WEBVTT - Sexcapades! ("Three's A Crowd" S1 EP 22)

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<v Speaker 1>Still the Place with Laura Layton, Courtney thorn Smith.

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<v Speaker 2>And Daphne's Aniga an iHeartRadio podcast.

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<v Speaker 3>You guys, ladies, Well that was a fun. Visit with Heather.

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<v Speaker 4>Wasn't so fun, I know, I said to her when

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<v Speaker 4>she saw her, I was like, you sound the same.

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<v Speaker 4>And I don't know why I would think her boys

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<v Speaker 4>would have changed, but it was just so sweet to

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<v Speaker 4>see if she looks the same, she sounds the same.

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<v Speaker 4>She's the same, down to earth, funny.

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<v Speaker 3>Hilarious, she's an open book.

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<v Speaker 4>She does not edit our Heather No, so fun to

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<v Speaker 4>have her visit Still the Place. Yeah, and she had

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<v Speaker 4>this little dog who was running around and his name

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<v Speaker 4>was mister. And I was watching one of my shows

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<v Speaker 4>the other day and the sexy woman said hi mister,

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<v Speaker 4>and all I could picture was so yeahvy talk kind of.

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<v Speaker 5>Seen so fun.

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<v Speaker 6>I can't remember if she said on on our recording

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<v Speaker 6>that like she has you know, if somebody brings the

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<v Speaker 6>doorbell and she's like stop mister whatever, she's like like

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<v Speaker 6>the person behind the door is like wait, what freeze

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<v Speaker 6>the mister and the mister behind the door, I don't

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<v Speaker 6>know did he ever.

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<v Speaker 2>Bring mister on camera because I kept saying, we got

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<v Speaker 2>to bring her on camera because all everyone's seeing and

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<v Speaker 2>hearing is.

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<v Speaker 4>Like, mister, get over here. It's not a her.

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<v Speaker 3>We heard heard Heather saying.

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<v Speaker 2>So I'm saying, is I wanted to get a dog

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<v Speaker 2>on camera, so everyone didn't think that we were like nuts.

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<v Speaker 6>I think that Heather, Heather and mister go lots of

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<v Speaker 6>places together, so I think mister has been on camera

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<v Speaker 6>a lot, but he may not have made it a maybe.

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<v Speaker 3>I think we'll see if they got him on camera

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<v Speaker 3>maybe at the end. Maybe during this she.

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<v Speaker 4>Always had one you know, dog owners related. She already

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<v Speaker 4>had one eye on him to make sure he wasn't peeing. Mister.

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<v Speaker 2>She's like, so, yeah, by the way, the sex club,

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<v Speaker 2>Oh hold on, mister, get over here.

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<v Speaker 1>I'm like, excuse me, what? What's very fun combination of elements.

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<v Speaker 3>Oh. I love her so cute.

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<v Speaker 4>And we talked about the last episode. We talked about

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<v Speaker 4>both episodes with her, but she hadn't seen this one.

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<v Speaker 4>So we're moving into episode twenty two, which is her

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<v Speaker 4>second episode. We found out from her she was only

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<v Speaker 4>signed for.

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<v Speaker 3>Four Yeah at the time, Yeah.

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<v Speaker 4>Isn't that crazy? Like she was signed probably to put

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<v Speaker 4>a wedge in between Billy and Allison, and then she became.

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<v Speaker 2>But she knew nothing about what was she was supposed

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<v Speaker 2>to do. She knew nothing that she was supposed to

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<v Speaker 2>turn into like the bitch of the century.

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<v Speaker 3>She knew nothing. It was like noo. And she looked

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<v Speaker 3>at a couple episodes and said, this looks like fun. Sure,

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<v Speaker 3>that's it.

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<v Speaker 1>Yeah, but it goes.

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<v Speaker 6>It starts to go so fast, and it was so

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<v Speaker 6>fun to see, like the difference between twenty one and

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<v Speaker 6>then this one twenty two, Like it's already like the

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<v Speaker 6>whole The relationship happens fast and everything happens to I

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<v Speaker 6>can't wait to do this recap very well.

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<v Speaker 2>She turns into Amanda in this episode. It's like you

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<v Speaker 2>see hints of like the Amanda that we knew and

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<v Speaker 2>loved to hate.

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<v Speaker 3>Don't you think a certain line? I don't know.

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<v Speaker 4>I thought you was super sweet.

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<v Speaker 6>I thought so too, But like I just think, just

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<v Speaker 6>the relationship that goes so quickly into like being a problem.

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<v Speaker 1>I saw like that.

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<v Speaker 4>It's a problem for me, I'll tell you right now.

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<v Speaker 1>For them, I'm with you. I'm gonna bet yeah.

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<v Speaker 4>This episode is basically a sex capade, so let's get started, right,

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<v Speaker 4>So wonder Dafty's here at all? Not second boudoir somewhere

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<v Speaker 4>belf pile. All right, So we start off in shooters

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<v Speaker 4>and Amanda and Allison are toasting to a great working relationship.

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<v Speaker 4>And Amanda's in her red suit, right, Like, what do

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<v Speaker 4>you say about red? Shoot Staphanie's wearing red in honor

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<v Speaker 4>of her, Like that means we're gonna do something bad.

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<v Speaker 4>And I'm wearing like seven layers of white stuff.

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<v Speaker 3>White blousey belted.

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<v Speaker 4>Pleated pants, of sweater over a sweater. How did I

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<v Speaker 4>let that go by? And Amanda mentions that she has

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<v Speaker 4>a boyfriend in New York and invites Billy and Alison

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<v Speaker 4>to come to her lake house platonically, and Allison says

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<v Speaker 4>they're planning to go skiing, but remember she's supposed to

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<v Speaker 4>meet Billy, and she charges out to go meet Billy.

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<v Speaker 4>So did you guys see any indications in this scene

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<v Speaker 4>of what was to come?

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<v Speaker 6>It did not at all appear that Amanda was going

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<v Speaker 6>to turn competitive or contentious. She seemed super sweet and

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<v Speaker 6>like just very much, you know, like a kind invitation,

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<v Speaker 6>and she wants to make this relationship work with her coworker,

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<v Speaker 6>and it just has.

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<v Speaker 4>So there's no threat, right, she has a boyfriend.

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<v Speaker 2>And thirty years later and you're looking with the microscopic,

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<v Speaker 2>I you don't notice that Allison's wearing big, billowy, shapeless, white,

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<v Speaker 2>unattractive stuff against Heather Locklear.

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<v Speaker 3>You don't know at all.

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<v Speaker 4>I can't believe I let that slide. It must have

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<v Speaker 4>been explained to me. So next we come in, we're

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<v Speaker 4>we're outside Joe's apartment and Jake is walking What is

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<v Speaker 4>it about me and Grant in a Kashmir sweater. I'm

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<v Speaker 4>just like nice, my god. Maybe it's because it looks

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<v Speaker 4>so preppy. So yeah, I'm in a black Kashmir sweater

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<v Speaker 4>of dying.

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<v Speaker 2>I think you should put him on a vision board.

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<v Speaker 4>Uh, just a black face apparently cash and a man

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<v Speaker 4>in it. So he walks into Joe, and Joe doesn't

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<v Speaker 4>even notice that this gorgeous man is in a black

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<v Speaker 4>cashmere short holding grow. She's very very busy, she got

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<v Speaker 4>her paper. She's very very busy and apparently blind. She

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<v Speaker 4>barely looks up from her papers until Jake announces that

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<v Speaker 4>they will be busy tomorrow making wild passionate love, and

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<v Speaker 4>she finally pauses.

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<v Speaker 3>Because wait what wait what what's that?

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<v Speaker 1>Yeah? That sounds.

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<v Speaker 3>She's So she's like, he's like, what are you doing tomorrow?

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<v Speaker 3>She's like, oh god, I got to reprint these photos over.

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<v Speaker 4>For busy printing, for busy printing. So then they start

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<v Speaker 4>making out and she kicks him out because she's not

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<v Speaker 4>only blind, she's crazy.

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<v Speaker 1>She's like, save it for tomorrow. Very deliberate plan.

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<v Speaker 4>Papers, Laura, She's got papers.

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<v Speaker 1>Papers are important, geez Joe.

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<v Speaker 4>So then we go to Billy and Allison, where are

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<v Speaker 4>absolutely not makeing out. Billy's heating up pizza, mad that

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<v Speaker 4>Allison stood him up and he said he's a crazy sale.

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<v Speaker 4>Allison almost apologizes. Was this sort of really snotty? I'm

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<v Speaker 4>sorry but it was a work thing. Did you notice

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<v Speaker 4>how non apology that apology was, Wow?

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<v Speaker 3>Totally.

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<v Speaker 7>Yeah.

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<v Speaker 3>They're angry.

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<v Speaker 1>They're definitely.

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<v Speaker 6>She's like defending the relationship and like starting, oh yeah,

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<v Speaker 6>and he.

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<v Speaker 2>Now I think the writers are giving you the blunt

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<v Speaker 2>the wrong end of the stick, like really like enhancing

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<v Speaker 2>you being annoying to him and him being annoyed with you.

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<v Speaker 3>And then obviously like the writers are doing that.

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<v Speaker 4>Yeah, they're trying to put up these blocks, but he

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<v Speaker 4>had a right to be mad. Do you remember being

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<v Speaker 4>somewhere with pre cell phone. You were supposed to meet

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<v Speaker 4>somebody and they weren't there.

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<v Speaker 1>Can't you're running late? You just yeah, you're rude.

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<v Speaker 3>If you're late, you can't.

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<v Speaker 4>Say traffic rude. Yeah, sorry, traffic.

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<v Speaker 6>I also noticed that Billy was not only microwaving his pizza,

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<v Speaker 6>he's also making a PBJ and he's gonna have both, right,

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<v Speaker 6>He's making a pal.

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<v Speaker 1>At the same time, I.

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<v Speaker 6>Was thinking of, like, how much you've mentioned you don't

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<v Speaker 6>love working with props, and he's everywhere and he's like

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<v Speaker 6>just handling it is Mike waving his pizza, like all

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<v Speaker 6>of it.

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<v Speaker 4>I didn't even notice.

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<v Speaker 1>Completely gracefully, because you didn't even notice that.

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<v Speaker 4>I was so busy, not quite apologizing for not meeting him.

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<v Speaker 4>And then she tells him about exact tell him about

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<v Speaker 4>Amanda's gracious offer, and he agrees to go, saying how

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<v Speaker 4>often do I get to spend the weekend with two

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<v Speaker 4>beautiful women, which for some reason completely annoys Alison, and

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<v Speaker 4>she gets it's like snot.

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<v Speaker 2>No, But he didn't agree so quickly though he said no,

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<v Speaker 2>I'm going without with you. I got my my skeezer sharpened,

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<v Speaker 2>I got this or that.

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<v Speaker 3>I'm ready to go. I'm going with her without you.

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<v Speaker 5>And you're like, well a man invited us, the three

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<v Speaker 5>of us to her lake house.

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<v Speaker 3>Huh oh okay, you know that. First I just thought

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<v Speaker 3>that was.

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<v Speaker 4>Like all right, they turt it around. So now we're

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<v Speaker 4>back at Ronder's apartment. She's folding up her wedding dress

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<v Speaker 4>and telling hibout that Jane to her to keep it

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<v Speaker 4>in case your breakup with Terrence is just cold. Feet's

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<v Speaker 4>kind of casually rolling up this big fancy dress, and

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<v Speaker 4>she reads him a very sweet letter that Terrence had

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<v Speaker 4>messengered during her low impact class. Remember pre email, Right,

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<v Speaker 4>he messengered a letter over during her class.

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<v Speaker 1>He didn't break himself though, because he's.

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<v Speaker 4>A fancy man.

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<v Speaker 3>He's a fancy man exactly.

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<v Speaker 4>He has people the messenger thing. And then of course

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<v Speaker 4>Matt feels bad for Terrence and Ron to get some

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<v Speaker 4>mad and says, I'm not ready to get married, Matt,

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<v Speaker 4>and there's nothing I can do.

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<v Speaker 6>What was Matt wearing in this scene? Anybody had a

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<v Speaker 6>printed shirt, well, a very printed shirt, which I found

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<v Speaker 6>very distracting I'm like, well, immediately right on the shirt,

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<v Speaker 6>and I don't know if you guys noticed, like there's

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<v Speaker 6>music in the background of the scene which is so

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<v Speaker 6>rare and completely distracting. I thought it was like really

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<v Speaker 6>sort of contradictory on my sense, you know, like I'm

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<v Speaker 6>trying to listen to the scene and this music is

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<v Speaker 6>a little bit distracting and jarring. I thought it was weird,

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<v Speaker 6>and it was. I hadn't noticed that in episodes before.

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<v Speaker 1>It was it was like the music that it wasn't

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<v Speaker 1>the soundtrack, it was like the music.

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<v Speaker 4>Yeah, she had on that.

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<v Speaker 1>They were listening to music, right, but having to talk

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<v Speaker 1>over that, I thought, yeah, that was a lot.

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<v Speaker 4>Well, they may not have even had it during the

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<v Speaker 4>r they wouldn't have talked over it, But when they

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<v Speaker 4>laid it back in later, I just thought that was

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<v Speaker 4>such an interesting choice as to give.

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<v Speaker 3>At least they didn't have to be I did notice

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<v Speaker 3>that too.

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<v Speaker 1>It was just it was too distracting in my opinion.

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<v Speaker 4>Yeah, well they I don't think they did it again.

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<v Speaker 4>So they tried it. Shouldn't like it.

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<v Speaker 3>They tried it.

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<v Speaker 4>They do do it again. I'll tell you when oh again, Okay,

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<v Speaker 4>something to look forward to. So now at the lake

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<v Speaker 4>House and Amanda, Billy, and Allison are walking in. Amanda

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<v Speaker 4>is in an adorable pink sweater and jeans. She's always

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<v Speaker 4>so adorable.

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<v Speaker 2>And Billy big the big the nineties oversized sweater that

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<v Speaker 2>leggings an legs underneath.

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<v Speaker 4>She could get away with it, and Billy says, I'm

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<v Speaker 4>in heaven, great weather, great house, two gorgeous women. I

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<v Speaker 4>says it again, it's kind of hitting it too hard.

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<v Speaker 4>What did you deserve this? Shockingly annoyed, Allison says nothing.

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<v Speaker 1>Nothing, I did nothing.

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<v Speaker 3>I have a note right here.

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<v Speaker 2>My first laugh out loud, and Alison thing nothing and

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<v Speaker 2>then you looked away.

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<v Speaker 3>That was so good.

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<v Speaker 6>Yeah, I have a note too that Courtney as cute

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<v Speaker 6>as Amanda looked in her pink outfit. Your eyes were

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<v Speaker 6>so stunningly beautiful in this scene, even when you're rolling them,

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<v Speaker 6>And that was my note. It was like you're rolling

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<v Speaker 6>them at Billy and they're just still absolutely gorgeous.

