WEBVTT - #69 - Rosecrans Vic

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<v Speaker 1>Oh right, whoa All right? Well, listen another episode of

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<v Speaker 1>the Boulet Cap podcast. This is a short one because

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<v Speaker 1>this guy was kind of late. We invited Rose kranz

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<v Speaker 1>Vict to the podcast. He's a La personality, started a

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<v Speaker 1>blog out here, originally got put onto this guy from

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<v Speaker 1>DJ head who's here. Actually we just he's still hanging

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<v Speaker 1>out from the episode we did. But Rose kranz Vic

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<v Speaker 1>does a show on No Jumper called Mad Lately. You know,

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<v Speaker 1>he's a taste maker in La and the music scene

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<v Speaker 1>in La kind of was early on a lot of

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<v Speaker 1>the artists and just a real nice, genuine dude, so

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<v Speaker 1>we invited him on the show. It only was like

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<v Speaker 1>twenty five thirty minutes long, but he was late as

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<v Speaker 1>fuck and someone was coming after. Who came after it? Paus?

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<v Speaker 1>Was it China Mac? Yeah, we had we had to

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<v Speaker 1>make some way of China Mac. But Rosecransvic. Go check

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<v Speaker 1>him out on his socials and check out odd socksofficial

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<v Speaker 1>dot com. Make sure when you're on odd soxoficial dot

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<v Speaker 1>com you check out all their masks, their socks, their underwear,

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<v Speaker 1>their slippers, all kinds of ill shit going on over there.

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<v Speaker 1>All the licenses you could want South Park, mister t,

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<v Speaker 1>I won't. I don't think they got a rocky Maybe,

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<v Speaker 1>I don't know. They got a lot of fucking licenses.

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<v Speaker 1>Fucking sweetish fish mac dre for all the Yeasters out there,

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<v Speaker 1>for all the guy damn for all the motherfucking nego

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<v Speaker 1>blitzas out there, ye fucking feeling yourself out there going

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<v Speaker 1>dumb ghost riding the whip in twenty twenty one, like

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<v Speaker 1>a fucking idiot. You could save twenty percent off at

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<v Speaker 1>odd socksofficial dot com when you check out just used

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<v Speaker 1>to keep ward bootleg keV. All right, type that in

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<v Speaker 1>h'it enter you saving twenty percent off. Let's get into

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<v Speaker 1>the rosecransvic interview. All right, yo boutlet kV podcast. Rose

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<v Speaker 1>Kranzvick is here, keVs Deal. Welcome man. For people who

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<v Speaker 1>don't know who you are what you do, you are

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<v Speaker 1>a fixture in the LA hip hop scene. Rosecrans Ave

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<v Speaker 1>is the platform that you I think a few years

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<v Speaker 1>ago is when I first kind of started checking out

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<v Speaker 1>what you were doing, kind of give everyone a background

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<v Speaker 1>and like what it is you do and and like

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<v Speaker 1>you're kind of your background in the LA hip hop scene. Yeah.

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<v Speaker 1>So basically I started a blog like maybe like six

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<v Speaker 1>going on seven years ago called rosecrans Av, And basically

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<v Speaker 1>my whole thing was just I wanted to document like

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<v Speaker 1>the underground LA artists that weren't getting played on radio

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<v Speaker 1>or weren't getting any attention by like Complex or anything

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<v Speaker 1>like that. Right, So I was like, you know what,

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<v Speaker 1>I don't give a fuck about the big artists. You know,

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<v Speaker 1>they're gonna get picked up by all these other blogs.

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<v Speaker 1>I'm gonna just focus on finding like the new talent

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<v Speaker 1>and growing with them, you know what I mean. So

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<v Speaker 1>that's what I try to do. I just taught myself

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<v Speaker 1>how to write, you know, just really nobody like gave

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<v Speaker 1>a fuck for like three years, which was cool because

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<v Speaker 1>I got to like fuck up and like not have

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<v Speaker 1>a large audience in front of me, you know what

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<v Speaker 1>I mean. So like that was actually kind of cool

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<v Speaker 1>when I look back, because I fucked up so much.

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<v Speaker 1>You learn on the go, and not a lot of

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<v Speaker 1>people were looking exactly. So I did that and nobody

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<v Speaker 1>really started to give a fuck until we booked oh

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<v Speaker 1>three Greedo at a show at the Echo and it

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<v Speaker 1>was like a Monday night and we brought like the

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<v Speaker 1>whole city out, and then everybody was like, oh shit,

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<v Speaker 1>like damn, like everybody's paying attention to Grito. Now he

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<v Speaker 1>got picked up by like the Fader, right and all

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<v Speaker 1>these different places started paying attention to him. And then

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<v Speaker 1>we did it again with Shoreline Mafia the next month,

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<v Speaker 1>and then you know, we had our podcast on Dash Radio,

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<v Speaker 1>Grose Frands Radio, and then people just started really paying

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<v Speaker 1>attention to like what we were doing, just started giving

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<v Speaker 1>a fuck in general. And so who like who were

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<v Speaker 1>kind of like the core artists for you guys like

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<v Speaker 1>as far as who you were kind of getting behind

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<v Speaker 1>early on definitely Draco, Draco the Ruler, Grito, Shoreline, who

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<v Speaker 1>else there was like the Azy Cold. It was just

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<v Speaker 1>like this, you know, really even blue Face. You know,

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<v Speaker 1>we were on blue Face early. We just got behind

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<v Speaker 1>every LA artist early, even like Roddy Rich like I

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<v Speaker 1>wrote about him in like twenty seventeen, right right, you

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<v Speaker 1>know what I mean, Kaylin, All these people I just

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<v Speaker 1>kind of watched them grow and I thought they were dope.

