1 00:00:00,200 --> 00:00:03,680 Speaker 1: Hello the Internet, and welcome to this episode of trendon 2 00:00:03,920 --> 00:00:08,560 Speaker 1: M's Super Bowl commercial. Um, it was pretty dumb. I 3 00:00:08,600 --> 00:00:14,240 Speaker 1: am Jack. That is super producer Becca Robas. What's happening? 4 00:00:14,760 --> 00:00:17,600 Speaker 1: You know? I'm glad the super Bowl is over because 5 00:00:17,600 --> 00:00:20,360 Speaker 1: we finally got to see what we all came here 6 00:00:20,400 --> 00:00:24,759 Speaker 1: to see, which was Brihanna performed at the Super Bowl. Yeah, 7 00:00:24,840 --> 00:00:27,240 Speaker 1: and I can move on now. Yes, I don't know 8 00:00:27,320 --> 00:00:29,400 Speaker 1: what I was expecting. I don't think I've ever seen 9 00:00:29,520 --> 00:00:33,920 Speaker 1: Rihanna perform live, like just yeah, I don't think I 10 00:00:33,960 --> 00:00:36,519 Speaker 1: had or even like thought about what a Rihanna performance 11 00:00:36,520 --> 00:00:41,240 Speaker 1: would be like. And it was very fascinating. It was 12 00:00:41,320 --> 00:00:43,600 Speaker 1: like exactly what I would want her energy to be, 13 00:00:43,720 --> 00:00:47,600 Speaker 1: which is just like yeah, like I'll funk, you'll dance 14 00:00:48,000 --> 00:00:53,239 Speaker 1: for me, like basically, Um, and like the dancing. The 15 00:00:53,320 --> 00:00:57,840 Speaker 1: dancers were amazing, Like it were incredible, I mean choreograph dancers. 16 00:00:57,880 --> 00:01:01,440 Speaker 1: The staging was dope, the songs were great, and like 17 00:01:01,560 --> 00:01:05,280 Speaker 1: the fact that she was conspicuously giving people not very 18 00:01:05,360 --> 00:01:09,200 Speaker 1: much was like what I didn't realize I wanted from Rihanna, 19 00:01:09,360 --> 00:01:11,880 Speaker 1: but definitely worked for me. I mean, it was the 20 00:01:11,920 --> 00:01:15,559 Speaker 1: most I feel like Rihanna thing of to do, which 21 00:01:15,600 --> 00:01:19,400 Speaker 1: is like, as someone like Rihanna, you know previously you know, 22 00:01:19,480 --> 00:01:22,559 Speaker 1: shooting on the NFL to come do the Super Bowl 23 00:01:22,920 --> 00:01:24,920 Speaker 1: do it as like I don't give a funk as 24 00:01:25,080 --> 00:01:28,479 Speaker 1: possible to not be dancing and then have all these 25 00:01:28,560 --> 00:01:31,720 Speaker 1: rumors swirling where you know, if you were reading any 26 00:01:31,760 --> 00:01:34,720 Speaker 1: news about Rihanna, like practicing to the Super Bowl, they 27 00:01:34,720 --> 00:01:37,560 Speaker 1: were like she's not showing up to rehearsals like whatever, whatever. 28 00:01:37,640 --> 00:01:41,080 Speaker 1: And to realize she's pregnant was a great reveal of 29 00:01:41,120 --> 00:01:42,959 Speaker 1: like her just like not showing up to practice or 30 00:01:42,959 --> 00:01:45,800 Speaker 1: anything like that because simply she cannot be dancing like 31 00:01:45,840 --> 00:01:49,320 Speaker 1: that because she is big, big, pregnant. Um. And I 32 00:01:49,360 --> 00:01:53,720 Speaker 1: loved the memes after of the experiences that I also 33 00:01:53,760 --> 00:01:56,320 Speaker 1: shared of like you're watching it and you're like, is 34 00:01:56,400 --> 00:01:59,440 Speaker 1: she pregnant? But I know she just had the baby, 35 00:01:59,520 --> 00:02:01,640 Speaker 1: so like I don't want to assume that it's like 36 00:02:01,640 --> 00:02:04,520 Speaker 1: like not just her post pregnancy body, like all bodies 37 00:02:04,520 --> 00:02:08,200 Speaker 1: are beautiful, Like you're just these emotions and then you're like, 38 00:02:08,240 --> 00:02:10,679 Speaker 1: oh no, no, she definitely is is pregnant. Yeah. The 39 00:02:10,720 --> 00:02:13,200 Speaker 1: people I was watching work were like is she I 40 00:02:13,240 --> 00:02:15,960 Speaker 1: don't want to say it alloud, like text came through 41 00:02:16,520 --> 00:02:19,880 Speaker 1: and I was like, Becca confirmed she's pregnant. Everyone's like okay, great, 42 00:02:21,040 --> 00:02:26,120 Speaker 1: I can feel free wondering now. Yeah, a Becca chant 43 00:02:26,440 --> 00:02:34,079 Speaker 1: rang out spontaneous inside scoop. It was great, friends, Yeah, yeah, 44 00:02:34,280 --> 00:02:37,680 Speaker 1: it was. It was dope. It was interesting that for 45 00:02:37,760 --> 00:02:44,600 Speaker 1: the first non Pepsi halftime actually now the Apple halftime show, 46 00:02:45,440 --> 00:02:49,079 Speaker 1: they did have her flying around on her end, like 47 00:02:49,320 --> 00:02:52,560 Speaker 1: the band and backup dancers flying around on what appeared 48 00:02:52,560 --> 00:02:56,440 Speaker 1: to be iPads. Yes, yeah, I was like, okay, that's 49 00:02:57,520 --> 00:03:02,320 Speaker 1: that's pretty uh conspicuous us. But I like it. I 50 00:03:02,360 --> 00:03:06,080 Speaker 1: did not miss Pepsi personally. Usually, I feel like the 51 00:03:06,080 --> 