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Speaker 1: All right, Oh my gosh, it is time.

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Speaker 2: It's here, the launch of the reality podcast. The entire

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Speaker 2: reality world has been waiting for Rapaports Reality.

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Speaker 1: Yeah, we're doing.

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Speaker 3: It, starring Kimi Rapaport. Hello and me, Michael Rapaport.

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Speaker 2: Welcome, Welcome, Welcome, Welcome, Welcome to the very very first episode.

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Speaker 3: I can tell you're nervous. I am. I'm really nervous.

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Speaker 3: I know. We did.

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Speaker 1: We did a pilot. Did anybody here? Nobody heard it.

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Speaker 3: No, nobody heard the pilot. But it was great. It

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Speaker 3: got us on. iHeart Radio.

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Speaker 1: I know, I know.

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Speaker 2: iHeart Radio, the home of so many classic I.

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Speaker 1: Know, I know. But you're a professional at this. The

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Speaker 1: reason why I'm nervous.

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Speaker 3: You're all fucking nervous to ship.

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Speaker 1: It's just you and I sitting here. I'm nervous just

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Speaker 1: because you're really good at it, and you've given me

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Speaker 1: a lot of pointers, and I just want to impress you,

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Speaker 1: and I want, you know, the people to listen.

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Speaker 2: The people are going to listen to. People are gonna

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Speaker 2: like you. I gave you a little tech I freak.

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Speaker 2: I think I freaked out with your technical discord. But

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Speaker 2: because because if anybody's listening to this. It's thinking about

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Speaker 2: recording a podcast. The most important thing is not your content.

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Speaker 2: The most important thing is not what you're talking about.

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Speaker 2: It's not your logo, it's not your social media. The

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Speaker 2: very most important thing about recording any podcast is recording the.

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Speaker 1: Podcast, actually recording it, because if.

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Speaker 2: You if you record the podcast and don't press the

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Speaker 2: right button to save the podcast, then you have to

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Speaker 2: re record your podcast. And in the early days of

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Speaker 2: the I Am Rapport stereo podcast, it happened about three

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Speaker 2: to four times.

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Speaker 1: I've heard you scream a lot of bad words, saying

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Speaker 1: oh shit, oh shit, and.

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Speaker 3: See why are you cursing? Oh no, why are you

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Speaker 3: I said.

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Speaker 2: That I was not gonna curse, And listen, there you

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Speaker 2: are saying, sorry, I didn't you can say you can.

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Speaker 3: No, no, we don't have a believe I mean you

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Speaker 3: can curse.

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Speaker 1: I'm not going to. I I just.

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Speaker 2: Want to let people know this isn't gonna be the

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Speaker 2: normal Michael Rapport.

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Speaker 3: The fuck this fuck bad doing it.

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Speaker 2: I'm just letting people know this is let me just

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Speaker 2: say this and then I'll let you go into your thing.

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Speaker 3: For those of you who don't know, my wife and.

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Speaker 2: I lap up so much reality TV, because I'm sure

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Speaker 2: some of you people are like, wait, Michael Rapport, reality

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Speaker 2: TV all we watch besides sports and and full transparency.

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Speaker 2: I haven't been able to watch as much sports in

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Speaker 2: the last few months because of the traveling, because of

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Speaker 2: the chaos, and because we've been so behind on reality TV.

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Speaker 2: But for those of you who don't know, I'm a

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Speaker 2: reality TV junkie. My wife Kibi is a reality TV junkie.

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Speaker 2: It's a different side of me, it's a different po you.

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Speaker 2: So if you expect them to go shit, fuck, motherfucker,

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Speaker 2: fuck this person calling anybody stains of dicks and all that,

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Speaker 2: that's not going to be this episode.

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Speaker 3: That's not going to be this podcast.

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Speaker 2: The Rapports Reality is about our love for reality TV,

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Speaker 2: our love for each other. Yes, the struggles, the highs

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Speaker 2: and lows of more.

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Speaker 1: Highs and more reality, and the depths and the light

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Speaker 1: side of our relationship.

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Speaker 2: I'd say the light side of our relationship. There's really

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Speaker 2: not many lows in dark side. You know, I can

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Speaker 2: not on my part. Let's just say yes. Anyway, we're

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Speaker 2: we're in the throes of twenty twenty four reality TV.

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Speaker 2: There's so much, there's so much reality TV, and we've

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Speaker 2: had to play a little bit of catch up, a

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Speaker 2: lot of catch up actually, because there's so much reality

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Speaker 2: TV and there's so little time. And right now we

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Speaker 2: have and full transparency as of the recording of this episode.

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Speaker 2: We are behind on The Bachelor.

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Speaker 1: Really badly on The Bachelor. Actually, we're about.

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Speaker 2: Four episodes, three episodes behind on the Batcher. We're up

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Speaker 2: to speed on.

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Speaker 3: Trade Traders, which is.

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Speaker 2: A thing, sleeper, sleeper reality TV show, competitive show. Shout

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Speaker 2: out to Phaedra, fout out to Chara, Shout out to

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Speaker 2: the whole.

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Speaker 3: All those people.

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Speaker 2: Some of these people. I don't know, but it's a

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Speaker 2: great show. I'm not here to describe or break down

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Speaker 2: what Traders is. If you don't know, you better ask somebody.

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Speaker 2: We have the Real Housewives of Potomac. We have the

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Speaker 2: Real Housewives of Beverly Hills, which is heading into a reunion.

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Speaker 1: Behind on Love is Blind.

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Speaker 2: We're behind all Love Is Blind. We're caught up on

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Speaker 2: vander Pump Rules, We're caught up on all the lawsuits. Damn,

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Speaker 2: who is Andy Cohen's lawyer? Let's just jump into that.

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Speaker 1: Yeah, let's say it.

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Speaker 3: What is the problem with this I don't know.

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Speaker 1: What do you think? Because you know what I said

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Speaker 1: to you. You know I said to you this money?

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Speaker 1: You know what f that? Because you've done You're at

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Speaker 1: thirty times congratulations to you, thirty times on watch What Live?

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Speaker 1: And not one time has Andy ever asked you for

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Speaker 1: the to do the booger sugar?

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Speaker 2: Is that what you He's never ever ever been around

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Speaker 2: Andy Cohen many many many times, not one time. Thirty times.

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Speaker 2: I'll watch What Happens a lot. Maybe I should be offended.

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Speaker 1: We should? We should?

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Speaker 3: I mean, why can't I get offered the booger sugar?

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Speaker 1: That's ridiculous.

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Speaker 2: I mean the amount of people that are trying to

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Speaker 2: it's ladies, Nini, you were great.

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Speaker 1: On the Real House her because she's trying to ruin

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Speaker 1: we should? We should Sue McSweeney, is that mixsweet?

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Speaker 3: So?

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Speaker 1: I don't even know her name anymore. I raised her

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Speaker 1: from my memory because she's trying to ruin house These

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Speaker 1: people are trying to ruin Housewives for us, Like, what's deal?

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Speaker 1: So you're off the show and you just want to

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Speaker 1: ruin it for everybody?

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Speaker 3: What is the problem?

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Speaker 1: I don't know. No, really, what do you think it is?

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Speaker 2: I think personally, this would I think. I think that

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Speaker 2: these women come from nowhere. They get a lot of success,

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Speaker 2: a lot of opportunit unities. They get amount of fame

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Speaker 2: that's unusual. The kind of fame is in the unusual. Look,

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Speaker 2: we squeal and squawk when we see them. Yeah, it's true,

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Speaker 2: and we see them all the time. So there's other

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Speaker 2: people that squeal and squawk. They get brand deals, they

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Speaker 2: get a couple of little Instagram you know videos, uh,

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Speaker 2: you know, for sponsorship, this, that and the third. And

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Speaker 2: then when they're off the show, you still are being recognized.

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Speaker 2: People are still coming up to you on the street

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Speaker 2: telling you you're great, especially Meani. Nini's like, you can't

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Speaker 2: if Meini wasn't Nani, she'd still be noticeable when she

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Speaker 2: walks on the room.

