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Speaker 1: Oh right, whoa All right? Well, listen another episode of

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Speaker 1: the Boulet Cap podcast. This is a short one because

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Speaker 1: this guy was kind of late. We invited Rose kranz

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Speaker 1: Vict to the podcast. He's a La personality, started a

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Speaker 1: blog out here, originally got put onto this guy from

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Speaker 1: DJ head who's here. Actually we just he's still hanging

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Speaker 1: out from the episode we did. But Rose kranz Vic

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Speaker 1: does a show on No Jumper called Mad Lately. You know,

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Speaker 1: he's a taste maker in La and the music scene

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Speaker 1: in La kind of was early on a lot of

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Speaker 1: the artists and just a real nice, genuine dude, so

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Speaker 1: we invited him on the show. It only was like

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Speaker 1: twenty five thirty minutes long, but he was late as

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Speaker 1: fuck and someone was coming after. Who came after it? Paus?

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Speaker 1: Was it China Mac? Yeah, we had we had to

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Speaker 1: make some way of China Mac. But Rosecransvic. Go check

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Speaker 1: him out on his socials and check out odd socksofficial

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Speaker 1: dot com. Make sure when you're on odd soxoficial dot

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Speaker 1: com you check out all their masks, their socks, their underwear,

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Speaker 1: their slippers, all kinds of ill shit going on over there.

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Speaker 1: All the licenses you could want South Park, mister t,

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Speaker 1: I won't. I don't think they got a rocky Maybe,

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Speaker 1: I don't know. They got a lot of fucking licenses.

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Speaker 1: Fucking sweetish fish mac dre for all the Yeasters out there,

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Speaker 1: for all the guy damn for all the motherfucking nego

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Speaker 1: blitzas out there, ye fucking feeling yourself out there going

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Speaker 1: dumb ghost riding the whip in twenty twenty one, like

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Speaker 1: a fucking idiot. You could save twenty percent off at

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Speaker 1: odd socksofficial dot com when you check out just used

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Speaker 1: to keep ward bootleg keV. All right, type that in

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Speaker 1: h'it enter you saving twenty percent off. Let's get into

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Speaker 1: the rosecransvic interview. All right, yo boutlet kV podcast. Rose

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Speaker 1: Kranzvick is here, keVs Deal. Welcome man. For people who

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Speaker 1: don't know who you are what you do, you are

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Speaker 1: a fixture in the LA hip hop scene. Rosecrans Ave

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Speaker 1: is the platform that you I think a few years

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Speaker 1: ago is when I first kind of started checking out

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Speaker 1: what you were doing, kind of give everyone a background

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Speaker 1: and like what it is you do and and like

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Speaker 1: you're kind of your background in the LA hip hop scene. Yeah.

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Speaker 1: So basically I started a blog like maybe like six

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Speaker 1: going on seven years ago called rosecrans Av, And basically

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Speaker 1: my whole thing was just I wanted to document like

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Speaker 1: the underground LA artists that weren't getting played on radio

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Speaker 1: or weren't getting any attention by like Complex or anything

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Speaker 1: like that. Right, So I was like, you know what,

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Speaker 1: I don't give a fuck about the big artists. You know,

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Speaker 1: they're gonna get picked up by all these other blogs.

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Speaker 1: I'm gonna just focus on finding like the new talent

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Speaker 1: and growing with them, you know what I mean. So

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Speaker 1: that's what I try to do. I just taught myself

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Speaker 1: how to write, you know, just really nobody like gave

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Speaker 1: a fuck for like three years, which was cool because

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Speaker 1: I got to like fuck up and like not have

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Speaker 1: a large audience in front of me, you know what

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Speaker 1: I mean. So like that was actually kind of cool

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Speaker 1: when I look back, because I fucked up so much.

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Speaker 1: You learn on the go, and not a lot of

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Speaker 1: people were looking exactly. So I did that and nobody

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Speaker 1: really started to give a fuck until we booked oh

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Speaker 1: three Greedo at a show at the Echo and it

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Speaker 1: was like a Monday night and we brought like the

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Speaker 1: whole city out, and then everybody was like, oh shit,

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Speaker 1: like damn, like everybody's paying attention to Grito. Now he

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Speaker 1: got picked up by like the Fader, right and all

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Speaker 1: these different places started paying attention to him. And then

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Speaker 1: we did it again with Shoreline Mafia the next month,

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Speaker 1: and then you know, we had our podcast on Dash Radio,

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Speaker 1: Grose Frands Radio, and then people just started really paying

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Speaker 1: attention to like what we were doing, just started giving

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Speaker 1: a fuck in general. And so who like who were

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Speaker 1: kind of like the core artists for you guys like

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Speaker 1: as far as who you were kind of getting behind

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Speaker 1: early on definitely Draco, Draco the Ruler, Grito, Shoreline, who

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Speaker 1: else there was like the Azy Cold. It was just

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Speaker 1: like this, you know, really even blue Face. You know,

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Speaker 1: we were on blue Face early. We just got behind

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Speaker 1: every LA artist early, even like Roddy Rich like I

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Speaker 1: wrote about him in like twenty seventeen, right right, you

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Speaker 1: know what I mean, Kaylin, All these people I just

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Speaker 1: kind of watched them grow and I thought they were dope.

