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Speaker 1: Hey everybody, it's Bruce and welcome back to the table.

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Speaker 1: And we are in my favorite city, New York City,

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Speaker 1: at my favorite restaurant in the West Village via Coroda.

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Speaker 2: What do you want?

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Speaker 3: Do you know? Why don't you just order for us?

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Speaker 2: Yeah?

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Speaker 1: We like Well if we do what we like, we

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Speaker 1: like that, like that salad we love to catch at

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Speaker 1: the pete.

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Speaker 2: You love the chicken.

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Speaker 1: Yeah, fall us in the air. There's a misty rain

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Speaker 1: going on, and if you have pulled up a chair today,

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Speaker 1: you're gonna laugh your ass off because we're having lunch

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Speaker 1: with the funniest person I know. I mean literally, pee

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Speaker 1: and my pants, funny two pizza, pizza, super talented, incredibly beautiful,

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Speaker 1: super fun Amy Sedaris. So pull up a chair, grab

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Speaker 1: some lunch.

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Speaker 2: And enjoy.

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Speaker 4: I'm Bruce Bozzi and this is my podcast Table for two.

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Speaker 1: Okay, Well, first of all, if you pulled up a

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Speaker 1: chair today on Table for two, this has been long overdue,

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Speaker 1: I mean long over and it's been a dream. And

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Speaker 1: I asked Amy over the summer, and you went to LA,

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Speaker 1: you were working, you were doing stuff, and we are

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Speaker 1: finally here on this rainy, beautiful New York.

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Speaker 3: Three days in a row. It's like happy Bates misery

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Speaker 3: weather right.

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Speaker 1: Truly, truly, but for someone who lives on the other

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Speaker 1: coast most of the time, any day of the week,

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Speaker 1: like you know, I opened the curtin and if it's

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Speaker 1: a blizzard and Brian's home and I say, oh my god,

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Speaker 1: it's a beautiful day, he goes.

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Speaker 2: You know, it could be like shitting.

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Speaker 1: And so you are having lunch with the incredibly talented

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Speaker 1: and friend and fellow aries Amy Sedari.

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Speaker 3: Hey, Bruce, thanks for having me. I love your corona.

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Speaker 2: How great is this restaurant?

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Speaker 3: It's the best.

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Speaker 2: How many do you think you've been here?

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Speaker 3: Well, it's hard to get in and even though they

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Speaker 3: gave it, Oh call this you know, email us if

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Speaker 3: you ever.

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Speaker 2: And I'm not you know right, well, you're you're you know.

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Speaker 1: What's so interesting about you to me is you are

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Speaker 1: truly an introvert. You are an introvert.

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Speaker 3: You think so I do. I think I'm a little

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Speaker 3: I can be both.

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Speaker 1: But yes, you're that mix because certainly all the characters

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Speaker 1: that you play, but you as a person, I don't,

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Speaker 1: I think, and I find.

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Speaker 3: I'm like my dream a Genie bottle. You like to

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Speaker 3: be in there.

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Speaker 2: You know what.

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Speaker 1: I went to your dream Genie Bottle once and it

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Speaker 1: was the coolest.

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Speaker 2: Space on Christopher Street.

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Speaker 1: Screen, porch door, oh yeah, and all the patterns on

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Speaker 1: the walls, everything, it's show you And I thought, this

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Speaker 1: is magical, this land.

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Speaker 2: And I never thought someone.

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Speaker 1: Could like create their space and really be fully self actualized.

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Speaker 2: What how did that happen?

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Speaker 3: Well? You do. I mean, I've been to your apartment.

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Speaker 3: It's it's so grown up. I love the way your

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Speaker 3: couches were arranged, just like you can have a meeting

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Speaker 3: over here here here, like laid out lot, no knick knacks. Yeah,

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Speaker 3: but it's nice.

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Speaker 2: It is nice.

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Speaker 3: You get tired of it living in a busy city.

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Speaker 3: You don't need all that more stuff in your house. Yes,

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Speaker 3: but I got rid of I did this video for

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Speaker 3: a New York magazine that came to my home, and

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Speaker 3: when it aired, I watched it with a volume down

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Speaker 3: and just looked at it. It was like, oh my god,

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Speaker 3: it looks like a crazy person lives there. And that's

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Speaker 3: what triggered me to have a big give everything to

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Speaker 3: the Cure thrift store and all the money went to diabetes,

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Speaker 3: and I got rid of so much stuff. It still

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Speaker 3: looks cluttered a little bit, but not as much.

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Speaker 2: What would you say your style is.

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Speaker 3: I asked somebody once, a decorator who came into my house.

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Speaker 3: He said, it's s eglectic. You know, you like you

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Speaker 3: collect a lot of different stuff. Is that the right

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Speaker 3: word I'm looking at.

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Speaker 1: Because it's such a a reflection of your personality, but

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Speaker 1: also kind of a reflection of what I think your

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Speaker 1: mind is empty?

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Speaker 3: Well, I like everything. I like everything out to have

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Speaker 3: a story, like where is that from? And I got

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Speaker 3: a story behind it. I don't like it when people

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Speaker 3: give me stuff I don't like, especially if I don't

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Speaker 3: know them. And yeah, it makes I just if I

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Speaker 3: want it, I'll get it, right, I'm not I don't

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Speaker 3: know a gift bag person unless it's Apple.

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Speaker 2: Yeah. Yeah, because it's truly you.

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Speaker 3: Yeah. Or I'm too lucky. I come from a talented

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Speaker 3: family like Gretchen will make me my you know, paper

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Speaker 3: flowers or you know everyone kind of chips and it

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Speaker 3: makes you stop, David, you will do our work. His

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Speaker 3: boyfriend will do art work. And so I'm pretty lucky.

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Speaker 2: That way, right, And that's all meaningful. It's family. Yeah,

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Speaker 2: So let's talk about that. You come from a big family,

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Speaker 2: you have brothers and sisters. Though you were born in

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Speaker 2: our lovely state, you went south, right, How did all

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Speaker 2: that influence you? Because like the thing like and it's

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Speaker 2: so fun to.

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Speaker 1: Watch you portray all these characters because you go so

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Speaker 1: deep and you really embody.

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Speaker 3: Them and they're so I'm unemployed.

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Speaker 2: Go on, you know, you things coming out.

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Speaker 3: I have something today. I know we'll go back to

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Speaker 3: what you're talking about, but I have a bit. I

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Speaker 3: have something today. So I got to asked. Fine is

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Speaker 3: on my bucket list, which I hate the expression bucket lit.

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Speaker 3: But the Simpsons. I get to do the Simpsons today

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Speaker 3: at five, and I get to do the voice of Maggie. No,

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Speaker 3: he's never talked, so the baby, the baby, and I

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Speaker 3: have to say it's kind of like an AI episode

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Speaker 3: and I have to say for four words, that's it.

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Speaker 3: But baby talks hard. I've never done that. I mean,

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Speaker 3: I can, you know, make the noises or whatever, but

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Speaker 3: to talk like a baby.

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Speaker 2: So don't tell us the lines.

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Speaker 3: But kind of yeah, I don't know the work. I

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Speaker 3: worked on it last night. I just worked on it

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Speaker 3: all night, like yeah, but I gotta say words and

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Speaker 3: hit the you know, so, it's a it's a big

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Speaker 3: challenge for me. I'm going to bring my I wear

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Speaker 3: a mouthguard at night, so I'm going to bring that

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Speaker 3: and see if that helps me. But I'm stumped. But

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Speaker 3: it's such a big it's huge.

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Speaker 2: How fun is it because you do other voiceover?

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Speaker 3: Yeah, I do a lot of voiceovers, and you're you know,

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Speaker 3: you're super good at it.

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Speaker 1: It's always great to hear your voice because you also

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Speaker 1: change your voice, so like it's right. How difficult is

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Speaker 1: the process of looking at like matching and looking.

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Speaker 3: Well, sometimes you don't get to match anything and you're

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Speaker 3: just reading it. And it's interesting because I really am

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Speaker 3: a poor reader, you know, to see a word, say it,

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Speaker 3: to hear it is you know when I had difficulty

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Speaker 3: in school with comprehension, you know so, and I still

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Speaker 3: do so A lot of times I can read, I

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Speaker 3: don't know, I'll hit you No, I just hit the words.

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Speaker 3: I don't put the emphasis on the right word a lot,

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Speaker 3: you know, And I think I'm surprised I'm in this

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Speaker 3: business just because of the difficulties I had growing up.

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Speaker 3: Like whoever thought? Like if people ask me, oh, will

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Speaker 3: you read this book? On tape. I'm like, I'm a

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Speaker 3: poor reader and I'm not gonna I know, I'm tear

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Speaker 3: up to be directed, or I love a line reading.

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Speaker 3: I'm like, how do I oh got it? Like I

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Speaker 3: know where to hit the hit.

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Speaker 2: The words, do the line reading. But then you bring

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Speaker 2: what you bring?

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Speaker 3: Yeah yeah yeah, just their intention right wow? And that

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Speaker 3: that helps me a lot. Like BoJack was fun because

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Speaker 3: I had the character down. I knew who princess. I'd

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Speaker 3: been working on that voice for a while. It's a

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Speaker 3: little strisand is a little bit of Stris ends and

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Speaker 3: oh your big dummy Bruces is fantastic. Oh you stupid idiot.

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Speaker 3: When's the sala gonna come? You know two when two

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Speaker 3: was twenty two, So she's a little bit you know.

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Speaker 3: So that was fun because I felt like I could

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Speaker 3: live the character. Like if I know the person, then

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Speaker 3: then it naturally comes out. But if I have to

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Speaker 3: struggle and I'm like, I don't know who this person is,

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Speaker 3: that's harder for me.

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Speaker 1: The characters you play, because you know, like for characters

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Speaker 1: that like work in grocery stores and waitresses, like are

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Speaker 1: they all pulled?

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Speaker 2: But do you think that area? Like how did that

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Speaker 2: area for sure.

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Speaker 3: I mean born and raised, you know, and I don't

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Speaker 3: know state. Yeah, I mean I was like as a

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Speaker 3: southern hospitality, entertaining the come and get it dinners. And

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Speaker 3: but we came from you know, New York from when

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Speaker 3: I DM went to the South, so we kind of

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Speaker 3: were on a dead end kind of a little country

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Speaker 3: around us. And then it turned into you know, a

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Speaker 3: popular neighborhood and got more suburban. But I loved it,

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Speaker 3: you know, Like then I moved to Chicago, and that

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Speaker 3: was like, oh, I wonder where that taxi cabs going.