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Speaker 3: She's tall, she got the blonde hair, She's a big presence.

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Speaker 3: And then it goes away and it goes away quickly. Yeah.

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Speaker 1: But you know, with Leah McSweeney in particular, the accusations

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Speaker 1: and the things she's saying, you know, the offering of

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Speaker 1: alcohol and the drugs and all this stuff. Her behavior

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Speaker 1: on the show. I know she got sober, but that

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Speaker 1: was no one's putting a gun to your head on

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Speaker 1: the show, saying to do these things. She did this willingly.

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Speaker 1: She knew what it was.

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Speaker 2: She said she was a badass bitch and that's right.

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Speaker 1: And she's as naked throwing sky torches like you did

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Speaker 1: all this. This was you, girl like and now you're off.

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Speaker 1: I wonder if some of it is. Now that you're off,

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Speaker 1: you're not asked back, You're kind of embarrassed by your behavior.

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Speaker 1: This is celluloid, it's out there forever, it's not going away.

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Speaker 1: And you feel a little like dare I say, like embarrassed, ashamed?

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Speaker 1: You wanted a race. You kind of don't have a

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Speaker 1: job anymore. You're not feeling valid. Maybe you're mob married

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Speaker 1: to the mob.

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Speaker 3: Shit's not selling Rihanna's not posting for you.

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Speaker 1: An yeah you're done though, Like you feel t shirt

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Speaker 1: and like maybe you just feeling like is this a thing?

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Speaker 1: Like I don't know, it would feel really sad if

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Speaker 1: that's the case.

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Speaker 2: I think it's a combination of of all those things.

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Speaker 2: And I say this with no malice, but so many

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Speaker 2: of these women that.

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Speaker 1: Would suck though, that would suck if that's the reason,

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Speaker 1: Like or does she really have real at it.

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Speaker 2: I'm sure her feelings are valid, but that doesn't mean,

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Speaker 2: you know, like.

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Speaker 1: Take somebody else own and to try.

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Speaker 2: To sue somebody that like for the kind of things

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Speaker 2: they're trying to sue. I don't think people understand how

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Speaker 2: hard it is to sue, how hard it is to sue,

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Speaker 2: how taxing, how expensive, how much time it takes, and

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Speaker 2: how complicated it is to sue somebody for something that

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Speaker 2: they're trying to sue.

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Speaker 3: Bravo and Bravo and Andy, Real.

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Speaker 2: Housewives of New York and all that, like, and just

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Speaker 2: the whole conglomerate of NBC.

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Speaker 3: Like.

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Speaker 2: The thing about Leah is that she was so good

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Speaker 2: that first season and her whole brand is being a

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Speaker 2: boss bitch, being an independent bitch, and you know, just

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Speaker 2: this whole persona. And then when you leave the show,

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Speaker 2: you're trying to sue.

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Speaker 1: Yeah, and you know it's so interesting. When she came

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Speaker 1: back to the Girl's Trip, it was a different Leah.

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Speaker 1: It was kind of a downer Liah. Remember the Girls Church.

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Speaker 4: She didn't want to participate, didn't want to participatetion. If

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Speaker 4: you think it's beneath you leave the show. Because me

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Speaker 4: as a viewer. If you think it's beneath you, you're

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Speaker 4: saying I'm beneath you for watching, and you're insulting me.

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Speaker 3: I love the show.

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Speaker 1: Yeah, you know what, there's one thing about a fandom like,

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Speaker 1: we don't want to be insulted when we're watching because

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Speaker 1: we're getting a lot of joy out of this. Don't

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Speaker 1: insult us.

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Speaker 2: You didn't go on as bye go do a documentary

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Speaker 2: about Warren Peace and the history of China in the

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Speaker 2: seventeenth century on PBS exactly because I'm watching the show,

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Speaker 2: and I'm watching the show, and I don't feel stupid

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Speaker 2: for watching the show.

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Speaker 1: We're getting joy.

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Speaker 3: If you feel stupid doing the show, then you should

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Speaker 3: not do the show.

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Speaker 1: That's right.

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Speaker 2: But don't like the fife Dog said in the documentary

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Speaker 2: that I directed Beachrimes in life the Travels of a

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Speaker 2: Trip Coquest. He said, you don't want to fight the fans.

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Speaker 2: You don't want to do that. And Leah, you do

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Speaker 2: not want to fight the fans. And if you houses,

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Speaker 2: if you think you're better than the show of wah whah. Anyway,

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Speaker 2: how you feeling, are you calm down now?

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Speaker 1: I'm excitement, you know, I think I'm getting the hang

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Speaker 1: of this. This is really good. Although, Babe, I want

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Speaker 1: to say, I thought you were going to get me

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Speaker 1: a different microphone. This is rather heavy. I don't know.

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Speaker 1: People can't see, but this microphone is heavy, and I

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Speaker 1: thought we would have a stand maybe. And like some headphones,

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Speaker 1: Like I see people online they have nice headphones, and

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Speaker 1: it's rather headphones for I don't know, do people usually

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Speaker 1: have the headphones.

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Speaker 2: I don't know your headphones because headphones are for headphones

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Speaker 2: when you're recording a podcast for me, are annoying because

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Speaker 2: they're like for to listen to what the other person

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Speaker 2: is saying. And you know, people can't see us because

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Speaker 2: we haven't added a video component to it, but we're

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Speaker 2: sitting one feet away so I could hear you perfectly, okay.

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Speaker 1: And also, my elbow is killing me because I have

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Speaker 1: tennis elbow.

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Speaker 2: You have texting elbow. Okay, Well, texting elbow is a

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Speaker 2: new tennis.

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Speaker 1: Elbow, right, you told me that because my phone case

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Speaker 1: apparently is too big.

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Speaker 2: Well, I had an elbow problem and I thought it

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Speaker 2: was another one of my like this weird problems. And

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Speaker 2: I went to the doctor and the doctor did an

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Speaker 2: X ray and he said you have tennis elbow.

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Speaker 3: And I said, I don't play tennis. Doc, I don't.

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Speaker 2: I don't play tennis. And he said, are you on

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Speaker 2: your phone a lot? And I see he's and I

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Speaker 2: said yes. And he said, I've had so many patients

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Speaker 2: who have come in with tennis elbow from using their phone.

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Speaker 3: I told you take off this.

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Speaker 1: You have a case, I like the square case on it.

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Speaker 2: And I told you, I said, I cured my tennis

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Speaker 2: elbow with a little anti inflammatory. He gave me a

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Speaker 2: little anti inflammatory and then I changed my case so

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Speaker 2: it was smaller in my hand and I changed.

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Speaker 1: Now that's why you have that case that just is

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Speaker 1: on the top.

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Speaker 2: Because I and I changed the direction of which I'm texting. Right,

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Speaker 2: So the only way to fix your texting elbow formerly

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Speaker 2: known as tennis elbow, is to.

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Speaker 3: Get rid of this.

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Speaker 2: You have a case like a box case like a

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Speaker 2: like this is like from all the.

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Speaker 1: Hip girls have that square case. It looks cool.

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Speaker 3: Okay, what hip girls are you talking about?

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Speaker 2: This?

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Speaker 1: All the ones on INSTAGM.

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Speaker 3: Okay, well they're going to be complaining on Instagram about

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Speaker 3: having issues.

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Speaker 1: It's a real thing. My elbow really really hurts, I know,

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Speaker 1: I know you're right. I remember when you had it,

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Speaker 1: and you're right, all right, I'm gonna listen to get you.

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Speaker 1: I don't want the screen to break.

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Speaker 3: We know we need to get you a screen protector.

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Speaker 3: You have that something that's carry on.

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Speaker 1: Nobody cares.

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Speaker 2: Nobody cares about it, but people do care about you.

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Speaker 2: You suffering from tennis elbow. In the last few weeks,

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Speaker 2: we have been watching all our shows. I also made,

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Speaker 2: like KEEBI said, my thirtieth appearance on Watch What Happens Live?

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Speaker 3: I recorded it with the great La La Kent.

