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Speaker 1: Woke up, Wake up, wake up? Wait that ass up?

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Speaker 2: On the program Your Alarm the Power one oh five

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Speaker 2: point one on iHeartRadio.

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Speaker 1: Good Morning, Usa, yo.

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Speaker 3: Yo yo yo yo yo yo yo yo yo yo

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Speaker 3: yo yo yo yo yo yo yo yo yo yo

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Speaker 3: yo yo yo.

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Speaker 4: What's up?

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Speaker 5: Just Larry Charlamage to God, Peace to the planet.

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Speaker 6: Is Friday, that's right in today's Friday is the best

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Speaker 6: of the nineties.

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Speaker 7: Oh, come on, that's our era right there.

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Speaker 8: You know, I was born in nineteen hundred and seventy eight,

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Speaker 8: so the nineties is when you know.

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Speaker 7: That that was our error. That's when we was outside

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Speaker 7: outside this.

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Speaker 9: I should say the R and B nineties.

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Speaker 6: Because today on this show we have one twelve total

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Speaker 6: case Jagged Edge, New Audition and Boys.

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Speaker 8: To Men now one twelve totally case of going on

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Speaker 8: tour together, New Audition and Boys the Men are going

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Speaker 8: on tour together.

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Speaker 10: That's right.

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Speaker 6: And jagget As just got off tour. They just wrapped

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Speaker 6: up their tour with Lloyd and Eric Bellinger.

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Speaker 8: Listen classic shows from classic artists, artists who have stood

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Speaker 8: to test the time. All right, So all you uncles

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Speaker 8: and aunties gathered around and listened to the breakfast Club

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Speaker 8: this morning.

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Speaker 10: That's right, so don't go anywhere.

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Speaker 7: It's the Breakfast Club, good morning.

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Speaker 2: This is your time to get it off your chest.

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Speaker 2: Eight hundred five eighty five five one. We want to

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Speaker 2: hear from you on the breakfast club.

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Speaker 1: Hello, who's this yo?

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Speaker 11: DJV?

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Speaker 10: What's made of?

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Speaker 12: Guy?

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Speaker 7: Can't?

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Speaker 13: Hey?

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Speaker 11: Hey, some people got to show before the head of

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Speaker 11: not even something.

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Speaker 7: I'm telling you, Musty ain't no joke, bro, Noah.

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Speaker 11: These two good, you know, and I understand you got

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Speaker 11: your own separate situations. But you hop in my car

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Speaker 11: and immediately the car is just filled up with these fuels.

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Speaker 11: And I gotta hold my brother.

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Speaker 12: A car lide.

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Speaker 8: No, nothing worse than a stink woman. Man, I'm gonna

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Speaker 8: be honest with you. Men are allowed to, you know,

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Speaker 8: have a older even though I don't like it. But man,

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Speaker 8: when a woman musty is different.

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Speaker 1: But you know what it does up to you.

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Speaker 14: But you can't leave no reviews for the for the riders.

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Speaker 14: They leave reviews for y'all. You can't review a drop rider.

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Speaker 6: Some of these cast stink too, though, like sometimes you

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Speaker 6: get yeah because.

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Speaker 1: Of it just got out like that.

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Speaker 14: Ain't got to quit the well, you know, take a

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Speaker 14: break to go get the car wash now.

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Speaker 11: And the crazy thing is they tried to have a

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Speaker 11: conversation with me, you know, and I played it off

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Speaker 11: like how long you've.

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Speaker 4: Been growing your dreads?

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Speaker 11: You know what I'm saying, Like not trying to have

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Speaker 11: a real conversation.

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Speaker 7: You know what I'm saying. You know what it is?

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Speaker 8: You got to keep a podcast on deck, a podcast

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Speaker 8: about bacterial vaginosis, podcast about h you know, being musty,

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Speaker 8: and just be playing it, you know what I'm saying,

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Speaker 8: Just like playing loud and hope that they get the hint.

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Speaker 7: He belove y'all, y'all have a good morning.

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Speaker 8: Man ain't nothing like them, I'm telling you, man, musty

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Speaker 8: woman is just remember last it was a room of

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Speaker 8: people in here and I go, it smell like outside.

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Speaker 7: Somebody smelled like outside.

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Speaker 8: Everybody mind you ain't nobody was outside.

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Speaker 14: Nobody that I'm like, oh gosh, I was scared to

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Speaker 14: look around like that.

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Speaker 1: Hello, Hello, it.

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Speaker 7: Was this yo, And you know the what the word hell?

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Speaker 15: Yo?

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Speaker 11: Life is amazing. It is what it should be. How

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Speaker 11: you're doing, Jess uncle?

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Speaker 7: All that llll cool? Baby?

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Speaker 15: All right, So I gotta get to talk my chut

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Speaker 15: and I'm the perfect person to talk about this, so

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Speaker 15: we gotta start shaming these men for getting their body

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Speaker 15: done like these bad bitches. And I'm st of it,

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Speaker 15: so like because let's.

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Speaker 11: Lets the record show. I want the records talking about

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Speaker 11: the BBOs being booty, booty and baby leg anible mention

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Speaker 11: you're thinking and the touch between me and the NYPD.

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Speaker 7: Word but like booty and baby is a bar mellow.

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Speaker 7: That's funny.

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Speaker 11: Yep, I'm telling you, but hit me out. You can't

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Speaker 11: be out here with the stomach of John Soon and

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Speaker 11: the chest of Coiler Ray.

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Speaker 15: I don't mention love, but Drake, stop it, broname one.

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Speaker 11: I say it, Drake French Montana, who else? Yer, I

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Speaker 11: don't know. I don't know. I feel like his stomach

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Speaker 11: used to be his hair.

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Speaker 15: I don't know, dude.

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Speaker 7: I don't know if it's faking or not, but they

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Speaker 7: do look stupid.

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Speaker 11: Oh three hundred pounds, bro, like you now on a

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Speaker 11: call two hundred. I've really been with y'all like you

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Speaker 11: feel me like, nah, you can work it out, like

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Speaker 11: you know what I mean. I'm somewhere between dad body

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Speaker 11: and bean back gin. I used to be a third

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Speaker 11: bag of dirty laundry. You know what I mean. Don't

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Speaker 11: make no mistakes.

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Speaker 8: I agree and feel like the ABS are going through

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Speaker 8: what bbl's went through. Like BBL used to look really,

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Speaker 8: really stupid and then they got better over time. That's

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Speaker 8: how abs on mental probably look in the future.

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Speaker 11: I understand that. But at the same time, as a man,

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Speaker 11: you should not be wanting to lay on the table, unt,

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Speaker 11: agree and then get up act like you put.

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Speaker 1: In the work.

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Speaker 11: I'm not with that.

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Speaker 1: I'm not going but mellow any song?

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Speaker 7: All right? Mellow?

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Speaker 1: Hello?

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Speaker 11: Who's this Rico from the town?

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Speaker 7: Rico? We don't want you?

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Speaker 8: How are you sorry? I'm good man, I'm blessed Black

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Speaker 8: and Holly favor man. Get it off your chest.

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Speaker 11: I just wanted to call about the Dame Dad's interview.

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Speaker 7: Okay, talk to me.

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Speaker 11: I thought I thought it was hilarious.

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Speaker 7: I did too, I enjoyed it.

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Speaker 8: When you go through life, you realize that some people

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Speaker 8: we just don't take serious, and Dame Bess is one

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Speaker 8: of the people.

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Speaker 7: I don't disagree with you. I just don't disagree with you.

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Speaker 6: Get it off your chest. Eight hundred and five eight

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Speaker 6: five one oh five one. If you need the VIN,

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Speaker 6: call us up right now, it's the Breakfast Club.

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Speaker 7: Good morning.

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Speaker 2: This is your time to get it off your chest.

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Speaker 2: She calling eight hundred and five eight five one five one.

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Speaker 2: We want to hear from you on the Breakfast Club.

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Speaker 15: Hello.

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Speaker 1: Who's this?

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Speaker 8: This is Monica right, Hey Monica, Hey, guys, piece Monica.

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Speaker 16: I cannot believe I'm talking to you, guys. I can't

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Speaker 16: believe it. But today it's my birthday. I turned fifty two,

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Speaker 16: and so I just want to say happy birthday to myself.

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Speaker 9: Well, happy birthday, Happy born day, Happy birthday.

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Speaker 16: Thank you, guys. This is a great present for me

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Speaker 16: because I tried to get through and so today I

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Speaker 16: finally got through.

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Speaker 7: Well, thank you, happy boy.

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Speaker 8: Didn't you do anything special to celebrate or you did

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Speaker 8: this weekend?

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Speaker 11: I did it.

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Speaker 16: I shouldn't gonna do it this weekend. My husband is

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Speaker 16: fining me to La to see my steps on perform.

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Speaker 7: Ooh, what's your steps? I'm performing?

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Speaker 16: He is a sango, he's a dj.

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Speaker 7: Okay, that's dope. Happy to hear that.

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Speaker 16: Yes, So thank you guys, and go out there La.

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Speaker 8: Enjoy some good weather, get some good weed or something,

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Speaker 8: you know what I mean, maybe some edibles.

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Speaker 9: Enjoy your birthday.

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Speaker 7: Let your husband toss your legs in the air one time.

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Speaker 6: You are so bad, I havena hey, hey, how are you?

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Speaker 6: We've seen you on hole for two damn hours. I

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Speaker 6: just happen to look at the phone. Why and I'm like,

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Speaker 6: what the hell?

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Speaker 12: What's going to tell?

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Speaker 10: What's up?

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Speaker 7: Why are you on hold?

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Speaker 13: Well, first of all, I'll make the group hole with

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Speaker 13: my girl. So I wasn't really I was on hold,

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Speaker 13: but I still was doing.

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Speaker 10: My job too, sleute.

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Speaker 7: Everybody at the group home a group home, you call

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Speaker 7: them front.

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Speaker 13: I'm not gonna say, but we didn't say North Carolina

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Speaker 13: was Jersey, Okay, So I would like to get this

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Speaker 13: off my chest today. I just want to say that, uh,

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Speaker 13: better days are coming. Today will be the fifth year

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Speaker 13: that my husband has been going. So my grandfather died

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Speaker 13: on the fourth and my husband died on the ninth.

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Speaker 13: They both died from COVID five years ago. Oh so yeah,

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Speaker 13: I just playing for better days and just for those

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Speaker 13: who do have grandparents and parents and.

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Speaker 11: Husbands, just love them to the best of you'all ability.

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Speaker 11: Because life is definitely sure.

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Speaker 13: Well I know, before we used to stay life is sure,

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Speaker 13: But then after COVID life is really really shorter than

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Speaker 13: what we expected to be.

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Speaker 8: Yeah, I love you. I love your attitude. You call

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Speaker 8: them from a group home. Yeah, you dealt with all

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Speaker 8: of that loss, but you still are telling people and

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Speaker 8: encouraging yourself that you know there's gonna be a better tomorrow.

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Speaker 7: That's right.

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Speaker 13: And now I want to get a big time to

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Speaker 13: my mom, which is in She's in Jersey City right now.

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Speaker 13: She's battling with brust Can So that's my last parent living.

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Speaker 13: And I do go back and forth because you know,

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Speaker 13: I got a base pay in my house and stuff here,

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Speaker 13: but my mom comes before any of that. But she

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Speaker 13: knows the situation and just to go back and forth

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Speaker 13: and having her deal with what she's dealing with is

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Speaker 13: hard because medical sense there ain't worth nothing. So that

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Speaker 13: was up. They could get the donkey of the monks,

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Speaker 13: how about that. But other than that, I just want

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Speaker 13: to shout out Shovel Williams and just tell you, Mom,

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Speaker 13: I love you and I know that you're going through

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Speaker 13: something right now, but we all just.

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Speaker 11: Planning for the other things to come.

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Speaker 1: Absolutely all right, y'all, have a good one.

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Speaker 6: Get it off your chest. Eight hundred and five eight

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Speaker 6: five one O five one. If you need the vin call.

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Speaker 12: Us up right now.

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Speaker 7: It's the Breakfast Club.

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Speaker 1: Good morning, morning everybody. It's dj n V just hilarious.

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Speaker 6: Charlamagne the guy we are the Breakfast Club. Low on

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Speaker 6: the Roast is hanging with us today as well, and

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Speaker 6: we got some special guests in the building, gentlemen, Jagged Edge.

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Speaker 1: In a minute.

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Speaker 7: It's been a minute man, growing up a little bit,

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Speaker 7: that's right.

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Speaker 1: I always like to say this.

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Speaker 6: This is one of the groups that y'all guys don't

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Speaker 6: break up at all, y'all, but how.

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Speaker 1: We see every r B group, there's always a break up.

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Speaker 1: There's always so tight.

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Speaker 7: Man. We we like each other.

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Speaker 5: Half the group of us we love each other is

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Speaker 5: the one.

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Speaker 1: That be fighting.

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Speaker 6: I always like the stuff from the beginning when you

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Speaker 6: guys come here. So how did y'all guys form the group?

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Speaker 6: For people that don't know, how did Jagged Edge form?

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Speaker 12: All?

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Speaker 7: Right? Whoever want to take this?

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Speaker 5: Well, me and my brother was in the womb, but

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Speaker 5: we had this group when we first got to Atlanta.

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Speaker 7: You know, we was about fifteen years old.

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Speaker 5: Not we first got there, but when we first started singing,

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Speaker 5: and it was two other guys and we sang it

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Speaker 5: this church picnic. Kyle was at the church picnic. He

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Speaker 5: came to us at the church, but he said, listen, man,

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Speaker 5: I got a group. Once y'all drop the other two

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Speaker 5: and come get with it.

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Speaker 7: So we didn't know that though.

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Speaker 5: We used to see kyl Ord anyway because me and

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Speaker 5: him was basketball players and his cousin was playing on

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Speaker 5: our team.

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Speaker 7: So we knew each other from that in passing.

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Speaker 5: And then once we actually sat down and talked and

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Speaker 5: we realized he could sing two, we put it together.

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Speaker 5: It was another member at first, and uh, he fills

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Speaker 5: without somewhere along the way, and we picked up Winger

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Speaker 5: and you know what I mean. I've been together ever since.

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Speaker 5: This is about fifteen that we've been in this group.

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Speaker 9: Now, now, where did the name come from?

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Speaker 5: The name came from if y'all remember, think back to

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Speaker 5: I think I want to say like ninety one ninety two.

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Speaker 5: It was a group came out of Atlanta called a

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Speaker 5: Good Men. They were signed to the face so just

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Speaker 5: the name of their their group got me looking at

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Speaker 5: movie titles. And during this time, I was happen to

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Speaker 5: be at Candy House, right and she had all these movies, like.

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Speaker 7: All these just you know, rolls of movies.

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Speaker 5: And I started looking at the movies and when I

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Speaker 5: seen the movie, jagged it It's almost like it jumped

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Speaker 5: out like.

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Speaker 7: Hey, you know what I mean?

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Speaker 5: And so I said to them and everybody was like yeah,

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Speaker 5: Like not one person pushed back.

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Speaker 7: Everybody was like here, that's a dope.

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Speaker 17: And this was after y'all were already signed to You

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Speaker 17: had a relationship with Candy before?

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Speaker 7: Yes, only like a year, like a year prior to

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Speaker 7: us signing.

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Speaker 18: Okay, And what was the relationship was it just like

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Speaker 18: music stuff.

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Speaker 5: Like well we went to school, We're gonna went to

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Speaker 5: school with Candy. They was in high school together, graduated.

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Speaker 5: So when we did our demo, he had took the

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Speaker 5: Candy House just playing it for just like you know,

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Speaker 5: getting her approval. Wasn't even trying to get a deal

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Speaker 5: or nothing. She liked it so much. She was like

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Speaker 5: she called win the one day like you still in

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Speaker 5: that group, y'all still are still trying to get a deal.

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Speaker 5: He was like, yeah, so we made the deal. Can

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Speaker 5: if you get us a deal, you can manage us.

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Speaker 5: She got us a deal, so she was our first manager.

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Speaker 17: She gets to the money in the business side. How

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Speaker 17: was she has a manager in the early days, I

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Speaker 17: mean she was getting a.

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Speaker 7: Seat with us.

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Speaker 19: But I'll always tell anybody like as far as being

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Speaker 19: an active artist and trying to manage, you know, manage

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Speaker 19: somebody's like having a kid, right, you know what I mean,

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Speaker 19: you gotta be up for them five thirty phone calls

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Speaker 19: and it's just a lot.

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Speaker 15: You know what I mean.

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Speaker 5: So, and also to shout out to Tiny too, because

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Speaker 5: she was just as instrumental. Without Tiny she was like

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Speaker 5: the direct link to JD on the business side, you

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Speaker 5: know what I mean.

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Speaker 14: So without her, when I how instrumental was the Jamain

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Speaker 14: dupree uh with y'all now, Like, do y'all still like

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Speaker 14: call him about you know, for all original parts Volume one?

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Speaker 5: I know, I mean, you know, Jamain, that's our guy forever.

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Speaker 5: But as much as I love Jamame, I hit ja

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Speaker 5: man about all kinds.

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Speaker 7: But you know, it's it's rough to get right, to

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Speaker 7: be honest, if he ain't a part of it.

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Speaker 10: You know what I'm saying.

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Speaker 5: I've had I've had a tough time getting his involvement

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Speaker 5: in things that he wasn't really spearheaded honestly, Jamaine is

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Speaker 5: why we are writers and producers, were at least producers.

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Speaker 5: We was always writers, But through dealing with him, we're

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Speaker 5: not like, you can't just put us on the back burner.

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Speaker 7: We're not you know what I mean. You can't tie

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Speaker 7: our hands, you can't.

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Speaker 5: So we figured out how to go make beats ourselves,

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Speaker 5: you know what I mean, learn how to play the

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Speaker 5: keys ourselves, learn how to do this stuff for us.

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Speaker 5: So he's a big reason why I'm not saying the

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Speaker 5: negative way, just understanding that it takes more than just

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Speaker 5: one man that to stop what we try to, you.

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Speaker 11: Know what I'm saying.

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Speaker 20: And one thing about us, man, we're not petty, you

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Speaker 20: know what I'm saying. That for us, we kind of

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Speaker 20: respect the blessing. So we respect the blessing and keep

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Speaker 20: it moving. But we was already a selc contained, already writing,

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Speaker 20: was already but we're gonna wear on the show. So

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Speaker 20: we really didn't need anything but the money. I guess.

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Speaker 7: A bunch of money. We need nothing but everything but yeah,

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Speaker 7: but much family.

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Speaker 10: We just knows a lot of bashing when it comes.

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Speaker 7: Yeah, none of that. We ain't doing that.

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Speaker 5: What did y'all leave Social Death and why we actually

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Speaker 5: Social Death left us. You know, he had a situation

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Speaker 5: with Columbia. They couldn't get on the same page, so

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Speaker 5: he left and went to what do you go.

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Speaker 7: First?

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Speaker 5: Right, So he went to Arista, and Columbia basically told

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Speaker 5: him if you want them, you'll have to pay it

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Speaker 5: for a football team. And Jenny was like, I don't

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Speaker 5: want him that bad. Let him take us, and so

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Speaker 5: we wanted to go. But you know what I mean,

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Speaker 5: it wasn't in the cars at the time.

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Speaker 9: When you left that time, that's when it completely stopped.

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Speaker 6: He never said I'm not writing for your producer because

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Speaker 6: you weren't on the label at that time.

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Speaker 7: We got back together what you made?

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Speaker 5: Two different times we went, we went to Death Jenuine

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Speaker 5: you made and then we did an album with two Jamn.

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Speaker 7: So yeah, I mean we've we've You know, the music game.

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Speaker 5: In itself is a complicated business, and I think you know,

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Speaker 5: keeping your relationships tight is something that you have to do.

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Speaker 5: But at the same time, if you can't get on

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Speaker 5: the same page with somebody, you have your own goals

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Speaker 5: and your own dreams, and that's what you got to follow,

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Speaker 5: you know, And that's what we did.

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Speaker 14: Knowing that you're still like, let's get married and promised

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Speaker 14: and all that. Like, how does that feel that the

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Speaker 14: know that I just saw a video that went viral

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Speaker 14: with somebody had proposed to a girl reactions from other

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Speaker 14: than being funny and they should have picked somebody else, like.

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Speaker 7: Like, knowing that that still hit It's love, man, It's

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Speaker 7: an amazing feeling.

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Speaker 5: Like you know, we saw much the other day, Like

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Speaker 5: we definitely didn't get it to be a one hit wonder, right,

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Speaker 5: and we definitely wanted to have a career that was

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Speaker 5: filled with longevity. So when you see things like that,

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Speaker 5: you realize you don't hit your mark a little.

