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Speaker 1: I listened to The Black Guy Who Tips podcast Because

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Speaker 1: Rod and Karen are.

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Speaker 2: A hot no one has to ask who be acting bad?

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Speaker 2: A balling MJ pippy GB y'all up in that ass

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Speaker 2: from if It's ten, all the way around the world

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Speaker 2: and back again. I flip a Bens like with Lorenzo

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Speaker 2: playing in Plenty Benjamin's Wait, that's not right, Oh make

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Speaker 2: none rapping. We can see he's go home practice in.

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Speaker 2: I flip a Bens like will Lorenz playing in Plenty

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Speaker 2: Benjamin's low key Plenty ends making Plenty friends, Baby, I

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Speaker 2: got all the errors that I need to achieve.

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Speaker 3: Smoke up a pound and leave you bitch niggas in disbelief.

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Speaker 2: And held the smoke at every word a rope come

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Speaker 2: out dope, Not like that crack, I mean that liverc

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Speaker 2: a dope above tracks now saying I want to pull

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Speaker 2: the ruger and put hollow to you and have your

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Speaker 2: mama on her knees screaming a Hallelujah, Lay it down,

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Speaker 2: play a suave house. Bad boy fat boy and his

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Speaker 2: friends like the right attack That's not right. It's friends

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Speaker 2: of rat attack boy. Matter of fact, boy, this is

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Speaker 2: not an act.

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Speaker 4: Boy.

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Speaker 2: The play away, keep the players making stacks. Boy, Hey

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Speaker 2: to the Black Houtils podcast. Your host Rod as hearing everything.

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Speaker 2: Don I do be all about the loop. I'll be

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Speaker 2: kicking up dust and my pillow boosts. We are live

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Speaker 2: on a Wednesday, last day of the week, last day

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Speaker 2: of October. Yes, sir, it is Halloween aka the International

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Speaker 2: Black Face Day. Shout out to my black facers out there.

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Speaker 2: It's time to shine. Let's get to losing that employment.

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Speaker 2: What they gonna do it whether I want them to

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Speaker 2: or not, So do it. Take plenty of pictures. Let's

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Speaker 2: get them on Twitter, Facebook, Let's get it viral.

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Speaker 5: It's the contest snapchats.

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Speaker 2: I say, it's a contest. Every week black people dress

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Speaker 2: up in costumes and white people dress up in black face.

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Speaker 2: And it's great. We get to see what the races

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Speaker 2: white people do, and we get to see how where

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Speaker 2: you work. That's the big surprises. It's just like Scooby Doo.

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Speaker 2: It's a big old game of Scooby do. Yeah, rip

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Speaker 2: off the man can go. Oh, Farmer Johnson, well you

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Speaker 2: don't work at the farmers no more. No, you sure

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Speaker 2: don't because your ass is in black face.

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Speaker 5: The farm No, the Farmer's market if.

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Speaker 2: You like, if you got some white people in your

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Speaker 2: life that you care about, you know, I tell them

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Speaker 2: on the way out, Hey, I was playing basketball to

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Speaker 2: why a couple of guys I would come friends with

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Speaker 2: white dudes. You know they're pretty cool. And on my

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Speaker 2: way out, I said, hey, Joe, other white dude I

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Speaker 2: just met today, No black facing? That all right? They said,

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Speaker 2: all right? Man, I know. I said, okay, because I

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Speaker 2: don't want to see you on Twitter, cause because I.

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Speaker 5: Had to be like, damn, we will see your ass.

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Speaker 2: Okay, You'll be everywhere, so I'm just trying to help

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Speaker 2: your ass out.

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Speaker 5: You'll be trending and I won't know how you got death.

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Speaker 2: But yeah, today's episode is all about walking Dead. Okay.

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Speaker 2: You can find us on iTunes. Ditch of potomatic sarch

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Speaker 2: the Blackout tips, leave us fo star reviews. Don't forget

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Speaker 2: our spoiled movie reviews are on iTunes now too, not

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Speaker 2: all of them. We put about thirty thirty out a month,

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Speaker 2: like we just keep adding them up until until we

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Speaker 2: use up all the data from libs in and then

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Speaker 2: that reaches its limits. So it's way behind, right if

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Speaker 2: you want the premium like up to date movie reviews.

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Speaker 2: You need to go be a premium member, but the

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Speaker 2: old reviews are up there, you know. I want to

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Speaker 2: say it's up to around, like I think it started

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Speaker 2: with Iron Man three, and yeah, that was the first

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Speaker 2: one that we ever did for a premium And yeah,

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Speaker 2: there's plenty of stuff on there man just and I'll

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Speaker 2: be adding some more in November as well. But anyway,

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Speaker 2: you guys can check all those out. Appreciate y'all leave

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Speaker 2: five star reviews for those as well. We will read

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Speaker 2: them on the air. The official weapon of the show

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Speaker 2: is an unofficial sport and bulletball Extreme. No sponsors today.

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Speaker 2: This podcast is just for people that love the show.

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Speaker 2: Good guys, And of course we'll be doing our feedback

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Speaker 2: show Saturday, and I may do it separately or I

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Speaker 2: may add it to the end of the feedback show,

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Speaker 2: which will probably be long. Anyway, we do have the

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Speaker 2: audio from Karen's iPhone when we went to U See

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Speaker 2: Irvine and spoke, so we may be able to put

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Speaker 2: that audio out for you guys, and you guys can

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Speaker 2: hear what we talked about. It's only like forty minutes long,

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Speaker 2: but if you're interested, it's not great quality audio, so

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Speaker 2: we probably put it the end of an episode for

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Speaker 2: those who are just like super fans and want to

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Speaker 2: hear what we talked about and the jokes we made

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Speaker 2: and stuff like that.

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Speaker 3: All Right, am I missing him forgetting anything?

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Speaker 2: Uh? I feel like that's it. Okay, we got the

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Speaker 2: quand Mills book review out, we got the Quanme Mells

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Speaker 2: interview out, you.

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Speaker 3: Know, working work and working. Oh, I know what else I.

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Speaker 2: Was gonna say, so in the last month basically, uh,

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Speaker 2: And obviously there's a bunch of stuff behind the scenes.

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Speaker 2: But we've done you know, our live show, you know,

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Speaker 2: right before my birthday. Yes, then we've done you know

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Speaker 2: we call the UC Irvin No Travel California. And then

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Speaker 2: Vice was in our house, you know, And there's all

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Speaker 2: this coordination that goes on behind the scenes, emails back

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Speaker 2: and forth and scheduling things. And you guys know how

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Speaker 2: my like anxiety works anyway, I'm always thinking of all

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Speaker 2: the things that can go wrong and how it's not

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Speaker 2: gonna happen, and I just keep pushing myself to get

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Speaker 2: through things. And it's been paying off.

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Speaker 5: I'm glad you do.

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Speaker 2: Yeah, I know.

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Speaker 5: We was joking with that about the people from Vice

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Speaker 5: and talking about like the just the differences in our personality,

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Speaker 5: and I come in like, look, there's there's standards, and

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Speaker 5: the standards must be met.

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Speaker 2: Yeah, we have like there's like travel nightmare stories we have.

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Speaker 2: There's antics, Yes, there's antics and tom foolery I've been

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Speaker 2: getting to on my Twitter account with food. There's there's

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Speaker 2: a ton of ship that we have to talk about

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Speaker 2: out that you know, I'm definitely gonna get to and

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Speaker 2: we're definitely gonna talk about. But from this point to

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Speaker 2: the end of this year, I'm taking it easy. It's

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Speaker 2: what I'm trying to say. I'm gonna do that that

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Speaker 2: self care thing people have been talking about. I'm gonna

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Speaker 2: I'm gonna try something. Okay, I'm gonna see what I

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Speaker 2: can do make that do because uh, you know, it's

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Speaker 2: just we just keep pushing, pushing and pushing, grind and grind.

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Speaker 2: And I knew once we would get to the end

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Speaker 2: of the year, there'll be some time to like take

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Speaker 2: days off, time to be like, all right, I'm gonna

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Speaker 2: just chill, like to go somewhere and it doesn't have

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Speaker 2: to be work related that kind of shit, you know.

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Speaker 2: And so I just want to give like a fair

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Speaker 2: warning because I'm not scheduling vacation like it was a

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Speaker 2: jobby job. But there's gonna be some some times where

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Speaker 2: it's like, man, it's only y'all only did a one

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Speaker 2: show this week or y'all you know it might be

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Speaker 2: like that. I know TV is going on a break

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Speaker 2: for fall and in December, thank god, cause I love

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Speaker 2: this as us and this too much. But you know,

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Speaker 2: that's an extra show we do every week. You know,

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Speaker 2: that's an show I do every week.

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Speaker 5: You know, when we pushing the regular schedule, that's like

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Speaker 5: six shows a week.

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Speaker 2: Yeah, not to count all the other stuff. So anyway,

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Speaker 2: all this stuff to say, you might see some laws,

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Speaker 2: you might see some breaks, and I think the reasonable

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Speaker 2: people listening are going to be cool with that, and

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Speaker 2: the other people I could make them happy if I

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Speaker 2: wanted to, right.

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Speaker 5: So it'd be a reason to go premium. Say say

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Speaker 5: Merry Christmas and Happy Thanksgiving to yourself and go premium.

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Speaker 5: There's plenty of shit behind the right.

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Speaker 2: So all right, now that that's out of the way,

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Speaker 2: let's get into our Walking Dead breakdown, as we are

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Speaker 2: the only podcast on the planet still enjoying the Walking Dead.

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Speaker 2: That's right, guys. Sewakan dad recap time. Of course we

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Speaker 2: are in season nine. Season nine, episode one hundred and nineteen,

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Speaker 2: directed by Rosemary Rodriguez, is called The Oblige. I'm telling you, man,

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Speaker 2: I understand that motherfuckers are just kind of fed up,

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Speaker 2: tired over the show. They stopped liking it a long

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Speaker 2: time ago. I get it. I'm not even trying to

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Speaker 2: argue with you. I have some several complaints with myself

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Speaker 2: and all that stuff. But behind the scenes, these motherfuckers

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Speaker 2: are hiring the fuck out of black and brown people

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Speaker 2: every week. It's crazy to go through their directors for

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Speaker 2: the last couple of seasons and its just like Asian person,

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Speaker 2: black person, Latin X person.

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Speaker 5: Like day behind the camera.

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Speaker 2: I don't know if they like got a mass so

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Speaker 2: they were just what I don't know. The showrunners Angela.

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Speaker 3: King like it's weird.

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Speaker 2: I mean, you know, like I said, it's it's it's

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Speaker 2: wow that this show does so much and now we

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Speaker 2: weren't even talking fear to Walking Dead, which it's even more.

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Speaker 3: Yeah, that's a whole nother level. They never you never

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Speaker 3: see anyone.

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Speaker 2: Brag about it. It never comes up. AMC never puts

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Speaker 2: out that information or anything like that. It's a lot

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Speaker 2: brown people that got jobs over there. I would caution,

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Speaker 2: not caution, but I would pose it possibly more than

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Speaker 2: any other show that.

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Speaker 3: Wasn't like a specifically black show.

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Speaker 2: You know, like it's one thing when the show is

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Speaker 2: black where it's like Atlanta, like you be looking at

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Speaker 2: them directors like the next better be black. You know, Insecure,

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Speaker 2: it's like who directed this? But Fear and then The

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Speaker 2: Walking Dead. I don't think they have that level of

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Speaker 2: pressure on them to have quote unquote inclusion, but they

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Speaker 2: just fucking do. And then it's never right.

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Speaker 5: Up right because a lot of times, you know, Davis

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Speaker 5: person watching shit and you don't really think about what

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Speaker 5: goes on behind the camera because you know, it's a

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Speaker 5: lot of our favorite shows that we love and that's funny,

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Speaker 5: I don't care who directed them. But then once you

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Speaker 5: actually looked behind, you be like, oh, y'all did twenty

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Speaker 5: five season of this and nobody black or no women directed,

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Speaker 5: There is no LGBTQ, Like you don't really think about

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Speaker 5: that almost to kind of after the fact. And that's

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Speaker 5: the part of that quote unquote being woke thing, because

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Speaker 5: once you're woke. Those are things that you kind of

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Speaker 5: pay attention to.

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Speaker 2: Yeah, and for the record, I'm not saying all these

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Speaker 2: people are black and brown. I know these people. I

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Speaker 2: just keep looking up and it's like every couple, you're like, damn,

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Speaker 2: who's this person? Who's I never heard? They never do? Okay,

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Speaker 2: well good for them. So anyway, it's just interesting to see,

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Speaker 2: you know.

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Speaker 5: But because that's how it starts. You get your credit

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Speaker 5: here and then you can go on and do other things.

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Speaker 2: And for the record, they may already have credits.

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Speaker 5: Correct.

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Speaker 2: This is not saying that they're giving people a shot

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Speaker 2: like they haven't done anything before they made they I'm

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Speaker 2: just surprised that whenever. This is one of the few

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Speaker 2: shows we look at every week to see the directors

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Speaker 2: and shit, and it's always kind of like, h that's okay, cool, you.

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Speaker 5: Know, and you could be doing other things. This is

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Speaker 5: just something that you can just tag onto your resume.

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Speaker 2: Yeah, so all right, anyway, this episode is called the

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Speaker 2: Oblige episode. For the ratings are still about five million,

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Speaker 2: which is still like the lowest they've had for you know,

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Speaker 2: since season one. So, like I said, you're gonna see

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Speaker 2: that article every week Caaren, what do you think about

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Speaker 2: this episode in general? Before we getting into the breakdown.

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Speaker 5: I enjoyed it. I enjoyed it a lot.

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Speaker 2: Okay, all right, I did not like this episode on rewatch.

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Speaker 2: When I first saw it, I was like, Okay, it's

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Speaker 2: pretty cool. When I was rewatching it, it felt like

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Speaker 2: a holding pattern episode and very like like literally their

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Speaker 2: version of the stuck the elevator episode that sitcoms used

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Speaker 2: to do, and they would have bottleneck episodes. That's like,

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Speaker 2: when you run out of money for the budget, you

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Speaker 2: need to do an episode that's cheap. So what they

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Speaker 2: do is they you know, if you've ever watched you know,

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Speaker 2: any sitcom from the eighties and nineties, they have an

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Speaker 2: episode where like the family gets stuck in the elevator

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Speaker 2: and then they remember the time and then they cut

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Speaker 2: to something that happened.

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Speaker 5: Yes, it's normally on one location and it's not really

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Speaker 5: a lot of theme changes.

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Speaker 2: Yeah, there's no scene changes, and it is one location.

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Speaker 2: It's just that's why it's literally an elevator is what

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Speaker 2: they used to call it. So then you get stuck

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Speaker 2: in the elevator and then they go This reminds me

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Speaker 2: of the time when Arnold first moved in with us,

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Speaker 2: and then they cut to the first episode or whatever

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Speaker 2: for the pilot, so like it's that kind of thing

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Speaker 2: that this felt like that to me, not with the flashbacks,

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Speaker 2: but with the like holding patterns of we noticed Rick

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Speaker 2: Grime's last episode thing is coming up next week. We

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Speaker 2: don't want to do anything to push the plot too

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Speaker 2: far out of what we were already talking about, and

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Speaker 2: we I literally stuck Darryl and Rick in a hole

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Speaker 2: to have the same argument that they've been having forever.

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Speaker 2: And so I didn't really like that stuff. And then

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Speaker 2: I didn't really like the stuff with Michean and Nagan.

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Speaker 2: And since there wasn't a lot of action in this

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Speaker 2: joint and they cut away from the thing I was

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Speaker 2: most interested in, which was the Saviors in the camp,

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Speaker 2: I gotta say I did not like this episode. It

261
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Speaker 2: just didn't feel like anything that really moved a plot

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Speaker 2: forward in a way that mattered happened, And there were

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Speaker 2: things that could have happened in this episode that just

264
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Speaker 2: felt like they're pushing until they can get like a

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Speaker 2: some sort of conclusion on Rick, and then they're gonna

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Speaker 2: resume the action and go all right time back in guys,

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Speaker 2: let's see what Maggie wants to do the Niggan Let's

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Speaker 2: see you know that kind of shit. So not a fan,

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Speaker 2: not that far.

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Speaker 5: I do agree with. Then at the end of the episode,

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Speaker 5: when they kind of show you the little preview, I

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Speaker 5: was like, woo, they spent some money just just kind

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Speaker 5: of seeing some of the grounds. I was like, Oh,

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Speaker 5: they spent a lot of money on this last episode

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Speaker 5: for him.

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Speaker 2: Yeah. I mean, like I said, I you know, I

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Speaker 2: love the show and all that stuff, but but just

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Speaker 2: this episode it wasn't. I was did not think they

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Speaker 2: put in a lot of effort on this.

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Speaker 5: I agreed, And I think it's kind of.

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Speaker 2: You said you loved it, though, how you agree I'm

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Speaker 2: kind of shitting on it.

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Speaker 5: I'm just saying, oh, I did love it, Like not

284
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Speaker 5: love it. I enjoyed it. It's one of the things

285
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Speaker 5: to where I see like those types of things, and

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Speaker 5: that's what make it go from I enjoyed it, you know,

287
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Speaker 5: from I loved it till I enjoyed it, because there

288
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Speaker 5: was parts that I did enjoy. But I do I'm

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Speaker 5: saying that I do agree with some of the stances

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Speaker 5: that you were making it something like you said, it's

291
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Speaker 5: almost like we're building up to something, so we don't

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Speaker 5: want to waste, like you said, waste resources, money, time,

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Speaker 5: whatever into this episode. We know episode it's gonna be.

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Speaker 2: Kind of For me, this episode felt like remember when

295
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Speaker 2: Michelle and Rick had that episode they all went off

296
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Speaker 2: together and they went to a carnival and they fought

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Speaker 2: zombies and there was a deer. Yes, this felt like

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Speaker 2: that to me. Like I was like, like, when I

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Speaker 2: first watched it was because you I've watched it once,

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Speaker 2: you watched it. I mean I watched it twice. You

301
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Speaker 2: watched it once. Correct. When I first watched it, I

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Speaker 2: was like, I guess that makes sense. I mean, at

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Speaker 2: least in the argument with Darryl and Rick, Daryl kind

304
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Speaker 2: of made some different points than before. But it's kind

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Speaker 2: of still the same argument but with.

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Speaker 3: But with the but still with all that.

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Speaker 2: When I watched it the second time, I was like, yeah,

308
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Speaker 2: but I don't need a whole episode for that. I

309
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Speaker 2: don't need that should take two minutes that like, you

310
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Speaker 2: don't need to set up an elaborate thing they're gonna

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Speaker 2: get out of just for this bullshit. So I don't know,

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Speaker 2: this episode is not that good to me. All right,

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Speaker 2: let's get into the breakdown though, because we're still gonna

314
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Speaker 2: break it down. I guess the first place to start,

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Speaker 2: because there was basically I think for locations, Hilltop, the

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Speaker 2: junk yard, the camp, and then Alexandria I will start with.

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Speaker 2: I'm gonna start with the junk yard because it's the

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Speaker 2: shortest one and had the least to do with the

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Speaker 2: rest of them. So in the junk yard, if you guys, remember,

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Speaker 2: Gabe got knocked out confronting Uh and who he just

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Speaker 2: did not want to believe was a heartless, cold, calculating woman.

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Speaker 5: She had him pleading baby, please, baby please, I love you,

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Speaker 5: I love you gun.

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Speaker 2: And she knocked him out with that. She asked him

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Speaker 2: would go away with her, and she said he said no.

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Speaker 2: Then she knocked him out with a rock and lie,

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Speaker 2: lie to his face. Y'all just lied right in his grill.

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Speaker 2: And so after that we knew that they were not

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Speaker 2: gonna be cool. And so Uh he is, of course

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Speaker 2: now strapped to a gurney like a like the same

331
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Speaker 2: thing she had kneaging on and rick on. He's tied

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Speaker 2: down to this car and she has one of them

333
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Speaker 2: jump yards. Zombie projects fucking art house independent film zombies.

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Speaker 3: This one has a bucket on his head.

335
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Speaker 5: Yeah, she kept her whole ship everything away, right.

336
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Speaker 2: So she still had the zombies set up out there.

337
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Speaker 2: And she basically woke like kissed him on the forehead

338
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Speaker 2: because he was passed out. And I'm like, you know,

339
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Speaker 2: this is only a TV thing, But only on TV

340
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Speaker 2: do you get hit with a rock.

341
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Speaker 3: But sleeping peacefully, you know what I mean?

342
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Speaker 2: Like he probably got a concussion or somethhit, he gonna

343
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Speaker 2: wake up with a headache like a motherfucker. But he

344
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Speaker 2: just wakes up like what are you doing? And uh,

345
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Speaker 2: that'd be some type of protocol. Yeah, the sounds of

346
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Speaker 2: the concussion protocol and then the sounds on the zombie.

347
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Speaker 2: Wait gave up, and then he just says like, you

348
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Speaker 2: don't have to be this person. I know how you

349
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Speaker 2: feel right now, and I used to be like you,

350
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Speaker 2: but I've changed. And She's just like, yeah, but I'm

351
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Speaker 2: gonna still let this zombie do what to do? I

352
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Speaker 2: don't I don't know what the zombies are supposed to

353
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Speaker 2: do for her, little like exchange of alpha and beta's

354
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Speaker 2: they not explaining no, no, yeah, I have no idea

355
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Speaker 2: but she says, uh, she did try to change, she

356
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Speaker 2: wanted to change, but she couldn't do it. And she's

357
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Speaker 2: not like Gabriel who has changed because she can't move

358
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Speaker 2: on from her past. And he says it was others

359
00:18:41,640 --> 00:18:43,720
Speaker 2: who helped him move on, which we have seen over

360
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Speaker 2: the years that.

