WEBVTT - Spider-Man 2 with Sina Grace

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<v Speaker 1>On the beck Doll Cast, the questions asked movies have

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<v Speaker 1>women in um? Are all their discussions just boyfriends and husbands?

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<v Speaker 1>Or do they have individualism? The patriarchy? Zef and best

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<v Speaker 1>start changing it with the beck Del Cast. Hello, and

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<v Speaker 1>welcome to the beck Del Cast. This is our this

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<v Speaker 1>is our best episode yet. My name is Jamie, my

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<v Speaker 1>name is Caitlin, and welcome to the best episode of

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<v Speaker 1>the Beckdel Cast. You're ever going to hear in your

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<v Speaker 1>goddamn life. This is uh podcast about the role of

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<v Speaker 1>women in movies today. What is it about? I guess

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<v Speaker 1>we'll just find out wit movie today. It's more like

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<v Speaker 1>an Alfred Moina themed fan show kind of I don't know,

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<v Speaker 1>like the celebration of him and his career. We should

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<v Speaker 1>have warned our guests how much we will probably talk

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<v Speaker 1>about Alfred what's his name? Oh my god, Alfred Molina. Sorry,

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<v Speaker 1>I had a stroke, but um, Jamie's obsessed with Alfred Molina.

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<v Speaker 1>I'm gonna try to steer the conversation away. He rush

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<v Speaker 1>had a large poster. We should have sent an email.

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<v Speaker 1>I had a large poster of Dot Dock in my room.

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<v Speaker 1>My parents thought I like comics. I was just all

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<v Speaker 1>horned up for Alfred. Wait, but so he's not exactly

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<v Speaker 1>the choose your words poster child of sex icon and

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<v Speaker 1>Spiderman too, not at a cake, so it still works

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<v Speaker 1>for you. I got into the beefcakes very early. All right,

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<v Speaker 1>real quick, So we'll give you a proper introduction. But

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<v Speaker 1>first let's just dive right into. So we have a

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<v Speaker 1>podcast inspired by the back Doel test, which requires that

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<v Speaker 1>the movie, the show, the comic book, whenever story you're consuming.

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<v Speaker 1>It requires that there are two female characters who have names,

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<v Speaker 1>who talk to each other in the conversation has to

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<v Speaker 1>be about something other than a man. We talked about that,

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<v Speaker 1>we talked about how women are portrayed just in general

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<v Speaker 1>in the movie, and we have a great time. As

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<v Speaker 1>you said, best episode yet, Yeah, this is our I

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<v Speaker 1>would guess around our thirty fifth episode pretty close, and

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<v Speaker 1>I would say we've talked about al from Mollina and

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<v Speaker 1>I would say at least seven of those episodes conservatively, Yeah,

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<v Speaker 1>maybe thirty four. I don't know if we mentioned him

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<v Speaker 1>in like the Heather's episode, but but maybe. But sometimes

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<v Speaker 1>he finds a way. Is he's such a character actor

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<v Speaker 1>that sometimes you see another character actor, and you're like, well,

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<v Speaker 1>I wish I had been out from Mollina, but he did. Fine,

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<v Speaker 1>That's how I feel about most beefcake character actors, like

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<v Speaker 1>no Alfred Mollina. But yeah, he did the job he

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<v Speaker 1>was paid to do. So before we get too carried

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<v Speaker 1>away with a from Molina, let's introduce our guest. He

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<v Speaker 1>writes in draws graphic novels. He is writing Iceman for

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<v Speaker 1>Marvel right now. He also has a graphic novel called

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<v Speaker 1>Nothing Last Forever Seen a Grace, which, you know what

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<v Speaker 1>fighting words between me two. Alright, I'm not involved. We'll

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<v Speaker 1>hash this out over the course of an hour. We'll

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<v Speaker 1>figure this out. Let's see how I do the movie.

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<v Speaker 1>The movie we're talking about today is Spider Man two Parentheses,

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<v Speaker 1>two thousand and four. In case you're like, oh, what

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<v Speaker 1>if it's the Andrew Garfield, No, and it's not. It's Toby.

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<v Speaker 1>It's it's Toby. Should we say it like Jennifer Connelly

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<v Speaker 1>and Labyrinth Toby? Oh my god, I forgot that. That's

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<v Speaker 1>how Because Toby is the baby right, oh right, baby

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<v Speaker 1>Toby Toby McGuire. We can make the argument of this

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<v Speaker 1>maybe perhaps being the peak of Toby McGuire's career so far.

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<v Speaker 1>I think he's got another he's got a second wind. Yeah,

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<v Speaker 1>I mean this is this, you know, his biggest role. Um,

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<v Speaker 1>I do great. I think he's a really fun Spider Man.

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<v Speaker 1>I like him. What he's all right? All right, well

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<v Speaker 1>what do you think seeing that he looks like Peter Parker,

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<v Speaker 1>Like you can't shake that, but he does this. Uh

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<v Speaker 1>he just kind of like looks dumb the whole time,

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<v Speaker 1>like he's like, oh, I'm sorry, Imlee, And he's laid

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<v Speaker 1>a lot in this movie a couple of different plot points.

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<v Speaker 1>They really just like because the last time I saw this,

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<v Speaker 1>I was in high school and like saying this as

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<v Speaker 1>a grown up, I'm like, man, they just really beat

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<v Speaker 1>down the themes on the viewer, like they're just like,

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<v Speaker 1>all right, our average viewer is seven, so we really

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<v Speaker 1>need to just be like Peter Parker is always late

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<v Speaker 1>because he's Spider Man and he doesn't know what to do.

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<v Speaker 1>There's been a disturbance, that's his line. There were disturbance.

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<v Speaker 1>That's why I was late to your play. And it's like,

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<v Speaker 1>just tell everyone if I was Spider Man, I tell everybody.

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<v Speaker 1>I tweeted every day. Hey everyone, I'm Spiderman. Give me

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<v Speaker 1>money crowdfund. Yeah, yeah, Spiderman Patreon the crowd Yeah, that

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<v Speaker 1>would work. Probably. Yeah, I will say that. In this

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<v Speaker 1>movie tell me reguire. There's so much physical humor. He's

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<v Speaker 1>doing straight up slapstick McGuire. There's that scene at the

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<v Speaker 1>beginning where there's like the mops in the closet and

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<v Speaker 1>he's like, I can't get all these mops in this closet,

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<v Speaker 1>and featuring Emily is yeah with a weird she only

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<v Speaker 1>has one line back to the backdel cast um and uh,

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<v Speaker 1>and she gives off this weird New Yorker acts and

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<v Speaker 1>she's like you late yeah, and I'm like, listen bones.

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<v Speaker 1>There's so many so I made a list of all

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<v Speaker 1>of the bit characters in this movie. There are four

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<v Speaker 1>hundred characters in this movie. Male, female, child, which children

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<v Speaker 1>could be of all genders. Uh, I'm not doing good

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<v Speaker 1>so far. This is supposed to be. I shouldn't let

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<v Speaker 1>him know that. Yeah, you're really setting us up failure.

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<v Speaker 1>There's so many bit characters it's insane. I made. There's

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<v Speaker 1>the guy who runs the pizza place, Emily Decianelle, who

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<v Speaker 1>doesn't want to pay for the pizza. There's Elizabeth Banks

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<v Speaker 1>in a wig. She comes up a couple of times.

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<v Speaker 1>I always have to do a double take to remember

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<v Speaker 1>that it's her because it's such a weird I had

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<v Speaker 1>totally forgotten. Yes, yeah, yeah, I don't know if that's

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<v Speaker 1>her last name. There's the daughter of the landlord. There's

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<v Speaker 1>the landlord there, and we'll get to that weird scene

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<v Speaker 1>with the cake. There's a bunch of journalists. There's a

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<v Speaker 1>million towns people who go like, well, Spider Man Like,

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<v Speaker 1>there's the doctor in the tight eyed T shirt. Yep,

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<v Speaker 1>that's a weird one. Ussher elevator guy Joel McHale. Uh.

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<v Speaker 1>The usher is played by Bruce Campbell. I was like,

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<v Speaker 1>is it? And then I was like, all right, Sam

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<v Speaker 1>Raimi directed Evil Daddy directed the Spider Man movies. It

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<v Speaker 1>makes sense that he gives Bruce a little role this movie.

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<v Speaker 1>It makes a lot more sense when I watching it now,

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<v Speaker 1>where I'm like, oh, this is a Sam Ramy movie.

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<v Speaker 1>Like the very scary, violent scenes out of nowhere, You're like, oh,

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<v Speaker 1>this because he's horrible Boy, and I think that was

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<v Speaker 1>kind of horrible by Horrible Boy that's what they call him.

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<v Speaker 1>And then My favorite bit character was Harry's butler, who

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<v Speaker 1>is in exactly one scene and James Franco's you know,

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<v Speaker 1>like doing his James Franco thing, and he's like, oh god,

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<v Speaker 1>sport like just brooding, and his butler, who's very old,

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<v Speaker 1>shouts from across the room, your father only obsessed over

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<v Speaker 1>his work. And then James Freaco dismisses him by saying

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<v Speaker 1>good night Bernard, and then he turns around it leaves,

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<v Speaker 1>never to be seen again. I don't know how many

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<v Speaker 1>actors got their sag card off of being on the

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<v Speaker 1>side of this movie for like twenty five seconds, but

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<v Speaker 1>there's so it's so weird. Also, the name of the

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<v Speaker 1>butler's Bernard, not Bernard unless James Franco just funked up

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<v Speaker 1>that long entirely, he's a good night Bernard. There's no

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<v Speaker 1>ber nerd good night Bernard. And then Bernard turns her

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<v Speaker 1>out and leaves, and that's and it's so funny because

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<v Speaker 1>if you think about like Batman's butler, sure you know,

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<v Speaker 1>the famous one, and then you've got Bernard as one

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<v Speaker 1>line and then he's like, well, you're right, I'm gonna

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<v Speaker 1>right off, and then he does grand that actor made.

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<v Speaker 1>So you know, let's talk about, Um, when did you

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<v Speaker 1>first see the movie? And like, what's your history with

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<v Speaker 1>because you you right for Marvel, you you're like Universe?

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<v Speaker 1>How is about? Because Jamie and I we recently did

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<v Speaker 1>an episode about Wonder Woman, and I revealed that I've

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<v Speaker 1>never read a comic book in my entire life. Sorry everybody, Yeah,

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<v Speaker 1>so um, because I'm not a fucking nerd, just kidding,

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<v Speaker 1>I am. I'm a graphic novel gut, but I've never

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<v Speaker 1>been a comics gale. Yes. So I saw Spider Man

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<v Speaker 1>two in high school with my friend Eric Merrowitz. Actually

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<v Speaker 1>he's like, he's a cool guy. I such a big

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<v Speaker 1>crush on him, and we would have like sleepovers and

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<v Speaker 1>make each other mixes, and I just like, I was

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<v Speaker 1>always like, how do I sort this out? Didn't happen

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<v Speaker 1>because he's straight. But anyway, back to Spiderman. But hey, Eric,

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<v Speaker 1>love the weight loss. Glad you're married. Um, but I

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<v Speaker 1>always loved Spider Man as a hero. To to tie

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<v Speaker 1>it into work stuff, you know, it's fun to be

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<v Speaker 1>writing this book called Ice Man, where it's about this

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<v Speaker 1>guy who's trying to give himself a fresh start, but

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<v Speaker 1>he's like thirty something or like early thirties, late twenties,

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<v Speaker 1>and it's interesting to try and be like, Okay, well,

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<v Speaker 1>how do I give him sort of Spiderman adventures where

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<v Speaker 1>every challenge basically speaks to his like personal life and

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<v Speaker 1>his superhero identity. And then on top of that, you know,

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<v Speaker 1>I think the magical thing about Spiderman is like he's

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<v Speaker 1>never really good enough to win these fights. And the

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<v Speaker 1>thing that sets him apart from everyone else's like spirit

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<v Speaker 1>and ingenuity, and that's kind of the beautiful and inspiring

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<v Speaker 1>thing about him is this like parting sentence from Uncle

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<v Speaker 1>Ben kept him on like a track to be like

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<v Speaker 1>the good guy and to do the right thing. And

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<v Speaker 1>this movie is really weird about that, by the way,

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<v Speaker 1>Like he's like I'm kind of tired and I'm just

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<v Speaker 1>over it. Someone would give up for an act and

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<v Speaker 1>it's all of like a four minute montage and rain

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<v Speaker 1>drops keeping fun montage. I like that he becomes like

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<v Speaker 1>Spidy impotent. He's like, my jee doesn't come out of

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<v Speaker 1>my roost anymore. Well, I want to talk about that too,

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<v Speaker 1>because we have discussed on the podcast before the James

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<v Speaker 1>Cameron draft of the two thousand to a movie which

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<v Speaker 1>bangs you over the head with the jiz metaphor never

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<v Speaker 1>read heard tell of this for the best. But James

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<v Speaker 1>Cameron did the first draft of the two Thou script

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<v Speaker 1>and it's very like, I mean, we read the scene

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<v Speaker 1>where it's like Peter part and it's the webs are Jiz,

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<v Speaker 1>very clearly laid out Act one by James Cameron, and

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<v Speaker 1>so I was like, I can't I couldn't stop thinking

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<v Speaker 1>about that because I was just like, did he run

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<v Speaker 1>out of come? Like what he's out of come because

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<v Speaker 1>he's afraid? And I guess that makes sense. But in

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<v Speaker 1>this world, thankfully the webs are not come. There something

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<v Speaker 1>more well, not that come isn't meaningful, but you know what, No,

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<v Speaker 1>I mean it's not. It is for a man, right,

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<v Speaker 1>I could take it or leave it, but for minutes,

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<v Speaker 1>the entire like basis of spirituality is like how big

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<v Speaker 1>their loads are? So maybe it is spermatuality everyone that

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<v Speaker 1>you're gonna have branded shirts spermature but yeah, anyway, yeah,

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<v Speaker 1>So I saw this in high school, and it's funny

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<v Speaker 1>because I didn't really much like it in high school,

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<v Speaker 1>and then I rewatched it to prepare myself for this

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<v Speaker 1>and my relationship with it is a little different now

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<v Speaker 1>because I was looking at it in consideration of like

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<v Speaker 1>the Bechdel cast, like I really don't like it, but

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<v Speaker 1>I also do like some things about it. It ages

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<v Speaker 1>interestingly and as a grown up, I love you know

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<v Speaker 1>when you were talking about all the sort of big characters, like,

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<v Speaker 1>that's such a New York thing that you kind of

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<v Speaker 1>even if it's just for like a moment, you just

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<v Speaker 1>have this like sense of this person where they are,

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<v Speaker 1>with their identity, like just these like micro glimpses of

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<v Speaker 1>all these little New Yorkers. That's such a Spider Man

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<v Speaker 1>thing and that was done pretty effectively in this movie.

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<v Speaker 1>But it was a funny movie. It's a it's a

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<v Speaker 1>really funny movie. In consideration of this podcast. Yeah, I

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<v Speaker 1>mean it's frustrating how women are portrayed in it, but

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<v Speaker 1>it's not. It wasn't like a chore for me to watch.

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<v Speaker 1>I wasn't like, oh, I have to watch Spider Man.

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<v Speaker 1>It's a fun movie. And yeah, but on Rotten to

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<v Speaker 1>make if you can believe, I remember when it came out,

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<v Speaker 1>I was really into reading Roger Ebert's reviews, and he

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<v Speaker 1>at the time said this may be the best superhero

0:12:37.600 --> 0:12:40.640
<v Speaker 1>movie I've ever seen. That. Yeah, I had a boyfriend

0:12:40.679 --> 0:12:43.920
<v Speaker 1>who loved Yeahbert, Yeah, I had a boyfriend who loved

0:12:44.120 --> 0:12:47.720
<v Speaker 1>What is with that? Oh, Zibert hits it's dude, who

0:12:47.760 --> 0:12:51.840
<v Speaker 1>like you want to feel valid about watching movies? Yeah yeah,

0:12:51.880 --> 0:12:54.280
<v Speaker 1>but I mean he was like the premier film critic

0:12:54.280 --> 0:12:56.440
<v Speaker 1>at the time. Well sure, no, I'm just saying it's

0:12:56.440 --> 0:12:59.160
<v Speaker 1>it's funny that so many people have like a fixation

0:12:59.200 --> 0:13:03.400
<v Speaker 1>on him in particular, and they're like Maltingale myself, please

0:13:03.440 --> 0:13:06.960
<v Speaker 1>have a crush on letter. You really need to have

0:13:07.000 --> 0:13:10.520
<v Speaker 1>a separate podcast. Like, I'm just putting that out there, right.

0:13:10.520 --> 0:13:14.920
<v Speaker 1>So we chose so exactly. Well, we there's a new

0:13:14.920 --> 0:13:17.079
<v Speaker 1>Spider Man movie coming out, and we're like, we got

0:13:17.080 --> 0:13:19.679
<v Speaker 1>to do a Spider Man episode, but we've skipped the

0:13:19.720 --> 0:13:22.920
<v Speaker 1>first one because we skipping right over that, and we

0:13:23.280 --> 0:13:26.600
<v Speaker 1>got to do Spider Man two because of Alfred Molina.