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Speaker 7: Bit, you know what I mean. But we ain't done no,

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Speaker 7: but yeah, it feels good.

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Speaker 14: Trying an interview, uh, Dad, Like threw y'all off of

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Speaker 14: a tour.

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Speaker 5: You know, like when it happened, somebody said to us,

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Speaker 5: y'all gonna be talking about this for the rest of

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Speaker 5: and the right y'all still.

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Speaker 7: Be talking about I know what happened.

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Speaker 5: So basically, we was on tour with Desney Child and

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Speaker 5: at the time Matthew was our manager, so we were

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Speaker 5: sharing the tour bus us and Deny Child.

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Speaker 7: We all on't want to.

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Speaker 5: Was that bus, and so you know, I think it's

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Speaker 5: probably well documented that LaToya has had different issues with

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Speaker 5: you know, the crew. This particular night, Latoya's mom was

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Speaker 5: on the rolls shout and miss Pam obviously had issues

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Speaker 5: with the crew. So Matthew called, even though he wasn't

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Speaker 5: in the city. He called back to the role manager like,

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Speaker 5: you know, miss Pam ain't getting on that bus, and

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Speaker 5: we was.

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Speaker 7: Like, well, we're not leaving her in the middle of Louisa, So.

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Speaker 5: She is gonna get on the bus that dude, had

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Speaker 5: the police called on us, had us removing y'allus. So yeah,

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Speaker 5: I mean, but you know, we just felt like, whatever

401
00:17:09,840 --> 00:17:11,639
Speaker 5: the issue is, it can't be that serious that you're

402
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Speaker 5: gonna leave somebody out here.

403
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Speaker 7: Right, you're here and you're not even here with somebody.

404
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Speaker 7: If it was your mom.

405
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Speaker 20: Was right, hey man, you know we're from the South

406
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Speaker 20: and you know, so we kind of felt that, like, man,

407
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Speaker 20: we're Mama's boys, and we had an obligation, but we

408
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Speaker 20: wanted to.

409
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Speaker 21: Matthew, you by the Bathrow at one of your concert

410
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Speaker 21: you're gonna have yourst so shouts out to Matthew, but

411
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Speaker 21: not going by that band.

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Speaker 17: The story goes because you were doing the tobby at

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Speaker 17: the time, Brendon. And then so she told the story

414
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Speaker 17: in the radio station. She was saying that you took

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Speaker 17: up for the group like you were the one about

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Speaker 17: to go off, So you was at the bathroom.

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Speaker 7: Y'all did. But I mean, I definitely I went in

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Speaker 7: the room with the girls.

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Speaker 5: You know, I just seen it like like I said,

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Speaker 5: like if it was my mother, it would have been

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Speaker 5: worse than now, like I would have turned it would

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Speaker 5: have it would have gotten nasty and ugly. So I

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Speaker 5: didn't want it to go that far. So I tried

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Speaker 5: to have a conversation with the girls. I couldn't talk

425
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Speaker 5: to Matthew. He didn't he didn't make himself available. But

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Speaker 5: you know, I tried to make the other girls, who

427
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Speaker 5: you know was in the group with LaToya, you know,

428
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Speaker 5: support her, and they all just kind of let me

429
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Speaker 5: know that they had different issues with LaToya and her

430
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Speaker 5: mother and that's why it was this bad. And even

431
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Speaker 5: to be fair of them, because I talked to Kelly

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Speaker 5: about this after that, and it got to a point

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Speaker 5: where she even felt like, well, at this point, it's

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Speaker 5: out of my hands. Once Matthew took control of it.

435
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Speaker 5: They didn't feel like they even had much of us

436
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Speaker 5: say anyway, So.

437
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Speaker 6: You know what I mean it is I didn't want

438
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Speaker 6: to ask too. They used to put One twelve against

439
00:18:38,920 --> 00:18:41,000
Speaker 6: you guys, right, and it was it was a thing?

440
00:18:41,320 --> 00:18:43,480
Speaker 6: Was it ever a beef or was it just always fun?

441
00:18:43,560 --> 00:18:52,040
Speaker 5: It was Charlemagne did it man? Man, it was never

442
00:18:52,080 --> 00:18:54,440
Speaker 5: a real beef. Like I don't know how many people

443
00:18:54,480 --> 00:18:57,520
Speaker 5: know this with them guys like brothers stuff, Like out

444
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Speaker 5: of all the male groups we've been on shows with

445
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Speaker 5: just been around or in our era, I should say

446
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Speaker 5: One twelve is our closest friend.

447
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Speaker 7: So yeah, it was never a real beef. But it

448
00:19:07,200 --> 00:19:07,920
Speaker 7: got a little test.

449
00:19:07,960 --> 00:19:09,760
Speaker 9: Yet, at what point it will happened?

450
00:19:09,760 --> 00:19:10,439
Speaker 7: What was the reason?

451
00:19:10,600 --> 00:19:12,959
Speaker 5: When he's coming back from a tour we was on

452
00:19:13,240 --> 00:19:14,680
Speaker 5: and we was pulling into the city and me.

453
00:19:14,640 --> 00:19:17,280
Speaker 7: And we heard kicked them out the.

454
00:19:19,080 --> 00:19:21,359
Speaker 5: We just heard them on the radio talking's a trash

455
00:19:21,440 --> 00:19:23,280
Speaker 5: and me and Cot just being a beeline and where

456
00:19:23,320 --> 00:19:23,840
Speaker 5: they was at.

457
00:19:24,200 --> 00:19:25,200
Speaker 10: I'll take my britage.

458
00:19:28,840 --> 00:19:29,639
Speaker 7: It was just me and he.

459
00:19:29,720 --> 00:19:30,720
Speaker 5: We knew how was that.

460
00:19:30,840 --> 00:19:32,159
Speaker 7: We didn't even care.

461
00:19:31,800 --> 00:19:33,879
Speaker 5: We was ready to do whatever it had to be

462
00:19:33,920 --> 00:19:37,399
Speaker 5: done with that back was something they were doing something.

463
00:19:37,480 --> 00:19:39,680
Speaker 7: They were doing something and live remote.

464
00:19:39,720 --> 00:19:42,040
Speaker 5: But you said something like how could Jack it be

465
00:19:42,080 --> 00:19:44,200
Speaker 5: the best group they got to They only got two

466
00:19:44,240 --> 00:19:47,760
Speaker 5: lead singers, a cheerleader on a rock rock man.

467
00:19:47,640 --> 00:19:49,359
Speaker 7: And I said, hey, wow.

468
00:19:54,680 --> 00:19:55,159
Speaker 12: That guy.

469
00:19:57,359 --> 00:19:57,840
Speaker 1: We nothing.

470
00:19:57,840 --> 00:20:01,439
Speaker 7: It happened like nothing happened. We want man was I

471
00:20:01,480 --> 00:20:02,760
Speaker 7: guess we bro.

472
00:20:03,840 --> 00:20:06,880
Speaker 19: And I honestly think like Ryan because they were trying

473
00:20:06,920 --> 00:20:08,760
Speaker 19: to They were trying to put us on tour together.

474
00:20:08,800 --> 00:20:11,240
Speaker 19: So Ryan was trying to create something to like to

475
00:20:11,320 --> 00:20:12,200
Speaker 19: drive the traffic.

476
00:20:12,400 --> 00:20:18,200
Speaker 7: But you can't tell enough. He was taking a second and.

477
00:20:17,760 --> 00:20:19,480
Speaker 8: We were talking about really good you know what I

478
00:20:19,520 --> 00:20:21,720
Speaker 8: meant to say that nowhere.

479
00:20:23,800 --> 00:20:24,119
Speaker 15: Doing that?

480
00:20:25,040 --> 00:20:27,440
Speaker 18: How often do people bring up the Cisco fight?

481
00:20:31,080 --> 00:20:32,640
Speaker 7: That man his wa.

482
00:20:38,280 --> 00:20:47,560
Speaker 5: Messag do some clips in there? Were trying to do

483
00:20:47,720 --> 00:20:50,720
Speaker 5: something about how you say top I had to sun them.

484
00:20:51,960 --> 00:20:54,000
Speaker 4: So it wasn't about nothing.

485
00:20:54,000 --> 00:20:57,320
Speaker 19: It was messing around, yeah right, and it ended up

486
00:20:57,320 --> 00:21:01,159
Speaker 19: getting you know, and then you know, I guess he

487
00:21:01,280 --> 00:21:01,520
Speaker 19: ended up.

488
00:21:03,720 --> 00:21:05,560
Speaker 1: He said, yeah, yeah, he was getting.

489
00:21:06,920 --> 00:21:10,000
Speaker 10: I was chilling and I ain't fornadu.

490
00:21:11,840 --> 00:21:14,440
Speaker 20: I know I wasn't the aggressive, okay, but I went

491
00:21:14,560 --> 00:21:17,040
Speaker 20: with the boys chill out and if you can.

492
00:21:17,240 --> 00:21:19,120
Speaker 10: It's on the video if you can see.

493
00:21:19,160 --> 00:21:21,040
Speaker 20: I'm like, yo, man, chill out, and he was trying

494
00:21:21,040 --> 00:21:23,520
Speaker 20: to like, oh man, I'm losing this, You're gonna lose.

495
00:21:25,200 --> 00:21:28,680
Speaker 7: He didn't throw not one. He wasn't really doing the

496
00:21:29,520 --> 00:21:34,560
Speaker 7: like ya the walk out look fast and everybodyself and

497
00:21:35,200 --> 00:21:35,880
Speaker 7: was already gone.

498
00:21:37,000 --> 00:21:37,520
Speaker 5: So we go.

499
00:21:39,359 --> 00:21:40,679
Speaker 1: Your squashed all y'all, y'all you.

500
00:21:43,760 --> 00:21:49,280
Speaker 5: Know you know, you know what quiet as it kept?

501
00:21:49,640 --> 00:21:54,439
Speaker 5: We all the groups, some of them had issues with us, everybody, man,

502
00:21:54,880 --> 00:21:58,200
Speaker 5: straight up, I got respect for all of them all that, So.

503
00:21:58,119 --> 00:21:58,760
Speaker 7: What is gonna be?

504
00:21:58,760 --> 00:22:01,639
Speaker 14: What can we expect different from all Original Parts? Like

505
00:22:01,640 --> 00:22:02,760
Speaker 14: where did that title come from?

506
00:22:02,880 --> 00:22:02,960
Speaker 5: You?

507
00:22:03,080 --> 00:22:05,679
Speaker 14: And just for the record, y'all know they're not bumping

508
00:22:05,680 --> 00:22:06,879
Speaker 14: this in No Trains Disco.

509
00:22:07,840 --> 00:22:10,240
Speaker 9: All Original Parts, you stupid.

510
00:22:10,400 --> 00:22:11,440
Speaker 1: I don't know, I don't know.

511
00:22:11,920 --> 00:22:20,320
Speaker 4: That's crazy.

512
00:22:20,960 --> 00:22:21,280
Speaker 7: That's to.

513
00:22:25,400 --> 00:22:28,680
Speaker 5: Just signifies the fact that since groups have been a thing,

514
00:22:29,160 --> 00:22:31,280
Speaker 5: they've all broken up, you know what I mean, And

515
00:22:31,480 --> 00:22:35,720
Speaker 5: Jackson's broke up, even Jackson, So you know, us being

516
00:22:36,320 --> 00:22:38,639
Speaker 5: the one group who's never broken up, we wanted to

517
00:22:38,720 --> 00:22:39,960
Speaker 5: kind of capitalize on that.

518
00:22:39,960 --> 00:22:41,760
Speaker 7: That's why it's called All Original Parts.

519
00:22:43,080 --> 00:22:45,280
Speaker 6: When y'all made some of those classic records, and do

520
00:22:45,400 --> 00:22:47,159
Speaker 6: y'all know they were gonna be smashed as as soon

521
00:22:47,200 --> 00:22:47,679
Speaker 6: as you made it?

522
00:22:47,720 --> 00:22:50,600
Speaker 9: Like when you made Let's Get Married, you made promise.

523
00:22:50,680 --> 00:22:52,200
Speaker 10: Did y'all know like this is gonna be it?

524
00:22:52,359 --> 00:22:54,360
Speaker 7: We did? Kind I ain't gonna lie like we did.

525
00:22:54,480 --> 00:22:56,320
Speaker 5: You know, even when you look at songs like he

526
00:22:56,400 --> 00:22:58,960
Speaker 5: Can't Love You, right, every song we ever put out,

527
00:22:58,960 --> 00:23:01,880
Speaker 5: we understood what it should be doing, Like we understood

528
00:23:01,880 --> 00:23:03,920
Speaker 5: the only reason to drop he came before Let's Get

529
00:23:03,960 --> 00:23:07,000
Speaker 5: Married was because he can't sounded like nothing on the radio.

530
00:23:07,760 --> 00:23:09,640
Speaker 7: We knew Let's Get Married was gonna be the business song.

531
00:23:10,040 --> 00:23:11,560
Speaker 5: But we knew if you come in a song like

532
00:23:11,600 --> 00:23:13,719
Speaker 5: this it sounds like nothing, it's gonna make that role

533
00:23:13,800 --> 00:23:15,280
Speaker 5: for Let's Get Married even bigger.

534
00:23:15,320 --> 00:23:20,359
Speaker 6: And we kind of gonna be that legacy song that

535
00:23:20,359 --> 00:23:23,040
Speaker 6: when y'all going your kids, going to your kids, kids going.

536
00:23:22,840 --> 00:23:26,359
Speaker 5: To this man was mad that we dropped he can't

537
00:23:26,400 --> 00:23:33,879
Speaker 5: love you.

538
00:23:30,680 --> 00:23:31,399
Speaker 1: Let's Get Married.

539
00:23:31,400 --> 00:23:32,320
Speaker 7: It just did something to.

540
00:23:32,480 --> 00:23:37,600
Speaker 1: You know what, I'm like, what man, you don't want

541
00:23:37,600 --> 00:23:38,159
Speaker 1: to drop this on?

542
00:23:38,760 --> 00:23:40,720
Speaker 19: But that's why I never put my opinion on the

543
00:23:40,760 --> 00:23:42,320
Speaker 19: record like that, You know what I'm saying, Because at

544
00:23:42,320 --> 00:23:44,360
Speaker 19: the end of the day I knew he can't Love

545
00:23:44,400 --> 00:23:45,480
Speaker 19: you was super dope.

546
00:23:45,520 --> 00:23:46,200
Speaker 7: It was a smash.

547
00:23:46,320 --> 00:23:48,959
Speaker 19: But let's get married, and you know again, I'm one

548
00:23:48,960 --> 00:23:49,840
Speaker 19: of them anxious guys.

549
00:23:49,840 --> 00:23:55,919
Speaker 14: You know what, it's the setup and promise, Brandy, you

550
00:23:55,960 --> 00:23:59,080
Speaker 14: wrote that for me, for.

551
00:23:59,119 --> 00:24:08,359
Speaker 5: Me, I've been feeling this question. She did that interview. Listen,

552
00:24:08,800 --> 00:24:12,160
Speaker 5: we're we're a teen song. We're a songwriting team, right.

553
00:24:12,720 --> 00:24:16,200
Speaker 5: No matter what my piece of the song may be about,

554
00:24:15,600 --> 00:24:17,399
Speaker 5: that don't mean the whole.

555
00:24:17,160 --> 00:24:20,720
Speaker 7: Song is about that, you know, because.

556
00:24:20,359 --> 00:24:23,520
Speaker 5: I think when you're a songwriter, it's not always an

557
00:24:23,600 --> 00:24:26,280
Speaker 5: exact story. Sometimes it's pieces of a story that you're

558
00:24:26,320 --> 00:24:29,120
Speaker 5: turning into one story. So, yeah, there was a piece

559
00:24:29,119 --> 00:24:30,000
Speaker 5: in there about the time.

560
00:24:30,119 --> 00:24:33,199
Speaker 9: Yeah, all we got more with Jagged Edge. When we

561
00:24:33,240 --> 00:24:35,720
Speaker 9: come back, Let's get into their new joint. It's called

562
00:24:36,000 --> 00:24:38,359
Speaker 9: just Might Get It. It's the breakfast Club. Good morning.

563
00:24:38,680 --> 00:24:38,880
Speaker 10: Now.

564
00:24:39,000 --> 00:24:47,440
Speaker 6: I feel like nowadays, brothers don't beg for the vagina.

565
00:24:46,440 --> 00:24:48,440
Speaker 1: Don't make the girls.

566
00:24:48,480 --> 00:24:51,480
Speaker 14: Don't make it that they don't that the girls don't

567
00:24:51,560 --> 00:24:52,200
Speaker 14: make them.

568
00:24:54,119 --> 00:24:57,679
Speaker 18: Can't.

569
00:24:57,680 --> 00:24:59,119
Speaker 1: He was outside her house.

570
00:25:00,920 --> 00:25:01,400
Speaker 10: Back then.

571
00:25:01,520 --> 00:25:03,760
Speaker 20: You know, you had to lead up and just like

572
00:25:03,840 --> 00:25:05,879
Speaker 20: you know, you go take about an hour and a half.

573
00:25:06,520 --> 00:25:10,159
Speaker 5: You were like, hell, press to not let it go.

574
00:25:11,200 --> 00:25:13,320
Speaker 5: So it's just a lot different now. I think that's

575
00:25:13,359 --> 00:25:15,840
Speaker 5: you know, it's too much homeboy love out there. Man,

576
00:25:16,560 --> 00:25:17,880
Speaker 5: It's all good to have your.

577
00:25:18,400 --> 00:25:26,440
Speaker 14: Homeboy music about the guys.

578
00:25:24,760 --> 00:25:29,080
Speaker 5: I mean nothing that necessarily like you need your team, right,

579
00:25:29,160 --> 00:25:31,800
Speaker 5: that's necessary thing. You don't want to put too much

580
00:25:31,800 --> 00:25:35,040
Speaker 5: attention there and then your girl feeling some type of moment.

581
00:25:37,160 --> 00:25:38,920
Speaker 10: But you see in the club, I mean v I P.

582
00:25:39,119 --> 00:25:42,320
Speaker 10: Section for the girls are like back.

583
00:25:42,200 --> 00:25:45,080
Speaker 5: In the day used to be like everything because because

584
00:25:45,119 --> 00:25:47,400
Speaker 5: like sometimes I see them talking and he was like, man,

585
00:25:47,560 --> 00:25:49,399
Speaker 5: I'm gonna killing when I hit the streets, and then

586
00:25:49,440 --> 00:25:50,240
Speaker 5: we needed to be like, I'm.

587
00:25:50,119 --> 00:25:50,719
Speaker 1: Gonna kill him.

588
00:25:55,680 --> 00:26:00,320
Speaker 14: You used to dress back in the day, what do

589
00:26:00,320 --> 00:26:02,000
Speaker 14: you think of like an R and B group? You

590
00:26:02,000 --> 00:26:11,119
Speaker 14: know it's nice and you know, dress about to shoot

591
00:26:11,119 --> 00:26:15,320
Speaker 14: the thist game.

592
00:26:17,000 --> 00:26:18,000
Speaker 1: Like some thug.

593
00:26:19,280 --> 00:26:22,199
Speaker 6: I used to love saying about video like, all right,

594
00:26:23,080 --> 00:26:24,880
Speaker 6: you got into a car wrass, we broke your neck.

595
00:26:25,000 --> 00:26:27,520
Speaker 5: Well, I was in two car accidents inside of like

596
00:26:27,680 --> 00:26:28,280
Speaker 5: nine months.

597
00:26:28,800 --> 00:26:29,080
Speaker 7: Damn.

598
00:26:29,440 --> 00:26:32,680
Speaker 5: The first one, I just broke my leg in two places.

599
00:26:32,720 --> 00:26:35,520
Speaker 5: I had some risk contusions and a not on my head.

600
00:26:35,760 --> 00:26:36,919
Speaker 5: And then the second one.

601
00:26:36,800 --> 00:26:37,439
Speaker 1: What happened in the car.

602
00:26:37,520 --> 00:26:39,840
Speaker 7: Did you fall asleep or I.

603
00:26:39,720 --> 00:26:41,520
Speaker 5: Was coming down the street like you know how Atlanta,

604
00:26:41,560 --> 00:26:43,520
Speaker 5: we got all those you know, do a you turn

605
00:26:43,600 --> 00:26:43,920
Speaker 5: to turn?

606
00:26:44,840 --> 00:26:45,920
Speaker 7: So I'm coming this way.

