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Speaker 1: Well, the fucking mini episode, mini episode, motherfucking mini episode.

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Speaker 2: Da data day, dadada dada day. Hey, welcome to another

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Speaker 2: episode of My Mama Told Me.

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Speaker 3: The podcast where we dive deep, deep into the pockets

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Speaker 3: of black conspiracy theories.

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Speaker 4: And we finally worked to prove that the gun media

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Speaker 4: stays so close to throughout all the movies is actually

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Speaker 4: a personification of black girl magic.

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Speaker 2: My name is David Body.

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Speaker 3: I'm Lake Saint Kerman, and I've got big feelings about this.

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Speaker 3: Let me okay, let's let's first set our listeners up,

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Speaker 3: because this is a This is a motherfucking mini episode,

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Speaker 3: nothing special about it. That's not true. This is a

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Speaker 3: very special mini episode, right because we're doing something a

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Speaker 3: little different. We're fucking around on this one. We're getting

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Speaker 3: weird and and boy, oh boy, are you all lucky

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Speaker 3: that this is what we've chosen to do or man,

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Speaker 3: I don't know. We have some regrets. But one of

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Speaker 3: the things we do to saytiate your sick fucking needs

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Speaker 3: is we are going to be going through classic black

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Speaker 3: cinema and unpacking it and just talking about some of

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Speaker 3: the conspiracies deeply rooted in some of your favorite black films,

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Speaker 3: and today we started. We thought, what better way to

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Speaker 3: start is to start by unpacking Diary of a Mad

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Speaker 3: Black Woman.

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Speaker 2: I think this is a classic everybody top of everybody's

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Speaker 2: watch list. As someone who's followed Tyler Perry, someone who's

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Speaker 2: followed Tyler Perry from the stages into the cinema, I'm

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Speaker 2: very excited.

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Speaker 3: Yeah, and that that's true, right. You You were a

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Speaker 3: you are a watcher of the of the staged videotaped

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Speaker 3: Tyler Perry product actions.

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Speaker 2: Well, it was on DVD. Now we were doing well

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Speaker 2: and uh yeah, I see.

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Speaker 3: Listen, you may have gotten it on DVD, but I

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Speaker 3: think it was videotape.

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Speaker 2: Because there's no time on those plays. It could have

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Speaker 2: been ninety two, it could have been owed to the

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Speaker 2: point is where I seen. I've seen some of the plays,

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Speaker 2: a lot of singing, a lot of God kind of

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Speaker 2: not for me. So I was very happy when he

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Speaker 2: made a movie of just just the parts we want.

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Speaker 3: Well, okay, So that that takes us then to the

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Speaker 3: conspiracy you presented that this gun is in fact a

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Speaker 3: metaphor for black girl magic and one of the things

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Speaker 3: that that I struggled with inside of rewatching this film,

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Speaker 3: and we've we've already started to talk about it, and

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Speaker 3: we'll talk much more about why this film is such

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Speaker 3: a journey to take on because we did rewatch it.

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Speaker 3: Both the watch took the time two hours. All two

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Speaker 3: hours one hour were in fifty six minutes of Diary

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Speaker 3: of a Mad Black Woman starring a Lease Neil and

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Speaker 3: a ballhead nigga whose name I can't remember, and of

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Speaker 3: course the legendary the King Shamar Moore.

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Speaker 2: The King is loosely loose term.

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Speaker 3: The greatest king that ever was Shamar Moore. And boy,

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Speaker 3: oh boy, did I wish Medea use that gun on

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Speaker 3: at least one or more of these characters. Please unleash

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Speaker 3: your black girl magic and murder some of these people

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Speaker 3: so that this film could end faster. Is how I felt.

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Speaker 2: There was about four too many subplots in this whole

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Speaker 2: movie for me.

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Speaker 3: Dog the whole there's an entire section where the very

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Speaker 3: very mean husband played by the bald black man is

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Speaker 3: somehow the defense attorney for a major cocaine distributor.

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Speaker 2: Yes, yeah, that is, and then she has to.

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Speaker 3: Yeah, no, please, I'm I'm truly ending the sentence there

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Speaker 3: because I got nothing I.