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<v Speaker 1>I didn't know they would grow up to be like

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<v Speaker 1>mega stars, you know, necessarily like like Roddy or anything

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<v Speaker 1>like that. You know, I just saw them grow and

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<v Speaker 1>I thought they were talented and I liked the music,

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<v Speaker 1>you know. I mean, obviously, what I've noticed about the

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<v Speaker 1>new generation of LA for the most part, you know,

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<v Speaker 1>because obviously sometimes politics gets involved and people really can't

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<v Speaker 1>work with each other. But like, for the most part,

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<v Speaker 1>it seems like there's a whole wave of LA artists

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<v Speaker 1>the last couple of years that have worked with each other,

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<v Speaker 1>embraced each other, kind of had some camaraderie. Yeah, And

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<v Speaker 1>that was kind of always the hang up about LA,

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<v Speaker 1>you know, because people would always be like Atlanta every

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<v Speaker 1>once together, you know, like yeah, but I feel like

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<v Speaker 1>there's been a movement where everyone is, you know, for

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<v Speaker 1>the most part, moving in the same direction. You know.

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<v Speaker 1>Obviously there's, like I said, there's there's there's some beef,

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<v Speaker 1>there's some dumb shit. But is that something that you

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<v Speaker 1>noticed as well, and like if, like, why do you

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<v Speaker 1>think that is? That was like really a goal of

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<v Speaker 1>mine to create really create a community so that other

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<v Speaker 1>artists can be aware of other artists. But I think

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<v Speaker 1>it's like three things. I think it's the fact that

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<v Speaker 1>not too many of the popping rappers are gangbanging, you know,

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<v Speaker 1>what I mean, like a few of them are, but

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<v Speaker 1>not too many of them are. Two. I feel like

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<v Speaker 1>we had a lot to do with it as far

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<v Speaker 1>as booking shows. We book everybody on the lineup. Everybody

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<v Speaker 1>comes and meets each other. Okay, that guy's cool, Okay,

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<v Speaker 1>rights up, you know what I mean. It's just like

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<v Speaker 1>a community gets built after a while. And then the

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<v Speaker 1>other is just like the fact that everybody's winning, everybody's eating,

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<v Speaker 1>Like you can't really be that mad when you have

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<v Speaker 1>money in your pocket, you know what I mean. And

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<v Speaker 1>like it's like, yeah, this dude is like selling Hello

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<v Speaker 1>albums or whatever. He's like everyone signed a TK. Yeah, yeah,

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<v Speaker 1>that has something to do with it. Yeah, But it's like,

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<v Speaker 1>you know, if everybody's really winning and it's not a

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<v Speaker 1>bunch of like hungry people, like there's not much to

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<v Speaker 1>fight about, you know what I'm saying. So I feel

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<v Speaker 1>like it's like those three factors. Yeah, I think too.

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<v Speaker 1>Like what I thought was really important and dope was

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<v Speaker 1>when Grido and RJ did the show and nothing happened.

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<v Speaker 1>Oh that was incredible. I like that fact that that

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<v Speaker 1>was insane and I was like, I'm not going to

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<v Speaker 1>that show. Yeah, I remember me and headwards head was like,

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<v Speaker 1>I'm not going to that. Fuck that ship. And then

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<v Speaker 1>the next day it was like, yo, that ship was

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<v Speaker 1>a beautiful situation. That was like the first versus down

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<v Speaker 1>there low key if you think about it, and the

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<v Speaker 1>fact that like nothing happened like it almost kind of

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<v Speaker 1>like to me, kind of showed everybody like, hey, look

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<v Speaker 1>you cause you know with LA that the certain shit

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<v Speaker 1>is just it seems as if it's impossible to change, right,

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<v Speaker 1>and something like that to me showed everybody like, hey,

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<v Speaker 1>look like there's another way to go about this. All

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<v Speaker 1>of the whole were there, nothing happened. It's you know,

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<v Speaker 1>at the end of the day, it's just like they're

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<v Speaker 1>getting money. So what again? Was there like there's not

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<v Speaker 1>too much to be mad about. You know, who do

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<v Speaker 1>you consider uh, out of the last five years in

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<v Speaker 1>LA hip hop to be like the guy like the goat? Uh?

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<v Speaker 1>I mean it's like I would think Draco, you know,

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<v Speaker 1>but also like on a major, major scale, I would

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<v Speaker 1>say Roddy. Yeah. I mean, let's say, let's sake Riddy okay,

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<v Speaker 1>because he's two years okay, so that I'll say Draco.

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<v Speaker 1>Draco because he went to jail for three years, got

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<v Speaker 1>his spot back and elevated if anything, like, oh yeah,

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<v Speaker 1>he's going crazy, you know what I'm saying, Like that's

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<v Speaker 1>what I was just talking to him about like last week.

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<v Speaker 1>I'm like, bro, like you were gone for three years,

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<v Speaker 1>but really more almost like five because before he came

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<v Speaker 1>out for like two months, he was locked up for

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<v Speaker 1>like another like a year and a half like before then.

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<v Speaker 1>So like for the majority of the past five years

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<v Speaker 1>he's been locked up and his career is just still booming.

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<v Speaker 1>You know. He got out and just got to it.

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<v Speaker 1>Mm hmm. I think he had Like I felt like

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<v Speaker 1>he recorded an album like it was already done. Like

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<v Speaker 1>a WEEKND was like him. I was like, bro, you're

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<v Speaker 1>you got out of jailing with straight to the booths,

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<v Speaker 1>straight to literally straight to it. And so you know,

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<v Speaker 1>but everybody you know gives him that that respect though,

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<v Speaker 1>you know what I mean, Like everybody, yeah, like shit,

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<v Speaker 1>he's doing it well, can we say, you know, he's

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<v Speaker 1>really like him? And then if he co signs an

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<v Speaker 1>artist like that artist starts to blow and stuff like that.