607
00:26:46,040 --> 00:26:48,960
Speaker 5: It was a car sitting right here, and I'm knowing

608
00:26:49,000 --> 00:26:51,040
Speaker 5: he see me. I see him, and as I get

609
00:26:51,040 --> 00:26:53,800
Speaker 5: this close, then he wants to turn. Even though I

610
00:26:53,840 --> 00:26:55,640
Speaker 5: stopped my breaks as hard as I could, I still

611
00:26:55,720 --> 00:26:58,119
Speaker 5: hear him. He was at fault, Like I said, just

612
00:26:58,160 --> 00:27:00,200
Speaker 5: tore my car up, tore me up. But the next

613
00:27:00,240 --> 00:27:03,200
Speaker 5: one was really That's what really meant, jack knife tea

614
00:27:03,280 --> 00:27:06,359
Speaker 5: to call a t bone when somebody writing the middle

615
00:27:06,359 --> 00:27:09,359
Speaker 5: of your car. I was sitting down a light and accident.

616
00:27:09,359 --> 00:27:12,040
Speaker 5: I'm sitting down a light and I hear these shots

617
00:27:12,119 --> 00:27:14,720
Speaker 5: rang out. Next thing, you know, I guess the person

618
00:27:14,760 --> 00:27:16,760
Speaker 5: who got hit. He lost control of his vehicle and

619
00:27:16,840 --> 00:27:18,520
Speaker 5: he just swirred right into my vehicle.

620
00:27:19,800 --> 00:27:23,200
Speaker 7: On the driver side. I broke my neck. I had

621
00:27:23,480 --> 00:27:26,320
Speaker 7: five broken rivers on this side. One on this side.

622
00:27:26,800 --> 00:27:29,639
Speaker 7: I got a stout laceration right here. A lot of

623
00:27:29,680 --> 00:27:30,679
Speaker 7: it was a lot with that one.

624
00:27:31,520 --> 00:27:34,080
Speaker 17: I know, it's pretty emotional for Hall. We talked about it,

625
00:27:34,080 --> 00:27:35,760
Speaker 17: and you got emotional for the rest of you guys

626
00:27:35,840 --> 00:27:38,640
Speaker 17: when y'all heard about the second accident, like what were

627
00:27:38,640 --> 00:27:40,320
Speaker 17: you guys reaction and like kind of.

628
00:27:40,320 --> 00:27:41,520
Speaker 18: What was that like for y'all as well?

629
00:27:41,760 --> 00:27:44,040
Speaker 20: I was I was scared because I didn't know what

630
00:27:45,119 --> 00:27:47,720
Speaker 20: you know what I say, and I'm gonna keep it.

631
00:27:48,160 --> 00:27:50,159
Speaker 20: I don't have my license, but don't worry about that.

632
00:27:51,720 --> 00:28:00,320
Speaker 7: This ma ain't never had a license. Ain't never.

633
00:28:06,359 --> 00:28:08,480
Speaker 20: But but I mean, you know, my wife was like,

634
00:28:08,840 --> 00:28:10,920
Speaker 20: you know, once I heard it, I'm like, babe, I

635
00:28:10,960 --> 00:28:13,000
Speaker 20: got to get out of here. I'm damnar falling down

636
00:28:13,040 --> 00:28:16,920
Speaker 20: the steps to get my older and but in my

637
00:28:17,080 --> 00:28:20,320
Speaker 20: mind I'm just praying. I'm like, Lord, please don't come.

638
00:28:20,440 --> 00:28:22,359
Speaker 20: I mean, it's such a cliche, like I say, to

639
00:28:22,480 --> 00:28:27,320
Speaker 20: hear about artists playing accident, motorcycle accident, car wreck. So

640
00:28:27,400 --> 00:28:29,280
Speaker 20: I'm like and then it's like this is the second one,

641
00:28:30,240 --> 00:28:32,320
Speaker 20: you know, And so we got up there. When I

642
00:28:32,400 --> 00:28:34,280
Speaker 20: got there because I know the other guys are showing up,

643
00:28:34,560 --> 00:28:38,360
Speaker 20: I seen him and I'm like, okay, okay, he's not well.

644
00:28:38,280 --> 00:28:39,040
Speaker 7: But it's still him.

645
00:28:39,160 --> 00:28:42,040
Speaker 10: He won't take a Nick braainstor.

646
00:28:46,720 --> 00:28:50,400
Speaker 5: I'm like, he was in pain, and like for me,

647
00:28:50,560 --> 00:28:51,680
Speaker 5: you know it was the worst day of my life.

648
00:28:51,720 --> 00:28:54,120
Speaker 5: Ain't gonna ask you because the way I heard because

649
00:28:54,160 --> 00:28:55,840
Speaker 5: somebody told me. First they told me he got shot

650
00:28:55,880 --> 00:28:58,520
Speaker 5: because they heard the gun shots. They said he got shot,

651
00:28:58,600 --> 00:29:00,520
Speaker 5: then he got hit. So you know this, my guy,

652
00:29:00,680 --> 00:29:01,160
Speaker 5: You know what I mean?

653
00:29:01,320 --> 00:29:05,800
Speaker 7: Like, yeah, you know what I mean. I can't say

654
00:29:05,840 --> 00:29:06,120
Speaker 7: about it.

655
00:29:12,440 --> 00:29:15,239
Speaker 19: Yeah, and for me, I mean, you know again, I'm

656
00:29:15,240 --> 00:29:17,480
Speaker 19: gonna always say this, man, A family that prays together

657
00:29:17,800 --> 00:29:18,840
Speaker 19: stays together, you know what I mean.

658
00:29:18,920 --> 00:29:20,920
Speaker 7: So I merely just dropped on my knees, man and

659
00:29:21,200 --> 00:29:22,960
Speaker 7: sent one up. You know what I mean. God fixed this.

660
00:29:23,400 --> 00:29:24,880
Speaker 7: You know what I'm saying. That's leave it and put

661
00:29:24,920 --> 00:29:25,480
Speaker 7: it in your hands.

662
00:29:28,360 --> 00:29:29,960
Speaker 6: Do you look at life differently as a group and

663
00:29:30,080 --> 00:29:32,200
Speaker 6: just people, because it has to change the way you

664
00:29:32,280 --> 00:29:34,959
Speaker 6: look and the way you move. So when you say

665
00:29:35,040 --> 00:29:37,360
Speaker 6: good bye to your girl and your wife and your kids,

666
00:29:37,720 --> 00:29:39,959
Speaker 6: it has to change all of that, all of us.

667
00:29:40,040 --> 00:29:42,800
Speaker 9: You just know when it's that time, and it wasn't.

668
00:29:43,440 --> 00:29:45,240
Speaker 20: Let me tell you something, man, were so blessed to

669
00:29:45,280 --> 00:29:48,080
Speaker 20: be here. You gotta think like fifteen. We met each

670
00:29:48,080 --> 00:29:51,120
Speaker 20: other at fifteen. You know, we had our little fights

671
00:29:51,200 --> 00:29:55,040
Speaker 20: and gripes, but we understood the mission and that's to

672
00:29:55,760 --> 00:29:59,640
Speaker 20: keep God first, stay together first again after that, and

673
00:30:00,120 --> 00:30:01,600
Speaker 20: we love what we do, but we love each other.

674
00:30:02,200 --> 00:30:04,280
Speaker 20: And we knew our mission was, like you said, a

675
00:30:04,360 --> 00:30:06,360
Speaker 20: lot of songs back then, R and B was a

676
00:30:06,440 --> 00:30:07,800
Speaker 20: little soft.

677
00:30:08,080 --> 00:30:09,920
Speaker 10: It was still good songs, but still.

678
00:30:09,720 --> 00:30:11,400
Speaker 20: It was kind of soft, and then you had some

679
00:30:11,480 --> 00:30:14,880
Speaker 20: of those kind of freaky and so we definitely came

680
00:30:15,040 --> 00:30:17,760
Speaker 20: up with the concept where we won't speaking to behalf

681
00:30:17,840 --> 00:30:20,880
Speaker 20: of brothers like dj inby Jagged Is you wear.

682
00:30:20,840 --> 00:30:23,160
Speaker 10: Timbo's who were Jordan's You know what I'm saying.

683
00:30:23,160 --> 00:30:25,920
Speaker 20: We know we're just not throwing on the suit and

684
00:30:26,040 --> 00:30:28,800
Speaker 20: be more relatable about hey, I'm hurt, you hurt me, baby,

685
00:30:29,000 --> 00:30:30,800
Speaker 20: and we need to talk about this, you know. Or

686
00:30:30,920 --> 00:30:33,160
Speaker 20: I promised to stay there with you, although you know

687
00:30:33,280 --> 00:30:35,120
Speaker 20: you may be going I want to learn what I

688
00:30:35,200 --> 00:30:38,040
Speaker 20: need to do better song. We knew that the message

689
00:30:38,160 --> 00:30:42,520
Speaker 20: was more powerful coming from something real instead of something

690
00:30:42,640 --> 00:30:46,160
Speaker 20: that the label or the audience kind of expect.

691
00:30:46,520 --> 00:30:47,840
Speaker 10: You know, it's a little deeper than that, you know,

692
00:30:48,040 --> 00:30:50,160
Speaker 10: musically has a message behind it.

693
00:30:50,320 --> 00:30:52,520
Speaker 7: Yeah, I'm super glad of the route we took.

694
00:30:52,600 --> 00:30:52,800
Speaker 1: Man.

695
00:30:53,400 --> 00:30:56,080
Speaker 19: We never wanted wanted to exclude anybody from from my

696
00:30:56,200 --> 00:30:57,960
Speaker 19: music or you know what I mean, like a school

697
00:30:58,040 --> 00:31:00,680
Speaker 19: of this certain sale to this certain I block, with

698
00:31:00,760 --> 00:31:01,720
Speaker 19: this certain type of people.

699
00:31:01,760 --> 00:31:02,239
Speaker 10: You know what I mean.

700
00:31:02,680 --> 00:31:04,640
Speaker 19: One thing about we all have a commonist. We have

701
00:31:05,160 --> 00:31:08,120
Speaker 19: love somebody or wanted to love somebody, you know what

702
00:31:08,160 --> 00:31:09,720
Speaker 19: I mean. And that's what universal language for was.

703
00:31:09,800 --> 00:31:10,200
Speaker 10: You know what I mean.

704
00:31:10,320 --> 00:31:12,040
Speaker 7: Love. So that's what we're going to promote.

705
00:31:12,200 --> 00:31:12,320
Speaker 14: Now.

706
00:31:12,400 --> 00:31:14,600
Speaker 17: I got some songs that people love that I don't

707
00:31:14,600 --> 00:31:16,000
Speaker 17: know y'all gonna be able to do on the tour

708
00:31:16,080 --> 00:31:22,960
Speaker 17: or not, like the Nasty Girl to trade it and

709
00:31:23,040 --> 00:31:26,680
Speaker 17: if I come out, just need to know likes.

710
00:31:27,600 --> 00:31:29,200
Speaker 19: You took the words right out of my mouth. We've

711
00:31:29,240 --> 00:31:30,920
Speaker 19: got like a lot of a bunch of new record

712
00:31:32,480 --> 00:31:33,360
Speaker 19: along with what we are.

713
00:31:33,800 --> 00:31:35,520
Speaker 7: That's not when she was a louder, and I know

714
00:31:35,680 --> 00:31:35,880
Speaker 7: she was.

715
00:31:36,960 --> 00:31:38,680
Speaker 17: I'm asking the question because I think you know people

716
00:31:38,960 --> 00:31:40,760
Speaker 17: I know for me, if I come out into Midnight

717
00:31:40,840 --> 00:31:42,640
Speaker 17: with you guys, I do want to hear trade it

718
00:31:42,680 --> 00:31:44,440
Speaker 17: all is my song Nasty Girls my song.

719
00:31:44,800 --> 00:31:47,320
Speaker 5: Let me just say this too, right, Diddy, that's you know,

720
00:31:47,560 --> 00:31:49,840
Speaker 5: that's my brother, that's our brother. Like we've had a

721
00:31:49,880 --> 00:31:53,160
Speaker 5: good relationship. I can't speak on nobody else's you know,

722
00:31:53,320 --> 00:31:55,440
Speaker 5: it ain't my business, right, But at the end of that,

723
00:31:55,520 --> 00:31:57,760
Speaker 5: I can only deal with my interactions with the man,

724
00:31:58,080 --> 00:32:00,800
Speaker 5: and I'm talking about plenty of them.

725
00:32:00,880 --> 00:32:03,600
Speaker 7: After being around him thirty forty times, I never seen

726
00:32:03,640 --> 00:32:06,080
Speaker 7: nothing offended me. He's never offended me.

727
00:32:06,920 --> 00:32:08,880
Speaker 5: He always made sure if he was in his space,

728
00:32:08,960 --> 00:32:11,400
Speaker 5: we felt welcome and like I said, all the other

729
00:32:11,440 --> 00:32:12,560
Speaker 5: things that other people they can.

730
00:32:12,560 --> 00:32:13,320
Speaker 7: Have that now.

731
00:32:13,360 --> 00:32:15,120
Speaker 5: I had an uncle Winn and Jeff for eleven Let

732
00:32:15,160 --> 00:32:17,680
Speaker 5: me shout up my uncle Laireic. I had an uncle

733
00:32:17,720 --> 00:32:19,720
Speaker 5: Win Jeff for eleven year and he was always still

734
00:32:19,840 --> 00:32:22,440
Speaker 5: just my uncle Laiic and then changed to the point

735
00:32:22,480 --> 00:32:24,840
Speaker 5: where he's some different guy because he did some some

736
00:32:25,000 --> 00:32:27,440
Speaker 5: messed up stuff. He's still my uncle Aiic. And it's

737
00:32:27,480 --> 00:32:29,960
Speaker 5: the same with Diddy to me at this point. You know,

738
00:32:30,080 --> 00:32:32,080
Speaker 5: I don't know if he's in itself he's guilty, but

739
00:32:32,160 --> 00:32:34,080
Speaker 5: that's my brother and that's that's all I can say.

740
00:32:34,200 --> 00:32:38,920
Speaker 10: But I do want to ask trade it off.

741
00:32:39,200 --> 00:32:40,760
Speaker 1: Y'all surprised, he called y'all and.

742
00:32:43,400 --> 00:32:48,680
Speaker 7: Jazz it jazz. We got more songs with him than

743
00:32:48,680 --> 00:32:51,000
Speaker 7: they do, We getting like three four songs with him.

744
00:32:52,240 --> 00:32:54,120
Speaker 9: That's why he said. The cheerleading in the Rock Rocket.

745
00:33:01,240 --> 00:33:01,520
Speaker 7: You know.

746
00:33:03,080 --> 00:33:03,600
Speaker 4: The album.

747
00:33:03,720 --> 00:33:05,120
Speaker 1: Definitely pick it up right.

748
00:33:05,040 --> 00:33:06,320
Speaker 9: Now and we appreciate you guys.

749
00:33:08,480 --> 00:33:10,160
Speaker 18: When the tour start March.

750
00:33:11,720 --> 00:33:13,960
Speaker 6: Twenty sixty, Dallas, Ladies and gentlemen, there you have it.

751
00:33:14,200 --> 00:33:16,560
Speaker 6: It is Jagged Edge, It's the Breakfast Club.

752
00:33:16,600 --> 00:33:17,800
Speaker 9: Good morning everybody.

753
00:33:17,880 --> 00:33:20,600
Speaker 1: It's DJ n V Jess Hilarious.

754
00:33:20,280 --> 00:33:22,600
Speaker 6: Charlamagne, the Gud We are the Breakfast Club. Lawna ROAs

755
00:33:22,680 --> 00:33:27,320
Speaker 6: is here as well, and we got some icons legends. Today,

756
00:33:28,120 --> 00:33:30,640
Speaker 6: ladies and gentlemen, we have new audition and Boys to.

757
00:33:30,760 --> 00:33:40,680
Speaker 8: Men they're going on tour together. I feel like this

758
00:33:40,760 --> 00:33:43,840
Speaker 8: should have been happening right. Why did it take so long?

759
00:33:43,880 --> 00:33:44,600
Speaker 8: Who wants to start?

760
00:33:45,040 --> 00:33:48,080
Speaker 22: I think that there's a lot of logistics that go

761
00:33:48,280 --> 00:33:52,280
Speaker 22: with having two groups, two groups with such great success.

762
00:33:53,040 --> 00:33:57,040
Speaker 22: In order to get that together, scheduling has to be right. Also,

763
00:33:57,440 --> 00:33:59,240
Speaker 22: the you know what I mean, the energy has to

764
00:33:59,320 --> 00:34:01,560
Speaker 22: be right, climate has to be right. And I just

765
00:34:01,680 --> 00:34:04,720
Speaker 22: believe that this is the time. God put this time

766
00:34:04,920 --> 00:34:07,760
Speaker 22: as the time to show the world what this, this

767
00:34:07,920 --> 00:34:10,520
Speaker 22: whole vibe is all about. New addition, Boys to Men

768
00:34:10,600 --> 00:34:13,239
Speaker 22: Tony Bax and it's a real thing, and this is

769
00:34:13,320 --> 00:34:15,200
Speaker 22: the moment God placed it right here.

770
00:34:15,400 --> 00:34:16,600
Speaker 9: Now his boys to Menfield.

771
00:34:16,600 --> 00:34:19,560
Speaker 6: I got to ask, because you guys, they were your idols,

772
00:34:19,640 --> 00:34:22,319
Speaker 6: right they still are still you seeing them.

773
00:34:22,400 --> 00:34:24,319
Speaker 9: You know, when y'all had to show in Philly, y'all

774
00:34:24,320 --> 00:34:25,680
Speaker 9: come to the bus and you're singing.

775
00:34:25,440 --> 00:34:25,520
Speaker 5: And.

776
00:34:28,320 --> 00:34:30,200
Speaker 10: Well, you know that's not actually how it went, you

777
00:34:30,239 --> 00:34:33,640
Speaker 10: know what I'm saying. No, no, no, I don't mean to.

778
00:34:33,719 --> 00:34:37,120
Speaker 22: I don't mean to, but you know, but you know,

779
00:34:37,360 --> 00:34:39,279
Speaker 22: like in order in order for the story to to

780
00:34:39,520 --> 00:34:42,880
Speaker 22: to actually be uh told in the movie, sometimes you

781
00:34:42,960 --> 00:34:45,240
Speaker 22: have to you know, make it all go together and sequence,

782
00:34:45,960 --> 00:34:47,000
Speaker 22: you know, for people to see.

783
00:34:47,400 --> 00:34:51,440
Speaker 10: So there's truth to that. But it was Michael Bibbins,

784
00:34:52,640 --> 00:34:54,000
Speaker 10: Ricky and and Ron.

785
00:34:54,360 --> 00:34:56,960
Speaker 22: They were actually coming off stage at the Powerhouse and

786
00:34:57,080 --> 00:35:01,200
Speaker 22: they were in Philly, and they we were introducing that

787
00:35:01,360 --> 00:35:04,279
Speaker 22: you guys were going to be DBD and uh we

788
00:35:04,440 --> 00:35:06,759
Speaker 22: had just by the time they came off stage, we

789
00:35:06,840 --> 00:35:08,200
Speaker 22: had just snuck backstage.

790
00:35:08,239 --> 00:35:10,440
Speaker 10: We passed past us back before we got backstage.

791
00:35:10,680 --> 00:35:13,080
Speaker 22: As soon as we got there, they were coming off stage,

792
00:35:13,120 --> 00:35:18,080
Speaker 22: and I guess, uh, Nate asked Ricky can we sing

793
00:35:18,200 --> 00:35:18,520
Speaker 22: for him?

794
00:35:18,600 --> 00:35:19,960
Speaker 10: You know what I'm saying, And Ricky was like, yeah,

795
00:35:20,000 --> 00:35:20,239
Speaker 10: got it.

796
00:35:20,360 --> 00:35:26,840
Speaker 20: Tape y'all said, He said, hey, yeah, yeah, got it

797
00:35:26,880 --> 00:35:29,520
Speaker 20: tape and we was like, no, we ain't got no tape.

798
00:35:29,560 --> 00:35:31,160
Speaker 10: And he was like, well, y'all need to tape. You

799
00:35:31,160 --> 00:35:31,640
Speaker 10: know what I'm saying.

800
00:35:31,640 --> 00:35:34,080
Speaker 22: He started writing down the address, but then Nate was like, yo,

801
00:35:34,160 --> 00:35:36,200
Speaker 22: let me go to BIV. So he's like, BIV, can

802
00:35:36,280 --> 00:35:38,600
Speaker 22: we sing for you? And he was like, can y'all

803
00:35:38,640 --> 00:35:41,520
Speaker 22: do it right now? Boom we busted into can you

804
00:35:41,600 --> 00:35:44,759
Speaker 22: standing right in acapella? So it was backstage. It wasn't

805
00:35:44,800 --> 00:35:46,839
Speaker 22: at a tour bus, but you know what I mean,

806
00:35:46,920 --> 00:35:50,560
Speaker 22: the story nonetheless, it definitely resonated.

