1 00:00:00,200 --> 00:00:04,960 Speaker 1: League in the morning. You the morning. I'm talking right, 2 00:00:05,040 --> 00:00:08,360 Speaker 1: You're about to experience a morning showing like any over 3 00:00:11,000 --> 00:00:13,000 Speaker 1: what you guys are doing right now? That's the hump culture. 4 00:00:13,039 --> 00:00:16,520 Speaker 1: Breakfast club is my morning that I need it and 5 00:00:16,560 --> 00:00:20,200 Speaker 1: I love it, something like you're really not popping until 6 00:00:20,239 --> 00:00:23,200 Speaker 1: you do the breakfast club and waiting come to y'all 7 00:00:23,200 --> 00:00:25,520 Speaker 1: show man. I know you gotta be a big time celebrity. 8 00:00:25,560 --> 00:00:26,720 Speaker 1: Be up and here you gotta be. You gotta be 9 00:00:26,760 --> 00:00:30,920 Speaker 1: big time. Angela and Charlotte. Ain't the guy the breakfast 10 00:00:30,920 --> 00:00:47,600 Speaker 1: club bitching? Good morning USA? Hello, Hey, damn Hey, good 11 00:00:47,600 --> 00:00:51,200 Speaker 1: morning Angela. Ye, guess what day it is? Guess what 12 00:00:51,320 --> 00:00:55,080 Speaker 1: day it is? That's right, is Wednesday, hump day, Good 13 00:00:55,120 --> 00:00:58,200 Speaker 1: morning everybody? Good money? What a night? What a night? 14 00:00:58,240 --> 00:01:00,680 Speaker 1: What a night? Tell me about hit now? Ye and 15 00:01:00,760 --> 00:01:03,200 Speaker 1: I were supposed to go to the game, the Philadelphia 16 00:01:03,280 --> 00:01:06,440 Speaker 1: Verse to Brooklyn Nets game out in Philadelphia. Supposed to 17 00:01:06,520 --> 00:01:08,720 Speaker 1: I went, You went and did go to the game. 18 00:01:08,880 --> 00:01:10,720 Speaker 1: How was the game? You were much luck? It was 19 00:01:10,720 --> 00:01:13,759 Speaker 1: a good drive. It was a good drive. How much 20 00:01:13,800 --> 00:01:15,600 Speaker 1: the Nets lose by last night? I don't know. I 21 00:01:15,720 --> 00:01:18,240 Speaker 1: left during the fourth quarter. I was like, let me 22 00:01:18,240 --> 00:01:21,200 Speaker 1: get out of here. People were leaving after two that 23 00:01:21,200 --> 00:01:23,840 Speaker 1: lost my twenty two people were leaving after the first quarter. 24 00:01:24,280 --> 00:01:26,200 Speaker 1: It was it was nat That's how bad it was. 25 00:01:26,360 --> 00:01:29,040 Speaker 1: It was definitely Nata. It was a tough game last night. 26 00:01:29,040 --> 00:01:32,000 Speaker 1: But shout out to Michael Rubin who had us very 27 00:01:32,000 --> 00:01:34,080 Speaker 1: well accommodated. Because you didn't go out the last minute. 28 00:01:34,080 --> 00:01:36,600 Speaker 1: We had two empty seats next to us. Sorry. You 29 00:01:36,600 --> 00:01:37,640 Speaker 1: know what I had to do. I had to DJ 30 00:01:37,840 --> 00:01:40,880 Speaker 1: the Dungeon Family Tour. So the Dungeon Family Tour was 31 00:01:40,880 --> 00:01:42,440 Speaker 1: in New York City. Said. They reached out and asked 32 00:01:42,440 --> 00:01:45,480 Speaker 1: me to DJ the Legends, the Dungeon Family, the Dungeon Family, 33 00:01:47,160 --> 00:01:49,800 Speaker 1: big Boy from Outcast. Okay, it was. It was. It 34 00:01:49,840 --> 00:01:52,040 Speaker 1: was a dope show. Dope dope, dope, dope show. It's 35 00:01:52,080 --> 00:01:55,080 Speaker 1: one of the greatest rap collectives in the history of life. 36 00:01:55,200 --> 00:01:56,920 Speaker 1: Had about a thousand people out there, believe it was 37 00:01:56,920 --> 00:01:59,920 Speaker 1: sold out. Peter was there too. Peter was there as well. 38 00:02:00,000 --> 00:02:04,440 Speaker 1: Who the hell is Peter? Uh? The fur people? Peter said, Peter, 39 00:02:04,600 --> 00:02:08,240 Speaker 1: I think you said Peter. It sounded like you said Peter, Peter, Peter, Peter, 40 00:02:08,360 --> 00:02:10,160 Speaker 1: don't your family member name Peter. Now they were out, 41 00:02:10,200 --> 00:02:14,440 Speaker 1: They were out there. I guess, uh boycotting Big Boy 42 00:02:14,520 --> 00:02:16,480 Speaker 1: because of him wearing a fur during the Super Bowl. 43 00:02:16,480 --> 00:02:18,840 Speaker 1: Peter nobody cares Peter, So they were out there. It's 44 00:02:18,840 --> 00:02:21,080 Speaker 1: about thirty forty of them out there. Peter knock it off. 45 00:02:21,400 --> 00:02:22,800 Speaker 1: But I guess I'm gonna be honest with you know, 46 00:02:22,880 --> 00:02:24,480 Speaker 1: Big Boy did have a fur on last night in 47 00:02:24,480 --> 00:02:25,840 Speaker 1: New York City. He deserved to get paid throw on 48 00:02:25,880 --> 00:02:27,560 Speaker 1: him because it was seventy degree. No, he didn't, he 49 00:02:27,560 --> 00:02:31,359 Speaker 1: didn't have fur. He actually had boy. But they killed 50 00:02:31,360 --> 00:02:33,440 Speaker 1: a great show they had. You know, you don't forget 51 00:02:33,480 --> 00:02:35,840 Speaker 1: how many records they have. I don't. They performed for 52 00:02:35,840 --> 00:02:38,720 Speaker 1: about two hours straight. And and the thing with Peter 53 00:02:38,800 --> 00:02:40,119 Speaker 1: is they were at the front door. I guess looking 54 00:02:40,160 --> 00:02:41,320 Speaker 1: for a Big Boy, but I guess they don't know 55 00:02:41,360 --> 00:02:43,200 Speaker 1: that the venue has a backdoor and all artists going 56 00:02:43,240 --> 00:02:45,880 Speaker 1: the backdoor, so they didn't even see him. Goody Mob 57 00:02:46,120 --> 00:02:49,680 Speaker 1: is uh Goody Mob. Soulful is a classic hip hop album. Yeah, 58 00:02:49,720 --> 00:02:51,760 Speaker 1: so hit me kids, listen to your uncle Shaul Okay, 59 00:02:51,960 --> 00:02:54,000 Speaker 1: classic hip hop album. It was dope to see them. 60 00:02:54,000 --> 00:02:55,919 Speaker 1: Gentlemen performed, So I DJ that last thing. The didn't 61 00:02:55,960 --> 00:02:57,840 Speaker 1: hit my ass home so it was pretty cool. Good good, 62 00:02:57,840 --> 00:02:59,880 Speaker 1: good show. Well. Shout out to Brooklyn. That's who had 63 00:02:59,880 --> 00:03:03,600 Speaker 1: a great season regardless. Nice young team that's gonna do 64 00:03:03,680 --> 00:03:08,160 Speaker 1: well next season. Okay, it'd be good. They'd be decent 65 00:03:08,160 --> 00:03:10,200 Speaker 1: next year. Yeah, you need some more pieces, that's all. 66 00:03:10,560 --> 00:03:13,320 Speaker 1: Really just got more talent. Come on, man, Jimmy Butler, 67 00:03:13,400 --> 00:03:15,880 Speaker 1: Joel and be Ben Simmons. Is tough to beat them 68 00:03:16,040 --> 00:03:18,079 Speaker 1: four games out of seven. Yeah, I've really got a 69 00:03:18,080 --> 00:03:20,839 Speaker 1: great team. Congratulations to fairly. Shout to Michae Rubenson again, 70 00:03:21,080 --> 00:03:23,800 Speaker 1: thank you for who is my Michael Rubinson? I don't know. 71 00:03:23,880 --> 00:03:27,519 Speaker 1: I don't know who is people that you saluting this morning. 72 00:03:27,560 --> 00:03:30,120 Speaker 1: We don't We don't know Michael Rubens. And what's up 73 00:03:30,120 --> 00:03:31,240 Speaker 1: about you? We got to get to know them. You 74 00:03:31,240 --> 00:03:34,080 Speaker 1: just gotta get to know my friends. But I would 75 00:03:34,120 --> 00:03:36,440 Speaker 1: say graciously when you know we had a bet going 76 00:03:36,520 --> 00:03:38,960 Speaker 1: and how much did you bet them? It wasn't money? 77 00:03:39,800 --> 00:03:42,000 Speaker 1: Whoa what did you bet him? Well? I do have 78 00:03:42,080 --> 00:03:44,800 Speaker 1: on a jersey today? Oh you have a Oh yeah, 79 00:03:44,800 --> 00:03:46,960 Speaker 1: I gotta take this picture. No, yes, no, I gotta 80 00:03:47,000 --> 00:03:48,680 Speaker 1: take this picture. Come on, I'm gonna let you do 81 00:03:48,720 --> 00:03:51,200 Speaker 1: your head first. I could have told you not to 82 00:03:51,200 --> 00:03:58,280 Speaker 1: take that bet a little before, a little consultation would 83 00:03:58,280 --> 00:04:00,000 Speaker 1: have let you know, that's not that wasn't a good 84 00:04:00,040 --> 00:04:04,000 Speaker 1: that would support his brand fanatics, So fanatics mix all 85 00:04:04,040 --> 00:04:07,760 Speaker 1: those jerseys, all right, So he gave you that. Of 86 00:04:07,800 --> 00:04:10,600 Speaker 1: course you're the buddy. He should have to buy it. No, No, 87 00:04:10,600 --> 00:04:12,680 Speaker 1: I didn't buy it. All right, Well, Lee Daniels will 88 00:04:12,680 --> 00:04:14,640 Speaker 1: be joining us this morning. That's Lee Daniels and his 89 00:04:14,920 --> 00:04:19,320 Speaker 1: new protege, Jordan Cooper. Jordan E. Cooper. Jordan E. Cooper 90 00:04:19,400 --> 00:04:22,640 Speaker 1: is a director writer. They have a playout called Ain't 91 00:04:22,640 --> 00:04:24,919 Speaker 1: No Mo that's playing at the Public Theater here in 92 00:04:24,920 --> 00:04:27,919 Speaker 1: New York right now. But Lee Daniels is always entertaining. 93 00:04:28,040 --> 00:04:30,240 Speaker 1: That's another loss I took trying to go to that play. 94 00:04:30,240 --> 00:04:32,000 Speaker 1: It just has to be. Has been a good week 95 00:04:32,000 --> 00:04:34,159 Speaker 1: for you. You gotta reset, You just gotta reset. All right, 96 00:04:34,640 --> 00:04:36,400 Speaker 1: all right, let's get the show cracking front page is 97 00:04:36,400 --> 00:04:38,599 Speaker 1: what we're talking about. Let's talk about somebody who is 98 00:04:38,600 --> 00:04:41,000 Speaker 1: going to be announcing that they are entering the twenty 99 00:04:41,080 --> 00:04:44,359 Speaker 1: twenty race. Another Democrat. I felt like he already announced it. 100 00:04:44,400 --> 00:04:45,840 Speaker 1: We all assumed this is going to happen. But he 101 00:04:45,880 --> 00:04:48,080 Speaker 1: will be announcing tomorrow. All right, we'll get into that 102 00:04:48,120 --> 00:04:50,599 Speaker 1: next keeping lock. Just to Breakfast Club. Good morning morning, 103 00:04:50,640 --> 00:04:54,240 Speaker 1: everybody is DJ Envy Angela Yee, Charlomagne the guy. We 104 00:04:54,240 --> 00:04:57,760 Speaker 1: are to Breakfast Club. Let's getting some front page news 105 00:04:58,040 --> 00:05:00,560 Speaker 1: last night. In some NBA scores, to six is beat 106 00:05:00,560 --> 00:05:03,360 Speaker 1: the Nets one twenty two to one hundred, The Raptors 107 00:05:03,360 --> 00:05:06,360 Speaker 1: beat the Magic one fifteen ninety six, Nuggets beat the Spurs, 108 00:05:06,680 --> 00:05:09,440 Speaker 1: want to weight ninety in a Trailblazes beat the thunder 109 00:05:09,480 --> 00:05:12,920 Speaker 1: one eighteen one fifty. Yeah, Damian Lillard is an animal. 110 00:05:13,120 --> 00:05:15,200 Speaker 1: He's a problem. A video game in the class. Yeah, 111 00:05:15,200 --> 00:05:17,720 Speaker 1: he is a problem. That what else we got you? Well? 112 00:05:18,000 --> 00:05:21,560 Speaker 1: Former Vice President Joe Biden is going to announce tomorrow 113 00:05:21,640 --> 00:05:24,200 Speaker 1: that he's entering the twenty twenty race. I feel like 114 00:05:24,200 --> 00:05:25,760 Speaker 1: we all knew that was about to happen. I don't 115 00:05:25,760 --> 00:05:27,200 Speaker 1: know why they have to announce when they're going to 116 00:05:27,240 --> 00:05:29,320 Speaker 1: announce it. But he has a video that's set to 117 00:05:29,320 --> 00:05:32,600 Speaker 1: come out tomorrow. And he also has acknowledged his role 118 00:05:33,000 --> 00:05:36,760 Speaker 1: in the eighties drug legislation that disproportionately hurt minorities by 119 00:05:36,800 --> 00:05:41,120 Speaker 1: creating longer mandatory minimum sentencing for came. Yes, that's what 120 00:05:41,160 --> 00:05:44,320 Speaker 1: he says and legislation and the ninety four crime bill, 121 00:05:44,400 --> 00:05:46,720 Speaker 1: like Joe Biden is interest interesting, but the same hell 122 00:05:46,800 --> 00:05:49,400 Speaker 1: y'all gave Hillary Clinton for being married to Bill Clinton, 123 00:05:49,400 --> 00:05:51,599 Speaker 1: who pushed through the ninety four crime bill. The same 124 00:05:51,600 --> 00:05:53,839 Speaker 1: hell y'all give Kamala Harris for being a prosecutor. Y'all 125 00:05:53,839 --> 00:05:56,200 Speaker 1: better give Joe Biden the same hell because he actually 126 00:05:56,200 --> 00:05:58,960 Speaker 1: wrote the ninety four crime bill and he also was 127 00:05:59,040 --> 00:06:02,920 Speaker 1: anti busting legislation back in the seventies. Absolutely well, y'all 128 00:06:02,920 --> 00:06:06,000 Speaker 1: better give him that same energy. Y'all be so mad 129 00:06:06,040 --> 00:06:08,440 Speaker 1: at Kamalais because she used to be a prosecutor and like, oh, 130 00:06:08,520 --> 00:06:10,320 Speaker 1: she locked up so many black and brown people. Joe 131 00:06:10,320 --> 00:06:13,039 Speaker 1: Biden wrote the ninety four crime bill, and he's already 132 00:06:13,120 --> 00:06:15,479 Speaker 1: leading in the polls even before he's announced the running. 133 00:06:15,760 --> 00:06:19,159 Speaker 1: He's crazy, all right now. The Obama effect though, But 134 00:06:19,200 --> 00:06:21,320 Speaker 1: if you actually, you know, pay attention to the things 135 00:06:21,320 --> 00:06:24,200 Speaker 1: that Joe Biden did prior to being with Barack Obama, 136 00:06:24,279 --> 00:06:26,160 Speaker 1: you'd be giving him the same side, that side that 137 00:06:26,279 --> 00:06:28,640 Speaker 1: y'all give everybody else. Speaking of Obama, they're gonna be 138 00:06:28,720 --> 00:06:31,800 Speaker 1: renaming a road in LA It's gonna be officially renamed 139 00:06:31,920 --> 00:06:35,440 Speaker 1: Obama Boulevard. Rodale Road is the road that's gonna be 140 00:06:36,120 --> 00:06:39,640 Speaker 1: Dale Drive. Rodale Drive is gonna be no Dale Road? 141 00:06:39,720 --> 00:06:43,880 Speaker 1: Where the hell is Roddale Road? Um, I couldn't exactly 142 00:06:43,960 --> 00:06:47,480 Speaker 1: tell you. I've street. They're naming it Obama Boulevard, So 143 00:06:47,600 --> 00:06:50,960 Speaker 1: I thought you driven happening on May fourth. Now, let's 144 00:06:50,960 --> 00:06:53,040 Speaker 1: talk about Robert Kraft for a second. And for all 145 00:06:53,080 --> 00:06:55,440 Speaker 1: of you who wanted to see that spy masseuse video. 146 00:06:55,560 --> 00:06:57,320 Speaker 1: Nobody who wanted to see, and I don't want nobody 147 00:06:57,320 --> 00:06:59,760 Speaker 1: wants to see that. It's not gonna be coming out 148 00:06:59,839 --> 00:07:02,880 Speaker 1: right now. They do have a protective order that keeps 149 00:07:02,960 --> 00:07:07,240 Speaker 1: that video on lockdown for now. According to court documents, 150 00:07:07,240 --> 00:07:09,920 Speaker 1: the judge agreed with robber Craft's attorneys that if they 151 00:07:09,960 --> 00:07:12,640 Speaker 1: released that right now, it would jeopardize his right to 152 00:07:12,720 --> 00:07:15,520 Speaker 1: a fair trial. So for now that video will not 153 00:07:15,560 --> 00:07:17,320 Speaker 1: show the light of day. What is the point of 154 00:07:17,400 --> 00:07:20,240 Speaker 1: releasing that video? They're trying to get lights and retweets 155 00:07:21,000 --> 00:07:23,480 Speaker 1: that was that man? Why for what reason nobody don't 156 00:07:23,480 --> 00:07:26,600 Speaker 1: see that little old rich Penis Well, they did arrest 157 00:07:27,040 --> 00:07:30,560 Speaker 1: shen Mingby. She was in the massage room with Robert Craft, 158 00:07:30,640 --> 00:07:33,040 Speaker 1: that day, and they said there was two women in 159 00:07:33,080 --> 00:07:36,800 Speaker 1: there and they were both caught on surveillance and they 160 00:07:36,840 --> 00:07:39,200 Speaker 1: showed both of them using their hands on his penis. 161 00:07:40,240 --> 00:07:44,280 Speaker 1: So that's the surveillance for them using both women had 162 00:07:44,280 --> 00:07:45,440 Speaker 1: their hands. I don't know if it was at the 163 00:07:45,440 --> 00:07:47,760 Speaker 1: same time. It could have been impressive. One could have 164 00:07:47,760 --> 00:07:50,840 Speaker 1: been on a testicle. And I don't want to say, 165 00:07:50,960 --> 00:07:53,320 Speaker 1: but yeah, that was a really old white man got 166 00:07:53,920 --> 00:07:55,560 Speaker 1: two people got their hands on them at the same time. 167 00:07:55,600 --> 00:07:57,280 Speaker 1: Could have been one on his test was one on 168 00:07:57,320 --> 00:07:59,800 Speaker 1: this see you know what, forget it. People only need 169 00:07:59,840 --> 00:08:03,880 Speaker 1: to I'm in a pint fingers, couple fingers, like smoking 170 00:08:03,880 --> 00:08:09,440 Speaker 1: a cigarette. Did that again? All right, little one? All right, well, 171 00:08:09,520 --> 00:08:12,560 Speaker 1: last front page. Get it off your chest. Eight on 172 00:08:12,680 --> 00:08:14,720 Speaker 1: drink five eight five one on five one. If you 173 00:08:14,760 --> 00:08:16,480 Speaker 1: need to vent, hit us up right now. Maybe had 174 00:08:16,520 --> 00:08:20,160 Speaker 1: a bad night or bad morning, bad night? Yeah, it 175 00:08:20,200 --> 00:08:23,480 Speaker 1: was fun. I'm always that drive um, like less than 176 00:08:23,520 --> 00:08:26,160 Speaker 1: two hours an hour forty five? Did you drive back, 177 00:08:26,160 --> 00:08:29,560 Speaker 1: sad um? I just blasted some music so I could 178 00:08:29,560 --> 00:08:32,280 Speaker 1: stay away because I was tired, okay, And now I 179 00:08:32,320 --> 00:08:34,000 Speaker 1: wasn't really sad. I was. I haven't found I listened 180 00:08:34,000 --> 00:08:36,280 Speaker 1: to some dance hall. Okay, all right, well, get it 181 00:08:36,280 --> 00:08:38,000 Speaker 1: off your chests. Hit us up right now. Eight hundred 182 00:08:38,080 --> 00:08:40,440 Speaker 1: five eight five one five one. It's the breakfast club. 183 00:08:40,480 --> 00:08:46,880 Speaker 1: Good morning, the breakfast club. Wake up, wake up, wake ya. 184 00:08:48,320 --> 00:08:51,600 Speaker 1: This is your time to get it off your chest, 185 00:08:51,960 --> 00:08:53,520 Speaker 1: your man or blast. We want to hear from you 186 00:08:53,559 --> 00:08:58,360 Speaker 1: on a breakfast block. So vesta, good morning, good morning. 187 00:08:58,600 --> 00:09:01,240 Speaker 1: What's up, bro? Get it off? A yes man more 188 00:09:01,360 --> 00:09:06,880 Speaker 1: a man? Morning? Charlotte Maine. What's up, servester? How are you, sir? Good? 189 00:09:06,920 --> 00:09:09,400 Speaker 1: You know I actually called for envy this morning. Okay, 190 00:09:09,400 --> 00:09:12,120 Speaker 1: what's up? Do your favorite? I want to do your favorite? Okay, 191 00:09:12,240 --> 00:09:15,240 Speaker 1: you remember that that story you told when you were 192 00:09:15,280 --> 00:09:17,520 Speaker 1: at stop by Top West and you had a chance 193 00:09:17,559 --> 00:09:20,760 Speaker 1: to sign Bryston Tiller. Now it wasn't soft by Side. 194 00:09:20,800 --> 00:09:23,080 Speaker 1: It was revoked to It was Revolte Music Conference TV. 195 00:09:23,240 --> 00:09:26,160 Speaker 1: But you had a chance, but then you passed on. Correct. 196 00:09:26,559 --> 00:09:29,920 Speaker 1: I got somebody to make up for that. Okay, No, boy, 197 00:09:30,120 --> 00:09:33,240 Speaker 1: let's hear it. He might don't. Just don't just trade 198 00:09:33,360 --> 00:09:36,200 Speaker 1: him yet. So that actually not me. It's my friend. 199 00:09:36,440 --> 00:09:38,559 Speaker 1: He's an artist. His name is a fable so that 200 00:09:38,840 --> 00:09:43,200 Speaker 1: key h a being. Oh he's a singer. You can 201 00:09:43,200 --> 00:09:48,680 Speaker 1: find them on Spotify, Apple Music, down Cloud. And I 202 00:09:48,720 --> 00:09:50,400 Speaker 1: want to end this thing a little bit for you. 203 00:09:50,520 --> 00:09:57,560 Speaker 1: That cool with you? The bed? Okay? Let me na noa, noa, noa. Okay, 204 00:09:57,640 --> 00:10:03,040 Speaker 1: hold on, that was the worst. Na. Hello, I sound 205 00:10:03,080 --> 00:10:04,920 Speaker 1: like the radio bro. I know you're not trying to 206 00:10:04,960 --> 00:10:08,240 Speaker 1: play no song over the phone on the radio to us. 207 00:10:08,480 --> 00:10:11,640 Speaker 1: That's how you really want to present this guy? Can 208 00:10:11,679 --> 00:10:13,280 Speaker 1: I send it to y'all? Let me send it to y'all. 209 00:10:13,360 --> 00:10:17,599 Speaker 1: Let me send it to y'all. Oh my god, you 210 00:10:17,640 --> 00:10:22,360 Speaker 1: should have shouted out his Instagram. I didn't ask for Patrick. 211 00:10:22,440 --> 00:10:25,800 Speaker 1: Good morning, good morning, what's up? Patrick? Get it off 212 00:10:25,840 --> 00:10:29,240 Speaker 1: her chests, broad as. I got two things I want 213 00:10:29,280 --> 00:10:31,760 Speaker 1: to get off set. I'm a little mad this morning. 214 00:10:32,280 --> 00:10:34,360 Speaker 1: Uh well, I've been trying to call in and get 215 00:10:34,400 --> 00:10:37,040 Speaker 1: some relationship advice from me, and this my first time 216 00:10:37,080 --> 00:10:40,319 Speaker 1: that would being able to get through. But man, I 217 00:10:40,440 --> 00:10:43,000 Speaker 1: took some advice for y'all and try to get some 218 00:10:43,080 --> 00:10:46,120 Speaker 1: couple's counseling for me and my girlfriend, and she just 219 00:10:46,280 --> 00:10:49,760 Speaker 1: blew up on me pretty much, lest me hanging. I 220 00:10:49,920 --> 00:10:51,679 Speaker 1: was at work yesterday, I got home, she left for 221 00:10:51,800 --> 00:10:56,400 Speaker 1: my study. Who just left walking and did you chase that? 222 00:10:56,559 --> 00:10:59,360 Speaker 1: Did you follow when she was walking? I was at wood, man, 223 00:10:59,559 --> 00:11:01,640 Speaker 1: like I don't go. I'll work two times, Bro. I 224 00:11:01,720 --> 00:11:04,080 Speaker 1: get up at two thirty every morning and I don't 225 00:11:04,160 --> 00:11:06,959 Speaker 1: get back home until sometimes, say thirty at night. You 226 00:11:07,040 --> 00:11:09,760 Speaker 1: know I provide everything for my family. I take care 227 00:11:09,760 --> 00:11:12,000 Speaker 1: of everything. I just can't see why I can't come 228 00:11:12,080 --> 00:11:14,079 Speaker 1: up to a little piece in harmony. Bro, you know what. 229 00:11:14,240 --> 00:11:16,160 Speaker 1: Hold on, hold on, We're gonna put your hole and 230 00:11:16,640 --> 00:11:19,520 Speaker 1: um he help you out, all right, don't hang up? Hello? 