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Speaker 1: Can I just say that I feel totally responsible for

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Speaker 1: and I'm very proud of your thirtieth time to Watch

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Speaker 1: What Happened Live? Because when we got back together and

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Speaker 1: I was so embarrassed of watching the Housewives, and I

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Speaker 1: was upstairs and your house in La and I was

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Speaker 1: sneaking watching I think it was Beverly Hills at the time,

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Speaker 1: and you were watching football downstairs. And you came upstairs,

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Speaker 1: and I was really embarrassed to be caught watching. And

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Speaker 1: this is when our love was just deepened. You said,

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Speaker 1: what is that? And you got so into it and

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Speaker 1: I said, and Andy came on afterwards, I said, Oh,

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Speaker 1: my dream would be for you to be on the show.

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Speaker 1: Remember yes, and look at you know, thirty times.

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Speaker 3: Thirty episodes.

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Speaker 1: I know it's a big deal.

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Speaker 2: And every time I go on there, I go on

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Speaker 2: there like with guns blazing.

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Speaker 1: No, we take it serious.

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Speaker 2: We take it serious. We like to know the questions.

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Speaker 2: I like to know the topics. I like to prepare

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Speaker 2: myself because it's a show, ladies and gentlemen, it is

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Speaker 2: a show. It's a show business. It could be called

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Speaker 2: business show. You want to go on there, you want

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Speaker 2: to kick ass. I went on there with Lalla and

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Speaker 2: when we went back for the thirtieth episode my I

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Speaker 2: kind of thirtieth episode for the premiere of vander Pump Rules.

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Speaker 2: Knowing that I was going to be on with Laala,

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Speaker 2: we were pumped because she's a great Oh.

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Speaker 1: She's the best. And whenever you have to do this show,

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Speaker 1: we always get there early, by the way, like an

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Speaker 1: hour and a half hour so early, and sometimes.

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Speaker 3: They're like, you know, the green room isn't ready, right.

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Speaker 1: So we have to sit in the hall. And the

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Speaker 1: funny thing is is that they're sometimes they're pre taping,

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Speaker 1: which is great. So we're trying to get there early

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Speaker 1: to see who's what other reality person is there ahead

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Speaker 1: of time, and we were luckily Ashley Ashley Derby was

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Speaker 1: shooting who is she taping with?

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Speaker 2: I cannot remember who the green Ashley Darby was shooting with,

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Speaker 2: but she she came out.

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Speaker 3: We were chit chatting with her. High off of seeing her.

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Speaker 1: Even though we saw her at Bravo Con, it's like

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Speaker 1: it's like you're meeting them for the first time.

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Speaker 3: Every time you meet a real housewife, I.

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Speaker 1: Get a little I'm nervous with them, Like I'm always

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Speaker 1: like like it takes me like three seconds to act normal.

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Speaker 2: I'm like such a fun I never feel like I'm

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Speaker 2: totally acting totally naughty there.

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Speaker 1: I know I'm I'm not. I'm playing it off so hardcore.

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Speaker 1: And then she was like, hey, how you doing, And

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Speaker 1: she goes, how's the house? And I'm like, but deep, deep, deep,

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Speaker 1: what house? Like It's so funny that she remembered that

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Speaker 1: we talked yeah, yeah, and at Bravo Con she remembered.

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Speaker 1: But so she's like, yeah, girl, you know, I'm just

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Speaker 1: going Remember when she said she said something about Mike.

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Speaker 1: Oh she said she was she Oh, I don't want

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Speaker 1: to I don't think I could say. But she said

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Speaker 1: she was going on a date. I asked her if

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Speaker 1: she was dating or something like that.

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Speaker 3: Who she said she was going on a date with.

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Speaker 1: She just said I said, are you dating anyway? She goes,

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Speaker 1: yeah or something. And then he said something like does

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Speaker 1: he have money?

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Speaker 3: And you asked does he have money?

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Speaker 1: All right? Maybe I said does he have money? Or

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Speaker 1: I'm just worried about it?

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Speaker 2: Right?

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Speaker 1: And she says, not Michael money, And I said, I

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Speaker 1: said something, I thought she was talking about you. Michael

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Speaker 1: Darby was talking about her husband, her husband, her ex husband.

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Speaker 3: Well, are they still married?

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Speaker 1: No? I don't think they're divorced yet.

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Speaker 3: No, they're not divorce.

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Speaker 2: And then she told us she was going out to

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Speaker 2: dinner with Giselle and Robin.

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Speaker 1: Can you imagine? And our house were open. We were like, really,

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Speaker 1: you actually can we go?

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Speaker 2: Because can you imagine if you're you're in New York

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Speaker 2: and you walk into a restaurant on a Wednesday night

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Speaker 2: now and Ashley Darby, Giselle and Robin are just sitting

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Speaker 2: there eating like shrimp cocktail with like bread, getting ready

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Speaker 2: to order their meal.

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Speaker 1: I would I would about.

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Speaker 3: What is your impression of Laala thus far.

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Speaker 2: In the much anticipated, much discussed season eleven of Vander

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Speaker 2: Prmpole's I mean the promotion for season eleven, Tom Sandoval

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Speaker 2: was on the cover of New York Times magazine. They

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Speaker 2: did a front page piece on Tom Sandoval in the

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Speaker 2: New York Times magazine. There's been promos, They're on every

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Speaker 2: fucking talk show. It's like the launch of season eleven

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Speaker 2: of Friends or some shit like that. But let's just

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Speaker 2: jump into the season so far. What is your perspective

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Speaker 2: on unspecifically Laala?

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00:16:40,960 --> 00:16:41,680
Speaker 3: Sober Lalla.

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Speaker 2: She's a she's no longer crazy spray tnd Lala, although

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Speaker 2: she's spray to hand, but she's not a young woman.

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Speaker 1: Now, what's my what's the question?

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Speaker 2: What's your impression on Laala season eleven? Overall impression? What's

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Speaker 2: your take on Lalla?

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Speaker 1: I think she is motherhood well, I think really got

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Speaker 1: the best of her, so she's really trying to recover

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Speaker 1: from that. I think motherhood has softened her. I think

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Speaker 1: she's really working on herself. Yes, and so I think

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Speaker 1: and I also think these many years of reality television

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Speaker 1: has really changed her a lot. So I think we're

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Speaker 1: going to see a more patient person that might not

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Speaker 1: be as interesting on reality television. You know, that's just

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Speaker 1: the truth of it. Then she's growing, so it's not

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Speaker 1: going to be as volatile Vario.

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Speaker 3: That's it, because she was really when she was volatile.

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Speaker 1: Yeah. I also I think that you said something about

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Speaker 1: Tom being on. I think Tom paid attention, he got

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Speaker 1: maybe got a different publicist.

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Speaker 2: I don't think I think he I don't think he

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Speaker 2: got a new publicist, And I don't think there's any

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Speaker 2: Tom Standable is an incredible He will go down in

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Speaker 2: history probably if you do the Mount Rushmore of men

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Speaker 2: on reality TV.

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Speaker 3: He's up there for sure, Oh for sure.

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00:17:55,640 --> 00:17:57,919
Speaker 1: But I mean in terms of villains. But I'm just

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Speaker 1: saying it is your villain.

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Speaker 2: Is he a good guy? When he's a villain, he's

394
00:18:01,080 --> 00:18:04,600
Speaker 2: so villain. He's so fucked up. He is so whacked

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00:18:04,640 --> 00:18:07,359
Speaker 2: out of his tree because Tom Sandville has been so

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00:18:07,640 --> 00:18:13,199
Speaker 2: scrutinized and so beaten down, and then he goes on

397
00:18:13,240 --> 00:18:17,240
Speaker 2: these other reality shows and he's on the reality show

398
00:18:17,240 --> 00:18:19,200
Speaker 2: and he's trying to figure it out, but there's cameras

399
00:18:19,480 --> 00:18:20,000
Speaker 2: and on.

400
00:18:19,880 --> 00:18:23,680
Speaker 3: The other show, what was the show? These special special.

