WEBVTT - Every Rose Has Its Thorn

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<v Speaker 1>It's nine O Gen one with Jenny Garth and Tory Spelling.

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<v Speaker 1>We are so ready for this week's episode. Are you

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<v Speaker 1>guys ready? Ye're very ready. I can I can see it.

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<v Speaker 1>You're so excited.

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<v Speaker 2>Everything's coming up. Roses.

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<v Speaker 1>This is OMG, you guys and you are back and

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<v Speaker 1>we are back.

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<v Speaker 3>Assic episode like it sort of really was. I remembered

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<v Speaker 3>all of it.

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<v Speaker 1>Yeah, this is one that you don't forget because it's

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<v Speaker 1>you know, everything's coming up. Roses sings me right back? There,

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<v Speaker 1>doesn't it?

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<v Speaker 3>I bet?

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<v Speaker 2>Wow?

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<v Speaker 3>Is it okay? So?

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<v Speaker 1>Is this a continue? This is a part one of

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<v Speaker 1>a Rose situation, Rose Parade situation. It does for a while, right.

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<v Speaker 3>I just think we had two kisses in this episode

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<v Speaker 3>that like blew my mind.

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<v Speaker 1>There was there's a lot of kissing you guys.

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<v Speaker 2>And a lot of light pink, shimmery gloss.

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<v Speaker 1>Whoa the makeup.

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<v Speaker 3>LORI thank you guys. The lipstick was not great.

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<v Speaker 1>It was so mid nineties.

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<v Speaker 2>I feel like Donna and Valerie had the same lipstick

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<v Speaker 2>on and.

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<v Speaker 1>They were both irritating me, both of us. So frostedy

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<v Speaker 1>pink like Grandma.

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<v Speaker 3>Yeah, Kelly had red, but I don't that's good that

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<v Speaker 3>was good. Just all the lipstick was so much.

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<v Speaker 1>My eyebrows were so little. What the heck? Their little

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<v Speaker 1>pencil thin?

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<v Speaker 2>What does that do their finest.

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<v Speaker 3>We'll get into all of it. We'll get into all

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<v Speaker 3>of it.

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<v Speaker 1>I'm so surprised my eyebrows ever grew back from that.

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<v Speaker 1>I actually still I thought about that eyebrows again. Thank god.

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<v Speaker 1>If I were to do that now, if at my

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<v Speaker 1>age would be over for you, there would be no eyebrows.

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<v Speaker 3>Great, thanks to you, guys. They used to be amazing.

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<v Speaker 3>If you saw a picture of me in college, and

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<v Speaker 3>then because of you guys, I find him out.

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<v Speaker 1>I think we did that. Tell a lot of people.

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<v Speaker 1>Sorry guys about the brows. This is gonna be a

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<v Speaker 1>good one. Stay tuned. Okay, This is It? Season four,

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<v Speaker 1>Episode no, Season six, Episode four, Everything's Coming Up Roses

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<v Speaker 1>aired September twenty seventh, nineteen ninety five.

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<v Speaker 2>Synopsis. The girls try out for the rose Court and

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<v Speaker 2>Donna makes the cut. Dylan is writing letters to the

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<v Speaker 2>FBI while falling for Tony Marshad Brandon finally defrost Ice

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<v Speaker 2>Queen Susan keats Steve aka Tenderheart meets his digital match,

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<v Speaker 2>Cuddles aka Claire.

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<v Speaker 1>Directed by Victor Lobel, written by Dinah Krugo.

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<v Speaker 3>Oh, she seems new, Dina, Dina new.

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<v Speaker 2>We don't know, We don't know her.

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<v Speaker 1>Yeah, I'd love to know her, Dinah, if you're out there,

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<v Speaker 1>give us a call.

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<v Speaker 3>Where to be? So much? There's so much too and

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<v Speaker 3>pack here break down?

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<v Speaker 1>Where's gosh? Well, whenever you guys say that, you know

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<v Speaker 1>what I say, go.

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<v Speaker 2>Back to the beginning.

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<v Speaker 1>Yeah, let's start at the top. But first, first, trivia

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<v Speaker 1>Trivia Good Leslie Leslie Summer is back, yes, and it's.

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<v Speaker 3>Sort of a new role. She's not al already anymore,

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<v Speaker 3>but she still Brook right yep. And now she's like

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<v Speaker 3>in charge of the.

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<v Speaker 1>Rose Court committee, so she's moved on up. Did you

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<v Speaker 1>know how Okay? So, if you want to be a

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<v Speaker 1>rose court what.

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<v Speaker 3>Do you call them?

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<v Speaker 1>Bud?

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<v Speaker 3>A rose bud?

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<v Speaker 1>If you want to be a rose queen, you have

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<v Speaker 1>to be between the years of seventeen and twenty one. So, Donna,

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<v Speaker 1>how old were you between twenty and if you're twenty

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<v Speaker 1>one's Kelly's twenty one and she's twenty one.

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<v Speaker 2>I didn't know that age range.

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<v Speaker 1>Did you know also that none of the girls that

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<v Speaker 1>are trying out on this episode would have been able

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<v Speaker 1>to try out because they none of them live in Pasadena.

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<v Speaker 3>Is that the rule you can only be from Pasadena

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<v Speaker 3>or San Marino or something.

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<v Speaker 1>You have to be from the Pasadena area apparently. Yeah,

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<v Speaker 1>so the whole thing with Donna trying out didn't work

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<v Speaker 1>for me because it doesn't try from the BH or

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<v Speaker 1>any of the girls.

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<v Speaker 2>Yeah.

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<v Speaker 3>One of the girls that was, you know, the we

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<v Speaker 3>didn't know her, but she's like, I'm from San Marino,

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<v Speaker 3>so she definitely qualified. But yeah, the rest of you

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<v Speaker 3>make no sense.

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<v Speaker 1>I love this one. Cindy and Abby. So that's Brenda's

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<v Speaker 1>mom in Valerie's mom entered eight year old Brenda and

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<v Speaker 1>Valerie into a little Miss Minneapolis contest and val Valerie

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<v Speaker 1>threw up on the judge.

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<v Speaker 2>That's good, so glad.

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<v Speaker 1>Yeah, that's not trivia, that's just a fact. I guess,

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<v Speaker 1>same thing. All right, Okay, moving on, moving on, let's

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<v Speaker 1>start at the tippy top.

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<v Speaker 2>Dyn Oh, his voice over.

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<v Speaker 1>I just feel like he's so cute, likes so cute.

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<v Speaker 3>Yeah, he's and it's it's cute with him and Tony

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<v Speaker 3>even though it's so weird.

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<v Speaker 1>Yeah, I get last week, I wasn't feeling it. We

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<v Speaker 1>talked about like how we didn't feel the chemistry very much.

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<v Speaker 1>And I'm gonna go back and sam feeling it now,

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<v Speaker 1>are you? I'm feeling it more from him to her.

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<v Speaker 3>Oh, I feel it from her to him. You feel her.

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<v Speaker 2>Flurry and I just don't feel the connection between him

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<v Speaker 2>and her.

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<v Speaker 1>Well that's good because he's playing it like he doesn't

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<v Speaker 1>you know.

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<v Speaker 3>Don't know if he likes her or if he likes

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<v Speaker 3>her because he's trying to get to the other Tony Marshett,

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<v Speaker 3>we don't really know. I'm definitely getting.

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<v Speaker 1>So he's doing a good job. She's very flirty with him.

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<v Speaker 1>I thought that Luke was so good, you know. It

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<v Speaker 1>just reminded me when you see another new love interest

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<v Speaker 1>come in out of the blue from nowhere, not not

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<v Speaker 1>a person that we've seen before. So there's no like history.

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<v Speaker 1>Luke was always so good at making his leading lady

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<v Speaker 1>feel so loved, Like he just has that. When you

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<v Speaker 1>think about, like, over the course of Luke's whole career,

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<v Speaker 1>everything he ever did, you fully believe that he's in

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<v Speaker 1>love with whoever he's acting with.

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<v Speaker 3>That's true.

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<v Speaker 1>Yeah, Like it just makes you feel like all the

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<v Speaker 1>feelings of oh he loves me even when you're watching it.

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<v Speaker 1>She's told us, see, very good, he's very good at

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<v Speaker 1>that love thing. Oh. Then we go to the California

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<v Speaker 1>University where Donn and Kelly are listening to a seminar

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<v Speaker 1>from Leslie Sumner. My gosh, uh huh. She is the

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<v Speaker 1>assistant director of public relations for the Tournament of Roses.

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<v Speaker 3>Got a good job out of college.

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<v Speaker 1>Really it suits her, it does.

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<v Speaker 3>It sure does. And then when she said the sorority, everyone.

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<v Speaker 2>Mm hm freak.

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<v Speaker 1>You know, Leslie encourages our cu ladies to try out

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<v Speaker 1>for the Rose Queen. And of course Susan Keats is

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<v Speaker 1>listening and hates the whole idea.

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<v Speaker 3>I can't wait to talk about that kiss, but I'll

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<v Speaker 3>hold off. Cute not scene, sort of ping pongy.

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<v Speaker 2>Yeah. The banter.

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<v Speaker 1>Yeah, there's so much banter though that I'm like, it

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<v Speaker 1>feels so immature, like almost like the schoolyard, you know, Yeah,

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<v Speaker 1>we're just kind of each other.

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<v Speaker 2>Imagine if that was present day, that banter would be

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<v Speaker 2>texting back and forth, Yeah, like what's your tagline?

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<v Speaker 1>Wait? Are you you guys good at the text? Banter? Yeah, Yeah,

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<v Speaker 1>I love a little text banter.

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<v Speaker 2>You like emojis? No, you like uh? Gifts? Yeah?

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<v Speaker 3>I can. I feel like I can.

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<v Speaker 1>I think you say gifts when you click on it

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<v Speaker 1>and you search for the image and it's a little Yeah.

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<v Speaker 1>I feel like I can find a gift for any

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<v Speaker 1>feeling I'm having. Anything I ever need to say, I

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<v Speaker 1>can say it by someone acting on this silly yeah.

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<v Speaker 3>Homer Simpson. Going into the bushes is a particular thing.

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<v Speaker 2>Remember when you said one time, moving forward, you were

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<v Speaker 2>only going to.

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<v Speaker 1>Text and in gifts, I feel like people would understand

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<v Speaker 1>what I'm saying. I don't have to stay like good. Actually,

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<v Speaker 1>I'm going to bring that back.

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<v Speaker 3>And I don't want to throw my phone out the

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<v Speaker 3>window because I'm so sick of messages, text calls. It's

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<v Speaker 3>getting irritating. It's crazy, everyone's crazy with the phones.

