WEBVTT - Chuck Klosterman, Our Close Friend

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<v Speaker 1>All right, ready for the theme. Ready, I'm not hearing it?

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<v Speaker 2>Is it playing?

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<v Speaker 1>It was playing, but we're not hearing it either.

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<v Speaker 2>Okay, I don't need to hear the theme. I've heard.

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<v Speaker 1>I don't need to either, as long as I might

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<v Speaker 1>like it, I really trust it's that it's happening and

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<v Speaker 1>he's leaving, and I don't blame him.

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<v Speaker 2>Okay, my fireplace, No, that's fine. And just in terms

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<v Speaker 2>of the theme case here, are we going to try

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<v Speaker 2>again or are we just going to kind of say,

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<v Speaker 2>like forget the theme this week? Who needs it?

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<v Speaker 1>We had it for a second. I don't that and

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<v Speaker 1>now we lost it.

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<v Speaker 2>Yeah, we done it. So this is I think, Chuck,

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<v Speaker 2>just so you know, episode like six hundred and thirty

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<v Speaker 2>five or something, And so what we're finding is they

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<v Speaker 2>don't have the audio for the theme song, which is

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<v Speaker 2>totally normal, totally fine.

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<v Speaker 1>This yeah podcast, like how many you we doo? Oh no, sorry,

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<v Speaker 1>that's six hundred just of our main show. Yeah, this show.

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<v Speaker 1>We also do a bonus show every week and the

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<v Speaker 1>show about basketball.

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<v Speaker 2>Yeah we do so wow.

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<v Speaker 1>Okay, and we're back with Chuck Klosterman. The book is footballs.

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<v Speaker 2>The book is football and I can I actually launch

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<v Speaker 2>in just with a Can I get the gripe of

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<v Speaker 2>the week off my chest? As long as we're talking

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<v Speaker 2>about football? Is that okay with everybody?

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<v Speaker 1>It's okay with me, okay with you, Chuck crazy Chuck.

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<v Speaker 2>For me, it's the hypocrisy. For me, it's the hypocrisy

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<v Speaker 2>that's what's making me insane right now in this day

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<v Speaker 2>and age in the world. I'm raising my children in

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<v Speaker 2>for any journalist, nay, any human being to behave as

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<v Speaker 2>if they have not gone on a romantic vacation with

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<v Speaker 2>Mike Rabel m hm. Like it's disgusting, and it's like

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<v Speaker 2>we all want to any embattled figure, you know, we

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<v Speaker 2>all want to pile on, right, it's not me, anyone

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<v Speaker 2>but me, and we're gonna just kick them while they're down.

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<v Speaker 2>And it's you know, for me to have to look

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<v Speaker 2>my son Rabel in the eye and try to explain

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<v Speaker 2>to him that this kind of thing goes on and

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<v Speaker 2>that people are just willing to pretend like we look,

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<v Speaker 2>we all love football, right, We're all in the same place.

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<v Speaker 2>We go to these stadiums, We're in the same hotel.

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<v Speaker 2>You think nobody else got in the hot time.

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<v Speaker 1>And Chuck, I noticed in the book you did not

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<v Speaker 1>talk about the extramarital activities of coach Rabel. Is that

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<v Speaker 1>because you were yourself conflicted out having like, let's just

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<v Speaker 1>say it, every single person in this room.

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<v Speaker 2>Every single person here participated. Yourself just jumped down into

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<v Speaker 2>the tub.

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<v Speaker 3>Did something happen with Mike Rabel? Is this about the combine?

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<v Speaker 2>Oh? Chuck, Oh sweetie, You've been on such a such

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<v Speaker 2>a worldwood But you know, I haven't seen I.

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<v Speaker 3>I kind of you know, I try to. I don't

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<v Speaker 3>want to know gabble too much in the news, So

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<v Speaker 3>I just you know, I I.

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<v Speaker 2>The book is about old stuff largely.

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<v Speaker 3>Yeah, yeah, so so like, uh so something went went

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<v Speaker 3>on with Mike Rabel. I mean, you know, he's I

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<v Speaker 3>thought he was a really durrated guy with the Titans, seem

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<v Speaker 3>having real success with the Patriots. Uh, you know, loved

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<v Speaker 3>by the media generally.

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<v Speaker 2>So what the media?

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<v Speaker 3>Yeah, yeah, so is something what's happening? What's what's happening now?

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<v Speaker 2>So I don't want to be the one to bring

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<v Speaker 2>this news.

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<v Speaker 1>Hey, apparently kissing is illegal. Now now that's now you

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<v Speaker 1>go to jail. Apparently in mister Trump's America. You are

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<v Speaker 1>not allowed to smooch, to.

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<v Speaker 2>Have affection, to show love, to express physically any kind

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<v Speaker 2>of tenderness.

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<v Speaker 1>In this fascist state. Go ahead.

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<v Speaker 3>So that's involved with what like Drake May, I'm guessing,

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<v Speaker 3>what's he?

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<v Speaker 2>Who?

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<v Speaker 3>What happened?

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<v Speaker 2>I hope So, I hope Drake's been as busy as

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<v Speaker 2>you are. I hope he hasn't seen any of this.

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<v Speaker 1>Or I hope if he has, he's been inspired by

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<v Speaker 1>the idea that you can actually show love too, for example,

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<v Speaker 1>multiple receivers, as he did this season, distributing the ball

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<v Speaker 1>equally among among his entire core, and not just having

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<v Speaker 1>one person that you could shoot it.

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<v Speaker 2>To that for the entire season going okay, well, I

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<v Speaker 2>guess you know, Stephen Diggs has the sacred ring, you know,

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<v Speaker 2>and then I can only throw to this one man

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<v Speaker 2>because he's you know, he's been here the longest or something,

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<v Speaker 2>when there's other people who deserve to have a shot

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<v Speaker 2>to them.

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<v Speaker 1>And we're back Chuck Closterman, The book is the book

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<v Speaker 1>is football. So what made you want to do about

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<v Speaker 1>a football?

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<v Speaker 2>What made you say football?

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<v Speaker 3>What made me say football? And white like that, you're

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<v Speaker 3>pluralizing it as well, because Obviously the game involves multiple balls.

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<v Speaker 1>It would be ridiculous to just talk about one.

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<v Speaker 2>It only be one the whole time. Think about how

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<v Speaker 2>filthy it would be.

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<v Speaker 1>Well, I you know, I but I play this out. Yeah.

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<v Speaker 1>Is it kind of unfair? And this is I mean,

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<v Speaker 1>this is what they said to Tom right, Oh, this

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<v Speaker 1>is a different footballs. This is different they said it

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<v Speaker 1>to Tom. That's illegal too, mm hmm. Too many footballs

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<v Speaker 1>that he used, so should so I guess what they

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<v Speaker 1>want is you should just use the same footballs.

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<v Speaker 2>Let's have it be fair. Everyone has one football for

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<v Speaker 2>the whole season, and if you don't take care of it,

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<v Speaker 2>that's your fault.

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<v Speaker 3>So she was saying, like one per game, one per.

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<v Speaker 1>One, each hard game as in the game of footballs,

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<v Speaker 1>and they play the games one at a time.

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<v Speaker 2>I was gonna say, each team gets a football, that's

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<v Speaker 2>your football. When you're having a home game, you're in

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<v Speaker 2>charge of it.

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<v Speaker 1>Not fair and if you and if.

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<v Speaker 2>Something goes wrong, that's on you.

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<v Speaker 1>They stagger the games obviously they have to be either

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<v Speaker 1>played in the same place, think happened and the footballs

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<v Speaker 1>is just there and that's where the football lives. And

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<v Speaker 1>then everyone gets it when it's there turns to get

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<v Speaker 1>in is also for little kids.

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<v Speaker 2>Boy, that'd be That'd be a shame, wouldn't it, Chuck,

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<v Speaker 2>If the sport, the most popular sport in America, was

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<v Speaker 2>teaching us about sharing and taking turns.

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<v Speaker 1>Well, that'd be bad, allowed to do that. But you

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<v Speaker 1>take too long, you.

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<v Speaker 3>Think, Well, I just think this idea of this football

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<v Speaker 3>idea you have is kind of intriguing me because you

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<v Speaker 3>think of valuable that football would be. Oh, sell it, you.

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<v Speaker 2>Know, breaking in to steal the other teams football the night.

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<v Speaker 1>Before check with who better to ask a question? Oh,

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<v Speaker 1>it's everyone thinks, Oh, we use a different football for

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<v Speaker 1>every single game, and sometimes a bunch in the game.

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<v Speaker 1>But what if we're wrong? Hm? But what if we're wrong?

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<v Speaker 3>That's great point? Great point. Well, I you know, I

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<v Speaker 3>You've given me a lot to think about here regarding

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<v Speaker 3>the football itself, because you know, I'm writing I wrote

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<v Speaker 3>this book about football, but I only, like, I only

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<v Speaker 3>spent a few pages on the actual ball.

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<v Speaker 2>Yeah, and you and and.

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<v Speaker 3>You the shape of it.

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<v Speaker 2>So it's like, you know, you talk about the sport

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<v Speaker 2>how it can only kind of get bigger and grow,

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<v Speaker 2>and that's kind of the nature of it, and that's

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<v Speaker 2>going to ultimately lead to its demise. But what if

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<v Speaker 2>it became smaller in terms of just there was only

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<v Speaker 2>one football? And whose version do you prefer minor Hayeses

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<v Speaker 2>version of what? Well, So my idea is each team

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<v Speaker 2>gets one football for the whole season if you lose

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<v Speaker 2>your football. Hayes's idea is that there's actually only one

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<v Speaker 2>football in the NFL in the world.

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<v Speaker 3>I think that is the one that is the one

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<v Speaker 3>I prefer the world. Yeah, I mean, because it would

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<v Speaker 3>become such a just such a sought after item, you know,

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<v Speaker 3>be like uh, and and its future would be mean,

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<v Speaker 3>you know, I I like the idea of all having

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<v Speaker 3>I mean, that's a lot of sharing.

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<v Speaker 2>Yeah, and my and my and my idea cannon fodder.

