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Speaker 1: Wake that ass up in the morning. The Breakfast Club Morning.

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Speaker 2: Everybody is the j n V. Jess Hilarious, Charlamagne the guy.

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Speaker 3: We are the Breakfast Club. We got some special guests

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Speaker 3: in the build. Clips.

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Speaker 4: What's up?

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Speaker 5: Is it the clips?

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Speaker 6: Or is it clip Clips?

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Speaker 5: Okay? Because I say the clips too? Clips?

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Speaker 2: You call that.

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Speaker 7: Shot, So it's just clips.

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Speaker 4: What's the origins of the name for people who don't know,

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Speaker 4: So that came from Full of Clips. I came up

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Speaker 4: with it and at the time of Fat Joe had

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Speaker 4: the Full of Clips crew, so we just shortened it

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Speaker 4: the Clips.

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Speaker 5: Okay.

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Speaker 3: Now I want to go back right because you guys

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Speaker 3: have been a long time, for a long time, so

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Speaker 3: I want to start from the history. Of course, I

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Speaker 3: know you guys for a long, long, long, long time.

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Speaker 3: So what got you into rapping and to form the

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Speaker 3: group The clip Clips for people that don't know.

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Speaker 4: Always always been a fan of hip hop like anybody else.

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Speaker 4: You know, My older brother was into the whole cardboard

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Speaker 4: box break dancing, boom box rapping when you had to

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Speaker 4: push play and record and wrap directly into the box

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Speaker 4: and yeah, man, just uh just coming up, just coming

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Speaker 4: up under that and uh we went to Chad's house

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Speaker 4: one time and pusha he wrote his first rap, and

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Speaker 4: Pharrell was like, y'all, should you know be a group?

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Speaker 4: His first rap was incredible, but before that it was

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Speaker 4: just me rapping over there.

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Speaker 3: Now when you're first met Chad and Pharrell, right, yep,

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Speaker 3: y'all are totally opposite. So how did y'all even meet

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Speaker 3: and even learn each other? Because growing up in Norfolk

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Speaker 3: in Virginia, like.

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Speaker 1: It's totally two different sides.

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Speaker 3: So what made y'all even say, you know what, let's

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Speaker 3: connect with these guys who wearing tight shirts at the

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Speaker 3: time and tight pants and looked like skateboards and look

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Speaker 3: nothing like y'all serving them, serving them? So it made

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Speaker 3: you say, you know what, let's link with them and

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Speaker 3: start you know.

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Speaker 4: Actually, so I was a djuh dj Alex in Virginia.

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Speaker 4: Beach lived down the street from me, and we went

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Speaker 4: out and we rented a drum machine and we got

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Speaker 4: the drum machine, but we couldn't work it, and you know,

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Speaker 4: we had to turn it back in, so and we

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Speaker 4: had paid for it, but you know, we was gonna

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Speaker 4: have to turn it back in before we even had

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Speaker 4: a chance to use it. And he was like, you know,

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Speaker 4: let's take it to my homie's house. And we went

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Speaker 4: over there and it happened to beat Chad and he

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Speaker 4: knew how to work it. And you know, that's just

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Speaker 4: stuff that we was doing before clip.

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Speaker 1: And that's where it started. Yeah, so when did y'all

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Speaker 1: take it serious?

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Speaker 3: When did you say, you know, what this rap thing

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Speaker 3: is is something I'm gonna take serious. I'm gonna get

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Speaker 3: off the street to say this is what it is.

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Speaker 5: I have to say that was in meeting Pharrell. In

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Speaker 5: meeting Pharrell, and you know it was Pharrell, it was

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Speaker 5: the Teddy Riley coming to Virginia. You know, we began

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Speaker 5: to see that it was a real thing, that that

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Speaker 5: that music was was actually attainable in arms reach. I mean,

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Speaker 5: we seeing the cars, were seeing the Ferraris, We're seeing

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Speaker 5: Michael Jackson in Virginia Beach. You know, we're seeing MC's

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Speaker 5: whole everybody was was coming, was coming down. And then

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Speaker 5: at the same time we had you know, Timblin and

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Speaker 5: MISSI they was doing their thing. They were you know,

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Speaker 5: they had left home and went to Jersey and was

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Speaker 5: working with Joe Tosy. But these are all our childhood

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Speaker 5: you know, high school school for last thing, so we

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Speaker 5: we got to see it from a lot of different

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Speaker 5: angles that you know, music was possible.

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Speaker 8: Why why Virginia don't get like the credit for being

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Speaker 8: a hip hop hotbed, just a black music hotbed.

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Speaker 3: Not just not just music. You remember Alan Evlson from

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Speaker 3: that area, Michael Vicks.

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Speaker 1: From that area.

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Speaker 2: Like this, it's so much in that area that people.

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Speaker 8: Forget I'm the music because you got regions and you know,

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Speaker 8: states that get that love, but y'all don't seem to.

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Speaker 5: Well. I think I think it's because I think a

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Speaker 5: lot of people have. Everybody who's made it in Virginia

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Speaker 5: actually had to leave Virginia to make it. I don't

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Speaker 5: think any one particular artist of any of us. None

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Speaker 5: of us broke in Virginia. So we always broke like

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Speaker 5: Clips broke in Philly. You know, you know everybody, everybody

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Speaker 5: broke somewhere else. So I think Clip's broken Philly. I

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Speaker 5: never yeah, Clip's broken, Philly. Man shoutow cosmic vow, Yeah, yeah,

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Speaker 5: Clips broken Philly. I don't know what record was at

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Speaker 5: the funeral or grind grinding broken Philly.

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Speaker 3: Now do you remember that when Farrell gave you that

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Speaker 3: beat for grinding. I remember the first time I heard it.

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Speaker 3: It was confusing. Yeah, it was confusing. I was confused.

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Speaker 3: So when he first gave it, how did you know

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Speaker 3: that was?

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Speaker 5: You probably got the CD that I was handing out. Yes,

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Speaker 5: I did, Yeah, I believe you did. You know when

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Speaker 5: we heard it first, we was like, you know, we

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Speaker 5: were it was. It kind of took us back because

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Speaker 5: you got to think at that time, Pharrell was singing

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Speaker 5: on every hook. It was uh, whether it was mister

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Speaker 5: Cool and whoever. Right, So, you know, this is our

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Speaker 5: first joint and he like, yo, this is the one,

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Speaker 5: and we like, we want you singing, like saying you

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Speaker 5: better tap or do something. And you know, he was like,

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Speaker 5: now I'm telling you this is this the future. This

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Speaker 5: is what it is.

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Speaker 4: And he was right, and it was confusing because we

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Speaker 4: actually wrote to it twice three times.

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Speaker 5: I think I think I got three joints on that joint.

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Speaker 3: I still can't blend it to this day because I

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Speaker 3: don't know where the beating the snare go at.

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Speaker 2: Wow, actually blend on it. You just gotta go.

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Speaker 5: That's crazy, that's crazy for you to say.

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Speaker 1: That to this day. M Me up there, Me up there,

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Speaker 1: I just love.

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Speaker 5: Vegas with envy, rocking, smoking.

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Speaker 1: Thanks.

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Speaker 8: Thanks, you know on the album Malas you said you've

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Speaker 8: been both Mason bethists for people who don't know what

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Speaker 8: that line needs.

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Speaker 4: Yeah, I just feel like I understand stood and walked

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Speaker 4: a similar path like Mace, you know, to be in

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Speaker 4: this industry and then to have a real live revelation

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Speaker 4: of God and who he is, you know, and then

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Speaker 4: have to navigate your way. As far as navigating, not

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Speaker 4: so much because I knew that I had to chill,

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Speaker 4: take a step back. And I also want to give

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Speaker 4: you y'all flowers too, because y'all were still messing with

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Speaker 4: me during that time. You let me come in here

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Speaker 4: and you know, promote the documentary and you know, uh

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Speaker 4: my solo projects and everything. So yeah, I appreciate that.

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Speaker 4: But yeah, I feel like I understand, uh seeing a

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Speaker 4: lot of the same things that that Mace.

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Speaker 5: Uh see.

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Speaker 4: I bought that up because you know, they actually caught

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Speaker 4: me Mason the club.

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Speaker 5: It was in the club in DC, and it was

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Speaker 5: like we got to push your ta in Mason.

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Speaker 1: For a while.

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Speaker 5: No, No, I'm cool with it all.

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Speaker 4: Yeah, I'm cool with it all.

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Speaker 8: That's why I brought it up because that's what ultimately

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Speaker 8: caused the clips to you know, in for that fifth

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Speaker 8: period of time.

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Speaker 2: That's right, yeah, yeah, So what got your back? What

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Speaker 2: was the call that said I want to do this again?

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Speaker 4: There were a few baby steps, I'm gonna say, uh,

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Speaker 4: going out to Wyoming and uh, you know, working on

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Speaker 4: use this gospel with ya with my brother. I always

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Speaker 4: knew that we could do it, but I just knew

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Speaker 4: I needed to sit down period, you know what I'm saying?

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Speaker 4: And uh, what else did we do? We did push

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Speaker 4: his album, I Pray for You, We did the Lego album,

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Speaker 4: the album Yeah, I mean those were things I could

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Speaker 4: ask for that I knew, weren't you know, just solid

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Speaker 4: nose and you know, man.

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Speaker 5: From there, it was just like, what we're gonna do?

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Speaker 8: What was the exact moment though, because y'all were on

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Speaker 8: two completely different life paths, So what was the exact

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Speaker 8: moment that said, Okay, it's time to do another album?

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Speaker 4: Okay, So I'll say this. You know, when when we

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Speaker 4: were doing they use this gospel and punch bowl and

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Speaker 4: push his album and whatever, I had to ask my dad.

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Speaker 4: I was like, you know, what do you think about me?

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Speaker 4: Rapping again, and he said, he said, son, I think

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Speaker 4: you've been too hard on yourself. And my dad's a deacon,

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Speaker 4: you know, like he was a deacon. So to hear

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Speaker 4: him say that, I am like a word.

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Speaker 5: That's how you feel like, you know, And you answered

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Speaker 5: one of my questions.

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Speaker 8: I was gonna ask you about that because you talk

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Speaker 8: about that on Birds Don't Sink, right, And I just

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Speaker 8: thought that was such a powerful thing, just just to

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Speaker 8: explain like you was going through his you know, dresser drawer,

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Speaker 8: seeing his notes. But then he y'all had conversations about

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Speaker 8: you rapping again. I'm gonna ask you what would those conversations?

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Speaker 4: Yeah, yeah, we you know, just everything was the way

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Speaker 4: it lined up. It told the whole story, and it

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Speaker 4: let me know that God is intentional. These things don't

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Speaker 4: just be happening to us the way you know, we think.

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Speaker 4: God is very gracious and he sets you up. He

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Speaker 4: knows what you can take, He knows how much to

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Speaker 4: put on you. He knows the order in which to put,

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Speaker 4: you know, things in for you. So I I just

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Speaker 4: know that He's in control all the time. And the

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Speaker 4: conversations with that record, you know, Pusher talking to my

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Speaker 4: mom and me talking to my dad and being able

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Speaker 4: to document those last conversations. Even those conversations was a

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Speaker 4: type of preparation, you know, getting you ready for what

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Speaker 4: was about to take place.

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Speaker 5: So like, I'm I'm.

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Speaker 4: Cool with it all.

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Speaker 3: Well, condolence is first, and for you know, I was

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Speaker 3: when I was in Vegas. You know, I was with

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Speaker 3: family members of yours and what I like to do

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Speaker 3: is is pull them to the side and just have conversations.

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Speaker 3: I knew I was coming up for an interview and.

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Speaker 8: Trying to get tea yeah, of course, and one of

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Speaker 8: them was like, now we were talking about the down.

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Speaker 1: This is before I heard the.

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Speaker 3: Album, and he was like, he was like, yo, the

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Speaker 3: best thing about it. He was like, I had their

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Speaker 3: mom in the car and he was like, the greatest

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Speaker 3: thing that ever happened is the two boys are back

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Speaker 3: together rapping. So how was that feeling of knowing that

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Speaker 3: mom was just super duper happy that her two sons

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Speaker 3: were backrock.

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Speaker 5: Uh man? You know she that was that was always

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Speaker 5: a big thing, you know, for me as a soloist.

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Speaker 5: She would always be like I want with them, Yeah,

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Speaker 5: I want your brother with you. I want them back

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Speaker 5: out there with you probably just to you know, look

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Speaker 5: over me, watch over me. But that was that was

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Speaker 5: always her thing. She was huge on like us just

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Speaker 5: being together.

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Speaker 8: Yea, Now did y'all know y'all had to start the

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Speaker 8: album with a dedication to your parents, like.

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Speaker 5: Because it was the hardest record to make, Like, it

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Speaker 5: was the hardest record to make. So yeah, So finally,

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Speaker 5: like when we cracked that code, you know, we were

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Speaker 5: you know, we were putting the order in and we

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Speaker 5: was like, man, nah, this this, this has to start, like,

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Speaker 5: this has to start the album.

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Speaker 1: It was.

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Speaker 5: It was polarizing the response, you know, just in the

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Speaker 5: creation of it. Man, everybody who heard it, you know,

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Speaker 5: and there were people in there, like you know, we

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Speaker 5: we recorded it in the LV headquarters, so it's a

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Speaker 5: room and it's you know, it's open. The mics are

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Speaker 5: like this, ain't no booth you record like this. You

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Speaker 5: look outside, you look through that window right there, and

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Speaker 5: then it's not a window, it's just an open space.

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Speaker 5: Somebody with a sewing machine, somebody with you know, bag

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Speaker 5: shoes whatever. And while we're doing this in real time,

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Speaker 5: everybody's in tears, like everybody just you know, they're they're

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Speaker 5: watching it. By the time we finish it, it's like,

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Speaker 5: you know, just like any other record. It's like, man,

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Speaker 5: you know, we we cracked the code on it, like

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Speaker 5: we were satisfied, but it was just so hard to do.

