1 00:00:03,600 --> 00:00:06,760 Speaker 1: Reality with the King is hosted by me, Carlos King. 2 00:00:07,080 --> 00:00:10,239 Speaker 2: I'm an executive producer who have produced some of your 3 00:00:10,240 --> 00:00:13,520 Speaker 2: favorite shows from the Real Housewives of Atlanta, New Jersey 4 00:00:13,920 --> 00:00:17,360 Speaker 2: and my own creation, The Love and Marriage Franchise and 5 00:00:17,520 --> 00:00:23,040 Speaker 2: Bell Collective. Every episode we recap reality television from the 6 00:00:23,079 --> 00:00:27,680 Speaker 2: Real Housewives Franchise to The Bachelor or Selling Sunset, in 7 00:00:27,720 --> 00:00:31,680 Speaker 2: addition to celebrity guests, whether in the unscripted space or 8 00:00:31,720 --> 00:00:32,960 Speaker 2: scripted as well. 9 00:00:36,479 --> 00:00:37,639 Speaker 1: All right, so let's. 10 00:00:37,479 --> 00:00:41,040 Speaker 2: Get it to the latest episode of the Real Housewives 11 00:00:41,080 --> 00:00:45,239 Speaker 2: of Potomac. So the episode picked off, I mean picked up, 12 00:00:45,280 --> 00:00:49,199 Speaker 2: excuse me, where they left off, which is Angel in 13 00:00:49,280 --> 00:00:56,200 Speaker 2: a very peculiar mercurial situation where she where she is. 14 00:00:56,200 --> 00:01:04,840 Speaker 1: Trying to explain the fact that she has to leave Potomac. 15 00:01:04,160 --> 00:01:07,640 Speaker 2: And go back to Colorado. I can't wait to hear 16 00:01:07,640 --> 00:01:12,240 Speaker 2: you all thoughts. I'll just talk about saying this. I 17 00:01:12,319 --> 00:01:15,760 Speaker 2: thought Angel looked very uncomfortable in that whole party, Like 18 00:01:15,880 --> 00:01:18,240 Speaker 2: even when they were playing the games and doing like 19 00:01:18,360 --> 00:01:21,120 Speaker 2: the you know the games they were doing, if you 20 00:01:21,160 --> 00:01:23,440 Speaker 2: looked at it, she was like off to the side. 21 00:01:23,600 --> 00:01:26,600 Speaker 2: And I was in that very moment. I literally watched 22 00:01:26,600 --> 00:01:29,720 Speaker 2: the show and said, this is what I mean when 23 00:01:29,720 --> 00:01:31,840 Speaker 2: I say you just may not fit in, like you 24 00:01:31,880 --> 00:01:35,280 Speaker 2: don't like you're not even trying to fit in by 25 00:01:35,959 --> 00:01:40,600 Speaker 2: taking advantage of them having fun. And that's when I 26 00:01:40,680 --> 00:01:43,640 Speaker 2: was like, you can't make excuses by I don't like drama. Okay, fine, 27 00:01:44,040 --> 00:01:49,480 Speaker 2: that's whatever. They're actually having fun and you not even 28 00:01:49,600 --> 00:01:53,600 Speaker 2: participating and smiling, and she just looked very uncomfortable. 29 00:01:55,680 --> 00:01:57,520 Speaker 1: That's what I have to add to that before you 30 00:01:57,560 --> 00:01:58,600 Speaker 1: guys take it away. 31 00:01:58,720 --> 00:02:02,680 Speaker 2: So Dustins, what do you have to say about Angel's 32 00:02:02,720 --> 00:02:06,520 Speaker 2: explanation to the girls about her living situation? 33 00:02:07,680 --> 00:02:10,040 Speaker 3: Wow, I gotta go first. You you know, she don't 34 00:02:10,120 --> 00:02:13,480 Speaker 3: like my ass. She her husband's gonna jump on me 35 00:02:13,560 --> 00:02:16,320 Speaker 3: and ship. You know what I'm saying, you know, So 36 00:02:16,480 --> 00:02:22,560 Speaker 3: here I go. Right. Look, I thought that it was 37 00:02:22,639 --> 00:02:26,360 Speaker 3: so funny to see I thought it was so funny 38 00:02:26,880 --> 00:02:31,560 Speaker 3: to see Angel, you know, be obviously frustrated. She don't 39 00:02:31,680 --> 00:02:34,160 Speaker 3: like the Angel don't like. She can't stand me. You 40 00:02:34,160 --> 00:02:35,880 Speaker 3: know what I'm saying. I told you when it come 41 00:02:36,000 --> 00:02:40,160 Speaker 3: to me, she turned into Hell's Angels, bad to the bone, 42 00:02:40,200 --> 00:02:46,440 Speaker 3: and ship. You know, Sturge is jacket on and ship. 43 00:02:46,520 --> 00:02:49,760 Speaker 3: She's gonna ride a motorcycle down on me, getting mercurial 44 00:02:52,560 --> 00:02:55,720 Speaker 3: vo do, yeah, poking holes in it. I wonder why 45 00:02:55,760 --> 00:02:58,400 Speaker 3: I woke up with a pain, you know what I'm saying. 46 00:02:58,400 --> 00:03:03,440 Speaker 3: The distress this one. But here's the thing, right, I 47 00:03:03,480 --> 00:03:06,600 Speaker 3: had high hopes for Angel when we first started talking 48 00:03:06,639 --> 00:03:10,360 Speaker 3: about season ten of this damn show. I told y'all, 49 00:03:10,600 --> 00:03:13,920 Speaker 3: I said, Yo, Angel has got it going on. She 50 00:03:14,000 --> 00:03:16,200 Speaker 3: got what it takes. Her family was really in the 51 00:03:16,280 --> 00:03:19,919 Speaker 3: film big ass House, you know what I'm saying, Like 52 00:03:20,720 --> 00:03:23,160 Speaker 3: she just chilling. Her and Kate got a real relationship. 53 00:03:23,600 --> 00:03:25,959 Speaker 3: Everything I thought has turned out to be different. Right. 54 00:03:26,320 --> 00:03:28,400 Speaker 3: That don't mean she had to fall flat or whatever, 55 00:03:28,440 --> 00:03:30,560 Speaker 3: but it turns out like she has. And I just 56 00:03:30,600 --> 00:03:33,799 Speaker 3: thought this was another example of, like, Damn, Angel, this 57 00:03:33,880 --> 00:03:36,320 Speaker 3: is what you choose to do. She gets to the 58 00:03:36,920 --> 00:03:39,640 Speaker 3: what do you call it, a field day, a field afternoon, 59 00:03:39,640 --> 00:03:42,120 Speaker 3: whatever that event was. It didn't make no damn sense. 60 00:03:42,640 --> 00:03:45,520 Speaker 3: Boots and cowboys or I don't know what the fuck 61 00:03:45,560 --> 00:03:48,160 Speaker 3: it was called, but it was just cheap balloons and 62 00:03:48,560 --> 00:03:52,920 Speaker 3: a bunch of foil chafing dishes with the little fire 63 00:03:53,000 --> 00:03:57,000 Speaker 3: thing underneath them. Stern old that's what it was called. Anyway, 64 00:03:58,280 --> 00:04:01,120 Speaker 3: So you know, what I'm saying at this thing or whatever? 65 00:04:02,280 --> 00:04:05,520 Speaker 3: Angel instead again with the program. She's actually answering the 66 00:04:05,600 --> 00:04:08,560 Speaker 3: question of whether or not she got evicted, Don't you know? 67 00:04:09,200 --> 00:04:11,040 Speaker 3: All she had to do was sit at that table 68 00:04:11,080 --> 00:04:13,680 Speaker 3: and be like, why are we even asking me if 69 00:04:13,720 --> 00:04:15,680 Speaker 3: I'm evicted? As if me and my man are broke, 70 00:04:15,840 --> 00:04:18,080 Speaker 3: y'all really want to talk about money at this table, 71 00:04:18,320 --> 00:04:21,000 Speaker 3: and went down the line and just wore the whole 72 00:04:21,040 --> 00:04:23,120 Speaker 3: table out. That's all she has to do. But you 73 00:04:23,160 --> 00:04:25,839 Speaker 3: know what she does. She sits there at the table 74 00:04:25,920 --> 00:04:29,840 Speaker 3: and she says, she's obviously frustrated. She goes, what did 75 00:04:29,880 --> 00:04:33,880 Speaker 3: she say to Wendy? So so sorry I didn't get evicted? Girl, 76 00:04:34,680 --> 00:04:37,640 Speaker 3: you know what I'm saying like that or whatever? Then 77 00:04:37,720 --> 00:04:42,400 Speaker 3: she then then she saunters over to the field, stands 78 00:04:42,480 --> 00:04:47,120 Speaker 3: on the field talking to Tea surly and grumbling, talking 79 00:04:47,120 --> 00:04:51,000 Speaker 3: to Tea all surly, like, yeah, she I can't believe 80 00:04:51,680 --> 00:04:53,560 Speaker 3: ask me if I'm going to get evicted. 81 00:04:54,240 --> 00:04:54,960 Speaker 4: Sounds like her. 82 00:04:57,160 --> 00:05:01,000 Speaker 3: Toss a bomb with you come on, just once again 83 00:05:01,160 --> 00:05:06,039 Speaker 3: choosing to have a delayed response, a delayed reaction, you know, 84 00:05:06,520 --> 00:05:10,400 Speaker 3: and everything's just going to hell. My hope is that 85 00:05:10,440 --> 00:05:13,279 Speaker 3: by next week when we go to Colorado, we see something. 86 00:05:13,680 --> 00:05:16,159 Speaker 3: That's all. I just hope at least once we get 87 00:05:16,160 --> 00:05:19,760 Speaker 3: to Colorado where her roots are planted, where she feels 88 00:05:19,839 --> 00:05:22,880 Speaker 3: more comfortable, where she knows the layer of the land, 89 00:05:23,320 --> 00:05:26,919 Speaker 3: and you know, and it's happier. I hope, you know, 90 00:05:27,320 --> 00:05:30,599 Speaker 3: I really hope the glass is half full next week. 91 00:05:31,200 --> 00:05:33,040 Speaker 3: That's all I got to say about that scene. 92 00:05:33,360 --> 00:05:36,599 Speaker 5: But the previous she's already like not letting them at 93 00:05:36,640 --> 00:05:38,719 Speaker 5: her house and she's like, I don't want y'all's energy 94 00:05:38,720 --> 00:05:39,239 Speaker 5: at my place. 95 00:05:40,400 --> 00:05:40,640 Speaker 3: Listen. 96 00:05:40,680 --> 00:05:42,400 Speaker 5: I've been trying to hold back and root for her, 97 00:05:42,440 --> 00:05:44,000 Speaker 5: especially since I had on my show, so I don't 98 00:05:44,000 --> 00:05:46,479 Speaker 5: want to see fake you know what I mean. But 99 00:05:46,560 --> 00:05:49,720 Speaker 5: it's exhausting and it is given ere from winning the pool, 100 00:05:50,360 --> 00:05:54,400 Speaker 5: you know, the one that's always sad. What's the little carts? 101 00:05:56,960 --> 00:05:59,039 Speaker 4: But if you are and Daria had a baby, it's 102 00:05:59,040 --> 00:06:00,480 Speaker 4: like Daria slash or. 103 00:06:00,800 --> 00:06:03,680 Speaker 5: Always ad, like she's always mad inside. I'm like, yo, bro. 104 00:06:03,960 --> 00:06:06,760 Speaker 3: And there was Polly with the nigga with the blanket 105 00:06:06,800 --> 00:06:13,599 Speaker 3: from Charlie Brown or a blanket from Charlie Brown. 106 00:06:14,720 --> 00:06:19,560 Speaker 5: Smells of the Blindings. We just want you to have fun, Angel. 107 00:06:19,640 --> 00:06:21,440 Speaker 5: We just wanted to be fun like and let go. 108 00:06:21,880 --> 00:06:24,520 Speaker 5: I get it's annoying. Reality TV could be annoying, especially 109 00:06:24,520 --> 00:06:26,359 Speaker 5: when you're the new girls. They are definitely hating you, 110 00:06:26,720 --> 00:06:29,640 Speaker 5: but you're like the way they hate it was hazing safety, 111 00:06:29,720 --> 00:06:31,760 Speaker 5: but she's been around for a minute. But she let 112 00:06:31,760 --> 00:06:34,320 Speaker 5: it roll for back and that's why she won. Like 113 00:06:34,320 --> 00:06:36,520 Speaker 5: you're not you won't like you gotta less something that's 114 00:06:36,560 --> 00:06:39,960 Speaker 5: your go, my dear, like because it's taken away from 115 00:06:40,160 --> 00:06:42,640 Speaker 5: you got the brad, you got the husband, you got 116 00:06:42,680 --> 00:06:46,080 Speaker 5: all the stuff that like the makings, but like the 117 00:06:46,200 --> 00:06:50,240 Speaker 5: inability to never let anything go is given. It's crazy. 118 00:06:50,440 --> 00:06:54,480 Speaker 5: It's crazy. What what noise that you are making? 119 00:06:59,200 --> 00:07:02,160 Speaker 6: I have a theory of angel I sincerely from watching 120 00:07:02,200 --> 00:07:05,560 Speaker 6: her and just watching so many shows about Wags. I 121 00:07:05,600 --> 00:07:08,680 Speaker 6: think angel is I've said this before. I think she's 122 00:07:08,720 --> 00:07:11,680 Speaker 6: the mean girl who's used to people being nice to 123 00:07:11,680 --> 00:07:14,440 Speaker 6: her because of status, finding out in real time that 124 00:07:14,520 --> 00:07:18,520 Speaker 6: she's actually popping. She never had to develop a personality 125 00:07:18,560 --> 00:07:21,040 Speaker 6: because Wags, based on Bobbie started for ten years. You know, 126 00:07:21,280 --> 00:07:24,280 Speaker 6: that's her entry level. She's used to being treated with 127 00:07:24,280 --> 00:07:26,600 Speaker 6: a certain level of respect that she hasn't earned, and 128 00:07:26,640 --> 00:07:30,080 Speaker 6: she mistook that for her being popping, and now she's 129 00:07:30,080 --> 00:07:31,600 Speaker 6: on the show where she's finding out in real time 130 00:07:31,640 --> 00:07:33,600 Speaker 6: how lame she is in real time and doesn't know 131 00:07:33,640 --> 00:07:35,920 Speaker 6: how to pivot because in her mind she never conceived 132 00:07:35,920 --> 00:07:38,440 Speaker 6: of this. She thought that she was gonna be Gazelle's 133 00:07:38,600 --> 00:07:41,120 Speaker 6: second in command because now that what's the one with 134 00:07:41,160 --> 00:07:44,160 Speaker 6: the masculine with the voice, what's her name? 135 00:07:44,280 --> 00:07:44,559 Speaker 3: Robin? 136 00:07:44,640 --> 00:07:45,080 Speaker 4: There we go? 137 00:07:45,160 --> 00:07:47,360 Speaker 6: She thought Robin was gone, Gazelle needs her a new 138 00:07:47,400 --> 00:07:49,560 Speaker 6: greed I bandit. She thought that she was gonna slip 139 00:07:49,600 --> 00:07:51,320 Speaker 6: right in with Gazelle because she likes the whole aka 140 00:07:51,400 --> 00:07:53,480 Speaker 6: meinger energy. Mind you, I love the akas and and 141 00:07:53,560 --> 00:07:56,600 Speaker 6: I'm happy that Gizelle did not become her sorority sister 142 00:07:56,640 --> 00:07:59,400 Speaker 6: in that way, because she thought that it was gonna be, oh, 143 00:07:59,440 --> 00:08:01,240 Speaker 6: these pretty girls are gonna take me in like the 144 00:08:01,240 --> 00:08:04,040 Speaker 6: Wags did. And Zelle was like, no, this is a 145 00:08:04,040 --> 00:08:07,560 Speaker 6: whole different franchise. And and and can I be honest, 146 00:08:08,840 --> 00:08:11,800 Speaker 6: there's a thing about Angel where I think in her mind, 147 00:08:11,800 --> 00:08:14,000 Speaker 6: because I think she is a fan, I think she 148 00:08:14,080 --> 00:08:16,960 Speaker 6: had a fantasy about how this would go, and the 149 00:08:17,000 --> 00:08:19,920 Speaker 6: minute the fantasy burst, she had no bounce back. 150 00:08:20,600 --> 00:08:21,200 Speaker 4: And so she's. 151 00:08:23,200 --> 00:08:26,200 Speaker 1: I keep going interrupt you. 152 00:08:26,480 --> 00:08:29,760 Speaker 6: She had a dream about me and Gazelle and maybe 153 00:08:29,800 --> 00:08:31,640 Speaker 6: actually sometimes we're gonna be the hot girls and we're 154 00:08:31,640 --> 00:08:34,040 Speaker 6: gonna go aft the Wendy and the losers, and like 155 00:08:34,040 --> 00:08:36,920 Speaker 6: she had this whole sexy fantasy, and Gazelle just clowned 156 00:08:36,920 --> 00:08:39,400 Speaker 6: her for about three episodes and called her a catfish. 157 00:08:39,720 --> 00:08:41,280 Speaker 6: And you would have thought that she said that that 158 00:08:41,320 --> 00:08:44,040 Speaker 6: your babies were adopted. She acted like Gazelle saying you're 159 00:08:44,040 --> 00:08:46,240 Speaker 6: a catfish was the worst thing that ever happened in life, 160 00:08:46,240 --> 00:08:49,040 Speaker 6: because she has Gazelle on this pedestal. Right, And so 161 00:08:49,200 --> 00:08:51,599 Speaker 6: I think she's a mean girl who transferred to a 162 00:08:51,640 --> 00:08:52,960 Speaker 6: school where nobody thinks she's popping. 163 00:08:53,200 --> 00:08:55,280 Speaker 4: She can't make fat happen. I don't think she has 164 00:08:55,320 --> 00:08:56,120 Speaker 4: social anxiety. 165 00:08:56,280 --> 00:08:58,320 Speaker 6: I think in a room full of people who cared 166 00:08:58,360 --> 00:09:00,439 Speaker 6: that Bobby was starting for ten years, she would have 167 00:09:00,480 --> 00:09:02,000 Speaker 6: been the ball, that goddamn ball I would have thought 168 00:09:02,040 --> 00:09:05,120 Speaker 6: she earned. It was because she didn't have social anxiety 169 00:09:05,160 --> 00:09:06,280 Speaker 6: when she was skimming that thirty. 170 00:09:06,160 --> 00:09:10,360 Speaker 5: K allegedly not scamming, scamming, she. 171 00:09:12,320 --> 00:09:12,800 Speaker 4: Anxiety. 