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Speaker 1: I didn't know they would grow up to be like

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Speaker 1: mega stars, you know, necessarily like like Roddy or anything

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Speaker 1: like that. You know, I just saw them grow and

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Speaker 1: I thought they were talented and I liked the music,

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Speaker 1: you know. I mean, obviously, what I've noticed about the

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Speaker 1: new generation of LA for the most part, you know,

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Speaker 1: because obviously sometimes politics gets involved and people really can't

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Speaker 1: work with each other. But like, for the most part,

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Speaker 1: it seems like there's a whole wave of LA artists

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Speaker 1: the last couple of years that have worked with each other,

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Speaker 1: embraced each other, kind of had some camaraderie. Yeah, And

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Speaker 1: that was kind of always the hang up about LA,

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Speaker 1: you know, because people would always be like Atlanta every

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Speaker 1: once together, you know, like yeah, but I feel like

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Speaker 1: there's been a movement where everyone is, you know, for

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Speaker 1: the most part, moving in the same direction. You know.

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Speaker 1: Obviously there's, like I said, there's there's there's some beef,

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Speaker 1: there's some dumb shit. But is that something that you

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Speaker 1: noticed as well, and like if, like, why do you

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Speaker 1: think that is? That was like really a goal of

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Speaker 1: mine to create really create a community so that other

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Speaker 1: artists can be aware of other artists. But I think

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Speaker 1: it's like three things. I think it's the fact that

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Speaker 1: not too many of the popping rappers are gangbanging, you know,

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Speaker 1: what I mean, like a few of them are, but

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Speaker 1: not too many of them are. Two. I feel like

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Speaker 1: we had a lot to do with it as far

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Speaker 1: as booking shows. We book everybody on the lineup. Everybody

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Speaker 1: comes and meets each other. Okay, that guy's cool, Okay,

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Speaker 1: rights up, you know what I mean. It's just like

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Speaker 1: a community gets built after a while. And then the

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Speaker 1: other is just like the fact that everybody's winning, everybody's eating,

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Speaker 1: Like you can't really be that mad when you have

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Speaker 1: money in your pocket, you know what I mean. And

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Speaker 1: like it's like, yeah, this dude is like selling Hello

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Speaker 1: albums or whatever. He's like everyone signed a TK. Yeah, yeah,

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Speaker 1: that has something to do with it. Yeah, But it's like,

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Speaker 1: you know, if everybody's really winning and it's not a

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Speaker 1: bunch of like hungry people, like there's not much to

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Speaker 1: fight about, you know what I'm saying. So I feel

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Speaker 1: like it's like those three factors. Yeah, I think too.

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Speaker 1: Like what I thought was really important and dope was

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Speaker 1: when Grido and RJ did the show and nothing happened.

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Speaker 1: Oh that was incredible. I like that fact that that

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Speaker 1: was insane and I was like, I'm not going to

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Speaker 1: that show. Yeah, I remember me and headwards head was like,

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Speaker 1: I'm not going to that. Fuck that ship. And then

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Speaker 1: the next day it was like, yo, that ship was

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Speaker 1: a beautiful situation. That was like the first versus down

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Speaker 1: there low key if you think about it, and the

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Speaker 1: fact that like nothing happened like it almost kind of

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Speaker 1: like to me, kind of showed everybody like, hey, look

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Speaker 1: you cause you know with LA that the certain shit

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Speaker 1: is just it seems as if it's impossible to change, right,

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Speaker 1: and something like that to me showed everybody like, hey,

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Speaker 1: look like there's another way to go about this. All

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Speaker 1: of the whole were there, nothing happened. It's you know,

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Speaker 1: at the end of the day, it's just like they're

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Speaker 1: getting money. So what again? Was there like there's not

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Speaker 1: too much to be mad about. You know, who do

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Speaker 1: you consider uh, out of the last five years in

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Speaker 1: LA hip hop to be like the guy like the goat? Uh?

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Speaker 1: I mean it's like I would think Draco, you know,

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Speaker 1: but also like on a major, major scale, I would

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Speaker 1: say Roddy. Yeah. I mean, let's say, let's sake Riddy okay,

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Speaker 1: because he's two years okay, so that I'll say Draco.

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Speaker 1: Draco because he went to jail for three years, got

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Speaker 1: his spot back and elevated if anything, like, oh yeah,

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Speaker 1: he's going crazy, you know what I'm saying, Like that's

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Speaker 1: what I was just talking to him about like last week.

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Speaker 1: I'm like, bro, like you were gone for three years,

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Speaker 1: but really more almost like five because before he came

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Speaker 1: out for like two months, he was locked up for

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Speaker 1: like another like a year and a half like before then.

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Speaker 1: So like for the majority of the past five years

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Speaker 1: he's been locked up and his career is just still booming.

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Speaker 1: You know. He got out and just got to it.

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Speaker 1: Mm hmm. I think he had Like I felt like

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Speaker 1: he recorded an album like it was already done. Like

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Speaker 1: a WEEKND was like him. I was like, bro, you're

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Speaker 1: you got out of jailing with straight to the booths,

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Speaker 1: straight to literally straight to it. And so you know,

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Speaker 1: but everybody you know gives him that that respect though,

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Speaker 1: you know what I mean, Like everybody, yeah, like shit,

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Speaker 1: he's doing it well, can we say, you know, he's

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Speaker 1: really like him? And then if he co signs an

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Speaker 1: artist like that artist starts to blow and stuff like that.