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<v Speaker 2>It was cannon fodder for me. I know, Hayes's only

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<v Speaker 2>one in football the world. That's obviously, you know, the

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<v Speaker 2>right choice. But I have to provide some cannon fodder.

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<v Speaker 2>So you're making choices too on the show.

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<v Speaker 1>Now, going back to the book, it was sort of

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<v Speaker 1>a revelation for me, Uh what what you taught me?

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<v Speaker 1>In the same way I remember reading you talk about

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<v Speaker 1>Muhammad Ali and his influence on wrapping years ago, and

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<v Speaker 1>the same way you sort of laid out the connection

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<v Speaker 1>between Stewie the Baby being the inspiration for the shape

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<v Speaker 1>of the football that his the shape of his head

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<v Speaker 1>was what originally inspired the football to be shaped like

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<v Speaker 1>Stee the Baby.

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<v Speaker 3>You're talking about the Family Guy character.

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<v Speaker 1>But he was on Family Guy.

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<v Speaker 2>He's got his own show now, but he certainly was,

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<v Speaker 2>so yeah he was.

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<v Speaker 1>I had sort of forgotten that the Baby was on

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<v Speaker 1>Family Guy.

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<v Speaker 2>But know, yeah, yeah, I mean people forget that.

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<v Speaker 3>Huh, there's spin off or something, and he has a

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<v Speaker 3>different show now, this baby.

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<v Speaker 2>Yeah. So yeah, Stue, he's got to show the two season. Yeah,

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<v Speaker 2>so he's got his own job.

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<v Speaker 1>It's basically Family Guy is basically a distant memory at

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<v Speaker 1>this point for Stewie the Baby, but was not allowed

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<v Speaker 1>to do. Yeah.

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<v Speaker 2>I was like, no, Tom Brady got drafted by the

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<v Speaker 2>Expos or whatever. But that's not how we think of him.

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<v Speaker 2>It's not really how we think of him as it.

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<v Speaker 3>No, that's true. That's a that's true. They do not

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<v Speaker 3>associate him with the Expos.

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<v Speaker 2>Yeah.

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<v Speaker 1>Yeah, we're back with Chuck Closterman. The book is Football

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<v Speaker 1>is Chuck we have a question you were of course

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<v Speaker 1>they answering questions. We have been trying since you were

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<v Speaker 1>first the epheicist to get you on the show because

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<v Speaker 1>we have so many questions for you.

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<v Speaker 2>The show, the world of the show is rife with

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<v Speaker 2>moral quandaries.

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<v Speaker 3>That would be you know, I feel I haven't done

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<v Speaker 3>this in a while, but I would. I would love

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<v Speaker 3>this go ahead.

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<v Speaker 2>I gotta feeling the the muscles still work in there.

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<v Speaker 1>Yeah, yeah, where to begin? So let's I mean, and

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<v Speaker 1>we don't want to use real names in this.

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<v Speaker 2>Yeah, just just it's sensitive for some people because we

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<v Speaker 2>they are real issues.

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<v Speaker 1>Uh say, some men are on a podcast. Yeah, and

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<v Speaker 1>that podcast is on a network.

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<v Speaker 3>Like a television network or like a podcast.

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<v Speaker 2>Well, well they're filming it, but it is it is

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<v Speaker 2>a podcast network primarily. But you know they've all got

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<v Speaker 2>to do video, now, don't they.

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<v Speaker 3>The computer network just on the the network of computers. Okay, Okay,

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<v Speaker 3>sure I can imagine this.

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<v Speaker 1>And the network. The face of the network is a

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<v Speaker 1>famous man who is friends with Pete Carroll from your book, okay,

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<v Speaker 1>and is in a movie and another movie, a dozen

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<v Speaker 1>or so movies and and another and he has not

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<v Speaker 1>done the men's podcast yet and he has not been asked.

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<v Speaker 2>It's been there's been a bit of an overture made. Uh,

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<v Speaker 2>there's a So let's say he has a shingle on

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<v Speaker 2>the network that has a label, maybe it's Big Money Players,

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<v Speaker 2>and we are required to display this label promoting this brand.

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<v Speaker 2>And yet this man, let's say he was in, uh, two.

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<v Speaker 1>Movies called Achorman. Does he have a.

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<v Speaker 2>Moral obligation to appear on the show as a guest.

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<v Speaker 1>If he has time to literally do two movies that

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<v Speaker 1>are both called Acreman, is that that est that he

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<v Speaker 1>might have time to go his old podcast?

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<v Speaker 3>I need to go to revisit the thing you mentioned earlier.

0:13:04.520 --> 0:13:06.600
<v Speaker 3>He has not been asked, though you said he is

0:13:06.640 --> 0:13:08.800
<v Speaker 3>not You've not asked this person to do this.

0:13:08.840 --> 0:13:11.080
<v Speaker 2>Now. I don't think I used the word overture correctly,

0:13:11.120 --> 0:13:14.720
<v Speaker 2>but but what was there was something sort of okay, good.

0:13:15.040 --> 0:13:18.840
<v Speaker 3>So like like you said, like this individual whoever you

0:13:18.880 --> 0:13:21.000
<v Speaker 3>were like around him? And you just mentioned like, hey,

0:13:21.000 --> 0:13:23.160
<v Speaker 3>we have a podcast, we're always looking for guests.

0:13:23.280 --> 0:13:25.280
<v Speaker 2>No, we've never been around him. That's not part of

0:13:25.280 --> 0:13:26.079
<v Speaker 2>our around.

0:13:26.360 --> 0:13:28.400
<v Speaker 3>Okay, but you've never met the individual.

0:13:28.480 --> 0:13:29.760
<v Speaker 1>There's people who.

0:13:29.600 --> 0:13:33.920
<v Speaker 2>Work with him okay, more direct by choice?

0:13:34.360 --> 0:13:36.680
<v Speaker 3>By choice? Or are these like slaves? Are these like

0:13:36.760 --> 0:13:37.800
<v Speaker 3>are these employees?

0:13:37.920 --> 0:13:40.240
<v Speaker 1>Like what is the what is the God? I've never asked?

0:13:40.520 --> 0:13:44.800
<v Speaker 1>I've never asked? And that interesting topic for the podcast,

0:13:45.000 --> 0:13:49.960
<v Speaker 1>and it could explain that could explain the reluctance to participate.

0:13:50.000 --> 0:13:55.760
<v Speaker 2>There's certainly a power dynamic there where I think the

0:13:55.760 --> 0:13:59.120
<v Speaker 2>the general idea of there's a new podcast joining the

0:13:59.160 --> 0:14:01.120
<v Speaker 2>network and it would be good for them to have

0:14:01.160 --> 0:14:06.440
<v Speaker 2>you as a guest was maybe spoken aloud it immediately

0:14:06.640 --> 0:14:07.280
<v Speaker 2>shut down.

0:14:07.720 --> 0:14:12.600
<v Speaker 1>But does the famous anchor man have the obligation to

0:14:12.840 --> 0:14:17.880
<v Speaker 1>take the initiative to appear on the show, even in

0:14:17.920 --> 0:14:20.640
<v Speaker 1>a fun way where he just pops out sometimes m hm,

0:14:21.680 --> 0:14:25.320
<v Speaker 1>where it's a surprise and he's just hanging out around

0:14:25.320 --> 0:14:28.360
<v Speaker 1>the office. Hey guys, yeah, and we hang out after.

0:14:28.400 --> 0:14:30.880
<v Speaker 2>Imagine he just plopped down sort of in the corner

0:14:30.920 --> 0:14:32.880
<v Speaker 2>here with a bag of chips and said, don't mind me.

0:14:34.360 --> 0:14:36.880
<v Speaker 3>Okay, this might be an impossible question for you guys

0:14:36.880 --> 0:14:40.720
<v Speaker 3>to answer, But do you suspect he is aware that

0:14:40.800 --> 0:14:44.600
<v Speaker 3>this desire even exists from you guys? Like is he

0:14:45.000 --> 0:14:48.480
<v Speaker 3>are you under the impression that he consciously knows that

0:14:49.040 --> 0:14:51.000
<v Speaker 3>people want him to go on a podcast and he's

0:14:51.160 --> 0:14:52.000
<v Speaker 3>just not doing it.

0:14:53.600 --> 0:15:00.680
<v Speaker 1>We so far have not determined a piece of that question,

0:15:01.280 --> 0:15:04.920
<v Speaker 1>which is is he aware of the men.

0:15:05.240 --> 0:15:08.120
<v Speaker 2>The Do the men exist in his mind at all?

0:15:08.440 --> 0:15:13.240
<v Speaker 1>So whether the awareness is there of whether the men

0:15:13.400 --> 0:15:15.320
<v Speaker 1>want him to be on the podcast, the men on

0:15:15.360 --> 0:15:16.200
<v Speaker 1>the podcast Men on the.

0:15:16.120 --> 0:15:20.640
<v Speaker 3>Podcast podcast is not called the men. You're talking about

0:15:20.680 --> 0:15:21.560
<v Speaker 3>the two men.

0:15:23.080 --> 0:15:30.600
<v Speaker 2>The the the In the hypothetical though, where someone were

0:15:30.640 --> 0:15:35.440
<v Speaker 2>to ask him, do you think two men at a

0:15:35.480 --> 0:15:39.200
<v Speaker 2>certain age with a podcast on your network would want

0:15:39.240 --> 0:15:43.160
<v Speaker 2>you to appear? I think he would have to say yes,

0:15:43.600 --> 0:15:45.040
<v Speaker 2>he knows that they would want that.

0:15:45.720 --> 0:15:47.200
<v Speaker 3>Well, I guess it's myra celebrity.

0:15:47.280 --> 0:15:51.760
<v Speaker 4>And what I would find what I have learned from

0:15:51.760 --> 0:15:55.960
<v Speaker 4>the world of podcasting ahead and from the world which

0:15:56.040 --> 0:15:58.560
<v Speaker 4>kind of you guys exist in the world of Hollywood

0:15:58.600 --> 0:15:58.920
<v Speaker 4>and all this.

0:15:59.320 --> 0:16:02.360
<v Speaker 3>It's kind of inactional world, right action?

0:16:02.720 --> 0:16:06.320
<v Speaker 2>So what what would you what would.

