1 00:00:18,239 --> 00:00:20,919 Speaker 1: Welcome to part two of our interview with Lydia Cornell. 2 00:00:21,440 --> 00:00:23,360 Speaker 1: If you haven't listened to part one yet, go back 3 00:00:23,400 --> 00:00:26,439 Speaker 1: and listen to that first, because trust us, you do 4 00:00:26,520 --> 00:00:29,240 Speaker 1: not want to miss a second of this. Please welcome 5 00:00:29,240 --> 00:00:32,559 Speaker 1: back to the pod the Extraordinary Lydia Cornell. 6 00:00:32,800 --> 00:00:35,159 Speaker 2: What are some of the things. I mean, you're an 7 00:00:35,200 --> 00:00:38,720 Speaker 2: actor and you've directed and writing and teaching and mentoring 8 00:00:38,760 --> 00:00:41,440 Speaker 2: and public speaking and all of these things. What would 9 00:00:41,479 --> 00:00:45,160 Speaker 2: you say is one of the things professionally and personally 10 00:00:45,280 --> 00:00:46,839 Speaker 2: that you are most proud of? 11 00:00:47,400 --> 00:00:50,199 Speaker 3: Oh, well, personally as my son. I didn't know. 12 00:00:50,400 --> 00:00:53,519 Speaker 4: I wish i'd known sooner. How the joy of children. 13 00:00:53,600 --> 00:00:55,400 Speaker 4: I mean, I'm gaga right now with your. 14 00:00:55,240 --> 00:00:58,800 Speaker 3: Grandchildren that my boyfriend, Oh, I'm a weirdo. 15 00:00:59,240 --> 00:01:02,720 Speaker 4: I went to trade yours and started making strangers babies smile. 16 00:01:03,160 --> 00:01:05,479 Speaker 2: I went from oh, yeah, they're like. 17 00:01:07,080 --> 00:01:10,520 Speaker 4: It was really sweet. I mean, having a new grandchild. 18 00:01:10,680 --> 00:01:14,520 Speaker 4: And so Jack, my son is really happy. He doesn't drink, 19 00:01:14,880 --> 00:01:17,440 Speaker 4: he's got a really nice girlfriend. But they don't call me, 20 00:01:17,760 --> 00:01:18,319 Speaker 4: and I'm like, I. 21 00:01:18,360 --> 00:01:20,400 Speaker 3: Miss I wish I had more kids. 22 00:01:20,640 --> 00:01:24,080 Speaker 4: I know, I know, And I'm also very politically liberal, 23 00:01:24,160 --> 00:01:26,760 Speaker 4: so it's not like you know, I'm running around going 24 00:01:26,760 --> 00:01:27,880 Speaker 4: everybody should have kids. 25 00:01:28,120 --> 00:01:29,400 Speaker 3: It is sort of a bone. 26 00:01:29,200 --> 00:01:31,080 Speaker 4: Of contention right now. I think everyone should have the 27 00:01:31,160 --> 00:01:33,280 Speaker 4: choice to do what they need to do though with their. 28 00:01:33,200 --> 00:01:38,600 Speaker 3: Own Yeah, but that was like wow, that was the. 29 00:01:38,600 --> 00:01:40,839 Speaker 4: Beginning of my real journey in life where I grew 30 00:01:40,920 --> 00:01:45,280 Speaker 4: up becoming a mother. I'm not being selfish, letting go. 31 00:01:45,680 --> 00:01:47,560 Speaker 4: I have some wild Hollywood stories. 32 00:01:47,600 --> 00:01:49,760 Speaker 3: I mean, I was in the eighties. They sent us 33 00:01:49,760 --> 00:01:52,440 Speaker 3: to Manti Carlo three summers in a row. 34 00:01:52,480 --> 00:01:55,160 Speaker 4: I'm, you know, with Prince Albert and James Bond, the 35 00:01:55,200 --> 00:01:56,200 Speaker 4: two James Bonds. 36 00:01:56,280 --> 00:01:59,360 Speaker 2: And I don't know that I was going to say, 37 00:01:59,400 --> 00:02:02,040 Speaker 2: I don't know that there's Yeah, I know that doesn't 38 00:02:02,040 --> 00:02:05,760 Speaker 2: sound they don't do that any yet. Yeah, no, no, 39 00:02:06,320 --> 00:02:09,840 Speaker 2: the world professionally, Yeah, I didn't make it as far 40 00:02:09,880 --> 00:02:13,080 Speaker 2: as money Carlo, but I definitely was an ass in 41 00:02:13,080 --> 00:02:13,800 Speaker 2: the LA area. 42 00:02:14,320 --> 00:02:17,240 Speaker 4: Yeah, all over the world. 43 00:02:17,360 --> 00:02:19,440 Speaker 2: Yeah, I didn't have to travel far. I managed to 44 00:02:19,440 --> 00:02:20,320 Speaker 2: do it right here at home. 45 00:02:20,880 --> 00:02:25,480 Speaker 4: But I had a really wild, crazy, insane Yeah. And luckily, 46 00:02:25,919 --> 00:02:27,919 Speaker 4: good news is I never got I have a couple 47 00:02:27,960 --> 00:02:30,440 Speaker 4: of meet too stories. But I don't want to ruining 48 00:02:30,520 --> 00:02:34,160 Speaker 4: human's life right now. But I have to say there 49 00:02:34,200 --> 00:02:36,920 Speaker 4: was an agent. The first agent I met before I 50 00:02:36,960 --> 00:02:39,839 Speaker 4: even got the series, pulled his pants off in front 51 00:02:39,880 --> 00:02:40,040 Speaker 4: of me. 52 00:02:40,080 --> 00:02:43,160 Speaker 3: It was a big, famous agency, and I thought it 53 00:02:43,200 --> 00:02:45,120 Speaker 3: was just a rare event. I won't mention his name. 54 00:02:45,520 --> 00:02:48,880 Speaker 4: But another woman in a nineties start six months ago, 55 00:02:49,520 --> 00:02:51,480 Speaker 4: my boyfriend's telling her the story, and she said, Lydia 56 00:02:51,560 --> 00:02:54,200 Speaker 4: never says his name. She goes oh with it. It 57 00:02:54,280 --> 00:02:58,240 Speaker 4: happened to her too, twenty years later. What these things 58 00:02:58,280 --> 00:03:01,080 Speaker 4: happened back in those days. In the eighties, It felt 59 00:03:01,160 --> 00:03:03,200 Speaker 4: as if they used to make posters of me in 60 00:03:03,200 --> 00:03:06,680 Speaker 4: a bikini, and I was on all fours for ABC Network, 61 00:03:06,720 --> 00:03:11,160 Speaker 4: they had bikini posters. TED would be very upset over them, 62 00:03:11,200 --> 00:03:13,800 Speaker 4: but remote to show. They would use one of the 63 00:03:13,800 --> 00:03:17,200 Speaker 4: women as a sex in almost every show not in 64 00:03:17,240 --> 00:03:17,720 Speaker 4: your era. 65 00:03:17,840 --> 00:03:19,760 Speaker 3: I think it ended well. 66 00:03:19,760 --> 00:03:22,280 Speaker 2: Not on our show in particular. We had I mean 67 00:03:22,360 --> 00:03:26,240 Speaker 2: we had sort of the first season, uh we you know, 68 00:03:26,720 --> 00:03:29,640 Speaker 2: had Jesse. The first couple of seasons had had quite 69 00:03:29,639 --> 00:03:33,560 Speaker 2: a few women coming through that were sort of the 70 00:03:33,560 --> 00:03:35,960 Speaker 2: perceived sex symbol of the episode or whatever. But I 71 00:03:35,960 --> 00:03:39,400 Speaker 2: think because it was more of a family show, we 72 00:03:39,480 --> 00:03:43,840 Speaker 2: didn't necessarily have that. We had kind of like John 73 00:03:43,880 --> 00:03:46,400 Speaker 2: as the heart throb, so we had like the more 74 00:03:46,440 --> 00:03:48,640 Speaker 2: the male heart throb of the thing. But but it 75 00:03:48,680 --> 00:03:52,560 Speaker 2: wasn't like that, but I definitely know that was that 76 00:03:52,680 --> 00:03:54,040 Speaker 2: was it. It was like you were sort of the 77 00:03:54,080 --> 00:03:57,040 Speaker 2: sacrificial landlight. Well you're cute, so you're gonna that You're 78 00:03:57,120 --> 00:04:00,520 Speaker 2: gonna just be the the mostly naked one, and we're 79 00:04:00,680 --> 00:04:03,720 Speaker 2: you know, just gonna like and it's I mean, it is, 80 00:04:03,840 --> 00:04:08,320 Speaker 2: it's it's so much has changed in this industry and 81 00:04:08,320 --> 00:04:12,520 Speaker 2: so much has not right right, and you know, I uh, 82 00:04:13,240 --> 00:04:19,760 Speaker 2: certain convictions being overturned. But I but you know, I 83 00:04:19,760 --> 00:04:25,480 Speaker 2: I think that women like you and like the women 84 00:04:25,560 --> 00:04:28,159 Speaker 2: that spoke out in these movements talking about like this 85 00:04:28,240 --> 00:04:30,400 Speaker 2: is this is what it was, and this is what 86 00:04:30,440 --> 00:04:32,920 Speaker 2: we were like, this is what was common and what 87 00:04:32,960 --> 00:04:36,960 Speaker 2: we were expect, what was expected of who of what 88 00:04:37,000 --> 00:04:38,800 Speaker 2: you were. It was just that was it. Well, if 89 00:04:38,839 --> 00:04:40,800 Speaker 2: you're on a TV show then and you're cute, then 90 00:04:40,800 --> 00:04:43,760 Speaker 2: you're just going to be. There's no we can say 91 00:04:43,880 --> 00:04:44,560 Speaker 2: whatever we want. 92 00:04:44,640 --> 00:04:46,560 Speaker 4: And the worst thing is that when he did this 93 00:04:46,560 --> 00:04:49,920 Speaker 4: this agent, instead of being offended, I didn't want to 94 00:04:49,960 --> 00:04:51,640 Speaker 4: hurt his egos, so I giggled. 