1 00:00:01,400 --> 00:00:04,360 Speaker 1: Hey, time travelers. This has Heather iron Horn, co creator 2 00:00:04,400 --> 00:00:07,920 Speaker 1: of Nicki Fixes Time Mix Up. Next be kind and 3 00:00:08,000 --> 00:00:10,600 Speaker 1: rewind to the nineties for a most epic episode of 4 00:00:10,680 --> 00:00:13,560 Speaker 1: Nicki Fix. But first, a quick word from our sponsor, 5 00:00:17,400 --> 00:00:20,760 Speaker 1: iron Horn's Epic Productions, and I Heart Radio present Nikki 6 00:00:20,840 --> 00:00:36,440 Speaker 1: Fixes Time mix Hi, Bobby, it's me Nikki. If I'm 7 00:00:36,440 --> 00:00:39,520 Speaker 1: remembering correctly, this is the day we first went back 8 00:00:39,560 --> 00:00:42,920 Speaker 1: in time, and so maybe I hope it's also the 9 00:00:43,000 --> 00:00:46,320 Speaker 1: day that you and Liam came back to And I 10 00:00:46,360 --> 00:00:49,920 Speaker 1: know this message is twentysomething years too late, but I'm 11 00:00:50,000 --> 00:00:54,160 Speaker 1: so sorry. Can you ever forgive me? There is so 12 00:00:54,240 --> 00:00:58,120 Speaker 1: much I need to tell you? Please? Please come to 13 00:00:58,160 --> 00:01:01,000 Speaker 1: the Summer Rains show tonight. I wish I could leave 14 00:01:01,000 --> 00:01:03,520 Speaker 1: you tickets, but I can't. I don't want to tip 15 00:01:03,600 --> 00:01:09,480 Speaker 1: off um. Anyway, Just be there and get backstage anyway. 16 00:01:09,520 --> 00:01:14,280 Speaker 1: You can promise I'll explain everything I meant, what I 17 00:01:14,280 --> 00:01:18,959 Speaker 1: said all that time ago, no matter what, Best friends forever. 18 00:01:20,880 --> 00:01:28,919 Speaker 1: Oh jeez, I gotta go. I can't believe it. Whoa 19 00:01:30,200 --> 00:01:34,480 Speaker 1: Is that really her? Yeah? But she sounds so much older. 20 00:01:36,840 --> 00:01:40,360 Speaker 1: That's the Day's Nikki? You really think we can get 21 00:01:40,400 --> 00:01:43,440 Speaker 1: into that show. We don't have much of a choice. 22 00:01:44,120 --> 00:02:04,480 Speaker 1: It's our only way out of this mess. I can't 23 00:02:04,520 --> 00:02:07,520 Speaker 1: believe Nikki has just been here this whole time. We 24 00:02:08,360 --> 00:02:11,400 Speaker 1: call her back, tell her we're coming together her. I can't. 25 00:02:11,880 --> 00:02:18,760 Speaker 1: The voicemail just says unknown caller. Wait, Shara, we're home. 26 00:02:20,240 --> 00:02:22,880 Speaker 1: You didn't meet? Are you coming down for dinner? Oh 27 00:02:22,919 --> 00:02:27,720 Speaker 1: my gosh, my parents are home. Uh not really hungry 28 00:02:27,840 --> 00:02:33,760 Speaker 1: right now? Are you sure I could bring something up? No? No, definitely, 29 00:02:33,800 --> 00:02:38,480 Speaker 1: do not bring anything up. I'm fine. My parents cannot 30 00:02:38,600 --> 00:02:41,000 Speaker 1: find me with a boy in my room. Good thing. 31 00:02:41,080 --> 00:02:45,400 Speaker 1: I don't exist anymore. They don't know that. Okay, just 32 00:02:45,919 --> 00:02:48,720 Speaker 1: keep it quiet. Nikki said in her message there was 33 00:02:48,720 --> 00:02:56,839 Speaker 1: a Summer Rains show tomorrow. Summer Rains shows near me 34 00:02:58,320 --> 00:03:03,400 Speaker 1: here it is tomorrow, no doors at seven Asbury Park. 35 00:03:03,560 --> 00:03:09,240 Speaker 1: Tickets still available. My dad's probably mad about that. He 36 00:03:09,360 --> 00:03:13,560 Speaker 1: likes a sold out shell. Great, get the tickets, okay. 37 00:03:13,600 --> 00:03:17,760 Speaker 1: That security guard at the museum said we need floor seats, 38 00:03:18,320 --> 00:03:22,280 Speaker 1: so v I p all access and now we can 39 00:03:22,320 --> 00:03:28,360 Speaker 1: add the fan meet and greet and it's only bucks 40 00:03:29,000 --> 00:03:32,760 Speaker 1: what each We're doomed. Just put it on your card. 41 00:03:32,919 --> 00:03:35,760 Speaker 1: I can't afford that and my parents see my bill, 42 00:03:36,400 --> 00:03:41,120 Speaker 1: bill ground me until graduation. Bobby, Hello, you'll never have 43 00:03:41,200 --> 00:03:43,720 Speaker 1: to pay it off and they'll never see it. We'll 44 00:03:43,720 --> 00:03:48,000 Speaker 1: be out of this timeline before the bill arrives. Huh, 45 00:03:48,200 --> 00:03:56,280 Speaker 1: I guess you're