361
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Speaker 5: Yeah, because he can't.

362
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Speaker 2: He was was like, literally.

363
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Speaker 5: I did not like him. I just didn't. You know,

364
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Speaker 5: he locked the folks at the church. They might have

365
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Speaker 5: been racist, but he still locked them at the church.

366
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Speaker 2: Yeah, he locked up.

367
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Speaker 3: I mean I mean he locked us look cute or

368
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Speaker 3: you can play out of the church.

369
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Speaker 5: Yes, he did. And then he left Micheau and called

370
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Speaker 5: a die. Oh he was fucking terrible.

371
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Speaker 2: Right, and part of that was just cowardice, but also

372
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Speaker 2: he couldn't let go of his past of being a coward.

373
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Speaker 3: Uh so he just kept repeating it. But he's changed,

374
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Speaker 3: he really has.

375
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Speaker 5: He went from a character to that literally everybody was

376
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Speaker 5: like fuck you to okay, you cool, you bot of

377
00:19:26,160 --> 00:19:29,000
Speaker 5: the crew. Now he's almost fearless in the way now

378
00:19:29,119 --> 00:19:32,320
Speaker 5: he is, even though he's not a badass action dude,

379
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Speaker 5: he's just kind of fearless in his own way. Yeah,

380
00:19:35,200 --> 00:19:36,600
Speaker 5: he was like I give you the word of God,

381
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Speaker 5: and this bullet fuck with me.

382
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Speaker 2: Right. But I mean, he's not a badass. He kills

383
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Speaker 2: some people, but he's not a Carol, He's not a

384
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Speaker 2: nich Shown. He's no one's scared of him. He's just

385
00:19:47,400 --> 00:19:50,120
Speaker 2: but he But he's just become fearless when it comes

386
00:19:50,160 --> 00:19:54,040
Speaker 2: to how he is not afraid to die and how

387
00:19:54,080 --> 00:19:57,760
Speaker 2: he's not afraid to speak up in these situations where

388
00:19:57,960 --> 00:19:59,960
Speaker 2: we know the old game would have been so Terrifle

389
00:20:00,480 --> 00:20:02,840
Speaker 2: just been beeing himself. You know, he got trapped in

390
00:20:02,840 --> 00:20:05,200
Speaker 2: the trailer with Meagan and tried to like kill Meigan

391
00:20:05,240 --> 00:20:07,720
Speaker 2: and talk shit back to him and everything.

392
00:20:08,040 --> 00:20:10,800
Speaker 5: Yeah, And also he went from that to ay, I

393
00:20:10,920 --> 00:20:13,560
Speaker 5: might not be the best of the greatest fighter, but

394
00:20:13,640 --> 00:20:16,840
Speaker 5: what I am is a fighter, and fighter does not

395
00:20:16,920 --> 00:20:18,919
Speaker 5: mean you have to be the best fighter. It just

396
00:20:18,960 --> 00:20:20,600
Speaker 5: means you have to be willing to fight.

397
00:20:21,160 --> 00:20:24,359
Speaker 2: Yeah, he tries to survive, but he also tries to help,

398
00:20:25,359 --> 00:20:26,920
Speaker 2: tries to hold up his end of the bargain, to

399
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Speaker 2: be strong for the people and his crew.

400
00:20:28,680 --> 00:20:30,359
Speaker 5: Right, And that I also has got to do with

401
00:20:30,440 --> 00:20:36,720
Speaker 5: when Gregory left him. It kind of hurt his feelings

402
00:20:36,760 --> 00:20:38,840
Speaker 5: because he was like that's the way I used to be, like,

403
00:20:39,320 --> 00:20:41,240
Speaker 5: I probably would have did that not too long ago.

404
00:20:41,920 --> 00:20:45,840
Speaker 2: M hm. So he can't move and he's trapped, so

405
00:20:45,880 --> 00:20:48,840
Speaker 2: he just starts telling her like, you can change and

406
00:20:49,000 --> 00:20:54,200
Speaker 2: you helped change me. Which I wasn't so sure about

407
00:20:54,240 --> 00:20:55,919
Speaker 2: that part, because I don't think they've given him enough

408
00:20:55,960 --> 00:20:58,000
Speaker 2: time together on screen for us to feel like and

409
00:20:58,359 --> 00:21:02,120
Speaker 2: change him, maybe to say when she kidnapped him or something,

410
00:21:02,160 --> 00:21:03,960
Speaker 2: but even then, I don't feel like there was any

411
00:21:03,960 --> 00:21:08,600
Speaker 2: significant time between them to make us go, oh yeah,

412
00:21:08,640 --> 00:21:10,040
Speaker 2: this bond between them.

413
00:21:10,359 --> 00:21:11,840
Speaker 5: Right, And it was one of those things where it

414
00:21:12,000 --> 00:21:12,960
Speaker 5: was pleading for his life.

415
00:21:13,840 --> 00:21:16,840
Speaker 2: No, you're talking about right here. When he was laying down,

416
00:21:17,480 --> 00:21:20,280
Speaker 2: he wasn't pleading for his life. That's the thing I'm

417
00:21:20,280 --> 00:21:24,199
Speaker 2: saying is he was like, you know, you changing, You

418
00:21:24,200 --> 00:21:29,040
Speaker 2: don't have to do this. But then but then when

419
00:21:29,080 --> 00:21:31,359
Speaker 2: she takes the bucket off the zombies head and starts

420
00:21:31,359 --> 00:21:33,720
Speaker 2: making it try to eat him, he didn't go, please

421
00:21:33,760 --> 00:21:35,399
Speaker 2: don't kill me. You don't have to do this. He

422
00:21:35,560 --> 00:21:39,439
Speaker 2: was like, I failed you. This is my fault. I

423
00:21:39,600 --> 00:21:43,040
Speaker 2: forgive you, you know, like good old negroes do whenever

424
00:21:43,119 --> 00:21:45,520
Speaker 2: some white people harm us. He said, I turned the

425
00:21:45,560 --> 00:21:48,919
Speaker 2: other cheek, and this ain't you know, whatever you have

426
00:21:49,040 --> 00:21:52,120
Speaker 2: to do, whatever you have to do, this is gonna

427
00:21:52,160 --> 00:21:54,359
Speaker 2: be okay. And I don't know if it's just because

428
00:21:54,520 --> 00:21:56,240
Speaker 2: you know, it's the first woman that's touched his penis

429
00:21:56,280 --> 00:21:58,560
Speaker 2: in a long time or what, but he was willing

430
00:21:58,600 --> 00:22:02,000
Speaker 2: to let bygones be bygone. Like as far as Gabe

431
00:22:02,119 --> 00:22:03,880
Speaker 2: was concerned, she can come to the cookout.

432
00:22:04,520 --> 00:22:06,320
Speaker 5: Ozzie was concerned the Zuni cookout.

433
00:22:06,520 --> 00:22:09,280
Speaker 2: Even after you eat me, okay, after the Zigmbie eats me,

434
00:22:09,960 --> 00:22:12,199
Speaker 2: you can still come to the cookout. Okay. I'll be

435
00:22:12,520 --> 00:22:18,160
Speaker 2: on the cookout me and you, if that's okay. So yeah,

436
00:22:18,200 --> 00:22:20,399
Speaker 2: he said, do whatever you have to do, I'll forgive you,

437
00:22:20,720 --> 00:22:23,120
Speaker 2: and then she stopped herself because she couldn't go through

438
00:22:23,160 --> 00:22:27,720
Speaker 2: with it. So message, black people, turn the other cheek

439
00:22:27,800 --> 00:22:30,960
Speaker 2: and forgive what white people do to us, and they'll

440
00:22:31,000 --> 00:22:37,720
Speaker 2: let us live. That's simple, all right, it's message, Karen.

441
00:22:37,760 --> 00:22:40,000
Speaker 2: I feel like you are messing up the message that

442
00:22:40,040 --> 00:22:43,280
Speaker 2: they're trying to teach us. Let your children watch this episode.

443
00:22:43,359 --> 00:22:45,000
Speaker 5: It ain't no more than no episode.

444
00:22:45,280 --> 00:22:47,080
Speaker 2: They can learn to be forgiven, like we need to

445
00:22:47,080 --> 00:22:52,080
Speaker 2: be guys. Okay, okay, all right. Well, she decides she

446
00:22:52,119 --> 00:22:57,360
Speaker 2: can't kill him, so then she knocks his ass out,

447
00:22:57,400 --> 00:23:01,160
Speaker 2: this time with a like a chloroform rag over his face.

448
00:23:01,240 --> 00:23:07,440
Speaker 2: He passes out and he wakes up later and a

449
00:23:07,520 --> 00:23:16,000
Speaker 2: container that's unlocked. He yells out, and she gone, right,

450
00:23:16,119 --> 00:23:20,480
Speaker 2: She's gone. And so she leaves a note. If you

451
00:23:20,520 --> 00:23:22,399
Speaker 2: want to go fast, go along, if you want to

452
00:23:22,440 --> 00:23:25,000
Speaker 2: go far, go together. I need to go fast. And

453
00:23:25,880 --> 00:23:28,680
Speaker 2: he reads the letter and cries like a little bit.

454
00:23:30,440 --> 00:23:32,399
Speaker 2: I don't know why he was crying so hard.

455
00:23:32,560 --> 00:23:36,199
Speaker 3: You barely know this woman. Y'all been together for two days.

456
00:23:36,320 --> 00:23:38,560
Speaker 5: No, man, they don't take a lot to fall in love.

457
00:23:38,560 --> 00:23:39,760
Speaker 5: And it's not be apocalypse.

458
00:23:40,040 --> 00:23:41,920
Speaker 2: That's a good point. I guess she sets him down

459
00:23:41,920 --> 00:23:47,360
Speaker 2: one time. He was over there like baby and Megan, Megan, maybe.

460
00:23:47,080 --> 00:23:49,439
Speaker 5: Time move fast when you can die in a second.

461
00:23:52,040 --> 00:23:57,439
Speaker 2: Damn, nigga, he was pressed. My god, that dude was

462
00:23:57,480 --> 00:23:57,960
Speaker 2: so hurt.

463
00:23:58,040 --> 00:23:58,280
Speaker 5: Man.

464
00:23:58,640 --> 00:24:03,280
Speaker 2: I just tried to laugh through it, but my god.

465
00:24:03,920 --> 00:24:07,760
Speaker 2: And then we can do Hilltop real quick. So Maggie

466
00:24:10,520 --> 00:24:16,879
Speaker 2: is watching Hilltop, you know, on her cool little patio

467
00:24:17,040 --> 00:24:20,240
Speaker 2: she has in her house, you know, the Governor's mentioning,

468
00:24:20,320 --> 00:24:24,040
Speaker 2: whatever you call it. And she's holding her show and stuff.

469
00:24:24,160 --> 00:24:27,320
Speaker 2: Babysitter comes against herschel She goes down, packs a bag.

470
00:24:27,560 --> 00:24:30,000
Speaker 2: She put a big ass crowbar in the bag because

471
00:24:30,000 --> 00:24:31,679
Speaker 2: we know she's trying to go to Alexandra.

472
00:24:32,119 --> 00:24:35,720
Speaker 3: Use that crowbar, prow Vinia's uh.

473
00:24:35,720 --> 00:24:38,399
Speaker 2: Cage his cell and killing simple.

474
00:24:38,920 --> 00:24:40,520
Speaker 3: Yeah, that's what she's planning on doing.

475
00:24:42,280 --> 00:24:47,000
Speaker 2: And so Jesus walks up because that's what Jesus does. Okay,

476
00:24:47,320 --> 00:24:49,960
Speaker 2: right when you're about to be sinning, Jesus just comes

477
00:24:50,040 --> 00:24:51,960
Speaker 2: up out of nowhere, like can I talk to you

478
00:24:52,000 --> 00:24:54,320
Speaker 2: for a second, Like what you're doing over here? Right?

479
00:24:54,720 --> 00:24:58,760
Speaker 2: Like I have gotten alerted. I noticed you're about to

480
00:24:58,760 --> 00:25:02,400
Speaker 2: commit a sin? Would you like some consultation about that?

481
00:25:04,040 --> 00:25:06,840
Speaker 2: So she, you know, and we see on her face

482
00:25:07,000 --> 00:25:10,760
Speaker 2: like she is like serious right now, like let me

483
00:25:10,840 --> 00:25:13,119
Speaker 2: pack my ship up and I'm about to get on

484
00:25:13,119 --> 00:25:13,400
Speaker 2: the road.

485
00:25:14,720 --> 00:25:22,119
Speaker 5: Like the last person I wanted to see was Jesus.

486
00:25:16,760 --> 00:25:28,400
Speaker 3: So Jesus walks over and he's like you sure about that?

487
00:25:28,880 --> 00:25:29,080
Speaker 4: Sure?

488
00:25:29,560 --> 00:25:30,480
Speaker 5: Just what you wanna do?

489
00:25:30,600 --> 00:25:30,840
Speaker 2: You say?

490
00:25:30,920 --> 00:25:32,720
Speaker 3: You know, we just gotta letter from Georgie.

491
00:25:32,720 --> 00:25:34,399
Speaker 2: You know you're gonna be writing her back, and she

492
00:25:34,480 --> 00:25:36,320
Speaker 2: was like put it with the other letters, and he

493
00:25:36,440 --> 00:25:37,000
Speaker 2: was like all.

494
00:25:37,000 --> 00:25:40,640
Speaker 5: Right, Well, just know they still right these letters.

495
00:25:40,720 --> 00:25:42,560
Speaker 2: Yeah, keep in mind this is like the second reminder

496
00:25:42,560 --> 00:25:45,479
Speaker 2: we've gotten that Georgie has not he really wants Hilltop.

497
00:25:45,920 --> 00:25:49,399
Speaker 5: Oh yeah, they're going to uppear at some period of

498
00:25:49,400 --> 00:25:50,160
Speaker 5: time like again.

499
00:25:51,080 --> 00:25:55,920
Speaker 2: So Maggie's like, look, Jesus, look out everything in Hilltop.

500
00:25:56,520 --> 00:25:59,639
Speaker 2: And Maggie's like, I gotta go. And he's like, I

501
00:25:59,680 --> 00:26:01,920
Speaker 2: noticed you packing a crowbar. You about to go break

502
00:26:02,000 --> 00:26:06,359
Speaker 2: Nigga out of jail. And she was like, I'm gonna

503
00:26:06,359 --> 00:26:09,240
Speaker 2: do what we talked about right after Knigain we defeated Nigan.

504
00:26:09,880 --> 00:26:13,600
Speaker 2: I was like, we're gonna get together and go and

505
00:26:13,720 --> 00:26:15,520
Speaker 2: uh kill him.

506
00:26:15,800 --> 00:26:17,640
Speaker 3: And he said, yeah, but that was a long time ago.

507
00:26:18,000 --> 00:26:21,720
Speaker 2: Like things have changed. We're working with the Savings now.

508
00:26:22,160 --> 00:26:26,560
Speaker 2: And she was like, look, we already talked about it,

509
00:26:26,560 --> 00:26:28,480
Speaker 2: he said, but that's the thing. We didn't talk about

510
00:26:28,520 --> 00:26:32,440
Speaker 2: it same way we ain't talk about Gregory. And I'm

511
00:26:32,440 --> 00:26:35,720
Speaker 2: not saying what you did was wrong, but you you

512
00:26:35,960 --> 00:26:38,320
Speaker 2: not talking to your boy Jesus no more. Okay, you

513
00:26:38,440 --> 00:26:40,400
Speaker 2: just go off and do whatever the hell you want

514
00:26:40,440 --> 00:26:40,639
Speaker 2: to do.

515
00:26:41,000 --> 00:26:42,280
Speaker 5: Nah, that shit matters.

516
00:26:45,400 --> 00:26:49,000
Speaker 2: And she was like, basically, Maggie's on her drudge, jury

517
00:26:49,080 --> 00:26:52,240
Speaker 2: and execution and shit. And she was like, Jesus, stay

518
00:26:52,280 --> 00:26:55,160
Speaker 2: here and leave me the fuck alone because you ain't

519
00:26:55,160 --> 00:26:57,520
Speaker 2: ready for this killing. And I'm gonna go kill this nigga,

520
00:26:57,840 --> 00:27:00,040
Speaker 2: and I don't want to consult talk to nobody about it.

521
00:27:00,080 --> 00:27:02,000
Speaker 2: Maggie's way now, right.

522
00:27:02,400 --> 00:27:05,720
Speaker 5: But just you can't see how that's the same thing

523
00:27:05,840 --> 00:27:07,080
Speaker 5: that Niga is done, you.

524
00:27:07,000 --> 00:27:07,439
Speaker 4: Know what I mean.

525
00:27:07,480 --> 00:27:10,440
Speaker 5: It's like that dictatorship thing, the same thing you complained

526
00:27:10,440 --> 00:27:13,119
Speaker 5: about Rick Knock consulting. It's like you are doing the

527
00:27:13,280 --> 00:27:17,080
Speaker 5: exact same thing. Y'all had quote unquote get this council together.

528
00:27:17,119 --> 00:27:19,600
Speaker 5: You didn't consult with no counsel. You didn't acident what

529
00:27:19,640 --> 00:27:21,440
Speaker 5: they wanted to do. You didn't bring this up into

530
00:27:21,480 --> 00:27:22,119
Speaker 5: the community.

531
00:27:22,200 --> 00:27:25,359
Speaker 2: You was like fuck it and just has already told you, baby,

532
00:27:25,880 --> 00:27:27,560
Speaker 2: I'm I'm everywhere.

533
00:27:27,760 --> 00:27:29,760
Speaker 5: I can't be here locked down here.

534
00:27:30,680 --> 00:27:34,200
Speaker 3: The thing for me is, it's not like Jesus.

535
00:27:36,640 --> 00:27:39,680
Speaker 2: It's not like Jesus really changed. Like Jesus is very

536
00:27:39,760 --> 00:27:42,960
Speaker 2: much like over you know, over all this time, he's

537
00:27:43,000 --> 00:27:47,040
Speaker 2: been like, look, we don't need to be killing people

538
00:27:47,040 --> 00:27:49,199
Speaker 2: for just willy nilly and shit, right, Like there has

539
00:27:49,240 --> 00:27:51,120
Speaker 2: to be rules of this when they fought the Saviors.

540
00:27:51,160 --> 00:27:53,000
Speaker 2: He was the main one being like, we shouldn't kill

541
00:27:53,000 --> 00:27:54,520
Speaker 2: the saviors, to the point where some people thought he

542
00:27:54,640 --> 00:27:56,800
Speaker 2: was like a trader or something. I think this is

543
00:27:56,840 --> 00:28:01,040
Speaker 2: just his disposition, which is, you know, you shouldn't kill anyone.

544
00:28:01,080 --> 00:28:02,720
Speaker 2: We don't have to, right, Like, I.

545
00:28:02,720 --> 00:28:07,000
Speaker 5: Understand people die, Like he's not like nobody dies. I'm

546
00:28:07,000 --> 00:28:11,919
Speaker 5: saying people die, but there is some leniency because most

547
00:28:12,040 --> 00:28:16,560
Speaker 5: people out there, their fight or flight kicks in and

548
00:28:16,600 --> 00:28:19,080
Speaker 5: that's what you're fighting against. Actually, sometimes not even them,

549
00:28:19,080 --> 00:28:20,760
Speaker 5: they're like, oh, luke, I don't know who you are.

550
00:28:21,280 --> 00:28:23,280
Speaker 5: I'm going to fight you to survive, which that's what

551
00:28:23,320 --> 00:28:26,160
Speaker 5: everybody does. But she's like, hey, it gotta be another way,

552
00:28:26,280 --> 00:28:30,560
Speaker 5: and numbers matter, like it's us or them.

553
00:28:31,480 --> 00:28:34,359
Speaker 2: Yeah. And so while him and ray Castle ideas I

554
00:28:34,440 --> 00:28:36,560
Speaker 2: think you can build a society in the future around

555
00:28:37,400 --> 00:28:43,040
Speaker 2: I don't know that Maggie gives a flying fuck about

556
00:28:43,080 --> 00:28:44,840
Speaker 2: any other shit coming out of Jesus' mouth.

557
00:28:45,600 --> 00:28:47,080
Speaker 5: When you're looking for revenge, you don't care.

558
00:28:47,360 --> 00:28:49,600
Speaker 2: And I forget to save his name. I'm sure someone

559
00:28:49,600 --> 00:28:51,880
Speaker 2: in the chat knows it. But the one that has

560
00:28:52,040 --> 00:28:55,280
Speaker 2: she's a tall, blonde woman that has.

561
00:28:55,120 --> 00:28:56,760
Speaker 3: A bowl all the time.

