WEBVTT - Directed by Veronica Rodriguez

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<v Speaker 1>Welcome everybody to this Park Hopper episode of Magical Rewind,

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<v Speaker 1>and boy, do we have a fun one for you today.

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<v Speaker 1>We love, obviously, every time we get a chance to

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<v Speaker 1>talk to the actors that do the film, whatever film

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<v Speaker 1>it is, because it's really cool to see their process,

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<v Speaker 1>how they got into it, if they liked the, you know,

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<v Speaker 1>if it was an already existing kind of IP for Disney,

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<v Speaker 1>if they were fans of it, like we get into

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<v Speaker 1>all that stuff. But only rarely have we been able

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<v Speaker 1>to get in kind of the more behind-the-scenes aspects Of

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<v Speaker 1>what it's like to make a DCOM.

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<v Speaker 2>And I love every chance we have to do that.

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<v Speaker 1>And today is not only no exception, but I think

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<v Speaker 1>a massive score for us.

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<v Speaker 2>Huge.

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<v Speaker 3>I couldn't believe it when the producers told.

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<v Speaker 2>Us we got it.

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<v Speaker 4>I know.

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<v Speaker 1>Arguably one of the biggest current DCOM directors working at

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<v Speaker 1>all is going to join us today.

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<v Speaker 2>I'm so excited.

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<v Speaker 1>So we're going to get into everything that she has done, obviously,

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<v Speaker 1>because there has been a ton of it. But if

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<v Speaker 1>you could do us a favor and please help us

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<v Speaker 1>welcome director Veronica Rodriguez.

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<v Speaker 4>Hello.

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<v Speaker 2>How are you?

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<v Speaker 4>Hi, guys.

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<v Speaker 3>I love the picture that you have before we get

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<v Speaker 3>to see you of you in your little ballerina outfit.

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<v Speaker 2>I didn't see that. What? I got no picture.

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<v Speaker 3>It was right before she popped on.

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<v Speaker 2>Oh, I got no picture.

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<v Speaker 3>I think you, right?

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<v Speaker 4>Constantly just reminding everyone of inner children. You know what

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<v Speaker 4>I mean?

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<v Speaker 2>Yes. Totally.

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<v Speaker 1>That's how it should be. I always say big difference

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<v Speaker 1>between childish and childlike. Childlike is wonderful.

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<v Speaker 4>Okay. One million. I was just about to turn this

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<v Speaker 4>into a therapy session immediately.

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<v Speaker 2>But please do.

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<v Speaker 3>We're looking for a new couples.

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<v Speaker 1>We always joke that we have a couple of Sabrina

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<v Speaker 1>and I have a couples counselor that helps us helps

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<v Speaker 1>all the I heart podcast couples.

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<v Speaker 2>No, it's so true.

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<v Speaker 4>No. And it was about my partner and he literally

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<v Speaker 4>one time. Okay. Now I'm just going to do it.

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<v Speaker 4>But like, he literally was one time, you know, during struggles.

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<v Speaker 4>We're good now. So everyone can show. He was like,

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<v Speaker 4>you want to be loved like a child. Like, it's like,

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<v Speaker 4>you want to be loved like a child or something

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<v Speaker 4>like that. And I literally, I was like, yes, I do.

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<v Speaker 2>I was like, that's not.

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<v Speaker 4>A bad thing. But he saw that as a bad,

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<v Speaker 4>like at the time saw it as a bad thing.

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<v Speaker 4>Now he's realized, I'm.

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<v Speaker 2>Like, no, all that.

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<v Speaker 4>Like it was crazy.

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<v Speaker 2>That's so funny. But it's true.

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<v Speaker 4>It's true.

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<v Speaker 1>And again, with what we do for a living, especially

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<v Speaker 1>with companies we work for a lot, it's a wonderful

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<v Speaker 1>thing to be able to tap into that childlike wonder.

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<v Speaker 2>That's the point.

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<v Speaker 4>Totally.

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<v Speaker 2>So, okay.

