,920 Speaker 1: like I think they call it like a real a 287 00:15:59,040 --> 00:16:02,320 Speaker 1: non regional act sent So there's also a certain like 288 00:16:02,360 --> 00:16:06,440 Speaker 1: authoritarianism associated with whiteness that's in the way I talk 289 00:16:07,320 --> 00:16:12,120 Speaker 1: um And I think also like I have a tendency 290 00:16:12,200 --> 00:16:17,160 Speaker 1: to come off condescending when I'm sometimes I am being condescending, 291 00:16:17,760 --> 00:16:20,960 Speaker 1: but sometimes just keeping in the boat. But sometimes sometimes 292 00:16:20,960 --> 00:16:23,320 Speaker 1: I'm just like, are y'all fucking kidding me? Um? But 293 00:16:23,400 --> 00:16:27,520 Speaker 1: sometimes I'm not. I'm just like like my you know, 294 00:16:27,520 --> 00:16:30,040 Speaker 1: they'll be like my toxic trait. Like my toxic traite 295 00:16:30,080 --> 00:16:32,720 Speaker 1: is that like, if I know this is not correct information, 296 00:16:32,880 --> 00:16:39,120 Speaker 1: I feel the need to speak the correct information like that. Again, 297 00:16:39,240 --> 00:16:40,880 Speaker 1: that comes off is like you're a know at all, 298 00:16:41,000 --> 00:16:43,240 Speaker 1: or you're a pushy or you know, you're trying to 299 00:16:43,240 --> 00:16:47,280 Speaker 1: school everybody. So I get that. I think the other 300 00:16:47,280 --> 00:16:49,680 Speaker 1: part of it, too, is the passion part is that 301 00:16:50,000 --> 00:16:53,440 Speaker 1: when I speak about things that matter to me, which 302 00:16:53,480 --> 00:16:54,840 Speaker 1: I just happen to have a lot of things that 303 00:16:54,880 --> 00:16:57,560 Speaker 1: matter to me, there's a conviction behind it that can 304 00:16:57,600 --> 00:17:01,320 Speaker 1: come off as force and it can come off as brusque, 305 00:17:01,880 --> 00:17:06,760 Speaker 1: and it really is just me trying to like emphatically 306 00:17:06,880 --> 00:17:11,040 Speaker 1: get you to understand, and that gets misinterpreted. And I 307 00:17:11,040 --> 00:17:13,320 Speaker 1: think that's the way that a lot of Black women 308 00:17:13,359 --> 00:17:15,960 Speaker 1: deliver our messages, right. I think a lot of Black women, 309 00:17:16,840 --> 00:17:19,879 Speaker 1: for what it's worth, are are very used to not 310 00:17:20,000 --> 00:17:25,560 Speaker 1: being heard, and so we have to elevate our voices. 311 00:17:25,680 --> 00:17:31,680 Speaker 1: We have to be kurt and articulate and really you know, direct, 312 00:17:32,359 --> 00:17:37,560 Speaker 1: so that we are not misconstrued, and that oftentimes ends 313 00:17:37,640 --> 00:17:42,080 Speaker 1: up being misinterpreted as something else. Yeah, and I think 314 00:17:42,119 --> 00:17:47,160 Speaker 1: the people, yeah angry mean means a big one. Yeah, 315 00:17:47,160 --> 00:17:49,919 Speaker 1: it's annoying, but you're like, but they don't realize how 316 00:17:49,920 --> 00:17:51,240 Speaker 1: we show up in the world and how the world 317 00:17:51,320 --> 00:17:54,160 Speaker 1: sees us and how we see it. That has also 318 00:17:54,240 --> 00:17:57,679 Speaker 1: just how we talk. Yes, I mean I also just 319 00:17:57,720 --> 00:18:00,240 Speaker 1: have like no tolerance for stupidity, and we live in 320 00:18:00,240 --> 00:18:04,520 Speaker 1: a world of stupidity. So like I am no, Yeah, 321 00:18:04,520 --> 00:18:07,560 Speaker 1: well are you even be frustrated every time someone time 322 00:18:07,600 --> 00:18:10,200 Speaker 1: You're like, again, I can't have this conversation. I said, 323 00:18:10,359 --> 00:18:13,880 Speaker 1: I don't know what this is, you know, and I 324 00:18:13,920 --> 00:18:16,959 Speaker 1: and listen, And that's something so that that is my problem. 325 00:18:17,040 --> 00:18:22,119 Speaker 1: Like I am impatient in a way that um, you know, 326 00:18:22,200 --> 00:18:24,159 Speaker 1: can can can get in the way of kindness. And 327 00:18:24,200 --> 00:18:29,760 Speaker 1: so that's something I'm constantly working on and having to 328 00:18:29,840 --> 00:18:32,959 Speaker 1: check myself on. UM. But I remember, like I did 329 00:18:33,000 --> 00:18:35,560 Speaker 1: this interview for this comedy site and everybody in the 330 00:18:35,600 --> 00:18:39,399 Speaker 1: comments was like, she is so masculine and she is 331 00:18:39,480 --> 00:18:42,879 Speaker 1: so mean. And she sounds like a man and she 332 00:18:43,080 --> 00:18:45,399 Speaker 1: is so negative. And I mean, I was just talking, 333 00:18:45,680 --> 00:18:49,200 Speaker 1: like I'm starting. I was just like the sky's blue today. Yeah, 334 00:18:49,240 --> 00:18:52,199 Speaker 1: I was literally just talking, and I was like, let 335 00:18:52,240 --> 00:18:54,400 Speaker 1: me do a little case study. And then I looked 336 00:18:54,440 --> 00:18:57,000 Speaker 1: at the interview that you're referring to the style like 337 00:18:57,040 --> 00:18:59,679 Speaker 1: you interview that sponsored by Headspace, and I'm talking in 338 00:18:59,720 --> 00:19:03,719 Speaker 1: the same tonality, but the response was so different and 339 00:19:03,800 --> 00:19:09,560 Speaker 1: that Space is far more woman centric. Yes, and you 340 00:19:09,600 --> 00:19:16,000 Speaker 1: know you just realize, like space really yeah, huh, well, 341 00:19:16,040 --> 00:19:18,720 Speaker 1: because it registered for me, and I thought to myself, 342 00:19:18,840 --> 00:19:21,040 Speaker 1: it's interesting that she said she's aware of her tone. 343 00:19:21,080 --> 00:19:23,720 Speaker 1: I wonder because I have this issue um being in 344 00:19:23,760 --> 00:19:25,760 Speaker 1: the world as we all are. I know that I 345 00:19:25,800 --> 00:19:28,760 Speaker 1: can be a force, and when I'm pushed to my limit, 346 00:19:28,800 --> 00:19:31,400 Speaker 1: I can be very clear and direct. And it's always 347 00:19:31,960 --> 00:19:33,880 Speaker 1: why did you do that? But I'm like, I gave you. 348 00:19:34,000 --> 00:19:36,280 Speaker 1: I gave you ten chances, and this is the eleventh 349 00:19:36,400 --> 00:19:41,280 Speaker 1: time I gave you ten chances. So how do do 350 00:19:41,320 --> 00:19:43,639 Speaker 1: you feel bad when people come down on you for 351 00:19:43,680 --> 00:19:48,680 Speaker 1: the way? I sit with this guilt and I'm like why, 352 00:19:49,400 --> 00:19:53,879 Speaker 1: but but why use wrong? So how why? Why? What 353 00:19:54,040 --> 00:19:55,639 Speaker 1: is that about and how do you how do you 354 00:19:55,680 --> 00:19:58,280 Speaker 1: process that? Because we're not sociopaths, we don't want to 355 00:19:58,320 --> 00:20:02,200 Speaker 1: hurt feelings. That's why we don't want to hurt people's feelings. 356 00:20:03,200 --> 00:20:05,920 Speaker 1: In fact, we don't, like it's not intentional, like you're 357 00:20:05,920 --> 00:20:10,200 Speaker 1: not you're not intentionally trying to hurt somebody. But there's 358 00:20:10,240 --> 00:20:11,879 Speaker 1: also this other part of you that like, this is 359 00:20:11,920 --> 00:20:14,560 Speaker 1: how you get your point across. And so it's sometimes 360 00:20:14,840 --> 00:20:17,480 Speaker 1: I think the guilt feels like did I missfire? You know, 361 00:20:17,680 --> 00:20:21,359 Speaker 1: and then you have to like walk yourself back and 362 00:20:21,440 --> 00:20:28,280 Speaker 1: sometimes you did misfire, right, But sometimes it's like no call, Yeah, okay, 363 00:20:28,720 --> 00:20:31,520 Speaker 1: but we always pulse check, and I wonder why that 364 00:20:31,640 --> 00:20:36,480 Speaker 1: will stop, um, if at all, I don't think it'll stop. 365 00:20:36,800 --> 00:20:39,439 Speaker 1: I think also, you know, we're in a world, you 366 00:20:39,480 --> 00:20:43,360 Speaker 1: and I particularly where we're dealing with so many people, 367 00:20:43,840 --> 00:20:46,320 Speaker 1: and I think that's different. I think it's like just 368 00:20:46,359 --> 00:20:49,320 Speaker 1: the ratio of interactions that we have compared to other 369 00:20:49,359 --> 00:20:53,679 Speaker 1: folks does bear a different level of responsibility that you 370 00:20:53,720 --> 00:20:57,960 Speaker 1: put yourself under because most people, for what it's worth, 371 00:20:59,200 --> 00:21:04,080 Speaker 1: are dealing with folks in like the same folks around them, 372 00:21:04,119 --> 00:21:06,240 Speaker 1: So it's probably like the same coworkers, and then like 373 00:21:06,280 --> 00:21:08,439 Speaker 1: the same people in their family space. And then if 374 00:21:08,440 --> 00:21:10,439 Speaker 1: they are interacting like let's say they work in retail 375 00:21:10,480 --> 00:21:12,760 Speaker 1: or they work in a restaurant, right, they are interacting 376 00:21:12,800 --> 00:21:15,240 Speaker 1: with a lot of people, but like in a cursory way, right, 377 00:21:15,280 --> 00:21:18,240 Speaker 1: Like they can take an order and feed people and 378 00:21:18,640 --> 00:21:21,760 Speaker 1: they don't feel connected to that and be done. We're 379 00:21:21,760 --> 00:21:24,480 Speaker 1: in a business where we, for the most part, have 380 00:21:24,560 --> 00:21:28,800 Speaker 1: to legitimize every person we're dealing with. Yes, whether it's 381 00:21:29,359 --> 00:21:32,359 Speaker 1: whether it's on a business level or a fan level. Yeah, 382 00:21:32,359 --> 00:21:36,439 Speaker 1: everyone matters. Yeah. Yes, And you're taken so much and 383 00:21:36,480 --> 00:21:39,040 Speaker 1: you're taken so much, yes, And then I'm sure you 384 00:21:39,040 --> 00:21:40,639 Speaker 1: feel like this, and I'm like I don't feel like 385 00:21:40,680 --> 00:21:42,760 Speaker 1: talking today, I don't want to talk today, or I 386 00:21:42,800 --> 00:21:45,320 Speaker 1: don't want to be around people today. Like some days 387 00:21:45,359 --> 00:21:47,720 Speaker 1: you just got to turn off and rebuild, you, don't you. 388 00:21:47,840 --> 00:21:50,240 Speaker 1: I know you have that. I'm a cancer. So I 389 00:21:50,359 --> 00:21:52,880 Speaker 1: have that in the middle of a scenario, like I'll 390 00:21:52,960 --> 00:21:56,480 Speaker 1: be at a party and be like, oh, I'm done, 391 00:21:58,640 --> 00:22:01,320 Speaker 1: And then like the people who have awareness are like, oh, 392 00:22:01,359 --> 00:22:04,119 Speaker 1: a man is in her phone because I've checked out. 393 00:22:04,359 --> 00:22:07,480 Speaker 1: I checked out, and I may I may have a revitalization, 394 00:22:07,640 --> 00:22:09,800 Speaker 1: like I may resurrect like Jesus on the third day. 395 00:22:09,840 --> 00:22:12,920 Speaker 1: I might, you know, but I might not, And then 396 00:22:12,960 --> 00:22:15,280 Speaker 1: it's gonna be and irish ex it. Yeah, and I 397 00:22:15,359 --> 00:22:17,880 Speaker 1: and I don't And I don't care because you're entitled 398 00:22:17,880 --> 00:22:20,240 Speaker 1: to have that. I I want you to. I want 399 00:22:20,280 --> 00:22:23,520 Speaker 1: you to know we see you. And and even though 400 00:22:23,560 --> 00:22:27,040 Speaker 1: I know you, you always check your moral compass. I 401 00:22:27,119 --> 00:22:29,919 Speaker 1: do believe your voice is special and it is needed. 