00:03:08,960 Speaker 1: Pepsi the trademark of the Pepsi show was always like 52 00:03:09,280 --> 00:03:13,240 Speaker 1: we start with like a teenager who sprints onto the 53 00:03:13,280 --> 00:03:16,720 Speaker 1: field and like is like amazed by what's happening. And 54 00:03:16,760 --> 00:03:20,840 Speaker 1: there's like always like a crowd like dancing right in 55 00:03:20,880 --> 00:03:23,680 Speaker 1: front of the show. And this was just like all 56 00:03:23,919 --> 00:03:27,760 Speaker 1: dancers dancing choreographed. Yeah, this is definitely giving like mini 57 00:03:27,800 --> 00:03:31,239 Speaker 1: music video, you know, like it was just yeah, so 58 00:03:31,600 --> 00:03:34,920 Speaker 1: that happened at the super Bowl trend and m's as 59 00:03:35,000 --> 00:03:38,160 Speaker 1: as we mentioned the super Bowl commercial hit, there's the 60 00:03:38,200 --> 00:03:42,320 Speaker 1: whole business about Maya Rudolph becoming the new spokesperson for Eminem's, 61 00:03:42,360 --> 00:03:45,640 Speaker 1: which in turn got rid of like the politically divisive, 62 00:03:46,000 --> 00:03:51,560 Speaker 1: sexually beguiling, anthropomorphic candy characters. And Fox News was all 63 00:03:51,640 --> 00:03:55,040 Speaker 1: over it. It's like, let it go, Fox, like, we 64 00:03:55,080 --> 00:03:59,440 Speaker 1: can never make you happy, I guess. But it did 65 00:03:59,480 --> 00:04:01,880 Speaker 1: seem like we were like, so this must all be 66 00:04:02,200 --> 00:04:05,480 Speaker 1: teeing up some super Bowl commercial. We were right. I 67 00:04:05,480 --> 00:04:08,280 Speaker 1: think they actually even said that in the initial thing. Um, 68 00:04:08,320 --> 00:04:12,800 Speaker 1: But it was the commercial itself was so strange, Like 69 00:04:13,200 --> 00:04:15,960 Speaker 1: I kind of respected it that they went with for 70 00:04:16,160 --> 00:04:19,040 Speaker 1: their like big thing that they had, you know, captured 71 00:04:19,080 --> 00:04:23,640 Speaker 1: the zeitgeist with this very stupid debate about whether Eminem's 72 00:04:23,800 --> 00:04:29,920 Speaker 1: are sexy or not. I guess um that they then 73 00:04:30,080 --> 00:04:34,560 Speaker 1: like the payoff the punchline to that debate was something 74 00:04:34,600 --> 00:04:37,760 Speaker 1: that felt like a like one of one of the 75 00:04:37,880 --> 00:04:40,800 Speaker 1: SNL sketches that comes on between twelve thirty and one. 76 00:04:41,240 --> 00:04:45,480 Speaker 1: You know, like that's kind of you're like all right, 77 00:04:45,600 --> 00:04:47,960 Speaker 1: like that I can see them getting high and cracking 78 00:04:48,040 --> 00:04:50,720 Speaker 1: up about this at the table read and like that 79 00:04:50,720 --> 00:04:52,560 Speaker 1: that's fun. But like this was one of the ones 80 00:04:52,600 --> 00:04:55,240 Speaker 1: that I feel like kind of missed. You know. It 81 00:04:55,320 --> 00:04:58,840 Speaker 1: was very weird. I didn't even catch it during the 82 00:04:58,880 --> 00:05:01,960 Speaker 1: Super Bowl, Like I was watching TV and it was 83 00:05:02,000 --> 00:05:04,120 Speaker 1: just a Hulu ad that I was like of something 84 00:05:04,160 --> 00:05:05,760 Speaker 1: I was watching, and I was like, out of the 85 00:05:05,800 --> 00:05:08,719 Speaker 1: context of the Super Bowl, I was so lost its 86 00:05:09,440 --> 00:05:14,160 Speaker 1: clam what anyway, continued Jack. So the premise is that 87 00:05:14,240 --> 00:05:18,599 Speaker 1: she has taken over, not just like as spokesperson, but 88 00:05:19,600 --> 00:05:23,559 Speaker 1: like the control the candy design, and under her reign, 89 00:05:23,680 --> 00:05:30,800 Speaker 1: Eminem's are now clam flavored for reasons that not answered 90 00:05:31,040 --> 00:05:34,719 Speaker 1: in the commercial. Like I keep wondering, like, am I 91 00:05:34,839 --> 00:05:40,200 Speaker 1: missing something about my rootolph that makes that lends it 92 00:05:40,279 --> 00:05:43,960 Speaker 1: to the clam thing, or like is it I don't know. 93 00:05:44,360 --> 00:05:47,560 Speaker 1: I'm still not sure. I feel like I'm missing an 94 00:05:47,560 --> 00:05:52,080 Speaker 1: obvious reason that they went with clam flavoring. But yeah, 95 00:05:52,560 --> 00:05:56,160 Speaker 1: it's just the company immediately announced that the spokes candies 96 00:05:56,160 --> 00:05:59,240 Speaker 1: are back after the thing, so it was like, the 97 00:05:59,279 --> 00:06:02,440 Speaker 1: whole idea is and we're going in this new direction. 98 00:06:03,000 --> 00:06:06,960 Speaker 1: Ha ha, It's a bad direction. Is this what you want? 99 00:06:06,960 --> 00:06:11,840 Speaker 1: Tucker Carlson? You filthy pig eat my clan flavored Eminem's 100 00:06:11,880 --> 00:06:15,640 Speaker 1: And those weren't the exact words of it. But and 101 00:06:15,680 --> 00:06:19,680 Speaker 1: then they immediately like go back to being Eminem's with 102 00:06:20,320 --> 00:06:24,200 Speaker 1: uh spookes candies, the Tucker Carlson couldn't jerk off to 103 00:06:24,640 --> 00:06:27,880 Speaker 1: or not. You know. But that's what's important, I think 104 00:06:28,000 --> 00:06:30,760 Speaker 1: for for all of us, for America to move forward. 