WEBVTT - INTERVIEW: Clipse Talk New Album, Def Jam Split, Travis Scott Beef, Cousinz Fest, Kdot, Ye, Leaks + More

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<v Speaker 1>Wake that ass up in the morning. The Breakfast Club Morning.

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<v Speaker 2>Everybody is the j n V. Jess Hilarious, Charlamagne the guy.

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<v Speaker 3>We are the Breakfast Club. We got some special guests

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<v Speaker 3>in the build. Clips.

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<v Speaker 4>What's up?

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<v Speaker 5>Is it the clips?

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<v Speaker 6>Or is it clip Clips?

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<v Speaker 5>Okay? Because I say the clips too? Clips?

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<v Speaker 2>You call that.

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<v Speaker 7>Shot, So it's just clips.

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<v Speaker 4>What's the origins of the name for people who don't know,

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<v Speaker 4>So that came from Full of Clips. I came up

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<v Speaker 4>with it and at the time of Fat Joe had

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<v Speaker 4>the Full of Clips crew, so we just shortened it

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<v Speaker 4>the Clips.

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<v Speaker 5>Okay.

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<v Speaker 3>Now I want to go back right because you guys

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<v Speaker 3>have been a long time, for a long time, so

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<v Speaker 3>I want to start from the history. Of course, I

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<v Speaker 3>know you guys for a long, long, long, long time.

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<v Speaker 3>So what got you into rapping and to form the

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<v Speaker 3>group The clip Clips for people that don't know.

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<v Speaker 4>Always always been a fan of hip hop like anybody else.

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<v Speaker 4>You know, My older brother was into the whole cardboard

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<v Speaker 4>box break dancing, boom box rapping when you had to

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<v Speaker 4>push play and record and wrap directly into the box

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<v Speaker 4>and yeah, man, just uh just coming up, just coming

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<v Speaker 4>up under that and uh we went to Chad's house

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<v Speaker 4>one time and pusha he wrote his first rap, and

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<v Speaker 4>Pharrell was like, y'all, should you know be a group?

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<v Speaker 4>His first rap was incredible, but before that it was

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<v Speaker 4>just me rapping over there.

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<v Speaker 3>Now when you're first met Chad and Pharrell, right, yep,

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<v Speaker 3>y'all are totally opposite. So how did y'all even meet

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<v Speaker 3>and even learn each other? Because growing up in Norfolk

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<v Speaker 3>in Virginia, like.

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<v Speaker 1>It's totally two different sides.

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<v Speaker 3>So what made y'all even say, you know what, let's

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<v Speaker 3>connect with these guys who wearing tight shirts at the

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<v Speaker 3>time and tight pants and looked like skateboards and look

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<v Speaker 3>nothing like y'all serving them, serving them? So it made

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<v Speaker 3>you say, you know what, let's link with them and

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<v Speaker 3>start you know.

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<v Speaker 4>Actually, so I was a djuh dj Alex in Virginia.

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<v Speaker 4>Beach lived down the street from me, and we went

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<v Speaker 4>out and we rented a drum machine and we got

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<v Speaker 4>the drum machine, but we couldn't work it, and you know,

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<v Speaker 4>we had to turn it back in, so and we

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<v Speaker 4>had paid for it, but you know, we was gonna

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<v Speaker 4>have to turn it back in before we even had

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<v Speaker 4>a chance to use it. And he was like, you know,

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<v Speaker 4>let's take it to my homie's house. And we went

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<v Speaker 4>over there and it happened to beat Chad and he

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<v Speaker 4>knew how to work it. And you know, that's just

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<v Speaker 4>stuff that we was doing before clip.

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<v Speaker 1>And that's where it started. Yeah, so when did y'all

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<v Speaker 1>take it serious?

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<v Speaker 3>When did you say, you know, what this rap thing

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<v Speaker 3>is is something I'm gonna take serious. I'm gonna get

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<v Speaker 3>off the street to say this is what it is.

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<v Speaker 5>I have to say that was in meeting Pharrell. In

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<v Speaker 5>meeting Pharrell, and you know it was Pharrell, it was

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<v Speaker 5>the Teddy Riley coming to Virginia. You know, we began

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<v Speaker 5>to see that it was a real thing, that that

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<v Speaker 5>that music was was actually attainable in arms reach. I mean,

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<v Speaker 5>we seeing the cars, were seeing the Ferraris, We're seeing

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<v Speaker 5>Michael Jackson in Virginia Beach. You know, we're seeing MC's

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<v Speaker 5>whole everybody was was coming, was coming down. And then

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<v Speaker 5>at the same time we had you know, Timblin and

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<v Speaker 5>MISSI they was doing their thing. They were you know,

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<v Speaker 5>they had left home and went to Jersey and was

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<v Speaker 5>working with Joe Tosy. But these are all our childhood

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<v Speaker 5>you know, high school school for last thing, so we

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<v Speaker 5>we got to see it from a lot of different

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<v Speaker 5>angles that you know, music was possible.

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<v Speaker 8>Why why Virginia don't get like the credit for being

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<v Speaker 8>a hip hop hotbed, just a black music hotbed.

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<v Speaker 3>Not just not just music. You remember Alan Evlson from

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<v Speaker 3>that area, Michael Vicks.

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<v Speaker 1>From that area.

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<v Speaker 2>Like this, it's so much in that area that people.

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<v Speaker 8>Forget I'm the music because you got regions and you know,

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<v Speaker 8>states that get that love, but y'all don't seem to.

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<v Speaker 5>Well. I think I think it's because I think a

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<v Speaker 5>lot of people have. Everybody who's made it in Virginia

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<v Speaker 5>actually had to leave Virginia to make it. I don't

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<v Speaker 5>think any one particular artist of any of us. None

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<v Speaker 5>of us broke in Virginia. So we always broke like

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<v Speaker 5>Clips broke in Philly. You know, you know everybody, everybody

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<v Speaker 5>broke somewhere else. So I think Clip's broken Philly. I

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<v Speaker 5>never yeah, Clip's broken, Philly. Man shoutow cosmic vow, Yeah, yeah,

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<v Speaker 5>Clips broken Philly. I don't know what record was at

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<v Speaker 5>the funeral or grind grinding broken Philly.

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<v Speaker 3>Now do you remember that when Farrell gave you that

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<v Speaker 3>beat for grinding. I remember the first time I heard it.

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<v Speaker 3>It was confusing. Yeah, it was confusing. I was confused.

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<v Speaker 3>So when he first gave it, how did you know

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<v Speaker 3>that was?

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<v Speaker 5>You probably got the CD that I was handing out. Yes,

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<v Speaker 5>I did, Yeah, I believe you did. You know when

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<v Speaker 5>we heard it first, we was like, you know, we

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<v Speaker 5>were it was. It kind of took us back because

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<v Speaker 5>you got to think at that time, Pharrell was singing

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<v Speaker 5>on every hook. It was uh, whether it was mister

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<v Speaker 5>Cool and whoever. Right, So, you know, this is our

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<v Speaker 5>first joint and he like, yo, this is the one,

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<v Speaker 5>and we like, we want you singing, like saying you

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<v Speaker 5>better tap or do something. And you know, he was like,

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<v Speaker 5>now I'm telling you this is this the future. This

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<v Speaker 5>is what it is.

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<v Speaker 4>And he was right, and it was confusing because we

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<v Speaker 4>actually wrote to it twice three times.

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<v Speaker 5>I think I think I got three joints on that joint.

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<v Speaker 3>I still can't blend it to this day because I

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<v Speaker 3>don't know where the beating the snare go at.

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<v Speaker 2>Wow, actually blend on it. You just gotta go.

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<v Speaker 5>That's crazy, that's crazy for you to say.

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<v Speaker 1>That to this day. M Me up there, Me up there,

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<v Speaker 1>I just love.

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<v Speaker 5>Vegas with envy, rocking, smoking.

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<v Speaker 1>Thanks.

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<v Speaker 8>Thanks, you know on the album Malas you said you've

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<v Speaker 8>been both Mason bethists for people who don't know what

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<v Speaker 8>that line needs.

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<v Speaker 4>Yeah, I just feel like I understand stood and walked

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<v Speaker 4>a similar path like Mace, you know, to be in

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<v Speaker 4>this industry and then to have a real live revelation

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<v Speaker 4>of God and who he is, you know, and then

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<v Speaker 4>have to navigate your way. As far as navigating, not

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<v Speaker 4>so much because I knew that I had to chill,

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<v Speaker 4>take a step back. And I also want to give

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<v Speaker 4>you y'all flowers too, because y'all were still messing with

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<v Speaker 4>me during that time. You let me come in here

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<v Speaker 4>and you know, promote the documentary and you know, uh

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<v Speaker 4>my solo projects and everything. So yeah, I appreciate that.

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<v Speaker 4>But yeah, I feel like I understand, uh seeing a

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<v Speaker 4>lot of the same things that that Mace.

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<v Speaker 5>Uh see.

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<v Speaker 4>I bought that up because you know, they actually caught

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<v Speaker 4>me Mason the club.

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<v Speaker 5>It was in the club in DC, and it was

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<v Speaker 5>like we got to push your ta in Mason.

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<v Speaker 1>For a while.

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<v Speaker 5>No, No, I'm cool with it all.

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<v Speaker 4>Yeah, I'm cool with it all.

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<v Speaker 8>That's why I brought it up because that's what ultimately

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<v Speaker 8>caused the clips to you know, in for that fifth

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<v Speaker 8>period of time.

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<v Speaker 2>That's right, yeah, yeah, So what got your back? What

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<v Speaker 2>was the call that said I want to do this again?

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<v Speaker 4>There were a few baby steps, I'm gonna say, uh,

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<v Speaker 4>going out to Wyoming and uh, you know, working on

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<v Speaker 4>use this gospel with ya with my brother. I always

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<v Speaker 4>knew that we could do it, but I just knew

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<v Speaker 4>I needed to sit down period, you know what I'm saying?

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<v Speaker 4>And uh, what else did we do? We did push

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<v Speaker 4>his album, I Pray for You, We did the Lego album,

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<v Speaker 4>the album Yeah, I mean those were things I could

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<v Speaker 4>ask for that I knew, weren't you know, just solid

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<v Speaker 4>nose and you know, man.

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<v Speaker 5>From there, it was just like, what we're gonna do?

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<v Speaker 8>What was the exact moment though, because y'all were on

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<v Speaker 8>two completely different life paths, So what was the exact

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<v Speaker 8>moment that said, Okay, it's time to do another album?

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<v Speaker 4>Okay, So I'll say this. You know, when when we

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<v Speaker 4>were doing they use this gospel and punch bowl and

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<v Speaker 4>push his album and whatever, I had to ask my dad.

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<v Speaker 4>I was like, you know, what do you think about me?

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<v Speaker 4>Rapping again, and he said, he said, son, I think

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<v Speaker 4>you've been too hard on yourself. And my dad's a deacon,

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<v Speaker 4>you know, like he was a deacon. So to hear

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<v Speaker 4>him say that, I am like a word.

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<v Speaker 5>That's how you feel like, you know, And you answered

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<v Speaker 5>one of my questions.

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<v Speaker 8>I was gonna ask you about that because you talk

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<v Speaker 8>about that on Birds Don't Sink, right, And I just

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<v Speaker 8>thought that was such a powerful thing, just just to

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<v Speaker 8>explain like you was going through his you know, dresser drawer,

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<v Speaker 8>seeing his notes. But then he y'all had conversations about

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<v Speaker 8>you rapping again. I'm gonna ask you what would those conversations?

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<v Speaker 4>Yeah, yeah, we you know, just everything was the way

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<v Speaker 4>it lined up. It told the whole story, and it

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<v Speaker 4>let me know that God is intentional. These things don't

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<v Speaker 4>just be happening to us the way you know, we think.

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<v Speaker 4>God is very gracious and he sets you up. He

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<v Speaker 4>knows what you can take, He knows how much to

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<v Speaker 4>put on you. He knows the order in which to put,

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<v Speaker 4>you know, things in for you. So I I just

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<v Speaker 4>know that He's in control all the time. And the

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<v Speaker 4>conversations with that record, you know, Pusher talking to my

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<v Speaker 4>mom and me talking to my dad and being able

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<v Speaker 4>to document those last conversations. Even those conversations was a

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<v Speaker 4>type of preparation, you know, getting you ready for what

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<v Speaker 4>was about to take place.

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<v Speaker 5>So like, I'm I'm.

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<v Speaker 4>Cool with it all.

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<v Speaker 3>Well, condolence is first, and for you know, I was

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<v Speaker 3>when I was in Vegas. You know, I was with

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<v Speaker 3>family members of yours and what I like to do

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<v Speaker 3>is is pull them to the side and just have conversations.

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<v Speaker 3>I knew I was coming up for an interview and.

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<v Speaker 8>Trying to get tea yeah, of course, and one of

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<v Speaker 8>them was like, now we were talking about the down.

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<v Speaker 1>This is before I heard the.

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<v Speaker 3>Album, and he was like, he was like, yo, the

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<v Speaker 3>best thing about it. He was like, I had their

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<v Speaker 3>mom in the car and he was like, the greatest

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<v Speaker 3>thing that ever happened is the two boys are back

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<v Speaker 3>together rapping. So how was that feeling of knowing that

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<v Speaker 3>mom was just super duper happy that her two sons

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<v Speaker 3>were backrock.

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<v Speaker 5>Uh man? You know she that was that was always

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<v Speaker 5>a big thing, you know, for me as a soloist.

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<v Speaker 5>She would always be like I want with them, Yeah,

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<v Speaker 5>I want your brother with you. I want them back

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<v Speaker 5>out there with you probably just to you know, look

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<v Speaker 5>over me, watch over me. But that was that was

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<v Speaker 5>always her thing. She was huge on like us just

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<v Speaker 5>being together.

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<v Speaker 8>Yea, Now did y'all know y'all had to start the

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<v Speaker 8>album with a dedication to your parents, like.

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<v Speaker 5>Because it was the hardest record to make, Like, it

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<v Speaker 5>was the hardest record to make. So yeah, So finally,

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<v Speaker 5>like when we cracked that code, you know, we were

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<v Speaker 5>you know, we were putting the order in and we

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<v Speaker 5>was like, man, nah, this this, this has to start, like,

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<v Speaker 5>this has to start the album.

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<v Speaker 1>It was.

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<v Speaker 5>It was polarizing the response, you know, just in the

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<v Speaker 5>creation of it. Man, everybody who heard it, you know,

0:10:58.040 --> 0:11:00.080
<v Speaker 5>and there were people in there, like you know, we

0:11:00.080 --> 0:11:04.160
<v Speaker 5>we recorded it in the LV headquarters, so it's a

0:11:04.240 --> 0:11:07.719
<v Speaker 5>room and it's you know, it's open. The mics are

0:11:07.720 --> 0:11:10.760
<v Speaker 5>like this, ain't no booth you record like this. You

0:11:10.800 --> 0:11:12.760
<v Speaker 5>look outside, you look through that window right there, and

0:11:12.760 --> 0:11:14.720
<v Speaker 5>then it's not a window, it's just an open space.