172 00:09:12,840 --> 00:09:16,720 Speaker 3: I don't know nothing about that. What I do know 173 00:09:16,720 --> 00:09:21,480 Speaker 3: about right is I think this is what's so frustrating 174 00:09:21,520 --> 00:09:24,440 Speaker 3: for me about Angel, right, It is because I think 175 00:09:24,440 --> 00:09:27,959 Speaker 3: that when she's being herself, she does actually have an 176 00:09:27,960 --> 00:09:31,600 Speaker 3: interesting personality. She does a friend that you're wanting to 177 00:09:31,679 --> 00:09:34,319 Speaker 3: kick it with and talk shit with. And so when 178 00:09:34,360 --> 00:09:37,080 Speaker 3: we get those little glimpses into that, like she like 179 00:09:37,160 --> 00:09:41,320 Speaker 3: we got when she was fully comfortable being mean to Stacey, 180 00:09:41,400 --> 00:09:44,720 Speaker 3: saying Stacey's breath stinking smell like shit, you know, and 181 00:09:44,760 --> 00:09:48,319 Speaker 3: she was laughing with everybody else on the cast laughing, 182 00:09:48,360 --> 00:09:50,520 Speaker 3: and she was talking about it. It was a little high, 183 00:09:50,640 --> 00:09:52,840 Speaker 3: you know what I'm saying. That was fine, And but 184 00:09:52,920 --> 00:09:55,400 Speaker 3: when she did that, we got to see her personality. 185 00:09:55,440 --> 00:10:00,000 Speaker 3: She was funny. Fast forward to the scene. Fast forward 186 00:10:00,080 --> 00:10:02,280 Speaker 3: to the scene when she sat down with her sister 187 00:10:02,840 --> 00:10:05,560 Speaker 3: and she was expressing her frustrations about the ladies on 188 00:10:05,600 --> 00:10:09,040 Speaker 3: the cast, and her sister had a vibrant personality and 189 00:10:09,040 --> 00:10:12,040 Speaker 3: that was something for Angel to bounce off of. And 190 00:10:12,120 --> 00:10:16,200 Speaker 3: she was funny. She was interesting to watch. That's why 191 00:10:16,320 --> 00:10:18,840 Speaker 3: for me, I'm just gonna speak for myself. That's why 192 00:10:18,880 --> 00:10:22,800 Speaker 3: when I see her just sizzling out and so tepid 193 00:10:22,960 --> 00:10:26,600 Speaker 3: in these other scenes, it makes it like, Yo, why 194 00:10:26,640 --> 00:10:32,320 Speaker 3: are you so lukewarm and just flat in these scenes 195 00:10:32,400 --> 00:10:36,439 Speaker 3: when that's not really what yours. When you appear most genuine, 196 00:10:37,000 --> 00:10:40,839 Speaker 3: most nonpensive, you know what I'm saying, when we feel 197 00:10:40,840 --> 00:10:42,800 Speaker 3: like you've really been yourself, you don't be on this 198 00:10:42,920 --> 00:10:46,360 Speaker 3: bullshit talking about some is mercurial, you know what I'm saying. 199 00:10:46,440 --> 00:10:48,840 Speaker 3: So that's why it's so frustrating. 200 00:10:49,840 --> 00:10:52,160 Speaker 6: Did you hear where you said she's with her popping sister. Yeah, 201 00:10:52,440 --> 00:10:55,679 Speaker 6: she's in a familiar environment. When Angel somebody else is 202 00:10:56,080 --> 00:10:59,000 Speaker 6: making her feel comfortable, she can be popping because there's 203 00:10:59,040 --> 00:11:01,600 Speaker 6: been a love of playing field. When she's starting at zero. 204 00:11:01,960 --> 00:11:04,880 Speaker 6: She doesn't have a she's not a self starter. Some 205 00:11:04,920 --> 00:11:07,160 Speaker 6: people in this world are popping when they're around people 206 00:11:07,200 --> 00:11:10,200 Speaker 6: that they feel safe with and when they're a familiar dynamic, 207 00:11:10,600 --> 00:11:12,520 Speaker 6: But the minute you put them somewhere foreign, they have 208 00:11:12,600 --> 00:11:13,320 Speaker 6: no bounce back. 209 00:11:14,240 --> 00:11:18,439 Speaker 5: In radio, they have a they call it the conversation starter. 210 00:11:18,600 --> 00:11:22,240 Speaker 5: That's the A character and then the B character responder 211 00:11:22,400 --> 00:11:25,560 Speaker 5: that would be the co host. And you can't, like 212 00:11:25,600 --> 00:11:27,760 Speaker 5: you're not allowed to start, you're not allowed to bring 213 00:11:27,800 --> 00:11:30,239 Speaker 5: people to break. You have to like just be the responder. 214 00:11:30,840 --> 00:11:33,160 Speaker 5: And I feel like she's more comfortable when she's being mean, 215 00:11:34,120 --> 00:11:36,120 Speaker 5: but she's I don't actually mind her being mean, because 216 00:11:36,120 --> 00:11:39,920 Speaker 5: that's actually what you mean. I will lean in. But 217 00:11:40,040 --> 00:11:42,840 Speaker 5: it's like when a mean girl is like trying to 218 00:11:42,840 --> 00:11:45,280 Speaker 5: be nice, like when she was in the jewelry store 219 00:11:45,320 --> 00:11:47,040 Speaker 5: and she's like, oh my god, I would imagine ten 220 00:11:47,120 --> 00:11:51,079 Speaker 5: years ago that shit was so boring and fake. But hey, Angel, 221 00:11:51,200 --> 00:11:54,199 Speaker 5: we're saying you have what it takes, but you kind 222 00:11:54,200 --> 00:11:56,040 Speaker 5: of I think you're on the fence about whether or 223 00:11:56,080 --> 00:11:58,040 Speaker 5: not you want to commit to being like the shit 224 00:11:58,160 --> 00:12:00,679 Speaker 5: talking mean girl or the nice girl. And I think 225 00:12:00,720 --> 00:12:02,240 Speaker 5: you're in your head too much, where a lot of 226 00:12:02,360 --> 00:12:04,600 Speaker 5: a lot of actresses that go on reality TV are 227 00:12:04,679 --> 00:12:06,840 Speaker 5: like this. They're in their head too much, Carls, you know, 228 00:12:07,040 --> 00:12:09,680 Speaker 5: and they think about it, they overthink it, and they're like, well, 229 00:12:09,720 --> 00:12:11,760 Speaker 5: I don't want them to think. Well, I don't want them. 230 00:12:11,880 --> 00:12:13,720 Speaker 5: You gotta like not be like that. You just gotta 231 00:12:13,880 --> 00:12:16,680 Speaker 5: be when you just bet and let the cameras catch 232 00:12:16,720 --> 00:12:19,680 Speaker 5: the magic, then you'll fucking you'll win. But you're in 233 00:12:19,760 --> 00:12:21,920 Speaker 5: your head too much. You're trying to self edit, and 234 00:12:21,960 --> 00:12:23,880 Speaker 5: I think if you just let the chop a fly, 235 00:12:24,080 --> 00:12:26,520 Speaker 5: Angel and just talk your shit, like when you do 236 00:12:26,640 --> 00:12:28,679 Speaker 5: the beach. People are responding to it. And that's the 237 00:12:28,720 --> 00:12:30,840 Speaker 5: same thing Kenya Moore did. Ken You Moore came on 238 00:12:30,840 --> 00:12:32,760 Speaker 5: the show trying to be a little nice. They fucking 239 00:12:32,800 --> 00:12:34,640 Speaker 5: came for her, and guess what. Soon as she found 240 00:12:34,679 --> 00:12:37,640 Speaker 5: out being a villain was good for her, she leaned 241 00:12:37,920 --> 00:12:41,920 Speaker 5: in every time. And people I knowver know that she's 242 00:12:41,920 --> 00:12:44,959 Speaker 5: given us good TV. Right, She's not evil, She's given 243 00:12:45,040 --> 00:12:48,800 Speaker 5: us good TV. She leaned into it. Angel, lean into it. 244 00:12:48,840 --> 00:12:51,040 Speaker 5: Stop worrying about what they're gonna say about you, and look, 245 00:12:51,080 --> 00:12:55,080 Speaker 5: treat it as you on a telenovela you're in. You're like, 246 00:12:55,120 --> 00:12:57,840 Speaker 5: you gotta treat reality like that sometimes, like you know, 247 00:12:57,960 --> 00:13:01,000 Speaker 5: like just stop worrying about it. Stop like just I'm 248 00:13:01,040 --> 00:13:02,360 Speaker 5: at work, like. 249 00:13:02,840 --> 00:13:03,679 Speaker 1: Actually good advice? 250 00:13:04,000 --> 00:13:06,240 Speaker 5: Yeah, Like and I hate I hate when I see 251 00:13:06,240 --> 00:13:09,160 Speaker 5: people do that shit. Oh this been some people. I 252 00:13:09,280 --> 00:13:11,320 Speaker 5: was talking about doing the show here and like one 253 00:13:11,360 --> 00:13:14,880 Speaker 5: of my friends was too much, like but I don't 254 00:13:14,880 --> 00:13:17,080 Speaker 5: want I just I don't. Oh my god, Then get 255 00:13:17,120 --> 00:13:19,040 Speaker 5: out of here. Then this is not for you. 256 00:13:19,440 --> 00:13:20,440 Speaker 1: Don't join the show. 257 00:13:20,600 --> 00:13:23,600 Speaker 2: No, Dustin, that's it's real and listen and listen. 258 00:13:23,679 --> 00:13:24,560 Speaker 1: This isn't an angel. 259 00:13:24,559 --> 00:13:28,480 Speaker 2: Paulov because you almost so funny when when we talked 260 00:13:28,520 --> 00:13:32,080 Speaker 2: about me and last season, y'all you know, joined in 261 00:13:32,720 --> 00:13:34,800 Speaker 2: the thing with Angel that we're doing. Once again, we're 262 00:13:34,840 --> 00:13:37,400 Speaker 2: only talking about we're singing the show. But secondly, this 263 00:13:37,840 --> 00:13:41,400 Speaker 2: is great critique. I'm gonna do a PSA right now today. 264 00:13:41,520 --> 00:13:46,920 Speaker 2: Merry Christmas, Happy Hanukkah, Kwanza, Happy New Year. Do not 265 00:13:47,400 --> 00:13:50,920 Speaker 2: sign up because once again, this isn't like the army 266 00:13:51,200 --> 00:13:55,240 Speaker 2: where you're being drafted. Okay, because you're eighteen years old 267 00:13:55,280 --> 00:13:58,559 Speaker 2: and you signed on to stop. 268 00:13:58,320 --> 00:13:59,640 Speaker 3: You have to do it. 269 00:14:00,480 --> 00:14:04,400 Speaker 1: You don't have to do it. You actually don't have 270 00:14:04,520 --> 00:14:09,160 Speaker 1: to do it. It bothers me with people during reality TV. 271 00:14:10,760 --> 00:14:12,199 Speaker 3: And they they they they. 272 00:14:12,080 --> 00:14:14,600 Speaker 2: Don't want to be them sins or when they when 273 00:14:14,640 --> 00:14:17,840 Speaker 2: they when they tell producers or you know, Qualitia x Y. 274 00:14:17,840 --> 00:14:19,360 Speaker 4: And z Oh for real, I don't know that. 275 00:14:19,520 --> 00:14:20,560 Speaker 1: How about you bring it up. 276 00:14:20,760 --> 00:14:22,520 Speaker 2: I'm gonna bring it up because I'm not about to 277 00:14:22,520 --> 00:14:23,840 Speaker 2: be seen as a messy bitch. 278 00:14:25,840 --> 00:14:27,560 Speaker 1: But you actually. 279 00:14:28,880 --> 00:14:32,480 Speaker 2: Get get that's pay this would happen to reality television. 280 00:14:32,760 --> 00:14:35,120 Speaker 1: Get someone else to do it and I'll chime in 281 00:14:36,840 --> 00:14:41,360 Speaker 1: what or I signed on to do this show because 282 00:14:41,400 --> 00:14:42,400 Speaker 1: I want to show. 283 00:14:42,280 --> 00:14:45,320 Speaker 2: Something different to the world who ask you you're not 284 00:14:45,400 --> 00:14:47,360 Speaker 2: really Gilbert in a different world. 285 00:14:47,640 --> 00:14:48,520 Speaker 1: I want you here. 286 00:14:49,240 --> 00:14:53,280 Speaker 5: I just want to my business and show positive women 287 00:14:55,480 --> 00:14:55,840 Speaker 5: on earth. 288 00:14:56,120 --> 00:15:00,200 Speaker 2: Yeah business, go joint shark. 289 00:15:00,480 --> 00:15:03,280 Speaker 1: I can introduce you to em mcgurny, who does scams. 290 00:15:04,160 --> 00:15:09,480 Speaker 1: Stop signing off Stop it's a reality. 291 00:15:09,560 --> 00:15:14,240 Speaker 2: Television is the only profession where you can get away 292 00:15:15,040 --> 00:15:16,240 Speaker 2: with giving. 293 00:15:16,000 --> 00:15:18,840 Speaker 1: The least because you want to feel like this is 294 00:15:18,920 --> 00:15:22,120 Speaker 1: too real. I want to show something different. 295 00:15:22,680 --> 00:15:24,560 Speaker 2: I don't want to bring that up because so and 296 00:15:24,600 --> 00:15:27,000 Speaker 2: so zero six two is gonna. 297 00:15:26,720 --> 00:15:30,840 Speaker 1: Say this about me, then leave the show. And when 298 00:15:30,840 --> 00:15:33,160 Speaker 1: you leave the show, I'm gonna end with saying this. 299 00:15:34,000 --> 00:15:36,440 Speaker 2: When you leave the show and you miss the fame, 300 00:15:37,680 --> 00:15:41,040 Speaker 2: because again you do miss it, what do you do? 301 00:15:43,840 --> 00:15:47,000 Speaker 2: Knock knock and you try to come back, That's what happens. 302 00:15:47,160 --> 00:15:49,880 Speaker 2: So once again, it's a tough gig. That's why I 303 00:15:49,920 --> 00:15:52,640 Speaker 2: stand for it. This is great advice. If you do 304 00:15:52,720 --> 00:15:56,880 Speaker 2: not want to be yourself, don't sign on it bothers everybody, 305 00:15:56,880 --> 00:16:00,120 Speaker 2: including the audience and including the people watching it. And 306 00:16:00,120 --> 00:16:01,920 Speaker 2: what you're not gonna do is try to flip it 307 00:16:02,240 --> 00:16:04,720 Speaker 2: and say you guys are bashing me. 308 00:16:05,000 --> 00:16:09,520 Speaker 1: We're literally talking about what you showed on the show. 309 00:16:09,640 --> 00:16:11,760 Speaker 2: When you listen to a Beyonce record and you don't 310 00:16:11,800 --> 00:16:14,080 Speaker 2: like a song, you're not bashing Beyonce. You're saying, I 311 00:16:14,080 --> 00:16:17,040 Speaker 2: don't like this song, and it's okay to have an opinion. 312 00:16:17,560 --> 00:16:19,080 Speaker 1: So move on from that. 313 00:16:20,520 --> 00:16:20,800 Speaker 3: Okay. 314 00:16:20,800 --> 00:16:22,120 Speaker 1: That's my PSA for day now. 315 00:16:22,480 --> 00:16:25,320 Speaker 5: If you don't want to, I'm sorry real quick. One 316 00:16:25,400 --> 00:16:29,920 Speaker 5: last line if you your at top of mind is 317 00:16:30,400 --> 00:16:38,200 Speaker 5: I don't want people to think dot dot dot reality, singing, acting, dancing, 318 00:16:38,920 --> 00:16:41,480 Speaker 5: comedy is not for you. 319 00:16:42,720 --> 00:16:52,480 Speaker 3: It's not ye Tonight, y'all have had me cracking up tonight. 320 00:16:52,920 --> 00:16:59,400 Speaker 3: Carlo's gonna say that. People tell you, oh show to 321 00:16:59,520 --> 00:17:03,320 Speaker 3: show so different. Nobody you. 322 00:17:07,000 --> 00:17:08,440 Speaker 4: I didn't do a Catholic coffee. 323 00:17:08,800 --> 00:17:10,440 Speaker 1: If you would like to sound to be on x 324 00:17:10,560 --> 00:17:12,280 Speaker 1: y Z and show something. 325 00:17:12,040 --> 00:17:20,680 Speaker 2: Different, nobody you yeah, man and said, hey, my pop 326 00:17:20,760 --> 00:17:21,920 Speaker 2: pis on black effects. 327 00:17:22,800 --> 00:17:24,719 Speaker 1: I just feel like you need something different on your 328 00:17:29,880 --> 00:17:31,000 Speaker 1: I don't need your croons. 329 00:17:33,680 --> 00:17:35,000 Speaker 3: O my god. 330 00:17:35,680 --> 00:17:38,240 Speaker 2: I can go to own and say I think I 331 00:17:38,240 --> 00:17:40,480 Speaker 2: got yall to fix my life and everything. But baby, 332 00:17:40,840 --> 00:17:43,520 Speaker 2: I'm trying to shigure a little, a little something different. 333 00:17:45,359 --> 00:17:47,000 Speaker 4: Who are you? 334 00:17:47,040 --> 00:17:50,520 Speaker 1: No one gets away with that anyway. But what what 335 00:17:50,520 --> 00:17:53,159 Speaker 1: what does apparently get. 336 00:17:53,000 --> 00:17:56,480 Speaker 2: Away is you're kissing someone's son who is twenty seven 337 00:17:56,560 --> 00:18:03,399 Speaker 2: years old. Ashley Darby revealed to Cheris Jordan Jackson that 338 00:18:04,080 --> 00:18:07,600 Speaker 2: she made out with her twenty seven year old. She 339 00:18:07,840 --> 00:18:11,960 Speaker 2: said that she was in a very mercurial situation where 340 00:18:12,280 --> 00:18:12,560 Speaker 2: first of. 341 00:18:12,560 --> 00:18:14,720 Speaker 5: All, your house stopped running this goddamn word to the 342 00:18:14,720 --> 00:18:19,000 Speaker 5: ground because before last three weeks ago, I've never used 343 00:18:19,000 --> 00:18:21,720 Speaker 5: it with my friends, have never been used my presence. 344 00:18:21,760 --> 00:18:23,560 Speaker 5: I've heard the word before because i did win the 345 00:18:23,600 --> 00:18:26,680 Speaker 5: spell from the fifth grade. But I'm just saying I'm 346 00:18:26,760 --> 00:18:32,159 Speaker 5: sick of his goddamn words, not letting angel angel. 347 00:18:34,160 --> 00:18:34,280 Speaker 3: Is. 348 00:18:34,320 --> 00:18:37,480 Speaker 1: Actually I'm just saying, I'm just saying. 349 00:18:37,720 --> 00:18:42,600 Speaker 2: So Ashley made out with her friends. 350 00:18:42,800 --> 00:18:44,280 Speaker 1: Now the son is twenty. 351 00:18:44,040 --> 00:18:48,199 Speaker 2: Seven years old, and she said that, you know, he 352 00:18:48,280 --> 00:18:50,920 Speaker 2: knocked on the door, she opened it up, she had 353 00:18:50,920 --> 00:18:53,920 Speaker 2: to get something, and then he leaned into her. They 354 00:18:53,960 --> 00:18:56,280 Speaker 2: made out and I'm like, all right, a kiss whatever. 