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Speaker 3: So I'm glad I went from North Carolina to Chicago

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Speaker 3: to New York. I don't think I could go from

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Speaker 3: New York or Chicago to North Carolina because you go

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Speaker 3: home and you just lose all your bones in your body.

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Speaker 3: You're like, this is so, oh my god, I'm gonna

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Speaker 3: do crazy, Becky. Yeah, just the constant.

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Speaker 1: Now you you get removed because it sounds like as

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Speaker 1: a kid, one of the things that you can have

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Speaker 1: on that street is create a freedom Mike riding in

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Speaker 1: the woods, pretend imagination.

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Speaker 2: Right, So that is so aiming.

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Speaker 3: With each other, living in your head because your parents

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Speaker 3: are fighting and yeah, I mean it's same with I mean,

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Speaker 3: anyone who grew up in the sixties, can you believe

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Speaker 3: all the freedom chasing after bug trucks and can you

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Speaker 3: believe something away within?

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Speaker 2: He's playing Spud?

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Speaker 1: Well, I mean I grew up the first early years

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Speaker 1: were in Jack and Queen's on the street playing spud,

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Speaker 1: you know, throwing up the ball s p U D

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Speaker 1: and then everyone freezing and then you get bean by

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Speaker 1: the ball.

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Speaker 2: But while cars are whizzing by you. Yeah, I can't

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Speaker 2: do that.

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Speaker 3: You can't do that anymore.

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Speaker 2: It's crazy, I know. It's the wildest sort of game.

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Speaker 2: You guys played like one of those memorables you.

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Speaker 3: Know always you know those big wooden they run wire

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Speaker 3: around it in construction sites. It looked like gigantic spools

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Speaker 3: of thread. But you can get inside. We put someone

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Speaker 3: in it and push them across the horrible horrible things, no,

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Speaker 3: horrible and life threatening. Yeah, getting locked out of the

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Speaker 3: house all the time, so you're just like surviving, not

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Speaker 3: like purposely.

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Speaker 2: Out everyone out.

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Speaker 3: We always reell that get out, did you.

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Speaker 2: You've have to say your brother.

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Speaker 3: David was the most create I mean I emulated David

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Speaker 3: and he was always doing little movies and we had

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Speaker 3: a fake cooking show growing up. I mean he was

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Speaker 3: my play buddy. And then and Tiffany, I mean we

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Speaker 3: all did. But David was like you know at the beach.

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Speaker 3: She would marry these movies and we'd all perform in them.

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Speaker 3: And but he was also really mean in his evil.

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Speaker 3: You know what is in the will bear innis over

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Speaker 3: the ravine ravine, just crazy ship. But he would He's

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Speaker 3: the one who introduced me to doing character work.

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Speaker 2: Wow.

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Speaker 3: And I would imitate his characters. And you know, anything

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Speaker 3: David did, I would do. And then I was really

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Speaker 3: close to my younger sister Tiffany.

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Speaker 2: Yeah, no one makes me laugh like you just so

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Speaker 2: you know.

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Speaker 3: Or Andy knows how to put quarters in me. He

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Speaker 3: just puts them in Andy, I know what you're doing.

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Speaker 1: You guys had a dinner and he posts you. Dinny

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Speaker 1: always puts you on the spot. You were like this,

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Speaker 1: I was watching it from LA and you were like, no, Andy.

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Speaker 2: No, don't, don't, don't. I don't know what I was

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Speaker 2: trying to get out of you, Because you know, he's

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Speaker 2: the ultimate stir.

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Speaker 3: Yes, he sure is a little devil pushing buttons. He

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Speaker 3: pushes buttons.

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Speaker 2: I met you. You know you have a side hustle

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Speaker 2: and it's called Dusty.

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Speaker 3: Oh my Dusty Tails cupcake business. Still I need it

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Speaker 3: allowance money to pay for the hay my first bunny.

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Speaker 3: Yeah that was in the nineties and I decided what

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Speaker 3: else am I going to do with three in the morning.

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Speaker 3: So I got into making cupcakes and selling them at

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Speaker 3: different cotton.

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Speaker 2: We did it for a baby shower.

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Speaker 3: Oh yeah, yeah, I'll still do it on request, not chocolate.

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Speaker 3: But and I'm always like, no repeat business, cash only,

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Speaker 3: and I'm not available for another six months. I mean,

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Speaker 3: I always make it really hard. Now I do chocolate

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Speaker 3: chip cookies and shoeboxes because I have thousands of shoeboxes

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Speaker 3: and it's hard for me to get rid of a box,

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Speaker 3: a good box. So now I give them away with

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Speaker 3: cookies for one hundred dollars cash, no repeat business.

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Speaker 2: Thanks for joining us on table for two.

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Speaker 5: Throughout her career, Amy Sedaris has played one of a

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Speaker 5: kind characters on shows like Strangers with Candy, at Home

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Speaker 5: with Amy Sedaris, and The Mandalorian. I am so curious

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Speaker 5: to know more about where she pulls her inspiration from.

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Speaker 2: No Strangers candy.

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Speaker 1: Jerry Blank was we could talk about her because she

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Speaker 1: was I mean, Amy just did.

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Speaker 3: She's in me.

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Speaker 2: I just can't go it's gay.

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Speaker 3: You know you're gay, right.

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Speaker 1: You sent me a xerox copy of a Jerry Blink

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Speaker 1: headshot and said, p on me dag.

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Speaker 3: I print them out myself when people want a headshot.

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Speaker 3: It's on that Lindsay paper. It's a bad I mean,

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Speaker 3: it doesn't even print well, but it's like that's all

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Speaker 3: I got, you know. And I still make lighters for people.

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Speaker 3: And I think it's a girl scout in me that

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Speaker 3: like that transactional because.

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Speaker 1: And first of all, I think those are the best

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Speaker 1: gifts because you're never going to get another one like that,

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Speaker 1: and it comes from you and you're like, oh wow,

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Speaker 1: this is the most unique thing.

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Speaker 2: You know.

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Speaker 3: One girl wrote me she's at her house burned down

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Speaker 3: and she lost the picture of Jerry and I was like,

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Speaker 3: I sent her new one, but burned all the edges

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Speaker 3: to it. The characters. It's different each projects. Sometimes I

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Speaker 3: have no idea until I see wardrobe and I let

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Speaker 3: them like, I'll trust you if I trust the wardrobe person.

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Speaker 3: I look in the mirror, I'm like, oh, I know

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Speaker 3: this person, but really only have like five characters, and

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Speaker 3: they just keep reinventing themselves. Okay, maybe that's why I

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Speaker 3: don't get a whole lot of it seems work. But

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Speaker 3: my favorite job is again a girl Scout level, just

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Speaker 3: want to character part. You get in, you get a laugh,

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Speaker 3: and you get out. I don't need to carry anything

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Speaker 3: unless it's my own thing. But I mean that's frustrating

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Speaker 3: for agents, I know. But it's like, that's all I

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Speaker 3: really am interested in doing. Being the guest star, right,

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Speaker 3: bringing that yes, just for fun and the pressure is

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Speaker 3: not on you. But when you are number one on

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Speaker 3: the call sheet, you know that's that's a big, big job,

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Speaker 3: and then I'd want to control every aspect of it.

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Speaker 3: But when I'm a guest I'm like, oh what do

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Speaker 3: you you know? I work with a person and then

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Speaker 3: try to figure out, oh, who is this right? This person?

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Speaker 2: So, and I'm going to get to the number one

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Speaker 2: on the call sheet.

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Speaker 3: That's a good name for something. It is crawl sheet.

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Speaker 2: Yeah, that's a good uh memoir title.

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Speaker 3: Yeah, number one, number twelve.

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Speaker 1: Number sixteen thousand, girl scout you Yes, it's like in

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Speaker 1: your blood?

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Speaker 2: How did that begin? And like you. I mean most

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Speaker 2: people like in their middle school years. Leave. You stayed

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Speaker 2: senior year.

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Speaker 3: And when I moved to New York City, I went

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Speaker 3: to the HQ headquarters on twenty third Street and I said, listen,

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Speaker 3: I have been a girl scout my whole life. There

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Speaker 3: are two badges I didn't get, Sign of the Star

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Speaker 3: and Sign of the Era. They're the most important ones.

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Speaker 2: Really, why did you get them? What does you have

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Speaker 2: to It's just.

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Speaker 3: Then explained to you. Right, I got all the other ones,

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Speaker 3: but it's like they were just like the big, the

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Speaker 3: major ones, and probably low self esteem or something. So

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Speaker 3: I said, clearly, I've done all this stuff. I brought

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Speaker 3: my book, I went through all the stuff I had

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Speaker 3: to do to earn it. So they mailed them to me.

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Speaker 3: So I have them now. And I'm a horrible at

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Speaker 3: auditioning something to try to get it. It's not my

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Speaker 3: you know, So no, I can't remember less of my auditioned.

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Speaker 3: I mean, I'm just not good at it, right, I

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Speaker 3: mean a lot of people on the hall, right, yeah,

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Speaker 3: I think so. But I'm used to failing because I

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Speaker 3: failed first grade. So it doesn't if I don't get something.

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Speaker 3: My attitude is like I've been Do.

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Speaker 2: You have to repeat first grade?

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Speaker 3: I repeated first Gray Bruce, That's where everything started. Like

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Speaker 3: that sucked. That sucked. All my friends would a hand

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Speaker 3: of me. It was a failure. I mean it was

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Speaker 3: like so my second first grade teacher was a big

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Speaker 3: inspiration to me, and she wore the best high heels

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00:16:16,440 --> 00:16:18,600
Speaker 3: and that's how my obsession with high heels started. All

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00:16:18,600 --> 00:16:20,120
Speaker 3: I would do was look at her feet every day.

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Speaker 2: Really yeah, when I met you.

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Speaker 1: One of the early memories I have of you is

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Speaker 1: out when you were visiting Andy and I was in

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Speaker 1: the house share at the time and summertime, and we

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Speaker 1: were all hanging out and the tam I know you,

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Speaker 1: let me tell you, like gorgeous and the hair blonde.

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Speaker 2: From the summer sparkle. It was like a movie star

357
00:16:46,280 --> 00:16:49,040
Speaker 2: laying there, you know, talking And it.