95 00:04:51,279 --> 00:04:53,200 Speaker 3: And sort of twirled out of the room like, oh, 96 00:04:53,200 --> 00:04:53,679 Speaker 3: I left. 97 00:04:53,520 --> 00:04:56,719 Speaker 2: My heats in the cards. 98 00:04:56,880 --> 00:04:58,880 Speaker 5: That's what we're taught. Don't offend the. 99 00:04:59,200 --> 00:05:03,039 Speaker 2: Right it well, yeah, as women were taught, don't offend. 100 00:05:03,640 --> 00:05:07,599 Speaker 2: And it's also terrifying and in that moment you people 101 00:05:07,640 --> 00:05:10,880 Speaker 2: don't think about the fact that you go ah, yeah 102 00:05:10,920 --> 00:05:14,400 Speaker 2: and you either freeze flight or There's also what women 103 00:05:14,440 --> 00:05:17,400 Speaker 2: are taught, which is fun, which is usually when women 104 00:05:17,440 --> 00:05:20,920 Speaker 2: are faced with some sort of like you know, attack 105 00:05:21,200 --> 00:05:24,040 Speaker 2: or something that we find inappropriate or things like that, 106 00:05:24,080 --> 00:05:27,240 Speaker 2: often we are taught as women to be like, oh 107 00:05:27,279 --> 00:05:30,120 Speaker 2: and make that person comfortable because now we have since 108 00:05:30,160 --> 00:05:33,159 Speaker 2: we're in a dangerous situation, and so you know, speaking 109 00:05:33,200 --> 00:05:35,400 Speaker 2: out about those things like and talking about the stuff 110 00:05:35,400 --> 00:05:38,320 Speaker 2: that we that you know, like it's there is no 111 00:05:38,800 --> 00:05:41,240 Speaker 2: one answer to it or how you handle that sort 112 00:05:41,240 --> 00:05:45,440 Speaker 2: of situation, but the fact that we can now talk 113 00:05:45,480 --> 00:05:49,120 Speaker 2: about it more openly and that you know, uh, hopefully 114 00:05:49,279 --> 00:05:57,280 Speaker 2: this idea of sort of unfettered patriarchy within this business 115 00:05:57,720 --> 00:05:59,800 Speaker 2: has shifted a little bit. And I think, you know, 116 00:06:00,080 --> 00:06:05,800 Speaker 2: with women with women telling stories written by created by 117 00:06:05,960 --> 00:06:07,880 Speaker 2: directed by women, I mean that was I think one 118 00:06:07,880 --> 00:06:09,719 Speaker 2: of the things we were really proud about with Fuller 119 00:06:09,760 --> 00:06:13,880 Speaker 2: House too, was that with it being based on Steph 120 00:06:13,960 --> 00:06:17,640 Speaker 2: and DJ and Kimmy as adult women, we had the 121 00:06:17,680 --> 00:06:26,880 Speaker 2: capacity to include some really interesting female oriented storylines about relationships, parenting, 122 00:06:27,240 --> 00:06:30,599 Speaker 2: and IVF and you know, all of those things that 123 00:06:30,600 --> 00:06:34,320 Speaker 2: we got to cover that were really, really great. And 124 00:06:35,000 --> 00:06:37,480 Speaker 2: one of the things that you that you wrote is 125 00:06:37,640 --> 00:06:43,080 Speaker 2: a screenplay called Venus Conspiracy and Deborah van Volckenberg is 126 00:06:43,080 --> 00:06:45,800 Speaker 2: in it. But the logline reads, all human suffering is 127 00:06:45,839 --> 00:06:48,239 Speaker 2: caused by Victoria's secret and. 128 00:06:48,240 --> 00:06:50,320 Speaker 5: I love that. I love that so much. 129 00:06:51,560 --> 00:06:55,800 Speaker 2: Or you could replace it with Brandy Melville now you 130 00:06:55,839 --> 00:06:59,080 Speaker 2: know whatever that just rotate that out. But the story 131 00:06:59,120 --> 00:07:01,720 Speaker 2: involves uncovering a diabolical plot to keep women thin and 132 00:07:01,760 --> 00:07:05,080 Speaker 2: miserable for profit. So I would love to hear I mean, 133 00:07:05,120 --> 00:07:09,360 Speaker 2: I can imagine what inspired this screenplay, which is just 134 00:07:10,400 --> 00:07:13,480 Speaker 2: life and being a woman in the world, but it's 135 00:07:13,560 --> 00:07:18,000 Speaker 2: just so awesome. I love hearing about it. 136 00:07:18,080 --> 00:07:20,240 Speaker 3: Yeah, I'd love to get you in the sore. Here's 137 00:07:20,240 --> 00:07:22,200 Speaker 3: what happened for something, You'll tell you what inspired it. 138 00:07:22,920 --> 00:07:24,880 Speaker 4: In my first movie before I got Tea who Us 139 00:07:24,960 --> 00:07:27,320 Speaker 4: for Comfort, I got Tooose for Comfort, and then I 140 00:07:27,360 --> 00:07:29,800 Speaker 4: got this movie in the Greek Isles with three Oscar 141 00:07:29,840 --> 00:07:34,960 Speaker 4: with three legends, James Old Jones, Jose Ferrera and Lela Kendrova. 142 00:07:35,240 --> 00:07:36,920 Speaker 4: Oh wow, James ol Jones has just come off The 143 00:07:36,920 --> 00:07:39,480 Speaker 4: Great White Hope. He's a Tony Award winner and he 144 00:07:39,520 --> 00:07:42,360 Speaker 4: hadn't done Darth Vader yet. But he was a gentleman 145 00:07:42,400 --> 00:07:44,120 Speaker 4: and he brought his wife to the We were in 146 00:07:44,240 --> 00:07:48,800 Speaker 4: nine weeks in the Greek Isles in a Byzantine monastery 147 00:07:48,840 --> 00:07:53,120 Speaker 4: called Monembasia. It's a kind of a Dismith smooth or 148 00:07:53,160 --> 00:07:57,240 Speaker 4: tiny anyway, it's not quite an island. But and then 149 00:07:57,280 --> 00:07:59,400 Speaker 4: Martin Cove was in it, and Deborah Shelton and Mary 150 00:07:59,480 --> 00:08:01,880 Speaker 4: Louise Well and I had to wear a white bikini 151 00:08:01,880 --> 00:08:04,440 Speaker 4: the whole time, and there was a scene where they 152 00:08:04,440 --> 00:08:06,520 Speaker 4: wanted me to drown and. 153 00:08:06,480 --> 00:08:07,440 Speaker 3: Take off my top. 154 00:08:08,160 --> 00:08:10,200 Speaker 4: I refused to do nudity. I just didn't want to 155 00:08:10,200 --> 00:08:12,400 Speaker 4: do it. I knew one day and my kids would see. 156 00:08:12,240 --> 00:08:13,240 Speaker 3: It, and I just didn't want to do it. 157 00:08:13,600 --> 00:08:15,160 Speaker 5: Oh yeah, So they. 158 00:08:15,080 --> 00:08:18,320 Speaker 3: Tried to calm me into it. My sag union wasn't 159 00:08:18,320 --> 00:08:18,800 Speaker 3: on the set. 160 00:08:18,920 --> 00:08:22,160 Speaker 4: We were way, you know, way on an island, right, 161 00:08:22,240 --> 00:08:25,480 Speaker 4: and my manager wasn't there, and the director said, can 162 00:08:25,520 --> 00:08:28,040 Speaker 4: you just pull your top off and we'll get you 163 00:08:28,120 --> 00:08:31,000 Speaker 4: running into the ocean where you're going to drown. This 164 00:08:31,080 --> 00:08:32,960 Speaker 4: is after you know, I had to go swim out 165 00:08:32,960 --> 00:08:33,520 Speaker 4: about a mile. 166 00:08:33,760 --> 00:08:34,800 Speaker 2: You got a drown with your boobs. 167 00:08:35,040 --> 00:08:36,959 Speaker 3: I felt, well, I don't. 168 00:08:36,800 --> 00:08:39,559 Speaker 4: Want my front showing. He said, just the back will 169 00:08:39,559 --> 00:08:42,920 Speaker 4: be showing. And there's an underwater scuba diver camera and 170 00:08:42,960 --> 00:08:45,120 Speaker 4: they have to catch me, you know. And so I thought, well, 171 00:08:45,160 --> 00:08:47,199 Speaker 4: they're trying to trick me. So I had to out 172 00:08:47,240 --> 00:08:49,480 Speaker 4: with them. So I went to the ward of lady. 173 00:08:49,520 --> 00:08:51,880 Speaker 4: We only spoke she only swelled Greek, and there's a 174 00:08:51,880 --> 00:08:54,079 Speaker 4: big rock. We're hiding behind the rock with a dressing 175 00:08:54,160 --> 00:08:56,640 Speaker 4: room wood and we couldn't speak the same language. 176 00:08:56,679 --> 00:08:59,680 Speaker 3: But through lots of hand gesturing, she realized. 