WEBVTT - Even After All These Years, It Still Smells Like Blood

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<v Speaker 1>Welcome to Haunted Road, a production of iHeartRadio and Grim

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<v Speaker 1>and Mild from Aaron Minky listener, discretion is advised. Of

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<v Speaker 1>all the places I investigate, believe it or not, lighthouses

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<v Speaker 1>may be one of the saddest I think of the

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<v Speaker 1>lighthouse keepers. They're very living to provide a guiding light,

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<v Speaker 1>to keep people from danger. Their job was built in

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<v Speaker 1>routine and discipline, for to fail meant failing those at

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<v Speaker 1>sea who so desperately depended on them for safety. Is

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<v Speaker 1>it any wonder lighthouses are notoriously haunted that in death

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<v Speaker 1>those who once manned them still feel enough of a

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<v Speaker 1>sense of duty to return and diligently walk hundreds of steps,

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<v Speaker 1>forever manning a beacon in the darkness. And how sad

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<v Speaker 1>that something once so noble and important has long been

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<v Speaker 1>replaced with technology, superpowered lights and lenses. How do these

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<v Speaker 1>spirits feel now? What are they trying to tell us?

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<v Speaker 1>Is time and time again they don't leave their posts,

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<v Speaker 1>even after they have long passed away. Perhaps the Pensacola

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<v Speaker 1>Lighthouse can guide us to an understanding. I'm Amy Brune,

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<v Speaker 1>and this is Haunted Road. If you were to hike

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<v Speaker 1>along San Carlos Beach near the Pensacola Naval Air Station,

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<v Speaker 1>and you glanced up on a dark night, you might

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<v Speaker 1>see a brilliant beam of light in the sky. It

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<v Speaker 1>would pulse on for twenty seconds, then flicker off again,

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<v Speaker 1>only to light up once more after another twenty seconds.

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<v Speaker 1>The beam comes from the one thousand watt bulb mounted

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<v Speaker 1>in the Pensacola Lighthouse, a beacon that's amplified by the

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<v Speaker 1>historic over one hundred and seventy year old fresnel lens.

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<v Speaker 1>It's so you can spot it from twenty seven miles away.

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<v Speaker 1>Unlike many haunted places, the Pensacle Lighthouse is still in

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<v Speaker 1>operation today. It's not abandoned or in a state of disrepair.

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<v Speaker 1>It also doesn't have an on site keeper operating its

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<v Speaker 1>machinery anymore. Its processes are all automated. The roughly one

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<v Speaker 1>hundred and fifty foot tall tower looms over the two

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<v Speaker 1>story keepers quarters. The residence, now home to historic exhibits

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<v Speaker 1>for the public, is surrounded by balconies on each floor.

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<v Speaker 1>It has a cheerful red roof, while the lighthouse itself

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<v Speaker 1>is brown and white. The narrow base is a mere

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<v Speaker 1>thirty feet in diameter, but the higher it goes, the

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<v Speaker 1>narrower it becomes to a scant fifteen feet at the top.

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<v Speaker 1>If you were to ascend the one hundred seventy seven

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<v Speaker 1>steps up the winding spiral staircase, as I have done

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<v Speaker 1>in the past, and I do not necessarily recommend it,

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<v Speaker 1>you'd find an automated light system. It's completely surrounded by

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<v Speaker 1>swirled glass that redirects and amplifies the beam. As reported

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<v Speaker 1>by the National Park Services website. On the fresnel lens

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<v Speaker 1>outside sixteen gargoyles ring a catwalk around the lighthouse exterior.

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<v Speaker 1>These are spouts meant to redirect rainwater from the building,

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<v Speaker 1>but the Pensacola Lighthouse and Maritime Museum claims they also

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<v Speaker 1>keep evil spirits at bay. Given the lighthouse as history,

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<v Speaker 1>it's no wonder the builders were worried about malicious energies.

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<v Speaker 1>The city of Pensacola, nestled right on the boundary between

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<v Speaker 1>Florida and Alabama, is named after the indigenous people of

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<v Speaker 1>the area. The town was founded in August fifteen fifty

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<v Speaker 1>nine and almost immediately destroyed like a bad omen. According

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<v Speaker 1>to the Pensacola Lighthouse and Maritime Museum's history page, a

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<v Speaker 1>hurricane thrashed the community just weeks after it was founded,

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<v Speaker 1>beginning on September nineteenth. The death toll hit the hundreds,

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<v Speaker 1>and the devastation destroyed the supplies the sour virus needed

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<v Speaker 1>to ensure their town's success. After that settlement failed, nearly

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<v Speaker 1>a century and a half passed until Spanish colonists erected

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<v Speaker 1>Fort San Carlos State Astoria in the same place. Once again,

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<v Speaker 1>the community only had a short time to flourish before

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<v Speaker 1>disaster struck. Armed conflict broke out between the Spanish and

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<v Speaker 1>the French, and later the British entered the mix to Finally,

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<v Speaker 1>General Andrew Jackson, who later become president, seized the city

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<v Speaker 1>now known as Pensacola for the United States in eighteen eighteen.

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<v Speaker 1>When construction on the lighthouse began six years later, there

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<v Speaker 1>were more bizarre disasters. The Pensacola News Journal reported that

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<v Speaker 1>early in the building process, large numbers of highly venomous

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<v Speaker 1>water moccasins migrated from the Gulf coast to the construction site.

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<v Speaker 1>The snakes would lurk in piles of bricks, attacking any

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<v Speaker 1>worker unfortunate enough to cross their path. The servants were

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<v Speaker 1>even occasionally spotted on high scaffolding, and no one could

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<v Speaker 1>explain how the snakes had climbed so high. In spite

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<v Speaker 1>of these concerning harbingers, the lighthouse was completed and opened

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<v Speaker 1>its doors in December of eighteen twenty four. The first keeper,

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<v Speaker 1>Jeremiah Ingraham, moved into the on site accommodations. For two years,

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<v Speaker 1>he lived there alone. Every other hour he'd have to

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<v Speaker 1>climb to the top of the lighthouse to operate the

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<v Speaker 1>mechanism that kept it lit. Luckily, Jeremiah didn't remain in

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<v Speaker 1>solitude for long. He was married in eighteen twenty four,

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<v Speaker 1>and he and his wife, Mikhaela, had three children together.

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<v Speaker 1>She took over his keeper's work when he died, and

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<v Speaker 1>when she passed, her son in law inherited the job.

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<v Speaker 1>He also oversaw numerous renovations, including the significant improvements that

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<v Speaker 1>were made to the lens at the top of the tower.

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<v Speaker 1>He resigned around the time of the Civil War, and

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<v Speaker 1>operation of the lighthouse transferred to new keepers, many of

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<v Speaker 1>whom continued to improve the facilities and upgrade the technology.

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<v Speaker 1>They also rebuilt the lighthouse keeper's quarters in the midst

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<v Speaker 1>of these improvements. The next few decades were marked by

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<v Speaker 1>more strange natural disasters. The lighthouse was hit by lightning twice.

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<v Speaker 1>A faulty lightning rod allowed one of these jolts to

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<v Speaker 1>damage it during a thunderstorm, according to the lighthouse website.

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<v Speaker 1>A few years later, a tornado further wrecked the building,

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<v Speaker 1>and an earthquake shook the lighthouse so hard it made

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<v Speaker 1>the bottom floor's pendulum clock stop at nine oh seven pm.

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<v Speaker 1>All the while, occasional hurricanes raged in the Gulf of Mexico,

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<v Speaker 1>wearing down the facilities further. But these years were marked

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<v Speaker 1>by heartwarming good fortune too. On January twenty first, eighteen

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<v Speaker 1>eighty four, the lighthouse keeper's wife gave birth and the

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<v Speaker 1>on site residence. In the Pensacola News Journal, reporter Dot

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<v Speaker 1>Brown noted that this was the first dock documented instance

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<v Speaker 1>in which anyone was born within the keeper's quarters. About

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<v Speaker 1>twenty years later, it seems the first recorded death on

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<v Speaker 1>the property occurred. At that time. The keeper was a

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<v Speaker 1>man named George T. Clifford. His daughter, Ellen, who went

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<v Speaker 1>by Ella, apparently had a lot of affection for the property.

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<v Speaker 1>She was married in the lighthouse in nineteen o three,

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<v Speaker 1>and she returned to the quarters when she became seriously

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<v Speaker 1>ill in late January nineteen o five. It's not clear

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<v Speaker 1>what was making her sick, but many believes she suffered

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<v Speaker 1>from complications after giving birth five months earlier. The twenty

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<v Speaker 1>three year old passed on the evening of January twentieth,

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<v Speaker 1>and it's believed she breathed her last in the keeper's residence.