0:16:06.160 --> 0:16:08.760
<v Speaker 3>Be the what would be the transaction from the end

0:16:08.800 --> 0:16:12.040
<v Speaker 3>of the man like, what are they? What would they provide?

0:16:12.240 --> 0:16:12.680
<v Speaker 1>We offer?

0:16:12.840 --> 0:16:20.120
<v Speaker 2>What would we offer? I would say, you guys, uh uh.

0:16:20.200 --> 0:16:22.080
<v Speaker 2>You know, it's easier for me to talk about this

0:16:22.120 --> 0:16:23.160
<v Speaker 2>if I sort of take on.

0:16:23.160 --> 0:16:28.120
<v Speaker 1>The uh.

0:16:30.680 --> 0:16:32.240
<v Speaker 3>Boy, I don't know.

0:16:32.880 --> 0:16:35.600
<v Speaker 1>I really convinced myself for a second that this wasn't

0:16:35.640 --> 0:16:36.200
<v Speaker 1>my life.

0:16:37.120 --> 0:16:40.840
<v Speaker 2>I did not set out today to play chess with

0:16:40.920 --> 0:16:41.680
<v Speaker 2>the grandmaster.

0:16:42.400 --> 0:16:42.920
<v Speaker 3>Mm hmmm.

0:16:43.920 --> 0:16:46.160
<v Speaker 1>And now I'm so, is this what you used to

0:16:46.720 --> 0:16:49.000
<v Speaker 1>And I remember how you used to do this on

0:16:49.200 --> 0:16:52.360
<v Speaker 1>the eficus now where you would spend most of your

0:16:52.480 --> 0:16:56.240
<v Speaker 1>time and answering the questions, revealing the identities of the

0:16:56.320 --> 0:17:02.120
<v Speaker 1>asker and the subject. Yes, for your own pleasure.

0:17:01.920 --> 0:17:05.800
<v Speaker 2>Exposing though mm hmm, yes it was. It was honestly

0:17:05.840 --> 0:17:11.080
<v Speaker 2>my first exposure to true got to journalism.

0:17:11.359 --> 0:17:13.919
<v Speaker 3>That was a real stressful job, though, I have to

0:17:13.920 --> 0:17:15.399
<v Speaker 3>say for a weird reason.

0:17:16.520 --> 0:17:17.359
<v Speaker 1>Keeps a weird reason.

0:17:17.840 --> 0:17:21.040
<v Speaker 3>Well, yeah, because like everyone thinks of now, like newspapers

0:17:21.040 --> 0:17:22.880
<v Speaker 3>are just on the internet, but you know they still

0:17:22.920 --> 0:17:26.120
<v Speaker 3>make the old physical copy, right, they own physical magazine.

0:17:26.840 --> 0:17:30.879
<v Speaker 3>So in order to get that printed, I had to

0:17:31.040 --> 0:17:34.680
<v Speaker 3>sort of have the entire thing done like nine days

0:17:34.760 --> 0:17:37.439
<v Speaker 3>before it came out. So then once it was locked

0:17:37.480 --> 0:17:39.280
<v Speaker 3>and it was going to be in the magazine, I

0:17:39.320 --> 0:17:43.080
<v Speaker 3>would spend nine days thinking about how I might be incorrect.

0:17:43.640 --> 0:17:44.640
<v Speaker 3>It would just be it was.

0:17:44.640 --> 0:17:50.080
<v Speaker 1>Terrible standards change society of alls, Yes, and in nine days,

0:17:50.080 --> 0:17:54.679
<v Speaker 1>people's relationship to for example, adultery changes on if you

0:17:54.720 --> 0:17:55.360
<v Speaker 1>think about.

0:17:55.119 --> 0:17:57.080
<v Speaker 2>It a day basis, nine days ago, the way I

0:17:57.080 --> 0:18:00.000
<v Speaker 2>would have thought about even throwing a football to multiple receivers. Yeah,

0:18:00.080 --> 0:18:03.360
<v Speaker 2>and how more objectionable that would be to me? And

0:18:03.400 --> 0:18:05.800
<v Speaker 2>now to look at it from my current purview, with

0:18:05.840 --> 0:18:08.520
<v Speaker 2>the perfect information that I have that actually that's good

0:18:08.520 --> 0:18:13.720
<v Speaker 2>for the team. I uh, I would not I would

0:18:13.720 --> 0:18:14.760
<v Speaker 2>not want that job.

0:18:17.640 --> 0:18:24.680
<v Speaker 1>Next question, yep, okay, okay. A producer a man a

0:18:25.240 --> 0:18:31.240
<v Speaker 1>man podcast. I guess this producer is actually producing a podcast.

0:18:31.560 --> 0:18:32.400
<v Speaker 3>Okay, podcast.

0:18:32.800 --> 0:18:34.960
<v Speaker 1>So you're thinking, so you're thinking of a pro, you're

0:18:35.000 --> 0:18:38.080
<v Speaker 1>thinking of a producer. Yeah, okay, this is a this

0:18:38.160 --> 0:18:39.879
<v Speaker 1>is a this is a producer. And this is a

0:18:39.920 --> 0:18:41.960
<v Speaker 1>man who actually produces a podcast.

0:18:42.160 --> 0:18:45.119
<v Speaker 2>Okay, produces like seventeen of them or something. And then

0:18:45.160 --> 0:18:46.760
<v Speaker 2>every time he drops one, he goes like.

0:18:46.800 --> 0:18:52.959
<v Speaker 5>Good news, good news, it's just one. I'm doing one less. Okay,

0:18:53.440 --> 0:18:55.520
<v Speaker 5>I'll have more time for you. This is how this

0:18:55.600 --> 0:18:57.800
<v Speaker 5>guy talks really anyways.

0:18:57.359 --> 0:19:04.840
<v Speaker 2>A podcast producer Okay, and he is. He's a little boy.

0:19:05.080 --> 0:19:11.520
<v Speaker 2>He's from a insanely wealthy insurance dynasty. So so so

0:19:11.560 --> 0:19:13.919
<v Speaker 2>then what he even does is like the fact that

0:19:13.960 --> 0:19:15.840
<v Speaker 2>he's producing podcast at all, I think is just a

0:19:15.880 --> 0:19:18.440
<v Speaker 2>fuck you to his old man sort.

0:19:18.200 --> 0:19:21.240
<v Speaker 1>Of a joke. Okay, okay, or it's another way to

0:19:21.280 --> 0:19:23.680
<v Speaker 1>prop it off people. I guess yes.

0:19:23.920 --> 0:19:27.640
<v Speaker 3>Would classify this man's father as as like wealthy or

0:19:28.040 --> 0:19:31.320
<v Speaker 3>very rich? Is he very is the father very rich?

0:19:33.119 --> 0:19:35.520
<v Speaker 3>Like if if you looked up this guy on Wikipedia,

0:19:35.560 --> 0:19:37.040
<v Speaker 3>would mentioned the wealth of his father.

0:19:37.200 --> 0:19:40.320
<v Speaker 1>The producer likes to say he has freak you money.

0:19:40.200 --> 0:19:44.000
<v Speaker 3>Mm hm okay, okay, okay, okay, okay.

0:19:44.040 --> 0:19:47.920
<v Speaker 2>So this producer, he's a producer and uh, he has

0:19:48.280 --> 0:19:54.919
<v Speaker 2>over the course of several years sort of burrowed his

0:19:55.000 --> 0:19:59.360
<v Speaker 2>way under the skin of this podcast so that he

0:19:59.480 --> 0:20:05.760
<v Speaker 2>is kind of inextricable without pulling out something crucial to

0:20:05.880 --> 0:20:08.320
<v Speaker 2>the sort of existence of it.

0:20:08.400 --> 0:20:09.880
<v Speaker 3>Is this troubling or is this positive?

0:20:11.560 --> 0:20:15.359
<v Speaker 1>It's just part of the it's become a body part.

0:20:15.440 --> 0:20:19.320
<v Speaker 2>There was a time when there have been different times

0:20:19.320 --> 0:20:22.159
<v Speaker 2>throughout the length of the relationship that it has been.

0:20:22.000 --> 0:20:24.360
<v Speaker 3>Both oh really at the same time.

0:20:25.800 --> 0:20:27.919
<v Speaker 1>You know how you have like a tick. Sometimes it

0:20:27.920 --> 0:20:30.120
<v Speaker 1>gets in like to your feet and you're just like, okay,

0:20:30.200 --> 0:20:33.600
<v Speaker 1>well that's like another toe now basically mm hmmm, like, well,

0:20:33.800 --> 0:20:34.359
<v Speaker 1>that's kind.

0:20:34.200 --> 0:20:37.240
<v Speaker 3>Of a that's outside the box thinking that's not really

0:20:37.400 --> 0:20:40.159
<v Speaker 3>usually simultaneously positive. But okay, I guess it could be.

0:20:40.240 --> 0:20:41.120
<v Speaker 3>I mean I guess, well.

0:20:41.040 --> 0:20:42.640
<v Speaker 2>You know, sometimes it feels kind of good.

0:20:44.000 --> 0:20:46.320
<v Speaker 3>I mean, well, you're you're you guys come from more

0:20:46.320 --> 0:20:50.000
<v Speaker 3>of a tick place, like I feel like, well, I'll say,

0:20:50.119 --> 0:20:52.480
<v Speaker 3>in New England there are ticks or like you're like,

0:20:52.560 --> 0:20:54.359
<v Speaker 3>you know, like Fire Island places like that.

0:20:54.640 --> 0:20:57.240
<v Speaker 2>Rather you said it, yeah, I get that one tick.

0:20:58.480 --> 0:21:00.679
<v Speaker 3>You're not like red meat or whatever. Though, let's say

0:21:00.720 --> 0:21:02.760
<v Speaker 3>with the lone star tick, are you familiar with this?

0:21:03.560 --> 0:21:09.480
<v Speaker 1>Oh yeah, no, yes, every single one. We're familiar.

0:21:09.680 --> 0:21:11.840
<v Speaker 2>There's there's not a tick under the side.

0:21:11.840 --> 0:21:13.199
<v Speaker 3>I don't want to I don't want to get you

0:21:13.240 --> 0:21:15.480
<v Speaker 3>after it. So this producer kind of has kind of

0:21:15.520 --> 0:21:19.520
<v Speaker 3>the Michael jacksony voice. You described wealthy, come from wealth.

