1 00:00:00,200 --> 00:00:02,160 Speaker 1: You're about to hear a clip from one of our 2 00:00:02,360 --> 00:00:06,360 Speaker 1: Patreon exclusive episodes. To hear the entire episodes, sign up 3 00:00:06,400 --> 00:00:10,160 Speaker 1: now at patreon dot com. Slash Jenkinsan Jones. 4 00:00:10,080 --> 00:00:13,119 Speaker 2: I want like you know, your insight into this in 5 00:00:13,160 --> 00:00:14,560 Speaker 2: regards to like you know, as I mentioned, it was 6 00:00:14,560 --> 00:00:16,760 Speaker 2: a very transitional period where a lot of people were 7 00:00:16,840 --> 00:00:18,520 Speaker 2: kind of like concerned were Rapple was headed. And it 8 00:00:18,560 --> 00:00:20,320 Speaker 2: feels like y'all made a very strong statement album. So 9 00:00:20,360 --> 00:00:21,920 Speaker 2: where were y'all at at the time where y'all kind 10 00:00:21,920 --> 00:00:26,000 Speaker 2: of formulated had the brainch out for this album? 11 00:00:26,079 --> 00:00:30,280 Speaker 1: Man, So the title we originally wanted to call an 12 00:00:30,320 --> 00:00:33,600 Speaker 1: album before we signed with Atlanta, So sixty percent of 13 00:00:33,640 --> 00:00:35,800 Speaker 1: this album, about six percent of this album was already 14 00:00:35,840 --> 00:00:39,159 Speaker 1: done when we finally did the deal with Atlantic. We 15 00:00:39,200 --> 00:00:41,600 Speaker 1: had met with Warner Brothers, we had met with JIB. 16 00:00:41,720 --> 00:00:44,800 Speaker 1: We actually wanted to sign with Jive vers lightly rest 17 00:00:44,840 --> 00:00:52,640 Speaker 1: in Peace, but uh Bennie b who owns ABB Records, 18 00:00:52,880 --> 00:00:54,880 Speaker 1: he ultimately had to find new Say because we were 19 00:00:54,920 --> 00:00:57,080 Speaker 1: signing him for three albums and the listener is just 20 00:00:57,120 --> 00:01:00,280 Speaker 1: the first one, so he ultimately had to find new Say. 21 00:01:00,480 --> 00:01:03,920 Speaker 1: That's how we ended up at Atlantic, But for us, 22 00:01:04,440 --> 00:01:13,360 Speaker 1: we you know, we wanted to call it Aurbum Nigga music. Originally, yeah, 23 00:01:14,600 --> 00:01:21,640 Speaker 1: acronym or was just no straight interesting, that's interesting. But 24 00:01:21,760 --> 00:01:24,119 Speaker 1: once we you know, did the deal with Atlantic, we 25 00:01:24,120 --> 00:01:27,959 Speaker 1: was like, all right, that's not gonna work. So so 26 00:01:28,040 --> 00:01:30,959 Speaker 1: we had to, you know, kind of figure out another title, 27 00:01:31,000 --> 00:01:35,399 Speaker 1: and Fante came with the Menstry Show, and the whole 28 00:01:35,440 --> 00:01:40,360 Speaker 1: idea behind the album was, you know, the talking points. 29 00:01:40,400 --> 00:01:43,400 Speaker 1: You know, we know what the minstry show is for 30 00:01:43,400 --> 00:01:46,360 Speaker 1: those that don't know white people, you know, dressed up 31 00:01:46,360 --> 00:01:51,920 Speaker 1: in black face and perform these character routines of you know, 32 00:01:51,960 --> 00:01:54,680 Speaker 1: what they depicted black black people of black life to be. 33 00:01:56,000 --> 00:01:58,600 Speaker 1: That's the quick quick views. Go much deeper than that, 34 00:01:58,680 --> 00:02:02,160 Speaker 1: but that's the quick quick synopsis. But uh, we just 35 00:02:02,200 --> 00:02:05,960 Speaker 1: felt that music, as you stayed in music, like rap 36 00:02:06,040 --> 00:02:09,560 Speaker 1: music in general, was getting to a point where they 37 00:02:09,600 --> 00:02:15,760 Speaker 1: were just always looking for people that were character character character. 