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Speaker 1: Hey, what up is jastone? You already know what's cracking? Man?

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Speaker 1: We out here, We outside man, shout out the boutleg

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Speaker 1: care We out here on the podcast West West.

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Speaker 2: All right yo man Bootleg Cap Podcast special guests in here.

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Speaker 2: His new album drops November twenty second. Yes, sir, the Definition.

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Speaker 3: Of Success, Definition of Success.

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Speaker 2: And this ends the series.

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Speaker 3: Yeah, this is the final chapter.

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Speaker 2: How many is it? Four or five albums?

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Speaker 3: Four? This is the fourth, the fourth year, well, the

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Speaker 3: fourth this is definition.

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Speaker 2: This is the fourth Definition.

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Speaker 1: Yeah, but like probably like the sixth seven projects since I.

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Speaker 3: You know, I mean since you start.

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Speaker 2: Yeah. Yeah, we got Jaystone in the building.

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Speaker 3: Man, welcome Yeah, Man, I'm in here. Man, what's up? Kid?

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Speaker 2: Welcome back?

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Speaker 1: Man, Man, come on, man, welcome back. It's a new plaque.

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Speaker 2: Yeah, we got a new spot. Man were here. Hey,

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Speaker 2: So talk to me, like for you, why was it

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Speaker 2: time to kind of like put a bow on the series,

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Speaker 2: because you're kind of known for the Definition series, Like

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Speaker 2: it's something that kind of started, gave you the original idea. Fact,

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Speaker 2: why put a bow on it? Why was it time?

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Speaker 1: I just felt like, you know, this is the time,

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Speaker 1: and you know, a point in time in my life.

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Speaker 1: You feel me where I'm on some different shit. Bro,

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Speaker 1: I ain't thinking the same Harry Sink the same. You

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Speaker 1: feel me like I'm on some success ship. Bro, this

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Speaker 1: is this is the time now, you feel me like,

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Speaker 1: so that's just what I'm on.

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Speaker 2: I somehow feel like when we talk about La Rap,

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Speaker 2: you're always overlooked.

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Speaker 1: Yeah, man, when they mentioned La Rap, man, they need

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Speaker 1: to mention me more.

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Speaker 3: You feel me.

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Speaker 2: I feel like they don't. And I always tell this

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Speaker 2: to people, like you've done such a great job of

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Speaker 2: like like kind of just flying under the radar, becoming

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Speaker 2: a millionaire off of an independent catalog, like doing shit

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Speaker 2: that most rappers can't do. Yeah, dropping when you.

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Speaker 1: Want, Yeah, and I'm you know, I'm good with that.

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Speaker 1: You feel me like I don't really need I don't

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Speaker 1: really need like props from the majors or none of that,

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Speaker 1: because I'm solidified already. You feel me like real motherfucker's

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Speaker 1: fuck with me, you know what I mean, Like the

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Speaker 1: real cats in the industry fuck with me.

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Speaker 3: Bro.

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Speaker 1: Like so at the end of the day, it's like

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Speaker 1: I ain't really looking for no validation, But at the

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Speaker 1: same time, it's like, don't forget about me. I'm over

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Speaker 1: here running these crazy laps.

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Speaker 3: You feel me?

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Speaker 2: Yeah, and you you're like a very much like you

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Speaker 2: know at this point man, like in La hip hop,

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Speaker 2: you're you're a figure man.

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Speaker 1: Man, Man, don't count me out. Count me in for sure.

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Speaker 1: Like add that up, y'all did the wrong total. Add

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Speaker 1: that up, burn money, don't work over here, man, count

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Speaker 1: that over?

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Speaker 3: You feel me?

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Speaker 2: I was gonna say for you, was there ever any

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Speaker 2: opportunities that came up that you passed on or that

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Speaker 2: you didn't decide to go with when it comes to

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Speaker 2: like maybe taking a direction or step in the direction

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Speaker 2: of being more on a major situation or a bigger

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Speaker 2: distribution situation.

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Speaker 3: Yeah, damn there. You know.

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Speaker 1: I didn't set I DIDNET sat with Labels bro, I

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Speaker 1: didn't sat with I sat with rock Nation, you know

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Speaker 1: what I mean. I sat down or a rap a lot,

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Speaker 1: you know what I mean? Yeah, shout out for sure,

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Speaker 1: shout out to Trade, you know what I mean, Shout

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Speaker 1: out to Jay Prince. I sat down. We had a conversation.

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Speaker 1: We talked about the vision you feel me, and he

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Speaker 1: asked me, like what I wanted to do. He was

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Speaker 1: ready to do everything that I wanted to do.

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Speaker 3: You feel me.

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Speaker 1: But like whoever kind of was like middle man in

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Speaker 1: the situation, I don't think he knew like that they was,

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Speaker 1: you know, talking the way that they was talking because

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Speaker 1: I had a conversation with Jay Prince, so that wasn't

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Speaker 1: the conversation we had when I talked to the you know,

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Speaker 1: the middle man's and all that you feel me, so

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Speaker 1: it was just something different, you feel me. So I

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Speaker 1: just tried to stay independent, you know what I mean,

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Speaker 1: until I can holler at the boss man you feel

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Speaker 1: me myself on the boss man tip?

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Speaker 2: Yeah, not, I mean that. I think that's because what

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Speaker 2: are you doing? Toune core distric kid? How are you

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Speaker 2: putting out your ship right now?

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Speaker 1: Man?

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Speaker 3: I'm strictly independent.

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Speaker 2: Man.

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Speaker 1: It's twenty five eight, no breaks, man.

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Speaker 2: No, but you gotta obviously you got to music out

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Speaker 2: of course. So like what service do you use?

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Speaker 1: I don't use no service. I am the service is man,

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Speaker 1: So you don't have it. I'm putting my ship out, man.

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Speaker 2: You're putting your ship directly on the DSPs. Yeah, okay,

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Speaker 2: that's great.

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Speaker 1: No, I ain't doing it myself, but you know, I

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Speaker 1: don't want to give away.

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Speaker 2: Well because like a lot because like you know, for

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Speaker 2: people who don't know, there's like distruct kid and tune corps,

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Speaker 2: which in my opinion, make it very easy to be independent.

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Speaker 1: For sure, let me not pay producers. Shout out the

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Speaker 1: tone cor shout out the tone Core. I've been rocking

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Speaker 1: with them since day one.

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Speaker 2: Because you're still fully independent. All you're doing is paying

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Speaker 2: them at one time feet.

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Speaker 1: And giving and giving everybody what they entitled to. Yeah,

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Speaker 1: you can do splits, right exactly, you can do that now.

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Speaker 2: Yeah, because that's the one thing is like when you're

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Speaker 2: an independent artist, I'm sure it can get really really like, yeah,

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Speaker 2: overwhelming to get taken care of.

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Speaker 3: Got to get taken care of. Feature all right, I

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Speaker 3: had anything.

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Speaker 2: To do, let me break you off.

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Speaker 3: Here's your points, Yeah for sure.

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Speaker 1: Yeah, but you know, but that's what the majors don't do,

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Speaker 1: you know, they don't. Yeah, they rather they're rather they're

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Speaker 1: rather buy your percentages out real nice checke.

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Speaker 2: Well, and they'd rather like dick you around as if

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Speaker 2: you're a writer or a producer. There's a reason you.

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Speaker 1: Can get the same. You can get the percentages but

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Speaker 1: not get the money on.

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Speaker 2: And it takes forever, you know, I just saw Internet Money.

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Speaker 2: The dude who runs Internet Money was saying, like, I'm

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Speaker 2: gonna start calling some of these major labels out because

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Speaker 2: you guys over a year past doing some of my

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Speaker 2: producers like fees.

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Speaker 1: Like it's like, yeah, after a while, you look around

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Speaker 1: and you'd be like, man, the numbers don't add up.

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Speaker 1: Some ain't adding up. The numbers ain't adding up, you

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Speaker 1: feel me. But like when you when you don't see

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Speaker 1: that dash board, when you really don't see the actual

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Speaker 1: numbers and where they're going. You know, they say numbers

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Speaker 1: don't lie, that's a lie. Numbers lie too for you.

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Speaker 2: Do you notice, like because I always try to look

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Speaker 2: at you know. I talked to Parico about this a

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Speaker 2: little bit, but he's like, look, now that I'm independent

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Speaker 2: and I'm off rock Nation, he's been leveling up because

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Speaker 2: he could drop on every once and he was like,

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Speaker 2: now when I drop, it's almost like the stock market,

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Speaker 2: like I put some new shit out and everything else

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Speaker 2: spikes up like catalog.

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Speaker 3: Yeah.

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Speaker 1: Yeah, So that's the beauty of it. Just keep on

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Speaker 1: being consistent. You can't just drop a project and then

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Speaker 1: wait two three years and drop another project. Like That's

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Speaker 1: why I really didn't want to tell nobody because you know,

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Speaker 1: motherfucker's be you know, watching how do my little shit?

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Speaker 1: And yeah, you feel me, But I ain't gonna lie.

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Speaker 1: As soon as the ball drop I dropped January first,

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Speaker 1: I'm dropping the project. February fourteenth, I'm dropping another project.

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Speaker 1: March whenever I'm dropping another project. Like, right, you've been

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Speaker 1: on it, bro, I'm dropping twelve albums next year. Bro,

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Speaker 1: So next year, I'm dropping twelve albums, one each month.

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Speaker 2: How much music right now are you sitting on? Uh?