0:21:19.960 --> 0:21:27.680
<v Speaker 1>And Michael Jackson, Yeah, like nineteen eighty one.

0:21:27.119 --> 0:21:28.199
<v Speaker 2>And I'm dating myself.

0:21:28.280 --> 0:21:29.480
<v Speaker 3>Yeah, off the wall is.

0:21:29.640 --> 0:21:36.439
<v Speaker 1>Yes, And this little boy has moved has also burrowed

0:21:36.520 --> 0:21:41.840
<v Speaker 1>himself into a woman's affections somehow, and the two of

0:21:41.880 --> 0:21:49.040
<v Speaker 1>them have moved to let's say, let's call it Klitsburgh.

0:21:49.119 --> 0:21:51.520
<v Speaker 2>Yeah, let's use a fake name. So it's like Plittsburgh,

0:21:51.520 --> 0:21:53.919
<v Speaker 2>Plencylblania Okay, for.

0:21:55.520 --> 0:22:00.840
<v Speaker 1>Undisclosed reasons, Well, undisclosed to you or to anyway. We

0:22:00.920 --> 0:22:07.040
<v Speaker 1>haven't asked, don't care, okay, would rather not know? Would Yeah,

0:22:08.160 --> 0:22:15.840
<v Speaker 1>And this man, as of right now, the financial arrangement

0:22:15.840 --> 0:22:20.959
<v Speaker 1>with the podcast is unchanged. Does the podcast have an

0:22:21.119 --> 0:22:31.399
<v Speaker 1>ethical obligation to adjust the producer boys payment according to

0:22:32.280 --> 0:22:36.280
<v Speaker 1>the cost of living in his new home?

0:22:36.680 --> 0:22:38.680
<v Speaker 2>Just in terms, just in terms of the ethics of it.

0:22:39.119 --> 0:22:41.200
<v Speaker 2>So let's say, and it just as an example, the

0:22:41.280 --> 0:22:45.440
<v Speaker 2>kind of thing this producer might do, let's say, just

0:22:45.480 --> 0:22:46.840
<v Speaker 2>so you have a sense of kind of what he

0:22:46.920 --> 0:22:49.440
<v Speaker 2>does for the show. So's you know, for a long time,

0:22:49.440 --> 0:22:52.040
<v Speaker 2>I ever know what producers do on these show. Yeah,

0:22:52.200 --> 0:22:53.919
<v Speaker 2>so for a long time he was sort of boots

0:22:53.960 --> 0:22:56.840
<v Speaker 2>on the ground in Los Angeles. You get to the studio,

0:22:57.240 --> 0:23:00.080
<v Speaker 2>you know, not really do anything we could see, but

0:23:00.119 --> 0:23:02.040
<v Speaker 2>there was an assumption that something had been set up

0:23:02.119 --> 0:23:02.439
<v Speaker 2>for us.

0:23:02.800 --> 0:23:05.159
<v Speaker 1>He'd make something. If you make a pizza sandwich for us,

0:23:05.200 --> 0:23:06.359
<v Speaker 1>Have you ever had a pizza sandwich?

0:23:07.200 --> 0:23:09.720
<v Speaker 3>Is that like that like a subway? But it's just

0:23:09.840 --> 0:23:12.560
<v Speaker 3>like there's just pepperoni and cheese.

0:23:14.119 --> 0:23:16.240
<v Speaker 1>There's cheese and marion Ao sauce. But it's on bread

0:23:16.359 --> 0:23:18.640
<v Speaker 1>like sandwich bread. It's not hot.

0:23:19.600 --> 0:23:24.520
<v Speaker 3>Oh that that's well. How what it's cold marion Ao sauce.

0:23:24.440 --> 0:23:27.080
<v Speaker 2>Cold, mari and Ea, it's not cold. It's not like

0:23:27.920 --> 0:23:30.960
<v Speaker 2>and the bread's like bread's actively cold. The bread comes

0:23:31.000 --> 0:23:33.200
<v Speaker 2>out of the free but it's not like frozen. It's

0:23:33.320 --> 0:23:38.520
<v Speaker 2>like Marionaro sauce. Yeah, room temp. It's a cold room.

0:23:39.400 --> 0:23:43.240
<v Speaker 2>But they that's one thing does so that's so that's.

0:23:43.119 --> 0:23:43.720
<v Speaker 1>What he used to do.

0:23:43.880 --> 0:23:48.639
<v Speaker 2>Now that he's in in Pittsburgh, maybe a guest is

0:23:48.680 --> 0:23:51.160
<v Speaker 2>coming on the show. Hell, maybe he's the epicist.

0:23:51.520 --> 0:23:53.480
<v Speaker 1>And uh you.

0:23:55.080 --> 0:24:01.639
<v Speaker 2>Would maybe see him torturing this person with uh little

0:24:02.119 --> 0:24:09.040
<v Speaker 2>technical nitpicks. Yeah here pull pull down menus in quick time,

0:24:09.119 --> 0:24:12.879
<v Speaker 2>et cetera, completely ignoring that incredibly.

0:24:12.760 --> 0:24:15.680
<v Speaker 1>Completely microphone bullshit.

0:24:15.880 --> 0:24:17.960
<v Speaker 2>And and the host may sit down and sort of

0:24:18.160 --> 0:24:20.199
<v Speaker 2>try to engage a little bit, have a little bit

0:24:20.359 --> 0:24:24.959
<v Speaker 2>like warm banter with the guests prior to the recording starting,

0:24:25.280 --> 0:24:30.440
<v Speaker 2>and that would be forbidden by this producer who needs

0:24:30.520 --> 0:24:33.639
<v Speaker 2>to play his sick sort of jigsaw like games with

0:24:33.840 --> 0:24:35.600
<v Speaker 2>the different recording menus.

0:24:35.920 --> 0:24:41.600
<v Speaker 3>Okay, okay, the power the attempt, the attempt to say

0:24:41.760 --> 0:24:45.760
<v Speaker 3>warm the guest up getting comfortable. That's undercut by these

0:24:45.880 --> 0:24:47.400
<v Speaker 3>technical the technical jargon.

0:24:47.200 --> 0:24:48.880
<v Speaker 2>Which, by the way, is what is what these podcasts

0:24:49.119 --> 0:24:52.240
<v Speaker 2>would be known for, is making everyone so comfortable doing

0:24:52.320 --> 0:24:56.920
<v Speaker 2>the show, which is supposed to be cool.

0:24:57.200 --> 0:25:00.480
<v Speaker 3>Yes, yes, podcast just like guys talking. They always guys.

0:25:00.760 --> 0:25:03.960
<v Speaker 3>People complement a podcast by saying it just sounds like

0:25:04.080 --> 0:25:05.560
<v Speaker 3>Jude's at a bar chatting.

0:25:05.600 --> 0:25:08.840
<v Speaker 1>Are flowing conversation that occasionally touches.

0:25:08.560 --> 0:25:12.879
<v Speaker 3>On subjects, yes, yes, yes, real friends.

0:25:13.160 --> 0:25:21.959
<v Speaker 1>Yes. Instead, we have an expensive boy in Plittsburgh. Who

0:25:22.880 --> 0:25:27.040
<v Speaker 1>imagine this if he had been living in Plittsburgh and

0:25:27.280 --> 0:25:31.640
<v Speaker 1>moved to Los Angeles. I have a feeling we would

0:25:31.680 --> 0:25:35.880
<v Speaker 1>get a get another text about how, hey, it's really

0:25:35.960 --> 0:25:40.959
<v Speaker 1>expensive to live here. How about a cost of living adjustment.

0:25:41.280 --> 0:25:48.399
<v Speaker 2>Some sort of some sort of transportation fee, yes, uh,

0:25:49.400 --> 0:25:52.720
<v Speaker 2>some sort of housing you know, stipend, and.

0:25:53.640 --> 0:25:56.920
<v Speaker 1>Something like hooks to area median income for example, is

0:25:56.960 --> 0:25:58.200
<v Speaker 1>our ethical obligation?

0:25:59.000 --> 0:26:01.440
<v Speaker 2>Now this guy moves to a fucking palace in the

0:26:01.520 --> 0:26:02.359
<v Speaker 2>middle of the country.

0:26:03.160 --> 0:26:06.160
<v Speaker 3>I mean this is complicated for a couple of reasons. One, yeah,

0:26:06.280 --> 0:26:08.560
<v Speaker 3>you keep calling him a boy. Is he a minor?

0:26:09.000 --> 0:26:11.639
<v Speaker 3>Is this a child or he just sort of is

0:26:11.680 --> 0:26:13.520
<v Speaker 3>that a kind of a pejorative way you.

0:26:13.600 --> 0:26:16.840
<v Speaker 2>Refer to him, and he's a major child because they

0:26:17.480 --> 0:26:18.760
<v Speaker 2>fucking little baby.

0:26:19.680 --> 0:26:22.359
<v Speaker 3>The cost of living thing is is confusing because I've

0:26:22.400 --> 0:26:27.600
<v Speaker 3>been seeing these these ads from a mayorial candidate, Spencer Pratt.

0:26:27.680 --> 0:26:31.320
<v Speaker 3>It actually looks real cheap to live in la. It

0:26:31.400 --> 0:26:33.720
<v Speaker 3>seems like there's lots of places you can just live.

0:26:33.960 --> 0:26:36.960
<v Speaker 3>So I don't know if the cost of living is

0:26:37.440 --> 0:26:38.360
<v Speaker 3>really a problem.

0:26:39.119 --> 0:26:41.680
<v Speaker 1>So he is actually the one making those ads he's

0:26:41.720 --> 0:26:42.879
<v Speaker 1>been very involved in.

0:26:43.359 --> 0:26:46.600
<v Speaker 2>Really Yeah, the producer is again he's moonlighting. He's always

0:26:46.680 --> 0:26:50.480
<v Speaker 2>doing nineteen other shows and then and then he's got,

0:26:50.680 --> 0:26:51.919
<v Speaker 2>you know, time to.

0:26:55.240 --> 0:26:55.639
<v Speaker 1>Work with.

