WEBVTT - #385 - J Stone

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<v Speaker 1>Hey, what up is jastone? You already know what's cracking? Man?

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<v Speaker 1>We out here, We outside man, shout out the boutleg

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<v Speaker 1>care We out here on the podcast West West.

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<v Speaker 2>All right yo man Bootleg Cap Podcast special guests in here.

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<v Speaker 2>His new album drops November twenty second. Yes, sir, the Definition.

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<v Speaker 3>Of Success, Definition of Success.

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<v Speaker 2>And this ends the series.

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<v Speaker 3>Yeah, this is the final chapter.

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<v Speaker 2>How many is it? Four or five albums?

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<v Speaker 3>Four? This is the fourth, the fourth year, well, the

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<v Speaker 3>fourth this is definition.

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<v Speaker 2>This is the fourth Definition.

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<v Speaker 1>Yeah, but like probably like the sixth seven projects since I.

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<v Speaker 3>You know, I mean since you start.

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<v Speaker 2>Yeah. Yeah, we got Jaystone in the building.

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<v Speaker 3>Man, welcome Yeah, Man, I'm in here. Man, what's up? Kid?

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<v Speaker 2>Welcome back?

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<v Speaker 1>Man, Man, come on, man, welcome back. It's a new plaque.

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<v Speaker 2>Yeah, we got a new spot. Man were here. Hey,

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<v Speaker 2>So talk to me, like for you, why was it

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<v Speaker 2>time to kind of like put a bow on the series,

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<v Speaker 2>because you're kind of known for the Definition series, Like

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<v Speaker 2>it's something that kind of started, gave you the original idea. Fact,

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<v Speaker 2>why put a bow on it? Why was it time?

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<v Speaker 1>I just felt like, you know, this is the time,

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<v Speaker 1>and you know, a point in time in my life.

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<v Speaker 1>You feel me where I'm on some different shit. Bro,

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<v Speaker 1>I ain't thinking the same Harry Sink the same. You

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<v Speaker 1>feel me like I'm on some success ship. Bro, this

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<v Speaker 1>is this is the time now, you feel me like,

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<v Speaker 1>so that's just what I'm on.

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<v Speaker 2>I somehow feel like when we talk about La Rap,

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<v Speaker 2>you're always overlooked.

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<v Speaker 1>Yeah, man, when they mentioned La Rap, man, they need

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<v Speaker 1>to mention me more.

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<v Speaker 3>You feel me.

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<v Speaker 2>I feel like they don't. And I always tell this

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<v Speaker 2>to people, like you've done such a great job of

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<v Speaker 2>like like kind of just flying under the radar, becoming

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<v Speaker 2>a millionaire off of an independent catalog, like doing shit

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<v Speaker 2>that most rappers can't do. Yeah, dropping when you.

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<v Speaker 1>Want, Yeah, and I'm you know, I'm good with that.

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<v Speaker 1>You feel me like I don't really need I don't

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<v Speaker 1>really need like props from the majors or none of that,

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<v Speaker 1>because I'm solidified already. You feel me like real motherfucker's

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<v Speaker 1>fuck with me, you know what I mean, Like the

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<v Speaker 1>real cats in the industry fuck with me.

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<v Speaker 3>Bro.

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<v Speaker 1>Like so at the end of the day, it's like

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<v Speaker 1>I ain't really looking for no validation, But at the

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<v Speaker 1>same time, it's like, don't forget about me. I'm over

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<v Speaker 1>here running these crazy laps.

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<v Speaker 3>You feel me?

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<v Speaker 2>Yeah, and you you're like a very much like you

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<v Speaker 2>know at this point man, like in La hip hop,

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<v Speaker 2>you're you're a figure man.

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<v Speaker 1>Man, Man, don't count me out. Count me in for sure.

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<v Speaker 1>Like add that up, y'all did the wrong total. Add

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<v Speaker 1>that up, burn money, don't work over here, man, count

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<v Speaker 1>that over?

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<v Speaker 3>You feel me?

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<v Speaker 2>I was gonna say for you, was there ever any

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<v Speaker 2>opportunities that came up that you passed on or that

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<v Speaker 2>you didn't decide to go with when it comes to

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<v Speaker 2>like maybe taking a direction or step in the direction

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<v Speaker 2>of being more on a major situation or a bigger

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<v Speaker 2>distribution situation.

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<v Speaker 3>Yeah, damn there. You know.

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<v Speaker 1>I didn't set I DIDNET sat with Labels bro, I

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<v Speaker 1>didn't sat with I sat with rock Nation, you know

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<v Speaker 1>what I mean. I sat down or a rap a lot,

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<v Speaker 1>you know what I mean? Yeah, shout out for sure,

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<v Speaker 1>shout out to Trade, you know what I mean, Shout

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<v Speaker 1>out to Jay Prince. I sat down. We had a conversation.

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<v Speaker 1>We talked about the vision you feel me, and he

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<v Speaker 1>asked me, like what I wanted to do. He was

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<v Speaker 1>ready to do everything that I wanted to do.

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<v Speaker 3>You feel me.

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<v Speaker 1>But like whoever kind of was like middle man in

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<v Speaker 1>the situation, I don't think he knew like that they was,

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<v Speaker 1>you know, talking the way that they was talking because

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<v Speaker 1>I had a conversation with Jay Prince, so that wasn't

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<v Speaker 1>the conversation we had when I talked to the you know,

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<v Speaker 1>the middle man's and all that you feel me, so

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<v Speaker 1>it was just something different, you feel me. So I

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<v Speaker 1>just tried to stay independent, you know what I mean,

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<v Speaker 1>until I can holler at the boss man you feel

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<v Speaker 1>me myself on the boss man tip?

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<v Speaker 2>Yeah, not, I mean that. I think that's because what

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<v Speaker 2>are you doing? Toune core distric kid? How are you

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<v Speaker 2>putting out your ship right now?

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<v Speaker 1>Man?

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<v Speaker 3>I'm strictly independent.

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<v Speaker 2>Man.

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<v Speaker 1>It's twenty five eight, no breaks, man.

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<v Speaker 2>No, but you gotta obviously you got to music out

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<v Speaker 2>of course. So like what service do you use?

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<v Speaker 1>I don't use no service. I am the service is man,

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<v Speaker 1>So you don't have it. I'm putting my ship out, man.

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<v Speaker 2>You're putting your ship directly on the DSPs. Yeah, okay,

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<v Speaker 2>that's great.

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<v Speaker 1>No, I ain't doing it myself, but you know, I

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<v Speaker 1>don't want to give away.

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<v Speaker 2>Well because like a lot because like you know, for

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<v Speaker 2>people who don't know, there's like distruct kid and tune corps,

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<v Speaker 2>which in my opinion, make it very easy to be independent.

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<v Speaker 1>For sure, let me not pay producers. Shout out the

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<v Speaker 1>tone cor shout out the tone Core. I've been rocking

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<v Speaker 1>with them since day one.

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<v Speaker 2>Because you're still fully independent. All you're doing is paying

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<v Speaker 2>them at one time feet.

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<v Speaker 1>And giving and giving everybody what they entitled to. Yeah,

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<v Speaker 1>you can do splits, right exactly, you can do that now.

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<v Speaker 2>Yeah, because that's the one thing is like when you're

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<v Speaker 2>an independent artist, I'm sure it can get really really like, yeah,

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<v Speaker 2>overwhelming to get taken care of.

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<v Speaker 3>Got to get taken care of. Feature all right, I

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<v Speaker 3>had anything.

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<v Speaker 2>To do, let me break you off.

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<v Speaker 3>Here's your points, Yeah for sure.

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<v Speaker 1>Yeah, but you know, but that's what the majors don't do,

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<v Speaker 1>you know, they don't. Yeah, they rather they're rather they're

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<v Speaker 1>rather buy your percentages out real nice checke.

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<v Speaker 2>Well, and they'd rather like dick you around as if

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<v Speaker 2>you're a writer or a producer. There's a reason you.

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<v Speaker 1>Can get the same. You can get the percentages but

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<v Speaker 1>not get the money on.

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<v Speaker 2>And it takes forever, you know, I just saw Internet Money.

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<v Speaker 2>The dude who runs Internet Money was saying, like, I'm

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<v Speaker 2>gonna start calling some of these major labels out because

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<v Speaker 2>you guys over a year past doing some of my

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<v Speaker 2>producers like fees.

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<v Speaker 1>Like it's like, yeah, after a while, you look around

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<v Speaker 1>and you'd be like, man, the numbers don't add up.

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<v Speaker 1>Some ain't adding up. The numbers ain't adding up, you

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<v Speaker 1>feel me. But like when you when you don't see

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<v Speaker 1>that dash board, when you really don't see the actual

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<v Speaker 1>numbers and where they're going. You know, they say numbers

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<v Speaker 1>don't lie, that's a lie. Numbers lie too for you.

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<v Speaker 2>Do you notice, like because I always try to look

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<v Speaker 2>at you know. I talked to Parico about this a

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<v Speaker 2>little bit, but he's like, look, now that I'm independent

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<v Speaker 2>and I'm off rock Nation, he's been leveling up because

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<v Speaker 2>he could drop on every once and he was like,

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<v Speaker 2>now when I drop, it's almost like the stock market,

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<v Speaker 2>like I put some new shit out and everything else

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<v Speaker 2>spikes up like catalog.

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<v Speaker 3>Yeah.

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<v Speaker 1>Yeah, So that's the beauty of it. Just keep on

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<v Speaker 1>being consistent. You can't just drop a project and then

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<v Speaker 1>wait two three years and drop another project. Like That's

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<v Speaker 1>why I really didn't want to tell nobody because you know,

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<v Speaker 1>motherfucker's be you know, watching how do my little shit?

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<v Speaker 1>And yeah, you feel me, But I ain't gonna lie.

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<v Speaker 1>As soon as the ball drop I dropped January first,

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<v Speaker 1>I'm dropping the project. February fourteenth, I'm dropping another project.

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<v Speaker 1>March whenever I'm dropping another project. Like, right, you've been

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<v Speaker 1>on it, bro, I'm dropping twelve albums next year. Bro,

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<v Speaker 1>So next year, I'm dropping twelve albums, one each month.

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<v Speaker 2>How much music right now are you sitting on? Uh?

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<v Speaker 3>Unlamited? Bro?

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<v Speaker 1>I can't even really imagine how much music I got

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<v Speaker 1>because I still got old stuff from me and Nip

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<v Speaker 1>we did back in the day in two thousand and

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<v Speaker 1>six and beyond.

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<v Speaker 3>You feel me like you.