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<v Speaker 1>So with the Latin ship that's going on, I saw

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<v Speaker 1>you were just part of that. Photos a lot of

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<v Speaker 1>the lat like Mexican guys who were in town, C

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<v Speaker 1>and G and all those guys. But you know, there's

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<v Speaker 1>a whole nother movement going on there that's fucking amazing

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<v Speaker 1>out of Lay just in general. But what what it like? Like,

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<v Speaker 1>what do you think when it comes to like because

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<v Speaker 1>I always said, like when I was growing up, like

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<v Speaker 1>when I thought I'm from Phoenix, so MC magic was

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<v Speaker 1>like god right, oh yeah, And I was like, you know,

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<v Speaker 1>working at car shows and ship but like the Mexican

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<v Speaker 1>rap that was really popular was the Chicano rap. And

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<v Speaker 1>to me, I mean Little Rock got classics. MC Magic

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<v Speaker 1>got classics. But I always felt like there was ad

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<v Speaker 1>you had to be. It was almost like made specifically

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<v Speaker 1>for for for for the people who got that. Yeah,

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<v Speaker 1>it wasn't very inclusive to random. I feel like like

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<v Speaker 1>a lot of the new Latin MC's that are doing

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<v Speaker 1>their thing, like they make dope shit and they happen

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<v Speaker 1>to be Mexican. That's really the key, you know what

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<v Speaker 1>I mean? Because a lot of like me growing up,

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<v Speaker 1>like I had like a period of time where I

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<v Speaker 1>did like the Chicano wrap stuff. I was into them

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<v Speaker 1>C Magics and and all that, But then I just

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<v Speaker 1>kind of grew out of it because I wasn't like

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<v Speaker 1>a gang banger. I didn't relate too much of the things.

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<v Speaker 1>I liked the music, you know, but like it's almost

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<v Speaker 1>like it's in such like a cult like fan base

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<v Speaker 1>that you couldn't really get out of that box. And

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<v Speaker 1>they could have a million views, like fucking High Power Records.

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<v Speaker 1>High Power Records, shit, I bet records. They'd have them

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<v Speaker 1>booths that the fucking car shows. The ships would be booming,

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<v Speaker 1>and then they have random albums with like Busy Bone

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<v Speaker 1>and Ship. Yeah they were, they were doing it on

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<v Speaker 1>the independence hid you could buy them at like warehouse,

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<v Speaker 1>shoesell and Ship. Like, But yeah, I think that like

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<v Speaker 1>that's something that like it's like now there's artists where

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<v Speaker 1>it's like, yo, you could be a fan of this

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<v Speaker 1>guy and be you know whoever. You don't have to

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<v Speaker 1>be a Mexican to like, you know, like the music

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<v Speaker 1>is just good, you know. That's yeah, that's the whole goal.

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<v Speaker 1>And that's what I see everybody doing. Like we had

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<v Speaker 1>like that meeting yesterday and it was dope because yeah,

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<v Speaker 1>like they're just dope artists who happened to be Mexican

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<v Speaker 1>that some of them probably don't even speak Spanish, like

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<v Speaker 1>they don't incorporate Spanish into their lyrics or anything like that.

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<v Speaker 1>It's just like they grew up in La. They're Mexican.

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<v Speaker 1>They have you know, homies that are black, white, Chinese everything,

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<v Speaker 1>you know, and they just they rap like you know,

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<v Speaker 1>and they're good. What was give us the inside of

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<v Speaker 1>the meeting yesterday because I saw a few people post it. Yeah,

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<v Speaker 1>it was. It was pretty dope. Basically, we pulled up

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<v Speaker 1>to uh Abner Mars, you know a fighter. Yeah, he

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<v Speaker 1>has a spot in like Bell Gardens restaurant, and so

0:10:55.320 --> 0:10:59.240
<v Speaker 1>we all just pulled up and basically like they're just planning.

0:10:59.320 --> 0:11:01.520
<v Speaker 1>I mean, like the cool thing is that everybody knows

0:11:01.520 --> 0:11:03.680
<v Speaker 1>each other, but it's it was like still like a

0:11:03.720 --> 0:11:06.440
<v Speaker 1>mixer because you're still meeting people face to face and

0:11:06.480 --> 0:11:09.720
<v Speaker 1>feeling people's energy and stuff like that. But like they're

0:11:09.720 --> 0:11:12.160
<v Speaker 1>planning on doing like a cipher fire, you know what

0:11:12.200 --> 0:11:14.120
<v Speaker 1>I mean, like something like that to where everybody gets

0:11:14.120 --> 0:11:17.240
<v Speaker 1>on a song and then possibly you know, go on

0:11:17.320 --> 0:11:20.160
<v Speaker 1>like a tour. All LA artists, yeah, all LA. Well,

0:11:20.160 --> 0:11:22.640
<v Speaker 1>there's some like little weirdos from like San Diego. And

0:11:22.640 --> 0:11:25.640
<v Speaker 1>then there's great name by the way, I know right yeah,

0:11:25.679 --> 0:11:27.760
<v Speaker 1>in La it was like a little weird he's a

0:11:27.760 --> 0:11:30.080
<v Speaker 1>great guy. It's funny. I'm like, what she can change

0:11:30.080 --> 0:11:32.040
<v Speaker 1>the name that sounds like that. That sounds like he

0:11:32.120 --> 0:11:34.360
<v Speaker 1>might have had a Caponi record back the day, like

0:11:34.400 --> 0:11:39.040
<v Speaker 1>little Weirdo features sounds right, by the way, mister Caponi

0:11:39.160 --> 0:11:41.840
<v Speaker 1>not Mexican, not Mexican at all. I think it's from Iran.

0:11:41.960 --> 0:11:44.520
<v Speaker 1>He's Iranian. He's our Indian by the way. Doesn't take

0:11:44.559 --> 0:11:47.920
<v Speaker 1>away from like you know, he's he's man. But but

0:11:48.000 --> 0:11:49.720
<v Speaker 1>I when I found out, I was like, really, it

0:11:49.760 --> 0:11:51.720
<v Speaker 1>blew everybody's mind. When I was like, nah, that's a joke,

0:11:51.800 --> 0:11:53.680
<v Speaker 1>like somebody's trolling or something, I was like, no, it's

0:11:53.679 --> 0:11:55.600
<v Speaker 1>really real. And I met him and then like super

0:11:55.679 --> 0:11:57.120
<v Speaker 1>nice guy. Yeah yeah, And then I'm just kind of

0:11:57.120 --> 0:12:01.320
<v Speaker 1>looking like yeah, it's probably yeah, yeah, he's Indian. So

0:12:01.480 --> 0:12:03.400
<v Speaker 1>coming out it is there gonna be like a compilation

0:12:03.640 --> 0:12:06.120
<v Speaker 1>project or is it just gonna just like almost like