562
00:28:56,920 --> 00:28:59,080
Speaker 2: I cannot remember her name for the life of mean,

563
00:28:59,160 --> 00:29:01,880
Speaker 2: she never gets enough lines to make her a truly

564
00:29:01,920 --> 00:29:04,920
Speaker 2: memorable character. But she was the one that was like, Maggie,

565
00:29:04,920 --> 00:29:10,080
Speaker 2: you're ready to go, and Maggie Kingdom, Yeah, I meant

566
00:29:10,080 --> 00:29:13,120
Speaker 2: from the Kingdom, I said, say it didn't I meant Kingdom,

567
00:29:13,120 --> 00:29:15,200
Speaker 2: Sorry about that. And she's like, Maggi, you're ready to go,

568
00:29:15,440 --> 00:29:18,440
Speaker 2: and Jesus like for really just gonna do me like

569
00:29:18,520 --> 00:29:20,880
Speaker 2: this and she was like, yeah, I'm ready and they

570
00:29:20,880 --> 00:29:27,960
Speaker 2: get on their horses and drive off. Meanwhile, I mean

571
00:29:28,040 --> 00:29:33,720
Speaker 2: later they pull up like because Nigga, they traveled the

572
00:29:33,920 --> 00:29:37,040
Speaker 2: entirety of the hour of the show. We see them

573
00:29:37,080 --> 00:29:42,800
Speaker 2: again at the very end and they're riding along, horsing along,

574
00:29:43,080 --> 00:29:46,920
Speaker 2: I don't know, traveling along on horseback and they say,

575
00:29:46,960 --> 00:29:48,840
Speaker 2: on the side of the road some dead zombies that

576
00:29:48,880 --> 00:29:52,160
Speaker 2: have been killed with like a hatchet. They don't really

577
00:29:52,200 --> 00:29:54,240
Speaker 2: make a distinction of where those hobbies came from or

578
00:29:54,240 --> 00:29:55,880
Speaker 2: who killed those walkers. I don't know if it's to

579
00:29:55,920 --> 00:29:57,000
Speaker 2: think Rick did it, I don't.

580
00:29:56,880 --> 00:30:05,760
Speaker 5: Know, yeah, possibly, yeah, yeah yeah, from him uh leaving

581
00:30:05,800 --> 00:30:08,360
Speaker 5: the scene. Yes, I can see Rick doing that, which

582
00:30:08,400 --> 00:30:09,600
Speaker 5: mean they're probably somewhere near him.

583
00:30:10,040 --> 00:30:12,760
Speaker 2: So that's the last time we see them. That's everything

584
00:30:12,800 --> 00:30:17,560
Speaker 2: for the Hilltop Crew. All right, let's see, so the

585
00:30:17,600 --> 00:30:22,320
Speaker 2: only two left are Alexandria and the camp. I'll go

586
00:30:22,400 --> 00:30:27,400
Speaker 2: with Alexandria first. Miseean wakes up. We see a montage

587
00:30:27,440 --> 00:30:30,800
Speaker 2: to her being happy and uh doing all the stuff

588
00:30:30,840 --> 00:30:37,080
Speaker 2: around the alex town of Alexandria with Judith, and she's

589
00:30:37,320 --> 00:30:42,200
Speaker 2: like helping people squabbles over plants, and she's overseeing like

590
00:30:42,840 --> 00:30:49,160
Speaker 2: the designs for uh new buildings and like she is

591
00:30:49,800 --> 00:30:53,720
Speaker 2: running Alexandria without Rick, like this is her town.

592
00:30:54,000 --> 00:30:57,800
Speaker 5: Yes, And that's something that I was observing too, like

593
00:30:57,800 --> 00:30:59,800
Speaker 5: like it was almost like a little repeat on that.

594
00:31:00,080 --> 00:31:02,480
Speaker 5: And every time she wake up, Rick would be kind

595
00:31:02,480 --> 00:31:04,040
Speaker 5: of beside her, but she would kind of wake up

596
00:31:04,080 --> 00:31:06,120
Speaker 5: without him and just start today and get the running,

597
00:31:06,160 --> 00:31:08,520
Speaker 5: and he was nowhere around and she was just doing

598
00:31:08,560 --> 00:31:09,560
Speaker 5: everything around the town.

599
00:31:09,800 --> 00:31:11,920
Speaker 2: Well not every time she woke up, was he beside her.

600
00:31:12,160 --> 00:31:13,840
Speaker 2: A couple of times. A couple of times he was,

601
00:31:13,880 --> 00:31:16,520
Speaker 2: but sometimes he wasn't because he's been at that camp.

602
00:31:16,960 --> 00:31:17,320
Speaker 5: Ah.

603
00:31:17,360 --> 00:31:20,720
Speaker 2: Okay, So she's been basically running Alexandria, doing a great job,

604
00:31:20,800 --> 00:31:23,840
Speaker 2: and she's playing it on the little constitution and the

605
00:31:23,880 --> 00:31:29,000
Speaker 2: agreement between everybody like she is. Uh, she's a boss

606
00:31:29,080 --> 00:31:32,360
Speaker 2: right now, you know, and especially the happy parts of

607
00:31:32,440 --> 00:31:34,960
Speaker 2: the montage.

608
00:31:35,840 --> 00:31:51,880
Speaker 6: It really is, and Sonny and.

609
00:31:48,600 --> 00:31:52,000
Speaker 5: Street we're breaking up against Champagne.

610
00:31:53,000 --> 00:31:58,640
Speaker 2: But every night she is restless and she gets out

611
00:31:58,680 --> 00:31:59,000
Speaker 2: of bed.

612
00:31:59,120 --> 00:31:59,840
Speaker 5: It is dark.

613
00:32:00,440 --> 00:32:02,840
Speaker 2: Huh, I said, it's dark, just the complete opposite of

614
00:32:02,920 --> 00:32:07,280
Speaker 2: the happiness. Yes, yes, it's dark. It's a total tonal shift.

615
00:32:07,520 --> 00:32:09,880
Speaker 2: She gets out of bed, she stares at her sword

616
00:32:09,920 --> 00:32:12,120
Speaker 2: that's been you know, she put up on the wall

617
00:32:12,160 --> 00:32:14,760
Speaker 2: on the you know, mounted on the wall, and she

618
00:32:14,840 --> 00:32:16,400
Speaker 2: takes it off the mount and she goes out and

619
00:32:16,480 --> 00:32:22,720
Speaker 2: kills bombies every night. Now, I did not understand why

620
00:32:22,760 --> 00:32:25,400
Speaker 2: she was doing this necessarily. I don't know if it's

621
00:32:25,440 --> 00:32:29,360
Speaker 2: to relieve stress, if things are going too well, if

622
00:32:29,520 --> 00:32:32,760
Speaker 2: she's just trying to keep sharp and keep her skills sharp.

623
00:32:34,840 --> 00:32:36,160
Speaker 2: What did you think it was for.

624
00:32:37,560 --> 00:32:39,160
Speaker 5: A little bit of all that. I think it was

625
00:32:39,200 --> 00:32:44,440
Speaker 5: to releeve stress. Also for her not to forget this

626
00:32:44,480 --> 00:32:49,200
Speaker 5: shit outside these walls, like you can't be so because

627
00:32:49,200 --> 00:32:52,360
Speaker 5: they've seen it happen. Where the city is so gun

628
00:32:52,360 --> 00:32:55,520
Speaker 5: ho about. Everything's good, everything's great, everything's good. Everything's great

629
00:32:55,520 --> 00:32:58,000
Speaker 5: where you're not ready or prepare it if some shit

630
00:32:58,240 --> 00:33:02,200
Speaker 5: does pop off. So he was like, I will not

631
00:33:03,080 --> 00:33:05,160
Speaker 5: get to the point where I've become complicit, and so

632
00:33:05,280 --> 00:33:07,000
Speaker 5: this will always be here. I mean, though this is

633
00:33:07,040 --> 00:33:10,600
Speaker 5: what I wanted now, I wanted this, but at the

634
00:33:10,640 --> 00:33:13,800
Speaker 5: same time, I've been around long enough to understand that

635
00:33:13,960 --> 00:33:16,280
Speaker 5: it could change at the blinking eye, and I want

636
00:33:16,280 --> 00:33:20,160
Speaker 5: to be able to defend what I have and to

637
00:33:20,400 --> 00:33:23,360
Speaker 5: understand that there are things outside of this wall, outside

638
00:33:23,360 --> 00:33:26,760
Speaker 5: of these walls, and I do think just the stresses building.

639
00:33:27,360 --> 00:33:29,920
Speaker 5: You know, Rick's been back and forth to that camp,

640
00:33:30,080 --> 00:33:35,080
Speaker 5: and you know she has bought full fledged into Rick's vision.

641
00:33:35,520 --> 00:33:37,240
Speaker 5: But they talk to each other, so I know that

642
00:33:37,480 --> 00:33:41,200
Speaker 5: she fills the tension with Maggie and attention with their

643
00:33:41,360 --> 00:33:43,400
Speaker 5: like like she picks up on all that too, And

644
00:33:43,440 --> 00:33:47,520
Speaker 5: that does you know affect you, you know as being

645
00:33:47,640 --> 00:33:49,680
Speaker 5: some form of a leader, you know, because being a

646
00:33:49,760 --> 00:33:52,440
Speaker 5: leader is a lot harder than people think. Everybody looks

647
00:33:52,440 --> 00:33:54,320
Speaker 5: at you for answers want you to have it together

648
00:33:54,360 --> 00:33:56,120
Speaker 5: all the time and not time. Funny you sometimes you

649
00:33:56,120 --> 00:33:58,120
Speaker 5: can be just screwed up, and we're all more screwed

650
00:33:58,200 --> 00:33:59,800
Speaker 5: up than the people you're trying to lead, but at

651
00:33:59,840 --> 00:34:02,960
Speaker 5: the same time, it's still your job to lead.

652
00:34:03,800 --> 00:34:07,240
Speaker 2: Yeah, So when I saw her out there, it felt

653
00:34:07,320 --> 00:34:10,720
Speaker 2: kind of like she could have been doing sword therapy,

654
00:34:13,239 --> 00:34:16,520
Speaker 2: and like there's still something inside of her that never

655
00:34:16,680 --> 00:34:21,880
Speaker 2: stopped and felt completely safe once she was behind those walls.

656
00:34:21,960 --> 00:34:27,000
Speaker 2: I think she is used to being out in the

657
00:34:27,040 --> 00:34:31,880
Speaker 2: field and like making these life or death survival decisions

658
00:34:31,920 --> 00:34:35,680
Speaker 2: every day and helping her team by, you know, not

659
00:34:35,760 --> 00:34:38,200
Speaker 2: just killing zombies, but killing people if she needs to.

660
00:34:39,000 --> 00:34:42,960
Speaker 2: And here she is almost like the way we look

661
00:34:43,000 --> 00:34:47,279
Speaker 2: at modern times of like the stay at home mom.

662
00:34:47,719 --> 00:34:50,680
Speaker 2: She's kind of enforced into the position of the stay

663
00:34:50,719 --> 00:34:53,200
Speaker 2: at home mom. She takes care of her of her

664
00:34:53,239 --> 00:34:57,279
Speaker 2: adopted daughter, I guess, Judith, and then she's doing all

665
00:34:57,280 --> 00:35:00,200
Speaker 2: the shit in these walls, helping with planning in Alexandria.

666
00:35:00,680 --> 00:35:02,799
Speaker 2: But she used to be in like Darryl, she used

667
00:35:02,800 --> 00:35:04,520
Speaker 2: to be in like Carol, she used to be in

668
00:35:04,680 --> 00:35:09,120
Speaker 2: like Rick. And in many situations we've seen she's every

669
00:35:09,160 --> 00:35:12,520
Speaker 2: bit there equal and yet you know, she's kind of

670
00:35:12,520 --> 00:35:16,239
Speaker 2: playing house mom, you know, And I think you know

671
00:35:16,280 --> 00:35:19,200
Speaker 2: there's a part of her that that needs you know,

672
00:35:19,280 --> 00:35:22,120
Speaker 2: it's she knows it's there and it needs to be fed.

673
00:35:22,480 --> 00:35:25,719
Speaker 2: So anyway, we repeat this shit a lot. It's her

674
00:35:25,760 --> 00:35:29,640
Speaker 2: daily routine. And finally she rolls up on a zombie

675
00:35:29,880 --> 00:35:33,080
Speaker 2: one night. That's a black man who is hanging from

676
00:35:33,080 --> 00:35:36,200
Speaker 2: a noose, who's turned into a zombie. So he was

677
00:35:36,280 --> 00:35:39,520
Speaker 2: hung alive as a as a black.

678
00:35:39,280 --> 00:35:43,200
Speaker 5: Man, right right. Because she's been out there every night,

679
00:35:43,280 --> 00:35:45,440
Speaker 5: so I guarantee you she probably goes some of the

680
00:35:45,480 --> 00:35:47,279
Speaker 5: same routes, like back and forth, some of the same

681
00:35:47,360 --> 00:35:49,800
Speaker 5: routes you know, might venture off a little bit, and

682
00:35:49,960 --> 00:35:53,720
Speaker 5: most zombies are literally walking, like you rarely see them hanging.

683
00:35:54,960 --> 00:35:58,799
Speaker 2: Yeah, well, my thing is she's a black woman, this

684
00:35:58,960 --> 00:36:04,080
Speaker 2: is a black man, and that is hung from a tree.

685
00:36:04,239 --> 00:36:06,960
Speaker 2: I have no fucking idea what this means. Like, I

686
00:36:07,000 --> 00:36:10,200
Speaker 2: don't know if there's some racist out there and they're

687
00:36:10,200 --> 00:36:12,520
Speaker 2: like hanging niggas again, he just.

688
00:36:12,440 --> 00:36:14,799
Speaker 5: Want to make an example of somebody, Like we're gonna

689
00:36:14,840 --> 00:36:15,320
Speaker 5: make an example.

690
00:36:15,560 --> 00:36:17,560
Speaker 2: We don't know who he is that would be the

691
00:36:17,600 --> 00:36:21,520
Speaker 2: person to make an example. Correct, And just the coincidence

692
00:36:21,640 --> 00:36:24,440
Speaker 2: of that, especially after we saw her looking at the

693
00:36:24,520 --> 00:36:29,960
Speaker 2: like emancipation proclamation in the museum, Like, you know, I

694
00:36:30,000 --> 00:36:32,759
Speaker 2: don't know this I don't know what the point of

695
00:36:32,800 --> 00:36:34,839
Speaker 2: this was. I hope it's nothing cheap and it will

696
00:36:34,840 --> 00:36:36,840
Speaker 2: never come back to this. I hope it means something.

697
00:36:36,840 --> 00:36:40,880
Speaker 2: Maybe we're gonna run into a racist clan of people

698
00:36:40,920 --> 00:36:44,480
Speaker 2: that exist in the zepop, because I think that's something

699
00:36:44,640 --> 00:36:48,120
Speaker 2: worth exploring and it would happen, you know something. I

700
00:36:48,120 --> 00:36:49,840
Speaker 2: think we've seen more of that kind of stuff in

701
00:36:49,880 --> 00:36:52,400
Speaker 2: Fear to Walking Dead. Yes, well we haven't really got

702
00:36:52,440 --> 00:36:55,600
Speaker 2: to see that in The Walking Dead, so but of

703
00:36:55,640 --> 00:36:58,399
Speaker 2: course it rightfully disturbs her to the point where she's

704
00:36:58,400 --> 00:37:02,000
Speaker 2: so distracted. A zombie attacks her, and she like gets

705
00:37:02,080 --> 00:37:04,319
Speaker 2: kind of unaware. She drops her sword, but then she

706
00:37:04,480 --> 00:37:07,040
Speaker 2: like picks up a weapon and kills a zombie And

707
00:37:07,080 --> 00:37:09,319
Speaker 2: she looks down and she's killed the zombie with a

708
00:37:09,400 --> 00:37:14,440
Speaker 2: bat and the bat looked like Lucille what like even

709
00:37:14,520 --> 00:37:16,239
Speaker 2: like at first it almost like it even had the

710
00:37:16,360 --> 00:37:19,040
Speaker 2: barb wire on it, but it didn't. But then she

711
00:37:19,200 --> 00:37:25,160
Speaker 2: stares down at the at the bat and almost as

712
00:37:25,239 --> 00:37:28,080
Speaker 2: in disbelief, like how people look at in movies when

713
00:37:28,080 --> 00:37:29,880
Speaker 2: they look at a gun after they kill somebody, like,

714
00:37:29,960 --> 00:37:33,120
Speaker 2: oh my god, I can't believe I used this tool

715
00:37:33,160 --> 00:37:37,040
Speaker 2: of death. Who am I, you know, and then she

716
00:37:37,560 --> 00:37:41,680
Speaker 2: like walk picks up her sword and walks off, and

717
00:37:41,719 --> 00:37:46,080
Speaker 2: that's actually when the opening credits music starts. And I think,

718
00:37:46,239 --> 00:37:49,759
Speaker 2: what'd you take from that moment as far as her

719
00:37:49,840 --> 00:37:52,520
Speaker 2: looking at the bat that way? Or did you not

720
00:37:52,520 --> 00:37:53,440
Speaker 2: take anything from it?

721
00:37:53,880 --> 00:37:54,279
Speaker 5: I don't know.

722
00:37:54,840 --> 00:37:58,480
Speaker 2: I think I think she looked like, oh my gosh,

723
00:37:58,719 --> 00:37:59,640
Speaker 2: why is this bad here?

724
00:37:59,680 --> 00:38:02,080
Speaker 5: Why I hit you with this bad you know? And

725
00:38:02,120 --> 00:38:04,520
Speaker 5: I think she began to question, you know, am I

726
00:38:04,640 --> 00:38:05,480
Speaker 5: toning the ngan?

727
00:38:06,400 --> 00:38:06,640
Speaker 6: Yeah?

728
00:38:06,760 --> 00:38:08,800
Speaker 2: I think we're supposed to take that her biggest fear

729
00:38:09,120 --> 00:38:12,680
Speaker 2: is being like me and or something like that from

730
00:38:12,760 --> 00:38:15,040
Speaker 2: that scene, and I think that was another thing in

731
00:38:15,040 --> 00:38:20,080
Speaker 2: this episode that I felt was like so like heavy handed,

732
00:38:20,160 --> 00:38:22,520
Speaker 2: you know, But I was like, I don't know that

733
00:38:22,520 --> 00:38:25,799
Speaker 2: that's the way to bring that home anyway. But you know,

734
00:38:25,880 --> 00:38:27,959
Speaker 2: this idea that she sees the bat and it still

735
00:38:27,960 --> 00:38:32,680
Speaker 2: evokes this visceral reaction to her. I don't know that

736
00:38:32,760 --> 00:38:34,640
Speaker 2: that kind of was weird to me because like, you

737
00:38:34,719 --> 00:38:36,160
Speaker 2: just you killed the zamthing, y'all to do what you

738
00:38:36,160 --> 00:38:38,759
Speaker 2: have to do. There's no symbolism and it's not like

739
00:38:38,800 --> 00:38:42,719
Speaker 2: you killed a dude, you know, right, And I could

740
00:38:42,840 --> 00:38:47,120
Speaker 2: see the bat actually, uh, bringing back the field watching

741
00:38:47,160 --> 00:38:50,319
Speaker 2: Glenn died of fear, watching Abraham die like it could

742
00:38:50,360 --> 00:38:51,200
Speaker 2: provoke that.

743
00:38:51,120 --> 00:38:51,719
Speaker 5: Piece of her.

744
00:38:52,160 --> 00:38:54,000
Speaker 2: It just didn't seem like that came across on the

745
00:38:54,000 --> 00:38:57,279
Speaker 2: screen to me. Yeah, I did not feel that way.

746
00:38:58,080 --> 00:39:03,360
Speaker 2: So then Michean goes to uh back to the crib,

747
00:39:03,960 --> 00:39:07,360
Speaker 2: and a new black woman, Nora, a shade butter of

748
00:39:07,440 --> 00:39:11,920
Speaker 2: black femnis, come on, comes over with the now.

749
00:39:11,840 --> 00:39:14,480
Speaker 5: The Jamaican olive old that they happened to have there

750
00:39:14,480 --> 00:39:15,000
Speaker 5: in the town.

751
00:39:15,320 --> 00:39:18,320
Speaker 2: Yeah, she said, I got some updates, uh, And Michean

752
00:39:18,400 --> 00:39:20,880
Speaker 2: was like, you got in the hair updates because this

753
00:39:20,920 --> 00:39:25,439
Speaker 2: wig is itching. She said, no, crows have gotten into

754
00:39:25,520 --> 00:39:27,319
Speaker 2: some of the tomato crops. You about to lose twenty

755
00:39:27,320 --> 00:39:29,880
Speaker 2: five percent of them. It's almost like the world just

756
00:39:29,960 --> 00:39:34,800
Speaker 2: keeps winning against us. And Michean was like, well that's okay. Well,

757
00:39:34,840 --> 00:39:38,000
Speaker 2: you know we're gonna figure out one out. And also

758
00:39:39,200 --> 00:39:44,120
Speaker 2: she says kneag and won't eat, and then Michean was like, well,

759
00:39:44,160 --> 00:39:47,759
Speaker 2: I'll feed him, that's my job. Uh. And they were like,

760
00:39:47,800 --> 00:39:50,360
Speaker 2: well he won't eat, he didn't eat yesterday. I was

761
00:39:50,360 --> 00:39:52,239
Speaker 2: gonna try to feed him again. She's like, I got it.

762
00:39:52,239 --> 00:39:56,880
Speaker 2: Don't worry about it. Our feed his ass, which is

763
00:39:57,080 --> 00:39:59,360
Speaker 2: you know, which is interesting that she would take on

764
00:39:59,400 --> 00:40:01,800
Speaker 2: that task because family Rick does that when he's in town.

765
00:40:02,880 --> 00:40:07,719
Speaker 2: So now we got her doing it. So she goes

766
00:40:07,760 --> 00:40:10,120
Speaker 2: to feeding Eigan and they basically come up with a

767
00:40:10,160 --> 00:40:13,760
Speaker 2: deal that he says he'll only eat if she sits

768
00:40:13,800 --> 00:40:16,879
Speaker 2: there and talks to him, and she said she'll talk

769
00:40:16,920 --> 00:40:19,600
Speaker 2: to him till the sun gets to this like shadow

770
00:40:19,640 --> 00:40:25,400
Speaker 2: on this bar the the of the.