231 00:11:19,640 --> 00:11:22,520 Speaker 1: Who's this angel? Hey angel? Get it off your chests. 232 00:11:23,120 --> 00:11:25,800 Speaker 1: Good morning, breakfast club by squats Heay. I love you guys. 233 00:11:25,960 --> 00:11:28,240 Speaker 1: Listen to you guys every morning, and I want to 234 00:11:28,320 --> 00:11:30,679 Speaker 1: drop a ball from my beautiful white queen at home 235 00:11:31,160 --> 00:11:34,800 Speaker 1: and Angela. Yet every morning I can't get hey fam 236 00:11:35,240 --> 00:11:38,560 Speaker 1: out of my head. I'm sorry, Fam. He said, you're 237 00:11:38,600 --> 00:11:42,160 Speaker 1: beautiful white queen, My beautiful white queen, Jessica. Yes, you 238 00:11:42,240 --> 00:11:46,400 Speaker 1: gotta say Nubian white queen. I'm sorry, my nubian white 239 00:11:50,200 --> 00:11:52,800 Speaker 1: All right, we got you, d ever think you you 240 00:11:52,880 --> 00:11:55,959 Speaker 1: play all my requests every morning. You're welcome to Jay 241 00:11:56,000 --> 00:11:58,200 Speaker 1: in the world. Thank you, man, I'm glad. He thinks 242 00:11:58,240 --> 00:12:00,760 Speaker 1: that get it off your chests? Eight? Don't you? Five? Eight? Five? 243 00:12:01,000 --> 00:12:03,480 Speaker 1: I'm gonna tell you something. I keep watching this. Damian 244 00:12:03,520 --> 00:12:07,280 Speaker 1: Lillard shot man, this was nasty preconceie the exact moment 245 00:12:07,440 --> 00:12:11,120 Speaker 1: Russia Westbrook's soul just left his mind. Goodness, all right, 246 00:12:11,200 --> 00:12:12,640 Speaker 1: get it off your chest call us now. It was 247 00:12:12,679 --> 00:12:20,559 Speaker 1: the breakfast Club. Good morning, the breakfast Club. This is 248 00:12:20,600 --> 00:12:22,439 Speaker 1: your time to get it off your chests, whether you're 249 00:12:22,440 --> 00:12:24,880 Speaker 1: man or blest. So you better have the same industry. 250 00:12:25,040 --> 00:12:29,319 Speaker 1: We want to hear from you on the breakfast Club. Lorenzo, Yo, 251 00:12:29,400 --> 00:12:31,880 Speaker 1: it's going on, man, Good morning, Good morning? What's Lorenzo? 252 00:12:31,920 --> 00:12:34,080 Speaker 1: Get it off your chests? Hey, listen to my brother 253 00:12:35,000 --> 00:12:41,439 Speaker 1: is Anti? Hi, good morning, good morning. Are you so? 254 00:12:43,120 --> 00:12:46,640 Speaker 1: I don't know what's uncle Charlotte. I'm right here, my brother. 255 00:12:46,720 --> 00:12:50,000 Speaker 1: What's happening? He's checking in with everyone listening. Yeah, of course, 256 00:12:50,080 --> 00:12:55,600 Speaker 1: good morning, man, God bless everybody. Man. Man, Hey, listen, Uh, 257 00:12:56,720 --> 00:12:59,360 Speaker 1: I'm only funenty seven years old, Charlotte. But listen, why 258 00:12:59,520 --> 00:13:03,720 Speaker 1: is it that this damn generation or not? Not everybody 259 00:13:03,760 --> 00:13:05,840 Speaker 1: but the MA guard you, my brother? Why they gotta 260 00:13:05,880 --> 00:13:08,040 Speaker 1: ruin it for everybody? Yo? This this damn movie is 261 00:13:08,040 --> 00:13:09,959 Speaker 1: about to come out. For the Avengeance movie is about 262 00:13:09,960 --> 00:13:12,360 Speaker 1: to come out. Now, why everybody got to push uh 263 00:13:12,920 --> 00:13:16,360 Speaker 1: post stuff videos about shut up, shut up, shut up, 264 00:13:16,480 --> 00:13:19,760 Speaker 1: shut up. I have seen nothing. I don't be on Twitter. 265 00:13:20,400 --> 00:13:22,600 Speaker 1: I don't be on Twitter. I have seen nothing. I'm 266 00:13:22,600 --> 00:13:26,080 Speaker 1: going to see Avengers tomorrow night. Let's not talk about it. Okay, 267 00:13:26,240 --> 00:13:29,560 Speaker 1: end game. We're in the end game now, baby. Of course, 268 00:13:29,760 --> 00:13:33,679 Speaker 1: you guys are geeks. Don't tell me nothing. Hey, hey, 269 00:13:33,800 --> 00:13:36,520 Speaker 1: I'll goad you. Relax now, man, because yo, I know 270 00:13:36,600 --> 00:13:39,000 Speaker 1: how you are Game of Thrones, so so come on, man, 271 00:13:39,120 --> 00:13:41,160 Speaker 1: don't talk about his Game of Thrones. You cannot compare 272 00:13:41,240 --> 00:13:43,440 Speaker 1: Game of Thrones to the Avengers. That's right, because Avengeance 273 00:13:43,520 --> 00:13:47,200 Speaker 1: end game is way bigger. Now listen, let's talk about 274 00:13:47,240 --> 00:13:50,440 Speaker 1: this for one second. We don't want to spoil nothing. 275 00:13:50,880 --> 00:13:53,080 Speaker 1: I don't want to tell y'all how Howard the junk 276 00:13:53,160 --> 00:13:55,640 Speaker 1: hero saves the day for the Avengers. I don't want 277 00:13:55,640 --> 00:13:58,040 Speaker 1: to goodbye say, but Howard the Duck saves the day 278 00:13:58,080 --> 00:14:00,400 Speaker 1: for the Avengers is what I'm hearing. Goodbye. Man. You know, 279 00:14:00,480 --> 00:14:02,400 Speaker 1: somebody got mad at me and said that I ruined 280 00:14:02,880 --> 00:14:04,880 Speaker 1: the Avengers because I talked about it on the air. 281 00:14:04,920 --> 00:14:06,719 Speaker 1: I didn't even talk about anything. You don't even know 282 00:14:06,760 --> 00:14:08,400 Speaker 1: nothing about. I don't even never seen it in my life. 283 00:14:08,440 --> 00:14:11,640 Speaker 1: I was like, when did I talk about the Avengers knowledge? 284 00:14:11,679 --> 00:14:14,880 Speaker 1: Never they are? What's up? Man? I wanted I'm mad 285 00:14:14,920 --> 00:14:17,600 Speaker 1: as Charlotte man Man, But when he came to Dallas, Man, 286 00:14:18,000 --> 00:14:20,920 Speaker 1: I gave him a dope matter twist shirt. It's a 287 00:14:21,000 --> 00:14:23,600 Speaker 1: brand me and my homeboy started and man, he took it, 288 00:14:23,680 --> 00:14:27,240 Speaker 1: but he treated it like me because what's it called 289 00:14:27,240 --> 00:14:30,240 Speaker 1: a dope stuff matters? Yeah, but sugar, honey, I iced 290 00:14:30,240 --> 00:14:32,280 Speaker 1: tea in the middle like I was at the book 291 00:14:32,320 --> 00:14:33,960 Speaker 1: thing I gave you the I think I did wear 292 00:14:34,080 --> 00:14:36,760 Speaker 1: that shirt, bro, Bro, I'm not sure I thought I did. 293 00:14:36,840 --> 00:14:38,920 Speaker 1: Thank you, thank you. If you did, I appreciate that. 294 00:14:39,360 --> 00:14:43,000 Speaker 1: I think I don't quote me on that. Man, I 295 00:14:43,080 --> 00:14:45,880 Speaker 1: worried too well, Hey, if you rocked it around the house, 296 00:14:45,920 --> 00:14:47,800 Speaker 1: I still appreciate it. Man, you ain't treat it like 297 00:14:47,880 --> 00:14:49,880 Speaker 1: the me now. I had it on with no drawers. 298 00:14:49,920 --> 00:14:51,840 Speaker 1: I was like winning the pool. That's like a little 299 00:14:51,840 --> 00:14:54,480 Speaker 1: too much information, brother, Jessica ip hanging up on guys, 300 00:14:54,480 --> 00:14:55,960 Speaker 1: and I'm about to tell them I ain't got the drawing. 301 00:14:56,560 --> 00:15:01,000 Speaker 1: Good morning, Good morning the nurse again. How are you right, Jica. 302 00:15:01,200 --> 00:15:03,520 Speaker 1: We just finding out Charlomagne doesn't have any drugs on today, 303 00:15:03,520 --> 00:15:06,520 Speaker 1: but that's not true around the house with that guy's 304 00:15:06,520 --> 00:15:09,880 Speaker 1: shirt on. I think that you should allow him to 305 00:15:10,000 --> 00:15:13,440 Speaker 1: be free. You know there's enough in the world restricting us. 306 00:15:13,560 --> 00:15:17,920 Speaker 1: That's right, Charlomagne, go renegade. That's right, Thank you very much. 307 00:15:17,960 --> 00:15:23,880 Speaker 1: You want to walk up, Sorry, Jessica. Well, first and foremost, 308 00:15:23,960 --> 00:15:25,760 Speaker 1: I want to say I love you guys. I listened 309 00:15:25,800 --> 00:15:28,920 Speaker 1: to you. Um, but I gotta put this donkey ass. 310 00:15:29,040 --> 00:15:30,800 Speaker 1: Senator Oh, I don't know if I could say that 311 00:15:30,840 --> 00:15:33,640 Speaker 1: on a radio Walsh. Um, I don't think I've ever 312 00:15:33,880 --> 00:15:37,880 Speaker 1: probably been more upset at someone so ignorant in my 313 00:15:38,120 --> 00:15:44,040 Speaker 1: entire life, especially about nurses playing cards. What happened nurses 314 00:15:44,120 --> 00:15:46,480 Speaker 1: playing cards? Take it down? Yeah, I heard some of 315 00:15:46,560 --> 00:15:48,760 Speaker 1: the stories. I didn't pay attention that much what happened 316 00:15:48,800 --> 00:15:51,880 Speaker 1: with the nurses playing cards? And he was mad at him? Basically, Uh, 317 00:15:52,120 --> 00:15:55,200 Speaker 1: Senator Walsh is try excuse me, trying to propose this 318 00:15:55,400 --> 00:16:00,200 Speaker 1: bill that nurses would have to work mandatory eight hour 319 00:16:00,360 --> 00:16:06,080 Speaker 1: shifts because in her state, nurses were fighting for mandatory breaks. 320 00:16:06,320 --> 00:16:09,920 Speaker 1: We work sometimes twelve plus hours and we don't get 321 00:16:10,160 --> 00:16:13,320 Speaker 1: a real break, like hey, I'm taking my lunch break. 322 00:16:13,680 --> 00:16:16,200 Speaker 1: That doesn't happen, you know what I'm saying, Especially in 323 00:16:16,320 --> 00:16:20,080 Speaker 1: New York where the healthcare situation and nursing is so critical. 324 00:16:20,480 --> 00:16:24,000 Speaker 1: Some nurses has six to seven almost eight patients. So 325 00:16:24,240 --> 00:16:29,160 Speaker 1: to even insinuate that, you know, we're playing cards, was 326 00:16:29,280 --> 00:16:32,200 Speaker 1: just so disgusting. It was just you know, she's just 327 00:16:32,400 --> 00:16:35,680 Speaker 1: like such a and she's just so you might as 328 00:16:35,720 --> 00:16:38,440 Speaker 1: well just curse. Say I like the way you editing yourself, 329 00:16:38,480 --> 00:16:41,240 Speaker 1: but say feel it'll feel better to just say it. 330 00:16:41,440 --> 00:16:44,880 Speaker 1: Say I can't say it, but she can't. She can't. 331 00:16:45,120 --> 00:16:46,880 Speaker 1: She might be to hell you can do it. But 332 00:16:47,520 --> 00:16:50,400 Speaker 1: you know the point of the matter is there's a 333 00:16:50,440 --> 00:16:53,360 Speaker 1: lot of things going on in our country, and one 334 00:16:53,520 --> 00:16:55,560 Speaker 1: major important thing that we have to be aware of 335 00:16:55,760 --> 00:16:58,840 Speaker 1: is healthcare. Absolutely, you're the front line were who are 336 00:16:58,960 --> 00:17:01,520 Speaker 1: caring for your mother or your husband, your loved one. 337 00:17:01,720 --> 00:17:03,760 Speaker 1: There are times that I don't even see my kids. 338 00:17:03,880 --> 00:17:06,440 Speaker 1: I don't even have energy from my own husband because 339 00:17:06,480 --> 00:17:09,560 Speaker 1: I give one hundred percent to my patience. Well, thank you, Jessica. 340 00:17:09,600 --> 00:17:11,840 Speaker 1: We appreciate what you do. Thank you so much, and 341 00:17:12,280 --> 00:17:18,560 Speaker 1: give Senator Walsh Donkey of the day. He Hall. That's 342 00:17:18,600 --> 00:17:20,800 Speaker 1: a good one. Get it off your chest. Eight hundred 343 00:17:20,880 --> 00:17:22,639 Speaker 1: five A five one O five one. If you need 344 00:17:22,680 --> 00:17:24,040 Speaker 1: to vent, you can hit this up. Now you've got 345 00:17:24,119 --> 00:17:26,080 Speaker 1: rumors on the way. Yeah, let's set it off this 346 00:17:26,320 --> 00:17:28,919 Speaker 1: morning with Wendy Williams. Find out what Chris Brown has 347 00:17:28,960 --> 00:17:31,320 Speaker 1: to say, as well as Van Jones. All right, we'll 348 00:17:31,359 --> 00:17:33,200 Speaker 1: get into all that when we come back. Keeping lock 349 00:17:33,280 --> 00:17:38,720 Speaker 1: this the Breakfast Club. Good morning, the Breakfast Club. Toldy 350 00:17:38,800 --> 00:17:42,280 Speaker 1: everybody is DJ MVY, Angela Yee, Charlomagne the guy we 351 00:17:42,359 --> 00:17:45,040 Speaker 1: are to breakfast, Good morning, have you Wednesday. Let's get 352 00:17:45,080 --> 00:17:47,480 Speaker 1: to these rumors. Let's talk a new house slipping show. 353 00:17:48,640 --> 00:17:55,240 Speaker 1: This is the Rumor Report with Angela Ye Breakfast Club. 354 00:17:57,280 --> 00:18:00,560 Speaker 1: So Scott Disick has a new luxury home modeling show 355 00:18:00,600 --> 00:18:03,160 Speaker 1: that's gonna be on E produced by Ryan Seacrest. It's 356 00:18:03,200 --> 00:18:05,920 Speaker 1: called Flip It Light Dissic and so basically he'll be 357 00:18:06,480 --> 00:18:10,200 Speaker 1: flipping really high end real estate. He does real estate. 358 00:18:10,320 --> 00:18:12,320 Speaker 1: I didn't even know he did he does that either, 359 00:18:12,720 --> 00:18:14,520 Speaker 1: but I guess now he does. He said he flipped 360 00:18:14,560 --> 00:18:17,280 Speaker 1: his first house five years ago and now he looked 361 00:18:17,320 --> 00:18:19,879 Speaker 1: at this as his primary passion. He's going to convert 362 00:18:20,280 --> 00:18:24,359 Speaker 1: multimillion dollars LA properties and celebrity friends, guest rooms, and 363 00:18:24,440 --> 00:18:27,080 Speaker 1: his own kids playhouse. In the eight episodes they have 364 00:18:27,240 --> 00:18:29,760 Speaker 1: so far. That means he's never leaving his house. I mean, 365 00:18:29,840 --> 00:18:31,960 Speaker 1: it's all his family. I bet you're every celebrity on it, 366 00:18:32,600 --> 00:18:35,439 Speaker 1: Kardashi and r Genner, I'm sure. And Ryan Seacrest got 367 00:18:35,480 --> 00:18:37,640 Speaker 1: to be the godfather of everybody in that house and child. 368 00:18:37,760 --> 00:18:40,600 Speaker 1: He definitely is. And he's also saying he wants to 369 00:18:40,680 --> 00:18:43,320 Speaker 1: do his own line of furniture as well, kind of 370 00:18:43,400 --> 00:18:46,720 Speaker 1: like a modern day Martha's. Oh that'd be dope couches 371 00:18:46,760 --> 00:18:52,080 Speaker 1: by Dissick. Sit on the dissick all right now, I'll 372 00:18:52,080 --> 00:18:54,960 Speaker 1: shout out to Arizza. He's gonna be working on a 373 00:18:55,040 --> 00:18:59,120 Speaker 1: new thriller film and he's actually doing all the music 374 00:18:59,160 --> 00:19:01,800 Speaker 1: for it as well, Asteen songs in total, and he's 375 00:19:01,840 --> 00:19:03,680 Speaker 1: doing all of that and he's starring in the movie 376 00:19:03,720 --> 00:19:06,639 Speaker 1: as well, so should be pretty exciting. And part of 377 00:19:06,680 --> 00:19:08,640 Speaker 1: that was because of I don't know if you guys 378 00:19:08,720 --> 00:19:11,280 Speaker 1: know the group Grave Diggers that I just want to 379 00:19:11,320 --> 00:19:15,760 Speaker 1: make sure and because of the horrorcore rap and him 380 00:19:15,840 --> 00:19:18,680 Speaker 1: being having a love for thrillers like that, and the 381 00:19:18,760 --> 00:19:21,760 Speaker 1: movie is called Thriller and Horror Movies. I guess they 382 00:19:21,800 --> 00:19:23,640 Speaker 1: felt like he would be a great addition to something 383 00:19:23,720 --> 00:19:25,760 Speaker 1: like this. That genre never took off the way I 384 00:19:25,840 --> 00:19:28,680 Speaker 1: thought it would. What's that corrorcore man? Yeah? I like 385 00:19:28,760 --> 00:19:30,840 Speaker 1: the Grave Diggers albums. I like the first first one 386 00:19:30,920 --> 00:19:34,720 Speaker 1: was Hate Was Hot? Yeah, all right, And eminem it 387 00:19:34,920 --> 00:19:38,120 Speaker 1: is the twenty year anniversary of the Slim Shady LP. 388 00:19:38,359 --> 00:19:40,920 Speaker 1: So to celebrate that, they're going to have all kinds 389 00:19:40,960 --> 00:19:43,880 Speaker 1: of exclusive merchandise and that's going to be dropping on Friday. 390 00:19:44,040 --> 00:19:46,440 Speaker 1: Just so you guys know some Shady is twenty years old. 391 00:19:46,840 --> 00:19:48,879 Speaker 1: Just got to accept, you, old bro's got to accept 392 00:19:48,920 --> 00:19:52,400 Speaker 1: that time waits for No, goddamn man turn twenty five 393 00:19:52,440 --> 00:19:56,760 Speaker 1: over the weekend. Is he doing the show? Doing the show? No? 394 00:19:56,840 --> 00:19:58,080 Speaker 1: I don't know. I just know he has some merch 395 00:19:58,280 --> 00:20:00,240 Speaker 1: coming out on Friday. You know how, I know the 396 00:20:00,320 --> 00:20:02,480 Speaker 1: merch god up here that works with us. Dan he 397 00:20:02,720 --> 00:20:04,640 Speaker 1: already put in No, he already put in his order. 398 00:20:04,680 --> 00:20:07,600 Speaker 1: He did the order Jesus Christ. All right, I know 399 00:20:07,800 --> 00:20:12,920 Speaker 1: he's got everything, my God. And then Wendy Williams. Let's 400 00:20:12,920 --> 00:20:15,359 Speaker 1: talk about that now. They are talking about police report 401 00:20:15,440 --> 00:20:18,000 Speaker 1: from back in January where there was a call made 402 00:20:18,040 --> 00:20:21,760 Speaker 1: that Kevin Hunter was poisoning Wendy Williams. The cops did 403 00:20:21,880 --> 00:20:23,760 Speaker 1: show up and when they got to the house, they 404 00:20:23,800 --> 00:20:26,080 Speaker 1: found her in bed with her blanket covering her from 405 00:20:26,200 --> 00:20:30,840 Speaker 1: neck to toe. Who poisoned Williams? That's what cops got 406 00:20:30,920 --> 00:20:35,720 Speaker 1: a call with that accusation. Brod Brown doing too much 407 00:20:35,720 --> 00:20:41,320 Speaker 1: at Jesus Christ, do well, they said with The officers 408 00:20:41,359 --> 00:20:43,240 Speaker 1: asked her if there was any truth to that anonymous 409 00:20:43,240 --> 00:20:46,879 Speaker 1: tipp and she responded, I'm very popular. What what? What 410 00:20:48,160 --> 00:20:59,679 Speaker 1: will you get the story from you? Anonymous? Now, if 411 00:20:59,680 --> 00:21:01,880 Speaker 1: you that's the Wendy Williams show, you'll see that Kevin 412 00:21:01,960 --> 00:21:04,280 Speaker 1: Hunter's name is also taken out of all of the credits, 413 00:21:04,320 --> 00:21:06,879 Speaker 1: so this is something that has been a while in 414 00:21:06,920 --> 00:21:08,800 Speaker 1: the making. He's also looking for a new manager and 415 00:21:08,880 --> 00:21:11,080 Speaker 1: executive producer for her show, and don't say executive produced 416 00:21:11,080 --> 00:21:14,840 Speaker 1: by Doody Brown. No more, guys, and used to say 417 00:21:14,840 --> 00:21:17,320 Speaker 1: executive produced by Dudy Brown. And don't say that, no move, no, no, 418 00:21:17,400 --> 00:21:20,680 Speaker 1: it's just not all right. Now, let's talk about Van 419 00:21:20,800 --> 00:21:22,720 Speaker 1: and Jones because he was on the Wendy Williams Show 420 00:21:22,880 --> 00:21:25,760 Speaker 1: yesterday and she asked questions as she usually does, about 421 00:21:25,840 --> 00:21:29,760 Speaker 1: his life, his divorce. Let's talk about your X wife. 422 00:21:29,760 --> 00:21:32,119 Speaker 1: You're soon to be X wife. So you know this 423 00:21:32,320 --> 00:21:35,840 Speaker 1: show is a breakthrough for the Jones family because Van 424 00:21:36,119 --> 00:21:38,480 Speaker 1: and his wife they are getting a divorce. Divorce is 425 00:21:38,520 --> 00:21:40,639 Speaker 1: not final launched. You still wear you're ring. You got 426 00:21:40,680 --> 00:21:42,240 Speaker 1: something on your hand too, So I ain't talking about no, 427 00:21:45,560 --> 00:21:49,920 Speaker 1: I'm just saying it. I'm just saying, excuse me. This 428 00:21:50,080 --> 00:21:53,720 Speaker 1: start of the couch is for the asking him the question. Nope, 429 00:21:53,760 --> 00:21:56,280 Speaker 1: that's not how it works. Wendy has to expect that. Okay, 430 00:21:56,400 --> 00:21:58,600 Speaker 1: when you got dirt on your hands, you can't bring 431 00:21:58,680 --> 00:22:01,200 Speaker 1: up nobody else's yes that it would have been great 432 00:22:01,240 --> 00:22:02,399 Speaker 1: time for him to be like, so what's going on 433 00:22:02,440 --> 00:22:04,840 Speaker 1: with you? Yeah, y'all unles, y'all can discuss it together. 