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<v Speaker 2>Like, what do you do with that? With those records?

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<v Speaker 3>Uh?

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<v Speaker 2>Just do you just keep them? Is there?

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<v Speaker 1>You know? Me and I have always had conversations about

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<v Speaker 1>just you know, running the music up first, running up

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<v Speaker 1>what we got now, and then you know, just built

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<v Speaker 1>that cat and then like introduce him to the old ship.

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<v Speaker 1>But that was when I didn't have a crazy catalog,

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<v Speaker 1>you feel me, So you know, yeah, I got a

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<v Speaker 1>crazy catalog now, so we can kind of like bring

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<v Speaker 1>up them old MySpace mixtapes and crazy yeah you know

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<v Speaker 1>what I mean, a lot of unreleased shit.

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<v Speaker 2>So yeah, yeah, I was gonna say for you, like, uh,

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<v Speaker 2>you know, we talked about the LA conversation. Who are

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<v Speaker 2>some of the up and coming LA artists that are

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<v Speaker 2>outside of the camp that you're just a fan of

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<v Speaker 2>that you're just like, yo, I see what you're doing.

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<v Speaker 2>There's there's so many new guys that are doing their thing.

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<v Speaker 3>X Force.

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<v Speaker 1>I ain't gonna cap I'm gonna give it to us

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<v Speaker 1>whole summer right now, because you know, a lot of

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<v Speaker 1>motherfuckers don't want to mention his name.

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<v Speaker 3>They don't want to really number Yeah, you feel me.

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<v Speaker 3>And I know a lot of guys I know, yeah,

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<v Speaker 3>I know.

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<v Speaker 1>They see little Bro, you feel me, but they gonna

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<v Speaker 1>act like they don't. That's what they do, you feel me.

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<v Speaker 1>They gonna wait to something big happening and everybody else

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<v Speaker 1>is on to it, and then they gonna want to

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<v Speaker 1>fuck with him.

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<v Speaker 2>But hey, he does have the song underrated for a

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<v Speaker 2>reason because he is an underrated guy. It's so crazy,

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<v Speaker 2>like he's doing numbers that most artist.

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<v Speaker 1>I be feeling like that underrated should be like an understatement.

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<v Speaker 2>Yeah for sure, you know those dope have you guys

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<v Speaker 2>got to work it all.

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<v Speaker 1>Nah, But we be chopping up about doing music, you know.

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<v Speaker 2>I mean he's a good kid man.

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<v Speaker 1>It ain't nothing to do nothing. That's easy, man, Yeah,

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<v Speaker 1>that's easy.

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<v Speaker 2>You feel We had trade the truth up here a

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<v Speaker 2>couple of weeks ago, and he had alluded to the

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<v Speaker 2>fact that you guys have an unreleased project somewhere.

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<v Speaker 3>Yeah we got we got me and Trey got music.

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<v Speaker 2>Yeah.

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<v Speaker 3>Yeah.

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<v Speaker 2>I didn't realize because he was telling us like how

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<v Speaker 2>he has like unreleased albums with so many people.

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<v Speaker 1>And I was just like, damn, Like that's one motherfucker.

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<v Speaker 1>I know that his work ethnic is crazy. Bro, Like

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<v Speaker 1>he had dropped a project.

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<v Speaker 2>On his phone. He's like, bro, I got album with

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<v Speaker 2>this person.

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<v Speaker 3>He got songs where everybody.

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<v Speaker 1>I don't know if you heard, like you know, because

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<v Speaker 1>he do the im owns like you know, he got

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<v Speaker 1>he got the series of that ship.

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<v Speaker 3>You feel me.

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<v Speaker 2>I think he's working on a new one.

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<v Speaker 3>I don't think you heard that one.

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<v Speaker 2>Bro. No, he didn't play me that one, but he

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<v Speaker 2>play me some other ship. He played me some crazy ship.

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<v Speaker 1>You should have had him play that the latest I'm

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<v Speaker 1>on he been see I'm saying too.

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<v Speaker 3>No, he talked about it a little bro he got

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<v Speaker 3>he got a lot of motherfuckers on there. Bro, they

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<v Speaker 3>almost want to get on that.

0:09:13.440 --> 0:09:17.320
<v Speaker 2>You should, someone should do like a West Coast version

0:09:17.360 --> 0:09:20.240
<v Speaker 2>of that, try to unify the city.

0:09:21.160 --> 0:09:22.920
<v Speaker 1>That's what I'm saying. We need to do something because

0:09:22.920 --> 0:09:24.920
<v Speaker 1>we ain't really got too much going on out here

0:09:24.960 --> 0:09:27.360
<v Speaker 1>like that. You Yeah, I think we need another uh

0:09:28.040 --> 0:09:30.439
<v Speaker 1>not a we are the world, but uh now do

0:09:30.520 --> 0:09:32.560
<v Speaker 1>we do something like that for la? What's that record

0:09:32.600 --> 0:09:35.200
<v Speaker 1>that Ice Cube did? I mean easy he did what

0:09:35.360 --> 0:09:38.240
<v Speaker 1>uh he did with yo yo.

0:09:38.320 --> 0:09:38.800
<v Speaker 3>He deal with.

0:09:38.760 --> 0:09:43.440
<v Speaker 1>Everybody like all the rapper I feel ten minutes songs,

0:09:43.679 --> 0:09:48.959
<v Speaker 1>ten minute song bro politics, Yeah, ice t you too

0:09:49.040 --> 0:09:51.080
<v Speaker 1>were bringing you back outside you too because I know

0:09:51.120 --> 0:09:53.880
<v Speaker 1>you got something to say. Spill some game to these youngsters, man,

0:09:53.920 --> 0:09:54.560
<v Speaker 1>they need it now.

0:09:54.600 --> 0:09:56.160
<v Speaker 2>I think it'd be dope too, because like you said,

0:09:56.200 --> 0:09:58.040
<v Speaker 2>like you know, I think Big Sean did something like that.

0:09:58.160 --> 0:09:59.840
<v Speaker 2>He had a bunch of people. He did the Detroit

0:09:59.880 --> 0:10:02.480
<v Speaker 2>for Style or Cipher and it half. Yeah, there was

0:10:02.520 --> 0:10:04.640
<v Speaker 2>like twelve Detroit rappers and like a lot of them

0:10:04.880 --> 0:10:05.199
<v Speaker 2>that was.

0:10:05.160 --> 0:10:07.040
<v Speaker 1>On his latest album, right, but did he do a

0:10:07.080 --> 0:10:07.640
<v Speaker 1>video to it?

0:10:07.760 --> 0:10:09.400
<v Speaker 2>No, but because a lot of the guys had issues

0:10:09.440 --> 0:10:11.240
<v Speaker 2>with each other. But at the end of the day,

0:10:11.280 --> 0:10:13.000
<v Speaker 2>it was kind of dope because you you might have

0:10:13.080 --> 0:10:15.720
<v Speaker 2>heard songs two guys on the song that you wouldn't

0:10:15.720 --> 0:10:16.199
<v Speaker 2>have that.

0:10:16.160 --> 0:10:19.080
<v Speaker 1>You would have never heard before. Yeah, but see, only

0:10:19.120 --> 0:10:21.440
<v Speaker 1>like people like Big Sean can do that. Everybody can't,

0:10:21.480 --> 0:10:23.160
<v Speaker 1>you know what I mean. Everybody don't got pulled like

0:10:23.160 --> 0:10:24.880
<v Speaker 1>that in the city. You feel me, So it gotta

0:10:24.920 --> 0:10:28.040
<v Speaker 1>be somebody that you know, the city respect.

0:10:28.280 --> 0:10:30.800
<v Speaker 2>That shouldn't be hard. Yeah, there's the idea. Someone go

0:10:30.840 --> 0:10:34.720
<v Speaker 2>execute it all right there it is. Who's on any

0:10:34.720 --> 0:10:37.760
<v Speaker 2>features on the album?

0:10:37.960 --> 0:10:40.120
<v Speaker 1>Yeah, we got some features on the album. We got

0:10:40.720 --> 0:10:43.440
<v Speaker 1>we got on the album. Man, I got a I

0:10:43.480 --> 0:10:45.720
<v Speaker 1>got Nick Bucks shout out the Nick Buck and.

0:10:45.800 --> 0:10:48.640
<v Speaker 2>He just got shot too, right, Yeah, I think.

0:10:48.760 --> 0:10:50.800
<v Speaker 1>He shout out to my brother. Y'all talked to him,

0:10:51.840 --> 0:10:52.280
<v Speaker 1>great dude.

0:10:52.280 --> 0:10:53.600
<v Speaker 2>We went to Harlem and hung out with him.

0:10:53.640 --> 0:10:56.480
<v Speaker 1>Yeah, yeah, real nigga, man, for sure. I got a

0:10:56.520 --> 0:11:00.960
<v Speaker 1>song with him. I got a record with being Trey

0:11:02.120 --> 0:11:04.880
<v Speaker 1>feel Me on the same record. Yeah, on he Town Bob.

0:11:04.920 --> 0:11:07.160
<v Speaker 1>I'm always out there, so you know, I gotta show

0:11:07.200 --> 0:11:09.400
<v Speaker 1>my little la h town love you feel me?

0:11:11.160 --> 0:11:11.480
<v Speaker 3>What else?

0:11:11.520 --> 0:11:13.720
<v Speaker 1>I got domb you and I got domb you tell me?

0:11:14.559 --> 0:11:17.959
<v Speaker 1>Damn man meeting it? Hit boy and uh d.

0:11:18.120 --> 0:11:21.000
<v Speaker 2>H really big hit? Yeah?

0:11:21.200 --> 0:11:22.280
<v Speaker 3>Wait no hit boy?

0:11:22.640 --> 0:11:25.240
<v Speaker 2>Well you said I thought you said b H yeah.

0:11:25.120 --> 0:11:27.719
<v Speaker 3>Bh Oh you think I'm thinking big here? Yeah? Nah

0:11:27.800 --> 0:11:28.520
<v Speaker 3>boss all yeah.

0:11:29.280 --> 0:11:31.000
<v Speaker 1>I got a record with him too. I got a

0:11:31.040 --> 0:11:33.560
<v Speaker 1>record with big Hit. Yeah, big hit going in. Yeah.

0:11:34.480 --> 0:11:35.520
<v Speaker 3>I like that energy.

0:11:35.559 --> 0:11:38.560
<v Speaker 1>How motherfucker can just come home and just act like

0:11:39.240 --> 0:11:40.960
<v Speaker 1>you ain't even been to jail, like you ain't didding

0:11:40.960 --> 0:11:41.640
<v Speaker 1>no time. Bro.

