1 00:00:01,360 --> 00:00:04,920 Speaker 1: Dan dan Ibody, come to the breakfast club. I call 2 00:00:05,000 --> 00:00:11,120 Speaker 1: this the high sea. N you jo con jo. I'm 3 00:00:11,160 --> 00:00:14,600 Speaker 1: not even doing it so Peggy yo, are you so? Patty? 4 00:00:15,120 --> 00:00:19,480 Speaker 1: The world's most dangerous morning sho dj N after this, bitch, ANGELI, 5 00:00:19,720 --> 00:00:21,440 Speaker 1: I stay in everybody's business, but in a good ray. 6 00:00:21,640 --> 00:00:24,200 Speaker 1: Charlomagne the guy, the ruler, rubbing you the wrong way. 7 00:00:24,600 --> 00:00:39,080 Speaker 1: The breakfast clubs may for everybody. Good morning Usa yo 8 00:00:39,159 --> 00:00:40,720 Speaker 1: yo yo yo yo yo yo yo yo yo yo 9 00:00:40,800 --> 00:00:42,519 Speaker 1: yo yo yo yo yo yo yo yo yo yo 10 00:00:42,600 --> 00:00:44,519 Speaker 1: yo yo yo yo yo yo yo yo yo yo 11 00:00:44,600 --> 00:00:48,279 Speaker 1: yo yo yo yo yo yo yo. Good morning ANGELI Yi, Hey, 12 00:00:48,280 --> 00:00:50,519 Speaker 1: good money is he's amby Charlomagne the guy. He's to 13 00:00:50,640 --> 00:00:53,560 Speaker 1: the planet. Guess what day it is? Guess what day 14 00:00:53,600 --> 00:01:00,080 Speaker 1: it is? Humph, Yes, today is Wednesday. Hump dave a 15 00:01:00,120 --> 00:01:04,319 Speaker 1: little weak. Absolutely. I don't know about you guys, but 16 00:01:04,400 --> 00:01:08,760 Speaker 1: yesterday there was a huge thunder enlightening storm in I 17 00:01:08,760 --> 00:01:10,520 Speaker 1: was just saying I had all kinds of plans and 18 00:01:10,760 --> 00:01:13,120 Speaker 1: I didn't go anywhere because it was raining so bad. 19 00:01:13,400 --> 00:01:15,320 Speaker 1: Somebody got killed and everything. Yeah, it was it was 20 00:01:15,319 --> 00:01:18,600 Speaker 1: pretty nasty. I was actually out with my daughter, you know, 21 00:01:18,640 --> 00:01:20,760 Speaker 1: she's going to the prom. So we were prom dress 22 00:01:20,840 --> 00:01:24,280 Speaker 1: shopping and that thunder enlightning hit. I was like, baby 23 00:01:24,720 --> 00:01:26,120 Speaker 1: the mall. We were in the mall and the lights 24 00:01:26,120 --> 00:01:28,000 Speaker 1: flashed in the masson Baby, we gotta go. I love 25 00:01:28,080 --> 00:01:30,120 Speaker 1: those because I'm from South Carolina, so we used to 26 00:01:30,160 --> 00:01:31,920 Speaker 1: get those all the time where all of a sudden, 27 00:01:32,080 --> 00:01:36,240 Speaker 1: the whole sky goes black and it feels like Woutang Clans, 28 00:01:36,280 --> 00:01:38,800 Speaker 1: Triumph beat his plane and Jesus steps out the sky. 29 00:01:39,280 --> 00:01:42,200 Speaker 1: I loved that. I love it. So that was yesterday. 30 00:01:42,200 --> 00:01:44,040 Speaker 1: That was out there yesterday. So we did back home. 31 00:01:44,080 --> 00:01:46,959 Speaker 1: But tonight I'm taking up. I'm taking all the kids 32 00:01:46,959 --> 00:01:51,640 Speaker 1: to the circus and the Universe Universe Soul Circus. And 33 00:01:51,960 --> 00:01:53,840 Speaker 1: if you've never been to the Universe Soul Circus, they 34 00:01:53,880 --> 00:01:56,440 Speaker 1: got this this little act that they do when the motorcycles, 35 00:01:56,800 --> 00:01:59,280 Speaker 1: and I ride motorcycles, so they allowed me every year 36 00:01:59,360 --> 00:02:02,080 Speaker 1: to do a trick or two in the circus. I'm 37 00:02:02,120 --> 00:02:06,560 Speaker 1: gonna be doing that tonight in front of the kids tonight, 38 00:02:06,560 --> 00:02:07,720 Speaker 1: and I'm doing it in front of the kids. They 39 00:02:07,800 --> 00:02:10,959 Speaker 1: take insurance out on you were good money. I ride motorcycles. 40 00:02:10,960 --> 00:02:12,919 Speaker 1: I will be all right. But this is what I 41 00:02:12,919 --> 00:02:15,160 Speaker 1: don't want to fall in front of my kids. That'll 42 00:02:15,200 --> 00:02:17,280 Speaker 1: be a trick. Are you doing? You just gotta see 43 00:02:17,280 --> 00:02:20,120 Speaker 1: our videotape it. I love the Universal Circus, man. I'm 44 00:02:20,120 --> 00:02:22,079 Speaker 1: always impressed by the way they train those pit bulls 45 00:02:22,120 --> 00:02:24,120 Speaker 1: and rot wilders to do those flips and jump through 46 00:02:24,160 --> 00:02:27,080 Speaker 1: those rings of pit bulls or rot Wilders. It's poodle 47 00:02:27,200 --> 00:02:29,320 Speaker 1: I love it. I think it's great. It's poodles. I'm 48 00:02:29,360 --> 00:02:32,079 Speaker 1: going onto the Universal Circus. Okay, So I'll be out 49 00:02:32,080 --> 00:02:35,360 Speaker 1: there in New or tonight with the fan. All right, awesome. Now, 50 00:02:35,560 --> 00:02:38,760 Speaker 1: Jesse Smullet will be joining us this morning. Yeah, Empire 51 00:02:38,840 --> 00:02:41,360 Speaker 1: comes on the night right, Empire comes on tonight. Season 52 00:02:41,440 --> 00:02:45,799 Speaker 1: five started already, Yeah, I think they season four now 53 00:02:45,960 --> 00:02:48,600 Speaker 1: four or four four? So yeah, we'll kicking with Jesse 54 00:02:48,720 --> 00:02:50,080 Speaker 1: in a a little bit. And then we got front page News. 55 00:02:50,080 --> 00:02:52,120 Speaker 1: What we're talking about Front page News. We are going 56 00:02:52,160 --> 00:02:54,840 Speaker 1: to be talking about America's fittest city. What do you 57 00:02:54,880 --> 00:02:58,240 Speaker 1: think is the number one most fit city in America? 58 00:02:58,480 --> 00:03:02,280 Speaker 1: Gotta be somewhere in California, definitely California, somewhere. Well, we'll 59 00:03:02,320 --> 00:03:03,840 Speaker 1: talk about it when we come back. Keep a Lotti 60 00:03:03,919 --> 00:03:08,000 Speaker 1: to Breakfast Club Morning Morning everybody is dj Envy angela Ye, 61 00:03:08,080 --> 00:03:10,400 Speaker 1: Charlemagne the God. We are the breakfast Club. Let's getting 62 00:03:10,440 --> 00:03:13,840 Speaker 1: some front page news start an NBA. Lebron might have 63 00:03:13,880 --> 00:03:17,040 Speaker 1: a problem. Celtics beat the Cavaliers last night one oh 64 00:03:17,080 --> 00:03:20,120 Speaker 1: seven ninety forty leads the series two oh and Lebron 65 00:03:20,200 --> 00:03:23,080 Speaker 1: had a triple double forty five points I think ten rebounds, 66 00:03:23,080 --> 00:03:26,040 Speaker 1: ten assists and they lost. Well, Celtics are a great team, 67 00:03:26,360 --> 00:03:29,639 Speaker 1: Q are a team t e a m Okay more 68 00:03:29,639 --> 00:03:33,480 Speaker 1: than one player contributing to the success of the Boston Celtics, 69 00:03:33,919 --> 00:03:36,240 Speaker 1: and they are going to be a beast in the future. 70 00:03:36,320 --> 00:03:39,200 Speaker 1: Kyrie Irvin still coming back next year at Gordon Haywood. 71 00:03:39,240 --> 00:03:42,280 Speaker 1: And they got a lottery pick. Boston drop on a 72 00:03:42,280 --> 00:03:45,280 Speaker 1: clues bond for them and not even like the Celtics 73 00:03:45,360 --> 00:03:47,400 Speaker 1: and the Phoenix Suns got the first pick in the 74 00:03:47,520 --> 00:03:52,400 Speaker 1: n NBA draft. Now, let's talk the most fit city, 75 00:03:52,640 --> 00:03:55,400 Speaker 1: all right, Well, they actually did this study, the twenty 76 00:03:55,400 --> 00:03:58,280 Speaker 1: eighteen American Fitness Index, the eleventh year they've done that. 77 00:03:58,560 --> 00:04:00,760 Speaker 1: They ranked the one hundred largest cities in the nation. 78 00:04:00,840 --> 00:04:04,240 Speaker 1: That's based on population data that includes information about mental health, 79 00:04:04,480 --> 00:04:08,760 Speaker 1: about nutrition, smoking, chronic diseases, and overall fitness. They also 80 00:04:08,800 --> 00:04:11,800 Speaker 1: took into consideration the number of parks and the residents 81 00:04:11,880 --> 00:04:14,720 Speaker 1: access to public transportation. And who do you think was 82 00:04:14,880 --> 00:04:18,800 Speaker 1: number one as far as the fittest city in America? 83 00:04:18,839 --> 00:04:20,680 Speaker 1: I said, some way in California, but you said no, 84 00:04:20,800 --> 00:04:26,320 Speaker 1: So who Arlington, Virginia in Virginia, really, yes, was number one. 85 00:04:26,800 --> 00:04:28,520 Speaker 1: Chick fil as and waffle houses and all kind of 86 00:04:28,560 --> 00:04:30,880 Speaker 1: stuff of Virginia. Well, they have the lowest smoking rate, 87 00:04:30,920 --> 00:04:33,440 Speaker 1: the highest reports of very good or excellent health compared 88 00:04:33,440 --> 00:04:36,480 Speaker 1: to the other communities in the index, and they both 89 00:04:36,520 --> 00:04:39,919 Speaker 1: have a balance of both healthy behaviors and community infrastructure. 90 00:04:39,960 --> 00:04:42,000 Speaker 1: So that's why they are number one. I wonder how 91 00:04:42,040 --> 00:04:44,040 Speaker 1: are you ranking that? Are you ranking that? Open? Hey? 92 00:04:44,160 --> 00:04:47,760 Speaker 1: You said just healthy behavior? Well, it's about mental health, nutrition, smoking, 93 00:04:47,880 --> 00:04:52,080 Speaker 1: chronic diseases, and overall fitness. In how many people they pulled? 94 00:04:53,120 --> 00:04:57,440 Speaker 1: So actually California. The highest one from California. San Jose 95 00:04:57,600 --> 00:04:59,560 Speaker 1: was number nine on the list. It was New York. 96 00:05:00,160 --> 00:05:03,080 Speaker 1: New York was number I think it was fifty two. 97 00:05:03,560 --> 00:05:06,760 Speaker 1: Scroll all the way down. Yeah, New York is number 98 00:05:06,760 --> 00:05:09,160 Speaker 1: fifty two. Put New York and Rice throw them New 99 00:05:09,240 --> 00:05:11,440 Speaker 1: York all the way away and LA was number fifty, 100 00:05:11,480 --> 00:05:14,000 Speaker 1: but the first three were Arlington, Virginia, then Minneapolis, and 101 00:05:14,000 --> 00:05:18,160 Speaker 1: then Washington, DC rounded out the top three. Day. Yeah, 102 00:05:18,240 --> 00:05:20,360 Speaker 1: what else you talking about? Now? Let's talk about Facebook. 103 00:05:20,480 --> 00:05:22,680 Speaker 1: They are saying that they took down twenty one million 104 00:05:22,720 --> 00:05:25,040 Speaker 1: pieces of adult nudity in the first three months of 105 00:05:25,080 --> 00:05:28,520 Speaker 1: this year. So they have six categories where they really 106 00:05:28,600 --> 00:05:32,440 Speaker 1: enforced their efforts to remove things that violate their standards. 107 00:05:32,480 --> 00:05:37,000 Speaker 1: That's graphic violence, adult nudity, sexual activity, terrorists, propaganda, hate speech, spam, 108 00:05:37,000 --> 00:05:39,039 Speaker 1: and fake accounts. So what are people doing on Facebook? 109 00:05:39,040 --> 00:05:41,920 Speaker 1: Facebook sounds born very boring though, well, because of all 110 00:05:41,920 --> 00:05:45,240 Speaker 1: that that being removed. If you're on Facebook, sometimes they 111 00:05:45,240 --> 00:05:47,479 Speaker 1: send you these things like this woman wants to talk 112 00:05:47,480 --> 00:05:50,040 Speaker 1: to you or call me, and then they actually spam 113 00:05:50,080 --> 00:05:52,080 Speaker 1: your account with those. So a lot of what they 114 00:05:52,120 --> 00:05:55,280 Speaker 1: did was then removing these spam and fake accounts that 115 00:05:55,320 --> 00:05:59,360 Speaker 1: were promoting nudity and sexual content. That's about ninety six 116 00:05:59,400 --> 00:06:01,599 Speaker 1: percent of those things that were removed, But it only 117 00:06:01,640 --> 00:06:04,960 Speaker 1: took down about two point five million pieces of hate 118 00:06:04,960 --> 00:06:07,760 Speaker 1: speech during that period, and only thirty eight percent of 119 00:06:07,800 --> 00:06:10,360 Speaker 1: that was flagged by its algorithms. So they said their 120 00:06:10,400 --> 00:06:12,880 Speaker 1: technology still doesn't work that well, and they need to 121 00:06:12,960 --> 00:06:15,479 Speaker 1: check that by their review teams for hate speech. I 122 00:06:15,680 --> 00:06:18,719 Speaker 1: on Instagram to remove this young lady who keeps hitting 123 00:06:18,720 --> 00:06:21,240 Speaker 1: me talking about she got her herpes removed with herbals. 124 00:06:21,600 --> 00:06:23,919 Speaker 1: I keep getting that too, and my dumbass reads it 125 00:06:24,040 --> 00:06:26,320 Speaker 1: every every time, and you're like, oh yeah, because it's 126 00:06:26,320 --> 00:06:28,680 Speaker 1: written like a real message. So I'm like, why I 127 00:06:28,800 --> 00:06:30,880 Speaker 1: faf with this every time? And who actually wants to 128 00:06:30,920 --> 00:06:34,720 Speaker 1: get a cartoon of drawing of themselves? I hate. I 129 00:06:34,760 --> 00:06:36,760 Speaker 1: don't know how he does that or how they do that. 130 00:06:36,880 --> 00:06:39,080 Speaker 1: Oh my goodness, I don't even know why that's a thing. 131 00:06:39,600 --> 00:06:41,919 Speaker 1: I got my herpes removed with herbal supplements. I've been 132 00:06:41,920 --> 00:06:45,839 Speaker 1: reading bout doctor Sevy all my life. Okay, you knew 133 00:06:45,880 --> 00:06:49,000 Speaker 1: to this, Okay, all right, well last front page news. 134 00:06:49,000 --> 00:06:51,960 Speaker 1: Get it off your chests eight five one oh five one. 135 00:06:52,000 --> 00:06:53,320 Speaker 1: If you need to vent, you can hit us up 136 00:06:53,400 --> 00:06:56,560 Speaker 1: right now. Maybe at a bad night, horrible morning. Oh 137 00:06:56,680 --> 00:06:58,200 Speaker 1: maybe you just feel blessed and you just want to 138 00:06:58,200 --> 00:07:00,960 Speaker 1: spread some positivity eight on dren five eight five one 139 00:07:01,000 --> 00:07:02,640 Speaker 1: on five one. Get it off your chest is to 140 00:07:02,640 --> 00:07:08,279 Speaker 1: Breakfast Club. Come on in the Breakfast club. Pick up 141 00:07:08,320 --> 00:07:10,960 Speaker 1: the mother mother phone and died. This is your time 142 00:07:11,040 --> 00:07:13,040 Speaker 1: to get it off your chat nother your man wills. 143 00:07:14,840 --> 00:07:16,440 Speaker 1: We want to hear from you on the breakfast club. 144 00:07:16,440 --> 00:07:21,960 Speaker 1: Please better have the same energy. Hello, who's this? What up? Though? 145 00:07:22,200 --> 00:07:24,400 Speaker 1: Turn your radio down? Turn your radio down. You must 146 00:07:24,400 --> 00:07:29,040 Speaker 1: be from Detroit from t Get it off your chest, 147 00:07:29,120 --> 00:07:32,960 Speaker 1: broy No. I just wanted to wish everybody bothered the day, 148 00:07:33,240 --> 00:07:37,320 Speaker 1: and you know I'm gonna get it. Get it all right, upset, bro? Hello, 149 00:07:37,360 --> 00:07:40,480 Speaker 1: who's this? Hello? Hey? What's up? Get it off your chests, y'all. 150 00:07:40,520 --> 00:07:43,440 Speaker 1: I'm blessed this morning. Guy woke me up, got a 151 00:07:43,480 --> 00:07:46,320 Speaker 1: baby do any day this week? My wife's home waiting 152 00:07:46,400 --> 00:07:48,120 Speaker 1: for me. Um. You don't have a two hour q 153 00:07:48,360 --> 00:07:50,560 Speaker 1: to work every day, but you know God makes it work. 154 00:07:50,760 --> 00:07:52,120 Speaker 1: And I just want to stay. I listen to you 155 00:07:52,160 --> 00:07:55,720 Speaker 1: every morning and keep doing your thing. Everybody, Thank you 156 00:07:55,840 --> 00:07:59,720 Speaker 1: very much. Appreciate that. Bro. Be careful on the roads. Bro. Hello, 157 00:07:59,800 --> 00:08:03,360 Speaker 1: who this? Hey? Hey? Get it off your chest. Mama. 158 00:08:03,440 --> 00:08:05,640 Speaker 1: I've been dating this brother for three years and he 159 00:08:05,720 --> 00:08:08,760 Speaker 1: keeps bringing my car home and not putting any gas 160 00:08:08,760 --> 00:08:11,840 Speaker 1: in it. I don't understand. I could that cleaning and 161 00:08:12,240 --> 00:08:14,280 Speaker 1: love them and all that stuff and he just will 162 00:08:14,360 --> 00:08:16,640 Speaker 1: not fill up my tank at off gets on my nerves. 163 00:08:17,920 --> 00:08:20,560 Speaker 1: You called it because you won't fill up your gas. 164 00:08:20,560 --> 00:08:22,440 Speaker 1: Than it might have been an asking, aboud I forgot. 165 00:08:22,560 --> 00:08:25,760 Speaker 1: Maybe he ain't got no money. No, this is every day, 166 00:08:25,800 --> 00:08:28,440 Speaker 1: all day. No, I ain't gonna lie. I did that 167 00:08:28,520 --> 00:08:29,880 Speaker 1: last time. Me and and my wife about to getting an 168 00:08:29,920 --> 00:08:31,520 Speaker 1: argument in about thirty minutes because she got to take 169 00:08:31,520 --> 00:08:32,959 Speaker 1: the kids in school, and I forgot to put gas 170 00:08:33,000 --> 00:08:34,800 Speaker 1: in the tank. And I know it's gonna eat and 171 00:08:34,840 --> 00:08:36,600 Speaker 1: she's gonna be waiting till the last minute. Oh, we're 172 00:08:36,600 --> 00:08:39,800 Speaker 1: gonna get an argument. You know, lazy. You gotta be 173 00:08:39,880 --> 00:08:42,040 Speaker 1: the n get gas in Jersey because you don't even 174 00:08:42,040 --> 00:08:43,440 Speaker 1: gotta get up the car to pump your own gas. 175 00:08:43,720 --> 00:08:46,920 Speaker 1: If we get sometimes yesterday and I can't do it. 176 00:08:46,920 --> 00:08:49,200 Speaker 1: So what you're gonna do? Baby? And she hung up? 177 00:08:49,280 --> 00:08:50,880 Speaker 1: You hung up on her? Now she hung up to 178 00:08:50,960 --> 00:08:53,240 Speaker 1: go get gas, to go get gas? Hello, who's this? 179 00:08:53,679 --> 00:08:59,400 Speaker 1: Oh my god, my name is Breezy. Hello, Oh my god? 180 00:09:00,559 --> 00:09:03,360 Speaker 1: Hunt you some name? Hey bull? How you? Oh my god, 181 00:09:03,400 --> 00:09:05,079 Speaker 1: I love you so much. I've got and shot and 182 00:09:05,120 --> 00:09:09,160 Speaker 1: tell us about them? Oh my god. Eleventh grade what 183 00:09:09,360 --> 00:09:12,560 Speaker 1: grade are you in now, I'm a freshman in college. Okay, 184 00:09:12,559 --> 00:09:15,320 Speaker 1: so you're in the fourteenth grade. Thirteenth grade, all right, 185 00:09:15,400 --> 00:09:16,880 Speaker 1: never got too bad and then made me to feel 186 00:09:16,880 --> 00:09:19,080 Speaker 1: too old, all right, So get it off your chest, Mama. 187 00:09:19,200 --> 00:09:22,199 Speaker 1: I am super irritated because I've been up since yesterday 188 00:09:22,200 --> 00:09:25,120 Speaker 1: morning a five am. And I'm sorry, I just let that. 189 00:09:25,200 --> 00:09:27,280 Speaker 1: D'm not been in there for two hours and I'm 190 00:09:27,320 --> 00:09:30,880 Speaker 1: still not tired. What you one? How you on something? 191 00:09:31,440 --> 00:09:33,240 Speaker 1: I don't know, I'm just not tired. I think this 192 00:09:33,280 --> 00:09:37,480 Speaker 1: isn't install our anxiety. Oh probably anxiety. You know. Showing 193 00:09:37,559 --> 00:09:39,800 Speaker 1: me ever sent you to looking about therapy. It beave 194 00:09:39,840 --> 00:09:41,520 Speaker 1: making me thinking that I should go to therapy too, 195 00:09:41,559 --> 00:09:43,440 Speaker 1: because I think I have a lot of diagnosed problem. 