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Speaker 3: Never wore sun block. I will know why used that

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Speaker 3: number two number four. They don't make it anymore. Vacation

360
00:16:58,040 --> 00:17:02,760
Speaker 3: makes a version of it. Wow, but it's not anymore,

361
00:17:02,920 --> 00:17:05,320
Speaker 3: do you know? And I wear sunscreen now.

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Speaker 2: I mean, if you wanted a tan, you would just

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Speaker 2: put make up.

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Speaker 3: Farmers can't walking around right, yeah, you know, but I

365
00:17:11,520 --> 00:17:13,639
Speaker 3: don't know why I didn't get sunspots on my face,

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Speaker 3: my aunt. My legs are shot, but not my arms

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Speaker 3: in my face, and I don't know why? Is it weird?

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Speaker 2: Well, thankfully?

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Speaker 3: And also my first prescription was when I was ten.

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00:17:25,880 --> 00:17:28,040
Speaker 3: I went to the germatologists and he wrote on his

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Speaker 3: pad that I had dry skin and to use Jurgons lotion.

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Speaker 3: And I'll never I felt so special. I had a script,

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Speaker 3: you know, and I stared at it and that's when

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Speaker 3: I became obsessed with lotion. Really, I'm a lotion theme

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00:17:42,160 --> 00:17:45,159
Speaker 3: constantly because he told me to apply it. And I

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00:17:45,240 --> 00:17:48,600
Speaker 3: still have a Jurgon's bottle and I think the headquarters

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00:17:48,680 --> 00:17:50,920
Speaker 3: is in Cincinnati. But again, I'm like, why can't I

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00:17:51,000 --> 00:17:54,359
Speaker 3: do a Jurgon's commercial? Yeah, or they don't have any money.

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00:17:54,440 --> 00:17:57,280
Speaker 3: Jurgons isn't that big of a Sometimes people just the

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Speaker 3: things I want to do, they're like Amy, they don't

381
00:18:00,000 --> 00:18:02,120
Speaker 3: they don't need anyone to model panty hosts. They don't

382
00:18:02,160 --> 00:18:06,040
Speaker 3: need anyone on a Halloween wig bag. You know, I'm like,

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Speaker 3: why can't I do that?

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00:18:07,160 --> 00:18:22,520
Speaker 2: Yeah? What were the shows growing up that you watched?

385
00:18:23,320 --> 00:18:24,200
Speaker 2: That infant?

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00:18:24,280 --> 00:18:26,520
Speaker 3: Like, were you I dream a Jenie loved I dream

387
00:18:26,640 --> 00:18:29,520
Speaker 3: Jamie costumes and the wigs, and you know, I think

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00:18:29,600 --> 00:18:34,400
Speaker 3: that's started. I mean I watched se TV PTL Club

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Speaker 3: with Tammy Faye Baker. She was a good character for

390
00:18:36,920 --> 00:18:39,439
Speaker 3: me to imitate. And I got a big kick out

391
00:18:39,480 --> 00:18:42,720
Speaker 3: of Carol Burnette show. You know, the Brady Bunch. We

392
00:18:42,760 --> 00:18:44,960
Speaker 3: thought they were so queer. All of us were like,

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Speaker 3: oh my, you know, we kind of made fun of

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Speaker 3: that show, but we still watched it. Of course, yeah,

395
00:18:50,200 --> 00:18:53,280
Speaker 3: Land Lost in Spade, Land of the Giants, but you

396
00:18:53,359 --> 00:18:54,440
Speaker 3: never hear about it anymore.

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Speaker 2: No, it's never a were you like, were you guys

398
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Speaker 2: Saturday morning TV? Like until in the news? Can?

399
00:19:00,480 --> 00:19:03,679
Speaker 3: We watched TV all the time? You know, yeah, are

400
00:19:03,680 --> 00:19:04,200
Speaker 3: you kidding me?

401
00:19:06,600 --> 00:19:10,200
Speaker 1: Saturday mornings you'd watch TV and then when the cartoons

402
00:19:10,240 --> 00:19:12,040
Speaker 1: and stuff ended, it would be like in the news

403
00:19:12,119 --> 00:19:14,440
Speaker 1: and it was his and you were like, it was noon,

404
00:19:14,920 --> 00:19:16,600
Speaker 1: You've been watching TV for six hours.

405
00:19:20,600 --> 00:19:23,560
Speaker 3: Elvin and the Chipmunks was my voice as far as

406
00:19:23,680 --> 00:19:27,560
Speaker 3: voice voices go. I mean that people always say who

407
00:19:27,600 --> 00:19:29,440
Speaker 3: do you want to meet, you know, dead or alive.

408
00:19:29,480 --> 00:19:31,800
Speaker 3: I'm like, Elvin and the Chipmunks, you're kidding me? I

409
00:19:31,920 --> 00:19:35,879
Speaker 3: was like, I love them. Ernie Kovacs, you know, you know,

410
00:19:36,000 --> 00:19:38,040
Speaker 3: he was really big into props and stuff, and I

411
00:19:38,280 --> 00:19:43,639
Speaker 3: liked uh, Jonathan Winters, you know, Peter Sellers Older.

412
00:19:43,800 --> 00:19:45,920
Speaker 2: They were all I can see all those in you.

413
00:19:46,119 --> 00:19:48,119
Speaker 3: But s C TV was a big because I'm like,

414
00:19:48,880 --> 00:19:51,560
Speaker 3: the set design was interesting to me because I got

415
00:19:51,600 --> 00:19:54,520
Speaker 3: the impression they just made it like doors would swing

416
00:19:54,640 --> 00:19:59,680
Speaker 3: open by accident. The Dracula show, what was that? What

417
00:19:59,880 --> 00:20:04,359
Speaker 3: was soap opera but with all vampires.

418
00:20:04,920 --> 00:20:09,440
Speaker 2: Dark Knight, Dark Shadow, Dark Shadows. Yes, yeah, oh so

419
00:20:09,600 --> 00:20:12,160
Speaker 2: what what soaps? Did I watch? Soaps? Did you watch soaps?

420
00:20:12,240 --> 00:20:14,160
Speaker 3: Yeah? Secret Storm was a big one.

421
00:20:14,280 --> 00:20:16,160
Speaker 2: I don't don't know that one. Secret Storm.

422
00:20:16,320 --> 00:20:18,960
Speaker 3: Yeah, that was the when my mom watched Secret Secret Storm.

423
00:20:19,160 --> 00:20:22,120
Speaker 3: Great name opened up with waves crashing against a rock,

424
00:20:23,680 --> 00:20:25,000
Speaker 3: edge of Knight, Edge and Night.

425
00:20:25,119 --> 00:20:27,399
Speaker 2: Yes, that was ye thirty minute one.

426
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Speaker 3: That was good. She watched that one too.

427
00:20:30,640 --> 00:20:33,480
Speaker 2: Yeah, No, I was all, I mean, it's like, what

428
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Speaker 2: did we do? We watched TV TV.

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Speaker 1: That's why we're a cool genuary. And it's like, you know,

430
00:20:38,840 --> 00:20:42,399
Speaker 1: people say, if you watch Instagram, like they're like to

431
00:20:42,880 --> 00:20:45,359
Speaker 1: these kids now, they're like, we were kicked out of

432
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Speaker 1: our house. We were told like come back, when the

433
00:20:47,560 --> 00:20:49,919
Speaker 1: sun comes down, like, I don't want to drink if

434
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Speaker 1: you want to.

435
00:20:50,560 --> 00:20:52,400
Speaker 2: My mother would be like we'd.

436
00:20:52,280 --> 00:20:54,160
Speaker 1: Go swimming and it would be like a really hot day.

437
00:20:54,440 --> 00:20:56,760
Speaker 1: She wouldn't want to do laundry, so she said, you

438
00:20:56,840 --> 00:20:57,600
Speaker 1: don't need towels.

439
00:20:57,720 --> 00:21:02,040
Speaker 2: Just stay outside. The sun will dry, like mom, like

440
00:21:02,160 --> 00:21:04,200
Speaker 2: a freezing just stay outside.

441
00:21:04,240 --> 00:21:06,200
Speaker 3: I mean she takes you to the pool and wear's

442
00:21:06,240 --> 00:21:08,560
Speaker 3: you out right exactly. Yeah, that's what we did. We

443
00:21:08,640 --> 00:21:09,760
Speaker 3: were all on the swim team.

444
00:21:10,640 --> 00:21:11,880
Speaker 2: Yeah, yeah, but it was good.

445
00:21:12,040 --> 00:21:14,080
Speaker 3: That was but we watched TV, but we did have

446
00:21:14,200 --> 00:21:17,240
Speaker 3: that time to play and use your imagination. Playing House

447
00:21:17,400 --> 00:21:20,399
Speaker 3: was my favorite. So Publa, you make the fake liquor

448
00:21:20,680 --> 00:21:21,600
Speaker 3: and you would die.

449
00:21:21,720 --> 00:21:27,760
Speaker 2: And write costumes? Were you more Ardreamagenie or Bewitched?

450
00:21:28,920 --> 00:21:30,520
Speaker 3: I dream a Jinie, but I love Bewitch.

451
00:21:30,560 --> 00:21:32,560
Speaker 1: I loved Aunt Clara right, And I was going to say,

452
00:21:32,600 --> 00:21:34,080
Speaker 1: so Aunt Clara was your favorite?

453
00:21:34,119 --> 00:21:36,239
Speaker 2: What were you know? Were you more Dreamaginie or her

454
00:21:36,320 --> 00:21:36,960
Speaker 2: evil sister?

455
00:21:37,600 --> 00:21:39,000
Speaker 3: Oh? I liked him, but I loved it when they

456
00:21:39,119 --> 00:21:42,720
Speaker 3: I wanted to do that on Strangers. I wanted Jerry

457
00:21:42,800 --> 00:21:44,960
Speaker 3: to have a cool aunt, but it would be made

458
00:21:45,000 --> 00:21:48,119
Speaker 3: up with the brunette. You know, we forgot to it.

459
00:21:48,359 --> 00:21:48,760
Speaker 3: You did it.

460
00:21:48,880 --> 00:21:50,160
Speaker 2: I was watching a scene you did.

461
00:21:50,240 --> 00:21:53,480
Speaker 1: You played six characters, but the camera was going like

462
00:21:53,600 --> 00:21:55,159
Speaker 1: boom boom, boom boom.

