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Speaker 1: I'm from the Mercedes Benz Interview Lounge.

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Speaker 2: You know, it's so appropriate that Lauren Spencer Smith is here.

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Speaker 2: Her new album is called the Art of Being a Mess,

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Speaker 2: and that pretty much is what we're about. So I

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Speaker 2: feel like I feel like you wrote this just for us. Hey,

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Speaker 2: welcome back to the show. By the way, you you

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Speaker 2: got to get close to that microphone. We have not

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Speaker 2: we have not fixed technology. So may I tell a

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Speaker 2: little story about Lauren Spencer Smith. Last time she was here,

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Speaker 2: it was just after pandemic and we hadn't had a

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Speaker 2: guest on in two years, a long time, and so

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Speaker 2: we were watching the video of the interview with you.

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Speaker 2: I think you watched it earlier as well. We were

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Speaker 2: actually saying to you, we don't remember how to interview you,

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Speaker 2: but welcome. We're back now, so go ahead and talk

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Speaker 2: whatever you want to talk about. We'll just go, oh, yeah,

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Speaker 2: welcome back.

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Speaker 1: Thank you.

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Speaker 2: Sorry, no masks today, No masks.

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Speaker 1: It's okay. I feel free, right.

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Speaker 2: And also Laura reminds us she was blonde Lauren, Lauren time.

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Speaker 3: I always care to be Yeah in MyD life crisis.

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Speaker 2: Well, if this is midlife, it means you're gonna die quarter.

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Speaker 1: Well, yeah, she said.

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Speaker 2: Last time I was here, Lauren said, I had blown hair,

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Speaker 2: and I said, well, last time you're hair, I had hair.

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Speaker 2: So let's talk about the music. This album it comes

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Speaker 2: out at a time where you want to say, what

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Speaker 2: with your music? What is it about this sonically? What

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Speaker 2: is this album?

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Speaker 3: Yes saying honestly, it is a big mess. It's not

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Speaker 3: it's not necessarily all one cohesive thing. It's not just sad.

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Speaker 3: It's kind of sad, angry, confused, happy. I kind of

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Speaker 3: want everyone to understand that that really is just life.

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Speaker 2: But it is.

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Speaker 1: Yeah.

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Speaker 2: I mean we're all, you know, out there trying to

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Speaker 2: struggle and figure it out, no matter how old or

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Speaker 2: young you are. It's it's always going to be this

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Speaker 2: way till the day you're done. Right.

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Speaker 3: But I accepted and learned kind of throughout this creative process.

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Speaker 2: What are the fans saying so far?

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Speaker 1: I think they like it.

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Speaker 3: I mean that a lot of my fans I've kind

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Speaker 3: of tapped into, like an angrier side of my music,

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Speaker 3: and I'm loving that they seem to also be in

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Speaker 3: that same energy.

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Speaker 1: So I feel I feel comforted.

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Speaker 2: Why do you think we're angry? What's what's what's bringing

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Speaker 2: on anger? Is it a universal thing or we all

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Speaker 2: had individual reasons. We're all just pissed off.

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Speaker 1: Yeah, usually for me it's men, but I think for.

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Speaker 2: You know, all the men are laughing.

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Speaker 1: It can be whatever you're angry about, you know, men.

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Speaker 2: Yeah, they pissed me off too, wasn't the ones in

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Speaker 2: this room?

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Speaker 1: No? Not you guys?

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Speaker 2: Yeah, then that one. But when she said men is

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Speaker 2: the reason she's angry, you did this. It's men plural,

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Speaker 2: meaning all men are like that, not all men. There's

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Speaker 2: one person thatssed you off that cause you to write

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Speaker 2: the song.

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Speaker 1: Yeah, not so much angs.

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Speaker 3: Yeah, I don't believe in like the all men are bad.

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Speaker 3: I also, I've been in relationship for three and a

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Speaker 3: half years with a man, and my man is amazing,

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Speaker 3: So I know that some men are amazing.

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Speaker 4: But it's also always the one who says not all men,

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Speaker 4: that's the worst one in.

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Speaker 1: The Yeah, it's the fact that you're getting so defensive.

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Speaker 1: That's us.

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Speaker 5: He knows what does a person know what you wrote

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Speaker 5: this song about them?

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Speaker 1: I don't think so.