0:10:36.920 --> 0:10:38.839
<v Speaker 4>I finally got an eyelight. They're always sort of in

0:10:38.880 --> 0:10:40.720
<v Speaker 4>the shit. I probably got an eyelight in this scene,

0:10:41.080 --> 0:10:42.880
<v Speaker 4>very so. Then Amanda said, but this is so weird

0:10:42.880 --> 0:10:45.040
<v Speaker 4>to me. Amanda goes she and Allison will share room

0:10:45.080 --> 0:10:47.160
<v Speaker 4>and Billy will sleep in the fold out couch because

0:10:47.200 --> 0:10:50.280
<v Speaker 4>their big, fancy guest house apparently has one bed. I know,

0:10:51.320 --> 0:10:53.760
<v Speaker 4>I know, did not seem weird, this big living room

0:10:53.800 --> 0:10:55.760
<v Speaker 4>in a view of the lake, but apparently only splurts

0:10:55.760 --> 0:10:56.600
<v Speaker 4>for the one bedroom.

0:10:57.280 --> 0:10:58.280
<v Speaker 1>Just a little cottage.

0:10:58.800 --> 0:10:59.920
<v Speaker 4>It's just a little cottage.

0:11:00.360 --> 0:11:05.040
<v Speaker 2>Esoteric brother dad who has a sister who lives in Paris.

0:11:05.040 --> 0:11:07.080
<v Speaker 2>I mean, all of a sudden, Amanda's family is becoming

0:11:07.120 --> 0:11:09.480
<v Speaker 2>this sort of like JDS Salander type or something.

0:11:09.679 --> 0:11:12.120
<v Speaker 3>I don't know. I was like, he doesn't have a TV.

0:11:12.640 --> 0:11:14.000
<v Speaker 3>You know that's coming the dad.

0:11:14.040 --> 0:11:17.240
<v Speaker 2>There's all these books in their first editions in that room.

0:11:17.679 --> 0:11:21.200
<v Speaker 4>It just first editions, but one bedroom for a family blakehouse.

0:11:21.280 --> 0:11:23.800
<v Speaker 4>I just thought that wasn't super realistic. Billy wants to

0:11:23.800 --> 0:11:26.920
<v Speaker 4>go water skiing right away. Allison says he just wants

0:11:26.920 --> 0:11:30.160
<v Speaker 4>to see us in our wetsuits, because who doesn't.

0:11:30.920 --> 0:11:31.160
<v Speaker 1>Yeah.

0:11:31.200 --> 0:11:34.840
<v Speaker 2>She's like, okay, well get on mine. Yeah, and Amanda's

0:11:34.880 --> 0:11:35.520
<v Speaker 2>like I'm good with that.

0:11:36.559 --> 0:11:38.520
<v Speaker 4>Yeah, you never want to wear wet suit on camera.

0:11:38.600 --> 0:11:41.000
<v Speaker 4>Trust me, it is not good. So we're out on

0:11:41.040 --> 0:11:44.120
<v Speaker 4>the lake and Billy and Amanda are flirting like mad

0:11:44.160 --> 0:11:47.480
<v Speaker 4>by the steering wheel, and Alice is just being dragged along.

0:11:48.200 --> 0:11:52.040
<v Speaker 1>She's bigging and being totally ignored. And we know now

0:11:52.080 --> 0:11:54.600
<v Speaker 1>that it was hailing and miserably.

0:11:54.440 --> 0:11:57.199
<v Speaker 4>It was freezing cold, and they're saying, look like you're

0:11:57.200 --> 0:11:59.080
<v Speaker 4>having fun. I remember they're saying look like and I

0:11:59.160 --> 0:12:01.400
<v Speaker 4>was so unhappy and I was still missed. And remember

0:12:01.480 --> 0:12:03.920
<v Speaker 4>I thought this was episode thirty three. It's only twenty two,

0:12:03.960 --> 0:12:05.720
<v Speaker 4>so I was already super tired.

0:12:06.000 --> 0:12:08.960
<v Speaker 3>Cry you that were so much funny.

0:12:08.960 --> 0:12:10.440
<v Speaker 2>Well, I mean, the two of them, even though they

0:12:10.480 --> 0:12:12.520
<v Speaker 2>have to yell because they're outside and the wind is

0:12:12.520 --> 0:12:14.960
<v Speaker 2>blowing and they're trying to flirt with each other, and

0:12:15.000 --> 0:12:15.680
<v Speaker 2>then cut.

0:12:15.480 --> 0:12:16.600
<v Speaker 3>To you're in the back.

0:12:17.920 --> 0:12:23.720
<v Speaker 1>Just yail my face. Just conditions were not in Alison's favor,

0:12:24.240 --> 0:12:24.720
<v Speaker 1>so they.

0:12:24.559 --> 0:12:27.000
<v Speaker 4>Don't even notice because they're flirting so much that Alison

0:12:27.120 --> 0:12:29.840
<v Speaker 4>falls just asked over tea kettle into the water and

0:12:30.280 --> 0:12:33.920
<v Speaker 4>just going away start yelling baye bye.

0:12:34.760 --> 0:12:37.880
<v Speaker 6>Well it so like, did you notice like the contrivance

0:12:37.960 --> 0:12:40.440
<v Speaker 6>of like he needed to move closer, like I just

0:12:40.520 --> 0:12:42.439
<v Speaker 6>like to steer the boat, and then he leans over

0:12:42.480 --> 0:12:44.720
<v Speaker 6>and he kind of like helps her hold the wheel

0:12:44.720 --> 0:12:47.160
<v Speaker 6>like she really needs helps steering in a you know,

0:12:47.600 --> 0:12:50.560
<v Speaker 6>wide open lake or whatever. And I have some good lines,

0:12:51.000 --> 0:12:54.800
<v Speaker 6>so that hard alert that's happening, and you're sending it

0:12:54.800 --> 0:12:55.400
<v Speaker 6>from back there.

0:12:55.360 --> 0:12:59.360
<v Speaker 4>Going for another person. And you guys now know that

0:12:59.400 --> 0:13:01.760
<v Speaker 4>I was splash the water to cover the hill.

0:13:01.800 --> 0:13:04.640
<v Speaker 3>Did you see the hail I did all around?

0:13:04.400 --> 0:13:06.360
<v Speaker 4>I did, like it looks like someone's throwing pebbles at me,

0:13:06.640 --> 0:13:08.680
<v Speaker 4>but it was water.

0:13:08.920 --> 0:13:11.080
<v Speaker 6>It's once she's fallen in the water and they're circling

0:13:11.080 --> 0:13:11.920
<v Speaker 6>back together, She's.

0:13:11.800 --> 0:13:16.560
<v Speaker 1>Like billy like this creating distraction from the hail.

0:13:16.640 --> 0:13:18.560
<v Speaker 4>It was one of those moments when you're acting and

0:13:18.600 --> 0:13:21.880
<v Speaker 4>you're just thinking, this is humiliating on so many levels,

0:13:21.960 --> 0:13:23.480
<v Speaker 4>Like what am I doing here?

0:13:23.640 --> 0:13:25.920
<v Speaker 1>I thought it worked. I thought it worked entirely.

0:13:26.160 --> 0:13:32.000
<v Speaker 6>Like I just thought I was sorry for Alice and drowning.

0:13:32.280 --> 0:13:35.599
<v Speaker 4>And your eyes looked beautiful, But boy did you look pretty.

0:13:35.920 --> 0:13:38.840
<v Speaker 4>So we're back and I am already sick with the cold,

0:13:39.040 --> 0:13:40.880
<v Speaker 4>which came on very fast. And I would like to

0:13:40.880 --> 0:13:44.760
<v Speaker 4>say fully committing to the cold, right I'm dogging like this,

0:13:44.960 --> 0:13:47.880
<v Speaker 4>There was not I fully committed. There's no I feel

0:13:47.880 --> 0:13:49.560
<v Speaker 4>like I'm coming down with something. I have a full

0:13:49.600 --> 0:13:53.240
<v Speaker 4>on cold, Billy brings her tea and Amanda brings her medicine,

0:13:53.400 --> 0:13:56.360
<v Speaker 4>and I say, go go to dinner without me, because

0:13:56.360 --> 0:14:01.760
<v Speaker 4>I'm selfless, go without me. But they offered takeout, and

0:14:01.800 --> 0:14:04.360
<v Speaker 4>Billy says, the three Musketeers remember, And I was like,

0:14:04.679 --> 0:14:06.840
<v Speaker 4>I do not, does anyone know?

0:14:08.880 --> 0:14:12.880
<v Speaker 6>But I did think that your cold acting worked entirely.

0:14:12.920 --> 0:14:15.640
<v Speaker 6>I thought it was terrific, your commitment to it, and

0:14:15.880 --> 0:14:17.920
<v Speaker 6>I do not let go over the entire episode. So

0:14:17.920 --> 0:14:20.160
<v Speaker 6>I'm glad you like I thought it worked.

0:14:21.920 --> 0:14:24.200
<v Speaker 4>I'm very committed to it, I believe. Then we have

0:14:24.240 --> 0:14:27.960
<v Speaker 4>Billy and Amanda on this romantic walk by the lake,

0:14:28.040 --> 0:14:30.360
<v Speaker 4>which apparently the way to the Chinese takeout place is

0:14:30.400 --> 0:14:33.760
<v Speaker 4>along a beautiful lake. She's clearly freezing. Did you notice

0:14:33.760 --> 0:14:37.480
<v Speaker 4>that she's clear She's got a big cool Aztechi sweater,

0:14:37.920 --> 0:14:41.640
<v Speaker 4>but she's clearly freezing. And they're talking about his dream

0:14:41.720 --> 0:14:44.160
<v Speaker 4>to write a novel. She tells him she dreamed of

0:14:44.200 --> 0:14:47.680
<v Speaker 4>being an artist in Paris. They're having this very romantic talk,

0:14:47.720 --> 0:14:49.240
<v Speaker 4>and all of a sudden, she says, they must have

0:14:49.280 --> 0:14:51.840
<v Speaker 4>walked past the Chinese takeout place, which appeared.

0:14:51.800 --> 0:14:53.800
<v Speaker 6>Is along the beach on a side not a beach

0:14:53.840 --> 0:14:55.360
<v Speaker 6>book what okay.

0:14:55.080 --> 0:14:57.080
<v Speaker 2>Well, that's why I wrote it. It's actually knowing that

0:14:57.160 --> 0:14:59.880
<v Speaker 2>area Castaic Park. You know, it's like a built in

0:15:00.080 --> 0:15:03.320
<v Speaker 2>It's like a built lake with a with a sidewalk.

0:15:03.360 --> 0:15:06.240
<v Speaker 5>It's not even a path or a decreation area sidewalk.

0:15:06.240 --> 0:15:09.560
<v Speaker 2>It's a playground basically, you know, for the for the

0:15:09.600 --> 0:15:10.680
<v Speaker 2>boaters kids.

0:15:10.880 --> 0:15:13.640
<v Speaker 3>And there's no buildings. They're like the closest Chinese is

0:15:13.680 --> 0:15:16.000
<v Speaker 3>thirty miles from them, like right, so obvious.

0:15:16.040 --> 0:15:18.440
<v Speaker 6>Maybe she just missed the turnoff, like take a different

0:15:18.520 --> 0:15:20.880
<v Speaker 6>sidewalk and then you've got thirty more miles to that.

0:15:21.040 --> 0:15:23.080
<v Speaker 4>We missed the turnoff to the car to drive.

0:15:24.480 --> 0:15:27.000
<v Speaker 2>But it's locations, you know, they're to have a budget,

0:15:27.040 --> 0:15:28.920
<v Speaker 2>and Chip is there with his budget saying we're going

0:15:28.960 --> 0:15:29.800
<v Speaker 2>to shoot this right.

0:15:29.640 --> 0:15:32.960
<v Speaker 4>Here, beautiful and way too romantic. And when they pass it,

0:15:33.000 --> 0:15:36.640
<v Speaker 4>Billy says, we must be preoccupied, and Amanda says we

0:15:36.760 --> 0:15:40.320
<v Speaker 4>must have again or Alison home on her deathbed.

0:15:40.800 --> 0:15:45.000
<v Speaker 6>Yep, yeah, I'm feeling very sad for me, Yes entirely,

0:15:45.400 --> 0:15:49.800
<v Speaker 6>I'm yeah. And I learned that Alison or that Amanda

0:15:50.080 --> 0:15:51.120
<v Speaker 6>loves to paint.

0:15:51.280 --> 0:15:52.120
<v Speaker 1>I mean, do we are we?

0:15:52.400 --> 0:15:55.600
<v Speaker 6>I know, I don't even remember that like doesn't compare

0:15:55.680 --> 0:15:58.680
<v Speaker 6>us background, Like she's got all these like artistic things

0:15:58.720 --> 0:16:02.240
<v Speaker 6>and do those coming to play later on with this character.

0:16:02.240 --> 0:16:04.960
<v Speaker 1>We'll have to wait and find out. Because she's remembering.

0:16:04.560 --> 0:16:07.120
<v Speaker 4>Naked pictures of all the men she sleeps with. Maybe

0:16:07.120 --> 0:16:09.280
<v Speaker 4>that's how she Otherwise it doesn't really come back.

0:16:09.360 --> 0:16:12.200
<v Speaker 6>But I do feel quite sorry for Alison every minute

0:16:12.200 --> 0:16:13.160
<v Speaker 6>of this episode go on.

0:16:13.320 --> 0:16:16.920
<v Speaker 4>Thank you. Plus that terrible cold Laura, it's really sad.

0:16:17.320 --> 0:16:23.840
<v Speaker 2>I think it's pneumonia by now, so fast it came

0:16:23.840 --> 0:16:26.680
<v Speaker 2>out because she were like in that close up.

0:16:26.840 --> 0:16:35.200
<v Speaker 4>Hell, it was like a sick Okay, So now we're

0:16:35.200 --> 0:16:37.360
<v Speaker 4>in shooters and this is so weird to me. So

0:16:37.520 --> 0:16:40.400
<v Speaker 4>Terrence and Matt are sitting at the bar because Terrence

0:16:40.440 --> 0:16:43.960
<v Speaker 4>has invited Matt out to talk about Rohnda. How would

0:16:44.000 --> 0:16:45.680
<v Speaker 4>you feel about that? Have you ever had that when

0:16:46.560 --> 0:16:49.480
<v Speaker 4>a friend talks to an ex. I remember that in

0:16:49.560 --> 0:16:50.080
<v Speaker 4>high school.

0:16:50.520 --> 0:16:54.560
<v Speaker 5>What would piss me off is if the ex, or

0:16:54.640 --> 0:16:57.560
<v Speaker 5>not even the ex, the guy that I'm having trouble with,

0:16:58.280 --> 0:17:01.640
<v Speaker 5>asked my best friend or my yeah, my best friend

0:17:01.680 --> 0:17:02.080
<v Speaker 5>to talk.

0:17:02.840 --> 0:17:06.239
<v Speaker 3>That's the worst part, right, Like maybe if they were

0:17:06.280 --> 0:17:06.840
<v Speaker 3>friends before.

0:17:06.840 --> 0:17:08.560
<v Speaker 2>I've had it where I'm dating someone and they're friends

0:17:08.560 --> 0:17:10.200
<v Speaker 2>with somebody, and the whole thing gets annoying.