0:12:06.160 --> 0:12:08.000
<v Speaker 1>an open network where now we all know each other,

0:12:08.040 --> 0:12:10.240
<v Speaker 1>now we can all work together that it's that. I

0:12:10.280 --> 0:12:12.280
<v Speaker 1>don't think there's gonna be like a whole album. Possibly

0:12:12.480 --> 0:12:15.120
<v Speaker 1>I mean that was probably only like the second meeting

0:12:15.200 --> 0:12:18.400
<v Speaker 1>in the first one I attended. So I think the

0:12:18.480 --> 0:12:20.720
<v Speaker 1>goal is just to like to get on a tour

0:12:20.800 --> 0:12:23.319
<v Speaker 1>and tour across the nation, you know what I mean? Like, Hey,

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0:12:25.840 --> 0:12:28.880
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0:12:32.040 --> 0:12:34.679
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0:13:17.720 --> 0:13:20.360
<v Speaker 1>save twenty percent at checkout, Think me Later. So you

0:13:20.440 --> 0:13:26.560
<v Speaker 1>also have put out like rosecrans av music, right, is

0:13:26.600 --> 0:13:31.160
<v Speaker 1>that something that you're actively working on maybe a whole

0:13:32.000 --> 0:13:33.960
<v Speaker 1>I want to do a new album, I really do,

0:13:35.040 --> 0:13:38.160
<v Speaker 1>but it's just like takes up so much time. Like

0:13:38.240 --> 0:13:40.840
<v Speaker 1>it was also dealing with dealing. I mean, look I

0:13:40.880 --> 0:13:43.560
<v Speaker 1>put out I put it out a mixtape in twenty thirteen. Yeah,

0:13:43.640 --> 0:13:45.560
<v Speaker 1>twenty one song. It was all original. It was a

0:13:45.640 --> 0:13:49.160
<v Speaker 1>fucking pain in o god. It was a lot because

0:13:49.200 --> 0:13:51.520
<v Speaker 1>you like you're not the artist, so like you have

0:13:51.600 --> 0:13:53.960
<v Speaker 1>to clear every single and you just I think I

0:13:53.960 --> 0:13:56.240
<v Speaker 1>think singles is the way to go, man, yeah, because

0:13:56.240 --> 0:13:57.720
<v Speaker 1>then you get all cool, we got one done, all right,

0:13:57.800 --> 0:14:00.800
<v Speaker 1>let's drop it. You're trying to putting out a whole project. Yeah,

0:14:00.840 --> 0:14:04.000
<v Speaker 1>I have a distribution label with me and Kelly, so

0:14:04.040 --> 0:14:06.120
<v Speaker 1>we put out singles, like we just put out one

0:14:06.120 --> 0:14:09.400
<v Speaker 1>with like Youngto and Big Swift and Jakarta Slim, so

0:14:09.559 --> 0:14:11.160
<v Speaker 1>that was pretty dope. We put it out like a

0:14:11.200 --> 0:14:14.320
<v Speaker 1>month ago, So that's cool like that. But I do

0:14:14.400 --> 0:14:16.320
<v Speaker 1>want to work on an album, but I know I'm

0:14:16.320 --> 0:14:19.840
<v Speaker 1>gonna have to like book out, like blackout like two

0:14:19.880 --> 0:14:21.800
<v Speaker 1>months of my schedule or something to like I'm gonna

0:14:21.800 --> 0:14:23.880
<v Speaker 1>just get this shit done, to ignore damn near everything else.

0:14:23.960 --> 0:14:26.120
<v Speaker 1>Who's somebody in La right now that we don't know

0:14:26.160 --> 0:14:28.760
<v Speaker 1>that we're that you think has got all the tools

0:14:28.760 --> 0:14:32.280
<v Speaker 1>to be the next star to La Remble Ramble You

0:14:32.320 --> 0:14:35.080
<v Speaker 1>heard of Rambul? I have not. So he got a

0:14:35.120 --> 0:14:37.720
<v Speaker 1>Draco co sign. He almost sounds a little like Draco,

0:14:38.280 --> 0:14:40.200
<v Speaker 1>but I feel like everyone sounds a little one yeah

0:14:40.360 --> 0:14:43.040
<v Speaker 1>at this point. But he he's twenty years old and

0:14:44.400 --> 0:14:47.080
<v Speaker 1>like he has probably like four songs out, but you

0:14:47.200 --> 0:14:52.560
<v Speaker 1>can tell how smart he is, how like his wordplay

0:14:52.600 --> 0:14:56.840
<v Speaker 1>and everything is like just next level. He did a

0:14:56.840 --> 0:14:59.800
<v Speaker 1>song called like a Ted Talk and then the video

0:14:59.880 --> 0:15:01.600
<v Speaker 1>is like him doing like a Ted Talk and then

0:15:01.640 --> 0:15:04.040
<v Speaker 1>he's like thank you all for listening. Like it's just

0:15:04.280 --> 0:15:06.760
<v Speaker 1>he's on like the next level like creativity, especially for

0:15:06.800 --> 0:15:10.320
<v Speaker 1>being that young. And he's like, you know, street dude,

0:15:10.360 --> 0:15:14.400
<v Speaker 1>So he has that element to him. And yeah, like

0:15:14.480 --> 0:15:17.800
<v Speaker 1>labels are already like on his head. Yeah. So I honestly,

0:15:18.040 --> 0:15:20.800
<v Speaker 1>if I were like to put my money on anybody, yeah,

0:15:20.800 --> 0:15:22.760
<v Speaker 1>And I have no affiliation. I've never spoken to him anything.