807
00:35:50,800 --> 00:35:52,560
Speaker 9: Wow, the tour bus was more exciting.

808
00:35:52,920 --> 00:35:56,400
Speaker 10: Yeah yeah, yeah, yeah, yeah yeah right, there was a

809
00:35:56,480 --> 00:35:57,240
Speaker 10: lot more sexy.

810
00:35:57,360 --> 00:35:58,400
Speaker 7: The US was sexy.

811
00:35:59,320 --> 00:36:02,120
Speaker 8: I do want to ask, you know, every every artist, manager, artist,

812
00:36:02,200 --> 00:36:05,160
Speaker 8: executive relationship has its highs and lows. When you look back,

813
00:36:05,239 --> 00:36:08,480
Speaker 8: what was some of the biggest misunderstandings or lessons y'all

814
00:36:08,560 --> 00:36:10,279
Speaker 8: learned from you know, each other?

815
00:36:10,640 --> 00:36:13,200
Speaker 23: I guess you could say, like when any relationship, I

816
00:36:13,239 --> 00:36:14,719
Speaker 23: mean in a group, because.

817
00:36:14,480 --> 00:36:17,280
Speaker 24: Even when BIBB signed his years ago, it was almost

818
00:36:17,320 --> 00:36:19,520
Speaker 24: like him being the fifth member at the time, and

819
00:36:19,680 --> 00:36:21,640
Speaker 24: I think it was more like a dynamic type thing.

820
00:36:21,800 --> 00:36:24,760
Speaker 24: You know, we learned a lot about each other's personalities

821
00:36:24,880 --> 00:36:27,680
Speaker 24: as well as just understanding, you know, how the business went.

822
00:36:28,040 --> 00:36:30,240
Speaker 23: So you know, you had your share of highs.

823
00:36:30,040 --> 00:36:31,080
Speaker 12: And lows and ups and downs.

824
00:36:31,120 --> 00:36:33,400
Speaker 23: But at the end of the day, it's all about that.

825
00:36:33,920 --> 00:36:35,120
Speaker 23: It's better is the end of.

826
00:36:35,120 --> 00:36:37,000
Speaker 24: A thing than the beginning and of the thing. Absolutely,

827
00:36:37,080 --> 00:36:39,000
Speaker 24: So it's one of those things where it's like, here

828
00:36:39,080 --> 00:36:39,840
Speaker 24: we are, look at this.

829
00:36:40,160 --> 00:36:40,759
Speaker 10: You know what I'm saying.

830
00:36:40,760 --> 00:36:42,600
Speaker 24: A lot of people didn't think that this, you know,

831
00:36:43,160 --> 00:36:46,480
Speaker 24: situation would even happen. But as you mentioned, Bois, men

832
00:36:46,520 --> 00:36:48,480
Speaker 24: owe a lot to New Audition. But this is what

833
00:36:48,719 --> 00:36:51,920
Speaker 24: succession looks like. You understand what I'm saying. So so

834
00:36:52,000 --> 00:36:53,719
Speaker 24: it's one of those things where it's like these guys

835
00:36:53,800 --> 00:36:55,920
Speaker 24: did what they did and they gave us the ball

836
00:36:56,000 --> 00:36:56,759
Speaker 24: and we ran with it.

837
00:36:57,360 --> 00:36:59,160
Speaker 10: So so that now we can roll with it together.

838
00:36:59,280 --> 00:37:00,360
Speaker 12: Now we can roll with it together?

839
00:37:00,760 --> 00:37:03,040
Speaker 8: Can we expound on the brotherhood you know between all

840
00:37:03,080 --> 00:37:04,440
Speaker 8: of y'all. Man, You know, I love seeing all of

841
00:37:04,480 --> 00:37:06,439
Speaker 8: y'all together after all these years. What have y'all learned

842
00:37:06,480 --> 00:37:11,000
Speaker 8: about forgiveness and just staying together as brothers Audition and boys?

843
00:37:11,640 --> 00:37:14,080
Speaker 25: I could say, go ahead, you said, I've said before

844
00:37:14,560 --> 00:37:16,520
Speaker 25: and if you was talking about the fact that when

845
00:37:16,520 --> 00:37:20,720
Speaker 25: you're talking about true brotherhood, it's a real true brotherhood

846
00:37:20,840 --> 00:37:22,800
Speaker 25: and we're like real siblings.

847
00:37:22,840 --> 00:37:25,360
Speaker 3: And I've said that that's why you see we go

848
00:37:25,560 --> 00:37:27,360
Speaker 3: through our ups and downs, our battles. We're gonna had

849
00:37:27,440 --> 00:37:30,040
Speaker 3: some ups and downs and all of the above, but

850
00:37:30,320 --> 00:37:33,279
Speaker 3: at this stage of our lives when we come together, man,

851
00:37:33,360 --> 00:37:35,880
Speaker 3: it's like it's just nothing but laughter. It's like, at

852
00:37:35,920 --> 00:37:38,279
Speaker 3: this point of our lives, we didn't been through a lot,

853
00:37:38,440 --> 00:37:40,200
Speaker 3: and I'm sure there's more to deal with as far

854
00:37:40,239 --> 00:37:43,000
Speaker 3: as challenges go, but we've come full circles just as

855
00:37:43,080 --> 00:37:46,560
Speaker 3: grown men, just as as human beings, and we have

856
00:37:46,920 --> 00:37:47,960
Speaker 3: fun when we come together.

857
00:37:48,040 --> 00:37:50,200
Speaker 22: Yeah, I was gonna say, y'all need to talk to

858
00:37:50,280 --> 00:37:52,520
Speaker 22: y'all just like we brought well, this this is the

859
00:37:52,600 --> 00:37:55,879
Speaker 22: deal again. We this is the first time that we've

860
00:37:55,960 --> 00:37:59,120
Speaker 22: even come together in this circumstance, you know what I mean.

861
00:37:59,239 --> 00:38:01,280
Speaker 22: Other times it's and you know, we've been on shows

862
00:38:01,360 --> 00:38:05,200
Speaker 22: with with BBD. We've done a few shows with Johnny

863
00:38:05,239 --> 00:38:07,320
Speaker 22: and Bobby and you know, and we I think we

864
00:38:07,400 --> 00:38:10,200
Speaker 22: did one gig that we all were together, but I

865
00:38:10,320 --> 00:38:13,960
Speaker 22: feel like in order for the energy to actually get

866
00:38:14,000 --> 00:38:17,279
Speaker 22: to the place where it's supposed to be something like that,

867
00:38:17,400 --> 00:38:19,200
Speaker 22: a break bread moment has to happened.

868
00:38:19,239 --> 00:38:21,840
Speaker 10: You know, some things, you know, some things that we

869
00:38:21,960 --> 00:38:23,920
Speaker 10: might have on our hearts may need to come out.

870
00:38:24,000 --> 00:38:24,640
Speaker 10: You know what I'm saying.

871
00:38:24,719 --> 00:38:27,480
Speaker 22: I mean, that's that's what brotherhood is about, you know.

872
00:38:27,719 --> 00:38:30,160
Speaker 22: And and I'm a big fan of atonement, guys.

873
00:38:30,239 --> 00:38:30,919
Speaker 10: You know what I'm saying.

874
00:38:31,000 --> 00:38:34,160
Speaker 20: I'm a big fan of of of of letting it go,

875
00:38:34,840 --> 00:38:37,080
Speaker 20: especially at the age that we're all at.

876
00:38:37,239 --> 00:38:40,279
Speaker 10: You know, I'm trying. I'm trying to. Yeah, man, I'm trying.

877
00:38:40,320 --> 00:38:42,399
Speaker 10: I'm trying to. I'm in coach mode.

878
00:38:42,520 --> 00:38:43,279
Speaker 15: This is the time.

879
00:38:43,600 --> 00:38:46,400
Speaker 20: Let's go out, let's make some money, and let's entertain

880
00:38:46,520 --> 00:38:48,840
Speaker 20: these people and be on coach mold.

881
00:38:49,040 --> 00:38:51,240
Speaker 7: That's all conversation.

882
00:38:51,440 --> 00:38:55,760
Speaker 24: Like that initial conversation, what he was saying was, it's

883
00:38:55,960 --> 00:38:57,960
Speaker 24: it's one of those things where because we're on the

884
00:38:58,040 --> 00:39:00,640
Speaker 24: road and because we have the time.

885
00:39:00,840 --> 00:39:02,480
Speaker 12: It's going to be one of those organic.

886
00:39:03,960 --> 00:39:05,759
Speaker 24: We don't want to make this a melo drama, and

887
00:39:06,400 --> 00:39:08,600
Speaker 24: it ain't no negativity, ain't no mess like like you

888
00:39:08,600 --> 00:39:09,520
Speaker 24: know what I'm saying, None.

889
00:39:09,400 --> 00:39:11,440
Speaker 23: Of that excuse me, none of that stuff.

890
00:39:11,560 --> 00:39:16,560
Speaker 24: Like, it's really just about understanding how important this meant,

891
00:39:16,800 --> 00:39:19,279
Speaker 24: or this was not only to the fans but to us.

892
00:39:19,960 --> 00:39:21,080
Speaker 12: So this is what we're doing.

893
00:39:21,120 --> 00:39:22,920
Speaker 24: We're celebrating, We're going to have a good time. We're

894
00:39:22,920 --> 00:39:24,400
Speaker 24: gonna go on the road and we're gonna sing and

895
00:39:24,520 --> 00:39:27,080
Speaker 24: dance our asses off. Absolutely, we're gonna give people the

896
00:39:27,120 --> 00:39:28,759
Speaker 24: greatest show they've ever seen in their life.

897
00:39:29,040 --> 00:39:32,080
Speaker 7: You have fun doing this, right, have fun doing it?

898
00:39:32,239 --> 00:39:32,359
Speaker 20: Now?

899
00:39:32,400 --> 00:39:34,200
Speaker 9: What do you think there's missing in the R and

900
00:39:34,280 --> 00:39:36,080
Speaker 9: B game right now? Why don't you think there's more

901
00:39:36,560 --> 00:39:37,400
Speaker 9: R and B groups?

902
00:39:37,640 --> 00:39:41,759
Speaker 26: Honestly, I think it started at the recording. I think

903
00:39:42,080 --> 00:39:44,440
Speaker 26: people that are hired now, some of them don't have

904
00:39:44,520 --> 00:39:46,840
Speaker 26: an eye for talent. They have an eye for their computer.

905
00:39:47,840 --> 00:39:50,719
Speaker 26: Sometimes you have to go in the street, like we

906
00:39:50,960 --> 00:39:54,720
Speaker 26: met in the street. You know they're saying it be closed,

907
00:39:55,400 --> 00:39:58,200
Speaker 26: and I think they look at it as the hits of.

908
00:39:58,320 --> 00:40:01,920
Speaker 7: The computer makes them hit group. But it's so much

909
00:40:02,040 --> 00:40:02,560
Speaker 7: more to it.

910
00:40:02,880 --> 00:40:06,359
Speaker 26: And back in the day, like for myself as the CEO,

911
00:40:06,560 --> 00:40:09,160
Speaker 26: I stayed the two in the morning and kept looking

912
00:40:09,280 --> 00:40:12,880
Speaker 26: at the pictures, listening to the music, the an R

913
00:40:12,960 --> 00:40:14,759
Speaker 26: and the people at the office. Now they're on the

914
00:40:14,800 --> 00:40:18,719
Speaker 26: red carpet before the artists get there. So the responsibility

915
00:40:18,800 --> 00:40:22,000
Speaker 26: and the care the detail is missing. And if someone

916
00:40:22,040 --> 00:40:24,959
Speaker 26: would just slow down and say, Yo, how many times

917
00:40:25,040 --> 00:40:27,000
Speaker 26: we gotta look at the Grammys and not.

918
00:40:27,160 --> 00:40:30,080
Speaker 7: One R and B group is on the shlve right right,

919
00:40:30,239 --> 00:40:31,000
Speaker 7: right right.

920
00:40:31,640 --> 00:40:33,360
Speaker 26: And the first time we see in an R and

921
00:40:33,520 --> 00:40:35,719
Speaker 26: B group in the last five years, well, you know,

922
00:40:35,800 --> 00:40:38,360
Speaker 26: we saw what Bruno on them did, but that was

923
00:40:38,440 --> 00:40:40,480
Speaker 26: a different thing. I'm talking about someone from the hood,

924
00:40:40,560 --> 00:40:43,000
Speaker 26: like a Joda signal audition Boys to Men. Jagged Edge

925
00:40:43,440 --> 00:40:45,879
Speaker 26: is when Wan Suns was on there and Jesse gave

926
00:40:45,960 --> 00:40:48,640
Speaker 26: them the shot. That's the first time we seen black

927
00:40:48,719 --> 00:40:52,040
Speaker 26: kids on the Grammys ever in a long time. And

928
00:40:52,200 --> 00:40:55,200
Speaker 26: that's where it starts. It starts Younger it Scotts at

929
00:40:55,239 --> 00:40:57,480
Speaker 26: the office, or it's gonna have to come from.

930
00:40:57,400 --> 00:41:00,520
Speaker 9: Us with Bobby with so many hits, how many hits

931
00:41:00,600 --> 00:41:01,600
Speaker 9: you're gonna do on stage?

932
00:41:02,360 --> 00:41:03,399
Speaker 10: Man to the mic?

933
00:41:03,880 --> 00:41:05,960
Speaker 6: And then because this that's the time where everybody could

934
00:41:05,960 --> 00:41:09,680
Speaker 6: take a break. You have so many records single right, like,

935
00:41:09,760 --> 00:41:11,120
Speaker 6: how how are you giving us a break?

936
00:41:14,760 --> 00:41:14,800
Speaker 5: Me?

937
00:41:14,960 --> 00:41:18,680
Speaker 7: And break? I don't I don't know.

938
00:41:18,880 --> 00:41:20,759
Speaker 12: It's up it's up to Brooke and it's up to

939
00:41:21,000 --> 00:41:21,800
Speaker 12: you know, the guys.

940
00:41:22,400 --> 00:41:23,960
Speaker 7: How much they want me on the stage.

941
00:41:25,239 --> 00:41:25,560
Speaker 10: I don't.

942
00:41:25,600 --> 00:41:27,440
Speaker 7: I don't plan to do no more than the next man.

943
00:41:27,520 --> 00:41:37,960
Speaker 10: I know that, trust me.

944
00:41:40,360 --> 00:41:40,520
Speaker 5: One.

945
00:41:41,000 --> 00:41:43,000
Speaker 14: Okay, So for boys and man, how long did it

946
00:41:43,080 --> 00:41:45,760
Speaker 14: take y'all to complete a whole song in the studio?

947
00:41:46,000 --> 00:41:48,759
Speaker 9: Because you when I say when the song's be going off,

948
00:41:48,840 --> 00:41:49,520
Speaker 9: you'd be like, no, no, no.

949
00:41:49,640 --> 00:41:50,400
Speaker 7: I got some more.

950
00:41:57,400 --> 00:42:02,880
Speaker 14: Specific with the Christmas album that I all year christmasstations.

951
00:42:03,080 --> 00:42:05,840
Speaker 10: Wow, thank you so much, my favorite appreciation.

952
00:42:06,440 --> 00:42:07,359
Speaker 7: I play it all year round.

953
00:42:07,680 --> 00:42:09,000
Speaker 10: How long did it take you all to complete a

954
00:42:09,040 --> 00:42:11,120
Speaker 10: single song? Well, I'll tell you this. It took us

955
00:42:11,160 --> 00:42:12,720
Speaker 10: two weeks to do the Christmas album.

956
00:42:13,440 --> 00:42:14,880
Speaker 7: What that's all?

957
00:42:15,239 --> 00:42:17,279
Speaker 22: We had two weeks, that's all we had. And we

958
00:42:17,440 --> 00:42:21,440
Speaker 22: recorded it in Europe in London, yes, with Brian McKnight.

959
00:42:21,920 --> 00:42:24,400
Speaker 22: We sat there because we were on tour. We were

960
00:42:24,480 --> 00:42:27,359
Speaker 22: on tour in London, right, and we had a yeah,

961
00:42:27,400 --> 00:42:29,359
Speaker 22: we had to meet the deadline and we sat in there.

962
00:42:29,960 --> 00:42:32,520
Speaker 22: Of course we wrote songs on the road, you know,

963
00:42:32,680 --> 00:42:34,920
Speaker 22: like Sean would call me to his room. He had

964
00:42:35,000 --> 00:42:37,560
Speaker 22: joyous song. I came up with why Christmas and Nate

965
00:42:37,640 --> 00:42:42,520
Speaker 22: had a cold December Nights, Mike did No No Michael's Cold.

966
00:42:42,560 --> 00:42:46,040
Speaker 22: December Knights, Nate had what was the record of Share

967
00:42:46,120 --> 00:42:50,600
Speaker 22: Love Love. Yeah, So the idea, like literally to to

968
00:42:51,320 --> 00:42:55,480
Speaker 22: do a new standard Christmas album was It was grueling

969
00:42:55,600 --> 00:42:57,680
Speaker 22: because we didn't have much time, but we wrote the

970
00:42:57,840 --> 00:43:00,520
Speaker 22: hell out of that, Like every aspect of it was

971
00:43:00,560 --> 00:43:03,480
Speaker 22: straight from the you know, the soul, you know what

972
00:43:03,560 --> 00:43:06,120
Speaker 22: I mean. It was real, real moments. So we did

973
00:43:06,160 --> 00:43:08,440
Speaker 22: and we didn't want to make it all like you know,

974
00:43:08,680 --> 00:43:10,640
Speaker 22: jing go bells, you know what I mean.

975
00:43:10,680 --> 00:43:11,360
Speaker 10: We wanted to make it.

976
00:43:11,560 --> 00:43:14,640
Speaker 20: We wanted to make it so that so that so

977
00:43:14,800 --> 00:43:16,239
Speaker 20: that we could feel it, you know what I'm saying,

978
00:43:16,320 --> 00:43:18,960
Speaker 20: so that you could actually play that drawn straight.

979
00:43:19,080 --> 00:43:20,080
Speaker 10: Yeah, you know what I'm saying.

980
00:43:20,120 --> 00:43:24,759
Speaker 22: So once you you know, once the standards come and play,

981
00:43:24,840 --> 00:43:27,040
Speaker 22: you know, of course, you can make choices, but when

982
00:43:27,080 --> 00:43:29,400
Speaker 22: you have new Christmas records that people fall in love with,

983
00:43:29,800 --> 00:43:30,800
Speaker 22: that's the only choice.

984
00:43:31,040 --> 00:43:32,759
Speaker 10: That's why we decided not to make another one.

985
00:43:33,120 --> 00:43:38,239
Speaker 14: Yeah you please, But if y'all don't need to, because

986
00:43:38,239 --> 00:43:39,480
Speaker 14: that that's one of my favorite albums.

987
00:43:39,520 --> 00:43:40,680
Speaker 10: Thank you appreciate that.

988
00:43:42,280 --> 00:43:44,080
Speaker 7: Why did you kill Give Love on Christmas?

989
00:43:44,160 --> 00:43:45,640
Speaker 1: Daily because that's my favorite Christmas song.

990
00:43:45,960 --> 00:43:49,279
Speaker 14: Like y'all was singing these Christmas songs like women were

991
00:43:49,440 --> 00:43:50,320
Speaker 14: leaving y'all.

992
00:43:52,239 --> 00:43:57,319
Speaker 7: Because they were that's all I had to give.

993
00:43:57,920 --> 00:44:02,399
Speaker 12: I didn't have money back then. All I have loved off.

994
00:44:05,000 --> 00:44:07,200
Speaker 9: Is there a song that you guys hate to do that? Like,

995
00:44:07,280 --> 00:44:09,759
Speaker 9: I just don't want to do that song, y'all looking

996
00:44:09,760 --> 00:44:09,920
Speaker 9: at you?

997
00:44:10,320 --> 00:44:10,839
Speaker 12: I know what was one?

998
00:44:10,920 --> 00:44:10,960
Speaker 13: This?

999
00:44:12,080 --> 00:44:14,120
Speaker 10: I hate that song.

