WEBVTT - Thirteen with Maggie Mae Fish

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<v Speaker 1>On the Bell Cast. The questions asked if movies have

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<v Speaker 1>women in them, are all their discussions just boyfriends and husbands,

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<v Speaker 1>or do they have individualism? The patriarchy? Zef in best

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<v Speaker 1>start changing it with the beck Del cast. Hey thirteen

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<v Speaker 1>year old Jamie. It's me, thirteen year old Caitlin Hey,

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<v Speaker 1>thirteen year old Caitlin is thirteen year old Jamie. Um,

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<v Speaker 1>I'm about to who how do we okay? Listeners? We

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<v Speaker 1>were struggling with an intro, who is okay? Here's a question,

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<v Speaker 1>the central question of thirteen I thought when I was thirteen,

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<v Speaker 1>I was wrong, is who's the bad guy? Did not

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<v Speaker 1>occur to me that the bad guy was society? But I,

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<v Speaker 1>you know, of the two of us, who is the

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<v Speaker 1>bad influence? Good question? I know, Oh my gosh, well

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<v Speaker 1>it's hard to say. I actually now right now I'm

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<v Speaker 1>really thinking about it. We we have kind of equal

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<v Speaker 1>amounts of like we both have chaotic instincts, but they're

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<v Speaker 1>like not the same instincts. So I guess it depends

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<v Speaker 1>on like there's certain things that you're the bad influence on,

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<v Speaker 1>and then there's certain things on the beat. And that's

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<v Speaker 1>why we create a whole bad person because one bad

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<v Speaker 1>person collectively Hell yeah, because I was gonna say, like,

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<v Speaker 1>we have equal amounts of like tattoos, because tattoos equals bad.

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<v Speaker 1>Tattoos are bad. Do you what is your peers? I

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<v Speaker 1>don't have. I wanted a belly ring so bad in

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<v Speaker 1>middle school. It was physically painful. And my cousin Tammy,

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<v Speaker 1>who everyone in the Zoom Call has met, we went

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<v Speaker 1>to um eye Hoop with her and had minions breakfast

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<v Speaker 1>ever of it. Some really some real bad girls ship

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<v Speaker 1>at the eye hop. But she was allowed to get

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<v Speaker 1>a belly ring and I wasn't. And it was devastating,

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<v Speaker 1>I'm sure, and it was she was like even we

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<v Speaker 1>were both such like goody two shoes, but she was

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<v Speaker 1>even goody two shoes or so I think my aunt

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<v Speaker 1>was like, we gotta give this girl some edge. Yes,

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<v Speaker 1>you can get a belly y. I love that for Tammy,

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<v Speaker 1>shout out. The only thing I have pierced are my ears,

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<v Speaker 1>but I have like double piercings in the lobes and

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<v Speaker 1>then like a cartilage piercing. So cartilage, okay, cartilage is

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<v Speaker 1>like that's cool. And it was the first piercing I

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<v Speaker 1>got before I even got my lobes pierced, which is

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<v Speaker 1>kind of wild. You went directly for the bone. Um,

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<v Speaker 1>I mean the cartilage. But yeah, okay, oh okay, Nerd,

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<v Speaker 1>there there's a difference. Actually, thank you, resident biologist Kate Rent.

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<v Speaker 1>You're welcome. You're so welcome. That one's painful, though, it's

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<v Speaker 1>so painful, and it was like effected for a year,

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<v Speaker 1>and because I got it done at Claire's obviously and

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<v Speaker 1>it was just not the best experience. Then I got

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<v Speaker 1>my lobes pierced a few years later, which it's nothing comparatively.

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<v Speaker 1>I don't like being in physical pain even for one second.

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<v Speaker 1>And so I my lobe holes uh closed like a

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<v Speaker 1>year ago, and I have yet to go to Claris

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<v Speaker 1>to resolve the issue. My mom and I have this

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<v Speaker 1>I like, this is my very mother daughter episode and

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<v Speaker 1>then we're gonna start the show. My mom used to

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<v Speaker 1>love to do this thing when I was a kid,

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<v Speaker 1>where if I was getting something exciting done, my mom

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<v Speaker 1>would be like, what if I want up to that?

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<v Speaker 1>And so when I went to Claire's to get my

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<v Speaker 1>lobes pierced, and I think I was like six seven

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<v Speaker 1>something like that, she just like we were at Claire's

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<v Speaker 1>at the Westgate Mall in Brocton. And then she was like,

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<v Speaker 1>she was like talking to this sixteen year old. This

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<v Speaker 1>is my memory, So she's more of a villain in

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<v Speaker 1>my memory than probably what's happening in real life. But

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<v Speaker 1>she's talking to like the fifteen year old who worked

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<v Speaker 1>at Clari's, and she's like, should I get my ears? Piers?

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<v Speaker 1>Should I get my car artilage? Piers as like, MoMA,

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<v Speaker 1>this is my day. And she did and she still

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<v Speaker 1>has it. Jill stole your thunder. Jill goes hard. Jill

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<v Speaker 1>goes hard. She's like, she's like a little girl. You

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<v Speaker 1>think you're gonna get your lobes, Piers, Well, guess what

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<v Speaker 1>mommy's going for the cart? All right, we might cut

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<v Speaker 1>that from the episode. It's hard to say. Come to

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<v Speaker 1>the Becktel cast. My name is Caitlin. Sorry that was exciting.

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<v Speaker 1>Well again, we are together, one whole person, so we

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<v Speaker 1>do have to speak in unison. Yes, take me orantis.

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<v Speaker 1>Oh yeah, I'll figure it out. We'll workshop it. We'll

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<v Speaker 1>workshop it. There's time. This is our show, so where

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<v Speaker 1>we analyze movies through an intersectional feminist lens using the

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<v Speaker 1>Bechtel tests. Simply as a jumping off point. The Bechtel

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<v Speaker 1>Test being, of course, a media metric created by a

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<v Speaker 1>queer cartoonist, Alison Bechtel, sometimes called the Bechtel Wallace test

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<v Speaker 1>that has many different variations, but the one we use

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<v Speaker 1>requires that two people of a marginalized gender have names

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<v Speaker 1>speak to each other about something other than a man,

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<v Speaker 1>and ideally that conversation is like substantial, narratively relevant, et cetera.

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<v Speaker 1>Not a huge deal in this movie. There's there's a lot,

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<v Speaker 1>there's interaction between teen girls and women. It's really not

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<v Speaker 1>a problem. Yeah, And we have an incredible returning guest

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<v Speaker 1>today to cover this two thousand and three, Katherine Hardwick

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<v Speaker 1>Nicky read Evan rachel Wood classic. Please let's get her

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<v Speaker 1>in the room, shall we, Caitlin, Let's do it. She's

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<v Speaker 1>a writer, actor, and video essayist. You remember her from

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<v Speaker 1>our episode on Edwards scissor Hands. It's Maggie may Fish.

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<v Speaker 1>Welcome back. Welcome. Sorry I meant to say, um, thirteen

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<v Speaker 1>year old Maggie may Fishing on this episode. Oh no,

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<v Speaker 1>I'm already sweating just as I remembered. Uh, Hi, guys,

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<v Speaker 1>it's so great to be back. Welcome back this is

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<v Speaker 1>and and what a what a vibe shift for for

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<v Speaker 1>this episode. Yeah, although both like you know, kind of

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<v Speaker 1>like trying to be like Edgy in a way, a

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<v Speaker 1>lot of angst, a lot of angst. Each director had

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<v Speaker 1>their own approach. Yeah. Yeah, I'm very um excited, confused,

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<v Speaker 1>like honestly going into preparing for this episode. Um. Well,

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<v Speaker 1>we'll talk about our experience with this movie in a second,

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<v Speaker 1>But this is a really really tricky movie to talk about.

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<v Speaker 1>The more you learn about the production, the more you

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<v Speaker 1>learn about like it's I'm coming in with my opinions

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<v Speaker 1>a little malleable, and the more I watch that there's

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<v Speaker 1>been a lot of interesting retrospective work done, Like both

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<v Speaker 1>lead actors and Catherine Hardwick have been super open about

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<v Speaker 1>talking about this movie almost twenty years down the line. Now,

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<v Speaker 1>it's just there's there's a lot to discuss. So to begin,

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<v Speaker 1>Maggie may Fish, what is your history with the movie? Oh? Man,

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<v Speaker 1>I felt like my experience of this movie is very iconic. Uh,

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<v Speaker 1>it was a cool girl having to sleep over in

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<v Speaker 1>her very fancy house that was close to the beach

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<v Speaker 1>as all the cool houses where and all the cool

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<v Speaker 1>people lived. Yeah, she was turning thirteen sleepover. We watched

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<v Speaker 1>this movie. I think we also rented it behind her

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<v Speaker 1>mom's back. I think, I think, yeah, yeah, yeah. When

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<v Speaker 1>this movie came out, we definitely were because yeah, we

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<v Speaker 1>were like younger than thirty. We were not allowed to

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<v Speaker 1>watch it. It was not allowed, but the movie was

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<v Speaker 1>called thirteen and they were sticking their tongues out. You

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<v Speaker 1>did have to watch it. Yes, it felt very um

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<v Speaker 1>underground in a way. You know, it was like a

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<v Speaker 1>movie for people our age quote unquote, even though it's not.

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<v Speaker 1>And then watching it, I read who that's my big question?

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<v Speaker 1>Who was this movie for? Who is this for? Who's

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<v Speaker 1>this movie for? Um? Yeah, I do remember, and it

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<v Speaker 1>came back to me as we were watching it. I

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<v Speaker 1>remember the overall feeling of being like, how are we

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<v Speaker 1>supposed to feel about the mom? And are we getting

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<v Speaker 1>creepy vibes from her? Or is this just she's jealous?

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<v Speaker 1>Like if we were all very confused. Um, none of

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<v Speaker 1>us had a relationship with our moms like this, and

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<v Speaker 1>though we all had very complicated relationships with our mothers. Um,

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<v Speaker 1>so yeah that was just upon first impression. Uh, And

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<v Speaker 1>we did feel very cool watching it. I mean, I mean,

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<v Speaker 1>that's what that Jamie. What's your history in relationship with

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<v Speaker 1>the movie. UM, I don't remember exactly how we got

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<v Speaker 1>our hands on this movie, because this movie, I think

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<v Speaker 1>we probably I probably saw it like maybe the year

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<v Speaker 1>whenever it was like became available at I'm guessing Blockbuster.

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<v Speaker 1>But I I very clearly remember watching this with one

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<v Speaker 1>of my closest female friends who was like a neighborhood

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<v Speaker 1>friend who I had a very close, um, maybe a

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<v Speaker 1>little bit unhealthy relationship with. Um. Yeah, I will not

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<v Speaker 1>name her. She's doing great now, she's the best. But

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<v Speaker 1>we were super close growing up and like especially like

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<v Speaker 1>in middle school, we liked dance classes together, we did

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<v Speaker 1>after school stuff together. We like watch things we weren't

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<v Speaker 1>supposed to watch. We weren't doing like thirteen Ship, but

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<v Speaker 1>we were like, we were like we could do that,

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<v Speaker 1>you know, Like I don't know, it was just like

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<v Speaker 1>a very like my close friend who I loved, sleeping

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<v Speaker 1>in the same bed as and we would watch Degrassi

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<v Speaker 1>and thirteen is basically like X Game de Grassy and

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<v Speaker 1>so like we were like, oh, we thought it goes

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<v Speaker 1>there on the grassy, which was the tagline at the time. Well,

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<v Speaker 1>guess what, thirteen, It actually scared us. But also it

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<v Speaker 1>was like that sort of thing, like when you encounter

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<v Speaker 1>something like this when you're at that age, and I'm

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<v Speaker 1>guessing I was probably eleven or twelve when we watched it.

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<v Speaker 1>Um Like, there's a part of this movie that makes

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<v Speaker 1>you want to do everything in it, and that's a

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<v Speaker 1>part that I'm very critical of. And we talked about

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<v Speaker 1>this on the show before. It's like I had the

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<v Speaker 1>same kind of feeling towards the Grassy, Like there's certain

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<v Speaker 1>things that happened in this movie that I think are

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<v Speaker 1>like wildly unethical to show on screen, and it's anyone

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<v Speaker 1>I was looking through stuff at the time. It just

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<v Speaker 1>like this movie was co written by a thirteen year old.

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<v Speaker 1>It's absurd to think that thirteen year olds would not

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<v Speaker 1>find this movie. And so in some ways, I'm like,

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<v Speaker 1>this is really unethical, and then in other ways it

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<v Speaker 1>was a very effective cautionary tale about stuff that like

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<v Speaker 1>I don't know again, like I was a super goody

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<v Speaker 1>two shoes, and like watching this movie, I almost definitely

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<v Speaker 1>didn't hadn't heard of or didn't understand most of what

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<v Speaker 1>they were encountering or a lot of what they were encountering.

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<v Speaker 1>But yeah, I think I only watched it like once

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<v Speaker 1>or two, I mean for as long as the blockbuster

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<v Speaker 1>rental lasted. But we like talked about it and we

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<v Speaker 1>were like, who's Eavy, Who's Tracy, blah blah blah, Like

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<v Speaker 1>we were really into it. And then I didn't revisit

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<v Speaker 1>it for years and years, And it was a wild

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<v Speaker 1>thing to rewatch because but the first time this came out,

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<v Speaker 1>for example, I didn't know who Vanessa Hudgins was. She

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<v Speaker 1>wasn't famous, and now we know. Now we all know

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<v Speaker 1>who Vanessa Hudgens. And the princess switched herself. She really

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<v Speaker 1>did something there, and uh yeah, it was like this movie,

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<v Speaker 1>I have such complicated feelings towards it, and as I

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<v Speaker 1>was preparing for this episode, I was struggling to untangle

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<v Speaker 1>my middle school self and analyze seeing it as a

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<v Speaker 1>crusty adult. So let's see how this goes. Caitlin, what's

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<v Speaker 1>your history with the movie thirteen? Well, I did see

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<v Speaker 1>it not long after it came out. I think, like

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<v Speaker 1>also when it became available to rent on like DVD,

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<v Speaker 1>maybe even VHS back then that covers hard to ignore.

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<v Speaker 1>I really got three. It's so like scrap booky looking. Yeah,

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<v Speaker 1>I loved it. Um So, I was like sixteen or seventeen, sixteen,

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<v Speaker 1>I think when this movie came out, so I was,

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<v Speaker 1>you know, still an impressionable teenager, but um older than

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<v Speaker 1>the characters. Thirteen year olds are famously feral. I feel

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<v Speaker 1>like by the time you're sixteen, you're a little less feral, right,

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<v Speaker 1>I mean, I guess it just depends on the person.

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<v Speaker 1>Maybe you're more feral by then. Some people are, that's true,

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<v Speaker 1>and some people stay feral their whole lives. And you

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<v Speaker 1>look at but um, I was also, uh, I was.

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<v Speaker 1>I was quite the goody two shoes myself. So I

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<v Speaker 1>found this movie like understandable but also disturbing at the time,

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<v Speaker 1>and I think that's the same impression I have of

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<v Speaker 1>it now. I find this movie more stressful to watch

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<v Speaker 1>than Uncut Gems. I guess that that is like the

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<v Speaker 1>go too stressful movie didn't compare it to but for

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<v Speaker 1>like different reasons obviously. I mean, I will say, before

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<v Speaker 1>preparing for this episode, I knew nothing about the production

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<v Speaker 1>background about Believing, and I sort of went into this

0:13:43.280 --> 0:13:49.160
<v Speaker 1>rewatched thinking this movie had to have been strictly a

0:13:49.280 --> 0:13:52.760
<v Speaker 1>cautionary tale, like in the way that I feel like

0:13:52.840 --> 0:13:56.240
<v Speaker 1>every generation has its like grand cautionary tale. I know

0:13:56.320 --> 0:13:59.400
<v Speaker 1>that my mom gave me a copy of her Generations

0:13:59.440 --> 0:14:03.160
<v Speaker 1>Cautionary tail, Go ask Alice Ship. Yeah, I wrote that

0:14:03.200 --> 0:14:05.400
<v Speaker 1>book right when I was a kid, and like that

0:14:05.679 --> 0:14:07.880
<v Speaker 1>for for listeners not in the know of how go

0:14:08.000 --> 0:14:11.920
<v Speaker 1>ask Alice culture, it's very bizarre. It is also a

0:14:11.960 --> 0:14:15.360
<v Speaker 1>cautionary tale about a young girl. I don't remember how

0:14:15.400 --> 0:14:17.520
<v Speaker 1>old she is in the book, but um, it's supposed

0:14:17.520 --> 0:14:20.840
<v Speaker 1>to be like an anonymous journal from like the nineties

0:14:20.840 --> 0:14:24.720
<v Speaker 1>seventies of a young girl who gets into drugs and

0:14:24.920 --> 0:14:29.000
<v Speaker 1>sex very young it destroys her life. Later on it

0:14:29.080 --> 0:14:33.360
<v Speaker 1>was revealed that it was not an anonymous journal by

0:14:33.400 --> 0:14:36.960
<v Speaker 1>a twelve year old girl who I think canonically dies. Um,

0:14:36.960 --> 0:14:40.280
<v Speaker 1>it was written by an old lady under an assumed

0:14:40.400 --> 0:14:46.320
<v Speaker 1>name to scare young girls out of doing anything. It's

0:14:46.400 --> 0:14:49.280
<v Speaker 1>far more complicated than that. But this is like a

0:14:49.840 --> 0:14:53.640
<v Speaker 1>recurring I feel like every generation has a story like this.

0:14:54.200 --> 0:14:58.560
<v Speaker 1>But the kind of like wrench in that for thirteen

0:14:58.760 --> 0:15:03.000
<v Speaker 1>is that Nicky Reid was extremely involved in the writing

0:15:03.040 --> 0:15:07.760
<v Speaker 1>of this, So there was a thirteen year old girl

0:15:07.840 --> 0:15:11.160
<v Speaker 1>and it's like based off of her life, right, and

0:15:11.200 --> 0:15:14.240
<v Speaker 1>it's like, so a thirteen year old girl's perspective is

0:15:14.280 --> 0:15:17.760
<v Speaker 1>like absolutely cannon to this movie. And rewatching it back,

0:15:17.920 --> 0:15:20.280
<v Speaker 1>it was like, oh, I feel like that actually does

0:15:20.400 --> 0:15:23.240
<v Speaker 1>come through Again, we'll get into the ethics of it,

0:15:23.720 --> 0:15:28.480
<v Speaker 1>but yeah, this is a really sticky, interesting movie. Indeed,

0:15:28.800 --> 0:15:32.800
<v Speaker 1>shall I recap it? Yeah? Good luck. I love this

0:15:32.880 --> 0:15:35.760
<v Speaker 1>part of the podcast. By the way, Caitlin, thank you

0:15:35.800 --> 0:15:39.120
<v Speaker 1>so much for doing it every time. Truly, she's braver

0:15:39.240 --> 0:15:42.720
<v Speaker 1>than the truths for this. Oh my goodness, thank you

0:15:42.720 --> 0:15:45.080
<v Speaker 1>so much. Um. Well, actually, let's take a quick break

0:15:45.080 --> 0:15:55.000
<v Speaker 1>first and then I'll come back and recap. And we're

0:15:55.040 --> 0:16:00.840
<v Speaker 1>back and here they are with the famous Caitlin. First,

0:16:00.880 --> 0:16:08.440
<v Speaker 1>I'll do a content slash trigger warning for everything, like

0:16:08.520 --> 0:16:15.160
<v Speaker 1>for for everything self harm, teen drug use, teens, sex,

0:16:15.200 --> 0:16:18.960
<v Speaker 1>and sexuality that's mostly suggested and not but like some

0:16:19.040 --> 0:16:22.640
<v Speaker 1>of it is kind of shown on screen. What else,

0:16:22.680 --> 0:16:28.280
<v Speaker 1>I mean, discussion of sexual abuse and physical abuse, of

0:16:28.360 --> 0:16:34.320
<v Speaker 1>depictions of overdose, kind of name it. It's referenced or

0:16:34.400 --> 0:16:39.240
<v Speaker 1>happens in the movie. Right. Yeah, So the movie opens,

0:16:39.640 --> 0:16:45.400
<v Speaker 1>we meet two girls who are presumably thirteen years of age.

0:16:45.800 --> 0:16:49.000
<v Speaker 1>One of them is Tracy played by Evan rachel Wood.

0:16:49.760 --> 0:16:53.040
<v Speaker 1>We see her friend also, who will turn out to

0:16:53.120 --> 0:16:59.480
<v Speaker 1>be e V. Samora. They are inhaling like keyboard cleaner,

0:16:59.640 --> 0:17:02.280
<v Speaker 1>like some kind of thing from an aerosol can. They're

0:17:02.280 --> 0:17:05.520
<v Speaker 1>getting high. They are punching each other because they can't

0:17:05.520 --> 0:17:07.479
<v Speaker 1>feel anything, and they're trying to see if they can

0:17:07.520 --> 0:17:11.480
<v Speaker 1>like sense paint. We then cut to four months earlier.

0:17:12.080 --> 0:17:16.840
<v Speaker 1>Tracy is a you know, quote unquote normal kid. She

0:17:17.760 --> 0:17:21.040
<v Speaker 1>comes from kind of like a lower middle class background,

0:17:21.040 --> 0:17:25.480
<v Speaker 1>working class background. We meet Tracy's mom, Melanie played by

0:17:25.520 --> 0:17:28.359
<v Speaker 1>Holly Hunter. Did not know who Holly Hunter was. The

0:17:28.400 --> 0:17:30.960
<v Speaker 1>first time I saw this movie totally forgot she was

0:17:31.000 --> 0:17:35.200
<v Speaker 1>in it. I did because Oh, Brother Were Art though,

0:17:35.280 --> 0:17:41.720
<v Speaker 1>was one of my favorite movies at the time, So yeah,

0:17:41.760 --> 0:17:45.680
<v Speaker 1>you're so cool. Oh my gosh. Melanie is a single mom.

0:17:45.960 --> 0:17:49.920
<v Speaker 1>She works as a hairdresser. She's in a twelve step program.