196 00:09:44,080 --> 00:09:47,160 Speaker 1: I think I think that's going on, because you know, 197 00:09:47,200 --> 00:09:49,000 Speaker 1: I'll be worried about when last friends are gonna say 198 00:09:49,000 --> 00:09:51,600 Speaker 1: I don't want to be the crazy time. You know, well, 199 00:09:51,760 --> 00:09:54,000 Speaker 1: guess what, You're gonna go even crazier and then you're 200 00:09:54,040 --> 00:09:56,080 Speaker 1: gonna really your friend's gonna really have something to talk about. 201 00:09:56,240 --> 00:09:58,000 Speaker 1: Might as well nip it in the bud. Now, Yeah, 202 00:09:58,000 --> 00:10:00,040 Speaker 1: you definitely should go, Mama. You know what you you 203 00:10:00,040 --> 00:10:01,959 Speaker 1: are right Okay, how do you antel? I'm sorry that 204 00:10:01,960 --> 00:10:04,040 Speaker 1: I didn't say, how do you before you so much? Hey, 205 00:10:04,040 --> 00:10:06,520 Speaker 1: I'm gonna tell you something. I got a sneaky suspicion 206 00:10:06,559 --> 00:10:08,640 Speaker 1: that your friends probably already think you're a crazy friend. 207 00:10:08,880 --> 00:10:10,280 Speaker 1: I think so too much. And I had a lot 208 00:10:10,280 --> 00:10:12,320 Speaker 1: of caffeine too. Have you been drinking stuff with a 209 00:10:12,320 --> 00:10:15,319 Speaker 1: lot of caffeine in it? See? I work up, I 210 00:10:15,440 --> 00:10:19,760 Speaker 1: work at a coffee shop and I okay, now we 211 00:10:19,840 --> 00:10:21,600 Speaker 1: got off in going to post of the problem. But 212 00:10:21,640 --> 00:10:23,080 Speaker 1: how to get things done? It seems like you got 213 00:10:23,120 --> 00:10:30,760 Speaker 1: a lot of everything done, clearing that house, vacuum paid. Okay, Well, 214 00:10:29,840 --> 00:10:32,240 Speaker 1: I guess I'm gonna talk to you guys later. But 215 00:10:32,320 --> 00:10:34,280 Speaker 1: you guys want a good day, all right, I'm a 216 00:10:34,280 --> 00:10:37,720 Speaker 1: great day baby, all right, all right, definitely a crazy friend. 217 00:10:37,920 --> 00:10:39,679 Speaker 1: All right, get it off your chests. Eight hundred and 218 00:10:39,720 --> 00:10:41,480 Speaker 1: five eight five one O five one. If you need 219 00:10:41,559 --> 00:10:43,560 Speaker 1: to vin call us now. It's the Breakfast Club. Good morning, 220 00:10:44,160 --> 00:10:51,360 Speaker 1: the Breakfast Club, Wake up, wake up. Way you're trying 221 00:10:51,400 --> 00:10:55,360 Speaker 1: to get it off your chest or bless? We want 222 00:10:55,360 --> 00:10:58,080 Speaker 1: to hear from you on the breakfast Club. Hello, who's 223 00:10:58,120 --> 00:11:02,240 Speaker 1: this gonna get a shout out? Waking up this movie. 224 00:11:02,559 --> 00:11:05,080 Speaker 1: All right enough saying shout out to the breakfast club 225 00:11:05,160 --> 00:11:07,400 Speaker 1: number one. Now, shout out to you man. We're happy 226 00:11:07,440 --> 00:11:10,199 Speaker 1: you woke up this morning too. Thank you. Charlotma the 227 00:11:10,280 --> 00:11:15,360 Speaker 1: girl DJ v Angela Lee, all right, thank you. One 228 00:11:15,400 --> 00:11:19,400 Speaker 1: day they're gonna get your name right, the easiest name 229 00:11:20,400 --> 00:11:25,400 Speaker 1: your name right? Hello? Who's this morning? That the larngo day? 230 00:11:25,440 --> 00:11:27,520 Speaker 1: What's up? Broke? Get it off at yes, what's going on? 231 00:11:27,679 --> 00:11:30,400 Speaker 1: And be good morning, uh Charlemagne, and good morning that 232 00:11:30,520 --> 00:11:34,720 Speaker 1: you was happy to Hey listen now so I'm happy. 233 00:11:35,120 --> 00:11:37,120 Speaker 1: Uh my first time on the radio with you guys. 234 00:11:37,120 --> 00:11:38,719 Speaker 1: Have been tracking giving me trying to get what you 235 00:11:38,800 --> 00:11:41,520 Speaker 1: guys from like January. But I spot my first crib 236 00:11:41,720 --> 00:11:45,280 Speaker 1: my wife, uh this week, twenty six years old. You 237 00:11:45,320 --> 00:11:48,520 Speaker 1: know what I mean. I'm happy about that. It's some 238 00:11:48,640 --> 00:11:51,360 Speaker 1: culturally clueless person listening to why you excited about buying 239 00:11:51,400 --> 00:11:55,319 Speaker 1: a crib? A crib? Cribs aren't a baby's crib. I 240 00:11:55,480 --> 00:11:57,800 Speaker 1: know jims are exciting too. That means you have a 241 00:11:57,840 --> 00:12:01,160 Speaker 1: baby on the way. No, no, no, I have one daughter. 242 00:12:01,200 --> 00:12:03,640 Speaker 1: She's already a year a year and a half. Okay, 243 00:12:03,920 --> 00:12:06,079 Speaker 1: so no more crib for he well, congratulations on the 244 00:12:06,160 --> 00:12:08,880 Speaker 1: crib brother, thank you. I appreciate he show him before 245 00:12:08,920 --> 00:12:11,080 Speaker 1: I hang up. One question. I mean, it's been bothering 246 00:12:11,200 --> 00:12:14,080 Speaker 1: me talking to me a few months ago. You were 247 00:12:14,080 --> 00:12:16,760 Speaker 1: talking about that. You were watching, uh, your camera and 248 00:12:16,880 --> 00:12:19,400 Speaker 1: you can started past you and your camera. You were 249 00:12:19,440 --> 00:12:20,800 Speaker 1: trying to figure out what it was. Did you don't 250 00:12:20,840 --> 00:12:23,599 Speaker 1: find out what it was? Nope? Probably a spirit of 251 00:12:23,679 --> 00:12:26,720 Speaker 1: some sort, though I've been getting visited by spirits for years. 252 00:12:27,280 --> 00:12:29,760 Speaker 1: Oh damn, A right to my brother, That's all I 253 00:12:29,800 --> 00:12:37,920 Speaker 1: wanted to say, Hello, who's this? What's up? What's up? Traps? Hey? Bill? 254 00:12:38,440 --> 00:12:41,840 Speaker 1: What's so solomy? What elpsis? We got Jesse Smollett next hour. 255 00:12:41,880 --> 00:12:43,640 Speaker 1: I just think that you'd be excited about that for 256 00:12:43,760 --> 00:12:47,760 Speaker 1: some reason. I'm not, okay, you don't like Jesse Smillett. 257 00:12:47,880 --> 00:12:49,839 Speaker 1: I'm I'm not excited here. I'm not excited here he 258 00:12:49,920 --> 00:12:52,360 Speaker 1: coming up there? Everybody I like? Oh here, okay. He 259 00:12:52,480 --> 00:12:54,240 Speaker 1: just makes me think. He just makes me think of 260 00:12:54,280 --> 00:12:56,120 Speaker 1: you because I think about that song from Empire. So 261 00:12:56,360 --> 00:13:01,559 Speaker 1: what stroll with you? What's up track? Why do you 262 00:13:01,600 --> 00:13:03,839 Speaker 1: call this morning? I would call the boss about my 263 00:13:04,120 --> 00:13:07,959 Speaker 1: last city? Man, Well, let's Philadelphia on the raised on 264 00:13:08,040 --> 00:13:09,599 Speaker 1: the playground is where I kicked it with all of 265 00:13:09,640 --> 00:13:16,160 Speaker 1: the gays. Donamated going one of them older than y'all. 266 00:13:16,679 --> 00:13:19,839 Speaker 1: But I don't know, y'all hurt about this triple shoot 267 00:13:19,920 --> 00:13:22,720 Speaker 1: and from these little fifteen and sixteen year old boys 268 00:13:22,800 --> 00:13:26,160 Speaker 1: that killed They killed one girl. She was seventeen years old, 269 00:13:26,360 --> 00:13:28,839 Speaker 1: and right after the prime or something. Yeah, it was 270 00:13:28,880 --> 00:13:31,199 Speaker 1: like what, I don't know. I don't know if it's 271 00:13:31,240 --> 00:13:32,920 Speaker 1: right after the problem. I just know that it was 272 00:13:32,960 --> 00:13:34,959 Speaker 1: like late at night. It was like sixteenagers standing on 273 00:13:35,000 --> 00:13:37,280 Speaker 1: the corner, which they always stand on the corner past 274 00:13:37,360 --> 00:13:38,960 Speaker 1: twelve o'clock at night. I don't know where their parents 275 00:13:39,000 --> 00:13:42,880 Speaker 1: be doing. But these little boys shot twenty seven times 276 00:13:43,440 --> 00:13:46,160 Speaker 1: wow out in the street and kills them. What's what 277 00:13:46,240 --> 00:13:49,160 Speaker 1: the Delphia is getting? It's already been a jungle out here, 278 00:13:49,200 --> 00:13:52,360 Speaker 1: but it's getting worse. And it's these little boys, man. 279 00:13:52,440 --> 00:13:54,480 Speaker 1: And I'll be telling my little cousins and everything, because 280 00:13:54,720 --> 00:13:56,400 Speaker 1: my little cousin swear they gooms and I tell they 281 00:13:56,480 --> 00:13:58,439 Speaker 1: got to stop it and they gonna end up dead 282 00:13:58,640 --> 00:14:00,480 Speaker 1: when it will end up in jail. And they don't 283 00:14:00,520 --> 00:14:02,000 Speaker 1: want to be like that. Man. So these kids, we 284 00:14:02,040 --> 00:14:03,679 Speaker 1: don't need to put the guns down. And if I 285 00:14:03,840 --> 00:14:06,200 Speaker 1: find out who'll be out here shooting, I'm telling on y'all. 286 00:14:07,720 --> 00:14:10,000 Speaker 1: Don't don't. Don't don't. This is so sad, rest and peace, 287 00:14:10,000 --> 00:14:15,120 Speaker 1: says Sandria Williams. She was only seventeen years old. Might 288 00:14:15,240 --> 00:14:17,880 Speaker 1: say her name, but yeah, So basically, maybe they gotta 289 00:14:17,920 --> 00:14:21,520 Speaker 1: put the guns down, man, and and don't believe in 290 00:14:21,560 --> 00:14:23,440 Speaker 1: that no switching policy. If you know who killed that 291 00:14:23,520 --> 00:14:26,240 Speaker 1: little girl, man till Man. They said, twenty three shots 292 00:14:26,320 --> 00:14:30,120 Speaker 1: in seven seconds. Why what was the reason they give 293 00:14:30,120 --> 00:14:33,840 Speaker 1: a reason? Track, Well, nobody's been arrested yet because it's 294 00:14:33,840 --> 00:14:36,280 Speaker 1: like literally be like maybe five blocks from where I live. 295 00:14:36,400 --> 00:14:38,960 Speaker 1: So that they said, it's like these little neighborhoods that's beefing, 296 00:14:39,320 --> 00:14:42,440 Speaker 1: and these little boys came from like these these blocks 297 00:14:42,480 --> 00:14:44,480 Speaker 1: that the beef and they literally be like two or 298 00:14:44,560 --> 00:14:47,120 Speaker 1: three blocks away from each other and beef and over nothing, 299 00:14:47,200 --> 00:14:49,360 Speaker 1: beef and over property they don't own. You know what, 300 00:14:49,400 --> 00:14:52,480 Speaker 1: it was just a petty dispute. Well, they said, there's 301 00:14:52,480 --> 00:14:56,040 Speaker 1: a twenty thousand dollars reward for the arrest or conviction 302 00:14:56,120 --> 00:14:59,240 Speaker 1: of anybody. So twenty thousand dollars award reward if you 303 00:14:59,320 --> 00:15:03,200 Speaker 1: want to inform two on five five four six tips. Again, 304 00:15:03,240 --> 00:15:06,200 Speaker 1: it's two one five five four six tips. Can you 305 00:15:06,240 --> 00:15:08,400 Speaker 1: remain anonymous when you give you tips? But you can 306 00:15:08,480 --> 00:15:10,120 Speaker 1: remain a knowledge. But you I don't think you get 307 00:15:10,160 --> 00:15:12,120 Speaker 1: the money. So if y'a don't want to tell, y'all 308 00:15:12,200 --> 00:15:14,320 Speaker 1: tell me and I'll tell and I'll get the twenty 309 00:15:14,320 --> 00:15:16,480 Speaker 1: thousand dollars. But you it ain't even about the money. 310 00:15:16,480 --> 00:15:18,359 Speaker 1: I don't see how you can have that on your consciousness. 311 00:15:18,520 --> 00:15:20,280 Speaker 1: I'll sell you can have I'll see how you can 312 00:15:20,320 --> 00:15:21,800 Speaker 1: know who did that and have that on your conscious 313 00:15:21,800 --> 00:15:25,360 Speaker 1: and be cool sleep at night. Somebody knows. But all right, 314 00:15:25,480 --> 00:15:28,080 Speaker 1: y'all have a good day. Thanks traf alright, draft, alright, 315 00:15:28,160 --> 00:15:30,280 Speaker 1: get it off your chest. Eight hundred five eight five 316 00:15:30,360 --> 00:15:31,800 Speaker 1: one on five one. If you need to vent, you 317 00:15:31,840 --> 00:15:33,480 Speaker 1: can hit this up at any time that you've got 318 00:15:33,560 --> 00:15:36,240 Speaker 1: rumors on the way. Yes, find out what NBA well, 319 00:15:36,320 --> 00:15:39,440 Speaker 1: former NBA player is saying, run me my money. Okay, 320 00:15:39,480 --> 00:15:41,280 Speaker 1: we'll get into that when we come back. We'll find out. 321 00:15:41,320 --> 00:15:45,120 Speaker 1: It's the Breakfast Club. Good morning, the Breakfast Club. He's 322 00:15:45,120 --> 00:15:48,840 Speaker 1: the Morning. Everybody is DJ Envy Angela Yee, Charlomagne, the guy. 323 00:15:48,920 --> 00:15:51,560 Speaker 1: We all the Breakfast Club. Let's get to the rumors. 324 00:15:51,600 --> 00:15:59,480 Speaker 1: It's so Bill Cosby. It's about report. Is the rumor 325 00:15:59,560 --> 00:16:05,520 Speaker 1: report Angela the Breakfast Club. So just updating you on 326 00:16:05,600 --> 00:16:09,520 Speaker 1: the outcome of Bill Cosby's conviction. He was convicted of 327 00:16:09,560 --> 00:16:12,680 Speaker 1: sexual assault and he will be sentenced on September twenty fourth. 328 00:16:12,840 --> 00:16:19,800 Speaker 1: Damn already September twenty four, three months quicker than that. Yeah, 329 00:16:19,880 --> 00:16:23,920 Speaker 1: usually it is. Doesn't seem close. But he had asked 330 00:16:23,960 --> 00:16:27,200 Speaker 1: me to get sentencing delayed until the end of the year, 331 00:16:27,760 --> 00:16:30,480 Speaker 1: but they decided September twenty fourth. Now, his convictions on 332 00:16:30,640 --> 00:16:33,840 Speaker 1: three counts of aggravated in decent assault, they said, will 333 00:16:33,960 --> 00:16:36,960 Speaker 1: likely be combined into one charge, and that standard sentence 334 00:16:37,000 --> 00:16:39,080 Speaker 1: will be five to ten years in prison. I don't 335 00:16:39,120 --> 00:16:41,360 Speaker 1: see it happening. I think Bill gonna die before then. Honestly, 336 00:16:41,680 --> 00:16:44,360 Speaker 1: he's gonna be eighty one. He's turning eighty one in July. Yeah, 337 00:16:44,800 --> 00:16:46,560 Speaker 1: I think Bill gonna ask the grim Reaping for the 338 00:16:46,640 --> 00:16:49,160 Speaker 1: check way before September, canny appeal after that, so he 339 00:16:49,200 --> 00:16:51,800 Speaker 1: can appeal and then be on house arrest again and 340 00:16:51,840 --> 00:16:55,240 Speaker 1: it'll take a guess another year or so. Yeah, I'm 341 00:16:55,280 --> 00:16:57,800 Speaker 1: sure he can, all right, well, he lived about four 342 00:16:57,880 --> 00:17:00,560 Speaker 1: years too long. Man. In the meantime, he doesn't GPS 343 00:17:00,640 --> 00:17:03,560 Speaker 1: monitoring bracelet, and he needs permission to leave the house. 344 00:17:03,640 --> 00:17:05,800 Speaker 1: Oh my god, he's not going lay. And even when 345 00:17:05,800 --> 00:17:07,399 Speaker 1: he does leave the house, he's only allowed to go 346 00:17:07,560 --> 00:17:11,280 Speaker 1: visit his lawyers or his doctor. So there you have it. 347 00:17:11,359 --> 00:17:14,120 Speaker 1: That's your update on Bill Cosby, Ray Sherman, and West 348 00:17:14,160 --> 00:17:16,760 Speaker 1: Khalifa have announced a tour together. They're doing a co 349 00:17:16,960 --> 00:17:21,639 Speaker 1: headlining tour, the Dazed and Blazed Summer twenty eighteen. So 350 00:17:21,840 --> 00:17:24,520 Speaker 1: that starts to Lie twenty first in Detroit and it's 351 00:17:24,560 --> 00:17:27,359 Speaker 1: going to wrap up August thirtieth in Phoenix. That sounds 352 00:17:27,359 --> 00:17:31,159 Speaker 1: like a foreign tour. Yeah, Dazed and Blazed. Yes, at 353 00:17:31,240 --> 00:17:35,680 Speaker 1: least fifteen felonies too high, they'll be too high. They're 354 00:17:35,680 --> 00:17:37,560 Speaker 1: gonn arrested definitely for weed in some places where you 355 00:17:37,600 --> 00:17:40,719 Speaker 1: can't smoke at some points. All right, Ryan Seacrest, there 356 00:17:40,760 --> 00:17:45,600 Speaker 1: was an uncomfortable moment. Now he was hosting American Idol 357 00:17:45,640 --> 00:17:48,280 Speaker 1: and he was having a conversation with Katy Perry, and 358 00:17:48,359 --> 00:17:50,760 Speaker 1: it looks like they did not realize that the show 359 00:17:51,040 --> 00:17:54,680 Speaker 1: was back live. And here is what their conversation was 360 00:17:54,800 --> 00:17:57,480 Speaker 1: sounding like. As Ryan Seacrest talked to Katy Perry in 361 00:17:57,640 --> 00:17:59,920 Speaker 1: front of the other judges, lying on Richie and Luke Bryan, 362 00:18:00,320 --> 00:18:04,520 Speaker 1: the mom's pretty, well, I hope the apple doesn't fall 363 00:18:04,560 --> 00:18:10,119 Speaker 1: far from the trade. You are but you're not yea, 364 00:18:10,480 --> 00:18:21,040 Speaker 1: not yet. We want to talk about what I think? 365 00:18:21,080 --> 00:18:27,359 Speaker 1: We're back? Is it real? This is it? Are we professional? 366 00:18:27,800 --> 00:18:29,560 Speaker 1: What am I missing? On dock and make out? Was 367 00:18:29,840 --> 00:18:32,000 Speaker 1: your mom's pretty? Said? The apple doesn't fall far from 368 00:18:32,760 --> 00:18:35,280 Speaker 1: and then and then he says, you're not a mom 369 00:18:35,359 --> 00:18:36,920 Speaker 1: and she said not yet, and he said, do you 370 00:18:36,960 --> 00:18:39,480 Speaker 1: want to talk about it? So that was the conversation. 371 00:18:40,119 --> 00:18:42,720 Speaker 1: So what's the problem. It's flirting? Yeah, it was. I 372 00:18:42,800 --> 00:18:44,960 Speaker 1: mean the problem was that it looked like they didn't 373 00:18:44,960 --> 00:18:46,400 Speaker 1: know they were back on the air. They were having 374 00:18:46,440 --> 00:18:49,560 Speaker 1: this conversation and they were saying it was very uncomfortable 375 00:18:49,840 --> 00:18:52,639 Speaker 1: and awkward. But it doesn't like she was joking right 376 00:18:52,720 --> 00:18:57,119 Speaker 1: back along. The only thing that was an awkward was 377 00:18:57,160 --> 00:18:58,560 Speaker 1: that they didn't know they were back on the air 378 00:18:58,680 --> 00:19:02,160 Speaker 1: and they were having this comment kind of mumbling, we're bad. 379 00:19:02,240 --> 00:19:04,359 Speaker 1: Does he have a go friend? I don't know. I 380 00:19:04,440 --> 00:19:06,400 Speaker 1: don't think y'all not used to hearing Ryan Seacrest talk 381 00:19:06,400 --> 00:19:09,200 Speaker 1: to a woman. That's what I think. Shut up, I'm serious, 382 00:19:09,200 --> 00:19:11,160 Speaker 1: because you always just have like this blank slate when 383 00:19:11,160 --> 00:19:13,600 Speaker 1: it comes to sexuality. I'm serious, That's what I think 384 00:19:13,640 --> 00:19:15,840 Speaker 1: it is. He's always seen around with women. I don't 385 00:19:15,880 --> 00:19:17,440 Speaker 1: ever seen with women. So I just think that y'all 386 00:19:17,440 --> 00:19:20,200 Speaker 1: aren't used to seeing Ryan talk like that. We're also 387 00:19:20,359 --> 00:19:22,199 Speaker 1: not used to any type of error as far as 388 00:19:22,280 --> 00:19:24,400 Speaker 1: not knowing the cameras or back rolling and you're having 389 00:19:24,440 --> 00:19:28,359 Speaker 1: this mumbling conversation not realizing your back live. But he's 390 00:19:28,359 --> 00:19:30,240 Speaker 1: so professional all the time, That's what I'm saying. Ryan 391 00:19:30,400 --> 00:19:33,280 Speaker 1: is always like so robotic and always in the whole smold. 