0:13:26.960 --> 0:13:28.839
<v Speaker 1>Although there's some interesting things, I do want to point

0:13:28.880 --> 0:13:32.319
<v Speaker 1>out some some fun things that happened in the first

0:13:32.360 --> 0:13:34.880
<v Speaker 1>Spiderman because I also rewatched it. I was just like

0:13:35.000 --> 0:13:37.199
<v Speaker 1>I gotta get you know, I gotta get my bearings. Well,

0:13:37.720 --> 0:13:39.440
<v Speaker 1>it's fun. I think I might even like it better

0:13:39.480 --> 0:13:43.720
<v Speaker 1>than Spiderman two critics wise two wins out. I think,

0:13:43.760 --> 0:13:45.719
<v Speaker 1>I think so, I'm pretty sure I do. I love

0:13:45.720 --> 0:13:49.719
<v Speaker 1>an origin story, right, so I enjoyed that about the

0:13:49.760 --> 0:13:53.640
<v Speaker 1>first Spider Man unique I'm sick of origin stories. Well

0:13:54.080 --> 0:13:59.480
<v Speaker 1>maybe now, maybe because they've done a lot, but they're

0:13:59.480 --> 0:14:01.720
<v Speaker 1>not are not fun to watch now or that's my

0:14:01.840 --> 0:14:04.800
<v Speaker 1>problem with origin stories is now, I don't know, the

0:14:04.840 --> 0:14:08.679
<v Speaker 1>tone of most comic book movies is so serious and

0:14:08.720 --> 0:14:10.880
<v Speaker 1>it's just like That's why it was fun to go

0:14:10.920 --> 0:14:13.160
<v Speaker 1>back to this movie because I was like, oh, this

0:14:13.240 --> 0:14:17.040
<v Speaker 1>is like really goofy and kind of dumb. But I

0:14:17.120 --> 0:14:19.480
<v Speaker 1>was like, oh, this is like I don't feel heavy

0:14:19.560 --> 0:14:22.280
<v Speaker 1>after watching this movie. It's like very very there's so

0:14:22.360 --> 0:14:25.560
<v Speaker 1>much levity to it. Anytime he's at the planet. Now

0:14:25.720 --> 0:14:29.280
<v Speaker 1>now I'm about to get like destroyed by people listening.

0:14:29.280 --> 0:14:34.440
<v Speaker 1>Hasn't the Planet Daily Planet? But like yeah, any scene

0:14:34.440 --> 0:14:37.120
<v Speaker 1>with like j Jonah Jamison's always like even though it's

0:14:37.160 --> 0:14:39.760
<v Speaker 1>so arch, it's just kind of like you just like

0:14:39.800 --> 0:14:42.760
<v Speaker 1>want to believe in a world where like the photographer

0:14:43.040 --> 0:14:45.840
<v Speaker 1>talks to the editor in chief like like one on

0:14:45.840 --> 0:14:49.040
<v Speaker 1>one and like asks for advances for like, you know,

0:14:49.080 --> 0:14:53.160
<v Speaker 1>to photos like it's so and and I feel like

0:14:53.240 --> 0:14:55.920
<v Speaker 1>if just for the sake of argument, feel free to

0:14:55.920 --> 0:14:59.600
<v Speaker 1>disagree if they, you know, in the newer Spider Man,

0:14:59.640 --> 0:15:01.360
<v Speaker 1>and it does seemed like this New Spider Man sort

0:15:01.360 --> 0:15:04.560
<v Speaker 1>of going for a more lighthearted I think, where with

0:15:04.720 --> 0:15:06.960
<v Speaker 1>the Andrew Garfield they're like, oh, this is like Captain

0:15:07.000 --> 0:15:10.320
<v Speaker 1>America Civil War, which is where we first see this

0:15:10.440 --> 0:15:14.080
<v Speaker 1>rendition of Spider Man. He was fun, he's a kid,

0:15:14.160 --> 0:15:19.160
<v Speaker 1>he's like I kid, he's the leading Billy Elliott, he's

0:15:19.200 --> 0:15:23.000
<v Speaker 1>a dancer, he's living his life. But I feel like

0:15:23.040 --> 0:15:25.800
<v Speaker 1>the tendency with most movies now would be like you

0:15:25.840 --> 0:15:28.160
<v Speaker 1>see Jajoe and Jamison and yeah, he's got a couple

0:15:28.160 --> 0:15:30.640
<v Speaker 1>of funny lines, but we also learned that there's more

0:15:30.680 --> 0:15:33.640
<v Speaker 1>to him than and I'm just like, I'm so happy

0:15:33.680 --> 0:15:36.080
<v Speaker 1>with j jon and Jamison just being like, Nope, I'm selfish,

0:15:36.120 --> 0:15:40.280
<v Speaker 1>I suck, I'm weird, I'm yelling. I love j K.

0:15:40.480 --> 0:15:44.080
<v Speaker 1>Simmons is portrayal of that character though. It's so fun.

0:15:44.480 --> 0:15:46.600
<v Speaker 1>It's great. Wait, so I'm going to talk about the

0:15:46.640 --> 0:15:49.400
<v Speaker 1>things that happened in Spider Man one, just to transition

0:15:49.480 --> 0:15:53.120
<v Speaker 1>us into Spiderman too. There's a scene and this is

0:15:53.240 --> 0:15:56.720
<v Speaker 1>relevant to the podcast because there's a scene early on

0:15:56.960 --> 0:16:00.360
<v Speaker 1>in the First Spider Man where Peter Parker he lives

0:16:00.360 --> 0:16:02.960
<v Speaker 1>next door to Mary Jane, and he's like, I'm gonna

0:16:03.000 --> 0:16:06.640
<v Speaker 1>look into her window and he just spies on her

0:16:06.840 --> 0:16:10.520
<v Speaker 1>when she's in her bedroom. It's creepy, Yeah, with that

0:16:10.560 --> 0:16:14.680
<v Speaker 1>Toby Maguire, like those glassy eyes, Like, hey, he does

0:16:14.760 --> 0:16:18.960
<v Speaker 1>kind of have like a dumb face. Yeah. And then

0:16:19.520 --> 0:16:22.560
<v Speaker 1>m J needs to be saved in this movie once

0:16:22.600 --> 0:16:25.960
<v Speaker 1>at the parade, once when there's like four rape dudes

0:16:25.960 --> 0:16:29.000
<v Speaker 1>trying to like mug and attack her. And then she

0:16:29.040 --> 0:16:31.680
<v Speaker 1>needs to be saved again at the end when it's

0:16:31.840 --> 0:16:34.600
<v Speaker 1>a Spider Man having to choose between her or a

0:16:34.680 --> 0:16:38.560
<v Speaker 1>bust full of children. Oh yeah, I want to fun.

0:16:40.520 --> 0:16:44.800
<v Speaker 1>Basically in that movie and in this movie, MJ's pretty

0:16:44.840 --> 0:16:48.640
<v Speaker 1>much only role is to be like, I'm a person

0:16:49.200 --> 0:16:51.880
<v Speaker 1>that just needs to be saved over and over. This

0:16:51.960 --> 0:16:55.200
<v Speaker 1>is the most frustrating part of the movie in context

0:16:55.280 --> 0:16:58.760
<v Speaker 1>of the theme of our podcast. The two characters. Obviously,

0:16:58.880 --> 0:17:00.880
<v Speaker 1>m J is just I feel like she's just like

0:17:00.920 --> 0:17:05.320
<v Speaker 1>this recycled inciting incident for Peter Parker to learn another

0:17:05.400 --> 0:17:07.679
<v Speaker 1>lesson and make a choice. He makes a choice to

0:17:07.760 --> 0:17:09.440
<v Speaker 1>not be Spider Man because he loves them day and

0:17:09.480 --> 0:17:12.440
<v Speaker 1>then he becomes Spider Man because and then he can't

0:17:12.440 --> 0:17:13.920
<v Speaker 1>be with m J. But then he can, and it's

0:17:14.200 --> 0:17:16.120
<v Speaker 1>blah blah blah blah, and it's like, what does she do?

0:17:16.440 --> 0:17:19.159
<v Speaker 1>She's somehow a famous actress. Was she even in the

0:17:19.240 --> 0:17:22.719
<v Speaker 1>drama club in high school? How did this happen? We

0:17:22.800 --> 0:17:25.800
<v Speaker 1>don't know, we don't care. And then the other character

0:17:25.960 --> 0:17:28.679
<v Speaker 1>that really bothered me, and I didn't even register for

0:17:28.720 --> 0:17:30.800
<v Speaker 1>me the first time I saw this because I was

0:17:30.840 --> 0:17:34.560
<v Speaker 1>just like, you know, so wet for Alfred Molina and

0:17:34.680 --> 0:17:39.000
<v Speaker 1>this child in the theater, just soaking wet for this

0:17:39.119 --> 0:17:45.600
<v Speaker 1>grown man. But Doc Ox wife Rosie Octavius, perfect name,

0:17:46.320 --> 0:17:49.840
<v Speaker 1>a great name, Rosie oc. She's in a couple of scenes,

0:17:49.880 --> 0:17:53.040
<v Speaker 1>but she only really speaks in one scene where Peter

0:17:53.160 --> 0:17:56.760
<v Speaker 1>Parker's over and Doc Doc is, you know, Alfred Mollena.

0:17:56.880 --> 0:18:00.520
<v Speaker 1>He's holding court. He's like, I love science, I love

0:18:00.600 --> 0:18:05.879
<v Speaker 1>my wife. You know, she heske me. How are we compatible?

0:18:06.359 --> 0:18:10.680
<v Speaker 1>But I don't understand ts Eliott. That's the only the

0:18:10.720 --> 0:18:15.200
<v Speaker 1>only things that Rosie says, like her opening is like, hey, Peter,

0:18:15.400 --> 0:18:17.679
<v Speaker 1>do you have a girlfriend. It's like okay, So she

0:18:17.960 --> 0:18:21.320
<v Speaker 1>she's a plot device right off the bat, and then

0:18:21.359 --> 0:18:24.480
<v Speaker 1>they start to talk about like, oh now Rosie exists

0:18:24.480 --> 0:18:27.720
<v Speaker 1>to prove that Dr Octavius is a is a good guy,

0:18:27.760 --> 0:18:29.800
<v Speaker 1>and he's talking about how he loves her, and of

0:18:29.840 --> 0:18:32.240
<v Speaker 1>course she's an English major. Of course she can't be

0:18:32.480 --> 0:18:35.800
<v Speaker 1>a fellow fucking scientists. They're like, no, she's sensitive, she's

0:18:35.800 --> 0:18:38.280
<v Speaker 1>she reads TS S. Eliot and then she's like I do,

0:18:38.560 --> 0:18:42.399
<v Speaker 1>and she doesn't bring any new information. She exists to

0:18:43.040 --> 0:18:47.159
<v Speaker 1>validate Doc Doc as a character who is not a

0:18:47.200 --> 0:18:49.560
<v Speaker 1>bad guy, so it will will feel it more when

0:18:49.560 --> 0:18:52.879
<v Speaker 1>he goes bad. And then basically the next time we

0:18:52.920 --> 0:18:55.040
<v Speaker 1>see her, she's very proud of him. And then she

0:18:55.080 --> 0:18:59.440
<v Speaker 1>has killed by a shard of glass presumably to her juggular, well,

0:18:59.480 --> 0:19:02.480
<v Speaker 1>by a lot a shard to blast. There's like a hole.

0:19:03.080 --> 0:19:06.919
<v Speaker 1>But then she dies, right, and she dies for to

0:19:06.960 --> 0:19:10.879
<v Speaker 1>serve another plot point, which is this is the inciting incident.

0:19:10.960 --> 0:19:13.200
<v Speaker 1>For a while, Doc has nothing to lose. He lost

0:19:13.240 --> 0:19:15.600
<v Speaker 1>his wife, he loved her and now he has no

0:19:15.640 --> 0:19:19.080
<v Speaker 1>one and you know who cares, But we never find

0:19:19.080 --> 0:19:23.440
<v Speaker 1>out She's like I think referenced vaguely one other time.

0:19:23.680 --> 0:19:27.840
<v Speaker 1>We never find out if she has a funeral service,

0:19:28.040 --> 0:19:31.600
<v Speaker 1>if Doc is allowed to attend this funeral service, and

0:19:31.680 --> 0:19:33.840
<v Speaker 1>we never ever ever hear of her again. She just

0:19:33.880 --> 0:19:37.400
<v Speaker 1>like serves two very specific points to flesh out this

0:19:37.840 --> 0:19:44.280
<v Speaker 1>I mean statuesque amazing, gorgeous man, and then she's killed

0:19:44.320 --> 0:19:46.320
<v Speaker 1>and then we never hear about her again. So my

0:19:46.400 --> 0:19:49.479
<v Speaker 1>real question is, like, how hard was it for you

0:19:49.560 --> 0:19:52.240
<v Speaker 1>to like not just stare at out for Molina in

0:19:52.280 --> 0:19:54.639
<v Speaker 1>her scenes? Like how much work did it take for

0:19:54.680 --> 0:19:57.640
<v Speaker 1>you to do this work? Like I mean this time,

0:19:57.680 --> 0:20:02.159
<v Speaker 1>I mean, I've had to build up the stamina to

0:20:02.200 --> 0:20:05.719
<v Speaker 1>not just stare at Some days are easier than others.

0:20:05.760 --> 0:20:09.840
<v Speaker 1>Every day is there's other people in this scene, there's yeah,

0:20:09.880 --> 0:20:11.720
<v Speaker 1>And just like I keep forgetting that there's two other

0:20:11.720 --> 0:20:15.840
<v Speaker 1>actors in this scene, are I mean Alfa Bilina truly

0:20:16.200 --> 0:20:19.320
<v Speaker 1>steals every scene he's in. Sometimes he steals every scene

0:20:19.359 --> 0:20:21.240
<v Speaker 1>he's in to the point where they're like, let's put

0:20:21.240 --> 0:20:23.159
<v Speaker 1>no one else in this scene. Let's just let Alfred

0:20:23.200 --> 0:20:26.919
<v Speaker 1>Mellina do a three minute Shakespearean monologue talking to his

0:20:26.960 --> 0:20:32.120
<v Speaker 1>own claws, and it's still amazing. Heh wait, I want

0:20:32.119 --> 0:20:36.440
<v Speaker 1>to make two one. He could not attend Rosie's funeral

0:20:36.440 --> 0:20:39.040
<v Speaker 1>service because he was too busy stealing money from a bank.

0:20:39.119 --> 0:20:41.399
<v Speaker 1>You know how banks just have bags of coins. The

0:20:41.480 --> 0:20:44.600
<v Speaker 1>cartoony bank. I love the cartoony bank that Joel McHale

0:20:44.640 --> 0:20:47.400
<v Speaker 1>works at that gives away toasters, that gives away toasters,

0:20:47.440 --> 0:20:50.439
<v Speaker 1>and that only has no paper cash, no like stacks

0:20:50.480 --> 0:20:55.679
<v Speaker 1>of just bags of gold coins. Alfa Millina also for

0:20:55.760 --> 0:20:59.840
<v Speaker 1>that scene, goes into the bank you know, clause blazing,

0:21:00.280 --> 0:21:05.560
<v Speaker 1>and has somehow acquired a villainous fedora. Just for that scene.

0:21:05.640 --> 0:21:08.800
<v Speaker 1>He's wearing a fedora to rob the cartoony Joel McHale bank.

0:21:09.440 --> 0:21:12.040
<v Speaker 1>And I mean, that's like another fun part of this

0:21:12.080 --> 0:21:14.159
<v Speaker 1>movie for me, is I feel like there's so many

0:21:14.640 --> 0:21:18.240
<v Speaker 1>scenes that are just interrupted by very cartoonish acts of

0:21:18.320 --> 0:21:21.680
<v Speaker 1>violence and it's so fun. Like it's you know, there's

0:21:21.680 --> 0:21:23.160
<v Speaker 1>the whole scene where it's like, Aunt may I can't

0:21:23.200 --> 0:21:26.160
<v Speaker 1>get a bank loan and Joel McHale's there and they're

0:21:26.160 --> 0:21:28.919
<v Speaker 1>not gonna get toaster and pure feels bad, and then

0:21:28.960 --> 0:21:31.919
<v Speaker 1>all of a sudden, cut to Alfred Molina bags of

0:21:32.000 --> 0:21:35.760
<v Speaker 1>gold fedora and it's just suddenly a completely different scene,

0:21:36.200 --> 0:21:39.800
<v Speaker 1>or the the other one where Kirsten Dunce is leaning

0:21:39.840 --> 0:21:41.879
<v Speaker 1>in and you get that weird shot of her like

0:21:41.960 --> 0:21:45.159
<v Speaker 1>about to kiss you. That was a weird shot, and

0:21:45.200 --> 0:21:49.680
<v Speaker 1>then cut to car burst through the window. End of serious.

0:21:51.119 --> 0:21:53.119
<v Speaker 1>I really like this movie. I think it's so fun.

0:21:54.160 --> 0:21:55.879
<v Speaker 1>Oh god. Well, the other point I wanted to make

0:21:55.920 --> 0:21:59.600
<v Speaker 1>about doc Cock is that here's some hot speculation from

0:21:59.680 --> 0:22:04.200
<v Speaker 1>Kate and I would argue that Peter Parker, he's like,

0:22:04.359 --> 0:22:07.920
<v Speaker 1>I want to meet my idol Auto Octavius, and he

0:22:08.000 --> 0:22:10.280
<v Speaker 1>was like, I don't really have time for students right now.

0:22:10.920 --> 0:22:14.200
<v Speaker 1>And here he goes. He's like, okay, fine, you pay

0:22:14.280 --> 0:22:16.560
<v Speaker 1>the bills. Saw me with your dumb friend, and he

0:22:16.640 --> 0:22:18.879
<v Speaker 1>spends all this time with him, Like Peter Parker goes

0:22:18.920 --> 0:22:21.199
<v Speaker 1>over to his house and like they have tea with it,

0:22:21.320 --> 0:22:22.960
<v Speaker 1>like his wife. I think it's like there's spending a

0:22:22.960 --> 0:22:26.159
<v Speaker 1>lot of time together. Here's the thing that took away

0:22:26.560 --> 0:22:31.520
<v Speaker 1>time that Octavius needed to do his calculations because he

0:22:31.640 --> 0:22:33.800
<v Speaker 1>fucked up and the demonstration goes all wrong and that's

0:22:33.800 --> 0:22:37.360
<v Speaker 1>what turns him into doc Ock. So really, man, isn't

0:22:37.359 --> 0:22:41.880
<v Speaker 1>another Parker ends up creating the monster he would later

0:22:42.000 --> 0:22:46.360
<v Speaker 1>need to destroy spider shaming. Yeah, he sucked up the

0:22:46.400 --> 0:22:49.560
<v Speaker 1>lives of his two plusest loved ones also, But let's

0:22:49.640 --> 0:22:52.960
<v Speaker 1>let's just to Molina shame a little bit, like okay,

0:22:53.240 --> 0:22:55.879
<v Speaker 1>if you're like, well, now, all right, I liked you

0:22:55.960 --> 0:22:59.840
<v Speaker 1>up until the second. But what scientists would like if

0:22:59.840 --> 0:23:02.520
<v Speaker 1>he was leaving those details down to the last minute.