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Speaker 5: And everybody is always like, you know, everybody want to

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Speaker 5: put the hardest record first, and I'm like, nah, man,

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Speaker 5: this this is the this is the hardest record, and

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Speaker 5: I want to see how it like really touches people.

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Speaker 5: You know, from the jump and the didn't get into

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Speaker 5: everything else.

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Speaker 2: Did that change you?

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Speaker 3: Because you know, you talk about on the record of

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Speaker 3: where you were and the things that you should have

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Speaker 3: been doing that you weren't doing. Yeah, and then I've

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Speaker 3: seen a shoe for a couple of years with you

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Speaker 3: when you had your son, like everything is about your

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Speaker 3: son and you show up more than anything else, and

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Speaker 3: that wasn't you beforehand.

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Speaker 2: So did that change you?

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Speaker 5: What is my first son? So you know, this is

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Speaker 5: this is this is new to me. But you know,

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Speaker 5: I man, I don't know if it changed me. I

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Speaker 5: would say that my parents prepared me to be a dad,

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Speaker 5: like a real dad, because I had a real dad

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Speaker 5: and a real mom.

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Speaker 9: Were there conversations that you wish you had with your mom,

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Speaker 9: like in those moments where you talk about you went

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Speaker 9: to Turks for Thanksgiving and.

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Speaker 5: So no, no, like me and my mom was so straight,

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Speaker 5: like we've been, like we always were straight. And I

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Speaker 5: think that the you know, the whole the Turks thing

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Speaker 5: when you know, and looking at in hindsight, you know,

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Speaker 5: she was like, damn, you're gonna get out of here,

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Speaker 5: you know, you know, looking at it and everything, I

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Speaker 5: sort of feel like she knows, she knew everything, you know. Yeah,

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Speaker 5: so you know, it's just it's it's it was. It

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Speaker 5: tells the story, you know after you know what I'm saying,

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Speaker 5: like the whole story for me, Like I see it

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Speaker 5: all now, I see it all, but at the time, no,

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Speaker 5: I didn't.

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Speaker 1: I think.

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Speaker 4: I think it also says a lot for you know,

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Speaker 4: being in harmony with your people. Yeah, really you really

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Speaker 4: should be, because that is what gives me a lot

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Speaker 4: of peace knowing that, you know, I was there for

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Speaker 4: my mother, a great relationship with my mother and my

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Speaker 4: father the whole time. So if you're out here and

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Speaker 4: you have like a dysfunction or a lot of dis

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Speaker 4: disdain between family members, you should really try to fix that,

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Speaker 4: you know what I'm saying. You should. You should really

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Speaker 4: try to fix that if possible, because right now with

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Speaker 4: my parents being gone, I get a lot of peace

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Speaker 4: just knowing that everything was straight and always straight.

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Speaker 5: That's not the only thing.

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Speaker 8: Yeah, y'all choose who was going to rap about who?

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Speaker 4: That was kind of easy.

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Speaker 5: I mean.

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Speaker 4: And even though we were, you know, just all of

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Speaker 4: us very close knit and tight knit. Uh, you know,

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Speaker 4: my dad and I we always talked about things of

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Speaker 4: the Bible, you know, and just whole even my mom

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Speaker 4: because my mom was you know, over the house every

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Speaker 4: Saturday for Bible study. But I don't know, it just

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Speaker 4: seemed like it kind of made more sense for you know,

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Speaker 4: me talking about my dad. Well, we get a visual

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Speaker 4: for this video.

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Speaker 5: I mean, it's already shot. It's already shot.

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Speaker 7: Look at you. It's not like you already.

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Speaker 2: But I pull everybody to the side, definitely asked.

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Speaker 8: How difficult is it to rap honestly next to your

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Speaker 8: brother because y'all y'all really know each other, so you

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Speaker 8: could be like, yo, you're lying that ain't happy?

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Speaker 6: Don't we don't have them kind of issues?

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Speaker 4: Okay, Yeah, it's cool and getting.

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Speaker 8: It's real, But is it ever like maybe that's too much,

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Speaker 8: Like maybe we shouldn't say that.

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Speaker 4: I think I think push It likes, especially now he

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Speaker 4: likes when I curse, you know, try to like all

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Speaker 4: the way there with it, you know what I'm saying.

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Speaker 4: But nah, I mean the rapping is is is just

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Speaker 4: like second nature to us and we've been doing this

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Speaker 4: for a while, so.

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Speaker 5: Just the funnest rapping has ever been, I'm being honest

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Speaker 5: with you, this go around, Yeah, like this is the

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Speaker 5: funnest rap has been. Like this ain't even like that's

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Speaker 5: not a thing, like it's you know, the roll out

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Speaker 5: and all of that is like the work. This the music,

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Speaker 5: not the music is what it is. Like the music

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Speaker 5: is there.

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Speaker 3: You feel like you gotta you feel like you got

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Speaker 3: to prove yourself though it's like I see it would

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Speaker 3: hold right people.

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Speaker 2: Oh you lying? You ain't really do that?

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Speaker 5: Ah man, you feel like you gotta bro I've been

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Speaker 5: in this twenty three years, like I've been who I've

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Speaker 5: been twenty three years, Like I don't I don't feel

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Speaker 5: like I got to prove anything to anybody, And I

337
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Speaker 5: feel like I'm the best at what it is I'm doing.

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Speaker 5: Like I don't think nobody talks like this nobody, Like,

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Speaker 5: it's a lot that comes with this and I feel like,

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Speaker 5: you know, people give you that the coke wrap Moniker

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Speaker 5: bro We like it's so much deeper than that. And listen,

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Speaker 5: I don't even argue. I don't even argue the title

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Speaker 5: no more. It's fine. It's just you know this right now,

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Speaker 5: what we're making is for those who know and for

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Speaker 5: those who understand, and for those who are like you know,

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Speaker 5: into hip hop, into the lifestyle. And I think that's

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Speaker 5: what you're seeing in the whole rollout of this album.

348
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Speaker 5: This this is high taste level everything, and it's you

349
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Speaker 5: know it and it shows the heritage of like how

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Speaker 5: and what we've been a part of for all these years.

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Speaker 5: You know, whether it's you know, high fashion, whether it's

352
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Speaker 5: car hard, whether it's streetwear, whether you know, whatever it is,

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Speaker 5: it's all hip hop. Like this is we're trying to

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Speaker 5: give the hip hop tutorial of like why we loved rappers,

355
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Speaker 5: you know the rappers I cut my eyebrows broke, you know,

356
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Speaker 5: like these things I did, like I did, you know

357
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Speaker 5: what I mean? And I want people to love us

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Speaker 5: in that way and I want to show that, like,

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Speaker 5: you know, this is what this is what hip hop

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Speaker 5: means to us, like be entrenched, and that's what we're

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Speaker 5: just trying to show.

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Speaker 4: You know.

363
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Speaker 5: That's funny because.

364
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Speaker 4: That was one of my revelations with my departure, everything

365
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Speaker 4: that we were talking about, the things that we have

366
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Speaker 4: been through, the things that we were sharing, and then

367
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Speaker 4: to see how it all came crashing down with friends

368
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Speaker 4: and family you know, around us and death, yeah, death,

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Speaker 4: indictments even to present day. You know what I'm saying,

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Speaker 4: The same people that we were running with. We we've

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Speaker 4: lost a few, a few more recently. But my revelation

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Speaker 4: was when I would hear narratives of you know, they

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Speaker 4: weren't into that, or they weren't doing this and that,

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Speaker 4: and I'm like, I know what we've been through, and

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Speaker 4: for anyone to say anything like that, for to have

376
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Speaker 4: such a sacrifice of all these things going down, just

377
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Speaker 4: for someone to say that, which doesn't trouble me at all,

378
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Speaker 4: doesn't bother me. You know, people have their opinions and

379
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Speaker 4: can say what they want. But to be fighting for

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Speaker 4: that and talking that and and then then when it

381
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Speaker 4: happens and then somebody won't say you ain't do that,

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Speaker 4: I was like, oh man, no, I'm chilling.

383
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Speaker 5: I'm good. I didn't hear a lot of cocaine wrap

384
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Speaker 5: on this record, though. Was that intentional? Do you think you.

385
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Speaker 8: Should not as the Clips project?

386
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Speaker 5: Right?

387
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Speaker 8: No?

388
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Speaker 4: I think you know, I think it's more reminiscent.

389
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Speaker 7: Yeah, if you give a little in the beginning, a little.

390
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Speaker 9: Something in the beginning's my favorite.

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Speaker 5: For who you really they tried.

392
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Speaker 10: They tried to scrap it.

393
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Speaker 5: I tried to scrap it.

394
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Speaker 4: They tried to scrap that.

395
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Speaker 5: Yeah, I told him, I was, you know, that's it.

396
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Speaker 2: Why the.

397
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Speaker 5: Stars about I want to because I was I was

398
00:19:16,800 --> 00:19:20,760
Speaker 5: actually mimicking Guru, like vocally, and I didn't think I

399
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Speaker 5: nailed it good enough. And I was just like, man,

400
00:19:24,040 --> 00:19:26,720
Speaker 5: I didn't get Guru. Oh yeah, okay, okay, I mean,

401
00:19:26,760 --> 00:19:29,959
Speaker 5: you know, very monotone, very conversational, very then and then

402
00:19:31,160 --> 00:19:33,359
Speaker 5: and it was like you know that. I mean, I

403
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Speaker 5: I just didn't. I wasn't sold on the execution can Man,

404
00:19:38,680 --> 00:19:44,479
Speaker 5: that's crazy, that's crazy because it was gone.

405
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Speaker 4: That's my favorite there.

406
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Speaker 5: Did you tell him I don't want to do too

407
00:19:50,480 --> 00:19:51,639
Speaker 5: much of the cocaine thing.

408
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Speaker 4: On this No, I mean, I think, you know, that's

409
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Speaker 4: the good thing between my brother and I things are understood.

410
00:19:56,880 --> 00:19:59,159
Speaker 4: You know, he knows why stand I know where he stands.

411
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Speaker 4: I don't try to chang ain't him or he don't

412
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Speaker 4: try to change me. And it's a it's a good

413
00:20:03,680 --> 00:20:06,520
Speaker 4: plan field where we come together and it's just real.

414
00:20:06,600 --> 00:20:11,399
Speaker 4: We don't have to like overcomplish, manufacture anything. It's just

415
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Speaker 4: what it is.

416
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Speaker 3: The the other day, they said, I was glazing the

417
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Speaker 3: clips right.

418
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Speaker 5: Crazy.

419
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Speaker 3: That is what I said, was I said, I said

420
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Speaker 3: something to this fact. I said, push has if he

421
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Speaker 3: hears anybody go at him, he has five records on

422
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Speaker 3: the side of five versus just the case.

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Speaker 1: I said, I just know because I know who he

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Speaker 1: is and what he is. Is that true?

425
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Speaker 5: No, man, I'm not listen man, you know he said.

426
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Speaker 11: No, he said, Now he looks good like the skins always.

427
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Speaker 5: Fresh man like, like I like skin compliments. I do

428
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Speaker 5: like skin compliments. I'm gonna tell.

429
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Speaker 2: You to rap as it.

430
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Speaker 3: Sometimes they throw stones that you do you have something

431
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Speaker 3: in the stass for each and every.

432
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Speaker 2: One of them.

433
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Speaker 5: Man, I mean, I think you know, just me being

434
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Speaker 5: a rap artist and me being an MC is that's

435
00:21:13,280 --> 00:21:18,880
Speaker 5: just second nature. And usually most most people who throw stones, man,

436
00:21:18,960 --> 00:21:22,359
Speaker 5: I mean nobody's perfect. So I mean I can dissect

437
00:21:22,359 --> 00:21:27,359
Speaker 5: anybody just like they could dissect me. But you know, man,

438
00:21:27,520 --> 00:21:33,159
Speaker 5: I try not to. I try not to to engage

439
00:21:33,200 --> 00:21:34,879
Speaker 5: to my like I've done that. Like I've done a

440
00:21:34,920 --> 00:21:36,560
Speaker 5: lot of it, you know what I'm saying. I've done

441
00:21:36,560 --> 00:21:39,639
Speaker 5: it with the best and the biggest, Like I've done it.

442
00:21:40,400 --> 00:21:44,639
Speaker 5: So it's like, you know, you can't just entertain everything

443
00:21:44,640 --> 00:21:48,320
Speaker 5: because everybody and everybody's not good. Like everybody's not good.

444
00:21:48,359 --> 00:21:50,040
Speaker 5: This is this is a new day in a new

445
00:21:50,080 --> 00:21:55,520
Speaker 5: era where like you know, just uh clicks and and

446
00:21:55,520 --> 00:22:00,160
Speaker 5: and and clickbait and and people just say things for

447
00:22:00,160 --> 00:22:04,880
Speaker 5: for attention, and it's like you just can't entertain everything. Man,

448
00:22:04,960 --> 00:22:06,560
Speaker 5: you just can't. I feel like you've been trying to

449
00:22:06,600 --> 00:22:10,240
Speaker 5: catch your body since the story. I've been trying to

450
00:22:10,280 --> 00:22:10,960
Speaker 5: catch your body.

451
00:22:11,240 --> 00:22:17,320
Speaker 8: Were you caught? Think a body? I think those were

452
00:22:17,840 --> 00:22:23,160
Speaker 8: shots directly at you. You were surgical with you said

453
00:22:23,160 --> 00:22:25,160
Speaker 8: at the end of peel Back, the lay is real slow.

454
00:22:25,320 --> 00:22:28,040
Speaker 8: So I feel like you really wanted to go there

455
00:22:28,080 --> 00:22:29,360
Speaker 8: with somebody for the longest.

456
00:22:29,680 --> 00:22:33,000
Speaker 5: Nah, man, no, no, I mean you know it's it's

457
00:22:33,080 --> 00:22:34,280
Speaker 5: never a.