355 00:18:56,760 --> 00:18:59,560 Speaker 1: But then she made a comment and she's telling this 356 00:18:59,760 --> 00:19:01,040 Speaker 1: to the boy's mother. 357 00:19:01,840 --> 00:19:06,800 Speaker 2: She then made a comment where she said, and if 358 00:19:06,840 --> 00:19:08,560 Speaker 2: it did it in at. 359 00:19:08,400 --> 00:19:12,560 Speaker 1: The kiss, would you be upset? 360 00:19:14,040 --> 00:19:20,320 Speaker 2: Intimating that allegedly allegedly allegedly that Ashley was intimate with 361 00:19:20,920 --> 00:19:23,520 Speaker 2: Charisse Jordan Jackson's. 362 00:19:23,000 --> 00:19:33,520 Speaker 7: Son Claudia Jordan. What are your thoughts? 363 00:19:35,760 --> 00:19:38,280 Speaker 2: And for the record, for the record, for the record, 364 00:19:38,359 --> 00:19:43,080 Speaker 2: for the record, thank you. He's twenty seven, Ashley's thirty seven. 365 00:19:43,080 --> 00:19:46,639 Speaker 2: It's a tenure age difference, which ain't nothing. But is 366 00:19:46,720 --> 00:19:51,800 Speaker 2: it weird to be kissing the son of your girlfriend 367 00:19:51,880 --> 00:19:53,720 Speaker 2: who you watch grow up as a teenager. 368 00:19:54,040 --> 00:19:59,080 Speaker 5: Yes, listen, in the wild, you can date someone ten 369 00:19:59,160 --> 00:20:01,680 Speaker 5: years old, someone ten years ago. You can make out 370 00:20:01,680 --> 00:20:05,080 Speaker 5: with someone ten years younger, but your friend's son. I mean, 371 00:20:05,160 --> 00:20:07,120 Speaker 5: you make jokes with your You may make a joke 372 00:20:07,160 --> 00:20:10,080 Speaker 5: with your friend like he don't send your son over 373 00:20:10,080 --> 00:20:12,399 Speaker 5: here to bring up the groceres or whatever, but you 374 00:20:12,440 --> 00:20:15,320 Speaker 5: don't really go make out with them and let them second. 375 00:20:15,440 --> 00:20:16,960 Speaker 5: I don't know what they did. Some I don't know 376 00:20:16,960 --> 00:20:19,360 Speaker 5: if someone's gonna suck the lick or someone. I don't 377 00:20:19,400 --> 00:20:23,520 Speaker 5: know what the hell happened. I'm I'm saying it's weird 378 00:20:23,520 --> 00:20:26,800 Speaker 5: as hell and be on TV about it, Ashley. Come on, Ashley, 379 00:20:26,960 --> 00:20:30,880 Speaker 5: I know you're having a hot girl season, but this 380 00:20:30,880 --> 00:20:33,280 Speaker 5: one should have kept I would have kept that to myself. 381 00:20:34,160 --> 00:20:36,919 Speaker 5: I mean putting that on TV, like you messing with 382 00:20:36,960 --> 00:20:42,400 Speaker 5: your friend's son. I don't know. That's I don't know, 383 00:20:42,520 --> 00:20:45,600 Speaker 5: y'all what y'all think? Could y'all do that? You mess 384 00:20:45,640 --> 00:20:46,840 Speaker 5: with your friend's son? 385 00:20:47,560 --> 00:20:51,399 Speaker 2: Wait, so they're saying these are two comments. He also 386 00:20:51,480 --> 00:20:54,280 Speaker 2: confirmed and watch What Happens Live that it did go further. 387 00:20:54,680 --> 00:20:56,600 Speaker 5: So what happened was like a little finger banging? 388 00:20:56,920 --> 00:20:57,040 Speaker 3: Was this? 389 00:21:00,000 --> 00:21:00,160 Speaker 6: Wow? 390 00:21:00,200 --> 00:21:02,920 Speaker 1: Wow wow wow baby, stop using fingers again. 391 00:21:03,560 --> 00:21:06,800 Speaker 4: Merry Christmas, y'all please not be died. Huh oh my god. 392 00:21:06,920 --> 00:21:14,680 Speaker 5: This is the season to be as you not being 393 00:21:14,680 --> 00:21:16,920 Speaker 5: a whore. But I'm just saying the judgments a little off, 394 00:21:17,000 --> 00:21:20,199 Speaker 5: like being with your friend's son is crazy because like 395 00:21:20,240 --> 00:21:22,480 Speaker 5: when it goes bad and she's on your friends circle, 396 00:21:22,520 --> 00:21:25,240 Speaker 5: you're gonna complain to your friend your son ain't calling 397 00:21:25,240 --> 00:21:28,840 Speaker 5: me back? Sound crazy? 398 00:21:29,359 --> 00:21:36,080 Speaker 1: Your son calling me back? Okay? So Blue, Blue, what. 399 00:21:36,119 --> 00:21:38,439 Speaker 2: Is going on in this situation in your eyes that 400 00:21:38,520 --> 00:21:42,520 Speaker 2: you're seeing with Ashley telling Charies to her face what 401 00:21:42,600 --> 00:21:45,800 Speaker 2: was going on? But before before you do speak, I 402 00:21:45,840 --> 00:21:47,920 Speaker 2: do I do have a Lizzy note? 403 00:21:49,320 --> 00:21:50,760 Speaker 3: Mayor Christmas? 404 00:21:51,240 --> 00:21:55,600 Speaker 2: Hey, Lizzie, So I do have a a Lizzy note. 405 00:21:57,359 --> 00:22:04,879 Speaker 2: Chares made a comment based on that scene going viral, 406 00:22:05,240 --> 00:22:07,520 Speaker 2: and this is what Teresa had to say. Claudia, Blue 407 00:22:07,560 --> 00:22:10,480 Speaker 2: and Dustin and Blue, I want you to speak, she said, 408 00:22:10,640 --> 00:22:13,440 Speaker 2: I honestly did not believe it. One thing I know 409 00:22:13,560 --> 00:22:16,359 Speaker 2: for sure is that no matter how I respond, people 410 00:22:16,359 --> 00:22:20,320 Speaker 2: will take issue. I have been I have not been 411 00:22:20,440 --> 00:22:23,400 Speaker 2: edited to represent my real personality over the years. At 412 00:22:23,400 --> 00:22:26,040 Speaker 2: this point, I'm sixty. I want to pop in and 413 00:22:26,040 --> 00:22:30,439 Speaker 2: have fun with these ladies. I don't mind meaningful conversations, 414 00:22:30,480 --> 00:22:34,680 Speaker 2: but to flip out just for the cameras over fake 415 00:22:34,800 --> 00:22:38,560 Speaker 2: or petty issue is not my thing. She ends by saying, 416 00:22:39,480 --> 00:22:42,879 Speaker 2: I can now see the disrespect. At the time of filming, 417 00:22:43,000 --> 00:22:45,480 Speaker 2: I did not believe it. One thing I do know 418 00:22:45,640 --> 00:22:50,159 Speaker 2: for certain is that there are no real friendships in 419 00:22:50,200 --> 00:22:51,120 Speaker 2: this business. 420 00:22:51,720 --> 00:22:55,840 Speaker 3: Booe Tomato, Tomato delayed reaction. That's the same shit Ange 421 00:22:55,840 --> 00:22:58,400 Speaker 3: will be doing. Beat it. You said that you sit 422 00:22:58,440 --> 00:23:00,359 Speaker 3: there at the table and let this lady's say she 423 00:23:00,440 --> 00:23:03,840 Speaker 3: was messing with your son and you was laughing at her. 424 00:23:03,960 --> 00:23:07,160 Speaker 3: I ain't drinking your drink and didn't say nothing. So 425 00:23:07,240 --> 00:23:09,080 Speaker 3: now that the Internet had been on your ass and 426 00:23:09,119 --> 00:23:11,520 Speaker 3: you feel you watch that back and you feel embarrassed 427 00:23:11,520 --> 00:23:14,399 Speaker 3: that you didn't say nothing. Stand up for yourself and 428 00:23:14,440 --> 00:23:17,600 Speaker 3: for your son. In that case you feel you feel 429 00:23:17,640 --> 00:23:19,879 Speaker 3: like you played yourself. We don't give a fuck. We 430 00:23:19,920 --> 00:23:22,400 Speaker 3: don't want to hear that. As far as you being sixty, 431 00:23:22,520 --> 00:23:25,440 Speaker 3: that don't mean nothing. But you just known better, That's 432 00:23:25,480 --> 00:23:38,080 Speaker 3: what I mean. Oh, I don't know what that's what 433 00:23:38,200 --> 00:23:41,040 Speaker 3: she did sitting at that table. Now for my bad 434 00:23:41,119 --> 00:23:43,600 Speaker 3: could bluish your turn? Go ahead, friend, I'm sorry. I'm 435 00:23:43,600 --> 00:23:45,320 Speaker 3: so sorry. I did not mean to jump on you 436 00:23:45,440 --> 00:23:45,639 Speaker 3: like that. 437 00:23:46,840 --> 00:23:48,720 Speaker 4: You did that. I feel nicer now. 438 00:23:49,119 --> 00:23:52,000 Speaker 3: No, not bad, I just I'm so sorry your head, sirs. 439 00:23:53,320 --> 00:23:54,200 Speaker 4: I'm gonna just say this. 440 00:23:54,640 --> 00:23:58,280 Speaker 6: Ashley Darby is used to inappropriate relationship, romantic relationships, and 441 00:23:58,320 --> 00:24:03,680 Speaker 6: age dynamics, so she tends to either, from what I've 442 00:24:03,720 --> 00:24:05,560 Speaker 6: seen on the show in the many years, date men 443 00:24:05,600 --> 00:24:08,359 Speaker 6: who are like the father who wouldn't raise her, or 444 00:24:08,400 --> 00:24:10,440 Speaker 6: who look like her son who she's shrying to raise, 445 00:24:10,440 --> 00:24:13,640 Speaker 6: and so inappropriate age dynamics with Ashley Darby's nothing new. 446 00:24:14,880 --> 00:24:17,000 Speaker 6: I'm not papa, can you hear me? I think she 447 00:24:17,160 --> 00:24:20,680 Speaker 6: likes the inequity, so I'm not surprised. She also has 448 00:24:20,680 --> 00:24:25,480 Speaker 6: no storyline, So if you are desperate for a storyline, 449 00:24:25,960 --> 00:24:28,400 Speaker 6: and you, you know, have a fashion show with no fashions. 450 00:24:28,400 --> 00:24:31,080 Speaker 6: You're gonna stay with every sensational thing you can in 451 00:24:31,200 --> 00:24:33,399 Speaker 6: order to be relevant, and here you are still irrelevant. 452 00:24:33,760 --> 00:24:37,320 Speaker 6: So none of it is shocking to me. I do 453 00:24:37,400 --> 00:24:39,520 Speaker 6: think I I think. 454 00:24:39,359 --> 00:24:42,680 Speaker 4: That she had a hungry, hot girl moment and probably 455 00:24:42,760 --> 00:24:45,480 Speaker 4: huns on that man. I wouldn't be surprised. He doesn't 456 00:24:46,040 --> 00:24:46,760 Speaker 4: beautiful boy. 457 00:24:46,840 --> 00:24:50,520 Speaker 6: Sure he's a beautiful boy, he doesn't seem all that quick. 458 00:24:50,720 --> 00:24:53,000 Speaker 6: So I do believe actually was probably the one who 459 00:24:53,320 --> 00:24:56,040 Speaker 6: might have been the aggressor in this situation. He's just 460 00:24:56,119 --> 00:24:58,960 Speaker 6: kind of like, hey, it's like it's very He's no 461 00:24:59,040 --> 00:25:02,240 Speaker 6: mental giant, right. And the thing is, she tends to 462 00:25:02,280 --> 00:25:05,440 Speaker 6: pick younger men who are kind of easy to drag 463 00:25:05,520 --> 00:25:07,840 Speaker 6: by the by the by the neck line, or older 464 00:25:07,880 --> 00:25:09,040 Speaker 6: man who play a father role. 465 00:25:09,200 --> 00:25:10,760 Speaker 4: So I'm seeing a pattern. 466 00:25:10,680 --> 00:25:11,840 Speaker 6: Just like that guy that she broke up with the 467 00:25:11,880 --> 00:25:14,480 Speaker 6: Chuck E Cheese the previous episode. First, you're breaking up 468 00:25:14,480 --> 00:25:15,720 Speaker 6: with a man who was like your son at Chuck 469 00:25:15,720 --> 00:25:20,080 Speaker 6: E Cheese. Now you hunching on Sharesa's son. Actually, enough enough, Okay, 470 00:25:20,280 --> 00:25:22,600 Speaker 6: it's bad enough that angels trying to be Maya Angelou 471 00:25:22,640 --> 00:25:24,919 Speaker 6: and Potomac and now you're trying to be the deadler. 472 00:25:25,000 --> 00:25:27,520 Speaker 6: It's just all too much. It's all very desperate, it's 473 00:25:27,520 --> 00:25:31,520 Speaker 6: all very sad. Just find you a storyline something nobody 474 00:25:31,520 --> 00:25:34,240 Speaker 6: wanted to buy. Those T shirts fash again fashion show 475 00:25:34,280 --> 00:25:36,000 Speaker 6: with no fashions is how I feel about Ashley Darby. 476 00:25:36,080 --> 00:25:36,760 Speaker 4: If you go to her. 477 00:25:36,680 --> 00:25:39,040 Speaker 6: Website, they got one T shirt that sold out, which 478 00:25:39,080 --> 00:25:41,200 Speaker 6: means she's all for got to restock the inventory. 479 00:25:41,480 --> 00:25:43,920 Speaker 4: It's just she makes me sad. She needs to go 480 00:25:44,560 --> 00:25:46,359 Speaker 4: for her own sake. Put her out. Do a kill shot. 481 00:25:46,400 --> 00:25:46,680 Speaker 3: Andy. 482 00:25:46,720 --> 00:25:49,640 Speaker 1: What what is the thing to somebody? 483 00:25:49,720 --> 00:25:51,120 Speaker 4: Go and put them on their misery? 484 00:25:51,280 --> 00:25:52,480 Speaker 5: How much O the T shirts? 485 00:25:53,600 --> 00:25:56,200 Speaker 6: They had no price, baby, because you need you need WordPress. 486 00:25:56,200 --> 00:25:57,520 Speaker 6: You need to pay your word press and your blue 487 00:25:57,520 --> 00:25:59,800 Speaker 6: host in order to have commerce. It's just all very sad. 488 00:26:00,880 --> 00:26:06,879 Speaker 6: GNA is a clothing brand slash Gay Pride Float slash. 489 00:26:06,920 --> 00:26:07,360 Speaker 4: I don't know. 490 00:26:07,320 --> 00:26:10,280 Speaker 6: What's happening with the branding, right, And also I felt 491 00:26:10,280 --> 00:26:13,160 Speaker 6: like she satu work with clears. Also, actually, I think 492 00:26:13,160 --> 00:26:15,800 Speaker 6: you're only compelling when you're in drag, but I don't 493 00:26:15,840 --> 00:26:18,000 Speaker 6: even think you're gay, So even that's a little insulting. 494 00:26:18,080 --> 00:26:20,040 Speaker 5: It's just you think she's fake gay. 495 00:26:20,560 --> 00:26:23,760 Speaker 4: Oh absolutely, I think she might be gay for pay. 496 00:26:24,040 --> 00:26:25,800 Speaker 5: Are you saying she really don't like pussy? 497 00:26:26,440 --> 00:26:28,840 Speaker 4: No, she don't like Lucy Child. She likes attention. 498 00:26:31,080 --> 00:26:32,199 Speaker 5: The Hernady. 499 00:26:32,280 --> 00:26:33,479 Speaker 4: No, she likes attention. 500 00:26:33,560 --> 00:26:38,240 Speaker 6: I'm just saying, Ashley Darby Green, she just angel. I 501 00:26:38,280 --> 00:26:39,840 Speaker 6: found somebody that annoys me more than you do. 502 00:26:40,480 --> 00:26:41,840 Speaker 4: That's the nicest thing I can think to say. 503 00:26:42,000 --> 00:26:43,720 Speaker 6: I found somebody that annoys me more than you do. 504 00:26:43,880 --> 00:26:46,080 Speaker 6: She's like spoiled milk that won't leave the fucking carton. 505 00:26:46,359 --> 00:26:49,159 Speaker 6: But I will say this though, to Carlos's point, at 506 00:26:49,200 --> 00:26:50,400 Speaker 6: least she's showing up. 507 00:26:51,560 --> 00:26:53,080 Speaker 4: I guess at least she's showing up. 508 00:26:55,520 --> 00:26:58,320 Speaker 2: This is reality with the King, and I'm Carlos King. 509 00:26:58,800 --> 00:27:00,639 Speaker 2: Let's get back in to the show. 510 00:27:01,960 --> 00:27:06,359 Speaker 3: Well, I'm gonna put it like this, Right, she thirty seven, 511 00:27:06,600 --> 00:27:09,480 Speaker 3: he twenty seven at the time, what was she thirty six? 512 00:27:09,520 --> 00:27:13,520 Speaker 3: He was twenty six. That's two consenting adults that made 513 00:27:13,560 --> 00:27:17,679 Speaker 3: that choice to do what they wanted to do, full stop, Right, Ultimately, 514 00:27:17,840 --> 00:27:20,080 Speaker 3: that's the end up with full stop, two grown people 515 00:27:20,119 --> 00:27:21,800 Speaker 3: that did what they wanted to do. Now, how do 516 00:27:21,920 --> 00:27:25,840 Speaker 3: I personally feel about it? Actually, wrong as hell. Everything 517 00:27:25,880 --> 00:27:28,320 Speaker 3: about the way the situation went down was fucked up. 518 00:27:28,840 --> 00:27:32,240 Speaker 3: Her son took your ass home when when you was drunk, 519 00:27:32,720 --> 00:27:35,800 Speaker 3: fucked up, couldn't drive yourself home, He took you home 520 00:27:35,880 --> 00:27:38,359 Speaker 3: to make sure y'r drunk ass made it home safe. 521 00:27:38,640 --> 00:27:41,000 Speaker 3: And what did you do end up getting into some 522 00:27:41,000 --> 00:27:44,199 Speaker 3: sort of intimate situation with him? Mind you, this season 523 00:27:44,240 --> 00:27:46,399 Speaker 3: ten of the show actually, and Sharis was both on 524 00:27:46,440 --> 00:27:49,280 Speaker 3: that show and season one ten years ago he was 525 00:27:49,320 --> 00:27:50,240 Speaker 3: what seventeen? 