0:17:50.040 --> 0:17:55.200
<v Speaker 1>We also meet Tracy's older brother, Mason played by Brady Corbett,

0:17:55.920 --> 0:17:57.960
<v Speaker 1>who goes to school with Tracy. It seems like he's

0:17:58.000 --> 0:18:01.960
<v Speaker 1>like a year or two older. We also meet Tracy's

0:18:02.040 --> 0:18:07.080
<v Speaker 1>friend Noel that's Vanessa Hudgens Wild how Vanessa Hudgens was

0:18:07.240 --> 0:18:10.480
<v Speaker 1>like just They're like, oh, we need a good girl.

0:18:11.280 --> 0:18:14.199
<v Speaker 1>We gotta get Vanessa Hudgens in the mix, like she

0:18:14.400 --> 0:18:18.119
<v Speaker 1>was so good girl Cannon in this era high school

0:18:18.200 --> 0:18:23.040
<v Speaker 1>musical much the Best Girl, Find Me a Better Girl.

0:18:25.800 --> 0:18:29.560
<v Speaker 1>We see Tracy and Noel on their first day of

0:18:30.240 --> 0:18:32.879
<v Speaker 1>first day, I'm not sure a day of seventh grade.

0:18:33.840 --> 0:18:37.640
<v Speaker 1>There's another girl at school, Evie Zamora, played by Nicky Reid,

0:18:37.800 --> 0:18:41.080
<v Speaker 1>who again co wrote the screenplay. This movie is based

0:18:41.160 --> 0:18:45.879
<v Speaker 1>on her experience from like ages twelve to thirteen. Also,

0:18:46.160 --> 0:18:50.120
<v Speaker 1>the use of the name Evie. I was like, okay, Bible, okay,

0:18:50.160 --> 0:18:53.800
<v Speaker 1>that's interesting. Is there a biblical character named I've never

0:18:53.840 --> 0:18:59.639
<v Speaker 1>read them? Well, here is Eve, the o g tempest.

0:19:01.520 --> 0:19:06.960
<v Speaker 1>Do I tell them this story? Have heard of Eve?

0:19:08.320 --> 0:19:12.080
<v Speaker 1>I That my guess is because this movie does makes

0:19:12.119 --> 0:19:15.120
<v Speaker 1>a lot of broad writing choices, that the use of

0:19:15.240 --> 0:19:18.919
<v Speaker 1>Eve was intentional because she goes into a garden and

0:19:18.960 --> 0:19:21.520
<v Speaker 1>then there's like a snake there and the snake is like,

0:19:21.800 --> 0:19:25.320
<v Speaker 1>eat this apple. And he was like, okay, well, I

0:19:25.359 --> 0:19:28.760
<v Speaker 1>feel like a story right, That's exactly how it goes.

0:19:29.400 --> 0:19:34.280
<v Speaker 1>It's like the moral is um women are bad um.

0:19:34.280 --> 0:19:37.480
<v Speaker 1>Except for Vanessa Hudgens, except for Vanessa Hudgens, who gets

0:19:37.520 --> 0:19:42.640
<v Speaker 1>written out in midway that scene where poor sweetie Vanessa

0:19:42.720 --> 0:19:45.480
<v Speaker 1>Hudgens is in her like puppy shirt or whatever, and

0:19:45.520 --> 0:19:47.199
<v Speaker 1>it's like Evan Rachel would hang out with me and

0:19:47.240 --> 0:19:49.919
<v Speaker 1>they're like look and then just like bail on her.

0:19:50.119 --> 0:19:53.600
<v Speaker 1>You're like Vanessa sad. And then she goes to a

0:19:53.640 --> 0:19:57.280
<v Speaker 1>ski lodge with her family and her life changes because

0:19:57.320 --> 0:20:01.600
<v Speaker 1>she meets to think that that's can and she's like,

0:20:01.640 --> 0:20:04.320
<v Speaker 1>I have to my only friend broke up with me.

0:20:04.520 --> 0:20:11.000
<v Speaker 1>I have to move to East High exactly. Okay. So

0:20:11.440 --> 0:20:14.480
<v Speaker 1>there's this girl Evie. She's like very popular, she's cool.

0:20:14.640 --> 0:20:19.800
<v Speaker 1>All the boys like her, all the girls think she's

0:20:19.800 --> 0:20:24.800
<v Speaker 1>super cool. Tracy is feeling very insecure about like her

0:20:24.840 --> 0:20:27.439
<v Speaker 1>clothes and just sort of her whole persona because some

0:20:27.600 --> 0:20:30.400
<v Speaker 1>like girls make a mean comment about what she's wearing.

0:20:30.440 --> 0:20:32.800
<v Speaker 1>So she comes home, she like throws away all of

0:20:32.800 --> 0:20:35.080
<v Speaker 1>her barbies and stuffed animals, and she wants to be

0:20:35.520 --> 0:20:39.720
<v Speaker 1>more mature, more grown up. And part of this is

0:20:39.760 --> 0:20:43.600
<v Speaker 1>her approaching ev at school and like trying to befriend her,

0:20:43.880 --> 0:20:45.800
<v Speaker 1>and Evie is like, why don't you call me after

0:20:45.840 --> 0:20:49.320
<v Speaker 1>school and we can go shopping on Melrose And I'm like, Okay,

0:20:49.320 --> 0:20:53.480
<v Speaker 1>I guess we're in Los Angeles. Ever heard of it there?

0:20:53.520 --> 0:20:57.240
<v Speaker 1>This is already where I feel like me and Tracy

0:20:57.359 --> 0:20:59.480
<v Speaker 1>diverged in a wood at that time, because I would

0:20:59.520 --> 0:21:01.680
<v Speaker 1>never be have enough to talk to a popular girl,

0:21:02.040 --> 0:21:05.000
<v Speaker 1>especially if she then gave me a fake phone number.

0:21:05.040 --> 0:21:07.840
<v Speaker 1>I would um, I would walk into the ocean if

0:21:07.840 --> 0:21:12.400
<v Speaker 1>that had happened. Yes, But this does not deter Tracy,

0:21:12.680 --> 0:21:16.919
<v Speaker 1>and she goes and somehow knows exactly where Evie is

0:21:17.080 --> 0:21:20.200
<v Speaker 1>shopping at this exact moment, and she goes to this

0:21:20.640 --> 0:21:23.040
<v Speaker 1>store because she does try to call Evie and like

0:21:23.200 --> 0:21:26.560
<v Speaker 1>the numbers not in service, so it's like, oh, I

0:21:26.560 --> 0:21:29.400
<v Speaker 1>guess Evie gave her the wrong phone number on purpose,

0:21:29.520 --> 0:21:32.880
<v Speaker 1>question Mark. But Tracy goes to find her, and she

0:21:32.960 --> 0:21:38.119
<v Speaker 1>watches Evie and her friend shoplift, which Tracy is like,

0:21:38.240 --> 0:21:40.639
<v Speaker 1>oh my gosh, this is new territory. But then she

0:21:40.720 --> 0:21:44.280
<v Speaker 1>goes and steals a woman's wallet at a bus stop

0:21:44.840 --> 0:21:48.160
<v Speaker 1>or she was having a bad day, she was having

0:21:48.160 --> 0:21:50.680
<v Speaker 1>a bad day. You get here and then her wallet

0:21:50.680 --> 0:21:55.080
<v Speaker 1>with and it's full of cash. So Tracy Evie and

0:21:55.359 --> 0:21:57.840
<v Speaker 1>Evie's friend Asterriid. I think we learned her name is.

0:21:58.560 --> 0:22:02.719
<v Speaker 1>They go to say Chers and buy a bunch of shoes.

0:22:03.080 --> 0:22:05.880
<v Speaker 1>I know the Sketchers they go to. Do you guys

0:22:05.880 --> 0:22:08.360
<v Speaker 1>know the Sketchers. I think it's still there. If it's

0:22:08.359 --> 0:22:11.680
<v Speaker 1>the Hollywood Boulevard Sketchers, I'm like, I've browsed there, Okay,

0:22:12.000 --> 0:22:14.200
<v Speaker 1>browsed there. Wow. I can't believe I went to the

0:22:14.200 --> 0:22:22.080
<v Speaker 1>Sketchers from thirteen. I didn't even know. Amazing A great story.

0:22:22.440 --> 0:22:28.359
<v Speaker 1>Um So back home. Tracy's mom Melanie her on again,

0:22:28.400 --> 0:22:32.720
<v Speaker 1>off again boyfriend Brady played by what's the guy's name?

0:22:33.280 --> 0:22:37.800
<v Speaker 1>Jeremy's sister. How do we know who Jeremy's sister is?

0:22:37.840 --> 0:22:40.239
<v Speaker 1>Every time I see him, I go oh yeah, oh

0:22:40.320 --> 0:22:44.640
<v Speaker 1>yeah him? Is that? What is he famous for? How

0:22:44.680 --> 0:22:47.040
<v Speaker 1>do we know who? Oh? He was in six ft Under?

0:22:47.200 --> 0:22:49.639
<v Speaker 1>That doesn't help because I didn't want to show. But

0:22:49.680 --> 0:22:51.800
<v Speaker 1>I think that that's what people know him from. Oh

0:22:51.840 --> 0:22:54.600
<v Speaker 1>he's in clueless. I think that's what I recognize him from.

0:22:54.880 --> 0:22:59.919
<v Speaker 1>As Elton. Oh yes, yes, yes, yes, yes he's the

0:23:00.400 --> 0:23:02.800
<v Speaker 1>guy that you're supposed to want share with and then

0:23:02.800 --> 0:23:04.399
<v Speaker 1>he turns out to be an asshole and he bails

0:23:04.440 --> 0:23:09.000
<v Speaker 1>on her. Right, that's Jeremy Sister, got it. Yes, he

0:23:09.480 --> 0:23:15.159
<v Speaker 1>is an addict, like recovering addict. Who um. It's suggested

0:23:15.200 --> 0:23:17.480
<v Speaker 1>that like he and Melanie know each other from the

0:23:17.480 --> 0:23:21.399
<v Speaker 1>twelve step program, he also seems to like bail on

0:23:21.640 --> 0:23:24.600
<v Speaker 1>Melanie and kind of only be around when it's convenient

0:23:24.640 --> 0:23:27.680
<v Speaker 1>for him. So Tracy really resents him and the way

0:23:27.680 --> 0:23:30.879
<v Speaker 1>that he treats her mom and also has been like

0:23:31.000 --> 0:23:33.879
<v Speaker 1>exposed to him withdrawing from drugs in a way that

0:23:33.960 --> 0:23:37.800
<v Speaker 1>I think was really scary for her or position as. Yeah,

0:23:37.880 --> 0:23:41.000
<v Speaker 1>the way this movie treats addiction I thought was interesting,

0:23:41.200 --> 0:23:45.159
<v Speaker 1>like where it's like you can totally understand that from

0:23:45.200 --> 0:23:47.679
<v Speaker 1>a however old she was then eleven or twelve year

0:23:47.680 --> 0:23:50.720
<v Speaker 1>olds perspective, that's a really scary thing to see. And

0:23:50.760 --> 0:23:53.760
<v Speaker 1>also that that's not that doesn't make Jeremy Sister a

0:23:53.760 --> 0:24:00.440
<v Speaker 1>bad person. Like, Yeah, So Tracy and ev get closer.

0:24:01.200 --> 0:24:06.080
<v Speaker 1>Evi turns out to sell acid. She and Tracy go

0:24:06.280 --> 0:24:09.920
<v Speaker 1>to a park, they get high, they're kissing some boys.

0:24:10.520 --> 0:24:12.800
<v Speaker 1>They're spending more and more time with each other, and

0:24:12.840 --> 0:24:16.080
<v Speaker 1>Tracy is spending less and less time with her mom,

0:24:16.560 --> 0:24:20.600
<v Speaker 1>less and less time with Vanessa Hudgens. That's a red flag,

0:24:22.280 --> 0:24:28.000
<v Speaker 1>a bat path. I feel like, so Evie is sort

0:24:28.040 --> 0:24:31.399
<v Speaker 1>of like the Vanessa Hudgens character and princess switched to

0:24:32.400 --> 0:24:37.720
<v Speaker 1>the bad what was her name? Fiona? And honestly amazing

0:24:37.720 --> 0:24:39.440
<v Speaker 1>that you remember that. I think that that is true.

0:24:39.560 --> 0:24:41.600
<v Speaker 1>I would not have gotten that with a gun to

0:24:41.680 --> 0:24:44.840
<v Speaker 1>my head. And then Vanessa Hudgens character in the movie

0:24:44.880 --> 0:24:51.679
<v Speaker 1>thirteen is Vanessa Hudgens, the Chicago Baker, the worst Vanessa Hudgens,

0:24:51.720 --> 0:24:57.919
<v Speaker 1>as far as I'm concerned, the flop Vanessa Hudgens. I

0:24:58.000 --> 0:25:00.920
<v Speaker 1>hate that the main Vanessa Hudgens is like the worst one.

0:25:00.960 --> 0:25:04.720
<v Speaker 1>It's like, give me more bad British accent Vanessa Hudgens

0:25:04.760 --> 0:25:10.320
<v Speaker 1>where she's what I'm saying, yeah, exactly, heart degree. So Tracy,

0:25:10.400 --> 0:25:13.120
<v Speaker 1>you know, she's again she's kind of bailing on her

0:25:13.480 --> 0:25:17.360
<v Speaker 1>her like former friends and family. She's slacking off at school,

0:25:17.440 --> 0:25:21.439
<v Speaker 1>she's dressing more suggestively, she gets her tongue pierced, and

0:25:21.480 --> 0:25:27.160
<v Speaker 1>we're like, okay, Evie perhaps is a bad influence on Tracy.

0:25:27.440 --> 0:25:32.439
<v Speaker 1>And then Evie confides in Melanie that Evie's guardian, this

0:25:32.520 --> 0:25:38.640
<v Speaker 1>woman Brooke, who is Evie's older cousin that Brook's boyfriend

0:25:38.680 --> 0:25:41.800
<v Speaker 1>is physically abusive to Evie. And then this is kind

0:25:41.800 --> 0:25:46.200
<v Speaker 1>of the start of a relationship between Evie and Melanie

0:25:46.200 --> 0:25:49.240
<v Speaker 1>that we can unpack. But there's some kind of there's

0:25:49.240 --> 0:25:55.480
<v Speaker 1>a dynamic happening here that's worth discussing. Every complicated to me.

0:25:55.600 --> 0:26:01.600
<v Speaker 1>The movie starts to get like, this is where yeah,

0:26:01.680 --> 0:26:05.359
<v Speaker 1>I mean, this is where I come undone. You're just like,

0:26:06.000 --> 0:26:11.160
<v Speaker 1>but but ev essentially moves in to the family home

0:26:11.240 --> 0:26:14.800
<v Speaker 1>because everyone is allowed to move into the family home, right,

0:26:14.880 --> 0:26:20.119
<v Speaker 1>Because there's a friend of Melanie's who is played by

0:26:20.160 --> 0:26:24.480
<v Speaker 1>the same actor who plays Bella Swan's mom in Twilight,

0:26:24.600 --> 0:26:30.359
<v Speaker 1>which this is like ground zero Catherine Hardwick, which is

0:26:30.400 --> 0:26:34.080
<v Speaker 1>why I never connected that. That's why Nicki Reid is

0:26:34.480 --> 0:26:39.200
<v Speaker 1>a cullin. Yes, she plays Rosalie. Is that right? Yeah,

0:26:39.640 --> 0:26:42.480
<v Speaker 1>and that's how I feel like she became super super famous.

0:26:42.520 --> 0:26:46.000
<v Speaker 1>But I I totally forgot that, Like that is why

0:26:46.119 --> 0:26:49.440
<v Speaker 1>she probably got cast in that movie. Wild. Didn't even

0:26:49.440 --> 0:26:53.600
<v Speaker 1>make that connection until like two days ago. Yeah, well,

0:26:53.640 --> 0:26:55.400
<v Speaker 1>I didn't realize and we'll get into it. I didn't

0:26:55.440 --> 0:26:59.360
<v Speaker 1>realize that Nikki Reid like grew up with Catherine hart

0:26:59.400 --> 0:27:03.560
<v Speaker 1>I mean, I guess why would you infer that? But

0:27:03.800 --> 0:27:07.080
<v Speaker 1>like their relationship is very close and like still I

0:27:07.119 --> 0:27:09.600
<v Speaker 1>mean I watched a bunch of interviews from like just

0:27:09.640 --> 0:27:12.240
<v Speaker 1>a couple of years ago. It seems like the three

0:27:12.280 --> 0:27:15.359
<v Speaker 1>of them Evan Rachel would Nicky Reid, and um, Katherine

0:27:15.400 --> 0:27:19.600
<v Speaker 1>Hardwick are still very close, which I think is sweet.

0:27:19.640 --> 0:27:22.840
<v Speaker 1>But then also the ethics of this movie are so weird. Okay,

0:27:24.080 --> 0:27:29.040
<v Speaker 1>circle bam. The point is though, that, um, that Melanie

0:27:29.119 --> 0:27:32.960
<v Speaker 1>is extremely accommodating and whenever someone needs help, she kind

0:27:32.960 --> 0:27:35.280
<v Speaker 1>of bends over backwards to help them. So she has

0:27:35.320 --> 0:27:38.520
<v Speaker 1>this friend who has a young daughter who uh stay

0:27:38.600 --> 0:27:41.119
<v Speaker 1>with them for a few days, and she's again a

0:27:41.119 --> 0:27:43.760
<v Speaker 1>hairdresser who seems to like feed all of her clients

0:27:43.800 --> 0:27:47.680
<v Speaker 1>all the time. She's just very accommodating. Um, it's hard

0:27:47.720 --> 0:27:52.000
<v Speaker 1>not to like love mel She really cares about people.

0:27:52.400 --> 0:27:55.240
<v Speaker 1>But then sometimes it's like but this, you're you're fostering

0:27:55.280 --> 0:27:58.520
<v Speaker 1>and not help the environment for your kids. But also

0:27:58.600 --> 0:28:01.600
<v Speaker 1>sometimes you're like, but I get why she wants to

0:28:01.760 --> 0:28:08.879
<v Speaker 1>help people out. No, yeah, she's complicated. Meanwhile, Tracy's dad,

0:28:09.640 --> 0:28:13.720
<v Speaker 1>who is obviously like separated from Melanie, he bails on

0:28:13.800 --> 0:28:19.960
<v Speaker 1>spending time with Tracy, which upsets her, as does Melanie

0:28:19.960 --> 0:28:23.400
<v Speaker 1>continuing to see this guy Brady. So there's a lot

0:28:23.400 --> 0:28:26.240
<v Speaker 1>of stuff with Tracy's family that is upsetting to her,

0:28:26.760 --> 0:28:30.840
<v Speaker 1>and Tracy's relationship with Melanie is getting more and more tense.

0:28:31.480 --> 0:28:34.719
<v Speaker 1>We're also seeing like Eve trying to get closer to

0:28:34.840 --> 0:28:40.040
<v Speaker 1>Tracy's mom in this weird and arguably manipulative way a

0:28:40.080 --> 0:28:43.840
<v Speaker 1>lot of times. Um we also see Tracy self harming.

0:28:44.600 --> 0:28:48.920
<v Speaker 1>We'll go back to that because I really don't think

0:28:48.960 --> 0:28:51.840
<v Speaker 1>they should have shown that you can address that without

0:28:52.000 --> 0:28:58.040
<v Speaker 1>showing thirteen year old how to do that. Get Then

0:28:58.160 --> 0:29:02.160
<v Speaker 1>this guy Hobby wants to like hang out with Slash

0:29:02.200 --> 0:29:06.200
<v Speaker 1>go out with Tracy, and so he and some other

0:29:06.240 --> 0:29:10.160
<v Speaker 1>guy go over to Evie's place and hang out with

0:29:10.200 --> 0:29:13.200
<v Speaker 1>Tracy and Evie. We see the two kind of pairs

0:29:13.240 --> 0:29:16.200
<v Speaker 1>of them making out, and then it's later implied that

0:29:16.320 --> 0:29:21.840
<v Speaker 1>Tracy gives Hobby oral sex. Things are continuing to get

0:29:21.840 --> 0:29:24.440
<v Speaker 1>more and more out of hand. Tracy and Evie like

0:29:24.520 --> 0:29:26.440
<v Speaker 1>sneak out when they're supposed to be at the movies.

0:29:27.040 --> 0:29:30.440
<v Speaker 1>Tracy gets all funked up. She's been like experimenting with

0:29:30.520 --> 0:29:34.040
<v Speaker 1>drugs this whole time, drugs and alcohol. Her brother Mason

0:29:34.160 --> 0:29:37.800
<v Speaker 1>catches her. He's ready to tell on her. He like

0:29:37.840 --> 0:29:41.880
<v Speaker 1>slut shames her things like hit critical mass at home,

0:29:42.680 --> 0:29:45.720
<v Speaker 1>where Melanie finds out a bunch of stuff. She finds

0:29:45.720 --> 0:29:52.360
<v Speaker 1>out about Tracy's different piercings. Tracy's really acting out, and

0:29:52.400 --> 0:29:55.560
<v Speaker 1>Melanie wants Tracy to go live with her dad a bit,

0:29:55.800 --> 0:29:58.360
<v Speaker 1>but he's too busy with work and just kind of

0:29:58.480 --> 0:30:02.920
<v Speaker 1>absent overall. He's not able to take her in. And

0:30:02.920 --> 0:30:04.480
<v Speaker 1>then Tracy is like, well, I think I would get

0:30:04.480 --> 0:30:07.440
<v Speaker 1>along better with everyone if Evie could just live here,

0:30:07.880 --> 0:30:11.000
<v Speaker 1>which very much puts Melanie on the spot, but because

0:30:11.040 --> 0:30:14.560
<v Speaker 1>she's so kind of like accommodating, she doesn't like challenge

0:30:14.600 --> 0:30:18.120
<v Speaker 1>this at first. Um then we cut to the scene

0:30:18.360 --> 0:30:21.080
<v Speaker 1>we saw at the beginning where Tracy and Evie are

0:30:21.280 --> 0:30:24.840
<v Speaker 1>huffing the air soul and getting high and punching each other.

