WEBVTT - #432 - Rapsody

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<v Speaker 1>Yo yo, what's up?

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<v Speaker 2>This is Rap City and check me out on the

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<v Speaker 2>Bootleg cav podcast.

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<v Speaker 3>Boutlet Cap show Man special guests in here one of

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<v Speaker 3>the greatest MC's on the planet, Rhapsody.

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<v Speaker 1>What's up, brother man?

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<v Speaker 3>I see you.

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<v Speaker 1>I'm happy to be back.

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<v Speaker 3>May seventeen, were finally getting your album?

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<v Speaker 1>Yeah, four and a half years.

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<v Speaker 3>It's it's been it's been four and a half years.

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<v Speaker 1>Yeah, twenty nineteen was my last album.

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<v Speaker 3>And then The L's Wisdom was what twenty seventeen. Yep,

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<v Speaker 3>that was a Grammy album. Yeah, who were you nominated

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<v Speaker 3>against that year? Because I remember thinking specifically like jay

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<v Speaker 3>Z four four.

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<v Speaker 2>Four, Kendrick dam Tyler to creator flower.

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<v Speaker 3>Boy, that was a good year.

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<v Speaker 1>There's one more I'm forgetting.

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<v Speaker 3>That was a good year. Yeah, we ended up winning. Damn.

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<v Speaker 1>Yeah, Kendrick took that. I am never mad.

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<v Speaker 3>You're in a very particular best dance. With everything going

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<v Speaker 3>on in the world of hip.

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<v Speaker 1>Hop, it's exciting right now.

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<v Speaker 3>It is, and I you know, obviously there's been some

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<v Speaker 3>I'm like extra unnecessary noise.

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<v Speaker 1>And I was just having that conversation.

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<v Speaker 2>It's a lot of noise right now and inserting into

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<v Speaker 2>a moment that's.

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<v Speaker 1>Like special and making it corny now, Like.

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<v Speaker 3>Right, I feel like it's gotten really corny this past week.

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<v Speaker 1>Let the main event be the main event, please.

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<v Speaker 3>I agree. But it's interesting because I always like, even

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<v Speaker 3>like rewinding a few weeks, you've worked with Cole and

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<v Speaker 3>you obviously have worked with Kendrick a bunch. You're you know,

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<v Speaker 3>like I remember talking to Punch about this at the

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<v Speaker 3>iHeart Awards. I saw him backstage and I was like,

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<v Speaker 3>this was before my delete later came out, okay, and

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<v Speaker 3>I was like Dreamville Fest was coming that weekend, and

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<v Speaker 3>I was like, this feels really weird because like we're

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<v Speaker 3>everyone's friends with each other, like TD and Dreamville are

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<v Speaker 3>like this, like all the fans are kind of like innerwoven,

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<v Speaker 3>like you know, Schoolboy Q and Scissors on dream bill Fest,

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<v Speaker 3>like Kendrick and Cole are friends. But it felt great.

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<v Speaker 3>I'm just curious, like, how did you feel when you

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<v Speaker 3>first heard everything? Being like somebody who's worked with both people,

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<v Speaker 3>and like, you know, a lot of people discovered you

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<v Speaker 3>from working with Kendrick. You're obviously on the Bemper Butterfly,

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<v Speaker 3>Like what was what was your thoughts?

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<v Speaker 2>I was excited. I mean, I thought, this is hip hop.

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<v Speaker 2>It was built on competition. Yes, so let's compete. It's

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<v Speaker 2>just words. It's just words, you know, if it comes

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<v Speaker 2>anything out of that. But I think this is really

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<v Speaker 2>in the spirit of hip hop, and it's like, okay, I.

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<v Speaker 1>Respects I equated to basketball.

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<v Speaker 3>Right.

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<v Speaker 2>I was having a conversation with my nephew right, he

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<v Speaker 2>was texting me about it. I said, look, man, when

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<v Speaker 2>you play your homie one on one on the court,

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<v Speaker 2>are you are you trying to look out for him

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<v Speaker 2>because you're a homie. No, you're trying to beat that ass.

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<v Speaker 2>And afterwards, y'all wap it up and be like good game.

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<v Speaker 2>You either run it back or take your l and

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<v Speaker 2>go home. So that's just how I looked at it.

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<v Speaker 2>I was like, oh, hip hop is exciting, it's a sport. Yeah,

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<v Speaker 2>we need it for the culture. So you know, I

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<v Speaker 2>just looked at it as like made the best man win.

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<v Speaker 3>What were your thoughts when you saw Cole retract his

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<v Speaker 3>his you know, statements and apology. I just wonder because

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<v Speaker 3>I actually kind of like, there's no way he actually thought,

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<v Speaker 3>like to Pinper, Butterfly wasn't amazing, Like I was like,

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<v Speaker 3>he don't even believe what he says, like this is

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<v Speaker 3>one of the greatest of hours of all time. But

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<v Speaker 3>when he apologized, I was like, you know what, like

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<v Speaker 3>I understood where he was coming from because he's been

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<v Speaker 3>moving a certain way for so long, you know, But

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<v Speaker 3>what were your thoughts.

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<v Speaker 1>I try not to speak on these things the whole

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<v Speaker 1>month thoughts myself. I mean, but a he's a man.

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<v Speaker 1>He made his decision. He made his decision.

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<v Speaker 2>But I'm if I'm just speaking from me, if I'm

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<v Speaker 2>in that position, I love this the spirit of what

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<v Speaker 2>this is and the sport of it, and if it's me,

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<v Speaker 2>I'm going homie and not like let's go like, you know,

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<v Speaker 2>he approached it how he approached it.

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<v Speaker 3>Did you It wasn't funny to you to like hear

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<v Speaker 3>people like all of a sudden like you're on to

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<v Speaker 3>Pinper Butterfly, which is like, in my opinion, it's.

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<v Speaker 1>One of the greatest albums ever.

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<v Speaker 3>I actually think it's Kendrick's best album.

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<v Speaker 2>Absolutely, it's one of my favorite of all time. Even

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<v Speaker 2>taking me off of it, I.

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<v Speaker 3>Feel and it aged in a way that not a

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<v Speaker 3>lot of albums of age, like a lot of people

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<v Speaker 3>like during like the BLM protests and stuff like, started

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<v Speaker 3>to revisit that and we're like, damn. Kendrick was like

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<v Speaker 3>kind of talking about a lot of the shit that's

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<v Speaker 3>happening right now, you know, But it was just funny

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<v Speaker 3>to see like the album trending. And then Punch tweeted

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<v Speaker 3>I thought the Tipper Butterfly was actually a pretty good album.

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<v Speaker 1>Yeah, that's I thought about that when when Cole made

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<v Speaker 1>his apology, and when he did it, I was like,

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<v Speaker 1>I would never approach it when at his discography, but

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<v Speaker 1>at the art of Wars, it's just wars war, so

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<v Speaker 1>you know.

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<v Speaker 2>But it's it's funny to see the landscape of sheep

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<v Speaker 2>to me, right, and it's like, okay, because we're in

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<v Speaker 2>this battle and he says it's not good that everybody

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<v Speaker 2>like we don't think.

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<v Speaker 1>It's that good.

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<v Speaker 2>Get the fuck out of here. Like granted there's some

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<v Speaker 2>people that they generally don't like it. That's okay, that's

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<v Speaker 2>fine everything not everybody, but like, it's one of the

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<v Speaker 2>greatest albums of all times.

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<v Speaker 3>I think if you're gonna say anything like to me,

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<v Speaker 3>Kendrick's got a flawless discography, it'd be like dis an

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<v Speaker 3>Outcasts discography.

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<v Speaker 1>Yeah, absolutely got one of the uns.

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<v Speaker 3>That's something you gotta to leave him alone on that.

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<v Speaker 1>Yeah.