392 00:19:33,440 --> 00:19:35,520 Speaker 1: You always see him saying the right thing, doing the 393 00:19:35,640 --> 00:19:38,760 Speaker 1: right thing on stage. That's a real moment from Ryan Seacrest. 394 00:19:38,800 --> 00:19:40,840 Speaker 1: We're not used to hearing that. Also. I mean that 395 00:19:40,920 --> 00:19:42,399 Speaker 1: could also be kind of a set up to make 396 00:19:42,400 --> 00:19:44,760 Speaker 1: it seem like it's real because you've done TV a 397 00:19:44,840 --> 00:19:46,520 Speaker 1: million in one time, Cholo, and you know when you're 398 00:19:46,520 --> 00:19:48,560 Speaker 1: going back live. Yes, that's a fact that in that 399 00:19:48,720 --> 00:19:52,919 Speaker 1: place also already we don't know right us, but an 400 00:19:52,960 --> 00:19:55,359 Speaker 1: American idol, though, you're not gonna like joke around and 401 00:19:55,880 --> 00:19:57,720 Speaker 1: pretend you don't know your back live and you realize 402 00:19:57,960 --> 00:20:00,440 Speaker 1: we've heard presidents get caught out like that that, we've 403 00:20:00,480 --> 00:20:03,119 Speaker 1: heard Jesse Jackson. You want to cut Barack Obama's balls off, 404 00:20:03,200 --> 00:20:05,600 Speaker 1: and he didn't know that Michael's on. It happens, It 405 00:20:05,680 --> 00:20:08,639 Speaker 1: happens all right. Now, Gilbert Arenas is saying that he 406 00:20:08,920 --> 00:20:12,439 Speaker 1: wants his money. That's because he got a judgment against 407 00:20:12,560 --> 00:20:14,920 Speaker 1: Laura Govan and still hasn't gotten paid one hundred and 408 00:20:15,000 --> 00:20:18,080 Speaker 1: ten thousand dollars for his emotional distress. It's been almost 409 00:20:18,080 --> 00:20:20,600 Speaker 1: two years when a judge ruled that she had to 410 00:20:20,680 --> 00:20:23,280 Speaker 1: pay him, and now he is saying, give me my cash. 411 00:20:23,520 --> 00:20:26,240 Speaker 1: So he's trying to get that, and that's because he's 412 00:20:26,240 --> 00:20:28,440 Speaker 1: saying that she spread a false rumor that he gave 413 00:20:28,480 --> 00:20:31,000 Speaker 1: her an std S get your money, Gilbert dropping a 414 00:20:31,040 --> 00:20:34,240 Speaker 1: close bumber, Gilbert Arenas, that's a petty negro right there, boy, 415 00:20:34,840 --> 00:20:37,080 Speaker 1: God dang it, that's why you can't give petty people 416 00:20:37,119 --> 00:20:40,200 Speaker 1: that much money. All right, how much one hundred and 417 00:20:40,280 --> 00:20:42,800 Speaker 1: ten thousand dollars pay up? And that's what matter of fact, 418 00:20:42,800 --> 00:20:44,520 Speaker 1: all you're doing is giving me, giving me my money back, 419 00:20:44,680 --> 00:20:47,200 Speaker 1: by the way, that's all you're technically doing giving me 420 00:20:47,400 --> 00:20:49,159 Speaker 1: my money back. Oh you don't think she makes her 421 00:20:49,200 --> 00:20:52,240 Speaker 1: own money. I'm sure she does, but I'm sure she 422 00:20:52,320 --> 00:20:54,040 Speaker 1: makes a lot more from Gilbert arenas how much she 423 00:20:54,080 --> 00:20:55,760 Speaker 1: get him off in child sport. I don't think she 424 00:20:55,840 --> 00:20:58,560 Speaker 1: gets that much from him at all. Yeah, because she 425 00:20:59,359 --> 00:21:01,200 Speaker 1: took her back to didn't he. I don't think she 426 00:21:01,359 --> 00:21:03,040 Speaker 1: gets a lot of money from him. So one hundred 427 00:21:03,040 --> 00:21:04,879 Speaker 1: and ten thousand dollars is still a lot of money. Well, 428 00:21:05,080 --> 00:21:06,879 Speaker 1: I know, I know Gilbert has invested that kind of 429 00:21:06,920 --> 00:21:08,880 Speaker 1: money in her over the years, So let me get 430 00:21:08,920 --> 00:21:12,320 Speaker 1: that back, all right. Well, the money should be for 431 00:21:12,440 --> 00:21:13,840 Speaker 1: the kids, though, because they do have a lot of 432 00:21:13,920 --> 00:21:15,520 Speaker 1: kids together. Not if you lied to me and said 433 00:21:15,520 --> 00:21:17,639 Speaker 1: I got an STD and this money for me, right, 434 00:21:17,760 --> 00:21:19,280 Speaker 1: he's gonna give it back to the kids. It's gonna 435 00:21:19,280 --> 00:21:20,760 Speaker 1: go to him, and he's gonna give it right back. 436 00:21:20,840 --> 00:21:25,000 Speaker 1: Gets less than ten thousand dollars a month, seven thousand. 437 00:21:25,040 --> 00:21:27,359 Speaker 1: I'm gonna kiss that, Hi, let me kiss it that. 438 00:21:27,640 --> 00:21:31,240 Speaker 1: I think they have what four kids give me? Me? Man? Wow? 439 00:21:32,080 --> 00:21:34,080 Speaker 1: All right, Well, I'm Angela Yee and that is your 440 00:21:34,240 --> 00:21:37,920 Speaker 1: rumor report. They have four kids together? Seven thousand and four, kids, 441 00:21:38,119 --> 00:21:41,919 Speaker 1: Gilbert Arenas. Wow, all right, all right, well that's your 442 00:21:42,000 --> 00:21:45,760 Speaker 1: rumor report. When we come back from Empire, Jesse Smollett 443 00:21:45,760 --> 00:21:47,199 Speaker 1: will be joining us, so we'll kick it with him 444 00:21:47,200 --> 00:21:49,879 Speaker 1: when we come back. Don't move. It's the Breakfast Lolgal 445 00:21:49,920 --> 00:21:54,880 Speaker 1: Morning Morning. Everybody is DJ Envy, Angela Yee, Charlemagne the God. 446 00:21:54,960 --> 00:21:57,400 Speaker 1: We all the Breakfast Club. We got a special guest 447 00:21:57,480 --> 00:22:01,320 Speaker 1: in the building, our guy at tour, Jesse Smollett, not 448 00:22:01,480 --> 00:22:07,160 Speaker 1: just an actor, actor, activists, singer. Thank you, and he's 449 00:22:07,160 --> 00:22:11,240 Speaker 1: a sneaky donator because he donated to our Change for Change. 450 00:22:11,240 --> 00:22:12,600 Speaker 1: It didn't even tell us it did it on the low. 451 00:22:12,840 --> 00:22:14,720 Speaker 1: I was just real quiet, like it real quiet that 452 00:22:14,800 --> 00:22:16,399 Speaker 1: we appreciate that. We just have to look up. He 453 00:22:16,480 --> 00:22:21,960 Speaker 1: was like, is that how many are there? No, you 454 00:22:22,000 --> 00:22:25,399 Speaker 1: came here with an that the way you're moving now, 455 00:22:27,560 --> 00:22:28,560 Speaker 1: it looked like it was like it was like a 456 00:22:28,640 --> 00:22:33,960 Speaker 1: crowd like ten people. I'm kettle, nice to me. Want 457 00:22:34,000 --> 00:22:36,600 Speaker 1: you to start some TV show or something something like that, 458 00:22:36,760 --> 00:22:39,080 Speaker 1: something like that or couple things. What's good, y'all and 459 00:22:39,119 --> 00:22:41,280 Speaker 1: everything's good. I know it feels good for you though, 460 00:22:41,320 --> 00:22:45,760 Speaker 1: because you have this tour, the album out. Yeah, I 461 00:22:45,840 --> 00:22:48,760 Speaker 1: just got um. I just got back from Germany and France. 462 00:22:48,840 --> 00:22:50,920 Speaker 1: Every single date has been sold out. So wow. We 463 00:22:51,040 --> 00:22:54,719 Speaker 1: started Oakland May seventeen, going back home to the Bay 464 00:22:54,800 --> 00:22:58,719 Speaker 1: Area and then New York and every everywhere, everywhere. Are 465 00:22:58,720 --> 00:23:01,760 Speaker 1: you already thinking about life after Empire? Oh? Yeah, I 466 00:23:01,880 --> 00:23:06,640 Speaker 1: was thinking about life after Empire before Empire. I think 467 00:23:06,720 --> 00:23:09,080 Speaker 1: also that once we got officially picked up for season five, 468 00:23:09,119 --> 00:23:11,040 Speaker 1: it kind of hit me that I'm doing the right 469 00:23:11,119 --> 00:23:14,920 Speaker 1: things to kind of lay lay the foundation for life 470 00:23:15,000 --> 00:23:17,639 Speaker 1: after Empire, because it can't be. As we know, nothing 471 00:23:17,680 --> 00:23:20,200 Speaker 1: can last forever, especially something like a TV show. What 472 00:23:20,320 --> 00:23:22,560 Speaker 1: did you expect when you got the part an Empire? Like, 473 00:23:22,800 --> 00:23:24,119 Speaker 1: did you expect it to go that long? Do you 474 00:23:24,160 --> 00:23:26,520 Speaker 1: think it was one season? What were your expectation? Honestly, 475 00:23:26,560 --> 00:23:28,199 Speaker 1: didn't know. I've been doing this since I was four 476 00:23:28,280 --> 00:23:30,880 Speaker 1: years old. A brother got his sad card nineteen eighty seven, 477 00:23:31,359 --> 00:23:32,920 Speaker 1: So I mean, I've been doing it for a minute. 478 00:23:32,920 --> 00:23:35,520 Speaker 1: And sometimes you do things that are really successful that 479 00:23:35,600 --> 00:23:36,920 Speaker 1: you didn't know it was going to be successful. And 480 00:23:37,000 --> 00:23:38,720 Speaker 1: sometimes you do things that you're like, Yo, this's gonna 481 00:23:38,720 --> 00:23:42,480 Speaker 1: be dope, and then just silence and no one cares 482 00:23:42,480 --> 00:23:44,960 Speaker 1: about it. So you know as an artist, I don't 483 00:23:44,960 --> 00:23:46,800 Speaker 1: feel like you really want to make the assumption that 484 00:23:46,880 --> 00:23:49,359 Speaker 1: something's going to be successful. I knew there would be 485 00:23:49,400 --> 00:23:52,240 Speaker 1: critically acclaimed, but I didn't really, Honest to god, I 486 00:23:52,320 --> 00:23:55,520 Speaker 1: went into it just being like, I'm gonna get to 487 00:23:55,640 --> 00:23:59,000 Speaker 1: work with these amazing people Terrence and Taragi and Lee Daniels, 488 00:23:59,040 --> 00:24:01,239 Speaker 1: and for that, you know, it's gonna be all good. 489 00:24:01,280 --> 00:24:03,040 Speaker 1: It's gonna do something from my career. I just didn't 490 00:24:03,040 --> 00:24:05,240 Speaker 1: know what and how was it with season five because 491 00:24:05,280 --> 00:24:08,320 Speaker 1: I'm sure everybody got an ego in some way shape before, 492 00:24:08,400 --> 00:24:11,880 Speaker 1: because I mean, because everybody's grown, like in a big way. Yeah, 493 00:24:12,240 --> 00:24:16,200 Speaker 1: it's crazy. Um, season five. You know, we've been fighting 494 00:24:16,240 --> 00:24:18,920 Speaker 1: for the show a lot. You know, we fight. We 495 00:24:19,080 --> 00:24:22,880 Speaker 1: fight for storylines that we don't we fight against storylines 496 00:24:22,920 --> 00:24:24,879 Speaker 1: that we don't believe in. We fight four storylines that 497 00:24:24,920 --> 00:24:28,120 Speaker 1: we do believe in. Lie says that he's officially woke 498 00:24:28,240 --> 00:24:32,040 Speaker 1: up and he's coming home to like bring it, bring 499 00:24:32,160 --> 00:24:33,920 Speaker 1: it to what it needs to be. So season five 500 00:24:34,040 --> 00:24:35,400 Speaker 1: is supposed to be I just got off the phone 501 00:24:35,400 --> 00:24:38,280 Speaker 1: with him when I was heading here, So, um, you 502 00:24:38,359 --> 00:24:40,400 Speaker 1: know we'll see Season five is supposed to be real dope. 503 00:24:40,440 --> 00:24:42,280 Speaker 1: So yeah, they've been hands on. Are you gonna be 504 00:24:42,280 --> 00:24:44,560 Speaker 1: directing more on? Yeah, I officially got the word. I'm 505 00:24:44,560 --> 00:24:50,440 Speaker 1: definitely gonna be directing. Give me that bad torect some money. 506 00:24:51,480 --> 00:24:53,440 Speaker 1: Why you said you wanted to be? Did I read 507 00:24:53,440 --> 00:24:55,240 Speaker 1: that correctly? Said you wanted to be the Black Barberscris 508 00:24:55,560 --> 00:25:04,800 Speaker 1: the well mail? Also, Yeah, Um, I just mean, I 509 00:25:04,920 --> 00:25:06,280 Speaker 1: just mean by that. It's funny because I was just 510 00:25:06,320 --> 00:25:07,760 Speaker 1: saying yesterday, I was like, I'm not gonna say that 511 00:25:07,880 --> 00:25:10,520 Speaker 1: no more because it's not about being like a black 512 00:25:10,720 --> 00:25:13,920 Speaker 1: version of anybody. I just respect her as far as 513 00:25:14,040 --> 00:25:16,000 Speaker 1: all that she's done, and she's done it well. You know, 514 00:25:16,080 --> 00:25:19,240 Speaker 1: I want to direct and music and acting and writing 515 00:25:19,359 --> 00:25:21,600 Speaker 1: and things like that and still holding onto my voice 516 00:25:21,600 --> 00:25:24,320 Speaker 1: as an activist. She's been able to do that and 517 00:25:24,400 --> 00:25:27,240 Speaker 1: do it well. So yeah, for sure. So let's talk 518 00:25:27,240 --> 00:25:29,520 Speaker 1: a little bit about the music, because I've been wondering 519 00:25:29,600 --> 00:25:31,760 Speaker 1: when it's Jesse gonna put out a full album. And 520 00:25:31,840 --> 00:25:33,639 Speaker 1: I'm sure there had to be some restraints on you 521 00:25:33,880 --> 00:25:36,160 Speaker 1: being on a show like Empire, because I know there's 522 00:25:36,160 --> 00:25:37,720 Speaker 1: all kinds of deals you have music that you do 523 00:25:37,840 --> 00:25:41,200 Speaker 1: for the show. You guys had albums for Empire, But 524 00:25:41,640 --> 00:25:43,919 Speaker 1: did that restrict you from doing your own music? Oh? 525 00:25:43,960 --> 00:25:48,040 Speaker 1: Hell yeah, period of time. Hell yeah. And this is 526 00:25:48,080 --> 00:25:51,920 Speaker 1: the thing, like I was making music before Empire and 527 00:25:52,119 --> 00:25:55,200 Speaker 1: releasing it and I say this before with it with 528 00:25:55,320 --> 00:25:59,520 Speaker 1: Triple Plastic. But whatever, it's still it's still. It was 529 00:25:59,600 --> 00:26:01,600 Speaker 1: out there. It was mine, you know what I'm saying. 530 00:26:01,600 --> 00:26:03,200 Speaker 1: So I know how to do that with no budget 531 00:26:03,240 --> 00:26:06,200 Speaker 1: at all. Now, thanks to my job at Empire, I 532 00:26:06,320 --> 00:26:08,200 Speaker 1: got a little bit of a budget that I can do. 533 00:26:08,400 --> 00:26:10,159 Speaker 1: But it's still you know. So it's okay to be 534 00:26:10,359 --> 00:26:12,280 Speaker 1: Indie and it works for me because I feel like 535 00:26:12,359 --> 00:26:13,800 Speaker 1: that's the type of artist that I have to be. 536 00:26:13,960 --> 00:26:16,800 Speaker 1: I'm impatient and I don't do well with red tape. 537 00:26:18,359 --> 00:26:20,560 Speaker 1: I was. I was signed to Columbia and then I 538 00:26:20,640 --> 00:26:24,040 Speaker 1: asked I asked Fox to take my contract back. And 539 00:26:24,119 --> 00:26:26,520 Speaker 1: there's no hard feelings just this. It was bullshit. It wasn't. 540 00:26:26,600 --> 00:26:29,960 Speaker 1: It wasn't for me. I don't want to do this 541 00:26:29,960 --> 00:26:32,040 Speaker 1: because at the end of the day, Fox owned the contract, 542 00:26:32,640 --> 00:26:35,600 Speaker 1: so they were able to take it back. Um. And 543 00:26:35,760 --> 00:26:37,880 Speaker 1: I just cut a thing straight with them, my own 544 00:26:37,920 --> 00:26:40,639 Speaker 1: my master's one hundred percent um. And for me, it 545 00:26:40,720 --> 00:26:42,280 Speaker 1: was just a thing of being in a room and 546 00:26:42,280 --> 00:26:43,800 Speaker 1: I said this so many times at this point. It's 547 00:26:43,840 --> 00:26:47,040 Speaker 1: something about being in a room with like old, straight 548 00:26:47,160 --> 00:26:50,080 Speaker 1: white men and they're telling you what piece of your 549 00:26:50,240 --> 00:26:53,720 Speaker 1: art that you created should be heard by the people 550 00:26:53,840 --> 00:26:55,960 Speaker 1: it was created for. And it's like, to me, that 551 00:26:56,040 --> 00:26:58,400 Speaker 1: doesn't make any sense, and it never did, never will 552 00:26:58,760 --> 00:27:02,159 Speaker 1: you know, there are no Barry Gordy's anymore, There are 553 00:27:02,280 --> 00:27:04,600 Speaker 1: no I mean, puff is still you know, doing a 554 00:27:04,640 --> 00:27:06,640 Speaker 1: single such a mode as you know what I'm saying, 555 00:27:06,960 --> 00:27:09,560 Speaker 1: But it's not. It's a bunch of suits sitting in 556 00:27:09,600 --> 00:27:11,600 Speaker 1: a room. And then the people that are A and 557 00:27:11,760 --> 00:27:13,639 Speaker 1: R like my A and R. Dude, Sean Holliday, he's 558 00:27:13,680 --> 00:27:16,080 Speaker 1: dope as hell, He's dope as hell. But still the 559 00:27:16,119 --> 00:27:18,840 Speaker 1: people that were making the final decisions, it wasn't It 560 00:27:18,960 --> 00:27:20,680 Speaker 1: wasn't for me. You couldn't make the decision on what 561 00:27:20,800 --> 00:27:23,159 Speaker 1: single you wanted to put out. No, I couldn't make 562 00:27:23,200 --> 00:27:25,680 Speaker 1: the decision over whether I was going to put out 563 00:27:25,720 --> 00:27:28,560 Speaker 1: a single. So it was it was just a thing 564 00:27:28,720 --> 00:27:32,680 Speaker 1: of I felt like with every single, with every successive Empire, 565 00:27:32,800 --> 00:27:35,200 Speaker 1: as well as with every failure of Empire. Somehow my 566 00:27:35,320 --> 00:27:38,760 Speaker 1: album took a hit and myself as an artist, took 567 00:27:38,800 --> 00:27:41,600 Speaker 1: a hit and it just wasn't. It wasn't what music 568 00:27:41,800 --> 00:27:44,000 Speaker 1: is supposed to be to me, you know what I'm saying. 569 00:27:44,040 --> 00:27:46,480 Speaker 1: Like record companies, that's cool, it works for people, good 570 00:27:46,520 --> 00:27:49,360 Speaker 1: for them. But for me, it was just I'd rather 571 00:27:49,520 --> 00:27:53,040 Speaker 1: take me longer. But it takes me longer than it 572 00:27:53,160 --> 00:27:55,360 Speaker 1: takes you know, I'm listening to a bunch of people 573 00:27:55,359 --> 00:27:57,160 Speaker 1: and it's still not gonna get released. They should allow 574 00:27:57,160 --> 00:27:58,920 Speaker 1: you to release it during the show because it's gonna 575 00:27:58,920 --> 00:28:00,439 Speaker 1: do nothing but big the show. Even more, they put 576 00:28:00,560 --> 00:28:02,760 Speaker 1: their they put out their own stuff. They put out 577 00:28:02,800 --> 00:28:04,960 Speaker 1: their own stuff, so it's like it's like who's gonna 578 00:28:05,000 --> 00:28:08,399 Speaker 1: do it? Jesse or jamal Right, I'll always beat that 579 00:28:11,400 --> 00:28:13,000 Speaker 1: have ahead of a record label. Would you rather be 580 00:28:13,040 --> 00:28:16,280 Speaker 1: signing the Lucius of Cookie? Oh, that's a good question. 581 00:28:16,720 --> 00:28:19,399 Speaker 1: I probably would be. Would rather be signed to Cookie 582 00:28:19,920 --> 00:28:23,800 Speaker 1: because she because she's creative, but she's also she feels 583 00:28:23,840 --> 00:28:26,280 Speaker 1: like it feels like she's not like my way is 584 00:28:26,400 --> 00:28:28,639 Speaker 1: the only way. I feel like. I probably want to 585 00:28:28,680 --> 00:28:31,680 Speaker 1: be signed to Cookie more. She's sweeter and she smells better. 