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<v Speaker 1>There don't seem to have been any other deaths on

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<v Speaker 1>the property, but the lighthouse's history is full of more

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<v Speaker 1>eerie occurrences, like the time a flock of wild ducks

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<v Speaker 1>passed through the lens room, damaging the equipment, and the

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<v Speaker 1>lighthouse was the site of grave injustices too. In nineteen

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<v Speaker 1>oh nine, the US federal government forced several families to

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<v Speaker 1>relocate off the land surrounding the lighthouse. The officials claimed

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<v Speaker 1>this was federal territory and the families there had no

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<v Speaker 1>right to stay, in spite of the fact that many

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<v Speaker 1>had dwelled and paid property taxes there for decades. The

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<v Speaker 1>displaced residents included a widow named Winnie Hart. Her husband, Charles,

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<v Speaker 1>was an escaped, formerly enslaved person. According to a nonprofit

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<v Speaker 1>called Impact one hundred Pensacola, he worked on construction for

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<v Speaker 1>the lighthouse and other structures on the surrounding naval base.

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<v Speaker 1>How ironic that his family was no longer welcome on

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<v Speaker 1>the land he'd helped develop. In the nineteen thirties, the

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<v Speaker 1>Hatton family moved onto the property after the patriarch accepted

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<v Speaker 1>a job as lighthouse keeper. Winnie Who of the Pensacola

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<v Speaker 1>News Journal reports that when they surveyed the keeper's quarters,

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<v Speaker 1>they noticed a strange red stain on the floor in

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<v Speaker 1>the second story southeast bedroom. According to Who, the mark

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<v Speaker 1>was about a foot long, just beside the fireplace. Additionally,

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<v Speaker 1>there were circular red dribbles throughout the room, some up

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<v Speaker 1>to a quarter in diameter. No one in the hat

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<v Speaker 1>and family knew how it got there, but they recognized

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<v Speaker 1>what the stain was blood. The keeper's young son, Emmett Hatton,

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<v Speaker 1>watched his mother spend who knows how much time scrubbing

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<v Speaker 1>the floor to remove the disturbing splotches, but her efforts

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<v Speaker 1>were fruitless. The rusty discoloration was permanent. Who reported that

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<v Speaker 1>at some point in the nineteen fifties, one of the

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<v Speaker 1>lighthouse's residents must have installed vinyl tiles to cover the

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<v Speaker 1>blood stains. From then, the spots went undiscovered until nineteen

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<v Speaker 1>ninety four, when renovators pulled up the tiles and revealed

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<v Speaker 1>the old marks, still visible and unnerving roughly forty years later.

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<v Speaker 1>This kicked off a period of research in which countless

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<v Speaker 1>people tried to determine how so much blood could have

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<v Speaker 1>spilled on the floor. Two theories emerged, both of which

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<v Speaker 1>are unsupported by the historic record. Some say the spots

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<v Speaker 1>are the last remaining evidence of a homicide that took

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<v Speaker 1>place in the pensacle A lighthouse. Specifically, rumour says that

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<v Speaker 1>the very first lighthouse keeper, Jeremiah Ingraham, was killed by

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<v Speaker 1>his wife, Mikayla. Depending on the story, she may have

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<v Speaker 1>attacked him in a murderous frenzy because the isolation at

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<v Speaker 1>the remote lighthouse had driven her mad, or perhaps Jeremiah

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<v Speaker 1>attacked her first and Mikayla killed him in self defense. Ultimately,

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<v Speaker 1>those rumors are almost certainly idle speculation. Mikayla and Jeremiah

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<v Speaker 1>both died before the current lighthouse keeper's quarters were even built.

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<v Speaker 1>Other murderous gossip suggests the victim was one of the

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<v Speaker 1>keeper's anonymous assistants, but these stories date to the nineteen nineties,

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<v Speaker 1>well after the alleged homicide would have happened. Some argue

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<v Speaker 1>these discolourations are from when Ella Clifford Miller, the lighthouse

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<v Speaker 1>keeper's daughter who died in the quarter's, gave birth. However,

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<v Speaker 1>the baby wasn't born in the lighthouse, but in a hospital,

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<v Speaker 1>so the mystery remains unsolved today. That said, when people

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<v Speaker 1>visit the blood stained bedroom, many report that even after

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<v Speaker 1>all these years, it still smells like blood. Besides that,

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<v Speaker 1>visitors to the lighthouse have reported that doors open and

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<v Speaker 1>close by themselves, lights flicker, and bursts of cold air

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<v Speaker 1>rush through the building even on warm days. Guests may

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<v Speaker 1>hear disembodied voices or footsteps or knocking on the windows.

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<v Speaker 1>It's said that numerous people have been groped while ascending

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<v Speaker 1>the stairs, and at least one visitor felt someone pull

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<v Speaker 1>her hair. You hear similar accounts about the keeper's quarters,

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<v Speaker 1>plus stories about figures appearing in windows and a lingering

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<v Speaker 1>scent of tobacco even when no one is smoking. Alan

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<v Speaker 1>Brown's Ghosts of Florida's Gulf Coast says when tour guides

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<v Speaker 1>are alone in the residence, they hear disembodied voices calling

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<v Speaker 1>their names. One of the lighthouse's tour coordinators, Rob Booth,

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<v Speaker 1>says there are six ghosts who haunt the Pensacol Lighthouse,

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<v Speaker 1>but only two have a verifiable history with the building.

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<v Speaker 1>These are Ella, the keeper's daughter, and another lighthouse keeper

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<v Speaker 1>named Samuel Lawrence. He's said to lurk in the stairwell

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<v Speaker 1>and at the top of the tower, grabbing visitors who

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<v Speaker 1>ascend the steps. Local lore suggests two enslaved people named

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<v Speaker 1>Thomas and Reynald also haunt the lighthouse grounds. Booth claims

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<v Speaker 1>they ran away, only to be recaptured and hanged near

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<v Speaker 1>the lighthouse, but there's no record of such an execution

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<v Speaker 1>in the area. Of course, that doesn't rule out the

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<v Speaker 1>possibility of an unrecorded lynching. If Thomas and Reynold's story

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<v Speaker 1>is true, one of them may be the figure who

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<v Speaker 1>has been spotted in the basement of the keeper's quarters.

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<v Speaker 1>The specter, who may be a child or an adult,

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<v Speaker 1>looks like an enslaved person and is sometimes seen hiding

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<v Speaker 1>behind the stairs. The last two spirits Booth identified were

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<v Speaker 1>both children, a girl named Lizzie and a boy named Joey.

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<v Speaker 1>They both supposedly died of yellow fever in nineteen twenty two,

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<v Speaker 1>but there's no documented yellow fever outbreak that year. There

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<v Speaker 1>was one in eighteen twenty two, but this redated the

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<v Speaker 1>construction of the lighthouse, so once more, it's challenging to

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<v Speaker 1>verify how much of this story is real. We may

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<v Speaker 1>never know the names of all these ghosts or how

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<v Speaker 1>they came to be at the Pensacola Lighthouse, but that

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<v Speaker 1>hasn't stopped the building from earning a reputation as one

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<v Speaker 1>of the most haunted lighthouses in the United States. In

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<v Speaker 1>his book Ghosts of Florida's Gulf Coast, Alan Brown described

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<v Speaker 1>a woman who's been seen walking along the catwalk at

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<v Speaker 1>the top. When the beacon turns its brilliant light on her,

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<v Speaker 1>it shines straight through as though she's transparent. Guests have

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<v Speaker 1>also seen a child and a kind elderly woman roaming

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<v Speaker 1>through the tower, and some visitors say they've spotted the

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<v Speaker 1>original lighthouse keeper and his wife, Jeremiah and Mikayla Ingraham,

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<v Speaker 1>And concerningly, some spectral encounters have a threatening edge to them. Earlier,

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<v Speaker 1>I mentioned a renovation that happened in the early nineteen nineties,

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<v Speaker 1>which resulted in the bloodstains on the bedroom floor being uncovered.

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<v Speaker 1>During that same project, a pair of workers found a

0:14:00.960 --> 0:14:05.000
<v Speaker 1>coil of rope encircling some water pipes. As Alan Brown

0:14:05.040 --> 0:14:08.280
<v Speaker 1>wrote in Ghosts of Florida's Gulf Coast, the workers tried

0:14:08.320 --> 0:14:11.559
<v Speaker 1>to remove the rope, but hadn't finished. When their shift ended.