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Speaker 3: Oh really yeah, which kind of makes it a little

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Speaker 3: more exciting.

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Speaker 2: What's his number? Can we call him? I would never

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Speaker 2: if you whipped out his phone, nub Lauren, I would

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Speaker 2: not call. I mean, like, I'm just kidding. We can't

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Speaker 2: call this guy tell him it's this song about how

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Speaker 2: atrocious and is about it?

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Speaker 1: I think they'd be unfazed when he hears it. Is

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Speaker 1: he going to be like, yeah, that was me? You think?

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Speaker 1: So wow? Yeah?

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Speaker 3: I feel like I do a good job at like

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Speaker 3: hiding it sometimes good.

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Speaker 1: Yeah.

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Speaker 2: So when you come up with an album, and this

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Speaker 2: is one of my favorite questions, all these songs are

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Speaker 2: I guess the soundtrack of where you were when you

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Speaker 2: were writing songs? Obviously? What isn't on it? Like? What

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Speaker 2: was so deep? And let's not go there because I

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Speaker 2: don't want to tell people that. I guess you wouldn't

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Speaker 2: tell me that now.

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Speaker 3: If I do, honestly, No, I feel like I'm pretty honest.

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Speaker 3: I feel like I'll write about anything and talk about anything,

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Speaker 3: and I just like, don't really think about the repercussions.

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Speaker 3: If people are going to be like upset or angry

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Speaker 3: and I just write it, and then if everyone else

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Speaker 3: on my team's like we love the song, I'm like, okay,

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Speaker 3: I guess is it.

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Speaker 5: Very therapeutic for you to like write everything and like

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Speaker 5: get everything out on paper.

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Speaker 3: Yeah, I feel like songwriting. I'm obsessed. It's complete therapy.

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Speaker 3: My songwriters feel like my therapists.

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Speaker 2: A lot of writers, all writers say it is very therapeutic.

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Speaker 1: Yeah.

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Speaker 2: And so my thought in my head is, well, I

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Speaker 2: can't write a song to save my life, So what

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Speaker 2: else could I do? Short of going to therapy? What

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Speaker 2: else could I do on my own to work through

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Speaker 2: these feelings? If it's not through the words and the notes,

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Speaker 2: what else is it for the civilians out here?

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Speaker 3: Well? I think the rest of us are writing it.

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Speaker 3: So then you guys just have the finished product to

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Speaker 3: listen to and like cry or whatever.

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Speaker 2: Sory, just hitch onto your wagon on that. Yeah, I

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Speaker 2: want to do it myself. What can I do? I mean, pottery.

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Speaker 5: Gandhi, paint something.

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Speaker 3: Rage room, Yeah, damn it.

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Speaker 2: I need a rage. Actually you're sitting in it room.

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Speaker 6: No.

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Speaker 2: But you know what it's so it is, it's so

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Speaker 2: obvious this. I mean, way before we were alive, artists

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Speaker 2: were writing these songs to get things off their chest.

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Speaker 2: But but they wrote songs like Camptown Races.

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Speaker 1: Oh wow.

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Speaker 2: And you know what I'm saying, Oh, Susannah, but maybe

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Speaker 2: they get something off that.

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Speaker 5: Maybe back then, yeah, they weren't like as open as

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Speaker 5: artists are today. You know today you like bear your

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Speaker 5: souls to everybody. Yeah, back then people were more closed.

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Speaker 3: Up one percent. I know we're way more open these days.

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Speaker 3: Can I ask how the writing process works? Is it instantaneous,

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Speaker 3: like someone pisses you off and you bust out your

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Speaker 3: phone and they think, damn it, here she's gonna writ

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Speaker 3: It's that fast. Yeah, I mean like they don't know

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Speaker 3: that I whipped out my phone and wrote a concept.

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Speaker 3: But yeah, I'm pretty like, Okay, this is a sating

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Speaker 3: this is making me think of this. The song is

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Speaker 3: going to be called Bridesmaid. And then I go in

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Speaker 3: the next day, I'm like, let's write a song called Bridesmaid.

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Speaker 3: This is what it's about.

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Speaker 1: And everyone's like, okay, great, let's do it. And that

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Speaker 1: one's about a breakup with your best friend.

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Speaker 4: Yeah that's hard. Yeah, I think that's harder a lot

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Speaker 4: of times in a breakup with a boyfriend.