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Speaker 3: Unlamited? Bro?

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Speaker 1: I can't even really imagine how much music I got

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Speaker 1: because I still got old stuff from me and Nip

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Speaker 1: we did back in the day in two thousand and

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Speaker 1: six and beyond.

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Speaker 3: You feel me like you.

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Speaker 2: Like, what do you do with that? With those records?

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Speaker 3: Uh?

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Speaker 2: Just do you just keep them? Is there?

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Speaker 1: You know? Me and I have always had conversations about

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Speaker 1: just you know, running the music up first, running up

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Speaker 1: what we got now, and then you know, just built

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Speaker 1: that cat and then like introduce him to the old ship.

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Speaker 1: But that was when I didn't have a crazy catalog,

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Speaker 1: you feel me, So you know, yeah, I got a

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Speaker 1: crazy catalog now, so we can kind of like bring

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Speaker 1: up them old MySpace mixtapes and crazy yeah you know

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Speaker 1: what I mean, a lot of unreleased shit.

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Speaker 2: So yeah, yeah, I was gonna say for you, like, uh,

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Speaker 2: you know, we talked about the LA conversation. Who are

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Speaker 2: some of the up and coming LA artists that are

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Speaker 2: outside of the camp that you're just a fan of

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Speaker 2: that you're just like, yo, I see what you're doing.

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Speaker 2: There's there's so many new guys that are doing their thing.

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Speaker 3: X Force.

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Speaker 1: I ain't gonna cap I'm gonna give it to us

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Speaker 1: whole summer right now, because you know, a lot of

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Speaker 1: motherfuckers don't want to mention his name.

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Speaker 3: They don't want to really number Yeah, you feel me.

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Speaker 3: And I know a lot of guys I know, yeah,

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Speaker 3: I know.

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Speaker 1: They see little Bro, you feel me, but they gonna

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Speaker 1: act like they don't. That's what they do, you feel me.

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Speaker 1: They gonna wait to something big happening and everybody else

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Speaker 1: is on to it, and then they gonna want to

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Speaker 1: fuck with him.

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Speaker 2: But hey, he does have the song underrated for a

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Speaker 2: reason because he is an underrated guy. It's so crazy,

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Speaker 2: like he's doing numbers that most artist.

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Speaker 1: I be feeling like that underrated should be like an understatement.

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Speaker 2: Yeah for sure, you know those dope have you guys

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Speaker 2: got to work it all.

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Speaker 1: Nah, But we be chopping up about doing music, you know.

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Speaker 2: I mean he's a good kid man.

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Speaker 1: It ain't nothing to do nothing. That's easy, man, Yeah,

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Speaker 1: that's easy.

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Speaker 2: You feel We had trade the truth up here a

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Speaker 2: couple of weeks ago, and he had alluded to the

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Speaker 2: fact that you guys have an unreleased project somewhere.

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Speaker 3: Yeah we got we got me and Trey got music.

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Speaker 2: Yeah.

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Speaker 3: Yeah.

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Speaker 2: I didn't realize because he was telling us like how

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Speaker 2: he has like unreleased albums with so many people.

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Speaker 1: And I was just like, damn, Like that's one motherfucker.

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Speaker 1: I know that his work ethnic is crazy. Bro, Like

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Speaker 1: he had dropped a project.

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Speaker 2: On his phone. He's like, bro, I got album with

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Speaker 2: this person.

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Speaker 3: He got songs where everybody.

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Speaker 1: I don't know if you heard, like you know, because

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Speaker 1: he do the im owns like you know, he got

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Speaker 1: he got the series of that ship.

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Speaker 3: You feel me.

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Speaker 2: I think he's working on a new one.

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Speaker 3: I don't think you heard that one.

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Speaker 2: Bro. No, he didn't play me that one, but he

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Speaker 2: play me some other ship. He played me some crazy ship.

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Speaker 1: You should have had him play that the latest I'm

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Speaker 1: on he been see I'm saying too.

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Speaker 3: No, he talked about it a little bro he got

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Speaker 3: he got a lot of motherfuckers on there. Bro, they

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Speaker 3: almost want to get on that.

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Speaker 2: You should, someone should do like a West Coast version

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Speaker 2: of that, try to unify the city.

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Speaker 1: That's what I'm saying. We need to do something because

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Speaker 1: we ain't really got too much going on out here

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Speaker 1: like that. You Yeah, I think we need another uh

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Speaker 1: not a we are the world, but uh now do

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Speaker 1: we do something like that for la? What's that record

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Speaker 1: that Ice Cube did? I mean easy he did what

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Speaker 1: uh he did with yo yo.

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Speaker 3: He deal with.

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Speaker 1: Everybody like all the rapper I feel ten minutes songs,

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Speaker 1: ten minute song bro politics, Yeah, ice t you too

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Speaker 1: were bringing you back outside you too because I know

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Speaker 1: you got something to say. Spill some game to these youngsters, man,

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Speaker 1: they need it now.

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Speaker 2: I think it'd be dope too, because like you said,

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Speaker 2: like you know, I think Big Sean did something like that.

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Speaker 2: He had a bunch of people. He did the Detroit

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Speaker 2: for Style or Cipher and it half. Yeah, there was

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Speaker 2: like twelve Detroit rappers and like a lot of them

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Speaker 2: that was.

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Speaker 1: On his latest album, right, but did he do a

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Speaker 1: video to it?

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Speaker 2: No, but because a lot of the guys had issues

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Speaker 2: with each other. But at the end of the day,

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Speaker 2: it was kind of dope because you you might have

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Speaker 2: heard songs two guys on the song that you wouldn't

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Speaker 2: have that.

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Speaker 1: You would have never heard before. Yeah, but see, only

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Speaker 1: like people like Big Sean can do that. Everybody can't,

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Speaker 1: you know what I mean. Everybody don't got pulled like

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Speaker 1: that in the city. You feel me, So it gotta

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Speaker 1: be somebody that you know, the city respect.

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Speaker 2: That shouldn't be hard. Yeah, there's the idea. Someone go

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Speaker 2: execute it all right there it is. Who's on any

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Speaker 2: features on the album?

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Speaker 1: Yeah, we got some features on the album. We got

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Speaker 1: we got on the album. Man, I got a I

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Speaker 1: got Nick Bucks shout out the Nick Buck and.

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Speaker 2: He just got shot too, right, Yeah, I think.

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Speaker 1: He shout out to my brother. Y'all talked to him,

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Speaker 1: great dude.

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Speaker 2: We went to Harlem and hung out with him.

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Speaker 1: Yeah, yeah, real nigga, man, for sure. I got a

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Speaker 1: song with him. I got a record with being Trey

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Speaker 1: feel Me on the same record. Yeah, on he Town Bob.

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Speaker 1: I'm always out there, so you know, I gotta show

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Speaker 1: my little la h town love you feel me?

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Speaker 3: What else?

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Speaker 1: I got domb you and I got domb you tell me?

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Speaker 1: Damn man meeting it? Hit boy and uh d.

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Speaker 2: H really big hit? Yeah?

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00:11:21,200 --> 00:11:22,280
Speaker 3: Wait no hit boy?

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00:11:22,640 --> 00:11:25,240
Speaker 2: Well you said I thought you said b H yeah.

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Speaker 3: Bh Oh you think I'm thinking big here? Yeah? Nah

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Speaker 3: boss all yeah.

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Speaker 1: I got a record with him too. I got a

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Speaker 1: record with big Hit. Yeah, big hit going in. Yeah.

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Speaker 3: I like that energy.

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Speaker 1: How motherfucker can just come home and just act like

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Speaker 1: you ain't even been to jail, like you ain't didding

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Speaker 1: no time. Bro.

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Speaker 2: His son got all the IL beats ready to just

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Speaker 2: ready to come. Bro.

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Speaker 1: That reminds me of how I was when I was

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Speaker 1: fresh out, you know what I mean, Like I hit

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Speaker 1: the ground running.

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Speaker 2: I think two is inspiring because it's like, no matter

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00:11:52,640 --> 00:11:54,760
Speaker 2: what situation you're put in, like it ain't never too.

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Speaker 3: Late to like nah, it's never too late.

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00:11:57,120 --> 00:11:59,720
Speaker 2: Yeah, Like this is a second like because I remember

305
00:11:59,760 --> 00:12:01,680
Speaker 2: this is second go with the rap game in terms

306
00:12:01,720 --> 00:12:03,559
Speaker 2: of like us seeing him because you know when.

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Speaker 1: Man, a lot of billionaires didn't get that billion until

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00:12:05,880 --> 00:12:07,120
Speaker 1: it was about forty or fifty.

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Speaker 2: That's facts.

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Speaker 1: You know what I mean, so it don't limit yourself

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00:12:11,440 --> 00:12:13,760
Speaker 1: doing nothing, man, I don't think nobody should ever limit

312
00:12:13,800 --> 00:12:16,280
Speaker 1: theyself doing nothing. Sure, you gotta keep this shit going

313
00:12:16,320 --> 00:12:17,200
Speaker 1: because you never know.

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Speaker 2: You never know, man, Like most like you said, most

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00:12:20,280 --> 00:12:22,280
Speaker 2: people kind of hit that success stride in their forties

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Speaker 2: or fifties.

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00:12:22,920 --> 00:12:25,880
Speaker 1: Yeah, and then you gotta, you gotta, you know, you

318
00:12:25,920 --> 00:12:28,640
Speaker 1: gotta kind of take his situation and kind of look

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00:12:28,679 --> 00:12:31,280
Speaker 1: at it too, like maybe he had to go through that.