105 00:06:31,320 --> 00:06:33,960 Speaker 1: It was it was so bizarre, And I want to know, 106 00:06:34,040 --> 00:06:36,960 Speaker 1: as someone who used working advertising, who was the creative 107 00:06:37,000 --> 00:06:40,359 Speaker 1: director and where they fired after this because it was 108 00:06:40,400 --> 00:06:43,080 Speaker 1: so bad. I don't know, right, you do come from 109 00:06:43,120 --> 00:06:46,599 Speaker 1: the world of advertising, so like, yeah, I'm just curious, 110 00:06:46,600 --> 00:06:50,840 Speaker 1: Like frequently during the Super Bowl, during the Super Bowl ads, 111 00:06:51,480 --> 00:06:56,440 Speaker 1: I have like my brain immediately leaps to the aad 112 00:06:56,480 --> 00:07:00,760 Speaker 1: agency room when this is pitched, and like what what 113 00:07:00,800 --> 00:07:03,599 Speaker 1: was going through everybody's mind? What was said that made 114 00:07:03,600 --> 00:07:09,320 Speaker 1: people be like, oh, yeah, clam okay, right, so they're 115 00:07:09,480 --> 00:07:14,040 Speaker 1: clam flavored. Yeah, no, I think I get it? Yeah yeah, um, 116 00:07:14,080 --> 00:07:17,480 Speaker 1: you know, like what what I do wonder how far 117 00:07:17,600 --> 00:07:21,120 Speaker 1: back this ad was pitched because depending on the client, 118 00:07:21,720 --> 00:07:26,680 Speaker 1: this ad either got started last year like March, or 119 00:07:27,360 --> 00:07:29,800 Speaker 1: if they were able to like steam roll a project, 120 00:07:30,040 --> 00:07:34,280 Speaker 1: maybe January, but that would be like very much pushing it. 121 00:07:34,400 --> 00:07:36,600 Speaker 1: I know most of the clients that I worked on 122 00:07:36,680 --> 00:07:39,080 Speaker 1: that their ads were in the Super Bowl. We started 123 00:07:39,080 --> 00:07:41,800 Speaker 1: those projects like immediately after the last Super Bowl, Like 124 00:07:41,800 --> 00:07:44,679 Speaker 1: the number of people that have to approve an ad 125 00:07:44,680 --> 00:07:51,080 Speaker 1: read for a podcast, let alone Super Bowl bad like 126 00:07:51,120 --> 00:07:54,520 Speaker 1: shooting the ad like you gotta like have you have 127 00:07:54,600 --> 00:07:56,560 Speaker 1: like a bunch of little like creative teams being like 128 00:07:56,600 --> 00:07:58,360 Speaker 1: what if? And then they pitched it to the creative 129 00:07:58,360 --> 00:08:00,040 Speaker 1: director and then the creative director pitch it to the 130 00:08:00,040 --> 00:08:02,320 Speaker 1: clientate client has to prove it and then they decline it, 131 00:08:02,320 --> 00:08:04,240 Speaker 1: and they prove it again, and then they got to 132 00:08:04,280 --> 00:08:06,360 Speaker 1: go make the thing and the producer gets yelled at 133 00:08:06,520 --> 00:08:08,840 Speaker 1: and it's a nightmare and it's eight months of work 134 00:08:08,960 --> 00:08:11,920 Speaker 1: to get out there and then potentially of the worst 135 00:08:11,920 --> 00:08:14,240 Speaker 1: out of the Super Bowl like this one. Some have 136 00:08:14,280 --> 00:08:18,360 Speaker 1: speculated that this is perhaps a distraction for the company, 137 00:08:18,840 --> 00:08:22,160 Speaker 1: seeing as Mars Wrigley was just fined by federal workplace 138 00:08:22,160 --> 00:08:25,880 Speaker 1: safety authorities in conjunction with an accident in June in 139 00:08:25,920 --> 00:08:29,440 Speaker 1: which two workers fell into a chocolate bet which they 140 00:08:29,440 --> 00:08:34,400 Speaker 1: weren't supposed to be working on. Um No, which that's 141 00:08:34,480 --> 00:08:39,520 Speaker 1: a that's gross. That's also like how Willy Wonka kills 142 00:08:39,559 --> 00:08:43,160 Speaker 1: one of the kids, and um not to laugh. But 143 00:08:43,320 --> 00:08:45,880 Speaker 1: oh man, so maybe they had like a Willy Wonka 144 00:08:45,960 --> 00:08:51,920 Speaker 1: based like ed and then that happened. They were like, yeah, 145 00:08:52,280 --> 00:08:54,720 Speaker 1: I don't know. We'll never know. We never will know. 146 00:08:55,360 --> 00:08:59,000 Speaker 1: The actual state secrets are being leaked because the elderly 147 00:08:59,040 --> 00:09:03,240 Speaker 1: presidents are how do I open email? Jack? But the 148 00:09:04,040 --> 00:09:06,840 Speaker 1: you know, these these are the state secrets that will 149 00:09:07,520 --> 00:09:10,560 Speaker 1: the earth will end and blow away in a cloud 150 00:09:10,559 --> 00:09:16,360 Speaker 1: of dust before anybody knows what what actually happened with 151 00:09:16,400 --> 00:09:20,760 Speaker 1: this that to make this had possible. Corporations, they're the 152 