586 00:28:32,200 --> 00:28:35,440 Speaker 1: You know, did you and Michelle Obama pre playing that 587 00:28:35,520 --> 00:28:38,320 Speaker 1: little dance session? Nah? That was all. That was all. 588 00:28:38,360 --> 00:28:40,440 Speaker 1: I Wow, she's as cool as hell and she was 589 00:28:40,520 --> 00:28:42,920 Speaker 1: just like she wrote with it, She's just cool. She's cool. 590 00:28:43,000 --> 00:28:45,560 Speaker 1: She's like Auntie Auntie. I say, when white when the 591 00:28:45,560 --> 00:28:48,480 Speaker 1: White House used to be Wakanda, it was everything, it 592 00:28:48,640 --> 00:28:50,440 Speaker 1: was everything. She's just dope, like she don't care, she 593 00:28:50,600 --> 00:28:52,640 Speaker 1: jams and she's she's just cool. It's real cool. You 594 00:28:52,720 --> 00:28:56,920 Speaker 1: know you met her before having grown up and now 595 00:28:56,960 --> 00:28:58,880 Speaker 1: seeing where you're at in life, are there people that 596 00:28:58,960 --> 00:29:01,880 Speaker 1: you're amazed? Like I can't believe that I'm with Naomi 597 00:29:01,960 --> 00:29:04,840 Speaker 1: Campbell walking the runaway for her. You know, like does 598 00:29:04,880 --> 00:29:08,360 Speaker 1: it ever sometimes hit you like damn, this is crazy? Yeah, 599 00:29:08,440 --> 00:29:10,560 Speaker 1: it still hits me. I hope that that never stops 600 00:29:10,640 --> 00:29:12,520 Speaker 1: hitting me because it's exciting to me, you know what 601 00:29:12,600 --> 00:29:16,000 Speaker 1: I'm saying, Like this is my life, but you also 602 00:29:16,080 --> 00:29:18,720 Speaker 1: can't take it too seriously. Growing up, all of my 603 00:29:19,000 --> 00:29:21,920 Speaker 1: idols I somehow have some sort of connection. I mean, 604 00:29:22,000 --> 00:29:23,920 Speaker 1: minus my idols that are no longer with us, but 605 00:29:24,360 --> 00:29:27,600 Speaker 1: just like you know, getting to meet Buster Rhymes or 606 00:29:28,000 --> 00:29:31,360 Speaker 1: or you know, hanging with Little Kim, that's being able 607 00:29:31,400 --> 00:29:33,440 Speaker 1: to call like Brandy or Monica on the phone, Like 608 00:29:33,520 --> 00:29:37,400 Speaker 1: that's dope as hell talking about Hello that just meant 609 00:29:37,480 --> 00:29:39,520 Speaker 1: him at Puffs party and he was just cool as hell. 610 00:29:39,600 --> 00:29:41,920 Speaker 1: He was like yo, man, yo yo, and he's just cool, 611 00:29:42,040 --> 00:29:45,080 Speaker 1: yo cool, He's cool. He's cool. So just meeting all 612 00:29:45,080 --> 00:29:47,360 Speaker 1: these people and seeing number one that they're normal people 613 00:29:48,040 --> 00:29:51,600 Speaker 1: and also to me kind of checking like like Swizz 614 00:29:51,600 --> 00:29:54,000 Speaker 1: and Alicia for instance, like they are just normal people. 615 00:29:54,040 --> 00:29:55,600 Speaker 1: To me, it's cool to see that you don't have 616 00:29:55,720 --> 00:29:57,720 Speaker 1: to be an asshole in order to be successful and 617 00:29:57,800 --> 00:30:00,680 Speaker 1: have longevity. Somehow we have this idea that you know, 618 00:30:00,760 --> 00:30:02,800 Speaker 1: to be strong, to be powerful, to be whatever, you 619 00:30:02,920 --> 00:30:05,360 Speaker 1: have to be a jerk. And to see people that 620 00:30:05,440 --> 00:30:08,160 Speaker 1: are actually, you know, pretty good people, it makes you 621 00:30:08,240 --> 00:30:10,200 Speaker 1: feel better. That's kind of what I take away from it. 622 00:30:10,200 --> 00:30:11,480 Speaker 1: So you got to meet the new artist to do 623 00:30:11,560 --> 00:30:14,280 Speaker 1: an artists and the girls have been in the game 624 00:30:14,320 --> 00:30:16,520 Speaker 1: a long time, they usually cool. Usually the people that 625 00:30:16,640 --> 00:30:18,960 Speaker 1: have longevity, you look at someone like Forest Whitaker that 626 00:30:19,000 --> 00:30:20,640 Speaker 1: came on the show, or Alfrey Woodard who have known 627 00:30:20,680 --> 00:30:22,560 Speaker 1: since I was fifteen years old. They don't have to 628 00:30:22,600 --> 00:30:24,960 Speaker 1: puff out their chests and prove anything because the proof 629 00:30:25,120 --> 00:30:27,200 Speaker 1: is in the art. Angela Bassett, you look at her 630 00:30:27,320 --> 00:30:28,800 Speaker 1: like I just saw her last night and she's just 631 00:30:29,240 --> 00:30:32,160 Speaker 1: every time I see her, she's Auntie like, She's just 632 00:30:32,480 --> 00:30:34,800 Speaker 1: so full of love. And it's those people that actually 633 00:30:34,880 --> 00:30:39,600 Speaker 1: will have the careers forever and the careers forever with respect. 634 00:30:40,040 --> 00:30:42,000 Speaker 1: We got more with Jesse Smellett. When we come back, 635 00:30:42,080 --> 00:30:45,040 Speaker 1: don't move. It's to Breakfast Club. Good Morning, the Breakfast 636 00:30:45,160 --> 00:30:51,160 Speaker 1: Club Morning. Everybody is DJ Envy, Angela Yee Scharlamin the guy. 637 00:30:51,240 --> 00:30:54,120 Speaker 1: We are the Breakfast Club from Empire. We have Jesse 638 00:30:54,280 --> 00:30:55,960 Speaker 1: Smollett in the building. How do you go back and 639 00:30:56,040 --> 00:30:58,440 Speaker 1: forth from Jamala Jesse? When you perform, do you or 640 00:30:58,600 --> 00:31:01,400 Speaker 1: it's just you know my own I mean when I'm performing. 641 00:31:01,480 --> 00:31:06,520 Speaker 1: Here's the thing, it's people do soundtracks. Empire is a soundtrack. 642 00:31:06,760 --> 00:31:08,280 Speaker 1: You know what I'm saying. I'm not comparing myself to 643 00:31:08,360 --> 00:31:10,920 Speaker 1: Whitney Houston. But like she did The Bodyguard, she did 644 00:31:10,960 --> 00:31:13,000 Speaker 1: Waiting to Text, Hell, she did The Preacher's Wife. If 645 00:31:13,040 --> 00:31:15,560 Speaker 1: she sings those songs in concert, those are still Whitney 646 00:31:15,600 --> 00:31:17,280 Speaker 1: Houston songs. True. So at the end of the day, 647 00:31:17,320 --> 00:31:19,560 Speaker 1: if I'm singing good enough, no other man or woman 648 00:31:19,640 --> 00:31:22,080 Speaker 1: has sung good enough. No one else has released that song. 649 00:31:22,160 --> 00:31:25,480 Speaker 1: That's my song. So it's me playing Jamal when I'm 650 00:31:25,600 --> 00:31:27,720 Speaker 1: in the show, but when I'm singing it, it's a 651 00:31:27,840 --> 00:31:30,520 Speaker 1: JUSTI Smallette song. Because in the bathroom you're taking a piss. 652 00:31:30,600 --> 00:31:33,400 Speaker 1: Somebody walked in and goes, Jamal, do you reply? Hell no, 653 00:31:34,440 --> 00:31:37,240 Speaker 1: First of all, I'm not replying if you say if 654 00:31:37,240 --> 00:31:40,200 Speaker 1: you're coming in the bathroom, and that has happened before, 655 00:31:40,560 --> 00:31:43,160 Speaker 1: I'm not answering, like do not speak to me. You 656 00:31:43,160 --> 00:31:45,640 Speaker 1: can speak to me, but don't, like, don't really speak 657 00:31:45,680 --> 00:31:48,080 Speaker 1: to me in the bathroom. There's two places that I'm 658 00:31:48,120 --> 00:31:50,360 Speaker 1: just like yo, Like I'm good. I love everybody. I 659 00:31:50,440 --> 00:31:52,960 Speaker 1: never say no to a picture unless I'm with my 660 00:31:53,080 --> 00:31:55,240 Speaker 1: niece or my nephew because then it's like I don't 661 00:31:55,280 --> 00:31:57,160 Speaker 1: want them to be with one uncle And it's like, 662 00:31:57,160 --> 00:31:59,360 Speaker 1: oh I get all my time when I'm with Uncle Jockey. 663 00:31:59,760 --> 00:32:02,000 Speaker 1: But this is the norm for Uncle Jesse, Like I 664 00:32:02,120 --> 00:32:04,880 Speaker 1: have to set some sort of you know, and people 665 00:32:04,920 --> 00:32:07,480 Speaker 1: always understand that and if they don't, this is my 666 00:32:07,600 --> 00:32:09,200 Speaker 1: niece and my nephew. I can't help that. I love you, 667 00:32:09,280 --> 00:32:10,720 Speaker 1: but I can't help that, like no one is more 668 00:32:10,760 --> 00:32:14,160 Speaker 1: important than them, um, but yeah, like, don't talk to 669 00:32:14,240 --> 00:32:16,800 Speaker 1: me in the bathroom if we at the urinal and 670 00:32:17,040 --> 00:32:24,120 Speaker 1: don't talk to me when I'm on the treadmill. One time, 671 00:32:24,200 --> 00:32:26,360 Speaker 1: I literally was on the trademill at homeboy walked past 672 00:32:26,440 --> 00:32:30,200 Speaker 1: me and he's like this with his phone and I'm 673 00:32:30,280 --> 00:32:35,400 Speaker 1: just like and so I called him over. I was like, 674 00:32:35,480 --> 00:32:37,520 Speaker 1: you know who I am? And he's like yeah, yeah, yeah, 675 00:32:37,640 --> 00:32:39,040 Speaker 1: And I was like, then you know that I'm coolish. 676 00:32:39,080 --> 00:32:41,200 Speaker 1: You could have just walked up and like just asked 677 00:32:41,320 --> 00:32:44,720 Speaker 1: what you want the till you can't even talk. I'm 678 00:32:44,720 --> 00:32:47,840 Speaker 1: trying to contract that got my headphones on. This is 679 00:32:47,880 --> 00:32:50,080 Speaker 1: hard enough. I don't want to be here. I want 680 00:32:50,080 --> 00:32:52,600 Speaker 1: to be eating a donut and here you are. Let's 681 00:32:52,880 --> 00:32:54,560 Speaker 1: let's take it out of the bathroom. You and wafflehouse, 682 00:32:54,640 --> 00:32:57,239 Speaker 1: right and you. I won't be at a waffle Man. 683 00:32:57,840 --> 00:33:02,920 Speaker 1: I won't be at I'm trying to ask you if 684 00:33:02,920 --> 00:33:06,200 Speaker 1: do you respond to Jamal? You know, if someone comes up, 685 00:33:06,240 --> 00:33:08,240 Speaker 1: if a fan comes up and they're like, I love you, Jamal, 686 00:33:08,480 --> 00:33:10,880 Speaker 1: I'm that's not a big deal to me. I just 687 00:33:10,880 --> 00:33:12,360 Speaker 1: feel like, Jesse, nice to meet you. But I'm not 688 00:33:12,440 --> 00:33:16,840 Speaker 1: one of these people that's like my name, like it's 689 00:33:16,880 --> 00:33:19,440 Speaker 1: what they know me as and it's about like yesterday 690 00:33:19,480 --> 00:33:21,280 Speaker 1: I saw Mark Paul Gossler and I was like, yo, 691 00:33:21,440 --> 00:33:23,960 Speaker 1: Zach Morris is here. This is what we know that 692 00:33:24,240 --> 00:33:28,400 Speaker 1: as you know what I'm saying, it's it's and also 693 00:33:29,120 --> 00:33:32,080 Speaker 1: these people it's it's love, like they're not disrespecting you. 694 00:33:32,280 --> 00:33:33,840 Speaker 1: You know what I'm saying. Like, if I see mister T, 695 00:33:34,000 --> 00:33:36,760 Speaker 1: that's mister T. That's always mister I don't even know 696 00:33:36,840 --> 00:33:39,480 Speaker 1: it's a real nameless But why do you know Zach's 697 00:33:39,520 --> 00:33:41,920 Speaker 1: real name? You know, he was on NYPD Blue and stuff, 698 00:33:41,920 --> 00:33:43,880 Speaker 1: so I know who he is. But when I see him, 699 00:33:44,560 --> 00:33:48,320 Speaker 1: I'm like, you know, that's Zach Morris. What can I do? 700 00:33:48,760 --> 00:33:51,080 Speaker 1: I'm saying, So you know, it is what it is. 701 00:33:51,200 --> 00:33:53,960 Speaker 1: You still consider yourself an activist to your core. Absolutely 702 00:33:54,600 --> 00:33:57,440 Speaker 1: everything that I do. I can tell about your Wafflehouse response. Yeah, 703 00:33:59,360 --> 00:34:02,360 Speaker 1: not everything that I do. You know, it's not all 704 00:34:02,440 --> 00:34:04,560 Speaker 1: of this is not just for me and the proceeds 705 00:34:04,600 --> 00:34:07,520 Speaker 1: from your album. You're even donating. Some of the proceeds 706 00:34:07,600 --> 00:34:10,879 Speaker 1: of the tour are going to Black Ages Institute, Black 707 00:34:10,920 --> 00:34:14,960 Speaker 1: AGEIDS and Flint Kids, and some stops are even going 708 00:34:15,040 --> 00:34:18,160 Speaker 1: to HRC. So it's just about you know, I've been 709 00:34:18,239 --> 00:34:22,000 Speaker 1: so blessed. I've been so blessed, and I just think that, 710 00:34:22,719 --> 00:34:25,279 Speaker 1: you know, it doesn't stop here and the work doesn't stop. 711 00:34:25,360 --> 00:34:27,400 Speaker 1: If I'm only able to take care of myself and 712 00:34:27,440 --> 00:34:31,200 Speaker 1: I'm only able to take care of like my blood relatives, 713 00:34:31,360 --> 00:34:34,919 Speaker 1: then or what happens after, like what's my legacy something else? 714 00:34:35,160 --> 00:34:38,560 Speaker 1: And I don't need to I don't need to get 715 00:34:38,640 --> 00:34:41,520 Speaker 1: on Instagram or Twitter and announce every time that. That's 716 00:34:41,560 --> 00:34:44,719 Speaker 1: why I will do it silently because it's not. It's 717 00:34:44,800 --> 00:34:47,200 Speaker 1: not something that's done for show. Is something that's done 718 00:34:47,280 --> 00:34:49,640 Speaker 1: because it comes from my heart. And I really genuinely 719 00:34:49,680 --> 00:34:51,879 Speaker 1: mean that, Like I can't just sit by and watch 720 00:34:52,040 --> 00:34:57,600 Speaker 1: bulls happen and not do something, especially with the platform. 721 00:34:57,640 --> 00:35:00,800 Speaker 1: I've been given a very specific platform to represent a 722 00:35:00,920 --> 00:35:03,880 Speaker 1: lot of different groups of people that I represent in 723 00:35:03,960 --> 00:35:06,759 Speaker 1: real life. So for that, I'm not trying to take 724 00:35:06,840 --> 00:35:09,719 Speaker 1: that for granted or take that lightly and just be like, well, 725 00:35:10,560 --> 00:35:13,160 Speaker 1: I got a nice car, I got my mama house. 726 00:35:13,400 --> 00:35:16,080 Speaker 1: Who gives about you? That's not the way that the world. 727 00:35:16,120 --> 00:35:19,560 Speaker 1: My mother, my mother, like we grew up with Angela Davis. 728 00:35:19,800 --> 00:35:21,359 Speaker 1: You know what I'm saying. My mother that was one 729 00:35:21,400 --> 00:35:23,640 Speaker 1: of her friends and mentors. You know what I'm saying. 730 00:35:23,760 --> 00:35:25,719 Speaker 1: Growing up when she was in the Bay Area, she 731 00:35:26,239 --> 00:35:29,040 Speaker 1: marched with Bobby Seals, she marched with Huughey Newton. That's 732 00:35:29,080 --> 00:35:31,600 Speaker 1: who she is, who she was, who she is, and 733 00:35:32,920 --> 00:35:35,239 Speaker 1: I lead with my blackness, you know what I'm saying. 734 00:35:35,280 --> 00:35:37,719 Speaker 1: And for that, I can't sit by and watch what's 735 00:35:37,760 --> 00:35:41,560 Speaker 1: happening that hasn't just suddenly half started happening. It's been 736 00:35:41,640 --> 00:35:45,000 Speaker 1: happening and just act like everything is fine because I'm 737 00:35:45,040 --> 00:35:47,239 Speaker 1: on a Fox show. How did you get into acting? Like, 738 00:35:47,280 --> 00:35:48,719 Speaker 1: what was the first thing that got you? When you 739 00:35:48,760 --> 00:35:50,399 Speaker 1: got a lot of brothers and sisters? So what made 740 00:35:50,440 --> 00:35:51,640 Speaker 1: you say, all right, this is what I want to 741 00:35:51,680 --> 00:35:54,799 Speaker 1: do and a talented family, thank you. When I was little, 742 00:35:54,880 --> 00:35:56,080 Speaker 1: they used to ask me what I wanted to be, 743 00:35:56,160 --> 00:36:01,360 Speaker 1: and I said, Kermit the Frog on Michael Jackson, Michael Michael, Yeah, Kermit, 744 00:36:01,680 --> 00:36:08,040 Speaker 1: Because if Kermit was the Kermit like muppets take Manhattan, 745 00:36:08,680 --> 00:36:11,560 Speaker 1: Kermit like he was the leader of his pack. He 746 00:36:11,760 --> 00:36:15,400 Speaker 1: was nice, everybody liked him. He's sang, he danced, he 747 00:36:15,520 --> 00:36:18,880 Speaker 1: had a heart. You know, he was sensitive. Um he 748 00:36:19,000 --> 00:36:24,920 Speaker 1: SIPs tea. Um. You know, well now he does, you know, 749 00:36:25,080 --> 00:36:28,080 Speaker 1: So it was just I just I love entertainers, and 750 00:36:28,160 --> 00:36:31,120 Speaker 1: I love entertainment, you know, And I feel like I 751 00:36:31,239 --> 00:36:33,600 Speaker 1: found out very early on that I could make people happy. 752 00:36:34,280 --> 00:36:36,120 Speaker 1: I think it also came from like the attention that 753 00:36:36,160 --> 00:36:37,720 Speaker 1: I would get as a kid when I would perform. 754 00:36:37,880 --> 00:36:39,800 Speaker 1: But I also but I think that you kind of 755 00:36:39,840 --> 00:36:43,120 Speaker 1: figure out what your gifts are when you're very young. 756 00:36:43,360 --> 00:36:45,879 Speaker 1: You kind of know what your gifts are. And there's 757 00:36:45,920 --> 00:36:47,360 Speaker 1: never been a time that I ever wanted to do 758 00:36:47,640 --> 00:36:50,200 Speaker 1: anything else. There's never been a time. And I've worked 759 00:36:50,239 --> 00:36:56,239 Speaker 1: every job you could imagine, um real jobs. I've been 760 00:36:56,280 --> 00:37:00,640 Speaker 1: a waiter, I've been a clown at children's parties literally literally, 761 00:37:01,080 --> 00:37:03,160 Speaker 1: and I used to write songs for these little kids. 762 00:37:03,200 --> 00:37:04,640 Speaker 1: They would think that it was original and I was 763 00:37:04,680 --> 00:37:08,920 Speaker 1: just switching them lit names and putting it in. But 764 00:37:10,440 --> 00:37:13,520 Speaker 1: but I was. I worked in retail, I did. I 765 00:37:13,600 --> 00:37:16,000 Speaker 1: worked at a nonprofit named Artist for New South Africa, 766 00:37:16,360 --> 00:37:19,200 Speaker 1: where I raised money for children infected and affected by 767 00:37:19,320 --> 00:37:22,719 Speaker 1: HIV eights in South Africa and in the States. I've 768 00:37:22,800 --> 00:37:25,879 Speaker 1: just been working. There's I have not been unemployed since 769 00:37:25,920 --> 00:37:28,080 Speaker 1: I was four years old, so it's like my whole 770 00:37:28,160 --> 00:37:31,640 Speaker 1: thing was being It's fine to be a struggling artist. 