WEBVTT - Olga Janina: “La Cosaque”

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<v Speaker 1>Welcome to Criminalia, a production of Shonda Land Audio in

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<v Speaker 1>partnership with I Heart Radio. Hello, and welcome to another

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<v Speaker 1>episode of Criminalia. This season, we're exploring the lives and

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<v Speaker 1>motivations of some of the most notorious stalkers throughout history.

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<v Speaker 1>I'm Maria Tremarqi and I'm Holly Fry. Today we are

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<v Speaker 1>going to talk about a woman named Olga Janina, and

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<v Speaker 1>although she was a pianist herself, Olga is probably best

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<v Speaker 1>known for her obsession with one of the greatest pianists

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<v Speaker 1>of all time, Franz List. Before we can really get

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<v Speaker 1>into olga story, we actually need to talk about List

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<v Speaker 1>because you need to know about who he was to

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<v Speaker 1>understand how we get to this Stocking story. List was

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<v Speaker 1>born in October of eighteen eleven, and he was born

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<v Speaker 1>in a small town in Hungary, which actually after World

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<v Speaker 1>War One and became part of Austria. He was a

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<v Speaker 1>child prodigy, and his father was inspired by the life

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<v Speaker 1>of another child prodigy, whom you know as wolf Gang

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<v Speaker 1>Amadeus Mozart. He moved to the family to Vienna, where

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<v Speaker 1>his son could study with the great composers and pianists

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<v Speaker 1>of the time, including Mozart's rival Antonio Saltieri. About a

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<v Speaker 1>year later, the family moved to Paris, where lists father

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<v Speaker 1>thought there would be more opportunity for his son to

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<v Speaker 1>play and learn. On March nine of eighteen thirty two,

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<v Speaker 1>List for the first time saw a performance by violinist

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<v Speaker 1>Niccolo Paganini. And we know that specific date because this

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<v Speaker 1>was a magical moment for List, who was about twenty

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<v Speaker 1>one is years old at the time, and this was

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<v Speaker 1>the moment that he knew he could and would push

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<v Speaker 1>himself to become a virtuoso pianist. Between eighteen thirty nine

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<v Speaker 1>to eighteen forty seven, which puts him between the ages

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<v Speaker 1>of twenty and thirty six, List did indeed become known

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<v Speaker 1>as a virtuoso pianist, which means he was a master

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<v Speaker 1>at his craft. And it's this period that solidified him

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<v Speaker 1>as the greatest pianist of all time. And we're talking

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<v Speaker 1>about then and still today. And Liszt was part of

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<v Speaker 1>the movement known as the Romantic Era. We've talked about

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<v Speaker 1>this a little before. It fell between eighteen fifteen and

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<v Speaker 1>nineteen ten, and artists during this time, including composers, were

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<v Speaker 1>establishing new stylistic and technical standards, and List became a

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<v Speaker 1>major influence in this movement. His works had a measurable

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<v Speaker 1>impact not only during the nineteenth century, but also on

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<v Speaker 1>how classical music has been composed and performed ever since.

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<v Speaker 1>Some of the other more recognizable names of this era,

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<v Speaker 1>just to give you some context, are Mendelssohn, Brahms, and Tschaikovsky.

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<v Speaker 1>During his lifetime, List was considered to be bombastic, both

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<v Speaker 1>in his art and how he lived his life, And

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<v Speaker 1>that word bombastic comes up all the time when you're

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<v Speaker 1>researching him. It's every book. I feel like if you

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<v Speaker 1>did a list drinking game with bombastic, you would be

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<v Speaker 1>a train wreck. At the end of each chap, you'd

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<v Speaker 1>be staying over you can. So he was talented, and

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<v Speaker 1>he was influential as a composer, a pianist, teacher, conductor.

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<v Speaker 1>I mean, the list is huge. He was even an author.

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<v Speaker 1>But perhaps above all of that, he was a talented showman,

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<v Speaker 1>and he was known to have a larger than life personality.

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<v Speaker 1>His performances became a combination of skill and flamboyance. So

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<v Speaker 1>most people probably don't think about classical music and musicians

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<v Speaker 1>in this way, but List was super famous. If you're

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<v Speaker 1>wondering just how famous we mean. He inspired something that

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<v Speaker 1>became known as list Domania. Yes, just like Beatlemania. It

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<v Speaker 1>was more than a century before the Beatles. Like this

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<v Speaker 1>really is the first hyper attentive of manic fandom. Right,

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<v Speaker 1>this is the thing. This is the first time that

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<v Speaker 1>people went nuts. And his concerts were part of this

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<v Speaker 1>because they were like nothing that anyone had seen before. Right, So,

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<v Speaker 1>before List, it was considered to be in bad taste

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<v Speaker 1>if a musician played a song from memory. There's an

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<v Speaker 1>anecdote actually that we came across where Chopin, who was

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<v Speaker 1>actually a very good friend of List, He's quoted saying

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<v Speaker 1>that playing from memory was arrogant and that doing so

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<v Speaker 1>would make it appear that you were pretending that the

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<v Speaker 1>composition you were playing was one of your own. But

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<v Speaker 1>list List did not rely on sheet music because with

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<v Speaker 1>the way he played, reading from a page would have

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<v Speaker 1>been a difficult proposition. But it was also a really

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<v Speaker 1>good way to cause a big stir. Yeah, Chopin, bless him,

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<v Speaker 1>was so reserved. I could see where he would be like, frauds,

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<v Speaker 1>what are you doing? Have another beer? Like I'm playing right,

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<v Speaker 1>Because he thought that his performances should be more than

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<v Speaker 1>a recital. By the way, that term recital is something

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<v Speaker 1>that List coined. It seems kind of in the pejorative,

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<v Speaker 1>but he really viewed his shows as theatrical events that

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<v Speaker 1>were more than just the music. And if playing from

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<v Speaker 1>memory was bad, who then this was the worse. Unlike

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<v Speaker 1>any other pianist in his day or before him, Liz

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<v Speaker 1>played his piano in such a way on stage that

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<v Speaker 1>the audience could see his face while he was playing

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<v Speaker 1>for them. Oh my god, you know I was reading that.