0:30:25.560 --> 0:30:28.440
<v Speaker 1>Melanie sees the aftermath of this, and it's like, what

0:30:28.560 --> 0:30:32.400
<v Speaker 1>the fuck? And there's also this at the time, it

0:30:32.480 --> 0:30:35.040
<v Speaker 1>looks honestly a little goofy now, but at the time

0:30:35.080 --> 0:30:41.080
<v Speaker 1>I was like, wow, iconic. As she descends into thirteen

0:30:41.160 --> 0:30:44.760
<v Speaker 1>year old debauchery. The aesthetic of the movie. The movie

0:30:44.800 --> 0:30:47.560
<v Speaker 1>just gets bluer and bluer and bluer, and then at

0:30:47.640 --> 0:30:50.480
<v Speaker 1>the end it looks like a scene from Twilight, which

0:30:50.640 --> 0:30:53.960
<v Speaker 1>her name. It's a very blue and gray movie. It's

0:30:54.000 --> 0:30:58.080
<v Speaker 1>just like you're watching Katherine Hardwick arrive at her Twilight

0:30:58.120 --> 0:31:02.080
<v Speaker 1>aesthetic throughout the course of this movie, and it is

0:31:02.120 --> 0:31:04.800
<v Speaker 1>like watching it now, I'm just like, this feels like

0:31:05.040 --> 0:31:08.040
<v Speaker 1>such a cautionary tale where it like almost feels like

0:31:08.080 --> 0:31:11.960
<v Speaker 1>a p s a creative choice. But at that time,

0:31:12.000 --> 0:31:17.840
<v Speaker 1>I was like, I know, you're like, oh my god, genius, genius.

0:31:17.880 --> 0:31:23.440
<v Speaker 1>Never seen anything like it. So Tracy she misses a

0:31:23.480 --> 0:31:27.800
<v Speaker 1>big school project. She lies to her teacher. She's basically

0:31:27.920 --> 0:31:33.280
<v Speaker 1>hitting rock bottom, especially after Evie starts blowing her off

0:31:33.400 --> 0:31:36.760
<v Speaker 1>because Melanie was like, sorry, Evie, I can't let you

0:31:36.920 --> 0:31:41.080
<v Speaker 1>live here. So Tracy now feels abandoned by Evie and

0:31:41.080 --> 0:31:44.200
<v Speaker 1>the other popular girls. She feels abandoned by her dad.

0:31:45.040 --> 0:31:48.280
<v Speaker 1>She's self harms again. She then learns that she might

0:31:48.480 --> 0:31:51.920
<v Speaker 1>fail the seventh grade and get held back, and then

0:31:52.480 --> 0:31:57.800
<v Speaker 1>Melanie and Brooke again Evie's guardian hold basically like an intervention.

0:31:58.320 --> 0:32:01.400
<v Speaker 1>After finding at Ash of drugs and money that was

0:32:01.480 --> 0:32:04.960
<v Speaker 1>hidden around Tracy's room, stuff that Evie had put there,

0:32:05.400 --> 0:32:07.680
<v Speaker 1>but is not taking the fall for it. She's kind

0:32:07.680 --> 0:32:11.200
<v Speaker 1>of dumping all the blame on Tracy and Evie and

0:32:11.280 --> 0:32:14.080
<v Speaker 1>Brooke act like Tracy is the one who had been

0:32:14.120 --> 0:32:18.760
<v Speaker 1>a bad influence on Evie. But luckily Melanie sees through

0:32:18.920 --> 0:32:24.040
<v Speaker 1>this bullshit and kicks them out. Tracy is just sobbing.

0:32:24.280 --> 0:32:28.640
<v Speaker 1>Melanie comforts her, She discovers Tracy's injuries from self harming,

0:32:29.280 --> 0:32:32.320
<v Speaker 1>and then just embraces Tracy, and the movie ends with

0:32:32.680 --> 0:32:37.800
<v Speaker 1>Melanie spending the night holding and comforting Tracy. So that

0:32:37.960 --> 0:32:41.280
<v Speaker 1>is how the movie ends. Let's take a quick break

0:32:41.560 --> 0:32:52.520
<v Speaker 1>and then come back to discuss, and we're back. I

0:32:52.640 --> 0:32:55.960
<v Speaker 1>do feel like, before getting into the main discussion, the

0:32:56.080 --> 0:33:00.480
<v Speaker 1>production history of this movie is really relevant. I want

0:33:00.480 --> 0:33:04.840
<v Speaker 1>to learn more. Yeah, because I am blissfully ignorant of

0:33:05.280 --> 0:33:09.080
<v Speaker 1>what went down. So this is like a very I

0:33:09.120 --> 0:33:11.440
<v Speaker 1>don't know. I mean, throughout the course of researching this,

0:33:11.520 --> 0:33:15.920
<v Speaker 1>I feel like my personal opinion changed several times. So

0:33:16.560 --> 0:33:19.479
<v Speaker 1>I was surprised to see that Nikki Reid, who was

0:33:20.080 --> 0:33:24.720
<v Speaker 1>fourteen when this movie was shot, is a credited screenwriter

0:33:24.920 --> 0:33:28.400
<v Speaker 1>on this movie not you know, call me ages. But

0:33:28.480 --> 0:33:31.360
<v Speaker 1>I didn't know fourteen year olds can write movies. Um,

0:33:31.400 --> 0:33:37.000
<v Speaker 1>but here is the situation. Okay, So NICKI read this

0:33:37.280 --> 0:33:41.080
<v Speaker 1>is at the time she said heavily pulled from her

0:33:41.120 --> 0:33:47.680
<v Speaker 1>own life, so she from like the year before this movie.

0:33:47.880 --> 0:33:49.800
<v Speaker 1>That's where I get like, because I was just like, oh,

0:33:49.840 --> 0:33:52.840
<v Speaker 1>if I made a movie about my life when I

0:33:52.880 --> 0:33:55.680
<v Speaker 1>was thirteen, it would also be very over dramatic and

0:33:55.720 --> 0:33:59.479
<v Speaker 1>paint my family as villains. Um. So it's a complicated thing,

0:33:59.520 --> 0:34:02.160
<v Speaker 1>and she's I have some quotes from her in later

0:34:02.240 --> 0:34:04.280
<v Speaker 1>years of her kind of reflecting on this, which I

0:34:04.280 --> 0:34:06.920
<v Speaker 1>think are really interesting. The good thing is that it

0:34:06.960 --> 0:34:10.480
<v Speaker 1>seems like the three main people involved here, Evan Rachelwood,

0:34:10.560 --> 0:34:13.719
<v Speaker 1>Nicky Reid, and Katherine Hardwick all do stand by the

0:34:13.760 --> 0:34:16.439
<v Speaker 1>movie they've done reflecting on it, and it doesn't seem

0:34:16.520 --> 0:34:19.759
<v Speaker 1>like anyone anyone's you know, life was wrecked by this

0:34:19.800 --> 0:34:23.239
<v Speaker 1>movie having made. I still think it's an interesting discussion. So. Uh.

0:34:23.600 --> 0:34:26.640
<v Speaker 1>Nicky Reid grew up in l A. Her dad was

0:34:26.680 --> 0:34:29.479
<v Speaker 1>a production designer, her mom was a hair dresser. They

0:34:29.760 --> 0:34:33.280
<v Speaker 1>got divorced very young. She has an older brother. Um.

0:34:33.360 --> 0:34:37.520
<v Speaker 1>She did not apparently in retrospect, she said, like, well,

0:34:37.600 --> 0:34:39.480
<v Speaker 1>I didn't actually do as much as I said I

0:34:39.520 --> 0:34:43.160
<v Speaker 1>did at the time, but she did. She did. Um,

0:34:43.200 --> 0:34:45.480
<v Speaker 1>you know, I think have to grow up very quickly

0:34:46.040 --> 0:34:50.200
<v Speaker 1>and felt as a kid kind of neglected to varying

0:34:50.239 --> 0:34:56.400
<v Speaker 1>degrees by her parents. So in the movie, like, Tracy

0:34:56.640 --> 0:34:59.960
<v Speaker 1>is the insert for Nikki Reid, and EV is more

0:35:00.080 --> 0:35:06.040
<v Speaker 1>or of a construction of general debauchery. I guess, as

0:35:06.080 --> 0:35:08.120
<v Speaker 1>far as I know, ev is not based on any

0:35:08.120 --> 0:35:11.319
<v Speaker 1>particular person, but Tracy is very much the Nicky Read

0:35:11.480 --> 0:35:16.520
<v Speaker 1>character stand in, which is confusing because Nicki Reid plays

0:35:16.760 --> 0:35:19.799
<v Speaker 1>e V. But in real life, Nicki Reid was the

0:35:19.840 --> 0:35:23.640
<v Speaker 1>Tracy character, not the Evy character, which I guess was

0:35:23.760 --> 0:35:27.799
<v Speaker 1>very intentionally done right because it was like, you don't

0:35:27.800 --> 0:35:31.040
<v Speaker 1>want to just like react out your own trauma as

0:35:31.080 --> 0:35:34.080
<v Speaker 1>a kid. It's still complicated no matter what happens. So

0:35:34.320 --> 0:35:37.880
<v Speaker 1>where Katherine Hardwick fits in is she dated Nicky Reid's

0:35:37.880 --> 0:35:44.200
<v Speaker 1>father for a while. Kiss. Katherine Hardwick also started as

0:35:44.200 --> 0:35:46.719
<v Speaker 1>a production designer, so I'm assuming they knew each other

0:35:46.719 --> 0:35:49.840
<v Speaker 1>through work. Don't really know, um, but she dated Nicki

0:35:49.880 --> 0:35:53.080
<v Speaker 1>Reid's dad when Nicki Reid was like five years old.

0:35:53.480 --> 0:35:55.640
<v Speaker 1>I don't know when things broke off, but I know

0:35:55.880 --> 0:35:59.720
<v Speaker 1>that Katherine Hardwick was very close with the kids, Nicky

0:35:59.800 --> 0:36:03.640
<v Speaker 1>Red and her older brother, and that even after the breakup,

0:36:04.160 --> 0:36:07.960
<v Speaker 1>Katherine Hardwick wanted to stay involved in the kids lives.

0:36:08.560 --> 0:36:10.920
<v Speaker 1>There's a lot of gray area here. It's hard to

0:36:10.920 --> 0:36:15.040
<v Speaker 1>figure out the particulars, but basically, Katherine Hardwick said she

0:36:15.080 --> 0:36:17.560
<v Speaker 1>wanted to stay involved in the kids lives, so she

0:36:17.640 --> 0:36:23.520
<v Speaker 1>started seeing their mother to get her hair done. Question Mark, Like,

0:36:23.800 --> 0:36:27.560
<v Speaker 1>I I that is, I guess what happened. But so

0:36:27.600 --> 0:36:33.640
<v Speaker 1>she and Nikki remained close and per both of them

0:36:34.160 --> 0:36:38.000
<v Speaker 1>around the time Nikki was turning twelve and thirteen entering

0:36:38.000 --> 0:36:41.640
<v Speaker 1>middle school. She I mean in the way that a

0:36:41.680 --> 0:36:44.880
<v Speaker 1>lot of like kids going through puberty go like, she

0:36:45.600 --> 0:36:49.759
<v Speaker 1>you know, became moody. She was like going out when

0:36:49.760 --> 0:36:52.200
<v Speaker 1>she wasn't supposed to. She was playing her divorced parents

0:36:52.239 --> 0:36:54.799
<v Speaker 1>against each other and sort of you know, doing I

0:36:54.840 --> 0:36:57.000
<v Speaker 1>think kind of a diet version of what you see

0:36:57.160 --> 0:37:02.480
<v Speaker 1>in the movie thirteen. So Katherine Hardwick, I get like

0:37:02.520 --> 0:37:04.640
<v Speaker 1>the way that they tell the story is that Catherine

0:37:04.680 --> 0:37:08.200
<v Speaker 1>Hardwick was concerned about Nikki and wanted to give her

0:37:08.239 --> 0:37:12.800
<v Speaker 1>a productive, creative outlet to think about and talk about

0:37:13.000 --> 0:37:16.520
<v Speaker 1>what she was going through that wasn't acting out and

0:37:16.560 --> 0:37:20.960
<v Speaker 1>potentially hurting herself and other people. So she invites Nikki

0:37:21.160 --> 0:37:23.919
<v Speaker 1>over to her house and over the course of six

0:37:24.080 --> 0:37:30.760
<v Speaker 1>days they write out the plot to so they built

0:37:30.800 --> 0:37:34.319
<v Speaker 1>it together. Katherine Hardwick had not directed a movie at

0:37:34.320 --> 0:37:38.759
<v Speaker 1>this time, but then becomes really into the idea and

0:37:38.960 --> 0:37:41.640
<v Speaker 1>starts to say, like, Okay, I actually do want to

0:37:41.680 --> 0:37:44.440
<v Speaker 1>make this movie, Nikki. I want you to be in it,

0:37:44.640 --> 0:37:48.000
<v Speaker 1>and like we're gonna make the movie and that is

0:37:48.120 --> 0:37:54.919
<v Speaker 1>how it comes to be. Thoughts, Wow, I think it's

0:37:55.239 --> 0:37:59.280
<v Speaker 1>it's it's hard. I mean, ultimately, as long as Nikki

0:37:59.400 --> 0:38:03.839
<v Speaker 1>read it feels okay. Now that's the most important thing.

0:38:03.960 --> 0:38:06.200
<v Speaker 1>And it's like our opinion doesn't super matter. But I

0:38:06.239 --> 0:38:09.239
<v Speaker 1>but I do think Katherine hard Work was a little

0:38:09.280 --> 0:38:11.440
<v Speaker 1>bit wrong for that. Like I think it's one thing

0:38:11.480 --> 0:38:14.440
<v Speaker 1>to be like let's do a creative writing exercise, let's reflect,

0:38:14.600 --> 0:38:17.239
<v Speaker 1>and let's you know, like work together. But it's like

0:38:17.440 --> 0:38:22.719
<v Speaker 1>thrusting a kid into that. Like the negative consequence of

0:38:22.760 --> 0:38:25.680
<v Speaker 1>this movie for Nikki Reid was I mean, on the

0:38:25.719 --> 0:38:28.160
<v Speaker 1>bright side, she got a whole last career out of it.

0:38:28.280 --> 0:38:31.400
<v Speaker 1>She gave an incredible performance. She is credited as a

0:38:31.440 --> 0:38:34.360
<v Speaker 1>co writer, which I feel like not every adult would do,

0:38:35.600 --> 0:38:38.919
<v Speaker 1>and like she does get a well deserved career out

0:38:38.920 --> 0:38:43.000
<v Speaker 1>of this. But also she has said, and we'll link

0:38:43.040 --> 0:38:46.120
<v Speaker 1>this in the description, there's like a really interesting Refinery

0:38:46.200 --> 0:38:48.680
<v Speaker 1>twenty nine like retrospective on this movie where it's the

0:38:48.719 --> 0:38:51.040
<v Speaker 1>three of them talking and you know, Nikki Reid and

0:38:51.080 --> 0:38:54.560
<v Speaker 1>Evan rachel Wood are in their thirties now, but for

0:38:54.560 --> 0:38:58.799
<v Speaker 1>for years, like this movie most directly affected Nikki because

0:38:58.880 --> 0:39:03.960
<v Speaker 1>it was her telling her perspective of her parents divorce.

0:39:04.640 --> 0:39:08.000
<v Speaker 1>As we'll discuss, neither of the parents come off particularly well,

0:39:08.239 --> 0:39:10.600
<v Speaker 1>and she's you know, when the movie comes out, she's

0:39:10.600 --> 0:39:14.120
<v Speaker 1>like fourteen, fifteen years old and still living with her mom,

0:39:14.239 --> 0:39:17.200
<v Speaker 1>and her mom has to see Holly Hunter play her,

0:39:17.800 --> 0:39:21.319
<v Speaker 1>and like she had a really really tense relationship with

0:39:21.360 --> 0:39:24.799
<v Speaker 1>both of her parents after this movie was released, and

0:39:24.840 --> 0:39:27.680
<v Speaker 1>I guess that she didn't speak to her father for years.

0:39:27.760 --> 0:39:32.400
<v Speaker 1>They later repaired their relationship, but it's like, per I

0:39:32.680 --> 0:39:35.880
<v Speaker 1>don't have a direct quote from her on this, or

0:39:35.960 --> 0:39:39.160
<v Speaker 1>maybe I do, but her general thing was like she

0:39:39.640 --> 0:39:41.440
<v Speaker 1>ten years after this movie came out, when she was

0:39:41.440 --> 0:39:45.400
<v Speaker 1>in her twenties, expressed regret at being kind of harsh

0:39:45.520 --> 0:39:48.400
<v Speaker 1>on her parents. She oh, I have a direct quote

0:39:48.400 --> 0:39:51.319
<v Speaker 1>about this, you do? Okay? I would, because I it's

0:39:51.360 --> 0:39:55.360
<v Speaker 1>buried in my notes. I pulled it from scholarly journal Wikipedia,

0:39:55.520 --> 0:40:01.400
<v Speaker 1>but the quote is pulled originally from like People or

0:40:01.400 --> 0:40:05.320
<v Speaker 1>something like I think, like a Huffington Post maybe peace

0:40:05.960 --> 0:40:10.920
<v Speaker 1>point is here's the quote. Um Nicky read in says,

0:40:11.040 --> 0:40:13.520
<v Speaker 1>and this is paraphrasing, but that she regrets the way

0:40:13.560 --> 0:40:18.520
<v Speaker 1>she portrayed her family uh in the movie thirteen, saying quote,

0:40:18.920 --> 0:40:21.480
<v Speaker 1>I wrote this movie about them and their flaws and

0:40:21.600 --> 0:40:25.560
<v Speaker 1>imperfections and what it was like growing up. It was

0:40:25.760 --> 0:40:29.000
<v Speaker 1>from one kid's perspective and not a well rounded one.

0:40:29.560 --> 0:40:32.600
<v Speaker 1>You get older and it's like, how dare I portray

0:40:32.760 --> 0:40:37.120
<v Speaker 1>my father as being a totally vacant, careless schmuck unquote

0:40:37.719 --> 0:40:40.840
<v Speaker 1>So um, which I think is like, I mean again,

0:40:40.920 --> 0:40:45.239
<v Speaker 1>only she knows what her childhood was really like. But

0:40:45.760 --> 0:40:50.040
<v Speaker 1>this does seem to it's definitely the most loaded experience

0:40:50.320 --> 0:40:53.680
<v Speaker 1>for Nikki read specifically, which I do think kind of

0:40:53.760 --> 0:40:57.400
<v Speaker 1>opens uh portal of everyone's going to have a different

0:40:57.400 --> 0:41:00.560
<v Speaker 1>opinion on this, of like Katherine Hardwick is you know,

0:41:00.600 --> 0:41:03.319
<v Speaker 1>in her late forties when she makes this movie, you

0:41:03.360 --> 0:41:05.800
<v Speaker 1>would have to know that like that is going to

0:41:05.920 --> 0:41:09.680
<v Speaker 1>affect this kid you love's relationship with her family. And

0:41:09.719 --> 0:41:13.200
<v Speaker 1>it's like it's like, on one hand, you want to

0:41:13.280 --> 0:41:16.600
<v Speaker 1>respect her creative voice and you don't want to like

0:41:16.880 --> 0:41:19.520
<v Speaker 1>tell her that her perception of what's happening in her

0:41:19.560 --> 0:41:22.879
<v Speaker 1>life is wrong, Like certainly not. But on the other hand,

0:41:23.040 --> 0:41:26.600
<v Speaker 1>she's a kid. And because I am ultimately glad that

0:41:26.640 --> 0:41:29.480
<v Speaker 1>this movie exists, I feel like there's truly nothing else

0:41:29.480 --> 0:41:32.080
<v Speaker 1>I've ever seen like it, and so many I mean,

0:41:32.080 --> 0:41:35.800
<v Speaker 1>and this movie can skew a little preachy at times,

0:41:35.840 --> 0:41:38.520
<v Speaker 1>but like but in terms of like pulling from an

0:41:38.520 --> 0:41:42.280
<v Speaker 1>actual kid's experience and making her voice really really important

0:41:42.520 --> 0:41:45.400
<v Speaker 1>to the movie, like there's there's not a lot of

0:41:45.600 --> 0:41:48.920
<v Speaker 1>movies like that. And then on the other hand, it

0:41:49.160 --> 0:41:51.320
<v Speaker 1>negatively affected her life for a while. She had to

0:41:51.360 --> 0:41:53.200
<v Speaker 1>drop out of high school. Like there's a there's a

0:41:53.280 --> 0:41:57.239
<v Speaker 1>quote from Nikki read Um. She says, quote religious people

0:41:57.320 --> 0:41:59.960
<v Speaker 1>who don't even know me are calling my mom to

0:42:00.000 --> 0:42:02.000
<v Speaker 1>telling her she should burn in hell and that God

0:42:02.080 --> 0:42:04.840
<v Speaker 1>hates her. My mom can't defend herself to the world

0:42:04.880 --> 0:42:07.000
<v Speaker 1>she's such an amazing woman with such an open heart.

0:42:07.040 --> 0:42:10.680
<v Speaker 1>It's a real hard line and I crossed it. So again,

0:42:10.880 --> 0:42:13.399
<v Speaker 1>she's a kid when these decisions are made, and it's

0:42:13.840 --> 0:42:18.799
<v Speaker 1>I don't know, it's a real meyer. And well, on

0:42:18.920 --> 0:42:25.120
<v Speaker 1>top of that, you have a movie where you're casting

0:42:25.200 --> 0:42:28.600
<v Speaker 1>literal teenagers because Evan Rachel would and Nicky Reid we're

0:42:28.640 --> 0:42:31.840
<v Speaker 1>both fourteen years old during the filming of this movie,

0:42:31.920 --> 0:42:34.560
<v Speaker 1>and then I think Evan Rachel would turn fifteen during

0:42:34.719 --> 0:42:36.920
<v Speaker 1>the shoot, which was like a twenty four days shoot.

0:42:36.960 --> 0:42:41.359
<v Speaker 1>But they're like teens, right, They're very young, and so

0:42:41.440 --> 0:42:45.120
<v Speaker 1>them as actors are made to do things on set

0:42:45.360 --> 0:42:51.280
<v Speaker 1>that are inappropriate for like teenagers to be doing. Um

0:42:51.320 --> 0:42:53.960
<v Speaker 1>I felt, and I think like the filming of it

0:42:54.040 --> 0:42:57.760
<v Speaker 1>was probably handled as responsibly as you can handle something

0:42:57.800 --> 0:43:01.560
<v Speaker 1>like that. But like you're having to fourteen year olds

0:43:01.680 --> 0:43:06.600
<v Speaker 1>like straddling teen boys, like making out with them. They're broad,

0:43:06.760 --> 0:43:10.760
<v Speaker 1>like their shirts are off there like braws or exposed.

