1 00:00:00,280 --> 00:00:05,520 Speaker 1: It's nine O Gen one with Jenny Garth and Tory Spelling. 2 00:00:09,960 --> 00:00:14,440 Speaker 1: We are so ready for this week's episode. Are you 3 00:00:14,440 --> 00:00:19,000 Speaker 1: guys ready? Ye're very ready. I can I can see it. 4 00:00:19,040 --> 00:00:20,000 Speaker 1: You're so excited. 5 00:00:20,160 --> 00:00:22,239 Speaker 2: Everything's coming up. Roses. 6 00:00:22,760 --> 00:00:25,960 Speaker 1: This is OMG, you guys and you are back and 7 00:00:26,079 --> 00:00:27,000 Speaker 1: we are back. 8 00:00:27,880 --> 00:00:31,360 Speaker 3: Assic episode like it sort of really was. I remembered 9 00:00:31,360 --> 00:00:31,800 Speaker 3: all of it. 10 00:00:32,440 --> 00:00:35,240 Speaker 1: Yeah, this is one that you don't forget because it's 11 00:00:35,280 --> 00:00:39,760 Speaker 1: you know, everything's coming up. Roses sings me right back? There, 12 00:00:40,159 --> 00:00:40,640 Speaker 1: doesn't it? 13 00:00:40,720 --> 00:00:41,160 Speaker 3: I bet? 14 00:00:41,479 --> 00:00:41,760 Speaker 2: Wow? 15 00:00:42,440 --> 00:00:43,080 Speaker 3: Is it okay? So? 16 00:00:44,440 --> 00:00:47,000 Speaker 1: Is this a continue? This is a part one of 17 00:00:47,040 --> 00:00:51,600 Speaker 1: a Rose situation, Rose Parade situation. It does for a while, right. 18 00:00:55,320 --> 00:00:57,800 Speaker 3: I just think we had two kisses in this episode 19 00:00:57,840 --> 00:00:59,280 Speaker 3: that like blew my mind. 20 00:00:59,680 --> 00:01:02,560 Speaker 1: There was there's a lot of kissing you guys. 21 00:01:03,000 --> 00:01:06,080 Speaker 2: And a lot of light pink, shimmery gloss. 22 00:01:06,480 --> 00:01:07,920 Speaker 1: Whoa the makeup. 23 00:01:07,800 --> 00:01:12,199 Speaker 3: LORI thank you guys. The lipstick was not great. 24 00:01:12,480 --> 00:01:14,600 Speaker 1: It was so mid nineties. 25 00:01:14,800 --> 00:01:17,600 Speaker 2: I feel like Donna and Valerie had the same lipstick 26 00:01:17,640 --> 00:01:18,720 Speaker 2: on and. 27 00:01:18,720 --> 00:01:22,480 Speaker 1: They were both irritating me, both of us. So frostedy 28 00:01:22,600 --> 00:01:23,920 Speaker 1: pink like Grandma. 29 00:01:24,600 --> 00:01:29,160 Speaker 3: Yeah, Kelly had red, but I don't that's good that 30 00:01:29,280 --> 00:01:32,760 Speaker 3: was good. Just all the lipstick was so much. 31 00:01:33,319 --> 00:01:37,880 Speaker 1: My eyebrows were so little. What the heck? Their little 32 00:01:37,920 --> 00:01:38,600 Speaker 1: pencil thin? 33 00:01:40,480 --> 00:01:42,880 Speaker 2: What does that do their finest. 34 00:01:44,120 --> 00:01:45,760 Speaker 3: We'll get into all of it. We'll get into all 35 00:01:45,840 --> 00:01:46,040 Speaker 3: of it. 36 00:01:46,120 --> 00:01:48,880 Speaker 1: I'm so surprised my eyebrows ever grew back from that. 37 00:01:50,000 --> 00:01:53,320 Speaker 1: I actually still I thought about that eyebrows again. Thank god. 38 00:01:54,040 --> 00:01:56,240 Speaker 1: If I were to do that now, if at my 39 00:01:56,360 --> 00:01:59,280 Speaker 1: age would be over for you, there would be no eyebrows. 40 00:02:00,200 --> 00:02:02,560 Speaker 3: Great, thanks to you, guys. They used to be amazing. 41 00:02:02,640 --> 00:02:04,880 Speaker 3: If you saw a picture of me in college, and 42 00:02:04,920 --> 00:02:06,760 Speaker 3: then because of you guys, I find him out. 43 00:02:06,800 --> 00:02:08,639 Speaker 1: I think we did that. Tell a lot of people. 44 00:02:08,880 --> 00:02:13,920 Speaker 1: Sorry guys about the brows. This is gonna be a 45 00:02:13,960 --> 00:02:19,880 Speaker 1: good one. Stay tuned. Okay, This is It? Season four, 46 00:02:19,960 --> 00:02:23,320 Speaker 1: Episode no, Season six, Episode four, Everything's Coming Up Roses 47 00:02:23,360 --> 00:02:25,760 Speaker 1: aired September twenty seventh, nineteen ninety five. 48 00:02:26,400 --> 00:02:28,720 Speaker 2: Synopsis. The girls try out for the rose Court and 49 00:02:28,760 --> 00:02:31,800 Speaker 2: Donna makes the cut. Dylan is writing letters to the 50 00:02:31,919 --> 00:02:36,239 Speaker 2: FBI while falling for Tony Marshad Brandon finally defrost Ice 51 00:02:36,320 --> 00:02:40,440 Speaker 2: Queen Susan keats Steve aka Tenderheart meets his digital match, 52 00:02:40,480 --> 00:02:42,160 Speaker 2: Cuddles aka Claire. 53 00:02:42,800 --> 00:02:47,200 Speaker 1: Directed by Victor Lobel, written by Dinah Krugo. 54 00:02:48,320 --> 00:02:50,760 Speaker 3: Oh, she seems new, Dina, Dina new. 55 00:02:50,880 --> 00:02:52,359 Speaker 2: We don't know, We don't know her. 56 00:02:52,919 --> 00:02:55,919 Speaker 1: Yeah, I'd love to know her, Dinah, if you're out there, 57 00:02:56,280 --> 00:02:56,919 Speaker 1: give us a call. 58 00:02:58,200 --> 00:03:02,960 Speaker 3: Where to be? So much? There's so much too and 59 00:03:03,120 --> 00:03:04,440 Speaker 3: pack here break down? 60 00:03:05,040 --> 00:03:08,560 Speaker 1: Where's gosh? Well, whenever you guys say that, you know 61 00:03:08,600 --> 00:03:09,680 Speaker 1: what I say, go. 62 00:03:09,720 --> 00:03:10,520 Speaker 2: Back to the beginning. 63 00:03:11,080 --> 00:03:15,960 Speaker 1: Yeah, let's start at the top. But first, first, trivia 64 00:03:16,000 --> 00:03:24,360 Speaker 1: Trivia Good Leslie Leslie Summer is back, yes, and it's. 65 00:03:24,200 --> 00:03:26,600 Speaker 3: Sort of a new role. She's not al already anymore, 66 00:03:26,760 --> 00:03:29,680 Speaker 3: but she still Brook right yep. And now she's like 67 00:03:29,720 --> 00:03:33,600 Speaker 3: in charge of the. 68 00:03:31,360 --> 00:03:39,680 Speaker 1: Rose Court committee, so she's moved on up. Did you 69 00:03:39,760 --> 00:03:42,760 Speaker 1: know how Okay? So, if you want to be a 70 00:03:42,920 --> 00:03:44,480 Speaker 1: rose court what. 71 00:03:44,400 --> 00:03:45,280 Speaker 3: Do you call them? 72 00:03:45,640 --> 00:03:45,960 Speaker 1: Bud? 73 00:03:47,360 --> 00:03:48,040 Speaker 3: A rose bud? 74 00:03:48,840 --> 00:03:50,240 Speaker 1: If you want to be a rose queen, you have 75 00:03:50,280 --> 00:03:55,120 Speaker 1: to be between the years of seventeen and twenty one. So, Donna, 76 00:03:55,680 --> 00:04:01,560 Speaker 1: how old were you between twenty and if you're twenty 77 00:04:01,600 --> 00:04:06,120 Speaker 1: one's Kelly's twenty one and she's twenty one. 78 00:04:06,320 --> 00:04:08,080 Speaker 2: I didn't know that age range. 79 00:04:08,920 --> 00:04:11,160 Speaker 1: Did you know also that none of the girls that 80 00:04:11,200 --> 00:04:14,000 Speaker 1: are trying out on this episode would have been able 81 00:04:14,080 --> 00:04:17,479 Speaker 1: to try out because they none of them live in Pasadena. 82 00:04:18,279 --> 00:04:21,000 Speaker 3: Is that the rule you can only be from Pasadena 83 00:04:21,160 --> 00:04:22,520 Speaker 3: or San Marino or something. 84 00:04:22,640 --> 00:04:26,600 Speaker 1: You have to be from the Pasadena area apparently. Yeah, 85 00:04:27,000 --> 00:04:31,160 Speaker 1: so the whole thing with Donna trying out didn't work 86 00:04:31,200 --> 00:04:34,400 Speaker 1: for me because it doesn't try from the BH or 87 00:04:34,480 --> 00:04:35,360 Speaker 1: any of the girls. 88 00:04:36,720 --> 00:04:36,920 Speaker 2: Yeah. 89 00:04:37,040 --> 00:04:39,359 Speaker 3: One of the girls that was, you know, the we 90 00:04:39,440 --> 00:04:41,560 Speaker 3: didn't know her, but she's like, I'm from San Marino, 91 00:04:41,720 --> 00:04:44,320 Speaker 3: so she definitely qualified. But yeah, the rest of you 92 00:04:44,839 --> 00:04:45,599 Speaker 3: make no sense. 93 00:04:46,920 --> 00:04:51,240 Speaker 1: I love this one. Cindy and Abby. So that's Brenda's 94 00:04:51,240 --> 00:04:54,880 Speaker 1: mom in Valerie's mom entered eight year old Brenda and 95 00:04:54,960 --> 00:04:58,120 Speaker 1: Valerie into a little Miss Minneapolis contest and val Valerie 96 00:04:58,120 --> 00:04:59,200 Speaker 1: threw up on the judge. 97 00:05:00,960 --> 00:05:01,880 Speaker 2: That's good, so glad. 98 00:05:02,960 --> 00:05:05,520 Speaker 1: Yeah, that's not trivia, that's just a fact. I guess, 99 00:05:05,760 --> 00:05:10,159 Speaker 1: same thing. All right, Okay, moving on, moving on, let's 100 00:05:10,200 --> 00:05:11,520 Speaker 1: start at the tippy top. 101 00:05:12,640 --> 00:05:14,600 Speaker 2: Dyn Oh, his voice over. 102 00:05:15,520 --> 00:05:22,120 Speaker 1: I just feel like he's so cute, likes so cute. 103 00:05:22,920 --> 00:05:25,960 Speaker 3: Yeah, he's and it's it's cute with him and Tony 104 00:05:26,040 --> 00:05:27,040 Speaker 3: even though it's so weird. 105 00:05:27,560 --> 00:05:31,280 Speaker 1: Yeah, I get last week, I wasn't feeling it. We 106 00:05:31,320 --> 00:05:33,680 Speaker 1: talked about like how we didn't feel the chemistry very much. 107 00:05:34,040 --> 00:05:36,960 Speaker 1: And I'm gonna go back and sam feeling it now, 108 00:05:38,080 --> 00:05:41,400 Speaker 1: are you? I'm feeling it more from him to her. 109 00:05:42,200 --> 00:05:46,040 Speaker 3: Oh, I feel it from her to him. You feel her. 110 00:05:46,000 --> 00:05:49,160 Speaker 2: Flurry and I just don't feel the connection between him 111 00:05:49,160 --> 00:05:49,480 Speaker 2: and her. 112 00:05:49,960 --> 00:05:53,239 Speaker 1: Well that's good because he's playing it like he doesn't 113 00:05:54,000 --> 00:05:54,240 Speaker 1: you know. 114 00:05:56,240 --> 00:05:58,560 Speaker 3: Don't know if he likes her or if he likes 115 00:05:58,600 --> 00:06:01,919 Speaker 3: her because he's trying to get to the other Tony Marshett, 116 00:06:02,200 --> 00:06:05,000 Speaker 3: we don't really know. I'm definitely getting. 