771
00:40:24,000 --> 00:40:26,279
Speaker 3: Cell, and yeah, it's twenty minutes long.

772
00:40:26,360 --> 00:40:30,600
Speaker 2: Basically is her gas and he has to eat every

773
00:40:30,600 --> 00:40:33,239
Speaker 2: bite and that's the deal.

774
00:40:34,360 --> 00:40:38,520
Speaker 3: So she stays down there. Micheon and Megan get into

775
00:40:38,840 --> 00:40:40,840
Speaker 3: like a bit of a back and forth.

776
00:40:42,880 --> 00:40:45,120
Speaker 2: I'm trying to think because I actually had a clip

777
00:40:45,120 --> 00:40:47,440
Speaker 2: for this, but I need to figure out if this

778
00:40:47,560 --> 00:40:50,080
Speaker 2: is the clip where he talks about his wife or

779
00:40:50,080 --> 00:40:51,120
Speaker 2: if that was earlier.

780
00:40:51,239 --> 00:40:52,080
Speaker 5: Okay, is it me?

781
00:40:53,480 --> 00:40:56,640
Speaker 2: Oh, I've realized, and maybe it's just something that doing

782
00:40:56,719 --> 00:40:57,320
Speaker 2: this season.

783
00:40:57,880 --> 00:41:01,160
Speaker 5: They are real hard camera cuts between people and sometimes

784
00:41:01,160 --> 00:41:03,080
Speaker 5: I'm like, y'all, it doesn't look like y'all aren't even

785
00:41:03,120 --> 00:41:04,880
Speaker 5: in the same room, or this was cut at the

786
00:41:04,920 --> 00:41:05,479
Speaker 5: same time.

787
00:41:06,080 --> 00:41:08,560
Speaker 2: Now, see, I would not be surprised if they did

788
00:41:08,640 --> 00:41:12,960
Speaker 2: these conversations with Jeffrey Dean Morgan in his cell, that's

789
00:41:13,000 --> 00:41:17,080
Speaker 2: a great catch. If they did that before and did

790
00:41:17,080 --> 00:41:19,759
Speaker 2: it all at one time, so that he wouldn't have

791
00:41:19,800 --> 00:41:21,960
Speaker 2: to keep coming back and forth to set, because what

792
00:41:22,000 --> 00:41:23,920
Speaker 2: do you do with an actor like Jeffrey Dean Morgan

793
00:41:23,960 --> 00:41:26,759
Speaker 2: who obviously does not have time to be in the

794
00:41:26,760 --> 00:41:31,080
Speaker 2: fucking cell on your TV show every once in a while.

795
00:41:31,120 --> 00:41:35,200
Speaker 2: You couldn't even really get him to be in every

796
00:41:35,239 --> 00:41:39,200
Speaker 2: episode before this, Like that's why they would stretch things

797
00:41:39,200 --> 00:41:40,960
Speaker 2: out with Megan, and they gave him all these like

798
00:41:41,320 --> 00:41:44,360
Speaker 2: second and third in command characters and shit, so that

799
00:41:44,400 --> 00:41:46,600
Speaker 2: Jeffrey Dean Morgan the actor could go about his day

800
00:41:46,600 --> 00:41:48,840
Speaker 2: and we would have Simon as a holden, a Gavin

801
00:41:48,880 --> 00:41:52,120
Speaker 2: as a Holden. So yeah, I bet you they're not

802
00:41:52,200 --> 00:41:54,480
Speaker 2: filming these in the same room.

803
00:41:54,719 --> 00:41:57,839
Speaker 5: They can't be, because like somebody bought up to something else.

804
00:41:58,120 --> 00:42:01,920
Speaker 5: I realized he his face was dark with somebody shadows, Like.

805
00:42:02,120 --> 00:42:04,399
Speaker 3: Yeah, he constantly covered up. You can only really see

806
00:42:04,400 --> 00:42:04,920
Speaker 3: the beer.

807
00:42:05,000 --> 00:42:07,640
Speaker 5: Right, like he never actually steps out into the lights.

808
00:42:08,080 --> 00:42:10,359
Speaker 5: And so and sometimes when they talk, like the cut

809
00:42:10,400 --> 00:42:12,520
Speaker 5: will be so hard, like it would be him her

810
00:42:12,560 --> 00:42:15,000
Speaker 5: hemp Her. Hemp Her. I was like, oh, when they

811
00:42:15,040 --> 00:42:16,920
Speaker 5: cut this, they didn't make it a I mean, you

812
00:42:16,920 --> 00:42:19,759
Speaker 5: can do that, but it wasn't like a smooth transition

813
00:42:20,400 --> 00:42:22,680
Speaker 5: where I was like, oh, these scenes will not cut

814
00:42:22,719 --> 00:42:23,520
Speaker 5: at the same time.

815
00:42:23,640 --> 00:42:23,799
Speaker 2: Well.

816
00:42:23,840 --> 00:42:25,680
Speaker 3: Also, it feels stilted to me.

817
00:42:26,120 --> 00:42:29,719
Speaker 2: Yes, you know, it feels it makes the conversation feel

818
00:42:29,719 --> 00:42:31,919
Speaker 2: a little disjointed, like the actors aren't in the same

819
00:42:32,000 --> 00:42:34,680
Speaker 2: room and the lines don't come off as smooth. I

820
00:42:34,719 --> 00:42:40,640
Speaker 2: will play the conversation they had. Uh, you think I'm stuck.

821
00:42:41,160 --> 00:42:43,839
Speaker 7: I think that I'm not meant to be rotting in

822
00:42:43,840 --> 00:42:45,600
Speaker 7: the cell, just like.

823
00:42:45,680 --> 00:42:47,080
Speaker 4: I think the warrior in there.

824
00:42:47,239 --> 00:42:49,160
Speaker 2: Oh okay, so there's a little bit before this that

825
00:42:49,200 --> 00:42:55,439
Speaker 2: I'll talk about. So Nagan, I'm telling you, I've said

826
00:42:55,480 --> 00:42:58,080
Speaker 2: this for a couple of seasons now, Meagan watches the

827
00:42:58,120 --> 00:43:01,719
Speaker 2: fucking show. Mm hm, cause how does Nigan know all

828
00:43:01,760 --> 00:43:07,480
Speaker 2: the ship all the time he talks to Rick? No, no, no,

829
00:43:07,840 --> 00:43:11,279
Speaker 2: that's not what I'm talking about. Nagan knows stuff he's

830
00:43:11,280 --> 00:43:14,160
Speaker 2: not supposed to know because he watches the actual Walking Dead. Okay,

831
00:43:15,000 --> 00:43:19,360
Speaker 2: nags all the Blu Rays DVDs. He's streaming it somehow.

832
00:43:20,400 --> 00:43:22,800
Speaker 2: And then when people come in, he just knows everything

833
00:43:22,800 --> 00:43:25,239
Speaker 2: about their life, anything else to do. He couldn't have

834
00:43:25,280 --> 00:43:27,359
Speaker 2: known this from Rick because the things he started talking

835
00:43:27,400 --> 00:43:31,160
Speaker 2: about was like, you know, I know you're not meant

836
00:43:31,160 --> 00:43:34,160
Speaker 2: to be behind these walls. I know that you need

837
00:43:34,160 --> 00:43:37,440
Speaker 2: to be out there like me, and you probably going

838
00:43:37,480 --> 00:43:40,840
Speaker 2: out there killing Zombis still with your sword, like he

839
00:43:40,960 --> 00:43:43,360
Speaker 2: said that, Like I'm like, what the fuck did you

840
00:43:43,400 --> 00:43:47,719
Speaker 2: watch the beginning of this episode? And then right what

841
00:43:47,760 --> 00:43:49,799
Speaker 2: the fuck kind of shit is this? Like they made

842
00:43:49,880 --> 00:43:52,879
Speaker 2: him have like superpowers or something. So that's what he's

843
00:43:52,880 --> 00:43:55,239
Speaker 2: talking about where he's like, you're not like this, you

844
00:43:55,280 --> 00:43:57,520
Speaker 2: this ain't you ain't meant to be in these walls.

845
00:43:57,800 --> 00:44:00,520
Speaker 2: You need to be out there doing all this ship

846
00:44:00,680 --> 00:44:03,359
Speaker 2: and so you know, that's when he was telling her,

847
00:44:03,400 --> 00:44:10,040
Speaker 2: like you know that. That's where it starts to see why.

848
00:44:09,920 --> 00:44:11,600
Speaker 5: Is that you think I'm stuck.

849
00:44:12,160 --> 00:44:13,200
Speaker 4: I think that I'm not.

850
00:44:13,280 --> 00:44:16,759
Speaker 7: Meant to be rotting in the cell, just like I

851
00:44:16,760 --> 00:44:19,120
Speaker 7: think the warrior in you is not meant to be

852
00:44:19,239 --> 00:44:22,359
Speaker 7: planting kale and kissing boo boos.

853
00:44:25,239 --> 00:44:30,960
Speaker 5: We're reordering the world, rebuilding government and creating laws. We're

854
00:44:31,000 --> 00:44:34,640
Speaker 5: at the start of everything and nothing is holding us

855
00:44:34,680 --> 00:44:38,040
Speaker 5: back while you're rotting in here with nothing.

856
00:44:52,719 --> 00:44:56,799
Speaker 4: I am. I am grateful my wife didn't have to

857
00:44:56,840 --> 00:44:57,880
Speaker 4: see me like this.

858
00:44:59,600 --> 00:45:02,600
Speaker 6: As a It was to the asshole that you were before.

859
00:45:05,840 --> 00:45:11,480
Speaker 8: She was, and she was an angel. She deserved better

860
00:45:11,520 --> 00:45:28,200
Speaker 8: than she got. What happened to her, what used to happen.

861
00:45:30,600 --> 00:45:37,880
Speaker 4: Cancer. We would have loved a kid. We would have

862
00:45:37,880 --> 00:45:42,920
Speaker 4: loved to have a kid like Carl. You were lucky.

863
00:45:43,920 --> 00:45:49,440
Speaker 4: I think about him every damn day, but he's still here.

864
00:45:51,080 --> 00:45:57,760
Speaker 5: And everything we do, I look around and.

865
00:45:55,400 --> 00:45:59,160
Speaker 2: I see him everywhere. I feel like Nigga should have

866
00:45:59,200 --> 00:46:02,799
Speaker 2: a top knot by now, Like because this beerd so long.

867
00:46:02,840 --> 00:46:04,359
Speaker 2: I'm like, he must have got a ponytail in there

868
00:46:04,440 --> 00:46:06,319
Speaker 2: or something something happening. But it's so dark. You can't

869
00:46:06,320 --> 00:46:07,879
Speaker 2: see what kind of hair cutting you at, right, that's

870
00:46:07,880 --> 00:46:10,560
Speaker 2: all that. And because it was so dark, I was like.

871
00:46:10,600 --> 00:46:15,000
Speaker 5: Oh, these scenes were not shot at the same time, right, Like, like,

872
00:46:15,040 --> 00:46:16,400
Speaker 5: I don't like any of these scenes.

873
00:46:17,200 --> 00:46:26,440
Speaker 4: Did you see it in the cell everywhere? Carl wasn't here?

874
00:46:26,520 --> 00:46:29,560
Speaker 5: First wasn't I'd say, you have about ten minutes to

875
00:46:29,600 --> 00:46:32,320
Speaker 5: clear this tray and then I'm gone.

876
00:46:32,520 --> 00:46:34,279
Speaker 2: You see what I'm saying, Well, I'm talking about that

877
00:46:34,440 --> 00:46:36,919
Speaker 2: dialogue doesn't feel like it's two people talking to each other.

878
00:46:37,680 --> 00:46:40,200
Speaker 2: It feels like that someone's cutting it to make it

879
00:46:40,239 --> 00:46:43,480
Speaker 2: seem like they're talking to each other. But they didn't

880
00:46:43,480 --> 00:46:43,799
Speaker 2: do it good.

881
00:46:43,840 --> 00:46:46,120
Speaker 5: It's like they didn't make it tight enough, or have

882
00:46:46,320 --> 00:46:49,200
Speaker 5: the or speed up their speech where it sounds like

883
00:46:49,200 --> 00:46:50,360
Speaker 5: we're actually having a conversation.

884
00:46:50,440 --> 00:46:53,080
Speaker 2: Yeah, just dialogue in general just doesn't sound like that.

885
00:46:53,120 --> 00:46:54,879
Speaker 2: When you're talking to another person, you kind of cut

886
00:46:54,920 --> 00:46:58,200
Speaker 2: each other off a little bit. You might stumble over

887
00:46:58,239 --> 00:47:01,400
Speaker 2: a word or two. And then with the quick cuts

888
00:47:01,440 --> 00:47:03,279
Speaker 2: like you said, where it's cutting her face, cutting in

889
00:47:03,320 --> 00:47:06,000
Speaker 2: his shadow, cutting her face, uh, some of the behind

890
00:47:06,239 --> 00:47:08,239
Speaker 2: like let's look at her arm, let's look at her head.

891
00:47:08,320 --> 00:47:10,200
Speaker 2: The block the blocking doesn't match up.

892
00:47:10,280 --> 00:47:11,920
Speaker 5: No, it does not, and it didn't make sense. That's

893
00:47:11,920 --> 00:47:15,600
Speaker 5: why I was like, oh, these scenes definitely were not

894
00:47:16,200 --> 00:47:19,520
Speaker 5: cut together. And it wouldn't surprise me if all all

895
00:47:19,600 --> 00:47:23,719
Speaker 5: Jefferdine Morgan scenes uh for this season were shot in

896
00:47:23,800 --> 00:47:26,600
Speaker 5: one day. They came in and they was like, okay,

897
00:47:26,640 --> 00:47:28,960
Speaker 5: we got him for twenty four forty eight hours. However,

898
00:47:29,360 --> 00:47:31,840
Speaker 5: monstus block is this is what we're paying him for.

899
00:47:31,920 --> 00:47:34,600
Speaker 5: We will stretch it out, but we can't keep him

900
00:47:34,640 --> 00:47:37,600
Speaker 5: here like we can't everybody else. And they just everything

901
00:47:37,640 --> 00:47:39,520
Speaker 5: everything he needed to be in. They shot that shit

902
00:47:39,600 --> 00:47:41,120
Speaker 5: and was like, well, we got to work around it.

903
00:47:42,920 --> 00:47:45,960
Speaker 4: I want to say, he wasn't man, did you have

904
00:47:46,120 --> 00:47:46,600
Speaker 4: your eyes?

905
00:47:46,840 --> 00:47:48,120
Speaker 2: His name was Andre.

906
00:47:49,920 --> 00:47:51,359
Speaker 8: And he just didn't make it.

907
00:47:53,960 --> 00:47:54,919
Speaker 4: I'm sorry.

908
00:47:55,360 --> 00:47:56,480
Speaker 5: I meane my niece. Was it.

909
00:48:00,239 --> 00:48:06,440
Speaker 4: Fel He asked me, it's matter this wife?

910
00:48:07,200 --> 00:48:08,399
Speaker 2: How the hell exactly is.

911
00:48:08,360 --> 00:48:15,960
Speaker 4: That my wife? She wasn't mad for this, she was

912
00:48:16,040 --> 00:48:19,640
Speaker 4: weak when she died. There was a part of me

913
00:48:19,880 --> 00:48:21,440
Speaker 4: that was relieved.

914
00:48:23,640 --> 00:48:29,359
Speaker 2: Also, Nigga is like reverse psychology in her and I

915
00:48:29,360 --> 00:48:31,640
Speaker 2: don't know. It's like I feel like this has been

916
00:48:31,640 --> 00:48:35,359
Speaker 2: done to death before, the the bad guy who's gonna

917
00:48:35,360 --> 00:48:36,640
Speaker 2: get in your head type thing.

918
00:48:37,600 --> 00:48:38,560
Speaker 3: But I don't know.

919
00:48:38,640 --> 00:48:41,239
Speaker 2: It's like eat the sandwich and don't Nigga, I don't

920
00:48:41,239 --> 00:48:44,360
Speaker 2: know what the fuck Like the other big.

921
00:48:44,160 --> 00:48:46,239
Speaker 5: Time, I'm wasting time. I got a community to be

922
00:48:46,280 --> 00:48:47,160
Speaker 5: alive out here with.

923
00:48:47,160 --> 00:48:48,839
Speaker 2: You, Like I don't know if they're gonna have a

924
00:48:48,840 --> 00:48:51,840
Speaker 2: payoff on this, Like they're bonding, they're making a connection,

925
00:48:52,040 --> 00:48:55,319
Speaker 2: but I don't just feel so, I don't know, unnecessary.

926
00:48:55,480 --> 00:48:56,160
Speaker 2: I guess you.

927
00:48:56,160 --> 00:48:59,239
Speaker 5: Know what This is just my prediction. Did they got

928
00:48:59,239 --> 00:49:02,040
Speaker 5: this scene for and it's gonna be some type of connection.

929
00:49:02,560 --> 00:49:05,400
Speaker 5: My prediction is that, you know, one day after the

930
00:49:05,480 --> 00:49:08,400
Speaker 5: rick and stuff, something's gonna happen. Megan's gonna try to

931
00:49:08,440 --> 00:49:11,719
Speaker 5: come down there, or Michean's gonna see her, and her

932
00:49:11,719 --> 00:49:14,120
Speaker 5: and Megan have to fight like like like some form

933
00:49:14,160 --> 00:49:16,799
Speaker 5: of confrontation, like Micheane ain't gonna let her just come

934
00:49:16,840 --> 00:49:18,640
Speaker 5: in there and just fucking me get up.

935
00:49:19,239 --> 00:49:22,759
Speaker 2: Yeah, maybe like coming to like some sort of that

936
00:49:24,040 --> 00:49:27,560
Speaker 2: more micheon Lets some gold type thing or you know, That's.

937
00:49:27,440 --> 00:49:29,279
Speaker 5: What I was thinking. I was like, yeah, she's gonna

938
00:49:29,320 --> 00:49:31,640
Speaker 5: suck around some period of time. But like, well he

939
00:49:31,360 --> 00:49:33,839
Speaker 5: he he's paid his his his dabt.

940
00:49:34,160 --> 00:49:35,960
Speaker 2: We're supposed to go back to these scenes and be

941
00:49:36,080 --> 00:49:38,520
Speaker 2: like they had some they had a bond or something.

942
00:49:38,600 --> 00:49:41,160
Speaker 5: I can guarantee you. I don't know, like like this

943
00:49:41,239 --> 00:49:44,319
Speaker 5: is not a point this scene. Like I'm like you,

944
00:49:44,360 --> 00:49:44,880
Speaker 5: I hope.

945
00:49:44,680 --> 00:49:46,719
Speaker 2: With the new showrunner and the way they they do things,

946
00:49:46,760 --> 00:49:49,080
Speaker 2: they don't do pointless ship and don't ever go back

947
00:49:49,160 --> 00:49:51,880
Speaker 2: to it. And the way he like Hannibal Elector knows

948
00:49:51,920 --> 00:49:54,479
Speaker 2: everything like like.

949
00:49:54,920 --> 00:49:56,239
Speaker 3: And you use.

950
00:49:58,200 --> 00:50:04,040
Speaker 2: Jamaican cash, the oils on your not not the coconut

951
00:50:05,719 --> 00:50:08,000
Speaker 2: with it, like like, I'm like, nigga, how do you

952
00:50:08,080 --> 00:50:11,279
Speaker 2: know all this ship is? And like what the superpowers

953
00:50:11,400 --> 00:50:14,160
Speaker 2: you have? Your son? What's his name? Andre?

954
00:50:15,280 --> 00:50:17,480
Speaker 3: Did it die when he was seventeen?

955
00:50:17,800 --> 00:50:21,880
Speaker 5: Like how do you know he googled it?

956
00:50:21,880 --> 00:50:23,279
Speaker 2: It was a he wasn't it?

957
00:50:23,760 --> 00:50:26,720
Speaker 3: Like I don't like these superpowers they giving us creepy

958
00:50:26,719 --> 00:50:27,320
Speaker 3: ass nigga.

959
00:50:28,719 --> 00:50:32,719
Speaker 4: No, I know, I know she made me.

960
00:50:34,640 --> 00:50:40,640
Speaker 8: No and with you, but he went's the same, You're

961
00:50:40,680 --> 00:50:41,240
Speaker 8: not the same.

962
00:50:41,520 --> 00:50:47,160
Speaker 4: We were built for more. We still are show behind

963
00:50:47,280 --> 00:50:50,600
Speaker 4: walls bars we died.

964
00:50:51,640 --> 00:50:58,640
Speaker 1: Butt's see out there. It's like, I know you know

965
00:50:58,719 --> 00:51:03,320
Speaker 1: what I'm talking about, and.

966
00:51:03,160 --> 00:51:08,239
Speaker 4: That is why you're grateful, too grateful for.

967
00:51:12,320 --> 00:51:16,120
Speaker 7: It on Grace Gone, because you know all he would

968
00:51:16,120 --> 00:51:22,080
Speaker 7: have done this make you weak.

969
00:51:25,080 --> 00:51:32,240
Speaker 5: She threw his food on the floor, the whole ham sandwich.

970
00:51:32,800 --> 00:51:34,920
Speaker 2: I really wanted that sound to be louder when she

971
00:51:35,000 --> 00:51:39,000
Speaker 2: slammed his food. So okay. The other part about this,

972
00:51:39,880 --> 00:51:44,120
Speaker 2: it feels also like they're doing this to transfer the cocks.