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<v Speaker 1>Well, thank you so much for joining us. We are

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<v Speaker 1>huge fans of you over here. We've been talking about

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<v Speaker 1>you all the time. And as, like, more of throwing

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<v Speaker 1>it out to the world, the universe just said, like, God,

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<v Speaker 1>we would love to have her on the show, thinking

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<v Speaker 1>there was never a chance in hell we would ever

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<v Speaker 1>get to actually sit down and talk with you.

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<v Speaker 2>So we are so excited that you were able to

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<v Speaker 2>join us. You have no idea.

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<v Speaker 1>So we always like to start with where you got started.

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<v Speaker 2>How, I mean, did.

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<v Speaker 1>Your love of film come from growing up, enjoying watching it.

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<v Speaker 2>Did you find it later? Just please tell us everything.

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<v Speaker 2>How'd you get into it?

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<v Speaker 3>Fan of the channel.

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<v Speaker 4>Yeah.

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<v Speaker 3>Did you watch this thing?

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<v Speaker 4>You guys, I've like, I was like, how do I

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<v Speaker 4>start this without crying? Um, like, and this is not

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<v Speaker 4>even the banner. Like I do what I do because

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<v Speaker 4>of you guys, like literally because of, I'm like what

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<v Speaker 4>a minute and I'm crying. Like because of what I

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<v Speaker 4>grew up with and who I grew up with, like

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<v Speaker 4>you guys were my friends. You like the content that

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<v Speaker 4>I watched growing up in Disney channel, like when Disney

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<v Speaker 4>plus came out, like that was my weekend plans. Like

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<v Speaker 4>I watched everything, everything. I mean, it's no secret that

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<v Speaker 4>I love nostalgia and I love that period. I think

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<v Speaker 4>part of me will forever be like, a 13 year old,

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<v Speaker 4>like coming of age in that way. But like, it

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<v Speaker 4>was how like watching was how I navigated the world

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<v Speaker 4>and figured out the world and, and understood my own emotions.

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<v Speaker 4>And I come from humble beginnings and complicated beginning and

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<v Speaker 4>like just a lot of complicated dynamics, which are still

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<v Speaker 4>very present for generations, young generations today, which is why

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<v Speaker 4>I'm like, we still need to, make content that addresses them.

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<v Speaker 4>It doesn't mean it can't be fun and light and

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<v Speaker 4>easily digestible, but like it's real stuff. You know, I

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<v Speaker 4>had divorced parents. I had sepsis. I had mixed family.

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<v Speaker 4>I felt like all the things, money, financial issues, like

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<v Speaker 4>all the things. And I was able to not feel alone.

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<v Speaker 4>I was able to laugh about it. I was able to,

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<v Speaker 4>because of what I watched, which was Boy Meets World,

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<v Speaker 4>the Cheetah Girls, like in, And seeing, like, I felt

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<v Speaker 4>seen and I felt like there were people like me. And, yeah,

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<v Speaker 4>I just, and I'm a re-watcher. Me too. I re-watch everything.

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<v Speaker 1>I deal with anxiety and have for most of my life.

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<v Speaker 1>And re-watching things is, like, my comfort.

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<v Speaker 4>Literal same. Like, I've dealt with depression or whatever that means.

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<v Speaker 4>I think my whole life. But depression. you know, every

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<v Speaker 4>stage of life, understanding it in different ways, whether it

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<v Speaker 4>was postpartum depression or whether it was in my early

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<v Speaker 4>twenties where I didn't even know what it really was.

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<v Speaker 4>And then after the fact, I learned what it was.

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<v Speaker 4>And then now in my thirties, when an amazing woman

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<v Speaker 4>that I work with, she was like, what if depression

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<v Speaker 4>isn't a bad thing? And that's completely changed.

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<v Speaker 1>Wow.

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<v Speaker 4>Like I'm in that journey right now. Um, but like,

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<v Speaker 4>but so, which was like wild. Um, but like, So, yes,

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<v Speaker 4>the rewatching is– it helps my nervous system. Me too.

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<v Speaker 2>100%.