320
00:12:31,440 --> 00:12:33,360
Speaker 2: To get to the mental space.

321
00:12:33,559 --> 00:12:36,760
Speaker 1: Yeah, you could win, yeah, exactly. Now Now now now

322
00:12:36,760 --> 00:12:38,640
Speaker 1: look where his look where it's focused at.

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Speaker 3: Now you feel me?

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Speaker 2: So tell me about this record. It's You Nip produced

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Speaker 2: by hit.

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Speaker 3: Boy, produce by hit Boy.

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00:12:45,800 --> 00:12:48,800
Speaker 2: Oh yeah, it's only album.

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00:12:48,920 --> 00:12:49,560
Speaker 3: It's on ALB.

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00:12:50,440 --> 00:12:52,360
Speaker 1: I'm low key ready to drop that right now, you

330
00:12:52,400 --> 00:12:55,439
Speaker 1: feel me, But you know, I'll let you all wait

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Speaker 1: for it.

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Speaker 3: Man, let y'all.

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00:12:57,200 --> 00:12:59,360
Speaker 2: Was this a record you guys? Because I always had

334
00:12:59,400 --> 00:13:02,960
Speaker 2: heard about the hit Boy Nip set. I think it

335
00:13:03,040 --> 00:13:05,280
Speaker 2: was like the session that Racks in the Middle was recorded.

336
00:13:07,320 --> 00:13:10,720
Speaker 2: Was this something you guys worked on when he was alive.

337
00:13:10,480 --> 00:13:11,160
Speaker 3: Around that time?

338
00:13:11,240 --> 00:13:15,120
Speaker 1: Yeah, there's something that we worked on in twenty eighteen.

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00:13:15,280 --> 00:13:16,559
Speaker 3: You feel me and.

340
00:13:18,600 --> 00:13:20,320
Speaker 1: You know, we just spiced up the beat just a

341
00:13:20,320 --> 00:13:22,240
Speaker 1: little bit, right, you know what I mean, because it's

342
00:13:22,240 --> 00:13:23,440
Speaker 1: twenty twenty three now, of.

343
00:13:23,400 --> 00:13:26,000
Speaker 3: Course, so you know he made it make sense.

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00:13:26,720 --> 00:13:29,400
Speaker 2: I really excited anytime we got new Nipsey coming.

345
00:13:29,600 --> 00:13:30,360
Speaker 3: Nah, for sure.

346
00:13:31,000 --> 00:13:33,240
Speaker 2: I know last time when you came on the show,

347
00:13:33,320 --> 00:13:36,080
Speaker 2: you had dropped tidbits that may or may not have

348
00:13:36,080 --> 00:13:38,800
Speaker 2: gotten you in trouble about there being a Nipsey hustle.

349
00:13:38,920 --> 00:13:40,520
Speaker 1: Now, I didn't give me a joe, but that shit

350
00:13:40,640 --> 00:13:43,319
Speaker 1: hit the blog that went everywhere and then and then

351
00:13:43,360 --> 00:13:44,360
Speaker 1: I was just the only thing.

352
00:13:44,640 --> 00:13:47,040
Speaker 2: And then there was people who were like, yeah, right,

353
00:13:47,080 --> 00:13:49,720
Speaker 2: he's lying, Like I'm like, bro, like if anybody would know,

354
00:13:49,720 --> 00:13:50,640
Speaker 2: it might be him, Like.

355
00:13:50,720 --> 00:13:52,640
Speaker 3: Yeah, you feel me, Like come on man.

356
00:13:52,880 --> 00:13:55,320
Speaker 1: And then all I said was like, bro, got so

357
00:13:55,440 --> 00:13:57,720
Speaker 1: much music, Like, I'm pretty sure it's beshow.

358
00:13:57,600 --> 00:13:58,520
Speaker 3: Gonna be another Niput?

359
00:13:58,640 --> 00:13:59,439
Speaker 2: Is there an update there?

360
00:14:00,320 --> 00:14:03,000
Speaker 1: I mean, shit, what's you think, bro? You don't think it's.

361
00:14:02,920 --> 00:14:05,520
Speaker 2: Gonna have to be another nip album, man, because like

362
00:14:05,559 --> 00:14:07,920
Speaker 2: you said, you you get so much unreleased music. It

363
00:14:07,960 --> 00:14:09,080
Speaker 2: just has to be done the right way.

364
00:14:09,160 --> 00:14:11,160
Speaker 1: That's the only thing is, Yeah, it ain't gonna get

365
00:14:11,160 --> 00:14:13,800
Speaker 1: put out, just because because I because you.

366
00:14:13,840 --> 00:14:16,120
Speaker 2: Know, right, because I almost think like when Pop passed,

367
00:14:16,840 --> 00:14:21,520
Speaker 2: there was like a couple of them albums that were rough. Yo,

368
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Speaker 2: the first like one or two do you remember me?

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00:17:26,760 --> 00:17:31,919
Speaker 2: And then the one that had h the acoustic Thug's

431
00:17:31,960 --> 00:17:32,880
Speaker 2: mansion on it was hard?

432
00:17:33,040 --> 00:17:34,800
Speaker 3: Oh, which which one was?

433
00:17:35,520 --> 00:17:38,480
Speaker 2: Better Days was fire? Better Days had some ship. But

434
00:17:38,520 --> 00:17:41,000
Speaker 2: then there was like the ship that like he was

435
00:17:41,040 --> 00:17:43,000
Speaker 2: working with like artists he would have never have worked

436
00:17:43,040 --> 00:17:43,919
Speaker 2: with him when he was alive.

437
00:17:44,200 --> 00:17:47,199
Speaker 1: Yeah, bro, Like what was that he had like a

438
00:17:47,200 --> 00:17:50,360
Speaker 1: song with eminem and uh bro eminem bit the whole

439
00:17:50,400 --> 00:17:58,160
Speaker 1: album bro he produced and because you bro, you had

440
00:17:58,160 --> 00:18:00,720
Speaker 1: to get used to hearing pop on em and it was.

441
00:18:00,680 --> 00:18:02,640
Speaker 2: More like some mash up like ship. Yeah, that's right,

442
00:18:02,680 --> 00:18:02,879
Speaker 2: it was.

443
00:18:03,000 --> 00:18:05,120
Speaker 1: That's that's that's all it was, you know what I mean.

444
00:18:05,160 --> 00:18:07,520
Speaker 1: Like I'm a Pock fan, I'm an M and M fan,

445
00:18:07,760 --> 00:18:10,480
Speaker 1: you know what I mean. But to hear Pac on

446
00:18:10,520 --> 00:18:12,439
Speaker 1: an M and M B bro, it just kind of

447
00:18:12,520 --> 00:18:13,560
Speaker 1: it wasn't I wasn't ready.

448
00:18:13,920 --> 00:18:14,840
Speaker 3: I wasn't ready for it.

449
00:18:14,680 --> 00:18:16,600
Speaker 2: It was just it was a little weird for sure.

450
00:18:16,640 --> 00:18:18,800
Speaker 2: It'd be like if it would have been dope, if

451
00:18:18,840 --> 00:18:22,200
Speaker 2: like some of the og producers was working with came

452
00:18:22,280 --> 00:18:24,920
Speaker 2: and took some of those stems, curated something.

453
00:18:25,040 --> 00:18:27,840
Speaker 3: Did it the right way, Dazzy producing production. You know

454
00:18:27,880 --> 00:18:29,560
Speaker 3: what I'm saying, that's the right way to do it.

455
00:18:29,680 --> 00:18:31,920
Speaker 3: Super Fly, bring Dash super Fly in there.

456
00:18:31,960 --> 00:18:34,920
Speaker 1: You feel me maybe, d Yeah, you feel me and yeah,

457
00:18:34,960 --> 00:18:37,960
Speaker 1: Drake can do the mixing even Quick too quick and

458
00:18:38,040 --> 00:18:40,480
Speaker 1: you feel me quick going come on, man, Quick could

459
00:18:40,480 --> 00:18:41,679
Speaker 1: have did that whole album.

460
00:18:41,840 --> 00:18:43,959
Speaker 2: Crazy and it would have been more. It would have

461
00:18:43,960 --> 00:18:46,639
Speaker 2: been more like, uh, you know, it would have sounded

462
00:18:46,680 --> 00:18:47,520
Speaker 2: like a Tupac album.

463
00:18:47,840 --> 00:18:51,200
Speaker 1: Nah, I definitely would have sound quick and uh dog

464
00:18:51,280 --> 00:18:53,120
Speaker 1: pound on it like crazy for sure.

465
00:18:53,160 --> 00:18:55,760
Speaker 2: Man. You know it's crazy too, Like obviously you're a

466
00:18:55,760 --> 00:18:59,879
Speaker 2: big pock FuG life too. Uh. It's kind of crazy

467
00:18:59,880 --> 00:19:03,280
Speaker 2: to see there's finally, like all these years later, someone

468
00:19:03,280 --> 00:19:04,440
Speaker 2: got arrested for his death.

469
00:19:05,040 --> 00:19:06,440
Speaker 3: What's that Tupac's death.

470
00:19:07,080 --> 00:19:10,040
Speaker 1: Man, that's shit crazy, bro, And then we still don't

471
00:19:10,080 --> 00:19:13,560
Speaker 1: even know, we still don't even know what to believe, man, you.