0:15:22.840 --> 0:15:26.040
<v Speaker 1>I just you don't even know. No, is it like,

0:15:26.040 --> 0:15:28.680
<v Speaker 1>like have you noticed, Like because you've built yourself into

0:15:28.720 --> 0:15:30.360
<v Speaker 1>a position where you're a lot of people look to

0:15:30.400 --> 0:15:33.080
<v Speaker 1>you in the LA scene, Like is it like a

0:15:33.120 --> 0:15:37.240
<v Speaker 1>gifting a curse? Yeah, sometimes, because you know, people will

0:15:37.400 --> 0:15:39.200
<v Speaker 1>be mad if like I don't fuck with them or something,

0:15:39.640 --> 0:15:41.720
<v Speaker 1>you know what I mean, Like, isn't that crazy? Like

0:15:41.800 --> 0:15:43.520
<v Speaker 1>you can tell someone like, hey, man, do your thing,

0:15:43.600 --> 0:15:45.080
<v Speaker 1>I'm not a fan of the music, but like and

0:15:45.120 --> 0:15:47.600
<v Speaker 1>they'll like hate, like they'll take that personal, like you

0:15:47.600 --> 0:15:49.200
<v Speaker 1>want me to just like lie or like if I

0:15:49.200 --> 0:15:50.960
<v Speaker 1>don't want to pull up to like studio sessions or

0:15:51.000 --> 0:15:53.400
<v Speaker 1>like it's just like I don't want to listen to

0:15:53.440 --> 0:15:55.440
<v Speaker 1>shitty music for like two hours, Like what do you

0:15:55.440 --> 0:15:58.080
<v Speaker 1>want me to do? Someone just asked me about you.

0:16:00.440 --> 0:16:05.680
<v Speaker 1>I think it was my boy Ace about Beans. Oh yeah, okay, Like,

0:16:05.680 --> 0:16:08.200
<v Speaker 1>hey you know this rosecrans dude. I was like, rosecrans

0:16:08.320 --> 0:16:10.480
<v Speaker 1>Vig He's like I think so He's like, yeah, he's

0:16:10.480 --> 0:16:11.920
<v Speaker 1>the worth happening to me. I was like, yeah, man,

0:16:11.960 --> 0:16:16.160
<v Speaker 1>he's fucking living la man. I was like, Beans is crazy.

0:16:16.200 --> 0:16:19.040
<v Speaker 1>She's fine. What give me your cause? I think obviously

0:16:19.280 --> 0:16:24.000
<v Speaker 1>the odd most obvious next Superstar to Las Blast, you

0:16:24.040 --> 0:16:26.240
<v Speaker 1>know what I'm saying. Yeah, aside from that, that's like obvious,

0:16:26.520 --> 0:16:29.600
<v Speaker 1>but like that's like the no brain, He's out of here,

0:16:30.120 --> 0:16:35.320
<v Speaker 1>you know, Like you know, Head had put me on

0:16:35.360 --> 0:16:37.000
<v Speaker 1>the Blast a long time ago because his Head tried

0:16:37.000 --> 0:16:42.560
<v Speaker 1>to sign Blast and uh, yeah, the dude's out of here,

0:16:43.120 --> 0:16:46.840
<v Speaker 1>you know what I'm saying, Like, like, were you like

0:16:46.960 --> 0:16:49.880
<v Speaker 1>hip to Blast like before he was before he put

0:16:49.880 --> 0:16:51.880
<v Speaker 1>out the like the tape with Beano or was that

0:16:52.000 --> 0:16:55.920
<v Speaker 1>something because like, man, you know he does it all. Yeah,

0:16:56.000 --> 0:16:58.320
<v Speaker 1>I wasn't as hip to him as I as I

0:16:58.320 --> 0:17:00.600
<v Speaker 1>would like to be. Like I had heard the name.

0:17:00.720 --> 0:17:04.879
<v Speaker 1>I definitely had. I had heard a song called I

0:17:04.880 --> 0:17:08.800
<v Speaker 1>Think like Fallen and this was like and then there's

0:17:08.800 --> 0:17:11.080
<v Speaker 1>another one called Body, and I was just like, damn,

0:17:11.080 --> 0:17:13.320
<v Speaker 1>these are dope, but I just listened to the singles.

0:17:13.359 --> 0:17:15.359
<v Speaker 1>I didn't really like go the extra mount and like

0:17:15.359 --> 0:17:17.680
<v Speaker 1>look him up on YouTube or all you know all that.

0:17:19.080 --> 0:17:21.639
<v Speaker 1>But then going back like after he put out the

0:17:21.640 --> 0:17:25.800
<v Speaker 1>song with Bino and the tape and everything, then I

0:17:25.920 --> 0:17:28.040
<v Speaker 1>like was like, oh I had heard of him before

0:17:28.080 --> 0:17:31.919
<v Speaker 1>because he was in a group called King and Blast

0:17:32.040 --> 0:17:34.919
<v Speaker 1>and it was like a duo but like to me,

0:17:35.160 --> 0:17:37.960
<v Speaker 1>like and there, and they presented themselves as like ie

0:17:38.119 --> 0:17:41.480
<v Speaker 1>artists and then that King dude like no shade, like

0:17:41.520 --> 0:17:44.080
<v Speaker 1>he just wasn't very good. So like I think that

0:17:44.320 --> 0:17:46.960
<v Speaker 1>was like it probably came across my radar, but it

0:17:47.000 --> 0:17:49.520
<v Speaker 1>wasn't memorable because I heard like one whack dude and

0:17:49.640 --> 0:17:51.440
<v Speaker 1>was just like, yeah, I'm good. And you know, it's

0:17:51.440 --> 0:17:53.440
<v Speaker 1>just stuff like that happens. Because there's like a song

0:17:53.520 --> 0:17:55.840
<v Speaker 1>from probably like two years ago that I went back

0:17:55.840 --> 0:17:58.200
<v Speaker 1>and looked up and I was like, dude, this song

0:17:58.240 --> 0:18:00.200
<v Speaker 1>is the blast. Part of this song is incredible and

0:18:00.280 --> 0:18:02.680
<v Speaker 1>then the other and it has like two thousand views

0:18:02.680 --> 0:18:05.520
<v Speaker 1>to this day probably, So it's just and it's it's

0:18:05.720 --> 0:18:07.840
<v Speaker 1>something like that. But I wish I would have been

0:18:07.840 --> 0:18:09.600
<v Speaker 1>more hip on him, but he wasn't putting out solo

0:18:09.680 --> 0:18:11.760
<v Speaker 1>music for that long before he blew up. Really nah,

0:18:11.840 --> 0:18:15.359
<v Speaker 1>for sure, you got the show on No Jumper Mad

0:18:15.440 --> 0:18:18.359
<v Speaker 1>lately about to do thirty episodes or just we just

0:18:18.400 --> 0:18:21.439
<v Speaker 1>hit thirty. We just hit thirty yep. So congrats on that.