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<v Speaker 1>He actually also was the first person to walk from

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<v Speaker 1>the wings out to sit down on his piano, and

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<v Speaker 1>that too was scandal Like. I will say this, if

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<v Speaker 1>you've looked at historical portraits of List, particularly in his

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<v Speaker 1>younger years, you would want to look at that face

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<v Speaker 1>as much as possible. He was incredibly beautiful. Yes, and

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<v Speaker 1>the long locks in any way, we'll get going. We're

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<v Speaker 1>just gonna wax rhapsodic about the handsomeness of Franz. I'm

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<v Speaker 1>pretty sure I would have been a groupie myself. Um So,

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<v Speaker 1>in addition to facing the audience when he played for them,

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<v Speaker 1>he was also very physical when he played the piano,

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<v Speaker 1>and like I said, he had long walks, and his

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<v Speaker 1>long hair would often become slick with sweat, and he'd

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<v Speaker 1>whip it around as he played, and I kind of

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<v Speaker 1>like to think that it was kind of early headbanging

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<v Speaker 1>that was going on behind the piano. It would be

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<v Speaker 1>accurate to say that. List Ultimately, he just captivated his audience.

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<v Speaker 1>So women swooned and they screamed, and allegedly they threw

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<v Speaker 1>their nineteenth century under garments at him during his performance,

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<v Speaker 1>although that had to be kind of a a bit

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<v Speaker 1>to get off, right. That's a tricky proposition. If you've

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<v Speaker 1>never worn pantlets and a sit over it, you know

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<v Speaker 1>they don't just like, it's not an easy undressing situation.

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<v Speaker 1>That's not just coming through your sleeve like you know,

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<v Speaker 1>um okay. So, for example, one woman who was sort

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<v Speaker 1>of skulking around him and she ended up pouring the

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<v Speaker 1>remaining tea from his teacup into her scent bottle, which

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<v Speaker 1>was popular at the time. He carried with you. It

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<v Speaker 1>wasn't something weird, and just like more modern artists on

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<v Speaker 1>the celebrity level of say like a Mick Jagger or

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<v Speaker 1>a David Bowie, there were stories of women not just

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<v Speaker 1>throwing their clothing onto the stage, but also stealing things

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<v Speaker 1>from him, like that tea and his teacup, or you know,

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<v Speaker 1>slightly chopping locks of his hair off so he wouldn't notice,

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<v Speaker 1>or taking just whatever they could get their hands on

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<v Speaker 1>from him. Yeah, I I feel like I have read

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<v Speaker 1>accounts where even things like cigarette butts that he had

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<v Speaker 1>touched they would take yep, and like in their cleavage

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<v Speaker 1>and like, because yeah, I read the same thing. It

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<v Speaker 1>was obsessive mania, for sure. They screamed and swooned. And

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<v Speaker 1>it might not surprise you that among all of the

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<v Speaker 1>things he was, including all of those very productive and

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<v Speaker 1>artistic accomplishments, he was also really polarizing. Yeah, a little

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<v Speaker 1>bit scooch. His friend German composer Ludwig von Beethoven called him,

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<v Speaker 1>and we're quoting young Turk, because of the rebellious and

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<v Speaker 1>revolutionary way that he had about him. Clara Schumann, who

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<v Speaker 1>is regarded as one of the most distinguished pianists of

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<v Speaker 1>the Romantic era, dismissed him as and this is a

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<v Speaker 1>great quote that we both love, the smasher of pianos.

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<v Speaker 1>And that is a great quote because he actually was

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<v Speaker 1>a smatcher of pianos. His aggressive playing style came to

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<v Speaker 1>be known as and I'm gonna quote this musical combat.

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<v Speaker 1>So imagine you're watching him facing you from the stage,

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<v Speaker 1>and this is going on, and it looked like he

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<v Speaker 1>was attacking his instrument when he played, and he would

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<v Speaker 1>often break the strings of pianos and damage the keys.

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<v Speaker 1>As an interesting aside, pianos were actually a little bit

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<v Speaker 1>more delicate than than they are today, but it's not

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<v Speaker 1>like they were made out of cardboard piano. But you

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<v Speaker 1>can also thank his performances for being the inspiration for

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<v Speaker 1>manufacturers to improve and FOURTI five piano construction. And there

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<v Speaker 1>is an account about his playing style that was relayed

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<v Speaker 1>after someone had witnessed a performance he gave in Vienna.

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<v Speaker 1>So imagine you have a ticket to see the amazing

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<v Speaker 1>fronts list, and you enter the theater and you find

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<v Speaker 1>your seat, and as you settle in, you notice that

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<v Speaker 1>on stage there are three pianos. Will there be guest artists?

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<v Speaker 1>You might wonder m guests, but not so much. Liszt

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<v Speaker 1>would use all three pianos, playing one after the other,

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<v Speaker 1>as he broke each of the first two with his

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<v Speaker 1>dynamic and very passionate technique. In a letter to one

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<v Speaker 1>of his mistresses, he wrote a out that show and

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<v Speaker 1>he wrote, quote, my concert has just finished. Enthusiasm impossible

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<v Speaker 1>to describe. That night he received eighteen curtain calls, and

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<v Speaker 1>then he was ultimately carried out of the theater by

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<v Speaker 1>his adoring fans. Eighteen curtain goals. That that concert go

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<v Speaker 1>on to like four in the morning, like you know, right,

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<v Speaker 1>So no one had seen anything like this before, and

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<v Speaker 1>the ever growing hysteria that surrounded List became known, as

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<v Speaker 1>we mentioned earlier, as listomania. So besides destroying pianos that

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<v Speaker 1>we really can't be sure if he also vandalized hotel rooms,

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<v Speaker 1>as one might do today. There's never any mention of it.

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<v Speaker 1>I believe he was polite to hotel I believe he

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<v Speaker 1>was too. I did see that he was polite to

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<v Speaker 1>people who he rode with as well in carriages. I

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<v Speaker 1>think it was just the pianos that he took it

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<v Speaker 1>all out on. We are going to take a quick

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<v Speaker 1>break here, but when we come back, we are going

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<v Speaker 1>to start talking about the groupies that all of this

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<v Speaker 1>bombastic playing attracted. Welcome back to Criminaliot. So let's talk

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<v Speaker 1>now about nineteen century rock stars and their groupies. So

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<v Speaker 1>there were ways in which Frant's list lived up to

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<v Speaker 1>the rock star image. Even then, he was a bit

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<v Speaker 1>of a playboy and he had numerous liaisons with women.