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Speaker 2: And then somehow. Also, she is called him too the case,

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Speaker 2: but like when she should be, She's already living her

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Speaker 2: own There's no reason for this man to come back

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Speaker 2: into this movie, right, She's already living her whole own life.

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Speaker 2: Her and Shamar Moore are getting together. I believe they've

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Speaker 2: been intimate at this point.

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Speaker 3: Oh yeah, they She wrote it in the diary that

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Speaker 3: that she gave her. I believe she said something along

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Speaker 3: the lines of giving her his spirit her spirit.

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Speaker 2: It was terribly unsexual.

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Speaker 3: Yeah, it was like a very It was almost like

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Speaker 3: a homosexual a closeted homosexual man wrote about the love

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Speaker 3: making between a man and a woman was clearly a man.

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Speaker 2: Has no idea about the courtship and or sex act.

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Speaker 4: Yeah, or has known any women.

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Speaker 3: Yeah, we melded our parts, I believe, is what he said.

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Speaker 2: My question is when they were fucking, did Shamar take

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Speaker 2: that wig off? Uh?

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Speaker 3: You know, my boy, take that wig off. He's shy

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Speaker 3: under there. He ain't take that wig off.

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Speaker 2: He's buggling with the corn roads on.

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Speaker 3: I I thought, and this was my mistake because this

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Speaker 3: was sort of a transition period for Shamar Moore. I

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Speaker 3: do remember believing for years.

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Speaker 2: Transition into what what are you talking about?

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Speaker 3: Brother? The brother? He's had many phases. We we talked

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Speaker 3: about it before on the podcast, I'll talk about it again,

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Speaker 3: but Jamar Moore started as maybe the sexiest man to

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Speaker 3: ever walk the planet Earth, and then he transitioned into

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Speaker 3: kind of a loser and we were all like, I

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Speaker 3: think Shamar Moore might be a loser. That was during

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Speaker 3: the mits of like the the Soul Trained sort of

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Speaker 3: hosting period where we're like, hey, this dude dances is weird.

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Speaker 2: The rapid pumps.

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Speaker 3: Yeah, he's not as cool as we thought he was.

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Speaker 3: This is a this might be a mistake for us

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Speaker 3: to want to bone him as bad as we we do.

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Speaker 3: And then there was almost like Jesus, this period where

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Speaker 3: we didn't know what Shamar Moore was up to. And

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Speaker 3: that was in between Soul Train and Diary of a

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Speaker 3: Mad Black Woman, I would say, is when we were like,

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Speaker 3: what the fuck is Shamar Moore up to? And as

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Speaker 3: it turns out, what he was up to was going bald.

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Speaker 3: He was going bald, he was losing.

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Speaker 4: Is that the era where he started to be I know,

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Speaker 4: there was an era where he was photographed with a

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Speaker 4: lot of questionable hats.

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Speaker 2: Is that when I started.

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Speaker 3: I think that's I think that's when the Fedora era

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Speaker 3: kicked in. I think that is ultimately why the wig

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Speaker 3: was so necessary in this in this film, because Tyler

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Speaker 3: Perry does make wild choices with wigs. It's objection objectively,

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Speaker 3: he makes some fucked up wig decisions, But there was

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Speaker 3: no reason to put a wig on the sexiest man

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Speaker 3: to ever walk the planet Earth.

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Speaker 4: I it was a crazy move. I also will say

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Speaker 4: I think that that's why Tyler Perry doesn't pay industry

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Speaker 4: wages is.

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Speaker 2: Because he's flowed all on the wig budget. I mean,

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Speaker 2: how many wigs do you think they got around Tyler

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Speaker 2: Perry's studio. They must have a hangar, right.

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Speaker 3: You think you think they're stuffing wigs in the bathrooms

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Speaker 3: like Trump did those those documents that he stole from

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Speaker 3: the White House.

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Speaker 2: I think he's a man who loves to play dress

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Speaker 2: up and he likes a lot of wigs around.

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Speaker 3: M Okay, I love this. So Tyler Perry is, in

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Speaker 3: your mind using some of these wigs. He isn't just

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Speaker 3: like laying them around for others.

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Speaker 2: Oh No, I think he's using I think he's using

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Speaker 2: the wigs and some type of adn't childhood situation. I

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Speaker 2: think that after everybody goes home at night, maybe he

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Speaker 2: dresses up and has like imaginary key parties with everyone. Yeah,

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Speaker 2: I like to think he's getting in costume a lot.