401
00:18:23,320 --> 00:18:25,719
Speaker 2: Forces they're on there beating them up and he's in

402
00:18:25,840 --> 00:18:28,199
Speaker 2: cold water and he's crying and he's not crying, and

403
00:18:28,240 --> 00:18:30,840
Speaker 2: he's on vander Pump Rules and sometimes he's really crying,

404
00:18:30,880 --> 00:18:33,560
Speaker 2: but then sometimes he's fate crying. It's like bad acting,

405
00:18:33,640 --> 00:18:37,560
Speaker 2: Like it's like showtime, you know, like late at night

406
00:18:37,640 --> 00:18:40,480
Speaker 2: movie acting, and then sometimes there's actual tears.

407
00:18:40,520 --> 00:18:42,399
Speaker 3: I don't think he knows what the fuck is going on?

408
00:18:42,480 --> 00:18:44,479
Speaker 3: Is it reality? Is it not reality? Is it like

409
00:18:44,520 --> 00:18:47,320
Speaker 3: the meta? Like he doesn't know when he's crying, when

410
00:18:47,320 --> 00:18:49,480
Speaker 3: he's not crying when he's supposed to go. He's so

411
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Speaker 3: fucked up.

412
00:18:50,960 --> 00:18:54,840
Speaker 2: This whole scannabal has twisted him and bent him out

413
00:18:54,840 --> 00:18:57,280
Speaker 2: of shape. It's bent them all out of shape him.

414
00:18:57,320 --> 00:18:59,600
Speaker 1: And I got to say, I gotta say, watching this

415
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Speaker 1: LA last season, I'm watching it going, like you know what,

416
00:19:03,000 --> 00:19:06,800
Speaker 1: I went from like being obsessed with everybody to disliking

417
00:19:06,840 --> 00:19:09,919
Speaker 1: all of them. I mean when the last episode, I

418
00:19:10,080 --> 00:19:13,439
Speaker 1: was like, Wow, this scene between DJ James Kennedy and

419
00:19:14,080 --> 00:19:18,080
Speaker 1: Sandoval was so if this is moving And I was like, Oh,

420
00:19:18,320 --> 00:19:21,399
Speaker 1: I don't know, babe, They're all right now in a

421
00:19:21,640 --> 00:19:23,760
Speaker 1: stage of not likable ness.

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00:19:23,800 --> 00:19:26,200
Speaker 3: To me, DJ James Kenny, you still likeable.

423
00:19:26,480 --> 00:19:29,240
Speaker 1: He is That's what I'm saying when I'm like, he's

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00:19:29,240 --> 00:19:32,600
Speaker 1: the most authentic person right now and and law lat

425
00:19:32,680 --> 00:19:35,280
Speaker 1: but when those two come out as like the most

426
00:19:35,320 --> 00:19:39,280
Speaker 1: authentic people when they were I mean that scene when

427
00:19:39,280 --> 00:19:42,320
Speaker 1: they were talking about I mean, Arianna is just like

428
00:19:42,480 --> 00:19:46,480
Speaker 1: living her both like I deserve this privilege. I was

429
00:19:46,480 --> 00:19:48,840
Speaker 1: scoring the most so I could be the bitiest. Like

430
00:19:48,880 --> 00:19:51,960
Speaker 1: it just is all maybe this season, you know, when

431
00:19:51,960 --> 00:19:54,800
Speaker 1: things have to go crashing dit like the phoenix has

432
00:19:54,840 --> 00:19:57,639
Speaker 1: to go crashing into the earth to rise again. You know,

433
00:19:57,840 --> 00:20:01,679
Speaker 1: this is probably what's happening right now, because last night

434
00:20:01,680 --> 00:20:03,640
Speaker 1: I was like, I can't take it. This is painful,

435
00:20:04,000 --> 00:20:07,199
Speaker 1: Like everybody is pissing me off, Like I don't know,

436
00:20:07,400 --> 00:20:10,160
Speaker 1: I don't know. Maybe I was what about Schwartz tired? Oh,

437
00:20:10,200 --> 00:20:13,800
Speaker 1: and then Schwartz is just like so he's banged up

438
00:20:13,840 --> 00:20:17,160
Speaker 1: to me, banged up and pathetic and like, is this

439
00:20:17,200 --> 00:20:19,919
Speaker 1: is growing up on television? Is this just doing everything?

440
00:20:20,040 --> 00:20:20,199
Speaker 1: You know?

441
00:20:20,320 --> 00:20:22,479
Speaker 2: Do you guys like they're going they went through their

442
00:20:22,520 --> 00:20:26,000
Speaker 2: twenties and a lot of their thirties on this show. Yeah,

443
00:20:26,040 --> 00:20:30,960
Speaker 2: and listen, I say it once, we say it once,

444
00:20:31,520 --> 00:20:35,239
Speaker 2: we say it a million times. These are people that

445
00:20:35,280 --> 00:20:40,480
Speaker 2: have brought nothing but joy into our lives, so much joy.

446
00:20:40,800 --> 00:20:45,240
Speaker 2: Good guys, bad guys, Erica Jane's, Nini Leek's uh Phaedra,

447
00:20:45,760 --> 00:20:48,000
Speaker 2: Monica from Real House when ives of Salt Lake City,

448
00:20:48,080 --> 00:20:50,680
Speaker 2: who is outstanding this year. We may never hear from

449
00:20:50,680 --> 00:20:54,200
Speaker 2: her again. The good ones, the likable ones. But there

450
00:20:54,240 --> 00:20:55,920
Speaker 2: is ramifications from doing these shows.

451
00:20:55,960 --> 00:20:57,439
Speaker 1: I think so, And I think what I think the

452
00:20:57,480 --> 00:20:59,440
Speaker 1: show has to stay on long enough for them all

453
00:20:59,480 --> 00:21:02,400
Speaker 1: to like yet through this time. And that's why I'm

454
00:21:02,400 --> 00:21:06,760
Speaker 1: saying I like the thing between James and Sandoval because

455
00:21:06,800 --> 00:21:09,719
Speaker 1: it seemed like it was so real, Like when they

456
00:21:09,720 --> 00:21:12,199
Speaker 1: got up and walked away, I was like, oh, I

457
00:21:12,200 --> 00:21:14,959
Speaker 1: think there's some forgiveness right here. Most see what happens

458
00:21:15,119 --> 00:21:17,360
Speaker 1: later on this season, but they have to go through

459
00:21:17,520 --> 00:21:20,080
Speaker 1: like hell again, and I want them all to heal

460
00:21:20,160 --> 00:21:21,960
Speaker 1: and then I want to see them all like really

461
00:21:22,000 --> 00:21:25,080
Speaker 1: heal for real and like maybe have kids and like.

462
00:21:25,040 --> 00:21:26,520
Speaker 3: We have to just gonna go on forever.

463
00:21:26,680 --> 00:21:28,800
Speaker 1: I don't know, but I feel like we now have

464
00:21:28,880 --> 00:21:31,199
Speaker 1: to see them all like kind of get married and

465
00:21:31,280 --> 00:21:33,560
Speaker 1: have kids and like because now we're going.

466
00:21:33,480 --> 00:21:35,520
Speaker 3: To follow them till like there's seven I don't know.

467
00:21:35,480 --> 00:21:38,040
Speaker 1: It's like seven up and twenty seven up, remember there

468
00:21:38,240 --> 00:21:41,000
Speaker 1: just documentary, Yes, because I feel like if we ended

469
00:21:41,080 --> 00:21:42,399
Speaker 1: now it'd be sad.

470
00:21:44,840 --> 00:21:45,520
Speaker 3: I was thinking.

471
00:21:45,560 --> 00:21:47,399
Speaker 2: I was like, where's the show going to go? Because

472
00:21:48,359 --> 00:21:51,840
Speaker 2: this year's been very interesting, it hasn't been the explosiveness

473
00:21:51,880 --> 00:21:55,920
Speaker 2: that I think people, including myself and we've talked about

474
00:21:55,920 --> 00:21:57,919
Speaker 2: it off Mike, that we thought.

475
00:21:58,400 --> 00:22:01,240
Speaker 3: It's kind of like, you know, they're figuring it all out.