463
00:21:56,240 --> 00:21:59,360
Speaker 3: One at home with Amy Sinaris exactly. Yeah, yeah, yeah,

464
00:21:59,359 --> 00:22:01,639
Speaker 3: I mean that's all. Then I realized, oh, I have

465
00:22:01,720 --> 00:22:03,720
Speaker 3: to memorize both sides of the script. But then I

466
00:22:03,800 --> 00:22:07,639
Speaker 3: had a teleprompter that helped. Especially the second and third season.

467
00:22:07,680 --> 00:22:09,200
Speaker 3: I really used it a lot because it was like,

468
00:22:09,240 --> 00:22:12,840
Speaker 3: I can't do this, you know. Yeah, that was and

469
00:22:12,920 --> 00:22:14,480
Speaker 3: I wish they all got paid separately.

470
00:22:15,040 --> 00:22:15,760
Speaker 2: Would have been nice.

471
00:22:15,880 --> 00:22:17,439
Speaker 3: We saved a lot of money with me doing all

472
00:22:17,480 --> 00:22:18,080
Speaker 3: those parts.

473
00:22:18,320 --> 00:22:20,680
Speaker 2: You know, of course, you know you're a businessman. I

474
00:22:20,720 --> 00:22:21,440
Speaker 2: didn't think about that.

475
00:22:21,640 --> 00:22:22,119
Speaker 3: Yeah right.

476
00:22:22,200 --> 00:22:25,600
Speaker 1: It's like very entertaining for the viewer realizing, you know,

477
00:22:25,920 --> 00:22:26,919
Speaker 1: one person's doing.

478
00:22:26,800 --> 00:22:27,280
Speaker 2: All the work.

479
00:22:27,560 --> 00:22:29,280
Speaker 3: Want to work, I mean, I don't want to sit

480
00:22:29,320 --> 00:22:31,240
Speaker 3: in my room and wait for a scene to be over,

481
00:22:31,400 --> 00:22:31,919
Speaker 3: you know what I mean.

482
00:22:32,000 --> 00:22:34,760
Speaker 2: It's so okay, let's talk about being number one on

483
00:22:34,800 --> 00:22:35,359
Speaker 2: the call sheet.

484
00:22:35,520 --> 00:22:39,639
Speaker 1: What do you think keeps you from because there's no

485
00:22:39,960 --> 00:22:44,000
Speaker 1: reason that someone hasn't developed a show that is you.

486
00:22:44,520 --> 00:22:47,440
Speaker 2: You're the full on star of the show.

487
00:22:48,040 --> 00:22:50,640
Speaker 3: So I mean, maybe I stand in my own way.

488
00:22:50,720 --> 00:22:52,520
Speaker 3: I mean, I do have an idea for a show,

489
00:22:53,000 --> 00:22:54,399
Speaker 3: but now it's not the time to go out and

490
00:22:54,640 --> 00:22:55,080
Speaker 3: pitch it is.

491
00:22:55,240 --> 00:22:55,920
Speaker 2: It's a little rough.

492
00:22:55,960 --> 00:22:57,680
Speaker 3: I HiT's rough, and I don't want to I would

493
00:22:57,720 --> 00:22:59,840
Speaker 3: hate to do that, and then nobody takes it, and

494
00:23:00,119 --> 00:23:02,639
Speaker 3: it's that show you a back burner, which is what

495
00:23:02,720 --> 00:23:04,359
Speaker 3: I was really gonna call my show the back burner

496
00:23:04,400 --> 00:23:07,080
Speaker 3: with Amy Sins, but you know I don't, so then

497
00:23:07,160 --> 00:23:08,920
Speaker 3: I'm like, well, I can't do that, you know, I

498
00:23:09,000 --> 00:23:11,040
Speaker 3: don't know. I just like to think about things for

499
00:23:11,119 --> 00:23:13,640
Speaker 3: a long time. I know it sounds like a stoner mentality,

500
00:23:13,760 --> 00:23:16,040
Speaker 3: but I got it. It's like a stew you got

501
00:23:16,160 --> 00:23:18,280
Speaker 3: to be like at home. I thought about that and

502
00:23:18,400 --> 00:23:21,000
Speaker 3: did the books right for what eighteen years or something.

503
00:23:21,080 --> 00:23:25,560
Speaker 3: It's everything I know. So it takes that long if

504
00:23:25,600 --> 00:23:26,679
Speaker 3: you really want it to.

505
00:23:28,200 --> 00:23:30,560
Speaker 1: Take to percolate, to come to life, and then of

506
00:23:30,680 --> 00:23:35,560
Speaker 1: course to get the funding or the permission, because you're

507
00:23:35,600 --> 00:23:36,760
Speaker 1: constantly asking.

508
00:23:36,600 --> 00:23:38,680
Speaker 3: For because you want to think of everything. You don't

509
00:23:38,680 --> 00:23:41,080
Speaker 3: want someone to suggest that you haven't thought of. I'm

510
00:23:41,119 --> 00:23:44,200
Speaker 3: always like, that's how I get it when it's a

511
00:23:44,280 --> 00:23:47,200
Speaker 3: personal project. But that can slow things down and prevent

512
00:23:47,280 --> 00:23:48,280
Speaker 3: me from moving forward.

513
00:23:48,640 --> 00:23:51,520
Speaker 1: Have you seen something recently that you were like, wow,

514
00:23:52,119 --> 00:23:55,040
Speaker 1: that really can't you know? I never thought about that

515
00:23:55,320 --> 00:23:55,679
Speaker 1: like or.

516
00:23:55,840 --> 00:23:58,120
Speaker 3: Like that kind of I did think, I haven't seen

517
00:23:58,160 --> 00:24:00,359
Speaker 3: it yet, that show Chaos. But I did have that idea.

518
00:24:00,440 --> 00:24:03,040
Speaker 3: But why hasn't anyone done a modern day Greek the

519
00:24:03,160 --> 00:24:07,600
Speaker 3: Greek gods, but play them like contemporary character. I did

520
00:24:07,680 --> 00:24:09,200
Speaker 3: think of that, and then I heard there's a show.

521
00:24:09,600 --> 00:24:11,639
Speaker 3: I was like, oh, that's funny. I thought about that idea,

522
00:24:12,240 --> 00:24:14,440
Speaker 3: but I didn't. I just thought, why doesn't somebody do it?

523
00:24:14,800 --> 00:24:14,840
Speaker 2: Like?

524
00:24:14,920 --> 00:24:16,040
Speaker 3: I didn't think, oh, I'll do it.

525
00:24:16,760 --> 00:24:18,959
Speaker 2: See, well that's yeah. Yeah, we all get in our

526
00:24:19,000 --> 00:24:21,600
Speaker 2: own way, most of us do. I mean some of

527
00:24:21,720 --> 00:24:24,400
Speaker 2: us don't. Like they're just have a million things going

528
00:24:24,440 --> 00:24:26,800
Speaker 2: on for some reason. I mean I get stuck.

529
00:24:27,240 --> 00:24:29,640
Speaker 3: Yeah, I get stuck. I need someone to work with. Yeah,

530
00:24:29,680 --> 00:24:31,640
Speaker 3: and if the people that I trust, you know, they're

531
00:24:31,640 --> 00:24:33,439
Speaker 3: all working on other jobs and it's.

532
00:24:33,320 --> 00:24:35,080
Speaker 2: Harder for me. You have Okay, So you had great

533
00:24:35,119 --> 00:24:35,960
Speaker 2: partnerships with.

534
00:24:36,240 --> 00:24:39,720
Speaker 3: Colbert and Danello. Yeah, and Paul and I still will

535
00:24:39,760 --> 00:24:41,800
Speaker 3: work and he helped me with at home with Amy Sedaris,

536
00:24:41,920 --> 00:24:44,000
Speaker 3: or if I have an idea or need help. You know,

537
00:24:44,080 --> 00:24:46,280
Speaker 3: he's still there for me, right, So at.

538
00:24:46,160 --> 00:24:49,879
Speaker 2: Home with Amy Sedaris. That's is that that's shot in

539
00:24:49,920 --> 00:24:50,359
Speaker 2: the studio.

540
00:24:50,480 --> 00:24:53,120
Speaker 3: That's not Yeah, that's why people like being a guest.

541
00:24:53,200 --> 00:24:56,120
Speaker 3: It's like, we'll get you in out, you know, yeah,

542
00:24:56,560 --> 00:24:59,880
Speaker 3: you know everything. We never left the studio and that's all.

543
00:25:00,080 --> 00:25:02,080
Speaker 2: So was the genesis of the books.

544
00:25:03,119 --> 00:25:04,960
Speaker 3: Yeah. I did the books first, and that way I

545
00:25:05,000 --> 00:25:06,920
Speaker 3: could slide the books across the table and say, this

546
00:25:07,000 --> 00:25:07,680
Speaker 3: is what the show is.

547
00:25:08,280 --> 00:25:08,440
Speaker 2: You know.

548
00:25:08,600 --> 00:25:11,159
Speaker 3: So everyone was like, what do you mean what visually?

549
00:25:11,240 --> 00:25:12,520
Speaker 3: What does it look like? And You're just like, this

550
00:25:12,600 --> 00:25:17,040
Speaker 3: is what it looks like. And then they would understand, Oh, okay, So.

551
00:25:17,080 --> 00:25:19,120
Speaker 2: I mean you like every time, I mean, you work

552
00:25:19,240 --> 00:25:19,920
Speaker 2: so much.

553
00:25:20,600 --> 00:25:22,440
Speaker 3: People say I do, but I'm always like I don't

554
00:25:22,440 --> 00:25:24,720
Speaker 3: work enough. I'm always like, oh, I want a job.

555
00:25:24,880 --> 00:25:26,480
Speaker 3: I want to work because I feel like I'm like

556
00:25:26,880 --> 00:25:29,440
Speaker 3: I was a waitress and I worked in grocery stores

557
00:25:29,600 --> 00:25:32,439
Speaker 3: and I always had three jobs you know when you're younger.

558
00:25:32,880 --> 00:25:35,520
Speaker 3: And once I got into acting, if whatever you want

559
00:25:35,560 --> 00:25:38,199
Speaker 3: to performing, that's when I felt like I got lazy,

560
00:25:38,520 --> 00:25:41,120
Speaker 3: Like I felt like I was always hustling, always making money,

561
00:25:41,240 --> 00:25:45,360
Speaker 3: always Yeah. And then then I even waitress during Strangers,

562
00:25:46,000 --> 00:25:51,440
Speaker 3: and I was like, where Mary's Marian's, and then Marian's

563
00:25:51,520 --> 00:25:54,680
Speaker 3: on the Bowery, and then I worked at Mary's Fish Camp.