472
00:19:13,480 --> 00:19:16,520
Speaker 2: Know, I mean, and that's the thing is like it feels,

473
00:19:16,560 --> 00:19:18,879
Speaker 2: I mean, look as like a fan. I mean, you

474
00:19:18,880 --> 00:19:20,400
Speaker 2: don't want to ever see anybody go to jail.

475
00:19:21,040 --> 00:19:24,000
Speaker 3: But like but why but why so long though, like

476
00:19:24,840 --> 00:19:26,199
Speaker 3: like this that's why. That's what.

477
00:19:26,240 --> 00:19:28,480
Speaker 1: That's what seemed tricky is like you've been hearing the

478
00:19:28,560 --> 00:19:31,440
Speaker 1: same story all along, all along, all along, like whyle

479
00:19:31,480 --> 00:19:35,359
Speaker 1: y'all wait, this guy was doing all these interviews and

480
00:19:35,440 --> 00:19:37,080
Speaker 1: he'd been doing interview.

481
00:19:38,240 --> 00:19:40,679
Speaker 2: I think I think he's done so many interviews that

482
00:19:41,040 --> 00:19:43,520
Speaker 2: had finally like come a fu like bro, yeah, your

483
00:19:43,560 --> 00:19:47,160
Speaker 2: time Las Vegas metros like like radar where they're like wait,

484
00:19:47,200 --> 00:19:50,120
Speaker 2: this guy's wait what like we should go see if

485
00:19:50,119 --> 00:19:52,800
Speaker 2: this is because because I always tell people like the

486
00:19:52,840 --> 00:19:53,560
Speaker 2: Tupaca they.

487
00:19:53,480 --> 00:19:55,240
Speaker 3: Probably pinched them, you know what I mean, just.

488
00:19:55,200 --> 00:19:58,960
Speaker 1: To just to get some more information.

489
00:19:58,800 --> 00:20:00,959
Speaker 2: Right And and to me, the Twop Biggi murders were

490
00:20:01,040 --> 00:20:03,960
Speaker 2: very different, Like the Tupac murder was some retaliation ship

491
00:20:04,520 --> 00:20:07,120
Speaker 2: that really wasn't didn't have it was some street ship

492
00:20:07,160 --> 00:20:09,879
Speaker 2: that that popped off in one night, as opposed to

493
00:20:09,880 --> 00:20:12,840
Speaker 2: like the Biggie ship was like a hit. And depending

494
00:20:12,840 --> 00:20:15,560
Speaker 2: on who you listen to, like the l a p

495
00:20:15,680 --> 00:20:17,639
Speaker 2: D off duty cops might have been involved, Like I

496
00:20:17,640 --> 00:20:20,119
Speaker 2: don't think the LAPD wanted to solve the Biggie murder

497
00:20:20,520 --> 00:20:22,560
Speaker 2: because it would have made them look crazy. The Tupac

498
00:20:22,680 --> 00:20:27,960
Speaker 2: murder was just like, you know, Orlando Anderson died and

499
00:20:28,000 --> 00:20:30,119
Speaker 2: that was who everybody was saying it was, you know,

500
00:20:30,480 --> 00:20:32,600
Speaker 2: the guy behind it. So this dude's been doing all

501
00:20:32,600 --> 00:20:35,280
Speaker 2: these interviews. Motherfuckers gotta stop to sell snitching.

502
00:20:34,960 --> 00:20:39,480
Speaker 1: Bro crazy bro like people were just just just just.

503
00:20:39,680 --> 00:20:42,960
Speaker 2: Literally snitch on themselves just for the views.

504
00:20:43,480 --> 00:20:45,120
Speaker 3: Man, for real, It's crazy.

505
00:20:45,280 --> 00:20:47,480
Speaker 1: You see you've seen that interview with No Jumper when

506
00:20:47,520 --> 00:20:54,119
Speaker 1: he question and he said, he's like all right, So,

507
00:20:54,240 --> 00:20:56,760
Speaker 1: I mean, you know, he didn't know how to have.

508
00:20:58,400 --> 00:20:59,720
Speaker 2: He was. He was supposed to come on the show

509
00:21:00,359 --> 00:21:04,359
Speaker 2: earlier this morning, but we rescheduled. I didn't know because

510
00:21:04,400 --> 00:21:06,960
Speaker 2: he I didn't know. I had him come early because

511
00:21:06,960 --> 00:21:09,199
Speaker 2: I don't know. I don't know LA politics. If you

512
00:21:09,240 --> 00:21:10,399
Speaker 2: guys get along, I don't know.

513
00:21:11,000 --> 00:21:12,280
Speaker 3: No, that's all good, you feel me.

514
00:21:12,280 --> 00:21:14,440
Speaker 2: No, But you know, I don't know if I ra

515
00:21:14,600 --> 00:21:15,880
Speaker 2: two La rappers in the same day.

516
00:21:16,000 --> 00:21:18,800
Speaker 1: The earth is breaking out, nigga, The earth is my turf.

517
00:21:19,080 --> 00:21:20,360
Speaker 3: I love that, you know what I mean.

518
00:21:20,680 --> 00:21:22,919
Speaker 1: I go anywhere, I'll walk anywhere if I run it

519
00:21:23,000 --> 00:21:25,320
Speaker 1: or whoever is gonna be what is gonna be, if

520
00:21:25,359 --> 00:21:27,800
Speaker 1: it's respect or respect, if it ain't it ain't you

521
00:21:27,840 --> 00:21:28,240
Speaker 1: know what I mean?

522
00:21:28,280 --> 00:21:31,879
Speaker 2: That clip was very funny though. You see that clip.

523
00:21:32,520 --> 00:21:35,320
Speaker 2: Xport was just like Adam asked him if he was

524
00:21:35,359 --> 00:21:36,879
Speaker 2: involved in some shootout on the video, and he just

525
00:21:36,920 --> 00:21:41,159
Speaker 2: looked at him like this. Yeah, it's like damn, And

526
00:21:41,200 --> 00:21:44,320
Speaker 2: I think you've shown like I gave you perhaps last time,

527
00:21:44,400 --> 00:21:46,080
Speaker 2: like when you and t Rel did that interview on

528
00:21:46,160 --> 00:21:47,600
Speaker 2: No Jumper that was like a big deal.

529
00:21:47,760 --> 00:21:48,480
Speaker 3: Yeah, for sure.

530
00:21:48,960 --> 00:21:50,919
Speaker 1: I went, I went out of town. I was somewhere

531
00:21:50,920 --> 00:21:52,399
Speaker 1: out of town. I ran in to one of his

532
00:21:52,440 --> 00:21:54,479
Speaker 1: homies and shit, he like, yeah, man from whover Man,

533
00:21:54,520 --> 00:21:56,440
Speaker 1: I've seen that video you deal with my homie?

534
00:21:57,000 --> 00:21:57,960
Speaker 3: Feel me now?

535
00:21:58,040 --> 00:22:01,160
Speaker 2: I just think that ship should be like an example.

536
00:22:00,800 --> 00:22:06,399
Speaker 1: For exactly so you see, like the difference in a

537
00:22:06,480 --> 00:22:08,639
Speaker 1: respect level, you feel me? Like, yeah, I think like

538
00:22:08,680 --> 00:22:10,760
Speaker 1: because I told him, I'm like, you know, motherfucker's either

539
00:22:10,800 --> 00:22:11,720
Speaker 1: gonna hate it or love it.

540
00:22:11,760 --> 00:22:14,879
Speaker 3: He like both. He like they gonna hate it or

541
00:22:14,880 --> 00:22:16,320
Speaker 3: they gonna love it. You know what I mean. Like

542
00:22:16,359 --> 00:22:18,240
Speaker 3: it is what it is. But so what you feel me?

543
00:22:18,320 --> 00:22:20,280
Speaker 2: Yeah, I just think it's like it's important to be

544
00:22:20,359 --> 00:22:23,200
Speaker 2: able to show people like, you know, we can't break

545
00:22:23,200 --> 00:22:23,679
Speaker 2: the cycle.

546
00:22:24,200 --> 00:22:25,879
Speaker 1: And some of my homies knew who he was. Like

547
00:22:25,920 --> 00:22:27,720
Speaker 1: when I let the homies know, like you feel me,

548
00:22:27,760 --> 00:22:28,679
Speaker 1: like they knew who he was?

549
00:22:28,800 --> 00:22:32,960
Speaker 3: Yeah, I mean yeah, man, you know great guy. So Louke.

550
00:22:34,040 --> 00:22:37,040
Speaker 2: So next year for sure, twelve albums for.

551
00:22:37,000 --> 00:22:38,560
Speaker 3: Sure, already already put it.

552
00:22:38,600 --> 00:22:42,000
Speaker 1: See one thing about me once I started out all right,

553
00:22:42,000 --> 00:22:44,360
Speaker 1: So I got my January album ready okay, so that's

554
00:22:44,400 --> 00:22:46,439
Speaker 1: ready mix a massive ready.

555
00:22:47,160 --> 00:22:50,280
Speaker 2: So we're going from November twenty second to the January.

556
00:22:49,920 --> 00:22:51,760
Speaker 3: Album straight into the January album.

557
00:22:52,000 --> 00:22:53,359
Speaker 2: Damn you ain't playing?

558
00:22:53,520 --> 00:22:55,000
Speaker 3: Yeah, And I thought about it.

