WEBVTT - Mapmaking with Don Placek

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<v Speaker 1>Welcome back to another edition of the Friday Podcast. Today's

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<v Speaker 1>episode is brought to you by dream Goolf. I'm sure

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<v Speaker 1>Free at dreamgolf dot com backslash Giveaway. Today's episode is

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<v Speaker 1>with Don Plaisak. Don is a partner at Renaissance Golf Design.

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<v Speaker 1>Don lives up in Traverse City. I interviewed him in

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<v Speaker 1>his office up there when I was on a recent

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<v Speaker 1>stay in northern Michigan. This is kind of a free

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<v Speaker 1>flowing conversation. We talk a lot about Don's art. It's

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<v Speaker 1>world renowned golf art. He does all the routing maps

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<v Speaker 1>for Renaissance Golf, Tom doakes projects, and it's becoming a

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<v Speaker 1>bigger and bigger part of his his daily life. So

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<v Speaker 1>we talk a little bit about drawing golf holes, which

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<v Speaker 1>is probably something many of you have done in your

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<v Speaker 1>childhood slash adult life, as well as designing and working

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<v Speaker 1>with golf courses. So, without further ado, here is Don Plasik.

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<v Speaker 2>I miss the green, for example, I'm already upset when

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<v Speaker 2>I find my ball in the bunker, I'm really upset.

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<v Speaker 2>And when I find my.

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<v Speaker 3>Ball in a bright egg Friday egg, the dreaded Frida egg,

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<v Speaker 3>Frida egg, Frida egg, bride egg Lie.

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<v Speaker 2>I'm about ready to run off the golf course. All right,

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<v Speaker 2>let's just start there.

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<v Speaker 3>Okay.

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<v Speaker 2>Why Why is consulting tough?

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<v Speaker 3>Oh? I think I think consulting You got to talk

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<v Speaker 3>into the mic though.

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<v Speaker 2>Okay, how's that? Is that better? That's better?

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<v Speaker 3>Okay, I'll try again. Why is consulting tough? That's a

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<v Speaker 3>great question. It's it's a challenge because getting golf architecture

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<v Speaker 3>right is not like solving a Rubic's cube.

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<v Speaker 2>There.

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<v Speaker 3>There's there's really no right, clear, black and white answer.

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<v Speaker 3>It's just varying degrees of rightness, and you're dealing with

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<v Speaker 3>decision makers and you're often interrupting day to day golf,

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<v Speaker 3>which a lot of people don't care enough about the

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<v Speaker 3>architecture as long as they get all their golf in

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<v Speaker 3>when they want to play it. You know, geographically, if

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<v Speaker 3>you're in a place where the golf season is short,

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<v Speaker 3>you're you're already got one arm tied behind your back

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<v Speaker 3>because no one wants the golf course interrupted. They just

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<v Speaker 3>want to play, and you have to. They're the members,

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<v Speaker 3>they own the place. It's theirs. So you know, it's

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<v Speaker 3>a there are just so many moving parts, and the

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<v Speaker 3>idea that something could be better is an easy thing

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<v Speaker 3>to say. What's really tough is getting the traction you

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<v Speaker 3>need to actually physically make it better. And over my years,

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<v Speaker 3>in different contexts, I've found that, you know, if you're

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<v Speaker 3>able to socialize what you're trying to do to the

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<v Speaker 3>right people at the club that are that don't need

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<v Speaker 3>to be sold on anything, they already understand it or

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<v Speaker 3>they've they've learned it, and then they're they're internally getting

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<v Speaker 3>that information around and inside the club. That's when you

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<v Speaker 3>can get the balloon off the ground. If you're always

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<v Speaker 3>on the outside trying to convince people that this is

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<v Speaker 3>better and this is why, but inherently they're just not

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<v Speaker 3>that interested. You know that that can make things really,

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<v Speaker 3>really tough, And sometimes it can be at a golf

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<v Speaker 3>course that has oceans of potential, and that makes it

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<v Speaker 3>a little bit frustrating, and sometimes you hang on to

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<v Speaker 3>those challenges for a longer period of time in hopes

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<v Speaker 3>that you can eventually get there. I mean, the toughest

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<v Speaker 3>part about I don't know if it's the toughest part,

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<v Speaker 3>but one of the biggest challenges of getting something to

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<v Speaker 3>reach its full potential is the pace that you have

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<v Speaker 3>to learn that you're going to go at. And sometimes

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<v Speaker 3>it's an inchworm pace. You know, one year you make

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<v Speaker 3>a lot of progress and then you're not for several years.

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<v Speaker 3>And it could be the economy, it could be a

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<v Speaker 3>green committee, it could be the weather, it could be

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<v Speaker 3>any number of things. So I think as a consultant,

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<v Speaker 3>I think you try and appreciate progress and then work

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<v Speaker 3>at the pace that the club is able to work

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<v Speaker 3>at and try to be satisfied that whatever that is,

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<v Speaker 3>it's not really in your control. All you can do

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<v Speaker 3>is move the needle when it's ready to be moved

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<v Speaker 3>and hopefully do a good job when it does. And

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<v Speaker 3>if you do a good job, maybe you can create

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<v Speaker 3>some more momentum.

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<v Speaker 1>It's in a way, it sounds a little bit like sales.

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<v Speaker 1>You know, you have to find your champion who pushes

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<v Speaker 1>everything through. And I think, you know, I think anybody

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<v Speaker 1>that wants change, whether it be at their local public course,

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<v Speaker 1>their local club, you know, who's tried to push for things,

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<v Speaker 1>you can become You can ostracize the group of people

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<v Speaker 1>really quick and become you know, oh taboo and don't

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<v Speaker 1>talk to that guy. He's you know, and I think

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<v Speaker 1>that's something that people can appreciate. And then, you know,

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<v Speaker 1>you have to deal with so many different stakeholders, right

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<v Speaker 1>and everybody, whether they will admit it or not, greens chair,

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<v Speaker 1>club president, golf pro superintendent, all of them have different

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<v Speaker 1>priorities and deep down want different things and getting them

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<v Speaker 1>all to row in the same direction has got to

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<v Speaker 1>be really tough.

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<v Speaker 3>Yeah, I think that's a that's an excellent point and

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<v Speaker 3>really intuitive. Andy. I think you know that the list

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<v Speaker 3>of players that you just named golf professional superintendent, every

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<v Speaker 3>club's different. You know, the golf professional at one club

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<v Speaker 3>may have clout till the cows come home and whatever

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<v Speaker 3>he says has been and can quickly become gospel. Superintendents

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<v Speaker 3>at some clubs serve you know, that role. What they

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<v Speaker 3>say really goes, and you know the pro is either

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<v Speaker 3>less interested or just not that involved in that kind

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<v Speaker 3>of thing and maybe doesn't want to be. And you know,

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<v Speaker 3>it's it's like every club, the membership dynamic is different

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<v Speaker 3>and as a result, the decision makers who are the

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<v Speaker 3>employees of the members, you know, their ability to influence

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<v Speaker 3>a situation, whether it's a tea or a bunker or

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<v Speaker 3>a tree, or this or that or the other thing

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<v Speaker 3>is all different. And you as a consultant, I think

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<v Speaker 3>if you're lucky enough to be in the business providing

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<v Speaker 3>that service at clubs that have merit for a long

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<v Speaker 3>enough time, you learn that the architecture is what your

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<v Speaker 3>focus is. But what you have to learn to be

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<v Speaker 3>good at, and there's different ways to do it, because

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<v Speaker 3>every club is different, is how do you get there?

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<v Speaker 3>You know, the architecture is foundational, but it's also finite.

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<v Speaker 3>You know, the potential club has tea to green is finite.

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<v Speaker 3>And then it's up to you to try and figure

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<v Speaker 3>out how much can we move this golf course in

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<v Speaker 3>a direction that meets our priorities? And and how do

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<v Speaker 3>you present as many holes as well as you can

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<v Speaker 3>over time? And you have to decide how hard to

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<v Speaker 3>push the people that might get ostracized, Like you just mentioned,

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<v Speaker 3>how hard do you go there? Because if you if

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<v Speaker 3>you break that mechanism, you could in quite possibly be

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<v Speaker 3>you know, finished there. And then and then someone else

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<v Speaker 3>gets elected and now all of a sudden, the club's

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<v Speaker 3>going in an entirely different direction. You know, we've we've

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<v Speaker 3>had really a lot of our work at great clubs

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<v Speaker 3>sort of reversing things that got started for the wrong reason.

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<v Speaker 3>And you know, in my opinion, if if you're if

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<v Speaker 3>those decision makers are still active at a club, whether

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<v Speaker 3>it's a green chair or committee or a board or whoever,

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<v Speaker 3>and and and they started taking the ship in a

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<v Speaker 3>modern direction and they're still around frequently, there's no chance

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<v Speaker 3>of doing any good work there because they don't want

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<v Speaker 3>to admit that they steered the ship that way, spent

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<v Speaker 3>this money, interrupted play, did all these things and it

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<v Speaker 3>maybe it wasn't a good idea. Yeah. So you know,

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<v Speaker 3>any club that goes that way and then has the

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<v Speaker 3>wherewithal to go, you know, the learning curve is sharp,

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<v Speaker 3>and we're paying attention and we've got something really good here.

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<v Speaker 3>We need to reverse engines and slow the ship down

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<v Speaker 3>and chart a new course which is really an old

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<v Speaker 3>course and go back to that. And the clubs that

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<v Speaker 3>are able to do that. I give a lot of

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<v Speaker 3>credit to people that go, you know what, this was

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<v Speaker 3>not good. We thought it was, we were told it was,

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<v Speaker 3>and everyone else was doing it. But the truth is,

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<v Speaker 3>if we do our homework and do some due diligence.

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<v Speaker 3>We've got something special here and we need to go

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<v Speaker 3>back to that. And that's you know, that's really hard

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<v Speaker 3>to do. People don't like to to well expose themselves.

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<v Speaker 1>That person or an organization that is uh, you know,

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<v Speaker 1>it's really easy to say we're doing this and puff

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<v Speaker 1>out your chests about.

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<v Speaker 2>What you're doing and how you're changing.

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<v Speaker 1>It's it's really rare and in a mark of I think,

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<v Speaker 1>you know, just if you're talking about people at a

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<v Speaker 1>personal level, the people that are able to admit, hey.

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<v Speaker 2>I messed up, this was not the right decision.

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<v Speaker 1>You know, that's those are the you know, those are

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<v Speaker 1>the rare human beings.

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<v Speaker 3>Right, that's right, because that's not an that's not a trait.

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<v Speaker 3>It makes you uncomfortable, and we invariably try and avoid

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<v Speaker 3>that kind of stuff, especially in front of our peers,

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<v Speaker 3>and especially with something as special as a as the

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<v Speaker 3>golf holes at a at a private club. I mean,

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<v Speaker 3>that's your that's your whole entire identity, are your presentation

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<v Speaker 3>of your golf holes. And you don't want to be

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<v Speaker 3>the one that that that blew it. So you're I

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<v Speaker 3>couldn't agree with you more. It's that is, and that's

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<v Speaker 3>something that I've been involved with, but it's also something

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<v Speaker 3>that I think can be very rewarding that you can

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<v Speaker 3>do your job well enough to help a group make

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<v Speaker 3>undo a decision that they that they made and and

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<v Speaker 3>you know, for better or worse, we've gotten a bit

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<v Speaker 3>of a reputation. I think of being able to do that,

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<v Speaker 3>not just physically to get bunkers back where they were,

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<v Speaker 3>and greens and things in trees and all the physical

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<v Speaker 3>stuff on a golf course back to what they were,

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<v Speaker 3>but being able to help a club do it, because

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<v Speaker 3>if the club isn't committed with its membership, it really

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<v Speaker 3>doesn't matter. The rest of it is just noise.

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<v Speaker 1>You've got to be it's got to be a cool

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<v Speaker 1>stage of your career at renaissance in the sense that

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<v Speaker 1>you have been working with clubs for long periodiods of time,

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<v Speaker 1>you know, ten twenty years, and you're able to go

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<v Speaker 1>back to them and think back to when you started.

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<v Speaker 1>And I always I get this way a little bit

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<v Speaker 1>with the Frida eg when we roll around to four

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<v Speaker 1>or five year anniversaries where I think back and I

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<v Speaker 1>you know, there's like it got to be a neat

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<v Speaker 1>nostalgia factor when you go visit a club that you've

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<v Speaker 1>worked at for ten plus years.

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<v Speaker 3>Yeah, there's no question about that, and it's that's really

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<v Speaker 3>what's rewarding, especially if the golf course or the golf

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<v Speaker 3>holes really deserved that kind of attention. And I think,

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<v Speaker 3>you know, it's important as we age and do this

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<v Speaker 3>kind of stuff for a while, it is important to

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<v Speaker 3>look back and spend an appropriate amount of time reflecting

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<v Speaker 3>on the successes. Because the truth is, you know, we

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<v Speaker 3>were talking earlier about how a golf course is never

0:13:57.160 --> 0:14:01.960
<v Speaker 3>it's alive, and it's aging andvolving and always changing, and

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<v Speaker 3>so the work is never really done, even though sometimes

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<v Speaker 3>the best work is not doing anything at all. You're

0:14:10.360 --> 0:14:15.560
<v Speaker 3>always paying attention to detail, and it is important to

0:14:15.600 --> 0:14:20.960
<v Speaker 3>look back and reflect. And that's what I think can

0:14:21.040 --> 0:14:27.440
<v Speaker 3>generate patience. And patience in consulting is it's a pretty

0:14:27.480 --> 0:14:31.320
<v Speaker 3>important factor. The question is how patient are you and

0:14:31.360 --> 0:14:34.280
<v Speaker 3>when does it make sense to be impatient? And which

0:14:34.320 --> 0:14:37.520
<v Speaker 3>battle should you fight in order to win the war

0:14:37.680 --> 0:14:39.840
<v Speaker 3>or which one should you back off of so that

0:14:39.920 --> 0:14:44.440
<v Speaker 3>you're still in the game. And I think that's what

0:14:44.520 --> 0:14:49.800
<v Speaker 3>makes consulting really interesting and it always sharpens your game

0:14:49.840 --> 0:14:53.560
<v Speaker 3>because you're always thinking about the ideas that the core

0:14:54.200 --> 0:14:58.200
<v Speaker 3>are pretty fundamental and not that different, but how you

0:14:58.280 --> 0:15:01.680
<v Speaker 3>present them, how you you what how you frame them,

0:15:01.760 --> 0:15:04.640
<v Speaker 3>what context you put them in to help decision makers

0:15:04.880 --> 0:15:08.920
<v Speaker 3>understand better what you're you're trying to achieve and why

0:15:10.160 --> 0:15:13.440
<v Speaker 3>is That's the part that you're just constantly working on

0:15:13.520 --> 0:15:16.760
<v Speaker 3>and that comes with age and experience and hopefully you

0:15:16.800 --> 0:15:19.720
<v Speaker 3>get better at it as you go and you're able

0:15:19.760 --> 0:15:23.640
<v Speaker 3>to speak speak a little more freely because you can

0:15:23.760 --> 0:15:28.960
<v Speaker 3>lean on your experience. That helps you know. Credibility is huge.

0:15:30.280 --> 0:15:33.600
<v Speaker 3>Tom's a perfect example of that. You know, his credibility

0:15:33.680 --> 0:15:36.600
<v Speaker 3>is at the very top, and when he speaks, people

0:15:36.640 --> 0:15:40.200
<v Speaker 3>listen and he can speak more freely because he knows

0:15:40.240 --> 0:15:44.400
<v Speaker 3>they're going to listen, and if, you know, if they don't,

0:15:44.560 --> 0:15:48.440
<v Speaker 3>he can choose to take his wares elsewhere and go

0:15:49.080 --> 0:15:51.800
<v Speaker 3>try and help clubs that want to move in that

0:15:51.880 --> 0:15:58.440
<v Speaker 3>particular direction. So yeah, it's a I think consulting. As

0:15:58.520 --> 0:16:01.040
<v Speaker 3>challenging as it is and always will be, it actually

0:16:01.040 --> 0:16:05.760
<v Speaker 3>makes you better at what you do. Plus, every golf

0:16:05.800 --> 0:16:07.880
<v Speaker 3>hole is different. The more you can see, the better

0:16:07.920 --> 0:16:11.080
<v Speaker 3>you get in Tom's you know, that's one of the

0:16:11.080 --> 0:16:13.920
<v Speaker 3>first lessons of many that I learned from Tom is

0:16:13.960 --> 0:16:18.600
<v Speaker 3>anytime you're around someplace, go see something else that's being

0:16:18.640 --> 0:16:21.320
<v Speaker 3>built or that's been there for a century or whatever.

0:16:21.960 --> 0:16:26.920
<v Speaker 3>Just constantly look around and there's always something to be learned.