0:18:21.480 --> 0:18:24.000
<v Speaker 1>I appreciate that. Once a week, yeah, every Monday, So

0:18:24.280 --> 0:18:26.359
<v Speaker 1>every Monday, it's you, Gabe. See I forget the young

0:18:26.440 --> 0:18:32.160
<v Speaker 1>lady's name is Ginaviews. How did that come come to be? So? Adam?

0:18:31.960 --> 0:18:36.119
<v Speaker 1>I know, I've been knowing Adam for like three years now, no,

0:18:36.200 --> 0:18:39.119
<v Speaker 1>probably four, Yeah, for since like twenty seventeen, like around

0:18:39.160 --> 0:18:42.200
<v Speaker 1>the time where like Shoreline was blowing up, Greto, all them.

0:18:42.680 --> 0:18:46.840
<v Speaker 1>We just kept running into each other and I had

0:18:46.920 --> 0:18:50.159
<v Speaker 1>them on my podcast once and then after that, I

0:18:50.200 --> 0:18:53.040
<v Speaker 1>would just like send them emails of like dope videos

0:18:53.080 --> 0:18:54.440
<v Speaker 1>that I thought were dope, and then he'd be like, cool,

0:18:54.440 --> 0:18:55.960
<v Speaker 1>I'm gonna put this on the No Jump or YouTube.

0:18:56.000 --> 0:18:58.200
<v Speaker 1>And I just kept like a constant line of communication

0:18:58.240 --> 0:19:02.280
<v Speaker 1>with him for a while, and you know, like we'd

0:19:02.320 --> 0:19:04.840
<v Speaker 1>run into each other certain places. I think he started

0:19:04.880 --> 0:19:06.520
<v Speaker 1>to grow like more of a respect for me, because

0:19:07.040 --> 0:19:08.520
<v Speaker 1>a lot of places he would be I would be

0:19:09.240 --> 0:19:10.679
<v Speaker 1>you know what I'm saying, Like I wasn't rolling out

0:19:10.680 --> 0:19:13.000
<v Speaker 1>of Miami. He wasn't rolling out of Miami. I wasn't

0:19:13.040 --> 0:19:15.520
<v Speaker 1>rolling out of New York. He was there any concerts

0:19:15.560 --> 0:19:17.440
<v Speaker 1>backstage like he see me. I was just hustling, you

0:19:17.520 --> 0:19:20.960
<v Speaker 1>know what I mean. So, like we just grew like

0:19:20.960 --> 0:19:23.879
<v Speaker 1>a cool relationship, and then at the beginning of twenty twenty,

0:19:24.359 --> 0:19:27.399
<v Speaker 1>he like said he wanted to meet went to his

0:19:27.440 --> 0:19:28.879
<v Speaker 1>office and then he was like, yeah, I want you

0:19:28.920 --> 0:19:31.040
<v Speaker 1>to do like a podcast or something. He's like, not

0:19:31.160 --> 0:19:33.600
<v Speaker 1>rosecrans radio. I want you to do something different. And

0:19:33.680 --> 0:19:35.639
<v Speaker 1>I was like all right, cool, and then like COVID

0:19:35.680 --> 0:19:38.000
<v Speaker 1>happened and then so like everything just kind of pushed

0:19:38.040 --> 0:19:39.399
<v Speaker 1>back and all that stuff. And then he hit me

0:19:39.440 --> 0:19:43.000
<v Speaker 1>again in like August, I want to say August or

0:19:43.040 --> 0:19:45.920
<v Speaker 1>September and was like, hey, you know, did you want

0:19:45.920 --> 0:19:47.840
<v Speaker 1>to do that podcast? Still? Like we're about to, you know,

0:19:48.359 --> 0:19:51.000
<v Speaker 1>have some more podcasts on here. And I was like

0:19:51.000 --> 0:19:53.600
<v Speaker 1>fuck yeah, And I said, give me like three four

0:19:53.680 --> 0:19:56.600
<v Speaker 1>days to come up with like a concept and a

0:19:56.720 --> 0:19:59.480
<v Speaker 1>name and everything. And so came up with the name,

0:20:00.440 --> 0:20:02.800
<v Speaker 1>recruited my co host, you know, I hit Gina, I

0:20:02.880 --> 0:20:05.440
<v Speaker 1>hit Gabe, and then we did like a photo shoot

0:20:05.480 --> 0:20:07.200
<v Speaker 1>and I shot everything to him in like three four days.

0:20:07.200 --> 0:20:09.440
<v Speaker 1>He was like, oh shit. I was like ready to go. Yeah,

0:20:09.440 --> 0:20:10.800
<v Speaker 1>He's like, you guys are ready to go. I'm like, yeah,

0:20:10.840 --> 0:20:12.960
<v Speaker 1>we're fucking ready to go. What's some because you were

0:20:13.000 --> 0:20:15.639
<v Speaker 1>doing the rosecrans radio. What is like the like something

0:20:15.640 --> 0:20:18.159
<v Speaker 1>that you learned doing because it's kind of a different

0:20:18.200 --> 0:20:21.040
<v Speaker 1>type of thing. So like, yeah, you know, with any

0:20:21.040 --> 0:20:22.840
<v Speaker 1>with anything, you get better as time goes. But what's

0:20:22.840 --> 0:20:26.320
<v Speaker 1>something you had to kind of like learn from making

0:20:26.320 --> 0:20:30.000
<v Speaker 1>the switch and doing Mad Lately streamed on youtubes or

0:20:30.000 --> 0:20:32.880
<v Speaker 1>people commenting Yeah, I mean, yeah, it's just a way

0:20:32.880 --> 0:20:35.880
<v Speaker 1>different platform, So I approach it differently. Like rosecrans radio

0:20:36.000 --> 0:20:39.760
<v Speaker 1>was just like me interviewing artists or talking, you know,

0:20:40.359 --> 0:20:43.360
<v Speaker 1>not too deeply. I wasn't really trying to like make

0:20:43.400 --> 0:20:46.000
<v Speaker 1>people laugh anything too much. Like it was just kind

0:20:46.000 --> 0:20:48.360
<v Speaker 1>of like a I wanted to had like a more

0:20:48.359 --> 0:20:50.439
<v Speaker 1>serious tone on there, I guess you could say. But

0:20:50.480 --> 0:20:52.480
<v Speaker 1>then I'm like, okay, we're going to a jumper, like

0:20:52.640 --> 0:20:54.439
<v Speaker 1>they have a certain audience. So yeah, you guys are

0:20:54.480 --> 0:20:56.920
<v Speaker 1>definitely shooting the shit now, you know what I'm saying.