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<v Speaker 4>100%. One of my– and, like, but I want to say, gosh,

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<v Speaker 4>I can tell, like, the past two years have been, like,

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<v Speaker 4>two movies, pregnant and then baby. So that's– but it

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<v Speaker 4>was before pregnancy that I did this. So that's, like,

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<v Speaker 4>two years ago. But I rewatched Boy Meets World literally

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<v Speaker 4>from pilot to end. Oh, really? Because I also have, like– uh,

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<v Speaker 4>an addictive personality in ways. And so, but like, I'm

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<v Speaker 4>very fortunate to where in my generation, it, it's like

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<v Speaker 4>very lighthearted to where it's like, I'll be very addicted

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<v Speaker 4>to like Cheez-Its. And I'm like, I need Cheez-Its every day.

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<v Speaker 4>Or there's one time where it was, um, that store, uh,

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<v Speaker 4>food place lemonade. At one point they had these macro

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<v Speaker 4>macaroons or whatever that were like this big. And there

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<v Speaker 4>was a lemon one. Uh, I literally would, DoorDash to

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<v Speaker 4>my apartment, like seven. And they were like expensive because

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<v Speaker 4>they're huge. They're a size of like six cookies. And

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<v Speaker 4>I'd be like, this will last me the week. One

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<v Speaker 4>a day. Two days later, I'm like, I'm going to

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<v Speaker 4>watch some more. But then I eat them. to the

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<v Speaker 4>point where I'm done. I'm like, I literally have never

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<v Speaker 4>had one since.

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<v Speaker 3>And that's, yeah, you like purge and like, you like

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<v Speaker 3>just go and then it gets it out of your system.

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<v Speaker 3>And then you're like, but for me, that takes me

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<v Speaker 3>to the next like tree.

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<v Speaker 2>Yeah. But again, that's good.

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<v Speaker 1>Cause you're talking about addictive personality. I have friends that

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<v Speaker 1>would have said the same thing, but they're like, it

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<v Speaker 1>was meth.

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<v Speaker 4>Mine is sold. I'm like my friends and cheese. It's

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<v Speaker 4>my TV shows. But granted the TV shows, like, I

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<v Speaker 4>do go back to the same ones. Like my ones

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<v Speaker 4>are like Frazier to the point where like, I even,

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<v Speaker 4>I'm actually right now in a process of trying to

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<v Speaker 4>not listen to it every night, um, to see what

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<v Speaker 4>that does for me. Um, but I, we watched it

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<v Speaker 4>every night that in our like wedding vows, my husband

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<v Speaker 4>like quoted Frazier and like made a whole Frazier thing

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<v Speaker 4>about it. Um, and it was actually so beautiful. Uh,

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<v Speaker 4>but go Frazier. Um, but so that's one, but it's

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<v Speaker 4>because that brings me back to my family. I watched

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<v Speaker 4>it with my parents. It takes me somewhere.

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<v Speaker 2>Yes.

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<v Speaker 4>And then, but then like I did with Boy Meets World, like,

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<v Speaker 4>and that I, I binged the entire thing in a

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<v Speaker 4>very fast period of time because I'm like, I will

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<v Speaker 4>wake up. It's, they're like my friends. I like hearing

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<v Speaker 4>the voices. That's great.

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<v Speaker 2>Yeah, I'm the same way.

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<v Speaker 4>Like with Cheetah Girls, I mean, the best part of

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<v Speaker 4>having not the best part of having kids, but one

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<v Speaker 4>of the best parts of having kids is reintroducing them

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<v Speaker 4>to things. Like when I got to show my daughter

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<v Speaker 4>Cheetah Girls, like amazing. She loved it. And, but like,

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<v Speaker 4>I was like, we're watching this for a week straight. Like,

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<v Speaker 4>cause I'm just like, I'm in the music. I'm in

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<v Speaker 4>the vibe. Like we're listening to the music. I just,

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<v Speaker 4>I love those good feels.

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<v Speaker 2>Yeah.

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<v Speaker 1>Do you ever worry that your daughter's going to learn

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<v Speaker 1>the only way to get dogs out of holes is

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<v Speaker 1>by singing to them?

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<v Speaker 2>Does that ever throw you? Because that would throw me.

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<v Speaker 2>I'd be like, man, maybe reach in and grab the dog.

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<v Speaker 1>Honestly?

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<v Speaker 4>Knowing her like yeah the adult if the adults around

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<v Speaker 4>us couldn't do it how the hell were we supposed

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<v Speaker 4>to do that well damn it.