0:26:57.440 --> 0:27:00.520
<v Speaker 2>Expencer Pratt. That's what he calls because he has an

0:27:00.560 --> 0:27:01.880
<v Speaker 2>expense account with the campaign.

0:27:02.840 --> 0:27:05.239
<v Speaker 3>But but you're and you're wondering if ethically you can

0:27:05.320 --> 0:27:07.840
<v Speaker 3>reduce his salary because we have.

0:27:07.840 --> 0:27:09.480
<v Speaker 1>A more obligation obligation.

0:27:10.440 --> 0:27:14.200
<v Speaker 2>Okay, are you just from an ethical standpoint?

0:27:14.520 --> 0:27:18.000
<v Speaker 3>Yes, well, I mean I suppose one could argue that

0:27:18.160 --> 0:27:21.120
<v Speaker 3>like you need to refer to him as a boy,

0:27:21.240 --> 0:27:22.800
<v Speaker 3>like needs to learn the value of.

0:27:22.920 --> 0:27:26.200
<v Speaker 6>Dollar boy, it could help him, huh Yeah, And maybe

0:27:26.280 --> 0:27:29.320
<v Speaker 6>it might be to his benefit in a way to

0:27:29.480 --> 0:27:34.400
<v Speaker 6>make less it's for him, awsible.

0:27:34.480 --> 0:27:36.280
<v Speaker 2>I don't want to take his money away, But how

0:27:36.280 --> 0:27:40.480
<v Speaker 2>ese is he gonna understand exactly you make the same

0:27:40.520 --> 0:27:41.920
<v Speaker 2>amount of Pittsburgh.

0:27:41.520 --> 0:27:45.480
<v Speaker 3>He did in La It's actually it's Pittsburgh. You know,

0:27:45.600 --> 0:27:48.960
<v Speaker 3>what is the town? Maybe some kind of weird like

0:27:49.119 --> 0:27:51.680
<v Speaker 3>sex town outside of Vegas the way you were describing

0:27:51.720 --> 0:27:54.879
<v Speaker 3>it before. But it was like, that's a Pittsburgh, you know,

0:27:54.960 --> 0:27:55.920
<v Speaker 3>is a kind of undergrade.

0:27:55.960 --> 0:27:58.000
<v Speaker 2>He did go to Vegas a lot and he didn't gamble,

0:28:00.119 --> 0:28:02.520
<v Speaker 2>and that's not making me wonder is there Pittsburgh there?

0:28:02.560 --> 0:28:04.680
<v Speaker 2>That was actually we were spending a lot of the time.

0:28:04.640 --> 0:28:08.480
<v Speaker 1>Go to Vegas to smoke cigars. And now that I'm

0:28:08.600 --> 0:28:12.000
<v Speaker 1>thinking about it, like that doesn't really why would you

0:28:12.080 --> 0:28:13.680
<v Speaker 1>go all the way that you can do that here?

0:28:13.920 --> 0:28:18.000
<v Speaker 2>Yeah, that doesn't seem like a it requires travel.

0:28:18.280 --> 0:28:21.199
<v Speaker 1>But he does say you can have a sex town anywhere, like.

0:28:21.920 --> 0:28:24.119
<v Speaker 2>Yeah, that's sort of a famous.

0:28:25.240 --> 0:28:32.880
<v Speaker 3>Okay, okay, question three.

0:28:33.480 --> 0:28:36.480
<v Speaker 1>Okay, So we're back with Chuck close from in the

0:28:36.520 --> 0:28:39.280
<v Speaker 1>book is the book is Football's and we're.

0:28:39.440 --> 0:28:41.640
<v Speaker 3>Coming back from He keeps saying that they're gonna be

0:28:41.720 --> 0:28:44.280
<v Speaker 3>ads dropped in here is this like real lucrative keep

0:28:44.360 --> 0:28:45.160
<v Speaker 3>fingers crossed.

0:28:45.240 --> 0:28:48.960
<v Speaker 1>You know, we're going to do the beginning of this

0:28:49.880 --> 0:28:54.080
<v Speaker 1>at the end, so like we're gonna so like sorry,

0:28:54.600 --> 0:28:56.800
<v Speaker 1>did he not explain this? Do you like?

0:28:57.000 --> 0:28:59.560
<v Speaker 2>We we this is when we have to cut his pay.

0:28:59.680 --> 0:29:01.800
<v Speaker 1>We always kind of like we heat up over the

0:29:01.920 --> 0:29:07.960
<v Speaker 1>course of of the show. Fourth quarter guys, Yeah, yeah, right,

0:29:09.200 --> 0:29:13.440
<v Speaker 1>And we want that energy at the beginning.

0:29:13.240 --> 0:29:15.880
<v Speaker 2>To launch us because otherwise people will turn the show off.

0:29:16.040 --> 0:29:17.760
<v Speaker 2>If people hear the beginning of the show first, they

0:29:17.840 --> 0:29:18.360
<v Speaker 2>turn it off.

0:29:18.760 --> 0:29:21.360
<v Speaker 3>It was boring. Our early interaction was boring.

0:29:21.400 --> 0:29:23.040
<v Speaker 2>Yeah, the whole thing, the whole thing has been bad.

0:29:23.280 --> 0:29:25.880
<v Speaker 2>But the but the other thing I'll say, Chuck, is

0:29:26.120 --> 0:29:29.320
<v Speaker 2>when when you ask whether you know whether we're gonna

0:29:29.360 --> 0:29:33.040
<v Speaker 2>have ads dress for the job you want, you know,

0:29:33.520 --> 0:29:37.840
<v Speaker 2>host for the podcast you want, and there's sort of

0:29:37.840 --> 0:29:39.479
<v Speaker 2>a fake it to you make it. I think if

0:29:39.520 --> 0:29:42.360
<v Speaker 2>we do enough coming back from an ad break, those

0:29:42.440 --> 0:29:44.080
<v Speaker 2>ads are going to find their way to us.

0:29:45.400 --> 0:29:47.920
<v Speaker 7>Well, I've always thought a good idea for a podcast

0:29:48.080 --> 0:29:51.200
<v Speaker 7>would be two ads for like, have you have no

0:29:51.280 --> 0:29:55.120
<v Speaker 7>relationship to the product yet, like you think you actually

0:29:55.320 --> 0:29:58.480
<v Speaker 7>like the thing, and then you'd think the company would

0:29:58.480 --> 0:30:03.760
<v Speaker 7>hear that, knowing that it's a sincere, you know, endorsement,

0:30:03.920 --> 0:30:06.560
<v Speaker 7>and then they would come in later and say, like, okay.

0:30:06.440 --> 0:30:11.440
<v Speaker 3>Keeps promoting, you know, like whatever it is, whatever, whatever,

0:30:11.640 --> 0:30:15.720
<v Speaker 3>I'll take that. Yeah, you guys love the shampoos. Obviously

0:30:15.800 --> 0:30:17.160
<v Speaker 3>they love the shampoo, modern.

0:30:16.960 --> 0:30:17.880
<v Speaker 2>Mammals, et cetera.

0:30:18.720 --> 0:30:23.000
<v Speaker 1>Or just send the invoice, right, don't even do it, Yeah,

0:30:23.480 --> 0:30:26.920
<v Speaker 1>just send out send out sentiment. Gonna check they're gonna

0:30:27.280 --> 0:30:30.360
<v Speaker 1>five hundred invoices. Yeah, not everyone is gonna.

0:30:30.120 --> 0:30:30.960
<v Speaker 2>They're gonna pay.

0:30:31.440 --> 0:30:32.720
<v Speaker 1>I have to deal, like maybe.

0:30:32.640 --> 0:30:35.360
<v Speaker 3>Three will more a kind of a gamble, more of

0:30:35.400 --> 0:30:35.840
<v Speaker 3>a gamble.

0:30:36.280 --> 0:30:39.080
<v Speaker 1>Yes, we have, but that's seventy five bucks, you know, like.

0:30:40.680 --> 0:30:45.200
<v Speaker 2>Really picture it the I guess. The third question would be.

0:30:48.840 --> 0:30:50.000
<v Speaker 1>If there was a man.

0:30:50.800 --> 0:30:58.160
<v Speaker 2>Okay, maybe a podcast was maybe he's not who through

0:30:58.240 --> 0:31:01.320
<v Speaker 2>some sort of deceit or trick, he was able to

0:31:01.480 --> 0:31:07.560
<v Speaker 2>get the Mandalorian's friend Grogu, to use his force choke

0:31:07.680 --> 0:31:11.840
<v Speaker 2>powers on him in order to participate in some sort

0:31:11.840 --> 0:31:13.880
<v Speaker 2>of autoerotic asphyxiation.

0:31:14.960 --> 0:31:15.680
<v Speaker 1>Activity.

0:31:16.880 --> 0:31:21.760
<v Speaker 2>Is that morally wrong for Grogu to be unaware that

0:31:21.920 --> 0:31:27.280
<v Speaker 2>he's participating in a kink? Just before you answer, before

0:31:27.280 --> 0:31:31.200
<v Speaker 2>you answer before you answer it. I just need to

0:31:31.240 --> 0:31:32.960
<v Speaker 2>say it because I can already hear the comments. So

0:31:33.040 --> 0:31:37.120
<v Speaker 2>this is a hypothetical question. Anyway, the term baby Yoda

0:31:37.280 --> 0:31:39.840
<v Speaker 2>is a misnomer. Grogu' is at least fifty years old,

0:31:40.720 --> 0:31:42.880
<v Speaker 2>which is older, which is older than me, older than

0:31:42.920 --> 0:31:44.080
<v Speaker 2>this man and the example.

0:31:44.280 --> 0:31:49.440
<v Speaker 1>It's not canon like everyone calling him that is actually

0:31:50.320 --> 0:31:54.000
<v Speaker 1>the sick one. You could argue, yes, disgusting. This is

0:31:54.080 --> 0:32:01.400
<v Speaker 1>a transaction between adults. Everything else aside like this. This

0:32:01.640 --> 0:32:04.320
<v Speaker 1>is two adults and.

0:32:04.840 --> 0:32:09.240
<v Speaker 2>And potentially, you know, Grogu may be willing to participate

0:32:09.280 --> 0:32:12.000
<v Speaker 2>in this with the knowledge, but that would then not

0:32:12.960 --> 0:32:14.720
<v Speaker 2>feel as good to the man.

