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Speaker 1: Still the Place with Laura Layton, Courtney thorn Smith.

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Speaker 2: And Daphne's Aniga an iHeartRadio podcast.

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Speaker 3: You guys, ladies, Well that was a fun. Visit with Heather.

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Speaker 4: Wasn't so fun, I know, I said to her when

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Speaker 4: she saw her, I was like, you sound the same.

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Speaker 4: And I don't know why I would think her boys

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Speaker 4: would have changed, but it was just so sweet to

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Speaker 4: see if she looks the same, she sounds the same.

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Speaker 4: She's the same, down to earth, funny.

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Speaker 3: Hilarious, she's an open book.

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Speaker 4: She does not edit our Heather No, so fun to

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Speaker 4: have her visit Still the Place. Yeah, and she had

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Speaker 4: this little dog who was running around and his name

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Speaker 4: was mister. And I was watching one of my shows

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Speaker 4: the other day and the sexy woman said hi mister,

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Speaker 4: and all I could picture was so yeahvy talk kind of.

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Speaker 5: Seen so fun.

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Speaker 6: I can't remember if she said on on our recording

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Speaker 6: that like she has you know, if somebody brings the

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Speaker 6: doorbell and she's like stop mister whatever, she's like like

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Speaker 6: the person behind the door is like wait, what freeze

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Speaker 6: the mister and the mister behind the door, I don't

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Speaker 6: know did he ever.

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Speaker 2: Bring mister on camera because I kept saying, we got

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Speaker 2: to bring her on camera because all everyone's seeing and

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Speaker 2: hearing is.

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Speaker 4: Like, mister, get over here. It's not a her.

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Speaker 3: We heard heard Heather saying.

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Speaker 2: So I'm saying, is I wanted to get a dog

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Speaker 2: on camera, so everyone didn't think that we were like nuts.

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Speaker 6: I think that Heather, Heather and mister go lots of

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Speaker 6: places together, so I think mister has been on camera

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Speaker 6: a lot, but he may not have made it a maybe.

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Speaker 3: I think we'll see if they got him on camera

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Speaker 3: maybe at the end. Maybe during this she.

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Speaker 4: Always had one you know, dog owners related. She already

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Speaker 4: had one eye on him to make sure he wasn't peeing. Mister.

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Speaker 2: She's like, so, yeah, by the way, the sex club,

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Speaker 2: Oh hold on, mister, get over here.

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Speaker 1: I'm like, excuse me, what? What's very fun combination of elements.

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Speaker 3: Oh. I love her so cute.

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Speaker 4: And we talked about the last episode. We talked about

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Speaker 4: both episodes with her, but she hadn't seen this one.

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Speaker 4: So we're moving into episode twenty two, which is her

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Speaker 4: second episode. We found out from her she was only

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Speaker 4: signed for.

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Speaker 3: Four Yeah at the time, Yeah.

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Speaker 4: Isn't that crazy? Like she was signed probably to put

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Speaker 4: a wedge in between Billy and Allison, and then she became.

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Speaker 2: But she knew nothing about what was she was supposed

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Speaker 2: to do. She knew nothing that she was supposed to

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Speaker 2: turn into like the bitch of the century.

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Speaker 3: She knew nothing. It was like noo. And she looked

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Speaker 3: at a couple episodes and said, this looks like fun. Sure,

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Speaker 3: that's it.

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Speaker 1: Yeah, but it goes.

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Speaker 6: It starts to go so fast, and it was so

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Speaker 6: fun to see, like the difference between twenty one and

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Speaker 6: then this one twenty two, Like it's already like the

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Speaker 6: whole The relationship happens fast and everything happens to I

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Speaker 6: can't wait to do this recap very well.

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Speaker 2: She turns into Amanda in this episode. It's like you

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Speaker 2: see hints of like the Amanda that we knew and

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Speaker 2: loved to hate.

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Speaker 3: Don't you think a certain line? I don't know.

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Speaker 4: I thought you was super sweet.

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Speaker 6: I thought so too, But like I just think, just

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Speaker 6: the relationship that goes so quickly into like being a problem.

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Speaker 1: I saw like that.

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Speaker 4: It's a problem for me, I'll tell you right now.

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Speaker 1: For them, I'm with you. I'm gonna bet yeah.

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Speaker 4: This episode is basically a sex capade, so let's get started, right,

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Speaker 4: So wonder Dafty's here at all? Not second boudoir somewhere

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Speaker 4: belf pile. All right, So we start off in shooters

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Speaker 4: and Amanda and Allison are toasting to a great working relationship.

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Speaker 4: And Amanda's in her red suit, right, Like, what do

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Speaker 4: you say about red? Shoot Staphanie's wearing red in honor

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Speaker 4: of her, Like that means we're gonna do something bad.

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Speaker 4: And I'm wearing like seven layers of white stuff.

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Speaker 3: White blousey belted.

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Speaker 4: Pleated pants, of sweater over a sweater. How did I

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Speaker 4: let that go by? And Amanda mentions that she has

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Speaker 4: a boyfriend in New York and invites Billy and Alison

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Speaker 4: to come to her lake house platonically, and Allison says

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Speaker 4: they're planning to go skiing, but remember she's supposed to

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Speaker 4: meet Billy, and she charges out to go meet Billy.

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Speaker 4: So did you guys see any indications in this scene

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Speaker 4: of what was to come?

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Speaker 6: It did not at all appear that Amanda was going

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Speaker 6: to turn competitive or contentious. She seemed super sweet and

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Speaker 6: like just very much, you know, like a kind invitation,

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Speaker 6: and she wants to make this relationship work with her coworker,

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Speaker 6: and it just has.

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Speaker 4: So there's no threat, right, she has a boyfriend.

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Speaker 2: And thirty years later and you're looking with the microscopic,

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Speaker 2: I you don't notice that Allison's wearing big, billowy, shapeless, white,

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Speaker 2: unattractive stuff against Heather Locklear.

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Speaker 3: You don't know at all.

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Speaker 4: I can't believe I let that slide. It must have

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Speaker 4: been explained to me. So next we come in, we're

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Speaker 4: we're outside Joe's apartment and Jake is walking What is

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Speaker 4: it about me and Grant in a Kashmir sweater. I'm

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Speaker 4: just like nice, my god. Maybe it's because it looks

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Speaker 4: so preppy. So yeah, I'm in a black Kashmir sweater

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Speaker 4: of dying.

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Speaker 2: I think you should put him on a vision board.

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Speaker 4: Uh, just a black face apparently cash and a man

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Speaker 4: in it. So he walks into Joe, and Joe doesn't

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Speaker 4: even notice that this gorgeous man is in a black

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Speaker 4: cashmere short holding grow. She's very very busy, she got

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Speaker 4: her paper. She's very very busy and apparently blind. She

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Speaker 4: barely looks up from her papers until Jake announces that

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Speaker 4: they will be busy tomorrow making wild passionate love, and

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Speaker 4: she finally pauses.

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Speaker 3: Because wait what wait what what's that?

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Speaker 1: Yeah? That sounds.

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Speaker 3: She's So she's like, he's like, what are you doing tomorrow?

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Speaker 3: She's like, oh god, I got to reprint these photos over.

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Speaker 4: For busy printing, for busy printing. So then they start

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Speaker 4: making out and she kicks him out because she's not

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Speaker 4: only blind, she's crazy.

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Speaker 1: She's like, save it for tomorrow. Very deliberate plan.

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Speaker 4: Papers, Laura, She's got papers.

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Speaker 1: Papers are important, geez Joe.

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Speaker 4: So then we go to Billy and Allison, where are

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Speaker 4: absolutely not makeing out. Billy's heating up pizza, mad that

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Speaker 4: Allison stood him up and he said he's a crazy sale.

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Speaker 4: Allison almost apologizes. Was this sort of really snotty? I'm

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Speaker 4: sorry but it was a work thing. Did you notice

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Speaker 4: how non apology that apology was, Wow?

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Speaker 3: Totally.

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Speaker 7: Yeah.

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Speaker 3: They're angry.

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Speaker 1: They're definitely.

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Speaker 6: She's like defending the relationship and like starting, oh yeah,

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Speaker 6: and he.

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Speaker 2: Now I think the writers are giving you the blunt

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Speaker 2: the wrong end of the stick, like really like enhancing

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Speaker 2: you being annoying to him and him being annoyed with you.

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Speaker 3: And then obviously like the writers are doing that.

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Speaker 4: Yeah, they're trying to put up these blocks, but he

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Speaker 4: had a right to be mad. Do you remember being

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Speaker 4: somewhere with pre cell phone. You were supposed to meet

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Speaker 4: somebody and they weren't there.

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Speaker 1: Can't you're running late? You just yeah, you're rude.

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Speaker 3: If you're late, you can't.

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Speaker 4: Say traffic rude. Yeah, sorry, traffic.

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Speaker 6: I also noticed that Billy was not only microwaving his pizza,

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Speaker 6: he's also making a PBJ and he's gonna have both, right,

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Speaker 6: He's making a pal.

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Speaker 1: At the same time, I.

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Speaker 6: Was thinking of, like, how much you've mentioned you don't

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Speaker 6: love working with props, and he's everywhere and he's like

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Speaker 6: just handling it is Mike waving his pizza, like all

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Speaker 6: of it.

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Speaker 4: I didn't even notice.

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Speaker 1: Completely gracefully, because you didn't even notice that.

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Speaker 4: I was so busy, not quite apologizing for not meeting him.

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Speaker 4: And then she tells him about exact tell him about

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Speaker 4: Amanda's gracious offer, and he agrees to go, saying how

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Speaker 4: often do I get to spend the weekend with two

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Speaker 4: beautiful women, which for some reason completely annoys Alison, and

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Speaker 4: she gets it's like snot.

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Speaker 2: No, But he didn't agree so quickly though he said no,

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Speaker 2: I'm going without with you. I got my my skeezer sharpened,

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Speaker 2: I got this or that.

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Speaker 3: I'm ready to go. I'm going with her without you.

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Speaker 5: And you're like, well a man invited us, the three

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Speaker 5: of us to her lake house.

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Speaker 3: Huh oh okay, you know that. First I just thought

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Speaker 3: that was.

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Speaker 4: Like all right, they turt it around. So now we're

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Speaker 4: back at Ronder's apartment. She's folding up her wedding dress

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Speaker 4: and telling hibout that Jane to her to keep it

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Speaker 4: in case your breakup with Terrence is just cold. Feet's

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Speaker 4: kind of casually rolling up this big fancy dress, and

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Speaker 4: she reads him a very sweet letter that Terrence had

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Speaker 4: messengered during her low impact class. Remember pre email, Right,

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Speaker 4: he messengered a letter over during her class.

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Speaker 1: He didn't break himself though, because he's.

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Speaker 4: A fancy man.

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Speaker 3: He's a fancy man exactly.

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Speaker 4: He has people the messenger thing. And then of course

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Speaker 4: Matt feels bad for Terrence and Ron to get some

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Speaker 4: mad and says, I'm not ready to get married, Matt,

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Speaker 4: and there's nothing I can do.

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Speaker 6: What was Matt wearing in this scene? Anybody had a

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Speaker 6: printed shirt, well, a very printed shirt, which I found

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Speaker 6: very distracting I'm like, well, immediately right on the shirt,

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Speaker 6: and I don't know if you guys noticed, like there's

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Speaker 6: music in the background of the scene which is so

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Speaker 6: rare and completely distracting. I thought it was like really

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Speaker 6: sort of contradictory on my sense, you know, like I'm

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Speaker 6: trying to listen to the scene and this music is

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Speaker 6: a little bit distracting and jarring. I thought it was weird,

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Speaker 6: and it was. I hadn't noticed that in episodes before.

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Speaker 1: It was it was like the music that it wasn't

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Speaker 1: the soundtrack, it was like the music.

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Speaker 4: Yeah, she had on that.

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Speaker 1: They were listening to music, right, but having to talk

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Speaker 1: over that, I thought, yeah, that was a lot.

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Speaker 4: Well, they may not have even had it during the

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Speaker 4: r they wouldn't have talked over it, But when they

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Speaker 4: laid it back in later, I just thought that was

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Speaker 4: such an interesting choice as to give.

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Speaker 3: At least they didn't have to be I did notice

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Speaker 3: that too.

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Speaker 1: It was just it was too distracting in my opinion.

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Speaker 4: Yeah, well they I don't think they did it again.

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Speaker 4: So they tried it. Shouldn't like it.

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Speaker 3: They tried it.

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Speaker 4: They do do it again. I'll tell you when oh again, Okay,

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Speaker 4: something to look forward to. So now at the lake

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Speaker 4: House and Amanda, Billy, and Allison are walking in. Amanda

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Speaker 4: is in an adorable pink sweater and jeans. She's always

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Speaker 4: so adorable.

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Speaker 2: And Billy big the big the nineties oversized sweater that

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Speaker 2: leggings an legs underneath.

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Speaker 4: She could get away with it, and Billy says, I'm

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Speaker 4: in heaven, great weather, great house, two gorgeous women. I

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Speaker 4: says it again, it's kind of hitting it too hard.

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Speaker 4: What did you deserve this? Shockingly annoyed, Allison says nothing.

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Speaker 1: Nothing, I did nothing.

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Speaker 3: I have a note right here.

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Speaker 2: My first laugh out loud, and Alison thing nothing and

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Speaker 2: then you looked away.

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Speaker 3: That was so good.

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Speaker 6: Yeah, I have a note too that Courtney as cute

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Speaker 6: as Amanda looked in her pink outfit. Your eyes were

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Speaker 6: so stunningly beautiful in this scene, even when you're rolling them,

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Speaker 6: And that was my note. It was like you're rolling

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Speaker 6: them at Billy and they're just still absolutely gorgeous.

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Speaker 4: I finally got an eyelight. They're always sort of in

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Speaker 4: the shit. I probably got an eyelight in this scene,

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Speaker 4: very so. Then Amanda said, but this is so weird

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Speaker 4: to me. Amanda goes she and Allison will share room

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Speaker 4: and Billy will sleep in the fold out couch because

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Speaker 4: their big, fancy guest house apparently has one bed. I know,

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Speaker 4: I know, did not seem weird, this big living room

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Speaker 4: in a view of the lake, but apparently only splurts

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Speaker 4: for the one bedroom.

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Speaker 1: Just a little cottage.

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Speaker 4: It's just a little cottage.