117 00:06:06,640 --> 00:06:09,599 Speaker 1: So he's doing a good job. She's very flirty with him. 118 00:06:11,640 --> 00:06:13,760 Speaker 1: I thought that Luke was so good, you know. It 119 00:06:13,960 --> 00:06:17,480 Speaker 1: just reminded me when you see another new love interest 120 00:06:17,560 --> 00:06:20,479 Speaker 1: come in out of the blue from nowhere, not not 121 00:06:20,600 --> 00:06:23,440 Speaker 1: a person that we've seen before. So there's no like history. 122 00:06:23,800 --> 00:06:27,680 Speaker 1: Luke was always so good at making his leading lady 123 00:06:27,800 --> 00:06:33,279 Speaker 1: feel so loved, Like he just has that. When you 124 00:06:33,320 --> 00:06:36,960 Speaker 1: think about, like, over the course of Luke's whole career, 125 00:06:37,040 --> 00:06:40,360 Speaker 1: everything he ever did, you fully believe that he's in 126 00:06:40,400 --> 00:06:41,880 Speaker 1: love with whoever he's acting with. 127 00:06:43,240 --> 00:06:43,760 Speaker 3: That's true. 128 00:06:44,200 --> 00:06:47,599 Speaker 1: Yeah, Like it just makes you feel like all the 129 00:06:47,640 --> 00:06:51,640 Speaker 1: feelings of oh he loves me even when you're watching it. 130 00:06:51,960 --> 00:06:55,920 Speaker 1: She's told us, see, very good, he's very good at 131 00:06:55,920 --> 00:07:01,320 Speaker 1: that love thing. Oh. Then we go to the California 132 00:07:01,400 --> 00:07:04,240 Speaker 1: University where Donn and Kelly are listening to a seminar 133 00:07:04,320 --> 00:07:08,479 Speaker 1: from Leslie Sumner. My gosh, uh huh. She is the 134 00:07:08,560 --> 00:07:13,239 Speaker 1: assistant director of public relations for the Tournament of Roses. 135 00:07:13,280 --> 00:07:14,880 Speaker 3: Got a good job out of college. 136 00:07:15,160 --> 00:07:18,680 Speaker 1: Really it suits her, it does. 137 00:07:18,720 --> 00:07:22,000 Speaker 3: It sure does. And then when she said the sorority, everyone. 138 00:07:22,480 --> 00:07:23,080 Speaker 2: Mm hm freak. 139 00:07:23,120 --> 00:07:27,080 Speaker 1: You know, Leslie encourages our cu ladies to try out 140 00:07:27,080 --> 00:07:30,800 Speaker 1: for the Rose Queen. And of course Susan Keats is 141 00:07:30,880 --> 00:07:32,760 Speaker 1: listening and hates the whole idea. 142 00:07:32,880 --> 00:07:34,560 Speaker 3: I can't wait to talk about that kiss, but I'll 143 00:07:34,560 --> 00:07:39,640 Speaker 3: hold off. Cute not scene, sort of ping pongy. 144 00:07:40,320 --> 00:07:41,320 Speaker 2: Yeah. The banter. 145 00:07:41,960 --> 00:07:46,720 Speaker 1: Yeah, there's so much banter though that I'm like, it 146 00:07:46,760 --> 00:07:53,880 Speaker 1: feels so immature, like almost like the schoolyard, you know, Yeah, 147 00:07:53,880 --> 00:07:55,320 Speaker 1: we're just kind of each other. 148 00:07:55,520 --> 00:07:58,520 Speaker 2: Imagine if that was present day, that banter would be 149 00:07:58,880 --> 00:08:06,040 Speaker 2: texting back and forth, Yeah, like what's your tagline? 150 00:08:06,480 --> 00:08:10,560 Speaker 1: Wait? Are you you guys good at the text? Banter? Yeah, Yeah, 151 00:08:11,320 --> 00:08:12,640 Speaker 1: I love a little text banter. 152 00:08:14,800 --> 00:08:19,360 Speaker 2: You like emojis? No, you like uh? Gifts? Yeah? 153 00:08:19,400 --> 00:08:21,120 Speaker 3: I can. I feel like I can. 154 00:08:21,400 --> 00:08:24,680 Speaker 1: I think you say gifts when you click on it 155 00:08:24,840 --> 00:08:28,240 Speaker 1: and you search for the image and it's a little Yeah. 156 00:08:28,320 --> 00:08:30,080 Speaker 1: I feel like I can find a gift for any 157 00:08:30,080 --> 00:08:33,520 Speaker 1: feeling I'm having. Anything I ever need to say, I 158 00:08:33,520 --> 00:08:36,400 Speaker 1: can say it by someone acting on this silly yeah. 159 00:08:36,320 --> 00:08:39,040 Speaker 3: Homer Simpson. Going into the bushes is a particular thing. 160 00:08:39,240 --> 00:08:41,480 Speaker 2: Remember when you said one time, moving forward, you were 161 00:08:41,559 --> 00:08:42,439 Speaker 2: only going to. 162 00:08:42,480 --> 00:08:46,360 Speaker 1: Text and in gifts, I feel like people would understand 163 00:08:46,400 --> 00:08:48,480 Speaker 1: what I'm saying. I don't have to stay like good. Actually, 164 00:08:48,840 --> 00:08:49,920 Speaker 1: I'm going to bring that back. 165 00:08:52,040 --> 00:08:54,000 Speaker 3: And I don't want to throw my phone out the 166 00:08:54,040 --> 00:08:57,280 Speaker 3: window because I'm so sick of messages, text calls. It's 167 00:08:57,280 --> 00:09:01,160 Speaker 3: getting irritating. It's crazy, everyone's crazy with the phones. 168 00:09:01,600 --> 00:09:04,840 Speaker 2: What would you want it to be though? Message in 169 00:09:04,840 --> 00:09:05,280 Speaker 2: a bottle? 170 00:09:05,880 --> 00:09:08,480 Speaker 3: I mean I could use a comandication retreat, but otherwise, 171 00:09:08,840 --> 00:09:11,520 Speaker 3: and I took TikTok off. I had to take TikTok off. 172 00:09:11,840 --> 00:09:12,440 Speaker 2: Did why? 173 00:09:13,760 --> 00:09:15,320 Speaker 3: I think it was making me anxious? 174 00:09:15,320 --> 00:09:18,280 Speaker 1: Good for you? How do you feel now? How long 175 00:09:18,280 --> 00:09:19,200 Speaker 1: has it been first. 176 00:09:19,760 --> 00:09:23,880 Speaker 3: It's been maybe a week, and I don't miss it, 177 00:09:23,920 --> 00:09:25,800 Speaker 3: and I do feel a little better. I think, I mean, 178 00:09:25,800 --> 00:09:28,360 Speaker 3: and I think it'll Yeah, I think it. That's huge 179 00:09:28,600 --> 00:09:30,719 Speaker 3: that someone said to watch that Social Dilemma. I need 180 00:09:30,760 --> 00:09:31,280 Speaker 3: to watch that. 181 00:09:31,760 --> 00:09:33,600 Speaker 2: I'm not a talker. Is that what it is? Well, 182 00:09:33,640 --> 00:09:36,560 Speaker 2: I'm a talker, but not a ticker. I'm not a TikToker. 183 00:09:37,800 --> 00:09:41,680 Speaker 1: You're not a TikToker. I mean shocks me, but I don't. 184 00:09:41,760 --> 00:09:44,920 Speaker 2: I'm not. I never attempted to scroll it and just 185 00:09:44,960 --> 00:09:48,280 Speaker 2: mindlessly look good. I go on and I'm like, I 186 00:09:48,280 --> 00:09:50,719 Speaker 2: don't get it. It's a whole different thing. 187 00:09:50,800 --> 00:09:53,640 Speaker 1: But if you go on the TikToker and you start scrolling, 188 00:09:53,679 --> 00:09:54,880 Speaker 1: you'll never come back. 189 00:09:55,400 --> 00:09:58,559 Speaker 3: I was wasting hours. I think I to. 190 00:09:58,520 --> 00:10:01,679 Speaker 1: Get That's what Clara I said too, It's like how 191 00:10:01,760 --> 00:10:04,160 Speaker 1: to get it off. Good for you, let's all do 192 00:10:04,240 --> 00:10:07,640 Speaker 1: it all. Take a take a break from the time. 193 00:10:07,679 --> 00:10:09,480 Speaker 2: I'm never leaving Amazon though. 194 00:10:10,160 --> 00:10:12,400 Speaker 3: Oh no, no, no, no, need to do that. I've already 195 00:10:12,400 --> 00:10:16,600 Speaker 3: bought three things today. It's fine. Back on track, Back 196 00:10:16,640 --> 00:10:17,040 Speaker 3: on track. 197 00:10:17,120 --> 00:10:19,320 Speaker 1: Donna is a sucker for tiaras. 198 00:10:20,280 --> 00:10:21,680 Speaker 2: Oh yeah, you loved. 199 00:10:21,480 --> 00:10:23,600 Speaker 3: That, I wondered. I actually thought are those real diamonds, 200 00:10:23,640 --> 00:10:25,960 Speaker 3: but then probably not that would be like the queen. 201 00:10:26,040 --> 00:10:28,760 Speaker 3: That's crazy. No, right, yeah, I know, but it did 202 00:10:28,760 --> 00:10:32,160 Speaker 3: go through my mind. I was like, you these diamonds, Yeah, 203 00:10:32,200 --> 00:10:36,920 Speaker 3: for sure, it looks like a Pasadena mansion. Jenny, you 204 00:10:36,960 --> 00:10:41,040 Speaker 3: could advise on that, but like wherever they you guys shot, 205 00:10:41,120 --> 00:10:44,520 Speaker 3: that looked like where they shoot. I think I really 206 00:10:44,520 --> 00:10:45,920 Speaker 3: felt Rose Paridi. 207 00:10:45,600 --> 00:10:51,520 Speaker 1: To me, definitely felt Pasadena. Pasadena is so distinct. You 208 00:10:51,520 --> 00:10:57,760 Speaker 1: guys watch that show Shrinking m that one with Jason Siegel. Yeah, 209 00:10:57,760 --> 00:10:58,800 Speaker 1: and here's the Ford. 210 00:10:58,720 --> 00:11:00,719 Speaker 3: Segal Jason Goal do you say? 211 00:11:02,640 --> 00:11:06,840 Speaker 1: You say, Harrison Ford. It's all shot in Pasadena, every 212 00:11:06,880 --> 00:11:09,120 Speaker 1: single part of it. And you can just tell. 213 00:11:09,480 --> 00:11:11,439 Speaker 3: I like it. I can do that with jud Apatow 214 00:11:11,480 --> 00:11:13,880 Speaker 3: movies because he shoots everything in Brentwood. I can literally 215 00:11:13,920 --> 00:11:15,199 Speaker 3: see my house basically. 216 00:11:15,679 --> 00:11:16,240 Speaker 1: That's good. 217 00:11:18,400 --> 00:11:18,720 Speaker 2: Okay. 218 00:11:18,800 --> 00:11:21,920 Speaker 1: So the girls are all trying out for the Rose Queen, 219 00:11:21,960 --> 00:11:23,160 Speaker 1: apparently even Val. 220 00:11:24,280 --> 00:11:25,520 Speaker 2: It seems so bizarre. 221 00:11:25,720 --> 00:11:26,320 Speaker 1: It's bizarre. 222 00:11:27,080 --> 00:11:30,760 Speaker 3: It just makes no sense. She's not even from California, and. 223 00:11:30,679 --> 00:11:32,920 Speaker 1: She really only goes for like a second and then 224 00:11:32,960 --> 00:11:36,439 Speaker 1: she bows out because she has other motives. 225 00:11:36,720 --> 00:11:37,880 Speaker 3: Just trying to steal your dude. 226 00:11:38,320 --> 00:11:38,640 Speaker 1: Juice. 