WEBVTT - 316: The Fluffer w/ Kelly McCreary

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<v Speaker 1>Unpacking the Toolbox is a production of Shondaland Audio in

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<v Speaker 1>partnership with Higheart Radio scandh Katie.

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<v Speaker 2>Oh my gosh, we have the greatest guest on today's episode. Hey, Kelly,

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<v Speaker 2>I feel like you come on to Scandal and you

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<v Speaker 2>are such a star, like a seen stealing shiny beacon

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<v Speaker 2>of stunningness.

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<v Speaker 1>Black leather jacket, wearing hair up like Lang, no way,

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<v Speaker 1>helmet Lang.

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<v Speaker 3>Forgetting it, won't get it because I knew I was

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<v Speaker 3>that my fate would change when I came back as

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<v Speaker 3>the character. When they had me in All Saints, it

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<v Speaker 3>was like last time they had me in Helmet Lang.

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<v Speaker 4>I was like, that is so funny, that is amazing.

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<v Speaker 2>So for those of you listening who don't know her

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<v Speaker 2>by voice, you should or whatever social media picture we

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<v Speaker 2>put out. But the guest today is the one and

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<v Speaker 2>only Kelly McCreary. Yes, who was on season three of

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<v Speaker 2>Scanne or did you start in season two?

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<v Speaker 3>No?

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<v Speaker 4>Three?

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<v Speaker 1>She started in episode Yolo, which is yes, yeah, that's

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<v Speaker 1>when we first see Claire.

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<v Speaker 4>You played Claire.

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<v Speaker 3>She played Claire bad Ass Claire Badass B.

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<v Speaker 2>Six thirteen agent who calls Harrison h and works for

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<v Speaker 2>Maya pope. But wait a second, first and foremost, was

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<v Speaker 2>this your first foray Intoshondaland it was.

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<v Speaker 5>Yes, yeah, yeah, it was.

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<v Speaker 3>So I had a meeting with Lynda Lowe just like

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<v Speaker 3>a general a couple of months before that. Yeah, And

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<v Speaker 3>so like when this audition came in, it was in

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<v Speaker 3>the midst of like episodic season when that was a thing,

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<v Speaker 3>So it was like really busy, and this was just

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<v Speaker 3>like a couple of little lines, and I was like, oh,

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<v Speaker 3>I want to play. I want to do more than

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<v Speaker 3>this on Scandal. I should wait until like better role

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<v Speaker 3>comes along. And then I was like, no, but Linda

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<v Speaker 3>and I had such a great rapport that I should

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<v Speaker 3>just say yes to this opportunity. And I went in

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<v Speaker 3>to just read my little two little lines, and it

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<v Speaker 3>turned out that the scene I was reading was not

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<v Speaker 3>the scene I actually did in that first episode Yolo

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<v Speaker 3>in the first place, because they always had dummy sides, right,

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<v Speaker 3>and then after that, you know, it was intended only

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<v Speaker 3>to be a single episode, but then came back and

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<v Speaker 3>did another one.

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<v Speaker 2>So when you audition, did you know that it would

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<v Speaker 2>recur or you didn't even think it was that.

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<v Speaker 5>No, it was not supposed to recur.

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<v Speaker 4>Wha, that's how good you did.

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<v Speaker 2>She was, wait, so like you even when you were

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<v Speaker 2>shooting it, like you didn't know that it was going

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<v Speaker 2>to come back another episode.

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<v Speaker 5>Yeah, no, you know I went to college with Ramlah Muhammad.

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<v Speaker 4>You did.

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<v Speaker 1>I didn't know that this episode with Chris Vans, Yes.

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<v Speaker 3>Right exactly. And ram La was on set that day

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<v Speaker 3>and I was like, oh, yead hey girl.

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<v Speaker 5>I had no idea that she was even writing. I

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<v Speaker 5>had no idea why I.

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<v Speaker 3>Lost track of each other after college. And so we're

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<v Speaker 3>catching up and it's great and she's like, well bye.

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<v Speaker 3>When I was I was like, so good to.

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<v Speaker 5>See you bye.

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<v Speaker 3>And then yeah, it turned out that I guess like

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<v Speaker 3>I passed a vibe check or something, and she was

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<v Speaker 3>able to confirm for Shonda that I wasn't going to

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<v Speaker 3>cause them problems, and I came back for another episode.

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<v Speaker 3>Ushanda reached out to her to find out it was

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<v Speaker 3>worth bring me back, and so she vou.

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<v Speaker 5>Like, no assholelog.

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<v Speaker 2>Yeah I did say bad, but yes, I guess I

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<v Speaker 2>literally causing no asshole policy.

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<v Speaker 3>That was really good?

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<v Speaker 2>Were you when you came on the Scandal set? Had

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<v Speaker 2>you watched Scandal before or you had never seen it or.

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<v Speaker 3>Yeah, no, of course. Yeah, I remember sitting in my

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<v Speaker 3>New York apartment because it came on late mid season.

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<v Speaker 5>Yeah, it was April.

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<v Speaker 2>Was the starting date April, which is so late for

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<v Speaker 2>even a mid season show.

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<v Speaker 3>Yes, but I remember sitting on my brown sofa in

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<v Speaker 3>my New York apartment and watching with my roommate at

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<v Speaker 3>the time. Like, I remember watching those early episodes and

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<v Speaker 3>being like, oh my god, this is so cool and

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<v Speaker 3>exciting and flashy and sexy and glamorous and elegant and

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<v Speaker 3>so fun. I watched it in the very beginning, and

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<v Speaker 3>then I fell off for some reason. Oh I was

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<v Speaker 3>like living in Vancouver shooting a show or something, so

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<v Speaker 3>I was gonna watch TV. But yeah, I was just going.

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<v Speaker 4>To say, were you a fan of Grays as well

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<v Speaker 4>early days?

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<v Speaker 3>Yes, I was an early fan of Grace. I went

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<v Speaker 3>through a very long period of I hope when I

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<v Speaker 3>was saw one of those people, Oh I don't really

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<v Speaker 3>watch TV, but like I really.

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<v Speaker 5>Knew I did too.

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<v Speaker 2>Yeah, I went through a period where two of my

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<v Speaker 2>apartments didn't even have a television, and I don't think yeah,

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<v Speaker 2>and I don't think I could have for a laptop

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<v Speaker 2>I literally have like a good four year span where

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<v Speaker 2>I never watched a show like.

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<v Speaker 3>Yeah, and this was like before streaming, before binginging for me,

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<v Speaker 3>like I'm dating myself here, but this was back when

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<v Speaker 3>you like had to be home to watch TV and

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<v Speaker 3>I lived in New York. I was running them streets now.

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<v Speaker 2>So when you found out your dummy size or dummy size,

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<v Speaker 2>then you find out, holy shit, I'm gonna come on

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<v Speaker 2>and I'm gonna have scenes with Harrison, Like had you

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<v Speaker 2>ever worked with him before?

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<v Speaker 5>Did you know what that was going to be like?

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<v Speaker 2>Were you nervous walking on a set or were you like, oh,

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<v Speaker 2>I'm so pro with this or what was the vibe

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<v Speaker 2>for you?

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<v Speaker 3>When I tell you it was like an out of

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<v Speaker 3>body experience. I had just shot my first series as

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<v Speaker 3>a series regular. I'd wrapped it earlier that year, so

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<v Speaker 3>I was not completely inexperienced. I knew how to be

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<v Speaker 3>on set, I knew how things went, I knew how

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<v Speaker 3>to I certainly felt capable as an actor. But something

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<v Speaker 3>about being on this set because it was like, I mean,

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<v Speaker 3>you guys, no, Seattle was such a big deal at

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<v Speaker 3>the time, and it was just like, yeah, it was such.

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<v Speaker 5>A big deal, and I was like, wait, it's so

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<v Speaker 5>like normal here.

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<v Speaker 3>And I don't know what I was expecting, but like

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<v Speaker 3>I was just waiting for something like jump out at me.

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<v Speaker 3>I don't know what I was thinking, but I was

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<v Speaker 3>so nervous, pretty sure. I was like, very sweaty.

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<v Speaker 4>Under that helmet lang leather jacket.

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<v Speaker 2>You didn't look at it, so did you when you

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<v Speaker 2>walk down set where you like.

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<v Speaker 3>Oh god. And then Columbus was there and I was like,

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<v Speaker 3>oh my god, he's so handsome, like even more handsome person.

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<v Speaker 5>Oh my god.

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<v Speaker 3>I just but again, everybody was so just this is

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<v Speaker 3>just a normal, everyday work day. So I was like, okay,

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<v Speaker 3>it was so fast, and but of course that's always

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<v Speaker 3>a good thing when you're a guest star. They don't

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<v Speaker 3>have to do take after take for you because you're nervous.

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<v Speaker 1>And you're sitting waiting for them to get to your ceety.

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<v Speaker 5>Oh god, I've done that.

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<v Speaker 4>That's the worst. Yeah.

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<v Speaker 1>What sucks is that we didn't even get to work

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<v Speaker 1>with you, Kelly, Like no, in fact, that's the only problem.

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<v Speaker 3>I worked only the Columbus was the only series Eary

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<v Speaker 3>where I worked with I worked with Candy Alexandelas and

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<v Speaker 3>Nasmy and Bonati and on the other day that I

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<v Speaker 3>or the other episodes I shot, I did the two

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<v Speaker 3>and so.

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<v Speaker 5>I never worked with Billy anything. I'm like, is that true?

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<v Speaker 3>Yeah? It was? Yeah.

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<v Speaker 2>So we can you tell us before we break down

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<v Speaker 2>the episode real quick? Can you tell us how the

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<v Speaker 2>whole because I vaguely remember the whisperings starting of like

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<v Speaker 2>how you got Gray's Scandal? Like how did this all unfold?

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<v Speaker 2>Tell us how this hasn't okay? My the narrative, like

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<v Speaker 2>the story arc. From my perspective, it looked like this.