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<v Speaker 1>He never married, but he did come close once. Of

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<v Speaker 1>his many affairs, there are two women that stood out

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<v Speaker 1>in his life, Marie Dagou and the Princess Caroline designed Wittgenstein.

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<v Speaker 1>Liszt and Marie were together for about a decade. They

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<v Speaker 1>actually had three children together, and when that relationship ended,

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<v Speaker 1>Marie decided to publish a then scandalous novel under the

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<v Speaker 1>male pseudonym Daniel Stern. So this is one of those

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<v Speaker 1>instances where it was fiction on a technicality, was very

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<v Speaker 1>thinly veiled fiction. It was real, but the names were

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<v Speaker 1>changed to right barely um. And then there was Caroline

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<v Speaker 1>and listed in Caroline were actually supposed to be married,

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<v Speaker 1>but that ceremony was called off on the eve of

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<v Speaker 1>the wedding because Caroline, who had been married previously, discovered

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<v Speaker 1>that her first marriage was still legally standing, at least

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<v Speaker 1>in the eyes of the church, which meant they could

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<v Speaker 1>not become with the next day. So enter Olga Olga

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<v Speaker 1>Janina was a cigar smoking feminist, although if we're being

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<v Speaker 1>period correct, which we should be, she was a proto feminist.

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<v Speaker 1>This was the time when the ground worked for feminism

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<v Speaker 1>as we know it today was just beginning to form.

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<v Speaker 1>She stood out for a couple of reasons, but they're

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<v Speaker 1>really just two big ones. Um. She preferred to wear

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<v Speaker 1>a jacket and trousers at a time when women didn't

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<v Speaker 1>wear trousers, and also for her bizarre behavior. Olga had

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<v Speaker 1>been notoriously unstable during the time in her life when

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<v Speaker 1>she lived in Budapest and now living in Paris, the

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<v Speaker 1>time that her life intersects would List, she had picked

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<v Speaker 1>up a reputation for being we quote rowdy. She was

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<v Speaker 1>very jealous of other women, and she was very aggressive.

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<v Speaker 1>So we actually have a good example of rowdy and aggressive.

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<v Speaker 1>I think, Um, if we go a little bit deeper

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<v Speaker 1>into the kind of person Olga was, if we take

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<v Speaker 1>away her passion for list and just talk about her,

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<v Speaker 1>this is a pretty telling example. So when an upcoming

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<v Speaker 1>recital of hers was not promoted in local papers or

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<v Speaker 1>didn't receive the glowing reviews she had expected, she was

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<v Speaker 1>not above taking matters into her own hands. And there's

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<v Speaker 1>one anecdote that has her dressing as a man with

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<v Speaker 1>a cane and visiting one of the newspaper editors who

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<v Speaker 1>did not promote her, and she berated him while striking

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<v Speaker 1>him in the face and chest with that cane. Aggressive

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<v Speaker 1>I'm gonna take us down a little side street about

0:14:05.440 --> 0:14:08.960
<v Speaker 1>her mode of dress because her clothing choices were actually

0:14:09.080 --> 0:14:13.800
<v Speaker 1>not entirely unprecedented at this time. So George Song, who

0:14:13.840 --> 0:14:16.360
<v Speaker 1>we have name checked on this show before and who

0:14:16.559 --> 0:14:18.800
<v Speaker 1>was actually a very good friend of Lists. She was

0:14:18.880 --> 0:14:22.160
<v Speaker 1>with Chopin for many years, so they had a friendship together.

0:14:22.960 --> 0:14:26.680
<v Speaker 1>She famously wore men's were during this period, and this was,

0:14:26.800 --> 0:14:29.680
<v Speaker 1>as we said, this sort of period of proto feminism,

0:14:29.880 --> 0:14:34.760
<v Speaker 1>and donning those garments was actually an act of protests

0:14:34.800 --> 0:14:38.560
<v Speaker 1>because it was, if you can imagine, now, illegal in

0:14:38.640 --> 0:14:42.640
<v Speaker 1>Paris for women to wear pants without a permit. Those

0:14:42.640 --> 0:14:46.160
<v Speaker 1>permits were given to people whose jobs necessitated these so

0:14:46.280 --> 0:14:49.760
<v Speaker 1>called unladylike garments, or to people who could offer up

0:14:49.840 --> 0:14:53.680
<v Speaker 1>some health reason that they needed to wear them. Incidentally,

0:14:53.840 --> 0:14:57.320
<v Speaker 1>that law was on the books in Paris until so

0:14:57.400 --> 0:14:59.400
<v Speaker 1>let's just let our minds be blown for a moment

0:14:59.400 --> 0:15:06.040
<v Speaker 1>away pause. Paris Seat of Fashion where it was illegal

0:15:06.080 --> 0:15:10.040
<v Speaker 1>to wear your jeans until technically, but the point here

0:15:10.120 --> 0:15:12.880
<v Speaker 1>is that in walking down the street in pants to

0:15:13.000 --> 0:15:17.800
<v Speaker 1>assault demand with a cane Olga, Janina was breaking multiple

0:15:17.920 --> 0:15:22.120
<v Speaker 1>laws and she knew it that. Yeah, I think like, oh,

0:15:22.160 --> 0:15:27.440
<v Speaker 1>I didn't know I wasn't allowed to wear pants, right. Um.

0:15:27.480 --> 0:15:30.840
<v Speaker 1>So we mentioned earlier that she was also a pianist,

0:15:31.000 --> 0:15:34.320
<v Speaker 1>and she became one of the students when she was

0:15:34.400 --> 0:15:39.480
<v Speaker 1>about twenty four years old. But she set herself apart

0:15:39.760 --> 0:15:43.000
<v Speaker 1>from his other students though. She wasn't quiet about the

0:15:43.040 --> 0:15:45.760
<v Speaker 1>fact that she kept a revolver in her handbag, and

0:15:46.960 --> 0:15:49.040
<v Speaker 1>the other students were, and I don't really blame them,

0:15:49.040 --> 0:15:51.240
<v Speaker 1>they were kind of afraid of her when she showed

0:15:51.320 --> 0:15:57.000
<v Speaker 1>up to class. Um. I mean I took piano lessons

0:15:57.280 --> 0:15:59.360
<v Speaker 1>when I was younger, and if someone had showed up

0:15:59.400 --> 0:16:04.160
<v Speaker 1>and said, hey, have you been practicing the sonata? By

0:16:04.160 --> 0:16:05.480
<v Speaker 1>the way, I have a gun, I would be like,

0:16:06.920 --> 0:16:12.480
<v Speaker 1>I'll play Hungarian Rhapsody faster. I'm sorry. But it wasn't

0:16:12.520 --> 0:16:14.800
<v Speaker 1>even just the revolver. It was believed that she also

0:16:14.880 --> 0:16:18.720
<v Speaker 1>carried a dagger, and that's a dagger with a poisoned tip.