476
00:22:01,680 --> 00:22:03,560
Speaker 3: You can tell.

477
00:22:03,240 --> 00:22:06,399
Speaker 2: The recognition, like you could see people looking at them.

478
00:22:06,440 --> 00:22:10,360
Speaker 2: They're like reality TV stars when they're filming. You see

479
00:22:10,400 --> 00:22:14,320
Speaker 2: people filming them in the background. There was such excitement,

480
00:22:14,359 --> 00:22:16,760
Speaker 2: such anticipation, But where is it going to go? Because

481
00:22:16,760 --> 00:22:19,720
Speaker 2: the highlight thus far, although that is true the episode

482
00:22:19,720 --> 00:22:23,359
Speaker 2: that you just mentioned between Tom Sandervial and DJ James

483
00:22:23,400 --> 00:22:26,600
Speaker 2: Kennedy respectfully, that was a really good scene. But you know,

484
00:22:26,760 --> 00:22:30,320
Speaker 2: James Kennedy respectfully DJ James Kennedy getting back Graham Cracker.

485
00:22:31,280 --> 00:22:34,080
Speaker 2: That was kind of like the first sort of break ak.

486
00:22:35,280 --> 00:22:37,920
Speaker 2: He's changed his name to Hippie and I think that's fair,

487
00:22:37,960 --> 00:22:41,120
Speaker 2: that's smart. Yeah, I think that's fair that you got

488
00:22:41,119 --> 00:22:43,720
Speaker 2: to move past it. Yeah, he's got to move past

489
00:22:43,800 --> 00:22:44,280
Speaker 2: Do you think so?

490
00:22:44,440 --> 00:22:45,240
Speaker 3: I do?

491
00:22:45,320 --> 00:22:48,439
Speaker 1: I think, what do you think that? I mean, how

492
00:22:48,480 --> 00:22:50,240
Speaker 1: do you think the dog feels about that? You know

493
00:22:50,280 --> 00:22:51,480
Speaker 1: what I mean? Like, I don't.

494
00:22:51,240 --> 00:22:55,520
Speaker 2: Know, doesn't have any idea. You know, they're all going

495
00:22:55,560 --> 00:22:59,320
Speaker 2: through identity crisis. Yes, it's still great, including Graham Cracker.

496
00:22:59,440 --> 00:23:03,000
Speaker 1: I know, but you don't you know how you see

497
00:23:03,040 --> 00:23:06,160
Speaker 1: scenes of dogs? I mean we should you see dogs?

498
00:23:06,640 --> 00:23:10,040
Speaker 1: And he didn't act like he knew James so well.

499
00:23:10,160 --> 00:23:14,560
Speaker 2: That dog just like Tom Sandevil, just like Tom Schwartz,

500
00:23:14,880 --> 00:23:17,639
Speaker 2: just like Ariano Maddox is going through an identity crisis,

501
00:23:18,440 --> 00:23:20,440
Speaker 2: because if a do that dogs like three years old,

502
00:23:20,520 --> 00:23:22,239
Speaker 2: you shouldn't be able to change a three year old

503
00:23:22,280 --> 00:23:25,120
Speaker 2: dog's name from Graham Cracker to Hippie.

504
00:23:24,880 --> 00:23:28,399
Speaker 1: And not have it paused. Like he said, he's like

505
00:23:28,440 --> 00:23:31,959
Speaker 1: he's taking to the name, like like you sure, just

506
00:23:32,040 --> 00:23:35,160
Speaker 1: like Rachel, Roquel and everybody. And and Tom was like, yeah,

507
00:23:35,160 --> 00:23:37,400
Speaker 1: I knew it. I've been knowing. She was Rachel like,

508
00:23:37,840 --> 00:23:40,560
Speaker 1: it's nobody's I don't know, everybody's having it. That's what

509
00:23:40,600 --> 00:23:42,560
Speaker 1: I'm saying. I don't know if this is is Roquel,

510
00:23:43,080 --> 00:23:43,560
Speaker 1: I don't know.

511
00:23:43,600 --> 00:23:46,600
Speaker 3: And let me tell you something, guys. If Marjorie, Nope,

512
00:23:46,800 --> 00:23:48,960
Speaker 3: not gonna say that happen. Guys, let me tell you something.

513
00:23:49,080 --> 00:23:53,440
Speaker 2: If Roquel ak Rachel could hold your attention on a podcast,

514
00:23:54,000 --> 00:23:59,040
Speaker 2: anything is possible. Anything is possible because God blessed Rachel Roquel.

515
00:23:59,320 --> 00:24:01,080
Speaker 3: I would love to see her back on the show.

516
00:24:01,880 --> 00:24:04,160
Speaker 1: Oh, I was gonna ask you this, babe. When Tom

517
00:24:04,200 --> 00:24:07,919
Speaker 1: Sandoval says into the camera like that he was really

518
00:24:07,920 --> 00:24:09,480
Speaker 1: falling in love he loved her.

519
00:24:09,480 --> 00:24:10,119
Speaker 3: I think he was.

520
00:24:10,320 --> 00:24:11,200
Speaker 1: You really believe that is.

521
00:24:11,480 --> 00:24:15,600
Speaker 2: I think that the lust and the excitement and the

522
00:24:15,760 --> 00:24:22,880
Speaker 2: break from Arianna, and then the secretiveness and the secretiveness

523
00:24:23,040 --> 00:24:25,159
Speaker 2: nature that they were running around with, and then the

524
00:24:26,000 --> 00:24:29,400
Speaker 2: just the public uh you know, running around it heightens

525
00:24:29,400 --> 00:24:32,080
Speaker 2: it and they're probably drinking and smoking weed into or whatever.

526
00:24:32,400 --> 00:24:37,840
Speaker 2: And I think obviously when all that sort of war off, uh,

527
00:24:38,080 --> 00:24:40,840
Speaker 2: he realized, you know, this is not the relationship he's

528
00:24:40,880 --> 00:24:42,920
Speaker 2: going to be in. She realized she's not going to

529
00:24:43,000 --> 00:24:46,000
Speaker 2: be in the relationship either, and and it was just

530
00:24:46,080 --> 00:24:48,520
Speaker 2: kind of the excitement and the bells and whistles of

531
00:24:48,520 --> 00:24:51,080
Speaker 2: the Obviously they liked each other, but you know, to

532
00:24:51,160 --> 00:24:54,680
Speaker 2: fall in love that it's like some I think at

533
00:24:54,680 --> 00:24:58,399
Speaker 2: the end of the day, Rachel ak Raquel aka that

534
00:24:58,480 --> 00:25:01,200
Speaker 2: Bambi had bitch. This was an escape plan. I think

535
00:25:01,200 --> 00:25:02,440
Speaker 2: he wanted out from Ariana.

536
00:25:02,680 --> 00:25:04,520
Speaker 1: You said that he fucked his way out of the relation.

537
00:25:05,040 --> 00:25:06,840
Speaker 2: I think you said that, Yeah, he fucked his way

538
00:25:06,840 --> 00:25:09,119
Speaker 2: out of most men and fucked his way onto the

539
00:25:09,160 --> 00:25:10,760
Speaker 2: cover of New York Times magazine.

540
00:25:12,200 --> 00:25:13,840
Speaker 3: I mean, so it wasn't that band. He fucked his

541
00:25:13,840 --> 00:25:14,639
Speaker 3: way out of the religion.

542
00:25:14,720 --> 00:25:15,439
Speaker 1: Everybody wins.

543
00:25:15,640 --> 00:25:19,320
Speaker 2: But we we spent time with Tom Tom Tom Schwartz.

544
00:25:19,480 --> 00:25:21,240
Speaker 1: Boy, was that that was bizarre?

545
00:25:21,640 --> 00:25:24,160
Speaker 3: What was your impression of them as a fan?

546
00:25:24,280 --> 00:25:26,800
Speaker 1: As I felt like I was on psychedelics that night,

547
00:25:27,119 --> 00:25:29,240
Speaker 1: Like that was weird, and I don't do drugs.