0:32:16.360 --> 0:32:18.520
<v Speaker 3>Oh that's this is this is interesting now. So you're

0:32:18.560 --> 0:32:21.800
<v Speaker 3>saying that in order for this to have like the

0:32:21.960 --> 0:32:26.400
<v Speaker 3>maximum erotic power, the baby Yoda has to be in

0:32:26.520 --> 0:32:27.960
<v Speaker 3>some way tricked into this.

0:32:28.560 --> 0:32:31.640
<v Speaker 2>But he's choosing to force choke, you know, maybe it's

0:32:31.720 --> 0:32:35.920
<v Speaker 2>a training exercise something like this. It's gonna leave him

0:32:35.960 --> 0:32:36.800
<v Speaker 2>quite tired.

0:32:36.800 --> 0:32:40.160
<v Speaker 1>At the very least. Can we please call him Yoda

0:32:40.240 --> 0:32:41.640
<v Speaker 1>the grown up? Yes?

0:32:42.000 --> 0:32:43.200
<v Speaker 3>Okay, yes, okay?

0:32:43.520 --> 0:32:43.960
<v Speaker 2>Or or.

0:32:45.680 --> 0:32:48.280
<v Speaker 1>I don't know what's Yoda of a certain age.

0:32:48.680 --> 0:32:51.000
<v Speaker 3>He can't really call him an adult Yoda though, right,

0:32:51.120 --> 0:32:52.120
<v Speaker 3>that wouldn't make sense.

0:32:52.360 --> 0:32:54.280
<v Speaker 2>He's not old Yoda, but I think he is. I

0:32:54.360 --> 0:32:56.040
<v Speaker 2>think he's I think he's a grown up.

0:32:57.400 --> 0:33:01.520
<v Speaker 3>And it's also what his what is this one's relationship

0:33:01.640 --> 0:33:03.400
<v Speaker 3>to Yoda?

0:33:04.360 --> 0:33:04.760
<v Speaker 1>Mm hmm?

0:33:05.320 --> 0:33:08.160
<v Speaker 3>Is that explained? I didn't watch the Mandalorian Is he

0:33:08.600 --> 0:33:12.040
<v Speaker 3>is the ma some people call the baby Yoda? I

0:33:12.160 --> 0:33:14.520
<v Speaker 3>guess I initially assume that was just really young.

0:33:15.080 --> 0:33:18.720
<v Speaker 1>They have they have they do sort of imply it.

0:33:18.840 --> 0:33:22.000
<v Speaker 1>He wears a lockett mm hmm with a with a

0:33:22.440 --> 0:33:27.680
<v Speaker 1>broken heart picture inside that has like real Yoda in it.

0:33:27.840 --> 0:33:28.920
<v Speaker 1>So they are divorced.

0:33:29.240 --> 0:33:31.680
<v Speaker 2>One half is forced So what.

0:33:33.360 --> 0:33:36.120
<v Speaker 1>Grogu and Yoda? And again it's not like spelled out

0:33:36.200 --> 0:33:37.800
<v Speaker 1>and the like. The implication is that.

0:33:38.160 --> 0:33:41.160
<v Speaker 2>One thing I like about show I haven't seen it,

0:33:41.240 --> 0:33:43.040
<v Speaker 2>but one thing I like about it is the way

0:33:43.080 --> 0:33:45.200
<v Speaker 2>they do sort of bury these They they kind of

0:33:45.280 --> 0:33:48.240
<v Speaker 2>leave the information there for the audience to come pick

0:33:48.320 --> 0:33:51.800
<v Speaker 2>it up. They don't force feed it to you. And so, yeah,

0:33:51.880 --> 0:33:54.120
<v Speaker 2>there's this Lockett and everyone now and then at the

0:33:54.160 --> 0:33:56.120
<v Speaker 2>top or bottom of a scene you'll see Grogus or

0:33:56.200 --> 0:33:58.480
<v Speaker 2>looking long and you get the broken heart photo of Yoda.

0:33:59.120 --> 0:34:01.600
<v Speaker 3>Okay, so we're first of all, so we're all agreements.

0:34:02.120 --> 0:34:05.800
<v Speaker 3>There's no element of use of a child. We're looking

0:34:05.880 --> 0:34:08.560
<v Speaker 3>at this thing as an adult. The thing is an adult.

0:34:09.160 --> 0:34:11.520
<v Speaker 1>Look at it over years old. Everyone's an adult.

0:34:12.280 --> 0:34:15.680
<v Speaker 3>Okay, then you know, I guess, I mean, what what

0:34:15.880 --> 0:34:17.400
<v Speaker 3>what's even the potential problem?

0:34:17.920 --> 0:34:21.160
<v Speaker 1>I mean, what what do you like this individual? Just

0:34:21.239 --> 0:34:26.120
<v Speaker 1>say if I can just say, this individual is committing

0:34:26.200 --> 0:34:34.320
<v Speaker 1>crimes on behalf of the empire in order to gold.

0:34:37.400 --> 0:34:40.280
<v Speaker 3>Wait okay, wait a second, I will now you finally

0:34:40.360 --> 0:34:43.280
<v Speaker 3>frame this. So what the idea here is is someone

0:34:43.440 --> 0:34:46.799
<v Speaker 3>is using this It was grokuh you say his name

0:34:46.880 --> 0:34:55.680
<v Speaker 3>is baby OTAs Groku Goku. Someone someone is is is

0:34:55.840 --> 0:35:01.040
<v Speaker 3>committing like genocide or whatever, blowing up planets whatever.

0:35:01.120 --> 0:35:04.080
<v Speaker 1>I'm just saying, the bottom of mine. He's the bottom mine.

0:35:04.120 --> 0:35:09.640
<v Speaker 1>He's the entire town. He's a minor character. He's sending

0:35:10.520 --> 0:35:11.560
<v Speaker 1>the somebody minor.

0:35:11.640 --> 0:35:14.880
<v Speaker 3>He kills a tonton for fun. But this causes the

0:35:14.960 --> 0:35:21.280
<v Speaker 3>little the creature to then and then and the idea

0:35:21.360 --> 0:35:24.320
<v Speaker 3>is then he will masturbate while this is happening.

0:35:24.360 --> 0:35:24.920
<v Speaker 2>You're gonna.

0:35:26.320 --> 0:35:31.680
<v Speaker 3>Yeah, well I don't know now because it's like, uh,

0:35:32.000 --> 0:35:32.880
<v Speaker 3>I mean, is what do you.

0:35:32.960 --> 0:35:35.200
<v Speaker 2>Commit on whether the crime is wrong, would you have

0:35:35.239 --> 0:35:35.640
<v Speaker 2>committed that?

0:35:36.840 --> 0:35:39.160
<v Speaker 3>Was like, if he was going to kill and just

0:35:39.239 --> 0:35:41.960
<v Speaker 3>in this hypothetical he's going to kill the tonton anyways

0:35:42.000 --> 0:35:48.360
<v Speaker 3>for sport, then this is just sort of And but

0:35:48.800 --> 0:35:52.239
<v Speaker 3>if he's killing these things, he's doing these crimes in

0:35:52.400 --> 0:35:54.640
<v Speaker 3>order to cause this thing to do, and otherwise what

0:35:54.840 --> 0:35:57.640
<v Speaker 3>never happens. I guess I gotta say it's unethical.

0:36:00.200 --> 0:36:00.920
<v Speaker 2>Become sticky.

0:36:01.840 --> 0:36:06.440
<v Speaker 1>Yeah, it barely got on the episode too. It was

0:36:06.520 --> 0:36:12.880
<v Speaker 1>implied by mister Favreau that it was going to be

0:36:13.040 --> 0:36:17.359
<v Speaker 1>potentially like a star making, like if if this could

0:36:17.360 --> 0:36:20.080
<v Speaker 1>all be filmed, that this that that this character would

0:36:20.080 --> 0:36:24.840
<v Speaker 1>then become yes, potentially like a back door pilot like.

0:36:24.920 --> 0:36:29.240
<v Speaker 2>Sort of the New Window or whatever.

0:36:30.440 --> 0:36:33.080
<v Speaker 3>This is why it would have been much more interesting

0:36:33.160 --> 0:36:36.359
<v Speaker 3>to be the ephicist for like the La Times, where

0:36:36.400 --> 0:36:39.480
<v Speaker 3>the questions be more like this. This is like most

0:36:39.520 --> 0:36:42.840
<v Speaker 3>of the questions I got were mostly from rabbis or

0:36:43.040 --> 0:36:46.680
<v Speaker 3>lawyers or women who were breastfeeding. Those are the three

0:36:46.800 --> 0:36:50.120
<v Speaker 3>people who asked the most questions to the ephesis.

0:36:49.760 --> 0:36:51.680
<v Speaker 2>And what they want to know about breastfeeding.

0:36:51.520 --> 0:36:54.480
<v Speaker 3>Was well, it was always issues. There was always issues

0:36:54.520 --> 0:36:55.600
<v Speaker 3>about the ethics.

0:36:55.280 --> 0:36:56.919
<v Speaker 2>Of it, and it cast out wherever I want.

0:36:57.880 --> 0:37:01.120
<v Speaker 3>Well, nothing much that It was more like if I

0:37:01.239 --> 0:37:06.160
<v Speaker 3>recall to do with like the idea of kind of

0:37:07.480 --> 0:37:11.120
<v Speaker 3>shaming people or forcing people to breastfeed, and some people

0:37:11.200 --> 0:37:13.920
<v Speaker 3>couldn't the use of formula. It just came up more

0:37:13.960 --> 0:37:15.840
<v Speaker 3>than I would have I would I would might have

0:37:15.920 --> 0:37:16.680
<v Speaker 3>anticipated that.

0:37:17.680 --> 0:37:19.799
<v Speaker 2>Yeah, No, I wouldn't think. I wouldn't think the question

0:37:19.920 --> 0:37:22.279
<v Speaker 2>of should I be shaming people would come up that much?

0:37:25.000 --> 0:37:26.719
<v Speaker 1>And you would say, what, just like.

0:37:28.400 --> 0:37:30.359
<v Speaker 3>Oh, I can't even remember a long time.