0:11:41.920 --> 0:11:44.480
<v Speaker 2>His son got all the IL beats ready to just

0:11:44.559 --> 0:11:45.560
<v Speaker 2>ready to come. Bro.

0:11:45.640 --> 0:11:47.560
<v Speaker 1>That reminds me of how I was when I was

0:11:47.600 --> 0:11:49.360
<v Speaker 1>fresh out, you know what I mean, Like I hit

0:11:49.400 --> 0:11:50.280
<v Speaker 1>the ground running.

0:11:50.440 --> 0:11:52.600
<v Speaker 2>I think two is inspiring because it's like, no matter

0:11:52.640 --> 0:11:54.760
<v Speaker 2>what situation you're put in, like it ain't never too.

0:11:54.720 --> 0:11:56.880
<v Speaker 3>Late to like nah, it's never too late.

0:11:57.120 --> 0:11:59.720
<v Speaker 2>Yeah, Like this is a second like because I remember

0:11:59.760 --> 0:12:01.680
<v Speaker 2>this is second go with the rap game in terms

0:12:01.720 --> 0:12:03.559
<v Speaker 2>of like us seeing him because you know when.

0:12:03.400 --> 0:12:05.800
<v Speaker 1>Man, a lot of billionaires didn't get that billion until

0:12:05.880 --> 0:12:07.120
<v Speaker 1>it was about forty or fifty.

0:12:07.280 --> 0:12:07.959
<v Speaker 2>That's facts.

0:12:08.080 --> 0:12:11.400
<v Speaker 1>You know what I mean, so it don't limit yourself

0:12:11.440 --> 0:12:13.760
<v Speaker 1>doing nothing, man, I don't think nobody should ever limit

0:12:13.800 --> 0:12:16.280
<v Speaker 1>theyself doing nothing. Sure, you gotta keep this shit going

0:12:16.320 --> 0:12:17.200
<v Speaker 1>because you never know.

0:12:17.800 --> 0:12:20.280
<v Speaker 2>You never know, man, Like most like you said, most

0:12:20.280 --> 0:12:22.280
<v Speaker 2>people kind of hit that success stride in their forties

0:12:22.320 --> 0:12:22.800
<v Speaker 2>or fifties.

0:12:22.920 --> 0:12:25.880
<v Speaker 1>Yeah, and then you gotta, you gotta, you know, you

0:12:25.920 --> 0:12:28.640
<v Speaker 1>gotta kind of take his situation and kind of look

0:12:28.679 --> 0:12:31.280
<v Speaker 1>at it too, like maybe he had to go through that.

0:12:31.440 --> 0:12:33.360
<v Speaker 2>To get to the mental space.

0:12:33.559 --> 0:12:36.760
<v Speaker 1>Yeah, you could win, yeah, exactly. Now Now now now

0:12:36.760 --> 0:12:38.640
<v Speaker 1>look where his look where it's focused at.

0:12:38.679 --> 0:12:39.400
<v Speaker 3>Now you feel me?

0:12:39.600 --> 0:12:43.640
<v Speaker 2>So tell me about this record. It's You Nip produced

0:12:43.640 --> 0:12:44.120
<v Speaker 2>by hit.

0:12:44.000 --> 0:12:45.400
<v Speaker 3>Boy, produce by hit Boy.

0:12:45.800 --> 0:12:48.800
<v Speaker 2>Oh yeah, it's only album.

0:12:48.920 --> 0:12:49.560
<v Speaker 3>It's on ALB.

0:12:50.440 --> 0:12:52.360
<v Speaker 1>I'm low key ready to drop that right now, you

0:12:52.400 --> 0:12:55.439
<v Speaker 1>feel me, But you know, I'll let you all wait

0:12:55.520 --> 0:12:55.800
<v Speaker 1>for it.

0:12:55.840 --> 0:12:56.520
<v Speaker 3>Man, let y'all.

0:12:57.200 --> 0:12:59.360
<v Speaker 2>Was this a record you guys? Because I always had

0:12:59.400 --> 0:13:02.960
<v Speaker 2>heard about the hit Boy Nip set. I think it

0:13:03.040 --> 0:13:05.280
<v Speaker 2>was like the session that Racks in the Middle was recorded.

0:13:07.320 --> 0:13:10.720
<v Speaker 2>Was this something you guys worked on when he was alive.

0:13:10.480 --> 0:13:11.160
<v Speaker 3>Around that time?

0:13:11.240 --> 0:13:15.120
<v Speaker 1>Yeah, there's something that we worked on in twenty eighteen.

0:13:15.280 --> 0:13:16.559
<v Speaker 3>You feel me and.

0:13:18.600 --> 0:13:20.320
<v Speaker 1>You know, we just spiced up the beat just a

0:13:20.320 --> 0:13:22.240
<v Speaker 1>little bit, right, you know what I mean, because it's

0:13:22.240 --> 0:13:23.440
<v Speaker 1>twenty twenty three now, of.

0:13:23.400 --> 0:13:26.000
<v Speaker 3>Course, so you know he made it make sense.

0:13:26.720 --> 0:13:29.400
<v Speaker 2>I really excited anytime we got new Nipsey coming.

0:13:29.600 --> 0:13:30.360
<v Speaker 3>Nah, for sure.

0:13:31.000 --> 0:13:33.240
<v Speaker 2>I know last time when you came on the show,

0:13:33.320 --> 0:13:36.080
<v Speaker 2>you had dropped tidbits that may or may not have

0:13:36.080 --> 0:13:38.800
<v Speaker 2>gotten you in trouble about there being a Nipsey hustle.

0:13:38.920 --> 0:13:40.520
<v Speaker 1>Now, I didn't give me a joe, but that shit

0:13:40.640 --> 0:13:43.319
<v Speaker 1>hit the blog that went everywhere and then and then

0:13:43.360 --> 0:13:44.360
<v Speaker 1>I was just the only thing.

0:13:44.640 --> 0:13:47.040
<v Speaker 2>And then there was people who were like, yeah, right,

0:13:47.080 --> 0:13:49.720
<v Speaker 2>he's lying, Like I'm like, bro, like if anybody would know,

0:13:49.720 --> 0:13:50.640
<v Speaker 2>it might be him, Like.

0:13:50.720 --> 0:13:52.640
<v Speaker 3>Yeah, you feel me, Like come on man.

0:13:52.880 --> 0:13:55.320
<v Speaker 1>And then all I said was like, bro, got so

0:13:55.440 --> 0:13:57.720
<v Speaker 1>much music, Like, I'm pretty sure it's beshow.

0:13:57.600 --> 0:13:58.520
<v Speaker 3>Gonna be another Niput?

0:13:58.640 --> 0:13:59.439
<v Speaker 2>Is there an update there?

0:14:00.320 --> 0:14:03.000
<v Speaker 1>I mean, shit, what's you think, bro? You don't think it's.

0:14:02.920 --> 0:14:05.520
<v Speaker 2>Gonna have to be another nip album, man, because like

0:14:05.559 --> 0:14:07.920
<v Speaker 2>you said, you you get so much unreleased music. It

0:14:07.960 --> 0:14:09.080
<v Speaker 2>just has to be done the right way.

0:14:09.160 --> 0:14:11.160
<v Speaker 1>That's the only thing is, Yeah, it ain't gonna get

0:14:11.160 --> 0:14:13.800
<v Speaker 1>put out, just because because I because you.

0:14:13.840 --> 0:14:16.120
<v Speaker 2>Know, right, because I almost think like when Pop passed,

0:14:16.840 --> 0:14:21.520
<v Speaker 2>there was like a couple of them albums that were rough. Yo,

0:14:21.600 --> 0:14:23.040
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0:14:23.040 --> 0:14:25.280
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<v Speaker 2>the first like one or two do you remember me?

0:17:26.760 --> 0:17:31.919
<v Speaker 2>And then the one that had h the acoustic Thug's

0:17:31.960 --> 0:17:32.880
<v Speaker 2>mansion on it was hard?

0:17:33.040 --> 0:17:34.800
<v Speaker 3>Oh, which which one was?

0:17:35.520 --> 0:17:38.480
<v Speaker 2>Better Days was fire? Better Days had some ship. But

0:17:38.520 --> 0:17:41.000
<v Speaker 2>then there was like the ship that like he was

0:17:41.040 --> 0:17:43.000
<v Speaker 2>working with like artists he would have never have worked

0:17:43.040 --> 0:17:43.919
<v Speaker 2>with him when he was alive.

0:17:44.200 --> 0:17:47.199
<v Speaker 1>Yeah, bro, Like what was that he had like a

0:17:47.200 --> 0:17:50.360
<v Speaker 1>song with eminem and uh bro eminem bit the whole

0:17:50.400 --> 0:17:58.160
<v Speaker 1>album bro he produced and because you bro, you had

0:17:58.160 --> 0:18:00.720
<v Speaker 1>to get used to hearing pop on em and it was.

0:18:00.680 --> 0:18:02.640
<v Speaker 2>More like some mash up like ship. Yeah, that's right,

0:18:02.680 --> 0:18:02.879
<v Speaker 2>it was.

0:18:03.000 --> 0:18:05.120
<v Speaker 1>That's that's that's all it was, you know what I mean.

0:18:05.160 --> 0:18:07.520
<v Speaker 1>Like I'm a Pock fan, I'm an M and M fan,

0:18:07.760 --> 0:18:10.480
<v Speaker 1>you know what I mean. But to hear Pac on

0:18:10.520 --> 0:18:12.439
<v Speaker 1>an M and M B bro, it just kind of

0:18:12.520 --> 0:18:13.560
<v Speaker 1>it wasn't I wasn't ready.

0:18:13.920 --> 0:18:14.840
<v Speaker 3>I wasn't ready for it.

0:18:14.680 --> 0:18:16.600
<v Speaker 2>It was just it was a little weird for sure.

0:18:16.640 --> 0:18:18.800
<v Speaker 2>It'd be like if it would have been dope, if

0:18:18.840 --> 0:18:22.200
<v Speaker 2>like some of the og producers was working with came

0:18:22.280 --> 0:18:24.920
<v Speaker 2>and took some of those stems, curated something.

0:18:25.040 --> 0:18:27.840
<v Speaker 3>Did it the right way, Dazzy producing production. You know

0:18:27.880 --> 0:18:29.560
<v Speaker 3>what I'm saying, that's the right way to do it.

0:18:29.680 --> 0:18:31.920
<v Speaker 3>Super Fly, bring Dash super Fly in there.