0:23:02.560 --> 0:23:05.800
<v Speaker 1>I mean that is his fault. So yes, let's say

0:23:05.840 --> 0:23:09.040
<v Speaker 1>in a shaming, let's everyone gets shamed. Everyone gets shamed,

0:23:09.560 --> 0:23:13.040
<v Speaker 1>Alfred Molina. Let's just And I'm this is a strictly

0:23:13.080 --> 0:23:16.200
<v Speaker 1>Alfred Molina comment because I was texting Caitlin when I

0:23:16.240 --> 0:23:18.159
<v Speaker 1>was watching the movie and I was like, oh, Alfred

0:23:18.200 --> 0:23:21.639
<v Speaker 1>Molina has got the gum fifty percent teeth ratio. I

0:23:21.640 --> 0:23:23.919
<v Speaker 1>thought he would have been a big Hollywood teeth actor.

0:23:24.200 --> 0:23:28.240
<v Speaker 1>He's not. He's got regular teeth bordering on small teeth.

0:23:28.720 --> 0:23:32.840
<v Speaker 1>He's humble. Respect him. He doesn't need Hollywood teeth. He's

0:23:32.840 --> 0:23:40.359
<v Speaker 1>got talent. Bedroom he's got a crooked too. He's a director.

0:23:40.840 --> 0:23:44.919
<v Speaker 1>Small eyes, big nose, beautiful or not. Small eyes, swell teeth,

0:23:46.000 --> 0:23:52.120
<v Speaker 1>big no eyes, big old broken nose. I do wish

0:23:52.240 --> 0:23:55.640
<v Speaker 1>that they gave like Doctor Octopus, like a little bit

0:23:55.680 --> 0:23:58.359
<v Speaker 1>more of a soul, you know, like because in the

0:23:58.440 --> 0:24:02.000
<v Speaker 1>books that happened. Like every once in a while he'll

0:24:02.000 --> 0:24:05.760
<v Speaker 1>get like moved, Like there's a minute where he aristotle

0:24:05.840 --> 0:24:08.080
<v Speaker 1>like nod or don't not or whatever. But like there's

0:24:08.080 --> 0:24:10.480
<v Speaker 1>a minute where like he's dating a may right like

0:24:10.880 --> 0:24:13.760
<v Speaker 1>in the book Whoa or he has a crush on

0:24:13.760 --> 0:24:16.680
<v Speaker 1>her look it up. And that's and it was rewatching

0:24:16.680 --> 0:24:18.240
<v Speaker 1>the movie and I was like, oh, right, is that

0:24:18.280 --> 0:24:20.399
<v Speaker 1>what's going to happen with this like Aunt Macine and

0:24:20.440 --> 0:24:22.399
<v Speaker 1>the you know on on the side of the building.

0:24:22.880 --> 0:24:25.040
<v Speaker 1>And it's like, no, what she does the thing that

0:24:25.119 --> 0:24:28.280
<v Speaker 1>like every superhero writer does, And it's like and then

0:24:28.280 --> 0:24:31.119
<v Speaker 1>the woman does her part by like daintily smacking him

0:24:31.160 --> 0:24:33.560
<v Speaker 1>in the head at the right moment. So that was

0:24:33.560 --> 0:24:38.359
<v Speaker 1>the extent of their four play. Yeah, she did do

0:24:38.359 --> 0:24:41.000
<v Speaker 1>good though. That was a well timed I'm gonna hit

0:24:41.040 --> 0:24:45.280
<v Speaker 1>you on the head. That was a good goof. It

0:24:45.440 --> 0:24:48.680
<v Speaker 1>ends up she saves Spider Man because otherwise he was

0:24:48.680 --> 0:24:53.120
<v Speaker 1>gonna impale him with you know, his his sharp claw bit.

0:24:53.400 --> 0:25:01.119
<v Speaker 1>Also his four fallust is just floiling around in the books.

0:25:01.400 --> 0:25:03.960
<v Speaker 1>Is there a better explanation for why the clause exist?

0:25:04.000 --> 0:25:06.359
<v Speaker 1>Because in the presentation it's weird. He's like, I made

0:25:06.359 --> 0:25:10.240
<v Speaker 1>these clause I control my brain. Also made as to

0:25:10.359 --> 0:25:14.240
<v Speaker 1>magnetism and like radiation or something like that. Okay, I

0:25:14.520 --> 0:25:17.800
<v Speaker 1>couldn't heat. It's it's like almost a throwaway line, but okay,

0:25:17.840 --> 0:25:19.800
<v Speaker 1>but they do offer something because I was just like, oh,

0:25:19.880 --> 0:25:23.560
<v Speaker 1>that's why he needs to to me at least why

0:25:23.600 --> 0:25:26.320
<v Speaker 1>he needs to fuse them into his spinal column, Like

0:25:26.320 --> 0:25:28.680
<v Speaker 1>why can't you just build a robot that he can

0:25:28.720 --> 0:25:31.720
<v Speaker 1>control from afar? Does anyone get to wear that? Because

0:25:31.720 --> 0:25:36.719
<v Speaker 1>then he wouldn't be able to be The broad strokes

0:25:36.760 --> 0:25:38.960
<v Speaker 1>are kind of the same, like he was a scientist

0:25:39.000 --> 0:25:42.320
<v Speaker 1>and did this thing. I don't think and I can't remember,

0:25:42.359 --> 0:25:44.840
<v Speaker 1>so please Internet, don't get mad at me or judge me.

0:25:44.920 --> 0:25:47.800
<v Speaker 1>But like, I don't remember if there was that. Like

0:25:48.400 --> 0:25:50.720
<v Speaker 1>also like and then there's this weird explosion thing that

0:25:50.800 --> 0:25:53.679
<v Speaker 1>like explains why he's a crazy person. Yeah, well his

0:25:53.720 --> 0:25:57.280
<v Speaker 1>inhibitor chip. Yeah, because that was the whole thing that's

0:25:57.280 --> 0:26:01.119
<v Speaker 1>at the chip that's in one of his monologue scenes

0:26:01.840 --> 0:26:05.480
<v Speaker 1>in the book. I don't think the tentacles is what

0:26:05.600 --> 0:26:09.000
<v Speaker 1>they like to call them. I don't have agency. I

0:26:09.040 --> 0:26:11.919
<v Speaker 1>think he's just a guy who's gone corrupt with power,

0:26:12.000 --> 0:26:14.000
<v Speaker 1>and you know, I don't know, I might need to.

0:26:14.080 --> 0:26:16.080
<v Speaker 1>I got to look into this because I don't I know,

0:26:16.240 --> 0:26:17.920
<v Speaker 1>I think Rosie's in the books too, but I don't

0:26:17.960 --> 0:26:21.440
<v Speaker 1>think it's all as like neatly packaged, as like here

0:26:21.480 --> 0:26:24.400
<v Speaker 1>are these causes and effects like and that is why

0:26:24.560 --> 0:26:26.480
<v Speaker 1>like he hates Spiderman and this, that and the other.

0:26:26.560 --> 0:26:29.360
<v Speaker 1>But yeah, it's it's a similar thing where like he's

0:26:29.359 --> 0:26:31.520
<v Speaker 1>like controlling these things and they just kind of make

0:26:31.600 --> 0:26:34.399
<v Speaker 1>him a little too invincible for his own good Haristotle,

0:26:34.440 --> 0:26:36.040
<v Speaker 1>what about the doc dock and not many thing it

0:26:36.119 --> 0:26:40.879
<v Speaker 1>happened almost almost marry marring him. Also fun fact for

0:26:40.920 --> 0:26:42.800
<v Speaker 1>you too, because you don't read the comics. There was

0:26:42.840 --> 0:26:46.800
<v Speaker 1>a minute where Dr Octopus his brain was in Spider

0:26:46.840 --> 0:26:50.720
<v Speaker 1>Man's body for a while Peter Parker's body. Toby McGuire

0:26:50.800 --> 0:26:57.520
<v Speaker 1>exuding Alfred Molina vibes, can't imagine interesting twist. Yes, we'll

0:26:57.520 --> 0:26:59.920
<v Speaker 1>write this fan fix. I hope that they just also

0:27:00.040 --> 0:27:02.160
<v Speaker 1>just rubbed her screen, because there's a picture of it.

0:27:03.160 --> 0:27:07.359
<v Speaker 1>I didn't just touch it. That was involuntary. I'm sorry

0:27:07.359 --> 0:27:12.639
<v Speaker 1>I called you out being shamed. Uh. I hope that

0:27:12.680 --> 0:27:14.880
<v Speaker 1>they gave Alfred Billina those I want to say three

0:27:14.880 --> 0:27:17.880
<v Speaker 1>full monologue scenes. One is especially long where he goes

0:27:17.920 --> 0:27:20.760
<v Speaker 1>the chip that that one's very long. But as we

0:27:20.800 --> 0:27:23.399
<v Speaker 1>all know, Alfred Bolena joined the Royal Shakespeare Company in

0:27:23.480 --> 0:27:26.520
<v Speaker 1>ninety seven. He is no stranger to monologues. He's a

0:27:26.560 --> 0:27:29.520
<v Speaker 1>serious stage actor. So I hope they were like, well,

0:27:29.760 --> 0:27:33.400
<v Speaker 1>we've got to have Billina as octopus, which I doubt

0:27:33.440 --> 0:27:36.920
<v Speaker 1>that they ever said. But he's a character actor, he seasoned.

0:27:36.920 --> 0:27:38.680
<v Speaker 1>He blew them away, and they're like, we've got to

0:27:38.720 --> 0:27:40.840
<v Speaker 1>write some we gotta let him talk to these claws.

0:27:41.800 --> 0:27:45.040
<v Speaker 1>Seems like it seems like he could really hear me out.

0:27:46.720 --> 0:27:51.560
<v Speaker 1>If you can make some sweet screen chemistry with claws,

0:27:52.240 --> 0:27:56.000
<v Speaker 1>maybe you're the greatest actor to ever live. Maybe. Well,

0:27:56.040 --> 0:27:59.000
<v Speaker 1>he and he is really convincing and like that. He's great. Hey,

0:27:59.080 --> 0:28:03.120
<v Speaker 1>let's talk about something other than a man in this episode.

0:28:03.280 --> 0:28:05.600
<v Speaker 1>It's gonna be hard in this one. Okay, well let

0:28:05.640 --> 0:28:09.200
<v Speaker 1>me start. So we already kind of touched on this before,

0:28:09.320 --> 0:28:12.959
<v Speaker 1>but not really surprised that m j main female character

0:28:13.640 --> 0:28:16.119
<v Speaker 1>doesn't really have much of a personality. She's not a

0:28:16.160 --> 0:28:19.320
<v Speaker 1>super developed or fleshed out character. She really exists only

0:28:19.359 --> 0:28:23.200
<v Speaker 1>as the love interest. Her role is to be captured

0:28:23.240 --> 0:28:26.399
<v Speaker 1>and then to be saved. She's ali and over again.

0:28:26.640 --> 0:28:28.960
<v Speaker 1>Well let me crush some lit one on one on YouTube.

0:28:29.920 --> 0:28:32.439
<v Speaker 1>I was just realizing this on the drive over. Everything

0:28:32.480 --> 0:28:35.960
<v Speaker 1>about her is static, Like when Peter walks by all

0:28:36.040 --> 0:28:38.680
<v Speaker 1>the same image of her, you know what I mean,

0:28:38.680 --> 0:28:41.120
<v Speaker 1>Like the whole movie, it's the same billboard, the same image.

0:28:41.120 --> 0:28:44.240
<v Speaker 1>She's just there in place, essentially waiting for him. And

0:28:44.240 --> 0:28:47.400
<v Speaker 1>then even the play, like she's just in one place

0:28:47.560 --> 0:28:51.880
<v Speaker 1>performing the same lines over and over again. That's really

0:28:51.920 --> 0:28:54.600
<v Speaker 1>interesting that she does, like, for all intents and purposes,

0:28:54.680 --> 0:28:57.720
<v Speaker 1>just exists to kind of stand around as an example

0:28:57.800 --> 0:29:00.680
<v Speaker 1>of something, you know, Like she's just static. Yeah, and

0:29:00.720 --> 0:29:03.000
<v Speaker 1>it makes her very passive. I mean she pretty much

0:29:03.040 --> 0:29:07.480
<v Speaker 1>does nothing actively to push the story forward or to

0:29:07.600 --> 0:29:11.840
<v Speaker 1>really do anything that she prompts whatever the next thing

0:29:11.840 --> 0:29:15.960
<v Speaker 1>Peter is going to do. So who would But that's boring? Okay,

0:29:16.000 --> 0:29:19.320
<v Speaker 1>this is I'm probably not phrasing this right, but like,

0:29:19.840 --> 0:29:22.760
<v Speaker 1>why would you still have like a boner for someone

0:29:23.000 --> 0:29:25.360
<v Speaker 1>who's like, hey, and in a few months we haven't talked,

0:29:25.840 --> 0:29:30.520
<v Speaker 1>I got engaged. This is would be mad all the

0:29:30.640 --> 0:29:34.840
<v Speaker 1>scenes Mary Jane is so confusing in in this because

0:29:34.840 --> 0:29:37.520
<v Speaker 1>she's not a flashed out character, but all the scenes

0:29:37.600 --> 0:29:40.720
<v Speaker 1>she's in with Peter are so weird. Like there's that

0:29:40.800 --> 0:29:43.360
<v Speaker 1>scene where Peter's leaving his own birthday party and Mary

0:29:43.440 --> 0:29:46.360
<v Speaker 1>Jane's outside of her parents house, and there's that weird

0:29:46.400 --> 0:29:49.680
<v Speaker 1>conversation where he's you know, like not wanting to say

0:29:49.800 --> 0:29:51.680
<v Speaker 1>I love you because he's still Spider Man. And then

0:29:51.760 --> 0:29:55.160
<v Speaker 1>she gets very like close to him and it's basically

0:29:55.200 --> 0:29:57.040
<v Speaker 1>like say you love me, and say you love me,

0:29:57.280 --> 0:30:00.280
<v Speaker 1>and then he doesn't, and then she's like, Okay, well

0:30:00.320 --> 0:30:02.120
<v Speaker 1>I have a boyfriend. And I was just like, why

0:30:02.160 --> 0:30:06.280
<v Speaker 1>would you act that way? That's so bizarre. And then

0:30:06.440 --> 0:30:09.920
<v Speaker 1>and then at the end, when did I cry? When

0:30:09.960 --> 0:30:13.000
<v Speaker 1>Peter was like we can't be together? Sure in the

0:30:13.040 --> 0:30:18.920
<v Speaker 1>big web that talk, I'm easily manipulated. To be fair,

0:30:19.320 --> 0:30:22.280
<v Speaker 1>I don't think that I should have cried, but I did.

0:30:22.800 --> 0:30:25.640
<v Speaker 1>But then you know, she's lowered from the big old

0:30:25.680 --> 0:30:31.040
<v Speaker 1>com web that her he blows a load, they lounge,

0:30:31.120 --> 0:30:35.920
<v Speaker 1>inet hearts are broken, and then she's lowered from the

0:30:35.960 --> 0:30:40.840
<v Speaker 1>load down to her long suffering. It reminds me of

0:30:41.880 --> 0:30:46.200
<v Speaker 1>Liz Lemon's fake boyfriend. That's who MJ's marrying, like astronaut,

0:30:46.240 --> 0:30:51.600
<v Speaker 1>famous astronaut, that's basically who MJ is engaged to. He's perfect.

0:30:51.920 --> 0:30:55.320
<v Speaker 1>There's that great line where she like was like, no,

0:30:55.480 --> 0:30:57.360
<v Speaker 1>let's do the Spider Man kiss. She does a Spiderman

0:30:57.400 --> 0:31:00.400
<v Speaker 1>kiss with the astronaut, and because he's not a character either,

0:31:00.440 --> 0:31:02.640
<v Speaker 1>he's like, I feel like I'm on the moon. That

0:31:02.720 --> 0:31:04.760
<v Speaker 1>was so weird. Was not such a weird life. I

0:31:04.800 --> 0:31:07.240
<v Speaker 1>was like, we get it. He's a spaceman. That was

0:31:07.280 --> 0:31:09.840
<v Speaker 1>confusing because he was like, do you want to invite

0:31:09.880 --> 0:31:14.800
<v Speaker 1>your friend Peter Parker to the wedding. She's like Peter Parker, No,

0:31:14.920 --> 0:31:17.320
<v Speaker 1>I hate him, He's a jerk. You're like Spider Man.

0:31:17.440 --> 0:31:20.080
<v Speaker 1>She's weird. She's like, my back, so I can do

0:31:20.120 --> 0:31:22.520
<v Speaker 1>that Spider Man kiss to see maybe you're Spider Man.