0:14:11.960 --> 0:14:15.280
<v Speaker 1>They left a job partially done, presumably intending to resume

0:14:15.280 --> 0:14:18.160
<v Speaker 1>the next day. Instead, they returned in the morning to

0:14:18.240 --> 0:14:21.120
<v Speaker 1>find the rope wasn't on the pipes anymore. It had

0:14:21.160 --> 0:14:24.160
<v Speaker 1>been suspended from a light fixture in the shape of

0:14:24.360 --> 0:14:27.200
<v Speaker 1>a noose. Now as to whether this was intended as

0:14:27.240 --> 0:14:30.560
<v Speaker 1>a warning, a threat, or a spectral prank is hard

0:14:30.560 --> 0:14:33.320
<v Speaker 1>to say, but we can learn more about the spirits

0:14:33.320 --> 0:14:36.200
<v Speaker 1>of the Pensacola Lighthouse by talking to people who have

0:14:36.400 --> 0:14:39.600
<v Speaker 1>investigated it. I'm one of those folks, and so is

0:14:39.640 --> 0:14:46.640
<v Speaker 1>my next guest, mister Adam Berry. All right, so I

0:14:46.720 --> 0:14:51.160
<v Speaker 1>am now joined by almost a series regular here on

0:14:51.240 --> 0:14:54.880
<v Speaker 1>Haunted Road, mister Adam Berry. Welcome to the program, mister Berry.

0:14:55.240 --> 0:14:57.920
<v Speaker 2>Right, and you're the best to interview, so Amy, tell

0:14:57.960 --> 0:15:00.640
<v Speaker 2>me about your experiences at Lightouse.

0:15:01.800 --> 0:15:05.200
<v Speaker 1>It's so funny because when I was looking for someone

0:15:05.280 --> 0:15:08.800
<v Speaker 1>to interview about the Pensacola Lighthouse. I actually had a

0:15:08.840 --> 0:15:12.120
<v Speaker 1>lot of trouble because it's on a military base, and

0:15:12.160 --> 0:15:14.800
<v Speaker 1>so it's not really a place that people get to

0:15:14.840 --> 0:15:17.280
<v Speaker 1>investigate very often. Like it was actually a really big

0:15:17.320 --> 0:15:21.880
<v Speaker 1>deal that we got to investigate there, and so like

0:15:21.920 --> 0:15:24.480
<v Speaker 1>I found one person who had investigated, but it had

0:15:24.520 --> 0:15:27.880
<v Speaker 1>been like, you know, fifteen years ago, and I was like, wow,

0:15:27.920 --> 0:15:30.960
<v Speaker 1>I know Adam and I investigated it together fairly recently

0:15:31.040 --> 0:15:34.200
<v Speaker 1>in twenty twenty two, and I had investigated it even

0:15:34.240 --> 0:15:37.520
<v Speaker 1>before that in two thousand and nine with ghost Hunters.

0:15:37.560 --> 0:15:40.000
<v Speaker 1>So it turns out I'm the person who I know

0:15:40.040 --> 0:15:45.560
<v Speaker 1>who's investigated it more than anyone. Actually, what's really fun.

0:15:45.640 --> 0:15:48.000
<v Speaker 1>So I remember when we went back in twenty twenty two,

0:15:48.480 --> 0:15:50.160
<v Speaker 1>I thought this was all going to happen again. But

0:15:50.240 --> 0:15:53.000
<v Speaker 1>the first time we went there to investigate with ghost Hunters,

0:15:53.200 --> 0:15:56.680
<v Speaker 1>it was a way more secure of a location when

0:15:56.720 --> 0:15:59.880
<v Speaker 1>we investigated it in two thousand and nine with Ghosts.

0:16:01.160 --> 0:16:02.960
<v Speaker 1>I don't know what happened to the base since then,

0:16:03.120 --> 0:16:05.560
<v Speaker 1>but I remember like telling everybody when we went back,

0:16:05.960 --> 0:16:07.360
<v Speaker 1>when we go back now, I just want you to

0:16:07.360 --> 0:16:09.840
<v Speaker 1>know they're going to go through everything. They're very like

0:16:10.320 --> 0:16:12.840
<v Speaker 1>security is tight, because in two thousand and nine they

0:16:12.880 --> 0:16:14.880
<v Speaker 1>literally went through all of our gear that we had

0:16:14.880 --> 0:16:17.760
<v Speaker 1>to open all of our cases. They took dogs that

0:16:17.800 --> 0:16:20.680
<v Speaker 1>went through all, like all the cars, they had mirrors

0:16:20.680 --> 0:16:23.960
<v Speaker 1>where they looked under the vehicles. And when we went

0:16:24.000 --> 0:16:26.440
<v Speaker 1>back in twenty twenty two, none of that happened. Like,

0:16:26.480 --> 0:16:28.400
<v Speaker 1>I don't even think they checked our ID when we

0:16:28.440 --> 0:16:28.720
<v Speaker 1>went in.

0:16:29.440 --> 0:16:35.080
<v Speaker 2>Yeah, I do remember like driving into it and being like, oh,

0:16:35.120 --> 0:16:38.400
<v Speaker 2>we're on a military base. But then it was much

0:16:38.640 --> 0:16:41.240
<v Speaker 2>It was definitely not as secure as I would have

0:16:41.280 --> 0:16:43.120
<v Speaker 2>thought it was going to be. But I and I

0:16:43.160 --> 0:16:45.480
<v Speaker 2>don't know if there's I think there's a reason. It's

0:16:45.480 --> 0:16:46.120
<v Speaker 2>got to be a reason.

0:16:46.280 --> 0:16:48.680
<v Speaker 1>I think maybe it's just more open now or something.

0:16:48.720 --> 0:16:50.800
<v Speaker 1>It's more open to the public. But yeah, it was

0:16:50.920 --> 0:16:54.760
<v Speaker 1>just way more secure when we first went there. But regardless,

0:16:54.800 --> 0:16:57.200
<v Speaker 1>it's a really cool place. You and I have investigated

0:16:57.240 --> 0:17:01.560
<v Speaker 1>many lighthouses together. The one thing about this lighthouse that

0:17:01.600 --> 0:17:04.119
<v Speaker 1>I talked about in the history a little bit is

0:17:04.119 --> 0:17:09.320
<v Speaker 1>that there's really not a lot of verifiable history. There's

0:17:09.320 --> 0:17:10.720
<v Speaker 1>a lot of like lore.

0:17:11.160 --> 0:17:11.359
<v Speaker 2>You know.

0:17:11.359 --> 0:17:13.800
<v Speaker 1>We're like when we went to Saint Augustine, you know,

0:17:13.880 --> 0:17:16.400
<v Speaker 1>there were in fact, children who died there and there's

0:17:16.400 --> 0:17:18.560
<v Speaker 1>a record of that, and like here they see the

0:17:18.600 --> 0:17:21.760
<v Speaker 1>ghosts of children, but there's zero record of that happening.

0:17:21.880 --> 0:17:26.080
<v Speaker 1>So but that doesn't mean people aren't experiencing it, of course.

0:17:26.359 --> 0:17:28.959
<v Speaker 2>Yeah, I mean it looks like what's crazy to me

0:17:29.040 --> 0:17:32.840
<v Speaker 2>is it looks a lot like Saint Augustine Lighthouse. You know,

0:17:32.960 --> 0:17:36.359
<v Speaker 2>it's almost like a sister or a cousin, And so

0:17:36.680 --> 0:17:39.879
<v Speaker 2>when you pull up to it, you're like, oh, this

0:17:40.040 --> 0:17:41.800
<v Speaker 2>is going to be really creepy, Like there's got to

0:17:41.840 --> 0:17:45.800
<v Speaker 2>be something to it. And of course, you know, lighthouses

0:17:45.840 --> 0:17:50.640
<v Speaker 2>in general have really great history, a lot have spooky history,

0:17:50.800 --> 0:17:52.439
<v Speaker 2>but it was the only thing I could compare it

0:17:52.480 --> 0:17:56.120
<v Speaker 2>to when driving up and seeing it for the first time. Well.