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Speaker 1: So with the Latin ship that's going on, I saw

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Speaker 1: you were just part of that. Photos a lot of

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Speaker 1: the lat like Mexican guys who were in town, C

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Speaker 1: and G and all those guys. But you know, there's

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Speaker 1: a whole nother movement going on there that's fucking amazing

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Speaker 1: out of Lay just in general. But what what it like? Like,

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Speaker 1: what do you think when it comes to like because

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Speaker 1: I always said, like when I was growing up, like

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Speaker 1: when I thought I'm from Phoenix, so MC magic was

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Speaker 1: like god right, oh yeah, And I was like, you know,

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Speaker 1: working at car shows and ship but like the Mexican

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Speaker 1: rap that was really popular was the Chicano rap. And

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Speaker 1: to me, I mean Little Rock got classics. MC Magic

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Speaker 1: got classics. But I always felt like there was ad

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Speaker 1: you had to be. It was almost like made specifically

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Speaker 1: for for for for the people who got that. Yeah,

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Speaker 1: it wasn't very inclusive to random. I feel like like

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Speaker 1: a lot of the new Latin MC's that are doing

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Speaker 1: their thing, like they make dope shit and they happen

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Speaker 1: to be Mexican. That's really the key, you know what

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Speaker 1: I mean? Because a lot of like me growing up,

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Speaker 1: like I had like a period of time where I

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Speaker 1: did like the Chicano wrap stuff. I was into them

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Speaker 1: C Magics and and all that, But then I just

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Speaker 1: kind of grew out of it because I wasn't like

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Speaker 1: a gang banger. I didn't relate too much of the things.

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Speaker 1: I liked the music, you know, but like it's almost

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Speaker 1: like it's in such like a cult like fan base

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Speaker 1: that you couldn't really get out of that box. And

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Speaker 1: they could have a million views, like fucking High Power Records.

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Speaker 1: High Power Records, shit, I bet records. They'd have them

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Speaker 1: booths that the fucking car shows. The ships would be booming,

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Speaker 1: and then they have random albums with like Busy Bone

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Speaker 1: and Ship. Yeah they were, they were doing it on

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Speaker 1: the independence hid you could buy them at like warehouse,

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Speaker 1: shoesell and Ship. Like, But yeah, I think that like

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Speaker 1: that's something that like it's like now there's artists where

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Speaker 1: it's like, yo, you could be a fan of this

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Speaker 1: guy and be you know whoever. You don't have to

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Speaker 1: be a Mexican to like, you know, like the music

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Speaker 1: is just good, you know. That's yeah, that's the whole goal.

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Speaker 1: And that's what I see everybody doing. Like we had

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Speaker 1: like that meeting yesterday and it was dope because yeah,

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Speaker 1: like they're just dope artists who happened to be Mexican

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Speaker 1: that some of them probably don't even speak Spanish, like

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Speaker 1: they don't incorporate Spanish into their lyrics or anything like that.

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Speaker 1: It's just like they grew up in La. They're Mexican.

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Speaker 1: They have you know, homies that are black, white, Chinese everything,

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Speaker 1: you know, and they just they rap like you know,

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Speaker 1: and they're good. What was give us the inside of

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Speaker 1: the meeting yesterday because I saw a few people post it. Yeah,

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Speaker 1: it was. It was pretty dope. Basically, we pulled up

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Speaker 1: to uh Abner Mars, you know a fighter. Yeah, he

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Speaker 1: has a spot in like Bell Gardens restaurant, and so

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Speaker 1: we all just pulled up and basically like they're just planning.

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Speaker 1: I mean, like the cool thing is that everybody knows

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Speaker 1: each other, but it's it was like still like a

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Speaker 1: mixer because you're still meeting people face to face and

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Speaker 1: feeling people's energy and stuff like that. But like they're

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Speaker 1: planning on doing like a cipher fire, you know what

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Speaker 1: I mean, like something like that to where everybody gets

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Speaker 1: on a song and then possibly you know, go on

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Speaker 1: like a tour. All LA artists, yeah, all LA. Well,

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Speaker 1: there's some like little weirdos from like San Diego. And

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Speaker 1: then there's great name by the way, I know right yeah,

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Speaker 1: in La it was like a little weird he's a

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Speaker 1: great guy. It's funny. I'm like, what she can change

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Speaker 1: the name that sounds like that. That sounds like he

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Speaker 1: might have had a Caponi record back the day, like

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Speaker 1: little Weirdo features sounds right, by the way, mister Caponi

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Speaker 1: not Mexican, not Mexican at all. I think it's from Iran.

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Speaker 1: He's Iranian. He's our Indian by the way. Doesn't take

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Speaker 1: away from like you know, he's he's man. But but

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Speaker 1: I when I found out, I was like, really, it

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Speaker 1: blew everybody's mind. When I was like, nah, that's a joke,

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Speaker 1: like somebody's trolling or something, I was like, no, it's

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Speaker 1: really real. And I met him and then like super

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Speaker 1: nice guy. Yeah yeah, And then I'm just kind of

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Speaker 1: looking like yeah, it's probably yeah, yeah, he's Indian. So

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Speaker 1: coming out it is there gonna be like a compilation

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Speaker 1: project or is it just gonna just like almost like

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Speaker 1: an open network where now we all know each other,

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Speaker 1: now we can all work together that it's that. I

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Speaker 1: don't think there's gonna be like a whole album. Possibly

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Speaker 1: I mean that was probably only like the second meeting

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Speaker 1: in the first one I attended. So I think the

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Speaker 1: goal is just to like to get on a tour

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Speaker 1: and tour across the nation, you know what I mean? Like, Hey,

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Speaker 1: what up man? How to interrupt the Bootleg cap podcast

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Speaker 1: to tell you about our good friends at odd socks.