0:16:18.960 --> 0:16:22.480
<v Speaker 1>Some sources also suggest that Olga wasn't opium users, So

0:16:22.520 --> 0:16:24.960
<v Speaker 1>this is a whole combination of things that really are

0:16:25.680 --> 0:16:28.520
<v Speaker 1>wow um which actually the opium use wouldn't have been

0:16:28.560 --> 0:16:32.000
<v Speaker 1>all that weird at the time. Um. She also carried

0:16:32.000 --> 0:16:34.760
<v Speaker 1>around a small bag containing her stash of narcotics, and

0:16:34.800 --> 0:16:37.480
<v Speaker 1>it said that there was also poisons in it. And

0:16:37.800 --> 0:16:39.920
<v Speaker 1>for any of those who listened to the first season

0:16:40.000 --> 0:16:42.720
<v Speaker 1>of Criminaliat, sorry but there's no word on whether or

0:16:42.720 --> 0:16:46.360
<v Speaker 1>not that was arsenic in the bag. It's always about

0:16:46.760 --> 0:16:54.560
<v Speaker 1>it's always arsenic. I'm assuming it was probably. Olga Janina

0:16:54.800 --> 0:16:57.960
<v Speaker 1>was also one of the women who swooned over List,

0:16:58.080 --> 0:17:01.400
<v Speaker 1>and by swooned we mean threatened his in her own

0:17:01.440 --> 0:17:04.280
<v Speaker 1>life over an affair that the pair actually had in

0:17:04.400 --> 0:17:09.680
<v Speaker 1>eighteen seventy. Olga just found herself madly infatuated with him

0:17:09.760 --> 0:17:14.119
<v Speaker 1>and consequently madly jealous. She followed the women that she

0:17:14.200 --> 0:17:17.600
<v Speaker 1>considered to be her rivals for his affection, and then

0:17:17.680 --> 0:17:21.439
<v Speaker 1>she just started following Lists. Um. So in the summer

0:17:21.440 --> 0:17:24.560
<v Speaker 1>of eighteen seventy one, after their affair was over, List

0:17:24.800 --> 0:17:28.320
<v Speaker 1>encouraged Olga to travel to New York to give piano performances,

0:17:28.359 --> 0:17:30.880
<v Speaker 1>which I mean at the very least would give him

0:17:30.920 --> 0:17:34.320
<v Speaker 1>a break from her continuing emotional blackmail that had been

0:17:34.359 --> 0:17:37.639
<v Speaker 1>going on. So Olga did go to New York, but

0:17:37.880 --> 0:17:40.359
<v Speaker 1>once she arrives, their history kind of loses track of

0:17:40.400 --> 0:17:44.040
<v Speaker 1>her story. And it's assumed that because List destroyed most

0:17:44.080 --> 0:17:46.760
<v Speaker 1>of the letters that she sent him, that's why we

0:17:46.800 --> 0:17:50.040
<v Speaker 1>don't really know. But we do know a little bit

0:17:50.080 --> 0:17:54.439
<v Speaker 1>about their correspondence from some of Olga's own records and

0:17:54.480 --> 0:17:57.800
<v Speaker 1>Maria's mentioning correspondence, because we know that she continued to

0:17:57.800 --> 0:18:02.280
<v Speaker 1>send him letters. And in one letter, she we quote,

0:18:02.440 --> 0:18:05.840
<v Speaker 1>begs for a few gentle words from her beloved, but

0:18:05.960 --> 0:18:09.800
<v Speaker 1>she did not get them. Liz replied, not what she

0:18:09.880 --> 0:18:13.679
<v Speaker 1>was hoping, and again we're quoting here. The violence of

0:18:13.720 --> 0:18:18.040
<v Speaker 1>your feelings disturbs my peace of mind. Permit me therefore

0:18:18.119 --> 0:18:21.160
<v Speaker 1>to inform you that I shall decline to accept any

0:18:21.200 --> 0:18:24.200
<v Speaker 1>more of your strange ravings, at least until such time

0:18:24.560 --> 0:18:27.640
<v Speaker 1>that you understand that no one who fails to observe

0:18:27.680 --> 0:18:31.679
<v Speaker 1>God's laws can ever hope to find happiness. You also

0:18:31.800 --> 0:18:35.080
<v Speaker 1>need to reconcile your fate, which is the product, moreover,

0:18:35.480 --> 0:18:40.520
<v Speaker 1>of your various acts of imprudence. So that's a pretty

0:18:40.560 --> 0:18:47.120
<v Speaker 1>serious burn Smarting from that, Olga plotted revenge on her

0:18:47.160 --> 0:18:50.160
<v Speaker 1>once beloved List, and when she returned from New York

0:18:50.280 --> 0:18:55.200
<v Speaker 1>in late one, she threatened to kill him upon her arrival,

0:18:55.960 --> 0:18:58.679
<v Speaker 1>and she wasn't really shy about telling people what her

0:18:58.720 --> 0:19:01.520
<v Speaker 1>plan was, and it was her wife's ambition was to

0:19:01.600 --> 0:19:05.480
<v Speaker 1>kill List and then commit suicide. And a few sources

0:19:06.040 --> 0:19:09.879
<v Speaker 1>do report that she did swallow poison, and when a

0:19:09.920 --> 0:19:12.080
<v Speaker 1>doctor was called to help her, it turned out that

0:19:12.119 --> 0:19:19.560
<v Speaker 1>she hadn't actually swallowed anything that was dangerous at all. Oh,

0:19:19.600 --> 0:19:21.960
<v Speaker 1>we are going to take another quick break and have

0:19:22.040 --> 0:19:24.280
<v Speaker 1>a word from a sponsor, and when we return, we're

0:19:24.320 --> 0:19:28.320
<v Speaker 1>going to talk about Olga's books, and there will also

0:19:28.359 --> 0:19:30.959
<v Speaker 1>be a little mention of the who's Roger Daltery and

0:19:31.000 --> 0:19:34.000
<v Speaker 1>how he is connected to any of The story just

0:19:34.080 --> 0:19:49.720
<v Speaker 1>keeps getting stranger and stranger. Welcome back to Criminalia. Let's

0:19:49.720 --> 0:19:51.560
<v Speaker 1>now get into the kinds of things that were in

0:19:51.600 --> 0:19:56.520
<v Speaker 1>Olga's memoirs. So to be clear, Olga and Liszt were

0:19:56.640 --> 0:20:01.200
<v Speaker 1>never in a committed relationship. They're a fair lasted much

0:20:01.320 --> 0:20:04.240
<v Speaker 1>less than a year, but it inspired her to write

0:20:04.240 --> 0:20:07.440
<v Speaker 1>a lot more than just letters. She wrote her memoirs.