177 00:08:59,280 --> 00:09:02,960 Speaker 4: Oh, we're gonna I'll cover you with zinc ox side 178 00:09:03,200 --> 00:09:05,839 Speaker 4: white grease paint which is waterproof. Yeah. 179 00:09:05,920 --> 00:09:07,200 Speaker 2: Yeah, And we swee out. 180 00:09:07,120 --> 00:09:10,280 Speaker 4: Witted these people and it was amazing. Nico Master rockets 181 00:09:10,280 --> 00:09:11,439 Speaker 4: and all the producers were. 182 00:09:11,240 --> 00:09:14,840 Speaker 3: Like they couldn't use any of the breast footage. 183 00:09:15,360 --> 00:09:17,960 Speaker 4: So like, yes, I run into the ocean, Yeah, pop 184 00:09:18,000 --> 00:09:19,360 Speaker 4: off in the back. 185 00:09:19,440 --> 00:09:20,880 Speaker 3: It's naked. You know, you can see the movie. 186 00:09:20,880 --> 00:09:23,400 Speaker 2: It's right right, but the front it's like, you know, 187 00:09:23,440 --> 00:09:26,360 Speaker 2: the lifeguard knows was just white. You can't see it's 188 00:09:26,400 --> 00:09:29,199 Speaker 2: like clay makeup. Yeah, so that's brilliant. 189 00:09:29,559 --> 00:09:32,120 Speaker 4: My big, first, big incident of having to like really 190 00:09:32,280 --> 00:09:34,839 Speaker 4: stand up for my own rights, you know, even though 191 00:09:34,880 --> 00:09:36,360 Speaker 4: the film was a wonderful thing to do. 192 00:09:36,440 --> 00:09:38,040 Speaker 3: I love that movie. We had a great time on 193 00:09:38,080 --> 00:09:38,440 Speaker 3: the set. 194 00:09:39,280 --> 00:09:41,880 Speaker 4: Then I come to La and I ever von Valckenberg 195 00:09:41,920 --> 00:09:43,360 Speaker 4: because it's the part as my sister. 196 00:09:43,760 --> 00:09:45,040 Speaker 3: She was a Broadway actress. 197 00:09:45,559 --> 00:09:49,880 Speaker 4: She'd also hired, sorry hired to do a movie of 198 00:09:49,880 --> 00:09:53,000 Speaker 4: the Week for Chuck Freeze Productions out here, and they 199 00:09:53,120 --> 00:09:56,120 Speaker 4: fired her the minute they saw her because she had 200 00:09:56,200 --> 00:09:59,240 Speaker 4: gained five pounds, and they said, we're not only firing you, 201 00:09:59,280 --> 00:10:02,080 Speaker 4: we're gonna sue your agent for the weight game. And 202 00:10:02,200 --> 00:10:06,040 Speaker 4: I what, this can't be possible. That was the seed 203 00:10:06,080 --> 00:10:07,760 Speaker 4: of the beginning of me riding the screen flight. 204 00:10:08,800 --> 00:10:10,880 Speaker 2: Yeah, I was gonna say. I seemed to her like 205 00:10:10,920 --> 00:10:12,079 Speaker 2: that was like a thing. 206 00:10:12,760 --> 00:10:16,160 Speaker 4: Wow, you was skinny, and it was there's no way 207 00:10:16,200 --> 00:10:19,120 Speaker 4: this could be even true. So I started thinking about it, 208 00:10:19,160 --> 00:10:21,679 Speaker 4: and then when I got sober, this movie came out 209 00:10:21,679 --> 00:10:24,199 Speaker 4: of me fully formed because I've been. It opens in 210 00:10:24,320 --> 00:10:27,319 Speaker 4: Pompeii with the goddess Venus, and we're missing her head 211 00:10:27,400 --> 00:10:30,400 Speaker 4: the sculpture, and it's like this really mystical opening, and 212 00:10:30,400 --> 00:10:34,480 Speaker 4: then we're hurled into living day Pompeii and the ad 213 00:10:34,480 --> 00:10:36,600 Speaker 4: buyer in a toga is buying the statue of Venus 214 00:10:36,640 --> 00:10:39,320 Speaker 4: and he goes, she's too thin. Add more to the waist, 215 00:10:39,559 --> 00:10:41,760 Speaker 4: and then we cut to the ninety has to start 216 00:10:41,800 --> 00:10:43,959 Speaker 4: in the nineties because women are allowed to be a 217 00:10:43,960 --> 00:10:46,959 Speaker 4: little more of their own size today, right, You're allowed 218 00:10:47,000 --> 00:10:48,280 Speaker 4: to be yourself a bit. 219 00:10:48,520 --> 00:10:50,959 Speaker 3: But yeah, yeah, when I was coming up, you were 220 00:10:50,960 --> 00:10:52,040 Speaker 3: not allowed to gain a pound. 221 00:10:52,720 --> 00:10:55,720 Speaker 4: And in fact, I was told the producers yelled at 222 00:10:55,720 --> 00:10:58,080 Speaker 4: me for eating a burrito and a taco and then the 223 00:10:58,120 --> 00:11:00,440 Speaker 4: bag of Eminem's. They said, don't you know you're a symbol. 224 00:11:00,720 --> 00:11:01,560 Speaker 4: You can't eat starch. 225 00:11:02,320 --> 00:11:05,840 Speaker 2: In those days, it was called starch, right, wow. 226 00:11:05,880 --> 00:11:08,800 Speaker 4: So the food flew in the air and I went 227 00:11:08,840 --> 00:11:11,280 Speaker 4: crying to my dressing room and I remember, ooh, I 228 00:11:11,320 --> 00:11:12,840 Speaker 4: gotta do water pills or something. 229 00:11:12,880 --> 00:11:16,040 Speaker 3: And I wasn't blieming, but I I just start myself. 230 00:11:16,679 --> 00:11:20,320 Speaker 4: And when I turned thirty five, I remember walking into 231 00:11:20,400 --> 00:11:22,400 Speaker 4: Reuben cannons off with the casting director. 232 00:11:22,120 --> 00:11:24,600 Speaker 3: And he goes, you look pretty good for an old lady. 233 00:11:25,200 --> 00:11:26,320 Speaker 3: I was thirty five. 234 00:11:27,040 --> 00:11:29,400 Speaker 4: So you guys have no idea what the eighties were 235 00:11:29,400 --> 00:11:31,320 Speaker 4: really like if you were a second No. 236 00:11:31,480 --> 00:11:31,959 Speaker 3: You know what I mean? 237 00:11:32,000 --> 00:11:35,720 Speaker 2: Yeah, oh it was. It's only now are we seeing 238 00:11:36,360 --> 00:11:42,000 Speaker 2: women be able to age past thirty and have roles 239 00:11:42,040 --> 00:11:45,720 Speaker 2: written for women who were in between right sex symbol 240 00:11:45,840 --> 00:11:46,960 Speaker 2: and grandma, you know. 241 00:11:46,920 --> 00:11:47,200 Speaker 6: What I mean. 242 00:11:47,240 --> 00:11:49,080 Speaker 2: For a while, it was like once you weren't that. 243 00:11:49,120 --> 00:11:53,040 Speaker 2: It was like, well, you're of no use to us now, 244 00:11:53,320 --> 00:11:55,840 Speaker 2: thank you. Come back when you were a wrinkled raisin 245 00:11:56,000 --> 00:11:57,640 Speaker 2: and you know, and you're just like, what are you 246 00:11:57,640 --> 00:12:01,320 Speaker 2: talking like? There's so much and I love seeing it 247 00:12:01,360 --> 00:12:03,600 Speaker 2: now again, talking about you know, women creators and stuff 248 00:12:03,600 --> 00:12:07,000 Speaker 2: like women's lives in between all of that are so 249 00:12:07,600 --> 00:12:12,559 Speaker 2: layered and rich and multifaceted and fascinating. It's so nice 250 00:12:12,600 --> 00:12:16,160 Speaker 2: to see, you know. And and women like Olivia Coleman 251 00:12:16,360 --> 00:12:24,040 Speaker 2: and uh Melanie uh like Lynskey Yes from Yellow Jackets, 252 00:12:24,040 --> 00:12:27,720 Speaker 2: women who I think are beautiful and gorgeous and amazing 253 00:12:27,720 --> 00:12:31,120 Speaker 2: but they're but are talented and who make it fascinating 254 00:12:31,160 --> 00:12:33,679 Speaker 2: to watch the human experience, because that's what acting is, 255 00:12:34,040 --> 00:12:35,840 Speaker 2: and it's not like to me, I'm like, I don't 256 00:12:35,840 --> 00:12:38,079 Speaker 2: want to watch an actor just because they're attractive. In fact, 257 00:12:38,400 --> 00:12:42,479 Speaker 2: I don't. I want to watch someone who is interesting 258 00:12:43,040 --> 00:12:45,319 Speaker 2: to look like. I want to watch an interesting human. 