771 00:37:31,800 --> 00:37:34,160 Speaker 1: But I never wanted to be a broke ass artist 772 00:37:34,239 --> 00:37:37,040 Speaker 1: that that couldn't take care of himself. And we just 773 00:37:37,120 --> 00:37:39,439 Speaker 1: shown all the broke ass artists. Nah. I mean, here's 774 00:37:39,480 --> 00:37:41,960 Speaker 1: the thing, don't get me wrong. I was broke as hell. 775 00:37:42,040 --> 00:37:44,240 Speaker 1: Like that moment where you got to you got seventeen 776 00:37:44,280 --> 00:37:46,400 Speaker 1: dollars in your account, you gotta find three to depositis 777 00:37:46,440 --> 00:37:49,080 Speaker 1: so you could take a twenty out. I was there absolutely, 778 00:37:49,200 --> 00:37:51,759 Speaker 1: Like this time five years ago, I was there, but 779 00:37:51,880 --> 00:37:54,560 Speaker 1: I still was supporting myself. I never asked. I've never 780 00:37:54,640 --> 00:37:57,080 Speaker 1: asked anybody for money. I borrowed. I think I borrowed 781 00:37:57,080 --> 00:37:59,279 Speaker 1: sixty dollars from my older brother one time in my life, 782 00:37:59,760 --> 00:38:02,799 Speaker 1: and I just there's nothing wrong with borrowing. There's nothing 783 00:38:02,880 --> 00:38:04,600 Speaker 1: wrong with having people be there for you, because I 784 00:38:04,680 --> 00:38:07,839 Speaker 1: have an incredible support system. But it's about making sure 785 00:38:07,880 --> 00:38:09,960 Speaker 1: that you're holding down your own life, and that's what 786 00:38:10,120 --> 00:38:12,719 Speaker 1: I've always been taught to do. Give me that Kermit 787 00:38:12,800 --> 00:38:15,400 Speaker 1: the Frog impersonation. I know you, come on, I know you, 788 00:38:15,840 --> 00:38:19,880 Speaker 1: I know you got do a strong Michael impression. This 789 00:38:20,080 --> 00:38:22,399 Speaker 1: is it, you, guys, this is it. I don't want 790 00:38:22,400 --> 00:38:24,719 Speaker 1: to hear more about this Angela David's connection because somebody 791 00:38:24,719 --> 00:38:26,840 Speaker 1: asked me yesterday it was like, who is somebody you 792 00:38:26,920 --> 00:38:29,040 Speaker 1: really want to interview? And I said, Angela Davis and 793 00:38:29,120 --> 00:38:33,000 Speaker 1: Judy Bloom. Oh so you actually used to kick it. Yeah, 794 00:38:33,040 --> 00:38:35,840 Speaker 1: I mean still to this day. Like she's just she's 795 00:38:36,040 --> 00:38:38,880 Speaker 1: she's amazing, she's she's got such a heart, and she 796 00:38:39,760 --> 00:38:42,439 Speaker 1: she's the epitome of people trying to take her down 797 00:38:42,800 --> 00:38:45,680 Speaker 1: simply for speaking what is true, you know what I'm saying, 798 00:38:45,719 --> 00:38:47,560 Speaker 1: Like what Reagan did to her and the eight when 799 00:38:47,600 --> 00:38:50,120 Speaker 1: he was governor of California in the seventies. It is 800 00:38:50,120 --> 00:38:52,200 Speaker 1: just like we see all of that and it's just 801 00:38:52,560 --> 00:38:54,520 Speaker 1: it's a cycle that feeds itself, and we're seeing it 802 00:38:54,600 --> 00:38:57,680 Speaker 1: come back around. And she's still around, still talking, still speaking, 803 00:38:57,760 --> 00:39:00,640 Speaker 1: still teaching. Yeah, well, I wonder why her presence is bigger, 804 00:39:01,239 --> 00:39:02,880 Speaker 1: you know what I'm saying. It's almost like the media 805 00:39:02,920 --> 00:39:05,080 Speaker 1: stays away from her own purpose. But I think though 806 00:39:05,200 --> 00:39:08,600 Speaker 1: that the media probably has always stayed away because she's 807 00:39:08,640 --> 00:39:11,319 Speaker 1: a powerful voice. But we haven't stayed away from her. 808 00:39:11,400 --> 00:39:14,360 Speaker 1: We know who she is, you know what. Sometimes this 809 00:39:14,520 --> 00:39:17,919 Speaker 1: is my take on it. Sometimes we don't need all 810 00:39:17,960 --> 00:39:20,200 Speaker 1: of our voices in the media. We need to be 811 00:39:20,280 --> 00:39:23,400 Speaker 1: able to hear them underground. Sometimes sometimes we need to 812 00:39:23,480 --> 00:39:25,799 Speaker 1: hear them speaking the truth so that people can't get 813 00:39:25,880 --> 00:39:27,680 Speaker 1: to their words, you know what I'm saying, So that 814 00:39:27,800 --> 00:39:30,120 Speaker 1: we know, we know how to tap into their words. 815 00:39:30,320 --> 00:39:32,440 Speaker 1: But maybe they don't need it. They don't need that, 816 00:39:32,600 --> 00:39:34,719 Speaker 1: They don't need our treasure all the time. All right, 817 00:39:34,760 --> 00:39:36,600 Speaker 1: we got more with Jesse Smullett. When we come back, 818 00:39:36,640 --> 00:39:39,320 Speaker 1: don't move. It's the breakfast Club, good morning putting. Everybody 819 00:39:39,480 --> 00:39:43,080 Speaker 1: is DJ Envy Angela Yee. Charlomagne, the guy we all 820 00:39:43,160 --> 00:39:47,040 Speaker 1: the breakfast club we have from Empire, Jesse Smollett in 821 00:39:47,080 --> 00:39:49,680 Speaker 1: the building, Charlomagne. When Jennifer Lewis was saying, I was like, 822 00:39:49,719 --> 00:39:51,680 Speaker 1: do you think that sometimes I love it too? You 823 00:39:51,760 --> 00:39:54,400 Speaker 1: think sometimes we as black people tell our plans too 824 00:39:54,520 --> 00:39:57,759 Speaker 1: much in public? Yes, that's what we thought. I mean. 825 00:39:57,800 --> 00:39:59,919 Speaker 1: And it's a difficult thing. It's a difficult thing because 826 00:40:00,000 --> 00:40:01,680 Speaker 1: you want to reach the masses you want to reach, 827 00:40:04,200 --> 00:40:06,240 Speaker 1: You want to reach you know, our black and brown 828 00:40:06,400 --> 00:40:08,520 Speaker 1: sisters and brothers like you want us all to be 829 00:40:08,640 --> 00:40:10,960 Speaker 1: able to speak. But at the same time it is 830 00:40:11,080 --> 00:40:14,919 Speaker 1: difficult because somehow what you say can be manipulated through 831 00:40:14,960 --> 00:40:17,840 Speaker 1: the media many times and kind of water down. And 832 00:40:18,280 --> 00:40:21,960 Speaker 1: you know, I've said so many things in interviews, and 833 00:40:22,040 --> 00:40:24,520 Speaker 1: then I read the article and I'm like, so out 834 00:40:24,560 --> 00:40:27,279 Speaker 1: of everything that I said. Y'all chose to make that 835 00:40:27,480 --> 00:40:30,759 Speaker 1: the headline, and y'all chose to y'all chose to cut 836 00:40:30,840 --> 00:40:33,160 Speaker 1: out that. A lot of the media would like to 837 00:40:33,320 --> 00:40:35,920 Speaker 1: continue to talk about the fact that I'm gay versus 838 00:40:35,960 --> 00:40:38,040 Speaker 1: talking about the fact that I'm black, you know what 839 00:40:38,120 --> 00:40:41,360 Speaker 1: I'm saying, because it's easier. It's a for them, certain 840 00:40:41,600 --> 00:40:46,000 Speaker 1: especially for white media. It's nicer to talk about that 841 00:40:46,760 --> 00:40:49,719 Speaker 1: versus talking about the fact that I'm gay, and I 842 00:40:49,880 --> 00:40:52,560 Speaker 1: leave with my blackness. Y'all don't talk about that. You 843 00:40:52,719 --> 00:40:54,720 Speaker 1: don't talk about that. Y'all just want to talk about 844 00:40:54,800 --> 00:40:58,040 Speaker 1: what is safe because you've seen it on Empire. I 845 00:40:58,160 --> 00:40:59,680 Speaker 1: like how you said you lead with your your your 846 00:40:59,719 --> 00:41:02,600 Speaker 1: black because I always wonder about that, like which I 847 00:41:02,640 --> 00:41:06,080 Speaker 1: don't which struggle is more important. I don't know. That's 848 00:41:06,120 --> 00:41:07,600 Speaker 1: a good question. I don't know how to how to 849 00:41:07,719 --> 00:41:09,960 Speaker 1: even answer that. I don't. I don't because not the 850 00:41:10,040 --> 00:41:13,800 Speaker 1: one is more important. But at the same time, I 851 00:41:13,880 --> 00:41:16,319 Speaker 1: guess it's maybe it's because you can hide the fact 852 00:41:16,360 --> 00:41:18,279 Speaker 1: that you're exactly Maybe that's what it is. When you 853 00:41:18,320 --> 00:41:20,320 Speaker 1: say blackness, you kind of ain't got no choge. I 854 00:41:20,320 --> 00:41:22,640 Speaker 1: ain't got no choice, know what I'm saying. Like I've 855 00:41:22,719 --> 00:41:26,360 Speaker 1: never been I've never been pulled over by a cop. 856 00:41:26,840 --> 00:41:29,480 Speaker 1: I don't think because I'm gay, Now that would be 857 00:41:29,520 --> 00:41:31,400 Speaker 1: a you know what I'm saying, we need to direct 858 00:41:31,480 --> 00:41:36,160 Speaker 1: that filming. What did that even look like? And I 859 00:41:36,239 --> 00:41:38,680 Speaker 1: don't want to minimize what it is to be like 860 00:41:38,800 --> 00:41:42,680 Speaker 1: the struggle that that the LGBTQ community goes through, because 861 00:41:42,719 --> 00:41:45,840 Speaker 1: I'm a part of that struggle of that community and proudly, 862 00:41:45,960 --> 00:41:47,759 Speaker 1: you know what I'm saying, But it is a thing 863 00:41:47,960 --> 00:41:51,920 Speaker 1: of somehow on paper. And I've said this. I said this. 864 00:41:52,000 --> 00:41:53,919 Speaker 1: I spoke at the GLAD Awards and people were looking 865 00:41:53,960 --> 00:41:58,000 Speaker 1: at me like, please shut up, because I said, after 866 00:41:58,160 --> 00:42:00,600 Speaker 1: marriage equality, after you know it got past it, you 867 00:42:00,640 --> 00:42:03,840 Speaker 1: know everybody could get married. Damn Well, now on paper, 868 00:42:04,320 --> 00:42:08,320 Speaker 1: white gay men are officially free on paper. What do 869 00:42:08,360 --> 00:42:10,960 Speaker 1: you mean, white game in a free on paper? They 870 00:42:11,000 --> 00:42:14,640 Speaker 1: are free as soon as they got the okay to 871 00:42:14,880 --> 00:42:19,400 Speaker 1: get married on paper. Basically everything that they were wanting 872 00:42:20,000 --> 00:42:23,359 Speaker 1: came true. But as a black gay man. You're still 873 00:42:23,400 --> 00:42:26,920 Speaker 1: sitting out here like we're still being shot. I'm still black, 874 00:42:27,400 --> 00:42:30,440 Speaker 1: Like we're still being killed, We're still having you know, 875 00:42:30,840 --> 00:42:33,480 Speaker 1: we're still having this happen to us. So whether I 876 00:42:34,400 --> 00:42:37,160 Speaker 1: am gay or not, I'm still a black man and 877 00:42:37,280 --> 00:42:40,200 Speaker 1: that's happening. You know. One liberty off which is the 878 00:42:40,239 --> 00:42:43,000 Speaker 1: marriage quality, which is so important, which is so important, Like, 879 00:42:43,080 --> 00:42:46,400 Speaker 1: let's make that clear. That's so important. And I'm not again, 880 00:42:46,440 --> 00:42:50,160 Speaker 1: I'm not minimizing the importance of that struggle, because again 881 00:42:50,200 --> 00:42:51,920 Speaker 1: I'm a part of that struggle. But I'm a part 882 00:42:51,960 --> 00:42:54,399 Speaker 1: of so many struggles. You know what I'm saying, It's 883 00:42:54,440 --> 00:42:57,080 Speaker 1: not just one. What do you think the biggest impact 884 00:42:57,200 --> 00:43:01,040 Speaker 1: your character, Jamal has had on the whole America and 885 00:43:01,360 --> 00:43:03,719 Speaker 1: as far as the perception of the LGBT community, I 886 00:43:03,760 --> 00:43:07,840 Speaker 1: would like to believe that it just gave a different voice. 887 00:43:08,520 --> 00:43:11,280 Speaker 1: You know what I'm saying, that it somewhat showed Because 888 00:43:11,360 --> 00:43:13,800 Speaker 1: we're on television. It's not a movie, it's not a 889 00:43:13,880 --> 00:43:15,960 Speaker 1: reality show. It's nothing like that. We're able to have 890 00:43:16,080 --> 00:43:19,400 Speaker 1: more time, We're able to go deeper into a character's 891 00:43:19,840 --> 00:43:22,040 Speaker 1: what a character goes through. You're able to you know, 892 00:43:22,360 --> 00:43:26,080 Speaker 1: maybe learn and appreciate that actor who plays him. You 893 00:43:26,120 --> 00:43:28,200 Speaker 1: know what I'm saying, and what I've gone through, and 894 00:43:28,400 --> 00:43:31,360 Speaker 1: somehow it's I hate to say the word normalized, but 895 00:43:31,480 --> 00:43:36,319 Speaker 1: somehow it's normalized. It's help it's helped normalize who we are. 896 00:43:36,760 --> 00:43:40,040 Speaker 1: That it's not some like let's look at a monkey 897 00:43:40,080 --> 00:43:42,480 Speaker 1: in the zoo type of thing. Let's look at the 898 00:43:42,680 --> 00:43:46,040 Speaker 1: gays live their life, you know what I'm saying. You know, still, 899 00:43:46,120 --> 00:43:49,160 Speaker 1: even five seasons later, we still always remember that first season, 900 00:43:49,760 --> 00:43:52,239 Speaker 1: you know, when Lucius through Jamal and the garbage and 901 00:43:52,480 --> 00:43:54,920 Speaker 1: all of that, that still is something that you know, 902 00:43:55,080 --> 00:43:58,520 Speaker 1: and Lee Daniel talks about his own personal experiences just 903 00:43:58,680 --> 00:44:00,640 Speaker 1: to help people. How can you do that to a child? 904 00:44:00,760 --> 00:44:02,560 Speaker 1: And I think that the best way to get to 905 00:44:02,680 --> 00:44:05,560 Speaker 1: someone is usually through their heart, you know what I'm saying. 906 00:44:05,640 --> 00:44:08,640 Speaker 1: And that's the good thing. We could say what we want. Look, 907 00:44:08,719 --> 00:44:11,320 Speaker 1: we know half a season two of Empire can sucked, 908 00:44:12,080 --> 00:44:14,719 Speaker 1: you know what I'm saying. We know that ship. He's like, wait, 909 00:44:14,800 --> 00:44:21,359 Speaker 1: I was on season but as but at the same time, 910 00:44:21,520 --> 00:44:27,080 Speaker 1: at the same he's like, wait then when the girl 911 00:44:27,120 --> 00:44:28,880 Speaker 1: got killed at the end of the White Girl. That 912 00:44:29,440 --> 00:44:31,200 Speaker 1: was a season that was the beginning of season three. 913 00:44:31,200 --> 00:44:33,239 Speaker 1: Season three weeks back on the end of season two 914 00:44:33,320 --> 00:44:35,279 Speaker 1: got really good. The first couple of episodes of season 915 00:44:35,400 --> 00:44:38,839 Speaker 1: two we kind of started slipping. He started slipping um. 916 00:44:39,040 --> 00:44:44,879 Speaker 1: But oh yeah. I think that the good thing about 917 00:44:44,960 --> 00:44:47,520 Speaker 1: Empire's Empire is able to hold a mirror. Like we're 918 00:44:47,560 --> 00:44:49,520 Speaker 1: not preaching or anything like that. It's not an after 919 00:44:49,600 --> 00:44:52,000 Speaker 1: school special. We're holding a mirror up to people and 920 00:44:52,080 --> 00:44:55,040 Speaker 1: we're saying, yo, just look at yourself, look at yourself. 921 00:44:55,200 --> 00:44:58,800 Speaker 1: Are you lucious? Are you Cookie? Are you Jamal? You Andre? 922 00:44:58,960 --> 00:45:03,000 Speaker 1: Or you? Who are you in this? Addressing mental illness? Absolutely, 923 00:45:03,520 --> 00:45:08,000 Speaker 1: We've We've addressed mental illness. We've addressed homosexuality, we've addressed 924 00:45:08,360 --> 00:45:12,799 Speaker 1: sexual fluidity, We've we've addressed you know, incarceration, mass incarceration, 925 00:45:12,840 --> 00:45:15,600 Speaker 1: what incarceration does to a family. We've addressed all of 926 00:45:15,640 --> 00:45:17,800 Speaker 1: these things. And I think that in many ways, because 927 00:45:17,840 --> 00:45:23,040 Speaker 1: the Empire became such a huge phenomenon that somehow it 928 00:45:23,280 --> 00:45:27,239 Speaker 1: waters down the message and somehow people forget all of 929 00:45:27,320 --> 00:45:31,080 Speaker 1: the incredible messages that are in the show. And because 930 00:45:31,120 --> 00:45:33,640 Speaker 1: it's so successful, you know, you always want to turn 931 00:45:33,760 --> 00:45:36,040 Speaker 1: on something that is extremely successful. You want to be 932 00:45:36,120 --> 00:45:38,440 Speaker 1: like Nah, man, I ain't down with that, you know 933 00:45:38,440 --> 00:45:41,719 Speaker 1: what I'm saying. But it's you know, look deeper. You 934 00:45:41,760 --> 00:45:43,680 Speaker 1: know what I want to ask. You know, how did 935 00:45:43,719 --> 00:45:45,920 Speaker 1: your family deal with with when they found out that 936 00:45:45,960 --> 00:45:47,839 Speaker 1: you were gay. I get a lot of emails all 937 00:45:47,840 --> 00:45:49,759 Speaker 1: the time where it says, yeah, my son wants to 938 00:45:49,760 --> 00:45:51,200 Speaker 1: play with a doll, I don't put the doll down, 939 00:45:51,239 --> 00:45:53,680 Speaker 1: play with Gi Joels, you know, and all my technically 940 00:45:53,760 --> 00:45:55,920 Speaker 1: gioels a dog. Yeah, but you know what I mean, 941 00:45:56,120 --> 00:45:58,560 Speaker 1: Bobby don't or you know, my son wants to wear 942 00:45:58,719 --> 00:46:01,279 Speaker 1: addressed because he sees his mom wearing one, wants to 943 00:46:01,320 --> 00:46:04,160 Speaker 1: win shoes, not to put it down thug wearing. But 944 00:46:04,280 --> 00:46:06,400 Speaker 1: I think that we as a society, they'll put too 945 00:46:06,520 --> 00:46:10,839 Speaker 1: much on sex. I mean, your son might be playing 946 00:46:10,880 --> 00:46:12,640 Speaker 1: with a doll because he's going to grow up and 947 00:46:12,719 --> 00:46:15,359 Speaker 1: be one of the most incredible designers on the face 948 00:46:15,400 --> 00:46:17,960 Speaker 1: of the planet. That doesn't make him gay. Let him 949 00:46:18,040 --> 00:46:23,839 Speaker 1: figure out his shupposed to be. And it's this, it's 950 00:46:23,880 --> 00:46:26,920 Speaker 1: this toxic masculinity. That's why I love the movie Moonlight. 951 00:46:27,120 --> 00:46:30,319 Speaker 1: It wasn't about sexuality. It was about masculinity and all 952 00:46:30,360 --> 00:46:32,560 Speaker 1: of the rules that are put on boys from the 953 00:46:32,680 --> 00:46:34,920 Speaker 1: second that they're born. You know what I'm saying, Like, 954 00:46:35,280 --> 00:46:39,280 Speaker 1: men don't grow up wanting to be homophobic. We're taught 955 00:46:39,360 --> 00:46:43,239 Speaker 1: somehow that homophobia is the way to prove that you're 956 00:46:43,360 --> 00:46:47,960 Speaker 1: not that way, and in actuality, a true person that's 957 00:46:47,960 --> 00:46:51,000 Speaker 1: truly secure as a man and truly secure in his sexuality, 958 00:46:51,080 --> 00:46:54,400 Speaker 1: whatever that may be. It's too busy worrying about his 959 00:46:54,520 --> 00:46:58,200 Speaker 1: own and worrying about who he's loving on to be 960 00:46:58,280 --> 00:47:01,040 Speaker 1: worried about who I ain't. We just ain't. Never seen 961 00:47:01,200 --> 00:47:03,279 Speaker 1: enough gay man whipping somebody ass. When you see a 962 00:47:03,320 --> 00:47:11,279 Speaker 1: gay man whip somebody else, he shot that down his boyfriend. 963 00:47:11,960 --> 00:47:16,920 Speaker 1: I mean, Jamal is the gay Tupac. But don't forget 964 00:47:17,000 --> 00:47:21,759 Speaker 1: on the Michael Kay Williams character. Yeah, Yo, but let's 965 00:47:21,840 --> 00:47:25,920 Speaker 1: not sleep on the wire. To me, the wire is 966 00:47:26,000 --> 00:47:28,920 Speaker 1: what There would be no Jamal Lion if it was 967 00:47:29,080 --> 00:47:31,920 Speaker 1: not for Michael Kay Williams and and the wire. They 968 00:47:32,040 --> 00:47:36,000 Speaker 1: made it easier for us to get on network television. 969 00:47:36,440 --> 00:47:38,560 Speaker 1: They were on cable. They made it easier and they 970 00:47:38,600 --> 00:47:40,719 Speaker 1: softened the blow for us to be able to put someone. 971 00:47:42,160 --> 00:47:44,359 Speaker 1: He just happened to It just happened to be that way, 972 00:47:44,480 --> 00:47:47,120 Speaker 1: and it wasn't any It was what it was. It 973 00:47:47,280 --> 00:47:48,920 Speaker 1: wasn't something that even needs to need it to be 974 00:47:49,080 --> 00:47:52,000 Speaker 1: overly discussed. It was what it was, you know, the 975 00:47:52,520 --> 00:47:55,160 Speaker 1: sole superior man. No should read it. It's a good 976 00:47:55,440 --> 00:47:56,800 Speaker 1: and I think all guys should read it. But it 977 00:47:56,880 --> 00:48:01,000 Speaker 1: just talks talks about tapping into your female divinity. I 978 00:48:01,080 --> 00:48:05,160 Speaker 1: don't have no more female divinity than you do, you 979 00:48:05,200 --> 00:48:07,400 Speaker 1: know what I'm saying, Like, yeah, exactly, you know what 980 00:48:07,480 --> 00:48:10,640 Speaker 1: I'm saying. So it's about it's just about these roles. 