38 00:02:16,040 --> 00:02:20,560 Speaker 1: I can't even caricature there. You gop want to say, 39 00:02:20,680 --> 00:02:26,840 Speaker 1: characters of of what black culture was, you know, and 40 00:02:27,040 --> 00:02:28,880 Speaker 1: you know, you that's around the time you were seeing 41 00:02:28,960 --> 00:02:33,320 Speaker 1: videos of folks jumping on tables, you know, trying to 42 00:02:33,320 --> 00:02:36,640 Speaker 1: get a deal, jumping on the on the tables and 43 00:02:36,639 --> 00:02:43,240 Speaker 1: ship just doing our type of monkey ship and yeah 44 00:02:43,320 --> 00:02:45,000 Speaker 1: and so you know. 45 00:02:47,800 --> 00:02:48,920 Speaker 2: What say. 46 00:02:52,919 --> 00:02:56,880 Speaker 1: Talking about. So it was just one of them things 47 00:02:56,880 --> 00:02:59,240 Speaker 1: for us, but we just wanted to speak on it. 48 00:02:59,400 --> 00:03:02,240 Speaker 1: And but by speaking on it, we didn't you know. 49 00:03:02,400 --> 00:03:05,000 Speaker 1: I think people had this expectation that when they press 50 00:03:05,040 --> 00:03:06,720 Speaker 1: play on the album, we was gonna be talking, yo, 51 00:03:06,760 --> 00:03:08,880 Speaker 1: I don't like this shit. I don't like this shit. 52 00:03:09,080 --> 00:03:11,040 Speaker 1: I don't like this shit. And that's not what we did. 53 00:03:11,120 --> 00:03:14,200 Speaker 1: We just gave an example of what we felt good 54 00:03:14,280 --> 00:03:19,000 Speaker 1: music is was at the time and what it could be, 55 00:03:19,680 --> 00:03:23,160 Speaker 1: and that's what the album was. So the title threw 56 00:03:23,160 --> 00:03:26,200 Speaker 1: people off. The fact we wouldn't just openly talking about 57 00:03:26,240 --> 00:03:30,760 Speaker 1: people crazy threw people off. But that was a sentiment, 58 00:03:31,160 --> 00:03:34,399 Speaker 1: a sentiment that obviously other people felt. That's a year 59 00:03:34,480 --> 00:03:37,280 Speaker 1: later the hip hopers they had from NAS came, so 60 00:03:37,720 --> 00:03:41,240 Speaker 1: other people also, you know, were feeling this way. I 61 00:03:41,280 --> 00:03:46,040 Speaker 1: think the biggest thing for us was that it was 62 00:03:46,520 --> 00:03:51,440 Speaker 1: to people was bad form us doing our major label debut, 63 00:03:51,640 --> 00:03:53,920 Speaker 1: and for some people the first time they ever heard 64 00:03:53,960 --> 00:03:56,320 Speaker 1: of us, and the first time they hear of us, 65 00:03:56,400 --> 00:03:59,400 Speaker 1: we were talking about, Yo, this this music is a 66 00:03:59,440 --> 00:04:02,520 Speaker 1: fucking mystery show, you know what I mean, and and 67 00:04:02,560 --> 00:04:05,400 Speaker 1: I think it. You know, people just looked at it 68 00:04:05,480 --> 00:04:07,840 Speaker 1: like it was bad form, but you couldn't deny the 69 00:04:07,960 --> 00:04:11,440 Speaker 1: music though. I think them their perception of what the 70 00:04:11,520 --> 00:04:16,440 Speaker 1: album was probably fucked up their whole listening experience. But 71 00:04:17,240 --> 00:04:21,599 Speaker 1: the album to this day is undeniable. And that's all 72 00:04:21,640 --> 00:04:25,320 Speaker 1: we wanted to do, from Album one to the album done, 73 00:04:25,600 --> 00:04:28,839 Speaker 1: was make undeniable music. You can say, this isn't my 74 00:04:28,880 --> 00:04:31,479 Speaker 1: cup of tea, this isn't the genre I listen to, 75 00:04:32,160 --> 00:04:35,440 Speaker 1: you know, I'd rather hear you know, some fantasy type shit, 76 00:04:35,560 --> 00:04:38,039 Speaker 1: whatever it is you want to hear. You can say that, 77 00:04:38,560 --> 00:04:42,080 Speaker 1: but you can't say them Boys was whack or they 78 00:04:42,080 --> 00:04:44,200 Speaker 1: made a whack album. And that was just our whole 79 00:04:44,200 --> 00:04:48,000 Speaker 1: goal was just to speak speak on you know, make 80 00:04:48,040 --> 00:04:51,080 Speaker 1: a dope album show we could still be us even 81 00:04:51,080 --> 00:04:55,720 Speaker 1: on the major label, and uh, just speak to the 82 00:04:55,760 --> 00:04:57,920 Speaker 1: times that we felt the music was in the place 83 00:04:58,040 --> 00:05:00,839 Speaker 1: music was in at the time, you know, black music, 84 00:05:00,920 --> 00:05:01,600 Speaker 1: specifically