1
00:00:00,040 --> 00:00:02,480
Speaker 1: Hey Christy, Hey Will, how are you? I'm so good.

2
00:00:02,640 --> 00:00:05,120
Speaker 1: I'm really excited for today's episode. We laughed a lot.

3
00:00:05,280 --> 00:00:07,640
Speaker 1: We did laugh a lot for today's episode. It is

4
00:00:07,720 --> 00:00:10,160
Speaker 1: very funny. We went off on some crazy tangents, found

5
00:00:10,160 --> 00:00:12,240
Speaker 1: out that I'm absolutely best friends with Brad Pitt, and

6
00:00:12,280 --> 00:00:14,880
Speaker 1: found out what it's like to be raised by a spy.

7
00:00:15,080 --> 00:00:17,360
Speaker 1: Not even a joke. The real life KP is in

8
00:00:17,400 --> 00:00:21,080
Speaker 1: the house. But it is Miley Flanagan. She is so talented.

9
00:00:21,200 --> 00:00:24,720
Speaker 1: She's the voice of everything. Uh and also she's on

10
00:00:24,760 --> 00:00:28,920
Speaker 1: that show. What's that show called television? Everything Everything? Yes,

11
00:00:29,440 --> 00:00:31,160
Speaker 1: she is the voice of Nuto and has been for

12
00:00:31,320 --> 00:00:34,360
Speaker 1: seventeen years. So yeah, I wait to hear this one.

13
00:00:34,520 --> 00:00:49,400
Speaker 1: It's pretty amazing voice. I flann again, not to be

14
00:00:49,520 --> 00:00:53,840
Speaker 1: confused with Miley Cyrus. Not the strangest intro yelling kind

15
00:00:53,840 --> 00:00:56,120
Speaker 1: of thing I've heard. It was great. I think I

16
00:00:56,120 --> 00:00:59,080
Speaker 1: should be thinking that all the time, all the time,

17
00:00:59,360 --> 00:01:02,720
Speaker 1: all the you know, check in for a plane, Miley

18
00:01:02,840 --> 00:01:09,400
Speaker 1: flitting Okay, do you want to window? We're moving you

19
00:01:09,520 --> 00:01:14,000
Speaker 1: to the middle whatever. With the work you've done, we

20
00:01:14,080 --> 00:01:16,919
Speaker 1: all know that you are definitely group one in boarding

21
00:01:16,959 --> 00:01:20,720
Speaker 1: on a plane. Be honest, come on, come on, I

22
00:01:20,760 --> 00:01:24,480
Speaker 1: don't fly first hardly ever. Really, you've done contact of

23
00:01:24,520 --> 00:01:26,760
Speaker 1: the seventeen years, and that's just one of the hundreds

24
00:01:26,800 --> 00:01:29,080
Speaker 1: of characters that you've done. I guess I'd better call

25
00:01:29,160 --> 00:01:31,880
Speaker 1: my agent. I'm telling you why I always get your

26
00:01:31,880 --> 00:01:35,720
Speaker 1: tickets business economy or you know, Okay, if it was

27
00:01:35,800 --> 00:01:39,280
Speaker 1: just myself, I probably would, Okay, or I'm really screwing up.

28
00:01:40,440 --> 00:01:42,400
Speaker 1: We're gonna call you because we share an agent two,

29
00:01:42,400 --> 00:01:46,120
Speaker 1: so we're gonna have to call. Well, welcome to the show. Yes,

30
00:01:46,200 --> 00:01:48,960
Speaker 1: I thank you, I hear voices, as the logo says,

31
00:01:49,280 --> 00:01:52,880
Speaker 1: as the giant Neon sign behind you says, this space

32
00:01:52,960 --> 00:01:56,000
Speaker 1: is awful. It's cool, rank you. Yeah, we are downtown

33
00:01:56,160 --> 00:01:58,240
Speaker 1: l A. For those of you who are not, you know,

34
00:01:59,200 --> 00:02:02,480
Speaker 1: here in downtown you're actually sitting within the room. You're

35
00:02:02,520 --> 00:02:06,760
Speaker 1: not actually here without which everybody, which is everybody but

36
00:02:06,920 --> 00:02:08,800
Speaker 1: the five of us in this room at this time,

37
00:02:09,200 --> 00:02:12,920
Speaker 1: and and we we've got this little like work play loft,

38
00:02:13,200 --> 00:02:15,000
Speaker 1: you know, and it's kind of a really great space.

39
00:02:15,040 --> 00:02:16,920
Speaker 1: Do you ever like crashed out here? And we're not,

40
00:02:17,160 --> 00:02:20,400
Speaker 1: we're not crashing together. No, he might crash if he

41
00:02:20,400 --> 00:02:22,359
Speaker 1: ever gets in trouble with his wife and maybe he'll

42
00:02:22,400 --> 00:02:24,799
Speaker 1: have to stay here. A little extra crash pad for

43
00:02:24,840 --> 00:02:27,280
Speaker 1: anybody if you need a crash pad. This is the

44
00:02:27,320 --> 00:02:32,320
Speaker 1: crash I like today, where's the blanket? You are more

45
00:02:32,360 --> 00:02:34,720
Speaker 1: than No blankets are extra? Just like when you're in

46
00:02:34,760 --> 00:02:37,280
Speaker 1: group two holding a plane apparently, oh my god, do

47
00:02:37,280 --> 00:02:39,639
Speaker 1: you remember their blankets? You used to get so many

48
00:02:39,639 --> 00:02:44,119
Speaker 1: amazing amenities on plane. Rights, Like now you're happy, You're yeah,

49
00:02:44,120 --> 00:02:46,359
Speaker 1: if you even get like a glass of water, you're

50
00:02:46,400 --> 00:02:50,160
Speaker 1: like salted pretzels, You're just like can they be salted?

51
00:02:50,240 --> 00:02:52,440
Speaker 1: Is that too much? So? And and you know, if

52
00:02:52,480 --> 00:02:55,720
Speaker 1: we want to chat about what about the concircuit is

53
00:02:56,120 --> 00:02:59,360
Speaker 1: you know so wonderful with you engaging with fans and

54
00:02:59,360 --> 00:03:02,079
Speaker 1: and like how what brought you to the concerts? Well,

55
00:03:02,080 --> 00:03:03,840
Speaker 1: you know a couple of things. One, I didn't want

56
00:03:03,840 --> 00:03:06,079
Speaker 1: to charge for stuff, so they'd have to get stipends,

57
00:03:06,120 --> 00:03:08,360
Speaker 1: and that limited my amount that I could do. And

58
00:03:08,360 --> 00:03:10,920
Speaker 1: I also do like or I used to anyway on

59
00:03:11,000 --> 00:03:14,240
Speaker 1: camera voice somewhere. So it's my career. So you know,

60
00:03:14,320 --> 00:03:16,480
Speaker 1: so it's hard to book out a lot like that,

61
00:03:16,560 --> 00:03:19,280
Speaker 1: and your agents get mad at you, like literally they'll

62
00:03:19,320 --> 00:03:22,280
Speaker 1: be like you're leaving again, you know, And I'm always like,

63
00:03:22,320 --> 00:03:24,400
Speaker 1: you know, work will take precedent, you know, if we

64
00:03:24,440 --> 00:03:26,600
Speaker 1: get something. But then I was on a Disney show

65
00:03:26,639 --> 00:03:29,919
Speaker 1: called lab Rats for five years and which I loved,

66
00:03:30,040 --> 00:03:32,160
Speaker 1: and that just made it really hard to go to conventions.

67
00:03:32,160 --> 00:03:35,960
Speaker 1: So that ended, and then you know, Naruto took off,

68
00:03:36,160 --> 00:03:37,840
Speaker 1: like I mean, it took off years ago, but it

69
00:03:37,880 --> 00:03:41,440
Speaker 1: took off again. I don't want to get into this

70
00:03:41,520 --> 00:03:44,080
Speaker 1: whole thing. Yeah, because have you noticed that there's something?

71
00:03:44,200 --> 00:03:46,720
Speaker 1: Because I I'm a huge animation nerd, which is what

72
00:03:46,840 --> 00:03:48,640
Speaker 1: made us kind of start this podcast. We want to

73
00:03:48,640 --> 00:03:50,360
Speaker 1: talk to all the best voices out there. So you've

74
00:03:50,360 --> 00:03:53,880
Speaker 1: been playing the same character for it's what seventeen years? Yeah,

75
00:03:53,920 --> 00:03:57,680
Speaker 1: about seventeen I got it right before. Yeah, yeah, okay,

76
00:03:57,720 --> 00:04:01,560
Speaker 1: So have you noticed because I've noticed that something about

77
00:04:01,600 --> 00:04:05,160
Speaker 1: anime has exploded. Well, i'll tell you what. Like, so

78
00:04:05,800 --> 00:04:07,800
Speaker 1: after the pandemic, like we all thought we were a

79
00:04:07,800 --> 00:04:10,040
Speaker 1: little bit more free once you got the vaccine and

80
00:04:10,080 --> 00:04:11,720
Speaker 1: all that. So I went on a couple of conventions

81
00:04:11,720 --> 00:04:14,720
Speaker 1: where I saw you and and the safe conventions. You know,

82
00:04:14,840 --> 00:04:16,839
Speaker 1: I have mass mandates and all that stuff, and the

83
00:04:16,839 --> 00:04:20,480
Speaker 1: plastic shield shield and you know, you make sure are

84
00:04:20,480 --> 00:04:22,479
Speaker 1: we not doing that? Now? There might be we'll see

85
00:04:22,480 --> 00:04:24,359
Speaker 1: what the conventions are doing. I think it's kind of

86
00:04:24,400 --> 00:04:27,240
Speaker 1: up to us. Actually, you just ask for it. But

87
00:04:27,279 --> 00:04:29,520
Speaker 1: I also had good helpers that would be like, you

88
00:04:29,520 --> 00:04:31,360
Speaker 1: can't come over. We have like a little sign. It's

89
00:04:31,400 --> 00:04:33,320
Speaker 1: like it goes over your nose, and mount like, yeah,

90
00:04:33,680 --> 00:04:35,120
Speaker 1: if you get a good helper, they'll be like, no,

91
00:04:35,400 --> 00:04:37,120
Speaker 1: you can't come up, and it seems rude. But I'm like,

92
00:04:37,279 --> 00:04:38,520
Speaker 1: I don't know. I have asthma. I don't like to

93
00:04:38,520 --> 00:04:41,400
Speaker 1: get sick. So we went and you and I we

94
00:04:41,440 --> 00:04:44,839
Speaker 1: saw each other. We figured and figured out Indianolis, Indianapolis.

95
00:04:44,880 --> 00:04:47,720
Speaker 1: So people binged it because people had put it off

96
00:04:47,800 --> 00:04:50,479
Speaker 1: because they are like seven thirty episodes in Arto and

97
00:04:50,480 --> 00:04:52,720
Speaker 1: then like I'm doing the spinoff, which I just did

98
00:04:52,760 --> 00:04:56,680
Speaker 1: episode one ninety yesterday, so it just never ends and

99
00:04:57,800 --> 00:05:05,280
Speaker 1: which is great. So people binged it over the over

100
00:05:05,360 --> 00:05:07,159
Speaker 1: quarantine and every yeah, and so you know, I have

101
00:05:07,240 --> 00:05:10,560
Speaker 1: like basically three generations sometimes of people that are watching

102
00:05:10,600 --> 00:05:12,560
Speaker 1: this show. And they'll come up and be like, I

103
00:05:12,560 --> 00:05:15,599
Speaker 1: got my son into it. You know, he's you know whatever,

104
00:05:15,839 --> 00:05:18,840
Speaker 1: I mean, it's just crazy. Yeah, Well do take us

105
00:05:18,880 --> 00:05:22,719
Speaker 1: back to the first time you ever heard about this project. Um,

106
00:05:22,839 --> 00:05:25,000
Speaker 1: I don't remember my first audition, but it was when

107
00:05:25,040 --> 00:05:27,560
Speaker 1: we had to go into the studio at our agency

108
00:05:27,600 --> 00:05:30,039
Speaker 1: and and then I got a call back and I

109
00:05:30,080 --> 00:05:33,920
Speaker 1: went to Studiopolis where they produced in Frank Zappa's old

110
00:05:33,960 --> 00:05:38,720
Speaker 1: studio for old people out there, not you guys, uh

111
00:05:38,960 --> 00:05:41,600
Speaker 1: like that. That's one of their spaces, which I thought

112
00:05:41,600 --> 00:05:44,919
Speaker 1: was cool. And so I went in and I was

113
00:05:44,960 --> 00:05:47,719
Speaker 1: in there with like people from Japan and Viz from

114
00:05:47,760 --> 00:05:50,880
Speaker 1: you know, San Francisco, and and then the Studio Apolis

115
00:05:50,880 --> 00:05:53,359
Speaker 1: crew and you know directing and Jamie Simony and all that,

116
00:05:53,800 --> 00:05:55,600
Speaker 1: and like I was in there for like forty minutes

117
00:05:55,960 --> 00:05:58,600
Speaker 1: just sweating, like you know, because it was like they're

118
00:05:58,640 --> 00:06:01,120
Speaker 1: like a lot of people out there, and usually it's

119
00:06:01,160 --> 00:06:04,240
Speaker 1: like us and like an engineer and director. So after

120
00:06:04,279 --> 00:06:06,600
Speaker 1: forty minutes I came out, you know, I was just sweating,

121
00:06:06,800 --> 00:06:09,880
Speaker 1: just profusely. And they had me do a lot of

122
00:06:09,880 --> 00:06:12,479
Speaker 1: different scenes and a lot of different some different ages

123
00:06:12,760 --> 00:06:16,800
Speaker 1: and different emotions, funny goofy stuff, really dramatic stuff come out.

124
00:06:16,800 --> 00:06:18,320
Speaker 1: I said, well, I hope I got the job. And

125
00:06:18,600 --> 00:06:20,479
Speaker 1: Jamie's like, oh, you got the job, and I was like,

126
00:06:20,480 --> 00:06:23,760
Speaker 1: why didn't you tell me? That is very Jamie? Though?

127
00:06:23,800 --> 00:06:27,320
Speaker 1: Is that is very Jamie? Now James as a director,

128
00:06:29,000 --> 00:06:31,479
Speaker 1: he's actually he's the owner of the studio. Yeah, but

129
00:06:31,560 --> 00:06:33,680
Speaker 1: he will also be the kind of the head engineer

130
00:06:33,680 --> 00:06:35,000
Speaker 1: of some of the stuff that's there, and then we'll

131
00:06:35,000 --> 00:06:37,160
Speaker 1: direct certain series and things like that. Got it of

132
00:06:37,279 --> 00:06:40,320
Speaker 1: studio of studio I did Transformers and some cool stuff

133
00:06:40,960 --> 00:06:44,240
Speaker 1: we've done. He's too big. He only comes in when

134
00:06:44,279 --> 00:06:46,280
Speaker 1: somebody's sick or something, you know, like, and it would

135
00:06:46,279 --> 00:06:48,160
Speaker 1: be like, I don't know, do it the way you're

136
00:06:48,160 --> 00:06:51,039
Speaker 1: do it? Like for a long time, I think I

137
00:06:51,040 --> 00:06:55,159
Speaker 1: got it. But anyway, then I went home book myself

138
00:06:55,360 --> 00:06:59,040
Speaker 1: tickets to New Orleans to celebrate my birthday. So now

139
00:06:59,360 --> 00:07:03,560
Speaker 1: this is different than say so, we we've talked about

140
00:07:03,560 --> 00:07:05,800
Speaker 1: this because we're trying to kind of teach people what

141
00:07:05,839 --> 00:07:07,680
Speaker 1: it's like to do an animated series. And this is

142
00:07:07,720 --> 00:07:10,400
Speaker 1: a very different way of recording, isn't it. Because what

143
00:07:10,440 --> 00:07:12,440
Speaker 1: you're doing is instead of going in and recording and

144
00:07:12,480 --> 00:07:15,200
Speaker 1: then they're sending away your voice and they're animating to it,

145
00:07:15,680 --> 00:07:19,160
Speaker 1: you're already seeing the animation because you're doing the English

146
00:07:19,240 --> 00:07:22,560
Speaker 1: dub of a Japanese show. Correct, So the dubbing process

147
00:07:22,760 --> 00:07:25,040
Speaker 1: is for those of you that don't know, the director

148
00:07:25,160 --> 00:07:27,440
Speaker 1: explains a little bit about what's going on in the scene.

149
00:07:27,480 --> 00:07:30,320
Speaker 1: You never get your script beforehand. You don't. You never

150
00:07:30,320 --> 00:07:33,320
Speaker 1: get your script beforehand. Now although since the pandemic, since

151
00:07:33,320 --> 00:07:35,520
Speaker 1: I've recorded at home or and you can bring in

152
00:07:35,520 --> 00:07:37,960
Speaker 1: your own iPad if you go into the studio. They

153
00:07:38,000 --> 00:07:39,680
Speaker 1: do some of the scripts which I never read because

154
00:07:39,680 --> 00:07:42,160
Speaker 1: I never have read them before, because I'm by the way,

155
00:07:42,240 --> 00:07:46,160
Speaker 1: let's talk about this. I've never ever so for Kim Possible.