0:31:22.640 --> 0:31:25.000
<v Speaker 1>I don't know, are either with me? And she's just

0:31:25.040 --> 0:31:30.080
<v Speaker 1>like shrug. And then in the next scene she's meeting

0:31:30.280 --> 0:31:34.440
<v Speaker 1>Peter for coffee and she's like, I changed my mind. Well, okay,

0:31:34.480 --> 0:31:37.400
<v Speaker 1>you could argue that her kiss, her Spider Man kiss

0:31:37.440 --> 0:31:42.800
<v Speaker 1>with astronaut Mike Dexter, wasn't as invigorating as she was hoping,

0:31:42.880 --> 0:31:45.680
<v Speaker 1>and then, but then why does she go and seek

0:31:45.720 --> 0:31:49.080
<v Speaker 1>out Spider Man unless she and just intuitively knows that

0:31:49.080 --> 0:31:52.720
<v Speaker 1>Peter Parker is Spider Man. It was confusing why she's like, well,

0:31:52.960 --> 0:31:56.680
<v Speaker 1>I just spent the earlier scene telling my fiance how

0:31:56.760 --> 0:31:59.760
<v Speaker 1>much I hated you. But let's get coffee and maybe

0:31:59.760 --> 0:32:02.240
<v Speaker 1>we're and you say, like, maybe I'll break up with

0:32:02.360 --> 0:32:07.520
<v Speaker 1>my astronaut boyfriend for you, a freelance photographer and who

0:32:07.600 --> 0:32:12.000
<v Speaker 1>is emotionally withholding and a college student grow up? Also,

0:32:12.120 --> 0:32:15.520
<v Speaker 1>did you notice that every woman in this movie, like

0:32:15.640 --> 0:32:18.680
<v Speaker 1>under the age of sixty, was like who is that guy?

0:32:18.920 --> 0:32:21.760
<v Speaker 1>Like every girl in the movie was like, Elizabeth, thanks

0:32:22.400 --> 0:32:26.280
<v Speaker 1>the neighbor Peter. Yeah, she's like you got this? Who

0:32:26.320 --> 0:32:28.920
<v Speaker 1>would say that to a twenty year old freelance photographer,

0:32:29.040 --> 0:32:32.440
<v Speaker 1>No one. Yeah, she was into him. The neighbors into him.

0:32:33.000 --> 0:32:35.720
<v Speaker 1>M J. Obviously we just said is into him? There

0:32:35.720 --> 0:32:38.479
<v Speaker 1>were a few others here and there that we're just

0:32:38.520 --> 0:32:40.480
<v Speaker 1>like always like, oh, who's that? And I was just like,

0:32:40.520 --> 0:32:43.120
<v Speaker 1>are you like what he's like walking on his campus

0:32:43.320 --> 0:32:46.560
<v Speaker 1>and after in his like this like rain drops keep

0:32:46.560 --> 0:32:49.320
<v Speaker 1>falling on my head montage and he's like girls walk

0:32:49.400 --> 0:32:52.760
<v Speaker 1>past him and they're like tink you're cute. I do

0:32:52.880 --> 0:32:55.040
<v Speaker 1>like that. He does a bit of a reverse Princess

0:32:55.080 --> 0:32:57.400
<v Speaker 1>Diaries for that montage where he's like, I'm putting the

0:32:57.440 --> 0:33:02.280
<v Speaker 1>glasses on and now my life is great interesting. Um.

0:33:02.320 --> 0:33:06.640
<v Speaker 1>That sequence ends in the most confusing freeze frame of

0:33:06.720 --> 0:33:10.560
<v Speaker 1>all time. It's the best. It's I mean, I feel

0:33:10.560 --> 0:33:14.880
<v Speaker 1>like that montage is and this is a very silly movie.

0:33:15.320 --> 0:33:17.720
<v Speaker 1>That's almost as silly as the movie gets. But in

0:33:17.800 --> 0:33:21.840
<v Speaker 1>Spider Man three, Spider Man three is that montage spread

0:33:21.880 --> 0:33:25.640
<v Speaker 1>out for like forty hours because it's so like I mean,

0:33:25.760 --> 0:33:27.880
<v Speaker 1>if you take the raindrops are falling on my head

0:33:27.920 --> 0:33:29.760
<v Speaker 1>montage and then hold it up next to the weird

0:33:29.840 --> 0:33:36.680
<v Speaker 1>dance scene, I forget. But that's another one where that's

0:33:36.680 --> 0:33:39.200
<v Speaker 1>another one where women are turned on by Toby McGuire

0:33:39.360 --> 0:33:43.520
<v Speaker 1>and it's like, no, they're not. He looks like he's

0:33:43.520 --> 0:33:48.400
<v Speaker 1>about to snap someone's bones. He is a scary guy.

0:33:49.000 --> 0:33:52.880
<v Speaker 1>Do we know the song, oh, speaking of songs, vindicated

0:33:52.920 --> 0:33:58.400
<v Speaker 1>by Dashboard Confessional was written for this movie. There's references

0:33:58.480 --> 0:34:01.400
<v Speaker 1>in the because I remember this is it's the perfect

0:34:01.400 --> 0:34:04.960
<v Speaker 1>hot topics on the um. But there there's like a

0:34:05.040 --> 0:34:08.560
<v Speaker 1>whole verse about Mary Jane's wedding ring and how it's

0:34:08.600 --> 0:34:12.839
<v Speaker 1>like oversized and overwhelmed, like it's there's a whole it's

0:34:12.840 --> 0:34:17.480
<v Speaker 1>all about Spider Man, dashboard confessional man, cool, cool story

0:34:17.600 --> 0:34:21.040
<v Speaker 1>yourself at okay, let's talk about it from Willie a

0:34:21.080 --> 0:34:26.600
<v Speaker 1>little um. It's just really it's frustrating that she's basically

0:34:26.640 --> 0:34:30.320
<v Speaker 1>reduced to effectively an object. That's like now you're captured,

0:34:30.400 --> 0:34:32.560
<v Speaker 1>now you're saved, now you're captured again, and now you're

0:34:32.560 --> 0:34:36.000
<v Speaker 1>saying like it just happens over and over. She's doesn't

0:34:36.000 --> 0:34:38.320
<v Speaker 1>do anything to ever try to save herself or to

0:34:38.480 --> 0:34:40.719
<v Speaker 1>like when she's in the end of the movie, she's

0:34:40.719 --> 0:34:43.239
<v Speaker 1>in like chains, she's like, all right, I'll just I'm

0:34:43.320 --> 0:34:46.480
<v Speaker 1>just gonna stay here. I'm try to she does the

0:34:46.520 --> 0:34:50.040
<v Speaker 1>thing that that the captured woman does where she's like, hey,

0:34:50.120 --> 0:34:53.319
<v Speaker 1>let me go and he's like no. And then but

0:34:53.400 --> 0:34:55.799
<v Speaker 1>she does try to defend herself once and it's so

0:34:55.880 --> 0:34:58.600
<v Speaker 1>weird the way it's dealt with where there's that moment

0:34:59.000 --> 0:35:01.759
<v Speaker 1>in the last scene where Mary Jane she takes a

0:35:01.760 --> 0:35:04.640
<v Speaker 1>crowbar or something and she tries to hit Doc and

0:35:04.719 --> 0:35:07.400
<v Speaker 1>he just picks her up and throws her. And that

0:35:07.600 --> 0:35:09.640
<v Speaker 1>is the one time she tries to do something and

0:35:09.719 --> 0:35:13.040
<v Speaker 1>it it blows up in her face. Immediately, she's like

0:35:13.400 --> 0:35:16.960
<v Speaker 1>his mechanical arms look at her. Yeah, he doesn't like

0:35:17.120 --> 0:35:19.879
<v Speaker 1>back turned. Damn. I was almost excited. I was like, Oh,

0:35:19.920 --> 0:35:22.640
<v Speaker 1>she does do something. But then he's like and she

0:35:22.680 --> 0:35:25.560
<v Speaker 1>doesn't give him the chance. And then a wall is

0:35:25.600 --> 0:35:27.640
<v Speaker 1>about to follow her, and then Spider Man is like,

0:35:28.360 --> 0:35:30.800
<v Speaker 1>we'll prop this up for you. This is really heavy,

0:35:30.800 --> 0:35:32.600
<v Speaker 1>and then she's like, I'll just stay here, and yeah,

0:35:32.600 --> 0:35:36.040
<v Speaker 1>she doesn't get her away. I think she's trapped under something.

0:35:36.520 --> 0:35:38.440
<v Speaker 1>But I also think that the in the other direction

0:35:38.560 --> 0:35:40.640
<v Speaker 1>is the big ball of energy, so maybe she was

0:35:40.640 --> 0:35:42.520
<v Speaker 1>going to get I'll give her the benefit of the the doubt.

0:35:42.560 --> 0:35:44.760
<v Speaker 1>They didn't need to have a conversation at that point

0:35:44.880 --> 0:35:47.480
<v Speaker 1>where she was like, you said you do love me.

0:35:47.840 --> 0:35:53.640
<v Speaker 1>He's like like that that said it's I've tried to

0:35:53.640 --> 0:35:55.680
<v Speaker 1>remember the exact wording of it, because it was also

0:35:55.840 --> 0:35:58.279
<v Speaker 1>very silly, where it was like, okay, she's kind of

0:35:58.360 --> 0:36:01.480
<v Speaker 1>over explaining rehab sin something that's already happened. Where she

0:36:01.560 --> 0:36:04.000
<v Speaker 1>was like, you said you didn't love me, but you

0:36:04.080 --> 0:36:07.520
<v Speaker 1>do even though you said you didn't, and I was like, okay,

0:36:07.560 --> 0:36:10.319
<v Speaker 1>you could just say you do love me, but she

0:36:10.560 --> 0:36:13.680
<v Speaker 1>like like double negatives it just to even everything out.

0:36:14.360 --> 0:36:17.160
<v Speaker 1>She's dumb, he's dumb. It's well, it's so funny. Like

0:36:17.239 --> 0:36:19.879
<v Speaker 1>I'm just watching it and I'm like, oh, like this

0:36:19.960 --> 0:36:22.640
<v Speaker 1>was written by men, Like it's just so funny. There's

0:36:22.640 --> 0:36:24.640
<v Speaker 1>so much bullshit, you know, we can talk about in

0:36:24.640 --> 0:36:27.879
<v Speaker 1>the sense of like yeah, they're all wallpaper and they're

0:36:27.920 --> 0:36:31.359
<v Speaker 1>all serving this guy's story. And I just in my head,

0:36:31.400 --> 0:36:33.839
<v Speaker 1>I'm like these what like what morons? And it's like, well,

0:36:33.880 --> 0:36:35.520
<v Speaker 1>they were probably just they just had the best of

0:36:35.520 --> 0:36:38.600
<v Speaker 1>intentions in their heads. Like guys are so dumb that

0:36:38.600 --> 0:36:41.040
<v Speaker 1>they think like the best way to honor a woman

0:36:41.560 --> 0:36:43.719
<v Speaker 1>is to say, look, how much you inspired me. That's

0:36:43.800 --> 0:36:47.680
<v Speaker 1>kind of all this movie is, is like meals well,

0:36:47.760 --> 0:36:50.160
<v Speaker 1>but I'm not and I'm not forgiving it or excusing it.

0:36:50.200 --> 0:36:52.200
<v Speaker 1>I'm just like I'm watching it and I'm like trying

0:36:52.200 --> 0:36:56.080
<v Speaker 1>to be like, why would you just do it like

0:36:56.120 --> 0:36:58.359
<v Speaker 1>with like so few dimensions? And it's like I think

0:36:58.400 --> 0:37:00.480
<v Speaker 1>that's why. It's like they're just so busy. These writers

0:37:00.480 --> 0:37:03.879
<v Speaker 1>are so busy crafting like this one character, and all

0:37:03.920 --> 0:37:06.800
<v Speaker 1>they can think about is how like everyone else fits

0:37:06.840 --> 0:37:09.239
<v Speaker 1>in their lives and it's like, yeah, the woman are

0:37:09.280 --> 0:37:12.680
<v Speaker 1>just always love interests and like damsels and they inspire

0:37:12.719 --> 0:37:14.719
<v Speaker 1>them or move them or die in order to get

0:37:14.719 --> 0:37:16.839
<v Speaker 1>them to do the thing. And like, right, if they

0:37:16.880 --> 0:37:20.160
<v Speaker 1>just try it a little harder, they could write developed

0:37:20.360 --> 0:37:23.799
<v Speaker 1>female characters. Like it's not writing is hard, It's not

0:37:23.920 --> 0:37:28.239
<v Speaker 1>that much harder to just do a better job portraying women. Like,

0:37:29.320 --> 0:37:31.120
<v Speaker 1>you know, if you're going to go so far as

0:37:31.160 --> 0:37:33.759
<v Speaker 1>to write a feature length script, like maybe spend a

0:37:33.800 --> 0:37:37.160
<v Speaker 1>little time on these female characters. Well, Alfred gets all

0:37:37.200 --> 0:37:40.800
<v Speaker 1>these monologues, I mean, and I would not take a

0:37:40.840 --> 0:37:47.320
<v Speaker 1>word away from him. However, I will flip this table.

0:37:48.520 --> 0:37:51.319
<v Speaker 1>We haven't talked about Aunt May in this movie very much.

0:37:51.800 --> 0:37:56.320
<v Speaker 1>I was surprised she had more moments than I thought

0:37:56.360 --> 0:37:59.360
<v Speaker 1>she would. She I feel like she is the closest

0:37:59.840 --> 0:38:03.799
<v Speaker 1>to having a female character with some depth because she

0:38:03.880 --> 0:38:09.520
<v Speaker 1>does exist. Like Uncle Ben did too say a line

0:38:09.560 --> 0:38:12.279
<v Speaker 1>in the trailer, I believe there's a hero in all

0:38:12.280 --> 0:38:15.160
<v Speaker 1>of us. I remember that from the trailer, right, you know,

0:38:15.800 --> 0:38:18.080
<v Speaker 1>both the aunt dan the uncle exists for the trailer.

0:38:18.280 --> 0:38:21.799
<v Speaker 1>But we do see like we see her grieving a

0:38:21.800 --> 0:38:24.000
<v Speaker 1>little bit, and so there's a little depth there. We

0:38:24.040 --> 0:38:26.799
<v Speaker 1>see that she's having money problems. There's a little depth there.

0:38:26.880 --> 0:38:28.640
<v Speaker 1>And then you also sort of get a bit of

0:38:28.680 --> 0:38:31.680
<v Speaker 1>an arc which is amazing that it's like a female

0:38:31.760 --> 0:38:35.799
<v Speaker 1>character head a one point arc um. But she does

0:38:35.800 --> 0:38:39.279
<v Speaker 1>where she sort of starts to move on, and it's like,

0:38:39.320 --> 0:38:42.560
<v Speaker 1>I'm getting evicted from my house. I found an apartment.

0:38:43.520 --> 0:38:46.399
<v Speaker 1>Little neighbor boys, help me out. I don't need your help, Peter.

0:38:46.440 --> 0:38:48.920
<v Speaker 1>If you want to hang out, feel free. She's wearing

0:38:48.920 --> 0:38:52.200
<v Speaker 1>a flannel. I'm like, good for you. Like she's she's

0:38:52.239 --> 0:38:55.040
<v Speaker 1>starting to like, you have to take matters into my

0:38:55.040 --> 0:38:57.359
<v Speaker 1>own hands. I can't afford this house anymore. And then

0:38:57.920 --> 0:39:01.440
<v Speaker 1>there's the moment where Peter comes forward like I might

0:39:01.480 --> 0:39:05.200
<v Speaker 1>be responsible for Uncle Ben's death and she's just like mother.

0:39:08.280 --> 0:39:10.359
<v Speaker 1>And then and then in the next scene when they're

0:39:10.400 --> 0:39:13.200
<v Speaker 1>together again, he's like, hey, about my last visit, and

0:39:13.239 --> 0:39:15.960
<v Speaker 1>she's like, we need to talk about it. I'm over it.

0:39:17.520 --> 0:39:20.000
<v Speaker 1>Let's move on. I want to say I thought that

0:39:20.000 --> 0:39:23.600
<v Speaker 1>that was a believable. Yeah, especially for like, I don't

0:39:23.640 --> 0:39:26.120
<v Speaker 1>know she was like that. She has like some level

0:39:26.160 --> 0:39:28.880
<v Speaker 1>of complexity. If she was never mad about it, that

0:39:28.880 --> 0:39:31.560
<v Speaker 1>would have been weird. She was upset about it at first. Sure,

0:39:31.760 --> 0:39:33.879
<v Speaker 1>so yeah, she's like she has to mention, she has

0:39:33.880 --> 0:39:37.359
<v Speaker 1>a story. It's just unfortunate that like everything about her

0:39:37.760 --> 0:39:40.799
<v Speaker 1>is like built around like the actions of men, you

0:39:40.800 --> 0:39:43.799
<v Speaker 1>know what I mean, Like her husband his death, her

0:39:43.960 --> 0:39:46.759
<v Speaker 1>nephews being responsible for his death at the hand of

0:39:46.800 --> 0:39:49.640
<v Speaker 1>another man, like all this, you know, even the neighbor boy,

0:39:50.000 --> 0:39:54.399
<v Speaker 1>even the neighbor what couldn't there be a little man? Yeah,

0:39:54.480 --> 0:39:57.719
<v Speaker 1>Joel mccale, the scientists, all the scientists and doctors who

0:39:57.719 --> 0:40:00.760
<v Speaker 1>get to talk or men. Yeah, like yeah, no women

0:40:00.760 --> 0:40:03.280
<v Speaker 1>in STEM with lines as would say, there were women.

0:40:03.920 --> 0:40:06.279
<v Speaker 1>We were talking about this the scene that's that's a

0:40:06.360 --> 0:40:15.120
<v Speaker 1>great Sam Raimy scene where Doc Cock murders ten surgeons that, yeah,

0:40:15.239 --> 0:40:17.800
<v Speaker 1>And I think I had almost like kind of blocked

0:40:17.840 --> 0:40:19.279
<v Speaker 1>it out because I remember being afraid of it, but

0:40:19.320 --> 0:40:22.000
<v Speaker 1>I'd just forgotten until I saw it this watch. And

0:40:22.040 --> 0:40:24.120
<v Speaker 1>there's a lot of women in that scene, a lot

0:40:24.160 --> 0:40:26.120
<v Speaker 1>of women in STEM. But I think that they're just

0:40:26.200 --> 0:40:28.959
<v Speaker 1>there because Sam Raimy is like, we need screamers. Yeah,

0:40:28.960 --> 0:40:31.000
<v Speaker 1>they shrieked like so much, And there's all these intense

0:40:31.040 --> 0:40:33.799
<v Speaker 1>close ups of women going well, yeah, and then one

0:40:33.840 --> 0:40:37.640
<v Speaker 1>woman who like digs her fingernails into the floor scrape. Yeah,

0:40:38.000 --> 0:40:40.520
<v Speaker 1>it was scary. Um. I want to do a super

0:40:40.520 --> 0:40:43.520
<v Speaker 1>cut of all the just women screaming in this movie,

0:40:43.560 --> 0:40:45.600
<v Speaker 1>because I think it would be about twenty minutes long. Yeah.