227 00:11:39,320 --> 00:11:41,400 Speaker 2: That's the juicy part. Let's get there faster. 228 00:11:42,000 --> 00:11:45,000 Speaker 1: Okay, the Jolt records. Let's go to the the We're 229 00:11:46,120 --> 00:11:49,040 Speaker 1: Ray and Donna. Go in and find the little girls 230 00:11:49,040 --> 00:11:54,800 Speaker 1: sitting at the desk. That's the weirdest writing dialogue, writing 231 00:11:54,880 --> 00:11:56,240 Speaker 1: whatever for a child. 232 00:11:56,520 --> 00:11:57,439 Speaker 3: Let that kid go. 233 00:11:58,760 --> 00:12:01,760 Speaker 2: It must have been somebody's kids that whole that scene 234 00:12:01,760 --> 00:12:03,440 Speaker 2: could have been cut. 235 00:12:02,960 --> 00:12:07,400 Speaker 1: Like it was weird. I could tell everybody in it. 236 00:12:07,679 --> 00:12:10,840 Speaker 1: I could tell that you and Jamie both felt uncomfortable. 237 00:12:10,920 --> 00:12:13,000 Speaker 1: I could feel I don't know how she felt. She 238 00:12:13,040 --> 00:12:15,040 Speaker 1: was probably stoked, but just felt weird. 239 00:12:15,840 --> 00:12:18,600 Speaker 3: It's again, we'll discuss this at the end. I'm befuddled 240 00:12:18,600 --> 00:12:21,240 Speaker 3: by Jamie Walter's aka Ray Pruin. 241 00:12:21,440 --> 00:12:22,000 Speaker 2: You like it now? 242 00:12:23,400 --> 00:12:25,640 Speaker 3: Yeah? I like him, but then I know my brain 243 00:12:25,679 --> 00:12:28,120 Speaker 3: knows better. So it's just like so weird. 244 00:12:29,320 --> 00:12:29,880 Speaker 2: Getting cuter. 245 00:12:30,480 --> 00:12:31,920 Speaker 3: They just messed that up. 246 00:12:32,320 --> 00:12:34,560 Speaker 1: That's what they do on this show, you guys. They 247 00:12:34,600 --> 00:12:36,959 Speaker 1: mess with our brains and minds. They make us love 248 00:12:37,000 --> 00:12:38,880 Speaker 1: them and hate him and love them and hate him though. 249 00:12:38,880 --> 00:12:39,640 Speaker 3: That's a mess. 250 00:12:40,200 --> 00:12:41,760 Speaker 1: My emotions are up and down. 251 00:12:43,640 --> 00:12:45,840 Speaker 3: Anyway. Yeah, the record company thing is like we had 252 00:12:45,840 --> 00:12:47,679 Speaker 3: to do it because that's why he can't take her 253 00:12:47,679 --> 00:12:50,800 Speaker 3: to the mall or whatever. It's like, okay, we get it. 254 00:12:51,960 --> 00:12:56,640 Speaker 1: We go back to the Walsh house, which Brandon is vacuuming. 255 00:12:56,720 --> 00:12:57,880 Speaker 1: He's like the dad of the house. 256 00:12:57,920 --> 00:12:59,080 Speaker 3: Now vacuum. 257 00:12:59,520 --> 00:13:01,400 Speaker 1: If the nuts out, you call for Brandon. 258 00:13:01,480 --> 00:13:05,000 Speaker 3: He needs a vacuiumestic no dice in back then that 259 00:13:05,280 --> 00:13:09,200 Speaker 3: vacuum was from nineteen seventy three with a big bag. 260 00:13:09,400 --> 00:13:13,680 Speaker 1: And he's just and I love that he's vacuuming. He 261 00:13:13,679 --> 00:13:15,880 Speaker 1: does need some suspenders and he'll just be full on 262 00:13:16,000 --> 00:13:16,920 Speaker 1: Jim Jim Walsh. 263 00:13:18,200 --> 00:13:18,360 Speaker 2: Hm. 264 00:13:18,720 --> 00:13:20,880 Speaker 3: I like when we get to the computer too. I mean, 265 00:13:20,880 --> 00:13:23,040 Speaker 3: there were some props in this that I'm like, oh 266 00:13:23,080 --> 00:13:25,560 Speaker 3: my because it looks so old totally. 267 00:13:26,200 --> 00:13:29,800 Speaker 1: What about Steve's muscles in his tank top? Did they 268 00:13:29,800 --> 00:13:33,160 Speaker 1: get bigger? Since well they're massive. 269 00:13:33,520 --> 00:13:35,959 Speaker 2: He only brought tank tops to the wallsh house for 270 00:13:36,040 --> 00:13:36,559 Speaker 2: his move in. 271 00:13:36,920 --> 00:13:42,640 Speaker 1: It's like, oh man, and why is the Walsh kitchen yellow? 272 00:13:42,720 --> 00:13:43,800 Speaker 2: Now? Did you? 273 00:13:43,840 --> 00:13:45,000 Speaker 1: Did anybody else think. 274 00:13:44,880 --> 00:13:47,760 Speaker 3: That it was just paint of the walls yellow? 275 00:13:47,800 --> 00:13:50,080 Speaker 2: But I thought I was like, that is the grossest color, 276 00:13:50,120 --> 00:13:51,720 Speaker 2: and then I thought it must have been that before 277 00:13:51,720 --> 00:13:52,240 Speaker 2: it was not. 278 00:13:52,920 --> 00:13:55,720 Speaker 1: I no remember had like it was like aged like 279 00:13:56,480 --> 00:13:58,400 Speaker 1: I was like it was so much better before. 280 00:13:58,520 --> 00:13:59,640 Speaker 2: Sorry, it's disgusting. 281 00:14:00,080 --> 00:14:03,120 Speaker 3: House looks a little sort of whack. I don't know 282 00:14:03,240 --> 00:14:03,640 Speaker 3: it doesn't. 283 00:14:03,760 --> 00:14:06,200 Speaker 1: Yeah, then, but I guess it's because they're young and 284 00:14:06,200 --> 00:14:08,760 Speaker 1: they don't know what it's just a little whack. They 285 00:14:08,800 --> 00:14:10,600 Speaker 1: moved it on into a weird places. 286 00:14:10,760 --> 00:14:11,800 Speaker 3: Yeah. 287 00:14:11,920 --> 00:14:15,160 Speaker 1: What about when Steve says gets them in their g spot? 288 00:14:15,760 --> 00:14:17,559 Speaker 3: Oh my god, I know he had a little bit 289 00:14:17,559 --> 00:14:18,840 Speaker 3: of like lingo. 290 00:14:18,600 --> 00:14:23,400 Speaker 1: And like I was like it so groedy. 291 00:14:23,520 --> 00:14:25,280 Speaker 3: I did have a moment or like who wrote this? 292 00:14:26,320 --> 00:14:28,400 Speaker 3: Because it came to the next thing was. 293 00:14:28,320 --> 00:14:31,160 Speaker 1: A little weird, which is so bizarre, Dina Cargo. 294 00:14:32,480 --> 00:14:35,040 Speaker 3: When do we see that hairsel horse? 295 00:14:36,240 --> 00:14:38,520 Speaker 1: It's in the living room. I wanted somebody to get 296 00:14:38,520 --> 00:14:41,160 Speaker 1: on it. Somebody needs to just get on that thing in. 297 00:14:41,120 --> 00:14:43,680 Speaker 3: The middle of the room. Was it they get that hor. 298 00:14:43,800 --> 00:14:47,200 Speaker 1: No, that's that's never That wasn't in Jim and Cindy's house. 299 00:14:47,440 --> 00:14:47,760 Speaker 3: Was it? 300 00:14:48,000 --> 00:14:50,520 Speaker 2: That went on to be like a big thing. Everyone 301 00:14:50,560 --> 00:14:53,240 Speaker 2: talks about it like it's a big fandom thing, right, 302 00:14:53,400 --> 00:14:58,280 Speaker 2: that horse, that horse, because somebody has it, but. 303 00:14:58,360 --> 00:14:59,920 Speaker 1: It's an arian's attic or something. 304 00:15:01,720 --> 00:15:03,800 Speaker 3: I think I had a friend growing up that had 305 00:15:03,800 --> 00:15:06,160 Speaker 3: a thing like that in their house and it was creepy. 306 00:15:08,400 --> 00:15:10,600 Speaker 3: Like sorry, those of you that have that, I. 307 00:15:11,240 --> 00:15:12,800 Speaker 2: Don't think anyone has that presence. 308 00:15:12,880 --> 00:15:17,440 Speaker 3: Oh people do what people will tell us send us photos, 309 00:15:17,480 --> 00:15:20,120 Speaker 3: because people do. I definitely know people that had those 310 00:15:20,200 --> 00:15:21,600 Speaker 3: and figged me out. 311 00:15:21,960 --> 00:15:24,440 Speaker 1: Honestly, I would have. I would have one of those 312 00:15:24,480 --> 00:15:28,280 Speaker 1: if I could. You do not it's a horse on 313 00:15:28,360 --> 00:15:33,040 Speaker 1: a pole from a carousel. It's like they don't make carousels. 314 00:15:33,040 --> 00:15:36,040 Speaker 1: I mean that's a special item. That's a specialty item. 315 00:15:36,360 --> 00:15:38,920 Speaker 2: Okay, okay, I'll go on the hunt on eBay and 316 00:15:38,960 --> 00:15:40,480 Speaker 2: find one for you. 317 00:15:39,840 --> 00:15:43,040 Speaker 1: I want to be like super vintage e though maybe 318 00:15:43,080 --> 00:15:45,800 Speaker 1: like the og ones that were just would remember those, 319 00:15:46,040 --> 00:15:50,520 Speaker 1: Oh yeah, those would be cool splintery okay anyway, sorry, 320 00:15:50,760 --> 00:15:55,640 Speaker 1: oh Sheila, Sheila, Sheila, yeah. 321 00:15:54,840 --> 00:15:58,120 Speaker 3: Oh, I really keep in that storyline going. 322 00:15:58,480 --> 00:15:58,880 Speaker 2: They are. 323 00:15:59,040 --> 00:16:03,240 Speaker 1: It's sad because I feel bad for David totally. 324 00:16:03,680 --> 00:16:05,200 Speaker 2: He looks cute in this episode. 325 00:16:05,240 --> 00:16:07,720 Speaker 3: First of all, he's too young to be responsible for her. 326 00:16:08,360 --> 00:16:11,560 Speaker 1: But that's what happens. What would my friend Adele call 327 00:16:11,640 --> 00:16:16,479 Speaker 1: this parentified? He's a parent If he's got he's parentified, 328 00:16:16,520 --> 00:16:18,880 Speaker 1: which means I don't know what it means, but he's 329 00:16:18,880 --> 00:16:23,160 Speaker 1: gonna have issues later in life. Yeah, big time relationship 330 00:16:23,240 --> 00:16:25,720 Speaker 1: and issues that are coming from this relationship that he's 331 00:16:25,720 --> 00:16:28,240 Speaker 1: having with his mom because she has no one but 332 00:16:28,400 --> 00:16:32,880 Speaker 1: him and that's just not the right damn dynamic for you. 333 00:16:33,120 --> 00:16:37,240 Speaker 3: Toy like that, which I can't wait to talk about 334 00:16:37,320 --> 00:16:39,480 Speaker 3: Valerie and David in a scene. But we'll get to 335 00:16:39,520 --> 00:16:42,840 Speaker 3: that too, because that just felt like two of them. 336 00:16:42,840 --> 00:16:56,800 Speaker 3: But whatever we'll get we'll get to that. Okay. 337 00:16:56,840 --> 00:16:59,160 Speaker 1: So peach bit where our girls are there talking about 338 00:16:59,200 --> 00:17:02,800 Speaker 1: the Tournament of Roses and that's where we just we 339 00:17:02,880 --> 00:17:06,639 Speaker 1: hear that they're all going to try out and Kelly. 