259 00:12:45,400 --> 00:12:49,240 Speaker 2: I don't care if they're good looking or not or whatever. Like, 260 00:12:49,360 --> 00:12:51,920 Speaker 2: give me an interesting human. So I love that this 261 00:12:52,760 --> 00:12:57,640 Speaker 2: has been such a focus of your of your career 262 00:12:57,720 --> 00:13:00,200 Speaker 2: and of your work. And like, I think off and 263 00:13:00,520 --> 00:13:05,200 Speaker 2: you know, people talk about, you know, they as a 264 00:13:05,200 --> 00:13:10,040 Speaker 2: feminist to myself, but you know, so many people talk 265 00:13:10,080 --> 00:13:13,120 Speaker 2: about that it would be impossible to be a sex 266 00:13:13,120 --> 00:13:17,520 Speaker 2: symbol and a feminist. And I think that people then 267 00:13:17,600 --> 00:13:20,480 Speaker 2: are greatly missing the point of what feminism is, which 268 00:13:20,559 --> 00:13:23,160 Speaker 2: is that it's all about the choice to be any 269 00:13:23,200 --> 00:13:27,160 Speaker 2: of those things and to express yourself and be whoever 270 00:13:27,240 --> 00:13:29,800 Speaker 2: and however you want to feel as a woman. And 271 00:13:29,880 --> 00:13:33,600 Speaker 2: if that's sweatpants and no bra and like no makeup 272 00:13:34,000 --> 00:13:39,440 Speaker 2: and never cool, if that's dolling yourself up every day 273 00:13:39,520 --> 00:13:42,520 Speaker 2: and get getting all this stuff done, cool, Yeah, that's it. 274 00:13:43,200 --> 00:13:44,679 Speaker 2: It's all about how you want to do. 275 00:13:44,640 --> 00:13:47,600 Speaker 4: It, really, and we like, you know, plastic surgery is 276 00:13:47,600 --> 00:13:50,240 Speaker 4: really something that I feel sorry for people who've had it, 277 00:13:50,840 --> 00:13:51,840 Speaker 4: but I don't. 278 00:13:52,559 --> 00:13:54,640 Speaker 3: I'm not. I would never judge them. You know. 279 00:13:54,679 --> 00:13:56,920 Speaker 4: It's like what we were kind of forced to feel 280 00:13:56,920 --> 00:14:00,240 Speaker 4: that we had to have it. I didn't tried both 281 00:14:00,240 --> 00:14:02,760 Speaker 4: talks a few times, but I thank god didn't have 282 00:14:02,800 --> 00:14:07,760 Speaker 4: the money during the time after my husband left, right, 283 00:14:08,000 --> 00:14:10,000 Speaker 4: you know, I'm so glad because I want to be 284 00:14:10,240 --> 00:14:13,199 Speaker 4: gracefully even though I'm using on my other computer, I 285 00:14:13,320 --> 00:14:16,640 Speaker 4: use the zoom filters and all that, right, you know, 286 00:14:17,440 --> 00:14:19,520 Speaker 4: and you know it looks you're up higher. 287 00:14:20,440 --> 00:14:23,400 Speaker 2: Well you're right, yeah, well angles are everything, you know, 288 00:14:23,640 --> 00:14:26,280 Speaker 2: But that's but that's like the thing that and I 289 00:14:26,280 --> 00:14:28,040 Speaker 2: love seeing, you know, I have two daughters who are 290 00:14:28,040 --> 00:14:32,120 Speaker 2: sixteen and thirteen. Oh wow, And you know, seeing my 291 00:14:32,240 --> 00:14:38,280 Speaker 2: daughters like kind of dress and be more themselves and 292 00:14:38,680 --> 00:14:42,840 Speaker 2: you know, like it's it's a really exciting time I 293 00:14:42,840 --> 00:14:46,640 Speaker 2: think for young women. Yeah, in terms of like the 294 00:14:46,680 --> 00:14:50,920 Speaker 2: potential and the opportunity to really truly be like whatever 295 00:14:51,360 --> 00:14:55,560 Speaker 2: expression of female identity you want to be like that, 296 00:14:55,880 --> 00:14:57,280 Speaker 2: you know what I mean, there's kind of I love 297 00:14:57,320 --> 00:15:01,480 Speaker 2: that the road has widened ye considerably because because it 298 00:15:02,120 --> 00:15:05,120 Speaker 2: was you know, for women who lived through that time 299 00:15:05,280 --> 00:15:08,600 Speaker 2: of like you had to be a perfect you know, 300 00:15:09,800 --> 00:15:12,320 Speaker 2: this perfect thing, like that's impossible. 301 00:15:11,720 --> 00:15:14,280 Speaker 3: God, you have no idea, And men were very disdainful. 302 00:15:14,320 --> 00:15:17,640 Speaker 4: I remember I had an audition when the oct running 303 00:15:17,680 --> 00:15:19,560 Speaker 4: director looked at me and he went, you're one of 304 00:15:19,640 --> 00:15:22,160 Speaker 4: my favorite actresses. You're very funny. I wanted to come 305 00:15:22,160 --> 00:15:24,120 Speaker 4: in and read for my pilot, and I hadn't quit drinking. 306 00:15:24,400 --> 00:15:27,480 Speaker 4: My drinking career hadn't ended yet. And I brought an 307 00:15:27,600 --> 00:15:30,280 Speaker 4: entire bottle of vodka stuffed in the gym bag to 308 00:15:30,360 --> 00:15:35,920 Speaker 4: the CBS Lady's room executive ladies, and the genes, my 309 00:15:36,000 --> 00:15:39,400 Speaker 4: genes were so tight. I was doing stiletto heels and 310 00:15:39,800 --> 00:15:41,600 Speaker 4: it was like I walked in the room. I stumbled 311 00:15:41,640 --> 00:15:43,760 Speaker 4: into the room. I think I fell off top of 312 00:15:43,760 --> 00:15:44,640 Speaker 4: the casting director. 313 00:15:44,920 --> 00:15:48,720 Speaker 3: I was drunk. It's horrible, but I. 314 00:15:48,680 --> 00:15:50,640 Speaker 4: Thought, seven men on a couch looking at my body 315 00:15:50,680 --> 00:15:53,680 Speaker 4: up and down, is she perfect enough? It wasn't about 316 00:15:53,680 --> 00:15:56,480 Speaker 4: the affecting That's how I felt. Right, of course, it 317 00:15:56,520 --> 00:15:58,200 Speaker 4: probably was, but it was all in my head. 318 00:15:59,240 --> 00:15:59,720 Speaker 3: They were just. 319 00:15:59,720 --> 00:16:02,960 Speaker 2: Well, I would yeah, I would say probably, I'd say 320 00:16:02,960 --> 00:16:05,920 Speaker 2: you probably weren't wrong. Yeah that at nine times, you know, 321 00:16:06,000 --> 00:16:09,360 Speaker 2: eight times out of ten. Particularly then it was it 322 00:16:09,400 --> 00:16:11,160 Speaker 2: was more about what you look like than who you 323 00:16:11,200 --> 00:16:12,800 Speaker 2: were and what you brought to a character. 324 00:16:13,760 --> 00:16:16,720 Speaker 1: And this is why male executives shouldn't be the only 325 00:16:16,720 --> 00:16:19,560 Speaker 1: ones in charge, because women don't want to see perfect 326 00:16:19,640 --> 00:16:20,360 Speaker 1: women on TV. 327 00:16:20,440 --> 00:16:21,120 Speaker 5: We want to see. 328 00:16:20,960 --> 00:16:24,600 Speaker 1: Ourselves reflected in the characters that we watch on TV. 329 00:16:25,000 --> 00:16:27,040 Speaker 1: So I don't want to see like perfect bodies and 330 00:16:27,080 --> 00:16:28,880 Speaker 1: bombshell like, I want to see someone that looks like me, 331 00:16:28,880 --> 00:16:32,120 Speaker 1: who's flawed and he has blemishes and everything. 332 00:16:31,840 --> 00:16:35,160 Speaker 2: Right, but flawed both internally and externally and just human. 333 00:16:35,280 --> 00:16:39,600 Speaker 2: I you know, like, give me, give me a photo 334 00:16:39,840 --> 00:16:43,480 Speaker 2: on Instagram that has some skin texture to it? Good God, please? Yes, 335 00:16:43,840 --> 00:16:45,840 Speaker 2: I know your skin doesn't look like that. There's your 336 00:16:45,920 --> 00:16:48,240 Speaker 2: fuzzy You look like you're made of velvet. What's wrong 337 00:16:48,280 --> 00:16:50,920 Speaker 2: with you? Stop? You know, like I'm like, am I 338 00:16:51,640 --> 00:16:54,320 Speaker 2: my eyes blurry? Why are you so velvety? 339 00:16:54,520 --> 00:16:54,720 Speaker 6: You know? 340 00:16:55,000 --> 00:16:58,400 Speaker 2: Like it's wild to me? Yeah, And again that's what 341 00:16:58,520 --> 00:16:59,920 Speaker 2: you go for it. You want to do it, but 342 00:17:00,160 --> 00:17:03,320 Speaker 2: like also, you know, but you don't have to. You 343 00:17:03,360 --> 00:17:05,640 Speaker 2: don't have to. I think it's it's more it's it's 344 00:17:05,800 --> 00:17:09,560 Speaker 2: really this message of like learning that you can doll 345 00:17:09,640 --> 00:17:12,800 Speaker 2: it up or dress it down, but that the inherent 346 00:17:12,960 --> 00:17:15,680 Speaker 2: worth is all about the inside stuff. 347 00:17:15,840 --> 00:17:19,720 Speaker 4: Oh I love it, Yes, we got that's so wonderful 348 00:17:19,800 --> 00:17:23,440 Speaker 4: that you said that. Hey, we were dogs sitting McFly. 349 00:17:24,000 --> 00:17:27,280 Speaker 4: Oh we love dogs. 350 00:17:27,280 --> 00:17:29,320 Speaker 5: He's welcome to join the podcast. Dogs are welcome. 351 00:17:29,359 --> 00:17:38,159 Speaker 2: Yeah, yeah, yeah, we're total dog people are here. 352 00:17:41,280 --> 00:17:44,880 Speaker 3: In the movie, the woman is this, she's a Venus girl. 353 00:17:44,960 --> 00:17:48,359 Speaker 4: She represents the pharmaceutical empire called Venus, which is the 354 00:17:48,400 --> 00:17:50,880 Speaker 4: front they own everything a biotech company and they own 355 00:17:50,880 --> 00:17:53,680 Speaker 4: all this shell companies and they own like the media too, 356 00:17:53,760 --> 00:17:57,640 Speaker 4: so MTV and you know general moods and mood slings. 