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Speaker 1: All right, yo, shout out to them for sponsoring the podcast.

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Speaker 1: But also we're being such a fire company and they

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Speaker 1: the game. Look at these stone cold socks. Look at

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Speaker 1: these two. I mean, look, I love froot loops, but

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Speaker 1: I love these fruit loop socks. These are fire. I'm

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Speaker 1: taking those from myself. They got all the licenses breaking

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Speaker 1: bad mac dre odb WWE, Street Fight or whatever you want.

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Speaker 1: They got, including these draws. I love these draws. I

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Speaker 1: save twenty percent at checkout, Think me Later. So you

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Speaker 1: also have put out like rosecrans av music, right, is

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Speaker 1: that something that you're actively working on maybe a whole

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Speaker 1: I want to do a new album, I really do,

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Speaker 1: but it's just like takes up so much time. Like

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Speaker 1: it was also dealing with dealing. I mean, look I

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Speaker 1: put out I put it out a mixtape in twenty thirteen. Yeah,

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Speaker 1: twenty one song. It was all original. It was a

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Speaker 1: fucking pain in o god. It was a lot because

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Speaker 1: you like you're not the artist, so like you have

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Speaker 1: to clear every single and you just I think I

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Speaker 1: think singles is the way to go, man, yeah, because

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Speaker 1: then you get all cool, we got one done, all right,

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Speaker 1: let's drop it. You're trying to putting out a whole project. Yeah,

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Speaker 1: I have a distribution label with me and Kelly, so

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Speaker 1: we put out singles, like we just put out one

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Speaker 1: with like Youngto and Big Swift and Jakarta Slim, so

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Speaker 1: that was pretty dope. We put it out like a

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Speaker 1: month ago, So that's cool like that. But I do

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Speaker 1: want to work on an album, but I know I'm

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Speaker 1: gonna have to like book out, like blackout like two

295
00:14:19,880 --> 00:14:21,800
Speaker 1: months of my schedule or something to like I'm gonna

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Speaker 1: just get this shit done, to ignore damn near everything else.

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Speaker 1: Who's somebody in La right now that we don't know

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Speaker 1: that we're that you think has got all the tools

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Speaker 1: to be the next star to La Remble Ramble You

300
00:14:32,320 --> 00:14:35,080
Speaker 1: heard of Rambul? I have not. So he got a

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Speaker 1: Draco co sign. He almost sounds a little like Draco,

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Speaker 1: but I feel like everyone sounds a little one yeah

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Speaker 1: at this point. But he he's twenty years old and

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Speaker 1: like he has probably like four songs out, but you

305
00:14:47,200 --> 00:14:52,560
Speaker 1: can tell how smart he is, how like his wordplay

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00:14:52,600 --> 00:14:56,840
Speaker 1: and everything is like just next level. He did a

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Speaker 1: song called like a Ted Talk and then the video

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00:14:59,880 --> 00:15:01,600
Speaker 1: is like him doing like a Ted Talk and then

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Speaker 1: he's like thank you all for listening. Like it's just

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Speaker 1: he's on like the next level like creativity, especially for

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Speaker 1: being that young. And he's like, you know, street dude,

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Speaker 1: So he has that element to him. And yeah, like

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Speaker 1: labels are already like on his head. Yeah. So I honestly,

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Speaker 1: if I were like to put my money on anybody, yeah,

315
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Speaker 1: And I have no affiliation. I've never spoken to him anything.

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Speaker 1: I just you don't even know. No, is it like,

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Speaker 1: like have you noticed, Like because you've built yourself into

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Speaker 1: a position where you're a lot of people look to

319
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Speaker 1: you in the LA scene, Like is it like a

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Speaker 1: gifting a curse? Yeah, sometimes, because you know, people will

321
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Speaker 1: be mad if like I don't fuck with them or something,

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Speaker 1: you know what I mean, Like, isn't that crazy? Like

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Speaker 1: you can tell someone like, hey, man, do your thing,

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Speaker 1: I'm not a fan of the music, but like and

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Speaker 1: they'll like hate, like they'll take that personal, like you

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Speaker 1: want me to just like lie or like if I

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Speaker 1: don't want to pull up to like studio sessions or

328
00:15:51,000 --> 00:15:53,400
Speaker 1: like it's just like I don't want to listen to

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Speaker 1: shitty music for like two hours, Like what do you

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Speaker 1: want me to do? Someone just asked me about you.

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Speaker 1: I think it was my boy Ace about Beans. Oh yeah, okay, Like,

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Speaker 1: hey you know this rosecrans dude. I was like, rosecrans

333
00:16:08,320 --> 00:16:10,480
Speaker 1: Vig He's like I think so He's like, yeah, he's

334
00:16:10,480 --> 00:16:11,920
Speaker 1: the worth happening to me. I was like, yeah, man,

335
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Speaker 1: he's fucking living la man. I was like, Beans is crazy.