0:43:10.920 --> 0:43:15.040
<v Speaker 1>You're having teenagers like smoke cigarettes and yeah, they were

0:43:15.040 --> 0:43:18.640
<v Speaker 1>filled with catnip according to something I read, but that

0:43:18.719 --> 0:43:20.600
<v Speaker 1>was the way I was that was presented was like, well,

0:43:20.640 --> 0:43:22.759
<v Speaker 1>don't worry it with cat, it was I also don't

0:43:22.760 --> 0:43:27.120
<v Speaker 1>want my fourteen year old. Yeah, and then I read

0:43:27.160 --> 0:43:29.680
<v Speaker 1>that um like like the crushed pills that they were

0:43:29.680 --> 0:43:34.640
<v Speaker 1>snorting were actually quote harmless dietary supplements, and it's like,

0:43:34.719 --> 0:43:38.400
<v Speaker 1>I'm sorry, dietary supplements are not harmless. And then like

0:43:38.480 --> 0:43:41.719
<v Speaker 1>I read that, um, all the scenes where Tracy was

0:43:42.440 --> 0:43:45.799
<v Speaker 1>inflicting self harm, they were all shot in a single day,

0:43:45.960 --> 0:43:50.200
<v Speaker 1>and that everyone Rachel would her brother would have to like, yeah,

0:43:50.239 --> 0:43:54.200
<v Speaker 1>like go to her brother for emotional emotional support between

0:43:54.400 --> 0:43:57.920
<v Speaker 1>the takes of these scenes, because I think just filming

0:43:58.120 --> 0:44:02.560
<v Speaker 1>that was very traumatic, understandably. Yeah. So yeah, you're having

0:44:02.680 --> 0:44:06.600
<v Speaker 1>these actors like do these like very sexually explicit things

0:44:06.719 --> 0:44:11.120
<v Speaker 1>on camera, like simulating drug the use sets, I mean,

0:44:11.160 --> 0:44:13.160
<v Speaker 1>and that kind of brings it back to the thing

0:44:13.200 --> 0:44:16.759
<v Speaker 1>where it's like there's no other movie like this, but

0:44:16.880 --> 0:44:21.279
<v Speaker 1>that is for a reason, and like this, I don't

0:44:21.280 --> 0:44:23.920
<v Speaker 1>know if this is a story that you could possibly

0:44:24.000 --> 0:44:29.480
<v Speaker 1>tell ethically, which unless it's like animated, which would also

0:44:29.719 --> 0:44:36.960
<v Speaker 1>makes for some weird probably like tonal disconnect, right, which

0:44:37.080 --> 0:44:39.200
<v Speaker 1>which I feel like that is kind of tends to

0:44:39.200 --> 0:44:43.520
<v Speaker 1>be cw NET negative anyways, and right, right, and then

0:44:43.520 --> 0:44:47.440
<v Speaker 1>you don't get that actual perspective that is appreciated in

0:44:47.480 --> 0:44:52.080
<v Speaker 1>the movie of like, you know, someone's perception of their

0:44:52.120 --> 0:44:55.959
<v Speaker 1>own experience att is like this intense, and that's also

0:44:56.200 --> 0:45:00.480
<v Speaker 1>something that isn't often captured. It's like it's a real

0:45:00.719 --> 0:45:04.560
<v Speaker 1>it's a real Maria and like reading how what Evan

0:45:04.640 --> 0:45:06.480
<v Speaker 1>rachel Wood's experience was. And at this point she was

0:45:06.520 --> 0:45:10.520
<v Speaker 1>like a well seasoned child actor, like she'd been performing

0:45:10.560 --> 0:45:12.640
<v Speaker 1>for some time. I think her dad was also an actor,

0:45:12.800 --> 0:45:15.560
<v Speaker 1>and that's a whole Like I feel like we're having

0:45:15.560 --> 0:45:18.480
<v Speaker 1>the most recent round of child star discourse, which I

0:45:18.640 --> 0:45:23.960
<v Speaker 1>um respectfully tap out of um, but but I mean

0:45:24.000 --> 0:45:26.239
<v Speaker 1>I think that I mean in this in the case

0:45:26.280 --> 0:45:31.279
<v Speaker 1>of this movie, it's very relevant because and I can't

0:45:31.320 --> 0:45:33.640
<v Speaker 1>think of another situation like it where it's like it's

0:45:33.840 --> 0:45:39.640
<v Speaker 1>very common that teens, teenagers, especially teenage girls are exploited

0:45:40.040 --> 0:45:43.720
<v Speaker 1>in movies like this and and like you know, made

0:45:43.719 --> 0:45:47.759
<v Speaker 1>to do, like putting sexual situations in movies very early on.

0:45:47.880 --> 0:45:50.600
<v Speaker 1>There's always some sort of pressure, especially with an indie

0:45:50.640 --> 0:45:53.160
<v Speaker 1>movie like this, where it's like doing this whole movie

0:45:53.160 --> 0:45:56.080
<v Speaker 1>in twenty four days also doesn't seem like it's possible

0:45:56.120 --> 0:46:00.279
<v Speaker 1>to do completely ethnically spotlessly with not a lot of money, right,

0:46:00.320 --> 0:46:03.360
<v Speaker 1>like on a low budget where you can't hire probably

0:46:03.520 --> 0:46:07.560
<v Speaker 1>all the like people you need to hire to make sure.

0:46:07.640 --> 0:46:10.439
<v Speaker 1>I mean, I'm speculating here and to be fair. So

0:46:10.600 --> 0:46:12.680
<v Speaker 1>there's there's a scene which I think we should talk

0:46:12.719 --> 0:46:15.799
<v Speaker 1>about for other reasons, but there's a scene where the

0:46:15.800 --> 0:46:20.200
<v Speaker 1>two girls more or less assault this guy, Luke, this

0:46:20.280 --> 0:46:24.160
<v Speaker 1>older guy who seems to be friends with Mason. They

0:46:24.160 --> 0:46:27.560
<v Speaker 1>come onto him. He is very reluctant. He's like saying no,

0:46:27.719 --> 0:46:31.320
<v Speaker 1>he's pushing them off. Uh. We have Nicky Reid and

0:46:31.360 --> 0:46:34.920
<v Speaker 1>Evan Rachel would like kissing this guy, kind of like

0:46:34.960 --> 0:46:37.600
<v Speaker 1>getting on top of him. All this stuff. On set

0:46:37.719 --> 0:46:41.600
<v Speaker 1>were just a few crew members. There were social workers

0:46:41.880 --> 0:46:46.280
<v Speaker 1>and parents present, so there were at least people. They're

0:46:46.320 --> 0:46:50.080
<v Speaker 1>just kind of like making sure this was like again

0:46:50.120 --> 0:46:54.239
<v Speaker 1>as safely and ethically done as possible, and the pretty

0:46:54.280 --> 0:46:57.359
<v Speaker 1>consistent with this production. But it's like, I don't know

0:46:57.400 --> 0:46:59.880
<v Speaker 1>my opinion that is, like, Okay, I'm a fourteen year

0:46:59.880 --> 0:47:03.600
<v Speaker 1>old the actor acting out this scene, Like I appreciate

0:47:03.719 --> 0:47:07.040
<v Speaker 1>that my parents would be there to look out for

0:47:07.080 --> 0:47:08.799
<v Speaker 1>you and make sure you're not pressured to do anything

0:47:08.840 --> 0:47:10.399
<v Speaker 1>you don't want to do. But on the other hand,

0:47:10.440 --> 0:47:12.200
<v Speaker 1>I don't want my parents watching me do that ship

0:47:12.280 --> 0:47:15.520
<v Speaker 1>I'm fourteen years old, Like what the fuck right? It's

0:47:15.560 --> 0:47:18.279
<v Speaker 1>like it's there's no winning, and it's just the fact

0:47:18.320 --> 0:47:21.959
<v Speaker 1>that it's like, okay to fourteen year olds make out

0:47:22.080 --> 0:47:26.440
<v Speaker 1>with this older guy, this older actor to do that

0:47:26.520 --> 0:47:28.920
<v Speaker 1>at all, to do that on camera, like it just

0:47:29.080 --> 0:47:32.520
<v Speaker 1>felt icky. Of all the many vignettes in this movie

0:47:32.719 --> 0:47:36.879
<v Speaker 1>that is so cutible that I was like, why is this,

0:47:37.640 --> 0:47:42.279
<v Speaker 1>Like you achieved the same downward spiral without having to

0:47:42.480 --> 0:47:44.400
<v Speaker 1>fourteen year old actors do that. It kind of didn't.

0:47:44.480 --> 0:47:47.160
<v Speaker 1>It didn't add anything like, looking at just from a

0:47:47.160 --> 0:47:51.239
<v Speaker 1>story perspective, it's so get ridable and yeah, not in

0:47:51.280 --> 0:47:54.000
<v Speaker 1>any way. I don't know. Yeah, I didn't did not

0:47:54.160 --> 0:47:57.319
<v Speaker 1>like that scene. Um yeah, I'm trying to think if

0:47:57.320 --> 0:47:59.400
<v Speaker 1>there's any other Oh, I just want to say that

0:47:59.440 --> 0:48:03.319
<v Speaker 1>the last thing for Nikki Read and Evan rachel Wood,

0:48:03.360 --> 0:48:07.160
<v Speaker 1>I think a little heavier on Nikki Reads side, But um,

0:48:07.200 --> 0:48:11.120
<v Speaker 1>this also feels very two thousands and probably still now.

0:48:11.160 --> 0:48:14.680
<v Speaker 1>I'm probably um giving the present too much credit. But

0:48:15.239 --> 0:48:18.399
<v Speaker 1>Nikki Reid co wrote this movie had a huge hand

0:48:18.440 --> 0:48:20.160
<v Speaker 1>in shaping it and making it what it was. She

0:48:20.200 --> 0:48:24.160
<v Speaker 1>gave an amazing performance, and then her career very quickly

0:48:24.200 --> 0:48:30.480
<v Speaker 1>became her playing other heavily sexualized teenage characters for years

0:48:30.520 --> 0:48:33.960
<v Speaker 1>and years and years until she did Twilight and then

0:48:34.120 --> 0:48:37.600
<v Speaker 1>was able to like access more roles. But it was

0:48:37.640 --> 0:48:39.359
<v Speaker 1>that sort of thing where it was like she did

0:48:40.239 --> 0:48:44.160
<v Speaker 1>I mean, she did a pretty amazing thing here, and

0:48:44.200 --> 0:48:47.160
<v Speaker 1>then instead of being treated as like, Wow, this kid

0:48:47.280 --> 0:48:50.000
<v Speaker 1>can like really write and perform, they're like, oh, just

0:48:50.160 --> 0:48:54.600
<v Speaker 1>do that again, and we like that. We liked that, Yeah,

0:48:54.840 --> 0:48:57.440
<v Speaker 1>like do the part where you are exploited over and

0:48:57.520 --> 0:49:01.239
<v Speaker 1>over and like, which is very of the era and

0:49:01.280 --> 0:49:04.080
<v Speaker 1>like not at all surprising, but also like, I don't know,

0:49:04.160 --> 0:49:06.680
<v Speaker 1>this movie did a lot of good things for the

0:49:06.760 --> 0:49:09.480
<v Speaker 1>people involved, and I feel like it had like a

0:49:09.520 --> 0:49:14.000
<v Speaker 1>pretty negative I don't know, there's I was like it

0:49:14.120 --> 0:49:17.319
<v Speaker 1>was Catherine Hardwick was like a little bit wrong for

0:49:17.360 --> 0:49:19.960
<v Speaker 1>this and I but I also know that this movie

0:49:20.920 --> 0:49:22.680
<v Speaker 1>means a lot to a lot of people, and I

0:49:22.680 --> 0:49:24.960
<v Speaker 1>don't want to like discount that either. I know it's

0:49:25.160 --> 0:49:27.800
<v Speaker 1>very I mean it was like formative for me and

0:49:28.600 --> 0:49:31.680
<v Speaker 1>there is nothing like it, right, But there's all these

0:49:31.760 --> 0:49:35.680
<v Speaker 1>like weird asterisk situations that you don't you can't ignore,

0:49:36.800 --> 0:49:39.160
<v Speaker 1>and the ethics of this movie are all over the place.

0:49:40.280 --> 0:49:42.799
<v Speaker 1>It's just like it's it's a it's a bit of

0:49:42.800 --> 0:49:45.960
<v Speaker 1>a mind fuck. It's one of those things where I

0:49:45.960 --> 0:49:49.640
<v Speaker 1>think people will be like, well, the ends justify the

0:49:49.760 --> 0:49:52.600
<v Speaker 1>means because like, and I'm not saying that's what I believe.

0:49:52.640 --> 0:49:55.879
<v Speaker 1>I'm I don't think this movie should have been made

0:49:56.640 --> 0:50:01.560
<v Speaker 1>like this exactly. I think you can explore very intense

0:50:02.400 --> 0:50:09.120
<v Speaker 1>yet authentic experience that a lot of adolescents have without

0:50:09.880 --> 0:50:15.520
<v Speaker 1>like exploiting the young people involved in excative But um again,

0:50:15.680 --> 0:50:18.319
<v Speaker 1>like you said, Jimmy, this movie is because it is

0:50:19.280 --> 0:50:23.359
<v Speaker 1>thanks to the very close involvement from Nicki Reid, like

0:50:23.520 --> 0:50:29.360
<v Speaker 1>telling her own story. This does feel authentic. Not to

0:50:29.400 --> 0:50:34.600
<v Speaker 1>everyone's experience, of course, but plenty of impressionable teens who

0:50:34.640 --> 0:50:39.680
<v Speaker 1>are dealing with a whole array of difficult like societal pressures,

0:50:39.920 --> 0:50:44.799
<v Speaker 1>struggles at home, exposure to like addiction from people they know,

0:50:45.280 --> 0:50:49.240
<v Speaker 1>and that kind of being a path for their own addiction.

0:50:49.360 --> 0:50:54.879
<v Speaker 1>Like all this stuff gets explored that is worth exploring

0:50:54.920 --> 0:50:58.440
<v Speaker 1>and like worth representing on screen. But it's I just

0:50:58.440 --> 0:51:00.600
<v Speaker 1>feel like there's like if you isolated it, like scene

0:51:00.680 --> 0:51:05.000
<v Speaker 1>by scene, choice by choice. There's a lot that I

0:51:05.040 --> 0:51:08.319
<v Speaker 1>wish had been done differently, I do. I mean, it's

0:51:08.360 --> 0:51:09.759
<v Speaker 1>like we could talk about this all day of like

0:51:10.040 --> 0:51:11.880
<v Speaker 1>is there a way to ethically make a movie like

0:51:11.920 --> 0:51:16.520
<v Speaker 1>this on this budget? I don't know, Like, I don't know.

0:51:17.440 --> 0:51:20.560
<v Speaker 1>I'm not unhappy it exists. It seems like the main

0:51:20.640 --> 0:51:24.040
<v Speaker 1>people involved are very happy that they made it. But

0:51:24.160 --> 0:51:26.600
<v Speaker 1>also I think it's interesting that, like I didn't. I

0:51:26.640 --> 0:51:28.560
<v Speaker 1>also thought it was cool that Nicky Reid was like

0:51:28.640 --> 0:51:34.040
<v Speaker 1>so willing to publicly reflect on the effect that it has. Yeah,

0:51:34.040 --> 0:51:36.680
<v Speaker 1>that's true. Yeah, I mean think I think a lot

0:51:36.719 --> 0:51:40.640
<v Speaker 1>of actresses would feel pressured to be like, I don't know,

0:51:41.040 --> 0:51:43.439
<v Speaker 1>it was great and I'm grateful for it, but her

0:51:43.640 --> 0:51:49.080
<v Speaker 1>being like, you know, yeah, and I and I do

0:51:49.160 --> 0:51:52.640
<v Speaker 1>think that Catherine Hardwick was like made some irresponsible creative

0:51:52.680 --> 0:51:56.839
<v Speaker 1>decisions by putting young actors in sexual situations that are

0:51:56.880 --> 0:51:59.880
<v Speaker 1>not just you know, kind of unethical on its face

0:52:00.320 --> 0:52:03.840
<v Speaker 1>at all, but also don't even move the story forward.

0:52:03.840 --> 0:52:06.960
<v Speaker 1>So what then are you doing? Right? Like it feels

0:52:06.960 --> 0:52:10.719
<v Speaker 1>like secondhand exploitative, like when you're watching, especially as a

0:52:10.760 --> 0:52:14.040
<v Speaker 1>young girl, I don't know. It was very like, yeah,

0:52:14.080 --> 0:52:18.600
<v Speaker 1>why are we watching this specifically? Yeah? Yeah, because it's

0:52:18.680 --> 0:52:21.879
<v Speaker 1>if it does feel like when you show something like that,

0:52:22.000 --> 0:52:26.480
<v Speaker 1>especially when you got squishy pubescent brain, you're like, oh,

0:52:26.480 --> 0:52:28.800
<v Speaker 1>well they have to be showing that this for a reason.

0:52:28.920 --> 0:52:31.360
<v Speaker 1>And I think these girls are cool, so this is cool.

0:52:31.520 --> 0:52:34.880
<v Speaker 1>Like it's just like that baby lizard brain thing where

0:52:34.920 --> 0:52:37.320
<v Speaker 1>you're just like, oh, this must be like I remember

0:52:37.360 --> 0:52:41.399
<v Speaker 1>thinking like even though you know when you're twelve, you're

0:52:41.400 --> 0:52:44.600
<v Speaker 1>like they're doing bad stuff. You want to do it

0:52:44.800 --> 0:52:47.480
<v Speaker 1>like like school. You want to do it more exciting

0:52:47.520 --> 0:52:51.000
<v Speaker 1>than what we're doing right now. Yeah. Well, even from

0:52:51.040 --> 0:52:54.680
<v Speaker 1>like a young actor's perspective, like being asked to do

0:52:54.719 --> 0:52:58.359
<v Speaker 1>a scene like that, I mean you're just like absolutely, yeah,

0:52:58.440 --> 0:53:01.160
<v Speaker 1>I can I feel grow, Yeah, I can do this,

0:53:01.360 --> 0:53:05.000
<v Speaker 1>like and it's all plate pretend and you don't realize

0:53:05.160 --> 0:53:10.080
<v Speaker 1>until later that even if that was true in the moments. Yeah,

0:53:10.120 --> 0:53:14.480
<v Speaker 1>the power dynamics you like had no grasp on. You

0:53:14.520 --> 0:53:17.879
<v Speaker 1>didn't understand who was going to be watching, what they

0:53:17.880 --> 0:53:20.799
<v Speaker 1>were going to be getting out of it. Like all

0:53:20.840 --> 0:53:24.320
<v Speaker 1>of those things are very and that's on Catherine Hardwick

0:53:24.400 --> 0:53:27.359
<v Speaker 1>to take care of and like manage, and I just

0:53:27.480 --> 0:53:30.719
<v Speaker 1>I don't know. There's I'm glad everyone still stands by

0:53:30.719 --> 0:53:33.200
<v Speaker 1>the movie, but some Catherine Hardwick ship in here. I'm like,

0:53:34.800 --> 0:53:39.920
<v Speaker 1>you're you were very much an adult like it, and

0:53:39.920 --> 0:53:43.200
<v Speaker 1>and also this girl like you You've like helped raise

0:53:43.719 --> 0:53:46.719
<v Speaker 1>this young girl, Like why are you putting her in

0:53:46.760 --> 0:53:50.799
<v Speaker 1>this situation? And I mean whatever everyone's relationship is, but

0:53:50.840 --> 0:53:52.560
<v Speaker 1>like it's hard because I don't want to come off

0:53:52.600 --> 0:53:55.200
<v Speaker 1>as like super judge if they're all fine with it now,

0:53:55.320 --> 0:53:58.680
<v Speaker 1>but it's just like it's kind of a mind fuck. Um.

0:53:58.719 --> 0:54:01.280
<v Speaker 1>I would not want a production like this to happen again,

0:54:02.400 --> 0:54:06.360
<v Speaker 1>That's for sure. That's what I know. And also Nicky

0:54:06.400 --> 0:54:08.800
<v Speaker 1>Reid was saying in this Refinery twenty nine interview that

0:54:09.360 --> 0:54:11.320
<v Speaker 1>at the time, you know, when she was collaborating with

0:54:11.400 --> 0:54:15.520
<v Speaker 1>Katherine Hardwick on this script, that she was doing the

0:54:15.640 --> 0:54:18.319
<v Speaker 1>very thirteen year old thing that the characters in this

0:54:18.360 --> 0:54:21.360
<v Speaker 1>movie do, which is like overstate their level of experience.