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<v Speaker 2>What would you want it to be though? Message in

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<v Speaker 2>a bottle?

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<v Speaker 3>I mean I could use a comandication retreat, but otherwise,

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<v Speaker 3>and I took TikTok off. I had to take TikTok off.

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<v Speaker 2>Did why?

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<v Speaker 3>I think it was making me anxious?

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<v Speaker 1>Good for you? How do you feel now? How long

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<v Speaker 1>has it been first.

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<v Speaker 3>It's been maybe a week, and I don't miss it,

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<v Speaker 3>and I do feel a little better. I think, I mean,

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<v Speaker 3>and I think it'll Yeah, I think it. That's huge

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<v Speaker 3>that someone said to watch that Social Dilemma. I need

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<v Speaker 3>to watch that.

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<v Speaker 2>I'm not a talker. Is that what it is? Well,

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<v Speaker 2>I'm a talker, but not a ticker. I'm not a TikToker.

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<v Speaker 1>You're not a TikToker. I mean shocks me, but I don't.

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<v Speaker 2>I'm not. I never attempted to scroll it and just

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<v Speaker 2>mindlessly look good. I go on and I'm like, I

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<v Speaker 2>don't get it. It's a whole different thing.

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<v Speaker 1>But if you go on the TikToker and you start scrolling,

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<v Speaker 1>you'll never come back.

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<v Speaker 3>I was wasting hours. I think I to.

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<v Speaker 1>Get That's what Clara I said too, It's like how

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<v Speaker 1>to get it off. Good for you, let's all do

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<v Speaker 1>it all. Take a take a break from the time.

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<v Speaker 2>I'm never leaving Amazon though.

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<v Speaker 3>Oh no, no, no, no, need to do that. I've already

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<v Speaker 3>bought three things today. It's fine. Back on track, Back

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<v Speaker 3>on track.

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<v Speaker 1>Donna is a sucker for tiaras.

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<v Speaker 2>Oh yeah, you loved.

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<v Speaker 3>That, I wondered. I actually thought are those real diamonds,

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<v Speaker 3>but then probably not that would be like the queen.

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<v Speaker 3>That's crazy. No, right, yeah, I know, but it did

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<v Speaker 3>go through my mind. I was like, you these diamonds, Yeah,

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<v Speaker 3>for sure, it looks like a Pasadena mansion. Jenny, you

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<v Speaker 3>could advise on that, but like wherever they you guys shot,

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<v Speaker 3>that looked like where they shoot. I think I really

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<v Speaker 3>felt Rose Paridi.

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<v Speaker 1>To me, definitely felt Pasadena. Pasadena is so distinct. You

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<v Speaker 1>guys watch that show Shrinking m that one with Jason Siegel. Yeah,

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<v Speaker 1>and here's the Ford.

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<v Speaker 3>Segal Jason Goal do you say?

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<v Speaker 1>You say, Harrison Ford. It's all shot in Pasadena, every

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<v Speaker 1>single part of it. And you can just tell.

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<v Speaker 3>I like it. I can do that with jud Apatow

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<v Speaker 3>movies because he shoots everything in Brentwood. I can literally

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<v Speaker 3>see my house basically.

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<v Speaker 1>That's good.

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<v Speaker 2>Okay.

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<v Speaker 1>So the girls are all trying out for the Rose Queen,

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<v Speaker 1>apparently even Val.

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<v Speaker 2>It seems so bizarre.

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<v Speaker 1>It's bizarre.

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<v Speaker 3>It just makes no sense. She's not even from California, and.

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<v Speaker 1>She really only goes for like a second and then

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<v Speaker 1>she bows out because she has other motives.

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<v Speaker 3>Just trying to steal your dude.

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<v Speaker 1>Juice.

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<v Speaker 2>That's the juicy part. Let's get there faster.

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<v Speaker 1>Okay, the Jolt records. Let's go to the the We're

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<v Speaker 1>Ray and Donna. Go in and find the little girls

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<v Speaker 1>sitting at the desk. That's the weirdest writing dialogue, writing

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<v Speaker 1>whatever for a child.

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<v Speaker 3>Let that kid go.

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<v Speaker 2>It must have been somebody's kids that whole that scene

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<v Speaker 2>could have been cut.

0:12:02.960 --> 0:12:07.400
<v Speaker 1>Like it was weird. I could tell everybody in it.

0:12:07.679 --> 0:12:10.840
<v Speaker 1>I could tell that you and Jamie both felt uncomfortable.

0:12:10.920 --> 0:12:13.000
<v Speaker 1>I could feel I don't know how she felt. She

0:12:13.040 --> 0:12:15.040
<v Speaker 1>was probably stoked, but just felt weird.

0:12:15.840 --> 0:12:18.600
<v Speaker 3>It's again, we'll discuss this at the end. I'm befuddled

0:12:18.600 --> 0:12:21.240
<v Speaker 3>by Jamie Walter's aka Ray Pruin.

0:12:21.440 --> 0:12:22.000
<v Speaker 2>You like it now?

0:12:23.400 --> 0:12:25.640
<v Speaker 3>Yeah? I like him, but then I know my brain

0:12:25.679 --> 0:12:28.120
<v Speaker 3>knows better. So it's just like so weird.

0:12:29.320 --> 0:12:29.880
<v Speaker 2>Getting cuter.

0:12:30.480 --> 0:12:31.920
<v Speaker 3>They just messed that up.

0:12:32.320 --> 0:12:34.560
<v Speaker 1>That's what they do on this show, you guys. They

0:12:34.600 --> 0:12:36.959
<v Speaker 1>mess with our brains and minds. They make us love

0:12:37.000 --> 0:12:38.880
<v Speaker 1>them and hate him and love them and hate him though.

0:12:38.880 --> 0:12:39.640
<v Speaker 3>That's a mess.

0:12:40.200 --> 0:12:41.760
<v Speaker 1>My emotions are up and down.

0:12:43.640 --> 0:12:45.840
<v Speaker 3>Anyway. Yeah, the record company thing is like we had

0:12:45.840 --> 0:12:47.679
<v Speaker 3>to do it because that's why he can't take her

0:12:47.679 --> 0:12:50.800
<v Speaker 3>to the mall or whatever. It's like, okay, we get it.

0:12:51.960 --> 0:12:56.640
<v Speaker 1>We go back to the Walsh house, which Brandon is vacuuming.

0:12:56.720 --> 0:12:57.880
<v Speaker 1>He's like the dad of the house.

0:12:57.920 --> 0:12:59.080
<v Speaker 3>Now vacuum.

0:12:59.520 --> 0:13:01.400
<v Speaker 1>If the nuts out, you call for Brandon.

0:13:01.480 --> 0:13:05.000
<v Speaker 3>He needs a vacuiumestic no dice in back then that

0:13:05.280 --> 0:13:09.200
<v Speaker 3>vacuum was from nineteen seventy three with a big bag.

0:13:09.400 --> 0:13:13.680
<v Speaker 1>And he's just and I love that he's vacuuming. He

0:13:13.679 --> 0:13:15.880
<v Speaker 1>does need some suspenders and he'll just be full on

0:13:16.000 --> 0:13:16.920
<v Speaker 1>Jim Jim Walsh.

0:13:18.200 --> 0:13:18.360
<v Speaker 2>Hm.

0:13:18.720 --> 0:13:20.880
<v Speaker 3>I like when we get to the computer too. I mean,

0:13:20.880 --> 0:13:23.040
<v Speaker 3>there were some props in this that I'm like, oh

0:13:23.080 --> 0:13:25.560
<v Speaker 3>my because it looks so old totally.

0:13:26.200 --> 0:13:29.800
<v Speaker 1>What about Steve's muscles in his tank top? Did they

0:13:29.800 --> 0:13:33.160
<v Speaker 1>get bigger? Since well they're massive.

0:13:33.520 --> 0:13:35.959
<v Speaker 2>He only brought tank tops to the wallsh house for

0:13:36.040 --> 0:13:36.559
<v Speaker 2>his move in.

0:13:36.920 --> 0:13:42.640
<v Speaker 1>It's like, oh man, and why is the Walsh kitchen yellow?

0:13:42.720 --> 0:13:43.800
<v Speaker 2>Now? Did you?

0:13:43.840 --> 0:13:45.000
<v Speaker 1>Did anybody else think.

0:13:44.880 --> 0:13:47.760
<v Speaker 3>That it was just paint of the walls yellow?

0:13:47.800 --> 0:13:50.080
<v Speaker 2>But I thought I was like, that is the grossest color,

0:13:50.120 --> 0:13:51.720
<v Speaker 2>and then I thought it must have been that before

0:13:51.720 --> 0:13:52.240
<v Speaker 2>it was not.

0:13:52.920 --> 0:13:55.720
<v Speaker 1>I no remember had like it was like aged like

0:13:56.480 --> 0:13:58.400
<v Speaker 1>I was like it was so much better before.

0:13:58.520 --> 0:13:59.640
<v Speaker 2>Sorry, it's disgusting.

0:14:00.080 --> 0:14:03.120
<v Speaker 3>House looks a little sort of whack. I don't know

0:14:03.240 --> 0:14:03.640
<v Speaker 3>it doesn't.

0:14:03.760 --> 0:14:06.200
<v Speaker 1>Yeah, then, but I guess it's because they're young and

0:14:06.200 --> 0:14:08.760
<v Speaker 1>they don't know what it's just a little whack. They

0:14:08.800 --> 0:14:10.600
<v Speaker 1>moved it on into a weird places.

0:14:10.760 --> 0:14:11.800
<v Speaker 3>Yeah.

0:14:11.920 --> 0:14:15.160
<v Speaker 1>What about when Steve says gets them in their g spot?

0:14:15.760 --> 0:14:17.559
<v Speaker 3>Oh my god, I know he had a little bit

0:14:17.559 --> 0:14:18.840
<v Speaker 3>of like lingo.

0:14:18.600 --> 0:14:23.400
<v Speaker 1>And like I was like it so groedy.

0:14:23.520 --> 0:14:25.280
<v Speaker 3>I did have a moment or like who wrote this?

0:14:26.320 --> 0:14:28.400
<v Speaker 3>Because it came to the next thing was.

0:14:28.320 --> 0:14:31.160
<v Speaker 1>A little weird, which is so bizarre, Dina Cargo.

0:14:32.480 --> 0:14:35.040
<v Speaker 3>When do we see that hairsel horse?

0:14:36.240 --> 0:14:38.520
<v Speaker 1>It's in the living room. I wanted somebody to get

0:14:38.520 --> 0:14:41.160
<v Speaker 1>on it. Somebody needs to just get on that thing in.