0:17:56.200 --> 0:17:58.359
<v Speaker 1>I don't know about you, but because we have done

0:17:58.400 --> 0:18:02.359
<v Speaker 1>so many lighthouses, sometimes they kind of like meld into

0:18:02.440 --> 0:18:05.480
<v Speaker 1>my memory and I'm like, was that at this lighthouse

0:18:05.560 --> 0:18:07.919
<v Speaker 1>or was that at light this lighthouse? But I do

0:18:08.040 --> 0:18:11.800
<v Speaker 1>remember distinctly some of the things I experienced at Pensacola

0:18:11.800 --> 0:18:17.040
<v Speaker 1>in particular, were definitely footsteps that lighthouse keeper had to

0:18:17.080 --> 0:18:19.680
<v Speaker 1>go up and down those stairs every two hours, twenty

0:18:19.760 --> 0:18:23.200
<v Speaker 1>four hours a day, right, so the original keeper there,

0:18:23.640 --> 0:18:27.600
<v Speaker 1>and so I feel like he is still very much there,

0:18:27.800 --> 0:18:31.000
<v Speaker 1>like I just yeah, or at least that that presence,

0:18:31.040 --> 0:18:33.400
<v Speaker 1>Like I can't imagine he just never got a full

0:18:33.520 --> 0:18:35.960
<v Speaker 1>night's sleep, like I could not, Like he just had

0:18:35.960 --> 0:18:37.879
<v Speaker 1>to get up every two hours and walk all the

0:18:37.880 --> 0:18:40.440
<v Speaker 1>way up those stairs, yeah, and check on that light

0:18:40.520 --> 0:18:41.560
<v Speaker 1>and come all the way back down.

0:18:41.640 --> 0:18:45.040
<v Speaker 2>Yeah. It makes sense with buckets of oil, like buckets

0:18:45.080 --> 0:18:48.520
<v Speaker 2>of heavy oil. And here's what's here's the craziest thing.

0:18:48.600 --> 0:18:51.080
<v Speaker 2>And those of you who have never investigated a lighthous before,

0:18:51.680 --> 0:18:59.040
<v Speaker 2>wear really good sturdy shoes, especially if it's like wet

0:18:59.520 --> 0:19:05.280
<v Speaker 2>outside and like humid inside the lighthouse. Because this lighthouse, y'all,

0:19:05.920 --> 0:19:08.439
<v Speaker 2>I've never, like I've climbed to the top of a

0:19:08.480 --> 0:19:10.760
<v Speaker 2>lot of things. But when I tried to climb to

0:19:10.800 --> 0:19:15.320
<v Speaker 2>the top of this lighthouse with Dave or with you specifically,

0:19:15.320 --> 0:19:20.040
<v Speaker 2>and with Dave, I was wearing converse and these metal

0:19:20.080 --> 0:19:22.880
<v Speaker 2>stairs go all the way up and there's like a handle,

0:19:22.960 --> 0:19:26.040
<v Speaker 2>but like it was slippery. So the higher that I got,

0:19:26.280 --> 0:19:29.359
<v Speaker 2>the more nervous I got, and on my foot kept slipping,

0:19:29.440 --> 0:19:31.320
<v Speaker 2>and I was like, this is an absolute no for me,

0:19:31.680 --> 0:19:35.040
<v Speaker 2>Like I I had to. I sat down. It was like, Nope,

0:19:35.160 --> 0:19:37.560
<v Speaker 2>not going any further. I'm just not going to go.

0:19:37.880 --> 0:19:44.680
<v Speaker 1>I felt like a terrible friend because you were so mortified,

0:19:44.840 --> 0:19:48.560
<v Speaker 1>Like you were legitimately just probably the most terrified I've

0:19:48.600 --> 0:19:49.199
<v Speaker 1>ever seen you.

0:19:49.480 --> 0:19:50.360
<v Speaker 2>Yeah, it's heights.

0:19:50.440 --> 0:19:53.919
<v Speaker 1>You were so afraid of flying, flying, you were so

0:19:54.040 --> 0:19:58.080
<v Speaker 1>afraid of falling down those stairs, and like it was slippery,

0:19:58.160 --> 0:20:00.240
<v Speaker 1>like it was just the condensation and everything, like it

0:20:00.320 --> 0:20:03.280
<v Speaker 1>was dangerously slippery. And it's so it's one hundred and

0:20:03.280 --> 0:20:07.119
<v Speaker 1>seventy seven steps if I remember correct, yes, So like

0:20:07.359 --> 0:20:10.080
<v Speaker 1>it was like if you fall, it's certain death or

0:20:10.080 --> 0:20:11.400
<v Speaker 1>at least, and.

0:20:11.320 --> 0:20:14.880
<v Speaker 2>It's gonna hurt. It's gonna hurt because the stairs are metal,

0:20:15.560 --> 0:20:18.760
<v Speaker 2>so you might like you'll start to roll, but like

0:20:18.920 --> 0:20:21.919
<v Speaker 2>it is going to hurt. And I had just I

0:20:21.920 --> 0:20:23.960
<v Speaker 2>think it was my birthday too, and I was like

0:20:24.040 --> 0:20:27.199
<v Speaker 2>I want to live to another year. Okay, So I

0:20:27.320 --> 0:20:30.160
<v Speaker 2>was like I am all set with going any higher

0:20:30.680 --> 0:20:34.679
<v Speaker 2>in this lighthouse. But I do remember like once we

0:20:34.720 --> 0:20:37.560
<v Speaker 2>got settled right, and once I like wrapped my arm

0:20:37.680 --> 0:20:42.760
<v Speaker 2>around the railing so that I would not fall. I

0:20:42.840 --> 0:20:47.840
<v Speaker 2>remember like Dave and I were investigating and we hurt. Oh, Cheato.

0:20:47.960 --> 0:20:49.840
<v Speaker 2>See now see Cheetoh's going to talk about it. He's

0:20:49.840 --> 0:20:50.760
<v Speaker 2>barking in the background.

0:20:51.880 --> 0:20:52.160
<v Speaker 1>Okay.

0:20:53.600 --> 0:20:56.400
<v Speaker 2>Dave and I were investigating once we got settled, and

0:20:57.080 --> 0:21:01.920
<v Speaker 2>we heard a very strange sound coming from the bottom

0:21:02.119 --> 0:21:05.600
<v Speaker 2>of the lighthouse and I couldn't it was like a

0:21:05.720 --> 0:21:09.920
<v Speaker 2>voice or something. It sounded mechanical, you know sometimes dissembodied

0:21:09.960 --> 0:21:17.000
<v Speaker 2>voices have that weird like have that weird like mechanical sound. Yeah. Yeah, yeah,

0:21:17.000 --> 0:21:19.960
<v Speaker 2>it's like a weird thing. And that's what it sounded like.

0:21:20.040 --> 0:21:22.400
<v Speaker 2>And we were both like that, it's very weird. And

0:21:22.640 --> 0:21:24.360
<v Speaker 2>you know, it took a soft guard, but it did

0:21:24.480 --> 0:21:27.360
<v Speaker 2>sound like a man, like it could have been a man,

0:21:27.440 --> 0:21:28.280
<v Speaker 2>maybe the light keeper.

0:21:29.240 --> 0:21:31.000
<v Speaker 1>I actually remember that happening. I don't know if they

0:21:31.040 --> 0:21:32.480
<v Speaker 1>showed it on the show, but I know you guys,

0:21:33.680 --> 0:21:36.880
<v Speaker 1>you guys radioed over like what is happening? Is someone outside?

0:21:36.960 --> 0:21:39.360
<v Speaker 1>And like, I want to check there was no one

0:21:39.359 --> 0:21:40.920
<v Speaker 1>out there. The door was closed.

0:21:41.240 --> 0:21:42.080
<v Speaker 2>Yeah.

0:21:42.160 --> 0:21:46.240
<v Speaker 1>And Tango's very hard on experiences too, Like he's one

0:21:46.280 --> 0:21:49.440
<v Speaker 1>of those people where like he's you know, he's very

0:21:49.520 --> 0:21:52.040
<v Speaker 1>very hard on evidence. And he was completely like, I

0:21:52.080 --> 0:21:54.360
<v Speaker 1>don't know what's going on here, and that's always weird

0:21:54.359 --> 0:21:57.040
<v Speaker 1>because when you're in the lighthouse, it's just you and

0:21:57.080 --> 0:22:00.520
<v Speaker 1>the like your camera operator whoever, you know, there's three

0:22:00.520 --> 0:22:02.480
<v Speaker 1>of you, like, and it's very clear to tell like

0:22:02.520 --> 0:22:04.720
<v Speaker 1>a sound is coming from somewhere else because the way

0:22:04.840 --> 0:22:08.400
<v Speaker 1>like it's like literally one big hollow tube and so,

0:22:09.960 --> 0:22:11.840
<v Speaker 1>which it can play tricks on you, but not in

0:22:11.880 --> 0:22:16.159
<v Speaker 1>that sense at all. And so and then there's also

0:22:16.280 --> 0:22:19.040
<v Speaker 1>like the keepers quarters are supposedly haunted, and so I

0:22:19.080 --> 0:22:22.400
<v Speaker 1>know that, like Britt and I Brit Griffith who used

0:22:22.400 --> 0:22:25.040
<v Speaker 1>to be on GH. So the first time I investigated there,

0:22:25.440 --> 0:22:29.240
<v Speaker 1>that was when Steve and Dave were doing Ghost Hunters Academy.