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Speaker 2: Esoteric brother dad who has a sister who lives in Paris.

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Speaker 2: I mean, all of a sudden, Amanda's family is becoming

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Speaker 2: this sort of like JDS Salander type or something.

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Speaker 3: I don't know. I was like, he doesn't have a TV.

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Speaker 3: You know that's coming the dad.

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Speaker 2: There's all these books in their first editions in that room.

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Speaker 4: It just first editions, but one bedroom for a family blakehouse.

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Speaker 4: I just thought that wasn't super realistic. Billy wants to

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Speaker 4: go water skiing right away. Allison says he just wants

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Speaker 4: to see us in our wetsuits, because who doesn't.

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Speaker 1: Yeah.

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Speaker 2: She's like, okay, well get on mine. Yeah, and Amanda's

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Speaker 2: like I'm good with that.

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Speaker 4: Yeah, you never want to wear wet suit on camera.

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Speaker 4: Trust me, it is not good. So we're out on

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Speaker 4: the lake and Billy and Amanda are flirting like mad

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Speaker 4: by the steering wheel, and Alice is just being dragged along.

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Speaker 1: She's bigging and being totally ignored. And we know now

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Speaker 1: that it was hailing and miserably.

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Speaker 4: It was freezing cold, and they're saying, look like you're

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Speaker 4: having fun. I remember they're saying look like and I

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Speaker 4: was so unhappy and I was still missed. And remember

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Speaker 4: I thought this was episode thirty three. It's only twenty two,

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Speaker 4: so I was already super tired.

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Speaker 3: Cry you that were so much funny.

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Speaker 2: Well, I mean, the two of them, even though they

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Speaker 2: have to yell because they're outside and the wind is

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Speaker 2: blowing and they're trying to flirt with each other, and

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Speaker 2: then cut.

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Speaker 3: To you're in the back.

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Speaker 1: Just yail my face. Just conditions were not in Alison's favor,

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Speaker 1: so they.

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Speaker 4: Don't even notice because they're flirting so much that Alison

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Speaker 4: falls just asked over tea kettle into the water and

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Speaker 4: just going away start yelling baye bye.

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Speaker 6: Well it so like, did you notice like the contrivance

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Speaker 6: of like he needed to move closer, like I just

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Speaker 6: like to steer the boat, and then he leans over

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Speaker 6: and he kind of like helps her hold the wheel

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Speaker 6: like she really needs helps steering in a you know,

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Speaker 6: wide open lake or whatever. And I have some good lines,

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Speaker 6: so that hard alert that's happening, and you're sending it

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Speaker 6: from back there.

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Speaker 4: Going for another person. And you guys now know that

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Speaker 4: I was splash the water to cover the hill.

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Speaker 3: Did you see the hail I did all around?

290
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Speaker 4: I did, like it looks like someone's throwing pebbles at me,

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Speaker 4: but it was water.

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Speaker 6: It's once she's fallen in the water and they're circling

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Speaker 6: back together, She's.

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Speaker 1: Like billy like this creating distraction from the hail.

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Speaker 4: It was one of those moments when you're acting and

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Speaker 4: you're just thinking, this is humiliating on so many levels,

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Speaker 4: Like what am I doing here?

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Speaker 1: I thought it worked. I thought it worked entirely.

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Speaker 6: Like I just thought I was sorry for Alice and drowning.

300
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Speaker 4: And your eyes looked beautiful, But boy did you look pretty.

301
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Speaker 4: So we're back and I am already sick with the cold,

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Speaker 4: which came on very fast. And I would like to

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Speaker 4: say fully committing to the cold, right I'm dogging like this,

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Speaker 4: There was not I fully committed. There's no I feel

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Speaker 4: like I'm coming down with something. I have a full

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Speaker 4: on cold, Billy brings her tea and Amanda brings her medicine,

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Speaker 4: and I say, go go to dinner without me, because

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Speaker 4: I'm selfless, go without me. But they offered takeout, and

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00:14:01,800 --> 00:14:04,360
Speaker 4: Billy says, the three Musketeers remember, And I was like,

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Speaker 4: I do not, does anyone know?

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Speaker 6: But I did think that your cold acting worked entirely.

312
00:14:12,920 --> 00:14:15,640
Speaker 6: I thought it was terrific, your commitment to it, and

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Speaker 6: I do not let go over the entire episode. So

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Speaker 6: I'm glad you like I thought it worked.

315
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Speaker 4: I'm very committed to it, I believe. Then we have

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Speaker 4: Billy and Amanda on this romantic walk by the lake,

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00:14:28,040 --> 00:14:30,360
Speaker 4: which apparently the way to the Chinese takeout place is

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Speaker 4: along a beautiful lake. She's clearly freezing. Did you notice

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00:14:33,760 --> 00:14:37,480
Speaker 4: that she's clear She's got a big cool Aztechi sweater,

320
00:14:37,920 --> 00:14:41,640
Speaker 4: but she's clearly freezing. And they're talking about his dream

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Speaker 4: to write a novel. She tells him she dreamed of

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Speaker 4: being an artist in Paris. They're having this very romantic talk,

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Speaker 4: and all of a sudden, she says, they must have

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Speaker 4: walked past the Chinese takeout place, which appeared.

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Speaker 6: Is along the beach on a side not a beach

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Speaker 6: book what okay.

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Speaker 2: Well, that's why I wrote it. It's actually knowing that

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Speaker 2: area Castaic Park. You know, it's like a built in

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00:15:00,080 --> 00:15:03,320
Speaker 2: It's like a built lake with a with a sidewalk.

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Speaker 5: It's not even a path or a decreation area sidewalk.

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Speaker 2: It's a playground basically, you know, for the for the

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Speaker 2: boaters kids.

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Speaker 3: And there's no buildings. They're like the closest Chinese is

334
00:15:13,680 --> 00:15:16,000
Speaker 3: thirty miles from them, like right, so obvious.

335
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Speaker 6: Maybe she just missed the turnoff, like take a different

336
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Speaker 6: sidewalk and then you've got thirty more miles to that.

337
00:15:21,040 --> 00:15:23,080
Speaker 4: We missed the turnoff to the car to drive.

338
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Speaker 2: But it's locations, you know, they're to have a budget,

339
00:15:27,040 --> 00:15:28,920
Speaker 2: and Chip is there with his budget saying we're going

340
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Speaker 2: to shoot this right.

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Speaker 4: Here, beautiful and way too romantic. And when they pass it,

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Speaker 4: Billy says, we must be preoccupied, and Amanda says we

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Speaker 4: must have again or Alison home on her deathbed.

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Speaker 6: Yep, yeah, I'm feeling very sad for me, Yes entirely,

345
00:15:45,400 --> 00:15:49,800
Speaker 6: I'm yeah. And I learned that Alison or that Amanda

346
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Speaker 6: loves to paint.

347
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Speaker 1: I mean, do we are we?

348
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Speaker 6: I know, I don't even remember that like doesn't compare

349
00:15:55,680 --> 00:15:58,680
Speaker 6: us background, Like she's got all these like artistic things

350
00:15:58,720 --> 00:16:02,240
Speaker 6: and do those coming to play later on with this character.

351
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Speaker 1: We'll have to wait and find out. Because she's remembering.

352
00:16:04,560 --> 00:16:07,120
Speaker 4: Naked pictures of all the men she sleeps with. Maybe

353
00:16:07,120 --> 00:16:09,280
Speaker 4: that's how she Otherwise it doesn't really come back.

354
00:16:09,360 --> 00:16:12,200
Speaker 6: But I do feel quite sorry for Alison every minute

355
00:16:12,200 --> 00:16:13,160
Speaker 6: of this episode go on.

356
00:16:13,320 --> 00:16:16,920
Speaker 4: Thank you. Plus that terrible cold Laura, it's really sad.

357
00:16:17,320 --> 00:16:23,840
Speaker 2: I think it's pneumonia by now, so fast it came

358
00:16:23,840 --> 00:16:26,680
Speaker 2: out because she were like in that close up.

359
00:16:26,840 --> 00:16:35,200
Speaker 4: Hell, it was like a sick Okay, So now we're

360
00:16:35,200 --> 00:16:37,360
Speaker 4: in shooters and this is so weird to me. So

361
00:16:37,520 --> 00:16:40,400
Speaker 4: Terrence and Matt are sitting at the bar because Terrence

362
00:16:40,440 --> 00:16:43,960
Speaker 4: has invited Matt out to talk about Rohnda. How would

363
00:16:44,000 --> 00:16:45,680
Speaker 4: you feel about that? Have you ever had that when

364
00:16:46,560 --> 00:16:49,480
Speaker 4: a friend talks to an ex. I remember that in

365
00:16:49,560 --> 00:16:50,080
Speaker 4: high school.

366
00:16:50,520 --> 00:16:54,560
Speaker 5: What would piss me off is if the ex, or

367
00:16:54,640 --> 00:16:57,560
Speaker 5: not even the ex, the guy that I'm having trouble with,

368
00:16:58,280 --> 00:17:01,640
Speaker 5: asked my best friend or my yeah, my best friend

369
00:17:01,680 --> 00:17:02,080
Speaker 5: to talk.

370
00:17:02,840 --> 00:17:06,239
Speaker 3: That's the worst part, right, Like maybe if they were

371
00:17:06,280 --> 00:17:06,840
Speaker 3: friends before.

372
00:17:06,840 --> 00:17:08,560
Speaker 2: I've had it where I'm dating someone and they're friends

373
00:17:08,560 --> 00:17:10,200
Speaker 2: with somebody, and the whole thing gets annoying.

374
00:17:10,280 --> 00:17:12,639
Speaker 3: But I haven't had that, you know what I.

375
00:17:12,680 --> 00:17:15,360
Speaker 4: Mean, Like, Yeah, no, it's I think it's so inappropriate.

376
00:17:15,640 --> 00:17:17,439
Speaker 1: Yeah, it's a very high school thing to do.

377
00:17:17,960 --> 00:17:20,600
Speaker 4: It's very high school. Although Matt defends himself by saying,

378
00:17:20,840 --> 00:17:23,480
Speaker 4: turning down cries for help has never been my forte.

379
00:17:23,520 --> 00:17:26,720
Speaker 4: But we do know, we do know that about Matt.

380
00:17:26,760 --> 00:17:29,320
Speaker 4: And then Terrence says, and I find this so manipulative

381
00:17:29,800 --> 00:17:32,439
Speaker 4: that helping him to win Ronda back would be Matt

382
00:17:32,760 --> 00:17:36,199
Speaker 4: being a good friend to Ronda. Isn't that, Like I

383
00:17:36,280 --> 00:17:38,400
Speaker 4: just went, that's.

384
00:17:38,160 --> 00:17:41,160
Speaker 2: One of many things that Terrence has said that's all

385
00:17:41,200 --> 00:17:45,160
Speaker 2: about him and his control. Exactly, it's bad for her

386
00:17:45,280 --> 00:17:47,639
Speaker 2: because it doesn't work for me, so it's bad for her.

387
00:17:48,000 --> 00:17:50,359
Speaker 4: That's what he exactly, That's exactly all I'm.

388
00:17:50,240 --> 00:17:50,680
Speaker 1: Here to say.

389
00:17:50,720 --> 00:17:51,680
Speaker 3: Yeah, so annoying.

390
00:17:51,880 --> 00:17:53,600
Speaker 6: This is a scene where Matt's were in the backwards

391
00:17:53,600 --> 00:17:56,760
Speaker 6: hat and he looks crazly like my son Jack.

392
00:17:58,080 --> 00:18:00,040
Speaker 1: So I'm seeing I'm seeing this going.

393
00:18:00,520 --> 00:18:03,800
Speaker 5: Whoa, oh, that's so our sun Jack.

394
00:18:06,440 --> 00:18:07,359
Speaker 4: Yes, he does.

395
00:18:07,520 --> 00:18:10,560
Speaker 6: So much mine as opposed to Courtney's sun Jack, because

396
00:18:10,560 --> 00:18:11,520
Speaker 6: we both have a Jack.

397
00:18:12,000 --> 00:18:14,359
Speaker 4: We got together and we planned our names back on

398
00:18:14,400 --> 00:18:18,320
Speaker 4: the Hour's place. So we quickly forget Terrence and Matt

399
00:18:18,400 --> 00:18:22,760
Speaker 4: because we start off in a restaurant with Joe and

400
00:18:22,880 --> 00:18:27,080
Speaker 4: Jake just going at it. And she says, in a booth,

401
00:18:27,119 --> 00:18:31,000
Speaker 4: this was very risque, you feel amazing. I was like,

402
00:18:31,040 --> 00:18:32,680
Speaker 4: oh my goodness. Yeah.

403
00:18:32,720 --> 00:18:36,359
Speaker 2: And it's close set medium so we don't see where

404
00:18:36,359 --> 00:18:38,119
Speaker 2: any the other body party.

405
00:18:38,160 --> 00:18:43,360
Speaker 6: It was extreme close up shots of just intimate making out,

406
00:18:43,440 --> 00:18:44,800
Speaker 6: kissing PDA in.

407
00:18:44,800 --> 00:18:48,520
Speaker 1: A booth at this restaurant. It was so funny, just the.

408
00:18:48,240 --> 00:18:52,399
Speaker 4: Whole Yeah, very yummy making out. Were there rumors that

409
00:18:52,440 --> 00:18:53,879
Speaker 4: you guys were going out in real life because the

410
00:18:53,960 --> 00:18:55,440
Speaker 4: making out was super hot?

411
00:18:55,720 --> 00:18:57,560
Speaker 3: It was good? But I cringe.

412
00:18:57,720 --> 00:18:58,200
Speaker 4: It was good.

413
00:18:58,920 --> 00:19:02,800
Speaker 3: It was good. Enjoyed going to work. I enjoyed going

414
00:19:02,880 --> 00:19:07,320
Speaker 3: to work, clocking in, making money in going home. Yeah.

415
00:19:07,359 --> 00:19:11,360
Speaker 2: But yeah, but this was a famous restaurant on Melrose.

416
00:19:11,400 --> 00:19:12,560
Speaker 2: Did you guys ever go to Kianti?

417
00:19:12,640 --> 00:19:14,720
Speaker 5: I had a birthday here in the back room one year,

418
00:19:17,720 --> 00:19:20,040
Speaker 5: called this really well known Italian place.