357 00:17:57,880 --> 00:17:59,880 Speaker 3: It's a comedy that it's got a real plot. 358 00:17:59,720 --> 00:18:04,199 Speaker 2: Driven scary right, kind of like idiocracy when you're like 359 00:18:04,359 --> 00:18:08,720 Speaker 2: ahah right yeah, like yeah yeah, you're like this is hello, 360 00:18:09,000 --> 00:18:09,879 Speaker 2: this is true. 361 00:18:09,960 --> 00:18:12,000 Speaker 4: And they catch her she's supposed to be a size 362 00:18:12,040 --> 00:18:16,160 Speaker 4: to and they catch her like the castapo these advertising 363 00:18:16,359 --> 00:18:20,959 Speaker 4: sects and undercover photos, eating donuts in her car and 364 00:18:21,000 --> 00:18:24,359 Speaker 4: like they catch her and they catch her wearing a 365 00:18:24,359 --> 00:18:26,800 Speaker 4: girdle and she's like I'm giving up. She starts to 366 00:18:26,880 --> 00:18:29,119 Speaker 4: jump off the cliff where they're filming the video and 367 00:18:29,160 --> 00:18:31,720 Speaker 4: she doesn't you know, It's like you think she's gonna 368 00:18:32,359 --> 00:18:34,080 Speaker 4: she just jumps on the three feet of stand and 369 00:18:34,160 --> 00:18:37,560 Speaker 4: runs away from recruit and she discovers its plot and 370 00:18:37,600 --> 00:18:41,320 Speaker 4: it's all like a plotted thriller. But Marco Robie said, 371 00:18:41,320 --> 00:18:44,480 Speaker 4: we're looking for the next big event movie, not Barbie. 372 00:18:44,640 --> 00:18:46,359 Speaker 4: Now I have all these women's groups that want to 373 00:18:46,359 --> 00:18:48,480 Speaker 4: get the movie made. They wanted to years ago. 374 00:18:49,119 --> 00:18:51,400 Speaker 3: But men looked at me like I was crazy when 375 00:18:51,400 --> 00:18:52,680 Speaker 3: I used to pitch this movie. 376 00:18:52,520 --> 00:18:55,359 Speaker 2: Right, and then something, how are you talking about? You're like, 377 00:18:55,480 --> 00:19:02,280 Speaker 2: you're making us miserable when you're literally driving us insane, right, 378 00:19:03,480 --> 00:19:04,960 Speaker 2: it's crazy, right, Like. 379 00:19:05,560 --> 00:19:07,720 Speaker 3: So now it's time has come and I'm really excited. 380 00:19:07,880 --> 00:19:12,359 Speaker 2: So what an awesome like life experience, you know what 381 00:19:12,359 --> 00:19:14,199 Speaker 2: I mean to be able to go from that like 382 00:19:14,240 --> 00:19:17,359 Speaker 2: this is you know, you have a personal experience with 383 00:19:17,480 --> 00:19:23,720 Speaker 2: what the world of that sort of pressure is exactly. 384 00:19:24,000 --> 00:19:27,439 Speaker 2: And yeah, and then also like when you're a woman 385 00:19:27,800 --> 00:19:31,119 Speaker 2: who is also who is attractive and also smart and 386 00:19:31,160 --> 00:19:33,920 Speaker 2: also that you know all these things, it's like somehow 387 00:19:34,040 --> 00:19:36,800 Speaker 2: something has to get discredited. If you're if you're smart, 388 00:19:36,800 --> 00:19:39,040 Speaker 2: you can't be pretty. If you're pretty, you can't be smart, 389 00:19:40,119 --> 00:19:41,560 Speaker 2: because like you don't get to have both. 390 00:19:41,600 --> 00:19:43,280 Speaker 3: Well the America Pharira's speech. 391 00:19:43,960 --> 00:19:46,679 Speaker 4: You know you saw Barbie right, Oh yeah, yeah, the 392 00:19:46,720 --> 00:19:50,159 Speaker 4: America Perira's speech. I went goga because I wrote that 393 00:19:50,200 --> 00:19:51,880 Speaker 4: speech twenty years ago. I'm sure we all did. 394 00:19:52,560 --> 00:19:52,720 Speaker 2: You know. 395 00:19:52,920 --> 00:19:55,320 Speaker 4: Yeah, it's impossible to be a woman and you have 396 00:19:55,359 --> 00:19:57,760 Speaker 4: to pretend to be humble or else be you know, 397 00:19:57,800 --> 00:19:59,960 Speaker 4: you can't be happy for other women, or you can't 398 00:20:00,080 --> 00:20:02,240 Speaker 4: be too happy for right. 399 00:20:02,320 --> 00:20:03,920 Speaker 2: You can't be too much. You have to be thin, 400 00:20:04,320 --> 00:20:06,399 Speaker 2: not enough, right, you have to be thin but not 401 00:20:06,440 --> 00:20:09,040 Speaker 2: too skinny, but not too big, but not too It's 402 00:20:09,240 --> 00:20:12,520 Speaker 2: not too much of anything. Don't take up too much space, 403 00:20:13,560 --> 00:20:16,120 Speaker 2: you know. Don't be too loud, don't be I think 404 00:20:16,119 --> 00:20:18,440 Speaker 2: it's maybe part of the reason that I just am 405 00:20:18,600 --> 00:20:21,280 Speaker 2: uh loud, because I can be. 406 00:20:22,119 --> 00:20:24,240 Speaker 3: Are you guys you're still acting, right, can I love? 407 00:20:24,240 --> 00:20:27,679 Speaker 4: I've been reading up about what you're doing, so, yeah, 408 00:20:27,680 --> 00:20:29,480 Speaker 4: are you producing and all that stuff too? 409 00:20:30,240 --> 00:20:34,359 Speaker 2: I I am, Yeah, I'm producing, uh and and working 410 00:20:34,400 --> 00:20:39,399 Speaker 2: on some writing and working on producing a couple movies 411 00:20:39,480 --> 00:20:42,040 Speaker 2: and some other things, and then acting and doing like 412 00:20:42,119 --> 00:20:44,520 Speaker 2: you know, some of the fun some kind of stuff too. 413 00:20:44,640 --> 00:20:46,360 Speaker 3: You know, I had a stalker. A couple of years. 414 00:20:46,359 --> 00:20:49,200 Speaker 4: I accidentally moved my stocker into the house ago, but 415 00:20:49,359 --> 00:20:51,560 Speaker 4: this is actually more than a few years ago. 416 00:20:51,640 --> 00:20:54,919 Speaker 3: Kelsey Grammar and I had the same stalker and I 417 00:20:54,960 --> 00:20:55,360 Speaker 3: thought he. 418 00:20:55,320 --> 00:20:58,160 Speaker 2: Was at least you shared. You know, that was convenient. 419 00:20:58,240 --> 00:20:59,960 Speaker 2: I mean, two for the price of one. And I 420 00:21:00,240 --> 00:21:01,480 Speaker 2: was accused of them. 421 00:21:01,400 --> 00:21:05,520 Speaker 4: Of The stalker went to TMD and sold a story 422 00:21:05,840 --> 00:21:09,600 Speaker 4: claiming to be a war hero, and then he sued 423 00:21:09,680 --> 00:21:10,720 Speaker 4: Kelsey in myself. 424 00:21:12,080 --> 00:21:16,000 Speaker 2: You know, big classic sounds weirdly familiar. 425 00:21:16,960 --> 00:21:19,800 Speaker 3: Yeah, And so then the TMZ put out a picture 426 00:21:19,840 --> 00:21:23,320 Speaker 3: of me. This is what they do. Instead of putting. 427 00:21:23,119 --> 00:21:25,199 Speaker 4: Out a horrible picture of the stalker, they put out 428 00:21:25,240 --> 00:21:29,760 Speaker 4: a picture of me looking like a psychopath psychotic stalker 429 00:21:29,760 --> 00:21:32,640 Speaker 4: wants to bash my face in And I'm like, why 430 00:21:32,640 --> 00:21:33,840 Speaker 4: did they pick a picture of me him? 431 00:21:33,840 --> 00:21:34,399 Speaker 3: I look crazy? 432 00:21:34,440 --> 00:21:37,200 Speaker 4: And underneath the haters wrote, she's so ugly she needs 433 00:21:37,200 --> 00:21:38,119 Speaker 4: her face to be bashed. 434 00:21:38,160 --> 00:21:40,320 Speaker 3: You know, I went, why are they so mean? 435 00:21:40,920 --> 00:21:44,919 Speaker 4: Why can't the tabloids be kinder to women, you know, 436 00:21:44,960 --> 00:21:48,040 Speaker 4: on top of being and then they got the story wrong, 437 00:21:48,880 --> 00:21:49,400 Speaker 4: let me wrong? 438 00:21:49,480 --> 00:21:50,280 Speaker 2: Well, yeah that's that. 439 00:21:50,400 --> 00:21:53,280 Speaker 4: Yeah, I never sued Kelsey and they have not corrected 440 00:21:53,280 --> 00:21:53,720 Speaker 4: the story. 441 00:21:53,920 --> 00:21:55,640 Speaker 3: So in my book, I tell the whole funny story. 