right. Well, here goes nothing, all right, 46 00:03:56,720 --> 00:04:00,760 Speaker 1: tickets purchased. No, it's getting late. We just time traveled, 47 00:04:00,840 --> 00:04:04,160 Speaker 1: and if all goes according a plan, will be time 48 00:04:04,160 --> 00:04:07,720 Speaker 1: traveling again tomorrow. So we might want to get some rest. 49 00:04:09,320 --> 00:04:12,480 Speaker 1: Where are you going to sleep? The floor is totally fine, 50 00:04:13,200 --> 00:04:15,520 Speaker 1: probably more comfortable than a week we just spent at 51 00:04:15,520 --> 00:04:25,640 Speaker 1: the rink. Do you have Oh? Yeah, here, blanket and pillow. Thanks, Bobby. 52 00:04:26,320 --> 00:04:34,040 Speaker 1: M hm m hmmm. I'm glad you're here. I don't 53 00:04:34,120 --> 00:04:35,880 Speaker 1: know if i'd be able to cope on my own. 54 00:04:36,480 --> 00:04:57,840 Speaker 1: Good night, Liab, I'm glad you're here too. Hey, we 55 00:04:58,000 --> 00:05:01,000 Speaker 1: um wake up. Maybe parents are gone for the day. 56 00:05:01,440 --> 00:05:06,159 Speaker 1: I got breakfast. The floor wasn't too bad. Yeah, thanks, 57 00:05:06,920 --> 00:05:10,680 Speaker 1: it was better than the ring floor for sure. Careful 58 00:05:10,880 --> 00:05:19,240 Speaker 1: it's hot, thanks mm hmm. Next problem, Asbury Park is 59 00:05:19,279 --> 00:05:23,000 Speaker 1: like an hour away. How are we going to get there? 60 00:05:23,880 --> 00:05:28,039 Speaker 1: We don't have wheels? Oh, but uber exists again, I 61 00:05:28,120 --> 00:05:31,760 Speaker 1: got that one. No, uber needed. It turns out my 62 00:05:31,839 --> 00:05:37,080 Speaker 1: parents in this timeline are surprisingly cool, and I have 63 00:05:37,320 --> 00:05:47,320 Speaker 1: my own car. Okay, according to the GPS, we're about 64 00:05:48,080 --> 00:05:51,320 Speaker 1: ten minutes away. What are you gonna say to Nikki 65 00:05:51,360 --> 00:05:54,360 Speaker 1: when you see her? I don't know. I mean, this 66 00:05:54,480 --> 00:05:57,760 Speaker 1: whole thing is pretty wild. I'm still trying to process it. 67 00:05:58,000 --> 00:06:01,000 Speaker 1: Her voice on that message she left. She's an adult 68 00:06:01,600 --> 00:06:05,800 Speaker 1: and we're still us. She lived a whole life, and 69 00:06:05,839 --> 00:06:10,480 Speaker 1: for us, it's been literally one day, and she sounded weird. 70 00:06:11,080 --> 00:06:15,760 Speaker 1: I'm still mad at her, like really mad, but at 71 00:06:15,839 --> 00:06:20,520 Speaker 1: least she apologized. She needs her help and we need 72 00:06:20,520 --> 00:06:24,240 Speaker 1: her for going to straighten out this messed up timeline, 73 00:06:24,360 --> 00:06:27,280 Speaker 1: which we didn't mess up. This is all on her. 74 00:06:27,640 --> 00:06:32,400 Speaker 1: We all contributed, you know it? Yeah? I know? And 75 00:06:32,480 --> 00:06:38,360 Speaker 1: she did sound strange. How very Nikki? If it's her show, 76 00:06:38,839 --> 00:06:41,839 Speaker 1: Why wouldn't she be able to leave us tickets? I 77 00:06:41,839 --> 00:06:45,720 Speaker 1: don't know. My dad is weird about that stuff. Everything 78 00:06:45,800 --> 00:06:49,360 Speaker 1: is so messed up. I'm just happy we're in this together, 79 00:06:50,080 --> 00:06:55,120 Speaker 1: even though I don't exist, you exist to me. One 80 00:06:55,160 --> 00:06:58,359 Speaker 1: thing I was thinking about last night was how we 81 00:06:58,440 --> 00:07:01,039 Speaker 1: spent so much of my time. I'm just trying to 82 00:07:01,080 --> 00:07:04,240 Speaker 1: be in the shadows, not call attention to myself because 83 00:07:04,279 --> 00:07:07,279 Speaker 1: of my dad, and maybe that wasn't the right way 84 00:07:07,320 --> 00:07:11,640 Speaker 1: to do things. And now I feel that there are 85 00:07:11,720 --> 00:07:17,120 Speaker 1: things that I should try to do, like what things 86 00:07:17,200 --> 00:07:24,480 Speaker 1: that made me feel alive? Bobby, I just want to 87 00:07:24,480 --> 00:07:30,520 Speaker 1: say you. Your destination is on the left. We're here 88 00:07:34,560 --> 00:07:38,840 Speaker 1: over there v I P parking here. We just put 89 00:07:38,880 --> 00:07:44,119 Speaker 1: this in the window. They're waving us through. Yep, I see, 90 00:07:44,600 --> 00:08:01,440 Speaker 1: Thanks buddy, next in line, please? Hi, Um, I think 91 00:08:01,480 --> 00:08:04,280 Speaker 1: we have v I P passes at will call under 92 00:08:04,280 --> 00:08:12,400 Speaker 1: whose name? Barbara Boyd? Plus one? Yes? Oh, triple A 93 00:08:12,400 --> 00:08:17,040 Speaker 1: access to all areas? Can I see some? I D sure? 94 00:08:18,040 --> 00:08:23,840 Speaker 1: Yeah here. Oh I'm sorry, miss Barbara Boyd. Triple A 95 00:08:23,840 --> 00:08:27,520 Speaker 1: access is not available to minors. What no, But you 96 00:08:27,560 --> 00:08:32,319 Speaker 1: don't understand, Nikki, I mean summer she I'm her special guest. 