458
00:22:35,440 --> 00:22:35,600
Speaker 1: Man.

459
00:22:35,600 --> 00:22:37,520
Speaker 5: I got, I got for real, I have a lot

460
00:22:37,720 --> 00:22:40,359
Speaker 5: to to to rap about. I got a lot to

461
00:22:40,359 --> 00:22:42,840
Speaker 5: wrap about. I got a lot, a lot of content.

462
00:22:44,080 --> 00:22:49,280
Speaker 5: The creativity is is ever flowing and it don't ever

463
00:22:49,480 --> 00:22:51,720
Speaker 5: have to be about an individual. It don't have to

464
00:22:51,760 --> 00:22:54,359
Speaker 5: be like not for me, Like I mean, like, I

465
00:22:54,400 --> 00:22:57,240
Speaker 5: feel like this album is incredible and I don't think

466
00:22:57,240 --> 00:23:01,040
Speaker 5: it's really dialed anywhere you could getting necessory to murder

467
00:23:01,119 --> 00:23:02,360
Speaker 5: charge because when you listen to.

468
00:23:02,320 --> 00:23:02,520
Speaker 4: You for.

469
00:23:08,000 --> 00:23:10,600
Speaker 8: Things that you laid you know, you laid down that

470
00:23:10,760 --> 00:23:12,520
Speaker 8: Kendrick used for you for it, and I think it's

471
00:23:12,600 --> 00:23:13,600
Speaker 8: used in the battle period.

472
00:23:13,760 --> 00:23:17,080
Speaker 5: Man, you know, I think I think you know great

473
00:23:17,200 --> 00:23:21,720
Speaker 5: great lyricists just you know, tune into the obvious.

474
00:23:22,800 --> 00:23:25,560
Speaker 2: Speak during that battle and yeah, speak during the battle.

475
00:23:31,880 --> 00:23:35,600
Speaker 9: I when do you pick and choose when to say

476
00:23:35,680 --> 00:23:37,399
Speaker 9: something about something because you sit on a lot of

477
00:23:37,400 --> 00:23:38,280
Speaker 9: stuff for a long time.

478
00:23:38,440 --> 00:23:41,520
Speaker 5: Yeah, I mean, I'm I'm always like that, like I

479
00:23:41,560 --> 00:23:44,600
Speaker 5: feel like and and that just comes with that just

480
00:23:44,640 --> 00:23:49,720
Speaker 5: comes with like my position in the game and like

481
00:23:49,920 --> 00:23:52,800
Speaker 5: just where I am as an artist. Like, man, I

482
00:23:52,840 --> 00:23:55,679
Speaker 5: don't you know, it's not always a radio record that

483
00:23:55,720 --> 00:23:59,800
Speaker 5: I have. It's not always you know, we don't get

484
00:24:01,400 --> 00:24:03,760
Speaker 5: you know, it's I'm not putting out music constantly. You

485
00:24:03,760 --> 00:24:05,440
Speaker 5: know what I'm saying, every five minutes a new record.

486
00:24:05,840 --> 00:24:09,000
Speaker 5: I feel like, you know, uh, you know, things happen.

487
00:24:09,480 --> 00:24:11,840
Speaker 5: You got to store it. You gotta store, you gotta craft,

488
00:24:11,920 --> 00:24:14,280
Speaker 5: you gotta make it right. You got to set the platform,

489
00:24:14,359 --> 00:24:16,360
Speaker 5: set the stage, breakdown.

490
00:24:16,520 --> 00:24:19,440
Speaker 3: What the hit the situation with death Jam. You guys

491
00:24:19,440 --> 00:24:21,880
Speaker 3: were on Death Jam, Yes, decided to leave.

492
00:24:22,320 --> 00:24:24,320
Speaker 5: You crazy too, man. You can sit up here and

493
00:24:24,359 --> 00:24:28,000
Speaker 5: tell Death Jam was like, Yo, Death Jam, Death Jam

494
00:24:28,040 --> 00:24:29,600
Speaker 5: don't care about your project.

495
00:24:29,200 --> 00:24:39,200
Speaker 10: You crazy, honest man.

496
00:24:39,280 --> 00:24:40,440
Speaker 5: Man, He's.

497
00:24:42,000 --> 00:24:43,159
Speaker 10: Like, you're not gonna do that after her?

498
00:24:43,240 --> 00:24:45,000
Speaker 5: Like what is You're not to talk about your music?

499
00:24:45,000 --> 00:24:46,680
Speaker 5: What are we gonna be talking about?

500
00:24:47,040 --> 00:24:48,720
Speaker 2: And I actually left that day because we didn't sit down,

501
00:24:48,720 --> 00:24:49,520
Speaker 2: but he still wanted to do it.

502
00:24:49,520 --> 00:24:52,400
Speaker 9: But I was pushing for her because I love Coco.

503
00:24:52,680 --> 00:24:54,720
Speaker 9: If we've been honest though, because listening to the project

504
00:24:54,720 --> 00:24:57,159
Speaker 9: now and knowing the background with You're on Jam, you

505
00:24:57,520 --> 00:24:59,320
Speaker 9: I don't understand why they would let a project like

506
00:24:59,320 --> 00:24:59,800
Speaker 9: this go.

507
00:25:00,600 --> 00:25:02,040
Speaker 3: So what was the call when when when you hit

508
00:25:02,119 --> 00:25:03,520
Speaker 3: it in the album and they called and said, we

509
00:25:03,520 --> 00:25:05,080
Speaker 3: can't put this out, we can't clear this record.

510
00:25:05,119 --> 00:25:05,960
Speaker 1: What was that call?

511
00:25:06,040 --> 00:25:08,199
Speaker 5: Like, I mean, it was you know what it was.

512
00:25:08,240 --> 00:25:11,080
Speaker 5: It was something that I wasn't really dealing with firsthand.

513
00:25:11,480 --> 00:25:14,560
Speaker 5: They were like speaking to my management, uh and my

514
00:25:14,640 --> 00:25:16,800
Speaker 5: team and just like you know, and then it got

515
00:25:16,800 --> 00:25:18,800
Speaker 5: it got a little dicey to where to the point

516
00:25:18,880 --> 00:25:22,320
Speaker 5: they weren't they wouldn't text or email send these things

517
00:25:22,359 --> 00:25:24,320
Speaker 5: an email. They would they would like only talk on

518
00:25:24,359 --> 00:25:27,960
Speaker 5: the phone, and you know, they would instruct not to

519
00:25:28,080 --> 00:25:31,160
Speaker 5: email us back and forth these you know, that type

520
00:25:31,160 --> 00:25:37,000
Speaker 5: of correspondence. So, I mean, man, you know it's I

521
00:25:37,000 --> 00:25:40,000
Speaker 5: don't know, like I don't I don't know why. I mean,

522
00:25:40,400 --> 00:25:43,600
Speaker 5: I can only assume that it was just the optics

523
00:25:43,880 --> 00:25:46,480
Speaker 5: with everything they got going on with litigation, lawsuits and

524
00:25:46,480 --> 00:25:51,480
Speaker 5: over that the optics of clips Kendrick together, because that's

525
00:25:51,920 --> 00:25:54,520
Speaker 5: that's when it all happened. Like we don't we don't

526
00:25:54,960 --> 00:25:57,879
Speaker 5: we don't really deal with the label that much anyway

527
00:25:59,240 --> 00:26:03,359
Speaker 5: outside of nothing. Actually, yeah, we don't deal with the label.

528
00:26:03,400 --> 00:26:05,080
Speaker 5: Like we we go make our album and then we

529
00:26:05,160 --> 00:26:07,320
Speaker 5: come and bring the album back. But y'all, you and

530
00:26:07,480 --> 00:26:09,359
Speaker 5: Rick worked together before y'all got a classic together. If

531
00:26:09,359 --> 00:26:13,280
Speaker 5: you ask me different, Oh it's a different day. It

532
00:26:13,320 --> 00:26:17,160
Speaker 5: wasn't you know that was back then, but y'all wasn't

533
00:26:17,160 --> 00:26:20,600
Speaker 5: even shooting that dude, It doesn't it doesn't matter. That's crazy. Yeah.

534
00:26:20,760 --> 00:26:23,720
Speaker 3: So then so when you wanted to leave, you call

535
00:26:23,800 --> 00:26:25,560
Speaker 3: Hole and then the first room was they just let

536
00:26:25,560 --> 00:26:26,120
Speaker 3: you go for free.

537
00:26:26,200 --> 00:26:27,480
Speaker 2: We was like that can't be true.

538
00:26:27,560 --> 00:26:29,840
Speaker 5: No no, no, no, no no no. It had to pay,

539
00:26:29,880 --> 00:26:30,280
Speaker 5: had to pay.

540
00:26:30,359 --> 00:26:32,320
Speaker 1: So you reached out the whole and Hope sit absolutely possible.

541
00:26:32,320 --> 00:26:36,240
Speaker 5: Well was my Stephen did Yeah, Stephen, Stephen reached out

542
00:26:36,280 --> 00:26:39,439
Speaker 5: to him. There were other other labels in the in

543
00:26:39,480 --> 00:26:43,080
Speaker 5: the in the bidding, and he just called hold, like yo,

544
00:26:43,600 --> 00:26:45,159
Speaker 5: I think there was a there was a there was

545
00:26:45,200 --> 00:26:48,080
Speaker 5: an approval process between one of the labels or something

546
00:26:48,600 --> 00:26:51,640
Speaker 5: took a little long, and he went and ass whole

547
00:26:51,760 --> 00:26:54,360
Speaker 5: and Hope was like, look, yeah, let's do this now,

548
00:26:54,880 --> 00:26:58,280
Speaker 5: like twenty four hours, maybe maybe forty eight hours. I

549
00:26:58,359 --> 00:27:01,160
Speaker 5: never seen lawyer work like this fast. Yeah, I didn't

550
00:27:01,200 --> 00:27:03,960
Speaker 5: know it even happened like that. And what record was

551
00:27:04,000 --> 00:27:07,200
Speaker 5: all supposed to be on on this project ship man

552
00:27:07,600 --> 00:27:12,480
Speaker 5: there was I mean, we got he was saying changing whibs.

553
00:27:12,760 --> 00:27:14,560
Speaker 4: Uh it was Mike Tyson.

554
00:27:14,640 --> 00:27:19,959
Speaker 5: Mike Tyson blow to the face, you know. Whole had

555
00:27:19,960 --> 00:27:22,439
Speaker 5: the album, So you know It. Yeah, it was it

556
00:27:22,520 --> 00:27:25,240
Speaker 5: was all for him to whatever he wanted to do.

557
00:27:25,560 --> 00:27:27,040
Speaker 7: Supposed to be on so be It.

558
00:27:27,560 --> 00:27:29,879
Speaker 5: Yeah, that was one of the options. Yeah, yeah, and

559
00:27:29,960 --> 00:27:31,040
Speaker 5: nothing moved the spirit.

560
00:27:32,359 --> 00:27:32,639
Speaker 4: Man.

561
00:27:33,400 --> 00:27:36,160
Speaker 5: I don't know, Man, I don't know man.

562
00:27:36,240 --> 00:27:39,520
Speaker 8: You know, you know on pov Malas you said that

563
00:27:39,600 --> 00:27:42,200
Speaker 8: you came back for the money that's the devil.

564
00:27:42,240 --> 00:27:43,159
Speaker 2: Can you explain it?

565
00:27:43,800 --> 00:27:44,080
Speaker 6: Yeah?

566
00:27:44,240 --> 00:27:46,879
Speaker 4: I just thought it was a real fly line, you know.

567
00:27:49,080 --> 00:27:52,360
Speaker 4: And for anyone who has any questions about me, I'm

568
00:27:52,480 --> 00:27:56,920
Speaker 4: Jesus inside out, like I'm all the way gone with it,

569
00:27:57,119 --> 00:27:59,919
Speaker 4: like it it's crazy. But uh, I just took so

570
00:28:01,440 --> 00:28:05,000
Speaker 4: artistic liberty, you know with that line. And really, to me,

571
00:28:05,520 --> 00:28:10,400
Speaker 4: you know, money is a good thing. You need money,

572
00:28:10,520 --> 00:28:14,199
Speaker 4: especially to you know, you got friends and family to

573
00:28:14,200 --> 00:28:16,680
Speaker 4: be able to help people. It's nothing wrong with money.

574
00:28:16,720 --> 00:28:20,439
Speaker 4: I think people put a stigma on money, for the

575
00:28:20,440 --> 00:28:23,960
Speaker 4: Bible says that it is the love of money that's

576
00:28:24,000 --> 00:28:26,399
Speaker 4: the root of all evil, not the money. It's how

577
00:28:26,480 --> 00:28:29,480
Speaker 4: much you love it. What are you willing to do

578
00:28:29,880 --> 00:28:32,560
Speaker 4: for it or what won't you do for Do you

579
00:28:32,600 --> 00:28:35,920
Speaker 4: lose all your principles and your morals? So I don't

580
00:28:35,920 --> 00:28:39,120
Speaker 4: think we can demonize money. But for me, it was

581
00:28:39,160 --> 00:28:43,360
Speaker 4: just a fly line to the church, right Nah, not

582
00:28:43,840 --> 00:28:45,120
Speaker 4: because the line is fresh.

583
00:28:51,360 --> 00:28:52,400
Speaker 5: That's the devil in me.

584
00:28:53,440 --> 00:28:55,360
Speaker 4: Had to hide it from the church. That's the jeckal

585
00:28:55,440 --> 00:28:55,640
Speaker 4: of me.

586
00:28:55,800 --> 00:28:56,320
Speaker 5: But I'm just.

587
00:28:56,280 --> 00:29:01,000
Speaker 4: Talking about the duplicity and the dichotomy of you know, uh,

588
00:29:01,840 --> 00:29:04,920
Speaker 4: the mind and how people think and the two sidedness

589
00:29:04,960 --> 00:29:08,680
Speaker 4: the people. Sometimes that's everybody, absolutely, yeah, that's everybody.