00:09:20,760 --> 00:09:23,840 Speaker 1: they're the true are true rulers. Let's take a quick break, 153 00:09:23,840 --> 00:09:25,760 Speaker 1: shall we. I'll come back and do a little trailer, 154 00:09:25,800 --> 00:09:40,240 Speaker 1: watch super Bowl and dish and we're back. And so 155 00:09:40,320 --> 00:09:45,200 Speaker 1: the Flash is coming out with highly problematic star as 156 00:09:45,240 --> 00:09:51,000 Speaker 1: our miller, h just on wax victimizing people for months, 157 00:09:51,120 --> 00:09:55,800 Speaker 1: like there's been multiple articles, multiple arrass uh and a 158 00:09:55,960 --> 00:09:58,600 Speaker 1: history of violence as our miller for years, Like, you know, 159 00:09:58,640 --> 00:10:01,000 Speaker 1: this is not their first time boyering into being a 160 00:10:01,080 --> 00:10:04,480 Speaker 1: bad person. You know, they have been in trouble with 161 00:10:04,520 --> 00:10:08,079 Speaker 1: the law before two. They got multiple arrest in two. 162 00:10:08,160 --> 00:10:11,520 Speaker 1: But also you know before there have been rumors of 163 00:10:11,679 --> 00:10:14,280 Speaker 1: you know, assault and battery, you know from prior partners, 164 00:10:14,280 --> 00:10:17,920 Speaker 1: all sorts of things. So the fact that like Warner Bros. 165 00:10:18,320 --> 00:10:22,520 Speaker 1: You know, canceled the background movie fully done, like it 166 00:10:22,600 --> 00:10:25,400 Speaker 1: was a done movie. People were very excited for it. 167 00:10:25,400 --> 00:10:29,720 Speaker 1: It had, you know, representation after Latino representation, like all 168 00:10:29,760 --> 00:10:32,920 Speaker 1: the things that you know in this new modern era 169 00:10:33,000 --> 00:10:36,920 Speaker 1: of filmmaking people wanted to see. They scrapped, but they 170 00:10:36,920 --> 00:10:40,280 Speaker 1: are holding on for dear life of the flash I 171 00:10:40,280 --> 00:10:44,080 Speaker 1: don't understand. I don't. The trailer was okay, you know, 172 00:10:44,280 --> 00:10:47,720 Speaker 1: but they didn't recast like It's just it didn't seem 173 00:10:47,840 --> 00:10:53,160 Speaker 1: to me to make sense. It feels like I don't. 174 00:10:53,280 --> 00:10:55,920 Speaker 1: I'm not saying, oh now I get it, and good 175 00:10:55,960 --> 00:11:00,600 Speaker 1: decision by you Warner Brothers. But it does like they 176 00:11:00,679 --> 00:11:04,720 Speaker 1: have a lot of narrative baggage tied up in this one, 177 00:11:04,800 --> 00:11:08,319 Speaker 1: because this is apparently the one based on a comic 178 00:11:08,880 --> 00:11:12,319 Speaker 1: called Flashpoint Paradox. I think super producer Justin was saying, 179 00:11:12,760 --> 00:11:18,560 Speaker 1: um in which like the different universes crossover with this 180 00:11:18,600 --> 00:11:22,319 Speaker 1: is their multiverse for sure, this is DC's multiverse. It's 181 00:11:22,400 --> 00:11:24,600 Speaker 1: very clear they're bringing back all the Batman's. You know, 182 00:11:24,600 --> 00:11:27,319 Speaker 1: they've got Ben Affleck, Matt Band, You've got Michael Keaton Batman, 183 00:11:27,720 --> 00:11:31,400 Speaker 1: you're bringing in Supergirl like it is definitely a like 184 00:11:31,920 --> 00:11:36,760 Speaker 1: merging of like Justice League vibes. But I just don't 185 00:11:36,800 --> 00:11:39,800 Speaker 1: think they're like I'm assuming there. Thing is like, well, 186 00:11:39,840 --> 00:11:41,880 Speaker 1: we already shot the movie and we have to make 187 00:11:41,880 --> 00:11:43,680 Speaker 1: the money on it and setting up for other movies, 188 00:11:43,679 --> 00:11:47,360 Speaker 1: and we'll probably recast Ezra Miller in you know, whatever 189 00:11:47,400 --> 00:11:49,920 Speaker 1: we do with the flash Necks. But I just don't 190 00:11:49,960 --> 00:11:52,400 Speaker 1: think they're going to make enough money off of releasing 191 00:11:52,480 --> 00:11:54,760 Speaker 1: this version with Ezra Miller then they would have if 192 00:11:54,760 --> 00:11:59,440 Speaker 1: they just recasting him and redid it, recut the scenes. 193 00:11:59,600 --> 00:12:02,800 Speaker 1: I don't. Yeah, it feels like because I think people 194 00:12:02,840 --> 00:12:06,520 Speaker 1: are very staunchly against as Rameller right now, and I 195 00:12:06,520 --> 00:12:08,880 Speaker 1: don't think they're going to see it because people don't 196 00:12:08,880 --> 00:12:11,840 Speaker 1: have confidence in d C as it is anyway, So 197 00:12:12,120 --> 00:12:15,599 Speaker 1: I don't think they're gonna be like, oh, but I 198 00:12:15,720 --> 00:12:18,160 Speaker 1: gotta figure out how it all connects so I can 199 00:12:18,160 --> 00:12:22,160 Speaker 1: watch the next d C movie. Right It does feel 200 00:12:22,200 --> 00:12:26,760 Speaker 1: like they're doing the thing that Spider Man Far from Home, 201 00:12:26,840 --> 00:12:28,840 Speaker 1: No Way Home, whatever