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<v Speaker 2>I had the meeting with the general with Linda. She

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<v Speaker 2>brought me in for the small part on Scandal. She

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<v Speaker 2>that turned into a a.

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<v Speaker 3>Small recurring and then she brought me in for a

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<v Speaker 3>pilot that I wound up shooting a role on, not

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<v Speaker 3>the role I originally went in for, but that pilot

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<v Speaker 3>got picked up. It was Peter Horton, who was the

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<v Speaker 3>oh wows the director Anatomy, Yeah, and an early ep

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<v Speaker 3>on Grey's Anatomy, and he it was a project of

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<v Speaker 3>his and oh my god, I feel so bad. Let

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<v Speaker 3>me tell you something that I had the time of

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<v Speaker 3>my life shooting that in Boston in the dead of winter.

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<v Speaker 3>I was so excited about that show. And then this

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<v Speaker 3>Gray's Anatomy Park came out, which when they put out

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<v Speaker 3>the breakdown for it.

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<v Speaker 5>It was it might have been a guest star, but

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<v Speaker 5>I knew.

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<v Speaker 3>I knew it was recurring. I knew it was going

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<v Speaker 3>to recur, and so I went in for it. And

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<v Speaker 3>then I booked that and I was like, cool, got

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<v Speaker 3>this this recurring role on this pilot. I got this

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<v Speaker 3>recurring role on Grays. Although I knew that the offer

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<v Speaker 3>was coming in the firm Grays, my manager and Linda

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<v Speaker 3>had been in communication. They were like, it's you. You're

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<v Speaker 3>have to pick, You're to pick. I didn't get this contract, y'all.

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<v Speaker 3>I was supposed to shoot on a Friday. I finally

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<v Speaker 3>got the contract on Wednesday night at nine pm, and

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<v Speaker 3>the contract was for a serious A series regular option

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<v Speaker 3>and I was like, excuse me, and I didn't know

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<v Speaker 3>what to do. And I was like, but I want

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<v Speaker 3>to do this other show, and I did not know

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<v Speaker 3>what to do. I have no time to make the decision.

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<v Speaker 3>And I was like, I'm gonna kiss somebody off, like

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<v Speaker 3>no matter.

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<v Speaker 1>And you know what, Grays, Yeah, you know what, Grays

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<v Speaker 1>are going to be there for like thirty eight years.

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<v Speaker 4>This is for sure going to go listen.

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<v Speaker 3>I did not know that because you guys at the time,

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<v Speaker 3>Grays had been on the air for ten seasons already.

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<v Speaker 2>Which so you were like that if I do the

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<v Speaker 2>Grays thing and it turned into a series regular, then

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<v Speaker 2>maybe it's just gonna be the last year of Grays

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<v Speaker 2>and then I'm gonna miss that might just be starting

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<v Speaker 2>your journey. And so maybe all of a sudden yeah yeah,

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<v Speaker 2>kindsight of twenty twenty, you didn't know that Grays was

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<v Speaker 2>going to be going.

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<v Speaker 5>For twenty twenty ten.

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<v Speaker 3>I have no idea. I had no idea, So I

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<v Speaker 3>just I didn't. I was like, oh, okay, great, and

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<v Speaker 3>so that's pretty much I made the decision. And then

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<v Speaker 3>like within gosh, five or six episodes of the following season,

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<v Speaker 3>because I appeared at the end of season ten, like

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<v Speaker 3>and that last two episodes of season ten went back

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<v Speaker 3>to recur at the beginning of season eleven, and I

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<v Speaker 3>think within five or six episodes, Shonda called and promoted

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<v Speaker 3>me the series regular.

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<v Speaker 1>So, oh man, what happened with the other show? Then

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<v Speaker 1>it just it didn't even make it to air.

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<v Speaker 3>It did one season. It shot in New York City,

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<v Speaker 3>what I understand was the coldest winter up to that day.

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<v Speaker 5>That sounds brutal.

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<v Speaker 3>Oh my god, what was the name of it because

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<v Speaker 3>it was a different name than what.

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<v Speaker 5>We was damage control?

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<v Speaker 4>Yeah?

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<v Speaker 5>And then how many years did you do on Grades nine?

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<v Speaker 4>Oh my god, my lord?

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<v Speaker 5>Have wow that?

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<v Speaker 3>Yeah?

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<v Speaker 4>Is this true, Kelly?

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<v Speaker 1>That you went to the powers that be and asked,

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<v Speaker 1>respectfully to that you wanted to move on and ye

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<v Speaker 1>done with the show. That's when you know you've been

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<v Speaker 1>on the show a long last time when you're like,

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<v Speaker 1>I think to move on.

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<v Speaker 2>Sandra did that too on the show, right, like she

0:11:30.920 --> 0:11:34.719
<v Speaker 2>does so amazing. That's just an amazing Yeah. Like artistically

0:11:34.880 --> 0:11:35.600
<v Speaker 2>or however.

0:11:35.360 --> 0:11:39.199
<v Speaker 5>Whatever reactly personal or professionally. You know, you're just like,

0:11:39.840 --> 0:11:42.920
<v Speaker 5>I'm wanted to move on, move on or whatever.

0:11:43.720 --> 0:11:47.880
<v Speaker 3>I think that. Look the Sandra has done. Numerous actors

0:11:47.880 --> 0:11:49.640
<v Speaker 3>on the on the show have done it. I think

0:11:49.720 --> 0:11:54.480
<v Speaker 3>that nobody expects any actors job to last like a year,

0:11:54.679 --> 0:11:57.800
<v Speaker 3>let alone, you know, five, let alone nine. I got

0:11:57.840 --> 0:12:00.920
<v Speaker 3>that job at my thirties, so I had.

0:12:00.760 --> 0:12:06.079
<v Speaker 5>Up to the unbelievable. I don't even understand what's going on. Okay, okay.

0:12:08.000 --> 0:12:11.160
<v Speaker 3>Right up to prior to that, I had been like

0:12:11.200 --> 0:12:13.400
<v Speaker 3>a journey woman actor and I'd played lots of different

0:12:13.480 --> 0:12:15.280
<v Speaker 3>roles and been in a lot of places. And then

0:12:15.320 --> 0:12:18.520
<v Speaker 3>I played Maggie Peers for nine years, which was absolutely incredible.

0:12:18.559 --> 0:12:21.080
<v Speaker 3>And do I think that Maggie Peers may still have

0:12:21.200 --> 0:12:24.080
<v Speaker 3>some stories left to tell? Absolutely, Like it's not like

0:12:24.200 --> 0:12:26.240
<v Speaker 3>there was nothing else to do or say in the role,

0:12:26.280 --> 0:12:28.520
<v Speaker 3>but it was just time for me creatively to like

0:12:28.960 --> 0:12:31.000
<v Speaker 3>get back on my horse. And also I'm in a

0:12:31.000 --> 0:12:34.440
<v Speaker 3>different place in life and like just things have changed,

0:12:34.440 --> 0:12:37.760
<v Speaker 3>and I thought, I think that I need some space

0:12:37.800 --> 0:12:39.520
<v Speaker 3>from this to figure out what the next step is

0:12:39.600 --> 0:12:43.080
<v Speaker 3>and to build up the rest Knockwood, the rest of

0:12:43.120 --> 0:12:43.960
<v Speaker 3>my career.

0:12:45.640 --> 0:12:48.160
<v Speaker 5>To build it out with this incredible foundation.

0:12:48.559 --> 0:12:51.120
<v Speaker 2>Oh yeah, I can remember when Scandal was ending, Like

0:12:51.480 --> 0:12:55.040
<v Speaker 2>Jeff Perry said something to the extent of, like, it's

0:12:55.120 --> 0:12:59.800
<v Speaker 2>incredible if you can land an acting job in any

0:12:59.800 --> 0:13:05.240
<v Speaker 2>way that is secure or consistent for so many reasons,

0:13:05.520 --> 0:13:09.520
<v Speaker 2>you know, mentally, financially like all of those things, but inherently,

0:13:09.640 --> 0:13:14.200
<v Speaker 2>like being an actor is so nomadic, and what's exciting

0:13:14.200 --> 0:13:16.960
<v Speaker 2>about being an actor is playing lots of different things

0:13:17.000 --> 0:13:20.120
<v Speaker 2>overall a period of time. And so he would say

0:13:20.120 --> 0:13:22.040
<v Speaker 2>that when we were like getting bummed that scandal was

0:13:22.120 --> 0:13:24.480
<v Speaker 2>ending at year seven, because I think he was like, yes,

0:13:24.520 --> 0:13:27.240
<v Speaker 2>it's sad, but also we have to be excited about

0:13:27.440 --> 0:13:30.400
<v Speaker 2>the journeymanute being a journey actor like to play different

0:13:30.440 --> 0:13:32.480
<v Speaker 2>parts and whether you know you make that decision for

0:13:32.559 --> 0:13:36.000
<v Speaker 2>yourself or your show is ending after a really long run,

0:13:36.080 --> 0:13:39.760
<v Speaker 2>which you're so lucky to get, there's something creatively about

0:13:39.760 --> 0:13:40.679
<v Speaker 2>playing different parts.

0:13:40.720 --> 0:13:42.240
<v Speaker 5>That's what's big about the job.

0:13:42.800 --> 0:13:45.440
<v Speaker 3>For sure. I think that's what we all signed up for.

0:13:45.840 --> 0:13:49.200
<v Speaker 3>And like I said, like it's incredible, Like gosh, Ellen

0:13:49.360 --> 0:13:55.160
<v Speaker 3>has been playing Merreth Gray for over twenty years and

0:13:55.760 --> 0:13:56.840
<v Speaker 3>that's crazy.

0:13:57.240 --> 0:13:59.320
<v Speaker 5>Imagine playing the same character.

0:14:00.120 --> 0:14:02.959
<v Speaker 3>You're going through changes in your life and the character

0:14:03.080 --> 0:14:05.080
<v Speaker 3>comes along with you, and they inform that.