434 00:22:05,240 --> 00:22:08,280 Speaker 1: That's the only way that's work, all right now. Chris 435 00:22:08,400 --> 00:22:11,120 Speaker 1: Brown in the meantime posted, Okay, Wendy, I don't show 436 00:22:11,200 --> 00:22:13,400 Speaker 1: up late, though I do have a show to f out. 437 00:22:13,720 --> 00:22:15,800 Speaker 1: Appreciate the pub when you broke in you live in 438 00:22:15,840 --> 00:22:18,080 Speaker 1: the shade. Just know I saw the compliment in between 439 00:22:18,119 --> 00:22:22,440 Speaker 1: the demons. What did Chris. That's because of something she 440 00:22:22,520 --> 00:22:24,320 Speaker 1: said on the show about Chris Brown and Nicki Minas 441 00:22:24,359 --> 00:22:26,800 Speaker 1: going on tour together. Remember they announced that they have 442 00:22:26,840 --> 00:22:29,280 Speaker 1: a tour coming, and here's what she had to say. 443 00:22:29,520 --> 00:22:31,320 Speaker 1: I don't know whether i'd go see Chris, like I said, 444 00:22:31,480 --> 00:22:34,879 Speaker 1: or Nikki, but two of them together I'm in Personally speaking, 445 00:22:34,960 --> 00:22:37,000 Speaker 1: I think that they shouldn't have an opener because I 446 00:22:37,240 --> 00:22:39,320 Speaker 1: like both of them equally. But what they should do 447 00:22:39,520 --> 00:22:42,639 Speaker 1: is open up together with their new song, Wobble Up, 448 00:22:42,840 --> 00:22:45,679 Speaker 1: and then maybe Chris disappears off the side of the stage, 449 00:22:45,800 --> 00:22:47,760 Speaker 1: and then Nikki takes over and they break right into 450 00:22:47,800 --> 00:22:50,000 Speaker 1: a Nicky song. And then for the next city, they 451 00:22:50,080 --> 00:22:52,600 Speaker 1: open up with Wobble Up, and then Nicky disappears and 452 00:22:52,720 --> 00:22:57,159 Speaker 1: let's Chris continue on. That's why everything's ef They can 453 00:22:57,240 --> 00:23:00,399 Speaker 1: do it this way because they're both notorious show up late. 454 00:23:00,440 --> 00:23:02,920 Speaker 1: So whoever shows up first opened I've never heard of 455 00:23:02,960 --> 00:23:06,360 Speaker 1: Chris Brown having a revitation for being late. Chris isn't 456 00:23:06,400 --> 00:23:08,440 Speaker 1: Lauren Hill. I don't readycall any report to Chris being 457 00:23:08,480 --> 00:23:10,680 Speaker 1: tardy for the party, and what does Wobble Up? That's 458 00:23:10,760 --> 00:23:12,399 Speaker 1: in the single I haven't heard it? Yeah, this song 459 00:23:12,520 --> 00:23:15,879 Speaker 1: is with them together, Yeah, kicking off the tour. All right, well, 460 00:23:15,920 --> 00:23:18,160 Speaker 1: I mean la yee, and that is your rumor report. 461 00:23:18,280 --> 00:23:20,080 Speaker 1: All right, thank you, miss ye. Now we got front 462 00:23:20,080 --> 00:23:22,520 Speaker 1: page news. What we're talking about, Um, we are going 463 00:23:22,560 --> 00:23:24,720 Speaker 1: to be talking about Robert Kraft. If you wanted to 464 00:23:24,760 --> 00:23:27,400 Speaker 1: see those video tapes, well you might have to wait 465 00:23:27,400 --> 00:23:30,600 Speaker 1: a little longer. Nobody wants to see that preistoric penis. 466 00:23:30,680 --> 00:23:33,840 Speaker 1: Why are they doing that that that's gotta be illegal. No, 467 00:23:34,000 --> 00:23:35,760 Speaker 1: it's not. They were really gonna put him out for 468 00:23:35,880 --> 00:23:37,720 Speaker 1: what I mean? I want to know what purpose that 469 00:23:37,880 --> 00:23:40,159 Speaker 1: serves to put that to have no clue to embarrass 470 00:23:40,280 --> 00:23:43,000 Speaker 1: that man, that's what exactly. All right, Well, front page 471 00:23:43,040 --> 00:23:44,880 Speaker 1: News is next to don't Move. It's the breakfast Club. 472 00:23:44,920 --> 00:23:50,959 Speaker 1: Good morning tomorrow, Avengers in game. I can't freaking wait. 473 00:23:51,040 --> 00:23:52,560 Speaker 1: I'm not even really here today. I'm just doing it 474 00:23:52,680 --> 00:23:55,920 Speaker 1: there as a blur. Tomorrow, baby, I'll be watching in game. 475 00:23:55,960 --> 00:23:58,440 Speaker 1: What does that Avengers you talk about? Don't worry about it? 476 00:23:58,520 --> 00:24:00,440 Speaker 1: All right, Well, let's give you know, let's get some 477 00:24:00,520 --> 00:24:03,360 Speaker 1: front page news. Now. Six is beat the Nets Last 478 00:24:03,440 --> 00:24:05,840 Speaker 1: night one twenty two one hundred. The season is over 479 00:24:05,960 --> 00:24:08,399 Speaker 1: for the Brooklyn Nets. Yeah. Michael Rubin just sent a 480 00:24:08,480 --> 00:24:10,560 Speaker 1: message and said thanks for coming because I was at 481 00:24:10,600 --> 00:24:12,840 Speaker 1: the game. He said, I need picks and video evidence 482 00:24:12,880 --> 00:24:15,400 Speaker 1: of our bet being satisfied. Well, she has the jersey 483 00:24:15,560 --> 00:24:18,160 Speaker 1: or she just hasn't displayed it yet, Michael Ruben, Yeah, 484 00:24:18,160 --> 00:24:20,000 Speaker 1: I do have it on. I haven't posted in it yet, 485 00:24:20,040 --> 00:24:22,040 Speaker 1: but that wasn't part of the deal to what to 486 00:24:22,119 --> 00:24:25,080 Speaker 1: wear it. No, you gotta post it. You gotta take 487 00:24:25,080 --> 00:24:27,400 Speaker 1: that jacket off. Wearing the jacket over your jersey doesn't help. 488 00:24:27,480 --> 00:24:29,000 Speaker 1: You could have consulted the room and I would have 489 00:24:29,040 --> 00:24:33,160 Speaker 1: told you not to. Didn't happened. No, anything can not happen. 490 00:24:33,200 --> 00:24:35,399 Speaker 1: Even when we were down forty, I still felt like 491 00:24:35,440 --> 00:24:37,439 Speaker 1: we could come back. Getting to knock it off now. 492 00:24:37,480 --> 00:24:39,680 Speaker 1: The Raptors beat the Magic one fifteen ninety six to 493 00:24:39,800 --> 00:24:41,800 Speaker 1: Nuggets beat the Spurs one on eight ninety in a 494 00:24:41,920 --> 00:24:45,600 Speaker 1: Trailblazes beat the Thunder one eighteen one of the bomb 495 00:24:45,680 --> 00:24:50,920 Speaker 1: for Damian Lillard. My goodness, gosh, that's the type of 496 00:24:50,960 --> 00:24:53,560 Speaker 1: action I like to see in the playoffs. Baby, the 497 00:24:53,720 --> 00:24:55,879 Speaker 1: energy I'm on this morning, okay. And I love the 498 00:24:55,960 --> 00:24:58,080 Speaker 1: fact when a game winning shot happens like that, or 499 00:24:58,080 --> 00:25:00,359 Speaker 1: a great moment happens like that, and then a eventually 500 00:25:00,640 --> 00:25:03,760 Speaker 1: it becomes a meme because he got the ill you 501 00:25:03,920 --> 00:25:06,840 Speaker 1: can't touch me at all face. I put it up 502 00:25:06,880 --> 00:25:10,119 Speaker 1: on Instagram this morning. Look at this, Look at this, 503 00:25:10,320 --> 00:25:12,320 Speaker 1: Look at this, Look at he was looking. I don't know. 504 00:25:12,400 --> 00:25:16,160 Speaker 1: He's talked to himself. He's individence. Everybody else talking. Look 505 00:25:16,200 --> 00:25:17,840 Speaker 1: at me, King, all right, I can look at you. 506 00:25:18,119 --> 00:25:23,720 Speaker 1: Look at me King. That's queen Queen. Oh my gosh. 507 00:25:24,080 --> 00:25:26,440 Speaker 1: All right, now, let's talk about the Jeopardy Champs. He's 508 00:25:26,440 --> 00:25:29,800 Speaker 1: been talking about winning. James Howsehower, he has surpassed one 509 00:25:29,880 --> 00:25:33,440 Speaker 1: million dollars in the shortest time ever. That means that 510 00:25:33,640 --> 00:25:36,840 Speaker 1: he got over one million dollars after fourteen games, so 511 00:25:36,960 --> 00:25:39,240 Speaker 1: he's been going hard. This is a third record that 512 00:25:39,400 --> 00:25:42,200 Speaker 1: he broke since he started competing on Jeopardy. Last Wednesday, 513 00:25:42,680 --> 00:25:44,560 Speaker 1: he won the episode with the total of one hundred 514 00:25:44,560 --> 00:25:46,560 Speaker 1: and thirty one thousand dollars, which topped the one day 515 00:25:46,600 --> 00:25:48,600 Speaker 1: record that he had said earlier in his run of 516 00:25:48,680 --> 00:25:51,680 Speaker 1: one hundred and ten thousand dollars. So congratulations to him. 517 00:25:52,160 --> 00:25:55,480 Speaker 1: He's going pretty hard. He actually had the one day 518 00:25:55,520 --> 00:25:58,080 Speaker 1: record when he broke that, that was at seventy seven thousand, 519 00:25:58,119 --> 00:26:01,600 Speaker 1: so it was almost double that, all right, And Robert Craft, 520 00:26:01,640 --> 00:26:03,680 Speaker 1: if you were looking forward to seeing that video of 521 00:26:03,800 --> 00:26:05,720 Speaker 1: him in the spot with two women using their hands 522 00:26:05,720 --> 00:26:08,040 Speaker 1: on looking forward to that, you're not going to be 523 00:26:08,160 --> 00:26:10,520 Speaker 1: a little man. After they said too, you are a 524 00:26:10,520 --> 00:26:13,359 Speaker 1: little I think it's disrespectful to put him out there 525 00:26:13,440 --> 00:26:15,280 Speaker 1: like that, Like that's what I mean. I understand you 526 00:26:15,320 --> 00:26:18,160 Speaker 1: present charges against but that's a violation of people's rights. Well, 527 00:26:18,200 --> 00:26:20,639 Speaker 1: he's got them blocking that video from coming out, so 528 00:26:21,359 --> 00:26:23,520 Speaker 1: that's what's going on with him. So I don't know 529 00:26:23,560 --> 00:26:25,320 Speaker 1: if it's ever going to come out, but as for 530 00:26:25,440 --> 00:26:27,920 Speaker 1: now it won't. What is the purpose though, Like, there's 531 00:26:27,960 --> 00:26:30,560 Speaker 1: no reason for that video to be put other than 532 00:26:30,600 --> 00:26:33,680 Speaker 1: the publicly embarrassed that he's embarrassing it. What is the reason. 533 00:26:34,000 --> 00:26:35,560 Speaker 1: If it's evidence, then it should be in the court 534 00:26:35,600 --> 00:26:37,320 Speaker 1: of law and used as evidence in the court of law. 535 00:26:37,320 --> 00:26:38,600 Speaker 1: I don't need to be leaked on it. I think 536 00:26:38,600 --> 00:26:40,440 Speaker 1: they feel like some people have already been trying to 537 00:26:40,560 --> 00:26:44,399 Speaker 1: sell it to the blogs and everything. So I don't know. 538 00:26:45,040 --> 00:26:47,920 Speaker 1: Clearly somebody has it out for him and Joe Biden 539 00:26:48,000 --> 00:26:49,760 Speaker 1: is going to announce that he's entering the twenty twenty 540 00:26:49,880 --> 00:26:52,640 Speaker 1: race for president tomorrow morning. There's a video that they're 541 00:26:52,640 --> 00:26:55,080 Speaker 1: gonna put out with his announcement. It's a pretty crowded 542 00:26:55,119 --> 00:26:57,560 Speaker 1: field already, but he is actually leading in the polls 543 00:26:57,880 --> 00:27:00,760 Speaker 1: even before he's announced officially that he's right. That's the 544 00:27:00,840 --> 00:27:03,680 Speaker 1: Obama effect. And it's crazy to me that, you know, 545 00:27:04,600 --> 00:27:07,760 Speaker 1: people love Joe Biden so much. I mean, he is interesting, 546 00:27:07,840 --> 00:27:10,120 Speaker 1: but the same hell y'all gave Hillary Clinton for being 547 00:27:10,160 --> 00:27:12,119 Speaker 1: married to Bill Clinton, who pushed through the ninety four 548 00:27:12,160 --> 00:27:15,119 Speaker 1: crime bill. The same hell y'all give Kamala Harris for 549 00:27:15,240 --> 00:27:17,440 Speaker 1: being a prosecutor. Y'all better give Joe Biden the same 550 00:27:17,520 --> 00:27:20,400 Speaker 1: hell because he actually wrote the nineteen ninety four crime bill. 551 00:27:20,560 --> 00:27:24,800 Speaker 1: All right, and United Airlines employee allegedly called a woman 552 00:27:25,000 --> 00:27:28,639 Speaker 1: a shining a monkey. The actresses Casey Huge. She was 553 00:27:28,680 --> 00:27:31,840 Speaker 1: returning home to Houston after she had a speaking engagement 554 00:27:31,880 --> 00:27:34,720 Speaker 1: on women's empowerment at a university in Michigan. When she 555 00:27:34,840 --> 00:27:36,760 Speaker 1: was waiting for her luggage to arrive, she asked for 556 00:27:36,840 --> 00:27:39,440 Speaker 1: a refund code while waiting for her luggage, and that's 557 00:27:39,440 --> 00:27:42,240 Speaker 1: when the women got very upset with her from United 558 00:27:42,240 --> 00:27:45,359 Speaker 1: Airlines and called her a monkey and then a shining monkey. 559 00:27:45,640 --> 00:27:48,000 Speaker 1: Why a shining here? What's a shining money? Have no 560 00:27:48,320 --> 00:27:51,160 Speaker 1: idea what that means, but they said that, yeah, she's black. 561 00:27:51,440 --> 00:27:53,520 Speaker 1: They said. She also told her stop looking at her 562 00:27:53,600 --> 00:27:57,200 Speaker 1: with her monkey face. Other passengers did witness the exchange. 563 00:27:57,240 --> 00:28:00,880 Speaker 1: They tried to intervene, but it was unsuccessful, very disrespect 564 00:28:00,960 --> 00:28:03,879 Speaker 1: putting to report. Your name is Carmela Divino. That's the 565 00:28:03,960 --> 00:28:06,600 Speaker 1: woman who allegedly was calling her a monkey and a 566 00:28:06,720 --> 00:28:09,800 Speaker 1: shining monkey. The lady didn't throw no slander back. She 567 00:28:09,880 --> 00:28:12,119 Speaker 1: didn't have no you know, no no quick witty equips 568 00:28:12,160 --> 00:28:15,119 Speaker 1: for that. Carmela said she was humiliated. She was crying. 569 00:28:15,240 --> 00:28:17,119 Speaker 1: She said, I was the only black woman in the 570 00:28:17,200 --> 00:28:19,840 Speaker 1: air humiliated. You probably hurt right now. You need to 571 00:28:19,840 --> 00:28:21,399 Speaker 1: get a lawyer. I don't know if you could go 572 00:28:21,440 --> 00:28:25,080 Speaker 1: to work up. Yeah. I don't think you could go 573 00:28:25,119 --> 00:28:27,440 Speaker 1: to work today. Man, you don't even know if you 574 00:28:27,480 --> 00:28:29,800 Speaker 1: could fly ever again because of what this lady has said. 575 00:28:29,840 --> 00:28:32,520 Speaker 1: She's distraught and she's de strong, neck hurt, scrunt, her 576 00:28:32,560 --> 00:28:38,240 Speaker 1: back hurt, everything hurt. I feel her pain. I saw 577 00:28:38,280 --> 00:28:39,920 Speaker 1: her soon as she got called a shining monkey. She 578 00:28:39,960 --> 00:28:41,680 Speaker 1: fell to the floor. You could just tell her that 579 00:28:41,760 --> 00:28:43,640 Speaker 1: that shining monkey hit her right in her back, right 580 00:28:43,680 --> 00:28:45,200 Speaker 1: in the back from the rear. She didn't even see 581 00:28:45,200 --> 00:28:46,760 Speaker 1: it was. She didn't know what was coming but her. 582 00:28:46,800 --> 00:28:49,200 Speaker 1: And by the way, Casely Hughes is also the vice 583 00:28:49,280 --> 00:28:52,480 Speaker 1: president of the Big Sister Little Sister mentoring program. So 584 00:28:53,080 --> 00:28:55,320 Speaker 1: I know that a young lady who was walking around 585 00:28:55,320 --> 00:28:57,600 Speaker 1: with that neck brace on and that that hurt arm 586 00:28:57,920 --> 00:29:01,480 Speaker 1: and all that emotional distress as well to get paid. Absolutely, 587 00:29:01,480 --> 00:29:03,120 Speaker 1: they need to pay her for calling her a shining 588 00:29:03,160 --> 00:29:05,440 Speaker 1: goddamn monkey. You're not hurtful, that is, it's very hurtful. 589 00:29:05,440 --> 00:29:07,440 Speaker 1: I'm hurt. I don't I can work, I can't get 590 00:29:07,440 --> 00:29:09,400 Speaker 1: out of bed. I'm depressed. I think I gotta leave 591 00:29:10,080 --> 00:29:13,680 Speaker 1: their United Airlines. And by the way, the attorneys also 592 00:29:13,800 --> 00:29:16,800 Speaker 1: did reference Eric Murdoch, a former NBA point guard who 593 00:29:16,960 --> 00:29:19,680 Speaker 1: sued United for ten million dollars in December. They kicked 594 00:29:19,760 --> 00:29:21,080 Speaker 1: him out of an exit row and then allowed a 595 00:29:21,080 --> 00:29:24,280 Speaker 1: white passenger to take his seat. I'm hurt too, My um, 596 00:29:25,600 --> 00:29:27,680 Speaker 1: my elbow hurt after hearing her being called a shining mark. 597 00:29:27,720 --> 00:29:29,240 Speaker 1: You want to do a class action? Lost let's do it. 598 00:29:29,320 --> 00:29:31,520 Speaker 1: My knee hurts too, all right, well that is your 599 00:29:31,560 --> 00:29:34,000 Speaker 1: front page news now when we come back, speaking knees. 600 00:29:34,960 --> 00:29:40,520 Speaker 1: But now the writer and direct Empire will be joining us, 601 00:29:41,680 --> 00:29:44,480 Speaker 1: the original Big Daddy. Yes, and he's bringing his protege, 602 00:29:44,840 --> 00:29:47,080 Speaker 1: Jordan E. Cooper. That's right. Jordan Cooper is a very 603 00:29:47,120 --> 00:29:50,040 Speaker 1: sharp young man. I saw his play that he currently 604 00:29:50,080 --> 00:29:51,800 Speaker 1: has all called Ain't No More. I saw it a 605 00:29:51,840 --> 00:29:54,040 Speaker 1: couple of months ago when he was first working on it. 606 00:29:54,120 --> 00:29:56,760 Speaker 1: But um, he's really dope. All right, we'll get into 607 00:29:56,800 --> 00:29:58,720 Speaker 1: that when we come back. Don't move. It's to Breakfast Club. 608 00:29:58,760 --> 00:30:06,400 Speaker 1: Good morning, Breakfast Club Morning. Everybody is DJ Envy angela Ye, 609 00:30:06,600 --> 00:30:08,680 Speaker 1: Charlemagne the guy. We are the Breakfast Club. We got 610 00:30:08,760 --> 00:30:11,000 Speaker 1: some special guests in the building, Yes, sir, we have 611 00:30:11,360 --> 00:30:14,960 Speaker 1: Lee Daniels and Jordan E. Cooper. Welcome guys, Thank you, 612 00:30:15,440 --> 00:30:17,840 Speaker 1: thank you. Lee is here like Jordan is like your 613 00:30:17,920 --> 00:30:23,000 Speaker 1: new your mules, so to speak. Right, Okay, Yeah, I 614 00:30:23,200 --> 00:30:29,400 Speaker 1: was looking for a writer after Empire for my third show, 615 00:30:29,840 --> 00:30:33,120 Speaker 1: after Star and it's a comedy. Miss passing on your show. 616 00:30:33,240 --> 00:30:35,760 Speaker 1: I love Miss Pattins pat phenomenal. And we were going 617 00:30:35,800 --> 00:30:41,960 Speaker 1: through the usual suspects to find a storyteller, a writer 618 00:30:42,600 --> 00:30:46,240 Speaker 1: to tell this half hour comedy. She's like a black Roseanne. 619 00:30:46,320 --> 00:30:50,120 Speaker 1: Y'all seen her on this show, right and less funny 620 00:30:50,440 --> 00:30:53,480 Speaker 1: and less races. I couldn't find the right writer, so 621 00:30:53,560 --> 00:30:55,880 Speaker 1: I went into the streets. How did you find Jordan? 622 00:30:56,160 --> 00:31:03,120 Speaker 1: He was homeless in the streets. Clearly a change. I went. 623 00:31:03,360 --> 00:31:06,040 Speaker 1: I went to see a play. I went to see 624 00:31:06,040 --> 00:31:08,880 Speaker 1: a play. His agent showed me, told me to see 625 00:31:08,920 --> 00:31:12,280 Speaker 1: a play that he had written at the public Um 626 00:31:12,560 --> 00:31:14,880 Speaker 1: and they were doing a workshop about a year ago. 627 00:31:15,040 --> 00:31:17,200 Speaker 1: A workshop, yeah, about a year ago, and it was 628 00:31:17,280 --> 00:31:20,000 Speaker 1: at No Mo. And it changed my life. It changed 629 00:31:20,040 --> 00:31:23,960 Speaker 1: completely changed my life. And I understood for the first 630 00:31:24,040 --> 00:31:28,200 Speaker 1: time why it was that I was a black man. Yes, 631 00:31:28,640 --> 00:31:31,000 Speaker 1: I understood why I was not only a black man, 632 00:31:31,240 --> 00:31:33,520 Speaker 1: but a gay black man in America and what that 633 00:31:33,680 --> 00:31:36,200 Speaker 1: meant to me. And I found out that he was 634 00:31:36,240 --> 00:31:39,400 Speaker 1: twenty two at the time, and I was said, he's 635 00:31:39,480 --> 00:31:42,560 Speaker 1: the next I've never seen anything. I've never seen anything 636 00:31:42,600 --> 00:31:46,600 Speaker 1: like that since I was seventeen and saw I stunk 637 00:31:46,640 --> 00:31:48,280 Speaker 1: in the back of the theater and saw dream Girls. 638 00:31:49,360 --> 00:31:54,840 Speaker 1: It's my solo. So um I met him and uh 639 00:31:55,360 --> 00:31:57,840 Speaker 1: and the rest of sort of history with Jordany Cooper. Sir, 640 00:31:57,960 --> 00:32:02,400 Speaker 1: who are you? Yeah? So Jordany Cooper is uh a 641 00:32:02,560 --> 00:32:06,360 Speaker 1: man who says whoever and whatever he wants to say. 642 00:32:06,960 --> 00:32:09,920 Speaker 1: Um I I always teld people I started out in 643 00:32:09,960 --> 00:32:12,600 Speaker 1: my mama's living room. That was my first theater, my 644 00:32:12,720 --> 00:32:14,600 Speaker 1: father's daddy's living room. I started writing when I was 645 00:32:14,640 --> 00:32:17,840 Speaker 1: like six years old. I wasn't really exposed to theater 646 00:32:18,080 --> 00:32:21,640 Speaker 1: as like people know it to be. Um. So all 647 00:32:21,720 --> 00:32:24,800 Speaker 1: we had was those bootleg DVDs of like those Tyler 648 00:32:24,840 --> 00:32:27,120 Speaker 1: Perry plays or like those sort of things that would 649 00:32:27,120 --> 00:32:33,160 Speaker 1: be sold in the hair salon. And what was my 650 00:32:33,240 --> 00:32:36,360 Speaker 1: favorite one? That's a good question. But dis Tramrian the 651 00:32:36,480 --> 00:32:38,680 Speaker 1: play The Flag. That's how yo you were? He's like, 652 00:32:38,760 --> 00:32:42,080 Speaker 1: I grew up watching that and I'm like, no, it 653 00:32:42,240 --> 00:32:49,200 Speaker 1: was like it was like nineteen ninety nine something like that. No. No, 654 00:32:49,440 --> 00:32:52,239 Speaker 1: So I saw that, and I like, I had been 655 00:32:52,360 --> 00:32:54,720 Speaker 1: doing like these plays in my living room, but I 656 00:32:54,800 --> 00:32:57,040 Speaker 1: didn't know that it was a thing. The only outlet 657 00:32:57,080 --> 00:33:00,240 Speaker 1: we really had was church because my parents were sports people. 658 00:33:00,520 --> 00:33:03,360 Speaker 1: So my mom asked my pastor and my church if 659 00:33:03,400 --> 00:33:05,560 Speaker 1: I could put on my plays after church on Sundays 660 00:33:05,760 --> 00:33:08,200 Speaker 1: and so I started doing that, and the audiences got 661 00:33:08,280 --> 00:33:10,880 Speaker 1: bigger and bigger than the plays got raunchier and raunch 662 00:33:11,720 --> 00:33:15,680 Speaker 1: plays about a yeah I'm talking about there was R. 663 00:33:15,760 --> 00:33:20,000 Speaker 1: Kelly's Bumping Ground was playing in the Sanctuary. It was 664 00:33:20,080 --> 00:33:26,680 Speaker 1: a lot. But but but I got I got done 665 00:33:26,760 --> 00:33:29,880 Speaker 1: with the church because I couldn't necessarily tell the stories 666 00:33:29,880 --> 00:33:32,920 Speaker 1: that I wanted to tell anymore. So I started like 667 00:33:33,120 --> 00:33:36,040 Speaker 1: raising money so I could like rent out theaters downtown. 