0:11:15.000 --> 0:11:18.079
<v Speaker 5>Somebody with a sewing machine, somebody with you know, bag

0:11:18.240 --> 0:11:22.120
<v Speaker 5>shoes whatever. And while we're doing this in real time,

0:11:22.200 --> 0:11:25.480
<v Speaker 5>everybody's in tears, like everybody just you know, they're they're

0:11:25.520 --> 0:11:28.560
<v Speaker 5>watching it. By the time we finish it, it's like,

0:11:28.600 --> 0:11:30.240
<v Speaker 5>you know, just like any other record. It's like, man,

0:11:30.440 --> 0:11:32.440
<v Speaker 5>you know, we we cracked the code on it, like

0:11:32.480 --> 0:11:37.440
<v Speaker 5>we were satisfied, but it was just so hard to do.

0:11:38.120 --> 0:11:40.079
<v Speaker 5>And everybody is always like, you know, everybody want to

0:11:40.120 --> 0:11:42.600
<v Speaker 5>put the hardest record first, and I'm like, nah, man,

0:11:42.679 --> 0:11:45.560
<v Speaker 5>this this is the this is the hardest record, and

0:11:45.720 --> 0:11:47.960
<v Speaker 5>I want to see how it like really touches people.

0:11:48.559 --> 0:11:50.640
<v Speaker 5>You know, from the jump and the didn't get into

0:11:50.640 --> 0:11:51.360
<v Speaker 5>everything else.

0:11:51.679 --> 0:11:52.560
<v Speaker 2>Did that change you?

0:11:52.640 --> 0:11:54.840
<v Speaker 3>Because you know, you talk about on the record of

0:11:55.120 --> 0:11:56.959
<v Speaker 3>where you were and the things that you should have

0:11:57.000 --> 0:11:59.080
<v Speaker 3>been doing that you weren't doing. Yeah, and then I've

0:11:59.120 --> 0:12:00.959
<v Speaker 3>seen a shoe for a couple of years with you

0:12:01.080 --> 0:12:03.880
<v Speaker 3>when you had your son, like everything is about your

0:12:03.920 --> 0:12:07.560
<v Speaker 3>son and you show up more than anything else, and

0:12:07.600 --> 0:12:08.680
<v Speaker 3>that wasn't you beforehand.

0:12:08.679 --> 0:12:09.719
<v Speaker 2>So did that change you?

0:12:09.800 --> 0:12:12.160
<v Speaker 5>What is my first son? So you know, this is

0:12:12.200 --> 0:12:16.800
<v Speaker 5>this is this is new to me. But you know,

0:12:17.040 --> 0:12:21.760
<v Speaker 5>I man, I don't know if it changed me. I

0:12:21.960 --> 0:12:26.240
<v Speaker 5>would say that my parents prepared me to be a dad,

0:12:26.360 --> 0:12:28.199
<v Speaker 5>like a real dad, because I had a real dad

0:12:28.480 --> 0:12:29.160
<v Speaker 5>and a real mom.

0:12:30.040 --> 0:12:32.320
<v Speaker 9>Were there conversations that you wish you had with your mom,

0:12:32.480 --> 0:12:34.000
<v Speaker 9>like in those moments where you talk about you went

0:12:34.000 --> 0:12:35.120
<v Speaker 9>to Turks for Thanksgiving and.

0:12:35.040 --> 0:12:38.400
<v Speaker 5>So no, no, like me and my mom was so straight,

0:12:39.080 --> 0:12:44.240
<v Speaker 5>like we've been, like we always were straight. And I

0:12:44.280 --> 0:12:48.960
<v Speaker 5>think that the you know, the whole the Turks thing

0:12:49.000 --> 0:12:52.000
<v Speaker 5>when you know, and looking at in hindsight, you know,

0:12:52.080 --> 0:12:53.719
<v Speaker 5>she was like, damn, you're gonna get out of here,

0:12:53.960 --> 0:12:56.440
<v Speaker 5>you know, you know, looking at it and everything, I

0:12:56.520 --> 0:13:00.400
<v Speaker 5>sort of feel like she knows, she knew everything, you know. Yeah,

0:13:00.960 --> 0:13:07.880
<v Speaker 5>so you know, it's just it's it's it was. It

0:13:07.960 --> 0:13:11.760
<v Speaker 5>tells the story, you know after you know what I'm saying,

0:13:11.760 --> 0:13:13.880
<v Speaker 5>like the whole story for me, Like I see it

0:13:13.920 --> 0:13:17.319
<v Speaker 5>all now, I see it all, but at the time, no,

0:13:17.480 --> 0:13:17.920
<v Speaker 5>I didn't.

0:13:18.120 --> 0:13:18.520
<v Speaker 1>I think.

0:13:18.600 --> 0:13:21.880
<v Speaker 4>I think it also says a lot for you know,

0:13:22.000 --> 0:13:25.200
<v Speaker 4>being in harmony with your people. Yeah, really you really

0:13:25.280 --> 0:13:28.640
<v Speaker 4>should be, because that is what gives me a lot

0:13:28.679 --> 0:13:32.559
<v Speaker 4>of peace knowing that, you know, I was there for

0:13:32.679 --> 0:13:36.080
<v Speaker 4>my mother, a great relationship with my mother and my

0:13:36.200 --> 0:13:39.320
<v Speaker 4>father the whole time. So if you're out here and

0:13:39.360 --> 0:13:41.520
<v Speaker 4>you have like a dysfunction or a lot of dis

0:13:42.200 --> 0:13:45.319
<v Speaker 4>disdain between family members, you should really try to fix that,

0:13:45.960 --> 0:13:47.800
<v Speaker 4>you know what I'm saying. You should. You should really

0:13:47.800 --> 0:13:51.000
<v Speaker 4>try to fix that if possible, because right now with

0:13:51.200 --> 0:13:54.120
<v Speaker 4>my parents being gone, I get a lot of peace

0:13:54.559 --> 0:13:57.440
<v Speaker 4>just knowing that everything was straight and always straight.

0:13:57.520 --> 0:13:58.680
<v Speaker 5>That's not the only thing.

0:13:58.920 --> 0:14:03.560
<v Speaker 8>Yeah, y'all choose who was going to rap about who?

0:14:05.200 --> 0:14:06.520
<v Speaker 4>That was kind of easy.

0:14:06.800 --> 0:14:07.120
<v Speaker 5>I mean.

0:14:07.280 --> 0:14:09.880
<v Speaker 4>And even though we were, you know, just all of

0:14:09.960 --> 0:14:13.840
<v Speaker 4>us very close knit and tight knit. Uh, you know,

0:14:14.000 --> 0:14:16.640
<v Speaker 4>my dad and I we always talked about things of

0:14:17.120 --> 0:14:20.760
<v Speaker 4>the Bible, you know, and just whole even my mom

0:14:20.760 --> 0:14:24.120
<v Speaker 4>because my mom was you know, over the house every

0:14:24.160 --> 0:14:28.000
<v Speaker 4>Saturday for Bible study. But I don't know, it just

0:14:28.000 --> 0:14:30.760
<v Speaker 4>seemed like it kind of made more sense for you know,

0:14:30.880 --> 0:14:33.880
<v Speaker 4>me talking about my dad. Well, we get a visual

0:14:34.000 --> 0:14:34.720
<v Speaker 4>for this video.

0:14:34.800 --> 0:14:39.040
<v Speaker 5>I mean, it's already shot. It's already shot.

0:14:39.160 --> 0:14:42.080
<v Speaker 7>Look at you. It's not like you already.

0:14:42.600 --> 0:14:45.640
<v Speaker 2>But I pull everybody to the side, definitely asked.

0:14:45.680 --> 0:14:48.720
<v Speaker 8>How difficult is it to rap honestly next to your

0:14:48.760 --> 0:14:50.880
<v Speaker 8>brother because y'all y'all really know each other, so you

0:14:50.880 --> 0:14:52.480
<v Speaker 8>could be like, yo, you're lying that ain't happy?

0:14:57.120 --> 0:14:58.760
<v Speaker 6>Don't we don't have them kind of issues?

0:14:58.840 --> 0:15:02.359
<v Speaker 4>Okay, Yeah, it's cool and getting.

0:15:02.120 --> 0:15:04.760
<v Speaker 8>It's real, But is it ever like maybe that's too much,

0:15:04.880 --> 0:15:06.200
<v Speaker 8>Like maybe we shouldn't say that.

0:15:06.800 --> 0:15:09.280
<v Speaker 4>I think I think push It likes, especially now he

0:15:09.400 --> 0:15:13.200
<v Speaker 4>likes when I curse, you know, try to like all

0:15:13.240 --> 0:15:14.920
<v Speaker 4>the way there with it, you know what I'm saying.

0:15:15.520 --> 0:15:19.160
<v Speaker 4>But nah, I mean the rapping is is is just

0:15:19.200 --> 0:15:21.320
<v Speaker 4>like second nature to us and we've been doing this

0:15:21.360 --> 0:15:22.360
<v Speaker 4>for a while, so.

0:15:22.480 --> 0:15:24.720
<v Speaker 5>Just the funnest rapping has ever been, I'm being honest

0:15:24.760 --> 0:15:27.400
<v Speaker 5>with you, this go around, Yeah, like this is the

0:15:27.440 --> 0:15:31.280
<v Speaker 5>funnest rap has been. Like this ain't even like that's

0:15:31.320 --> 0:15:34.160
<v Speaker 5>not a thing, like it's you know, the roll out

0:15:34.240 --> 0:15:38.480
<v Speaker 5>and all of that is like the work. This the music,

0:15:39.560 --> 0:15:42.840
<v Speaker 5>not the music is what it is. Like the music

0:15:42.920 --> 0:15:43.240
<v Speaker 5>is there.

0:15:43.400 --> 0:15:45.240
<v Speaker 3>You feel like you gotta you feel like you got

0:15:45.320 --> 0:15:47.480
<v Speaker 3>to prove yourself though it's like I see it would

0:15:47.480 --> 0:15:48.560
<v Speaker 3>hold right people.

0:15:48.440 --> 0:15:50.080
<v Speaker 2>Oh you lying? You ain't really do that?

0:15:50.280 --> 0:15:52.240
<v Speaker 5>Ah man, you feel like you gotta bro I've been

0:15:52.240 --> 0:15:55.120
<v Speaker 5>in this twenty three years, like I've been who I've

0:15:55.120 --> 0:15:58.320
<v Speaker 5>been twenty three years, Like I don't I don't feel

0:15:58.320 --> 0:16:00.680
<v Speaker 5>like I got to prove anything to anybody, And I

0:16:00.680 --> 0:16:03.080
<v Speaker 5>feel like I'm the best at what it is I'm doing.

0:16:03.240 --> 0:16:07.360
<v Speaker 5>Like I don't think nobody talks like this nobody, Like,

0:16:07.400 --> 0:16:09.800
<v Speaker 5>it's a lot that comes with this and I feel like,

0:16:09.880 --> 0:16:12.840
<v Speaker 5>you know, people give you that the coke wrap Moniker

0:16:13.760 --> 0:16:17.280
<v Speaker 5>bro We like it's so much deeper than that. And listen,

0:16:17.320 --> 0:16:19.480
<v Speaker 5>I don't even argue. I don't even argue the title

0:16:19.560 --> 0:16:24.040
<v Speaker 5>no more. It's fine. It's just you know this right now,

0:16:24.080 --> 0:16:26.480
<v Speaker 5>what we're making is for those who know and for

0:16:26.520 --> 0:16:29.440
<v Speaker 5>those who understand, and for those who are like you know,

0:16:29.560 --> 0:16:33.480
<v Speaker 5>into hip hop, into the lifestyle. And I think that's

0:16:33.480 --> 0:16:35.680
<v Speaker 5>what you're seeing in the whole rollout of this album.

0:16:35.760 --> 0:16:39.600
<v Speaker 5>This this is high taste level everything, and it's you

0:16:39.640 --> 0:16:43.200
<v Speaker 5>know it and it shows the heritage of like how

0:16:43.760 --> 0:16:45.720
<v Speaker 5>and what we've been a part of for all these years.

0:16:45.800 --> 0:16:48.800
<v Speaker 5>You know, whether it's you know, high fashion, whether it's

0:16:48.840 --> 0:16:52.320
<v Speaker 5>car hard, whether it's streetwear, whether you know, whatever it is,

0:16:54.000 --> 0:16:56.960
<v Speaker 5>it's all hip hop. Like this is we're trying to

0:16:57.000 --> 0:17:01.160
<v Speaker 5>give the hip hop tutorial of like why we loved rappers,

0:17:01.480 --> 0:17:04.280
<v Speaker 5>you know the rappers I cut my eyebrows broke, you know,

0:17:05.160 --> 0:17:07.560
<v Speaker 5>like these things I did, like I did, you know

0:17:07.600 --> 0:17:10.320
<v Speaker 5>what I mean? And I want people to love us

0:17:10.359 --> 0:17:12.119
<v Speaker 5>in that way and I want to show that, like,

0:17:12.359 --> 0:17:14.880
<v Speaker 5>you know, this is what this is what hip hop

0:17:14.960 --> 0:17:19.000
<v Speaker 5>means to us, like be entrenched, and that's what we're

0:17:19.000 --> 0:17:19.680
<v Speaker 5>just trying to show.

0:17:19.840 --> 0:17:20.040
<v Speaker 4>You know.

0:17:20.119 --> 0:17:21.480
<v Speaker 5>That's funny because.

0:17:22.720 --> 0:17:28.040
<v Speaker 4>That was one of my revelations with my departure, everything

0:17:28.160 --> 0:17:30.280
<v Speaker 4>that we were talking about, the things that we have

0:17:30.440 --> 0:17:33.240
<v Speaker 4>been through, the things that we were sharing, and then

0:17:33.320 --> 0:17:36.960
<v Speaker 4>to see how it all came crashing down with friends

0:17:36.960 --> 0:17:40.760
<v Speaker 4>and family you know, around us and death, yeah, death,

0:17:40.920 --> 0:17:44.040
<v Speaker 4>indictments even to present day. You know what I'm saying,

0:17:44.560 --> 0:17:47.120
<v Speaker 4>The same people that we were running with. We we've

0:17:47.240 --> 0:17:51.000
<v Speaker 4>lost a few, a few more recently. But my revelation

0:17:51.400 --> 0:17:54.840
<v Speaker 4>was when I would hear narratives of you know, they

0:17:54.880 --> 0:17:57.159
<v Speaker 4>weren't into that, or they weren't doing this and that,

0:17:57.240 --> 0:18:01.320
<v Speaker 4>and I'm like, I know what we've been through, and

0:18:01.440 --> 0:18:05.280
<v Speaker 4>for anyone to say anything like that, for to have

0:18:05.440 --> 0:18:08.520
<v Speaker 4>such a sacrifice of all these things going down, just

0:18:08.560 --> 0:18:11.840
<v Speaker 4>for someone to say that, which doesn't trouble me at all,

0:18:11.920 --> 0:18:14.080
<v Speaker 4>doesn't bother me. You know, people have their opinions and

0:18:14.119 --> 0:18:16.919
<v Speaker 4>can say what they want. But to be fighting for

0:18:17.000 --> 0:18:19.320
<v Speaker 4>that and talking that and and then then when it

0:18:19.400 --> 0:18:21.480
<v Speaker 4>happens and then somebody won't say you ain't do that,

0:18:21.680 --> 0:18:23.240
<v Speaker 4>I was like, oh man, no, I'm chilling.