0:14:05.120 --> 0:14:08.440
<v Speaker 5>I'm like, that is unheard of.

0:14:08.559 --> 0:14:12.199
<v Speaker 1>When you they keep adding those zeros, they keep adding

0:14:12.240 --> 0:14:13.040
<v Speaker 1>those zeros.

0:14:14.240 --> 0:14:18.640
<v Speaker 4>That's what makes it possible. Let's be real in this piece, I'll.

0:14:18.480 --> 0:14:21.560
<v Speaker 5>Tell you that's what makes it impossible.

0:14:20.760 --> 0:14:22.680
<v Speaker 4>To impossible to leave exactly.

0:14:23.640 --> 0:14:26.880
<v Speaker 1>I love how all our lives crossed paths while we

0:14:26.880 --> 0:14:30.000
<v Speaker 1>were doing press for our shows. You started doing a

0:14:30.040 --> 0:14:33.240
<v Speaker 1>ton of for the upfront and the TCAs, and we'd

0:14:33.280 --> 0:14:36.200
<v Speaker 1>see Kelly at all these events, and we all just

0:14:36.280 --> 0:14:38.960
<v Speaker 1>had this mutual like shondaland love for each other because

0:14:38.960 --> 0:14:40.920
<v Speaker 1>we were fans of your show, You're fans of our show,

0:14:40.960 --> 0:14:43.280
<v Speaker 1>and it was just so it was so wonderful seeing

0:14:43.320 --> 0:14:45.680
<v Speaker 1>you out and chilling with you and hanging out.

0:14:45.760 --> 0:14:46.520
<v Speaker 4>That was always it.

0:14:47.960 --> 0:14:50.280
<v Speaker 5>I love the show. I loved you on the show.

0:14:50.360 --> 0:14:51.600
<v Speaker 5>I loved you on Scandal.

0:14:52.040 --> 0:14:53.160
<v Speaker 4>We'll be right back, guys.

0:14:59.000 --> 0:15:01.760
<v Speaker 3>I do think that I got to join this show

0:15:01.880 --> 0:15:05.160
<v Speaker 3>at such a special time because the year that I

0:15:05.280 --> 0:15:08.040
<v Speaker 3>started on the show was the same year that How

0:15:08.080 --> 0:15:10.640
<v Speaker 3>To Get Away started, and so that was the first

0:15:10.720 --> 0:15:15.080
<v Speaker 3>year of TGIT, so where I was boarding this moving

0:15:15.200 --> 0:15:17.360
<v Speaker 3>train all by myself. By the way, because a lot

0:15:17.400 --> 0:15:19.960
<v Speaker 3>of people have come on to the show along with

0:15:20.000 --> 0:15:24.120
<v Speaker 3>other characters, I came alone, you know. I became a

0:15:24.160 --> 0:15:27.400
<v Speaker 3>series regular on great Or. Katerina became a series reg

0:15:27.440 --> 0:15:29.160
<v Speaker 3>go on Grays the same time, but she had already

0:15:29.160 --> 0:15:29.920
<v Speaker 3>existed in.

0:15:29.920 --> 0:15:32.160
<v Speaker 5>The unifors and been backed and she got.

0:15:32.080 --> 0:15:34.920
<v Speaker 3>On Private Practice, so she was definitely knew at the

0:15:34.960 --> 0:15:36.720
<v Speaker 3>same time as me and the grades, but she was

0:15:36.920 --> 0:15:39.800
<v Speaker 3>not new to the universe or I still felt like

0:15:39.880 --> 0:15:43.880
<v Speaker 3>I was charting new territory on my own. And but

0:15:44.840 --> 0:15:48.320
<v Speaker 3>it was like there was so much celebration around the

0:15:48.360 --> 0:15:51.920
<v Speaker 3>TGIT stuff. There was so much community building between the

0:15:51.960 --> 0:15:54.520
<v Speaker 3>three shows, and it was like, oh my god, I

0:15:54.640 --> 0:15:57.600
<v Speaker 3>just am so grateful that I was able to come

0:15:57.640 --> 0:16:00.520
<v Speaker 3>on at that time because I felt low. I was like,

0:16:00.560 --> 0:16:04.080
<v Speaker 3>I got to Gray's and everybody was wonderful and very

0:16:04.240 --> 0:16:08.240
<v Speaker 3>welcoming and interested in engaging with me and helping to

0:16:08.280 --> 0:16:11.120
<v Speaker 3>develop Maggie and everything like that. It was awesome. But

0:16:11.440 --> 0:16:14.479
<v Speaker 3>at the same time, they're like grown ass people with lots.

0:16:14.240 --> 0:16:18.360
<v Speaker 4>Of kids, you know in the show for a minute. Yeah, yeah,

0:16:18.400 --> 0:16:18.920
<v Speaker 4>And I was.

0:16:18.920 --> 0:16:22.960
<v Speaker 3>Just like nuw to la and nude to the this

0:16:23.200 --> 0:16:25.120
<v Speaker 3>part of the scene and stuff. And it was so

0:16:25.240 --> 0:16:28.880
<v Speaker 3>fun to be able to like have that celebratory party

0:16:28.960 --> 0:16:34.600
<v Speaker 3>vibe provided by our like shared TGI T experience. I mean,

0:16:35.400 --> 0:16:35.800
<v Speaker 3>big deal.

0:16:36.080 --> 0:16:37.960
<v Speaker 2>That put her in that That put Shanda in the

0:16:38.120 --> 0:16:41.600
<v Speaker 2>like the dick Wolf category. You don't get full nights

0:16:41.600 --> 0:16:44.280
<v Speaker 2>of TV and you have multiple shows.

0:16:43.880 --> 0:16:44.880
<v Speaker 5>Happening at one time.

0:16:45.240 --> 0:16:51.360
<v Speaker 2>Somebody better pluck this girl yes into their show, because

0:16:52.360 --> 0:16:55.080
<v Speaker 2>not only are you you're such a beauty and so stunning,

0:16:55.200 --> 0:16:57.760
<v Speaker 2>but like your acting is so good.

0:16:57.880 --> 0:17:00.000
<v Speaker 5>It's like it just seems so trained.

0:17:00.520 --> 0:17:03.200
<v Speaker 2>So I'm so relaxed, like I'm just so oh my god,

0:17:03.280 --> 0:17:05.280
<v Speaker 2>she can do anything, like she's got it all.

0:17:05.480 --> 0:17:06.400
<v Speaker 5>Like it's just like.

0:17:07.040 --> 0:17:10.600
<v Speaker 2>I can't even believe you were on scan. Like it

0:17:10.680 --> 0:17:12.600
<v Speaker 2>was like, no, this girl is like a fucking star.

0:17:12.760 --> 0:17:14.840
<v Speaker 2>Get her out of hereever be the lead of her thing.

0:17:14.920 --> 0:17:17.520
<v Speaker 2>Obviously Shanda and was watching and was like, oh no,

0:17:17.560 --> 0:17:24.600
<v Speaker 2>she's mine anywhere.

0:17:25.320 --> 0:17:27.600
<v Speaker 3>Thank you you guys, No, thank you so much. I

0:17:27.640 --> 0:17:31.879
<v Speaker 3>do I have to say, listen, there's definitely footage of

0:17:31.920 --> 0:17:36.400
<v Speaker 3>me on the internet, possibly on television to this day,

0:17:37.000 --> 0:17:40.199
<v Speaker 3>on my very first on screen acting job. I'm not

0:17:40.240 --> 0:17:43.360
<v Speaker 3>going to name it. I don't want to searching for it.

0:17:43.359 --> 0:17:46.679
<v Speaker 4>I'm going to google it right now, Kelly, I had to.

0:17:47.359 --> 0:17:49.560
<v Speaker 3>I learned a lot on the job because I worked

0:17:49.560 --> 0:17:53.120
<v Speaker 3>really hard and I learned as I went. So much

0:17:53.119 --> 0:17:56.399
<v Speaker 3>of this is timing, and I happened to be like

0:17:56.600 --> 0:18:01.280
<v Speaker 3>really blossoming into my confident at the same time that

0:18:01.320 --> 0:18:04.040
<v Speaker 3>I was bossing into my abilities at the same time

0:18:04.119 --> 0:18:06.520
<v Speaker 3>that you know, I was ready to come to LA

0:18:06.640 --> 0:18:08.280
<v Speaker 3>And so it was, you know, after being in New

0:18:08.359 --> 0:18:09.520
<v Speaker 3>York for so long, So.

0:18:10.040 --> 0:18:12.240
<v Speaker 4>Are you a native New Yorker?

0:18:12.440 --> 0:18:15.679
<v Speaker 3>I grew up in Milwaukee, Wisconsin, and I went to

0:18:15.720 --> 0:18:18.400
<v Speaker 3>college in New York and State for a long time,

0:18:18.720 --> 0:18:20.040
<v Speaker 3>and that was sort of my home base. So I

0:18:20.040 --> 0:18:22.480
<v Speaker 3>did like a lot of regional theater and a little

0:18:22.480 --> 0:18:25.239
<v Speaker 3>out bad Way and one Broadway show. But like I

0:18:25.400 --> 0:18:27.840
<v Speaker 3>was just you know, journey Woman, a little bit of

0:18:27.960 --> 0:18:30.679
<v Speaker 3>guest starring here and there, founding the pavement that was

0:18:30.760 --> 0:18:34.080
<v Speaker 3>my training ground. And so yeah, I do I thank

0:18:34.119 --> 0:18:36.240
<v Speaker 3>you for saying all of that. And I do feel

0:18:36.240 --> 0:18:43.399
<v Speaker 3>like it was just a lot of manifesting timing, like

0:18:43.520 --> 0:18:45.439
<v Speaker 3>being in the right place at the right time. And

0:18:45.680 --> 0:18:49.720
<v Speaker 3>I do think also that Linda Lowe was a not

0:18:49.760 --> 0:18:51.159
<v Speaker 3>a guardian angel what do you call it, like a

0:18:51.200 --> 0:18:56.879
<v Speaker 3>fairy godmother, Like she just kept creating, kept like she

0:18:56.880 --> 0:18:57.520
<v Speaker 3>she kept.