0:17:10.280 --> 0:17:12.639
<v Speaker 3>But I haven't had that, you know what I.

0:17:12.680 --> 0:17:15.360
<v Speaker 4>Mean, Like, Yeah, no, it's I think it's so inappropriate.

0:17:15.640 --> 0:17:17.439
<v Speaker 1>Yeah, it's a very high school thing to do.

0:17:17.960 --> 0:17:20.600
<v Speaker 4>It's very high school. Although Matt defends himself by saying,

0:17:20.840 --> 0:17:23.480
<v Speaker 4>turning down cries for help has never been my forte.

0:17:23.520 --> 0:17:26.720
<v Speaker 4>But we do know, we do know that about Matt.

0:17:26.760 --> 0:17:29.320
<v Speaker 4>And then Terrence says, and I find this so manipulative

0:17:29.800 --> 0:17:32.439
<v Speaker 4>that helping him to win Ronda back would be Matt

0:17:32.760 --> 0:17:36.199
<v Speaker 4>being a good friend to Ronda. Isn't that, Like I

0:17:36.280 --> 0:17:38.400
<v Speaker 4>just went, that's.

0:17:38.160 --> 0:17:41.160
<v Speaker 2>One of many things that Terrence has said that's all

0:17:41.200 --> 0:17:45.160
<v Speaker 2>about him and his control. Exactly, it's bad for her

0:17:45.280 --> 0:17:47.639
<v Speaker 2>because it doesn't work for me, so it's bad for her.

0:17:48.000 --> 0:17:50.359
<v Speaker 4>That's what he exactly, That's exactly all I'm.

0:17:50.240 --> 0:17:50.680
<v Speaker 1>Here to say.

0:17:50.720 --> 0:17:51.680
<v Speaker 3>Yeah, so annoying.

0:17:51.880 --> 0:17:53.600
<v Speaker 6>This is a scene where Matt's were in the backwards

0:17:53.600 --> 0:17:56.760
<v Speaker 6>hat and he looks crazly like my son Jack.

0:17:58.080 --> 0:18:00.040
<v Speaker 1>So I'm seeing I'm seeing this going.

0:18:00.520 --> 0:18:03.800
<v Speaker 5>Whoa, oh, that's so our sun Jack.

0:18:06.440 --> 0:18:07.359
<v Speaker 4>Yes, he does.

0:18:07.520 --> 0:18:10.560
<v Speaker 6>So much mine as opposed to Courtney's sun Jack, because

0:18:10.560 --> 0:18:11.520
<v Speaker 6>we both have a Jack.

0:18:12.000 --> 0:18:14.359
<v Speaker 4>We got together and we planned our names back on

0:18:14.400 --> 0:18:18.320
<v Speaker 4>the Hour's place. So we quickly forget Terrence and Matt

0:18:18.400 --> 0:18:22.760
<v Speaker 4>because we start off in a restaurant with Joe and

0:18:22.880 --> 0:18:27.080
<v Speaker 4>Jake just going at it. And she says, in a booth,

0:18:27.119 --> 0:18:31.000
<v Speaker 4>this was very risque, you feel amazing. I was like,

0:18:31.040 --> 0:18:32.680
<v Speaker 4>oh my goodness. Yeah.

0:18:32.720 --> 0:18:36.359
<v Speaker 2>And it's close set medium so we don't see where

0:18:36.359 --> 0:18:38.119
<v Speaker 2>any the other body party.

0:18:38.160 --> 0:18:43.360
<v Speaker 6>It was extreme close up shots of just intimate making out,

0:18:43.440 --> 0:18:44.800
<v Speaker 6>kissing PDA in.

0:18:44.800 --> 0:18:48.520
<v Speaker 1>A booth at this restaurant. It was so funny, just the.

0:18:48.240 --> 0:18:52.399
<v Speaker 4>Whole Yeah, very yummy making out. Were there rumors that

0:18:52.440 --> 0:18:53.879
<v Speaker 4>you guys were going out in real life because the

0:18:53.960 --> 0:18:55.440
<v Speaker 4>making out was super hot?

0:18:55.720 --> 0:18:57.560
<v Speaker 3>It was good? But I cringe.

0:18:57.720 --> 0:18:58.200
<v Speaker 4>It was good.

0:18:58.920 --> 0:19:02.800
<v Speaker 3>It was good. Enjoyed going to work. I enjoyed going

0:19:02.880 --> 0:19:07.320
<v Speaker 3>to work, clocking in, making money in going home. Yeah.

0:19:07.359 --> 0:19:11.360
<v Speaker 2>But yeah, but this was a famous restaurant on Melrose.

0:19:11.400 --> 0:19:12.560
<v Speaker 2>Did you guys ever go to Kianti?

0:19:12.640 --> 0:19:14.720
<v Speaker 5>I had a birthday here in the back room one year,

0:19:17.720 --> 0:19:20.040
<v Speaker 5>called this really well known Italian place.

0:19:20.240 --> 0:19:22.560
<v Speaker 4>It looked jummy. So was the Art of Choke, Like

0:19:22.600 --> 0:19:25.000
<v Speaker 4>they drop off the sexy food and art Choke and

0:19:25.040 --> 0:19:27.080
<v Speaker 4>you guys are making out and eating an art to choke.

0:19:27.119 --> 0:19:29.800
<v Speaker 4>I'm like, is that the sexiest food you could think of?

0:19:30.280 --> 0:19:33.760
<v Speaker 2>Was? Not an oyster in the vicinity, not like a

0:19:34.960 --> 0:19:35.760
<v Speaker 2>getting caught.

0:19:35.520 --> 0:19:36.199
<v Speaker 1>In your teeth?

0:19:37.080 --> 0:19:37.800
<v Speaker 3>I thought it was.

0:19:37.880 --> 0:19:40.280
<v Speaker 2>That was her first risque line. And then she said

0:19:40.320 --> 0:19:42.320
<v Speaker 2>I want you now, and I'm like, oh.

0:19:42.320 --> 0:19:45.359
<v Speaker 5>Yeah, cliche can yeah close?

0:19:46.000 --> 0:19:51.040
<v Speaker 4>Now here's up of your hand on his thigh, e

0:19:51.040 --> 0:19:52.120
<v Speaker 4>squeezing his thigh.

0:19:52.200 --> 0:19:55.159
<v Speaker 1>I was like, hello, that was that was quite that?

0:19:55.320 --> 0:19:57.440
<v Speaker 1>This was? Was this Jefferson Kibbie director.

0:19:58.280 --> 0:20:03.520
<v Speaker 7>Yes, moving right into mel Rose white intimate close ups

0:20:03.680 --> 0:20:07.840
<v Speaker 7>of a long intimacy scene I thought in public, which

0:20:07.880 --> 0:20:11.439
<v Speaker 7>was long, and the waiter who like the waiter, has

0:20:11.480 --> 0:20:13.159
<v Speaker 7>to drop off the food and there's a shot of.

0:20:13.200 --> 0:20:16.240
<v Speaker 1>Him just kind of going like a titan.

0:20:16.680 --> 0:20:17.800
<v Speaker 4>I was for everybody.

0:20:18.080 --> 0:20:20.720
<v Speaker 3>I was just me too. I was just going to stop.

0:20:21.119 --> 0:20:23.160
<v Speaker 2>I can't believe I didn't say stop on the day,

0:20:23.200 --> 0:20:25.879
<v Speaker 2>but I was just like twenty probably I think it

0:20:26.000 --> 0:20:27.960
<v Speaker 2>was thirty or something, late twenties, just going this is

0:20:27.960 --> 0:20:29.200
<v Speaker 2>what I'm supposed to do, and oh.

0:20:29.119 --> 0:20:32.280
<v Speaker 4>It was super Remember it was.

0:20:32.400 --> 0:20:34.520
<v Speaker 5>I'm sure the director was like, go again, do more?

0:20:34.680 --> 0:20:36.040
<v Speaker 1>What was really sell it?

0:20:36.560 --> 0:20:38.960
<v Speaker 4>After you squeeze his leg. He goes, let's see it

0:20:39.000 --> 0:20:40.600
<v Speaker 4>at home, and he throws money on the table, And

0:20:40.680 --> 0:20:42.760
<v Speaker 4>as you're racing out for some reason, you turn around

0:20:42.800 --> 0:20:44.840
<v Speaker 4>and announce to the waiter we couldn't wait.

0:20:45.400 --> 0:20:47.760
<v Speaker 1>Yeah you had. You had to give an explanation.

0:20:48.280 --> 0:20:52.680
<v Speaker 6>Yeah, it was a great scene.

0:20:52.720 --> 0:20:54.840
<v Speaker 1>I thought, Yeah, it really was.

0:20:54.920 --> 0:20:56.760
<v Speaker 4>It was super sexy. So now we're back at the

0:20:56.840 --> 0:21:00.159
<v Speaker 4>lake house and we're all surrounded by takeout. Continuency had

0:21:00.240 --> 0:21:02.600
<v Speaker 4>Chinese food because they finally found it. They walked and

0:21:02.680 --> 0:21:04.920
<v Speaker 4>drove and went thirty miles to Chinese take a place,

0:21:05.280 --> 0:21:08.520
<v Speaker 4>and we're all drinking kognak. Billy suggests a movie. Amanda

0:21:08.520 --> 0:21:11.040
<v Speaker 4>says you don't have a TV and suggestedly played Truth

0:21:11.080 --> 0:21:13.920
<v Speaker 4>or Dare. Alison balks and Billy says she's got something

0:21:13.960 --> 0:21:17.119
<v Speaker 4>to hide, to which I yell, I do not.

0:21:21.480 --> 0:21:23.359
<v Speaker 2>And they don't even play Truth or Dare. They just

0:21:23.440 --> 0:21:25.840
<v Speaker 2>jump into Okay, I have a confession.

0:21:25.880 --> 0:21:28.840
<v Speaker 3>I lied. Oh yeah I lied to that's not truth

0:21:28.880 --> 0:21:29.160
<v Speaker 3>or Dare.

0:21:29.240 --> 0:21:30.240
<v Speaker 4>Yeah, there's no truths.

0:21:30.440 --> 0:21:33.040
<v Speaker 3>There's no truth or Dare, and the truth.

0:21:33.040 --> 0:21:35.919
<v Speaker 4>Are about the lies. Yeah, they all just share some

0:21:36.000 --> 0:21:36.640
<v Speaker 4>lies they had.

0:21:37.800 --> 0:21:39.359
<v Speaker 3>Let's just sharing lies game.

0:21:39.920 --> 0:21:42.159
<v Speaker 1>Yeah, let's just tell you that that.

0:21:42.200 --> 0:21:45.200
<v Speaker 4>Billy said, I have a lie from from the Keith

0:21:45.280 --> 0:21:48.359
<v Speaker 4>Annals and I was thinking, how many jokes about Keith's

0:21:48.359 --> 0:21:49.280
<v Speaker 4>anold's do you think?

0:21:50.680 --> 0:21:51.439
<v Speaker 3>Oh my god?

0:21:52.600 --> 0:21:54.399
<v Speaker 1>And when he read the script did he misread it

0:21:54.440 --> 0:21:55.560
<v Speaker 1>at first? And why am I.

0:21:57.280 --> 0:22:03.360
<v Speaker 4>Name that anals? Well it just made me laugh. So

0:22:03.640 --> 0:22:06.440
<v Speaker 4>he admits that he didn't tell Alison about Keith calling

0:22:06.520 --> 0:22:11.600
<v Speaker 4>after they broke up, which is pretty intense information, right did.

0:22:11.440 --> 0:22:12.080
<v Speaker 3>We see that?

0:22:12.440 --> 0:22:15.280
<v Speaker 4>Oh we did see that on the show. Yeah, yeah,

0:22:15.320 --> 0:22:16.200
<v Speaker 4>we did see that.

0:22:16.600 --> 0:22:22.359
<v Speaker 6>You know, she left an abusive relationship with a married guy, like,

0:22:22.400 --> 0:22:26.959
<v Speaker 6>she left a not good situation, and his protecting her

0:22:27.000 --> 0:22:29.760
<v Speaker 6>from it does seem like it was a good idea.

0:22:29.880 --> 0:22:32.040
<v Speaker 6>But we can see in the scene that Alison is

0:22:32.240 --> 0:22:35.640
<v Speaker 6>bothered to learn that he kept that from her.

0:22:35.680 --> 0:22:38.800
<v Speaker 1>Wait, wait what I missed a call? Like oh, and

0:22:38.840 --> 0:22:41.439
<v Speaker 1>that's the first moment of like, no, no, no, no, don't be

0:22:41.480 --> 0:22:42.359
<v Speaker 1>bothered like you should.

0:22:42.880 --> 0:22:46.639
<v Speaker 6>I'm rooting for Alison here to not have a bummed

0:22:46.640 --> 0:22:48.240
<v Speaker 6>out reaction like you know.

0:22:48.480 --> 0:22:50.560
<v Speaker 4>Oh, I don't tell you, like you're going to be disappointed.

0:22:50.760 --> 0:22:51.160
<v Speaker 6>I know.

0:22:51.880 --> 0:22:56.840
<v Speaker 2>I can tell that Billy is saying that too. To

0:22:56.960 --> 0:22:58.840
<v Speaker 2>give it to you know, just turn the screw a

0:22:58.840 --> 0:23:02.560
<v Speaker 2>little bit. He's into like pissing you off. Oh you

0:23:02.640 --> 0:23:03.720
<v Speaker 2>think that's yeah?

0:23:03.760 --> 0:23:05.679
<v Speaker 3>I think so. I mean, you guys just have this

0:23:05.760 --> 0:23:08.200
<v Speaker 3>back and forth. And he's like, I have a confession.

0:23:08.520 --> 0:23:12.360
<v Speaker 2>I mean, if he's yeah, I think, isn't I think

0:23:12.440 --> 0:23:16.679
<v Speaker 2>unless I'm reading it wrong, that he confessed it's a

0:23:16.720 --> 0:23:17.639
<v Speaker 2>lie to you.

0:23:17.680 --> 0:23:20.560
<v Speaker 3>No, well, that he didn't lie the truth when the

0:23:20.600 --> 0:23:21.120
<v Speaker 3>call came.

0:23:21.720 --> 0:23:23.639
<v Speaker 6>He's admitting it now, But I got I got the

0:23:23.680 --> 0:23:25.600
<v Speaker 6>sense that he really did think that was the right

0:23:25.640 --> 0:23:27.919
<v Speaker 6>thing to do. He was protecting her. He thought this

0:23:28.000 --> 0:23:29.880
<v Speaker 6>is a bad relationship and this is the right thing.

0:23:30.520 --> 0:23:34.880
<v Speaker 2>But he's choosing to say that now to Alison, where

0:23:34.880 --> 0:23:39.160
<v Speaker 2>she's already sick and feeling un and disempowered and off

0:23:39.160 --> 0:23:41.320
<v Speaker 2>her you know game, And he's like, oh, I want

0:23:41.359 --> 0:23:43.320
<v Speaker 2>to say I never I just think it was a dig,

0:23:43.440 --> 0:23:43.840
<v Speaker 2>that's all.