548
00:25:29,240 --> 00:25:30,879
Speaker 3: Never happened that.

549
00:25:31,320 --> 00:25:33,320
Speaker 1: We do not do partaking anything.

550
00:25:33,400 --> 00:25:36,400
Speaker 2: So that was usto because we're projecting because we had

551
00:25:36,440 --> 00:25:37,800
Speaker 2: been watching the show.

552
00:25:37,760 --> 00:25:40,080
Speaker 1: So studied the show so hardcore. So to be in

553
00:25:40,119 --> 00:25:42,600
Speaker 1: a hotel room like when you did their podcast and

554
00:25:42,640 --> 00:25:45,080
Speaker 1: like be with them, first of all, I just think

555
00:25:45,119 --> 00:25:47,520
Speaker 1: that he is They're so out of touch, and it

556
00:25:47,560 --> 00:25:49,560
Speaker 1: was like meta that we were in their world, that

557
00:25:49,720 --> 00:25:51,959
Speaker 1: was in their world, like and then this was happening

558
00:25:51,960 --> 00:25:54,080
Speaker 1: and they were and then they and then the two

559
00:25:54,160 --> 00:25:58,280
Speaker 1: chicks from like below Jack were there. The the the

560
00:25:58,880 --> 00:26:00,520
Speaker 1: chicks yeah, the Austra Million one.

561
00:26:00,600 --> 00:26:02,880
Speaker 3: And then there was another one, Winterhouse.

562
00:26:03,240 --> 00:26:06,480
Speaker 1: Yes, it was bizarre. No, they both they were on Winterhouse,

563
00:26:06,480 --> 00:26:09,120
Speaker 1: both of them, but they're from below Deck and they were.

564
00:26:09,240 --> 00:26:12,080
Speaker 2: Yes, we saw they did their podcast, but we guys,

565
00:26:12,160 --> 00:26:12,640
Speaker 2: we we.

566
00:26:12,520 --> 00:26:14,480
Speaker 3: Were in there. We were in there and somebody was

567
00:26:14,520 --> 00:26:16,520
Speaker 3: sucking somebody. Yeah, I don't know if they were all

568
00:26:16,520 --> 00:26:19,200
Speaker 3: fucking each other. They were doing something.

569
00:26:19,480 --> 00:26:21,680
Speaker 1: Yes, I think that. I think that's known right because

570
00:26:21,720 --> 00:26:22,640
Speaker 1: they were I don't who knows.

571
00:26:22,680 --> 00:26:26,680
Speaker 2: Baby for the parents, I'm like, I don't give funk

572
00:26:26,720 --> 00:26:27,280
Speaker 2: what you're doing.

573
00:26:27,600 --> 00:26:29,320
Speaker 1: Yeah, and then there was I think that all came

574
00:26:29,359 --> 00:26:32,320
Speaker 1: out of Bravo con because Tom hooked up with the

575
00:26:32,320 --> 00:26:36,639
Speaker 1: one of the girls from No Southern Charm. Remember we

576
00:26:36,680 --> 00:26:39,000
Speaker 1: got on the elevator with Shep was.

577
00:26:39,800 --> 00:26:44,520
Speaker 3: Reality Housewives people. The Bravo crew was all weird. They're

578
00:26:44,600 --> 00:26:46,600
Speaker 3: freaking off left and right, the.

579
00:26:46,600 --> 00:26:48,880
Speaker 1: Drinking and we were we're like to and.

580
00:26:48,840 --> 00:26:53,400
Speaker 3: Then Sugar he admitted it. He admitted on TV.

581
00:26:53,480 --> 00:26:55,320
Speaker 1: He said, oh, yeah, this is all We're not saying

582
00:26:55,320 --> 00:26:57,439
Speaker 1: anything that we like, it's all out been out there.

583
00:26:57,480 --> 00:26:58,560
Speaker 3: But he did say.

584
00:26:58,400 --> 00:27:00,960
Speaker 1: To us, yes, he did say to I'm not gonna say.

585
00:27:00,840 --> 00:27:03,040
Speaker 2: Exactly what he said, but he said to us what

586
00:27:03,119 --> 00:27:06,560
Speaker 2: he wound up saying on TV. We knew what was

587
00:27:06,600 --> 00:27:10,080
Speaker 2: going on ship from a Southern charm was banged up.

588
00:27:11,119 --> 00:27:12,560
Speaker 1: No, Vegas is not good for him.

589
00:27:12,720 --> 00:27:14,160
Speaker 3: Vegas is not good for anybody.

590
00:27:14,280 --> 00:27:15,439
Speaker 1: Yeah, he's not good.

591
00:27:15,320 --> 00:27:17,120
Speaker 3: For anybody on a Bravo TV show.

592
00:27:17,240 --> 00:27:21,560
Speaker 2: No, or anybody, but specifically them, yes, specifically for Provo,

593
00:27:22,160 --> 00:27:24,879
Speaker 2: Like they need to be careful, like somebody doesn't like

594
00:27:24,960 --> 00:27:26,360
Speaker 2: really have like a real situation.

595
00:27:26,560 --> 00:27:28,240
Speaker 1: I know, I agree. I think they should bring it

596
00:27:28,280 --> 00:27:28,800
Speaker 1: back the.

597
00:27:28,920 --> 00:27:32,639
Speaker 2: Fame and uh drink, just the fame, and I think

598
00:27:32,680 --> 00:27:35,640
Speaker 2: the propensity for the drinking. And I'm not gonna say,

599
00:27:35,840 --> 00:27:39,280
Speaker 2: but some people, you know, like to do other things.

600
00:27:39,119 --> 00:27:43,199
Speaker 1: Things yeah, or the prostitute offerings, I mean they're everywhere,

601
00:27:43,240 --> 00:27:44,120
Speaker 1: those prostitutes.

602
00:27:45,240 --> 00:27:45,520
Speaker 3: Yeah.

603
00:27:45,560 --> 00:27:48,800
Speaker 2: And then the fans, the girls and and like, uh

604
00:27:48,840 --> 00:27:51,560
Speaker 2: you listen, this is another line from five Dog.

605
00:27:51,680 --> 00:27:52,880
Speaker 3: You don't want to fuck the fans.

606
00:27:54,040 --> 00:27:56,520
Speaker 2: You know, you don't what's good fuck each other, But

607
00:27:56,560 --> 00:27:57,960
Speaker 2: you don't want to fuck the fans.

608
00:27:57,960 --> 00:28:00,280
Speaker 1: You don't want to invite the fans and the.

609
00:28:00,280 --> 00:28:02,080
Speaker 3: Trailer you don't.

610
00:28:02,119 --> 00:28:04,199
Speaker 2: And you don't want to invite fans into the hotel

611
00:28:04,280 --> 00:28:07,680
Speaker 2: room in Las Vegas at Bravo cop because anything could happen,

612
00:28:07,760 --> 00:28:08,320
Speaker 2: and I'm just.

613
00:28:08,200 --> 00:28:11,400
Speaker 3: Gonna leave it, leave it at that. Yeah, you're listening

614
00:28:11,440 --> 00:28:23,840
Speaker 3: to Rapaports Reality. We'll be right back, so Vanda Plumb rules.

615
00:28:23,920 --> 00:28:27,040
Speaker 2: We're five or six episodes in as of this first

616
00:28:27,080 --> 00:28:33,359
Speaker 2: recording of the Rappaports Reality podcast. And I gotta be honest,

617
00:28:33,560 --> 00:28:35,760
Speaker 2: like we said, when we were watching, I was like,

618
00:28:35,800 --> 00:28:38,440
Speaker 2: where is this going? How long will this sustain? Or

619
00:28:38,480 --> 00:28:40,280
Speaker 2: will they just make a commitment, like yo, we're gonna

620
00:28:40,280 --> 00:28:40,520
Speaker 2: do the.

621
00:28:40,440 --> 00:28:43,040
Speaker 3: Show for thirty years, thirty years, Like it's.