559
00:22:55,040 --> 00:22:57,679
Speaker 1: I'm like, damn, I need to give you know, successful

560
00:22:57,760 --> 00:22:58,920
Speaker 1: time to breathe, you feel me.

561
00:23:00,880 --> 00:23:01,360
Speaker 3: And all that.

562
00:23:01,440 --> 00:23:03,959
Speaker 1: But like you know, with the game right now, bro,

563
00:23:04,080 --> 00:23:06,080
Speaker 1: the years it's gonna be a new year.

564
00:23:07,119 --> 00:23:09,199
Speaker 2: Music industry kind of resets for people who don't know.

565
00:23:09,400 --> 00:23:11,480
Speaker 1: That's what I'm saying. So it's really all on like

566
00:23:11,760 --> 00:23:13,960
Speaker 1: who gonna who go? Who's gonna go to hard? As

567
00:23:13,960 --> 00:23:16,040
Speaker 1: soon as the bar drop? So that's why I say

568
00:23:16,040 --> 00:23:19,720
Speaker 1: when the bar drop I dropped January first.

569
00:23:19,880 --> 00:23:21,240
Speaker 2: Oh that's when that I'm's dropping.

570
00:23:21,680 --> 00:23:25,720
Speaker 1: Yeah, oh ship okay right away right away? Bro, No,

571
00:23:25,800 --> 00:23:28,800
Speaker 1: I ain't giving nobody no room Bro, no breathing room, Bro,

572
00:23:28,920 --> 00:23:31,320
Speaker 1: I'm not playing. I love it Yeah, twenty five eight,

573
00:23:31,400 --> 00:23:33,320
Speaker 1: No brakes for real man the flesh.

574
00:23:33,119 --> 00:23:37,040
Speaker 2: I love it man for you have you obviously nip?

575
00:23:37,440 --> 00:23:39,800
Speaker 2: You guys just did a adope show? Was it at

576
00:23:39,800 --> 00:23:42,120
Speaker 2: the Roxy? You guys all did? Uh?

577
00:23:42,880 --> 00:23:46,200
Speaker 1: Rock l raised a little bit more bigger than I

578
00:23:46,280 --> 00:23:48,520
Speaker 1: was the rock he Lray. We was going to originally

579
00:23:48,520 --> 00:23:52,320
Speaker 1: do it at the Roxy, but been too small exactly

580
00:23:52,600 --> 00:23:54,240
Speaker 1: we needed we needed a little bit more expansive.

581
00:23:54,200 --> 00:23:56,840
Speaker 2: But obviously he was so good at like curating artists,

582
00:23:56,840 --> 00:24:00,240
Speaker 2: bringing you know, artists onto the to the team. Is

583
00:24:00,240 --> 00:24:03,720
Speaker 2: that something you want to do as well? Put the

584
00:24:03,760 --> 00:24:05,440
Speaker 2: CEO hat on eventually.

585
00:24:05,000 --> 00:24:06,119
Speaker 3: And definitely.

586
00:24:08,080 --> 00:24:10,040
Speaker 1: For sure, you know, like I said, you know when

587
00:24:10,080 --> 00:24:13,040
Speaker 1: when the when the when the year dropped? I'm also

588
00:24:13,160 --> 00:24:14,960
Speaker 1: going to announce you know what I mean a couple

589
00:24:15,000 --> 00:24:15,800
Speaker 1: of my artists.

590
00:24:15,960 --> 00:24:16,960
Speaker 2: Oh so you've already.

591
00:24:16,760 --> 00:24:18,800
Speaker 1: Done I've been doing music with a yeah, because you

592
00:24:18,880 --> 00:24:20,239
Speaker 1: know they they gonna drop two?

593
00:24:21,440 --> 00:24:23,320
Speaker 2: And is that is that twenty five eight?

594
00:24:23,520 --> 00:24:26,359
Speaker 1: It's twenty five eight? Yeah, no breaks for sure? So

595
00:24:26,440 --> 00:24:28,080
Speaker 1: I got I got a good I got I got

596
00:24:28,119 --> 00:24:31,840
Speaker 1: some good management going on, some marketing, you feel me?

597
00:24:32,880 --> 00:24:36,880
Speaker 1: PRS Yeah, we locked in. Man, you feel me You're

598
00:24:37,000 --> 00:24:39,080
Speaker 1: going to take this label ship to another level.

599
00:24:39,160 --> 00:24:40,919
Speaker 2: Yeah. You had to have learned so much too, just

600
00:24:40,960 --> 00:24:42,959
Speaker 2: being around everybody you've been around to where you can

601
00:24:43,040 --> 00:24:44,760
Speaker 2: kind of like apply so much of the game that

602
00:24:44,760 --> 00:24:45,680
Speaker 2: you've gotten over the years.

603
00:24:45,760 --> 00:24:47,720
Speaker 1: Yeah, you got to think about it like we grew up.

604
00:24:47,800 --> 00:24:52,400
Speaker 1: We grew up. We grew up watching you know, the Masterpiece,

605
00:24:53,119 --> 00:24:53,920
Speaker 1: you know what I mean.

606
00:24:53,840 --> 00:24:56,160
Speaker 3: The the the Easy Ease.

607
00:24:56,000 --> 00:24:59,480
Speaker 1: The sug Knights, the Jermaine Dupriez. You feel what I'm saying,

608
00:24:59,520 --> 00:25:01,880
Speaker 1: like they have the CEO mentality. You know what I'm saying.

609
00:25:01,880 --> 00:25:04,879
Speaker 1: That's why I just did the soundtrack for the movie

610
00:25:04,960 --> 00:25:07,480
Speaker 1: Bomb Peace. I just saw that exactly, so you know,

611
00:25:07,560 --> 00:25:10,400
Speaker 1: I grew up. You know death bro saying all the soundtracks,

612
00:25:10,400 --> 00:25:14,640
Speaker 1: what above the Rim Society sound Come on, Bro.

613
00:25:14,600 --> 00:25:16,600
Speaker 2: I don't even know what's going on soundtracks anymore because

614
00:25:16,600 --> 00:25:17,960
Speaker 2: that soundtracks back in the day, That's.

615
00:25:17,800 --> 00:25:20,440
Speaker 1: What I'm saying. So I'm trying to bring that back.

616
00:25:20,520 --> 00:25:23,160
Speaker 1: You feel me like we got a good LA movie

617
00:25:23,200 --> 00:25:25,399
Speaker 1: going on, all right. Let me put some LA music

618
00:25:25,440 --> 00:25:27,320
Speaker 1: behind it, you feel me. Let me make the soundtrack

619
00:25:27,400 --> 00:25:31,120
Speaker 1: for it. Let me grab some artists from here, from there, curating, Yeah,

620
00:25:31,240 --> 00:25:33,119
Speaker 1: curiate the whole soundtrack.

621
00:25:33,280 --> 00:25:35,359
Speaker 2: Nah, that's the I mean shit, the last time someone

622
00:25:35,400 --> 00:25:38,280
Speaker 2: did that and killed it, I think it was Black Panther.

623
00:25:38,240 --> 00:25:41,000
Speaker 1: Black Panther, Kenchamar killed that. Man, shout out, that was

624
00:25:41,000 --> 00:25:43,440
Speaker 1: a good album. Sob RB on there.

625
00:25:43,480 --> 00:25:45,160
Speaker 2: Oh yeah, Mazzi was on there.

626
00:25:45,240 --> 00:25:48,280
Speaker 3: Mazzi was on there. I'm like, oh, yeah, we're looking good. Yes.

627
00:25:48,480 --> 00:25:51,639
Speaker 2: And that was like twenty seventeen or eighteen like so

628
00:25:51,720 --> 00:25:53,960
Speaker 2: like it was I was like, finally Mazzi is getting

629
00:25:54,000 --> 00:25:54,879
Speaker 2: like a look.

630
00:25:54,680 --> 00:25:57,280
Speaker 1: And that was like that was like it wasn't a

631
00:25:57,359 --> 00:25:58,720
Speaker 1: Kendrick Lamar album, but that.

632
00:25:58,840 --> 00:26:00,680
Speaker 2: Was like it was about as much more.

633
00:26:00,720 --> 00:26:02,879
Speaker 3: He didn't put out an album. You have to be like, alright,

634
00:26:03,200 --> 00:26:03,399
Speaker 3: it was.

635
00:26:03,400 --> 00:26:05,480
Speaker 2: Kind of like Eminem's eight Mile. It was like, it's

636
00:26:05,560 --> 00:26:07,000
Speaker 2: kind of like Eminem. This is about as close to

637
00:26:07,080 --> 00:26:09,480
Speaker 2: eminem album as you can get. Like Kendrick's fingerprints all

638
00:26:09,520 --> 00:26:10,119
Speaker 2: over the album.

639
00:26:10,160 --> 00:26:12,680
Speaker 1: That A Mile soundtrack was crazy.

640
00:26:13,080 --> 00:26:14,760
Speaker 2: Hi. Man. Also want to give a shout out to

641
00:26:14,760 --> 00:26:17,360
Speaker 2: our family over at King Pom Baby. You already know, man,

642
00:26:17,359 --> 00:26:18,720
Speaker 2: we always stay King pommed.

643
00:26:18,560 --> 00:26:18,879
Speaker 3: Up over here.