0:18:23.320 --> 0:18:26.040
<v Speaker 5>I'm good. I didn't hear a lot of cocaine wrap

0:18:26.119 --> 0:18:29.000
<v Speaker 5>on this record, though. Was that intentional? Do you think you.

0:18:28.960 --> 0:18:32.120
<v Speaker 8>Should not as the Clips project?

0:18:32.320 --> 0:18:32.520
<v Speaker 5>Right?

0:18:34.240 --> 0:18:34.280
<v Speaker 8>No?

0:18:34.480 --> 0:18:37.320
<v Speaker 4>I think you know, I think it's more reminiscent.

0:18:37.640 --> 0:18:40.840
<v Speaker 7>Yeah, if you give a little in the beginning, a little.

0:18:40.600 --> 0:18:46.000
<v Speaker 9>Something in the beginning's my favorite.

0:18:47.359 --> 0:18:51.080
<v Speaker 5>For who you really they tried.

0:18:51.119 --> 0:18:52.159
<v Speaker 10>They tried to scrap it.

0:18:54.000 --> 0:18:54.919
<v Speaker 5>I tried to scrap it.

0:18:54.960 --> 0:18:58.919
<v Speaker 4>They tried to scrap that.

0:18:58.280 --> 0:19:01.040
<v Speaker 5>Yeah, I told him, I was, you know, that's it.

0:19:01.440 --> 0:19:03.000
<v Speaker 2>Why the.

0:19:06.480 --> 0:19:16.679
<v Speaker 5>Stars about I want to because I was I was

0:19:16.800 --> 0:19:20.760
<v Speaker 5>actually mimicking Guru, like vocally, and I didn't think I

0:19:20.840 --> 0:19:23.680
<v Speaker 5>nailed it good enough. And I was just like, man,

0:19:24.040 --> 0:19:26.720
<v Speaker 5>I didn't get Guru. Oh yeah, okay, okay, I mean,

0:19:26.760 --> 0:19:29.959
<v Speaker 5>you know, very monotone, very conversational, very then and then

0:19:31.160 --> 0:19:33.359
<v Speaker 5>and it was like you know that. I mean, I

0:19:33.600 --> 0:19:38.680
<v Speaker 5>I just didn't. I wasn't sold on the execution can Man,

0:19:38.680 --> 0:19:44.479
<v Speaker 5>that's crazy, that's crazy because it was gone.

0:19:44.600 --> 0:19:46.240
<v Speaker 4>That's my favorite there.

0:19:48.560 --> 0:19:50.439
<v Speaker 5>Did you tell him I don't want to do too

0:19:50.480 --> 0:19:51.639
<v Speaker 5>much of the cocaine thing.

0:19:51.560 --> 0:19:54.080
<v Speaker 4>On this No, I mean, I think, you know, that's

0:19:54.080 --> 0:19:56.680
<v Speaker 4>the good thing between my brother and I things are understood.

0:19:56.880 --> 0:19:59.159
<v Speaker 4>You know, he knows why stand I know where he stands.

0:19:59.240 --> 0:20:01.080
<v Speaker 4>I don't try to chang ain't him or he don't

0:20:01.119 --> 0:20:03.640
<v Speaker 4>try to change me. And it's a it's a good

0:20:03.680 --> 0:20:06.520
<v Speaker 4>plan field where we come together and it's just real.

0:20:06.600 --> 0:20:11.399
<v Speaker 4>We don't have to like overcomplish, manufacture anything. It's just

0:20:11.440 --> 0:20:12.000
<v Speaker 4>what it is.

0:20:12.520 --> 0:20:14.439
<v Speaker 3>The the other day, they said, I was glazing the

0:20:14.440 --> 0:20:16.679
<v Speaker 3>clips right.

0:20:17.520 --> 0:20:17.840
<v Speaker 5>Crazy.

0:20:19.960 --> 0:20:22.080
<v Speaker 3>That is what I said, was I said, I said

0:20:22.080 --> 0:20:25.000
<v Speaker 3>something to this fact. I said, push has if he

0:20:25.000 --> 0:20:27.919
<v Speaker 3>hears anybody go at him, he has five records on

0:20:27.960 --> 0:20:29.760
<v Speaker 3>the side of five versus just the case.

0:20:30.000 --> 0:20:32.199
<v Speaker 1>I said, I just know because I know who he

0:20:32.280 --> 0:20:34.120
<v Speaker 1>is and what he is. Is that true?

0:20:34.520 --> 0:20:40.680
<v Speaker 5>No, man, I'm not listen man, you know he said.

0:20:40.760 --> 0:20:45.480
<v Speaker 11>No, he said, Now he looks good like the skins always.

0:20:45.400 --> 0:20:53.280
<v Speaker 5>Fresh man like, like I like skin compliments. I do

0:20:53.440 --> 0:20:54.960
<v Speaker 5>like skin compliments. I'm gonna tell.

0:20:54.800 --> 0:21:01.520
<v Speaker 2>You to rap as it.

0:21:01.600 --> 0:21:04.119
<v Speaker 3>Sometimes they throw stones that you do you have something

0:21:04.240 --> 0:21:05.760
<v Speaker 3>in the stass for each and every.

0:21:05.600 --> 0:21:05.960
<v Speaker 2>One of them.

0:21:06.080 --> 0:21:08.800
<v Speaker 5>Man, I mean, I think you know, just me being

0:21:09.440 --> 0:21:13.200
<v Speaker 5>a rap artist and me being an MC is that's

0:21:13.280 --> 0:21:18.880
<v Speaker 5>just second nature. And usually most most people who throw stones, man,

0:21:18.960 --> 0:21:22.359
<v Speaker 5>I mean nobody's perfect. So I mean I can dissect

0:21:22.359 --> 0:21:27.359
<v Speaker 5>anybody just like they could dissect me. But you know, man,

0:21:27.520 --> 0:21:33.159
<v Speaker 5>I try not to. I try not to to engage

0:21:33.200 --> 0:21:34.879
<v Speaker 5>to my like I've done that. Like I've done a

0:21:34.920 --> 0:21:36.560
<v Speaker 5>lot of it, you know what I'm saying. I've done

0:21:36.560 --> 0:21:39.639
<v Speaker 5>it with the best and the biggest, Like I've done it.

0:21:40.400 --> 0:21:44.639
<v Speaker 5>So it's like, you know, you can't just entertain everything

0:21:44.640 --> 0:21:48.320
<v Speaker 5>because everybody and everybody's not good. Like everybody's not good.

0:21:48.359 --> 0:21:50.040
<v Speaker 5>This is this is a new day in a new

0:21:50.080 --> 0:21:55.520
<v Speaker 5>era where like you know, just uh clicks and and

0:21:55.520 --> 0:22:00.160
<v Speaker 5>and and clickbait and and people just say things for

0:22:00.160 --> 0:22:04.880
<v Speaker 5>for attention, and it's like you just can't entertain everything. Man,

0:22:04.960 --> 0:22:06.560
<v Speaker 5>you just can't. I feel like you've been trying to

0:22:06.600 --> 0:22:10.240
<v Speaker 5>catch your body since the story. I've been trying to

0:22:10.280 --> 0:22:10.960
<v Speaker 5>catch your body.

0:22:11.240 --> 0:22:17.320
<v Speaker 8>Were you caught? Think a body? I think those were

0:22:17.840 --> 0:22:23.160
<v Speaker 8>shots directly at you. You were surgical with you said

0:22:23.160 --> 0:22:25.160
<v Speaker 8>at the end of peel Back, the lay is real slow.

0:22:25.320 --> 0:22:28.040
<v Speaker 8>So I feel like you really wanted to go there

0:22:28.080 --> 0:22:29.360
<v Speaker 8>with somebody for the longest.

0:22:29.680 --> 0:22:33.000
<v Speaker 5>Nah, man, no, no, I mean you know it's it's

0:22:33.080 --> 0:22:34.280
<v Speaker 5>never a.

0:22:35.440 --> 0:22:35.600
<v Speaker 1>Man.

0:22:35.600 --> 0:22:37.520
<v Speaker 5>I got, I got for real, I have a lot

0:22:37.720 --> 0:22:40.359
<v Speaker 5>to to to rap about. I got a lot to

0:22:40.359 --> 0:22:42.840
<v Speaker 5>wrap about. I got a lot, a lot of content.

0:22:44.080 --> 0:22:49.280
<v Speaker 5>The creativity is is ever flowing and it don't ever

0:22:49.480 --> 0:22:51.720
<v Speaker 5>have to be about an individual. It don't have to

0:22:51.760 --> 0:22:54.359
<v Speaker 5>be like not for me, Like I mean, like, I

0:22:54.400 --> 0:22:57.240
<v Speaker 5>feel like this album is incredible and I don't think

0:22:57.240 --> 0:23:01.040
<v Speaker 5>it's really dialed anywhere you could getting necessory to murder

0:23:01.119 --> 0:23:02.360
<v Speaker 5>charge because when you listen to.

0:23:02.320 --> 0:23:02.520
<v Speaker 4>You for.

0:23:08.000 --> 0:23:10.600
<v Speaker 8>Things that you laid you know, you laid down that

0:23:10.760 --> 0:23:12.520
<v Speaker 8>Kendrick used for you for it, and I think it's

0:23:12.600 --> 0:23:13.600
<v Speaker 8>used in the battle period.

0:23:13.760 --> 0:23:17.080
<v Speaker 5>Man, you know, I think I think you know great

0:23:17.200 --> 0:23:21.720
<v Speaker 5>great lyricists just you know, tune into the obvious.

0:23:22.800 --> 0:23:25.560
<v Speaker 2>Speak during that battle and yeah, speak during the battle.

0:23:31.880 --> 0:23:35.600
<v Speaker 9>I when do you pick and choose when to say

0:23:35.680 --> 0:23:37.399
<v Speaker 9>something about something because you sit on a lot of

0:23:37.400 --> 0:23:38.280
<v Speaker 9>stuff for a long time.

0:23:38.440 --> 0:23:41.520
<v Speaker 5>Yeah, I mean, I'm I'm always like that, like I

0:23:41.560 --> 0:23:44.600
<v Speaker 5>feel like and and that just comes with that just

0:23:44.640 --> 0:23:49.720
<v Speaker 5>comes with like my position in the game and like

0:23:49.920 --> 0:23:52.800
<v Speaker 5>just where I am as an artist. Like, man, I

0:23:52.840 --> 0:23:55.679
<v Speaker 5>don't you know, it's not always a radio record that

0:23:55.720 --> 0:23:59.800
<v Speaker 5>I have. It's not always you know, we don't get

0:24:01.400 --> 0:24:03.760
<v Speaker 5>you know, it's I'm not putting out music constantly. You

0:24:03.760 --> 0:24:05.440
<v Speaker 5>know what I'm saying, every five minutes a new record.

0:24:05.840 --> 0:24:09.000
<v Speaker 5>I feel like, you know, uh, you know, things happen.

0:24:09.480 --> 0:24:11.840
<v Speaker 5>You got to store it. You gotta store, you gotta craft,

0:24:11.920 --> 0:24:14.280
<v Speaker 5>you gotta make it right. You got to set the platform,

0:24:14.359 --> 0:24:16.360
<v Speaker 5>set the stage, breakdown.

0:24:16.520 --> 0:24:19.440
<v Speaker 3>What the hit the situation with death Jam. You guys

0:24:19.440 --> 0:24:21.880
<v Speaker 3>were on Death Jam, Yes, decided to leave.

0:24:22.320 --> 0:24:24.320
<v Speaker 5>You crazy too, man. You can sit up here and

0:24:24.359 --> 0:24:28.000
<v Speaker 5>tell Death Jam was like, Yo, Death Jam, Death Jam

0:24:28.040 --> 0:24:29.600
<v Speaker 5>don't care about your project.

0:24:29.200 --> 0:24:39.200
<v Speaker 10>You crazy, honest man.

0:24:39.280 --> 0:24:40.440
<v Speaker 5>Man, He's.

0:24:42.000 --> 0:24:43.159
<v Speaker 10>Like, you're not gonna do that after her?

0:24:43.240 --> 0:24:45.000
<v Speaker 5>Like what is You're not to talk about your music?

0:24:45.000 --> 0:24:46.680
<v Speaker 5>What are we gonna be talking about?

0:24:47.040 --> 0:24:48.720
<v Speaker 2>And I actually left that day because we didn't sit down,

0:24:48.720 --> 0:24:49.520
<v Speaker 2>but he still wanted to do it.

0:24:49.520 --> 0:24:52.400
<v Speaker 9>But I was pushing for her because I love Coco.

0:24:52.680 --> 0:24:54.720
<v Speaker 9>If we've been honest though, because listening to the project

0:24:54.720 --> 0:24:57.159
<v Speaker 9>now and knowing the background with You're on Jam, you

0:24:57.520 --> 0:24:59.320
<v Speaker 9>I don't understand why they would let a project like

0:24:59.320 --> 0:24:59.800
<v Speaker 9>this go.

0:25:00.600 --> 0:25:02.040
<v Speaker 3>So what was the call when when when you hit

0:25:02.119 --> 0:25:03.520
<v Speaker 3>it in the album and they called and said, we

0:25:03.520 --> 0:25:05.080
<v Speaker 3>can't put this out, we can't clear this record.

0:25:05.119 --> 0:25:05.960
<v Speaker 1>What was that call?

0:25:06.040 --> 0:25:08.199
<v Speaker 5>Like, I mean, it was you know what it was.

0:25:08.240 --> 0:25:11.080
<v Speaker 5>It was something that I wasn't really dealing with firsthand.

0:25:11.480 --> 0:25:14.560
<v Speaker 5>They were like speaking to my management, uh and my

0:25:14.640 --> 0:25:16.800
<v Speaker 5>team and just like you know, and then it got

0:25:16.800 --> 0:25:18.800
<v Speaker 5>it got a little dicey to where to the point

0:25:18.880 --> 0:25:22.320
<v Speaker 5>they weren't they wouldn't text or email send these things

0:25:22.359 --> 0:25:24.320
<v Speaker 5>an email. They would they would like only talk on

0:25:24.359 --> 0:25:27.960
<v Speaker 5>the phone, and you know, they would instruct not to

0:25:28.080 --> 0:25:31.160
<v Speaker 5>email us back and forth these you know, that type

0:25:31.160 --> 0:25:37.000
<v Speaker 5>of correspondence. So, I mean, man, you know it's I

0:25:37.000 --> 0:25:40.000
<v Speaker 5>don't know, like I don't I don't know why. I mean,

0:25:40.400 --> 0:25:43.600
<v Speaker 5>I can only assume that it was just the optics

0:25:43.880 --> 0:25:46.480
<v Speaker 5>with everything they got going on with litigation, lawsuits and

0:25:46.480 --> 0:25:51.480
<v Speaker 5>over that the optics of clips Kendrick together, because that's

0:25:51.920 --> 0:25:54.520
<v Speaker 5>that's when it all happened. Like we don't we don't

0:25:54.960 --> 0:25:57.879
<v Speaker 5>we don't really deal with the label that much anyway

0:25:59.240 --> 0:26:03.359
<v Speaker 5>outside of nothing. Actually, yeah, we don't deal with the label.