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Speaker 1: I know, but it's okay, it happens.

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Speaker 2: Well, let's talk about the evolution of being honest in

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Speaker 2: your music. So what year did this? Okay, This was

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Speaker 2: a number one hit across the country back in nineteen

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Speaker 2: sixty six, okay, nineteen sixty six, So what was it

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Speaker 2: they were thinking and feeling when they wrote this? I

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Speaker 2: had everybody's head. Everybody's heard them about the burden. I

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Speaker 2: went at of lyrics, Yeah, I went, ida, this is

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Speaker 2: number one. This was acid the people had. They didn't

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Speaker 2: even have assid These people they needed ass in. And

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Speaker 2: now look at number one songs. Have we evolved? Are we?

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Speaker 2: Are we not? Are we going to the opposite way? Should

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Speaker 2: we be singing songs about the bird?

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Speaker 1: I think it's still both.

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Speaker 3: I think people either listen to music to feel comforted

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Speaker 3: and want to relate to it, or they listen to

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Speaker 3: it to escape, and it's just more like beat and

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Speaker 3: melody and like a vibe.

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Speaker 1: And I think that one's like a vibe.

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Speaker 5: I think I think that's very different than your single.

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Speaker 5: If Karma doesn't get to win, it's very different, different concepts.

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Speaker 2: So if you're just turning us on, her album, of

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Speaker 2: course is called the Art of Being a Mess. It's

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Speaker 2: all over the spectrum of different emotions. I'm assuming, Yeah,

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Speaker 2: I need to hear the whole thing. Yes, Laurence Spencer

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Speaker 2: Smith has a song called looking Up unreleased. Yeah, and

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Speaker 2: you've never performed it live? No, never, Then there's no

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Speaker 2: net because you're live when you're yeah, you're gonna perform.

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Speaker 1: Yeah, there's no autotune.

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Speaker 2: So what goes to your head when you're about to

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Speaker 2: sing with no lyrics written in front of you? Aunless,

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Speaker 2: you're gonna read your phone?

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Speaker 1: No, I'm not.

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Speaker 3: I don't have my phone. But we were talking before

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Speaker 3: and now I'm stressed. I'm and to forget the lyrics.

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Speaker 2: I don't want to plant that seed. It's not what

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Speaker 2: this is about.

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Speaker 3: Yeah, Honestly, normally I'm like very focused on my vocals

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Speaker 3: and just being like, okay, don't see anything wrong, don't

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Speaker 3: forget anything, like make sure it's it's like good.

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Speaker 2: Well, if you're focusing on the sound, you forget the

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Speaker 2: word sometimes do this, you can you can do anything else.

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Speaker 1: Yeah, talking about it's making me stressed.

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Speaker 4: Did the thing Nate always does. So he's our producer.

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Speaker 4: If you tell him anything, he will give you the

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Speaker 4: worst case scenario of what's going to happen to you,

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Speaker 4: and that is what he did to you.

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Speaker 1: Don't let him win. Yeah, I'm gonna.

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Speaker 2: Try well, This is not a great way to treat

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Speaker 2: our guests.

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Speaker 4: No, Nate, wherever he went, he vanished.

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Speaker 1: But he does that.

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Speaker 4: If you're like, oh, you know, my arm kind of

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Speaker 4: hurts thing, it's like you probably have cancer. I looked

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Speaker 4: it up guns Guy album about.

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Speaker 2: He'll he'll farm the elevator. You get off and leave

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Speaker 2: me there? Yeah, elevator, Nate, Wait, what am I doing?

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Speaker 2: The seed's been planted for this song.

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Speaker 6: I'm so sorry.

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Speaker 1: I don't think you're sorry. I don't think you're so

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Speaker 1: smile on your face.

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Speaker 2: Well, okay, let's see raise your Let's move to something

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Speaker 2: else and then we'll go, oh, by the way, you yeah,

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Speaker 2: and we'll partay. We didn't have this conversation. Perfect, Okay.

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Speaker 2: So here you are in New York City, in New

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Speaker 2: York City? Is this all just promotion? Hanging out? Are

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Speaker 2: you shopping or what are you doing?

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Speaker 1: Yeah?

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Speaker 3: Honestly, we had a fan event last night, so we

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Speaker 3: played a bunch of fans the album in advance.