0:18:31.960 --> 0:18:34.920
<v Speaker 1>You feel me maybe, d Yeah, you feel me and yeah,

0:18:34.960 --> 0:18:37.960
<v Speaker 1>Drake can do the mixing even Quick too quick and

0:18:38.040 --> 0:18:40.480
<v Speaker 1>you feel me quick going come on, man, Quick could

0:18:40.480 --> 0:18:41.679
<v Speaker 1>have did that whole album.

0:18:41.840 --> 0:18:43.959
<v Speaker 2>Crazy and it would have been more. It would have

0:18:43.960 --> 0:18:46.639
<v Speaker 2>been more like, uh, you know, it would have sounded

0:18:46.680 --> 0:18:47.520
<v Speaker 2>like a Tupac album.

0:18:47.840 --> 0:18:51.200
<v Speaker 1>Nah, I definitely would have sound quick and uh dog

0:18:51.280 --> 0:18:53.120
<v Speaker 1>pound on it like crazy for sure.

0:18:53.160 --> 0:18:55.760
<v Speaker 2>Man. You know it's crazy too, Like obviously you're a

0:18:55.760 --> 0:18:59.879
<v Speaker 2>big pock FuG life too. Uh. It's kind of crazy

0:18:59.880 --> 0:19:03.280
<v Speaker 2>to see there's finally, like all these years later, someone

0:19:03.280 --> 0:19:04.440
<v Speaker 2>got arrested for his death.

0:19:05.040 --> 0:19:06.440
<v Speaker 3>What's that Tupac's death.

0:19:07.080 --> 0:19:10.040
<v Speaker 1>Man, that's shit crazy, bro, And then we still don't

0:19:10.080 --> 0:19:13.560
<v Speaker 1>even know, we still don't even know what to believe, man, you.

0:19:13.480 --> 0:19:16.520
<v Speaker 2>Know, I mean, and that's the thing is like it feels,

0:19:16.560 --> 0:19:18.879
<v Speaker 2>I mean, look as like a fan. I mean, you

0:19:18.880 --> 0:19:20.400
<v Speaker 2>don't want to ever see anybody go to jail.

0:19:21.040 --> 0:19:24.000
<v Speaker 3>But like but why but why so long though, like

0:19:24.840 --> 0:19:26.199
<v Speaker 3>like this that's why. That's what.

0:19:26.240 --> 0:19:28.480
<v Speaker 1>That's what seemed tricky is like you've been hearing the

0:19:28.560 --> 0:19:31.440
<v Speaker 1>same story all along, all along, all along, like whyle

0:19:31.480 --> 0:19:35.359
<v Speaker 1>y'all wait, this guy was doing all these interviews and

0:19:35.440 --> 0:19:37.080
<v Speaker 1>he'd been doing interview.

0:19:38.240 --> 0:19:40.679
<v Speaker 2>I think I think he's done so many interviews that

0:19:41.040 --> 0:19:43.520
<v Speaker 2>had finally like come a fu like bro, yeah, your

0:19:43.560 --> 0:19:47.160
<v Speaker 2>time Las Vegas metros like like radar where they're like wait,

0:19:47.200 --> 0:19:50.120
<v Speaker 2>this guy's wait what like we should go see if

0:19:50.119 --> 0:19:52.800
<v Speaker 2>this is because because I always tell people like the

0:19:52.840 --> 0:19:53.560
<v Speaker 2>Tupaca they.

0:19:53.480 --> 0:19:55.240
<v Speaker 3>Probably pinched them, you know what I mean, just.

0:19:55.200 --> 0:19:58.960
<v Speaker 1>To just to get some more information.

0:19:58.800 --> 0:20:00.959
<v Speaker 2>Right And and to me, the Twop Biggi murders were

0:20:01.040 --> 0:20:03.960
<v Speaker 2>very different, Like the Tupac murder was some retaliation ship

0:20:04.520 --> 0:20:07.120
<v Speaker 2>that really wasn't didn't have it was some street ship

0:20:07.160 --> 0:20:09.879
<v Speaker 2>that that popped off in one night, as opposed to

0:20:09.880 --> 0:20:12.840
<v Speaker 2>like the Biggie ship was like a hit. And depending

0:20:12.840 --> 0:20:15.560
<v Speaker 2>on who you listen to, like the l a p

0:20:15.680 --> 0:20:17.639
<v Speaker 2>D off duty cops might have been involved, Like I

0:20:17.640 --> 0:20:20.119
<v Speaker 2>don't think the LAPD wanted to solve the Biggie murder

0:20:20.520 --> 0:20:22.560
<v Speaker 2>because it would have made them look crazy. The Tupac

0:20:22.680 --> 0:20:27.960
<v Speaker 2>murder was just like, you know, Orlando Anderson died and

0:20:28.000 --> 0:20:30.119
<v Speaker 2>that was who everybody was saying it was, you know,

0:20:30.480 --> 0:20:32.600
<v Speaker 2>the guy behind it. So this dude's been doing all

0:20:32.600 --> 0:20:35.280
<v Speaker 2>these interviews. Motherfuckers gotta stop to sell snitching.

0:20:34.960 --> 0:20:39.480
<v Speaker 1>Bro crazy bro like people were just just just just.

0:20:39.680 --> 0:20:42.960
<v Speaker 2>Literally snitch on themselves just for the views.

0:20:43.480 --> 0:20:45.120
<v Speaker 3>Man, for real, It's crazy.

0:20:45.280 --> 0:20:47.480
<v Speaker 1>You see you've seen that interview with No Jumper when

0:20:47.520 --> 0:20:54.119
<v Speaker 1>he question and he said, he's like all right, So,

0:20:54.240 --> 0:20:56.760
<v Speaker 1>I mean, you know, he didn't know how to have.

0:20:58.400 --> 0:20:59.720
<v Speaker 2>He was. He was supposed to come on the show

0:21:00.359 --> 0:21:04.359
<v Speaker 2>earlier this morning, but we rescheduled. I didn't know because

0:21:04.400 --> 0:21:06.960
<v Speaker 2>he I didn't know. I had him come early because

0:21:06.960 --> 0:21:09.199
<v Speaker 2>I don't know. I don't know LA politics. If you

0:21:09.240 --> 0:21:10.399
<v Speaker 2>guys get along, I don't know.

0:21:11.000 --> 0:21:12.280
<v Speaker 3>No, that's all good, you feel me.

0:21:12.280 --> 0:21:14.440
<v Speaker 2>No, But you know, I don't know if I ra

0:21:14.600 --> 0:21:15.880
<v Speaker 2>two La rappers in the same day.

0:21:16.000 --> 0:21:18.800
<v Speaker 1>The earth is breaking out, nigga, The earth is my turf.

0:21:19.080 --> 0:21:20.360
<v Speaker 3>I love that, you know what I mean.

0:21:20.680 --> 0:21:22.919
<v Speaker 1>I go anywhere, I'll walk anywhere if I run it

0:21:23.000 --> 0:21:25.320
<v Speaker 1>or whoever is gonna be what is gonna be, if

0:21:25.359 --> 0:21:27.800
<v Speaker 1>it's respect or respect, if it ain't it ain't you

0:21:27.840 --> 0:21:28.240
<v Speaker 1>know what I mean?

0:21:28.280 --> 0:21:31.879
<v Speaker 2>That clip was very funny though. You see that clip.

0:21:32.520 --> 0:21:35.320
<v Speaker 2>Xport was just like Adam asked him if he was

0:21:35.359 --> 0:21:36.879
<v Speaker 2>involved in some shootout on the video, and he just

0:21:36.920 --> 0:21:41.159
<v Speaker 2>looked at him like this. Yeah, it's like damn, And

0:21:41.200 --> 0:21:44.320
<v Speaker 2>I think you've shown like I gave you perhaps last time,

0:21:44.400 --> 0:21:46.080
<v Speaker 2>like when you and t Rel did that interview on

0:21:46.160 --> 0:21:47.600
<v Speaker 2>No Jumper that was like a big deal.

0:21:47.760 --> 0:21:48.480
<v Speaker 3>Yeah, for sure.

0:21:48.960 --> 0:21:50.919
<v Speaker 1>I went, I went out of town. I was somewhere

0:21:50.920 --> 0:21:52.399
<v Speaker 1>out of town. I ran in to one of his

0:21:52.440 --> 0:21:54.479
<v Speaker 1>homies and shit, he like, yeah, man from whover Man,

0:21:54.520 --> 0:21:56.440
<v Speaker 1>I've seen that video you deal with my homie?

0:21:57.000 --> 0:21:57.960
<v Speaker 3>Feel me now?

0:21:58.040 --> 0:22:01.160
<v Speaker 2>I just think that ship should be like an example.

0:22:00.800 --> 0:22:06.399
<v Speaker 1>For exactly so you see, like the difference in a

0:22:06.480 --> 0:22:08.639
<v Speaker 1>respect level, you feel me? Like, yeah, I think like

0:22:08.680 --> 0:22:10.760
<v Speaker 1>because I told him, I'm like, you know, motherfucker's either

0:22:10.800 --> 0:22:11.720
<v Speaker 1>gonna hate it or love it.

0:22:11.760 --> 0:22:14.879
<v Speaker 3>He like both. He like they gonna hate it or

0:22:14.880 --> 0:22:16.320
<v Speaker 3>they gonna love it. You know what I mean. Like

0:22:16.359 --> 0:22:18.240
<v Speaker 3>it is what it is. But so what you feel me?

0:22:18.320 --> 0:22:20.280
<v Speaker 2>Yeah, I just think it's like it's important to be

0:22:20.359 --> 0:22:23.200
<v Speaker 2>able to show people like, you know, we can't break

0:22:23.200 --> 0:22:23.679
<v Speaker 2>the cycle.

0:22:24.200 --> 0:22:25.879
<v Speaker 1>And some of my homies knew who he was. Like

0:22:25.920 --> 0:22:27.720
<v Speaker 1>when I let the homies know, like you feel me,

0:22:27.760 --> 0:22:28.679
<v Speaker 1>like they knew who he was?

0:22:28.800 --> 0:22:32.960
<v Speaker 3>Yeah, I mean yeah, man, you know great guy. So Louke.

0:22:34.040 --> 0:22:37.040
<v Speaker 2>So next year for sure, twelve albums for.

0:22:37.000 --> 0:22:38.560
<v Speaker 3>Sure, already already put it.

0:22:38.600 --> 0:22:42.000
<v Speaker 1>See one thing about me once I started out all right,

0:22:42.000 --> 0:22:44.360
<v Speaker 1>So I got my January album ready okay, so that's

0:22:44.400 --> 0:22:46.439
<v Speaker 1>ready mix a massive ready.