0:18:57.280 --> 0:18:59.040
<v Speaker 2>Opening the door for you and putting you in the place.

0:18:59.080 --> 0:19:02.240
<v Speaker 2>But it was you you got there that could like keep.

0:19:02.320 --> 0:19:05.480
<v Speaker 2>And I had really similar Shanna used to say to me, like, oh,

0:19:05.520 --> 0:19:07.560
<v Speaker 2>where did you just come from? Like overnight is Quinn

0:19:07.600 --> 0:19:09.600
<v Speaker 2>And I was like I tested for all three doctors

0:19:09.600 --> 0:19:11.160
<v Speaker 2>of Off the Map last year.

0:19:11.800 --> 0:19:13.520
<v Speaker 4>With you in there.

0:19:14.359 --> 0:19:17.880
<v Speaker 2>Because the Cat's bringing me, shoving me like in front

0:19:17.920 --> 0:19:20.000
<v Speaker 2>of her face because she knew at some point it

0:19:20.080 --> 0:19:23.159
<v Speaker 2>might line up. And did you say Linda was the

0:19:23.160 --> 0:19:26.160
<v Speaker 2>person who cast the other pilot that you were shooting Boston?

0:19:26.680 --> 0:19:27.200
<v Speaker 5>Oh?

0:19:27.720 --> 0:19:28.160
<v Speaker 4>Oh wow.

0:19:28.840 --> 0:19:31.960
<v Speaker 3>Yeah. She was such a champion. She was like, I'm

0:19:31.960 --> 0:19:34.160
<v Speaker 3>going to get this girl a job and she did.

0:19:35.040 --> 0:19:38.520
<v Speaker 5>Oh my god, she is the fucking best.

0:19:38.600 --> 0:19:39.760
<v Speaker 3>Okay she is.

0:19:40.080 --> 0:19:44.720
<v Speaker 2>This is sadly the episode where your amazing character dies,

0:19:44.720 --> 0:19:46.200
<v Speaker 2>but we don't have to be sad because you went

0:19:46.240 --> 0:19:47.200
<v Speaker 2>on to have a nine year.

0:19:47.160 --> 0:19:52.280
<v Speaker 6>Run worked out okay, And it was called although I

0:19:52.359 --> 0:19:59.680
<v Speaker 6>never wore any helmet laying on Gray's Anatomy, Yeah, damn it.

0:20:00.680 --> 0:20:01.000
<v Speaker 5>Okay.

0:20:01.040 --> 0:20:04.879
<v Speaker 2>This is episode three sixteen, which was called The Fluffer.

0:20:05.160 --> 0:20:07.000
<v Speaker 2>We'll get into that in a second. It aired on

0:20:07.040 --> 0:20:09.240
<v Speaker 2>April third and twenty fourteen.

0:20:09.200 --> 0:20:11.320
<v Speaker 1>And it was written by Chris Van Duson and Ramaala

0:20:11.400 --> 0:20:15.000
<v Speaker 1>Mohammad and it was directed by the jhos Wark.

0:20:15.200 --> 0:20:18.240
<v Speaker 2>The episode was starring John Tenny As, Andrew Nichols, Tom

0:20:18.280 --> 0:20:21.040
<v Speaker 2>and Mandy's and Samuel Ruston. Candy Alexander Is, Maya Lewis,

0:20:21.040 --> 0:20:22.920
<v Speaker 2>Paul Eedelstein is Leo Bergen.

0:20:22.760 --> 0:20:26.000
<v Speaker 1>Brenda Strong is Joan rest In, Sebastian Rochet is Dominic Bell,

0:20:26.240 --> 0:20:31.760
<v Speaker 1>and Kelly McCreary is Claire Tucker Kelly and then to.

0:20:32.240 --> 0:20:34.680
<v Speaker 2>Just rack everyone's brains, including our own, of what the

0:20:34.720 --> 0:20:37.320
<v Speaker 2>hell this episode was about. As Olivia tries to get

0:20:37.320 --> 0:20:39.280
<v Speaker 2>the truth from her father, the White House deals with

0:20:39.320 --> 0:20:42.040
<v Speaker 2>a major press issue. Janine Locke is back with a

0:20:42.080 --> 0:20:44.520
<v Speaker 2>tell all book about her affair with fits. Since Olivia

0:20:44.600 --> 0:20:46.800
<v Speaker 2>took a day off, both Cyrus and Fitch ignor her

0:20:46.840 --> 0:20:49.040
<v Speaker 2>advice and try to solve the problem for themselves.

0:20:49.200 --> 0:20:52.320
<v Speaker 1>Meanwhile, Quinn Charlie track down Maya Pope is Hockey is

0:20:52.320 --> 0:20:54.280
<v Speaker 1>about to shut down B six thirteen thanks to a

0:20:54.280 --> 0:20:57.000
<v Speaker 1>little spy work from Olivia, but everything goes belly up

0:20:57.040 --> 0:20:59.600
<v Speaker 1>on both Maya and Jake know that Olivia has been intervening.

0:21:01.400 --> 0:21:04.760
<v Speaker 2>Okay, we usually go were you able to watch the episode,

0:21:04.800 --> 0:21:06.760
<v Speaker 2>It's totally okay. If you didn't, I did.

0:21:06.880 --> 0:21:09.040
<v Speaker 5>I watched it last year, which was okay.

0:21:14.040 --> 0:21:19.280
<v Speaker 2>So ten years ago you look exactly the same, so

0:21:19.560 --> 0:21:24.760
<v Speaker 2>congratulations on that. Let's just go through each of us

0:21:24.800 --> 0:21:27.320
<v Speaker 2>like favorite highlight moments. We'd like to say the Kerry

0:21:27.440 --> 0:21:29.720
<v Speaker 2>Washington school of acting, where you're just like holy shit,

0:21:29.800 --> 0:21:31.159
<v Speaker 2>that person's acting was crazy.

0:21:31.280 --> 0:21:33.280
<v Speaker 5>Or Shonda Rhymes school of writing was like the best

0:21:33.280 --> 0:21:33.840
<v Speaker 5>writing ever.

0:21:34.720 --> 0:21:39.720
<v Speaker 2>I couldn't get over Mine is a different category. A.

0:21:39.920 --> 0:21:42.840
<v Speaker 2>I thought Andrew Nichols is sporting a black guy the

0:21:42.840 --> 0:21:49.320
<v Speaker 2>whole time, and I thought it looked terrible. Really, he's

0:21:50.320 --> 0:21:54.480
<v Speaker 2>the guy running on the ticket with VI and in

0:21:54.520 --> 0:21:57.280
<v Speaker 2>the episode before, Fitz punches him in the face because

0:21:57.280 --> 0:21:59.239
<v Speaker 2>he finds out that he and Melly are having an

0:21:59.240 --> 0:22:01.600
<v Speaker 2>affair there love with each other, so he punches him.

0:22:01.600 --> 0:22:03.600
<v Speaker 2>So this whole episode he has to sport this black

0:22:03.640 --> 0:22:04.439
<v Speaker 2>guy that's healing.

0:22:04.680 --> 0:22:10.200
<v Speaker 5>I didn't even know. I didn't know.

0:22:10.480 --> 0:22:12.680
<v Speaker 4>I'm like, what are you talking about? Black guys did

0:22:12.760 --> 0:22:13.440
<v Speaker 4>not look good?

0:22:13.560 --> 0:22:15.160
<v Speaker 5>Sorry, I love you. Scandal makeup.

0:22:15.280 --> 0:22:16.680
<v Speaker 4>They were to be real subtle.

0:22:17.000 --> 0:22:19.120
<v Speaker 5>Yeah, they were really subtle.

0:22:18.440 --> 0:22:23.800
<v Speaker 2>My favorite line is when the Janine block book comes

0:22:23.840 --> 0:22:26.359
<v Speaker 2>out and the whole press releases or the press is

0:22:26.400 --> 0:22:27.040
<v Speaker 2>all asking.

0:22:26.880 --> 0:22:29.840
<v Speaker 5>Him does he have a breadstick or a begette.

0:22:31.840 --> 0:22:36.320
<v Speaker 3>It's definitely I thought that they were like gonna cut

0:22:36.359 --> 0:22:38.120
<v Speaker 3>away right before she said it or something.

0:22:38.160 --> 0:22:39.040
<v Speaker 5>I was like, oh no, no.

0:22:41.960 --> 0:22:46.679
<v Speaker 2>More times, I'm like, this is the luckiest dog in

0:22:46.760 --> 0:22:47.320
<v Speaker 2>all of TV.

0:22:47.560 --> 0:22:50.520
<v Speaker 5>Like you for all this time.

0:22:50.640 --> 0:22:53.919
<v Speaker 2>You just have the writers making you like the swaggiest,

0:22:54.080 --> 0:22:56.399
<v Speaker 2>coolest hung dude.

0:22:56.760 --> 0:22:58.760
<v Speaker 5>It's like he can do no wrong, he can do

0:22:58.920 --> 0:23:04.000
<v Speaker 5>no wrong. Like it's insane. Did anyone have your favorite parts?

0:23:05.240 --> 0:23:05.439
<v Speaker 5>You know?

0:23:06.160 --> 0:23:06.360
<v Speaker 4>Yeah?

0:23:10.160 --> 0:23:14.399
<v Speaker 3>I loved this scene where Olivia flex is on the VP.