0:20:08.280 --> 0:20:10.919
<v Speaker 1>In her first book, published in eighteen seventy four, was

0:20:10.960 --> 0:20:15.520
<v Speaker 1>called Souvenir dun Kosak that translates to Memories of a Cossack.

0:20:15.880 --> 0:20:20.080
<v Speaker 1>She wrote that under the pseudonym Robert Franz, Now there

0:20:20.280 --> 0:20:22.600
<v Speaker 1>was a real Robert Franz at the time. He was

0:20:22.640 --> 0:20:25.720
<v Speaker 1>a German composer, and he was one of Liszt's contemporaries.

0:20:26.320 --> 0:20:28.280
<v Speaker 1>So this had to have been a little bit awkward,

0:20:28.560 --> 0:20:31.240
<v Speaker 1>and also how confusing would it have been for him

0:20:31.720 --> 0:20:34.199
<v Speaker 1>to see his name listed as the author of a

0:20:34.320 --> 0:20:38.080
<v Speaker 1>kiss and tell book about a barely fictionalized version of

0:20:38.080 --> 0:20:41.840
<v Speaker 1>one of his friends. This book didn't make the splash

0:20:41.920 --> 0:20:44.800
<v Speaker 1>that she had really hoped that it would, But the

0:20:44.840 --> 0:20:48.240
<v Speaker 1>cover art actually sounds pretty great. Um, it was list,

0:20:48.440 --> 0:20:50.679
<v Speaker 1>but it was a caricature of him playing the piano

0:20:50.800 --> 0:20:55.399
<v Speaker 1>for half clothed cherubs who were scattering flower pedals at

0:20:55.400 --> 0:20:59.800
<v Speaker 1>his feet and offering him wine. Upon reading lists. Good

0:20:59.800 --> 0:21:02.679
<v Speaker 1>for End, whose name actually also was Olga, she was

0:21:02.800 --> 0:21:06.280
<v Speaker 1>the Baroness von mayan Org wrote to him that she

0:21:06.440 --> 0:21:08.720
<v Speaker 1>was now going to end have to quote this because

0:21:08.720 --> 0:21:10.600
<v Speaker 1>her word was much better than anything that I would

0:21:10.600 --> 0:21:20.800
<v Speaker 1>come up with disinfect her library. So Liszt actually himself

0:21:20.880 --> 0:21:23.720
<v Speaker 1>when he wrote back, he didn't seem very upset by

0:21:23.760 --> 0:21:25.920
<v Speaker 1>the book or any of this. But if you recall,

0:21:26.280 --> 0:21:32.240
<v Speaker 1>this actually wasn't the first scandalous book starring him. He's

0:21:32.240 --> 0:21:34.360
<v Speaker 1>old hat at this. He's been through this before. It's

0:21:34.400 --> 0:21:38.760
<v Speaker 1>like whatever in eighteen seventy four, in eighteen seventy five,

0:21:38.840 --> 0:21:41.960
<v Speaker 1>so remember, let's just this up in years. At this point.

0:21:42.359 --> 0:21:46.240
<v Speaker 1>Olga went on to write two more books called Leisamuel

0:21:46.359 --> 0:21:51.760
<v Speaker 1>dun cossack X that's Loves of a Cossack by a

0:21:51.880 --> 0:21:55.959
<v Speaker 1>Friend of the abbe X and Le Roman du Pianiste

0:21:56.119 --> 0:21:59.480
<v Speaker 1>aid le Cossack that's the novel of the Pianist and

0:21:59.520 --> 0:22:02.080
<v Speaker 1>the Cossack, which is very much a reference to him

0:22:02.160 --> 0:22:06.600
<v Speaker 1>and her. Right, that's really not very well bailed, right,

0:22:06.720 --> 0:22:09.760
<v Speaker 1>she she self identified as Cossack. That will come up

0:22:09.760 --> 0:22:13.399
<v Speaker 1>again in a moment. So these books were ones that

0:22:13.520 --> 0:22:16.159
<v Speaker 1>she also wrote under a pseudonym, but this time it

0:22:16.280 --> 0:22:19.560
<v Speaker 1>was a different one. It was Sylvia Zarelli, and her

0:22:19.640 --> 0:22:24.479
<v Speaker 1>books were widely regarded as defamatory. Everyone knew exactly who

0:22:24.600 --> 0:22:27.720
<v Speaker 1>and what she was referencing, and they were also kind

0:22:27.760 --> 0:22:31.080
<v Speaker 1>of relegated to being pulp fiction. But she seemed quite

0:22:31.119 --> 0:22:34.680
<v Speaker 1>proud of it. She sent copies to all of Liszt's friends. Well,

0:22:34.720 --> 0:22:39.639
<v Speaker 1>it's a nice gift to get. And despite her books

0:22:39.720 --> 0:22:44.160
<v Speaker 1>being and I'm gonna do this quote end quote business autobiographical,

0:22:44.920 --> 0:22:48.399
<v Speaker 1>it was about this time when Olga was outed for

0:22:48.480 --> 0:22:51.240
<v Speaker 1>a few things, and these things did not include anything

0:22:51.280 --> 0:22:55.600
<v Speaker 1>about List. So first, her last name was not Janina,

0:22:56.119 --> 0:22:59.760
<v Speaker 1>it was Zelinska. And I'm not fluid in Polish, so up,

0:22:59.800 --> 0:23:03.160
<v Speaker 1>my apologies to those of you who are. She had

0:23:03.280 --> 0:23:05.959
<v Speaker 1>taken the name Dannina from her husband, whom she had

0:23:06.000 --> 0:23:09.600
<v Speaker 1>abandoned along with her child because of her passion for List.