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Speaker 3: I did hear this story, and this sort of connects

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Speaker 3: to what you're saying. I heard a story that Barber

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Speaker 3: streisand has a mall in the bottom of her mansion that, like,

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Speaker 3: she has built a literal mall in the bottom of

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Speaker 3: her mansion that has actual employees and actual items you

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Speaker 3: can buy, and will regularly go down there, I think

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Speaker 3: almost every day or once a week, I can't remember

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Speaker 3: exactly what it was, but will go shopping in this

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Speaker 3: mall of employees with stuff that she has all paid for.

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Speaker 3: All of this is technically her shit, but she will

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Speaker 3: go shopping in the mall and specifically go to this

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Speaker 3: toy store where she'll buy a doll almost every day

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Speaker 3: or once a week or whatever the fuck it is,

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Speaker 3: just to like relive her childhood, just to like feel

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Speaker 3: the joy of what it felt like to be a

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Speaker 3: little girl buying a doll at the mall. And so

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Speaker 3: to your point, maybe there's a wig store that Tyler Perry.

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Speaker 3: It just has set up at Tyler Perry's studios where

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Speaker 3: he's like, I want the candy colored wig and like, sure,

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Speaker 3: mister Perry, whatever you want, man.

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Speaker 2: Yeah. Meanwhile, the guy at the hot dog on his

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Speaker 2: stick is like, here, I'm never coming here.

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Speaker 3: Yeah hekimo. I'm saying, if I go in there, people

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Speaker 3: going to know, people go know my snivior, I don't come.

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Speaker 3: Why you would build the I dog on his stick

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Speaker 3: and then not come? We don't get it.

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Speaker 2: But say I thought he loved lemonade. I see him drinking.

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Speaker 2: But truly, I mean not to digress down. This also

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Speaker 2: very interesting that barberstriy same thing fucked me up. I

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Speaker 2: feel like that's for another day.

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Speaker 3: Yeah no, it's pretty fucked up and sad and not who.

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Speaker 3: It really tells you how bad Hollywood can be to

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Speaker 3: a person's brain.

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Speaker 2: You know what a funny girl. Uh, But back to this,

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Speaker 2: Tyler Perry specifically madea with the gun. I thought this.

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Speaker 4: I thought this idea because I was quite frankly kind

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Speaker 4: of stone and I thought it was funny. But the

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Speaker 4: more I watched it, it's it's like, because whenever she

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Speaker 4: has the gun, that's it's the most ridiculous top parts

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Speaker 4: of the movie. But it's also like problem solving.

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Speaker 3: Yeah, no, I I Every problem that's sort of presented

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Speaker 3: in this movie that feels like it is it is

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Speaker 3: without solution, is resolved almost immediately as Medea pulls the

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Speaker 3: gun out exactly.

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Speaker 2: And that's what I was getting to, where it's like,

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Speaker 2: let's say this gun isn't real. Then it's like, then

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Speaker 2: it becomes if you look at it just like on

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Speaker 2: like moving the plot forward, then it kind of just

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Speaker 2: becomes Medea taking control of situations over and over again

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Speaker 2: because you know what, you know what I'm saying.

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Speaker 3: Well, yeah, And what's especially fascinating about it, and this

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Speaker 3: is this is some of the uh, I guess struggle

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Speaker 3: I had inside of the film. What makes it so

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Speaker 3: long and arduous is that it does feel like this

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Speaker 3: super promotion for Christianity, right like literally every every primary

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Speaker 3: solution that is presented to Elise Neil's character throughout the

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Speaker 3: film is baby girl, you just gotta pray, you just

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Speaker 3: gotta you just gotta trust in God, and God will

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Speaker 3: get you through this. And the only character that presents

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Speaker 3: even some possibility as an alternative is Medea. Who says,

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Speaker 3: shoot the nigga just just going gun blazing and that'll

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Speaker 3: solve your problems as well.

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Speaker 2: And it's like back to the wall, who do you

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Speaker 2: side with? I saw he'd get a lot done in

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Speaker 2: this movie.