0:14:41.120 --> 0:14:43.680
<v Speaker 3>The middle of the room. Was it they get that hor.

0:14:43.800 --> 0:14:47.200
<v Speaker 1>No, that's that's never That wasn't in Jim and Cindy's house.

0:14:47.440 --> 0:14:47.760
<v Speaker 3>Was it?

0:14:48.000 --> 0:14:50.520
<v Speaker 2>That went on to be like a big thing. Everyone

0:14:50.560 --> 0:14:53.240
<v Speaker 2>talks about it like it's a big fandom thing, right,

0:14:53.400 --> 0:14:58.280
<v Speaker 2>that horse, that horse, because somebody has it, but.

0:14:58.360 --> 0:14:59.920
<v Speaker 1>It's an arian's attic or something.

0:15:01.720 --> 0:15:03.800
<v Speaker 3>I think I had a friend growing up that had

0:15:03.800 --> 0:15:06.160
<v Speaker 3>a thing like that in their house and it was creepy.

0:15:08.400 --> 0:15:10.600
<v Speaker 3>Like sorry, those of you that have that, I.

0:15:11.240 --> 0:15:12.800
<v Speaker 2>Don't think anyone has that presence.

0:15:12.880 --> 0:15:17.440
<v Speaker 3>Oh people do what people will tell us send us photos,

0:15:17.480 --> 0:15:20.120
<v Speaker 3>because people do. I definitely know people that had those

0:15:20.200 --> 0:15:21.600
<v Speaker 3>and figged me out.

0:15:21.960 --> 0:15:24.440
<v Speaker 1>Honestly, I would have. I would have one of those

0:15:24.480 --> 0:15:28.280
<v Speaker 1>if I could. You do not it's a horse on

0:15:28.360 --> 0:15:33.040
<v Speaker 1>a pole from a carousel. It's like they don't make carousels.

0:15:33.040 --> 0:15:36.040
<v Speaker 1>I mean that's a special item. That's a specialty item.

0:15:36.360 --> 0:15:38.920
<v Speaker 2>Okay, okay, I'll go on the hunt on eBay and

0:15:38.960 --> 0:15:40.480
<v Speaker 2>find one for you.

0:15:39.840 --> 0:15:43.040
<v Speaker 1>I want to be like super vintage e though maybe

0:15:43.080 --> 0:15:45.800
<v Speaker 1>like the og ones that were just would remember those,

0:15:46.040 --> 0:15:50.520
<v Speaker 1>Oh yeah, those would be cool splintery okay anyway, sorry,

0:15:50.760 --> 0:15:55.640
<v Speaker 1>oh Sheila, Sheila, Sheila, yeah.

0:15:54.840 --> 0:15:58.120
<v Speaker 3>Oh, I really keep in that storyline going.

0:15:58.480 --> 0:15:58.880
<v Speaker 2>They are.

0:15:59.040 --> 0:16:03.240
<v Speaker 1>It's sad because I feel bad for David totally.

0:16:03.680 --> 0:16:05.200
<v Speaker 2>He looks cute in this episode.

0:16:05.240 --> 0:16:07.720
<v Speaker 3>First of all, he's too young to be responsible for her.

0:16:08.360 --> 0:16:11.560
<v Speaker 1>But that's what happens. What would my friend Adele call

0:16:11.640 --> 0:16:16.479
<v Speaker 1>this parentified? He's a parent If he's got he's parentified,

0:16:16.520 --> 0:16:18.880
<v Speaker 1>which means I don't know what it means, but he's

0:16:18.880 --> 0:16:23.160
<v Speaker 1>gonna have issues later in life. Yeah, big time relationship

0:16:23.240 --> 0:16:25.720
<v Speaker 1>and issues that are coming from this relationship that he's

0:16:25.720 --> 0:16:28.240
<v Speaker 1>having with his mom because she has no one but

0:16:28.400 --> 0:16:32.880
<v Speaker 1>him and that's just not the right damn dynamic for you.

0:16:33.120 --> 0:16:37.240
<v Speaker 3>Toy like that, which I can't wait to talk about

0:16:37.320 --> 0:16:39.480
<v Speaker 3>Valerie and David in a scene. But we'll get to

0:16:39.520 --> 0:16:42.840
<v Speaker 3>that too, because that just felt like two of them.

0:16:42.840 --> 0:16:56.800
<v Speaker 3>But whatever we'll get we'll get to that. Okay.

0:16:56.840 --> 0:16:59.160
<v Speaker 1>So peach bit where our girls are there talking about

0:16:59.200 --> 0:17:02.800
<v Speaker 1>the Tournament of Roses and that's where we just we

0:17:02.880 --> 0:17:06.639
<v Speaker 1>hear that they're all going to try out and Kelly.

0:17:06.800 --> 0:17:09.080
<v Speaker 1>Kelly complains that Colin won't be able to go because

0:17:09.080 --> 0:17:13.080
<v Speaker 1>he's a workaholic, dropping that in mm hmmm. He seems

0:17:13.119 --> 0:17:16.000
<v Speaker 1>sort of manic when you when we see him painting,

0:17:16.400 --> 0:17:19.800
<v Speaker 1>he goes to like this weird manic place. Uh.

0:17:20.000 --> 0:17:25.879
<v Speaker 2>Not my favorite because that's because there's stuff coming that

0:17:25.960 --> 0:17:26.240
<v Speaker 2>makes it.

0:17:27.280 --> 0:17:28.080
<v Speaker 1>I'm ready for it.

0:17:28.119 --> 0:17:28.760
<v Speaker 3>He's good at it.

0:17:28.800 --> 0:17:33.159
<v Speaker 1>He's good at playing this like dodgy kind of but

0:17:33.200 --> 0:17:35.840
<v Speaker 1>then but then he'll settle and then there's something really

0:17:35.960 --> 0:17:39.240
<v Speaker 1>like a likable about him. So I'm still not sure

0:17:39.240 --> 0:17:42.800
<v Speaker 1>about Colin yet. Maybe never he's not good.

0:17:43.520 --> 0:17:43.919
<v Speaker 2>I don't know.

0:17:45.160 --> 0:17:49.800
<v Speaker 1>But anyway, val so sweet. She tells Kelly that she'll

0:17:49.880 --> 0:17:53.600
<v Speaker 1>talk to him and she'll make it, make it, make

0:17:53.640 --> 0:17:56.960
<v Speaker 1>it so that he can leave Rock. But then she

0:17:57.040 --> 0:17:58.800
<v Speaker 1>goes in and she tells Colin that she has no

0:17:58.880 --> 0:18:00.440
<v Speaker 1>plans for the weekend, and then she beaut.

0:18:00.480 --> 0:18:01.000
<v Speaker 3>To help him.

0:18:01.960 --> 0:18:04.720
<v Speaker 1>Okay, then yeah, Then he teaches her how to put

0:18:04.760 --> 0:18:08.480
<v Speaker 1>tape up. I was like, really, he's gonna break that down.

0:18:11.200 --> 0:18:12.440
<v Speaker 3>It's a mess. She's a mess.

0:18:12.440 --> 0:18:15.000
<v Speaker 2>I don't like seeing them together. That bothers me for

0:18:15.040 --> 0:18:15.600
<v Speaker 2>some reason.

0:18:15.960 --> 0:18:18.080
<v Speaker 3>How about her with your man? Uh?

0:18:19.359 --> 0:18:23.359
<v Speaker 2>Very upset about it? Which was which man? So I

0:18:23.480 --> 0:18:24.280
<v Speaker 2>can't be upset?

0:18:24.359 --> 0:18:28.080
<v Speaker 3>But David Silver like it, like hits me to.

0:18:28.119 --> 0:18:30.520
<v Speaker 2>The core the way he looks at her. I don't

0:18:30.560 --> 0:18:30.880
<v Speaker 2>know why.

0:18:31.920 --> 0:18:36.000
<v Speaker 1>Yeah, did you guys like the way Steve and Claire's

0:18:36.160 --> 0:18:42.920
<v Speaker 1>hair messes? Yeah, he's got like a full on blow

0:18:43.000 --> 0:18:49.439
<v Speaker 1>up so high, so high? What's the saying? Hire the

0:18:49.480 --> 0:18:53.400
<v Speaker 1>hair closer to God? That's the one he is right

0:18:53.440 --> 0:18:57.560
<v Speaker 1>up in there. Oh and and and and Claire's hair

0:18:57.720 --> 0:19:03.120
<v Speaker 1>is is a lot very wind sweat, good wording, right

0:19:03.200 --> 0:19:05.639
<v Speaker 1>when swept?

0:19:05.920 --> 0:19:07.919
<v Speaker 2>You know that designer? We can't think of that we

0:19:07.960 --> 0:19:12.880
<v Speaker 2>wore so much. Every single character literally wears that designer

0:19:12.880 --> 0:19:18.479
<v Speaker 2>in this episode. Figure out who in the dress it was.

0:19:18.560 --> 0:19:23.200
<v Speaker 1>Everything was in that same fabric, correct which was different colors,

0:19:23.320 --> 0:19:26.600
<v Speaker 1>or it had pattern. It was like that creepy polyester.

0:19:28.760 --> 0:19:29.560
<v Speaker 3>Who was it?

0:19:30.480 --> 0:19:33.120
<v Speaker 1>I really thought that you would remember torn and come

0:19:33.160 --> 0:19:33.920
<v Speaker 1>back and tell us.

0:19:34.119 --> 0:19:36.359
<v Speaker 2>I've been trying for a week, like I was trying

0:19:36.359 --> 0:19:39.040
<v Speaker 2>to daunting that I can't find it. I'm telling you

0:19:39.040 --> 0:19:41.360
<v Speaker 2>it has some mark in it, and there's three words,

0:19:42.520 --> 0:19:45.359
<v Speaker 2>but it's like all they wear. It's crazy that they

0:19:45.359 --> 0:19:49.080
<v Speaker 2>have some like trade out that became like the designer

0:19:49.160 --> 0:19:52.480
<v Speaker 2>and the Jacobs or we just all loved it so much.

0:19:52.840 --> 0:19:54.760
<v Speaker 1>I think we all just loved it so much and

0:19:54.800 --> 0:19:56.280
<v Speaker 1>it was what everybody was wearing.

0:19:56.600 --> 0:19:58.440
<v Speaker 3>Wait, so how are you guys feeling about Steve and

0:19:58.560 --> 0:19:59.520
<v Speaker 3>Claire at the beginning.

0:20:00.160 --> 0:20:01.000
<v Speaker 2>I'm not there yet.

0:20:02.359 --> 0:20:03.800
<v Speaker 1>I feel like it's very forced.