419
00:19:20,240 --> 00:19:22,560
Speaker 4: It looked jummy. So was the Art of Choke, Like

420
00:19:22,600 --> 00:19:25,000
Speaker 4: they drop off the sexy food and art Choke and

421
00:19:25,040 --> 00:19:27,080
Speaker 4: you guys are making out and eating an art to choke.

422
00:19:27,119 --> 00:19:29,800
Speaker 4: I'm like, is that the sexiest food you could think of?

423
00:19:30,280 --> 00:19:33,760
Speaker 2: Was? Not an oyster in the vicinity, not like a

424
00:19:34,960 --> 00:19:35,760
Speaker 2: getting caught.

425
00:19:35,520 --> 00:19:36,199
Speaker 1: In your teeth?

426
00:19:37,080 --> 00:19:37,800
Speaker 3: I thought it was.

427
00:19:37,880 --> 00:19:40,280
Speaker 2: That was her first risque line. And then she said

428
00:19:40,320 --> 00:19:42,320
Speaker 2: I want you now, and I'm like, oh.

429
00:19:42,320 --> 00:19:45,359
Speaker 5: Yeah, cliche can yeah close?

430
00:19:46,000 --> 00:19:51,040
Speaker 4: Now here's up of your hand on his thigh, e

431
00:19:51,040 --> 00:19:52,120
Speaker 4: squeezing his thigh.

432
00:19:52,200 --> 00:19:55,159
Speaker 1: I was like, hello, that was that was quite that?

433
00:19:55,320 --> 00:19:57,440
Speaker 1: This was? Was this Jefferson Kibbie director.

434
00:19:58,280 --> 00:20:03,520
Speaker 7: Yes, moving right into mel Rose white intimate close ups

435
00:20:03,680 --> 00:20:07,840
Speaker 7: of a long intimacy scene I thought in public, which

436
00:20:07,880 --> 00:20:11,439
Speaker 7: was long, and the waiter who like the waiter, has

437
00:20:11,480 --> 00:20:13,159
Speaker 7: to drop off the food and there's a shot of.

438
00:20:13,200 --> 00:20:16,240
Speaker 1: Him just kind of going like a titan.

439
00:20:16,680 --> 00:20:17,800
Speaker 4: I was for everybody.

440
00:20:18,080 --> 00:20:20,720
Speaker 3: I was just me too. I was just going to stop.

441
00:20:21,119 --> 00:20:23,160
Speaker 2: I can't believe I didn't say stop on the day,

442
00:20:23,200 --> 00:20:25,879
Speaker 2: but I was just like twenty probably I think it

443
00:20:26,000 --> 00:20:27,960
Speaker 2: was thirty or something, late twenties, just going this is

444
00:20:27,960 --> 00:20:29,200
Speaker 2: what I'm supposed to do, and oh.

445
00:20:29,119 --> 00:20:32,280
Speaker 4: It was super Remember it was.

446
00:20:32,400 --> 00:20:34,520
Speaker 5: I'm sure the director was like, go again, do more?

447
00:20:34,680 --> 00:20:36,040
Speaker 1: What was really sell it?

448
00:20:36,560 --> 00:20:38,960
Speaker 4: After you squeeze his leg. He goes, let's see it

449
00:20:39,000 --> 00:20:40,600
Speaker 4: at home, and he throws money on the table, And

450
00:20:40,680 --> 00:20:42,760
Speaker 4: as you're racing out for some reason, you turn around

451
00:20:42,800 --> 00:20:44,840
Speaker 4: and announce to the waiter we couldn't wait.

452
00:20:45,400 --> 00:20:47,760
Speaker 1: Yeah you had. You had to give an explanation.

453
00:20:48,280 --> 00:20:52,680
Speaker 6: Yeah, it was a great scene.

454
00:20:52,720 --> 00:20:54,840
Speaker 1: I thought, Yeah, it really was.

455
00:20:54,920 --> 00:20:56,760
Speaker 4: It was super sexy. So now we're back at the

456
00:20:56,840 --> 00:21:00,159
Speaker 4: lake house and we're all surrounded by takeout. Continuency had

457
00:21:00,240 --> 00:21:02,600
Speaker 4: Chinese food because they finally found it. They walked and

458
00:21:02,680 --> 00:21:04,920
Speaker 4: drove and went thirty miles to Chinese take a place,

459
00:21:05,280 --> 00:21:08,520
Speaker 4: and we're all drinking kognak. Billy suggests a movie. Amanda

460
00:21:08,520 --> 00:21:11,040
Speaker 4: says you don't have a TV and suggestedly played Truth

461
00:21:11,080 --> 00:21:13,920
Speaker 4: or Dare. Alison balks and Billy says she's got something

462
00:21:13,960 --> 00:21:17,119
Speaker 4: to hide, to which I yell, I do not.

463
00:21:21,480 --> 00:21:23,359
Speaker 2: And they don't even play Truth or Dare. They just

464
00:21:23,440 --> 00:21:25,840
Speaker 2: jump into Okay, I have a confession.

465
00:21:25,880 --> 00:21:28,840
Speaker 3: I lied. Oh yeah I lied to that's not truth

466
00:21:28,880 --> 00:21:29,160
Speaker 3: or Dare.

467
00:21:29,240 --> 00:21:30,240
Speaker 4: Yeah, there's no truths.

468
00:21:30,440 --> 00:21:33,040
Speaker 3: There's no truth or Dare, and the truth.

469
00:21:33,040 --> 00:21:35,919
Speaker 4: Are about the lies. Yeah, they all just share some

470
00:21:36,000 --> 00:21:36,640
Speaker 4: lies they had.

471
00:21:37,800 --> 00:21:39,359
Speaker 3: Let's just sharing lies game.

472
00:21:39,920 --> 00:21:42,159
Speaker 1: Yeah, let's just tell you that that.

473
00:21:42,200 --> 00:21:45,200
Speaker 4: Billy said, I have a lie from from the Keith

474
00:21:45,280 --> 00:21:48,359
Speaker 4: Annals and I was thinking, how many jokes about Keith's

475
00:21:48,359 --> 00:21:49,280
Speaker 4: anold's do you think?

476
00:21:50,680 --> 00:21:51,439
Speaker 3: Oh my god?

477
00:21:52,600 --> 00:21:54,399
Speaker 1: And when he read the script did he misread it

478
00:21:54,440 --> 00:21:55,560
Speaker 1: at first? And why am I.

479
00:21:57,280 --> 00:22:03,360
Speaker 4: Name that anals? Well it just made me laugh. So

480
00:22:03,640 --> 00:22:06,440
Speaker 4: he admits that he didn't tell Alison about Keith calling

481
00:22:06,520 --> 00:22:11,600
Speaker 4: after they broke up, which is pretty intense information, right did.

482
00:22:11,440 --> 00:22:12,080
Speaker 3: We see that?

483
00:22:12,440 --> 00:22:15,280
Speaker 4: Oh we did see that on the show. Yeah, yeah,

484
00:22:15,320 --> 00:22:16,200
Speaker 4: we did see that.

485
00:22:16,600 --> 00:22:22,359
Speaker 6: You know, she left an abusive relationship with a married guy, like,

486
00:22:22,400 --> 00:22:26,959
Speaker 6: she left a not good situation, and his protecting her

487
00:22:27,000 --> 00:22:29,760
Speaker 6: from it does seem like it was a good idea.

488
00:22:29,880 --> 00:22:32,040
Speaker 6: But we can see in the scene that Alison is

489
00:22:32,240 --> 00:22:35,640
Speaker 6: bothered to learn that he kept that from her.

490
00:22:35,680 --> 00:22:38,800
Speaker 1: Wait, wait what I missed a call? Like oh, and

491
00:22:38,840 --> 00:22:41,439
Speaker 1: that's the first moment of like, no, no, no, no, don't be

492
00:22:41,480 --> 00:22:42,359
Speaker 1: bothered like you should.

493
00:22:42,880 --> 00:22:46,639
Speaker 6: I'm rooting for Alison here to not have a bummed

494
00:22:46,640 --> 00:22:48,240
Speaker 6: out reaction like you know.

495
00:22:48,480 --> 00:22:50,560
Speaker 4: Oh, I don't tell you, like you're going to be disappointed.

496
00:22:50,760 --> 00:22:51,160
Speaker 6: I know.

497
00:22:51,880 --> 00:22:56,840
Speaker 2: I can tell that Billy is saying that too. To

498
00:22:56,960 --> 00:22:58,840
Speaker 2: give it to you know, just turn the screw a

499
00:22:58,840 --> 00:23:02,560
Speaker 2: little bit. He's into like pissing you off. Oh you

500
00:23:02,640 --> 00:23:03,720
Speaker 2: think that's yeah?

501
00:23:03,760 --> 00:23:05,679
Speaker 3: I think so. I mean, you guys just have this

502
00:23:05,760 --> 00:23:08,200
Speaker 3: back and forth. And he's like, I have a confession.

503
00:23:08,520 --> 00:23:12,360
Speaker 2: I mean, if he's yeah, I think, isn't I think

504
00:23:12,440 --> 00:23:16,679
Speaker 2: unless I'm reading it wrong, that he confessed it's a

505
00:23:16,720 --> 00:23:17,639
Speaker 2: lie to you.

506
00:23:17,680 --> 00:23:20,560
Speaker 3: No, well, that he didn't lie the truth when the

507
00:23:20,600 --> 00:23:21,120
Speaker 3: call came.

508
00:23:21,720 --> 00:23:23,639
Speaker 6: He's admitting it now, But I got I got the

509
00:23:23,680 --> 00:23:25,600
Speaker 6: sense that he really did think that was the right

510
00:23:25,640 --> 00:23:27,919
Speaker 6: thing to do. He was protecting her. He thought this

511
00:23:28,000 --> 00:23:29,880
Speaker 6: is a bad relationship and this is the right thing.

512
00:23:30,520 --> 00:23:34,880
Speaker 2: But he's choosing to say that now to Alison, where

513
00:23:34,880 --> 00:23:39,160
Speaker 2: she's already sick and feeling un and disempowered and off

514
00:23:39,160 --> 00:23:41,320
Speaker 2: her you know game, And he's like, oh, I want

515
00:23:41,359 --> 00:23:43,320
Speaker 2: to say I never I just think it was a dig,

516
00:23:43,440 --> 00:23:43,840
Speaker 2: that's all.

517
00:23:44,000 --> 00:23:45,000
Speaker 3: I just think it was a dig.

518
00:23:45,160 --> 00:23:47,439
Speaker 5: No, maybe you guys do this back and forth.

519
00:23:47,920 --> 00:23:51,840
Speaker 4: So then Amanda admits that she doesn't have a boyfriend. Well,

520
00:23:51,840 --> 00:23:53,800
Speaker 4: she says, they kind of have a boyfriend, but they

521
00:23:53,800 --> 00:23:55,560
Speaker 4: don't see each other. They see each other once a

522
00:23:55,680 --> 00:23:59,280
Speaker 4: year and write letters. Again, no email, Like I have

523
00:23:59,320 --> 00:24:01,280
Speaker 4: to tell him something you write a letter, and you

524
00:24:01,359 --> 00:24:03,879
Speaker 4: said apparently, I don't buck on the phone anyway. Then

525
00:24:03,920 --> 00:24:06,120
Speaker 4: Billy says, that's not a boyfriend, that's a pen pal,

526
00:24:06,200 --> 00:24:07,320
Speaker 4: which I thought was a good line.

527
00:24:07,359 --> 00:24:10,680
Speaker 2: And that doesn't she say, I think it's I use

528
00:24:10,720 --> 00:24:14,040
Speaker 2: it as a protection so I don't get involved with guys.

529
00:24:14,320 --> 00:24:17,600
Speaker 5: Yeah, isn't she confessing that for Billy? She's saying that

530
00:24:17,680 --> 00:24:18,080
Speaker 5: for him?

531
00:24:18,160 --> 00:24:20,760
Speaker 3: Yeah, he's he's just a ruse, like I just.

532
00:24:21,200 --> 00:24:23,680
Speaker 4: He's not real for him too, Yeah, it's not real.

533
00:24:23,760 --> 00:24:26,440
Speaker 4: I'm available. I'm available. And then Billy asked if anyone

534
00:24:26,480 --> 00:24:29,320
Speaker 4: who's ever really been in love, and the camera just

535
00:24:29,320 --> 00:24:33,520
Speaker 4: pans across through quiet faces. Although I think Alison loved Keith, right.

536
00:24:33,560 --> 00:24:35,400
Speaker 6: I don't know if she do you think she thinks?

537
00:24:35,400 --> 00:24:37,760
Speaker 6: I don't know that she was thinking that in this moment, though.

538
00:24:37,800 --> 00:24:40,359
Speaker 6: I loved that that they left the question hanging. Nobody

539
00:24:40,400 --> 00:24:40,920
Speaker 6: answered it.

540
00:24:41,000 --> 00:24:42,560
Speaker 3: You know, yeah, I think you.

541
00:24:42,560 --> 00:24:46,399
Speaker 6: Had I think, yeah, yeah, I mean I think you

542
00:24:46,440 --> 00:24:48,119
Speaker 6: can read a lot of things into it, Like I

543
00:24:48,160 --> 00:24:49,920
Speaker 6: want to read into it that she's thinking, well, maybe

544
00:24:49,920 --> 00:24:52,439
Speaker 6: I'm in love with Billy, But wait, is that you know,

545
00:24:52,520 --> 00:24:54,320
Speaker 6: Like there's a lot of ways to read into that look.

546
00:24:54,480 --> 00:24:56,439
Speaker 6: So I just love that it wasn't answered at all,

547
00:24:56,480 --> 00:24:58,760
Speaker 6: and I don't want her to be in love with Keith.

548
00:24:58,840 --> 00:25:00,600
Speaker 1: So yeah, that's where I am.

549
00:25:01,240 --> 00:25:04,080
Speaker 4: It's going to be very disappointing for you, Laura. So

550
00:25:04,160 --> 00:25:08,439
Speaker 4: now we're back outside Joe's apartment, and so Jake and

551
00:25:08,520 --> 00:25:11,240
Speaker 4: Joe are so excited as we saw in the restaurant.

552
00:25:11,280 --> 00:25:15,080
Speaker 4: They couldn't even wait, and Joe can't even work her keys.

553
00:25:15,119 --> 00:25:15,720
Speaker 3: So nervous.