0:16:27.120 --> 0:16:31.320
<v Speaker 1>What's one of your favorite diversions when you're somewhere and

0:16:31.400 --> 0:16:34.040
<v Speaker 1>you went and saw something else? So do you have

0:16:34.120 --> 0:16:37.800
<v Speaker 1>one that jumps to mind really off the top of

0:16:37.800 --> 0:16:40.760
<v Speaker 1>your head where you went and down the street or

0:16:41.120 --> 0:16:44.280
<v Speaker 1>you know, out of the way to see something when

0:16:44.320 --> 0:16:45.600
<v Speaker 1>you're visiting somewhere else.

0:16:45.800 --> 0:16:49.040
<v Speaker 3>Yeah, I think that's one of the greatest simple pleasures

0:16:49.080 --> 0:16:52.440
<v Speaker 3>of what we do is, you know, we try and

0:16:52.480 --> 0:16:56.320
<v Speaker 3>be really efficient with our travel. Days on the road,

0:16:56.880 --> 0:16:59.080
<v Speaker 3>days at home are precious, and days on the road

0:16:59.360 --> 0:17:03.840
<v Speaker 3>can stay backup. Anyone that's been in this business knows

0:17:03.880 --> 0:17:07.439
<v Speaker 3>all about that. So when you try and tack something on,

0:17:09.359 --> 0:17:11.320
<v Speaker 3>you know, that can be a double edged sword, especially

0:17:11.320 --> 0:17:13.440
<v Speaker 3>if you have a family and and you know you're

0:17:13.720 --> 0:17:16.480
<v Speaker 3>trying to have a healthy relationship with a spouse and

0:17:16.560 --> 0:17:21.119
<v Speaker 3>all those kinds of things. But you know what I

0:17:21.160 --> 0:17:25.120
<v Speaker 3>think is really interesting is the stuff. The first time

0:17:25.160 --> 0:17:27.640
<v Speaker 3>I was to Australia with Tom, I got to stay

0:17:27.680 --> 0:17:31.879
<v Speaker 3>a couple extra days and Mike Clayton took me around

0:17:32.000 --> 0:17:37.840
<v Speaker 3>to see everything in the sand Belt. But there's always

0:17:38.000 --> 0:17:40.639
<v Speaker 3>you know, the great courses get all the ink. But

0:17:40.680 --> 0:17:44.600
<v Speaker 3>if you go another five or seven miles out of

0:17:44.640 --> 0:17:47.400
<v Speaker 3>the sand Belt, the stuff that's there that no one

0:17:47.480 --> 0:17:50.959
<v Speaker 3>hears about because of all the marquee stuff in the

0:17:51.000 --> 0:17:56.040
<v Speaker 3>sand Belt would be top fifty in a lot of

0:17:56.080 --> 0:17:58.639
<v Speaker 3>other places in the world, and they just get lost

0:17:58.680 --> 0:18:03.600
<v Speaker 3>in the shuffle because as you know, Shinnacock and the National.

0:18:04.080 --> 0:18:06.640
<v Speaker 2>You know, Southampton and a perfect example.

0:18:06.800 --> 0:18:09.600
<v Speaker 3>Yeah, and I think a lot of metropolitan areas that

0:18:09.680 --> 0:18:14.440
<v Speaker 3>had the luxury of we consider now a name architect

0:18:14.520 --> 0:18:16.760
<v Speaker 3>from the Golden Age that came in and did something

0:18:16.800 --> 0:18:19.119
<v Speaker 3>because it was a big city and that's where the

0:18:19.119 --> 0:18:22.119
<v Speaker 3>people were that didn't have golf, that wanted it. The

0:18:22.200 --> 0:18:24.560
<v Speaker 3>stuff around it, if it ends up being good, just

0:18:25.080 --> 0:18:28.879
<v Speaker 3>it just it just can't compete. And you know, a

0:18:28.920 --> 0:18:32.919
<v Speaker 3>lot of the maintenance and presentation of those places is

0:18:33.080 --> 0:18:36.439
<v Speaker 3>really the model we should spend our time paying attention to,

0:18:37.000 --> 0:18:42.840
<v Speaker 3>not the model of the marquee places. And so you know,

0:18:43.200 --> 0:18:48.000
<v Speaker 3>the United Kingdom is there's just countless examples of just

0:18:48.040 --> 0:18:50.520
<v Speaker 3>a little farther off the beaten track or on your

0:18:50.560 --> 0:18:54.719
<v Speaker 3>way from here to there, at all the the golf

0:18:54.760 --> 0:18:57.240
<v Speaker 3>tour stops that you got to make if you're going

0:18:57.320 --> 0:19:01.480
<v Speaker 3>over there, that's when you find there's just countless examples.

0:19:01.520 --> 0:19:04.280
<v Speaker 3>And it's not because that's a top hundred course, but

0:19:04.320 --> 0:19:08.879
<v Speaker 3>it's probably got some top hundred holes on it, and

0:19:09.040 --> 0:19:11.520
<v Speaker 3>the reasons for that are countless.

0:19:11.840 --> 0:19:13.080
<v Speaker 2>I was driving back.

0:19:14.640 --> 0:19:17.359
<v Speaker 1>From a trip with my wife once and we were

0:19:17.440 --> 0:19:20.959
<v Speaker 1>driving through upper part of Wisconsin, and I knew we

0:19:20.960 --> 0:19:24.880
<v Speaker 1>were driving right by Pine Hills, which is in Sheboygan

0:19:24.960 --> 0:19:29.199
<v Speaker 1>Cohler and We're driving and I said to my wife,

0:19:29.440 --> 0:19:33.000
<v Speaker 1>I'm like, hey, I need to make a stop. It's

0:19:33.000 --> 0:19:35.520
<v Speaker 1>only going to take twenty minutes. And I could see

0:19:35.560 --> 0:19:37.320
<v Speaker 1>my wife rolling her eyes because.

0:19:37.760 --> 0:19:39.639
<v Speaker 3>You know, it never takes twenty minutes.

0:19:39.760 --> 0:19:42.480
<v Speaker 1>So you know, it was late in the afternoon, and

0:19:42.560 --> 0:19:46.200
<v Speaker 1>I stopped. I got off the road. I drove into

0:19:46.240 --> 0:19:48.200
<v Speaker 1>the parking and they have like a long drive. I

0:19:48.280 --> 0:19:51.119
<v Speaker 1>drove into the driveway, I just parked the car and

0:19:51.200 --> 0:19:53.679
<v Speaker 1>I literally I had running shoes on. I got out

0:19:53.800 --> 0:19:57.280
<v Speaker 1>and I ran around the golf course. It's like I

0:19:57.359 --> 0:20:00.600
<v Speaker 1>must have run two and a half miles, like and

0:20:00.640 --> 0:20:03.800
<v Speaker 1>I just ran just to see what was going on,

0:20:03.960 --> 0:20:07.480
<v Speaker 1>and I was like, oh my god, this what's is unbelievable.

0:20:07.560 --> 0:20:09.200
<v Speaker 2>And it was even just doing that.

0:20:09.359 --> 0:20:11.600
<v Speaker 1>I saw it and I was like, Okay, I have

0:20:11.680 --> 0:20:12.440
<v Speaker 1>to come back here.

0:20:12.720 --> 0:20:14.680
<v Speaker 2>Like you know, it's like the affirmation is, like.

0:20:15.359 --> 0:20:18.119
<v Speaker 1>I think, one of the fun most fun things, you know.

0:20:18.160 --> 0:20:20.400
<v Speaker 1>I did a podcast with Tom a few months ago,

0:20:21.000 --> 0:20:23.440
<v Speaker 1>and I was telling him about my drive from from

0:20:23.600 --> 0:20:27.840
<v Speaker 1>Kansas to Nebraska. I was going from Prairie Dunes to

0:20:27.840 --> 0:20:31.680
<v Speaker 1>to wild Horse and it was you know, Tom's obviously

0:20:31.840 --> 0:20:35.639
<v Speaker 1>the world traveler, the explorer loves stopping at random places.

0:20:35.720 --> 0:20:38.760
<v Speaker 1>I've told him how I like rubber necked in this

0:20:38.840 --> 0:20:42.919
<v Speaker 1>little town in Kansas, Ellsworth, Kansas. I rubbernecked because I

0:20:42.920 --> 0:20:45.199
<v Speaker 1>saw this golf course to my right and just the

0:20:45.240 --> 0:20:48.359
<v Speaker 1>way the holes laid over the ground you were. And

0:20:48.400 --> 0:20:50.159
<v Speaker 1>then I you know, I was talking to a buddy

0:20:50.160 --> 0:20:52.120
<v Speaker 1>on the phone and I'm like, hey, can you look

0:20:52.160 --> 0:20:55.080
<v Speaker 1>up Ellsworth golf course? Like yeah, Like he looked at

0:20:55.160 --> 0:20:57.640
<v Speaker 1>He's like nineteen twenty It's like nineteen twenty four.

0:20:58.040 --> 0:20:59.919
<v Speaker 2>So I like, I like, turn, I pulled a U,

0:21:00.240 --> 0:21:01.120
<v Speaker 2>I got out. I want.

0:21:01.400 --> 0:21:04.159
<v Speaker 1>I just looked at it for ten minutes, but it

0:21:04.240 --> 0:21:05.680
<v Speaker 1>was you know, I had to be somewhere.

0:21:05.680 --> 0:21:09.120
<v Speaker 2>But that is I think one of the neatest things

0:21:09.160 --> 0:21:10.480
<v Speaker 2>about you know it.

0:21:10.680 --> 0:21:12.359
<v Speaker 1>You know, in a way, it's like when you find

0:21:12.400 --> 0:21:16.120
<v Speaker 1>the great restaurant that nobody knows about. Absolutely, you find

0:21:16.160 --> 0:21:18.520
<v Speaker 1>the cool bar that's tucked away in the in the

0:21:18.600 --> 0:21:19.480
<v Speaker 1>corner of a town.

0:21:19.600 --> 0:21:24.000
<v Speaker 3>We all have that motivation for that pleasure in that discovery.

0:21:24.080 --> 0:21:26.920
<v Speaker 3>I mean, it's there are a lot of parallels I

0:21:27.000 --> 0:21:29.879
<v Speaker 3>think of Music's probably the easiest one for me, when

0:21:29.960 --> 0:21:32.920
<v Speaker 3>you hear a track that you've never heard before from

0:21:32.920 --> 0:21:37.520
<v Speaker 3>a band you've never heard of, and you know, music's

0:21:37.600 --> 0:21:40.560
<v Speaker 3>that way when you hear it, it takes seconds and

0:21:40.640 --> 0:21:43.680
<v Speaker 3>you know you dig it and you can't put your

0:21:43.680 --> 0:21:46.159
<v Speaker 3>finger on it. But that is one of life's greatest

0:21:46.200 --> 0:21:48.800
<v Speaker 3>simple pleasures, is hearing a song you've never heard before

0:21:49.400 --> 0:21:52.840
<v Speaker 3>that leads you down, you know, a path to learning

0:21:52.880 --> 0:21:55.960
<v Speaker 3>more about the band and hearing another track and another track,

0:21:56.280 --> 0:21:59.480
<v Speaker 3>and and it's endless and in new Music's all around

0:21:59.560 --> 0:22:01.800
<v Speaker 3>us all the time, and that's one of the that's

0:22:01.840 --> 0:22:04.919
<v Speaker 3>one of the most enjoyable things. I know. Music's a

0:22:04.960 --> 0:22:07.160
<v Speaker 3>huge part of my life. So that's just an easy

0:22:07.359 --> 0:22:10.520
<v Speaker 3>analogy for me. But it's a lot like that, and

0:22:11.359 --> 0:22:15.000
<v Speaker 3>it's just enjoyable. It's fun to discover a band. I mean,

0:22:15.160 --> 0:22:18.399
<v Speaker 3>like we were just talking about earlier, the Revivalist playing

0:22:18.640 --> 0:22:21.600
<v Speaker 3>two hundred yards from our office several years ago, and

0:22:21.640 --> 0:22:24.520
<v Speaker 3>now they're you know, they've hit the scene. They've hit

0:22:24.560 --> 0:22:28.520
<v Speaker 3>the scene, and it's fun to be to be able

0:22:28.560 --> 0:22:30.720
<v Speaker 3>to say, you know, I saw them when.

0:22:31.119 --> 0:22:31.320
<v Speaker 1>Yeah.

0:22:31.400 --> 0:22:34.320
<v Speaker 3>And you know, like you said on your drive, if

0:22:34.359 --> 0:22:37.399
<v Speaker 3>you're driving past something that looks interesting and then you

0:22:37.480 --> 0:22:40.919
<v Speaker 3>learn it was built in the twenties, it's worth taking

0:22:41.080 --> 0:22:45.439
<v Speaker 3>a visual listen. Yeah, very rarely do you regret making

0:22:45.480 --> 0:22:48.000
<v Speaker 3>a stop like that, because there probably is at least

0:22:48.000 --> 0:22:51.119
<v Speaker 3>a couple of holes that are like, wow, that's nifty.

0:22:51.200 --> 0:22:52.439
<v Speaker 3>I'd like to have a go at that.

0:22:53.160 --> 0:22:56.000
<v Speaker 2>Yeah. And that's that's the thing I mean I think about.

0:22:56.280 --> 0:23:00.359
<v Speaker 1>I always think about, like, what's the number of bad

0:23:00.440 --> 0:23:03.720
<v Speaker 1>holes that a course can have and still be great?

0:23:04.000 --> 0:23:05.480
<v Speaker 2>Like mediocre holes?

0:23:05.880 --> 0:23:06.080
<v Speaker 3>Yeah?

0:23:06.280 --> 0:23:08.480
<v Speaker 1>But then there's also like the flip side of it

0:23:08.520 --> 0:23:12.159
<v Speaker 1>is like what's the number of good holes does a

0:23:12.200 --> 0:23:14.439
<v Speaker 1>course need to have in order to be that?

0:23:14.480 --> 0:23:16.440
<v Speaker 2>You need to see it, you know, like that you

0:23:16.480 --> 0:23:17.240
<v Speaker 2>should see it.

0:23:17.480 --> 0:23:20.720
<v Speaker 1>And you know, there's the there's a great little nine

0:23:20.720 --> 0:23:24.280
<v Speaker 1>hole that I found called Eagle Springs in Wisconsin.

0:23:24.320 --> 0:23:26.560
<v Speaker 2>It's in the kind of it's kind of.

0:23:26.520 --> 0:23:29.240
<v Speaker 1>Like an hour or so from Milwaukee, but in the

0:23:29.280 --> 0:23:34.480
<v Speaker 1>sticks and the first two holes are like knock your

0:23:34.520 --> 0:23:35.320
<v Speaker 1>socks off.

0:23:35.160 --> 0:23:37.159
<v Speaker 2>Holes, right, And I say to people, like.

0:23:37.720 --> 0:23:40.439
<v Speaker 1>It's worth just going and playing the first two holes.

0:23:40.800 --> 0:23:42.560
<v Speaker 1>You can decide to play the rest of the seven.

0:23:42.920 --> 0:23:44.560
<v Speaker 1>But if you if you pay the I think it's

0:23:44.600 --> 0:23:47.840
<v Speaker 1>twenty bucks. Those two holes are you know, out of

0:23:47.920 --> 0:23:48.399
<v Speaker 1>this world.

0:23:48.600 --> 0:23:51.159
<v Speaker 3>Yeah, that was worth the seven fifty per hole that

0:23:51.200 --> 0:23:52.200
<v Speaker 3>you paid to play.

0:23:52.000 --> 0:23:53.840
<v Speaker 2>Those exactly, yeah, exactly.

0:23:54.600 --> 0:23:57.879
<v Speaker 3>It's this is interesting to me because again it's it's music.

0:23:57.960 --> 0:24:02.280
<v Speaker 3>You know, I'm way older than you. I bought cassette

0:24:02.320 --> 0:24:07.359
<v Speaker 3>tapes and LPs for a time, and then CDs, and

0:24:07.400 --> 0:24:12.080
<v Speaker 3>now music has evolved into this whole completely different way

0:24:12.119 --> 0:24:15.080
<v Speaker 3>that we find new music listen to new music. But

0:24:15.160 --> 0:24:18.280
<v Speaker 3>my metric for buying a CD to put into my

0:24:18.320 --> 0:24:21.560
<v Speaker 3>collection was I needed to hear three tracks from the

0:24:21.640 --> 0:24:24.159
<v Speaker 3>album that I liked enough to buy the CD. And

0:24:24.200 --> 0:24:26.360
<v Speaker 3>that was kind of my recipe. If it only had one,

0:24:26.400 --> 0:24:29.199
<v Speaker 3>I probably wouldn't Two was kind of a push, but

0:24:29.280 --> 0:24:31.000
<v Speaker 3>I needed to have three out of the ten or

0:24:31.000 --> 0:24:33.360
<v Speaker 3>twelve and then I would add it to my collection.

0:24:33.480 --> 0:24:35.240
<v Speaker 3>And I don't think that's any different than what you

0:24:35.400 --> 0:24:37.640
<v Speaker 3>just subscribed. If those first three holes are really good,

0:24:37.680 --> 0:24:40.840
<v Speaker 3>it's okay that the others aren't that great because you

0:24:40.840 --> 0:24:43.000
<v Speaker 3>can go listen to the first three tracks again.