the last Spider Man is, with 202 00:12:28,920 --> 00:12:32,960 Speaker 1: multiple multiple Spiderman spiders Man was, but they're doing it 203 00:12:33,000 --> 00:12:35,320 Speaker 1: in a flash movie instead of a Batman movie, but 204 00:12:35,360 --> 00:12:38,200 Speaker 1: they're doing it with the bat then. Anyways, very questionable 205 00:12:38,920 --> 00:12:42,439 Speaker 1: decisions to producer Brian a little bit more of a 206 00:12:42,559 --> 00:12:46,400 Speaker 1: DC head than I is saying, they literally made two 207 00:12:46,440 --> 00:12:48,680 Speaker 1: cuts of Justice League for no reason with two different 208 00:12:48,679 --> 00:12:53,199 Speaker 1: directors exactly. It seems like there's not a like the 209 00:12:53,559 --> 00:12:57,440 Speaker 1: thing that Marvel is so good at, and it's not 210 00:12:57,800 --> 00:13:00,560 Speaker 1: it's not great for cinema in general, but like just 211 00:13:00,720 --> 00:13:03,440 Speaker 1: very consistent and feels like they're always on rails and 212 00:13:03,480 --> 00:13:05,960 Speaker 1: they've got this thing thought out five years in advance, 213 00:13:06,040 --> 00:13:08,640 Speaker 1: and d C is always there to just make that 214 00:13:08,720 --> 00:13:14,080 Speaker 1: look extra difficult, you know. So Anyways, the other big 215 00:13:14,120 --> 00:13:17,600 Speaker 1: trailer Indiana Jones and the Dial of Destiny. So this one, 216 00:13:18,559 --> 00:13:23,280 Speaker 1: I will the Dial of Destiny. So it like they 217 00:13:23,679 --> 00:13:27,840 Speaker 1: had the Last Crusade, the Razors of the Lost arc Um, 218 00:13:28,120 --> 00:13:31,680 Speaker 1: Temple of Doom, and then they've really just fallen off 219 00:13:31,760 --> 00:13:35,720 Speaker 1: with the Kingdom of the Crystal Skull and the Dial 220 00:13:35,840 --> 00:13:43,160 Speaker 1: of Destiny. The Dial, like is the does dial do 221 00:13:43,240 --> 00:13:48,280 Speaker 1: anything for you other than like an old timey like 222 00:13:48,600 --> 00:13:52,760 Speaker 1: TV or um. I mean what I was thinking, which 223 00:13:52,920 --> 00:13:55,720 Speaker 1: is probably incorrect, Like bias, I didn't get to watch 224 00:13:55,760 --> 00:14:00,240 Speaker 1: the trailer before we hopped on. But my idea is, 225 00:14:00,360 --> 00:14:02,720 Speaker 1: if you watch parts of the Kribbean, you know they 226 00:14:02,720 --> 00:14:05,839 Speaker 1: had that like compassy thing. That's the vibe it's giving me. 227 00:14:06,520 --> 00:14:08,480 Speaker 1: But I know that's a compass and not a dial, 228 00:14:08,559 --> 00:14:12,520 Speaker 1: so I'm not sure compassite destiny might have made more 229 00:14:12,520 --> 00:14:16,000 Speaker 1: sense to me. The dial of destiny just feel strange. Um. 230 00:14:16,080 --> 00:14:22,120 Speaker 1: But anyways, I am been intrigued now that I found out. 231 00:14:22,560 --> 00:14:24,800 Speaker 1: I was like, oh, did they even get Spielberg for this? 232 00:14:24,960 --> 00:14:28,320 Speaker 1: Because if not, they did not get Spielberg. They got 233 00:14:28,440 --> 00:14:32,400 Speaker 1: James Mangold, who made Logan. And now I'm more interested 234 00:14:32,400 --> 00:14:34,280 Speaker 1: in it than I would have been if they had 235 00:14:34,320 --> 00:14:37,360 Speaker 1: gotten Spielberg, if Spielberg had gotten Spielberg, because he's still 236 00:14:37,520 --> 00:14:41,400 Speaker 1: the executive producer. But you know, Spielberg took a swing 237 00:14:41,440 --> 00:14:44,600 Speaker 1: and a miss with Kingdom of the Crystal Skull. I 238 00:14:44,640 --> 00:14:47,880 Speaker 1: think I never watched it because I couldn't find a 239 00:14:47,920 --> 00:14:50,480 Speaker 1: single person who liked that movie. I think I watched 240 00:14:50,480 --> 00:14:53,080 Speaker 1: it in theaters. Yeah, I think a lot of people. 241 00:14:53,120 --> 00:14:55,880 Speaker 1: Did you know. My dad's a big Indiana Jones guy, 242 00:14:56,080 --> 00:14:58,800 Speaker 1: so I've seen all of them. I'll probably see this 243 00:14:58,840 --> 00:15:02,040 Speaker 1: one MS down around Christmas. I'll definitely see it with 244 00:15:02,080 --> 00:15:06,480 Speaker 1: my dad. But I mean, I'm excited. I I love 245 00:15:06,520 --> 00:15:09,880 Speaker 1: Indiana Jones. I think they're fun adventures. And so James 246 00:15:09,880 --> 00:15:13,400 Speaker 1: Mangold made Logan, which is and I like Logan too, 247 00:15:13,440 --> 00:15:17,680 Speaker 1: So yeah, Logan was great. And it's also like character 248 00:15:18,480 --> 00:15:23,240 Speaker 1: in their old age being a step slow, um, which 249 00:15:23,240 --> 00:15:25,280 Speaker 1: seems like you need that to be the plot the 250 00:15:25,280 --> 00:15:28,200 Speaker 1: premise of an Indiana Jones movie at this point, especially 251 00:15:28,240 --> 00:15:31,280 Speaker 1: if um, Harrison Ford is actually starring it, which he 252 00:15:31,360 --> 