554
00:25:15,840 --> 00:25:17,639
Speaker 4: She says, I can't believe this. I'm so nervous, and

555
00:25:17,720 --> 00:25:22,159
Speaker 4: Jake adorably says, I am too. Oh so sweet. She

556
00:25:22,240 --> 00:25:25,080
Speaker 4: invites him in, and they're all nervous, and Daphne, did

557
00:25:25,119 --> 00:25:26,439
Speaker 4: you notice your tassel pants?

558
00:25:26,720 --> 00:25:27,560
Speaker 1: Can we talk about that?

559
00:25:27,880 --> 00:25:29,280
Speaker 4: The fan pants?

560
00:25:29,760 --> 00:25:33,679
Speaker 5: They're like sweater iconic not sweater. They were tassels.

561
00:25:34,640 --> 00:25:38,160
Speaker 2: Yeah, like if you shake Shania Twain or Beyonce would

562
00:25:38,200 --> 00:25:40,800
Speaker 2: wear in a Western thing like they shake when you moved.

563
00:25:40,960 --> 00:25:43,959
Speaker 1: Yeah, they were like layers tears of fringy things all

564
00:25:44,000 --> 00:25:46,320
Speaker 1: the way down. They were so cute, And of course

565
00:25:46,359 --> 00:25:47,920
Speaker 1: we didn't see them in the restaurant, but now we.

566
00:25:47,880 --> 00:25:50,159
Speaker 4: Get to see them. I'm so glad we gotten somebody

567
00:25:50,200 --> 00:25:50,520
Speaker 4: in them.

568
00:25:50,680 --> 00:25:52,399
Speaker 3: I think there was I moved a little so he

569
00:25:52,440 --> 00:25:54,240
Speaker 3: could see them. Well, you know, I'm nervous.

570
00:25:54,520 --> 00:25:57,760
Speaker 4: I know it was. And then Joe says I feel

571
00:25:57,800 --> 00:26:00,000
Speaker 4: like I'm fifteen, which is so sweet. And then Jay

572
00:26:00,119 --> 00:26:02,320
Speaker 4: gentleman that he is asked if it's too soon, but

573
00:26:02,400 --> 00:26:04,520
Speaker 4: she says no and just rips his shirt off.

574
00:26:04,640 --> 00:26:06,600
Speaker 3: Yeah, no, not too soon. Let's go.

575
00:26:07,280 --> 00:26:09,080
Speaker 4: No, no, no, let's go. And it's so cute. Then

576
00:26:09,080 --> 00:26:10,520
Speaker 4: you disappeared down into the bedroom.

577
00:26:10,600 --> 00:26:12,440
Speaker 6: Do you remember if you shot this out of order,

578
00:26:12,600 --> 00:26:15,159
Speaker 6: like if you shot the apartment first, because I got

579
00:26:15,359 --> 00:26:18,880
Speaker 6: it was so it was such a you like backpedaled,

580
00:26:19,040 --> 00:26:23,080
Speaker 6: you guys, the characters are back pedaling on the like urgency.

581
00:26:23,119 --> 00:26:24,480
Speaker 6: You know, all of a sudden you get to like

582
00:26:24,720 --> 00:26:26,760
Speaker 6: the apartment, it's like, oh shoot, we're really gonna do this,

583
00:26:26,800 --> 00:26:27,239
Speaker 6: you know what I mean.

584
00:26:27,320 --> 00:26:30,200
Speaker 1: So the energy and the urgency isn't.

585
00:26:30,200 --> 00:26:31,919
Speaker 3: Like do we shoot what out of what do you mean?

586
00:26:32,040 --> 00:26:34,320
Speaker 6: Like the restaurant scene where you're making out, like man,

587
00:26:34,400 --> 00:26:36,240
Speaker 6: You're like we have to go now and we need

588
00:26:36,280 --> 00:26:37,320
Speaker 6: to have sex now.

589
00:26:37,720 --> 00:26:39,200
Speaker 1: It is like the message in that scene.

590
00:26:39,200 --> 00:26:40,800
Speaker 6: And then and then you get to the apartment and

591
00:26:40,840 --> 00:26:44,520
Speaker 6: it's like so sweet and so like careful and I.

592
00:26:44,520 --> 00:26:47,520
Speaker 5: Just thought it was I thought that worked because.

593
00:26:47,240 --> 00:26:49,400
Speaker 3: Yeah, yeah, it's one thing to be that.

594
00:26:49,400 --> 00:26:51,840
Speaker 2: You can't you really have sex in a restaurant, unless

595
00:26:51,880 --> 00:26:53,199
Speaker 2: it's the club that Heather goes to.

596
00:26:53,880 --> 00:26:56,000
Speaker 3: You can't have sex in a restaurant.

597
00:26:56,040 --> 00:26:57,639
Speaker 2: So it's safe to kind of go at it and

598
00:26:57,640 --> 00:26:59,600
Speaker 2: tease each other and push the envelope. And then they

599
00:26:59,600 --> 00:27:02,520
Speaker 2: actually get to the door and then in the apartment

600
00:27:02,520 --> 00:27:04,199
Speaker 2: where they're actually going to happen, and I feel like

601
00:27:04,600 --> 00:27:08,000
Speaker 2: the moment is makes them both nervous.

602
00:27:08,359 --> 00:27:11,399
Speaker 6: Yeah, I thought that was but I just thought that

603
00:27:11,480 --> 00:27:14,520
Speaker 6: was so cute and insightful and stuff. And then but

604
00:27:14,600 --> 00:27:16,680
Speaker 6: it also made me wonder if you'd shot it out

605
00:27:16,680 --> 00:27:19,240
Speaker 6: of order, like you wouldn't have the idea that, oh,

606
00:27:19,240 --> 00:27:21,359
Speaker 6: this one is going to be so frenzied, Like it

607
00:27:21,400 --> 00:27:23,920
Speaker 6: wouldn't have distracted you from like how to play this scene.

608
00:27:24,080 --> 00:27:25,960
Speaker 4: I've had this happen. You're at the restaurant, then you

609
00:27:26,040 --> 00:27:29,080
Speaker 4: have the drive home and it's kind of you know,

610
00:27:29,160 --> 00:27:31,240
Speaker 4: you get nervous and you can't get it again, and

611
00:27:31,280 --> 00:27:33,359
Speaker 4: then it's like what are we doing?

612
00:27:33,359 --> 00:27:34,320
Speaker 1: It's just starting again.

613
00:27:34,440 --> 00:27:35,800
Speaker 4: Yeah, that was so sweet.

614
00:27:36,040 --> 00:27:38,800
Speaker 2: Yeah, I think it's more realistic than if you were

615
00:27:38,840 --> 00:27:41,439
Speaker 2: just like hungry, hungry, hungry, hungry, go for it.

616
00:27:41,520 --> 00:27:44,320
Speaker 3: I feel like you know, it's real, It's real.

617
00:27:44,400 --> 00:27:47,119
Speaker 4: It's such a sweet layer this. I love this relationship.

618
00:27:47,119 --> 00:27:48,960
Speaker 4: I'm already sad that you guys are going to break up.

619
00:27:48,960 --> 00:27:50,280
Speaker 4: I'm already sad. I think it's so sweet.

620
00:27:50,359 --> 00:27:51,639
Speaker 1: Wait what the spoilers?

621
00:27:51,640 --> 00:27:55,280
Speaker 4: No? Wait, well unless they're still together somewhere. Did I

622
00:27:55,320 --> 00:27:58,159
Speaker 4: miss that? I mean, at one point, I remember I kissed.

623
00:27:58,280 --> 00:28:00,320
Speaker 4: I can go to the next thing. Something else breaking

624
00:28:00,359 --> 00:28:00,600
Speaker 4: me out.

625
00:28:00,600 --> 00:28:02,040
Speaker 1: All right, let's enjoy it while still.

626
00:28:02,359 --> 00:28:04,560
Speaker 4: So we're back at the lake house, Billy Allison.

627
00:28:04,280 --> 00:28:07,600
Speaker 2: And sorry, I have a note. Sorry, Fortney, gotta stop you.

628
00:28:07,640 --> 00:28:11,280
Speaker 2: I have notes in all caps, and this is my note.

629
00:28:11,280 --> 00:28:16,040
Speaker 5: And by the way, Court her bookshelves are full of books.

630
00:28:16,320 --> 00:28:22,879
Speaker 4: Oh you're so you're settled packed with books. You're settled

631
00:28:23,040 --> 00:28:25,240
Speaker 4: in I thought of you. Oh that's very sweet.

632
00:28:25,440 --> 00:28:26,360
Speaker 1: I love that evolution.

633
00:28:27,040 --> 00:28:29,639
Speaker 3: Yeah, she just went out and bottlet went out like

634
00:28:29,760 --> 00:28:31,080
Speaker 3: the used bookstore.

635
00:28:31,119 --> 00:28:32,880
Speaker 4: It just like books by the yard. Yep.

636
00:28:38,240 --> 00:28:38,520
Speaker 3: Okay.

637
00:28:38,560 --> 00:28:40,440
Speaker 4: So now we're back at the lake house. Billy, Alison

638
00:28:40,440 --> 00:28:43,040
Speaker 4: and Amanda are putting away dishes. Alison goes to bed

639
00:28:43,080 --> 00:28:44,720
Speaker 4: because I don't know if I mentioned she has a cold,

640
00:28:44,760 --> 00:28:46,760
Speaker 4: you may not have noticed Tully like this the whole time.

641
00:28:46,840 --> 00:28:49,200
Speaker 4: She doesn't feeling great, and so she leaves Billy and

642
00:28:49,200 --> 00:28:51,480
Speaker 4: amandaal and just put away the last bit of the dishes,

643
00:28:51,920 --> 00:28:54,840
Speaker 4: and Amanda says of Alison, she's terrific. I haven't made

644
00:28:54,840 --> 00:28:56,640
Speaker 4: a friend like that at work in a long time,

645
00:28:57,000 --> 00:29:00,320
Speaker 4: which for some reason prumps Billy to kiss her. Well,

646
00:29:01,360 --> 00:29:03,000
Speaker 4: excuse me, were you shocked?

647
00:29:03,560 --> 00:29:05,720
Speaker 1: I was so disappointed and.

648
00:29:07,600 --> 00:29:11,720
Speaker 6: Billy, I actually my note was like crying face emoji, like,

649
00:29:12,400 --> 00:29:15,520
Speaker 6: you know, like disappointed and like the I wasn't.

650
00:29:15,680 --> 00:29:18,800
Speaker 5: I was happy for them because that's happening with Alison.

651
00:29:18,920 --> 00:29:19,960
Speaker 3: She's like got a cold.

652
00:29:20,040 --> 00:29:23,000
Speaker 2: She's like, she's making it very clear that you know

653
00:29:23,480 --> 00:29:26,280
Speaker 2: that happening. There's nothing sexy going on over here.

654
00:29:26,640 --> 00:29:28,719
Speaker 4: But there was way too much going on in the kitchen.

655
00:29:28,760 --> 00:29:31,160
Speaker 4: They made up for way too long. Finally, and Manda

656
00:29:31,160 --> 00:29:33,320
Speaker 4: pulls back and says good night Billy and leaves the room,

657
00:29:33,360 --> 00:29:36,360
Speaker 4: and then Alison yells in from the other room. You're like,

658
00:29:36,400 --> 00:29:39,640
Speaker 4: don't forget to turn off the lights, put the fire on.

659
00:29:39,760 --> 00:29:43,880
Speaker 4: The fire is yes, make sure the fires out. That

660
00:29:44,000 --> 00:29:47,960
Speaker 4: was a good little double on catch yeah, right, thank you, Laura.

661
00:29:48,040 --> 00:29:49,240
Speaker 4: That's a much better line.

662
00:29:49,520 --> 00:29:51,480
Speaker 6: And I sort of and I believed Amanda when she

663
00:29:51,520 --> 00:29:55,200
Speaker 6: said she was like, you know, I haven't made a

664
00:29:55,200 --> 00:29:57,400
Speaker 6: friend like this in a long time. I believed that

665
00:29:57,560 --> 00:30:00,000
Speaker 6: sincerity of that moment, and so I was extra disappoin

666
00:30:00,000 --> 00:30:02,200
Speaker 6: I know that this was happening, well, I know, and

667
00:30:02,320 --> 00:30:04,040
Speaker 6: in the scene I don't believe it for long, but

668
00:30:04,160 --> 00:30:05,200
Speaker 6: Allison's looking.

669
00:30:04,960 --> 00:30:08,120
Speaker 4: At her like my friend, Like she's so enamored of

670
00:30:08,160 --> 00:30:10,400
Speaker 4: her new boss and friend and co workers.

671
00:30:10,440 --> 00:30:13,600
Speaker 2: So this just me that that works and that other

672
00:30:14,320 --> 00:30:18,760
Speaker 2: that other side of the cubicle for so long, I mean, just.

673
00:30:20,400 --> 00:30:22,680
Speaker 3: Out of nowhere. She's the first friend I've made, you know.

674
00:30:23,080 --> 00:30:25,000
Speaker 4: You know, Amanda, I've known it forever. I've never talked

675
00:30:25,000 --> 00:30:27,560
Speaker 4: to her once. Yeah, okay, So now we're in Joe's.

676
00:30:27,640 --> 00:30:30,560
Speaker 4: It's the morning, so Jake wakes up alone and calls

677
00:30:30,680 --> 00:30:32,560
Speaker 4: up to Joe. She appears with the tray of berries

678
00:30:32,560 --> 00:30:35,000
Speaker 4: and whipped cream. There's some talk about their fathers and

679
00:30:35,040 --> 00:30:37,120
Speaker 4: some family history, but the most important part about the

680
00:30:37,160 --> 00:30:40,760
Speaker 4: scene is that he starts putting whipped cream on her

681
00:30:40,840 --> 00:30:45,560
Speaker 4: toes and I'm screaming at the TV. Were you screaming

682
00:30:45,560 --> 00:30:46,000
Speaker 4: and you're.

683
00:30:45,880 --> 00:30:50,400
Speaker 3: Totally yet I just want you to know I washed

684
00:30:50,400 --> 00:30:50,880
Speaker 3: my toes.

685
00:30:51,120 --> 00:30:52,480
Speaker 1: I'm sure you did, and.

686
00:30:54,040 --> 00:30:56,800
Speaker 2: Like you did, but Joe didn't have that wife, but

687
00:30:56,920 --> 00:30:58,440
Speaker 2: to wash the toes again.