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Speaker 3: All listen, her mom went back to a nursing home

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Speaker 3: but had a cookout.

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Speaker 2: Yeah. Also, can we talk about how it's crazy that

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Speaker 2: the grandma is fine but the mom is crazy? Yeah?

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Speaker 2: Doesn't that seem odd?

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Speaker 1: Yeah?

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Speaker 3: And I guess the implication wasn't that the mom is

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Speaker 3: crazy as much as she is just incapable of caring

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Speaker 3: for herself, but also odd.

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Speaker 4: Also he put her in the home because she said

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Speaker 4: as she said, he wasn't he was. He didn't line

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Speaker 4: up with it, She didn't line up with his American dream?

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Speaker 4: Would she put that in quotes as if he had

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Speaker 4: said that to her, like, listen, bitch, your mom does

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Speaker 4: not aligned with my American dream.

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Speaker 3: But what's even crazy here is the way that he

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Speaker 3: speaks to her. He might have like he opens the

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Speaker 3: film by being like, bitch, get out my car.

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Speaker 2: Bro I don't I don't want to be that guy,

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Speaker 2: and I'm not trying to victim blame, but bitch, you

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Speaker 2: should have seen it coming. Come on, you didn't know

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Speaker 2: that was a bad guy.

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Speaker 3: If I come home and my wife is packing my

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Speaker 3: things in the front yard, I don't go inside and

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Speaker 3: go what's going on? I go inside and I go,

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Speaker 3: I gotta salvage something. I've got to burn. The fact

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Speaker 3: that she thought that the new dresses in that in

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Speaker 3: that closet were for her, what a literal dumb dumb

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Speaker 3: And how can you help her?

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Speaker 2: What else she had to take? What the hell she

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Speaker 2: had to take? Because I saw it coming, I knew exactly.

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Speaker 2: I could smell it on that guy. Of course, this

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Speaker 2: new woman in she's gonna be light skinned with curly hair.

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Speaker 3: I know when she shows up to the office and

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Speaker 3: he is standing with his new woman and his For

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Speaker 3: some reason, Filipino son like that the oldest Filipino boy

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Speaker 3: that they could cast for the role of mixed Child

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Speaker 3: Number one.

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Speaker 2: That boy speaks to Gallo he might as well have

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Speaker 2: to play a little.

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Speaker 3: Bit, and he felt he didn't apologize. He did and go, oh, baby,

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Speaker 3: this is my client. You don't realize. He just was like, bitch,

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Speaker 3: I'll see you at home, ma'am.

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Speaker 2: It's over.

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Speaker 4: You knew that, you knew that he's been and you know,

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Speaker 4: if he didn't just start talking to her like that,

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Speaker 4: that's my issue.

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Speaker 2: That diary should have been full of her being mad.

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Speaker 3: Dear Diary, he cussed me out again today. I think

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Speaker 3: things are going astray. Like there should be lots of

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Speaker 3: clues for you to follow as as you make to

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Speaker 3: the end of this journey. Dear listeners, It's Langston Kerman

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Speaker 3: and it's David Bori, and we are the hosts of

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Speaker 3: a little podcast called My Mama Told Me, and more importantly,

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Speaker 3: My Mama Told Me is going on tour. We are

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Speaker 3: eating a bunch of phenomenal cities and we want you

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Speaker 3: to be there. Yes, come out and see us. August nineteenth, Houston, Texas.

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Speaker 3: August twentieth, Austin, Texas, August twenty fourth, Chicago, Illinois, Illinois.

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Speaker 3: I don't know how to do it. August twenty sixth,

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Speaker 3: New York, New York. And August twenty seventh and Pittsburgh, PA.

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Speaker 3: We're gonna be telling jokes, We're gonna be playing games,

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Speaker 3: we are going to be spreading salacious rumors, and we're

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Speaker 3: gonna be accusing some of your favorite black people of

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Speaker 3: being a part of the Illuminati. It's all gonna be phenomenal.

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Speaker 3: You gotta be there. Buy your tickets now.

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Speaker 2: Also, watching this film, I don't understand what shamar Moore

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Speaker 2: saw in her, To be honest.

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Speaker 3: Oh yeah, no, not at all.

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Speaker 2: You're doing good, my man. You got corn rows, you

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Speaker 2: got a truck, you got another job.