340 00:17:06,800 --> 00:17:09,080 Speaker 1: Kelly complains that Colin won't be able to go because 341 00:17:09,080 --> 00:17:13,080 Speaker 1: he's a workaholic, dropping that in mm hmmm. He seems 342 00:17:13,119 --> 00:17:16,000 Speaker 1: sort of manic when you when we see him painting, 343 00:17:16,400 --> 00:17:19,800 Speaker 1: he goes to like this weird manic place. Uh. 344 00:17:20,000 --> 00:17:25,879 Speaker 2: Not my favorite because that's because there's stuff coming that 345 00:17:25,960 --> 00:17:26,240 Speaker 2: makes it. 346 00:17:27,280 --> 00:17:28,080 Speaker 1: I'm ready for it. 347 00:17:28,119 --> 00:17:28,760 Speaker 3: He's good at it. 348 00:17:28,800 --> 00:17:33,159 Speaker 1: He's good at playing this like dodgy kind of but 349 00:17:33,200 --> 00:17:35,840 Speaker 1: then but then he'll settle and then there's something really 350 00:17:35,960 --> 00:17:39,240 Speaker 1: like a likable about him. So I'm still not sure 351 00:17:39,240 --> 00:17:42,800 Speaker 1: about Colin yet. Maybe never he's not good. 352 00:17:43,520 --> 00:17:43,919 Speaker 2: I don't know. 353 00:17:45,160 --> 00:17:49,800 Speaker 1: But anyway, val so sweet. She tells Kelly that she'll 354 00:17:49,880 --> 00:17:53,600 Speaker 1: talk to him and she'll make it, make it, make 355 00:17:53,640 --> 00:17:56,960 Speaker 1: it so that he can leave Rock. But then she 356 00:17:57,040 --> 00:17:58,800 Speaker 1: goes in and she tells Colin that she has no 357 00:17:58,880 --> 00:18:00,440 Speaker 1: plans for the weekend, and then she beaut. 358 00:18:00,480 --> 00:18:01,000 Speaker 3: To help him. 359 00:18:01,960 --> 00:18:04,720 Speaker 1: Okay, then yeah, Then he teaches her how to put 360 00:18:04,760 --> 00:18:08,480 Speaker 1: tape up. I was like, really, he's gonna break that down. 361 00:18:11,200 --> 00:18:12,440 Speaker 3: It's a mess. She's a mess. 362 00:18:12,440 --> 00:18:15,000 Speaker 2: I don't like seeing them together. That bothers me for 363 00:18:15,040 --> 00:18:15,600 Speaker 2: some reason. 364 00:18:15,960 --> 00:18:18,080 Speaker 3: How about her with your man? Uh? 365 00:18:19,359 --> 00:18:23,359 Speaker 2: Very upset about it? Which was which man? So I 366 00:18:23,480 --> 00:18:24,280 Speaker 2: can't be upset? 367 00:18:24,359 --> 00:18:28,080 Speaker 3: But David Silver like it, like hits me to. 368 00:18:28,119 --> 00:18:30,520 Speaker 2: The core the way he looks at her. I don't 369 00:18:30,560 --> 00:18:30,880 Speaker 2: know why. 370 00:18:31,920 --> 00:18:36,000 Speaker 1: Yeah, did you guys like the way Steve and Claire's 371 00:18:36,160 --> 00:18:42,920 Speaker 1: hair messes? Yeah, he's got like a full on blow 372 00:18:43,000 --> 00:18:49,439 Speaker 1: up so high, so high? What's the saying? Hire the 373 00:18:49,480 --> 00:18:53,400 Speaker 1: hair closer to God? That's the one he is right 374 00:18:53,440 --> 00:18:57,560 Speaker 1: up in there. Oh and and and and Claire's hair 375 00:18:57,720 --> 00:19:03,120 Speaker 1: is is a lot very wind sweat, good wording, right 376 00:19:03,200 --> 00:19:05,639 Speaker 1: when swept? 377 00:19:05,920 --> 00:19:07,919 Speaker 2: You know that designer? We can't think of that we 378 00:19:07,960 --> 00:19:12,880 Speaker 2: wore so much. Every single character literally wears that designer 379 00:19:12,880 --> 00:19:18,479 Speaker 2: in this episode. Figure out who in the dress it was. 380 00:19:18,560 --> 00:19:23,200 Speaker 1: Everything was in that same fabric, correct which was different colors, 381 00:19:23,320 --> 00:19:26,600 Speaker 1: or it had pattern. It was like that creepy polyester. 382 00:19:28,760 --> 00:19:29,560 Speaker 3: Who was it? 383 00:19:30,480 --> 00:19:33,120 Speaker 1: I really thought that you would remember torn and come 384 00:19:33,160 --> 00:19:33,920 Speaker 1: back and tell us. 385 00:19:34,119 --> 00:19:36,359 Speaker 2: I've been trying for a week, like I was trying 386 00:19:36,359 --> 00:19:39,040 Speaker 2: to daunting that I can't find it. I'm telling you 387 00:19:39,040 --> 00:19:41,360 Speaker 2: it has some mark in it, and there's three words, 388 00:19:42,520 --> 00:19:45,359 Speaker 2: but it's like all they wear. It's crazy that they 389 00:19:45,359 --> 00:19:49,080 Speaker 2: have some like trade out that became like the designer 390 00:19:49,160 --> 00:19:52,480 Speaker 2: and the Jacobs or we just all loved it so much. 391 00:19:52,840 --> 00:19:54,760 Speaker 1: I think we all just loved it so much and 392 00:19:54,800 --> 00:19:56,280 Speaker 1: it was what everybody was wearing. 393 00:19:56,600 --> 00:19:58,440 Speaker 3: Wait, so how are you guys feeling about Steve and 394 00:19:58,560 --> 00:19:59,520 Speaker 3: Claire at the beginning. 395 00:20:00,160 --> 00:20:01,000 Speaker 2: I'm not there yet. 396 00:20:02,359 --> 00:20:03,800 Speaker 1: I feel like it's very forced. 397 00:20:04,200 --> 00:20:07,600 Speaker 3: They cuddles and tender heart or something cuddles and tender heart. Yeah, 398 00:20:07,600 --> 00:20:09,480 Speaker 3: it does feel forced. That's a good call. 399 00:20:09,960 --> 00:20:11,399 Speaker 2: Yeah, but I don't know. 400 00:20:11,560 --> 00:20:12,800 Speaker 1: We'll see. 401 00:20:13,400 --> 00:20:16,560 Speaker 2: I feel like I ended up liking them together, so 402 00:20:17,119 --> 00:20:18,640 Speaker 2: I guess I just don't believe it yet. 403 00:20:19,240 --> 00:20:21,560 Speaker 1: I don't believe it at all, not one one bit. 404 00:20:24,560 --> 00:20:28,320 Speaker 1: Do you remember because you were very close with Kathleen. 405 00:20:29,200 --> 00:20:32,879 Speaker 1: Did was she into that storyline of her and Ian 406 00:20:34,000 --> 00:20:36,119 Speaker 1: or Claire her character and Iron's character? 407 00:20:36,520 --> 00:20:39,120 Speaker 2: Trying to remember looking up, I. 408 00:20:39,040 --> 00:20:43,000 Speaker 1: Don't remember either, Like I'm trying to remember Ian's perspective too. 409 00:20:43,160 --> 00:20:47,919 Speaker 2: Yeah, I don't know. I feel like they liked acting wise, 410 00:20:47,960 --> 00:20:51,360 Speaker 2: working together, like the comedy they did together. 411 00:20:51,440 --> 00:20:54,800 Speaker 1: And mm hmmm, yeah they had a good banter. 412 00:20:55,160 --> 00:20:58,160 Speaker 3: Yeah, yeah, they seem like they would be a good couple. 413 00:20:58,440 --> 00:21:01,280 Speaker 2: Not really like if we weren't on a TV show 414 00:21:01,320 --> 00:21:05,600 Speaker 2: where everyone's like Grammar's and glossy, Like, would Claire Arnold 415 00:21:05,680 --> 00:21:07,879 Speaker 2: and Steve Sanders ever really get together? 416 00:21:09,040 --> 00:21:12,120 Speaker 1: She's a genius and he's a duher. 417 00:21:12,040 --> 00:21:14,760 Speaker 2: Like yeah, and she's alternative. I feel like he's not 418 00:21:14,920 --> 00:21:15,399 Speaker 2: her type. 419 00:21:15,440 --> 00:21:18,000 Speaker 1: I'm sorry, Like she's cold, real and it like makes 420 00:21:18,040 --> 00:21:20,439 Speaker 1: like out of the box choices and he's very like 421 00:21:20,560 --> 00:21:23,919 Speaker 1: into those big sneakers and long shorts like it. 422 00:21:24,080 --> 00:21:26,080 Speaker 3: Just I don't know. Opposites a track for some reason, 423 00:21:26,080 --> 00:21:27,280 Speaker 3: they seem kind of logical to me. 424 00:21:27,359 --> 00:21:30,800 Speaker 1: But I'm let's find out. I guess we're gonna find out. 425 00:21:33,440 --> 00:21:33,680 Speaker 3: Wait. 426 00:21:33,800 --> 00:21:35,720 Speaker 1: Bruno follows Oh wait, do you want to go to 427 00:21:35,760 --> 00:21:37,000 Speaker 1: the nail salon with your mommy? 428 00:21:37,880 --> 00:21:42,200 Speaker 3: Oh? I get her. I do not get her. 429 00:21:42,400 --> 00:21:45,879 Speaker 1: She will get alongside of the bed, joked about the 430 00:21:46,000 --> 00:21:49,920 Speaker 1: rose queen. So what's her problem? I don't know what's 431 00:21:49,920 --> 00:21:53,240 Speaker 1: Felice's problem. Why doesn't she encourage her daughter to be 432 00:21:53,359 --> 00:21:54,320 Speaker 1: a rose princess? 433 00:21:54,800 --> 00:21:55,560 Speaker 2: Yeah? What is it? 434 00:21:55,600 --> 00:21:58,720 Speaker 3: Because that would be her jam Totally, that's why didn't 435 00:21:58,760 --> 00:21:59,240 Speaker 3: make sense. 436 00:21:59,480 --> 00:22:02,879 Speaker 1: It was like crushing though, the way she spoke to 437 00:22:02,960 --> 00:22:08,080 Speaker 1: her daughter. Can you ever imagine? I don't know, just 438 00:22:08,080 --> 00:22:10,000 Speaker 1: just broke my heart for Donna. 439 00:22:10,280 --> 00:22:12,960 Speaker 2: I kind of like it happening though, because it puts 440 00:22:12,960 --> 00:22:16,440 Speaker 2: it into perspective, like why she tolerates, like the relationship 441 00:22:16,480 --> 00:22:19,400 Speaker 2: with Ray and yeah, tough one. 442 00:22:19,720 --> 00:22:25,359 Speaker 1: Tough relationships again, parentified. I think we all are. 443 00:22:28,520 --> 00:22:30,440 Speaker 3: Parents are messing up these kids. 444 00:22:30,480 --> 00:22:38,600 Speaker 1: Right, please God? But Bruno follows Tony everywhere, even to 445 00:22:38,720 --> 00:22:40,240 Speaker 1: the He's like lurking around. 446 00:22:41,359 --> 00:22:42,400 Speaker 3: That's a whole thing. 447 00:22:43,080 --> 00:22:46,560 Speaker 1: He's real close though, like he's at the next table close. 