402 00:22:30,240 --> 00:22:33,960 Speaker 1: So even in those times where it may feel like 403 00:22:34,080 --> 00:22:38,800 Speaker 1: it's a lot, it's it's right, it's right, it's justified, 404 00:22:38,880 --> 00:22:43,080 Speaker 1: and you're moving. I also like, like I grew up 405 00:22:43,080 --> 00:22:47,359 Speaker 1: in a house of like volume. My mom is a 406 00:22:47,359 --> 00:22:53,280 Speaker 1: loud talker, okay, so I am also a loud talker. 407 00:22:53,520 --> 00:22:55,840 Speaker 1: Then I was a gymnast, so I was yelled at 408 00:22:56,480 --> 00:23:01,680 Speaker 1: all day. Then harsh life. Listen, that's harsh. They don't 409 00:23:01,680 --> 00:23:05,000 Speaker 1: play no. Then I went to theater, and that was 410 00:23:05,040 --> 00:23:07,240 Speaker 1: how our teacher taught in theater, Like you were just 411 00:23:07,320 --> 00:23:13,360 Speaker 1: yelled at. So it's also been like an actual undoing 412 00:23:13,640 --> 00:23:19,720 Speaker 1: of like learned behavior in realizing that like that's not 413 00:23:20,880 --> 00:23:26,360 Speaker 1: the most effective or even the best representative of myself right, 414 00:23:26,480 --> 00:23:28,439 Speaker 1: Like and I'm not gonna lie to you like I 415 00:23:28,440 --> 00:23:32,880 Speaker 1: would say that. There's like the passion level and then 416 00:23:32,880 --> 00:23:37,720 Speaker 1: there's like the okay, you're alloud, and I'm really always 417 00:23:37,720 --> 00:23:39,679 Speaker 1: constantly trying to work on like not going to the 418 00:23:39,720 --> 00:23:42,359 Speaker 1: year loud level, which I've also which being with a 419 00:23:42,400 --> 00:23:44,680 Speaker 1: man will force you to do because niggas ain't really 420 00:23:44,640 --> 00:23:48,199 Speaker 1: haven't that. Yeah, I want to hear it. I don't 421 00:23:48,200 --> 00:23:50,040 Speaker 1: want to hear I don't want to hear you talk 422 00:23:50,080 --> 00:23:52,600 Speaker 1: to all the things. Yeah, I'm with you, But to 423 00:23:52,680 --> 00:23:55,000 Speaker 1: your point, if I came at you like this and 424 00:23:55,160 --> 00:23:57,600 Speaker 1: you wasn't really hearing me, and then I came at 425 00:23:57,640 --> 00:24:02,200 Speaker 1: you like this again and they hearing me, this only 426 00:24:02,320 --> 00:24:06,240 Speaker 1: one way to go, right, Listen, you didn't ever tell 427 00:24:06,400 --> 00:24:10,119 Speaker 1: me because usually I'm gonna come like this first, and 428 00:24:10,160 --> 00:24:12,000 Speaker 1: I'm like, I try to be sweet though, like because 429 00:24:12,000 --> 00:24:15,159 Speaker 1: you already know. But anyway, whatever, I okay. So I 430 00:24:15,240 --> 00:24:17,800 Speaker 1: have to ask you this. This is so funny. I 431 00:24:18,000 --> 00:24:22,960 Speaker 1: um everybody smart, black and funny, smart, funny and black genius. 432 00:24:23,000 --> 00:24:27,480 Speaker 1: I was on it and didn't win the other day. 433 00:24:28,040 --> 00:24:30,840 Speaker 1: He told me, and you you're doing and you're taking 434 00:24:30,880 --> 00:24:32,480 Speaker 1: it on the road, and you've done this before, You've 435 00:24:32,480 --> 00:24:35,200 Speaker 1: been on the road before. What is Yeah, so what's 436 00:24:35,240 --> 00:24:38,600 Speaker 1: different this time than before prior to COVID. I don't 437 00:24:38,600 --> 00:24:42,320 Speaker 1: think there's anything necessarily different. I think we've added some 438 00:24:42,359 --> 00:24:45,560 Speaker 1: elements to the show. Um. We do like a whole 439 00:24:45,600 --> 00:24:48,400 Speaker 1: happy Birthday segment to the show. We are constantly adding 440 00:24:48,800 --> 00:24:52,080 Speaker 1: different songs to the show based on the games. We 441 00:24:52,119 --> 00:24:54,800 Speaker 1: are in Brooklyn on the twenty ninth, um So there's, 442 00:24:54,880 --> 00:24:56,520 Speaker 1: like I said earlier, there's an element of the show 443 00:24:56,560 --> 00:24:59,920 Speaker 1: on in the Brooklyn show where we're adding just having 444 00:25:00,080 --> 00:25:03,200 Speaker 1: folks come dress as their favorite character, black character or icon, 445 00:25:03,280 --> 00:25:05,280 Speaker 1: and you don't have to come dress as that. Um. 446 00:25:06,000 --> 00:25:09,200 Speaker 1: But we also we I've announced one of our black 447 00:25:09,280 --> 00:25:11,640 Speaker 1: spurts or that's our word for contestant, which is gonna 448 00:25:11,640 --> 00:25:14,880 Speaker 1: be method Man. Oh lord, I'm coming just to see 449 00:25:14,960 --> 00:25:19,440 Speaker 1: meth Man says, listen, when anyone who knows me knows, 450 00:25:19,520 --> 00:25:23,159 Speaker 1: I'm a Woo Tang fanatic, like kill it bees, I'm 451 00:25:23,160 --> 00:25:27,120 Speaker 1: the swam listening like a big big yeah. So does 452 00:25:27,160 --> 00:25:29,040 Speaker 1: anybody get to talk to him beside you? Because I 453 00:25:30,160 --> 00:25:31,880 Speaker 1: does anybody get to do in this place? And being 454 00:25:31,920 --> 00:25:35,959 Speaker 1: his presence beside you, he is too fine. It's really 455 00:25:36,440 --> 00:25:39,040 Speaker 1: it's really it's iconic level find this like you's know 456 00:25:39,040 --> 00:25:43,560 Speaker 1: what I'm saying. Man, he's nice, He's, oh my gosh, 457 00:25:43,720 --> 00:25:49,280 Speaker 1: the nicest, like just and consistent. Meth has been these 458 00:25:49,359 --> 00:25:52,080 Speaker 1: exact same person since I met him in like two 459 00:25:52,119 --> 00:25:57,400 Speaker 1: thousand and six, the same person and always just honestly, 460 00:25:57,440 --> 00:25:59,399 Speaker 1: I can say that for like the members of the 461 00:25:59,440 --> 00:26:03,479 Speaker 1: Woo that I know, like Ray Kwon, Ghosts, the Rizza, 462 00:26:03,800 --> 00:26:09,800 Speaker 1: like they're always very just like kind, respectful, like they've 463 00:26:09,800 --> 00:26:12,120 Speaker 1: never come at me sideways. A little story. So one 464 00:26:12,160 --> 00:26:14,600 Speaker 1: time when I had met the Rizza, he invited me 465 00:26:14,640 --> 00:26:17,600 Speaker 1: to come to an Oscar party and when I got 466 00:26:17,640 --> 00:26:22,000 Speaker 1: to the address, it was a hotel. Oh, And I 467 00:26:22,040 --> 00:26:23,800 Speaker 1: texted him and I was like, I'm not sure who 468 00:26:23,840 --> 00:26:26,080 Speaker 1: you think I am. I know what you think I'm about, 469 00:26:29,000 --> 00:26:31,040 Speaker 1: but I'm not gonna come to your hotel room to 470 00:26:31,080 --> 00:26:39,959 Speaker 1: watch the Oscars. And he called me. He's like, uh, 471 00:26:40,000 --> 00:26:48,080 Speaker 1: it's a penhouse. There's several people here on this one. 472 00:26:48,560 --> 00:26:52,080 Speaker 1: See the I get upstairs, it's like Erica Alexander, like 473 00:26:52,119 --> 00:26:54,440 Speaker 1: the whole Castle, the whole Tech Show. I'm like, hey, guys, 474 00:26:55,560 --> 00:27:00,240 Speaker 1: sorry about that. Yeah, I don't know what you think 475 00:27:00,240 --> 00:27:07,360 Speaker 1: this is, but I don't know why he learned that day. 476 00:27:07,880 --> 00:27:11,439 Speaker 1: He's like, come on in, people here, no one here, 477 00:27:11,640 --> 00:27:13,119 Speaker 1: No one's here to harm you. I don't have a 478 00:27:13,680 --> 00:27:17,120 Speaker 1: there's literally a buffet set up. Like I hate that. 479 00:27:17,480 --> 00:27:23,720 Speaker 1: I hate that. Okay, fine, I'm j Jack. But you 480 00:27:23,760 --> 00:27:26,199 Speaker 1: know what, Listen, I come from hip hop, like you 481 00:27:26,200 --> 00:27:28,560 Speaker 1: gotta let people know. You gotta let people know because 482 00:27:28,560 --> 00:27:31,440 Speaker 1: they will try it. I know we're not going anywhere. 483 00:27:31,640 --> 00:27:33,560 Speaker 1: I really do need your help. You can fast forward 484 00:27:33,560 --> 00:27:35,760 Speaker 1: through these commercials and then just come right back, okay, 485 00:27:35,760 --> 00:27:37,680 Speaker 1: because I need job to help me out. We got 486 00:27:37,720 --> 00:27:39,280 Speaker 1: more with the Manda Seals on the other side of 487 00:27:39,320 --> 00:27:42,640 Speaker 1: the break. Every champion and carry champions to be a champion, 488 00:27:42,720 --> 00:27:46,040 Speaker 1: a champion and carry champion and carry champion, A champion 489 00:27:46,080 --> 00:27:49,920 Speaker 1: and carry Champion and carry champion sports and entertainment, and 490 00:27:54,960 --> 00:27:58,040 Speaker 1: every champion and carry champions to be a champion, a 491 00:27:58,119 --> 00:28:07,119 Speaker 1: champion and carry champion. They go, Hey, everybody, welcome back 492 00:28:07,160 --> 00:28:11,800 Speaker 1: to Naked a Man to seeos. Let's do music. Because 493 00:28:12,040 --> 00:28:14,000 Speaker 1: I have said and you and I I'm not about 494 00:28:14,040 --> 00:28:15,760 Speaker 1: to make this all about people we know, but Kendrick 495 00:28:15,800 --> 00:28:18,800 Speaker 1: Carter told me you are arguably the most talented person. 