688
00:30:58,960 --> 00:31:01,160
Speaker 6: And you're and you're super cute about it, like you're

689
00:31:01,160 --> 00:31:03,400
Speaker 6: like heat that tickles and whatever. That's you made it

690
00:31:03,440 --> 00:31:06,440
Speaker 6: as cute as it possibly could be, because in general

691
00:31:06,600 --> 00:31:07,120
Speaker 6: that's yuck.

692
00:31:07,800 --> 00:31:10,640
Speaker 1: Just saying and you did a great job if not

693
00:31:10,680 --> 00:31:11,400
Speaker 1: having it be yuck.

694
00:31:11,720 --> 00:31:14,400
Speaker 4: People do that. And I was like, no, I don't

695
00:31:14,440 --> 00:31:16,360
Speaker 4: know what the thing is with toes. I'm like, that

696
00:31:16,520 --> 00:31:17,000
Speaker 4: is not a.

697
00:31:17,240 --> 00:31:19,080
Speaker 6: That we don't need to put food on them and

698
00:31:19,120 --> 00:31:21,280
Speaker 6: then lick it off. We don't need to do that. Yeah,

699
00:31:21,320 --> 00:31:23,640
Speaker 6: whip cream doesn't make it better. It's still food on

700
00:31:23,680 --> 00:31:25,600
Speaker 6: your toes that you're just choosing to look up.

701
00:31:25,640 --> 00:31:26,760
Speaker 1: That is a bad choice.

702
00:31:27,080 --> 00:31:29,400
Speaker 5: And we want to raise our ratings and not like

703
00:31:29,520 --> 00:31:30,040
Speaker 5: lower them.

704
00:31:30,160 --> 00:31:32,640
Speaker 3: Can't we act a little young and sexy? Please?

705
00:31:33,720 --> 00:31:37,000
Speaker 6: Well you did it as best anybody ever could of

706
00:31:37,040 --> 00:31:38,360
Speaker 6: making it seem cute.

707
00:31:38,440 --> 00:31:41,640
Speaker 1: Still just saying the general conceit is like.

708
00:31:41,800 --> 00:31:44,440
Speaker 4: And I know it's a thing like people like it.

709
00:31:44,440 --> 00:31:46,240
Speaker 4: It just doesn't happen to be my thing.

710
00:31:46,360 --> 00:31:48,800
Speaker 1: The three of us here are all saying you, yeah, we're.

711
00:31:48,680 --> 00:31:50,640
Speaker 2: Anti we're saying in real life, yeah, we do it

712
00:31:50,680 --> 00:31:55,120
Speaker 2: all the time, right, and ours at eight o'clock before.

713
00:31:55,480 --> 00:31:57,560
Speaker 4: But I do it to my dog, so it's not weird.

714
00:31:57,840 --> 00:31:59,760
Speaker 4: So that's not weird. You're not weird.

715
00:32:01,600 --> 00:32:04,800
Speaker 6: There was also the pink sheets of this scene that

716
00:32:05,000 --> 00:32:06,520
Speaker 6: struck it opened.

717
00:32:06,600 --> 00:32:09,240
Speaker 1: Yeah, pink satin sheets that Jake is.

718
00:32:09,480 --> 00:32:10,720
Speaker 4: They satin sheets?

719
00:32:10,840 --> 00:32:12,160
Speaker 3: Yes, pink satin.

720
00:32:13,360 --> 00:32:18,200
Speaker 4: So great, she's got pink satin.

721
00:32:18,440 --> 00:32:21,120
Speaker 2: You think Joe went to bed, bath and beyond when

722
00:32:21,160 --> 00:32:22,720
Speaker 2: she got to town or do you think she brought

723
00:32:22,720 --> 00:32:26,160
Speaker 2: those from her from her apartment in.

724
00:32:26,120 --> 00:32:28,000
Speaker 4: New York whenever you got all new?

725
00:32:28,080 --> 00:32:28,640
Speaker 1: These are new.

726
00:32:28,760 --> 00:32:32,840
Speaker 4: I think these are memories in New York. You probably

727
00:32:32,840 --> 00:32:35,080
Speaker 4: bought them the day before. That's probably you didn't want

728
00:32:35,080 --> 00:32:36,760
Speaker 4: to do it yesterday because you had to get news.

729
00:32:36,840 --> 00:32:42,080
Speaker 3: That's true. Probably. What's that? What's that other? I have them?

730
00:32:42,120 --> 00:32:44,560
Speaker 3: What's the it's not felt, it's not velvet.

731
00:32:44,200 --> 00:32:45,240
Speaker 4: It's silk satin.

732
00:32:45,560 --> 00:32:48,320
Speaker 3: No, No, the comfy stuff, the cozy still.

733
00:32:48,160 --> 00:32:51,880
Speaker 2: Lurel the sheets she probably planted.

734
00:32:52,360 --> 00:32:56,400
Speaker 6: Yeah, well, but once she laid eyes on the hot

735
00:32:56,400 --> 00:32:58,760
Speaker 6: neighbor downstairs, she's like I need some pink.

736
00:33:00,760 --> 00:33:03,720
Speaker 4: Lid right off them. So finally Joe says it tickles,

737
00:33:03,720 --> 00:33:05,760
Speaker 4: and Jake says, let's see where else you're ticklish, and

738
00:33:05,840 --> 00:33:08,520
Speaker 4: thank God moves up and kisses her on her face.

739
00:33:08,600 --> 00:33:10,920
Speaker 4: Because we've all had a good enough we've all had

740
00:33:10,920 --> 00:33:12,000
Speaker 4: about enough of the toes.

741
00:33:12,360 --> 00:33:14,120
Speaker 3: Can we all just say how it's annoying?

742
00:33:14,160 --> 00:33:16,240
Speaker 2: It is when someone says, oh, I'm going to tickle you, like,

743
00:33:16,280 --> 00:33:17,800
Speaker 2: does anyone really like that?

744
00:33:18,080 --> 00:33:21,800
Speaker 4: No? Tickling it's an aggression.

745
00:33:21,920 --> 00:33:24,800
Speaker 1: Yeah, oh my god, it's yeah, okay, makes me furious.

746
00:33:25,160 --> 00:33:26,880
Speaker 4: All right, So back at they like us, Billy and

747
00:33:26,880 --> 00:33:30,080
Speaker 4: Amanda are having fun cooking breakfast. Billy's got a French accent.

748
00:33:30,120 --> 00:33:32,719
Speaker 4: They're making mimoses because it's you have a French accent.

749
00:33:32,760 --> 00:33:36,000
Speaker 4: That's how I drank. He's having a maga of all.

750
00:33:36,640 --> 00:33:38,360
Speaker 4: I think it's French. It's somebody.

751
00:33:38,520 --> 00:33:40,719
Speaker 3: It's Billy's version of French version.

752
00:33:41,080 --> 00:33:43,480
Speaker 4: I'm not saying it's a great French accent. And they

753
00:33:43,760 --> 00:33:46,400
Speaker 4: they open the champagne and they're spraying each other and

754
00:33:46,400 --> 00:33:48,880
Speaker 4: they're laughing, and there they're rolling around on the floor

755
00:33:49,760 --> 00:33:51,200
Speaker 4: like a couple of animals.

756
00:33:51,520 --> 00:33:53,760
Speaker 3: Wonderfully with all that champagne.

757
00:33:54,080 --> 00:33:56,920
Speaker 4: Yes, uh huh, and then Alison enters wrapped in a

758
00:33:56,960 --> 00:34:00,400
Speaker 4: blanket again Bully committed to the cold and sees them

759
00:34:00,480 --> 00:34:03,960
Speaker 4: together and the buzzkill. But how heartbreaking was it when

760
00:34:04,080 --> 00:34:06,280
Speaker 4: all in the blanket and she's so sad, she's all

761
00:34:06,320 --> 00:34:09,200
Speaker 4: snotty and there they are on the floor and she says,

762
00:34:09,760 --> 00:34:12,040
Speaker 4: I'd liked it, but I'd like to go back early

763
00:34:12,080 --> 00:34:16,040
Speaker 4: so it doesn't get more serious beat beat beat, like cold, I.

764
00:34:16,120 --> 00:34:19,400
Speaker 3: Beat the cold, I mean.

765
00:34:20,200 --> 00:34:24,520
Speaker 4: More serious, no more. But also so sad.

766
00:34:24,440 --> 00:34:28,759
Speaker 6: So sad for because they really did paint Alison in

767
00:34:28,800 --> 00:34:33,040
Speaker 6: a pathetic light and the contrast wasn't you It was

768
00:34:33,040 --> 00:34:34,319
Speaker 6: the writers right, and.

769
00:34:34,360 --> 00:34:35,680
Speaker 1: It was very sad.

770
00:34:35,719 --> 00:34:38,040
Speaker 6: As an audience member, we all it was fair, I said,

771
00:34:38,120 --> 00:34:39,480
Speaker 6: I felt for Alison.

772
00:34:39,920 --> 00:34:41,040
Speaker 4: Yeah, it was very sad.

773
00:34:41,400 --> 00:34:43,799
Speaker 6: Wasn't this the scene that didn't Heather say that this

774
00:34:43,840 --> 00:34:48,080
Speaker 6: scene had to be shot twice because there was no film?

775
00:34:48,440 --> 00:34:52,040
Speaker 4: I said, it was two in the morning, and it

776
00:34:52,080 --> 00:34:54,239
Speaker 4: was the days of film now for you kids used

777
00:34:54,239 --> 00:34:55,600
Speaker 4: to have something called film that you had to put

778
00:34:55,600 --> 00:34:57,279
Speaker 4: in a camera and take out of the camera. And

779
00:34:57,320 --> 00:34:59,160
Speaker 4: they changed the film and then we went on break

780
00:34:59,200 --> 00:35:00,680
Speaker 4: and he was going to change we got back but

781
00:35:00,719 --> 00:35:04,640
Speaker 4: forgot So we filmed this whole scene getting wet, getting

782
00:35:04,640 --> 00:35:06,960
Speaker 4: covered in champagne, and it was late at night. There

783
00:35:07,000 --> 00:35:08,680
Speaker 4: was no film in the camera. We had to redo it.

784
00:35:08,680 --> 00:35:09,440
Speaker 4: It was heartbreaking.

785
00:35:09,680 --> 00:35:11,239
Speaker 3: And you said he didn't come back next year.

786
00:35:11,600 --> 00:35:13,920
Speaker 4: Yeah, which was so sad because we did love him. Well,

787
00:35:13,960 --> 00:35:17,040
Speaker 4: there's no film anymore, that's not that's not a concern anymore.

788
00:35:17,200 --> 00:35:18,279
Speaker 3: But yeah, they made it.

789
00:35:18,680 --> 00:35:28,120
Speaker 4: Charge of watching the current version. Charge about So then

790
00:35:28,160 --> 00:35:30,920
Speaker 4: we're back in Luna's apartment and she is furious, of

791
00:35:31,000 --> 00:35:34,319
Speaker 4: course that Matt met up with Terrence. There's tons of

792
00:35:34,320 --> 00:35:38,239
Speaker 4: boundary issues. And then Matt says, if it's over, why

793
00:35:38,239 --> 00:35:40,640
Speaker 4: are you so sensitive? And I was like, well, because

794
00:35:40,680 --> 00:35:43,640
Speaker 4: she just broke up an engagement, Like doesn't it make sense?

795
00:35:43,719 --> 00:35:46,120
Speaker 1: And she says it kind of a big deal.

796
00:35:46,920 --> 00:35:49,839
Speaker 4: Yeah, And I was thinking, like, because Doug is sweet. Doug,

797
00:35:50,239 --> 00:35:52,960
Speaker 4: only he could make this sort of make sense, right,

798
00:35:53,040 --> 00:35:56,320
Speaker 4: Like I have compassion for Matt because Doug is so sweet.

799
00:35:56,400 --> 00:35:58,160
Speaker 4: Anybody else I would just hate them.

800
00:35:58,160 --> 00:36:01,160
Speaker 6: In this scene, yeah, it's like you didn't participant in

801
00:36:01,200 --> 00:36:03,840
Speaker 6: this plan. But he's also like calling out what he

802
00:36:03,920 --> 00:36:06,600
Speaker 6: sees and run like I am reluctant to even get

803
00:36:06,640 --> 00:36:09,400
Speaker 6: involved in this, but I do have to say, it

804
00:36:09,440 --> 00:36:11,279
Speaker 6: looks like you might still have feelings and maybe there's

805
00:36:11,320 --> 00:36:12,359
Speaker 6: something else you should be doing.

806
00:36:12,960 --> 00:36:14,160
Speaker 4: Yeah, exactly.

807
00:36:14,520 --> 00:36:16,680
Speaker 5: The thing is when you were have you, guys, ever

808
00:36:16,760 --> 00:36:19,560
Speaker 5: been pulled into the middle, like sucked into the middle

809
00:36:19,640 --> 00:36:21,120
Speaker 5: of you Just.

810
00:36:21,120 --> 00:36:23,600
Speaker 3: There's no win win, like there's you know, you have.

811
00:36:23,800 --> 00:36:27,040
Speaker 2: The each side want you to be loyal to them,

812
00:36:27,600 --> 00:36:31,719
Speaker 2: and if you choose one inevitably will be used against you.

813
00:36:31,840 --> 00:36:34,240
Speaker 3: If you just do a little bit to each that'll

814
00:36:34,239 --> 00:36:36,839
Speaker 3: be you'll be both go at you. I mean, there's

815
00:36:36,840 --> 00:36:37,600
Speaker 3: no winning.

816
00:36:37,400 --> 00:36:39,840
Speaker 4: Yeah, especially if God forbid they get back together and

817
00:36:39,880 --> 00:36:42,080
Speaker 4: it's right, yeah, yeah, he's the worst.

818
00:36:42,160 --> 00:36:45,560
Speaker 5: And then they both interview what are you to do?

819
00:36:46,000 --> 00:36:48,120
Speaker 3: And they both turn on just don't answer your phone.

820
00:36:48,160 --> 00:36:51,399
Speaker 4: I guess, I guess. It's a tough situation. So now

821
00:36:51,440 --> 00:36:55,520
Speaker 4: we're back in Joe's appointment, super post coital, and Joe

822
00:36:55,560 --> 00:36:57,680
Speaker 4: feels of Jake's muscles for the rest of us, which,

823
00:36:57,719 --> 00:37:00,520
Speaker 4: thank you for doing that. Sweet, was super nice for

824
00:37:00,520 --> 00:37:02,920
Speaker 4: you to do that for us, And you look and

825
00:37:02,960 --> 00:37:06,000
Speaker 4: you're looking very pleased with yourself. Then Jake says that

826
00:37:06,200 --> 00:37:10,160
Speaker 4: was great, and jokers, yes it was, and the audience

827
00:37:10,239 --> 00:37:11,799
Speaker 4: is like, I knew it was going to be great.