0:40:45.960 --> 0:40:49.480
<v Speaker 1>I think they did a decently good job with Aunt May,

0:40:49.840 --> 0:40:52.600
<v Speaker 1>giving her a little bit of depth, and it's nice

0:40:52.640 --> 0:40:56.160
<v Speaker 1>to see like a woman over fifty in a movie

0:40:56.320 --> 0:40:59.600
<v Speaker 1>oftentime doesn't happen. I think the only thing that kind

0:40:59.640 --> 0:41:03.640
<v Speaker 1>of like, oh, man, come on was when do captures her.

0:41:03.640 --> 0:41:05.759
<v Speaker 1>It is tossing her around and all that stuff. How

0:41:05.800 --> 0:41:09.800
<v Speaker 1>did she not going to cardiac arrestling? Although the best

0:41:09.880 --> 0:41:12.000
<v Speaker 1>that's that in that fight scene. It's not the best

0:41:12.040 --> 0:41:14.400
<v Speaker 1>fight scene in the movie. That's obviously the train scene.

0:41:14.800 --> 0:41:18.440
<v Speaker 1>But there's the best Alpha Molina line read in that

0:41:18.520 --> 0:41:21.759
<v Speaker 1>scene where a Spider Man is like, give me my

0:41:21.840 --> 0:41:27.600
<v Speaker 1>aunt or whatever, and he's like, but love that love

0:41:27.719 --> 0:41:30.040
<v Speaker 1>my brother, And I like, I texted my brother when

0:41:30.040 --> 0:41:31.480
<v Speaker 1>I saw that, because we used to say that line

0:41:31.520 --> 0:41:33.439
<v Speaker 1>back and forth through each other and then we would

0:41:33.440 --> 0:41:39.640
<v Speaker 1>just drop stuff anyways. And then she, like you mentioned,

0:41:39.640 --> 0:41:41.799
<v Speaker 1>she does get her moment where she gets to hit

0:41:41.880 --> 0:41:45.080
<v Speaker 1>him with her umbrella over the head. In it, Um

0:41:47.040 --> 0:41:51.200
<v Speaker 1>saves Spider Man from getting dead. But UM stopped throwing

0:41:51.239 --> 0:41:55.200
<v Speaker 1>women around. Yeah, throw throw James Franco around a little bit, right.

0:41:55.640 --> 0:41:58.040
<v Speaker 1>He does get a little bit thrown around, and then

0:41:58.520 --> 0:42:00.960
<v Speaker 1>his glass of whiskey, like all most hits him in

0:42:00.960 --> 0:42:03.080
<v Speaker 1>the face and then catches it at the last minute.

0:42:03.080 --> 0:42:05.239
<v Speaker 1>We haven't talked that much about James Breako. Let's not.

0:42:05.760 --> 0:42:07.880
<v Speaker 1>I read his book of one of his books of poetry.

0:42:07.920 --> 0:42:11.759
<v Speaker 1>I'm good. I have a signed copy. I was to say.

0:42:12.000 --> 0:42:13.680
<v Speaker 1>He did a reading at book Soup where I used

0:42:13.719 --> 0:42:15.480
<v Speaker 1>to work, and I managed that day and was one

0:42:15.480 --> 0:42:17.400
<v Speaker 1>of the most traumatic days in my life. Was a

0:42:17.560 --> 0:42:20.000
<v Speaker 1>diva or was it? He was fine. It was just

0:42:20.080 --> 0:42:23.200
<v Speaker 1>the five hundred thousand teenagers and he was so I

0:42:23.280 --> 0:42:26.000
<v Speaker 1>was like, stopped touching them. He was touching their hands.

0:42:26.360 --> 0:42:30.279
<v Speaker 1>That's what they wanted to Speaking of books of poetry, though,

0:42:30.320 --> 0:42:33.120
<v Speaker 1>did you know that if you read a woman poetry

0:42:33.400 --> 0:42:40.160
<v Speaker 1>fa with you forever? They're according to But but to

0:42:40.280 --> 0:42:44.879
<v Speaker 1>be fair, his personalityless wife corroborated it. She's like, it's true,

0:42:45.760 --> 0:42:48.799
<v Speaker 1>it worked. I have three days to live, you know.

0:42:50.480 --> 0:42:53.359
<v Speaker 1>The other thing I wanted to mention was that while

0:42:53.520 --> 0:42:56.799
<v Speaker 1>m J does get tossed around, captured, saved, blah blah blah,

0:42:56.880 --> 0:42:59.839
<v Speaker 1>that's really her only role in this movie. She does

0:43:00.880 --> 0:43:03.879
<v Speaker 1>kind of redeem herself in the end, although I don't

0:43:03.920 --> 0:43:08.120
<v Speaker 1>think it's very earned, because she is so flat of

0:43:08.120 --> 0:43:10.560
<v Speaker 1>a character that I think they're like, well, we need

0:43:10.600 --> 0:43:12.719
<v Speaker 1>to write this line for her to say, and then

0:43:12.760 --> 0:43:15.200
<v Speaker 1>it will make everything better. But it's when at the

0:43:15.280 --> 0:43:18.759
<v Speaker 1>very end, it's after she's discovered that Peter Parker and

0:43:18.760 --> 0:43:21.640
<v Speaker 1>Spider Man are the same person, and she's like, oh,

0:43:22.120 --> 0:43:24.080
<v Speaker 1>and we do we love each other and we right

0:43:24.200 --> 0:43:27.200
<v Speaker 1>you were and I love you and he's like, we

0:43:27.239 --> 0:43:31.000
<v Speaker 1>can't be together. I have enemies. I'm crying, which like

0:43:31.320 --> 0:43:36.000
<v Speaker 1>doesn't matter. She still gets captured. Even though that she

0:43:36.040 --> 0:43:38.279
<v Speaker 1>didn't like might as well be fucking might as well,

0:43:39.640 --> 0:43:44.400
<v Speaker 1>which is kind of what she says, because um, sorry,

0:43:44.560 --> 0:43:47.480
<v Speaker 1>where is it I have it? Can't you respect me

0:43:47.600 --> 0:43:50.280
<v Speaker 1>enough to make my own decision? Yes, is the line,

0:43:50.440 --> 0:43:53.279
<v Speaker 1>but that line comes right after she says I can't

0:43:53.320 --> 0:43:57.239
<v Speaker 1>survive without you, so it's like sandwiched in between. That's

0:43:57.280 --> 0:44:03.239
<v Speaker 1>like one good line sandwiched in between bad lines. But

0:44:03.280 --> 0:44:05.160
<v Speaker 1>that that was that stood out to me too. I

0:44:05.160 --> 0:44:07.600
<v Speaker 1>wrote that down, and then she's like, but like, could

0:44:07.719 --> 0:44:09.799
<v Speaker 1>MJ just when she's lowered into the web, into the

0:44:09.880 --> 0:44:14.280
<v Speaker 1>arms of astronaut mic Nexter, could she just say, well,

0:44:14.320 --> 0:44:21.200
<v Speaker 1>you know, obviously Peter is following his path right now, whatever,

0:44:21.480 --> 0:44:23.719
<v Speaker 1>but that doesn't mean she has to marry a man

0:44:23.840 --> 0:44:26.040
<v Speaker 1>she doesn't love like and she just lands and there's

0:44:26.080 --> 0:44:28.640
<v Speaker 1>that shot where he's holding her and she's looking back

0:44:28.640 --> 0:44:32.800
<v Speaker 1>at Peter. I'm like, you could just be single. You're twenty.

0:44:32.960 --> 0:44:35.160
<v Speaker 1>We gotta get that runaway bride moment in there, though

0:44:35.719 --> 0:44:38.200
<v Speaker 1>he's got to run through New York in a wedding drest.

0:44:38.280 --> 0:44:41.160
<v Speaker 1>That was I was feeling more for astronaut Mike Dexter

0:44:41.239 --> 0:44:44.280
<v Speaker 1>in that scene because he seemed ready. He seemed ready.

0:44:44.600 --> 0:44:46.799
<v Speaker 1>He's probably thirty, you know, he had he would have

0:44:46.800 --> 0:44:48.759
<v Speaker 1>had to have gone through all kinds of training to

0:44:48.880 --> 0:44:50.840
<v Speaker 1>be an astronaut and to go in the moon. He

0:44:50.840 --> 0:44:54.040
<v Speaker 1>had already played football in the moon. That was the

0:44:54.040 --> 0:44:57.239
<v Speaker 1>first man to throw a football on the moon. Let's

0:44:57.280 --> 0:45:01.160
<v Speaker 1>talk about really quick the age of women, and specifically

0:45:01.200 --> 0:45:04.560
<v Speaker 1>because I was just trying to look up as Banks

0:45:04.560 --> 0:45:06.560
<v Speaker 1>in regards to this movie, because I had forgotten she

0:45:06.600 --> 0:45:10.440
<v Speaker 1>was in it. Apparently she was like almost MJ in

0:45:10.480 --> 0:45:12.479
<v Speaker 1>the first movie, which is why they end Sam Ramy

0:45:12.600 --> 0:45:14.759
<v Speaker 1>ended up kind of throwing her into this movie because

0:45:14.760 --> 0:45:17.200
<v Speaker 1>he felt bad, but she was told at the time

0:45:17.239 --> 0:45:19.560
<v Speaker 1>because I guess she's like a year older than Tobey

0:45:19.640 --> 0:45:22.200
<v Speaker 1>Maguire and they're like, no, you're too old, I can't

0:45:22.200 --> 0:45:27.640
<v Speaker 1>do it. Too old to play m j J. She was. Yeah.

0:45:27.880 --> 0:45:29.839
<v Speaker 1>This is also I tolby why are shouldn't have been

0:45:29.840 --> 0:45:32.200
<v Speaker 1>cast and why we are all excited about Tom Holland,

0:45:32.640 --> 0:45:35.400
<v Speaker 1>But like he's too old to play Spider Man, you

0:45:35.400 --> 0:45:37.319
<v Speaker 1>know what I mean? Like he was like twenty six

0:45:37.320 --> 0:45:39.600
<v Speaker 1>when they started this thing, and I don't know how

0:45:39.640 --> 0:45:45.200
<v Speaker 1>old Kirsten Done was. I forget that she's Kirston Done,

0:45:45.239 --> 0:45:48.439
<v Speaker 1>so she was like thirty inexperience at that point because

0:45:48.520 --> 0:45:55.319
<v Speaker 1>of that was like posticides. Yeah, yeah, yeah, she had

0:45:55.320 --> 0:45:58.200
<v Speaker 1>already done something I cannot wait to do with episode.

0:45:58.640 --> 0:46:02.360
<v Speaker 1>I'm jazzed that would mean. But yeah, that's a that's interesting.

0:46:02.600 --> 0:46:04.879
<v Speaker 1>Maybe Aristotle remembers this, but because neither of you read

0:46:04.920 --> 0:46:08.680
<v Speaker 1>comic books, therefore you never read Wizard and Ashamed. No no, no,

0:46:08.680 --> 0:46:10.560
<v Speaker 1>no no no, I'm more like I'm what I'm trying

0:46:10.600 --> 0:46:12.319
<v Speaker 1>to say, is I don't. I'm I'm setting it up

0:46:12.360 --> 0:46:15.719
<v Speaker 1>so I don't sound like a man splaining that's good

0:46:15.840 --> 0:46:17.760
<v Speaker 1>for you. So I'm trying to more be like hey,

0:46:17.800 --> 0:46:20.840
<v Speaker 1>like because you know, you didn't read this shitty comic

0:46:20.840 --> 0:46:24.120
<v Speaker 1>book magazine in the nineties. You don't remember when the

0:46:24.200 --> 0:46:27.080
<v Speaker 1>James Cameron name was floating around. They were like, let's

0:46:27.200 --> 0:46:31.000
<v Speaker 1>dreamcast Spider Man the movie, and they wanted they said,

0:46:31.080 --> 0:46:34.480
<v Speaker 1>Leonardo DiCaprio should be Peter Parker. And then they wanted

0:46:35.320 --> 0:46:39.600
<v Speaker 1>Nicky Cox. Remember her, look her up. She was on

0:46:40.080 --> 0:46:42.439
<v Speaker 1>that sitcom in the nineties, and that's what they wanted

0:46:42.480 --> 0:46:44.960
<v Speaker 1>to play. Like that's like, oh interesting, that's what like

0:46:45.000 --> 0:46:47.960
<v Speaker 1>fanboys thought, Like Mary Jane was so like, well, she's

0:46:47.960 --> 0:46:53.680
<v Speaker 1>got yeah, she's got the classic built like the boobs

0:46:53.680 --> 0:46:59.040
<v Speaker 1>and no waste. She's got that, yeah, no waste cup,

0:46:59.480 --> 0:47:02.480
<v Speaker 1>little old us behind the eyes. Yeah she would have.

0:47:02.560 --> 0:47:04.320
<v Speaker 1>She would have fit the bill. But then they're like,

0:47:04.400 --> 0:47:07.040
<v Speaker 1>let's go a little unconventional. Let's let's get Kiki in

0:47:07.040 --> 0:47:10.319
<v Speaker 1>her gap. Let's get the gap in there, let's see

0:47:10.320 --> 0:47:13.160
<v Speaker 1>what happens. So she yeah, it's so just to let

0:47:13.160 --> 0:47:16.319
<v Speaker 1>you know, like that character is like screwed no matter

0:47:16.360 --> 0:47:18.520
<v Speaker 1>how you look at it. And in the comic book,

0:47:18.600 --> 0:47:20.400
<v Speaker 1>Like again, I'm not defending any of this. This is

0:47:20.440 --> 0:47:22.719
<v Speaker 1>just all like, oh, it's really funny, like what men think,

0:47:23.440 --> 0:47:26.000
<v Speaker 1>like is the coolest version of a girl. It's like, oh,

0:47:26.160 --> 0:47:29.000
<v Speaker 1>she's a model in an actress, but she likes the

0:47:29.040 --> 0:47:32.040
<v Speaker 1>nerd and that's kind of her like the whole series.

0:47:32.080 --> 0:47:35.799
<v Speaker 1>Like in the comic books, she's yeah, she becomes a supermodel. Well,

0:47:35.800 --> 0:47:37.480
<v Speaker 1>I guess that sort of like doubles down on the

0:47:37.520 --> 0:47:39.839
<v Speaker 1>problem of like this is a comic book written by

0:47:39.880 --> 0:47:43.960
<v Speaker 1>men being adapted by other men. Yeah, and like and

0:47:43.960 --> 0:47:46.960
<v Speaker 1>and also they touch on this in the first movie,

0:47:47.040 --> 0:47:48.840
<v Speaker 1>but not as much in the book. She's also a

0:47:48.920 --> 0:47:53.480
<v Speaker 1>victim of domestic abuse like her father that's in the

0:47:53.520 --> 0:47:56.680
<v Speaker 1>first movie totally forgot about it, gets like dramatically screamed

0:47:56.680 --> 0:47:59.880
<v Speaker 1>at in his crying and like Peter's like, hey, I'll

0:48:00.040 --> 0:48:05.480
<v Speaker 1>fix you when like you know, you know it can

0:48:05.480 --> 0:48:10.920
<v Speaker 1>fix the problem a man perpetuated man. Yeah, if at

0:48:10.920 --> 0:48:13.080
<v Speaker 1>first you don't succeed, m J. And also we have

0:48:13.120 --> 0:48:18.320
<v Speaker 1>to call you m J because your name is weed. Um.

0:48:18.360 --> 0:48:20.360
<v Speaker 1>That was my big beef with the movie, was I

0:48:20.400 --> 0:48:23.680
<v Speaker 1>was like whatever, just lean in, like just just throwing

0:48:23.680 --> 0:48:26.040
<v Speaker 1>a joke in the first ten minutes, being like yeah, yeah, yeah,

0:48:26.040 --> 0:48:28.080
<v Speaker 1>I know they're goofy enough. They could have done it,

0:48:28.120 --> 0:48:29.480
<v Speaker 1>could have gotten away with it. You could have done

0:48:29.520 --> 0:48:32.600
<v Speaker 1>something tongue in cheek. Kids wouldn't even know anyway, Like right,

0:48:32.880 --> 0:48:34.719
<v Speaker 1>but how many pounds of hair joll do you think

0:48:34.800 --> 0:48:39.239
<v Speaker 1>James Franco used in this? They just got him a vet.

0:48:39.440 --> 0:48:42.000
<v Speaker 1>I don't know. While you were having a crush on

0:48:42.040 --> 0:48:44.800
<v Speaker 1>Alfred Molina during this time, I was having a crush

0:48:44.840 --> 0:48:49.360
<v Speaker 1>on James Franco. It has since to Dave Franco, but

0:48:49.800 --> 0:48:51.520
<v Speaker 1>oh well, I mean that seems like a smart move.

0:48:52.520 --> 0:48:57.160
<v Speaker 1>James Franco is unhinged, but in this movie he's not.

0:48:57.520 --> 0:49:01.600
<v Speaker 1>He's got so much gel. He's wearing plastic sunglasses for

0:49:02.320 --> 0:49:05.319
<v Speaker 1>of the movie. He keeps putting them on, taking them up.

0:49:05.719 --> 0:49:09.040
<v Speaker 1>James Franco is such a drama queen. He's almost crying

0:49:09.080 --> 0:49:11.400
<v Speaker 1>in every scene. There's that what was the line that

0:49:11.440 --> 0:49:14.600
<v Speaker 1>I texted you where they're at astronaut Mike Dexter's party,

0:49:15.200 --> 0:49:17.800
<v Speaker 1>and then Peter comes up, and then every time Harry

0:49:17.840 --> 0:49:20.120
<v Speaker 1>is just like, who is Spider Man? Tell you right now,

0:49:20.440 --> 0:49:23.759
<v Speaker 1>and then Peter's like, now is not the time, and

0:49:23.760 --> 0:49:27.080
<v Speaker 1>Harry's like every time is the time, and he yells

0:49:27.120 --> 0:49:29.680
<v Speaker 1>and he's like drunk, and it's like he's a mess.