590
00:29:09,200 --> 00:29:10,160
Speaker 5: Earlier, right Yeah.

591
00:29:10,400 --> 00:29:14,000
Speaker 3: When Mace came back, it was on his ass right

592
00:29:14,320 --> 00:29:16,479
Speaker 3: because of the lyrics, because of the type of records

593
00:29:16,480 --> 00:29:16,920
Speaker 3: that he was on.

594
00:29:17,600 --> 00:29:19,920
Speaker 1: But with you, they don't do that with you. Why

595
00:29:19,920 --> 00:29:20,719
Speaker 1: do you think that is?

596
00:29:21,880 --> 00:29:28,360
Speaker 4: Uh, I don't. I don't know, but but I'm gonna

597
00:29:28,360 --> 00:29:29,000
Speaker 4: tell you for me.

598
00:29:29,880 --> 00:29:30,120
Speaker 5: Uh.

599
00:29:30,200 --> 00:29:33,760
Speaker 4: And and looking at Mace now, like I get Mace,

600
00:29:34,000 --> 00:29:36,960
Speaker 4: Like I understand people are judgmental, you know what I'm saying.

601
00:29:37,760 --> 00:29:40,640
Speaker 4: I've heard a few things about me. You know, I'm

602
00:29:40,680 --> 00:29:42,520
Speaker 4: not gonna like I haven't seen anything.

603
00:29:43,320 --> 00:29:43,520
Speaker 5: Uh.

604
00:29:43,560 --> 00:29:46,200
Speaker 4: But you you have to know be solid and who

605
00:29:46,240 --> 00:29:49,200
Speaker 4: you are, and if you have the word in you.

606
00:29:49,320 --> 00:29:53,400
Speaker 4: The Bible says that there is none righteous, no not one,

607
00:29:53,480 --> 00:29:56,880
Speaker 4: so nobody can like truly point the finger. But uh,

608
00:29:57,160 --> 00:30:00,480
Speaker 4: you better have your heart positioned in Jesus Rice by

609
00:30:00,480 --> 00:30:02,760
Speaker 4: the end of the day, because when when when the

610
00:30:02,840 --> 00:30:05,080
Speaker 4: music stop, you definitely want to have a seed.

611
00:30:05,360 --> 00:30:06,960
Speaker 5: He taught me that at it because I didn't know.

612
00:30:07,000 --> 00:30:11,760
Speaker 5: He told me that God, God think we all dirty?

613
00:30:11,920 --> 00:30:12,239
Speaker 5: That's what.

614
00:30:13,080 --> 00:30:15,120
Speaker 3: How do your conversations be with it? Like do you

615
00:30:15,160 --> 00:30:17,920
Speaker 3: know about forgiveness alone?

616
00:30:18,000 --> 00:30:18,800
Speaker 5: No?

617
00:30:19,080 --> 00:30:22,160
Speaker 4: You know what, Listen, I'm gonna tell you, Like when

618
00:30:22,440 --> 00:30:25,880
Speaker 4: my brother listens to me, you know now or he

619
00:30:26,320 --> 00:30:29,880
Speaker 4: has the appearance of listening. Yeh, he hears me. He

620
00:30:29,880 --> 00:30:34,120
Speaker 4: hears me. And any time I get to witness to anybody,

621
00:30:34,560 --> 00:30:38,840
Speaker 4: you know, with with without being preachy or or forcing myself.

622
00:30:38,880 --> 00:30:42,160
Speaker 4: You know what I'm saying. I the problem is for

623
00:30:42,280 --> 00:30:45,880
Speaker 4: me is that I happen to know how serious this is.

624
00:30:46,760 --> 00:30:50,280
Speaker 4: And the thing about not knowing is that you don't

625
00:30:50,320 --> 00:30:52,520
Speaker 4: know that you don't know, you know what I'm saying.

626
00:30:52,680 --> 00:30:56,080
Speaker 4: So when you're trying to uh, when people open the

627
00:30:56,120 --> 00:30:58,480
Speaker 4: door and are willing to listen, I try to do

628
00:30:58,600 --> 00:31:01,400
Speaker 4: whatever it is I can. But my brother, he's been

629
00:31:02,480 --> 00:31:07,400
Speaker 4: incredibly supportive of me, even in my stepping away. He's

630
00:31:07,520 --> 00:31:10,280
Speaker 4: never you know, was like, Yo, what are you doing?

631
00:31:10,440 --> 00:31:13,560
Speaker 4: Or this? Like he basically just said, okay, you know,

632
00:31:13,760 --> 00:31:14,960
Speaker 4: he asked me, was I sure?

633
00:31:15,600 --> 00:31:15,840
Speaker 5: You know?

634
00:31:16,120 --> 00:31:17,880
Speaker 4: And and that meant a lot to me because I

635
00:31:18,360 --> 00:31:20,840
Speaker 4: had a lot. It was like a heavyweight. So to

636
00:31:20,920 --> 00:31:25,240
Speaker 4: have the support of my brother, even through the whole hiatus.

637
00:31:25,320 --> 00:31:26,720
Speaker 4: He would come to me and he was like, Yo,

638
00:31:27,360 --> 00:31:30,880
Speaker 4: so and so was offering this amount of money. But

639
00:31:31,600 --> 00:31:33,959
Speaker 4: what he did, but but but what he would do

640
00:31:34,120 --> 00:31:37,320
Speaker 4: was he said, I already told them no, but I

641
00:31:37,320 --> 00:31:39,840
Speaker 4: didn't want this to happen without me letting you know,

642
00:31:40,160 --> 00:31:40,960
Speaker 4: just in case.

643
00:31:41,360 --> 00:31:42,080
Speaker 5: You know what I'm saying.

644
00:31:42,120 --> 00:31:53,640
Speaker 6: So but right right, well, you know.

645
00:31:54,560 --> 00:31:55,520
Speaker 5: I felt supportive.

646
00:31:55,560 --> 00:31:56,720
Speaker 10: So that's all that matters.

647
00:31:57,720 --> 00:31:59,880
Speaker 4: Robbed when people never.

648
00:31:59,720 --> 00:32:01,760
Speaker 5: Feel never feel robbed.

649
00:32:01,760 --> 00:32:03,840
Speaker 11: How do you feel when people leak music? Like when

650
00:32:03,880 --> 00:32:05,600
Speaker 11: people release your music prematurely?

651
00:32:05,840 --> 00:32:06,000
Speaker 2: Yo?

652
00:32:06,200 --> 00:32:08,360
Speaker 4: You know, the game goes how it goes, and that's

653
00:32:08,360 --> 00:32:11,840
Speaker 4: how we maneuver, we navigate everything. I'm not gonna sit

654
00:32:11,960 --> 00:32:14,080
Speaker 4: up and be upset about anything.

655
00:32:14,360 --> 00:32:14,600
Speaker 1: You know.

656
00:32:14,720 --> 00:32:17,960
Speaker 4: That happens when we get in there and we create

657
00:32:18,000 --> 00:32:20,040
Speaker 4: and we make our music and we do what we do.

658
00:32:20,200 --> 00:32:22,720
Speaker 4: What else you're gonna do? What else can you do

659
00:32:22,760 --> 00:32:25,320
Speaker 4: other than that? You know what I'm saying. And I

660
00:32:25,360 --> 00:32:28,760
Speaker 4: stand on our product and I love it. And it's

661
00:32:28,840 --> 00:32:31,200
Speaker 4: good for fans to get things sometimes, so it's cool,

662
00:32:31,320 --> 00:32:32,880
Speaker 4: Like as long as they enjoy it, it's good.

663
00:32:33,320 --> 00:32:35,480
Speaker 9: Did y'all everythink about trying to get another Kendrick verse

664
00:32:35,520 --> 00:32:36,960
Speaker 9: once that leaked before the album?

665
00:32:37,000 --> 00:32:38,400
Speaker 7: Actually like dropped.

666
00:32:38,560 --> 00:32:40,960
Speaker 5: Man, we try to get all Kendrick versus?

667
00:32:41,840 --> 00:32:43,840
Speaker 1: Why not y'all.

668
00:32:43,720 --> 00:32:47,040
Speaker 3: Knew playing that song in Paris, everybody's phone out it

669
00:32:47,080 --> 00:32:47,360
Speaker 3: was going.

670
00:32:47,480 --> 00:32:48,280
Speaker 1: Y'all had to know that.

671
00:32:48,440 --> 00:32:55,000
Speaker 5: Yeah, you know, it's part of it. You know.

672
00:32:55,560 --> 00:32:58,400
Speaker 8: MB said something about what you asked about Malice about

673
00:32:58,720 --> 00:33:00,440
Speaker 8: why you don't get the flack. I think one reason

674
00:33:00,480 --> 00:33:02,720
Speaker 8: is because y'all have always had like a spiritual thread

675
00:33:02,760 --> 00:33:06,480
Speaker 8: in your music, especially with the album titles. So how

676
00:33:06,560 --> 00:33:09,440
Speaker 8: is your personal understanding of good and evil evolved since

677
00:33:09,560 --> 00:33:10,120
Speaker 8: like hell have.

678
00:33:10,160 --> 00:33:12,640
Speaker 4: No fear good and evil?

679
00:33:13,120 --> 00:33:16,560
Speaker 5: How has it is your personal understanding of it evolved?

680
00:33:17,640 --> 00:33:19,640
Speaker 8: When you're even talking about rap, Like you know, people

681
00:33:19,640 --> 00:33:22,320
Speaker 8: some people say rap music is secular, it's the devil,

682
00:33:22,400 --> 00:33:24,160
Speaker 8: you shouldn't do it, But then you know, you went

683
00:33:24,240 --> 00:33:26,800
Speaker 8: on your journey and you were doing it even while

684
00:33:26,800 --> 00:33:28,160
Speaker 8: you're on your journey, but now you're.

685
00:33:27,960 --> 00:33:32,240
Speaker 4: Back, like, yeah, I think I think one of the

686
00:33:32,280 --> 00:33:36,200
Speaker 4: things that I have learned is uh, start with yourself

687
00:33:36,240 --> 00:33:39,040
Speaker 4: before you try to correct anybody matter. I'm not even

688
00:33:39,040 --> 00:33:42,040
Speaker 4: saying you should try and correct anybody, but you start

689
00:33:42,080 --> 00:33:47,560
Speaker 4: with yourself and looking within and and change the things

690
00:33:47,600 --> 00:33:49,880
Speaker 4: that you can change, and work on what you need

691
00:33:49,920 --> 00:33:53,840
Speaker 4: to work on. And then you can like offer some

692
00:33:53,960 --> 00:33:57,160
Speaker 4: kind of advice or if if people are even interested,

693
00:33:57,200 --> 00:33:59,160
Speaker 4: you know what I'm saying, be able to give a

694
00:33:59,200 --> 00:34:03,640
Speaker 4: reason for the whole hope that you have. And yeah,

695
00:34:03,680 --> 00:34:06,600
Speaker 4: I think if more of us looked at ourselves and

696
00:34:06,720 --> 00:34:09,920
Speaker 4: instead of trying to judge other people, I mean, because

697
00:34:10,000 --> 00:34:12,080
Speaker 4: you know you you you look, you look deep enough,

698
00:34:12,080 --> 00:34:12,840
Speaker 4: you'll find.

699
00:34:12,600 --> 00:34:13,960
Speaker 5: Something all the time, you know.

700
00:34:14,080 --> 00:34:17,440
Speaker 11: So to what you said about when you went to

701
00:34:17,480 --> 00:34:19,799
Speaker 11: Wyoming to do use this gospel, by the way, the

702
00:34:19,840 --> 00:34:23,240
Speaker 11: hardest song on on that album. How do y'all feel

703
00:34:23,719 --> 00:34:26,520
Speaker 11: about Kanye now? Do you feel sadness with sympathy for him?

704
00:34:27,719 --> 00:34:28,480
Speaker 11: Y'all see him now?

705
00:34:29,960 --> 00:34:32,720
Speaker 5: No?

706
00:34:32,719 --> 00:34:37,640
Speaker 4: No no, no, no, no no no. I'm going to

707
00:34:37,719 --> 00:34:40,120
Speaker 4: say and and and and I'm going to say that

708
00:34:40,200 --> 00:34:42,480
Speaker 4: I think this goes for for anybody.

709
00:34:44,880 --> 00:34:45,800
Speaker 5: It's crazy.

710
00:34:46,000 --> 00:34:49,160
Speaker 4: When you have a true revelation of God, it is

711
00:34:49,800 --> 00:34:53,040
Speaker 4: radical because when you when when when you when the

712
00:34:53,080 --> 00:34:54,960
Speaker 4: scales fall off your eyes. You do you want to

713
00:34:55,000 --> 00:34:57,400
Speaker 4: run and tell everybody what you what you witness or

714
00:34:57,520 --> 00:34:59,759
Speaker 4: you know, we've been missing it this whole time. You know,

715
00:34:59,800 --> 00:35:03,600
Speaker 4: it's it's how it's how I felt. But once you

716
00:35:03,680 --> 00:35:08,400
Speaker 4: get that, you gotta sit down for a minute. You

717
00:35:08,440 --> 00:35:10,799
Speaker 4: can't get the revelation and then try to keep going

718
00:35:10,880 --> 00:35:17,759
Speaker 4: in this world. The epitome of the gospel is denying yourself.

719
00:35:18,080 --> 00:35:20,919
Speaker 4: That's why Christ got on the cross and.

720
00:35:20,840 --> 00:35:22,320
Speaker 5: Gave up his flesh.

721
00:35:22,600 --> 00:35:25,120
Speaker 4: So you have to be willing to give it up

722
00:35:25,160 --> 00:35:28,319
Speaker 4: so you can learn and then let God restore you

723
00:35:28,360 --> 00:35:32,000
Speaker 4: and rebuild you. You know, correctly doesn't mean anybody is

724
00:35:32,040 --> 00:35:35,279
Speaker 4: a perfect person, you know what I'm saying, or or

725
00:35:36,280 --> 00:35:38,440
Speaker 4: you can't even try to have the facade of Okay,

726
00:35:38,480 --> 00:35:41,640
Speaker 4: I'm saved now now I'm perfect. Nah, it just doesn't

727
00:35:41,640 --> 00:35:42,279
Speaker 4: work like that.