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Speaker 1: Yeah, just promo things, visiting people.

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Speaker 2: Yeah, what does New York? What does New York make

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Speaker 2: you feel when you visit? This crazy screwed uptown, which

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Speaker 2: I love.

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Speaker 1: Yeah, I'm a little scared of New York.

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Speaker 3: Like, every time I walk the streets, people are yelling

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Speaker 3: at me, and I'm not used to that. I'm from

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Speaker 3: a very small town and we drive everywhere and everyone

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Speaker 3: just like lives in the trees.

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Speaker 2: What do you mean they're what are they're yelling at you? People?

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Speaker 1: They're always screaming at me.

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Speaker 3: They're either telling me I'm ugly or like, it's just

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Speaker 3: always crazy people.

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Speaker 1: Yeah, probably not at you. They maybe it's at me.

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Speaker 1: It's directly at me. Every time I'm targeted, I don't

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Speaker 1: go out.

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Speaker 2: There's a paranoia thing going on. Yeah, there's a lot

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Speaker 2: of a lot of different types of folks on the

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Speaker 2: streets of New York City. Yeah, we all count they look.

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Speaker 1: Too like nice that people are like.

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Speaker 3: I get told that you have to be like, you know,

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Speaker 3: have a little bit of a hard exterior, and people

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Speaker 3: will come up.

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Speaker 1: To you less.

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Speaker 2: I can't believe they're even paying attention to you. Usually

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Speaker 2: people don't pay attention to anyone here. Yeah, you know,

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Speaker 2: and this is without doubt, millions and millions and millions

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Speaker 2: of people live here. But it can be the loneliest

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Speaker 2: place on earth.

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Speaker 1: This se but it's also so fun and right, Yeah, it's.

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Speaker 2: Raining, phones are ringing, got to answer it. Let's see

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Speaker 2: Hold on, this is Moine? Is this moin? Yep, that's

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Speaker 2: pre ordered your album. Sorry about the oilers, don't talk

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Speaker 2: about it. This has been the worst ever. Did you

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Speaker 2: were you watching?

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Speaker 1: Yes? We're huge Edmondon oilers fans, Me and my boyfriend.

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Speaker 2: Yeah, so we're huge. Mind answer fans.

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Speaker 1: Okay, don't like you guys as much.

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Speaker 2: Talk about it all right, So moyne Uh, Lauren Spencer

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Speaker 2: Smith is here. What do you want to say? Say something?

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Speaker 2: Say something nice? She needs it.

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Speaker 6: Hi, Hi Lauren, a big fan. I have your uh,

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Speaker 6: your album pre ordered. I also have your first album, Mirror.

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Speaker 6: I have a fine copy of both, so looking forward

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Speaker 6: to the album. I'm going to be at the show

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Speaker 6: in uh February as well, so looking forward to all

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Speaker 6: of it.

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Speaker 1: Oh my goodness, I love you. You're so iconic.

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Speaker 2: Wow. Where are you?

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Speaker 6: I'm from Queens, New York. I'm driving to work right now.

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Speaker 2: Wait when when's the show?

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Speaker 6: February twentieth?

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Speaker 2: You're in town till February.

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Speaker 1: We have a couple other shows before that.

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Speaker 2: I just love it. So you being yelled at on

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Speaker 2: the streets I'm never been in this place. Well, look,

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Speaker 2: you know there are many many Lauren Spencer fans, Lauren

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Speaker 2: Spencer Smith fans like you, and uh, you're you're all

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Speaker 2: going to gather together. There's that energy that I mean,

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Speaker 2: You're only there to see one person, so that energy

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Speaker 2: is going to be amazing. Have a great time at

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Speaker 2: the show. Do me a favor, moye. After the show

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Speaker 2: in February, if we're all still working here, call us

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Speaker 2: and let us know how it was. Okay, of course, Elvis,

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Speaker 2: I love you.

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Speaker 6: I just want to say that I've been listening to

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Speaker 6: you guys for five years almost. You guys make my

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Speaker 6: day every day on my way to work. I love

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Speaker 6: you guys.

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Speaker 2: Well, thank you. Keep working and you need a longer

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Speaker 2: commute so we can spend more time together every day.

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Speaker 6: No, no, I have enough of a long commute.