981 00:48:10,840 --> 00:48:14,680 Speaker 1: We've come up with all of these bullsh roles that 982 00:48:14,920 --> 00:48:19,000 Speaker 1: don't really exist. We've literally there man made roles that 983 00:48:19,200 --> 00:48:21,200 Speaker 1: do not exist. That's why it's always funny to me 984 00:48:21,280 --> 00:48:23,880 Speaker 1: when people ask me, like, I'm like a relationship that 985 00:48:24,000 --> 00:48:25,960 Speaker 1: I might be, and they'd be like, so, who's the man? 986 00:48:26,000 --> 00:48:28,320 Speaker 1: Who's the woman? I'm like, this is the stupidest question 987 00:48:28,400 --> 00:48:30,520 Speaker 1: I've ever heard. Who's the top of the bottom of 988 00:48:31,200 --> 00:48:42,160 Speaker 1: my God, who's the top of the bottom in your relationship? Bottom? 989 00:48:47,840 --> 00:48:54,279 Speaker 1: He's a verse bottom. Well, we appreciate you for joining us. 990 00:48:54,880 --> 00:48:57,719 Speaker 1: Can you tell to Roger? We said congratulations, definitely. Will 991 00:48:58,040 --> 00:49:00,440 Speaker 1: I just saw her last night yesterday, and the ring 992 00:49:00,560 --> 00:49:03,120 Speaker 1: is beautiful. She's glowing. Man. It's just so nice too 993 00:49:03,960 --> 00:49:06,480 Speaker 1: to see somebody that's able to hold her heart in 994 00:49:06,560 --> 00:49:08,680 Speaker 1: the right way. We got to see. We appreciate you 995 00:49:08,719 --> 00:49:11,920 Speaker 1: appreciate and you can come by anytime. Thank you, alright, 996 00:49:12,120 --> 00:49:15,719 Speaker 1: Jesse smallt congratulation. Thank you. You don't have some of 997 00:49:15,840 --> 00:49:26,160 Speaker 1: my music tour the Breakfast Club. This is the Rumor 998 00:49:26,200 --> 00:49:31,240 Speaker 1: Report with Angela Yee on the Breakfast Club. So Angie 999 00:49:31,320 --> 00:49:34,320 Speaker 1: Martinez has a full interview with Jay Coole that's about 1000 00:49:34,320 --> 00:49:37,000 Speaker 1: to drop, but in the meantime, she's given us some teasers, 1001 00:49:37,680 --> 00:49:40,719 Speaker 1: all right, And one thing that Jay Coole talked about 1002 00:49:40,960 --> 00:49:44,200 Speaker 1: was Kanye West. Now, he talked about the conversation that 1003 00:49:44,360 --> 00:49:46,560 Speaker 1: he had with Kanye, and here's what he said. Yeah, 1004 00:49:46,600 --> 00:49:48,640 Speaker 1: I talked to Yeah, did you not know that picture 1005 00:49:48,760 --> 00:49:50,600 Speaker 1: was going up? Of course not yeah, no, no where 1006 00:49:50,719 --> 00:49:52,480 Speaker 1: did you make the goal or he made the coal? No, 1007 00:49:52,640 --> 00:49:55,360 Speaker 1: he called me. But I would have never posted that 1008 00:49:55,520 --> 00:49:57,279 Speaker 1: or like tell him to post that, you know what 1009 00:49:57,280 --> 00:49:59,160 Speaker 1: I mean, I didn't. That made me feel a certain 1010 00:49:59,160 --> 00:50:01,040 Speaker 1: type of way. I told him that he apologized for 1011 00:50:01,080 --> 00:50:03,040 Speaker 1: the Record's not like I'm just saying this right, but 1012 00:50:03,160 --> 00:50:05,279 Speaker 1: then I told him, like it felt like you felt 1013 00:50:05,280 --> 00:50:07,839 Speaker 1: like you just used my name in that very quick 1014 00:50:07,920 --> 00:50:11,239 Speaker 1: conversation for social media and for like to keep your 1015 00:50:11,320 --> 00:50:13,520 Speaker 1: thing going whatever you were doing, you know what I mean, 1016 00:50:13,600 --> 00:50:15,759 Speaker 1: And like, you know, I just felt like it wasn't 1017 00:50:15,800 --> 00:50:19,080 Speaker 1: sincere because of that. Well I will I told y'all 1018 00:50:19,080 --> 00:50:21,719 Speaker 1: before that, Kanye says he feels like Jay Cole is 1019 00:50:21,760 --> 00:50:25,120 Speaker 1: always dissing him. Actually that they were having a conversation 1020 00:50:25,480 --> 00:50:27,640 Speaker 1: We got love and he posted that, Yeah, we actually 1021 00:50:27,680 --> 00:50:29,880 Speaker 1: had a conversation about Jay Cole in our interview. That 1022 00:50:30,040 --> 00:50:31,640 Speaker 1: was when he told me he feel like Jay Cole's 1023 00:50:31,640 --> 00:50:33,560 Speaker 1: always dissing him, But he took that part out. He 1024 00:50:33,640 --> 00:50:37,440 Speaker 1: had it to that really okay, okay, all right, And 1025 00:50:37,880 --> 00:50:42,439 Speaker 1: here is Jay Coole talking about more conversations with Kanye West. 1026 00:50:42,480 --> 00:50:44,919 Speaker 1: Here's what he said. I don't like talking about other people. 1027 00:50:45,120 --> 00:50:48,600 Speaker 1: I feel hesitant to make it a go in for 1028 00:50:48,719 --> 00:50:52,239 Speaker 1: the public. Yeah, so I tread lightly if possible. But 1029 00:50:52,320 --> 00:50:54,239 Speaker 1: the only reason I would even feel comfortable taking it 1030 00:50:54,280 --> 00:50:56,520 Speaker 1: any distance because like, yo, I didn't even ask you 1031 00:50:56,640 --> 00:50:58,719 Speaker 1: put that out there, and like you put me in this. Yeah. 1032 00:50:58,719 --> 00:51:00,839 Speaker 1: And when he called me, he said, y'all, he was like, man, 1033 00:51:00,880 --> 00:51:03,279 Speaker 1: I need you to hold me accountable, keep me in check, 1034 00:51:03,360 --> 00:51:06,000 Speaker 1: like say whatever you gotta say. I need that. I 1035 00:51:06,120 --> 00:51:09,680 Speaker 1: feed off that, Like are you sure you know what 1036 00:51:09,719 --> 00:51:12,239 Speaker 1: I mean? Because like I see this a certain way. 1037 00:51:13,080 --> 00:51:15,839 Speaker 1: How does he feel uncomfortable talking about other people when 1038 00:51:15,840 --> 00:51:18,399 Speaker 1: he made nineteen eighty five and the other record talking 1039 00:51:18,400 --> 00:51:20,319 Speaker 1: about Walley and Kanye. I think he means on social 1040 00:51:20,360 --> 00:51:23,360 Speaker 1: media he doesn't want to go on social media and 1041 00:51:23,520 --> 00:51:26,800 Speaker 1: do things just for attention. It's how I took it. 1042 00:51:27,239 --> 00:51:30,080 Speaker 1: So it between making a record and talking about somebody 1043 00:51:30,120 --> 00:51:32,880 Speaker 1: and getting attention music his art. He also doesn't do 1044 00:51:32,960 --> 00:51:34,560 Speaker 1: a lot of interviews, and a lot of people will 1045 00:51:34,640 --> 00:51:37,320 Speaker 1: talk about their personal business in their music, but not 1046 00:51:37,480 --> 00:51:40,239 Speaker 1: necessarily tweet about it. Got You, like Jay Z does 1047 00:51:40,280 --> 00:51:42,000 Speaker 1: the same thing. He tells a lot of his stuff 1048 00:51:42,000 --> 00:51:44,319 Speaker 1: in his music, but he's not necessarily going to take 1049 00:51:44,320 --> 00:51:46,880 Speaker 1: it to social media and talk about private conversations, how 1050 00:51:46,960 --> 00:51:49,920 Speaker 1: he feels about people, his relationship and I feel like 1051 00:51:50,000 --> 00:51:51,880 Speaker 1: Jay Cole is kind of the same way. Got You. 1052 00:51:52,360 --> 00:51:55,120 Speaker 1: He expresses himself in that way. Now, another thing that 1053 00:51:55,239 --> 00:51:58,080 Speaker 1: he talked about was Cardi B. If you guys remember 1054 00:51:58,120 --> 00:52:00,399 Speaker 1: Carti B came on The Breakfast Club and she's about 1055 00:52:00,400 --> 00:52:02,839 Speaker 1: the pressure of releasing her debut album. Of course before 1056 00:52:02,840 --> 00:52:05,400 Speaker 1: it came out, youn't have this one record and the 1057 00:52:05,520 --> 00:52:07,120 Speaker 1: next summer you just out here again. You gotta have 1058 00:52:07,160 --> 00:52:09,479 Speaker 1: you gotta keep coming with him. No. I mean, there's 1059 00:52:09,480 --> 00:52:11,040 Speaker 1: the thing A lot of people keep telling me, like 1060 00:52:11,120 --> 00:52:13,839 Speaker 1: Dann why she only put she only performed that song, dude, 1061 00:52:13,880 --> 00:52:16,520 Speaker 1: she only got that one song out, And it's just like, yeah, 1062 00:52:16,560 --> 00:52:18,080 Speaker 1: I know, I just put the song out like three 1063 00:52:18,160 --> 00:52:20,520 Speaker 1: months ago. Like can I just work the record like 1064 00:52:20,680 --> 00:52:22,560 Speaker 1: I got something? But it's like it gotta. Can I 1065 00:52:22,680 --> 00:52:24,879 Speaker 1: just put it out when this record just came out, 1066 00:52:25,120 --> 00:52:26,880 Speaker 1: I got something for you. I'm gonna drop something in 1067 00:52:26,960 --> 00:52:34,400 Speaker 1: October for just damn the album. Just do it the 1068 00:52:34,440 --> 00:52:36,839 Speaker 1: whole back. Yeah, just let it go, let it fly. 1069 00:52:37,680 --> 00:52:40,759 Speaker 1: What Jakole had this to say about Cardi B when 1070 00:52:40,840 --> 00:52:42,440 Speaker 1: you first got back on Twitter. One of the first 1071 00:52:42,480 --> 00:52:44,719 Speaker 1: things you did, like big up Cardi. I hope she 1072 00:52:44,800 --> 00:52:46,560 Speaker 1: received it right, But my point was like she did 1073 00:52:46,719 --> 00:52:48,600 Speaker 1: receive it right. I saw her repost it. Yeah. I 1074 00:52:48,680 --> 00:52:50,320 Speaker 1: talked to her in person too, But you know, I 1075 00:52:50,360 --> 00:52:51,960 Speaker 1: just feel like people give her so much advice. It 1076 00:52:52,040 --> 00:52:53,720 Speaker 1: it's like I didn't know if I was just another 1077 00:52:54,120 --> 00:52:55,480 Speaker 1: you know, I don't know her like that, so it's 1078 00:52:55,480 --> 00:52:58,800 Speaker 1: also like, yo, man, you don't know She also like, 1079 00:52:58,840 --> 00:53:00,520 Speaker 1: who are you to be giving me if But I 1080 00:53:00,600 --> 00:53:03,000 Speaker 1: saw an interview and I just seemed like, damn, they 1081 00:53:03,120 --> 00:53:05,440 Speaker 1: putting mad pressure on this girl to like try to 1082 00:53:05,520 --> 00:53:07,640 Speaker 1: beat herself like she had like the number one song 1083 00:53:07,680 --> 00:53:10,040 Speaker 1: in the country is the biggest song last year. And 1084 00:53:10,120 --> 00:53:12,200 Speaker 1: it's like people were like, well, what's next, what about 1085 00:53:12,239 --> 00:53:14,040 Speaker 1: the album? And it's like I noticed, like the being 1086 00:53:14,120 --> 00:53:16,640 Speaker 1: those shoes. I want to just say something that's like 1087 00:53:16,880 --> 00:53:19,840 Speaker 1: you already won. No, we weren't putting no pressure on that. 1088 00:53:19,920 --> 00:53:21,440 Speaker 1: We were just telling them put the album out. That 1089 00:53:21,520 --> 00:53:23,600 Speaker 1: was the whole point. Doesn't have any pressure, just dropped 1090 00:53:23,600 --> 00:53:26,400 Speaker 1: the album. Was he's saying, we will put pressure pressure. 1091 00:53:27,320 --> 00:53:33,399 Speaker 1: She felt pressure fans, he said the interview that's where 1092 00:53:33,440 --> 00:53:35,200 Speaker 1: she talked about it because he tweeted. The tweet was 1093 00:53:35,600 --> 00:53:37,520 Speaker 1: also Cardi B I've seen your Breakfast Club and if 1094 00:53:37,520 --> 00:53:39,399 Speaker 1: you loved it, don't put all that pressure on your album. 1095 00:53:39,480 --> 00:53:43,759 Speaker 1: You already won. Just dropping repeat. I think it's just 1096 00:53:43,880 --> 00:53:48,319 Speaker 1: me because no, I don't think you think. I don't 1097 00:53:48,320 --> 00:53:50,200 Speaker 1: think he meant the breakfast club. I think he met 1098 00:53:50,239 --> 00:53:54,360 Speaker 1: people that person because I felt the same way. I 1099 00:53:54,400 --> 00:53:56,000 Speaker 1: was just like your CARDI just dropped the album, like, 1100 00:53:56,040 --> 00:53:58,120 Speaker 1: don't worry about topping boat that yellow, just put the album. 1101 00:53:58,120 --> 00:54:00,120 Speaker 1: I put the music out now. Angie also asked, I'm 1102 00:54:00,120 --> 00:54:03,120 Speaker 1: about breaking all these records for streaming and Spotify and 1103 00:54:03,239 --> 00:54:05,839 Speaker 1: all of that, and actually breaking Drake's records. And here's 1104 00:54:05,880 --> 00:54:09,400 Speaker 1: what happened. Billboard Records, Spotify. You broke the Spotify record, 1105 00:54:09,880 --> 00:54:13,040 Speaker 1: sixty four point five million players on Apple Music, you 1106 00:54:13,160 --> 00:54:17,760 Speaker 1: beat Drake's views that held the record before that. Thirty 1107 00:54:17,760 --> 00:54:20,160 Speaker 1: six point six million players on Spotify. He beat out. 1108 00:54:20,280 --> 00:54:23,040 Speaker 1: I guess also Drake more more life. Do you hear 1109 00:54:23,120 --> 00:54:25,680 Speaker 1: from Drake when something like this happens. Yeah, he takes me. 1110 00:54:25,760 --> 00:54:30,359 Speaker 1: He says, I hate you him coming for you. I'm 1111 00:54:30,400 --> 00:54:33,359 Speaker 1: coming from my cray Just wait, na, no, no oh, 1112 00:54:33,440 --> 00:54:35,480 Speaker 1: stop all this beige on beige crime, all this by 1113 00:54:35,600 --> 00:54:37,839 Speaker 1: racial beef. First of all, let's be clear, the fight 1114 00:54:37,920 --> 00:54:39,799 Speaker 1: is fixed anyway, because the Drake album drop, he gonna 1115 00:54:39,800 --> 00:54:42,480 Speaker 1: shat all those records again, I believe, especially on Apple, 1116 00:54:42,560 --> 00:54:45,239 Speaker 1: you know that that fight is fixed. All right. All right, well, 1117 00:54:45,280 --> 00:54:47,399 Speaker 1: I manage Laye and that is your room of report. 1118 00:54:47,440 --> 00:54:49,239 Speaker 1: Shout out to Andrew Martine. I wouldn't say that fight 1119 00:54:49,360 --> 00:54:51,399 Speaker 1: is fixed. Drake puts out that type of great music 1120 00:54:52,000 --> 00:54:54,560 Speaker 1: music God plan was number one for seventeen weeks in 1121 00:54:54,600 --> 00:54:56,520 Speaker 1: a row. That's a great record. Yeah, and so once 1122 00:54:56,560 --> 00:54:59,000 Speaker 1: that gets if that's on the album, that's it's come on, 1123 00:54:59,080 --> 00:55:00,640 Speaker 1: you probably go ten to on flatting him in the 1124 00:55:00,719 --> 00:55:03,720 Speaker 1: first day. And then God's planning gods thrown by Nice exactly. 1125 00:55:03,880 --> 00:55:06,200 Speaker 1: God's plan was nice for what was up number one 1126 00:55:06,200 --> 00:55:08,239 Speaker 1: for how many weeks? Are those great records are not? Yeah? 1127 00:55:08,480 --> 00:55:11,400 Speaker 1: Great record? The fright still fixed? Well, Charlemagne, are you 1128 00:55:11,480 --> 00:55:14,279 Speaker 1: giving your donkey to oh? Am? I giving donkey to 1129 00:55:14,360 --> 00:55:17,320 Speaker 1: day Oh this young lady named Jacqueline. No, this is 1130 00:55:17,360 --> 00:55:19,399 Speaker 1: a good this is a good moment to teach. Okay, 1131 00:55:19,400 --> 00:55:22,400 Speaker 1: we're gonna talk about thirst. Summer is here, all right, 1132 00:55:22,440 --> 00:55:23,960 Speaker 1: so we need to talk about thirst. We need to 1133 00:55:24,000 --> 00:55:27,600 Speaker 1: talk about borderline dehydration. All right. Okay, we'll get into 1134 00:55:27,640 --> 00:55:29,000 Speaker 1: that when we come back. And then you can get 1135 00:55:29,040 --> 00:55:31,240 Speaker 1: on the phones right now for ask Ye eight hundred 1136 00:55:31,320 --> 00:55:33,000 Speaker 1: five eight five one on five one. If you need 1137 00:55:33,080 --> 00:55:35,719 Speaker 1: relationship advice, Ye's here for you. It's the breakfast Club 1138 00:55:35,800 --> 00:55:40,080 Speaker 1: God Morning. I was born to donkey. It's a donkey 1139 00:55:40,400 --> 00:55:57,000 Speaker 1: of the Death's Charmaine Devil Breakfast Club. Yeesh, donkey Today 1140 00:55:57,040 --> 00:55:58,839 Speaker 1: from wed to Day made sixteenth goes to a young 1141 00:55:58,880 --> 00:56:03,960 Speaker 1: woman from Arizona name Jacqueline Ideas. Okay, what stop talking 1142 00:56:04,000 --> 00:56:06,040 Speaker 1: over me, white man. She's thirty one years old and 1143 00:56:06,160 --> 00:56:08,400 Speaker 1: was arrested on suspicion of stalking and harassing a man 1144 00:56:08,480 --> 00:56:10,840 Speaker 1: she met online. Let me tell you something, man, we 1145 00:56:10,920 --> 00:56:12,880 Speaker 1: have all dealt with someone in our lives who just 1146 00:56:13,120 --> 00:56:15,560 Speaker 1: wasn't into us the way we were into them. Okay, 1147 00:56:15,640 --> 00:56:18,560 Speaker 1: it happens. But I was always taught to, you know, 1148 00:56:18,760 --> 00:56:21,520 Speaker 1: never make someone a priority if you only remain that option. Well, 1149 00:56:21,560 --> 00:56:24,319 Speaker 1: Jacqueline didn't get that memo at all. Okay. In fact, 1150 00:56:24,400 --> 00:56:26,839 Speaker 1: Jacqueline is a harsh reminded to tell us that there 1151 00:56:27,000 --> 00:56:29,320 Speaker 1: is levels to thirst. Okay, as humans, we all have 1152 00:56:29,440 --> 00:56:32,279 Speaker 1: a basic instinct when it comes to thirst, all right, 1153 00:56:32,320 --> 00:56:34,960 Speaker 1: and natural craving for fluids. But that's not the level 1154 00:56:35,000 --> 00:56:38,399 Speaker 1: of thirst I'm talking about. I'm talking continuous dehydration. I'm 1155 00:56:38,400 --> 00:56:40,919 Speaker 1: talking a deficit of total body water. I'm talking about 1156 00:56:40,960 --> 00:56:43,839 Speaker 1: the kind of dehydration that happens when free water lass 1157 00:56:43,880 --> 00:56:46,960 Speaker 1: exceeds free water intake. What are the causes of this 1158 00:56:47,120 --> 00:56:51,000 Speaker 1: kind of dehydration will Usually it's due to exercise, disease, 1159 00:56:51,120 --> 00:56:55,319 Speaker 1: high environmental temperatures, but most commonly caused by a new 1160 00:56:55,400 --> 00:56:58,840 Speaker 1: love interest. Okay, a new bay or the prospect of 1161 00:56:58,880 --> 00:57:02,120 Speaker 1: a new bay can make the most hydrated hydrated amongst 1162 00:57:02,200 --> 00:57:04,880 Speaker 1: us thirsty. All right, And Jacqueline is just another example 1163 00:57:04,920 --> 00:57:07,480 Speaker 1: of that. See Jacqueline met a man on a dating website. 