0:22:47.160 --> 0:22:50.280
<v Speaker 2>So we're going from November twenty second to the January.

0:22:49.920 --> 0:22:51.760
<v Speaker 3>Album straight into the January album.

0:22:52.000 --> 0:22:53.359
<v Speaker 2>Damn you ain't playing?

0:22:53.520 --> 0:22:55.000
<v Speaker 3>Yeah, And I thought about it.

0:22:55.040 --> 0:22:57.679
<v Speaker 1>I'm like, damn, I need to give you know, successful

0:22:57.760 --> 0:22:58.920
<v Speaker 1>time to breathe, you feel me.

0:23:00.880 --> 0:23:01.360
<v Speaker 3>And all that.

0:23:01.440 --> 0:23:03.959
<v Speaker 1>But like you know, with the game right now, bro,

0:23:04.080 --> 0:23:06.080
<v Speaker 1>the years it's gonna be a new year.

0:23:07.119 --> 0:23:09.199
<v Speaker 2>Music industry kind of resets for people who don't know.

0:23:09.400 --> 0:23:11.480
<v Speaker 1>That's what I'm saying. So it's really all on like

0:23:11.760 --> 0:23:13.960
<v Speaker 1>who gonna who go? Who's gonna go to hard? As

0:23:13.960 --> 0:23:16.040
<v Speaker 1>soon as the bar drop? So that's why I say

0:23:16.040 --> 0:23:19.720
<v Speaker 1>when the bar drop I dropped January first.

0:23:19.880 --> 0:23:21.240
<v Speaker 2>Oh that's when that I'm's dropping.

0:23:21.680 --> 0:23:25.720
<v Speaker 1>Yeah, oh ship okay right away right away? Bro, No,

0:23:25.800 --> 0:23:28.800
<v Speaker 1>I ain't giving nobody no room Bro, no breathing room, Bro,

0:23:28.920 --> 0:23:31.320
<v Speaker 1>I'm not playing. I love it Yeah, twenty five eight,

0:23:31.400 --> 0:23:33.320
<v Speaker 1>No brakes for real man the flesh.

0:23:33.119 --> 0:23:37.040
<v Speaker 2>I love it man for you have you obviously nip?

0:23:37.440 --> 0:23:39.800
<v Speaker 2>You guys just did a adope show? Was it at

0:23:39.800 --> 0:23:42.120
<v Speaker 2>the Roxy? You guys all did? Uh?

0:23:42.880 --> 0:23:46.200
<v Speaker 1>Rock l raised a little bit more bigger than I

0:23:46.280 --> 0:23:48.520
<v Speaker 1>was the rock he Lray. We was going to originally

0:23:48.520 --> 0:23:52.320
<v Speaker 1>do it at the Roxy, but been too small exactly

0:23:52.600 --> 0:23:54.240
<v Speaker 1>we needed we needed a little bit more expansive.

0:23:54.200 --> 0:23:56.840
<v Speaker 2>But obviously he was so good at like curating artists,

0:23:56.840 --> 0:24:00.240
<v Speaker 2>bringing you know, artists onto the to the team. Is

0:24:00.240 --> 0:24:03.720
<v Speaker 2>that something you want to do as well? Put the

0:24:03.760 --> 0:24:05.440
<v Speaker 2>CEO hat on eventually.

0:24:05.000 --> 0:24:06.119
<v Speaker 3>And definitely.

0:24:08.080 --> 0:24:10.040
<v Speaker 1>For sure, you know, like I said, you know when

0:24:10.080 --> 0:24:13.040
<v Speaker 1>when the when the when the year dropped? I'm also

0:24:13.160 --> 0:24:14.960
<v Speaker 1>going to announce you know what I mean a couple

0:24:15.000 --> 0:24:15.800
<v Speaker 1>of my artists.

0:24:15.960 --> 0:24:16.960
<v Speaker 2>Oh so you've already.

0:24:16.760 --> 0:24:18.800
<v Speaker 1>Done I've been doing music with a yeah, because you

0:24:18.880 --> 0:24:20.239
<v Speaker 1>know they they gonna drop two?

0:24:21.440 --> 0:24:23.320
<v Speaker 2>And is that is that twenty five eight?

0:24:23.520 --> 0:24:26.359
<v Speaker 1>It's twenty five eight? Yeah, no breaks for sure? So

0:24:26.440 --> 0:24:28.080
<v Speaker 1>I got I got a good I got I got

0:24:28.119 --> 0:24:31.840
<v Speaker 1>some good management going on, some marketing, you feel me?

0:24:32.880 --> 0:24:36.880
<v Speaker 1>PRS Yeah, we locked in. Man, you feel me You're

0:24:37.000 --> 0:24:39.080
<v Speaker 1>going to take this label ship to another level.

0:24:39.160 --> 0:24:40.919
<v Speaker 2>Yeah. You had to have learned so much too, just

0:24:40.960 --> 0:24:42.959
<v Speaker 2>being around everybody you've been around to where you can

0:24:43.040 --> 0:24:44.760
<v Speaker 2>kind of like apply so much of the game that

0:24:44.760 --> 0:24:45.680
<v Speaker 2>you've gotten over the years.

0:24:45.760 --> 0:24:47.720
<v Speaker 1>Yeah, you got to think about it like we grew up.

0:24:47.800 --> 0:24:52.400
<v Speaker 1>We grew up. We grew up watching you know, the Masterpiece,

0:24:53.119 --> 0:24:53.920
<v Speaker 1>you know what I mean.

0:24:53.840 --> 0:24:56.160
<v Speaker 3>The the the Easy Ease.

0:24:56.000 --> 0:24:59.480
<v Speaker 1>The sug Knights, the Jermaine Dupriez. You feel what I'm saying,

0:24:59.520 --> 0:25:01.880
<v Speaker 1>like they have the CEO mentality. You know what I'm saying.

0:25:01.880 --> 0:25:04.879
<v Speaker 1>That's why I just did the soundtrack for the movie

0:25:04.960 --> 0:25:07.480
<v Speaker 1>Bomb Peace. I just saw that exactly, so you know,

0:25:07.560 --> 0:25:10.400
<v Speaker 1>I grew up. You know death bro saying all the soundtracks,

0:25:10.400 --> 0:25:14.640
<v Speaker 1>what above the Rim Society sound Come on, Bro.

0:25:14.600 --> 0:25:16.600
<v Speaker 2>I don't even know what's going on soundtracks anymore because

0:25:16.600 --> 0:25:17.960
<v Speaker 2>that soundtracks back in the day, That's.

0:25:17.800 --> 0:25:20.440
<v Speaker 1>What I'm saying. So I'm trying to bring that back.

0:25:20.520 --> 0:25:23.160
<v Speaker 1>You feel me like we got a good LA movie

0:25:23.200 --> 0:25:25.399
<v Speaker 1>going on, all right. Let me put some LA music

0:25:25.440 --> 0:25:27.320
<v Speaker 1>behind it, you feel me. Let me make the soundtrack

0:25:27.400 --> 0:25:31.120
<v Speaker 1>for it. Let me grab some artists from here, from there, curating, Yeah,

0:25:31.240 --> 0:25:33.119
<v Speaker 1>curiate the whole soundtrack.

0:25:33.280 --> 0:25:35.359
<v Speaker 2>Nah, that's the I mean shit, the last time someone

0:25:35.400 --> 0:25:38.280
<v Speaker 2>did that and killed it, I think it was Black Panther.

0:25:38.240 --> 0:25:41.000
<v Speaker 1>Black Panther, Kenchamar killed that. Man, shout out, that was

0:25:41.000 --> 0:25:43.440
<v Speaker 1>a good album. Sob RB on there.

0:25:43.480 --> 0:25:45.160
<v Speaker 2>Oh yeah, Mazzi was on there.

0:25:45.240 --> 0:25:48.280
<v Speaker 3>Mazzi was on there. I'm like, oh, yeah, we're looking good. Yes.

0:25:48.480 --> 0:25:51.639
<v Speaker 2>And that was like twenty seventeen or eighteen like so

0:25:51.720 --> 0:25:53.960
<v Speaker 2>like it was I was like, finally Mazzi is getting

0:25:54.000 --> 0:25:54.879
<v Speaker 2>like a look.

0:25:54.680 --> 0:25:57.280
<v Speaker 1>And that was like that was like it wasn't a

0:25:57.359 --> 0:25:58.720
<v Speaker 1>Kendrick Lamar album, but that.

0:25:58.840 --> 0:26:00.680
<v Speaker 2>Was like it was about as much more.

0:26:00.720 --> 0:26:02.879
<v Speaker 3>He didn't put out an album. You have to be like, alright,

0:26:03.200 --> 0:26:03.399
<v Speaker 3>it was.

0:26:03.400 --> 0:26:05.480
<v Speaker 2>Kind of like Eminem's eight Mile. It was like, it's

0:26:05.560 --> 0:26:07.000
<v Speaker 2>kind of like Eminem. This is about as close to

0:26:07.080 --> 0:26:09.480
<v Speaker 2>eminem album as you can get. Like Kendrick's fingerprints all

0:26:09.520 --> 0:26:10.119
<v Speaker 2>over the album.

0:26:10.160 --> 0:26:12.680
<v Speaker 1>That A Mile soundtrack was crazy.

0:26:13.080 --> 0:26:14.760
<v Speaker 2>Hi. Man. Also want to give a shout out to

0:26:14.760 --> 0:26:17.360
<v Speaker 2>our family over at King Pom Baby. You already know, man,

0:26:17.359 --> 0:26:18.720
<v Speaker 2>we always stay King pommed.

0:26:18.560 --> 0:26:18.879
<v Speaker 3>Up over here.