973
00:51:44,200 --> 00:51:47,840
Speaker 2: The talks that he has with Rick to Michean agreed like,

974
00:51:47,960 --> 00:51:52,799
Speaker 2: oh they can still apply Dead Child Warrior he's more

975
00:51:52,840 --> 00:51:56,720
Speaker 2: comfortable on the outside. This whole peace thing is a sham.

976
00:51:57,120 --> 00:51:59,960
Speaker 2: You really, you know, you're really more designed to keep going.

977
00:52:00,080 --> 00:52:03,359
Speaker 2: And that's what it seems to me they're trying to do.

978
00:52:03,920 --> 00:52:06,480
Speaker 2: And I guess since these characters don't have a lot

979
00:52:06,520 --> 00:52:10,120
Speaker 2: of history, then it just feels like it just came

980
00:52:10,160 --> 00:52:15,759
Speaker 2: out of nowhere. But okay, So that conversation happens, and

981
00:52:15,840 --> 00:52:21,080
Speaker 2: she goes back to her house and she's trying to

982
00:52:21,080 --> 00:52:24,120
Speaker 2: work on the constitution again and she can't concentrate, so

983
00:52:24,160 --> 00:52:26,200
Speaker 2: then she takes a sandwich heads back down in the

984
00:52:26,280 --> 00:52:30,640
Speaker 2: AGAs to feed him again, and she's like, why did

985
00:52:30,680 --> 00:52:34,640
Speaker 2: you say those things? And she made them like a

986
00:52:34,640 --> 00:52:37,879
Speaker 2: delicious looking sandwich. He said, I wasn't trying to push

987
00:52:37,880 --> 00:52:39,320
Speaker 2: you off. You should know that. She says, why do

988
00:52:39,400 --> 00:52:42,839
Speaker 2: you kill what I think? And he basically implies, you're

989
00:52:42,920 --> 00:52:46,279
Speaker 2: the same as me me, You are just like me,

990
00:52:46,719 --> 00:52:50,440
Speaker 2: and that scares you. You hate that you're just like me?

991
00:52:50,600 --> 00:52:54,120
Speaker 2: And Michean said, and you know, I'm thinking to the

992
00:52:54,200 --> 00:52:57,319
Speaker 2: bat earlier, we saw that fear on her face when

993
00:52:57,360 --> 00:52:59,280
Speaker 2: she killed a zombie with a bat instead of a sword,

994
00:52:59,680 --> 00:53:01,919
Speaker 2: And I'm like, okay, so they're trying to really drive

995
00:53:01,960 --> 00:53:03,880
Speaker 2: this shit home. She doesn't want to be like Megan,

996
00:53:04,239 --> 00:53:07,359
Speaker 2: but she says they're not the same because he gets

997
00:53:07,360 --> 00:53:08,759
Speaker 2: a kick out of all the shit that they have

998
00:53:08,800 --> 00:53:12,840
Speaker 2: to do to survive. And he said, and he earlier

999
00:53:12,880 --> 00:53:15,040
Speaker 2: had told her you know, you guys, just hear what.

1000
00:53:15,200 --> 00:53:17,000
Speaker 2: He was like, you know, the strict it makes you

1001
00:53:17,040 --> 00:53:18,799
Speaker 2: want to go on living. And she was like, no,

1002
00:53:19,480 --> 00:53:21,480
Speaker 2: I do get strengths when the dead, but I live

1003
00:53:21,560 --> 00:53:23,520
Speaker 2: for the living, and I make no apologies for that.

1004
00:53:23,680 --> 00:53:26,040
Speaker 2: My sons are gone, but this world is going to

1005
00:53:26,120 --> 00:53:27,240
Speaker 2: be better for my daughter.

1006
00:53:27,560 --> 00:53:30,640
Speaker 3: And I said, ooh, so we got a.

1007
00:53:30,640 --> 00:53:35,000
Speaker 2: Little Paris Jackson situation. Okay, good for you, Judith, welcome

1008
00:53:35,040 --> 00:53:35,640
Speaker 2: to the cookout.

1009
00:53:36,000 --> 00:53:36,680
Speaker 5: Been adopted.

1010
00:53:37,880 --> 00:53:39,839
Speaker 2: And she says, you know, it's gonna be better for

1011
00:53:39,880 --> 00:53:41,879
Speaker 2: my daughter and every other child that comes into it.

1012
00:53:42,320 --> 00:53:43,879
Speaker 2: And then he thinks about it, and he's like, oh,

1013
00:53:43,880 --> 00:53:46,920
Speaker 2: you're not scared beco of being like me. You're scared

1014
00:53:47,400 --> 00:53:49,560
Speaker 2: that you're gonna end up like me, with everyone and

1015
00:53:49,600 --> 00:53:54,920
Speaker 2: everything you have a love gone, and she is like

1016
00:53:55,040 --> 00:53:59,040
Speaker 2: each your sandwich. He's like, you know, She's like, you're

1017
00:53:59,080 --> 00:54:02,120
Speaker 2: desperately trying to can with me. And he said with us,

1018
00:54:02,360 --> 00:54:04,160
Speaker 2: because there's nothing worse than nothing. And she's like, as

1019
00:54:04,160 --> 00:54:07,640
Speaker 2: long as you're still breathing, it's not nothing, So eat

1020
00:54:08,040 --> 00:54:11,719
Speaker 2: eat your food, and as long as you're living, you're

1021
00:54:11,760 --> 00:54:14,840
Speaker 2: gonna have to eat. And she goes to leave and

1022
00:54:14,880 --> 00:54:18,719
Speaker 2: he does pick up the sandwich, and she's he's She's like,

1023
00:54:18,719 --> 00:54:20,680
Speaker 2: what are you want And he's like, wait, wait what.

1024
00:54:21,000 --> 00:54:23,879
Speaker 2: She's like what, And he says, before you go to something,

1025
00:54:23,880 --> 00:54:25,600
Speaker 2: I want to ask you there are things in this

1026
00:54:25,640 --> 00:54:29,440
Speaker 2: world that we desperately hold on to when there's nothing left.

1027
00:54:29,560 --> 00:54:33,880
Speaker 2: And then she starts smiling because she realizes this entire

1028
00:54:33,960 --> 00:54:37,200
Speaker 2: fucking time that he's been talking about it talking to her,

1029
00:54:37,239 --> 00:54:40,279
Speaker 2: he really has been trying to pump her for information

1030
00:54:40,440 --> 00:54:44,879
Speaker 2: to see where that fucking bat Lucille is. Yeah, cause

1031
00:54:44,920 --> 00:54:48,400
Speaker 2: this nigga love that bat like it's his real dead wife.

1032
00:54:49,640 --> 00:54:51,479
Speaker 2: He's crazy about that goddamn back.

1033
00:54:52,719 --> 00:54:55,120
Speaker 5: He'll probably fine if y'all, if y'all give him that bat,

1034
00:54:55,239 --> 00:54:57,160
Speaker 5: he'll be finding out with that bat, just him in

1035
00:54:57,160 --> 00:54:57,439
Speaker 5: the back.

1036
00:54:57,520 --> 00:54:59,440
Speaker 2: I mean, there's a lot of women looking to bring

1037
00:54:59,800 --> 00:55:03,400
Speaker 2: U Jeffrey Dean Morgan a sandwich. Okay, come on, but

1038
00:55:04,040 --> 00:55:06,719
Speaker 2: I mean even probably more than happy to make him

1039
00:55:06,719 --> 00:55:09,240
Speaker 2: a sandwich. Even probably spent like six months of himself

1040
00:55:09,280 --> 00:55:13,200
Speaker 2: in prison. But I'm just saying, this motherfucker was talking

1041
00:55:13,200 --> 00:55:16,680
Speaker 2: about her bat the whole time. Uh.

1042
00:55:16,840 --> 00:55:18,320
Speaker 3: He says, I want to see her. I need to

1043
00:55:18,360 --> 00:55:18,719
Speaker 3: see her.

1044
00:55:18,760 --> 00:55:21,439
Speaker 2: She says, no, nigging, we don't have your back. He says,

1045
00:55:21,480 --> 00:55:23,359
Speaker 2: what you do with her? And then she says it's

1046
00:55:23,400 --> 00:55:27,000
Speaker 2: still out there and he's like no, no, She's like, eat, nigga,

1047
00:55:27,360 --> 00:55:30,520
Speaker 2: Food's good. And then she leaves and then he bangs

1048
00:55:30,520 --> 00:55:33,439
Speaker 2: his head against the wall in his cell and show

1049
00:55:33,440 --> 00:55:37,080
Speaker 2: you how crazy he's so crazy. Guy, she's crazy for

1050
00:55:37,200 --> 00:55:42,040
Speaker 2: Lucille that bat. And then Sean later reads it ju

1051
00:55:42,239 --> 00:55:44,719
Speaker 2: from a book called Game Over, and when she gets

1052
00:55:44,760 --> 00:55:46,919
Speaker 2: to the end as an illustration of a cartoon bat,

1053
00:55:47,719 --> 00:55:51,840
Speaker 2: and she pauses for a moment on the baseball bat

1054
00:55:52,160 --> 00:55:55,560
Speaker 2: and loses the place and then finishes the story, I

1055
00:55:55,600 --> 00:55:58,359
Speaker 2: have no I'm gonna be honest. All of this took

1056
00:55:58,360 --> 00:56:01,880
Speaker 2: away too long. I don't know what the fucking point

1057
00:56:02,080 --> 00:56:05,680
Speaker 2: really was. Was really slow, and then with the whole

1058
00:56:05,760 --> 00:56:08,279
Speaker 2: awkward back and forth shit in the cell, it just

1059
00:56:09,160 --> 00:56:12,640
Speaker 2: it did not feel worthwhile. It did not, almost to

1060
00:56:12,680 --> 00:56:16,040
Speaker 2: a certain extent, wish we could go back, and I

1061
00:56:16,080 --> 00:56:18,640
Speaker 2: know a lot of people love the actor, but uncast

1062
00:56:18,760 --> 00:56:22,080
Speaker 2: Jeffrey Dean Morgan and cast somebody that could be there

1063
00:56:22,200 --> 00:56:24,080
Speaker 2: every week on the show, it would have made.

1064
00:56:23,960 --> 00:56:26,800
Speaker 5: The show so much better. And I think, truth be told,

1065
00:56:27,520 --> 00:56:29,920
Speaker 5: the Nagan should have been one season.

1066
00:56:30,160 --> 00:56:33,680
Speaker 2: Yeah, and these workarounds with the like he's on a

1067
00:56:33,719 --> 00:56:37,560
Speaker 2: walkie talkie this week, we're talking to Simon this week,

1068
00:56:37,600 --> 00:56:40,879
Speaker 2: We're talking to Gavin this week. I don't know. Yeah,

1069
00:56:41,160 --> 00:56:44,160
Speaker 2: you just made things too big, too long. It didn't

1070
00:56:44,200 --> 00:56:46,160
Speaker 2: need to go this way. If you can only get

1071
00:56:46,160 --> 00:56:48,279
Speaker 2: them for eight episodes, just figure a way to write

1072
00:56:48,320 --> 00:56:51,719
Speaker 2: eight great episodes rather than to stretch those, you know,

1073
00:56:51,800 --> 00:56:56,160
Speaker 2: eight episodes in the sixteen so much better. All right,

1074
00:56:56,640 --> 00:56:59,400
Speaker 2: let's see which haven't I done yet? So we did Hilltop,

1075
00:57:01,200 --> 00:57:03,560
Speaker 2: uh junk Yard. I think the camp is the only

1076
00:57:03,560 --> 00:57:07,279
Speaker 2: one left, right, Okay, So in the Camp, Gene tells

1077
00:57:07,360 --> 00:57:09,160
Speaker 2: Rick that the bridge is doing a collapse soon.

1078
00:57:09,600 --> 00:57:11,480
Speaker 3: But he does it in Eugene speak, but not as

1079
00:57:11,560 --> 00:57:13,000
Speaker 3: much jargon as time.

1080
00:57:13,080 --> 00:57:15,560
Speaker 2: It's just like, well, let the bridge is definitely gonna

1081
00:57:15,600 --> 00:57:18,040
Speaker 2: come down if we get that, where's the rain's gonna

1082
00:57:18,080 --> 00:57:20,080
Speaker 2: blah blahlah? You know, all the shit, So the bridge's

1083
00:57:20,080 --> 00:57:23,480
Speaker 2: gonna come down, uh, And Rick's like, what if we

1084
00:57:23,520 --> 00:57:25,720
Speaker 2: work on it and whatever, and he's like, I don't

1085
00:57:25,720 --> 00:57:28,200
Speaker 2: think it'll even if we work on it with the

1086
00:57:28,200 --> 00:57:30,560
Speaker 2: manpower we have now, it's just not gonna get done

1087
00:57:30,560 --> 00:57:30,959
Speaker 2: in time.

1088
00:57:31,240 --> 00:57:33,320
Speaker 5: Right, the water has started rushing back in.

1089
00:57:33,480 --> 00:57:36,040
Speaker 2: Yeah, we're gonna get a surge. The damn broke. It's

1090
00:57:36,120 --> 00:57:39,240
Speaker 2: not good. And so then Rick's like, well, damn, it's

1091
00:57:39,280 --> 00:57:41,440
Speaker 2: just a bunch of bad news. And he said, well

1092
00:57:41,480 --> 00:57:42,400
Speaker 2: I got some good news.

1093
00:57:42,480 --> 00:57:42,640
Speaker 5: Rick.

1094
00:57:43,080 --> 00:57:46,880
Speaker 2: The two herds and he named them two other names.

1095
00:57:47,080 --> 00:57:49,320
Speaker 2: He's like, they're not gonna combine and the one herd

1096
00:57:49,320 --> 00:57:51,120
Speaker 2: that were running parallel to each other, so that's some

1097
00:57:51,200 --> 00:57:55,360
Speaker 2: good news. And then Eugene also explains that they named

1098
00:57:55,880 --> 00:57:58,560
Speaker 2: the herds after Shakespearean characters that have died because they

1099
00:57:58,640 --> 00:58:03,000
Speaker 2: needed the almost exhausted, inexhaustible list of names and that

1100
00:58:03,120 --> 00:58:05,680
Speaker 2: and apparently Shakespeare used to kill off motherfuckers left and

1101
00:58:05,760 --> 00:58:09,280
Speaker 2: right in his place, so while I that's what's happening.

1102
00:58:11,200 --> 00:58:13,600
Speaker 2: And then he apologizes the Rick for not being smart

1103
00:58:13,680 --> 00:58:16,960
Speaker 2: enough to be helpful as he could be and Rick Rick,

1104
00:58:17,080 --> 00:58:19,520
Speaker 2: And then this episode had a lot of Rick almost

1105
00:58:19,560 --> 00:58:22,400
Speaker 2: saying goodbye to people. And this was a time where

1106
00:58:22,400 --> 00:58:26,080
Speaker 2: he says to Eugene, like, you know, you're not dumb guy,

1107
00:58:26,200 --> 00:58:28,960
Speaker 2: You're not a dumb guy. Just read some books. You're

1108
00:58:28,960 --> 00:58:34,360
Speaker 2: smarter than that. And every after everything, that's everything, And

1109
00:58:34,360 --> 00:58:36,320
Speaker 2: he put his hand on his shoulder and he did

1110
00:58:36,360 --> 00:58:38,360
Speaker 2: everything but hugged that nigga and then walked off.

1111
00:58:38,840 --> 00:58:39,560
Speaker 5: He still there.

1112
00:58:39,440 --> 00:58:42,600
Speaker 2: Proudly and boldly yeah, and Eugene was looking like I

1113
00:58:42,600 --> 00:58:46,480
Speaker 2: can stop crying. Oh, and then he goes. Rick goes

1114
00:58:46,520 --> 00:58:49,400
Speaker 2: into a tent. Carol's already in a tent packing up

1115
00:58:49,400 --> 00:58:51,440
Speaker 2: her ship to leave and go back to the Kingdom.

1116
00:58:51,840 --> 00:58:54,360
Speaker 2: He's he's she's supposed to be the leader of the

1117
00:58:54,400 --> 00:58:57,960
Speaker 2: Saviors and or at least overlooking them. And Rick's like,

1118
00:58:57,960 --> 00:58:59,520
Speaker 2: you ain't want to go to the Savings no more.

1119
00:59:00,120 --> 00:59:04,080
Speaker 5: She's like, no, nigga, like, I'm gonna keep it real.

1120
00:59:04,800 --> 00:59:07,920
Speaker 5: I believe in your vision. I still think it gonna happen.

1121
00:59:08,600 --> 00:59:10,800
Speaker 5: But at the same time, this is not what they want.

1122
00:59:11,040 --> 00:59:13,200
Speaker 5: They don't want us there, and there's no reason to

1123
00:59:13,320 --> 00:59:15,880
Speaker 5: put somebody there and put them in danger. Let them

1124
00:59:15,880 --> 00:59:19,160
Speaker 5: come up with their own decisions, their own bylaws, like

1125
00:59:19,320 --> 00:59:21,560
Speaker 5: let them do it themselves.

1126
00:59:22,240 --> 00:59:24,680
Speaker 2: Yeah, And I mean, we really can't blame her because

1127
00:59:24,720 --> 00:59:28,080
Speaker 2: we've seen like the results of this shit. You know,

1128
00:59:28,440 --> 00:59:32,120
Speaker 2: Nigga tried the gun jack her. Fuck this share, I mount.

1129
00:59:33,240 --> 00:59:36,600
Speaker 2: Fuck this shit, I'm mount. Mount things. Don't mind me.

1130
00:59:37,200 --> 00:59:39,240
Speaker 2: I'm gonna just grab myself and leave.

1131
00:59:39,520 --> 00:59:41,480
Speaker 5: Excuse me, please.

1132
00:59:41,000 --> 00:59:45,120
Speaker 2: Fuck this shit. I mount. Nope, fuck this shit. I'm mount.

1133
00:59:45,360 --> 00:59:48,600
Speaker 2: All right, then, I don't know what the fuck just happen,

1134
00:59:48,800 --> 00:59:51,040
Speaker 2: but I don't really care. I'm gonna get the fuck

1135
00:59:51,080 --> 00:59:51,440
Speaker 2: up out of.

1136
00:59:51,520 --> 00:59:52,320
Speaker 5: Here this shit.

1137
00:59:52,440 --> 00:59:55,880
Speaker 2: I'm mount. She's going back to the Kingdom and her

1138
00:59:56,040 --> 00:59:59,800
Speaker 2: Ebany King Ezekiel, and she.

1139
01:00:00,080 --> 01:00:02,800
Speaker 5: Her thing is like, hey, we had that conversation, Nigga,

1140
01:00:02,800 --> 01:00:04,760
Speaker 5: I told you already want to blow their brain, blow

1141
01:00:04,800 --> 01:00:07,040
Speaker 5: their dude's brains out. I'm not going back because I

1142
01:00:07,160 --> 01:00:08,000
Speaker 5: will fuck him up.

1143
01:00:08,840 --> 01:00:12,120
Speaker 2: Yeah, She's like, I'm gonna go make sweet swirly uh

1144
01:00:12,760 --> 01:00:16,960
Speaker 2: senior citizen love with my eminey King and.

1145
01:00:18,440 --> 01:00:19,320
Speaker 5: Looking at his spin.

1146
01:00:20,080 --> 01:00:21,000
Speaker 3: Yeah, she's done.

1147
01:00:21,320 --> 01:00:23,840
Speaker 2: You know, she's got things to live for and it

1148
01:00:23,880 --> 01:00:26,840
Speaker 2: ain't These niggas and the Saviors can't really be saved anyway.

1149
01:00:28,040 --> 01:00:30,760
Speaker 2: And then the other thing she was like, because Rick's like,

1150
01:00:30,880 --> 01:00:33,680
Speaker 2: what about the Saviors. What's gonna happen to them without

1151
01:00:33,720 --> 01:00:35,800
Speaker 2: a leader? And she was like, they'll figure it out.

1152
01:00:36,600 --> 01:00:38,920
Speaker 2: Like she said, what they do know at this point

1153
01:00:39,120 --> 01:00:41,680
Speaker 2: is that they don't want to be Meagan anymore.

1154
01:00:42,320 --> 01:00:45,280
Speaker 3: But the rest is up to them. Like and I

1155
01:00:45,600 --> 01:00:46,840
Speaker 3: this this episode.

1156
01:00:47,920 --> 01:00:50,240
Speaker 2: I don't know why, but the way people were kind

1157
01:00:50,280 --> 01:00:52,480
Speaker 2: of framing their arguments on the other side of Rick,

1158
01:00:52,600 --> 01:00:55,360
Speaker 2: I was really feeling it because I was like, yeah,

1159
01:00:55,520 --> 01:00:58,479
Speaker 2: they they are grown as adults. They've lived the whole

1160
01:00:58,560 --> 01:01:02,439
Speaker 2: lives they you know, lived the whole other way. They've

1161
01:01:02,520 --> 01:01:05,640
Speaker 2: got they ass whip. They might not be the most

1162
01:01:05,800 --> 01:01:10,160
Speaker 2: nicest people, but this like coalition thing with them, that's

1163
01:01:10,280 --> 01:01:13,880
Speaker 2: too much for us to handle. Like they they need

1164
01:01:13,960 --> 01:01:16,800
Speaker 2: to lay in the bed that they made. And so

1165
01:01:17,960 --> 01:01:21,200
Speaker 2: the idea that she would be like, they like, they're

1166
01:01:21,240 --> 01:01:25,720
Speaker 2: not babies. They'll find guns from somewhere, they'll get supplies

1167
01:01:25,760 --> 01:01:29,560
Speaker 2: from somewhere, or they'll fucking disperse or whatever, but that

1168
01:01:29,880 --> 01:01:31,760
Speaker 2: that's what they gotta do. They need to figure out

1169
01:01:31,760 --> 01:01:37,360
Speaker 2: how they're gonna move forward. And Rick says, she said,

1170
01:01:37,360 --> 01:01:39,040
Speaker 2: they'll figure out who they want to be, and Rix like,

1171
01:01:39,160 --> 01:01:41,240
Speaker 2: like you did, and She's like, like we all did.