564
00:25:55,359 --> 00:25:57,680
Speaker 3: But I felt like I was taking jobs from people

565
00:25:57,720 --> 00:25:59,680
Speaker 3: who needed it's only I didn't need it. It's just

566
00:25:59,840 --> 00:26:02,439
Speaker 3: like Saturday night is their night. You know, why am

567
00:26:02,520 --> 00:26:06,280
Speaker 3: I waitressing when that shift should go to somebody who

568
00:26:06,520 --> 00:26:09,639
Speaker 3: really needs it. So I felt that attitude coming in

569
00:26:09,680 --> 00:26:11,480
Speaker 3: my way and thought, oh, yeah, no, this isn't or

570
00:26:11,520 --> 00:26:13,600
Speaker 3: it felt like it was a bit and it wasn't.

571
00:26:13,640 --> 00:26:15,800
Speaker 3: I just wanted to I'm always all going to lie,

572
00:26:15,880 --> 00:26:17,640
Speaker 3: like saying you need anyone to gift wrap or going

573
00:26:17,680 --> 00:26:20,120
Speaker 3: to Bigelow's, let me give rap and just you don't

574
00:26:20,359 --> 00:26:23,040
Speaker 3: have to pay me because I'm good working with people,

575
00:26:23,240 --> 00:26:27,960
Speaker 3: and I like that. They never have I'm sure they're like, well,

576
00:26:28,040 --> 00:26:31,600
Speaker 3: how are we gonna, you know, just make that happen busy. Yeah,

577
00:26:40,960 --> 00:26:43,440
Speaker 3: I liked waitressing the grocery stores because I think I

578
00:26:43,720 --> 00:26:47,680
Speaker 3: liked because your timing. I was really good at it,

579
00:26:49,359 --> 00:26:52,679
Speaker 3: you know. I liked making tips and it's good character

580
00:26:53,000 --> 00:26:55,200
Speaker 3: and I would bullshit like if I had to sell wine,

581
00:26:55,320 --> 00:26:57,639
Speaker 3: if I just said it has a buttery finish or

582
00:26:57,680 --> 00:27:00,840
Speaker 3: a peppery sald like I was, and I open it

583
00:27:00,880 --> 00:27:02,640
Speaker 3: and pop it on the table like it's a taverna

584
00:27:02,680 --> 00:27:05,399
Speaker 3: and Greece and like, Amy, you can't. I'm like, I

585
00:27:05,640 --> 00:27:09,320
Speaker 3: was so fake, but but I like that. And I

586
00:27:09,400 --> 00:27:11,760
Speaker 3: wait on these five businessmen once and they told me

587
00:27:11,880 --> 00:27:15,280
Speaker 3: that I should not be a pantyhose model, that you

588
00:27:15,400 --> 00:27:18,080
Speaker 3: should not I should be a pantyhose model. And I

589
00:27:18,200 --> 00:27:20,200
Speaker 3: made I was like, wow, we're else going to get that?

590
00:27:20,600 --> 00:27:23,600
Speaker 2: Like was the skirt short in that?

591
00:27:23,880 --> 00:27:28,640
Speaker 3: Yeah, back in the day. Always yeah. I love a uniform.

592
00:27:29,080 --> 00:27:32,440
Speaker 3: I stole my red Lobster uniform, my name tags, and

593
00:27:33,119 --> 00:27:36,679
Speaker 3: my wind Dixie uniform Girl Scout uniforms. I just love

594
00:27:36,720 --> 00:27:37,640
Speaker 3: a uniform. Job.

595
00:27:38,119 --> 00:27:42,080
Speaker 2: I stole my NBC page uniform. Oh I supposed to

596
00:27:42,160 --> 00:27:44,520
Speaker 2: turn it back in and I had, like I literally

597
00:27:44,600 --> 00:27:45,080
Speaker 2: on a hangar.

598
00:27:45,160 --> 00:27:49,040
Speaker 1: Have the jacket, the pins from nineteen eighty nine, the

599
00:27:49,400 --> 00:27:52,320
Speaker 1: the tie, the short, the pants.

600
00:27:52,280 --> 00:27:55,240
Speaker 3: That's fantastic it We're gonna have it.

601
00:27:55,840 --> 00:27:57,320
Speaker 2: I love it. You stole these well.

602
00:27:57,359 --> 00:27:59,000
Speaker 3: I save stuff so much because I'm like, oh, if

603
00:27:59,000 --> 00:28:00,520
Speaker 3: I do a show, like a lot of the stuff

604
00:28:00,520 --> 00:28:02,159
Speaker 3: on at home was a lot of my own stuff,

605
00:28:02,240 --> 00:28:04,360
Speaker 3: and I bring in racks and be like put these

606
00:28:04,440 --> 00:28:08,240
Speaker 3: on people who background or guest stars, or my own

607
00:28:08,320 --> 00:28:12,240
Speaker 3: shoes and props, and I always think, you know, I'm

608
00:28:12,280 --> 00:28:14,720
Speaker 3: gonna need them. But you know, I'd love to own

609
00:28:14,760 --> 00:28:16,600
Speaker 3: my own prop shop. I've talked about that for a

610
00:28:16,680 --> 00:28:18,840
Speaker 3: long time because there's not that many in New York

611
00:28:18,960 --> 00:28:20,400
Speaker 3: or costume places anymore.

612
00:28:21,240 --> 00:28:24,320
Speaker 2: Really are That's a great idea, I know it. Really.

613
00:28:24,440 --> 00:28:27,479
Speaker 3: There's Alias which is great right here, and I'll bring

614
00:28:27,560 --> 00:28:30,879
Speaker 3: clothes there sometimes, but I'm always jealous when I go there,

615
00:28:30,880 --> 00:28:32,280
Speaker 3: I'm like, why isn't this my place?

616
00:28:33,119 --> 00:28:36,880
Speaker 1: Well there you go like, that's like and that's part

617
00:28:36,920 --> 00:28:39,960
Speaker 1: of the whole package because you could still work.

618
00:28:40,280 --> 00:28:42,560
Speaker 2: Yeah, you still have you know your shop and you

619
00:28:42,680 --> 00:28:47,520
Speaker 2: do that. You own real estate. Right, I'm working this out.

620
00:29:07,040 --> 00:29:08,360
Speaker 2: Welcome back to Table for two.

621
00:29:08,800 --> 00:29:12,280
Speaker 4: We've been having an amazing lunch with our guest, Amy Sedaris.

622
00:29:12,800 --> 00:29:14,240
Speaker 2: While our meal has.

623
00:29:14,120 --> 00:29:18,160
Speaker 4: Been delicious, Amy has also recently discovered a new love

624
00:29:18,440 --> 00:29:19,760
Speaker 4: for a certain type of candy.

625
00:29:21,280 --> 00:29:24,160
Speaker 3: I ate so much bonbon candy. So I went on

626
00:29:24,320 --> 00:29:28,440
Speaker 3: a one day like how much a one day fast? Yesterday?

627
00:29:28,560 --> 00:29:29,920
Speaker 2: You did like a full fast? No?

628
00:29:30,080 --> 00:29:32,120
Speaker 3: I do that prolonged fast. You can do one for

629
00:29:32,240 --> 00:29:34,840
Speaker 3: one day or five day. I really like it, just

630
00:29:34,880 --> 00:29:36,600
Speaker 3: a reset, that's all. You still eat on it.

631
00:29:37,360 --> 00:29:39,440
Speaker 2: It's like eating or drinking.

632
00:29:39,480 --> 00:29:41,680
Speaker 3: It's eating like they make soup pack. It's just like

633
00:29:41,720 --> 00:29:45,840
Speaker 3: astronaut food. It's like, but at least I can. I'm

634
00:29:45,880 --> 00:29:48,400
Speaker 3: disciplined and I do it break. It gives you a break.

635
00:29:48,520 --> 00:29:50,160
Speaker 2: I like that. But I just.

636
00:29:51,640 --> 00:29:54,440
Speaker 3: W it ate so much candy and I felt disgusting

637
00:29:54,640 --> 00:29:57,240
Speaker 3: and I have a headache from it and I can't

638
00:29:57,240 --> 00:29:59,840
Speaker 3: even believe I'm eating that much candy.

639
00:30:00,360 --> 00:30:02,480
Speaker 1: Well, Amy, this is how I feel like my Like

640
00:30:02,760 --> 00:30:04,560
Speaker 1: I was the type of kid that I got, like

641
00:30:04,640 --> 00:30:08,200
Speaker 1: the big massive Twizzlers bag or like the big Dots

642
00:30:08,320 --> 00:30:13,200
Speaker 1: Member Dots and I'd say, like someone be like, oh,

643
00:30:13,520 --> 00:30:15,560
Speaker 1: I go, would you want one? And they'd be like, oh,

644
00:30:15,640 --> 00:30:18,280
Speaker 1: maybe later, and I'd say very clearly there won't be

645
00:30:18,360 --> 00:30:21,760
Speaker 1: a later, like I will eat the whole box.

646
00:30:21,960 --> 00:30:22,160
Speaker 3: Yeah.

647
00:30:23,160 --> 00:30:26,120
Speaker 1: So I really had to like work on not having

648
00:30:26,840 --> 00:30:31,880
Speaker 1: one because it would how many is a lot?

649
00:30:32,240 --> 00:30:35,320
Speaker 2: And like what got you to have the first one?

650
00:30:35,800 --> 00:30:39,240
Speaker 3: Well, I was hanging out my apartment and my friend

651
00:30:39,280 --> 00:30:41,760
Speaker 3: Adam Salmon was visiting and we had some people over

652
00:30:41,840 --> 00:30:45,000
Speaker 3: and they both brought bags of bombon chick candy, and

653
00:30:45,000 --> 00:30:46,720
Speaker 3: I was like, I can't believe you guys eat that stuff.

654
00:30:46,840 --> 00:30:50,680
Speaker 3: Like I never got into gummies and the fish and

655
00:30:50,760 --> 00:30:53,120
Speaker 3: the iron, was like, how can you just eat it?