97 00:08:32,600 --> 00:08:37,080 Speaker 1: We absolutely have to get backstage. Um, but I don't 98 00:08:37,120 --> 00:08:39,800 Speaker 1: see an adult with you. The best I can do 99 00:08:39,880 --> 00:08:41,760 Speaker 1: is give you these wristbands for seats in the v 100 00:08:41,880 --> 00:08:46,040 Speaker 1: I P area. It's just not backstage, but we paid 101 00:08:46,080 --> 00:08:48,400 Speaker 1: for that. Just take it. I think I can figure 102 00:08:48,440 --> 00:08:51,440 Speaker 1: out to work around from the v I P sage. Fine, 103 00:08:52,760 --> 00:08:59,920 Speaker 1: Thank you. Enjoy the show. This is kind of cool. 104 00:09:00,840 --> 00:09:02,800 Speaker 1: I've never been to a big rock show like this. 105 00:09:03,880 --> 00:09:07,680 Speaker 1: I've been to too many. They're a real circus. Sorry, 106 00:09:07,720 --> 00:09:09,840 Speaker 1: I'm kind of jaded. I'm not trying to be a 107 00:09:09,840 --> 00:09:14,640 Speaker 1: party pooper. How are we going to get up close 108 00:09:14,679 --> 00:09:16,920 Speaker 1: to Niki from all the way out here? We got 109 00:09:16,920 --> 00:09:19,640 Speaker 1: away for the show to start. She'll be on stage 110 00:09:19,800 --> 00:09:22,920 Speaker 1: and then security will be focused on that here she comes. 111 00:09:26,200 --> 00:09:29,679 Speaker 1: Welcome to another a basic diving days and nights, best 112 00:09:30,840 --> 00:09:39,600 Speaker 1: if you're here money summer races. I'm not play is 113 00:09:39,640 --> 00:09:57,240 Speaker 1: that it is? That's thanky? So probably God every days watchcase. 114 00:09:57,280 --> 00:10:06,960 Speaker 1: I'm going to yea. Hey, nicky stands. Want to uncover 115 00:10:07,080 --> 00:10:10,840 Speaker 1: more epic time travel secrets? Head to ep universe on 116 00:10:10,880 --> 00:10:14,800 Speaker 1: Instagram and TikTok for more totally twisty details. More nicky 117 00:10:14,880 --> 00:10:25,120 Speaker 1: fixes up next, but first a quick word from our sponsor. Hey, 118 00:10:25,160 --> 00:10:28,880 Speaker 1: time Travelers, welcome back. Want to uncover more totally twisty 119 00:10:28,920 --> 00:10:32,319 Speaker 1: time travel secrets? Head to e ep universe dot com 120 00:10:32,360 --> 00:10:47,400 Speaker 1: to learn more. Yeah, I can't believe how her performance 121 00:10:47,520 --> 00:10:52,280 Speaker 1: is flat, uninspired, phoned in out, But yeah, do you 122 00:10:52,400 --> 00:10:59,280 Speaker 1: think she's slip seeking? This is embarrassing? She left ups 123 00:10:59,320 --> 00:11:02,120 Speaker 1: to stay back time to have a big career, and 124 00:11:02,320 --> 00:11:05,360 Speaker 1: this is the result. No wonder she needs our help. 125 00:11:05,720 --> 00:11:09,360 Speaker 1: I don't believe it. I've been to every Nicky Fix 126 00:11:09,440 --> 00:11:12,480 Speaker 1: show and she's done some conquers, for sure, but never 127 00:11:12,559 --> 00:11:16,439 Speaker 1: for lack of effort. This is absolutely the weirdest thing 128 00:11:16,640 --> 00:11:20,000 Speaker 1: I've ever seen in my life. This whole show is 129 00:11:20,040 --> 00:11:22,520 Speaker 1: a cry for help. That's a start of a second song. 130 00:11:23,080 --> 00:11:24,520 Speaker 1: This is a good time for us to find a 131 00:11:24,520 --> 00:11:27,959 Speaker 1: way backstage. Let me talk to that security guy. Hi, 132 00:11:28,880 --> 00:11:32,800 Speaker 1: SCA's me what My friend and I have all access passes. 133 00:11:33,640 --> 00:11:47,240 Speaker 1: Where's backstage down that hall over there? I thought the 134 00:11:47,280 --> 00:11:49,719 Speaker 1: ticket guy said our passes don't get us back here. 135 00:11:50,440 --> 00:11:53,480 Speaker 1: That was way too easy. Number one rule of these events. 