0:20:56.960 --> 0:20:58.440
<v Speaker 1>So I'm like, we have to turn it up to

0:20:58.480 --> 0:21:00.639
<v Speaker 1>a certain extent or people are gonna call us boring

0:21:00.720 --> 0:21:03.040
<v Speaker 1>or whatever. And the funny thing is that, like the

0:21:03.080 --> 0:21:06.000
<v Speaker 1>way I am I'm Mad Lately, like that's really the

0:21:06.040 --> 0:21:07.640
<v Speaker 1>real mes you Yeah, you know what I'm saying when

0:21:07.640 --> 0:21:09.119
<v Speaker 1>I'm out with my homies and stuff like that. So

0:21:09.160 --> 0:21:10.760
<v Speaker 1>I'm like, fuck it, I'm gonna just put myself on

0:21:10.800 --> 0:21:13.320
<v Speaker 1>display and like it like ruins my life, but it

0:21:13.400 --> 0:21:15.200
<v Speaker 1>like makes it way better at the same time because

0:21:15.200 --> 0:21:20.080
<v Speaker 1>I'm a little too honest sometimes and it's dope, you know.

0:21:20.160 --> 0:21:23.320
<v Speaker 1>Shout out to Gabe, who's somebody who's very underrated figure

0:21:23.359 --> 0:21:26.000
<v Speaker 1>and now, oh yeah, definitely. I always say he's kind

0:21:26.000 --> 0:21:28.640
<v Speaker 1>of like Power one oh six is like sauce. Yeah,

0:21:29.000 --> 0:21:30.560
<v Speaker 1>like a lot of that ship that gets played late

0:21:30.560 --> 0:21:34.399
<v Speaker 1>at night. Hell yeah, put all them dudes on for

0:21:34.520 --> 0:21:36.439
<v Speaker 1>I'd be tricking gave into liking some ships and we

0:21:36.480 --> 0:21:38.159
<v Speaker 1>were trying to steal into Real ninety two three for

0:21:38.200 --> 0:21:41.920
<v Speaker 1>a while. I heard about that. He was definitely trying. Yeah,

0:21:41.960 --> 0:21:44.800
<v Speaker 1>but yeah, no, shout out to him. What's next for

0:21:45.320 --> 0:21:46.840
<v Speaker 1>obviously you want to put out more music, but what

0:21:46.920 --> 0:21:50.400
<v Speaker 1>is next for your platform and for you just doing

0:21:50.400 --> 0:21:53.240
<v Speaker 1>more shows? We have Don't Come to a La. We

0:21:53.240 --> 0:21:56.720
<v Speaker 1>we filmed that, and to give a little backstory, you

0:21:56.720 --> 0:21:59.000
<v Speaker 1>did like a south By thing called Don't Come to

0:21:59.119 --> 0:22:00.760
<v Speaker 1>l a t. Yeah. So that's so we did a

0:22:00.800 --> 0:22:05.520
<v Speaker 1>concert series back in twenty eighteen where we booked everybody

0:22:05.680 --> 0:22:08.840
<v Speaker 1>like that's popping in La besides Draco and greeted because

0:22:08.840 --> 0:22:11.200
<v Speaker 1>they were locked up but we had like blue Face,

0:22:11.359 --> 0:22:15.640
<v Speaker 1>Routchy Azy Chike, one Take Jay, everybody like Hella Early,

0:22:16.640 --> 0:22:19.040
<v Speaker 1>So we had all them. We really created that community

0:22:19.119 --> 0:22:22.560
<v Speaker 1>Jpriko all them. And we only did five shows, but

0:22:22.840 --> 0:22:24.760
<v Speaker 1>every single one of those shows was like incredible. We

0:22:24.800 --> 0:22:28.520
<v Speaker 1>had like Scrillicks pull up Dot Kennedy J three oh five,

0:22:28.800 --> 0:22:32.760
<v Speaker 1>Like the crowd was even more star studied sometimes than

0:22:32.800 --> 0:22:36.040
<v Speaker 1>like the performers. Hey Texas dude back on my phone,

0:22:37.320 --> 0:22:41.840
<v Speaker 1>ooh nice, Yeah, Freddie Gibbs pulled up to perform. Wow,

0:22:42.119 --> 0:22:44.159
<v Speaker 1>you know what I'm saying, Like fred pull to perform

0:22:44.160 --> 0:22:48.000
<v Speaker 1>with two eleven. Oh it makes sense. Yeah yeah yeah,

0:22:48.040 --> 0:22:51.200
<v Speaker 1>so one BPS. Like we just had like a crazy

0:22:51.200 --> 0:22:53.640
<v Speaker 1>amount of like special guests always and it was such

0:22:53.640 --> 0:22:57.280
<v Speaker 1>a dope vibe. So we made sure to like never

0:22:57.359 --> 0:23:00.720
<v Speaker 1>dilute that brand, right, and we only did We only

0:23:00.760 --> 0:23:02.399
<v Speaker 1>did it when we knew it could be dope, right.