0:23:44.000 --> 0:23:45.000
<v Speaker 3>I just think it was a dig.

0:23:45.160 --> 0:23:47.439
<v Speaker 5>No, maybe you guys do this back and forth.

0:23:47.920 --> 0:23:51.840
<v Speaker 4>So then Amanda admits that she doesn't have a boyfriend. Well,

0:23:51.840 --> 0:23:53.800
<v Speaker 4>she says, they kind of have a boyfriend, but they

0:23:53.800 --> 0:23:55.560
<v Speaker 4>don't see each other. They see each other once a

0:23:55.680 --> 0:23:59.280
<v Speaker 4>year and write letters. Again, no email, Like I have

0:23:59.320 --> 0:24:01.280
<v Speaker 4>to tell him something you write a letter, and you

0:24:01.359 --> 0:24:03.879
<v Speaker 4>said apparently, I don't buck on the phone anyway. Then

0:24:03.920 --> 0:24:06.120
<v Speaker 4>Billy says, that's not a boyfriend, that's a pen pal,

0:24:06.200 --> 0:24:07.320
<v Speaker 4>which I thought was a good line.

0:24:07.359 --> 0:24:10.680
<v Speaker 2>And that doesn't she say, I think it's I use

0:24:10.720 --> 0:24:14.040
<v Speaker 2>it as a protection so I don't get involved with guys.

0:24:14.320 --> 0:24:17.600
<v Speaker 5>Yeah, isn't she confessing that for Billy? She's saying that

0:24:17.680 --> 0:24:18.080
<v Speaker 5>for him?

0:24:18.160 --> 0:24:20.760
<v Speaker 3>Yeah, he's he's just a ruse, like I just.

0:24:21.200 --> 0:24:23.680
<v Speaker 4>He's not real for him too, Yeah, it's not real.

0:24:23.760 --> 0:24:26.440
<v Speaker 4>I'm available. I'm available. And then Billy asked if anyone

0:24:26.480 --> 0:24:29.320
<v Speaker 4>who's ever really been in love, and the camera just

0:24:29.320 --> 0:24:33.520
<v Speaker 4>pans across through quiet faces. Although I think Alison loved Keith, right.

0:24:33.560 --> 0:24:35.400
<v Speaker 6>I don't know if she do you think she thinks?

0:24:35.400 --> 0:24:37.760
<v Speaker 6>I don't know that she was thinking that in this moment, though.

0:24:37.800 --> 0:24:40.359
<v Speaker 6>I loved that that they left the question hanging. Nobody

0:24:40.400 --> 0:24:40.920
<v Speaker 6>answered it.

0:24:41.000 --> 0:24:42.560
<v Speaker 3>You know, yeah, I think you.

0:24:42.560 --> 0:24:46.399
<v Speaker 6>Had I think, yeah, yeah, I mean I think you

0:24:46.440 --> 0:24:48.119
<v Speaker 6>can read a lot of things into it, Like I

0:24:48.160 --> 0:24:49.920
<v Speaker 6>want to read into it that she's thinking, well, maybe

0:24:49.920 --> 0:24:52.439
<v Speaker 6>I'm in love with Billy, But wait, is that you know,

0:24:52.520 --> 0:24:54.320
<v Speaker 6>Like there's a lot of ways to read into that look.

0:24:54.480 --> 0:24:56.439
<v Speaker 6>So I just love that it wasn't answered at all,

0:24:56.480 --> 0:24:58.760
<v Speaker 6>and I don't want her to be in love with Keith.

0:24:58.840 --> 0:25:00.600
<v Speaker 1>So yeah, that's where I am.

0:25:01.240 --> 0:25:04.080
<v Speaker 4>It's going to be very disappointing for you, Laura. So

0:25:04.160 --> 0:25:08.439
<v Speaker 4>now we're back outside Joe's apartment, and so Jake and

0:25:08.520 --> 0:25:11.240
<v Speaker 4>Joe are so excited as we saw in the restaurant.

0:25:11.280 --> 0:25:15.080
<v Speaker 4>They couldn't even wait, and Joe can't even work her keys.

0:25:15.119 --> 0:25:15.720
<v Speaker 3>So nervous.

0:25:15.840 --> 0:25:17.639
<v Speaker 4>She says, I can't believe this. I'm so nervous, and

0:25:17.720 --> 0:25:22.159
<v Speaker 4>Jake adorably says, I am too. Oh so sweet. She

0:25:22.240 --> 0:25:25.080
<v Speaker 4>invites him in, and they're all nervous, and Daphne, did

0:25:25.119 --> 0:25:26.439
<v Speaker 4>you notice your tassel pants?

0:25:26.720 --> 0:25:27.560
<v Speaker 1>Can we talk about that?

0:25:27.880 --> 0:25:29.280
<v Speaker 4>The fan pants?

0:25:29.760 --> 0:25:33.679
<v Speaker 5>They're like sweater iconic not sweater. They were tassels.

0:25:34.640 --> 0:25:38.160
<v Speaker 2>Yeah, like if you shake Shania Twain or Beyonce would

0:25:38.200 --> 0:25:40.800
<v Speaker 2>wear in a Western thing like they shake when you moved.

0:25:40.960 --> 0:25:43.959
<v Speaker 1>Yeah, they were like layers tears of fringy things all

0:25:44.000 --> 0:25:46.320
<v Speaker 1>the way down. They were so cute, And of course

0:25:46.359 --> 0:25:47.920
<v Speaker 1>we didn't see them in the restaurant, but now we.

0:25:47.880 --> 0:25:50.159
<v Speaker 4>Get to see them. I'm so glad we gotten somebody

0:25:50.200 --> 0:25:50.520
<v Speaker 4>in them.

0:25:50.680 --> 0:25:52.399
<v Speaker 3>I think there was I moved a little so he

0:25:52.440 --> 0:25:54.240
<v Speaker 3>could see them. Well, you know, I'm nervous.

0:25:54.520 --> 0:25:57.760
<v Speaker 4>I know it was. And then Joe says I feel

0:25:57.800 --> 0:26:00.000
<v Speaker 4>like I'm fifteen, which is so sweet. And then Jay

0:26:00.119 --> 0:26:02.320
<v Speaker 4>gentleman that he is asked if it's too soon, but

0:26:02.400 --> 0:26:04.520
<v Speaker 4>she says no and just rips his shirt off.

0:26:04.640 --> 0:26:06.600
<v Speaker 3>Yeah, no, not too soon. Let's go.

0:26:07.280 --> 0:26:09.080
<v Speaker 4>No, no, no, let's go. And it's so cute. Then

0:26:09.080 --> 0:26:10.520
<v Speaker 4>you disappeared down into the bedroom.

0:26:10.600 --> 0:26:12.440
<v Speaker 6>Do you remember if you shot this out of order,

0:26:12.600 --> 0:26:15.159
<v Speaker 6>like if you shot the apartment first, because I got

0:26:15.359 --> 0:26:18.880
<v Speaker 6>it was so it was such a you like backpedaled,

0:26:19.040 --> 0:26:23.080
<v Speaker 6>you guys, the characters are back pedaling on the like urgency.

0:26:23.119 --> 0:26:24.480
<v Speaker 6>You know, all of a sudden you get to like

0:26:24.720 --> 0:26:26.760
<v Speaker 6>the apartment, it's like, oh shoot, we're really gonna do this,

0:26:26.800 --> 0:26:27.239
<v Speaker 6>you know what I mean.

0:26:27.320 --> 0:26:30.200
<v Speaker 1>So the energy and the urgency isn't.

0:26:30.200 --> 0:26:31.919
<v Speaker 3>Like do we shoot what out of what do you mean?

0:26:32.040 --> 0:26:34.320
<v Speaker 6>Like the restaurant scene where you're making out, like man,

0:26:34.400 --> 0:26:36.240
<v Speaker 6>You're like we have to go now and we need

0:26:36.280 --> 0:26:37.320
<v Speaker 6>to have sex now.

0:26:37.720 --> 0:26:39.200
<v Speaker 1>It is like the message in that scene.

0:26:39.200 --> 0:26:40.800
<v Speaker 6>And then and then you get to the apartment and

0:26:40.840 --> 0:26:44.520
<v Speaker 6>it's like so sweet and so like careful and I.

0:26:44.520 --> 0:26:47.520
<v Speaker 5>Just thought it was I thought that worked because.

0:26:47.240 --> 0:26:49.400
<v Speaker 3>Yeah, yeah, it's one thing to be that.

0:26:49.400 --> 0:26:51.840
<v Speaker 2>You can't you really have sex in a restaurant, unless

0:26:51.880 --> 0:26:53.199
<v Speaker 2>it's the club that Heather goes to.

0:26:53.880 --> 0:26:56.000
<v Speaker 3>You can't have sex in a restaurant.

0:26:56.040 --> 0:26:57.639
<v Speaker 2>So it's safe to kind of go at it and

0:26:57.640 --> 0:26:59.600
<v Speaker 2>tease each other and push the envelope. And then they

0:26:59.600 --> 0:27:02.520
<v Speaker 2>actually get to the door and then in the apartment

0:27:02.520 --> 0:27:04.199
<v Speaker 2>where they're actually going to happen, and I feel like

0:27:04.600 --> 0:27:08.000
<v Speaker 2>the moment is makes them both nervous.

0:27:08.359 --> 0:27:11.399
<v Speaker 6>Yeah, I thought that was but I just thought that

0:27:11.480 --> 0:27:14.520
<v Speaker 6>was so cute and insightful and stuff. And then but

0:27:14.600 --> 0:27:16.680
<v Speaker 6>it also made me wonder if you'd shot it out

0:27:16.680 --> 0:27:19.240
<v Speaker 6>of order, like you wouldn't have the idea that, oh,

0:27:19.240 --> 0:27:21.359
<v Speaker 6>this one is going to be so frenzied, Like it

0:27:21.400 --> 0:27:23.920
<v Speaker 6>wouldn't have distracted you from like how to play this scene.

0:27:24.080 --> 0:27:25.960
<v Speaker 4>I've had this happen. You're at the restaurant, then you

0:27:26.040 --> 0:27:29.080
<v Speaker 4>have the drive home and it's kind of you know,

0:27:29.160 --> 0:27:31.240
<v Speaker 4>you get nervous and you can't get it again, and

0:27:31.280 --> 0:27:33.359
<v Speaker 4>then it's like what are we doing?

0:27:33.359 --> 0:27:34.320
<v Speaker 1>It's just starting again.

0:27:34.440 --> 0:27:35.800
<v Speaker 4>Yeah, that was so sweet.

0:27:36.040 --> 0:27:38.800
<v Speaker 2>Yeah, I think it's more realistic than if you were

0:27:38.840 --> 0:27:41.439
<v Speaker 2>just like hungry, hungry, hungry, hungry, go for it.

0:27:41.520 --> 0:27:44.320
<v Speaker 3>I feel like you know, it's real, It's real.

0:27:44.400 --> 0:27:47.119
<v Speaker 4>It's such a sweet layer this. I love this relationship.

0:27:47.119 --> 0:27:48.960
<v Speaker 4>I'm already sad that you guys are going to break up.

0:27:48.960 --> 0:27:50.280
<v Speaker 4>I'm already sad. I think it's so sweet.

0:27:50.359 --> 0:27:51.639
<v Speaker 1>Wait what the spoilers?

0:27:51.640 --> 0:27:55.280
<v Speaker 4>No? Wait, well unless they're still together somewhere. Did I

0:27:55.320 --> 0:27:58.159
<v Speaker 4>miss that? I mean, at one point, I remember I kissed.

0:27:58.280 --> 0:28:00.320
<v Speaker 4>I can go to the next thing. Something else breaking

0:28:00.359 --> 0:28:00.600
<v Speaker 4>me out.

0:28:00.600 --> 0:28:02.040
<v Speaker 1>All right, let's enjoy it while still.

0:28:02.359 --> 0:28:04.560
<v Speaker 4>So we're back at the lake house, Billy Allison.

0:28:04.280 --> 0:28:07.600
<v Speaker 2>And sorry, I have a note. Sorry, Fortney, gotta stop you.

0:28:07.640 --> 0:28:11.280
<v Speaker 2>I have notes in all caps, and this is my note.

0:28:11.280 --> 0:28:16.040
<v Speaker 5>And by the way, Court her bookshelves are full of books.

0:28:16.320 --> 0:28:22.879
<v Speaker 4>Oh you're so you're settled packed with books. You're settled

0:28:23.040 --> 0:28:25.240
<v Speaker 4>in I thought of you. Oh that's very sweet.

0:28:25.440 --> 0:28:26.360
<v Speaker 1>I love that evolution.

0:28:27.040 --> 0:28:29.639
<v Speaker 3>Yeah, she just went out and bottlet went out like

0:28:29.760 --> 0:28:31.080
<v Speaker 3>the used bookstore.

0:28:31.119 --> 0:28:32.880
<v Speaker 4>It just like books by the yard. Yep.

0:28:38.240 --> 0:28:38.520
<v Speaker 3>Okay.

0:28:38.560 --> 0:28:40.440
<v Speaker 4>So now we're back at the lake house. Billy, Alison

0:28:40.440 --> 0:28:43.040
<v Speaker 4>and Amanda are putting away dishes. Alison goes to bed

0:28:43.080 --> 0:28:44.720
<v Speaker 4>because I don't know if I mentioned she has a cold,

0:28:44.760 --> 0:28:46.760
<v Speaker 4>you may not have noticed Tully like this the whole time.

0:28:46.840 --> 0:28:49.200
<v Speaker 4>She doesn't feeling great, and so she leaves Billy and

0:28:49.200 --> 0:28:51.480
<v Speaker 4>amandaal and just put away the last bit of the dishes,

0:28:51.920 --> 0:28:54.840
<v Speaker 4>and Amanda says of Alison, she's terrific. I haven't made

0:28:54.840 --> 0:28:56.640
<v Speaker 4>a friend like that at work in a long time,

0:28:57.000 --> 0:29:00.320
<v Speaker 4>which for some reason prumps Billy to kiss her. Well,

0:29:01.360 --> 0:29:03.000
<v Speaker 4>excuse me, were you shocked?

0:29:03.560 --> 0:29:05.720
<v Speaker 1>I was so disappointed and.

0:29:07.600 --> 0:29:11.720
<v Speaker 6>Billy, I actually my note was like crying face emoji, like,

0:29:12.400 --> 0:29:15.520
<v Speaker 6>you know, like disappointed and like the I wasn't.

0:29:15.680 --> 0:29:18.800
<v Speaker 5>I was happy for them because that's happening with Alison.

0:29:18.920 --> 0:29:19.960
<v Speaker 3>She's like got a cold.

0:29:20.040 --> 0:29:23.000
<v Speaker 2>She's like, she's making it very clear that you know

0:29:23.480 --> 0:29:26.280
<v Speaker 2>that happening. There's nothing sexy going on over here.

0:29:26.640 --> 0:29:28.719
<v Speaker 4>But there was way too much going on in the kitchen.