668 00:33:36,160 --> 00:33:39,280 Speaker 1: I started doing that. I started working at Julie Theater 669 00:33:39,320 --> 00:33:42,400 Speaker 1: in downtown Fort Worth, became their artists in residence, and 670 00:33:43,320 --> 00:33:45,480 Speaker 1: I wrote this play based off of Kendrick Lamar song 671 00:33:45,560 --> 00:33:49,480 Speaker 1: called black Boyfly, which ended up the money from that play. 672 00:33:49,520 --> 00:33:50,920 Speaker 1: It was like a pay with you can thing with 673 00:33:51,040 --> 00:33:52,760 Speaker 1: a community, and the money from that play got me 674 00:33:52,840 --> 00:33:55,360 Speaker 1: through my first year at college in New York. H 675 00:33:55,840 --> 00:33:59,160 Speaker 1: So that happened, and then I kept writing, kept writing, 676 00:33:59,480 --> 00:34:02,160 Speaker 1: and then um and the summer twenty sixteen, that's when 677 00:34:02,240 --> 00:34:04,560 Speaker 1: Philando cost Stilled and Ultim Sterling got murdered within a 678 00:34:04,640 --> 00:34:07,080 Speaker 1: week of each other, and then the Dallas incident happened. 679 00:34:07,320 --> 00:34:09,600 Speaker 1: And I always talk about how I found myself almost 680 00:34:09,640 --> 00:34:12,239 Speaker 1: slip into a depression in a lot of ways. Um, 681 00:34:12,719 --> 00:34:14,319 Speaker 1: And I'm the kind of person who likes to laugh. 682 00:34:14,800 --> 00:34:17,600 Speaker 1: I'm the guy at funerals like why is this bitch 683 00:34:17,680 --> 00:34:20,799 Speaker 1: wearing lebron she's going six feet under? Or why does 684 00:34:20,880 --> 00:34:22,880 Speaker 1: her wig look like two squirrels in each other on 685 00:34:22,960 --> 00:34:26,120 Speaker 1: the top of her head? Um, Like, I have to 686 00:34:26,280 --> 00:34:29,239 Speaker 1: kind of morph my brain to laugh through that pain. 687 00:34:29,360 --> 00:34:31,880 Speaker 1: And so basically I came up with this concept of 688 00:34:31,920 --> 00:34:34,239 Speaker 1: Ain't no Moo, which is like, what if all black 689 00:34:34,320 --> 00:34:37,640 Speaker 1: folks in America, when we originally came over here as 690 00:34:37,680 --> 00:34:41,279 Speaker 1: cargo unwillingly, what if we just willingly decided to pack 691 00:34:41,440 --> 00:34:44,400 Speaker 1: up and move to Africa? Yeah, which has been a 692 00:34:44,440 --> 00:34:48,680 Speaker 1: real conversation lately. The game just posted on his social 693 00:34:48,760 --> 00:34:51,200 Speaker 1: media and the game just said, if we all moved 694 00:34:51,239 --> 00:34:53,759 Speaker 1: to Africa, we would cripple the economy in America. He 695 00:34:53,880 --> 00:34:55,600 Speaker 1: just posted that a couple of days we were but 696 00:34:56,200 --> 00:34:59,600 Speaker 1: he poses a very good question about if we left, 697 00:35:00,080 --> 00:35:05,480 Speaker 1: which is which is basically like the exposed in the play. Yeah. 698 00:35:05,520 --> 00:35:07,480 Speaker 1: So it's like it's like two sides of the coin, right, 699 00:35:07,480 --> 00:35:09,480 Speaker 1: Because it's like for me, it's like, yeah, let's let's 700 00:35:09,560 --> 00:35:13,560 Speaker 1: let's get out. But also like my answers is blood 701 00:35:13,680 --> 00:35:16,399 Speaker 1: is buried in the soil. Their bones are buried under 702 00:35:16,480 --> 00:35:19,000 Speaker 1: that dirt. So and they fought to call this place 703 00:35:19,080 --> 00:35:20,759 Speaker 1: home for me to be able to call this place home, 704 00:35:21,000 --> 00:35:23,000 Speaker 1: So for me to leave their blood and leave that 705 00:35:23,480 --> 00:35:27,239 Speaker 1: their bones on this soil, what does that mean? Does 706 00:35:27,280 --> 00:35:29,040 Speaker 1: that mean all their all their blood was spilt for 707 00:35:29,120 --> 00:35:31,440 Speaker 1: no reason? Um? And so I want to post the 708 00:35:31,520 --> 00:35:33,640 Speaker 1: question of, like what is America if it wasn't for 709 00:35:33,760 --> 00:35:36,560 Speaker 1: black folks? Or what is Like we are American a 710 00:35:36,640 --> 00:35:38,480 Speaker 1: lot of ways, So like what if all this all 711 00:35:38,520 --> 00:35:40,440 Speaker 1: this culture there we created. There's a character in the 712 00:35:40,440 --> 00:35:43,640 Speaker 1: play called Miss Bag, and she's a physical bag, but 713 00:35:43,760 --> 00:35:46,200 Speaker 1: like all the blackness lives inside of her. Everything that 714 00:35:46,280 --> 00:35:49,080 Speaker 1: black black folks have ever created, everything from the Wobble 715 00:35:49,200 --> 00:35:51,880 Speaker 1: to fried Chicken to like anything you could think of, 716 00:35:52,200 --> 00:35:55,440 Speaker 1: is inside of that bag. And so I don't want 717 00:35:55,440 --> 00:35:57,239 Speaker 1: to give the play away, but but she she's a 718 00:35:57,360 --> 00:35:59,480 Speaker 1: character of her own. And so I want to post 719 00:35:59,520 --> 00:36:02,600 Speaker 1: the question of like what would happen because when Trump 720 00:36:02,640 --> 00:36:04,160 Speaker 1: got elected, like a lot of us were like like 721 00:36:04,200 --> 00:36:06,400 Speaker 1: we can out of here, Like I can't laugh, I 722 00:36:06,480 --> 00:36:07,800 Speaker 1: can't do this. It felt like it was about to 723 00:36:07,800 --> 00:36:09,440 Speaker 1: be the end of it. Right, it really did. But 724 00:36:09,560 --> 00:36:11,600 Speaker 1: then also on the other side of that, I felt 725 00:36:11,640 --> 00:36:14,160 Speaker 1: like I always called it the Great American Hangover because 726 00:36:14,200 --> 00:36:16,560 Speaker 1: I'd never seen white women so mad. Then when Donald 727 00:36:16,600 --> 00:36:20,160 Speaker 1: Trump got elected, they did not have no But I'm 728 00:36:20,160 --> 00:36:22,520 Speaker 1: talking about the liberal white women, the liberal white women 729 00:36:22,560 --> 00:36:25,239 Speaker 1: who did not have their way right, and white folks. 730 00:36:25,239 --> 00:36:27,719 Speaker 1: I don't think white folks were used to being told no, 731 00:36:28,360 --> 00:36:32,360 Speaker 1: and so I think they felt with black women and 732 00:36:32,600 --> 00:36:34,720 Speaker 1: black folks have been filling for the past four hundred 733 00:36:34,800 --> 00:36:37,800 Speaker 1: years that day and so there was a moment of 734 00:36:37,880 --> 00:36:39,520 Speaker 1: pain for me of like damn, like how are we 735 00:36:39,520 --> 00:36:42,000 Speaker 1: gonna get over this? And then there was wait, We've 736 00:36:42,080 --> 00:36:46,160 Speaker 1: always gotten over right. And so rather than me saying, okay, 737 00:36:46,239 --> 00:36:48,600 Speaker 1: let's get the gaunt, let's leave, I had to ask 738 00:36:48,680 --> 00:36:51,759 Speaker 1: myself the question, No, why not fight for what was 739 00:36:51,880 --> 00:36:54,640 Speaker 1: built here, for what we built, this country that we built, 740 00:36:54,680 --> 00:36:56,839 Speaker 1: why not fight for it and take it back. Why 741 00:36:56,880 --> 00:36:58,840 Speaker 1: do you think comedy is so important in the consumption 742 00:36:58,880 --> 00:37:01,560 Speaker 1: of serious topics like this? I think I think it's like, 743 00:37:01,840 --> 00:37:04,920 Speaker 1: it's like we have to laugh to get over the 744 00:37:05,040 --> 00:37:07,719 Speaker 1: bridge of pain. Right. When I did the Butler, I 745 00:37:07,840 --> 00:37:18,480 Speaker 1: found that the slaves that in this stistical, statistical, statistical. Yeah, 746 00:37:20,080 --> 00:37:24,360 Speaker 1: that the slaves that survived, the slaves that survived the 747 00:37:24,520 --> 00:37:28,680 Speaker 1: voyage were those that laughed. That that's what kept us alive. 748 00:37:29,280 --> 00:37:32,160 Speaker 1: So we laughed through our pain, and I think, which 749 00:37:32,280 --> 00:37:34,640 Speaker 1: is really deep, We got more with Lee Daniels and 750 00:37:34,760 --> 00:37:37,239 Speaker 1: his protege Jordan E. Cooper when we come back, don't 751 00:37:37,280 --> 00:37:40,919 Speaker 1: move as the breakfast club. Good morning, Envy Angela Yee, 752 00:37:41,040 --> 00:37:43,440 Speaker 1: Charlemagne the guy. We are the breakfast club. We have 753 00:37:43,680 --> 00:37:47,840 Speaker 1: the writer and director of Empire here, Lee Daniels and 754 00:37:48,040 --> 00:37:51,400 Speaker 1: also his protegee Jordan E. Cooper, Just for what you 755 00:37:51,440 --> 00:37:53,520 Speaker 1: were talking about comedy, right to kind of get through 756 00:37:53,560 --> 00:37:55,960 Speaker 1: the pain. We think about Dave Chappelle and what do 757 00:37:55,960 --> 00:37:57,480 Speaker 1: he had to say about the Chappelle Show. Now, it 758 00:37:57,520 --> 00:38:00,400 Speaker 1: doesn't matter who's laughing at the joking how they might 759 00:38:00,440 --> 00:38:02,880 Speaker 1: interpret it, because sometimes you look at people laughing and 760 00:38:02,960 --> 00:38:06,279 Speaker 1: you're like, are they laughing for the right reasons? Right? Right, right, 761 00:38:06,360 --> 00:38:09,360 Speaker 1: right right? That's an awesome question because it's like, especially 762 00:38:09,440 --> 00:38:11,719 Speaker 1: in like the form of theater and like New York theater. Right, 763 00:38:11,920 --> 00:38:13,680 Speaker 1: it's like when we put on these plays, like the 764 00:38:13,760 --> 00:38:15,640 Speaker 1: majority of people who know about these plays or who 765 00:38:15,680 --> 00:38:19,080 Speaker 1: can afford these tickets, which we're trying to change, is like, oh, 766 00:38:19,160 --> 00:38:22,360 Speaker 1: the white people, right, And so what happens is I 767 00:38:22,680 --> 00:38:24,560 Speaker 1: kind of was aware of the medium that I was 768 00:38:24,680 --> 00:38:27,239 Speaker 1: going into with this play, and I purposely tried to 769 00:38:27,440 --> 00:38:29,600 Speaker 1: rip up the floorboards in a lot of ways. So 770 00:38:29,760 --> 00:38:32,560 Speaker 1: for instance, when you first come into the show, you 771 00:38:32,680 --> 00:38:37,640 Speaker 1: hear back that ass up and like usually songs like 772 00:38:37,719 --> 00:38:40,279 Speaker 1: lift every voice and singers not the Negro national answer, Okay, 773 00:38:40,320 --> 00:38:43,840 Speaker 1: back that ass up is, but it's it's it's I 774 00:38:43,960 --> 00:38:46,200 Speaker 1: wanted to create this environment where when you walked in, 775 00:38:46,400 --> 00:38:48,840 Speaker 1: you knew this space was for you. You knew this 776 00:38:48,960 --> 00:38:51,239 Speaker 1: play was for you, and like people who don't know 777 00:38:51,360 --> 00:38:54,600 Speaker 1: that song are like, oh, which is a problem for 778 00:38:55,160 --> 00:38:57,960 Speaker 1: for theater because theater is meant for white people that 779 00:38:58,040 --> 00:39:00,360 Speaker 1: are fifty years old, and this is the this is 780 00:39:00,400 --> 00:39:02,640 Speaker 1: this to them. They took it. They took it. They 781 00:39:02,719 --> 00:39:05,120 Speaker 1: did take it. And I think that what is brilliant 782 00:39:05,160 --> 00:39:07,279 Speaker 1: about the play is is that it will do. I 783 00:39:07,400 --> 00:39:10,000 Speaker 1: think it'll do. And I'm so happy that the public 784 00:39:10,120 --> 00:39:12,800 Speaker 1: allowed Sonia Freeman and I to come on as producers 785 00:39:13,120 --> 00:39:16,640 Speaker 1: now because I think that this play will do for 786 00:39:17,320 --> 00:39:21,279 Speaker 1: Broadway in theater. What empire, different television. They're young, kids 787 00:39:21,320 --> 00:39:24,080 Speaker 1: will come to it like it's a Beyonce concert. It's 788 00:39:24,120 --> 00:39:28,440 Speaker 1: that brilliant. So um yeah, and why doesn't get the 789 00:39:28,480 --> 00:39:31,640 Speaker 1: credit for ushering in this new black renaissance? Know what 790 00:39:31,760 --> 00:39:33,759 Speaker 1: is that about? I think this. I think we're passe. 791 00:39:34,040 --> 00:39:36,200 Speaker 1: I think that we don't. I think that we didn't 792 00:39:36,239 --> 00:39:38,160 Speaker 1: know what we were doing at the time. And as 793 00:39:38,520 --> 00:39:40,320 Speaker 1: I think that we don't, we didn't know what we 794 00:39:40,440 --> 00:39:45,799 Speaker 1: were doing at the time. It literally changed the way 795 00:39:46,560 --> 00:39:50,640 Speaker 1: we were all perceived. And uh no, we don't get 796 00:39:50,680 --> 00:39:53,320 Speaker 1: the credit. Joe, and you started writing No More Is Therapy, 797 00:39:53,640 --> 00:39:56,440 Speaker 1: and you said you didn't know exactly what you were writing. 798 00:39:56,480 --> 00:39:58,120 Speaker 1: So what was the turning point I made? You realized 799 00:39:58,160 --> 00:40:00,279 Speaker 1: it was an actual play that you could yeah with 800 00:40:00,360 --> 00:40:02,960 Speaker 1: the public. Once I realized that I was crying and 801 00:40:03,040 --> 00:40:06,719 Speaker 1: laughing with the same tier, um, I think that's when 802 00:40:07,080 --> 00:40:10,320 Speaker 1: I decided, okay, this is okay. Like when people walk in, 803 00:40:10,480 --> 00:40:13,600 Speaker 1: like the whole scene is about reclaiming, reclaiming the space. 804 00:40:13,680 --> 00:40:16,240 Speaker 1: So you you're asking black folks to say the president 805 00:40:16,320 --> 00:40:18,480 Speaker 1: is right, I don't care for white persons. I mean, 806 00:40:18,680 --> 00:40:20,719 Speaker 1: this is a very dist turn to your neighbor and 807 00:40:20,760 --> 00:40:24,960 Speaker 1: say the president is not turn not turns. At first 808 00:40:24,960 --> 00:40:26,640 Speaker 1: you said, turned to your neighbor and say your president. 809 00:40:26,680 --> 00:40:29,759 Speaker 1: All the white people and they're like what the it 810 00:40:29,920 --> 00:40:33,080 Speaker 1: was like you know, white people like hell yeah. And 811 00:40:33,200 --> 00:40:34,960 Speaker 1: then and then the black people are like into it, 812 00:40:35,000 --> 00:40:38,160 Speaker 1: and you say, not only the president is, but he is. 813 00:40:38,360 --> 00:40:41,200 Speaker 1: But so this really it's it's it's you start off 814 00:40:41,280 --> 00:40:44,439 Speaker 1: like that and it takes you. It's seduced, it brings 815 00:40:44,480 --> 00:40:47,440 Speaker 1: you in. And I think that it's rare to find 816 00:40:48,239 --> 00:40:51,239 Speaker 1: audacity and that's what I look for and work. You 817 00:40:51,320 --> 00:40:52,799 Speaker 1: can like might walk out a lot of a lot 818 00:40:52,800 --> 00:40:56,080 Speaker 1: of white people and some black people are like some 819 00:40:56,360 --> 00:40:58,320 Speaker 1: people like some black people who aren't used to like 820 00:40:58,560 --> 00:41:01,920 Speaker 1: like like as soon as they hear they're like, oh no, 821 00:41:02,120 --> 00:41:04,759 Speaker 1: we're not doing this today. But that's how people felt 822 00:41:04,760 --> 00:41:08,879 Speaker 1: when won like we next day we did not didn't 823 00:41:08,920 --> 00:41:14,920 Speaker 1: gonna work. It really was. It really was, And I 824 00:41:15,239 --> 00:41:16,840 Speaker 1: think I think a lot of us missed that. I 825 00:41:16,880 --> 00:41:19,080 Speaker 1: think a lot of us forget that. But also like, 826 00:41:19,520 --> 00:41:21,680 Speaker 1: like I go back to Larry Wilmore, right when Larry 827 00:41:21,840 --> 00:41:24,320 Speaker 1: Wilmore did the final Correspondence dinner and he was like 828 00:41:24,680 --> 00:41:27,080 Speaker 1: baracky did it and like a lot of people were 829 00:41:27,120 --> 00:41:29,040 Speaker 1: like up in arms about that, and I had to 830 00:41:29,120 --> 00:41:30,640 Speaker 1: I had to check myself because I was like, no, 831 00:41:30,760 --> 00:41:32,240 Speaker 1: why he said that in front of autumn white folks. 832 00:41:32,440 --> 00:41:34,520 Speaker 1: I was like, well why not? I was like why not? 833 00:41:34,880 --> 00:41:36,439 Speaker 1: And so That's what I wanted to do with the play. 834 00:41:36,480 --> 00:41:38,000 Speaker 1: I was like, I was like, I wanted people to 835 00:41:38,160 --> 00:41:40,799 Speaker 1: know that this this is your space, Like don't let 836 00:41:40,840 --> 00:41:43,040 Speaker 1: anybody shush you. You don't let anybody turn to you 837 00:41:43,160 --> 00:41:44,799 Speaker 1: and be like, oh, you can't say that, you can't 838 00:41:44,840 --> 00:41:47,520 Speaker 1: do this, Like this is your space. Like whenever we 839 00:41:47,680 --> 00:41:50,680 Speaker 1: had UH swaged her friend come on UH during the 840 00:41:50,719 --> 00:41:54,120 Speaker 1: show and like there was no wrong, Yes, another any girl, spiritual, Yes, 841 00:41:54,160 --> 00:41:57,239 Speaker 1: Praise the Lord. And in the back there was there 842 00:41:57,360 --> 00:41:59,600 Speaker 1: was just a whole row of like black folks just man, 843 00:41:59,640 --> 00:42:02,840 Speaker 1: I got that. And you just saw these two or 844 00:42:02,880 --> 00:42:05,000 Speaker 1: the white people for them just get up and walk out. 845 00:42:05,080 --> 00:42:07,480 Speaker 1: And I was like, right before the play, they couldn't 846 00:42:07,520 --> 00:42:09,839 Speaker 1: take it. They couldn't take that energy, they couldn't take 847 00:42:09,880 --> 00:42:12,200 Speaker 1: that swag, they couldn't take that blackness, they couldn't take 848 00:42:12,280 --> 00:42:14,480 Speaker 1: that that power, because it is the power, and you 849 00:42:14,560 --> 00:42:17,520 Speaker 1: have to be ready to let go of your own guilt. 850 00:42:17,760 --> 00:42:19,520 Speaker 1: You have to be ready to let go of your 851 00:42:19,560 --> 00:42:22,520 Speaker 1: own of your own idea of what theater is in 852 00:42:22,719 --> 00:42:25,880 Speaker 1: order to enjoy that kind of experience. And back in 853 00:42:25,880 --> 00:42:28,239 Speaker 1: the day, I started a lot of revolts too, like, 854 00:42:28,400 --> 00:42:31,000 Speaker 1: you know, black people would get together. They and the 855 00:42:31,080 --> 00:42:33,160 Speaker 1: next thing, you know, they thought killing white people. Right literally, 856 00:42:33,360 --> 00:42:38,480 Speaker 1: you got out of it. I mean, he redefines what 857 00:42:38,600 --> 00:42:41,400 Speaker 1: he for me. This redefines theater for me. I think that, 858 00:42:41,760 --> 00:42:43,839 Speaker 1: you know, going into this, my sister had never seen 859 00:42:43,920 --> 00:42:45,879 Speaker 1: a play, nor was she interested in seeing in place. 860 00:42:45,920 --> 00:42:48,879 Speaker 1: She's fifty years old. She never wasn't interested to seeing 861 00:42:48,920 --> 00:42:51,520 Speaker 1: a play until this, until this, and she's like, now 862 00:42:51,600 --> 00:42:54,239 Speaker 1: open to theater. So I think, man, it's important for 863 00:42:54,280 --> 00:42:56,520 Speaker 1: black people to understand that there is theater for us. 864 00:42:56,600 --> 00:42:59,520 Speaker 1: It's amazing. Now I haven't seen the newest rendition of 865 00:42:59,600 --> 00:43:02,120 Speaker 1: ain't known, but they said that are you dressing in drag? 866 00:43:02,440 --> 00:43:08,200 Speaker 1: Yes see you saw you did not see him as Peaches. 867 00:43:08,400 --> 00:43:11,279 Speaker 1: You saw it in its earliest form in La. Yeah, 868 00:43:11,320 --> 00:43:14,640 Speaker 1: we had script. They were literally reading saw it for 869 00:43:14,719 --> 00:43:18,080 Speaker 1: anybody saw it. And uh, and now I decided that 870 00:43:18,200 --> 00:43:21,040 Speaker 1: he wrote it, since he wrote it, he should play Peaches. 871 00:43:21,120 --> 00:43:23,120 Speaker 1: He was like, oh no, man, I should. I should 872 00:43:23,160 --> 00:43:25,880 Speaker 1: give it to a gay actor that is like that 873 00:43:26,120 --> 00:43:29,239 Speaker 1: is in need of work, because you can't find drag 874 00:43:29,320 --> 00:43:31,440 Speaker 1: queens that are in need of work. You got, you know, 875 00:43:31,680 --> 00:43:34,480 Speaker 1: I should? I said, no, you wrote this, this is 876 00:43:34,600 --> 00:43:37,200 Speaker 1: you put on them Hills, put that wig on and 877 00:43:37,320 --> 00:43:40,279 Speaker 1: play Peaches, so it's real. Sh I did, and I didn't. 878 00:43:40,320 --> 00:43:42,840 Speaker 1: I didn't. I didn't want to do that. Uh. But 879 00:43:43,080 --> 00:43:46,920 Speaker 1: once I, once I like actually took hold of the language, 880 00:43:47,239 --> 00:43:50,399 Speaker 1: it was like putting on a glove um, which I tried. 881 00:43:50,480 --> 00:43:52,160 Speaker 1: I always said that I never wanted to be in 882 00:43:52,239 --> 00:43:54,920 Speaker 1: my own stuff, But but once I did, h Peaches, 883 00:43:55,000 --> 00:43:57,680 Speaker 1: it just it just felt it just felt so right 884 00:43:58,000 --> 00:44:02,400 Speaker 1: that when the black people saw walking up, that's what 885 00:44:02,680 --> 00:44:04,960 Speaker 1: That's what. That's also what we talk about in the plane, right. 