728
00:35:42,560 --> 00:35:44,359
Speaker 1: So how do you deal with it? Push?

729
00:35:44,400 --> 00:35:47,080
Speaker 3: Because deal with Kanye because you know you're not the

730
00:35:47,160 --> 00:35:48,479
Speaker 3: type of person to hold your tongue.

731
00:35:48,480 --> 00:35:49,439
Speaker 1: You know, you don't hold your word.

732
00:35:49,560 --> 00:35:51,520
Speaker 3: So when some of the stuff that he did that

733
00:35:51,880 --> 00:35:54,400
Speaker 3: might not have aligned what you thought, did y'all have

734
00:35:54,400 --> 00:35:55,359
Speaker 3: those conversations?

735
00:35:55,560 --> 00:35:57,360
Speaker 5: Well, I mean, you know, I spoke on it. I

736
00:35:57,360 --> 00:35:59,960
Speaker 5: feel like that's that was the beginning of our fallout.

737
00:36:00,880 --> 00:36:04,759
Speaker 5: But you know, he.

738
00:36:04,800 --> 00:36:10,040
Speaker 4: Sits on a lot of miscarriages of justice. I've seen it,

739
00:36:10,200 --> 00:36:12,320
Speaker 4: you know what I'm saying. I hear things and things

740
00:36:12,360 --> 00:36:17,200
Speaker 4: being said, and I see, you know, his reserve. You know,

741
00:36:17,360 --> 00:36:21,520
Speaker 4: I admire his restraint. People By the time he jumps

742
00:36:21,520 --> 00:36:24,600
Speaker 4: out the window, you think he's going overboard. But I'm

743
00:36:24,719 --> 00:36:27,640
Speaker 4: telling you as knowing my brother, he sits on a lot.

744
00:36:28,520 --> 00:36:31,000
Speaker 3: And what about all that music, because I'm sure you

745
00:36:31,000 --> 00:36:32,799
Speaker 3: you got tons of music, but we never hear the

746
00:36:32,800 --> 00:36:33,719
Speaker 3: stuff that you've done.

747
00:36:35,080 --> 00:36:38,120
Speaker 5: Yeah you will, because they leak it all. They leak

748
00:36:38,200 --> 00:36:44,360
Speaker 5: it all they put out or just sloppy, you know,

749
00:36:44,400 --> 00:36:45,719
Speaker 5: I don't you know, I don't know. I don't I

750
00:36:45,719 --> 00:36:49,480
Speaker 5: don't use it. I don't even keep it. But you know,

751
00:36:49,560 --> 00:36:51,880
Speaker 5: you've you've seen and heard the things that have been

752
00:36:51,920 --> 00:36:52,279
Speaker 5: out there.

753
00:36:52,880 --> 00:36:56,040
Speaker 9: But I saw you say you hate Kanye's leadership and

754
00:36:56,400 --> 00:36:58,360
Speaker 9: you got away from that, got away from that community

755
00:36:58,360 --> 00:37:00,319
Speaker 9: that he built because of the feeling over there, right,

756
00:37:00,520 --> 00:37:03,600
Speaker 9: What was that like last straw of like nah, I

757
00:37:03,640 --> 00:37:04,279
Speaker 9: can't no more.

758
00:37:05,760 --> 00:37:09,160
Speaker 5: I think for me it was I think for me

759
00:37:09,400 --> 00:37:15,960
Speaker 5: it was somewhere around somewhere around the Atlanta the Dome,

760
00:37:16,239 --> 00:37:18,480
Speaker 5: the locked in when everybody was locked in the dome,

761
00:37:19,320 --> 00:37:24,160
Speaker 5: and you know, I, you know, like again, man, when

762
00:37:24,239 --> 00:37:27,040
Speaker 5: when we squad and we were working and we're doing

763
00:37:27,040 --> 00:37:30,200
Speaker 5: what we're doing, it's just all about the squad. And

764
00:37:30,640 --> 00:37:33,320
Speaker 5: I kind of just felt like, you know, I would

765
00:37:33,400 --> 00:37:34,839
Speaker 5: you know, I would have to leave and go do

766
00:37:34,920 --> 00:37:36,920
Speaker 5: things shows, whatever the case. Maybe I would come back

767
00:37:36,920 --> 00:37:39,920
Speaker 5: and the energy would just be different. You know. There

768
00:37:39,920 --> 00:37:44,200
Speaker 5: were conversations being had, uh you know, this is this

769
00:37:44,239 --> 00:37:47,279
Speaker 5: is after Addie Don and everything else, and you know,

770
00:37:47,320 --> 00:37:50,040
Speaker 5: it was like, man, I was doing self serving things

771
00:37:50,160 --> 00:37:52,600
Speaker 5: and it was just crazy. It was just a lot

772
00:37:52,600 --> 00:37:55,200
Speaker 5: of like you know, backbiting and things like that, and

773
00:37:55,200 --> 00:37:58,080
Speaker 5: I'm like, damn, this is this is for the squad,

774
00:37:58,719 --> 00:37:59,160
Speaker 5: I thought.

775
00:37:59,719 --> 00:38:03,160
Speaker 2: But you know, it publicly negative about you.

776
00:38:03,200 --> 00:38:06,080
Speaker 1: We heard him say about Sean. We heard him say legend.

777
00:38:06,680 --> 00:38:08,640
Speaker 5: Oh no, for sure he has for sure he has.

778
00:38:08,680 --> 00:38:10,239
Speaker 5: He put on remember he put on the little mask.

779
00:38:11,400 --> 00:38:21,080
Speaker 5: He was like screaming in the culturally inappropriate Oh man, yeah, no,

780
00:38:21,239 --> 00:38:28,200
Speaker 5: listen man, Okay, So during during just the sessions, whether

781
00:38:28,239 --> 00:38:30,440
Speaker 5: it was a beat, whether it was you know, just

782
00:38:30,600 --> 00:38:34,000
Speaker 5: the freestyles before and making the songs whatever the case

783
00:38:34,080 --> 00:38:37,680
Speaker 5: may be. You know, we would get hype about just

784
00:38:37,719 --> 00:38:40,560
Speaker 5: like man, it's hard or whatever whatever it was at

785
00:38:40,600 --> 00:38:45,680
Speaker 5: the time, and I forgot who said it, but it

786
00:38:45,800 --> 00:38:46,160
Speaker 5: was Mike.

787
00:38:46,239 --> 00:38:46,479
Speaker 1: Mike.

788
00:38:46,840 --> 00:38:49,960
Speaker 5: Mike was like, man, this ship is culturally in appropriate.

789
00:38:50,920 --> 00:38:55,040
Speaker 5: And Mike also worked on It's Almost Dry, so you

790
00:38:55,080 --> 00:38:57,279
Speaker 5: know how that had a common thread of like the

791
00:38:57,400 --> 00:39:00,440
Speaker 5: Joker laugh through the whole album. He was like, yo,

792
00:39:00,960 --> 00:39:02,719
Speaker 5: say that on the mic and let me run that

793
00:39:02,760 --> 00:39:05,719
Speaker 5: through a filter, because you know, we just felt like

794
00:39:05,760 --> 00:39:08,600
Speaker 5: we just kept running that back. It's culturally inappropriate. He

795
00:39:08,719 --> 00:39:10,520
Speaker 5: was like, say it through a filter, let's find a voice,

796
00:39:10,520 --> 00:39:12,799
Speaker 5: and let's just see how it sounds on records. And

797
00:39:12,840 --> 00:39:15,759
Speaker 5: it actually just worked just to have that, you know,

798
00:39:15,920 --> 00:39:18,920
Speaker 5: just another thread to keep it, you know, cohesive, keep

799
00:39:18,960 --> 00:39:19,920
Speaker 5: the album cohesive.

800
00:39:20,360 --> 00:39:22,200
Speaker 8: I mean, I like it just because it's something that

801
00:39:22,239 --> 00:39:25,160
Speaker 8: I feel like we should say something.

802
00:39:26,120 --> 00:39:27,640
Speaker 5: Yeah, it could have been a line. What I'm saying

803
00:39:27,719 --> 00:39:28,799
Speaker 5: is it could have been a line, it could have

804
00:39:28,800 --> 00:39:31,640
Speaker 5: been a song, it could have been a hook idea.

805
00:39:31,840 --> 00:39:34,400
Speaker 5: At the time, I just you know, I just can't

806
00:39:34,400 --> 00:39:37,239
Speaker 5: remember what it was. But that's that's where that that

807
00:39:37,360 --> 00:39:40,400
Speaker 5: term came from. Something that was just said ignorantly.

808
00:39:40,600 --> 00:39:42,919
Speaker 3: And what pissed you off about Travis Scott so much

809
00:39:42,960 --> 00:39:45,440
Speaker 3: that you had to mention him on a regulard? What

810
00:39:45,480 --> 00:39:47,200
Speaker 3: made you say this isn't this niggas going too far?

811
00:39:47,440 --> 00:39:47,560
Speaker 4: Ah?

812
00:39:47,680 --> 00:39:49,839
Speaker 5: Man, it was just you know, it was just that

813
00:39:49,840 --> 00:39:53,560
Speaker 5: that whole coming to uh coming to Paris. You know,

814
00:39:53,719 --> 00:39:56,520
Speaker 5: he came to Paris during one of our sessions, you know,

815
00:39:56,640 --> 00:39:59,319
Speaker 5: played his album and then he you know, when when

816
00:39:59,320 --> 00:40:02,360
Speaker 5: he left, the album comes out, and you know the

817
00:40:02,400 --> 00:40:05,040
Speaker 5: record that he played, you know, had a verse up

818
00:40:05,080 --> 00:40:07,000
Speaker 5: there that was you know, going at p whatever the

819
00:40:07,040 --> 00:40:09,000
Speaker 5: case may be. And I'm like, damn, you just left,

820
00:40:09,160 --> 00:40:12,600
Speaker 5: Like how you how you leave here? You know he

821
00:40:12,680 --> 00:40:14,840
Speaker 5: was on your album and then you're letting him, you know,

822
00:40:15,120 --> 00:40:17,359
Speaker 5: play your album for him, you're filming it, and then

823
00:40:17,400 --> 00:40:19,400
Speaker 5: you come back when the album drops you got a

824
00:40:19,480 --> 00:40:21,879
Speaker 5: verse you know, going at him. So I just thought

825
00:40:21,920 --> 00:40:24,560
Speaker 5: that was corny. And again, like you know, that's part

826
00:40:24,600 --> 00:40:27,920
Speaker 5: of the I think that's part of just trying to

827
00:40:28,000 --> 00:40:30,359
Speaker 5: leave all of that behind. And it's like, man, like

828
00:40:30,640 --> 00:40:33,799
Speaker 5: that's the type of thing that happens over in that

829
00:40:34,280 --> 00:40:37,640
Speaker 5: yay world and it's okay and they you know, it's

830
00:40:37,680 --> 00:40:39,960
Speaker 5: all right, they just brush it off and they be

831
00:40:40,040 --> 00:40:41,960
Speaker 5: friends and they go hang out together and then you know,

832
00:40:42,480 --> 00:40:45,400
Speaker 5: do whatever they do. Like that doesn't I didn't. I

833
00:40:45,400 --> 00:40:47,360
Speaker 5: didn't like that that was brought into this fold.

834
00:40:47,480 --> 00:40:47,959
Speaker 1: Yeah, gotcha.

835
00:40:48,040 --> 00:40:49,879
Speaker 2: One time they said that the verse the drink First

836
00:40:49,920 --> 00:40:51,040
Speaker 2: wasn't done as a yet.

837
00:40:51,120 --> 00:40:53,480
Speaker 5: It doesn't matter when it was done. I don't care

838
00:40:53,520 --> 00:40:55,600
Speaker 5: when it was done. You you added to it. You

839
00:40:55,719 --> 00:40:59,680
Speaker 5: actually he actually had a verse after that verse, so

840
00:40:59,840 --> 00:41:03,160
Speaker 5: you you even added to the verse, like pate etiquette

841
00:41:03,160 --> 00:41:05,200
Speaker 5: for a situation like that, Just stay the hell away

842
00:41:05,200 --> 00:41:09,520
Speaker 5: from me, like like I'm not I'm not into you anyway,

843
00:41:09,600 --> 00:41:11,960
Speaker 5: Like I'm not even into your swag and none of that,

844
00:41:12,120 --> 00:41:14,640
Speaker 5: Like it's not into none of it. So just stay away,

845
00:41:14,800 --> 00:41:17,319
Speaker 5: like I only want to mess with the real, Like

846
00:41:17,360 --> 00:41:19,360
Speaker 5: I'm only dealing with the real. I'm only you know,

847
00:41:19,640 --> 00:41:22,919
Speaker 5: doing music with the real. We just I just let's

848
00:41:22,960 --> 00:41:25,000
Speaker 5: just let's just this is like just drawing a line

849
00:41:25,000 --> 00:41:27,880
Speaker 5: in the sand for everybody. What are you responsible for

850
00:41:27,920 --> 00:41:30,080
Speaker 5: what an artist does on your record?

851
00:41:32,400 --> 00:41:35,880
Speaker 1: Mm hmmm? Are you responsible for what the artist like.

852
00:41:35,880 --> 00:41:38,600
Speaker 7: If it's Travis responsible for Drake's line.

853
00:41:40,320 --> 00:41:42,520
Speaker 5: If you if you come and dance around in front

854
00:41:42,520 --> 00:41:46,280
Speaker 5: of me and and use and use and use footage

855
00:41:46,360 --> 00:41:48,040
Speaker 5: and do all this and all that. I think you're

856
00:41:48,080 --> 00:41:51,520
Speaker 5: responsible for anything that you do that you incorporate the

857
00:41:51,600 --> 00:41:54,359
Speaker 5: people that you know that are that are that are

858
00:41:54,480 --> 00:41:57,720
Speaker 5: that are that are being you know, uh talked about.