156
00:07:46,200 --> 00:07:48,400
Speaker 1: Back in the day when we did this show, I

157
00:07:48,440 --> 00:07:51,960
Speaker 1: did read a few, but I didn't read a ton

158
00:07:52,000 --> 00:07:55,200
Speaker 1: of them before. And I got a little bit um,

159
00:07:55,240 --> 00:07:57,040
Speaker 1: I think I got in some hot water with Lisa,

160
00:07:57,360 --> 00:07:59,320
Speaker 1: which we can well, yeah, I mean again we you

161
00:07:59,360 --> 00:08:03,360
Speaker 1: know it's probably better to read. But again there's it's

162
00:08:03,400 --> 00:08:04,840
Speaker 1: not like you're the only one that doesn't. We we've

163
00:08:04,880 --> 00:08:07,320
Speaker 1: all worked with actors, so you can tell. Forget, they

164
00:08:07,360 --> 00:08:08,840
Speaker 1: haven't read the script. They don't even know what show

165
00:08:08,840 --> 00:08:12,000
Speaker 1: they're doing, and so it's they get it. You get

166
00:08:12,000 --> 00:08:13,400
Speaker 1: a nudge in the ribs and you look over and

167
00:08:13,400 --> 00:08:15,960
Speaker 1: you go, no, that's you oh, I'm sorry. I didn't

168
00:08:15,960 --> 00:08:18,120
Speaker 1: know I was playing that part. So it happens where

169
00:08:18,120 --> 00:08:20,960
Speaker 1: you're there's actors that certainly are not reading the material.

170
00:08:21,120 --> 00:08:23,200
Speaker 1: Oh my god. I auditioned for Shameless, which I did.

171
00:08:23,240 --> 00:08:26,640
Speaker 1: I did such episodes and I got the script and

172
00:08:27,040 --> 00:08:31,200
Speaker 1: I I was like, oh, I guess I'm Fiona. I

173
00:08:31,240 --> 00:08:33,320
Speaker 1: had never seen this show because I didn't have show time,

174
00:08:33,720 --> 00:08:35,360
Speaker 1: so I was like and then I was like, I

175
00:08:35,400 --> 00:08:37,480
Speaker 1: better look, I kind of should look this up like

176
00:08:37,520 --> 00:08:40,439
Speaker 1: it was at least res try Wikipedia this maybe before

177
00:08:40,440 --> 00:08:42,320
Speaker 1: I go in. And then I really I'm like, oh, yeah,

178
00:08:42,360 --> 00:08:45,720
Speaker 1: Fiona is like the lead, like it Sammy Ross. Anyway,

179
00:08:46,120 --> 00:08:48,560
Speaker 1: but back to the thing about reading scripts. I always

180
00:08:48,559 --> 00:08:51,200
Speaker 1: do read them for original animation, but the only anime

181
00:08:51,280 --> 00:08:54,000
Speaker 1: I do is Naruto. So people ask me about anime.

182
00:08:54,080 --> 00:08:57,600
Speaker 1: I'm like, yeah, right, I know my show. Well, you're

183
00:08:57,640 --> 00:08:59,640
Speaker 1: the lead in one of the most popular animies of

184
00:08:59,640 --> 00:09:01,559
Speaker 1: all time time. So the way it works as you're

185
00:09:01,559 --> 00:09:04,600
Speaker 1: by yourself and you have a director and engineers sometimes

186
00:09:04,640 --> 00:09:08,160
Speaker 1: now they're the same person, and uh you they tell

187
00:09:08,200 --> 00:09:10,480
Speaker 1: you where you were, what part of the series, or

188
00:09:10,520 --> 00:09:13,199
Speaker 1: what just happened. Then you watch the scene and then

189
00:09:13,240 --> 00:09:16,040
Speaker 1: they play it back. You hear three beeps, and where

190
00:09:16,080 --> 00:09:18,520
Speaker 1: the imaginary fourth peep is is where you start talking.

191
00:09:18,960 --> 00:09:20,839
Speaker 1: So it's like cold draining. You know, you gotta look

192
00:09:20,920 --> 00:09:24,599
Speaker 1: up now adjusted. We adjusted a lot of times, but

193
00:09:24,679 --> 00:09:27,760
Speaker 1: well that's the thing. You're translating from Japanese into English,

194
00:09:27,840 --> 00:09:30,680
Speaker 1: and the translations don't always fit. I mean, they flat

195
00:09:30,679 --> 00:09:33,280
Speaker 1: out don't always fit. So I noticed. Do you notice

196
00:09:33,320 --> 00:09:35,560
Speaker 1: that you spend a lot more time kind of waiting

197
00:09:35,600 --> 00:09:40,080
Speaker 1: around for rewrites when you're doing the dubbing. We're so

198
00:09:40,160 --> 00:09:42,360
Speaker 1: in sync right now, you've got it down like they've

199
00:09:42,400 --> 00:09:43,680
Speaker 1: got it. I mean, at least the people that I

200
00:09:43,720 --> 00:09:46,960
Speaker 1: work with. And and again I don't do any other animation,

201
00:09:46,960 --> 00:09:48,680
Speaker 1: and I don't do like there's a lot of really

202
00:09:48,760 --> 00:09:51,320
Speaker 1: cheap anime out there. They don't pay people well, they

203
00:09:51,320 --> 00:09:53,320
Speaker 1: don't pay the writers well, they don't pay the actors well.

204
00:09:53,760 --> 00:09:55,960
Speaker 1: And you can kind of hear it. But in Naruto it,

205
00:09:56,400 --> 00:09:58,960
Speaker 1: I think it really started a whole thing to make

206
00:09:59,000 --> 00:10:02,640
Speaker 1: it u own more real and less kind of I

207
00:10:02,720 --> 00:10:05,520
Speaker 1: think people think animals like, yes, I'll go to the store,

208
00:10:06,000 --> 00:10:10,440
Speaker 1: and we americanized it on purpose, and we don't roll

209
00:10:10,480 --> 00:10:15,239
Speaker 1: our ours, you know, like like it's like Naruto um

210
00:10:15,320 --> 00:10:17,800
Speaker 1: and stuff like that, and we speak. You know, I

211
00:10:17,800 --> 00:10:20,360
Speaker 1: can tell when there's a new writer, because there has

212
00:10:20,400 --> 00:10:22,720
Speaker 1: been a new writer the last couple of episodes of Borato,

213
00:10:22,800 --> 00:10:25,679
Speaker 1: which is the spin off, and I'm like, that's never

214
00:10:25,720 --> 00:10:29,880
Speaker 1: gonna fit. Okay, I'll do it, you know, and and

215
00:10:29,880 --> 00:10:31,719
Speaker 1: they're like, yeah, it's not gonna fit. And then you're

216
00:10:31,720 --> 00:10:33,560
Speaker 1: just like, okay, let's tick the that out and say

217
00:10:33,679 --> 00:10:36,160
Speaker 1: every day instead of like some you know, some other

218
00:10:36,200 --> 00:10:38,920
Speaker 1: day or whatever. So is there sort of like a

219
00:10:39,360 --> 00:10:41,160
Speaker 1: when it comes to these new people kind of coming

220
00:10:41,200 --> 00:10:44,679
Speaker 1: into the creative process, do they give you like the

221
00:10:44,760 --> 00:10:48,120
Speaker 1: privilege of saying, well, I would defer to you because

222
00:10:48,160 --> 00:10:51,280
Speaker 1: you know how yeah, you so not in the writing.

223
00:10:51,320 --> 00:10:53,160
Speaker 1: I don't have anything to do with it, but you know,

224
00:10:53,200 --> 00:10:56,320
Speaker 1: I'll just suggest something. And then you know, Susie who's

225
00:10:56,320 --> 00:10:59,480
Speaker 1: currently directing a lot of it and Ryan, they're like okay, yeah,

226
00:10:59,520 --> 00:11:01,600
Speaker 1: they're like, I'll say, what if I say like that's

227
00:11:01,600 --> 00:11:04,240
Speaker 1: going to be my world instead of you know, yeah,

228
00:11:04,480 --> 00:11:06,240
Speaker 1: I hope that's going to be my world. You know,

229
00:11:06,720 --> 00:11:10,080
Speaker 1: like that's okay, what do I just say? Let's But

230
00:11:10,160 --> 00:11:12,120
Speaker 1: you also see all these little tricks that that people

231
00:11:12,120 --> 00:11:15,320
Speaker 1: put into match the lip flaps like that is a

232
00:11:15,320 --> 00:11:18,720
Speaker 1: word that's always in there unnecessarily, like I hope that

233
00:11:18,760 --> 00:11:21,160
Speaker 1: we can go there someday, and it's like, how about

234
00:11:21,320 --> 00:11:24,160
Speaker 1: I hope we can go there some day. It's all

235
00:11:24,200 --> 00:11:26,880
Speaker 1: the mouth flaps and everything going on. Yeah, right, so

236
00:11:27,000 --> 00:11:30,480
Speaker 1: I mean because Japanese people talk really fast, so there's

237
00:11:30,520 --> 00:11:34,840
Speaker 1: a lot of us um uh huh, just wait, just

238
00:11:34,920 --> 00:11:37,640
Speaker 1: kept basically vamping for time, is what you're saying. Yeah,

239
00:11:37,840 --> 00:11:40,600
Speaker 1: so you know, it's not silent on screen like every

240
00:11:40,640 --> 00:11:46,000
Speaker 1: time an anime like a giggle, I like that giggle

241
00:11:46,120 --> 00:11:48,920
Speaker 1: every time in anime anyone gets up off a chair.

242
00:11:49,000 --> 00:11:54,079
Speaker 1: It's like, you can't just get he's twelve years old,

243
00:11:55,400 --> 00:12:00,160
Speaker 1: what does he have? Arthrit? And it's just like there's

244
00:12:00,160 --> 00:12:03,000
Speaker 1: a lot of because it's just you can't have silence

245
00:12:03,640 --> 00:12:08,640
Speaker 1: apparently not here. So it's like so essentially it seems

246
00:12:08,720 --> 00:12:10,680
Speaker 1: like it's one. Because we were learning a little bit

247
00:12:10,720 --> 00:12:12,400
Speaker 1: about the A d R process, it seems like it's

248
00:12:12,440 --> 00:12:14,800
Speaker 1: more you're a d R in an entire show as

249
00:12:14,800 --> 00:12:17,440
Speaker 1: opposed to record. Yeah, is you know is there when

250
00:12:17,480 --> 00:12:20,600
Speaker 1: you prefer like me? But you know, so like meaning

251
00:12:20,640 --> 00:12:23,760
Speaker 1: like dubbing as opposed to original, Original, Is there a

252
00:12:23,760 --> 00:12:27,079
Speaker 1: process you like better? Yeah, original because they match you

253
00:12:27,200 --> 00:12:29,600
Speaker 1: and you get a little more creativity. But I will

254
00:12:29,600 --> 00:12:31,960
Speaker 1: say with Narto, like you make it your own. And

255
00:12:32,000 --> 00:12:35,440
Speaker 1: that's why Narto is good because we have great actors,

256
00:12:35,559 --> 00:12:38,240
Speaker 1: great directors. Mary Elizaeth McGlenn was our director for a

257
00:12:38,280 --> 00:12:41,120
Speaker 1: long time. Mary Elizabeth is one of my closest friends. Yeah,

258
00:12:41,160 --> 00:12:44,640
Speaker 1: and mine too. She did she and she took that

259
00:12:44,679 --> 00:12:47,920
Speaker 1: guy with her. They moved to Hawaii and they're thriving. Yeah.

260
00:12:48,240 --> 00:12:51,480
Speaker 1: Every time I see pictures when it killed them. Our

261
00:12:51,520 --> 00:12:53,880
Speaker 1: characters are married and have children. In Dungeon and Dragons.

262
00:12:54,360 --> 00:12:58,200
Speaker 1: Oh right, thank you. Mary and I have been together

263
00:12:58,280 --> 00:13:02,720
Speaker 1: for a long time. Love Mary, Love Mary. Do you okay?

264
00:13:02,760 --> 00:13:05,880
Speaker 1: Should have because those guys made a killing Critical Role Gang. Yeah,

265
00:13:05,920 --> 00:13:08,440
Speaker 1: they're doing pretty well. Keep playing like No, I'm like

266
00:13:08,480 --> 00:13:14,200
Speaker 1: way a critical Role Gang millionaire. Yeah, Mary, God, I

267
00:13:14,200 --> 00:13:16,360
Speaker 1: love Mary. Mary and I came. We both learned to

268
00:13:16,360 --> 00:13:18,840
Speaker 1: play on Critical Role and then had her home game

269
00:13:19,040 --> 00:13:21,839
Speaker 1: yeah with Steve and everybody else. So yeah, it was great. Yeah. Anyway,

270
00:13:21,880 --> 00:13:23,559
Speaker 1: we went off on a tangent. So because I hear

271
00:13:23,600 --> 00:13:27,440
Speaker 1: Mary and I get everybody, stay all fall in love

272
00:13:27,440 --> 00:13:29,720
Speaker 1: with the Mary is one of those people nobody's ever

273
00:13:29,720 --> 00:13:33,360
Speaker 1: been like, you know who, I really don't like Mary.

274
00:13:34,120 --> 00:13:37,160
Speaker 1: She's another director. Yeah, yeah, so that she was an actor.

275
00:13:37,720 --> 00:13:41,080
Speaker 1: She's an actor. Ye, she's an actor. She's an actor still.

276
00:13:41,120 --> 00:13:42,400
Speaker 1: But she does a lot of a lot of directing.

277
00:13:42,440 --> 00:13:45,480
Speaker 1: She did Tangled like Big Disney and yeah, a lot

278
00:13:45,559 --> 00:13:49,040
Speaker 1: of a lot of very big actually too. I read

279
00:13:49,320 --> 00:13:52,840
Speaker 1: yes today she was nominated for an Emmy. Lester today

280
00:13:52,840 --> 00:13:55,599
Speaker 1: that she came out with two. Narwhale is one of

281
00:13:55,760 --> 00:13:59,800
Speaker 1: my auditions for like yeah, yeah, I actually did on

282
00:14:00,160 --> 00:14:02,240
Speaker 1: and for a few of those. Yeah, like you kept

283
00:14:02,240 --> 00:14:04,000
Speaker 1: getting it and you're like, what's an wall? Yeah, well

284
00:14:04,440 --> 00:14:07,600
Speaker 1: anar wall? Right, I do know what the nar Wald

285
00:14:07,720 --> 00:14:09,040
Speaker 1: series that do? You want to know why? Because I

286
00:14:09,040 --> 00:14:11,520
Speaker 1: read it to my kids all the time. So it's

287
00:14:11,520 --> 00:14:14,640
Speaker 1: a kid series. This is a kid it's like little babies.

288
00:14:15,080 --> 00:14:17,280
Speaker 1: We're learning so much. I'm learning so much about sitting

289
00:14:17,320 --> 00:14:19,640
Speaker 1: next to everybody. Like, well, I'll be like, that's not

290
00:14:19,720 --> 00:14:22,000
Speaker 1: a thing. It's like not a thing. There's eight trillion

291
00:14:22,080 --> 00:14:28,480
Speaker 1: followers and it's for kids. Don't know. I didn't and

292
00:14:28,520 --> 00:14:30,880
Speaker 1: it has. It has over a hundred and twenty one

293
00:14:31,200 --> 00:14:35,840
Speaker 1: billion views. Yeah, you know we actually are big on

294
00:14:35,920 --> 00:14:38,000
Speaker 1: nerd ums on here I heard voices. Do you have

295
00:14:38,040 --> 00:14:41,440
Speaker 1: any nerd dums? Anime is not maybe the most applicable

296
00:14:41,920 --> 00:14:46,080
Speaker 1: uh Lan or Spu master's degree in and I think,

297
00:14:46,200 --> 00:14:49,680
Speaker 1: do you really? pH So what do you consider it?

298
00:14:49,720 --> 00:14:52,840
Speaker 1: Two different shows for when before Stabler left and after

299
00:14:52,880 --> 00:14:55,880
Speaker 1: Stabler left, because I do after season twelve, I's kind

300
00:14:55,880 --> 00:15:01,520
Speaker 1: of Downhilpy right down from Oz right. Yeah, Chris Malani,

301
00:15:01,560 --> 00:15:05,040
Speaker 1: I met, I did the whole Fanger. I'm a big fan. Chrison.

302
00:15:05,560 --> 00:15:09,960
Speaker 1: I met. I met an after party for my Friends movie. Anyway,

303
00:15:10,080 --> 00:15:11,440
Speaker 1: have you ever done? Did you do an sv you?

304
00:15:11,480 --> 00:15:13,680
Speaker 1: Have you ever done? You? No, I'd retire if I

305
00:15:13,720 --> 00:15:15,480
Speaker 1: did it. I'd be like, this is it. I did

306
00:15:17,200 --> 00:15:19,240
Speaker 1: an old school regular lawn order when I was fifteen.

307
00:15:19,440 --> 00:15:21,880
Speaker 1: I remember you, Okay. I do like the old school

308
00:15:21,920 --> 00:15:23,480
Speaker 1: lawn orders, and I still watch them, at least like

309
00:15:24,040 --> 00:15:25,720
Speaker 1: my wife she's like, what do you watching. She's watching

310
00:15:25,760 --> 00:15:30,480
Speaker 1: some weird French movie, you know. I'm like, uh yeah,

311
00:15:31,280 --> 00:15:34,480
Speaker 1: and there's a running stupid, very stupid, very stupid joke

312
00:15:34,520 --> 00:15:38,680
Speaker 1: and she's like, what's this show about. It's a procedural

313
00:15:38,720 --> 00:15:42,040
Speaker 1: cop drama. And first they arrest the people and then

314
00:15:42,040 --> 00:15:45,200
Speaker 1: they go through the law on the Order process. But yeah,

315
00:15:45,360 --> 00:15:47,720
Speaker 1: and then I got I did an episode of the

316
00:15:47,760 --> 00:15:51,200
Speaker 1: Mindy Project, huh on camera, And so I was with

317
00:15:51,400 --> 00:15:54,400
Speaker 1: Mindy on a plane right there was actually the guy

318
00:15:54,440 --> 00:15:56,720
Speaker 1: that was a writer of the episode was here. I

319
00:15:56,760 --> 00:15:58,320
Speaker 1: was in the middle, and then I was Mindy by

320
00:15:58,360 --> 00:16:02,800
Speaker 1: the window in the plane, and um, so I can't

321
00:16:02,840 --> 00:16:06,360
Speaker 1: believe I got to do this. So I was this

322
00:16:06,480 --> 00:16:10,400
Speaker 1: really annoying character, like really sweet and annoying. My friend

323
00:16:10,400 --> 00:16:12,400
Speaker 1: Mary Shear calls the parts that I play on camera,

324
00:16:12,480 --> 00:16:15,320
Speaker 1: especially lovable losers. But I always get cast of that

325
00:16:15,440 --> 00:16:17,640
Speaker 1: like really annoying, but like you can't be mean to him,

326
00:16:17,800 --> 00:16:19,760
Speaker 1: but you're just like, get out of get out of here.