0:37:33.440 --> 0:37:36.480
<v Speaker 2>Okay, all right, what do you want to talk about?

0:37:41.320 --> 0:37:44.560
<v Speaker 1>We're back with Chuck Closterman. The books.

0:37:45.040 --> 0:37:49.560
<v Speaker 2>It's huge. He's telling us Jim Thorpe's the goat, not

0:37:49.880 --> 0:37:54.200
<v Speaker 2>Tom Brady. Okay, I didn't mean to spoil the whole chapter,

0:37:54.520 --> 0:37:57.279
<v Speaker 2>but let's hear it, not the whole thing.

0:37:57.719 --> 0:37:58.840
<v Speaker 1>Just is that true?

0:38:00.000 --> 0:38:00.239
<v Speaker 7>Well?

0:38:00.719 --> 0:38:04.000
<v Speaker 3>The argument is that, yes, that for greatness, for it's

0:38:04.040 --> 0:38:06.440
<v Speaker 3>really an argument about how one gauges greatness.

0:38:06.560 --> 0:38:08.239
<v Speaker 1>Okay, let's do this.

0:38:10.560 --> 0:38:14.760
<v Speaker 2>Tom Brady is, Paul McCartney, Peyton Manning is John Lennon,

0:38:15.040 --> 0:38:18.960
<v Speaker 2>Drew Brees is, George Harrison, Phil Rivers is Ringo.

0:38:21.000 --> 0:38:25.080
<v Speaker 1>Tell me I'm wrong I'm wrong.

0:38:25.800 --> 0:38:28.120
<v Speaker 3>Actually, that's like, that's not that's not bad. Well, you

0:38:28.560 --> 0:38:31.600
<v Speaker 3>tom Brady was Paul, and Peyton.

0:38:31.440 --> 0:38:34.080
<v Speaker 2>By Paul, and and Peyton's John.

0:38:34.200 --> 0:38:35.960
<v Speaker 3>You want to flip, it needs to be reversed.

0:38:35.960 --> 0:38:43.240
<v Speaker 2>I think Brady's John, Peyton's Paul George.

0:38:43.880 --> 0:38:47.320
<v Speaker 3>Because Pyton was Peyton was more of the technician, you know.

0:38:47.480 --> 0:38:49.960
<v Speaker 3>It's sort of like you know and whereas you know

0:38:50.200 --> 0:38:52.480
<v Speaker 3>and Tom Brady is sort of the gritch you know,

0:38:52.600 --> 0:38:55.920
<v Speaker 3>all that coming out. So that's but that's not bad.

0:38:56.040 --> 0:38:58.880
<v Speaker 3>Philip Rivers is Ringo. That's kind of an interesting one.

0:38:58.920 --> 0:39:01.799
<v Speaker 3>I don't know how Ringo doesn't have like nineteen kids

0:39:01.920 --> 0:39:03.480
<v Speaker 3>or whatever. At first I was trying to figure this,

0:39:03.560 --> 0:39:04.799
<v Speaker 3>so that was the connection.

0:39:04.600 --> 0:39:08.440
<v Speaker 2>But I was thinking more about the football part of it,

0:39:08.560 --> 0:39:09.719
<v Speaker 2>just because of your book or whatever.

0:39:09.880 --> 0:39:13.800
<v Speaker 3>But just to be you know, the thing about that

0:39:14.040 --> 0:39:16.680
<v Speaker 3>is the argument that I make in this book. If

0:39:16.680 --> 0:39:20.720
<v Speaker 3>you're trying to classify something, because the most talented football

0:39:20.800 --> 0:39:22.799
<v Speaker 3>player of all time is always going to be who's

0:39:22.880 --> 0:39:25.680
<v Speaker 3>ever the most talented player right now because of the

0:39:25.760 --> 0:39:29.200
<v Speaker 3>way the world improves and technology changes, and but if

0:39:29.200 --> 0:39:32.239
<v Speaker 3>you're going to call something great needs to be the

0:39:32.560 --> 0:39:37.239
<v Speaker 3>first elite, rendering of something whose qualities still exist in

0:39:37.280 --> 0:39:38.000
<v Speaker 3>the modern version.

0:39:38.040 --> 0:39:43.960
<v Speaker 1>So that would mean that the podcasters, yes, who are

0:39:45.000 --> 0:39:52.960
<v Speaker 1>doing a podcast right now today, yep, this morning, are

0:39:53.040 --> 0:39:57.880
<v Speaker 1>the best podcasters to ever do it before in the world.

0:39:59.400 --> 0:40:02.800
<v Speaker 3>Well, if somebody ice, do you feel like the best

0:40:03.200 --> 0:40:06.200
<v Speaker 3>podcast of all time are in our past, that there

0:40:06.280 --> 0:40:08.480
<v Speaker 3>was a golden age of podcasting that's all over. I

0:40:08.520 --> 0:40:09.280
<v Speaker 3>don't know if that's.

0:40:09.160 --> 0:40:12.839
<v Speaker 2>Oh no, our best episodes are ahead of us, ahead

0:40:12.840 --> 0:40:16.439
<v Speaker 2>of us there we are looking forward. If you even

0:40:16.480 --> 0:40:19.359
<v Speaker 2>think about how much better this episode has gotten from

0:40:19.400 --> 0:40:22.400
<v Speaker 2>when we started, and didn't we tell you that we

0:40:22.480 --> 0:40:24.480
<v Speaker 2>were going to warm up into it? And isn't this

0:40:24.640 --> 0:40:27.360
<v Speaker 2>feeling now that we started talking about music and football

0:40:27.560 --> 0:40:30.040
<v Speaker 2>like all of a sudden, it's like whoa Like this

0:40:30.280 --> 0:40:34.520
<v Speaker 2>is like, yes, we are on a rocket. I think

0:40:36.200 --> 0:40:37.840
<v Speaker 2>the next episode we do after this.

0:40:40.280 --> 0:40:41.799
<v Speaker 1>That is gonna be number one.

0:40:41.920 --> 0:40:47.759
<v Speaker 3>Baby, ever you can putting that aside, what was your

0:40:47.800 --> 0:40:50.640
<v Speaker 3>greatest episode? Do you do feel like you guys look

0:40:50.719 --> 0:40:52.919
<v Speaker 3>back on these six hundred and some pods you've done

0:40:52.920 --> 0:40:54.560
<v Speaker 3>and be like, that was the apex, this is when

0:40:54.600 --> 0:40:59.160
<v Speaker 3>it was, This is when we really did it? Who

0:40:59.280 --> 0:40:59.719
<v Speaker 3>is the guest?

0:41:00.040 --> 0:41:04.160
<v Speaker 1>Who was it? Who just popped into your head. Well,

0:41:05.800 --> 0:41:09.400
<v Speaker 1>because this is this is Malcolm right, it's blink.

0:41:09.760 --> 0:41:10.320
<v Speaker 2>It's blink.

0:41:10.719 --> 0:41:14.359
<v Speaker 1>Whoever, whoever, whoever just popped into your head is who

0:41:14.400 --> 0:41:19.240
<v Speaker 1>it is? Yeah, and I'll tell you who, But you say.

0:41:20.760 --> 0:41:21.600
<v Speaker 3>Say it at the same time.

0:41:22.280 --> 0:41:26.959
<v Speaker 2>Okay, go ahead on G three, Michael Lawrence.

0:41:30.960 --> 0:41:34.080
<v Speaker 3>Well there you go. I guess there's real, real kind

0:41:34.120 --> 0:41:35.400
<v Speaker 3>of agreeming on it.

0:41:36.719 --> 0:41:40.600
<v Speaker 1>That was amazing. He's right, Malcolm was right, Yeah.

0:41:41.200 --> 0:41:46.160
<v Speaker 2>Malcolm's I mean, you know, the guys sees something about

0:41:46.239 --> 0:41:50.120
<v Speaker 2>people that they don't necessarily see in themselves, writes about it.

0:41:50.880 --> 0:41:54.680
<v Speaker 1>And the book is Footballs and we're back with you

0:41:55.040 --> 0:41:58.600
<v Speaker 1>are here you brag about being friends with the octopus

0:41:58.640 --> 0:42:01.239
<v Speaker 1>that predicts a super Bowl in the book, what he's

0:42:01.360 --> 0:42:06.960
<v Speaker 1>saying about this season? And how did you guys become

0:42:07.120 --> 0:42:09.839
<v Speaker 1>such good friends my octopus friend.

0:42:10.040 --> 0:42:14.479
<v Speaker 3>Oh you may maybe that was not in the book.

0:42:14.560 --> 0:42:16.960
<v Speaker 3>I don't think. I don't think in the final version.

0:42:17.120 --> 0:42:19.800
<v Speaker 2>Again it's it's it's a little mandalorian keV asking that

0:42:19.880 --> 0:42:21.160
<v Speaker 2>we read between the lines.

0:42:21.400 --> 0:42:30.600
<v Speaker 1>Kevin, are you there? What's up? You explicitly said that

0:42:31.160 --> 0:42:36.160
<v Speaker 1>he would exclusively on our show talk about how he's

0:42:36.200 --> 0:42:40.879
<v Speaker 1>friends with the octopus that the Super Bowl and would

0:42:40.960 --> 0:42:44.399
<v Speaker 1>tell us what was going to happen in every single

0:42:44.480 --> 0:42:51.560
<v Speaker 1>game this season. I did period.

0:42:51.719 --> 0:42:54.760
<v Speaker 3>Sorry that sounded like in between a question and a statement,

0:42:55.120 --> 0:42:56.040
<v Speaker 3>but I did.

0:42:57.400 --> 0:42:59.319
<v Speaker 2>There are different kinds of intelligence, aren't there, Chuck?

0:42:59.440 --> 0:43:04.840
<v Speaker 3>For instance, you're yes, that's that's also do you listeners

0:43:05.000 --> 0:43:10.160
<v Speaker 3>realize that you the one where's the exact same hat

0:43:10.200 --> 0:43:13.040
<v Speaker 3>as the producer? Why is that? Are you supposed to

0:43:13.080 --> 0:43:13.879
<v Speaker 3>wear the same hat?