0:23:02.440 --> 0:23:03.960
<v Speaker 1>So we did five and then we did another one

0:23:03.960 --> 0:23:07.119
<v Speaker 1>in south By. That's when we brought out Reason, We

0:23:07.200 --> 0:23:11.679
<v Speaker 1>brought out Rouchie Kaalin, We just nardwar pulled up like

0:23:11.720 --> 0:23:14.000
<v Speaker 1>it was crazy. It was incredible. Andrew Barber was there,

0:23:14.080 --> 0:23:17.720
<v Speaker 1>like it was an incredible show. And we've been for

0:23:17.720 --> 0:23:19.399
<v Speaker 1>the last two years, we've been trying to put it

0:23:19.400 --> 0:23:22.800
<v Speaker 1>together to do it again, but like conflicting schedules. Cyprus

0:23:22.880 --> 0:23:25.800
<v Speaker 1>was on tour for like two years straight with Troline,

0:23:26.800 --> 0:23:30.280
<v Speaker 1>Jeff and I were busy. So this past weekend we

0:23:30.440 --> 0:23:33.639
<v Speaker 1>just recorded, like we're gonna do like a live stream

0:23:33.720 --> 0:23:36.440
<v Speaker 1>type thing, yeah, but also we're gonna make it more

0:23:36.520 --> 0:23:38.840
<v Speaker 1>like of a documentary like I guess you could say

0:23:38.920 --> 0:23:43.760
<v Speaker 1>like a almost like a fade to Black. I mean,

0:23:43.760 --> 0:23:45.880
<v Speaker 1>that's like obviously the best case in course of course,

0:23:45.960 --> 0:23:47.800
<v Speaker 1>but something like that, you know what I mean, to

0:23:48.119 --> 0:23:52.320
<v Speaker 1>document document the old shows, put interviews in there, you

0:23:52.320 --> 0:23:54.399
<v Speaker 1>know what I mean, all that stuff, so like really

0:23:54.400 --> 0:23:56.400
<v Speaker 1>make it like a timeless piece that people can watch

0:23:56.600 --> 0:23:59.159
<v Speaker 1>twenty years from now and be like, oh, Okay, this

0:23:59.320 --> 0:24:02.040
<v Speaker 1>was this era, you know. So like we filmed the

0:24:02.080 --> 0:24:04.679
<v Speaker 1>performance aspects of it. Probably in about two weeks, we're

0:24:04.680 --> 0:24:07.240
<v Speaker 1>going to perform, like we're gonna do the interviews right

0:24:07.520 --> 0:24:10.240
<v Speaker 1>and just you know, have the editors put all the

0:24:10.240 --> 0:24:12.280
<v Speaker 1>sauce on it and then hopefully release it like in June.

0:24:12.480 --> 0:24:15.720
<v Speaker 1>Last thing, where do you see LA going music wise

0:24:15.720 --> 0:24:18.560
<v Speaker 1>in the next five years? Like like because I always say,

0:24:18.600 --> 0:24:23.280
<v Speaker 1>like there's been so many artists who I thought should

0:24:23.280 --> 0:24:25.200
<v Speaker 1>have been bigger to come out of LA over the

0:24:25.280 --> 0:24:27.960
<v Speaker 1>last ten years or so, like someone like Joe Moses,

0:24:28.000 --> 0:24:29.239
<v Speaker 1>you know what I mean. Like there's like guys who

0:24:29.359 --> 0:24:32.360
<v Speaker 1>like man like RJ's a perfect example. But I don't

0:24:32.400 --> 0:24:37.240
<v Speaker 1>know what the disconnect was that didn't escalate as big

0:24:37.320 --> 0:24:40.840
<v Speaker 1>outside of LA as we had hoped. And I think

0:24:40.880 --> 0:24:44.520
<v Speaker 1>that's with some of the newer generation. There's some potential there,

0:24:44.560 --> 0:24:46.080
<v Speaker 1>you know what I'm saying. What do you like, where

0:24:46.119 --> 0:24:49.399
<v Speaker 1>do you see things going? Man? I mean, if we

0:24:49.440 --> 0:24:52.040
<v Speaker 1>can get by the way RJ and Joe Moses aren't done. Yeah, yeah,

0:24:52.040 --> 0:24:53.199
<v Speaker 1>not at all, you know what I mean. But I

0:24:53.240 --> 0:24:56.480
<v Speaker 1>think if if LA continues to build like a strong

0:24:56.520 --> 0:25:00.840
<v Speaker 1>community and have a lot of like key people behind

0:25:00.880 --> 0:25:04.719
<v Speaker 1>the scenes making these moves that will actually cross brand

0:25:04.720 --> 0:25:07.879
<v Speaker 1>to with artists in Atlanta, with an artist in like

0:25:07.920 --> 0:25:11.159
<v Speaker 1>New York and you know, across the globe, then I

0:25:11.200 --> 0:25:13.679
<v Speaker 1>think we have the talent to really like run shit like.

0:25:14.040 --> 0:25:16.800
<v Speaker 1>And I'm obviously super biased, but like you have Blast,

0:25:16.880 --> 0:25:19.400
<v Speaker 1>you have Bino, you have Kalin, you have all these

0:25:19.480 --> 0:25:22.600
<v Speaker 1>artists that don't only make West Coast music no matter

0:25:22.640 --> 0:25:24.800
<v Speaker 1>where they're at That's what I'm saying. We have Roddy,

0:25:25.040 --> 0:25:27.520
<v Speaker 1>you know. So it's like we have all different types

0:25:27.520 --> 0:25:30.720
<v Speaker 1>of artists. We have Draco doing songs with Osuna and

0:25:30.840 --> 0:25:32.479
<v Speaker 1>Drake and stuff like that, you know what I mean.

0:25:32.520 --> 0:25:34.679
<v Speaker 1>So I honestly like in the next five years, like

0:25:35.320 --> 0:25:39.000
<v Speaker 1>everybody stays on their ship, doesn't get complacent, you know,

0:25:39.119 --> 0:25:42.440
<v Speaker 1>and happy with just making like ten bands of show

0:25:42.480 --> 0:25:44.880
<v Speaker 1>and stuff like that. It's like, I think we could

0:25:44.880 --> 0:25:48.160
<v Speaker 1>really run shit there. It is rosecranz Vic Bouakead Podcast.

0:25:48.160 --> 0:25:49.360
<v Speaker 1>Appreciate you, bro. Perfect