0:49:30.080 --> 0:49:34.400
<v Speaker 1>After Octavia's the whole experiment goes wrong and he turns

0:49:34.440 --> 0:49:39.840
<v Speaker 1>into Doc Dock and several people get murdered in that scene. Um,

0:49:39.880 --> 0:49:42.799
<v Speaker 1>Harry comes out and he's like, I'm ruined. The only

0:49:42.840 --> 0:49:45.920
<v Speaker 1>thing I have left now is Spider Man. Like, you're

0:49:46.160 --> 0:49:50.080
<v Speaker 1>still a billion hare, you still live in a penthouse

0:49:50.120 --> 0:49:52.920
<v Speaker 1>apartment in New York City. That's what Bernard is trying,

0:49:55.280 --> 0:50:03.880
<v Speaker 1>he says, obsessed over good night Bernard. Um, this is

0:50:03.920 --> 0:50:09.160
<v Speaker 1>dedicated to Bernard. Shut up? Can I just say, oh

0:50:09.200 --> 0:50:12.680
<v Speaker 1>my god, I didn't even do the recap. Whoops, I

0:50:12.760 --> 0:50:15.480
<v Speaker 1>don't need it. This one recapped it pretty well. Yeah,

0:50:15.560 --> 0:50:18.799
<v Speaker 1>I feel like it was a slow. Part of the

0:50:18.840 --> 0:50:22.319
<v Speaker 1>movie is MJ being very mad at Peter for never

0:50:22.400 --> 0:50:25.279
<v Speaker 1>coming to see her play. And I just wanted to say,

0:50:25.320 --> 0:50:27.719
<v Speaker 1>if I got as mad at my friends for not

0:50:27.800 --> 0:50:30.480
<v Speaker 1>coming to my shows as she gets at Peter for

0:50:30.520 --> 0:50:32.880
<v Speaker 1>not coming to her show, I would have no friends.

0:50:33.120 --> 0:50:35.120
<v Speaker 1>But as for not my Dexter has been five times

0:50:35.239 --> 0:50:38.040
<v Speaker 1>to be fair if it's someone that you see as

0:50:38.080 --> 0:50:40.239
<v Speaker 1>a love interest. I don't know. Again, I got into

0:50:40.239 --> 0:50:41.759
<v Speaker 1>this fight with my boyfriend a lot, like when it

0:50:41.760 --> 0:50:44.560
<v Speaker 1>comes to reading books of mine, and I'm like, books

0:50:44.680 --> 0:50:47.320
<v Speaker 1>is different, though it's still like you know, well you

0:50:47.640 --> 0:50:49.280
<v Speaker 1>have you have the book on the table. It's a pretty,

0:50:49.360 --> 0:50:51.799
<v Speaker 1>it's a it's hefty, so it's still like a two

0:50:51.800 --> 0:50:53.960
<v Speaker 1>hour commitment, but even more to the point he didn't

0:50:54.000 --> 0:50:55.600
<v Speaker 1>have to leave his apartment to read it, and he

0:50:55.600 --> 0:50:57.759
<v Speaker 1>hasn't read you know, And it's like I don't but

0:50:57.800 --> 0:51:00.480
<v Speaker 1>I don't get. But it's it's a place where like

0:51:00.600 --> 0:51:02.880
<v Speaker 1>when romance is involved, and this is kind of the

0:51:02.880 --> 0:51:05.080
<v Speaker 1>part where I'm like, I guess I kind of respect that,

0:51:05.239 --> 0:51:07.879
<v Speaker 1>Like that's where she's drawing the line, like you're not

0:51:08.000 --> 0:51:10.200
<v Speaker 1>meeting me on my terms, which is my career, which

0:51:10.239 --> 0:51:13.000
<v Speaker 1>is cool, that's yeah. But again it goes back to

0:51:13.000 --> 0:51:15.680
<v Speaker 1>like she's static and she's just always staying there waiting

0:51:15.719 --> 0:51:18.359
<v Speaker 1>for him, and like and he's just not show All

0:51:18.360 --> 0:51:19.879
<v Speaker 1>he has to do is show up and he's not

0:51:20.000 --> 0:51:22.959
<v Speaker 1>so and this was her first big thing. I think.

0:51:23.480 --> 0:51:25.600
<v Speaker 1>I guess I wasn't a really bad job. By the way,

0:51:25.600 --> 0:51:29.440
<v Speaker 1>every scene so bad messes upper lines all the time, froze. Yes,

0:51:30.080 --> 0:51:33.960
<v Speaker 1>I mean like Lindsay Lohan did that. Like, oh, Daily

0:51:33.960 --> 0:51:39.080
<v Speaker 1>Mail would get so mad. Sorry, yeah, the Daily Planet

0:51:41.200 --> 0:51:44.080
<v Speaker 1>the one um really quick. I feel like we've name

0:51:44.120 --> 0:51:47.240
<v Speaker 1>dropped so many character actors. One person we didn't name drop,

0:51:47.360 --> 0:51:50.160
<v Speaker 1>but he's in the very beginning assume monv Y the

0:51:50.160 --> 0:51:55.920
<v Speaker 1>pizza guy, Peter Yeah, Mr is the like. Oh and

0:51:56.040 --> 0:51:58.160
<v Speaker 1>and also again this has nothing to do with but

0:51:58.200 --> 0:52:00.520
<v Speaker 1>there's so many people with four lines in this movie,

0:52:00.560 --> 0:52:02.200
<v Speaker 1>and I just want to make sure we acknowledge every

0:52:02.200 --> 0:52:07.440
<v Speaker 1>single one of them. Willem Dafoe, avenge me. He's in

0:52:07.520 --> 0:52:10.560
<v Speaker 1>it for forty five seconds, screams avenge me two times.

0:52:11.200 --> 0:52:15.759
<v Speaker 1>End of seeing a hundred thousand dollars for a new

0:52:15.760 --> 0:52:18.359
<v Speaker 1>car for willing to foe? Uh can I I'm gonna

0:52:18.440 --> 0:52:21.480
<v Speaker 1>bring it back to what's relevant about this podcast, not

0:52:21.719 --> 0:52:25.040
<v Speaker 1>that I wasn't having a great time talking about they

0:52:25.080 --> 0:52:28.680
<v Speaker 1>stop yelling at me. Another frustrating thing about it is

0:52:28.719 --> 0:52:32.920
<v Speaker 1>that the reason that one Peter Parker won't reveal to

0:52:33.120 --> 0:52:37.120
<v Speaker 1>MJ that he is Spider Man, and the reason that

0:52:37.200 --> 0:52:40.319
<v Speaker 1>he won't be with her is that he's like, I

0:52:40.360 --> 0:52:42.400
<v Speaker 1>have to protect you from my enemies. I'm always going

0:52:42.440 --> 0:52:45.760
<v Speaker 1>to have enemies, and I couldn't put you in danger,

0:52:46.080 --> 0:52:49.120
<v Speaker 1>which is really just like a symptom of this like

0:52:49.239 --> 0:52:52.759
<v Speaker 1>patriarchal bullshit where he's like, I have to always protect you,

0:52:53.160 --> 0:52:56.600
<v Speaker 1>and it's like no, funk Off, like, no, she can't

0:52:56.640 --> 0:52:59.120
<v Speaker 1>fend for herself because you've written her such a helpless

0:52:59.160 --> 0:53:01.680
<v Speaker 1>piece of ship care. But if you didn't, if you,

0:53:01.800 --> 0:53:04.759
<v Speaker 1>like these writers, tried a little harder, it wouldn't have

0:53:04.800 --> 0:53:08.719
<v Speaker 1>to be god a protect her enemy. They he'd even

0:53:09.120 --> 0:53:12.120
<v Speaker 1>let her land that one blow on Dot. I'm like,

0:53:12.160 --> 0:53:15.040
<v Speaker 1>why did he have to just swatter away? They went

0:53:15.080 --> 0:53:17.080
<v Speaker 1>through the trouble of writing, well, she's going to try

0:53:17.120 --> 0:53:19.560
<v Speaker 1>to do something, but we're going to make her would

0:53:19.560 --> 0:53:22.600
<v Speaker 1>have broken all of her ribs and killed her, punctured

0:53:22.600 --> 0:53:25.719
<v Speaker 1>all of her would have died. And Togar is thrown

0:53:25.760 --> 0:53:29.480
<v Speaker 1>against a brick wall. He's got a spider exo skeleton.

0:53:30.040 --> 0:53:33.360
<v Speaker 1>That's spider. He has spider strength. That's what they do.

0:53:33.360 --> 0:53:35.600
<v Speaker 1>You think toky Bar has any body hair? Probably not right.

0:53:36.000 --> 0:53:38.840
<v Speaker 1>I don't think he has a hair. He's a shaver.

0:53:39.160 --> 0:53:42.480
<v Speaker 1>I think you know who doesn't have any chest hair

0:53:42.600 --> 0:53:44.520
<v Speaker 1>is Alfred Molina. And we know this because there's a

0:53:44.560 --> 0:53:47.280
<v Speaker 1>scene where his bare chest is exposed. If he's a shaver,

0:53:47.760 --> 0:53:53.279
<v Speaker 1>I think he's got yes, Yeah, like I tried them.

0:53:53.640 --> 0:53:57.600
<v Speaker 1>I like hair free kind of smooth boy chilling. I

0:53:57.640 --> 0:53:59.719
<v Speaker 1>like them smooth. Do you like at least like I

0:53:59.800 --> 0:54:01.759
<v Speaker 1>like a little tiny Yeah, like I don't want like

0:54:01.800 --> 0:54:06.359
<v Speaker 1>a hairless person. Although not to shame people with like alopecia,

0:54:07.080 --> 0:54:11.680
<v Speaker 1>you're great. Stop alopecia shaming. Sorry, Um, yeah, I don't

0:54:11.840 --> 0:54:13.839
<v Speaker 1>like I like just like a little, like a little

0:54:13.880 --> 0:54:16.600
<v Speaker 1>bit maybe like a little hair around the nips. Free

0:54:16.640 --> 0:54:21.800
<v Speaker 1>to hair Alfred, if you're listening, if you shaved, fine,

0:54:22.320 --> 0:54:24.480
<v Speaker 1>but no you didn't have to. Yeah, he could have

0:54:24.520 --> 0:54:28.360
<v Speaker 1>been a pretty brutish, really quick. One's weird scene a woman,

0:54:28.480 --> 0:54:31.719
<v Speaker 1>isn't it? And it's not about al fro Billina. The

0:54:31.920 --> 0:54:36.960
<v Speaker 1>cake scene? Yeah, what's going on? Why even have that character?

0:54:37.040 --> 0:54:38.719
<v Speaker 1>First of all, it's like we get everyone has a

0:54:38.719 --> 0:54:40.960
<v Speaker 1>crush and tell people guer. For some reason, I have

0:54:41.080 --> 0:54:43.800
<v Speaker 1>the character? Why have that scene? Yeah, it's the neighbor,

0:54:43.960 --> 0:54:47.959
<v Speaker 1>the landlord's daughter. She's like, would you like some chocolate cake?

0:54:48.440 --> 0:54:52.120
<v Speaker 1>He's like, with with milk, a glass of milk. Yeah,

0:54:52.160 --> 0:54:56.439
<v Speaker 1>that sounds nice. It's like, why why is it cut

0:54:56.520 --> 0:54:59.319
<v Speaker 1>that scene? And then she watched she does not have cake?

0:55:00.160 --> 0:55:02.400
<v Speaker 1>She watched she has a plate. She has a plate,

0:55:02.480 --> 0:55:06.200
<v Speaker 1>she's presumably eating her cake. Why is she staring at him?

0:55:06.440 --> 0:55:08.719
<v Speaker 1>She's just like she wants to she wants some of

0:55:08.719 --> 0:55:12.200
<v Speaker 1>that to what end? Like where does that? I thought

0:55:12.200 --> 0:55:14.560
<v Speaker 1>that that scene might have because when I was watching it, like,

0:55:14.640 --> 0:55:18.120
<v Speaker 1>is this scene implying that, Like Peter's trying to move

0:55:18.160 --> 0:55:20.160
<v Speaker 1>on and maybe they hook up, but we see her leave,

0:55:20.440 --> 0:55:22.400
<v Speaker 1>we know it doesn't happen, so it's like with him.

0:55:22.880 --> 0:55:24.319
<v Speaker 1>And then she's like, oh, by the way, you got

0:55:24.320 --> 0:55:27.400
<v Speaker 1>a note from your aunt? Why not just cut to

0:55:27.480 --> 0:55:30.680
<v Speaker 1>Peter at his mailbox and not not That's like, we

0:55:30.719 --> 0:55:32.520
<v Speaker 1>don't need more women in this movie, but what a

0:55:32.600 --> 0:55:35.040
<v Speaker 1>fucking weird I watched it twice to make sure. I'm like,

0:55:35.600 --> 0:55:38.800
<v Speaker 1>am I missing anything encoded in this scene? Like? No? Never.

0:55:38.920 --> 0:55:41.000
<v Speaker 1>The first time I saw this movie when it came out,

0:55:41.040 --> 0:55:43.400
<v Speaker 1>I was like, why is this scene in here? So

0:55:45.400 --> 0:55:47.600
<v Speaker 1>I remember seeing this movie in the theater and everyone

0:55:47.680 --> 0:55:52.279
<v Speaker 1>burst out laughing during the line that MJ gives Peter's like,

0:55:52.719 --> 0:55:54.680
<v Speaker 1>let's pick up where we left off, and she's like,

0:55:55.120 --> 0:55:56.920
<v Speaker 1>you never got on. How can we get off when

0:55:56.920 --> 0:56:00.640
<v Speaker 1>you never got on? And it's like, sexy, I'm going

0:56:00.680 --> 0:56:02.759
<v Speaker 1>to use that his four play. I'll just be like, look,

0:56:03.360 --> 0:56:04.920
<v Speaker 1>you can't get off if you don't get on, So

0:56:05.040 --> 0:56:12.439
<v Speaker 1>get on, buddy, and get off my play butterfingers. I'm

0:56:12.520 --> 0:56:16.480
<v Speaker 1>like to buy Alpha Bolina School of four play my Professor.

0:56:18.560 --> 0:56:21.880
<v Speaker 1>My other one is my inhibitor chip. I'm on inhibited.

0:56:24.800 --> 0:56:28.640
<v Speaker 1>There's such a good where he's like the chip there

0:56:28.960 --> 0:56:31.880
<v Speaker 1>and he does, he turns around and he goes, it's

0:56:31.960 --> 0:56:36.440
<v Speaker 1>so good. Wait, can we talk about some had a

0:56:36.520 --> 0:56:40.400
<v Speaker 1>rush of blood his mother? Remember when he tries to

0:56:40.400 --> 0:56:42.520
<v Speaker 1>make a joke and he's like, did anyone lose a

0:56:42.640 --> 0:56:44.759
<v Speaker 1>roll of twenty dollar bills in a rubber band? Yeah?

0:56:44.800 --> 0:56:47.359
<v Speaker 1>Well we found the rubber band. And it's like, I'm

0:56:47.360 --> 0:56:49.320
<v Speaker 1>going to get rid of all my stand up material,

0:56:49.680 --> 0:56:55.640
<v Speaker 1>tell only that joke and extras, sensations, the Hollywood extras.

0:56:57.000 --> 0:56:59.760
<v Speaker 1>Wait a minute, I forgot to talk about my favorite

0:56:59.760 --> 0:57:03.160
<v Speaker 1>moment in an entire movie. So I made a list

0:57:03.160 --> 0:57:05.480
<v Speaker 1>of all the times that Spider Man has to save

0:57:05.880 --> 0:57:10.239
<v Speaker 1>a character. He first saves Harry whenever octavious experiment goes

0:57:10.280 --> 0:57:14.800
<v Speaker 1>all wild. So hey, a man saving another man, Okay,

0:57:14.960 --> 0:57:17.600
<v Speaker 1>Then he has to save Aunt May after dot Got

0:57:17.640 --> 0:57:21.560
<v Speaker 1>captures her at the bank. And then he saves a

0:57:21.680 --> 0:57:26.080
<v Speaker 1>small child in a burning building, but the floor collapses

0:57:26.120 --> 0:57:27.880
<v Speaker 1>beneath him and he kind of falls down. He's like

0:57:27.920 --> 0:57:31.520
<v Speaker 1>hanging from this ledge, and he hurls the baby back

0:57:31.600 --> 0:57:35.320
<v Speaker 1>up onto that like just flings violently because this is

0:57:35.320 --> 0:57:37.800
<v Speaker 1>like a toddler who's like two or three years old.