0:26:03.400 --> 0:26:05.080
<v Speaker 5>Like we we go make our album and then we

0:26:05.160 --> 0:26:07.320
<v Speaker 5>come and bring the album back. But y'all, you and

0:26:07.480 --> 0:26:09.359
<v Speaker 5>Rick worked together before y'all got a classic together. If

0:26:09.359 --> 0:26:13.280
<v Speaker 5>you ask me different, Oh it's a different day. It

0:26:13.320 --> 0:26:17.160
<v Speaker 5>wasn't you know that was back then, but y'all wasn't

0:26:17.160 --> 0:26:20.600
<v Speaker 5>even shooting that dude, It doesn't it doesn't matter. That's crazy. Yeah.

0:26:20.760 --> 0:26:23.720
<v Speaker 3>So then so when you wanted to leave, you call

0:26:23.800 --> 0:26:25.560
<v Speaker 3>Hole and then the first room was they just let

0:26:25.560 --> 0:26:26.120
<v Speaker 3>you go for free.

0:26:26.200 --> 0:26:27.480
<v Speaker 2>We was like that can't be true.

0:26:27.560 --> 0:26:29.840
<v Speaker 5>No no, no, no, no no no. It had to pay,

0:26:29.880 --> 0:26:30.280
<v Speaker 5>had to pay.

0:26:30.359 --> 0:26:32.320
<v Speaker 1>So you reached out the whole and Hope sit absolutely possible.

0:26:32.320 --> 0:26:36.240
<v Speaker 5>Well was my Stephen did Yeah, Stephen, Stephen reached out

0:26:36.280 --> 0:26:39.439
<v Speaker 5>to him. There were other other labels in the in

0:26:39.480 --> 0:26:43.080
<v Speaker 5>the in the bidding, and he just called hold, like yo,

0:26:43.600 --> 0:26:45.159
<v Speaker 5>I think there was a there was a there was

0:26:45.200 --> 0:26:48.080
<v Speaker 5>an approval process between one of the labels or something

0:26:48.600 --> 0:26:51.640
<v Speaker 5>took a little long, and he went and ass whole

0:26:51.760 --> 0:26:54.360
<v Speaker 5>and Hope was like, look, yeah, let's do this now,

0:26:54.880 --> 0:26:58.280
<v Speaker 5>like twenty four hours, maybe maybe forty eight hours. I

0:26:58.359 --> 0:27:01.160
<v Speaker 5>never seen lawyer work like this fast. Yeah, I didn't

0:27:01.200 --> 0:27:03.960
<v Speaker 5>know it even happened like that. And what record was

0:27:04.000 --> 0:27:07.200
<v Speaker 5>all supposed to be on on this project ship man

0:27:07.600 --> 0:27:12.480
<v Speaker 5>there was I mean, we got he was saying changing whibs.

0:27:12.760 --> 0:27:14.560
<v Speaker 4>Uh it was Mike Tyson.

0:27:14.640 --> 0:27:19.959
<v Speaker 5>Mike Tyson blow to the face, you know. Whole had

0:27:19.960 --> 0:27:22.439
<v Speaker 5>the album, So you know It. Yeah, it was it

0:27:22.520 --> 0:27:25.240
<v Speaker 5>was all for him to whatever he wanted to do.

0:27:25.560 --> 0:27:27.040
<v Speaker 7>Supposed to be on so be It.

0:27:27.560 --> 0:27:29.879
<v Speaker 5>Yeah, that was one of the options. Yeah, yeah, and

0:27:29.960 --> 0:27:31.040
<v Speaker 5>nothing moved the spirit.

0:27:32.359 --> 0:27:32.639
<v Speaker 4>Man.

0:27:33.400 --> 0:27:36.160
<v Speaker 5>I don't know, Man, I don't know man.

0:27:36.240 --> 0:27:39.520
<v Speaker 8>You know, you know on pov Malas you said that

0:27:39.600 --> 0:27:42.200
<v Speaker 8>you came back for the money that's the devil.

0:27:42.240 --> 0:27:43.159
<v Speaker 2>Can you explain it?

0:27:43.800 --> 0:27:44.080
<v Speaker 6>Yeah?

0:27:44.240 --> 0:27:46.879
<v Speaker 4>I just thought it was a real fly line, you know.

0:27:49.080 --> 0:27:52.360
<v Speaker 4>And for anyone who has any questions about me, I'm

0:27:52.480 --> 0:27:56.920
<v Speaker 4>Jesus inside out, like I'm all the way gone with it,

0:27:57.119 --> 0:27:59.919
<v Speaker 4>like it it's crazy. But uh, I just took so

0:28:01.440 --> 0:28:05.000
<v Speaker 4>artistic liberty, you know with that line. And really, to me,

0:28:05.520 --> 0:28:10.400
<v Speaker 4>you know, money is a good thing. You need money,

0:28:10.520 --> 0:28:14.199
<v Speaker 4>especially to you know, you got friends and family to

0:28:14.200 --> 0:28:16.680
<v Speaker 4>be able to help people. It's nothing wrong with money.

0:28:16.720 --> 0:28:20.439
<v Speaker 4>I think people put a stigma on money, for the

0:28:20.440 --> 0:28:23.960
<v Speaker 4>Bible says that it is the love of money that's

0:28:24.000 --> 0:28:26.399
<v Speaker 4>the root of all evil, not the money. It's how

0:28:26.480 --> 0:28:29.480
<v Speaker 4>much you love it. What are you willing to do

0:28:29.880 --> 0:28:32.560
<v Speaker 4>for it or what won't you do for Do you

0:28:32.600 --> 0:28:35.920
<v Speaker 4>lose all your principles and your morals? So I don't

0:28:35.920 --> 0:28:39.120
<v Speaker 4>think we can demonize money. But for me, it was

0:28:39.160 --> 0:28:43.360
<v Speaker 4>just a fly line to the church, right Nah, not

0:28:43.840 --> 0:28:45.120
<v Speaker 4>because the line is fresh.

0:28:51.360 --> 0:28:52.400
<v Speaker 5>That's the devil in me.

0:28:53.440 --> 0:28:55.360
<v Speaker 4>Had to hide it from the church. That's the jeckal

0:28:55.440 --> 0:28:55.640
<v Speaker 4>of me.

0:28:55.800 --> 0:28:56.320
<v Speaker 5>But I'm just.

0:28:56.280 --> 0:29:01.000
<v Speaker 4>Talking about the duplicity and the dichotomy of you know, uh,

0:29:01.840 --> 0:29:04.920
<v Speaker 4>the mind and how people think and the two sidedness

0:29:04.960 --> 0:29:08.680
<v Speaker 4>the people. Sometimes that's everybody, absolutely, yeah, that's everybody.

0:29:09.200 --> 0:29:10.160
<v Speaker 5>Earlier, right Yeah.

0:29:10.400 --> 0:29:14.000
<v Speaker 3>When Mace came back, it was on his ass right

0:29:14.320 --> 0:29:16.479
<v Speaker 3>because of the lyrics, because of the type of records

0:29:16.480 --> 0:29:16.920
<v Speaker 3>that he was on.

0:29:17.600 --> 0:29:19.920
<v Speaker 1>But with you, they don't do that with you. Why

0:29:19.920 --> 0:29:20.719
<v Speaker 1>do you think that is?

0:29:21.880 --> 0:29:28.360
<v Speaker 4>Uh, I don't. I don't know, but but I'm gonna

0:29:28.360 --> 0:29:29.000
<v Speaker 4>tell you for me.

0:29:29.880 --> 0:29:30.120
<v Speaker 5>Uh.

0:29:30.200 --> 0:29:33.760
<v Speaker 4>And and looking at Mace now, like I get Mace,

0:29:34.000 --> 0:29:36.960
<v Speaker 4>Like I understand people are judgmental, you know what I'm saying.

0:29:37.760 --> 0:29:40.640
<v Speaker 4>I've heard a few things about me. You know, I'm

0:29:40.680 --> 0:29:42.520
<v Speaker 4>not gonna like I haven't seen anything.

0:29:43.320 --> 0:29:43.520
<v Speaker 5>Uh.

0:29:43.560 --> 0:29:46.200
<v Speaker 4>But you you have to know be solid and who

0:29:46.240 --> 0:29:49.200
<v Speaker 4>you are, and if you have the word in you.

0:29:49.320 --> 0:29:53.400
<v Speaker 4>The Bible says that there is none righteous, no not one,

0:29:53.480 --> 0:29:56.880
<v Speaker 4>so nobody can like truly point the finger. But uh,

0:29:57.160 --> 0:30:00.480
<v Speaker 4>you better have your heart positioned in Jesus Rice by

0:30:00.480 --> 0:30:02.760
<v Speaker 4>the end of the day, because when when when the

0:30:02.840 --> 0:30:05.080
<v Speaker 4>music stop, you definitely want to have a seed.

0:30:05.360 --> 0:30:06.960
<v Speaker 5>He taught me that at it because I didn't know.

0:30:07.000 --> 0:30:11.760
<v Speaker 5>He told me that God, God think we all dirty?

0:30:11.920 --> 0:30:12.239
<v Speaker 5>That's what.

0:30:13.080 --> 0:30:15.120
<v Speaker 3>How do your conversations be with it? Like do you

0:30:15.160 --> 0:30:17.920
<v Speaker 3>know about forgiveness alone?

0:30:18.000 --> 0:30:18.800
<v Speaker 5>No?

0:30:19.080 --> 0:30:22.160
<v Speaker 4>You know what, Listen, I'm gonna tell you, Like when

0:30:22.440 --> 0:30:25.880
<v Speaker 4>my brother listens to me, you know now or he

0:30:26.320 --> 0:30:29.880
<v Speaker 4>has the appearance of listening. Yeh, he hears me. He

0:30:29.880 --> 0:30:34.120
<v Speaker 4>hears me. And any time I get to witness to anybody,

0:30:34.560 --> 0:30:38.840
<v Speaker 4>you know, with with without being preachy or or forcing myself.

0:30:38.880 --> 0:30:42.160
<v Speaker 4>You know what I'm saying. I the problem is for

0:30:42.280 --> 0:30:45.880
<v Speaker 4>me is that I happen to know how serious this is.

0:30:46.760 --> 0:30:50.280
<v Speaker 4>And the thing about not knowing is that you don't

0:30:50.320 --> 0:30:52.520
<v Speaker 4>know that you don't know, you know what I'm saying.

0:30:52.680 --> 0:30:56.080
<v Speaker 4>So when you're trying to uh, when people open the

0:30:56.120 --> 0:30:58.480
<v Speaker 4>door and are willing to listen, I try to do

0:30:58.600 --> 0:31:01.400
<v Speaker 4>whatever it is I can. But my brother, he's been

0:31:02.480 --> 0:31:07.400
<v Speaker 4>incredibly supportive of me, even in my stepping away. He's

0:31:07.520 --> 0:31:10.280
<v Speaker 4>never you know, was like, Yo, what are you doing?

0:31:10.440 --> 0:31:13.560
<v Speaker 4>Or this? Like he basically just said, okay, you know,

0:31:13.760 --> 0:31:14.960
<v Speaker 4>he asked me, was I sure?

0:31:15.600 --> 0:31:15.840
<v Speaker 5>You know?

0:31:16.120 --> 0:31:17.880
<v Speaker 4>And and that meant a lot to me because I

0:31:18.360 --> 0:31:20.840
<v Speaker 4>had a lot. It was like a heavyweight. So to

0:31:20.920 --> 0:31:25.240
<v Speaker 4>have the support of my brother, even through the whole hiatus.

0:31:25.320 --> 0:31:26.720
<v Speaker 4>He would come to me and he was like, Yo,

0:31:27.360 --> 0:31:30.880
<v Speaker 4>so and so was offering this amount of money. But

0:31:31.600 --> 0:31:33.959
<v Speaker 4>what he did, but but but what he would do

0:31:34.120 --> 0:31:37.320
<v Speaker 4>was he said, I already told them no, but I

0:31:37.320 --> 0:31:39.840
<v Speaker 4>didn't want this to happen without me letting you know,

0:31:40.160 --> 0:31:40.960
<v Speaker 4>just in case.

0:31:41.360 --> 0:31:42.080
<v Speaker 5>You know what I'm saying.

0:31:42.120 --> 0:31:53.640
<v Speaker 6>So but right right, well, you know.

0:31:54.560 --> 0:31:55.520
<v Speaker 5>I felt supportive.

0:31:55.560 --> 0:31:56.720
<v Speaker 10>So that's all that matters.

0:31:57.720 --> 0:31:59.880
<v Speaker 4>Robbed when people never.

0:31:59.720 --> 0:32:01.760
<v Speaker 5>Feel never feel robbed.

0:32:01.760 --> 0:32:03.840
<v Speaker 11>How do you feel when people leak music? Like when

0:32:03.880 --> 0:32:05.600
<v Speaker 11>people release your music prematurely?

0:32:05.840 --> 0:32:06.000
<v Speaker 2>Yo?

0:32:06.200 --> 0:32:08.360
<v Speaker 4>You know, the game goes how it goes, and that's

0:32:08.360 --> 0:32:11.840
<v Speaker 4>how we maneuver, we navigate everything. I'm not gonna sit

0:32:11.960 --> 0:32:14.080
<v Speaker 4>up and be upset about anything.

0:32:14.360 --> 0:32:14.600
<v Speaker 1>You know.

0:32:14.720 --> 0:32:17.960
<v Speaker 4>That happens when we get in there and we create

0:32:18.000 --> 0:32:20.040
<v Speaker 4>and we make our music and we do what we do.

0:32:20.200 --> 0:32:22.720
<v Speaker 4>What else you're gonna do? What else can you do

0:32:22.760 --> 0:32:25.320
<v Speaker 4>other than that? You know what I'm saying. And I

0:32:25.360 --> 0:32:28.760
<v Speaker 4>stand on our product and I love it. And it's

0:32:28.840 --> 0:32:31.200
<v Speaker 4>good for fans to get things sometimes, so it's cool,

0:32:31.320 --> 0:32:32.880
<v Speaker 4>Like as long as they enjoy it, it's good.

0:32:33.320 --> 0:32:35.480
<v Speaker 9>Did y'all everythink about trying to get another Kendrick verse

0:32:35.520 --> 0:32:36.960
<v Speaker 9>once that leaked before the album?

0:32:37.000 --> 0:32:38.400
<v Speaker 7>Actually like dropped.

0:32:38.560 --> 0:32:40.960
<v Speaker 5>Man, we try to get all Kendrick versus?

0:32:41.840 --> 0:32:43.840
<v Speaker 1>Why not y'all.

0:32:43.720 --> 0:32:47.040
<v Speaker 3>Knew playing that song in Paris, everybody's phone out it

0:32:47.080 --> 0:32:47.360
<v Speaker 3>was going.

0:32:47.480 --> 0:32:48.280
<v Speaker 1>Y'all had to know that.