656
00:30:53,720 --> 00:30:56,400
Speaker 3: And then one night I was high and I was

657
00:30:56,440 --> 00:30:58,760
Speaker 3: hanging out with some friends and that bomb bomb was

658
00:30:58,800 --> 00:31:01,800
Speaker 3: in my apartment and I started eating. I was like,

659
00:31:01,880 --> 00:31:03,360
Speaker 3: oh my god, this is what you guys have been

660
00:31:03,400 --> 00:31:07,720
Speaker 3: talking about, right boom addicted, right, addicted, addicted? And I

661
00:31:07,800 --> 00:31:09,600
Speaker 3: thought to myself, God, that was sure would be hard

662
00:31:09,600 --> 00:31:12,320
Speaker 3: if you were an alcoholic or a drug addict and

663
00:31:12,360 --> 00:31:13,800
Speaker 3: you couldn't quit. Because this is going to be really

664
00:31:13,840 --> 00:31:15,640
Speaker 3: hard for me to quit. I don't have something that

665
00:31:15,720 --> 00:31:18,640
Speaker 3: I feel like I have to. You know, I've always

666
00:31:18,680 --> 00:31:21,680
Speaker 3: protected myself. I've never gone too far, you know. And

667
00:31:21,840 --> 00:31:23,920
Speaker 3: I was like, oh right. I mean when I was

668
00:31:23,960 --> 00:31:26,320
Speaker 3: a kid, my best friend had a her dad was

669
00:31:26,360 --> 00:31:28,880
Speaker 3: a candy distributor, and they walk in closet with a

670
00:31:28,960 --> 00:31:32,200
Speaker 3: slanted roof all candy, and she would.

671
00:31:32,000 --> 00:31:35,000
Speaker 2: Load up my lunch box really with candy.

672
00:31:34,840 --> 00:31:39,960
Speaker 3: And Maritina cherries. I had cavity in every tube and

673
00:31:40,280 --> 00:31:42,760
Speaker 3: I felt, oh my god, I'm back to it, right.

674
00:31:42,880 --> 00:31:44,400
Speaker 2: Yeah, it really is interesting.

675
00:31:44,640 --> 00:31:48,720
Speaker 1: It's like, it's an interesting question you're posing, is acknowledging

676
00:31:49,840 --> 00:31:50,440
Speaker 1: you have a problem.

677
00:31:50,520 --> 00:31:52,160
Speaker 2: You have a problem, and how am I going to

678
00:31:52,240 --> 00:31:58,400
Speaker 2: quit this? Because bombomb bomb? So yesterday did you get stoned?

679
00:31:58,440 --> 00:31:59,200
Speaker 2: Are we you're hanging out?

680
00:31:59,200 --> 00:32:01,280
Speaker 3: It's just no, I had n't brought in air. I

681
00:32:01,360 --> 00:32:04,600
Speaker 3: went there to get some bond bonds for my godson's birthday.

682
00:32:04,600 --> 00:32:06,440
Speaker 3: He likes these sweet and sour ones. I was great.

683
00:32:06,520 --> 00:32:09,040
Speaker 3: I don't like sweet and sour, so I walk there

684
00:32:09,080 --> 00:32:12,920
Speaker 3: and back. That's a good. Yeah. And then I got

685
00:32:12,960 --> 00:32:15,840
Speaker 3: a few marshmallow jelly ones on the way home and

686
00:32:16,040 --> 00:32:17,920
Speaker 3: I ate half the bag and then I gave the

687
00:32:18,000 --> 00:32:20,200
Speaker 3: rest of my dorman and they gave it to their kids.

688
00:32:20,360 --> 00:32:22,280
Speaker 1: That's the only way to like, you have to get

689
00:32:22,320 --> 00:32:23,200
Speaker 1: them out of the house.

690
00:32:24,160 --> 00:32:26,000
Speaker 2: So like, so you have none right now in the house.

691
00:32:26,040 --> 00:32:30,120
Speaker 3: I do, ah, because I ordered some through the mail

692
00:32:30,680 --> 00:32:32,920
Speaker 3: and I saw before I came down here there it was.

693
00:32:33,560 --> 00:32:34,760
Speaker 3: But I don't eat.

694
00:32:34,680 --> 00:32:38,440
Speaker 2: Candy anymore, So you don't eat candy except for that.

695
00:32:38,960 --> 00:32:42,080
Speaker 3: No, No, I'm now not anymore. That's my attitude, just

696
00:32:42,160 --> 00:32:44,280
Speaker 3: like I don't eat candy anymore. So I'll bring that

697
00:32:44,440 --> 00:32:44,920
Speaker 3: up to maple.

698
00:32:45,120 --> 00:32:49,040
Speaker 2: When I write, sometimes it takes a very specific mindset.

699
00:32:49,600 --> 00:32:50,880
Speaker 2: I had to do that with cigarettes.

700
00:32:51,240 --> 00:32:54,040
Speaker 1: Oh, I tried, I tried, I tried, I tried, and

701
00:32:54,160 --> 00:32:58,160
Speaker 1: then one day I said, you don't smoke anymore, and

702
00:32:58,600 --> 00:32:59,280
Speaker 1: I never smoked.

703
00:32:59,280 --> 00:32:59,520
Speaker 2: The air.

704
00:32:59,640 --> 00:33:00,600
Speaker 3: Wow, it's pretty good.

705
00:33:00,720 --> 00:33:01,440
Speaker 2: At some point in my.

706
00:33:01,480 --> 00:33:05,440
Speaker 1: Thirty late thirties, like mid thirties, thirties, and then when

707
00:33:05,440 --> 00:33:08,000
Speaker 1: I did, I had one years later it was most disgusting.

708
00:33:08,080 --> 00:33:08,200
Speaker 2: Thing.

709
00:33:08,400 --> 00:33:11,080
Speaker 1: What I'm trying to do with alcohol now is the

710
00:33:11,200 --> 00:33:15,080
Speaker 1: same thing, like, which is just stop, like like.

711
00:33:15,240 --> 00:33:19,800
Speaker 2: Really just do it. It's occasion, occasion having a glass

712
00:33:19,840 --> 00:33:22,920
Speaker 2: of wine. It's hard. You have to really change. But

713
00:33:22,960 --> 00:33:25,560
Speaker 2: once you change your mindset, you're able to do it.

714
00:33:25,640 --> 00:33:29,400
Speaker 3: Well, we'll see. I mean, I tried and then I failed.

715
00:33:29,600 --> 00:33:30,680
Speaker 2: So yesterday it was rough.

716
00:33:31,600 --> 00:33:34,880
Speaker 3: Yesterday was easy because I fasted all day. The day

717
00:33:34,920 --> 00:33:38,280
Speaker 3: before was tough and the weather didn't help and it

718
00:33:38,440 --> 00:33:40,480
Speaker 3: was just but I did walk four miles to get it.

719
00:33:40,680 --> 00:33:41,000
Speaker 3: I mean.

720
00:33:41,120 --> 00:33:43,760
Speaker 2: But still, well, that's always I think a very good

721
00:33:43,760 --> 00:33:44,080
Speaker 2: thing too.

722
00:33:44,160 --> 00:33:46,360
Speaker 1: So when I find like I eat something that's really

723
00:33:46,440 --> 00:33:50,000
Speaker 1: horrible and I feel it, I walk and I just

724
00:33:50,240 --> 00:33:51,000
Speaker 1: count myself and I.

725
00:33:51,040 --> 00:33:53,680
Speaker 3: Walk because you're in your skin is when you got

726
00:33:53,760 --> 00:33:54,560
Speaker 3: it all.

727
00:33:54,720 --> 00:33:57,440
Speaker 2: Yeah, you gotta get it terrible. But yeah, but you

728
00:33:57,560 --> 00:33:59,320
Speaker 2: got to move it out because that helps move it

729
00:33:59,400 --> 00:34:01,720
Speaker 2: out too. Yeah, you know what I mean, you gotta

730
00:34:03,360 --> 00:34:03,840
Speaker 2: it's tough.

731
00:34:04,160 --> 00:34:06,920
Speaker 3: I mean the sugar. It's not like Mike doesn't stay

732
00:34:06,920 --> 00:34:09,240
Speaker 3: in your tongue if you spit out. It's not pink.

733
00:34:09,360 --> 00:34:12,279
Speaker 3: It's not it's sweetish candy. It's something better about it.

734
00:34:12,920 --> 00:34:16,080
Speaker 3: It's just it's just so fucking good.

735
00:34:16,239 --> 00:34:18,680
Speaker 2: Oh it's good. That's Swedish candy. I know exactly what

736
00:34:18,760 --> 00:34:19,160
Speaker 2: you're talking.

737
00:34:19,200 --> 00:34:20,000
Speaker 3: Pretty pink bag.

738
00:34:20,120 --> 00:34:22,640
Speaker 2: Yeah, they have it in on Avacinnie out in Venice.

739
00:34:22,760 --> 00:34:24,759
Speaker 3: But I like the way people carry it around and

740
00:34:24,840 --> 00:34:29,000
Speaker 3: that the way the people look into the bag is

741
00:34:29,080 --> 00:34:31,480
Speaker 3: a good visual, Like you don't just reach in and

742
00:34:32,040 --> 00:34:34,080
Speaker 3: you know, you were like, you look and you're choosy,

743
00:34:34,120 --> 00:34:36,120
Speaker 3: and then you pick the pink marshmallow woman and you

744
00:34:36,520 --> 00:34:39,080
Speaker 3: I like the whole way. I like the way it looks.

745
00:34:39,680 --> 00:34:40,160
Speaker 2: I do too.

746
00:34:40,280 --> 00:34:43,360
Speaker 1: And recently we were at that place in California and

747
00:34:43,400 --> 00:34:44,759
Speaker 1: I got and I was like, oh, let's all get

748
00:34:44,800 --> 00:34:45,280
Speaker 1: our bags.

749
00:34:45,400 --> 00:34:47,080
Speaker 2: And my bag was gone.

750
00:34:48,360 --> 00:34:51,000
Speaker 1: Within minutes because I couldn't pick one or two and

751
00:34:51,080 --> 00:34:53,560
Speaker 1: then put it the bag away to save for later.

752
00:34:54,560 --> 00:34:57,200
Speaker 1: They all had to be consumed before we were about

753
00:34:57,239 --> 00:35:00,400
Speaker 1: to have dinner, which was going to be pizza and pasta.

754
00:35:00,520 --> 00:35:03,600
Speaker 2: So I was like, I don't is it used to be.

755
00:35:03,680 --> 00:35:05,880
Speaker 3: When people say what are your favorite moments? Used to

756
00:35:05,920 --> 00:35:09,160
Speaker 3: be your business class or first class on American airlines?

757
00:35:09,520 --> 00:35:13,759
Speaker 3: Watching a cult movie, you know, like a spiritual cult

758
00:35:13,840 --> 00:35:14,239
Speaker 3: what's uh?