496 00:28:18,840 --> 00:28:22,280 Speaker 1: She has ever met, which to me explains your need 497 00:28:22,359 --> 00:28:24,800 Speaker 1: to do so many different things at once because it 498 00:28:24,880 --> 00:28:29,360 Speaker 1: just comes naturally. This is what Kinder said. She was like, sings, Dan, 499 00:28:29,720 --> 00:28:34,280 Speaker 1: how is Kendra. She's doing good. She's doing really good 500 00:28:34,320 --> 00:28:38,720 Speaker 1: for me. Yeah, I'm And she talks about the time 501 00:28:38,840 --> 00:28:41,400 Speaker 1: y'all was friends walking to New York City streets hanging out. 502 00:28:41,720 --> 00:28:44,320 Speaker 1: She comes to you perform. Wait, can I just give 503 00:28:44,360 --> 00:28:46,280 Speaker 1: a big up to her? Real quick? Yes, I just 504 00:28:46,280 --> 00:28:48,320 Speaker 1: give a big up. Yeah when I'm. When I moved 505 00:28:48,320 --> 00:28:51,400 Speaker 1: to Los Angeles, I knew that I wanted my life 506 00:28:51,400 --> 00:28:53,760 Speaker 1: to be different. So that was one of the reasons 507 00:28:53,800 --> 00:28:55,600 Speaker 1: why I moved to Los Angeles. I was like, if 508 00:28:55,640 --> 00:28:58,239 Speaker 1: you want drastic change, you gotta make drastic moves. So 509 00:28:58,280 --> 00:29:00,640 Speaker 1: I moved across the nation from New York to Los Angeles. 510 00:29:00,800 --> 00:29:02,360 Speaker 1: And one of the things I wanted to change was 511 00:29:02,360 --> 00:29:03,760 Speaker 1: that I wanted to be a part of work that 512 00:29:03,840 --> 00:29:05,720 Speaker 1: had more value to it, because a lot of the 513 00:29:05,720 --> 00:29:07,480 Speaker 1: work that I was doing was a lot of pop 514 00:29:07,520 --> 00:29:10,600 Speaker 1: culture stuff that was kind of just like flash in 515 00:29:10,600 --> 00:29:12,120 Speaker 1: the pan, like you know, you say a little joke, 516 00:29:12,160 --> 00:29:14,600 Speaker 1: but it didn't have like actual like gravitas to it. 517 00:29:14,880 --> 00:29:16,800 Speaker 1: And I knew that I was gonna have to do 518 00:29:16,920 --> 00:29:19,960 Speaker 1: scripted television like that just felt like. I was like, 519 00:29:20,000 --> 00:29:22,160 Speaker 1: that's next in my path. But no one at my 520 00:29:22,240 --> 00:29:26,080 Speaker 1: agency would would would send me out on auditions. They 521 00:29:26,080 --> 00:29:28,200 Speaker 1: would not send me out on scripted auditions. They were like, no, 522 00:29:28,280 --> 00:29:30,719 Speaker 1: you're a digital talent. You're a digital talent. And so 523 00:29:30,800 --> 00:29:33,880 Speaker 1: I had to then go to my resources and I 524 00:29:33,960 --> 00:29:36,360 Speaker 1: hit up Kendrick Carter and I was like, is there 525 00:29:36,400 --> 00:29:39,880 Speaker 1: any way you can get me a meeting with the 526 00:29:39,920 --> 00:29:45,200 Speaker 1: scripted department at NBC And she was like, say less, done, 527 00:29:45,560 --> 00:29:47,880 Speaker 1: set it up. I went and met with them. My 528 00:29:47,960 --> 00:29:49,680 Speaker 1: agent hits me like, hey, did you just see a 529 00:29:49,800 --> 00:29:54,880 Speaker 1: meeting at NBC? Yes? I did, Yes, I did. Sure 530 00:29:54,960 --> 00:29:57,600 Speaker 1: did that. Y'all would not set me up with and 531 00:29:58,000 --> 00:30:03,880 Speaker 1: started that. Her allowing that like her making that happen 532 00:30:04,200 --> 00:30:06,520 Speaker 1: forced my agency to then send me out on auditions, 533 00:30:06,560 --> 00:30:08,960 Speaker 1: which is how I ended up auditioning for Insecure. The 534 00:30:09,160 --> 00:30:16,280 Speaker 1: wow wow, wow, wow wow wow. Does she know that story? 535 00:30:16,320 --> 00:30:18,800 Speaker 1: I don't think she does. Oh no, I gotta put 536 00:30:18,800 --> 00:30:22,080 Speaker 1: you guys on tax after this. Okay, that's powerful and 537 00:30:22,120 --> 00:30:24,200 Speaker 1: she but she's never This is one thing we both 538 00:30:24,240 --> 00:30:26,800 Speaker 1: love about her as someone who can recognize talent. She's 539 00:30:26,840 --> 00:30:29,280 Speaker 1: never I've never seen her off. She just knows. She's like, no, 540 00:30:29,320 --> 00:30:31,120 Speaker 1: a man, I can do it all. And so with 541 00:30:31,160 --> 00:30:33,320 Speaker 1: that being said, I don't know if a lot of 542 00:30:33,360 --> 00:30:36,200 Speaker 1: people knew you were in Flower Try you were poor 543 00:30:36,320 --> 00:30:38,280 Speaker 1: with and I don't know, I don't know if they 544 00:30:38,320 --> 00:30:40,320 Speaker 1: know that you replaced one of the members and went 545 00:30:40,360 --> 00:30:44,360 Speaker 1: on tour. You have such a not even considering that 546 00:30:44,400 --> 00:30:47,240 Speaker 1: you have a master's from Columbia, which is so hard 547 00:30:47,280 --> 00:30:49,800 Speaker 1: to get into period. Right, you had this true intellect, 548 00:30:50,120 --> 00:30:54,120 Speaker 1: then you have created this this this brand for yourself 549 00:30:54,120 --> 00:30:56,080 Speaker 1: and this showcase that you're taking on the road. Then 550 00:30:56,120 --> 00:30:59,920 Speaker 1: you're an actress. Then you're like, you can do it all. 551 00:31:00,200 --> 00:31:04,280 Speaker 1: Does that get cumbersome for you or confuse the vision? Um? 552 00:31:04,320 --> 00:31:07,200 Speaker 1: It's cumbersome because I what I'm not really good at 553 00:31:07,240 --> 00:31:11,960 Speaker 1: is marketing and like business strategy. Like I'm not a dummy, 554 00:31:12,040 --> 00:31:16,600 Speaker 1: so I can like create opportunities for myself to keep 555 00:31:16,720 --> 00:31:24,480 Speaker 1: things going. But I am not enterprising um in the 556 00:31:24,560 --> 00:31:28,320 Speaker 1: way that I see some of my peers be. UM. 557 00:31:28,440 --> 00:31:30,360 Speaker 1: And I'm not sure yet if that's a good or 558 00:31:31,040 --> 00:31:32,880 Speaker 1: I'm not sure yet if that's held me back or 559 00:31:32,920 --> 00:31:37,040 Speaker 1: if that's kept me sane. I Um, that's a fair 560 00:31:37,160 --> 00:31:41,840 Speaker 1: question because ultimately people are like, why aren't you you 561 00:31:41,840 --> 00:31:45,800 Speaker 1: know what I mean? Like, and yeah, I think there's 562 00:31:45,800 --> 00:31:49,040 Speaker 1: something that happens when you mix creativity with commerce, right, 563 00:31:49,080 --> 00:31:51,280 Speaker 1: like with capitalism, Like there's a piece of you that 564 00:31:51,360 --> 00:31:55,480 Speaker 1: you lose in that change. You said it earlier. You 565 00:31:55,560 --> 00:31:57,840 Speaker 1: are free thinkers. You don't have to worry about being 566 00:31:57,960 --> 00:32:00,880 Speaker 1: tied to a or a brand or what. You can 567 00:32:00,960 --> 00:32:03,360 Speaker 1: say what comes to your mind. So that's why it's authentic. 568 00:32:04,120 --> 00:32:08,080 Speaker 1: So like Bebbie Smith is always like a voice who 569 00:32:08,080 --> 00:32:09,760 Speaker 1: will just like poke her head in to be like, 570 00:32:09,920 --> 00:32:19,400 Speaker 1: keep going. Your path is different, keep going because because 571 00:32:19,440 --> 00:32:22,360 Speaker 1: sometimes you just think like am I doing what I'm 572 00:32:22,360 --> 00:32:25,920 Speaker 1: supposed to be doing? Should I have a certain level 573 00:32:25,960 --> 00:32:28,360 Speaker 1: of you know, at one point it felt like should 574 00:32:28,360 --> 00:32:29,800 Speaker 1: I have a certain level of fame? I don't feel 575 00:32:29,800 --> 00:32:31,920 Speaker 1: that way anymore because I really fame is like this 576 00:32:31,960 --> 00:32:35,080 Speaker 1: weird thing that I'm not really interested in. But what 577 00:32:35,160 --> 00:32:38,400 Speaker 1: I am interested in is options and being able to 578 00:32:38,480 --> 00:32:45,320 Speaker 1: have like the options to create without so many barriers 579 00:32:45,360 --> 00:32:48,360 Speaker 1: and so much convincing. Right, But you come to understand 580 00:32:48,600 --> 00:32:51,800 Speaker 1: that like the people who kind of fand away the 581 00:32:51,800 --> 00:32:55,080 Speaker 1: people who navigate that very deathly, they are they have 582 00:32:55,120 --> 00:32:57,479 Speaker 1: a different relationship to their art. So that's why so 583 00:32:57,520 --> 00:33:01,960 Speaker 1: many people have like a business person who's like their 584 00:33:02,040 --> 00:33:05,400 Speaker 1: partner or that works alongside them, who thinks that way, 585 00:33:05,480 --> 00:33:07,280 Speaker 1: because I'm the one who's like, okay, so what we 586 00:33:07,320 --> 00:33:09,520 Speaker 1: can do is all right, yes, okay, I want to 587 00:33:09,560 --> 00:33:13,400 Speaker 1: do a game show, and then it's got to be 588 00:33:13,480 --> 00:33:16,200 Speaker 1: like black history, but then it's also a sing along. 589 00:33:16,480 --> 00:33:19,320 Speaker 1: And then it's also you know, so like I got 590 00:33:19,360 --> 00:33:21,560 Speaker 1: you on that, I got you on that. But then 591 00:33:21,800 --> 00:33:23,400 Speaker 1: there's also the people who are like, well, why don't 592 00:33:23,400 --> 00:33:26,440 Speaker 1: you know sponsors yet? Yeah? And I'm like, oh, because 593 00:33:26,480 --> 00:33:31,080 Speaker 1: I don't really know how to do that same but 594 00:33:31,560 --> 00:33:33,320 Speaker 1: and I do, and I do understand the frustration of 595 00:33:33,360 --> 00:33:35,520 Speaker 1: someone being like you should already have that. You're just like, 596 00:33:35,520 --> 00:33:38,240 Speaker 1: it doesn't work that way. It just doesn't. I understand 597 00:33:38,240 --> 00:33:40,960 Speaker 1: what you're saying, but it doesn't. It's a different capacity. 598 00:33:41,160 --> 00:33:43,280 Speaker 1: How many times a day do you get why don't 599 00:33:43,280 --> 00:33:46,720 Speaker 1: you have your own show? Yo? Girl? I'm all like, 600 00:33:46,880 --> 00:33:48,880 Speaker 1: I don't know whoa and I started it with you 601 00:33:49,240 --> 00:33:51,760 Speaker 1: and normally now I receive it as that's a compliment. 