327
00:16:20,240 --> 00:16:22,920
Speaker 1: So I so in the script Law and Order comes on.

328
00:16:23,280 --> 00:16:27,920
Speaker 1: She's watching it and I go, what's that show? You get?

329
00:16:28,480 --> 00:16:30,160
Speaker 1: Oh that person on the plane that you now have

330
00:16:30,240 --> 00:16:32,440
Speaker 1: to explain what law and Order is? And she's like what,

331
00:16:33,200 --> 00:16:35,360
Speaker 1: oh wow, that looks interesting. You know, I'm just like,

332
00:16:35,400 --> 00:16:38,560
Speaker 1: oh my god. Point I thought I actually was, because

333
00:16:38,600 --> 00:16:40,520
Speaker 1: then they were like, just do whatever you want, right

334
00:16:40,960 --> 00:16:42,840
Speaker 1: p And I did, and I actually thought I was

335
00:16:42,880 --> 00:16:46,960
Speaker 1: annoying her. And when they when you're in characters when

336
00:16:47,000 --> 00:16:48,960
Speaker 1: they old cut. I was like, am I actually annoying you?

337
00:16:49,120 --> 00:16:51,720
Speaker 1: She's like, now you're hilarious. Now do you prefer s

338
00:16:51,800 --> 00:16:54,000
Speaker 1: for you to regular lawn order? Yeah? Okay, although the

339
00:16:54,040 --> 00:16:56,040
Speaker 1: old school law order, you can't really beat that. Okay,

340
00:16:56,120 --> 00:16:58,920
Speaker 1: I'm just checking because yeah, I do prefer it. I think, well,

341
00:16:58,960 --> 00:17:01,160
Speaker 1: I love rish garrk Day. I don't know why they

342
00:17:01,280 --> 00:17:03,480
Speaker 1: all aren't nominated for Emmy's all the time, aren't they

343
00:17:03,560 --> 00:17:05,680
Speaker 1: don't they all have like eight They're like Andrea Romano

344
00:17:05,680 --> 00:17:09,000
Speaker 1: where they just have nine thousand Emmy. Yeah, it's they're

345
00:17:09,000 --> 00:17:10,960
Speaker 1: all just in Barbie clothes. I don't think. I think

346
00:17:11,040 --> 00:17:13,480
Speaker 1: she's like one of the only ones that got nominated

347
00:17:13,480 --> 00:17:16,160
Speaker 1: and it was like a golden glove. Really are never nominated?

348
00:17:17,119 --> 00:17:20,680
Speaker 1: Who is your favorite? Mariska harget a partner. I'm sorry

349
00:17:20,680 --> 00:17:22,399
Speaker 1: we're off a whole thing here, but no, I actually

350
00:17:22,400 --> 00:17:24,880
Speaker 1: I'm tracking because I do. I've lived We've all lived

351
00:17:24,960 --> 00:17:28,480
Speaker 1: lives knowing these people. So who I mean if Stabler? Okay,

352
00:17:28,520 --> 00:17:31,040
Speaker 1: we should probably get back to I'm sorry, that's our

353
00:17:31,160 --> 00:17:33,879
Speaker 1: SPU attend. So what was it like to watch SV you? No,

354
00:17:33,920 --> 00:17:39,720
Speaker 1: I'm kidding, let's talk very quickly. You've had a pretty

355
00:17:39,760 --> 00:17:42,959
Speaker 1: remarkable upbringing, like just the places in the world you've

356
00:17:43,000 --> 00:17:48,320
Speaker 1: been and lived. Apparently you speak German apparently yeah, um,

357
00:17:48,440 --> 00:17:52,320
Speaker 1: not not very well enough my vocabularies. So I was

358
00:17:52,359 --> 00:17:54,119
Speaker 1: born and why. I moved Florida just for like a year,

359
00:17:54,440 --> 00:17:56,920
Speaker 1: moved back to Why. I moved to Bangkok, moved to Nuremberg,

360
00:17:58,040 --> 00:18:00,719
Speaker 1: moved to Munich. I went to college and Boston, went

361
00:18:00,800 --> 00:18:04,040
Speaker 1: back and forth. Then I moved to well. I lived

362
00:18:04,200 --> 00:18:07,560
Speaker 1: my sister's pullout chair in d C for like a year,

363
00:18:07,840 --> 00:18:10,439
Speaker 1: and then I moved to Minneapolis because I formed our

364
00:18:10,520 --> 00:18:15,120
Speaker 1: old improv company from college. I said, let's redo this. Um,

365
00:18:15,440 --> 00:18:17,440
Speaker 1: that's another story. But because I was waiting to be

366
00:18:17,480 --> 00:18:18,960
Speaker 1: a spy, because I had applied to be a spy

367
00:18:19,200 --> 00:18:20,720
Speaker 1: because my dad was a spy. So I was just

368
00:18:20,800 --> 00:18:28,920
Speaker 1: waiting for an assignment. We're going fast. You are to

369
00:18:29,000 --> 00:18:31,480
Speaker 1: be the spy. Really, you have red hair and green

370
00:18:31,560 --> 00:18:33,320
Speaker 1: eyes eye actually, and you actually are kind of work.

371
00:18:33,440 --> 00:18:36,720
Speaker 1: I think she might be the real life Sheible. Maybe

372
00:18:37,119 --> 00:18:39,880
Speaker 1: I mean this this is you. I'm not that's you're

373
00:18:39,920 --> 00:18:42,159
Speaker 1: from a family. I mean I'm not the Dizzy the

374
00:18:42,240 --> 00:18:44,120
Speaker 1: Disney I would never wear those pants. So I guess

375
00:18:44,200 --> 00:18:47,040
Speaker 1: the most important thing is your dad was a spy,

376
00:18:47,280 --> 00:18:50,080
Speaker 1: like shit, a real life kep. I love this, Like

377
00:18:50,240 --> 00:18:53,360
Speaker 1: actually a spy. Yes, he was in counter intelligence. Um

378
00:18:53,960 --> 00:18:56,399
Speaker 1: so cool. So anyway, and that's why you lived in

379
00:18:56,440 --> 00:18:58,720
Speaker 1: all those locations, that's right. And he's able to have

380
00:18:58,840 --> 00:19:01,080
Speaker 1: a family, he was able to have a face. And

381
00:19:01,200 --> 00:19:02,920
Speaker 1: we didn't know much. I was gonna say, did you

382
00:19:03,040 --> 00:19:07,199
Speaker 1: know that your dad? I want to figure it out. Company, Well,

383
00:19:07,240 --> 00:19:09,720
Speaker 1: if you figure it out, he's not a very good spy. No,

384
00:19:10,359 --> 00:19:13,960
Speaker 1: he's passed, so I can say this now. And also

385
00:19:14,080 --> 00:19:17,240
Speaker 1: like my brother and I were home in Munich for

386
00:19:17,760 --> 00:19:20,880
Speaker 1: Christmas break and um, we sat down at the kitchen

387
00:19:20,960 --> 00:19:23,080
Speaker 1: table and we're waiting to go out Saturday night, go

388
00:19:23,200 --> 00:19:26,240
Speaker 1: downtown to the beer halls, and you know, we take

389
00:19:26,280 --> 00:19:28,879
Speaker 1: the train with our buddies, and like my dad says, well,

390
00:19:28,920 --> 00:19:30,640
Speaker 1: I have something to tell you, any of that big

391
00:19:30,800 --> 00:19:32,920
Speaker 1: Boston act. And you were grown at this yeah, I

392
00:19:32,960 --> 00:19:40,040
Speaker 1: was twenty my brother and so he's like, I I'm

393
00:19:40,119 --> 00:19:44,680
Speaker 1: the chief of intelligence for Western Europe and were like what.

394
00:19:46,119 --> 00:19:49,080
Speaker 1: We're like, no, you're not, Like literally, no you're not.

395
00:19:49,200 --> 00:19:51,680
Speaker 1: What did you think my dad goes when you tell

396
00:19:51,760 --> 00:19:57,080
Speaker 1: them like my mother like, wh come on, come on out.

397
00:19:57,800 --> 00:20:00,600
Speaker 1: He's like, yes he is, Yes he is. What did

398
00:20:00,680 --> 00:20:03,080
Speaker 1: you think he did? I knew he was an intelligence car,

399
00:20:03,240 --> 00:20:05,000
Speaker 1: but you didn't know he was the chief of the

400
00:20:05,800 --> 00:20:08,399
Speaker 1: count intelligence for Western Europe during the Cold during the

401
00:20:08,480 --> 00:20:10,959
Speaker 1: Cold War, kind of an important during We have two

402
00:20:11,040 --> 00:20:13,159
Speaker 1: phones in our house at that point. One phone you

403
00:20:13,200 --> 00:20:15,520
Speaker 1: couldn't knock off the handle because if you knocked off

404
00:20:15,560 --> 00:20:19,880
Speaker 1: the handle, the swat team comes around our house. Very

405
00:20:21,000 --> 00:20:25,320
Speaker 1: that we're teenagers, so that a delicate move. No, of

406
00:20:25,400 --> 00:20:28,000
Speaker 1: course you don't know if they say, don't push the

407
00:20:28,119 --> 00:20:31,879
Speaker 1: red button. She followed it up with we were teenagers

408
00:20:31,960 --> 00:20:36,399
Speaker 1: and we might have come in later time or two,

409
00:20:36,840 --> 00:20:38,800
Speaker 1: and like you know, it's just like, don't go buy

410
00:20:38,840 --> 00:20:40,840
Speaker 1: the red phone. I think it was a red phone.

411
00:20:41,240 --> 00:20:43,600
Speaker 1: So then, how do you how do you get from

412
00:20:44,600 --> 00:20:46,960
Speaker 1: wanting to follow in your father's footsteps and being a

413
00:20:47,000 --> 00:20:51,280
Speaker 1: spy to being the voice of an anime character for

414
00:20:51,359 --> 00:20:55,680
Speaker 1: seventeen years? How does that pass practice? Exactly? Yes, fold

415
00:20:55,720 --> 00:20:58,959
Speaker 1: out chairs. Well, how how do you get I mean,

416
00:20:59,040 --> 00:21:02,240
Speaker 1: how do you get there? Well? So we had a

417
00:21:02,280 --> 00:21:04,600
Speaker 1: comedy group in Boston College where I went to college,

418
00:21:04,800 --> 00:21:08,480
Speaker 1: and good number of my family went to We'll have

419
00:21:08,560 --> 00:21:10,680
Speaker 1: to find out what years it is good school. It

420
00:21:10,800 --> 00:21:12,359
Speaker 1: is good for acting now, but it wasn't really known

421
00:21:12,400 --> 00:21:14,720
Speaker 1: for acting and I wasn't. I did the comedy improv

422
00:21:14,760 --> 00:21:17,399
Speaker 1: comedy group there and um, we're really good. And I

423
00:21:17,520 --> 00:21:20,480
Speaker 1: was waiting to go to language school and Monterey probably

424
00:21:22,440 --> 00:21:25,399
Speaker 1: they taught me a fake language for my testing and

425
00:21:25,520 --> 00:21:27,440
Speaker 1: then on the test and you did you ever do that?

426
00:21:27,680 --> 00:21:29,960
Speaker 1: It's so well, I know somebody who has so they

427
00:21:30,000 --> 00:21:32,280
Speaker 1: did they teach you a fake language? You had to

428
00:21:32,320 --> 00:21:36,600
Speaker 1: see your aptitude at unting languages fast in the military

429
00:21:36,680 --> 00:21:38,920
Speaker 1: grade level. That's right. Why not teach you a real

430
00:21:39,000 --> 00:21:41,399
Speaker 1: language because then they send you to language school so

431
00:21:41,520 --> 00:21:44,320
Speaker 1: that you can pick which language they pick, or they

432
00:21:44,359 --> 00:21:46,760
Speaker 1: pick for you based on where they want to think.

433
00:21:46,800 --> 00:21:49,560
Speaker 1: Mine would have been Farsi or one of those, because

434
00:21:49,600 --> 00:21:50,879
Speaker 1: when I was a kid, I spoke a little bit

435
00:21:50,920 --> 00:21:54,119
Speaker 1: of Tie spoke some Germans. Were you in a little Spanish?

436
00:21:54,200 --> 00:21:58,800
Speaker 1: So you were actually um in the CIA program. I

437
00:21:58,920 --> 00:22:01,240
Speaker 1: just applied, went through the steps. They interviewed all my

438
00:22:01,280 --> 00:22:05,320
Speaker 1: college roommates about everything. They tried to check down old neighbors,

439
00:22:05,359 --> 00:22:08,240
Speaker 1: but that's impossible, especially because you moved along yeah, yeah,

440
00:22:08,280 --> 00:22:12,080
Speaker 1: but why didn't they just talk to your dad? I'm sure, well,

441
00:22:12,080 --> 00:22:14,000
Speaker 1: I mean, I'm sure that's how I got the application.

442
00:22:14,720 --> 00:22:17,159
Speaker 1: But anyway, so I said to my friends who are

443
00:22:17,240 --> 00:22:19,359
Speaker 1: here behind me, Hey, let's go to the Cape and

444
00:22:19,440 --> 00:22:21,880
Speaker 1: do comedy because it'll be fun. The Cape like Cape

445
00:22:25,400 --> 00:22:28,600
Speaker 1: stock theaters and all that. We did mostly bars, but

446
00:22:28,920 --> 00:22:31,879
Speaker 1: um and some theaters or halls or whatever. We mostly

447
00:22:31,960 --> 00:22:36,240
Speaker 1: performed for food, to be honest. So I found a house,

448
00:22:37,160 --> 00:22:39,560
Speaker 1: we got together, we performed. We all found dumb jobs.

449
00:22:39,600 --> 00:22:42,080
Speaker 1: I worked in a nursing home where I graduated from

450
00:22:42,320 --> 00:22:47,560
Speaker 1: making sandwiches on Saturdays to bathing the patients. Uh did

451
00:22:47,600 --> 00:22:49,840
Speaker 1: you make the sandwiches though? Because they were of course

452
00:22:49,880 --> 00:22:53,159
Speaker 1: I was starting. And then we'd perform at night and

453
00:22:53,200 --> 00:22:55,080
Speaker 1: sit on the beach all day if we weren't working.

454
00:22:55,280 --> 00:22:56,639
Speaker 1: So at the end of that summer, we were like,

455
00:22:56,640 --> 00:22:58,159
Speaker 1: we're really good. I said, I think we're really good.

456
00:22:58,160 --> 00:23:01,600
Speaker 1: I think we should keep going. And they said, they said, okay,

457
00:23:01,600 --> 00:23:04,280
Speaker 1: where should we go? Like Chicago? Were like, yeah, that's

458
00:23:04,359 --> 00:23:06,760
Speaker 1: too saturated. And Tom McCarthy was from New York. You

459
00:23:06,800 --> 00:23:10,840
Speaker 1: know Tom, He won the Oscar for Spotlight. Yeah, and um,

460
00:23:11,080 --> 00:23:13,639
Speaker 1: he was on law and order two different times as

461
00:23:13,680 --> 00:23:19,640
Speaker 1: two different people. He's a repeater. So anyway, getting back

462
00:23:19,680 --> 00:23:21,840
Speaker 1: to it, we formed it. We said, let's go. One

463
00:23:21,880 --> 00:23:24,399
Speaker 1: of my buddies, Wayne Wilderson, another actor, He's like, you know,

464
00:23:24,440 --> 00:23:27,320
Speaker 1: we should go to Minneapolis because it's a really artistic town.