0:29:28.760 --> 0:29:31.160
<v Speaker 4>They made up for way too long. Finally, and Manda

0:29:31.160 --> 0:29:33.320
<v Speaker 4>pulls back and says good night Billy and leaves the room,

0:29:33.360 --> 0:29:36.360
<v Speaker 4>and then Alison yells in from the other room. You're like,

0:29:36.400 --> 0:29:39.640
<v Speaker 4>don't forget to turn off the lights, put the fire on.

0:29:39.760 --> 0:29:43.880
<v Speaker 4>The fire is yes, make sure the fires out. That

0:29:44.000 --> 0:29:47.960
<v Speaker 4>was a good little double on catch yeah, right, thank you, Laura.

0:29:48.040 --> 0:29:49.240
<v Speaker 4>That's a much better line.

0:29:49.520 --> 0:29:51.480
<v Speaker 6>And I sort of and I believed Amanda when she

0:29:51.520 --> 0:29:55.200
<v Speaker 6>said she was like, you know, I haven't made a

0:29:55.200 --> 0:29:57.400
<v Speaker 6>friend like this in a long time. I believed that

0:29:57.560 --> 0:30:00.000
<v Speaker 6>sincerity of that moment, and so I was extra disappoin

0:30:00.000 --> 0:30:02.200
<v Speaker 6>I know that this was happening, well, I know, and

0:30:02.320 --> 0:30:04.040
<v Speaker 6>in the scene I don't believe it for long, but

0:30:04.160 --> 0:30:05.200
<v Speaker 6>Allison's looking.

0:30:04.960 --> 0:30:08.120
<v Speaker 4>At her like my friend, Like she's so enamored of

0:30:08.160 --> 0:30:10.400
<v Speaker 4>her new boss and friend and co workers.

0:30:10.440 --> 0:30:13.600
<v Speaker 2>So this just me that that works and that other

0:30:14.320 --> 0:30:18.760
<v Speaker 2>that other side of the cubicle for so long, I mean, just.

0:30:20.400 --> 0:30:22.680
<v Speaker 3>Out of nowhere. She's the first friend I've made, you know.

0:30:23.080 --> 0:30:25.000
<v Speaker 4>You know, Amanda, I've known it forever. I've never talked

0:30:25.000 --> 0:30:27.560
<v Speaker 4>to her once. Yeah, okay, So now we're in Joe's.

0:30:27.640 --> 0:30:30.560
<v Speaker 4>It's the morning, so Jake wakes up alone and calls

0:30:30.680 --> 0:30:32.560
<v Speaker 4>up to Joe. She appears with the tray of berries

0:30:32.560 --> 0:30:35.000
<v Speaker 4>and whipped cream. There's some talk about their fathers and

0:30:35.040 --> 0:30:37.120
<v Speaker 4>some family history, but the most important part about the

0:30:37.160 --> 0:30:40.760
<v Speaker 4>scene is that he starts putting whipped cream on her

0:30:40.840 --> 0:30:45.560
<v Speaker 4>toes and I'm screaming at the TV. Were you screaming

0:30:45.560 --> 0:30:46.000
<v Speaker 4>and you're.

0:30:45.880 --> 0:30:50.400
<v Speaker 3>Totally yet I just want you to know I washed

0:30:50.400 --> 0:30:50.880
<v Speaker 3>my toes.

0:30:51.120 --> 0:30:52.480
<v Speaker 1>I'm sure you did, and.

0:30:54.040 --> 0:30:56.800
<v Speaker 2>Like you did, but Joe didn't have that wife, but

0:30:56.920 --> 0:30:58.440
<v Speaker 2>to wash the toes again.

0:30:58.960 --> 0:31:01.160
<v Speaker 6>And you're and you're super cute about it, like you're

0:31:01.160 --> 0:31:03.400
<v Speaker 6>like heat that tickles and whatever. That's you made it

0:31:03.440 --> 0:31:06.440
<v Speaker 6>as cute as it possibly could be, because in general

0:31:06.600 --> 0:31:07.120
<v Speaker 6>that's yuck.

0:31:07.800 --> 0:31:10.640
<v Speaker 1>Just saying and you did a great job if not

0:31:10.680 --> 0:31:11.400
<v Speaker 1>having it be yuck.

0:31:11.720 --> 0:31:14.400
<v Speaker 4>People do that. And I was like, no, I don't

0:31:14.440 --> 0:31:16.360
<v Speaker 4>know what the thing is with toes. I'm like, that

0:31:16.520 --> 0:31:17.000
<v Speaker 4>is not a.

0:31:17.240 --> 0:31:19.080
<v Speaker 6>That we don't need to put food on them and

0:31:19.120 --> 0:31:21.280
<v Speaker 6>then lick it off. We don't need to do that. Yeah,

0:31:21.320 --> 0:31:23.640
<v Speaker 6>whip cream doesn't make it better. It's still food on

0:31:23.680 --> 0:31:25.600
<v Speaker 6>your toes that you're just choosing to look up.

0:31:25.640 --> 0:31:26.760
<v Speaker 1>That is a bad choice.

0:31:27.080 --> 0:31:29.400
<v Speaker 5>And we want to raise our ratings and not like

0:31:29.520 --> 0:31:30.040
<v Speaker 5>lower them.

0:31:30.160 --> 0:31:32.640
<v Speaker 3>Can't we act a little young and sexy? Please?

0:31:33.720 --> 0:31:37.000
<v Speaker 6>Well you did it as best anybody ever could of

0:31:37.040 --> 0:31:38.360
<v Speaker 6>making it seem cute.

0:31:38.440 --> 0:31:41.640
<v Speaker 1>Still just saying the general conceit is like.

0:31:41.800 --> 0:31:44.440
<v Speaker 4>And I know it's a thing like people like it.

0:31:44.440 --> 0:31:46.240
<v Speaker 4>It just doesn't happen to be my thing.

0:31:46.360 --> 0:31:48.800
<v Speaker 1>The three of us here are all saying you, yeah, we're.

0:31:48.680 --> 0:31:50.640
<v Speaker 2>Anti we're saying in real life, yeah, we do it

0:31:50.680 --> 0:31:55.120
<v Speaker 2>all the time, right, and ours at eight o'clock before.

0:31:55.480 --> 0:31:57.560
<v Speaker 4>But I do it to my dog, so it's not weird.

0:31:57.840 --> 0:31:59.760
<v Speaker 4>So that's not weird. You're not weird.

0:32:01.600 --> 0:32:04.800
<v Speaker 6>There was also the pink sheets of this scene that

0:32:05.000 --> 0:32:06.520
<v Speaker 6>struck it opened.

0:32:06.600 --> 0:32:09.240
<v Speaker 1>Yeah, pink satin sheets that Jake is.

0:32:09.480 --> 0:32:10.720
<v Speaker 4>They satin sheets?

0:32:10.840 --> 0:32:12.160
<v Speaker 3>Yes, pink satin.

0:32:13.360 --> 0:32:18.200
<v Speaker 4>So great, she's got pink satin.

0:32:18.440 --> 0:32:21.120
<v Speaker 2>You think Joe went to bed, bath and beyond when

0:32:21.160 --> 0:32:22.720
<v Speaker 2>she got to town or do you think she brought

0:32:22.720 --> 0:32:26.160
<v Speaker 2>those from her from her apartment in.

0:32:26.120 --> 0:32:28.000
<v Speaker 4>New York whenever you got all new?

0:32:28.080 --> 0:32:28.640
<v Speaker 1>These are new.

0:32:28.760 --> 0:32:32.840
<v Speaker 4>I think these are memories in New York. You probably

0:32:32.840 --> 0:32:35.080
<v Speaker 4>bought them the day before. That's probably you didn't want

0:32:35.080 --> 0:32:36.760
<v Speaker 4>to do it yesterday because you had to get news.

0:32:36.840 --> 0:32:42.080
<v Speaker 3>That's true. Probably. What's that? What's that other? I have them?

0:32:42.120 --> 0:32:44.560
<v Speaker 3>What's the it's not felt, it's not velvet.

0:32:44.200 --> 0:32:45.240
<v Speaker 4>It's silk satin.

0:32:45.560 --> 0:32:48.320
<v Speaker 3>No, No, the comfy stuff, the cozy still.

0:32:48.160 --> 0:32:51.880
<v Speaker 2>Lurel the sheets she probably planted.

0:32:52.360 --> 0:32:56.400
<v Speaker 6>Yeah, well, but once she laid eyes on the hot

0:32:56.400 --> 0:32:58.760
<v Speaker 6>neighbor downstairs, she's like I need some pink.

0:33:00.760 --> 0:33:03.720
<v Speaker 4>Lid right off them. So finally Joe says it tickles,

0:33:03.720 --> 0:33:05.760
<v Speaker 4>and Jake says, let's see where else you're ticklish, and

0:33:05.840 --> 0:33:08.520
<v Speaker 4>thank God moves up and kisses her on her face.

0:33:08.600 --> 0:33:10.920
<v Speaker 4>Because we've all had a good enough we've all had

0:33:10.920 --> 0:33:12.000
<v Speaker 4>about enough of the toes.

0:33:12.360 --> 0:33:14.120
<v Speaker 3>Can we all just say how it's annoying?

0:33:14.160 --> 0:33:16.240
<v Speaker 2>It is when someone says, oh, I'm going to tickle you, like,

0:33:16.280 --> 0:33:17.800
<v Speaker 2>does anyone really like that?

0:33:18.080 --> 0:33:21.800
<v Speaker 4>No? Tickling it's an aggression.

0:33:21.920 --> 0:33:24.800
<v Speaker 1>Yeah, oh my god, it's yeah, okay, makes me furious.

0:33:25.160 --> 0:33:26.880
<v Speaker 4>All right, So back at they like us, Billy and

0:33:26.880 --> 0:33:30.080
<v Speaker 4>Amanda are having fun cooking breakfast. Billy's got a French accent.

0:33:30.120 --> 0:33:32.719
<v Speaker 4>They're making mimoses because it's you have a French accent.

0:33:32.760 --> 0:33:36.000
<v Speaker 4>That's how I drank. He's having a maga of all.

0:33:36.640 --> 0:33:38.360
<v Speaker 4>I think it's French. It's somebody.

0:33:38.520 --> 0:33:40.719
<v Speaker 3>It's Billy's version of French version.

0:33:41.080 --> 0:33:43.480
<v Speaker 4>I'm not saying it's a great French accent. And they

0:33:43.760 --> 0:33:46.400
<v Speaker 4>they open the champagne and they're spraying each other and

0:33:46.400 --> 0:33:48.880
<v Speaker 4>they're laughing, and there they're rolling around on the floor

0:33:49.760 --> 0:33:51.200
<v Speaker 4>like a couple of animals.

0:33:51.520 --> 0:33:53.760
<v Speaker 3>Wonderfully with all that champagne.

0:33:54.080 --> 0:33:56.920
<v Speaker 4>Yes, uh huh, and then Alison enters wrapped in a

0:33:56.960 --> 0:34:00.400
<v Speaker 4>blanket again Bully committed to the cold and sees them

0:34:00.480 --> 0:34:03.960
<v Speaker 4>together and the buzzkill. But how heartbreaking was it when

0:34:04.080 --> 0:34:06.280
<v Speaker 4>all in the blanket and she's so sad, she's all

0:34:06.320 --> 0:34:09.200
<v Speaker 4>snotty and there they are on the floor and she says,

0:34:09.760 --> 0:34:12.040
<v Speaker 4>I'd liked it, but I'd like to go back early

0:34:12.080 --> 0:34:16.040
<v Speaker 4>so it doesn't get more serious beat beat beat, like cold, I.

0:34:16.120 --> 0:34:19.400
<v Speaker 3>Beat the cold, I mean.

0:34:20.200 --> 0:34:24.520
<v Speaker 4>More serious, no more. But also so sad.

0:34:24.440 --> 0:34:28.759
<v Speaker 6>So sad for because they really did paint Alison in

0:34:28.800 --> 0:34:33.040
<v Speaker 6>a pathetic light and the contrast wasn't you It was

0:34:33.040 --> 0:34:34.319
<v Speaker 6>the writers right, and.

0:34:34.360 --> 0:34:35.680
<v Speaker 1>It was very sad.

0:34:35.719 --> 0:34:38.040
<v Speaker 6>As an audience member, we all it was fair, I said,

0:34:38.120 --> 0:34:39.480
<v Speaker 6>I felt for Alison.

0:34:39.920 --> 0:34:41.040
<v Speaker 4>Yeah, it was very sad.

0:34:41.400 --> 0:34:43.799
<v Speaker 6>Wasn't this the scene that didn't Heather say that this

0:34:43.840 --> 0:34:48.080
<v Speaker 6>scene had to be shot twice because there was no film?

0:34:48.440 --> 0:34:52.040
<v Speaker 4>I said, it was two in the morning, and it

0:34:52.080 --> 0:34:54.239
<v Speaker 4>was the days of film now for you kids used

0:34:54.239 --> 0:34:55.600
<v Speaker 4>to have something called film that you had to put

0:34:55.600 --> 0:34:57.279
<v Speaker 4>in a camera and take out of the camera. And

0:34:57.320 --> 0:34:59.160
<v Speaker 4>they changed the film and then we went on break

0:34:59.200 --> 0:35:00.680
<v Speaker 4>and he was going to change we got back but

0:35:00.719 --> 0:35:04.640
<v Speaker 4>forgot So we filmed this whole scene getting wet, getting

0:35:04.640 --> 0:35:06.960
<v Speaker 4>covered in champagne, and it was late at night. There

0:35:07.000 --> 0:35:08.680
<v Speaker 4>was no film in the camera. We had to redo it.

0:35:08.680 --> 0:35:09.440
<v Speaker 4>It was heartbreaking.

0:35:09.680 --> 0:35:11.239
<v Speaker 3>And you said he didn't come back next year.

0:35:11.600 --> 0:35:13.920
<v Speaker 4>Yeah, which was so sad because we did love him. Well,

0:35:13.960 --> 0:35:17.040
<v Speaker 4>there's no film anymore, that's not that's not a concern anymore.

0:35:17.200 --> 0:35:18.279
<v Speaker 3>But yeah, they made it.

0:35:18.680 --> 0:35:28.120
<v Speaker 4>Charge of watching the current version. Charge about So then

0:35:28.160 --> 0:35:30.920
<v Speaker 4>we're back in Luna's apartment and she is furious, of

0:35:31.000 --> 0:35:34.319
<v Speaker 4>course that Matt met up with Terrence. There's tons of

0:35:34.320 --> 0:35:38.239
<v Speaker 4>boundary issues. And then Matt says, if it's over, why

0:35:38.239 --> 0:35:40.640
<v Speaker 4>are you so sensitive? And I was like, well, because

0:35:40.680 --> 0:35:43.640
<v Speaker 4>she just broke up an engagement, Like doesn't it make sense?

0:35:43.719 --> 0:35:46.120
<v Speaker 1>And she says it kind of a big deal.

0:35:46.920 --> 0:35:49.839
<v Speaker 4>Yeah, And I was thinking, like, because Doug is sweet. Doug,

0:35:50.239 --> 0:35:52.960
<v Speaker 4>only he could make this sort of make sense, right,

0:35:53.040 --> 0:35:56.320
<v Speaker 4>Like I have compassion for Matt because Doug is so sweet.