0:57:38.040 --> 0:57:42.200
<v Speaker 1>And then somehow this baby helps pull him up. That

0:57:42.360 --> 0:57:47.040
<v Speaker 1>gone to the floor. This you know, hundred and sixty

0:57:47.160 --> 0:57:51.160
<v Speaker 1>or seventy pound man and a two and a half

0:57:51.240 --> 0:57:56.920
<v Speaker 1>year old baby, she pulls him up. That's a good

0:57:56.960 --> 0:58:00.200
<v Speaker 1>point to cite that this is a very white movie. Yeah,

0:58:00.880 --> 0:58:04.040
<v Speaker 1>is not what we tackle specifically, but worth mentioning, worth

0:58:04.080 --> 0:58:07.720
<v Speaker 1>mentioning very few people of color in the movie. Well

0:58:08.040 --> 0:58:11.040
<v Speaker 1>for something about New York is like okay, like throw

0:58:11.080 --> 0:58:14.680
<v Speaker 1>a few Dominicans and please you know, there's also Robbie

0:58:14.760 --> 0:58:18.640
<v Speaker 1>Robertson at the newspaper. But again, if you can't immediately

0:58:18.640 --> 0:58:22.880
<v Speaker 1>think of him, that says everything. Oh right, Oh yeah,

0:58:23.000 --> 0:58:25.800
<v Speaker 1>I didn't know his character's name, and I just know

0:58:25.920 --> 0:58:28.200
<v Speaker 1>him as the guy who loves Spider Man and then

0:58:28.280 --> 0:58:31.560
<v Speaker 1>us and but that is you know, it's a two

0:58:31.600 --> 0:58:34.360
<v Speaker 1>hour movie and these people each you know, have a

0:58:34.400 --> 0:58:37.280
<v Speaker 1>handful of lines, so not great anyway, I just wanted

0:58:37.320 --> 0:58:39.120
<v Speaker 1>to put that out there that I love that a

0:58:39.240 --> 0:58:46.720
<v Speaker 1>baby helps pull Spider Man. Shout out to baby. So

0:58:46.760 --> 0:58:48.560
<v Speaker 1>do we have any final thoughts about the movie and

0:58:48.560 --> 0:58:50.880
<v Speaker 1>how it portrays women before we get into talking about

0:58:50.880 --> 0:58:53.760
<v Speaker 1>whether or not it passes the Bechdel test. I like

0:58:53.880 --> 0:58:56.240
<v Speaker 1>was talking to my boyfriend about this this podcast and

0:58:56.280 --> 0:58:58.760
<v Speaker 1>the Bechdel Test, and he like knew a little bit

0:58:58.800 --> 0:59:00.360
<v Speaker 1>about it, but then he's like, what is it really

0:59:00.360 --> 0:59:03.560
<v Speaker 1>and then we like, don't worry Sophia. Couple doesn't know either,

0:59:09.320 --> 0:59:11.600
<v Speaker 1>so we end up looking like I just like image

0:59:11.600 --> 0:59:13.720
<v Speaker 1>searched the Beckdel test to show him the panels from

0:59:13.760 --> 0:59:16.800
<v Speaker 1>Dikes to watch out for. And there are all these

0:59:16.800 --> 0:59:20.600
<v Speaker 1>statistics that were related to the Bechdel test, you know,

0:59:20.720 --> 0:59:22.720
<v Speaker 1>which movie does this versus that? But then there was

0:59:22.760 --> 0:59:26.520
<v Speaker 1>also box office statistics. There's like a positive correlation between like,

0:59:26.800 --> 0:59:30.360
<v Speaker 1>if your product passes the Bechdel test, it also earns

0:59:30.400 --> 0:59:34.440
<v Speaker 1>more money. Yes, that's great to hear. And also I

0:59:34.440 --> 0:59:37.920
<v Speaker 1>guess not that surprising. Women make up half of the

0:59:38.000 --> 0:59:42.160
<v Speaker 1>population or more. Yeah, and they are. They go to movies.

0:59:42.400 --> 0:59:47.880
<v Speaker 1>We we they those women. I'm one of them, those exceptions.

0:59:48.720 --> 0:59:50.640
<v Speaker 1>I mean, I've seen that statistics too, and it's like

0:59:50.680 --> 0:59:53.080
<v Speaker 1>not surprising at all. And it doesn't even mean that

0:59:53.080 --> 0:59:56.880
<v Speaker 1>the that the movies are better, because the bar for

0:59:56.920 --> 0:59:59.640
<v Speaker 1>the Bechtel test is like kind of absurdly low to

0:59:59.720 --> 1:00:03.000
<v Speaker 1>make in with, it's insane. I mean, as we've discussed before,

1:00:03.800 --> 1:00:07.200
<v Speaker 1>the Bechdel tests sort of examines a larger problem, which

1:00:07.240 --> 1:00:09.480
<v Speaker 1>is that there just aren't enough women in movies. Most

1:00:09.480 --> 1:00:12.439
<v Speaker 1>of the time. They often don't play a significant enough

1:00:12.600 --> 1:00:14.919
<v Speaker 1>of a role where there would be several of them

1:00:14.920 --> 1:00:17.600
<v Speaker 1>talking to each other, which is just like it said,

1:00:17.600 --> 1:00:19.600
<v Speaker 1>a symptom of a larger problem where there's just not

1:00:19.760 --> 1:00:23.560
<v Speaker 1>enough representation of women in most movies. It's weird to

1:00:23.600 --> 1:00:28.400
<v Speaker 1>do like this episode about Spiderman two having very recently

1:00:28.440 --> 1:00:32.000
<v Speaker 1>done a Wonder Woman episode which like just fare so

1:00:32.080 --> 1:00:38.080
<v Speaker 1>much better how it passes in the test, and then

1:00:38.120 --> 1:00:40.880
<v Speaker 1>also just portraying women like it just like you like, oh,

1:00:41.120 --> 1:00:44.040
<v Speaker 1>woman's kicking out and driving this story well, and even

1:00:44.080 --> 1:00:48.000
<v Speaker 1>look at the bane Batman movie with Catwoman, Like there's

1:00:48.000 --> 1:00:51.200
<v Speaker 1>this whole subplot with her and Juno Temple like looking

1:00:51.200 --> 1:00:55.080
<v Speaker 1>out for each other. And it doesn't take much, you

1:00:55.120 --> 1:00:57.480
<v Speaker 1>know what I mean. And that's not time consuming. It's

1:00:57.480 --> 1:01:00.800
<v Speaker 1>not really anything people talk about in hearts that movie,

1:01:01.400 --> 1:01:04.280
<v Speaker 1>but it's yeah, it's something and it gives Yeah, And

1:01:04.400 --> 1:01:07.200
<v Speaker 1>like for anyone listening to this writing their own stories

1:01:07.200 --> 1:01:10.320
<v Speaker 1>and myths and whatnot, like just like start from scratch

1:01:10.360 --> 1:01:11.720
<v Speaker 1>and be like, all right, what does the character want

1:01:11.720 --> 1:01:13.959
<v Speaker 1>and how do they get it? Delete the like male

1:01:14.000 --> 1:01:16.320
<v Speaker 1>love interest, and then ask also like what does this

1:01:16.360 --> 1:01:18.360
<v Speaker 1>female character want and how does she get it? Like

1:01:18.440 --> 1:01:22.000
<v Speaker 1>outside of like dating Spider Man. That's really just all

1:01:22.040 --> 1:01:27.439
<v Speaker 1>you need to start and that you mentioned that. So

1:01:27.560 --> 1:01:29.320
<v Speaker 1>in in the first Spider Man movie, she's like I

1:01:29.400 --> 1:01:31.040
<v Speaker 1>want to move to New York and being actress, and

1:01:31.040 --> 1:01:33.760
<v Speaker 1>then we see like a little scene where she's like, oh,

1:01:33.800 --> 1:01:36.240
<v Speaker 1>I just had an audition and it didn't go very well.

1:01:36.400 --> 1:01:38.560
<v Speaker 1>But then after that she seems to have a pretty

1:01:38.600 --> 1:01:41.240
<v Speaker 1>successful acting career and modeling career because she's got this

1:01:41.360 --> 1:01:44.720
<v Speaker 1>whole billboard like a perfume ad and then she's like

1:01:44.720 --> 1:01:48.720
<v Speaker 1>one of the worst, but like and she's a terrible actress.

1:01:48.720 --> 1:01:52.120
<v Speaker 1>She's but somehow she's still doing well. But it's like

1:01:52.160 --> 1:01:54.760
<v Speaker 1>we never see her struggle in regards to her career

1:01:54.920 --> 1:01:57.680
<v Speaker 1>just anything else about her life. She I love this

1:01:57.720 --> 1:02:01.400
<v Speaker 1>boy who doesn't love me? Right, he just showed like yeah,

1:02:01.520 --> 1:02:04.760
<v Speaker 1>there's it's just careless. Yeah. Um. But let's talk about

1:02:04.760 --> 1:02:07.440
<v Speaker 1>whether or not the movie passes the Bechtel test. So

1:02:07.840 --> 1:02:12.760
<v Speaker 1>the first scene where women interact is Peter's surprise birthday party,

1:02:13.160 --> 1:02:15.640
<v Speaker 1>where aunt May goes, hey, I'm Jake, can you give

1:02:15.680 --> 1:02:20.040
<v Speaker 1>me a hand? And m J says, there's This is

1:02:20.040 --> 1:02:22.880
<v Speaker 1>one of those fucking infuriating scenes where it's like our

1:02:22.920 --> 1:02:24.800
<v Speaker 1>antennas go right up because we're like, oh, two women

1:02:24.840 --> 1:02:27.120
<v Speaker 1>are in the same scene. That's never happens. And then

1:02:27.120 --> 1:02:29.240
<v Speaker 1>it's like every time they speak, you're like and then

1:02:29.760 --> 1:02:33.680
<v Speaker 1>then it doesn't. This movie doesn't pass. But but there's

1:02:33.720 --> 1:02:38.920
<v Speaker 1>another near oh maybe in that scene where again, and

1:02:38.920 --> 1:02:41.720
<v Speaker 1>it's also ironic because they're both talking about domestic stuff

1:02:41.800 --> 1:02:44.919
<v Speaker 1>while Peter and Harry are talking about business. Um, but

1:02:45.600 --> 1:02:47.400
<v Speaker 1>aunt May says, let's go into the other room and

1:02:47.440 --> 1:02:50.040
<v Speaker 1>get something to eat, and then m J says, I

1:02:50.160 --> 1:02:52.560
<v Speaker 1>didn't know one in particular I'll get the O dirves.

1:02:53.560 --> 1:02:55.880
<v Speaker 1>Oh I didn't pick I didn't notice that one. But yeah,

1:02:56.000 --> 1:02:59.320
<v Speaker 1>two women speaking consecutively right, not really to each other.

1:03:00.200 --> 1:03:01.720
<v Speaker 1>And then the one I mentioned where she just goes,

1:03:01.800 --> 1:03:04.240
<v Speaker 1>m that's not a response, that's on the conversation and

1:03:04.280 --> 1:03:06.760
<v Speaker 1>she's not Yeah, she's not conversing because she's staring at

1:03:06.760 --> 1:03:09.880
<v Speaker 1>Peter and walking backwards. And did they catch in like

1:03:09.880 --> 1:03:13.000
<v Speaker 1>a fucking freak in the scene where James Franco goes,

1:03:14.360 --> 1:03:18.600
<v Speaker 1>you're busy, you're taking pictures of Spiderman twenty times. You're

1:03:18.600 --> 1:03:25.040
<v Speaker 1>busy pictures you're taking him. You tell me what didn't

1:03:25.080 --> 1:03:33.600
<v Speaker 1>you appears like I don't know, Oh my god, and

1:03:33.640 --> 1:03:39.920
<v Speaker 1>then they bring out the good night Bernard. There's an opportunity.

1:03:40.760 --> 1:03:43.400
<v Speaker 1>There's an opportunity for that scene to pass. Really, they

1:03:43.440 --> 1:03:45.640
<v Speaker 1>just need a few lines of dialogue back and forth

1:03:45.680 --> 1:03:49.240
<v Speaker 1>between Aunt May and MJ. Doesn't happen. The next scene

1:03:49.680 --> 1:03:54.360
<v Speaker 1>that I noticed was it's before MJ's show and she's

1:03:54.360 --> 1:03:56.320
<v Speaker 1>talking to her cast mate, and her cast mate's like, oh,

1:03:56.360 --> 1:03:58.560
<v Speaker 1>you've seen Jennery tonight, and I'm just like, you never

1:03:58.600 --> 1:04:02.840
<v Speaker 1>know who's coming. The application is that Peter's coming, but

1:04:04.040 --> 1:04:07.520
<v Speaker 1>find and it's like, not explicitly stated, it would be

1:04:07.520 --> 1:04:10.000
<v Speaker 1>a past except except that we don't know that other

1:04:10.080 --> 1:04:13.920
<v Speaker 1>characters name. Sorry, bitch. That's one of the caveats that

1:04:14.040 --> 1:04:16.760
<v Speaker 1>we adhere to on the Bectel cast. We have to

1:04:16.760 --> 1:04:18.600
<v Speaker 1>know the character's name because if they have a name,

1:04:18.600 --> 1:04:20.680
<v Speaker 1>they're important enough to the story where we would need

1:04:20.720 --> 1:04:24.240
<v Speaker 1>to know their name. But this character is pretty insignificant.

1:04:24.360 --> 1:04:26.680
<v Speaker 1>And then there's the second interaction that they have on

1:04:26.720 --> 1:04:30.440
<v Speaker 1>the street, well before that on the stage. Well, this

1:04:30.480 --> 1:04:33.400
<v Speaker 1>is the fun exception one because the importance of being

1:04:33.400 --> 1:04:37.440
<v Speaker 1>earnest does pass the Vactel test, and it passes the

1:04:37.480 --> 1:04:42.080
<v Speaker 1>facteals test on screen, but it's not Spider Man too,

1:04:42.280 --> 1:04:44.840
<v Speaker 1>and it wasn't written by anyone involved with Spider Man two.

1:04:45.160 --> 1:04:49.000
<v Speaker 1>So even though we could argue, if you know the play,

1:04:49.320 --> 1:04:54.640
<v Speaker 1>the importance of being earnest fun play, goofy nice, you

1:04:54.680 --> 1:04:57.480
<v Speaker 1>could say, well, we do know those characters names if

1:04:57.560 --> 1:04:59.960
<v Speaker 1>you have that knowledge of the play, that would be

1:05:00.040 --> 1:05:03.240
<v Speaker 1>that's asking a lot of comic book family asking. It's

1:05:03.240 --> 1:05:07.560
<v Speaker 1>asking a lot. And also it it doesn't and it's

1:05:07.600 --> 1:05:10.320
<v Speaker 1>not written by anyone involved with Spider Man, so it's

1:05:10.400 --> 1:05:14.120
<v Speaker 1>not it's a staged conversation that yeah, that's as close

1:05:14.240 --> 1:05:17.880
<v Speaker 1>exists outside of yeah. And then also we still don't

1:05:17.880 --> 1:05:20.760
<v Speaker 1>know that actress's name. And then they talk again after

1:05:20.800 --> 1:05:22.200
<v Speaker 1>the show and she's like, you sure didn't want to

1:05:22.200 --> 1:05:24.760
<v Speaker 1>come tonight, and I'm just like, yeah, I'm sure, a

1:05:25.040 --> 1:05:28.840
<v Speaker 1>great joke. I'll call you later. And if she said, okay,

1:05:28.840 --> 1:05:31.520
<v Speaker 1>thanks Steve, and then now we know the woman's name

1:05:31.560 --> 1:05:35.240
<v Speaker 1>is Steve, and then it would have passed. But but

1:05:35.240 --> 1:05:37.720
<v Speaker 1>we still don't know her name. So and then there's

1:05:37.760 --> 1:05:40.440
<v Speaker 1>the scene where they're at the party for astronaut Mike

1:05:40.480 --> 1:05:45.080
<v Speaker 1>Dexter and j Jonas Jamison's wife is like, beautiful dress,

1:05:45.360 --> 1:05:47.840
<v Speaker 1>but the woman doesn't respond, and also we don't know

1:05:47.920 --> 1:05:50.480
<v Speaker 1>her name or the woman she's talking to her name,

1:05:50.920 --> 1:05:55.200
<v Speaker 1>so doesn't pass. I also forget, I mean, weird, not relevant,

1:05:55.440 --> 1:05:59.600
<v Speaker 1>but Astronaut Mike Dexter's j Jonah Jamison's son that's in

1:05:59.600 --> 1:06:02.040
<v Speaker 1>the calm, Yeah is he? And he and he just

1:06:02.120 --> 1:06:04.960
<v Speaker 1>has like this perfect son. Well yeah, like he sir,

1:06:05.160 --> 1:06:09.240
<v Speaker 1>he becomes like plot points. His mortality effects j Jonah

1:06:09.280 --> 1:06:11.880
<v Speaker 1>Jamison's perception of Spider Man. I'll leave it at that

1:06:12.840 --> 1:06:15.760
<v Speaker 1>um And the same with some of these throwaway characters

1:06:15.840 --> 1:06:18.600
<v Speaker 1>is like like the ladies and stuff. They don't necessarily

1:06:18.960 --> 1:06:22.000
<v Speaker 1>become anything more than just like objects for Peter Parker

1:06:22.000 --> 1:06:23.840
<v Speaker 1>to like pine Over in the books. But I've been

1:06:23.840 --> 1:06:26.280
<v Speaker 1>trying to remember if that like, yeah, the the neighbor girl,

1:06:26.720 --> 1:06:29.400
<v Speaker 1>what her significance is, but I don't I keep But

1:06:29.560 --> 1:06:33.320
<v Speaker 1>that's never an excuse. And again, even if it was

1:06:33.360 --> 1:06:35.200
<v Speaker 1>like building to something that they thought they'd have, you know,

1:06:35.240 --> 1:06:37.840
<v Speaker 1>four more films with like, they all still exist to

1:06:37.960 --> 1:06:41.080
<v Speaker 1>like be his love interest. And sometimes like something that's

1:06:41.080 --> 1:06:43.640
<v Speaker 1>adapted from a book or comic book, they'll give a nod.

1:06:43.880 --> 1:06:45.680
<v Speaker 1>You know, they'll be like, oh, remember this, and like

1:06:46.840 --> 1:06:49.400
<v Speaker 1>the comic book will know who this is. But if

1:06:49.400 --> 1:06:51.200
<v Speaker 1>you're then going to put it in the movie, have

1:06:51.280 --> 1:06:54.120
<v Speaker 1>it serve a purpose not just be like remember this thing?