602 00:33:51,800 --> 00:33:53,760 Speaker 1: You want mine it ain't hear me. You want to 603 00:33:53,800 --> 00:33:56,520 Speaker 1: hear chart to be like, but no before you're like, well, 604 00:33:56,560 --> 00:33:58,280 Speaker 1: because you ain't got your own show, you know what 605 00:33:58,360 --> 00:34:02,440 Speaker 1: I mean? Like are they giving out shows the black girls, 606 00:34:02,440 --> 00:34:06,280 Speaker 1: little black girls around the world. They should? They really should? 607 00:34:06,640 --> 00:34:10,799 Speaker 1: I really You had said earlier that you feel like 608 00:34:10,800 --> 00:34:12,719 Speaker 1: I would I should have like my own daily show, 609 00:34:12,800 --> 00:34:14,239 Speaker 1: and I feel like a lot of people are like, 610 00:34:14,280 --> 00:34:15,759 Speaker 1: a man, I should do the Daily Show. I would 611 00:34:15,800 --> 00:34:17,719 Speaker 1: not do the Daily Show for a number of reasons, right, 612 00:34:17,880 --> 00:34:19,719 Speaker 1: But one of them is like I would not want 613 00:34:19,719 --> 00:34:22,120 Speaker 1: to live in New York again for that, just like indefinitely. 614 00:34:22,440 --> 00:34:25,759 Speaker 1: But the other reason is because, like you said something 615 00:34:25,760 --> 00:34:27,839 Speaker 1: where you were like, you know, you like kind of 616 00:34:29,080 --> 00:34:33,839 Speaker 1: like wax poetic and philosophize on topics beyond like what 617 00:34:33,920 --> 00:34:37,840 Speaker 1: people are talking about. And it's like that that's the 618 00:34:37,880 --> 00:34:39,879 Speaker 1: show I would want, Like I don't want the show 619 00:34:39,880 --> 00:34:42,200 Speaker 1: where I'm telling you the news, Like I want the 620 00:34:42,200 --> 00:34:46,000 Speaker 1: show where you already know the news and I'm providing 621 00:34:46,080 --> 00:34:51,120 Speaker 1: and ideating and considering other things about that, which is 622 00:34:51,120 --> 00:34:52,520 Speaker 1: what I thought I was gonna get to do. What 623 00:34:52,640 --> 00:34:56,359 Speaker 1: the real yeah, you know, like just because it's like 624 00:34:57,560 --> 00:35:01,000 Speaker 1: when you have these topics. There's so much you can 625 00:35:01,040 --> 00:35:03,200 Speaker 1: say about like the fact, it's like these are the facts. 626 00:35:03,200 --> 00:35:06,040 Speaker 1: But then it's like how do you yes, yes, you 627 00:35:06,040 --> 00:35:07,400 Speaker 1: know what I mean, Like, how do you expound upon that? 628 00:35:07,440 --> 00:35:08,960 Speaker 1: How do you like make that relatable? How do you 629 00:35:09,000 --> 00:35:13,920 Speaker 1: apply that to like bigger concepts of our socialization, of patriarchy, etcetera, etcetera. 630 00:35:13,960 --> 00:35:16,680 Speaker 1: Like that's the stuff I'm interested in, Yeah, the teaching 631 00:35:16,800 --> 00:35:22,200 Speaker 1: of it all, because you are a professor. So yes, yeah, 632 00:35:22,239 --> 00:35:24,120 Speaker 1: that's also something Kindred used to call you. She said 633 00:35:24,160 --> 00:35:25,440 Speaker 1: she needs to go on and go ahead and just 634 00:35:25,480 --> 00:35:28,040 Speaker 1: be a professor. I don't know what she's doing. Thought 635 00:35:28,080 --> 00:35:30,359 Speaker 1: about it. I thought about it. I really liked when 636 00:35:30,400 --> 00:35:32,960 Speaker 1: I was I was trying to move to When I 637 00:35:33,000 --> 00:35:34,200 Speaker 1: was trying to move to l A, I was trying 638 00:35:34,200 --> 00:35:35,319 Speaker 1: to figure out how it was going to do it 639 00:35:35,320 --> 00:35:38,319 Speaker 1: because it seemed like such a BMS task, like the 640 00:35:38,400 --> 00:35:40,480 Speaker 1: money and then where are you gonna live? And then 641 00:35:40,520 --> 00:35:43,960 Speaker 1: the job. And I had become friends with um my sister, 642 00:35:43,960 --> 00:35:48,520 Speaker 1: Tommy Crump, who's an exec and it's to nice. So 643 00:35:48,719 --> 00:35:51,280 Speaker 1: Tommy is just that is my sister from another mister 644 00:35:51,600 --> 00:35:53,759 Speaker 1: and Tommy I just remember Tommy sitting a glass of 645 00:35:53,760 --> 00:35:56,200 Speaker 1: wine and being like, hmm, what did you get like 646 00:35:56,200 --> 00:35:58,200 Speaker 1: a PhD fellowship? I'm like that could pay for it. 647 00:35:58,200 --> 00:36:03,319 Speaker 1: And I was like the gay you sound just like 648 00:36:03,400 --> 00:36:06,480 Speaker 1: her too, though, right, you know, Tommy is Tommy is 649 00:36:06,600 --> 00:36:09,359 Speaker 1: part of my Uh, Tommy is a part of like 650 00:36:09,520 --> 00:36:13,359 Speaker 1: the character shaping that I did for Tiffany. Oh are 651 00:36:13,400 --> 00:36:17,000 Speaker 1: you kidding me? Yes? I did. She never told me 652 00:36:17,040 --> 00:36:19,439 Speaker 1: that she doesn't tell people because she's like, I don't 653 00:36:19,480 --> 00:36:24,799 Speaker 1: like it. Tiffany du Bois of Insecure is based on 654 00:36:25,600 --> 00:36:30,160 Speaker 1: my friend Tommy Crump, who is just as like Studio 655 00:36:30,239 --> 00:36:34,480 Speaker 1: corporate as she as she is Philly to the bone. Okay, 656 00:36:35,320 --> 00:36:39,239 Speaker 1: so she's both of those things. And then the other 657 00:36:39,280 --> 00:36:43,200 Speaker 1: part of my character shaping for Tiffany Dubui Insecure was 658 00:36:43,560 --> 00:36:49,359 Speaker 1: Shanta Moore in the Shante's Got a Man video that yes, 659 00:36:49,800 --> 00:36:55,400 Speaker 1: as I'm screaming yes, yes that yeah, and like Shanta 660 00:36:55,520 --> 00:36:57,400 Speaker 1: Moore like started following me, and I was just like, 661 00:36:57,440 --> 00:37:01,280 Speaker 1: oh my god, like the world are colliding. Wait a second. 662 00:37:01,400 --> 00:37:02,920 Speaker 1: She took a super wine and say why don't you 663 00:37:02,920 --> 00:37:07,040 Speaker 1: just get a PhD fellowship? That's exactly That's exactly what 664 00:37:07,120 --> 00:37:11,120 Speaker 1: she would say, Yeah, casual, why don't you just do that. 665 00:37:11,120 --> 00:37:13,280 Speaker 1: That's like when my mom, like in like two thousand 666 00:37:13,360 --> 00:37:15,279 Speaker 1: and four, just like turned to me casually on the 667 00:37:15,280 --> 00:37:17,040 Speaker 1: couch and was like, you know who, you should do 668 00:37:17,080 --> 00:37:23,560 Speaker 1: a song with Lenny Gravitz. Okay should I? Okay, let 669 00:37:23,560 --> 00:37:26,399 Speaker 1: me get him a ring. I think that's where the 670 00:37:26,440 --> 00:37:28,440 Speaker 1: defense that you would have around like people saying why 671 00:37:28,440 --> 00:37:30,080 Speaker 1: don't you have a show? That's where it comes from. 672 00:37:30,200 --> 00:37:34,479 Speaker 1: It's like this idea that you're like turning down shows. Yeah, 673 00:37:34,680 --> 00:37:38,279 Speaker 1: you know, you know, like like like there's just like 674 00:37:38,280 --> 00:37:40,040 Speaker 1: like you're It's like when people say like why don't 675 00:37:40,080 --> 00:37:44,000 Speaker 1: you have a man? As if there were so many 676 00:37:44,080 --> 00:37:50,160 Speaker 1: options given me like back, that used to blow my 677 00:37:50,200 --> 00:37:55,520 Speaker 1: mind when people say, like one, like why are we 678 00:37:55,520 --> 00:37:58,520 Speaker 1: acting as if we're like getting dropped off at good 679 00:37:58,600 --> 00:38:02,240 Speaker 1: Nigga Island and we're just like no, no, no, he's 680 00:38:02,280 --> 00:38:05,440 Speaker 1: too short, so he's too fine, Like that's not a 681 00:38:05,480 --> 00:38:11,759 Speaker 1: thing that's happening. Okay, it's good a man, listen, I 682 00:38:11,960 --> 00:38:16,400 Speaker 1: it's I. There has not been a charted course yet, 683 00:38:16,440 --> 00:38:18,879 Speaker 1: and I'm literally trying to find it. Like I talked 684 00:38:18,920 --> 00:38:21,640 Speaker 1: to my dude all the time about like where where 685 00:38:21,680 --> 00:38:24,719 Speaker 1: do you come from? Like where out h He's like, 686 00:38:24,760 --> 00:38:27,760 Speaker 1: it's just I'm one of one I would set apart 687 00:38:27,800 --> 00:38:29,799 Speaker 1: for you. I'm one of one set apart for you, 688 00:38:29,960 --> 00:38:33,680 Speaker 1: nobody else. I won't believe that because every time, every 689 00:38:33,719 --> 00:38:36,359 Speaker 1: time I see you, I'm just like, we're gonna get 690 00:38:36,360 --> 00:38:39,480 Speaker 1: her a boom. It's coming, it's coming, And my show 691 00:38:39,560 --> 00:38:42,439 Speaker 1: was coming, as is your show. It's coming. Here's the thing. 692 00:38:43,960 --> 00:38:45,880 Speaker 1: There's a large part of me that also just feels 693 00:38:45,880 --> 00:38:48,359 Speaker 1: like I've been a late bloomer in every facet of 694 00:38:48,360 --> 00:38:50,640 Speaker 1: my life. So like, why wouldn't I be a late 695 00:38:50,640 --> 00:38:53,600 Speaker 1: bloomer in like the show facet? Like why wouldn't I 696 00:38:53,640 --> 00:38:56,400 Speaker 1: like I was a late bloomer in like physical development, 697 00:38:56,719 --> 00:39:00,480 Speaker 1: I've been a late bloomer and even just like my 698 00:39:00,640 --> 00:39:04,600 Speaker 1: own sense of awareness and health and healing right, and 699 00:39:04,640 --> 00:39:08,600 Speaker 1: like I when I got with my partner, we were 700 00:39:08,680 --> 00:39:11,200 Speaker 1: together in college and then we like lived separate lives 701 00:39:11,200 --> 00:39:14,680 Speaker 1: and then we came back together. But I wouldn't have 702 00:39:14,800 --> 00:39:21,240 Speaker 1: been able to correct receive him, like literally six months earlier. Correct, 703 00:39:21,280 --> 00:39:23,880 Speaker 1: I wouldn't have Can I feel like work? Because you 704 00:39:23,920 --> 00:39:26,160 Speaker 1: were doing the work. I was like, in the thick 705 00:39:26,200 --> 00:39:31,560 Speaker 1: of the fucking work, I know about it. Yeah, that's 706 00:39:31,600 --> 00:39:33,200 Speaker 1: it's and it's hard, and you got to sit with 707 00:39:33,239 --> 00:39:36,160 Speaker 1: these uncomfortable as feelings and realizations of who you are 708 00:39:36,320 --> 00:39:41,080 Speaker 1: and