0:35:56.400 --> 0:35:58.160
<v Speaker 4>Anybody else I would just hate them.

0:35:58.160 --> 0:36:01.160
<v Speaker 6>In this scene, yeah, it's like you didn't participant in

0:36:01.200 --> 0:36:03.840
<v Speaker 6>this plan. But he's also like calling out what he

0:36:03.920 --> 0:36:06.600
<v Speaker 6>sees and run like I am reluctant to even get

0:36:06.640 --> 0:36:09.400
<v Speaker 6>involved in this, but I do have to say, it

0:36:09.440 --> 0:36:11.279
<v Speaker 6>looks like you might still have feelings and maybe there's

0:36:11.320 --> 0:36:12.359
<v Speaker 6>something else you should be doing.

0:36:12.960 --> 0:36:14.160
<v Speaker 4>Yeah, exactly.

0:36:14.520 --> 0:36:16.680
<v Speaker 5>The thing is when you were have you, guys, ever

0:36:16.760 --> 0:36:19.560
<v Speaker 5>been pulled into the middle, like sucked into the middle

0:36:19.640 --> 0:36:21.120
<v Speaker 5>of you Just.

0:36:21.120 --> 0:36:23.600
<v Speaker 3>There's no win win, like there's you know, you have.

0:36:23.800 --> 0:36:27.040
<v Speaker 2>The each side want you to be loyal to them,

0:36:27.600 --> 0:36:31.719
<v Speaker 2>and if you choose one inevitably will be used against you.

0:36:31.840 --> 0:36:34.240
<v Speaker 3>If you just do a little bit to each that'll

0:36:34.239 --> 0:36:36.839
<v Speaker 3>be you'll be both go at you. I mean, there's

0:36:36.840 --> 0:36:37.600
<v Speaker 3>no winning.

0:36:37.400 --> 0:36:39.840
<v Speaker 4>Yeah, especially if God forbid they get back together and

0:36:39.880 --> 0:36:42.080
<v Speaker 4>it's right, yeah, yeah, he's the worst.

0:36:42.160 --> 0:36:45.560
<v Speaker 5>And then they both interview what are you to do?

0:36:46.000 --> 0:36:48.120
<v Speaker 3>And they both turn on just don't answer your phone.

0:36:48.160 --> 0:36:51.399
<v Speaker 4>I guess, I guess. It's a tough situation. So now

0:36:51.440 --> 0:36:55.520
<v Speaker 4>we're back in Joe's appointment, super post coital, and Joe

0:36:55.560 --> 0:36:57.680
<v Speaker 4>feels of Jake's muscles for the rest of us, which,

0:36:57.719 --> 0:37:00.520
<v Speaker 4>thank you for doing that. Sweet, was super nice for

0:37:00.520 --> 0:37:02.920
<v Speaker 4>you to do that for us, And you look and

0:37:02.960 --> 0:37:06.000
<v Speaker 4>you're looking very pleased with yourself. Then Jake says that

0:37:06.200 --> 0:37:10.160
<v Speaker 4>was great, and jokers, yes it was, and the audience

0:37:10.239 --> 0:37:11.799
<v Speaker 4>is like, I knew it was going to be great.

0:37:11.800 --> 0:37:12.200
<v Speaker 4>I knew it.

0:37:12.719 --> 0:37:16.520
<v Speaker 2>Yeah, yeah, I love that the I love the whole

0:37:16.640 --> 0:37:17.160
<v Speaker 2>vibe of that.

0:37:17.520 --> 0:37:20.080
<v Speaker 5>The morning after and they're so comfortable with each other.

0:37:20.200 --> 0:37:22.080
<v Speaker 5>You know, she comes out in her robe, her.

0:37:21.960 --> 0:37:25.440
<v Speaker 2>That beautiful satin robe that she has kimono or something,

0:37:26.040 --> 0:37:29.080
<v Speaker 2>and he's so comfortable, and you know he was so

0:37:29.520 --> 0:37:29.920
<v Speaker 2>it's so.

0:37:29.960 --> 0:37:35.200
<v Speaker 3>Great to see grant is Jake uh just.

0:37:35.200 --> 0:37:39.040
<v Speaker 5>His warmth and caring towards her for this whole arc

0:37:39.480 --> 0:37:43.000
<v Speaker 5>and then now too, he's comforting and he's like, hey, hey, Joe,

0:37:43.360 --> 0:37:45.560
<v Speaker 5>and she's like, yeah, that was great.

0:37:46.120 --> 0:37:48.680
<v Speaker 3>You know, I was like so reassured. She's just like, yeah,

0:37:48.680 --> 0:37:50.680
<v Speaker 3>it was because she's a tough girl. She couldn't just

0:37:50.719 --> 0:37:53.520
<v Speaker 3>say oh, so glad, you know. She's like, yeah, it

0:37:53.680 --> 0:37:55.480
<v Speaker 3>was because I've had a lot too.

0:37:57.520 --> 0:38:02.080
<v Speaker 5>Anyway, it is very very sweet to get upstairs downstairs.

0:38:01.400 --> 0:38:05.680
<v Speaker 1>So you just know, you know, yeah, very morning after

0:38:05.800 --> 0:38:06.560
<v Speaker 1>in love vibe.

0:38:06.600 --> 0:38:10.240
<v Speaker 4>Oh so so sweet, so yummy. So then we're outside

0:38:10.239 --> 0:38:12.719
<v Speaker 4>the exterior the apartment. Billy and Allison are walking in

0:38:13.120 --> 0:38:16.360
<v Speaker 4>and they're checking their mail, and Alan, because you're sulking,

0:38:16.600 --> 0:38:18.400
<v Speaker 4>she goes, no, I'm not she's throwing mail at in.

0:38:18.440 --> 0:38:21.719
<v Speaker 5>One piece of a time like for me, throws it

0:38:21.719 --> 0:38:22.120
<v Speaker 5>to him.

0:38:22.160 --> 0:38:23.160
<v Speaker 1>Why would I be sulking?

0:38:23.800 --> 0:38:29.200
<v Speaker 4>She says, I have been sulking because and then she's

0:38:29.280 --> 0:38:32.440
<v Speaker 4>obviously offended that Billy hit on Amanda, and she says,

0:38:32.560 --> 0:38:34.480
<v Speaker 4>this line killed me. And this is when you go.

0:38:35.000 --> 0:38:36.920
<v Speaker 4>You know, we had to do exact words, and this

0:38:37.040 --> 0:38:40.680
<v Speaker 4>is worded so strangely. One would think you would have

0:38:40.760 --> 0:38:43.200
<v Speaker 4>the sense to hit on someone other than the woman

0:38:43.320 --> 0:38:45.560
<v Speaker 4>I work with every day. So suddenly I'm on doubt

0:38:45.560 --> 0:38:49.280
<v Speaker 4>and Abby, I don't know what yes one one would

0:38:49.280 --> 0:38:51.000
<v Speaker 4>think because maybe I'm royalty tell.

0:38:50.960 --> 0:38:54.120
<v Speaker 2>Me or Maggie Smith, which just proves how unsexy they're

0:38:54.160 --> 0:38:58.400
<v Speaker 2>making you exactly exactly.

0:38:58.440 --> 0:39:01.800
<v Speaker 4>And then Billy defends himself by saying, there's an attraction,

0:39:02.000 --> 0:39:04.960
<v Speaker 4>a chemistry is something I hardly ever felt before.

0:39:04.680 --> 0:39:05.840
<v Speaker 1>And I just didn't plan this.

0:39:05.960 --> 0:39:12.120
<v Speaker 4>Allison oh the mouth right, like he can't help himself.

0:39:12.120 --> 0:39:16.280
<v Speaker 4>It's so sad. So again, as an actor.

0:39:16.680 --> 0:39:18.680
<v Speaker 2>You know, when you're shooting the show, you like we've

0:39:18.680 --> 0:39:20.920
<v Speaker 2>talked about, you have your own story. So I'd come

0:39:20.960 --> 0:39:23.959
<v Speaker 2>on days and shoot, you know, my thing and few

0:39:24.000 --> 0:39:26.520
<v Speaker 2>scenes and then go and you don't I mean I

0:39:26.560 --> 0:39:29.239
<v Speaker 2>read the scripts. Don't get me wrong, I didn't realize

0:39:29.719 --> 0:39:32.640
<v Speaker 2>like that you guys weren't together this whole time.

0:39:32.760 --> 0:39:35.279
<v Speaker 3>I thought you were. You know, Billy and Allison, you'd

0:39:35.280 --> 0:39:36.280
<v Speaker 3>been together already.

0:39:36.800 --> 0:39:38.920
<v Speaker 4>Well, you were confused because Andrew and I were together.

0:39:39.000 --> 0:39:41.480
<v Speaker 3>It was very confused. I guess you were so.

0:39:43.880 --> 0:39:46.400
<v Speaker 6>And it must have been, like it's pretty easy to

0:39:46.440 --> 0:39:48.960
<v Speaker 6>be pissed, as you know, in this scene like that,

0:39:49.400 --> 0:39:51.680
<v Speaker 6>it's like, ew, Yeah.

0:39:51.480 --> 0:39:52.839
<v Speaker 4>One of the things you talked about with Heather, which

0:39:52.880 --> 0:39:55.640
<v Speaker 4>is so true, is it would have been very challenging

0:39:55.640 --> 0:39:57.400
<v Speaker 4>to have Heather Lockler and make out with my real

0:39:57.440 --> 0:40:00.880
<v Speaker 4>life boyfriend. But she's such a girl's girl, right, Like,

0:40:00.920 --> 0:40:03.319
<v Speaker 4>there's none of she's not flirting, she wasn't doing it.

0:40:03.360 --> 0:40:05.839
<v Speaker 4>She was completely on my side with me, and then

0:40:05.880 --> 0:40:07.879
<v Speaker 4>she'd go make out with him. But I never thought

0:40:07.920 --> 0:40:11.200
<v Speaker 4>for a second there was anything complicated going on, you

0:40:11.239 --> 0:40:13.560
<v Speaker 4>know what I mean, Like that could have been really

0:40:13.600 --> 0:40:16.399
<v Speaker 4>scary for me. But it's just so profoundly not who

0:40:16.400 --> 0:40:19.920
<v Speaker 4>she is, which I just really another thing we appreciate

0:40:19.920 --> 0:40:22.760
<v Speaker 4>about her. Yeah, So she tells him again very clearly

0:40:22.800 --> 0:40:26.479
<v Speaker 4>she doesn't want them to date, and he shrugs. Ah,

0:40:26.560 --> 0:40:29.000
<v Speaker 4>so now we're in D and D and Alis and

0:40:29.040 --> 0:40:34.240
<v Speaker 4>Amanda are discussing very important advertising business and Amanda, who really,

0:40:34.719 --> 0:40:37.560
<v Speaker 4>even though she's not mentioning that they've already made out twice,

0:40:38.280 --> 0:40:40.279
<v Speaker 4>she tells Alison that she thinks Billy is smart and

0:40:40.280 --> 0:40:43.040
<v Speaker 4>funny and asked hy they're not dating, and Alison laughs

0:40:43.120 --> 0:40:47.080
<v Speaker 4>way too hard, way too hard, and says, oh, oh oh,

0:40:47.400 --> 0:40:49.640
<v Speaker 4>the thought of being in a relationship with him. He's

0:40:49.640 --> 0:40:51.759
<v Speaker 4>completely in love with someone every week and then he's

0:40:51.840 --> 0:40:54.759
<v Speaker 4>out of there. So I'm a little bit defending a

0:40:54.800 --> 0:40:55.239
<v Speaker 4>little bit.

0:40:55.360 --> 0:40:59.560
<v Speaker 2>And she says, what he dumps them, and she's like, no,

0:41:00.000 --> 0:41:02.240
<v Speaker 2>they dumb him because he's such a listener.

0:41:02.840 --> 0:41:06.160
<v Speaker 3>I'm just like, calm down, missy.

0:41:06.440 --> 0:41:07.960
<v Speaker 4>She does protests too much.

0:41:08.200 --> 0:41:10.640
<v Speaker 6>I loved that part of the scene that Allison was

0:41:10.760 --> 0:41:13.440
<v Speaker 6>playing it off with just the opposite, you know, like

0:41:13.480 --> 0:41:16.960
<v Speaker 6>oh no. I just loved that oppositeness of how she

0:41:17.000 --> 0:41:19.200
<v Speaker 6>really felt and that was so clear.

0:41:19.680 --> 0:41:22.640
<v Speaker 2>Yeah, and did you guys notice the Frida Callo picture

0:41:22.800 --> 0:41:23.520
<v Speaker 2>right between you?

0:41:23.920 --> 0:41:27.399
<v Speaker 3>Between you guys? I think this is the scene, if

0:41:27.440 --> 0:41:29.279
<v Speaker 3>not as the next scene.

0:41:29.000 --> 0:41:32.560
<v Speaker 4>But yeah, I didn't, I didn't notice. But Amanda doubles

0:41:32.600 --> 0:41:35.759
<v Speaker 4>down and says he's adorable, to which Allison says, I

0:41:35.800 --> 0:41:39.600
<v Speaker 4>hope your criteria extends beyond adorable, because I am just

0:41:39.719 --> 0:41:42.160
<v Speaker 4>not happy about it. So then Amanda smiles an apropos

0:41:42.160 --> 0:41:45.080
<v Speaker 4>of nothing, suggests maybe they work at Allison's house tonight.

0:41:45.440 --> 0:41:48.920
<v Speaker 4>That's a great idea, don't you guys? Thinks a great idea.

0:41:49.160 --> 0:41:53.600
<v Speaker 4>Really don't have to do this. Allison says yes, because

0:41:53.640 --> 0:41:56.680
<v Speaker 4>she's already doubled down and said she doesn't care. So

0:41:56.880 --> 0:41:59.240
<v Speaker 4>Amanda and Allison are working on the coffee table. Billy

0:41:59.400 --> 0:42:02.560
<v Speaker 4>enters and as they're doing, and Allison says, very lovingly working,

0:42:02.640 --> 0:42:03.759
<v Speaker 4>we won't be offended if.

0:42:03.640 --> 0:42:06.360
<v Speaker 1>You leave totally loving, totally loving.

0:42:07.160 --> 0:42:09.840
<v Speaker 4>Super loving. Instead of leaving, he settles in and offers

0:42:09.880 --> 0:42:13.719
<v Speaker 4>the tagline maximize your advantage in life and love It

0:42:13.840 --> 0:42:14.920
<v Speaker 4>might make the difference.

0:42:15.840 --> 0:42:18.680
<v Speaker 6>Well, did you notice that, like Allison, Yeah, Allison's working

0:42:18.719 --> 0:42:22.920
<v Speaker 6>on subliminal imaging and Amanda is working on finding pictures

0:42:22.920 --> 0:42:28.480
<v Speaker 6>of happy, successful people maximizing their advantage. It's like, oh,

0:42:28.880 --> 0:42:32.319
<v Speaker 6>I guess that is exactly what we're doing here. Yes, yes,

0:42:32.640 --> 0:42:35.520
<v Speaker 6>so working for Matt and she is working on that.