1172
01:01:42,040 --> 01:01:43,960
Speaker 2: And he says if anyone gives them hope for the

1173
01:01:44,040 --> 01:01:47,320
Speaker 2: future for the Saviors, it's Carol because he's watched her change.

1174
01:01:47,760 --> 01:01:50,640
Speaker 2: And then she apologizes that for things not working out,

1175
01:01:50,720 --> 01:01:55,360
Speaker 2: but she's she said she did want them to. And yeah,

1176
01:01:55,400 --> 01:01:57,400
Speaker 2: I feel like it made sense, especially after the way

1177
01:01:57,480 --> 01:01:59,960
Speaker 2: that you know, they almost got their weapon stolen life

1178
01:02:00,040 --> 01:02:02,760
Speaker 2: last week. Uh, I can see why Carol will be like, man,

1179
01:02:02,840 --> 01:02:04,320
Speaker 2: let me take my ass home. I don't want to

1180
01:02:04,440 --> 01:02:05,800
Speaker 2: die here. Fuck with these dudes.

1181
01:02:05,800 --> 01:02:09,120
Speaker 3: I got some people, a dude that loves me at home.

1182
01:02:09,360 --> 01:02:10,360
Speaker 2: What's on I'm doing.

1183
01:02:10,480 --> 01:02:12,720
Speaker 5: Right and them up and the end up being a

1184
01:02:12,760 --> 01:02:14,360
Speaker 5: dictator over here, and I don't want that either.

1185
01:02:14,480 --> 01:02:17,120
Speaker 2: Yeah, Master Henry, then you can't sleep in the fucking

1186
01:02:17,160 --> 01:02:18,880
Speaker 2: Savior camp because you worried. So I'm gonna cut your

1187
01:02:18,920 --> 01:02:21,480
Speaker 2: throat all the time. You're the only one with a gun,

1188
01:02:21,560 --> 01:02:23,640
Speaker 2: so somebody might just kill you for that. She's like,

1189
01:02:23,680 --> 01:02:25,920
Speaker 2: I'm going my ass home. I don't blame her at all.

1190
01:02:29,200 --> 01:02:32,160
Speaker 2: Jerry tells Rick that Maggie is going to Alexandria, and

1191
01:02:32,280 --> 01:02:34,800
Speaker 2: he learned it because he heard a message from the

1192
01:02:34,880 --> 01:02:40,080
Speaker 2: relay from Hilltop, the Walkie Talking Relay and Jesus is

1193
01:02:40,160 --> 01:02:43,400
Speaker 2: the one who sent the message. Now, we did see

1194
01:02:43,480 --> 01:02:49,480
Speaker 2: that Jesus had some objections with Maggie going to kill Meaghan.

1195
01:02:50,000 --> 01:02:54,800
Speaker 3: Yeah, but I don't think Jesus would have told Rick.

1196
01:02:55,680 --> 01:02:59,680
Speaker 2: I don't think. I don't think so. I think this

1197
01:02:59,880 --> 01:03:01,600
Speaker 2: was still part of the plan.

1198
01:03:02,640 --> 01:03:06,280
Speaker 9: And it is a plan because they would believe Jesus did, Like,

1199
01:03:06,400 --> 01:03:09,720
Speaker 9: even though that's out of Jesus's character, you know, because

1200
01:03:09,720 --> 01:03:12,440
Speaker 9: you have people their job is to relate that information,

1201
01:03:12,840 --> 01:03:14,080
Speaker 9: why would he be one of them?

1202
01:03:14,560 --> 01:03:16,680
Speaker 2: Yeah, And for the show's purposes, it gives us another

1203
01:03:16,760 --> 01:03:18,880
Speaker 2: reason to be like, oh, what is just happening for real?

1204
01:03:19,640 --> 01:03:21,320
Speaker 2: You know, It's just we don't think it's part of

1205
01:03:21,360 --> 01:03:23,520
Speaker 2: a trap yet, because we're like, well, Jesus might have

1206
01:03:23,640 --> 01:03:26,400
Speaker 2: done that, he was concerned, but I think that's taking

1207
01:03:26,440 --> 01:03:27,920
Speaker 2: a step too far for Jesus. I don't think he

1208
01:03:27,920 --> 01:03:33,640
Speaker 2: would have snitched to Rick. So but anyway, Maggie's heading

1209
01:03:33,640 --> 01:03:36,640
Speaker 2: towards Alexandra. Rick's like, oh shit, this means she's going

1210
01:03:36,680 --> 01:03:39,080
Speaker 2: to kill Niagan. He gets on his walkie talkie to

1211
01:03:39,200 --> 01:03:43,360
Speaker 2: the relay to Alexandra. He's like, hey, tell Alexandria that

1212
01:03:45,000 --> 01:03:48,680
Speaker 2: Maggie's on her way, and that she's coming, not to

1213
01:03:48,800 --> 01:03:50,960
Speaker 2: let her in, to star her at the gate. I

1214
01:03:51,040 --> 01:03:54,560
Speaker 2: will be it shortly to change this. They all see

1215
01:03:54,760 --> 01:03:58,400
Speaker 2: oversees Rick talking on the Wakie TALKI. He's like, you alright,

1216
01:03:58,440 --> 01:04:00,560
Speaker 2: you need a ride and he's like yeah, he said,

1217
01:04:00,560 --> 01:04:03,200
Speaker 2: what's going on? He's like, Maggie's going to Alexandria. She's

1218
01:04:03,200 --> 01:04:04,880
Speaker 2: about to make the biggest take of her life. And

1219
01:04:05,000 --> 01:04:06,640
Speaker 2: Darrel's like, I got you. He said, you sure he

1220
01:04:06,720 --> 01:04:08,479
Speaker 2: got enough fuel? Darrel was like, I got enough fuel.

1221
01:04:08,560 --> 01:04:10,920
Speaker 2: Let's go get on my bike. And so it's faster

1222
01:04:11,040 --> 01:04:13,400
Speaker 2: than the horse. So he house on Darrel's bike and

1223
01:04:13,520 --> 01:04:16,880
Speaker 2: they started riding towards Alexandria to beat Maggie there so

1224
01:04:17,000 --> 01:04:19,080
Speaker 2: he can stop her from going in and killing Nika. Yeah.

1225
01:04:19,160 --> 01:04:23,120
Speaker 5: And also when Rick made that first phone call, the

1226
01:04:23,240 --> 01:04:25,080
Speaker 5: girl didn't even tell the girl. She was like, m

1227
01:04:25,440 --> 01:04:26,240
Speaker 5: I don't know what to say.

1228
01:04:26,840 --> 01:04:29,959
Speaker 2: He first of all, she black woman. The fuck about

1229
01:04:30,000 --> 01:04:32,400
Speaker 2: of that bro, it's a little white girl. But he

1230
01:04:32,640 --> 01:04:36,360
Speaker 2: literally did like every black person at work that said, yeah,

1231
01:04:36,440 --> 01:04:38,880
Speaker 2: that says that ain't my job. He hit the relay.

1232
01:04:38,880 --> 01:04:41,280
Speaker 2: It was like, tell Alexandra that Maggie's on her way.

1233
01:04:41,360 --> 01:04:43,959
Speaker 2: And in the starll at the gate, she was like, okay,

1234
01:04:44,080 --> 01:04:47,280
Speaker 2: Rick hung up to walkie talkie, pulled out a cosmopology

1235
01:04:47,480 --> 01:04:50,720
Speaker 2: and kept reading and was like even said something sassy.

1236
01:04:50,760 --> 01:04:52,280
Speaker 2: I can't remember the exact word.

1237
01:04:52,640 --> 01:04:54,400
Speaker 5: But she might as well say that's a but my

1238
01:04:54,480 --> 01:04:54,960
Speaker 5: pay grade.

1239
01:04:55,400 --> 01:04:59,120
Speaker 2: Right. She was like she'll get the message in hell

1240
01:04:59,440 --> 01:05:01,680
Speaker 2: or something like that, Like she might as well just

1241
01:05:01,680 --> 01:05:02,680
Speaker 2: say I'm on my break.

1242
01:05:02,840 --> 01:05:04,200
Speaker 5: Come on, I'm on my fifteen.

1243
01:05:04,720 --> 01:05:08,160
Speaker 2: Right. That was like she was over that ship. It's

1244
01:05:08,240 --> 01:05:11,720
Speaker 2: so funny to look to watch it again. But yeah,

1245
01:05:11,800 --> 01:05:14,840
Speaker 2: she was just like, no, I can't be part of

1246
01:05:14,880 --> 01:05:19,320
Speaker 2: you the ghetto, Rick, that is come on.

1247
01:05:19,640 --> 01:05:24,280
Speaker 3: She was like, I'm not he's relay that message for me.

1248
01:05:24,440 --> 01:05:28,000
Speaker 2: Tell Alexander I would rather die. Okay, well, I guess

1249
01:05:28,040 --> 01:05:28,960
Speaker 2: shell them.

1250
01:05:30,320 --> 01:05:33,520
Speaker 5: She says she's done. She's done talking, right man, she

1251
01:05:33,600 --> 01:05:35,120
Speaker 5: was running to Maggie. But yeah, it was the way

1252
01:05:35,160 --> 01:05:38,120
Speaker 5: she said was so sassy. You gotta tell Alexandria money,

1253
01:05:38,480 --> 01:05:41,720
Speaker 5: Come on, do you? If not, I ain't nothing being told, so.

1254
01:05:43,320 --> 01:05:43,520
Speaker 4: You know.

1255
01:05:43,680 --> 01:05:48,320
Speaker 2: But he gets on the bike with Darryl. Darryl doesn't

1256
01:05:48,360 --> 01:05:52,640
Speaker 2: make a turn into Alexandria, and so Rick realizes like,

1257
01:05:52,800 --> 01:05:55,640
Speaker 2: oh shit, this is set up. Darryl pull over, Darryl

1258
01:05:55,680 --> 01:05:58,360
Speaker 2: pull over, Darryl stops the bike. They get off, and

1259
01:05:59,120 --> 01:06:00,720
Speaker 2: Rick is a media like, man, what the fuck is

1260
01:06:00,800 --> 01:06:02,720
Speaker 2: your problem? And Daryl's like.

1261
01:06:04,480 --> 01:06:05,040
Speaker 3: This the plan.

1262
01:06:06,040 --> 01:06:08,000
Speaker 2: They said, well, it's not gonna work. Already sent the

1263
01:06:08,080 --> 01:06:12,040
Speaker 2: relay the message to tell Alexandria that not to let

1264
01:06:12,160 --> 01:06:14,360
Speaker 2: MAGI in, and he said, well, your message ain't about

1265
01:06:14,360 --> 01:06:16,800
Speaker 2: to get there. Like, that's all I'm playing in the

1266
01:06:16,840 --> 01:06:20,120
Speaker 2: plan too. I said, damn, Daryl accidentally spelling all the tea,

1267
01:06:21,160 --> 01:06:24,400
Speaker 2: and then went to it ain't gonna matter. They started fighting,

1268
01:06:24,640 --> 01:06:28,280
Speaker 2: and then, guys, this was the part where I rolled

1269
01:06:28,360 --> 01:06:31,360
Speaker 2: my eyes so hard they came up from the bottom

1270
01:06:31,360 --> 01:06:34,880
Speaker 2: of my head and came up again. These niggas fell

1271
01:06:34,920 --> 01:06:38,720
Speaker 2: into a big ass convenience sinkhole, just rolling.

1272
01:06:38,440 --> 01:06:41,360
Speaker 5: That was in a big asshole, and nobody seen from

1273
01:06:41,360 --> 01:06:44,920
Speaker 5: a distance that nobody can climb out by themselves.

1274
01:06:46,560 --> 01:06:47,600
Speaker 2: This is the elevator.

1275
01:06:49,040 --> 01:06:52,360
Speaker 5: Okay, I'm with it now, I'm okay, that makes sense.

1276
01:06:52,520 --> 01:06:55,640
Speaker 2: Yes, this pissed me off so fucking bad. I don't

1277
01:06:55,680 --> 01:06:58,320
Speaker 2: care how they explained it later. Maybe there's millions of

1278
01:06:58,360 --> 01:07:00,520
Speaker 2: these little holes around the whole thing, and that's gonna

1279
01:07:00,520 --> 01:07:02,160
Speaker 2: be a We're gonna have a new group in the

1280
01:07:02,360 --> 01:07:05,439
Speaker 2: and it's called the Whole Diggers. I don't know. Maybe

1281
01:07:05,480 --> 01:07:08,120
Speaker 2: it's a zombie trapped somebody trying to use them for something.

1282
01:07:09,320 --> 01:07:13,600
Speaker 2: There's a ton of things. Oh sorry, that is my

1283
01:07:13,800 --> 01:07:18,200
Speaker 2: series turned on for something. Was reading anyway you want

1284
01:07:18,280 --> 01:07:22,600
Speaker 2: to not let Megan in? Yeah? Damn that thing was like, yeah,

1285
01:07:22,640 --> 01:07:25,600
Speaker 2: it's been going back to Maggie anyway. I was like,

1286
01:07:25,680 --> 01:07:29,880
Speaker 2: I'm missing the point being. I am not with this

1287
01:07:30,120 --> 01:07:33,520
Speaker 2: part of the episode. It pissed me off so bad,

1288
01:07:33,680 --> 01:07:36,960
Speaker 2: and it felt like we need a thing to occupy

1289
01:07:37,120 --> 01:07:39,880
Speaker 2: Rick's time until we get ready to like write them

1290
01:07:39,920 --> 01:07:43,280
Speaker 2: off the show. There had to be something more fun

1291
01:07:43,400 --> 01:07:47,440
Speaker 2: to do than this anyway, And plus we've seen him

1292
01:07:47,440 --> 01:07:51,840
Speaker 2: and Darryl fight over and over again. Now, I do

1293
01:07:52,000 --> 01:07:54,600
Speaker 2: think this show writes humanity better than most shows on TV.

1294
01:07:54,840 --> 01:07:56,760
Speaker 2: I get that that that a lot of people would

1295
01:07:57,640 --> 01:08:00,640
Speaker 2: they're imposted to disagree with me because the offer the show.

1296
01:08:00,640 --> 01:08:03,000
Speaker 2: They don't like it anymore. But I'm right and you're wrong.

1297
01:08:03,400 --> 01:08:06,520
Speaker 2: This is Facebook, this is Twitter. It is the same

1298
01:08:06,720 --> 01:08:10,640
Speaker 2: arguments seventeen times a day. It's you niggas sharing videos

1299
01:08:10,720 --> 01:08:12,640
Speaker 2: or somebody abusing their kid and going did they go

1300
01:08:12,760 --> 01:08:15,720
Speaker 2: too far? And then having that argument for the right

1301
01:08:15,800 --> 01:08:18,920
Speaker 2: its thoughts seventeen seventeen times a week.

1302
01:08:18,920 --> 01:08:21,280
Speaker 5: With all them questions and exclamation points.

1303
01:08:21,400 --> 01:08:23,560
Speaker 2: So it is the closest thing to humanity written in

1304
01:08:24,160 --> 01:08:27,439
Speaker 2: modern television. I stand by that. That being said, the

1305
01:08:27,520 --> 01:08:29,599
Speaker 2: humanity is annoying, and I go to TV the escape

1306
01:08:29,640 --> 01:08:31,840
Speaker 2: that sometimes, and this is one of those moments where

1307
01:08:31,840 --> 01:08:35,600
Speaker 2: I'm like, y'all fall into this sinkhole and have this

1308
01:08:35,840 --> 01:08:39,040
Speaker 2: fucking philosophical debate again.

1309
01:08:39,479 --> 01:08:43,160
Speaker 5: Oh a zombies and it's not moving anything for.

1310
01:08:43,240 --> 01:08:46,240
Speaker 2: It, and not even over zombies. There's no zombies involved

1311
01:08:46,240 --> 01:08:49,400
Speaker 2: at this point. Okay, so it's just a thing. It's

1312
01:08:49,479 --> 01:08:52,599
Speaker 2: just y'all are in the hole doing your fighting. Now.

1313
01:08:52,720 --> 01:08:54,920
Speaker 2: To Darryl's credit, this is the most lines he's had

1314
01:08:55,400 --> 01:08:56,360
Speaker 2: since the show started.

1315
01:08:56,439 --> 01:08:58,599
Speaker 3: He was it is, He was very eloquent.

1316
01:08:59,400 --> 01:09:01,519
Speaker 2: But still, I just did not like this scene.

1317
01:09:01,600 --> 01:09:01,760
Speaker 4: Man.

1318
01:09:02,200 --> 01:09:03,800
Speaker 2: I wish there was another way to do it. I

1319
01:09:03,840 --> 01:09:09,479
Speaker 2: don't know. Oh so then they and by the way,

1320
01:09:09,520 --> 01:09:13,519
Speaker 2: on Twitter, Nina Perez cracked me the fuck up from

1321
01:09:13,640 --> 01:09:17,960
Speaker 2: a Project Fandom podcast Fandom. She said they fell into

1322
01:09:18,000 --> 01:09:18,599
Speaker 2: a plot hole.

1323
01:09:19,040 --> 01:09:23,519
Speaker 5: Oh oh that's good, but they did.

1324
01:09:24,600 --> 01:09:28,320
Speaker 2: Oh my gosh, she's so funny. So then Rick and

1325
01:09:28,439 --> 01:09:32,519
Speaker 2: Darryl can't climb out the whole by themselves, conveniently, it's

1326
01:09:32,560 --> 01:09:34,320
Speaker 2: gonna take the teamwork of both of them to get

1327
01:09:34,320 --> 01:09:37,479
Speaker 2: out the whole. But they're fighting, and Rick's like, you

1328
01:09:37,560 --> 01:09:39,760
Speaker 2: set this part up to you've made us following this whole,

1329
01:09:40,120 --> 01:09:42,600
Speaker 2: and Daryl was like no, like he got offended, like no,

1330
01:09:42,760 --> 01:09:44,320
Speaker 2: I ain't set this up. But I'm like, nigga, you

1331
01:09:44,400 --> 01:09:46,800
Speaker 2: set up the relay, you set up the bike ride.

1332
01:09:46,800 --> 01:09:49,000
Speaker 2: Why wouldn't Rick think this was part of the act too?

1333
01:09:49,280 --> 01:09:49,880
Speaker 5: Right now?

1334
01:09:49,920 --> 01:09:52,479
Speaker 2: You offended? Motherfucker, Like this could be part of the

1335
01:09:52,520 --> 01:09:57,640
Speaker 2: ship too, And Daryl's like, nah, did set this ship up?

1336
01:09:58,120 --> 01:10:01,000
Speaker 2: And if it wasn't he And then they basically had

1337
01:10:01,040 --> 01:10:03,760
Speaker 2: the same argument, and this time Daryl was prepared for

1338
01:10:03,960 --> 01:10:06,960
Speaker 2: rix hole, like, if you hadn't have forgiven me that

1339
01:10:07,280 --> 01:10:09,760
Speaker 2: then like the way you that I need you.

1340
01:10:09,800 --> 01:10:12,559
Speaker 3: To forgive me, and what the fuck, like you would

1341
01:10:12,600 --> 01:10:13,200
Speaker 3: have you would have been.

1342
01:10:13,160 --> 01:10:19,040
Speaker 2: In the worst place. But Daryl was ready this time.

1343
01:10:19,120 --> 01:10:21,320
Speaker 2: He said, if it wasn't for Glenn, your ass wouldn't

1344
01:10:21,320 --> 01:10:24,960
Speaker 2: be alive. Because Glenn is the person that saved Rick

1345
01:10:25,080 --> 01:10:28,360
Speaker 2: when he fell off that horse. It's season one. The

1346
01:10:28,479 --> 01:10:31,720
Speaker 2: horse got spooped by zombies, fell out that horse. He

1347
01:10:31,880 --> 01:10:35,160
Speaker 2: crawled up under that tank and he had to walk.

1348
01:10:35,200 --> 01:10:37,200
Speaker 2: He talking to dude like hey, dumb ass, and it

1349
01:10:37,360 --> 01:10:41,720
Speaker 2: was that was Glenn. Well, yeah, he's right, like you

1350
01:10:41,800 --> 01:10:46,840
Speaker 2: would not have had you wouldn't be alive if not

1351
01:10:46,960 --> 01:10:51,320
Speaker 2: for Glenn. And then uh, Rix whole thing was like,

1352
01:10:52,280 --> 01:10:55,000
Speaker 2: well I think about that every day, But what about

1353
01:10:55,040 --> 01:10:57,919
Speaker 2: how you spared Dwight? So you don't just kill everybody,

1354
01:10:58,439 --> 01:11:02,679
Speaker 2: You let some people go. And Daryl was like he reduced.