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<v Speaker 3>To me, it's like, that's why I'm really interested, because

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<v Speaker 3>I'm like, Drake, I'm not sure what else you got

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<v Speaker 3>besides m being short and maybe he had an unfavorable

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<v Speaker 3>deal TV back in the day. Because outside of that,

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<v Speaker 3>I mean, you know, it's gotten corny. Though the AI

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<v Speaker 3>shit was super corny. I thought that shit was lame

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<v Speaker 3>as fuck, and then Kanye doing this interview and I'm

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<v Speaker 3>just like, like you said, we're here for the main event,

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<v Speaker 3>like all the side characters. I want to like, I'm

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<v Speaker 3>waiting for this bomb to drop that Kendrick's cooking, and

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<v Speaker 3>I'm tired of people acting like we didn't have to

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<v Speaker 3>wait twenty nine days for Drake to reply.

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<v Speaker 2>Yeah, I mean this is the social media. Everybody thinks

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<v Speaker 2>that you have to move at their page. Like if

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<v Speaker 2>we told about the spirited hip hop I was. I

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<v Speaker 2>was thinking of back when NAS and j were in

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<v Speaker 2>battle and Jay put out Takeover or September eleventh, on

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<v Speaker 2>two thousand and one. Na's responding on December fourth, his birthday,

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<v Speaker 2>like three months later. Three months later, so you know,

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<v Speaker 2>and I we know Kendrick. He's intentional about everything, so

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<v Speaker 2>you know, I love that he's always continuing to do

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<v Speaker 2>him and moving at the pace he has, Like let

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<v Speaker 2>the noise die down if anything, please.

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<v Speaker 3>Yeah, we waited twenty nine days for Drake to reply.

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<v Speaker 3>Just again, twenty nine days. But with that being said,

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<v Speaker 3>it is the most excited. Yeah, I'm just excited because

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<v Speaker 3>I'm like, yo, one day, like I just want I'm

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<v Speaker 3>gonna wake up, and Kendrick's because I know he's about

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<v Speaker 3>to come crazy.

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<v Speaker 1>It's exciting. I'm just it's exciting.

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<v Speaker 3>And then Quavo and Chris Brown are going at you

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<v Speaker 3>that she's getting a little ugly, but it's just a lot.

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<v Speaker 3>I feel like it's like people are seeing how good

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<v Speaker 3>it is for business to beef kind of, and they're

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<v Speaker 3>all trying to get their little Like.

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<v Speaker 1>Kat Williams said it all, didn't he He.

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<v Speaker 3>Set it off. He kicked the year off with the

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<v Speaker 3>craziest interview ever, and people just been moving like that.

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<v Speaker 1>Yeah, I'm like, yeah, it's getting weird out here.

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<v Speaker 3>It's pretty crazy. Talk to me about why it's taken

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<v Speaker 3>you four and a half years to drop a new

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<v Speaker 3>body of work.

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<v Speaker 2>Yeah, I had a lot to say, and it took

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<v Speaker 2>me about four years to get it all out. I

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<v Speaker 2>was told, you don't stop recording until you don't have

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<v Speaker 2>anything else to say. So I allow myself the grace

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<v Speaker 2>and the time to grow in that period, to heal,

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<v Speaker 2>in that period, to learn, and you know, to really

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<v Speaker 2>figure out all of what I wanted to say and

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<v Speaker 2>then what I wanted to share with the world.

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<v Speaker 3>Yeah, that was it, I think too, Like sometimes people

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<v Speaker 3>will put out music just because they feel like they

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<v Speaker 3>have to or just for the sake of putting out music,

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<v Speaker 3>but there's not intention behind it. No, And usually that's

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<v Speaker 3>when we get like this microwavable music that people don't

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<v Speaker 3>live with, that doesn't age.

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<v Speaker 2>It's there for the moment, and which is okay if

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<v Speaker 2>that's what you want to do.

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<v Speaker 1>I'm just not that type of artist, right, you know.

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<v Speaker 2>I want to put out things that will stand and

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<v Speaker 2>test the time, that'll be a blueprint for people to

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<v Speaker 2>look back to, that will be a soundtrack for this

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<v Speaker 2>life and the next.

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<v Speaker 1>You know.

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<v Speaker 3>So what was your like, where did you draw the

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<v Speaker 3>most inspiration for this body of work?

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<v Speaker 1>Musically?

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<v Speaker 2>Lauryn Hill's Unplugged The honesty, the wrongness of the best

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<v Speaker 2>unplugs ever.

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<v Speaker 1>That you ain't never lied bro a day of your life.

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<v Speaker 2>So that was a big inspiration, probably the biggest, honestly.

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<v Speaker 2>That's that's where I really poured from the most. During

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<v Speaker 2>the pandemic, I would drive to New York six seven

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<v Speaker 2>times and just play that album over and over again.

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<v Speaker 2>Other than that, it was just like things I would read.

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<v Speaker 2>Untamed by Glennon Dole was a book that I read,

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<v Speaker 2>James Allen twenty one books. It just it just really

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<v Speaker 2>allowed me to give myself permission to be human, right,

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<v Speaker 2>and that's what fed everything else.

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<v Speaker 3>Do you feel like because I always when when you're

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<v Speaker 3>brought up, you're always brought up as like one of

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<v Speaker 3>the elite MC's period, like, regardless of gender. But since

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<v Speaker 3>twenty seventeen, since twenty twenty, you know, there has been

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<v Speaker 3>like a huge you know, I feel like we used

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<v Speaker 3>to have these female MC conversations and it's now just

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<v Speaker 3>turned into like ladies are kind of running hip hop now.

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<v Speaker 3>In my opinion, they're I mean, all the big hit

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<v Speaker 3>records are yeah, women, They're only the only women who

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<v Speaker 3>are making like I feel like the women are actually

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<v Speaker 3>putting effort into quote unquote records. Yep, you know, and

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<v Speaker 3>I feel like now like it's it's been I mean,

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<v Speaker 3>the last time I remember it being like this female

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<v Speaker 3>dominated or at least so many options out there was

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<v Speaker 3>like when it was Eve the Brad, Little King, Foxy Brown, like,

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<v Speaker 3>but it's I feel like it's even bigger than that now. No. Yeah, absolutely,

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<v Speaker 3>Like do you feel like we're kind of like in

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<v Speaker 3>the middle of like a special moment when it terms

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<v Speaker 3>to just females running hip hop?

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<v Speaker 1>I do. I do running it in this way. I

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<v Speaker 1>don't think we've I.

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<v Speaker 3>Don't think it's ever happened. No, because even back then

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<v Speaker 3>there was jay Z, there was no there was death Row,

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<v Speaker 3>there was all.

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<v Speaker 2>That at the same time, and and two it was

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<v Speaker 2>uh yeah, this is just.

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<v Speaker 3>Different and everyone's got their own thing, Like it's it

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<v Speaker 3>feels good and you know, for the most part, everyone's

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<v Speaker 3>working together for.

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<v Speaker 2>The most part, Yeah, which is exciting, and I think

0:10:13.679 --> 0:10:19.679
<v Speaker 2>it helps the moment, right, and it's needed. The woman's voice,

0:10:19.720 --> 0:10:22.560
<v Speaker 2>her perspective is needed. I love to see in the

0:10:22.559 --> 0:10:27.120
<v Speaker 2>mainstream a lot more harmony. But it's it's exciting, you know,

0:10:27.280 --> 0:10:27.680
<v Speaker 2>for sure.

0:10:29.080 --> 0:10:32.160
<v Speaker 3>You obviously got Erica and I heard the record on

0:10:32.160 --> 0:10:34.160
<v Speaker 3>the way over here. Amazing.

0:10:34.320 --> 0:10:38.280
<v Speaker 1>Yeah, come on, she's she's out here.

0:10:38.520 --> 0:10:39.800
<v Speaker 3>She got her own weeds train now to.