442 00:21:55,680 --> 00:21:58,159 Speaker 4: It's very funny. It's like a twelve episode crime and 443 00:21:58,240 --> 00:22:02,480 Speaker 4: the crime comic My odd but Chelsea die on the 444 00:22:02,480 --> 00:22:05,919 Speaker 4: same side. But then no one ever knew. Oh, to 445 00:22:05,960 --> 00:22:09,160 Speaker 4: make a long story short. Women, you have to fight 446 00:22:09,240 --> 00:22:10,679 Speaker 4: your own battles, and you have to do it with 447 00:22:10,760 --> 00:22:11,760 Speaker 4: a sense of humor. 448 00:22:13,119 --> 00:22:13,560 Speaker 2: Yeah. 449 00:22:13,720 --> 00:22:15,399 Speaker 3: Sorry, my voice is so ridiculous. 450 00:22:15,440 --> 00:22:19,440 Speaker 2: It's never no, you're no, please, it's totally no, you're good, 451 00:22:19,680 --> 00:22:22,879 Speaker 2: You're good now your book hiding my brain in my 452 00:22:22,920 --> 00:22:27,120 Speaker 2: bra How can we get our hands on this book? 453 00:22:27,119 --> 00:22:30,920 Speaker 2: Because I am I'm dying to hide it in my brain. 454 00:22:31,480 --> 00:22:34,960 Speaker 4: But it's not out yet. I'm so sorry. I have 455 00:22:35,000 --> 00:22:35,760 Speaker 4: to apologize to. 456 00:22:35,960 --> 00:22:39,000 Speaker 2: No, no, no, please don't don't. We are women, We 457 00:22:39,040 --> 00:22:40,920 Speaker 2: apologize too much. Don't apologize. 458 00:22:40,960 --> 00:22:42,399 Speaker 5: Put us on the put us on the list. 459 00:22:43,400 --> 00:22:47,840 Speaker 4: Read thank you for even asking my My mother died 460 00:22:47,880 --> 00:22:51,000 Speaker 4: in twenty twenty one and the first version of this book, 461 00:22:51,920 --> 00:22:53,879 Speaker 4: the agent, my agent said to me, it's too funny, 462 00:22:53,960 --> 00:22:56,359 Speaker 4: the book's too funny. Where are the dark parts, where's 463 00:22:56,400 --> 00:22:58,800 Speaker 4: the real story? And then I had to really get 464 00:22:58,840 --> 00:23:04,720 Speaker 4: real and so it's funny and dark and it's basically funny. 465 00:23:04,400 --> 00:23:08,200 Speaker 4: But I found letters my mother wrote after she died, 466 00:23:08,600 --> 00:23:12,000 Speaker 4: begging forgiveness. I never she never sent them. It opened 467 00:23:12,040 --> 00:23:14,480 Speaker 4: up an entire new can of worms. I took care 468 00:23:14,520 --> 00:23:18,360 Speaker 4: of her and her husband, my stepfather, when they had dementia. 469 00:23:19,240 --> 00:23:22,399 Speaker 4: And so that last bit isn't written yet. It's written, 470 00:23:22,680 --> 00:23:24,880 Speaker 4: I haven't quite quite put it in the right order. 471 00:23:24,960 --> 00:23:25,760 Speaker 2: Yeah. Yeah. 472 00:23:25,840 --> 00:23:28,240 Speaker 4: The agent now is like excited about it that he's 473 00:23:28,240 --> 00:23:31,120 Speaker 4: been waiting, and he's somebody who's a big producer too, 474 00:23:31,119 --> 00:23:32,879 Speaker 4: and said, I want to see a TV series in this. 475 00:23:33,440 --> 00:23:36,199 Speaker 4: So in the book or my series of when my 476 00:23:36,560 --> 00:23:38,960 Speaker 4: husband left he took a lot of my money, and 477 00:23:39,560 --> 00:23:42,199 Speaker 4: oh yeah, I forgave him and we still have a 478 00:23:42,200 --> 00:23:45,040 Speaker 4: good relationship. But I got it all back in some 479 00:23:45,240 --> 00:23:49,480 Speaker 4: through prayer, I mean, through recovery work and through forgiving 480 00:23:50,440 --> 00:23:51,880 Speaker 4: and not really worrying about it. 481 00:23:51,880 --> 00:23:55,280 Speaker 3: It's really strange and miss right. He's a funny guy. 482 00:23:55,359 --> 00:23:59,440 Speaker 4: But anyway, what's beautiful about that story is that there's 483 00:23:59,480 --> 00:24:01,000 Speaker 4: a lot of fall up in the book. And there 484 00:24:01,040 --> 00:24:02,360 Speaker 4: was something I was going to say that was really 485 00:24:03,560 --> 00:24:06,000 Speaker 4: but anyway, a book is hard to write when you 486 00:24:06,040 --> 00:24:08,119 Speaker 4: really want to make your whole Yeah, oh, I know 487 00:24:08,200 --> 00:24:10,400 Speaker 4: what it was. After my husband left, I rented rooms 488 00:24:10,400 --> 00:24:12,880 Speaker 4: on Airbnb in Beverly Hills, on my big Beverly Hills house, 489 00:24:13,320 --> 00:24:17,120 Speaker 4: and I had roommates from all over the world, from Russia, 490 00:24:18,080 --> 00:24:21,840 Speaker 4: an alcoholic roommate from Russia. I had crazy adventures, a 491 00:24:21,840 --> 00:24:26,040 Speaker 4: women from Poland, a stripper from Budapest, women from London, 492 00:24:26,440 --> 00:24:28,639 Speaker 4: all over the world and it was kind of fun. 493 00:24:29,600 --> 00:24:33,040 Speaker 4: And that part of the book is called Strangers with Keys. 494 00:24:33,400 --> 00:24:35,280 Speaker 4: So my partner, my other partner, and I've written an 495 00:24:35,359 --> 00:24:38,240 Speaker 4: entire TV series about crazy roommates. 496 00:24:38,720 --> 00:24:41,040 Speaker 2: Oh my god, yes, a full house. 497 00:24:41,160 --> 00:24:44,399 Speaker 3: I mean it was right, yeah, and you won't believe 498 00:24:44,400 --> 00:24:44,840 Speaker 3: the stories. 499 00:24:44,880 --> 00:24:47,399 Speaker 4: So anyway, he wants that series, and he wants to 500 00:24:47,400 --> 00:24:49,120 Speaker 4: see the book as a series. And it's got too 501 00:24:49,160 --> 00:24:52,960 Speaker 4: many stories in it, so it'll be a very when 502 00:24:52,960 --> 00:24:54,600 Speaker 4: it comes out. I hope it'll make you laugh. 503 00:24:54,640 --> 00:24:58,320 Speaker 2: That's all I well, I cat just from speaking with 504 00:24:58,400 --> 00:25:00,960 Speaker 2: you and hearing some of your stories. I'm very, very 505 00:25:01,000 --> 00:25:04,919 Speaker 2: excited to read it. And now it's making me remind 506 00:25:04,960 --> 00:25:07,560 Speaker 2: myself that I need to go and work on my book, 507 00:25:07,560 --> 00:25:10,120 Speaker 2: that I'm what are you writing my second one? Well, 508 00:25:10,680 --> 00:25:13,040 Speaker 2: nothing yet. That's the thing is I've been writing out 509 00:25:13,080 --> 00:25:15,400 Speaker 2: a lot of ideas and like outlines and reading other 510 00:25:15,480 --> 00:25:17,040 Speaker 2: books and being like, okay, here's the kind of what 511 00:25:17,080 --> 00:25:18,960 Speaker 2: I want. I had written a memoir in two thousand 512 00:25:18,960 --> 00:25:21,560 Speaker 2: and nine. Andrea also has her book Full Circle that 513 00:25:21,600 --> 00:25:26,320 Speaker 2: she wrote. When did that come out? Twenty twenty nineteen. 514 00:25:27,840 --> 00:25:30,159 Speaker 2: But yeah, but I think I'm I think I'm gonna 515 00:25:30,200 --> 00:25:31,240 Speaker 2: write a second one. 516 00:25:31,280 --> 00:25:31,840 Speaker 3: But it's good. 517 00:25:32,160 --> 00:25:33,160 Speaker 2: I suck at writing. 518 00:25:33,359 --> 00:25:34,280 Speaker 5: Yeah, time for part two. 519 00:25:34,480 --> 00:25:36,960 Speaker 3: Yeah, I'm writing a book on Stalin as well. And 520 00:25:37,000 --> 00:25:38,840 Speaker 3: I started back before I got the series, and I 521 00:25:38,840 --> 00:25:39,119 Speaker 3: got to. 522 00:25:39,080 --> 00:25:41,120 Speaker 2: Get back to oh okay, I'm a big history nerd, 523 00:25:41,200 --> 00:25:44,080 Speaker 2: so that I will also be fascinated by that. 524 00:25:44,280 --> 00:25:48,040 Speaker 4: Kind of Phylvia agloss stalls plot to kill Trotsky and 525 00:25:48,040 --> 00:25:49,880 Speaker 4: it was in the Medicivil War. 526 00:25:49,960 --> 00:25:52,720 Speaker 3: I was obsessed with this story, and by long hand, 527 00:25:52,760 --> 00:25:54,800 Speaker 3: I wrote, i'mlines. 528 00:25:54,640 --> 00:25:56,720 Speaker 4: And that book is like hundred pages and now I 529 00:25:56,720 --> 00:25:58,320 Speaker 4: got to condense it to five hundreds. 530 00:25:58,359 --> 00:26:02,879 Speaker 2: Oh wow, Oh that yeah, that was I always like 531 00:26:02,960 --> 00:26:05,800 Speaker 2: reading about the the the women sort of that you 532 00:26:06,160 --> 00:26:11,320 Speaker 2: don't care about that had incredible impacts on how things 533 00:26:11,440 --> 00:26:13,760 Speaker 2: really turned out. And we think it was just a 534 00:26:13,800 --> 00:26:16,680 Speaker 2: bunch of dudes making decisions but really it was not. 535 00:26:18,960 --> 00:26:30,639 Speaker 4: Exactly and I have to say how funny she was 536 00:26:30,720 --> 00:26:32,320 Speaker 4: in my episode. 