0:20:04.200 --> 0:20:07.600
<v Speaker 3>They cuddles and tender heart or something cuddles and tender heart. Yeah,

0:20:07.600 --> 0:20:09.480
<v Speaker 3>it does feel forced. That's a good call.

0:20:09.960 --> 0:20:11.399
<v Speaker 2>Yeah, but I don't know.

0:20:11.560 --> 0:20:12.800
<v Speaker 1>We'll see.

0:20:13.400 --> 0:20:16.560
<v Speaker 2>I feel like I ended up liking them together, so

0:20:17.119 --> 0:20:18.640
<v Speaker 2>I guess I just don't believe it yet.

0:20:19.240 --> 0:20:21.560
<v Speaker 1>I don't believe it at all, not one one bit.

0:20:24.560 --> 0:20:28.320
<v Speaker 1>Do you remember because you were very close with Kathleen.

0:20:29.200 --> 0:20:32.879
<v Speaker 1>Did was she into that storyline of her and Ian

0:20:34.000 --> 0:20:36.119
<v Speaker 1>or Claire her character and Iron's character?

0:20:36.520 --> 0:20:39.120
<v Speaker 2>Trying to remember looking up, I.

0:20:39.040 --> 0:20:43.000
<v Speaker 1>Don't remember either, Like I'm trying to remember Ian's perspective too.

0:20:43.160 --> 0:20:47.919
<v Speaker 2>Yeah, I don't know. I feel like they liked acting wise,

0:20:47.960 --> 0:20:51.360
<v Speaker 2>working together, like the comedy they did together.

0:20:51.440 --> 0:20:54.800
<v Speaker 1>And mm hmmm, yeah they had a good banter.

0:20:55.160 --> 0:20:58.160
<v Speaker 3>Yeah, yeah, they seem like they would be a good couple.

0:20:58.440 --> 0:21:01.280
<v Speaker 2>Not really like if we weren't on a TV show

0:21:01.320 --> 0:21:05.600
<v Speaker 2>where everyone's like Grammar's and glossy, Like, would Claire Arnold

0:21:05.680 --> 0:21:07.879
<v Speaker 2>and Steve Sanders ever really get together?

0:21:09.040 --> 0:21:12.120
<v Speaker 1>She's a genius and he's a duher.

0:21:12.040 --> 0:21:14.760
<v Speaker 2>Like yeah, and she's alternative. I feel like he's not

0:21:14.920 --> 0:21:15.399
<v Speaker 2>her type.

0:21:15.440 --> 0:21:18.000
<v Speaker 1>I'm sorry, Like she's cold, real and it like makes

0:21:18.040 --> 0:21:20.439
<v Speaker 1>like out of the box choices and he's very like

0:21:20.560 --> 0:21:23.919
<v Speaker 1>into those big sneakers and long shorts like it.

0:21:24.080 --> 0:21:26.080
<v Speaker 3>Just I don't know. Opposites a track for some reason,

0:21:26.080 --> 0:21:27.280
<v Speaker 3>they seem kind of logical to me.

0:21:27.359 --> 0:21:30.800
<v Speaker 1>But I'm let's find out. I guess we're gonna find out.

0:21:33.440 --> 0:21:33.680
<v Speaker 3>Wait.

0:21:33.800 --> 0:21:35.720
<v Speaker 1>Bruno follows Oh wait, do you want to go to

0:21:35.760 --> 0:21:37.000
<v Speaker 1>the nail salon with your mommy?

0:21:37.880 --> 0:21:42.200
<v Speaker 3>Oh? I get her. I do not get her.

0:21:42.400 --> 0:21:45.879
<v Speaker 1>She will get alongside of the bed, joked about the

0:21:46.000 --> 0:21:49.920
<v Speaker 1>rose queen. So what's her problem? I don't know what's

0:21:49.920 --> 0:21:53.240
<v Speaker 1>Felice's problem. Why doesn't she encourage her daughter to be

0:21:53.359 --> 0:21:54.320
<v Speaker 1>a rose princess?

0:21:54.800 --> 0:21:55.560
<v Speaker 2>Yeah? What is it?

0:21:55.600 --> 0:21:58.720
<v Speaker 3>Because that would be her jam Totally, that's why didn't

0:21:58.760 --> 0:21:59.240
<v Speaker 3>make sense.

0:21:59.480 --> 0:22:02.879
<v Speaker 1>It was like crushing though, the way she spoke to

0:22:02.960 --> 0:22:08.080
<v Speaker 1>her daughter. Can you ever imagine? I don't know, just

0:22:08.080 --> 0:22:10.000
<v Speaker 1>just broke my heart for Donna.

0:22:10.280 --> 0:22:12.960
<v Speaker 2>I kind of like it happening though, because it puts

0:22:12.960 --> 0:22:16.440
<v Speaker 2>it into perspective, like why she tolerates, like the relationship

0:22:16.480 --> 0:22:19.400
<v Speaker 2>with Ray and yeah, tough one.

0:22:19.720 --> 0:22:25.359
<v Speaker 1>Tough relationships again, parentified. I think we all are.

0:22:28.520 --> 0:22:30.440
<v Speaker 3>Parents are messing up these kids.

0:22:30.480 --> 0:22:38.600
<v Speaker 1>Right, please God? But Bruno follows Tony everywhere, even to

0:22:38.720 --> 0:22:40.240
<v Speaker 1>the He's like lurking around.

0:22:41.359 --> 0:22:42.400
<v Speaker 3>That's a whole thing.

0:22:43.080 --> 0:22:46.560
<v Speaker 1>He's real close though, like he's at the next table close.

0:22:46.600 --> 0:22:50.159
<v Speaker 1>I shouldn't he be at the car? Maybe maybe in

0:22:50.200 --> 0:22:51.439
<v Speaker 1>the hallway, I don't know.

0:22:51.720 --> 0:22:54.159
<v Speaker 3>No, totally chases him on the motorcycle.

0:22:54.520 --> 0:22:57.160
<v Speaker 1>We go to Pasadena again, where we see Valerie showing

0:22:57.240 --> 0:23:02.520
<v Speaker 1>up for the tournament selection and season and season season Keats,

0:23:04.000 --> 0:23:06.960
<v Speaker 1>Susan Keats is there bashing the entire thing to Brandon,

0:23:07.440 --> 0:23:09.280
<v Speaker 1>and that's where we see the Wrigley mansion.

0:23:09.440 --> 0:23:12.120
<v Speaker 3>He's a bit of a negative Nelly. Yeah, she's so negative,

0:23:12.119 --> 0:23:14.639
<v Speaker 3>and I get it. It's all her like women empowerment.

0:23:14.680 --> 0:23:16.720
<v Speaker 3>But at the same time, I'm like, oh, she's sort

0:23:16.760 --> 0:23:18.000
<v Speaker 3>of a wet blanket.

0:23:17.880 --> 0:23:19.600
<v Speaker 1>But feisty at the same time.

0:23:19.840 --> 0:23:23.639
<v Speaker 3>Yeah, yeah like her.

0:23:22.720 --> 0:23:24.520
<v Speaker 1>I'm not matter.

0:23:24.920 --> 0:23:27.879
<v Speaker 2>She's like very Lois Lane.

0:23:28.160 --> 0:23:32.320
<v Speaker 1>Yeah yeah, nice call. And then we get to what

0:23:32.359 --> 0:23:35.960
<v Speaker 1>you really want to talk about? The motorcycle.

0:23:36.119 --> 0:23:39.760
<v Speaker 3>Oh my gosh, I not either of them were on

0:23:39.800 --> 0:23:42.919
<v Speaker 3>the motorcycle, very bad stunt double.

0:23:43.200 --> 0:23:46.199
<v Speaker 1>When she got back on it and drove, I was like,

0:23:46.400 --> 0:23:50.439
<v Speaker 1>is this happy days? Is this it right here? I

0:23:50.520 --> 0:23:53.360
<v Speaker 1>felt like we jumped the shark officially when she did

0:23:53.359 --> 0:23:53.800
<v Speaker 1>the wheelie.

0:23:53.800 --> 0:23:58.200
<v Speaker 3>She's doing the wheelies and it's clearly different hair. It's

0:23:58.280 --> 0:23:59.120
<v Speaker 3>like not her hair.

0:23:59.560 --> 0:24:02.399
<v Speaker 1>I mean, all for this chick being like rad and

0:24:02.840 --> 0:24:05.160
<v Speaker 1>like I know how to ride a bike. Good for her,

0:24:05.280 --> 0:24:10.400
<v Speaker 1>I believe that, but it just was so weird and

0:24:10.440 --> 0:24:13.040
<v Speaker 1>like she I don't know, like he would let her

0:24:13.160 --> 0:24:16.760
<v Speaker 1>ride his motorcycle because he thought she had never ridden one.

0:24:16.760 --> 0:24:18.439
<v Speaker 1>She was like, how do you do it to do?

0:24:19.080 --> 0:24:23.200
<v Speaker 1>Like he's gonna let her get on his motorcycle off

0:24:23.200 --> 0:24:24.280
<v Speaker 1>of pch that.

0:24:24.440 --> 0:24:27.680
<v Speaker 2>No, I know, like it's not the responsible thing to do.

0:24:28.680 --> 0:24:29.080
<v Speaker 3>Woh.

0:24:29.200 --> 0:24:29.920
<v Speaker 1>I was nervous.

0:24:31.560 --> 0:24:33.360
<v Speaker 2>But then Bruno's like it would work out.

0:24:33.720 --> 0:24:35.240
<v Speaker 1>Yeah, well, I just like.

0:24:35.320 --> 0:24:40.280
<v Speaker 3>Her jumping on, like it's just like what is happening?

0:24:41.200 --> 0:24:45.040
<v Speaker 3>It all happened so fast too. I just was like, whoa,

0:24:45.480 --> 0:24:48.600
<v Speaker 3>this is the next level? Is the kiss before that

0:24:48.760 --> 0:24:49.520
<v Speaker 3>or after that?

0:24:49.680 --> 0:24:51.199
<v Speaker 1>After? Because that turned him on.

0:24:51.800 --> 0:24:53.560
<v Speaker 3>Yeah, he was like.

0:24:53.560 --> 0:24:54.120
<v Speaker 2>I like it.

0:24:54.240 --> 0:24:55.560
<v Speaker 1>I like a girl that can ride it.

0:24:55.760 --> 0:24:57.280
<v Speaker 2>Like, yeah, that was.

0:24:57.240 --> 0:24:58.399
<v Speaker 3>A good kiss.

0:24:59.000 --> 0:24:59.400
<v Speaker 1>Mm hmm.

0:24:59.600 --> 0:24:59.800
<v Speaker 2>Yeah.