0:10:40.040 --> 0:10:44.920
<v Speaker 2>Yep cookies that and she's got her own perfume that

0:10:45.000 --> 0:10:47.079
<v Speaker 2>I think she does. I didn't know about the.

0:10:47.240 --> 0:10:50.240
<v Speaker 3>I want to say it's a candle or about she's

0:10:50.280 --> 0:10:50.760
<v Speaker 3>got something that.

0:10:53.280 --> 0:10:55.480
<v Speaker 1>I gotta. I got a box at the house. It

0:10:55.559 --> 0:10:58.120
<v Speaker 1>smells amazing, It smells amazing good.

0:10:58.200 --> 0:11:03.240
<v Speaker 3>I was like, damn, was that something that you said

0:11:03.280 --> 0:11:04.600
<v Speaker 3>to her? Did you guys actually get in?

0:11:06.679 --> 0:11:07.520
<v Speaker 1>How did I get that?

0:11:08.240 --> 0:11:11.480
<v Speaker 2>She gave it to me as a gift for performing

0:11:11.640 --> 0:11:13.640
<v Speaker 2>at her birthday bash fire?

0:11:13.840 --> 0:11:15.520
<v Speaker 1>Yeah, I have two boxes.

0:11:15.800 --> 0:11:17.120
<v Speaker 3>No, no, no, I'm about the record.

0:11:18.240 --> 0:11:23.880
<v Speaker 1>I thought we were still the record. Yeah.

0:11:24.040 --> 0:11:26.440
<v Speaker 2>I was in Dallas, Texas working with s one and

0:11:26.600 --> 0:11:30.200
<v Speaker 2>I did uh. I did two verses. The second verse

0:11:30.320 --> 0:11:33.040
<v Speaker 2>was different than what we have now. But at the

0:11:33.120 --> 0:11:35.000
<v Speaker 2>end I left the hook open because I knew I

0:11:35.040 --> 0:11:35.760
<v Speaker 2>wanted a singer.

0:11:35.760 --> 0:11:37.880
<v Speaker 1>And he was like, yo, who you here? Rap? I said,

0:11:38.000 --> 0:11:40.800
<v Speaker 1>I only hear bad I'm in Dallas.

0:11:40.840 --> 0:11:43.160
<v Speaker 2>So he reached out because I didn't have a contact

0:11:43.200 --> 0:11:46.480
<v Speaker 2>at the time, and she said yes, and you know,

0:11:46.520 --> 0:11:49.000
<v Speaker 2>we continue to work on it. For about eight more months,

0:11:49.040 --> 0:11:51.199
<v Speaker 2>but it was a beautiful time. We never got in

0:11:51.240 --> 0:11:52.559
<v Speaker 2>the studio together, but you know.

0:11:52.520 --> 0:11:53.000
<v Speaker 1>We text.

0:11:53.080 --> 0:11:56.720
<v Speaker 2>She facetimed me and seeing melodies for the hook, she

0:11:56.840 --> 0:11:59.400
<v Speaker 2>shared lyrics with me, and it was just a beautiful

0:11:59.400 --> 0:12:02.079
<v Speaker 2>process of eating a record and building a friendship. Like

0:12:02.440 --> 0:12:06.319
<v Speaker 2>one of the most gifted artists we've ever seen. Creative

0:12:06.400 --> 0:12:10.320
<v Speaker 2>style icon but her heart is beautiful, like amazing.

0:12:10.600 --> 0:12:14.760
<v Speaker 3>Who all do you have doing production on the album?

0:12:14.840 --> 0:12:17.360
<v Speaker 2>We have s one who also serves as an executive

0:12:17.400 --> 0:12:22.320
<v Speaker 2>producer Black Odyssey. They also serve as an executive producer

0:12:22.640 --> 0:12:24.000
<v Speaker 2>Major seven out of Atlanta.

0:12:24.040 --> 0:12:25.520
<v Speaker 3>By the way, people who don't know, there's a guy,

0:12:25.800 --> 0:12:31.400
<v Speaker 3>there's a guy in Black Odyssey, not black, Yes, Alejandro Rico. Yeah,

0:12:31.440 --> 0:12:33.320
<v Speaker 3>I interviewed that, and I was like, what's it like

0:12:33.360 --> 0:12:37.280
<v Speaker 3>being a not black guy in Black Well, because technically

0:12:37.280 --> 0:12:41.480
<v Speaker 3>Black Odyssey lead, you know the crew, you.

0:12:41.440 --> 0:12:44.600
<v Speaker 1>Know, we accept him in our delegation.

0:12:45.400 --> 0:12:49.720
<v Speaker 2>Yeah, but they were amazing to work with. Eric g

0:12:49.880 --> 0:12:54.920
<v Speaker 2>of the Soul Council soundtrack of the Soul Council hit boy.

0:12:56.160 --> 0:12:58.400
<v Speaker 1>Let me make sure I'm not forgetting anybody. No ninth

0:12:58.480 --> 0:12:59.880
<v Speaker 1>beats not on this one.

0:13:00.080 --> 0:13:06.000
<v Speaker 2>Okay, Yeah, we did about two songs. One I had

0:13:06.480 --> 0:13:09.600
<v Speaker 2>uh with Mary but I wanted to work on it more.

0:13:11.240 --> 0:13:16.320
<v Speaker 3>And six Mary Mary J Yeah, yeah, yeah, you left

0:13:16.320 --> 0:13:18.239
<v Speaker 3>the Marry J. Blain's record off the album.

0:13:18.640 --> 0:13:21.080
<v Speaker 1>We both wanted to work on it more crazy, you

0:13:21.080 --> 0:13:23.319
<v Speaker 1>know we put that out. We wanted to feel right

0:13:23.440 --> 0:13:25.880
<v Speaker 1>of course. Yeah, I love Mary. Oh.

0:13:26.440 --> 0:13:28.400
<v Speaker 3>I feel like anyone who works with hit boy these

0:13:28.480 --> 0:13:30.480
<v Speaker 3>days ends up doing the whole album with him, would you.

0:13:30.679 --> 0:13:32.400
<v Speaker 3>I mean, look, we talked about it. I would say

0:13:32.480 --> 0:13:33.160
<v Speaker 3>that'd be crazy.

0:13:33.200 --> 0:13:36.640
<v Speaker 2>Yeah, when Astroids drop, we talked about it. I told

0:13:36.679 --> 0:13:38.480
<v Speaker 2>him I would love to. He said the same, So

0:13:38.640 --> 0:13:41.360
<v Speaker 2>we'll see how it goes, you know time, but I

0:13:41.360 --> 0:13:41.880
<v Speaker 2>would love to.

0:13:42.120 --> 0:13:46.800
<v Speaker 3>I just got to thank him for getting NAS in place. Yeah,

0:13:46.920 --> 0:13:51.400
<v Speaker 3>I think we've gotten six albums three three Magics, three

0:13:51.480 --> 0:13:54.800
<v Speaker 3>Kings Diseases, And then I also think if it weren't

0:13:54.800 --> 0:13:56.920
<v Speaker 3>for those six albums, we wouldn't be getting this premiere

0:13:57.000 --> 0:13:59.960
<v Speaker 3>NAS album that we're getting on, which is what produced

0:14:00.160 --> 0:14:03.600
<v Speaker 3>we've wanted for fucking twenty fucking years years.

0:14:04.880 --> 0:14:06.000
<v Speaker 1>Everything has this time.

0:14:06.160 --> 0:14:08.199
<v Speaker 3>I know when I heard that the song just dropped

0:14:08.240 --> 0:14:09.760
<v Speaker 3>last Friday, and then at the end they're like, yeah,

0:14:09.800 --> 0:14:10.680
<v Speaker 3>and the albums I.