just be like yes, yeah, yeah, you're like okay, 709 00:39:41,160 --> 00:39:43,799 Speaker 1: And it's all the clenting period because yes, we want 710 00:39:43,840 --> 00:39:46,080 Speaker 1: our our partner, Yes we want our show and it 711 00:39:46,400 --> 00:39:48,640 Speaker 1: is in due time. And I think the Daily Show 712 00:39:48,680 --> 00:39:52,000 Speaker 1: comment it's just about and and it's hard for people 713 00:39:52,040 --> 00:39:54,480 Speaker 1: to receive compliments. So just just just hear me. Oh 714 00:39:54,520 --> 00:39:57,839 Speaker 1: I receive it. I receive it. I totally because as 715 00:39:57,880 --> 00:39:59,960 Speaker 1: someone who sees everyone pop up with a show on air, 716 00:40:00,440 --> 00:40:04,400 Speaker 1: it's very in this world of our attention span is 717 00:40:04,440 --> 00:40:07,319 Speaker 1: like this, if someone is literally waiting to hear what 718 00:40:07,360 --> 00:40:09,799 Speaker 1: you have to say to the very end, it's very 719 00:40:09,840 --> 00:40:12,920 Speaker 1: important to know that your voice means a lot. It 720 00:40:13,000 --> 00:40:15,920 Speaker 1: may not. I'd rather have a super small dope following 721 00:40:16,160 --> 00:40:18,799 Speaker 1: instead of like thirty million people who don't even pay 722 00:40:18,800 --> 00:40:23,280 Speaker 1: attention to me quality quantity every single day. And so 723 00:40:23,840 --> 00:40:27,280 Speaker 1: it is. It is you are constantly top of mind 724 00:40:27,360 --> 00:40:29,080 Speaker 1: when people are talking about did you hear what Amana 725 00:40:29,080 --> 00:40:31,439 Speaker 1: said the other day about such and such? So that's new, 726 00:40:31,840 --> 00:40:35,799 Speaker 1: Like I did not really realize that, Like I genuinely 727 00:40:35,880 --> 00:40:38,880 Speaker 1: did not really realize that until we started going outside again. 728 00:40:39,239 --> 00:40:42,520 Speaker 1: Oh okay, because you know, we was in this pandemic 729 00:40:42,560 --> 00:40:43,839 Speaker 1: and we were all in the house. Yeah, I'm saying. 730 00:40:43,840 --> 00:40:45,000 Speaker 1: So I was be on my phone because I'm in 731 00:40:45,000 --> 00:40:47,120 Speaker 1: a house. Okay, Like I'm just I'm in a house. 732 00:40:47,239 --> 00:40:49,160 Speaker 1: So I got a thought, let me share it. I'm 733 00:40:49,160 --> 00:40:55,080 Speaker 1: in a house. Hey. Yeah. And and if I'm being honest, 734 00:40:55,120 --> 00:41:00,239 Speaker 1: I think the internet connection kind of helped me main 735 00:41:00,400 --> 00:41:05,720 Speaker 1: saying in the isolation of the quarantine and the first 736 00:41:05,719 --> 00:41:08,480 Speaker 1: two years of the pandemic, because I didn't feel safe 737 00:41:08,480 --> 00:41:10,160 Speaker 1: to go out and tour, I didn't feel safe to 738 00:41:10,160 --> 00:41:12,200 Speaker 1: go out and like keep doing the art thing that 739 00:41:12,239 --> 00:41:15,840 Speaker 1: I was doing. And so it was like this last 740 00:41:15,920 --> 00:41:18,279 Speaker 1: thread of like, Okay, I can still be expressive and 741 00:41:18,320 --> 00:41:21,440 Speaker 1: get something back, right. And so then when we started 742 00:41:21,440 --> 00:41:24,360 Speaker 1: going outside again, people would be coming up to me, 743 00:41:24,400 --> 00:41:27,359 Speaker 1: like our peers would be coming up to me and saying, like, girl, 744 00:41:27,400 --> 00:41:29,840 Speaker 1: I've been following you. Throw out this whole in this pandemic. 745 00:41:30,080 --> 00:41:32,120 Speaker 1: You got me through this pandemic. I'm like, for real. 746 00:41:32,600 --> 00:41:39,640 Speaker 1: And that was something I kind of just didn't I 747 00:41:39,760 --> 00:41:43,799 Speaker 1: just wasn't truly aware of, and it heightened Mike. It 748 00:41:43,880 --> 00:41:48,839 Speaker 1: heightened my consciousness about like shifting. I realized I had 749 00:41:48,840 --> 00:41:51,399 Speaker 1: to shift my focus that I've been really kind of 750 00:41:52,680 --> 00:41:54,640 Speaker 1: following the normal track of like I need to get 751 00:41:54,640 --> 00:41:56,319 Speaker 1: these executives to care about me. I need to get 752 00:41:56,360 --> 00:41:59,719 Speaker 1: this industry to get to care about me. And I realized, like, no, 753 00:42:00,480 --> 00:42:03,560 Speaker 1: what you need to do is preserve the connection you 754 00:42:03,640 --> 00:42:06,319 Speaker 1: have with the audience that cares about you, and you 755 00:42:06,400 --> 00:42:08,920 Speaker 1: need to put your energy into that, into figuring out 756 00:42:08,960 --> 00:42:10,560 Speaker 1: how to do that, which is why I decided, like, 757 00:42:10,680 --> 00:42:13,719 Speaker 1: let me go on tour. And so I've been on 758 00:42:13,760 --> 00:42:16,080 Speaker 1: tour with the Black Outside Again Tour since Joe Lot 759 00:42:16,080 --> 00:42:19,959 Speaker 1: since June, and it's been it's been of a journey. 760 00:42:19,960 --> 00:42:23,560 Speaker 1: It's been a bit of a journey because one of 761 00:42:23,560 --> 00:42:26,160 Speaker 1: my partners along the way in the tour, like didn't 762 00:42:26,200 --> 00:42:28,480 Speaker 1: really show up in the way that I would have 763 00:42:28,560 --> 00:42:30,480 Speaker 1: liked them too, and so it caused my tickets to 764 00:42:30,520 --> 00:42:32,600 Speaker 1: not move in the way that they normally do and 765 00:42:33,520 --> 00:42:37,960 Speaker 1: I and there was this worry by them that like, oh, well, 766 00:42:37,960 --> 00:42:42,000 Speaker 1: you shouldn't do shows where you only sold thirty percent 767 00:42:42,040 --> 00:42:46,919 Speaker 1: of the house because it's going to be embarrassing for you. Yeah, 768 00:42:46,960 --> 00:42:49,000 Speaker 1: and let me tell you. They could have not been 769 00:42:49,040 --> 00:42:55,080 Speaker 1: more wrong, because when you are folks like us who 770 00:42:55,160 --> 00:42:59,000 Speaker 1: like people aren't like fans of their supporters of a 771 00:42:59,160 --> 00:43:03,279 Speaker 1: different Yeah, it's a different energy, like yeah, they're showing up. 772 00:43:04,719 --> 00:43:07,560 Speaker 1: It's like every person equals six people, yeah, saying like 773 00:43:07,600 --> 00:43:11,759 Speaker 1: they're showing up with full one Like I'm here. So 774 00:43:11,880 --> 00:43:14,720 Speaker 1: even if even if I'm in a venue that's supposed 775 00:43:14,760 --> 00:43:17,160 Speaker 1: to have two thousand people and there's only seven hundred 776 00:43:17,160 --> 00:43:21,640 Speaker 1: people there, it feels five thousand because they rock what 777 00:43:21,719 --> 00:43:23,480 Speaker 1: you heavy, you know what I mean? And you're right 778 00:43:23,560 --> 00:43:26,160 Speaker 1: thank out for coming out. Yeah, no, they have your back. 779 00:43:26,239 --> 00:43:30,799 Speaker 1: It is it is Honestly, I think something that you said, 780 00:43:30,800 --> 00:43:33,120 Speaker 1: the pandemic gave you and yes you did give it back. 781 00:43:33,200 --> 00:43:37,040 Speaker 1: But when you're sought after for opinion, much like you 782 00:43:37,040 --> 00:43:39,040 Speaker 1: know our brother shar, people want to hear what you 783 00:43:39,080 --> 00:43:41,360 Speaker 1: have to say. It's part of the culture. You're a 784 00:43:41,440 --> 00:43:43,879 Speaker 1: voice of the culture. And as it's happening, you don't 785 00:43:43,880 --> 00:43:48,080 Speaker 1: know it's happening, but it's happening in real time. Then 786 00:43:48,200 --> 00:43:50,520 Speaker 1: I can name twenty thirty people, but it's just happening 787 00:43:50,520 --> 00:43:53,160 Speaker 1: in real time, and it could be a conversation at 788 00:43:53,160 --> 00:43:55,080 Speaker 1: the dinner table about what you said about what's going 789 00:43:55,080 --> 00:43:57,440 Speaker 1: on with the city council here in La, which I'm 790 00:43:57,560 --> 00:43:59,680 Speaker 1: I mean, you got me, had me fired up. Just 791 00:44:00,200 --> 00:44:02,880 Speaker 1: the videos with you not looking and just making faces 792 00:44:03,360 --> 00:44:08,320 Speaker 1: are hilarious. So listen. Someone commented that video was reposted, 793 00:44:08,760 --> 00:44:11,960 Speaker 1: and someone in the comments said, you know what upsets 794 00:44:12,000 --> 00:44:17,759 Speaker 1: me about this is these videos where someone is reacting 795 00:44:18,080 --> 00:44:21,359 Speaker 1: to what other people said and judging them as if 796 00:44:21,400 --> 00:44:26,239 Speaker 1: they're perfect. Amanda Seale's better hope no videos or recordings 797 00:44:26,320 --> 00:44:30,160 Speaker 1: leak of her. And I thought that was interesting, and 798 00:44:30,200 --> 00:44:34,040 Speaker 1: I was like, I'm sure that I have absolutely said 799 00:44:34,080 --> 00:44:37,800 Speaker 1: shit that people will take and run with, right, No, 800 00:44:39,040 --> 00:44:42,640 Speaker 1: nothing like that, but I'm sure, let me just disclaimer that. 801 00:44:43,120 --> 00:44:46,120 Speaker 1: But that being said, I'm like my response to that was, 802 00:44:46,200 --> 00:44:49,399 Speaker 1: I think what's odd to me is that you because 803 00:44:49,440 --> 00:44:51,440 Speaker 1: he was like, it feels like this is for entertainment value, 804 00:44:51,640 --> 00:44:53,000 Speaker 1: and as it was odd to me is that you 805 00:44:53,040 --> 00:44:58,600 Speaker 1: feel that like bolstering an entertainment aspect to the revelation 806 00:44:58,719 --> 00:45:01,399 Speaker 1: of information that people should about. It is like that 807 00:45:01,400 --> 00:45:05,239 Speaker 1: that somehow devalues the information that they're being shown. And 808 00:45:05,320 --> 00:45:08,000 Speaker 1: in my opinion, I feel like what I've been really 809 00:45:10,800 --> 00:45:14,480 Speaker 1: fortunate to figure out is how to use my entertainment 810 00:45:14,600 --> 00:45:18,560 Speaker 1: value to create education and make it edutainment. So like 811 00:45:18,680 --> 00:45:21,520 Speaker 1: that situation with the woman in La City Council and 812 00:45:21,560 --> 00:45:25,280 Speaker 1: the other two members and them talking very disparagingly about 813 00:45:25,360 --> 00:45:29,040 Speaker 1: Indigenous people in Mexico as well as about this black child, etc. 814 00:45:29,680 --> 00:45:34,840 Speaker 1: Like that is information that folks need to know because 815 00:45:34,880 --> 00:45:37,359 Speaker 1: these are people who are in legislative like and like 816 00:45:38,440 --> 00:45:42,839 Speaker 1: rulemaking and lawmaking positions, and if they are holding biases 817 00:45:42,880 --> 00:45:46,160 Speaker 1: against the people in their constituency, then they are not 818 00:45:46,480 --> 00:45:49,799 Speaker 1: the people they should be in that job. And if 819 00:45:49,800 --> 00:45:53,160 Speaker 1: I got to make a video reacting to make to 820 00:45:55,000 --> 00:45:58,759 Speaker 1: a grandize or amplify that, then so be it. Then 821 00:45:58,920 --> 00:46:01,960 Speaker 1: so be it. Because you you make it so simple 822 00:46:02,040 --> 00:46:04,160 Speaker 1: and so plain. Then you're like, I am outraged. You 823 00:46:04,200 --> 00:46:07,120 Speaker 1: mean to tell me we here we are all marginalized 824 00:46:07,160 --> 00:46:09,040 Speaker 1: black and brown folks and so we're all against each other. 