0:25:00.680 --> 0:25:03.639
<v Speaker 3>The difference between that kiss and Brandon's kiss is so

0:25:04.640 --> 0:25:07.320
<v Speaker 3>night and day one is sort of so soft and

0:25:07.400 --> 0:25:09.639
<v Speaker 3>kind of romantic. And then Brandon then Susan.

0:25:09.640 --> 0:25:14.439
<v Speaker 2>I well, Susan got the aggressive kisser in her scene,

0:25:14.480 --> 0:25:17.000
<v Speaker 2>so you know, she seemed to be just as aggressive.

0:25:17.920 --> 0:25:20.240
<v Speaker 3>I feel like he met her, he met his match.

0:25:20.880 --> 0:25:21.800
<v Speaker 2>Yeah.

0:25:22.160 --> 0:25:24.080
<v Speaker 1>I feel like those two had a good chemistry, like

0:25:24.119 --> 0:25:26.720
<v Speaker 1>they off camera looked like they could.

0:25:26.560 --> 0:25:27.320
<v Speaker 2>Have liked each other.

0:25:27.400 --> 0:25:34.880
<v Speaker 3>Yeah. Yeah, after the motorcycle colin studio, Oh his studio

0:25:35.080 --> 0:25:37.560
<v Speaker 3>or the peach pit after dark?

0:25:37.880 --> 0:25:41.520
<v Speaker 1>Oh yeah, he's panning there and he tells Kelly he

0:25:41.560 --> 0:25:42.960
<v Speaker 1>can't go because.

0:25:45.280 --> 0:25:47.359
<v Speaker 2>Always so.

0:25:47.520 --> 0:25:48.200
<v Speaker 3>I think it's cute.

0:25:48.280 --> 0:25:50.040
<v Speaker 1>Kelly makes David go with her.

0:25:50.320 --> 0:25:53.840
<v Speaker 3>Yeah, She's like, I'll go with my brother. Although the

0:25:53.960 --> 0:25:58.080
<v Speaker 3>dance scene is a tent, we're so excited.

0:25:59.000 --> 0:26:00.359
<v Speaker 1>I've forgotten all that.

0:26:00.440 --> 0:26:04.280
<v Speaker 2>I didn't remember you guys doing that. You're such a

0:26:04.280 --> 0:26:07.320
<v Speaker 2>good dancer. I got excited when he was like, let's

0:26:07.320 --> 0:26:08.000
<v Speaker 2>show them.

0:26:08.080 --> 0:26:10.200
<v Speaker 3>He's good too. They were that was great.

0:26:11.000 --> 0:26:14.240
<v Speaker 1>I know we should cut a rug again. I forgot

0:26:15.160 --> 0:26:16.040
<v Speaker 1>that we can dance.

0:26:16.440 --> 0:26:19.920
<v Speaker 2>Oh yeah, your little like movements. It was so good.

0:26:20.160 --> 0:26:21.080
<v Speaker 3>That was really good.

0:26:21.200 --> 0:26:24.159
<v Speaker 2>And you look super sexy with your hair back like

0:26:24.200 --> 0:26:27.680
<v Speaker 2>your hair. Your hair reminded me of the fore shot

0:26:27.760 --> 0:26:32.440
<v Speaker 2>we did with you and me and Tiffany and Kathleen.

0:26:32.560 --> 0:26:37.240
<v Speaker 2>Do you remember. I feel like it was because you

0:26:37.280 --> 0:26:39.200
<v Speaker 2>had the same outfit on and your hair.

0:26:39.040 --> 0:26:41.520
<v Speaker 1>Like we did a photo shoot in that one, a

0:26:41.520 --> 0:26:43.800
<v Speaker 1>photo shoot the four of us. But I got to

0:26:43.840 --> 0:26:46.879
<v Speaker 1>tell you, guys, I was super cringey when Kelly and Colin.

0:26:47.000 --> 0:26:51.240
<v Speaker 1>When Kelly was baby talking with Colin, I was like,

0:26:52.119 --> 0:26:52.960
<v Speaker 1>make it stop.

0:26:53.560 --> 0:26:57.320
<v Speaker 3>And she's like, shame whatever.

0:26:57.440 --> 0:27:00.600
<v Speaker 1>Yeah, I can't remember what you're saying, but all cutesy

0:27:00.720 --> 0:27:03.640
<v Speaker 1>with him not I don't know.

0:27:03.960 --> 0:27:05.920
<v Speaker 2>I was just staring at your lips and eyebrows. It

0:27:06.040 --> 0:27:07.720
<v Speaker 2>just all looks so good in mine.

0:27:09.720 --> 0:27:13.639
<v Speaker 1>And then we have another really weird scene between Brandon

0:27:13.640 --> 0:27:16.000
<v Speaker 1>and Dylan. I know you're a fan of these scenes. Amy,

0:27:16.480 --> 0:27:17.679
<v Speaker 1>Oh no, look she's over it.

0:27:17.800 --> 0:27:18.119
<v Speaker 2>Nope.

0:27:18.240 --> 0:27:21.640
<v Speaker 1>Where Brandon's like basically is not being a good friend

0:27:21.720 --> 0:27:23.280
<v Speaker 1>but trying to be a good friend, but kind of

0:27:23.280 --> 0:27:23.920
<v Speaker 1>being a jerk.

0:27:25.080 --> 0:27:27.640
<v Speaker 3>It's not the vacuuming one. Where was this one? Again?

0:27:27.720 --> 0:27:28.640
<v Speaker 3>Just refresh my memory.

0:27:28.640 --> 0:27:30.800
<v Speaker 1>Where do I get the house? When Dylan comes over.

0:27:30.760 --> 0:27:32.760
<v Speaker 3>And he's sitting on the couch, This was the vacuuming.

0:27:33.840 --> 0:27:36.399
<v Speaker 1>No, I think he vacuumed in the beginning with Steve.

0:27:36.480 --> 0:27:39.520
<v Speaker 3>Now, for some reason, I remember him vacuuming right up

0:27:39.560 --> 0:27:44.040
<v Speaker 3>to Dylan. I feel like this was the vacuuming. But

0:27:44.440 --> 0:27:47.840
<v Speaker 3>literally watching that's where I noticed the prominent carousel horse.

0:27:48.119 --> 0:27:48.280
<v Speaker 2>Right.

0:27:49.840 --> 0:27:52.480
<v Speaker 3>Yeah, I just don't The whole thing is the fuddling.

0:27:52.520 --> 0:27:54.840
<v Speaker 3>Although I that was better because at least they were

0:27:54.880 --> 0:27:55.680
<v Speaker 3>sort of friends.

0:27:56.160 --> 0:27:59.080
<v Speaker 1>But it's just like, I don't get it, and that's

0:27:59.080 --> 0:28:02.359
<v Speaker 1>where Dylan gives him the key to his safety posit

0:28:02.400 --> 0:28:04.240
<v Speaker 1>box and says, if anything happens to me.

0:28:04.720 --> 0:28:07.000
<v Speaker 3>He's written the letter to the FBI at this point,

0:28:07.040 --> 0:28:08.800
<v Speaker 3>and he's like, so, what happens to me? And it's

0:28:08.840 --> 0:28:12.840
<v Speaker 3>just like, so bananas, this twenty one year old kid,

0:28:13.280 --> 0:28:14.320
<v Speaker 3>it's just bananas.

0:28:14.480 --> 0:28:17.080
<v Speaker 2>It's kind of cool, it's kind of sexy, but.

0:28:17.000 --> 0:28:18.920
<v Speaker 1>You know, I don't believe it. He's twenty one years

0:28:18.960 --> 0:28:21.040
<v Speaker 1>old and he's going up against the FBI.

0:28:21.280 --> 0:28:25.040
<v Speaker 2>What about men that go up to war at eighteen

0:28:25.560 --> 0:28:29.960
<v Speaker 2>cru But like, dear FBI, dear dear FBI.

0:28:29.600 --> 0:28:30.880
<v Speaker 3>You're reading this, I'm dead.

0:28:32.840 --> 0:28:36.320
<v Speaker 1>That's what he left in the safe deposit box. I

0:28:36.359 --> 0:28:38.440
<v Speaker 1>was hoping he would leave some money in there for

0:28:38.560 --> 0:28:40.360
<v Speaker 1>Brandon so he could get a housekeeper or something.

0:28:40.680 --> 0:28:44.080
<v Speaker 2>And we go to the beach apartment. Now Donna made

0:28:44.120 --> 0:28:44.880
<v Speaker 2>the cut.

0:28:45.560 --> 0:28:48.800
<v Speaker 3>Yeah, you made the cut, of course you. There's sort

0:28:48.840 --> 0:28:52.080
<v Speaker 3>of a conversation about mothers you were.

0:28:52.360 --> 0:28:55.160
<v Speaker 1>You're so good for it. In my mind, there was

0:28:55.280 --> 0:28:57.800
<v Speaker 1>no other girls trying out for it like us, Like

0:28:57.840 --> 0:29:01.719
<v Speaker 1>there was no Kelly or Claire or val there. Because

0:29:01.760 --> 0:29:05.040
<v Speaker 1>in my mind, this storyline is all you. It's so

0:29:05.120 --> 0:29:06.680
<v Speaker 1>perfect for Donna.

0:29:06.280 --> 0:29:08.040
<v Speaker 2>Because you know what happens.

0:29:08.440 --> 0:29:11.640
<v Speaker 1>I don't know what happens. What happens? Do you fall

0:29:11.680 --> 0:29:12.280
<v Speaker 1>off the float?

0:29:12.560 --> 0:29:15.840
<v Speaker 2>I've explain a lot of things. Nope.

0:29:27.320 --> 0:29:32.440
<v Speaker 1>So Ray says he can't go to the party, and

0:29:32.600 --> 0:29:38.680
<v Speaker 1>you arpist. Donna is mad, but she should be happy.

0:29:38.720 --> 0:29:43.000
<v Speaker 2>He can't go to the party, right, everything happens.

0:29:43.920 --> 0:29:46.400
<v Speaker 1>But you go with him? Then to his kids?

0:29:46.560 --> 0:29:49.280
<v Speaker 3>Yeah, I think has him to the record label guy's

0:29:49.600 --> 0:29:50.480
<v Speaker 3>kid's birthday.

0:29:50.760 --> 0:29:52.920
<v Speaker 1>He says, I have to headline her birthday party, and

0:29:52.960 --> 0:29:54.880
<v Speaker 1>they cut to him and it's him like saying.

0:29:56.960 --> 0:29:58.880
<v Speaker 2>That was so I felt bad for him.

0:29:59.640 --> 0:30:02.560
<v Speaker 3>I I feel like I missed the scene of the birthday?