526 00:27:50,640 --> 00:27:51,000 Speaker 5: Thank you? 527 00:27:51,119 --> 00:27:54,960 Speaker 3: That's twenty seven now if anybody. And now again, they 528 00:27:55,000 --> 00:27:57,439 Speaker 3: didn't do nothing ten years ago, So I'm not saying 529 00:27:57,480 --> 00:27:59,840 Speaker 3: she was wrong in that way. I'm just adding those 530 00:28:00,040 --> 00:28:02,600 Speaker 3: numbers to give this a little bit of context when 531 00:28:02,640 --> 00:28:06,000 Speaker 3: we look at the ship of why it feels nasty 532 00:28:06,280 --> 00:28:09,159 Speaker 3: that she messed around with Sharif's son, Ter should have 533 00:28:09,160 --> 00:28:11,639 Speaker 3: slapped the ship out of Ashley on some real niggas 534 00:28:12,240 --> 00:28:14,200 Speaker 3: at that table when she told her that she messed 535 00:28:14,200 --> 00:28:17,400 Speaker 3: around her son, most mamas would have flipped that restaurant 536 00:28:17,520 --> 00:28:20,960 Speaker 3: over in half yo, yo, that's her kid. And then 537 00:28:21,240 --> 00:28:23,919 Speaker 3: the way Ashley said what she said to her was 538 00:28:24,040 --> 00:28:26,919 Speaker 3: weird and creepy. She sat there and said that like 539 00:28:27,040 --> 00:28:34,600 Speaker 3: mister Burns. She was leaning down and sneering up. Yeah, 540 00:28:34,800 --> 00:28:37,840 Speaker 3: and you know you fit out went a little further 541 00:28:37,880 --> 00:28:41,040 Speaker 3: than wouldn't have that tapping her my office ship. She 542 00:28:41,200 --> 00:28:44,160 Speaker 3: told it like a creep you know what I'm saying. 543 00:28:44,200 --> 00:28:46,800 Speaker 3: The way she told her it happened was creepy as fuck. 544 00:28:47,080 --> 00:28:49,520 Speaker 4: She didn't Michaelby, Michael Darby. 545 00:28:49,960 --> 00:28:52,480 Speaker 3: It was very bad. And so I just to me, 546 00:28:53,200 --> 00:28:56,719 Speaker 3: on a on a on a on a cold level, 547 00:28:57,240 --> 00:28:59,360 Speaker 3: you're wrong for messing around with your friend's son. 548 00:29:00,080 --> 00:29:00,600 Speaker 1: Yeah, wasn't. 549 00:29:01,320 --> 00:29:04,640 Speaker 3: But what disturbs me even more is the fact that 550 00:29:04,680 --> 00:29:07,520 Speaker 3: she brought it to the show, because then it looks 551 00:29:07,560 --> 00:29:10,920 Speaker 3: like you're willing to use what may be some very 552 00:29:11,160 --> 00:29:15,240 Speaker 3: real feelings that Charisse could develop because of this. Right, 553 00:29:15,680 --> 00:29:17,800 Speaker 3: you don't really give a fuck how Shari feel about 554 00:29:17,840 --> 00:29:20,400 Speaker 3: you fucking around with her son. You're willing to use 555 00:29:20,440 --> 00:29:22,720 Speaker 3: it on the show to get to bring interest to 556 00:29:23,200 --> 00:29:28,400 Speaker 3: your life. I thought that was weird personally, I thought 557 00:29:28,400 --> 00:29:31,080 Speaker 3: it was weird. 558 00:29:31,680 --> 00:29:37,960 Speaker 5: Can you not show your buttthole on cameras you come 559 00:29:38,000 --> 00:29:54,000 Speaker 5: from just open up to well going with the conversation. Yeah, 560 00:29:54,120 --> 00:29:56,240 Speaker 5: it ain't the age difference, it's the fact that that's 561 00:29:56,240 --> 00:30:00,800 Speaker 5: your friend's kid, Like, that's hella weird, right, guys, what if. 562 00:30:00,680 --> 00:30:03,200 Speaker 6: She thought that, Okay, I know I'm desperate for relevance, 563 00:30:03,200 --> 00:30:05,360 Speaker 6: Andreisa is desperate for relevance, so maybe we could do 564 00:30:05,360 --> 00:30:05,840 Speaker 6: this together. 565 00:30:05,960 --> 00:30:07,680 Speaker 4: Like maybe she thought that Arice wouldn't mind because it 566 00:30:07,680 --> 00:30:08,560 Speaker 4: would have made them relevance. 567 00:30:08,640 --> 00:30:20,560 Speaker 8: Not too much on Blue, Sari nothing and Blue, look 568 00:30:21,600 --> 00:30:22,360 Speaker 8: are we in trouble? 569 00:30:23,200 --> 00:30:27,600 Speaker 2: Blue said, Okay, she just wants to pop in and 570 00:30:27,680 --> 00:30:29,480 Speaker 2: pop out and play with the girls at sixty. 571 00:30:29,760 --> 00:30:32,720 Speaker 3: She did, she said, she said, Look, I'm just sixty. 572 00:30:33,240 --> 00:30:35,480 Speaker 3: I don't want to be doing all this bullshit. That's 573 00:30:35,520 --> 00:30:37,000 Speaker 3: what she's saying. 574 00:30:38,640 --> 00:30:42,400 Speaker 4: Not too much on Chi exactly, not too much with 575 00:30:43,000 --> 00:30:43,760 Speaker 4: I agree. 576 00:30:43,840 --> 00:30:44,600 Speaker 3: Right right, but. 577 00:30:47,960 --> 00:30:51,320 Speaker 4: We're alowed. This is alignment. Yeah, look at that. 578 00:30:51,560 --> 00:31:00,760 Speaker 3: Not too much since relevant, Yeah. 579 00:30:58,360 --> 00:31:03,320 Speaker 2: Y'all anyway, for what Claudia is actually not at the doghouse, 580 00:31:03,360 --> 00:31:05,360 Speaker 2: but Claudia, I will. 581 00:31:05,120 --> 00:31:10,520 Speaker 1: Say this, Claudia gets recapper of the week because she 582 00:31:10,680 --> 00:31:14,560 Speaker 1: clocks up the last week Blue and dusted. That was 583 00:31:14,760 --> 00:31:15,720 Speaker 1: very mercurial. 584 00:31:16,240 --> 00:31:22,720 Speaker 8: Oh, Claudia clocks up the last week that gagged me 585 00:31:23,440 --> 00:31:24,640 Speaker 8: and does the Blue. 586 00:31:24,720 --> 00:31:27,480 Speaker 1: As I was watching this episode, I said that fucking 587 00:31:27,560 --> 00:31:30,200 Speaker 1: Claudia Jordan, No, she right. 588 00:31:30,720 --> 00:31:37,160 Speaker 2: So as we are looking into Wendy's scene, Okay, this 589 00:31:37,440 --> 00:31:40,040 Speaker 2: is wendy renovation of the home. 590 00:31:40,640 --> 00:31:42,920 Speaker 1: I do not want to get this wrong because. 591 00:31:42,680 --> 00:31:46,960 Speaker 2: I want to make sure that I accurately state what occurred. 592 00:31:47,080 --> 00:31:51,000 Speaker 1: Okay, Wendy has renovated her home. 593 00:31:52,400 --> 00:31:54,280 Speaker 2: She talked about how she wants to, you know, build 594 00:31:54,320 --> 00:31:57,280 Speaker 2: a pool and everything else. 595 00:31:57,640 --> 00:31:59,560 Speaker 1: And when they started talking. 596 00:31:59,240 --> 00:32:08,280 Speaker 2: About number, there was a music cue to highlight exactly 597 00:32:08,880 --> 00:32:13,880 Speaker 2: the fact that they are talking about money. 598 00:32:14,480 --> 00:32:17,040 Speaker 1: And in that moment, I said, I was watching somebody. 599 00:32:17,080 --> 00:32:22,120 Speaker 2: We both said Claudia was right when the fact that 600 00:32:22,880 --> 00:32:28,800 Speaker 2: I Claudia, you want they are definitely highlighting all financial 601 00:32:28,840 --> 00:32:33,640 Speaker 2: conversations that Wendy and Eddie are having, and that was 602 00:32:33,680 --> 00:32:34,760 Speaker 2: evident in that scene. 603 00:32:34,960 --> 00:32:38,560 Speaker 1: Claudia, take your batty chain. There you go girl. 604 00:32:39,520 --> 00:32:42,200 Speaker 3: Thank you much, regulation, thank you very much. 605 00:32:42,240 --> 00:32:47,080 Speaker 5: I just felt the coming I do predict in the 606 00:32:47,160 --> 00:32:50,000 Speaker 5: coming episodes they're going to keep leaning into that more 607 00:32:50,000 --> 00:32:52,160 Speaker 5: and more and more, because why when they they're taking 608 00:32:52,200 --> 00:32:55,120 Speaker 5: advantage of what's happening in real life. And it's also 609 00:32:55,240 --> 00:32:57,240 Speaker 5: like a scene that would be not a big deal, 610 00:32:57,240 --> 00:33:00,720 Speaker 5: that probably wouldn't have made the editing room floor like 611 00:33:00,960 --> 00:33:03,520 Speaker 5: the cutting room floor, the edited editing. I can't say 612 00:33:03,520 --> 00:33:05,720 Speaker 5: this shit right, but you know I'm talking about when 613 00:33:05,760 --> 00:33:09,040 Speaker 5: we edited out like a conversage about the renovations. Yawn, 614 00:33:09,480 --> 00:33:13,240 Speaker 5: But now not so much because everyone's looking for Oh 615 00:33:13,280 --> 00:33:16,480 Speaker 5: what do they say? Wait? How much is that? It's 616 00:33:16,560 --> 00:33:21,880 Speaker 5: very good. 617 00:33:20,360 --> 00:33:25,760 Speaker 6: Now drinking game curials? So next question, an extra question? 618 00:33:26,080 --> 00:33:31,000 Speaker 6: Has the money expert when the courts and the prosecutor 619 00:33:31,080 --> 00:33:33,880 Speaker 6: said Wendy and Eddie barely have any money? 620 00:33:33,880 --> 00:33:34,680 Speaker 4: How much is that? 621 00:33:35,800 --> 00:33:36,160 Speaker 3: How like? 622 00:33:36,200 --> 00:33:37,760 Speaker 6: How little does the money have to be for the 623 00:33:37,760 --> 00:33:38,960 Speaker 6: course to make a statement that? 624 00:33:39,320 --> 00:33:40,880 Speaker 4: Because that confused me a little bit. 625 00:33:41,360 --> 00:33:43,760 Speaker 5: I think it's relative to like your what your monthly 626 00:33:44,160 --> 00:33:46,200 Speaker 5: output is, you know what I mean, like you save 627 00:33:46,320 --> 00:33:49,320 Speaker 5: your mortgagees seven thousand dollars and your cards and stuff 628 00:33:49,320 --> 00:33:51,440 Speaker 5: like that. Is, say your bill's are eleven and you 629 00:33:51,560 --> 00:33:56,040 Speaker 5: got fifty racks in the bank. That's not money for 630 00:33:56,200 --> 00:33:57,920 Speaker 5: what you are working with. I don't know what that 631 00:33:57,960 --> 00:34:00,400 Speaker 5: means though actually with them, you know, I don't know 632 00:34:00,440 --> 00:34:02,360 Speaker 5: what their overhead is, but I don't know what they said. 633 00:34:02,360 --> 00:34:05,680 Speaker 5: They had sixty seven credit cards allegedly, so if you're 634 00:34:05,680 --> 00:34:09,640 Speaker 5: living on credit, which I don't understand that though, because okay, 635 00:34:10,360 --> 00:34:13,279 Speaker 5: people can come from Wendy and her husband. Let's be 636 00:34:13,600 --> 00:34:15,759 Speaker 5: very clear, at the end of the day, after all 637 00:34:15,760 --> 00:34:18,160 Speaker 5: the years she's been on that show, she's at least 638 00:34:18,200 --> 00:34:21,480 Speaker 5: pulling in seven to fifty okay on the low end. 639 00:34:21,560 --> 00:34:24,480 Speaker 2: She Wait, what are you saying seven hundred and fifty 640 00:34:24,560 --> 00:34:26,360 Speaker 2: thousand the for each season? 641 00:34:26,680 --> 00:34:26,880 Speaker 3: Are you? 642 00:34:27,000 --> 00:34:27,640 Speaker 1: Are you saying that? 643 00:34:27,920 --> 00:34:28,120 Speaker 3: Yeah? 644 00:34:28,200 --> 00:34:31,239 Speaker 5: Maybe I would say probably at least at least I 645 00:34:31,239 --> 00:34:34,080 Speaker 5: could be comfortable and say she's at least making six 646 00:34:34,600 --> 00:34:36,640 Speaker 5: hundred thousands a year. Would you say that's fair? You guys? 647 00:34:36,640 --> 00:34:40,799 Speaker 5: And as many years six definitely six hundred thousand. 648 00:34:40,800 --> 00:34:41,960 Speaker 4: Eight degrees in the household? 649 00:34:42,040 --> 00:34:46,680 Speaker 5: Yeah, ye had eight degrees. And then he's making money, 650 00:34:46,960 --> 00:34:49,560 Speaker 5: so you could say the very least the two of 651 00:34:49,560 --> 00:34:51,600 Speaker 5: them together are pulling a million dollars a year. 652 00:34:52,880 --> 00:34:55,839 Speaker 4: But how much is Eddy Hennessy making though? Mm hm, 653 00:34:56,239 --> 00:34:57,800 Speaker 4: who's Eddy Hennessey. 654 00:34:57,520 --> 00:35:05,000 Speaker 2: Because allegedly, allegedly that's allegedly Claudia. They're saying that he 655 00:35:05,040 --> 00:35:09,919 Speaker 2: went by Eddie Hennessy as he was applying for credit cards. 656 00:35:10,000 --> 00:35:10,400 Speaker 1: Is that the case? 657 00:35:10,440 --> 00:35:10,640 Speaker 4: Belore? 658 00:35:10,719 --> 00:35:14,160 Speaker 6: The credit cards were granted to Eddie Hennessy and Pam Oliver. 659 00:35:15,760 --> 00:35:19,239 Speaker 1: And and to piggyback off of that, back off of that. 660 00:35:19,280 --> 00:35:21,280 Speaker 4: Just to update you guys, they did go to court 661 00:35:21,960 --> 00:35:22,319 Speaker 4: to hear me. 662 00:35:23,880 --> 00:35:29,360 Speaker 2: Okay, they did go to court and according according to 663 00:35:30,640 --> 00:35:41,759 Speaker 2: the Baltimore Son, a Carol County judge ordered Wendy and 664 00:35:41,800 --> 00:35:47,520 Speaker 2: her husband to turn over financial records in the case, 665 00:35:48,120 --> 00:35:53,680 Speaker 2: rejecting the defense argument that the subpoenas were overly brad 666 00:35:54,120 --> 00:35:58,720 Speaker 2: So again, according to the Baltimore Son, they are saying 667 00:35:58,760 --> 00:36:00,080 Speaker 2: that Wendy and Eddie. 668 00:35:59,840 --> 00:36:02,759 Speaker 1: How to turn over the financial records. 669 00:36:04,400 --> 00:36:12,960 Speaker 3: I like one of it sucks me too. They really 670 00:36:13,440 --> 00:36:16,520 Speaker 3: wants to say, Man, this ship looks it looks bad 671 00:36:16,640 --> 00:36:20,760 Speaker 3: for them. You know, we want the best for them, 672 00:36:21,360 --> 00:36:24,520 Speaker 3: and the more information that we seem to be giving 673 00:36:24,600 --> 00:36:27,520 Speaker 3: about their case, it doesn't look good for them in 674 00:36:27,560 --> 00:36:29,600 Speaker 3: the end. And I really hate to see that because 675 00:36:29,640 --> 00:36:32,040 Speaker 3: I hope that what they're being accused of is not true. 676 00:36:32,600 --> 00:36:35,160 Speaker 3: So I don't know, I just I'm holding I hope 677 00:36:35,200 --> 00:36:38,520 Speaker 3: for them, man, I really am. Do y'all think and 678 00:36:38,680 --> 00:36:41,960 Speaker 3: Eddie or Pam Oliver and Eddie Hennessy, whoever the hell 679 00:36:42,000 --> 00:36:44,399 Speaker 3: they are. You know what I'm saying, I'm holding I 680 00:36:44,400 --> 00:36:45,920 Speaker 3: hope for them because I don't want them to go 681 00:36:45,960 --> 00:36:47,920 Speaker 3: through no bullshit unnecessarily. 682 00:36:48,440 --> 00:36:50,719 Speaker 5: So do y'all think it's not true? Do y'all think 683 00:36:50,719 --> 00:36:51,160 Speaker 5: it's true? 684 00:36:51,480 --> 00:36:54,919 Speaker 4: Her mother's making me it's true? Why it would be true? 685 00:36:55,160 --> 00:36:56,160 Speaker 4: Like the mother scenes? 686 00:36:57,080 --> 00:36:59,440 Speaker 1: Mm hmm, what give me that? 687 00:37:00,520 --> 00:37:00,800 Speaker 4: Yeah? 688 00:37:01,200 --> 00:37:03,560 Speaker 9: But before we get to the mother scene, we have 689 00:37:03,719 --> 00:37:10,280 Speaker 9: to talk about KK and Greg. Kanna and Greg, Dustin 690 00:37:10,440 --> 00:37:15,440 Speaker 9: Ross take your batty change. So, as we talked about 691 00:37:16,160 --> 00:37:22,800 Speaker 9: in the previous episode, we know that Keanna's boyfriend Greg 692 00:37:23,320 --> 00:37:25,680 Speaker 9: or fiance rather I believe no, they're not engaged. 693 00:37:25,719 --> 00:37:30,000 Speaker 1: Boyfriend Greg to the jewelry store looking for engagement rings 694 00:37:30,040 --> 00:37:33,520 Speaker 1: with Angel and Kk's mom. 695 00:37:33,920 --> 00:37:37,480 Speaker 2: In this scene, it has been revealed that Kanna is 696 00:37:37,520 --> 00:37:41,680 Speaker 2: going to move back in with Greg, and Greg gave 697 00:37:41,719 --> 00:37:45,359 Speaker 2: her a gift and instead of buying an engagement ring, 698 00:37:45,520 --> 00:37:46,720 Speaker 2: he bought a picture frame. 699 00:37:53,080 --> 00:37:55,319 Speaker 3: He did say to Sue, why are we filming at 700 00:37:55,320 --> 00:38:00,359 Speaker 3: the jewelry store? If we're not buying jewelry? Why there 701 00:38:00,360 --> 00:38:05,520 Speaker 3: are fucking other places to film a million? We don't 702 00:38:05,600 --> 00:38:09,640 Speaker 3: know nothing about Greg other than that he is obviously 703 00:38:10,200 --> 00:38:14,200 Speaker 3: being a team player on filming day. That's all we 704 00:38:14,239 --> 00:38:17,440 Speaker 3: know about Greg. I say that to say, there's so 705 00:38:17,640 --> 00:38:22,120 Speaker 3: much room for them to explore in getting creative with 706 00:38:22,120 --> 00:38:25,520 Speaker 3: what kind of scenes they film. Keana, who I love 707 00:38:25,600 --> 00:38:28,520 Speaker 3: and want to continue on this cast, has got to 708 00:38:28,560 --> 00:38:33,319 Speaker 3: have a conversation with Greg about how he plays into this. 709 00:38:33,680 --> 00:38:36,319 Speaker 3: You know what I'm saying, Because this whole pursuit of 710 00:38:36,320 --> 00:38:39,840 Speaker 3: a ring, I feel like that that is unfair to Kana. 711 00:38:40,239 --> 00:38:42,480 Speaker 3: Why are we so hyper focused on whether or not 712 00:38:42,560 --> 00:38:45,279 Speaker 3: he and he gets engaged to her or he proposes 713 00:38:45,360 --> 00:38:48,040 Speaker 3: to her when hell, we don't even know this nigga yet. 714 00:38:48,280 --> 00:38:51,040 Speaker 3: We ain't seen nothing other than him acting weird last 715 00:38:51,120 --> 00:38:54,640 Speaker 3: year and now being mister Nice's guy this year. We 716 00:38:54,680 --> 00:38:57,520 Speaker 3: want to get to know the middle too. He's so busy, 717 00:38:57,560 --> 00:38:59,920 Speaker 3: he able to buy all these houses and shit and condo. 