336
00:16:16,200 --> 00:16:19,040
Speaker 1: She's fine. What give me your cause? I think obviously

337
00:16:19,280 --> 00:16:24,000
Speaker 1: the odd most obvious next Superstar to Las Blast, you

338
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Speaker 1: know what I'm saying. Yeah, aside from that, that's like obvious,

339
00:16:26,520 --> 00:16:29,600
Speaker 1: but like that's like the no brain, He's out of here,

340
00:16:30,120 --> 00:16:35,320
Speaker 1: you know, Like you know, Head had put me on

341
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Speaker 1: the Blast a long time ago because his Head tried

342
00:16:37,000 --> 00:16:42,560
Speaker 1: to sign Blast and uh, yeah, the dude's out of here,

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Speaker 1: you know what I'm saying, Like, like, were you like

344
00:16:46,960 --> 00:16:49,880
Speaker 1: hip to Blast like before he was before he put

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00:16:49,880 --> 00:16:51,880
Speaker 1: out the like the tape with Beano or was that

346
00:16:52,000 --> 00:16:55,920
Speaker 1: something because like, man, you know he does it all. Yeah,

347
00:16:56,000 --> 00:16:58,320
Speaker 1: I wasn't as hip to him as I as I

348
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Speaker 1: would like to be. Like I had heard the name.

349
00:17:00,720 --> 00:17:04,879
Speaker 1: I definitely had. I had heard a song called I

350
00:17:04,880 --> 00:17:08,800
Speaker 1: Think like Fallen and this was like and then there's

351
00:17:08,800 --> 00:17:11,080
Speaker 1: another one called Body, and I was just like, damn,

352
00:17:11,080 --> 00:17:13,320
Speaker 1: these are dope, but I just listened to the singles.

353
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Speaker 1: I didn't really like go the extra mount and like

354
00:17:15,359 --> 00:17:17,680
Speaker 1: look him up on YouTube or all you know all that.

355
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Speaker 1: But then going back like after he put out the

356
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Speaker 1: song with Bino and the tape and everything, then I

357
00:17:25,920 --> 00:17:28,040
Speaker 1: like was like, oh I had heard of him before

358
00:17:28,080 --> 00:17:31,919
Speaker 1: because he was in a group called King and Blast

359
00:17:32,040 --> 00:17:34,919
Speaker 1: and it was like a duo but like to me,

360
00:17:35,160 --> 00:17:37,960
Speaker 1: like and there, and they presented themselves as like ie

361
00:17:38,119 --> 00:17:41,480
Speaker 1: artists and then that King dude like no shade, like

362
00:17:41,520 --> 00:17:44,080
Speaker 1: he just wasn't very good. So like I think that

363
00:17:44,320 --> 00:17:46,960
Speaker 1: was like it probably came across my radar, but it

364
00:17:47,000 --> 00:17:49,520
Speaker 1: wasn't memorable because I heard like one whack dude and

365
00:17:49,640 --> 00:17:51,440
Speaker 1: was just like, yeah, I'm good. And you know, it's

366
00:17:51,440 --> 00:17:53,440
Speaker 1: just stuff like that happens. Because there's like a song

367
00:17:53,520 --> 00:17:55,840
Speaker 1: from probably like two years ago that I went back

368
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Speaker 1: and looked up and I was like, dude, this song

369
00:17:58,240 --> 00:18:00,200
Speaker 1: is the blast. Part of this song is incredible and

370
00:18:00,280 --> 00:18:02,680
Speaker 1: then the other and it has like two thousand views

371
00:18:02,680 --> 00:18:05,520
Speaker 1: to this day probably, So it's just and it's it's

372
00:18:05,720 --> 00:18:07,840
Speaker 1: something like that. But I wish I would have been

373
00:18:07,840 --> 00:18:09,600
Speaker 1: more hip on him, but he wasn't putting out solo

374
00:18:09,680 --> 00:18:11,760
Speaker 1: music for that long before he blew up. Really nah,

375
00:18:11,840 --> 00:18:15,359
Speaker 1: for sure, you got the show on No Jumper Mad

376
00:18:15,440 --> 00:18:18,359
Speaker 1: lately about to do thirty episodes or just we just

377
00:18:18,400 --> 00:18:21,439
Speaker 1: hit thirty. We just hit thirty yep. So congrats on that.

378
00:18:21,480 --> 00:18:24,000
Speaker 1: I appreciate that. Once a week, yeah, every Monday, So

379
00:18:24,280 --> 00:18:26,359
Speaker 1: every Monday, it's you, Gabe. See I forget the young

380
00:18:26,440 --> 00:18:32,160
Speaker 1: lady's name is Ginaviews. How did that come come to be? So? Adam?

381
00:18:31,960 --> 00:18:36,119
Speaker 1: I know, I've been knowing Adam for like three years now, no,

382
00:18:36,200 --> 00:18:39,119
Speaker 1: probably four, Yeah, for since like twenty seventeen, like around

383
00:18:39,160 --> 00:18:42,200
Speaker 1: the time where like Shoreline was blowing up, Greto, all them.

384
00:18:42,680 --> 00:18:46,840
Speaker 1: We just kept running into each other and I had

385
00:18:46,920 --> 00:18:50,159
Speaker 1: them on my podcast once and then after that, I

386
00:18:50,200 --> 00:18:53,040
Speaker 1: would just like send them emails of like dope videos

387
00:18:53,080 --> 00:18:54,440
Speaker 1: that I thought were dope, and then he'd be like, cool,

388
00:18:54,440 --> 00:18:55,960
Speaker 1: I'm gonna put this on the No Jump or YouTube.