0:42:35.920 --> 0:42:37.480
<v Speaker 4>Yes, and it's perfect and we're going to come to

0:42:37.480 --> 0:42:40.200
<v Speaker 4>a subliminal, subliminal message, and then Amanda loves it and

0:42:40.239 --> 0:42:42.320
<v Speaker 4>sends Alison out of the room to find an article

0:42:42.480 --> 0:42:44.840
<v Speaker 4>because remember when you had to have actual articles. You

0:42:44.840 --> 0:42:47.239
<v Speaker 4>couldn't just look at you didn't say hey, Google that,

0:42:47.280 --> 0:42:49.400
<v Speaker 4>you had to actually get up and leave. And in

0:42:49.560 --> 0:42:51.960
<v Speaker 4>the in the three seconds when Alison's out of the room,

0:42:52.280 --> 0:42:55.759
<v Speaker 4>Billy asks Amanda out for coffee at nine thirty pm,

0:42:55.840 --> 0:42:59.200
<v Speaker 4>which is, need we say, an insane time for anything

0:42:59.200 --> 0:42:59.960
<v Speaker 4>to happen.

0:43:00.800 --> 0:43:03.920
<v Speaker 1>But also don't tell Allison. Let's just do this secretly.

0:43:05.800 --> 0:43:08.440
<v Speaker 2>But still I guess for I guess, like she agrees

0:43:08.520 --> 0:43:10.800
<v Speaker 2>to go, but she does say like, and he's like,

0:43:10.880 --> 0:43:14.000
<v Speaker 2>let's just keep it between us, and she's like okay.

0:43:14.600 --> 0:43:19.120
<v Speaker 2>But then I like, how you know Amanda immediately butts

0:43:19.120 --> 0:43:21.759
<v Speaker 2>all that up and says, I'm not going to keep secrets,

0:43:21.960 --> 0:43:24.879
<v Speaker 2>you know. But she's like okay, But she's like, why

0:43:24.920 --> 0:43:26.120
<v Speaker 2>do they want to keep the secret?

0:43:26.200 --> 0:43:27.600
<v Speaker 3>She's like, these guys have.

0:43:27.560 --> 0:43:31.520
<v Speaker 5>More going on than they're even know themselves, Like you

0:43:31.560 --> 0:43:32.120
<v Speaker 5>guys had.

0:43:32.040 --> 0:43:34.640
<v Speaker 4>Much deeper thoughts. I was just thinking nine thirty is

0:43:34.680 --> 0:43:36.240
<v Speaker 4>too late for coffee.

0:43:35.840 --> 0:43:40.480
<v Speaker 3>Like I just what was it? Like Cash should be.

0:43:40.520 --> 0:43:43.120
<v Speaker 4>Home by nine thirty in your pajamas. That's not the

0:43:43.160 --> 0:43:44.640
<v Speaker 4>time to start the Nine days.

0:43:45.120 --> 0:43:48.640
<v Speaker 6>I also noticed that Allison started saying so long a

0:43:48.719 --> 0:43:49.800
<v Speaker 6>lot in this episode.

0:43:49.880 --> 0:43:51.200
<v Speaker 1>Did you notice that?

0:43:51.719 --> 0:43:53.799
<v Speaker 6>Like she said to Amanda at some point, all right,

0:43:53.960 --> 0:43:57.239
<v Speaker 6>so long, Amanda, like you know, buddy, old pale, weird.

0:43:57.280 --> 0:43:59.200
<v Speaker 6>And then she says it in this scene when Billy

0:43:59.320 --> 0:44:04.520
<v Speaker 6>leaves to Billy's so long, Like what that's such a

0:44:04.520 --> 0:44:06.400
<v Speaker 6>cow clue, isn't it just seems so funny?

0:44:06.680 --> 0:44:07.120
<v Speaker 1>So long?

0:44:07.480 --> 0:44:10.799
<v Speaker 4>Did one start saying so long? I think one started.

0:44:10.480 --> 0:44:12.200
<v Speaker 1>Saying that was Alison.

0:44:16.640 --> 0:44:18.719
<v Speaker 4>Okay, So we're back in Shooters, which as we know,

0:44:18.840 --> 0:44:21.719
<v Speaker 4>is the only bar in Los Angeles. Turns into the

0:44:21.760 --> 0:44:25.120
<v Speaker 4>table and Ronda enters in a very sexy green like

0:44:25.400 --> 0:44:26.080
<v Speaker 4>half top.

0:44:26.520 --> 0:44:27.040
<v Speaker 1>Super cute.

0:44:27.080 --> 0:44:29.360
<v Speaker 4>We're just on her and I would never have the

0:44:29.440 --> 0:44:32.239
<v Speaker 4>guts to wear that cute, never ever have the guts

0:44:32.280 --> 0:44:36.040
<v Speaker 4>to wear crop top. Yeah, super crop top. And she

0:44:36.080 --> 0:44:37.960
<v Speaker 4>tells him that she cares about him, but she needed

0:44:37.960 --> 0:44:40.040
<v Speaker 4>more than a few weeks to think about marriage. He

0:44:40.120 --> 0:44:43.359
<v Speaker 4>asks why she didn't say that, and then they sort

0:44:43.360 --> 0:44:45.200
<v Speaker 4>of She said, this is a cute lie. I thought,

0:44:45.239 --> 0:44:47.759
<v Speaker 4>she says, I was flattered. Nobody's ever asked me to

0:44:47.800 --> 0:44:48.680
<v Speaker 4>marry them before.

0:44:48.920 --> 0:44:51.319
<v Speaker 5>She's very honest in all this and all of her

0:44:51.560 --> 0:44:52.080
<v Speaker 5>you know, she.

0:44:52.080 --> 0:44:54.960
<v Speaker 2>Goes, I couldn't, I couldn't decide that in two weeks

0:44:55.320 --> 0:44:57.600
<v Speaker 2>I didn't, And then I dawned on me she only

0:44:57.640 --> 0:44:58.319
<v Speaker 2>had two weeks to.

0:44:58.280 --> 0:44:59.719
<v Speaker 3>Make a decision to marry this guy.

0:45:00.239 --> 0:45:02.080
<v Speaker 6>That's not very long, but it does feel like he

0:45:02.080 --> 0:45:04.680
<v Speaker 6>hears her. It feels like he hears her a little bit,

0:45:04.680 --> 0:45:07.080
<v Speaker 6>and the scene is like, all right, well, let's press pause,

0:45:07.160 --> 0:45:09.160
<v Speaker 6>you know. Then they agree to press pause together. I

0:45:09.160 --> 0:45:11.279
<v Speaker 6>think for the first time he is sort of going, okay, great,

0:45:11.320 --> 0:45:12.080
<v Speaker 6>we can take time.

0:45:12.600 --> 0:45:14.880
<v Speaker 4>It's also romantic. I had someone ask me to marry

0:45:14.880 --> 0:45:17.960
<v Speaker 4>them once, way, way, way too early. But it's like

0:45:18.000 --> 0:45:20.160
<v Speaker 4>in all these movies, you're gonna go, yeah, why not,

0:45:20.480 --> 0:45:22.080
<v Speaker 4>And then you know, a couple months in we got

0:45:22.080 --> 0:45:24.759
<v Speaker 4>to know each other. Writers like oh yeah, no, no, no.

0:45:24.800 --> 0:45:27.000
<v Speaker 4>But it really was kind of exciting and romantic because

0:45:27.000 --> 0:45:30.120
<v Speaker 4>we see it in movies all the time, right, So anyway,

0:45:30.239 --> 0:45:31.719
<v Speaker 4>I know, I know why she did it, and I

0:45:31.760 --> 0:45:35.200
<v Speaker 4>know why she also said never mind. So now we're

0:45:35.200 --> 0:45:37.719
<v Speaker 4>in the coffee shop at night at the ungodly hour

0:45:37.760 --> 0:45:41.120
<v Speaker 4>of nine thirty and Amanda joins Billy and says she's

0:45:41.200 --> 0:45:44.600
<v Speaker 4>late because Alison is a workaholic, which seems unnecessarily rude

0:45:44.600 --> 0:45:47.239
<v Speaker 4>to Alison. Right now, she's just.

0:45:47.200 --> 0:45:53.560
<v Speaker 3>A pile of from the writers, to the costumer, the characters.

0:45:53.560 --> 0:45:54.960
<v Speaker 3>It's just like the pile.

0:45:54.719 --> 0:45:59.200
<v Speaker 4>On Alison exactly. And then Billy says, which made me furious.

0:45:59.680 --> 0:46:01.640
<v Speaker 4>You don't know how many nights I spend in here

0:46:01.640 --> 0:46:04.480
<v Speaker 4>alone writing in my notebook, watching the cars go by,

0:46:04.960 --> 0:46:07.440
<v Speaker 4>just wishing I was sitting across from someone as beautiful

0:46:07.520 --> 0:46:07.880
<v Speaker 4>as you.

0:46:09.840 --> 0:46:14.000
<v Speaker 1>Yeah, right, laid it on, Hello, Billy, Hello.

0:46:15.080 --> 0:46:17.920
<v Speaker 4>So then he's then he completely ruins that by saying

0:46:18.520 --> 0:46:20.040
<v Speaker 4>it's a good thing that she shared a room with

0:46:20.080 --> 0:46:23.360
<v Speaker 4>Alvin at the Lakehouse because she hadn't a wild animal

0:46:23.480 --> 0:46:25.000
<v Speaker 4>might have crawled under your covers.

0:46:25.239 --> 0:46:26.919
<v Speaker 1>That was not a romantic line.

0:46:27.640 --> 0:46:31.520
<v Speaker 6>In this same breath, Yeah, they're saying he's a hopeless romantic.

0:46:31.560 --> 0:46:33.719
<v Speaker 1>But then he throws that line out there that.

0:46:33.760 --> 0:46:35.719
<v Speaker 3>Ismsing I'm thinking, is the Godfather?

0:46:35.960 --> 0:46:36.120
<v Speaker 2>Right?

0:46:36.280 --> 0:46:37.319
<v Speaker 3>Is that animal head?

0:46:37.880 --> 0:46:38.560
<v Speaker 5>Are the covers?

0:46:38.600 --> 0:46:42.600
<v Speaker 6>I'm like, wait, yeah, it was a very dorky, not

0:46:43.160 --> 0:46:44.040
<v Speaker 6>romantic line.

0:46:44.280 --> 0:46:46.719
<v Speaker 4>Yeah, it was wrong, And then she says, but then

0:46:46.800 --> 0:46:48.439
<v Speaker 4>it works on her for some reason because she says,

0:46:48.440 --> 0:46:50.799
<v Speaker 4>why are they keeping the relationship a secret? How it's

0:46:50.840 --> 0:46:53.600
<v Speaker 4>a relationship already, I don't know, And she says, we're

0:46:53.640 --> 0:46:55.239
<v Speaker 4>all grown ups here, and I don't want to keep

0:46:55.239 --> 0:46:59.719
<v Speaker 4>this from her, and then she kisses him, and I

0:46:59.760 --> 0:47:01.680
<v Speaker 4>have a feeling that she's going to be winning this

0:47:01.840 --> 0:47:05.719
<v Speaker 4>and every argument from now on, because have you seen her?

0:47:06.560 --> 0:47:08.840
<v Speaker 4>So then yeah. So then we're in the courtyard and

0:47:08.920 --> 0:47:11.719
<v Speaker 4>Jane and Michael the first time we see them the first.

0:47:12.239 --> 0:47:14.480
<v Speaker 1>Episode at all, coming back for your jog.

0:47:14.880 --> 0:47:17.920
<v Speaker 4>Jogging in and run into Jake, who says he'd lost

0:47:17.960 --> 0:47:20.480
<v Speaker 4>a couple of days, which was really.

0:47:20.200 --> 0:47:22.719
<v Speaker 1>Cute, nice, but Jane seemed to know what he was

0:47:22.760 --> 0:47:23.319
<v Speaker 1>referring to.

0:47:23.520 --> 0:47:25.920
<v Speaker 4>She's like, did well, they probably knew they were, you know,

0:47:25.920 --> 0:47:30.040
<v Speaker 4>they're underneath them, so they probably maybe the furniture banging around.

0:47:30.600 --> 0:47:32.799
<v Speaker 4>So he walks up to Joe's apartment and they have

0:47:32.960 --> 0:47:37.120
<v Speaker 4>this sweet, shy scene and he says he dreamed about her,

0:47:37.920 --> 0:47:40.480
<v Speaker 4>and she asked how work was, and he says anticlimactic

0:47:40.520 --> 0:47:43.239
<v Speaker 4>and really lonely, and I wrote here swoon like I

0:47:43.400 --> 0:47:46.400
<v Speaker 4>was like, I was, oh my god, it's so sweet,

0:47:46.640 --> 0:47:48.359
<v Speaker 4>And just as I warned you about its being too

0:47:48.400 --> 0:47:52.280
<v Speaker 4>good together and they have this really sweet flable scene.

0:47:52.719 --> 0:47:56.200
<v Speaker 4>Mm hmm, right, yeah, I really liked it. I thought

0:47:56.200 --> 0:47:57.319
<v Speaker 4>it was so sweet, and.

0:47:57.239 --> 0:48:00.799
<v Speaker 6>Then Jake, Yeah, they're thinking about their future, like, hey,

0:48:00.800 --> 0:48:01.919
<v Speaker 6>what does this mean for us?

0:48:01.960 --> 0:48:04.560
<v Speaker 1>Like I just love that line.

0:48:04.840 --> 0:48:07.560
<v Speaker 4>I told yeah, and they're saying they're both scared, and

0:48:07.600 --> 0:48:08.960
<v Speaker 4>he says, why don't we just make it up as

0:48:09.000 --> 0:48:11.040
<v Speaker 4>we go along, and then Joe, instead of saying yes,

0:48:11.160 --> 0:48:12.560
<v Speaker 4>says we could try.

0:48:13.640 --> 0:48:14.920
<v Speaker 3>It's like, what.

0:48:16.760 --> 0:48:20.759
<v Speaker 4>Still holding it very close to the vest. Yeah, Joe

0:48:20.880 --> 0:48:22.799
<v Speaker 4>is not ready to surrender. But then she asked about

0:48:22.800 --> 0:48:25.120
<v Speaker 4>his dream and they again disappear into the bedroom.

0:48:25.360 --> 0:48:27.040
<v Speaker 3>She's like, well, tell me about your dream and he's like,

0:48:27.160 --> 0:48:27.840
<v Speaker 3>come here.

0:48:27.920 --> 0:48:33.279
<v Speaker 4>Let me show you sweetheart again. Hello so sweet. So

0:48:33.320 --> 0:48:34.920
<v Speaker 4>now we're back in D and D and Amanda and

0:48:34.920 --> 0:48:38.320
<v Speaker 4>Allison are talking across her cubicles and Alison tells me

0:48:38.680 --> 0:48:40.080
<v Speaker 4>how much she wants her partnership.

0:48:40.280 --> 0:48:43.040
<v Speaker 3>This is the Frida callosit this is it?

0:48:43.160 --> 0:48:43.640
<v Speaker 4>This is it?