718 00:39:00,480 --> 00:39:03,719 Speaker 3: What do you do? Let's see them at work, Let's 719 00:39:03,719 --> 00:39:06,040 Speaker 3: see some other shit. You know what I'm saying, Like, 720 00:39:06,160 --> 00:39:09,560 Speaker 3: let's let's tap into something else other than him just 721 00:39:09,880 --> 00:39:13,040 Speaker 3: doing what I feel is like just a It's just 722 00:39:13,120 --> 00:39:16,080 Speaker 3: not going to be a fruitless pursuit, right, Like, why 723 00:39:16,120 --> 00:39:19,120 Speaker 3: are you trying to shape shift into whatever kind of 724 00:39:19,120 --> 00:39:21,560 Speaker 3: guy these people think you need to be? If you 725 00:39:21,600 --> 00:39:25,080 Speaker 3: don't what it can't Carlos, you produce Candy's wedding special 726 00:39:25,440 --> 00:39:28,040 Speaker 3: What did Candy tell Carmen when she had when they 727 00:39:28,080 --> 00:39:31,120 Speaker 3: decided to part ways professionally. If you don't want to 728 00:39:31,160 --> 00:39:34,640 Speaker 3: do it, don't do it. You know what I'm saying. 729 00:39:35,120 --> 00:39:38,160 Speaker 3: You remember that part, don't you, Carlos, and that that 730 00:39:38,320 --> 00:39:43,080 Speaker 3: is what we need to tell Greg and right Keana, 731 00:39:43,160 --> 00:39:45,720 Speaker 3: If you don't want to feel that pressure about people 732 00:39:45,800 --> 00:39:50,200 Speaker 3: cocking your relationship and shit and running a timeline on you, 733 00:39:50,360 --> 00:39:53,239 Speaker 3: don't do it. Just show you and Greg having a 734 00:39:53,280 --> 00:39:56,319 Speaker 3: good time. You know what I'm saying that that that's 735 00:39:56,360 --> 00:39:58,600 Speaker 3: that's how I feel, man. I feel like they just 736 00:39:58,640 --> 00:40:01,000 Speaker 3: need to be tapped on the show her and told 737 00:40:01,040 --> 00:40:03,879 Speaker 3: that they don't have to show what these people want 738 00:40:03,920 --> 00:40:06,880 Speaker 3: to see. You just have to be authentic and have 739 00:40:06,960 --> 00:40:12,000 Speaker 3: a personality. Let's show that. That's all. Picture frame was 740 00:40:12,040 --> 00:40:16,480 Speaker 3: stupid as gifting her that picture frame was dumb. 741 00:40:17,360 --> 00:40:20,879 Speaker 2: They were another joke too, by the way. I felt 742 00:40:20,960 --> 00:40:24,719 Speaker 2: like Claudia, I just want to say, I felt that 743 00:40:24,800 --> 00:40:27,239 Speaker 2: the picture frame was a gag gift back. 744 00:40:30,640 --> 00:40:34,600 Speaker 1: Yeah, it was everything that's said. I agree with Claudia Jordan. 745 00:40:35,000 --> 00:40:36,719 Speaker 5: I didn't think that she was up on it. I 746 00:40:36,760 --> 00:40:38,719 Speaker 5: thought she was excited when she opened out that it 747 00:40:38,760 --> 00:40:40,719 Speaker 5: was gonna at least be a tennis bracelet or a 748 00:40:40,840 --> 00:40:45,240 Speaker 5: red bracelet or ankle ring or ankle bracelet or something. 749 00:40:46,760 --> 00:40:48,960 Speaker 5: Don't find me a god damn picture frame from a 750 00:40:49,040 --> 00:40:52,000 Speaker 5: jewelry store. You better buy me a picture from Target 751 00:40:52,239 --> 00:40:54,960 Speaker 5: or from something like that. Don't be buying me no 752 00:40:55,080 --> 00:40:57,600 Speaker 5: picture frame from a jewelry store. That would piss me 753 00:40:57,760 --> 00:41:01,360 Speaker 5: the fuck off? How dare you? And that's my point. 754 00:41:01,480 --> 00:41:03,640 Speaker 1: But Claudia, that's my point. That's my point. I feel 755 00:41:03,680 --> 00:41:07,720 Speaker 1: like in real life, in real life, doesn't I think 756 00:41:08,480 --> 00:41:10,600 Speaker 1: I think Greg is playing play up for. 757 00:41:10,600 --> 00:41:16,400 Speaker 2: The cameras and Keana needs to provide something of her life. 758 00:41:17,080 --> 00:41:19,400 Speaker 2: I think in real life, I don't see a woman 759 00:41:20,600 --> 00:41:25,319 Speaker 2: Claudia or Blue receiving a picture frame instead of an 760 00:41:25,360 --> 00:41:28,480 Speaker 2: engagement ringe. And you're not popping off and slamming that 761 00:41:28,520 --> 00:41:31,040 Speaker 2: bitch and like throwing against the wall. That's why it 762 00:41:31,160 --> 00:41:33,239 Speaker 2: was like her reaction to me was it was too 763 00:41:33,600 --> 00:41:34,120 Speaker 2: too save. 764 00:41:34,480 --> 00:41:36,359 Speaker 5: I felt like she was embarrassed and she was trying 765 00:41:36,360 --> 00:41:39,000 Speaker 5: to play it off, like you know what she says, 766 00:41:39,239 --> 00:41:40,080 Speaker 5: their signs. 767 00:41:39,800 --> 00:41:44,280 Speaker 6: Are a terrorist, Yeah, so you know we like frames, 768 00:41:44,600 --> 00:41:45,440 Speaker 6: that's the house strategy. 769 00:41:46,040 --> 00:41:48,200 Speaker 5: I think she was trying to save face. When she's 770 00:41:49,320 --> 00:41:51,840 Speaker 5: that's what I got. Did you feel that blue? I 771 00:41:51,840 --> 00:41:54,040 Speaker 5: felt like she was trying to save face, like it's 772 00:41:54,080 --> 00:41:56,720 Speaker 5: no biggie, that's you know, it's too sagittaries or whatever 773 00:41:56,760 --> 00:41:59,200 Speaker 5: the sign was. That's just what we did. No, No, you 774 00:41:59,400 --> 00:42:02,200 Speaker 5: was mad because you're in the first row, the second 775 00:42:02,239 --> 00:42:04,200 Speaker 5: week in a row that people played in our faces. 776 00:42:04,239 --> 00:42:08,120 Speaker 5: First the week before Giselle and Wendy driving g wagons. 777 00:42:08,200 --> 00:42:11,440 Speaker 5: Did no purchases get made? Then a jewelry store and 778 00:42:11,440 --> 00:42:13,960 Speaker 5: a god damn picture frame gets bought. Which was it 779 00:42:14,080 --> 00:42:15,680 Speaker 5: really bought from a jewely store or did you put 780 00:42:15,719 --> 00:42:17,000 Speaker 5: it in the bag from a juy store and buy 781 00:42:17,040 --> 00:42:19,520 Speaker 5: a Target? Who knows? But I'm just saying I'm sick 782 00:42:19,560 --> 00:42:21,439 Speaker 5: of that ship. Don't do that shit us no more. 783 00:42:21,719 --> 00:42:23,480 Speaker 5: Next time y'all go in the store, god damn it, 784 00:42:23,560 --> 00:42:25,800 Speaker 5: come out with something and not something that don't go 785 00:42:26,000 --> 00:42:31,760 Speaker 5: from come from a Julie store. Please not for orange juice. 786 00:42:35,400 --> 00:42:39,000 Speaker 5: And you know, you know you embarrassed your girl doing 787 00:42:39,000 --> 00:42:43,080 Speaker 5: that ship by getting her a picture frame, Like it's like, 788 00:42:43,520 --> 00:42:46,200 Speaker 5: what's like, give you a big box for Christmas and 789 00:42:46,239 --> 00:42:48,920 Speaker 5: then inside it a smaller box, then a smaller box. 790 00:42:49,080 --> 00:42:51,680 Speaker 5: Then a small box and think, oh, it's a ring 791 00:42:51,719 --> 00:42:53,520 Speaker 5: and it's some stupid shiit like. 792 00:42:53,719 --> 00:42:56,600 Speaker 4: No, guys, can we be honest? 793 00:42:56,719 --> 00:43:03,480 Speaker 6: I have a strange niggling feeling is using vocabulary. 794 00:43:02,960 --> 00:43:04,960 Speaker 4: Where its TONI, yes, look it up, it's a word. 795 00:43:09,600 --> 00:43:11,560 Speaker 6: I have a niggling feeling that this is a scheme 796 00:43:11,640 --> 00:43:12,799 Speaker 6: that Kiana set up. 797 00:43:12,840 --> 00:43:16,080 Speaker 4: Listen, stick with me for a second. Imagine assically nineteen forty. 798 00:43:16,960 --> 00:43:21,680 Speaker 5: I went back and watched a little bit of g E. 799 00:43:25,160 --> 00:43:27,920 Speaker 4: Of the Day the day, So I have. 800 00:43:27,880 --> 00:43:30,520 Speaker 6: A niggling feeling because last season, because I did go back, 801 00:43:31,640 --> 00:43:35,480 Speaker 6: Kiana was getting clowned a lot last season for being 802 00:43:35,480 --> 00:43:39,120 Speaker 6: a gorgeous woman chasing a dusty man who rejected her. 803 00:43:39,360 --> 00:43:44,520 Speaker 4: Right, what, yes, what I told you? 804 00:43:45,360 --> 00:43:45,920 Speaker 5: What if? 805 00:43:46,719 --> 00:43:51,520 Speaker 6: The original scheme was this season you gotta show them 806 00:43:51,520 --> 00:43:53,600 Speaker 6: that you you really f with me and that you 807 00:43:53,600 --> 00:43:56,480 Speaker 6: didn't really reject me, And so they agreed. 808 00:43:57,200 --> 00:43:58,160 Speaker 4: He agreed with. 809 00:43:58,040 --> 00:44:00,960 Speaker 6: Her that the whole point was I'm gonna have a 810 00:44:01,000 --> 00:44:04,440 Speaker 6: redemption arc this season to show that you and I have. 811 00:44:04,719 --> 00:44:06,359 Speaker 4: A reciprocal relationship. 812 00:44:06,880 --> 00:44:10,480 Speaker 6: And she didn't realize he's still cheap though, so she's thinking, 813 00:44:10,719 --> 00:44:12,880 Speaker 6: we have the scheme that this is your redemption arc. 814 00:44:13,560 --> 00:44:16,360 Speaker 6: You're gonna do things along with my other alias angel 815 00:44:16,760 --> 00:44:17,279 Speaker 6: to show up. 816 00:44:17,280 --> 00:44:19,680 Speaker 4: But she's gonna use her Maya Angela voice. I remember, 817 00:44:20,000 --> 00:44:20,759 Speaker 4: you know, back in the. 818 00:44:20,760 --> 00:44:22,239 Speaker 6: Day when you guys were and you know, do the 819 00:44:22,280 --> 00:44:24,480 Speaker 6: whole thing that she did was my Angela voice. Y'all 820 00:44:24,520 --> 00:44:28,480 Speaker 6: gonna redeem my relationship. But unfortunately for her, Gregg he's 821 00:44:28,760 --> 00:44:32,720 Speaker 6: he's still dusty, and so that that picture frame moment 822 00:44:32,960 --> 00:44:35,640 Speaker 6: when she's thinking today it's gonna be a thing. I 823 00:44:35,680 --> 00:44:38,200 Speaker 6: do agree with Claudia as a woman, but she thought 824 00:44:38,200 --> 00:44:40,360 Speaker 6: she was gonna get something along with their plan to 825 00:44:40,400 --> 00:44:42,640 Speaker 6: make her feel redeemed, and when she got the picture frame, 826 00:44:42,719 --> 00:44:45,120 Speaker 6: she had to save face because they had agreed this 827 00:44:45,160 --> 00:44:48,120 Speaker 6: was the Redemption Arc season. So I actually think they 828 00:44:48,239 --> 00:44:49,759 Speaker 6: wanted to go to the jewelry store because it was 829 00:44:49,800 --> 00:44:50,759 Speaker 6: part of his redemption arc. 830 00:44:51,000 --> 00:44:52,960 Speaker 4: But he just keeps on deviating from the plan and 831 00:44:52,960 --> 00:44:53,799 Speaker 4: she has to save face. 832 00:44:54,440 --> 00:44:56,439 Speaker 5: So here he said, I gotta move some stuff around 833 00:44:56,440 --> 00:44:58,960 Speaker 5: my credit cards and he can't. Man all might stop 834 00:44:59,080 --> 00:45:01,680 Speaker 5: saying that, like it's giving excuses, like if. 835 00:45:01,600 --> 00:45:03,480 Speaker 6: They're in on it together. I actually think they're in 836 00:45:03,520 --> 00:45:04,440 Speaker 6: on it together, That's. 837 00:45:04,320 --> 00:45:07,000 Speaker 2: What I was saying, But I don't think at all 838 00:45:07,120 --> 00:45:09,239 Speaker 2: that she was a probably by the picture frame. 839 00:45:10,800 --> 00:45:12,560 Speaker 6: He lied to her, Carlos, he lied to her. He 840 00:45:12,600 --> 00:45:14,440 Speaker 6: made her feel like I actually am going to step up. 841 00:45:14,600 --> 00:45:17,000 Speaker 6: And she's finding like Angel, she's finding out in real 842 00:45:17,040 --> 00:45:19,560 Speaker 6: time that she is dustier than she thought. 843 00:45:20,360 --> 00:45:23,920 Speaker 3: There ain't no way in hell a woman as successful 844 00:45:23,920 --> 00:45:28,200 Speaker 3: as Keana Stewart, as beautiful as Kiana Steward, and now 845 00:45:28,320 --> 00:45:33,480 Speaker 3: with access to opportunity and celebrity that Keanu Stewart has 846 00:45:33,920 --> 00:45:36,239 Speaker 3: is going to just simply be putting up and getting 847 00:45:36,280 --> 00:45:38,520 Speaker 3: along to get along with a nigga like what we've 848 00:45:38,560 --> 00:45:42,480 Speaker 3: seen Greg to be so far. That has got to 849 00:45:42,760 --> 00:45:46,239 Speaker 3: be more to the story. There's got to be more 850 00:45:46,280 --> 00:45:49,000 Speaker 3: to the story. I don't know, you know what. I 851 00:45:49,040 --> 00:45:52,120 Speaker 3: maybe he has two penises. I don't know. I don't know. 852 00:45:52,520 --> 00:45:53,160 Speaker 3: You know what I'm saying. 853 00:45:53,160 --> 00:45:54,640 Speaker 1: We don't know. 854 00:45:54,880 --> 00:45:57,000 Speaker 3: You know what I'm saying. We don't know. But what 855 00:45:57,080 --> 00:45:59,480 Speaker 3: we do know is what we do know. 856 00:45:59,640 --> 00:46:00,680 Speaker 5: I mean, nothing. 857 00:46:02,400 --> 00:46:04,439 Speaker 3: Is pretty and I want her to stay on show. 858 00:46:04,640 --> 00:46:06,560 Speaker 3: And I ain't never turning on her. I don't give 859 00:46:06,600 --> 00:46:06,959 Speaker 3: a fuck. 860 00:46:07,080 --> 00:46:10,440 Speaker 1: I never turn it on the show. 861 00:46:10,840 --> 00:46:15,440 Speaker 2: Yes, And I can say this because of Keanu, don't mine, 862 00:46:15,440 --> 00:46:18,319 Speaker 2: because we already talked about this anyway. When I was 863 00:46:18,360 --> 00:46:22,240 Speaker 2: in Jamaica sometime this year and I ran into kk 864 00:46:22,520 --> 00:46:25,640 Speaker 2: at the airport. Greg was there, and this was around 865 00:46:25,640 --> 00:46:28,080 Speaker 2: the time that the world thought they had broken up. 866 00:46:28,840 --> 00:46:31,319 Speaker 2: And what she has settled the show already. That's why 867 00:46:31,320 --> 00:46:33,920 Speaker 2: it's not a secret. What she has settling show was. 868 00:46:34,040 --> 00:46:38,640 Speaker 1: The Jamaica trip was his way of showing and proving. 869 00:46:38,440 --> 00:46:43,480 Speaker 2: That I am the man that you just deserve. 870 00:46:43,640 --> 00:46:47,400 Speaker 6: Mr Carlos. He love bombed her. I'm telling you my 871 00:46:47,480 --> 00:46:54,359 Speaker 6: niggling feelings be right. I'm not wrong, Curly shining out 872 00:46:54,360 --> 00:46:55,560 Speaker 6: in real time that he's still that. 873 00:46:56,080 --> 00:46:58,480 Speaker 1: I'm a crying, niggling feeling. 874 00:46:59,840 --> 00:47:02,680 Speaker 5: The range how to spell it, and the chat won't 875 00:47:02,719 --> 00:47:04,239 Speaker 5: let me spell it. Maybe it thinks I'm trying to 876 00:47:04,560 --> 00:47:05,560 Speaker 5: spell yes. 877 00:47:05,640 --> 00:47:10,520 Speaker 2: Don't think I don't want to get bad and I. 878 00:47:13,120 --> 00:47:13,600 Speaker 5: Won't let me. 879 00:47:14,840 --> 00:47:19,640 Speaker 2: The thing is this, I everyone knows I am Keana 880 00:47:19,760 --> 00:47:24,040 Speaker 2: Stewart stand and I want her to come back next season. 881 00:47:24,040 --> 00:47:26,640 Speaker 2: I also want Jazzy to come and be a full hospital. 882 00:47:30,280 --> 00:47:36,840 Speaker 1: With that being said, I want I want more for Kanna, 883 00:47:37,400 --> 00:47:41,080 Speaker 1: and I'm with all of you guys. I just listen. 884 00:47:41,080 --> 00:47:42,960 Speaker 1: I hope I'm wrong. I hope I'm wrong. I hope 885 00:47:42,960 --> 00:47:43,319 Speaker 1: I'm wrong. 886 00:47:43,400 --> 00:47:48,400 Speaker 10: If if it does pay me to see a beautiful, 887 00:47:48,440 --> 00:47:53,399 Speaker 10: accomplished woman accepting bare minimm from any man, and it's 888 00:47:53,480 --> 00:47:55,080 Speaker 10: and it's and I'm just and Keanna. 