622
00:28:42,880 --> 00:28:45,200
Speaker 2: Gonna just be like some We're just we're just gonna

623
00:28:45,280 --> 00:28:48,760
Speaker 2: keep going to some will some will come, some will leave,

624
00:28:49,200 --> 00:28:52,200
Speaker 2: We'll bring in new people. But do you feel entertained?

625
00:28:52,240 --> 00:28:54,600
Speaker 2: Do you feel let down? Is it because we're traveling?

626
00:28:55,120 --> 00:28:55,960
Speaker 2: Is it is we.

627
00:28:56,040 --> 00:28:58,640
Speaker 1: Are a little tired from Israel? I think we're jet lag.

628
00:28:58,760 --> 00:29:01,080
Speaker 1: I gotta give myself, you know, baby, I want to

629
00:29:01,080 --> 00:29:03,800
Speaker 1: make a suggestion. Sometimes I think we shouldn't wait till

630
00:29:03,840 --> 00:29:05,440
Speaker 1: so late at night to watch because.

631
00:29:05,280 --> 00:29:07,560
Speaker 2: Lady, when you say late night, you're talking about eight o'clock.

632
00:29:07,880 --> 00:29:11,200
Speaker 2: I know, babe, listen about eight o'clock.

633
00:29:11,360 --> 00:29:13,440
Speaker 1: I know I need to watch a little earlier. I

634
00:29:13,480 --> 00:29:14,720
Speaker 1: need to have about me.

635
00:29:14,960 --> 00:29:17,360
Speaker 3: It's it's supposed to watch with at like six.

636
00:29:17,360 --> 00:29:20,440
Speaker 1: Thirty, because I get tired just right now because I'm

637
00:29:20,480 --> 00:29:22,720
Speaker 1: so jetlave. We've been doing a lot of traveling. I

638
00:29:22,760 --> 00:29:25,000
Speaker 1: will say this. So last night when I was watching

639
00:29:25,040 --> 00:29:27,440
Speaker 1: and I want to say something about Brock and Sheena

640
00:29:27,560 --> 00:29:30,920
Speaker 1: really quickly, because Sheena trying to control the narrative when

641
00:29:30,920 --> 00:29:32,040
Speaker 1: they were fighting outside.

642
00:29:32,240 --> 00:29:34,280
Speaker 3: That was a bad fight though he was bugging.

643
00:29:34,360 --> 00:29:36,680
Speaker 2: He was bugging because if I started talking like that

644
00:29:36,720 --> 00:29:38,520
Speaker 2: to you in a public place, I would kick you

645
00:29:38,560 --> 00:29:40,240
Speaker 2: in your note and I know better than to do that.

646
00:29:40,280 --> 00:29:42,000
Speaker 3: Now. There's sometimes on the she will all raise it me.

647
00:29:42,000 --> 00:29:42,440
Speaker 3: We do that.

648
00:29:42,520 --> 00:29:44,240
Speaker 1: We do that in our real life. I mean, you

649
00:29:44,280 --> 00:29:47,960
Speaker 1: are really famous and people look at you all the time,

650
00:29:48,000 --> 00:29:50,320
Speaker 1: and that really bothers me. And here's where we get

651
00:29:50,320 --> 00:29:54,040
Speaker 1: into the reality of the Rapp reports. Rapp reports reality

652
00:29:54,440 --> 00:29:57,200
Speaker 1: is that sometimes Mike doesn't realize when we're just a

653
00:29:57,240 --> 00:30:00,200
Speaker 1: couple in life and Mike is like being you know,

654
00:30:00,240 --> 00:30:02,160
Speaker 1: we're doing a couple of things and he's like pissed

655
00:30:02,160 --> 00:30:06,920
Speaker 1: at me or about something, and I say to him, babe, chill,

656
00:30:07,440 --> 00:30:09,960
Speaker 1: and he doesn't chill because the whole world is looking

657
00:30:10,000 --> 00:30:12,720
Speaker 1: at us. He doesn't realize that people are looking at us.

658
00:30:12,880 --> 00:30:15,320
Speaker 1: And they had that moment last night where she was like,

659
00:30:15,680 --> 00:30:20,480
Speaker 1: but they're actually on tell I really was, and he

660
00:30:20,640 --> 00:30:24,800
Speaker 1: was real and she didn't even really want the apology

661
00:30:24,920 --> 00:30:29,520
Speaker 1: on on TV. She apology, She's like, still shut up,

662
00:30:29,960 --> 00:30:32,720
Speaker 1: like I don't even want the opposcogy. Stop talking, like

663
00:30:32,760 --> 00:30:35,080
Speaker 1: she was like, stop topic. But even in the apology,

664
00:30:35,160 --> 00:30:37,560
Speaker 1: she was like, I don't want the apology on television.

665
00:30:37,600 --> 00:30:39,680
Speaker 3: She didn't want the argument. They were shopping from bikini.

666
00:30:39,720 --> 00:30:42,440
Speaker 1: I got it. I totally got where she was coming from.

667
00:30:42,520 --> 00:30:45,400
Speaker 1: It's like, you, where is this going? Like, it's just

668
00:30:45,960 --> 00:30:49,040
Speaker 1: stop it. And when somebody has anxiety, they have anxiety.

669
00:30:49,720 --> 00:30:51,560
Speaker 1: I totally relate to it because.

670
00:30:51,400 --> 00:30:59,120
Speaker 2: She has anxiety about watch he's like from He's like, he's.

671
00:30:58,960 --> 00:31:01,600
Speaker 1: Like there he's a Viking. He's He's like, I could

672
00:31:01,680 --> 00:31:04,080
Speaker 1: leave the I've trained her to leave her at home

673
00:31:04,120 --> 00:31:04,680
Speaker 1: by herself.

674
00:31:04,720 --> 00:31:07,640
Speaker 2: But in the in going into the reality of Rappaports,

675
00:31:07,680 --> 00:31:12,640
Speaker 2: the Rappaports reality, there are times, yes, I know sometimes

676
00:31:12,680 --> 00:31:14,680
Speaker 2: where I'm like I don't care who's watching.

677
00:31:15,880 --> 00:31:16,640
Speaker 3: And it's not good.

678
00:31:17,080 --> 00:31:19,160
Speaker 2: And there are times I remember one time we were

679
00:31:19,160 --> 00:31:22,120
Speaker 2: having a let's just say, a heated discussion outside the MoMA.

680
00:31:22,640 --> 00:31:24,800
Speaker 2: We were sitting at the fountain and me and you

681
00:31:24,880 --> 00:31:27,640
Speaker 2: were like, we were we were we were loud, but

682
00:31:27,680 --> 00:31:28,880
Speaker 2: we were like, we sat down.

683
00:31:29,280 --> 00:31:31,239
Speaker 1: We were having a conversation when we first moved back

684
00:31:31,280 --> 00:31:32,120
Speaker 1: to New York, and the.

685
00:31:32,080 --> 00:31:35,120
Speaker 2: Guy came over his beautiful like spring day, and you

686
00:31:35,200 --> 00:31:38,440
Speaker 2: thought I was the biggest fucking asshole, and I probably

687
00:31:38,720 --> 00:31:41,480
Speaker 2: was acting like the biggest fucking asshole. I think I

688
00:31:41,840 --> 00:31:44,480
Speaker 2: was acting like the biggest fucking asshole. And right when

689
00:31:44,560 --> 00:31:46,520
Speaker 2: you thought I was acting like the biggest fucking asshole,

690
00:31:46,560 --> 00:31:51,600
Speaker 2: a guy came over. Listen, I love I love anybody

691
00:31:51,640 --> 00:31:54,400
Speaker 2: that supports me. I loved anybody who's excited to see me.

692
00:31:55,320 --> 00:31:59,960
Speaker 2: But when you're talking to another person and it's obvious

693
00:32:00,040 --> 00:32:02,880
Speaker 2: who were in a heated discussion, let's just say heated discussion.

694
00:32:03,400 --> 00:32:06,840
Speaker 2: You know you could either wait till that discussion is over,

695
00:32:07,040 --> 00:32:09,720
Speaker 2: but you don't interrupt a grown man we're talking to

696
00:32:09,720 --> 00:32:12,959
Speaker 2: his grown ass wife to come over and say I

697
00:32:13,000 --> 00:32:15,760
Speaker 2: love the fans. I love the fans. But you don't

698
00:32:15,800 --> 00:32:19,240
Speaker 2: come over and say you're the greatest when because.