859
00:41:58,000 --> 00:42:00,440
Speaker 4: Of course, I can't believe you have to explain this.

860
00:42:00,600 --> 00:42:09,480
Speaker 4: You know, I'm not just taking size of because my brother.

861
00:42:09,640 --> 00:42:11,879
Speaker 5: I'm just saying, you know, like, but I'm.

862
00:42:11,800 --> 00:42:14,239
Speaker 8: Talking about the artists who might approach you because of

863
00:42:14,280 --> 00:42:15,239
Speaker 8: what you push your sex.

864
00:42:15,800 --> 00:42:18,800
Speaker 4: I mean, listen, I ride with my brother. You know

865
00:42:18,840 --> 00:42:20,920
Speaker 4: what I'm saying. And that's the and that's the thing

866
00:42:20,960 --> 00:42:25,640
Speaker 4: about this having purpose. I know what my purpose is.

867
00:42:26,040 --> 00:42:29,800
Speaker 4: I'm making music with my brother and I'm glorifying my God.

868
00:42:30,200 --> 00:42:33,280
Speaker 4: That's what I'm doing. And when you're in your purpose,

869
00:42:33,400 --> 00:42:35,719
Speaker 4: if anything fall on you didn't follow you, at least

870
00:42:35,719 --> 00:42:37,759
Speaker 4: you know you were where you were supposed to be.

871
00:42:38,080 --> 00:42:39,680
Speaker 4: And That's where I'm at right now. So I'm cool

872
00:42:39,719 --> 00:42:40,240
Speaker 4: with whatever.

873
00:42:41,719 --> 00:42:48,040
Speaker 5: When people approach you for things, I say, approach that's

874
00:42:48,760 --> 00:42:50,840
Speaker 5: all the time. But also also bed you say you

875
00:42:50,880 --> 00:42:52,239
Speaker 5: got a video of Travis.

876
00:42:51,880 --> 00:42:53,800
Speaker 1: Crime, no man.

877
00:42:57,400 --> 00:42:58,080
Speaker 7: In front of me?

878
00:43:00,239 --> 00:43:02,120
Speaker 5: Oh no, no, that that that wasn't that that's not

879
00:43:02,160 --> 00:43:02,800
Speaker 5: about crying.

880
00:43:03,320 --> 00:43:04,240
Speaker 7: So what's on the video?

881
00:43:04,640 --> 00:43:13,640
Speaker 5: Oh man? You know yeah, you know, God damn, I

882
00:43:13,680 --> 00:43:14,280
Speaker 5: got you.

883
00:43:14,880 --> 00:43:15,719
Speaker 6: I'm glad.

884
00:43:17,920 --> 00:43:22,279
Speaker 5: Because can't do interviews by yourself. How did you?

885
00:43:22,440 --> 00:43:24,080
Speaker 1: Tyler creator phenomenal?

886
00:43:25,280 --> 00:43:30,759
Speaker 5: Yeah, hell yeah right, Tyler's crazy man, Tyler ben We

887
00:43:30,960 --> 00:43:35,640
Speaker 5: I mean since uh Trouble on my Mind, he's huge,

888
00:43:36,400 --> 00:43:42,520
Speaker 5: uh star trek Neptune for real clips, uh fan like

889
00:43:42,640 --> 00:43:47,279
Speaker 5: he knows the discography, you know, fromwards and backwards. He's

890
00:43:47,360 --> 00:43:51,960
Speaker 5: He's spoken a lot about how his influence he's been

891
00:43:52,000 --> 00:43:55,359
Speaker 5: influenced by things that we've done. But yeah, I mean trouble,

892
00:43:55,360 --> 00:43:56,960
Speaker 5: I don't even remember the year of Trouble on my

893
00:43:57,000 --> 00:44:00,480
Speaker 5: Mind came out, But since then, we've all he's been,

894
00:44:00,719 --> 00:44:03,919
Speaker 5: always been cool, always been tight. And yeah he came

895
00:44:03,920 --> 00:44:09,320
Speaker 5: through on POV he came through. How do you reconcile

896
00:44:09,360 --> 00:44:10,080
Speaker 5: in nostalgia?

897
00:44:10,200 --> 00:44:13,640
Speaker 8: Fans will feel for the old clips being at y'all

898
00:44:13,680 --> 00:44:15,280
Speaker 8: totally different men today.

899
00:44:16,640 --> 00:44:20,919
Speaker 5: I'd like to think that they've grown with us. Yeah, yeah,

900
00:44:21,040 --> 00:44:27,520
Speaker 5: I'd like to think that they have. And I think that,

901
00:44:27,800 --> 00:44:30,040
Speaker 5: you know, I think that they've grown with us, and

902
00:44:30,080 --> 00:44:33,960
Speaker 5: I feel like our growth is something that you know,

903
00:44:34,719 --> 00:44:38,600
Speaker 5: needs to be studied and studied and just you know,

904
00:44:39,239 --> 00:44:42,319
Speaker 5: maturing in hip hop, maturing in hip hop and just

905
00:44:43,120 --> 00:44:46,640
Speaker 5: culturally just showing you how to navigate and grow in

906
00:44:46,680 --> 00:44:49,960
Speaker 5: this game and still be current and still be you know,

907
00:44:50,320 --> 00:44:53,879
Speaker 5: of the mix and you know, just just not trying

908
00:44:53,920 --> 00:44:58,839
Speaker 5: to stay nineteen forever. Like, Yeah, when the last time

909
00:44:58,880 --> 00:45:01,160
Speaker 5: you felt this safe? Because I can hear it in

910
00:45:01,160 --> 00:45:01,440
Speaker 5: the music.

911
00:45:01,520 --> 00:45:04,160
Speaker 8: You feel like a homecoming, right, Yeah, people with the

912
00:45:04,200 --> 00:45:06,640
Speaker 8: things that y'all talking about. You got Malice back Live

913
00:45:06,760 --> 00:45:09,560
Speaker 8: is on the album Yeah for rail production. When I'm

914
00:45:09,560 --> 00:45:11,520
Speaker 8: watching you in interviews, I'm like, damn, Push is just

915
00:45:11,560 --> 00:45:14,200
Speaker 8: letting it fly, all of it. Yeah, when did you

916
00:45:14,520 --> 00:45:16,400
Speaker 8: what made you feel so safe in this moment?

917
00:45:17,760 --> 00:45:22,120
Speaker 5: I don't, you know, I just think that I don't know.

918
00:45:22,160 --> 00:45:26,160
Speaker 5: For me, I look at it like media has always

919
00:45:26,160 --> 00:45:28,240
Speaker 5: been a big part of the Clips because it's always

920
00:45:28,239 --> 00:45:32,120
Speaker 5: been a story. The Clips always has a story, and

921
00:45:32,200 --> 00:45:34,279
Speaker 5: I don't necessarily think you can get up here and

922
00:45:34,320 --> 00:45:37,040
Speaker 5: lie and play. People see through that, And I'm not

923
00:45:37,080 --> 00:45:40,200
Speaker 5: want to be seen through, Like I don't like I'd

924
00:45:40,280 --> 00:45:42,480
Speaker 5: rather just, you know, just tell the truth and call

925
00:45:42,520 --> 00:45:46,520
Speaker 5: it today versus you know, sitting here trying to tap

926
00:45:46,640 --> 00:45:52,160
Speaker 5: dance around things, so you know, I don't know. I

927
00:45:52,480 --> 00:45:55,800
Speaker 5: think that it's not about feeling safe, it's just about

928
00:45:55,960 --> 00:45:57,879
Speaker 5: you know, this is this is part of the game,

929
00:45:58,080 --> 00:46:01,040
Speaker 5: and this is part of the game for us. And

930
00:46:01,080 --> 00:46:02,680
Speaker 5: I feel like when you got the music to back

931
00:46:02,719 --> 00:46:06,200
Speaker 5: it up, man, you gotta listen, you gotta you gotta

932
00:46:06,200 --> 00:46:10,759
Speaker 5: be musty TV, you gotta be you don't enjoy rappers line.

933
00:46:10,760 --> 00:46:12,920
Speaker 5: I think it was Madles on the album that was

934
00:46:12,960 --> 00:46:14,319
Speaker 5: one of my favorite, and I wanted to say that

935
00:46:14,560 --> 00:46:17,080
Speaker 5: you've been entertained by rappers you never believed or something

936
00:46:17,280 --> 00:46:20,680
Speaker 5: not have sung along with I never believe. I wish

937
00:46:20,800 --> 00:46:27,000
Speaker 5: I said that. I wish I said that. That's what

938
00:46:27,200 --> 00:46:30,319
Speaker 5: that's I wish I wish I could have said the

939
00:46:30,360 --> 00:46:33,319
Speaker 5: maceline and I wish I said that line. Those are

940
00:46:33,360 --> 00:46:36,000
Speaker 5: my two takes.

941
00:46:36,080 --> 00:46:38,239
Speaker 7: How that I was gonna say, do y'all do that

942
00:46:38,280 --> 00:46:38,799
Speaker 7: all the time?

943
00:46:38,920 --> 00:46:41,480
Speaker 5: Like if you too? If you to switch verses on

944
00:46:41,560 --> 00:46:44,359
Speaker 5: like a classic Clips song, like he can't give me

945
00:46:44,400 --> 00:46:49,560
Speaker 5: his verse. They're saying, I'm going to right now what

946
00:46:49,680 --> 00:46:55,840
Speaker 5: y'all talking about? That's the debate online. I am go

947
00:46:56,120 --> 00:47:01,480
Speaker 5: into I'm one too. Just off features No Off the

948
00:47:01,520 --> 00:47:02,839
Speaker 5: Records I'm going to right now.

949
00:47:07,719 --> 00:47:12,759
Speaker 4: No, every time, I'm sure, man, I just I just

950
00:47:12,800 --> 00:47:15,720
Speaker 4: do me, man, And I think I think our personalities

951
00:47:15,760 --> 00:47:22,760
Speaker 4: and experience lends itself to you know, just different scenarios

952
00:47:22,840 --> 00:47:23,640
Speaker 4: or whatever.

953
00:47:24,200 --> 00:47:26,799
Speaker 5: Different basis. I can't I can't do what push does?

954
00:47:27,040 --> 00:47:27,800
Speaker 5: You know what I'm saying?

955
00:47:28,280 --> 00:47:30,480
Speaker 4: I get that, and all I can do is be me.

956
00:47:30,640 --> 00:47:32,439
Speaker 8: So you've never heard a push line and be like, damn,

957
00:47:32,440 --> 00:47:34,120
Speaker 8: I wish I said that all the time.

958
00:47:34,480 --> 00:47:38,279
Speaker 5: Yeah, yeah, all the time. Yeah.

959
00:47:38,760 --> 00:47:40,520
Speaker 9: I was going to ask at the listening that we

960
00:47:40,560 --> 00:47:42,359
Speaker 9: went to, y'all talked about y'all didn't have a ton

961
00:47:42,400 --> 00:47:45,200
Speaker 9: of music. Y'all are very particular about recording and this

962
00:47:45,280 --> 00:47:47,560
Speaker 9: is the music we're going to do, and you've always

963
00:47:47,640 --> 00:47:50,560
Speaker 9: been that way. But it's been so long, So how

964
00:47:50,560 --> 00:47:52,120
Speaker 9: did you know what you wanted to say?

965
00:47:52,160 --> 00:47:52,200
Speaker 5: Like?

966
00:47:52,200 --> 00:47:53,720
Speaker 7: How did you narrow it down to narrative?

967
00:47:55,800 --> 00:48:01,279
Speaker 5: I think I think the key the thing that we

968
00:48:01,280 --> 00:48:05,880
Speaker 5: were trying to find in the studio was urgency. Urgency

969
00:48:06,080 --> 00:48:09,640
Speaker 5: was like the key word that regardless of what it was.

970
00:48:09,840 --> 00:48:13,040
Speaker 5: It could be birds on sing, it had to be urgent.

971
00:48:13,120 --> 00:48:15,520
Speaker 5: It had to tug at your heart. You know, if

972
00:48:15,560 --> 00:48:18,600
Speaker 5: you listen to pov the flow had to be something

973
00:48:18,640 --> 00:48:20,760
Speaker 5: of you know, or the bars had to be something

974
00:48:20,800 --> 00:48:25,360
Speaker 5: of urgency. So it wasn't about it wasn't about honestly

975
00:48:25,440 --> 00:48:29,880
Speaker 5: finding words or topics to rap about. It was just

976
00:48:29,920 --> 00:48:32,600
Speaker 5: that the music needed to feel urgent the whole time.

977
00:48:32,880 --> 00:48:35,120
Speaker 5: I think that was our I think that was our

978
00:48:36,160 --> 00:48:39,000
Speaker 5: our biggest goal, just to make sure that that sense

979
00:48:39,000 --> 00:48:40,080
Speaker 5: of urgency was there.

980
00:48:40,840 --> 00:48:43,080
Speaker 2: Talk about what Virginia means to you guys.

981
00:48:42,880 --> 00:48:45,320
Speaker 3: Because you get a lot of people that leave their

982
00:48:45,400 --> 00:48:47,840
Speaker 3: city and they moved to New York, they moved to Jersey,

983
00:48:47,880 --> 00:48:50,279
Speaker 3: they moved to Atlanta, they moved to the West. You

984
00:48:50,400 --> 00:48:53,560
Speaker 3: guys have never left Virginia. So what does Virginia mean

985
00:48:53,600 --> 00:48:53,839
Speaker 3: to you?

986
00:48:54,840 --> 00:48:56,920
Speaker 5: For me, Virginia is everything.