389
00:18:56,000 --> 00:18:58,200
Speaker 1: And I just kept like a constant line of communication

390
00:18:58,240 --> 00:19:02,280
Speaker 1: with him for a while, and you know, like we'd

391
00:19:02,320 --> 00:19:04,840
Speaker 1: run into each other certain places. I think he started

392
00:19:04,880 --> 00:19:06,520
Speaker 1: to grow like more of a respect for me, because

393
00:19:07,040 --> 00:19:08,520
Speaker 1: a lot of places he would be I would be

394
00:19:09,240 --> 00:19:10,679
Speaker 1: you know what I'm saying, Like I wasn't rolling out

395
00:19:10,680 --> 00:19:13,000
Speaker 1: of Miami. He wasn't rolling out of Miami. I wasn't

396
00:19:13,040 --> 00:19:15,520
Speaker 1: rolling out of New York. He was there any concerts

397
00:19:15,560 --> 00:19:17,440
Speaker 1: backstage like he see me. I was just hustling, you

398
00:19:17,520 --> 00:19:20,960
Speaker 1: know what I mean. So, like we just grew like

399
00:19:20,960 --> 00:19:23,879
Speaker 1: a cool relationship, and then at the beginning of twenty twenty,

400
00:19:24,359 --> 00:19:27,399
Speaker 1: he like said he wanted to meet went to his

401
00:19:27,440 --> 00:19:28,879
Speaker 1: office and then he was like, yeah, I want you

402
00:19:28,920 --> 00:19:31,040
Speaker 1: to do like a podcast or something. He's like, not

403
00:19:31,160 --> 00:19:33,600
Speaker 1: rosecrans radio. I want you to do something different. And

404
00:19:33,680 --> 00:19:35,639
Speaker 1: I was like all right, cool, and then like COVID

405
00:19:35,680 --> 00:19:38,000
Speaker 1: happened and then so like everything just kind of pushed

406
00:19:38,040 --> 00:19:39,399
Speaker 1: back and all that stuff. And then he hit me

407
00:19:39,440 --> 00:19:43,000
Speaker 1: again in like August, I want to say August or

408
00:19:43,040 --> 00:19:45,920
Speaker 1: September and was like, hey, you know, did you want

409
00:19:45,920 --> 00:19:47,840
Speaker 1: to do that podcast? Still? Like we're about to, you know,

410
00:19:48,359 --> 00:19:51,000
Speaker 1: have some more podcasts on here. And I was like

411
00:19:51,000 --> 00:19:53,600
Speaker 1: fuck yeah, And I said, give me like three four

412
00:19:53,680 --> 00:19:56,600
Speaker 1: days to come up with like a concept and a

413
00:19:56,720 --> 00:19:59,480
Speaker 1: name and everything. And so came up with the name,

414
00:20:00,440 --> 00:20:02,800
Speaker 1: recruited my co host, you know, I hit Gina, I

415
00:20:02,880 --> 00:20:05,440
Speaker 1: hit Gabe, and then we did like a photo shoot

416
00:20:05,480 --> 00:20:07,200
Speaker 1: and I shot everything to him in like three four days.

417
00:20:07,200 --> 00:20:09,440
Speaker 1: He was like, oh shit. I was like ready to go. Yeah,

418
00:20:09,440 --> 00:20:10,800
Speaker 1: He's like, you guys are ready to go. I'm like, yeah,

419
00:20:10,840 --> 00:20:12,960
Speaker 1: we're fucking ready to go. What's some because you were

420
00:20:13,000 --> 00:20:15,639
Speaker 1: doing the rosecrans radio. What is like the like something

421
00:20:15,640 --> 00:20:18,159
Speaker 1: that you learned doing because it's kind of a different

422
00:20:18,200 --> 00:20:21,040
Speaker 1: type of thing. So like, yeah, you know, with any

423
00:20:21,040 --> 00:20:22,840
Speaker 1: with anything, you get better as time goes. But what's

424
00:20:22,840 --> 00:20:26,320
Speaker 1: something you had to kind of like learn from making

425
00:20:26,320 --> 00:20:30,000
Speaker 1: the switch and doing Mad Lately streamed on youtubes or

426
00:20:30,000 --> 00:20:32,880
Speaker 1: people commenting Yeah, I mean, yeah, it's just a way

427
00:20:32,880 --> 00:20:35,880
Speaker 1: different platform, So I approach it differently. Like rosecrans radio

428
00:20:36,000 --> 00:20:39,760
Speaker 1: was just like me interviewing artists or talking, you know,

429
00:20:40,359 --> 00:20:43,360
Speaker 1: not too deeply. I wasn't really trying to like make

430
00:20:43,400 --> 00:20:46,000
Speaker 1: people laugh anything too much. Like it was just kind

431
00:20:46,000 --> 00:20:48,360
Speaker 1: of like a I wanted to had like a more

432
00:20:48,359 --> 00:20:50,439
Speaker 1: serious tone on there, I guess you could say. But

433
00:20:50,480 --> 00:20:52,480
Speaker 1: then I'm like, okay, we're going to a jumper, like

434
00:20:52,640 --> 00:20:54,439
Speaker 1: they have a certain audience. So yeah, you guys are

435
00:20:54,480 --> 00:20:56,920
Speaker 1: definitely shooting the shit now, you know what I'm saying.