0:54:21.400 --> 0:54:24.560
<v Speaker 1>So Nicki Reid was also saying she had done stuff

0:54:25.239 --> 0:54:27.319
<v Speaker 1>that she hadn't actually done at that point in her

0:54:27.360 --> 0:54:30.560
<v Speaker 1>life and then had to simulate something she had actually

0:54:30.600 --> 0:54:33.920
<v Speaker 1>never done and was lying about to her like to

0:54:34.400 --> 0:54:43.080
<v Speaker 1>a trusted adult. Katherine Hardwick. It's just confussing, right, because

0:54:43.080 --> 0:54:47.120
<v Speaker 1>when you when you're that age, you think you're mentally

0:54:47.200 --> 0:54:51.279
<v Speaker 1>and emotionally more prepared for things than you usually are,

0:54:51.440 --> 0:54:54.560
<v Speaker 1>and then if you do go through with an experience,

0:54:54.680 --> 0:54:58.200
<v Speaker 1>you might not even fully realize how traumatic that was

0:54:58.360 --> 0:55:03.520
<v Speaker 1>until that Alma manifests later and which ironically, I think

0:55:03.560 --> 0:55:08.360
<v Speaker 1>this movie illustrates pretty well with its character. There is

0:55:08.400 --> 0:55:11.560
<v Speaker 1>a lot of irony in this film, so it's wild

0:55:11.600 --> 0:55:15.160
<v Speaker 1>that it's also doing the thing that it's like illustrating

0:55:15.440 --> 0:55:20.440
<v Speaker 1>pretty well. So anyways, um, listeners were also interested in

0:55:20.440 --> 0:55:25.840
<v Speaker 1>your perspective on this. It's it kind of broke my brain, um,

0:55:25.880 --> 0:55:30.160
<v Speaker 1>because I am always pro people telling their own stories,

0:55:30.200 --> 0:55:33.040
<v Speaker 1>but also like when you have, you know, a kid

0:55:33.440 --> 0:55:35.880
<v Speaker 1>telling their story, you just have to be really really

0:55:35.960 --> 0:55:37.960
<v Speaker 1>careful and you have to think of I feel like

0:55:38.320 --> 0:55:41.000
<v Speaker 1>it's on you as a director and a creative collaborator

0:55:41.040 --> 0:55:43.840
<v Speaker 1>to think of the kid telling their story in the

0:55:43.920 --> 0:55:47.359
<v Speaker 1>moment and also think of their well being five ten

0:55:47.400 --> 0:55:50.080
<v Speaker 1>years down the line, because if you're thirteen years old,

0:55:50.160 --> 0:55:55.000
<v Speaker 1>you're not thinking past next week. It's like on you

0:55:55.120 --> 0:56:01.480
<v Speaker 1>as the adult collaborator to look out for a minor's

0:56:01.520 --> 0:56:08.759
<v Speaker 1>best interest, doy okay um any anything else we wanted

0:56:08.800 --> 0:56:11.520
<v Speaker 1>to talk about on on that end before we get

0:56:11.560 --> 0:56:14.520
<v Speaker 1>into the story. I guess the only oh, I guess

0:56:14.560 --> 0:56:16.880
<v Speaker 1>well before story. I don't know, you guys pick when

0:56:16.880 --> 0:56:18.080
<v Speaker 1>we talk about this, but I do want to talk

0:56:18.120 --> 0:56:20.960
<v Speaker 1>about the mom and the portrayal of her, because I

0:56:20.960 --> 0:56:23.799
<v Speaker 1>was so confused about it as a kid, and even

0:56:23.960 --> 0:56:26.920
<v Speaker 1>when I rewatched it, I was, I don't know, confused

0:56:27.000 --> 0:56:29.800
<v Speaker 1>the right. It kind of reflects Jamie where you're talking

0:56:29.840 --> 0:56:33.040
<v Speaker 1>about of like the some things I like, some things

0:56:33.080 --> 0:56:36.440
<v Speaker 1>are confused. It feels very like I don't know all right.

0:56:36.560 --> 0:56:41.880
<v Speaker 1>Yeah for me, so I remember having a discussion like

0:56:41.960 --> 0:56:45.120
<v Speaker 1>this on the like Mrs Doubtfire episode where when we

0:56:45.120 --> 0:56:47.960
<v Speaker 1>were kids watching that movie, we all thought the Sally

0:56:48.040 --> 0:56:53.360
<v Speaker 1>Field character was like such an overprotective, kind of overbearing,

0:56:53.680 --> 0:56:57.680
<v Speaker 1>mean shrew of a mother, and then watching it as

0:56:57.719 --> 0:56:59.799
<v Speaker 1>an adult, you're like, oh my god, no, I am

0:57:00.120 --> 0:57:04.719
<v Speaker 1>so on Sally Field's side, and like she was just

0:57:04.800 --> 0:57:09.160
<v Speaker 1>trying to be a responsible parent, and yeah, she might

0:57:09.239 --> 0:57:11.520
<v Speaker 1>seem like a kill joy, but she's just like trying

0:57:11.600 --> 0:57:15.760
<v Speaker 1>to like from a kid's perspective, but we as adults realize,

0:57:15.800 --> 0:57:18.480
<v Speaker 1>you know, she's just trying to keep her kids safe,

0:57:18.960 --> 0:57:23.640
<v Speaker 1>right right. Seeing this movie as an adult looking at

0:57:23.640 --> 0:57:30.040
<v Speaker 1>the Holly Hunter, the mom character Melanie, I was very

0:57:30.080 --> 0:57:35.800
<v Speaker 1>sympathetic towards her and and thought that is she someone

0:57:35.840 --> 0:57:38.360
<v Speaker 1>with faults and is one of those major faults being

0:57:38.360 --> 0:57:40.760
<v Speaker 1>that she kind of lets people walk all over her

0:57:40.880 --> 0:57:46.040
<v Speaker 1>and she's too accommodating for sure. Um, but like also

0:57:46.320 --> 0:57:50.520
<v Speaker 1>I relate because I can be that way sometimes. But like,

0:57:50.680 --> 0:57:53.560
<v Speaker 1>to me, as far as the portrayal her character and

0:57:53.640 --> 0:57:57.040
<v Speaker 1>like that mother daughter relationship, she felt to me like

0:57:57.400 --> 0:58:01.360
<v Speaker 1>just a very overly a common dating but extremely loving

0:58:01.440 --> 0:58:05.240
<v Speaker 1>and supportive and like doing her best. Did she maybe

0:58:05.280 --> 0:58:11.439
<v Speaker 1>sometimes ignore some red flags? Perhaps? Um, you could chalk

0:58:11.480 --> 0:58:14.880
<v Speaker 1>that up to like, you know, not wanting to interfere

0:58:14.920 --> 0:58:18.959
<v Speaker 1>too much, and like your kids like self exploration and

0:58:19.080 --> 0:58:23.200
<v Speaker 1>growth during this especially very kind of like pivotal confusing

0:58:23.360 --> 0:58:27.880
<v Speaker 1>scary time. Relationships like this, for the people who have

0:58:27.960 --> 0:58:32.960
<v Speaker 1>experienced them, can be just like so complicated and tricky.

0:58:33.000 --> 0:58:35.000
<v Speaker 1>And I think this movie does a really good job

0:58:35.080 --> 0:58:39.800
<v Speaker 1>of of representing what felt like a very authentic dynamic

0:58:39.960 --> 0:58:44.560
<v Speaker 1>between Tracy and Melanie, and at least from where I'm

0:58:44.640 --> 0:58:46.800
<v Speaker 1>coming from and and and feel free to. You know,

0:58:46.840 --> 0:58:48.880
<v Speaker 1>everyone's going to have a different perspective on this. But

0:58:48.960 --> 0:58:53.960
<v Speaker 1>like the Melanie character to me, like I was just like,

0:58:54.040 --> 0:58:56.160
<v Speaker 1>she's like just doing the best she can. She's a

0:58:56.200 --> 0:58:59.760
<v Speaker 1>working class person. She's raising two kids as a single parent.

0:59:00.360 --> 0:59:05.600
<v Speaker 1>The co parent Tracy's in Mason's dad seems to be

0:59:05.680 --> 0:59:09.760
<v Speaker 1>like largely absent. This is like unrelated. But I'm also

0:59:09.880 --> 0:59:13.360
<v Speaker 1>like Catherine Hardwick wise, I'm just trying to put myself

0:59:13.560 --> 0:59:16.400
<v Speaker 1>in her head. I want to understand. But like that's

0:59:16.800 --> 0:59:20.920
<v Speaker 1>that's like her ex partner that she's like ripping to

0:59:21.320 --> 0:59:25.800
<v Speaker 1>sha putting through a human shredder with his kid. I'm like,

0:59:26.240 --> 0:59:29.520
<v Speaker 1>that's just I mean, that's just a lot. Maybe, I mean,

0:59:29.880 --> 0:59:33.840
<v Speaker 1>maybe it's deserved, maybe it's undeserved. We don't know. Nikki

0:59:33.880 --> 0:59:38.800
<v Speaker 1>read later says it was not deserved. But anyways, sorry,

0:59:38.840 --> 0:59:40.680
<v Speaker 1>that was just thought I could have it. I was like,

0:59:40.960 --> 0:59:44.040
<v Speaker 1>I was like, wow, she's really going for it. She's

0:59:44.120 --> 0:59:48.560
<v Speaker 1>really saying my ex is trash so um, which is

0:59:48.760 --> 0:59:50.760
<v Speaker 1>you know true more often than not. That I just

0:59:50.920 --> 0:59:53.760
<v Speaker 1>I just like, once I knew the production stuff, I

0:59:53.760 --> 0:59:56.880
<v Speaker 1>was like, wow, pretty wild choices were made. But sorry,

0:59:56.920 --> 1:00:01.160
<v Speaker 1>continue I guess my point is to me, the relationship

1:00:01.280 --> 1:00:08.160
<v Speaker 1>felt authentic and complicated, and obviously like that relationship is

1:00:08.720 --> 1:00:14.480
<v Speaker 1>very tense and Melanie is dealing with a handful. But

1:00:15.320 --> 1:00:19.360
<v Speaker 1>also I could see another perspective where Melanie is being

1:00:19.600 --> 1:00:23.560
<v Speaker 1>negligent as a parent and not interfering enough and being ignorant,

1:00:23.880 --> 1:00:28.480
<v Speaker 1>possibly willfully, possibly not. And I can see if you're

1:00:28.520 --> 1:00:31.880
<v Speaker 1>watching this movie as a youth, you would be like, Oh,

1:00:32.000 --> 1:00:35.640
<v Speaker 1>the mom is such a drag. She's trying to control me,

1:00:35.720 --> 1:00:38.720
<v Speaker 1>She's invading my privacy, she's you know, doing this and that.

1:00:38.840 --> 1:00:42.440
<v Speaker 1>But I'm looking at it like, no, she's just trying

1:00:42.480 --> 1:00:47.800
<v Speaker 1>to make sure you don't get yourself killed. Tracy. I

1:00:47.800 --> 1:00:50.600
<v Speaker 1>don't know. That's my thought on it. Maggie, what was

1:00:50.640 --> 1:00:53.480
<v Speaker 1>your perspective on that when you were a kid versus now?

1:00:53.560 --> 1:00:57.200
<v Speaker 1>Because I because I definitely had like because I Caitlin,

1:00:57.240 --> 1:00:59.760
<v Speaker 1>I totally agree with you, and I also did not

1:01:00.120 --> 1:01:05.600
<v Speaker 1>see it that way when I was right. Yeah, I remember, um.

1:01:05.640 --> 1:01:09.680
<v Speaker 1>I mean, especially with that scene with the mom and

1:01:10.080 --> 1:01:12.640
<v Speaker 1>like Nikky on the bed where it starts to get like,

1:01:13.760 --> 1:01:16.400
<v Speaker 1>I don't, I don't know, it almost felt like, you know,

1:01:16.520 --> 1:01:23.840
<v Speaker 1>inappropriate a parent territory. UM. I think that really threw

1:01:24.000 --> 1:01:27.960
<v Speaker 1>us off, because, yeah, it looked throughout most of the film,

1:01:28.080 --> 1:01:33.160
<v Speaker 1>she's depicted as this like archetypal um overbearing in a

1:01:33.240 --> 1:01:36.000
<v Speaker 1>way which I think a lot of us saw in

1:01:36.040 --> 1:01:39.120
<v Speaker 1>our own moms, and not in a bad way, you know.

1:01:39.200 --> 1:01:42.120
<v Speaker 1>I think, like the way that she cares about her kids,

1:01:42.560 --> 1:01:45.240
<v Speaker 1>we very much you know, saw and identified with it,

1:01:45.240 --> 1:01:47.760
<v Speaker 1>and we were all like straightedge, so we weren't doing

1:01:47.760 --> 1:01:49.760
<v Speaker 1>any of this stuff. So it was kind of like, yeah,

1:01:49.960 --> 1:01:52.360
<v Speaker 1>our moms would be that mad if we had done

1:01:52.360 --> 1:01:54.160
<v Speaker 1>any of it. If a guy had wanted to make

1:01:54.200 --> 1:01:57.680
<v Speaker 1>out with us, I'm sure that right, this is how

1:01:57.720 --> 1:02:01.280
<v Speaker 1>what had gone down. But I that see did stick out,

1:02:01.840 --> 1:02:04.000
<v Speaker 1>and I like, I don't think any of us had

1:02:04.040 --> 1:02:08.560
<v Speaker 1>really had that much experience with like adults, you know,

1:02:09.160 --> 1:02:11.640
<v Speaker 1>treating us in that way or like seeing us in

1:02:11.720 --> 1:02:14.800
<v Speaker 1>that light or UM. I guess, you know, just speaking

1:02:14.840 --> 1:02:19.160
<v Speaker 1>for myself as very like naive, UM, and I guess

1:02:19.200 --> 1:02:21.600
<v Speaker 1>in a good way, like protected from that as a kid,

1:02:21.920 --> 1:02:24.600
<v Speaker 1>you know, I had very good relationships with most of

1:02:24.600 --> 1:02:28.040
<v Speaker 1>the adults I knew. UM, so that I think rubbed

1:02:28.080 --> 1:02:30.920
<v Speaker 1>all of us in a really weird way. I think

1:02:30.920 --> 1:02:33.200
<v Speaker 1>it was like maybe some of the first media that

1:02:33.280 --> 1:02:37.280
<v Speaker 1>we saw where you know, like a kid an adult

1:02:37.360 --> 1:02:45.200
<v Speaker 1>had a encroaching upon a inappropriate relationship that wasn't you know,

1:02:45.480 --> 1:02:50.280
<v Speaker 1>a clearly gross guy and you know a young girl

1:02:50.320 --> 1:02:53.520
<v Speaker 1>who was like rebuffing him or like, you know, there's

1:02:53.560 --> 1:02:57.480
<v Speaker 1>a lot of media that I think does a good

1:02:57.560 --> 1:03:02.760
<v Speaker 1>job of speaking to you know, like young women's experience

1:03:02.880 --> 1:03:06.600
<v Speaker 1>of like older people kind of being two into their business.

1:03:06.960 --> 1:03:08.360
<v Speaker 1>But I think this was the first time we saw

1:03:08.600 --> 1:03:13.400
<v Speaker 1>one like a woman being involved um and that it

1:03:13.480 --> 1:03:15.160
<v Speaker 1>was like a mom, you know, and we all knew

1:03:15.160 --> 1:03:19.560
<v Speaker 1>each other's moms. We were all like very close small towns.

1:03:19.640 --> 1:03:23.920
<v Speaker 1>I think it was in a weird way eye opening.

1:03:24.480 --> 1:03:27.720
<v Speaker 1>Maybe not eye opening, but I think more more so

1:03:27.800 --> 1:03:30.520
<v Speaker 1>than like the drugs and stuff, because that, you know,

1:03:30.600 --> 1:03:33.760
<v Speaker 1>we kind of just assumed was happening, and like we

1:03:33.800 --> 1:03:37.120
<v Speaker 1>new kids older than us we're taking drugs and so

1:03:37.160 --> 1:03:39.360
<v Speaker 1>I think that threw us less for a loop. But

1:03:39.400 --> 1:03:43.360
<v Speaker 1>I think that was like relationship dynamics. I think all

1:03:43.400 --> 1:03:50.040
<v Speaker 1>of us were like whoa, yeah, see, I have a

1:03:50.120 --> 1:03:56.840
<v Speaker 1>complicated thought on that because so so there's also kind

1:03:56.880 --> 1:03:59.919
<v Speaker 1>of a mother daughter relationship between e V and met

1:04:00.000 --> 1:04:03.000
<v Speaker 1>Anie or like mother figure. Yeah, when when I was

1:04:03.240 --> 1:04:05.360
<v Speaker 1>a kid, I thought that the relations I thought that,

1:04:05.520 --> 1:04:08.760
<v Speaker 1>like I viewed e V as trying to basically like

1:04:08.800 --> 1:04:12.200
<v Speaker 1>single white female Tracy. I was so on Tracy side

1:04:12.240 --> 1:04:15.080
<v Speaker 1>when I was a kid that I would get frustrated

1:04:15.080 --> 1:04:18.000
<v Speaker 1>with Melanie, even though, like I don't know watching that

1:04:18.120 --> 1:04:22.400
<v Speaker 1>character now, I feel like it's interesting that other mothers

1:04:22.440 --> 1:04:25.560
<v Speaker 1>saw that movie and went after Nicky Reid's mother, because

1:04:25.600 --> 1:04:28.520
<v Speaker 1>I thought Melanie is actually like written and especially portrayed

1:04:28.520 --> 1:04:32.959
<v Speaker 1>by Holly Hunter, really sympathetically um and like she has

1:04:33.040 --> 1:04:35.520
<v Speaker 1>a lot of layers. But when I was a kid,

1:04:35.520 --> 1:04:39.800
<v Speaker 1>I definitely was like Melanie, Melanie isn't like she's she's

1:04:39.840 --> 1:04:42.880
<v Speaker 1>all over the place with Tracy. She like and I

1:04:42.920 --> 1:04:46.200
<v Speaker 1>had like not a totally dissimilar relation, I mean, not

1:04:46.400 --> 1:04:49.120
<v Speaker 1>identical at all, but like when a parent wants to

1:04:49.200 --> 1:04:54.200
<v Speaker 1>be your friend but also needs to parent at the

1:04:54.240 --> 1:04:57.840
<v Speaker 1>same time, that's just like a difficult situation for both

1:04:57.960 --> 1:05:00.800
<v Speaker 1>parties because at the beginning, it is clear that like

1:05:01.160 --> 1:05:04.240
<v Speaker 1>Melanie wants to be a cool mom because she's a

1:05:04.400 --> 1:05:07.280
<v Speaker 1>chronic people pleaser. We see that in every area of

1:05:07.280 --> 1:05:09.320
<v Speaker 1>her life, and it doesn't and her daughter is a

1:05:09.360 --> 1:05:11.640
<v Speaker 1>big part of it, where you know, it's like when

1:05:11.720 --> 1:05:15.400
<v Speaker 1>that scene that really like hit for me with when

1:05:15.400 --> 1:05:17.120
<v Speaker 1>Ever and Rachel Wood comes home and she's like someone

1:05:17.120 --> 1:05:19.000
<v Speaker 1>made from of my socks. I'm not a kid anymore,

1:05:19.240 --> 1:05:21.760
<v Speaker 1>and her mom takes her out shopping and it's like, okay,

1:05:21.800 --> 1:05:24.760
<v Speaker 1>you're growing up, Like she's not doing the weird, like

1:05:24.840 --> 1:05:26.720
<v Speaker 1>I want you to be a little girl forever, and

1:05:26.800 --> 1:05:29.680
<v Speaker 1>she wants to be the cool mom that takes her

1:05:29.720 --> 1:05:33.320
<v Speaker 1>daughter to get closed that she likes. And but then

1:05:33.880 --> 1:05:37.080
<v Speaker 1>later on, you know, you see Melanie's always trying to

1:05:37.120 --> 1:05:39.680
<v Speaker 1>kind of have it both ways, and it's not possible

1:05:39.680 --> 1:05:41.680
<v Speaker 1>to have it both ways in a lot of situations.

1:05:41.720 --> 1:05:46.400
<v Speaker 1>And that comes up again with when she brings Evie

1:05:46.440 --> 1:05:51.120
<v Speaker 1>and Tracy to the store that they love to shoplift from,

1:05:51.200 --> 1:05:53.360
<v Speaker 1>and you know, mel is like, wait, I need to

1:05:53.440 --> 1:05:56.200
<v Speaker 1>call your guardian. But it is still like in a

1:05:56.240 --> 1:05:58.800
<v Speaker 1>cool way though, and then she like has She's like, well,

1:05:58.840 --> 1:06:01.560
<v Speaker 1>your guardian said that you can't be alone, but I'm

1:06:01.600 --> 1:06:04.840
<v Speaker 1>cool and I'll get you pants and like, but as

1:06:04.880 --> 1:06:07.920
<v Speaker 1>a kid, I saw I saw Melon sort of was

1:06:08.240 --> 1:06:12.360
<v Speaker 1>like why isn't she why can't she see what Tracy needs.

1:06:12.440 --> 1:06:15.200
<v Speaker 1>Why is she letting this guy stay around? And like,

1:06:15.280 --> 1:06:18.200
<v Speaker 1>I just didn't understand the adult next. I still think

1:06:18.200 --> 1:06:21.520
<v Speaker 1>that Brady shouldn't be around those kids, and especially if

1:06:21.600 --> 1:06:25.040
<v Speaker 1>she had whatever like that the promises that your parents

1:06:25.080 --> 1:06:28.320
<v Speaker 1>make you and your kid are sacred. And the fact

1:06:28.360 --> 1:06:30.640
<v Speaker 1>that she told her kids, Okay, he's not going to

1:06:30.680 --> 1:06:33.160
<v Speaker 1>be around anymore and then he was still around, that's

1:06:33.160 --> 1:06:35.800
<v Speaker 1>a huge deal and like that is a failure of

1:06:35.840 --> 1:06:39.480
<v Speaker 1>parenting on her part. I thought then and still now,

1:06:39.520 --> 1:06:44.160
<v Speaker 1>But now I can understand the Melanie like she It

1:06:44.240 --> 1:06:47.880
<v Speaker 1>sounds like she's been through the fucking Ringer and had

1:06:47.960 --> 1:06:50.040
<v Speaker 1>moments in her life where she really needed love and

1:06:50.080 --> 1:06:52.480
<v Speaker 1>support from some from other people, and she wants to

1:06:52.480 --> 1:06:55.720
<v Speaker 1>be that person when people she loves is in trouble.

1:06:55.800 --> 1:06:59.360
<v Speaker 1>But sometimes it's like you can't save everybody, and like

1:06:59.480 --> 1:07:03.240
<v Speaker 1>it's just this whole I don't know, Yeah, my my,

1:07:03.400 --> 1:07:07.240
<v Speaker 1>I've my opinion on her when I was twelve was

1:07:07.440 --> 1:07:10.920
<v Speaker 1>not super favorable. And now it's like I think that

1:07:11.200 --> 1:07:14.480
<v Speaker 1>she's like, Holly Hunter did an amazing job, and I

1:07:14.480 --> 1:07:18.520
<v Speaker 1>guess that she Holly Hunter like asked to be an

1:07:18.520 --> 1:07:21.400
<v Speaker 1>executive producer on the movie so she could help shape

1:07:21.400 --> 1:07:26.120
<v Speaker 1>the character in a more sympathetic way. Um, so she's

1:07:26.160 --> 1:07:29.360
<v Speaker 1>the best. Yeah, And to go back to I think

1:07:29.400 --> 1:07:33.080
<v Speaker 1>like the dynamic that you were talking about, Maggie, between

1:07:34.080 --> 1:07:37.360
<v Speaker 1>Melanie and Evie were you talking about. So there's like

1:07:37.360 --> 1:07:42.440
<v Speaker 1>a scene where like Evie kisses Melanie on the blips.