0:14:10.760 --> 0:14:15.080
<v Speaker 1>Was like, oh my god, Yo, everybody was excited. Is

0:14:15.280 --> 0:14:17.000
<v Speaker 1>hip hop is exciting this year?

0:14:17.040 --> 0:14:17.360
<v Speaker 3>It is.

0:14:17.440 --> 0:14:20.600
<v Speaker 2>It's just it feels the energy feels good. It does

0:14:20.880 --> 0:14:22.360
<v Speaker 2>like a different good for sure.

0:14:22.360 --> 0:14:22.560
<v Speaker 1>You know.

0:14:22.640 --> 0:14:24.560
<v Speaker 3>I feel like it's like the most. I feel like

0:14:24.720 --> 0:14:26.440
<v Speaker 3>last year was kind of like a down year energy

0:14:26.440 --> 0:14:28.240
<v Speaker 3>wise for rap. This year, I feel like it's like

0:14:28.880 --> 0:14:32.400
<v Speaker 3>because there was like a people questioning, Like I saw

0:14:32.440 --> 0:14:34.960
<v Speaker 3>a Carl post something about like the same people who

0:14:35.000 --> 0:14:36.880
<v Speaker 3>were saying that hip hop was dying last year need

0:14:36.920 --> 0:14:39.480
<v Speaker 3>to give make sure that people know it's alive and

0:14:39.480 --> 0:14:41.040
<v Speaker 3>well and running the charts this year.

0:14:41.200 --> 0:14:41.960
<v Speaker 1>Let's talk about it.

0:14:42.320 --> 0:14:46.440
<v Speaker 3>Honey, going nowhere, I'm curious. You're such a hip hop head.

0:14:46.480 --> 0:14:48.600
<v Speaker 3>What are your like if you were to go to

0:14:48.640 --> 0:14:50.240
<v Speaker 3>an island then you can only take like three or

0:14:50.240 --> 0:14:53.640
<v Speaker 3>four albums with you. What are the albums you're taking

0:14:53.640 --> 0:14:54.640
<v Speaker 3>that are hip hop?

0:14:54.880 --> 0:14:59.920
<v Speaker 1>Strictly Reasonable Doubt by Jay Z to Butterfly by Kendrick

0:15:00.120 --> 0:15:03.160
<v Speaker 1>more strictly hip hop?

0:15:05.200 --> 0:15:11.280
<v Speaker 2>The Score by the fujis yes, ooh.

0:15:10.120 --> 0:15:14.800
<v Speaker 1>And it Illmatic Happy thirty years thirty years Age is

0:15:14.840 --> 0:15:17.640
<v Speaker 1>like fine one absolutely.

0:15:17.400 --> 0:15:19.680
<v Speaker 3>Yeah, that's a great four. I think Reasonable that was

0:15:19.720 --> 0:15:21.840
<v Speaker 3>Jayz's best album. I'll stand by that forever.

0:15:22.080 --> 0:15:25.720
<v Speaker 2>I go back and forth between it's the top three, Blueprint,

0:15:25.760 --> 0:15:27.320
<v Speaker 2>Black and Reasonable, depending on the.

0:15:27.280 --> 0:15:27.840
<v Speaker 1>Day I'll give you.

0:15:27.880 --> 0:15:28.520
<v Speaker 3>Those are my three.

0:15:28.600 --> 0:15:30.360
<v Speaker 1>Those are the three, and I interchange them.

0:15:30.400 --> 0:15:32.920
<v Speaker 3>Like to me, it's like reasonable Doubt is like so

0:15:33.080 --> 0:15:37.640
<v Speaker 3>fucking crazy, like friend or foe, like yeah.

0:15:36.840 --> 0:15:39.400
<v Speaker 1>In my life. No, that's the feeling.

0:15:39.200 --> 0:15:41.920
<v Speaker 3>Feeling it, Oh yeah, feeling it, fucking.

0:15:41.880 --> 0:15:44.320
<v Speaker 1>Cap with Biggie the Evils.

0:15:44.480 --> 0:15:47.920
<v Speaker 3>Yes, the Evils is crazy with the Snoop samples. Reasonable

0:15:47.960 --> 0:15:48.760
<v Speaker 3>doubts the one for me.

0:15:48.880 --> 0:15:52.040
<v Speaker 1>But twenty two tools, Oh my god, it's.

0:15:51.880 --> 0:15:55.120
<v Speaker 3>He the Blueprint or Black albums. Then you know what

0:15:55.160 --> 0:15:58.160
<v Speaker 3>I saw. I hated Old the hov though. To me,

0:15:58.240 --> 0:16:00.360
<v Speaker 3>the Black or the Blue Blueprint has one song that

0:16:00.400 --> 0:16:03.200
<v Speaker 3>I can I skip. It's O Lajo Vito. I can't,

0:16:03.200 --> 0:16:05.520
<v Speaker 3>I can't. I just can't do it. It's the Brave

0:16:05.520 --> 0:16:07.840
<v Speaker 3>Heart Party of that album. Do you remember Brave Heart

0:16:07.840 --> 0:16:12.120
<v Speaker 3>Party on Stematic? Oh so Stillmatic was a perfect album,

0:16:12.120 --> 0:16:14.320
<v Speaker 3>but there was a song called Brave Heart Party with

0:16:14.440 --> 0:16:16.760
<v Speaker 3>Mary J. Blige, and it's one of the worst rap

0:16:16.800 --> 0:16:21.000
<v Speaker 3>songs ever created. It's so bad that when they reissued

0:16:21.040 --> 0:16:23.320
<v Speaker 3>the album they took it off.

0:16:24.000 --> 0:16:25.800
<v Speaker 1>I feel like you always give me a moment where

0:16:25.800 --> 0:16:26.240
<v Speaker 1>I'm like.

0:16:27.560 --> 0:16:30.440
<v Speaker 3>No, NAS knows, it's terrible. Listen, if you were to

0:16:30.480 --> 0:16:32.560
<v Speaker 3>go to the store right now and buy like a

0:16:32.600 --> 0:16:35.400
<v Speaker 3>stealmatic that's been pressed in the last fifteen years, Brave

0:16:35.400 --> 0:16:40.200
<v Speaker 3>Heart Party is not on. Do you remember when jay

0:16:40.240 --> 0:16:41.840
<v Speaker 3>Z did the Blueprint two point one?

0:16:42.040 --> 0:16:44.600
<v Speaker 4>Yeah, and because the Blueprint too had some shit on it,

0:16:45.120 --> 0:16:48.480
<v Speaker 4>but it also had some shit on it so much

0:16:48.520 --> 0:16:50.480
<v Speaker 4>so that they were like, let's do the blue point

0:16:50.480 --> 0:16:52.200
<v Speaker 4>two point one and just put all the good shit

0:16:52.280 --> 0:16:53.240
<v Speaker 4>on one album.

0:16:53.480 --> 0:16:55.160
<v Speaker 3>That's what NAS had to do with Brave Heart Party.

0:16:55.200 --> 0:16:56.120
<v Speaker 3>He knows it's a bad song.

0:16:56.760 --> 0:16:57.840
<v Speaker 1>I love you so much.

0:17:01.200 --> 0:17:03.880
<v Speaker 3>Whenever I interviewed Nows, I specifically want to bring that up, Like, hey,

0:17:03.880 --> 0:17:08.199
<v Speaker 3>so who I mean interviewed him when I was like

0:17:08.200 --> 0:17:11.000
<v Speaker 3>fucking nineteen and I brought him a box of ship

0:17:11.000 --> 0:17:11.639
<v Speaker 3>to autograph.

0:17:12.440 --> 0:17:13.240
<v Speaker 1>Was that one of them?

0:17:13.400 --> 0:17:13.600
<v Speaker 4>Yeah?

0:17:14.080 --> 0:17:15.560
<v Speaker 1>Fire, that's fire?