0:23:15.400 --> 0:23:18.280
<v Speaker 3>That was so good. That was such a great scene

0:23:18.320 --> 0:23:20.840
<v Speaker 3>where she's like, you got two choices, and then I

0:23:20.920 --> 0:23:23.399
<v Speaker 3>just loved like it was just quintessential scandal because it

0:23:23.440 --> 0:23:25.680
<v Speaker 3>was like, here goes the power flex Here comes the

0:23:25.760 --> 0:23:28.680
<v Speaker 3>moral ambiguity, here comes the how is she going to

0:23:28.960 --> 0:23:31.720
<v Speaker 3>leverage her power to still win in this situation without

0:23:31.760 --> 0:23:34.280
<v Speaker 3>just like telling somebody what to do, but like actually

0:23:35.040 --> 0:23:37.640
<v Speaker 3>making making it so that they really don't have a choice.

0:23:37.720 --> 0:23:41.919
<v Speaker 3>Was so gangster. I I that was such a great scene.

0:23:42.000 --> 0:23:42.760
<v Speaker 3>It was so good.

0:23:43.119 --> 0:23:45.240
<v Speaker 5>It's so sad, Fitz says to Olivia.

0:23:45.840 --> 0:23:46.880
<v Speaker 4>She says, what do you want?

0:23:47.040 --> 0:23:47.560
<v Speaker 5>What do you want?

0:23:47.640 --> 0:23:51.000
<v Speaker 2>He says, have Andrew Nichols stop sleeping with my wife.

0:23:51.119 --> 0:23:53.560
<v Speaker 4>Stop screw Oh it's horrible.

0:23:53.600 --> 0:23:55.640
<v Speaker 2>And then she goes and gives Andrew Nichols and ultimatum,

0:23:55.720 --> 0:23:57.760
<v Speaker 2>like Kelly said, you have two choices. Either you can

0:23:57.880 --> 0:24:01.600
<v Speaker 2>run for president, run for vice president, or you can

0:24:01.680 --> 0:24:03.800
<v Speaker 2>continue being in love with Melly, but I'm going to

0:24:03.880 --> 0:24:05.879
<v Speaker 2>make your life a living hell and we're going to

0:24:05.920 --> 0:24:08.440
<v Speaker 2>destroy your entire reputation. Your career will be over, you'll

0:24:08.440 --> 0:24:09.200
<v Speaker 2>be run out of DC.

0:24:09.880 --> 0:24:12.680
<v Speaker 3>It's a class and then Mellie won't want you anyway.

0:24:12.880 --> 0:24:15.600
<v Speaker 4>So exactly, yeah, right, once you're.

0:24:15.560 --> 0:24:17.919
<v Speaker 2>Enoughing politically, Mellie's not going to want you. So what

0:24:17.960 --> 0:24:19.800
<v Speaker 2>do you want to be vice president for four years?

0:24:19.880 --> 0:24:21.320
<v Speaker 2>Or do you want to fuck Melly for a month?

0:24:22.440 --> 0:24:25.080
<v Speaker 2>What's your yeahs? Basically, don't make me take out my

0:24:25.080 --> 0:24:27.280
<v Speaker 2>big stick. And so it's astral.

0:24:27.520 --> 0:24:30.920
<v Speaker 1>One of my favorite scenes, like top top favorite scene

0:24:30.920 --> 0:24:33.080
<v Speaker 1>in this in this episode is when Jake is outside

0:24:33.119 --> 0:24:36.080
<v Speaker 1>of Live's door and he's please let me in. I'm drunk,

0:24:36.080 --> 0:24:38.320
<v Speaker 1>and she's like no, and then she has this line

0:24:38.359 --> 0:24:40.280
<v Speaker 1>that I freaking love. She says, I would never kill

0:24:40.320 --> 0:24:43.800
<v Speaker 1>your friends because Jake had killed James. At that point,

0:24:44.040 --> 0:24:46.480
<v Speaker 1>she's so heartbroken and sad and just on the other

0:24:46.520 --> 0:24:47.160
<v Speaker 1>side of the door.

0:24:47.400 --> 0:24:48.920
<v Speaker 4>And then at the end of that.

0:24:49.000 --> 0:24:51.640
<v Speaker 1>Scene, he says to her, I asked you to save

0:24:51.680 --> 0:24:53.199
<v Speaker 1>me and you said no. I mean, I'm sure she

0:24:53.240 --> 0:24:55.040
<v Speaker 1>had walked away from the door already. Oh, it's so

0:24:55.080 --> 0:24:58.080
<v Speaker 1>sad to see Jake so vulnerable. Olivia, I need you

0:24:58.160 --> 0:25:00.600
<v Speaker 1>to save me, and she basically was like, no, go home,

0:25:01.000 --> 0:25:01.640
<v Speaker 1>get out of here.

0:25:01.840 --> 0:25:03.520
<v Speaker 4>That's such a heart wrenching scene. So good.

0:25:03.760 --> 0:25:07.680
<v Speaker 2>Also in this episode, Jake and Live hook up again

0:25:07.720 --> 0:25:09.720
<v Speaker 2>in Bone they go to Bone Town and the whole

0:25:09.760 --> 0:25:14.080
<v Speaker 2>time I was thinking, she's super pregnant and how was she?

0:25:14.640 --> 0:25:20.199
<v Speaker 4>Yes, she was. I don't remember. In this episode, I.

0:25:20.440 --> 0:25:22.760
<v Speaker 2>Had to do a sex scene while pregnant. I can't

0:25:22.800 --> 0:25:27.400
<v Speaker 2>even imagine how like uncomfortable that is. Have you had

0:25:27.400 --> 0:25:29.800
<v Speaker 2>to do that, Kelly, Like, I can't even imagine.

0:25:30.600 --> 0:25:33.399
<v Speaker 5>No, I remember doing like a little snog.

0:25:33.600 --> 0:25:36.760
<v Speaker 3>I was like my body, get off of me in

0:25:36.800 --> 0:25:39.000
<v Speaker 3>the way.

0:25:39.760 --> 0:25:41.160
<v Speaker 5>Yeah, Like I can't imagine.

0:25:41.160 --> 0:25:43.240
<v Speaker 2>I feel like when we had Scott on he might

0:25:43.240 --> 0:25:44.879
<v Speaker 2>have even talked about it to you where he was

0:25:44.920 --> 0:25:46.680
<v Speaker 2>like they were like can you roll over?

0:25:48.080 --> 0:25:49.440
<v Speaker 4>Yes, it was choreographs.

0:25:50.000 --> 0:25:53.080
<v Speaker 5>Yeah, like I can. He was like I can't. I mean,

0:25:53.119 --> 0:25:55.960
<v Speaker 5>she was like very pregnant at this point. They made

0:25:55.960 --> 0:25:57.400
<v Speaker 5>it look great. It was a lot of quick.

0:25:57.240 --> 0:25:59.680
<v Speaker 1>Cuts and I was gonna say I even wrote down

0:25:59.800 --> 0:26:02.240
<v Speaker 1>and notes that this was the hottest sex between Living

0:26:02.480 --> 0:26:04.920
<v Speaker 1>Live and Jake, Like this scene and maybe it was

0:26:04.960 --> 0:26:07.240
<v Speaker 1>because it was edited so beautifully and when it was

0:26:07.280 --> 0:26:10.280
<v Speaker 1>just quick and hot, and you knew that Olivia was

0:26:10.359 --> 0:26:12.040
<v Speaker 1>up to no good because she's trying to get something

0:26:12.080 --> 0:26:18.360
<v Speaker 1>from Jake and.

0:26:15.560 --> 0:26:17.359
<v Speaker 5>She brings she takes advantage of him.

0:26:17.440 --> 0:26:19.399
<v Speaker 2>She's like snugging on his chest and for the first

0:26:19.400 --> 0:26:23.080
<v Speaker 2>time vulnerable and he falls asleep, and then she steals

0:26:23.080 --> 0:26:25.800
<v Speaker 2>his phone, brings the phone into o PA sad.

0:26:26.240 --> 0:26:30.520
<v Speaker 5>It's so sad. We will be back with more after

0:26:30.560 --> 0:26:31.040
<v Speaker 5>the break.

0:26:35.760 --> 0:26:40.240
<v Speaker 2>My ultimate favorite part of the episode is when Melly

0:26:40.560 --> 0:26:43.080
<v Speaker 2>goes up to Andrew Nichols and is like, do you

0:26:43.119 --> 0:26:45.000
<v Speaker 2>want to meet for a little fun time for a

0:26:45.000 --> 0:26:47.359
<v Speaker 2>couple hours and he's no, sorry, if it's I'm not

0:26:47.520 --> 0:26:49.320
<v Speaker 2>ever doing that again, you sort of thing. And then

0:26:49.320 --> 0:26:51.840
<v Speaker 2>she just marches into the Oval office and there's a

0:26:51.840 --> 0:26:54.959
<v Speaker 2>million people in there. She fucking bitch slaps Fits so

0:26:55.040 --> 0:26:57.320
<v Speaker 2>hard across the face and only like Melly in her

0:26:57.640 --> 0:26:58.119
<v Speaker 2>in her.

0:26:58.040 --> 0:27:02.120
<v Speaker 5>Death rattle voice is like to take everything from there.

0:27:04.080 --> 0:27:06.320
<v Speaker 3>That was a great moment. I had to say. I

0:27:06.359 --> 0:27:08.880
<v Speaker 3>was like, I haven't watched the show. First of all,

0:27:08.920 --> 0:27:10.400
<v Speaker 3>I can't believe you guys have been off the air

0:27:10.400 --> 0:27:12.760
<v Speaker 3>for six years. It feels like it was just yesterday,

0:27:13.240 --> 0:27:16.440
<v Speaker 3>but yeah, crazy weird. So I haven't watched the show

0:27:16.720 --> 0:27:20.000
<v Speaker 3>since it was on the air. I was like, oh

0:27:20.000 --> 0:27:23.080
<v Speaker 3>my god, there's time the casual violence that was such

0:27:23.119 --> 0:27:25.320
<v Speaker 3>an int Yeah, and.