0:23:10.760 --> 0:23:12.639
<v Speaker 1>And it also became known at this time that she

0:23:12.760 --> 0:23:15.520
<v Speaker 1>was not a Cossack, nor was she a countess as

0:23:15.560 --> 0:23:18.320
<v Speaker 1>she had been telling people. She was actually the daughter

0:23:18.400 --> 0:23:21.720
<v Speaker 1>of a boot polish maker, and her life, as she

0:23:21.880 --> 0:23:24.560
<v Speaker 1>told it, was truly a work of fiction that was

0:23:24.640 --> 0:23:29.119
<v Speaker 1>probably the better work than those horrible novels. Historians are

0:23:29.160 --> 0:23:34.040
<v Speaker 1>actually still untangling the reality of who Olga was and

0:23:34.119 --> 0:23:38.040
<v Speaker 1>the life that she led, particularly after lists death, and

0:23:38.119 --> 0:23:41.000
<v Speaker 1>in the end, with all sorts of damage done, it

0:23:41.080 --> 0:23:43.880
<v Speaker 1>appears that she retreated and then went on to establish

0:23:43.960 --> 0:23:48.800
<v Speaker 1>a piano studio in Geneva hopefully less aggressive, maybe without

0:23:48.880 --> 0:23:53.600
<v Speaker 1>the revolver. I don't know, maybe her teaching style, right,

0:23:53.720 --> 0:23:59.480
<v Speaker 1>she's really aggressive with her pupils list, so a list. Well.

0:24:00.280 --> 0:24:02.240
<v Speaker 1>He walked away from everything as well, but in a

0:24:02.320 --> 0:24:06.399
<v Speaker 1>different way. So around eighteen sixty one or maybe eighteen

0:24:06.440 --> 0:24:09.200
<v Speaker 1>sixty three. The dates seemed to vary a bit, but

0:24:09.480 --> 0:24:12.240
<v Speaker 1>those are the two that always pop up. He began

0:24:12.400 --> 0:24:15.200
<v Speaker 1>living a more solitary life and he moved into a

0:24:15.320 --> 0:24:18.760
<v Speaker 1>small apartment in a monastery just outside of Rome, and

0:24:19.080 --> 0:24:22.440
<v Speaker 1>in July of eighteen sixty five he received the four

0:24:22.520 --> 0:24:25.840
<v Speaker 1>Minor Orders of the Catholic Church, which when you receive these,

0:24:25.920 --> 0:24:29.359
<v Speaker 1>they make you a low ranking clergyman. It did not

0:24:29.640 --> 0:24:33.040
<v Speaker 1>make him a priest, but he had considered priesthood when

0:24:33.080 --> 0:24:37.000
<v Speaker 1>he was a teenager. This career change was a huge

0:24:37.119 --> 0:24:39.679
<v Speaker 1>surprise to many of his fans and to his peers,

0:24:40.080 --> 0:24:43.560
<v Speaker 1>and apparently to the Catholic Church too. There's this great

0:24:43.640 --> 0:24:46.920
<v Speaker 1>quote from a monk referring to him as Mephistopheles in

0:24:46.960 --> 0:24:50.200
<v Speaker 1>the guise of clergy. This really was I think to

0:24:50.320 --> 0:24:56.560
<v Speaker 1>contextualize it for modern comparison, right, like think of a

0:24:56.760 --> 0:24:59.399
<v Speaker 1>rock star who was sort of known to be like

0:24:59.520 --> 0:25:02.280
<v Speaker 1>think of Jagger going, hey, I decided to become a

0:25:02.359 --> 0:25:10.080
<v Speaker 1>monk right when he released straight Yeah. Liz died on

0:25:10.200 --> 0:25:13.600
<v Speaker 1>July six. He was seventy four at the time and

0:25:13.680 --> 0:25:16.879
<v Speaker 1>living in Germany, and he had towards the end developed

0:25:16.920 --> 0:25:19.760
<v Speaker 1>some health conditions, such as a dima and cataracts, but

0:25:20.359 --> 0:25:23.240
<v Speaker 1>his cause of death was officially the result of pneumonia,

0:25:23.920 --> 0:25:27.359
<v Speaker 1>and some historians actually theorized that he contracted pneumonia at

0:25:27.400 --> 0:25:30.119
<v Speaker 1>a festival that was hosted by his daughter and his

0:25:30.240 --> 0:25:35.120
<v Speaker 1>son in law, the controversial German composer and conductor Richard Wagner.

0:25:35.840 --> 0:25:39.240
<v Speaker 1>Silinian List is really well known as the composer of

0:25:39.400 --> 0:25:43.399
<v Speaker 1>the Hungarian Rhapsodies as well as the Faust Symphony Um

0:25:43.840 --> 0:25:47.359
<v Speaker 1>but he was way more prolific than you might actually guess.

0:25:47.920 --> 0:25:52.520
<v Speaker 1>He wrote in total more than seven hundred compositions, and

0:25:53.000 --> 0:25:55.480
<v Speaker 1>in fact you probably actually know some of them, even

0:25:55.520 --> 0:25:58.480
<v Speaker 1>if you don't think that you do, including Hungarian Rhapsody

0:25:58.560 --> 0:26:02.080
<v Speaker 1>number two. It has fallen out of popularity even today,

0:26:02.280 --> 0:26:06.119
<v Speaker 1>and it's been featured in cartoons including Tom and Jerry

0:26:06.320 --> 0:26:09.520
<v Speaker 1>as well as Bugs Bunny. And while his music has

0:26:09.560 --> 0:26:12.480
<v Speaker 1>been used in cartoons, it's also really important to remember

0:26:12.560 --> 0:26:15.600
<v Speaker 1>that he did change many things about how we write

0:26:15.680 --> 0:26:20.880
<v Speaker 1>and play music today, and he also inspired something else.

0:26:22.480 --> 0:26:27.040
<v Speaker 1>He inspired maybe my favorite part of the research, which is,

0:26:29.480 --> 0:26:31.280
<v Speaker 1>as soon as I found it, I was sending posters

0:26:31.359 --> 0:26:37.000
<v Speaker 1>to Holly and email a. This um he inspired the

0:26:38.280 --> 0:26:43.280
<v Speaker 1>movie list Domania, directed and written by Ken Russell. So imagine,

0:26:43.280 --> 0:26:46.760
<v Speaker 1>if you will, the opening scene, which is List played

0:26:46.800 --> 0:26:49.320
<v Speaker 1>by The Who's Roger Daltry. That's where he shows up.