886 00:44:05,000 --> 00:44:07,560 Speaker 1: Because I wanted to take I wanted my question because 887 00:44:07,600 --> 00:44:10,560 Speaker 1: Peaches is, she's this flight attendant who's in charge of 888 00:44:10,760 --> 00:44:13,120 Speaker 1: this gay agent, who's in charge of getting all black 889 00:44:13,200 --> 00:44:15,359 Speaker 1: folks onto this plane. She's the only one in charge 890 00:44:15,360 --> 00:44:17,720 Speaker 1: of getting black folks onto this plane. So I wanted 891 00:44:17,719 --> 00:44:20,040 Speaker 1: to ask the question. I want to put up blackness 892 00:44:20,080 --> 00:44:23,120 Speaker 1: in history with queerness and blackness because a lot of 893 00:44:23,160 --> 00:44:25,280 Speaker 1: times whenever we think of gay, we think of white, 894 00:44:25,520 --> 00:44:26,960 Speaker 1: and a lot of times whenever we think of black, 895 00:44:27,000 --> 00:44:29,279 Speaker 1: we think of black, right when actually those two things 896 00:44:29,440 --> 00:44:32,920 Speaker 1: can intersect and coexist for millions of people. So what 897 00:44:33,080 --> 00:44:36,400 Speaker 1: does it mean if this drag queen is helping all 898 00:44:36,440 --> 00:44:39,040 Speaker 1: these black folks onto this plane? And she even talks 899 00:44:39,040 --> 00:44:41,680 Speaker 1: about in in a monologue she talks about like, um, 900 00:44:42,080 --> 00:44:44,719 Speaker 1: sometimes this will never accept any of them that don't 901 00:44:44,760 --> 00:44:47,640 Speaker 1: fit intoday tiny idea of what it can be. Right, 902 00:44:47,880 --> 00:44:50,440 Speaker 1: she talks about how how she got beat up the 903 00:44:50,520 --> 00:44:53,080 Speaker 1: night before about group of who she's also helping check 904 00:44:53,160 --> 00:44:56,320 Speaker 1: onto this plane. Right, So like like, what does what 905 00:44:56,880 --> 00:44:59,080 Speaker 1: does that mean? And so I wanted to I wanted this, 906 00:44:59,280 --> 00:45:02,040 Speaker 1: this queer black person to be in charge of blackness 907 00:45:02,120 --> 00:45:05,040 Speaker 1: for a day because it's so often we're forgotten in 908 00:45:05,120 --> 00:45:07,920 Speaker 1: black history, We're not mentioned in black history. But with Air, 909 00:45:08,040 --> 00:45:10,440 Speaker 1: everybody's there. So their plans to make this into a 910 00:45:10,560 --> 00:45:13,920 Speaker 1: feature film, I'm hoping possibly, yeah, we're gonna take it 911 00:45:14,000 --> 00:45:17,560 Speaker 1: to uh possibly take it to London. But he's gonna 912 00:45:17,560 --> 00:45:20,799 Speaker 1: be writing missus Pat, so, which I'm so excited at. Y'all. 913 00:45:20,840 --> 00:45:24,759 Speaker 1: Miss Pat is like Pat, let's don't talk about you's 914 00:45:24,760 --> 00:45:25,920 Speaker 1: gonna be a lot of dudes. I did, I say 915 00:45:26,080 --> 00:45:28,920 Speaker 1: black men to masculate themselves by dressing his women all 916 00:45:28,960 --> 00:45:30,479 Speaker 1: the time for a little bit of fame and laughter. 917 00:45:30,560 --> 00:45:31,799 Speaker 1: What do you What do you got to say to them? 918 00:45:32,360 --> 00:45:38,360 Speaker 1: I think to that, I say, that's ignoring blackness. You 919 00:45:38,440 --> 00:45:40,520 Speaker 1: can't say you love black folks and say like that. 920 00:45:41,040 --> 00:45:43,120 Speaker 1: You can't say you love black folks and hey, gay people, 921 00:45:43,400 --> 00:45:48,240 Speaker 1: because then you're you're you're excluding um, you're excluding blackness. 922 00:45:48,400 --> 00:45:51,080 Speaker 1: You're like doing the same thing that they're doing to us. 923 00:45:51,560 --> 00:45:53,560 Speaker 1: All Right, we have more with Lee Daniels and Jordan E. 924 00:45:53,680 --> 00:45:55,720 Speaker 1: Cooper when we come back. Don't move. It's to Breakfast 925 00:45:55,760 --> 00:46:00,040 Speaker 1: Club morning. Everybody is DJ Envy Angela yee shawl. I 926 00:46:00,040 --> 00:46:02,080 Speaker 1: mean the guy we are the breakfast Club. We have 927 00:46:02,160 --> 00:46:05,040 Speaker 1: the right and director of Precious and Empire with us 928 00:46:05,160 --> 00:46:08,279 Speaker 1: Lee Daniels also as protege Jordan E. Cooper. Ye think 929 00:46:08,840 --> 00:46:14,320 Speaker 1: politically correct now? No? And if it is, who cares? 930 00:46:14,840 --> 00:46:16,360 Speaker 1: I think that I think that you have to. I 931 00:46:16,400 --> 00:46:20,360 Speaker 1: think that there's get mad about like people that I 932 00:46:20,360 --> 00:46:23,080 Speaker 1: can't believe that's my next show, because that's my very 933 00:46:23,160 --> 00:46:25,600 Speaker 1: next show before Miss Pat We're doing it in a 934 00:46:25,680 --> 00:46:28,040 Speaker 1: sort of a comedic way, so like a living color. 935 00:46:28,120 --> 00:46:30,200 Speaker 1: Could you see a living color on here now, right now, 936 00:46:30,280 --> 00:46:34,480 Speaker 1: with this time, sadly, sadly, no, I would do it, 937 00:46:34,560 --> 00:46:36,800 Speaker 1: but I would do that. I mean, I think that, sadly, 938 00:46:36,840 --> 00:46:38,759 Speaker 1: but I think that they're allowing us the space to 939 00:46:38,880 --> 00:46:42,920 Speaker 1: do my show. Um. It's hard to do sketches now though, 940 00:46:43,280 --> 00:46:46,000 Speaker 1: especially when real life is way better. Like who could 941 00:46:46,120 --> 00:46:50,759 Speaker 1: script to Jesse Smolette situation? I mean, can write something 942 00:46:50,880 --> 00:46:58,279 Speaker 1: like that, it's not me, not me, not I. What 943 00:46:58,360 --> 00:47:00,360 Speaker 1: were your initial thoughts when you first heard about the 944 00:47:00,400 --> 00:47:02,880 Speaker 1: Jesse smile situation you saw it? I went to instag 945 00:47:04,560 --> 00:47:06,640 Speaker 1: my initial thoughts, I went straight to Instagram, and it 946 00:47:06,760 --> 00:47:11,239 Speaker 1: was it was probably the most devastating, because you know, look, 947 00:47:13,280 --> 00:47:15,960 Speaker 1: you know there's only two judges. Is God and that 948 00:47:16,200 --> 00:47:19,239 Speaker 1: that man with the gabble, with the gabble, those are 949 00:47:19,280 --> 00:47:22,920 Speaker 1: the two judges. I cannot judge. I could only have compassion. 950 00:47:23,360 --> 00:47:27,600 Speaker 1: And my thoughts are inconsequential. I mean, I just because 951 00:47:27,600 --> 00:47:29,560 Speaker 1: you run empire, so it was rumors that you were 952 00:47:29,560 --> 00:47:32,000 Speaker 1: going to get rid of him and things of that nature. 953 00:47:32,560 --> 00:47:34,279 Speaker 1: We're in talks to figure out what we're gonna do. 954 00:47:34,360 --> 00:47:38,239 Speaker 1: With the show. It's it is very painful to talk 955 00:47:38,239 --> 00:47:40,800 Speaker 1: about even now, and I think that I think that 956 00:47:40,840 --> 00:47:42,759 Speaker 1: we're still living it and we're trying to figure it out. 957 00:47:42,800 --> 00:47:46,480 Speaker 1: And uh and regardless, you know what, I'm standing by 958 00:47:46,640 --> 00:47:50,839 Speaker 1: him because, um, regardless of the outcome, because I can't 959 00:47:50,920 --> 00:47:54,799 Speaker 1: discard someone that it's like discarding my son. He made 960 00:47:54,840 --> 00:47:59,279 Speaker 1: a mistake that's still happened. Saying that Jesse is not 961 00:47:59,400 --> 00:48:01,360 Speaker 1: lying about the incident and that there's things that we 962 00:48:01,400 --> 00:48:04,879 Speaker 1: don't know and that Jesse is telling the truth. Jordan, 963 00:48:04,920 --> 00:48:15,799 Speaker 1: do you believe my name is Benny everything? Jordan got 964 00:48:15,800 --> 00:48:18,840 Speaker 1: all these hot deep pets on everything. You know, what 965 00:48:20,160 --> 00:48:22,359 Speaker 1: have you smokeing to Jesse? Though, Yeah, I speak to him. Okay, 966 00:48:23,760 --> 00:48:25,279 Speaker 1: I took it. I had to take a break, you know. 967 00:48:25,680 --> 00:48:28,600 Speaker 1: It was it was consuming everything. I saw you and 968 00:48:28,680 --> 00:48:37,640 Speaker 1: Dame squashed your beef. We did that. We squashed that beef. Okay, 969 00:48:38,239 --> 00:48:39,799 Speaker 1: you'll be working with each other, well, you'll be working 970 00:48:39,840 --> 00:48:42,360 Speaker 1: with each other some future stuff. Or think. Yeah, I 971 00:48:42,440 --> 00:48:44,560 Speaker 1: think so he's a good man. And I think that, uh, 972 00:48:45,040 --> 00:48:47,839 Speaker 1: I was out of pocket and I think that takes 973 00:48:47,840 --> 00:48:50,600 Speaker 1: a real man. Namit that absolutely no, because sometimes you 974 00:48:50,680 --> 00:48:54,319 Speaker 1: really get caught up in into the white voice that's 975 00:48:54,400 --> 00:48:57,680 Speaker 1: in your head that are surrounding you saying no, you 976 00:48:57,760 --> 00:49:00,920 Speaker 1: signed a document, Lee Daniels, you do not owe him 977 00:49:00,960 --> 00:49:03,799 Speaker 1: any money. That was your white voice too. That was yes, 978 00:49:03,920 --> 00:49:06,360 Speaker 1: because that's what my lawyers, my lawyers and my agents 979 00:49:06,360 --> 00:49:08,279 Speaker 1: were telling me, that you don't own any money. But 980 00:49:08,360 --> 00:49:10,440 Speaker 1: you know one thing, if I didn't pay them Master's 981 00:49:10,480 --> 00:49:14,080 Speaker 1: ball back, I wouldn't have been able to make you 982 00:49:14,160 --> 00:49:17,040 Speaker 1: know what I mean. So that's just you'll talk, you 983 00:49:17,120 --> 00:49:18,719 Speaker 1: know what I mean. So it was a wake up 984 00:49:18,760 --> 00:49:21,960 Speaker 1: call and I'm sadly it took the public humiliation. I 985 00:49:22,080 --> 00:49:24,279 Speaker 1: believe in karma and I believe that I deserved it 986 00:49:24,680 --> 00:49:26,960 Speaker 1: and um and I wish him the best because he 987 00:49:27,080 --> 00:49:29,840 Speaker 1: really believed me when nobody did in Hollywood. Was not 988 00:49:30,239 --> 00:49:32,080 Speaker 1: with me, and that's what he always said. He always did. 989 00:49:32,080 --> 00:49:34,160 Speaker 1: He believed in you. And I'm glad that y'all worked 990 00:49:34,160 --> 00:49:36,560 Speaker 1: it out. Yeah, I love him that the other people 991 00:49:36,640 --> 00:49:38,560 Speaker 1: you feel like that about that, you may want to 992 00:49:38,719 --> 00:49:43,520 Speaker 1: make things right with No, I'm just asking the next 993 00:49:43,640 --> 00:49:52,080 Speaker 1: question alone. You know, I'm just going with you. That's 994 00:49:52,280 --> 00:49:55,000 Speaker 1: a that's a uh, you know, that situation is what 995 00:49:55,160 --> 00:49:56,880 Speaker 1: it's going to be. I think we have to choose 996 00:49:57,000 --> 00:50:00,279 Speaker 1: to disagree. And I think that I have I really again, 997 00:50:00,280 --> 00:50:02,480 Speaker 1: I have nothing but compassion for her. And she got 998 00:50:02,520 --> 00:50:06,200 Speaker 1: a job with UM. She got a job. Yeah, she 999 00:50:06,239 --> 00:50:09,200 Speaker 1: got a job with A She got a commercial with UM. 1000 00:50:11,080 --> 00:50:13,040 Speaker 1: So like, you know, now she's like, you know, she's 1001 00:50:13,120 --> 00:50:15,359 Speaker 1: I guess. I mean, and I'm friends with all of them, 1002 00:50:15,400 --> 00:50:17,000 Speaker 1: so I mean, you know, he's friends with all us. 1003 00:50:17,239 --> 00:50:20,520 Speaker 1: So I mean I'm excited for Yeah, it's good, it's 1004 00:50:20,600 --> 00:50:23,440 Speaker 1: really good. Yeah, she's really good in it. So what's 1005 00:50:23,480 --> 00:50:27,239 Speaker 1: the future empire? Lye? Future empire YOE is going to 1006 00:50:27,360 --> 00:50:29,320 Speaker 1: be bombastic. That's all I can say. I think that 1007 00:50:29,600 --> 00:50:32,399 Speaker 1: what this has done, I think that the empire came 1008 00:50:32,600 --> 00:50:35,840 Speaker 1: at like lightning, Like it came as like a lightning. 1009 00:50:36,200 --> 00:50:38,040 Speaker 1: So they are depending on me to come up with 1010 00:50:38,160 --> 00:50:40,960 Speaker 1: Something're finally saying, okay, Lee, what you're gonna do? And 1011 00:50:41,040 --> 00:50:44,120 Speaker 1: I said, I'm everybody up, and I say, this time 1012 00:50:44,160 --> 00:50:48,280 Speaker 1: for me to do something that's completely unexpected, just gonna say, Okay, 1013 00:50:48,360 --> 00:50:50,480 Speaker 1: Daniels is back at the Helm, do you kill him off? 1014 00:50:50,719 --> 00:50:54,439 Speaker 1: I told you that's a secret. Ye know, people thought 1015 00:50:54,480 --> 00:50:57,239 Speaker 1: you wrote the whole whole story, thought I know that's 1016 00:50:57,280 --> 00:50:59,279 Speaker 1: really painful. You know, why would I write something that, 1017 00:50:59,360 --> 00:51:01,759 Speaker 1: you know that happened to me. These things happen. I 1018 00:51:01,800 --> 00:51:03,800 Speaker 1: can't get hung but with a new certain thing. But 1019 00:51:03,880 --> 00:51:05,600 Speaker 1: you know that I think it's painful. I think that 1020 00:51:06,360 --> 00:51:09,160 Speaker 1: this is real. Like I was abused, I was chased 1021 00:51:09,239 --> 00:51:13,480 Speaker 1: home every day, bullied. And Jordan's next play is about suicide. 1022 00:51:13,560 --> 00:51:15,400 Speaker 1: You know what I mean? Because we both thought he 1023 00:51:15,800 --> 00:51:19,080 Speaker 1: is writing his play about suicide, and and he hung 1024 00:51:19,160 --> 00:51:21,480 Speaker 1: up the phones that we were talking about the situation 1025 00:51:22,239 --> 00:51:24,160 Speaker 1: about this little kid, and he was saying, you know, 1026 00:51:24,320 --> 00:51:26,239 Speaker 1: that's what my next play is about. I hung up 1027 00:51:26,239 --> 00:51:28,279 Speaker 1: the phone. I was like, why would this kid, this 1028 00:51:28,520 --> 00:51:31,960 Speaker 1: brilliant kid, ever think of suicide? And then it took 1029 00:51:32,040 --> 00:51:34,759 Speaker 1: me to realize that that I had actually thought of 1030 00:51:34,840 --> 00:51:37,799 Speaker 1: suicide at eight, and I had blocked all of it out. 1031 00:51:38,040 --> 00:51:41,240 Speaker 1: That's what we are doing to our young men, especially 1032 00:51:41,360 --> 00:51:43,840 Speaker 1: like when you're Because I had those thoughts and I 1033 00:51:44,000 --> 00:51:47,160 Speaker 1: was like twelve, thirteen years old, and so it just 1034 00:51:47,239 --> 00:51:50,759 Speaker 1: seemed a lot easier to not be a burden to 1035 00:51:50,880 --> 00:51:55,279 Speaker 1: anybody except especially myself, and like especially being black and queer. 1036 00:51:55,360 --> 00:51:57,600 Speaker 1: It's like, oh, this is not what God wants. Oh, 1037 00:51:57,680 --> 00:52:01,080 Speaker 1: this is not what your family wants. You're not welcomed 1038 00:52:01,440 --> 00:52:04,800 Speaker 1: on this earth. You're not welcomed here. I was talking 1039 00:52:04,840 --> 00:52:06,239 Speaker 1: to him, and I was talking to somebody else the 1040 00:52:06,320 --> 00:52:07,840 Speaker 1: other day, and I was like, man, I wake up 1041 00:52:07,840 --> 00:52:10,600 Speaker 1: in the morning sometimes so grateful that I didn't listen 1042 00:52:10,680 --> 00:52:13,520 Speaker 1: to those voices, because it was like, if if you did, 1043 00:52:14,120 --> 00:52:17,719 Speaker 1: you wouldn't get to see your family evolved, when you 1044 00:52:17,760 --> 00:52:19,759 Speaker 1: get to see the world evolved. You wouldn't get to 1045 00:52:19,840 --> 00:52:22,200 Speaker 1: write the stories that are put inside of you. You 1046 00:52:22,239 --> 00:52:24,640 Speaker 1: wouldn't get to be sitting here on the breakfast club now. 1047 00:52:24,719 --> 00:52:28,200 Speaker 1: You wouldn't. You wouldn't You wouldn't be able to see 1048 00:52:28,320 --> 00:52:31,040 Speaker 1: what life actually has for you, which is so much 1049 00:52:31,120 --> 00:52:33,680 Speaker 1: more than that dark moment that you're feeling. People people 1050 00:52:33,680 --> 00:52:36,399 Speaker 1: don't realize that. I especially in the black community, I don't. 1051 00:52:36,400 --> 00:52:38,880 Speaker 1: I don't think we realize that what you say, that 1052 00:52:39,000 --> 00:52:41,359 Speaker 1: joke that you say, you could have your little cousin 1053 00:52:41,440 --> 00:52:42,960 Speaker 1: sitting on the in the corner over there and he 1054 00:52:43,000 --> 00:52:45,000 Speaker 1: could be hearing you, he could be laughing along. But 1055 00:52:45,160 --> 00:52:47,360 Speaker 1: you don't know what that plan that's planting inside of 1056 00:52:47,400 --> 00:52:49,920 Speaker 1: his head. And we don't we life folks, Which is 1057 00:52:49,960 --> 00:52:51,879 Speaker 1: why I'm so grateful for you in your books because 1058 00:52:51,880 --> 00:52:53,680 Speaker 1: it's like, you actually talk about mental health in the 1059 00:52:53,719 --> 00:52:56,120 Speaker 1: black community, break it down, and we don't. That's not 1060 00:52:56,239 --> 00:52:59,160 Speaker 1: something that we talk about because it's like by the church, 1061 00:52:59,239 --> 00:53:01,360 Speaker 1: you pray you get it over with. Because because I 1062 00:53:01,440 --> 00:53:03,200 Speaker 1: think a lot of us still have a slave mentality, 1063 00:53:03,320 --> 00:53:05,040 Speaker 1: I really do. I think a lot of us still 1064 00:53:05,080 --> 00:53:07,440 Speaker 1: think that we are meant to get married, we are 1065 00:53:07,480 --> 00:53:10,560 Speaker 1: meant to go to church and work. That's it. Yeah, 1066 00:53:10,560 --> 00:53:13,480 Speaker 1: we're an interesting people, especially when it comes to like homosexuality, 1067 00:53:13,480 --> 00:53:15,239 Speaker 1: because it's like we'll tell people they're going to hell 1068 00:53:15,320 --> 00:53:16,680 Speaker 1: for that, but we won't tell people they're going to 1069 00:53:16,719 --> 00:53:19,400 Speaker 1: help for killing another black person. You wanta tell them 1070 00:53:19,400 --> 00:53:24,080 Speaker 1: they're going to help for selling drugs, robbing people, textually 1071 00:53:24,120 --> 00:53:25,640 Speaker 1: assaultant women. You don't go to help for none of that. 1072 00:53:25,680 --> 00:53:28,359 Speaker 1: Would you going to help being homosexual? Right? The pass 1073 00:53:28,480 --> 00:53:31,359 Speaker 1: is just the mailman, not the mail you know. Amen, Well, 1074 00:53:31,440 --> 00:53:37,400 Speaker 1: thank you for that's just the man. But thank you 1075 00:53:37,440 --> 00:53:40,000 Speaker 1: guys for joining us. Ain't no mo ain't no more 1076 00:53:40,120 --> 00:53:42,600 Speaker 1: out right now, it's at the Public Theater. Check it out. 1077 00:53:45,440 --> 00:53:48,719 Speaker 1: The Public Theater is four twenty five La Fayette Street. Uh, 1078 00:53:48,840 --> 00:53:51,560 Speaker 1: it's downtown or Astra Place in New York City. Yeah, 1079 00:53:51,719 --> 00:53:53,840 Speaker 1: we're trying to see how we can bring it to 1080 00:53:53,920 --> 00:53:56,479 Speaker 1: a wider audience as well, because I think it's something 1081 00:53:56,600 --> 00:53:58,840 Speaker 1: that a lot of people were really and we need it. 1082 00:53:58,960 --> 00:54:02,359 Speaker 1: It's something that we need. May Fifth enjoying me back 1083 00:54:02,400 --> 00:54:03,520 Speaker 1: in a couple of years to tell us how he 1084 00:54:03,520 --> 00:54:12,040 Speaker 1: didn't make no money with Leaves Jordan in Cooper's the 1085 00:54:12,120 --> 00:54:24,120 Speaker 1: Breakfast Club. It's about side report Angela Ye, the Breakfast Club. 1086 00:54:25,560 --> 00:54:28,719 Speaker 1: All right. Well, Cardie b is not having it right now, 1087 00:54:28,840 --> 00:54:33,320 Speaker 1: and she posted herself talking about these blogs, and in particular, 1088 00:54:33,440 --> 00:54:36,440 Speaker 1: she talked about Shade Room and she even discussed the 1089 00:54:36,480 --> 00:54:39,239 Speaker 1: owner of Shade Room, Angie, I've been popping off at 1090 00:54:39,280 --> 00:54:42,960 Speaker 1: this water buffalo Bill bitch Canji, the owner of the 1091 00:54:43,000 --> 00:54:44,840 Speaker 1: share Room. Because she knows that she's not allowed to 1092 00:54:44,880 --> 00:54:47,400 Speaker 1: post me, so what does she do. She posts mash 1093 00:54:47,719 --> 00:54:50,280 Speaker 1: of people that she knows that I'm associated with. For example, 1094 00:54:50,400 --> 00:54:53,680 Speaker 1: QC Right, this is the owner of one of the 1095 00:54:53,840 --> 00:54:57,360 Speaker 1: most successful black owned label right now, but nah, she 1096 00:54:57,600 --> 00:55:01,000 Speaker 1: rather post him when he's dealing with Drama, Baby Mama, 1097 00:55:01,160 --> 00:55:05,120 Speaker 1: Drama Karasha, You're Miami. Everybody thought that there was not 1098 00:55:05,239 --> 00:55:08,279 Speaker 1: gonna be successful after Jake got locked up. But no, 1099 00:55:08,680 --> 00:55:11,560 Speaker 1: y'all rather not post that, y'all rather post something that's 1100 00:55:11,600 --> 00:55:15,640 Speaker 1: gonna set her up together. Dragon the commings all right. 