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Speaker 3: Yeah yeah, you got a couple of jobs. You got

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Speaker 3: a cousin that hooks you up every once in a while.

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Speaker 2: Yeah, what do you You don't need these problems.

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Speaker 3: No, come on, man, she's stressful. You saw how she

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Speaker 3: got put out of.

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Speaker 2: Her house, pulling all the time.

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Speaker 4: Come on, man, Her grandma pulled a gun at the

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Speaker 4: barbecue in the kitchen.

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Speaker 2: On the old man.

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Speaker 3: Her great uncle tried to have sex with her. That

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Speaker 3: this family's messed up. You gotta you gotta value yourself,

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Speaker 3: Shama Moore.

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Speaker 2: Yeah, it kind of makes me.

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Speaker 4: At first, you're like, cause she's talking, and your first

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Speaker 4: you're like, oh, that's so sad that he made her

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Speaker 4: disengage from her family. But then you see the family

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Speaker 4: dynamics and you're like, maybe she disengaged.

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Speaker 2: For you know what I'm saying, I don't see the

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Speaker 2: family dynamic.

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Speaker 3: And you're like, hey, man, that ain't the part that

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Speaker 3: he's being a bad guy about.

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Speaker 2: Yeah, he was right.

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Speaker 3: Maybe we shouldn't spend every Thanksgiving Giving with this lady

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Speaker 3: who shoots people. Maybe that's not the There's that one

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Speaker 3: scene where they're like all hanging out in the kitchen

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Speaker 3: and it's close to the end where like they're just

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Speaker 3: it's just like doing weird wrap up stuff of her

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Speaker 3: being like I still want to be with him and

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Speaker 3: and figure this out, blah blah blah blah blah, and

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Speaker 3: then just pulls her gun out for no reason. She

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Speaker 3: just goes, hey, y'all, by the way, I still got

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Speaker 3: my gun all right now, she say a bunch of times.

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Speaker 2: She's she's reminding you of the black girl magic.

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Speaker 3: Yeah, this is the alternative to Jesus White. Jesus is

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Speaker 3: black magic. It's like, it's like everybody else in this movie.

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Speaker 3: It's got Jesus really madea's got her wits, And it

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Speaker 3: makes me like the movie a lot better if it's

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Speaker 3: not an actual gun that she's just taking out.

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Speaker 2: Oh yeah, yeah, yeah, I see. I Someone needs to

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Speaker 2: check on this old woman.

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Speaker 3: Probably the old the old man that lives with her too,

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Speaker 3: because because he be talking crazy.

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Speaker 2: At least he is used to.

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Speaker 3: There's that. There's that one scene. H This is right

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Speaker 3: after Atlas Neil gets kicked out of her home and

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Speaker 3: steals the U haul truck from Shamar Moore.

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Speaker 2: Such how how how? Yeah, I don't know, he.

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Speaker 3: Decides, and but he's like such a chivalrous man that

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Speaker 3: he like gets out of the the driver's seat and

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Speaker 3: get in, gives her the truck and it's now stuck

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Speaker 3: on the street in a pre uber America. But but

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Speaker 3: that's neither here nor there. There's a scene where Alise

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Speaker 3: Neil is is so tired and worn out from her

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Speaker 3: harrowing night that she is sleeping on the couch, still

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Speaker 3: in the dress that did not belong to her from

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Speaker 3: the night before. And then Medella wakes her up by

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Speaker 3: shooting the gun into her own ceiling, just just like

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Speaker 3: Pops Pops one in the air. And then her brother

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Speaker 3: goes running. He shits himself for some reason, and and literal,

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Speaker 3: literal dust from her own ceiling falls onto Medea's head

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Speaker 3: and she feels nothing from it. She's not phased at

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Speaker 3: all by that choice.

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Speaker 2: That's because she's traumatized. She listen, she has PTSD right medea.

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Speaker 3: Yeah, what what do you think from what do you

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Speaker 3: think do you.

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Speaker 2: Think the previous times in her youth she had to

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Speaker 2: use said gun?

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Speaker 3: You think it's from all the murders and mayhem that

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Speaker 3: she was a part of.