1355
01:11:02,720 --> 01:11:05,080
Speaker 2: He's like, all the White did was open the closet

1356
01:11:05,160 --> 01:11:07,519
Speaker 2: door and put me in. It is opposed like to Megan,

1357
01:11:07,600 --> 01:11:12,560
Speaker 2: seemed like Daryl's Darryl D. White wasn't in charge, so

1358
01:11:12,680 --> 01:11:14,800
Speaker 2: he didn't kill the White because to him, it's like

1359
01:11:14,880 --> 01:11:17,600
Speaker 2: Megan gives the orders. The White, while he may be

1360
01:11:17,720 --> 01:11:22,240
Speaker 2: despicable U D. White is still just passed doing the

1361
01:11:22,400 --> 01:11:27,160
Speaker 2: actions that Meigan wants him to do. All right, So

1362
01:11:27,360 --> 01:11:32,479
Speaker 2: then Rick was like, keeping Megan alive says a message

1363
01:11:32,479 --> 01:11:37,719
Speaker 2: to the saviors that's over for them and that Megan's

1364
01:11:37,760 --> 01:11:40,479
Speaker 2: way is dead. And then Darryl had a great counter

1365
01:11:40,560 --> 01:11:43,800
Speaker 2: point which was keeping Meighan alive gives them hope that

1366
01:11:43,840 --> 01:11:44,599
Speaker 2: he can come back.

1367
01:11:45,400 --> 01:11:46,080
Speaker 5: That's true too.

1368
01:11:46,800 --> 01:11:49,920
Speaker 2: You know what, what do you follow on that? I

1369
01:11:50,000 --> 01:11:52,840
Speaker 2: don't know, Like I said, that's true too, because I

1370
01:11:53,240 --> 01:11:57,320
Speaker 2: understand both sides, because Darryl's like, hey, it.

1371
01:11:57,360 --> 01:12:01,639
Speaker 5: Could everybody there is now anti Nagan. There's some people

1372
01:12:01,800 --> 01:12:03,760
Speaker 5: that are pro Niagan, like there's some people that are

1373
01:12:03,800 --> 01:12:06,560
Speaker 5: pro Trump. They're like, hey, we're gonna be in this

1374
01:12:06,720 --> 01:12:10,880
Speaker 5: ride to die. And also Dairl Stay was like, Rick,

1375
01:12:11,240 --> 01:12:14,360
Speaker 5: everybody ain't gonna be like you. These individual groups are

1376
01:12:14,479 --> 01:12:17,160
Speaker 5: not cool and will never be cool with them niggods

1377
01:12:17,439 --> 01:12:20,719
Speaker 5: because you have to think they fucked so many people

1378
01:12:21,080 --> 01:12:24,680
Speaker 5: up that a lot of people like they don't belong here.

1379
01:12:24,800 --> 01:12:27,719
Speaker 5: You know, it's like you're not considering the other people

1380
01:12:27,920 --> 01:12:30,960
Speaker 5: around you, and you making the assumption that everybody's going

1381
01:12:31,000 --> 01:12:33,840
Speaker 5: to turn around. Some people do, a lot of people don't.

1382
01:12:34,479 --> 01:12:39,600
Speaker 2: And I still low key feel like Daryl feels responsibility

1383
01:12:39,720 --> 01:12:42,160
Speaker 2: for all of this because it was him that overpromised.

1384
01:12:43,680 --> 01:12:46,519
Speaker 2: You know, it was him that's told Hilltop we can deliver,

1385
01:12:46,680 --> 01:12:50,920
Speaker 2: we can kill the Saviors, and you know, ultimately it's

1386
01:12:51,360 --> 01:12:56,519
Speaker 2: his thing that leads to you know, Glenn dying and

1387
01:12:56,720 --> 01:13:00,080
Speaker 2: Abraham dying, and I think he feels a responsibility that

1388
01:13:00,200 --> 01:13:02,560
Speaker 2: he would never cop to. But that's why he's so

1389
01:13:02,720 --> 01:13:05,640
Speaker 2: pressed to like kill all of them, and even you know,

1390
01:13:05,800 --> 01:13:06,840
Speaker 2: like this is all kind of on.

1391
01:13:07,000 --> 01:13:10,400
Speaker 3: Him, and this is him getting his like, you know, revenge.

1392
01:13:10,600 --> 01:13:13,519
Speaker 5: And also when him and Terror was him and Terror

1393
01:13:13,640 --> 01:13:15,880
Speaker 5: went up that wasn't him and Terror him, that was

1394
01:13:16,160 --> 01:13:20,200
Speaker 5: uh no, no, no, no went up there, and I

1395
01:13:20,360 --> 01:13:23,640
Speaker 5: ended up blowing like the wall up right, So you

1396
01:13:23,760 --> 01:13:26,519
Speaker 5: end up sucking up a plan that actually could have worked,

1397
01:13:26,560 --> 01:13:29,479
Speaker 5: but you end up uh cause never dated to crumble

1398
01:13:29,560 --> 01:13:30,719
Speaker 5: because you just couldn't be patient.

1399
01:13:30,920 --> 01:13:34,639
Speaker 2: Yeah, supposedly they said that that didn't help the Saviors

1400
01:13:34,680 --> 01:13:37,680
Speaker 2: get free, but yes, they that's how press he was

1401
01:13:37,800 --> 01:13:41,599
Speaker 2: though so and plus he was the person that experienced

1402
01:13:41,600 --> 01:13:44,519
Speaker 2: probably the most torture at the hands of Nigga in them.

1403
01:13:45,320 --> 01:13:50,960
Speaker 2: So anyway, then Rix, you know, they they get into

1404
01:13:51,000 --> 01:13:53,400
Speaker 2: that argument. It's like if we you know, we can't leave,

1405
01:13:53,479 --> 01:13:56,400
Speaker 2: we can't kill him because Rix, like if you kill him,

1406
01:13:56,520 --> 01:13:59,719
Speaker 2: if Maggie kills Nigga, he becomes a martyr to these people.

1407
01:14:00,520 --> 01:14:04,439
Speaker 3: And Daryl's like, man, who cares what about us?

1408
01:14:05,040 --> 01:14:07,000
Speaker 2: He's like, you got so much faith in other people,

1409
01:14:07,080 --> 01:14:09,920
Speaker 2: but what about faith in your people? And we're telling

1410
01:14:10,000 --> 01:14:12,160
Speaker 2: you what you need to do. And it's funny because

1411
01:14:12,160 --> 01:14:15,160
Speaker 2: they're like, his people are fighters. They wanted to fight

1412
01:14:15,240 --> 01:14:17,439
Speaker 2: Niggan in the first place. Rick when listening it took

1413
01:14:17,520 --> 01:14:20,000
Speaker 2: forever shit start happening. Then he was like, Okay, we

1414
01:14:20,040 --> 01:14:24,640
Speaker 2: gotta kill Niggin. Then with this shit, it's kind of

1415
01:14:24,680 --> 01:14:27,840
Speaker 2: the opposite where he's whelps everybody to calm down and

1416
01:14:28,160 --> 01:14:30,560
Speaker 2: they're like, n the killing's not done. We need to

1417
01:14:30,640 --> 01:14:33,960
Speaker 2: kill all these motherfuckers so we're sure that we're safe.

1418
01:14:34,160 --> 01:14:36,400
Speaker 2: And Rick's trying to build a society with them, right.

1419
01:14:36,520 --> 01:14:38,719
Speaker 5: His thing is, there's no such thing. It's safe because

1420
01:14:38,760 --> 01:14:42,879
Speaker 5: everybody you kill has a mama, cousin, daddy, uncle, you don't.

1421
01:14:42,760 --> 01:14:43,680
Speaker 6: Know who who.

1422
01:14:44,080 --> 01:14:46,479
Speaker 2: Rick from Asia is the North after the Civil War

1423
01:14:47,560 --> 01:14:50,639
Speaker 2: where there needs to be sanctions and stuff put onto

1424
01:14:50,720 --> 01:14:53,560
Speaker 2: the South, and that they couldn't bear the thought of

1425
01:14:53,640 --> 01:14:58,759
Speaker 2: these people suffering enough that they ended up relinquishing too easily.

1426
01:14:59,360 --> 01:14:59,519
Speaker 4: You know.

1427
01:15:00,000 --> 01:15:02,120
Speaker 2: I think that's what darrel in them, since they don't

1428
01:15:02,120 --> 01:15:05,720
Speaker 2: realize that he's trying to plan to keep Nagan locked

1429
01:15:05,800 --> 01:15:07,800
Speaker 2: up forever because it's up to Rick. Rick, wake up

1430
01:15:07,840 --> 01:15:10,360
Speaker 2: the next day, go I had to change of heart.

1431
01:15:10,760 --> 01:15:13,120
Speaker 2: I forgive him and I'm letting them free. And they're like,

1432
01:15:13,200 --> 01:15:15,240
Speaker 2: that's the nigga killed Glenn and you didn't ask me shit,

1433
01:15:15,400 --> 01:15:24,120
Speaker 2: So no anyway, you know, he tells Rick, I die

1434
01:15:24,200 --> 01:15:25,320
Speaker 2: for you. I would have died for a car.

1435
01:15:25,479 --> 01:15:25,800
Speaker 4: You know that.

1436
01:15:25,960 --> 01:15:28,040
Speaker 2: But you gotta hear me. You're chasing something for him

1437
01:15:28,520 --> 01:15:30,320
Speaker 2: that ain't meant to be. Man, you just gotta let

1438
01:15:30,400 --> 01:15:33,000
Speaker 2: him go, let him go. And he said that ship

1439
01:15:33,120 --> 01:15:36,519
Speaker 2: like let him go? How that ship cracked me up?

1440
01:15:37,120 --> 01:15:41,000
Speaker 2: You just gotta let him go, let him go, Like, nigga,

1441
01:15:41,560 --> 01:15:42,760
Speaker 2: what are you doing.

1442
01:15:44,520 --> 01:15:45,559
Speaker 5: Down in this plot hole?

1443
01:15:45,680 --> 01:15:47,560
Speaker 2: I actually might have this, h I actually might have

1444
01:15:47,680 --> 01:15:49,040
Speaker 2: this clip. Hold on, let me see if I can

1445
01:15:49,080 --> 01:15:51,880
Speaker 2: play it for y'all, because I don't know. Darryl's voice

1446
01:15:51,920 --> 01:15:52,760
Speaker 2: cracked me up here.

1447
01:15:55,320 --> 01:16:05,800
Speaker 4: If the only way we're getting out, damn it. You

1448
01:16:05,920 --> 01:16:10,240
Speaker 4: set that up too, and you really.

1449
01:16:10,160 --> 01:16:13,880
Speaker 5: Laying us on me, the other one that had to

1450
01:16:13,920 --> 01:16:14,960
Speaker 5: go chasing after her.

1451
01:16:16,200 --> 01:16:19,479
Speaker 4: And just let things be. You know what keeping neaging

1452
01:16:19,520 --> 01:16:23,360
Speaker 4: alive means to us? I know it's seen him. Dods

1453
01:16:23,600 --> 01:16:27,560
Speaker 4: er girl. I get why she can't accept it.

1454
01:16:27,880 --> 01:16:32,680
Speaker 7: I do, then her never coming to Alexandria, her hanging Greggy.

1455
01:16:32,439 --> 01:16:33,000
Speaker 5: The wish she did.

1456
01:16:33,080 --> 01:16:36,600
Speaker 4: I know, I'm not blind, he sures helping, acting like it.

1457
01:16:39,400 --> 01:16:41,240
Speaker 10: And you asked, would he'd be alive if it wasn't

1458
01:16:41,280 --> 01:16:44,600
Speaker 10: for Glenn, he wouldn't have found Glory, You wouldn't have

1459
01:16:44,600 --> 01:16:47,479
Speaker 10: found Carl, and he shows wouldn't have found any of us.

1460
01:16:50,200 --> 01:16:53,720
Speaker 4: He did that. What did you forget? Of course not.

1461
01:16:53,840 --> 01:16:55,760
Speaker 4: I think about it every damn day.

1462
01:16:57,280 --> 01:16:59,040
Speaker 1: And Maggie, I hate what I did to her, what

1463
01:16:59,120 --> 01:17:00,680
Speaker 1: I took from her, but what I had to do,

1464
01:17:01,160 --> 01:17:02,360
Speaker 1: she's doing what she has to them.

1465
01:17:02,720 --> 01:17:03,400
Speaker 4: You're okay with that?

1466
01:17:03,520 --> 01:17:04,519
Speaker 3: Why the hell would I be?

1467
01:17:05,400 --> 01:17:09,120
Speaker 4: You spared d White after Denise, after what he did

1468
01:17:09,200 --> 01:17:09,400
Speaker 4: to you?

1469
01:17:11,400 --> 01:17:14,760
Speaker 10: You mean locking me in a damn closet, breaking me

1470
01:17:14,840 --> 01:17:17,000
Speaker 10: around so I couldn't say nothing, And you got that

1471
01:17:17,040 --> 01:17:19,720
Speaker 10: guys sitting in the cell like a damn symbol to

1472
01:17:19,760 --> 01:17:21,040
Speaker 10: all the mouseholds who can't.

1473
01:17:20,840 --> 01:17:22,639
Speaker 5: Wait to see things go back to the way that they.

1474
01:17:22,560 --> 01:17:24,800
Speaker 4: Were in them alive. It's how we make sure it.

1475
01:17:27,040 --> 01:17:29,160
Speaker 4: Keeping them alive is giving them hope that it will.

1476
01:17:30,439 --> 01:17:31,599
Speaker 2: I'll tell you this much too.

1477
01:17:31,840 --> 01:17:34,000
Speaker 3: You can tell these motherfuckers in the same scene together.

1478
01:17:34,479 --> 01:17:35,960
Speaker 5: Oh yeah, they're they're in the scene.

1479
01:17:36,040 --> 01:17:39,200
Speaker 2: Compared to like Michean and that nigga thing I played earlier.

1480
01:17:39,760 --> 01:17:42,120
Speaker 2: You can just tell, like, that's what I'm talking about that.

1481
01:17:42,840 --> 01:17:45,120
Speaker 5: The pacing is the quicker pacing.

1482
01:17:45,479 --> 01:17:48,599
Speaker 2: Yeah, it's not. It's it's just more natural. Correct. Anyway,

1483
01:17:50,960 --> 01:17:51,920
Speaker 2: she came to camp.

1484
01:17:51,840 --> 01:17:54,439
Speaker 1: She was calming around and was just trying.

1485
01:17:56,280 --> 01:17:59,960
Speaker 2: Said she just couldn't live with any just like Ocean Sidney,

1486
01:18:01,840 --> 01:18:04,439
Speaker 2: this one nigga, this one Rick put it together. Ocera

1487
01:18:04,520 --> 01:18:07,120
Speaker 2: Side been killing the Saviors a nigga like a nigga

1488
01:18:07,160 --> 01:18:09,880
Speaker 2: you knew, and Darryl knew and Daryl didn't tell him.

1489
01:18:09,880 --> 01:18:14,200
Speaker 4: Sh right, Ocean Side.

1490
01:18:17,720 --> 01:18:22,360
Speaker 7: You said, Ocean Side killed those saviors the rod I'm

1491
01:18:22,400 --> 01:18:23,759
Speaker 7: saying they got what they deserved.

1492
01:18:26,240 --> 01:18:27,280
Speaker 4: You knew, Daryl.

1493
01:18:28,960 --> 01:18:29,439
Speaker 5: Mm hmmm.

1494
01:18:30,000 --> 01:18:32,240
Speaker 4: Truth is, I couldn't live with anither.

1495
01:18:34,560 --> 01:18:38,040
Speaker 8: If this doesn't work, if she kills he can he becomes.

1496
01:18:37,720 --> 01:18:40,960
Speaker 4: The martyr the boys for nothing. Every person who died

1497
01:18:41,000 --> 01:18:41,639
Speaker 4: died for nothing.

1498
01:18:42,600 --> 01:18:51,280
Speaker 10: Yeah yeah, Coral, Carl, what about the rest of us.

1499
01:18:53,040 --> 01:18:54,880
Speaker 10: You don't think after all the ship we've been through,

1500
01:18:55,000 --> 01:18:55,800
Speaker 10: we couldn't handle it.

1501
01:18:59,760 --> 01:19:02,200
Speaker 4: And if she's asking us to have faith in all

1502
01:19:02,240 --> 01:19:06,719
Speaker 4: these other people. She says, you don't have enough faith

1503
01:19:06,760 --> 01:19:16,479
Speaker 4: in us. You know that's that's not true. I died

1504
01:19:16,520 --> 01:19:24,680
Speaker 4: for you, and I would have died for Karl, you know.

1505
01:19:30,160 --> 01:19:31,040
Speaker 4: But you gotta hear me.

1506
01:19:33,520 --> 01:19:36,439
Speaker 10: You're chasing something for him that ain't not the Beamon.

1507
01:19:41,880 --> 01:19:46,640
Speaker 4: You just gotta let him go. Let them go.

1508
01:19:49,080 --> 01:19:50,479
Speaker 2: I don't know why that ship cracked me up the

1509
01:19:50,479 --> 01:19:51,479
Speaker 2: way he said it the second time.

1510
01:19:51,720 --> 01:19:52,120
Speaker 4: Let him go.

1511
01:19:52,400 --> 01:19:56,679
Speaker 5: And also one of the things where I'm thinking about

1512
01:19:57,040 --> 01:19:59,680
Speaker 5: when he was saying that you didn't have faith in us,

1513
01:19:59,800 --> 01:20:04,360
Speaker 5: that's not true because if he didn't have faith in you,

1514
01:20:04,800 --> 01:20:06,760
Speaker 5: why would he put you over to save yous?

1515
01:20:06,880 --> 01:20:09,000
Speaker 2: Like not funny If he didn't have faith in you

1516
01:20:09,160 --> 01:20:12,040
Speaker 2: and your capabilities, he had a lot of faith in

1517
01:20:12,120 --> 01:20:15,679
Speaker 2: his people. It depends on how you define faith, because

1518
01:20:15,680 --> 01:20:18,040
Speaker 2: you're defining it as he believes that you'll carry out

1519
01:20:18,120 --> 01:20:20,880
Speaker 2: his orders and have restraint and all this shit. I

1520
01:20:21,000 --> 01:20:23,920
Speaker 2: think Darrel's defining it as faith is you'll listen to us,

1521
01:20:24,920 --> 01:20:26,519
Speaker 2: like if you have faith in us, when we keep

1522
01:20:26,600 --> 01:20:28,600
Speaker 2: telling you we need to kill Ningan, you would be

1523
01:20:28,720 --> 01:20:32,040
Speaker 2: like y'all said you need to kill Ninga. I don't

1524
01:20:32,040 --> 01:20:34,200
Speaker 2: think it's the best thing. But enough of y'all are

1525
01:20:34,280 --> 01:20:38,040
Speaker 2: upset about it that I'm just gonna do it. That's

1526
01:20:38,080 --> 01:20:41,080
Speaker 2: what he means by faith, okay, And that's why I

1527
01:20:41,160 --> 01:20:44,240
Speaker 2: think they're so hurt. Is you know you just spent

1528
01:20:44,320 --> 01:20:46,160
Speaker 2: the last two seasons is kind of not want to

1529
01:20:46,200 --> 01:20:48,519
Speaker 2: fight nigan and they were saying, we can win if

1530
01:20:48,560 --> 01:20:51,040
Speaker 2: we fight back. They turned out to be right. Then

1531
01:20:51,080 --> 01:20:52,439
Speaker 2: they win, and you want to keep this dude like

1532
01:20:52,439 --> 01:20:55,639
Speaker 2: a trophy, you know, some type of symbol, and he's like, nah,

1533
01:20:55,800 --> 01:20:59,160
Speaker 2: kill him, that's what the symbol is. And I don't

1534
01:20:59,280 --> 01:20:59,439
Speaker 2: you know.

1535
01:20:59,600 --> 01:21:01,200
Speaker 3: This week was the first week where I was like,

1536
01:21:01,320 --> 01:21:02,240
Speaker 3: I don't think they're wrong.

1537
01:21:02,439 --> 01:21:06,599
Speaker 2: That's a good point, Like maybe for something, there has

1538
01:21:06,680 --> 01:21:09,519
Speaker 2: to be something for people like him that they don't

1539
01:21:09,560 --> 01:21:11,280
Speaker 2: get to move on with everybody else. And if his

1540
01:21:11,400 --> 01:21:14,240
Speaker 2: people got a problem with him to act up, then

1541
01:21:14,240 --> 01:21:23,639
Speaker 2: they could catch these hands too. Anyway, So then while

1542
01:21:23,720 --> 01:21:27,040
Speaker 2: this is happening, because then that rick also ends it

1543
01:21:27,120 --> 01:21:31,240
Speaker 2: with I never asked anyone to follow me, and then

1544
01:21:31,840 --> 01:21:34,000
Speaker 2: Darrell says, well, maybe you should have, which I thought

1545
01:21:34,120 --> 01:21:37,519
Speaker 2: was actually a good line mm hmmm, because it's basically

1546
01:21:37,760 --> 01:21:41,200
Speaker 2: saying like you just do whatever the fuck you want.