136 00:11:53,880 --> 00:11:57,120 Speaker 1: Act like you belong and people will just assume and belong. Now, 137 00:11:57,120 --> 00:12:00,280 Speaker 1: if I remember correctly, in Astbury Park, the way to 138 00:12:00,320 --> 00:12:07,760 Speaker 1: get to the green room is that way. Hey, it's 139 00:12:07,800 --> 00:12:10,440 Speaker 1: the big idea. What the heck are you kids even 140 00:12:10,520 --> 00:12:13,280 Speaker 1: doing back here? We're sorry, sir, we need to find 141 00:12:13,360 --> 00:12:20,960 Speaker 1: nick Summer Donte Diamonds. Yeah, you're looking for my autograph 142 00:12:21,120 --> 00:12:25,160 Speaker 1: or something. Wait, what do I know you kids? You 143 00:12:25,200 --> 00:12:31,360 Speaker 1: look familiar. We're just uh, big, big fans. We come 144 00:12:31,360 --> 00:12:33,720 Speaker 1: to a lot of Diamond Days and night shows and 145 00:12:34,480 --> 00:12:37,959 Speaker 1: we can't get enough. No, that's not it. Are you 146 00:12:38,080 --> 00:12:40,960 Speaker 1: sure you're supposed to be back here? Yeah, we're legit. 147 00:12:41,520 --> 00:12:45,800 Speaker 1: Look at our passes, they have the hologram and everything. No, 148 00:12:45,960 --> 00:12:48,280 Speaker 1: you're too young to be back here. And the last 149 00:12:48,320 --> 00:12:50,840 Speaker 1: thing I need is a citation for letting miners into 150 00:12:50,840 --> 00:12:55,400 Speaker 1: open bar areas. You don't understand. It's really important that 151 00:12:55,440 --> 00:12:59,920 Speaker 1: we see summer and security. Hey, what's up with your face? Leonard? 152 00:13:00,520 --> 00:13:04,760 Speaker 1: It's even more worked on than before. What did you say? 153 00:13:05,679 --> 00:13:08,839 Speaker 1: You you little snot you get out of here? Before 154 00:13:08,840 --> 00:13:10,640 Speaker 1: I banned the both of you from the venue and 155 00:13:10,679 --> 00:13:14,400 Speaker 1: from all future Diamond Days shows. I said to Kearney, 156 00:13:15,280 --> 00:13:36,640 Speaker 1: we should go this way, get those turns out of here. Bam, 157 00:13:37,360 --> 00:13:41,559 Speaker 1: that was way too close. Yeah. I don't think he 158 00:13:41,640 --> 00:13:44,679 Speaker 1: willly figured it out who we are though. I guess 159 00:13:44,720 --> 00:13:55,559 Speaker 1: it was almost thirty years ago. Hi everyone, Okay, thanks, 160 00:13:56,640 --> 00:14:01,160 Speaker 1: I love you too. So listen. This is my last song, 161 00:14:02,280 --> 00:14:05,040 Speaker 1: and I'm sending it out to two very special people 162 00:14:05,320 --> 00:14:10,120 Speaker 1: in my life. I know that they're here. I feel it. 163 00:14:12,320 --> 00:14:16,640 Speaker 1: I think she means us. This song is called Friends 164 00:14:16,840 --> 00:14:21,760 Speaker 1: Forever because when you're true friends, You don't just walk 165 00:14:21,960 --> 00:14:39,800 Speaker 1: the walk, you talk the talk taction? What justin by 166 00:14:40,360 --> 00:14:45,200 Speaker 1: all the emotions? Love to son friends, to say that 167 00:14:45,480 --> 00:14:50,320 Speaker 1: through when I want to, we dron hold back, we 168 00:14:50,640 --> 00:15:10,640 Speaker 1: hold outside together. Shame for us. Last most of her 169 00:15:10,640 --> 00:15:14,440 Speaker 1: show was terrible, but that last song had some of 170 00:15:14,520 --> 00:15:18,080 Speaker 1: Nikki in it. Now what are we supposed to do? 171 00:15:18,320 --> 00:15:21,480 Speaker 1: We have to get in touch with Nikki? Bobby. Did 172 00:15:21,560 --> 00:15:23,720 Speaker 1: you hear what she said right before that last song, 173 00:15:24,080 --> 00:15:30,400 Speaker 1: something about best friends? Um, walk the walk exactly? Oh 174 00:15:30,400 --> 00:15:33,880 Speaker 1: my god? The walkie talkies? Do you still have yours? 