825 00:46:09,080 --> 00:46:10,439 Speaker 1: So the blacks are with the blacks and the white 826 00:46:10,440 --> 00:46:13,560 Speaker 1: sor what the are we doing? What is the point? Well, 827 00:46:13,560 --> 00:46:15,479 Speaker 1: you know, the thing is is that not all brown 828 00:46:15,480 --> 00:46:19,960 Speaker 1: folks are brown folks. So like there's you know, within 829 00:46:20,080 --> 00:46:22,600 Speaker 1: the Latin X or Hispanic community, you know, you have 830 00:46:22,680 --> 00:46:25,279 Speaker 1: afro Latino Afro Latin X people and then you have 831 00:46:25,880 --> 00:46:28,800 Speaker 1: you know, indigenous people. But then you have the white 832 00:46:28,800 --> 00:46:30,840 Speaker 1: folks who are the descendants of slaves. And you know, 833 00:46:30,880 --> 00:46:34,600 Speaker 1: I think they call they call the mestizo um but 834 00:46:34,640 --> 00:46:38,960 Speaker 1: they if they consider themselves adjacent to whiteness, and they're like, 835 00:46:39,000 --> 00:46:40,960 Speaker 1: we're gonna be I say, I would say, like they 836 00:46:41,000 --> 00:46:44,200 Speaker 1: think they're gonna be the next Italians, Like yeah, why 837 00:46:44,239 --> 00:46:47,200 Speaker 1: don't you because Italians were not considered white. And then 838 00:46:47,360 --> 00:46:49,879 Speaker 1: it was like, ah, we need more folks, we need 839 00:46:49,920 --> 00:46:53,040 Speaker 1: more folks. Y'all could be white, y'all could be like white, 840 00:46:53,480 --> 00:46:58,520 Speaker 1: whiteness is a Whiteness is a moving goalpost that only consist, 841 00:46:58,640 --> 00:47:04,239 Speaker 1: that only contains um. It's power by numbers, right. So 842 00:47:04,360 --> 00:47:08,120 Speaker 1: that's why, like when you see this whole rov Wade thing, 843 00:47:08,120 --> 00:47:09,640 Speaker 1: and there's a theory that this has to do with 844 00:47:09,719 --> 00:47:12,799 Speaker 1: there being fewer white babies born, like that completely supports that, 845 00:47:12,880 --> 00:47:15,200 Speaker 1: like there has to be it's a I saw this 846 00:47:15,239 --> 00:47:17,600 Speaker 1: brother speaking the other day. I'm so mad. I don't 847 00:47:17,680 --> 00:47:19,480 Speaker 1: have his name in my mind right now, but he 848 00:47:19,600 --> 00:47:22,719 Speaker 1: was saying, racism is a team sport. He's like, as 849 00:47:22,760 --> 00:47:24,760 Speaker 1: a team sport. And so if you have the deeper bench. 850 00:47:25,400 --> 00:47:28,520 Speaker 1: You can fight the fight like you can keep yourself 851 00:47:28,640 --> 00:47:32,000 Speaker 1: on top. And I look at black folks all the 852 00:47:32,040 --> 00:47:34,280 Speaker 1: time and say, you know, we miss we have missed 853 00:47:34,320 --> 00:47:38,080 Speaker 1: the boat on realizing the incredible depth and power that 854 00:47:38,120 --> 00:47:41,640 Speaker 1: we have simply just in numbers, in numbers and sticking together. 855 00:47:41,760 --> 00:47:44,000 Speaker 1: And we have no concept. We don't we have no 856 00:47:44,080 --> 00:47:46,560 Speaker 1: concept of the power that we have. And we love 857 00:47:46,640 --> 00:47:48,520 Speaker 1: to say we're not a monolith. And I'm like, but 858 00:47:48,560 --> 00:47:51,520 Speaker 1: we could stand to be a little bit more. We could, 859 00:47:52,280 --> 00:47:54,960 Speaker 1: we could be a little more one I and and 860 00:47:55,480 --> 00:47:57,359 Speaker 1: whatever I can started talking about that all day. Girl 861 00:47:57,440 --> 00:48:00,200 Speaker 1: gives fired up on your people. But I love yeah, 862 00:48:00,200 --> 00:48:03,040 Speaker 1: I love you. Every champion and carry champions to be 863 00:48:03,080 --> 00:48:06,360 Speaker 1: a champion, a champion, and carry champion, and carry champion, 864 00:48:06,480 --> 00:48:10,160 Speaker 1: A champion and carry champion and carry champion sports and 865 00:48:10,360 --> 00:48:18,160 Speaker 1: entertainment can nake it work? Verry champion and carry champions, 866 00:48:18,200 --> 00:48:21,640 Speaker 1: to be a champion, a champion, they carry champion. They 867 00:48:21,040 --> 00:48:26,240 Speaker 1: got a champion, they carry champion, they carry champions. Entertainment. 868 00:48:27,600 --> 00:48:32,520 Speaker 1: I do say this with my understanding of your entertainment. 869 00:48:33,760 --> 00:48:36,000 Speaker 1: Do you ever feel because I used to say this 870 00:48:36,040 --> 00:48:38,640 Speaker 1: all the time. You talk every day on TV Bound 871 00:48:38,800 --> 00:48:42,160 Speaker 1: Bound and says it's just gonna happen. Do you ever 872 00:48:42,320 --> 00:48:46,800 Speaker 1: feel that you want to not be in the game 873 00:48:46,960 --> 00:48:50,000 Speaker 1: after a bad day on social? Do you ever feel 874 00:48:50,000 --> 00:48:52,000 Speaker 1: like I'm packing it up? Y'a, don't get no more 875 00:48:52,000 --> 00:48:54,520 Speaker 1: in my wisdom, you go, you have you ever felt 876 00:48:54,560 --> 00:48:57,400 Speaker 1: that way? Even when like even let's talk about Insecure, 877 00:48:57,719 --> 00:48:59,839 Speaker 1: You're like, you do know this is a character, like 878 00:49:00,080 --> 00:49:03,680 Speaker 1: I am just you know, I was like, what is 879 00:49:03,800 --> 00:49:08,839 Speaker 1: going on? What I couldn't even understand? I couldn't understand it. 880 00:49:08,880 --> 00:49:11,600 Speaker 1: I could not understand it. That would have made me irritated. 881 00:49:12,440 --> 00:49:13,719 Speaker 1: Do you know what I mean? To the point where 882 00:49:13,719 --> 00:49:15,400 Speaker 1: I'm been like I'm tapping off. I'm tapping off a 883 00:49:15,440 --> 00:49:17,560 Speaker 1: social I don't like you guys, this is I am 884 00:49:17,680 --> 00:49:20,560 Speaker 1: not in AKA. This is a character that I am playing. 885 00:49:20,920 --> 00:49:24,600 Speaker 1: If you guys could give me some grace, I have 886 00:49:24,680 --> 00:49:27,200 Speaker 1: felt I have felt that way. Like sometimes it just 887 00:49:27,239 --> 00:49:31,640 Speaker 1: feels like, oh, like this is just an overabundance of 888 00:49:31,640 --> 00:49:34,239 Speaker 1: ignorance that I can't take, or this is an overabundance 889 00:49:34,280 --> 00:49:37,359 Speaker 1: of negativity that I can't take. I mean, I've told 890 00:49:37,360 --> 00:49:41,000 Speaker 1: this story before, Like I remember when I had I 891 00:49:41,000 --> 00:49:46,160 Speaker 1: had two situations happen in twenty nineteen, where like I 892 00:49:46,200 --> 00:49:52,759 Speaker 1: was just drag baby, okay, dow wow through the inter 893 00:49:52,880 --> 00:49:59,080 Speaker 1: nets and why we can't laugh at it now, do you? 894 00:49:59,080 --> 00:50:01,320 Speaker 1: Guys don't want to through the internet like that is 895 00:50:01,360 --> 00:50:05,320 Speaker 1: some real just visualize that. That's how would be, like 896 00:50:05,760 --> 00:50:10,719 Speaker 1: literally dog walk me through the Internet. And folks don't 897 00:50:10,760 --> 00:50:13,160 Speaker 1: understand that because folks will say things like I don't 898 00:50:13,160 --> 00:50:15,960 Speaker 1: know why you care that people who don't know you 899 00:50:16,000 --> 00:50:18,560 Speaker 1: are talking about you, and it's like that's why because 900 00:50:18,560 --> 00:50:22,080 Speaker 1: they're just like you don't even know me. Like so, 901 00:50:22,560 --> 00:50:24,560 Speaker 1: but I was being dog walked through this Internet, and 902 00:50:24,600 --> 00:50:26,440 Speaker 1: there was it was a scenario that had happened, and 903 00:50:26,480 --> 00:50:30,200 Speaker 1: I thought like, okay, we had gotten through it, and 904 00:50:30,239 --> 00:50:34,239 Speaker 1: then it got re visited like someone just decided, like 905 00:50:34,280 --> 00:50:36,040 Speaker 1: on a Tuesday at two o'clock, like, you know what, 906 00:50:36,200 --> 00:50:39,320 Speaker 1: let me just put this back in the atmosphere. And 907 00:50:39,760 --> 00:50:45,240 Speaker 1: I started getting the tags and getting the dms, and 908 00:50:46,800 --> 00:50:48,880 Speaker 1: I just like I remember I was about to interview 909 00:50:49,400 --> 00:50:52,960 Speaker 1: comedian Sam Jay on my podcast, and so she was 910 00:50:53,000 --> 00:50:56,200 Speaker 1: at the house and I literally just like fell like 911 00:50:56,239 --> 00:50:58,839 Speaker 1: I like crumbled to my knees and was just like 912 00:50:59,200 --> 00:51:04,200 Speaker 1: I'm done, like I'm just done. Like it like actually 913 00:51:04,239 --> 00:51:08,200 Speaker 1: broke me because because the thing, because the thing that 914 00:51:08,239 --> 00:51:11,120 Speaker 1: I was being attacked for was for something that I 915 00:51:11,239 --> 00:51:19,560 Speaker 1: was wholeheartedly justified in doing and and it needed to happen. 