448 00:22:46,600 --> 00:22:50,159 Speaker 1: I shouldn't he be at the car? Maybe maybe in 449 00:22:50,200 --> 00:22:51,439 Speaker 1: the hallway, I don't know. 450 00:22:51,720 --> 00:22:54,159 Speaker 3: No, totally chases him on the motorcycle. 451 00:22:54,520 --> 00:22:57,160 Speaker 1: We go to Pasadena again, where we see Valerie showing 452 00:22:57,240 --> 00:23:02,520 Speaker 1: up for the tournament selection and season and season season Keats, 453 00:23:04,000 --> 00:23:06,960 Speaker 1: Susan Keats is there bashing the entire thing to Brandon, 454 00:23:07,440 --> 00:23:09,280 Speaker 1: and that's where we see the Wrigley mansion. 455 00:23:09,440 --> 00:23:12,120 Speaker 3: He's a bit of a negative Nelly. Yeah, she's so negative, 456 00:23:12,119 --> 00:23:14,639 Speaker 3: and I get it. It's all her like women empowerment. 457 00:23:14,680 --> 00:23:16,720 Speaker 3: But at the same time, I'm like, oh, she's sort 458 00:23:16,760 --> 00:23:18,000 Speaker 3: of a wet blanket. 459 00:23:17,880 --> 00:23:19,600 Speaker 1: But feisty at the same time. 460 00:23:19,840 --> 00:23:23,639 Speaker 3: Yeah, yeah like her. 461 00:23:22,720 --> 00:23:24,520 Speaker 1: I'm not matter. 462 00:23:24,920 --> 00:23:27,879 Speaker 2: She's like very Lois Lane. 463 00:23:28,160 --> 00:23:32,320 Speaker 1: Yeah yeah, nice call. And then we get to what 464 00:23:32,359 --> 00:23:35,960 Speaker 1: you really want to talk about? The motorcycle. 465 00:23:36,119 --> 00:23:39,760 Speaker 3: Oh my gosh, I not either of them were on 466 00:23:39,800 --> 00:23:42,919 Speaker 3: the motorcycle, very bad stunt double. 467 00:23:43,200 --> 00:23:46,199 Speaker 1: When she got back on it and drove, I was like, 468 00:23:46,400 --> 00:23:50,439 Speaker 1: is this happy days? Is this it right here? I 469 00:23:50,520 --> 00:23:53,360 Speaker 1: felt like we jumped the shark officially when she did 470 00:23:53,359 --> 00:23:53,800 Speaker 1: the wheelie. 471 00:23:53,800 --> 00:23:58,200 Speaker 3: She's doing the wheelies and it's clearly different hair. It's 472 00:23:58,280 --> 00:23:59,120 Speaker 3: like not her hair. 473 00:23:59,560 --> 00:24:02,399 Speaker 1: I mean, all for this chick being like rad and 474 00:24:02,840 --> 00:24:05,160 Speaker 1: like I know how to ride a bike. Good for her, 475 00:24:05,280 --> 00:24:10,400 Speaker 1: I believe that, but it just was so weird and 476 00:24:10,440 --> 00:24:13,040 Speaker 1: like she I don't know, like he would let her 477 00:24:13,160 --> 00:24:16,760 Speaker 1: ride his motorcycle because he thought she had never ridden one. 478 00:24:16,760 --> 00:24:18,439 Speaker 1: She was like, how do you do it to do? 479 00:24:19,080 --> 00:24:23,200 Speaker 1: Like he's gonna let her get on his motorcycle off 480 00:24:23,200 --> 00:24:24,280 Speaker 1: of pch that. 481 00:24:24,440 --> 00:24:27,680 Speaker 2: No, I know, like it's not the responsible thing to do. 482 00:24:28,680 --> 00:24:29,080 Speaker 3: Woh. 483 00:24:29,200 --> 00:24:29,920 Speaker 1: I was nervous. 484 00:24:31,560 --> 00:24:33,360 Speaker 2: But then Bruno's like it would work out. 485 00:24:33,720 --> 00:24:35,240 Speaker 1: Yeah, well, I just like. 486 00:24:35,320 --> 00:24:40,280 Speaker 3: Her jumping on, like it's just like what is happening? 487 00:24:41,200 --> 00:24:45,040 Speaker 3: It all happened so fast too. I just was like, whoa, 488 00:24:45,480 --> 00:24:48,600 Speaker 3: this is the next level? Is the kiss before that 489 00:24:48,760 --> 00:24:49,520 Speaker 3: or after that? 490 00:24:49,680 --> 00:24:51,199 Speaker 1: After? Because that turned him on. 491 00:24:51,800 --> 00:24:53,560 Speaker 3: Yeah, he was like. 492 00:24:53,560 --> 00:24:54,120 Speaker 2: I like it. 493 00:24:54,240 --> 00:24:55,560 Speaker 1: I like a girl that can ride it. 494 00:24:55,760 --> 00:24:57,280 Speaker 2: Like, yeah, that was. 495 00:24:57,240 --> 00:24:58,399 Speaker 3: A good kiss. 496 00:24:59,000 --> 00:24:59,400 Speaker 1: Mm hmm. 497 00:24:59,600 --> 00:24:59,800 Speaker 2: Yeah. 498 00:25:00,680 --> 00:25:03,639 Speaker 3: The difference between that kiss and Brandon's kiss is so 499 00:25:04,640 --> 00:25:07,320 Speaker 3: night and day one is sort of so soft and 500 00:25:07,400 --> 00:25:09,639 Speaker 3: kind of romantic. And then Brandon then Susan. 501 00:25:09,640 --> 00:25:14,439 Speaker 2: I well, Susan got the aggressive kisser in her scene, 502 00:25:14,480 --> 00:25:17,000 Speaker 2: so you know, she seemed to be just as aggressive. 503 00:25:17,920 --> 00:25:20,240 Speaker 3: I feel like he met her, he met his match. 504 00:25:20,880 --> 00:25:21,800 Speaker 2: Yeah. 505 00:25:22,160 --> 00:25:24,080 Speaker 1: I feel like those two had a good chemistry, like 506 00:25:24,119 --> 00:25:26,720 Speaker 1: they off camera looked like they could. 507 00:25:26,560 --> 00:25:27,320 Speaker 2: Have liked each other. 508 00:25:27,400 --> 00:25:34,880 Speaker 3: Yeah. Yeah, after the motorcycle colin studio, Oh his studio 509 00:25:35,080 --> 00:25:37,560 Speaker 3: or the peach pit after dark? 510 00:25:37,880 --> 00:25:41,520 Speaker 1: Oh yeah, he's panning there and he tells Kelly he 511 00:25:41,560 --> 00:25:42,960 Speaker 1: can't go because. 512 00:25:45,280 --> 00:25:47,359 Speaker 2: Always so. 513 00:25:47,520 --> 00:25:48,200 Speaker 3: I think it's cute. 514 00:25:48,280 --> 00:25:50,040 Speaker 1: Kelly makes David go with her. 515 00:25:50,320 --> 00:25:53,840 Speaker 3: Yeah, She's like, I'll go with my brother. Although the 516 00:25:53,960 --> 00:25:58,080 Speaker 3: dance scene is a tent, we're so excited. 517 00:25:59,000 --> 00:26:00,359 Speaker 1: I've forgotten all that. 518 00:26:00,440 --> 00:26:04,280 Speaker 2: I didn't remember you guys doing that. You're such a 519 00:26:04,280 --> 00:26:07,320 Speaker 2: good dancer. I got excited when he was like, let's 520 00:26:07,320 --> 00:26:08,000 Speaker 2: show them. 521 00:26:08,080 --> 00:26:10,200 Speaker 3: He's good too. They were that was great. 522 00:26:11,000 --> 00:26:14,240 Speaker 1: I know we should cut a rug again. I forgot 523 00:26:15,160 --> 00:26:16,040 Speaker 1: that we can dance. 524 00:26:16,440 --> 00:26:19,920 Speaker 2: Oh yeah, your little like movements. It was so good. 525 00:26:20,160 --> 00:26:21,080 Speaker 3: That was really good. 526 00:26:21,200 --> 00:26:24,159 Speaker 2: And you look super sexy with your hair back like 527 00:26:24,200 --> 00:26:27,680 Speaker 2: your hair. Your hair reminded me of the fore shot 528 00:26:27,760 --> 00:26:32,440 Speaker 2: we did with you and me and Tiffany and Kathleen. 529 00:26:32,560 --> 00:26:37,240 Speaker 2: Do you remember. I feel like it was because you 530 00:26:37,280 --> 00:26:39,200 Speaker 2: had the same outfit on and your hair. 531 00:26:39,040 --> 00:26:41,520 Speaker 1: Like we did a photo shoot in that one, a 532 00:26:41,520 --> 00:26:43,800 Speaker 1: photo shoot the four of us. But I got to 533 00:26:43,840 --> 00:26:46,879 Speaker 1: tell you, guys, I was super cringey when Kelly and Colin. 534 00:26:47,000 --> 00:26:51,240 Speaker 1: When Kelly was baby talking with Colin, I was like, 535 00:26:52,119 --> 00:26:52,960 Speaker 1: make it stop. 536 00:26:53,560 --> 00:26:57,320 Speaker 3: And she's like, shame whatever. 537 00:26:57,440 --> 00:27:00,600 Speaker 1: Yeah, I can't remember what you're saying, but all cutesy 538 00:27:00,720 --> 00:27:03,640 Speaker 1: with him not I don't know. 539 00:27:03,960 --> 00:27:05,920 Speaker 2: I was just staring at your lips and eyebrows. It 540 00:27:06,040 --> 00:27:07,720 Speaker 2: just all looks so good in mine. 541 00:27:09,720 --> 00:27:13,639 Speaker 1: And then we have another really weird scene between Brandon 542 00:27:13,640 --> 00:27:16,000 Speaker 1: and Dylan. I know you're a fan of these scenes. Amy, 543 00:27:16,480 --> 00:27:17,679 Speaker 1: Oh no, look she's over it. 544 00:27:17,800 --> 00:27:18,119 Speaker 2: Nope. 545 00:27:18,240 --> 00:27:21,640 Speaker 1: Where Brandon's like basically is not being a good friend 546 00:27:21,720 --> 00:27:23,280 Speaker 1: but trying to be a good friend, but kind of 547 00:27:23,280 --> 00:27:23,920 Speaker 1: being a jerk. 548 00:27:25,080 --> 00:27:27,640 Speaker 3: It's not the vacuuming one. Where was this one? Again? 549 00:27:27,720 --> 00:27:28,640 Speaker 3: Just refresh my memory. 550 00:27:28,640 --> 00:27:30,800 Speaker 1: Where do I get the house? When Dylan comes over. 551 00:27:30,760 --> 00:27:32,760 Speaker 3: And he's sitting on the couch, This was the vacuuming. 552 00:27:33,840 --> 00:27:36,399 Speaker 1: No, I think he vacuumed in the beginning with Steve. 553 00:27:36,480 --> 00:27:39,520 Speaker 3: Now, for some reason, I remember him vacuuming right up 554 00:27:39,560 --> 00:27:44,040 Speaker 3: to Dylan. I feel like this was the vacuuming. But 555 00:27:44,440 --> 00:27:47,840 Speaker 3: literally watching that's where I noticed the prominent carousel horse. 556 00:27:48,119 --> 00:27:48,280 Speaker 2: Right. 557 00:27:49,840 --> 00:27:52,480 Speaker 3: Yeah, I just don't The whole thing is the fuddling. 558 00:27:52,520 --> 00:27:54,840 Speaker 3: Although I that was better because at least they were 559 00:27:54,880 --> 00:27:55,680 Speaker 3: sort of friends. 560 00:27:56,160 --> 00:27:59,080 Speaker 1: But it's just like, I don't get it, and that's 561 00:27:59,080 --> 00:28:02,359 Speaker 1: where Dylan gives him the key to his safety posit 562 00:28:02,400 --> 00:28:04,240 Speaker 1: box and says, if anything happens to me. 563 00:28:04,720 --> 00:28:07,000 Speaker 3: He's written the letter to the FBI at this point, 564 00:28:07,040 --> 00:28:08,800 Speaker 3: and he's like, so, what happens to me? And it's 565 00:28:08,840 --> 00:28:12,840 Speaker 3: just like, so bananas, this twenty one year old kid, 566 00:28:13,280 --> 00:28:14,320 Speaker 3: it's just bananas. 