828
00:37:11,800 --> 00:37:12,200
Speaker 4: I knew it.

829
00:37:12,719 --> 00:37:16,520
Speaker 2: Yeah, yeah, I love that the I love the whole

830
00:37:16,640 --> 00:37:17,160
Speaker 2: vibe of that.

831
00:37:17,520 --> 00:37:20,080
Speaker 5: The morning after and they're so comfortable with each other.

832
00:37:20,200 --> 00:37:22,080
Speaker 5: You know, she comes out in her robe, her.

833
00:37:21,960 --> 00:37:25,440
Speaker 2: That beautiful satin robe that she has kimono or something,

834
00:37:26,040 --> 00:37:29,080
Speaker 2: and he's so comfortable, and you know he was so

835
00:37:29,520 --> 00:37:29,920
Speaker 2: it's so.

836
00:37:29,960 --> 00:37:35,200
Speaker 3: Great to see grant is Jake uh just.

837
00:37:35,200 --> 00:37:39,040
Speaker 5: His warmth and caring towards her for this whole arc

838
00:37:39,480 --> 00:37:43,000
Speaker 5: and then now too, he's comforting and he's like, hey, hey, Joe,

839
00:37:43,360 --> 00:37:45,560
Speaker 5: and she's like, yeah, that was great.

840
00:37:46,120 --> 00:37:48,680
Speaker 3: You know, I was like so reassured. She's just like, yeah,

841
00:37:48,680 --> 00:37:50,680
Speaker 3: it was because she's a tough girl. She couldn't just

842
00:37:50,719 --> 00:37:53,520
Speaker 3: say oh, so glad, you know. She's like, yeah, it

843
00:37:53,680 --> 00:37:55,480
Speaker 3: was because I've had a lot too.

844
00:37:57,520 --> 00:38:02,080
Speaker 5: Anyway, it is very very sweet to get upstairs downstairs.

845
00:38:01,400 --> 00:38:05,680
Speaker 1: So you just know, you know, yeah, very morning after

846
00:38:05,800 --> 00:38:06,560
Speaker 1: in love vibe.

847
00:38:06,600 --> 00:38:10,240
Speaker 4: Oh so so sweet, so yummy. So then we're outside

848
00:38:10,239 --> 00:38:12,719
Speaker 4: the exterior the apartment. Billy and Allison are walking in

849
00:38:13,120 --> 00:38:16,360
Speaker 4: and they're checking their mail, and Alan, because you're sulking,

850
00:38:16,600 --> 00:38:18,400
Speaker 4: she goes, no, I'm not she's throwing mail at in.

851
00:38:18,440 --> 00:38:21,719
Speaker 5: One piece of a time like for me, throws it

852
00:38:21,719 --> 00:38:22,120
Speaker 5: to him.

853
00:38:22,160 --> 00:38:23,160
Speaker 1: Why would I be sulking?

854
00:38:23,800 --> 00:38:29,200
Speaker 4: She says, I have been sulking because and then she's

855
00:38:29,280 --> 00:38:32,440
Speaker 4: obviously offended that Billy hit on Amanda, and she says,

856
00:38:32,560 --> 00:38:34,480
Speaker 4: this line killed me. And this is when you go.

857
00:38:35,000 --> 00:38:36,920
Speaker 4: You know, we had to do exact words, and this

858
00:38:37,040 --> 00:38:40,680
Speaker 4: is worded so strangely. One would think you would have

859
00:38:40,760 --> 00:38:43,200
Speaker 4: the sense to hit on someone other than the woman

860
00:38:43,320 --> 00:38:45,560
Speaker 4: I work with every day. So suddenly I'm on doubt

861
00:38:45,560 --> 00:38:49,280
Speaker 4: and Abby, I don't know what yes one one would

862
00:38:49,280 --> 00:38:51,000
Speaker 4: think because maybe I'm royalty tell.

863
00:38:50,960 --> 00:38:54,120
Speaker 2: Me or Maggie Smith, which just proves how unsexy they're

864
00:38:54,160 --> 00:38:58,400
Speaker 2: making you exactly exactly.

865
00:38:58,440 --> 00:39:01,800
Speaker 4: And then Billy defends himself by saying, there's an attraction,

866
00:39:02,000 --> 00:39:04,960
Speaker 4: a chemistry is something I hardly ever felt before.

867
00:39:04,680 --> 00:39:05,840
Speaker 1: And I just didn't plan this.

868
00:39:05,960 --> 00:39:12,120
Speaker 4: Allison oh the mouth right, like he can't help himself.

869
00:39:12,120 --> 00:39:16,280
Speaker 4: It's so sad. So again, as an actor.

870
00:39:16,680 --> 00:39:18,680
Speaker 2: You know, when you're shooting the show, you like we've

871
00:39:18,680 --> 00:39:20,920
Speaker 2: talked about, you have your own story. So I'd come

872
00:39:20,960 --> 00:39:23,959
Speaker 2: on days and shoot, you know, my thing and few

873
00:39:24,000 --> 00:39:26,520
Speaker 2: scenes and then go and you don't I mean I

874
00:39:26,560 --> 00:39:29,239
Speaker 2: read the scripts. Don't get me wrong, I didn't realize

875
00:39:29,719 --> 00:39:32,640
Speaker 2: like that you guys weren't together this whole time.

876
00:39:32,760 --> 00:39:35,279
Speaker 3: I thought you were. You know, Billy and Allison, you'd

877
00:39:35,280 --> 00:39:36,280
Speaker 3: been together already.

878
00:39:36,800 --> 00:39:38,920
Speaker 4: Well, you were confused because Andrew and I were together.

879
00:39:39,000 --> 00:39:41,480
Speaker 3: It was very confused. I guess you were so.

880
00:39:43,880 --> 00:39:46,400
Speaker 6: And it must have been, like it's pretty easy to

881
00:39:46,440 --> 00:39:48,960
Speaker 6: be pissed, as you know, in this scene like that,

882
00:39:49,400 --> 00:39:51,680
Speaker 6: it's like, ew, Yeah.

883
00:39:51,480 --> 00:39:52,839
Speaker 4: One of the things you talked about with Heather, which

884
00:39:52,880 --> 00:39:55,640
Speaker 4: is so true, is it would have been very challenging

885
00:39:55,640 --> 00:39:57,400
Speaker 4: to have Heather Lockler and make out with my real

886
00:39:57,440 --> 00:40:00,880
Speaker 4: life boyfriend. But she's such a girl's girl, right, Like,

887
00:40:00,920 --> 00:40:03,319
Speaker 4: there's none of she's not flirting, she wasn't doing it.

888
00:40:03,360 --> 00:40:05,839
Speaker 4: She was completely on my side with me, and then

889
00:40:05,880 --> 00:40:07,879
Speaker 4: she'd go make out with him. But I never thought

890
00:40:07,920 --> 00:40:11,200
Speaker 4: for a second there was anything complicated going on, you

891
00:40:11,239 --> 00:40:13,560
Speaker 4: know what I mean, Like that could have been really

892
00:40:13,600 --> 00:40:16,399
Speaker 4: scary for me. But it's just so profoundly not who

893
00:40:16,400 --> 00:40:19,920
Speaker 4: she is, which I just really another thing we appreciate

894
00:40:19,920 --> 00:40:22,760
Speaker 4: about her. Yeah, So she tells him again very clearly

895
00:40:22,800 --> 00:40:26,479
Speaker 4: she doesn't want them to date, and he shrugs. Ah,

896
00:40:26,560 --> 00:40:29,000
Speaker 4: so now we're in D and D and Alis and

897
00:40:29,040 --> 00:40:34,240
Speaker 4: Amanda are discussing very important advertising business and Amanda, who really,

898
00:40:34,719 --> 00:40:37,560
Speaker 4: even though she's not mentioning that they've already made out twice,

899
00:40:38,280 --> 00:40:40,279
Speaker 4: she tells Alison that she thinks Billy is smart and

900
00:40:40,280 --> 00:40:43,040
Speaker 4: funny and asked hy they're not dating, and Alison laughs

901
00:40:43,120 --> 00:40:47,080
Speaker 4: way too hard, way too hard, and says, oh, oh oh,

902
00:40:47,400 --> 00:40:49,640
Speaker 4: the thought of being in a relationship with him. He's

903
00:40:49,640 --> 00:40:51,759
Speaker 4: completely in love with someone every week and then he's

904
00:40:51,840 --> 00:40:54,759
Speaker 4: out of there. So I'm a little bit defending a

905
00:40:54,800 --> 00:40:55,239
Speaker 4: little bit.

906
00:40:55,360 --> 00:40:59,560
Speaker 2: And she says, what he dumps them, and she's like, no,

907
00:41:00,000 --> 00:41:02,240
Speaker 2: they dumb him because he's such a listener.

908
00:41:02,840 --> 00:41:06,160
Speaker 3: I'm just like, calm down, missy.

909
00:41:06,440 --> 00:41:07,960
Speaker 4: She does protests too much.

910
00:41:08,200 --> 00:41:10,640
Speaker 6: I loved that part of the scene that Allison was

911
00:41:10,760 --> 00:41:13,440
Speaker 6: playing it off with just the opposite, you know, like

912
00:41:13,480 --> 00:41:16,960
Speaker 6: oh no. I just loved that oppositeness of how she

913
00:41:17,000 --> 00:41:19,200
Speaker 6: really felt and that was so clear.

914
00:41:19,680 --> 00:41:22,640
Speaker 2: Yeah, and did you guys notice the Frida Callo picture

915
00:41:22,800 --> 00:41:23,520
Speaker 2: right between you?

916
00:41:23,920 --> 00:41:27,399
Speaker 3: Between you guys? I think this is the scene, if

917
00:41:27,440 --> 00:41:29,279
Speaker 3: not as the next scene.

918
00:41:29,000 --> 00:41:32,560
Speaker 4: But yeah, I didn't, I didn't notice. But Amanda doubles

919
00:41:32,600 --> 00:41:35,759
Speaker 4: down and says he's adorable, to which Allison says, I

920
00:41:35,800 --> 00:41:39,600
Speaker 4: hope your criteria extends beyond adorable, because I am just

921
00:41:39,719 --> 00:41:42,160
Speaker 4: not happy about it. So then Amanda smiles an apropos

922
00:41:42,160 --> 00:41:45,080
Speaker 4: of nothing, suggests maybe they work at Allison's house tonight.

923
00:41:45,440 --> 00:41:48,920
Speaker 4: That's a great idea, don't you guys? Thinks a great idea.

924
00:41:49,160 --> 00:41:53,600
Speaker 4: Really don't have to do this. Allison says yes, because

925
00:41:53,640 --> 00:41:56,680
Speaker 4: she's already doubled down and said she doesn't care. So

926
00:41:56,880 --> 00:41:59,240
Speaker 4: Amanda and Allison are working on the coffee table. Billy

927
00:41:59,400 --> 00:42:02,560
Speaker 4: enters and as they're doing, and Allison says, very lovingly working,

928
00:42:02,640 --> 00:42:03,759
Speaker 4: we won't be offended if.

929
00:42:03,640 --> 00:42:06,360
Speaker 1: You leave totally loving, totally loving.

930
00:42:07,160 --> 00:42:09,840
Speaker 4: Super loving. Instead of leaving, he settles in and offers

931
00:42:09,880 --> 00:42:13,719
Speaker 4: the tagline maximize your advantage in life and love It

932
00:42:13,840 --> 00:42:14,920
Speaker 4: might make the difference.

933
00:42:15,840 --> 00:42:18,680
Speaker 6: Well, did you notice that, like Allison, Yeah, Allison's working

934
00:42:18,719 --> 00:42:22,920
Speaker 6: on subliminal imaging and Amanda is working on finding pictures

935
00:42:22,920 --> 00:42:28,480
Speaker 6: of happy, successful people maximizing their advantage. It's like, oh,

936
00:42:28,880 --> 00:42:32,319
Speaker 6: I guess that is exactly what we're doing here. Yes, yes,

937
00:42:32,640 --> 00:42:35,520
Speaker 6: so working for Matt and she is working on that.

938
00:42:35,920 --> 00:42:37,480
Speaker 4: Yes, and it's perfect and we're going to come to

939
00:42:37,480 --> 00:42:40,200
Speaker 4: a subliminal, subliminal message, and then Amanda loves it and

940
00:42:40,239 --> 00:42:42,320
Speaker 4: sends Alison out of the room to find an article

941
00:42:42,480 --> 00:42:44,840
Speaker 4: because remember when you had to have actual articles. You

942
00:42:44,840 --> 00:42:47,239
Speaker 4: couldn't just look at you didn't say hey, Google that,

943
00:42:47,280 --> 00:42:49,400
Speaker 4: you had to actually get up and leave. And in

944
00:42:49,560 --> 00:42:51,960
Speaker 4: the in the three seconds when Alison's out of the room,

945
00:42:52,280 --> 00:42:55,759
Speaker 4: Billy asks Amanda out for coffee at nine thirty pm,

946
00:42:55,840 --> 00:42:59,200
Speaker 4: which is, need we say, an insane time for anything

947
00:42:59,200 --> 00:42:59,960
Speaker 4: to happen.

948
00:43:00,800 --> 00:43:03,920
Speaker 1: But also don't tell Allison. Let's just do this secretly.

949
00:43:05,800 --> 00:43:08,440
Speaker 2: But still I guess for I guess, like she agrees

950
00:43:08,520 --> 00:43:10,800
Speaker 2: to go, but she does say like, and he's like,

951
00:43:10,880 --> 00:43:14,000
Speaker 2: let's just keep it between us, and she's like okay.

952
00:43:14,600 --> 00:43:19,120
Speaker 2: But then I like, how you know Amanda immediately butts

953
00:43:19,120 --> 00:43:21,759
Speaker 2: all that up and says, I'm not going to keep secrets,

954
00:43:21,960 --> 00:43:24,879
Speaker 2: you know. But she's like okay, But she's like, why

955
00:43:24,920 --> 00:43:26,120
Speaker 2: do they want to keep the secret?