1547
01:21:41,240 --> 01:21:44,160
Speaker 2: To do kind of, and maybe if you had asked

1548
01:21:44,200 --> 01:21:48,240
Speaker 2: people to follow you as opposed to just you know,

1549
01:21:48,920 --> 01:21:51,439
Speaker 2: like not really being the leader and shit kind of

1550
01:21:51,520 --> 01:21:53,759
Speaker 2: quasi being the leader, maybe wouldn't be in the situation,

1551
01:21:54,160 --> 01:22:00,320
Speaker 2: you know. Anyway, So Carol's preparing to lead you go

1552
01:22:00,400 --> 01:22:02,040
Speaker 2: back to the Kingdom, and some savings come out of

1553
01:22:02,080 --> 01:22:05,680
Speaker 2: the woods, led byb Coors Jed from last week the

1554
01:22:05,840 --> 01:22:12,880
Speaker 2: new Loose Cannon, and he says Carol, he has a

1555
01:22:12,960 --> 01:22:16,439
Speaker 2: gun now, and he says Carol got lucky stabbing him,

1556
01:22:16,520 --> 01:22:19,559
Speaker 2: which we're like, nigga, it's like saying Michael Jordan got

1557
01:22:19,680 --> 01:22:21,559
Speaker 2: lucky hitting the game winning shots. She could have sucked

1558
01:22:21,560 --> 01:22:24,240
Speaker 2: you up at any time, right, And then they have

1559
01:22:24,320 --> 01:22:27,080
Speaker 2: a couple of guns and they're like, at Carol's, where'd

1560
01:22:27,080 --> 01:22:28,439
Speaker 2: you like where you get the guns from? He said,

1561
01:22:28,439 --> 01:22:31,360
Speaker 2: well they are and all as fast as you surprisingly,

1562
01:22:31,640 --> 01:22:33,840
Speaker 2: or something like that, because you still think she's just

1563
01:22:33,880 --> 01:22:37,519
Speaker 2: an old lady. And then he's figured out. He's like,

1564
01:22:37,640 --> 01:22:39,840
Speaker 2: you're going back to the Kingdom. You're not coming up

1565
01:22:40,320 --> 01:22:43,080
Speaker 2: to the sanctuary anyway, so what the fuck do you care?

1566
01:22:43,520 --> 01:22:46,040
Speaker 2: We want some guns, And I think they wanted to

1567
01:22:46,040 --> 01:22:48,360
Speaker 2: get the supplies or something. Like that, and so they

1568
01:22:48,400 --> 01:22:51,800
Speaker 2: got the keys from UH and they wanted revenge because

1569
01:22:51,800 --> 01:22:53,519
Speaker 2: he figured out the Ocean Side have been killing them.

1570
01:22:54,040 --> 01:22:55,760
Speaker 2: So he's like, we need guns to protect us from

1571
01:22:55,800 --> 01:22:58,120
Speaker 2: Ocera Side. We know they the ones that's been killing us.

1572
01:22:58,479 --> 01:23:01,280
Speaker 2: We put two or two together, which is funny because

1573
01:23:01,320 --> 01:23:04,519
Speaker 2: the show is so painstakingly like show, how everything is

1574
01:23:04,600 --> 01:23:08,519
Speaker 2: figured out, everyone does stuff, and yet somehow we didn't

1575
01:23:08,560 --> 01:23:11,000
Speaker 2: get the background to how Jed's dumb ass figured out

1576
01:23:11,040 --> 01:23:12,439
Speaker 2: that it was Ocean Side killing him.

1577
01:23:12,680 --> 01:23:14,320
Speaker 5: Nobody said anything, and I.

1578
01:23:14,439 --> 01:23:16,720
Speaker 2: Really and I mean, now it would make sense too,

1579
01:23:16,800 --> 01:23:18,680
Speaker 2: because I can see a way you would figure it

1580
01:23:18,760 --> 01:23:21,360
Speaker 2: out who which Sabers got killed.

1581
01:23:23,200 --> 01:23:24,360
Speaker 3: So if you find out that.

1582
01:23:25,240 --> 01:23:28,040
Speaker 2: Justin was one of the people that is Simon's crew

1583
01:23:28,160 --> 01:23:29,960
Speaker 2: and the Riot was one of the people in Simon's cruse,

1584
01:23:30,240 --> 01:23:31,880
Speaker 2: then it would make sense that you would be like, nah,

1585
01:23:31,960 --> 01:23:34,200
Speaker 2: these are targeted killings of people that participated in the

1586
01:23:34,240 --> 01:23:38,000
Speaker 2: Ocean Side massacre. We know this is revenge, right, but

1587
01:23:38,120 --> 01:23:40,040
Speaker 2: they could have just I mean, all the scenes of

1588
01:23:40,120 --> 01:23:42,880
Speaker 2: a Pitton arguing over and over. I'd rather see that, right,

1589
01:23:43,400 --> 01:23:47,280
Speaker 2: all right? So then yeah, some sleuthing from Jed and

1590
01:23:47,720 --> 01:23:50,320
Speaker 2: DJ or JB or whatever his name was. So then

1591
01:23:52,200 --> 01:23:57,519
Speaker 2: Jed tells Carol to step aside, She puts her gun down,

1592
01:23:57,560 --> 01:24:00,640
Speaker 2: steps aside, he grabs her keys off her belt, and

1593
01:24:00,720 --> 01:24:02,479
Speaker 2: then he walks past her. And that's when she kicks

1594
01:24:02,520 --> 01:24:04,000
Speaker 2: him in the leg and knocks him outside the head

1595
01:24:04,080 --> 01:24:06,840
Speaker 2: with a gun, because how many times are you going

1596
01:24:07,000 --> 01:24:10,720
Speaker 2: to get lucy with the football with Carol? She's not

1597
01:24:10,800 --> 01:24:12,080
Speaker 2: an old lady, right.

1598
01:24:12,160 --> 01:24:16,360
Speaker 5: And the thing is she did it because her things like, Okay,

1599
01:24:16,439 --> 01:24:18,800
Speaker 5: I don't want to shoot out, so I'm gonna listen

1600
01:24:18,840 --> 01:24:21,360
Speaker 5: to you, and a whole her face the whole time

1601
01:24:21,520 --> 01:24:24,240
Speaker 5: was like I really should fuck you up, but I'm

1602
01:24:24,280 --> 01:24:27,479
Speaker 5: gonna hoole restraint because I don't want to fucking shoot

1603
01:24:27,640 --> 01:24:30,400
Speaker 5: like her things like I don't want a shootout, like please,

1604
01:24:30,439 --> 01:24:33,000
Speaker 5: don't make me fuck you up. Mm hmm.

1605
01:24:33,320 --> 01:24:36,200
Speaker 2: And that's exactly what happened, because soon as he dropped

1606
01:24:36,200 --> 01:24:38,559
Speaker 2: his guard to try to walk past her, this nigga

1607
01:24:38,560 --> 01:24:39,439
Speaker 2: got fucked up again.

1608
01:24:39,800 --> 01:24:41,360
Speaker 5: Come on, you ain't learned yet?

1609
01:24:41,720 --> 01:24:42,679
Speaker 2: What an idiot?

1610
01:24:43,360 --> 01:24:43,519
Speaker 5: Oh?

1611
01:24:43,840 --> 01:24:48,040
Speaker 2: So he gets fucked up Carol. Then like the all

1612
01:24:48,080 --> 01:24:50,600
Speaker 2: the savings are turning around, others come out of the

1613
01:24:50,800 --> 01:24:52,720
Speaker 2: out of the woods. They don't have guns they come

1614
01:24:52,760 --> 01:24:55,240
Speaker 2: out of the woods, and I think Caroll even says like,

1615
01:24:55,280 --> 01:24:59,120
Speaker 2: don't shoot or something like that, but she they do

1616
01:24:59,280 --> 01:25:03,080
Speaker 2: end up shooting. The gunshot goes off. This now has

1617
01:25:03,160 --> 01:25:08,160
Speaker 2: attracted those two Shakespearean herds to merge into one and

1618
01:25:08,280 --> 01:25:11,639
Speaker 2: come into that direction, and they could overrun the camp

1619
01:25:11,840 --> 01:25:15,240
Speaker 2: all this stuff. Rick and Darryl hear it. They all

1620
01:25:15,280 --> 01:25:17,040
Speaker 2: of a sudden, we need to stop bullshiting and get

1621
01:25:17,040 --> 01:25:18,920
Speaker 2: out of this hole because zombies could fall in it.

1622
01:25:19,600 --> 01:25:23,000
Speaker 2: They there's the longest exacerbated scene of them.

1623
01:25:23,640 --> 01:25:26,680
Speaker 5: Motherfucking zombies was a slipping slide in them as well

1624
01:25:26,720 --> 01:25:27,800
Speaker 5: bit a goddamn water park.

1625
01:25:27,880 --> 01:25:31,600
Speaker 2: It was hilarious. Yeah, it's like Darryl lifts Rick up

1626
01:25:31,720 --> 01:25:33,840
Speaker 2: Rick uses the roots to try to climb out.

1627
01:25:34,040 --> 01:25:40,360
Speaker 5: They might as well have what was that they slipping

1628
01:25:40,400 --> 01:25:41,360
Speaker 5: sliding past them?

1629
01:25:42,080 --> 01:25:47,920
Speaker 2: Yeah, and so Daryl's lists Rick up Rick used the

1630
01:25:48,000 --> 01:25:50,400
Speaker 2: roots to climb out and then reach back down to

1631
01:25:50,439 --> 01:25:53,000
Speaker 2: get Darryl. Meanwhile, zombies are like falling in the pit,

1632
01:25:53,439 --> 01:25:55,560
Speaker 2: piling up. Daryl's killing them walking on top of the

1633
01:25:55,600 --> 01:25:58,680
Speaker 2: courses the climb. It's just a big ass like this

1634
01:25:58,760 --> 01:26:01,120
Speaker 2: will be a cool zombie thing to do this week.

1635
01:26:01,280 --> 01:26:06,320
Speaker 3: Zombies and old one. We've done this before. Two not

1636
01:26:06,479 --> 01:26:06,880
Speaker 3: that cool.

1637
01:26:07,520 --> 01:26:10,280
Speaker 2: I would have rather something else. I would have rather

1638
01:26:10,560 --> 01:26:14,479
Speaker 2: something else. So then they get out and then they

1639
01:26:14,560 --> 01:26:18,599
Speaker 2: split up. Daryl's gonna go back to the camp. Rick's

1640
01:26:18,640 --> 01:26:21,280
Speaker 2: gonna try to lead the zombies away from the camp

1641
01:26:21,360 --> 01:26:24,479
Speaker 2: and away from the bridge. And he because he's he

1642
01:26:24,600 --> 01:26:28,560
Speaker 2: feels like the bridges that only hope to uh to

1643
01:26:28,960 --> 01:26:32,240
Speaker 2: uh to to win or whatever, like the bridge is

1644
01:26:32,280 --> 01:26:34,559
Speaker 2: the only thing they can save them, and they work

1645
01:26:34,640 --> 01:26:37,200
Speaker 2: so hard and if there's even a slight chance that

1646
01:26:37,320 --> 01:26:43,360
Speaker 2: the the bridge can you know, overcome the current, he

1647
01:26:43,520 --> 01:26:46,200
Speaker 2: has to give it to him. Daryl's like, use the bridge.

1648
01:26:46,400 --> 01:26:49,000
Speaker 2: Take the zombie group on the bridge. The fucking bridge

1649
01:26:49,000 --> 01:26:51,679
Speaker 2: will collapse, the zombies will fall in and you'll be safe.

1650
01:26:52,120 --> 01:26:55,800
Speaker 5: And Rick's like, not want the bridge to go down,

1651
01:26:55,840 --> 01:26:56,960
Speaker 5: but I think the bridge is going to be and

1652
01:26:57,080 --> 01:26:57,799
Speaker 5: washed you way anyway?

1653
01:26:58,200 --> 01:26:58,439
Speaker 4: Yeah?

1654
01:26:58,880 --> 01:27:01,840
Speaker 2: Or yeah that or if it's stands, they'll name it

1655
01:27:01,920 --> 01:27:05,519
Speaker 2: after Rick, the Rick Grinds Bridge. I don't know. So

1656
01:27:06,280 --> 01:27:09,759
Speaker 2: they end up splitting up, and it's funny because Rick's

1657
01:27:09,760 --> 01:27:15,200
Speaker 2: are like, you know, Darrel's like fine, hey be safe,

1658
01:27:15,479 --> 01:27:17,479
Speaker 2: and then Daryl's like, I mean, Rick's like you too.

1659
01:27:17,960 --> 01:27:21,599
Speaker 5: Yeah, they did that when Rick was coming at the home.

1660
01:27:21,640 --> 01:27:23,880
Speaker 5: When Rick was reaching after, they were like, I got

1661
01:27:23,960 --> 01:27:25,200
Speaker 5: your brother something like yeah.

1662
01:27:25,640 --> 01:27:28,120
Speaker 3: It's like, that's so ridiculous with this shit.

1663
01:27:29,800 --> 01:27:32,040
Speaker 2: White bro love so ridiculous, y'all.

1664
01:27:32,280 --> 01:27:35,080
Speaker 3: I'm like, stop fighting, Just stop fighting, y'all ain't gonna

1665
01:27:35,120 --> 01:27:35,599
Speaker 3: kill each other.

1666
01:27:36,479 --> 01:27:38,000
Speaker 2: It's like me and my brother. I was like, I'm

1667
01:27:38,000 --> 01:27:39,680
Speaker 2: gonna just stop fighting you because I can't kill you.

1668
01:27:39,880 --> 01:27:41,280
Speaker 2: And if I kill you, I'm gonna get in trouble.

1669
01:27:41,320 --> 01:27:44,840
Speaker 2: So let me just stop. Rick Lee some walkers to

1670
01:27:44,920 --> 01:27:47,200
Speaker 2: a fork in the road and then his horse gets spooked.

1671
01:27:47,240 --> 01:27:49,400
Speaker 2: He gets thrown off of his horse onto some concrete.

1672
01:27:49,720 --> 01:27:52,479
Speaker 2: The concrete has reebar sticking out of it those metal

1673
01:27:52,560 --> 01:27:56,000
Speaker 2: pipe things, and one of them impels him and he

1674
01:27:56,640 --> 01:27:59,680
Speaker 2: like screams out in agony. He's stuck impelled on this

1675
01:27:59,800 --> 01:28:04,439
Speaker 2: thing as the hot Virginia sun beams down on him

1676
01:28:04,520 --> 01:28:08,040
Speaker 2: and the two herds of walkers are converging right towards

1677
01:28:08,040 --> 01:28:10,479
Speaker 2: where he's at, and then we cut away to the

1678
01:28:10,760 --> 01:28:15,400
Speaker 2: to the credits. It was intense, and then the next

1679
01:28:15,520 --> 01:28:20,200
Speaker 2: week's prequel looks I mean see, uh, next week's preview

1680
01:28:20,280 --> 01:28:25,240
Speaker 2: looks like it's gonna be a total Rick Grimes masterpiece theater.

1681
01:28:25,840 --> 01:28:28,519
Speaker 5: Yeah, and I don't know like what they're gonna do,

1682
01:28:28,640 --> 01:28:31,320
Speaker 5: but if they're gonna actually kill the character off, like

1683
01:28:31,439 --> 01:28:34,360
Speaker 5: like nobody, it doesn't mean they're gonna kill the character off.

1684
01:28:34,400 --> 01:28:36,280
Speaker 5: Who knows what they're gonna do, but everybodys assume he's

1685
01:28:36,280 --> 01:28:39,360
Speaker 5: gonna die. He might not die, who knows. But if

1686
01:28:39,560 --> 01:28:41,840
Speaker 5: I think that if they're going to kill the character off,

1687
01:28:42,800 --> 01:28:45,800
Speaker 5: they're gonna do him justice, Like you know, it's gonna

1688
01:28:45,800 --> 01:28:47,960
Speaker 5: be similar to the car episode with the whole episode

1689
01:28:47,960 --> 01:28:49,360
Speaker 5: will be nothing but dedicated to you.

1690
01:28:50,120 --> 01:28:53,240
Speaker 2: Yeah, Like it looks like they're gonna go through memory lane.

1691
01:28:53,280 --> 01:28:56,240
Speaker 2: They're gonna have all the old actors, They're gonna like

1692
01:28:56,560 --> 01:28:59,000
Speaker 2: it's gonna be a lot of symbolism and shit, I

1693
01:28:59,080 --> 01:29:02,160
Speaker 2: actually think what's funny is as much as I did

1694
01:29:02,280 --> 01:29:05,639
Speaker 2: not like this episode, I actually look at the next

1695
01:29:05,680 --> 01:29:10,040
Speaker 2: episode like, oh that might be lit. Yeah, like very symbolic.

1696
01:29:09,640 --> 01:29:11,760
Speaker 5: Type of It looks like they're gonna spend a lot

1697
01:29:11,920 --> 01:29:14,519
Speaker 5: Like you said that elevated because the next episode is

1698
01:29:14,840 --> 01:29:17,920
Speaker 5: probably what they spent a huge chunk of the budget,

1699
01:29:18,160 --> 01:29:19,120
Speaker 5: a lot of graphics.

1700
01:29:19,560 --> 01:29:22,040
Speaker 3: I don't even know how or how we could recap it.

1701
01:29:22,120 --> 01:29:25,639
Speaker 2: We'll see it might be unrecappable, like it's a chance

1702
01:29:25,760 --> 01:29:27,880
Speaker 2: that is, yeah, I mean because it might be a

1703
01:29:28,000 --> 01:29:29,679
Speaker 2: chance where they don't actually move a plot.

1704
01:29:29,560 --> 01:29:31,240
Speaker 3: Forward in any real tangible way.

1705
01:29:31,320 --> 01:29:34,360
Speaker 2: It's just too dedicated to going back through memory lane

1706
01:29:34,400 --> 01:29:36,200
Speaker 2: of just Rick Grimes the best.

1707
01:29:36,040 --> 01:29:39,200
Speaker 5: Of nine episode I mean nine seasons.

1708
01:29:39,400 --> 01:29:41,639
Speaker 2: Yeah, so I don't know what's gonna happen, but I'm

1709
01:29:41,680 --> 01:29:43,800
Speaker 2: looking forward to it. Let's look at y'alls emails. We

1710
01:29:43,880 --> 01:29:47,599
Speaker 2: only got one, which makes sense because this episode did

1711
01:29:47,680 --> 01:29:50,360
Speaker 2: not leave a lot to talk about in my opinion. Uh,

1712
01:29:50,840 --> 01:29:53,280
Speaker 2: eve E says high rid of Karen, it be your

1713
01:29:53,320 --> 01:29:58,280
Speaker 2: own horse. It do be on horse. Rick is over

1714
01:29:58,400 --> 01:30:00,679
Speaker 2: too with these damn horses. Got stuff fucking with shit.

1715
01:30:00,880 --> 01:30:02,479
Speaker 5: I know the other dude got kicked in the chest.

1716
01:30:03,360 --> 01:30:06,120
Speaker 2: Horses have been fucking shit up this season. First, can now?

1717
01:30:06,240 --> 01:30:06,400
Speaker 4: Rick?

1718
01:30:06,720 --> 01:30:08,960
Speaker 2: We were making fun of Darryl for Rodder motorcycle in

1719
01:30:09,000 --> 01:30:10,880
Speaker 2: the epop but how can you really blame him? Man?

1720
01:30:10,960 --> 01:30:11,960
Speaker 2: That's a good point. Yeah.

1721
01:30:12,120 --> 01:30:14,080
Speaker 5: Yeah, And on top of that, I remember, yeah, Rick

1722
01:30:14,200 --> 01:30:15,400
Speaker 5: came into Atlanta.

1723
01:30:15,080 --> 01:30:17,040
Speaker 2: On the horse. That horse gave That's what I'm saying.

1724
01:30:17,280 --> 01:30:21,120
Speaker 2: He fell off that horse. It bucked, he hit his

1725
01:30:21,240 --> 01:30:23,960
Speaker 2: head and then was under that that tank.

1726
01:30:24,520 --> 01:30:26,439
Speaker 5: I guess. I guess the second horse was smart, because

1727
01:30:26,479 --> 01:30:28,120
Speaker 5: that bitch galloped the way. We ain't see that horse

1728
01:30:28,240 --> 01:30:28,439
Speaker 5: no more.

1729
01:30:28,800 --> 01:30:31,160
Speaker 2: I hope all the bad Saviors have finally been eliminated.

1730
01:30:31,240 --> 01:30:33,760
Speaker 2: They should have been killed right after the war, execution style.

1731
01:30:33,840 --> 01:30:38,040
Speaker 2: Good riddance to all those motherfuckers. Ev E. Yeah. I

1732
01:30:38,120 --> 01:30:40,320
Speaker 2: think they should have maybe exiled him or something. I

1733
01:30:40,439 --> 01:30:42,519
Speaker 2: just don't see how the Saviors can work as a

1734
01:30:42,600 --> 01:30:48,479
Speaker 2: concept in this, you know, coalition, that nobody's able to

1735
01:30:49,600 --> 01:30:52,120
Speaker 2: see the bigger picture and work through it in the

1736
01:30:52,160 --> 01:30:56,200
Speaker 2: way that Rick is, you know, right, Like you can

1737
01:30:56,280 --> 01:30:58,519
Speaker 2: count on one hand all the people that's down with

1738
01:30:58,640 --> 01:30:59,280
Speaker 2: Rick's playing it.

1739
01:30:59,600 --> 01:31:02,439
Speaker 3: Even his friends like Carol are like, I feel what

1740
01:31:02,520 --> 01:31:03,000
Speaker 3: you're trying to.

1741
01:31:03,000 --> 01:31:12,440
Speaker 5: Do, But nah, this ain't this, ain't it him and Aaron, Yeah, yeah, Aaron.

1742
01:31:10,760 --> 01:31:14,200
Speaker 2: And yeah, it's like Aaron and Carol and and of

1743
01:31:14,320 --> 01:31:20,880
Speaker 2: course you know he's always with.

1744
01:31:20,920 --> 01:31:22,920
Speaker 5: The peaceful Well, of course he's gonna buy in, but

1745
01:31:23,040 --> 01:31:23,439
Speaker 5: the rest of the.

1746
01:31:23,520 --> 01:31:28,840
Speaker 2: Motherfuckers ain't ship. So all right, guys, that's it, uh

1747
01:31:29,120 --> 01:31:33,120
Speaker 2: for this episode. We'll be back later until next time.

1748
01:31:33,400 --> 01:31:33,840
Speaker 2: I love you