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<v Speaker 3>We were we had shorter arms okay what the adults

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<v Speaker 3>didn't have was voices all right we did we came

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<v Speaker 3>with magic powers.

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<v Speaker 4>Power of music actually my does believe she does I

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<v Speaker 4>think she has magic, and she does. Oh, I hope so.

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<v Speaker 2>Yeah. You have magic as long as you believe you do.

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<v Speaker 2>That's one thing.

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<v Speaker 4>100%. 100%. I love that. Okay, so you're like me then, where....

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<v Speaker 1>Watching the show is super important. So then how did you,

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<v Speaker 1>when did you first decide this is what I'm doing

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<v Speaker 1>for my career?

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<v Speaker 4>It was a senior year of college on Santa Clara university.

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<v Speaker 4>It was so weird. I went to private Catholic schools,

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<v Speaker 4>majority of my life. And then when I was in

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<v Speaker 4>high school, all girls, Catholic school, I was like, So

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<v Speaker 4>I can only apply to Jesuit schools, right? Like I

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<v Speaker 4>didn't even think not to.

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<v Speaker 2>So LMU.

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<v Speaker 4>Yeah, LMU, Santa Clara, like all these ones. I didn't

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<v Speaker 4>even know. Now I'm– I wouldn't say I'm religious, but

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<v Speaker 4>I'm spiritual. I'm a woman of the earth, you know.

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<v Speaker 4>I'm a low-key witch. Not high-key. Respect for the high-keys. But, yeah,

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<v Speaker 4>so I went to Santa Clara, which was– that's where

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<v Speaker 4>my journey took me, and it was great. Yeah. It

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<v Speaker 4>was fascinating, but they have a really strong growing, it

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<v Speaker 4>wasn't even film specific at the time. You could do

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<v Speaker 4>like a film emphasis. And I just, I have a,

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<v Speaker 4>I say I come from, I don't know if I

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<v Speaker 4>can curse, but like the Mexican Brady bunch. Like that's

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<v Speaker 4>what I say I come from. That's my cute way

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<v Speaker 4>of saying it. And I say it was so much love,

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<v Speaker 4>but you know, both my parents have been married a

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<v Speaker 4>couple of times. I have a lot of siblings, step half, uh, biological, uh,

0:11:19.610 --> 0:11:22.050
<v Speaker 4>And they've been with me since I was four. Like,

0:11:22.070 --> 0:11:25.760
<v Speaker 4>so it's what I grew up with. But having, I

0:11:27.340 --> 0:11:29.939
<v Speaker 4>have a lot of siblings. And so, and we grew up,

0:11:29.960 --> 0:11:33.960
<v Speaker 4>my adolescence was in Arizona. And so, I'm coming back around.

0:11:34.000 --> 0:11:34.400
<v Speaker 4>Don't just.

0:11:34.440 --> 0:11:36.020
<v Speaker 2>Yeah. No, no, no, please. I love this.

0:11:36.280 --> 0:11:39.000
<v Speaker 4>But I grew up in Arizona and it's so hot

0:11:39.320 --> 0:11:40.740
<v Speaker 4>in the summer there. It's so hot.

0:11:40.840 --> 0:11:40.910
<v Speaker 1>Yes.

0:11:41.140 --> 0:11:44.680
<v Speaker 4>And like taking seven kids to a water park is

0:11:44.820 --> 0:11:47.620
<v Speaker 4>real expensive. Yeah. And so we would.

0:11:47.660 --> 0:11:49.660
<v Speaker 3>Gosh, you would think it'd be so cheap because it

0:11:49.679 --> 0:11:52.210
<v Speaker 3>was like, what else can you do? You would think.

0:11:52.730 --> 0:11:55.130
<v Speaker 4>But they know that. Exactly. You would think.

0:11:55.610 --> 0:11:55.970
<v Speaker 1>Yeah.