0:30:02.680 --> 0:30:05.720
<v Speaker 3>Did they show it? CRR?

0:30:06.760 --> 0:30:08.520
<v Speaker 1>Well, he's singing, so I saw it.

0:30:09.160 --> 0:30:10.640
<v Speaker 3>I didn't watch it on DVD.

0:30:11.240 --> 0:30:15.920
<v Speaker 1>I watched it on my little USB sticky.

0:30:14.760 --> 0:30:16.400
<v Speaker 3>So I missed the whole scene.

0:30:17.240 --> 0:30:19.240
<v Speaker 1>Oh my god, you're so good in that scene too. Okay,

0:30:19.240 --> 0:30:23.160
<v Speaker 1>here's what happens. He's on a stool on a little stage,

0:30:23.200 --> 0:30:25.640
<v Speaker 1>and then you pull back and you see he's playing

0:30:25.640 --> 0:30:28.880
<v Speaker 1>to a bunch of kids who basically aren't even listening

0:30:28.920 --> 0:30:30.440
<v Speaker 1>to him. And then you pull back further and you

0:30:30.480 --> 0:30:35.240
<v Speaker 1>see Donna sitting there with mister Corman, doctor Corman, Roger Corman,

0:30:36.080 --> 0:30:38.880
<v Speaker 1>and you are not happy. You're like click click click,

0:30:38.920 --> 0:30:41.760
<v Speaker 1>when's it's going to be over? And then oh, they're

0:30:41.800 --> 0:30:43.840
<v Speaker 1>playing musical chairs and you have to get up and

0:30:43.880 --> 0:30:45.320
<v Speaker 1>when the song's over, you have to get up and

0:30:45.320 --> 0:30:46.719
<v Speaker 1>remove one of the chairs, and you do it with

0:30:46.760 --> 0:30:47.720
<v Speaker 1>so much attitude.

0:30:48.040 --> 0:30:52.800
<v Speaker 2>Ah, I probably didn't have that scene. That sounds like

0:30:53.160 --> 0:30:55.880
<v Speaker 2>exact like the Halloween scene, like the worms crawl in

0:30:57.760 --> 0:30:59.440
<v Speaker 2>basically same as it was the same.

0:31:03.600 --> 0:31:08.960
<v Speaker 1>Then we see Valerie making her moves, making our moves.

0:31:09.720 --> 0:31:14.160
<v Speaker 1>Oh boy, yeah, that's is that when? No, that's not

0:31:14.200 --> 0:31:15.920
<v Speaker 1>when they have their confrontation, is it?

0:31:16.080 --> 0:31:18.600
<v Speaker 3>I feel like this is when they decide to go

0:31:18.760 --> 0:31:19.959
<v Speaker 3>to the ball or whatever.

0:31:20.520 --> 0:31:22.200
<v Speaker 1>Oh, he says, yeah, I have a great idea.

0:31:22.560 --> 0:31:24.360
<v Speaker 3>He's finished his primer pain.

0:31:27.280 --> 0:31:29.680
<v Speaker 1>Is he doing that because he wants to make Kelly happy?

0:31:29.760 --> 0:31:32.200
<v Speaker 1>And she's doing that because she wants to piss Kelly off?

0:31:32.760 --> 0:31:36.840
<v Speaker 2>So just in arm an arm she's happy to do

0:31:36.880 --> 0:31:39.240
<v Speaker 2>it to piss Kelly off. Why is he doing that? Though?

0:31:39.600 --> 0:31:41.760
<v Speaker 1>I stupid, He's just stupid.

0:31:41.920 --> 0:31:43.880
<v Speaker 2>It makes no sense.

0:31:43.920 --> 0:31:47.160
<v Speaker 1>And I don't think he knows the history or the

0:31:47.360 --> 0:31:48.520
<v Speaker 1>like depth of the.

0:31:48.800 --> 0:31:50.920
<v Speaker 3>In the middle of your big dance number too.

0:31:51.720 --> 0:31:55.120
<v Speaker 2>Oh man, No, it's just wrong.

0:31:55.800 --> 0:31:57.840
<v Speaker 1>Really took the wind out of my sails there.

0:31:58.280 --> 0:32:02.480
<v Speaker 3>Yeah. Then they go to the bath room.

0:32:02.960 --> 0:32:10.680
<v Speaker 1>Yeah, Valerie tells Kelly that it was all Colin's idea,

0:32:11.000 --> 0:32:13.760
<v Speaker 1>and yeah, Colin tells Kelly that he finished early and

0:32:13.800 --> 0:32:17.840
<v Speaker 1>he wanted to surprise her. But before that, Kelly comes

0:32:17.840 --> 0:32:20.400
<v Speaker 1>over and tells Valerie she's a bitch in front of everyone.

0:32:20.560 --> 0:32:25.400
<v Speaker 1>I love that. I hated it why because she called

0:32:25.400 --> 0:32:30.800
<v Speaker 1>her a bitch. I just felt like, I don't know Kelly.

0:32:31.440 --> 0:32:34.400
<v Speaker 1>I felt like that was unclassy, and Kelly has usually

0:32:34.440 --> 0:32:37.480
<v Speaker 1>taken the classy road or the high road. She hasn't

0:32:37.520 --> 0:32:41.680
<v Speaker 1>like go down to other people's levels like that. I

0:32:41.680 --> 0:32:46.560
<v Speaker 1>felt like she just lowered her in my opinion of her.

0:32:46.640 --> 0:32:49.040
<v Speaker 1>Like watching her, I was like, she didn't need to

0:32:49.080 --> 0:32:49.280
<v Speaker 1>do that.

0:32:49.440 --> 0:32:52.800
<v Speaker 2>But wait, at this point, this chick has done this

0:32:52.840 --> 0:32:57.480
<v Speaker 2>to you twice with Dylan, with Brandon, like it's like

0:32:58.120 --> 0:32:58.720
<v Speaker 2>and now.

0:32:58.840 --> 0:33:00.400
<v Speaker 3>Definitely like.

0:33:01.880 --> 0:33:05.520
<v Speaker 1>Yeah, no, totally okay that they have this beef. But

0:33:06.000 --> 0:33:07.560
<v Speaker 1>I just didn't like that she called her a bitch

0:33:07.600 --> 0:33:09.080
<v Speaker 1>in front of everyone.

0:33:10.120 --> 0:33:12.960
<v Speaker 3>The whole thing is so befuddling.

0:33:13.040 --> 0:33:16.120
<v Speaker 1>Again, and then Donna gets there, They get Donna and

0:33:16.200 --> 0:33:18.800
<v Speaker 1>Ray get there from the they come late, and then

0:33:18.840 --> 0:33:21.680
<v Speaker 1>you walk in the door for one split second and

0:33:21.720 --> 0:33:23.680
<v Speaker 1>then he's like, wait, I want to have you all

0:33:23.680 --> 0:33:25.560
<v Speaker 1>to myself, and he takes you out.

0:33:25.840 --> 0:33:26.960
<v Speaker 3>He's all happy about it.

0:33:27.920 --> 0:33:29.960
<v Speaker 1>But she didn't even get to go into the party,

0:33:30.000 --> 0:33:30.600
<v Speaker 1>not at all.

0:33:30.880 --> 0:33:32.880
<v Speaker 3>Dance outside. It's very bizarre.

0:33:33.600 --> 0:33:36.280
<v Speaker 1>It's like you wanted to look beautiful.

0:33:36.360 --> 0:33:40.080
<v Speaker 3>Yes, it's just a confusing scene. I'm just very confused,

0:33:40.920 --> 0:33:41.640
<v Speaker 3>very confused.

0:33:42.280 --> 0:33:45.480
<v Speaker 1>You know, when Brandon and Susan are at the California

0:33:45.520 --> 0:33:49.440
<v Speaker 1>and they're at the what's it called condor, Noah, the paper,

0:33:49.480 --> 0:33:53.120
<v Speaker 1>Condor the paper. They're at the office and he's sitting

0:33:53.120 --> 0:33:55.600
<v Speaker 1>there and he's like, did you guys believe that he

0:33:55.640 --> 0:33:56.520
<v Speaker 1>was typing at all? No?

0:33:57.880 --> 0:33:58.800
<v Speaker 2>Bea She's.

0:34:00.520 --> 0:34:04.720
<v Speaker 1>Oh hot and bothered back there. It felt like it

0:34:04.800 --> 0:34:07.120
<v Speaker 1>came out of nowhere, that all of a sudden they

0:34:07.160 --> 0:34:10.720
<v Speaker 1>had this attraction for each other. I guess I missed

0:34:10.760 --> 0:34:12.440
<v Speaker 1>that beat where it changed for.

0:34:12.440 --> 0:34:14.759
<v Speaker 3>Them that we obviously. I felt like it was so

0:34:14.840 --> 0:34:18.640
<v Speaker 3>captain obvious that that was coming. Yeah, but then then

0:34:18.680 --> 0:34:19.240
<v Speaker 3>we'd get.

0:34:19.080 --> 0:34:19.520
<v Speaker 2>The big PI.

0:34:20.200 --> 0:34:22.440
<v Speaker 1>But it was so you knew at the beginning of

0:34:22.440 --> 0:34:24.000
<v Speaker 1>that scene. What was going to happen at the end

0:34:24.040 --> 0:34:24.720
<v Speaker 1>of that scene.

0:34:25.520 --> 0:34:28.120
<v Speaker 3>Although I wasn't mad about it, I actually kind of

0:34:28.200 --> 0:34:28.520
<v Speaker 3>liked it.

0:34:29.280 --> 0:34:32.799
<v Speaker 1>I could tell because the beginning of the scene on

0:34:32.840 --> 0:34:36.359
<v Speaker 1>her close up, her lipstick was already all messed up

0:34:36.400 --> 0:34:37.120
<v Speaker 1>from making.

0:34:36.920 --> 0:34:37.839
<v Speaker 2>Out with him.

0:34:38.360 --> 0:34:43.240
<v Speaker 1>So that was clearly like take two. Can I always

0:34:43.239 --> 0:34:45.680
<v Speaker 1>tell her jaw was popped out?

0:34:45.719 --> 0:34:46.440
<v Speaker 2>You know, all of it.

0:34:46.920 --> 0:34:50.120
<v Speaker 1>So that's the big kiss scene that you you really liked?

0:34:50.239 --> 0:34:53.400
<v Speaker 3>I was like, okay, it was very they were a

0:34:53.480 --> 0:34:55.840
<v Speaker 3>match because it was aggressive on both sides.

0:34:56.200 --> 0:34:56.920
<v Speaker 1>She was hungry.