175 00:15:34,560 --> 00:15:41,520 Speaker 1: I left mind back of course? NICKI? Hello, are you 176 00:15:41,560 --> 00:15:48,320 Speaker 1: there for another channel? Know anybody there? Hello? Nicky? Hello, 177 00:15:50,640 --> 00:15:53,560 Speaker 1: I think it's gone dead. No, we can't have come 178 00:15:53,600 --> 00:15:57,400 Speaker 1: so close and not get to Nikki. Nicky, come in. 179 00:15:57,800 --> 00:16:06,760 Speaker 1: This is Bobby. I just wait, let's get sound Bobby. Liam, 180 00:16:06,800 --> 00:16:12,360 Speaker 1: are you there? It's NICKI? God, please still work, Please 181 00:16:12,400 --> 00:16:17,240 Speaker 1: still be here, Niggie. Hello, we're here. I'm with Liam 182 00:16:17,280 --> 00:16:19,960 Speaker 1: in some back quarter passive V I P. Section. Where 183 00:16:19,960 --> 00:16:25,240 Speaker 1: are you? Bobby? Oh my god, you're here. You don't 184 00:16:25,240 --> 00:16:28,600 Speaker 1: know how happy that makes me. When did you get back? 185 00:16:29,040 --> 00:16:32,840 Speaker 1: How long have you been back from the nineties. We 186 00:16:32,880 --> 00:16:35,480 Speaker 1: can figure that all out later. Now, we just need 187 00:16:35,520 --> 00:16:38,840 Speaker 1: to get to each other. Where are you? Don't he 188 00:16:38,960 --> 00:16:41,720 Speaker 1: thinks I left for the It never rains in summer 189 00:16:42,040 --> 00:16:46,160 Speaker 1: music cruise experience. But I'm still here. Make your way 190 00:16:46,160 --> 00:16:50,880 Speaker 1: through to stage door three. I'll find you, and Bobby. 191 00:16:51,480 --> 00:16:55,000 Speaker 1: It's so good to hear your voice again. I can 192 00:16:55,040 --> 00:16:57,600 Speaker 1: find a way to that door. It's on the other 193 00:16:57,680 --> 00:17:00,920 Speaker 1: side of the venue. Alrighty, we're heading there now. Four, 194 00:17:02,120 --> 00:17:09,120 Speaker 1: But hurry, don't. He's gonna figure out. Hello, Hello, Nikki, Hello, 195 00:17:09,960 --> 00:17:15,440 Speaker 1: A dang it lost her. Let's just get backstage this way. 196 00:17:23,600 --> 00:17:26,720 Speaker 1: How are we supposed to find her? This place is huge, 197 00:17:27,480 --> 00:17:32,080 Speaker 1: She could be anywhere. There's my dad. Headed this way 198 00:17:32,920 --> 00:17:35,679 Speaker 1: quick under that table. We can't let Dante see us 199 00:17:35,720 --> 00:17:46,199 Speaker 1: back here. I think they're gone. Hey again with you kids, Shoot, Bobby, 200 00:17:46,400 --> 00:17:57,360 Speaker 1: let's burn it this way. It's a dead end. Why 201 00:17:57,520 --> 00:18:01,320 Speaker 1: is everything almost the same but totally differ? Right, we're stuck. 202 00:18:01,560 --> 00:18:17,360 Speaker 1: What do we do over here? That was close? Hi? 203 00:18:18,440 --> 00:18:25,760 Speaker 1: Oh my gosh, Nicky. Huh wow, Nikki, that's really you 204 00:18:25,920 --> 00:18:28,959 Speaker 1: under there? Huh. Beauty standards for middle aged women are 205 00:18:29,080 --> 00:18:34,320 Speaker 1: loaded subject liamb Man, Yeah, you're right, you're right. Sorry, Nikki, 206 00:18:36,119 --> 00:18:39,639 Speaker 1: I can't believe it's you. I've been waiting so long 207 00:18:39,680 --> 00:18:43,159 Speaker 1: to see you, and you look exactly the same. You 208 00:18:43,320 --> 00:18:51,720 Speaker 1: look ood. You can say it. I gotta be quiet. 209 00:18:52,080 --> 00:18:56,880 Speaker 1: They can't find us. They watched me like a Hawk's right. 210 00:18:59,080 --> 00:19:05,399 Speaker 1: This is so weird. You have handlers. I think they're gone. 211 00:19:06,080 --> 00:19:10,959 Speaker 1: We're in the clear, Oh, Bobby, I am so, so 212 00:19:10,960 --> 00:19:14,119 Speaker 1: so grateful you found me. I missed you so much. 213 00:19:14,240 --> 00:19:17,320 Speaker 1: I missed you too, but it feels like you dumped me, 214 00:19:17,800 --> 00:19:22,240 Speaker 1: like you dumped our town, the rank, both of us, everything. 215 00:19:23,160 --> 00:19:26,080 Speaker 1: Why did you do that? Why did you stay behind? 216 00:19:26,880 --> 00:19:30,200 Speaker 1: How long has it been since you saw me a day? 217 00:19:30,480 --> 00:19:34,520 Speaker 1: I've missed you, guys for almost thirty years. Can you 218 00:19:34,560 --> 00:19:36,280 Speaker 1: give me a moment to be happy to see you 219 00:19:36,320 --> 00:19:39,760 Speaker 1: after so long, so then you can understand that it's 220 00:19:39,800 --> 00:19:44,200 Speaker 1: still fresh for me. I'm mad at you. Everything is different. 221 00:19:44,920 --> 00:19:49,760 Speaker 1: Liam doesn't exist. The rink is some sort of propaganda museum. 