987
00:48:58,239 --> 00:49:05,680
Speaker 4: Childhood, upbringing, where my mother, grandmother and great grandmother hel

988
00:49:05,800 --> 00:49:11,759
Speaker 4: from friends. You know, we were just talking about this.

989
00:49:11,840 --> 00:49:14,640
Speaker 4: We have the same friends from you know, way back,

990
00:49:15,200 --> 00:49:21,799
Speaker 4: and just certain ethics and standards of loyalty, you know

991
00:49:22,000 --> 00:49:26,600
Speaker 4: that has been bred in Virginia. I absolutely love Virginia.

992
00:49:26,880 --> 00:49:31,080
Speaker 4: I wouldn't want to move anywhere else. It's my pace,

993
00:49:31,239 --> 00:49:33,480
Speaker 4: it's my stylus, it's what I know.

994
00:49:33,600 --> 00:49:38,640
Speaker 5: It's home. Yeah, I think I think Virginia you know,

995
00:49:39,080 --> 00:49:43,200
Speaker 5: for me and the fact of like never moving, I

996
00:49:43,200 --> 00:49:46,040
Speaker 5: always felt like my music would suffered to write and

997
00:49:46,040 --> 00:49:52,919
Speaker 5: would suffer. I've always felt like that. I don't. It's

998
00:49:52,960 --> 00:49:55,759
Speaker 5: the comfort, the comfort of being there, and I think

999
00:49:55,840 --> 00:49:59,560
Speaker 5: that it gives a different perspective. I feel like the Clips,

1000
00:50:00,320 --> 00:50:03,960
Speaker 5: Damn the clips. Clips. Yeah, I feel like Clips. I

1001
00:50:04,040 --> 00:50:10,480
Speaker 5: feel like Clips is different because of Virginia. I feel

1002
00:50:10,480 --> 00:50:14,760
Speaker 5: like the music that we and the influences that we've

1003
00:50:15,000 --> 00:50:18,640
Speaker 5: been afforded by living in Virginia, a military town, there

1004
00:50:18,640 --> 00:50:21,360
Speaker 5: were things I never knew about musically or would have

1005
00:50:21,400 --> 00:50:27,880
Speaker 5: never ran across if we weren't in Virginia. And you know,

1006
00:50:28,480 --> 00:50:31,880
Speaker 5: the flavor for yous, the mixtape shops, and you know,

1007
00:50:31,880 --> 00:50:36,080
Speaker 5: I was exposed to the Bay sound. I was exposed

1008
00:50:36,080 --> 00:50:40,399
Speaker 5: to Houston because of this town. And it was only

1009
00:50:40,440 --> 00:50:42,600
Speaker 5: because like it was such a military town that all

1010
00:50:42,640 --> 00:50:48,880
Speaker 5: these different influences came there musically. Even I mean even

1011
00:50:48,920 --> 00:50:54,520
Speaker 5: the late or early eighties, late eighties, the whole drug

1012
00:50:54,600 --> 00:51:00,640
Speaker 5: culture that the New York to Virginia pipeline that brought

1013
00:51:00,760 --> 00:51:07,040
Speaker 5: so much music, so much influence, it brought so much man.

1014
00:51:07,120 --> 00:51:10,000
Speaker 5: You you know, man, if you just think about if

1015
00:51:10,000 --> 00:51:12,439
Speaker 5: you if you just think, Yeah, if you just think

1016
00:51:12,440 --> 00:51:14,839
Speaker 5: about though, like the nineties, it was it was Mace,

1017
00:51:14,880 --> 00:51:17,120
Speaker 5: it was big, it was Wu Tang, it was everybody

1018
00:51:17,200 --> 00:51:22,799
Speaker 5: rapping about Virginia Beach like you know, just to to

1019
00:51:22,920 --> 00:51:24,680
Speaker 5: know like it was, and it was such it was

1020
00:51:24,719 --> 00:51:30,359
Speaker 5: so impressionable. I think that that that that gave us

1021
00:51:30,480 --> 00:51:34,319
Speaker 5: a lot of fuel, a lot of information, and a

1022
00:51:34,360 --> 00:51:37,839
Speaker 5: lot of different things to take from to create what

1023
00:51:37,960 --> 00:51:40,759
Speaker 5: the clips are today.

1024
00:51:39,680 --> 00:51:42,880
Speaker 3: When you met your wife, yes, do you know she

1025
00:51:42,960 --> 00:51:44,120
Speaker 3: was the one as soon as she said her name?

1026
00:51:44,840 --> 00:51:54,120
Speaker 5: No, no, not from Virginia. Yeah, that was crazy though,

1027
00:51:54,320 --> 00:51:57,440
Speaker 5: But from there to yeah, yeah for sure.

1028
00:51:57,520 --> 00:51:59,800
Speaker 4: So do y'all do y'all like go out in Virginia.

1029
00:51:59,840 --> 00:52:04,840
Speaker 5: I'm move around the total totally.

1030
00:52:03,840 --> 00:52:05,879
Speaker 11: Because a lot of rappers after from sorry, a lot

1031
00:52:05,880 --> 00:52:08,800
Speaker 11: of rappers like I have to leave their city because

1032
00:52:08,880 --> 00:52:09,160
Speaker 11: of that.

1033
00:52:09,239 --> 00:52:10,319
Speaker 2: You know, with love comes to.

1034
00:52:10,320 --> 00:52:11,279
Speaker 5: Hate, the bigger you get.

1035
00:52:11,600 --> 00:52:14,480
Speaker 4: Nah. You know, up at the office, they were just

1036
00:52:14,520 --> 00:52:17,120
Speaker 4: talking about what they hear about us at home and

1037
00:52:17,200 --> 00:52:19,719
Speaker 4: how we're out. You know, every time I'm in the

1038
00:52:19,719 --> 00:52:22,319
Speaker 4: grocery store, you know, I'm taking a picture by the

1039
00:52:22,320 --> 00:52:23,680
Speaker 4: peanut butter that I don't want to take.

1040
00:52:23,760 --> 00:52:25,280
Speaker 5: I'm not doing you know, with the people.

1041
00:52:25,360 --> 00:52:28,879
Speaker 4: But just you know, they catch me anywhere and they said,

1042
00:52:28,880 --> 00:52:31,799
Speaker 4: I'm out there officiating weddings and people see me at

1043
00:52:31,800 --> 00:52:34,480
Speaker 4: the gas station. Like you know, we go out. We

1044
00:52:34,560 --> 00:52:37,040
Speaker 4: definitely go out. And it feels good to be able

1045
00:52:37,080 --> 00:52:40,040
Speaker 4: to you know what I'm saying, Virginia, don't be tripping.

1046
00:52:40,080 --> 00:52:41,520
Speaker 5: Virginia's cool, but.

1047
00:52:41,560 --> 00:52:42,200
Speaker 7: Y'all are like that.

1048
00:52:42,640 --> 00:52:44,120
Speaker 9: Not everywhere, but like I saw that there was a

1049
00:52:44,200 --> 00:52:47,279
Speaker 9: video you in Miami, Push, and I'm like, where is

1050
00:52:47,320 --> 00:52:48,359
Speaker 9: all the people with him?

1051
00:52:48,440 --> 00:52:50,040
Speaker 7: Like you just walking around?

1052
00:52:50,680 --> 00:52:51,759
Speaker 5: Yeah?

1053
00:52:50,880 --> 00:52:55,359
Speaker 1: And what was the security was? I was one?

1054
00:52:55,480 --> 00:52:58,120
Speaker 5: Yeah, I had the man, I was. I was I

1055
00:52:58,160 --> 00:53:00,399
Speaker 5: was going to get uh. I was want to get

1056
00:53:00,400 --> 00:53:05,839
Speaker 5: a Mother's Day gift, I think, And you know southside man,

1057
00:53:06,080 --> 00:53:06,640
Speaker 5: he just walked.

1058
00:53:07,320 --> 00:53:07,560
Speaker 1: Yeah.

1059
00:53:08,080 --> 00:53:11,320
Speaker 11: But you know you all laid back and chill.

1060
00:53:11,120 --> 00:53:14,360
Speaker 5: And you gotta be I mean, you know, you know,

1061
00:53:14,440 --> 00:53:21,319
Speaker 5: somebody got a man chill, nobody had a gun. Let's

1062
00:53:21,400 --> 00:53:26,200
Speaker 5: leave it there. What is what is the skin regiment?

1063
00:53:26,200 --> 00:53:31,960
Speaker 7: Because brother, Push, I'm sitting here, look yeah, and I've

1064
00:53:32,040 --> 00:53:35,160
Speaker 7: never seen the inside of somebody look so smooth like that.

1065
00:53:35,280 --> 00:53:41,720
Speaker 11: Like what you able to do is the diet?

1066
00:53:41,800 --> 00:53:42,680
Speaker 5: Is it? Like? What is it?

1067
00:53:43,560 --> 00:53:44,960
Speaker 4: I think I think it's working out.

1068
00:53:45,080 --> 00:53:46,000
Speaker 10: I don't know if it's no.

1069
00:53:46,000 --> 00:53:47,360
Speaker 7: You know what I'm saying that the die is that

1070
00:53:47,400 --> 00:53:53,560
Speaker 7: their diets or diet. Yeah, is that your diet?

1071
00:53:53,719 --> 00:53:54,240
Speaker 1: Is it?

1072
00:53:54,480 --> 00:53:54,560
Speaker 6: Like?

1073
00:53:54,600 --> 00:53:55,240
Speaker 5: What isn't?

1074
00:53:55,280 --> 00:53:57,840
Speaker 4: I think you know, we work out every day, you know,

1075
00:53:58,200 --> 00:54:02,400
Speaker 4: and we enjoy that. I think that's fine watching what

1076
00:54:02,480 --> 00:54:04,920
Speaker 4: you eat, you know. I think I think we are

1077
00:54:05,239 --> 00:54:09,520
Speaker 4: the first generation in our family, you know, reading labels

1078
00:54:09,600 --> 00:54:13,040
Speaker 4: and calorie counts and proteins and stuff like that. So

1079
00:54:13,840 --> 00:54:14,799
Speaker 4: maybe that's what it is.

1080
00:54:14,840 --> 00:54:19,040
Speaker 5: I don't know that skin is crazy song.

1081
00:54:19,760 --> 00:54:20,439
Speaker 4: Your skin too?

1082
00:54:21,239 --> 00:54:26,239
Speaker 6: All right? All right?

1083
00:54:27,480 --> 00:54:32,120
Speaker 5: He produced every song? Yeah, Yeah, that's what I feels.

1084
00:54:31,840 --> 00:54:33,920
Speaker 8: Like he took like a more when he when he

1085
00:54:33,960 --> 00:54:37,520
Speaker 8: produces for it's more like a minimalist approach.

1086
00:54:37,880 --> 00:54:41,000
Speaker 5: I think it's a direct approach. Yeah, I think it's

1087
00:54:41,080 --> 00:54:45,279
Speaker 5: it's I think it has a lot to do with

1088
00:54:46,560 --> 00:54:51,560
Speaker 5: our vocals being instruments and treating it, treating the vocal

1089
00:54:51,719 --> 00:54:57,720
Speaker 5: like a real instrument, like you know, versus like overproducing

1090
00:54:59,400 --> 00:55:02,160
Speaker 5: so much so much. This this centered around the word.

1091
00:55:02,840 --> 00:55:04,600
Speaker 5: You know what I'm saying when it comes to us

1092
00:55:04,880 --> 00:55:06,799
Speaker 5: that you have to let that breathe. And I think

1093
00:55:06,840 --> 00:55:09,120
Speaker 5: he takes that that direction.

1094
00:55:09,080 --> 00:55:11,480
Speaker 8: How does that change your well, how did that challenge

1095
00:55:11,480 --> 00:55:12,600
Speaker 8: your pin of delivery?

1096
00:55:13,600 --> 00:55:13,960
Speaker 1: Oh?

1097
00:55:14,160 --> 00:55:16,719
Speaker 5: Everything is about the raps anyway, It's always been about

1098
00:55:16,719 --> 00:55:18,400
Speaker 5: the raps. But I don't got a production bone in

1099
00:55:18,440 --> 00:55:20,560
Speaker 5: my body, so I ain't never gonna be able to

1100
00:55:20,640 --> 00:55:24,080
Speaker 5: lean on it. But so much, you know, I think

1101
00:55:24,120 --> 00:55:27,279
Speaker 5: I think that I think there's a standard that just

1102
00:55:27,320 --> 00:55:30,160
Speaker 5: comes with the writing. He just knows that it sounds

1103
00:55:30,200 --> 00:55:33,040
Speaker 5: best minimal with us cutting through. Yeah.

1104
00:55:33,040 --> 00:55:35,000
Speaker 8: So when the beat changes on a record, like with

1105
00:55:35,080 --> 00:55:38,920
Speaker 8: the record that, do you ever say that's why it

1106
00:55:38,960 --> 00:55:41,759
Speaker 8: was him, That's why he was on it.

1107
00:55:41,800 --> 00:55:45,719
Speaker 5: He asked for two eights. It was like, Yo, I

1108
00:55:45,760 --> 00:55:48,120
Speaker 5: got this change, give us two eights. When we heard

1109
00:55:48,120 --> 00:55:52,000
Speaker 5: the be we was like, oh, that's for Noads, I

1110
00:55:52,080 --> 00:55:53,840
Speaker 5: mean and just you know, just knowing, like you just

1111
00:55:53,960 --> 00:55:57,640
Speaker 5: know that that no, that that is that he was

1112
00:55:57,640 --> 00:56:01,160
Speaker 5: in a queen's bag of whatever, that was, whatever was

1113
00:56:01,200 --> 00:56:03,000
Speaker 5: inspiring him at the time. I was like, man, that

1114
00:56:03,160 --> 00:56:04,680
Speaker 5: was that was for Homie?

1115
00:56:05,280 --> 00:56:08,160
Speaker 9: I know DJ clues involved to right, Yeah, talk about

1116
00:56:08,320 --> 00:56:09,720
Speaker 9: in the project.