916 00:51:20,560 --> 00:51:25,680 Speaker 1: And it was like, how could I be so misunderstood 917 00:51:25,800 --> 00:51:29,719 Speaker 1: in this situation? Like like what does that like? And 918 00:51:29,800 --> 00:51:33,120 Speaker 1: so what happens is you reach a point of like 919 00:51:34,600 --> 00:51:39,239 Speaker 1: if this is how people react to me moving at 920 00:51:39,280 --> 00:51:43,200 Speaker 1: my most authentic and genuine, then like how the funck 921 00:51:43,239 --> 00:51:46,319 Speaker 1: could I continue to move in this space? I have 922 00:51:46,400 --> 00:51:48,440 Speaker 1: to go right, And I feel like for a lot 923 00:51:48,440 --> 00:51:51,000 Speaker 1: of people, that's what suicide really is about. It's like 924 00:51:51,080 --> 00:51:54,480 Speaker 1: if this is what it's gonna be, if I continue 925 00:51:54,520 --> 00:51:58,480 Speaker 1: to be me, then I just can't continue to be um. 926 00:51:58,719 --> 00:52:01,319 Speaker 1: And I felt I felt that the four too. Yeah, 927 00:52:01,360 --> 00:52:03,600 Speaker 1: but but as it related to the business, like that 928 00:52:03,680 --> 00:52:05,399 Speaker 1: was I just said and Sam had to like, yeah, 929 00:52:05,480 --> 00:52:08,920 Speaker 1: it was a it was a Terry McMillan film. Like 930 00:52:09,000 --> 00:52:11,200 Speaker 1: Sam had to like pick me up off the ground 931 00:52:11,239 --> 00:52:18,440 Speaker 1: and be like, no, sister, this is You've got to 932 00:52:18,520 --> 00:52:21,320 Speaker 1: keep going, you know. And I'm just like, oh gosh, 933 00:52:21,880 --> 00:52:24,600 Speaker 1: like no, let him brant you, you know. And then 934 00:52:24,640 --> 00:52:29,719 Speaker 1: it's like a title Perry stage play. You know, you're 935 00:52:29,760 --> 00:52:38,120 Speaker 1: just like to have like but you know in the 936 00:52:38,160 --> 00:52:42,240 Speaker 1: more in the more, like in the more travel sizes 937 00:52:42,400 --> 00:52:47,680 Speaker 1: there because we're and Sam is strong. That's a strong girl. Yeah, 938 00:52:49,040 --> 00:52:51,200 Speaker 1: I love yea. She said, let me pick you up 939 00:52:51,239 --> 00:52:58,279 Speaker 1: physically and emotionally. You need these n everybody you know 940 00:52:58,920 --> 00:53:01,160 Speaker 1: you need that. You need that. People always ask me like, oh, 941 00:53:01,200 --> 00:53:03,120 Speaker 1: like what's your advice and someone getting in this business 942 00:53:03,160 --> 00:53:04,759 Speaker 1: and I'm like, make sure you have people around you 943 00:53:04,760 --> 00:53:06,640 Speaker 1: who reminds you of who you are on the days 944 00:53:06,719 --> 00:53:09,600 Speaker 1: this business makes you forget a man that is a 945 00:53:09,840 --> 00:53:11,479 Speaker 1: by the way, that is a word for your ass, 946 00:53:11,520 --> 00:53:13,600 Speaker 1: and then it just rejuvenates you. And she gave you 947 00:53:13,600 --> 00:53:16,680 Speaker 1: what you needed to keep going. I think, I think 948 00:53:16,719 --> 00:53:18,560 Speaker 1: you're built for this. But then when you're in the 949 00:53:18,600 --> 00:53:22,839 Speaker 1: middle of being dog walk on the internet and you're 950 00:53:22,880 --> 00:53:25,920 Speaker 1: always like surprised, like like I know, it's always most random, 951 00:53:26,120 --> 00:53:28,799 Speaker 1: You're like, wait, what you know? And it'll it'll creep 952 00:53:28,880 --> 00:53:31,520 Speaker 1: up on you. So many times, y'all. I will like 953 00:53:31,600 --> 00:53:33,520 Speaker 1: send a tweet and then go about my life or 954 00:53:33,560 --> 00:53:35,680 Speaker 1: like like something, and then this will go about my 955 00:53:35,719 --> 00:53:38,640 Speaker 1: life and then like you know, a few hours later, 956 00:53:38,640 --> 00:53:43,960 Speaker 1: look at my phone, like, oh, I don't know if 957 00:53:43,960 --> 00:53:47,400 Speaker 1: you remember. There was this white lady who like she 958 00:53:47,600 --> 00:53:49,719 Speaker 1: like sent a tweet before she took off on a 959 00:53:49,719 --> 00:53:52,640 Speaker 1: flight to South Africa and she said something like I'm 960 00:53:52,719 --> 00:53:56,080 Speaker 1: going she said something like hella racist, and she was 961 00:53:56,160 --> 00:53:59,319 Speaker 1: like an exec for some big company. And then she 962 00:53:59,440 --> 00:54:00,960 Speaker 1: and then she turned her phone off and like took 963 00:54:01,000 --> 00:54:02,799 Speaker 1: off on the on the plight and when she landed 964 00:54:02,840 --> 00:54:05,200 Speaker 1: fourteen hours later, she had like lost her job, like 965 00:54:05,600 --> 00:54:08,799 Speaker 1: she had been like everything had been blown up, and 966 00:54:08,840 --> 00:54:11,080 Speaker 1: I'm just like damn, Like that's how it would be sometimes, 967 00:54:11,680 --> 00:54:14,160 Speaker 1: she said out a tweet I will never forget when 968 00:54:14,200 --> 00:54:15,960 Speaker 1: I was sitting in a Paris airport and I sent 969 00:54:16,000 --> 00:54:21,520 Speaker 1: out a tweet that said, if you have Jay's and 970 00:54:21,840 --> 00:54:24,880 Speaker 1: Nike suits and you don't have a passport, then you're losing. 971 00:54:25,239 --> 00:54:27,799 Speaker 1: And then I like put my phone away and went 972 00:54:27,800 --> 00:54:30,680 Speaker 1: out with my life. And by the time I got 973 00:54:30,719 --> 00:54:36,400 Speaker 1: to WiFi again, I was the hated, Like what was 974 00:54:36,560 --> 00:54:40,239 Speaker 1: what was the outrage for the alleged outrage um The 975 00:54:40,280 --> 00:54:43,840 Speaker 1: alleged outrage was that I was policing how black people 976 00:54:43,920 --> 00:54:46,480 Speaker 1: spend their money. Didn't say anything about black people in 977 00:54:46,480 --> 00:54:49,120 Speaker 1: the tweet. I was policing how black people spend their money. 978 00:54:49,520 --> 00:54:54,160 Speaker 1: I was being elitist. I was trying to force people 979 00:54:54,200 --> 00:54:58,000 Speaker 1: to travel who don't want to travel. I was talking 980 00:54:58,040 --> 00:55:00,640 Speaker 1: about this on Candy Brus's podcast the other day, well, 981 00:55:00,640 --> 00:55:02,759 Speaker 1: her show the other day, and I was like, I 982 00:55:02,920 --> 00:55:06,320 Speaker 1: never forget. There was a tweet that said, Amanda Seals 983 00:55:08,080 --> 00:55:13,560 Speaker 1: is an elitist, petty bourgeoisie who is passport shaming the 984 00:55:13,719 --> 00:55:20,440 Speaker 1: disenfranchised black community. Wow, I'm doing all of that. Wow, okay, 985 00:55:20,480 --> 00:55:22,520 Speaker 1: just by a tweet, I did all that. You you're 986 00:55:22,520 --> 00:55:24,439 Speaker 1: and that's the part where you're just like, you don't 987 00:55:24,440 --> 00:55:26,800 Speaker 1: even know me, what are you talking about? Oh? Someone 988 00:55:26,840 --> 00:55:30,520 Speaker 1: told me the other day that by re sharing an 989 00:55:30,520 --> 00:55:36,160 Speaker 1: al Ja zero news story about something about like a 990 00:55:38,800 --> 00:55:42,600 Speaker 1: announced Zerra's news story about something going on in Ethiopia, 991 00:55:43,000 --> 00:55:47,960 Speaker 1: they said that I was empowering the Ethiopian government. And 992 00:55:49,360 --> 00:55:53,160 Speaker 1: I was like, all right, ma'am, I don't have that 993 00:55:53,280 --> 00:55:56,200 Speaker 1: kind of power. Yeah, well she but yes, that's the 994 00:55:56,239 --> 00:55:57,799 Speaker 1: beauty of it all though. That's what I'm saying. That's 995 00:55:57,800 --> 00:56:00,560 Speaker 1: how people see you, and it's interesting, and that doesn't 996 00:56:00,560 --> 00:56:02,640 Speaker 1: mean change who you are. It means that that just 997 00:56:02,680 --> 00:56:05,120 Speaker 1: comes with the territory of having the ear right and 998 00:56:05,200 --> 00:56:08,000 Speaker 1: being a voice within our culture right, but it does 999 00:56:08,120 --> 00:56:12,960 Speaker 1: mean changing like what you decide to like step into 1000 00:56:13,040 --> 00:56:15,640 Speaker 1: I feel yeah, yeah, it depends well because you know 1001 00:56:16,000 --> 00:56:17,600 Speaker 1: Jameale and I'd be like, did Jamel, Like I don't 1002 00:56:17,600 --> 00:56:19,759 Speaker 1: even feel like getting into it with the today, you 1003 00:56:19,800 --> 00:56:22,160 Speaker 1: know what I mean? Like Jamel's mom. Jamel's mom was 1004 00:56:22,320 --> 00:56:26,560 Speaker 1: on my flight back from Detroit the other day. Yeah, 1005 00:56:26,640 --> 00:56:28,360 Speaker 1: she told her. She was like, well, you know, my 1006 00:56:28,440 --> 00:56:34,040 Speaker 1: daughter is Jamel Hill and like, did you told Jamil that? 1007 00:56:34,480 --> 00:56:37,120 Speaker 1: Did you tell I was texting her? I was like, yo, yeah, 1008 00:56:37,160 --> 00:56:39,440 Speaker 1: momind me and she was like, oh she told the 1009 00:56:39,480 --> 00:56:44,480 Speaker 1: whole plane and she's my mom. That is so funny. 1010 00:56:44,520 --> 00:56:46,080 Speaker 1: Well let me tell you. I don't think her mom 1011 00:56:46,120 --> 00:56:48,200 Speaker 1: realized that I like know her know her though, like 1012 00:56:48,400 --> 00:56:49,879 Speaker 1: I was. She was like, oh you know my daughter 1013 00:56:49,960 --> 00:56:51,120 Speaker 1: was like yeah, she's like what's your name? A man? 1014 00:56:51,120 --> 00:56:52,680 Speaker 1: And she was like, well, thank you for your support. 1015 00:56:52,880 --> 00:56:57,759 Speaker 1: And I was like, you know, like I was like that, 1016 00:56:58,160 --> 00:57:00,279 Speaker 1: like like I know, like a texting her like look, 1017 00:57:00,280 --> 00:57:03,759 Speaker 1: I said, yeah, not only do I support her, but 1018 00:57:03,760 --> 00:57:06,799 Speaker 1: that's like my friend's real like yeah, oh you do 1019 00:57:06,880 --> 00:57:10,879 Speaker 1: know my daughter? Oh Okay, no, um, so I do 1020 00:57:11,080 --> 00:57:12,640 Speaker 1: I do know, I do know if you want to 1021 00:57:12,640 --> 00:57:14,319 Speaker 1: feel the headache, because no matter what, when you're in 1022 00:57:14,320 --> 00:57:15,960 Speaker 1: the middle of it, it still takes a lot from 1023 00:57:16,000 --> 00:57:18,920 Speaker 1: you and I and I think, and I've said this before, 1024 00:57:19,120 --> 00:57:20,680 Speaker 1: I'm I'm in a space where I like to watch 1025 00:57:20,680 --> 00:57:23,600 Speaker 1: people evolve and grow and I've seen you do that. 1026 00:57:24,000 --> 00:57:26,840 Speaker 1: So don't be kind and gentle to yourself. Don't take 1027 00:57:26,840 --> 00:57:29,840 Speaker 1: that for granted, because it's it's beautiful and it's special. 