222 00:19:49,800 --> 00:19:53,960 Speaker 1: Your dads aren't together and therefore never adopted you. Ben 223 00:19:54,119 --> 00:19:57,080 Speaker 1: is Look, I'm sorry about what happened. For what I did. 224 00:19:57,760 --> 00:20:00,080 Speaker 1: I totally meant to come with you, but righte for 225 00:20:00,240 --> 00:20:05,320 Speaker 1: I came back. I found Dante Leonard in Ben's office. 226 00:20:06,240 --> 00:20:09,680 Speaker 1: He emptied out the safe, took every last dime from 227 00:20:09,680 --> 00:20:14,560 Speaker 1: the safe. The rink concert no wow. I knew my 228 00:20:14,640 --> 00:20:17,720 Speaker 1: dad could be cut throat, but that's a whole another level. 229 00:20:17,920 --> 00:20:21,560 Speaker 1: So I knew the rink wasn't saved, Ben wasn't saved. 230 00:20:22,920 --> 00:20:26,080 Speaker 1: But I thought I could save you two. I thought 231 00:20:26,080 --> 00:20:28,840 Speaker 1: I could fix it myself. If I stayed behind and 232 00:20:28,880 --> 00:20:31,440 Speaker 1: became a star, I'd have the money to help everyone, 233 00:20:31,720 --> 00:20:34,840 Speaker 1: to change everything for the better. Is that the only reason? 234 00:20:35,640 --> 00:20:42,320 Speaker 1: Be honest? Honestly, it was selfish. Had just come off 235 00:20:42,359 --> 00:20:46,480 Speaker 1: stage at my first big show, the audience chanting my name, 236 00:20:46,640 --> 00:20:51,800 Speaker 1: demanding an encore. It was intoxicating. I felt like that 237 00:20:51,840 --> 00:20:53,840 Speaker 1: could be my one and only shot to make it 238 00:20:54,480 --> 00:20:56,399 Speaker 1: like I was meant to be in that time and 239 00:20:56,440 --> 00:21:00,919 Speaker 1: place where all my wildest dreams could come true. But 240 00:21:01,080 --> 00:21:04,920 Speaker 1: I was wrong. Trust me, I've had a long time 241 00:21:04,960 --> 00:21:09,320 Speaker 1: to think about the mistakes I've made trusting Dante, leaving 242 00:21:09,359 --> 00:21:13,840 Speaker 1: the two of you behind lower rise bootcut jeans. This 243 00:21:14,119 --> 00:21:22,159 Speaker 1: is definitely weird seeing you like this, Like just yesterday 244 00:21:22,240 --> 00:21:27,200 Speaker 1: you were Nikki, now you're Summer Reigns. This isn't how 245 00:21:27,240 --> 00:21:32,200 Speaker 1: I ever thought success would feel I'm lonely and isolated, 246 00:21:32,560 --> 00:21:34,680 Speaker 1: and I've had no one to talk to about it. Hey, 247 00:21:34,840 --> 00:21:37,439 Speaker 1: you don't get to feel sorry for yourself. You messed 248 00:21:37,440 --> 00:21:42,920 Speaker 1: everything up, our whole timeline. Yeah, I don't exist anymore, Nikki. 249 00:21:43,280 --> 00:21:48,119 Speaker 1: I know, I'm sorry. I want to fix it. For years, 250 00:21:48,160 --> 00:21:50,160 Speaker 1: I've been counting the days to when you'd come back. 251 00:21:50,680 --> 00:21:55,480 Speaker 1: We need to make this right, all three of us together. Well, 252 00:21:56,480 --> 00:22:00,640 Speaker 1: it's certainly like my life back, whatever there was of it, 253 00:22:00,640 --> 00:22:03,840 Speaker 1: it was better than nothing. What are you thinking, Lamb? Well, 254 00:22:04,480 --> 00:22:08,080 Speaker 1: time laws say that we three are back together, so 255 00:22:08,160 --> 00:22:11,720 Speaker 1: we have the elements we need and play. All we 256 00:22:11,800 --> 00:22:15,720 Speaker 1: need is the guitar. Is it around here somewhere? The 257 00:22:15,800 --> 00:22:20,919 Speaker 1: guitar I used to have it. After Summer's first album 258 00:22:21,040 --> 00:22:23,800 Speaker 1: was a huge success, I could see things we're starting 259 00:22:23,800 --> 00:22:26,960 Speaker 1: to turn sour. I started looking for a way out 260 00:22:27,280 --> 00:22:29,720 Speaker 1: and always knew that guitar could get me out of here. 261 00:22:30,960 --> 00:22:34,560 Speaker 1: But then it just wasn't with my things anymore. I 262 00:22:34,640 --> 00:22:37,480 Speaker 1: asked around for it, I asked Dante for it, but 263 00:22:37,560 --> 00:22:43,760 Speaker 1: it just disappeared. He said. People steal instruments from popular 264 00:22:43,800 --> 00:22:48,760 Speaker 1: performers all the time to keep as souvenirs. Guaranteed. He 265 00:22:48,800 --> 00:22:51,680 Speaker 1: has its stathed away somewhere, holding it for collateral. Over 266 00:22:51,760 --> 00:22:56,560 Speaker 1: you hear that they're shutting down the venue. Let's go 267 00:22:56,640 --> 00:23:00,840 Speaker 1: to the rink. Maybe Ben knows something. He seems to 268 00:23:00,840 --> 00:23:03,880 Speaker 1: be living between timelines. How are we going to get there? 