1101 00:55:15,880 --> 00:55:18,080 Speaker 1: In addition, I guess in response to that, the share 1102 00:55:18,160 --> 00:55:21,640 Speaker 1: Room did post some screenshots some of their positive coverage 1103 00:55:21,680 --> 00:55:24,640 Speaker 1: of cardib and people around her as well, and she 1104 00:55:24,800 --> 00:55:26,920 Speaker 1: still wasn't buying yet. She had this to say about 1105 00:55:27,200 --> 00:55:31,200 Speaker 1: blogs in general actually fueling beefs ys stop playing they 1106 00:55:31,280 --> 00:55:34,160 Speaker 1: yall for the people when y'all fuel drama in between 1107 00:55:34,520 --> 00:55:37,799 Speaker 1: these artists, like, for example, that Quartack and Ti beef 1108 00:55:37,960 --> 00:55:40,360 Speaker 1: that to the bench. Stop but people kept fueling the 1109 00:55:40,480 --> 00:55:42,520 Speaker 1: fueling them. It's like Yo, at the end of the day, 1110 00:55:42,840 --> 00:55:45,920 Speaker 1: they are street. Y'all want these artists to change, or 1111 00:55:46,000 --> 00:55:48,040 Speaker 1: y'all really don't want them to change, so y'all want 1112 00:55:48,080 --> 00:55:51,200 Speaker 1: them to stay the same because if benefits Sha or 1113 00:55:51,280 --> 00:55:55,680 Speaker 1: because y'all capitalize all these drama. I understand what a 1114 00:55:55,840 --> 00:55:58,440 Speaker 1: body is saying, but that same logic can be applied 1115 00:55:58,480 --> 00:56:00,440 Speaker 1: to her and Angie because the beef between and Cardi 1116 00:56:00,480 --> 00:56:02,080 Speaker 1: and Shade Room is going on too long. Can we 1117 00:56:02,120 --> 00:56:04,400 Speaker 1: get those two on the phone to have a conversation 1118 00:56:04,480 --> 00:56:06,719 Speaker 1: to smoove out their problems, to smoove out their issue. Now, 1119 00:56:06,760 --> 00:56:09,080 Speaker 1: I didn't really know there was a beef between them. Now, 1120 00:56:09,320 --> 00:56:11,319 Speaker 1: well I've seen I think I've seen Cardi get at 1121 00:56:11,320 --> 00:56:13,000 Speaker 1: them before. Maybe it was ball Alert one of them, 1122 00:56:13,200 --> 00:56:15,600 Speaker 1: and maybe it was both. I don't remember. I didn't 1123 00:56:15,719 --> 00:56:18,120 Speaker 1: obviously have a problem. And I also think blaming the 1124 00:56:18,239 --> 00:56:22,239 Speaker 1: blogs is a bit off only because social media is 1125 00:56:22,320 --> 00:56:24,840 Speaker 1: going to fuel that. Regardless of if the blogs posted 1126 00:56:24,920 --> 00:56:27,000 Speaker 1: or not. If if Tia said something to Code that, yes, 1127 00:56:27,160 --> 00:56:29,560 Speaker 1: if Ta said something to Kodak Black and then Kodak 1128 00:56:29,600 --> 00:56:32,320 Speaker 1: Black said something back to Ti. Social media in general 1129 00:56:32,600 --> 00:56:33,920 Speaker 1: is gonna hype it up. Oh I know is I 1130 00:56:33,960 --> 00:56:36,320 Speaker 1: do rumor report every day, and if you say it, 1131 00:56:36,400 --> 00:56:38,200 Speaker 1: it's fair game for rumor report. And if I don't 1132 00:56:38,239 --> 00:56:40,719 Speaker 1: report on things, people like why didn't you talk about this? 1133 00:56:40,960 --> 00:56:43,160 Speaker 1: Why didn't you talk about that? It doesn't mean you're 1134 00:56:43,200 --> 00:56:45,600 Speaker 1: trying to fuel it. I'm just letting you know what's 1135 00:56:45,600 --> 00:56:48,240 Speaker 1: happening that's already posted and Shade Room and ball Alert 1136 00:56:48,280 --> 00:56:50,279 Speaker 1: and Hollywood Unlocked in any of these other sites. All 1137 00:56:50,320 --> 00:56:52,960 Speaker 1: they're doing is reacting to what's already going on in 1138 00:56:53,040 --> 00:56:55,160 Speaker 1: the culture. They're reacting me, what's already going on on? 1139 00:56:55,680 --> 00:56:57,960 Speaker 1: See if you're gonna if you're gonna post the negative stuff, 1140 00:56:57,960 --> 00:56:59,959 Speaker 1: post a positive as well. That's all I think she said. 1141 00:57:00,200 --> 00:57:02,040 Speaker 1: They probably don't do it as much much as much 1142 00:57:02,040 --> 00:57:04,320 Speaker 1: as they should, probably don't get it any clicks. Maybe 1143 00:57:04,920 --> 00:57:08,560 Speaker 1: we know it definitely all right now. Cartneyby also had 1144 00:57:08,640 --> 00:57:12,040 Speaker 1: this to say about the blogs being the comments, like, oh, 1145 00:57:12,160 --> 00:57:15,160 Speaker 1: why are they're making documentaries about r Kelly? Why are 1146 00:57:15,160 --> 00:57:19,280 Speaker 1: they're making documentaries about Michael Jackson? Because y'all make people 1147 00:57:19,320 --> 00:57:21,560 Speaker 1: feel like it's okay to do so, why wouldn't a 1148 00:57:21,640 --> 00:57:25,160 Speaker 1: white Occasian person try to capitalize of the drama they 1149 00:57:25,240 --> 00:57:28,680 Speaker 1: have been in and the black entertainment business when black 1150 00:57:28,800 --> 00:57:32,720 Speaker 1: blogs capitalize of their own drama and problems. Y'all barely 1151 00:57:32,760 --> 00:57:35,680 Speaker 1: postpositive ship about us, So why would a white blog 1152 00:57:36,000 --> 00:57:39,520 Speaker 1: post positive about us that the negative does cell? That 1153 00:57:39,680 --> 00:57:41,680 Speaker 1: is a fact. Drama cells and all these people claim 1154 00:57:41,720 --> 00:57:44,160 Speaker 1: to be vegan, but nothing, nothing cells out like beef, 1155 00:57:44,440 --> 00:57:46,600 Speaker 1: and that's a fact. Well, I feel bad reporting this 1156 00:57:46,800 --> 00:57:49,560 Speaker 1: YG song now, but YG has released a new track. 1157 00:57:49,840 --> 00:57:53,520 Speaker 1: It's called Stop Snitching. It's about Takashi six nine. Now 1158 00:57:53,600 --> 00:57:55,480 Speaker 1: it's hard for me to even play a snippet of 1159 00:57:55,560 --> 00:57:58,920 Speaker 1: this because it's very not safe for work, and that 1160 00:57:59,040 --> 00:58:01,360 Speaker 1: means our job, because we can't play all these curses 1161 00:58:01,440 --> 00:58:05,320 Speaker 1: and slurs. But here's what it sounds like. Smell a 1162 00:58:05,360 --> 00:58:10,439 Speaker 1: bit weight gets played on this slight and fleet. It's 1163 00:58:10,480 --> 00:58:14,920 Speaker 1: just a little sam real chicken kind. I'm getting real. Wait, 1164 00:58:15,280 --> 00:58:17,600 Speaker 1: you got filled in your heart, so you proper bread. 1165 00:58:18,280 --> 00:58:22,040 Speaker 1: I can't say how the break up. Don't know you 1166 00:58:22,800 --> 00:58:24,600 Speaker 1: he'll girl, you know you. I don't know how she's 1167 00:58:24,640 --> 00:58:27,200 Speaker 1: set your balls. You got called best for you and 1168 00:58:27,200 --> 00:58:29,959 Speaker 1: you'll kick You'll got called and everybody went down because 1169 00:58:29,960 --> 00:58:32,240 Speaker 1: you snitch. I can't even play the hook for you. 1170 00:58:32,440 --> 00:58:34,240 Speaker 1: It's a lot of snitches out here. It's a lot 1171 00:58:34,280 --> 00:58:36,520 Speaker 1: of federal informance out here. That song is not scrictly 1172 00:58:36,520 --> 00:58:38,200 Speaker 1: about Takashi. I don't think that song is about the 1173 00:58:38,240 --> 00:58:40,920 Speaker 1: Kashi at all. Well, you know he has issues with Takashi. No, 1174 00:58:41,080 --> 00:58:42,120 Speaker 1: I think it has a lot of to do. It 1175 00:58:43,360 --> 00:58:46,200 Speaker 1: n't had their problems and Tashi was sting. It's called snitch. 1176 00:58:46,360 --> 00:58:48,880 Speaker 1: Takashi is just another snitch in a long line of 1177 00:58:48,920 --> 00:58:51,840 Speaker 1: snitches like I got. This song is not just regulated 1178 00:58:51,880 --> 00:58:53,920 Speaker 1: to Takashi, and I want to tell you something, boy, 1179 00:58:54,400 --> 00:58:56,919 Speaker 1: that video for that song, it's phenomenal. Dropping the clues 1180 00:58:56,960 --> 00:58:59,000 Speaker 1: bomp for YGI. I've already I saw the video. The 1181 00:58:59,040 --> 00:59:01,000 Speaker 1: hook is very cashy that I can't say any of it. 1182 00:59:01,160 --> 00:59:04,000 Speaker 1: The video is phenomenal. And if you're from Charleston, South Carolina, 1183 00:59:04,000 --> 00:59:06,320 Speaker 1: and you know the story didn't mark VC, then you 1184 00:59:06,440 --> 00:59:10,600 Speaker 1: know that you know we call uh snitches and informants 1185 00:59:10,640 --> 00:59:12,520 Speaker 1: the descendants of the slaves that rather it or didn't 1186 00:59:12,520 --> 00:59:15,640 Speaker 1: mark VC. You're gonna like this video? All right? Well, 1187 00:59:15,680 --> 00:59:17,480 Speaker 1: the new album is called for Real, for Real and 1188 00:59:17,560 --> 00:59:20,640 Speaker 1: that's out May third. F YI. All right, I'm Anzela 1189 00:59:20,720 --> 00:59:23,280 Speaker 1: yee and that is your rumor report. All right, thank you, 1190 00:59:23,440 --> 00:59:27,400 Speaker 1: miss ye. Now when we come back, Charlemagne got donkey 1191 00:59:27,480 --> 00:59:30,640 Speaker 1: giving it. Don'ken you broubbah Lee Daniels. No, I'm gonna 1192 00:59:30,640 --> 00:59:36,800 Speaker 1: give it to Roman, Roman said drum Lee. Daniels asked 1193 00:59:36,800 --> 00:59:39,240 Speaker 1: about your dramas, All yeah, yeah, yeah, what do you say? 1194 00:59:39,320 --> 00:59:42,480 Speaker 1: He just asked Abouttom. That's who he was. That's all drama. 1195 00:59:42,600 --> 00:59:45,160 Speaker 1: Want me to pass the information alone. You don't drum 1196 00:59:45,360 --> 00:59:50,920 Speaker 1: with that. You miss your blessing. That alert new muse. 1197 00:59:52,000 --> 00:59:55,320 Speaker 1: You got some bread drug. Wow. I know you just 1198 00:59:55,400 --> 00:59:57,320 Speaker 1: said money didn't matter. He didn't. He didn't say no, 1199 00:59:57,920 --> 01:00:05,720 Speaker 1: he didn't say no. Yes, all right, keep it locks 1200 01:00:05,720 --> 01:00:08,600 Speaker 1: of breakfast, Clukan boarding it. Don't be a dusty because 1201 01:00:08,680 --> 01:00:13,000 Speaker 1: right now you want some real It's time for Donkey 1202 01:00:13,080 --> 01:00:14,840 Speaker 1: of the day. So if we ever feel I need 1203 01:00:14,920 --> 01:00:18,320 Speaker 1: to be a donkey man with the hero, did she 1204 01:00:18,400 --> 01:00:23,640 Speaker 1: get I had become donkey of the day the pretas 1205 01:00:23,720 --> 01:00:29,760 Speaker 1: club bitch. Yes, donkey today for Wednesday, April twenty fourth 1206 01:00:29,960 --> 01:00:32,120 Speaker 1: goes to Roman Polanski. Now, if you don't know who 1207 01:00:32,200 --> 01:00:35,840 Speaker 1: Roman Polanski is, he's a film director, producer, writer, and actor, 1208 01:00:36,080 --> 01:00:38,280 Speaker 1: and since nineteen seventy eight, the year I was born, 1209 01:00:38,480 --> 01:00:40,920 Speaker 1: he has been a fugitive from the US criminal justice 1210 01:00:40,960 --> 01:00:44,160 Speaker 1: system because he fled the country while awaiting sentencing in 1211 01:00:44,320 --> 01:00:48,400 Speaker 1: a sexual abuse case. He played guilty to statutory rape. 1212 01:00:48,400 --> 01:00:51,880 Speaker 1: I repeat, he pled guilty to statutory rape. In nineteen 1213 01:00:51,960 --> 01:00:55,200 Speaker 1: seventy seven, Roman Polanski was arrested and charged with drugging 1214 01:00:55,240 --> 01:00:58,000 Speaker 1: and raping a thirteen year old girl. He played guilty 1215 01:00:58,080 --> 01:01:00,560 Speaker 1: to the lesser offense of unlawful set from a minor. 1216 01:01:00,760 --> 01:01:04,400 Speaker 1: He spent forty two days undergoing psychiatric evaluation in prison 1217 01:01:04,640 --> 01:01:07,720 Speaker 1: as he was preparing for sentencing and he was expecting 1218 01:01:07,720 --> 01:01:10,440 Speaker 1: to be put on probation, but he fled to Paris 1219 01:01:10,520 --> 01:01:13,600 Speaker 1: after learning that to judge planning to indeed put him 1220 01:01:13,600 --> 01:01:16,240 Speaker 1: in prison. Now, Roman's career didn't miss a beat. He 1221 01:01:16,360 --> 01:01:18,439 Speaker 1: went to Europe and continued to make films. In fact, 1222 01:01:18,480 --> 01:01:21,800 Speaker 1: he won Francis Caesar Award for Best Picture and Best Director, 1223 01:01:22,440 --> 01:01:25,200 Speaker 1: received three Oscar Nams for a film called Test and 1224 01:01:25,280 --> 01:01:29,080 Speaker 1: he produced and directed The Pianist, and that film won 1225 01:01:29,200 --> 01:01:32,280 Speaker 1: three Academy Awards, including Best Director for Roman Polanski. And 1226 01:01:32,360 --> 01:01:34,440 Speaker 1: in two thousand and ten, he was awarded Best Director 1227 01:01:34,480 --> 01:01:37,040 Speaker 1: for a film called ghost Writer. Think about that. Roman 1228 01:01:37,080 --> 01:01:39,480 Speaker 1: Polanski played guilty to sleeping with a thirteen year old 1229 01:01:39,480 --> 01:01:41,480 Speaker 1: girl when he was like forty five. All right, he 1230 01:01:41,560 --> 01:01:44,400 Speaker 1: fled the country. He's a fugitive here in America. Yet 1231 01:01:44,440 --> 01:01:46,480 Speaker 1: he's still won an Oscar for Best Director in two 1232 01:01:46,520 --> 01:01:50,000 Speaker 1: thousand and two. Okay, multiple choice question. Did Roman Polanski 1233 01:01:50,040 --> 01:01:54,480 Speaker 1: get this break because he's a white B male C 1234 01:01:55,080 --> 01:01:57,560 Speaker 1: rich R D all of the above? What do you 1235 01:01:57,680 --> 01:02:02,440 Speaker 1: think he envy? What do you think the let off 1236 01:02:02,560 --> 01:02:08,640 Speaker 1: to see? Okay, hard to say white privilege isn't real. 1237 01:02:09,040 --> 01:02:11,720 Speaker 1: When Albert Wilson, a young black college student, was sentenced 1238 01:02:11,760 --> 01:02:14,520 Speaker 1: over twelve years in prison for rape, but didn't even 1239 01:02:14,560 --> 01:02:16,680 Speaker 1: have sex with the victim. Have you heard this story? 1240 01:02:16,760 --> 01:02:19,680 Speaker 1: True story? Do your google's. Albert Wilson was twenty at 1241 01:02:19,760 --> 01:02:22,000 Speaker 1: the time and the young girl was seventeen. They both 1242 01:02:22,040 --> 01:02:24,240 Speaker 1: were in this bar under the legal drinking age. They 1243 01:02:24,360 --> 01:02:26,240 Speaker 1: ended up going back to his place. The young girl 1244 01:02:26,320 --> 01:02:28,720 Speaker 1: said she was raped. Albert said all they did was kiss. 1245 01:02:28,960 --> 01:02:31,760 Speaker 1: No seminal fluid or DNA was found, but his saliva 1246 01:02:31,840 --> 01:02:33,840 Speaker 1: was found on her chest because that's where he said 1247 01:02:33,880 --> 01:02:37,200 Speaker 1: he kissed her. And Albert Wilson got twelve years in prison, 1248 01:02:37,320 --> 01:02:41,160 Speaker 1: a lifetime of probation, and a mandatory sex offended title. Meanwhile, 1249 01:02:41,440 --> 01:02:44,440 Speaker 1: Roman Polanski, forty five years old, admits the sleeping with 1250 01:02:44,520 --> 01:02:47,520 Speaker 1: a thirteen year old girl, flees the country before his sentencing, 1251 01:02:47,720 --> 01:02:50,840 Speaker 1: which is a whole other crime, and he gets an oscar. Hey, 1252 01:02:50,960 --> 01:02:53,800 Speaker 1: young black world in America, life is not fair. Get 1253 01:02:53,920 --> 01:02:56,440 Speaker 1: used to it. Well. One thing I have realized is 1254 01:02:56,920 --> 01:02:59,560 Speaker 1: where privilege exists, entitlement is shore to follow. And when 1255 01:02:59,560 --> 01:03:01,560 Speaker 1: you give some one an inch of privilege, they will 1256 01:03:01,600 --> 01:03:04,520 Speaker 1: take a yard of entitlement. Okay, Roman Polanski is indeed 1257 01:03:05,160 --> 01:03:08,800 Speaker 1: an entitled individual because instead of keeping his fugitive ass low, 1258 01:03:09,080 --> 01:03:13,360 Speaker 1: he is currently attempting to sue the Oscar Academy. What 1259 01:03:13,600 --> 01:03:16,520 Speaker 1: is Roman Polanski suing the Oscar Academy for Let's go 1260 01:03:16,600 --> 01:03:19,280 Speaker 1: to Entertainment? To Night CBS Los Angeles for the report Police. 1261 01:03:19,440 --> 01:03:21,920 Speaker 1: The disgrace director is suing to get back in the 1262 01:03:22,000 --> 01:03:24,720 Speaker 1: Academy of Motion Picture Arts and Sciences. A case is 1263 01:03:24,760 --> 01:03:28,320 Speaker 1: pending in La Superior Court for Roman Polanski. He fled 1264 01:03:28,400 --> 01:03:31,400 Speaker 1: the US in nineteen seventy eight after he was charged 1265 01:03:31,440 --> 01:03:34,920 Speaker 1: with statutory rape. He continued to work and even won 1266 01:03:34,960 --> 01:03:37,800 Speaker 1: an Oscar in two thousand and three for the Pianist. 1267 01:03:38,200 --> 01:03:40,720 Speaker 1: The eighty five year old was expelled from the Academy 1268 01:03:40,840 --> 01:03:44,640 Speaker 1: last year. Polanski's court papers say he was removed without 1269 01:03:44,840 --> 01:03:49,200 Speaker 1: notice and his request for reconsideration was denied. The academy 1270 01:03:49,240 --> 01:03:52,840 Speaker 1: says the procedures taken to expel Polanski were quote fair 1271 01:03:53,160 --> 01:03:57,760 Speaker 1: and reasonable the audacity of cau cassidy. Here's a thing. 1272 01:03:57,800 --> 01:03:59,480 Speaker 1: You can be mad at Roman Polanski, but can you 1273 01:03:59,560 --> 01:04:02,000 Speaker 1: really be add at Roman from Lansky? Seriously, if you 1274 01:04:02,080 --> 01:04:04,960 Speaker 1: admitted the statutory rape in nineteen seventy eight, played guilty 1275 01:04:05,000 --> 01:04:08,160 Speaker 1: the statutory rape, then fled the country. But since you're guilty, plea, 1276 01:04:08,200 --> 01:04:10,880 Speaker 1: you are nominated, nominated for an Oscar three times even 1277 01:04:10,960 --> 01:04:13,320 Speaker 1: one one, and the Oscar still kept you on his 1278 01:04:13,440 --> 01:04:17,080 Speaker 1: membership board. And then all of a sudden, almost forty 1279 01:04:17,160 --> 01:04:19,320 Speaker 1: years later, since I caught this charge, you want to 1280 01:04:19,360 --> 01:04:21,200 Speaker 1: expel me from the board because I am not in 1281 01:04:21,240 --> 01:04:25,280 Speaker 1: accordance with the organization standards of conduct Oscar Academy that 1282 01:04:25,400 --> 01:04:29,080 Speaker 1: the standards of conduct change. Because Roman Ben had these charges, 1283 01:04:29,280 --> 01:04:32,280 Speaker 1: y'all never stopped celebrating them. Y'all never stopped rewarding him. 1284 01:04:32,520 --> 01:04:35,480 Speaker 1: So why would he not sue y'all when y'all expel him. 1285 01:04:36,000 --> 01:04:38,760 Speaker 1: There are no new grounds on which to oust him. 1286 01:04:38,960 --> 01:04:41,280 Speaker 1: Y'all had every reason to oust him before and kept 1287 01:04:41,360 --> 01:04:43,480 Speaker 1: him on. So of course at this stage in the game, 1288 01:04:43,840 --> 01:04:47,440 Speaker 1: he would think he's done nothing wrong. This is why 1289 01:04:47,560 --> 01:04:50,360 Speaker 1: rewarding bad behavior is not okay. You don't give a 1290 01:04:50,440 --> 01:04:52,840 Speaker 1: puppy a treat because he tore up the couch and 1291 01:04:53,000 --> 01:04:55,360 Speaker 1: defecated all over the house. If the puppy thinks he's 1292 01:04:55,360 --> 01:04:58,000 Speaker 1: going to get a treat for doing something wrong, then 1293 01:04:58,040 --> 01:05:00,680 Speaker 1: he will never learn to do anything right, and he 1294 01:05:00,760 --> 01:05:03,600 Speaker 1: will continue the behavior that was getting him the treat. 1295 01:05:03,880 --> 01:05:06,560 Speaker 1: The Oscars have been enablers all these years. They have 1296 01:05:06,760 --> 01:05:11,040 Speaker 1: aided and abetted and fed Roman Polanski's dysfunction. So now 1297 01:05:11,200 --> 01:05:13,880 Speaker 1: Roman wants to know why he's not allowed to eat. 1298 01:05:14,920 --> 01:05:17,080 Speaker 1: You know, now that I think about it, let's make 1299 01:05:17,080 --> 01:05:20,200 Speaker 1: this a double donkey. Please please give Roman Polanski and 1300 01:05:20,360 --> 01:05:26,680 Speaker 1: the Oscars Academy the biggest heh. They're both stupid in 1301 01:05:26,720 --> 01:05:29,880 Speaker 1: this situation, because Roman Polanski needs to know. All right, 1302 01:05:30,120 --> 01:05:32,760 Speaker 1: you've been getting away with murder for a long time, okay, 1303 01:05:33,040 --> 01:05:35,480 Speaker 1: and the Oscars have been able and enabling this for 1304 01:05:35,600 --> 01:05:37,280 Speaker 1: a long time. Now all of a sudden you want 1305 01:05:37,280 --> 01:05:41,800 Speaker 1: to have a change your hearts. He can't even come here, right, 1306 01:05:41,880 --> 01:05:45,440 Speaker 1: So no, no, you've you've been rewarding this criminal for 1307 01:05:45,560 --> 01:05:47,960 Speaker 1: all of these years. Now you want to take him 1308 01:05:47,960 --> 01:05:51,200 Speaker 1: off the board. Huh? Come on now? All right, well, 1309 01:05:51,240 --> 01:05:54,520 Speaker 1: thank you for that donkey. Today Up next, ask ye 1310 01:05:54,760 --> 01:05:56,760 Speaker 1: eight on drink five eight five one oh five one 1311 01:05:56,800 --> 01:05:59,400 Speaker 1: if you need relationship advice or any type of advice 1312 01:06:00,000 --> 01:06:02,680 Speaker 1: eight hundred five eight five one o five one, ask 1313 01:06:02,920 --> 01:06:05,320 Speaker 1: ye is. Next is the Breakfast Club. Good morning, the 1314 01:06:05,560 --> 01:06:12,880 Speaker 1: Breakfast Club, Winding everybody in DJ Envy Angela Yee Charlemagne 1315 01:06:12,920 --> 01:06:15,320 Speaker 1: the guy we are the breakfast club. Now. Earlier during 1316 01:06:15,640 --> 01:06:18,520 Speaker 1: Get It Off Your Chest, this uh young man called. 1317 01:06:18,600 --> 01:06:21,480 Speaker 1: His name is Patrick. He was mad at his girlfriend 1318 01:06:21,600 --> 01:06:23,360 Speaker 1: and he's on the line. He needed some help. Yea 1319 01:06:23,520 --> 01:06:27,200 Speaker 1: Patrick there, now explain to ye what's going on? You 1320 01:06:27,240 --> 01:06:31,680 Speaker 1: know what's happy? Hey man, man, I've been I've been 1321 01:06:31,760 --> 01:06:33,880 Speaker 1: happening this issue with where her. I think she goes 1322 01:06:33,920 --> 01:06:36,280 Speaker 1: through like a little depression thing. We got to one 1323 01:06:36,400 --> 01:06:39,600 Speaker 1: your son, he's can really one here and two but um, 1324 01:06:40,040 --> 01:06:42,920 Speaker 1: you know, I'll be here y'all talk about mental health awareness. 1325 01:06:43,680 --> 01:06:46,520 Speaker 1: I'm a black man, I believe, and our black brothers 1326 01:06:46,520 --> 01:06:49,000 Speaker 1: and sistants fully so we've been having a problem. So 1327 01:06:49,360 --> 01:06:52,320 Speaker 1: about my last option was to offer some counselor like 1328 01:06:52,680 --> 01:06:55,040 Speaker 1: to go to some couple's counseling. That turned into like 1329 01:06:55,600 --> 01:06:59,080 Speaker 1: the hugest argument I can ever expect, and that led 1330 01:06:59,160 --> 01:07:01,800 Speaker 1: me to come home to an empty house last night. 