0:32:48.440 --> 0:32:55.000
<v Speaker 5>Yeah, you know, it's part of it. You know.

0:32:55.560 --> 0:32:58.400
<v Speaker 8>MB said something about what you asked about Malice about

0:32:58.720 --> 0:33:00.440
<v Speaker 8>why you don't get the flack. I think one reason

0:33:00.480 --> 0:33:02.720
<v Speaker 8>is because y'all have always had like a spiritual thread

0:33:02.760 --> 0:33:06.480
<v Speaker 8>in your music, especially with the album titles. So how

0:33:06.560 --> 0:33:09.440
<v Speaker 8>is your personal understanding of good and evil evolved since

0:33:09.560 --> 0:33:10.120
<v Speaker 8>like hell have.

0:33:10.160 --> 0:33:12.640
<v Speaker 4>No fear good and evil?

0:33:13.120 --> 0:33:16.560
<v Speaker 5>How has it is your personal understanding of it evolved?

0:33:17.640 --> 0:33:19.640
<v Speaker 8>When you're even talking about rap, Like you know, people

0:33:19.640 --> 0:33:22.320
<v Speaker 8>some people say rap music is secular, it's the devil,

0:33:22.400 --> 0:33:24.160
<v Speaker 8>you shouldn't do it, But then you know, you went

0:33:24.240 --> 0:33:26.800
<v Speaker 8>on your journey and you were doing it even while

0:33:26.800 --> 0:33:28.160
<v Speaker 8>you're on your journey, but now you're.

0:33:27.960 --> 0:33:32.240
<v Speaker 4>Back, like, yeah, I think I think one of the

0:33:32.280 --> 0:33:36.200
<v Speaker 4>things that I have learned is uh, start with yourself

0:33:36.240 --> 0:33:39.040
<v Speaker 4>before you try to correct anybody matter. I'm not even

0:33:39.040 --> 0:33:42.040
<v Speaker 4>saying you should try and correct anybody, but you start

0:33:42.080 --> 0:33:47.560
<v Speaker 4>with yourself and looking within and and change the things

0:33:47.600 --> 0:33:49.880
<v Speaker 4>that you can change, and work on what you need

0:33:49.920 --> 0:33:53.840
<v Speaker 4>to work on. And then you can like offer some

0:33:53.960 --> 0:33:57.160
<v Speaker 4>kind of advice or if if people are even interested,

0:33:57.200 --> 0:33:59.160
<v Speaker 4>you know what I'm saying, be able to give a

0:33:59.200 --> 0:34:03.640
<v Speaker 4>reason for the whole hope that you have. And yeah,

0:34:03.680 --> 0:34:06.600
<v Speaker 4>I think if more of us looked at ourselves and

0:34:06.720 --> 0:34:09.920
<v Speaker 4>instead of trying to judge other people, I mean, because

0:34:10.000 --> 0:34:12.080
<v Speaker 4>you know you you you look, you look deep enough,

0:34:12.080 --> 0:34:12.840
<v Speaker 4>you'll find.

0:34:12.600 --> 0:34:13.960
<v Speaker 5>Something all the time, you know.

0:34:14.080 --> 0:34:17.440
<v Speaker 11>So to what you said about when you went to

0:34:17.480 --> 0:34:19.799
<v Speaker 11>Wyoming to do use this gospel, by the way, the

0:34:19.840 --> 0:34:23.240
<v Speaker 11>hardest song on on that album. How do y'all feel

0:34:23.719 --> 0:34:26.520
<v Speaker 11>about Kanye now? Do you feel sadness with sympathy for him?

0:34:27.719 --> 0:34:28.480
<v Speaker 11>Y'all see him now?

0:34:29.960 --> 0:34:32.720
<v Speaker 5>No?

0:34:32.719 --> 0:34:37.640
<v Speaker 4>No no, no, no, no no no. I'm going to

0:34:37.719 --> 0:34:40.120
<v Speaker 4>say and and and and I'm going to say that

0:34:40.200 --> 0:34:42.480
<v Speaker 4>I think this goes for for anybody.

0:34:44.880 --> 0:34:45.800
<v Speaker 5>It's crazy.

0:34:46.000 --> 0:34:49.160
<v Speaker 4>When you have a true revelation of God, it is

0:34:49.800 --> 0:34:53.040
<v Speaker 4>radical because when you when when when you when the

0:34:53.080 --> 0:34:54.960
<v Speaker 4>scales fall off your eyes. You do you want to

0:34:55.000 --> 0:34:57.400
<v Speaker 4>run and tell everybody what you what you witness or

0:34:57.520 --> 0:34:59.759
<v Speaker 4>you know, we've been missing it this whole time. You know,

0:34:59.800 --> 0:35:03.600
<v Speaker 4>it's it's how it's how I felt. But once you

0:35:03.680 --> 0:35:08.400
<v Speaker 4>get that, you gotta sit down for a minute. You

0:35:08.440 --> 0:35:10.799
<v Speaker 4>can't get the revelation and then try to keep going

0:35:10.880 --> 0:35:17.759
<v Speaker 4>in this world. The epitome of the gospel is denying yourself.

0:35:18.080 --> 0:35:20.919
<v Speaker 4>That's why Christ got on the cross and.

0:35:20.840 --> 0:35:22.320
<v Speaker 5>Gave up his flesh.

0:35:22.600 --> 0:35:25.120
<v Speaker 4>So you have to be willing to give it up

0:35:25.160 --> 0:35:28.319
<v Speaker 4>so you can learn and then let God restore you

0:35:28.360 --> 0:35:32.000
<v Speaker 4>and rebuild you. You know, correctly doesn't mean anybody is

0:35:32.040 --> 0:35:35.279
<v Speaker 4>a perfect person, you know what I'm saying, or or

0:35:36.280 --> 0:35:38.440
<v Speaker 4>you can't even try to have the facade of Okay,

0:35:38.480 --> 0:35:41.640
<v Speaker 4>I'm saved now now I'm perfect. Nah, it just doesn't

0:35:41.640 --> 0:35:42.279
<v Speaker 4>work like that.

0:35:42.560 --> 0:35:44.359
<v Speaker 1>So how do you deal with it? Push?

0:35:44.400 --> 0:35:47.080
<v Speaker 3>Because deal with Kanye because you know you're not the

0:35:47.160 --> 0:35:48.479
<v Speaker 3>type of person to hold your tongue.

0:35:48.480 --> 0:35:49.439
<v Speaker 1>You know, you don't hold your word.

0:35:49.560 --> 0:35:51.520
<v Speaker 3>So when some of the stuff that he did that

0:35:51.880 --> 0:35:54.400
<v Speaker 3>might not have aligned what you thought, did y'all have

0:35:54.400 --> 0:35:55.359
<v Speaker 3>those conversations?

0:35:55.560 --> 0:35:57.360
<v Speaker 5>Well, I mean, you know, I spoke on it. I

0:35:57.360 --> 0:35:59.960
<v Speaker 5>feel like that's that was the beginning of our fallout.

0:36:00.880 --> 0:36:04.759
<v Speaker 5>But you know, he.

0:36:04.800 --> 0:36:10.040
<v Speaker 4>Sits on a lot of miscarriages of justice. I've seen it,

0:36:10.200 --> 0:36:12.320
<v Speaker 4>you know what I'm saying. I hear things and things

0:36:12.360 --> 0:36:17.200
<v Speaker 4>being said, and I see, you know, his reserve. You know,

0:36:17.360 --> 0:36:21.520
<v Speaker 4>I admire his restraint. People By the time he jumps

0:36:21.520 --> 0:36:24.600
<v Speaker 4>out the window, you think he's going overboard. But I'm

0:36:24.719 --> 0:36:27.640
<v Speaker 4>telling you as knowing my brother, he sits on a lot.

0:36:28.520 --> 0:36:31.000
<v Speaker 3>And what about all that music, because I'm sure you

0:36:31.000 --> 0:36:32.799
<v Speaker 3>you got tons of music, but we never hear the

0:36:32.800 --> 0:36:33.719
<v Speaker 3>stuff that you've done.

0:36:35.080 --> 0:36:38.120
<v Speaker 5>Yeah you will, because they leak it all. They leak

0:36:38.200 --> 0:36:44.360
<v Speaker 5>it all they put out or just sloppy, you know,

0:36:44.400 --> 0:36:45.719
<v Speaker 5>I don't you know, I don't know. I don't I

0:36:45.719 --> 0:36:49.480
<v Speaker 5>don't use it. I don't even keep it. But you know,

0:36:49.560 --> 0:36:51.880
<v Speaker 5>you've you've seen and heard the things that have been

0:36:51.920 --> 0:36:52.279
<v Speaker 5>out there.

0:36:52.880 --> 0:36:56.040
<v Speaker 9>But I saw you say you hate Kanye's leadership and

0:36:56.400 --> 0:36:58.360
<v Speaker 9>you got away from that, got away from that community

0:36:58.360 --> 0:37:00.319
<v Speaker 9>that he built because of the feeling over there, right,

0:37:00.520 --> 0:37:03.600
<v Speaker 9>What was that like last straw of like nah, I

0:37:03.640 --> 0:37:04.279
<v Speaker 9>can't no more.

0:37:05.760 --> 0:37:09.160
<v Speaker 5>I think for me it was I think for me

0:37:09.400 --> 0:37:15.960
<v Speaker 5>it was somewhere around somewhere around the Atlanta the Dome,

0:37:16.239 --> 0:37:18.480
<v Speaker 5>the locked in when everybody was locked in the dome,

0:37:19.320 --> 0:37:24.160
<v Speaker 5>and you know, I, you know, like again, man, when

0:37:24.239 --> 0:37:27.040
<v Speaker 5>when we squad and we were working and we're doing

0:37:27.040 --> 0:37:30.200
<v Speaker 5>what we're doing, it's just all about the squad. And

0:37:30.640 --> 0:37:33.320
<v Speaker 5>I kind of just felt like, you know, I would

0:37:33.400 --> 0:37:34.839
<v Speaker 5>you know, I would have to leave and go do

0:37:34.920 --> 0:37:36.920
<v Speaker 5>things shows, whatever the case. Maybe I would come back

0:37:36.920 --> 0:37:39.920
<v Speaker 5>and the energy would just be different. You know. There

0:37:39.920 --> 0:37:44.200
<v Speaker 5>were conversations being had, uh you know, this is this

0:37:44.239 --> 0:37:47.279
<v Speaker 5>is after Addie Don and everything else, and you know,

0:37:47.320 --> 0:37:50.040
<v Speaker 5>it was like, man, I was doing self serving things

0:37:50.160 --> 0:37:52.600
<v Speaker 5>and it was just crazy. It was just a lot

0:37:52.600 --> 0:37:55.200
<v Speaker 5>of like you know, backbiting and things like that, and

0:37:55.200 --> 0:37:58.080
<v Speaker 5>I'm like, damn, this is this is for the squad,

0:37:58.719 --> 0:37:59.160
<v Speaker 5>I thought.

0:37:59.719 --> 0:38:03.160
<v Speaker 2>But you know, it publicly negative about you.

0:38:03.200 --> 0:38:06.080
<v Speaker 1>We heard him say about Sean. We heard him say legend.

0:38:06.680 --> 0:38:08.640
<v Speaker 5>Oh no, for sure he has for sure he has.

0:38:08.680 --> 0:38:10.239
<v Speaker 5>He put on remember he put on the little mask.

0:38:11.400 --> 0:38:21.080
<v Speaker 5>He was like screaming in the culturally inappropriate Oh man, yeah, no,

0:38:21.239 --> 0:38:28.200
<v Speaker 5>listen man, Okay, So during during just the sessions, whether

0:38:28.239 --> 0:38:30.440
<v Speaker 5>it was a beat, whether it was you know, just

0:38:30.600 --> 0:38:34.000
<v Speaker 5>the freestyles before and making the songs whatever the case

0:38:34.080 --> 0:38:37.680
<v Speaker 5>may be. You know, we would get hype about just

0:38:37.719 --> 0:38:40.560
<v Speaker 5>like man, it's hard or whatever whatever it was at

0:38:40.600 --> 0:38:45.680
<v Speaker 5>the time, and I forgot who said it, but it

0:38:45.800 --> 0:38:46.160
<v Speaker 5>was Mike.

0:38:46.239 --> 0:38:46.479
<v Speaker 1>Mike.

0:38:46.840 --> 0:38:49.960
<v Speaker 5>Mike was like, man, this ship is culturally in appropriate.

0:38:50.920 --> 0:38:55.040
<v Speaker 5>And Mike also worked on It's Almost Dry, so you

0:38:55.080 --> 0:38:57.279
<v Speaker 5>know how that had a common thread of like the

0:38:57.400 --> 0:39:00.440
<v Speaker 5>Joker laugh through the whole album. He was like, yo,

0:39:00.960 --> 0:39:02.719
<v Speaker 5>say that on the mic and let me run that

0:39:02.760 --> 0:39:05.719
<v Speaker 5>through a filter, because you know, we just felt like

0:39:05.760 --> 0:39:08.600
<v Speaker 5>we just kept running that back. It's culturally inappropriate. He

0:39:08.719 --> 0:39:10.520
<v Speaker 5>was like, say it through a filter, let's find a voice,

0:39:10.520 --> 0:39:12.799
<v Speaker 5>and let's just see how it sounds on records. And

0:39:12.840 --> 0:39:15.759
<v Speaker 5>it actually just worked just to have that, you know,

0:39:15.920 --> 0:39:18.920
<v Speaker 5>just another thread to keep it, you know, cohesive, keep

0:39:18.960 --> 0:39:19.920
<v Speaker 5>the album cohesive.

0:39:20.360 --> 0:39:22.200
<v Speaker 8>I mean, I like it just because it's something that

0:39:22.239 --> 0:39:25.160
<v Speaker 8>I feel like we should say something.

0:39:26.120 --> 0:39:27.640
<v Speaker 5>Yeah, it could have been a line. What I'm saying

0:39:27.719 --> 0:39:28.799
<v Speaker 5>is it could have been a line, it could have

0:39:28.800 --> 0:39:31.640
<v Speaker 5>been a song, it could have been a hook idea.

0:39:31.840 --> 0:39:34.400
<v Speaker 5>At the time, I just you know, I just can't

0:39:34.400 --> 0:39:37.239
<v Speaker 5>remember what it was. But that's that's where that that

0:39:37.360 --> 0:39:40.400
<v Speaker 5>term came from. Something that was just said ignorantly.

0:39:40.600 --> 0:39:42.919
<v Speaker 3>And what pissed you off about Travis Scott so much

0:39:42.960 --> 0:39:45.440
<v Speaker 3>that you had to mention him on a regulard? What

0:39:45.480 --> 0:39:47.200
<v Speaker 3>made you say this isn't this niggas going too far?

0:39:47.440 --> 0:39:47.560
<v Speaker 4>Ah?