567 00:28:14,480 --> 00:28:17,080 Speaker 2: It's kind of cool, it's kind of sexy, but. 568 00:28:17,000 --> 00:28:18,920 Speaker 1: You know, I don't believe it. He's twenty one years 569 00:28:18,960 --> 00:28:21,040 Speaker 1: old and he's going up against the FBI. 570 00:28:21,280 --> 00:28:25,040 Speaker 2: What about men that go up to war at eighteen 571 00:28:25,560 --> 00:28:29,960 Speaker 2: cru But like, dear FBI, dear dear FBI. 572 00:28:29,600 --> 00:28:30,880 Speaker 3: You're reading this, I'm dead. 573 00:28:32,840 --> 00:28:36,320 Speaker 1: That's what he left in the safe deposit box. I 574 00:28:36,359 --> 00:28:38,440 Speaker 1: was hoping he would leave some money in there for 575 00:28:38,560 --> 00:28:40,360 Speaker 1: Brandon so he could get a housekeeper or something. 576 00:28:40,680 --> 00:28:44,080 Speaker 2: And we go to the beach apartment. Now Donna made 577 00:28:44,120 --> 00:28:44,880 Speaker 2: the cut. 578 00:28:45,560 --> 00:28:48,800 Speaker 3: Yeah, you made the cut, of course you. There's sort 579 00:28:48,840 --> 00:28:52,080 Speaker 3: of a conversation about mothers you were. 580 00:28:52,360 --> 00:28:55,160 Speaker 1: You're so good for it. In my mind, there was 581 00:28:55,280 --> 00:28:57,800 Speaker 1: no other girls trying out for it like us, Like 582 00:28:57,840 --> 00:29:01,719 Speaker 1: there was no Kelly or Claire or val there. Because 583 00:29:01,760 --> 00:29:05,040 Speaker 1: in my mind, this storyline is all you. It's so 584 00:29:05,120 --> 00:29:06,680 Speaker 1: perfect for Donna. 585 00:29:06,280 --> 00:29:08,040 Speaker 2: Because you know what happens. 586 00:29:08,440 --> 00:29:11,640 Speaker 1: I don't know what happens. What happens? Do you fall 587 00:29:11,680 --> 00:29:12,280 Speaker 1: off the float? 588 00:29:12,560 --> 00:29:15,840 Speaker 2: I've explain a lot of things. Nope. 589 00:29:27,320 --> 00:29:32,440 Speaker 1: So Ray says he can't go to the party, and 590 00:29:32,600 --> 00:29:38,680 Speaker 1: you arpist. Donna is mad, but she should be happy. 591 00:29:38,720 --> 00:29:43,000 Speaker 2: He can't go to the party, right, everything happens. 592 00:29:43,920 --> 00:29:46,400 Speaker 1: But you go with him? Then to his kids? 593 00:29:46,560 --> 00:29:49,280 Speaker 3: Yeah, I think has him to the record label guy's 594 00:29:49,600 --> 00:29:50,480 Speaker 3: kid's birthday. 595 00:29:50,760 --> 00:29:52,920 Speaker 1: He says, I have to headline her birthday party, and 596 00:29:52,960 --> 00:29:54,880 Speaker 1: they cut to him and it's him like saying. 597 00:29:56,960 --> 00:29:58,880 Speaker 2: That was so I felt bad for him. 598 00:29:59,640 --> 00:30:02,560 Speaker 3: I I feel like I missed the scene of the birthday? 599 00:30:02,680 --> 00:30:05,720 Speaker 3: Did they show it? CRR? 600 00:30:06,760 --> 00:30:08,520 Speaker 1: Well, he's singing, so I saw it. 601 00:30:09,160 --> 00:30:10,640 Speaker 3: I didn't watch it on DVD. 602 00:30:11,240 --> 00:30:15,920 Speaker 1: I watched it on my little USB sticky. 603 00:30:14,760 --> 00:30:16,400 Speaker 3: So I missed the whole scene. 604 00:30:17,240 --> 00:30:19,240 Speaker 1: Oh my god, you're so good in that scene too. Okay, 605 00:30:19,240 --> 00:30:23,160 Speaker 1: here's what happens. He's on a stool on a little stage, 606 00:30:23,200 --> 00:30:25,640 Speaker 1: and then you pull back and you see he's playing 607 00:30:25,640 --> 00:30:28,880 Speaker 1: to a bunch of kids who basically aren't even listening 608 00:30:28,920 --> 00:30:30,440 Speaker 1: to him. And then you pull back further and you 609 00:30:30,480 --> 00:30:35,240 Speaker 1: see Donna sitting there with mister Corman, doctor Corman, Roger Corman, 610 00:30:36,080 --> 00:30:38,880 Speaker 1: and you are not happy. You're like click click click, 611 00:30:38,920 --> 00:30:41,760 Speaker 1: when's it's going to be over? And then oh, they're 612 00:30:41,800 --> 00:30:43,840 Speaker 1: playing musical chairs and you have to get up and 613 00:30:43,880 --> 00:30:45,320 Speaker 1: when the song's over, you have to get up and 614 00:30:45,320 --> 00:30:46,719 Speaker 1: remove one of the chairs, and you do it with 615 00:30:46,760 --> 00:30:47,720 Speaker 1: so much attitude. 616 00:30:48,040 --> 00:30:52,800 Speaker 2: Ah, I probably didn't have that scene. That sounds like 617 00:30:53,160 --> 00:30:55,880 Speaker 2: exact like the Halloween scene, like the worms crawl in 618 00:30:57,760 --> 00:30:59,440 Speaker 2: basically same as it was the same. 619 00:31:03,600 --> 00:31:08,960 Speaker 1: Then we see Valerie making her moves, making our moves. 620 00:31:09,720 --> 00:31:14,160 Speaker 1: Oh boy, yeah, that's is that when? No, that's not 621 00:31:14,200 --> 00:31:15,920 Speaker 1: when they have their confrontation, is it? 622 00:31:16,080 --> 00:31:18,600 Speaker 3: I feel like this is when they decide to go 623 00:31:18,760 --> 00:31:19,959 Speaker 3: to the ball or whatever. 624 00:31:20,520 --> 00:31:22,200 Speaker 1: Oh, he says, yeah, I have a great idea. 625 00:31:22,560 --> 00:31:24,360 Speaker 3: He's finished his primer pain. 626 00:31:27,280 --> 00:31:29,680 Speaker 1: Is he doing that because he wants to make Kelly happy? 627 00:31:29,760 --> 00:31:32,200 Speaker 1: And she's doing that because she wants to piss Kelly off? 628 00:31:32,760 --> 00:31:36,840 Speaker 2: So just in arm an arm she's happy to do 629 00:31:36,880 --> 00:31:39,240 Speaker 2: it to piss Kelly off. Why is he doing that? Though? 630 00:31:39,600 --> 00:31:41,760 Speaker 1: I stupid, He's just stupid. 631 00:31:41,920 --> 00:31:43,880 Speaker 2: It makes no sense. 632 00:31:43,920 --> 00:31:47,160 Speaker 1: And I don't think he knows the history or the 633 00:31:47,360 --> 00:31:48,520 Speaker 1: like depth of the. 634 00:31:48,800 --> 00:31:50,920 Speaker 3: In the middle of your big dance number too. 635 00:31:51,720 --> 00:31:55,120 Speaker 2: Oh man, No, it's just wrong. 636 00:31:55,800 --> 00:31:57,840 Speaker 1: Really took the wind out of my sails there. 637 00:31:58,280 --> 00:32:02,480 Speaker 3: Yeah. Then they go to the bath room. 638 00:32:02,960 --> 00:32:10,680 Speaker 1: Yeah, Valerie tells Kelly that it was all Colin's idea, 639 00:32:11,000 --> 00:32:13,760 Speaker 1: and yeah, Colin tells Kelly that he finished early and 640 00:32:13,800 --> 00:32:17,840 Speaker 1: he wanted to surprise her. But before that, Kelly comes 641 00:32:17,840 --> 00:32:20,400 Speaker 1: over and tells Valerie she's a bitch in front of everyone. 642 00:32:20,560 --> 00:32:25,400 Speaker 1: I love that. I hated it why because she called 643 00:32:25,400 --> 00:32:30,800 Speaker 1: her a bitch. I just felt like, I don't know Kelly. 644 00:32:31,440 --> 00:32:34,400 Speaker 1: I felt like that was unclassy, and Kelly has usually 645 00:32:34,440 --> 00:32:37,480 Speaker 1: taken the classy road or the high road. She hasn't 646 00:32:37,520 --> 00:32:41,680 Speaker 1: like go down to other people's levels like that. I 647 00:32:41,680 --> 00:32:46,560 Speaker 1: felt like she just lowered her in my opinion of her. 648 00:32:46,640 --> 00:32:49,040 Speaker 1: Like watching her, I was like, she didn't need to 649 00:32:49,080 --> 00:32:49,280 Speaker 1: do that. 650 00:32:49,440 --> 00:32:52,800 Speaker 2: But wait, at this point, this chick has done this 651 00:32:52,840 --> 00:32:57,480 Speaker 2: to you twice with Dylan, with Brandon, like it's like 652 00:32:58,120 --> 00:32:58,720 Speaker 2: and now. 653 00:32:58,840 --> 00:33:00,400 Speaker 3: Definitely like. 654 00:33:01,880 --> 00:33:05,520 Speaker 1: Yeah, no, totally okay that they have this beef. But 655 00:33:06,000 --> 00:33:07,560 Speaker 1: I just didn't like that she called her a bitch 656 00:33:07,600 --> 00:33:09,080 Speaker 1: in front of everyone. 657 00:33:10,120 --> 00:33:12,960 Speaker 3: The whole thing is so befuddling. 658 00:33:13,040 --> 00:33:16,120 Speaker 1: Again, and then Donna gets there, They get Donna and 659 00:33:16,200 --> 00:33:18,800 Speaker 1: Ray get there from the they come late, and then 660 00:33:18,840 --> 00:33:21,680 Speaker 1: you walk in the door for one split second and 661 00:33:21,720 --> 00:33:23,680 Speaker 1: then he's like, wait, I want to have you all 662 00:33:23,680 --> 00:33:25,560 Speaker 1: to myself, and he takes you out. 663 00:33:25,840 --> 00:33:26,960 Speaker 3: He's all happy about it. 664 00:33:27,920 --> 00:33:29,960 Speaker 1: But she didn't even get to go into the party, 665 00:33:30,000 --> 00:33:30,600 Speaker 1: not at all. 666 00:33:30,880 --> 00:33:32,880 Speaker 3: Dance outside. It's very bizarre. 667 00:33:33,600 --> 00:33:36,280 Speaker 1: It's like you wanted to look beautiful. 668 00:33:36,360 --> 00:33:40,080 Speaker 3: Yes, it's just a confusing scene. I'm just very confused, 669 00:33:40,920 --> 00:33:41,640 Speaker 3: very confused. 