0:24:43.200 --> 0:24:46.359
<v Speaker 1>Well that's like the interesting thing too with music about

0:24:47.040 --> 0:24:50.119
<v Speaker 1>when you see bands, Like it's so fun to watch

0:24:50.160 --> 0:24:54.040
<v Speaker 1>a band rise up, Like, you know, there's this band,

0:24:54.080 --> 0:24:57.359
<v Speaker 1>Lord Heuron that I saw in Austin that was tiny ooh,

0:24:57.400 --> 0:24:59.440
<v Speaker 1>you know, and then they became bigger. But then I

0:24:59.480 --> 0:25:03.600
<v Speaker 1>went to Cago show and Leon Bridges opened for them,

0:25:03.840 --> 0:25:07.200
<v Speaker 1>and now Leon Bridges is you know, trending towards.

0:25:06.880 --> 0:25:08.359
<v Speaker 2>Superstardom, right, you know.

0:25:08.560 --> 0:25:11.440
<v Speaker 1>And it's so funny because like I found this little band.

0:25:11.680 --> 0:25:13.720
<v Speaker 1>But when you go to a small when you go

0:25:13.800 --> 0:25:16.720
<v Speaker 1>to the band early on, you go to a concert,

0:25:17.320 --> 0:25:20.840
<v Speaker 1>there's really you're going for three or four songs, yeah,

0:25:20.880 --> 0:25:23.800
<v Speaker 1>And then you realize the really great bands when you

0:25:23.840 --> 0:25:27.080
<v Speaker 1>go see you know, Red like for me, Red Hot

0:25:27.160 --> 0:25:29.760
<v Speaker 1>Chili Peppers. Sure they can fill a show, and you

0:25:29.800 --> 0:25:32.919
<v Speaker 1>feel like, oh, they didn't even play these songs that

0:25:32.960 --> 0:25:37.399
<v Speaker 1>I love because they have the whole cash exactly. And

0:25:37.440 --> 0:25:40.359
<v Speaker 1>it's it's it's really similar to golf courses where, like

0:25:40.400 --> 0:25:43.560
<v Speaker 1>the really great courses, every single hole you're like, you

0:25:43.680 --> 0:25:46.440
<v Speaker 1>just want more and more, yes, But but then with

0:25:46.720 --> 0:25:48.679
<v Speaker 1>you know, the up and comers, it's like, oh, a

0:25:48.680 --> 0:25:51.040
<v Speaker 1>couple holes here, a couple holes there, yea, and those

0:25:51.040 --> 0:25:53.400
<v Speaker 1>are totally they're worth seeing.

0:25:53.480 --> 0:25:56.040
<v Speaker 3>For sure, you know, yeah, for sure. And and I

0:25:56.200 --> 0:25:57.640
<v Speaker 3>you know, at the end of the day, I think

0:25:57.680 --> 0:26:00.200
<v Speaker 3>anytime you see a golf hole you haven't seen, or

0:26:00.320 --> 0:26:04.480
<v Speaker 3>even if they are in your estimation all eighteen or

0:26:04.560 --> 0:26:10.000
<v Speaker 3>just mediocre, there's still something if you're plagued with the

0:26:10.040 --> 0:26:14.959
<v Speaker 3>disease of being interested in golf architecture, that you'll find

0:26:15.600 --> 0:26:19.400
<v Speaker 3>that you take away. There's always a takeaway, even if

0:26:19.440 --> 0:26:23.359
<v Speaker 3>it's like, well, that situation is so bad, you know,

0:26:23.400 --> 0:26:26.879
<v Speaker 3>that shouldn't shouldn't have happened at all, and you're still

0:26:26.880 --> 0:26:30.240
<v Speaker 3>taking away that you're still learning something from it. But

0:26:30.359 --> 0:26:32.840
<v Speaker 3>maybe there's a way that three holes flow together, even

0:26:32.880 --> 0:26:36.440
<v Speaker 3>though they're not great holes, the walk is just lovely.

0:26:37.080 --> 0:26:39.919
<v Speaker 3>That's still something, you know, that's still a takeaway. And

0:26:40.119 --> 0:26:43.280
<v Speaker 3>I think that's what we have all gotten over time.

0:26:43.359 --> 0:26:46.919
<v Speaker 3>From Tom. And I'm not nearly as good at or

0:26:46.960 --> 0:26:52.960
<v Speaker 3>willing or dedicated as Eric Iverson and Brian Slonik and

0:26:53.080 --> 0:26:57.159
<v Speaker 3>Brian Schneider, who probably has seen more golf holes than

0:26:57.200 --> 0:27:01.960
<v Speaker 3>any other human being. What he knows and that's his

0:27:02.680 --> 0:27:05.840
<v Speaker 3>that is his mantra. I mean, that's his that's that's

0:27:05.840 --> 0:27:08.920
<v Speaker 3>his mission statement is to see as much as possible.

0:27:08.960 --> 0:27:12.760
<v Speaker 3>And and I'm just fortunate the guys I work with,

0:27:13.280 --> 0:27:15.680
<v Speaker 3>I get to benefit from the effort that they make

0:27:15.800 --> 0:27:18.520
<v Speaker 3>because they bring that with them when they're working on

0:27:18.560 --> 0:27:21.359
<v Speaker 3>something else. And I'm just lucky to be, you know,

0:27:22.040 --> 0:27:26.360
<v Speaker 3>associated with them. If I'm being very honest.

0:27:26.800 --> 0:27:29.640
<v Speaker 1>You know, you used to work closely at Renaissance. I'm

0:27:29.640 --> 0:27:32.000
<v Speaker 1>sure he's a friend with Bruce Happner. You know, I

0:27:32.040 --> 0:27:35.160
<v Speaker 1>have to ask, oh, yeah, who's got the who's the deeper,

0:27:35.880 --> 0:27:38.040
<v Speaker 1>who's the bigger music fan between you two?

0:27:38.160 --> 0:27:45.560
<v Speaker 3>Oh? Man, Uh, I think I think Bruce is he

0:27:45.720 --> 0:27:50.240
<v Speaker 3>just knows more about music. He's invested more and understanding

0:27:51.000 --> 0:27:54.360
<v Speaker 3>little lydiosyncrasies about bands and how they relate to each other.

0:27:54.400 --> 0:27:57.159
<v Speaker 3>Plus he's you know, I think it's fair to say

0:27:57.480 --> 0:28:00.879
<v Speaker 3>he's he's a musician, you know, he he's actually taken

0:28:00.920 --> 0:28:04.119
<v Speaker 3>his love of music to the point where he's taught

0:28:04.200 --> 0:28:09.639
<v Speaker 3>himself to play guitar. Well, you know, pretty well, Brian

0:28:10.560 --> 0:28:15.600
<v Speaker 3>Eric Iverson and I and Brian Schneider love music till

0:28:15.640 --> 0:28:19.520
<v Speaker 3>the cows come home. You know, we can have endlessly

0:28:19.640 --> 0:28:22.840
<v Speaker 3>long conversations about music, and that's one thing that really

0:28:22.920 --> 0:28:26.920
<v Speaker 3>binds us together. But Brian Sonik's the exception of that

0:28:27.080 --> 0:28:31.920
<v Speaker 3>core because he is a musician. He can play several

0:28:31.960 --> 0:28:36.399
<v Speaker 3>instruments well, and he does it so matter of factly,

0:28:36.520 --> 0:28:42.880
<v Speaker 3>and so I can't think of the correct word for

0:28:43.400 --> 0:28:46.240
<v Speaker 3>how someone that talented is just so matter of fact

0:28:46.240 --> 0:28:48.880
<v Speaker 3>about it. But that just makes it even cooler. You know,

0:28:49.040 --> 0:28:55.240
<v Speaker 3>the guys I work with are really really hyper talented,

0:28:55.680 --> 0:28:58.800
<v Speaker 3>but not just in golf, and I think they're able

0:28:58.840 --> 0:29:02.400
<v Speaker 3>to draw on their additional talents and bring that into

0:29:02.400 --> 0:29:06.120
<v Speaker 3>the golf stuff, and it finds its way into our work,

0:29:07.560 --> 0:29:10.680
<v Speaker 3>you know, whether it's shaping a green or you know.

0:29:11.040 --> 0:29:15.520
<v Speaker 3>Most of the way I contribute is drawing. But I

0:29:15.560 --> 0:29:18.520
<v Speaker 3>when I'm listening to music and it's the right track

0:29:18.600 --> 0:29:22.680
<v Speaker 3>pops on when I'm drawing, the drawing is invariably better.

0:29:23.160 --> 0:29:25.760
<v Speaker 3>You can't put your finger on why it just the

0:29:25.840 --> 0:29:29.400
<v Speaker 3>lines flow. It feels good. I like to say the

0:29:29.480 --> 0:29:32.600
<v Speaker 3>drawing is talking to you or me. When I'm doing

0:29:32.640 --> 0:29:36.040
<v Speaker 3>a plan, there's a point hopefully in anyone that I

0:29:36.080 --> 0:29:37.640
<v Speaker 3>do that it starts to talk to me, and it

0:29:38.080 --> 0:29:40.960
<v Speaker 3>just means it's pleasing to my eye. So I'm happy

0:29:41.000 --> 0:29:42.120
<v Speaker 3>with it.

0:29:42.120 --> 0:29:47.080
<v Speaker 1>It's amazing how I think that people get such tunnel vision.

0:29:47.120 --> 0:29:49.680
<v Speaker 1>I have to be so dedicated to my you know,

0:29:49.880 --> 0:29:51.960
<v Speaker 1>I have to work, work, work, and we have this.

0:29:51.960 --> 0:29:53.479
<v Speaker 2>Workaholic doesn't stop.

0:29:53.800 --> 0:29:56.680
<v Speaker 1>But like one of the things that happens is a

0:29:56.680 --> 0:30:00.480
<v Speaker 1>lot of times when you take a step away or

0:30:00.560 --> 0:30:04.680
<v Speaker 1>you take a diversion, what it does is it leads

0:30:04.680 --> 0:30:08.880
<v Speaker 1>you to better work shortly thereafter. I've been like you know,

0:30:09.520 --> 0:30:12.360
<v Speaker 1>for me, I've got a one year old. You know,

0:30:12.400 --> 0:30:15.480
<v Speaker 1>it's been a crazy year. You've had COVID, you know,

0:30:15.840 --> 0:30:19.160
<v Speaker 1>you own a small business. It's been stressful, and like

0:30:19.320 --> 0:30:21.840
<v Speaker 1>you know, I took a vacation last week. I did

0:30:22.120 --> 0:30:25.960
<v Speaker 1>almost no work, and it's amazing how much more refreshed

0:30:26.040 --> 0:30:28.959
<v Speaker 1>and excited I was to like do work. And I

0:30:29.040 --> 0:30:31.880
<v Speaker 1>obviously have a job that I love, and you know,

0:30:32.120 --> 0:30:36.040
<v Speaker 1>I very rarely am not excited, but like just the

0:30:36.040 --> 0:30:39.400
<v Speaker 1>the enthusiasm I felt through me this week because I

0:30:39.440 --> 0:30:42.400
<v Speaker 1>got a chance and and things I thought about all

0:30:42.800 --> 0:30:45.640
<v Speaker 1>you know, when I was going on hikes or doing

0:30:45.920 --> 0:30:51.920
<v Speaker 1>different things. It just it's amazing how other interests can

0:30:52.080 --> 0:30:53.800
<v Speaker 1>lead to better work in your field.

0:30:54.320 --> 0:30:57.240
<v Speaker 3>No question, I couldn't agree with you more. I mean,

0:30:57.280 --> 0:31:00.920
<v Speaker 3>you've really hit the nail on the head and and

0:31:01.000 --> 0:31:03.720
<v Speaker 3>whatever that is for whatever you do. I mean, we're

0:31:03.720 --> 0:31:09.040
<v Speaker 3>both lucky. We really enjoy what we do. And I'm

0:31:09.080 --> 0:31:12.760
<v Speaker 3>even more fortunate I enjoy the people that I am

0:31:12.840 --> 0:31:16.480
<v Speaker 3>doing my work with. If you can say that with

0:31:16.560 --> 0:31:21.480
<v Speaker 3>a straight face and really mean it, you're light years

0:31:21.480 --> 0:31:24.880
<v Speaker 3>ahead of so many other folks, you know. They and

0:31:25.800 --> 0:31:29.760
<v Speaker 3>I like to think that's what hopefully makes everything that

0:31:29.840 --> 0:31:32.880
<v Speaker 3>we do that much better, is because we enjoy those

0:31:33.720 --> 0:31:39.479
<v Speaker 3>those very fortunate benefits. And you know, we have all

0:31:39.480 --> 0:31:43.000
<v Speaker 3>our own cliches about if the project is fun, if

0:31:43.040 --> 0:31:47.520
<v Speaker 3>the fun factor is high, the work's better. I think,

0:31:47.640 --> 0:31:51.600
<v Speaker 3>you know, it's it's the same concept of what you

0:31:51.760 --> 0:31:54.840
<v Speaker 3>just described, and not doing some work for a while

0:31:55.720 --> 0:31:58.600
<v Speaker 3>makes you, if nothing else, it just makes you appreciate

0:31:58.960 --> 0:32:01.080
<v Speaker 3>what you have a little bit more, and that makes

0:32:01.120 --> 0:32:03.360
<v Speaker 3>things a little bit more enjoyable. I mean, we're all

0:32:03.400 --> 0:32:06.400
<v Speaker 3>just trying to to sprinkle as much of that stuff

0:32:06.400 --> 0:32:10.880
<v Speaker 3>in our day to day existence as we can. And

0:32:10.360 --> 0:32:13.840
<v Speaker 3>and I'm just lucky I've been able to do the

0:32:13.920 --> 0:32:16.160
<v Speaker 3>lion's share of that for the lion's share of the time.

0:32:17.240 --> 0:32:19.640
<v Speaker 2>So you you touched on your your drawings.

0:32:19.800 --> 0:32:23.760
<v Speaker 1>I think everybody that's listening to this podcast has probably

0:32:23.840 --> 0:32:26.640
<v Speaker 1>seen one of them. If if they haven't, we'll probably

0:32:26.680 --> 0:32:31.240
<v Speaker 1>post some accompanied visuals with with this podcast so you'll

0:32:31.240 --> 0:32:32.160
<v Speaker 1>be able to check it out.

0:32:32.200 --> 0:32:38.280
<v Speaker 2>But I'd love to hear how you got started with

0:32:38.320 --> 0:32:38.760
<v Speaker 2>the drawing?

0:32:38.840 --> 0:32:42.400
<v Speaker 1>Was you know, were you really great artists as a kid, Like,

0:32:42.520 --> 0:32:44.040
<v Speaker 1>how did this come about?

0:32:44.120 --> 0:32:46.720
<v Speaker 2>How did you you know? You you do all.

0:32:46.600 --> 0:32:49.880
<v Speaker 1>The drawings for all of Tom's you know, master plans,

0:32:50.320 --> 0:32:54.960
<v Speaker 1>all of the Renaissance, you know, golf Desiyes, master plans,

0:32:55.000 --> 0:32:57.440
<v Speaker 1>and you know, I think it's something that it seems

0:32:57.480 --> 0:33:02.200
<v Speaker 1>like is very is a growing side of your business

0:33:02.240 --> 0:33:03.680
<v Speaker 1>in terms of the drawing.

0:33:03.760 --> 0:33:05.960
<v Speaker 2>So how did it get started for me?

0:33:08.840 --> 0:33:11.560
<v Speaker 3>My parents? I don't think either one, if they were here,

0:33:11.640 --> 0:33:19.000
<v Speaker 3>would say they passed on necessarily any art genes. But

0:33:19.320 --> 0:33:23.800
<v Speaker 3>they were creative people. They had music on again, music,

0:33:24.200 --> 0:33:27.400
<v Speaker 3>they had music one all the time, and they were creative.

0:33:27.440 --> 0:33:30.720
<v Speaker 3>They just thought about things differently. And they, you know,

0:33:31.280 --> 0:33:35.240
<v Speaker 3>myself and my two younger sisters, they we were always

0:33:35.360 --> 0:33:42.600
<v Speaker 3>encouraged to try stuff. Swimming, lessons, you know, you name it, pottery,

0:33:42.840 --> 0:33:45.520
<v Speaker 3>just whatever, make a mess, see if you like it.