644
00:26:18,920 --> 00:26:21,159
Speaker 2: It's the only thing we're smoking. You know what I

645
00:26:21,200 --> 00:26:27,320
Speaker 2: love about King Pom. So many flavors, so natural, organic,

646
00:26:27,400 --> 00:26:30,960
Speaker 2: tobacco free leafs. This is how we're smoking at the

647
00:26:31,000 --> 00:26:34,840
Speaker 2: Bootleg keV podcast. And like, let me just say this, dude,

648
00:26:34,880 --> 00:26:36,959
Speaker 2: like all shapes and sizes, you know what I mean. Like,

649
00:26:37,080 --> 00:26:38,639
Speaker 2: let's give you a little variation of the type of

650
00:26:38,680 --> 00:26:41,399
Speaker 2: king Poms you can get down with, you know, just

651
00:26:41,440 --> 00:26:48,480
Speaker 2: different shapes, different sizes, natural, organic, tobacco free, a clean

652
00:26:48,600 --> 00:26:52,320
Speaker 2: smoke if you will. This is the Honeyberry, which might

653
00:26:52,359 --> 00:26:55,240
Speaker 2: be my new favorite. I do love the the energy

654
00:26:55,320 --> 00:26:58,800
Speaker 2: drink one. The red rain is fire, all right, but listen,

655
00:26:58,840 --> 00:27:00,000
Speaker 2: if you want to get down with some of these

656
00:27:00,080 --> 00:27:02,320
Speaker 2: king Poms, trust me when I say, man, they're the

657
00:27:02,359 --> 00:27:04,560
Speaker 2: best way to smoke. First of all, you can go

658
00:27:04,600 --> 00:27:06,520
Speaker 2: to your local liquor store seven to eleven. All that

659
00:27:06,840 --> 00:27:09,080
Speaker 2: they got King Pom's all right, so go pick something up,

660
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664
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666
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667
00:27:34,400 --> 00:27:36,199
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668
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669
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670
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671
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672
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676
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677
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681
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684
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685
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686
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700
00:29:11,840 --> 00:29:12,440
Speaker 2: to the interviews.

701
00:29:12,760 --> 00:29:16,480
Speaker 1: Who crazy that shit puts some motherfuckers on the map.

702
00:29:16,560 --> 00:29:19,280
Speaker 1: I ain't gonna lock that was on there, That's what

703
00:29:19,280 --> 00:29:22,440
Speaker 1: I'm saying. That was one of my favorite albums. I

704
00:29:22,480 --> 00:29:25,240
Speaker 1: mean songs bro like I had just got out of

705
00:29:26,600 --> 00:29:27,800
Speaker 1: I had just got out of jail.

706
00:29:27,840 --> 00:29:28,880
Speaker 3: Bro, they just released me.

707
00:29:28,920 --> 00:29:31,600
Speaker 1: They're like, hey, you're going home, so right when they

708
00:29:31,600 --> 00:29:33,640
Speaker 1: call my name, you feel me I'll took a pics.

709
00:29:33,720 --> 00:29:36,560
Speaker 1: I'm washing my hands. I get jumped on my way out.

710
00:29:36,680 --> 00:29:37,200
Speaker 3: You feel me.

711
00:29:37,840 --> 00:29:40,520
Speaker 1: Somebody from moving, somebody from Inglewood. They jumped me on

712
00:29:40,600 --> 00:29:41,120
Speaker 1: my way out.

713
00:29:41,160 --> 00:29:42,960
Speaker 3: You feel me? It was cool. I wasn't tripping. You

714
00:29:42,960 --> 00:29:44,440
Speaker 3: feel me like it wasn't.

715
00:29:44,560 --> 00:29:46,800
Speaker 1: Yeah, it wasn't nothing like I laughed on my way out,

716
00:29:46,840 --> 00:29:47,440
Speaker 1: like good looking.

717
00:29:47,560 --> 00:29:49,040
Speaker 3: You feel me? Feel me?

718
00:29:49,080 --> 00:29:52,240
Speaker 1: So as soon as I came home, Bro, you know

719
00:29:52,320 --> 00:29:56,200
Speaker 1: what was playing with Wayinster Bro feel me? So, I'm like,

720
00:29:56,400 --> 00:29:58,600
Speaker 1: oh yeah, this something for the streets. That great, So

721
00:29:58,680 --> 00:30:02,680
Speaker 1: you gotta think about it. The streets was It wasn't

722
00:30:02,720 --> 00:30:07,120
Speaker 1: nothing for the streets around that time. It was and yeah,

723
00:30:07,600 --> 00:30:09,640
Speaker 1: and even though you had Snoop at that time, like

724
00:30:09,680 --> 00:30:12,600
Speaker 1: Snoop was still doing Snoop was fucking with Pharrell.

725
00:30:13,800 --> 00:30:15,520
Speaker 3: Pharrell was elevating his sound.

726
00:30:15,640 --> 00:30:18,400
Speaker 2: You feel me so like Snoop wasn't doing like like

727
00:30:18,560 --> 00:30:20,840
Speaker 2: Gangster Ship at the time, he was doing like big

728
00:30:20,960 --> 00:30:23,880
Speaker 2: hit records. He was doing dropping like a Tide and beautiful.

729
00:30:24,040 --> 00:30:27,040
Speaker 1: In two thousand and two, we was in the streets, bro,

730
00:30:27,480 --> 00:30:30,800
Speaker 1: We was in the streets. So anything that related to

731
00:30:30,880 --> 00:30:33,040
Speaker 1: us we gravitated too.

732
00:30:33,080 --> 00:30:33,240
Speaker 3: Bro.

733
00:30:33,320 --> 00:30:35,040
Speaker 1: That's why the streets ate all that gu on the

734
00:30:35,080 --> 00:30:37,760
Speaker 1: ship up, brocause niggas was really in the streets two

735
00:30:37,800 --> 00:30:38,400
Speaker 1: thousand and two.

736
00:30:38,560 --> 00:30:39,600
Speaker 3: It was really we was.

737
00:30:39,560 --> 00:30:42,240
Speaker 2: Outside for we're people like in LA because I didn't

738
00:30:42,240 --> 00:30:44,160
Speaker 2: live in l A at the time. But when like

739
00:30:44,440 --> 00:30:47,400
Speaker 2: fifty in the game had their split, did like LA

740
00:30:47,520 --> 00:30:49,640
Speaker 2: fans choose up? Bro.

741
00:30:49,720 --> 00:30:52,280
Speaker 1: It's funny that you brought that up, bro, because I

742
00:30:52,320 --> 00:30:55,680
Speaker 1: remember one time we was out, Me and Nip was

743
00:30:55,680 --> 00:30:57,920
Speaker 1: supposed to open up my mob d you know what

744
00:30:57,960 --> 00:31:00,680
Speaker 1: I mean, And we had just seen game like fifteen

745
00:31:00,720 --> 00:31:04,400
Speaker 1: minutes before we went to the hotel. You feel me

746
00:31:04,440 --> 00:31:07,240
Speaker 1: with them, so we just chopping it up about music whatever.

747
00:31:07,320 --> 00:31:07,600
Speaker 3: Boom.

748
00:31:07,960 --> 00:31:10,400
Speaker 1: So we get to the Higher Hotel, you know that's

749
00:31:10,400 --> 00:31:15,400
Speaker 1: across the street from the House of Blues. You know yeah,

750
00:31:15,520 --> 00:31:17,400
Speaker 1: Mob Deep had a show. That's when they was signing

751
00:31:17,400 --> 00:31:19,120
Speaker 1: the gu and you feel Me. So they had a

752
00:31:19,160 --> 00:31:21,520
Speaker 1: show at the House of Blues and me and it

753
00:31:21,760 --> 00:31:24,600
Speaker 1: was opening up for our Deep. So you know, we

754
00:31:24,640 --> 00:31:27,560
Speaker 1: was fucking with this manager dude named mad and you

755
00:31:27,560 --> 00:31:28,920
Speaker 1: know he was linked in with them.

756
00:31:29,000 --> 00:31:29,480
Speaker 3: You feel me.

757
00:31:29,520 --> 00:31:33,600
Speaker 1: So we go to the hotel. We up and there, Bro,

758
00:31:33,680 --> 00:31:36,440
Speaker 1: it's like it's like fifty niggas from New York.

759
00:31:36,520 --> 00:31:37,000
Speaker 3: You know what I mean.

760
00:31:37,160 --> 00:31:39,160
Speaker 1: All in the hallway, you feel me. They get a call,

761
00:31:39,320 --> 00:31:41,360
Speaker 1: like a game downstairs.

762
00:31:41,600 --> 00:31:42,120
Speaker 3: You feel me.

763
00:31:42,520 --> 00:31:45,440
Speaker 1: So these niggas go downstairs. They like a hundred deep. Now,

764
00:31:45,480 --> 00:31:49,720
Speaker 1: I'm like, goddamn niggas coming out of hotel rooms everywhere. Bro,

765
00:31:49,840 --> 00:31:55,120
Speaker 1: niggas marching downstairs, like you feel me. So you know

766
00:31:55,200 --> 00:31:57,719
Speaker 1: it was just like a little standoff or whatever. You

767
00:31:57,720 --> 00:32:01,040
Speaker 1: feel me. I tell Nip, I'm like, hey, Nip, what's up, nigga?

768
00:32:01,080 --> 00:32:02,680
Speaker 3: What you want to do? Like, because you see what's

769
00:32:02,720 --> 00:32:03,920
Speaker 3: going on? He like, you feel me?