269 00:23:04,200 --> 00:23:06,879 Speaker 1: It's like an hour's drive away. Don't worry about it. 270 00:23:07,000 --> 00:23:09,720 Speaker 1: I have a wheels in the parking lot. Whoa, you 271 00:23:09,800 --> 00:23:13,560 Speaker 1: have a car? You weren't getting Things are different in 272 00:23:13,600 --> 00:23:20,120 Speaker 1: this timeline. Okay, let's go ahead. I don't see anyone here. 273 00:23:20,240 --> 00:23:25,840 Speaker 1: Follow my week, Liam? No this way? Oh hello Summer 274 00:23:26,560 --> 00:23:31,359 Speaker 1: and Bobby and Liam. If I'm remembering correctly, Oh no, 275 00:23:32,920 --> 00:23:35,400 Speaker 1: I was wondering where you'd crept off to. These are 276 00:23:35,440 --> 00:23:38,720 Speaker 1: your old friends, aren't they. I didn't recognize them at first, 277 00:23:39,160 --> 00:23:42,440 Speaker 1: figured they'd be older, but instead they're the exact same age, 278 00:23:42,440 --> 00:23:44,760 Speaker 1: just the last time I saw them, back at the 279 00:23:44,880 --> 00:23:48,879 Speaker 1: very first Diamond Day's concert. Odd. That's something we'll have 280 00:23:48,960 --> 00:23:52,359 Speaker 1: to get to the bottom of. But for now, security 281 00:23:52,560 --> 00:24:01,159 Speaker 1: get there, run. I can't don't ket me. I have 282 00:24:01,200 --> 00:24:04,960 Speaker 1: an idea. Apologies and advanced Niki, but we need the chaos. 283 00:24:05,280 --> 00:24:13,119 Speaker 1: How do we get front stage through there? Oh my god, 284 00:24:13,480 --> 00:24:19,600 Speaker 1: it's Summer rank everyone. Look she's right here, Summer Frock photo. 285 00:24:20,240 --> 00:24:22,600 Speaker 1: Everyone who wants to get in, get on this side 286 00:24:22,640 --> 00:24:45,560 Speaker 1: of the That was in insane. Did you see how 287 00:24:45,680 --> 00:24:48,800 Speaker 1: presert those fans went. You should have seen the look 288 00:24:48,840 --> 00:24:51,720 Speaker 1: on Dante's face when he got swallowed by that mob 289 00:24:51,800 --> 00:24:55,719 Speaker 1: of fans. He's such a germ of photo. It's so weird. 290 00:24:56,400 --> 00:25:00,240 Speaker 1: But I mean, isn't that what you always wanted to 291 00:25:00,280 --> 00:25:05,040 Speaker 1: be adored? Yeah, but not like this. Let's get that 292 00:25:05,119 --> 00:25:15,360 Speaker 1: guitar back. I want to undo it all. I used 293 00:25:15,400 --> 00:25:18,760 Speaker 1: to come here sometimes when I still could, to bring 294 00:25:18,800 --> 00:25:21,800 Speaker 1: then food or some money or whatever I could get. 295 00:25:23,240 --> 00:25:27,240 Speaker 1: It guts me that he lost everything. Nikki. You kind 296 00:25:27,240 --> 00:25:33,160 Speaker 1: of ruined his lighte. I know bequeues around here earlier. Ben, Hi, 297 00:25:33,280 --> 00:25:39,400 Speaker 1: then it's me Summer, I mean Niki, Oh, it's you. 298 00:25:39,400 --> 00:25:42,719 Speaker 1: You were just here last night having a sleepover. I 299 00:25:42,760 --> 00:25:46,160 Speaker 1: gave you the keys, said not to burn the place down. 300 00:25:46,680 --> 00:25:49,760 Speaker 1: We need your help, Ben, We need to find the guitar. 301 00:25:49,960 --> 00:25:53,880 Speaker 1: Sit sait. I already promised you that I would take 302 00:25:53,880 --> 00:25:57,360 Speaker 1: the money right away and put a down payment. Then 303 00:25:58,119 --> 00:26:01,520 Speaker 1: I noticed that you have a what of your rink art? Still? 304 00:26:02,280 --> 00:26:08,959 Speaker 1: But what about the guitar. You remember the guitar. Leonard 305 00:26:09,040 --> 00:26:12,520 Speaker 1: comes sometimes and asks me about it, says there's something 306 00:26:12,800 --> 00:26:19,960 Speaker 1: different about it, something magic, and they call me crazy. 