0:17:15.720 --> 0:17:17.639
<v Speaker 5>Okay, Yeah, I brought him like I was like I

0:17:17.640 --> 0:17:19.600
<v Speaker 5>saw that and I was like, oh, bottom stuff.

0:17:19.600 --> 0:17:21.480
<v Speaker 3>And I was like, hey, dude, like if you could

0:17:21.520 --> 0:17:24.119
<v Speaker 3>interview all the sign all this ship, it'd be great.

0:17:25.640 --> 0:17:27.240
<v Speaker 3>If you don't want to, I get it, but this

0:17:27.280 --> 0:17:28.800
<v Speaker 3>is like the biggest moment of my life.

0:17:29.000 --> 0:17:29.560
<v Speaker 1>That's love.

0:17:30.440 --> 0:17:32.960
<v Speaker 3>You signed it all. I asked him what happened? Do

0:17:33.000 --> 0:17:34.479
<v Speaker 3>you know what my main question was because I only

0:17:34.520 --> 0:17:36.479
<v Speaker 3>got the interview like ten minutes, but it was like Yo,

0:17:36.520 --> 0:17:38.040
<v Speaker 3>Win's Lost Tapes two coming.

0:17:37.760 --> 0:17:39.840
<v Speaker 1>Out and Lost Tapes was a.

0:17:40.000 --> 0:17:43.439
<v Speaker 3>Joint, probably my third favorite NAS album.

0:17:44.200 --> 0:17:45.480
<v Speaker 1>Up there, It's up there.

0:17:45.840 --> 0:17:48.440
<v Speaker 3>Then Lost Tapes two came and it was I should

0:17:48.480 --> 0:17:55.640
<v Speaker 3>have stood, stayed, lost shouts and nots. Anyway, who else

0:17:55.720 --> 0:17:57.480
<v Speaker 3>is on this album?

0:17:57.680 --> 0:17:58.160
<v Speaker 1>Okay?

0:17:58.200 --> 0:18:02.680
<v Speaker 2>We talked about Eric Abad have Little Wayne, Oh yeah,

0:18:02.800 --> 0:18:12.480
<v Speaker 2>Nico brim alex Issley Dixon, Baby Tape, and Banaving hold on.

0:18:12.560 --> 0:18:17.480
<v Speaker 2>Let me make sure I'm not forgetting anybody.

0:18:16.200 --> 0:18:17.320
<v Speaker 1>I think I think?

0:18:17.359 --> 0:18:22.119
<v Speaker 2>I said, Oh, kez Namdi Knew an artist from Jamaica, bb.

0:18:22.800 --> 0:18:25.840
<v Speaker 1>Fire, That's it. I got everybody Wayne.

0:18:28.320 --> 0:18:30.320
<v Speaker 2>So I've always been a fan since I was thirteen

0:18:30.400 --> 0:18:33.840
<v Speaker 2>during the pandemic. I've been working with bel Air here

0:18:33.880 --> 0:18:34.320
<v Speaker 2>and there.

0:18:35.040 --> 0:18:36.679
<v Speaker 1>But you know the Bomboo.

0:18:37.760 --> 0:18:42.640
<v Speaker 2>Yeah, so Brett the guy, Yeah that's Brett good good folk.

0:18:43.160 --> 0:18:46.800
<v Speaker 2>But I think Maine or Brett one of them told

0:18:46.840 --> 0:18:49.359
<v Speaker 2>me that uh Wayne wanted me to do a song

0:18:49.440 --> 0:18:53.320
<v Speaker 2>for Bomboo at the time, and it never materialized, but

0:18:53.720 --> 0:18:56.879
<v Speaker 2>I was like, okay, he's tapped in. So when we

0:18:56.880 --> 0:18:58.760
<v Speaker 2>started doing the record and I knew I wanted to

0:18:58.800 --> 0:19:01.520
<v Speaker 2>do it with him, I I've been talking to Mac

0:19:01.720 --> 0:19:03.200
<v Speaker 2>for a little bit, so I just hit Mac.

0:19:03.240 --> 0:19:04.880
<v Speaker 1>I was like, Yo, I got this record.

0:19:04.920 --> 0:19:06.440
<v Speaker 2>I want to see h Wayne, see if he'll get

0:19:06.480 --> 0:19:07.679
<v Speaker 2>on it.

0:19:07.880 --> 0:19:11.000
<v Speaker 1>He connected us. Uh, you know, we were texting, playing

0:19:11.040 --> 0:19:13.200
<v Speaker 1>the record, send him the record. He did it in

0:19:13.320 --> 0:19:13.879
<v Speaker 1>like a week.

0:19:14.200 --> 0:19:17.000
<v Speaker 2>Oh wow, yeah, like fast like so I appreciate his

0:19:17.080 --> 0:19:19.200
<v Speaker 2>grace and just extending his services.

0:19:19.200 --> 0:19:21.240
<v Speaker 1>But that was it, you know. And I would tap

0:19:21.240 --> 0:19:23.040
<v Speaker 1>in every now and again just to check in. Happy

0:19:23.040 --> 0:19:23.680
<v Speaker 1>Father's Day.

0:19:23.840 --> 0:19:29.040
<v Speaker 2>But yeah, yeah, he's been a god send. He made

0:19:29.040 --> 0:19:30.440
<v Speaker 2>the business easy song.

0:19:31.119 --> 0:19:33.680
<v Speaker 3>I feel like we underappreciate Little Wayne somehow, now we do.

0:19:34.000 --> 0:19:36.560
<v Speaker 1>He's he's one and two.

0:19:38.280 --> 0:19:39.360
<v Speaker 3>He's one of your one or two.

0:19:39.680 --> 0:19:42.040
<v Speaker 1>Yeah, I mean it's Jay, but he like right there.

0:19:42.200 --> 0:19:45.720
<v Speaker 3>I got him liking around nine. I mean my top

0:19:45.720 --> 0:19:48.760
<v Speaker 3>ten is very like it's like super fucking I got

0:19:48.760 --> 0:19:51.919
<v Speaker 3>ghost face above a little wad like I'm not I know,

0:19:51.960 --> 0:19:55.120
<v Speaker 3>I got like a super like. I always say, like

0:19:55.520 --> 0:20:00.320
<v Speaker 3>Kendrick's top five all time because if we if people

0:20:00.320 --> 0:20:03.919
<v Speaker 3>put Biggie in their top one or two off of

0:20:03.960 --> 0:20:07.199
<v Speaker 3>two albums. Oh yeah, you have to put Kendrick in

0:20:07.200 --> 0:20:10.600
<v Speaker 3>your top five off of his discography because his discography is.

0:20:11.160 --> 0:20:17.000
<v Speaker 5>Albums, EPs, impact, mixtapes, all of it. Yeah, and then

0:20:17.119 --> 0:20:19.000
<v Speaker 5>like one and two is to me, it's Jay and

0:20:19.200 --> 0:20:22.919
<v Speaker 5>and NAS and then I could just like swap shit around.

0:20:23.160 --> 0:20:25.159
<v Speaker 5>It just becomes after like one and two are the

0:20:25.160 --> 0:20:26.720
<v Speaker 5>only two that like don't move for me. Ever, it's

0:20:26.760 --> 0:20:29.520
<v Speaker 5>jay Z, it'sn and it is how you feelings.

0:20:29.520 --> 0:20:32.080
<v Speaker 3>However, I'm feeling it for the day. You know, Kendrick's

0:20:32.160 --> 0:20:34.399
<v Speaker 3>up there. I say, if Drake comes away from this

0:20:34.560 --> 0:20:40.640
<v Speaker 3>whole thing on top mm hmm. I finally gotta stop

0:20:40.640 --> 0:20:45.320
<v Speaker 3>hating on Drake if he can come out of now.

0:20:45.359 --> 0:20:48.080
<v Speaker 3>I thought the AI thing was one of the corniest

0:20:48.080 --> 0:20:49.919
<v Speaker 3>things I've ever seen a rapper do in my entire life.