00:15:35,360 Speaker 1: is because he is getting up there yeah and still 253 00:15:35,440 --> 00:15:38,360 Speaker 1: looks so good. Just does what a what a face 254 00:15:38,400 --> 00:15:43,360 Speaker 1: on that man? Truly? Um? Netflix made a reggaeton show 255 00:15:43,920 --> 00:15:47,280 Speaker 1: and forgot to include Puerto Rican people in the production. Yes, 256 00:15:47,400 --> 00:15:50,200 Speaker 1: so I some of the story shocker, But I actually 257 00:15:50,240 --> 00:15:52,280 Speaker 1: had a friend send this to me and I did 258 00:15:52,280 --> 00:15:53,840 Speaker 1: a little bit of a deep dive and I was 259 00:15:53,920 --> 00:15:59,520 Speaker 1: kind of blown, to be completely honest. In November, Netflix 260 00:15:59,560 --> 00:16:02,240 Speaker 1: announced show Neon, which is going to be focusing on 261 00:16:02,600 --> 00:16:05,000 Speaker 1: three friends who move from a small town in Florida 262 00:16:05,080 --> 00:16:07,400 Speaker 1: to Miami with the hopes of making it big in 263 00:16:07,440 --> 00:16:10,200 Speaker 1: the world of ricketone. The show chronicles not only they're 264 00:16:10,240 --> 00:16:13,080 Speaker 1: larger in life, dreams and the harsh comic realities of 265 00:16:13,080 --> 00:16:16,240 Speaker 1: attempting to make it in the music industry. But with 266 00:16:16,360 --> 00:16:18,760 Speaker 1: that being said, there are no Puerto Ricans in the 267 00:16:18,760 --> 00:16:22,400 Speaker 1: writer's room. There are no Puerto Ricans really documented in 268 00:16:22,440 --> 00:16:25,560 Speaker 1: the making of the show. The showrunner is se Serrano, 269 00:16:25,640 --> 00:16:29,000 Speaker 1: who is a Mexican American writer, author and journalist, and 270 00:16:29,040 --> 00:16:32,520 Speaker 1: then they have a white showrunner, Max Searle. So it 271 00:16:32,680 --> 00:16:37,160 Speaker 1: is to me very perplexing and kind of hurts to 272 00:16:37,200 --> 00:16:41,240 Speaker 1: say the least, because I just don't feel like there 273 00:16:41,240 --> 00:16:43,240 Speaker 1: are a ton of Puerto Rican stories out there that 274 00:16:43,280 --> 00:16:47,080 Speaker 1: are being told by and for Puerto Rican people. And 275 00:16:47,120 --> 00:16:49,800 Speaker 1: I think not to like, I don't know much about 276 00:16:49,920 --> 00:16:53,200 Speaker 1: che Serrano as a writer or anything like that, but 277 00:16:53,640 --> 00:16:57,200 Speaker 1: it perpetuates this idea that it's like we as you know, 278 00:16:57,400 --> 00:17:01,480 Speaker 1: Latinos Latin a latinox folks are this monolith of a 279 00:17:01,560 --> 00:17:06,720 Speaker 1: culture and like Regaton itself specifically, is so rooted and 280 00:17:06,840 --> 00:17:11,240 Speaker 1: not just like Afro Latinoism. It's rooted in like Puerto 281 00:17:11,320 --> 00:17:14,359 Speaker 1: Rico in the d r in uh like Cuba like 282 00:17:14,400 --> 00:17:18,639 Speaker 1: it is an Afro like like Caribbean style of music 283 00:17:18,720 --> 00:17:22,320 Speaker 1: and originated in port Rico as a part of Puerto 284 00:17:22,400 --> 00:17:26,439 Speaker 1: Rican's like protests with the US government and like creating 285 00:17:26,480 --> 00:17:28,560 Speaker 1: its own separate culture from the U s as it's 286 00:17:28,560 --> 00:17:32,280 Speaker 1: been colonized by the US. So it is just very 287 00:17:32,680 --> 00:17:36,080 Speaker 1: depressing to hear this that they have been kind of 288 00:17:36,240 --> 00:17:38,840 Speaker 1: covering it up by saying like, well, we're not going 289 00:17:38,880 --> 00:17:41,720 Speaker 1: to be focusing on the Puerto Rico aspect of the story. 290 00:17:41,760 --> 00:17:43,959 Speaker 1: And it's like, but you you can't do that when 291 00:17:43,960 --> 00:17:48,359 Speaker 1: you're talking about Regaton specifically, like Regaton is puor Rican, 292 00:17:48,560 --> 00:17:52,440 Speaker 1: like inherently those are two synonymous pieces of culture. You 293 00:17:52,480 --> 00:17:55,600 Speaker 1: cannot take por Rico recatone and you cannot take Regatona 294 00:17:55,720 --> 00:17:58,600 Speaker 1: Puerto Rico. So, you know, it just it feels icky 295 00:17:58,720 --> 00:18:01,480 Speaker 1: that they're having this like, you know, Puerto Rican lead actor, 296 00:18:01,920 --> 00:18:05,160 Speaker 1: they're shooting it in puot Rico, but the showrunner is white, 297 00:18:05,800 --> 00:18:09,359 Speaker 1: the writer's Mexican, and it seems like they're kind of 298 00:18:09,440 --> 00:18:13,960 Speaker 1: hushing any Puerto Rican voices that are on the set 299 00:18:14,400 --> 00:18:17,640 Speaker 1: that like they they are exclusively not seeing out Puerto 300 00:18:17,720 --> 00:18:21,080 Speaker 1: Rican writers, Puerto Rican folks to be a part of 301 00:18:21,080 --> 00:18:26,199 Speaker 1: the creative process. It's Ikey, It's Ikey Boon Netflix on 302 00:18:26,240 --> 00:18:30,400 Speaker 1: this one. I'm