0:27:25.600 --> 0:27:27.560
<v Speaker 5>Somebody's throwing live up against a wall.

0:27:27.640 --> 0:27:31.440
<v Speaker 4>Oh yeah. I was like, oh my, oh yeah.

0:27:31.160 --> 0:27:36.120
<v Speaker 5>This is very ten PM or whatever. It was very violent.

0:27:36.240 --> 0:27:38.640
<v Speaker 2>They that always just a shock Shonda, because you would say,

0:27:38.680 --> 0:27:42.680
<v Speaker 2>like standards and practices has so many issues going through

0:27:42.720 --> 0:27:44.800
<v Speaker 2>what's allowed to be aired on the network show.

0:27:44.800 --> 0:27:46.600
<v Speaker 5>They had so many issues with some.

0:27:46.480 --> 0:27:49.439
<v Speaker 2>Sexual stuff, abortion stuff, this that, But like the guns

0:27:49.480 --> 0:27:51.200
<v Speaker 2>and the violence was like willing.

0:27:51.320 --> 0:27:54.200
<v Speaker 4>Like fine, yeah you could pull her out, Well.

0:27:54.640 --> 0:27:56.240
<v Speaker 5>You can do whatever you want.

0:27:56.440 --> 0:28:00.760
<v Speaker 3>Was gruesome, right, Okay.

0:28:00.400 --> 0:28:02.800
<v Speaker 2>Talk about how did you think you did, Kelly, How

0:28:02.800 --> 0:28:05.520
<v Speaker 2>did you think your acting was? I think you were amazing,

0:28:05.560 --> 0:28:07.880
<v Speaker 2>But like I thought Quinn was red. There was one

0:28:07.920 --> 0:28:11.560
<v Speaker 2>part where Twinn runs in out of the their surveillance

0:28:11.640 --> 0:28:14.760
<v Speaker 2>Herman Hawker, her and Charlie are doing surveillance fan on

0:28:14.840 --> 0:28:17.560
<v Speaker 2>Maya Pope and then all of a sudden, B six

0:28:17.600 --> 0:28:20.520
<v Speaker 2>thirteen gets shut down. Hawk hacks into B six thirteen

0:28:20.520 --> 0:28:22.719
<v Speaker 2>and Olivia says shut it down, and he shuts down

0:28:22.760 --> 0:28:24.359
<v Speaker 2>all of Thesic thirteen and I jump out of the

0:28:24.440 --> 0:28:26.800
<v Speaker 2>van and I run with a gun into the hotel room,

0:28:26.840 --> 0:28:28.640
<v Speaker 2>and my god, my acting was bad.

0:28:31.800 --> 0:28:34.480
<v Speaker 4>Yeah, I was pretty bad. Did you have it pretty bad?

0:28:34.920 --> 0:28:36.600
<v Speaker 5>What did you think? What did you have?

0:28:37.280 --> 0:28:40.520
<v Speaker 1>I think there was some corny moments in this episode.

0:28:40.560 --> 0:28:43.240
<v Speaker 1>That that scene where Huck is like, I can shut

0:28:43.280 --> 0:28:45.080
<v Speaker 1>it down live, I can do it right now if

0:28:45.080 --> 0:28:46.920
<v Speaker 1>you want me to, and she takes the moment she's like,

0:28:47.000 --> 0:28:49.920
<v Speaker 1>shut it down. It was a bit over dramatic and

0:28:50.080 --> 0:28:52.280
<v Speaker 1>a bit of camp, but it was still fun. And

0:28:52.320 --> 0:28:55.040
<v Speaker 1>then I still am blown away by the I think

0:28:55.240 --> 0:28:58.400
<v Speaker 1>even on set, I had an issue with Jake coming

0:28:58.440 --> 0:29:00.400
<v Speaker 1>up to Olivia and grabbing her by the necond, pushing

0:29:00.400 --> 0:29:01.240
<v Speaker 1>her up against the wall.

0:29:01.280 --> 0:29:04.360
<v Speaker 4>I was like, Huck would have like murdered.

0:29:04.000 --> 0:29:07.040
<v Speaker 1>Him, but you know, her thing is gone. He's pointing

0:29:07.040 --> 0:29:09.120
<v Speaker 1>his gun at Hucks, So I get that. It was

0:29:09.160 --> 0:29:10.760
<v Speaker 1>such a It was such.

0:29:10.600 --> 0:29:15.040
<v Speaker 5>An odd why he does that. I don't like either either.

0:29:15.720 --> 0:29:17.160
<v Speaker 3>Yeah, I didn't love it.

0:29:17.240 --> 0:29:21.560
<v Speaker 4>Listen, it was in the script doing that. Yeah, the script.

0:29:21.600 --> 0:29:23.120
<v Speaker 5>You guys never challenge the script.

0:29:23.280 --> 0:29:27.800
<v Speaker 2>No, I think other actors did on Scandal, but I

0:29:27.880 --> 0:29:29.920
<v Speaker 2>definitely didn't g did you No.

0:29:30.000 --> 0:29:31.760
<v Speaker 1>I think there might have been a moment where I

0:29:31.800 --> 0:29:35.440
<v Speaker 1>said something like, what, I don't understand you. I don't know,

0:29:35.440 --> 0:29:37.800
<v Speaker 1>but I didn't. I didn't challenge it hard like other

0:29:37.880 --> 0:29:38.520
<v Speaker 1>actors too.

0:29:38.560 --> 0:29:39.240
<v Speaker 4>We listen.

0:29:39.280 --> 0:29:41.600
<v Speaker 1>I was afraid I was going to get booted off

0:29:41.600 --> 0:29:44.920
<v Speaker 1>the show just for you know, just because they were

0:29:44.920 --> 0:29:45.520
<v Speaker 1>done with Hucks.

0:29:45.520 --> 0:29:46.719
<v Speaker 4>So I didn't want to. I didn't want to make

0:29:46.720 --> 0:29:47.960
<v Speaker 4>any sudden movements.

0:29:48.360 --> 0:29:52.120
<v Speaker 2>I also think after Grey's Anatomy, Sean knew like she

0:29:52.280 --> 0:29:55.240
<v Speaker 2>had this rule that was like, I guess we followed it,

0:29:55.280 --> 0:29:56.800
<v Speaker 2>but I bet like Kerry and Tony would talk to

0:29:56.800 --> 0:29:58.440
<v Speaker 2>her about stuff, but she would say, Okay, after a

0:29:58.440 --> 0:30:00.960
<v Speaker 2>table read, you have twenty four hours you send me

0:30:00.960 --> 0:30:01.479
<v Speaker 2>an email.

0:30:01.760 --> 0:30:02.600
<v Speaker 5>Oh you did, okay?

0:30:02.720 --> 0:30:05.200
<v Speaker 2>Oh yeah, for hours to send an email if you

0:30:05.200 --> 0:30:07.360
<v Speaker 2>wanted a change or something like that. If I agree

0:30:07.400 --> 0:30:09.240
<v Speaker 2>with the change, you'll see it in a rewrite. But

0:30:09.280 --> 0:30:11.080
<v Speaker 2>if I don't agree with the change, you'll just never

0:30:11.120 --> 0:30:11.560
<v Speaker 2>hear from me.

0:30:13.040 --> 0:30:18.560
<v Speaker 4>I love that.

0:30:14.280 --> 0:30:19.720
<v Speaker 5>That's so funny.

0:30:19.960 --> 0:30:22.480
<v Speaker 1>One of my other favorite things in this episode, You Guys,

0:30:22.520 --> 0:30:24.600
<v Speaker 1>is went at the top of the show when Abby

0:30:24.680 --> 0:30:28.320
<v Speaker 1>walks into the White House and she's wearing the White coat,

0:30:28.680 --> 0:30:32.080
<v Speaker 1>holding a purse at the edge of her wrist, real

0:30:32.280 --> 0:30:34.920
<v Speaker 1>freaking professional and ready to go and take over for

0:30:34.960 --> 0:30:37.360
<v Speaker 1>Olivia Pope and they are just not having.

0:30:37.120 --> 0:30:39.640
<v Speaker 3>Her walk out of the room on her I'm like.

0:30:39.720 --> 0:30:44.920
<v Speaker 2>Yes, yeah, wow, Abby is not Olivia Pope.

0:30:44.920 --> 0:30:48.200
<v Speaker 5>We do not accept her by proxy on this campaign trail. Goodbye.

0:30:48.440 --> 0:30:50.719
<v Speaker 1>And this is the first time that Cyrus calls Abby

0:30:50.800 --> 0:30:55.200
<v Speaker 1>Gabby and she keeps correcting him. He's yeah, okay, Gabby, okay.

0:30:55.240 --> 0:30:58.040
<v Speaker 2>So Kelly, do you watch yourself work? Do you watch

0:30:58.080 --> 0:31:00.760
<v Speaker 2>your acting as a rule? Do you have rules about that?

0:31:00.840 --> 0:31:03.000
<v Speaker 2>And how was it watching yourself last night?

0:31:04.480 --> 0:31:07.160
<v Speaker 5>I watched myself at the beginning of stuff, right, So

0:31:07.280 --> 0:31:10.360
<v Speaker 5>see what sort of tweaking and fine tuning is what

0:31:10.400 --> 0:31:11.280
<v Speaker 5>I'm trying to do?

0:31:11.400 --> 0:31:11.760
<v Speaker 3>Reading?

0:31:11.920 --> 0:31:13.520
<v Speaker 5>What can I do more of? What do I need

0:31:13.560 --> 0:31:13.720
<v Speaker 5>to do?

0:31:13.800 --> 0:31:15.800
<v Speaker 3>Less of? What habits am I falling into that I'm

0:31:15.800 --> 0:31:19.880
<v Speaker 3>not aware of? And then I cannot watch myself anymore?