0:34:56.960 --> 0:34:57.240
<v Speaker 3>Whoa.

0:34:57.320 --> 0:35:01.160
<v Speaker 2>She was like, like, but.

0:35:01.160 --> 0:35:02.080
<v Speaker 3>They look cute together.

0:35:02.200 --> 0:35:02.480
<v Speaker 2>They do.

0:35:02.640 --> 0:35:03.800
<v Speaker 3>They're fine, They're fine.

0:35:04.000 --> 0:35:06.920
<v Speaker 2>Fine for now, she's here a whole season, so you

0:35:07.040 --> 0:35:07.880
<v Speaker 2>better get used to her.

0:35:07.920 --> 0:35:08.840
<v Speaker 3>Thirty episodes.

0:35:09.000 --> 0:35:14.680
<v Speaker 2>Yeah, that's a lot, okay, And then Cuddles and Tender Heart.

0:35:15.320 --> 0:35:20.120
<v Speaker 3>Oh, it's a good episode, but it's kind of feels

0:35:20.120 --> 0:35:22.680
<v Speaker 3>like it's not now that we're talking about it.

0:35:22.680 --> 0:35:25.760
<v Speaker 2>It's choppy, there's good moments, but it's.

0:35:25.640 --> 0:35:29.080
<v Speaker 3>Just so over yet. I kind of enjoyed it when

0:35:29.120 --> 0:35:30.759
<v Speaker 3>I was watching it, but talking about it, I'm like,

0:35:30.960 --> 0:35:36.360
<v Speaker 3>that's kind of yeah, it's and it goes to that,

0:35:36.960 --> 0:35:40.879
<v Speaker 3>is there anyway yeah, cuddles here. That's having a good

0:35:40.960 --> 0:35:43.080
<v Speaker 3>laugh right over there, Steve, O.

0:35:43.600 --> 0:35:47.360
<v Speaker 1>There she is. She looks hot sitting over there waiting

0:35:47.400 --> 0:35:51.640
<v Speaker 1>for her man changed blue, sort of sequenty thing on.

0:35:53.280 --> 0:35:56.160
<v Speaker 1>But are they both disappointed.

0:35:57.200 --> 0:36:00.560
<v Speaker 3>Or I think so? Yeah, I think they're disciplinely happy.

0:36:00.600 --> 0:36:03.000
<v Speaker 3>They're way more disappointed than shocked. I feel like they

0:36:03.040 --> 0:36:06.200
<v Speaker 3>should have been more shocked. But I mean, it's like

0:36:06.280 --> 0:36:09.080
<v Speaker 3>the Pina Kalada song. Do you guys know that song?

0:36:09.360 --> 0:36:09.920
<v Speaker 2>Yeah?

0:36:10.120 --> 0:36:10.719
<v Speaker 1>Yeah, sing it?

0:36:10.800 --> 0:36:11.120
<v Speaker 3>Sing it?

0:36:11.160 --> 0:36:12.239
<v Speaker 1>Oh? Can you you like?

0:36:14.400 --> 0:36:18.200
<v Speaker 3>It's like that's the same exact plot, like I'm sick

0:36:18.239 --> 0:36:20.880
<v Speaker 3>of my wife. I'm sick of my husband. We should

0:36:20.920 --> 0:36:24.480
<v Speaker 3>meet and then it's each other? Did you say getting

0:36:24.520 --> 0:36:28.759
<v Speaker 3>lovely lady? Do you guys remember? See you like.

0:36:30.440 --> 0:36:34.799
<v Speaker 1>Getting caught in the same plot.

0:36:34.920 --> 0:36:36.719
<v Speaker 3>They're like writing to each other.

0:36:37.600 --> 0:36:39.480
<v Speaker 2>I never knew what that song was about.

0:36:39.760 --> 0:36:42.279
<v Speaker 3>Oh my god, It's like it was in the old

0:36:42.360 --> 0:36:44.600
<v Speaker 3>days when you'd write it in the newspaper or something.

0:36:45.160 --> 0:36:48.919
<v Speaker 3>It was good lady, oh boy, it's you, she says

0:36:49.000 --> 0:36:50.640
<v Speaker 3>or whatever. And then they're just totally fine with it.

0:36:50.719 --> 0:36:53.440
<v Speaker 1>They're like, I just thought that was about Pina Coladas.

0:36:53.600 --> 0:36:56.520
<v Speaker 2>Same And I'm not a huge fan, so it wasn't

0:36:56.520 --> 0:36:56.920
<v Speaker 2>a huge fan.

0:36:57.040 --> 0:37:00.400
<v Speaker 3>Give a realisten, Give that a realisten. I think they

0:37:00.440 --> 0:37:01.440
<v Speaker 3>got this from that.

0:37:02.280 --> 0:37:04.759
<v Speaker 1>I okay, So the end of this episode's a really

0:37:04.800 --> 0:37:10.720
<v Speaker 1>good David goes to check on his mom. He's driving

0:37:10.800 --> 0:37:12.000
<v Speaker 1>Valerie home.

0:37:11.840 --> 0:37:13.280
<v Speaker 2>But why why did that happen?

0:37:13.280 --> 0:37:15.560
<v Speaker 1>She came with Colin right, so she didn't have a

0:37:15.600 --> 0:37:17.799
<v Speaker 1>ride home and they didn't have uber then and Brandon.

0:37:17.480 --> 0:37:19.880
<v Speaker 3>And Susan had to go write at the paper and

0:37:20.080 --> 0:37:24.680
<v Speaker 3>make out. So off they go in the Defender, which

0:37:24.719 --> 0:37:28.399
<v Speaker 3>I was like, this just feels like Brian Austin Green

0:37:28.440 --> 0:37:33.000
<v Speaker 3>and Tiffany Theeson, which was fine. I enjoyed it.

0:37:33.520 --> 0:37:38.400
<v Speaker 1>He stops and he sees, you know, ambulge and ambulance,

0:37:39.160 --> 0:37:42.240
<v Speaker 1>all the things happening out front of his mom's apartment building,

0:37:42.320 --> 0:37:45.040
<v Speaker 1>and he sees her mom, his mom being brought out

0:37:45.239 --> 0:37:47.640
<v Speaker 1>let a stretcher, and then he jumps and they say,

0:37:48.480 --> 0:37:51.880
<v Speaker 1>we've got an attempted suicide on our hands here people awful,

0:37:52.200 --> 0:37:55.400
<v Speaker 1>And he's really good in that seeing you very believable,

0:37:55.560 --> 0:38:00.040
<v Speaker 1>like you're like, he looks so shocked and torn and

0:38:00.080 --> 0:38:03.760
<v Speaker 1>he doesn't us to do Yeah, distraught, really good.

0:38:03.600 --> 0:38:05.040
<v Speaker 3>And then I kind of zoom in on her.

0:38:05.480 --> 0:38:07.000
<v Speaker 2>I don't know. I just felt like the way they

0:38:07.040 --> 0:38:10.280
<v Speaker 2>were looking at each other and that scene didn't represent

0:38:10.400 --> 0:38:14.520
<v Speaker 2>the character's friendship depth at that point.

0:38:14.680 --> 0:38:17.120
<v Speaker 1>They do the characters have a friend or.

0:38:18.160 --> 0:38:20.439
<v Speaker 3>Isn't this where they start to like each other? Did

0:38:20.440 --> 0:38:21.480
<v Speaker 3>I make that obviously?

0:38:21.920 --> 0:38:26.400
<v Speaker 1>Yeah, these two characters get together, I think so. Yeah.

0:38:26.600 --> 0:38:27.480
<v Speaker 3>I think because of.

0:38:27.520 --> 0:38:31.840
<v Speaker 1>The shared the shared trauma of at all, because this

0:38:32.000 --> 0:38:33.120
<v Speaker 1>is clearly bringing.

0:38:32.840 --> 0:38:38.000
<v Speaker 2>Up for val her dad and I tried to think

0:38:38.040 --> 0:38:41.000
<v Speaker 2>that way because I'm like, why is she so intently

0:38:41.040 --> 0:38:43.560
<v Speaker 2>staring at him? I was like, Okay, her dad, I

0:38:43.600 --> 0:38:46.359
<v Speaker 2>get it. I'm putting it together. But the way he's

0:38:46.400 --> 0:38:48.640
<v Speaker 2>looking at her, I was just like, I don't know.

0:38:49.280 --> 0:38:49.680
<v Speaker 3>You're right.

0:38:49.760 --> 0:38:51.160
<v Speaker 2>It was Brian and Tiffany.

0:38:51.239 --> 0:38:52.160
<v Speaker 3>Yeah, And that's how I felt.

0:38:52.160 --> 0:38:52.920
<v Speaker 2>Eating in the car.

0:38:52.960 --> 0:38:54.800
<v Speaker 3>I was like, this isn't the characters. This is just

0:38:54.840 --> 0:38:56.600
<v Speaker 3>two people that are dating.

0:38:56.360 --> 0:38:59.759
<v Speaker 2>In a car and wait, you guys, I wonder do

0:38:59.800 --> 0:39:02.319
<v Speaker 2>you think that Brian at this point was like can

0:39:02.360 --> 0:39:03.960
<v Speaker 2>you put us together? Or she was like can you

0:39:03.960 --> 0:39:07.200
<v Speaker 2>put us together? Because it was causing some tension between.

0:39:07.560 --> 0:39:13.920
<v Speaker 1>I mean, I'd feel like it's a little late. True,

0:39:14.080 --> 0:39:16.640
<v Speaker 1>he probably should have they should have come in with that.

0:39:16.880 --> 0:39:18.319
<v Speaker 3>It's the only one left.

0:39:18.840 --> 0:39:19.560
<v Speaker 2>Oh, you're right.

0:39:21.040 --> 0:39:23.520
<v Speaker 1>If I was him, I'd be like, no, I'm good.

0:39:23.680 --> 0:39:25.360
<v Speaker 1>I don't need to be with vlle.

0:39:26.800 --> 0:39:27.279
<v Speaker 3>I just.

0:39:28.800 --> 0:39:33.120
<v Speaker 1>Systematically if we broke it down. She has been with

0:39:33.239 --> 0:39:35.360
<v Speaker 1>every guy right or tried to be.

0:39:35.800 --> 0:39:40.759
<v Speaker 2>Yes, I kind of has been, and I still there's

0:39:40.800 --> 0:39:44.719
<v Speaker 2>something between her and Jim Walsh, so him too. What

0:39:44.760 --> 0:39:46.839
<v Speaker 2>about Nat? I'm just thinking about that.

0:39:49.080 --> 0:39:51.400
<v Speaker 1>Do you think that she thought about that while she

0:39:51.640 --> 0:39:53.959
<v Speaker 1>while she was filming this or well, you know.