1331 01:07:02,440 --> 01:07:04,760 Speaker 1: Not to mention, I wanted two jobs. I get up 1332 01:07:04,760 --> 01:07:07,640 Speaker 1: every morning at two thirty, leave my house at three, 1333 01:07:08,000 --> 01:07:10,200 Speaker 1: come back at salmon thirty, taking my daughter to school, 1334 01:07:10,240 --> 01:07:11,960 Speaker 1: go to another job, and don't get back until ay. 1335 01:07:12,040 --> 01:07:14,280 Speaker 1: That night. Now, I have two kids outside of our 1336 01:07:14,320 --> 01:07:17,120 Speaker 1: relationship that she was helping take care of, and it 1337 01:07:17,240 --> 01:07:19,560 Speaker 1: just it just kind of just put me on the 1338 01:07:19,640 --> 01:07:22,320 Speaker 1: spin because now unless she kind of win my hands 1339 01:07:22,360 --> 01:07:24,040 Speaker 1: in the air, you know, she just packed up and 1340 01:07:24,160 --> 01:07:26,200 Speaker 1: left while I was at work. So when you guys 1341 01:07:26,240 --> 01:07:28,640 Speaker 1: have a one year old, he's ten months, he'll be 1342 01:07:28,720 --> 01:07:31,280 Speaker 1: one in June, you think she might have postpartum depression. 1343 01:07:31,640 --> 01:07:33,400 Speaker 1: That's what everybody keeps telling me. And that's why I 1344 01:07:33,520 --> 01:07:36,440 Speaker 1: keep trying to offer some type of chounceling or you know, 1345 01:07:36,560 --> 01:07:40,080 Speaker 1: and she literally just started screaming, I don't need no counseling, 1346 01:07:40,320 --> 01:07:42,320 Speaker 1: and you know, X, Y and Z. But it's like 1347 01:07:42,840 --> 01:07:44,640 Speaker 1: eventually it's gonna come to the point to where it's 1348 01:07:44,640 --> 01:07:47,320 Speaker 1: gonna it's gonna break off our relationship. That's pretty much 1349 01:07:47,360 --> 01:07:49,400 Speaker 1: where it sat. Now. You know, she was arguably text 1350 01:07:49,440 --> 01:07:52,120 Speaker 1: messages and I'm just telling her like, you know, you know, 1351 01:07:52,160 --> 01:07:53,840 Speaker 1: I wan't telling to change, you know, I don't. I don't. 1352 01:07:53,920 --> 01:07:56,160 Speaker 1: I'm already acting the way you're acting. You know, we 1353 01:07:56,280 --> 01:07:58,880 Speaker 1: need to get some help. And all she keeps saying was, 1354 01:07:59,120 --> 01:08:01,240 Speaker 1: you know, like it leads, but she lived with me, 1355 01:08:01,400 --> 01:08:02,800 Speaker 1: so you know, I was going to phone trying to 1356 01:08:02,840 --> 01:08:05,680 Speaker 1: talk to her. I literally cannot get one word out 1357 01:08:05,720 --> 01:08:08,000 Speaker 1: to this place. Is there anybody else close to her 1358 01:08:08,040 --> 01:08:10,400 Speaker 1: besides you that can speak to her, like a family member, 1359 01:08:10,600 --> 01:08:14,080 Speaker 1: somebody related to I've tried her mom's Like her mom 1360 01:08:14,160 --> 01:08:15,880 Speaker 1: really can't get to her. She got a towards sister. 1361 01:08:16,040 --> 01:08:19,960 Speaker 1: I tried. I actually inbox hers swooping on Facebook yesterday 1362 01:08:20,000 --> 01:08:21,720 Speaker 1: to ask it. I talked to her to let her 1363 01:08:21,840 --> 01:08:24,439 Speaker 1: know what was going though, but I never got a response. 1364 01:08:24,560 --> 01:08:26,960 Speaker 1: But some are the only people that she got around 1365 01:08:27,000 --> 01:08:29,439 Speaker 1: her right now. But yeah, sometimes it's turned all the 1366 01:08:29,479 --> 01:08:31,960 Speaker 1: way around, you know. No, it does sound like it 1367 01:08:32,040 --> 01:08:34,200 Speaker 1: might be some type of postpartum depression because she's never 1368 01:08:34,240 --> 01:08:36,519 Speaker 1: acted like this before, right, No, I mean it was 1369 01:08:36,560 --> 01:08:39,320 Speaker 1: a little bit before the child, but like not to 1370 01:08:39,439 --> 01:08:42,320 Speaker 1: this extent, Like like she doesn't work right now. She 1371 01:08:42,360 --> 01:08:44,320 Speaker 1: keep saying she wants to work with I understand, but 1372 01:08:44,800 --> 01:08:48,400 Speaker 1: I provide everything. There's no need for her even to 1373 01:08:48,760 --> 01:08:50,519 Speaker 1: have to work. I'm trying to get her to understand 1374 01:08:50,680 --> 01:08:52,800 Speaker 1: and joy this time with this new child. We ask 1375 01:08:53,200 --> 01:08:55,519 Speaker 1: and look for a job that's gonna work for the 1376 01:08:55,640 --> 01:08:57,640 Speaker 1: family before you just go back to work. A lot 1377 01:08:57,680 --> 01:08:59,439 Speaker 1: of people don't get that opportunity to sit there and 1378 01:08:59,560 --> 01:09:02,080 Speaker 1: enjoy that first time was a child or the first 1379 01:09:02,200 --> 01:09:03,960 Speaker 1: year you know. I know I didn't because I was 1380 01:09:04,040 --> 01:09:08,240 Speaker 1: outsupportive our children, right, So it sounds like she definitely 1381 01:09:08,320 --> 01:09:10,640 Speaker 1: has to get some help, but she's not receptive to 1382 01:09:10,800 --> 01:09:14,439 Speaker 1: that coming from you. From that suggestion coming from you. Also, 1383 01:09:14,560 --> 01:09:16,519 Speaker 1: it sounds like every time you guys have a discussion 1384 01:09:16,560 --> 01:09:18,560 Speaker 1: at least to an argument, which I'm not saying is 1385 01:09:18,600 --> 01:09:21,240 Speaker 1: your fault at all, but that's what it leads to 1386 01:09:21,280 --> 01:09:24,000 Speaker 1: because she's defensive about it and she probably hasn't identified 1387 01:09:24,000 --> 01:09:27,000 Speaker 1: and for some women sometimes it's embarrassing to have these 1388 01:09:27,080 --> 01:09:30,680 Speaker 1: feelings that you can't explain, right, So I think a 1389 01:09:31,560 --> 01:09:33,840 Speaker 1: let's get get her some research. You don't have to 1390 01:09:33,880 --> 01:09:35,240 Speaker 1: sit down and talk to her about it, but why 1391 01:09:35,240 --> 01:09:37,519 Speaker 1: don't you just compile some of that. I think it 1392 01:09:37,600 --> 01:09:39,479 Speaker 1: also is important for you to have someone else, sometimes 1393 01:09:39,520 --> 01:09:41,840 Speaker 1: as high as somebody that's close to us, to talk 1394 01:09:41,880 --> 01:09:44,360 Speaker 1: to us about things that they're having issues with, because 1395 01:09:44,880 --> 01:09:47,000 Speaker 1: you hurt the people closest to you when you're going 1396 01:09:47,080 --> 01:09:49,920 Speaker 1: through something, and that might be hard for her too 1397 01:09:49,960 --> 01:09:51,640 Speaker 1: to hear that coming from you. So I might have 1398 01:09:51,720 --> 01:09:53,800 Speaker 1: to come from somebody else, And I do want to 1399 01:09:53,880 --> 01:09:57,160 Speaker 1: say in arguments, it is difficult when somebody's telling you 1400 01:09:57,280 --> 01:10:00,320 Speaker 1: what you need to do instead of explaining how it 1401 01:10:00,400 --> 01:10:03,360 Speaker 1: affects them. So sometimes you're telling someone, well, you're doing this, 1402 01:10:03,520 --> 01:10:06,120 Speaker 1: you're doing that, You're gonna make this happen, instead of 1403 01:10:06,200 --> 01:10:09,679 Speaker 1: saying that's exactly what's going on. But when I try 1404 01:10:09,760 --> 01:10:13,120 Speaker 1: to express why I'm feeling this way or why I 1405 01:10:13,280 --> 01:10:15,800 Speaker 1: think we really help, it's like you don't want to 1406 01:10:15,840 --> 01:10:18,680 Speaker 1: hear that. Yeah, And it is important when we have 1407 01:10:18,800 --> 01:10:21,600 Speaker 1: these discussions how we phrase things and how we say it, 1408 01:10:21,920 --> 01:10:23,720 Speaker 1: But it also seems like right now she's not really 1409 01:10:23,760 --> 01:10:26,400 Speaker 1: trying to hear it anyway, you know, because I find 1410 01:10:26,439 --> 01:10:28,200 Speaker 1: that when I argue, I try not to accuse the 1411 01:10:28,280 --> 01:10:30,599 Speaker 1: other person of doing things. I talk about how I feel. 1412 01:10:31,200 --> 01:10:33,160 Speaker 1: I feel like this, let's figure out how we can 1413 01:10:33,240 --> 01:10:35,240 Speaker 1: work on this together to come up with the resolution, 1414 01:10:35,320 --> 01:10:39,120 Speaker 1: because I don't know, you know, if I'm the person 1415 01:10:39,200 --> 01:10:40,439 Speaker 1: that can get you the help you need, but I 1416 01:10:40,520 --> 01:10:42,120 Speaker 1: want to make sure that you get it, and I 1417 01:10:42,200 --> 01:10:44,200 Speaker 1: want to make sure that I can support you, and 1418 01:10:44,360 --> 01:10:46,800 Speaker 1: so sometimes it's best to try to approach it that 1419 01:10:46,880 --> 01:10:49,639 Speaker 1: way without screaming or yelling, and you said she's screaming 1420 01:10:49,680 --> 01:10:51,280 Speaker 1: or yelling at you. You're not doing it to her, 1421 01:10:51,320 --> 01:10:54,160 Speaker 1: You're just listening. But it's also the approach, and hopefully 1422 01:10:54,200 --> 01:10:56,519 Speaker 1: her sister will reach back out to you. But I 1423 01:10:56,640 --> 01:10:59,560 Speaker 1: will recommend that you try to find a person that 1424 01:10:59,680 --> 01:11:02,400 Speaker 1: can help her. Ask a professional how you should go 1425 01:11:02,439 --> 01:11:05,360 Speaker 1: about it. In other words, do the research. See if 1426 01:11:05,360 --> 01:11:08,200 Speaker 1: you can get some recommendations for a therapist or somebody 1427 01:11:08,280 --> 01:11:09,960 Speaker 1: she can talk to. That might not be enough. She 1428 01:11:10,120 --> 01:11:12,200 Speaker 1: might need to be on some type of medication right 1429 01:11:12,240 --> 01:11:16,120 Speaker 1: now because she's feeling that hopeless. But maybe get in 1430 01:11:16,200 --> 01:11:18,599 Speaker 1: touch with that professional and see what they have to say. 1431 01:11:18,960 --> 01:11:20,360 Speaker 1: So hold on the line and let me see if 1432 01:11:20,400 --> 01:11:23,680 Speaker 1: we can get somebody for you. All good luck, bro, 1433 01:11:24,040 --> 01:11:26,680 Speaker 1: Let's get his information. Hold on and let's see if 1434 01:11:26,680 --> 01:11:29,519 Speaker 1: we can refer somebody to him. All right, Ask ye 1435 01:11:29,640 --> 01:11:31,840 Speaker 1: eight hundred five A five one oh five one. If 1436 01:11:31,840 --> 01:11:34,240 Speaker 1: you need relationship advice or any type of advice, call 1437 01:11:34,360 --> 01:11:37,519 Speaker 1: ye right now. It's the breakfast Club. Good morning morning 1438 01:11:37,600 --> 01:11:41,519 Speaker 1: everybody in dj envy Angela, Yee, Charlomagne, the guy we 1439 01:11:41,640 --> 01:11:44,719 Speaker 1: are the breakfast club in the middle of Ask ye, hello, 1440 01:11:44,800 --> 01:11:50,920 Speaker 1: who's this? Yes, Sary Brown ain't Shary Brown. I don't 1441 01:11:50,960 --> 01:11:53,240 Speaker 1: troll him. I've been trying to get in touch a 1442 01:11:53,360 --> 01:11:56,360 Speaker 1: job for like months and months and months. Hu seven 1443 01:11:56,479 --> 01:12:00,800 Speaker 1: five seven, eight h four. Okay, seen yourself to right. 1444 01:12:02,320 --> 01:12:06,080 Speaker 1: Let's tell your question. Okay, okay, Um, I'm very smart 1445 01:12:06,240 --> 01:12:08,880 Speaker 1: by the way, Um, y'all inspirate me a lot. I was. 1446 01:12:08,920 --> 01:12:11,200 Speaker 1: I listened to the radio because I slepted with PTSD 1447 01:12:11,640 --> 01:12:14,080 Speaker 1: and I love music and music comes me down. I 1448 01:12:14,120 --> 01:12:15,720 Speaker 1: can do a lot of things with music and cook 1449 01:12:15,800 --> 01:12:19,519 Speaker 1: with music. I can dance to music, I can draw 1450 01:12:19,640 --> 01:12:22,960 Speaker 1: the music, I can read the music. I just love music. So, um, 1451 01:12:23,200 --> 01:12:25,960 Speaker 1: I had a question because I love God right, and 1452 01:12:26,040 --> 01:12:28,439 Speaker 1: I've been safe since I was three years old, and 1453 01:12:29,680 --> 01:12:33,280 Speaker 1: every every relationship I've ever been in, all the guys 1454 01:12:33,360 --> 01:12:37,200 Speaker 1: say that I'm crazy. Everybody in my whole city say 1455 01:12:37,240 --> 01:12:40,960 Speaker 1: I'm crazy. In Hampton, Virginia, I've been in seventy five 1456 01:12:41,040 --> 01:12:43,439 Speaker 1: seven since I was nine years old. My mom came 1457 01:12:43,520 --> 01:12:47,040 Speaker 1: here getting away from abusive our relationship that my father 1458 01:12:47,240 --> 01:12:50,240 Speaker 1: was doing. Her and my father couldn't get along, so 1459 01:12:50,400 --> 01:12:52,160 Speaker 1: she left my father when I was nine months old, 1460 01:12:52,560 --> 01:12:55,000 Speaker 1: and I stuffed with not having a father, so I 1461 01:12:55,160 --> 01:12:59,240 Speaker 1: failed to like having relationship with guys looking for father figures, 1462 01:12:59,280 --> 01:13:00,960 Speaker 1: and I was going, well older guys. I never go 1463 01:13:01,000 --> 01:13:04,200 Speaker 1: with younger guys. So now without now that I'm forty three, 1464 01:13:04,800 --> 01:13:09,600 Speaker 1: I started attracting younger guys cougar stuff, cougar stuff, so 1465 01:13:10,000 --> 01:13:12,920 Speaker 1: um um, I went sullivant for four and a half years. 1466 01:13:13,240 --> 01:13:15,439 Speaker 1: And because I'm trying to fig out, watch up getting 1467 01:13:15,439 --> 01:13:19,280 Speaker 1: these relationships that was abusive. And I mean they keep 1468 01:13:19,320 --> 01:13:21,920 Speaker 1: putting me down. And then they'll start off saying like 1469 01:13:22,280 --> 01:13:24,720 Speaker 1: they loved me, like right away, like a month, two months, 1470 01:13:24,760 --> 01:13:27,880 Speaker 1: they loved me, and then they um, they say, I'm 1471 01:13:28,000 --> 01:13:31,000 Speaker 1: creative and stuff I do. Mamma, what's your question? Question? 1472 01:13:31,400 --> 01:13:34,400 Speaker 1: Like twenty six I have, like twenty I have like 1473 01:13:34,520 --> 01:13:37,840 Speaker 1: twenty sixty three. I counted them. I did a stuff 1474 01:13:37,880 --> 01:13:41,320 Speaker 1: and nowmous now that I draw, I do hair, I 1475 01:13:41,600 --> 01:13:46,320 Speaker 1: sing I rap I did I meant for U? Mama? 1476 01:13:46,360 --> 01:13:50,720 Speaker 1: What's your what's your question? What's your question? Um? I 1477 01:13:50,720 --> 01:13:53,599 Speaker 1: don't like everything, but they keep telling me I'm not nobody. 1478 01:13:53,640 --> 01:13:57,280 Speaker 1: I'm a certified chef. Mama, what's your question? The question 1479 01:13:57,520 --> 01:14:01,519 Speaker 1: is the question is personal good woman? When they see 1480 01:14:01,560 --> 01:14:04,040 Speaker 1: as a woman, and the question is I'm trying to 1481 01:14:04,120 --> 01:14:07,280 Speaker 1: figure out why are you single? Do keep dating these 1482 01:14:07,320 --> 01:14:09,120 Speaker 1: guys and say they don't believe in God? Because I'm 1483 01:14:09,120 --> 01:14:11,360 Speaker 1: believe in God and every time I see something about God, 1484 01:14:11,439 --> 01:14:13,200 Speaker 1: they don't like it, and I don't understand why they 1485 01:14:13,200 --> 01:14:14,360 Speaker 1: don't like it. I think we should go back to 1486 01:14:14,400 --> 01:14:17,080 Speaker 1: the part where she said people think she's crazy. That's 1487 01:14:17,120 --> 01:14:23,200 Speaker 1: a good place to start. Okay, sh Shary, Honey, people 1488 01:14:25,240 --> 01:14:28,080 Speaker 1: ask you a shar Sharry just has some things to 1489 01:14:28,120 --> 01:14:30,800 Speaker 1: get off her chest this morning. Hey man, I got 1490 01:14:31,640 --> 01:14:36,240 Speaker 1: the things I'm about thinking that I'm crazy crazy and 1491 01:14:36,400 --> 01:14:44,519 Speaker 1: everybody keeps Mory, you're not shared sy, Sarry? Do you 1492 01:14:44,600 --> 01:14:51,400 Speaker 1: want advice? Shary? Do you want advice? I'm trying to 1493 01:14:51,439 --> 01:14:53,040 Speaker 1: figure out. I'm trying to get on the ready. I'm 1494 01:14:53,080 --> 01:14:54,880 Speaker 1: like y'all so I can get it the talking because 1495 01:14:54,920 --> 01:14:57,720 Speaker 1: I love of salt, really know, I can't tell. I 1496 01:14:57,800 --> 01:15:00,800 Speaker 1: can't tell it all up. Hold on. Okay, So, Sharry, 1497 01:15:00,840 --> 01:15:02,840 Speaker 1: you keep dating guys who don't believe in God? Don't 1498 01:15:02,880 --> 01:15:05,960 Speaker 1: ask that questions? Yell. They say they believe in them, 1499 01:15:06,000 --> 01:15:09,599 Speaker 1: but they got all these game signs on them. Okay, 1500 01:15:09,680 --> 01:15:12,479 Speaker 1: so they do believe in God. They a heart on them, 1501 01:15:12,560 --> 01:15:17,280 Speaker 1: blood and Christ Sharry, remember Sharry. So it's not that 1502 01:15:17,400 --> 01:15:19,439 Speaker 1: they don't believe in God, as they don't praise and 1503 01:15:19,520 --> 01:15:22,040 Speaker 1: worship the way that you do. Oh well, I'm in, say, 1504 01:15:22,120 --> 01:15:23,560 Speaker 1: since I was three years old, and I've been in 1505 01:15:23,600 --> 01:15:25,439 Speaker 1: the choir. My mom made me go to church every 1506 01:15:25,520 --> 01:15:27,960 Speaker 1: fund that even those she said she stayed out all 1507 01:15:28,120 --> 01:15:31,719 Speaker 1: night and slept with people, husbands and and then mistress 1508 01:15:31,800 --> 01:15:34,240 Speaker 1: and all that. I've never had a husband. I've been 1509 01:15:34,320 --> 01:15:37,559 Speaker 1: the best woman that I've ever known, and the best mother. 1510 01:15:37,720 --> 01:15:40,439 Speaker 1: My mom just took my friend from me, and I'm like, 1511 01:15:40,920 --> 01:15:43,800 Speaker 1: like really like fed the fuck up. I'm in the 1512 01:15:43,880 --> 01:15:46,080 Speaker 1: best father. I can never picked up. I've been mother 1513 01:15:46,200 --> 01:15:49,360 Speaker 1: to other people's kids that don't even mothers that kids. 1514 01:15:49,520 --> 01:15:54,200 Speaker 1: All right, sharp, You know the Bible says, Jerry. The 1515 01:15:54,240 --> 01:15:57,680 Speaker 1: Bible says get in touch a drug and like ever shry. 1516 01:15:57,680 --> 01:16:01,960 Speaker 1: You know the Bible says a great deal about being quiet, right, yes, yeah, 1517 01:16:02,080 --> 01:16:05,160 Speaker 1: holding your tongue, shutting the hell up. Sometimes I leave 1518 01:16:05,160 --> 01:16:08,200 Speaker 1: it alone, shit, be still and listen, got you you 1519 01:16:08,240 --> 01:16:09,680 Speaker 1: know what I'm answering. You can hear God? How you 1520 01:16:09,760 --> 01:16:12,519 Speaker 1: hearing God? And you talk so goddamn much, Sherry. I 1521 01:16:12,640 --> 01:16:15,360 Speaker 1: don't know I do. How you start her? Why you 1522 01:16:15,400 --> 01:16:22,559 Speaker 1: start her talking? Jerry? Everybody, just give me a woman, Sherry. 1523 01:16:22,640 --> 01:16:29,280 Speaker 1: I got est, I got all you hold on, but 1524 01:16:29,360 --> 01:16:32,800 Speaker 1: we just ran out of time. Thank you very much, Sherry. Cherry. 1525 01:16:32,880 --> 01:16:35,240 Speaker 1: Did you even ask a question me? I don't know, Sarry, 1526 01:16:35,280 --> 01:16:37,599 Speaker 1: Thank you very much. Harry. Let me jumping in the water. 1527 01:16:37,720 --> 01:16:40,360 Speaker 1: Send me a ticket. I take it the water, jumping 1528 01:16:40,400 --> 01:16:42,439 Speaker 1: in a jumping in the water. I need to go 1529 01:16:42,520 --> 01:16:44,000 Speaker 1: to something in the water so I can get a break. 1530 01:16:44,040 --> 01:16:46,040 Speaker 1: Somebody send me a ticket please. Oh you want to 1531 01:16:46,040 --> 01:16:48,960 Speaker 1: go on a vacation now? Yeah? Our host this I 1532 01:16:49,080 --> 01:16:50,439 Speaker 1: just want to be there. I just want to get 1533 01:16:50,479 --> 01:16:52,320 Speaker 1: away from all this. What the hell is ro We'll 1534 01:16:52,320 --> 01:16:54,560 Speaker 1: get your ticket to Virginia Beach. Thank you, Thank you. 1535 01:16:56,160 --> 01:16:58,280 Speaker 1: Beach just five minutes away from you, I know, right 1536 01:16:58,320 --> 01:17:03,479 Speaker 1: from me. I used to living awful with Sherry. If 1537 01:17:03,479 --> 01:17:05,640 Speaker 1: you want to reach me, the emailers helped me ye 1538 01:17:05,800 --> 01:17:08,600 Speaker 1: at gmail dot com help me yet, Gmail, you have 1539 01:17:08,720 --> 01:17:11,120 Speaker 1: enough face in your inbox for this email. Sherry's about 1540 01:17:11,160 --> 01:17:12,920 Speaker 1: to send you. Well the shows ever, Thank y'all for 1541 01:17:13,040 --> 01:17:16,080 Speaker 1: listening to the best. That call went on goodness, well, 1542 01:17:16,080 --> 01:17:17,920 Speaker 1: we got rumors on the shairs should have just started off. Hey, 1543 01:17:18,000 --> 01:17:23,240 Speaker 1: fam would have been it. We got rumors on the way. Yes, 1544 01:17:23,320 --> 01:17:25,679 Speaker 1: let's talk about a new musical that's supposed to be coming. 1545 01:17:25,680 --> 01:17:27,360 Speaker 1: I want to see if y'all would go and see this. 1546 01:17:27,880 --> 01:17:31,320 Speaker 1: It's premiering in Houston. If that gives you a hint, goodness, great, 1547 01:17:31,640 --> 01:17:34,360 Speaker 1: you can fly, Sherry. I'm not fly, Sherry, I said, Sherry. 1548 01:17:34,360 --> 01:17:36,080 Speaker 1: We'll take it the Virginia Beach, a timides away. I 1549 01:17:36,200 --> 01:17:38,000 Speaker 1: know I used to live in Norfing. She will keep going. 