0:20:50.000 --> 0:20:53.200
<v Speaker 3>You did, I thought it was terrible because I'm sure

0:20:53.240 --> 0:20:55.879
<v Speaker 3>Snoop didn't go sign that fucking using Tupac's voice. Come

0:20:55.920 --> 0:21:00.000
<v Speaker 3>on anyway, Nonetheless, if he can come out from every

0:21:00.160 --> 0:21:05.000
<v Speaker 3>you want diss in it the weekend the biggest artist

0:21:05.080 --> 0:21:09.040
<v Speaker 3>in the world on Spotify number If you look at

0:21:09.359 --> 0:21:12.440
<v Speaker 3>the ranking of the Weekend is number one. You got

0:21:12.440 --> 0:21:15.800
<v Speaker 3>the Weekend dissing you, bro, if you got the twenty

0:21:15.840 --> 0:21:18.920
<v Speaker 3>verse one. He posted that ship with a kill bill

0:21:19.560 --> 0:21:24.840
<v Speaker 3>and he comes out on top. I gotta, I just gotta.

0:21:25.040 --> 0:21:27.040
<v Speaker 3>I hate to say it, but he might be up there, bro,

0:21:27.160 --> 0:21:27.640
<v Speaker 3>he might be.

0:21:27.560 --> 0:21:29.560
<v Speaker 1>The I mean, the boy can rap. That's what makes

0:21:29.560 --> 0:21:30.480
<v Speaker 1>this so exciting.

0:21:30.680 --> 0:21:32.919
<v Speaker 3>He can wrap his ass off. And he's the biggest,

0:21:34.040 --> 0:21:40.359
<v Speaker 3>probably the biggest rapper ever commercially successful. Yeah, especially for

0:21:40.400 --> 0:21:43.960
<v Speaker 3>the run. Yeah yeah, yeah, you know, like Wayne had

0:21:44.000 --> 0:21:46.600
<v Speaker 3>like that three year run that was fucking crazy. Like uh,

0:21:47.000 --> 0:21:49.480
<v Speaker 3>Eminem had like h what probably five or six years

0:21:49.480 --> 0:21:52.480
<v Speaker 3>where he was like the biggest shit ever. But Drake's like,

0:21:52.960 --> 0:21:57.920
<v Speaker 3>oh nine to now, never seen it. With that being said, he.

0:21:57.960 --> 0:22:00.000
<v Speaker 1>Sings too, though, So he sings too. That's good.

0:22:00.280 --> 0:22:04.760
<v Speaker 3>Yeah, it helps, it helps, It help does help. I

0:22:04.800 --> 0:22:09.199
<v Speaker 3>ain't fucking singing, jay Z ain't singing, thank god, I

0:22:09.240 --> 0:22:14.119
<v Speaker 3>ain't need but I need Drake to give me a

0:22:14.200 --> 0:22:18.120
<v Speaker 3>rewind or a fucking meet the parents, or I need

0:22:18.160 --> 0:22:20.919
<v Speaker 3>something like that. We ain't got one of those. But

0:22:20.920 --> 0:22:23.480
<v Speaker 3>if it comes out on top, I don't listen to me.

0:22:23.560 --> 0:22:25.680
<v Speaker 3>Kendrick Mars Indeed, the boogie man. I think, I think

0:22:27.400 --> 0:22:29.520
<v Speaker 3>I just can't wait man shots at k dot. I'm

0:22:29.560 --> 0:22:31.080
<v Speaker 3>super biased in this whole thing.

0:22:31.000 --> 0:22:33.920
<v Speaker 1>So likewise, but it is what it is. I mean,

0:22:34.160 --> 0:22:36.879
<v Speaker 1>I know the calib of human we talk when.

0:22:36.720 --> 0:22:40.840
<v Speaker 3>You So when you got nominated for like hip Hop

0:22:40.920 --> 0:22:43.800
<v Speaker 3>Album of the Year, that was a big deal and

0:22:43.880 --> 0:22:45.639
<v Speaker 3>I kind of feel like that kind of kicked off

0:22:46.520 --> 0:22:49.000
<v Speaker 3>like a wave of the Grammy is at least semi

0:22:49.040 --> 0:22:53.400
<v Speaker 3>getting some of the nominees, right, you know, a few

0:22:53.440 --> 0:22:56.280
<v Speaker 3>years later, I know pusha T got nominated and Royster

0:22:56.320 --> 0:22:58.760
<v Speaker 3>five nine got nominated. Actually think it was the next year.

0:22:59.119 --> 0:23:02.200
<v Speaker 1>The process was different, right, That was a.

0:23:02.160 --> 0:23:04.639
<v Speaker 3>Year after Right, it was twenty eighteen because Daytona came

0:23:04.640 --> 0:23:05.359
<v Speaker 3>out on twenty eighteen.

0:23:05.720 --> 0:23:09.600
<v Speaker 2>So there was a time when the Grammys were trying

0:23:09.640 --> 0:23:11.760
<v Speaker 2>to get it right, especially for hip hop. So they

0:23:11.800 --> 0:23:14.879
<v Speaker 2>created these committees for all genres. And the way the

0:23:14.920 --> 0:23:17.479
<v Speaker 2>Grammys works is you have to be a member of

0:23:17.560 --> 0:23:20.560
<v Speaker 2>the voting committee, which means you have to be nominated

0:23:20.600 --> 0:23:25.960
<v Speaker 2>and have one pasi bla. Everybody, no matter what genre

0:23:25.960 --> 0:23:29.639
<v Speaker 2>you and everybody who's in the voting committee gets to vote.

0:23:29.960 --> 0:23:30.160
<v Speaker 1>Right.

0:23:30.520 --> 0:23:32.240
<v Speaker 2>So a lot of times if you're a country artist

0:23:32.240 --> 0:23:33.560
<v Speaker 2>and maybe you're not really into.

0:23:33.400 --> 0:23:36.240
<v Speaker 1>Hip hop, it's gonna vote name recognition.

0:23:35.880 --> 0:23:40.440
<v Speaker 2>Right, So to balance that out, they created these committees

0:23:40.480 --> 0:23:43.800
<v Speaker 2>of trusted individuals from each genre and that culture. Country

0:23:43.800 --> 0:23:45.920
<v Speaker 2>had theirs, pop had, there's R and B. Hip hop

0:23:45.960 --> 0:23:51.680
<v Speaker 2>had it's trusted committee, and you would get the top whatever,

0:23:52.000 --> 0:23:53.520
<v Speaker 2>and you would go through the list and if you

0:23:53.560 --> 0:23:55.760
<v Speaker 2>felt like there was somebody that needed to be in

0:23:55.800 --> 0:23:58.200
<v Speaker 2>there that wasn't represented, you got to go through a

0:23:58.240 --> 0:24:01.200
<v Speaker 2>process of listening to that record to get it, going

0:24:01.240 --> 0:24:05.320
<v Speaker 2>through it, and voting it in because you were of

0:24:05.359 --> 0:24:07.879
<v Speaker 2>the community. So that's how you get a Voice to

0:24:07.960 --> 0:24:10.720
<v Speaker 2>five non nomina NATed, That's how you get a nipsy

0:24:10.800 --> 0:24:14.720
<v Speaker 2>nominaefraidh exactly. That was the balance in the checks and

0:24:14.760 --> 0:24:16.760
<v Speaker 2>balance the system to make sure this is not just

0:24:16.800 --> 0:24:18.560
<v Speaker 2>a popularity contest that hip hop.

0:24:18.680 --> 0:24:20.040
<v Speaker 3>That makes sense why I'm saying, I mean shot to

0:24:20.080 --> 0:24:22.200
<v Speaker 3>my boy macl my Love, but that would make sense

0:24:22.240 --> 0:24:24.600
<v Speaker 3>why he won over Kendrick that year.