1:06:54.240 --> 1:06:56.720
<v Speaker 1>Do you recognize her? Cool? And if for everyone else

1:06:56.840 --> 1:06:58.960
<v Speaker 1>suck off? I think that, I mean, I think that's

1:06:58.960 --> 1:07:03.280
<v Speaker 1>why Astronaut Mike Dexter was kind of a fun character

1:07:03.440 --> 1:07:06.280
<v Speaker 1>for me, because he is really the only male character

1:07:06.880 --> 1:07:09.480
<v Speaker 1>in this and just in the context of strictly Spider

1:07:09.520 --> 1:07:12.439
<v Speaker 1>Man too, He's the only male character who is as

1:07:12.520 --> 1:07:16.720
<v Speaker 1>empty and purposeless as most of the female characters. So

1:07:16.760 --> 1:07:19.959
<v Speaker 1>it's like, well they've got you know, Mike Dexter doesn't

1:07:19.960 --> 1:07:23.080
<v Speaker 1>have a personality either. He's an astronaut, so if someone

1:07:23.160 --> 1:07:24.840
<v Speaker 1>kisses him he says, I'm on the moon right now,

1:07:25.160 --> 1:07:30.560
<v Speaker 1>it's like love this guy. So yeah, we conclude that

1:07:30.600 --> 1:07:33.840
<v Speaker 1>the movie does not pass the Bechtel test. It does

1:07:33.880 --> 1:07:37.400
<v Speaker 1>not not surprising. Like when James Franco yells to Alfred Mollino,

1:07:37.560 --> 1:07:41.120
<v Speaker 1>you're a hack. That's a fun one. I was like, oh,

1:07:41.160 --> 1:07:44.240
<v Speaker 1>I want to take that one to the green room there. Yeah,

1:07:44.240 --> 1:07:46.760
<v Speaker 1>the women don't even have good zingers except for the

1:07:46.840 --> 1:07:48.160
<v Speaker 1>I mean, and they get on get off is not

1:07:48.280 --> 1:07:52.720
<v Speaker 1>a zinger. It just landed funny. Right, Yeah, we'll give

1:07:52.760 --> 1:07:55.880
<v Speaker 1>We'll give the credit to Kirsten on that one way

1:07:55.920 --> 1:07:58.920
<v Speaker 1>to go. Good for you girl. Hey, let's write the

1:07:58.960 --> 1:08:01.720
<v Speaker 1>movie on our nipples scale. We have a scale of

1:08:01.760 --> 1:08:03.880
<v Speaker 1>zero to five nipples, where we rate the movie based

1:08:03.880 --> 1:08:09.200
<v Speaker 1>on its portrayal of women. I give it one nipple.

1:08:09.760 --> 1:08:14.040
<v Speaker 1>Who boy, I mean, Aunt May pretty good character for

1:08:14.080 --> 1:08:17.679
<v Speaker 1>who she is. But the only other substantial female character

1:08:17.800 --> 1:08:20.479
<v Speaker 1>is the main one, Mary Jane m j. Everyone else

1:08:20.560 --> 1:08:24.679
<v Speaker 1>like Miss Brandt and the landlord's daughter and dock Ox

1:08:24.800 --> 1:08:29.960
<v Speaker 1>wife Rosie. They you know, they're on screen for mere

1:08:30.040 --> 1:08:34.000
<v Speaker 1>minutes if that, and they don't have much to do

1:08:34.240 --> 1:08:38.040
<v Speaker 1>with the story, and neither does Mary Jane. Like she's like,

1:08:38.640 --> 1:08:41.320
<v Speaker 1>I'm here and wearing a dress. You can see my nipples.

1:08:41.400 --> 1:08:44.160
<v Speaker 1>You better capture me, take me to a tower, hold

1:08:44.200 --> 1:08:49.679
<v Speaker 1>me captive, chain me up, Chain me baby. Speaking of chains,

1:08:49.800 --> 1:08:54.080
<v Speaker 1>because how do I feel about because you are because

1:08:54.080 --> 1:08:56.640
<v Speaker 1>you are a man, we did have to chain you

1:08:56.680 --> 1:09:00.600
<v Speaker 1>to the chair and you're bound. Yeah, you're You're very good,

1:09:00.720 --> 1:09:03.000
<v Speaker 1>you know, but that is the price you pay for

1:09:03.840 --> 1:09:06.960
<v Speaker 1>this podcast. Your our first guest in like fifteen episodes

1:09:07.400 --> 1:09:10.400
<v Speaker 1>that has been a man, and I begged to be

1:09:10.479 --> 1:09:15.400
<v Speaker 1>on this broke the record and providing we had a

1:09:16.000 --> 1:09:22.960
<v Speaker 1>minute lashing out. Excellent shot. But in any case, so good, No,

1:09:23.040 --> 1:09:25.920
<v Speaker 1>you're wonderful, Thank you so much. But um yeah, so

1:09:26.360 --> 1:09:30.960
<v Speaker 1>m J. She sucks. She's a very watered down character,

1:09:31.600 --> 1:09:35.559
<v Speaker 1>you know, no depth, no dimension, just exists to be

1:09:35.840 --> 1:09:38.280
<v Speaker 1>captured and saved by the bad guys and the good guys.

1:09:38.600 --> 1:09:41.360
<v Speaker 1>So yeah, I because m J is just not a

1:09:41.400 --> 1:09:43.960
<v Speaker 1>good character. And the movie doesn't pass the back to tests,

1:09:44.040 --> 1:09:47.400
<v Speaker 1>and the portrayal woman not great. In this movie, not

1:09:47.479 --> 1:09:51.800
<v Speaker 1>surprising for superhero movies, especially of the era of the

1:09:51.840 --> 1:09:56.400
<v Speaker 1>early two thousand's uh yeah, one nipple. It belongs to

1:09:56.400 --> 1:10:00.080
<v Speaker 1>Toby McGuire in the scene where he takes up his

1:10:00.240 --> 1:10:06.320
<v Speaker 1>shirt in the window as he's getting ready for MJ's play.

1:10:06.400 --> 1:10:08.200
<v Speaker 1>Why do we need to see him take off his shirt?

1:10:08.240 --> 1:10:10.479
<v Speaker 1>We don't, But I like that it's there. I feel

1:10:10.479 --> 1:10:14.920
<v Speaker 1>like that's Sam Raimi shouting, like just in case anyone's

1:10:14.960 --> 1:10:18.080
<v Speaker 1>interested in whatever's going on there. I just I like

1:10:18.200 --> 1:10:20.719
<v Speaker 1>that we get sort of like because usually if there's

1:10:20.760 --> 1:10:24.040
<v Speaker 1>like unneeded nudity in a film, it's a woman taking

1:10:24.040 --> 1:10:27.160
<v Speaker 1>your clothes off, but now we get Toby maguire and

1:10:27.280 --> 1:10:30.320
<v Speaker 1>his like chise old Spider Man exo skeleton body. I'm

1:10:30.320 --> 1:10:34.200
<v Speaker 1>going to give it two apples, maybe maybe one and

1:10:34.200 --> 1:10:38.000
<v Speaker 1>a half instead of two. And I really, I really

1:10:38.040 --> 1:10:39.719
<v Speaker 1>do love this movie a lot. I had a great

1:10:39.720 --> 1:10:43.160
<v Speaker 1>time watching it for Alpha Bolena, but also just because

1:10:43.160 --> 1:10:46.880
<v Speaker 1>I think it's a super fun movie and superhero movies

1:10:46.880 --> 1:10:49.200
<v Speaker 1>have a really hard time keeping my attention and this

1:10:49.240 --> 1:10:52.840
<v Speaker 1>one never has, never will but the same reasons. I

1:10:52.880 --> 1:10:57.839
<v Speaker 1>think Aunt May is really the only fully realized female

1:10:57.920 --> 1:11:00.360
<v Speaker 1>character in this movie. And even then, all of her

1:11:00.400 --> 1:11:02.920
<v Speaker 1>actions and motivations are tied to the men in her life.

1:11:03.400 --> 1:11:06.160
<v Speaker 1>It does not do a good job with its female characters.

1:11:06.520 --> 1:11:09.720
<v Speaker 1>M J sucks all the other women we don't know

1:11:10.000 --> 1:11:12.160
<v Speaker 1>because we don't know them. Hey, one of them really

1:11:12.160 --> 1:11:15.960
<v Speaker 1>likes chocolate cake. That's her defining characters. Cake girl story.

1:11:16.120 --> 1:11:18.600
<v Speaker 1>I don't even care, but I get I'll give it

1:11:18.640 --> 1:11:22.760
<v Speaker 1>one and half nipples, and they belong to Bernard, who

1:11:23.400 --> 1:11:31.599
<v Speaker 1>I know isn't expecting that. Good night, Bernard even see

1:11:32.240 --> 1:11:34.880
<v Speaker 1>fun enough from Melina's nipples in this movie. You can

1:11:34.880 --> 1:11:37.040
<v Speaker 1>see the nipples in a lot of movies. To be fair,

1:11:37.640 --> 1:11:40.760
<v Speaker 1>you can trust me. I have like one of those

1:11:41.080 --> 1:11:47.920
<v Speaker 1>corkboards at home. You can figure out exactly what moments

1:11:47.960 --> 1:11:52.240
<v Speaker 1>in time you can anyway the nipple. Yeah, I'm going

1:11:52.280 --> 1:11:55.479
<v Speaker 1>to give it one nipple as well. Because of everything

1:11:55.520 --> 1:11:57.439
<v Speaker 1>you both said, I don't have much else to add

1:11:57.439 --> 1:12:01.080
<v Speaker 1>to it. The nipple I picked, though, is Mary Jane's

1:12:01.160 --> 1:12:07.160
<v Speaker 1>nipple from the first one. It exemplifies everything that we

1:12:07.240 --> 1:12:10.840
<v Speaker 1>take umbradge with, which is like women only like fit

1:12:11.000 --> 1:12:14.640
<v Speaker 1>best to inspire, uplift and challenge men not like to

1:12:14.680 --> 1:12:17.840
<v Speaker 1>be their own. So like here's this like dumb like

1:12:17.960 --> 1:12:21.599
<v Speaker 1>Lolita nipple, you know what I mean. Um, but yeah, yeah,

1:12:21.640 --> 1:12:23.559
<v Speaker 1>it is a fun movie. That's what's that's what sucks

1:12:23.600 --> 1:12:26.000
<v Speaker 1>about it is that you want to like it, but

1:12:26.120 --> 1:12:29.000
<v Speaker 1>it just they just stopped after like all right, well

1:12:29.000 --> 1:12:31.920
<v Speaker 1>we have like a good Spider Man journey, but not

1:12:32.000 --> 1:12:34.120
<v Speaker 1>like I don't know. Yeah, and I think about the

1:12:34.160 --> 1:12:36.559
<v Speaker 1>movie about like New Yorkers and all these voices and stuff.

1:12:36.600 --> 1:12:39.400
<v Speaker 1>It's it's amazingly like everything is just like a wash.

1:12:39.640 --> 1:12:43.680
<v Speaker 1>You know. Thank you so much for being here, a

1:12:43.800 --> 1:12:46.400
<v Speaker 1>really lovely time. I learned so much about Alfred Molina.

1:12:47.479 --> 1:12:51.000
<v Speaker 1>Happy to follow up. Subscribe to the newsletter. Where can

1:12:51.040 --> 1:12:54.479
<v Speaker 1>people follow you online? You can find me pretty much

1:12:54.479 --> 1:12:58.600
<v Speaker 1>on any social media platform just by typing s I

1:12:58.800 --> 1:13:00.600
<v Speaker 1>N A g R A c ian you know you

1:13:00.640 --> 1:13:02.519
<v Speaker 1>put an APT sign in front of it, or dot

1:13:02.600 --> 1:13:04.960
<v Speaker 1>com at the end of it. Look me up, hang out.

1:13:05.000 --> 1:13:07.320
<v Speaker 1>I try to buy your book. Yeah, I don't know.

1:13:08.760 --> 1:13:10.600
<v Speaker 1>Does the I don't know that the book passes the

1:13:10.680 --> 1:13:15.479
<v Speaker 1>Bechdel test only only in that so many scenes are

1:13:15.520 --> 1:13:19.439
<v Speaker 1>one on one interactions with me and a person. But

1:13:20.160 --> 1:13:23.120
<v Speaker 1>the women in it talk about a lot of things

1:13:23.200 --> 1:13:26.160
<v Speaker 1>that aren't romance, like we talk about careers, we talk

1:13:26.240 --> 1:13:29.880
<v Speaker 1>about grief like and then relationships because that's me. But

1:13:29.960 --> 1:13:32.479
<v Speaker 1>that's me, that's not what I think, like, oh, like

1:13:32.920 --> 1:13:35.320
<v Speaker 1>this is what you use a girl for, like you know.

1:13:35.439 --> 1:13:39.160
<v Speaker 1>So the book doesn't necessarily pass, but it gets a

1:13:39.240 --> 1:13:43.280
<v Speaker 1>pass because it's okay. Many of my favorite movies don't

1:13:43.280 --> 1:13:47.040
<v Speaker 1>pass the Bechdel test. I still love them, but Experiment

1:13:49.320 --> 1:13:51.439
<v Speaker 1>two is in my not movies don't yell at me.

1:13:51.800 --> 1:13:53.800
<v Speaker 1>I would say The Raiders are the Lost Ark another

1:13:53.840 --> 1:13:57.800
<v Speaker 1>Alfred Molina joint and joint that he's in again for

1:13:58.040 --> 1:14:01.439
<v Speaker 1>two minutes. I would not say passes the Backtel test,

1:14:01.479 --> 1:14:03.920
<v Speaker 1>but hey, let's do an episode about it. Let's find

1:14:03.960 --> 1:14:07.639
<v Speaker 1>out anyway. Yeah, by seeing his book, Nothing Last Forever.

1:14:07.960 --> 1:14:11.320
<v Speaker 1>Thanks again for being here. It's been wonderful. You can

1:14:11.360 --> 1:14:15.559
<v Speaker 1>follow us at Backtel cast, on Twitter, on Instagram. You

1:14:15.640 --> 1:14:17.920
<v Speaker 1>can listen to us and rate us and review us

1:14:18.000 --> 1:14:21.799
<v Speaker 1>on iTunes. So many platforms, so little bit time. Engage

1:14:21.840 --> 1:14:24.120
<v Speaker 1>with us on the platforms. We love tweet on us,

1:14:24.320 --> 1:14:29.599
<v Speaker 1>especially if your name is Alfred Molina. Answer and as

1:14:29.680 --> 1:14:33.719
<v Speaker 1>of today is during he has not tweeted back. Also,

1:14:34.400 --> 1:14:38.280
<v Speaker 1>we have a new what am I trying to say? Hey,

1:14:38.360 --> 1:14:41.519
<v Speaker 1>do you love the backdel Cast? Do you want to

1:14:41.520 --> 1:14:44.800
<v Speaker 1>think it less of a financial burden on the creators

1:14:44.800 --> 1:14:47.120
<v Speaker 1>of the back Doel Cast to continue the backdel Cast,

1:14:47.160 --> 1:14:50.200
<v Speaker 1>which you listen to for free all the time. Good news,

1:14:50.479 --> 1:14:54.840
<v Speaker 1>We will happily accept your money. That is what I

1:14:54.920 --> 1:14:57.800
<v Speaker 1>was trying to say. Yeah, we have an opportunity if

1:14:57.840 --> 1:15:01.599
<v Speaker 1>you so choose to kick us a few dollars, you know,

1:15:01.640 --> 1:15:03.759
<v Speaker 1>maybe spike us a few dollars if you're a Volley

1:15:03.800 --> 1:15:11.479
<v Speaker 1>doll gap, whatever verbs you choose. Yeah, we um have

1:15:11.520 --> 1:15:13.960
<v Speaker 1>some costs that we have to pay for it to

1:15:14.080 --> 1:15:17.800
<v Speaker 1>produce this podcast, and we would love it if you

1:15:17.840 --> 1:15:20.920
<v Speaker 1>guys could donate. Hey, maybe a dollar a week or

1:15:21.120 --> 1:15:24.280
<v Speaker 1>like a chunk of five, whatever you want. Like, we

1:15:24.400 --> 1:15:26.320
<v Speaker 1>encourage you to donate to our show the way you

1:15:26.320 --> 1:15:29.360
<v Speaker 1>went to your church, so that's about ten percent. Give

1:15:29.439 --> 1:15:31.679
<v Speaker 1>up your religion and then give it to us instead.

1:15:32.080 --> 1:15:34.919
<v Speaker 1>We are your new religion. Welcome to your new religion.

1:15:35.320 --> 1:15:38.400
<v Speaker 1>We are going to need a lot of your money. Uh,

1:15:38.439 --> 1:15:40.559
<v Speaker 1>if you want to call us up and confess things

1:15:40.640 --> 1:15:46.280
<v Speaker 1>to us, we're available around. Yeah, we have a PayPal

1:15:46.320 --> 1:15:48.680
<v Speaker 1>account that you can donate to if you go to

1:15:48.880 --> 1:15:53.960
<v Speaker 1>PayPal dot me backslash actual cast you can throw throw

1:15:54.040 --> 1:15:56.880
<v Speaker 1>us another verb, throw us a few dollars. They can

1:15:57.040 --> 1:16:02.120
<v Speaker 1>hurl like a hurling a discus in the Olympics. Exact

1:16:02.160 --> 1:16:05.120
<v Speaker 1>tight tight, Yeah, you can hurt us. What's the verb

1:16:05.200 --> 1:16:08.680
<v Speaker 1>that they use in curling? That like Canadian ice? Cur

1:16:08.880 --> 1:16:16.240
<v Speaker 1>us dollar or two curls? Hey, you want to curl

1:16:16.280 --> 1:16:19.080
<v Speaker 1>me over a dollar? I'd love to Jamie, thank you

1:16:19.120 --> 1:16:23.439
<v Speaker 1>so much? Oh ya out? So that's something you do, um,

1:16:23.479 --> 1:16:25.559
<v Speaker 1>it would really help us out. We'd really appreciate it.

1:16:26.320 --> 1:16:28.760
<v Speaker 1>I think I have good night Bernard pulled up on

1:16:28.840 --> 1:16:32.280
<v Speaker 1>my compoke. Harry is looking at clips. He's hitting the table.

1:16:33.000 --> 1:16:48.799
<v Speaker 1>Where are your only obsession? Night? Oh it's so funny

1:16:49.040 --> 1:16:51.160
<v Speaker 1>And with that good night Burner