1164 00:57:08,040 --> 00:57:09,960 Speaker 1: She said they went on a few dates and Jacqueline 1165 00:57:09,960 --> 00:57:12,480 Speaker 1: immediately felt like she had met her soul mate. Well, 1166 00:57:13,360 --> 00:57:15,799 Speaker 1: here's the thing about that whole soul mate thing. Both 1167 00:57:15,880 --> 00:57:18,320 Speaker 1: parties have to feel that way. Okay, if you feel 1168 00:57:18,360 --> 00:57:20,240 Speaker 1: like I'm your soul mate and I feel like you 1169 00:57:20,400 --> 00:57:22,960 Speaker 1: just some chick I'm smashing for the summer, the fastest 1170 00:57:23,000 --> 00:57:25,040 Speaker 1: way to make me moon walk out of this situation 1171 00:57:25,600 --> 00:57:27,840 Speaker 1: is to say to me, you're my soul mate. Do 1172 00:57:27,960 --> 00:57:30,440 Speaker 1: you realize you can scare a man away with that 1173 00:57:30,600 --> 00:57:32,640 Speaker 1: kind of talk too early? Go on a couple of 1174 00:57:32,760 --> 00:57:34,480 Speaker 1: dates with a woman, and you know, and then and 1175 00:57:34,560 --> 00:57:36,680 Speaker 1: then have that woman tell tell you you want to 1176 00:57:36,760 --> 00:57:40,920 Speaker 1: get married, all right? To tell tell that man you 1177 00:57:41,000 --> 00:57:43,760 Speaker 1: want to have his baby, right, tell him you feel 1178 00:57:43,800 --> 00:57:45,880 Speaker 1: like y'all a soul mate, and then watch that man 1179 00:57:46,000 --> 00:57:48,480 Speaker 1: quickly fade away like an avenger after thanking those kids 1180 00:57:48,520 --> 00:57:51,400 Speaker 1: all the infinity stones. Okay, well that's clearly what happened 1181 00:57:51,400 --> 00:57:54,360 Speaker 1: in this situation, but Jacqueline refused to fade to dust 1182 00:57:54,440 --> 00:57:56,840 Speaker 1: without a fight. Let's go to Aisy family dot com 1183 00:57:56,960 --> 00:58:01,040 Speaker 1: for the report. Place and threatening man she met online 1184 00:58:01,080 --> 00:58:05,400 Speaker 1: after they went on only one date. Poliche she blow 1185 00:58:05,440 --> 00:58:09,240 Speaker 1: up his phone was sixty five thousand text messages. Jacqueline 1186 00:58:09,240 --> 00:58:12,240 Speaker 1: Addis claims she went on three dates with a Paradise 1187 00:58:12,360 --> 00:58:15,680 Speaker 1: Valley man she met through an online dating service for 1188 00:58:15,840 --> 00:58:20,040 Speaker 1: millionaire matchmaking. Court records say Addis sent the victim sixty 1189 00:58:20,120 --> 00:58:24,400 Speaker 1: five thousand text messages, including threats to kill him where 1190 00:58:24,480 --> 00:58:27,720 Speaker 1: his body parts and bathe in his blood. Addis does 1191 00:58:27,800 --> 00:58:31,440 Speaker 1: not deny the volume of text messages she did, however, 1192 00:58:31,680 --> 00:58:35,080 Speaker 1: regret the nature of some of those messages. Addis said 1193 00:58:35,160 --> 00:58:38,200 Speaker 1: she never intended to hurt or scare the victim, and 1194 00:58:38,320 --> 00:58:41,720 Speaker 1: she doesn't blame him for her incarceration. Jacqueline Addis is 1195 00:58:41,800 --> 00:58:46,000 Speaker 1: being held in jail without bond sixty five thousand tatments 1196 00:58:46,240 --> 00:58:51,240 Speaker 1: crazy sixty five hi for that thousand. How do you 1197 00:58:51,320 --> 00:58:52,760 Speaker 1: even say, I don't even think I've sent that many 1198 00:58:52,800 --> 00:58:55,360 Speaker 1: text messages in my life. My man, I didn't block her, 1199 00:58:55,600 --> 00:58:58,160 Speaker 1: my man exactly, my man who was receiving those texts? 1200 00:58:58,200 --> 00:58:59,760 Speaker 1: At what point do you decide you may need to 1201 00:59:00,240 --> 00:59:04,240 Speaker 1: this number? Sixty five thousand texts? Bro crazy, I'm blocking 1202 00:59:04,240 --> 00:59:06,040 Speaker 1: your number if you talk spicy to me after three 1203 00:59:06,080 --> 00:59:09,560 Speaker 1: to four texts? All right, sixty five thousand, ladies, Please 1204 00:59:09,560 --> 00:59:12,000 Speaker 1: don't ever come across this part. All right, remember Law 1205 00:59:12,120 --> 00:59:13,880 Speaker 1: thirty six and to forty eight Laws of power to 1206 00:59:14,000 --> 00:59:17,040 Speaker 1: stain things you cannot have ignoring ignoring them as the 1207 00:59:17,080 --> 00:59:19,440 Speaker 1: best revenge. I get fly on his ass, all right. 1208 00:59:19,520 --> 00:59:21,240 Speaker 1: Just make sure you don't block him on social media 1209 00:59:21,360 --> 00:59:23,240 Speaker 1: so he can see you shining. Act like you're having 1210 00:59:23,280 --> 00:59:25,800 Speaker 1: a ball without him, and I guarantee he will hit 1211 00:59:25,880 --> 00:59:29,160 Speaker 1: you up. But whatever you do, don't sound like this. Okay, 1212 00:59:29,240 --> 00:59:33,520 Speaker 1: this is Jack Couelin add live from jail. Let's hear 1213 00:59:33,560 --> 00:59:35,280 Speaker 1: what she had to say. I felt like I meant 1214 00:59:35,320 --> 00:59:37,120 Speaker 1: my soulmate, and everything was just the way it was, 1215 00:59:37,160 --> 00:59:39,240 Speaker 1: and I thought we would just do what everybody else did, 1216 00:59:39,280 --> 00:59:40,840 Speaker 1: and we would just like get married and everything would 1217 00:59:40,840 --> 00:59:43,320 Speaker 1: be fine, but that's not what happens. I'm not angry 1218 00:59:43,360 --> 00:59:45,720 Speaker 1: with him, No, oh my god, No, I love him 1219 00:59:45,760 --> 00:59:47,560 Speaker 1: so much. I just want to love him so much, 1220 00:59:47,560 --> 00:59:50,320 Speaker 1: I said. And if he doesn't like it, then I'll 1221 00:59:50,360 --> 00:59:53,160 Speaker 1: go home and I'll love my exploitment whatever I supposed 1222 00:59:53,160 --> 00:59:56,000 Speaker 1: to do. The point of love is to keep giving it. 1223 00:59:56,120 --> 00:59:59,560 Speaker 1: That's the math equations. Love equals three point three, which 1224 00:59:59,560 --> 01:00:04,120 Speaker 1: isn't fit. Times equals and squared, which is like lightness forever. 1225 01:00:04,760 --> 01:00:06,520 Speaker 1: If love was a number, it would be three, so 1226 01:00:06,600 --> 01:00:09,320 Speaker 1: it's infinity times like which is also infinity. So it's 1227 01:00:09,360 --> 01:00:12,320 Speaker 1: just forward, forever forward. And if you're selfish, you can't 1228 01:00:12,400 --> 01:00:15,240 Speaker 1: understand that because you want something in return. He's not 1229 01:00:15,320 --> 01:00:17,720 Speaker 1: giving me anything return, And I still love him, anybody. 1230 01:00:17,760 --> 01:00:19,720 Speaker 1: That's what love is. That's what the universe is supposed 1231 01:00:19,720 --> 01:00:22,840 Speaker 1: to be made of. When you're finding love. Not everything 1232 01:00:23,000 --> 01:00:26,000 Speaker 1: is perfect. This was a journey, and I wanted to 1233 01:00:26,080 --> 01:00:29,920 Speaker 1: apologize because nobody would ever be more sorry. See, I 1234 01:00:29,960 --> 01:00:33,880 Speaker 1: don't understand that's crazy, that deal with that kind of crazy, 1235 01:00:34,400 --> 01:00:36,960 Speaker 1: because that kind of crazy didn't just come out of nowhere, 1236 01:00:37,200 --> 01:00:39,840 Speaker 1: all right, It had to be a sign of that 1237 01:00:40,080 --> 01:00:42,760 Speaker 1: type of crazy. When y'all first started kicking it with 1238 01:00:42,840 --> 01:00:44,880 Speaker 1: each other. I got a homeboy right now, who's dealing 1239 01:00:44,960 --> 01:00:48,760 Speaker 1: with some crazy. In early, early, early on in the relationship, 1240 01:00:48,840 --> 01:00:52,600 Speaker 1: he found out that this young woman left her children 1241 01:00:53,120 --> 01:00:59,440 Speaker 1: in her crib by himself so she could go check 1242 01:00:59,520 --> 01:01:01,800 Speaker 1: on her the dude at the club, right, What isn't 1243 01:01:01,840 --> 01:01:05,160 Speaker 1: that a sign of crazy? How old were the kids? Yeah, toddlers, 1244 01:01:05,840 --> 01:01:08,600 Speaker 1: that's crazy, That's what I'm saying. So when you when 1245 01:01:08,680 --> 01:01:10,920 Speaker 1: they show you that in the beginning and then it 1246 01:01:11,160 --> 01:01:14,640 Speaker 1: escalates the things even worse, that's kind of your fault 1247 01:01:14,840 --> 01:01:18,360 Speaker 1: because you had to see this type of crazy kids 1248 01:01:18,480 --> 01:01:21,920 Speaker 1: this summer. Remember, there's a fine line between interests and stalking, 1249 01:01:22,200 --> 01:01:24,800 Speaker 1: and let's just all stay on the right side of that. Okay, 1250 01:01:25,440 --> 01:01:28,640 Speaker 1: some donkey the days just sell themselves. Please give Jacqueline 1251 01:01:28,800 --> 01:01:34,840 Speaker 1: I just the biggest he hall. Did she say that 1252 01:01:36,520 --> 01:01:38,800 Speaker 1: she's just gonna go back to her ex? Did she 1253 01:01:38,840 --> 01:01:42,200 Speaker 1: say that play that type of crazy again? She says 1254 01:01:42,200 --> 01:01:44,040 Speaker 1: she's gonna go back to that. I felt like I 1255 01:01:44,120 --> 01:01:45,840 Speaker 1: meant my soul meet and everything was just the way 1256 01:01:45,880 --> 01:01:47,440 Speaker 1: it was, and I thought we would just do what 1257 01:01:47,520 --> 01:01:49,280 Speaker 1: everybody else did and we would just like get married 1258 01:01:49,320 --> 01:01:51,080 Speaker 1: and everything would be fine, but that's not what happened. 1259 01:01:51,400 --> 01:01:54,200 Speaker 1: So you're not angry with him? No, Oh my god, no, 1260 01:01:54,320 --> 01:01:56,080 Speaker 1: I love him so much. I just want to love 1261 01:01:56,160 --> 01:01:58,360 Speaker 1: him so much, said, And if he doesn't like it, 1262 01:01:58,480 --> 01:02:00,960 Speaker 1: then I'll go home and I'll of my ex boyfriend. 1263 01:02:03,360 --> 01:02:04,840 Speaker 1: Now from the ex boyfriend, I gotta beat up the 1264 01:02:04,840 --> 01:02:08,320 Speaker 1: new boyfriend. I'm sure that boyfriend doesn't want her either, 1265 01:02:08,760 --> 01:02:10,200 Speaker 1: because I don't want to. No, no, don't come back 1266 01:02:10,240 --> 01:02:12,560 Speaker 1: to me, Joe Bally saying, I'm trying to upgrade. But 1267 01:02:12,600 --> 01:02:13,960 Speaker 1: if the bank don't get me the loan, you know, 1268 01:02:14,080 --> 01:02:16,120 Speaker 1: I'm just gonna stay in the card and no man, okay, 1269 01:02:16,280 --> 01:02:18,400 Speaker 1: I'm I'm gonna buy a new car, thank you? Say? 1270 01:02:18,960 --> 01:02:21,120 Speaker 1: All right? Well, thank you for that donkey of to day? 1271 01:02:22,360 --> 01:02:25,920 Speaker 1: Who the loser is this boy? Ex boyfriend asking ye 1272 01:02:26,080 --> 01:02:28,360 Speaker 1: eight hundred five eight five one on five one. If 1273 01:02:28,400 --> 01:02:31,080 Speaker 1: you need relationship advice, you can call ye right now. 1274 01:02:31,160 --> 01:02:33,240 Speaker 1: Should help you out with all your ish calling. Now 1275 01:02:33,360 --> 01:02:38,440 Speaker 1: is the breakfast club, God, Morning, the breakfast Club Morning. 1276 01:02:38,480 --> 01:02:42,680 Speaker 1: Everybody's DJ Envy Angela Yee, Charlomagne, the guy. We are 1277 01:02:42,800 --> 01:02:50,600 Speaker 1: the breakfast Club. It's time for ask ye hello? Who's this? Hi? Christ? Hey, mama, 1278 01:02:50,640 --> 01:02:52,520 Speaker 1: what's your question for Ye. So I've been in a 1279 01:02:52,560 --> 01:02:55,080 Speaker 1: relationship for eight years. Um, I just got engaged with 1280 01:02:55,200 --> 01:02:57,880 Speaker 1: you now. Um, and it's just a little it's just 1281 01:02:58,040 --> 01:03:02,320 Speaker 1: seem more stressful to you being mom. It's just a lot, 1282 01:03:02,600 --> 01:03:05,880 Speaker 1: all right. So you got engaged and now he has kids. 1283 01:03:06,200 --> 01:03:08,440 Speaker 1: We've had custody of her sons for five years now, 1284 01:03:08,840 --> 01:03:11,600 Speaker 1: and I guess just me being not being able to 1285 01:03:11,880 --> 01:03:14,640 Speaker 1: have that one alone with my child. It's like I 1286 01:03:14,800 --> 01:03:17,360 Speaker 1: always brighteness for putting my life out of palls or 1287 01:03:17,760 --> 01:03:19,000 Speaker 1: you know, not being able to do what I have 1288 01:03:19,080 --> 01:03:21,920 Speaker 1: to do because oh having to help him, and it 1289 01:03:22,120 --> 01:03:24,320 Speaker 1: caused a lot of strain in our relationship. And I 1290 01:03:24,360 --> 01:03:26,720 Speaker 1: don't want to get married if this conversation is going 1291 01:03:26,800 --> 01:03:29,040 Speaker 1: to continue to be brought up, you know. Okay, So 1292 01:03:29,160 --> 01:03:31,440 Speaker 1: you feel like you've been neglecting your own responsibilities with 1293 01:03:31,520 --> 01:03:33,919 Speaker 1: your daughter because you've been dealing with his family. Yeah, 1294 01:03:34,000 --> 01:03:37,240 Speaker 1: well we have responsibility because we have custody of the center. 1295 01:03:37,440 --> 01:03:39,480 Speaker 1: I just feel like my daughter's life was cut in 1296 01:03:39,560 --> 01:03:41,920 Speaker 1: half or put off palls, you know, and I'm just 1297 01:03:42,120 --> 01:03:44,040 Speaker 1: I just missed those. I don't know what he's like 1298 01:03:44,200 --> 01:03:47,720 Speaker 1: to have your own child, you know. That those feelings. 1299 01:03:47,920 --> 01:03:51,360 Speaker 1: But you guys are about to be a blended family now, yes, 1300 01:03:51,640 --> 01:03:54,520 Speaker 1: So it's his responsibility to love your daughter like that 1301 01:03:54,720 --> 01:03:58,080 Speaker 1: is his daughter and his son is your son. Now, yeah, 1302 01:03:58,520 --> 01:04:00,400 Speaker 1: you can't be looking at it like that's his kid 1303 01:04:00,440 --> 01:04:03,160 Speaker 1: and this is my kid. These are both of your children, 1304 01:04:03,480 --> 01:04:06,160 Speaker 1: and I don't it's just a fact. The love that 1305 01:04:06,240 --> 01:04:08,520 Speaker 1: I have from my daughter I'm trying to give him, 1306 01:04:08,560 --> 01:04:10,880 Speaker 1: but it's just so hot. And it's been eight years 1307 01:04:10,960 --> 01:04:13,120 Speaker 1: y'all have been together, yes, and we've had his son 1308 01:04:13,240 --> 01:04:15,640 Speaker 1: for five years. Okay, I mean, first of all, you 1309 01:04:15,720 --> 01:04:18,520 Speaker 1: have to think about, you know, the difficulty for his son. 1310 01:04:18,640 --> 01:04:22,200 Speaker 1: Why doesn't the mom have custody? She knows six other children, 1311 01:04:22,320 --> 01:04:24,760 Speaker 1: six baby fathers, right, Well, I found out about this 1312 01:04:24,840 --> 01:04:27,080 Speaker 1: little boy. I immediately said, you know, we need to 1313 01:04:27,160 --> 01:04:29,440 Speaker 1: do something, you know, because I don't want to be 1314 01:04:29,520 --> 01:04:31,840 Speaker 1: the mom that has the baby seat because she want 1315 01:04:31,840 --> 01:04:34,320 Speaker 1: to go to the club every weekend. And listen, think 1316 01:04:34,360 --> 01:04:36,880 Speaker 1: about the extra love that his son must need because 1317 01:04:37,040 --> 01:04:39,760 Speaker 1: his mom was irresponsible, and what kind of talk that 1318 01:04:39,800 --> 01:04:42,880 Speaker 1: could take on him in life, my daughter, that shouldn't 1319 01:04:42,880 --> 01:04:44,960 Speaker 1: take away from your child though, you should be able 1320 01:04:45,000 --> 01:04:47,080 Speaker 1: to love both of these children. They both live in 1321 01:04:47,120 --> 01:04:49,960 Speaker 1: the home with you. Guys, that's his sister, that's her brother, 1322 01:04:50,360 --> 01:04:52,760 Speaker 1: and those that's your son and daughter, and that's his 1323 01:04:52,880 --> 01:04:55,040 Speaker 1: son and daughter. And you have to stop looking at 1324 01:04:55,080 --> 01:04:57,360 Speaker 1: it like this is my child and listen. If there's 1325 01:04:57,400 --> 01:04:59,080 Speaker 1: things that you need to do with just you and 1326 01:04:59,160 --> 01:05:00,920 Speaker 1: your daughter, you should able to take time to do 1327 01:05:01,040 --> 01:05:05,600 Speaker 1: those things. But it's just like I can't. Just like 1328 01:05:05,720 --> 01:05:07,480 Speaker 1: he should be bonding with his son, you should be 1329 01:05:07,560 --> 01:05:09,480 Speaker 1: bonding with your daughter and spend some time with his 1330 01:05:09,600 --> 01:05:12,360 Speaker 1: son too. You know he does need that maternal figure 1331 01:05:12,440 --> 01:05:15,760 Speaker 1: in his life. But stop separating whose kid is who's 1332 01:05:15,840 --> 01:05:19,640 Speaker 1: These are your children together. So if your child, even 1333 01:05:19,720 --> 01:05:22,720 Speaker 1: if these kids were both both of your blood children, 1334 01:05:22,960 --> 01:05:25,200 Speaker 1: when one of your kids needs some extra attention, they're 1335 01:05:25,240 --> 01:05:27,640 Speaker 1: gonna get it from you, right, You don't want them to. 1336 01:05:27,640 --> 01:05:31,000 Speaker 1: Tal is so close off though, he's gonna open up. Well, 1337 01:05:31,080 --> 01:05:33,400 Speaker 1: you know why he's closed off. He's a child. Look 1338 01:05:33,440 --> 01:05:35,840 Speaker 1: at what he's gone through, you know, having You don't 1339 01:05:35,880 --> 01:05:37,880 Speaker 1: know what kind of trauma he's suffered after being in 1340 01:05:37,960 --> 01:05:41,040 Speaker 1: the home, you know with the other mother. Really he 1341 01:05:41,160 --> 01:05:43,200 Speaker 1: needs your extra lift and he needs your daughter's love 1342 01:05:43,240 --> 01:05:45,560 Speaker 1: as well. You all need to be loving him. If 1343 01:05:45,600 --> 01:05:48,160 Speaker 1: you feel like he's closed off, make sure you keep 1344 01:05:48,200 --> 01:05:51,280 Speaker 1: those lines of communication open with him, because it can't 1345 01:05:51,280 --> 01:05:53,120 Speaker 1: be easy for him. It's probably thinks he has no 1346 01:05:53,240 --> 01:05:55,040 Speaker 1: idea why he feels the way that he does or 1347 01:05:55,080 --> 01:05:57,680 Speaker 1: why he acts like he does. Right, and because a 1348 01:05:57,760 --> 01:06:00,200 Speaker 1: lot trips because he doesn't talk to his day talk 1349 01:06:00,320 --> 01:06:04,560 Speaker 1: to me, right, And I just I don't As a parent, 1350 01:06:04,720 --> 01:06:06,520 Speaker 1: you should love the fact that he feels like he 1351 01:06:06,600 --> 01:06:09,680 Speaker 1: can talk to you. I do, I do, I really do. 1352 01:06:10,000 --> 01:06:11,960 Speaker 1: But I want him to have the relationship with his mom. 1353 01:06:12,080 --> 01:06:14,959 Speaker 1: But because the dad and the mom aren't being able 1354 01:06:15,000 --> 01:06:17,959 Speaker 1: to cope here, it's stressful for me. You right, because 1355 01:06:17,960 --> 01:06:19,800 Speaker 1: when I do want to be free, you know, his 1356 01:06:19,920 --> 01:06:21,560 Speaker 1: dad's like, well, I don't want him to go nowhere 1357 01:06:21,600 --> 01:06:24,120 Speaker 1: because I don't know nobody. You know, if you cant 1358 01:06:24,160 --> 01:06:26,280 Speaker 1: erection with his mom, we'll be able to do that. 1359 01:06:26,440 --> 01:06:29,280 Speaker 1: He needs to probably take some parenting classes because he 1360 01:06:29,360 --> 01:06:30,760 Speaker 1: needs to know what he needs to do as a 1361 01:06:30,840 --> 01:06:32,920 Speaker 1: father and step up to the plate. But all you 1362 01:06:33,000 --> 01:06:35,120 Speaker 1: can do is give as much love to these children 1363 01:06:35,200 --> 01:06:39,920 Speaker 1: as you possibly have to give them. Okay, just remember 1364 01:06:40,000 --> 01:06:42,520 Speaker 1: these are innocent children. You love them both. Those are 1365 01:06:42,600 --> 01:06:46,520 Speaker 1: both your kids right right? Thank you? Okay, you're welcome. 