1000
00:44:14,280 --> 00:44:17,920
Speaker 22: I'll tell you why you hate it. So so so

1001
00:44:18,000 --> 00:44:21,640
Speaker 22: we're in Salt Lake City. We were and and uh,

1002
00:44:22,080 --> 00:44:24,600
Speaker 22: the record label. I'm sure they've had something to do

1003
00:44:24,680 --> 00:44:30,480
Speaker 22: it this the record label and was like, yo, we

1004
00:44:30,640 --> 00:44:34,680
Speaker 22: need a record for the Jackson's Mini series. And we

1005
00:44:34,760 --> 00:44:36,359
Speaker 22: wanted to be in the Still of the Night. Now,

1006
00:44:36,440 --> 00:44:39,640
Speaker 22: we could think of so many other records that we

1007
00:44:39,680 --> 00:44:41,879
Speaker 22: would have been excited to do, you know what I mean.

1008
00:44:42,160 --> 00:44:44,160
Speaker 22: But they wanted in the Still of the Night. So okay,

1009
00:44:44,600 --> 00:44:46,719
Speaker 22: it's a very easy record, guys, you know what I mean.

1010
00:44:46,760 --> 00:44:49,080
Speaker 22: Of course, with our harmony structures, we kind of we

1011
00:44:49,280 --> 00:44:51,080
Speaker 22: kind of do it a little bit different because it's

1012
00:44:51,160 --> 00:44:54,799
Speaker 22: not the regular triad. The issue is is nobody wanted

1013
00:44:54,840 --> 00:44:55,480
Speaker 22: to sing the lead.

1014
00:44:56,040 --> 00:44:57,880
Speaker 23: It was a day off, weekend and we wanted to

1015
00:44:57,920 --> 00:44:59,200
Speaker 23: go snowmobill.

1016
00:44:58,800 --> 00:45:03,000
Speaker 20: Exactly right, exactly, so nobody wanted to sing the lead,

1017
00:45:03,480 --> 00:45:05,120
Speaker 20: So anything right, right, right?

1018
00:45:07,120 --> 00:45:09,120
Speaker 10: No, no, no, hell no, we don't want to sing

1019
00:45:09,200 --> 00:45:11,680
Speaker 10: the lead because it's in the other night.

1020
00:45:12,080 --> 00:45:12,200
Speaker 7: Right.

1021
00:45:12,320 --> 00:45:14,439
Speaker 10: So we flipped the coin.

1022
00:45:14,600 --> 00:45:17,440
Speaker 20: That's how we did every That's how we that's how

1023
00:45:17,520 --> 00:45:19,920
Speaker 20: we cleared every altercase, every situation.

1024
00:45:20,040 --> 00:45:24,560
Speaker 27: We would just want to slip the one and we left.

1025
00:45:27,200 --> 00:45:29,120
Speaker 27: I don't even remember, bro, I was so pissed off.

1026
00:45:30,680 --> 00:45:37,520
Speaker 27: I'm looking out the window, snow cap mountains, hilarious traumises.

1027
00:45:39,600 --> 00:45:40,680
Speaker 1: So that new addition hates to do.

1028
00:45:41,000 --> 00:45:41,520
Speaker 23: I want to know that.

1029
00:45:41,840 --> 00:45:43,440
Speaker 10: Yeah, what's all y'all hate to do?

1030
00:45:43,680 --> 00:45:46,239
Speaker 9: Familiar will probably be you're not my kind of girl?

1031
00:45:46,800 --> 00:45:51,960
Speaker 28: What Yeah, leans in on the dance side, this one

1032
00:45:52,080 --> 00:45:55,600
Speaker 28: move that we do whatever you know later on my

1033
00:45:55,800 --> 00:45:56,719
Speaker 28: ass hurts.

1034
00:46:02,840 --> 00:46:04,719
Speaker 18: Dance moves in like things you're not gonna touch this

1035
00:46:04,800 --> 00:46:05,239
Speaker 18: time around.

1036
00:46:05,320 --> 00:46:14,440
Speaker 28: On yes, face, we are definitely gonna. I think we

1037
00:46:14,600 --> 00:46:19,359
Speaker 28: do want to give people a different experience. Like MB said,

1038
00:46:19,880 --> 00:46:22,320
Speaker 28: some of the classic stuff that people have come to

1039
00:46:22,640 --> 00:46:25,319
Speaker 28: know us for if it is in love, maybe even

1040
00:46:25,360 --> 00:46:27,120
Speaker 28: you're not my kind of girl. Some of those things

1041
00:46:27,200 --> 00:46:30,080
Speaker 28: we're gonna keep in place. We might add some variances,

1042
00:46:30,200 --> 00:46:32,520
Speaker 28: but I think people want to see us do something

1043
00:46:32,640 --> 00:46:35,520
Speaker 28: new and fresh. So we definitely want to give people

1044
00:46:35,560 --> 00:46:36,600
Speaker 28: a different experiences.

1045
00:46:36,680 --> 00:46:39,160
Speaker 7: But you can't do ballplayers get older. They even got

1046
00:46:39,239 --> 00:46:44,040
Speaker 7: to adjust their game, right, thank you.

1047
00:46:46,840 --> 00:46:49,120
Speaker 6: You gotta tell you, gotta tell Brooke that because he

1048
00:46:49,200 --> 00:46:53,560
Speaker 6: ain't trying to expect that they want the same look

1049
00:46:53,600 --> 00:46:54,160
Speaker 6: from twenty one.

1050
00:46:54,200 --> 00:46:56,960
Speaker 7: He be like, you try, That's what you tell you try.

1051
00:46:57,320 --> 00:46:59,680
Speaker 7: Sometimes running in just ran out.

1052
00:47:03,080 --> 00:47:03,839
Speaker 10: The Walking Man.

1053
00:47:07,680 --> 00:47:10,520
Speaker 7: Are y'all helping Bois and Men developed their biopic? I

1054
00:47:10,520 --> 00:47:12,440
Speaker 7: remember there was rumors of a Boys Men biopick at

1055
00:47:12,480 --> 00:47:12,759
Speaker 7: one time.

1056
00:47:14,600 --> 00:47:15,239
Speaker 10: I have to see that.

1057
00:47:15,680 --> 00:47:19,279
Speaker 24: I mean, we're still in the embryonic stages of it,

1058
00:47:19,400 --> 00:47:21,080
Speaker 24: still trying to get things together because we want to

1059
00:47:21,120 --> 00:47:23,640
Speaker 24: make sure that the story is told the right way,

1060
00:47:23,880 --> 00:47:27,320
Speaker 24: because there are a lot of things that by design,

1061
00:47:27,840 --> 00:47:29,839
Speaker 24: we have not said. You know, there's been a lot

1062
00:47:29,880 --> 00:47:31,960
Speaker 24: of things that's been mentioned about the group and said

1063
00:47:32,000 --> 00:47:33,840
Speaker 24: about the groups and things that nature that we.

1064
00:47:33,960 --> 00:47:35,880
Speaker 10: Just kind of watched the last thing quiet.

1065
00:47:35,920 --> 00:47:38,080
Speaker 24: You know what I'm saying, Because when you see the

1066
00:47:38,120 --> 00:47:41,600
Speaker 24: people that are actually saying it, you gotta always consider

1067
00:47:41,680 --> 00:47:47,080
Speaker 24: the source, right, and when you see their positions and

1068
00:47:47,520 --> 00:47:50,400
Speaker 24: the lives they're living and things that nature outside of

1069
00:47:50,480 --> 00:47:52,680
Speaker 24: all of the shock value of oh, somebody said this,

1070
00:47:53,120 --> 00:47:56,120
Speaker 24: If you look a little deeper, you say, oh, okay,

1071
00:47:56,200 --> 00:47:57,000
Speaker 24: that's why they said that.

1072
00:47:57,600 --> 00:47:57,759
Speaker 4: Now.

1073
00:47:57,960 --> 00:47:58,120
Speaker 14: You know.

1074
00:47:58,800 --> 00:48:02,439
Speaker 23: The thing about the industry, though, is that everybody knows

1075
00:48:02,480 --> 00:48:03,560
Speaker 23: everything about everybody.

1076
00:48:03,840 --> 00:48:08,919
Speaker 29: Yeah, if I wanted to go on this radio show

1077
00:48:09,040 --> 00:48:12,520
Speaker 29: and talk about certain people, I know I could because

1078
00:48:12,520 --> 00:48:15,120
Speaker 29: I know exactly what happened, who did it, the whole

1079
00:48:15,200 --> 00:48:15,680
Speaker 29: nine yards.

1080
00:48:15,840 --> 00:48:19,000
Speaker 10: The issue is not us, though, you know what I mean.

1081
00:48:19,200 --> 00:48:20,400
Speaker 10: It's the people.

1082
00:48:20,680 --> 00:48:22,800
Speaker 22: You know what I'm saying. Everyone has an opinion, you

1083
00:48:22,840 --> 00:48:24,560
Speaker 22: know what I mean. They call it social media, but

1084
00:48:24,600 --> 00:48:26,800
Speaker 22: there's nothing social about it at all, you know what

1085
00:48:26,880 --> 00:48:31,600
Speaker 22: I mean. The thought process about it is when someone

1086
00:48:31,760 --> 00:48:35,399
Speaker 22: says something about you, it's fine, especially if it's true.

1087
00:48:36,000 --> 00:48:36,719
Speaker 10: I don't care.

1088
00:48:37,320 --> 00:48:41,520
Speaker 20: But I'm tired of people lying about us. They lie

1089
00:48:41,600 --> 00:48:44,040
Speaker 20: about us, and we never say nothing.

1090
00:48:44,520 --> 00:48:48,040
Speaker 22: Well, I got a messed up knee, I got three

1091
00:48:48,120 --> 00:48:51,640
Speaker 22: schools in it, and I'm getting myself together.

1092
00:48:51,880 --> 00:48:53,279
Speaker 27: Before you go there, I want to give him an

1093
00:48:53,320 --> 00:48:56,160
Speaker 27: example of how we don't say anything like people been

1094
00:48:56,200 --> 00:48:58,520
Speaker 27: talking about our fourth member forever. Oh, y'all did this

1095
00:48:58,600 --> 00:49:00,920
Speaker 27: to him. Y'all kicked him out. He was y'ain't give

1096
00:49:00,960 --> 00:49:02,719
Speaker 27: it about him. Y'all don't know the story. And that's

1097
00:49:02,760 --> 00:49:04,600
Speaker 27: okay because we keep that in. But I tell you

1098
00:49:04,680 --> 00:49:08,200
Speaker 27: one thing we've never done. We've never said anything about

1099
00:49:08,600 --> 00:49:11,960
Speaker 27: him until the latter years, to make sure that man,

1100
00:49:12,360 --> 00:49:12,880
Speaker 27: if he's.

1101
00:49:12,760 --> 00:49:17,319
Speaker 10: Not here, he can have a career. Absolute you don't

1102
00:49:17,360 --> 00:49:19,279
Speaker 10: do that, So we don't. We don't do that.

1103
00:49:19,400 --> 00:49:21,680
Speaker 27: That's not I mean, I'm the least social media guy

1104
00:49:21,760 --> 00:49:24,200
Speaker 27: on the planet. Yes, yes, no need for I don't

1105
00:49:24,239 --> 00:49:25,800
Speaker 27: live in that space, so it's no need to go

1106
00:49:25,880 --> 00:49:28,160
Speaker 27: in there and deal with all the craziness because we're

1107
00:49:28,200 --> 00:49:29,040
Speaker 27: gonna handle lot of out.

1108
00:49:29,200 --> 00:49:32,600
Speaker 22: So when someone is doing that and telling stories like

1109
00:49:32,800 --> 00:49:37,479
Speaker 22: literally fabricated stories, I feel like it's it's just felt

1110
00:49:37,560 --> 00:49:41,320
Speaker 22: like time, you know, time to defend the integrity of

1111
00:49:41,719 --> 00:49:45,399
Speaker 22: my group, of my fellas, myself, you know what I mean.

1112
00:49:45,560 --> 00:49:48,360
Speaker 22: And look, I'm not gonna say, boys to man, we

1113
00:49:49,040 --> 00:49:51,520
Speaker 22: was the cleanest planet earth. You know what I'm saying.

1114
00:49:51,560 --> 00:49:53,440
Speaker 22: We did some stuff, you know what I'm saying, a

1115
00:49:53,480 --> 00:49:55,759
Speaker 22: lot of people. You know, I'm pretty sure we put

1116
00:49:55,880 --> 00:49:57,160
Speaker 22: some people off, you know what I mean?

1117
00:49:58,120 --> 00:49:59,399
Speaker 7: And right.

1118
00:49:59,560 --> 00:50:02,040
Speaker 22: But at the end of the day, we were trying

1119
00:50:02,080 --> 00:50:04,160
Speaker 22: to protect our brand. We were trying to protect it.

1120
00:50:04,239 --> 00:50:07,800
Speaker 22: We didn't have Michael bibbins on over us anymore to

1121
00:50:07,880 --> 00:50:10,520
Speaker 22: protect us. We didn't have ky Lil Rountree. He got murdered,

1122
00:50:10,560 --> 00:50:12,560
Speaker 22: you know what I'm saying. We were trying to figure

1123
00:50:12,600 --> 00:50:15,880
Speaker 22: out all kinds of things managerial. We have Michael Jackson

1124
00:50:15,960 --> 00:50:18,040
Speaker 22: and Prince telling us to know your work and don't

1125
00:50:18,080 --> 00:50:20,320
Speaker 22: let nobody get over on you. You know, So we

1126
00:50:21,160 --> 00:50:25,480
Speaker 22: we developed a ship, a ship. We started looking at

1127
00:50:25,560 --> 00:50:27,320
Speaker 22: everybody and like, oh, no, you're not going to do

1128
00:50:27,400 --> 00:50:29,200
Speaker 22: this to us. You're not going to do this to us.

1129
00:50:29,239 --> 00:50:31,719
Speaker 20: So when they hear our voices because we were so

1130
00:50:31,960 --> 00:50:33,799
Speaker 20: silent because everybody else was doing it for.

1131
00:50:33,920 --> 00:50:35,320
Speaker 10: Us, now we're apples.

1132
00:50:35,400 --> 00:50:35,560
Speaker 19: You know.

1133
00:50:35,840 --> 00:50:38,799
Speaker 22: You understand, just because we're in the studio and we're

1134
00:50:38,840 --> 00:50:41,440
Speaker 22: working on a project does not mean that we're going

1135
00:50:41,520 --> 00:50:42,200
Speaker 22: to be consorting.

1136
00:50:42,280 --> 00:50:43,920
Speaker 10: That's not what boys to men do. When we're in

1137
00:50:44,000 --> 00:50:44,879
Speaker 10: the studio, we work.

1138
00:50:45,080 --> 00:50:46,960
Speaker 22: We don't have time to play games, you know what

1139
00:50:47,000 --> 00:50:50,279
Speaker 22: I'm saying, Because we have to please these fans, you know,

1140
00:50:50,719 --> 00:50:53,680
Speaker 22: So when someone is saying you know that we said

1141
00:50:53,840 --> 00:50:58,520
Speaker 22: something as specific about a friend of ours.

1142
00:50:58,760 --> 00:50:59,840
Speaker 7: We don't need babyface.

1143
00:51:03,000 --> 00:51:05,920
Speaker 17: Come on, and I saw you jump in the comments

1144
00:51:05,960 --> 00:51:09,759
Speaker 17: of the show and say what you said, But so

1145
00:51:10,040 --> 00:51:13,040
Speaker 17: why now even address that if you know it's not truly.

1146
00:51:12,920 --> 00:51:15,640
Speaker 10: Because I got time, I got a messed up knee.

1147
00:51:15,920 --> 00:51:20,480
Speaker 1: I was sitting on the damn I was sitting on

1148
00:51:20,600 --> 00:51:21,400
Speaker 1: the damn couch.

1149
00:51:21,760 --> 00:51:23,439
Speaker 10: I couldn't get up, I couldn't drive.

1150
00:51:23,520 --> 00:51:26,680
Speaker 20: I was watching cartoons and playing PlayStation and I saw

1151
00:51:26,760 --> 00:51:29,960
Speaker 20: that and I said, hmm, this will be fun.

1152
00:51:30,520 --> 00:51:32,640
Speaker 10: And guess what it was. It was very fun because

1153
00:51:32,760 --> 00:51:35,640
Speaker 10: I got a chance to let the people who really

1154
00:51:35,760 --> 00:51:40,799
Speaker 10: cared on that page no that it was a lie man.

1155
00:51:40,840 --> 00:51:43,160
Speaker 22: You could choose to take it wherever you want. I'm

1156
00:51:43,200 --> 00:51:44,640
Speaker 22: just trying to figure out where it came from. I

1157
00:51:44,719 --> 00:51:48,000
Speaker 22: never said anything derogatory about Chili. If you read the comments,

1158
00:51:48,160 --> 00:51:50,000
Speaker 22: I said, I love those girls. I said, we have

1159
00:51:50,200 --> 00:51:53,280
Speaker 22: history together. I'm just trying to figure out what happened.

1160
00:51:53,320 --> 00:51:56,080
Speaker 20: I mean, we heard that Tian said after the past

1161
00:51:56,120 --> 00:51:58,319
Speaker 20: of my thing, I ain't staying for this corny ash,

1162
00:51:59,160 --> 00:52:01,879
Speaker 20: corny ass show. That's what you know what I'm saying.

1163
00:52:02,160 --> 00:52:04,879
Speaker 20: And I'm like, why, I love you, we love y'all

1164
00:52:05,000 --> 00:52:07,120
Speaker 20: like the nostalgia. When we walk into the room, they

1165
00:52:07,200 --> 00:52:09,319
Speaker 20: jump into our I mean, Chili used to jump into

1166
00:52:09,360 --> 00:52:10,080
Speaker 20: our arms line.

1167
00:52:10,600 --> 00:52:11,480
Speaker 10: It's like, what's going on.

1168
00:52:11,600 --> 00:52:13,680
Speaker 26: At the end of the day, we were just gonna

1169
00:52:13,680 --> 00:52:17,680
Speaker 26: sell some tickets because because to be honest with you,

1170
00:52:17,880 --> 00:52:20,600
Speaker 26: this where we are and what we're trying to do.

1171
00:52:21,000 --> 00:52:24,560
Speaker 26: We were trying to inspire absolutely absolutely, And you guys'

1172
00:52:24,760 --> 00:52:26,279
Speaker 26: movie is gonna be a great movie.

1173
00:52:26,360 --> 00:52:27,920
Speaker 12: It's gonna be from your point of view.

1174
00:52:28,000 --> 00:52:30,439
Speaker 26: Your fans are gonna love it, and we just want

1175
00:52:30,520 --> 00:52:33,319
Speaker 26: them to come to this so they could see us

1176
00:52:33,360 --> 00:52:36,360
Speaker 26: together because we've never done this absolutely, you know, and

1177
00:52:36,520 --> 00:52:39,800
Speaker 26: this this is really our first interview. So the Breakfast

1178
00:52:39,880 --> 00:52:43,360
Speaker 26: Club is really the first interview of us all together.

1179
00:52:46,000 --> 00:52:47,839
Speaker 12: Can I just say to you guys, to boys and man,

1180
00:52:47,920 --> 00:52:50,319
Speaker 12: let me just say this and I'll shut up.

1181
00:52:50,520 --> 00:52:52,839
Speaker 3: But I'm glad that you guys are telling your story

1182
00:52:52,880 --> 00:52:54,640
Speaker 3: because in the world that we're living in now with

1183
00:52:54,800 --> 00:52:56,919
Speaker 3: social media and everybody can get on there and say

1184
00:52:56,960 --> 00:53:00,360
Speaker 3: what they want, ruin people's lives, ring your reputation, I

1185
00:53:00,440 --> 00:53:02,920
Speaker 3: think and do a number of things. It is important. No,

1186
00:53:03,000 --> 00:53:04,880
Speaker 3: you can't fight the whole world. No, we'll never be

1187
00:53:04,960 --> 00:53:07,239
Speaker 3: able to change sometimes people no matter whether it's the

1188
00:53:07,320 --> 00:53:10,480
Speaker 3: truth or not. But when it comes from the horse's

1189
00:53:10,560 --> 00:53:12,520
Speaker 3: mouth and it's written in stone, it can't be raised.

1190
00:53:12,600 --> 00:53:15,120
Speaker 3: Can't tell your story nothing else.

1191
00:53:15,160 --> 00:53:17,560
Speaker 19: At the end of the day, with your legacy, anybody

1192
00:53:17,600 --> 00:53:19,520
Speaker 19: want to believe, whether they want to believe, that's all.

1193
00:53:19,680 --> 00:53:22,000
Speaker 19: It's all well and fine, but it has come from

1194
00:53:22,040 --> 00:53:23,400
Speaker 19: the horse's mouth directly in this.

1195
00:53:24,880 --> 00:53:27,160
Speaker 24: Yeah, it's so so the answer. Yes, we're working on

1196
00:53:27,200 --> 00:53:30,200
Speaker 24: the biopic. Bib is definitely gonna put his input into

1197
00:53:30,280 --> 00:53:32,120
Speaker 24: it and working going.