0:26:50.320 --> 0:26:56.240
<v Speaker 1>He's performing to a crowd of screaming fans, Ringo Star

0:26:56.440 --> 0:27:01.320
<v Speaker 1>makes an appearance as the Pope. And the ending, well, okay,

0:27:01.359 --> 0:27:03.560
<v Speaker 1>so the ending, You're really just gonna have to watch

0:27:03.680 --> 0:27:11.440
<v Speaker 1>that for yourself. Here's what I really love about this, Like,

0:27:11.600 --> 0:27:16.000
<v Speaker 1>did you think about the connection between Franz List smashing

0:27:16.119 --> 0:27:20.680
<v Speaker 1>his pianos and The Who's Pete Townsend smashing his guitars. Yes,

0:27:20.840 --> 0:27:23.320
<v Speaker 1>In fact, I originally thought that that maybe I would

0:27:23.440 --> 0:27:25.040
<v Speaker 1>talk a little about that in the show, Like we

0:27:25.080 --> 0:27:28.320
<v Speaker 1>would never have had Jimmy Hendricks lighting his guitars and

0:27:28.359 --> 0:27:31.080
<v Speaker 1>fire and damaging his amps, and and like Keith Moon

0:27:31.320 --> 0:27:35.200
<v Speaker 1>and Pete Townsend and all these guys who destroy their instruments.

0:27:35.280 --> 0:27:38.720
<v Speaker 1>There's even there are pianists today who as part of

0:27:38.840 --> 0:27:43.040
<v Speaker 1>their performance, light the piano on fire as they're playing.

0:27:43.200 --> 0:27:47.439
<v Speaker 1>You know this would not have happened without Franz list Um,

0:27:47.640 --> 0:27:58.520
<v Speaker 1>and so he changed everything. Holly, Yes, Um, what about

0:27:58.680 --> 0:28:05.280
<v Speaker 1>this story here of Olga and Frons inspires your drinking today? Okay,

0:28:05.440 --> 0:28:09.200
<v Speaker 1>So today's chaser is the winner in a head to

0:28:09.280 --> 0:28:12.720
<v Speaker 1>head battle between two cocktails at my house, and it's exciting.

0:28:13.040 --> 0:28:16.880
<v Speaker 1>It's exciting. It's like a race. I had two very

0:28:16.960 --> 0:28:20.159
<v Speaker 1>different ideas, and I won't. I won't entirely detail the

0:28:20.240 --> 0:28:22.320
<v Speaker 1>losing drink because I'm keeping it in my pocket in

0:28:22.400 --> 0:28:25.040
<v Speaker 1>case I want to use some variation of it for

0:28:25.080 --> 0:28:27.680
<v Speaker 1>a future episode. I think that's smart. The one that

0:28:27.880 --> 0:28:33.760
<v Speaker 1>was discarded, um was a drink because of Olga Janina's

0:28:33.800 --> 0:28:37.040
<v Speaker 1>cigar smoking. I immediately thought, oh, I've got to do

0:28:37.160 --> 0:28:40.760
<v Speaker 1>something with Kooniak, right, since cigars and Kogiak are so

0:28:40.880 --> 0:28:44.200
<v Speaker 1>closely linked. And I was like, well, I'm gonna play

0:28:44.240 --> 0:28:46.400
<v Speaker 1>around with something that's kind of like a sidecar, and

0:28:46.480 --> 0:28:49.760
<v Speaker 1>I'll I'll sub out a different liquor for the the

0:28:50.320 --> 0:28:53.120
<v Speaker 1>orange liqueur that's normally in that right. Nobody can see me,

0:28:53.200 --> 0:28:56.000
<v Speaker 1>but I'm nodding along like I'm learning. I got to

0:28:56.120 --> 0:28:58.200
<v Speaker 1>a place it was pretty good, but I still wasn't

0:28:58.320 --> 0:29:00.640
<v Speaker 1>sure if that was the one for this episod. And

0:29:00.760 --> 0:29:04.240
<v Speaker 1>then I had this idea for a cocktail called a

0:29:04.320 --> 0:29:16.440
<v Speaker 1>smashed Piano. I'm sorry, I need a minute. Okay, I

0:29:16.520 --> 0:29:19.960
<v Speaker 1>got my minute. I love anytime that I destroyed Maria with.

0:29:21.400 --> 0:29:23.560
<v Speaker 1>It's really my goal in all things. It works like

0:29:23.680 --> 0:29:28.760
<v Speaker 1>every episode I was died. So the smashed Piano. I

0:29:28.840 --> 0:29:31.240
<v Speaker 1>wanted to make a drink that is white, like you

0:29:31.280 --> 0:29:35.760
<v Speaker 1>know modern day piano keys. I believe we call that ivory, right,

0:29:35.880 --> 0:29:40.280
<v Speaker 1>but the drink is and ivory drink might look like

0:29:40.360 --> 0:29:43.920
<v Speaker 1>it had gone off. Not quite. So this is a

0:29:44.120 --> 0:29:46.720
<v Speaker 1>very easy what I would call a one to three drink,

0:29:46.720 --> 0:29:50.000
<v Speaker 1>because there's just one ounce of each. It's an ounce

0:29:50.240 --> 0:29:53.280
<v Speaker 1>of white rum, an ounce of Saint Germain, which is

0:29:53.400 --> 0:29:58.600
<v Speaker 1>elderberry liquor, and then an ounce of your milky substance.