gonna watch it, but I I am 303 00:18:30,400 --> 00:18:34,600 Speaker 1: curious to see how they are going to somehow separate 304 00:18:35,320 --> 00:18:40,359 Speaker 1: Puerto Rico from Regaton because it's just not possible. You cannot, Like, 305 00:18:40,440 --> 00:18:44,200 Speaker 1: we just watched the fucking Grammys with that bunny on 306 00:18:44,240 --> 00:18:51,119 Speaker 1: that stage representing Puerto Rico, and so it's just shooting 307 00:18:51,160 --> 00:18:55,480 Speaker 1: in Puerto Rico. Is It's wild, especially because it's based 308 00:18:55,480 --> 00:18:57,480 Speaker 1: in Miami. So I don't get why they can't shoot 309 00:18:57,480 --> 00:18:59,240 Speaker 1: in Miami. Not that I like have anything wrong with 310 00:18:59,320 --> 00:19:03,440 Speaker 1: shooting in putric but given what is going on, um, 311 00:19:03,480 --> 00:19:07,200 Speaker 1: you know, politically between Puerto Rico and America in terms 312 00:19:07,400 --> 00:19:11,520 Speaker 1: of trying to get its statehood or trying to you know, 313 00:19:11,600 --> 00:19:15,439 Speaker 1: become more independent and being supported by the economy, like 314 00:19:15,720 --> 00:19:17,920 Speaker 1: to be shooting in Puerto Rico and then like spit 315 00:19:17,960 --> 00:19:20,440 Speaker 1: in their face about like not having any Puerto Rican 316 00:19:20,520 --> 00:19:23,159 Speaker 1: support on this team. It's just it's kind of ikey 317 00:19:23,200 --> 00:19:26,080 Speaker 1: for also, schae Serrano, like, is you the creator coming 318 00:19:26,160 --> 00:19:30,320 Speaker 1: up with this idea? You did not feel inclined like 319 00:19:29,640 --> 00:19:33,439 Speaker 1: him because you know he's a he's a podcaster and 320 00:19:33,560 --> 00:19:39,080 Speaker 1: a good solid writer. But yeah, that's yeah. My friends 321 00:19:39,080 --> 00:19:43,040 Speaker 1: smited this article from hyper Allergic. They're an independent um 322 00:19:43,080 --> 00:19:46,399 Speaker 1: Brooklyn journalists uh hub and they do a lot of 323 00:19:46,440 --> 00:19:51,120 Speaker 1: like news on like the arts and um. They reached 324 00:19:51,119 --> 00:19:54,320 Speaker 1: out to Toronto. He didn't comment on anything. They've reached 325 00:19:54,320 --> 00:19:57,000 Speaker 1: out on Netflix. They haven't really commented on anything, but 326 00:19:57,400 --> 00:20:01,080 Speaker 1: they did interview um let the Rebels, which is like 327 00:20:01,119 --> 00:20:07,560 Speaker 1: a really cool independent Latino like activists journalist group UM 328 00:20:07,600 --> 00:20:09,960 Speaker 1: and Yeah, they they interviewed a bunch of the Puerto 329 00:20:10,000 --> 00:20:12,399 Speaker 1: Ricans that are are like, you know, like the lower people. 330 00:20:12,400 --> 00:20:14,760 Speaker 1: They have like because it's in Puerto Rico, they have 331 00:20:14,840 --> 00:20:17,960 Speaker 1: you know, Puerto Rican you know, assistant producers and things 332 00:20:18,000 --> 00:20:21,000 Speaker 1: like that, and they're all saying like they're trying to 333 00:20:21,800 --> 00:20:24,520 Speaker 1: you know, skirt around the idea that they're not including 334 00:20:24,520 --> 00:20:27,879 Speaker 1: a lot of Puerto Rican representation in the filmmaking process. 335 00:20:28,160 --> 00:20:30,400 Speaker 1: And I don't know. I just I hope to hear 336 00:20:30,440 --> 00:20:33,119 Speaker 1: from Chas Serrano on his perspective when this movie starts 337 00:20:33,200 --> 00:20:35,720 Speaker 1: or not this movie the show starts to actually get 338 00:20:35,760 --> 00:20:39,200 Speaker 1: through promo and like goes live and kind of hear 339 00:20:39,280 --> 00:20:42,480 Speaker 1: why he decided to make those decisions. But as a 340 00:20:42,600 --> 00:20:47,840 Speaker 1: Latino in filmmaking, I find it disappointing that we're still 341 00:20:48,080 --> 00:20:52,639 Speaker 1: especially like this is a black like Latino story, like, 342 00:20:52,680 --> 00:20:55,639 Speaker 1: these are a Latinos that you're not seeking out to 343 00:20:55,680 --> 00:20:59,000 Speaker 1: represent their voices, especially during Black History Man, where you're 344 00:20:59,000 --> 00:21:01,280 Speaker 1: finding this out and you're not going to reach out 345 00:21:01,280 --> 00:21:05,480 Speaker 1: to Afro Latinos and Black Latinos and actually represent them 346 00:21:05,520 --> 00:21:10,600 Speaker 1: as they are authentically. So disappointed here to please if 347 00:21:10,600 --> 00:21:13,400 Speaker 1: you know more, let me know, Yeah, hit us up. 348 00:21:13,800 --> 00:21:17,280 Speaker 1: And finally, Megan Fox and m g K. I mean there, 349 00:21:17,680 --> 00:21:20,240 Speaker 1: it's not not we don't know much. This is a 350 00:21:20,760 --> 00:21:24,880 Speaker 1: kinetic situation, but the rumors are flying that there their 351 00:21:24,920 --> 00:21:28,439 Speaker 1: love has ended, they've