0:33:45.920 --> 0:33:49.840
<v Speaker 3>And I one of the first things they put in

0:33:49.880 --> 0:33:53.240
<v Speaker 3>front of me was just a big blank you're too

0:33:53.280 --> 0:33:57.360
<v Speaker 3>young to know what a big chief pad was, aligned

0:33:57.440 --> 0:33:59.720
<v Speaker 3>pad with lines on one side and a grid on

0:33:59.760 --> 0:34:01.880
<v Speaker 3>the there and some blank pages in the middle, and

0:34:02.400 --> 0:34:06.040
<v Speaker 3>a fresh box of colored pencils or crayons, the cool

0:34:06.360 --> 0:34:08.960
<v Speaker 3>sixty four box with the sharpener in the back. I

0:34:09.000 --> 0:34:13.040
<v Speaker 3>mean that with a big chief pad was it was

0:34:13.160 --> 0:34:16.400
<v Speaker 3>just magic to me, and you could draw whatever you wanted,

0:34:16.440 --> 0:34:21.279
<v Speaker 3>whatever inspired you. So I just liked drawing my whole life.

0:34:21.400 --> 0:34:23.840
<v Speaker 3>It just was. It seemed to come easy enough, and

0:34:24.600 --> 0:34:29.040
<v Speaker 3>I've always always enjoyed it. So that you know, that's

0:34:29.080 --> 0:34:32.920
<v Speaker 3>way back to the start, but fast forward to the

0:34:33.040 --> 0:34:37.360
<v Speaker 3>to the golf world. Clients, especially if they're writing checks,

0:34:37.520 --> 0:34:41.920
<v Speaker 3>like to see something that makes them feel comfortable that

0:34:42.320 --> 0:34:44.680
<v Speaker 3>they have an idea of what they're getting for what

0:34:44.719 --> 0:34:48.200
<v Speaker 3>they're investing in, and drawings are the very first thing

0:34:48.520 --> 0:34:51.919
<v Speaker 3>they lay their eyes on. And it's been a fascinating

0:34:52.000 --> 0:34:56.680
<v Speaker 3>journey andy for me working for Tom, because you know,

0:34:56.960 --> 0:35:01.400
<v Speaker 3>that's a that's a double edged sword. Tom doesn't want

0:35:01.440 --> 0:35:06.440
<v Speaker 3>to be constrained by some artist's vision at the beginning,

0:35:06.560 --> 0:35:08.560
<v Speaker 3>you know, to have to stick to that is just

0:35:09.120 --> 0:35:11.560
<v Speaker 3>bad form. You don't end up with the best product

0:35:11.560 --> 0:35:12.040
<v Speaker 3>at the end.

0:35:12.080 --> 0:35:14.680
<v Speaker 1>But I mean, what's the pet die The famous Pete

0:35:15.040 --> 0:35:18.040
<v Speaker 1>story is he needed to submit plan, submit plans, and

0:35:18.080 --> 0:35:20.799
<v Speaker 1>he submitted plans for another golf course that already had

0:35:20.800 --> 0:35:23.760
<v Speaker 1>been built to get the you know all those things.

0:35:23.840 --> 0:35:26.160
<v Speaker 3>Yeah, and you know, and and the truth is that

0:35:26.320 --> 0:35:31.280
<v Speaker 3>is the truth. Yeah, you know, the the the drawings

0:35:31.320 --> 0:35:33.840
<v Speaker 3>you see from the twenties and thirties that I like

0:35:33.920 --> 0:35:39.000
<v Speaker 3>to refer to rarely ended up. You know, that would

0:35:39.040 --> 0:35:41.319
<v Speaker 3>look anything like an as built. They didn't even bother

0:35:41.440 --> 0:35:43.279
<v Speaker 3>with that stuff. Then there was no need. The golf

0:35:43.280 --> 0:35:47.080
<v Speaker 3>course is done, Let's go play golf. But you know

0:35:47.120 --> 0:35:49.400
<v Speaker 3>that's a that's a that can be a sticky wicket

0:35:49.920 --> 0:35:52.320
<v Speaker 3>putting something in front of a client at the beginning

0:35:52.400 --> 0:35:57.560
<v Speaker 3>and then for some reason, you you you diverge from that,

0:35:57.760 --> 0:36:00.720
<v Speaker 3>and they think, well, what happened did you get it wrong?

0:36:01.239 --> 0:36:04.400
<v Speaker 3>Is something out of place? Did you not study the

0:36:04.480 --> 0:36:07.040
<v Speaker 3>ground well enough that you were really committed to that?

0:36:07.239 --> 0:36:09.920
<v Speaker 3>And you know that's something that you overcome over time.

0:36:10.120 --> 0:36:11.920
<v Speaker 1>And I think that's something like you know, in the

0:36:11.960 --> 0:36:14.480
<v Speaker 1>most for the most part, you're getting hired by business

0:36:14.480 --> 0:36:17.719
<v Speaker 1>people or lawyers or doctors.

0:36:17.280 --> 0:36:19.320
<v Speaker 2>And and for the most part, indeed.

0:36:19.120 --> 0:36:22.040
<v Speaker 1>Their their job is they this is what we're going

0:36:22.120 --> 0:36:24.920
<v Speaker 1>to do, and we execute it versus like anybody that's

0:36:24.960 --> 0:36:28.000
<v Speaker 1>in any sort of a creative role, Like I have

0:36:28.160 --> 0:36:31.040
<v Speaker 1>like five things that I wanted to talk to you about,

0:36:31.080 --> 0:36:34.080
<v Speaker 1>and we haven't touched on any of them right till now,

0:36:34.480 --> 0:36:34.759
<v Speaker 1>you know.

0:36:34.719 --> 0:36:36.839
<v Speaker 2>Because we went on a diversion. We get back.

0:36:36.880 --> 0:36:39.720
<v Speaker 1>When I set out to write something, it might start

0:36:39.760 --> 0:36:42.960
<v Speaker 1>as one idea and end up something completely different by

0:36:43.000 --> 0:36:45.520
<v Speaker 1>the time you get writing and your thoughts developed. And

0:36:45.560 --> 0:36:47.800
<v Speaker 1>the same thing for your work, like you get working

0:36:48.239 --> 0:36:50.799
<v Speaker 1>and you might see something or you might move dir

0:36:51.000 --> 0:36:53.319
<v Speaker 1>one way and then all of a sudden something else

0:36:53.400 --> 0:36:54.640
<v Speaker 1>becomes way more apparent.

0:36:54.840 --> 0:36:58.120
<v Speaker 3>Yeah, for me, that's a that's spot on. A drawing

0:36:58.200 --> 0:37:00.520
<v Speaker 3>really can't evolve. I mean it, you know it's going

0:37:00.600 --> 0:37:03.160
<v Speaker 3>to have if it's a routing plan it's going to

0:37:03.239 --> 0:37:06.239
<v Speaker 3>have eighteen holes depicted in some form or another. But

0:37:06.280 --> 0:37:08.239
<v Speaker 3>the way you depict them and how you orient them

0:37:08.280 --> 0:37:11.000
<v Speaker 3>on the page. And for me, things that I get

0:37:11.040 --> 0:37:14.160
<v Speaker 3>excited about are, you know, what's the north are going

0:37:14.239 --> 0:37:18.120
<v Speaker 3>to look like here? And and how do I incorporate

0:37:18.600 --> 0:37:21.920
<v Speaker 3>I like to sort of mush stuff together rather than

0:37:22.040 --> 0:37:25.680
<v Speaker 3>have defined edges on things. I like to break the

0:37:25.680 --> 0:37:29.759
<v Speaker 3>borders of the drawing. You know, I like to have

0:37:29.800 --> 0:37:33.279
<v Speaker 3>stuff meld from one thing into another. And then you know,

0:37:33.760 --> 0:37:36.239
<v Speaker 3>we've had the good fortune of working on some logos

0:37:36.280 --> 0:37:39.520
<v Speaker 3>on some projects, and you know, that process is very

0:37:39.520 --> 0:37:43.640
<v Speaker 3>similar to It's not a huge departure from building golf holes.

0:37:43.760 --> 0:37:46.600
<v Speaker 3>You know, you think you start with an idea and

0:37:46.640 --> 0:37:49.680
<v Speaker 3>sometimes you're excited about it, and sometimes you're not excited

0:37:49.719 --> 0:37:52.920
<v Speaker 3>about it, but you get excited because you're looking at

0:37:53.000 --> 0:37:54.640
<v Speaker 3>it all of a sudden in a different way. And

0:37:55.360 --> 0:37:58.239
<v Speaker 3>you know, I like to look at the drawings that

0:37:58.280 --> 0:38:01.719
<v Speaker 3>way too, And you know, so much of that is

0:38:01.760 --> 0:38:05.440
<v Speaker 3>from how I grew up and being encouraged to be

0:38:05.600 --> 0:38:09.239
<v Speaker 3>creative from my parents and friends and people around me.

0:38:09.320 --> 0:38:11.600
<v Speaker 3>And you know, that's like finding a new golf hole.

0:38:11.960 --> 0:38:14.879
<v Speaker 3>It's a fun process. Because you discover things. I had

0:38:14.880 --> 0:38:17.560
<v Speaker 3>a professor in college and my color theory class at

0:38:17.560 --> 0:38:22.759
<v Speaker 3>Colorado at CU that intentionally put a nice drawing on

0:38:23.239 --> 0:38:28.080
<v Speaker 3>a drafting table on one of his lectures and dumped

0:38:28.080 --> 0:38:32.359
<v Speaker 3>coffee on it. And we were all aghast, why did

0:38:32.400 --> 0:38:34.359
<v Speaker 3>you do that? That was a cool drawing. And then

0:38:34.400 --> 0:38:38.480
<v Speaker 3>he turned it into something different. He incorporated the stain

0:38:38.560 --> 0:38:41.799
<v Speaker 3>after it dried into clouds that looked like a perspective

0:38:41.960 --> 0:38:44.799
<v Speaker 3>on what one of the building elevations was going to be.

0:38:45.520 --> 0:38:48.520
<v Speaker 3>And I think that happens with golf construction too. You

0:38:48.560 --> 0:38:53.480
<v Speaker 3>know there might be this native done that you really

0:38:53.520 --> 0:38:57.719
<v Speaker 3>wanted to preserve and a contractor tracked over it or

0:38:57.920 --> 0:39:00.840
<v Speaker 3>took a tree down that wasn't supposed to God forbid

0:39:00.920 --> 0:39:04.480
<v Speaker 3>or something like that. And you know, that's just life.

0:39:04.760 --> 0:39:08.800
<v Speaker 3>That's and and if you can adapt what you're building

0:39:09.160 --> 0:39:11.960
<v Speaker 3>on a golf course that way, you can do it

0:39:12.000 --> 0:39:14.680
<v Speaker 3>with drawings, and you can you can do it with everything.

0:39:14.760 --> 0:39:17.279
<v Speaker 1>And do you do you look at other types of

0:39:17.320 --> 0:39:20.560
<v Speaker 1>maps like absolutely? And if so, like what are some

0:39:21.200 --> 0:39:24.360
<v Speaker 1>type of specific maps that you think back to a lot?

0:39:24.560 --> 0:39:27.040
<v Speaker 3>Yeah, you know it's not really the one. And I'm

0:39:27.360 --> 0:39:31.719
<v Speaker 3>an instagram I follow classic maps, old charts. You know,

0:39:32.719 --> 0:39:36.240
<v Speaker 3>there's a there's a there's a there's an instagram that's

0:39:36.320 --> 0:39:40.000
<v Speaker 3>I think it's just called I E Fing love maps

0:39:41.040 --> 0:39:44.360
<v Speaker 3>and and uh and and anytime you look at some

0:39:44.520 --> 0:39:49.760
<v Speaker 3>way that someone cartographically, you know, took cartography and stretched

0:39:49.800 --> 0:39:53.360
<v Speaker 3>it to show data in a different way, in a

0:39:53.440 --> 0:39:57.560
<v Speaker 3>visual way. I mean invariably we're all simple humans are

0:39:58.239 --> 0:40:00.560
<v Speaker 3>or we're looking for all of the data fast as

0:40:00.560 --> 0:40:02.839
<v Speaker 3>we can get it. And I like to think, you know,

0:40:02.960 --> 0:40:07.560
<v Speaker 3>graphics have a way of conveying something perhaps quicker than

0:40:08.000 --> 0:40:10.239
<v Speaker 3>a lot of other things. And I just try and

0:40:10.280 --> 0:40:12.040
<v Speaker 3>do that with golf maps too.

0:40:13.080 --> 0:40:18.359
<v Speaker 1>Now with that, you know, you're trying to convey architecture

0:40:18.800 --> 0:40:20.160
<v Speaker 1>in a you know too?

0:40:21.000 --> 0:40:23.400
<v Speaker 2>Is it one dimensional maps? One dimensional?

0:40:23.480 --> 0:40:27.680
<v Speaker 3>Yeah? Well to the third try to get it's like

0:40:27.719 --> 0:40:30.520
<v Speaker 3>you say, trying to get that the third dimension to

0:40:30.640 --> 0:40:34.640
<v Speaker 3>marry to the first two. There's lots of ways to

0:40:34.719 --> 0:40:35.080
<v Speaker 3>do that.

0:40:35.239 --> 0:40:37.920
<v Speaker 2>There's trick like it's not you're not drawing.

0:40:38.320 --> 0:40:40.440
<v Speaker 1>I think you know one of the you're probably it's

0:40:40.480 --> 0:40:44.839
<v Speaker 1>probably not identical the scale always of your You need

0:40:44.840 --> 0:40:47.560
<v Speaker 1>to what are some hacks in order to that you

0:40:47.760 --> 0:40:50.200
<v Speaker 1>use to convey because I think one of the things

0:40:50.200 --> 0:40:53.520
<v Speaker 1>that your maps do so so well is convey the

0:40:53.640 --> 0:40:56.560
<v Speaker 1>architecture and give you a sense of what you might

0:40:56.600 --> 0:40:59.720
<v Speaker 1>see without being able to see any of the setting.

0:41:00.120 --> 0:41:04.160
<v Speaker 3>Yeah, that's a very high compliment, and I take it

0:41:04.200 --> 0:41:08.040
<v Speaker 3>as such. I appreciate that. You know, I've learned over

0:41:08.120 --> 0:41:11.160
<v Speaker 3>time that there are just things that your eye that

0:41:11.239 --> 0:41:14.640
<v Speaker 3>appeals to your eye, and I'm really just trying to

0:41:14.640 --> 0:41:17.640
<v Speaker 3>appeal to my own eye. And one of the ways

0:41:17.840 --> 0:41:23.960
<v Speaker 3>is just you know, line weight patterns, hatching, stippling that

0:41:24.080 --> 0:41:27.120
<v Speaker 3>create texture, and really what you're trying to do is

0:41:27.440 --> 0:41:31.960
<v Speaker 3>demonstrate elevation change and where that elevation change hopefully is

0:41:32.000 --> 0:41:35.839
<v Speaker 3>strategic in the golf hole. But also you know, could

0:41:35.880 --> 0:41:38.600
<v Speaker 3>create a feeling of something that's really high or really

0:41:38.640 --> 0:41:41.319
<v Speaker 3>low that you're playing off of or around or up

0:41:41.320 --> 0:41:46.000
<v Speaker 3>against or whatever. And you know you can you over

0:41:46.080 --> 0:41:48.319
<v Speaker 3>time you kind of learn how to do that with

0:41:48.320 --> 0:41:52.200
<v Speaker 3>with lines and line weight widths and you know, dark lines,

0:41:52.280 --> 0:41:56.080
<v Speaker 3>light lines, long thin lines together, spread apart. You know,

0:41:57.320 --> 0:42:00.480
<v Speaker 3>the options are endless, which is another reason that is

0:42:00.480 --> 0:42:03.359
<v Speaker 3>so fun, because I'm constantly discovering different ways to try

0:42:03.400 --> 0:42:06.719
<v Speaker 3>and convey this is a subtle contour, or this is

0:42:06.760 --> 0:42:09.880
<v Speaker 3>a monster contour and it's going to potentially affect your

0:42:09.880 --> 0:42:11.879
<v Speaker 3>golf ball this way or that way. And the other

0:42:11.920 --> 0:42:15.440
<v Speaker 3>thing is just you know, it's what draws your eye

0:42:15.480 --> 0:42:21.239
<v Speaker 3>to a great photograph. If there's contrast, if there's engaging contrast,

0:42:21.560 --> 0:42:24.680
<v Speaker 3>your eye just picks up on that. The brain looks

0:42:24.719 --> 0:42:28.759
<v Speaker 3>for the black against the white. And if you have that,

0:42:28.760 --> 0:42:31.520
<v Speaker 3>that's a powerful statement. And if you can marry that

0:42:31.640 --> 0:42:35.480
<v Speaker 3>to the more subtle stuff, then you can start to

0:42:35.560 --> 0:42:39.440
<v Speaker 3>create a visual vernacular if you will, of this is

0:42:39.480 --> 0:42:42.879
<v Speaker 3>a steep slope, or that fairway's cant it hard right

0:42:42.960 --> 0:42:46.040
<v Speaker 3>to left? And you know, then hopefully you can start

0:42:46.080 --> 0:42:49.640
<v Speaker 3>to see if that fairways can't it hard right to left.