670 00:33:42,280 --> 00:33:45,480 Speaker 1: You know, when Brandon and Susan are at the California 671 00:33:45,520 --> 00:33:49,440 Speaker 1: and they're at the what's it called condor, Noah, the paper, 672 00:33:49,480 --> 00:33:53,120 Speaker 1: Condor the paper. They're at the office and he's sitting 673 00:33:53,120 --> 00:33:55,600 Speaker 1: there and he's like, did you guys believe that he 674 00:33:55,640 --> 00:33:56,520 Speaker 1: was typing at all? No? 675 00:33:57,880 --> 00:33:58,800 Speaker 2: Bea She's. 676 00:34:00,520 --> 00:34:04,720 Speaker 1: Oh hot and bothered back there. It felt like it 677 00:34:04,800 --> 00:34:07,120 Speaker 1: came out of nowhere, that all of a sudden they 678 00:34:07,160 --> 00:34:10,720 Speaker 1: had this attraction for each other. I guess I missed 679 00:34:10,760 --> 00:34:12,440 Speaker 1: that beat where it changed for. 680 00:34:12,440 --> 00:34:14,759 Speaker 3: Them that we obviously. I felt like it was so 681 00:34:14,840 --> 00:34:18,640 Speaker 3: captain obvious that that was coming. Yeah, but then then 682 00:34:18,680 --> 00:34:19,240 Speaker 3: we'd get. 683 00:34:19,080 --> 00:34:19,520 Speaker 2: The big PI. 684 00:34:20,200 --> 00:34:22,440 Speaker 1: But it was so you knew at the beginning of 685 00:34:22,440 --> 00:34:24,000 Speaker 1: that scene. What was going to happen at the end 686 00:34:24,040 --> 00:34:24,720 Speaker 1: of that scene. 687 00:34:25,520 --> 00:34:28,120 Speaker 3: Although I wasn't mad about it, I actually kind of 688 00:34:28,200 --> 00:34:28,520 Speaker 3: liked it. 689 00:34:29,280 --> 00:34:32,799 Speaker 1: I could tell because the beginning of the scene on 690 00:34:32,840 --> 00:34:36,359 Speaker 1: her close up, her lipstick was already all messed up 691 00:34:36,400 --> 00:34:37,120 Speaker 1: from making. 692 00:34:36,920 --> 00:34:37,839 Speaker 2: Out with him. 693 00:34:38,360 --> 00:34:43,240 Speaker 1: So that was clearly like take two. Can I always 694 00:34:43,239 --> 00:34:45,680 Speaker 1: tell her jaw was popped out? 695 00:34:45,719 --> 00:34:46,440 Speaker 2: You know, all of it. 696 00:34:46,920 --> 00:34:50,120 Speaker 1: So that's the big kiss scene that you you really liked? 697 00:34:50,239 --> 00:34:53,400 Speaker 3: I was like, okay, it was very they were a 698 00:34:53,480 --> 00:34:55,840 Speaker 3: match because it was aggressive on both sides. 699 00:34:56,200 --> 00:34:56,920 Speaker 1: She was hungry. 700 00:34:56,960 --> 00:34:57,240 Speaker 3: Whoa. 701 00:34:57,320 --> 00:35:01,160 Speaker 2: She was like, like, but. 702 00:35:01,160 --> 00:35:02,080 Speaker 3: They look cute together. 703 00:35:02,200 --> 00:35:02,480 Speaker 2: They do. 704 00:35:02,640 --> 00:35:03,800 Speaker 3: They're fine, They're fine. 705 00:35:04,000 --> 00:35:06,920 Speaker 2: Fine for now, she's here a whole season, so you 706 00:35:07,040 --> 00:35:07,880 Speaker 2: better get used to her. 707 00:35:07,920 --> 00:35:08,840 Speaker 3: Thirty episodes. 708 00:35:09,000 --> 00:35:14,680 Speaker 2: Yeah, that's a lot, okay, And then Cuddles and Tender Heart. 709 00:35:15,320 --> 00:35:20,120 Speaker 3: Oh, it's a good episode, but it's kind of feels 710 00:35:20,120 --> 00:35:22,680 Speaker 3: like it's not now that we're talking about it. 711 00:35:22,680 --> 00:35:25,760 Speaker 2: It's choppy, there's good moments, but it's. 712 00:35:25,640 --> 00:35:29,080 Speaker 3: Just so over yet. I kind of enjoyed it when 713 00:35:29,120 --> 00:35:30,759 Speaker 3: I was watching it, but talking about it, I'm like, 714 00:35:30,960 --> 00:35:36,360 Speaker 3: that's kind of yeah, it's and it goes to that, 715 00:35:36,960 --> 00:35:40,879 Speaker 3: is there anyway yeah, cuddles here. That's having a good 716 00:35:40,960 --> 00:35:43,080 Speaker 3: laugh right over there, Steve, O. 717 00:35:43,600 --> 00:35:47,360 Speaker 1: There she is. She looks hot sitting over there waiting 718 00:35:47,400 --> 00:35:51,640 Speaker 1: for her man changed blue, sort of sequenty thing on. 719 00:35:53,280 --> 00:35:56,160 Speaker 1: But are they both disappointed. 720 00:35:57,200 --> 00:36:00,560 Speaker 3: Or I think so? Yeah, I think they're disciplinely happy. 721 00:36:00,600 --> 00:36:03,000 Speaker 3: They're way more disappointed than shocked. I feel like they 722 00:36:03,040 --> 00:36:06,200 Speaker 3: should have been more shocked. But I mean, it's like 723 00:36:06,280 --> 00:36:09,080 Speaker 3: the Pina Kalada song. Do you guys know that song? 724 00:36:09,360 --> 00:36:09,920 Speaker 2: Yeah? 725 00:36:10,120 --> 00:36:10,719 Speaker 1: Yeah, sing it? 726 00:36:10,800 --> 00:36:11,120 Speaker 3: Sing it? 727 00:36:11,160 --> 00:36:12,239 Speaker 1: Oh? Can you you like? 728 00:36:14,400 --> 00:36:18,200 Speaker 3: It's like that's the same exact plot, like I'm sick 729 00:36:18,239 --> 00:36:20,880 Speaker 3: of my wife. I'm sick of my husband. We should 730 00:36:20,920 --> 00:36:24,480 Speaker 3: meet and then it's each other? Did you say getting 731 00:36:24,520 --> 00:36:28,759 Speaker 3: lovely lady? Do you guys remember? See you like. 732 00:36:30,440 --> 00:36:34,799 Speaker 1: Getting caught in the same plot. 733 00:36:34,920 --> 00:36:36,719 Speaker 3: They're like writing to each other. 734 00:36:37,600 --> 00:36:39,480 Speaker 2: I never knew what that song was about. 735 00:36:39,760 --> 00:36:42,279 Speaker 3: Oh my god, It's like it was in the old 736 00:36:42,360 --> 00:36:44,600 Speaker 3: days when you'd write it in the newspaper or something. 737 00:36:45,160 --> 00:36:48,919 Speaker 3: It was good lady, oh boy, it's you, she says 738 00:36:49,000 --> 00:36:50,640 Speaker 3: or whatever. And then they're just totally fine with it. 739 00:36:50,719 --> 00:36:53,440 Speaker 1: They're like, I just thought that was about Pina Coladas. 740 00:36:53,600 --> 00:36:56,520 Speaker 2: Same And I'm not a huge fan, so it wasn't 741 00:36:56,520 --> 00:36:56,920 Speaker 2: a huge fan. 742 00:36:57,040 --> 00:37:00,400 Speaker 3: Give a realisten, Give that a realisten. I think they 743 00:37:00,440 --> 00:37:01,440 Speaker 3: got this from that. 744 00:37:02,280 --> 00:37:04,759 Speaker 1: I okay, So the end of this episode's a really 745 00:37:04,800 --> 00:37:10,720 Speaker 1: good David goes to check on his mom. He's driving 746 00:37:10,800 --> 00:37:12,000 Speaker 1: Valerie home. 747 00:37:11,840 --> 00:37:13,280 Speaker 2: But why why did that happen? 748 00:37:13,280 --> 00:37:15,560 Speaker 1: She came with Colin right, so she didn't have a 749 00:37:15,600 --> 00:37:17,799 Speaker 1: ride home and they didn't have uber then and Brandon. 750 00:37:17,480 --> 00:37:19,880 Speaker 3: And Susan had to go write at the paper and 751 00:37:20,080 --> 00:37:24,680 Speaker 3: make out. So off they go in the Defender, which 752 00:37:24,719 --> 00:37:28,399 Speaker 3: I was like, this just feels like Brian Austin Green 753 00:37:28,440 --> 00:37:33,000 Speaker 3: and Tiffany Theeson, which was fine. I enjoyed it. 754 00:37:33,520 --> 00:37:38,400 Speaker 1: He stops and he sees, you know, ambulge and ambulance, 755 00:37:39,160 --> 00:37:42,240 Speaker 1: all the things happening out front of his mom's apartment building, 756 00:37:42,320 --> 00:37:45,040 Speaker 1: and he sees her mom, his mom being brought out 757 00:37:45,239 --> 00:37:47,640 Speaker 1: let a stretcher, and then he jumps and they say, 758 00:37:48,480 --> 00:37:51,880 Speaker 1: we've got an attempted suicide on our hands here people awful, 759 00:37:52,200 --> 00:37:55,400 Speaker 1: And he's really good in that seeing you very believable, 760 00:37:55,560 --> 00:38:00,040 Speaker 1: like you're like, he looks so shocked and torn and 761 00:38:00,080 --> 00:38:03,760 Speaker 1: he doesn't us to do Yeah, distraught, really good. 762 00:38:03,600 --> 00:38:05,040 Speaker 3: And then I kind of zoom in on her. 763 00:38:05,480 --> 00:38:07,000 Speaker 2: I don't know. I just felt like the way they 764 00:38:07,040 --> 00:38:10,280 Speaker 2: were looking at each other and that scene didn't represent 765 00:38:10,400 --> 00:38:14,520 Speaker 2: the character's friendship depth at that point. 766 00:38:14,680 --> 00:38:17,120 Speaker 1: They do the characters have a friend or. 767 00:38:18,160 --> 00:38:20,439 Speaker 3: Isn't this where they start to like each other? Did 768 00:38:20,440 --> 00:38:21,480 Speaker 3: I make that obviously? 769 00:38:21,920 --> 00:38:26,400 Speaker 1: Yeah, these two characters get together, I think so. Yeah. 770 00:38:26,600 --> 00:38:27,480 Speaker 3: I think because of. 771 00:38:27,520 --> 00:38:31,840 Speaker 1: The shared the shared trauma of at all, because this 772 00:38:32,000 --> 00:38:33,120 Speaker 1: is clearly bringing. 773 00:38:32,840 --> 00:38:38,000 Speaker 2: Up for val her dad and I tried to think 774 00:38:38,040 --> 00:38:41,000 Speaker 2: that way because I'm like, why is she so intently 775 00:38:41,040 --> 00:38:43,560 Speaker 2: staring at him? I was like, Okay, her dad, I 776 00:38:43,600 --> 00:38:46,359 Speaker 2: get it. I'm putting it together. But the way he's 777 00:38:46,400 --> 00:38:48,640 Speaker 2: looking at her, I was just like, I don't know. 778 00:38:49,280 --> 00:38:49,680 Speaker 3: You're right. 779 00:38:49,760 --> 00:38:51,160 Speaker 2: It was Brian and Tiffany. 780 00:38:51,239 --> 00:38:52,160 Speaker 3: Yeah, And that's how I felt. 781 00:38:52,160 --> 00:38:52,920 Speaker 2: Eating in the car. 782 00:38:52,960 --> 00:38:54,800 Speaker 3: I was like, this isn't the characters. This is just 783 00:38:54,840 --> 00:38:56,600 Speaker 3: two people that are dating. 784 00:38:56,360 --> 00:38:59,759 Speaker 2: In a car and wait, you guys, I wonder do 785 00:38:59,800 --> 00:39:02,319 Speaker 2: you think that Brian at this point was like can 786 00:39:02,360 --> 00:39:03,960 Speaker 2: you put us together? Or she was like can you 787 00:39:03,960 --> 00:39:07,200 Speaker 2: put us together? Because it was causing some tension between. 788 00:39:07,560 --> 00:39:13,920 Speaker 1: I mean, I'd feel like it's a little late. True, 789 00:39:14,080 --> 00:39:16,640 Speaker 1: he probably should have they should have come in with that. 790 00:39:16,880 --> 00:39:18,319 Speaker 3: It's the only one left. 791 00:39:18,840 --> 00:39:19,560 Speaker 2: Oh, you're right. 