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Speaker 4: You don't take out, you don't pull it out, that

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Speaker 4: cavalier at the age of one hundred, whatever the fuck

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Speaker 4: she is without having been comfortable doing that from an

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Speaker 4: earlier time, right right, Like yeah, she I mean she

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Speaker 4: has active court cases, remember when she's currently on papers?

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Speaker 3: Yeah, Judge what was her name, Judge Maybelene?

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Speaker 2: Yeah, has a one year old name.

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Speaker 3: Judge Maybelene had had a very hit show at that time.

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Speaker 3: She was a logical choice to make the cameo judge

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Speaker 3: for this film. But but god damn was this a

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Speaker 3: horror show of a film. But I will say that

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Speaker 3: your Black Girl Magic assessment doesn't feel completely off. It

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Speaker 3: does feel like even if Tyler Perry wasn't speak speaking

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Speaker 3: specifically about Black Girl Magic, he was presenting the gun

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Speaker 3: as an alternative that It's almost like niggas. Niggas can

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Speaker 3: either solve their problems through prayer or they can solve

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Speaker 3: their problems through popping caps. And there is no space

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Speaker 3: in between.

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Speaker 4: Not in, not in I assume College Park where they live.

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Speaker 4: I don't know where they.

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Speaker 3: It is very it's it's very unclear what what town

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Speaker 3: city this is. But but boy, is it Atlanta? Do

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Speaker 3: you know what I mean?

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Speaker 2: Like it's not Stare.

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Speaker 3: It's almost like he was shooting it without without Atlanta's

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Speaker 3: knowing that he was shooting it there, so he couldn't

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Speaker 3: call it Atlanta. But niggas, no, this is Atlanta. Like

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Speaker 3: he didn't get the rights to Atlanta. Yeah, Like he

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Speaker 3: didn't get a single shooting permit. He was just like,

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Speaker 3: pick up a camera, Maurice.

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Speaker 2: Yeah, it's cousin, Maurice.

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Speaker 3: It's like I got a film idea and we're gonna

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Speaker 3: get it done in six days.

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Speaker 2: Yeah. I don't think that. I don't think that there

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Speaker 2: was necessarily a script written as much as there was

382
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Speaker 2: a loose like plot because like, no, the movie, so

383
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Speaker 2: much shit that doesn't have to happen happens, you know

384
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Speaker 2: what I mean? It's so And that was the thing

385
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Speaker 2: with the plays where they were so long, because like

386
00:22:08,880 --> 00:22:12,720
Speaker 2: the plays were like that, and then imagine every five

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00:22:12,800 --> 00:22:17,359
Speaker 2: to seven minutes a two to three minute long very

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Speaker 2: Christian song.

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Speaker 1: Right.

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00:22:21,000 --> 00:22:27,440
Speaker 3: Yeah, that that feels crazy because I forget that I

391
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Speaker 3: never watched the plays. I've I've protected myself from those

392
00:22:32,080 --> 00:22:35,080
Speaker 3: things for years, but I forget that they are in

393
00:22:35,200 --> 00:22:39,719
Speaker 3: essence musicals, like they're not not a musical sort of

394
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Speaker 3: like endeavor. And in that way, it's like Jesus Christ,

395
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Speaker 3: you know what I mean, Like you're not just dealing

396
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Speaker 3: with Uh, this isn't just the story that we're struggling

397
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Speaker 3: through as viewers. This is the story plus a fucking

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Speaker 3: long solo from whoever's the lead and the chorus and

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Speaker 3: all these people.

400
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Speaker 2: Can I tell you. I remember having a friend come

401
00:23:03,600 --> 00:23:06,440
Speaker 2: over one time when I was a child, being like, Hey,

402
00:23:06,520 --> 00:23:10,040
Speaker 2: I got this cool movie. It's got some really funny parts.

403
00:23:10,560 --> 00:23:19,119
Speaker 2: Oh no, I don't know. Try to like fast forward

404
00:23:19,240 --> 00:23:29,399
Speaker 2: to all the god in the singing just but but

405
00:23:29,680 --> 00:23:31,520
Speaker 2: I don't know what I was saying because it was

406
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Speaker 2: in the movie in the place she like smokes weed

407
00:23:33,760 --> 00:23:37,000
Speaker 2: and stuff. Yeah, yeah, And I thought that would be

408
00:23:37,040 --> 00:23:41,320
Speaker 2: a fun counterculture thing to show. Uh my young Hispanic friend.