0:39:47.680 --> 0:39:49.839
<v Speaker 5>Man, it was just you know, it was just that

0:39:49.840 --> 0:39:53.560
<v Speaker 5>that whole coming to uh coming to Paris. You know,

0:39:53.719 --> 0:39:56.520
<v Speaker 5>he came to Paris during one of our sessions, you know,

0:39:56.640 --> 0:39:59.319
<v Speaker 5>played his album and then he you know, when when

0:39:59.320 --> 0:40:02.360
<v Speaker 5>he left, the album comes out, and you know the

0:40:02.400 --> 0:40:05.040
<v Speaker 5>record that he played, you know, had a verse up

0:40:05.080 --> 0:40:07.000
<v Speaker 5>there that was you know, going at p whatever the

0:40:07.040 --> 0:40:09.000
<v Speaker 5>case may be. And I'm like, damn, you just left,

0:40:09.160 --> 0:40:12.600
<v Speaker 5>Like how you how you leave here? You know he

0:40:12.680 --> 0:40:14.840
<v Speaker 5>was on your album and then you're letting him, you know,

0:40:15.120 --> 0:40:17.359
<v Speaker 5>play your album for him, you're filming it, and then

0:40:17.400 --> 0:40:19.400
<v Speaker 5>you come back when the album drops you got a

0:40:19.480 --> 0:40:21.879
<v Speaker 5>verse you know, going at him. So I just thought

0:40:21.920 --> 0:40:24.560
<v Speaker 5>that was corny. And again, like you know, that's part

0:40:24.600 --> 0:40:27.920
<v Speaker 5>of the I think that's part of just trying to

0:40:28.000 --> 0:40:30.359
<v Speaker 5>leave all of that behind. And it's like, man, like

0:40:30.640 --> 0:40:33.799
<v Speaker 5>that's the type of thing that happens over in that

0:40:34.280 --> 0:40:37.640
<v Speaker 5>yay world and it's okay and they you know, it's

0:40:37.680 --> 0:40:39.960
<v Speaker 5>all right, they just brush it off and they be

0:40:40.040 --> 0:40:41.960
<v Speaker 5>friends and they go hang out together and then you know,

0:40:42.480 --> 0:40:45.400
<v Speaker 5>do whatever they do. Like that doesn't I didn't. I

0:40:45.400 --> 0:40:47.360
<v Speaker 5>didn't like that that was brought into this fold.

0:40:47.480 --> 0:40:47.959
<v Speaker 1>Yeah, gotcha.

0:40:48.040 --> 0:40:49.879
<v Speaker 2>One time they said that the verse the drink First

0:40:49.920 --> 0:40:51.040
<v Speaker 2>wasn't done as a yet.

0:40:51.120 --> 0:40:53.480
<v Speaker 5>It doesn't matter when it was done. I don't care

0:40:53.520 --> 0:40:55.600
<v Speaker 5>when it was done. You you added to it. You

0:40:55.719 --> 0:40:59.680
<v Speaker 5>actually he actually had a verse after that verse, so

0:40:59.840 --> 0:41:03.160
<v Speaker 5>you you even added to the verse, like pate etiquette

0:41:03.160 --> 0:41:05.200
<v Speaker 5>for a situation like that, Just stay the hell away

0:41:05.200 --> 0:41:09.520
<v Speaker 5>from me, like like I'm not I'm not into you anyway,

0:41:09.600 --> 0:41:11.960
<v Speaker 5>Like I'm not even into your swag and none of that,

0:41:12.120 --> 0:41:14.640
<v Speaker 5>Like it's not into none of it. So just stay away,

0:41:14.800 --> 0:41:17.319
<v Speaker 5>like I only want to mess with the real, Like

0:41:17.360 --> 0:41:19.360
<v Speaker 5>I'm only dealing with the real. I'm only you know,

0:41:19.640 --> 0:41:22.919
<v Speaker 5>doing music with the real. We just I just let's

0:41:22.960 --> 0:41:25.000
<v Speaker 5>just let's just this is like just drawing a line

0:41:25.000 --> 0:41:27.880
<v Speaker 5>in the sand for everybody. What are you responsible for

0:41:27.920 --> 0:41:30.080
<v Speaker 5>what an artist does on your record?

0:41:32.400 --> 0:41:35.880
<v Speaker 1>Mm hmmm? Are you responsible for what the artist like.

0:41:35.880 --> 0:41:38.600
<v Speaker 7>If it's Travis responsible for Drake's line.

0:41:40.320 --> 0:41:42.520
<v Speaker 5>If you if you come and dance around in front

0:41:42.520 --> 0:41:46.280
<v Speaker 5>of me and and use and use and use footage

0:41:46.360 --> 0:41:48.040
<v Speaker 5>and do all this and all that. I think you're

0:41:48.080 --> 0:41:51.520
<v Speaker 5>responsible for anything that you do that you incorporate the

0:41:51.600 --> 0:41:54.359
<v Speaker 5>people that you know that are that are that are

0:41:54.480 --> 0:41:57.720
<v Speaker 5>that are that are being you know, uh talked about.

0:41:58.000 --> 0:42:00.440
<v Speaker 4>Of course, I can't believe you have to explain this.

0:42:00.600 --> 0:42:09.480
<v Speaker 4>You know, I'm not just taking size of because my brother.

0:42:09.640 --> 0:42:11.879
<v Speaker 5>I'm just saying, you know, like, but I'm.

0:42:11.800 --> 0:42:14.239
<v Speaker 8>Talking about the artists who might approach you because of

0:42:14.280 --> 0:42:15.239
<v Speaker 8>what you push your sex.

0:42:15.800 --> 0:42:18.800
<v Speaker 4>I mean, listen, I ride with my brother. You know

0:42:18.840 --> 0:42:20.920
<v Speaker 4>what I'm saying. And that's the and that's the thing

0:42:20.960 --> 0:42:25.640
<v Speaker 4>about this having purpose. I know what my purpose is.

0:42:26.040 --> 0:42:29.800
<v Speaker 4>I'm making music with my brother and I'm glorifying my God.

0:42:30.200 --> 0:42:33.280
<v Speaker 4>That's what I'm doing. And when you're in your purpose,

0:42:33.400 --> 0:42:35.719
<v Speaker 4>if anything fall on you didn't follow you, at least

0:42:35.719 --> 0:42:37.759
<v Speaker 4>you know you were where you were supposed to be.

0:42:38.080 --> 0:42:39.680
<v Speaker 4>And That's where I'm at right now. So I'm cool

0:42:39.719 --> 0:42:40.240
<v Speaker 4>with whatever.

0:42:41.719 --> 0:42:48.040
<v Speaker 5>When people approach you for things, I say, approach that's

0:42:48.760 --> 0:42:50.840
<v Speaker 5>all the time. But also also bed you say you

0:42:50.880 --> 0:42:52.239
<v Speaker 5>got a video of Travis.

0:42:51.880 --> 0:42:53.800
<v Speaker 1>Crime, no man.

0:42:57.400 --> 0:42:58.080
<v Speaker 7>In front of me?

0:43:00.239 --> 0:43:02.120
<v Speaker 5>Oh no, no, that that that wasn't that that's not

0:43:02.160 --> 0:43:02.800
<v Speaker 5>about crying.

0:43:03.320 --> 0:43:04.240
<v Speaker 7>So what's on the video?

0:43:04.640 --> 0:43:13.640
<v Speaker 5>Oh man? You know yeah, you know, God damn, I

0:43:13.680 --> 0:43:14.280
<v Speaker 5>got you.

0:43:14.880 --> 0:43:15.719
<v Speaker 6>I'm glad.

0:43:17.920 --> 0:43:22.279
<v Speaker 5>Because can't do interviews by yourself. How did you?

0:43:22.440 --> 0:43:24.080
<v Speaker 1>Tyler creator phenomenal?

0:43:25.280 --> 0:43:30.759
<v Speaker 5>Yeah, hell yeah right, Tyler's crazy man, Tyler ben We

0:43:30.960 --> 0:43:35.640
<v Speaker 5>I mean since uh Trouble on my Mind, he's huge,

0:43:36.400 --> 0:43:42.520
<v Speaker 5>uh star trek Neptune for real clips, uh fan like

0:43:42.640 --> 0:43:47.279
<v Speaker 5>he knows the discography, you know, fromwards and backwards. He's

0:43:47.360 --> 0:43:51.960
<v Speaker 5>He's spoken a lot about how his influence he's been

0:43:52.000 --> 0:43:55.359
<v Speaker 5>influenced by things that we've done. But yeah, I mean trouble,

0:43:55.360 --> 0:43:56.960
<v Speaker 5>I don't even remember the year of Trouble on my

0:43:57.000 --> 0:44:00.480
<v Speaker 5>Mind came out, But since then, we've all he's been,

0:44:00.719 --> 0:44:03.919
<v Speaker 5>always been cool, always been tight. And yeah he came

0:44:03.920 --> 0:44:09.320
<v Speaker 5>through on POV he came through. How do you reconcile

0:44:09.360 --> 0:44:10.080
<v Speaker 5>in nostalgia?

0:44:10.200 --> 0:44:13.640
<v Speaker 8>Fans will feel for the old clips being at y'all

0:44:13.680 --> 0:44:15.280
<v Speaker 8>totally different men today.

0:44:16.640 --> 0:44:20.919
<v Speaker 5>I'd like to think that they've grown with us. Yeah, yeah,

0:44:21.040 --> 0:44:27.520
<v Speaker 5>I'd like to think that they have. And I think that,

0:44:27.800 --> 0:44:30.040
<v Speaker 5>you know, I think that they've grown with us, and

0:44:30.080 --> 0:44:33.960
<v Speaker 5>I feel like our growth is something that you know,

0:44:34.719 --> 0:44:38.600
<v Speaker 5>needs to be studied and studied and just you know,

0:44:39.239 --> 0:44:42.319
<v Speaker 5>maturing in hip hop, maturing in hip hop and just

0:44:43.120 --> 0:44:46.640
<v Speaker 5>culturally just showing you how to navigate and grow in

0:44:46.680 --> 0:44:49.960
<v Speaker 5>this game and still be current and still be you know,

0:44:50.320 --> 0:44:53.879
<v Speaker 5>of the mix and you know, just just not trying

0:44:53.920 --> 0:44:58.839
<v Speaker 5>to stay nineteen forever. Like, Yeah, when the last time

0:44:58.880 --> 0:45:01.160
<v Speaker 5>you felt this safe? Because I can hear it in

0:45:01.160 --> 0:45:01.440
<v Speaker 5>the music.

0:45:01.520 --> 0:45:04.160
<v Speaker 8>You feel like a homecoming, right, Yeah, people with the

0:45:04.200 --> 0:45:06.640
<v Speaker 8>things that y'all talking about. You got Malice back Live

0:45:06.760 --> 0:45:09.560
<v Speaker 8>is on the album Yeah for rail production. When I'm

0:45:09.560 --> 0:45:11.520
<v Speaker 8>watching you in interviews, I'm like, damn, Push is just

0:45:11.560 --> 0:45:14.200
<v Speaker 8>letting it fly, all of it. Yeah, when did you

0:45:14.520 --> 0:45:16.400
<v Speaker 8>what made you feel so safe in this moment?

0:45:17.760 --> 0:45:22.120
<v Speaker 5>I don't, you know, I just think that I don't know.

0:45:22.160 --> 0:45:26.160
<v Speaker 5>For me, I look at it like media has always

0:45:26.160 --> 0:45:28.240
<v Speaker 5>been a big part of the Clips because it's always

0:45:28.239 --> 0:45:32.120
<v Speaker 5>been a story. The Clips always has a story, and

0:45:32.200 --> 0:45:34.279
<v Speaker 5>I don't necessarily think you can get up here and

0:45:34.320 --> 0:45:37.040
<v Speaker 5>lie and play. People see through that, And I'm not

0:45:37.080 --> 0:45:40.200
<v Speaker 5>want to be seen through, Like I don't like I'd

0:45:40.280 --> 0:45:42.480
<v Speaker 5>rather just, you know, just tell the truth and call

0:45:42.520 --> 0:45:46.520
<v Speaker 5>it today versus you know, sitting here trying to tap

0:45:46.640 --> 0:45:52.160
<v Speaker 5>dance around things, so you know, I don't know. I

0:45:52.480 --> 0:45:55.800
<v Speaker 5>think that it's not about feeling safe, it's just about

0:45:55.960 --> 0:45:57.879
<v Speaker 5>you know, this is this is part of the game,

0:45:58.080 --> 0:46:01.040
<v Speaker 5>and this is part of the game for us. And

0:46:01.080 --> 0:46:02.680
<v Speaker 5>I feel like when you got the music to back

0:46:02.719 --> 0:46:06.200
<v Speaker 5>it up, man, you gotta listen, you gotta you gotta

0:46:06.200 --> 0:46:10.759
<v Speaker 5>be musty TV, you gotta be you don't enjoy rappers line.

0:46:10.760 --> 0:46:12.920
<v Speaker 5>I think it was Madles on the album that was

0:46:12.960 --> 0:46:14.319
<v Speaker 5>one of my favorite, and I wanted to say that

0:46:14.560 --> 0:46:17.080
<v Speaker 5>you've been entertained by rappers you never believed or something

0:46:17.280 --> 0:46:20.680
<v Speaker 5>not have sung along with I never believe. I wish

0:46:20.800 --> 0:46:27.000
<v Speaker 5>I said that. I wish I said that. That's what

0:46:27.200 --> 0:46:30.319
<v Speaker 5>that's I wish I wish I could have said the

0:46:30.360 --> 0:46:33.319
<v Speaker 5>maceline and I wish I said that line. Those are

0:46:33.360 --> 0:46:36.000
<v Speaker 5>my two takes.

0:46:36.080 --> 0:46:38.239
<v Speaker 7>How that I was gonna say, do y'all do that

0:46:38.280 --> 0:46:38.799
<v Speaker 7>all the time?

0:46:38.920 --> 0:46:41.480
<v Speaker 5>Like if you too? If you to switch verses on

0:46:41.560 --> 0:46:44.359
<v Speaker 5>like a classic Clips song, like he can't give me

0:46:44.400 --> 0:46:49.560
<v Speaker 5>his verse. They're saying, I'm going to right now what

0:46:49.680 --> 0:46:55.840
<v Speaker 5>y'all talking about? That's the debate online. I am go

0:46:56.120 --> 0:47:01.480
<v Speaker 5>into I'm one too. Just off features No Off the

0:47:01.520 --> 0:47:02.839
<v Speaker 5>Records I'm going to right now.

0:47:07.719 --> 0:47:12.759
<v Speaker 4>No, every time, I'm sure, man, I just I just

0:47:12.800 --> 0:47:15.720
<v Speaker 4>do me, man, And I think I think our personalities

0:47:15.760 --> 0:47:22.760
<v Speaker 4>and experience lends itself to you know, just different scenarios

0:47:22.840 --> 0:47:23.640
<v Speaker 4>or whatever.

0:47:24.200 --> 0:47:26.799
<v Speaker 5>Different basis. I can't I can't do what push does?

0:47:27.040 --> 0:47:27.800
<v Speaker 5>You know what I'm saying?

0:47:28.280 --> 0:47:30.480
<v Speaker 4>I get that, and all I can do is be me.

0:47:30.640 --> 0:47:32.439
<v Speaker 8>So you've never heard a push line and be like, damn,

0:47:32.440 --> 0:47:34.120
<v Speaker 8>I wish I said that all the time.