0:22:29.240 --> 0:22:33.239
<v Speaker 1>I think it was the first season, and so it

0:22:33.280 --> 0:22:36.000
<v Speaker 1>was me and Britt investigating, and I know we had

0:22:36.119 --> 0:22:40.879
<v Speaker 1>separated in the keeper's quarters and we were like really

0:22:40.920 --> 0:22:42.800
<v Speaker 1>far away from each other, basically trying to see if

0:22:42.800 --> 0:22:44.760
<v Speaker 1>we could see shadows between us because that's one of

0:22:44.840 --> 0:22:47.919
<v Speaker 1>the most kind of famous things that happened there. And

0:22:47.960 --> 0:22:51.040
<v Speaker 1>I know we heard a lot of unexplained noises in

0:22:51.040 --> 0:22:53.800
<v Speaker 1>that area. I just feel like it's just not investigated

0:22:53.800 --> 0:22:57.320
<v Speaker 1>that often, Like it's one of those spots that whatever

0:22:57.400 --> 0:23:01.080
<v Speaker 1>spirits are there, they're not having investigators coming in talking

0:23:01.119 --> 0:23:04.040
<v Speaker 1>to them very often, which makes me wonder like if

0:23:04.080 --> 0:23:06.359
<v Speaker 1>that affects the activity at all.

0:23:06.000 --> 0:23:08.200
<v Speaker 2>You know, I think so, because if you think about

0:23:08.240 --> 0:23:12.119
<v Speaker 2>a lightkeeper, like any lightkeeper, and you know, the ghost

0:23:12.119 --> 0:23:14.240
<v Speaker 2>associated with keeping a light, like they have a job

0:23:14.280 --> 0:23:18.280
<v Speaker 2>to do. It's almost like we I find that sometimes

0:23:18.359 --> 0:23:20.920
<v Speaker 2>you interact with spirits there that are still doing that job,

0:23:21.400 --> 0:23:24.480
<v Speaker 2>and so you come in and start asking them questions

0:23:24.760 --> 0:23:28.000
<v Speaker 2>and they can get really annoyed. They're like, look, I'm busy,

0:23:28.160 --> 0:23:30.399
<v Speaker 2>I got to make sure the light is lit. I

0:23:30.440 --> 0:23:33.280
<v Speaker 2>got to you know, keep doing this job that I

0:23:33.280 --> 0:23:36.520
<v Speaker 2>am supposed to do. It's like it's like a watchman,

0:23:36.640 --> 0:23:38.320
<v Speaker 2>like their watch is never over.

0:23:38.480 --> 0:23:41.679
<v Speaker 1>In a way, it's not. And I actually feel like

0:23:41.720 --> 0:23:44.560
<v Speaker 1>that's why so many lighthouses are that haunted. I feel

0:23:44.600 --> 0:23:48.359
<v Speaker 1>like there was this very diligent sense of duty, and

0:23:48.600 --> 0:23:53.280
<v Speaker 1>the routine portion of it is so in like it's

0:23:53.359 --> 0:23:57.199
<v Speaker 1>so like ingrained in that location. Like there's probably not

0:23:57.320 --> 0:24:01.280
<v Speaker 1>many jobs that just required complete and total routine like that.

0:24:01.680 --> 0:24:04.120
<v Speaker 1>You know, you have to do things at a certain time.

0:24:04.400 --> 0:24:07.320
<v Speaker 1>There's certain signals that you have to give at the

0:24:07.359 --> 0:24:10.600
<v Speaker 1>exact right moments. If the weather starts to turn a

0:24:10.600 --> 0:24:13.440
<v Speaker 1>certain way, you have to change, like you know the

0:24:14.080 --> 0:24:16.760
<v Speaker 1>pattern of the light, and like it just and now

0:24:16.840 --> 0:24:19.280
<v Speaker 1>it's like it's so routine that it was actually fairly

0:24:19.359 --> 0:24:23.920
<v Speaker 1>easy for humans to automate that eventually, which really kind

0:24:23.960 --> 0:24:27.520
<v Speaker 1>of got rid of the whole idea of a lighthouse keeper,

0:24:27.560 --> 0:24:29.879
<v Speaker 1>which is really depressing and sad to me because I

0:24:29.880 --> 0:24:32.119
<v Speaker 1>think it was probably one of its just kind of

0:24:32.119 --> 0:24:35.159
<v Speaker 1>one of the most I don't want to say, just

0:24:35.200 --> 0:24:37.240
<v Speaker 1>kind of an whol old school job, like you're the

0:24:37.320 --> 0:24:39.400
<v Speaker 1>keeper of the light. You're keeping this going, and you're

0:24:39.440 --> 0:24:43.360
<v Speaker 1>just like ensuring that chips don't crash, Like is there

0:24:43.400 --> 0:24:46.639
<v Speaker 1>anything more important than that? And now we've just given

0:24:46.680 --> 0:24:48.199
<v Speaker 1>that to machines.

0:24:48.640 --> 0:24:51.120
<v Speaker 2>I know, don't mess up, Like, don't mess up machines.

0:24:51.440 --> 0:24:54.359
<v Speaker 2>We I was going to say that, I mean, like

0:24:54.840 --> 0:24:58.879
<v Speaker 2>it also makes it easier for us to sort of

0:24:59.320 --> 0:25:02.720
<v Speaker 2>I guess trigger activity, if that makes sense, Like you know,

0:25:02.760 --> 0:25:07.640
<v Speaker 2>when we did the lighthouse in Newport, right, like we

0:25:07.640 --> 0:25:11.160
<v Speaker 2>were able to play cannon fire because the canon at

0:25:11.160 --> 0:25:14.160
<v Speaker 2>the fort would trigger you know, when the person would

0:25:14.160 --> 0:25:16.000
<v Speaker 2>go up and light the light for the night. Right.

0:25:16.440 --> 0:25:20.440
<v Speaker 2>So I think there's things, there's routines. I think there's

0:25:20.440 --> 0:25:25.160
<v Speaker 2>a set of rules and those are easily explored by

0:25:25.400 --> 0:25:30.040
<v Speaker 2>investigators to you know, to trigger activity. I think that that's.

0:25:29.880 --> 0:25:33.840
<v Speaker 1>A plus, now do you remember? And I think so too, like,

0:25:33.880 --> 0:25:35.840
<v Speaker 1>because all you have to do is kind of threaten

0:25:35.920 --> 0:25:39.840
<v Speaker 1>that routine and that can sometimes make things happen. Not

0:25:39.880 --> 0:25:43.080
<v Speaker 1>that I like to provoke, but like, there's that's one

0:25:43.080 --> 0:25:46.800
<v Speaker 1>instance where maybe a little bit of like, oh, we

0:25:46.920 --> 0:25:50.240
<v Speaker 1>might be getting off kilter here, right, instigate some activity.

0:25:50.720 --> 0:25:53.680
<v Speaker 1>But I don't know if you remember this, but one

0:25:53.680 --> 0:25:56.240
<v Speaker 1>of the stories there, and it's really hard. I'm surprised

0:25:56.240 --> 0:26:00.000
<v Speaker 1>no one has come in and tried to really debunk them.

0:26:01.160 --> 0:26:03.000
<v Speaker 1>But I saw it, and I don't remember if you

0:26:03.080 --> 0:26:07.760
<v Speaker 1>saw it. But so supposedly there's a large blood stain

0:26:07.920 --> 0:26:11.280
<v Speaker 1>in the keeper's quarters that cannot be cleaned. Yes, and

0:26:11.320 --> 0:26:15.119
<v Speaker 1>so it was, it was, it was covered up until

0:26:15.160 --> 0:26:18.119
<v Speaker 1>the mid nineties and then they were like, Rea, there

0:26:18.160 --> 0:26:21.000
<v Speaker 1>was linoleum over it, and so then they tore up

0:26:21.040 --> 0:26:23.840
<v Speaker 1>linoleum and they found the hardwood floors beneath and the

0:26:23.880 --> 0:26:27.359
<v Speaker 1>stain is still there and they have not been able

0:26:27.400 --> 0:26:30.399
<v Speaker 1>to determine, like they're just like, yep, it's blood, and

0:26:30.480 --> 0:26:32.199
<v Speaker 1>so part of me is just like, why can't we

0:26:32.400 --> 0:26:35.000
<v Speaker 1>test it? I really want to know, Like all you

0:26:35.080 --> 0:26:38.280
<v Speaker 1>need is like a cadaver dog or like some I mean,

0:26:38.320 --> 0:26:40.920
<v Speaker 1>I just I don't know why, like they hang under

0:26:40.960 --> 0:26:43.760
<v Speaker 1>that story and don't try to prove whether it's real

0:26:43.880 --> 0:26:44.119
<v Speaker 1>or not.