0:39:54.200 --> 0:39:55.880
<v Speaker 2>Thought about if she would hook up with Nat?

0:39:56.360 --> 0:40:00.000
<v Speaker 1>No? Yeah, if she wasn't thinking about that.

0:40:00.200 --> 0:40:01.600
<v Speaker 3>But I feel like they thought about it. But I

0:40:01.600 --> 0:40:02.839
<v Speaker 3>don't know did anybody like.

0:40:02.840 --> 0:40:05.560
<v Speaker 1>Step back and say, whoa, this is what we're doing

0:40:05.600 --> 0:40:07.120
<v Speaker 1>with this character intentionally?

0:40:08.160 --> 0:40:12.280
<v Speaker 3>Probably there's no one left for her other than David.

0:40:12.880 --> 0:40:15.200
<v Speaker 1>Would you have wanted to play that character? Like? Would

0:40:15.239 --> 0:40:16.919
<v Speaker 1>you have been like down to be like with every

0:40:16.960 --> 0:40:20.760
<v Speaker 1>single guy, every male character on the show.

0:40:22.040 --> 0:40:24.239
<v Speaker 2>No, it's a bit much.

0:40:24.280 --> 0:40:26.799
<v Speaker 1>I'm trying to think if like, yeah, sure that the

0:40:26.920 --> 0:40:31.800
<v Speaker 1>acting of it all seems fun. The trouble making aspect,

0:40:31.920 --> 0:40:33.480
<v Speaker 1>like she's going to come in and make trouble. That

0:40:33.640 --> 0:40:35.120
<v Speaker 1>sounds like fun to play m hm.

0:40:35.960 --> 0:40:39.920
<v Speaker 2>But in one season. Basically, we've barely started her second season.

0:40:40.280 --> 0:40:43.320
<v Speaker 2>She's been through every single male on the cast.

0:40:44.040 --> 0:40:45.479
<v Speaker 3>I don't know, just weird.

0:40:45.560 --> 0:40:49.520
<v Speaker 1>It's weird that they would do that to one of

0:40:49.560 --> 0:40:52.200
<v Speaker 1>their main characters. I get that she's there to be

0:40:52.360 --> 0:40:56.480
<v Speaker 1>like the bad girl, but so quickly. Yeah, it's a

0:40:56.520 --> 0:40:59.839
<v Speaker 1>lot mucht.

0:40:58.680 --> 0:41:00.000
<v Speaker 3>Much, But that's it. That's the end of the episod.

0:41:00.040 --> 0:41:01.319
<v Speaker 1>So where we see you feel about this?

0:41:02.080 --> 0:41:03.799
<v Speaker 3>When I watched it, I felt like good about it.

0:41:05.120 --> 0:41:07.040
<v Speaker 3>I watched if. It was like a nine for me

0:41:08.160 --> 0:41:11.040
<v Speaker 3>talking about it, it's not quite as riveting as it

0:41:11.080 --> 0:41:12.600
<v Speaker 3>was when I'm watching it, but I'm gonna go with nine.

0:41:12.640 --> 0:41:13.520
<v Speaker 3>I'm gonna go with nine.

0:41:16.080 --> 0:41:19.040
<v Speaker 1>Pretty high, pretty high. What do you got? What do

0:41:19.080 --> 0:41:19.359
<v Speaker 1>you got?

0:41:19.400 --> 0:41:21.080
<v Speaker 2>I think I'm gonna go with six and a half.

0:41:21.800 --> 0:41:26.000
<v Speaker 3>Whoa, I'm sorry, whoa, wow, Wow, wowst.

0:41:25.320 --> 0:41:30.080
<v Speaker 1>You brought it up to the half. Sorry wow, I'd

0:41:30.160 --> 0:41:34.520
<v Speaker 1>say I'd say eight. Okay, it's more reasonable because we're

0:41:34.520 --> 0:41:39.319
<v Speaker 1>seeing a lot of relationships starting to form. Yeah, it

0:41:39.440 --> 0:41:41.279
<v Speaker 1>was just a lot of kissing, a lot of like

0:41:42.120 --> 0:41:46.319
<v Speaker 1>matchup umpy around. Yeah, it was trying to get all

0:41:46.360 --> 0:41:50.640
<v Speaker 1>the different characters to be in their new storyline so

0:41:50.680 --> 0:41:53.919
<v Speaker 1>that they could propel into the next arc, right.

0:41:54.120 --> 0:41:56.520
<v Speaker 2>So it was one of those episodes that was literally

0:41:57.480 --> 0:41:59.080
<v Speaker 2>it's kind of like when you come into a new

0:41:59.160 --> 0:42:01.759
<v Speaker 2>season and they're trying to tell you what's going to happen,

0:42:01.920 --> 0:42:05.080
<v Speaker 2>except we're on episode what four? Now?

0:42:05.239 --> 0:42:06.680
<v Speaker 3>Yeah, I don't know.

0:42:06.880 --> 0:42:09.839
<v Speaker 2>I wasn't into it. Sorry, And sometimes when I zone

0:42:09.840 --> 0:42:12.040
<v Speaker 2>down and I'm not into it, at least, my fallback

0:42:12.080 --> 0:42:14.440
<v Speaker 2>is always the fashion, and this one I felt like,

0:42:14.840 --> 0:42:18.640
<v Speaker 2>while we loved that designer, everyone had just very similar

0:42:18.680 --> 0:42:20.080
<v Speaker 2>thing on. There was no.

0:42:19.920 --> 0:42:23.279
<v Speaker 1>Flat and basic. Everything was very flat. But your white

0:42:23.360 --> 0:42:27.480
<v Speaker 1>dress is beautiful when you're dancing with Ray.

0:42:28.120 --> 0:42:30.719
<v Speaker 2>Actually we had to find this designer's name. God's dress.

0:42:30.960 --> 0:42:33.920
<v Speaker 1>You have matching white shoes with it? Did you notice?

0:42:34.040 --> 0:42:36.560
<v Speaker 1>I did not notice that I saw them. They have

0:42:36.640 --> 0:42:38.239
<v Speaker 1>a really clear shot of them in the scene that

0:42:38.280 --> 0:42:39.920
<v Speaker 1>you didn't get to see, and I was like, I

0:42:39.920 --> 0:42:43.120
<v Speaker 1>don't know about the shoe because they were like white

0:42:43.320 --> 0:42:50.960
<v Speaker 1>and clunky with that pretty thin little that was in Then, Yeah,

0:42:51.440 --> 0:42:55.400
<v Speaker 1>that's what that's next week's next week. Next week, we

0:42:55.520 --> 0:42:57.520
<v Speaker 1>got what do we got?

0:42:58.200 --> 0:43:03.160
<v Speaker 2>Season six, Episode five? Leap, Oh, who's sleeping?

0:43:04.840 --> 0:43:07.600
<v Speaker 1>Any but any any one of these lovers could be leaping,

0:43:08.280 --> 0:43:11.600
<v Speaker 1>so many, so many lovers, lovers leap.

0:43:11.840 --> 0:43:14.000
<v Speaker 2>Okay, so that's when we're gonna have to leap for

0:43:14.200 --> 0:43:17.280
<v Speaker 2>Valerie and David. But then.

0:43:19.280 --> 0:43:20.280
<v Speaker 3>Even Claire.

0:43:21.560 --> 0:43:24.520
<v Speaker 2>So wait is Colin and Valerie? Nothing's going to happen.

0:43:24.560 --> 0:43:28.000
<v Speaker 2>That's it for them, We're done there probably no.

0:43:28.160 --> 0:43:29.759
<v Speaker 3>We're going to get that other woman soon.

0:43:30.280 --> 0:43:35.520
<v Speaker 1>Claudia from New York yep, yepers is she hot?

0:43:36.520 --> 0:43:37.240
<v Speaker 3>I can't remember?

0:43:40.600 --> 0:43:43.800
<v Speaker 1>So basically this episode was just about relationships for me.

0:43:44.480 --> 0:43:44.880
<v Speaker 2>Filler.

0:43:45.400 --> 0:43:50.320
<v Speaker 1>There was no storyline except the rose, the whole weird.

0:43:50.360 --> 0:43:53.440
<v Speaker 3>I really liked it when I was watching it now, sorry.

0:43:53.280 --> 0:43:56.280
<v Speaker 2>It was filler, so if we would liking it to flowers,

0:43:56.280 --> 0:43:59.120
<v Speaker 2>the rose cord, it was baby's.

0:43:58.760 --> 0:44:01.040
<v Speaker 1>Breath, Carnations.

0:44:02.600 --> 0:44:05.480
<v Speaker 3>Dance scene. That dance scene really brought it up for me.

0:44:05.920 --> 0:44:07.360
<v Speaker 1>Yea things up a little.

0:44:07.440 --> 0:44:09.520
<v Speaker 3>That really was I was dancing with the stars.

0:44:09.560 --> 0:44:13.520
<v Speaker 2>But you guys, you had a choreographer. Louis probably taught

0:44:13.520 --> 0:44:14.920
<v Speaker 2>you guys to do that, correct.

0:44:16.960 --> 0:44:18.840
<v Speaker 3>It was great.

0:44:19.000 --> 0:44:21.640
<v Speaker 2>One of our sand ins was a professional dancer. His

0:44:21.680 --> 0:44:23.680
<v Speaker 2>whole life, was it, Louis van Amstell.

0:44:24.360 --> 0:44:26.200
<v Speaker 1>It's not that different, Louis.

0:44:26.200 --> 0:44:28.760
<v Speaker 2>I was differently Oh oh sorry, sorry, sorry.

0:44:29.680 --> 0:44:31.280
<v Speaker 1>That though very similar.

0:44:31.520 --> 0:44:32.760
<v Speaker 2>Yeah yeah, okay.

0:44:33.280 --> 0:44:35.680
<v Speaker 1>Anyway, well that's it for this week. You guys, thank

0:44:35.719 --> 0:44:38.279
<v Speaker 1>you so much. We love you, and please make sure

0:44:38.480 --> 0:44:42.000
<v Speaker 1>to tell us your opinions because we.

0:44:42.040 --> 0:44:44.120
<v Speaker 2>Love to hear them. And if you have that Dan.

0:44:45.719 --> 0:44:48.520
<v Speaker 3>Gosh, send us that designer. Yeah, send us photos of

0:44:48.520 --> 0:44:50.280
<v Speaker 3>the horse in your living room and that designer.

0:44:50.680 --> 0:44:52.359
<v Speaker 2>Thank you, I love you.

0:44:52.600 --> 0:44:53.200
<v Speaker 3>Bye, guys,