1366 01:06:46,600 --> 01:06:49,280 Speaker 1: Good luck. I know it can be really stressful sometimes, 1367 01:06:49,360 --> 01:06:52,600 Speaker 1: but you have a great responsibility. Ask ye ain't Andred 1368 01:06:52,680 --> 01:06:54,400 Speaker 1: five five one on five one if you got a 1369 01:06:54,480 --> 01:06:57,040 Speaker 1: question for ye Coler. Now it's the breakfast Clocal Morning Morning. 1370 01:06:57,080 --> 01:07:00,800 Speaker 1: Everybody is DJ Envy Angela Ye shallow me the guy 1371 01:07:00,880 --> 01:07:02,920 Speaker 1: we all the breakfast club with in the middle of 1372 01:07:03,040 --> 01:07:06,760 Speaker 1: ask yee, Hello, who's this Frank? What's your question for you? 1373 01:07:07,080 --> 01:07:10,200 Speaker 1: I'm calling. Let's see, I got a girlfriend who cheated 1374 01:07:10,240 --> 01:07:13,760 Speaker 1: on me multiple times, multiple times. Okay, but that's still 1375 01:07:13,800 --> 01:07:17,640 Speaker 1: your girlfriend. Yeah, she's still my girlfriend, and I really 1376 01:07:17,720 --> 01:07:19,760 Speaker 1: love it, but I just don't look at her the 1377 01:07:19,840 --> 01:07:22,880 Speaker 1: same and I don't know how to get over you 1378 01:07:22,960 --> 01:07:25,840 Speaker 1: know what I'm saying because she know me well, you really, 1379 01:07:26,400 --> 01:07:29,680 Speaker 1: every time I think about think about another man's penis 1380 01:07:30,800 --> 01:07:34,680 Speaker 1: exactly what happened and her mouth O. Well, you really 1381 01:07:34,800 --> 01:07:37,880 Speaker 1: love her, right, but that doesn't mean she's necessarily the 1382 01:07:38,040 --> 01:07:41,000 Speaker 1: right person for you. Now, let's figure this out. You 1383 01:07:41,000 --> 01:07:44,400 Speaker 1: said she cheated on you multiple times with multiple people, yes, 1384 01:07:44,960 --> 01:07:46,960 Speaker 1: and what is what is she saying about this? Does 1385 01:07:47,000 --> 01:07:50,920 Speaker 1: she want to even be with you? Okay? Do you 1386 01:07:50,960 --> 01:07:54,240 Speaker 1: believe that she's still cheating on you. Um no, not 1387 01:07:54,400 --> 01:07:57,600 Speaker 1: even not at the time. But she has her moments. 1388 01:07:58,400 --> 01:08:02,520 Speaker 1: She's a whole. Now, what reason did she give to 1389 01:08:02,600 --> 01:08:04,440 Speaker 1: you when you found out? Why did she tell you 1390 01:08:04,560 --> 01:08:07,920 Speaker 1: that she cheated so many times? One time it was 1391 01:08:08,040 --> 01:08:12,680 Speaker 1: drunk and I wasn't there. She doesn't seem like she's 1392 01:08:12,680 --> 01:08:15,400 Speaker 1: ready to be in a relationship. So basically what you're saying, 1393 01:08:16,880 --> 01:08:18,759 Speaker 1: I'll say this because a lot of people have stayed 1394 01:08:18,800 --> 01:08:21,000 Speaker 1: and guys can say whatever they want, but a lot 1395 01:08:21,080 --> 01:08:22,840 Speaker 1: of women have stayed with men who have cheated. A 1396 01:08:22,880 --> 01:08:24,719 Speaker 1: lot of men have stayed with women who have cheated. 1397 01:08:24,920 --> 01:08:27,719 Speaker 1: But in order for that relationship to work, her behavior 1398 01:08:27,840 --> 01:08:31,360 Speaker 1: has to change. Has her behavior changed? No, Okay, well, 1399 01:08:31,360 --> 01:08:33,880 Speaker 1: then she doesn't seem like she's making an effort. Because 1400 01:08:33,960 --> 01:08:35,920 Speaker 1: when you cheat on somebody, you have to try to 1401 01:08:36,080 --> 01:08:37,880 Speaker 1: gain their trust back. If you want to be with 1402 01:08:38,040 --> 01:08:40,400 Speaker 1: that person, you have to show that you've improved, that 1403 01:08:40,439 --> 01:08:42,880 Speaker 1: you've made these differences in your life, and you want 1404 01:08:42,880 --> 01:08:45,400 Speaker 1: to be with that person because you're willing to sacrifice 1405 01:08:45,479 --> 01:08:47,600 Speaker 1: whatever it is that you have to You're willing to 1406 01:08:47,800 --> 01:08:50,920 Speaker 1: suffer whatever discipline and punishment you have to suffer in 1407 01:08:51,080 --> 01:08:53,400 Speaker 1: order to prove that you are worthy of being with 1408 01:08:53,520 --> 01:08:57,360 Speaker 1: that person. And she's not doing that. All right, all right, 1409 01:08:57,720 --> 01:08:59,800 Speaker 1: I'm sorry to hear that man call that whole right 1410 01:08:59,840 --> 01:09:03,160 Speaker 1: now and tell hole man that's his girl. Still, that's 1411 01:09:03,200 --> 01:09:07,000 Speaker 1: a whole. There you go, there, you go, there, you 1412 01:09:07,160 --> 01:09:11,000 Speaker 1: go there. You know that's what I'm like, backstret chest, 1413 01:09:11,280 --> 01:09:13,400 Speaker 1: stop that because when women, when mention on women, you 1414 01:09:13,520 --> 01:09:17,080 Speaker 1: be encouraging to women to stay. I do what exactly 1415 01:09:17,240 --> 01:09:19,280 Speaker 1: I've stayed. Listen, I've stayed with my woman and she 1416 01:09:19,479 --> 01:09:23,720 Speaker 1: cheated on me. But he said multipole times right, multiple 1417 01:09:24,479 --> 01:09:26,439 Speaker 1: when you're even ask him what she's doing now, he said, 1418 01:09:26,520 --> 01:09:30,599 Speaker 1: probably cheating. Dumped that whole. He's a little strong, all right, 1419 01:09:30,720 --> 01:09:33,519 Speaker 1: ask eight hundred five eighty five one on five one. Now, 1420 01:09:33,680 --> 01:09:35,559 Speaker 1: we got rumors on the way. Yes, let's talk about 1421 01:09:35,600 --> 01:09:38,599 Speaker 1: Michael Jordan and the docuseries that's on the way about him. 1422 01:09:38,760 --> 01:09:40,599 Speaker 1: All right, we'll get into all that when we come back. 1423 01:09:40,680 --> 01:09:43,640 Speaker 1: Keeping lock this to Breakfast Club. Good morning, the breakfast 1424 01:09:43,720 --> 01:09:56,639 Speaker 1: clubs just oh gosh. Gorum reports with Angela's report Breakfast Club. Well, 1425 01:09:56,880 --> 01:10:00,280 Speaker 1: Rita Aura's new song has caused all kinds of conscient verse. 1426 01:10:00,479 --> 01:10:03,719 Speaker 1: The song is called girls and It Feats. It features 1427 01:10:03,800 --> 01:10:07,880 Speaker 1: Charlie xcx, bb REXA and Cardi b. Now Here is 1428 01:10:07,880 --> 01:10:09,600 Speaker 1: the hook of the song, in case you haven't heard it. 1429 01:10:09,960 --> 01:10:20,200 Speaker 1: Sometimes I just want to kiss it. I just want 1430 01:10:20,240 --> 01:10:23,200 Speaker 1: to kill girls, girls, girls. Right now here is Rita 1431 01:10:23,320 --> 01:10:25,120 Speaker 1: or his verse, I just want to kill you guys back. 1432 01:10:25,680 --> 01:10:27,800 Speaker 1: We learn a lot of how to do it like, 1433 01:10:27,920 --> 01:10:31,920 Speaker 1: we do it like we wanna. We just know. We 1434 01:10:32,120 --> 01:10:37,599 Speaker 1: just know. I am excited, I'm over minded, I'm fifty 1435 01:10:37,680 --> 01:10:40,240 Speaker 1: fifty and I'm never gonna hat it. You should know 1436 01:10:41,479 --> 01:10:44,400 Speaker 1: all right now here it is Cardi Ba's verse, be 1437 01:10:44,520 --> 01:10:47,200 Speaker 1: a listic just for one night one. You just wanna 1438 01:10:47,280 --> 01:10:50,280 Speaker 1: have funny, happy fun strike you hum mey semi name, 1439 01:10:50,600 --> 01:10:53,800 Speaker 1: my name, my name, It says good just running up 1440 01:10:53,800 --> 01:10:56,360 Speaker 1: your songs right up with the snap to your lipsop 1441 01:10:56,439 --> 01:10:59,360 Speaker 1: fucking rocks we never heard of you can swing gunning 1442 01:10:59,479 --> 01:11:04,280 Speaker 1: up about them to bust myself. God, I'm so sexyself, 1443 01:11:04,439 --> 01:11:10,800 Speaker 1: but still you bitch, but this up tonight, I don't 1444 01:11:10,840 --> 01:11:16,920 Speaker 1: want to go. So. The song is about girls kissing girls, 1445 01:11:17,040 --> 01:11:19,439 Speaker 1: girls liking girls. Yeah, now, Katy Perry did it better. 1446 01:11:19,640 --> 01:11:23,400 Speaker 1: Now it was offensive to the LGBTQ community. Now Killanie 1447 01:11:23,400 --> 01:11:25,240 Speaker 1: posted hate to be that guy, but there were many 1448 01:11:25,280 --> 01:11:28,559 Speaker 1: awkward slurs, quotes and moments that were like word word 1449 01:11:28,640 --> 01:11:30,519 Speaker 1: and Killannie said, and don't make this personal. I have 1450 01:11:30,560 --> 01:11:32,560 Speaker 1: an incredible song out with one of the artists and 1451 01:11:32,640 --> 01:11:34,280 Speaker 1: would love to work with the other three as well. 1452 01:11:34,640 --> 01:11:37,439 Speaker 1: They were harmful lyrics period love y'all. I missed it 1453 01:11:37,520 --> 01:11:41,160 Speaker 1: like one. Well, the problem is this that they were 1454 01:11:41,320 --> 01:11:44,200 Speaker 1: um and the problem is they saying that that song 1455 01:11:45,160 --> 01:11:48,080 Speaker 1: is basically it's not fun to make a decision like 1456 01:11:48,360 --> 01:11:50,360 Speaker 1: some I don't need to drink wine to kiss girls, 1457 01:11:50,360 --> 01:11:52,120 Speaker 1: because that was in the hook. She said, I love 1458 01:11:52,160 --> 01:11:55,479 Speaker 1: women my entire life. In other words, it's not a 1459 01:11:55,600 --> 01:11:57,840 Speaker 1: fun thing just to say, okay, I want to be 1460 01:11:58,479 --> 01:12:01,360 Speaker 1: you know, kiss girls. Sometimes to kids, guys. Sometimes people 1461 01:12:01,400 --> 01:12:06,920 Speaker 1: were offended. Not rita Or has since apologized. I'm sorry 1462 01:12:07,000 --> 01:12:09,920 Speaker 1: how he expressed myself and my song has hurt anyone. 1463 01:12:10,000 --> 01:12:13,960 Speaker 1: I would never intentionally cause harm to other LGBTQ people 1464 01:12:14,080 --> 01:12:17,320 Speaker 1: or anyone. Looking forward, I hope that continuing to express 1465 01:12:17,439 --> 01:12:20,320 Speaker 1: myself through my art will empower my fans to feel 1466 01:12:20,320 --> 01:12:22,160 Speaker 1: it's proud of themselves, as I'm learning to feel about 1467 01:12:22,160 --> 01:12:24,760 Speaker 1: who I am, and you know, she just didn't mean 1468 01:12:24,800 --> 01:12:27,560 Speaker 1: any harm. She said it was representing her truth and 1469 01:12:27,680 --> 01:12:30,400 Speaker 1: an accurate account of a very real and honest experience 1470 01:12:30,479 --> 01:12:32,679 Speaker 1: that she has had. Now. Cardi B also has posted 1471 01:12:32,960 --> 01:12:35,519 Speaker 1: on Twitter, I know I have used words before that 1472 01:12:35,680 --> 01:12:38,759 Speaker 1: I wasn't aware that they are offensive to the LGBT community. 1473 01:12:38,760 --> 01:12:41,720 Speaker 1: I apologized for that. Not everybody knows the correct terms 1474 01:12:41,760 --> 01:12:43,720 Speaker 1: to use. I learned and I stopped using it. So 1475 01:12:43,840 --> 01:12:46,040 Speaker 1: this is this is a mom of the incredible level 1476 01:12:46,080 --> 01:12:48,320 Speaker 1: of reaching because I don't hear the words unless you 1477 01:12:48,520 --> 01:12:50,280 Speaker 1: unless we didn't play him just now. Yeah, I didn't 1478 01:12:50,280 --> 01:12:51,880 Speaker 1: hear the words it, but I thought Cardi B has 1479 01:12:51,880 --> 01:12:54,559 Speaker 1: said before that she likes girls and she's into girls. Yeah, 1480 01:12:54,600 --> 01:12:57,400 Speaker 1: she has said that. I guess people were offended because 1481 01:12:57,479 --> 01:12:59,920 Speaker 1: they were saying things like, you know, sometimes I just 1482 01:13:00,080 --> 01:13:03,160 Speaker 1: want to drink wine and kiss girls and you know, 1483 01:13:03,360 --> 01:13:05,720 Speaker 1: just like a I guess it's for people. It's a 1484 01:13:05,800 --> 01:13:08,760 Speaker 1: lifestyle choice. It's not like a fun thing where I 1485 01:13:08,880 --> 01:13:11,160 Speaker 1: like Katy Perry, I kissed the girl and I like it. Okay, 1486 01:13:11,320 --> 01:13:13,559 Speaker 1: that record was way better than the record that read 1487 01:13:13,720 --> 01:13:16,439 Speaker 1: or I can't tell people what not to get offended back. 1488 01:13:16,439 --> 01:13:19,920 Speaker 1: I can tell people what they like. And this offended you. 1489 01:13:20,240 --> 01:13:22,160 Speaker 1: I don't know what to say. I mean, I think 1490 01:13:22,160 --> 01:13:24,120 Speaker 1: that's the most intention is read or record gonna get 1491 01:13:24,280 --> 01:13:31,200 Speaker 1: what a waste of a CARDI feature that record, Charlie features. 1492 01:13:33,360 --> 01:13:35,880 Speaker 1: I just hit a bunch of waste of features. Record. 1493 01:13:35,960 --> 01:13:38,720 Speaker 1: Don't worry read? Are you still pretty all right? Netflix 1494 01:13:38,840 --> 01:13:41,759 Speaker 1: and ESPN had partnered up to do a Michael Jordan 1495 01:13:41,920 --> 01:13:45,599 Speaker 1: docuseries is called The Last Dance. It's going to chronicle 1496 01:13:45,640 --> 01:13:48,240 Speaker 1: the simultaneous rise of Jordan and the Chicago Bulls and 1497 01:13:48,680 --> 01:13:51,639 Speaker 1: how popular the NBA was during the nineties. And Jordan 1498 01:13:51,800 --> 01:13:54,280 Speaker 1: is participating in this as well as other people who 1499 01:13:54,320 --> 01:13:57,400 Speaker 1: were very key figures from the Bulls championship teams. I'm 1500 01:13:57,439 --> 01:13:59,400 Speaker 1: here for that. There's going to be more than five 1501 01:13:59,520 --> 01:14:03,120 Speaker 1: hundred hours of never before seen footage that should be 1502 01:14:03,160 --> 01:14:06,880 Speaker 1: pretty interesting, plus a commentary from dozens of other sports 1503 01:14:07,000 --> 01:14:09,519 Speaker 1: luminaries should be pretty exciting. It's always weird watching those 1504 01:14:09,600 --> 01:14:12,160 Speaker 1: documentaries when you were actually you actually were there. You 1505 01:14:12,200 --> 01:14:14,120 Speaker 1: know what I'm saying, Like, that's all error, Yeah, you 1506 01:14:14,160 --> 01:14:16,160 Speaker 1: know what I mean. But it's gonna be footage you've 1507 01:14:16,160 --> 01:14:19,000 Speaker 1: never seen before. So I'm excited about that should be interesting. 1508 01:14:19,040 --> 01:14:21,920 Speaker 1: It's directed by Jason here. He did the Fab five. Also, 1509 01:14:22,000 --> 01:14:24,759 Speaker 1: I'd rather than put out some sneakers I've never seen before. Okay, 1510 01:14:25,360 --> 01:14:28,439 Speaker 1: all right, Megan Marco, we're talking about this royal wedding 1511 01:14:28,479 --> 01:14:30,800 Speaker 1: that's going down this weekend on Saturday, and there's all 1512 01:14:30,880 --> 01:14:33,439 Speaker 1: kinds of drama with her dad selling pictures to the 1513 01:14:33,479 --> 01:14:35,960 Speaker 1: Papa Razzie and he said now that he is not 1514 01:14:36,080 --> 01:14:37,920 Speaker 1: going to go to the wedding. Well, he's back in 1515 01:14:38,000 --> 01:14:40,479 Speaker 1: the hospital now. Megan Marco's dad, Thomas Marco, He's been 1516 01:14:40,560 --> 01:14:44,280 Speaker 1: having serious chest pains and doctors are performing tests on him. 1517 01:14:44,320 --> 01:14:46,560 Speaker 1: They're saying that his heart was seriously damaged after he 1518 01:14:46,640 --> 01:14:48,920 Speaker 1: had a heart attack a week ago. So at first 1519 01:14:48,960 --> 01:14:50,320 Speaker 1: he said he wasn't going to go to the wedding. 1520 01:14:50,400 --> 01:14:52,000 Speaker 1: Now he said he does want to, but it looks 1521 01:14:52,040 --> 01:14:53,920 Speaker 1: like even if he does want to, he may not 1522 01:14:54,000 --> 01:14:56,200 Speaker 1: be able to because he's going to be in the hospital. 1523 01:14:56,800 --> 01:14:59,400 Speaker 1: So just giving you an update on that royal wedding 1524 01:14:59,439 --> 01:15:01,679 Speaker 1: that's going to be all over the place this weekend. 1525 01:15:02,120 --> 01:15:04,080 Speaker 1: When Cardion Off say getting married, man, I keep telling 1526 01:15:04,160 --> 01:15:07,439 Speaker 1: y'all that's the real royal one. I don't know, probably 1527 01:15:07,479 --> 01:15:09,559 Speaker 1: after the baby. You're looking how the baby first? All right, 1528 01:15:09,600 --> 01:15:11,960 Speaker 1: well I'm angela yea, and that is your room of report. 1529 01:15:12,400 --> 01:15:15,320 Speaker 1: All right, thank you, miss ye Now we have a 1530 01:15:15,360 --> 01:15:20,400 Speaker 1: birthday girl here. Hey, today is Tailor's birthday. My favorite 1531 01:15:20,479 --> 01:15:25,920 Speaker 1: person up here. Tailor. Game's up to the people. What's up, 1532 01:15:25,960 --> 01:15:29,840 Speaker 1: guys from Philly and her birthday? I hold you today, 1533 01:15:29,880 --> 01:15:35,160 Speaker 1: Taylor twenty seven, twenty seven years old to be single, 1534 01:15:35,560 --> 01:15:37,720 Speaker 1: that's my friends say. She was like, that was really 1535 01:15:37,800 --> 01:15:41,799 Speaker 1: just saying I realized that. You say, you know, Taylor 1536 01:15:42,640 --> 01:15:45,280 Speaker 1: got three more good years the hole and left. All right, 1537 01:15:45,320 --> 01:15:48,720 Speaker 1: get it out your system. You need to you got 1538 01:15:48,760 --> 01:15:52,080 Speaker 1: your system. My goodness, Happy birthday, Taylor. Thank you what 1539 01:15:52,200 --> 01:15:55,080 Speaker 1: you're doing for your birthday? Nothing we all forgot working 1540 01:15:55,200 --> 01:15:58,360 Speaker 1: on purpose. I am going to a spy day. And 1541 01:16:02,120 --> 01:16:05,960 Speaker 1: where are you going to air ancient baths? No? This 1542 01:16:06,200 --> 01:16:13,240 Speaker 1: is hey, No, no, leave me hanging. No I'm not. 1543 01:16:13,320 --> 01:16:16,720 Speaker 1: I'm going. It's called Brooklyn Spots or something like that. Okay, um, 1544 01:16:16,840 --> 01:16:19,840 Speaker 1: and then I'm gonna get some dinner with my friends. 1545 01:16:19,880 --> 01:16:29,320 Speaker 1: You're paying for all that yourself, stopping really always up 1546 01:16:29,320 --> 01:16:31,599 Speaker 1: with her boyfriend. By the wame I got she bought 1547 01:16:31,600 --> 01:16:34,200 Speaker 1: to the black panther formid a big gold looking dude. Yes, well, 1548 01:16:34,240 --> 01:16:39,840 Speaker 1: you know, because of you, because of me. It's not 1549 01:16:40,720 --> 01:16:48,559 Speaker 1: you don't know what happened. That's never read. We gotta 1550 01:16:48,600 --> 01:16:50,840 Speaker 1: share with you. Listen, what's the reason maybe this was 1551 01:16:50,920 --> 01:17:00,280 Speaker 1: off the record, what the record behind the scenes? All right, 1552 01:17:01,000 --> 01:17:06,639 Speaker 1: Happy birthday tailor revolt with Charmagne totally blocked her. That's 1553 01:17:06,680 --> 01:17:09,160 Speaker 1: not like blocked up blessings on my day? All right. 1554 01:17:09,360 --> 01:17:11,760 Speaker 1: People's Choice mixes up next to the Breakfast Club. Good morning,