1198
00:53:32,120 --> 00:53:32,279
Speaker 19: To have.

1199
00:53:33,760 --> 00:53:38,320
Speaker 10: You know what I'm saying, because it's everybody's story, everybody.

1200
00:53:38,160 --> 00:53:39,520
Speaker 23: Every it's everybody's story.

1201
00:53:39,600 --> 00:53:41,920
Speaker 24: But the stuff they want and everybody was touching on man,

1202
00:53:41,960 --> 00:53:44,040
Speaker 24: and people that were saying they corny a cornball.

1203
00:53:45,120 --> 00:53:47,799
Speaker 6: I can't wait get your tickets if you haven't got

1204
00:53:47,840 --> 00:53:50,719
Speaker 6: your tickets yet, talking about thirty I'm sure it's gonna

1205
00:53:50,719 --> 00:53:52,799
Speaker 6: be more than that because they got to ask so fast.

1206
00:53:52,880 --> 00:53:54,400
Speaker 7: I'm just having got something to do.

1207
00:53:54,560 --> 00:54:01,680
Speaker 1: Man, it's gonna be man audition boys. Man, thank y'all

1208
00:54:01,680 --> 00:54:02,320
Speaker 1: for joining.

1209
00:54:02,160 --> 00:54:03,120
Speaker 12: Us having.

1210
00:54:06,040 --> 00:54:07,839
Speaker 7: That's what I meant, Why Tony, why why did y'all

1211
00:54:07,840 --> 00:54:08,400
Speaker 7: decide to get to.

1212
00:54:08,880 --> 00:54:12,360
Speaker 3: We needed a queen, and I thought that honestly, she

1213
00:54:12,600 --> 00:54:16,040
Speaker 3: was to me. I thought was a great, great part,

1214
00:54:16,120 --> 00:54:17,800
Speaker 3: It could be a great part of this. This this

1215
00:54:18,000 --> 00:54:19,920
Speaker 3: the whole movie, because it's about when you're doing a

1216
00:54:20,000 --> 00:54:23,160
Speaker 3: show like this, you want catalog, you want everything to

1217
00:54:23,239 --> 00:54:24,400
Speaker 3: be able to fit perfectly.

1218
00:54:24,480 --> 00:54:26,680
Speaker 12: And I think that she just fits for the for

1219
00:54:26,800 --> 00:54:30,640
Speaker 12: the choice. Yes, she was my first choice.

1220
00:54:31,080 --> 00:54:34,239
Speaker 9: Yeah yeah, that conference call was different, but she's there.

1221
00:54:34,360 --> 00:54:34,560
Speaker 12: Yeah.

1222
00:54:35,680 --> 00:54:40,040
Speaker 7: Yeah to her personally, yeah I did you?

1223
00:54:40,160 --> 00:54:41,640
Speaker 12: Did you I talked to her?

1224
00:54:42,280 --> 00:54:45,360
Speaker 14: Yeah, yeah, thank you, because I'm happy I'm going to

1225
00:54:45,400 --> 00:54:46,080
Speaker 14: be seeing her too.

1226
00:54:49,719 --> 00:54:56,960
Speaker 9: It's the Breakfast Club. The Florida man attacked an a

1227
00:54:57,160 --> 00:54:59,480
Speaker 9: t M for a very strange reason. It gave him

1228
00:54:59,480 --> 00:55:02,080
Speaker 9: too much mo. Florida man is arrested after that's being saved.

1229
00:55:02,080 --> 00:55:03,920
Speaker 14: He rigged the door to his home and an attempt

1230
00:55:03,920 --> 00:55:05,279
Speaker 14: to electric hit his president lights.

1231
00:55:05,320 --> 00:55:08,000
Speaker 7: Police arrested in Orlando man for talking up from me

1232
00:55:08,120 --> 00:55:09,319
Speaker 7: though the Breakfast Club.

1233
00:55:09,400 --> 00:55:11,960
Speaker 22: Bitch, you donkey of the day with Charlamagne to God,

1234
00:55:11,960 --> 00:55:13,399
Speaker 22: I don't know why y'all keep letting him.

1235
00:55:13,280 --> 00:55:13,800
Speaker 10: Get y'all like this.

1236
00:55:14,480 --> 00:55:17,680
Speaker 8: It ain't it ain't it ain't me duvall as them, Okay, Florida.

1237
00:55:17,760 --> 00:55:20,640
Speaker 8: Donkey to Day goes to a young woman named Alkina Samson. Okay,

1238
00:55:20,680 --> 00:55:22,520
Speaker 8: a Quena is a thirty one year old woman from

1239
00:55:22,560 --> 00:55:25,080
Speaker 8: Saint Petersburg, Florida who works at one of the greatest

1240
00:55:25,120 --> 00:55:28,360
Speaker 8: institutions of all time, McDonald's. Okay, I am not about

1241
00:55:28,360 --> 00:55:30,239
Speaker 8: to sit here and do a commercial for McDonald's.

1242
00:55:30,360 --> 00:55:30,600
Speaker 7: Okay.

1243
00:55:30,640 --> 00:55:32,319
Speaker 8: You can say what you want about McDonald's, but they

1244
00:55:32,320 --> 00:55:34,839
Speaker 8: have been around since nineteen forty. It has thirty six

1245
00:55:34,920 --> 00:55:37,280
Speaker 8: thousand restaurants in over one hundred countries, and they served

1246
00:55:37,320 --> 00:55:40,560
Speaker 8: sixty nine million customers daily dropping the clues bombs of McDonald's.

1247
00:55:41,560 --> 00:55:42,600
Speaker 8: But that's not an institution.

1248
00:55:42,719 --> 00:55:43,320
Speaker 7: I don't know what is.

1249
00:55:43,440 --> 00:55:46,400
Speaker 8: Okay, supersize me. Ain't stopping nothing. At some point, we

1250
00:55:46,520 --> 00:55:48,640
Speaker 8: have all had a love affair with McDonald's, Okay. My

1251
00:55:48,800 --> 00:55:51,839
Speaker 8: go to was the too Cheeseburger Mill with an orange drink.

1252
00:55:51,920 --> 00:55:53,560
Speaker 8: And I'm old enough to remember when it was two

1253
00:55:53,680 --> 00:55:56,319
Speaker 8: ninety nine, three fourteen plus x. What was your goal

1254
00:55:56,360 --> 00:55:56,799
Speaker 8: to Jess?

1255
00:55:57,000 --> 00:55:59,080
Speaker 7: That the same thing the two GI's burger mail three

1256
00:55:59,080 --> 00:55:59,920
Speaker 7: fourth Saints bout you.

1257
00:56:00,400 --> 00:56:03,279
Speaker 9: Mine was the same, but it was three twenty four cents.

1258
00:56:03,440 --> 00:56:05,319
Speaker 8: Okay, McDonald's was the place that we would all hang

1259
00:56:05,360 --> 00:56:07,319
Speaker 8: out after the football games, drop on the clues bombs

1260
00:56:07,360 --> 00:56:10,600
Speaker 8: for the Berkeley Stacks, Monks Corner, South Carolina all day.

1261
00:56:10,800 --> 00:56:12,800
Speaker 8: I have a lot of love and great memories connected

1262
00:56:12,800 --> 00:56:15,040
Speaker 8: to McDonald's, and there was nothing like, you know, having

1263
00:56:15,080 --> 00:56:15,839
Speaker 8: a homie.

1264
00:56:15,880 --> 00:56:18,120
Speaker 7: Working at Mickeyd's. Because they would always bless you with

1265
00:56:18,239 --> 00:56:18,759
Speaker 7: free food.

1266
00:56:18,840 --> 00:56:21,520
Speaker 8: That's what it was, a blessing. Okay, that's what it was,

1267
00:56:21,640 --> 00:56:24,719
Speaker 8: a blessing, all right. But Aquina Samson didn't have that

1268
00:56:24,760 --> 00:56:27,000
Speaker 8: giving spirit. Okay, Akeena is clearly not the homie you

1269
00:56:27,040 --> 00:56:30,160
Speaker 8: want working in McDonald's if you're looking to get something free. No, okay,

1270
00:56:30,280 --> 00:56:33,360
Speaker 8: a Kena is there to protect McDonald's at all costs,

1271
00:56:33,640 --> 00:56:36,960
Speaker 8: all right. She, a seventeen year old customer, got choked

1272
00:56:37,000 --> 00:56:39,160
Speaker 8: out by Aquina after she stepped behind the counter to

1273
00:56:39,280 --> 00:56:43,239
Speaker 8: take some ranch dipping sauce after not being helped by employees. Now,

1274
00:56:43,320 --> 00:56:45,680
Speaker 8: we have all been at a fast food restaurant and

1275
00:56:45,800 --> 00:56:48,400
Speaker 8: been frustrated by the service, but that doesn't mean you

1276
00:56:48,480 --> 00:56:49,759
Speaker 8: can take madage into your.

1277
00:56:49,640 --> 00:56:52,120
Speaker 7: Own hands and go behind the counter and do their

1278
00:56:52,239 --> 00:56:52,839
Speaker 7: job for them.

1279
00:56:52,880 --> 00:56:56,600
Speaker 8: Okay, this little entitled ass teenager took they ass behind

1280
00:56:56,680 --> 00:56:59,120
Speaker 8: the counterar to get some ranch dipping sauce, and a Keena,

1281
00:56:59,320 --> 00:57:02,520
Speaker 8: according to police reports, grabbed her arm. When the team

1282
00:57:02,600 --> 00:57:06,000
Speaker 8: tried to break free, Aquina allegedly grabbed her by the

1283
00:57:06,120 --> 00:57:09,400
Speaker 8: neck and put the girl to the ground. Sounds to

1284
00:57:09,480 --> 00:57:11,799
Speaker 8: me like the Big Show's finishing move. Remember that show

1285
00:57:11,840 --> 00:57:14,320
Speaker 8: stopper choke slam Big Show used to do. That's what

1286
00:57:14,440 --> 00:57:16,280
Speaker 8: seemed like happened in this situation. Now, I know what

1287
00:57:16,320 --> 00:57:19,760
Speaker 8: you're thinking. How many ranch package did the victim secure? Well,

1288
00:57:19,840 --> 00:57:22,320
Speaker 8: the police reports does not reveal that information, but it

1289
00:57:22,400 --> 00:57:24,720
Speaker 8: did reveal that the victim had visible injuries to her

1290
00:57:24,880 --> 00:57:27,760
Speaker 8: neck and left elbow. The incident was also captured on video.

1291
00:57:28,080 --> 00:57:31,480
Speaker 8: A Qina was charged with child abuse. Now you're probably

1292
00:57:31,480 --> 00:57:33,600
Speaker 8: saying to yourself, damn, a Keena, did you have to

1293
00:57:33,720 --> 00:57:36,400
Speaker 8: do all that for some McDonald's Ranch sauce. I don't

1294
00:57:36,440 --> 00:57:38,960
Speaker 8: know if McDonald's ranch saw slaps. I've never had it.

1295
00:57:39,000 --> 00:57:40,440
Speaker 8: Anybody ever had McDonald's Ranch.

1296
00:57:40,560 --> 00:57:42,400
Speaker 7: Yes, it slaps, definitely slaps.

1297
00:57:42,440 --> 00:57:45,560
Speaker 8: Okay, okay, Now, if it was Polynesian sauce, chip fil

1298
00:57:45,560 --> 00:57:46,920
Speaker 8: At sauce, we probably could understand.

1299
00:57:46,960 --> 00:57:49,400
Speaker 7: But McDonald's Ranch, I'm not sure. Just says it slaps.

1300
00:57:49,520 --> 00:57:51,479
Speaker 8: I'll take her word for it, but it's not about

1301
00:57:51,520 --> 00:57:54,680
Speaker 8: what the team did that got her choke slammed. It's

1302
00:57:54,720 --> 00:57:57,000
Speaker 8: the principle. As much as I have to give a

1303
00:57:57,080 --> 00:57:59,160
Speaker 8: keena this he hall, because there's a part of me.

1304
00:58:00,040 --> 00:58:01,600
Speaker 8: I mean, as much as I have to give a

1305
00:58:01,680 --> 00:58:03,560
Speaker 8: key to this he hall, there is a part of

1306
00:58:03,640 --> 00:58:05,120
Speaker 8: me that's like.

1307
00:58:05,320 --> 00:58:05,720
Speaker 13: Per.

1308
00:58:07,240 --> 00:58:09,080
Speaker 12: What is it per? What is it her?

1309
00:58:09,600 --> 00:58:11,080
Speaker 7: What is per her?

1310
00:58:11,760 --> 00:58:12,040
Speaker 12: What's that?

1311
00:58:12,200 --> 00:58:16,240
Speaker 7: That's that's just Clockett's Okay.

1312
00:58:16,360 --> 00:58:18,640
Speaker 8: He wants to be a woman so bad. Yes, someone

1313
00:58:18,720 --> 00:58:21,760
Speaker 8: has to teach these yms a lesson. Okay, where was

1314
00:58:21,840 --> 00:58:25,960
Speaker 8: this seventeen year old's home training? There is cause and effect.

1315
00:58:26,040 --> 00:58:29,160
Speaker 8: The seventeen year old was the cause and effect is

1316
00:58:29,200 --> 00:58:31,720
Speaker 8: a keen of choke slamming her and being arrested and

1317
00:58:31,840 --> 00:58:34,000
Speaker 8: charged with child abuse. And now she's about to lose

1318
00:58:34,040 --> 00:58:36,520
Speaker 8: her job at McDonald's. Okay, she is clearly missing her

1319
00:58:36,600 --> 00:58:40,560
Speaker 8: calling as nightclub security. But I digress. Look customer service

1320
00:58:40,600 --> 00:58:43,960
Speaker 8: one on one. If a customer breaches protocol, especially a minor,

1321
00:58:45,120 --> 00:58:48,600
Speaker 8: throw hot fried grease on them, No, the appropriate response

1322
00:58:48,680 --> 00:58:51,360
Speaker 8: is to call management, our security, our security. Okay, don't

1323
00:58:51,360 --> 00:58:54,040
Speaker 8: resort to physical violence because McDonalds wouldn't front line for

1324
00:58:54,120 --> 00:58:57,080
Speaker 8: you like that, And you should never, under any circumstance,

1325
00:58:57,440 --> 00:59:01,120
Speaker 8: risk your job, freedom and a young person safety over

1326
00:59:01,240 --> 00:59:01,920
Speaker 8: a condiment.

1327
00:59:02,120 --> 00:59:02,360
Speaker 12: I know.

1328
00:59:02,560 --> 00:59:04,720
Speaker 7: I know that seventeen year old was risking it all too,

1329
00:59:04,960 --> 00:59:07,800
Speaker 7: But day seventeen, you thirty one. You should know better.

1330
00:59:07,880 --> 00:59:10,640
Speaker 8: Now once again you got a child abuse charge, which

1331
00:59:10,680 --> 00:59:13,000
Speaker 8: is gonna look nasty on your record, and you lost

1332
00:59:13,040 --> 00:59:16,280
Speaker 8: your job at Ronald McDonald's house. This situation makes the

1333
00:59:16,320 --> 00:59:19,280
Speaker 8: ice cream machine always being broken seem like good customer service.

1334
00:59:19,680 --> 00:59:27,160
Speaker 8: Please give Akina Samson the biggest he hull McDonald's.

1335
00:59:27,160 --> 00:59:27,920
Speaker 7: They dying for you, bro.

1336
00:59:28,640 --> 00:59:29,320
Speaker 10: Yeah, that's a lot.

1337
00:59:29,400 --> 00:59:32,040
Speaker 7: That's extra. Just call the police, I will.

1338
00:59:32,160 --> 00:59:35,120
Speaker 6: I will say this though, a lot of people that

1339
00:59:35,200 --> 00:59:38,320
Speaker 6: work at fast food jobs take their job way too serious.

1340
00:59:38,440 --> 00:59:39,160
Speaker 7: Yeah, definitely.

1341
00:59:39,240 --> 00:59:41,840
Speaker 6: If I want an extra packet of Ketchup, please give

1342
00:59:41,880 --> 00:59:43,080
Speaker 6: me an extra packet Ketchup?

1343
00:59:43,120 --> 00:59:43,520
Speaker 7: I agree.

1344
00:59:43,720 --> 00:59:45,800
Speaker 9: You know, if I say, hey, can I extra Ketchup?

1345
00:59:45,800 --> 00:59:47,560
Speaker 9: That doesn't mean one packet? Give me too or five?

1346
00:59:48,000 --> 00:59:50,320
Speaker 6: If I asked for an additional you know, sweet and

1347
00:59:50,400 --> 00:59:52,440
Speaker 6: sour sauce, yeah, give me one of two, give me

1348
00:59:52,480 --> 00:59:52,919
Speaker 6: two three.

1349
00:59:53,080 --> 00:59:56,400
Speaker 14: I'm telling you I used to give them vegas away

1350
00:59:56,560 --> 00:59:57,680
Speaker 14: like Testa's on a corner.

1351
00:59:57,960 --> 01:00:00,440
Speaker 8: Yeah, because it's not. It's just hoarding catch up package.

1352
01:00:00,440 --> 01:00:03,120
Speaker 8: Probably sit there for money they had a time.

1353
01:00:03,560 --> 01:00:03,920
Speaker 12: Just take it.

1354
01:00:04,120 --> 01:00:04,960
Speaker 9: Take it too serious.

1355
01:00:05,000 --> 01:00:09,800
Speaker 6: If I want my my fries to overflow, you know,

1356
01:00:10,040 --> 01:00:11,320
Speaker 6: like give me a little.

1357
01:00:11,160 --> 01:00:13,400
Speaker 7: Extra, and it's not coming out of our money.

1358
01:00:13,480 --> 01:00:15,880
Speaker 14: Is like, we're not buying as employees, Like we're not

1359
01:00:16,080 --> 01:00:18,360
Speaker 14: buying the sauces out of our money.

1360
01:00:18,440 --> 01:00:20,680
Speaker 8: So it's crazy be a cheerful giver when you work

1361
01:00:20,720 --> 01:00:22,120
Speaker 8: at these fast food establishments.

1362
01:00:22,200 --> 01:00:27,680
Speaker 14: I'm just saying, you look like Jennifer Lewis, thank you. Yes,

1363
01:00:27,920 --> 01:00:31,720
Speaker 14: that's want American idol. That's what she that when that's

1364
01:00:31,760 --> 01:00:32,480
Speaker 14: before she started.

1365
01:00:32,640 --> 01:00:34,360
Speaker 7: You just told me off. She told me that looks

1366
01:00:34,360 --> 01:00:35,200
Speaker 7: like a broke transgender.

1367
01:00:35,200 --> 01:00:36,080
Speaker 1: I did not I say I did.

1368
01:00:36,160 --> 01:00:36,400
Speaker 12: I say.

1369
01:00:38,120 --> 01:00:38,680
Speaker 10: I don't know how.

1370
01:00:40,520 --> 01:00:42,560
Speaker 14: It's supposed to rich what you said. You know, I

1371
01:00:42,600 --> 01:00:44,440
Speaker 14: said you looked like an old ass trans woman. That's

1372
01:00:44,440 --> 01:00:45,880
Speaker 14: why I said the same difference. It looks like you

1373
01:00:45,960 --> 01:00:47,400
Speaker 14: was marching in the sixties. That's what looks like.

1374
01:00:47,520 --> 01:00:49,520
Speaker 7: That's that wig is given right now. Well, did you

1375
01:00:49,560 --> 01:00:50,800
Speaker 7: know what we had to go through in the sixties?

1376
01:00:51,360 --> 01:00:53,600
Speaker 8: If you had dogs sicked on you and holds its

1377
01:00:53,600 --> 01:00:55,840
Speaker 8: preying on you and marching at a hundred degree whether

1378
01:00:56,040 --> 01:00:57,480
Speaker 8: you would look like this too, You think you're we're

1379
01:00:57,480 --> 01:00:59,160
Speaker 8: supposed to look prim and proper while you're watching.

1380
01:00:59,280 --> 01:01:01,840
Speaker 7: I just said, you know you, Dominicans don't know how struggle.

1381
01:01:02,600 --> 01:01:04,560
Speaker 7: Dominicans do not know how people struggled.

1382
01:01:06,320 --> 01:01:09,160
Speaker 1: Gonna cast you tonight? You see this wig on you?

1383
01:01:09,360 --> 01:01:09,640
Speaker 7: All right?

1384
01:01:09,680 --> 01:01:18,600
Speaker 1: I mean tomorrow, tomorrow morning? What you're gonna cast you

1385
01:01:18,680 --> 01:01:19,400
Speaker 1: to my afternoon?