0:26:44.359 --> 0:26:46.440
<v Speaker 2>We had black lights. I think you and I walked

0:26:46.440 --> 0:26:48.760
<v Speaker 2>around with some black lights to like see if we

0:26:48.800 --> 0:26:52.360
<v Speaker 2>could see the stain at one.

0:26:52.200 --> 0:26:55.800
<v Speaker 1>Point, Yeah, and well you can see it. Yeah, it's

0:26:55.840 --> 0:26:59.840
<v Speaker 1>it's there. I just don't know how it's so easy

0:26:59.840 --> 0:27:01.840
<v Speaker 1>to look at it and just say, yep, it's blood,

0:27:02.560 --> 0:27:05.160
<v Speaker 1>you know, kind of a really big state and there's

0:27:05.160 --> 0:27:05.960
<v Speaker 1>some spattered.

0:27:06.240 --> 0:27:09.600
<v Speaker 2>Yeah. I think we did ask for like a testing kit,

0:27:09.840 --> 0:27:13.600
<v Speaker 2>but they and I and I'm you know when usually

0:27:13.760 --> 0:27:16.600
<v Speaker 2>so when we join other like Kindred Spirits, like joining

0:27:16.640 --> 0:27:19.320
<v Speaker 2>another show, we come up with these wild and crazy

0:27:19.359 --> 0:27:21.240
<v Speaker 2>ideas and we're usually just like, hey, can you get

0:27:21.280 --> 0:27:23.480
<v Speaker 2>us like a blood testing kit please? And so I

0:27:23.520 --> 0:27:26.439
<v Speaker 2>think they tried, but the kit just didn't work. It

0:27:26.480 --> 0:27:31.159
<v Speaker 2>wasn't like the right correct kit. Yeah, but I remember

0:27:31.160 --> 0:27:33.320
<v Speaker 2>they did go get something and they really tried to

0:27:33.359 --> 0:27:36.080
<v Speaker 2>see if we could get some like a kit to

0:27:36.119 --> 0:27:38.160
<v Speaker 2>test that that would.

0:27:39.359 --> 0:27:41.439
<v Speaker 1>I know, I remember they brought me in for like

0:27:41.520 --> 0:27:44.159
<v Speaker 1>the historical scene and that, you know, and that's one

0:27:44.200 --> 0:27:45.520
<v Speaker 1>of those things like you know, me, I do on

0:27:45.600 --> 0:27:48.560
<v Speaker 1>my own research. And so I walked in and they

0:27:48.720 --> 0:27:50.520
<v Speaker 1>I was like, well, all this happened, and they're like,

0:27:50.560 --> 0:27:52.600
<v Speaker 1>but we're focusing on this, and I was like, but

0:27:52.680 --> 0:27:56.199
<v Speaker 1>this happened. Yeah, But I was like, I was like,

0:27:56.240 --> 0:27:59.000
<v Speaker 1>don't you know, like on Kindred, I like find something

0:27:59.040 --> 0:28:01.000
<v Speaker 1>really crazy no one knew about, and then it changes

0:28:01.000 --> 0:28:03.400
<v Speaker 1>the direction of the entire case and they're like.

0:28:03.359 --> 0:28:06.359
<v Speaker 2>No, like no, we're good. I'm like, Okay.

0:28:08.440 --> 0:28:10.560
<v Speaker 1>That's why it's always fun to walk in to other

0:28:10.640 --> 0:28:12.240
<v Speaker 1>cases because the pressure.

0:28:11.880 --> 0:28:15.399
<v Speaker 2>Is not there exactly exactly. We just do it. We

0:28:15.440 --> 0:28:18.600
<v Speaker 2>do our own thing and you know, finda find some

0:28:18.640 --> 0:28:20.920
<v Speaker 2>really good stuff. And I think the coolest thing about

0:28:20.960 --> 0:28:24.200
<v Speaker 2>investigating lighthouses, or at least the ones that we've investigated,

0:28:24.760 --> 0:28:28.520
<v Speaker 2>especially the Pensacola Lighthouse, is the access that we get

0:28:28.560 --> 0:28:31.639
<v Speaker 2>when we're there, Like, you know, it's these people, this

0:28:31.760 --> 0:28:35.440
<v Speaker 2>is a historic monument. It stood for you know, over

0:28:35.480 --> 0:28:39.360
<v Speaker 2>one hundred years, and they trust us to go into

0:28:39.360 --> 0:28:42.800
<v Speaker 2>these spaces and to explore in the dark, to try

0:28:42.800 --> 0:28:45.200
<v Speaker 2>to connect with the spirits and I think we're very

0:28:45.280 --> 0:28:46.840
<v Speaker 2>lucky that we get to do that kind of thing

0:28:46.920 --> 0:28:50.040
<v Speaker 2>because mostly, you know, it's tours. You see it during

0:28:50.080 --> 0:28:53.400
<v Speaker 2>the day, there's ropes everywhere. But when we get to

0:28:53.440 --> 0:28:55.640
<v Speaker 2>do these kind of things, those ropes come down, and

0:28:55.720 --> 0:28:59.400
<v Speaker 2>so you we immerse ourselves in this environment and we

0:28:59.440 --> 0:29:01.160
<v Speaker 2>get to go back back in time for a brief

0:29:01.200 --> 0:29:03.640
<v Speaker 2>moment and really explore what it might be like to

0:29:04.120 --> 0:29:06.560
<v Speaker 2>you know, live there during like a big hurricane or

0:29:06.880 --> 0:29:08.600
<v Speaker 2>when it was really active. And I think that's the

0:29:08.640 --> 0:29:09.200
<v Speaker 2>best part.

0:29:09.480 --> 0:29:12.440
<v Speaker 1>Well, I try to I try to tell groups this

0:29:12.520 --> 0:29:15.320
<v Speaker 1>a lot. So like with Pentacola Lighthouse, like it's on

0:29:15.400 --> 0:29:18.120
<v Speaker 1>a base, and like we've done other places that are

0:29:18.160 --> 0:29:21.800
<v Speaker 1>you know, connected to like military or law enforcement or

0:29:21.840 --> 0:29:25.560
<v Speaker 1>like you need certain security clearances to do and they're

0:29:25.560 --> 0:29:27.440
<v Speaker 1>not going to trust any team with that. And that's

0:29:27.480 --> 0:29:30.720
<v Speaker 1>why I think it's really important, like when you're investigating

0:29:30.760 --> 0:29:35.040
<v Speaker 1>the paranormal, to kind of maintain that level of integrity

0:29:35.440 --> 0:29:38.040
<v Speaker 1>where places like that will feel good about bringing you

0:29:38.080 --> 0:29:40.040
<v Speaker 1>in because they know that you're going to do justice

0:29:40.080 --> 0:29:42.080
<v Speaker 1>to the history and they know you're going to do

0:29:42.240 --> 0:29:46.360
<v Speaker 1>justice to the activity and to their ghosts, and that's important.

0:29:46.400 --> 0:29:48.680
<v Speaker 1>I think that's why we get called into so many

0:29:49.080 --> 0:29:51.360
<v Speaker 1>you know, like we get called into libraries, ge get

0:29:51.360 --> 0:29:54.480
<v Speaker 1>called into schools, we get called obviously into military bases.

0:29:54.720 --> 0:29:57.440
<v Speaker 1>And I don't think that happens for a lot of

0:29:57.440 --> 0:30:00.800
<v Speaker 1>other paranormal shows, but I think paranormal teams in particular,

0:30:01.440 --> 0:30:05.200
<v Speaker 1>you can formulate that kind of reputation as a team

0:30:05.800 --> 0:30:07.720
<v Speaker 1>and get called into those places. You don't need a

0:30:07.760 --> 0:30:10.920
<v Speaker 1>TV show to do it. So that's one of the

0:30:11.480 --> 0:30:14.400
<v Speaker 1>many reasons why we tried to kind of be on

0:30:14.440 --> 0:30:15.800
<v Speaker 1>the level at all times.

0:30:16.360 --> 0:30:20.760
<v Speaker 2>Absolutely absolutely, and I think, you know, our reputation precedes us.

0:30:20.800 --> 0:30:23.920
<v Speaker 2>Thank god. Yeah. God.