770
00:32:03,960 --> 00:32:06,360
Speaker 1: We just gonna we just gonna do us, bro. Like

771
00:32:07,240 --> 00:32:09,720
Speaker 1: Gang walked up to me. He like he asked me,

772
00:32:09,800 --> 00:32:12,040
Speaker 1: though he didn't ask, Nip. He asks he asked me.

773
00:32:12,120 --> 00:32:15,440
Speaker 1: He like, hey, y'all with them niggas. I'm like, no,

774
00:32:15,560 --> 00:32:18,520
Speaker 1: I'm with the sixties. Like he still remember that shit

775
00:32:18,600 --> 00:32:21,160
Speaker 1: still to this day. You feel me like, like, Nigga,

776
00:32:21,160 --> 00:32:23,320
Speaker 1: I'm with the sixties. He's like all right for sure,

777
00:32:23,440 --> 00:32:25,920
Speaker 1: and then he walked away. You feel me. Then Sug

778
00:32:26,040 --> 00:32:28,960
Speaker 1: pull up. Sug pull up in a red Beamer jump out.

779
00:32:29,440 --> 00:32:30,640
Speaker 1: He walked right up the Nip.

780
00:32:30,680 --> 00:32:31,600
Speaker 3: He like, Nip, what up?

781
00:32:31,640 --> 00:32:34,400
Speaker 1: He like shit, you know, you see what's going on?

782
00:32:34,480 --> 00:32:35,880
Speaker 1: He like, shit, Nigga, what's up?

783
00:32:36,360 --> 00:32:39,040
Speaker 3: You feel me? And then and then Nigga, the police

784
00:32:39,080 --> 00:32:39,440
Speaker 3: pull up.

785
00:32:39,680 --> 00:32:43,640
Speaker 1: So yeah, soon the police shut Yeah you pull up

786
00:32:43,680 --> 00:32:46,160
Speaker 1: and hopped out Bro in the middle of traffic. Bro

787
00:32:46,280 --> 00:32:49,680
Speaker 1: on subset and the red Beamer Nigga with the red

788
00:32:49,760 --> 00:32:52,200
Speaker 1: tints jump out, like what's happening?

789
00:32:52,320 --> 00:32:52,960
Speaker 3: Like you feel me?

790
00:32:53,040 --> 00:32:55,000
Speaker 1: But he walked right up. He walked right up to

791
00:32:55,080 --> 00:32:57,080
Speaker 1: me and nip you feel me? Like, what's up? He

792
00:32:57,240 --> 00:33:00,440
Speaker 1: like shit, you know I left, sug know was going on?

793
00:33:00,520 --> 00:33:01,600
Speaker 1: He like, Nigga, what's up?

794
00:33:01,680 --> 00:33:02,200
Speaker 3: You feel me?

795
00:33:02,280 --> 00:33:05,640
Speaker 2: What Sugar? They're like on behalf of game? Or was

796
00:33:05,680 --> 00:33:06,640
Speaker 2: he there on behalf of.

797
00:33:06,920 --> 00:33:11,360
Speaker 3: Man on behalf of whatever we said? It was on?

798
00:33:11,560 --> 00:33:13,640
Speaker 3: Like he understood the assignment.

799
00:33:13,680 --> 00:33:15,840
Speaker 2: You feel you guys have a good relationship with Sugar.

800
00:33:16,040 --> 00:33:18,440
Speaker 1: Hell yeah, yeah, hell yeah, he'll see me and nip

801
00:33:18,440 --> 00:33:19,040
Speaker 1: out a lot.

802
00:33:19,120 --> 00:33:19,600
Speaker 3: You feel me.

803
00:33:20,000 --> 00:33:21,720
Speaker 1: He has slide us a few bucks, you feel me

804
00:33:21,760 --> 00:33:23,560
Speaker 1: to go fuck with them in different clubs and ship.

805
00:33:23,680 --> 00:33:26,600
Speaker 2: Shout the Sugar man shot you just starting podcast?

806
00:33:26,840 --> 00:33:28,640
Speaker 3: Yeah yeah, I'm fucking with it.

807
00:33:28,640 --> 00:33:30,360
Speaker 2: It's called the collect Calls, I think.

808
00:33:30,480 --> 00:33:32,360
Speaker 3: Yeah, shout Sugar yeah.

809
00:33:32,320 --> 00:33:35,200
Speaker 2: I'm like, more people need to do podcasts from jail

810
00:33:35,240 --> 00:33:35,600
Speaker 2: if they.

811
00:33:35,520 --> 00:33:38,920
Speaker 1: Can, if they can, Max B come on, man, you

812
00:33:38,960 --> 00:33:40,160
Speaker 1: know I got a record with Max B.

813
00:33:40,360 --> 00:33:43,720
Speaker 3: Right yeah, oh that's hard. Yeah the wave God shout

814
00:33:43,800 --> 00:33:44,240
Speaker 3: for sure.

815
00:33:44,400 --> 00:33:45,600
Speaker 2: I think he'll be out soon too.

816
00:33:46,080 --> 00:33:47,239
Speaker 3: Saying that, Yeah, he come on.

817
00:33:47,560 --> 00:33:50,480
Speaker 1: You always got to have faith, man, because even even

818
00:33:50,560 --> 00:33:54,200
Speaker 1: even even even if the outside thinking you or anybody

819
00:33:54,240 --> 00:33:56,200
Speaker 1: thinking you can't, come on, have that faith, bro, You're

820
00:33:56,200 --> 00:33:57,280
Speaker 1: gonna come on for sure.

821
00:33:57,480 --> 00:33:57,680
Speaker 3: Yeah.

822
00:33:57,720 --> 00:33:59,640
Speaker 2: He's got a voicemail on a Kanye album.

823
00:34:00,200 --> 00:34:02,160
Speaker 3: Yeah, so major shot.

824
00:34:02,360 --> 00:34:04,400
Speaker 2: Hey, Max a lot man.

825
00:34:04,280 --> 00:34:05,600
Speaker 3: Come on. Yeah for sure.

826
00:34:06,400 --> 00:34:09,080
Speaker 1: As far as with that, far as with the harmonizing

827
00:34:09,160 --> 00:34:11,399
Speaker 1: in your music, for sure, Like he was.

828
00:34:11,360 --> 00:34:13,560
Speaker 2: Like one of the first dudes man, like for real,

829
00:34:13,640 --> 00:34:16,160
Speaker 2: it was like that was considered a rap. Obviously T

830
00:34:16,320 --> 00:34:19,319
Speaker 2: Pain was around, but like exactly the real like I mean,

831
00:34:19,360 --> 00:34:21,640
Speaker 2: Bone Thugs, the Ogs.

832
00:34:21,120 --> 00:34:25,000
Speaker 3: I got number one when harmony Yeah, but like.

833
00:34:25,120 --> 00:34:26,560
Speaker 2: Just in terms of the street ship, it was like

834
00:34:26,600 --> 00:34:29,480
Speaker 2: really like Max B was probably I mean he was

835
00:34:29,480 --> 00:34:31,800
Speaker 2: before a Future is, before all those guys. Yeah.

836
00:34:31,960 --> 00:34:32,799
Speaker 3: In fact, he was.

837
00:34:32,760 --> 00:34:34,959
Speaker 2: Doing a lot of that ship early man. Yeah, shot

838
00:34:35,080 --> 00:34:36,799
Speaker 2: to him. Man, all right, So the new album's coming

839
00:34:36,800 --> 00:34:39,960
Speaker 2: out on the twenty second, and then you're dropping on.

840
00:34:39,920 --> 00:34:41,960
Speaker 3: The first, dropping on the first, bro.

841
00:34:42,239 --> 00:34:45,399
Speaker 1: So we got two albums on may Back Music January first.

842
00:34:45,440 --> 00:34:48,000
Speaker 1: Soon as a bar drop I dropped. So that's the

843
00:34:48,080 --> 00:34:51,120
Speaker 1: name of the album, may Back Music, No may Back Season,

844
00:34:51,120 --> 00:34:53,400
Speaker 1: I said, back music, Yeah, shouts the Rick Ross shot

845
00:34:53,400 --> 00:34:55,440
Speaker 1: the Ross back season, may Back Season.

846
00:34:56,239 --> 00:34:57,560
Speaker 2: You ever regret buying your Mayback?

847
00:34:58,440 --> 00:35:01,279
Speaker 1: I thought about it, and then I'm like, nah, I

848
00:35:01,320 --> 00:35:04,360
Speaker 1: don't what's the insurance payment on that thing? You know,

849
00:35:04,920 --> 00:35:08,200
Speaker 1: just a little pretty penny, you feel me? But it

850
00:35:08,239 --> 00:35:10,200
Speaker 1: was times while I was ryding with no assurance what

851
00:35:10,640 --> 00:35:14,160
Speaker 1: Rick Ross saying, I'm like, Hi, nigga got all these

852
00:35:14,360 --> 00:35:17,600
Speaker 1: m's and Ryan with no assurance, Nigga, no tags. But

853
00:35:17,640 --> 00:35:20,160
Speaker 1: I know what that feel like, bro, trust me, I know,

854
00:35:20,239 --> 00:35:21,480
Speaker 1: I know, I know what it feels like.

855
00:35:21,560 --> 00:35:22,520
Speaker 3: You feel me, you got it?

856
00:35:22,560 --> 00:35:24,440
Speaker 2: You don't have it? So you've written with no insurance

857
00:35:24,440 --> 00:35:25,160
Speaker 2: on the Maybe.