1386
01:01:19,800 --> 01:01:20,160
Speaker 10: Sorry?

1387
01:01:20,840 --> 01:01:23,040
Speaker 7: What is wrong with y'all? All right? Thank you?

1388
01:01:23,560 --> 01:01:24,840
Speaker 9: Donkey of the day.

1389
01:01:25,800 --> 01:01:28,200
Speaker 1: He looks just like a bitch. When I said, excuse me,

1390
01:01:28,360 --> 01:01:30,920
Speaker 1: he go what watch tonight?

1391
01:01:31,160 --> 01:01:35,360
Speaker 7: Like watch tonight? I gotta be doing castings that night.

1392
01:01:36,560 --> 01:01:36,880
Speaker 10: Lady.

1393
01:01:37,080 --> 01:01:42,200
Speaker 7: Yeah, I get you. Oh my god, tap to me

1394
01:01:42,320 --> 01:01:46,840
Speaker 7: during regular office. Woman, it's so bad all right now,

1395
01:01:47,160 --> 01:01:51,600
Speaker 7: we're all part woman fifty percent fifty percent man to

1396
01:01:51,680 --> 01:01:54,240
Speaker 7: make us. Also, this this a woman in you? Yes,

1397
01:01:57,640 --> 01:02:01,080
Speaker 7: this wind really has him feeling himself. All right? All right, guys,

1398
01:02:01,160 --> 01:02:02,320
Speaker 7: can we focus? Can we focus?

1399
01:02:02,400 --> 01:02:02,840
Speaker 1: Classroom?

1400
01:02:02,880 --> 01:02:03,440
Speaker 10: Can we focus?

1401
01:02:04,080 --> 01:02:04,400
Speaker 7: All right?

1402
01:02:04,600 --> 01:02:05,960
Speaker 30: In the are you talking?

1403
01:02:11,680 --> 01:02:13,440
Speaker 1: I wish I could see his wig because a lot

1404
01:02:13,480 --> 01:02:15,440
Speaker 1: of like what you're laughing about. He has a wig.

1405
01:02:15,520 --> 01:02:17,480
Speaker 6: Right now, it looks like he's an old lady in church.

1406
01:02:17,560 --> 01:02:19,919
Speaker 6: That's exactly what it looks like. They just finished frying

1407
01:02:19,960 --> 01:02:21,480
Speaker 6: some fried chicken and just ready for.

1408
01:02:22,240 --> 01:02:24,240
Speaker 7: Where did the wig come from? Tell the whole context.

1409
01:02:24,520 --> 01:02:25,640
Speaker 1: It came from a whig store.

1410
01:02:26,000 --> 01:02:30,240
Speaker 14: No, Laurence stylist, our wig maker went to go buy

1411
01:02:30,360 --> 01:02:31,920
Speaker 14: you away from the store because you say you are

1412
01:02:31,920 --> 01:02:32,760
Speaker 14: not worth the bundles.

1413
01:02:33,080 --> 01:02:36,479
Speaker 8: Everything that y'all are saying about my wig this morning's

1414
01:02:36,600 --> 01:02:38,880
Speaker 8: exactly what y'all should be saying herb y'all need you

1415
01:02:38,960 --> 01:02:40,200
Speaker 8: on this island all to myself?

1416
01:02:41,480 --> 01:02:48,840
Speaker 9: All right, yes, charge the breakfast as well.

1417
01:02:48,880 --> 01:02:50,360
Speaker 4: We goes in the bounty.

1418
01:02:50,440 --> 01:02:53,800
Speaker 9: Come on, now we have one twelve, we have total,

1419
01:02:54,720 --> 01:02:55,720
Speaker 9: and we have Case.

1420
01:02:55,840 --> 01:02:58,320
Speaker 1: Welcome, Welcome, welcome, welcome man.

1421
01:02:58,480 --> 01:03:02,880
Speaker 7: How are you going? And this is not a random

1422
01:03:02,920 --> 01:03:04,400
Speaker 7: link up, y'all going on tour together?

1423
01:03:05,320 --> 01:03:08,720
Speaker 31: Yeah, this is the one twelve room one twelve thirtieth

1424
01:03:08,920 --> 01:03:12,520
Speaker 31: anniversary tour. We're so excited about our brother Case and

1425
01:03:12,640 --> 01:03:13,760
Speaker 31: our sister's total with us.

1426
01:03:13,800 --> 01:03:16,200
Speaker 10: So you know, have a good time, man.

1427
01:03:16,280 --> 01:03:23,800
Speaker 31: First first shows win November, Yeah, November twelve, Stafford, Connecticut,

1428
01:03:23,840 --> 01:03:25,400
Speaker 31: Brooklyn is November thirteen.

1429
01:03:25,960 --> 01:03:28,280
Speaker 9: So there's a members missing, So are the members going

1430
01:03:28,320 --> 01:03:29,960
Speaker 9: to be on tour or this is the tour?

1431
01:03:30,240 --> 01:03:34,520
Speaker 10: Okay, okay, okay, yeah, nice my other.

1432
01:03:34,480 --> 01:03:40,200
Speaker 7: Members by yourself.

1433
01:03:41,160 --> 01:03:41,600
Speaker 1: We're made.

1434
01:03:41,680 --> 01:03:43,360
Speaker 7: Now the right time for all of y'all to come

1435
01:03:43,400 --> 01:03:44,240
Speaker 7: together for this tour.

1436
01:03:44,600 --> 01:03:45,880
Speaker 10: Oh that's a great question, bro.

1437
01:03:46,680 --> 01:03:47,480
Speaker 23: Honestly managed it.

1438
01:03:47,600 --> 01:03:49,880
Speaker 31: It just felt right, it being thirty years you know,

1439
01:03:50,040 --> 01:03:52,200
Speaker 31: us being in the game, so it just it just

1440
01:03:52,280 --> 01:03:53,720
Speaker 31: made sense for us to just get out there and

1441
01:03:53,920 --> 01:03:56,840
Speaker 31: just show the fans that we really appreciate what they've

1442
01:03:56,840 --> 01:03:58,440
Speaker 31: been doing, you know, been rocking out with us for

1443
01:03:58,480 --> 01:04:01,480
Speaker 31: the last thirty years, man, So we were really excited

1444
01:04:01,520 --> 01:04:04,480
Speaker 31: about it. Man, Like, we're managed totally and one twelve

1445
01:04:04,520 --> 01:04:06,640
Speaker 31: we managed by the same you know crew, So of

1446
01:04:06,720 --> 01:04:08,880
Speaker 31: course that was an easy, you know decision to make

1447
01:04:08,960 --> 01:04:11,160
Speaker 31: with that and then case you know, being you know,

1448
01:04:12,120 --> 01:04:13,400
Speaker 31: yeah that's the bro, you know what I mean, and

1449
01:04:13,560 --> 01:04:16,360
Speaker 31: all of us having that catalog is definitely we wanted

1450
01:04:16,360 --> 01:04:19,439
Speaker 31: to bring back that ninety nostalgia and all.

1451
01:04:19,400 --> 01:04:23,320
Speaker 14: Y'all still sing thank you. That's you know, not everybody

1452
01:04:23,400 --> 01:04:24,800
Speaker 14: doing it, but y'all can still sing.

1453
01:04:25,000 --> 01:04:26,360
Speaker 10: That's good man.

1454
01:04:26,600 --> 01:04:28,480
Speaker 8: How did y'all find that balance back in the day

1455
01:04:28,560 --> 01:04:32,320
Speaker 8: between between being like sexy but strong, was still streetd

1456
01:04:32,360 --> 01:04:33,960
Speaker 8: with it, Like, how did y'all find that balance?

1457
01:04:34,120 --> 01:04:36,880
Speaker 18: It was just natural, Like that's just who we are

1458
01:04:37,080 --> 01:04:39,840
Speaker 18: growing up Jersey, like how we were.

1459
01:04:40,120 --> 01:04:41,040
Speaker 10: And that's what made us.

1460
01:04:41,120 --> 01:04:43,440
Speaker 7: To me, that's what made us who we were.

1461
01:04:43,840 --> 01:04:46,760
Speaker 30: Total the name started out as total opposites because we

1462
01:04:46,840 --> 01:04:49,120
Speaker 30: were all individuals in our.

1463
01:04:49,080 --> 01:04:51,960
Speaker 7: Own way, you know, So it was it wasn't like

1464
01:04:52,120 --> 01:04:53,080
Speaker 7: you had to buy the brand.

1465
01:04:53,680 --> 01:04:54,680
Speaker 30: We came as we were.

1466
01:04:55,360 --> 01:04:57,560
Speaker 9: Yeah, how was the bad Boy ever back then?

1467
01:04:57,800 --> 01:04:58,240
Speaker 7: Growing up?

1468
01:04:58,320 --> 01:04:58,400
Speaker 12: Right?

1469
01:04:58,480 --> 01:05:01,360
Speaker 6: Because there was a time nineties two thousand it was

1470
01:05:01,560 --> 01:05:04,200
Speaker 6: nothing but bad Boy in the radio, nothing but bad

1471
01:05:04,280 --> 01:05:07,480
Speaker 6: Boy on the streets, mixtapes to clubs. How was that

1472
01:05:07,640 --> 01:05:10,120
Speaker 6: era where just it felt like anything y'all did hit

1473
01:05:11,120 --> 01:05:11,320
Speaker 6: it was.

1474
01:05:11,360 --> 01:05:12,280
Speaker 7: It's a beautiful thing.

1475
01:05:12,440 --> 01:05:13,280
Speaker 12: It was fun, it was.

1476
01:05:14,680 --> 01:05:16,560
Speaker 17: That's what we've learned a lot of our grind from

1477
01:05:16,640 --> 01:05:19,160
Speaker 17: that whole era, just grinding just out there.

1478
01:05:20,000 --> 01:05:22,120
Speaker 12: It was going to the like it was just fun.

1479
01:05:22,240 --> 01:05:25,880
Speaker 7: It was just like a big old part yep.

1480
01:05:27,240 --> 01:05:29,919
Speaker 32: Yeah, crazy us coming from Atlanta, you know what I'm saying,

1481
01:05:30,200 --> 01:05:32,360
Speaker 32: Like it was a different it was like a different culture.

1482
01:05:32,440 --> 01:05:34,880
Speaker 32: So you know, you know, you can imagine how that felt.

1483
01:05:34,880 --> 01:05:37,840
Speaker 32: He's coming I know, he's from the you know what

1484
01:05:37,880 --> 01:05:40,840
Speaker 32: I'm saying, So he's coming to New York culture, you know,

1485
01:05:41,400 --> 01:05:41,760
Speaker 32: so you know.

1486
01:05:42,200 --> 01:05:44,040
Speaker 7: But but it was so much fun because.

1487
01:05:43,840 --> 01:05:47,200
Speaker 32: It was just like okay, clubs smaller, but you know

1488
01:05:47,240 --> 01:05:47,560
Speaker 32: what I mean.

1489
01:05:47,680 --> 01:05:49,480
Speaker 7: But it was like in your face, so you know

1490
01:05:49,520 --> 01:05:53,040
Speaker 7: what I'm saying. So, but we learned a lot musically here.

1491
01:05:54,560 --> 01:05:56,800
Speaker 6: What about the fore kse Now, you weren't on Bad Boy,

1492
01:05:56,800 --> 01:05:59,640
Speaker 6: you were on death Jamm. You a songwriter, you had

1493
01:05:59,760 --> 01:06:01,520
Speaker 6: you have the I always say, you have that one

1494
01:06:01,560 --> 01:06:03,360
Speaker 6: wedding song that you would get paid for for the

1495
01:06:03,400 --> 01:06:08,480
Speaker 6: rest of your life happily ever after, like ya. That

1496
01:06:08,600 --> 01:06:10,560
Speaker 6: was it coming up for you in that during that

1497
01:06:10,680 --> 01:06:12,440
Speaker 6: time because at that time you would death jam. Death

1498
01:06:12,520 --> 01:06:15,680
Speaker 6: jam was heavy pop and you was probably.

1499
01:06:15,360 --> 01:06:16,920
Speaker 9: One of the only R and B singers at the time.

1500
01:06:17,440 --> 01:06:17,880
Speaker 12: I mean it was.

1501
01:06:18,160 --> 01:06:20,760
Speaker 33: It was cool for me, except for the only problem

1502
01:06:20,840 --> 01:06:22,320
Speaker 33: what they was learning on the fly how to do

1503
01:06:22,480 --> 01:06:24,040
Speaker 33: R and B and so I get caught up in

1504
01:06:24,080 --> 01:06:27,200
Speaker 33: that sometime. But yeah, I mean you know how big

1505
01:06:27,280 --> 01:06:29,280
Speaker 33: they was then, so that part was cool. It was

1506
01:06:29,360 --> 01:06:30,920
Speaker 33: just a lot of times they had a lot of

1507
01:06:31,000 --> 01:06:33,720
Speaker 33: hip hop sensibilities because it's hip hop label. But one

1508
01:06:33,720 --> 01:06:35,760
Speaker 33: of the things that helped me was that I was

1509
01:06:35,800 --> 01:06:38,080
Speaker 33: the last artist that Russell personally signed to death Jam,

1510
01:06:38,440 --> 01:06:41,280
Speaker 33: So I'd always call him and be like, yo, I

1511
01:06:41,320 --> 01:06:42,040
Speaker 33: could snitch.

1512
01:06:43,720 --> 01:06:45,720
Speaker 7: The record was gonna be so timeless, like touch me,

1513
01:06:45,840 --> 01:06:46,680
Speaker 7: tease me happily.

1514
01:06:46,760 --> 01:06:49,120
Speaker 33: Ever ever, I didn't know. But that's what I always

1515
01:06:49,160 --> 01:06:51,160
Speaker 33: wanted to do. Like I never wanted to make like

1516
01:06:51,360 --> 01:06:53,720
Speaker 33: trendy stuff. I always wanted to make music like my

1517
01:06:53,800 --> 01:06:56,480
Speaker 33: parents would listen to stuff from like twenty thirty years earlier,

1518
01:06:56,760 --> 01:06:58,440
Speaker 33: and they would have me doing it. And so my

1519
01:06:58,560 --> 01:07:00,160
Speaker 33: thing was like, if I could do that and not

1520
01:07:00,280 --> 01:07:02,160
Speaker 33: be happy, and then everything else will fall in line.

1521
01:07:02,320 --> 01:07:06,000
Speaker 7: You worked with a Mary Jay beyond Brown.

1522
01:07:08,320 --> 01:07:11,720
Speaker 6: Who else There's a bunch of people h ll ghost Face,

1523
01:07:11,840 --> 01:07:15,280
Speaker 6: ghost Face, genuine, Tyrie Jam and Lewis.

1524
01:07:15,520 --> 01:07:17,400
Speaker 9: I felt like de f GM didn't treat you like

1525
01:07:17,960 --> 01:07:18,840
Speaker 9: a regular artist.

1526
01:07:18,960 --> 01:07:22,280
Speaker 6: Right with Total in one twelve, I would see them

1527
01:07:22,320 --> 01:07:24,400
Speaker 6: out in the club like bad Boy would have him

1528
01:07:24,400 --> 01:07:26,360
Speaker 6: ount deaf GM artists, deaf GM would have them out.

1529
01:07:26,640 --> 01:07:28,920
Speaker 9: I didn't see you def Jam put you out as

1530
01:07:29,000 --> 01:07:30,520
Speaker 9: much like that was it because you didn't want.

1531
01:07:30,440 --> 01:07:31,560
Speaker 7: To go out or I probably didn't know what to

1532
01:07:31,560 --> 01:07:32,480
Speaker 7: do it because he was R and B.

1533
01:07:33,280 --> 01:07:34,640
Speaker 10: I think a lot of it. Yeah.

1534
01:07:34,680 --> 01:07:36,640
Speaker 33: First of all, I hate going out, Okay, so if

1535
01:07:36,680 --> 01:07:39,320
Speaker 33: I didn't have to be there, that's why you always

1536
01:07:39,320 --> 01:07:40,680
Speaker 33: be like Yo, you had know that stuff about you

1537
01:07:40,680 --> 01:07:41,360
Speaker 33: because I know how to.

1538
01:07:43,560 --> 01:07:44,000
Speaker 10: Be over here.

1539
01:07:44,920 --> 01:07:47,400
Speaker 33: So yeah, I mean I wasn't really big on going out,

1540
01:07:47,560 --> 01:07:49,400
Speaker 33: or when I did, it'd be I'd be somewhere else

1541
01:07:49,840 --> 01:07:52,800
Speaker 33: unless I had to be, you know, somewhere with them.

1542
01:07:52,880 --> 01:07:54,240
Speaker 18: You got you, did you guys?

1543
01:07:54,480 --> 01:07:54,600
Speaker 3: Well?

1544
01:07:54,680 --> 01:07:56,840
Speaker 17: Mike, I saw you say that you feel like you

1545
01:07:56,920 --> 01:07:59,680
Speaker 17: know you guys first album. Without that, you don't think

1546
01:07:59,680 --> 01:08:01,680
Speaker 17: the arm you would be as prevalent or as worldwide

1547
01:08:01,720 --> 01:08:02,440
Speaker 17: as it is right now.

1548
01:08:02,800 --> 01:08:06,240
Speaker 31: So yeah, the mind frame was we started that whole trend.

1549
01:08:06,280 --> 01:08:08,440
Speaker 31: It's like the way music sounds now. One twelve had

1550
01:08:08,480 --> 01:08:10,720
Speaker 31: a lot to do with that because no one can

1551
01:08:10,840 --> 01:08:14,600
Speaker 31: really give us a group that did it the way

1552
01:08:14,640 --> 01:08:16,840
Speaker 31: that we did it before one twelve, Like as far

1553
01:08:16,920 --> 01:08:19,280
Speaker 31: as singing over hip hop beats and stuff like that,

1554
01:08:19,479 --> 01:08:21,800
Speaker 31: like you I challenged in but finding a group that

1555
01:08:21,880 --> 01:08:23,760
Speaker 31: did it because back in the day, what you had

1556
01:08:23,840 --> 01:08:25,240
Speaker 31: ther a side and you had the B side right,

1557
01:08:25,479 --> 01:08:27,120
Speaker 31: and then on the B side, so the records right,

1558
01:08:27,160 --> 01:08:29,320
Speaker 31: they had the records, you had the uptempo record where

1559
01:08:29,320 --> 01:08:33,280
Speaker 31: they were singing, but they were always all that singing

1560
01:08:33,400 --> 01:08:36,559
Speaker 31: over uptempo beats and stuff. It was like it was confusing.

1561
01:08:36,600 --> 01:08:36,840
Speaker 7: Puff.

1562
01:08:36,920 --> 01:08:39,280
Speaker 31: One one thing that Puff told us was like when

1563
01:08:39,320 --> 01:08:41,880
Speaker 31: you're in the club, when you when you're recording a record,

1564
01:08:41,960 --> 01:08:44,800
Speaker 31: right sing the song as if you're in the club

1565
01:08:44,920 --> 01:08:46,519
Speaker 31: drinking and you're trying to holler at the girl. You

1566
01:08:46,560 --> 01:08:48,920
Speaker 31: ain't eve gonna be in this girl talking about Yeah,

1567
01:08:49,640 --> 01:08:55,479
Speaker 31: you gonna I want to be with you, you know

1568
01:08:55,479 --> 01:08:57,760
Speaker 31: what I mean. It's gonna be something smoothing. So when

1569
01:08:57,800 --> 01:08:59,840
Speaker 31: we wrote records, we wrote the up timbo records in

1570
01:08:59,880 --> 01:09:02,240
Speaker 31: the and Slim having the voice being able to just

1571
01:09:02,360 --> 01:09:03,920
Speaker 31: lay on the tracks the way that we did, Like

1572
01:09:04,040 --> 01:09:07,120
Speaker 31: that started an hold ever where people now like when

1573
01:09:07,160 --> 01:09:09,519
Speaker 31: you hear R and B it has a hip hop

1574
01:09:09,640 --> 01:09:10,559
Speaker 31: element to it as well.

1575
01:09:10,640 --> 01:09:13,040
Speaker 7: It's not just R and B. It's a hip hop element.

1576
01:09:13,160 --> 01:09:15,280
Speaker 8: Isn't that the bad boy formula? Or wasn't that Diddy?

1577
01:09:15,360 --> 01:09:17,400
Speaker 8: Like I feel like Diddy did that like with Josie.

1578
01:09:17,439 --> 01:09:18,960
Speaker 8: I feel like he did that with Mary J. Blige,

1579
01:09:19,240 --> 01:09:19,640
Speaker 8: like he did that.