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Speaker 2: Thank you. Okay, keep it, keep it that way. Thank

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Speaker 2: you so much more. Have a great day.

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Speaker 6: Okay.

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Speaker 2: This's a thing, you know, every winter or every Christmas season,

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Speaker 2: we do our jingle Ball concert at the Garden, right,

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Speaker 2: and it's that one night a year where almost everyone

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Speaker 2: in the entire garden is there because we brought them

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Speaker 2: there so we feel like people like us. Yeah, so

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Speaker 2: you know, you can walk down the streets in New

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Speaker 2: York and people yell at you and throw things at you.

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Speaker 2: But in that room in February, we need to do

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Speaker 2: your show. It's nothing but you and they're there, and

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Speaker 2: so yeah, is that real? Is that real life?

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Speaker 1: Yeah? Real life?

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Speaker 2: Okay, I don't know. I don't think it's real life.

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Speaker 2: You're stuffing the ballot box with people that like you.

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Speaker 1: That's that's honestly. My favorite part about a hard ticket show.

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Speaker 7: Is that everyone has my ticket to only see me,

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Speaker 7: and so the love feels so mutual.

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Speaker 2: It's very obvious. Maybe I should even bring it up

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Speaker 2: any other questions before she forgets the words of next,

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Speaker 2: I don't do that. I'm kidding. I'm kidding. Let's let's

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Speaker 2: can we have a glass of wine or something. There's

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Speaker 2: nothing wrong with.

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Speaker 1: That, exactly, nothing normalize it.

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Speaker 4: I learned something from her. I didn't realize that when

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Speaker 4: artists forget the lyrics, they just yell to the crowd like.

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Speaker 3: How you doing today, New York, And they put someone's

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Speaker 3: in the middle of a verse and just starts yelling

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Speaker 3: the words were forgotten.

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Speaker 1: For sure, to.

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Speaker 2: Self yeah, we're learning a lot about this business of you.

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Speaker 3: Maybe I shouldn't have given that away. It's like everyone's

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Speaker 3: gonna blame me.

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Speaker 2: We have secrets here in our industry as well. Oh god, yeah,

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Speaker 2: you call and request a song, we never play it.

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Speaker 1: It's true, right yeah.

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Speaker 2: I mean if someone called right now, hey, can you play? No,

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Speaker 2: I mean, but we say yes because the chances are

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Speaker 2: we're going to play it eventually, because we played the

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Speaker 2: same four songs over and over over.

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Speaker 1: When you hear it, you think it was yah.

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Speaker 2: But it's not. Any other secrets from the music business

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Speaker 2: you want to share with.

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Speaker 1: Us, Maybe you don't think so, all right, Yeah.

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Speaker 2: So Lauren Spencer Smith nice enough to wake up in

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Speaker 2: the middle of the night to come in here and

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Speaker 2: looking up unreleased music from the album of course the

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Speaker 2: art of being a mess? What part of being a

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Speaker 2: mess is looking up about?

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Speaker 3: Ooh uh, it's actually a very sad song. I one

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Speaker 3: of my best friends passed away when I was in

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Speaker 3: high school, and I that's kind of what the whole

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Speaker 3: song is about. It took me like seven years to

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Speaker 3: get the courage to write the song.

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Speaker 2: And what did this song do to help move you

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Speaker 2: over that? Point. Yeah.

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Speaker 3: Honestly, I felt like even at the time, I didn't

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Speaker 3: know necessarily feel ready. But everyone who I wrote it

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Speaker 3: with is they're just the best people. They're so comforting,

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Speaker 3: They're like my favorite people to collaborate with. And it

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Speaker 3: just felt like such a safe space and everyone understood

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Speaker 3: what I was going through and they had been through

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Speaker 3: it too.

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Speaker 1: But after we wrote it, I felt like a part.

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Speaker 3: Of me had been healed, that I finally said what

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Speaker 3: I wanted to do on a song.

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Speaker 2: And what a gift it is to be able to

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Speaker 2: retreat to your own space, yeah and sit down and write.

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Speaker 1: Yeah, it's such a gift.

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Speaker 2: And now we're going to hear what that is? All right, scary,

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Speaker 2: let's do it. Lauren Spencer Smith, this is looking up.

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Speaker 5: Wow.

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Speaker 7: Well, why that was awesome?