1550 01:17:38,720 --> 01:17:40,479 Speaker 1: Oh my goodness, rumors on the way. It's the breakfast 1551 01:17:40,520 --> 01:17:50,040 Speaker 1: slogan morning the Breakfast Club had tation right. Shout out 1552 01:17:50,080 --> 01:17:53,040 Speaker 1: to Sherry who called for ask ye, she's still talking, Yes, 1553 01:17:53,120 --> 01:17:55,599 Speaker 1: she still talking. She doesn't know she's on hold. She's 1554 01:17:55,600 --> 01:17:58,880 Speaker 1: still talking. And one of our listeners who also called 1555 01:17:58,920 --> 01:18:02,000 Speaker 1: in about his wife or girlfriend looks like she's dealing 1556 01:18:02,040 --> 01:18:05,360 Speaker 1: with postpartum depression. Shout out to Latham time and she's 1557 01:18:05,360 --> 01:18:08,439 Speaker 1: been on the show before, Globe Man Box for Globe. 1558 01:18:08,439 --> 01:18:10,719 Speaker 1: Maybe Yes, she's I'm actually going to reach out because 1559 01:18:10,760 --> 01:18:13,320 Speaker 1: she said they have resources as well to be able 1560 01:18:13,320 --> 01:18:16,040 Speaker 1: to help. And it does sound like postpartum depression. Lathan 1561 01:18:16,080 --> 01:18:17,960 Speaker 1: Thomas that's good advice. You can look for her on 1562 01:18:18,120 --> 01:18:20,280 Speaker 1: Mama globe dot com. Layton Thomas know what she's doing, 1563 01:18:20,280 --> 01:18:22,840 Speaker 1: globemabing doing. You know what she's doing. My wife's our 1564 01:18:22,920 --> 01:18:24,800 Speaker 1: second child. She had a c section. She didn't want 1565 01:18:24,800 --> 01:18:26,040 Speaker 1: to have a c section for the third child. And 1566 01:18:26,040 --> 01:18:27,519 Speaker 1: you know the doctor to tell you, oh, you got 1567 01:18:27,640 --> 01:18:30,000 Speaker 1: to have another c section? Nah Man. She got with 1568 01:18:30,160 --> 01:18:33,360 Speaker 1: Lathan Latin made it happen because she pushed out. So 1569 01:18:33,439 --> 01:18:35,120 Speaker 1: we do want to make sure when people call for 1570 01:18:35,240 --> 01:18:37,840 Speaker 1: ask ye that we can at least lead you into 1571 01:18:37,880 --> 01:18:39,479 Speaker 1: the right direction of what it is that you need 1572 01:18:39,560 --> 01:18:41,160 Speaker 1: to do. Try to help as much. And if we 1573 01:18:41,280 --> 01:18:43,640 Speaker 1: can't help, we got a team of people who can't. Yes, 1574 01:18:43,760 --> 01:18:45,800 Speaker 1: and Lathan is one of them. Flu to Globemathan again. 1575 01:18:45,920 --> 01:18:48,000 Speaker 1: I appreciate it. All right, Well, let's get to the rumors. 1576 01:18:48,240 --> 01:18:55,200 Speaker 1: Let's talk Luke Walton. She's filling the team. This is 1577 01:18:55,240 --> 01:18:58,679 Speaker 1: the rumor report with Angela Yee on the Breakfast Club. 1578 01:19:00,400 --> 01:19:02,920 Speaker 1: So Luke Watton, you know him as a Sacramento King's 1579 01:19:02,960 --> 01:19:05,280 Speaker 1: head coach. He just got fired from the Lakers. Yes, 1580 01:19:05,360 --> 01:19:07,840 Speaker 1: he Jess left the Lakers and he used to be 1581 01:19:07,880 --> 01:19:11,080 Speaker 1: an assistant with the Golden State Warriors. Well now they're sports. 1582 01:19:11,120 --> 01:19:14,599 Speaker 1: Reporter Kelly Tennant is suing him, saying that he sexually 1583 01:19:14,640 --> 01:19:18,080 Speaker 1: assaulted her back when he was an assistant. Now here's 1584 01:19:18,120 --> 01:19:20,160 Speaker 1: what she has to say about how she even ended 1585 01:19:20,240 --> 01:19:23,200 Speaker 1: up a lot. And as I walked into the hotel 1586 01:19:23,280 --> 01:19:26,599 Speaker 1: with him, I anticipated us walking into the lobby where 1587 01:19:26,640 --> 01:19:29,439 Speaker 1: we would hang out and catch up. And he started 1588 01:19:29,479 --> 01:19:32,679 Speaker 1: to walk towards the elevators and I asked him why 1589 01:19:32,760 --> 01:19:34,840 Speaker 1: we were growing up to his room, and he said 1590 01:19:35,320 --> 01:19:38,559 Speaker 1: because the players on his team were in the lobby 1591 01:19:38,840 --> 01:19:41,599 Speaker 1: and he could not be around them. I was hesitant, 1592 01:19:41,760 --> 01:19:44,439 Speaker 1: and he said, don't worry about it. It's me, And 1593 01:19:44,680 --> 01:19:47,120 Speaker 1: as someone that I trusted for a long time, I 1594 01:19:47,280 --> 01:19:51,479 Speaker 1: realized I shouldn't overthink it and follow his sleep. She 1595 01:19:51,560 --> 01:19:54,360 Speaker 1: said she had met him before that through the volleyball 1596 01:19:54,439 --> 01:19:57,240 Speaker 1: community and that's how she knew him, so she felt 1597 01:19:57,240 --> 01:20:00,640 Speaker 1: comfortable enough. Now here's what she said happened when she 1598 01:20:00,720 --> 01:20:03,400 Speaker 1: got up to his room. Out of nowhere, he got 1599 01:20:03,439 --> 01:20:05,280 Speaker 1: on top of me and pinned me down to the 1600 01:20:05,360 --> 01:20:08,519 Speaker 1: bed and held my arms down with all his grades 1601 01:20:09,080 --> 01:20:12,120 Speaker 1: while he kissed my neck and my face and my chest. 1602 01:20:12,520 --> 01:20:15,000 Speaker 1: And as I kept asking him to please stop and 1603 01:20:15,120 --> 01:20:18,160 Speaker 1: to get off. He laughed at me. I could feel 1604 01:20:18,240 --> 01:20:21,320 Speaker 1: him rubbing his rreption on me, and he continued to 1605 01:20:21,479 --> 01:20:25,000 Speaker 1: laugh at all of my please to get off and 1606 01:20:25,120 --> 01:20:27,519 Speaker 1: to stop. I thought he was going to rape me. 1607 01:20:28,400 --> 01:20:30,920 Speaker 1: She did manage to escape. She's not doing a criminals room. 1608 01:20:31,479 --> 01:20:33,519 Speaker 1: Well I'm not sure yet, but she is suing him now, 1609 01:20:33,560 --> 01:20:36,120 Speaker 1: so I don't know what's going to happen. She's lawyered up. 1610 01:20:36,120 --> 01:20:38,200 Speaker 1: He's lawyered up now as well. When did this happen 1611 01:20:38,640 --> 01:20:42,720 Speaker 1: back in twenty fourteen, so allegedly. So now on his 1612 01:20:42,840 --> 01:20:46,000 Speaker 1: side of things, he's saying that the accuser is an opportunist, 1613 01:20:46,080 --> 01:20:48,400 Speaker 1: not a victim, and her claim is not credible. His 1614 01:20:48,520 --> 01:20:50,680 Speaker 1: attorneys are saying we intend to prove this in a 1615 01:20:50,800 --> 01:20:54,160 Speaker 1: courtroom and that these are baseless allegations. So those are 1616 01:20:54,200 --> 01:20:57,920 Speaker 1: both sides right now. All right, now, let's talk about 1617 01:20:58,000 --> 01:21:02,920 Speaker 1: Jesse Smalette and the brothers that allegedly attacked him. Now, 1618 01:21:03,000 --> 01:21:08,320 Speaker 1: these brothers are now coming forward Ola and able osandyro 1619 01:21:08,720 --> 01:21:11,320 Speaker 1: and they are saying that they are the victims and 1620 01:21:11,640 --> 01:21:14,960 Speaker 1: basically they were working for Jesse Smalett with this attack. 1621 01:21:15,280 --> 01:21:18,240 Speaker 1: Interestingly enough, they're suing his lawyers for defamation. But they're 1622 01:21:18,280 --> 01:21:21,599 Speaker 1: not suing Jesse, which is interesting and nobody asked why 1623 01:21:22,040 --> 01:21:24,880 Speaker 1: that was happening. But they're suing for defamation. They're saying 1624 01:21:24,960 --> 01:21:27,160 Speaker 1: that his attorneys allied to the media and tried to 1625 01:21:27,280 --> 01:21:29,879 Speaker 1: make it appear like Ola and Able were the culprits 1626 01:21:29,920 --> 01:21:32,840 Speaker 1: in a real homophobic and a racist attack. They're saying 1627 01:21:32,880 --> 01:21:35,759 Speaker 1: the whole thing was set up. Now one of the lawyers, 1628 01:21:35,840 --> 01:21:38,680 Speaker 1: they are saying, falsely accused one of the brothers of 1629 01:21:38,800 --> 01:21:42,840 Speaker 1: engaging in fornication with mister Smalett. In addition, they're saying 1630 01:21:42,880 --> 01:21:45,519 Speaker 1: that they were falsely accused of wearing white face during 1631 01:21:45,520 --> 01:21:48,040 Speaker 1: the attack and also that they were involved in an 1632 01:21:48,040 --> 01:21:51,879 Speaker 1: illegal Nigerian steroid trafficking ring. So they're saying it's all defamation. 1633 01:21:52,000 --> 01:21:53,760 Speaker 1: From example, when you tell one lie, you have to 1634 01:21:54,439 --> 01:21:56,599 Speaker 1: keep telling a million lies to cover up their first lie. 1635 01:21:56,680 --> 01:21:58,800 Speaker 1: In the bad part for the lawyers, I mean, all 1636 01:21:58,800 --> 01:22:00,920 Speaker 1: they're doing is going off the infamation that Jesse Smuller 1637 01:22:01,000 --> 01:22:03,400 Speaker 1: gave them. Now, according to this lawsuit, the brothers are 1638 01:22:03,439 --> 01:22:05,719 Speaker 1: saying that they didn't think Jesse would go to the cops. 1639 01:22:05,960 --> 01:22:08,000 Speaker 1: They thought he was just staging the attack, just for 1640 01:22:08,160 --> 01:22:11,160 Speaker 1: social media, and because of that, they are now suffering 1641 01:22:11,240 --> 01:22:15,519 Speaker 1: extreme emotional distress, humiliation, anxiety, damages to the reputation. They're 1642 01:22:15,520 --> 01:22:17,479 Speaker 1: having a hard time finding any work at all, both 1643 01:22:17,560 --> 01:22:22,240 Speaker 1: as actors and as personal trainers. So that's both sides 1644 01:22:22,320 --> 01:22:23,640 Speaker 1: of that. Now, I don't think it's going to work. 1645 01:22:23,640 --> 01:22:25,400 Speaker 1: And if it was trying to sue a lay though, 1646 01:22:25,400 --> 01:22:27,760 Speaker 1: because if you're trying to because the lawyer can just 1647 01:22:27,880 --> 01:22:30,000 Speaker 1: drag this out forever. It's not like the lawyer gotta 1648 01:22:30,000 --> 01:22:33,120 Speaker 1: pay anybody to representative. Is lawyer gonna drag this without 1649 01:22:33,280 --> 01:22:35,400 Speaker 1: all right? And Diddy and his daughters are on the 1650 01:22:35,520 --> 01:22:39,080 Speaker 1: cover of Essence magazine in that beautiful picture. Delilah, Jesse 1651 01:22:39,240 --> 01:22:41,479 Speaker 1: and Chance are his daughters. He has the twins with 1652 01:22:41,640 --> 01:22:43,840 Speaker 1: kim Porter. They are twelve years old, and his daughter 1653 01:22:43,960 --> 01:22:46,759 Speaker 1: Chance Combs, who is also twelve years old with stylish 1654 01:22:46,760 --> 01:22:50,160 Speaker 1: Sarah Chapman. Now he's in Essence magazine and he's talking 1655 01:22:50,160 --> 01:22:52,519 Speaker 1: about having to jump into mommy mode once kim Porter 1656 01:22:52,600 --> 01:22:55,559 Speaker 1: passed away. They also have a son together, Christian Combs, 1657 01:22:55,880 --> 01:22:58,000 Speaker 1: and they have a very blended family, which they always 1658 01:22:58,040 --> 01:23:01,920 Speaker 1: did talk about and they were very embracing of that. 1659 01:23:02,600 --> 01:23:06,000 Speaker 1: He told Dreamhampton in the interview, she was unforgettable. That 1660 01:23:06,240 --> 01:23:09,679 Speaker 1: day turned my world upside down. Three days before she passed, 1661 01:23:09,720 --> 01:23:11,640 Speaker 1: she wasn't feeling well. She had the flu, and she 1662 01:23:11,760 --> 01:23:13,439 Speaker 1: sent the kids over to my house so they wouldn't 1663 01:23:13,439 --> 01:23:15,280 Speaker 1: get sick. One night, I was checking on her and 1664 01:23:15,439 --> 01:23:17,880 Speaker 1: she was like, Puffy, take care of my babies. She 1665 01:23:18,040 --> 01:23:21,679 Speaker 1: actually said that to me before she died. So that's 1666 01:23:21,680 --> 01:23:23,559 Speaker 1: an entire article that you could read in the May 1667 01:23:23,640 --> 01:23:26,639 Speaker 1: issue of Essence magazine, and that's going to be available 1668 01:23:26,680 --> 01:23:28,920 Speaker 1: on Friday if you want to check out that entire article. 1669 01:23:28,920 --> 01:23:32,200 Speaker 1: And it is you know, Mother's Day month. So that's 1670 01:23:32,240 --> 01:23:36,000 Speaker 1: a perfect story. All right, I'm angela yea, And that 1671 01:23:36,200 --> 01:23:39,880 Speaker 1: is your rumor report. No, hey fam, right unless you 1672 01:23:39,920 --> 01:23:43,000 Speaker 1: want it? No, hey fam? No okay, all right, well 1673 01:23:43,080 --> 01:23:45,439 Speaker 1: again Revolt is out this week. They'll be back I 1674 01:23:45,520 --> 01:23:48,200 Speaker 1: think next week, right, they be back next day. We 1675 01:23:48,240 --> 01:23:49,720 Speaker 1: don't know unless you need some money. You know what 1676 01:23:49,760 --> 01:23:51,759 Speaker 1: I'm saying that that that covers you that they didn't 1677 01:23:51,800 --> 01:23:54,040 Speaker 1: had an Essence was fire. Look like the clothes cost 1678 01:23:54,080 --> 01:23:56,680 Speaker 1: a lot of money. He's saying. The budgets big, you know. 1679 01:23:57,080 --> 01:23:59,160 Speaker 1: I all I want. All I will say is whenever 1680 01:23:59,280 --> 01:24:02,960 Speaker 1: Revote is off, did he does something really major? Okay? Okay, 1681 01:24:03,080 --> 01:24:06,559 Speaker 1: this essence covers just yet another example of that. Could 1682 01:24:06,560 --> 01:24:09,120 Speaker 1: that money go somewhere? They got to Revote music conference 1683 01:24:09,160 --> 01:24:11,680 Speaker 1: coming up. I think they have two d everyone in 1684 01:24:11,720 --> 01:24:14,040 Speaker 1: the Atlanta and one in La Right, that's why they 1685 01:24:14,120 --> 01:24:17,040 Speaker 1: take in July, so they might got to get that money. 1686 01:24:17,400 --> 01:24:20,640 Speaker 1: Now this makes sense? Okay, all right, all right, well 1687 01:24:20,680 --> 01:24:22,639 Speaker 1: the People's Choice mixes up next, get your re question, 1688 01:24:22,680 --> 01:24:23,960 Speaker 1: and then after that the don't keet to day, so 1689 01:24:24,040 --> 01:24:25,960 Speaker 1: don't move. It's to Breakfast Club. Good morning. I want 1690 01:24:26,000 --> 01:24:29,880 Speaker 1: to get everybody. It's DJ mvy angela Ye, Charlomagne, the guy. 1691 01:24:29,960 --> 01:24:32,759 Speaker 1: We all the breakfast clubs. Shout to the Dungeon Family 1692 01:24:32,880 --> 01:24:36,040 Speaker 1: again our DJ. Then New York City stop. Shout to 1693 01:24:36,360 --> 01:24:39,479 Speaker 1: uh Goodie Mob. Shout the Big Boy. They killed it. 1694 01:24:39,960 --> 01:24:41,640 Speaker 1: You know, you forget how many hits they had. They 1695 01:24:41,680 --> 01:24:43,720 Speaker 1: were on stage for over two hours yesterday. Well I 1696 01:24:43,720 --> 01:24:45,439 Speaker 1: don't forget how many hits they had because I grew 1697 01:24:45,560 --> 01:24:47,599 Speaker 1: up off Dungeon Family. I still listen to the Dungeon 1698 01:24:47,640 --> 01:24:50,400 Speaker 1: Family religiously. Soul Food is one of the greatest hip 1699 01:24:50,439 --> 01:24:55,679 Speaker 1: hop albums ever recorded, and that is a factual statement, right, Okay, 1700 01:24:55,880 --> 01:24:58,800 Speaker 1: what's Coolbrey's there? Yes, they did watch for the hook 1701 01:24:58,840 --> 01:25:01,599 Speaker 1: and all that. Oh wow, okay, well I was at 1702 01:25:01,680 --> 01:25:05,280 Speaker 1: there too. I was at the seventy six ers Nets 1703 01:25:05,400 --> 01:25:07,439 Speaker 1: game in Philly. Yeah I was. I was invited, but 1704 01:25:07,439 --> 01:25:09,040 Speaker 1: I had to do the Dungeon family. Shout to Michael 1705 01:25:09,080 --> 01:25:10,880 Speaker 1: Ruben for inviting us. Yeah, your seats were next to 1706 01:25:10,960 --> 01:25:14,320 Speaker 1: me empty. Oh sorry, Michael ran big game though. I 1707 01:25:14,400 --> 01:25:15,800 Speaker 1: hope though, I hope we can still go to the 1708 01:25:15,880 --> 01:25:18,439 Speaker 1: game next week. Oh, I mean Brooklyn's out of it, 1709 01:25:18,520 --> 01:25:20,040 Speaker 1: so I don't even have a reason. But I do 1710 01:25:20,160 --> 01:25:21,840 Speaker 1: want to thank Michael Ruben for that. That was dope, 1711 01:25:21,840 --> 01:25:23,439 Speaker 1: and shout out to our Brooklyn Nets. We had a 1712 01:25:23,479 --> 01:25:26,560 Speaker 1: great season this season. I feel really confident about the 1713 01:25:26,680 --> 01:25:30,200 Speaker 1: next season. After you feel confident about just then would 1714 01:25:30,200 --> 01:25:33,120 Speaker 1: do well again? Okay, always be improving, you know. So 1715 01:25:33,600 --> 01:25:36,320 Speaker 1: shout out to everybody from the Brooklyn Nets organization as well. 1716 01:25:36,479 --> 01:25:38,960 Speaker 1: I saw Brett was out there at the game. I've 1717 01:25:38,960 --> 01:25:41,240 Speaker 1: seen who else? Did I to my guy in Mike Zies, 1718 01:25:43,160 --> 01:25:48,880 Speaker 1: No spank was there though, okay. Group of the Philadelphia 1719 01:25:48,920 --> 01:25:51,439 Speaker 1: seventy six a fan, well, I guess when the Hawks 1720 01:25:51,479 --> 01:25:53,559 Speaker 1: aren't in the playoffs. Yeah, I was like, really, I wouldn't. 1721 01:25:53,640 --> 01:25:56,360 Speaker 1: He said he was Michael Rubens, Well, MIKEA. Rubbins tries 1722 01:25:56,360 --> 01:25:58,519 Speaker 1: to get everyone to say that I have I do 1723 01:25:58,640 --> 01:26:00,679 Speaker 1: have on my seventy six ers jersey. You take a picture. 1724 01:26:02,000 --> 01:26:04,000 Speaker 1: He didn't say I had to take take a picture. 1725 01:26:04,040 --> 01:26:05,680 Speaker 1: He didn't. We never specified that he just had to 1726 01:26:05,720 --> 01:26:07,479 Speaker 1: wear it all day. Can't wear jack. And he didn't 1727 01:26:07,479 --> 01:26:09,960 Speaker 1: know that Revolt was off this week. I'm gonna take 1728 01:26:09,960 --> 01:26:12,320 Speaker 1: a picture for And also we gotta thank Lee Daniels 1729 01:26:12,360 --> 01:26:14,400 Speaker 1: for joining us. You want to thank Lee Drum, salute 1730 01:26:14,600 --> 01:26:17,800 Speaker 1: my man. Lee Daniels saluted Jordani Cooper for coming through. 1731 01:26:17,840 --> 01:26:20,200 Speaker 1: They have a playout call, Ain't no Mode, Ain't no mo. 1732 01:26:20,479 --> 01:26:23,120 Speaker 1: And you know what's so crazy, dramas all bought up. 1733 01:26:23,479 --> 01:26:26,200 Speaker 1: He sitched by envy. He's got a beard, he looks 1734 01:26:26,200 --> 01:26:29,360 Speaker 1: like Dan Ruth him and Lee Daniels asked me about him. 1735 01:26:29,479 --> 01:26:31,400 Speaker 1: You know what I'm saying, And you know, dramas acting 1736 01:26:31,439 --> 01:26:32,920 Speaker 1: funny all of a sudden, you don't want me to 1737 01:26:32,960 --> 01:26:35,519 Speaker 1: pass the plug. You might end up on stars Drum. 1738 01:26:35,640 --> 01:26:40,880 Speaker 1: You don't want that plug, alright, alright, so okay, all right, Lee, 1739 01:26:40,920 --> 01:26:43,240 Speaker 1: I'm gonna pass you drums and for what I'm saying, 1740 01:26:44,400 --> 01:26:47,559 Speaker 1: clear your message has been received, Lee, drum, you got 1741 01:26:47,600 --> 01:26:52,280 Speaker 1: the message. Something wrong with drum. Just leave that door, 1742 01:26:53,240 --> 01:26:58,479 Speaker 1: leave that door open. Oh mission, blessing drum meaning that's 1743 01:26:58,600 --> 01:27:03,439 Speaker 1: Jesse smelects. All right, the next Jordan Cooper, Okay, the 1744 01:27:03,600 --> 01:27:09,040 Speaker 1: next yea, yeah, yeah, yes, all right, Well we come back, 1745 01:27:12,760 --> 01:27:16,120 Speaker 1: come back positive notice to Breakfast Club. Come morning morning. 1746 01:27:16,160 --> 01:27:19,920 Speaker 1: Everybody is DJ Envy, Angela Yee, Charlomagne the guy. We 1747 01:27:20,000 --> 01:27:23,280 Speaker 1: are the Breakfast Club. All I want for Christmas is 1748 01:27:23,400 --> 01:27:27,720 Speaker 1: for my Instagram spam that just never ever ever come back. Bro, 1749 01:27:27,920 --> 01:27:29,479 Speaker 1: Like I can tell you what to do now. It 1750 01:27:29,600 --> 01:27:34,040 Speaker 1: don't work, man, I'm telling you that's all I get. 1751 01:27:34,120 --> 01:27:35,519 Speaker 1: Are we going to ignore the fact that I have 1752 01:27:35,600 --> 01:27:37,960 Speaker 1: got a huge booty and ask don't look at my story. 1753 01:27:38,280 --> 01:27:40,880 Speaker 1: If you're forced to see, then you will be masturbated. Block, 1754 01:27:40,920 --> 01:27:42,839 Speaker 1: don't make it my story. If you don't want to masturbate, 1755 01:27:42,920 --> 01:27:45,240 Speaker 1: block masturbate, You'll never see that again. I wish you 1756 01:27:45,240 --> 01:27:47,719 Speaker 1: would have interrupted that, because we need that whole quote. 1757 01:27:47,960 --> 01:27:51,120 Speaker 1: I'm sorry everybody gets these Instagram spam. This is disgusting 1758 01:27:51,280 --> 01:27:53,200 Speaker 1: and the way it's so sexual that you call an 1759 01:27:53,200 --> 01:27:56,320 Speaker 1: Instagram sperm instead of spam. There's a bunch of sperm 1760 01:27:56,400 --> 01:28:01,200 Speaker 1: on your timeline you want, have you? Nope, he did. 1761 01:28:01,280 --> 01:28:03,920 Speaker 1: I'm sure if you block the certain words, I'll never 1762 01:28:03,960 --> 01:28:05,679 Speaker 1: come up and don't come up with mine. But anyway, 1763 01:28:05,680 --> 01:28:07,760 Speaker 1: give us leave us on the positive. I block uh 1764 01:28:08,320 --> 01:28:11,600 Speaker 1: certain words from these comments. I'll never get yours. You 1765 01:28:11,640 --> 01:28:15,080 Speaker 1: know what I mean? Envy? No, I don't. H Okay, 1766 01:28:15,240 --> 01:28:18,080 Speaker 1: you guys have each other's numbers. It's not as fun. 1767 01:28:18,560 --> 01:28:20,680 Speaker 1: It's that's fun. It's not as fun when they When 1768 01:28:20,680 --> 01:28:23,800 Speaker 1: he texted me for real, it gets too real. Then 1769 01:28:24,640 --> 01:28:28,800 Speaker 1: the positive note he simply this embrace uncertainty. Some of 1770 01:28:28,880 --> 01:28:31,439 Speaker 1: the most beautiful chapters in our lives won't have titles 1771 01:28:31,600 --> 01:28:35,439 Speaker 1: until much later. Breakfast pub you'll finish it, y'all dumb