broken up. Megan Fox apparently deleted 352 00:21:28,480 --> 00:21:30,119 Speaker 1: all our pictures of m g K and I g 353 00:21:31,040 --> 00:21:35,639 Speaker 1: followed Eminem, which is the ultimateness to m g K. 354 00:21:36,200 --> 00:21:39,360 Speaker 1: Do they feud Eminem and mg K? Okay, So when 355 00:21:39,400 --> 00:21:41,919 Speaker 1: people were saying that I didn't understand, I was like, 356 00:21:42,000 --> 00:21:44,480 Speaker 1: is this an allusion to like Eminem and Rihanna's song 357 00:21:44,600 --> 00:21:49,320 Speaker 1: together or is it something about people like comparing Eminem 358 00:21:49,320 --> 00:21:51,640 Speaker 1: and mg K. I could see both. I'm not verse 359 00:21:51,760 --> 00:21:55,399 Speaker 1: enough and Eminem's universe to understand the significance, but it 360 00:21:55,480 --> 00:21:59,120 Speaker 1: seems to be significant according to the internet and pop 361 00:21:59,119 --> 00:22:03,080 Speaker 1: culture that he followed Eminem unfollowed him, took all his 362 00:22:03,240 --> 00:22:08,280 Speaker 1: photos down, posted Beyonce lyrics. Um, if you listen to Lemonade, 363 00:22:08,640 --> 00:22:11,080 Speaker 1: which generally people understand Lemonade as a brick up album, 364 00:22:11,280 --> 00:22:15,159 Speaker 1: but pray you catch me that song like hurts and 365 00:22:15,240 --> 00:22:18,080 Speaker 1: your soul. Um. So it's clear that he probably cheated 366 00:22:18,119 --> 00:22:22,280 Speaker 1: on her based on that choice of song. And you know, 367 00:22:22,720 --> 00:22:24,919 Speaker 1: I'm here for Megan Fox getting her lick back. She 368 00:22:24,960 --> 00:22:28,399 Speaker 1: needs to leave that man. I've been not about it. 369 00:22:28,560 --> 00:22:31,000 Speaker 1: The backstory of them and m m g K feud, 370 00:22:31,000 --> 00:22:34,919 Speaker 1: by the way, is just further solidified that he's just 371 00:22:35,000 --> 00:22:38,480 Speaker 1: like a fun boy. Uh. So mg K tweeted about 372 00:22:38,480 --> 00:22:41,560 Speaker 1: Eminem's daughter. Okay, so I just saw a picture of 373 00:22:41,560 --> 00:22:44,320 Speaker 1: Eminem's daughter and I have to say she as hot 374 00:22:44,359 --> 00:22:48,360 Speaker 1: as fuck. Okay, well that's kind of gross. So then 375 00:22:49,119 --> 00:22:52,840 Speaker 1: I think there's been some dis tracks. Uh yeah, there's 376 00:22:53,080 --> 00:22:56,480 Speaker 1: well well deserved feud. I love this for Megan. I 377 00:22:56,480 --> 00:23:00,959 Speaker 1: always want to say, Megan Kelly, Megan Fox to just 378 00:23:01,080 --> 00:23:05,119 Speaker 1: be spurned and say fuck m g K, because I 379 00:23:05,160 --> 00:23:06,679 Speaker 1: think a lot of people were like, we want this 380 00:23:06,760 --> 00:23:09,320 Speaker 1: for you. Yeah, It's just it was a creepy love. 381 00:23:09,520 --> 00:23:14,000 Speaker 1: I mean it felt very you know, press ish like 382 00:23:14,400 --> 00:23:16,520 Speaker 1: from the beginning, but also there was just like so 383 00:23:16,560 --> 00:23:18,120 Speaker 1: many moments that you would see them on the red 384 00:23:18,119 --> 00:23:21,240 Speaker 1: carpet and she looked like so over it, right, like 385 00:23:21,280 --> 00:23:24,719 Speaker 1: He's just like like all over her, and she's just 386 00:23:24,760 --> 00:23:29,280 Speaker 1: like like he like had no like like rapport on 387 00:23:29,320 --> 00:23:31,960 Speaker 1: any sort of public display. It's like, I know, some 388 00:23:32,040 --> 00:23:34,720 Speaker 1: of it was like obviously they were both indulging in it, 389 00:23:34,760 --> 00:23:37,560 Speaker 1: but sometimes it was just like, bro give her some space. 390 00:23:37,680 --> 00:23:41,040 Speaker 1: You're like in her, like you're like sucking her air, 391 00:23:41,200 --> 00:23:44,000 Speaker 1: Like can you like a step back like I was 392 00:23:44,040 --> 00:23:47,040 Speaker 1: giving me like plastrophobia watching them? All right, Well, those 393 00:23:47,080 --> 00:23:49,480 Speaker 1: are some of the things that are trending on this 394 00:23:49,680 --> 00:23:52,960 Speaker 1: Monday after the super Bowl. We're back tomorrow with the 395 00:23:53,000 --> 00:23:56,040 Speaker 1: hole Lasque episode of the show Becca. Where can people 396 00:23:56,119 --> 00:23:58,240 Speaker 1: Find You? Follow you? You can find me and follow 397 00:23:58,320 --> 00:24:02,359 Speaker 1: me at bex B ECCS, Ramos on all platforms and 398 00:24:02,600 --> 00:24:06,560 Speaker 1: at mel Mundo's in Bushwick every other Saturday. Yeah. Yeah, 399 00:24:06,920 --> 00:24:09,760 Speaker 1: that is going to do it until tomorrow. Be kind 400 00:24:09,800 --> 00:24:13,000 Speaker 1: to each other, be kind to yourselves, get the vaccine, 401 00:24:13,200 --> 00:24:15,879 Speaker 1: don't do nothing about white supremacy, and we'll talk to 402 00:24:15,880 --> 00:24:17,200 Speaker 1: you all tomorrow. Bye bye,