0:42:50.280 --> 0:42:54.239
<v Speaker 3>That's clearly why you know, the front right of the

0:42:54.280 --> 0:42:59.000
<v Speaker 3>green is protected or the front left of the green

0:42:59.120 --> 0:43:01.960
<v Speaker 3>is protected as the case maybe because most people are

0:43:02.000 --> 0:43:04.120
<v Speaker 3>going to end up on the right side. If you're

0:43:04.160 --> 0:43:05.920
<v Speaker 3>good enough to keep it on the left, now you

0:43:05.920 --> 0:43:11.040
<v Speaker 3>have an advantage on your ensuing shot. So it's those

0:43:11.040 --> 0:43:13.440
<v Speaker 3>are the kinds of things. And I experiment a lot.

0:43:13.600 --> 0:43:15.960
<v Speaker 3>You know, I've tried things that I thought really worked,

0:43:16.000 --> 0:43:19.240
<v Speaker 3>and then I've had things that didn't. And but again

0:43:19.560 --> 0:43:21.759
<v Speaker 3>it's like seeing new golf. Every time you do something,

0:43:21.800 --> 0:43:23.600
<v Speaker 3>hopefully you get a little better at it.

0:43:23.800 --> 0:43:24.400
<v Speaker 2>Was there.

0:43:25.800 --> 0:43:29.320
<v Speaker 1>Maybe an experiment that you a tweak that you did

0:43:29.520 --> 0:43:35.040
<v Speaker 1>that really, you know, you feel elevated your maps, Like,

0:43:35.160 --> 0:43:37.360
<v Speaker 1>was there a specific moment where you tried something a

0:43:37.360 --> 0:43:41.080
<v Speaker 1>little different that that really made them take off?

0:43:41.840 --> 0:43:46.880
<v Speaker 3>That's a really good question, I think, Andy. My best

0:43:46.920 --> 0:43:49.680
<v Speaker 3>answer for that would be, you know, if you if

0:43:49.680 --> 0:43:52.040
<v Speaker 3>you go back through all the old architecture books that

0:43:52.080 --> 0:43:55.160
<v Speaker 3>are available and look at the old the old guys

0:43:55.200 --> 0:44:00.440
<v Speaker 3>and how they illustrated and graphically showed things, there's you know,

0:44:00.520 --> 0:44:03.960
<v Speaker 3>there's ways to depict greens, there's ways to depict bunkers,

0:44:04.200 --> 0:44:09.640
<v Speaker 3>grassing lines and teas. But I think the thing that's

0:44:09.640 --> 0:44:12.080
<v Speaker 3>maybe evolved the most for me, and it's still evolving,

0:44:12.239 --> 0:44:14.719
<v Speaker 3>is you know, how do you The key in that

0:44:15.480 --> 0:44:18.600
<v Speaker 3>is how do you demonstrate which way the hole plays

0:44:20.120 --> 0:44:24.040
<v Speaker 3>and drawing the center lines, you know, the directional arrows.

0:44:24.080 --> 0:44:26.680
<v Speaker 3>Here's the t shot, here's if it's a par five,

0:44:26.800 --> 0:44:31.880
<v Speaker 3>here's the interim shot before your final approach. In theory,

0:44:32.200 --> 0:44:34.319
<v Speaker 3>not that there are very many par fives anymore as

0:44:34.360 --> 0:44:37.560
<v Speaker 3>far as everybody hits the ball, but there were lots

0:44:37.560 --> 0:44:40.240
<v Speaker 3>of different ways. Some guys just put an arrow from

0:44:40.280 --> 0:44:43.560
<v Speaker 3>the tee pointing in that general direction and didn't even

0:44:43.600 --> 0:44:46.319
<v Speaker 3>bother trying to show you where you're supposed to hit it.

0:44:47.840 --> 0:44:51.839
<v Speaker 3>And so ways to have that information is on there,

0:44:51.840 --> 0:44:53.880
<v Speaker 3>because I think the first thing someone does when they

0:44:53.880 --> 0:44:56.040
<v Speaker 3>see a routing plan is they want to follow the path.

0:44:56.440 --> 0:44:58.359
<v Speaker 3>They want to see where the holes go, where they

0:44:58.480 --> 0:45:01.719
<v Speaker 3>how do they traverse over the property, and where is

0:45:01.760 --> 0:45:05.080
<v Speaker 3>the first part three? And you know whatever whatever golf

0:45:05.320 --> 0:45:08.000
<v Speaker 3>language is in our mind, that when we look at that,

0:45:08.160 --> 0:45:10.480
<v Speaker 3>like you say, especially if you haven't seen it before,

0:45:11.320 --> 0:45:14.600
<v Speaker 3>that's important because that's what people are absolutely going to do.

0:45:14.640 --> 0:45:16.520
<v Speaker 3>They're going to find the first tea in the eighteenth

0:45:16.560 --> 0:45:18.120
<v Speaker 3>green and they're going to try and follow it all

0:45:18.120 --> 0:45:20.240
<v Speaker 3>the way around. And it's it's kind of like finding

0:45:20.280 --> 0:45:23.320
<v Speaker 3>a path in the woods. You know, we like those things.

0:45:24.320 --> 0:45:28.000
<v Speaker 3>It's just visually fun. So I've experimented a lot with

0:45:28.080 --> 0:45:30.799
<v Speaker 3>that on how to get that information on the plan

0:45:31.200 --> 0:45:35.839
<v Speaker 3>without it being the overpowering bit of data. And you know,

0:45:35.920 --> 0:45:37.840
<v Speaker 3>sometimes that's more important.

0:45:37.480 --> 0:45:40.200
<v Speaker 1>If the probably a lot what you talked about the

0:45:40.640 --> 0:45:45.040
<v Speaker 1>weight of your of your draw right, if if you're

0:45:45.080 --> 0:45:48.640
<v Speaker 1>too heavy on that then that overpowers everything around it,

0:45:48.719 --> 0:45:52.239
<v Speaker 1>so it almost needs to be lighter in a way exactly.

0:45:52.480 --> 0:45:56.080
<v Speaker 3>And and you know each plan that that the style

0:45:56.200 --> 0:45:59.680
<v Speaker 3>you're using, you get to decide. That's what's so fun

0:45:59.719 --> 0:46:02.680
<v Speaker 3>about drawing. It's all up to you. You know, how

0:46:02.719 --> 0:46:04.680
<v Speaker 3>heavy is that going to be? What color is it

0:46:04.760 --> 0:46:08.920
<v Speaker 3>going to be? I mean, color is just hugely powerful stuff.

0:46:09.920 --> 0:46:14.160
<v Speaker 3>And black and white with one color can be incredibly

0:46:14.239 --> 0:46:18.560
<v Speaker 3>powerful and can convey an idea very very quickly. So

0:46:19.280 --> 0:46:22.480
<v Speaker 3>you know, that's what's fun about it is interpreting what's

0:46:22.560 --> 0:46:25.400
<v Speaker 3>what am I trying to convey and who's my audience

0:46:25.560 --> 0:46:28.680
<v Speaker 3>and how can I best convey what's going on here?

0:46:29.360 --> 0:46:31.759
<v Speaker 3>And you know, I guess the other thing too, is

0:46:33.040 --> 0:46:35.439
<v Speaker 3>just putting a little flagstick that's waving on the green

0:46:35.680 --> 0:46:39.600
<v Speaker 3>and you know everybody immediately can okay, that's that's where

0:46:39.640 --> 0:46:43.080
<v Speaker 3>this hole is going. And if you have a flagstick

0:46:43.120 --> 0:46:46.600
<v Speaker 3>that that that is easy to pick up. And people

0:46:46.640 --> 0:46:49.799
<v Speaker 3>like architecture, they I think, I like to think their

0:46:49.840 --> 0:46:51.600
<v Speaker 3>eye goes backwards from there and they kind of try

0:46:51.640 --> 0:46:54.880
<v Speaker 3>and figure out the strategy of the whole and that

0:46:55.000 --> 0:46:57.840
<v Speaker 3>makes it. You know, that's fun too. The really simple

0:46:57.880 --> 0:47:00.640
<v Speaker 3>things The truth is all the old guys did that too,

0:47:01.120 --> 0:47:03.960
<v Speaker 3>if you look at it, and you know, I'm just

0:47:04.120 --> 0:47:06.759
<v Speaker 3>I'm just borrowing what I think are good ideas. I

0:47:06.800 --> 0:47:11.480
<v Speaker 3>haven't really invented anything, Andy, I'm just maybe reinterpreting it

0:47:11.520 --> 0:47:14.359
<v Speaker 3>a little bit and trying to add a little bit

0:47:14.400 --> 0:47:16.759
<v Speaker 3>of style to it, you know. I think the other

0:47:16.800 --> 0:47:19.239
<v Speaker 3>thing I like to do and try hard to do

0:47:19.360 --> 0:47:23.600
<v Speaker 3>is make the drawings to age them, which is no

0:47:23.719 --> 0:47:26.760
<v Speaker 3>different than the golf holes that were trying to build

0:47:26.800 --> 0:47:27.280
<v Speaker 3>in the field.

0:47:27.560 --> 0:47:30.479
<v Speaker 1>Rough like if you're doing a restoration, making the bunk

0:47:30.520 --> 0:47:32.800
<v Speaker 1>and not having everything look new.

0:47:32.719 --> 0:47:35.520
<v Speaker 3>Right, absolutely, Yeah, the older the better, all the way

0:47:35.560 --> 0:47:41.840
<v Speaker 3>down to you know, the cyanotype blue background, right, Yeah,

0:47:41.880 --> 0:47:46.759
<v Speaker 3>that's the Sir John Herschel in the eighteen forties was

0:47:47.120 --> 0:47:49.960
<v Speaker 3>you know, that's when photography was just sort of being

0:47:50.000 --> 0:47:53.840
<v Speaker 3>figured out. Before that, it was Da Vinci's camera obscure

0:47:53.960 --> 0:47:57.319
<v Speaker 3>from the fifteen hundred, so that was revolutionary stuff at

0:47:57.320 --> 0:48:00.840
<v Speaker 3>the time. But that goes back to the com because

0:48:00.880 --> 0:48:07.880
<v Speaker 3>that really deep, meaningful ocean blue background with essentially white

0:48:07.960 --> 0:48:12.359
<v Speaker 3>line work. I mean, the contrast is tremendous and it

0:48:12.760 --> 0:48:16.279
<v Speaker 3>and it ages it. I mean that that background is

0:48:16.400 --> 0:48:21.319
<v Speaker 3>light sensitive, so over time those old cyanotype drawings invariably

0:48:21.440 --> 0:48:24.600
<v Speaker 3>faded and stuff, and now they're sort of being discovered

0:48:24.640 --> 0:48:28.040
<v Speaker 3>and paid attention to again. And that's that's a way

0:48:28.160 --> 0:48:31.520
<v Speaker 3>I'd like to try and add age to the to

0:48:31.560 --> 0:48:34.160
<v Speaker 3>the drawings that that I've worked on. And we did

0:48:34.200 --> 0:48:39.360
<v Speaker 3>that intentionally with a of course, a course guide at

0:48:39.440 --> 0:48:44.120
<v Speaker 3>Lanark Country Club where in my backpack. Yeah, that was

0:48:44.160 --> 0:48:47.759
<v Speaker 3>the intent from the beginning. There was someone in the

0:48:47.840 --> 0:48:50.920
<v Speaker 3>nineteen thirties that did really rough versions of the holes

0:48:50.960 --> 0:48:55.080
<v Speaker 3>there at the time, and the architecture is different and

0:48:55.520 --> 0:48:58.360
<v Speaker 3>far more sporty now, but we took that flavor and

0:48:58.400 --> 0:49:01.160
<v Speaker 3>tried to just make a direct trend to the yardage

0:49:01.160 --> 0:49:05.879
<v Speaker 3>book to make the place feel aged and old. There's

0:49:05.960 --> 0:49:07.960
<v Speaker 3>just something about some you know, it doesn't matter if

0:49:08.000 --> 0:49:10.479
<v Speaker 3>it's a pair of Levi's, if it's old and worn,

0:49:10.560 --> 0:49:12.560
<v Speaker 3>it's just a little more comfortable and it's a little

0:49:12.600 --> 0:49:15.640
<v Speaker 3>easier on the eyes, and plus it's just fun.

0:49:16.040 --> 0:49:18.319
<v Speaker 1>It's like wearing you're it's like when you wear your

0:49:18.360 --> 0:49:20.440
<v Speaker 1>jeans fresh out of the wash versus the.

0:49:20.400 --> 0:49:21.600
<v Speaker 2>Second day out of the wash.

0:49:21.880 --> 0:49:24.680
<v Speaker 1>Very well said with the you know, with what you're

0:49:24.719 --> 0:49:29.719
<v Speaker 1>describing in many ways it. I think it's what when

0:49:29.719 --> 0:49:32.520
<v Speaker 1>you think about golf courses that really, you know.

0:49:33.719 --> 0:49:34.799
<v Speaker 2>Get you excited.

0:49:35.480 --> 0:49:38.960
<v Speaker 1>They have a lot of different things going on that

0:49:39.440 --> 0:49:43.799
<v Speaker 1>draw your eye in different places and not necessarily distract you,

0:49:44.120 --> 0:49:48.600
<v Speaker 1>but make you observe the entire.

0:49:49.920 --> 0:49:51.360
<v Speaker 2>The entire picture that you're.

0:49:51.239 --> 0:49:54.200
<v Speaker 1>Looking at, Yes, versus you know, when you think about

0:49:54.600 --> 0:49:57.080
<v Speaker 1>like the public golf course that I grew up playing,

0:49:57.680 --> 0:50:01.479
<v Speaker 1>it had rough, fair away green and trees on both sides,

0:50:01.520 --> 0:50:05.840
<v Speaker 1>a very whole indeed, and you know that it almost

0:50:05.880 --> 0:50:08.800
<v Speaker 1>tunnels you. Versus when you think of a place like say,

0:50:08.880 --> 0:50:11.759
<v Speaker 1>I'm looking at a great painting of Pacific tunes right

0:50:11.760 --> 0:50:16.120
<v Speaker 1>here that has so much texture and so as you said,

0:50:16.200 --> 0:50:19.359
<v Speaker 1>contrasts and different things that draw your eye that and

0:50:19.400 --> 0:50:23.520
<v Speaker 1>maybe that's you know, in a you know, beyond just

0:50:23.600 --> 0:50:28.960
<v Speaker 1>a strategy and everything. Certain golf courses make you so

0:50:29.160 --> 0:50:31.839
<v Speaker 1>aware of everything going on around you, and that might

0:50:31.920 --> 0:50:35.160
<v Speaker 1>be one of the things that's you know, but that's

0:50:35.200 --> 0:50:37.319
<v Speaker 1>also what you're trying to convey with the drawings, is

0:50:37.440 --> 0:50:39.080
<v Speaker 1>everything that's going on in the hole.

0:50:39.400 --> 0:50:42.560
<v Speaker 3>Yeah, to the extent you can, and you're right, you know,

0:50:42.800 --> 0:50:46.600
<v Speaker 3>working in only two dimensions that can be tough, but

0:50:47.200 --> 0:50:50.319
<v Speaker 3>you're spot on. Back to consulting for a flash. You

0:50:50.360 --> 0:50:52.360
<v Speaker 3>know a lot of the places we've worked at for

0:50:52.400 --> 0:50:55.279
<v Speaker 3>a while where tea to green stuff's in pretty good order.

0:50:56.120 --> 0:50:59.239
<v Speaker 3>The challenge now is how do you enhance the golf experience?

0:50:59.280 --> 0:51:01.520
<v Speaker 3>How do you look, you know, past a green or

0:51:01.560 --> 0:51:03.440
<v Speaker 3>what do you see as you're going down the fairway

0:51:03.480 --> 0:51:07.160
<v Speaker 3>that you can reveal or offer to not just the

0:51:07.160 --> 0:51:09.520
<v Speaker 3>people that play there every day, but they're guests too

0:51:09.600 --> 0:51:14.279
<v Speaker 3>that help them remember that golf experience a little bit

0:51:14.360 --> 0:51:18.640
<v Speaker 3>better because you know, humans, if you play well, you

0:51:18.719 --> 0:51:20.520
<v Speaker 3>tend to like a golf course a little better than

0:51:20.560 --> 0:51:22.360
<v Speaker 3>if you don't if you're only going to play at once.