537 00:26:32,720 --> 00:26:35,800 Speaker 5: Oh gosh. You know, we loved your episode. We reviewed 538 00:26:35,800 --> 00:26:39,040 Speaker 5: it a few weeks ago and you were so good. 539 00:26:39,240 --> 00:26:41,840 Speaker 5: You were so good, But we had. 540 00:26:41,680 --> 00:26:47,160 Speaker 2: Some issues with We have some thoughts on Senorita Mosley. 541 00:26:47,880 --> 00:26:51,800 Speaker 1: And I'm curious about your thoughts too about Senorita Moseley 542 00:26:52,040 --> 00:26:55,640 Speaker 1: kissing one of her students' fathers. 543 00:26:55,240 --> 00:26:57,640 Speaker 3: Like I couldn't believe it. 544 00:26:59,680 --> 00:27:02,040 Speaker 4: Towards I think the director said you kissed him, and 545 00:27:02,080 --> 00:27:04,919 Speaker 4: I went, I kissed him because he wasn't doing it 546 00:27:04,960 --> 00:27:05,400 Speaker 4: fast enough. 547 00:27:05,400 --> 00:27:07,120 Speaker 3: And at one point I just grabbed Bob's ship. 548 00:27:08,640 --> 00:27:10,760 Speaker 2: Really that kind of sounds like Bob though, because Bob's 549 00:27:10,760 --> 00:27:13,920 Speaker 2: were like I can imagine he would be like, it's. 550 00:27:13,840 --> 00:27:14,960 Speaker 5: Kind of awkward like that. 551 00:27:15,080 --> 00:27:19,760 Speaker 1: Yeah, yeah, but yeah, that was our thing was like, wow, 552 00:27:21,000 --> 00:27:23,440 Speaker 1: you read him mostly getting friendly, you know. 553 00:27:23,520 --> 00:27:26,320 Speaker 2: Like it was. And then we were also amazed at 554 00:27:26,359 --> 00:27:29,919 Speaker 2: the part where Senorata mostly comes to the house. Yeah 555 00:27:30,200 --> 00:27:34,200 Speaker 2: I'm asked for It's just like, hey, Mash, sorry, I'm 556 00:27:34,200 --> 00:27:36,440 Speaker 2: going to come over to your house and hangs it 557 00:27:36,600 --> 00:27:40,360 Speaker 2: up all over your house in Spanish. And obviously teachers 558 00:27:40,359 --> 00:27:42,960 Speaker 2: have plenty of time and money to do this. 559 00:27:43,119 --> 00:27:48,400 Speaker 1: So yeah, it was we were like, she was very forward, 560 00:27:48,600 --> 00:27:49,600 Speaker 1: she had no boundaries. 561 00:27:58,960 --> 00:28:02,119 Speaker 2: Yeah, it was so yeah funny, it was impressive. But 562 00:28:02,160 --> 00:28:04,639 Speaker 2: do you what do you remember about shooting the episode? 563 00:28:04,800 --> 00:28:07,160 Speaker 3: It was so much fun. And the guys all took 564 00:28:07,160 --> 00:28:07,680 Speaker 3: me to lunch. 565 00:28:09,840 --> 00:28:15,000 Speaker 4: Yeah, they Dave Coolier, Bob and John Samos. They all 566 00:28:15,040 --> 00:28:17,119 Speaker 4: took me to lunch at some place in Culver City 567 00:28:17,160 --> 00:28:18,600 Speaker 4: on a with a Korean. 568 00:28:19,560 --> 00:28:20,280 Speaker 3: Did you guys used to. 569 00:28:20,280 --> 00:28:22,280 Speaker 2: Go to the used to go to Little Girl all 570 00:28:22,440 --> 00:28:24,920 Speaker 2: the time, but there was times was in Culver City. Yeah, 571 00:28:25,040 --> 00:28:26,600 Speaker 2: that we used that everybody used to go to at 572 00:28:26,640 --> 00:28:27,040 Speaker 2: lunch time. 573 00:28:27,240 --> 00:28:29,960 Speaker 4: They were so much fun and just down home you 574 00:28:30,000 --> 00:28:31,520 Speaker 4: need a lot of women would go, oh my god, 575 00:28:31,600 --> 00:28:34,680 Speaker 4: you were with this guy. But they were just good friends. 576 00:28:34,720 --> 00:28:37,520 Speaker 4: They were really sweet. And I was friends with Yea 577 00:28:37,600 --> 00:28:40,920 Speaker 4: Franklin for years earlier and Bob Saggett through John Lovetts. 578 00:28:40,960 --> 00:28:45,600 Speaker 4: We were okay, I need saget floor and it was 579 00:28:45,680 --> 00:28:48,440 Speaker 4: just fun. I just had a last I had dark hair. 580 00:28:48,520 --> 00:28:50,920 Speaker 4: I dyed my hair dark, which is really more my 581 00:28:51,000 --> 00:28:52,040 Speaker 4: natural color. 582 00:28:52,360 --> 00:28:56,640 Speaker 3: Quite that dark to play in Quantum Leap the pilot. 583 00:28:56,720 --> 00:29:01,360 Speaker 6: Okay, I played the Ava Gardner Air Force wife, right, 584 00:29:02,560 --> 00:29:04,920 Speaker 6: and several other roles as a brunette, and then full 585 00:29:04,960 --> 00:29:07,080 Speaker 6: house came along and I thought, oh, statish teacher. 586 00:29:07,680 --> 00:29:10,479 Speaker 4: For some reason, in this industry, if you're blonde, you 587 00:29:10,480 --> 00:29:11,280 Speaker 4: can't do drama. 588 00:29:11,480 --> 00:29:13,360 Speaker 3: In my era, you were blonde. 589 00:29:13,040 --> 00:29:16,040 Speaker 4: You were only through comedy, Brnette, we can play drama 590 00:29:16,560 --> 00:29:17,920 Speaker 4: or ethnic characters. 591 00:29:18,040 --> 00:29:21,960 Speaker 1: Right, No, yeah, so many tropes, so many stereotypes. 592 00:29:21,760 --> 00:29:24,040 Speaker 3: Yes, yeah, yeah, you gotta love it. 593 00:29:24,040 --> 00:29:27,480 Speaker 4: Though, we have to evolve with me, roll with the 594 00:29:28,160 --> 00:29:28,880 Speaker 4: create our new. 595 00:29:28,720 --> 00:29:34,200 Speaker 2: Industry, exactly, exactly. Well, this has been such a wonderful 596 00:29:34,440 --> 00:29:39,400 Speaker 2: and incredible conversation, Lydia. I'm just I'm so thrilled that 597 00:29:39,440 --> 00:29:41,840 Speaker 2: we got to have you on this again. Like we 598 00:29:41,840 --> 00:29:44,760 Speaker 2: we grew up and got to meet and come into 599 00:29:44,800 --> 00:29:52,479 Speaker 2: contact with so many really uh like talented, mind blowing 600 00:29:52,520 --> 00:29:56,320 Speaker 2: people in this business, and you're definitely one of them. 601 00:29:56,320 --> 00:29:58,280 Speaker 2: And I'm so glad that we got to reconnect and 602 00:29:58,920 --> 00:30:03,680 Speaker 2: find out what you're up today because you're still a badass. Like, 603 00:30:03,800 --> 00:30:09,480 Speaker 2: thank you, This is just yeah, I'm all of you, truly, thank. 604 00:30:09,320 --> 00:30:09,760 Speaker 3: You so much. 605 00:30:09,800 --> 00:30:13,760 Speaker 4: You guys have beautiful spirits, beautiful hearts and gorgeous faces, 606 00:30:13,800 --> 00:30:15,560 Speaker 4: and I can't wait to see what you're doing next. 607 00:30:15,360 --> 00:30:16,480 Speaker 5: To Thank you. 608 00:30:16,480 --> 00:30:19,040 Speaker 1: You're so sweet, you are just such an inspiration. 609 00:30:19,840 --> 00:30:20,160 Speaker 3: Thank you. 610 00:30:20,720 --> 00:30:22,600 Speaker 5: Thank you so much for that time and for sharing 611 00:30:22,640 --> 00:30:25,440 Speaker 5: your life with us, so my whole day. 612 00:30:26,120 --> 00:30:27,720 Speaker 3: I'd love to have you on my podcast too, so 613 00:30:27,760 --> 00:30:28,600 Speaker 3: I let you know when we're here. 614 00:30:28,640 --> 00:30:30,960 Speaker 2: Yes, yeah, please let us know. We would love to 615 00:30:31,000 --> 00:30:31,920 Speaker 2: return the favor. 616 00:30:31,840 --> 00:30:34,800 Speaker 1: Before where else can we find you on the socials 617 00:30:34,960 --> 00:30:37,360 Speaker 1: or you please plug your podcast tell us. 618 00:30:37,760 --> 00:30:40,960 Speaker 4: I have a huge following on Twitter, well almost seventy thousand, 619 00:30:41,000 --> 00:30:43,760 Speaker 4: sixty five thousand, but that's. 620 00:30:43,000 --> 00:30:43,560 Speaker 3: Not that big. 621 00:30:43,600 --> 00:30:47,960 Speaker 4: I'm here to you guys, Facebook, Twitter, you know, all 622 00:30:47,960 --> 00:30:51,360 Speaker 4: the regular LinkedIn Instagram. Okay, trying to see off social 623 00:30:51,360 --> 00:30:53,400 Speaker 4: media while I'm writing, but it's really hard. 624 00:30:53,280 --> 00:30:56,560 Speaker 2: Right is it? At Lydia Lydia Cornell, Yes. 625 00:30:56,480 --> 00:31:00,840 Speaker 4: Lydia Cornell, l y d I Lydia again Cornell and 626 00:31:01,720 --> 00:31:04,440 Speaker 4: on YouTube and I have a podcast called God Shops 627 00:31:05,240 --> 00:31:06,680 Speaker 4: True Stories of Synchronicity. 