858
00:35:24,920 --> 00:35:27,520
Speaker 1: I've had before a year, That's fucking yeah, I have

859
00:35:27,719 --> 00:35:30,360
Speaker 1: before in La. But I'm glad it didn't cost me.

860
00:35:30,800 --> 00:35:32,520
Speaker 1: For sure, glad it didn't cast it.

861
00:35:32,560 --> 00:35:35,200
Speaker 2: Is the Mayback heavier than six thousand pounds? It's not,

862
00:35:35,320 --> 00:35:36,799
Speaker 2: is it. I'm just thinking for tax persons.

863
00:35:37,000 --> 00:35:38,839
Speaker 1: But see, but no, but see, you gotta think about

864
00:35:38,840 --> 00:35:42,160
Speaker 1: that too, for bulletproof purposes too, because I know you

865
00:35:42,160 --> 00:35:43,839
Speaker 1: want to throw that on there.

866
00:35:43,920 --> 00:35:44,440
Speaker 3: You feel me?

867
00:35:44,560 --> 00:35:47,080
Speaker 1: But like that motherfucker, it's gonna be heavy.

868
00:35:47,440 --> 00:35:49,840
Speaker 2: Shout out to uh to the Mayback Man, So Mayback

869
00:35:49,840 --> 00:35:54,680
Speaker 2: season The first Definition of Success November twenty second.

870
00:35:55,719 --> 00:35:59,760
Speaker 1: Yeah, November twenty second Definition of Success. The final chapter

871
00:36:00,040 --> 00:36:01,040
Speaker 1: were closing it out.

872
00:36:01,040 --> 00:36:05,560
Speaker 2: Nipple be on their bun be traded Truth, I Forgot.

873
00:36:05,880 --> 00:36:08,359
Speaker 3: Nick Bucks.

874
00:36:09,280 --> 00:36:12,600
Speaker 1: Exhibit exhibit and Butch Cassidy on the same record, You

875
00:36:12,680 --> 00:36:13,920
Speaker 1: feel Me sounds great.

876
00:36:14,719 --> 00:36:15,960
Speaker 2: That sounds like two thousand and two.

877
00:36:16,000 --> 00:36:17,560
Speaker 1: That's what I'm saying, you feel Me. I had to

878
00:36:17,560 --> 00:36:18,800
Speaker 1: give them that classic.

879
00:36:18,440 --> 00:36:20,600
Speaker 2: West Coast Cassidy. Man, Can you hear that?

880
00:36:21,320 --> 00:36:23,279
Speaker 1: I had to give them that West Coast Cassidy on

881
00:36:23,320 --> 00:36:24,439
Speaker 1: the podcast Classic Vibe.

882
00:36:24,480 --> 00:36:25,120
Speaker 3: Yeah man, get.

883
00:36:27,520 --> 00:36:30,319
Speaker 1: Yeah, bro, because you know they got they got stories, Bro,

884
00:36:30,400 --> 00:36:31,560
Speaker 1: They didn't been around the game.

885
00:36:31,680 --> 00:36:33,360
Speaker 2: The fool's voices are so hard.

886
00:36:34,239 --> 00:36:35,960
Speaker 1: I just want to know what it was like behind

887
00:36:35,960 --> 00:36:38,400
Speaker 1: the scenes in them studio sessions, bro, because the music,

888
00:36:38,560 --> 00:36:39,719
Speaker 1: you know, the music was good.

889
00:36:39,719 --> 00:36:42,480
Speaker 2: You hear those guys were very much like a big

890
00:36:42,480 --> 00:36:44,920
Speaker 2: part of like post death throw Snoop albums.

891
00:36:45,120 --> 00:36:47,960
Speaker 1: Yeah for sure, you know, because I felt like when

892
00:36:48,000 --> 00:36:51,400
Speaker 1: when when when when Snoop wasn't working with like Dazz

893
00:36:51,400 --> 00:36:54,480
Speaker 1: and Superfly, he would go work with them and get

894
00:36:54,480 --> 00:36:55,880
Speaker 1: that sound too, You know what I mean?

895
00:36:56,000 --> 00:36:57,759
Speaker 2: What was that to do? Nocturnal was hard too?

896
00:36:57,960 --> 00:37:00,680
Speaker 3: Yeah, not turn it was hard man, not turn Man.

897
00:37:00,680 --> 00:37:03,480
Speaker 2: Damn out to l a man, love love, And we

898
00:37:03,520 --> 00:37:05,520
Speaker 2: gotta work on one of these. We are the world LA.

899
00:37:05,480 --> 00:37:07,479
Speaker 1: Records, That's what I'm saying. Man, we gotta, we gotta,

900
00:37:07,480 --> 00:37:08,600
Speaker 1: we gotta lift each other up.

901
00:37:08,640 --> 00:37:10,719
Speaker 3: Man. We can't let a slip like that for sure.

902
00:37:10,840 --> 00:37:11,080
Speaker 3: You know.

903
00:37:11,239 --> 00:37:13,960
Speaker 1: Ain't nobody else letting their slip. We can't let our slip.

904
00:37:14,200 --> 00:37:17,239
Speaker 1: All the politics funk, all that bullshit, my nigga, I.

905
00:37:17,200 --> 00:37:19,840
Speaker 2: Love that attitude. Uh, there's gonna be a.

906
00:37:19,840 --> 00:37:22,960
Speaker 3: Lot you lot attitude, but man power to it.

907
00:37:23,400 --> 00:37:25,799
Speaker 2: Hey, we'll see if it works out. Twenty twenty four,

908
00:37:25,880 --> 00:37:28,360
Speaker 2: you're gonna be getting flooded with Jay Stone.

909
00:37:28,120 --> 00:37:31,160
Speaker 1: Flooded for sure for sure. And they better they better

910
00:37:31,200 --> 00:37:34,600
Speaker 1: recognize it. They're gonna like they don't see it, ek me,

911
00:37:34,680 --> 00:37:35,400
Speaker 1: but they're gonna have to.

912
00:37:35,440 --> 00:37:36,040
Speaker 3: They're gonna have.

913
00:37:35,960 --> 00:37:38,200
Speaker 2: To buy all your albums on iTunes when you drop.

914
00:37:38,120 --> 00:37:40,279
Speaker 3: They're gonna have to give me minds bro.

915
00:37:40,440 --> 00:37:42,799
Speaker 2: Yeah, and I always like to make sure you cop

916
00:37:42,880 --> 00:37:44,280
Speaker 2: the fucking album on iTunes.

917
00:37:44,400 --> 00:37:46,279
Speaker 3: Yeah it helps, Yeah, for sure.

918
00:37:46,440 --> 00:37:49,200
Speaker 2: All the streaming ship Spotify is doing cool.

919
00:37:49,280 --> 00:37:51,840
Speaker 1: You feel me with like Jay Cole said, man, he

920
00:37:51,880 --> 00:37:54,000
Speaker 1: don't know who the fuck buying all them damn albums,

921
00:37:54,000 --> 00:37:55,560
Speaker 1: but shout out to the people that are doing it.

922
00:37:55,600 --> 00:37:59,280
Speaker 2: You feel me like, I appreciate you pulling up Jaystone

923
00:37:59,440 --> 00:38:00,600
Speaker 2: new album Away.

924
00:38:00,480 --> 00:38:03,600
Speaker 3: West West Man, Boom fire Yo.

925
00:38:03,640 --> 00:38:05,319
Speaker 2: We're wrapping up an interview, man. Of course, we want

926
00:38:05,360 --> 00:38:07,480
Speaker 2: to shout out to our family at Hardean Baby Hardean,

927
00:38:07,600 --> 00:38:12,160
Speaker 2: Las Vegas, celebrating their seventh birthday this month, So happy

928
00:38:12,200 --> 00:38:14,839
Speaker 2: birthday to Hardean. I want to give a shout out

929
00:38:14,880 --> 00:38:17,080
Speaker 2: to the whole family over there. When you're in Las Vegas,

930
00:38:17,120 --> 00:38:18,359
Speaker 2: you got to pull up to Harden and tell them

931
00:38:18,360 --> 00:38:20,520
Speaker 2: that the Bootleg cap podcast says you they're gonna take

932
00:38:20,520 --> 00:38:23,920
Speaker 2: care of you. It is the craziest selection of premium

933
00:38:23,920 --> 00:38:27,600
Speaker 2: cannabis in the country, all under one roof. You walk

934
00:38:27,680 --> 00:38:32,080
Speaker 2: in and it's just a five beautiful bud tenders, amazing smoke.

935
00:38:32,840 --> 00:38:35,040
Speaker 2: Just the illis merch. You know what I'm saying. Hey,

936
00:38:35,040 --> 00:38:37,040
Speaker 2: it's right in Las Vegas, right in Sin City. So

937
00:38:37,080 --> 00:38:38,759
Speaker 2: you land in Vegas, you're about to go gamble with

938
00:38:38,800 --> 00:38:41,000
Speaker 2: your boys. You get into that cab, you say, take

939
00:38:41,040 --> 00:38:42,880
Speaker 2: me to Hardean. They're gonna know exactly where to take you.

940
00:38:42,880 --> 00:38:44,959
Speaker 2: All right, shout out to Hardean, go follow them Harden

941
00:38:45,080 --> 00:38:47,920
Speaker 2: Underscore Las Vegas, or go to the website Hardeanlasvegas dot

942
00:38:48,000 --> 00:38:48,320
Speaker 2: com