307 00:26:20,240 --> 00:26:23,000 Speaker 1: Does he bring it with him? Have you seen it? No? 308 00:26:23,840 --> 00:26:27,480 Speaker 1: But throughout time, the only thing that continues is the 309 00:26:27,600 --> 00:26:33,920 Speaker 1: energy of the music. You know, sound, weaves, auras, radio broadcasts, 310 00:26:34,480 --> 00:26:39,760 Speaker 1: the tones of time, yes, time tone exactly. The radio 311 00:26:39,800 --> 00:26:43,360 Speaker 1: aintendant was where my future house was. I mean is 312 00:26:44,000 --> 00:26:48,320 Speaker 1: I mean, it's not my house in this timeline, it's Dante's, 313 00:26:48,359 --> 00:26:54,600 Speaker 1: but still it's my home. She can sense it. We're 314 00:26:54,720 --> 00:26:58,880 Speaker 1: onto something. Is the old radio antenna still on Dante's property? 315 00:26:59,359 --> 00:27:02,600 Speaker 1: It's torn down when I lived there, I mean now, 316 00:27:03,200 --> 00:27:06,720 Speaker 1: I mean in any other timeline it is. It's overgrown 317 00:27:06,720 --> 00:27:09,199 Speaker 1: and padlocked, but it's still there. That's going to be 318 00:27:09,280 --> 00:27:11,960 Speaker 1: where we find it. It must be there, I know it. 319 00:27:12,200 --> 00:27:14,159 Speaker 1: But we tried to get into your house and the 320 00:27:14,200 --> 00:27:18,560 Speaker 1: security was crazy. My keys, I buried them there in 321 00:27:18,600 --> 00:27:21,400 Speaker 1: the past. I wonder if one of them will work. 322 00:27:21,440 --> 00:27:24,280 Speaker 1: Now for the back gate, we have to try. Leah, 323 00:27:24,359 --> 00:27:28,520 Speaker 1: my boy, you look a little misty, like your colors 324 00:27:28,520 --> 00:27:32,960 Speaker 1: are fading. What does that mean? It means we don't 325 00:27:33,000 --> 00:27:35,119 Speaker 1: have a lot of time left to make things right. 326 00:27:35,720 --> 00:27:47,280 Speaker 1: The clock is ticking. Iron Horn's Epic Productions and I 327 00:27:47,359 --> 00:27:51,639 Speaker 1: Heart Radio presented Nikki Fixes Time Mix created an executive 328 00:27:51,680 --> 00:27:56,400 Speaker 1: produced by Heather iron Horn and Adam STAFFARONI executive produced 329 00:27:56,400 --> 00:28:02,359 Speaker 1: by iHeart Radio head writer Cecil cast alutional writers Blue 330 00:28:02,400 --> 00:28:09,120 Speaker 1: Beckford Burrow, Louis Cornfeld, Natalia Yancheck and Adam Stafferoni directed 331 00:28:09,119 --> 00:28:13,320 Speaker 1: by Rebecca Cunningham, with performances by Judy Alice Lee as 332 00:28:13,400 --> 00:28:17,439 Speaker 1: Nicky fix To, Leah Romina as Bobby, Joshua Evans as 333 00:28:17,520 --> 00:28:21,920 Speaker 1: Leah Tyler, Kayes as Dante Diamond, and Leonard and Baron 334 00:28:22,000 --> 00:28:26,760 Speaker 1: Bass has been additional voices more of Vincent Haleb Yen, 335 00:28:27,400 --> 00:28:32,000 Speaker 1: David Shatroff, Lee Walsh Legger, and Scott Hoffman as record 336 00:28:32,000 --> 00:28:36,879 Speaker 1: shop clerk. Post sound by Chapter four Sound supervision and 337 00:28:36,920 --> 00:28:41,520 Speaker 1: sound designed by Sarah Gibbel Lasker. Assistant sound editor by 338 00:28:41,640 --> 00:28:46,840 Speaker 1: Andrew Berger, Natalie Escudera and Zachary Spiser. Music composed by 339 00:28:47,200 --> 00:28:52,840 Speaker 1: Murray A Lightburner. Lyrics by Natalia Yancheck and Murray A Lightburner. 340 00:28:53,280 --> 00:28:59,600 Speaker 1: Produced by Arupe Sanakayla development writer, Scott Hoffman, Development executive 341 00:29:00,040 --> 00:29:06,080 Speaker 1: Greg Lackard Line producer Anna Stepcom, Production Coordinator and script Supervisor, 342 00:29:06,360 --> 00:29:11,440 Speaker 1: Laura Market Operations, Laura Kaufman Marketing and Publicity, The Jessie 343 00:29:11,480 --> 00:29:17,520 Speaker 1: Post Digital Marketing, Jennifer Gennaro Social Media, Ashley lynn Or 344 00:29:18,440 --> 00:29:23,000 Speaker 1: Creative direction and designed by Ryan McCann. A special thank 345 00:29:23,000 --> 00:29:27,320 Speaker 1: you to The Shadow Uniform, Iron Horn's Epic Productions and 346 00:29:27,400 --> 00:29:36,400 Speaker 1: I Heart Radio present Nikki Fix His Time Needs any 347 00:29:36,440 --> 00:29:40,520 Speaker 1: Time Travelers check out more incredible adventures at ep universe 348 00:29:40,600 --> 00:29:43,600 Speaker 1: dot com. Dig into the secrets of time travel, or 349 00:29:43,640 --> 00:29:46,959 Speaker 1: explore our other shows, Lethal It, a Tick Toah's Mystery, 350 00:29:47,440 --> 00:29:50,720 Speaker 1: See You in Your Nightmares, Daughters of DC, and more,