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Speaker 2: Wow? And you didn't look at the words one time?

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Speaker 1: No, I remember them.

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Speaker 2: Yeah, and I can see why you. I can see

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Speaker 2: why you wouldn't forget those. Yeah, pretty Johnny, thank you. Wow,

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Speaker 2: that was awesome.

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Speaker 1: Thank you.

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Speaker 2: Any thoughts, what do you think remind me of my dad?

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Speaker 5: Talk about I lost my dad, like you know, you know,

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Speaker 5: a couple of years back, and like I was, I

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Speaker 5: always think those same things, like where'd you go? Like,

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Speaker 5: I think you're in heaven, but you know, give me

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Speaker 5: more signs, and so it's kind of like, you know,

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Speaker 5: I don't want to start crying.

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Speaker 1: That's exactly, honestly what the song is about.

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Speaker 3: Like I didn't necessarily grow up with a super strong

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Speaker 3: sense of faith, and I think that's something people really

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Speaker 3: struggle with in grief.

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Speaker 4: So I'm glad that you connected me to the song.

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Speaker 4: I think there are cars full of crying people right now.

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Speaker 1: Yeah, I'm sorry, everyone happy?

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Speaker 2: Is it weird that I think of my dad?

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Speaker 7: I look down, there's album about that?

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Speaker 2: What's that? Scary?

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Speaker 6: Nothing?

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Speaker 2: We have the recorded song right here? We have a

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Speaker 2: recorded song here? What is it? What is it?

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Speaker 1: It's in the system.

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Speaker 2: Okay, earlier we're speaking other languages. All the best to you,

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Speaker 2: thank you. And so how many cities do you have

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Speaker 2: ahead of you on this tour? You're going, God, oh god?

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Speaker 1: That seventy Yeah, what a lot.

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Speaker 2: You know in the typical world of touring, is is

396
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Speaker 2: that like a heavy number or is that light?

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Speaker 1: I don't know.

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Speaker 3: Yeah, it's like a decent It's not like Ed Sheeran

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Speaker 3: like bros on tour every day but for my status,

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Speaker 3: I think that's a decent amount of shode.

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Speaker 2: That's a lot.

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Speaker 1: Yeah, no breaks in there. It's just no, there's breaks.

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Speaker 1: There's it's not oh my god, seventy straight who even

404
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Speaker 1: every other day would be a lot.

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Speaker 3: Yeah, there's like, you know, like a six week chunk,

406
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Speaker 3: a little break Australia break.

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Speaker 1: You got time to like next week.

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Speaker 5: Look around while you're in these different places.

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Speaker 3: It depends on the place. Some days we have a

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Speaker 3: day off, I'm like, whoo, Paris, and then other days

411
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Speaker 3: you're like, wow, that was nice Milan and they weren't

412
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Speaker 3: even there.

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Speaker 2: What's it like? I mean touring, being on stage, the

414
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Speaker 2: family unit that's traveling from show to show to show

415
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Speaker 2: and then it's done.

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Speaker 1: It's pretty sad.

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00:18:07,359 --> 00:18:09,480
Speaker 2: Talk about that. Yeah, it's a bitter sweet thing or

418
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Speaker 2: more better than sweet.

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Speaker 1: Honestly.

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Speaker 3: I my entire touring party. I love like I didn't

421
00:18:13,720 --> 00:18:16,040
Speaker 3: necessarily grow up with a huge family, and so I

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Speaker 3: love being around people. I love living on a bus

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Speaker 3: with everyone. It's just it's so stupid. It's just fun.

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Speaker 2: Are you an only child?

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Speaker 3: No, I had a brother and some step siblings. It's

426
00:18:26,520 --> 00:18:30,440
Speaker 3: a complicated disaster. Yeah, right, So when my touring party

427
00:18:30,480 --> 00:18:32,400
Speaker 3: is not complicated. Everyone just loves each other.

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Speaker 2: So girls for the tour bus tour bush rules, no.

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Speaker 1: Pooing, Yeah that's automatic.

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Speaker 2: Okay.

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Speaker 3: We have like a bed time, you know, like no

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Speaker 3: one's allowed to like go crazy after midnight. We're all

433
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Speaker 3: trying to sleep. But I feel like it's just you

434
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Speaker 3: have to have a good vibe.

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Speaker 1: You gotta be funny, you.