465
00:23:27,440 --> 00:23:29,280
Speaker 1: My parents lived there. They'll help us out. And we said, okay,

466
00:23:30,080 --> 00:23:32,640
Speaker 1: we'll meet you in Minneapolis, and two of the Midwesterners

467
00:23:32,680 --> 00:23:35,200
Speaker 1: were like, we'll go find a place a house. So

468
00:23:35,280 --> 00:23:38,240
Speaker 1: we said, all right, we'll move in September one, and

469
00:23:38,280 --> 00:23:39,440
Speaker 1: then we're like, all right, we had to put it

470
00:23:39,480 --> 00:23:42,520
Speaker 1: off too. We moved in on Halloween, so we all

471
00:23:42,560 --> 00:23:45,040
Speaker 1: lived in a house together, and then we went out

472
00:23:45,119 --> 00:23:47,440
Speaker 1: and we just booked a theater. We all got jobs

473
00:23:47,520 --> 00:23:51,000
Speaker 1: within a week waitering whatever, at temp jobs, waitering, and

474
00:23:51,080 --> 00:23:54,560
Speaker 1: then um we started performing. And that's how I became

475
00:23:54,560 --> 00:23:56,040
Speaker 1: an actor. And I said I'm not gonna be a

476
00:23:56,080 --> 00:24:00,320
Speaker 1: spy anymore, which killed My parents were very upset but

477
00:24:01,160 --> 00:24:03,120
Speaker 1: have been a little relieved. But also I was also

478
00:24:03,200 --> 00:24:05,760
Speaker 1: just shows you how what people think of acting, where

479
00:24:05,760 --> 00:24:09,040
Speaker 1: they're like, really, you'd rather like acting so bad, we'd

480
00:24:09,160 --> 00:24:12,879
Speaker 1: rather have you be a spy. Being a spy as cool. Well,

481
00:24:12,920 --> 00:24:14,640
Speaker 1: it's cool, but I mean most people be like, yeah,

482
00:24:14,680 --> 00:24:17,879
Speaker 1: that's not a growth industry being a spy, like, how

483
00:24:17,920 --> 00:24:20,959
Speaker 1: many people were in your totally? How many people were

484
00:24:20,960 --> 00:24:24,080
Speaker 1: in your troop? How many people? So we didn't move

485
00:24:24,119 --> 00:24:27,440
Speaker 1: with all of them, but Nancy Correll, you know that

486
00:24:27,600 --> 00:24:32,120
Speaker 1: last name, Mary, just Steve, Wayne Wilderson, myself, Kevin Kapock,

487
00:24:32,880 --> 00:24:38,200
Speaker 1: Andrea Hutchman, Um, Peter Savetta. He came a little later

488
00:24:38,240 --> 00:24:40,480
Speaker 1: because he was a year behind us. And then for

489
00:24:40,520 --> 00:24:43,280
Speaker 1: a while we had like Pat Emerton in it for

490
00:24:43,320 --> 00:24:46,000
Speaker 1: a while, and then these are all big you know,

491
00:24:46,200 --> 00:24:51,959
Speaker 1: people who have gone on. Wilson is a huge actor,

492
00:24:52,200 --> 00:24:54,320
Speaker 1: African American guy that if you see his face you know,

493
00:24:54,760 --> 00:24:56,879
Speaker 1: or if you don't know him. What was the name

494
00:24:56,880 --> 00:24:59,639
Speaker 1: of your troop, Well, we want to spin off my

495
00:24:59,760 --> 00:25:02,280
Speaker 1: mother Fleabag, which is so we named it every every

496
00:25:02,359 --> 00:25:05,200
Speaker 1: Mother's Nightmare. Yeah, And we did that for a while

497
00:25:05,240 --> 00:25:08,600
Speaker 1: and then we all eventually, you know, kind of broke

498
00:25:08,680 --> 00:25:11,680
Speaker 1: up and once you guys got to California, you feel no. No,

499
00:25:11,760 --> 00:25:14,000
Speaker 1: we were in Minneapolis living in the same house, which

500
00:25:14,080 --> 00:25:17,760
Speaker 1: is like after a while of that, yeah, next door

501
00:25:17,760 --> 00:25:20,359
Speaker 1: it was like the Jayhawks and Soul Asylum. They all

502
00:25:20,400 --> 00:25:23,040
Speaker 1: lived in the music House, comedy house. You were next

503
00:25:23,119 --> 00:25:26,800
Speaker 1: to soul Aside in Minneapolis, which, by the way, I

504
00:25:26,840 --> 00:25:31,879
Speaker 1: actually on a con circuit. I think I've been to many. No, No,

505
00:25:31,960 --> 00:25:34,520
Speaker 1: it's it's a hip, it's a it's a great theater town.

506
00:25:34,640 --> 00:25:36,680
Speaker 1: I did stand up there and all that stuff, and

507
00:25:37,200 --> 00:25:39,440
Speaker 1: then I auditioned for Children's Theater Company, which is like

508
00:25:39,480 --> 00:25:42,280
Speaker 1: a Broadway house there, and I got the lead role

509
00:25:42,320 --> 00:25:44,680
Speaker 1: of Bill Bill Baggins, and so I played the Hobbit

510
00:25:44,760 --> 00:25:49,479
Speaker 1: and I used the funny voice you want to hear it? Yes, adventures, Oh,

511
00:25:49,560 --> 00:25:52,840
Speaker 1: my dear me, I have no useould all for adventures nasty, disturbing,

512
00:25:53,280 --> 00:25:58,679
Speaker 1: ugly stuff or something like that. So then, uh, they

513
00:25:58,760 --> 00:26:00,719
Speaker 1: all moved a bunch of them to Cargo, and then

514
00:26:00,800 --> 00:26:04,359
Speaker 1: Tom went to Yale and a what Chicago met Steve Yale?

515
00:26:04,480 --> 00:26:07,000
Speaker 1: Come on, yeah, whatever, come on. And then I stayed

516
00:26:07,040 --> 00:26:09,760
Speaker 1: and then I did everything I could do there, and

517
00:26:09,880 --> 00:26:11,359
Speaker 1: I always knew I wanted to come out here, so

518
00:26:11,880 --> 00:26:13,760
Speaker 1: moved out here. Okay, So you just jumped right into

519
00:26:13,800 --> 00:26:16,480
Speaker 1: billbo Baggin's voice, which which is a nice segue to

520
00:26:17,520 --> 00:26:19,240
Speaker 1: when we talk about I hear voices. How do you

521
00:26:19,280 --> 00:26:21,679
Speaker 1: come up with the voices that that you use, they

522
00:26:21,720 --> 00:26:23,680
Speaker 1: come to you instantly. Is it something that you work with,

523
00:26:23,880 --> 00:26:25,560
Speaker 1: This is something that you Is it something that you

524
00:26:25,640 --> 00:26:28,119
Speaker 1: always utilize to as sort of a talent of yours

525
00:26:28,320 --> 00:26:31,119
Speaker 1: when approaching improv and stuff like that. Well, I think

526
00:26:31,160 --> 00:26:33,800
Speaker 1: I learned how to do different voices through improv, you know,

527
00:26:33,960 --> 00:26:36,600
Speaker 1: and when people ask me and I teach sometimes teach

528
00:26:36,640 --> 00:26:39,680
Speaker 1: college sometimes and uh, I just say, you know, listen

529
00:26:39,720 --> 00:26:41,960
Speaker 1: to the people around you, like, you know. The first

530
00:26:42,080 --> 00:26:45,720
Speaker 1: voices I ever did actually Bilbo Baggins's kind of based

531
00:26:45,800 --> 00:26:49,480
Speaker 1: on my best friend from high school's father and we'd

532
00:26:49,640 --> 00:26:52,160
Speaker 1: be playing, she'd be playing piano, would be singing really

533
00:26:52,240 --> 00:26:55,200
Speaker 1: obnoxiously like I can't say what he would say, but

534
00:26:55,320 --> 00:26:58,000
Speaker 1: he would be like, stop playing that piano. It was

535
00:26:58,080 --> 00:26:59,600
Speaker 1: like he had kind of a weird voice, but very

536
00:27:00,680 --> 00:27:03,200
Speaker 1: so I kind of interpreted that twisted it um. And

537
00:27:03,240 --> 00:27:04,680
Speaker 1: then one of the voices that I used to do

538
00:27:04,760 --> 00:27:06,600
Speaker 1: old women was when I worked at that nursing home.

539
00:27:07,200 --> 00:27:08,720
Speaker 1: There was this woman named Annabel, and she was like

540
00:27:09,320 --> 00:27:11,000
Speaker 1: and I had to help get him in the shower

541
00:27:11,080 --> 00:27:14,520
Speaker 1: and out. She's like, oh, you're awful. Where did they

542
00:27:14,600 --> 00:27:18,280
Speaker 1: get you? Every day? So she would just sit on

543
00:27:18,359 --> 00:27:22,040
Speaker 1: the porch and get everybody down, like Debbie Downer, She's like,

544
00:27:22,200 --> 00:27:25,880
Speaker 1: oh the weather, it's so horrible, or like oh it's

545
00:27:25,960 --> 00:27:29,399
Speaker 1: too hot, so hot, I hate it, you know. And

546
00:27:29,480 --> 00:27:32,119
Speaker 1: it was like she's this old yankee like you know that.

547
00:27:32,600 --> 00:27:34,520
Speaker 1: So then I got an old lady voice that I

548
00:27:34,600 --> 00:27:36,200
Speaker 1: might do with my mother, you know, who had a

549
00:27:36,240 --> 00:27:39,640
Speaker 1: Boston accent even though we live a year. So that's

550
00:27:39,640 --> 00:27:41,960
Speaker 1: what I mean, that's what did you become completely different?

551
00:27:42,000 --> 00:27:44,359
Speaker 1: But that's it's also some great advice that you get

552
00:27:44,400 --> 00:27:46,280
Speaker 1: from a teacher when you sit down, listen to the

553
00:27:46,359 --> 00:27:48,760
Speaker 1: people around you. Well, all I listened everybody out there

554
00:27:48,760 --> 00:27:50,359
Speaker 1: who wants to be a voice over actor. That is

555
00:27:50,440 --> 00:27:53,800
Speaker 1: some amazing advice you will get. Listen to the people

556
00:27:53,920 --> 00:27:56,920
Speaker 1: around you. Yeah, and don't listen to other actors, like

557
00:27:57,080 --> 00:27:59,680
Speaker 1: don't do another actor doing a voice like I wouldn't

558
00:27:59,680 --> 00:28:02,240
Speaker 1: do you doing your character? You doing your character? Like

559
00:28:02,359 --> 00:28:05,640
Speaker 1: I have to pound that into the college kid's heads

560
00:28:05,720 --> 00:28:11,240
Speaker 1: sometimes because I'll be like, don't do like Kate McKinnon

561
00:28:11,280 --> 00:28:15,720
Speaker 1: doing Hillary Clinton. Do Hillary Clinton. But a lot of

562
00:28:15,760 --> 00:28:17,479
Speaker 1: people try, and they do what they see on Saturday

563
00:28:17,480 --> 00:28:19,720
Speaker 1: and live right. No, go to the source. I'm Dana

564
00:28:19,760 --> 00:28:21,639
Speaker 1: Carvey doing and it's like, no, that's not where you

565
00:28:21,880 --> 00:28:23,920
Speaker 1: and they'll say it and I'm like, we'll stop it. Yeah,

566
00:28:25,240 --> 00:28:27,120
Speaker 1: you know, that's great. But I also want to point

567
00:28:27,160 --> 00:28:30,480
Speaker 1: out that, Miley, you have a really great memory. It's

568
00:28:30,520 --> 00:28:35,760
Speaker 1: something that I remember. I noticed you say that. Because

569
00:28:35,760 --> 00:28:42,440
Speaker 1: I have the world so wonderful, I could play. Are

570
00:28:42,480 --> 00:28:46,480
Speaker 1: you gonna cry now it's sick. No, I'm not going to,

571
00:28:46,560 --> 00:28:49,120
Speaker 1: but you ever would you? Brain is hereditary. That's the

572
00:28:49,160 --> 00:28:52,560
Speaker 1: thing they've proven. Stop it, stop it, stop it now,

573
00:28:53,440 --> 00:28:57,480
Speaker 1: stop that. I'll save me. I'm blinking. I'm thinking, I

574
00:28:57,520 --> 00:29:00,520
Speaker 1: don't know what can I do? Just that I didn't

575
00:29:00,920 --> 00:29:03,920
Speaker 1: get one of this building. Um, Miley, what I noticed

576
00:29:03,960 --> 00:29:06,200
Speaker 1: is when she came in, she mentioned something too about

577
00:29:06,240 --> 00:29:09,320
Speaker 1: Germany and actually it was Salt Lake City and you're like, no,

578
00:29:09,400 --> 00:29:11,920
Speaker 1: it's a it was this other place. You have a

579
00:29:12,000 --> 00:29:15,840
Speaker 1: really good memory. Yeah. Wouldn't you say my dad was

580
00:29:15,920 --> 00:29:21,240
Speaker 1: a spy? Yes? Because you can't. I mean again, guessing

581
00:29:21,480 --> 00:29:23,200
Speaker 1: the one thing they say about spies is you don't

582
00:29:23,200 --> 00:29:25,920
Speaker 1: write anything down. It's like, my dad tell me that

583
00:29:26,040 --> 00:29:28,240
Speaker 1: right away. Yeah, I mean he really did. And also,

584
00:29:28,400 --> 00:29:30,440
Speaker 1: so if you did have a knack, not only just

585
00:29:30,560 --> 00:29:33,320
Speaker 1: the memory bank thing and a knack for languages like

586
00:29:33,480 --> 00:29:37,680
Speaker 1: willis over here, William, sir William over here. Oh I

587
00:29:37,760 --> 00:29:40,760
Speaker 1: love how you just knighted me. I think that's wonderful.

588
00:29:40,800 --> 00:29:44,040
Speaker 1: And from that on, William sir William, you could play that.

589
00:29:45,080 --> 00:29:48,760
Speaker 1: So remember how sometimes we talk and we said We've

590
00:29:48,800 --> 00:29:51,720
Speaker 1: said on other episodes like I'm I have a singing background.

591
00:29:51,800 --> 00:29:54,360
Speaker 1: My background was like voice, you know, singing in Broadway

592
00:29:54,360 --> 00:29:58,440
Speaker 1: and all that stuff, and probably yes, yes I did.

593
00:29:58,720 --> 00:30:01,280
Speaker 1: I did a show called Parade. Yeah, I know that.

594
00:30:01,560 --> 00:30:03,800
Speaker 1: I was the original Mary Fagan when I was like fourteen,

595
00:30:04,320 --> 00:30:07,320
Speaker 1: and then I did You're one of those mean, what

596
00:30:07,440 --> 00:30:09,680
Speaker 1: does that mean? Whenever I meet people like you in

597
00:30:09,720 --> 00:30:14,320
Speaker 1: a session, I'm like, oh, thank you, I'm just impressed.

598
00:30:14,400 --> 00:30:17,800
Speaker 1: I am a nerdy theater kid. Okay, I really am,

599
00:30:18,120 --> 00:30:19,960
Speaker 1: but at the heart of it, like I really am,

600
00:30:20,120 --> 00:30:24,160
Speaker 1: that's my nerd. So and then after Disney, I went

601
00:30:24,240 --> 00:30:26,640
Speaker 1: back to theater and did Bell. But my my sort

602
00:30:26,640 --> 00:30:30,520
Speaker 1: of way into understanding being a voice actor was through

603
00:30:30,640 --> 00:30:33,400
Speaker 1: song and through touching my voice and trying to utilize

604
00:30:33,440 --> 00:30:35,520
Speaker 1: it in different ways, and and that was kind of

605
00:30:35,600 --> 00:30:37,200
Speaker 1: my way into it. So I just find it interesting

606
00:30:37,240 --> 00:30:40,560
Speaker 1: that her understanding and ability to grasp the the art

607
00:30:40,720 --> 00:30:45,240
Speaker 1: of learning language. I think it is a musicality things. Yeah, okay,

608
00:30:45,320 --> 00:30:47,480
Speaker 1: Like I mean, I'm not a singer, even though I've

609
00:30:47,640 --> 00:30:50,560
Speaker 1: sung on two theme songs and a bunch of cartoons,

610
00:30:50,600 --> 00:30:56,560
Speaker 1: and I'm like, okay, your one, no no, no um.

611
00:30:57,160 --> 00:30:59,440
Speaker 1: Those are Japanese people that singing it. I went up

612
00:30:59,480 --> 00:31:03,040
Speaker 1: to them once a convention. They were there and I said, oh,

613
00:31:03,240 --> 00:31:05,200
Speaker 1: you guys are the guy. They're like four to five

614
00:31:05,280 --> 00:31:07,680
Speaker 1: different themes, but you got to meet the actual Yeah,

615
00:31:07,720 --> 00:31:10,160
Speaker 1: here's how it went. Okay, we're back. I don't think

616
00:31:10,160 --> 00:31:14,280
Speaker 1: it went well at a huge convention. And their translator

617
00:31:14,400 --> 00:31:16,959
Speaker 1: was there, but I don't know if she wasn't translating

618
00:31:17,080 --> 00:31:20,080
Speaker 1: or what. Like they're we're drinking coffee or something, and

619
00:31:20,160 --> 00:31:22,760
Speaker 1: I went to say, you guys sing that the themes

620
00:31:22,960 --> 00:31:26,480
Speaker 1: from Naruto. I'm Naruto. I play Naruto. The English aren't

621
00:31:26,480 --> 00:31:32,960
Speaker 1: doing They're like the interaction. It's like it's like when

622
00:31:32,960 --> 00:31:35,600
Speaker 1: I tell people that and I'll say it to somebody randomly,

623
00:31:35,680 --> 00:31:37,600
Speaker 1: like yeah, I play Narto and they're like I play

624
00:31:37,640 --> 00:31:40,560
Speaker 1: it too. It's like, okay, that's not what I meant.

625
00:31:40,800 --> 00:31:43,080
Speaker 1: I didn't I didn't I really have you? Now that's

626
00:31:43,080 --> 00:31:46,080
Speaker 1: a good question. Have you met your Japanese counterpart? No,

627
00:31:46,320 --> 00:31:48,760
Speaker 1: we were supposed to in New York, but something happened

628
00:31:48,800 --> 00:31:50,480
Speaker 1: and so we virtually kind of met each other, but

629
00:31:50,560 --> 00:31:52,080
Speaker 1: it wasn't live. Is it a man or a woman?

630
00:31:52,280 --> 00:31:55,680
Speaker 1: It's a woman. It's a woman. My age that women

631
00:31:56,040 --> 00:31:59,480
Speaker 1: um sort of voice sing the because I've seen that

632
00:31:59,600 --> 00:32:01,320
Speaker 1: quite a lot. I know a lot of like we

633
00:32:01,480 --> 00:32:03,400
Speaker 1: have like EG Daily Tear a strong like some of

634
00:32:03,400 --> 00:32:05,720
Speaker 1: the greats and um. But it's one of those things

635
00:32:05,760 --> 00:32:08,040
Speaker 1: where what do you think that the female register in

636
00:32:08,120 --> 00:32:11,560
Speaker 1: a voice does to interpret sort of like this youthful

637
00:32:11,680 --> 00:32:14,520
Speaker 1: boy voice, Like how how does that work? Exactly? Well,

638
00:32:14,560 --> 00:32:16,240
Speaker 1: I don't think it works with a lot of people.