956
00:43:26,200 --> 00:43:27,600
Speaker 3: She's like, these guys have.

957
00:43:27,560 --> 00:43:31,520
Speaker 5: More going on than they're even know themselves, Like you

958
00:43:31,560 --> 00:43:32,120
Speaker 5: guys had.

959
00:43:32,040 --> 00:43:34,640
Speaker 4: Much deeper thoughts. I was just thinking nine thirty is

960
00:43:34,680 --> 00:43:36,240
Speaker 4: too late for coffee.

961
00:43:35,840 --> 00:43:40,480
Speaker 3: Like I just what was it? Like Cash should be.

962
00:43:40,520 --> 00:43:43,120
Speaker 4: Home by nine thirty in your pajamas. That's not the

963
00:43:43,160 --> 00:43:44,640
Speaker 4: time to start the Nine days.

964
00:43:45,120 --> 00:43:48,640
Speaker 6: I also noticed that Allison started saying so long a

965
00:43:48,719 --> 00:43:49,800
Speaker 6: lot in this episode.

966
00:43:49,880 --> 00:43:51,200
Speaker 1: Did you notice that?

967
00:43:51,719 --> 00:43:53,799
Speaker 6: Like she said to Amanda at some point, all right,

968
00:43:53,960 --> 00:43:57,239
Speaker 6: so long, Amanda, like you know, buddy, old pale, weird.

969
00:43:57,280 --> 00:43:59,200
Speaker 6: And then she says it in this scene when Billy

970
00:43:59,320 --> 00:44:04,520
Speaker 6: leaves to Billy's so long, Like what that's such a

971
00:44:04,520 --> 00:44:06,400
Speaker 6: cow clue, isn't it just seems so funny?

972
00:44:06,680 --> 00:44:07,120
Speaker 1: So long?

973
00:44:07,480 --> 00:44:10,799
Speaker 4: Did one start saying so long? I think one started.

974
00:44:10,480 --> 00:44:12,200
Speaker 1: Saying that was Alison.

975
00:44:16,640 --> 00:44:18,719
Speaker 4: Okay, So we're back in Shooters, which as we know,

976
00:44:18,840 --> 00:44:21,719
Speaker 4: is the only bar in Los Angeles. Turns into the

977
00:44:21,760 --> 00:44:25,120
Speaker 4: table and Ronda enters in a very sexy green like

978
00:44:25,400 --> 00:44:26,080
Speaker 4: half top.

979
00:44:26,520 --> 00:44:27,040
Speaker 1: Super cute.

980
00:44:27,080 --> 00:44:29,360
Speaker 4: We're just on her and I would never have the

981
00:44:29,440 --> 00:44:32,239
Speaker 4: guts to wear that cute, never ever have the guts

982
00:44:32,280 --> 00:44:36,040
Speaker 4: to wear crop top. Yeah, super crop top. And she

983
00:44:36,080 --> 00:44:37,960
Speaker 4: tells him that she cares about him, but she needed

984
00:44:37,960 --> 00:44:40,040
Speaker 4: more than a few weeks to think about marriage. He

985
00:44:40,120 --> 00:44:43,359
Speaker 4: asks why she didn't say that, and then they sort

986
00:44:43,360 --> 00:44:45,200
Speaker 4: of She said, this is a cute lie. I thought,

987
00:44:45,239 --> 00:44:47,759
Speaker 4: she says, I was flattered. Nobody's ever asked me to

988
00:44:47,800 --> 00:44:48,680
Speaker 4: marry them before.

989
00:44:48,920 --> 00:44:51,319
Speaker 5: She's very honest in all this and all of her

990
00:44:51,560 --> 00:44:52,080
Speaker 5: you know, she.

991
00:44:52,080 --> 00:44:54,960
Speaker 2: Goes, I couldn't, I couldn't decide that in two weeks

992
00:44:55,320 --> 00:44:57,600
Speaker 2: I didn't, And then I dawned on me she only

993
00:44:57,640 --> 00:44:58,319
Speaker 2: had two weeks to.

994
00:44:58,280 --> 00:44:59,719
Speaker 3: Make a decision to marry this guy.

995
00:45:00,239 --> 00:45:02,080
Speaker 6: That's not very long, but it does feel like he

996
00:45:02,080 --> 00:45:04,680
Speaker 6: hears her. It feels like he hears her a little bit,

997
00:45:04,680 --> 00:45:07,080
Speaker 6: and the scene is like, all right, well, let's press pause,

998
00:45:07,160 --> 00:45:09,160
Speaker 6: you know. Then they agree to press pause together. I

999
00:45:09,160 --> 00:45:11,279
Speaker 6: think for the first time he is sort of going, okay, great,

1000
00:45:11,320 --> 00:45:12,080
Speaker 6: we can take time.

1001
00:45:12,600 --> 00:45:14,880
Speaker 4: It's also romantic. I had someone ask me to marry

1002
00:45:14,880 --> 00:45:17,960
Speaker 4: them once, way, way, way too early. But it's like

1003
00:45:18,000 --> 00:45:20,160
Speaker 4: in all these movies, you're gonna go, yeah, why not,

1004
00:45:20,480 --> 00:45:22,080
Speaker 4: And then you know, a couple months in we got

1005
00:45:22,080 --> 00:45:24,759
Speaker 4: to know each other. Writers like oh yeah, no, no, no.

1006
00:45:24,800 --> 00:45:27,000
Speaker 4: But it really was kind of exciting and romantic because

1007
00:45:27,000 --> 00:45:30,120
Speaker 4: we see it in movies all the time, right, So anyway,

1008
00:45:30,239 --> 00:45:31,719
Speaker 4: I know, I know why she did it, and I

1009
00:45:31,760 --> 00:45:35,200
Speaker 4: know why she also said never mind. So now we're

1010
00:45:35,200 --> 00:45:37,719
Speaker 4: in the coffee shop at night at the ungodly hour

1011
00:45:37,760 --> 00:45:41,120
Speaker 4: of nine thirty and Amanda joins Billy and says she's

1012
00:45:41,200 --> 00:45:44,600
Speaker 4: late because Alison is a workaholic, which seems unnecessarily rude

1013
00:45:44,600 --> 00:45:47,239
Speaker 4: to Alison. Right now, she's just.

1014
00:45:47,200 --> 00:45:53,560
Speaker 3: A pile of from the writers, to the costumer, the characters.

1015
00:45:53,560 --> 00:45:54,960
Speaker 3: It's just like the pile.

1016
00:45:54,719 --> 00:45:59,200
Speaker 4: On Alison exactly. And then Billy says, which made me furious.

1017
00:45:59,680 --> 00:46:01,640
Speaker 4: You don't know how many nights I spend in here

1018
00:46:01,640 --> 00:46:04,480
Speaker 4: alone writing in my notebook, watching the cars go by,

1019
00:46:04,960 --> 00:46:07,440
Speaker 4: just wishing I was sitting across from someone as beautiful

1020
00:46:07,520 --> 00:46:07,880
Speaker 4: as you.

1021
00:46:09,840 --> 00:46:14,000
Speaker 1: Yeah, right, laid it on, Hello, Billy, Hello.

1022
00:46:15,080 --> 00:46:17,920
Speaker 4: So then he's then he completely ruins that by saying

1023
00:46:18,520 --> 00:46:20,040
Speaker 4: it's a good thing that she shared a room with

1024
00:46:20,080 --> 00:46:23,360
Speaker 4: Alvin at the Lakehouse because she hadn't a wild animal

1025
00:46:23,480 --> 00:46:25,000
Speaker 4: might have crawled under your covers.

1026
00:46:25,239 --> 00:46:26,919
Speaker 1: That was not a romantic line.

1027
00:46:27,640 --> 00:46:31,520
Speaker 6: In this same breath, Yeah, they're saying he's a hopeless romantic.

1028
00:46:31,560 --> 00:46:33,719
Speaker 1: But then he throws that line out there that.

1029
00:46:33,760 --> 00:46:35,719
Speaker 3: Ismsing I'm thinking, is the Godfather?

1030
00:46:35,960 --> 00:46:36,120
Speaker 2: Right?

1031
00:46:36,280 --> 00:46:37,319
Speaker 3: Is that animal head?

1032
00:46:37,880 --> 00:46:38,560
Speaker 5: Are the covers?

1033
00:46:38,600 --> 00:46:42,600
Speaker 6: I'm like, wait, yeah, it was a very dorky, not

1034
00:46:43,160 --> 00:46:44,040
Speaker 6: romantic line.

1035
00:46:44,280 --> 00:46:46,719
Speaker 4: Yeah, it was wrong, And then she says, but then

1036
00:46:46,800 --> 00:46:48,439
Speaker 4: it works on her for some reason because she says,

1037
00:46:48,440 --> 00:46:50,799
Speaker 4: why are they keeping the relationship a secret? How it's

1038
00:46:50,840 --> 00:46:53,600
Speaker 4: a relationship already, I don't know, And she says, we're

1039
00:46:53,640 --> 00:46:55,239
Speaker 4: all grown ups here, and I don't want to keep

1040
00:46:55,239 --> 00:46:59,719
Speaker 4: this from her, and then she kisses him, and I

1041
00:46:59,760 --> 00:47:01,680
Speaker 4: have a feeling that she's going to be winning this

1042
00:47:01,840 --> 00:47:05,719
Speaker 4: and every argument from now on, because have you seen her?

1043
00:47:06,560 --> 00:47:08,840
Speaker 4: So then yeah. So then we're in the courtyard and

1044
00:47:08,920 --> 00:47:11,719
Speaker 4: Jane and Michael the first time we see them the first.

1045
00:47:12,239 --> 00:47:14,480
Speaker 1: Episode at all, coming back for your jog.

1046
00:47:14,880 --> 00:47:17,920
Speaker 4: Jogging in and run into Jake, who says he'd lost

1047
00:47:17,960 --> 00:47:20,480
Speaker 4: a couple of days, which was really.

1048
00:47:20,200 --> 00:47:22,719
Speaker 1: Cute, nice, but Jane seemed to know what he was

1049
00:47:22,760 --> 00:47:23,319
Speaker 1: referring to.

1050
00:47:23,520 --> 00:47:25,920
Speaker 4: She's like, did well, they probably knew they were, you know,

1051
00:47:25,920 --> 00:47:30,040
Speaker 4: they're underneath them, so they probably maybe the furniture banging around.

1052
00:47:30,600 --> 00:47:32,799
Speaker 4: So he walks up to Joe's apartment and they have

1053
00:47:32,960 --> 00:47:37,120
Speaker 4: this sweet, shy scene and he says he dreamed about her,

1054
00:47:37,920 --> 00:47:40,480
Speaker 4: and she asked how work was, and he says anticlimactic

1055
00:47:40,520 --> 00:47:43,239
Speaker 4: and really lonely, and I wrote here swoon like I

1056
00:47:43,400 --> 00:47:46,400
Speaker 4: was like, I was, oh my god, it's so sweet,

1057
00:47:46,640 --> 00:47:48,359
Speaker 4: And just as I warned you about its being too

1058
00:47:48,400 --> 00:47:52,280
Speaker 4: good together and they have this really sweet flable scene.

1059
00:47:52,719 --> 00:47:56,200
Speaker 4: Mm hmm, right, yeah, I really liked it. I thought

1060
00:47:56,200 --> 00:47:57,319
Speaker 4: it was so sweet, and.

1061
00:47:57,239 --> 00:48:00,799
Speaker 6: Then Jake, Yeah, they're thinking about their future, like, hey,

1062
00:48:00,800 --> 00:48:01,919
Speaker 6: what does this mean for us?

1063
00:48:01,960 --> 00:48:04,560
Speaker 1: Like I just love that line.

1064
00:48:04,840 --> 00:48:07,560
Speaker 4: I told yeah, and they're saying they're both scared, and

1065
00:48:07,600 --> 00:48:08,960
Speaker 4: he says, why don't we just make it up as

1066
00:48:09,000 --> 00:48:11,040
Speaker 4: we go along, and then Joe, instead of saying yes,

1067
00:48:11,160 --> 00:48:12,560
Speaker 4: says we could try.

1068
00:48:13,640 --> 00:48:14,920
Speaker 3: It's like, what.

1069
00:48:16,760 --> 00:48:20,759
Speaker 4: Still holding it very close to the vest. Yeah, Joe

1070
00:48:20,880 --> 00:48:22,799
Speaker 4: is not ready to surrender. But then she asked about

1071
00:48:22,800 --> 00:48:25,120
Speaker 4: his dream and they again disappear into the bedroom.

1072
00:48:25,360 --> 00:48:27,040
Speaker 3: She's like, well, tell me about your dream and he's like,

1073
00:48:27,160 --> 00:48:27,840
Speaker 3: come here.

1074
00:48:27,920 --> 00:48:33,279
Speaker 4: Let me show you sweetheart again. Hello so sweet. So

1075
00:48:33,320 --> 00:48:34,920
Speaker 4: now we're back in D and D and Amanda and

1076
00:48:34,920 --> 00:48:38,320
Speaker 4: Allison are talking across her cubicles and Alison tells me

1077
00:48:38,680 --> 00:48:40,080
Speaker 4: how much she wants her partnership.

1078
00:48:40,280 --> 00:48:43,040
Speaker 3: This is the Frida callosit this is it?

1079
00:48:43,160 --> 00:48:43,640
Speaker 4: This is it?

1080
00:48:43,719 --> 00:48:46,680
Speaker 3: Because you're eating salad or something you're eating.

1081
00:48:47,120 --> 00:48:50,520
Speaker 4: Alison's eating salad and Amanda starts eating it. And that's

1082
00:48:50,520 --> 00:48:53,240
Speaker 4: not the only thing she takes from Alison, by the way,

1083
00:48:54,120 --> 00:48:56,560
Speaker 4: and Amanda tells her that she really likes Billy and

1084
00:48:56,600 --> 00:48:58,400
Speaker 4: he seems to like her too, and I want you

1085
00:48:58,440 --> 00:49:00,440
Speaker 4: to know that we're dating. I didn't think mind. I

1086
00:49:00,440 --> 00:49:05,480
Speaker 4: was like, what's happening? What's happening? And al Nelson, clearly upset,

1087
00:49:05,560 --> 00:49:07,759
Speaker 4: says no, I mean why should I what am I

1088
00:49:07,840 --> 00:49:08,719
Speaker 4: your parents?

1089
00:49:10,840 --> 00:49:11,440
Speaker 3: That was good.