0:51:22.440 --> 0:51:25.080
<v Speaker 3>But if what you're looking at while you're playing, other

0:51:25.160 --> 0:51:30.200
<v Speaker 3>than t screens, fairways and bunkers is memorable, it just

0:51:30.560 --> 0:51:35.240
<v Speaker 3>enhances the golf experience. And and you know, with a drawing,

0:51:35.320 --> 0:51:40.000
<v Speaker 3>you don't you don't have that opportunity to look off site,

0:51:40.640 --> 0:51:44.960
<v Speaker 3>but you do have. You know, if you've got a

0:51:45.000 --> 0:51:48.960
<v Speaker 3>feature on a property that is significant that you're really

0:51:48.960 --> 0:51:52.359
<v Speaker 3>trying to take advantage of, like the Strabaklan no at

0:51:52.520 --> 0:51:58.560
<v Speaker 3>at the Renaissance Club and in uh in Scotland, you

0:51:58.600 --> 0:52:01.120
<v Speaker 3>know you can you can draw it in a way

0:52:01.160 --> 0:52:05.240
<v Speaker 3>that tells the observer or someone who's looking at your plan,

0:52:05.719 --> 0:52:08.600
<v Speaker 3>that must be something pretty significant because it looks different

0:52:08.640 --> 0:52:13.200
<v Speaker 3>than everything else. It's been called out graphically and it

0:52:13.320 --> 0:52:15.920
<v Speaker 3>you know, sometimes it's it's just a cove or a

0:52:15.960 --> 0:52:19.520
<v Speaker 3>cliff side, or maybe it's a really steep cliff side.

0:52:19.520 --> 0:52:22.520
<v Speaker 3>If you can convey that to just a hole, not

0:52:22.680 --> 0:52:28.719
<v Speaker 3>just playing along a natural water based hazard like you know,

0:52:28.920 --> 0:52:31.200
<v Speaker 3>the ocean or the beach or the you know, a

0:52:31.280 --> 0:52:35.560
<v Speaker 3>lake or a pond, you can graphically make it significant

0:52:35.600 --> 0:52:38.640
<v Speaker 3>so that it helps someone understand that that might be

0:52:38.640 --> 0:52:40.799
<v Speaker 3>pretty neat golf in your ball next to that thing.

0:52:41.360 --> 0:52:44.040
<v Speaker 3>And it doesn't even have to be water. It can

0:52:44.120 --> 0:52:49.080
<v Speaker 3>be vegetation or elevation change or just you know, and

0:52:49.400 --> 0:52:53.200
<v Speaker 3>in many cases it's just the rare eyes sore. Maybe

0:52:53.200 --> 0:52:55.640
<v Speaker 3>it's an old mine or a barrow pit or something

0:52:55.719 --> 0:52:59.759
<v Speaker 3>like that that's overgrown. Great hazard for golf, and then

0:52:59.800 --> 0:53:03.759
<v Speaker 3>you try and convey that as best you can graphically,

0:53:03.800 --> 0:53:06.480
<v Speaker 3>and that's what's fun to do. You learn little ways

0:53:06.520 --> 0:53:11.440
<v Speaker 3>to make something look steep or rugged or rocky or

0:53:11.840 --> 0:53:15.080
<v Speaker 3>just steep and slippery. You know what, whatever you can

0:53:15.120 --> 0:53:20.279
<v Speaker 3>do and you know, that's always that's that's a fun.

0:53:19.960 --> 0:53:21.120
<v Speaker 2>Aspect of it too.

0:53:21.680 --> 0:53:24.640
<v Speaker 1>Just drawing other stuff other than golf help you when

0:53:24.680 --> 0:53:27.239
<v Speaker 1>you do you do that? Ever, do you ever draw

0:53:28.160 --> 0:53:31.200
<v Speaker 1>you know, something else and then does that help you?

0:53:31.360 --> 0:53:32.840
<v Speaker 2>Obviously you do the logo stuff.

0:53:33.360 --> 0:53:37.000
<v Speaker 1>Is there stuff that happened when you do another activity

0:53:37.000 --> 0:53:41.600
<v Speaker 1>that helps you know your your your drawing of golf GOLs.

0:53:41.400 --> 0:53:43.799
<v Speaker 3>That's a that's a really interesting question too, because I

0:53:43.840 --> 0:53:47.279
<v Speaker 3>think the answer, the short answer is yes, I've I've

0:53:47.400 --> 0:53:52.720
<v Speaker 3>done some some different things, not golf based, for my family,

0:53:53.200 --> 0:53:57.680
<v Speaker 3>you know, different points in their life, gifts to commemorate

0:53:57.760 --> 0:54:00.880
<v Speaker 3>different things, you know, I mean, and as digital as

0:54:00.920 --> 0:54:05.920
<v Speaker 3>everything is now, you can get the basic foundational stuff

0:54:05.920 --> 0:54:09.080
<v Speaker 3>for anywhere on the globe, a city street, you know,

0:54:09.160 --> 0:54:13.719
<v Speaker 3>building a landscape, view or whatever. It's all at your fingertips,

0:54:13.719 --> 0:54:16.560
<v Speaker 3>So you can get that framework easy and then sprinkle

0:54:16.600 --> 0:54:20.879
<v Speaker 3>in your family's experience in they're hopefully in a creative way.

0:54:20.960 --> 0:54:23.719
<v Speaker 3>So and I do that too. I just I love

0:54:23.800 --> 0:54:27.080
<v Speaker 3>doing that, I think, and it's fun for me because

0:54:27.120 --> 0:54:29.279
<v Speaker 3>it's again it's not that different of what I'm doing

0:54:29.320 --> 0:54:32.959
<v Speaker 3>with golf. When I was when I was in college,

0:54:33.120 --> 0:54:37.080
<v Speaker 3>I had a reputation of that's the golf guy in

0:54:37.120 --> 0:54:46.440
<v Speaker 3>my environmental design landscape architecture emphasis area. Because I was

0:54:46.760 --> 0:54:50.520
<v Speaker 3>constantly trying to integrate golf into whatever project I was assigned,

0:54:50.560 --> 0:54:53.759
<v Speaker 3>people got up. My professors would just get tired of it,

0:54:54.640 --> 0:54:59.160
<v Speaker 3>and they tolerated me that way. But I think it's

0:54:59.200 --> 0:55:04.239
<v Speaker 3>funny because they tolerated it enough that I could do it.

0:55:04.280 --> 0:55:08.720
<v Speaker 3>And that's really all golf just is just exudes itself

0:55:08.719 --> 0:55:12.600
<v Speaker 3>and pretty much my entire life, my family, my friends,

0:55:13.640 --> 0:55:18.960
<v Speaker 3>my work obviously, and there's always the golf thing. It

0:55:19.080 --> 0:55:22.279
<v Speaker 3>just seems to bubble up and find its way to

0:55:22.320 --> 0:55:28.399
<v Speaker 3>the surface. And whatever I do, and back to your

0:55:28.520 --> 0:55:31.439
<v Speaker 3>question about doing other things, it does seem to find

0:55:31.480 --> 0:55:33.640
<v Speaker 3>its way in there. I have a preference for just

0:55:33.719 --> 0:55:39.640
<v Speaker 3>landscapes just because I you know, study it and think

0:55:39.640 --> 0:55:45.040
<v Speaker 3>about it and a lot, and hopefully that finds its

0:55:45.080 --> 0:55:51.640
<v Speaker 3>way into a routing or a consulting situation where the

0:55:51.680 --> 0:55:56.240
<v Speaker 3>good stuff that can really assist the experience of golf,

0:55:56.320 --> 0:55:59.719
<v Speaker 3>that has nothing to do with golf at all finds

0:55:59.760 --> 0:56:03.719
<v Speaker 3>its way in there. I just I like to to

0:56:03.760 --> 0:56:07.400
<v Speaker 3>try and integrate things together and mix things together that

0:56:07.480 --> 0:56:11.719
<v Speaker 3>maybe you wouldn't it wouldn't seem intuitive to do so,

0:56:12.040 --> 0:56:16.040
<v Speaker 3>and it's fun. I'm lucky. I'm lucky I have work

0:56:16.160 --> 0:56:18.319
<v Speaker 3>that lets me do those kinds of things. I think

0:56:19.200 --> 0:56:24.640
<v Speaker 3>most people are creative in some capacity in their own way,

0:56:24.840 --> 0:56:28.200
<v Speaker 3>and a lot of people might not be as lucky

0:56:28.400 --> 0:56:30.640
<v Speaker 3>as I have been to be able to just tap

0:56:30.640 --> 0:56:32.680
<v Speaker 3>into that they might be creative in a way they're

0:56:32.719 --> 0:56:35.920
<v Speaker 3>not even aware of. And I thank my parents for that,

0:56:36.120 --> 0:56:41.080
<v Speaker 3>because they just they threw everything, including the kitchen sink,

0:56:41.120 --> 0:56:44.200
<v Speaker 3>at us to try when we were kids, because they

0:56:44.239 --> 0:56:47.520
<v Speaker 3>had the realization that, you know, you don't know what

0:56:47.600 --> 0:56:50.080
<v Speaker 3>you're good at until you discover it.

0:56:51.000 --> 0:56:51.680
<v Speaker 2>I could relate.

0:56:51.760 --> 0:56:53.960
<v Speaker 1>I was, you know, it was in the business world,

0:56:54.040 --> 0:56:57.440
<v Speaker 1>and when I started this, I was most worried about

0:56:57.480 --> 0:57:02.120
<v Speaker 1>the creative stuff I find myself. I feel like, you know,

0:57:02.239 --> 0:57:04.680
<v Speaker 1>when I have to do run the business side of it,

0:57:04.680 --> 0:57:09.239
<v Speaker 1>it really hampers my creative you know, and it frustrates me. Yes,

0:57:09.320 --> 0:57:13.360
<v Speaker 1>you know, so it's really you know, you don't know

0:57:13.400 --> 0:57:15.239
<v Speaker 1>what you'll be good at until you try it, and

0:57:15.560 --> 0:57:18.640
<v Speaker 1>then you know. That's I think that's really good advice

0:57:18.680 --> 0:57:22.200
<v Speaker 1>for anybody, especially people that are are starting careers. Like

0:57:22.360 --> 0:57:25.320
<v Speaker 1>you know, you think you are supposed to do this

0:57:25.520 --> 0:57:28.080
<v Speaker 1>or you want to do this. And really, as I

0:57:28.120 --> 0:57:30.800
<v Speaker 1>look back on my life, like what careers are is

0:57:30.880 --> 0:57:32.840
<v Speaker 1>like you know your different jobs are you just you

0:57:33.000 --> 0:57:35.800
<v Speaker 1>just become an expert at these really random things.

0:57:35.960 --> 0:57:39.000
<v Speaker 3>Yeah, that's a really interesting point, and we talk about

0:57:39.000 --> 0:57:43.320
<v Speaker 3>it a lot, you know. I think that's a thin

0:57:43.400 --> 0:57:47.160
<v Speaker 3>silver lining of the global health issues that we're all

0:57:47.200 --> 0:57:52.200
<v Speaker 3>facing now is that golf has benefited from that. You know,

0:57:52.280 --> 0:57:56.560
<v Speaker 3>people are playing it that haven't ever, people are going

0:57:56.600 --> 0:57:59.320
<v Speaker 3>back to it that got away from it for a while,

0:57:59.360 --> 0:58:02.640
<v Speaker 3>like we were talking about earlier, and and I hope

0:58:03.280 --> 0:58:08.880
<v Speaker 3>that you know that resurgence can can travel to places.

0:58:10.200 --> 0:58:12.880
<v Speaker 3>You know, that's that's an important thing that we all

0:58:12.920 --> 0:58:15.480
<v Speaker 3>should be trying to do, is introduce golf to as

0:58:15.480 --> 0:58:19.480
<v Speaker 3>many people, even in its in its rudimentary you know,

0:58:19.760 --> 0:58:24.520
<v Speaker 3>form sand greens with one club, you know, in a

0:58:24.560 --> 0:58:29.320
<v Speaker 3>desert somewhere for example. That's an extreme example. But I

0:58:29.480 --> 0:58:33.520
<v Speaker 3>like to think everybody has it, and there are probably

0:58:33.800 --> 0:58:36.960
<v Speaker 3>a lot of people globally that have the same potential

0:58:37.000 --> 0:58:40.360
<v Speaker 3>to play the game as well as anybody ever has

0:58:40.400 --> 0:58:44.080
<v Speaker 3>that don't even know what golf is. They don't even

0:58:44.160 --> 0:58:46.400
<v Speaker 3>know the concept let alone have a club in their

0:58:46.440 --> 0:58:49.440
<v Speaker 3>hands and being able to stand on maintain turf and

0:58:50.040 --> 0:58:55.320
<v Speaker 3>hit a white ball. And I'm always fascinated by that. Andy.

0:58:55.360 --> 0:58:58.440
<v Speaker 3>I just wonder how many really great players are that

0:58:58.480 --> 0:59:01.520
<v Speaker 3>will live their entire life out there there that will

0:59:01.520 --> 0:59:03.400
<v Speaker 3>never even pick up a golf club that could have

0:59:03.480 --> 0:59:04.520
<v Speaker 3>been just amazing.

0:59:05.120 --> 0:59:11.120
<v Speaker 1>I think about that with singing. How many unbelievable singers

0:59:11.280 --> 0:59:14.680
<v Speaker 1>are there that a like, because it takes so much

0:59:14.720 --> 0:59:18.160
<v Speaker 1>self confidence to put yourself out there in that aspect.

0:59:18.640 --> 0:59:22.760
<v Speaker 1>Is like, how many great you know, like people with

0:59:22.920 --> 0:59:28.280
<v Speaker 1>voices like Adele you know that are living that don't

0:59:28.520 --> 0:59:31.960
<v Speaker 1>they have never tried it because they're afraid to put

0:59:32.040 --> 0:59:35.240
<v Speaker 1>or they've never sung in front of people because they're

0:59:35.280 --> 0:59:37.880
<v Speaker 1>self conscious. Like I think about that all the time,

0:59:38.320 --> 0:59:40.720
<v Speaker 1>and it's it's, you know, it's like the same thing.

0:59:40.760 --> 0:59:42.520
<v Speaker 2>How many great golf.

0:59:42.240 --> 0:59:46.960
<v Speaker 1>Sites are there for golf courses that nobody's just come

0:59:47.000 --> 0:59:49.320
<v Speaker 1>across that has the eye? You know, Like when I'm

0:59:49.480 --> 0:59:51.520
<v Speaker 1>up and we're in northern Michigan right now, it's like

0:59:51.600 --> 0:59:53.000
<v Speaker 1>I drive around and I'm just like.

0:59:53.040 --> 0:59:55.840
<v Speaker 3>Oh, yeah, it's a hot spot up here for that.

0:59:55.920 --> 0:59:57.000
<v Speaker 3>There's no question.

0:59:56.760 --> 0:59:57.959
<v Speaker 2>Turn on your head and you see.

0:59:58.240 --> 1:00:01.000
<v Speaker 1>You see golf holes everywhere you look, and they aren't

1:00:01.040 --> 1:00:03.600
<v Speaker 1>you know, they're just farmland. But you just see, oh

1:00:03.960 --> 1:00:06.200
<v Speaker 1>there's a great golf ball right there. Yeah, you know,

1:00:06.360 --> 1:00:08.240
<v Speaker 1>I'd like to build a golf course right here.

1:00:08.400 --> 1:00:08.880
<v Speaker 3>Yeah.

1:00:09.000 --> 1:00:11.200
<v Speaker 1>I was talking to a lady at a golf course

1:00:11.240 --> 1:00:14.479
<v Speaker 1>the other day and she was telling me about, you know,

1:00:14.800 --> 1:00:18.280
<v Speaker 1>how she thought this one place could be really great.

1:00:18.400 --> 1:00:20.280
<v Speaker 1>And then she was telling me she had like, you know,

1:00:20.360 --> 1:00:22.480
<v Speaker 1>they lived one hundred and fifty acres, and I go,

1:00:22.480 --> 1:00:25.080
<v Speaker 1>it is a cool land and she goes, yeah, it's

1:00:25.120 --> 1:00:26.920
<v Speaker 1>really we got some ravines and stuff.

1:00:26.960 --> 1:00:29.080
<v Speaker 2>I go, we'll just build something out there. Yeah.

1:00:29.320 --> 1:00:31.680
<v Speaker 3>Yeah, And I think, you know, the more of that

1:00:31.680 --> 1:00:34.280
<v Speaker 3>that happens, the more people are likely to give it,

1:00:34.680 --> 1:00:39.480
<v Speaker 3>give it a whirl. The Glen Way nine hole project

1:00:39.520 --> 1:00:44.000
<v Speaker 3>in Madison that the Kaiser family is involved with. Part

1:00:44.000 --> 1:00:47.600
<v Speaker 3>of the recipe is to have a big public putting

1:00:47.640 --> 1:00:52.840
<v Speaker 3>green yards away from a pretty busy city intersection in

1:00:53.000 --> 1:00:56.640
<v Speaker 3>town and leave, you know, as I understand it, some

1:00:56.720 --> 1:00:59.480
<v Speaker 3>golf balls and some putters out there, and it's just

1:00:59.520 --> 1:01:03.280
<v Speaker 3>available to anybody to just walk by, pick up a club,

1:01:03.480 --> 1:01:06.520
<v Speaker 3>knock the ball, and hopefully, you know, eventually get it

1:01:06.560 --> 1:01:10.040
<v Speaker 3>in the hole. I mean, it's like, that's that's as

1:01:10.080 --> 1:01:12.760
<v Speaker 3>important as building a great golf course in a lot

1:01:12.760 --> 1:01:15.560
<v Speaker 3>of ways. It's the first time someone puts the ball

1:01:15.600 --> 1:01:17.840
<v Speaker 3>from distance and the ball goes in the hole. It's

1:01:17.880 --> 1:01:20.880
<v Speaker 3>like when I was a kid, I lived in Nebraska

1:01:20.960 --> 1:01:24.360
<v Speaker 3>and we fished a lot, and the first time, you know,

1:01:24.440 --> 1:01:27.320
<v Speaker 3>you get live bait on a hook and a bobber

1:01:27.320 --> 1:01:29.960
<v Speaker 3>in the water, and the first time you see the bobber,

1:01:30.760 --> 1:01:34.320
<v Speaker 3>you know, moves, yeah. And then when it goes under

1:01:34.480 --> 1:01:37.680
<v Speaker 3>it and it pulls on your your fishing pole, having

1:01:37.680 --> 1:01:43.400
<v Speaker 3>a fish on That's one of life's greatest simple pleasures.