639
00:32:16,600 --> 00:32:19,720
Speaker 1: I do mostly boys voices, but I do do a

640
00:32:19,800 --> 00:32:22,680
Speaker 1: lot of women too, especially when it's like I'm doing

641
00:32:22,720 --> 00:32:25,440
Speaker 1: a role on original animation, which is pretty much what

642
00:32:25,520 --> 00:32:27,880
Speaker 1: I do. UM, but I do play a lot of boys.

643
00:32:28,280 --> 00:32:32,800
Speaker 1: I think it's just you know, again, Tara and e. G.

644
00:32:32,960 --> 00:32:38,160
Speaker 1: They come from musical background, right yeah, and so I

645
00:32:38,200 --> 00:32:42,080
Speaker 1: didn't come from that, you know, but I don't. I

646
00:32:42,160 --> 00:32:46,240
Speaker 1: think it's it's ability to change your pitch while also

647
00:32:46,320 --> 00:32:48,880
Speaker 1: having texture in your voice? Well, yeah, my voice just

648
00:32:49,400 --> 00:32:52,040
Speaker 1: I remember auditioning at Nickelodeon one time and they're like

649
00:32:52,120 --> 00:32:54,040
Speaker 1: can you Oh no, here's a better short. I was

650
00:32:54,080 --> 00:32:56,000
Speaker 1: in Minneapolis and I hadn't done a lot of voiceover,

651
00:32:56,480 --> 00:32:58,240
Speaker 1: but I was doing commercials there and stuff and they

652
00:32:58,320 --> 00:33:00,280
Speaker 1: called me in for this voiceover audition and a guy

653
00:33:00,960 --> 00:33:02,760
Speaker 1: called me and he kept going can you I mean

654
00:33:02,960 --> 00:33:05,280
Speaker 1: it sounds I mean, are you sick? And I'm like, no,

655
00:33:05,520 --> 00:33:08,239
Speaker 1: that's how it sounds, like how I sound? You? Can

656
00:33:08,280 --> 00:33:10,360
Speaker 1: you do it clearer? Can you do it higher? Can you?

657
00:33:10,480 --> 00:33:14,120
Speaker 1: It was kind of rude, and he's like, So I

658
00:33:14,200 --> 00:33:16,240
Speaker 1: got back to my day job where I was a

659
00:33:16,320 --> 00:33:21,120
Speaker 1: casting associate for commercial casting, and I was like, that

660
00:33:21,280 --> 00:33:25,800
Speaker 1: was a really hard experience. So um the agent. I

661
00:33:25,880 --> 00:33:28,160
Speaker 1: had to call the agent because for another reason, and

662
00:33:28,280 --> 00:33:29,960
Speaker 1: she's like, how to go and I was saying not great.

663
00:33:30,040 --> 00:33:31,400
Speaker 1: You know, it didn't go great. The guy it was

664
00:33:31,480 --> 00:33:33,960
Speaker 1: to be the voice of the Olympics in Atlanta and

665
00:33:34,080 --> 00:33:36,760
Speaker 1: his little character named is he Oh I remember he

666
00:33:36,960 --> 00:33:38,920
Speaker 1: and my friend got my roommate at the time got

667
00:33:38,960 --> 00:33:43,960
Speaker 1: that and so anyway, and she goes, yeah, did something

668
00:33:44,040 --> 00:33:46,120
Speaker 1: happen because he called and he was. You know, I

669
00:33:46,160 --> 00:33:48,280
Speaker 1: don't know if he was unhappy or whatever. I said,

670
00:33:48,320 --> 00:33:50,200
Speaker 1: you know, I don't know. He just didn't like my voice.

671
00:33:50,280 --> 00:33:52,080
Speaker 1: And that's what I mean. I can pitch it, I

672
00:33:52,120 --> 00:33:55,520
Speaker 1: can do accents, but you don't like it. So it

673
00:33:55,640 --> 00:33:58,640
Speaker 1: upset me. And so I won an Emmy and I

674
00:33:59,200 --> 00:34:05,240
Speaker 1: found his ad dressed like five years later, and I

675
00:34:05,320 --> 00:34:08,360
Speaker 1: got a postcard and I said, you know what this voice?

676
00:34:08,400 --> 00:34:14,840
Speaker 1: Want an Emmy? Yes, yeah, yeah, motivation. Where do you

677
00:34:14,920 --> 00:34:18,919
Speaker 1: keep your Emmy? It's not it's broken, but you broke

678
00:34:19,000 --> 00:34:24,080
Speaker 1: your Emmy chocolate inside? No, they're not chocolate. No, But

679
00:34:24,480 --> 00:34:25,879
Speaker 1: I like, if I don't know, I have to ship

680
00:34:25,960 --> 00:34:27,600
Speaker 1: it to New York and like whenever. It's just broken.

681
00:34:28,000 --> 00:34:29,920
Speaker 1: It's the little ball thing came off. I think I

682
00:34:29,960 --> 00:34:34,200
Speaker 1: brought it to some classes show and tells, and I'm like,

683
00:34:34,680 --> 00:34:36,920
Speaker 1: where did you normally keep it? I keep, well, it's

684
00:34:36,960 --> 00:34:39,520
Speaker 1: in the TV room. When I watched the Emmys. It's

685
00:34:39,600 --> 00:34:44,279
Speaker 1: right beside the TV. To remind myself. Actually a long

686
00:34:44,360 --> 00:34:48,040
Speaker 1: time ago. Jaker is the aventures of Pickle Wings, which

687
00:34:48,120 --> 00:34:51,000
Speaker 1: is a I played in Irish Pig. So I want

688
00:34:51,040 --> 00:34:53,399
Speaker 1: an Emmy for playing Pig? Please? Can I hear that voice.

689
00:34:53,719 --> 00:34:56,680
Speaker 1: Oh yeah, my name is a piggy Wings. I live

690
00:34:56,760 --> 00:35:00,640
Speaker 1: in the village of Tara with um Aryan who else

691
00:35:01,000 --> 00:35:04,440
Speaker 1: I don't know, like it was me, Rucy Taylor, Tara Strong,

692
00:35:04,600 --> 00:35:09,960
Speaker 1: Charlie Adler, So no talent on the castam adl Now

693
00:35:10,040 --> 00:35:13,399
Speaker 1: I do all of Pam not I do a lot

694
00:35:13,480 --> 00:35:17,440
Speaker 1: of pam adlons. Wala. Sure that makes sense because we

695
00:35:17,560 --> 00:35:21,880
Speaker 1: both have the rest and this is my Pam impersonation, Miley,

696
00:35:23,360 --> 00:35:27,439
Speaker 1: how do you say this in Irish? That's actually pretty great.

697
00:35:27,920 --> 00:35:30,040
Speaker 1: One of my favorite Pam Adlain stories. We're sitting there,

698
00:35:30,040 --> 00:35:35,960
Speaker 1: were doing ThunderCats and we are probably eight episodes in

699
00:35:36,080 --> 00:35:39,040
Speaker 1: with her, okay, and we've now we're we're three quarters

700
00:35:39,040 --> 00:35:40,840
Speaker 1: of the way through this season, and I'm I'm writing

701
00:35:41,320 --> 00:35:43,799
Speaker 1: some of the episodes. So I write her next time. Yeah,

702
00:35:44,040 --> 00:35:46,160
Speaker 1: So I write her next episode and she leans out

703
00:35:46,160 --> 00:35:48,319
Speaker 1: of me. She goes freedl. She never calls me by

704
00:35:48,360 --> 00:35:56,279
Speaker 1: my full name, Freedol. Are we cats again? Eight episodes? Yes, yes, Pam,

705
00:35:56,560 --> 00:36:04,360
Speaker 1: we are cats. Okay, thanks, show is called called Thundercat.

706
00:36:05,280 --> 00:36:08,160
Speaker 1: She sounds amazing, and you know what she sounds like.

707
00:36:08,239 --> 00:36:11,200
Speaker 1: We would get along because the obvious obviously escapes her

708
00:36:11,360 --> 00:36:14,320
Speaker 1: and that would be good for me. A crazy talented

709
00:36:14,920 --> 00:36:17,080
Speaker 1: and very funny, very funny. The only thing going through

710
00:36:17,080 --> 00:36:18,680
Speaker 1: my head with all the voices you're doing is me

711
00:36:18,920 --> 00:36:21,680
Speaker 1: seeing you. Like. One of the things to be a

712
00:36:21,719 --> 00:36:23,480
Speaker 1: spy is you gotta turn into other people. You could

713
00:36:23,520 --> 00:36:26,360
Speaker 1: have been anybody, could have you could have been anybody.

714
00:36:26,840 --> 00:36:29,600
Speaker 1: I mean, you know, people think spies look like the hotties,

715
00:36:29,760 --> 00:36:32,000
Speaker 1: like they look like you, right, they look like me.

716
00:36:32,360 --> 00:36:36,560
Speaker 1: Like it's like you know what I mean, like know,

717
00:36:36,640 --> 00:36:38,440
Speaker 1: but that makes sense. In the movie, you'd be the

718
00:36:38,520 --> 00:36:42,000
Speaker 1: spy and I'd be like your your orders for prog,

719
00:36:42,440 --> 00:36:45,879
Speaker 1: you know, and then go back to and like sip

720
00:36:46,040 --> 00:36:48,320
Speaker 1: some coffee and be unhappy and talking about my cats.

721
00:36:48,880 --> 00:36:51,520
Speaker 1: But that movie, that movie that came out with Melissa McCarthy,

722
00:36:51,840 --> 00:36:57,160
Speaker 1: Ye started with her and she was she's like the

723
00:36:57,239 --> 00:37:00,359
Speaker 1: intelligence and Sandra Bullock, Yeah, yeah, I love that money

724
00:37:00,400 --> 00:37:03,719
Speaker 1: that I'm the poor Man's Melizz McCarthy. When she got

725
00:37:03,760 --> 00:37:07,600
Speaker 1: famous and popular, boom, I started working. So that's a

726
00:37:07,640 --> 00:37:10,200
Speaker 1: good thing. Then that's good. And the more she works,

727
00:37:10,239 --> 00:37:12,480
Speaker 1: the happier I am. Hey, So so then you have

728
00:37:12,560 --> 00:37:14,239
Speaker 1: you done voice match work at two? Is that is

729
00:37:14,280 --> 00:37:16,719
Speaker 1: another industry. That's another part of the industry. Yeah, I

730
00:37:16,800 --> 00:37:19,399
Speaker 1: did one for a German movie. Actually, did you really? Yeah?

731
00:37:19,400 --> 00:37:20,920
Speaker 1: And I said, you know, I don't think I can

732
00:37:21,080 --> 00:37:22,759
Speaker 1: do the and then they were asking me it was

733
00:37:22,840 --> 00:37:25,960
Speaker 1: really obscure, and um, I was like I didn't say

734
00:37:25,960 --> 00:37:27,960
Speaker 1: I could translate the movie, Like you better get a

735
00:37:28,040 --> 00:37:31,360
Speaker 1: German on the phone, Like, um, that was for I

736
00:37:31,400 --> 00:37:33,920
Speaker 1: don't think we're supposed to talk about I don't care. Um,

737
00:37:34,320 --> 00:37:36,880
Speaker 1: I love that. Wait, what was the movie? Oh no,

738
00:37:37,040 --> 00:37:38,680
Speaker 1: that's a different Yeah. I did a voice match for

739
00:37:39,400 --> 00:37:43,640
Speaker 1: the Road and I came out and h what's the

740
00:37:43,719 --> 00:37:46,200
Speaker 1: name Gus Van Sant, Oh yeah, yeah, was in the

741
00:37:46,280 --> 00:37:48,840
Speaker 1: next studio and we looked up and they're like the

742
00:37:48,960 --> 00:37:51,640
Speaker 1: vice presidential nominee is Sarah Palin And we looked at

743
00:37:51,640 --> 00:37:55,600
Speaker 1: each other, when who is that? That's that was that

744
00:37:56,000 --> 00:37:58,160
Speaker 1: day that I did all the voice all day you

745
00:37:58,280 --> 00:38:01,080
Speaker 1: and Gus van Sant said, he was just we're just

746
00:38:01,160 --> 00:38:03,520
Speaker 1: standing in this just happen to be hanging out and interesting,

747
00:38:03,719 --> 00:38:06,160
Speaker 1: that is interesting? Who is that? You never know when

748
00:38:06,160 --> 00:38:08,319
Speaker 1: you're going to meet at studios. I always tell people

749
00:38:08,320 --> 00:38:09,839
Speaker 1: I hung out with Brad Pitt one day. I didn't

750
00:38:09,840 --> 00:38:11,520
Speaker 1: We stood next to each other and had a conversation

751
00:38:11,600 --> 00:38:12,840
Speaker 1: for like five minutes. But I was like, yeah, I

752
00:38:12,880 --> 00:38:14,800
Speaker 1: know Brad Pitt with a second, I didn't know that.

753
00:38:15,280 --> 00:38:18,399
Speaker 1: Oh yeah, we were outside. We were out at um

754
00:38:18,840 --> 00:38:20,480
Speaker 1: where we were doing where we did Kim Possible with

755
00:38:20,600 --> 00:38:24,000
Speaker 1: l A Studio. Yeah, you did it at l A Studio. Yeah.

756
00:38:24,280 --> 00:38:25,960
Speaker 1: And we're sitting out there and there's Brad Pitt and

757
00:38:26,320 --> 00:38:27,799
Speaker 1: I was like, hey, how you doing. He's like, good,

758
00:38:27,840 --> 00:38:28,840
Speaker 1: what are you doing? I was like, I do a

759
00:38:28,840 --> 00:38:30,839
Speaker 1: show called Kimpossible? What are you doing? He was doing

760
00:38:30,920 --> 00:38:33,960
Speaker 1: that the one voice over animated movie he did. Oh yeah,

761
00:38:34,600 --> 00:38:36,759
Speaker 1: he was like a pirate or something like yeah, and

762
00:38:37,120 --> 00:38:40,200
Speaker 1: uh that was kind of the end of the conversation.

763
00:38:40,239 --> 00:38:41,799
Speaker 1: You walked away. I was like, I'm basically best friends

764
00:38:41,800 --> 00:38:44,520
Speaker 1: with Brad Pitt, but I'm gonna hang out. He's gonna

765
00:38:44,600 --> 00:38:46,040
Speaker 1: come chill out of my house. For I was best

766
00:38:46,080 --> 00:38:48,640
Speaker 1: friends with Dennis Hopper for isn't that the best thing

767
00:38:48,680 --> 00:38:50,799
Speaker 1: about studios? You just you stand next to somebody. You're

768
00:38:50,800 --> 00:38:53,919
Speaker 1: like Mark Hamill, Yeah, he's my buddy. Yeah, I'm trying

769
00:38:53,920 --> 00:38:57,160
Speaker 1: to think I've met Yeah, I mean with their l

770
00:38:57,200 --> 00:39:03,400
Speaker 1: A Studios. Was that's celebrity heavy really tap, it's everything's

771
00:39:03,400 --> 00:39:06,200
Speaker 1: been done there. Okay, who did you meet here? Oh? Well,

772
00:39:07,400 --> 00:39:09,440
Speaker 1: actually I do have a really kind of funny story

773
00:39:09,600 --> 00:39:14,280
Speaker 1: about that. So Tracy Ross was actually on Kim Possible.

774
00:39:15,040 --> 00:39:19,480
Speaker 1: She's Diana Ross's daughter. Um, she's a wonderful actress. She

775
00:39:19,640 --> 00:39:23,160
Speaker 1: was on a show called Girlfriends. Okay, So we were

776
00:39:23,200 --> 00:39:25,719
Speaker 1: filming Kimpossible at the time, and it was towards the

777
00:39:25,840 --> 00:39:29,120
Speaker 1: end of it, I think, and I was just booked

778
00:39:29,239 --> 00:39:33,760
Speaker 1: on Girlfriends in a part that was like a celebrity trainer,

779
00:39:33,880 --> 00:39:37,200
Speaker 1: and I was training her character. And I was immediately

780
00:39:37,320 --> 00:39:42,000
Speaker 1: fired after I was hired. And basically so I didn't

781
00:39:42,040 --> 00:39:45,680
Speaker 1: know that I was fired until after I see Tracy

782
00:39:45,800 --> 00:39:49,960
Speaker 1: Ross in the lobby of Kim Possible. Oh, she was

783
00:39:50,000 --> 00:39:52,839
Speaker 1: at l a students to do to do my show.

784
00:39:53,400 --> 00:39:55,080
Speaker 1: She didn't know what was my show, but she had

785
00:39:55,160 --> 00:39:59,360
Speaker 1: just fired me. Okay, she had just fired me. And

786
00:39:59,480 --> 00:40:02,720
Speaker 1: so I leave after. I'm like super nicer. I'm like, Tracy,

787
00:40:02,760 --> 00:40:04,440
Speaker 1: is so nice to let me see you again? Oh yeah,

788
00:40:04,440 --> 00:40:08,560
Speaker 1: I'll see you. What work tomorrow? Oh? No, happening. She

789
00:40:08,680 --> 00:40:11,240
Speaker 1: just had this face like she didn't know what is happening.

790
00:40:11,280 --> 00:40:13,959
Speaker 1: And I didn't really understand and register, and it turned

791
00:40:13,960 --> 00:40:17,400
Speaker 1: out I had been fired by her and she was

792
00:40:17,480 --> 00:40:20,480
Speaker 1: on my show. So that is the crazy celebrity heavy story.

793
00:40:20,800 --> 00:40:24,960
Speaker 1: As my best friend Brad Pitt, he would have he

794
00:40:25,000 --> 00:40:27,040
Speaker 1: would have loved that story. I'm going to text him

795
00:40:27,120 --> 00:40:30,480
Speaker 1: later because he thought that was really fine. Yes, I

796
00:40:30,560 --> 00:40:33,239
Speaker 1: admired this generation's any young man. Thank you very much.