0:31:19.880 --> 0:31:21.720
<v Speaker 3>Like I didn't watch it the last I can't say

0:31:21.720 --> 0:31:23.440
<v Speaker 3>how much of Grades I didn't watch, but it was

0:31:23.480 --> 0:31:26.120
<v Speaker 3>a lot. I can't do it. But watching myself last

0:31:26.200 --> 0:31:29.320
<v Speaker 3>night on Scandal, I was like, oh, wow.

0:31:30.880 --> 0:31:34.560
<v Speaker 1>You're so sexy, You're so good in it. And the

0:31:34.640 --> 0:31:38.360
<v Speaker 1>fact that Claire calls Harrison h It's such a double

0:31:38.400 --> 0:31:41.360
<v Speaker 1>O seven like moment. It's very that, right. I just

0:31:41.440 --> 0:31:44.720
<v Speaker 1>love that she calls him h It's so it's so sexy,

0:31:44.720 --> 0:31:45.360
<v Speaker 1>it's so great.

0:31:45.440 --> 0:31:46.000
<v Speaker 4>It's so good.

0:31:46.160 --> 0:31:46.640
<v Speaker 5>That's the thing.

0:31:46.640 --> 0:31:49.280
<v Speaker 3>It was like that. But Claire was only that one scene.

0:31:49.320 --> 0:31:51.920
<v Speaker 3>The character only existed in that one scene. But her

0:31:52.520 --> 0:31:59.680
<v Speaker 3>calling him hyeah tells you so exactly. Yes, Yes, that.

0:31:59.600 --> 0:32:02.560
<v Speaker 5>Little rehearsal of writing was just like so youngy.

0:32:02.600 --> 0:32:06.200
<v Speaker 3>So I was like, oh, there's history, there's mysteries, like

0:32:06.400 --> 0:32:09.120
<v Speaker 3>there's something here, and so it was really fun to

0:32:09.200 --> 0:32:11.600
<v Speaker 3>lean into that. I certainly don't think of myself as

0:32:11.640 --> 0:32:13.560
<v Speaker 3>like a mysterious person.

0:32:16.680 --> 0:32:18.560
<v Speaker 5>I'm working with Candy Alexander.

0:32:19.440 --> 0:32:23.080
<v Speaker 3>Oh my god. First of all, she is so cool,

0:32:23.720 --> 0:32:28.680
<v Speaker 3>but she's sexy and fabulous and talk about confidence, she's

0:32:28.720 --> 0:32:31.480
<v Speaker 3>like dripping with it. And after one I don't know

0:32:31.480 --> 0:32:34.520
<v Speaker 3>if it was a rehearsal or a take. Speaking of habits,

0:32:34.520 --> 0:32:38.040
<v Speaker 3>I like default to like a quirky behavior. I think

0:32:38.080 --> 0:32:38.479
<v Speaker 3>it was.

0:32:39.000 --> 0:32:40.240
<v Speaker 5>I don't know if it.

0:32:40.200 --> 0:32:43.280
<v Speaker 3>Was in like a rehearsal or if we were shooting

0:32:43.320 --> 0:32:45.520
<v Speaker 3>and it was on coverage or something. But I like

0:32:45.680 --> 0:32:47.840
<v Speaker 3>made this like kind of face, like she was staring

0:32:47.880 --> 0:32:50.480
<v Speaker 3>at me in a very intimidating way, and the appropriate

0:32:50.760 --> 0:32:55.680
<v Speaker 3>reaction for this character would have been to, like, I

0:32:55.880 --> 0:32:58.479
<v Speaker 3>pretend like I was staring down back at her, right

0:32:58.520 --> 0:33:02.280
<v Speaker 3>because I was trying to be her equal, and I

0:33:02.360 --> 0:33:03.400
<v Speaker 3>did something weird.

0:33:03.680 --> 0:33:06.120
<v Speaker 5>I don't know what it was, but she no, she

0:33:06.360 --> 0:33:10.120
<v Speaker 5>and she was like, she literally was like, you're so weird.

0:33:14.960 --> 0:33:18.680
<v Speaker 3>Weird weirdo.

0:33:19.320 --> 0:33:21.760
<v Speaker 1>That is so did you know I'm a huge fan

0:33:21.760 --> 0:33:24.000
<v Speaker 1>of Candy. I mean, everyone's a fan of Candy Alexander's

0:33:24.000 --> 0:33:25.360
<v Speaker 1>but she was. I mean, the first thing that pops

0:33:25.400 --> 0:33:27.240
<v Speaker 1>in my head is Poetic Justice, which I love that.

0:33:28.680 --> 0:33:31.280
<v Speaker 1>But she also, Kelly, did you know that she choreographed

0:33:31.280 --> 0:33:36.160
<v Speaker 1>like three of Whitney Houstonson Houston's like top world tours.

0:33:36.600 --> 0:33:37.240
<v Speaker 4>Did you know this?

0:33:37.480 --> 0:33:38.080
<v Speaker 5>You know what?

0:33:38.320 --> 0:33:41.840
<v Speaker 3>Oh yeah, I did not know that, But I remember

0:33:42.000 --> 0:33:45.360
<v Speaker 3>learning something about her that day, about her dance career

0:33:45.400 --> 0:33:47.360
<v Speaker 3>that I was like, oh my god. But like I

0:33:47.400 --> 0:33:49.440
<v Speaker 3>had my mind blown that day and you're just reminding

0:33:49.440 --> 0:33:51.040
<v Speaker 3>me of it, so I can't remember exactly what the

0:33:51.080 --> 0:33:54.400
<v Speaker 3>details of it are right now, but like I remember

0:33:54.480 --> 0:33:57.200
<v Speaker 3>that day being like what so you can look at

0:33:57.200 --> 0:34:00.719
<v Speaker 3>her body. I mean, oh, you're a dancer, and I

0:34:00.760 --> 0:34:03.680
<v Speaker 3>think I remember like asking about that or something, you know,

0:34:04.280 --> 0:34:05.720
<v Speaker 3>but yeah, that's crazy.

0:34:06.160 --> 0:34:08.200
<v Speaker 2>I haven't had a body like that since high school,

0:34:08.280 --> 0:34:13.800
<v Speaker 2>Like man, like, how are you that compact and strong?

0:34:14.040 --> 0:34:18.439
<v Speaker 2>Pushing and she's unbelievable. Okay, you always do Giermo's Six

0:34:18.480 --> 0:34:22.800
<v Speaker 2>Degrees of Horror or Madonna, because then there's two favorite

0:34:22.840 --> 0:34:25.480
<v Speaker 2>things in the world. Have you never done horror film?

0:34:26.280 --> 0:34:27.799
<v Speaker 5>I've never done a horror film. I've done.

0:34:27.920 --> 0:34:30.960
<v Speaker 3>I did this like really cool short that was like

0:34:31.000 --> 0:34:34.239
<v Speaker 3>a kind of a thriller, but it was really more

0:34:34.320 --> 0:34:36.320
<v Speaker 3>like suspense. It was not horror.

0:34:36.800 --> 0:34:40.200
<v Speaker 4>But are you a fan of the horror? The horror Kelly,

0:34:40.440 --> 0:34:41.120
<v Speaker 4>I'm not.

0:34:41.480 --> 0:34:44.680
<v Speaker 3>I don't like the gore. I don't like the jump scares, like,

0:34:44.880 --> 0:34:47.560
<v Speaker 3>oh God.

0:34:46.960 --> 0:34:48.120
<v Speaker 5>Get that jump scare.

0:34:49.000 --> 0:34:51.759
<v Speaker 3>I like a jump scare, and like a murder mystery,

0:34:52.040 --> 0:34:55.719
<v Speaker 3>like a murder comedy, but like a jump like an

0:34:55.880 --> 0:34:59.480
<v Speaker 3>axe coming down on somebody is like not my jam.

0:35:00.040 --> 0:35:01.680
<v Speaker 1>But you're probably like a fan of like Silence of

0:35:01.719 --> 0:35:04.760
<v Speaker 1>the Lambs, like that sort of horror thriller.

0:35:04.840 --> 0:35:07.040
<v Speaker 4>No or no, even that's too much, too scary for me.

0:35:07.400 --> 0:35:08.080
<v Speaker 3>It's too scary.

0:35:08.160 --> 0:35:10.880
<v Speaker 5>To me suit out of a human skin.

0:35:11.120 --> 0:35:11.640
<v Speaker 3>That's true.

0:35:11.719 --> 0:35:12.920
<v Speaker 4>That's true. That's true.

0:35:13.320 --> 0:35:17.080
<v Speaker 5>Man, nobody wants that. I don't care for it.

0:35:17.600 --> 0:35:17.839
<v Speaker 4>Yeah.

0:35:17.920 --> 0:35:20.080
<v Speaker 1>There was one guest star on the show, Sebastian Rochet,

0:35:20.120 --> 0:35:23.600
<v Speaker 1>who played Dominic Bell, who did three sort of horror

0:35:23.719 --> 0:35:26.000
<v Speaker 1>esque shows. He was on Supernatural for a while, and

0:35:26.000 --> 0:35:27.920
<v Speaker 1>then he was on Fringe with our girl j Justeseka

0:35:28.000 --> 0:35:30.960
<v Speaker 1>Nicole Yeah yes, who played Huk's wife for a bunch

0:35:30.960 --> 0:35:33.600
<v Speaker 1>of episodes, and then he was also on The Vampire Diaries.

0:35:33.960 --> 0:35:38.240
<v Speaker 1>So it's a horror esque but she has exactly yeah, yeah,

0:35:38.280 --> 0:35:39.600
<v Speaker 1>but like I.