0:24:25.760 --> 0:24:28.040
<v Speaker 1>It's just popularity name recogniztion.

0:24:28.119 --> 0:24:29.840
<v Speaker 3>Yeah, because like this year, I feel like they knocked

0:24:29.880 --> 0:24:32.040
<v Speaker 3>it out the park with Killer Mike. I'm like, of course,

0:24:32.119 --> 0:24:33.560
<v Speaker 3>Killer Mike had the best rap album of the year.

0:24:33.560 --> 0:24:35.639
<v Speaker 3>I don't even think it was It wasn't even I

0:24:35.680 --> 0:24:36.560
<v Speaker 3>didn't think it was close.

0:24:36.640 --> 0:24:37.720
<v Speaker 1>It wasn't even close.

0:24:37.840 --> 0:24:40.199
<v Speaker 2>It was solid and they got a ride and they

0:24:40.240 --> 0:24:44.000
<v Speaker 2>got it right. Yeah, So that's exciting to see one hundred.

0:24:44.400 --> 0:24:44.600
<v Speaker 2>I was.

0:24:44.680 --> 0:24:47.000
<v Speaker 3>I was super stoked to see that. But I wonder, like,

0:24:47.000 --> 0:24:49.840
<v Speaker 3>when you get a taste of that, are you like,

0:24:50.320 --> 0:24:52.159
<v Speaker 3>do you when you create now? Do you create with

0:24:52.200 --> 0:24:53.119
<v Speaker 3>the Grammys in mind?

0:24:53.720 --> 0:24:57.800
<v Speaker 1>Are you super? Not anymore? Nothing in mind? No Grammys,

0:24:58.400 --> 0:25:00.040
<v Speaker 1>no BT Awards, no.

0:25:01.480 --> 0:25:04.080
<v Speaker 2>Billboard, which I've never really been high on anymore, no

0:25:04.200 --> 0:25:05.120
<v Speaker 2>platinum plats.

0:25:05.520 --> 0:25:07.440
<v Speaker 1>This one, I was like, you know, I'm tired of.

0:25:07.440 --> 0:25:09.280
<v Speaker 3>Chasing these accolades.

0:25:09.480 --> 0:25:12.679
<v Speaker 2>Yeah, and these measurements, and sometimes some of it is

0:25:12.680 --> 0:25:13.840
<v Speaker 2>real and some oftimes it's not.

0:25:14.040 --> 0:25:15.560
<v Speaker 1>Like you say, something is a popularity.

0:25:15.680 --> 0:25:18.239
<v Speaker 3>So hey, I'm gonna throw you my phone. Yeap, put

0:25:18.280 --> 0:25:19.680
<v Speaker 3>it on the white shot. I think this is the

0:25:19.880 --> 0:25:23.199
<v Speaker 3>guy who's coming to power wash out signs, hold on,

0:25:26.880 --> 0:25:30.560
<v Speaker 3>just just go and put on the white chot. Sorry,

0:25:30.640 --> 0:25:32.040
<v Speaker 3>this guy's doing this painting tomorrow.

0:25:32.200 --> 0:25:35.480
<v Speaker 1>Oh yeah, gotta get this wash Yeah you want miss that.

0:25:35.560 --> 0:25:37.000
<v Speaker 3>Tell him if he could come tonight. He needs to

0:25:37.040 --> 0:25:41.119
<v Speaker 3>come tonight. So that because I always wonder, like, you know,

0:25:41.280 --> 0:25:43.959
<v Speaker 3>like when people I always feel like when people on

0:25:44.000 --> 0:25:46.359
<v Speaker 3>the other side of the spectrum, like when people have

0:25:46.400 --> 0:25:49.199
<v Speaker 3>like certain commercial success where they feel like they have

0:25:49.240 --> 0:25:50.840
<v Speaker 3>to go in and they have to create like a

0:25:50.920 --> 0:25:53.320
<v Speaker 3>radio record or like a hit record, it always comes

0:25:53.359 --> 0:25:55.720
<v Speaker 3>off like the forest, and I feel like that can

0:25:55.760 --> 0:25:58.160
<v Speaker 3>happen on the other side where you're like, we gotta

0:25:58.200 --> 0:25:59.560
<v Speaker 3>make this album for the Grammys.

0:26:00.080 --> 0:26:02.120
<v Speaker 2>Yeah, I don't want to do that, but this one

0:26:02.240 --> 0:26:05.080
<v Speaker 2>is super intentional. I want to have a connection with people.

0:26:05.200 --> 0:26:07.000
<v Speaker 2>I want them to get to know me better. That

0:26:07.160 --> 0:26:10.399
<v Speaker 2>was my only only goal. You know, some people can

0:26:10.520 --> 0:26:12.520
<v Speaker 2>do that, they they.

0:26:12.040 --> 0:26:14.360
<v Speaker 1>Do it well. Drake does it well for sure.

0:26:14.359 --> 0:26:14.560
<v Speaker 5>You know.

0:26:15.200 --> 0:26:17.359
<v Speaker 1>My space and how I create is different.

0:26:17.680 --> 0:26:20.000
<v Speaker 2>Yeah, you know, if it comes, it comes, but it

0:26:20.040 --> 0:26:24.159
<v Speaker 2>has to come naturally, Like I don't want to chase chase.

0:26:23.920 --> 0:26:27.800
<v Speaker 3>It, you know, do you uh? Because somebody like yourself,

0:26:29.000 --> 0:26:31.880
<v Speaker 3>I feel like it's like obviously criminally slept on underrated

0:26:31.920 --> 0:26:33.760
<v Speaker 3>if you will, when we talk about just like the

0:26:34.000 --> 0:26:37.520
<v Speaker 3>upper echelon of hip hop artists in the game, is

0:26:37.520 --> 0:26:40.040
<v Speaker 3>that something that bothers you anymore? Being underrated or being

0:26:40.040 --> 0:26:43.360
<v Speaker 3>slept on? No? Did it ever it did to you,

0:26:44.040 --> 0:26:44.680
<v Speaker 3>It did.

0:26:44.880 --> 0:26:49.280
<v Speaker 1>It did a lot. You know, you you compare yourself,

0:26:49.560 --> 0:26:52.280
<v Speaker 1>you use that as a measure of its success. You're like,

0:26:52.320 --> 0:26:54.399
<v Speaker 1>what's wrong with me? What am I missing? Where do

0:26:54.480 --> 0:26:57.240
<v Speaker 1>I fit in? Why is it? Why aren't I connecting?

0:26:57.240 --> 0:27:00.320
<v Speaker 1>And translated? Now it's just like I don't don't really

0:27:00.359 --> 0:27:00.960
<v Speaker 1>care anymore.

0:27:01.600 --> 0:27:04.520
<v Speaker 3>It's easy to like look across the way and see

0:27:04.560 --> 0:27:06.359
<v Speaker 3>what everyone else is doing and then let let that

0:27:06.440 --> 0:27:09.720
<v Speaker 3>kind of affect your energy or let that affect your process.

0:27:10.400 --> 0:27:12.280
<v Speaker 3>But I feel like it's like you gotta just kind

0:27:12.280 --> 0:27:14.920
<v Speaker 3>of stay stay down, like you do what you do

0:27:14.960 --> 0:27:16.240
<v Speaker 3>and like people love you for it.

0:27:16.560 --> 0:27:20.399
<v Speaker 1>Yeah, I'm content with that. My place is my place.

0:27:20.840 --> 0:27:21.040
<v Speaker 3>You know.

0:27:21.160 --> 0:27:23.280
<v Speaker 2>For whatever reason this is, it goes its way from

0:27:23.320 --> 0:27:25.439
<v Speaker 2>me inside, it goes I receive it.

0:27:25.800 --> 0:27:29.199
<v Speaker 3>How are you? How hip are you to like, like,

0:27:29.280 --> 0:27:31.720
<v Speaker 3>do you still try to like discover new.