699
00:32:19,000 --> 00:32:20,960
Speaker 1: Your wife is like he's that dick.

700
00:32:21,120 --> 00:32:23,280
Speaker 3: You were sad. I almost told that motherfucker he's a

701
00:32:23,280 --> 00:32:23,840
Speaker 3: piece of shit.

702
00:32:25,360 --> 00:32:28,360
Speaker 1: Yes, that's the worse. When you just feel like your

703
00:32:28,440 --> 00:32:31,640
Speaker 1: husband is a total prick and someone goes, I love

704
00:32:31,720 --> 00:32:34,640
Speaker 1: your work, You're like, and I think. I got up

705
00:32:34,680 --> 00:32:36,960
Speaker 1: and I walked away and I said, you're a fucking asshole.

706
00:32:38,160 --> 00:32:39,360
Speaker 3: And I was like, but he didn't think so.

707
00:32:41,400 --> 00:32:44,440
Speaker 2: But there are times when there is there is anyone around,

708
00:32:44,480 --> 00:32:46,800
Speaker 2: You're like, I'm like, there's no one around.

709
00:32:46,480 --> 00:32:48,800
Speaker 3: No one's looking. Because you're ultrasensitive to it.

710
00:32:48,920 --> 00:32:51,120
Speaker 1: I am, I am, but you're ultra not because you've

711
00:32:51,160 --> 00:32:53,880
Speaker 1: gone thirty years of being famous, so you don't even.

712
00:32:54,000 --> 00:32:55,680
Speaker 3: And it's not even when I'm out of my mind.

713
00:32:55,800 --> 00:32:57,920
Speaker 1: No, no, no, But I said, it wouldn't be healthy

714
00:32:57,960 --> 00:33:00,080
Speaker 1: for you to actually think that people are looking. You

715
00:33:00,080 --> 00:33:02,720
Speaker 1: wouldn't be able to survive if you notice every But

716
00:33:02,960 --> 00:33:05,040
Speaker 1: I've been around you and I've known you for that long,

717
00:33:05,120 --> 00:33:07,720
Speaker 1: so I actually am the person that's walking around that

718
00:33:07,800 --> 00:33:10,800
Speaker 1: sees everyone looking. So but it's not it wouldn't be

719
00:33:10,880 --> 00:33:13,280
Speaker 1: healthy for you to notice. So it's good that you don't.

720
00:33:13,480 --> 00:33:15,600
Speaker 1: But by the way, anybody in the world who wants

721
00:33:15,600 --> 00:33:17,680
Speaker 1: to say hi to my husband. We appreciate it and

722
00:33:17,720 --> 00:33:20,160
Speaker 1: we love the love, so don't ever stop it. Fine

723
00:33:20,480 --> 00:33:22,520
Speaker 1: even no, no, no, I mean.

724
00:33:22,560 --> 00:33:25,840
Speaker 2: I gotta say I think that if two grown up listen,

725
00:33:25,960 --> 00:33:28,600
Speaker 2: I have no complaints about fame. There's plenty of friends

726
00:33:28,600 --> 00:33:33,120
Speaker 2: of mine who are prisoners of fame. Leonardo DiCaprio. This

727
00:33:33,360 --> 00:33:37,800
Speaker 2: this sweet, sweet, sweet person as regular as you can be.

728
00:33:38,160 --> 00:33:41,040
Speaker 2: The motherfucker's are prisoner of fame. I remember talking to

729
00:33:41,040 --> 00:33:44,959
Speaker 2: Sylvester Stallon when I was doing Copland, and I asked him,

730
00:33:45,400 --> 00:33:47,480
Speaker 2: can you go anywhere? And he was like, no, he

731
00:33:47,520 --> 00:33:50,440
Speaker 2: goes people recognize me from behind, and he wasn't saying

732
00:33:50,440 --> 00:33:53,080
Speaker 2: in a bradway me. He's Syvester Stallone, right, you know

733
00:33:53,240 --> 00:33:56,000
Speaker 2: the guys from friends. It doesn't matter what kind of

734
00:33:56,000 --> 00:33:58,000
Speaker 2: fame you have. But when you have fame where you

735
00:33:58,200 --> 00:34:01,520
Speaker 2: cannot go into a star Bucks a coffee shop without

736
00:34:01,560 --> 00:34:05,040
Speaker 2: people like freaking out on you, it could be weird.

737
00:34:05,200 --> 00:34:08,040
Speaker 2: That being said, there's far more benefits. But I do

738
00:34:08,080 --> 00:34:10,839
Speaker 2: think that, like when my kids were young, and I'd

739
00:34:10,880 --> 00:34:12,439
Speaker 2: have one in my arm and one on my lap,

740
00:34:12,480 --> 00:34:14,719
Speaker 2: and people and ones like you know, like there's like

741
00:34:14,760 --> 00:34:15,759
Speaker 2: a shit stain on me.

742
00:34:16,840 --> 00:34:18,879
Speaker 1: You can just write you could let it pass.

743
00:34:19,000 --> 00:34:21,600
Speaker 2: Yeah, that being said, the fame is gonna be happening

744
00:34:21,920 --> 00:34:24,440
Speaker 2: for not just me, for you now because we've jumped.

745
00:34:24,880 --> 00:34:29,280
Speaker 2: Right now, we have jumped into the world of podcasting.

746
00:34:29,760 --> 00:34:31,319
Speaker 2: Your life will never be the same.

747
00:34:31,360 --> 00:34:34,640
Speaker 1: Bab Oh stop, babe, your life will voice out there.

748
00:34:35,000 --> 00:34:37,480
Speaker 2: Well that's okay, your voice, and then we do the

749
00:34:37,560 --> 00:34:39,520
Speaker 2: video and people love to see you on the video.

750
00:34:39,680 --> 00:34:41,400
Speaker 1: The thing, guys, you have to understand the reason why

751
00:34:41,400 --> 00:34:42,799
Speaker 1: I don't want to do the videos because I don't

752
00:34:42,800 --> 00:34:46,880
Speaker 1: want to do my hair. Yeah, I don't want to

753
00:34:46,920 --> 00:34:48,880
Speaker 1: make them do my hair because, like I don't you know,

754
00:34:48,920 --> 00:34:51,440
Speaker 1: I'm a regular girl, Like I just like to be regular.

755
00:34:51,480 --> 00:34:53,359
Speaker 1: You should see how I look right now, banged up.

756
00:34:54,000 --> 00:34:55,879
Speaker 1: But I just and by the way, if we ever

757
00:34:55,920 --> 00:34:58,440
Speaker 1: do video, I'm gonna remain banged up, so you.

758
00:34:58,400 --> 00:35:00,160
Speaker 3: Know, not like now.

759
00:35:00,200 --> 00:35:02,520
Speaker 2: We have big ass cameras and them lights and shipping

760
00:35:02,600 --> 00:35:07,280
Speaker 2: at four D four k hd HK. Anyway, rap Aports

761
00:35:07,320 --> 00:35:11,879
Speaker 2: Reality is fun. Rappaports Reality Episode one. Follow us on

762
00:35:12,000 --> 00:35:15,160
Speaker 2: Instagram rap Aports Reality r A P A p O

763
00:35:15,560 --> 00:35:19,919
Speaker 2: R t R E A l I T Y. We're

764
00:35:19,960 --> 00:35:24,439
Speaker 2: launching the Instagram page. We've launched the podcast What can

765
00:35:24,480 --> 00:35:27,360
Speaker 2: I say. We're figuring it out. We're watching our shows,

766
00:35:27,560 --> 00:35:33,840
Speaker 2: so many shows, so little time. Rapports Reality episode one,

767
00:35:34,000 --> 00:35:34,640
Speaker 2: This is fun.

768
00:35:34,960 --> 00:35:45,080
Speaker 1: Love your baby, Love your baby,