797
00:40:33,760 --> 00:40:38,640
Speaker 1: So let's very briefly, if we can do this exactly

798
00:40:39,160 --> 00:40:42,320
Speaker 1: growing up? Were you We didn't even call him animated

799
00:40:42,320 --> 00:40:44,480
Speaker 1: series at the time. Were you a cartoon fan? No?

800
00:40:44,719 --> 00:40:48,080
Speaker 1: I was in Bangkok. We were very active. It's so

801
00:40:48,840 --> 00:40:51,440
Speaker 1: it's a great It's like, so, did you watch cartoons? No?

802
00:40:51,600 --> 00:40:53,359
Speaker 1: My father is just by. He ran the country. Um,

803
00:40:54,239 --> 00:40:56,160
Speaker 1: we had no TV because we thought the ways would

804
00:40:56,200 --> 00:40:58,319
Speaker 1: kill us because the Russians were no. Actually, I can't

805
00:40:58,360 --> 00:41:01,399
Speaker 1: remember if we did have a TV. Actually that's my siblings. Yeah,

806
00:41:02,520 --> 00:41:04,080
Speaker 1: what would we have watched? Oh? I know we did

807
00:41:04,160 --> 00:41:07,320
Speaker 1: have a TV because but they were never cartoons. We

808
00:41:07,760 --> 00:41:10,640
Speaker 1: we turn on like Channel whatever in Thailand four and

809
00:41:12,560 --> 00:41:14,960
Speaker 1: we had three shows. I did, but I mean there's

810
00:41:15,000 --> 00:41:20,960
Speaker 1: one channel that you could tune in. So it's either

811
00:41:21,480 --> 00:41:32,760
Speaker 1: Cannon Barnaby Jones or or Spug exactly, so Canon Barnaby

812
00:41:32,920 --> 00:41:37,200
Speaker 1: Jones and Rockford Files, no um like Mill and a

813
00:41:37,280 --> 00:41:40,640
Speaker 1: Wife anyway, So we'd watch it like it was like,

814
00:41:40,800 --> 00:41:43,080
Speaker 1: you know, it was one of those three, was one

815
00:41:43,120 --> 00:41:46,400
Speaker 1: of those three shows, and that's it. And then and

816
00:41:46,800 --> 00:41:50,080
Speaker 1: so you tune the radio on and turn the volume

817
00:41:50,120 --> 00:41:52,360
Speaker 1: on the TV off so you could hear the English,

818
00:41:52,360 --> 00:41:55,279
Speaker 1: so it never sunk, like the sink never matched. And

819
00:41:55,360 --> 00:41:57,840
Speaker 1: then the show was like from seventh third, you know,

820
00:41:57,960 --> 00:41:59,800
Speaker 1: like maybe it was a weird time, but it was

821
00:41:59,840 --> 00:42:03,080
Speaker 1: like seven fifteen to maybe eight fifteen. So I know

822
00:42:03,320 --> 00:42:05,799
Speaker 1: everybody is too young to remember this, but Barnaby Jones

823
00:42:05,920 --> 00:42:07,319
Speaker 1: used to do this thing and it was like act one,

824
00:42:07,400 --> 00:42:11,640
Speaker 1: act two, actually four kind of put it on a yeah,

825
00:42:12,560 --> 00:42:16,360
Speaker 1: but at eight o'clock because it was like some government

826
00:42:16,440 --> 00:42:19,040
Speaker 1: station or something, the Thai national anthem would come on,

827
00:42:19,400 --> 00:42:24,960
Speaker 1: so we'd be like, what happened? They were just going

828
00:42:25,000 --> 00:42:28,879
Speaker 1: to solve it, like the last to this day, you've

829
00:42:28,960 --> 00:42:33,240
Speaker 1: never actually seen the end of a Barnaby Jones every

830
00:42:33,360 --> 00:42:39,279
Speaker 1: night like this is good? What did he do it?

831
00:42:40,840 --> 00:42:42,960
Speaker 1: My question is how would you watch every night not

832
00:42:43,160 --> 00:42:45,080
Speaker 1: knowing that at eight o'clock you weren't going to find

833
00:42:45,080 --> 00:42:48,120
Speaker 1: out who did it. They didn't have any options. We

834
00:42:48,239 --> 00:42:51,680
Speaker 1: never know, kids will never know, how hard never. We

835
00:42:51,840 --> 00:42:53,600
Speaker 1: never went to the I think I went to the

836
00:42:53,640 --> 00:42:56,760
Speaker 1: movies once or twice. My dad. We were in Singapore

837
00:42:56,840 --> 00:42:59,759
Speaker 1: on vacation and my mom took my sister's shopping. My

838
00:43:00,000 --> 00:43:02,040
Speaker 1: ad took us to the movies and that was a

839
00:43:02,080 --> 00:43:04,920
Speaker 1: big deal. And he took us to Cabaret, which is

840
00:43:04,960 --> 00:43:08,600
Speaker 1: a little adult a couple of seven eight year My

841
00:43:08,800 --> 00:43:12,160
Speaker 1: mother was like, you took them to you do realize

842
00:43:12,200 --> 00:43:14,480
Speaker 1: that he was just retrieving an envelope taped under one

843
00:43:14,520 --> 00:43:17,360
Speaker 1: of the seats that was there, and he was like,

844
00:43:17,480 --> 00:43:19,440
Speaker 1: let's go to Cabaret at seven oh three and we're

845
00:43:19,440 --> 00:43:24,000
Speaker 1: sitting in seat nine, like I'm wearing a carnation, wearing

846
00:43:24,000 --> 00:43:26,080
Speaker 1: a guy talking into my sleeve. I have two little

847
00:43:26,120 --> 00:43:29,640
Speaker 1: Irish children at me. So then when did you find animation?

848
00:43:29,680 --> 00:43:35,160
Speaker 1: Did you get into animation? Ever? No? Never? Okay, best

849
00:43:35,280 --> 00:43:40,440
Speaker 1: podcast ever? Later? Really? Never? You are you a fan

850
00:43:40,520 --> 00:43:44,800
Speaker 1: of animation? Sometimes? Okay, okay, fair enough. I do like it.

851
00:43:44,920 --> 00:43:47,080
Speaker 1: I'm not like you know, people like you know blah

852
00:43:47,120 --> 00:43:50,400
Speaker 1: blah blah, like yeah, like I didn't. Then I was

853
00:43:50,480 --> 00:43:52,799
Speaker 1: in Germany and Nurnberg. We had a black and white TV.

854
00:43:53,040 --> 00:43:55,520
Speaker 1: I was very active, tiny and we rode horses all

855
00:43:55,560 --> 00:43:58,680
Speaker 1: the time and swear. And in Germany we lived in

856
00:44:00,160 --> 00:44:04,000
Speaker 1: sounds outrageous. Okay, we lived off the base, but across

857
00:44:04,040 --> 00:44:06,719
Speaker 1: from base that didn't have kids on it, so we

858
00:44:06,800 --> 00:44:09,719
Speaker 1: had to take a bus anyway when but our base

859
00:44:09,840 --> 00:44:14,480
Speaker 1: was the Red Baron's Commanders. Are you kidding? I'm not kidding.

860
00:44:14,600 --> 00:44:22,200
Speaker 1: So we have such similar backgrounds. It's so strange most

861
00:44:22,280 --> 00:44:26,240
Speaker 1: kids growing up who end up voiceover actors, so very similar.

862
00:44:26,360 --> 00:44:29,000
Speaker 1: The only thing we would get would be um uh

863
00:44:29,239 --> 00:44:32,600
Speaker 1: for TV. We come home and watch General Hospital and

864
00:44:32,800 --> 00:44:37,640
Speaker 1: family Wow, the news on a FN American Forces Yeah,

865
00:44:38,120 --> 00:44:44,120
Speaker 1: and arcestwork. Oh right, how how could I forget fr

866
00:44:44,200 --> 00:44:48,440
Speaker 1: t s You may have watched because you're no, my

867
00:44:48,560 --> 00:44:51,279
Speaker 1: dad was only stationed in Sicily for a little while.

868
00:44:51,880 --> 00:44:54,840
Speaker 1: He Oh no, I didn't go No, no, no, he

869
00:44:55,200 --> 00:44:56,920
Speaker 1: was my My father was in the reserves, but he

870
00:44:57,120 --> 00:45:01,439
Speaker 1: was adjunct professor at the War College in um Rhode Island,

871
00:45:02,040 --> 00:45:03,279
Speaker 1: but he did most of his stuff in Grotut in

872
00:45:03,280 --> 00:45:04,800
Speaker 1: Connecticut at the sub base. So that's kind of the

873
00:45:04,840 --> 00:45:07,239
Speaker 1: base that I would always go to all the time. Okay, yeah,

874
00:45:07,400 --> 00:45:09,960
Speaker 1: you know that stuff, not nearly to the extent that

875
00:45:10,040 --> 00:45:11,440
Speaker 1: you did. My dad would sa say, hey, you know

876
00:45:11,520 --> 00:45:13,239
Speaker 1: that you know that show Jag is running around Jim,

877
00:45:13,400 --> 00:45:14,640
Speaker 1: that's what I do. And I'd be like, Dad, I've

878
00:45:14,680 --> 00:45:18,400
Speaker 1: seen your office. You sit there, you don't do anything. Um. So, yeah, no,

879
00:45:18,520 --> 00:45:20,279
Speaker 1: we did not. It was I joke about the same

880
00:45:20,320 --> 00:45:21,920
Speaker 1: of the back my father is. It was in the

881
00:45:22,000 --> 00:45:23,960
Speaker 1: military for thirty years in the reserves, but but no

882
00:45:24,719 --> 00:45:27,239
Speaker 1: move at all. Um. So that kind of but the

883
00:45:27,360 --> 00:45:28,920
Speaker 1: Armed Forces Network, I know, boy Mean's World was on

884
00:45:28,960 --> 00:45:31,759
Speaker 1: the Armed Forces Network, so we would always get things

885
00:45:31,800 --> 00:45:34,719
Speaker 1: from soldiers kind of like, hey, we watch probably after

886
00:45:35,320 --> 00:45:38,400
Speaker 1: my time. Yeah, and then in college, I didn't you know,

887
00:45:38,400 --> 00:45:40,120
Speaker 1: I didn't have money, we didn't have a TV. I

888
00:45:40,120 --> 00:45:42,880
Speaker 1: don't know, we go over to somebody's on Thursday nights.

889
00:45:42,920 --> 00:45:46,520
Speaker 1: We'd watched like Rosanne, Cheers, the whole lineup, and so

890
00:45:47,239 --> 00:45:49,040
Speaker 1: you know, I didn't watch cartoons. Well I didn't have

891
00:45:49,040 --> 00:45:50,680
Speaker 1: a TV. But is that so now if you didn't

892
00:45:50,680 --> 00:45:55,120
Speaker 1: have a TV, what what the entertainment? Yeah, like, did

893
00:45:55,160 --> 00:45:56,880
Speaker 1: you know you wanted to be on camera? Did you

894
00:45:56,920 --> 00:45:59,239
Speaker 1: want to be on theater? I mean, because I like

895
00:45:59,280 --> 00:46:01,200
Speaker 1: you grew up watching TV. I would do all these

896
00:46:01,239 --> 00:46:04,920
Speaker 1: impersonations for the hall in college, like do Tina Turner

897
00:46:05,239 --> 00:46:07,520
Speaker 1: or something like that, just trying to sing like it.

898
00:46:07,680 --> 00:46:10,120
Speaker 1: And you know, and I remember once very clearly when

899
00:46:10,120 --> 00:46:12,000
Speaker 1: I was in Munich in the car my sister was

900
00:46:12,080 --> 00:46:15,080
Speaker 1: driving in and Casey Cayson was on and sure some

901
00:46:15,520 --> 00:46:17,759
Speaker 1: you know, the cowtown, and so I would try and

902
00:46:17,840 --> 00:46:20,440
Speaker 1: sing like every artist. My sister like, you're pretty good

903
00:46:20,440 --> 00:46:22,200
Speaker 1: at that, Like you're pretty good at that. And I

904
00:46:22,280 --> 00:46:24,560
Speaker 1: never thought about it again. And then but when I

905
00:46:24,640 --> 00:46:26,440
Speaker 1: was in college, these two girls down the hall were like,

906
00:46:26,480 --> 00:46:29,000
Speaker 1: we saw a flyer for this comedy group. You're really funny.

907
00:46:29,040 --> 00:46:32,640
Speaker 1: You should try out. I was like, and you never

908
00:46:32,760 --> 00:46:35,200
Speaker 1: performed before then, you didn't. I played the Virgin Mary

909
00:46:35,239 --> 00:46:38,840
Speaker 1: in second grade that room, Red Catholic School in Bangkokilag.

910
00:46:39,000 --> 00:46:46,080
Speaker 1: So many, so many questions from that one, s um, so,

911
00:46:46,239 --> 00:46:47,880
Speaker 1: but so that's the thing, then you and then I

912
00:46:48,040 --> 00:46:50,320
Speaker 1: did improve. And then the next theater role that I

913
00:46:50,400 --> 00:46:53,560
Speaker 1: did was Bilbo Baggins at the Child's Theater. Mary the

914
00:46:53,640 --> 00:46:56,759
Speaker 1: lead right there. Well, you can say what you want

915
00:46:56,760 --> 00:47:00,600
Speaker 1: about Bilbo's life, but they're probably pretty similar. Um that's

916
00:47:00,840 --> 00:47:03,600
Speaker 1: I'm just I'm just amazed that that is. I mean,

917
00:47:03,800 --> 00:47:06,040
Speaker 1: because we we we meet a lot of our our

918
00:47:06,080 --> 00:47:10,400
Speaker 1: guests come on and it's like, oh I started was

919
00:47:10,480 --> 00:47:14,120
Speaker 1: always talking about that thou will be here tomorrow. Um yeah,

920
00:47:14,719 --> 00:47:17,160
Speaker 1: but that all that kind of stuff where it's just

921
00:47:17,760 --> 00:47:20,280
Speaker 1: it's amazing. So you didn't you had to span until

922
00:47:20,320 --> 00:47:23,200
Speaker 1: college where then you went, yeah, I guess I'll perform something. Yep,

923
00:47:23,719 --> 00:47:26,480
Speaker 1: I don't have fat or anything in our high school. Wow,

924
00:47:27,000 --> 00:47:30,200
Speaker 1: the corral, I guess. But um, what did it feel

925
00:47:30,280 --> 00:47:34,520
Speaker 1: like to find sort of like an outlet for this

926
00:47:34,719 --> 00:47:37,040
Speaker 1: type of the side of your personality to feel like

927
00:47:37,160 --> 00:47:39,320
Speaker 1: really exciting? Was it? Was it something I think I

928
00:47:39,400 --> 00:47:42,160
Speaker 1: just needed attention? I don't know. Yeah, yeah, that's I mean,

929
00:47:42,200 --> 00:47:44,160
Speaker 1: that's legitimate when it comes from now you know, I

930
00:47:44,280 --> 00:47:47,680
Speaker 1: am the person it's like, uh, great grades, talks too

931
00:47:47,800 --> 00:47:54,279
Speaker 1: much a distraction. Yeah, that's that's what I was. Well, well,

932
00:47:54,320 --> 00:47:56,359
Speaker 1: you're also raised by the world and a spy, which

933
00:47:56,400 --> 00:47:59,920
Speaker 1: is pretty cool. My parents weren't around. My dad was gone.

934
00:48:00,040 --> 00:48:02,799
Speaker 1: It was like he would literally like it's like your

935
00:48:02,840 --> 00:48:05,440
Speaker 1: father left, Like I would hear here's I know he

936
00:48:05,520 --> 00:48:09,640
Speaker 1: would leave. I'd hear his pants and coins and the

937
00:48:09,800 --> 00:48:13,280
Speaker 1: keys and his pants and the belt, and I'd be like, jingle, jingle, jingle,

938
00:48:13,600 --> 00:48:15,560
Speaker 1: and then he'd leave and then be like, where's Dad, Oh,

939
00:48:15,640 --> 00:48:19,799
Speaker 1: he's gone. Then he'd be back in a month. Well

940
00:48:19,840 --> 00:48:21,800
Speaker 1: on time he went away to for three months and

941
00:48:21,840 --> 00:48:23,839
Speaker 1: we left little notes in all his clothing. This isn't

942
00:48:23,840 --> 00:48:26,520
Speaker 1: about animation. And also no, but nobody's about you. It's

943
00:48:26,520 --> 00:48:28,399
Speaker 1: about the voices in your head. That's the joke. I think.

944
00:48:28,440 --> 00:48:31,000
Speaker 1: I listened to voices growing up, and I would try

945
00:48:31,040 --> 00:48:33,160
Speaker 1: to impersonate it like I would. We had a maid

946
00:48:33,200 --> 00:48:36,359
Speaker 1: when we're in Thailand my kitchen. You know, her name

947
00:48:36,400 --> 00:48:37,880
Speaker 1: is Samon, and she was part of the family, so

948
00:48:37,960 --> 00:48:40,839
Speaker 1: I we'd make fun of her and do her voice um,

949
00:48:41,200 --> 00:48:44,040
Speaker 1: and then you know, I do all my teachers, you know,

950
00:48:44,160 --> 00:48:45,920
Speaker 1: stuff like that. It almost feels like it was a

951
00:48:45,960 --> 00:48:48,880
Speaker 1: way of also connecting with people too, write like in

952
00:48:48,960 --> 00:48:51,239
Speaker 1: the invitation process, I just I'm sorry. I that's what

953
00:48:51,280 --> 00:48:52,840
Speaker 1: I can do. Look at what I can do. I

954
00:48:52,960 --> 00:48:55,160
Speaker 1: keep going back to the just you, the teacher side

955
00:48:55,200 --> 00:48:58,719
Speaker 1: of you, and the idea of telling students to just

956
00:48:59,120 --> 00:49:01,800
Speaker 1: listen to every one around you. It's such good advice.