1:01:43.440 --> 1:01:48.280
<v Speaker 1>And you know what hooks you it is literally and figuratively.

1:01:48.320 --> 1:01:50.520
<v Speaker 3>And I think, you know, just being a lot less

1:01:50.600 --> 1:01:55.360
<v Speaker 3>formal about golf, just introduce it anyway you can get

1:01:55.400 --> 1:01:57.080
<v Speaker 3>it out there. I mean. One of one of the

1:01:57.160 --> 1:02:00.440
<v Speaker 3>lovely things about my wife Elizabeth, when I first met her,

1:02:00.480 --> 1:02:03.560
<v Speaker 3>when she understood that I was in the business of golf,

1:02:04.680 --> 1:02:10.560
<v Speaker 3>not an avid golfer, but she was confident enough to

1:02:10.600 --> 1:02:14.240
<v Speaker 3>tell me how she's played before. But she keeps score

1:02:14.640 --> 1:02:18.440
<v Speaker 3>with emojis, so if she plays a hole well, she

1:02:18.480 --> 1:02:21.000
<v Speaker 3>gets a smile face. If she doesn't, she gets a

1:02:21.240 --> 1:02:24.160
<v Speaker 3>you know, a frown, and then sometimes you have the

1:02:24.280 --> 1:02:27.600
<v Speaker 3>confused look on the scorecard. And we've graduated to a

1:02:27.680 --> 1:02:30.439
<v Speaker 3>hybrid now where if she really does make a good score,

1:02:30.480 --> 1:02:32.280
<v Speaker 3>we'll put the number down, but if you have a

1:02:32.320 --> 1:02:34.840
<v Speaker 3>bad hole, just put a frown in the square and

1:02:34.960 --> 1:02:38.080
<v Speaker 3>move on. You know. But I think we've figured out

1:02:38.080 --> 1:02:43.160
<v Speaker 3>a way to enjoy golf together and thinking about it

1:02:43.200 --> 1:02:46.160
<v Speaker 3>in a little bit different way and trying to make

1:02:46.200 --> 1:02:51.000
<v Speaker 3>it accessible and keeping it fun is hyper critical, and

1:02:51.040 --> 1:02:54.560
<v Speaker 3>we have an opportunity now with the focused attention on

1:02:54.640 --> 1:03:00.560
<v Speaker 3>golf that has emerged in the last year to two years, hopefully,

1:03:01.400 --> 1:03:05.760
<v Speaker 3>you know, the game will just become more intriguing and

1:03:05.800 --> 1:03:09.440
<v Speaker 3>compelling to more people, even if they don't play it

1:03:09.480 --> 1:03:14.200
<v Speaker 3>in a necessarily a conventional card and pencil way. That's

1:03:14.320 --> 1:03:16.120
<v Speaker 3>I think that's really really important.

1:03:16.240 --> 1:03:19.000
<v Speaker 1>Well, you're talking about Glen Glen Way and the putt

1:03:19.000 --> 1:03:22.680
<v Speaker 1>and green. Something that went through my head was one

1:03:22.720 --> 1:03:25.000
<v Speaker 1>of the you know, it's like you get these pictures

1:03:25.000 --> 1:03:28.280
<v Speaker 1>that you always remember, these pictures of life, and I

1:03:28.320 --> 1:03:31.640
<v Speaker 1>was leaving winter Park Golf Club, the Keith rev and

1:03:31.720 --> 1:03:35.200
<v Speaker 1>Riley Great Little Community ninth to get there one day.

1:03:35.320 --> 1:03:37.880
<v Speaker 1>It's super cool and it's divided by all these roads.

1:03:37.880 --> 1:03:40.040
<v Speaker 1>It's in the middle of a neighborhood. And I was

1:03:40.120 --> 1:03:44.479
<v Speaker 1>driving away, sun was going down beautiful winter night there

1:03:45.080 --> 1:03:47.920
<v Speaker 1>and I, you know, there's a stop sign and I'm looking.

1:03:48.000 --> 1:03:48.880
<v Speaker 2>I look right, and.

1:03:48.840 --> 1:03:51.560
<v Speaker 1>I look left, and they've got a great community putting

1:03:51.600 --> 1:03:54.160
<v Speaker 1>green right by the ninth tee, which is you know,

1:03:54.600 --> 1:03:58.040
<v Speaker 1>and I look left and I see a father and

1:03:58.240 --> 1:04:01.439
<v Speaker 1>like a four year old walking like down the sun

1:04:01.560 --> 1:04:04.840
<v Speaker 1>like you got that late night sky, and it was

1:04:04.960 --> 1:04:07.280
<v Speaker 1>just in the four year olds Karen a little putter

1:04:07.400 --> 1:04:10.560
<v Speaker 1>and you know, I don't know, it's like an emotional

1:04:10.720 --> 1:04:14.000
<v Speaker 1>like it like that is just such a cool thing

1:04:14.360 --> 1:04:18.040
<v Speaker 1>because like you know, it's just a h you know,

1:04:18.200 --> 1:04:22.080
<v Speaker 1>that's it reminds me of my childhood going. We had

1:04:22.120 --> 1:04:24.080
<v Speaker 1>a big putting green at the public course that I

1:04:24.080 --> 1:04:26.360
<v Speaker 1>grew up playing at, and I'll spend all day on it.

1:04:26.440 --> 1:04:30.120
<v Speaker 3>Oh yeah, but putting never gets boring. Shipping and putting,

1:04:30.280 --> 1:04:32.960
<v Speaker 3>yeah absolutely, And you know, if you're good at that,

1:04:33.120 --> 1:04:35.200
<v Speaker 3>you can play against anybody, you know. I mean that's

1:04:35.200 --> 1:04:36.480
<v Speaker 3>one of golf's discoveries.

1:04:36.520 --> 1:04:40.040
<v Speaker 1>I think driving range almost hampers the I think youth

1:04:40.120 --> 1:04:43.880
<v Speaker 1>development in a way, because if you become really good

1:04:43.920 --> 1:04:46.120
<v Speaker 1>at at putting and chipping by the you know, like

1:04:46.200 --> 1:04:49.960
<v Speaker 1>when you're young, you want to develop those skills because

1:04:49.960 --> 1:04:52.480
<v Speaker 1>your body's going to change so much and your swing's

1:04:52.520 --> 1:04:53.040
<v Speaker 1>going to change.

1:04:53.080 --> 1:04:54.160
<v Speaker 2>It's your body changes.

1:04:54.200 --> 1:04:58.600
<v Speaker 1>The obsession with the perfect swing because that video is

1:04:58.640 --> 1:05:01.800
<v Speaker 1>created is like really detrimental. I think, like to like,

1:05:02.240 --> 1:05:05.000
<v Speaker 1>you want your kid at at age ten just to

1:05:05.040 --> 1:05:06.000
<v Speaker 1>know how to get the ball.

1:05:05.880 --> 1:05:10.280
<v Speaker 3>In the hole absolutely and enjoy it enough, and enjoy

1:05:10.320 --> 1:05:14.720
<v Speaker 3>it enough that they can't ever fix that ailment. You know,

1:05:14.800 --> 1:05:16.960
<v Speaker 3>they can only try and play more and just be

1:05:17.040 --> 1:05:20.760
<v Speaker 3>around it more. And I think, you know, my my

1:05:20.760 --> 1:05:24.600
<v Speaker 3>my dad taught me my golf swing, and he was

1:05:24.640 --> 1:05:27.840
<v Speaker 3>a golf professional in the Denver area at a Donald

1:05:27.880 --> 1:05:32.880
<v Speaker 3>Ross course called Lakewood Country Club, And you know, we'd

1:05:32.880 --> 1:05:35.120
<v Speaker 3>go to the range and he would always look up

1:05:35.160 --> 1:05:38.400
<v Speaker 3>and down the range and and say, I can't imagine

1:05:39.120 --> 1:05:41.720
<v Speaker 3>the purpose of everybody hitting a whole bucket of balls

1:05:41.720 --> 1:05:44.040
<v Speaker 3>with their driver and never taking any of the other

1:05:44.080 --> 1:05:45.800
<v Speaker 3>clubs out of their bag. You know, I mean, you

1:05:45.880 --> 1:05:47.480
<v Speaker 3>go to the range and it's all about how far

1:05:47.640 --> 1:05:50.560
<v Speaker 3>you can hit it, and the focus is never really

1:05:50.600 --> 1:05:52.280
<v Speaker 3>on the short game, and you would always say, Son,

1:05:52.320 --> 1:05:54.280
<v Speaker 3>the secrets in the short game. You know, as long

1:05:54.320 --> 1:05:57.040
<v Speaker 3>as you have that, you can play against anybody. And

1:05:57.440 --> 1:05:59.280
<v Speaker 3>he taught me a lot of things. I just I

1:05:59.320 --> 1:06:01.320
<v Speaker 3>remember those that I was thinking about when you were

1:06:01.400 --> 1:06:03.840
<v Speaker 3>talking about crossing the crosswalk with a dad and a

1:06:03.840 --> 1:06:06.160
<v Speaker 3>four year old, and when you were talking about that,

1:06:06.200 --> 1:06:10.120
<v Speaker 3>it made me think, you know, I hope we You know,

1:06:10.280 --> 1:06:14.080
<v Speaker 3>short courses seem to be really gaining popularity. They seemed

1:06:14.680 --> 1:06:17.640
<v Speaker 3>initially years ago they just seemed kind of hokey, like

1:06:17.760 --> 1:06:21.160
<v Speaker 3>what you do with leftover ground. But for whatever reason,

1:06:21.280 --> 1:06:23.520
<v Speaker 3>more people are playing, and the places you go, the

1:06:23.600 --> 1:06:27.720
<v Speaker 3>accomplished golf resorts have those short courses. In Man I

1:06:27.840 --> 1:06:30.520
<v Speaker 3>was at in June this year, I was at sand

1:06:30.600 --> 1:06:35.240
<v Speaker 3>Valley with Brian Schneider walking around on the lido and

1:06:35.320 --> 1:06:38.160
<v Speaker 3>the short course they have there, the sandbox. It's like

1:06:38.200 --> 1:06:41.640
<v Speaker 3>a firecracker in an anthill. It's jammed and people are

1:06:41.720 --> 1:06:43.320
<v Speaker 3>laughing and having fun.

1:06:43.440 --> 1:06:47.560
<v Speaker 1>And I think that short course. I haven't seen all

1:06:47.600 --> 1:06:50.800
<v Speaker 1>the short courses, but that short course to me, blows

1:06:50.800 --> 1:06:53.959
<v Speaker 1>away every other short course. They that Bill and Bill

1:06:54.000 --> 1:06:56.560
<v Speaker 1>and Jim Craig, I know Jim. It was kind of

1:06:56.640 --> 1:07:00.200
<v Speaker 1>Jim's baby. They did such an unbelievable job.

1:07:00.520 --> 1:07:02.000
<v Speaker 2>That it's fantastic, so fun.

1:07:02.160 --> 1:07:05.439
<v Speaker 1>Yeah, and you know, I have a you know, we'll

1:07:05.440 --> 1:07:08.880
<v Speaker 1>see when Lido is done. But I say to people,

1:07:08.960 --> 1:07:10.800
<v Speaker 1>that's the best golf course on the property.

1:07:10.920 --> 1:07:14.640
<v Speaker 3>Yeah, yeah, I mean, and the other golf course are

1:07:14.680 --> 1:07:15.200
<v Speaker 3>really good.

1:07:15.400 --> 1:07:16.880
<v Speaker 2>Yes they are, Yes, they are.

1:07:16.960 --> 1:07:20.720
<v Speaker 3>And I think it's because it's the you know, for

1:07:20.720 --> 1:07:24.160
<v Speaker 3>for most people, it's the easiest way to have fun.

1:07:24.520 --> 1:07:30.440
<v Speaker 3>You drop your expectations, you drop your the tenseness of it.

1:07:30.480 --> 1:07:33.280
<v Speaker 3>You know, this isn't where you give yourself a pass.

1:07:33.360 --> 1:07:36.920
<v Speaker 3>This isn't real golf, or this isn't regular golf. So

1:07:36.960 --> 1:07:39.000
<v Speaker 3>it's okay. I don't have to get all worked up

1:07:39.040 --> 1:07:41.320
<v Speaker 3>about it. And you can play it with a cocktail

1:07:41.400 --> 1:07:44.240
<v Speaker 3>and play it in your flip flops and and in

1:07:44.280 --> 1:07:47.520
<v Speaker 3>the evening. And you know, most people that have the

1:07:47.560 --> 1:07:50.320
<v Speaker 3>ability to spend time at a place like Sand Valley,

1:07:52.120 --> 1:07:54.960
<v Speaker 3>you know, golf fatigue can set in. You know, you're

1:07:54.960 --> 1:07:57.080
<v Speaker 3>there for a while and you want to play eighteen

1:07:57.080 --> 1:07:59.720
<v Speaker 3>more holes, but you're just beat. You know, you're just tired,

1:07:59.760 --> 1:08:01.960
<v Speaker 3>you're eater, sore, and your hands hurt. But you can

1:08:02.000 --> 1:08:05.720
<v Speaker 3>always go around the short course. I mean the one

1:08:05.720 --> 1:08:08.520
<v Speaker 3>at at bally Neil. The Mulligan Course at bally Neil

1:08:08.720 --> 1:08:12.360
<v Speaker 3>is just an absolute riot. And I haven't seen the

1:08:12.400 --> 1:08:16.800
<v Speaker 3>one at Forest Duns yet that Keith and Riley built,

1:08:18.360 --> 1:08:21.479
<v Speaker 3>but it just looks really really fun.

1:08:21.720 --> 1:08:22.000
<v Speaker 2>Yeah.

1:08:22.000 --> 1:08:24.200
<v Speaker 3>And if if if you go on a golf trip

1:08:24.240 --> 1:08:26.120
<v Speaker 3>and you don't play well, but you have a lot

1:08:26.120 --> 1:08:30.120
<v Speaker 3>of fun on this short course, it's it's still a success. Well.

1:08:30.120 --> 1:08:33.559
<v Speaker 1>I think there's also something that underlying with the short

1:08:33.600 --> 1:08:38.559
<v Speaker 1>course where the concept of fair oh yeah gets kind

1:08:38.560 --> 1:08:42.120
<v Speaker 1>of dropped a little bit, and it's probably something that

1:08:42.600 --> 1:08:45.919
<v Speaker 1>should you know, work its way over to big courses

1:08:46.360 --> 1:08:50.559
<v Speaker 1>where this idea of oh this screen wasn't fair right,

1:08:50.800 --> 1:08:54.280
<v Speaker 1>or this this screen was too extreme. And then but

1:08:54.360 --> 1:08:56.559
<v Speaker 1>then the same people that say that go to the

1:08:56.560 --> 1:09:00.479
<v Speaker 1>short course and say, oh this everything's fun. Yeah, And

1:09:00.200 --> 1:09:03.639
<v Speaker 1>it to me, in my head, it just doesn't compute because,

1:09:04.080 --> 1:09:06.840
<v Speaker 1>like I know, in talking to Bill about the Sandbox,

1:09:06.840 --> 1:09:08.920
<v Speaker 1>he talked about how he could do things he couldn't

1:09:08.920 --> 1:09:11.040
<v Speaker 1>do on the big course there, and in my head,

1:09:11.080 --> 1:09:13.400
<v Speaker 1>I'm like, that doesn't make any sense. Yeah, And I

1:09:13.400 --> 1:09:15.599
<v Speaker 1>think when we look back at like the Golden Age

1:09:15.600 --> 1:09:17.839
<v Speaker 1>stuff and the iconic golf courses.

1:09:18.080 --> 1:09:21.400
<v Speaker 2>A lot of those greens are the greens that you find.