759
00:35:14,640 --> 00:35:14,680
Speaker 2: Like?

760
00:35:14,960 --> 00:35:15,600
Speaker 3: What's his name?

761
00:35:16,120 --> 00:35:16,399
Speaker 2: You made?

762
00:35:16,400 --> 00:35:19,680
Speaker 3: You drink the kool aid? Like you mean the real Yeah, yeah, yeah,

763
00:35:19,760 --> 00:35:22,880
Speaker 3: Jim Jones, Jim John and eating one of their Sundays

764
00:35:23,239 --> 00:35:25,600
Speaker 3: at the same time, five episodes on the way to

765
00:35:25,800 --> 00:35:30,000
Speaker 3: La hate that flight. Now it's bonbon candy in bed,

766
00:35:30,320 --> 00:35:34,480
Speaker 3: massaging Tina and watching Belmont. I mean, who want you

767
00:35:34,520 --> 00:35:37,120
Speaker 3: wouldn't want that life? And I thought this just got

768
00:35:37,200 --> 00:35:40,600
Speaker 3: replaced and eating candy, massaging Tina and watching.

769
00:35:40,360 --> 00:35:44,400
Speaker 2: Them right, Like, that's a perfect I feel like if

770
00:35:44,440 --> 00:35:47,800
Speaker 2: you have the ability just to have the self control,

771
00:35:48,600 --> 00:35:51,640
Speaker 2: that's a nice, enjoyable thing. You're alive. We should be that.

772
00:35:52,080 --> 00:35:53,800
Speaker 2: It's why I don't want to give up alcohol completely.

773
00:35:53,840 --> 00:35:56,400
Speaker 2: I want to enjoy the glass of red wine. I

774
00:35:56,440 --> 00:35:59,600
Speaker 2: want to enjoy the margarite foundries. Yeah, I just don't

775
00:35:59,640 --> 00:36:01,200
Speaker 2: need to have it every day.

776
00:36:01,400 --> 00:36:06,680
Speaker 3: Right, you do feel it? The older you get of wine, Yeah, because.

777
00:36:06,480 --> 00:36:09,400
Speaker 1: That's what happens, because you get the tolerance whatever, feeling

778
00:36:09,480 --> 00:36:12,719
Speaker 1: of relaxation, s like the you know, the bombs you

779
00:36:12,760 --> 00:36:17,880
Speaker 1: start you so, I don't know, we're alive, I know.

780
00:36:18,000 --> 00:36:19,560
Speaker 3: But the older you get, like I felt it the

781
00:36:19,640 --> 00:36:22,080
Speaker 3: next day and I felt it, you know, you get

782
00:36:22,280 --> 00:36:25,279
Speaker 3: the sugar crash. I don't take naps. Impossible for me

783
00:36:25,360 --> 00:36:25,920
Speaker 3: to take a nap.

784
00:36:27,120 --> 00:36:28,680
Speaker 2: My eyes open at four o'clock.

785
00:36:29,280 --> 00:36:32,040
Speaker 3: Well, I fell asleep and it was from the sugar.

786
00:36:43,920 --> 00:36:46,440
Speaker 2: What has been the most challenging time in your life

787
00:36:46,480 --> 00:36:47,480
Speaker 2: would you say, because.

788
00:36:47,280 --> 00:36:50,600
Speaker 3: Like I know, like first grade, Well, when you lose somebody,

789
00:36:50,640 --> 00:36:53,359
Speaker 3: when my mom died and then when my sister died.

790
00:36:53,960 --> 00:36:56,799
Speaker 3: You know, losing a sibling is so different than losing

791
00:36:56,840 --> 00:36:58,640
Speaker 3: a parent. Then you divide people up in the world.

792
00:36:58,680 --> 00:37:00,800
Speaker 3: You're like, oh, you haven't lost a parent yet, you

793
00:37:00,880 --> 00:37:02,439
Speaker 3: get on that side of the street because you don't

794
00:37:02,640 --> 00:37:05,920
Speaker 3: like the way you see things after that with loss

795
00:37:06,120 --> 00:37:09,880
Speaker 3: is uh? Is that that's hard for me to lose people,

796
00:37:10,000 --> 00:37:12,279
Speaker 3: to lose pets, to lose things I love, lose his

797
00:37:12,360 --> 00:37:16,080
Speaker 3: favorite sweater. Yeah, you know, when I when I lose things.

798
00:37:16,239 --> 00:37:19,160
Speaker 2: Yeah, it's interesting you say that with the parent.

799
00:37:19,239 --> 00:37:21,600
Speaker 1: I haven't lost a parent, and I'm very fearful of that.

800
00:37:21,800 --> 00:37:24,160
Speaker 1: And I understand because I have many of my friends

801
00:37:24,239 --> 00:37:27,320
Speaker 1: have lost parents. Yeah, I a parent or both parents,

802
00:37:27,760 --> 00:37:33,320
Speaker 1: and I do know that's a life defining moment.

803
00:37:34,440 --> 00:37:36,279
Speaker 3: But my death, you've probably dealt with a lot with it,

804
00:37:36,760 --> 00:37:36,920
Speaker 3: you know.

805
00:37:37,400 --> 00:37:40,800
Speaker 2: Well I was so I did, Like, you know, I

806
00:37:40,880 --> 00:37:44,800
Speaker 2: was that generation of young men that were like I

807
00:37:44,960 --> 00:37:47,839
Speaker 2: wasn't you know there were no fifty year olds when

808
00:37:47,880 --> 00:37:48,160
Speaker 2: I was.

809
00:37:48,400 --> 00:37:50,600
Speaker 1: You know, they were all you know, that generation was

810
00:37:50,680 --> 00:37:53,759
Speaker 1: going right, But I was living in the fear of

811
00:37:54,320 --> 00:37:57,080
Speaker 1: and we were all like existing within it.

812
00:37:57,160 --> 00:38:00,800
Speaker 2: And yes I saw people, but I think, you know,

813
00:38:01,080 --> 00:38:04,359
Speaker 2: I have have loss in my life, but I think

814
00:38:04,600 --> 00:38:05,960
Speaker 2: the it's.

815
00:38:05,840 --> 00:38:08,640
Speaker 1: Interesting how you phrase that, like, oh, like okay, you're.

816
00:38:08,520 --> 00:38:10,360
Speaker 3: On that side of the stream, Like that's how I

817
00:38:10,440 --> 00:38:13,200
Speaker 3: felt that, you know, but it makes complete sense.

818
00:38:13,080 --> 00:38:17,560
Speaker 2: Like you don't know it until you experience.

819
00:38:16,920 --> 00:38:19,640
Speaker 3: And then you have empathies for other people. Because when

820
00:38:19,719 --> 00:38:23,759
Speaker 3: Cole lost his brother this year, I mean, I didn't

821
00:38:23,760 --> 00:38:25,960
Speaker 3: know how to word it, but it's like it's so

822
00:38:26,160 --> 00:38:27,680
Speaker 3: hard to say it's a gift, but it's like, what

823
00:38:27,840 --> 00:38:31,400
Speaker 3: you're gonna learn from this? You know now that changes

824
00:38:31,440 --> 00:38:34,120
Speaker 3: who you are now and how you see other people. Yeah,

825
00:38:34,280 --> 00:38:36,080
Speaker 3: it's just such a strong So I'd say that's what

826
00:38:36,160 --> 00:38:40,960
Speaker 3: I struggle with the most. That's losing yeah people, and

827
00:38:41,040 --> 00:38:44,040
Speaker 3: I can't imagine or you get your friends start going yeah,

828
00:38:44,480 --> 00:38:46,200
Speaker 3: that's very scary. That's gonna be tough.

829
00:38:46,360 --> 00:38:49,600
Speaker 1: Yeah, but it also like and like you're sixty three,

830
00:38:49,760 --> 00:38:53,120
Speaker 1: I'll be fifty nine, so we're like in the same boat.

831
00:38:54,840 --> 00:38:58,000
Speaker 2: It's jarring to me sometimes to say my age when

832
00:38:58,000 --> 00:38:59,680
Speaker 2: people ask me, I don't feel it.

833
00:38:59,719 --> 00:39:01,120
Speaker 3: And I I just don't put an age with you.

834
00:39:02,280 --> 00:39:03,719
Speaker 3: You know what I mean. You don't seem like you're

835
00:39:03,760 --> 00:39:05,920
Speaker 3: any age. You just age. Yeah, you know what I mean.

836
00:39:06,040 --> 00:39:08,680
Speaker 3: I wouldn't think, well, how old is that? You just

837
00:39:08,719 --> 00:39:11,600
Speaker 3: look fantastic you always have. First time I met you,

838
00:39:11,680 --> 00:39:15,840
Speaker 3: you had a full face of makeup. True. I was like, Andy,

839
00:39:15,880 --> 00:39:18,000
Speaker 3: who's your girlfriend? That's Bruce.

840
00:39:20,600 --> 00:39:22,360
Speaker 2: Amy my name right, the first time.

841
00:39:24,600 --> 00:39:28,279
Speaker 3: My name like that, We're gonna still pick this is

842
00:39:28,320 --> 00:39:30,279
Speaker 3: good because it's because he talked about you so much

843
00:39:30,320 --> 00:39:32,239
Speaker 3: and you were best friends. So that's when I was like,

844
00:39:32,320 --> 00:39:34,080
Speaker 3: who is this Bruce and why do I bo why

845
00:39:34,080 --> 00:39:34,840
Speaker 3: does he bother me?

846
00:39:37,640 --> 00:39:40,160
Speaker 2: And then yell that makeup on why did I have

847
00:39:40,280 --> 00:39:40,520
Speaker 2: to make it?

848
00:39:40,600 --> 00:39:43,400
Speaker 3: I think it was around New Year's Oh yeah, it

849
00:39:43,520 --> 00:39:47,160
Speaker 3: was a New Year's party Sarahead Restaurant. Yeah, I mean

850
00:39:47,239 --> 00:39:50,919
Speaker 3: Sarah gets us together. She's just really nice. One wants

851
00:39:50,960 --> 00:39:54,640
Speaker 3: a party for their big and she's so good camaraderie.

852
00:39:54,719 --> 00:39:55,880
Speaker 3: She brings people together.

853
00:39:56,760 --> 00:40:10,000
Speaker 2: Yeah, I'm super so excited and happy for you for

854
00:40:10,160 --> 00:40:12,759
Speaker 2: this afternoon. I think that's me too. That's the news.