957
00:49:01,960 --> 00:49:05,000
Speaker 1: Just listen to the voices around you. Yeah, that's amazing,

958
00:49:05,160 --> 00:49:06,960
Speaker 1: and I mean there's no excuse for you if you're

959
00:49:07,040 --> 00:49:10,359
Speaker 1: learning how to do voice you be specifically a voice actor,

960
00:49:10,600 --> 00:49:12,239
Speaker 1: which also I tell him, don't do that, just be

961
00:49:12,320 --> 00:49:15,440
Speaker 1: an actor. Yeah, exactly right. Yeah that when people say

962
00:49:15,440 --> 00:49:16,840
Speaker 1: I want to be an anime voice actor, I'm like,

963
00:49:16,880 --> 00:49:20,560
Speaker 1: now you want to be an actor? Like, um, you know,

964
00:49:20,680 --> 00:49:24,560
Speaker 1: maybe you'll do enemy um, maybe not um. But yeah,

965
00:49:25,239 --> 00:49:27,480
Speaker 1: you know, with the Internet, there's no excuse. I remember

966
00:49:27,520 --> 00:49:29,480
Speaker 1: when I auditioning for Jake Ers. The aventure was a

967
00:49:29,480 --> 00:49:32,200
Speaker 1: pig New Inks, which was award winning, Emmy Award winning

968
00:49:32,360 --> 00:49:34,960
Speaker 1: and I love the Emmy the second time, but a

969
00:49:35,040 --> 00:49:37,520
Speaker 1: kid got it, So that's okay. Kids is still in

970
00:49:37,600 --> 00:49:44,160
Speaker 1: one piece. Yeah. I lost my Emmy to Henry Winkler. Really,

971
00:49:44,840 --> 00:49:47,360
Speaker 1: that's a solid loss. I've never even been considered for

972
00:49:47,400 --> 00:49:49,880
Speaker 1: an Emmy. Really, No. I think once they wanted me

973
00:49:49,920 --> 00:49:51,560
Speaker 1: to park the cars there and that was the closest.

974
00:49:51,600 --> 00:49:54,040
Speaker 1: But Will. I wouldn't have been nominated for an Emmy

975
00:49:54,120 --> 00:49:56,000
Speaker 1: if it hadn't been for Will Because what did you

976
00:49:56,040 --> 00:49:59,640
Speaker 1: get nominated nominated for an Emmy for Kim Possible? How

977
00:49:59,680 --> 00:50:01,160
Speaker 1: do you not to know this? I didn't know this

978
00:50:01,280 --> 00:50:03,800
Speaker 1: at all. I didn't know our show got Nancy didn't

979
00:50:04,200 --> 00:50:06,799
Speaker 1: Nancy one? Nancy Cartwright got an Emmy. Good for her,

980
00:50:07,200 --> 00:50:08,960
Speaker 1: but I thought that was the only one on the show.

981
00:50:08,960 --> 00:50:11,920
Speaker 1: I didn't know you got nominated. That's awesome, that's awesome.

982
00:50:12,480 --> 00:50:16,880
Speaker 1: Retroactively congratulations, that's great. That's certificate. I do. I do

983
00:50:17,040 --> 00:50:20,000
Speaker 1: have the certificate. It was framed and then they sent

984
00:50:20,080 --> 00:50:22,279
Speaker 1: it to me framed or maybe my mom got a

985
00:50:22,320 --> 00:50:25,000
Speaker 1: framed I don't remember, but yeah, I have it. That

986
00:50:25,200 --> 00:50:28,360
Speaker 1: is awesome. Well, listen, Henry Winkler deserved it. He was

987
00:50:28,400 --> 00:50:30,200
Speaker 1: Cliff for The Red Dog, and I was like, yeah,

988
00:50:30,600 --> 00:50:33,200
Speaker 1: you know, it's a kids movie based on a Vila.

989
00:50:33,640 --> 00:50:35,680
Speaker 1: That's the rumor. I'm sorry. My last dog was a

990
00:50:35,719 --> 00:50:37,600
Speaker 1: Vishla and the Cliff for the Big Red Dog is

991
00:50:37,600 --> 00:50:43,600
Speaker 1: based on a Visa. It's a type of dogla big german.

992
00:50:44,040 --> 00:50:50,280
Speaker 1: And then I was again that yes, big red dog. Anyway,

993
00:50:50,719 --> 00:50:52,520
Speaker 1: did they come in like a red Yeah, they are,

994
00:50:52,920 --> 00:50:56,880
Speaker 1: that's are not red. They are They're like a reddish browns.

995
00:50:57,719 --> 00:50:59,960
Speaker 1: They are. They're they're considered red coated dogs. That's why

996
00:51:00,080 --> 00:51:03,120
Speaker 1: couldness Yeah, that's what you're saying. See what happens when

997
00:51:03,160 --> 00:51:06,200
Speaker 1: you think you call it's so great. Then we finally

998
00:51:06,239 --> 00:51:07,840
Speaker 1: tell me there's red dogs out there. I'm not going

999
00:51:07,920 --> 00:51:13,239
Speaker 1: to believe. I don't trust him. Okay, I'm just gonna

1000
00:51:13,280 --> 00:51:14,920
Speaker 1: side with her. She's a spy and she knows if

1001
00:51:14,920 --> 00:51:16,960
Speaker 1: your line or not. No, we will google and I'll

1002
00:51:16,960 --> 00:51:18,759
Speaker 1: show you afterwards. It's not like all the stuff I

1003
00:51:18,800 --> 00:51:20,600
Speaker 1: tell you about the draft meet how it really helps

1004
00:51:20,640 --> 00:51:25,000
Speaker 1: your brain that giraffe meat. Yeah, I'm going to fail

1005
00:51:25,120 --> 00:51:28,160
Speaker 1: upwards with this guy. I'm gonna learn, okay, how to deal.

1006
00:51:28,520 --> 00:51:32,799
Speaker 1: That's what I'm great partnership. Well, thank you, all right,

1007
00:51:32,840 --> 00:51:35,759
Speaker 1: we have something fun. Oh yeah, we're here at this point.

1008
00:51:36,800 --> 00:51:38,799
Speaker 1: All right, Oh you're gonna love this. You're gonna love

1009
00:51:38,840 --> 00:51:40,600
Speaker 1: I mean, I hope you love this. It is twister.

1010
00:51:40,840 --> 00:51:46,080
Speaker 1: But we're all covered in jam. Okay. So while we

1011
00:51:46,160 --> 00:51:49,279
Speaker 1: are not fully up and running, we will be, for

1012
00:51:49,600 --> 00:51:51,480
Speaker 1: you know, in the next month or two. So what

1013
00:51:51,640 --> 00:51:53,680
Speaker 1: will eventually be happening on our show, which we'd like

1014
00:51:53,719 --> 00:51:55,239
Speaker 1: to talk about, is we will have a screen here

1015
00:51:55,719 --> 00:51:57,960
Speaker 1: and kids from all around the world are going to

1016
00:51:58,040 --> 00:52:00,360
Speaker 1: be able to come in and show some wrongs that

1017
00:52:00,440 --> 00:52:02,560
Speaker 1: they've done and have some of the best voiceover actors

1018
00:52:02,640 --> 00:52:05,439
Speaker 1: in the world put a voice to the characters. Okay. Yeah,

1019
00:52:05,800 --> 00:52:08,279
Speaker 1: So since we couldn't do that yet, we went to

1020
00:52:08,440 --> 00:52:13,439
Speaker 1: Christie at her her fan social media. He's a good guy.

1021
00:52:13,640 --> 00:52:15,799
Speaker 1: I'm kidding. She's got lots of fans on social sure

1022
00:52:16,040 --> 00:52:19,919
Speaker 1: that she has almost dozens every day. Just a couple

1023
00:52:20,000 --> 00:52:23,799
Speaker 1: more billions of people. And we've got some pictures sent

1024
00:52:23,920 --> 00:52:27,120
Speaker 1: in from people, I think mostly in this country to

1025
00:52:27,200 --> 00:52:29,600
Speaker 1: start with, but we will blanket the world eventually because

1026
00:52:29,600 --> 00:52:30,799
Speaker 1: we need to get to all the people. You grew

1027
00:52:30,880 --> 00:52:33,920
Speaker 1: up with a round Bangkok and everywhere else. My best

1028
00:52:33,960 --> 00:52:36,239
Speaker 1: friend Brad Pitt's kids are going to send some in eventually. Yes,

1029
00:52:36,360 --> 00:52:39,040
Speaker 1: and and obviously Tracy Ross and Tracy Ross and my

1030
00:52:39,120 --> 00:52:41,200
Speaker 1: friend Jim Carrey and your friend Jim Carrey. There you

1031
00:52:41,239 --> 00:52:42,839
Speaker 1: go that I did two movies with and he gave

1032
00:52:42,880 --> 00:52:47,239
Speaker 1: me a black men's large bathroom both times. Both times

1033
00:52:47,280 --> 00:52:49,879
Speaker 1: we got the same gift and it's both a black Okay,

1034
00:52:49,880 --> 00:52:52,000
Speaker 1: I'm putting these down. We're gonna tell this story real quick.

1035
00:52:52,360 --> 00:52:57,120
Speaker 1: I'd like to ask this one quick question, what what what?

1036
00:52:57,480 --> 00:52:59,759
Speaker 1: What is? So? You did two movies with Jim Carrey. Yeah,

1037
00:52:59,800 --> 00:53:04,200
Speaker 1: carry in the artists. The number two, the number three

1038
00:53:05,160 --> 00:53:08,440
Speaker 1: whatever was somebody looking up? And then I did yes

1039
00:53:08,560 --> 00:53:12,799
Speaker 1: Man with him. So two of his bigger films, well

1040
00:53:12,920 --> 00:53:16,200
Speaker 1: the one, I'm kidding, yes Man, yes Man was big.

1041
00:53:16,440 --> 00:53:18,919
Speaker 1: Yes Man was the one, and just to recap everybody's memory,

1042
00:53:19,160 --> 00:53:21,000
Speaker 1: yes to say yes, yes to say yes to everything

1043
00:53:21,080 --> 00:53:25,719
Speaker 1: was changed. That's not a second, that's not liral good point,

1044
00:53:26,080 --> 00:53:28,399
Speaker 1: totally different movies exactly. He's gonna tell that you didn't

1045
00:53:28,400 --> 00:53:30,320
Speaker 1: want and say yes to the Who were you in

1046
00:53:30,680 --> 00:53:36,440
Speaker 1: yes Man? I? Who was I did? I was in

1047
00:53:36,560 --> 00:53:41,120
Speaker 1: the bank and uh I was a cake maker. Okay,

1048
00:53:41,200 --> 00:53:43,279
Speaker 1: that's right. So I had to bring him the cake

1049
00:53:43,360 --> 00:53:45,640
Speaker 1: and then I wasn't But Jim Carrey did his own

1050
00:53:45,680 --> 00:53:48,640
Speaker 1: stunt without telling anybody, and he had a double axe

1051
00:53:48,680 --> 00:53:50,880
Speaker 1: guitar and he jumped off the stage. So I was

1052
00:53:50,880 --> 00:53:53,480
Speaker 1: supposed to do like five weeks, but he heard his back.

1053
00:53:54,600 --> 00:53:57,320
Speaker 1: This is that. I was like, really, So then I

1054
00:53:57,400 --> 00:53:59,840
Speaker 1: had to come back and pick it up later on.

1055
00:54:00,360 --> 00:54:02,560
Speaker 1: Part got smaller, but and he gave in the bank,

1056
00:54:02,600 --> 00:54:05,680
Speaker 1: he gave you gifts. Yeah, the swag that we got

1057
00:54:05,960 --> 00:54:07,959
Speaker 1: I got from him. I should have saved the cards,

1058
00:54:08,000 --> 00:54:10,760
Speaker 1: I guess. But it was like adult large move men's

1059
00:54:10,880 --> 00:54:13,680
Speaker 1: extra large men's black bathroom with the name of the

1060
00:54:13,680 --> 00:54:15,759
Speaker 1: film on it. It's like thank you. And also the

1061
00:54:15,880 --> 00:54:18,239
Speaker 1: second time I met him, he was like, it's so

1062
00:54:18,360 --> 00:54:21,200
Speaker 1: nice to me. I'm like, yes again, this is our name.

1063
00:54:22,680 --> 00:54:24,120
Speaker 1: I mean, I I don't I have a lot of

1064
00:54:24,160 --> 00:54:27,520
Speaker 1: famous friends, and I see how that happens. Also, he's

1065
00:54:27,719 --> 00:54:29,800
Speaker 1: just thinking of his film and stuff like that. No,

1066
00:54:30,120 --> 00:54:31,520
Speaker 1: no offense there. But what I want to know is

1067
00:54:31,680 --> 00:54:33,640
Speaker 1: the robe that you got the first and was it

1068
00:54:33,760 --> 00:54:36,000
Speaker 1: the name of the right movie? Or was it the

1069
00:54:36,080 --> 00:54:39,799
Speaker 1: name it was some different movie that he wasn't. Yes,

1070
00:54:41,120 --> 00:54:43,759
Speaker 1: it was the name of the film. I was why

1071
00:54:43,840 --> 00:54:46,319
Speaker 1: was it in this? What are you doing? All right?

1072
00:54:46,400 --> 00:54:47,960
Speaker 1: So I had I'm sorry, I had to hear that story.

1073
00:54:48,120 --> 00:54:50,719
Speaker 1: We're going to let you pick two, ok because we're

1074
00:54:50,719 --> 00:54:54,680
Speaker 1: going random, and then the name I believe the name

1075
00:54:54,719 --> 00:54:56,440
Speaker 1: of the artist will be at the top. Name and

1076
00:54:56,480 --> 00:54:57,800
Speaker 1: age of the artist will be at the top, and

1077
00:54:57,880 --> 00:55:00,040
Speaker 1: we're going to see if we're gonna describe them and

1078
00:55:00,120 --> 00:55:03,440
Speaker 1: then see what kind of voices you would put. So

1079
00:55:03,560 --> 00:55:06,400
Speaker 1: I just take two, take two and voice them in

1080
00:55:06,400 --> 00:55:15,719
Speaker 1: the morning. No, sorry, that's right, Okay. Can I look

1081
00:55:15,760 --> 00:55:22,800
Speaker 1: at him now? Yeah? Wow, Okay, what do we have?

1082
00:55:22,960 --> 00:55:25,960
Speaker 1: So what's our first one? There? It looks like is

1083
00:55:26,000 --> 00:55:32,360
Speaker 1: it a tree on the tree? I say, the treatman? Gail? Okay,

1084
00:55:32,400 --> 00:55:34,719
Speaker 1: so we've got it. Wow, we've got okay? Great? Do

1085
00:55:34,800 --> 00:55:41,520
Speaker 1: they have a backstory? Wanted to make a big foot

1086
00:55:41,840 --> 00:55:47,560
Speaker 1: tree man character? She does painting through Bob Ross videos.

1087
00:55:47,920 --> 00:55:52,279
Speaker 1: Oh wow, is the original and she wanted to change

1088
00:55:52,320 --> 00:55:54,520
Speaker 1: it into a character. So I just like tested her

1089
00:55:54,719 --> 00:55:57,160
Speaker 1: because I knew she was a doer. And so that's

1090
00:55:57,320 --> 00:56:04,120
Speaker 1: the mock up of the tree man. Uh wow. So

1091
00:56:04,280 --> 00:56:07,920
Speaker 1: this first one is our producer, Elizabeth's mom, Gail, and

1092
00:56:08,000 --> 00:56:11,080
Speaker 1: who has made Hero and Cape, who has made a

1093
00:56:11,400 --> 00:56:16,000
Speaker 1: tree man? Yes, so his voice, how would you? Okay?

1094
00:56:16,719 --> 00:56:19,000
Speaker 1: That's put in front of you for an audition. Yeah, yeah, yeah, okay.

1095
00:56:19,160 --> 00:56:21,040
Speaker 1: So but we know he's sixty nine years old, right,

1096
00:56:22,000 --> 00:56:24,000
Speaker 1: we can say he's sixt Gail sixty nine, but we

1097
00:56:24,080 --> 00:56:27,359
Speaker 1: can say he's six. All right, So but I think

1098
00:56:27,480 --> 00:56:32,400
Speaker 1: his name is I'm I'm Gail Gel, It's been Gel.

1099
00:56:33,200 --> 00:56:38,759
Speaker 1: I'm a girl living Lachensvald the Forest. I live in

1100
00:56:38,840 --> 00:56:42,320
Speaker 1: the Black Forest. What I do is I see the children.

1101
00:56:42,880 --> 00:56:46,120
Speaker 1: They think I am evil, But what I do is

1102
00:56:46,160 --> 00:56:50,840
Speaker 1: I take the children and I make them princess and princesses.

1103
00:56:51,640 --> 00:56:55,960
Speaker 1: I appoint them to different tests. They have to go

1104
00:56:56,120 --> 00:56:58,560
Speaker 1: do it. They come back to me and I give

1105
00:56:58,640 --> 00:57:02,759
Speaker 1: them bags of gold. They cannot tell anybody where they

1106
00:57:02,840 --> 00:57:05,839
Speaker 1: get the pegs of cold, but they have to give

1107
00:57:05,920 --> 00:57:11,400
Speaker 1: the peg of cood to somebody who really needs it. Wow.

1108
00:57:12,800 --> 00:57:15,320
Speaker 1: So not only is the voice awesome, but he's so nice.