1090
00:49:11,520 --> 00:49:13,920
Speaker 4: I think we're all mad. Right, It's not just.

1091
00:49:13,960 --> 00:49:14,960
Speaker 2: Me but.

1092
00:49:16,840 --> 00:49:17,600
Speaker 3: Understandable.

1093
00:49:18,040 --> 00:49:22,080
Speaker 6: I'm disappointed and sad for sure, but I feel like

1094
00:49:22,120 --> 00:49:24,480
Speaker 6: Amanda's trying to do the right thing and she's being principal,

1095
00:49:24,520 --> 00:49:27,080
Speaker 6: like I don't want to keep secrets, and you said

1096
00:49:27,640 --> 00:49:30,319
Speaker 6: that you're not into him. I am, and we're going

1097
00:49:30,400 --> 00:49:35,200
Speaker 6: to do this. And Billy said he didn't want you know,

1098
00:49:35,600 --> 00:49:38,200
Speaker 6: you to know because you had said you wanted to

1099
00:49:38,239 --> 00:49:41,120
Speaker 6: keep your personal professional life separate. Like that moment of

1100
00:49:41,200 --> 00:49:45,440
Speaker 6: like finding out that Billy told Amanda what.

1101
00:49:45,400 --> 00:49:47,960
Speaker 1: Alison had said and why she didn't want is like

1102
00:49:48,560 --> 00:49:49,080
Speaker 1: that was.

1103
00:49:49,080 --> 00:49:52,840
Speaker 6: The like, really, not only are you dating, but you

1104
00:49:52,920 --> 00:49:55,120
Speaker 6: also told her what I said. Yeah, this is when

1105
00:49:55,160 --> 00:49:58,000
Speaker 6: Alison like that trail Yeah, yeah, oh my god, I'm

1106
00:49:58,000 --> 00:49:58,840
Speaker 6: eating all your salad.

1107
00:49:59,320 --> 00:49:59,560
Speaker 1: Yeah.

1108
00:50:00,040 --> 00:50:01,879
Speaker 4: So yeah, then Amanda says, thinking meeting all your salad

1109
00:50:01,880 --> 00:50:06,760
Speaker 4: and Allison says Sharon Shara like, right, is clearly not okay,

1110
00:50:06,840 --> 00:50:07,239
Speaker 4: that was the.

1111
00:50:07,280 --> 00:50:09,120
Speaker 3: Last line you said that you gave her.

1112
00:50:09,160 --> 00:50:12,399
Speaker 5: The sums more solid and Frieda kallus, I'm gonna buy

1113
00:50:12,480 --> 00:50:13,839
Speaker 5: this this looking down over you.

1114
00:50:13,800 --> 00:50:16,600
Speaker 2: Too, and I'm like, I remember Freda Kala. I don't

1115
00:50:16,600 --> 00:50:19,520
Speaker 2: remember too much about her biography, but she have to do.

1116
00:50:19,520 --> 00:50:25,319
Speaker 2: It's so important, except that her husband, uh Diego had

1117
00:50:25,600 --> 00:50:28,640
Speaker 2: lots of mistresses, so he shared I do know that

1118
00:50:28,680 --> 00:50:29,200
Speaker 2: about Freda.

1119
00:50:29,640 --> 00:50:32,439
Speaker 4: Well maybe that's her husband. So we're back in Billy

1120
00:50:32,440 --> 00:50:35,120
Speaker 4: and Allison's apartment. He's working at his typewriter and Alison

1121
00:50:35,280 --> 00:50:37,760
Speaker 4: storms in and says, I leave the room for one second.

1122
00:50:37,840 --> 00:50:40,600
Speaker 4: You sleeze your way into a date. So very different

1123
00:50:40,640 --> 00:50:44,399
Speaker 4: reaction he's getting than Amanda got, and Billy says she's overreacting,

1124
00:50:44,400 --> 00:50:46,759
Speaker 4: then doubles down with just because you don't want other

1125
00:50:46,800 --> 00:50:48,799
Speaker 4: people having what you and Keith lost.

1126
00:50:50,160 --> 00:50:52,800
Speaker 1: That, which is very mean, very twisty.

1127
00:50:53,239 --> 00:50:55,920
Speaker 4: Right yeah. So then we cut right away to Amanda's

1128
00:50:55,920 --> 00:50:58,719
Speaker 4: apartment and Amanda and Billy are coming in from a

1129
00:50:58,800 --> 00:51:01,640
Speaker 4: date and she camp moments his writing challenge. He compliments

1130
00:51:01,640 --> 00:51:04,319
Speaker 4: her apartment and she says, use it all you want

1131
00:51:04,400 --> 00:51:09,600
Speaker 4: when I'm not here when I am, like what that

1132
00:51:09,680 --> 00:51:10,920
Speaker 4: seems very fast.

1133
00:51:11,239 --> 00:51:14,200
Speaker 5: She's encouraging him to not be stuck at home with

1134
00:51:14,320 --> 00:51:19,920
Speaker 5: that wench that's so miserable and such a Buzky's.

1135
00:51:20,840 --> 00:51:22,080
Speaker 4: Right away, but.

1136
00:51:22,120 --> 00:51:25,120
Speaker 6: Knowing what we know, like it like with with Amanda

1137
00:51:25,160 --> 00:51:28,000
Speaker 6: wearing a long, flowy dress in this scene, it's like

1138
00:51:28,120 --> 00:51:31,240
Speaker 6: so not her character, Like that was did you notice

1139
00:51:31,320 --> 00:51:32,280
Speaker 6: her flowy dress?

1140
00:51:32,480 --> 00:51:33,120
Speaker 1: Like out?

1141
00:51:34,400 --> 00:51:40,000
Speaker 6: But yeah, and the like just a romantic vibe of

1142
00:51:40,040 --> 00:51:41,959
Speaker 6: a dress. It wasn't like a business suit.

1143
00:51:42,000 --> 00:51:44,439
Speaker 1: It was just Yeah, it was like a interesting look

1144
00:51:44,560 --> 00:51:44,879
Speaker 1: for her.

1145
00:51:44,960 --> 00:51:47,880
Speaker 6: And also like I had to remind myself, Oh, this

1146
00:51:48,040 --> 00:51:50,799
Speaker 6: nice apartment that she's living in is not at Miller's place,

1147
00:51:50,840 --> 00:51:55,600
Speaker 6: Like she lives somewhere else, like we're so used to envisioning.

1148
00:51:55,840 --> 00:51:58,800
Speaker 3: I think boats and stuff. So it was like, say Marina,

1149
00:51:59,400 --> 00:52:01,560
Speaker 3: it was to get point that she.

1150
00:52:01,560 --> 00:52:02,480
Speaker 1: Was living somewhere else.

1151
00:52:02,840 --> 00:52:04,880
Speaker 4: Yeah, that's interesting. So Billy tells her that he feels

1152
00:52:04,880 --> 00:52:08,560
Speaker 4: guilty about Alison, but Amanda says she's fine, and then

1153
00:52:09,080 --> 00:52:11,160
Speaker 4: he says, let's not talk about Alison, and she says,

1154
00:52:11,320 --> 00:52:14,000
Speaker 4: let's not talk at all, and then they make out again.

1155
00:52:14,600 --> 00:52:18,520
Speaker 5: Yes, yeah, I gotta let us on what's happening here.

1156
00:52:19,160 --> 00:52:19,920
Speaker 1: It is happening.

1157
00:52:20,320 --> 00:52:22,960
Speaker 4: So then we're back at Billy and Allison's apartment, and

1158
00:52:23,080 --> 00:52:25,719
Speaker 4: poor Allison is on the character the half gallon of

1159
00:52:25,760 --> 00:52:29,759
Speaker 4: ice cream and a spoon, and then she looks over

1160
00:52:29,840 --> 00:52:32,440
Speaker 4: to picture of Keith, picture of Keith and picks up

1161
00:52:32,440 --> 00:52:35,880
Speaker 4: the phone, to which which woman Laura is going, No,

1162
00:52:37,600 --> 00:52:41,480
Speaker 4: she's not a fan. Yeah, his machine answers, and she

1163
00:52:41,600 --> 00:52:45,240
Speaker 4: chooses not to leave a message instead says damn under.

1164
00:52:45,000 --> 00:52:48,439
Speaker 2: Her breath, because nobody wants Allison to be with Keith

1165
00:52:48,480 --> 00:52:51,920
Speaker 2: again or to reach out in this horrible, vulnerable state

1166
00:52:52,000 --> 00:52:52,640
Speaker 2: that she's in.

1167
00:52:53,280 --> 00:52:57,359
Speaker 6: Yeah, and nobody fear that's what's happening, and that's how

1168
00:52:57,400 --> 00:53:00,960
Speaker 6: the episode ends, and feeling sorry for Alan and dread

1169
00:53:01,480 --> 00:53:02,480
Speaker 6: of what she's thinking.

1170
00:53:02,719 --> 00:53:05,600
Speaker 4: Next, that's poor Elson, the only one who didn't make

1171
00:53:05,640 --> 00:53:07,200
Speaker 4: out through the entire episode.

1172
00:53:07,560 --> 00:53:09,839
Speaker 2: Yeah, Okay, I don't mean to like take this and

1173
00:53:10,160 --> 00:53:11,919
Speaker 2: smush some more on you, but I might as well.

1174
00:53:12,160 --> 00:53:16,839
Speaker 3: But because did you skip right over Amanda sitting on

1175
00:53:16,920 --> 00:53:18,759
Speaker 3: Billy and saying you're with a woman now?

1176
00:53:19,360 --> 00:53:22,400
Speaker 5: Or is that the next episode with that belt she takes,

1177
00:53:22,440 --> 00:53:26,000
Speaker 5: I think that's the next episode. Goes down you're watching it.

1178
00:53:26,800 --> 00:53:29,399
Speaker 2: Quiet girls, Quiet girls, this is a teaser for next

1179
00:53:29,520 --> 00:53:32,440
Speaker 2: next episode. And then she goes down his eight pack,

1180
00:53:33,680 --> 00:53:38,600
Speaker 2: facing his abdomens down below with Amanda on bill, Oh,

1181
00:53:38,640 --> 00:53:39,680
Speaker 2: what's that next episode?

1182
00:53:39,760 --> 00:53:43,839
Speaker 6: Okay, sorry, all right, we're gonna get there. So you're

1183
00:53:43,880 --> 00:53:47,040
Speaker 6: not the only one having like extreme close up makeouts.

1184
00:53:48,280 --> 00:53:48,560
Speaker 3: It was.

1185
00:53:48,840 --> 00:53:51,239
Speaker 4: It's really well, this is now, this is what we've

1186
00:53:51,239 --> 00:53:53,640
Speaker 4: talked about. You've been seeing little moments of this is

1187
00:53:53,680 --> 00:53:57,279
Speaker 4: when it turns into the Melrose we all remember, yeah, right,

1188
00:53:57,400 --> 00:54:00,680
Speaker 4: like this is this is It really makes that turn.

1189
00:54:00,880 --> 00:54:04,840
Speaker 6: Yes, we gave up a while ago on doing kiss count,

1190
00:54:04,920 --> 00:54:07,040
Speaker 6: but if we were doing it now, it's like, forget it.

1191
00:54:07,960 --> 00:54:10,360
Speaker 3: I think the switchboard would be like we just started.

1192
00:54:10,160 --> 00:54:13,239
Speaker 1: To make it's make out.

1193
00:54:14,200 --> 00:54:17,319
Speaker 2: But yeah, because Melrose wasn't just like everyone betraying each other.

1194
00:54:17,400 --> 00:54:19,680
Speaker 2: It was like everyone making out with each other, going

1195
00:54:19,719 --> 00:54:22,160
Speaker 2: to bed with each other. So this is definitely it

1196
00:54:22,239 --> 00:54:22,760
Speaker 2: is happening.

1197
00:54:22,840 --> 00:54:26,000
Speaker 3: The writer's going, let's do this. Let's like screw that all.

1198
00:54:26,000 --> 00:54:27,839
Speaker 4: They're all, yeah, I'm gonna have to watch that next

1199
00:54:27,920 --> 00:54:29,840
Speaker 4: episode soon to see Andrews.

1200
00:54:29,960 --> 00:54:33,200
Speaker 6: Yeah, eight pack, it is happening, all right, so that's

1201
00:54:33,320 --> 00:54:37,080
Speaker 6: our still the place recap for this week episode twenty two,

1202
00:54:37,120 --> 00:54:40,440
Speaker 6: and we are having one of our producer writers on very.

1203
00:54:40,320 --> 00:54:41,759
Speaker 1: Soon, Chuck Pratt is coming out.

1204
00:54:41,840 --> 00:54:45,680
Speaker 6: Yeah, we get to have more stories of behind the

1205
00:54:45,680 --> 00:54:48,920
Speaker 6: scenes and all his recollections. Yeah, lots of fan questions

1206
00:54:48,960 --> 00:54:51,480
Speaker 6: that writers are the only ones who can answer those,

1207
00:54:51,520 --> 00:54:55,760
Speaker 6: the stuff that was maybe planned but never happened, and

1208
00:54:55,880 --> 00:54:57,120
Speaker 6: all those fun things we get to ask.

1209
00:54:57,239 --> 00:55:00,600
Speaker 4: Yeah, so send in your questions about story ideas, plots, ideas,

1210
00:55:00,600 --> 00:55:02,239
Speaker 4: because they know more than we do. Sometimes I'll ask

1211
00:55:02,320 --> 00:55:04,080
Speaker 4: us storylines you're like, I don't know they wrote it.

1212
00:55:04,120 --> 00:55:04,520
Speaker 4: I said it.

1213
00:55:05,600 --> 00:55:08,600
Speaker 2: You can DM them to the instagram of Still the Place.

1214
00:55:08,800 --> 00:55:11,320
Speaker 2: That's where our producer gets all the questions.

1215
00:55:11,560 --> 00:55:14,960
Speaker 6: And as always, thanks for listening and don't forget to

1216
00:55:15,000 --> 00:55:18,680
Speaker 6: subscribe so you never miss a minute or a Melrose.

1217
00:55:18,280 --> 00:55:20,879
Speaker 1: Minute which is going to be coming next.

1218
00:55:23,280 --> 00:55:24,040
Speaker 4: To see you guys.

1219
00:55:24,760 --> 00:55:26,239
Speaker 3: I'm gonna need to cool down after this.