1:07:44.160 --> 1:07:47.840
<v Speaker 1>So there's a few scenes similar. That was the most extreme,

1:07:47.880 --> 1:07:51.320
<v Speaker 1>but there's examples throughout the movie of how I perceived

1:07:51.400 --> 1:07:59.320
<v Speaker 1>this was. Evie is an extremely manipulative person, right. She

1:07:59.440 --> 1:08:04.600
<v Speaker 1>perceives that Melanie is very accommodating and is very much

1:08:04.640 --> 1:08:07.720
<v Speaker 1>a people pleaser, and knows that she's going to be

1:08:07.880 --> 1:08:12.520
<v Speaker 1>very easy to manipulate and exploit. So she does different

1:08:12.560 --> 1:08:15.040
<v Speaker 1>things where she like, for example, that scene where she

1:08:15.120 --> 1:08:17.960
<v Speaker 1>kisses Melanie on the mouth, you can see how like

1:08:18.120 --> 1:08:21.160
<v Speaker 1>taken aback and weird it out Melanie is by that.

1:08:21.840 --> 1:08:25.760
<v Speaker 1>And there's another scene where Evie confides in Melanie that

1:08:25.960 --> 1:08:30.920
<v Speaker 1>she was abused by her guardian's boyfriend and and then

1:08:30.920 --> 1:08:33.200
<v Speaker 1>like you know, Melanie's like, oh my god. And then

1:08:33.240 --> 1:08:35.800
<v Speaker 1>there's like kind of a weird hug that they share

1:08:35.880 --> 1:08:38.080
<v Speaker 1>that like Tracy walks into and she's like, what the

1:08:38.080 --> 1:08:40.720
<v Speaker 1>hell is going on here? And it's also I mean,

1:08:40.880 --> 1:08:44.160
<v Speaker 1>I watching that back now, I've I used to feel

1:08:44.200 --> 1:08:46.920
<v Speaker 1>more like I think because it was just like whatever,

1:08:46.920 --> 1:08:49.559
<v Speaker 1>you're twelve and you have your own mommy problems. But

1:08:49.800 --> 1:08:53.439
<v Speaker 1>like I was, like, Evie is stealing Tracy's mom and like,

1:08:54.360 --> 1:08:57.479
<v Speaker 1>and Mel isn't doing enough to like draw boundaries with her,

1:08:57.560 --> 1:08:59.960
<v Speaker 1>and that has to be hurtful for Tracy because anytime

1:09:00.160 --> 1:09:03.760
<v Speaker 1>like your parents like is like I don't know, like

1:09:03.840 --> 1:09:06.120
<v Speaker 1>you get jealous in this weird way when you're a

1:09:06.200 --> 1:09:09.320
<v Speaker 1>kid and your parent is like paying attention to someone

1:09:09.320 --> 1:09:12.760
<v Speaker 1>who isn't you or your sibling. Right, My mom ran

1:09:12.800 --> 1:09:15.800
<v Speaker 1>a daycare, so I was constantly like, but this is

1:09:15.880 --> 1:09:19.880
<v Speaker 1>my mom and like, you know, like that that does

1:09:20.680 --> 1:09:23.080
<v Speaker 1>stick with you. But I thought, like what I what

1:09:23.200 --> 1:09:27.600
<v Speaker 1>I didn't internalize is that Mel would have seen a

1:09:27.640 --> 1:09:30.760
<v Speaker 1>lot of herself in Evie and wanted to help her,

1:09:30.840 --> 1:09:34.360
<v Speaker 1>and like they do connect in that scene where Evie,

1:09:34.840 --> 1:09:37.840
<v Speaker 1>you know, I mean, it's it is tricky where it's

1:09:37.840 --> 1:09:41.519
<v Speaker 1>like there's kind of this question looming over Evie's character

1:09:41.560 --> 1:09:43.960
<v Speaker 1>of like what is the truth and what isn't I

1:09:44.000 --> 1:09:46.559
<v Speaker 1>think it is heavily implied that she is not telling

1:09:46.560 --> 1:09:50.200
<v Speaker 1>the truth about everything, or she's overstating a lot of

1:09:50.240 --> 1:09:53.120
<v Speaker 1>stuff and is willing to throw other people under the

1:09:53.160 --> 1:09:56.760
<v Speaker 1>bus if she feels backed into a corner. But it

1:09:56.800 --> 1:09:59.000
<v Speaker 1>seems like she knows exactly what to say to appeal

1:09:59.080 --> 1:10:02.439
<v Speaker 1>to mel And you know, mel I was like, well,

1:10:02.479 --> 1:10:04.800
<v Speaker 1>I didn't have a mom around when I was growing

1:10:04.880 --> 1:10:07.840
<v Speaker 1>up either, So if you need a mother figure, I

1:10:07.880 --> 1:10:12.280
<v Speaker 1>guess sure you can stay here like where, Like I

1:10:12.320 --> 1:10:16.520
<v Speaker 1>think you can see it as Evie being legitimately desperate

1:10:16.600 --> 1:10:19.840
<v Speaker 1>for a supportive mother figure. You can also see a

1:10:19.840 --> 1:10:24.400
<v Speaker 1>lot of those interactions as Evie manipulating Melanie to get

1:10:24.439 --> 1:10:27.439
<v Speaker 1>what she wants and possibly lying about some stuff. It

1:10:27.479 --> 1:10:31.400
<v Speaker 1>could be both things, because Evy is clearly someone who

1:10:31.400 --> 1:10:35.320
<v Speaker 1>comes from the very rough background, and you know it,

1:10:35.400 --> 1:10:37.559
<v Speaker 1>is probably doing a lot of this stuff as like

1:10:37.600 --> 1:10:41.720
<v Speaker 1>a survival technique or some kind of coping mechanism. So like,

1:10:41.880 --> 1:10:45.960
<v Speaker 1>obviously her behavior didn't happen in a vacuum, we don't

1:10:45.960 --> 1:10:48.320
<v Speaker 1>really know that much about her background because we also

1:10:48.400 --> 1:10:50.960
<v Speaker 1>don't know what is the truth and what's not because

1:10:51.000 --> 1:10:58.400
<v Speaker 1>we see her lie effortlessly, effortlessly, effortlessly constantly, so you

1:10:58.400 --> 1:11:01.280
<v Speaker 1>you don't really know what she's telling the truth about

1:11:01.320 --> 1:11:04.880
<v Speaker 1>and what she isn't, but we can assume that she,

1:11:05.400 --> 1:11:10.519
<v Speaker 1>you know, had a pretty unstable upbringing and which informed

1:11:10.560 --> 1:11:14.040
<v Speaker 1>a lot of her behavior. So it's it's just so

1:11:14.439 --> 1:11:18.880
<v Speaker 1>complicated and the fact that like Melanie is like kind

1:11:18.920 --> 1:11:22.640
<v Speaker 1>of and it's not her fault that she's easily manipulated,

1:11:22.760 --> 1:11:26.200
<v Speaker 1>but you also kind of have to like examine yourself,

1:11:26.360 --> 1:11:29.200
<v Speaker 1>like you know, different things when you're a parent, in

1:11:29.200 --> 1:11:31.960
<v Speaker 1>in your kids safety is at stake here, So like

1:11:32.840 --> 1:11:35.120
<v Speaker 1>it's just so complicated, but this is all like such

1:11:35.560 --> 1:11:38.080
<v Speaker 1>real stuff that a lot of people deal with, So

1:11:39.400 --> 1:11:43.960
<v Speaker 1>like it's she can be frustrating, but I think, like

1:11:44.000 --> 1:11:46.760
<v Speaker 1>watching it now, it's like she does come by all

1:11:46.800 --> 1:11:50.160
<v Speaker 1>of her problems honestly, and in the in the writing

1:11:50.200 --> 1:11:52.880
<v Speaker 1>of the movie, it's like that's not something that comes

1:11:52.880 --> 1:11:55.799
<v Speaker 1>out of left field, that she would be very easily

1:11:55.920 --> 1:11:59.280
<v Speaker 1>manipulated by someone who is like, I don't have anyone

1:11:59.320 --> 1:12:01.120
<v Speaker 1>else in the world. Will you help me? Because that's

1:12:01.120 --> 1:12:04.360
<v Speaker 1>how her relationship with her boyfriend works, And that's how

1:12:04.479 --> 1:12:06.680
<v Speaker 1>her relationship with her friend works. Like people know if

1:12:06.720 --> 1:12:10.280
<v Speaker 1>they show up at Mel's house and they're like, I

1:12:10.360 --> 1:12:12.519
<v Speaker 1>need a place to crash, I need a hot meal

1:12:12.680 --> 1:12:15.280
<v Speaker 1>I need something like if she can give it to them,

1:12:15.320 --> 1:12:18.559
<v Speaker 1>she will, which is like a really hard quality to

1:12:18.600 --> 1:12:22.200
<v Speaker 1>dislike about someone, But I do. I think that it's

1:12:22.439 --> 1:12:26.400
<v Speaker 1>kind of a rare example of seeing you know that

1:12:26.600 --> 1:12:29.639
<v Speaker 1>that kind of behavior, no matter how honestly you come

1:12:29.680 --> 1:12:32.160
<v Speaker 1>by it and how well intentioned it is, can hurt

1:12:32.240 --> 1:12:36.639
<v Speaker 1>other people, and it can result in like neglecting other stuff.

1:12:36.720 --> 1:12:38.840
<v Speaker 1>And I think, I mean, I do remember, like when

1:12:38.880 --> 1:12:41.200
<v Speaker 1>I first saw the movie, being like, how does she

1:12:41.280 --> 1:12:43.559
<v Speaker 1>have no idea what's going on? Her daughter is coming

1:12:43.560 --> 1:12:47.439
<v Speaker 1>home all the time visibly fucked up and is rarely

1:12:47.520 --> 1:12:50.280
<v Speaker 1>called out on it, and that is something that I

1:12:50.400 --> 1:12:53.800
<v Speaker 1>still sort of felt on that. I feel like that,

1:12:54.040 --> 1:12:56.760
<v Speaker 1>like I don't even know if that's a criticism, it's

1:12:56.760 --> 1:12:59.160
<v Speaker 1>just like something that is always stuck with me because

1:12:59.200 --> 1:13:01.280
<v Speaker 1>I know that that hopen and I know that, like,

1:13:02.160 --> 1:13:05.160
<v Speaker 1>you know, whatever, none of us are parents, and you know,

1:13:05.240 --> 1:13:07.439
<v Speaker 1>her kid is clearly in trouble and it seems like

1:13:07.479 --> 1:13:10.919
<v Speaker 1>she doesn't know what to do, so she's ignoring the problem,

1:13:11.040 --> 1:13:16.679
<v Speaker 1>which definitely happens, but it's frustrating to watch. Or it's

1:13:16.720 --> 1:13:20.320
<v Speaker 1>just like your kid needs you, mel I know. And

1:13:20.360 --> 1:13:24.680
<v Speaker 1>then I think her being a recovering addict informs a

1:13:24.720 --> 1:13:27.639
<v Speaker 1>lot of just sort of you know, like how how

1:13:27.680 --> 1:13:32.880
<v Speaker 1>she is, how she parents, even like the non addressing things.

1:13:33.000 --> 1:13:36.040
<v Speaker 1>It's probably an overcorrection of well, if I am really

1:13:36.080 --> 1:13:38.479
<v Speaker 1>strict with her, she'll just go towards it more, you know,

1:13:38.720 --> 1:13:42.559
<v Speaker 1>like as right, like a self, that's how I did it. So,

1:13:42.960 --> 1:13:46.800
<v Speaker 1>you know, I do like that. It's complicated though, because

1:13:46.800 --> 1:13:49.200
<v Speaker 1>I feel like a lot of these movies, especially ones

1:13:49.280 --> 1:13:52.000
<v Speaker 1>that are written from like a teenage perspective. You know,

1:13:52.080 --> 1:13:54.320
<v Speaker 1>she has said in retrospect that you know, things are

1:13:54.360 --> 1:13:57.400
<v Speaker 1>exaggerated and stuff, which like, even as a thirteen year old,

1:13:57.400 --> 1:13:59.760
<v Speaker 1>I was like, yeah, this is a little know, like

1:14:00.120 --> 1:14:03.200
<v Speaker 1>melo dramatic if we're you know, gonna label at something.

1:14:03.880 --> 1:14:05.840
<v Speaker 1>But I do like that it's complicating because I think

1:14:05.840 --> 1:14:09.160
<v Speaker 1>that is so much rarer and feels more real than

1:14:09.400 --> 1:14:13.080
<v Speaker 1>a lot of the other like go ask Alice like

1:14:13.160 --> 1:14:18.559
<v Speaker 1>that is so you know, like tunnel vision uncomplicated, don't

1:14:18.600 --> 1:14:22.760
<v Speaker 1>do drugs, um Whereas yeah, this you know, adds a

1:14:22.800 --> 1:14:27.120
<v Speaker 1>lot of human layers to the story of you know,

1:14:27.240 --> 1:14:31.639
<v Speaker 1>teenage girl rebelling for sure. Part of that too, something

1:14:31.640 --> 1:14:35.080
<v Speaker 1>that I thought was handled in like an interesting and

1:14:35.439 --> 1:14:40.759
<v Speaker 1>nuanced way was the way that media influences the teens,

1:14:41.240 --> 1:14:46.200
<v Speaker 1>where there's like often a lot of shots of like billboards, advertisements,

1:14:46.560 --> 1:14:49.559
<v Speaker 1>ones that are like are using sex to sell and

1:14:49.600 --> 1:14:54.520
<v Speaker 1>like using Western beauty standard images to you know, influence

1:14:54.560 --> 1:14:57.120
<v Speaker 1>people to buy things and like convince people they need

1:14:57.160 --> 1:14:59.680
<v Speaker 1>to look a certain way. And and you see, like

1:14:59.720 --> 1:15:03.879
<v Speaker 1>show to this and you see it's not necessarily uh,

1:15:03.920 --> 1:15:07.200
<v Speaker 1>it's it's more like, I guess implied that these things

1:15:07.200 --> 1:15:11.559
<v Speaker 1>are affecting the girls, but it's not a hard like

1:15:11.800 --> 1:15:14.360
<v Speaker 1>I like that, it's not super I mean, and there

1:15:14.360 --> 1:15:17.000
<v Speaker 1>are some points where it's literally like zoo men on

1:15:17.360 --> 1:15:19.800
<v Speaker 1>Calvin Klein billboard, Like I felt I felt like they

1:15:19.840 --> 1:15:21.240
<v Speaker 1>kind of bop you over the head with it a

1:15:21.240 --> 1:15:24.960
<v Speaker 1>little bit without them talking about it, which which did

1:15:24.960 --> 1:15:27.960
<v Speaker 1>feel authentic to me, because it's like you don't necessarily

1:15:27.960 --> 1:15:31.320
<v Speaker 1>realize that that's what's happening, but they're surrounded by it,

1:15:31.560 --> 1:15:36.120
<v Speaker 1>especially like these these l a kids, Oh baby, like

1:15:36.720 --> 1:15:39.959
<v Speaker 1>you're super surrounded by it. And then like it's implied

1:15:40.040 --> 1:15:44.439
<v Speaker 1>that Tracy kind of stops eating or is barely eating.

1:15:44.600 --> 1:15:47.320
<v Speaker 1>It seems like e V doesn't eat that much. She

1:15:47.400 --> 1:15:50.400
<v Speaker 1>mentions like, you know, if you drink ten cups of

1:15:50.520 --> 1:15:52.800
<v Speaker 1>ice water a day, you'll burn three D calories. Like,

1:15:53.040 --> 1:15:56.479
<v Speaker 1>it's clear that these girls are very concerned about the

1:15:56.479 --> 1:16:00.599
<v Speaker 1>way they look, how skinny they are, and you know,

1:16:00.800 --> 1:16:06.679
<v Speaker 1>there is a known correlation between media images and disordered eating,

1:16:06.840 --> 1:16:11.120
<v Speaker 1>especially in young people, young girls especially. I mean, like,

1:16:11.479 --> 1:16:13.800
<v Speaker 1>I feel like early two thousands it was at its

1:16:13.920 --> 1:16:17.240
<v Speaker 1>fucking peak. It's even seeing the low rise jeans culture

1:16:17.360 --> 1:16:21.360
<v Speaker 1>of this movie is so triggering You're like, so, yeah,

1:16:21.640 --> 1:16:24.240
<v Speaker 1>I guess my My point is, like, I think this movie,

1:16:24.320 --> 1:16:27.640
<v Speaker 1>not super overtly or like at least not in dialogue,

1:16:27.680 --> 1:16:32.880
<v Speaker 1>but more in just like images, explores how influential media is,

1:16:33.000 --> 1:16:38.320
<v Speaker 1>especially to teens who are so susceptible and you know,

1:16:38.439 --> 1:16:43.320
<v Speaker 1>easily influenced by the images they consume. And um, there's

1:16:43.320 --> 1:16:46.360
<v Speaker 1>also a scene where Tracy is like about to go

1:16:46.439 --> 1:16:49.320
<v Speaker 1>out with that guy Hobby, and e V is like,

1:16:49.479 --> 1:16:51.160
<v Speaker 1>you don't even know how to kiss, do you? And

1:16:51.240 --> 1:16:54.240
<v Speaker 1>Tracy is like, yeah, I do. Noel and I practice

1:16:54.320 --> 1:16:58.120
<v Speaker 1>with cruel intentions fifty times, which I think the implication

1:16:58.200 --> 1:17:01.280
<v Speaker 1>is there that they kissed each other the way that

1:17:01.360 --> 1:17:06.000
<v Speaker 1>Selma Blair and um, Sarah Michelle Gellar do in cruel intentions.

1:17:06.320 --> 1:17:10.360
<v Speaker 1>So it's like, yeah, media influencing, like a movie influencing

1:17:10.640 --> 1:17:13.960
<v Speaker 1>these girls, and like, I mean, I I do love it.

1:17:13.960 --> 1:17:17.160
<v Speaker 1>I like, I think it's so like and and the

1:17:17.240 --> 1:17:20.600
<v Speaker 1>way that I mean, I guess kind of transferring to

1:17:20.920 --> 1:17:23.360
<v Speaker 1>There was a scene that I mean, when I was

1:17:23.400 --> 1:17:26.439
<v Speaker 1>watching it and I was a kid, I was like, Oh,

1:17:26.479 --> 1:17:31.480
<v Speaker 1>they kiss wow, because and I thought that that scene,

1:17:31.520 --> 1:17:34.960
<v Speaker 1>I mean, ethics wise, we could get into it with

1:17:35.360 --> 1:17:37.680
<v Speaker 1>what that means for the actors. As far as the

1:17:37.800 --> 1:17:41.760
<v Speaker 1>characters go, I thought it was pretty well done. And

1:17:41.800 --> 1:17:46.920
<v Speaker 1>it felt very like whenever when when you're thirteen, your

1:17:47.439 --> 1:17:51.720
<v Speaker 1>sexuality is very elusive. Um, I know that I was

1:17:51.840 --> 1:17:55.719
<v Speaker 1>definitely kiss kiss kissing my friends when I was thirteen.

1:17:55.880 --> 1:17:58.680
<v Speaker 1>And the fact that they're framing it as practice and

1:17:58.760 --> 1:18:00.800
<v Speaker 1>maybe it is and maybe it isn't. Like it just

1:18:00.840 --> 1:18:06.400
<v Speaker 1>felt like a very authentic experience having two young actors

1:18:06.400 --> 1:18:09.160
<v Speaker 1>to do that in a movie that opens up another door.

1:18:09.560 --> 1:18:14.040
<v Speaker 1>I will say that Evan rachel Wood, who came out

1:18:14.080 --> 1:18:18.920
<v Speaker 1>as bisexual in sometime in the early UM later was

1:18:19.000 --> 1:18:21.000
<v Speaker 1>like I had the biggest crush on Nicky Reid and

1:18:21.000 --> 1:18:23.519
<v Speaker 1>it was so embarrassing that my mom had to watch

1:18:23.600 --> 1:18:27.240
<v Speaker 1>me kiss my crush, and I couldn't tell anyone that, Like,

1:18:27.320 --> 1:18:29.880
<v Speaker 1>I mean in the early two thousands, I mean, the

1:18:29.960 --> 1:18:33.760
<v Speaker 1>discussion around bisexuality in the early two thousand's fucking forget it.

1:18:34.400 --> 1:18:37.920
<v Speaker 1>But I thought of that. I mean, we've seen so

1:18:38.000 --> 1:18:43.479
<v Speaker 1>much queer baby scenes that like don't work and that

1:18:44.360 --> 1:18:47.479
<v Speaker 1>I don't know, that's not how I interpreted that scene.

1:18:47.479 --> 1:18:52.240
<v Speaker 1>That felt very like authentic to experiences that um I

1:18:52.439 --> 1:18:54.720
<v Speaker 1>either had had or wanted to have at the time

1:18:54.760 --> 1:18:57.559
<v Speaker 1>of watching this movie. I don't remember of all the

1:18:57.640 --> 1:19:00.439
<v Speaker 1>things that happened in the movie, that was scene that

1:19:00.560 --> 1:19:04.720
<v Speaker 1>felt like retrospectively important for me to see and that

1:19:04.960 --> 1:19:07.719
<v Speaker 1>you know, I'm and I'm glad it was like treated

1:19:07.760 --> 1:19:11.160
<v Speaker 1>in that way. Um yeah, there was still some like

1:19:11.760 --> 1:19:15.600
<v Speaker 1>you know, like teenage of that era, like I don't know,

1:19:15.680 --> 1:19:18.479
<v Speaker 1>just sort of attitude toward it, because like Tracy says

1:19:18.520 --> 1:19:20.519
<v Speaker 1>something like, oh, you want me to prove it to you?

1:19:20.520 --> 1:19:24.880
<v Speaker 1>You like lesbo, right, I mean, but also like that's

1:19:24.920 --> 1:19:28.840
<v Speaker 1>defensive kids ship like exactly. Yeah, just another thing that like,

1:19:28.960 --> 1:19:33.320
<v Speaker 1>you know, problematic kids saying problematic things because kids are

1:19:33.560 --> 1:19:37.960
<v Speaker 1>you know, can be problematic. Kids are problematic, You're still problematic.