1109
00:57:16,200 --> 00:57:19,160
Speaker 1: I gotta say that that was really impressive. By the way,

1110
00:57:19,800 --> 00:57:21,680
Speaker 1: we own all of the I p for everything sent

1111
00:57:21,760 --> 00:57:27,439
Speaker 1: to the show a series coming out because I can't

1112
00:57:27,480 --> 00:57:32,080
Speaker 1: say okay, so that well, well, I would argue home

1113
00:57:32,160 --> 00:57:34,760
Speaker 1: run right there, home run number one. And now we've

1114
00:57:34,840 --> 00:57:39,160
Speaker 1: got a fish fish? Who is this one from? Okay?

1115
00:57:39,480 --> 00:57:45,120
Speaker 1: This is Aubrey twelve years old. It's her fish, Aubrey's fish.

1116
00:57:47,920 --> 00:57:58,200
Speaker 1: What what? Hello? Hello? Hello? Is anybody her? I am

1117
00:57:58,920 --> 00:58:08,600
Speaker 1: name la Hey am I no egg? But I live forever.

1118
00:58:09,760 --> 00:58:18,520
Speaker 1: I have an incredible sense of taste. I can't tache Ali,

1119
00:58:20,120 --> 00:58:23,960
Speaker 1: even if fetched four feet away. I can't say it

1120
00:58:24,680 --> 00:58:30,080
Speaker 1: tastes like co or not. Okay, other than the construction

1121
00:58:30,600 --> 00:58:34,760
Speaker 1: and the and the calls that are pretty great though,

1122
00:58:34,920 --> 00:58:37,120
Speaker 1: that are too incredible. Voice, you don't even know how

1123
00:58:37,200 --> 00:58:39,720
Speaker 1: you got that voice out of your body. That's so cool?

1124
00:58:40,120 --> 00:58:51,880
Speaker 1: How did you do that? Water are always underwater? So

1125
00:58:53,720 --> 00:58:58,120
Speaker 1: making a little young I gotta be a little anything. Gosh,

1126
00:58:58,160 --> 00:59:05,040
Speaker 1: I'm always down in. Oh thank you. Okay, So what's

1127
00:59:05,080 --> 00:59:08,280
Speaker 1: the I come into your class? I sit down, I say,

1128
00:59:08,320 --> 00:59:10,800
Speaker 1: I want to be an actor. I'm not gonna say

1129
00:59:10,800 --> 00:59:12,200
Speaker 1: a voice actor. I want to be an actor. What's

1130
00:59:12,240 --> 00:59:15,160
Speaker 1: the first piece of advice you give me? Uh? Take

1131
00:59:15,240 --> 00:59:18,920
Speaker 1: in profit great, great, great, great great, because you'll learn

1132
00:59:18,960 --> 00:59:24,120
Speaker 1: how to do multiple characters quickly, accents, different ages, great idea. Yeah,

1133
00:59:24,320 --> 00:59:27,040
Speaker 1: and take theater and also volunteer at the theater because

1134
00:59:27,080 --> 00:59:30,080
Speaker 1: theaters always need volunteers. I love that. That's true. They

1135
00:59:30,200 --> 00:59:32,600
Speaker 1: really do right. And then, and I always say, when

1136
00:59:32,640 --> 00:59:35,360
Speaker 1: I was a casting associate as my day job, I

1137
00:59:35,520 --> 00:59:38,280
Speaker 1: learned as much from the really bad actors as I

1138
00:59:38,360 --> 00:59:41,280
Speaker 1: did from the really good actor Like sometimes you're like, okay,

1139
00:59:41,680 --> 00:59:45,360
Speaker 1: don't do that, you know. And immediately after I started

1140
00:59:45,400 --> 00:59:48,160
Speaker 1: doing that, I I moved to l A and I

1141
00:59:48,800 --> 00:59:50,840
Speaker 1: banged it out of the park with on camera commercials

1142
00:59:51,520 --> 00:59:55,200
Speaker 1: because I've been watching them for like four years. Yeah, okay, okay,

1143
00:59:56,040 --> 00:59:57,960
Speaker 1: very quickly though, I want to recap two things that

1144
00:59:58,000 --> 00:59:59,920
Speaker 1: we learned today. Well, other than the fact that being

1145
01:00:00,040 --> 01:00:03,560
Speaker 1: the daughter of a spy is really really cool, very cool,

1146
01:00:03,800 --> 01:00:05,640
Speaker 1: which led you to learn the world all the way around,

1147
01:00:05,840 --> 01:00:08,560
Speaker 1: two amazing pieces of advice for everybody out there listening

1148
01:00:08,680 --> 01:00:12,120
Speaker 1: right now. First of all, listen to everybody around you,

1149
01:00:12,160 --> 01:00:14,080
Speaker 1: which I think is one of the when you think

1150
01:00:14,080 --> 01:00:16,280
Speaker 1: about it, it's such a simple thing, but something that

1151
01:00:16,360 --> 01:00:18,760
Speaker 1: maybe nobody's really articulated the right way, especially for somebody

1152
01:00:18,800 --> 01:00:20,960
Speaker 1: who wants to to get into the acting world, but

1153
01:00:21,120 --> 01:00:25,040
Speaker 1: voice acting specifically. Yeah, listen to everyone around you. Great,

1154
01:00:25,240 --> 01:00:29,280
Speaker 1: that's great. And number two, take improv. Yeah, two great

1155
01:00:29,320 --> 01:00:31,360
Speaker 1: pieces of advice. Yeah, that's what I That's what I

1156
01:00:31,400 --> 01:00:36,560
Speaker 1: always tell people. Where can we find you? Uh? I'm

1157
01:00:36,560 --> 01:00:40,040
Speaker 1: on Twitter? Okay, people keep taking my name, so sometimes

1158
01:00:40,080 --> 01:00:42,560
Speaker 1: I make them up. Twitter it's Miley planning in and

1159
01:00:42,680 --> 01:00:44,200
Speaker 1: ma I L E F L A N A G

1160
01:00:44,360 --> 01:00:47,680
Speaker 1: A N and then instant it's the real Miley Flann

1161
01:00:47,720 --> 01:00:50,680
Speaker 1: again and then talk. I have been on in a well,

1162
01:00:50,720 --> 01:00:52,040
Speaker 1: so I don't know what I can't remember what it is,

1163
01:00:52,200 --> 01:00:56,320
Speaker 1: but you're on. Yeah. But there are a bunch of

1164
01:00:56,400 --> 01:00:59,919
Speaker 1: people that say that they're me but those two are good.

1165
01:01:01,200 --> 01:01:03,439
Speaker 1: And then are you and you're at cons so people

1166
01:01:03,480 --> 01:01:05,680
Speaker 1: can see you. Pop. I'll be in Savannah this weekend,

1167
01:01:06,760 --> 01:01:09,400
Speaker 1: um for Super Bowl weekend. I'm not gonna tell exactly

1168
01:01:09,440 --> 01:01:13,560
Speaker 1: when we're recording as Yeah, I'll be in Savannah this weekend,

1169
01:01:13,680 --> 01:01:15,560
Speaker 1: and then I'm going to be at Rocket Con in

1170
01:01:15,640 --> 01:01:19,480
Speaker 1: San Diego. And then other conventions I have coming up

1171
01:01:19,480 --> 01:01:22,360
Speaker 1: are Minneapolis, we talked about before we were rolling. Oh,

1172
01:01:22,440 --> 01:01:24,800
Speaker 1: that'll be fun. I think you have people still back

1173
01:01:24,840 --> 01:01:27,240
Speaker 1: there that you know from from there. And then I

1174
01:01:27,320 --> 01:01:31,200
Speaker 1: have a lot of friends back there. Um, cold but fun.

1175
01:01:31,320 --> 01:01:36,680
Speaker 1: And then I'm doing something in Las Vegas. I'm doing

1176
01:01:37,160 --> 01:01:42,640
Speaker 1: Oh for my birthday weekend, I'm in Orlando whatever that is?

1177
01:01:42,760 --> 01:01:47,000
Speaker 1: May nine weekend. What else am I doing? Oh gosh,

1178
01:01:47,040 --> 01:01:51,120
Speaker 1: I don't know. San Francisco at the end of the year. Oh, Hawaii,

1179
01:01:51,240 --> 01:01:55,200
Speaker 1: kawai kan so got your yea. So strange You're going

1180
01:01:55,320 --> 01:01:58,240
Speaker 1: home three different times essentially, I just got to go

1181
01:01:58,280 --> 01:02:02,720
Speaker 1: to Bangkok exactly bank, you know, fan Expo Bangkok. I'm

1182
01:02:02,760 --> 01:02:06,040
Speaker 1: sure will happen eventually, probably, Thank you so much, thank you,

1183
01:02:06,800 --> 01:02:09,959
Speaker 1: this is a pleasure. Many We laughed a lot today.

1184
01:02:10,560 --> 01:02:14,560
Speaker 1: It's great. Yeah, we can watch you all the time

1185
01:02:14,640 --> 01:02:17,880
Speaker 1: on I'm sure it's streaming. Well, it's on it's on

1186
01:02:18,120 --> 01:02:21,040
Speaker 1: like three in the morning on Saturday nights here in

1187
01:02:21,240 --> 01:02:24,480
Speaker 1: l A on on to me, but I think it's

1188
01:02:24,480 --> 01:02:28,160
Speaker 1: still on crunchy roll. It's on Hulu, I think still.

1189
01:02:28,320 --> 01:02:30,960
Speaker 1: And you've got the spinoff. And the spin spinoff is

1190
01:02:31,000 --> 01:02:34,560
Speaker 1: Borto Naruto Next Generations, and that's you're already an episode

1191
01:02:34,640 --> 01:02:36,800
Speaker 1: eight thousand of the spinoff. Yeah, I'm like one ninety

1192
01:02:36,880 --> 01:02:39,240
Speaker 1: I did yesterday and they I'm thinking of doing it

1193
01:02:39,520 --> 01:02:41,320
Speaker 1: again next week. A couple of times I'm not in

1194
01:02:41,440 --> 01:02:43,960
Speaker 1: that as much because I'm not the lead, but you know,

1195
01:02:44,040 --> 01:02:46,480
Speaker 1: I mean it. So I keep thinking there's going to

1196
01:02:46,520 --> 01:02:52,160
Speaker 1: be like Floru too too, Naruto next. Notta work, gotta work, hey,

1197
01:02:52,240 --> 01:02:55,560
Speaker 1: as long as it keeps going right. Yeah, exactly. One

1198
01:02:55,600 --> 01:02:58,560
Speaker 1: of the best anime shows ever and helped to have

1199
01:02:58,680 --> 01:03:02,200
Speaker 1: anime boom recently. Definitely, I'm excited to watch it. I

1200
01:03:02,280 --> 01:03:03,800
Speaker 1: would like, do you think I could show my my

1201
01:03:03,960 --> 01:03:07,160
Speaker 1: kids it? How old? They fine? No, No, okay, wait

1202
01:03:07,200 --> 01:03:10,400
Speaker 1: on that. We'll wait on that. Okay, it's not it's

1203
01:03:11,200 --> 01:03:13,120
Speaker 1: I appreciate that, but you know what, they can watch

1204
01:03:13,160 --> 01:03:16,240
Speaker 1: I'm on a show that I love and it hasn't

1205
01:03:16,240 --> 01:03:17,880
Speaker 1: gotten a lot of press, but it's really cute. It's

1206
01:03:17,880 --> 01:03:21,720
Speaker 1: Harriet the Spy. Oh yes, that's yeah, and that's on

1207
01:03:22,280 --> 01:03:25,240
Speaker 1: Apple Plus. I think, um, and it's it's so. That

1208
01:03:25,320 --> 01:03:27,040
Speaker 1: was one of my favorite books as a kid. Yeah,

1209
01:03:27,240 --> 01:03:29,880
Speaker 1: I loved the books and the movie. I play whatever.

1210
01:03:29,960 --> 01:03:32,000
Speaker 1: I play a bunch of different parts on it, not

1211
01:03:32,160 --> 01:03:35,000
Speaker 1: Harriet or anything, but um, that's like Beanie Feldstein, I think.

1212
01:03:35,040 --> 01:03:37,080
Speaker 1: And Jane Lynch is in it, and I play like

1213
01:03:37,320 --> 01:03:39,960
Speaker 1: the boy with purple socks and whatever, a bunch of

1214
01:03:40,000 --> 01:03:42,880
Speaker 1: other characters and uh, but it is so cute. When

1215
01:03:42,920 --> 01:03:45,080
Speaker 1: they sent me for Christmas, they sent me a hoodie.

1216
01:03:45,120 --> 01:03:51,080
Speaker 1: You know, we get it. But I literally took the

1217
01:03:51,120 --> 01:03:52,880
Speaker 1: hoodie out and it was read and it said Harriet

1218
01:03:52,960 --> 01:03:56,040
Speaker 1: the Spy and I started crying. I don't think I've

1219
01:03:56,080 --> 01:03:58,280
Speaker 1: ever gotten a swag gift where I actually started crying.

1220
01:03:58,320 --> 01:04:00,200
Speaker 1: Well again, it's a part of your childhood because didn't

1221
01:04:00,240 --> 01:04:02,920
Speaker 1: have a TV or again, unless somebody sends you Barney

1222
01:04:03,280 --> 01:04:05,280
Speaker 1: or you know one of the shows that you watch

1223
01:04:05,320 --> 01:04:07,440
Speaker 1: growing up, something like that, you know, Rockford Files or

1224
01:04:07,480 --> 01:04:09,760
Speaker 1: something like like that, it would be interesting and that's

1225
01:04:09,800 --> 01:04:12,280
Speaker 1: super cute. For it's little kids could watch it. We

1226
01:04:12,320 --> 01:04:14,280
Speaker 1: will watch it. The music is the art is great,

1227
01:04:14,800 --> 01:04:18,280
Speaker 1: it's great. We will listen for you, and you will

1228
01:04:18,320 --> 01:04:20,800
Speaker 1: just be popping up everywhere and watching you because you're

1229
01:04:20,880 --> 01:04:24,520
Speaker 1: in everything and on everything. And also SVU can't wait

1230
01:04:24,600 --> 01:04:27,440
Speaker 1: till you end up being on that and I'm I

1231
01:04:27,600 --> 01:04:30,800
Speaker 1: think I'm going to start stalking the welly can we start?

1232
01:04:30,960 --> 01:04:32,720
Speaker 1: I'll start with you. I'll go, I'll go have these

1233
01:04:32,720 --> 01:04:38,280
Speaker 1: will start s VU con Oh are you kidding me away?

1234
01:04:38,720 --> 01:04:41,280
Speaker 1: It'll be awesome. I know the first guest we can get,

1235
01:04:41,360 --> 01:04:44,480
Speaker 1: who the first It's Mike Doyle. He's I know him,

1236
01:04:44,560 --> 01:04:47,040
Speaker 1: and he played the He's been killed in like every

1237
01:04:47,080 --> 01:04:49,840
Speaker 1: New York TV show. He actually New York Times at

1238
01:04:49,880 --> 01:04:52,000
Speaker 1: a feature on it. Kind of awesome. Yeah, but he

1239
01:04:52,400 --> 01:04:54,480
Speaker 1: was for a while. He was, you know, not the woman.

1240
01:04:54,560 --> 01:04:56,720
Speaker 1: Leslie Hendricks is like, well, you've got a piece of

1241
01:04:56,760 --> 01:05:00,440
Speaker 1: stomach right here. I can see the liver he had.

1242
01:05:00,600 --> 01:05:03,720
Speaker 1: He was one of the forensics kind of guys. That's

1243
01:05:03,720 --> 01:05:05,120
Speaker 1: all right, great, so ask for You can is going

1244
01:05:05,160 --> 01:05:08,360
Speaker 1: to be next genius. I love it, UK, I like it.

1245
01:05:09,160 --> 01:05:14,800
Speaker 1: I like it verb, I love it Ashmati and on

1246
01:05:15,000 --> 01:05:17,480
Speaker 1: that note, thank you Miley for joining us. Thank you

1247
01:05:17,520 --> 01:05:19,720
Speaker 1: guys and everybody go check out everything she does because

1248
01:05:19,760 --> 01:05:22,560
Speaker 1: it is ridiculous and awesome and a ton of fun. Fine.

1249
01:05:26,400 --> 01:05:28,720
Speaker 1: I Hear Voices assosted by Wilfred L and Gristi, Carls

1250
01:05:28,760 --> 01:05:31,560
Speaker 1: and Romano, produced by Elizabeth Joy Windham and executive produced

1251
01:05:31,560 --> 01:05:34,400
Speaker 1: by Brendan Rooney and Wilfred L. Our sound engineer and

1252
01:05:34,560 --> 01:05:36,880
Speaker 1: editor is Elizabeth Joy Windham and our video editor is

1253
01:05:36,880 --> 01:05:40,720
Speaker 1: at Guardo Gamba. And that was my announcer voice. Some

1254
01:05:40,880 --> 01:05:43,520
Speaker 1: side effects of listening to I Hear Voices are sore

1255
01:05:43,600 --> 01:05:46,520
Speaker 1: abs from larity falling down the Coco melon rabbit hole,

1256
01:05:46,720 --> 01:05:49,800
Speaker 1: sneezing due to mass nostalgia, and hugs. Follow I Hear

1257
01:05:49,880 --> 01:05:52,200
Speaker 1: Voices where every listen to podcasts you don't miss any

1258
01:05:52,240 --> 01:05:54,680
Speaker 1: of the amazing voices. Be sure to follow us on

1259
01:05:54,760 --> 01:05:57,960
Speaker 1: Instagram and TikTok at I Hear Voices podcast. To see

1260
01:05:57,960 --> 01:06:00,240
Speaker 1: the video stream, subscribe to my YouTube channel. You can

1261
01:06:00,280 --> 01:06:03,480
Speaker 1: also check us out on MySpace. O'meiegel Vine, Lime Wire,

1262
01:06:03,600 --> 01:06:06,600
Speaker 1: am a napster. Okay, well let's teach you about the Internet.

1263
01:06:06,960 --> 01:06:09,400
Speaker 1: What m