1580
01:09:19,680 --> 01:09:22,160
Speaker 31: With I'll give You That, I'll give you Mary J.

1581
01:09:22,280 --> 01:09:25,080
Speaker 31: Blige because yeah, she she helped, uh because we always

1582
01:09:25,080 --> 01:09:27,400
Speaker 31: say that Mary is between Mary and one twelve, but

1583
01:09:27,439 --> 01:09:29,640
Speaker 31: one twelve really and then yeah, puff did you know

1584
01:09:29,720 --> 01:09:31,439
Speaker 31: he did contribute it because we came in with just

1585
01:09:31,800 --> 01:09:33,640
Speaker 31: we aren't beat, we aren't be bro, like forget all

1586
01:09:33,680 --> 01:09:35,800
Speaker 31: that stuff, man, like hip hop that's gonna cheapen our

1587
01:09:35,880 --> 01:09:37,720
Speaker 31: sound and all this sudden stuff. And he's had the

1588
01:09:37,800 --> 01:09:41,040
Speaker 31: vision was like, Yo, this is what's gonna separate y'all

1589
01:09:41,080 --> 01:09:43,519
Speaker 31: from the drew Hills, from the Jaggets, from the you know,

1590
01:09:43,960 --> 01:09:45,800
Speaker 31: the Ajets and all these other groups that were coming

1591
01:09:45,840 --> 01:09:46,559
Speaker 31: out at the same time.

1592
01:09:46,640 --> 01:09:48,720
Speaker 14: And you know what that that didn't make perfect sense

1593
01:09:48,840 --> 01:09:51,240
Speaker 14: right instead of all I would love to come up

1594
01:09:51,280 --> 01:09:52,720
Speaker 14: to me and let me tell you what.

1595
01:09:58,439 --> 01:10:02,600
Speaker 7: Exactly. That's exactly what it was. You ain't gonna be

1596
01:10:02,600 --> 01:10:02,920
Speaker 7: able to sing.

1597
01:10:03,040 --> 01:10:04,559
Speaker 23: So he's like, bro, all of that in my ear,

1598
01:10:04,640 --> 01:10:05,479
Speaker 23: Like I don't want to hear all that.

1599
01:10:05,640 --> 01:10:05,960
Speaker 1: Yeah, you know.

1600
01:10:06,320 --> 01:10:08,800
Speaker 8: So that's you agree with Mike's assessment. Not to start

1601
01:10:08,840 --> 01:10:10,760
Speaker 8: any arguments here, but case still agree with that.

1602
01:10:11,840 --> 01:10:13,360
Speaker 33: Yeah, I mean it was it was part of it.

1603
01:10:13,720 --> 01:10:15,880
Speaker 33: I mean that during that era, but that's when hip

1604
01:10:15,880 --> 01:10:18,800
Speaker 33: hop and R and B was Yeah, so pretty much.

1605
01:10:19,000 --> 01:10:20,439
Speaker 7: And I feel like bad Boy wasn't the form in

1606
01:10:20,439 --> 01:10:20,800
Speaker 7: front of U.

1607
01:10:21,320 --> 01:10:22,120
Speaker 9: Yeah, yeah, definitely.

1608
01:10:22,320 --> 01:10:24,920
Speaker 30: Yeah, total was hip hop with that touch of R

1609
01:10:24,920 --> 01:10:27,160
Speaker 30: and B, R and B group, but I think we

1610
01:10:27,280 --> 01:10:28,719
Speaker 30: were more base hip hop.

1611
01:10:28,800 --> 01:10:29,720
Speaker 9: With the touch of R and B.

1612
01:10:29,920 --> 01:10:33,320
Speaker 30: And Mary definitely was the pioneer of that sound when

1613
01:10:33,360 --> 01:10:36,320
Speaker 30: Puff did the remixes with Jodasy, because Jodasy was just.

1614
01:10:36,360 --> 01:10:38,840
Speaker 9: The R and B and then Het the hip hop element.

1615
01:10:39,120 --> 01:10:41,519
Speaker 7: Ghost facing Ray Kuon on the Freaking You remix.

1616
01:10:41,880 --> 01:10:43,800
Speaker 8: You know, like I can't even I don't want to hear,

1617
01:10:43,880 --> 01:10:46,400
Speaker 8: can't you see without Biggie part? Like I hate hated

1618
01:10:46,439 --> 01:10:48,160
Speaker 8: when some of the urban stations back in the day

1619
01:10:48,160 --> 01:10:49,679
Speaker 8: didn't play Raptors, just playing the RB.

1620
01:10:50,240 --> 01:10:58,840
Speaker 4: I hated. I was like, yeah, I would go before

1621
01:10:59,040 --> 01:11:02,400
Speaker 4: that's no facts record, right, yes.

1622
01:11:02,280 --> 01:11:06,880
Speaker 7: Because they didn't want a lot didn't play. How do

1623
01:11:06,960 --> 01:11:08,240
Speaker 7: y'all balance egos?

1624
01:11:08,439 --> 01:11:10,879
Speaker 8: You know, you know, when you're dealing with three legendary

1625
01:11:10,960 --> 01:11:14,080
Speaker 8: actual all had that individual moments, you know.

1626
01:11:14,479 --> 01:11:16,599
Speaker 7: It's it's a respect level. Yeah, you know what I mean.

1627
01:11:16,720 --> 01:11:22,640
Speaker 31: It's like because I'm I'm actually fans. Yeah, actually like that,

1628
01:11:23,000 --> 01:11:24,360
Speaker 31: And I know it sounds cliche with.

1629
01:11:24,400 --> 01:11:26,800
Speaker 7: It, but it's the truth. And you know we we

1630
01:11:27,160 --> 01:11:28,760
Speaker 7: so often we don't tell the truth.

1631
01:11:28,840 --> 01:11:30,800
Speaker 31: You know, we're getting this type or form or whatever,

1632
01:11:30,840 --> 01:11:34,559
Speaker 31: but we are genuinely like total was our first pick

1633
01:11:34,600 --> 01:11:36,679
Speaker 31: to be on this room. One twelve to a Case

1634
01:11:36,840 --> 01:11:38,800
Speaker 31: was our first pick to be on this because in

1635
01:11:38,960 --> 01:11:42,120
Speaker 31: Case his catalog, we just spoke about his catalog ridiculous,

1636
01:11:42,200 --> 01:11:44,640
Speaker 31: total ridiculous, one twelve ridiculous.

1637
01:11:44,840 --> 01:11:46,040
Speaker 7: And we wanted to bring back.

1638
01:11:45,920 --> 01:11:48,439
Speaker 31: That nineties nostalgia, you know, and just bring back that

1639
01:11:48,560 --> 01:11:50,600
Speaker 31: whole era of I knew where I was when I

1640
01:11:50,680 --> 01:11:52,880
Speaker 31: heard only You for the first time, you know, I

1641
01:11:53,000 --> 01:11:54,880
Speaker 31: knew where I was when I heard Cupid, when I

1642
01:11:55,000 --> 01:11:56,800
Speaker 31: heard I'm Missing You, and when I heard can't you

1643
01:11:56,880 --> 01:11:57,920
Speaker 31: See for the first.

1644
01:11:57,800 --> 01:11:59,720
Speaker 23: Time, Like I remember where I was when I heard

1645
01:11:59,760 --> 01:12:00,800
Speaker 23: these not what it was.

1646
01:12:00,840 --> 01:12:01,479
Speaker 12: To be I was.

1647
01:12:06,160 --> 01:12:06,320
Speaker 5: You know.

1648
01:12:06,720 --> 01:12:09,479
Speaker 33: I think that ego is healthy on the tour, especially

1649
01:12:09,560 --> 01:12:11,840
Speaker 33: like this, because you have to if you use it

1650
01:12:11,960 --> 01:12:14,280
Speaker 33: the right way. Like for me, it's like, Okay, I'm

1651
01:12:14,280 --> 01:12:16,720
Speaker 33: gonna try to kill everybody. They're gonna feel the same,

1652
01:12:16,880 --> 01:12:19,040
Speaker 33: and then the fans the one that wins, as opposed

1653
01:12:19,040 --> 01:12:21,000
Speaker 33: to people who just go up there don't care, like

1654
01:12:21,040 --> 01:12:22,400
Speaker 33: I just got we come from that.

1655
01:12:22,600 --> 01:12:25,200
Speaker 30: You got, you got came from, right, we come from

1656
01:12:25,280 --> 01:12:28,519
Speaker 30: that came in our tour and we're like, well total

1657
01:12:28,880 --> 01:12:32,320
Speaker 30: twelve just killed y'all got Okay, that's.

1658
01:12:32,240 --> 01:12:32,800
Speaker 10: How you gotta do it.

1659
01:12:34,400 --> 01:12:37,240
Speaker 33: Competion and that's that's the because the only people that

1660
01:12:37,320 --> 01:12:37,960
Speaker 33: win is the fans.

1661
01:12:38,600 --> 01:12:40,240
Speaker 10: Was that ever a low time for y'all?

1662
01:12:40,720 --> 01:12:43,439
Speaker 4: Yeah, yeah, it definitely was.

1663
01:12:43,800 --> 01:12:46,280
Speaker 31: I think for us, the resurgence of the nineties, you know,

1664
01:12:46,479 --> 01:12:49,320
Speaker 31: was was something that was what we appreciated more than anything,

1665
01:12:49,360 --> 01:12:51,679
Speaker 31: and that happened about what maybe almost like six seven

1666
01:12:51,800 --> 01:12:52,160
Speaker 31: years ago.

1667
01:12:52,479 --> 01:12:53,840
Speaker 7: It was like what the pandemic did.

1668
01:12:55,840 --> 01:12:59,320
Speaker 32: You didn't know when you didn't know what the state

1669
01:12:59,360 --> 01:13:01,920
Speaker 32: of music and how the industry and how we were

1670
01:13:01,960 --> 01:13:05,479
Speaker 32: going to perform was going to be. Remember, everybody started

1671
01:13:06,000 --> 01:13:08,320
Speaker 32: experimenting with the whole you know.

1672
01:13:08,920 --> 01:13:11,400
Speaker 7: Taping, you know, and then video.

1673
01:13:11,720 --> 01:13:13,920
Speaker 32: It was just, yeah, I thought we were going to

1674
01:13:14,000 --> 01:13:17,080
Speaker 32: just it's going to be that, you know, so so

1675
01:13:17,240 --> 01:13:19,519
Speaker 32: much gratitude now to you know what I mean, see

1676
01:13:19,560 --> 01:13:22,880
Speaker 32: it for where it is, and and we feel like it's.

1677
01:13:22,800 --> 01:13:26,720
Speaker 7: A blessing that of all the errors they chose to pick,

1678
01:13:27,360 --> 01:13:29,960
Speaker 7: they picked the nineties. You know what I'm saying, So

1679
01:13:30,560 --> 01:13:32,640
Speaker 7: thank you. I would want to go back, just I

1680
01:13:32,680 --> 01:13:34,080
Speaker 7: really want to experience it in New York like.

1681
01:13:36,280 --> 01:13:37,800
Speaker 10: You would left at me.

1682
01:13:39,240 --> 01:13:42,760
Speaker 17: I forget that one time you laughed at me. I

1683
01:13:42,960 --> 01:13:45,920
Speaker 17: feel like the time that you guys were like like

1684
01:13:46,040 --> 01:13:48,400
Speaker 17: the top, it was such a good time here. It

1685
01:13:48,560 --> 01:13:51,080
Speaker 17: doesn't seem real, like when we hear the stories or

1686
01:13:51,680 --> 01:13:55,240
Speaker 17: like like I'm listening to y'all talk about just walking

1687
01:13:55,280 --> 01:13:57,560
Speaker 17: in the studio, big big, he's just there and like,

1688
01:13:57,640 --> 01:13:59,320
Speaker 17: you know, I can't imagine.

1689
01:14:00,320 --> 01:14:03,000
Speaker 18: And just being like on top, yeah, like in.

1690
01:14:03,040 --> 01:14:05,760
Speaker 31: That time, but you're working so hard that you don't

1691
01:14:05,800 --> 01:14:07,280
Speaker 31: even realize it, you know what I mean, Like you

1692
01:14:07,320 --> 01:14:10,280
Speaker 31: don't even realize what it took us to step away

1693
01:14:10,320 --> 01:14:11,120
Speaker 31: from it, you know.

1694
01:14:11,240 --> 01:14:13,639
Speaker 7: And and okay, we can use it as our downtime,

1695
01:14:13,720 --> 01:14:15,519
Speaker 7: you know, and say that that was the time.

1696
01:14:15,960 --> 01:14:18,439
Speaker 31: For us to go back and look at it and say, man,

1697
01:14:18,520 --> 01:14:21,000
Speaker 31: we we did more than just seeing you know, we

1698
01:14:21,080 --> 01:14:24,799
Speaker 31: contributed to a culture, like we we are part of history,

1699
01:14:24,920 --> 01:14:25,080
Speaker 31: you know.

1700
01:14:26,920 --> 01:14:28,960
Speaker 7: Yeah, so that was amazing.

1701
01:14:28,960 --> 01:14:31,320
Speaker 31: It's looking at it now being older, like you're looking

1702
01:14:31,360 --> 01:14:33,400
Speaker 31: at it now because my kids now they're they're going

1703
01:14:33,439 --> 01:14:35,840
Speaker 31: back and they googling, like dad, y'all y'all the pieces

1704
01:14:35,840 --> 01:14:42,519
Speaker 31: of cream the video, you know, my kid, no, because

1705
01:14:42,520 --> 01:14:44,200
Speaker 31: I don't go around don't. I don't go around here

1706
01:14:44,280 --> 01:14:46,840
Speaker 31: looking you know, I don't. I don't do that, you know,

1707
01:14:47,200 --> 01:14:50,400
Speaker 31: Like they just they grew up as normal as I

1708
01:14:51,080 --> 01:14:53,640
Speaker 31: I hoped I could, because I could teach them to be,

1709
01:14:53,760 --> 01:14:58,160
Speaker 31: because it's such a mental strain that the industry takes.

1710
01:14:58,280 --> 01:15:00,880
Speaker 31: Like it gives, but it also takes. One of the

1711
01:15:00,960 --> 01:15:03,479
Speaker 31: things is, you know, the lack of you know, the

1712
01:15:03,640 --> 01:15:07,320
Speaker 31: mental of health that comes along. You know what I'm

1713
01:15:07,320 --> 01:15:10,439
Speaker 31: saying with that, because you're you're inundated with all of this.

1714
01:15:10,960 --> 01:15:12,880
Speaker 31: You know, you have to be perfect every time you

1715
01:15:13,000 --> 01:15:15,720
Speaker 31: see you're out, you all, your face has always got

1716
01:15:15,840 --> 01:15:17,880
Speaker 31: to be right, your clothes got to always be right.

1717
01:15:18,000 --> 01:15:19,960
Speaker 23: Or man, they don't fell off, bro, Like.

1718
01:15:20,560 --> 01:15:21,800
Speaker 7: I just came from the jail, you know.

1719
01:15:22,680 --> 01:15:24,720
Speaker 6: Yeah, but I think the camera messed that up there.

1720
01:15:25,720 --> 01:15:27,599
Speaker 6: The camera messed it up because when like the reason

1721
01:15:27,640 --> 01:15:29,559
Speaker 6: I asked if he was out is I would see

1722
01:15:29,640 --> 01:15:32,160
Speaker 6: everybody out right. I was a kid growing up, So

1723
01:15:32,360 --> 01:15:33,840
Speaker 6: I would go to grass tooms and see y'all. One

1724
01:15:33,880 --> 01:15:36,479
Speaker 6: hundred twenty fifth Trier, go to the tunnel and see y'all.

1725
01:15:36,479 --> 01:15:37,920
Speaker 6: In the tunnel of different things, and there was no

1726
01:15:38,080 --> 01:15:43,519
Speaker 6: VIP area. That's what it does, and it gave you

1727
01:15:43,560 --> 01:15:45,280
Speaker 6: a connection with the artists. But there was no phone,

1728
01:15:45,320 --> 01:15:47,400
Speaker 6: so it was no I'm taking a picture. There was

1729
01:15:47,560 --> 01:15:49,960
Speaker 6: no The only thing that you would possibly do if

1730
01:15:49,960 --> 01:15:51,600
Speaker 6: you want, and nobody wanted to look corny. But you

1731
01:15:51,680 --> 01:15:53,479
Speaker 6: might ask for an autograph, but nobody wanted to come

1732
01:15:53,479 --> 01:15:55,160
Speaker 6: in the club and do that. So it gave you

1733
01:15:55,439 --> 01:15:57,599
Speaker 6: you enjoying the moment, and I feel like people are

1734
01:15:57,640 --> 01:15:58,400
Speaker 6: not enjoying the moment.

1735
01:15:59,520 --> 01:16:03,720
Speaker 30: I did that, and I'm like, I've never went live ever,

1736
01:16:03,800 --> 01:16:06,800
Speaker 30: went live on Instagram, and I.

1737
01:16:06,920 --> 01:16:07,760
Speaker 10: Wasn't expecting this.

1738
01:16:07,920 --> 01:16:10,599
Speaker 7: Beyonce came out and she just started speaking.

1739
01:16:11,040 --> 01:16:11,599
Speaker 1: I'm all live.

1740
01:16:11,640 --> 01:16:14,080
Speaker 30: I'm like, I'm on live, y'all this be and she

1741
01:16:14,200 --> 01:16:17,040
Speaker 30: started speaking and I started crying. I was not expecting it.

1742
01:16:17,080 --> 01:16:19,240
Speaker 30: I was like, okay, guys, I gotta go. Literally, I

1743
01:16:19,320 --> 01:16:22,479
Speaker 30: might have been filming for like ten seconds. You gotta

1744
01:16:22,560 --> 01:16:25,080
Speaker 30: be in the moment because it's an experience, you know

1745
01:16:25,120 --> 01:16:25,439
Speaker 30: what I mean?

1746
01:16:25,760 --> 01:16:29,000
Speaker 9: Watching it back, No, it's not I just gotta ask one.

1747
01:16:29,000 --> 01:16:30,880
Speaker 9: Mo'm sorry, no one else.

1748
01:16:30,960 --> 01:16:31,120
Speaker 12: Beat.

1749
01:16:31,439 --> 01:16:33,840
Speaker 6: Were y'all confused when you first heard that beat? No, no,

1750
01:16:33,920 --> 01:16:35,800
Speaker 6: because there was snares all over that place.

1751
01:16:38,280 --> 01:16:40,240
Speaker 30: We did not know what was going to be put

1752
01:16:40,320 --> 01:16:44,000
Speaker 30: over it. Okay, because that was Terry once again, Terry Robinson.

1753
01:16:44,200 --> 01:16:46,040
Speaker 30: It's like, how are you going to write over it?

1754
01:16:47,520 --> 01:16:47,720
Speaker 7: Said?

1755
01:16:48,439 --> 01:16:48,960
Speaker 12: You heard it?

1756
01:16:49,240 --> 01:16:50,040
Speaker 30: It went crazy.

1757
01:16:50,720 --> 01:16:51,719
Speaker 7: It's one of my favorites.

1758
01:16:52,680 --> 01:16:57,439
Speaker 18: Hard if we could just get all of those acts

1759
01:16:57,520 --> 01:16:58,560
Speaker 18: on the stage.

1760
01:16:58,479 --> 01:17:05,000
Speaker 9: One day, we're gonna say hopeful, yeah, yeah, brand its crazy.

1761
01:17:05,080 --> 01:17:07,120
Speaker 9: All right, Well, thank you guys for joining us. One

1762
01:17:07,200 --> 01:17:09,080
Speaker 9: twelve tons.

1763
01:17:10,080 --> 01:17:11,320
Speaker 12: Ll get them take me.

1764
01:17:12,200 --> 01:17:13,840
Speaker 8: And it's the Breakfast Club. Good morning, It's time to

1765
01:17:13,880 --> 01:17:16,120
Speaker 8: get up out of here. The positive note comes from

1766
01:17:16,160 --> 01:17:19,680
Speaker 8: Maya Angelou. She said, if you don't like something, change it.

1767
01:17:19,960 --> 01:17:22,479
Speaker 8: If you can't change it, change your attitude about it.

1768
01:17:22,640 --> 01:17:24,280
Speaker 8: Have a blessed day, Breakfast Club.

1769
01:17:25,000 --> 01:17:26,200
Speaker 10: You don't finish for y'all done.

1770
01:17:27,400 --> 01:17:28,559
Speaker 1: Woke up, Wake you up?

1771
01:17:28,600 --> 01:17:31,240
Speaker 2: Wake up with that up program your alarm to power

1772
01:17:31,280 --> 01:17:33,120
Speaker 2: one oh five point one on iHeartRadio