1:19:38.360 --> 1:19:41.120
<v Speaker 1>I was, I would argue like that like a kids

1:19:41.120 --> 1:19:46.160
<v Speaker 1>saying that in defensively in two thousand three, I probably

1:19:46.200 --> 1:19:48.840
<v Speaker 1>would have done that if I was, because there was

1:19:48.880 --> 1:19:51.880
<v Speaker 1>no discussion around bisexuality at that time. So you're like,

1:19:52.400 --> 1:19:55.479
<v Speaker 1>I don't know, like when am I? What's wrong with me?

1:19:55.640 --> 1:19:59.000
<v Speaker 1>Like I felt weird about myself all the time? You know,

1:19:59.160 --> 1:20:04.040
<v Speaker 1>it felt it's very authentic. Yeah, for sure. Um, speaking

1:20:04.040 --> 1:20:08.400
<v Speaker 1>of kissing, here's a I'd love to start every sentence

1:20:08.479 --> 1:20:14.400
<v Speaker 1>that way. Always something that I took big issue with.

1:20:14.439 --> 1:20:18.080
<v Speaker 1>But I'm also interested to hear different people's perspectives on

1:20:18.120 --> 1:20:21.639
<v Speaker 1>this listener's perspectives. But it felt to me so obviously

1:20:21.680 --> 1:20:24.960
<v Speaker 1>this movie centers whiteness in a pretty big way, as

1:20:25.040 --> 1:20:27.479
<v Speaker 1>as many coming of age stories do, and it felt

1:20:27.520 --> 1:20:30.120
<v Speaker 1>to me so you there are a number of characters

1:20:30.120 --> 1:20:33.599
<v Speaker 1>of color, teens of color, and we learn a few

1:20:33.600 --> 1:20:36.559
<v Speaker 1>of their names. One is Hobby, one is KK. There's

1:20:36.640 --> 1:20:39.080
<v Speaker 1>another guy named Reuben. I don't know who Reuben is,

1:20:39.120 --> 1:20:41.000
<v Speaker 1>but his name gets mentioned. It seems like he's like

1:20:41.080 --> 1:20:45.960
<v Speaker 1>kind of dating Evie. Anyway, it felt to me as though,

1:20:47.120 --> 1:20:51.120
<v Speaker 1>because so much of this movie is like look at

1:20:51.320 --> 1:20:56.679
<v Speaker 1>the risky dangerous, wild things these girls are getting into

1:20:57.200 --> 1:21:00.640
<v Speaker 1>that black teens are being used by the movie to

1:21:00.760 --> 1:21:06.160
<v Speaker 1>imply that, like kissing a black kid is yet another

1:21:06.400 --> 1:21:09.439
<v Speaker 1>dangerous thing that they're doing, and it wouldn't be as

1:21:09.439 --> 1:21:11.760
<v Speaker 1>wild if they were kissing white boys, but because they're

1:21:11.800 --> 1:21:14.720
<v Speaker 1>kissing black boys. Yeah, it felt like very coded. And

1:21:15.600 --> 1:21:17.200
<v Speaker 1>that was one of the things where it was like,

1:21:17.920 --> 1:21:21.000
<v Speaker 1>not oddly shallowy something since movie our shallow. That felt

1:21:21.320 --> 1:21:27.120
<v Speaker 1>like a very shallowy, like surface level decision that had

1:21:27.240 --> 1:21:31.520
<v Speaker 1>no you know, like especially because we don't learn anything

1:21:31.520 --> 1:21:35.040
<v Speaker 1>else about those characters except that, like one of them

1:21:35.040 --> 1:21:37.599
<v Speaker 1>likes to beat box, Like we don't know anything about them.

1:21:38.040 --> 1:21:40.599
<v Speaker 1>I think I think it's bad writing. And if it

1:21:40.680 --> 1:21:45.439
<v Speaker 1>wasn't intended that way, then you need to give characters context. Exactly,

1:21:45.760 --> 1:21:50.000
<v Speaker 1>a black teenager's experience exists in a void, whereas like

1:21:50.120 --> 1:21:53.960
<v Speaker 1>Tracy's life is extremely complicated, which it is, but it's

1:21:54.040 --> 1:21:59.320
<v Speaker 1>like we need to extend that to everybody. Katherine Hardwick, right, Yes,

1:21:59.760 --> 1:22:01.920
<v Speaker 1>like they could have added you know, there's no reason

1:22:01.960 --> 1:22:04.000
<v Speaker 1>not to, Like why don't we know those kids, Why

1:22:04.040 --> 1:22:06.600
<v Speaker 1>didn't why didn't we get introduced to them at the

1:22:06.680 --> 1:22:11.479
<v Speaker 1>beginning of the movie you know, like why aren't they characters? Right, Yeah,

1:22:11.520 --> 1:22:15.439
<v Speaker 1>they're just not given characters at all. And there's a

1:22:15.479 --> 1:22:17.400
<v Speaker 1>lot of I felt like, I mean, and this is

1:22:17.520 --> 1:22:19.960
<v Speaker 1>kind of like a renteres thrown and by the fact

1:22:20.000 --> 1:22:23.080
<v Speaker 1>that this is like Nicky Reid talking about her own experience,

1:22:23.120 --> 1:22:26.800
<v Speaker 1>but even the idea of like casting a like blonde,

1:22:27.000 --> 1:22:31.960
<v Speaker 1>pale white girl as like being corrupted by a young

1:22:32.000 --> 1:22:34.720
<v Speaker 1>girl with just darker features than her. It's just like

1:22:34.760 --> 1:22:37.360
<v Speaker 1>it's so like in terms of the parts of this

1:22:37.400 --> 1:22:40.360
<v Speaker 1>movie that doesn't work. It's all very over the top,

1:22:41.040 --> 1:22:46.599
<v Speaker 1>not challenging anything in terms of like who this movie

1:22:46.680 --> 1:22:51.920
<v Speaker 1>considers as worthy of context and empathy and too isn't

1:22:53.520 --> 1:22:56.400
<v Speaker 1>And then like the only thing this movie does to

1:22:56.520 --> 1:23:01.080
<v Speaker 1>attempt to comment on race at all is Tracy says

1:23:01.160 --> 1:23:04.240
<v Speaker 1>something like if everyone married someone from a different race,

1:23:04.560 --> 1:23:07.080
<v Speaker 1>then in one generation there would be no prejudice, which

1:23:07.120 --> 1:23:10.120
<v Speaker 1>is such a naive way to the most white girls.

1:23:10.120 --> 1:23:15.599
<v Speaker 1>Should I ever, that's like it um, it made me cringe.

1:23:15.600 --> 1:23:18.880
<v Speaker 1>It made me uncomfortable, And then we cut to the

1:23:18.920 --> 1:23:22.720
<v Speaker 1>next scene, right right, yeah, I I also felt like

1:23:23.479 --> 1:23:25.680
<v Speaker 1>it's not I mean, and we've touched on this on

1:23:25.720 --> 1:23:28.200
<v Speaker 1>the show before, where it like it's not enough to

1:23:28.920 --> 1:23:32.280
<v Speaker 1>cast inclusively, like you need to like there needs to

1:23:32.320 --> 1:23:36.760
<v Speaker 1>be care and thought given to characters of all races.

1:23:36.760 --> 1:23:41.639
<v Speaker 1>Like it. It sounds so goofy simple, but it doesn't

1:23:41.640 --> 1:23:45.240
<v Speaker 1>do it. It feels like white people not knowing how

1:23:45.439 --> 1:23:48.880
<v Speaker 1>to write black characters. It felt like a boomer white

1:23:48.960 --> 1:23:53.639
<v Speaker 1>lady made the movie exactly exactly because this movie does

1:23:53.680 --> 1:23:56.200
<v Speaker 1>subvert a fair amount of things. But yeah, in terms

1:23:56.320 --> 1:24:00.840
<v Speaker 1>of like challenging what characters are are given and which

1:24:00.880 --> 1:24:04.439
<v Speaker 1>are not, that we barely learned character's names. I think

1:24:04.479 --> 1:24:06.840
<v Speaker 1>we learned the names of the boys that they hook

1:24:06.920 --> 1:24:09.960
<v Speaker 1>up with, but they don't exist outside of that context.

1:24:11.040 --> 1:24:14.240
<v Speaker 1>So versions I did like, I liked Um, he wasn't

1:24:14.280 --> 1:24:16.160
<v Speaker 1>in the movie a lot. But I did like the

1:24:16.800 --> 1:24:20.320
<v Speaker 1>brother character. I thought that that was pretty well done.

1:24:20.439 --> 1:24:26.160
<v Speaker 1>Of like, he's a pubescent boy and therefore sucks, but

1:24:26.360 --> 1:24:28.840
<v Speaker 1>also like does care a lot about his sister and

1:24:29.080 --> 1:24:33.519
<v Speaker 1>is visibly frustrated with his mom and his sister for

1:24:33.560 --> 1:24:35.479
<v Speaker 1>reasons that make a lot of sense. But also he's

1:24:35.520 --> 1:24:37.400
<v Speaker 1>a kid and there's not really a lot he can do,

1:24:37.840 --> 1:24:41.479
<v Speaker 1>And I thought that character was well written. What do

1:24:41.640 --> 1:24:49.360
<v Speaker 1>we think of Brady opening the flow? Brady. I was like,

1:24:49.520 --> 1:24:52.000
<v Speaker 1>it was seemed to see is he the role model

1:24:52.040 --> 1:24:57.120
<v Speaker 1>of the century. No, but he's also someone struggling with addiction.

1:24:57.320 --> 1:25:02.120
<v Speaker 1>He mentions like wanting to relapse because in like kind

1:25:02.120 --> 1:25:05.920
<v Speaker 1>of being triggered by the environment in this household is

1:25:05.960 --> 1:25:09.080
<v Speaker 1>sort of like kind of dangerous for him and to tempting,

1:25:09.200 --> 1:25:12.600
<v Speaker 1>so he leaves. But then you also see him like

1:25:12.800 --> 1:25:16.160
<v Speaker 1>be someone who does seem to care about these kids

1:25:16.200 --> 1:25:19.960
<v Speaker 1>and who wants to be as present as possible. You know,

1:25:20.000 --> 1:25:23.040
<v Speaker 1>it's just like a person going through a lot, trying

1:25:23.120 --> 1:25:26.080
<v Speaker 1>their best. Again, Um, I think that I think that

1:25:26.120 --> 1:25:29.559
<v Speaker 1>addiction is given more empathy in this movie than we

1:25:29.680 --> 1:25:33.240
<v Speaker 1>usually see in media. But I don't know. I just

1:25:33.360 --> 1:25:37.080
<v Speaker 1>I didn't honestly pay him that much thought. So I

1:25:37.160 --> 1:25:40.320
<v Speaker 1>was watching, I don't know. I was trying to figure

1:25:40.320 --> 1:25:43.160
<v Speaker 1>it because I guess my main thing and again I'm

1:25:43.200 --> 1:25:47.760
<v Speaker 1>bringing my youth baggage to this as well, was like,

1:25:47.920 --> 1:25:51.360
<v Speaker 1>did did he know that Melanie had promised to her

1:25:51.439 --> 1:25:53.559
<v Speaker 1>kids that he wouldn't be around? Because if so, I

1:25:53.600 --> 1:25:56.800
<v Speaker 1>feel like he shouldn't be around and it's disrespectful to

1:25:56.840 --> 1:25:59.200
<v Speaker 1>the family to be around. If he was aware that

1:25:59.560 --> 1:26:02.240
<v Speaker 1>the chill did not want him there and that it

1:26:02.280 --> 1:26:05.280
<v Speaker 1>had been said he wouldn't be there. That was something

1:26:05.320 --> 1:26:08.080
<v Speaker 1>that like pained for me when I was twelve for

1:26:08.280 --> 1:26:13.280
<v Speaker 1>personal reasons also, Um, but I do agree that it's

1:26:13.320 --> 1:26:18.559
<v Speaker 1>like he does care about the family and like he does.

1:26:18.680 --> 1:26:21.840
<v Speaker 1>I I thought, like that moment where mel is just

1:26:21.920 --> 1:26:23.600
<v Speaker 1>at the end of her rope and she's tearing up

1:26:23.640 --> 1:26:26.360
<v Speaker 1>the shitty floor and like she's just like had it.

1:26:26.840 --> 1:26:30.040
<v Speaker 1>He shows up for her in that moment and like

1:26:30.960 --> 1:26:34.439
<v Speaker 1>everyone's doing the best they can. And yeah, I agree,

1:26:34.479 --> 1:26:37.439
<v Speaker 1>I I yeah, I remember really not liking that character

1:26:37.680 --> 1:26:39.760
<v Speaker 1>when I was a kid and I was like, why

1:26:39.840 --> 1:26:42.400
<v Speaker 1>is he here? He shouldn't be here. But then as

1:26:42.400 --> 1:26:45.120
<v Speaker 1>an adult, so I'm like, there's more, there's more nuance

1:26:45.800 --> 1:26:47.720
<v Speaker 1>that exists in the world than I realized when I

1:26:47.800 --> 1:26:52.320
<v Speaker 1>was twelve. Go figure, Yeah, we had someone, um you

1:26:52.360 --> 1:26:54.120
<v Speaker 1>know close to her family and I'd be over that

1:26:54.320 --> 1:26:56.120
<v Speaker 1>all the time and they would have you know, a

1:26:56.120 --> 1:27:00.640
<v Speaker 1>Brady who change, you know who change, and you know,

1:27:00.800 --> 1:27:04.280
<v Speaker 1>a Brady for every season. Um. Yeah, So it was

1:27:04.320 --> 1:27:09.240
<v Speaker 1>something that was like recognizable. Um yeah, and especially like

1:27:09.439 --> 1:27:12.200
<v Speaker 1>in the moments where he is there for her, you know,

1:27:12.240 --> 1:27:14.759
<v Speaker 1>and you can you know when you're around that you'll

1:27:14.800 --> 1:27:17.320
<v Speaker 1>see that peek through every once in a while, like

1:27:17.320 --> 1:27:22.200
<v Speaker 1>like a genuine, like caring moment or just like something

1:27:22.280 --> 1:27:25.120
<v Speaker 1>that you know makes it seem like it is making

1:27:25.120 --> 1:27:30.400
<v Speaker 1>the mom's life or you know, something for them. Yeah,

1:27:30.520 --> 1:27:32.439
<v Speaker 1>I agree. Yeah, I think that Like when I was

1:27:32.520 --> 1:27:36.519
<v Speaker 1>a kid, I viewed him as being very selfish, but

1:27:36.560 --> 1:27:39.200
<v Speaker 1>then like watching it as an adult, I was watching

1:27:39.200 --> 1:27:41.400
<v Speaker 1>it from Tracy's perspective as a kid, and I was like,

1:27:41.439 --> 1:27:46.439
<v Speaker 1>she isn't like he must yeah, which like he did,

1:27:46.640 --> 1:27:49.640
<v Speaker 1>like did enough for them to be like, he's not

1:27:49.640 --> 1:27:53.040
<v Speaker 1>coming back, right, But I thought it was interesting. Yeah.

1:27:53.120 --> 1:27:55.120
<v Speaker 1>I thought that this movie, of the things that we

1:27:55.360 --> 1:28:01.080
<v Speaker 1>are critical of and right so um, addiction was something

1:28:01.120 --> 1:28:04.360
<v Speaker 1>that was handled I think with a fair amount of nuance.

1:28:05.000 --> 1:28:07.679
<v Speaker 1>Um my last big thing, and we mentioned this already,

1:28:07.720 --> 1:28:09.080
<v Speaker 1>but I just want to hit on it again because

1:28:09.080 --> 1:28:12.479
<v Speaker 1>I really don't like this. When it appears in movies

1:28:12.760 --> 1:28:16.280
<v Speaker 1>is when it's inevitable that young people are going to

1:28:16.360 --> 1:28:18.559
<v Speaker 1>find a movie don't show them how to self harm

1:28:18.600 --> 1:28:23.280
<v Speaker 1>on screen. That is so fucked up. It's one of

1:28:23.280 --> 1:28:28.400
<v Speaker 1>my least favorite coming of age movie choices. Um, any

1:28:28.520 --> 1:28:31.600
<v Speaker 1>sort of self harm if there is a chance that

1:28:31.720 --> 1:28:35.320
<v Speaker 1>a kid is going to see it, imply you don't

1:28:35.320 --> 1:28:38.640
<v Speaker 1>need to show and an adult audience will know what

1:28:38.760 --> 1:28:43.280
<v Speaker 1>you're fucking talking about. I really hate that they showed that.

1:28:43.600 --> 1:28:45.960
<v Speaker 1>I don't like that Evan Rachel would even had to

1:28:46.000 --> 1:28:48.479
<v Speaker 1>act it out. You know, you can even show like

1:28:48.560 --> 1:28:51.720
<v Speaker 1>whatever scars in my My opinion is like you can

1:28:51.760 --> 1:28:55.360
<v Speaker 1>show that people will get it. It will be very upsetting,

1:28:55.520 --> 1:28:58.360
<v Speaker 1>and it won't show kids how to self harm. Yeah,

1:29:00.280 --> 1:29:05.160
<v Speaker 1>so some irresponsible choices were made in conclusion, yes, but

1:29:05.240 --> 1:29:10.120
<v Speaker 1>it's also a movie that you know, feels very authentic

1:29:10.200 --> 1:29:16.360
<v Speaker 1>and many other regards. So this, I mean, this is

1:29:17.280 --> 1:29:20.599
<v Speaker 1>talk about a mixed bag of a movie. Talk about

1:29:20.760 --> 1:29:24.960
<v Speaker 1>the next bag um. Yeah, I'm very curious of what

1:29:25.000 --> 1:29:27.200
<v Speaker 1>our listeners experience with this movie is. I feel like

1:29:27.240 --> 1:29:32.400
<v Speaker 1>there's a wide spectrum of people's opinions and experiences with it.

1:29:32.479 --> 1:29:34.200
<v Speaker 1>I know that there's a lot of young people that

1:29:34.240 --> 1:29:36.519
<v Speaker 1>really glommed onto it as a kid and felt seen

1:29:36.800 --> 1:29:40.360
<v Speaker 1>because there's not a lot of movies about young girls

1:29:41.000 --> 1:29:46.000
<v Speaker 1>growing up in unstable households that show a lot of

1:29:46.040 --> 1:29:49.200
<v Speaker 1>sides to a lot of people, Like I understand why

1:29:49.240 --> 1:29:52.400
<v Speaker 1>a lot of people felt seen by this movie, and

1:29:52.439 --> 1:29:55.360
<v Speaker 1>then there's also whatever we've had. We've been talking about

1:29:55.360 --> 1:29:58.080
<v Speaker 1>it for two hours. There's a lot of ship going on.

1:29:58.600 --> 1:30:02.200
<v Speaker 1>I'm also curious, listeners if you have an answer for

1:30:02.240 --> 1:30:07.559
<v Speaker 1>this of like more modern or maybe you know, less

1:30:07.680 --> 1:30:12.640
<v Speaker 1>ethically ambiguous but within the same style, or like you know,

1:30:12.960 --> 1:30:16.800
<v Speaker 1>more modern depictions of this and that makes sense, or

1:30:16.840 --> 1:30:19.759
<v Speaker 1>like what did what did thirteen open the doors for?

1:30:20.040 --> 1:30:23.759
<v Speaker 1>You know? I feel like Euphoria is like gen Z's

1:30:24.600 --> 1:30:29.519
<v Speaker 1>kind of version of this, which also makes some questionable choices. Well,

1:30:29.560 --> 1:30:31.479
<v Speaker 1>I would saying, and I think they're worse off for it,

1:30:31.520 --> 1:30:36.200
<v Speaker 1>because I don't like that Euphoria is famously written by

1:30:36.280 --> 1:30:40.120
<v Speaker 1>an adult man and like you don't have a nikky

1:30:40.120 --> 1:30:43.320
<v Speaker 1>read in the mix with Euphoria, which is I think

1:30:43.439 --> 1:30:46.680
<v Speaker 1>like for the ethical fucking black hole it opens up.

1:30:47.400 --> 1:30:50.559
<v Speaker 1>I think what makes thirteen really unique is that a

1:30:50.640 --> 1:30:54.400
<v Speaker 1>kid's voice was heavily prioritized, and I think that that

1:30:54.560 --> 1:30:58.240
<v Speaker 1>is like part of what makes it special versus versus

1:30:58.240 --> 1:31:00.839
<v Speaker 1>a euphoria where it's an adult guesting their way around

1:31:00.960 --> 1:31:05.679
<v Speaker 1>youth experience. Right at the same criticism about eighth grade,

1:31:05.720 --> 1:31:09.880
<v Speaker 1>but no one wanted to hear that. People they were

1:31:09.880 --> 1:31:13.160
<v Speaker 1>already We're already into the people are never ready. I

1:31:13.200 --> 1:31:17.200
<v Speaker 1>really love that movie, but it's like yeah, anyways, yeah right. Um,

1:31:17.200 --> 1:31:23.280
<v Speaker 1>does anyone have any other thoughts about the movie? Thirteen? No, No,

1:31:24.680 --> 1:31:27.599
<v Speaker 1>I think we covered it. It definitely passes. The fact

1:31:27.920 --> 1:31:30.439
<v Speaker 1>has no doubt about it. Most of the movie I

1:31:30.479 --> 1:31:34.240
<v Speaker 1>mean not that I mean talking about kissing boys and

1:31:34.280 --> 1:31:39.040
<v Speaker 1>talking about difficult relationships with father, brother and Brady comes up,

1:31:39.200 --> 1:31:42.080
<v Speaker 1>but like a large portion of the movie is women

1:31:42.120 --> 1:31:46.920
<v Speaker 1>talking to each other and coming of age and all

1:31:46.960 --> 1:31:50.880
<v Speaker 1>that stuff. Also like an example of mommy issues, which

1:31:50.960 --> 1:31:56.599
<v Speaker 1>I think is becoming more popular. I mean Tangled, you know, great,

1:31:56.880 --> 1:32:00.320
<v Speaker 1>great mommy, big week for mommy issues on the factal

1:32:00.360 --> 1:32:04.640
<v Speaker 1>cast honestly, but yeah, I I agree. I think that

1:32:04.680 --> 1:32:07.759
<v Speaker 1>the more glaring issue is it's all uh white women

1:32:07.800 --> 1:32:14.120
<v Speaker 1>talking to each other for the movie. Yeah yeah, yes, Um.