855
00:40:12,840 --> 00:40:15,320
Speaker 3: I just want to it's not in my little prepertoire.

856
00:40:15,360 --> 00:40:16,800
Speaker 3: I don't know if I'm going to do it, and

857
00:40:16,880 --> 00:40:18,520
Speaker 3: I don't think. I don't know if I'm going to

858
00:40:18,600 --> 00:40:21,000
Speaker 3: do a good enough job because of it. I don't

859
00:40:21,080 --> 00:40:22,239
Speaker 3: know what a baby voice is.

860
00:40:22,600 --> 00:40:24,360
Speaker 2: But I think you'll figure it out in the process,

861
00:40:24,640 --> 00:40:27,520
Speaker 2: as you're saying, I think you will. I mean, look,

862
00:40:27,800 --> 00:40:31,080
Speaker 2: there's nothing that would show that would say not to

863
00:40:31,160 --> 00:40:33,400
Speaker 2: the pressure and make you be nervous about it. That

864
00:40:33,640 --> 00:40:36,600
Speaker 2: the body of work, the talent, the years.

865
00:40:36,800 --> 00:40:40,120
Speaker 1: See It's like, it's like, what brings us together today

866
00:40:40,920 --> 00:40:44,359
Speaker 1: to me is everything we've done. One thing veers off.

867
00:40:44,760 --> 00:40:48,040
Speaker 1: We're not sitting at this table today like and Norman

868
00:40:48,160 --> 00:40:50,200
Speaker 1: Lear said that to me when he invited me on

869
00:40:50,360 --> 00:40:53,880
Speaker 1: his podcast, which I was like, oh wow wow, But

870
00:40:54,000 --> 00:40:58,160
Speaker 1: he really wanted to ultimately talk about me being part

871
00:40:58,200 --> 00:41:02,080
Speaker 1: of the Palm and the allian and being gay. He

872
00:41:02,239 --> 00:41:04,800
Speaker 1: really wanted to understand thank you. And it was like,

873
00:41:05,040 --> 00:41:06,400
Speaker 1: oh wow, I get it.

874
00:41:09,480 --> 00:41:10,440
Speaker 3: He has a double scotch.

875
00:41:10,920 --> 00:41:13,720
Speaker 2: Oh this is I like the tall glass.

876
00:41:13,920 --> 00:41:16,600
Speaker 3: Look at the hearts, They're so pretty.

877
00:41:17,440 --> 00:41:20,520
Speaker 1: So I really do feel and I share that because

878
00:41:20,560 --> 00:41:23,560
Speaker 1: I think this afternoon, when you find yourself in the booth,

879
00:41:24,280 --> 00:41:29,000
Speaker 1: everything that you've done in your life brings forth the

880
00:41:29,160 --> 00:41:31,960
Speaker 1: creativity that will you'll find that.

881
00:41:32,400 --> 00:41:34,719
Speaker 3: Well, as long as I'm in the moment, nothing's better

882
00:41:34,800 --> 00:41:36,319
Speaker 3: than being in the moment. And you know, when you're

883
00:41:36,320 --> 00:41:37,759
Speaker 3: in the moment, or you know when there's a split

884
00:41:37,840 --> 00:41:42,000
Speaker 3: second surprise and you know in your own life and

885
00:41:42,120 --> 00:41:43,919
Speaker 3: you are forced to be in the moment, you're like, shit,

886
00:41:44,040 --> 00:41:47,480
Speaker 3: that's the moment. Like can you believe how deep and

887
00:41:47,600 --> 00:41:49,759
Speaker 3: dark it is? Like even if you're getting mugged or

888
00:41:49,880 --> 00:41:52,400
Speaker 3: I don't know, whatever birth of your child, whatever it is,

889
00:41:52,880 --> 00:41:56,360
Speaker 3: you're boom, you're you're just can't believe how different it

890
00:41:56,480 --> 00:41:59,000
Speaker 3: is because you think you're in the moment until so

891
00:41:59,120 --> 00:42:02,200
Speaker 3: when I'm doing so like that, then whatever preparation you

892
00:42:02,280 --> 00:42:03,480
Speaker 3: throw it out and you just have to be in

893
00:42:03,560 --> 00:42:06,560
Speaker 3: the moment. And it feels so electrifying, especially if it's

894
00:42:06,560 --> 00:42:07,760
Speaker 3: a live house or something.

895
00:42:07,880 --> 00:42:08,799
Speaker 1: You're just like.

896
00:42:10,400 --> 00:42:12,719
Speaker 3: You're in the moment. Like the best moment I had

897
00:42:12,880 --> 00:42:15,800
Speaker 3: was playing a donkey in this play that David and

898
00:42:15,880 --> 00:42:18,240
Speaker 3: I wrote, Call and I was car all the donkey

899
00:42:18,320 --> 00:42:21,160
Speaker 3: and over sex donkey, and we rehearsed all week. We

900
00:42:21,239 --> 00:42:23,640
Speaker 3: did it all but not until it was opening night

901
00:42:23,760 --> 00:42:26,040
Speaker 3: and there was an audience. He came alive. The donkey

902
00:42:26,120 --> 00:42:28,879
Speaker 3: came alive in me, and I was like, holy shit,

903
00:42:29,280 --> 00:42:31,480
Speaker 3: that is nothing top set. And then when I did

904
00:42:31,560 --> 00:42:35,520
Speaker 3: some Louis c K when I did something b Louie

905
00:42:36,760 --> 00:42:40,160
Speaker 3: his show Horace and Pete, and that was one of

906
00:42:40,200 --> 00:42:41,759
Speaker 3: the best jobs I ever did in my life really

907
00:42:41,760 --> 00:42:43,800
Speaker 3: because it was in the moment. He just trusted me.

908
00:42:43,960 --> 00:42:47,040
Speaker 3: I got to improvise, did it like five times and

909
00:42:47,440 --> 00:42:48,439
Speaker 3: I felt really good.

910
00:42:48,640 --> 00:42:50,120
Speaker 2: Yeah, that's funny.

911
00:42:50,160 --> 00:42:53,640
Speaker 1: It's funny too, like with being the donkey, the over sexualized,

912
00:42:54,400 --> 00:42:59,680
Speaker 1: Like yeah, it really when it's like happening is when.

913
00:42:59,680 --> 00:43:02,840
Speaker 3: Oh my god, nothing's better. It comes out yeah, I

914
00:43:02,920 --> 00:43:06,839
Speaker 3: didn't know that was what Colin was. Well, I'm hoping

915
00:43:06,880 --> 00:43:08,440
Speaker 3: that will happen in the booth. I'm just going to

916
00:43:08,480 --> 00:43:08,960
Speaker 3: be a baby.

917
00:43:09,360 --> 00:43:12,400
Speaker 2: Yeah, a baby. I mean you can practice all like

918
00:43:12,440 --> 00:43:14,480
Speaker 2: what you think babies are, but you're just I did

919
00:43:14,800 --> 00:43:16,680
Speaker 2: a baby. You're the baby.

920
00:43:17,120 --> 00:43:17,600
Speaker 3: The baby.

921
00:43:17,719 --> 00:43:20,640
Speaker 2: Whatever the baby is in you is gonna be the baby.

922
00:43:20,920 --> 00:43:21,920
Speaker 1: Yeah, you know.

923
00:43:22,400 --> 00:43:22,600
Speaker 3: Yeah.

924
00:43:24,920 --> 00:43:28,120
Speaker 1: Any as we drink our cappuccinos and everyone who's pulled

925
00:43:28,200 --> 00:43:29,320
Speaker 1: up a chair today, I want to see it.

926
00:43:30,600 --> 00:43:33,120
Speaker 2: Finally, you got to do this. You are one of

927
00:43:33,120 --> 00:43:36,320
Speaker 2: the most special people I feel, and I really do

928
00:43:36,840 --> 00:43:39,920
Speaker 2: feel honored that that I'm a friend.

929
00:43:40,480 --> 00:43:42,680
Speaker 3: I didn't I didn't regret it. I didn't like I

930
00:43:42,719 --> 00:43:45,040
Speaker 3: gotta do that. It was like, never had that feeling.

931
00:43:45,239 --> 00:43:58,240
Speaker 3: So that's off to us, right, Cheers, cheers, Thank.

932
00:43:58,080 --> 00:43:59,319
Speaker 2: You for pulling up a chair.

933
00:44:00,000 --> 00:44:03,920
Speaker 4: We love our launches and never forget the romance of

934
00:44:04,000 --> 00:44:07,120
Speaker 4: a meal. If you enjoy the show, please tell a

935
00:44:07,239 --> 00:44:09,080
Speaker 4: friend and rate and review us.

936
00:44:09,120 --> 00:44:10,359
Speaker 2: On Apple Podcasts.

937
00:44:10,960 --> 00:44:13,759
Speaker 4: Table for Two with Bruce Bozzi is produced by iHeartRadio

938
00:44:13,960 --> 00:44:17,960
Speaker 4: seven three seven Park and Airmail. Our executive producers are

939
00:44:18,040 --> 00:44:21,720
Speaker 4: Bruce Bosi and Nathan King. Our supervising producer.

940
00:44:21,520 --> 00:44:25,480
Speaker 2: Is Dylan Fagan. Our editors are Vincent to Johnny and

941
00:44:25,680 --> 00:44:26,680
Speaker 2: Cas B. Bias.

942
00:44:27,320 --> 00:44:30,720
Speaker 4: Table for two is researched and written by Jack Sullivan.

943
00:44:31,080 --> 00:44:35,400
Speaker 4: Our sound engineers are Mio B. Klein, Jess Krainich, Evan Taylor.

944
00:44:35,320 --> 00:44:36,200
Speaker 2: And Jesse Funk.

945
00:44:36,800 --> 00:44:40,160
Speaker 4: Our music supervisor is Randall Poster. Our talent booking is

946
00:44:40,200 --> 00:44:43,560
Speaker 4: done by Jane Sarkin. Table for two's social media manager

947
00:44:43,640 --> 00:44:47,760
Speaker 4: is Gracie Wiener. Special thanks to Amy Sugarman, Uni Scherer,

948
00:44:48,200 --> 00:44:52,560
Speaker 4: Kevin Yvane, Bobby Bauer, and Alison Kanter Graber. For more

949
00:44:52,640 --> 00:44:57,880
Speaker 4: podcasts from iHeartRadio, visit the iHeartRadio app, Apple podcast, or

950
00:44:57,960 --> 00:45:00,800
Speaker 4: wherever you listen to your favorite shows.