0:47:34.480 --> 0:47:38.279
<v Speaker 5>Yeah, yeah, all the time. Yeah.

0:47:38.760 --> 0:47:40.520
<v Speaker 9>I was going to ask at the listening that we

0:47:40.560 --> 0:47:42.359
<v Speaker 9>went to, y'all talked about y'all didn't have a ton

0:47:42.400 --> 0:47:45.200
<v Speaker 9>of music. Y'all are very particular about recording and this

0:47:45.280 --> 0:47:47.560
<v Speaker 9>is the music we're going to do, and you've always

0:47:47.640 --> 0:47:50.560
<v Speaker 9>been that way. But it's been so long, So how

0:47:50.560 --> 0:47:52.120
<v Speaker 9>did you know what you wanted to say?

0:47:52.160 --> 0:47:52.200
<v Speaker 5>Like?

0:47:52.200 --> 0:47:53.720
<v Speaker 7>How did you narrow it down to narrative?

0:47:55.800 --> 0:48:01.279
<v Speaker 5>I think I think the key the thing that we

0:48:01.280 --> 0:48:05.880
<v Speaker 5>were trying to find in the studio was urgency. Urgency

0:48:06.080 --> 0:48:09.640
<v Speaker 5>was like the key word that regardless of what it was.

0:48:09.840 --> 0:48:13.040
<v Speaker 5>It could be birds on sing, it had to be urgent.

0:48:13.120 --> 0:48:15.520
<v Speaker 5>It had to tug at your heart. You know, if

0:48:15.560 --> 0:48:18.600
<v Speaker 5>you listen to pov the flow had to be something

0:48:18.640 --> 0:48:20.760
<v Speaker 5>of you know, or the bars had to be something

0:48:20.800 --> 0:48:25.360
<v Speaker 5>of urgency. So it wasn't about it wasn't about honestly

0:48:25.440 --> 0:48:29.880
<v Speaker 5>finding words or topics to rap about. It was just

0:48:29.920 --> 0:48:32.600
<v Speaker 5>that the music needed to feel urgent the whole time.

0:48:32.880 --> 0:48:35.120
<v Speaker 5>I think that was our I think that was our

0:48:36.160 --> 0:48:39.000
<v Speaker 5>our biggest goal, just to make sure that that sense

0:48:39.000 --> 0:48:40.080
<v Speaker 5>of urgency was there.

0:48:40.840 --> 0:48:43.080
<v Speaker 2>Talk about what Virginia means to you guys.

0:48:42.880 --> 0:48:45.320
<v Speaker 3>Because you get a lot of people that leave their

0:48:45.400 --> 0:48:47.840
<v Speaker 3>city and they moved to New York, they moved to Jersey,

0:48:47.880 --> 0:48:50.279
<v Speaker 3>they moved to Atlanta, they moved to the West. You

0:48:50.400 --> 0:48:53.560
<v Speaker 3>guys have never left Virginia. So what does Virginia mean

0:48:53.600 --> 0:48:53.839
<v Speaker 3>to you?

0:48:54.840 --> 0:48:56.920
<v Speaker 5>For me, Virginia is everything.

0:48:58.239 --> 0:49:05.680
<v Speaker 4>Childhood, upbringing, where my mother, grandmother and great grandmother hel

0:49:05.800 --> 0:49:11.759
<v Speaker 4>from friends. You know, we were just talking about this.

0:49:11.840 --> 0:49:14.640
<v Speaker 4>We have the same friends from you know, way back,

0:49:15.200 --> 0:49:21.799
<v Speaker 4>and just certain ethics and standards of loyalty, you know

0:49:22.000 --> 0:49:26.600
<v Speaker 4>that has been bred in Virginia. I absolutely love Virginia.

0:49:26.880 --> 0:49:31.080
<v Speaker 4>I wouldn't want to move anywhere else. It's my pace,

0:49:31.239 --> 0:49:33.480
<v Speaker 4>it's my stylus, it's what I know.

0:49:33.600 --> 0:49:38.640
<v Speaker 5>It's home. Yeah, I think I think Virginia you know,

0:49:39.080 --> 0:49:43.200
<v Speaker 5>for me and the fact of like never moving, I

0:49:43.200 --> 0:49:46.040
<v Speaker 5>always felt like my music would suffered to write and

0:49:46.040 --> 0:49:52.919
<v Speaker 5>would suffer. I've always felt like that. I don't. It's

0:49:52.960 --> 0:49:55.759
<v Speaker 5>the comfort, the comfort of being there, and I think

0:49:55.840 --> 0:49:59.560
<v Speaker 5>that it gives a different perspective. I feel like the Clips,

0:50:00.320 --> 0:50:03.960
<v Speaker 5>Damn the clips. Clips. Yeah, I feel like Clips. I

0:50:04.040 --> 0:50:10.480
<v Speaker 5>feel like Clips is different because of Virginia. I feel

0:50:10.480 --> 0:50:14.760
<v Speaker 5>like the music that we and the influences that we've

0:50:15.000 --> 0:50:18.640
<v Speaker 5>been afforded by living in Virginia, a military town, there

0:50:18.640 --> 0:50:21.360
<v Speaker 5>were things I never knew about musically or would have

0:50:21.400 --> 0:50:27.880
<v Speaker 5>never ran across if we weren't in Virginia. And you know,

0:50:28.480 --> 0:50:31.880
<v Speaker 5>the flavor for yous, the mixtape shops, and you know,

0:50:31.880 --> 0:50:36.080
<v Speaker 5>I was exposed to the Bay sound. I was exposed

0:50:36.080 --> 0:50:40.399
<v Speaker 5>to Houston because of this town. And it was only

0:50:40.440 --> 0:50:42.600
<v Speaker 5>because like it was such a military town that all

0:50:42.640 --> 0:50:48.880
<v Speaker 5>these different influences came there musically. Even I mean even

0:50:48.920 --> 0:50:54.520
<v Speaker 5>the late or early eighties, late eighties, the whole drug

0:50:54.600 --> 0:51:00.640
<v Speaker 5>culture that the New York to Virginia pipeline that brought

0:51:00.760 --> 0:51:07.040
<v Speaker 5>so much music, so much influence, it brought so much man.

0:51:07.120 --> 0:51:10.000
<v Speaker 5>You you know, man, if you just think about if

0:51:10.000 --> 0:51:12.439
<v Speaker 5>you if you just think, Yeah, if you just think

0:51:12.440 --> 0:51:14.839
<v Speaker 5>about though, like the nineties, it was it was Mace,

0:51:14.880 --> 0:51:17.120
<v Speaker 5>it was big, it was Wu Tang, it was everybody

0:51:17.200 --> 0:51:22.799
<v Speaker 5>rapping about Virginia Beach like you know, just to to

0:51:22.920 --> 0:51:24.680
<v Speaker 5>know like it was, and it was such it was

0:51:24.719 --> 0:51:30.359
<v Speaker 5>so impressionable. I think that that that that gave us

0:51:30.480 --> 0:51:34.319
<v Speaker 5>a lot of fuel, a lot of information, and a

0:51:34.360 --> 0:51:37.839
<v Speaker 5>lot of different things to take from to create what

0:51:37.960 --> 0:51:40.759
<v Speaker 5>the clips are today.

0:51:39.680 --> 0:51:42.880
<v Speaker 3>When you met your wife, yes, do you know she

0:51:42.960 --> 0:51:44.120
<v Speaker 3>was the one as soon as she said her name?

0:51:44.840 --> 0:51:54.120
<v Speaker 5>No, no, not from Virginia. Yeah, that was crazy though,

0:51:54.320 --> 0:51:57.440
<v Speaker 5>But from there to yeah, yeah for sure.

0:51:57.520 --> 0:51:59.800
<v Speaker 4>So do y'all do y'all like go out in Virginia.

0:51:59.840 --> 0:52:04.840
<v Speaker 5>I'm move around the total totally.

0:52:03.840 --> 0:52:05.879
<v Speaker 11>Because a lot of rappers after from sorry, a lot

0:52:05.880 --> 0:52:08.800
<v Speaker 11>of rappers like I have to leave their city because

0:52:08.880 --> 0:52:09.160
<v Speaker 11>of that.

0:52:09.239 --> 0:52:10.319
<v Speaker 2>You know, with love comes to.

0:52:10.320 --> 0:52:11.279
<v Speaker 5>Hate, the bigger you get.

0:52:11.600 --> 0:52:14.480
<v Speaker 4>Nah. You know, up at the office, they were just

0:52:14.520 --> 0:52:17.120
<v Speaker 4>talking about what they hear about us at home and

0:52:17.200 --> 0:52:19.719
<v Speaker 4>how we're out. You know, every time I'm in the

0:52:19.719 --> 0:52:22.319
<v Speaker 4>grocery store, you know, I'm taking a picture by the

0:52:22.320 --> 0:52:23.680
<v Speaker 4>peanut butter that I don't want to take.

0:52:23.760 --> 0:52:25.280
<v Speaker 5>I'm not doing you know, with the people.

0:52:25.360 --> 0:52:28.879
<v Speaker 4>But just you know, they catch me anywhere and they said,

0:52:28.880 --> 0:52:31.799
<v Speaker 4>I'm out there officiating weddings and people see me at

0:52:31.800 --> 0:52:34.480
<v Speaker 4>the gas station. Like you know, we go out. We

0:52:34.560 --> 0:52:37.040
<v Speaker 4>definitely go out. And it feels good to be able

0:52:37.080 --> 0:52:40.040
<v Speaker 4>to you know what I'm saying, Virginia, don't be tripping.

0:52:40.080 --> 0:52:41.520
<v Speaker 5>Virginia's cool, but.

0:52:41.560 --> 0:52:42.200
<v Speaker 7>Y'all are like that.

0:52:42.640 --> 0:52:44.120
<v Speaker 9>Not everywhere, but like I saw that there was a

0:52:44.200 --> 0:52:47.279
<v Speaker 9>video you in Miami, Push, and I'm like, where is

0:52:47.320 --> 0:52:48.359
<v Speaker 9>all the people with him?

0:52:48.440 --> 0:52:50.040
<v Speaker 7>Like you just walking around?

0:52:50.680 --> 0:52:51.759
<v Speaker 5>Yeah?

0:52:50.880 --> 0:52:55.359
<v Speaker 1>And what was the security was? I was one?

0:52:55.480 --> 0:52:58.120
<v Speaker 5>Yeah, I had the man, I was. I was I

0:52:58.160 --> 0:53:00.399
<v Speaker 5>was going to get uh. I was want to get

0:53:00.400 --> 0:53:05.839
<v Speaker 5>a Mother's Day gift, I think, And you know southside man,

0:53:06.080 --> 0:53:06.640
<v Speaker 5>he just walked.

0:53:07.320 --> 0:53:07.560
<v Speaker 1>Yeah.

0:53:08.080 --> 0:53:11.320
<v Speaker 11>But you know you all laid back and chill.

0:53:11.120 --> 0:53:14.360
<v Speaker 5>And you gotta be I mean, you know, you know,

0:53:14.440 --> 0:53:21.319
<v Speaker 5>somebody got a man chill, nobody had a gun. Let's

0:53:21.400 --> 0:53:26.200
<v Speaker 5>leave it there. What is what is the skin regiment?

0:53:26.200 --> 0:53:31.960
<v Speaker 7>Because brother, Push, I'm sitting here, look yeah, and I've

0:53:32.040 --> 0:53:35.160
<v Speaker 7>never seen the inside of somebody look so smooth like that.

0:53:35.280 --> 0:53:41.720
<v Speaker 11>Like what you able to do is the diet?

0:53:41.800 --> 0:53:42.680
<v Speaker 5>Is it? Like? What is it?

0:53:43.560 --> 0:53:44.960
<v Speaker 4>I think I think it's working out.

0:53:45.080 --> 0:53:46.000
<v Speaker 10>I don't know if it's no.

0:53:46.000 --> 0:53:47.360
<v Speaker 7>You know what I'm saying that the die is that

0:53:47.400 --> 0:53:53.560
<v Speaker 7>their diets or diet. Yeah, is that your diet?

0:53:53.719 --> 0:53:54.240
<v Speaker 1>Is it?

0:53:54.480 --> 0:53:54.560
<v Speaker 6>Like?

0:53:54.600 --> 0:53:55.240
<v Speaker 5>What isn't?

0:53:55.280 --> 0:53:57.840
<v Speaker 4>I think you know, we work out every day, you know,

0:53:58.200 --> 0:54:02.400
<v Speaker 4>and we enjoy that. I think that's fine watching what

0:54:02.480 --> 0:54:04.920
<v Speaker 4>you eat, you know. I think I think we are

0:54:05.239 --> 0:54:09.520
<v Speaker 4>the first generation in our family, you know, reading labels

0:54:09.600 --> 0:54:13.040
<v Speaker 4>and calorie counts and proteins and stuff like that. So

0:54:13.840 --> 0:54:14.799
<v Speaker 4>maybe that's what it is.

0:54:14.840 --> 0:54:19.040
<v Speaker 5>I don't know that skin is crazy song.

0:54:19.760 --> 0:54:20.439
<v Speaker 4>Your skin too?

0:54:21.239 --> 0:54:26.239
<v Speaker 6>All right? All right?

0:54:27.480 --> 0:54:32.120
<v Speaker 5>He produced every song? Yeah, Yeah, that's what I feels.

0:54:31.840 --> 0:54:33.920
<v Speaker 8>Like he took like a more when he when he

0:54:33.960 --> 0:54:37.520
<v Speaker 8>produces for it's more like a minimalist approach.

0:54:37.880 --> 0:54:41.000
<v Speaker 5>I think it's a direct approach. Yeah, I think it's

0:54:41.080 --> 0:54:45.279
<v Speaker 5>it's I think it has a lot to do with

0:54:46.560 --> 0:54:51.560
<v Speaker 5>our vocals being instruments and treating it, treating the vocal

0:54:51.719 --> 0:54:57.720
<v Speaker 5>like a real instrument, like you know, versus like overproducing

0:54:59.400 --> 0:55:02.160
<v Speaker 5>so much so much. This this centered around the word.

0:55:02.840 --> 0:55:04.600
<v Speaker 5>You know what I'm saying when it comes to us

0:55:04.880 --> 0:55:06.799
<v Speaker 5>that you have to let that breathe. And I think

0:55:06.840 --> 0:55:09.120
<v Speaker 5>he takes that that direction.

0:55:09.080 --> 0:55:11.480
<v Speaker 8>How does that change your well, how did that challenge

0:55:11.480 --> 0:55:12.600
<v Speaker 8>your pin of delivery?

0:55:13.600 --> 0:55:13.960
<v Speaker 1>Oh?

0:55:14.160 --> 0:55:16.719
<v Speaker 5>Everything is about the raps anyway, It's always been about

0:55:16.719 --> 0:55:18.400
<v Speaker 5>the raps. But I don't got a production bone in

0:55:18.440 --> 0:55:20.560
<v Speaker 5>my body, so I ain't never gonna be able to

0:55:20.640 --> 0:55:24.080
<v Speaker 5>lean on it. But so much, you know, I think

0:55:24.120 --> 0:55:27.279
<v Speaker 5>I think that I think there's a standard that just

0:55:27.320 --> 0:55:30.160
<v Speaker 5>comes with the writing. He just knows that it sounds

0:55:30.200 --> 0:55:33.040
<v Speaker 5>best minimal with us cutting through. Yeah.