889 00:47:55,239 --> 00:47:57,480 Speaker 1: If this is a scheme that y'all set up, Baby, 890 00:47:57,520 --> 00:47:58,040 Speaker 1: this ain't it. 891 00:47:58,400 --> 00:48:01,360 Speaker 2: If this is who Greg really is, I'm gonna need 892 00:48:01,440 --> 00:48:06,360 Speaker 2: you to fast and pray and and and ask divine 893 00:48:06,480 --> 00:48:08,759 Speaker 2: power if this is the man for you. 894 00:48:08,880 --> 00:48:12,520 Speaker 1: I don't know Greg, but I'm with Dustin one. I 895 00:48:12,560 --> 00:48:15,160 Speaker 1: know more about King and Quad. I know more. 896 00:48:16,280 --> 00:48:19,040 Speaker 2: You know what I'm saying, Like I'm invested in King 897 00:48:19,120 --> 00:48:21,799 Speaker 2: and Quad's relationship, I am not. 898 00:48:22,440 --> 00:48:24,440 Speaker 1: I am not invested in Greg. 899 00:48:24,280 --> 00:48:27,120 Speaker 2: And Kean's relationship because I don't know Greg. 900 00:48:27,440 --> 00:48:28,160 Speaker 4: Neither is Greg. 901 00:48:31,760 --> 00:48:33,719 Speaker 3: That's why he came out of Radcliffs with a god 902 00:48:33,840 --> 00:48:36,160 Speaker 3: damn photo frame alignment. 903 00:48:36,239 --> 00:48:38,520 Speaker 4: Neither is Greg, Neither neither of you is invested. That's 904 00:48:38,520 --> 00:48:40,319 Speaker 4: the problem. 905 00:48:40,480 --> 00:48:41,960 Speaker 5: That picture frame pissed me off. 906 00:48:43,600 --> 00:48:43,799 Speaker 6: Yeah. 907 00:48:43,880 --> 00:48:46,000 Speaker 3: The kind of woman you want to put jewelry on? 908 00:48:46,120 --> 00:48:51,319 Speaker 3: Look how she up in? Yeah, like you will. You 909 00:48:51,360 --> 00:48:53,400 Speaker 3: should want to like dip her, make her. You know 910 00:48:53,400 --> 00:48:55,880 Speaker 3: what I'm saying that you should want to do things 911 00:48:55,920 --> 00:48:57,160 Speaker 3: like that. 912 00:49:00,040 --> 00:49:02,120 Speaker 5: You could have got our tennis bracelet. 913 00:49:01,719 --> 00:49:05,560 Speaker 3: Old thank you, thank you card. Yeah, it could have 914 00:49:05,600 --> 00:49:09,920 Speaker 3: been anything, an ankle bracelet, a tennis bracelet, a fucking 915 00:49:10,000 --> 00:49:13,319 Speaker 3: bust down cuban. It could have been any damn it 916 00:49:13,560 --> 00:49:15,040 Speaker 3: have to be a wedding set. 917 00:49:15,719 --> 00:49:19,920 Speaker 5: You get any ride nice stuff. 918 00:49:19,960 --> 00:49:23,000 Speaker 3: Whoever was working that day at Radcliff and sold it 919 00:49:23,040 --> 00:49:26,799 Speaker 3: to him, fuck you to it, because you, whoever was 920 00:49:26,840 --> 00:49:28,759 Speaker 3: that sold that picture for you should have said, now 921 00:49:28,800 --> 00:49:30,560 Speaker 3: I know you ain't fa lead out of here with 922 00:49:30,680 --> 00:49:31,880 Speaker 3: a god damn picture. 923 00:49:31,640 --> 00:49:37,879 Speaker 5: Frak okay in that big ass bag too, right? Oh 924 00:49:37,960 --> 00:49:39,160 Speaker 5: hell no, I've been pissed. 925 00:49:39,440 --> 00:49:41,279 Speaker 1: That's my point. I thought it was crazy. 926 00:49:44,160 --> 00:49:46,960 Speaker 2: Okay, speaking of pissed, we have to get to the 927 00:49:46,960 --> 00:49:48,400 Speaker 2: moment everybody been waiting for. 928 00:49:49,360 --> 00:49:50,480 Speaker 3: Speaking of piss. 929 00:49:52,560 --> 00:49:57,600 Speaker 8: Let me telliss baby she was. 930 00:49:59,680 --> 00:50:00,520 Speaker 3: She was so bad. 931 00:50:01,360 --> 00:50:04,520 Speaker 1: Got again to Wendy's mom, So listen. Doctor. 932 00:50:04,520 --> 00:50:08,600 Speaker 2: Wendy is trying to establish some form of relationship with 933 00:50:08,719 --> 00:50:14,560 Speaker 2: her estrange father. They spoke on the phone. The producer said, 934 00:50:15,200 --> 00:50:17,680 Speaker 2: because I know how this works, child. When Wendy put 935 00:50:17,719 --> 00:50:19,879 Speaker 2: the guy on face time is because the producer was saying, 936 00:50:19,920 --> 00:50:20,879 Speaker 2: can we see the man? 937 00:50:21,560 --> 00:50:21,640 Speaker 6: Like? 938 00:50:21,719 --> 00:50:23,719 Speaker 1: Can we see him? That's why she said, can you 939 00:50:23,760 --> 00:50:27,000 Speaker 1: go on face time? And he did. Her father looks 940 00:50:27,000 --> 00:50:31,480 Speaker 1: like Eddie, her husband. I think they know they look 941 00:50:31,680 --> 00:50:34,920 Speaker 1: just alike. And it's interesting because obviously for a lot 942 00:50:34,960 --> 00:50:38,000 Speaker 1: of girls, not all you do, marry your dad whatever. 943 00:50:38,480 --> 00:50:42,480 Speaker 2: But that being said, he appears to be this charming 944 00:50:42,560 --> 00:50:46,759 Speaker 2: guy and you could tell Wendy is longing for a relationship. 945 00:50:47,160 --> 00:50:52,279 Speaker 1: Baby. Up to the day or two next and. 946 00:50:57,080 --> 00:51:00,640 Speaker 2: Up to Wendy's mom and her sister to come in 947 00:51:01,560 --> 00:51:02,840 Speaker 2: and Wendy. 948 00:51:03,920 --> 00:51:06,560 Speaker 1: This is when Wendy y'all all love Wendy. And I 949 00:51:06,600 --> 00:51:08,960 Speaker 1: talked this to Wendy my interviews. I'm I say anything shady. 950 00:51:09,560 --> 00:51:13,080 Speaker 2: Wendy produces her scenes before the producers come in the house. Right, 951 00:51:13,560 --> 00:51:17,600 Speaker 2: Wendy knows exactly what she's gonna say, talk about Eddie 952 00:51:17,719 --> 00:51:18,879 Speaker 2: is prepped, Eddie. 953 00:51:19,080 --> 00:51:20,280 Speaker 1: Eddie is following script. 954 00:51:20,600 --> 00:51:26,200 Speaker 4: Wendy is the. 955 00:51:23,400 --> 00:51:26,960 Speaker 1: The hit of the household. In my opinion, Wendy brunshit. 956 00:51:27,920 --> 00:51:31,640 Speaker 2: When Wendy tells her mother, hey, I just speak to 957 00:51:31,719 --> 00:51:34,680 Speaker 2: my dad and the mother when was going. 958 00:51:34,440 --> 00:51:38,319 Speaker 1: Off and Wendy said, Okay, this is getting real. Let 959 00:51:38,320 --> 00:51:41,719 Speaker 1: me kids go upstairs. And the moment that. 960 00:51:41,640 --> 00:51:45,080 Speaker 2: Wendy pointed her finger at the mom, and the mom said, 961 00:51:45,080 --> 00:51:46,680 Speaker 2: don't you point your fucking finger at me. 962 00:51:46,760 --> 00:51:49,759 Speaker 1: I'm not one of the kids or these girls. Okay, 963 00:51:49,960 --> 00:51:50,279 Speaker 1: you're not. 964 00:51:50,239 --> 00:51:52,600 Speaker 2: Gonna do that to me, and the sister co signed it. 965 00:51:53,360 --> 00:51:58,200 Speaker 2: That's the moment Wendy was like, this is going off script, 966 00:51:58,480 --> 00:52:02,080 Speaker 2: and Wendy did not know how to take control back 967 00:52:02,080 --> 00:52:02,760 Speaker 2: of the scene. 968 00:52:02,960 --> 00:52:05,800 Speaker 1: That's what I was watching when I saw it. Her 969 00:52:05,840 --> 00:52:11,520 Speaker 1: mother said, shut the fuck up. You shut the fuck up. 970 00:52:12,440 --> 00:52:16,480 Speaker 2: Wendy is trying to explain to her and make excuses 971 00:52:16,520 --> 00:52:19,319 Speaker 2: for her dad, and her mom is like, I'm the 972 00:52:19,360 --> 00:52:23,799 Speaker 2: one that raised you, worked four jobs, did all these 973 00:52:23,840 --> 00:52:26,359 Speaker 2: things for you. He didn't do shit so much so 974 00:52:26,840 --> 00:52:30,080 Speaker 2: you and your family flew to Africa miles away, your 975 00:52:30,120 --> 00:52:33,960 Speaker 2: own grand I'm sorry, your own children who you're trying 976 00:52:34,000 --> 00:52:38,120 Speaker 2: to send upstairs. Okay, he didn't make time to see them, 977 00:52:38,920 --> 00:52:41,319 Speaker 2: and you want me to stop with that? 978 00:52:41,680 --> 00:52:43,879 Speaker 1: And the sister low KEI was having the mom's back. 979 00:52:44,000 --> 00:52:46,120 Speaker 2: Wendy looked over at Eddie tried to come in to 980 00:52:46,160 --> 00:52:48,920 Speaker 2: diffuse it. 981 00:52:48,920 --> 00:52:50,680 Speaker 1: Blewe to LuSE mol. I'm gonna start with you. 982 00:52:51,000 --> 00:52:54,799 Speaker 2: Oh no, okay, I'm gonna say this. 983 00:52:54,960 --> 00:52:58,239 Speaker 1: I called one of my one of my girlfriends who. 984 00:52:59,680 --> 00:53:04,640 Speaker 2: Who had two kids at a young age and the 985 00:53:04,800 --> 00:53:07,840 Speaker 2: father was not in their lives. Unfortunately, this man was 986 00:53:07,840 --> 00:53:13,200 Speaker 2: in jail by his own doing. And she and I 987 00:53:13,239 --> 00:53:15,560 Speaker 2: spoke about the scene, and she said, I am one 988 00:53:15,640 --> 00:53:19,040 Speaker 2: hundred percent on Wendy's mother's side because as a mother 989 00:53:19,640 --> 00:53:20,120 Speaker 2: with a. 990 00:53:20,080 --> 00:53:22,240 Speaker 1: Did beat baby daddy. 991 00:53:22,719 --> 00:53:26,680 Speaker 2: Nothing irritates a mother more than when their kids tried 992 00:53:26,719 --> 00:53:29,600 Speaker 2: to make excuses for the didbie mother, for the didbie 993 00:53:29,600 --> 00:53:32,959 Speaker 2: guy who did nothing. And she said, as a mother, 994 00:53:33,640 --> 00:53:38,560 Speaker 2: I understand Wendy's mom because the kids have no idea 995 00:53:39,000 --> 00:53:43,080 Speaker 2: the sacrifice you do and the sleepless nights when you're 996 00:53:43,120 --> 00:53:46,960 Speaker 2: crying yourself to sleep because you are exhausted doing everything 997 00:53:46,960 --> 00:53:47,720 Speaker 2: for these kids. 998 00:53:48,080 --> 00:53:51,320 Speaker 1: And the man gets to live his best life and 999 00:53:51,400 --> 00:53:51,799 Speaker 1: gets to. 1000 00:53:51,760 --> 00:53:53,960 Speaker 2: Go out and do whatever he wants, and you have 1001 00:53:54,040 --> 00:53:59,720 Speaker 2: the audacity to try to take up for him. So 1002 00:53:59,840 --> 00:54:02,959 Speaker 2: do you think Bleue Wendy's mom overreacted. 1003 00:54:03,719 --> 00:54:04,640 Speaker 4: I think your friend might. 1004 00:54:04,640 --> 00:54:07,080 Speaker 6: Want to see it talk to a therapist, because that's 1005 00:54:07,160 --> 00:54:11,680 Speaker 6: not about the kids, that's about cheers, respectfully, respectfully. 1006 00:54:11,719 --> 00:54:13,480 Speaker 4: I hope she's watching it right, She is watching. 1007 00:54:13,560 --> 00:54:15,360 Speaker 1: She's watching because. 1008 00:54:15,080 --> 00:54:18,279 Speaker 6: Here's the thing, Wendy's a mom too, so that car 1009 00:54:18,400 --> 00:54:20,200 Speaker 6: died when she had her babies, Like you could play 1010 00:54:20,200 --> 00:54:22,880 Speaker 6: that card that she was like twelve, thirteen, fourteen, but 1011 00:54:22,960 --> 00:54:25,680 Speaker 6: the fact that Wendy is also a mother with children 1012 00:54:25,960 --> 00:54:27,279 Speaker 6: who can now speak. 1013 00:54:27,040 --> 00:54:28,040 Speaker 4: To you woman to woman. 1014 00:54:28,520 --> 00:54:31,800 Speaker 6: I think it's very dangerous when women who are bitter 1015 00:54:31,920 --> 00:54:35,720 Speaker 6: about choosing the wrong baby daddy or mischoosing a father 1016 00:54:36,000 --> 00:54:39,560 Speaker 6: for their child gets mad at their adult children for saying, 1017 00:54:39,600 --> 00:54:42,480 Speaker 6: that's still my father, and I still want to have 1018 00:54:42,480 --> 00:54:45,480 Speaker 6: a relationship with him, regardless whatever happened between y'all. I 1019 00:54:45,480 --> 00:54:48,520 Speaker 6: think it's incredibly selfish and toxic that just because you 1020 00:54:48,600 --> 00:54:51,160 Speaker 6: and him didn't get along, that you're telling her to 1021 00:54:51,280 --> 00:54:53,879 Speaker 6: cut off any communication with a man that she wants 1022 00:54:53,920 --> 00:54:55,680 Speaker 6: to get to know. If she gets to know him 1023 00:54:55,680 --> 00:54:57,400 Speaker 6: and he breaks her heart and she comes to her 1024 00:54:57,400 --> 00:55:01,359 Speaker 6: own conclusions, that's her journey. You're set entering yourself in 1025 00:55:01,400 --> 00:55:05,719 Speaker 6: your children's journey. It's incredibly selfish, it's incredibly toxic. It's 1026 00:55:05,760 --> 00:55:08,200 Speaker 6: normalized ys function. Just because it's normal doesn't mean it's okay. 1027 00:55:09,280 --> 00:55:11,160 Speaker 6: Just because it's normal doesn't mean it's okay. My mother 1028 00:55:11,200 --> 00:55:13,919 Speaker 6: cannot stand my father, But if he was still alive 1029 00:55:13,920 --> 00:55:15,520 Speaker 6: and I wanted to speak to him because I want 1030 00:55:15,600 --> 00:55:16,680 Speaker 6: to know the other half of me. 1031 00:55:17,640 --> 00:55:19,160 Speaker 4: God help her if she got in my way. 1032 00:55:19,200 --> 00:55:21,080 Speaker 6: So I'm not on the mother's side, because it's a 1033 00:55:21,200 --> 00:55:24,279 Speaker 6: very very toxic and common thing that a lot of 1034 00:55:24,360 --> 00:55:26,480 Speaker 6: mothers do that they think just because he was a 1035 00:55:26,520 --> 00:55:28,919 Speaker 6: bad husband and he wasn't there when you needed him, 1036 00:55:29,120 --> 00:55:30,799 Speaker 6: then I don't get to know the other half of me. 1037 00:55:31,320 --> 00:55:34,080 Speaker 6: That's incredibly selfish. And any mother's out there who are 1038 00:55:34,080 --> 00:55:40,080 Speaker 6: moving like that, shame when you stop, stop full stop, yeah, 1039 00:55:40,480 --> 00:55:43,719 Speaker 6: stop making it about you. Whose fault is it that 1040 00:55:43,800 --> 00:55:47,000 Speaker 6: you chose him? That's half of them. And on top 1041 00:55:47,040 --> 00:55:49,080 Speaker 6: of that, if you did want to be the only person, 1042 00:55:49,280 --> 00:55:50,719 Speaker 6: maybe be safe and don't tell me to shut the fuck 1043 00:55:50,760 --> 00:55:52,919 Speaker 6: up on camera, because now you're giving me more reason 1044 00:55:52,920 --> 00:55:58,319 Speaker 6: we want to get to know him. You didn't have 1045 00:55:58,360 --> 00:56:00,720 Speaker 6: my back, and that's why I need somebody else who's 1046 00:56:00,760 --> 00:56:01,400 Speaker 6: in my bloodline. 1047 00:56:01,480 --> 00:56:01,920 Speaker 4: See, I can. 1048 00:56:01,880 --> 00:56:04,120 Speaker 6: Connect with them because you guys getting up against me, 1049 00:56:04,320 --> 00:56:06,480 Speaker 6: you're actually proving why she wants to get to know him, 1050 00:56:06,920 --> 00:56:08,240 Speaker 6: because you can't keep her safe. 1051 00:56:09,000 --> 00:56:11,279 Speaker 5: Come on, man, no, And if you were gonna talk 1052 00:56:11,320 --> 00:56:13,480 Speaker 5: to me crazy like that, do you not talk to 1053 00:56:13,520 --> 00:56:15,480 Speaker 5: me crazy like that with that wig. 1054 00:56:17,360 --> 00:56:18,920 Speaker 4: Was the wiggle in the room with us for that 1055 00:56:18,960 --> 00:56:22,640 Speaker 4: whole scene? Was there any wig glue? Did the producer 1056 00:56:22,680 --> 00:56:24,480 Speaker 4: Carlo is the producer, Do you guys provide wig glue? 1057 00:56:25,800 --> 00:56:32,200 Speaker 5: Y'all are trying and in the mom's wigs. 1058 00:56:34,200 --> 00:56:37,120 Speaker 3: She right here, It was like right here and both 1059 00:56:37,160 --> 00:56:39,160 Speaker 3: and both of them walked out that front door like 1060 00:56:39,200 --> 00:56:41,360 Speaker 3: that ship didn't sting? Did you see? How did you 1061 00:56:41,400 --> 00:56:44,239 Speaker 3: see how Wendy's mama and that sister Ivy walked out 1062 00:56:44,280 --> 00:56:47,520 Speaker 3: that front door. Wendy's mama, that front door was making 1063 00:56:47,560 --> 00:56:49,680 Speaker 3: noise the screen doing ship. That's what they need to 1064 00:56:49,680 --> 00:56:52,360 Speaker 3: renovate next. They need to put some w D forty 1065 00:56:52,440 --> 00:56:55,040 Speaker 3: on that screen door. It was making noise on her 1066 00:56:55,080 --> 00:57:00,360 Speaker 3: mind when Wendy's mama was walking out. These mama was 1067 00:57:00,400 --> 00:57:05,239 Speaker 3: walking out grumbling and ship walking out that front door, 1068 00:57:05,239 --> 00:57:07,839 Speaker 3: and shit I can see had cuts Wendy the fuck 1069 00:57:07,920 --> 00:57:11,000 Speaker 3: out in their kitchen like that. Wendy's mama. I'm gonna 1070 00:57:11,000 --> 00:57:13,000 Speaker 3: tell you what part first of all, let me make 1071 00:57:13,040 --> 00:57:14,280 Speaker 3: the serious points first. 