1028 00:57:31,040 --> 00:57:36,880 Speaker 1: Thank you, Carrie Champs. What are you about to say? No? 1029 00:57:37,000 --> 00:57:38,960 Speaker 1: Because people I see people all the time will be like, 1030 00:57:40,000 --> 00:57:42,680 Speaker 1: you're so much like happier now you know, you're just 1031 00:57:42,680 --> 00:57:45,160 Speaker 1: not as angry. It's like, damn, can a bitch get loved? 1032 00:57:45,320 --> 00:57:51,240 Speaker 1: Like what like, yeah, and let me learn it? And yes, 1033 00:57:51,440 --> 00:57:53,920 Speaker 1: love helps if you've been learning. And that's and and 1034 00:57:53,960 --> 00:57:57,400 Speaker 1: I'm watching that legislation. Yeah, we're allowed to do that. 1035 00:57:57,880 --> 00:58:00,320 Speaker 1: We are allowed to do that. So don't don't get 1036 00:58:00,360 --> 00:58:02,640 Speaker 1: that part of the process. I don't believe in the whole, like, oh, 1037 00:58:02,720 --> 00:58:05,240 Speaker 1: a leopard doesn't change its spots, like people are who 1038 00:58:05,320 --> 00:58:07,560 Speaker 1: they are, Like I've never believed that. I think that's 1039 00:58:07,560 --> 00:58:10,240 Speaker 1: a cop out and I feel like there's a lot 1040 00:58:10,320 --> 00:58:14,600 Speaker 1: of Um, there's a lot of tropes that humans like 1041 00:58:14,720 --> 00:58:16,600 Speaker 1: kind of just repeat but they don't really know the 1042 00:58:16,640 --> 00:58:18,960 Speaker 1: source of So I started reading this book. I can't 1043 00:58:18,960 --> 00:58:20,440 Speaker 1: remember the name of it right now, but I started 1044 00:58:20,440 --> 00:58:25,560 Speaker 1: reading this book that basically seeks to reassess what is 1045 00:58:25,640 --> 00:58:31,240 Speaker 1: human nature. And they talk about how like so much 1046 00:58:31,280 --> 00:58:33,080 Speaker 1: of what we consider to be human nature, like how 1047 00:58:33,120 --> 00:58:36,760 Speaker 1: we say life isn't fair, how we say like, you know, 1048 00:58:37,680 --> 00:58:39,680 Speaker 1: like how we like people kind of say like greed 1049 00:58:39,760 --> 00:58:43,240 Speaker 1: is a natural human condition. Like they were like, you know, 1050 00:58:43,320 --> 00:58:49,439 Speaker 1: these are things that were basically like just written by 1051 00:58:49,520 --> 00:58:52,480 Speaker 1: white people who had the power to write correct in 1052 00:58:52,640 --> 00:58:55,480 Speaker 1: like the seventeen hundreds, and then it just got passed 1053 00:58:55,480 --> 00:58:57,640 Speaker 1: down a path down the path, down, the path down, 1054 00:58:58,160 --> 00:59:00,640 Speaker 1: and like it's not a fact. You do know that? Yeah, 1055 00:59:00,680 --> 00:59:03,040 Speaker 1: oh wow wow wow wow wow wow wow wow. Yeah. 1056 00:59:03,080 --> 00:59:05,720 Speaker 1: That's that's all we have. You know. We have the 1057 00:59:05,760 --> 00:59:10,080 Speaker 1: power to define and redefine how we want to show up. 1058 00:59:10,120 --> 00:59:12,919 Speaker 1: And um, I think a lot of times we don't 1059 00:59:12,960 --> 00:59:16,200 Speaker 1: realize that, well, particularly for women, it is defined like 1060 00:59:16,280 --> 00:59:19,680 Speaker 1: this is how you're supposed to show up, and then 1061 00:59:19,760 --> 00:59:24,280 Speaker 1: you start to realize. But I don't wanna. Yeah, I 1062 00:59:24,280 --> 00:59:25,840 Speaker 1: don't want to do that. I don't want to show 1063 00:59:25,920 --> 00:59:27,640 Speaker 1: don't I don't want to show up that way like 1064 00:59:27,720 --> 00:59:30,160 Speaker 1: I want to wear skirts and also give niggas a dad? 1065 00:59:30,360 --> 00:59:32,880 Speaker 1: Can I do both? Can I do? Why? And by 1066 00:59:32,920 --> 00:59:35,240 Speaker 1: the way, that's that is the nature of what I 1067 00:59:35,240 --> 00:59:37,960 Speaker 1: would say about your talent. You do it all, and 1068 00:59:38,080 --> 00:59:39,440 Speaker 1: you do it the way you want to do it, 1069 00:59:39,600 --> 00:59:43,200 Speaker 1: and you can and you can thank you and no 1070 00:59:43,280 --> 00:59:45,560 Speaker 1: one can take that from you. You can and you will. 1071 00:59:45,720 --> 00:59:48,360 Speaker 1: So I support you one dred percent where can ever you? Okay? 1072 00:59:48,360 --> 00:59:50,880 Speaker 1: So in a Manda verse, will they find toward dates 1073 00:59:50,880 --> 00:59:53,040 Speaker 1: because I know you said you're doing Yeah, you can 1074 00:59:53,040 --> 00:59:55,560 Speaker 1: go to Amanda Sales dot com. The twenty ninth is 1075 00:59:55,560 --> 00:59:59,240 Speaker 1: October in Brooklyn. I will be in Philly doing stand 1076 00:59:59,280 --> 01:00:01,920 Speaker 1: up on November twelfth. You can catch me in Oakland 1077 01:00:01,960 --> 01:00:03,880 Speaker 1: after that and then I'm closing out the tour in 1078 01:00:03,960 --> 01:00:08,640 Speaker 1: Chicago December, second, third, and fourth. So get your tickets 1079 01:00:08,680 --> 01:00:10,800 Speaker 1: at Amanda seals dot com. And if you want to 1080 01:00:10,840 --> 01:00:12,560 Speaker 1: hear just more of my musings, you want to see 1081 01:00:12,560 --> 01:00:15,480 Speaker 1: behind the scenes footage, you want to see special exclusive 1082 01:00:15,520 --> 01:00:18,680 Speaker 1: series that I'm doing, like my docu series Amanda on 1083 01:00:18,720 --> 01:00:22,880 Speaker 1: the Move, or like my commentary series Rebels and Radicals, 1084 01:00:22,920 --> 01:00:26,240 Speaker 1: you can subscribe to the Amanda Verse. It's a universe 1085 01:00:26,280 --> 01:00:31,560 Speaker 1: of Amanda. You could subscribe to the Amanda Verse, and 1086 01:00:32,760 --> 01:00:34,720 Speaker 1: when you get an annual membership, you get a shirt 1087 01:00:34,760 --> 01:00:38,480 Speaker 1: that says Seals Squad that we're part of it, designed 1088 01:00:38,520 --> 01:00:42,040 Speaker 1: by mow By my hand. I drew it myself. So 1089 01:00:42,280 --> 01:00:44,760 Speaker 1: I love the monetization of it all. Don't give out 1090 01:00:44,800 --> 01:00:46,919 Speaker 1: these musings for free. Because you've given out, You're given 1091 01:00:46,920 --> 01:00:48,760 Speaker 1: out knowledge. It should be paid for. It should be 1092 01:00:49,040 --> 01:00:53,400 Speaker 1: it should be premium, premium. I mean, I'm honestly like 1093 01:00:54,880 --> 01:01:00,600 Speaker 1: working to be just not working harder, but working. Yeah. Yeah, 1094 01:01:00,640 --> 01:01:07,320 Speaker 1: girl joined joint Jones, right, yes, ma'am. I mean, I'm 1095 01:01:07,360 --> 01:01:09,600 Speaker 1: I'm hoping to announce something really soon that I think 1096 01:01:09,600 --> 01:01:12,080 Speaker 1: people will really be happy about it. I felt like 1097 01:01:12,120 --> 01:01:14,480 Speaker 1: you were gonna be doing something soon, and I was like, 1098 01:01:14,560 --> 01:01:16,720 Speaker 1: I wonder, well she says something. Now. I don't know anything, 1099 01:01:16,720 --> 01:01:17,880 Speaker 1: but I just felt like it. I was like, it's 1100 01:01:17,920 --> 01:01:19,480 Speaker 1: just a matter of time. I just you know, my 1101 01:01:19,640 --> 01:01:24,400 Speaker 1: waiting on those paperwork, Okay, same, same, all right, So 1102 01:01:24,640 --> 01:01:27,160 Speaker 1: I guess wed guys were both waiting on our paperwork. 1103 01:01:27,240 --> 01:01:29,560 Speaker 1: So everybody gets show. You get a show, get a show. 1104 01:01:29,560 --> 01:01:39,000 Speaker 1: We all get a shot. Smart, funny and black. I actually, 1105 01:01:39,080 --> 01:01:41,440 Speaker 1: as mentioned in the podcast, happened to do it and 1106 01:01:41,480 --> 01:01:43,800 Speaker 1: gott be badly. I was bad on my black culture, 1107 01:01:43,920 --> 01:01:46,919 Speaker 1: my black pop culture. You'll forgive me. Got Bomony Jones. 1108 01:01:46,920 --> 01:01:49,440 Speaker 1: Shout out to Bomony Jones. But she's on tour. Check 1109 01:01:49,440 --> 01:01:50,720 Speaker 1: her out. She told you she was gonna be in 1110 01:01:50,720 --> 01:01:53,600 Speaker 1: Atlanta on the fifteenth, although this will have already aired, 1111 01:01:53,600 --> 01:01:55,280 Speaker 1: but she's also in Porkling on the twenty night. And 1112 01:01:55,320 --> 01:01:57,840 Speaker 1: then she's also on tour. She's doing She's at a 1113 01:01:57,840 --> 01:02:00,720 Speaker 1: couple of comedy clubs in Phillies. You gotta go to 1114 01:02:00,800 --> 01:02:03,959 Speaker 1: amandiverse dot com Amanda Seals dot com. Check it out. 1115 01:02:04,360 --> 01:02:08,880 Speaker 1: Support her support looks like, I appreciate what you do 1116 01:02:09,000 --> 01:02:10,760 Speaker 1: because I know it's hard to do what you do 1117 01:02:10,920 --> 01:02:14,000 Speaker 1: and if you could do it differently, you would. And honestly, 1118 01:02:14,080 --> 01:02:16,280 Speaker 1: when I meet people like that, who I know it 1119 01:02:16,400 --> 01:02:19,439 Speaker 1: is in there being to be who they are. They're 1120 01:02:19,480 --> 01:02:24,440 Speaker 1: not doing it for effect, for fame, for attention. It 1121 01:02:24,600 --> 01:02:27,600 Speaker 1: is just who they are. And then that other part 1122 01:02:27,680 --> 01:02:30,560 Speaker 1: comes right that that entertainment business side of it will come, 1123 01:02:30,720 --> 01:02:32,959 Speaker 1: but it is who she is and I am more 1124 01:02:33,400 --> 01:02:35,560 Speaker 1: than willing to support her. I ask you guys to 1125 01:02:35,600 --> 01:02:37,960 Speaker 1: do the same. That was my helpboat cracking again and 1126 01:02:38,120 --> 01:02:41,080 Speaker 1: I guess I gotta get in yoga. Next week we're 1127 01:02:41,120 --> 01:02:42,960 Speaker 1: back with a new edition of Naked