0:55:33.040 --> 0:55:35.000
<v Speaker 8>So when the beat changes on a record, like with

0:55:35.080 --> 0:55:38.920
<v Speaker 8>the record that, do you ever say that's why it

0:55:38.960 --> 0:55:41.759
<v Speaker 8>was him, That's why he was on it.

0:55:41.800 --> 0:55:45.719
<v Speaker 5>He asked for two eights. It was like, Yo, I

0:55:45.760 --> 0:55:48.120
<v Speaker 5>got this change, give us two eights. When we heard

0:55:48.120 --> 0:55:52.000
<v Speaker 5>the be we was like, oh, that's for Noads, I

0:55:52.080 --> 0:55:53.840
<v Speaker 5>mean and just you know, just knowing, like you just

0:55:53.960 --> 0:55:57.640
<v Speaker 5>know that that no, that that is that he was

0:55:57.640 --> 0:56:01.160
<v Speaker 5>in a queen's bag of whatever, that was, whatever was

0:56:01.200 --> 0:56:03.000
<v Speaker 5>inspiring him at the time. I was like, man, that

0:56:03.160 --> 0:56:04.680
<v Speaker 5>was that was for Homie?

0:56:05.280 --> 0:56:08.160
<v Speaker 9>I know DJ clues involved to right, Yeah, talk about

0:56:08.320 --> 0:56:09.720
<v Speaker 9>in the project.

0:56:09.640 --> 0:56:15.640
<v Speaker 5>Again, man, clue was he wasn't. What happened was you know,

0:56:15.880 --> 0:56:19.720
<v Speaker 5>just again making the records, going through the records. Uh,

0:56:20.480 --> 0:56:25.879
<v Speaker 5>we actually stole Clues drops from like just awful old

0:56:25.880 --> 0:56:29.520
<v Speaker 5>mixtapes because we just felt that it fit. And you know,

0:56:29.560 --> 0:56:30.839
<v Speaker 5>when he heard it, he was like, no, I got

0:56:30.840 --> 0:56:34.720
<v Speaker 5>to redo these they don't belong. He book the studio,

0:56:36.080 --> 0:56:39.800
<v Speaker 5>booked the studio and he had to he reconfigured everything

0:56:39.840 --> 0:56:42.600
<v Speaker 5>he did and did it live. But it was just

0:56:42.880 --> 0:56:46.239
<v Speaker 5>some of those records kind of sparked that nostalgia. And

0:56:46.960 --> 0:56:49.680
<v Speaker 5>you know, when when when we're in the moment, you

0:56:49.719 --> 0:56:53.040
<v Speaker 5>know whether it's a for real you know, if you

0:56:53.080 --> 0:56:55.920
<v Speaker 5>hear Foraral singing the hook or you know, we wanted

0:56:56.680 --> 0:56:58.239
<v Speaker 5>the hook that he's not going to stay on. We

0:56:58.280 --> 0:57:00.799
<v Speaker 5>gotta kind of finish it just to see what it

0:57:00.840 --> 0:57:03.799
<v Speaker 5>feels like. So we stole the drops and once Clue

0:57:03.840 --> 0:57:06.320
<v Speaker 5>heard it, he you know, did it properly.

0:57:06.640 --> 0:57:07.040
<v Speaker 1>Yeah.

0:57:07.440 --> 0:57:09.400
<v Speaker 2>Talk about the Cousins Festival you got going on.

0:57:09.640 --> 0:57:14.239
<v Speaker 5>R oh Man Cousins Festival. Cousins Festival is August thirtieth.

0:57:14.719 --> 0:57:19.360
<v Speaker 5>It is the best time. It's Labor Day weekend and

0:57:19.480 --> 0:57:23.880
<v Speaker 5>it is it's an indoor an outdoor festival. You know

0:57:24.200 --> 0:57:27.800
<v Speaker 5>outdoor you have a Cousin's Festival stage. It's like all

0:57:27.840 --> 0:57:33.240
<v Speaker 5>the DJs, you got backyard band, you got man, you know,

0:57:33.360 --> 0:57:37.240
<v Speaker 5>drug food trucks. It's it's clue as its clue is

0:57:37.400 --> 0:57:40.560
<v Speaker 5>is envy. It's a DJ booth.

0:57:43.440 --> 0:57:44.560
<v Speaker 1>Yeah, we need just there.

0:57:46.600 --> 0:57:49.480
<v Speaker 5>And then on the inside we have as as the

0:57:49.600 --> 0:57:52.200
<v Speaker 5>as the day goes on, we have an inside, we

0:57:52.280 --> 0:57:55.680
<v Speaker 5>have a show and that's gonna be g z T

0:57:55.920 --> 0:58:00.240
<v Speaker 5>Pain Little Kim. And it's like it is the best

0:58:00.720 --> 0:58:06.040
<v Speaker 5>one day festival time of of of of of Labor

0:58:06.080 --> 0:58:07.240
<v Speaker 5>Day weekend in Virginia.

0:58:07.360 --> 0:58:10.360
<v Speaker 3>Why don't you perform at the festival though? Because this

0:58:10.360 --> 0:58:11.360
<v Speaker 3>is the second anyone?

0:58:11.440 --> 0:58:12.560
<v Speaker 5>Right, yeah, this is the second one.

0:58:12.920 --> 0:58:15.400
<v Speaker 1>Why don't you perform at your festival?

0:58:15.800 --> 0:58:19.520
<v Speaker 5>H Well, actually we have a show already booked, so

0:58:19.560 --> 0:58:24.080
<v Speaker 5>we ruined it. No, not the day of, not the

0:58:24.160 --> 0:58:26.680
<v Speaker 5>day of, but you know, it just it just didn't

0:58:26.720 --> 0:58:28.800
<v Speaker 5>make sense. And you know this is this is really

0:58:28.840 --> 0:58:32.440
<v Speaker 5>about we take real polls, like yo, who y'all want

0:58:32.480 --> 0:58:35.480
<v Speaker 5>to see? You know we just last year Yeah, last

0:58:35.520 --> 0:58:40.000
<v Speaker 5>year was Rikabad Larry June, Lion babe host of d

0:58:40.160 --> 0:58:44.920
<v Speaker 5>j's Jermaine you know, and this year, you know, this

0:58:45.080 --> 0:58:46.439
<v Speaker 5>year we stepped it up a notch.

0:58:46.640 --> 0:58:48.160
<v Speaker 9>The show you got already booked is at the Toy

0:58:48.640 --> 0:58:52.040
<v Speaker 9>Work Game. Yes, sorry about that.

0:58:52.440 --> 0:58:54.280
<v Speaker 5>Yeah, yeah, yeah, yeah, I know, I know.

0:58:54.040 --> 0:59:04.280
<v Speaker 12>I didn't say it, Kevin was because it's all good, man,

0:59:04.480 --> 0:59:05.200
<v Speaker 12>It's all good.

0:59:05.600 --> 0:59:07.440
<v Speaker 5>I mean, you know, I'm glad. I'm glad that we're

0:59:07.480 --> 0:59:11.160
<v Speaker 5>going out there with Earth Game. Those guys are awesome,

0:59:11.560 --> 0:59:13.920
<v Speaker 5>and I feel like the show is going to be incredible.

0:59:14.320 --> 0:59:17.440
<v Speaker 5>Like what twenty five dates? Twenty five dates?

0:59:19.080 --> 0:59:21.000
<v Speaker 2>You know, ga with the handle for a little bit.

0:59:21.040 --> 0:59:23.640
<v Speaker 5>You know, I didn't know that. Oh wow, crazy.

0:59:24.240 --> 0:59:26.320
<v Speaker 8>I's got a couple more questions, man mouth. How is

0:59:26.360 --> 0:59:28.840
<v Speaker 8>your journey as a pastor, your spiritual journey?

0:59:28.920 --> 0:59:30.440
<v Speaker 5>Why does a pastor?

0:59:31.560 --> 0:59:35.840
<v Speaker 4>No, I'm not, I could I could be.

0:59:37.200 --> 0:59:39.160
<v Speaker 5>I'm not a pastor your spiritual journey?

0:59:39.160 --> 0:59:42.080
<v Speaker 8>How's that helping you navigate this current climbing and hip

0:59:42.120 --> 0:59:44.560
<v Speaker 8>hop but also this current journey to clips wrong?

0:59:46.480 --> 0:59:51.640
<v Speaker 4>It helps me with my journey through life with everything,

0:59:52.160 --> 0:59:55.520
<v Speaker 4>I feel like I actually don't know how you can

0:59:55.640 --> 1:00:02.240
<v Speaker 4>do it without God anything. Let all things be done

1:00:02.360 --> 1:00:06.360
<v Speaker 4>decently and in order, And no matter what you're doing,

1:00:07.360 --> 1:00:09.520
<v Speaker 4>you need to have the Word of God with you,

1:00:09.880 --> 1:00:13.600
<v Speaker 4>even if it's only to help you in understanding things

1:00:13.640 --> 1:00:17.880
<v Speaker 4>around you that you can't change. You know, to have peace? Uh,

1:00:18.200 --> 1:00:22.240
<v Speaker 4>in peace with yourself. So it's everything to me. God,

1:00:22.440 --> 1:00:26.040
<v Speaker 4>God is everything to me first and foremost. And that's

1:00:26.040 --> 1:00:29.080
<v Speaker 4>not that's not cliche like I need Jesus like I

1:00:29.120 --> 1:00:30.160
<v Speaker 4>need water and food.

1:00:31.040 --> 1:00:31.680
<v Speaker 5>It's a fact.

1:00:32.400 --> 1:00:32.800
<v Speaker 4>Yeah.

1:00:33.280 --> 1:00:34.800
<v Speaker 5>Well, what's what's the song on the new album? You

1:00:34.800 --> 1:00:37.280
<v Speaker 5>think people are gonna completely misinterpret?

1:00:37.960 --> 1:00:40.480
<v Speaker 4>I don't know. I don't care you know what I'm saying.

1:00:40.520 --> 1:00:41.920
<v Speaker 5>I don't I don't know.

1:00:42.520 --> 1:00:43.720
<v Speaker 6>It could be the whole album.

1:00:43.760 --> 1:00:44.280
<v Speaker 4>I don't know.

1:00:45.200 --> 1:00:48.320
<v Speaker 2>Yeah, let's get into a join of the album. What

1:00:48.440 --> 1:00:49.000
<v Speaker 2>y'all want to hear?

1:00:49.440 --> 1:00:51.080
<v Speaker 1>Not the two joints I have been playing fight?

1:00:51.120 --> 1:00:53.160
<v Speaker 5>Oh yeah, let's get into that.

1:00:53.200 --> 1:00:54.480
<v Speaker 1>You got to send that to me please.

1:00:59.480 --> 1:00:59.840
<v Speaker 10>Already?

1:01:01.960 --> 1:01:03.160
<v Speaker 5>Or do birds on sing?

1:01:03.560 --> 1:01:03.600
<v Speaker 1>Like?

1:01:04.280 --> 1:01:07.080
<v Speaker 5>Yeah, two birds on sing? Sure?

1:01:07.160 --> 1:01:07.840
<v Speaker 1>That's powerful.

1:01:08.040 --> 1:01:09.840
<v Speaker 2>Well, I appreciate you bubs for joining.

1:01:09.600 --> 1:01:12.040
<v Speaker 5>Us, thanks for having thank you, thank you very much

1:01:12.960 --> 1:01:14.720
<v Speaker 5>on y'all. But we're gonna have to wait another fifteen

1:01:14.800 --> 1:01:23.440
<v Speaker 5>years or nah no, no, I don't think so okay, Yeah.

1:01:22.120 --> 1:01:24.200
<v Speaker 7>I don't know, y'all just so happy.

1:01:25.600 --> 1:01:29.360
<v Speaker 8>Yeah, that's why when I said the safe space thing, like,

1:01:29.400 --> 1:01:31.240
<v Speaker 8>I can really see that, I can see how this

1:01:32.160 --> 1:01:35.280
<v Speaker 8>is like a divine protection with all together having an

1:01:35.280 --> 1:01:36.960
<v Speaker 8>individual when y'all together.

1:01:36.720 --> 1:01:37.080
<v Speaker 5>You can.

1:01:37.480 --> 1:01:38.080
<v Speaker 6>I'm with that.

1:01:38.280 --> 1:01:38.760
<v Speaker 4>I'm with that.

1:01:38.800 --> 1:01:40.040
<v Speaker 5>I feel that, I see that.

1:01:40.160 --> 1:01:41.200
<v Speaker 6>Yeah, and this is just that.

1:01:41.280 --> 1:01:43.440
<v Speaker 7>Ch'a would question how many people still think y'all twins?

1:01:44.280 --> 1:01:46.760
<v Speaker 5>Everybody? Okay, am you?

1:01:46.920 --> 1:01:47.320
<v Speaker 1>Growing up?

1:01:47.360 --> 1:01:48.280
<v Speaker 7>I was like, they are twins.

1:01:48.280 --> 1:01:49.920
<v Speaker 4>I will I will all get people down.

1:01:50.160 --> 1:01:51.959
<v Speaker 2>Because they was right from down the street.

1:01:51.960 --> 1:01:53.520
<v Speaker 5>I'm from Baltimore, you know they right there.

1:01:53.560 --> 1:01:55.040
<v Speaker 11>But I got a family in Virginia, and I was

1:01:55.080 --> 1:01:57.480
<v Speaker 11>even telling the Virginians, Yo, they're twins.

1:01:57.520 --> 1:02:00.400
<v Speaker 5>Were like, no, they not, so my bad.

1:02:00.440 --> 1:02:03.520
<v Speaker 11>Okay, but people do say that it wasn't everybody exactly.

1:02:03.600 --> 1:02:04.480
<v Speaker 2>Let's get into the record.

1:02:04.600 --> 1:02:05.240
<v Speaker 1>One last thing.

1:02:05.640 --> 1:02:07.640
<v Speaker 3>Is there ever a problem you say, like, I'm not

1:02:07.680 --> 1:02:09.480
<v Speaker 3>going there with push It Like if pushes going to

1:02:10.040 --> 1:02:11.200
<v Speaker 3>a spot.

1:02:11.120 --> 1:02:12.960
<v Speaker 1>A strip club to host it or he's going to

1:02:12.960 --> 1:02:13.680
<v Speaker 1>strip like that.

1:02:13.920 --> 1:02:15.160
<v Speaker 2>I'm not doing that, yo.

1:02:15.280 --> 1:02:17.040
<v Speaker 4>Everybody keeps putting you in the strip club.

1:02:17.080 --> 1:02:23.440
<v Speaker 5>For every in the strip club, I usually don't. I

1:02:23.440 --> 1:02:28.800
<v Speaker 5>mean my book. But work is work, work is work.

1:02:30.720 --> 1:02:33.280
<v Speaker 2>It's clips its morning.

1:02:33.520 --> 1:02:36.720
<v Speaker 1>Wake that ass up in the morning. The breakfast club