1:09:21.120 --> 1:09:24.880
<v Speaker 1>On short courses where it's okay to be to build

1:09:24.920 --> 1:09:27.360
<v Speaker 1>stuff that's a little bit more extreme. Ye, that's a

1:09:27.360 --> 1:09:30.200
<v Speaker 1>little bit on the edge, and you know, I think

1:09:30.240 --> 1:09:33.000
<v Speaker 1>that's a big lesson. I think another thing that's magical

1:09:33.040 --> 1:09:36.439
<v Speaker 1>about short courses is that it brings the skills gap

1:09:36.920 --> 1:09:40.519
<v Speaker 1>close together, because that's what makes par three short, Part

1:09:40.520 --> 1:09:44.240
<v Speaker 1>three so beloved. It's where, you know, the twenty handicap

1:09:44.360 --> 1:09:47.640
<v Speaker 1>can beat the plus two. I played golf, you know,

1:09:47.680 --> 1:09:49.439
<v Speaker 1>and this was a time where I was playing a

1:09:49.439 --> 1:09:51.960
<v Speaker 1>lot of amateur golf tournaments and I played on a

1:09:51.960 --> 1:09:56.280
<v Speaker 1>buddy's bachelor party. There's this cool place Mcmenimon's in Portland.

1:09:56.320 --> 1:10:00.000
<v Speaker 1>The next time you're in Portland, they have a course

1:10:00.120 --> 1:10:01.320
<v Speaker 1>called the Pub Course.

1:10:01.120 --> 1:10:03.080
<v Speaker 2>And it's the clubhouse like it already.

1:10:03.560 --> 1:10:08.400
<v Speaker 1>There's a bar and they have great tap beer taps,

1:10:09.439 --> 1:10:12.280
<v Speaker 1>great beers, and you go there and they've got I

1:10:12.280 --> 1:10:14.559
<v Speaker 1>think it's a ten hole course and a twenty two

1:10:14.640 --> 1:10:15.200
<v Speaker 1>hole course.

1:10:15.560 --> 1:10:17.559
<v Speaker 2>And we played and my buddy at.

1:10:17.439 --> 1:10:19.640
<v Speaker 1>The time, I must have been a plus two, and

1:10:19.720 --> 1:10:22.720
<v Speaker 1>my buddy, who's like a twelve, beat me. When you

1:10:22.760 --> 1:10:25.439
<v Speaker 1>shorten the course and you removed when you take driver

1:10:25.560 --> 1:10:25.800
<v Speaker 1>out of.

1:10:25.800 --> 1:10:28.439
<v Speaker 2>The equation, absolutely all of a sudden's it, you.

1:10:28.400 --> 1:10:32.559
<v Speaker 1>Know, like everybody can beat anybody on any hole because

1:10:32.680 --> 1:10:33.519
<v Speaker 1>all it takes is.

1:10:33.479 --> 1:10:36.799
<v Speaker 2>One great shot, one swing. Yeah yeah, And then.

1:10:36.880 --> 1:10:39.240
<v Speaker 1>Over the course of ten holes you can get beat

1:10:39.280 --> 1:10:43.000
<v Speaker 1>by somebody that it would have no chance, right, remote

1:10:43.080 --> 1:10:45.600
<v Speaker 1>chance of hanging with you for nine holes on a

1:10:45.640 --> 1:10:46.559
<v Speaker 1>regular golf course.

1:10:46.640 --> 1:10:50.520
<v Speaker 3>Yeah, yeah, And I think it the magic's in the shortness.

1:10:50.920 --> 1:10:53.799
<v Speaker 3>You take the driver out of the less accomplished player's

1:10:53.800 --> 1:10:55.680
<v Speaker 3>hands and don't require that of them, and all of

1:10:55.720 --> 1:11:02.000
<v Speaker 3>a sudden, there's just more opportunity for an interesting match.

1:11:02.080 --> 1:11:05.559
<v Speaker 1>And it makes sense why you know it's a great

1:11:05.680 --> 1:11:10.280
<v Speaker 1>recipe for beginners is because it gives them the opportunity

1:11:10.800 --> 1:11:14.880
<v Speaker 1>to have success on a on a single hole, even

1:11:14.920 --> 1:11:17.679
<v Speaker 1>if it's just a single hole. If they can walk

1:11:17.720 --> 1:11:20.840
<v Speaker 1>away making a three, they feel like, oh, this is

1:11:20.880 --> 1:11:21.800
<v Speaker 1>what got me back, is.

1:11:22.120 --> 1:11:25.680
<v Speaker 3>No question, right, And and and golf's hard enough as

1:11:25.760 --> 1:11:28.360
<v Speaker 3>it is exactly, you know, and and and when you're

1:11:28.400 --> 1:11:30.880
<v Speaker 3>you go back to the tree lined, narrow course you

1:11:30.920 --> 1:11:34.920
<v Speaker 3>were talking about earlier. Even a player that's not accomplished

1:11:35.240 --> 1:11:37.479
<v Speaker 3>has the talent to chip a ball out from behind

1:11:37.479 --> 1:11:40.040
<v Speaker 3>a tree back into the fairway. You know, I mean

1:11:40.080 --> 1:11:42.759
<v Speaker 3>that that doesn't that doesn't take a lot of skill,

1:11:42.800 --> 1:11:44.280
<v Speaker 3>and it certainly ain't much fun.

1:11:45.560 --> 1:11:46.200
<v Speaker 2>So yeah, I.

1:11:46.479 --> 1:11:52.559
<v Speaker 3>Think discovering that that one swing short course where you

1:11:52.600 --> 1:11:55.559
<v Speaker 3>can do something memorable against somebody who's a way better

1:11:55.600 --> 1:12:00.400
<v Speaker 3>player than you are, has a very redeeming, very strong

1:12:00.479 --> 1:12:03.920
<v Speaker 3>gravitational pull to it because of that, because we all

1:12:03.960 --> 1:12:06.439
<v Speaker 3>want to feel like, you know, we can compete. I mean,

1:12:06.880 --> 1:12:09.240
<v Speaker 3>the idea of the handicap system was to take the

1:12:09.320 --> 1:12:13.080
<v Speaker 3>less accomplished player and help them be a better competitor

1:12:13.120 --> 1:12:17.160
<v Speaker 3>against someone else. But but actually beating somebody on a

1:12:17.200 --> 1:12:19.880
<v Speaker 3>whole is way more fun than just taking off three

1:12:19.960 --> 1:12:23.320
<v Speaker 3>shots because your handicap said you could against that.

1:12:23.680 --> 1:12:27.160
<v Speaker 2>It's it's like a fake win versus a real win. Yeah, exactly.

1:12:27.160 --> 1:12:29.280
<v Speaker 1>And I don't want to say that it's a fake win,

1:12:29.400 --> 1:12:30.479
<v Speaker 1>but it is a fake win.

1:12:30.600 --> 1:12:34.400
<v Speaker 3>Well yeah, and it's all how you look at it.

1:12:34.760 --> 1:12:38.080
<v Speaker 1>Yeah, yeah, you know, it's not necessarily a fake win.

1:12:38.160 --> 1:12:40.400
<v Speaker 1>It's a it's a it's a it's a different win

1:12:40.520 --> 1:12:43.960
<v Speaker 1>than every other win in society would say, you know,

1:12:44.280 --> 1:12:48.320
<v Speaker 1>it's a but hey, you know, we uh, running up

1:12:48.360 --> 1:12:51.120
<v Speaker 1>on time. You know, it's my wedding anniversary. I'm going

1:12:51.120 --> 1:12:53.840
<v Speaker 1>to get in trouble anniversary. You know your wife is

1:12:53.880 --> 1:12:57.720
<v Speaker 1>fantastic to share you. You know, you know I she's

1:12:58.120 --> 1:13:01.639
<v Speaker 1>She's gotten a nice, nice a lot of me time.

1:13:01.680 --> 1:13:04.560
<v Speaker 2>I think she probably is happy to be honest.

1:13:04.479 --> 1:13:06.160
<v Speaker 3>Everything everything in moderation.

1:13:06.439 --> 1:13:09.759
<v Speaker 1>Yeah, you know, I love I'm a I'm a complete

1:13:09.840 --> 1:13:12.640
<v Speaker 1>hopeless artist. I uh, you know, when it comes to

1:13:12.720 --> 1:13:16.160
<v Speaker 1>drawing a golf hole, I cannot draw a golf hole

1:13:16.360 --> 1:13:17.040
<v Speaker 1>worth a lick.

1:13:17.280 --> 1:13:19.240
<v Speaker 2>I'm sure a lot of people I'd love to be

1:13:19.320 --> 1:13:19.720
<v Speaker 2>able to do.

1:13:20.040 --> 1:13:23.200
<v Speaker 1>I I think about them all the time I have

1:13:23.400 --> 1:13:27.240
<v Speaker 1>I can visualize them in my head. I cannot draw them.

1:13:27.240 --> 1:13:33.000
<v Speaker 1>What give give us hopelesses? Some some tips to.

1:13:33.080 --> 1:13:34.320
<v Speaker 2>Be less hopeless?

1:13:34.320 --> 1:13:36.680
<v Speaker 1>Like I would love to enter the Lido contest, but

1:13:36.760 --> 1:13:39.880
<v Speaker 1>I can't draw off hole that would be representative of

1:13:39.920 --> 1:13:40.760
<v Speaker 1>what I'm thinking about.

1:13:40.800 --> 1:13:41.800
<v Speaker 2>I could write about it.

1:13:41.920 --> 1:13:46.200
<v Speaker 3>Yeah, well that's that's another good question. I think that

1:13:46.439 --> 1:13:48.559
<v Speaker 3>the thing I would encourage you to do is do

1:13:48.640 --> 1:13:51.960
<v Speaker 3>it anyway, Just keep going, just keep going, and that

1:13:52.120 --> 1:13:55.599
<v Speaker 3>you know there there's no right or wrong way.

1:13:56.200 --> 1:13:58.439
<v Speaker 1>Get a big pad and just as soon as I

1:13:58.479 --> 1:13:59.200
<v Speaker 1>know it's off.

1:13:59.360 --> 1:13:59.920
<v Speaker 2>Start over.

1:14:00.160 --> 1:14:02.920
<v Speaker 3>Yeah, and to the extent you're able, don't put any

1:14:03.000 --> 1:14:06.200
<v Speaker 3>pressure on yourself to make something look like something you've

1:14:06.240 --> 1:14:09.240
<v Speaker 3>already seen that someone told you was a good way

1:14:09.280 --> 1:14:12.360
<v Speaker 3>to do this. Just do it your way. I mean,

1:14:12.840 --> 1:14:15.720
<v Speaker 3>the truth is, that's how how I got where I am.

1:14:15.880 --> 1:14:19.040
<v Speaker 3>I just had the blank pad and the you know,

1:14:19.240 --> 1:14:24.360
<v Speaker 3>the sixty four Crayola box, sixty four crayon Crayola box.

1:14:25.040 --> 1:14:28.760
<v Speaker 3>And as soon as it becomes fun for you, just

1:14:28.920 --> 1:14:32.479
<v Speaker 3>do that and experiment. Try all kinds of different things,

1:14:32.520 --> 1:14:38.160
<v Speaker 3>different colors, different line weights, different ways to depict whatever,

1:14:38.240 --> 1:14:42.120
<v Speaker 3>and mix and match and don't have any preconceived notions.

1:14:42.160 --> 1:14:46.679
<v Speaker 3>And you know, I think drawings one of those things

1:14:46.720 --> 1:14:50.880
<v Speaker 3>where you know, the muscle you're using your brain and

1:14:51.880 --> 1:14:55.000
<v Speaker 3>obviously your eyes. You know, you're trying to convey what's

1:14:55.040 --> 1:14:58.160
<v Speaker 3>in your head through your eyes onto the paper. But

1:14:58.240 --> 1:15:00.680
<v Speaker 3>the thing that can be most inhibitive of about that

1:15:00.720 --> 1:15:03.080
<v Speaker 3>process has nothing to do with those two things. It's

1:15:03.120 --> 1:15:07.280
<v Speaker 3>all the muscles that are communicating between you know, your head,

1:15:07.760 --> 1:15:12.080
<v Speaker 3>through your arms into your hands, and if those are

1:15:12.120 --> 1:15:16.400
<v Speaker 3>inhibited or not comfortable or relaxed or free, it's really

1:15:16.439 --> 1:15:19.240
<v Speaker 3>hard to get what you're seeing in your mind's eye

1:15:19.320 --> 1:15:20.080
<v Speaker 3>on the pay point.

1:15:20.160 --> 1:15:22.479
<v Speaker 2>Relax. Yeah, the same thing with the golf swing.

1:15:22.640 --> 1:15:25.840
<v Speaker 1>Absolutely, you know, like I think that's like you swing

1:15:26.000 --> 1:15:28.000
<v Speaker 1>your best when you're when you're relaxed.

1:15:28.000 --> 1:15:32.479
<v Speaker 2>Oh yeah, it's infinitely impossible to get relaxed and comfortable.

1:15:32.240 --> 1:15:35.240
<v Speaker 3>It just and and and give it a whirl and tried.

1:15:35.360 --> 1:15:38.320
<v Speaker 3>I would also encourage trying different mediums. You know, don't

1:15:38.400 --> 1:15:41.639
<v Speaker 3>don't stick with a sharpened pencil and a pad of paper.

1:15:41.720 --> 1:15:45.200
<v Speaker 3>Get a piece of charcoal, you know, a really rough

1:15:45.880 --> 1:15:48.320
<v Speaker 3>than chalk, uh, things like that.

1:15:48.479 --> 1:15:53.240
<v Speaker 1>If it's less sharp, it doesn't show the imperfections as much.

1:15:53.360 --> 1:15:57.040
<v Speaker 3>Absolutely, absolutely, and and and it can also convey an

1:15:57.080 --> 1:16:00.240
<v Speaker 3>idea much more boldly with contrast than trying to draw

1:16:00.320 --> 1:16:04.120
<v Speaker 3>really sharp small lines. Just mix it up, you know,

1:16:04.240 --> 1:16:08.880
<v Speaker 3>paint too. I've I've never really pursued painting because I

1:16:08.960 --> 1:16:11.160
<v Speaker 3>just seem to have liked drawing so much. But some

1:16:11.200 --> 1:16:15.320
<v Speaker 3>people that are amazing painters aren't that good at drawing

1:16:15.360 --> 1:16:17.559
<v Speaker 3>and don't really even enjoy it that much. I mean

1:16:17.600 --> 1:16:20.280
<v Speaker 3>they're that they're similar, but they're also that much different.

1:16:20.479 --> 1:16:24.160
<v Speaker 3>Just try it, Just try different things. It's uh, go

1:16:24.200 --> 1:16:26.840
<v Speaker 3>play a golf course you've never played before and enjoy it,

1:16:26.880 --> 1:16:30.639
<v Speaker 3>and you know, get some sidewalk, chalk out with with

1:16:30.680 --> 1:16:34.080
<v Speaker 3>your toddler and just do some stuff in the driveway

1:16:34.120 --> 1:16:36.280
<v Speaker 3>and see what what talks to you, because it's different

1:16:36.320 --> 1:16:36.839
<v Speaker 3>for everybody.

1:16:37.000 --> 1:16:40.600
<v Speaker 1>That's my only my only hope, I think actually is

1:16:40.680 --> 1:16:45.880
<v Speaker 1>probably you know, learning to draw with why well I

1:16:45.960 --> 1:16:47.080
<v Speaker 1>watch my daughter.

1:16:46.880 --> 1:16:49.719
<v Speaker 2>To learn to draw. Well, you can do it together exactly.

1:16:49.720 --> 1:16:50.160
<v Speaker 2>Who knows?

1:16:50.200 --> 1:16:53.400
<v Speaker 3>You may have an artist in making? Yeah, yeah, it's

1:16:53.439 --> 1:16:55.520
<v Speaker 3>all about discovery.

1:16:55.200 --> 1:16:58.640
<v Speaker 1>All right, Don, People can find you on Instagram. Uh,

1:16:58.920 --> 1:17:02.880
<v Speaker 1>Don Plasik, what's it is? A deep placic plac a golf,

1:17:02.920 --> 1:17:07.280
<v Speaker 1>placic golf. You know, if I was more prepared, I would.

1:17:07.200 --> 1:17:08.360
<v Speaker 2>Have that right.

1:17:09.280 --> 1:17:10.479
<v Speaker 3>I'm still learning myself.

1:17:11.240 --> 1:17:14.559
<v Speaker 1>But uh and and uh and then they can they

1:17:14.560 --> 1:17:16.960
<v Speaker 1>can find your work at you know, pretty much any

1:17:17.000 --> 1:17:19.040
<v Speaker 1>renaissance golf property.

1:17:19.439 --> 1:17:22.080
<v Speaker 2>And I gotta I got a whole list of question

1:17:22.640 --> 1:17:25.280
<v Speaker 2>I got four topics that we never touched on today.

1:17:25.320 --> 1:17:28.160
<v Speaker 2>So maybe we'll do a part two at some point.

1:17:28.120 --> 1:17:31.080
<v Speaker 3>Andy, that would be lovely, be happy to great to

1:17:31.280 --> 1:17:49.640
<v Speaker 3>talk with you. Thanks for stopping by.