0:27:31.680 --> 0:27:34.720
<v Speaker 1>Artists all the time? Yeah, as much as I can.

0:27:35.480 --> 0:27:37.000
<v Speaker 2>You know, when I'm creating, I don't listen to a

0:27:37.040 --> 0:27:40.040
<v Speaker 2>lot of music, but if I fall into it, I'm

0:27:40.080 --> 0:27:41.480
<v Speaker 2>definitely tapped in all the time.

0:27:41.720 --> 0:27:45.320
<v Speaker 3>Have you heard of this girl famsin that name Sounds.

0:27:45.400 --> 0:27:47.879
<v Speaker 3>She's been going super viral with her firstyle, she's crazy.

0:27:48.960 --> 0:27:49.679
<v Speaker 1>What she looked like.

0:27:49.920 --> 0:27:51.640
<v Speaker 3>She's like light skinturly hair.

0:27:52.040 --> 0:27:55.920
<v Speaker 2>She did the Badu flip. She's dope, She's super dope,

0:27:56.040 --> 0:27:58.480
<v Speaker 2>super dope. I want to say I follow her.

0:27:58.520 --> 0:27:59.080
<v Speaker 3>She's hardest.

0:27:59.320 --> 0:28:01.520
<v Speaker 1>Yeah, yeah, yeah, she's crazy. Yeah.

0:28:01.640 --> 0:28:03.000
<v Speaker 3>I was like, what I asked you about it?

0:28:03.040 --> 0:28:06.320
<v Speaker 1>I feel like, yeah, I already yeah, already, No, I

0:28:06.359 --> 0:28:07.880
<v Speaker 1>saw it. I was like, oh, she cold?

0:28:09.480 --> 0:28:11.960
<v Speaker 3>Are you already? Even like, so album comes out, you

0:28:12.000 --> 0:28:15.440
<v Speaker 3>get through the process of working the album. How much

0:28:15.480 --> 0:28:17.800
<v Speaker 3>time do you take before you even start thinking about

0:28:18.240 --> 0:28:18.879
<v Speaker 3>getting back in.

0:28:19.160 --> 0:28:22.160
<v Speaker 2>Man, everyone is different the other ones. I would take

0:28:22.200 --> 0:28:25.080
<v Speaker 2>like two months and I'm right back in. I finished

0:28:25.080 --> 0:28:29.520
<v Speaker 2>this album completely in August. I've probably been in the

0:28:29.560 --> 0:28:31.000
<v Speaker 2>studio once or twice.

0:28:31.680 --> 0:28:34.520
<v Speaker 3>So for you, it's like, because you know there's some

0:28:34.520 --> 0:28:36.320
<v Speaker 3>people who are like, yeo, no matter why I'm recording,

0:28:36.480 --> 0:28:38.360
<v Speaker 3>I got thousands of songs for you, it's like, like

0:28:38.400 --> 0:28:40.920
<v Speaker 3>you said, it's about intentions. So it's like you get

0:28:40.920 --> 0:28:43.480
<v Speaker 3>to the end of that chapter, breathe a little, let's

0:28:43.520 --> 0:28:46.880
<v Speaker 3>get the album out. Yeah, time for yourself, get reinspired.

0:28:47.960 --> 0:28:48.680
<v Speaker 1>Yep, that's it.

0:28:48.760 --> 0:28:52.000
<v Speaker 2>I'm just like I've told myself, even though if I'm

0:28:52.000 --> 0:28:55.000
<v Speaker 2>not actively in the studio on the mic recording writing.

0:28:55.320 --> 0:28:58.160
<v Speaker 2>I'm still creating right the conversations I have, the things

0:28:58.200 --> 0:29:01.880
<v Speaker 2>I see, like my brain is all it never turns off.

0:29:02.000 --> 0:29:05.560
<v Speaker 2>But I'm just keeping accounting record when the time comes.

0:29:05.560 --> 0:29:09.680
<v Speaker 2>It's like I got the spark now, yeah, but I'll

0:29:10.000 --> 0:29:11.440
<v Speaker 2>every day every now and again.

0:29:11.960 --> 0:29:13.239
<v Speaker 3>We got to get the sparks. So you and hip

0:29:13.240 --> 0:29:14.360
<v Speaker 3>Boy can do au ep.

0:29:14.360 --> 0:29:16.000
<v Speaker 1>Oh No, we're gonna get it. There's a lot I

0:29:16.040 --> 0:29:17.920
<v Speaker 1>want to do with a lot of people.

0:29:17.760 --> 0:29:20.200
<v Speaker 3>So I think it's human hip Boy. You gotta do

0:29:20.200 --> 0:29:21.880
<v Speaker 3>the hip boy album. That's gonna be crazy. Yeah.

0:29:21.960 --> 0:29:22.760
<v Speaker 1>Yeah, for sure.

0:29:23.240 --> 0:29:24.840
<v Speaker 3>He's got his room and childice. You just go over

0:29:24.840 --> 0:29:27.040
<v Speaker 3>there with him, a big hit big he will be

0:29:27.040 --> 0:29:34.200
<v Speaker 3>doing push ups in the corner, pull up ball. I

0:29:34.280 --> 0:29:37.080
<v Speaker 3>love him anyway. So the album comes out May seventeenth.

0:29:37.240 --> 0:29:38.120
<v Speaker 3>What's the name of the album?

0:29:38.160 --> 0:29:38.920
<v Speaker 1>Please Don't Cry?

0:29:39.040 --> 0:29:42.200
<v Speaker 3>Please Don't Cry? Why that title? Are we gonna cry

0:29:42.240 --> 0:29:42.760
<v Speaker 3>when we listen?

0:29:43.000 --> 0:29:43.920
<v Speaker 1>You may?

0:29:44.000 --> 0:29:45.720
<v Speaker 2>You know if it touches you, it's really about just

0:29:45.760 --> 0:29:48.360
<v Speaker 2>allowing yourself to be human. You know it's ironic and

0:29:48.360 --> 0:29:50.120
<v Speaker 2>it's like please don't cry with the whole album is

0:29:50.160 --> 0:29:54.200
<v Speaker 2>like yo, no pheel be vulnerable, Be vulnerable. Cry when

0:29:54.200 --> 0:29:56.160
<v Speaker 2>you sad, cry when you're mad, cry when you're happy,

0:29:56.440 --> 0:29:58.680
<v Speaker 2>Cry because sh it's so fucking funny. Your stomach is

0:29:58.720 --> 0:30:01.680
<v Speaker 2>a nuts like just be you know.

0:30:02.200 --> 0:30:03.160
<v Speaker 1>That's what it says.

0:30:03.720 --> 0:30:07.760
<v Speaker 3>The seventeenth go support. Appreciate you coming.

0:30:07.560 --> 0:30:09.920
<v Speaker 1>By, thank you, looking forward to hearing that album.

0:30:10.000 --> 0:30:10.320
<v Speaker 2>See you.

0:30:10.560 --> 0:30:12.160
<v Speaker 1>Yeah, I hope you hope you dig it.

0:30:12.360 --> 0:30:14.479
<v Speaker 3>She likes hey man shout out to Rhapsody. Man, we

0:30:14.560 --> 0:30:16.240
<v Speaker 3>like well cooked meals. A DJ heads is on the

0:30:16.240 --> 0:30:16.720
<v Speaker 3>West Coast.

0:30:17.680 --> 0:30:19.920
<v Speaker 1>Yeah, her is the full the full plate.

0:30:19.800 --> 0:30:22.000
<v Speaker 3>There it is. I appreciate you for coming through.

0:30:22.080 --> 0:30:25.160
<v Speaker 1>Thank you, Yes Booth, I love you man

0:30:25.480 --> 0:30:26.560
<v Speaker 3>Fire, this is great