436
00:20:56,960 --> 00:20:58,440
Speaker 1: So I'm like, we have to turn it up to

437
00:20:58,480 --> 00:21:00,639
Speaker 1: a certain extent or people are gonna call us boring

438
00:21:00,720 --> 00:21:03,040
Speaker 1: or whatever. And the funny thing is that, like the

439
00:21:03,080 --> 00:21:06,000
Speaker 1: way I am I'm Mad Lately, like that's really the

440
00:21:06,040 --> 00:21:07,640
Speaker 1: real mes you Yeah, you know what I'm saying when

441
00:21:07,640 --> 00:21:09,119
Speaker 1: I'm out with my homies and stuff like that. So

442
00:21:09,160 --> 00:21:10,760
Speaker 1: I'm like, fuck it, I'm gonna just put myself on

443
00:21:10,800 --> 00:21:13,320
Speaker 1: display and like it like ruins my life, but it

444
00:21:13,400 --> 00:21:15,200
Speaker 1: like makes it way better at the same time because

445
00:21:15,200 --> 00:21:20,080
Speaker 1: I'm a little too honest sometimes and it's dope, you know.

446
00:21:20,160 --> 00:21:23,320
Speaker 1: Shout out to Gabe, who's somebody who's very underrated figure

447
00:21:23,359 --> 00:21:26,000
Speaker 1: and now, oh yeah, definitely. I always say he's kind

448
00:21:26,000 --> 00:21:28,640
Speaker 1: of like Power one oh six is like sauce. Yeah,

449
00:21:29,000 --> 00:21:30,560
Speaker 1: like a lot of that ship that gets played late

450
00:21:30,560 --> 00:21:34,399
Speaker 1: at night. Hell yeah, put all them dudes on for

451
00:21:34,520 --> 00:21:36,439
Speaker 1: I'd be tricking gave into liking some ships and we

452
00:21:36,480 --> 00:21:38,159
Speaker 1: were trying to steal into Real ninety two three for

453
00:21:38,200 --> 00:21:41,920
Speaker 1: a while. I heard about that. He was definitely trying. Yeah,

454
00:21:41,960 --> 00:21:44,800
Speaker 1: but yeah, no, shout out to him. What's next for

455
00:21:45,320 --> 00:21:46,840
Speaker 1: obviously you want to put out more music, but what

456
00:21:46,920 --> 00:21:50,400
Speaker 1: is next for your platform and for you just doing

457
00:21:50,400 --> 00:21:53,240
Speaker 1: more shows? We have Don't Come to a La. We

458
00:21:53,240 --> 00:21:56,720
Speaker 1: we filmed that, and to give a little backstory, you

459
00:21:56,720 --> 00:21:59,000
Speaker 1: did like a south By thing called Don't Come to

460
00:21:59,119 --> 00:22:00,760
Speaker 1: l a t. Yeah. So that's so we did a

461
00:22:00,800 --> 00:22:05,520
Speaker 1: concert series back in twenty eighteen where we booked everybody

462
00:22:05,680 --> 00:22:08,840
Speaker 1: like that's popping in La besides Draco and greeted because

463
00:22:08,840 --> 00:22:11,200
Speaker 1: they were locked up but we had like blue Face,

464
00:22:11,359 --> 00:22:15,640
Speaker 1: Routchy Azy Chike, one Take Jay, everybody like Hella Early,

465
00:22:16,640 --> 00:22:19,040
Speaker 1: So we had all them. We really created that community

466
00:22:19,119 --> 00:22:22,560
Speaker 1: Jpriko all them. And we only did five shows, but

467
00:22:22,840 --> 00:22:24,760
Speaker 1: every single one of those shows was like incredible. We

468
00:22:24,800 --> 00:22:28,520
Speaker 1: had like Scrillicks pull up Dot Kennedy J three oh five,

469
00:22:28,800 --> 00:22:32,760
Speaker 1: Like the crowd was even more star studied sometimes than

470
00:22:32,800 --> 00:22:36,040
Speaker 1: like the performers. Hey Texas dude back on my phone,

471
00:22:37,320 --> 00:22:41,840
Speaker 1: ooh nice, Yeah, Freddie Gibbs pulled up to perform. Wow,

472
00:22:42,119 --> 00:22:44,159
Speaker 1: you know what I'm saying, Like fred pull to perform

473
00:22:44,160 --> 00:22:48,000
Speaker 1: with two eleven. Oh it makes sense. Yeah yeah yeah,

474
00:22:48,040 --> 00:22:51,200
Speaker 1: so one BPS. Like we just had like a crazy

475
00:22:51,200 --> 00:22:53,640
Speaker 1: amount of like special guests always and it was such

476
00:22:53,640 --> 00:22:57,280
Speaker 1: a dope vibe. So we made sure to like never

477
00:22:57,359 --> 00:23:00,720
Speaker 1: dilute that brand, right, and we only did We only

478
00:23:00,760 --> 00:23:02,399
Speaker 1: did it when we knew it could be dope, right.

479
00:23:02,440 --> 00:23:03,960
Speaker 1: So we did five and then we did another one

480
00:23:03,960 --> 00:23:07,119
Speaker 1: in south By. That's when we brought out Reason, We

481
00:23:07,200 --> 00:23:11,679
Speaker 1: brought out Rouchie Kaalin, We just nardwar pulled up like

482
00:23:11,720 --> 00:23:14,000
Speaker 1: it was crazy. It was incredible. Andrew Barber was there,

483
00:23:14,080 --> 00:23:17,720
Speaker 1: like it was an incredible show. And we've been for

484
00:23:17,720 --> 00:23:19,399
Speaker 1: the last two years, we've been trying to put it

485
00:23:19,400 --> 00:23:22,800
Speaker 1: together to do it again, but like conflicting schedules. Cyprus

486
00:23:22,880 --> 00:23:25,800
Speaker 1: was on tour for like two years straight with Troline,