0:26:18.920 --> 0:26:21.159
<v Speaker 2>It's the only thing we're smoking. You know what I

0:26:21.200 --> 0:26:27.320
<v Speaker 2>love about King Pom. So many flavors, so natural, organic,

0:26:27.400 --> 0:26:30.960
<v Speaker 2>tobacco free leafs. This is how we're smoking at the

0:26:31.000 --> 0:26:34.840
<v Speaker 2>Bootleg keV podcast. And like, let me just say this, dude,

0:26:34.880 --> 0:26:36.959
<v Speaker 2>like all shapes and sizes, you know what I mean. Like,

0:26:37.080 --> 0:26:38.639
<v Speaker 2>let's give you a little variation of the type of

0:26:38.680 --> 0:26:41.399
<v Speaker 2>king Poms you can get down with, you know, just

0:26:41.440 --> 0:26:48.480
<v Speaker 2>different shapes, different sizes, natural, organic, tobacco free, a clean

0:26:48.600 --> 0:26:52.320
<v Speaker 2>smoke if you will. This is the Honeyberry, which might

0:26:52.359 --> 0:26:55.240
<v Speaker 2>be my new favorite. I do love the the energy

0:26:55.320 --> 0:26:58.800
<v Speaker 2>drink one. The red rain is fire, all right, but listen,

0:26:58.840 --> 0:27:00.000
<v Speaker 2>if you want to get down with some of these

0:27:00.080 --> 0:27:02.320
<v Speaker 2>king Poms, trust me when I say, man, they're the

0:27:02.359 --> 0:27:04.560
<v Speaker 2>best way to smoke. First of all, you can go

0:27:04.600 --> 0:27:06.520
<v Speaker 2>to your local liquor store seven to eleven. All that

0:27:06.840 --> 0:27:09.080
<v Speaker 2>they got King Pom's all right, so go pick something up,

0:27:09.320 --> 0:27:10.960
<v Speaker 2>or you can go to their website now. If you

0:27:10.960 --> 0:27:13.760
<v Speaker 2>go to their website kingpom dot com, go to Kingpalm

0:27:13.800 --> 0:27:16.720
<v Speaker 2>dot com, use the promo cod Bootleg right now and

0:27:17.040 --> 0:27:19.879
<v Speaker 2>you can say fifty percent off at kingpom dot com

0:27:19.920 --> 0:27:24.240
<v Speaker 2>half off whatever you want. What are we smoking? This

0:27:24.359 --> 0:27:29.040
<v Speaker 2>is the uh the orange Swirl? What's dope about King

0:27:29.080 --> 0:27:34.000
<v Speaker 2>palm is. They have like the flavor, the terpene infused tips.

0:27:34.400 --> 0:27:36.199
<v Speaker 2>So like, let's say you got this one right, You

0:27:36.240 --> 0:27:40.760
<v Speaker 2>got some of that orange swirl you feel me, you

0:27:40.840 --> 0:27:44.800
<v Speaker 2>load it up, put your weed in there or whatever

0:27:44.880 --> 0:27:49.400
<v Speaker 2>your tobacco, and then in the tip you pressed down

0:27:49.440 --> 0:27:52.720
<v Speaker 2>on that thing and you're getting hit with all that flavor.

0:27:54.200 --> 0:27:56.240
<v Speaker 2>All right, So go to Kingpom dot com use the

0:27:56.280 --> 0:27:59.199
<v Speaker 2>promo cold Bootleg right now, get half off, or just

0:27:59.200 --> 0:28:01.000
<v Speaker 2>go to your local liquor, go to your local seven

0:28:01.000 --> 0:28:03.600
<v Speaker 2>to eleven and run it up with some King Palms.

0:28:04.280 --> 0:28:05.919
<v Speaker 2>Also want to give a shout out to our family

0:28:06.000 --> 0:28:09.160
<v Speaker 2>at odd Socks. Man, don't forget get you some odd

0:28:09.200 --> 0:28:11.720
<v Speaker 2>socks in your life. Go to odd Socksofficial dot com

0:28:11.800 --> 0:28:14.560
<v Speaker 2>right now. Holiday season's coming. They make great gifts, man,

0:28:14.560 --> 0:28:16.680
<v Speaker 2>we can do so much. They got the et you,

0:28:16.800 --> 0:28:18.240
<v Speaker 2>I mean, you got the draws. If y'all e't know,

0:28:18.280 --> 0:28:20.639
<v Speaker 2>odd socks making underwear now and they're more comfortable than

0:28:20.640 --> 0:28:22.199
<v Speaker 2>now all the other underwear brands. So let me be

0:28:22.240 --> 0:28:24.840
<v Speaker 2>honest with you, all right, they got all the licenses.

0:28:25.200 --> 0:28:27.560
<v Speaker 2>How about top Ramen underwear. Let me just take a

0:28:27.560 --> 0:28:31.000
<v Speaker 2>peek at these bad boys. See what we got here

0:28:31.840 --> 0:28:36.800
<v Speaker 2>the Ramen draws. Baby, What how about some Mountain dew

0:28:36.800 --> 0:28:39.800
<v Speaker 2>code red socks or you know what, how about this?

0:28:40.400 --> 0:28:42.400
<v Speaker 2>How about we keep the soda theme going. We got

0:28:42.400 --> 0:28:44.960
<v Speaker 2>Mountain du Baja blast. Oh wait wait wait wait wait wait,

0:28:45.200 --> 0:28:47.480
<v Speaker 2>we don't want either of those. We'll keep the soda

0:28:47.520 --> 0:28:50.320
<v Speaker 2>theme going. What about some orange crush socks? Well, what

0:28:50.400 --> 0:28:52.920
<v Speaker 2>if you're fat like me? You like chocolate Hershey's they

0:28:52.920 --> 0:28:56.600
<v Speaker 2>got wwe Breaking bad, Godfather good, I mean, just all

0:28:56.640 --> 0:29:01.400
<v Speaker 2>of the damn things Power Rangers. All the licenses go

0:29:01.440 --> 0:29:03.400
<v Speaker 2>to odd socks Official dot com. Use the promo code

0:29:03.400 --> 0:29:07.080
<v Speaker 2>Bootleg right now, and you will save twenty percent off

0:29:07.320 --> 0:29:09.720
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<v Speaker 2>percent off your total order right now. Let's get back

0:29:11.840 --> 0:29:12.440
<v Speaker 2>to the interviews.

0:29:12.760 --> 0:29:16.480
<v Speaker 1>Who crazy that shit puts some motherfuckers on the map.

0:29:16.560 --> 0:29:19.280
<v Speaker 1>I ain't gonna lock that was on there, That's what

0:29:19.280 --> 0:29:22.440
<v Speaker 1>I'm saying. That was one of my favorite albums. I

0:29:22.480 --> 0:29:25.240
<v Speaker 1>mean songs bro like I had just got out of

0:29:26.600 --> 0:29:27.800
<v Speaker 1>I had just got out of jail.

0:29:27.840 --> 0:29:28.880
<v Speaker 3>Bro, they just released me.

0:29:28.920 --> 0:29:31.600
<v Speaker 1>They're like, hey, you're going home, so right when they

0:29:31.600 --> 0:29:33.640
<v Speaker 1>call my name, you feel me I'll took a pics.

0:29:33.720 --> 0:29:36.560
<v Speaker 1>I'm washing my hands. I get jumped on my way out.

0:29:36.680 --> 0:29:37.200
<v Speaker 3>You feel me.

0:29:37.840 --> 0:29:40.520
<v Speaker 1>Somebody from moving, somebody from Inglewood. They jumped me on

0:29:40.600 --> 0:29:41.120
<v Speaker 1>my way out.

0:29:41.160 --> 0:29:42.960
<v Speaker 3>You feel me? It was cool. I wasn't tripping. You

0:29:42.960 --> 0:29:44.440
<v Speaker 3>feel me like it wasn't.

0:29:44.560 --> 0:29:46.800
<v Speaker 1>Yeah, it wasn't nothing like I laughed on my way out,

0:29:46.840 --> 0:29:47.440
<v Speaker 1>like good looking.

0:29:47.560 --> 0:29:49.040
<v Speaker 3>You feel me? Feel me?

0:29:49.080 --> 0:29:52.240
<v Speaker 1>So as soon as I came home, Bro, you know

0:29:52.320 --> 0:29:56.200
<v Speaker 1>what was playing with Wayinster Bro feel me? So, I'm like,

0:29:56.400 --> 0:29:58.600
<v Speaker 1>oh yeah, this something for the streets. That great, So

0:29:58.680 --> 0:30:02.680
<v Speaker 1>you gotta think about it. The streets was It wasn't

0:30:02.720 --> 0:30:07.120
<v Speaker 1>nothing for the streets around that time. It was and yeah,

0:30:07.600 --> 0:30:09.640
<v Speaker 1>and even though you had Snoop at that time, like

0:30:09.680 --> 0:30:12.600
<v Speaker 1>Snoop was still doing Snoop was fucking with Pharrell.

0:30:13.800 --> 0:30:15.520
<v Speaker 3>Pharrell was elevating his sound.

0:30:15.640 --> 0:30:18.400
<v Speaker 2>You feel me so like Snoop wasn't doing like like

0:30:18.560 --> 0:30:20.840
<v Speaker 2>Gangster Ship at the time, he was doing like big

0:30:20.960 --> 0:30:23.880
<v Speaker 2>hit records. He was doing dropping like a Tide and beautiful.

0:30:24.040 --> 0:30:27.040
<v Speaker 1>In two thousand and two, we was in the streets, bro,

0:30:27.480 --> 0:30:30.800
<v Speaker 1>We was in the streets. So anything that related to

0:30:30.880 --> 0:30:33.040
<v Speaker 1>us we gravitated too.

0:30:33.080 --> 0:30:33.240
<v Speaker 3>Bro.

0:30:33.320 --> 0:30:35.040
<v Speaker 1>That's why the streets ate all that gu on the

0:30:35.080 --> 0:30:37.760
<v Speaker 1>ship up, brocause niggas was really in the streets two

0:30:37.800 --> 0:30:38.400
<v Speaker 1>thousand and two.

0:30:38.560 --> 0:30:39.600
<v Speaker 3>It was really we was.

0:30:39.560 --> 0:30:42.240
<v Speaker 2>Outside for we're people like in LA because I didn't

0:30:42.240 --> 0:30:44.160
<v Speaker 2>live in l A at the time. But when like

0:30:44.440 --> 0:30:47.400
<v Speaker 2>fifty in the game had their split, did like LA

0:30:47.520 --> 0:30:49.640
<v Speaker 2>fans choose up? Bro.

0:30:49.720 --> 0:30:52.280
<v Speaker 1>It's funny that you brought that up, bro, because I

0:30:52.320 --> 0:30:55.680
<v Speaker 1>remember one time we was out, Me and Nip was

0:30:55.680 --> 0:30:57.920
<v Speaker 1>supposed to open up my mob d you know what

0:30:57.960 --> 0:31:00.680
<v Speaker 1>I mean, And we had just seen game like fifteen

0:31:00.720 --> 0:31:04.400
<v Speaker 1>minutes before we went to the hotel. You feel me

0:31:04.440 --> 0:31:07.240
<v Speaker 1>with them, so we just chopping it up about music whatever.

0:31:07.320 --> 0:31:07.600
<v Speaker 3>Boom.