0:30:23.960 --> 0:30:27.320
<v Speaker 1>Well, so they've okay, so I know they've seen an

0:30:27.320 --> 0:30:30.800
<v Speaker 1>apparition of a woman there, which they say is that

0:30:30.840 --> 0:30:33.040
<v Speaker 1>girl who died. She didn't actually I don't believe she

0:30:33.120 --> 0:30:36.160
<v Speaker 1>died on the property, or she might have died on

0:30:36.160 --> 0:30:39.080
<v Speaker 1>the property, but she had a very strong connection to it,

0:30:39.080 --> 0:30:41.800
<v Speaker 1>like she specifically came back to die there. Basically, she

0:30:41.840 --> 0:30:45.520
<v Speaker 1>gave birth to her baby and then never they say,

0:30:45.600 --> 0:30:47.920
<v Speaker 1>never quite recovered from that, and then five months later

0:30:48.480 --> 0:30:50.800
<v Speaker 1>died on the property. And so she's one of the

0:30:50.840 --> 0:30:53.920
<v Speaker 1>only like kind of deaths there. There was a keeper

0:30:53.960 --> 0:30:58.680
<v Speaker 1>who died while they were still serving as a lighthouse keeper.

0:30:58.800 --> 0:31:02.880
<v Speaker 1>So now there's this I weren't going by. You know,

0:31:03.320 --> 0:31:06.720
<v Speaker 1>we're waving way back away from the road. It's very

0:31:06.800 --> 0:31:12.800
<v Speaker 1>loud here today. I wanted to do this in person,

0:31:12.960 --> 0:31:15.520
<v Speaker 1>but A we never had a chance, and.

0:31:15.560 --> 0:31:17.640
<v Speaker 2>B, yeah, it was busy this weekend.

0:31:17.760 --> 0:31:20.920
<v Speaker 1>I did not have a second microphone to do it.

0:31:21.040 --> 0:31:26.440
<v Speaker 1>So okay, so let me get back to that kind

0:31:26.480 --> 0:31:29.480
<v Speaker 1>of shot there. I forgot where I was showing with it.

0:31:30.480 --> 0:31:33.040
<v Speaker 1>So they have seen this apparition of a woman that

0:31:33.120 --> 0:31:35.520
<v Speaker 1>might have been connected to that death. But like, I

0:31:35.560 --> 0:31:38.800
<v Speaker 1>did not see anything like that. I didn't really see

0:31:38.840 --> 0:31:42.800
<v Speaker 1>anything visual. Definitely heard sounds like you had that crazy

0:31:42.840 --> 0:31:48.200
<v Speaker 1>sound in the lighthouse. I absolutely heard footsteps, and so

0:31:48.440 --> 0:31:50.920
<v Speaker 1>there were definitely things going on, but I didn't get

0:31:50.960 --> 0:31:54.000
<v Speaker 1>the vibe that it was something like either a aggressive

0:31:54.160 --> 0:31:58.240
<v Speaker 1>or b like really trying to get anyone's attention. Like

0:31:58.280 --> 0:32:00.760
<v Speaker 1>it just seemed very much like it just sort of existed.

0:32:02.160 --> 0:32:05.880
<v Speaker 2>Yeah, I mean, I agree. I think it was almost

0:32:05.920 --> 0:32:09.120
<v Speaker 2>like again they were going about their business. They were

0:32:09.920 --> 0:32:14.120
<v Speaker 2>sort of you know, keeping the light, watching what we

0:32:14.120 --> 0:32:17.520
<v Speaker 2>were doing closely to be like, who are these people

0:32:17.600 --> 0:32:20.480
<v Speaker 2>and why are they in the space, but it was

0:32:20.520 --> 0:32:23.400
<v Speaker 2>almost like they were just going they were doing their thing,

0:32:23.520 --> 0:32:27.000
<v Speaker 2>and we were sort of there witnessing them continuing the

0:32:27.040 --> 0:32:30.600
<v Speaker 2>tradition of the lighthouse, and it didn't feel like it

0:32:30.640 --> 0:32:33.360
<v Speaker 2>didn't feel really aggressive or scary by any means.

0:32:33.720 --> 0:32:35.440
<v Speaker 1>Now, one of the weird things that I don't think

0:32:35.440 --> 0:32:37.560
<v Speaker 1>we talked about much when we went there with gh

0:32:37.680 --> 0:32:41.000
<v Speaker 1>is that during the building of the lighthouse and just

0:32:41.040 --> 0:32:43.560
<v Speaker 1>like kind of over the years, it kept being affected

0:32:43.600 --> 0:32:46.440
<v Speaker 1>by like weird natural disasters, like it was struck by

0:32:46.520 --> 0:32:49.400
<v Speaker 1>lightning at one point. But the weirdest one, which I

0:32:49.440 --> 0:32:51.040
<v Speaker 1>wanted to tell you because I wanted to see how

0:32:51.040 --> 0:32:55.360
<v Speaker 1>you feel about it, is that while they were building it,

0:32:55.440 --> 0:32:58.480
<v Speaker 1>there was this like freak occurrence where all of these

0:32:58.880 --> 0:33:01.800
<v Speaker 1>snakes like these I think they were even poisonous snakes

0:33:02.240 --> 0:33:05.680
<v Speaker 1>like traveled across the water and all came and started

0:33:05.760 --> 0:33:10.240
<v Speaker 1>nesting in the construction site and so like thousands of them,

0:33:10.560 --> 0:33:13.000
<v Speaker 1>so as they were trying to like build, they would

0:33:13.040 --> 0:33:14.720
<v Speaker 1>like fall down on the workers.

0:33:14.760 --> 0:33:20.560
<v Speaker 2>And no, no, that is Satan, that is a demonic

0:33:20.880 --> 0:33:25.320
<v Speaker 2>entity that is get out of my back. Nobody needs snakes.

0:33:25.600 --> 0:33:28.400
<v Speaker 2>Snakes and investigation. That's like w' that's terrible.

0:33:28.720 --> 0:33:31.320
<v Speaker 1>I know, I was just envisioning it, like these poor

0:33:31.480 --> 0:33:35.080
<v Speaker 1>people like trying to build and go about their day

0:33:35.680 --> 0:33:38.760
<v Speaker 1>and it's like infested with snakes. And it was just

0:33:38.760 --> 0:33:41.960
<v Speaker 1>like some weird fluke enough that like the newspaper reported

0:33:41.960 --> 0:33:44.680
<v Speaker 1>on it that all of these snakes had just come

0:33:44.760 --> 0:33:47.480
<v Speaker 1>up out of the water and made their home in

0:33:47.640 --> 0:33:50.520
<v Speaker 1>the construction zone where all of these men were working.

0:33:51.880 --> 0:33:54.200
<v Speaker 2>See, I don't know, I don't know, that's so weird.

0:33:54.280 --> 0:33:58.480
<v Speaker 2>I mean, obviously it's probably just a coincidence and not paranormal,

0:33:58.920 --> 0:34:02.320
<v Speaker 2>But like back then, I feel like or at any point,

0:34:02.520 --> 0:34:04.680
<v Speaker 2>you could take that as a sign as an omen

0:34:05.240 --> 0:34:08.520
<v Speaker 2>to be like do not like stop doing what you're doing,

0:34:08.800 --> 0:34:11.000
<v Speaker 2>you know what I'm saying, Like it could just throw

0:34:11.040 --> 0:34:12.200
<v Speaker 2>people off pretty bad.

0:34:12.400 --> 0:34:14.560
<v Speaker 1>Well, that was it. That was one of the many

0:34:14.640 --> 0:34:16.960
<v Speaker 1>things like that where people were like is this place cursed?

0:34:16.960 --> 0:34:19.320
<v Speaker 1>Like these kinds of things keep happening here, Like what's

0:34:19.360 --> 0:34:22.640
<v Speaker 1>going on? So I just ooh, it just gave me. Oh,

0:34:22.680 --> 0:34:24.719
<v Speaker 1>it just kind of made me feel like, you know,

0:34:24.960 --> 0:34:26.680
<v Speaker 1>I got the like gum.

0:34:26.760 --> 0:34:30.399
<v Speaker 2>Would you rather have? Like would you rather have like that?

0:34:30.680 --> 0:34:34.080
<v Speaker 2>Or like a bunch of mice and rats? Oh?

0:34:34.200 --> 0:34:39.279
<v Speaker 1>Probably the snakes, because mice and rats can give you diseases.

0:34:40.680 --> 0:34:42.200
<v Speaker 2>Well, snakes can bite you.