1072 00:57:14,640 --> 00:57:17,280 Speaker 5: And the wretch outfit the. 1073 00:57:18,520 --> 00:57:21,600 Speaker 3: Rib knit that was a rib knitrib nick. 1074 00:57:23,760 --> 00:57:30,640 Speaker 5: That was the same ship. 1075 00:57:31,800 --> 00:57:36,000 Speaker 3: Now, Wendy mama was wrong as hell, flat out you 1076 00:57:36,120 --> 00:57:40,120 Speaker 3: wrong as hell that your issues with Wendy's father. It 1077 00:57:40,120 --> 00:57:42,840 Speaker 3: would be different if she would say if her conversation 1078 00:57:42,960 --> 00:57:45,720 Speaker 3: to Wendy had been, Hey, I want you to be safe. 1079 00:57:45,720 --> 00:57:48,400 Speaker 3: I want you and your emotions to be safe. I 1080 00:57:48,400 --> 00:57:50,840 Speaker 3: think you should think twice before for soon a relationship 1081 00:57:50,880 --> 00:57:53,440 Speaker 3: with him. I'm not gonna stop you, but he's had 1082 00:57:53,440 --> 00:57:56,520 Speaker 3: a pattern of whatever, whatever, there's a way to do that. 1083 00:57:56,560 --> 00:57:58,400 Speaker 3: When she got on there telling her you didn't already 1084 00:57:58,480 --> 00:58:01,920 Speaker 3: pissed me off, don't piss me more off, That's what 1085 00:58:02,000 --> 00:58:05,840 Speaker 3: she said, don't piss me more off. She thought about 1086 00:58:05,840 --> 00:58:08,160 Speaker 3: it when she was saying it, because she was just going, 1087 00:58:08,560 --> 00:58:15,800 Speaker 3: you know what I'm saying, Yeah, attention seeker. All that 1088 00:58:17,640 --> 00:58:21,400 Speaker 3: she completely attacked her. Wendy's sister completely attacked her. I 1089 00:58:21,440 --> 00:58:24,480 Speaker 3: think jealous of Wendy. I do. I think that the 1090 00:58:24,560 --> 00:58:28,640 Speaker 3: whole all three of them, Wendy, the sister, Eive, Mama, 1091 00:58:28,720 --> 00:58:32,080 Speaker 3: Tan be In. I think all three of them love attention. 1092 00:58:32,480 --> 00:58:35,240 Speaker 3: You know what I'm saying. They love the camera. They've 1093 00:58:35,240 --> 00:58:37,959 Speaker 3: been waiting on a chance to really tear Wendy. Bring 1094 00:58:38,000 --> 00:58:41,920 Speaker 3: Wendy down a peg because obviously we see the presentation 1095 00:58:42,080 --> 00:58:44,880 Speaker 3: that Wendy's had on the show and them being her 1096 00:58:44,960 --> 00:58:48,000 Speaker 3: bonus characters, and shit, they've been waiting on the opportunity 1097 00:58:48,080 --> 00:58:50,600 Speaker 3: to knock her down the side. The mother did it 1098 00:58:50,720 --> 00:58:54,040 Speaker 3: last time when she was determined to talk about her 1099 00:58:54,160 --> 00:58:58,120 Speaker 3: getting that allignance or whatever she gets. She kept wanting 1100 00:58:58,120 --> 00:59:00,320 Speaker 3: to talk about that, you know, and the men and 1101 00:59:00,320 --> 00:59:04,720 Speaker 3: Wendy talked about her father. She completely disrespected Wendy. Now, 1102 00:59:05,560 --> 00:59:09,560 Speaker 3: I think what was interesting to me was Wendy's reasoning 1103 00:59:09,680 --> 00:59:12,360 Speaker 3: what she cited as her reason for wanting to explore 1104 00:59:12,360 --> 00:59:15,040 Speaker 3: a relationship with her father. It came from a place 1105 00:59:15,080 --> 00:59:20,400 Speaker 3: of it felt like like she was being like just 1106 00:59:20,480 --> 00:59:22,880 Speaker 3: being a contrarian, you know what I'm saying. So it's 1107 00:59:22,920 --> 00:59:25,040 Speaker 3: like like she was like, well, they don't like him, 1108 00:59:25,440 --> 00:59:27,800 Speaker 3: and since they don't want to fuck with him, that 1109 00:59:27,960 --> 00:59:31,360 Speaker 3: makes me want to because I always feel like I'm 1110 00:59:31,440 --> 00:59:34,440 Speaker 3: different from them, and so maybe if I explore this 1111 00:59:34,520 --> 00:59:38,320 Speaker 3: relationship with him, I'll have somebody on my side. To me, 1112 00:59:38,400 --> 00:59:41,480 Speaker 3: that's a weird place to approach getting to know your 1113 00:59:41,520 --> 00:59:44,120 Speaker 3: father from, especially when you're willing to go againt your 1114 00:59:44,120 --> 00:59:46,800 Speaker 3: mama to do it, you know what I'm saying. So 1115 00:59:46,960 --> 00:59:49,760 Speaker 3: none of it made no damn sense to me. Also, 1116 00:59:50,040 --> 00:59:53,240 Speaker 3: the worst motherfucker in the whole entire scene was Wendy's 1117 00:59:53,280 --> 00:59:56,640 Speaker 3: no good ass father sitting over there in Africa and 1118 00:59:56,680 --> 00:59:59,120 Speaker 3: ought to be ashamed of hisself ain't seeing his daughter 1119 00:59:59,160 --> 01:00:02,280 Speaker 3: in twenty fucking years. She carried all them children over 1120 01:00:02,320 --> 01:00:04,760 Speaker 3: there to Africa to see his ass, and he didn't 1121 01:00:04,760 --> 01:00:07,320 Speaker 3: show up. And Wendy's mama was wrong for letting her 1122 01:00:07,320 --> 01:00:09,600 Speaker 3: do it. You tell her every other damn thing to do. 1123 01:00:09,640 --> 01:00:12,120 Speaker 3: You got something else to say about everything else she does? 1124 01:00:12,280 --> 01:00:14,880 Speaker 3: Why you didn't stop her and Eddie from going over there, 1125 01:00:15,240 --> 01:00:17,400 Speaker 3: especially now that we know all the allegations, Because I 1126 01:00:17,440 --> 01:00:19,960 Speaker 3: know the mama know about whatever is going on, you 1127 01:00:20,000 --> 01:00:21,720 Speaker 3: should have been the first one, like, I don't think 1128 01:00:21,720 --> 01:00:24,000 Speaker 3: it's a good idea. You know what I'm saying. Don't 1129 01:00:24,040 --> 01:00:25,920 Speaker 3: go over to Africa to see him because you might 1130 01:00:25,960 --> 01:00:29,040 Speaker 3: not see him. Instead, you want to call Wendy idiots, 1131 01:00:29,160 --> 01:00:32,800 Speaker 3: make up lives about her disrespecting you. Wendy went disrespectful 1132 01:00:32,880 --> 01:00:35,320 Speaker 3: not one damn time in that conversation to her mother. 1133 01:00:35,640 --> 01:00:40,280 Speaker 3: Her mother was a disrespectful person in that conversation. I 1134 01:00:40,320 --> 01:00:42,200 Speaker 3: was so happy to see her walking out that door 1135 01:00:42,200 --> 01:00:46,440 Speaker 3: and making noise her and her daughter, Ivy, Wendy's sister. 1136 01:00:46,600 --> 01:00:50,040 Speaker 3: There's a meme of these ladies walking in a parking 1137 01:00:50,080 --> 01:00:52,200 Speaker 3: lot with like these persons on their arms and then 1138 01:00:52,240 --> 01:00:55,160 Speaker 3: they turn directions and they keep walking like that. That's 1139 01:00:55,160 --> 01:00:57,560 Speaker 3: how Wendy mama and sister walked out of that house 1140 01:00:57,720 --> 01:01:01,000 Speaker 3: after that argument, after she completely did respected Wendy. I 1141 01:01:01,040 --> 01:01:04,640 Speaker 3: didn't like nothing about that. The mama and the daddy wrong. 1142 01:01:04,520 --> 01:01:08,880 Speaker 5: Is hell, she just respected Wendy and Eddie like you 1143 01:01:09,160 --> 01:01:12,320 Speaker 5: very much, so throw your house and this how and 1144 01:01:12,320 --> 01:01:13,920 Speaker 5: then all this kind of stuff. I mean, that is 1145 01:01:13,920 --> 01:01:16,000 Speaker 5: a shady reason for Wendy to want to be with 1146 01:01:16,040 --> 01:01:17,960 Speaker 5: her dad. Be cool to dad, because you know, to 1147 01:01:18,000 --> 01:01:19,840 Speaker 5: have some one aside that I could see that that 1148 01:01:19,880 --> 01:01:22,280 Speaker 5: would be annoying, but there was a way better way 1149 01:01:22,320 --> 01:01:25,520 Speaker 5: to handle that. And they making a scene like that 1150 01:01:25,640 --> 01:01:27,920 Speaker 5: and just ganging up on Wendy like that and just 1151 01:01:27,960 --> 01:01:29,960 Speaker 5: being super rude. I just felt like that was just 1152 01:01:30,080 --> 01:01:32,480 Speaker 5: it just gave trying to steal the scene in a 1153 01:01:32,520 --> 01:01:35,800 Speaker 5: reality show more than given a damn about how this 1154 01:01:35,840 --> 01:01:37,560 Speaker 5: comes off and how you want to be the FIA daughter. 1155 01:01:37,600 --> 01:01:40,200 Speaker 5: It kind of gave shitty. And also I don't have 1156 01:01:40,240 --> 01:01:42,800 Speaker 5: a great I don't really have a really great relationship 1157 01:01:42,880 --> 01:01:44,840 Speaker 5: my dad either, but like it would be a big 1158 01:01:44,880 --> 01:01:46,640 Speaker 5: deal for me to reach out to him, And if 1159 01:01:46,640 --> 01:01:49,800 Speaker 5: my mom reacted like that, that would devastate me, Like damn, mom, 1160 01:01:49,920 --> 01:01:51,040 Speaker 5: Like you know how hard it was for me to 1161 01:01:51,040 --> 01:01:52,680 Speaker 5: even try to reach out, And then you're gonna like 1162 01:01:52,720 --> 01:01:55,040 Speaker 5: react like that, you know what I'm saying, Like, Yeah, 1163 01:01:55,040 --> 01:01:57,080 Speaker 5: I under said he hurts you and he was wrong 1164 01:01:57,120 --> 01:01:58,720 Speaker 5: for that. He's dead ass wrong for that, And I 1165 01:01:58,720 --> 01:02:00,520 Speaker 5: could I can too thing to be true at the 1166 01:02:00,560 --> 01:02:02,840 Speaker 5: same time, he could be a dead ass wrong to you, 1167 01:02:02,880 --> 01:02:06,840 Speaker 5: but I still could be curious. Can I use macurial? 1168 01:02:07,240 --> 01:02:22,800 Speaker 5: Can I fit mecurial. 1169 01:02:17,680 --> 01:02:19,040 Speaker 3: D m angel and ask her? 1170 01:02:22,160 --> 01:02:24,760 Speaker 5: You know, it's hard enough, Like there's too many of 1171 01:02:24,800 --> 01:02:26,520 Speaker 5: us that don't have great relationships with our dad. So 1172 01:02:26,680 --> 01:02:29,240 Speaker 5: your mom to reacts like that is crazy. But but Wendy, also, 1173 01:02:29,680 --> 01:02:31,919 Speaker 5: your motive is only to stick it to your sister, 1174 01:02:32,040 --> 01:02:33,240 Speaker 5: your mom. That's not cool either. 1175 01:02:33,400 --> 01:02:35,800 Speaker 6: That's not her motive. That's the pain, you guys. One 1176 01:02:35,800 --> 01:02:38,000 Speaker 6: of the things where to take seriously. When people are traumatized, 1177 01:02:38,120 --> 01:02:40,680 Speaker 6: they say things almost. 1178 01:02:40,400 --> 01:02:42,880 Speaker 4: Like on the surface level because they haven't gone introspective. 1179 01:02:43,240 --> 01:02:44,960 Speaker 4: I do believe that someone who was a father like 1180 01:02:45,000 --> 01:02:46,680 Speaker 4: that like a little. 1181 01:02:46,440 --> 01:02:46,880 Speaker 5: Bit of tea. 1182 01:02:47,200 --> 01:02:48,920 Speaker 6: I just found out two months ago that my daddy 1183 01:02:48,920 --> 01:02:50,560 Speaker 6: got I have a little sister. 1184 01:02:50,880 --> 01:02:52,000 Speaker 4: I just found out two months ago. 1185 01:02:52,360 --> 01:02:53,360 Speaker 5: How old was your little sister? 1186 01:02:54,000 --> 01:02:55,080 Speaker 4: Six months younger than me? 1187 01:02:55,960 --> 01:02:56,320 Speaker 1: Oh? 1188 01:02:56,360 --> 01:02:58,480 Speaker 4: I got and and her mom and her mama is 1189 01:02:58,520 --> 01:02:59,440 Speaker 4: my mother's best friend. 1190 01:02:59,640 --> 01:03:03,840 Speaker 5: Oh just found this out. 1191 01:03:03,880 --> 01:03:06,600 Speaker 6: And I said, mom, I'm in my forties. What you 1192 01:03:06,720 --> 01:03:09,080 Speaker 6: mean because I said, you know, my daddy's youngest child. 1193 01:03:09,120 --> 01:03:09,800 Speaker 4: She's like, no, you're not. 1194 01:03:09,960 --> 01:03:11,880 Speaker 6: Carol had the other one a couple months later. That's 1195 01:03:11,880 --> 01:03:13,720 Speaker 6: why I don't talk to her no more. I said, now, 1196 01:03:13,720 --> 01:03:16,960 Speaker 6: hold on, bitch, like what's going on? Yeah, Now, like 1197 01:03:17,080 --> 01:03:19,000 Speaker 6: you know, black families will drop off a thing like 1198 01:03:19,000 --> 01:03:20,680 Speaker 6: that right right around Thanksgiving and expect you to do 1199 01:03:20,760 --> 01:03:24,640 Speaker 6: just right. In that moment, I said, Mommy, if daddy 1200 01:03:24,680 --> 01:03:26,320 Speaker 6: had been alive, I would have wanted to talk to 1201 01:03:26,400 --> 01:03:29,160 Speaker 6: him about this. And she said, well, you know how 1202 01:03:29,200 --> 01:03:32,080 Speaker 6: he was just be careful. My mother in her mind 1203 01:03:32,120 --> 01:03:34,760 Speaker 6: she's like, that's your father. I think he's a piece 1204 01:03:34,800 --> 01:03:36,720 Speaker 6: of shit. But he gave me you, so he did 1205 01:03:36,760 --> 01:03:38,200 Speaker 6: something right. That's what the people just said. 1206 01:03:38,280 --> 01:03:40,440 Speaker 4: He gave me you he did something right. He didn't. 1207 01:03:40,440 --> 01:03:41,840 Speaker 4: He was generous, he just didn't know how to put 1208 01:03:41,880 --> 01:03:42,560 Speaker 4: his penis away. 1209 01:03:43,080 --> 01:03:45,840 Speaker 6: I honestly think the Dustin's thing, I think the mother 1210 01:03:46,000 --> 01:03:47,720 Speaker 6: was excited that Wendy was going to go to Africa 1211 01:03:47,720 --> 01:03:49,880 Speaker 6: and get rejected to prove a point. I think that's why, 1212 01:03:49,920 --> 01:03:52,480 Speaker 6: because she's selfish. A selfish person won't let you walk 1213 01:03:52,520 --> 01:03:54,160 Speaker 6: into the fire so they can prove a point. That's 1214 01:03:54,200 --> 01:03:57,120 Speaker 6: the first thing I think. What when you misspoke about 1215 01:03:57,120 --> 01:04:00,320 Speaker 6: in her trauma was that I feel alone because two 1216 01:04:00,320 --> 01:04:03,560 Speaker 6: against one and I'm trying to see if there's somebody 1217 01:04:03,600 --> 01:04:05,320 Speaker 6: else in my bloodline who will make me feel like 1218 01:04:05,360 --> 01:04:07,960 Speaker 6: I belong. Does she word it incorrectly? 1219 01:04:08,200 --> 01:04:08,439 Speaker 3: Sure? 1220 01:04:08,520 --> 01:04:10,480 Speaker 6: But people we talked about this in the Braxtons thing. 1221 01:04:10,600 --> 01:04:13,720 Speaker 6: People were things incorrect because they have sallow points. I 1222 01:04:13,760 --> 01:04:16,240 Speaker 6: think deep down because for me my father sometimes I 1223 01:04:16,240 --> 01:04:17,280 Speaker 6: look in the mirror, my mother will be like you, 1224 01:04:17,280 --> 01:04:18,960 Speaker 6: it's just like your daddy today, and I'm like, I. 1225 01:04:18,920 --> 01:04:20,880 Speaker 4: Don't know what that means. You know what I mean? 1226 01:04:21,360 --> 01:04:23,120 Speaker 4: And so I think there's and then you pick. 1227 01:04:23,000 --> 01:04:25,960 Speaker 6: A husband who looks just like him, which, by the way, 1228 01:04:26,040 --> 01:04:27,840 Speaker 6: makes me wonder what Kiana's daddy look like. Maybe that's 1229 01:04:27,840 --> 01:04:29,919 Speaker 6: why Greg is even here, because what does Keiana's daddy 1230 01:04:29,920 --> 01:04:31,520 Speaker 6: look like? I'm sorry, I'll be curious. Can we get 1231 01:04:31,520 --> 01:04:34,800 Speaker 6: a picture of him? I'm just saying so. I think 1232 01:04:34,840 --> 01:04:36,920 Speaker 6: if you were a mother who was centering your child 1233 01:04:37,520 --> 01:04:41,760 Speaker 6: rather than centering your your bank account, you would be 1234 01:04:41,920 --> 01:04:44,040 Speaker 6: in a space where you want to make sure that 1235 01:04:44,080 --> 01:04:46,200 Speaker 6: you're keeping her safe but allowing her to figure out for. 1236 01:04:46,200 --> 01:04:47,720 Speaker 4: Herself and being a support system. 1237 01:04:47,760 --> 01:04:49,480 Speaker 6: But when your mother who says, well, you know, your 1238 01:04:49,560 --> 01:04:50,960 Speaker 6: daddy ain't shit, and I get to keep all your 1239 01:04:50,960 --> 01:04:54,680 Speaker 6: money because he's not around, and you and your daughter 1240 01:04:54,720 --> 01:04:56,800 Speaker 6: are being two mean girls against the cash cow who 1241 01:04:56,800 --> 01:04:58,280 Speaker 6: you like to take bring down a notch. 1242 01:04:59,320 --> 01:05:00,439 Speaker 4: This is not much the ring. 1243 01:05:00,560 --> 01:05:03,080 Speaker 6: It feels like three sisters arguing and the oldest sister 1244 01:05:03,120 --> 01:05:05,040 Speaker 6: thinks that she gets to talk the most abusive while 1245 01:05:05,080 --> 01:05:06,080 Speaker 6: saying I'm trying to protect you. 1246 01:05:06,120 --> 01:05:08,920 Speaker 4: That's not what protection looks like. He can't hurt me, 1247 01:05:08,960 --> 01:05:09,800 Speaker 4: but you can come on. 1248 01:05:10,240 --> 01:05:11,800 Speaker 5: That scene was a mess. It was. 1249 01:05:11,880 --> 01:05:12,640 Speaker 4: It was heartbreaking. 