409
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Speaker 2: He did not understand.

410
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Speaker 3: No, yeah, this is this was a I think more

411
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Speaker 3: one of the the the more complicated arguments that I

412
00:23:50,920 --> 00:23:53,720
Speaker 3: remember having with folks is whether or not Tyler Perry

413
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Speaker 3: is out to destroy the black community. And I do

414
00:23:57,480 --> 00:24:00,960
Speaker 3: think that part of what made it destructed, at least

415
00:24:00,960 --> 00:24:05,080
Speaker 3: on its surface, was the idea that when white people

416
00:24:05,200 --> 00:24:08,320
Speaker 3: or people of other racists saw this, this would be

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00:24:08,359 --> 00:24:12,600
Speaker 3: their interpretation of what like the black family is, this

418
00:24:12,680 --> 00:24:16,480
Speaker 3: is what black people are. And it felt fucking destructive.

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Speaker 3: So no, I would have never shown this to anybody.

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Speaker 2: No, of course, community, you were very smart. I the

421
00:24:22,920 --> 00:24:25,960
Speaker 2: thing about these movies, though, Okay, one thing I want

422
00:24:25,960 --> 00:24:27,960
Speaker 2: to say, it does feel like a thing where like

423
00:24:28,000 --> 00:24:30,000
Speaker 2: you ever heard that term Southern secrets?

424
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Speaker 3: Mmmmm, I haven't tell me more.

425
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Speaker 2: It's like this idea, what is it, like Southern secrets

426
00:24:35,320 --> 00:24:37,879
Speaker 2: style lard or some shit. It's just like this idea.

427
00:24:37,960 --> 00:24:41,720
Speaker 2: There's always like in all the movies, there's always some

428
00:24:41,960 --> 00:24:45,760
Speaker 2: crazy deep secret that comes to life, Like it's a

429
00:24:45,760 --> 00:24:49,320
Speaker 2: lot of people like like there's like major discoveries, right,

430
00:24:49,680 --> 00:24:54,760
Speaker 2: h like emotional And it makes me feel like Tyler

431
00:24:54,960 --> 00:25:01,239
Speaker 2: Perry is like hiding some major secrets. Yeah, I mean,

432
00:25:01,280 --> 00:25:02,360
Speaker 2: are we just gonna say it?

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Speaker 3: Yeah? I think Buddy's got a few secrets. He's not

434
00:25:08,240 --> 00:25:10,440
Speaker 3: ready to talk about a couple of secrets.

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00:25:10,440 --> 00:25:12,320
Speaker 2: He hasn't told anybody, you know what I'm talking about.

436
00:25:15,800 --> 00:25:18,680
Speaker 3: And I do think if he ever does come out

437
00:25:18,920 --> 00:25:23,359
Speaker 3: and sort of makes himself an openly gay man, I

438
00:25:23,400 --> 00:25:25,320
Speaker 3: do think his filmmaking will get better.

439
00:25:25,560 --> 00:25:29,359
Speaker 4: Are you doing me the Tyler Perry download movie? That

440
00:25:29,400 --> 00:25:32,680
Speaker 4: would be an epic. Imagine a movie about download black

441
00:25:32,720 --> 00:25:34,720
Speaker 4: men in America with music.

442
00:25:38,440 --> 00:25:41,119
Speaker 5: I don't want to get my dig suck, but I

443
00:25:41,240 --> 00:25:52,240
Speaker 5: gotta get my dig suck and the like, and not

444
00:25:52,560 --> 00:25:53,720
Speaker 5: in a gay way.

445
00:26:00,000 --> 00:26:02,000
Speaker 2: It's crazy because that's what I assume gig guys are

446
00:26:02,000 --> 00:26:02,720
Speaker 2: doing anyways.

447
00:26:03,280 --> 00:26:06,320
Speaker 3: Yeah, then I go, they're just singing at each other.