0:31:07.960 --> 0:31:10.400
<v Speaker 1>So we get to the Higher Hotel, you know that's

0:31:10.400 --> 0:31:15.400
<v Speaker 1>across the street from the House of Blues. You know yeah,

0:31:15.520 --> 0:31:17.400
<v Speaker 1>Mob Deep had a show. That's when they was signing

0:31:17.400 --> 0:31:19.120
<v Speaker 1>the gu and you feel Me. So they had a

0:31:19.160 --> 0:31:21.520
<v Speaker 1>show at the House of Blues and me and it

0:31:21.760 --> 0:31:24.600
<v Speaker 1>was opening up for our Deep. So you know, we

0:31:24.640 --> 0:31:27.560
<v Speaker 1>was fucking with this manager dude named mad and you

0:31:27.560 --> 0:31:28.920
<v Speaker 1>know he was linked in with them.

0:31:29.000 --> 0:31:29.480
<v Speaker 3>You feel me.

0:31:29.520 --> 0:31:33.600
<v Speaker 1>So we go to the hotel. We up and there, Bro,

0:31:33.680 --> 0:31:36.440
<v Speaker 1>it's like it's like fifty niggas from New York.

0:31:36.520 --> 0:31:37.000
<v Speaker 3>You know what I mean.

0:31:37.160 --> 0:31:39.160
<v Speaker 1>All in the hallway, you feel me. They get a call,

0:31:39.320 --> 0:31:41.360
<v Speaker 1>like a game downstairs.

0:31:41.600 --> 0:31:42.120
<v Speaker 3>You feel me.

0:31:42.520 --> 0:31:45.440
<v Speaker 1>So these niggas go downstairs. They like a hundred deep. Now,

0:31:45.480 --> 0:31:49.720
<v Speaker 1>I'm like, goddamn niggas coming out of hotel rooms everywhere. Bro,

0:31:49.840 --> 0:31:55.120
<v Speaker 1>niggas marching downstairs, like you feel me. So you know

0:31:55.200 --> 0:31:57.719
<v Speaker 1>it was just like a little standoff or whatever. You

0:31:57.720 --> 0:32:01.040
<v Speaker 1>feel me. I tell Nip, I'm like, hey, Nip, what's up, nigga?

0:32:01.080 --> 0:32:02.680
<v Speaker 3>What you want to do? Like, because you see what's

0:32:02.720 --> 0:32:03.920
<v Speaker 3>going on? He like, you feel me?

0:32:03.960 --> 0:32:06.360
<v Speaker 1>We just gonna we just gonna do us, bro. Like

0:32:07.240 --> 0:32:09.720
<v Speaker 1>Gang walked up to me. He like he asked me,

0:32:09.800 --> 0:32:12.040
<v Speaker 1>though he didn't ask, Nip. He asks he asked me.

0:32:12.120 --> 0:32:15.440
<v Speaker 1>He like, hey, y'all with them niggas. I'm like, no,

0:32:15.560 --> 0:32:18.520
<v Speaker 1>I'm with the sixties. Like he still remember that shit

0:32:18.600 --> 0:32:21.160
<v Speaker 1>still to this day. You feel me like, like, Nigga,

0:32:21.160 --> 0:32:23.320
<v Speaker 1>I'm with the sixties. He's like all right for sure,

0:32:23.440 --> 0:32:25.920
<v Speaker 1>and then he walked away. You feel me. Then Sug

0:32:26.040 --> 0:32:28.960
<v Speaker 1>pull up. Sug pull up in a red Beamer jump out.

0:32:29.440 --> 0:32:30.640
<v Speaker 1>He walked right up the Nip.

0:32:30.680 --> 0:32:31.600
<v Speaker 3>He like, Nip, what up?

0:32:31.640 --> 0:32:34.400
<v Speaker 1>He like shit, you know, you see what's going on?

0:32:34.480 --> 0:32:35.880
<v Speaker 1>He like, shit, Nigga, what's up?

0:32:36.360 --> 0:32:39.040
<v Speaker 3>You feel me? And then and then Nigga, the police

0:32:39.080 --> 0:32:39.440
<v Speaker 3>pull up.

0:32:39.680 --> 0:32:43.640
<v Speaker 1>So yeah, soon the police shut Yeah you pull up

0:32:43.680 --> 0:32:46.160
<v Speaker 1>and hopped out Bro in the middle of traffic. Bro

0:32:46.280 --> 0:32:49.680
<v Speaker 1>on subset and the red Beamer Nigga with the red

0:32:49.760 --> 0:32:52.200
<v Speaker 1>tints jump out, like what's happening?

0:32:52.320 --> 0:32:52.960
<v Speaker 3>Like you feel me?

0:32:53.040 --> 0:32:55.000
<v Speaker 1>But he walked right up. He walked right up to

0:32:55.080 --> 0:32:57.080
<v Speaker 1>me and nip you feel me? Like, what's up? He

0:32:57.240 --> 0:33:00.440
<v Speaker 1>like shit, you know I left, sug know was going on?

0:33:00.520 --> 0:33:01.600
<v Speaker 1>He like, Nigga, what's up?

0:33:01.680 --> 0:33:02.200
<v Speaker 3>You feel me?

0:33:02.280 --> 0:33:05.640
<v Speaker 2>What Sugar? They're like on behalf of game? Or was

0:33:05.680 --> 0:33:06.640
<v Speaker 2>he there on behalf of.

0:33:06.920 --> 0:33:11.360
<v Speaker 3>Man on behalf of whatever we said? It was on?

0:33:11.560 --> 0:33:13.640
<v Speaker 3>Like he understood the assignment.

0:33:13.680 --> 0:33:15.840
<v Speaker 2>You feel you guys have a good relationship with Sugar.

0:33:16.040 --> 0:33:18.440
<v Speaker 1>Hell yeah, yeah, hell yeah, he'll see me and nip

0:33:18.440 --> 0:33:19.040
<v Speaker 1>out a lot.

0:33:19.120 --> 0:33:19.600
<v Speaker 3>You feel me.

0:33:20.000 --> 0:33:21.720
<v Speaker 1>He has slide us a few bucks, you feel me

0:33:21.760 --> 0:33:23.560
<v Speaker 1>to go fuck with them in different clubs and ship.

0:33:23.680 --> 0:33:26.600
<v Speaker 2>Shout the Sugar man shot you just starting podcast?

0:33:26.840 --> 0:33:28.640
<v Speaker 3>Yeah yeah, I'm fucking with it.

0:33:28.640 --> 0:33:30.360
<v Speaker 2>It's called the collect Calls, I think.

0:33:30.480 --> 0:33:32.360
<v Speaker 3>Yeah, shout Sugar yeah.

0:33:32.320 --> 0:33:35.200
<v Speaker 2>I'm like, more people need to do podcasts from jail

0:33:35.240 --> 0:33:35.600
<v Speaker 2>if they.

0:33:35.520 --> 0:33:38.920
<v Speaker 1>Can, if they can, Max B come on, man, you

0:33:38.960 --> 0:33:40.160
<v Speaker 1>know I got a record with Max B.

0:33:40.360 --> 0:33:43.720
<v Speaker 3>Right yeah, oh that's hard. Yeah the wave God shout

0:33:43.800 --> 0:33:44.240
<v Speaker 3>for sure.

0:33:44.400 --> 0:33:45.600
<v Speaker 2>I think he'll be out soon too.

0:33:46.080 --> 0:33:47.239
<v Speaker 3>Saying that, Yeah, he come on.

0:33:47.560 --> 0:33:50.480
<v Speaker 1>You always got to have faith, man, because even even

0:33:50.560 --> 0:33:54.200
<v Speaker 1>even even even if the outside thinking you or anybody

0:33:54.240 --> 0:33:56.200
<v Speaker 1>thinking you can't, come on, have that faith, bro, You're

0:33:56.200 --> 0:33:57.280
<v Speaker 1>gonna come on for sure.

0:33:57.480 --> 0:33:57.680
<v Speaker 3>Yeah.

0:33:57.720 --> 0:33:59.640
<v Speaker 2>He's got a voicemail on a Kanye album.

0:34:00.200 --> 0:34:02.160
<v Speaker 3>Yeah, so major shot.

0:34:02.360 --> 0:34:04.400
<v Speaker 2>Hey, Max a lot man.

0:34:04.280 --> 0:34:05.600
<v Speaker 3>Come on. Yeah for sure.

0:34:06.400 --> 0:34:09.080
<v Speaker 1>As far as with that, far as with the harmonizing

0:34:09.160 --> 0:34:11.399
<v Speaker 1>in your music, for sure, Like he was.

0:34:11.360 --> 0:34:13.560
<v Speaker 2>Like one of the first dudes man, like for real,

0:34:13.640 --> 0:34:16.160
<v Speaker 2>it was like that was considered a rap. Obviously T

0:34:16.320 --> 0:34:19.319
<v Speaker 2>Pain was around, but like exactly the real like I mean,

0:34:19.360 --> 0:34:21.640
<v Speaker 2>Bone Thugs, the Ogs.

0:34:21.120 --> 0:34:25.000
<v Speaker 3>I got number one when harmony Yeah, but like.

0:34:25.120 --> 0:34:26.560
<v Speaker 2>Just in terms of the street ship, it was like

0:34:26.600 --> 0:34:29.480
<v Speaker 2>really like Max B was probably I mean he was

0:34:29.480 --> 0:34:31.800
<v Speaker 2>before a Future is, before all those guys. Yeah.

0:34:31.960 --> 0:34:32.799
<v Speaker 3>In fact, he was.

0:34:32.760 --> 0:34:34.959
<v Speaker 2>Doing a lot of that ship early man. Yeah, shot

0:34:35.080 --> 0:34:36.799
<v Speaker 2>to him. Man, all right, So the new album's coming

0:34:36.800 --> 0:34:39.960
<v Speaker 2>out on the twenty second, and then you're dropping on.

0:34:39.920 --> 0:34:41.960
<v Speaker 3>The first, dropping on the first, bro.

0:34:42.239 --> 0:34:45.399
<v Speaker 1>So we got two albums on may Back Music January first.

0:34:45.440 --> 0:34:48.000
<v Speaker 1>Soon as a bar drop I dropped. So that's the

0:34:48.080 --> 0:34:51.120
<v Speaker 1>name of the album, may Back Music, No may Back Season,

0:34:51.120 --> 0:34:53.400
<v Speaker 1>I said, back music, Yeah, shouts the Rick Ross shot

0:34:53.400 --> 0:34:55.440
<v Speaker 1>the Ross back season, may Back Season.

0:34:56.239 --> 0:34:57.560
<v Speaker 2>You ever regret buying your Mayback?