792 00:39:21,040 --> 00:39:23,520 Speaker 1: If I was him, I'd be like, no, I'm good. 793 00:39:23,680 --> 00:39:25,360 Speaker 1: I don't need to be with vlle. 794 00:39:26,800 --> 00:39:27,279 Speaker 3: I just. 795 00:39:28,800 --> 00:39:33,120 Speaker 1: Systematically if we broke it down. She has been with 796 00:39:33,239 --> 00:39:35,360 Speaker 1: every guy right or tried to be. 797 00:39:35,800 --> 00:39:40,759 Speaker 2: Yes, I kind of has been, and I still there's 798 00:39:40,800 --> 00:39:44,719 Speaker 2: something between her and Jim Walsh, so him too. What 799 00:39:44,760 --> 00:39:46,839 Speaker 2: about Nat? I'm just thinking about that. 800 00:39:49,080 --> 00:39:51,400 Speaker 1: Do you think that she thought about that while she 801 00:39:51,640 --> 00:39:53,959 Speaker 1: while she was filming this or well, you know. 802 00:39:54,200 --> 00:39:55,880 Speaker 2: Thought about if she would hook up with Nat? 803 00:39:56,360 --> 00:40:00,000 Speaker 1: No? Yeah, if she wasn't thinking about that. 804 00:40:00,200 --> 00:40:01,600 Speaker 3: But I feel like they thought about it. But I 805 00:40:01,600 --> 00:40:02,839 Speaker 3: don't know did anybody like. 806 00:40:02,840 --> 00:40:05,560 Speaker 1: Step back and say, whoa, this is what we're doing 807 00:40:05,600 --> 00:40:07,120 Speaker 1: with this character intentionally? 808 00:40:08,160 --> 00:40:12,280 Speaker 3: Probably there's no one left for her other than David. 809 00:40:12,880 --> 00:40:15,200 Speaker 1: Would you have wanted to play that character? Like? Would 810 00:40:15,239 --> 00:40:16,919 Speaker 1: you have been like down to be like with every 811 00:40:16,960 --> 00:40:20,760 Speaker 1: single guy, every male character on the show. 812 00:40:22,040 --> 00:40:24,239 Speaker 2: No, it's a bit much. 813 00:40:24,280 --> 00:40:26,799 Speaker 1: I'm trying to think if like, yeah, sure that the 814 00:40:26,920 --> 00:40:31,800 Speaker 1: acting of it all seems fun. The trouble making aspect, 815 00:40:31,920 --> 00:40:33,480 Speaker 1: like she's going to come in and make trouble. That 816 00:40:33,640 --> 00:40:35,120 Speaker 1: sounds like fun to play m hm. 817 00:40:35,960 --> 00:40:39,920 Speaker 2: But in one season. Basically, we've barely started her second season. 818 00:40:40,280 --> 00:40:43,320 Speaker 2: She's been through every single male on the cast. 819 00:40:44,040 --> 00:40:45,479 Speaker 3: I don't know, just weird. 820 00:40:45,560 --> 00:40:49,520 Speaker 1: It's weird that they would do that to one of 821 00:40:49,560 --> 00:40:52,200 Speaker 1: their main characters. I get that she's there to be 822 00:40:52,360 --> 00:40:56,480 Speaker 1: like the bad girl, but so quickly. Yeah, it's a 823 00:40:56,520 --> 00:40:59,839 Speaker 1: lot mucht. 824 00:40:58,680 --> 00:41:00,000 Speaker 3: Much, But that's it. That's the end of the episod. 825 00:41:00,040 --> 00:41:01,319 Speaker 1: So where we see you feel about this? 826 00:41:02,080 --> 00:41:03,799 Speaker 3: When I watched it, I felt like good about it. 827 00:41:05,120 --> 00:41:07,040 Speaker 3: I watched if. It was like a nine for me 828 00:41:08,160 --> 00:41:11,040 Speaker 3: talking about it, it's not quite as riveting as it 829 00:41:11,080 --> 00:41:12,600 Speaker 3: was when I'm watching it, but I'm gonna go with nine. 830 00:41:12,640 --> 00:41:13,520 Speaker 3: I'm gonna go with nine. 831 00:41:16,080 --> 00:41:19,040 Speaker 1: Pretty high, pretty high. What do you got? What do 832 00:41:19,080 --> 00:41:19,359 Speaker 1: you got? 833 00:41:19,400 --> 00:41:21,080 Speaker 2: I think I'm gonna go with six and a half. 834 00:41:21,800 --> 00:41:26,000 Speaker 3: Whoa, I'm sorry, whoa, wow, Wow, wowst. 835 00:41:25,320 --> 00:41:30,080 Speaker 1: You brought it up to the half. Sorry wow, I'd 836 00:41:30,160 --> 00:41:34,520 Speaker 1: say I'd say eight. Okay, it's more reasonable because we're 837 00:41:34,520 --> 00:41:39,319 Speaker 1: seeing a lot of relationships starting to form. Yeah, it 838 00:41:39,440 --> 00:41:41,279 Speaker 1: was just a lot of kissing, a lot of like 839 00:41:42,120 --> 00:41:46,319 Speaker 1: matchup umpy around. Yeah, it was trying to get all 840 00:41:46,360 --> 00:41:50,640 Speaker 1: the different characters to be in their new storyline so 841 00:41:50,680 --> 00:41:53,919 Speaker 1: that they could propel into the next arc, right. 842 00:41:54,120 --> 00:41:56,520 Speaker 2: So it was one of those episodes that was literally 843 00:41:57,480 --> 00:41:59,080 Speaker 2: it's kind of like when you come into a new 844 00:41:59,160 --> 00:42:01,759 Speaker 2: season and they're trying to tell you what's going to happen, 845 00:42:01,920 --> 00:42:05,080 Speaker 2: except we're on episode what four? Now? 846 00:42:05,239 --> 00:42:06,680 Speaker 3: Yeah, I don't know. 847 00:42:06,880 --> 00:42:09,839 Speaker 2: I wasn't into it. Sorry, And sometimes when I zone 848 00:42:09,840 --> 00:42:12,040 Speaker 2: down and I'm not into it, at least, my fallback 849 00:42:12,080 --> 00:42:14,440 Speaker 2: is always the fashion, and this one I felt like, 850 00:42:14,840 --> 00:42:18,640 Speaker 2: while we loved that designer, everyone had just very similar 851 00:42:18,680 --> 00:42:20,080 Speaker 2: thing on. There was no. 852 00:42:19,920 --> 00:42:23,279 Speaker 1: Flat and basic. Everything was very flat. But your white 853 00:42:23,360 --> 00:42:27,480 Speaker 1: dress is beautiful when you're dancing with Ray. 854 00:42:28,120 --> 00:42:30,719 Speaker 2: Actually we had to find this designer's name. God's dress. 855 00:42:30,960 --> 00:42:33,920 Speaker 1: You have matching white shoes with it? Did you notice? 856 00:42:34,040 --> 00:42:36,560 Speaker 1: I did not notice that I saw them. They have 857 00:42:36,640 --> 00:42:38,239 Speaker 1: a really clear shot of them in the scene that 858 00:42:38,280 --> 00:42:39,920 Speaker 1: you didn't get to see, and I was like, I 859 00:42:39,920 --> 00:42:43,120 Speaker 1: don't know about the shoe because they were like white 860 00:42:43,320 --> 00:42:50,960 Speaker 1: and clunky with that pretty thin little that was in Then, Yeah, 861 00:42:51,440 --> 00:42:55,400 Speaker 1: that's what that's next week's next week. Next week, we 862 00:42:55,520 --> 00:42:57,520 Speaker 1: got what do we got? 863 00:42:58,200 --> 00:43:03,160 Speaker 2: Season six, Episode five? Leap, Oh, who's sleeping? 864 00:43:04,840 --> 00:43:07,600 Speaker 1: Any but any any one of these lovers could be leaping, 865 00:43:08,280 --> 00:43:11,600 Speaker 1: so many, so many lovers, lovers leap. 866 00:43:11,840 --> 00:43:14,000 Speaker 2: Okay, so that's when we're gonna have to leap for 867 00:43:14,200 --> 00:43:17,280 Speaker 2: Valerie and David. But then. 868 00:43:19,280 --> 00:43:20,280 Speaker 3: Even Claire. 869 00:43:21,560 --> 00:43:24,520 Speaker 2: So wait is Colin and Valerie? Nothing's going to happen. 870 00:43:24,560 --> 00:43:28,000 Speaker 2: That's it for them, We're done there probably no. 871 00:43:28,160 --> 00:43:29,759 Speaker 3: We're going to get that other woman soon. 872 00:43:30,280 --> 00:43:35,520 Speaker 1: Claudia from New York yep, yepers is she hot? 873 00:43:36,520 --> 00:43:37,240 Speaker 3: I can't remember? 874 00:43:40,600 --> 00:43:43,800 Speaker 1: So basically this episode was just about relationships for me. 875 00:43:44,480 --> 00:43:44,880 Speaker 2: Filler. 876 00:43:45,400 --> 00:43:50,320 Speaker 1: There was no storyline except the rose, the whole weird. 877 00:43:50,360 --> 00:43:53,440 Speaker 3: I really liked it when I was watching it now, sorry. 878 00:43:53,280 --> 00:43:56,280 Speaker 2: It was filler, so if we would liking it to flowers, 879 00:43:56,280 --> 00:43:59,120 Speaker 2: the rose cord, it was baby's. 880 00:43:58,760 --> 00:44:01,040 Speaker 1: Breath, Carnations. 881 00:44:02,600 --> 00:44:05,480 Speaker 3: Dance scene. That dance scene really brought it up for me. 882 00:44:05,920 --> 00:44:07,360 Speaker 1: Yea things up a little. 883 00:44:07,440 --> 00:44:09,520 Speaker 3: That really was I was dancing with the stars. 884 00:44:09,560 --> 00:44:13,520 Speaker 2: But you guys, you had a choreographer. Louis probably taught 885 00:44:13,520 --> 00:44:14,920 Speaker 2: you guys to do that, correct. 886 00:44:16,960 --> 00:44:18,840 Speaker 3: It was great. 887 00:44:19,000 --> 00:44:21,640 Speaker 2: One of our sand ins was a professional dancer. His 888 00:44:21,680 --> 00:44:23,680 Speaker 2: whole life, was it, Louis van Amstell. 889 00:44:24,360 --> 00:44:26,200 Speaker 1: It's not that different, Louis. 890 00:44:26,200 --> 00:44:28,760 Speaker 2: I was differently Oh oh sorry, sorry, sorry. 891 00:44:29,680 --> 00:44:31,280 Speaker 1: That though very similar. 892 00:44:31,520 --> 00:44:32,760 Speaker 2: Yeah yeah, okay. 893 00:44:33,280 --> 00:44:35,680 Speaker 1: Anyway, well that's it for this week. You guys, thank 894 00:44:35,719 --> 00:44:38,279 Speaker 1: you so much. We love you, and please make sure 895 00:44:38,480 --> 00:44:42,000 Speaker 1: to tell us your opinions because we. 896 00:44:42,040 --> 00:44:44,120 Speaker 2: Love to hear them. And if you have that Dan. 897 00:44:45,719 --> 00:44:48,520 Speaker 3: Gosh, send us that designer. Yeah, send us photos of 898 00:44:48,520 --> 00:44:50,280 Speaker 3: the horse in your living room and that designer. 899 00:44:50,680 --> 00:44:52,359 Speaker 2: Thank you, I love you. 900 00:44:52,600 --> 00:44:53,200 Speaker 3: Bye, guys,