0:43:14.120 --> 0:43:19.080
<v Speaker 1>This is like part of his you know, it's Ripley's

0:43:19.080 --> 0:43:22.279
<v Speaker 1>game he's playing, but he's not even hiding it.

0:43:23.840 --> 0:43:27.839
<v Speaker 2>Okay, well one, Chuck, Is that why you're asking why

0:43:28.000 --> 0:43:29.480
<v Speaker 2>we can get your hat back? Hat? Chuck?

0:43:29.760 --> 0:43:31.480
<v Speaker 3>Well, I just it was I didn't expect it.

0:43:32.640 --> 0:43:34.160
<v Speaker 2>You know, we take your hat some of the money.

0:43:34.200 --> 0:43:38.680
<v Speaker 3>But yeah, same hat. Well, I you know, I I

0:43:39.000 --> 0:43:42.120
<v Speaker 3>I would love to have insight about, you know, the

0:43:42.560 --> 0:43:45.640
<v Speaker 3>this octopus scenario, but I I was there is this?

0:43:45.960 --> 0:43:47.879
<v Speaker 3>Are you basing this was? There's like some news story

0:43:47.920 --> 0:43:50.800
<v Speaker 3>about an octopus who did this? It seems vaguely familiar

0:43:50.880 --> 0:43:51.080
<v Speaker 3>to me.

0:43:51.400 --> 0:43:52.000
<v Speaker 2>Probably? Yeah.

0:43:52.560 --> 0:43:54.840
<v Speaker 1>Do you try to stay away from the news several.

0:43:54.640 --> 0:43:58.960
<v Speaker 3>Dozenas often like the animal picks something and you have

0:43:59.320 --> 0:44:02.120
<v Speaker 3>for the NCAA tournament or something. They'll like put like

0:44:02.280 --> 0:44:04.800
<v Speaker 3>every team, all sixty four teams in the under like

0:44:05.640 --> 0:44:07.520
<v Speaker 3>golf balls or something, and they'll see like if the.

0:44:09.000 --> 0:44:12.040
<v Speaker 1>Yeah, because then they it's which bananas the OCAs?

0:44:13.160 --> 0:44:17.200
<v Speaker 2>Yeah? Uh, this isn't that. This is a super intelligent

0:44:17.239 --> 0:44:20.239
<v Speaker 2>octopus who chooses the winner of the super Bowl. Maybe

0:44:20.400 --> 0:44:22.880
<v Speaker 2>is influencing who wins in the choice.

0:44:23.280 --> 0:44:27.160
<v Speaker 1>It's unclear, always correct, yes, if if the ocopus can

0:44:27.400 --> 0:44:29.920
<v Speaker 1>see the future or create it.

0:44:30.680 --> 0:44:33.959
<v Speaker 2>Whether it's an alien life force that actually is able

0:44:34.040 --> 0:44:38.440
<v Speaker 2>to manipulate reality to fit whatever it decides.

0:44:38.160 --> 0:44:41.359
<v Speaker 1>Or sees time as a cohesive block.

0:44:41.280 --> 0:44:43.680
<v Speaker 2>Is already aware. The super Bowl has already happened for

0:44:43.840 --> 0:44:47.000
<v Speaker 2>the octopus and is happening right now and will happen again.

0:44:47.640 --> 0:44:50.920
<v Speaker 3>I mean, the octopus is a pretty interesting creature. I'm

0:44:50.960 --> 0:44:53.000
<v Speaker 3>sure you've seen the footage of like the octopus who

0:44:53.000 --> 0:44:54.560
<v Speaker 3>can like escape from its cage.

0:44:54.880 --> 0:44:58.359
<v Speaker 1>This is the same one, same one, same exact.

0:44:58.120 --> 0:45:01.360
<v Speaker 3>Guy, and he like kind of become different colors.

0:45:02.120 --> 0:45:06.800
<v Speaker 1>Yeah, that's how he announced what murder put on a helmet?

0:45:06.920 --> 0:45:09.480
<v Speaker 3>Like, what did you throw in the idea that can

0:45:09.600 --> 0:45:12.160
<v Speaker 3>like travel through time.

0:45:12.080 --> 0:45:16.719
<v Speaker 2>Or experiencing that it is experiencing times.

0:45:17.000 --> 0:45:18.440
<v Speaker 1>I mean we're all traveling through time.

0:45:18.640 --> 0:45:22.240
<v Speaker 2>Yeah, I mean episode, we're.

0:45:22.120 --> 0:45:25.840
<v Speaker 3>Not really like astro projecting I guess into the future.

0:45:26.080 --> 0:45:28.600
<v Speaker 3>I mean that would I suppose though, if we think

0:45:28.680 --> 0:45:31.440
<v Speaker 3>the octopus can pick the super Bowl? He asked to

0:45:32.040 --> 0:45:33.080
<v Speaker 3>travel through time, right.

0:45:33.000 --> 0:45:35.560
<v Speaker 1>And we're back with chu of the book.

0:45:36.920 --> 0:45:39.439
<v Speaker 2>It's about an octopus that can travel through time.

0:45:40.120 --> 0:45:42.919
<v Speaker 1>What's the what's the what's the name of the next book?

0:45:43.600 --> 0:45:44.359
<v Speaker 2>What are we doing next?

0:45:44.400 --> 0:45:46.839
<v Speaker 3>The next book? Actually a book coming out in the fall.

0:45:47.280 --> 0:45:50.799
<v Speaker 3>Weird two books this year. I wrote one book, wrote

0:45:50.840 --> 0:45:54.440
<v Speaker 3>one book entirely. The publisher declined to publish it so

0:45:54.520 --> 0:45:57.080
<v Speaker 3>it was too weird. So then I wrote the football book.

0:45:57.239 --> 0:45:59.440
<v Speaker 3>They put that out, So then I took the other

0:45:59.560 --> 0:46:01.800
<v Speaker 3>book to a different publisher, and now they're.

0:46:01.600 --> 0:46:04.080
<v Speaker 2>Putting out all rub their nose in it. And what's

0:46:04.160 --> 0:46:10.040
<v Speaker 2>the weird one. It's just called rock and it's fiction nonfiction.

0:46:10.239 --> 0:46:11.080
<v Speaker 2>I know, we do both.

0:46:11.200 --> 0:46:13.480
<v Speaker 1>I had sort of wonder, Chuck, and I didn't want

0:46:13.480 --> 0:46:15.040
<v Speaker 1>to correct you about this at the time, but when

0:46:15.120 --> 0:46:19.200
<v Speaker 1>you wrote sex, Drugs and Cocoa Puffs, I was like,

0:46:19.239 --> 0:46:21.760
<v Speaker 1>I think this is a mistake. That book was supposed

0:46:21.800 --> 0:46:25.160
<v Speaker 1>to be called sex drugs and rock. And so now

0:46:25.280 --> 0:46:32.000
<v Speaker 1>that you're doing rock, is it sort of making amends.

0:46:31.320 --> 0:46:33.319
<v Speaker 2>To make good, isn't it. We have to do those

0:46:33.400 --> 0:46:36.920
<v Speaker 2>for our advertisers all the time. A little bit of

0:46:36.960 --> 0:46:39.000
<v Speaker 2>a make good comes up frequently.

0:46:40.000 --> 0:46:44.040
<v Speaker 3>Yeah, it was in retrospect. I mean, I don't know

0:46:44.080 --> 0:46:46.160
<v Speaker 3>if this is a makeup, but it was pretty stupid

0:46:46.200 --> 0:46:48.040
<v Speaker 3>to have coco puffs in the title of a book

0:46:48.200 --> 0:46:50.960
<v Speaker 3>when I look back at it now, Oh yeah, it's

0:46:51.040 --> 0:46:53.920
<v Speaker 3>like that was because because I had a different title

0:46:53.960 --> 0:46:55.600
<v Speaker 3>for that book, and then they were like, no, no,

0:46:55.760 --> 0:46:59.080
<v Speaker 3>this title makes no sense whatsoever. And then like I said, well,

0:46:59.160 --> 0:47:00.799
<v Speaker 3>you just want something like I don't know, sex, drugs

0:47:00.840 --> 0:47:02.800
<v Speaker 3>and cocoa pops and they were like yes, And I

0:47:02.960 --> 0:47:05.400
<v Speaker 3>was still, yeah, I wasn't successful or anything. I had

0:47:05.480 --> 0:47:08.720
<v Speaker 3>no leverage. I couldn't say like, we're you know, we're

0:47:08.760 --> 0:47:10.440
<v Speaker 3>not sticking with the you know, they wouldn't stick with

0:47:10.480 --> 0:47:12.719
<v Speaker 3>the original title. So then you know, now I have

0:47:12.800 --> 0:47:15.160
<v Speaker 3>to live with this that I don't love the title

0:47:15.200 --> 0:47:15.719
<v Speaker 3>of that book.

0:47:15.840 --> 0:47:18.320
<v Speaker 2>It seems kind of me but that's what what's the

0:47:18.360 --> 0:47:19.480
<v Speaker 2>original title that you want.

0:47:19.360 --> 0:47:21.920
<v Speaker 3>To American Minotaur?

0:47:22.920 --> 0:47:26.400
<v Speaker 2>Oh interesting.

0:47:27.360 --> 0:47:30.760
<v Speaker 1>That because they were horny the guys that it were horny.

0:47:31.840 --> 0:47:35.719
<v Speaker 1>Uh no, by that would be that.

0:47:35.760 --> 0:47:39.360
<v Speaker 3>Would be uh that would that would be That's unseemly

0:47:39.440 --> 0:47:41.040
<v Speaker 3>that you would even suggest that would be.

0:47:42.640 --> 0:47:45.280
<v Speaker 2>Well, we're experiencing now, a little bit of the Tory paradox,

0:47:45.360 --> 0:47:45.640
<v Speaker 2>aren't we.

0:47:47.320 --> 0:47:50.839
<v Speaker 3>By you really you've learned, you're making all these references. Wow,

0:47:51.040 --> 0:47:54.239
<v Speaker 3>you know it's like this is this is proof that

0:47:54.360 --> 0:47:58.560
<v Speaker 3>you were well informed. How old are you guys?

0:47:59.440 --> 0:48:04.320
<v Speaker 1>Bye I, Hollywood, Hamburg,