0:29:58.760 --> 0:30:01.000
<v Speaker 1>I did oat milk, but could do You could do

0:30:01.040 --> 0:30:03.320
<v Speaker 1>a dairy milk. You could do any other like plant

0:30:03.360 --> 0:30:06.240
<v Speaker 1>based milk or nut based milk you want, and you

0:30:06.360 --> 0:30:08.360
<v Speaker 1>just give that a nice gud shake and your shaker

0:30:08.440 --> 0:30:11.520
<v Speaker 1>over ice and pour it ideally into like a chilled

0:30:11.880 --> 0:30:17.400
<v Speaker 1>glass and it is this yummy, creamy It's very dessert

0:30:17.480 --> 0:30:20.880
<v Speaker 1>e because the that liquor is quite sweet and the

0:30:21.040 --> 0:30:23.920
<v Speaker 1>milk adds kind of enhances that sweetness. You don't really

0:30:24.000 --> 0:30:27.000
<v Speaker 1>taste any bite from the rum and it's just like

0:30:27.080 --> 0:30:30.960
<v Speaker 1>a lovely little after dinner dessert drink, I think. So

0:30:31.040 --> 0:30:33.960
<v Speaker 1>I have two questions for you. Yes, do you have

0:30:34.040 --> 0:30:36.840
<v Speaker 1>a glass recommendation for this one? Because it is a

0:30:36.880 --> 0:30:39.360
<v Speaker 1>dessert drink. I went to my favorite the Coop, which

0:30:40.000 --> 0:30:43.240
<v Speaker 1>how most dessert drinks are are often served because that

0:30:43.400 --> 0:30:45.880
<v Speaker 1>nice wide mouth on it gives you, like easy you

0:30:45.920 --> 0:30:48.000
<v Speaker 1>can take a nice big sip and get that sweet,

0:30:48.120 --> 0:30:51.080
<v Speaker 1>sugary full mouth feel. I would throw it in your

0:30:51.360 --> 0:30:53.520
<v Speaker 1>fridge for a little while, or even the freezer if

0:30:53.560 --> 0:30:55.560
<v Speaker 1>you're short on time, and just pre chill your glass

0:30:55.560 --> 0:30:57.960
<v Speaker 1>because it just makes it that much better. And my

0:30:58.040 --> 0:31:04.560
<v Speaker 1>second question for you them let me interview. Okay, now,

0:31:04.920 --> 0:31:08.040
<v Speaker 1>the Elderberry I'm a big fan of, but it's only

0:31:08.120 --> 0:31:10.560
<v Speaker 1>come up once before and I can't recall what drink

0:31:10.640 --> 0:31:12.560
<v Speaker 1>it was that you made with it. Do you remember?

0:31:13.080 --> 0:31:15.720
<v Speaker 1>I know this was in season one, so I actually

0:31:15.800 --> 0:31:18.840
<v Speaker 1>wasn't so that was actually the drink that we did um,

0:31:19.040 --> 0:31:20.680
<v Speaker 1>which was not one that I came up with. It

0:31:20.800 --> 0:31:23.040
<v Speaker 1>was one that I found. It was an early drink.

0:31:23.120 --> 0:31:28.320
<v Speaker 1>Then the Julia Tafauna pimpanella that's right, which just has

0:31:28.440 --> 0:31:31.400
<v Speaker 1>like the tiniest amount of Saint Germaine. It's only a

0:31:31.560 --> 0:31:34.480
<v Speaker 1>quarter of an ounce because it can really like overtake

0:31:34.520 --> 0:31:37.360
<v Speaker 1>a drink, and if you didn't want to super sweet drink,

0:31:37.400 --> 0:31:38.680
<v Speaker 1>you would not want to put as much as an

0:31:38.720 --> 0:31:42.000
<v Speaker 1>ounce in, but did You can always dial that back

0:31:42.080 --> 0:31:43.960
<v Speaker 1>if it's a little too sweet for you and do

0:31:44.120 --> 0:31:46.080
<v Speaker 1>more like three quarters of an ounce or even a half.

0:31:46.720 --> 0:31:48.440
<v Speaker 1>But I like a one one one because it's easy.

0:31:48.520 --> 0:31:52.360
<v Speaker 1>You can use the same jigger cup and you're good. Excellent.

0:31:52.480 --> 0:31:56.800
<v Speaker 1>That sounds delicious. Thank you. Uh, smashed piano, I got

0:31:56.840 --> 0:32:02.640
<v Speaker 1>a smash piano. I have this dream, this is truly

0:32:02.760 --> 0:32:06.320
<v Speaker 1>my dream of life, is that some poor soul will

0:32:06.360 --> 0:32:09.040
<v Speaker 1>walk into a bar and ask for one of these

0:32:09.160 --> 0:32:11.720
<v Speaker 1>weird drinks that I've come up like, I don't know

0:32:11.800 --> 0:32:16.360
<v Speaker 1>what you're talking about, and they're like, listen to this, No,

0:32:16.560 --> 0:32:19.560
<v Speaker 1>I swear it's real. It's real. I would like a

0:32:19.600 --> 0:32:21.360
<v Speaker 1>smashed piano and I'll be like, I don't know what

0:32:21.480 --> 0:32:29.200
<v Speaker 1>that is. I heard it on the internet. And with that,

0:32:30.560 --> 0:32:32.640
<v Speaker 1>and with that you heard it here on the internet.

0:32:32.680 --> 0:32:34.680
<v Speaker 1>We hope you'd keep hearing us here on the internet

0:32:34.760 --> 0:32:36.440
<v Speaker 1>and that you come back and join us next week

0:32:36.480 --> 0:32:39.760
<v Speaker 1>for more cackling and cocktails as well as more stalking.

0:32:40.600 --> 0:32:43.560
<v Speaker 1>The drink I have planned for an upcoming episode is

0:32:43.600 --> 0:32:45.520
<v Speaker 1>going to be one that Maria loves. I believe in

0:32:45.600 --> 0:32:48.080
<v Speaker 1>my heart and soul. Is it going to have Is

0:32:48.120 --> 0:32:50.959
<v Speaker 1>it going to be a brown beverage? It is going

0:32:51.000 --> 0:32:54.040
<v Speaker 1>to be a brown spirit at the heart of it.

0:32:54.160 --> 0:32:56.600
<v Speaker 1>But I'm doing something a whack of noodle with it. Well,

0:32:56.640 --> 0:32:58.280
<v Speaker 1>I can't wait. It's going to be exciting for me.

0:32:58.640 --> 0:33:00.960
<v Speaker 1>I get this. So we hope to see you back

0:33:01.040 --> 0:33:09.520
<v Speaker 1>here next week on Criminalia and remember drink responsibly. Criminalia

0:33:09.680 --> 0:33:12.120
<v Speaker 1>is a production of Shonda land Audio in partnership with

0:33:12.200 --> 0:33:16.240
<v Speaker 1>I Heart Radio. For more podcasts from Shondaland Audio, please

0:33:16.320 --> 0:33:19.400
<v Speaker 1>visit the I Heart Radio app, Apple Podcasts, or wherever

0:33:19.480 --> 0:33:20.959
<v Speaker 1>you listen to your favorite shows.