0:48:43.719 --> 0:48:46.680
<v Speaker 3>Because you're eating salad or something you're eating.

0:48:47.120 --> 0:48:50.520
<v Speaker 4>Alison's eating salad and Amanda starts eating it. And that's

0:48:50.520 --> 0:48:53.240
<v Speaker 4>not the only thing she takes from Alison, by the way,

0:48:54.120 --> 0:48:56.560
<v Speaker 4>and Amanda tells her that she really likes Billy and

0:48:56.600 --> 0:48:58.400
<v Speaker 4>he seems to like her too, and I want you

0:48:58.440 --> 0:49:00.440
<v Speaker 4>to know that we're dating. I didn't think mind. I

0:49:00.440 --> 0:49:05.480
<v Speaker 4>was like, what's happening? What's happening? And al Nelson, clearly upset,

0:49:05.560 --> 0:49:07.759
<v Speaker 4>says no, I mean why should I what am I

0:49:07.840 --> 0:49:08.719
<v Speaker 4>your parents?

0:49:10.840 --> 0:49:11.440
<v Speaker 3>That was good.

0:49:11.520 --> 0:49:13.920
<v Speaker 4>I think we're all mad. Right, It's not just.

0:49:13.960 --> 0:49:14.960
<v Speaker 2>Me but.

0:49:16.840 --> 0:49:17.600
<v Speaker 3>Understandable.

0:49:18.040 --> 0:49:22.080
<v Speaker 6>I'm disappointed and sad for sure, but I feel like

0:49:22.120 --> 0:49:24.480
<v Speaker 6>Amanda's trying to do the right thing and she's being principal,

0:49:24.520 --> 0:49:27.080
<v Speaker 6>like I don't want to keep secrets, and you said

0:49:27.640 --> 0:49:30.319
<v Speaker 6>that you're not into him. I am, and we're going

0:49:30.400 --> 0:49:35.200
<v Speaker 6>to do this. And Billy said he didn't want you know,

0:49:35.600 --> 0:49:38.200
<v Speaker 6>you to know because you had said you wanted to

0:49:38.239 --> 0:49:41.120
<v Speaker 6>keep your personal professional life separate. Like that moment of

0:49:41.200 --> 0:49:45.440
<v Speaker 6>like finding out that Billy told Amanda what.

0:49:45.400 --> 0:49:47.960
<v Speaker 1>Alison had said and why she didn't want is like

0:49:48.560 --> 0:49:49.080
<v Speaker 1>that was.

0:49:49.080 --> 0:49:52.840
<v Speaker 6>The like, really, not only are you dating, but you

0:49:52.920 --> 0:49:55.120
<v Speaker 6>also told her what I said. Yeah, this is when

0:49:55.160 --> 0:49:58.000
<v Speaker 6>Alison like that trail Yeah, yeah, oh my god, I'm

0:49:58.000 --> 0:49:58.840
<v Speaker 6>eating all your salad.

0:49:59.320 --> 0:49:59.560
<v Speaker 1>Yeah.

0:50:00.040 --> 0:50:01.879
<v Speaker 4>So yeah, then Amanda says, thinking meeting all your salad

0:50:01.880 --> 0:50:06.760
<v Speaker 4>and Allison says Sharon Shara like, right, is clearly not okay,

0:50:06.840 --> 0:50:07.239
<v Speaker 4>that was the.

0:50:07.280 --> 0:50:09.120
<v Speaker 3>Last line you said that you gave her.

0:50:09.160 --> 0:50:12.399
<v Speaker 5>The sums more solid and Frieda kallus, I'm gonna buy

0:50:12.480 --> 0:50:13.839
<v Speaker 5>this this looking down over you.

0:50:13.800 --> 0:50:16.600
<v Speaker 2>Too, and I'm like, I remember Freda Kala. I don't

0:50:16.600 --> 0:50:19.520
<v Speaker 2>remember too much about her biography, but she have to do.

0:50:19.520 --> 0:50:25.319
<v Speaker 2>It's so important, except that her husband, uh Diego had

0:50:25.600 --> 0:50:28.640
<v Speaker 2>lots of mistresses, so he shared I do know that

0:50:28.680 --> 0:50:29.200
<v Speaker 2>about Freda.

0:50:29.640 --> 0:50:32.439
<v Speaker 4>Well maybe that's her husband. So we're back in Billy

0:50:32.440 --> 0:50:35.120
<v Speaker 4>and Allison's apartment. He's working at his typewriter and Alison

0:50:35.280 --> 0:50:37.760
<v Speaker 4>storms in and says, I leave the room for one second.

0:50:37.840 --> 0:50:40.600
<v Speaker 4>You sleeze your way into a date. So very different

0:50:40.640 --> 0:50:44.399
<v Speaker 4>reaction he's getting than Amanda got, and Billy says she's overreacting,

0:50:44.400 --> 0:50:46.759
<v Speaker 4>then doubles down with just because you don't want other

0:50:46.800 --> 0:50:48.799
<v Speaker 4>people having what you and Keith lost.

0:50:50.160 --> 0:50:52.800
<v Speaker 1>That, which is very mean, very twisty.

0:50:53.239 --> 0:50:55.920
<v Speaker 4>Right yeah. So then we cut right away to Amanda's

0:50:55.920 --> 0:50:58.719
<v Speaker 4>apartment and Amanda and Billy are coming in from a

0:50:58.800 --> 0:51:01.640
<v Speaker 4>date and she camp moments his writing challenge. He compliments

0:51:01.640 --> 0:51:04.319
<v Speaker 4>her apartment and she says, use it all you want

0:51:04.400 --> 0:51:09.600
<v Speaker 4>when I'm not here when I am, like what that

0:51:09.680 --> 0:51:10.920
<v Speaker 4>seems very fast.

0:51:11.239 --> 0:51:14.200
<v Speaker 5>She's encouraging him to not be stuck at home with

0:51:14.320 --> 0:51:19.920
<v Speaker 5>that wench that's so miserable and such a Buzky's.

0:51:20.840 --> 0:51:22.080
<v Speaker 4>Right away, but.

0:51:22.120 --> 0:51:25.120
<v Speaker 6>Knowing what we know, like it like with with Amanda

0:51:25.160 --> 0:51:28.000
<v Speaker 6>wearing a long, flowy dress in this scene, it's like

0:51:28.120 --> 0:51:31.240
<v Speaker 6>so not her character, Like that was did you notice

0:51:31.320 --> 0:51:32.280
<v Speaker 6>her flowy dress?

0:51:32.480 --> 0:51:33.120
<v Speaker 1>Like out?

0:51:34.400 --> 0:51:40.000
<v Speaker 6>But yeah, and the like just a romantic vibe of

0:51:40.040 --> 0:51:41.959
<v Speaker 6>a dress. It wasn't like a business suit.

0:51:42.000 --> 0:51:44.439
<v Speaker 1>It was just Yeah, it was like a interesting look

0:51:44.560 --> 0:51:44.879
<v Speaker 1>for her.

0:51:44.960 --> 0:51:47.880
<v Speaker 6>And also like I had to remind myself, Oh, this

0:51:48.040 --> 0:51:50.799
<v Speaker 6>nice apartment that she's living in is not at Miller's place,

0:51:50.840 --> 0:51:55.600
<v Speaker 6>Like she lives somewhere else, like we're so used to envisioning.

0:51:55.840 --> 0:51:58.800
<v Speaker 3>I think boats and stuff. So it was like, say Marina,

0:51:59.400 --> 0:52:01.560
<v Speaker 3>it was to get point that she.

0:52:01.560 --> 0:52:02.480
<v Speaker 1>Was living somewhere else.

0:52:02.840 --> 0:52:04.880
<v Speaker 4>Yeah, that's interesting. So Billy tells her that he feels

0:52:04.880 --> 0:52:08.560
<v Speaker 4>guilty about Alison, but Amanda says she's fine, and then

0:52:09.080 --> 0:52:11.160
<v Speaker 4>he says, let's not talk about Alison, and she says,

0:52:11.320 --> 0:52:14.000
<v Speaker 4>let's not talk at all, and then they make out again.

0:52:14.600 --> 0:52:18.520
<v Speaker 5>Yes, yeah, I gotta let us on what's happening here.

0:52:19.160 --> 0:52:19.920
<v Speaker 1>It is happening.

0:52:20.320 --> 0:52:22.960
<v Speaker 4>So then we're back at Billy and Allison's apartment, and

0:52:23.080 --> 0:52:25.719
<v Speaker 4>poor Allison is on the character the half gallon of

0:52:25.760 --> 0:52:29.759
<v Speaker 4>ice cream and a spoon, and then she looks over

0:52:29.840 --> 0:52:32.440
<v Speaker 4>to picture of Keith, picture of Keith and picks up

0:52:32.440 --> 0:52:35.880
<v Speaker 4>the phone, to which which woman Laura is going, No,

0:52:37.600 --> 0:52:41.480
<v Speaker 4>she's not a fan. Yeah, his machine answers, and she

0:52:41.600 --> 0:52:45.240
<v Speaker 4>chooses not to leave a message instead says damn under.

0:52:45.000 --> 0:52:48.439
<v Speaker 2>Her breath, because nobody wants Allison to be with Keith

0:52:48.480 --> 0:52:51.920
<v Speaker 2>again or to reach out in this horrible, vulnerable state

0:52:52.000 --> 0:52:52.640
<v Speaker 2>that she's in.

0:52:53.280 --> 0:52:57.359
<v Speaker 6>Yeah, and nobody fear that's what's happening, and that's how

0:52:57.400 --> 0:53:00.960
<v Speaker 6>the episode ends, and feeling sorry for Alan and dread

0:53:01.480 --> 0:53:02.480
<v Speaker 6>of what she's thinking.

0:53:02.719 --> 0:53:05.600
<v Speaker 4>Next, that's poor Elson, the only one who didn't make

0:53:05.640 --> 0:53:07.200
<v Speaker 4>out through the entire episode.

0:53:07.560 --> 0:53:09.839
<v Speaker 2>Yeah, Okay, I don't mean to like take this and

0:53:10.160 --> 0:53:11.919
<v Speaker 2>smush some more on you, but I might as well.

0:53:12.160 --> 0:53:16.839
<v Speaker 3>But because did you skip right over Amanda sitting on

0:53:16.920 --> 0:53:18.759
<v Speaker 3>Billy and saying you're with a woman now?

0:53:19.360 --> 0:53:22.400
<v Speaker 5>Or is that the next episode with that belt she takes,

0:53:22.440 --> 0:53:26.000
<v Speaker 5>I think that's the next episode. Goes down you're watching it.

0:53:26.800 --> 0:53:29.399
<v Speaker 2>Quiet girls, Quiet girls, this is a teaser for next

0:53:29.520 --> 0:53:32.440
<v Speaker 2>next episode. And then she goes down his eight pack,

0:53:33.680 --> 0:53:38.600
<v Speaker 2>facing his abdomens down below with Amanda on bill, Oh,

0:53:38.640 --> 0:53:39.680
<v Speaker 2>what's that next episode?

0:53:39.760 --> 0:53:43.839
<v Speaker 6>Okay, sorry, all right, we're gonna get there. So you're

0:53:43.880 --> 0:53:47.040
<v Speaker 6>not the only one having like extreme close up makeouts.

0:53:48.280 --> 0:53:48.560
<v Speaker 3>It was.

0:53:48.840 --> 0:53:51.239
<v Speaker 4>It's really well, this is now, this is what we've

0:53:51.239 --> 0:53:53.640
<v Speaker 4>talked about. You've been seeing little moments of this is

0:53:53.680 --> 0:53:57.279
<v Speaker 4>when it turns into the Melrose we all remember, yeah, right,

0:53:57.400 --> 0:54:00.680
<v Speaker 4>like this is this is It really makes that turn.

0:54:00.880 --> 0:54:04.840
<v Speaker 6>Yes, we gave up a while ago on doing kiss count,

0:54:04.920 --> 0:54:07.040
<v Speaker 6>but if we were doing it now, it's like, forget it.

0:54:07.960 --> 0:54:10.360
<v Speaker 3>I think the switchboard would be like we just started.

0:54:10.160 --> 0:54:13.239
<v Speaker 1>To make it's make out.

0:54:14.200 --> 0:54:17.319
<v Speaker 2>But yeah, because Melrose wasn't just like everyone betraying each other.

0:54:17.400 --> 0:54:19.680
<v Speaker 2>It was like everyone making out with each other, going

0:54:19.719 --> 0:54:22.160
<v Speaker 2>to bed with each other. So this is definitely it

0:54:22.239 --> 0:54:22.760
<v Speaker 2>is happening.

0:54:22.840 --> 0:54:26.000
<v Speaker 3>The writer's going, let's do this. Let's like screw that all.

0:54:26.000 --> 0:54:27.839
<v Speaker 4>They're all, yeah, I'm gonna have to watch that next

0:54:27.920 --> 0:54:29.840
<v Speaker 4>episode soon to see Andrews.

0:54:29.960 --> 0:54:33.200
<v Speaker 6>Yeah, eight pack, it is happening, all right, so that's

0:54:33.320 --> 0:54:37.080
<v Speaker 6>our still the place recap for this week episode twenty two,

0:54:37.120 --> 0:54:40.440
<v Speaker 6>and we are having one of our producer writers on very.

0:54:40.320 --> 0:54:41.759
<v Speaker 1>Soon, Chuck Pratt is coming out.

0:54:41.840 --> 0:54:45.680
<v Speaker 6>Yeah, we get to have more stories of behind the

0:54:45.680 --> 0:54:48.920
<v Speaker 6>scenes and all his recollections. Yeah, lots of fan questions

0:54:48.960 --> 0:54:51.480
<v Speaker 6>that writers are the only ones who can answer those,

0:54:51.520 --> 0:54:55.760
<v Speaker 6>the stuff that was maybe planned but never happened, and

0:54:55.880 --> 0:54:57.120
<v Speaker 6>all those fun things we get to ask.

0:54:57.239 --> 0:55:00.600
<v Speaker 4>Yeah, so send in your questions about story ideas, plots, ideas,

0:55:00.600 --> 0:55:02.239
<v Speaker 4>because they know more than we do. Sometimes I'll ask

0:55:02.320 --> 0:55:04.080
<v Speaker 4>us storylines you're like, I don't know they wrote it.

0:55:04.120 --> 0:55:04.520
<v Speaker 4>I said it.

0:55:05.600 --> 0:55:08.600
<v Speaker 2>You can DM them to the instagram of Still the Place.

0:55:08.800 --> 0:55:11.320
<v Speaker 2>That's where our producer gets all the questions.

0:55:11.560 --> 0:55:14.960
<v Speaker 6>And as always, thanks for listening and don't forget to

0:55:15.000 --> 0:55:18.680
<v Speaker 6>subscribe so you never miss a minute or a Melrose.

0:55:18.280 --> 0:55:20.879
<v Speaker 1>Minute which is going to be coming next.

0:55:23.280 --> 0:55:24.040
<v Speaker 4>To see you guys.

0:55:24.760 --> 0:55:26.239
<v Speaker 3>I'm gonna need to cool down after this.