1117
00:56:09,640 --> 00:56:15,640
Speaker 5: Again, man, clue was he wasn't. What happened was you know,

1118
00:56:15,880 --> 00:56:19,720
Speaker 5: just again making the records, going through the records. Uh,

1119
00:56:20,480 --> 00:56:25,879
Speaker 5: we actually stole Clues drops from like just awful old

1120
00:56:25,880 --> 00:56:29,520
Speaker 5: mixtapes because we just felt that it fit. And you know,

1121
00:56:29,560 --> 00:56:30,839
Speaker 5: when he heard it, he was like, no, I got

1122
00:56:30,840 --> 00:56:34,720
Speaker 5: to redo these they don't belong. He book the studio,

1123
00:56:36,080 --> 00:56:39,800
Speaker 5: booked the studio and he had to he reconfigured everything

1124
00:56:39,840 --> 00:56:42,600
Speaker 5: he did and did it live. But it was just

1125
00:56:42,880 --> 00:56:46,239
Speaker 5: some of those records kind of sparked that nostalgia. And

1126
00:56:46,960 --> 00:56:49,680
Speaker 5: you know, when when when we're in the moment, you

1127
00:56:49,719 --> 00:56:53,040
Speaker 5: know whether it's a for real you know, if you

1128
00:56:53,080 --> 00:56:55,920
Speaker 5: hear Foraral singing the hook or you know, we wanted

1129
00:56:56,680 --> 00:56:58,239
Speaker 5: the hook that he's not going to stay on. We

1130
00:56:58,280 --> 00:57:00,799
Speaker 5: gotta kind of finish it just to see what it

1131
00:57:00,840 --> 00:57:03,799
Speaker 5: feels like. So we stole the drops and once Clue

1132
00:57:03,840 --> 00:57:06,320
Speaker 5: heard it, he you know, did it properly.

1133
00:57:06,640 --> 00:57:07,040
Speaker 1: Yeah.

1134
00:57:07,440 --> 00:57:09,400
Speaker 2: Talk about the Cousins Festival you got going on.

1135
00:57:09,640 --> 00:57:14,239
Speaker 5: R oh Man Cousins Festival. Cousins Festival is August thirtieth.

1136
00:57:14,719 --> 00:57:19,360
Speaker 5: It is the best time. It's Labor Day weekend and

1137
00:57:19,480 --> 00:57:23,880
Speaker 5: it is it's an indoor an outdoor festival. You know

1138
00:57:24,200 --> 00:57:27,800
Speaker 5: outdoor you have a Cousin's Festival stage. It's like all

1139
00:57:27,840 --> 00:57:33,240
Speaker 5: the DJs, you got backyard band, you got man, you know,

1140
00:57:33,360 --> 00:57:37,240
Speaker 5: drug food trucks. It's it's clue as its clue is

1141
00:57:37,400 --> 00:57:40,560
Speaker 5: is envy. It's a DJ booth.

1142
00:57:43,440 --> 00:57:44,560
Speaker 1: Yeah, we need just there.

1143
00:57:46,600 --> 00:57:49,480
Speaker 5: And then on the inside we have as as the

1144
00:57:49,600 --> 00:57:52,200
Speaker 5: as the day goes on, we have an inside, we

1145
00:57:52,280 --> 00:57:55,680
Speaker 5: have a show and that's gonna be g z T

1146
00:57:55,920 --> 00:58:00,240
Speaker 5: Pain Little Kim. And it's like it is the best

1147
00:58:00,720 --> 00:58:06,040
Speaker 5: one day festival time of of of of of Labor

1148
00:58:06,080 --> 00:58:07,240
Speaker 5: Day weekend in Virginia.

1149
00:58:07,360 --> 00:58:10,360
Speaker 3: Why don't you perform at the festival though? Because this

1150
00:58:10,360 --> 00:58:11,360
Speaker 3: is the second anyone?

1151
00:58:11,440 --> 00:58:12,560
Speaker 5: Right, yeah, this is the second one.

1152
00:58:12,920 --> 00:58:15,400
Speaker 1: Why don't you perform at your festival?

1153
00:58:15,800 --> 00:58:19,520
Speaker 5: H Well, actually we have a show already booked, so

1154
00:58:19,560 --> 00:58:24,080
Speaker 5: we ruined it. No, not the day of, not the

1155
00:58:24,160 --> 00:58:26,680
Speaker 5: day of, but you know, it just it just didn't

1156
00:58:26,720 --> 00:58:28,800
Speaker 5: make sense. And you know this is this is really

1157
00:58:28,840 --> 00:58:32,440
Speaker 5: about we take real polls, like yo, who y'all want

1158
00:58:32,480 --> 00:58:35,480
Speaker 5: to see? You know we just last year Yeah, last

1159
00:58:35,520 --> 00:58:40,000
Speaker 5: year was Rikabad Larry June, Lion babe host of d

1160
00:58:40,160 --> 00:58:44,920
Speaker 5: j's Jermaine you know, and this year, you know, this

1161
00:58:45,080 --> 00:58:46,439
Speaker 5: year we stepped it up a notch.

1162
00:58:46,640 --> 00:58:48,160
Speaker 9: The show you got already booked is at the Toy

1163
00:58:48,640 --> 00:58:52,040
Speaker 9: Work Game. Yes, sorry about that.

1164
00:58:52,440 --> 00:58:54,280
Speaker 5: Yeah, yeah, yeah, yeah, I know, I know.

1165
00:58:54,040 --> 00:59:04,280
Speaker 12: I didn't say it, Kevin was because it's all good, man,

1166
00:59:04,480 --> 00:59:05,200
Speaker 12: It's all good.

1167
00:59:05,600 --> 00:59:07,440
Speaker 5: I mean, you know, I'm glad. I'm glad that we're

1168
00:59:07,480 --> 00:59:11,160
Speaker 5: going out there with Earth Game. Those guys are awesome,

1169
00:59:11,560 --> 00:59:13,920
Speaker 5: and I feel like the show is going to be incredible.

1170
00:59:14,320 --> 00:59:17,440
Speaker 5: Like what twenty five dates? Twenty five dates?

1171
00:59:19,080 --> 00:59:21,000
Speaker 2: You know, ga with the handle for a little bit.

1172
00:59:21,040 --> 00:59:23,640
Speaker 5: You know, I didn't know that. Oh wow, crazy.

1173
00:59:24,240 --> 00:59:26,320
Speaker 8: I's got a couple more questions, man mouth. How is

1174
00:59:26,360 --> 00:59:28,840
Speaker 8: your journey as a pastor, your spiritual journey?

1175
00:59:28,920 --> 00:59:30,440
Speaker 5: Why does a pastor?

1176
00:59:31,560 --> 00:59:35,840
Speaker 4: No, I'm not, I could I could be.

1177
00:59:37,200 --> 00:59:39,160
Speaker 5: I'm not a pastor your spiritual journey?

1178
00:59:39,160 --> 00:59:42,080
Speaker 8: How's that helping you navigate this current climbing and hip

1179
00:59:42,120 --> 00:59:44,560
Speaker 8: hop but also this current journey to clips wrong?

1180
00:59:46,480 --> 00:59:51,640
Speaker 4: It helps me with my journey through life with everything,

1181
00:59:52,160 --> 00:59:55,520
Speaker 4: I feel like I actually don't know how you can

1182
00:59:55,640 --> 01:00:02,240
Speaker 4: do it without God anything. Let all things be done

1183
01:00:02,360 --> 01:00:06,360
Speaker 4: decently and in order, And no matter what you're doing,

1184
01:00:07,360 --> 01:00:09,520
Speaker 4: you need to have the Word of God with you,

1185
01:00:09,880 --> 01:00:13,600
Speaker 4: even if it's only to help you in understanding things

1186
01:00:13,640 --> 01:00:17,880
Speaker 4: around you that you can't change. You know, to have peace? Uh,

1187
01:00:18,200 --> 01:00:22,240
Speaker 4: in peace with yourself. So it's everything to me. God,

1188
01:00:22,440 --> 01:00:26,040
Speaker 4: God is everything to me first and foremost. And that's

1189
01:00:26,040 --> 01:00:29,080
Speaker 4: not that's not cliche like I need Jesus like I

1190
01:00:29,120 --> 01:00:30,160
Speaker 4: need water and food.

1191
01:00:31,040 --> 01:00:31,680
Speaker 5: It's a fact.

1192
01:00:32,400 --> 01:00:32,800
Speaker 4: Yeah.

1193
01:00:33,280 --> 01:00:34,800
Speaker 5: Well, what's what's the song on the new album? You

1194
01:00:34,800 --> 01:00:37,280
Speaker 5: think people are gonna completely misinterpret?

1195
01:00:37,960 --> 01:00:40,480
Speaker 4: I don't know. I don't care you know what I'm saying.

1196
01:00:40,520 --> 01:00:41,920
Speaker 5: I don't I don't know.

1197
01:00:42,520 --> 01:00:43,720
Speaker 6: It could be the whole album.

1198
01:00:43,760 --> 01:00:44,280
Speaker 4: I don't know.

1199
01:00:45,200 --> 01:00:48,320
Speaker 2: Yeah, let's get into a join of the album. What

1200
01:00:48,440 --> 01:00:49,000
Speaker 2: y'all want to hear?

1201
01:00:49,440 --> 01:00:51,080
Speaker 1: Not the two joints I have been playing fight?

1202
01:00:51,120 --> 01:00:53,160
Speaker 5: Oh yeah, let's get into that.

1203
01:00:53,200 --> 01:00:54,480
Speaker 1: You got to send that to me please.

1204
01:00:59,480 --> 01:00:59,840
Speaker 10: Already?

1205
01:01:01,960 --> 01:01:03,160
Speaker 5: Or do birds on sing?

1206
01:01:03,560 --> 01:01:03,600
Speaker 1: Like?

1207
01:01:04,280 --> 01:01:07,080
Speaker 5: Yeah, two birds on sing? Sure?

1208
01:01:07,160 --> 01:01:07,840
Speaker 1: That's powerful.

1209
01:01:08,040 --> 01:01:09,840
Speaker 2: Well, I appreciate you bubs for joining.

1210
01:01:09,600 --> 01:01:12,040
Speaker 5: Us, thanks for having thank you, thank you very much

1211
01:01:12,960 --> 01:01:14,720
Speaker 5: on y'all. But we're gonna have to wait another fifteen

1212
01:01:14,800 --> 01:01:23,440
Speaker 5: years or nah no, no, I don't think so okay, Yeah.

1213
01:01:22,120 --> 01:01:24,200
Speaker 7: I don't know, y'all just so happy.

1214
01:01:25,600 --> 01:01:29,360
Speaker 8: Yeah, that's why when I said the safe space thing, like,

1215
01:01:29,400 --> 01:01:31,240
Speaker 8: I can really see that, I can see how this

1216
01:01:32,160 --> 01:01:35,280
Speaker 8: is like a divine protection with all together having an

1217
01:01:35,280 --> 01:01:36,960
Speaker 8: individual when y'all together.

1218
01:01:36,720 --> 01:01:37,080
Speaker 5: You can.

1219
01:01:37,480 --> 01:01:38,080
Speaker 6: I'm with that.

1220
01:01:38,280 --> 01:01:38,760
Speaker 4: I'm with that.

1221
01:01:38,800 --> 01:01:40,040
Speaker 5: I feel that, I see that.

1222
01:01:40,160 --> 01:01:41,200
Speaker 6: Yeah, and this is just that.

1223
01:01:41,280 --> 01:01:43,440
Speaker 7: Ch'a would question how many people still think y'all twins?

1224
01:01:44,280 --> 01:01:46,760
Speaker 5: Everybody? Okay, am you?

1225
01:01:46,920 --> 01:01:47,320
Speaker 1: Growing up?

1226
01:01:47,360 --> 01:01:48,280
Speaker 7: I was like, they are twins.

1227
01:01:48,280 --> 01:01:49,920
Speaker 4: I will I will all get people down.

1228
01:01:50,160 --> 01:01:51,959
Speaker 2: Because they was right from down the street.

1229
01:01:51,960 --> 01:01:53,520
Speaker 5: I'm from Baltimore, you know they right there.

1230
01:01:53,560 --> 01:01:55,040
Speaker 11: But I got a family in Virginia, and I was

1231
01:01:55,080 --> 01:01:57,480
Speaker 11: even telling the Virginians, Yo, they're twins.

1232
01:01:57,520 --> 01:02:00,400
Speaker 5: Were like, no, they not, so my bad.

1233
01:02:00,440 --> 01:02:03,520
Speaker 11: Okay, but people do say that it wasn't everybody exactly.

1234
01:02:03,600 --> 01:02:04,480
Speaker 2: Let's get into the record.

1235
01:02:04,600 --> 01:02:05,240
Speaker 1: One last thing.

1236
01:02:05,640 --> 01:02:07,640
Speaker 3: Is there ever a problem you say, like, I'm not

1237
01:02:07,680 --> 01:02:09,480
Speaker 3: going there with push It Like if pushes going to

1238
01:02:10,040 --> 01:02:11,200
Speaker 3: a spot.

1239
01:02:11,120 --> 01:02:12,960
Speaker 1: A strip club to host it or he's going to

1240
01:02:12,960 --> 01:02:13,680
Speaker 1: strip like that.

1241
01:02:13,920 --> 01:02:15,160
Speaker 2: I'm not doing that, yo.

1242
01:02:15,280 --> 01:02:17,040
Speaker 4: Everybody keeps putting you in the strip club.

1243
01:02:17,080 --> 01:02:23,440
Speaker 5: For every in the strip club, I usually don't. I

1244
01:02:23,440 --> 01:02:28,800
Speaker 5: mean my book. But work is work, work is work.

1245
01:02:30,720 --> 01:02:33,280
Speaker 2: It's clips its morning.

1246
01:02:33,520 --> 01:02:36,720
Speaker 1: Wake that ass up in the morning. The breakfast club