1250 01:05:12,840 --> 01:05:13,280 Speaker 3: No, it was. 1251 01:05:13,320 --> 01:05:14,800 Speaker 2: It was crazy, and like I said, you could tell 1252 01:05:14,840 --> 01:05:20,880 Speaker 2: Wendy was not expecting that to happen at all. It 1253 01:05:20,920 --> 01:05:24,240 Speaker 2: was it was it was really really bad and it 1254 01:05:24,400 --> 01:05:25,880 Speaker 2: was it. 1255 01:05:25,760 --> 01:05:27,880 Speaker 3: Was you know, I smoked after you know, they smoked 1256 01:05:27,920 --> 01:05:30,760 Speaker 3: after that, after the cameras left. You know her Eddie 1257 01:05:30,800 --> 01:05:31,200 Speaker 3: was like, she. 1258 01:05:38,640 --> 01:05:40,680 Speaker 4: That's the work for their marketing. See, Wendy, if you're 1259 01:05:40,680 --> 01:05:42,120 Speaker 4: watching this, higher dustin to. 1260 01:05:42,120 --> 01:05:46,480 Speaker 11: Work for your so you know how wady to be talking, 1261 01:05:49,000 --> 01:05:50,800 Speaker 11: you know, that's what he was doing, was rolling the 1262 01:05:50,920 --> 01:05:52,320 Speaker 11: happy Eddie baby they needed. 1263 01:05:54,960 --> 01:05:59,080 Speaker 5: I did like how caring though Eddie came off with 1264 01:05:59,240 --> 01:05:59,640 Speaker 5: his wife. 1265 01:05:59,800 --> 01:06:05,160 Speaker 2: Yeah, he's a great man a lot, No Eddie's Eddie's 1266 01:06:05,200 --> 01:06:08,480 Speaker 2: a great great man. But that's see what's crazy. Well, 1267 01:06:08,480 --> 01:06:10,440 Speaker 2: see what happens next week. All right, So before we 1268 01:06:10,480 --> 01:06:14,880 Speaker 2: let y'all go, we have a bonus story that happened. Okay, 1269 01:06:15,040 --> 01:06:18,840 Speaker 2: it's the last story of the year, the last hot topic. 1270 01:06:19,360 --> 01:06:22,120 Speaker 2: Claudia Jordan, I would like for you to take this 1271 01:06:22,240 --> 01:06:26,600 Speaker 2: away because apparently friend to the show and our friend 1272 01:06:26,640 --> 01:06:31,360 Speaker 2: in real life, Cynthia Belly name was mentioned. After Peter Thomas, 1273 01:06:31,760 --> 01:06:37,640 Speaker 2: who is serving time in prison right now. He said 1274 01:06:37,920 --> 01:06:42,640 Speaker 2: in an interview with Michelle Brown that his new woman 1275 01:06:43,360 --> 01:06:49,800 Speaker 2: has visited him eighty percent of the time, and he 1276 01:06:50,480 --> 01:06:54,880 Speaker 2: mentioned Cynthia Belly and when he talked about Cynthia Belly. 1277 01:06:55,640 --> 01:07:01,640 Speaker 2: He did say that Cynthia Belly ain't shit for not 1278 01:07:01,840 --> 01:07:04,959 Speaker 2: busiting him while in prison, and said if I never 1279 01:07:05,040 --> 01:07:05,640 Speaker 2: see her. 1280 01:07:05,520 --> 01:07:07,800 Speaker 1: Again, it would be too so. 1281 01:07:08,240 --> 01:07:13,280 Speaker 5: Peter, shut up, shut up you. Cynthia has moved on, 1282 01:07:13,640 --> 01:07:16,520 Speaker 5: You have moved on. Your new woman should be there supporting, 1283 01:07:16,560 --> 01:07:18,320 Speaker 5: and then he went on to say that he helped 1284 01:07:18,320 --> 01:07:22,960 Speaker 5: her make seventeen million dollars and Michelle Brown's stinking ass 1285 01:07:23,000 --> 01:07:25,880 Speaker 5: was sitting there grinnin, sucking it up, loving it because 1286 01:07:25,880 --> 01:07:28,360 Speaker 5: she's such a hater to pretty girls. She really is. 1287 01:07:28,600 --> 01:07:30,720 Speaker 5: She's sitting there loving it. She's such a pick me 1288 01:07:30,840 --> 01:07:34,000 Speaker 5: to men. And I really don't like that, Peter. Cynthia 1289 01:07:34,000 --> 01:07:36,240 Speaker 5: doesn't owe you having to come. If she can make it, 1290 01:07:36,280 --> 01:07:38,720 Speaker 5: she can come by, but she doesn't owe you. And 1291 01:07:38,800 --> 01:07:40,840 Speaker 5: to put that pressure on her when you're both in 1292 01:07:40,960 --> 01:07:45,560 Speaker 5: other relationships, to me, it is crazy. I just thought 1293 01:07:45,560 --> 01:07:47,560 Speaker 5: that was so wrong to put that out there like that. 1294 01:07:47,600 --> 01:07:50,320 Speaker 5: Should have been a phone call or a letter. Write 1295 01:07:50,360 --> 01:07:52,240 Speaker 5: her a letter. Don't put that on a blog like that. 1296 01:07:52,880 --> 01:07:56,880 Speaker 5: It gave cloud chase, it gave attention seeking, it gave 1297 01:07:57,400 --> 01:08:01,240 Speaker 5: let me go on Michelle's blog that it was very messy. 1298 01:08:01,280 --> 01:08:04,040 Speaker 5: To a lot of women and dragged my ex wife, 1299 01:08:04,480 --> 01:08:07,400 Speaker 5: you know when there was There's been many times that 1300 01:08:07,400 --> 01:08:10,480 Speaker 5: that there's been some negative news stories about Peter financially 1301 01:08:11,360 --> 01:08:16,000 Speaker 5: with Cynthia was dragged into it. That Cynthia never dragged you, 1302 01:08:16,640 --> 01:08:20,320 Speaker 5: and she could never dragged you. She treated you with 1303 01:08:20,360 --> 01:08:23,000 Speaker 5: a class even when she could have she could have 1304 01:08:23,040 --> 01:08:26,080 Speaker 5: been irritated and angry about how she was dragged into 1305 01:08:26,120 --> 01:08:31,800 Speaker 5: these financial messes, and she never dragged you. And that's loyalty, 1306 01:08:31,960 --> 01:08:35,760 Speaker 5: not coming to prison to visit you, like I just 1307 01:08:35,800 --> 01:08:38,200 Speaker 5: thought that was really taggy, Peter. I'm disappointed. I hope 1308 01:08:38,240 --> 01:08:40,880 Speaker 5: you take that back. And to say, Cynthia ain't shit. 1309 01:08:41,760 --> 01:08:43,920 Speaker 5: You wouldn't be as famous and known as you are 1310 01:08:43,960 --> 01:08:45,919 Speaker 5: if it wasn't to Cynthia putting you on the Housewives. 1311 01:08:46,000 --> 01:08:49,479 Speaker 5: Yeah you had a you had known somewhat music scene, 1312 01:08:49,600 --> 01:08:51,599 Speaker 5: but she definitely you being on the show with her. 1313 01:08:51,640 --> 01:08:54,320 Speaker 5: I mean the storyline, y'all worked together, but let's not 1314 01:08:54,400 --> 01:08:56,439 Speaker 5: be let's be very clear who the star was. It 1315 01:08:56,479 --> 01:08:59,600 Speaker 5: was her and you of course helped their storyline. But 1316 01:08:59,720 --> 01:09:01,840 Speaker 5: don't get carried away where you helped her make all 1317 01:09:01,880 --> 01:09:03,800 Speaker 5: this money, but she couldn't have done it. Without you. 1318 01:09:03,920 --> 01:09:05,840 Speaker 5: She could have she could have brought someone else on. 1319 01:09:05,880 --> 01:09:07,559 Speaker 5: She could have brought her her baby daddy and they 1320 01:09:07,640 --> 01:09:10,360 Speaker 5: leon who people love to see him. She could have 1321 01:09:10,360 --> 01:09:12,120 Speaker 5: brought a male model, she could have brought her friends, 1322 01:09:12,120 --> 01:09:14,400 Speaker 5: she could have brought a date. Whoever. People still wanted 1323 01:09:14,439 --> 01:09:16,479 Speaker 5: to rock with Cynthia. And I thought that was just 1324 01:09:16,800 --> 01:09:19,320 Speaker 5: it was kind of diminishing Cynthia. And I know you're 1325 01:09:19,360 --> 01:09:20,920 Speaker 5: gonna get mad, You're probably gonna go back on the 1326 01:09:20,920 --> 01:09:23,160 Speaker 5: show show and say, I ain't shit, I really don't 1327 01:09:23,200 --> 01:09:25,519 Speaker 5: give a fuck. I really don't. I mean, I've been 1328 01:09:25,560 --> 01:09:27,960 Speaker 5: dragged by better. I don't care what she says about me. 1329 01:09:28,280 --> 01:09:29,880 Speaker 5: But I'm just saying I just thought that was whack 1330 01:09:29,960 --> 01:09:31,920 Speaker 5: to do that to Cynthia. I think Cynthia doesn't deserve 1331 01:09:31,920 --> 01:09:34,160 Speaker 5: that smoke from you, Peter. And that's something that should 1332 01:09:34,200 --> 01:09:36,640 Speaker 5: have been a phone call and not exploiting her for 1333 01:09:36,760 --> 01:09:40,880 Speaker 5: your friend's blog to get attention. And and Michelle was 1334 01:09:40,920 --> 01:09:44,200 Speaker 5: all very happy to drag another woman like she always does. 1335 01:09:45,479 --> 01:09:46,200 Speaker 5: That's why she's. 1336 01:09:46,120 --> 01:09:49,920 Speaker 3: Cursed and Blue. 1337 01:09:50,080 --> 01:09:51,360 Speaker 1: You don't say anything. 1338 01:09:52,880 --> 01:09:53,799 Speaker 3: Blue ladies. 1339 01:09:53,840 --> 01:09:56,360 Speaker 4: First, Oh, keep setting me up. 1340 01:09:57,120 --> 01:09:57,599 Speaker 3: Be nice. 1341 01:09:58,200 --> 01:10:01,280 Speaker 4: Cynthia Bailey is a very classy woman. 1342 01:10:01,920 --> 01:10:04,479 Speaker 6: I have nothing but incredibly respectful and kind of things 1343 01:10:04,479 --> 01:10:07,240 Speaker 6: to say about her. The restraint that she's shown for 1344 01:10:07,320 --> 01:10:14,120 Speaker 6: decades decades should be applauded. And the fact that she 1345 01:10:14,200 --> 01:10:17,080 Speaker 6: has shielded you with her silence, that same silence that 1346 01:10:17,160 --> 01:10:19,679 Speaker 6: shielded you. Now you can't attack it right, you can't 1347 01:10:19,680 --> 01:10:22,439 Speaker 6: benefit from her silence and now be upset that she's 1348 01:10:22,479 --> 01:10:24,680 Speaker 6: not on you. And also, she's not your wife. The 1349 01:10:24,760 --> 01:10:27,680 Speaker 6: expectation is ridiculous. She's not your wife. She's your ex 1350 01:10:27,640 --> 01:10:29,679 Speaker 6: who's skeptic cute? How about you follow suit? 1351 01:10:31,520 --> 01:10:35,639 Speaker 5: And if you're Peter's new girlfriend, I'd be pissed. I'd 1352 01:10:35,680 --> 01:10:38,360 Speaker 5: be like, why you focus on your ex wife from 1353 01:10:38,479 --> 01:10:42,280 Speaker 5: so many relationships ago when I'm here holding you down? 1354 01:10:42,520 --> 01:10:44,759 Speaker 5: I'm coming, Am I not enough? Why are you mad 1355 01:10:45,160 --> 01:10:47,400 Speaker 5: that your ex is not coming when I'm showing up 1356 01:10:47,439 --> 01:10:50,120 Speaker 5: for you? So I get the new woman props and 1357 01:10:50,280 --> 01:10:52,800 Speaker 5: much respect for you going and holding it down. And 1358 01:10:52,840 --> 01:10:55,320 Speaker 5: I think Peter, she should be shown more respect for 1359 01:10:55,439 --> 01:10:57,200 Speaker 5: showing up for you. That's who's in your life. 1360 01:10:57,360 --> 01:10:57,639 Speaker 3: Now. 1361 01:10:58,240 --> 01:11:01,960 Speaker 5: Imagine me being mad that my boy friend from twelve 1362 01:11:02,080 --> 01:11:05,679 Speaker 5: years ago, our husband, is not showing up to something. Now. 1363 01:11:06,120 --> 01:11:08,160 Speaker 5: It'd be nice if they will but they don't owe 1364 01:11:08,240 --> 01:11:10,200 Speaker 5: it to you. They don't owe it to you, and 1365 01:11:10,240 --> 01:11:12,840 Speaker 5: they don't should not be dragged for not coming through. 1366 01:11:12,880 --> 01:11:17,280 Speaker 5: They don't have to have no responsibility to anymore. And 1367 01:11:17,320 --> 01:11:19,639 Speaker 5: I know, Michelle're gonna make forty videos of me now. 1368 01:11:20,000 --> 01:11:24,960 Speaker 5: I'm gonna be your content until fucking spring. Whatever. You're welcome, go. 1369 01:11:26,120 --> 01:11:28,720 Speaker 5: Hope you have a nice track off of it. Hell ho 1370 01:11:28,720 --> 01:11:30,200 Speaker 5: ho ho. 1371 01:11:32,520 --> 01:11:34,760 Speaker 3: None of this. I don't know nothing about none of 1372 01:11:34,760 --> 01:11:36,840 Speaker 3: this because it just seems like a weak story to me. 1373 01:11:36,960 --> 01:11:41,240 Speaker 3: I don't understand what's newsworthy about Peter complaining from jail 1374 01:11:41,280 --> 01:11:45,200 Speaker 3: that Cynthia, his ex wife two three relationships ago, has 1375 01:11:45,240 --> 01:11:47,720 Speaker 3: not come to visit him in jail. To me, it's 1376 01:11:47,800 --> 01:11:50,720 Speaker 3: just literally, like by definition, a moot point. So I 1377 01:11:50,760 --> 01:11:54,920 Speaker 3: don't really know what's even newsworthy about that. It's ridiculous. 1378 01:11:55,160 --> 01:11:58,320 Speaker 3: The notion of him being upset about Cynthia not visiting 1379 01:11:58,400 --> 01:12:00,840 Speaker 3: him in jail is ridiculous. And that's probably why we 1380 01:12:00,880 --> 01:12:03,080 Speaker 3: haven't heard Cynthia say shit about it, you know what 1381 01:12:03,160 --> 01:12:06,280 Speaker 3: I'm saying. We know Cynthia Bailey is a woman that 1382 01:12:06,439 --> 01:12:09,680 Speaker 3: chooses peace. She's a woman that chooses to take the 1383 01:12:09,800 --> 01:12:11,840 Speaker 3: high road and the high ground, which is why she 1384 01:12:11,920 --> 01:12:15,120 Speaker 3: left him on the road and moved on down the 1385 01:12:15,200 --> 01:12:18,599 Speaker 3: road with her life. And so he might say Cynthia 1386 01:12:18,680 --> 01:12:20,799 Speaker 3: ain't shit, but what we do know is says Cynthia 1387 01:12:20,960 --> 01:12:23,720 Speaker 3: is the shit, which is why he married her and 1388 01:12:23,840 --> 01:12:28,280 Speaker 3: was willing to be such a gleeful participant in her 1389 01:12:28,360 --> 01:12:32,080 Speaker 3: tenure on the Real Housewives of Atlanta. Leader showed up 1390 01:12:32,080 --> 01:12:34,559 Speaker 3: and showed he was a gleeful tent. He was a 1391 01:12:34,600 --> 01:12:37,519 Speaker 3: gleeful participant. He was happy to be there and happy 1392 01:12:37,560 --> 01:12:39,400 Speaker 3: to be getting the attention that was on the show. 1393 01:12:39,840 --> 01:12:41,800 Speaker 3: He was happy to begin the attention that was on 1394 01:12:41,880 --> 01:12:43,559 Speaker 3: this that he got on that show. It helped his 1395 01:12:43,880 --> 01:12:47,360 Speaker 3: brick and mortar businesses thrive. His businesses wasn't closing with 1396 01:12:47,520 --> 01:12:50,000 Speaker 3: him and Cynthia was together. That shit. He didn't start 1397 01:12:50,000 --> 01:12:53,120 Speaker 3: seeing those misfortunes until after they broke up, and even 1398 01:12:53,200 --> 01:12:56,280 Speaker 3: after then, when the real news worthy headlines came out 1399 01:12:56,280 --> 01:12:59,759 Speaker 3: about the lawsuit and shit like that. Cynthia even handled 1400 01:12:59,760 --> 01:13:03,439 Speaker 3: that grace. So taking a phone call from jail, or 1401 01:13:03,520 --> 01:13:06,640 Speaker 3: him having a phone interview from jail about you know, 1402 01:13:06,800 --> 01:13:10,040 Speaker 3: his feelings or whatever. As he's sitting back thinking about it, 1403 01:13:10,160 --> 01:13:13,759 Speaker 3: I just didn't understand why that's newsworthy. So much like Cynthia, 1404 01:13:14,160 --> 01:13:16,240 Speaker 3: we just move all past that shit man. 1405 01:13:16,560 --> 01:13:18,880 Speaker 5: And she's in a new relationship, Like, how's that gonna like? 1406 01:13:18,880 --> 01:13:23,120 Speaker 5: Play with your new guy. I'm seex and go get searched. 1407 01:13:23,280 --> 01:13:25,840 Speaker 3: It was just ridiculous. It doesn't even make sense. So 1408 01:13:25,960 --> 01:13:29,680 Speaker 3: I felt like we even wasting energy you. To be 1409 01:13:29,720 --> 01:13:31,560 Speaker 3: honest with you, it's just not newsworthy. 1410 01:13:32,200 --> 01:13:36,640 Speaker 2: Listen, rain Drop, Claudia, Dusted and Blue have a mercurial. 1411 01:13:36,800 --> 01:13:38,519 Speaker 1: Merry Christmas. I love. 1412 01:13:43,320 --> 01:13:44,000 Speaker 10: What, I. 1413 01:13:45,520 --> 01:13:48,160 Speaker 1: Have a safe I've been Christmas. I love you guys 1414 01:13:48,160 --> 01:13:52,479 Speaker 1: so much. We will have more to come in the 1415 01:13:52,560 --> 01:13:55,400 Speaker 1: new year, and I'll see y'all. 1416 01:13:54,920 --> 01:13:57,760 Speaker 2: Tomorrow twelve o'clock p MP Easter am my Reality Star 1417 01:13:58,040 --> 01:13:59,759 Speaker 2: of twenty twenty five. 1418 01:14:00,600 --> 01:14:04,719 Speaker 3: We love y'all, rain Drafts love you, Carlos, Claudian, Blue, Gray, Yeah, Yes. 1419 01:14:05,080 --> 01:14:05,639 Speaker 10: Love y'all. 1420 01:14:05,920 --> 01:14:08,400 Speaker 1: Have a good one. 1421 01:14:10,120 --> 01:14:14,639 Speaker 2: Reality with the King is executive produced by me Carlos King, 1422 01:14:15,040 --> 01:14:19,000 Speaker 2: produced by Lizzie Nimitz, and a partnership. 1423 01:14:18,400 --> 01:14:20,519 Speaker 1: With the Lack Effect Network. 1424 01:14:20,880 --> 01:14:23,559 Speaker 2: You can also find us on my YouTube channel at 1425 01:14:23,640 --> 01:14:25,440 Speaker 2: the Carlos King Underscore