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Speaker 2: Know, for anyone who grew up, I was kind of

437
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Speaker 2: an only child too, But this is I think that's

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Speaker 2: why I like coming in this room every day because

439
00:18:55,880 --> 00:18:57,560
Speaker 2: I have this is the family, so you know exactly

440
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Speaker 2: what that's about.

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00:18:58,240 --> 00:19:01,520
Speaker 3: I feel like I'm camping with everyone so much fun.

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Speaker 1: Yeah, I like that.

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Speaker 2: It's been a pleasure having here. Lauren Lauren Spencer Smith

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Speaker 2: album The Art of Being a Mess. It officially drops

445
00:19:08,760 --> 00:19:11,359
Speaker 2: June twenty seventh. June twenty seventh, that's this month.

446
00:19:11,359 --> 00:19:13,720
Speaker 1: Yeah, eight days next Friday.

447
00:19:13,760 --> 00:19:15,600
Speaker 2: Yeah, this is like Christmas Eve a little bit. I'm like, yeah,

448
00:19:15,600 --> 00:19:17,800
Speaker 2: oh god, it's almost here. Yeah, are you like scratching

449
00:19:17,800 --> 00:19:18,760
Speaker 2: yourself because you're nervous?

450
00:19:18,800 --> 00:19:21,000
Speaker 3: And I'm just excited for it to be out and

451
00:19:21,040 --> 00:19:22,720
Speaker 3: everyone to have all the songs.

452
00:19:22,440 --> 00:19:25,119
Speaker 2: And what's done is done. Yeah, you're happy with what's

453
00:19:25,240 --> 00:19:27,160
Speaker 2: going to be there. There are some artists that are

454
00:19:27,200 --> 00:19:29,959
Speaker 2: never happy, like we can't release this yet, we have

455
00:19:30,040 --> 00:19:30,560
Speaker 2: to release it.

456
00:19:30,680 --> 00:19:32,920
Speaker 3: Yeah, I could definitely find things within it, like oh

457
00:19:32,960 --> 00:19:34,800
Speaker 3: I could like I could do this better, but I'll just.

458
00:19:34,760 --> 00:19:37,280
Speaker 1: Be doing that forever. So it is what it is.

459
00:19:37,280 --> 00:19:38,520
Speaker 1: It's as perfect as it can be.

460
00:19:38,640 --> 00:19:40,639
Speaker 2: I wonder if Through the Age, as any ego blasted

461
00:19:40,720 --> 00:19:42,680
Speaker 2: artist ever said, I know it's been out for a week.

462
00:19:42,720 --> 00:19:45,840
Speaker 2: We got to bring it back and recall everything. I

463
00:19:45,880 --> 00:19:48,480
Speaker 2: bet they have. I bet they've remastered things and re

464
00:19:48,480 --> 00:19:49,200
Speaker 2: recorded things.

465
00:19:50,359 --> 00:19:52,919
Speaker 3: Artists are crazy, like we drive ourselves nuts with like

466
00:19:52,960 --> 00:19:54,960
Speaker 3: oh the guitar is not right, or like this vocal

467
00:19:55,160 --> 00:19:56,159
Speaker 3: isn't the same like it.

468
00:19:56,560 --> 00:19:59,720
Speaker 2: Yeah, but it doesn't sound like you're really obsessing over

469
00:20:00,000 --> 00:20:01,679
Speaker 2: anything crazy about this album. It sounds like you're very

470
00:20:01,680 --> 00:20:02,280
Speaker 2: pleased with it.

471
00:20:02,400 --> 00:20:02,640
Speaker 1: Yeah.

472
00:20:02,680 --> 00:20:04,920
Speaker 3: I'm like this needed to come out, this has We've

473
00:20:04,920 --> 00:20:06,080
Speaker 3: been writing it for too long.

474
00:20:06,080 --> 00:20:07,320
Speaker 1: I'm like, let's put on now, all.

475
00:20:07,320 --> 00:20:10,120
Speaker 2: Right, all right, let's do it. The Art of Being

476
00:20:10,119 --> 00:20:13,120
Speaker 2: a Mess out to twenty seventh of this month, Lauren

477
00:20:13,119 --> 00:20:15,240
Speaker 2: Spencer Smith, thanks for being here today. That was awesome.

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Speaker 1: Thanks for having me