0:34:58.440 --> 0:35:01.279
<v Speaker 1>I thought about it, and then I'm like, nah, I

0:35:01.320 --> 0:35:04.360
<v Speaker 1>don't what's the insurance payment on that thing? You know,

0:35:04.920 --> 0:35:08.200
<v Speaker 1>just a little pretty penny, you feel me? But it

0:35:08.239 --> 0:35:10.200
<v Speaker 1>was times while I was ryding with no assurance what

0:35:10.640 --> 0:35:14.160
<v Speaker 1>Rick Ross saying, I'm like, Hi, nigga got all these

0:35:14.360 --> 0:35:17.600
<v Speaker 1>m's and Ryan with no assurance, Nigga, no tags. But

0:35:17.640 --> 0:35:20.160
<v Speaker 1>I know what that feel like, bro, trust me, I know,

0:35:20.239 --> 0:35:21.480
<v Speaker 1>I know, I know what it feels like.

0:35:21.560 --> 0:35:22.520
<v Speaker 3>You feel me, you got it?

0:35:22.560 --> 0:35:24.440
<v Speaker 2>You don't have it? So you've written with no insurance

0:35:24.440 --> 0:35:25.160
<v Speaker 2>on the Maybe.

0:35:24.920 --> 0:35:27.520
<v Speaker 1>I've had before a year, That's fucking yeah, I have

0:35:27.719 --> 0:35:30.360
<v Speaker 1>before in La. But I'm glad it didn't cost me.

0:35:30.800 --> 0:35:32.520
<v Speaker 1>For sure, glad it didn't cast it.

0:35:32.560 --> 0:35:35.200
<v Speaker 2>Is the Mayback heavier than six thousand pounds? It's not,

0:35:35.320 --> 0:35:36.799
<v Speaker 2>is it. I'm just thinking for tax persons.

0:35:37.000 --> 0:35:38.839
<v Speaker 1>But see, but no, but see, you gotta think about

0:35:38.840 --> 0:35:42.160
<v Speaker 1>that too, for bulletproof purposes too, because I know you

0:35:42.160 --> 0:35:43.839
<v Speaker 1>want to throw that on there.

0:35:43.920 --> 0:35:44.440
<v Speaker 3>You feel me?

0:35:44.560 --> 0:35:47.080
<v Speaker 1>But like that motherfucker, it's gonna be heavy.

0:35:47.440 --> 0:35:49.840
<v Speaker 2>Shout out to uh to the Mayback Man, So Mayback

0:35:49.840 --> 0:35:54.680
<v Speaker 2>season The first Definition of Success November twenty second.

0:35:55.719 --> 0:35:59.760
<v Speaker 1>Yeah, November twenty second Definition of Success. The final chapter

0:36:00.040 --> 0:36:01.040
<v Speaker 1>were closing it out.

0:36:01.040 --> 0:36:05.560
<v Speaker 2>Nipple be on their bun be traded Truth, I Forgot.

0:36:05.880 --> 0:36:08.359
<v Speaker 3>Nick Bucks.

0:36:09.280 --> 0:36:12.600
<v Speaker 1>Exhibit exhibit and Butch Cassidy on the same record, You

0:36:12.680 --> 0:36:13.920
<v Speaker 1>feel Me sounds great.

0:36:14.719 --> 0:36:15.960
<v Speaker 2>That sounds like two thousand and two.

0:36:16.000 --> 0:36:17.560
<v Speaker 1>That's what I'm saying, you feel Me. I had to

0:36:17.560 --> 0:36:18.800
<v Speaker 1>give them that classic.

0:36:18.440 --> 0:36:20.600
<v Speaker 2>West Coast Cassidy. Man, Can you hear that?

0:36:21.320 --> 0:36:23.279
<v Speaker 1>I had to give them that West Coast Cassidy on

0:36:23.320 --> 0:36:24.439
<v Speaker 1>the podcast Classic Vibe.

0:36:24.480 --> 0:36:25.120
<v Speaker 3>Yeah man, get.

0:36:27.520 --> 0:36:30.319
<v Speaker 1>Yeah, bro, because you know they got they got stories, Bro,

0:36:30.400 --> 0:36:31.560
<v Speaker 1>They didn't been around the game.

0:36:31.680 --> 0:36:33.360
<v Speaker 2>The fool's voices are so hard.

0:36:34.239 --> 0:36:35.960
<v Speaker 1>I just want to know what it was like behind

0:36:35.960 --> 0:36:38.400
<v Speaker 1>the scenes in them studio sessions, bro, because the music,

0:36:38.560 --> 0:36:39.719
<v Speaker 1>you know, the music was good.

0:36:39.719 --> 0:36:42.480
<v Speaker 2>You hear those guys were very much like a big

0:36:42.480 --> 0:36:44.920
<v Speaker 2>part of like post death throw Snoop albums.

0:36:45.120 --> 0:36:47.960
<v Speaker 1>Yeah for sure, you know, because I felt like when

0:36:48.000 --> 0:36:51.400
<v Speaker 1>when when when when Snoop wasn't working with like Dazz

0:36:51.400 --> 0:36:54.480
<v Speaker 1>and Superfly, he would go work with them and get

0:36:54.480 --> 0:36:55.880
<v Speaker 1>that sound too, You know what I mean?

0:36:56.000 --> 0:36:57.759
<v Speaker 2>What was that to do? Nocturnal was hard too?

0:36:57.960 --> 0:37:00.680
<v Speaker 3>Yeah, not turn it was hard man, not turn Man.

0:37:00.680 --> 0:37:03.480
<v Speaker 2>Damn out to l a man, love love, And we

0:37:03.520 --> 0:37:05.520
<v Speaker 2>gotta work on one of these. We are the world LA.

0:37:05.480 --> 0:37:07.479
<v Speaker 1>Records, That's what I'm saying. Man, we gotta, we gotta,

0:37:07.480 --> 0:37:08.600
<v Speaker 1>we gotta lift each other up.

0:37:08.640 --> 0:37:10.719
<v Speaker 3>Man. We can't let a slip like that for sure.

0:37:10.840 --> 0:37:11.080
<v Speaker 3>You know.

0:37:11.239 --> 0:37:13.960
<v Speaker 1>Ain't nobody else letting their slip. We can't let our slip.

0:37:14.200 --> 0:37:17.239
<v Speaker 1>All the politics funk, all that bullshit, my nigga, I.

0:37:17.200 --> 0:37:19.840
<v Speaker 2>Love that attitude. Uh, there's gonna be a.

0:37:19.840 --> 0:37:22.960
<v Speaker 3>Lot you lot attitude, but man power to it.

0:37:23.400 --> 0:37:25.799
<v Speaker 2>Hey, we'll see if it works out. Twenty twenty four,

0:37:25.880 --> 0:37:28.360
<v Speaker 2>you're gonna be getting flooded with Jay Stone.

0:37:28.120 --> 0:37:31.160
<v Speaker 1>Flooded for sure for sure. And they better they better

0:37:31.200 --> 0:37:34.600
<v Speaker 1>recognize it. They're gonna like they don't see it, ek me,

0:37:34.680 --> 0:37:35.400
<v Speaker 1>but they're gonna have to.

0:37:35.440 --> 0:37:36.040
<v Speaker 3>They're gonna have.

0:37:35.960 --> 0:37:38.200
<v Speaker 2>To buy all your albums on iTunes when you drop.

0:37:38.120 --> 0:37:40.279
<v Speaker 3>They're gonna have to give me minds bro.

0:37:40.440 --> 0:37:42.799
<v Speaker 2>Yeah, and I always like to make sure you cop

0:37:42.880 --> 0:37:44.280
<v Speaker 2>the fucking album on iTunes.

0:37:44.400 --> 0:37:46.279
<v Speaker 3>Yeah it helps, Yeah, for sure.

0:37:46.440 --> 0:37:49.200
<v Speaker 2>All the streaming ship Spotify is doing cool.

0:37:49.280 --> 0:37:51.840
<v Speaker 1>You feel me with like Jay Cole said, man, he

0:37:51.880 --> 0:37:54.000
<v Speaker 1>don't know who the fuck buying all them damn albums,

0:37:54.000 --> 0:37:55.560
<v Speaker 1>but shout out to the people that are doing it.

0:37:55.600 --> 0:37:59.280
<v Speaker 2>You feel me like, I appreciate you pulling up Jaystone

0:37:59.440 --> 0:38:00.600
<v Speaker 2>new album Away.

0:38:00.480 --> 0:38:03.600
<v Speaker 3>West West Man, Boom fire Yo.

0:38:03.640 --> 0:38:05.319
<v Speaker 2>We're wrapping up an interview, man. Of course, we want

0:38:05.360 --> 0:38:07.480
<v Speaker 2>to shout out to our family at Hardean Baby Hardean,

0:38:07.600 --> 0:38:12.160
<v Speaker 2>Las Vegas, celebrating their seventh birthday this month, So happy

0:38:12.200 --> 0:38:14.839
<v Speaker 2>birthday to Hardean. I want to give a shout out

0:38:14.880 --> 0:38:17.080
<v Speaker 2>to the whole family over there. When you're in Las Vegas,

0:38:17.120 --> 0:38:18.359
<v Speaker 2>you got to pull up to Harden and tell them

0:38:18.360 --> 0:38:20.520
<v Speaker 2>that the Bootleg cap podcast says you they're gonna take

0:38:20.520 --> 0:38:23.920
<v Speaker 2>care of you. It is the craziest selection of premium

0:38:23.920 --> 0:38:27.600
<v Speaker 2>cannabis in the country, all under one roof. You walk

0:38:27.680 --> 0:38:32.080
<v Speaker 2>in and it's just a five beautiful bud tenders, amazing smoke.

0:38:32.840 --> 0:38:35.040
<v Speaker 2>Just the illis merch. You know what I'm saying. Hey,

0:38:35.040 --> 0:38:37.040
<v Speaker 2>it's right in Las Vegas, right in Sin City. So

0:38:37.080 --> 0:38:38.759
<v Speaker 2>you land in Vegas, you're about to go gamble with

0:38:38.800 --> 0:38:41.000
<v Speaker 2>your boys. You get into that cab, you say, take

0:38:41.040 --> 0:38:42.880
<v Speaker 2>me to Hardean. They're gonna know exactly where to take you.

0:38:42.880 --> 0:38:44.959
<v Speaker 2>All right, shout out to Hardean, go follow them Harden

0:38:45.080 --> 0:38:47.920
<v Speaker 2>Underscore Las Vegas, or go to the website Hardeanlasvegas dot

0:38:48.000 --> 0:38:48.320
<v Speaker 2>com