487
00:23:26,800 --> 00:23:30,280
Speaker 1: Jeff and I were busy. So this past weekend we

488
00:23:30,440 --> 00:23:33,639
Speaker 1: just recorded, like we're gonna do like a live stream

489
00:23:33,720 --> 00:23:36,440
Speaker 1: type thing, yeah, but also we're gonna make it more

490
00:23:36,520 --> 00:23:38,840
Speaker 1: like of a documentary like I guess you could say

491
00:23:38,920 --> 00:23:43,760
Speaker 1: like a almost like a fade to Black. I mean,

492
00:23:43,760 --> 00:23:45,880
Speaker 1: that's like obviously the best case in course of course,

493
00:23:45,960 --> 00:23:47,800
Speaker 1: but something like that, you know what I mean, to

494
00:23:48,119 --> 00:23:52,320
Speaker 1: document document the old shows, put interviews in there, you

495
00:23:52,320 --> 00:23:54,399
Speaker 1: know what I mean, all that stuff, so like really

496
00:23:54,400 --> 00:23:56,400
Speaker 1: make it like a timeless piece that people can watch

497
00:23:56,600 --> 00:23:59,159
Speaker 1: twenty years from now and be like, oh, Okay, this

498
00:23:59,320 --> 00:24:02,040
Speaker 1: was this era, you know. So like we filmed the

499
00:24:02,080 --> 00:24:04,679
Speaker 1: performance aspects of it. Probably in about two weeks, we're

500
00:24:04,680 --> 00:24:07,240
Speaker 1: going to perform, like we're gonna do the interviews right

501
00:24:07,520 --> 00:24:10,240
Speaker 1: and just you know, have the editors put all the

502
00:24:10,240 --> 00:24:12,280
Speaker 1: sauce on it and then hopefully release it like in June.

503
00:24:12,480 --> 00:24:15,720
Speaker 1: Last thing, where do you see LA going music wise

504
00:24:15,720 --> 00:24:18,560
Speaker 1: in the next five years? Like like because I always say,

505
00:24:18,600 --> 00:24:23,280
Speaker 1: like there's been so many artists who I thought should

506
00:24:23,280 --> 00:24:25,200
Speaker 1: have been bigger to come out of LA over the

507
00:24:25,280 --> 00:24:27,960
Speaker 1: last ten years or so, like someone like Joe Moses,

508
00:24:28,000 --> 00:24:29,239
Speaker 1: you know what I mean. Like there's like guys who

509
00:24:29,359 --> 00:24:32,360
Speaker 1: like man like RJ's a perfect example. But I don't

510
00:24:32,400 --> 00:24:37,240
Speaker 1: know what the disconnect was that didn't escalate as big

511
00:24:37,320 --> 00:24:40,840
Speaker 1: outside of LA as we had hoped. And I think

512
00:24:40,880 --> 00:24:44,520
Speaker 1: that's with some of the newer generation. There's some potential there,

513
00:24:44,560 --> 00:24:46,080
Speaker 1: you know what I'm saying. What do you like, where

514
00:24:46,119 --> 00:24:49,399
Speaker 1: do you see things going? Man? I mean, if we

515
00:24:49,440 --> 00:24:52,040
Speaker 1: can get by the way RJ and Joe Moses aren't done. Yeah, yeah,

516
00:24:52,040 --> 00:24:53,199
Speaker 1: not at all, you know what I mean. But I

517
00:24:53,240 --> 00:24:56,480
Speaker 1: think if if LA continues to build like a strong

518
00:24:56,520 --> 00:25:00,840
Speaker 1: community and have a lot of like key people behind

519
00:25:00,880 --> 00:25:04,719
Speaker 1: the scenes making these moves that will actually cross brand

520
00:25:04,720 --> 00:25:07,879
Speaker 1: to with artists in Atlanta, with an artist in like

521
00:25:07,920 --> 00:25:11,159
Speaker 1: New York and you know, across the globe, then I

522
00:25:11,200 --> 00:25:13,679
Speaker 1: think we have the talent to really like run shit like.

523
00:25:14,040 --> 00:25:16,800
Speaker 1: And I'm obviously super biased, but like you have Blast,

524
00:25:16,880 --> 00:25:19,400
Speaker 1: you have Bino, you have Kalin, you have all these

525
00:25:19,480 --> 00:25:22,600
Speaker 1: artists that don't only make West Coast music no matter

526
00:25:22,640 --> 00:25:24,800
Speaker 1: where they're at That's what I'm saying. We have Roddy,

527
00:25:25,040 --> 00:25:27,520
Speaker 1: you know. So it's like we have all different types

528
00:25:27,520 --> 00:25:30,720
Speaker 1: of artists. We have Draco doing songs with Osuna and

529
00:25:30,840 --> 00:25:32,479
Speaker 1: Drake and stuff like that, you know what I mean.

530
00:25:32,520 --> 00:25:34,679
Speaker 1: So I honestly like in the next five years, like

531
00:25:35,320 --> 00:25:39,000
Speaker 1: everybody stays on their ship, doesn't get complacent, you know,

532
00:25:39,119 --> 00:25:42,440
Speaker 1: and happy with just making like ten bands of show

533
00:25:42,480 --> 00:25:44,880
Speaker 1: and stuff like that. It's like, I think we could

534
00:25:44,880 --> 00:25:48,160
Speaker 1: really run shit there. It is rosecranz Vic Bouakead Podcast.

535
00:25:48,160 --> 00:25:49,360
Speaker 1: Appreciate you, bro. Perfect