448
00:26:06,840 --> 00:26:15,520
Speaker 3: Come back here just like that, Dick. I don't know

449
00:26:17,280 --> 00:26:19,879
Speaker 3: what this is for. I don't know if we've solved

450
00:26:19,920 --> 00:26:23,119
Speaker 3: any problems, but I do think we did it. If

451
00:26:23,320 --> 00:26:25,720
Speaker 3: whatever we were meant to do, I think I think

452
00:26:25,760 --> 00:26:26,520
Speaker 3: we covered it.

453
00:26:26,880 --> 00:26:30,959
Speaker 2: I think we covered a lot of important ground here today.

454
00:26:31,840 --> 00:26:36,840
Speaker 3: Yeah, and hopefully we'll find more conspiracies underneath some of

455
00:26:36,880 --> 00:26:40,040
Speaker 3: our most gorgeous and most awful black cinema.

456
00:26:40,720 --> 00:26:43,240
Speaker 2: I be just for clarification, this one was gorgeous.

457
00:26:44,320 --> 00:26:48,320
Speaker 3: Gorgeous I agree to disagree, but but it certainly was

458
00:26:48,800 --> 00:26:55,000
Speaker 3: made a lot of people said it wouldn't get made,

459
00:26:55,040 --> 00:26:57,800
Speaker 3: and it was made. And now he's the wealthiest man

460
00:26:57,840 --> 00:26:59,840
Speaker 3: in Hollywood. And what are you going to do?

461
00:27:00,400 --> 00:27:03,440
Speaker 2: You know, not suck as dick because he doesn't like that.

462
00:27:03,840 --> 00:27:06,159
Speaker 3: You don't like that. We all know that, and he

463
00:27:06,240 --> 00:27:13,560
Speaker 3: tells us that every day with the films that he's making. Boy,

464
00:27:13,640 --> 00:27:15,359
Speaker 3: can you tell the people where they can find you

465
00:27:15,400 --> 00:27:16,920
Speaker 3: on what cool shit you have going on?

466
00:27:17,080 --> 00:27:19,719
Speaker 2: You can find me a cool Guy Jokes eighty seven

467
00:27:20,400 --> 00:27:24,399
Speaker 2: on Instagram Cool Guy Jokes eighty seven. Go ahead and

468
00:27:24,480 --> 00:27:26,640
Speaker 2: check that out. Got a lot of stuff coming up.

469
00:27:27,200 --> 00:27:30,840
Speaker 2: My tour dates are all at bring David aplate dot com.

470
00:27:30,880 --> 00:27:32,320
Speaker 2: Come see me out on the road.

471
00:27:32,400 --> 00:27:34,199
Speaker 3: Yeah, and if you want to follow me, see me

472
00:27:34,720 --> 00:27:39,320
Speaker 3: at Langston Kerrman on Instagram and wherever else that exists,

473
00:27:39,920 --> 00:27:43,680
Speaker 3: and also come see us on tour in August. We'll

474
00:27:43,720 --> 00:27:51,200
Speaker 3: be in a bunch of places in August, including New York, Chicago, Pittsburgh, Houston, Austin.

475
00:27:51,920 --> 00:27:55,800
Speaker 3: That's everybody, I believe, But we hope to have more

476
00:27:55,920 --> 00:27:58,880
Speaker 3: dates beyond that. But if you're in any of those areas,

477
00:27:58,920 --> 00:28:00,879
Speaker 3: come check us out. We would love to see you there.

478
00:28:01,160 --> 00:28:02,800
Speaker 3: And as always, if you want to send us your

479
00:28:02,840 --> 00:28:05,760
Speaker 3: own conspiracies, your own drops, if you want to tell

480
00:28:05,840 --> 00:28:09,480
Speaker 3: us what the gun is truly a metaphor in the

481
00:28:09,520 --> 00:28:12,880
Speaker 3: Medea films, please send it all to mymamapod at gmail

482
00:28:12,920 --> 00:28:15,600
Speaker 3: dot com. We would love to hear from you that

483
00:28:15,640 --> 00:28:17,760
Speaker 3: covers everything by bitch.

484
00:28:21,240 --> 00:28:32,560
Speaker 1: Motherfucking Mini Eeverisol Mini Episode, motherfucking Mini ever sew motherfucking

485
00:28:32,680 --> 00:28:38,840
Speaker 1: Mini Eversol Mini Episode, motherfucking Mini ever Sel