628 00:31:06,960 --> 00:31:07,400 Speaker 2: Got it? 629 00:31:07,520 --> 00:31:11,760 Speaker 4: Not religious, It's about coincidence and uncanny, yady. 630 00:31:11,920 --> 00:31:13,200 Speaker 2: I love it. I want to check that out. 631 00:31:13,760 --> 00:31:17,160 Speaker 3: And a comedy therapy channel. So I'm gonna up based 632 00:31:17,200 --> 00:31:18,800 Speaker 3: on the book. I'll keep you posting. 633 00:31:18,960 --> 00:31:22,560 Speaker 2: Oh, my God, please do yes, thank you God, I 634 00:31:22,640 --> 00:31:22,880 Speaker 2: love you. 635 00:31:23,000 --> 00:31:23,440 Speaker 5: Love it. 636 00:31:23,560 --> 00:31:26,000 Speaker 2: Oh so lovely to talk to you. Thank you so 637 00:31:26,080 --> 00:31:28,400 Speaker 2: much for joining us today, Lydia. We really appreciate it. 638 00:31:28,520 --> 00:31:29,400 Speaker 5: Yeah, I love you guys. 639 00:31:29,520 --> 00:31:31,520 Speaker 6: Thank bye. 640 00:31:34,280 --> 00:31:34,520 Speaker 2: God. 641 00:31:34,560 --> 00:31:38,080 Speaker 5: I love her, she said, a girl like. 642 00:31:38,040 --> 00:31:40,200 Speaker 2: I really do. I have a big girl crush on her. 643 00:31:40,360 --> 00:31:41,920 Speaker 2: She is rad. 644 00:31:42,400 --> 00:31:44,440 Speaker 1: I can't believe at age thirty five, they told her 645 00:31:44,480 --> 00:31:46,800 Speaker 1: you're too old for this business, and here she is, 646 00:31:46,880 --> 00:31:50,640 Speaker 1: age seventy, still kicking ass right. I was still working, 647 00:31:50,760 --> 00:31:51,240 Speaker 1: and I'm. 648 00:31:51,120 --> 00:31:53,920 Speaker 2: Saying, like, we tell us, we can't tell us, we 649 00:31:53,960 --> 00:31:54,760 Speaker 2: can't do it. 650 00:31:54,760 --> 00:31:55,560 Speaker 5: It's like they dared. 651 00:31:55,880 --> 00:31:58,320 Speaker 2: She's like, hold my beer, you know, yeah, women these 652 00:31:58,440 --> 00:32:01,560 Speaker 2: days it's like, oh I can't. What do you say? Okay, yeah, sure, 653 00:32:01,760 --> 00:32:07,400 Speaker 2: hold this love. She's yeah, I really oh man. I 654 00:32:07,440 --> 00:32:09,080 Speaker 2: was gonna say I'm going to stalk her, but given 655 00:32:09,160 --> 00:32:11,120 Speaker 2: the story that she told, maybe that's not wrong. I 656 00:32:11,160 --> 00:32:13,840 Speaker 2: don't not like that. But I'm gonna write like, I'm 657 00:32:13,840 --> 00:32:16,680 Speaker 2: going to find her in a very way that makes 658 00:32:16,680 --> 00:32:19,520 Speaker 2: her not uncomfortable, in a legal way, and then yeah, 659 00:32:19,640 --> 00:32:22,840 Speaker 2: a very legal way and with lots of notice and 660 00:32:22,920 --> 00:32:26,680 Speaker 2: not at all being weird. But she's really awesome and 661 00:32:26,800 --> 00:32:28,960 Speaker 2: I mean, we didn't even touch on the fact that 662 00:32:29,000 --> 00:32:32,960 Speaker 2: her great grandmother is Harriet Beecher Stowe. He wrote Uncle 663 00:32:33,040 --> 00:32:37,240 Speaker 2: Tom's Cabin, which is still one of the most I 664 00:32:37,480 --> 00:32:43,120 Speaker 2: think important pieces of literature in American history, and like 665 00:32:43,240 --> 00:32:46,040 Speaker 2: she's an inventor, she's just yeah. 666 00:32:45,680 --> 00:32:50,600 Speaker 1: She's many hats, And there was just I'm like, yeah, 667 00:32:50,600 --> 00:32:52,520 Speaker 1: how do we prioritize what we talk about with her? 668 00:32:52,560 --> 00:32:54,560 Speaker 5: Because there's I could have talked to her all day, 669 00:32:54,720 --> 00:32:58,520 Speaker 5: Like it was so good. I'm so grateful to her that. 670 00:32:59,600 --> 00:33:01,480 Speaker 2: I'm so part and I'm so grateful that we were like, 671 00:33:01,560 --> 00:33:03,480 Speaker 2: let's have her on the show, Like that was sort 672 00:33:03,480 --> 00:33:06,680 Speaker 2: of a let's do it. And what a what a guest, 673 00:33:06,920 --> 00:33:10,600 Speaker 2: What an awesome, awesome treasure. And I can't wait to 674 00:33:10,680 --> 00:33:13,720 Speaker 2: read Hiding my Brain and my bra because I can't. 675 00:33:13,760 --> 00:33:17,480 Speaker 2: That's also where I hide my brain. I just shove 676 00:33:17,520 --> 00:33:19,840 Speaker 2: it in there sometimes when it falls out the chapstick 677 00:33:19,920 --> 00:33:23,400 Speaker 2: and yeah, yeah, yeah, some boob money. You know. It's 678 00:33:23,440 --> 00:33:24,880 Speaker 2: like when you go to have you ever I don't 679 00:33:24,880 --> 00:33:26,640 Speaker 2: know if you've ever been to like a liquor store 680 00:33:26,720 --> 00:33:28,200 Speaker 2: or like somewhere like on the corner, and they're like, 681 00:33:28,280 --> 00:33:31,040 Speaker 2: we will not accept boob or bra or sock money 682 00:33:31,080 --> 00:33:35,440 Speaker 2: if you ever have your never traveled to those areas. Yeah, 683 00:33:35,440 --> 00:33:36,080 Speaker 2: they don't want. 684 00:33:36,120 --> 00:33:37,240 Speaker 5: They don't want bra money. 685 00:33:37,480 --> 00:33:40,600 Speaker 2: You know there would be a no bra or sock 686 00:33:40,680 --> 00:33:43,680 Speaker 2: money because sometimes you just keep your cash in your 687 00:33:43,680 --> 00:33:46,080 Speaker 2: soccer in your bra. But it's no. 688 00:33:46,560 --> 00:33:49,000 Speaker 1: Yeah, that's hysterical. 689 00:33:49,440 --> 00:33:51,959 Speaker 2: Yeah. I think I'm just gonna hang that sign up 690 00:33:52,000 --> 00:33:56,360 Speaker 2: in my house. Please no bra or sock money. I 691 00:33:56,360 --> 00:33:58,440 Speaker 2: don't know what you're using it for. Just don't just. 692 00:33:58,400 --> 00:34:00,640 Speaker 5: Don't please go buy a wallet. 693 00:34:01,080 --> 00:34:05,800 Speaker 2: Oh please. Well that was a fabulous episode and I 694 00:34:06,760 --> 00:34:11,000 Speaker 2: I am just what an inspirational human being. She is 695 00:34:11,320 --> 00:34:14,080 Speaker 2: really incredible. I mean, I'm there. I feel like there's 696 00:34:14,200 --> 00:34:16,120 Speaker 2: very few people who can say that they have accomplished 697 00:34:16,200 --> 00:34:19,000 Speaker 2: that much in their career. So we feel extremely lucky 698 00:34:19,120 --> 00:34:20,759 Speaker 2: to have had the chance to talk with Lydia today. 699 00:34:20,800 --> 00:34:23,359 Speaker 2: And thank you Lydia Cornell for joining us, and thank 700 00:34:23,400 --> 00:34:27,240 Speaker 2: you to our Fana Ritos for listening. We adore you guys. 701 00:34:27,239 --> 00:34:29,840 Speaker 2: Thanks for listening to another episode of How Rude Tanner 702 00:34:29,920 --> 00:34:32,840 Speaker 2: Rito's with our wonderful guest, Lydia Cornell. Make sure that 703 00:34:32,880 --> 00:34:36,200 Speaker 2: you're following us on Instagram at how Rude Podcast. Or 704 00:34:36,239 --> 00:34:38,800 Speaker 2: you can send us an email at howardpodcast at gmail 705 00:34:38,880 --> 00:34:42,120 Speaker 2: dot com and make sure you're liking and subscribing to 706 00:34:42,160 --> 00:34:44,080 Speaker 2: the podcast wherever you're listening so that you can get 707 00:34:44,120 --> 00:34:46,640 Speaker 2: all of the newest episodes as soon as they are released. 708 00:34:47,160 --> 00:34:50,560 Speaker 2: And we'll see you guys next time for another recap 709 00:34:50,600 --> 00:34:54,160 Speaker 2: episode here on the how Rude Tanarito's podcast. And remember 710 00:34:55,280 --> 00:34:59,800 Speaker 2: the world is small, but the house is full boom, 711 00:35:00,000 --> 00:35:01,680 Speaker 2: and you should probably be careful who you give keys 712 00:35:01,719 --> 00:35:04,160 Speaker 2: Tom not. 713 00:35:04,280 --> 00:35:06,040 Speaker 5: But it's an ear out your money from your bra. 714 00:35:06,440 --> 00:35:08,360 Speaker 2: Yeah yeah, yeah, no no Bra or Zucker 715 00:35:16,840 --> 00:35:17,239 Speaker 3: M hm.