0:34:42.440 --> 0:34:46.000
<v Speaker 1>Yeah, but only when provoked, that's true.

0:34:46.120 --> 0:34:48.520
<v Speaker 2>Just leave them alone. Rats just come out of nowhere

0:34:48.560 --> 0:34:49.319
<v Speaker 2>and take you away.

0:34:49.480 --> 0:34:52.720
<v Speaker 1>I can like smell one mouse. I can't even imagine

0:34:52.800 --> 0:34:54.319
<v Speaker 1>like an infestation like.

0:34:54.640 --> 0:34:57.160
<v Speaker 2>Now, especially when they die in the wall and you

0:34:57.160 --> 0:34:58.760
<v Speaker 2>can't find them. You're like, well there.

0:34:58.719 --> 0:35:01.480
<v Speaker 1>Was that, and thank god. But I smelling moss from

0:35:01.480 --> 0:35:07.400
<v Speaker 1>a mile away. It's my little my weird nose super grows.

0:35:07.680 --> 0:35:08.000
<v Speaker 2>I know.

0:35:09.239 --> 0:35:12.800
<v Speaker 1>That's that's my other parent. That's actually I actually sniff

0:35:12.840 --> 0:35:14.480
<v Speaker 1>out ghosts. I don't know if you knew this. That's

0:35:14.480 --> 0:35:16.879
<v Speaker 1>why I have so many experiences. I can smell ghosts too.

0:35:17.280 --> 0:35:20.439
<v Speaker 2>Yeah, your fallback, your fallback in your in your life

0:35:20.480 --> 0:35:24.000
<v Speaker 2>should be like wrote it, like you know, you go

0:35:24.040 --> 0:35:26.200
<v Speaker 2>in and like track, yep, you got mice.

0:35:26.440 --> 0:35:29.839
<v Speaker 1>You got that's my plan B or ghost sniffer. I'm

0:35:29.840 --> 0:35:32.880
<v Speaker 1>going to write a book called ghost Sniffer Ghosts.

0:35:33.040 --> 0:35:35.800
<v Speaker 2>Yeah, you should make Oh that's what you. Fragrance is

0:35:35.920 --> 0:35:39.000
<v Speaker 2>next fragrance, Just two fragrances.

0:35:38.520 --> 0:35:40.719
<v Speaker 1>Okay, and this is usually what that's our cue that

0:35:40.719 --> 0:35:46.080
<v Speaker 1>we're done speaking. We have we have done this ran it.

0:35:47.040 --> 0:35:49.440
<v Speaker 1>But before we go, what do you want? What do

0:35:49.440 --> 0:35:51.040
<v Speaker 1>you want to talk? I know your book is out

0:35:51.080 --> 0:35:54.480
<v Speaker 1>and like a release now going strong? What else? What

0:35:54.600 --> 0:35:56.520
<v Speaker 1>else is going on in the world of Adam Barry

0:35:56.520 --> 0:35:57.080
<v Speaker 1>that the world needs?

0:35:57.320 --> 0:36:01.239
<v Speaker 2>Oh my god, Well, the book is out, you can

0:36:01.280 --> 0:36:06.399
<v Speaker 2>buy it wherever books are sold. And what else is happening? Well,

0:36:06.400 --> 0:36:08.399
<v Speaker 2>I don't know when is this air?

0:36:09.760 --> 0:36:13.759
<v Speaker 1>This will be probably in December, actually December.

0:36:13.880 --> 0:36:18.799
<v Speaker 2>Okay, Well, we're you know, doing I have a book

0:36:18.800 --> 0:36:22.480
<v Speaker 2>signing with Steve Gonzolvez in December, and I Ben and

0:36:22.480 --> 0:36:24.840
<v Speaker 2>I are doing a virtual cocktail party in December that

0:36:24.880 --> 0:36:27.480
<v Speaker 2>people can join. You know, it's very like staying at

0:36:27.520 --> 0:36:30.880
<v Speaker 2>home making bread and suits and getting off fat and sassy.

0:36:32.200 --> 0:36:34.239
<v Speaker 1>I love doing these a few weeks in advance because

0:36:34.239 --> 0:36:38.240
<v Speaker 1>it's like we're seeing into the future. So let's envision

0:36:38.360 --> 0:36:41.080
<v Speaker 1>what we'll be doing in December. I envision I will

0:36:41.120 --> 0:36:44.680
<v Speaker 1>be looking at my beautiful Christmas tree and eating a

0:36:44.680 --> 0:36:47.560
<v Speaker 1>lot of cookies and snuggling up and hopefully it will

0:36:47.600 --> 0:36:51.040
<v Speaker 1>be snowing, because it's only okay, if it snows before Christmas,

0:36:51.040 --> 0:36:55.560
<v Speaker 1>after is terrible. All right, So well, thank you, mister Barry.

0:36:55.600 --> 0:36:59.520
<v Speaker 1>I really appreciate you taking the time, and I're welcome.

0:36:59.640 --> 0:37:03.080
<v Speaker 1>I'm sure I will see you very soon. But good

0:37:03.160 --> 0:37:07.080
<v Speaker 1>luck with everything. And yeah, I guess that's it. I

0:37:07.080 --> 0:37:08.239
<v Speaker 1>guess we need to get back. Let's go to the

0:37:08.280 --> 0:37:10.640
<v Speaker 1>pensacle A lighthouse right now, because I guarantee it's warmer there.

0:37:11.160 --> 0:37:12.840
<v Speaker 2>Yeah, let's go now, Okay.

0:37:12.600 --> 0:37:20.799
<v Speaker 1>All right bye. Throughout history, lighthouses have served two purposes.

0:37:21.280 --> 0:37:25.759
<v Speaker 1>They keep ships safe and warn them of danger. Pensacola

0:37:25.880 --> 0:37:28.960
<v Speaker 1>and its lighthouse have long histories full of tragedy and

0:37:29.040 --> 0:37:32.680
<v Speaker 1>ominous portents. Between the hurricane and the venomous snakes and

0:37:32.719 --> 0:37:36.920
<v Speaker 1>the lightning strikes, the structure seems almost synonymous with disaster.

0:37:37.719 --> 0:37:40.640
<v Speaker 1>If there's any lesson to take from this haunted tower

0:37:40.680 --> 0:37:44.040
<v Speaker 1>and the quarters attached, perhaps it's that we should all

0:37:44.160 --> 0:37:48.040
<v Speaker 1>take care. Like a ship navigating through dark water, you

0:37:48.040 --> 0:37:52.279
<v Speaker 1>can never know for sure what risk lies ahead. I'm

0:37:52.320 --> 0:37:58.760
<v Speaker 1>Amy Brunei and this was haunted road. Are you tired

0:37:58.880 --> 0:38:03.280
<v Speaker 1>of the same old, vague Haitian destinations and cookie cutter experiences?

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<v Speaker 1>Do you crave a sense of mystery, wonder and adventure

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<v Speaker 1>that can't be found in ordinary travel brochures? Do you

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<v Speaker 1>listen to this podcast and think I'd like to visit

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<v Speaker 1>that spooky place. Well, that's why I started Strange Escapes,

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<v Speaker 1>a paranormal based travel company that takes you to some

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<v Speaker 1>of the most haunted locations in the world. Frankly, it's

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<v Speaker 1>my excuse to combine all of my favorite things, which

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<v Speaker 1>is ghosts, beautiful hotels, food and wine, and other weirdos

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<v Speaker 1>like me. To be honest, If that sounds right up

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<v Speaker 1>your alley and you want to learn more, then visit

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<v Speaker 1>Strange Escapes dot travel and hopefully you can join us sometime.

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<v Speaker 2>Also.

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<v Speaker 1>To keep up on all of my upcoming projects and appearances,

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<v Speaker 1>head to amybrune dot com. I have some really great

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<v Speaker 1>things in the works and I don't want you to

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<v Speaker 1>miss it. Thanks.

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<v Speaker 3>Haunted Roadies. Hauntad is hosted and written by me Amy Bruney,

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<v Speaker 3>with additional research by Cassandra de Alba. This show is

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<v Speaker 3>edited and produced by Rima Alkali, with supervising producer Josh

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<v Speaker 3>Thain and executive producers Aaron Menke, Alex Williams, and Matt Frederick.

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<v Speaker 3>Haunted road is a production of iHeartRadio and Grim and

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<v Speaker 3>Mild from Aaron Menkey. Learn more about this show over

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<v Speaker 3>at Grimandmild dot com and for more podcasts from iHeartRadio,

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<v Speaker 3>visit the iHeartRadio app, Apple Podcasts, or wherever you listen

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<v Speaker 3>to your favorite shows.