0:35:39.600 --> 0:35:42.200
<v Speaker 3>Could do so. So here's the thing. Horror is no

0:35:42.440 --> 0:35:44.960
<v Speaker 3>genre I like to watch. But actually, ironically, I was

0:35:45.000 --> 0:35:49.479
<v Speaker 3>just reading this Lupita Jungo profile and Glamour Yesterday free

0:35:49.480 --> 0:35:53.800
<v Speaker 3>plug but and she talks about how she loves to

0:35:53.800 --> 0:35:56.160
<v Speaker 3>do it because it's fun, but also it requires the

0:35:56.680 --> 0:35:59.360
<v Speaker 3>way that you have to sustain and because the energy

0:35:59.400 --> 0:36:03.359
<v Speaker 3>of the tension requires so much actual physical energy, like

0:36:03.520 --> 0:36:05.720
<v Speaker 3>over the person, there's so much salmina And I thought

0:36:06.040 --> 0:36:09.000
<v Speaker 3>that's interesting. That would be a really interesting acting challenge,

0:36:09.040 --> 0:36:11.680
<v Speaker 3>right because in anything else, you're like, I've been in

0:36:11.760 --> 0:36:14.759
<v Speaker 3>flowing with it. But there it's always in a text.

0:36:15.120 --> 0:36:18.440
<v Speaker 1>She was did you guys see Lupita and Us? She is, yes,

0:36:19.520 --> 0:36:22.560
<v Speaker 1>ridiculously talented in that movie that she has to do

0:36:22.600 --> 0:36:23.120
<v Speaker 1>in that film.

0:36:23.719 --> 0:36:26.680
<v Speaker 3>It's to see this quiet place. Pretty cool because I

0:36:27.200 --> 0:36:30.040
<v Speaker 3>like that. I liked quiet Place. Does that count as far?

0:36:30.480 --> 0:36:32.879
<v Speaker 4>Yes? Yeah, absolutely, I like that one.

0:36:32.960 --> 0:36:40.800
<v Speaker 2>Yeah, let's talk about some I know, Kelly, this is terrified.

0:36:41.440 --> 0:36:44.200
<v Speaker 2>Happened a few Scandal tweets of the time, because it's

0:36:44.200 --> 0:36:47.160
<v Speaker 2>like opening up a time capsule, and.

0:36:48.000 --> 0:36:49.239
<v Speaker 5>Oh, this is good to know.

0:36:49.640 --> 0:36:52.960
<v Speaker 2>Carrie Washington tweeted, so we can all feel better about this.

0:36:53.160 --> 0:36:55.200
<v Speaker 2>F yi is stunt double who was thrown up against

0:36:55.239 --> 0:37:01.080
<v Speaker 2>the glass door? Oh scandal? So even her and she

0:37:01.239 --> 0:37:04.279
<v Speaker 2>was pregnant and gee, you don't even remember that.

0:37:05.080 --> 0:37:08.680
<v Speaker 4>No, I don't remember there being a stunt double. Listen cave.

0:37:08.719 --> 0:37:11.399
<v Speaker 1>Victoria Chase tweeted you telling me B six thirteen can

0:37:11.440 --> 0:37:12.000
<v Speaker 1>take out.

0:37:12.520 --> 0:37:13.480
<v Speaker 4>It can be taken.

0:37:13.239 --> 0:37:16.040
<v Speaker 1>Out by trip and a circuit breaker.

0:37:16.640 --> 0:37:20.440
<v Speaker 2>Hashtag unbelievable, hashtag nights that hashtag scandal.

0:37:20.800 --> 0:37:24.359
<v Speaker 1>Yes, Kelly, were you on Twitter during this time, like

0:37:24.480 --> 0:37:27.640
<v Speaker 1>during like the like when you did scandal and unwillingly?

0:37:27.800 --> 0:37:33.040
<v Speaker 3>Yeah, not enjoy the social they give me big anxiety.

0:37:33.640 --> 0:37:36.759
<v Speaker 2>Andy t Germ tweeted, I'd love to meet the five

0:37:36.840 --> 0:37:39.839
<v Speaker 2>year old boy who writes all the Fits's dialogue hashtags.

0:37:43.560 --> 0:37:47.719
<v Speaker 1>Jazmine Ballejo tweeted, finally watched Scandal episode from last night,

0:37:48.000 --> 0:37:50.080
<v Speaker 1>and I'd just like to say that Jake Ballard can

0:37:50.160 --> 0:37:52.200
<v Speaker 1>get it anytime, anywhere.

0:37:52.360 --> 0:37:55.080
<v Speaker 4>Oh shit, it's hard in the eyes emoji.

0:37:55.719 --> 0:37:59.040
<v Speaker 5>I finally watched the episode from yes last night.

0:37:59.320 --> 0:38:05.640
<v Speaker 2>Girl, how much It's so true. It's so true. That's

0:38:05.680 --> 0:38:06.200
<v Speaker 2>so funny.

0:38:06.239 --> 0:38:09.000
<v Speaker 5>Okay. At spect in Script tweeted, so.

0:38:09.320 --> 0:38:09.680
<v Speaker 3>Was it me?

0:38:09.960 --> 0:38:12.240
<v Speaker 2>Or was there some eye flirting going on between Abby

0:38:12.239 --> 0:38:14.320
<v Speaker 2>and Leo and yesterday's eppie hashtags?

0:38:14.360 --> 0:38:16.440
<v Speaker 4>Always there was always?

0:38:16.480 --> 0:38:21.200
<v Speaker 5>Oh yeah, the Leo Abby chemistry was fiery. It was hot.

0:38:21.560 --> 0:38:24.600
<v Speaker 4>This is one of my favorite tweets. Nasty Woman Kiky tweeted.

0:38:24.520 --> 0:38:29.080
<v Speaker 1>Fuck you Fits and Olivia, you both suck hashtags Scandal.

0:38:30.200 --> 0:38:33.640
<v Speaker 5>Yes, she mad, same chick.

0:38:33.760 --> 0:38:36.680
<v Speaker 2>Nasty Woman Kiky tweeted, oh my, Melly is gonna get

0:38:36.680 --> 0:38:38.920
<v Speaker 2>screwed because Fits is a douchebag that gets to have

0:38:38.960 --> 0:38:41.000
<v Speaker 2>a mistress but his wife can't Scandal.

0:38:41.160 --> 0:38:44.040
<v Speaker 5>Fuck you Fits, I love it.

0:38:44.040 --> 0:38:44.880
<v Speaker 3>It is not fair.

0:38:45.280 --> 0:38:47.000
<v Speaker 4>It is freaking fair.

0:38:47.080 --> 0:38:51.200
<v Speaker 5>Oh my God, Like Kelly, you are the greatest.

0:38:51.400 --> 0:38:55.120
<v Speaker 2>The next episode up is number three seventeen, called Flesh

0:38:55.160 --> 0:38:57.279
<v Speaker 2>and Blood. I have no idea if we have a

0:38:57.320 --> 0:39:01.240
<v Speaker 2>guest or not, but Kelly, what you came on briefly

0:39:01.280 --> 0:39:02.320
<v Speaker 2>at Scandal and.

0:39:02.200 --> 0:39:05.759
<v Speaker 1>You left your mark, you left, you made an impression.

0:39:06.560 --> 0:39:08.520
<v Speaker 3>Ah sucks. Thank you.

0:39:08.600 --> 0:39:12.759
<v Speaker 2>You're lucky to have talented, so talented, so beautiful.

0:39:13.400 --> 0:39:14.600
<v Speaker 5>It's an honor to be here.

0:39:14.680 --> 0:39:15.919
<v Speaker 3>This is so much fun.

0:39:15.920 --> 0:39:17.239
<v Speaker 5>I love that you guys are doing this.

0:39:17.360 --> 0:39:20.960
<v Speaker 3>You're the culture of your show was happy and about together,

0:39:21.120 --> 0:39:23.520
<v Speaker 3>this and joy, and all these years later, you're still

0:39:23.560 --> 0:39:25.799
<v Speaker 3>doing this and I'm so grateful to be part of it.

0:39:25.840 --> 0:39:29.560
<v Speaker 3>Thank you so much for you such a fun walkdown

0:39:29.560 --> 0:39:32.080
<v Speaker 3>memory lane, you guys.

0:39:32.840 --> 0:39:34.320
<v Speaker 5>Thanks Kelly.

0:39:34.880 --> 0:39:35.760
<v Speaker 3>I love you guys.

0:39:38.880 --> 0:39:42.120
<v Speaker 4>Thanks for listening. Gladiators, We love you, Gladiators.

0:39:42.120 --> 0:39:44.640
<v Speaker 5>Next week, episode three seventeen. I don't remember the name.

0:39:45.120 --> 0:39:45.960
<v Speaker 4>Flesh and Blood.

0:39:46.120 --> 0:39:52.600
<v Speaker 2>Oh, flesh and Blood, Bye bye.

0:39:53.600 --> 0:39:56.960
<v Speaker 1>Thank you guys for joining us on Unpacking the Toolbox.

0:39:57.280 --> 0:40:00.839
<v Speaker 1>If you enjoyed the show, please subscribe, share with your friends, rate,

0:40:01.040 --> 0:40:01.960
<v Speaker 1>or leave us a review.

0:40:02.040 --> 0:40:05.240
<v Speaker 2>Unpacking the Toolbox was executive produced by Sandy Bailey Alex

0:40:05.280 --> 0:40:10.120
<v Speaker 2>Alce Lauren Holman, Tyler Klang, and Gabrielle Collins. Our producer

0:40:10.120 --> 0:40:13.600
<v Speaker 2>and editor is Vince de Johnny, with music by Chad Fisher.

0:40:13.840 --> 0:40:16.759
<v Speaker 1>Scandal is a production of ABC Signature, and you can

0:40:16.800 --> 0:40:19.040
<v Speaker 1>follow along by rewatching Scandal on Hulu.

0:40:19.239 --> 0:40:21.640
<v Speaker 2>Unpacking the Toolbox is a production of Shondaland Audio in

0:40:21.680 --> 0:40:26.000
<v Speaker 2>partnership with iHeartRadio. For more podcasts from Shondaland Audio, visit

0:40:26.040 --> 0:40:34.240
<v Speaker 2>the iHeartRadio app or anywhere you subscribe to your favorite shows.