1:32:14.720 --> 1:32:17.439
<v Speaker 1>So that brings us to our nipple scales zero to

1:32:17.600 --> 1:32:21.920
<v Speaker 1>five nipples based on examining the movie through an intersectional

1:32:21.960 --> 1:32:28.800
<v Speaker 1>feminist lens um tricky one. Well. Also, this movie is

1:32:28.840 --> 1:32:32.480
<v Speaker 1>like kind of a biopic basically, which like are always

1:32:32.520 --> 1:32:36.559
<v Speaker 1>tricky to rate on the nipple skille because it's like,

1:32:36.600 --> 1:32:40.200
<v Speaker 1>this is about a real person's experience, but also it

1:32:40.320 --> 1:32:42.960
<v Speaker 1>is fictionalized because Ev is not a real person. That

1:32:43.080 --> 1:32:44.439
<v Speaker 1>all that was the laws I wanted to say. I

1:32:44.439 --> 1:32:48.280
<v Speaker 1>thought that the character that was developed the least well

1:32:48.520 --> 1:32:50.920
<v Speaker 1>was Ev, which makes sense because that's literally the only

1:32:51.000 --> 1:32:55.519
<v Speaker 1>character that's not based on a person in Nikki Reid's life. Yeah,

1:32:55.640 --> 1:32:59.240
<v Speaker 1>or writing criticism, right, I read something that, like, so

1:32:59.360 --> 1:33:02.160
<v Speaker 1>Nikki read when she was like twelve or thirteen, her

1:33:02.800 --> 1:33:06.240
<v Speaker 1>friend got arrested for selling acid, and like that's kind

1:33:06.280 --> 1:33:10.880
<v Speaker 1>of who e. V Is based on, but like not fully,

1:33:10.920 --> 1:33:12.880
<v Speaker 1>it's just sort of like that experience of like a

1:33:12.920 --> 1:33:15.960
<v Speaker 1>teen kid getting arrested for selling acid. Let's sort of

1:33:16.080 --> 1:33:19.920
<v Speaker 1>map a character onto that experience. And that's like, how

1:33:21.120 --> 1:33:24.880
<v Speaker 1>more more like general than because it's like Tracy is

1:33:24.960 --> 1:33:29.400
<v Speaker 1>so specific and it's so like demonstrably Nikki Reid where

1:33:29.400 --> 1:33:32.519
<v Speaker 1>it's like Ev. I mean, part of the movie is

1:33:32.520 --> 1:33:34.400
<v Speaker 1>like you're supposed to be guessing around what is true

1:33:34.400 --> 1:33:37.160
<v Speaker 1>about her life and what isn't um, which I feel

1:33:37.160 --> 1:33:41.200
<v Speaker 1>like honestly I would have I would rather have done

1:33:41.240 --> 1:33:43.599
<v Speaker 1>away with that and let us, like, I think it's

1:33:43.600 --> 1:33:46.000
<v Speaker 1>more impactful if we do know what her life experiences

1:33:46.120 --> 1:33:48.080
<v Speaker 1>versus because I feel like that takes her into like

1:33:48.479 --> 1:33:52.000
<v Speaker 1>this villain territory, or that's how I interpreted it at

1:33:52.040 --> 1:33:56.640
<v Speaker 1>the time. Unreliable narrator, Yes, right, when it's like that

1:33:56.720 --> 1:34:00.160
<v Speaker 1>character deserves empathy, but we but in order to really

1:34:00.200 --> 1:34:02.920
<v Speaker 1>ampathize with her, we would need to know who she has,

1:34:03.080 --> 1:34:09.479
<v Speaker 1>more things about her, right. So, oh gosh, it's so,

1:34:10.400 --> 1:34:13.479
<v Speaker 1>as we have discussed, there are you know, kind of

1:34:13.520 --> 1:34:17.200
<v Speaker 1>like behind the scenes things that you can call into

1:34:17.320 --> 1:34:20.799
<v Speaker 1>question as far as the ethics of, you know, making

1:34:20.880 --> 1:34:27.960
<v Speaker 1>teen actors do sexually explicit things on camera. It was

1:34:28.640 --> 1:34:32.120
<v Speaker 1>handled probably as responsibly as possible if you're going to

1:34:32.160 --> 1:34:34.839
<v Speaker 1>make the choice to do that, but you could say,

1:34:34.880 --> 1:34:37.920
<v Speaker 1>maybe don't make that choice at all, because it's unethical

1:34:37.960 --> 1:34:41.559
<v Speaker 1>to make the choice at all. Um. So there's that.

1:34:41.600 --> 1:34:45.720
<v Speaker 1>There's the way again blackness is treated and used to

1:34:46.760 --> 1:34:51.479
<v Speaker 1>suggest to suggest danger. Yeah, danger, which is such a

1:34:51.560 --> 1:34:55.440
<v Speaker 1>fucking harmful thing to do because of like white America's

1:34:55.479 --> 1:35:01.160
<v Speaker 1>perception of blackness is and black youth especially is often

1:35:01.240 --> 1:35:04.679
<v Speaker 1>correlated with danger, and it's so harmful and so sinister,

1:35:05.240 --> 1:35:08.760
<v Speaker 1>and that the movie makes suggestions at that is really

1:35:08.760 --> 1:35:12.120
<v Speaker 1>fucked up. Um. But then like on the other hand,

1:35:12.280 --> 1:35:16.000
<v Speaker 1>this is like a story about a teenager's experience told

1:35:16.040 --> 1:35:22.440
<v Speaker 1>from the perspective, literally co writing the script of a teenager.

1:35:23.040 --> 1:35:28.000
<v Speaker 1>Some things were clearly exaggerated for like cinematic effect. I

1:35:28.040 --> 1:35:30.200
<v Speaker 1>don't know, it's it's tricky, it's a it's a mixed bag.

1:35:30.360 --> 1:35:34.320
<v Speaker 1>As we've said, I would give this movie. I don't know.

1:35:34.439 --> 1:35:38.960
<v Speaker 1>The things that it handles irresponsibly, like really are upsetting

1:35:39.640 --> 1:35:42.360
<v Speaker 1>enough to maybe even knock it down to like I'm

1:35:42.400 --> 1:35:44.640
<v Speaker 1>thinking somewhere between like a two and a three, and

1:35:44.680 --> 1:35:47.439
<v Speaker 1>maybe it's just like a two point five kind of thing.

1:35:48.280 --> 1:35:51.040
<v Speaker 1>I don't know, not the nipple scale, what does it

1:35:51.160 --> 1:35:57.920
<v Speaker 1>even mean. It's also a flawed metric. It's perfect. I

1:35:57.960 --> 1:36:00.360
<v Speaker 1>think I'm gonna I'm gonna go three, But I might

1:36:00.400 --> 1:36:03.760
<v Speaker 1>be leaning a little bit on nostalgia there. Um. And

1:36:03.800 --> 1:36:07.360
<v Speaker 1>also I think that my opinion would be heavily swayed

1:36:07.520 --> 1:36:13.759
<v Speaker 1>by how the actors feel about it now. And sure

1:36:14.240 --> 1:36:17.599
<v Speaker 1>that's my justification for going with three. I also just

1:36:17.640 --> 1:36:20.360
<v Speaker 1>have like a bizarre attachment to this movie. Um, it

1:36:20.360 --> 1:36:26.200
<v Speaker 1>feels like a very micro generational movie. Um. But because

1:36:26.800 --> 1:36:30.800
<v Speaker 1>Nikki Reid, I mean, I really feel terribly that it

1:36:30.880 --> 1:36:32.920
<v Speaker 1>had a negative effect on Nicki Reid's life, she was

1:36:32.960 --> 1:36:35.880
<v Speaker 1>a kid. How would you possibly fucking know what would happen?

1:36:36.080 --> 1:36:40.920
<v Speaker 1>And but listening to that interview that they did, reflecting

1:36:40.960 --> 1:36:43.920
<v Speaker 1>on this time and knowing that everyone feels okay about

1:36:43.920 --> 1:36:47.519
<v Speaker 1>it and that they don't regret having made it, I

1:36:47.520 --> 1:36:51.519
<v Speaker 1>feel a little more lenient on that point. However, do

1:36:51.560 --> 1:36:56.480
<v Speaker 1>I think movies should be made this way? No? No,

1:36:56.840 --> 1:37:00.280
<v Speaker 1>this is like strictly viewing it in retrospect, like would

1:37:00.280 --> 1:37:03.360
<v Speaker 1>not advocate for this style of filmmaking. I think it's

1:37:03.400 --> 1:37:09.240
<v Speaker 1>potentially could have really really been horrible, and it's very

1:37:09.280 --> 1:37:11.840
<v Speaker 1>lucky that it wasn't. And I'm glad all the precautions

1:37:11.840 --> 1:37:15.519
<v Speaker 1>that were taken we were taken, but also even that

1:37:15.560 --> 1:37:19.120
<v Speaker 1>wouldn't have guaranteed, Like even though every precaution was taken,

1:37:19.520 --> 1:37:22.960
<v Speaker 1>they still had a negative effect on the child's life

1:37:22.960 --> 1:37:28.599
<v Speaker 1>who was telling her story, Maggie, how about you? Yeah?

1:37:28.760 --> 1:37:30.960
<v Speaker 1>I think I think I'm also going to go with

1:37:31.000 --> 1:37:35.559
<v Speaker 1>the three for similar reasons, and that it feels almost

1:37:35.600 --> 1:37:38.840
<v Speaker 1>like a relic of this very specific time, and it

1:37:38.880 --> 1:37:43.360
<v Speaker 1>feels like it captured some things, especially like the things

1:37:43.400 --> 1:37:48.120
<v Speaker 1>are insinuated, like the diet culture, the this the that

1:37:48.479 --> 1:37:50.680
<v Speaker 1>um I think the other reason I'm going to get

1:37:50.720 --> 1:37:54.800
<v Speaker 1>into three is purely the aesthetic of it, because I

1:37:54.840 --> 1:37:59.280
<v Speaker 1>feel like that like defined the aesthetic for a long

1:37:59.360 --> 1:38:04.120
<v Speaker 1>time of both like low budget films, uh and things

1:38:04.720 --> 1:38:08.280
<v Speaker 1>that wanted to be critical. Darling's kind of took on

1:38:08.400 --> 1:38:15.960
<v Speaker 1>this leg crungy blue color for so long, um that

1:38:16.080 --> 1:38:20.920
<v Speaker 1>I think it's at least visual lasting impact. I think

1:38:21.000 --> 1:38:23.840
<v Speaker 1>we've made me don't give enough credit to it. I

1:38:23.880 --> 1:38:29.519
<v Speaker 1>think part of that is the backwards like, oh, you know,

1:38:29.640 --> 1:38:32.120
<v Speaker 1>especially men watching it. I didn't know that like a

1:38:32.280 --> 1:38:35.559
<v Speaker 1>movie about like girls and women could be this like

1:38:36.800 --> 1:38:41.439
<v Speaker 1>you know, like real, yeah, this grit you know of

1:38:42.680 --> 1:38:45.920
<v Speaker 1>which is being all its own. But I think because

1:38:45.960 --> 1:38:50.479
<v Speaker 1>of that, the style it aesthetic influenced a lot of

1:38:51.200 --> 1:38:55.160
<v Speaker 1>directors that were working around the same time or you know,

1:38:55.240 --> 1:38:58.360
<v Speaker 1>we're up and coming and kind of became shorthand for

1:38:58.520 --> 1:39:01.439
<v Speaker 1>like no, no, no, take my movie series slee um yea,

1:39:01.960 --> 1:39:05.000
<v Speaker 1>which I think that alone, watching it was like damn

1:39:05.240 --> 1:39:07.840
<v Speaker 1>like that. Just the look of this did a lot.

1:39:07.880 --> 1:39:10.639
<v Speaker 1>And of course then we had all of the Twilight

1:39:10.760 --> 1:39:15.800
<v Speaker 1>series which pay homage to this blue grade. This became

1:39:15.840 --> 1:39:19.280
<v Speaker 1>the Hardwick House style. But Catherine Hardwick only directed the

1:39:19.320 --> 1:39:21.880
<v Speaker 1>first one I know, and that is I mean, for

1:39:21.920 --> 1:39:25.840
<v Speaker 1>all the rightful criticism around Katherine Hardwick in regards to

1:39:25.840 --> 1:39:28.519
<v Speaker 1>this movie, she still should have been allowed to direct

1:39:28.520 --> 1:39:32.040
<v Speaker 1>the other point, like, oh my god, absolutely yeah. But yeah,

1:39:32.400 --> 1:39:35.320
<v Speaker 1>So you know, if you haven't seen this movie, maybe

1:39:35.360 --> 1:39:38.439
<v Speaker 1>watch it for the static. I think like it kind

1:39:38.479 --> 1:39:42.200
<v Speaker 1>of communicates a lot where the story may stumble here

1:39:42.280 --> 1:39:45.759
<v Speaker 1>or there, or the characters are sometimes you know, viewing

1:39:45.800 --> 1:39:47.640
<v Speaker 1>it as a moment in time, I think is the

1:39:47.680 --> 1:39:53.599
<v Speaker 1>easiest way to interact with this movie now, very time capsuling. Yeah,

1:39:53.840 --> 1:39:57.479
<v Speaker 1>I don't think that the movies like this, But also

1:39:57.680 --> 1:40:00.600
<v Speaker 1>do I think that this is like more off authentic

1:40:00.680 --> 1:40:05.920
<v Speaker 1>than a euphoria in some ways. Yes, I do like

1:40:06.000 --> 1:40:09.240
<v Speaker 1>that it like focuses a mother daughter relationship and in

1:40:09.280 --> 1:40:13.240
<v Speaker 1>a complicated one at that that's very relatable for a

1:40:13.280 --> 1:40:15.640
<v Speaker 1>lot of people. And I think it is important to

1:40:15.640 --> 1:40:19.479
<v Speaker 1>see things like this, issues like this, things that teenage

1:40:19.479 --> 1:40:24.040
<v Speaker 1>girls deal with to be given the like cinematic respect

1:40:24.120 --> 1:40:26.920
<v Speaker 1>of like, yeah, it is a big deal to deal

1:40:27.000 --> 1:40:31.960
<v Speaker 1>with these things. Um, yeah, for sure. Yeah. As far

1:40:32.000 --> 1:40:36.040
<v Speaker 1>as Caitlin's rombo meter goes, sorry to give it a

1:40:36.200 --> 1:40:40.439
<v Speaker 1>zero out of t Yeah, I don't know twists, they're

1:40:41.160 --> 1:40:45.000
<v Speaker 1>uh the last thing because I just didn't know this,

1:40:45.120 --> 1:40:46.519
<v Speaker 1>and I guess I wouldn't have guessed it for a

1:40:46.520 --> 1:40:49.680
<v Speaker 1>movie this indie. Um, Holly Hunter was nominated for an

1:40:49.720 --> 1:40:53.439
<v Speaker 1>Oscar for this movie. It kind of a fair amount

1:40:53.439 --> 1:40:56.280
<v Speaker 1>of awards attention. It got some Golden Globe attention. I

1:40:56.280 --> 1:41:00.840
<v Speaker 1>think some like Baptist stuff. Yeah, but yeah, I UM,

1:41:00.920 --> 1:41:03.679
<v Speaker 1>I thought, I thought Holly Hunter did an incredible job

1:41:03.800 --> 1:41:08.040
<v Speaker 1>in this movie. I really, this is incredible herself, Like

1:41:08.520 --> 1:41:12.679
<v Speaker 1>forget it, oh, I mean it's a Holly Hunter. Really.

1:41:12.760 --> 1:41:15.040
<v Speaker 1>I feel like we've covered a fair amount. I feel

1:41:15.080 --> 1:41:17.080
<v Speaker 1>like we we always mentioned that we love her, but

1:41:17.160 --> 1:41:22.280
<v Speaker 1>like she's just special, She's got range, she does she

1:41:22.320 --> 1:41:28.880
<v Speaker 1>really does well. Well there's our chat on and on

1:41:28.920 --> 1:41:31.280
<v Speaker 1>that note, I will say, I'll tag on that. If

1:41:31.280 --> 1:41:34.840
<v Speaker 1>anyone watched this and like kind of liked it, maybe

1:41:34.880 --> 1:41:38.280
<v Speaker 1>check out the films by Greg Iraqi, who does he

1:41:38.720 --> 1:41:42.240
<v Speaker 1>worked more on the eighties, but he does extremely I

1:41:42.280 --> 1:41:48.240
<v Speaker 1>thought provoking. Queer cinema usually depicting young, um, younger not

1:41:48.360 --> 1:41:52.479
<v Speaker 1>this young, but like younger teens. UM that feels very

1:41:52.560 --> 1:41:57.960
<v Speaker 1>much like their perspective is like respected and um feels important.

1:41:58.000 --> 1:42:01.719
<v Speaker 1>He's just also just a great director or so cool. Yeah,

1:42:01.880 --> 1:42:04.040
<v Speaker 1>I don't know. Check out some of the stuff. Hell yeah,

1:42:04.800 --> 1:42:09.479
<v Speaker 1>um cool. Well, Maggie, thank you for bringing us this real,

1:42:11.000 --> 1:42:18.559
<v Speaker 1>really complicated text bratcher. Yeah rich text. Yeah. Where can

1:42:18.600 --> 1:42:21.439
<v Speaker 1>we find you on the world Wide Web? Oh? Man?

1:42:21.600 --> 1:42:26.679
<v Speaker 1>Unfortunately I am still on the internet one day no longer,

1:42:27.479 --> 1:42:29.960
<v Speaker 1>but yeah, you can find me on Twitter. Just my

1:42:30.040 --> 1:42:33.680
<v Speaker 1>name Maggie Mayfish m a e like my dad, great grandmother,

1:42:33.840 --> 1:42:38.240
<v Speaker 1>not like the month the real ones now uh. And

1:42:38.400 --> 1:42:43.840
<v Speaker 1>also on YouTube. I have another video coming out. I

1:42:43.880 --> 1:42:46.160
<v Speaker 1>don't know when this is being released, but we have

1:42:46.200 --> 1:42:51.160
<v Speaker 1>a video on Jim Carrey's depiction of Dr Eggman from

1:42:51.160 --> 1:43:02.360
<v Speaker 1>the Sonic series and was he doing an Elon Musk question? Yes,

1:43:02.520 --> 1:43:04.640
<v Speaker 1>that's that's our rich text for the next month. Is

1:43:04.800 --> 1:43:09.559
<v Speaker 1>Sonic amazing? Yes? Everyone, please check out Maggie's stuff. And

1:43:09.600 --> 1:43:13.800
<v Speaker 1>then you can follow us on Twitter and Instagram at

1:43:14.040 --> 1:43:17.479
<v Speaker 1>Bechtel Cast. Throw us a little rate and review and

1:43:17.880 --> 1:43:24.160
<v Speaker 1>give us follow and if you're feelings, you're at it bulls.

1:43:24.360 --> 1:43:30.479
<v Speaker 1>And we've got a Matreon at patreon dot com, slash

1:43:30.479 --> 1:43:33.639
<v Speaker 1>backtel Cast where you get to bonus episodes every month

1:43:33.760 --> 1:43:39.240
<v Speaker 1>plus access to the entire back catalog. This month, we're

1:43:39.240 --> 1:43:43.680
<v Speaker 1>you know, knocking out a couple popular requests. And it's September,

1:43:43.720 --> 1:43:46.680
<v Speaker 1>so we're doing back to schools. We're doing Never Been

1:43:46.800 --> 1:43:52.160
<v Speaker 1>Kissed and Pitch Perfect. It's perfect, had I'm finally my

1:43:52.240 --> 1:43:56.479
<v Speaker 1>big boss, my big boss of Bectel cast. I've been now,

1:43:56.479 --> 1:43:58.240
<v Speaker 1>I've seen it. I just don't like it, and I

1:43:58.280 --> 1:44:01.040
<v Speaker 1>know everyone loves it and so it's gonna be pissed

1:44:01.040 --> 1:44:02.600
<v Speaker 1>at me. Maybe I'll love it. I haven't seen it

1:44:02.640 --> 1:44:05.680
<v Speaker 1>since it came out. Maybe maybe I just have a

1:44:05.720 --> 1:44:08.640
<v Speaker 1>thing against acapella groups, so like it was never gonna be.

1:44:08.760 --> 1:44:12.759
<v Speaker 1>That's the thing I really as a former acapella radio producer,

1:44:13.640 --> 1:44:18.559
<v Speaker 1>um sorry to out myself. I produced an acapella radio

1:44:18.640 --> 1:44:21.519
<v Speaker 1>show for no less than two and a half years

1:44:21.640 --> 1:44:26.360
<v Speaker 1>and did it traumatize me? Obviously because they're no wonder.

1:44:26.479 --> 1:44:30.120
<v Speaker 1>Yeah yeah, I was never the same. My good my goodness. Well,

1:44:30.160 --> 1:44:34.040
<v Speaker 1>I guess tune into our Matreon to hear Jamie unpack

1:44:34.120 --> 1:44:40.280
<v Speaker 1>all of her acapella related trauma. Yeah yeah yeah. Could

1:44:40.280 --> 1:44:43.880
<v Speaker 1>I at one point named twenty Boston area acapella groups

1:44:43.920 --> 1:44:47.639
<v Speaker 1>and rank them by preference? Maybe? WHOA But we don't

1:44:47.640 --> 1:44:49.320
<v Speaker 1>want to. Literally, the show has been on for six

1:44:49.400 --> 1:44:52.160
<v Speaker 1>years and I have not been able to go there.

1:44:52.960 --> 1:44:57.200
<v Speaker 1>Oh my goodness, I had no idea. Well, if you

1:44:57.280 --> 1:45:02.160
<v Speaker 1>need some merch, you can go to uh T public

1:45:02.240 --> 1:45:06.719
<v Speaker 1>dot com, slash the Bechtel Cast and grab yourself some teas,

1:45:07.479 --> 1:45:13.880
<v Speaker 1>some stickers, some pillows and the other items. Follow your heart.

1:45:14.560 --> 1:45:17.240
<v Speaker 1>We got pillows, I love. I love my Becktel Cast. Pillows.

1:45:17.560 --> 1:45:21.200
<v Speaker 1>Not gonna lie. I might get some more um. And

1:45:21.320 --> 1:45:28.200
<v Speaker 1>with that, let's repair our relationships with our moms. Let's

1:45:28.280 --> 1:45:30.559
<v Speaker 1>do it. Let's do it. Bye bye bye