0:11:56.230 --> 0:11:58.370
<v Speaker 4>And, but so what we would do and says we

0:11:58.390 --> 0:12:01.610
<v Speaker 4>go to the movies and also I'm a, I'm a

0:12:01.670 --> 0:12:05.090
<v Speaker 4>proud movie hopper. We were proud movie hoppers. We would

0:12:05.130 --> 0:12:08.270
<v Speaker 4>like double feature, triple feature. And like, we would map

0:12:08.370 --> 0:12:10.930
<v Speaker 4>out the times and like sometimes the little kids, we

0:12:10.960 --> 0:12:12.880
<v Speaker 4>were the scouts to be like, go to the other

0:12:12.900 --> 0:12:15.900
<v Speaker 4>side and like check what theater it was, you know,

0:12:16.000 --> 0:12:17.720
<v Speaker 4>to go to the next one and stuff. Cause no

0:12:17.780 --> 0:12:20.240
<v Speaker 4>one's going to stop the little kid. And like, but

0:12:20.280 --> 0:12:22.900
<v Speaker 4>so that's what we, so I just, I loved movies.

0:12:23.059 --> 0:12:26.790
<v Speaker 4>I love the power of, I loved, going, I know

0:12:26.850 --> 0:12:28.850
<v Speaker 4>a lot of people say this, a lot of like,

0:12:29.710 --> 0:12:31.830
<v Speaker 4>it's the community of watching with other people. That's not

0:12:31.850 --> 0:12:35.440
<v Speaker 4>what it was for me. Like, I don't want, like, love, love, cool,

0:12:35.679 --> 0:12:41.140
<v Speaker 4>cool for those people. I love, I'm very like, this

0:12:41.220 --> 0:12:43.940
<v Speaker 4>is my experience and I love, I love watching by myself.

0:12:44.000 --> 0:12:45.540
<v Speaker 4>I love going to eat dinner by myself. I love

0:12:45.559 --> 0:12:48.209
<v Speaker 4>doing those things. But I love going into a theater,

0:12:48.870 --> 0:12:50.790
<v Speaker 4>going into a theater and sitting by myself. To have

0:12:50.830 --> 0:12:52.530
<v Speaker 4>a whole movie theater to myself would be the dream.

0:12:53.650 --> 0:12:59.350
<v Speaker 4>But just like, escaping and like experiencing emotions. I love

0:12:59.510 --> 0:13:05.740
<v Speaker 4>experiencing emotions. And, um, and so I just, I loved it.

0:13:05.770 --> 0:13:08.429
<v Speaker 4>And we always, even when we were younger, my, my

0:13:08.450 --> 0:13:10.770
<v Speaker 4>dad would always let us go to the midnight screenings

0:13:10.809 --> 0:13:13.910
<v Speaker 4>of things, uh, even on school nights. I don't know, like,

0:13:14.080 --> 0:13:17.099
<v Speaker 4>because we just loved movies in our house. And I'm

0:13:17.240 --> 0:13:19.359
<v Speaker 4>one of my favorite movies of all time, uh, is, uh,

0:13:19.850 --> 0:13:21.449
<v Speaker 4>willy wonka and the chocolate factory.

0:13:21.190 --> 0:13:24.710
<v Speaker 1>Me too you and i are the same person everything

0:13:24.750 --> 0:13:28.270
<v Speaker 1>you're saying i'm like everything you're saying i'm like like

0:13:28.360 --> 0:13:31.280
<v Speaker 1>liking to eat alone liking to watch movies alone like

0:13:31.320 --> 0:13:33.640
<v Speaker 1>we're the same and so willy won i have like

0:13:33.679 --> 0:13:36.319
<v Speaker 1>golden tickets framed around my home so this is.

0:13:36.200 --> 0:13:39.660
<v Speaker 2>So good yeah this is exactly good weird.

0:13:39.580 --> 0:13:42.460
<v Speaker 4>I mean i'm sure you've been seeing the thing where

0:13:43.140 --> 0:13:46.610
<v Speaker 4>uh the Gene Wilder's like talking about how he only

0:13:46.710 --> 0:13:49.270
<v Speaker 4>did the movie if he could do that one thing.

0:13:49.370 --> 0:13:50.710
<v Speaker 2>If he could do the tumble, if he could do

0:13:50.730 --> 0:13:51.449
<v Speaker 2>the tumble at the beginning.

0:13:51.470 --> 0:13:56.010
<v Speaker 4>Yes. That is, I, I, it's incredible.

0:13:56.080 --> 0:13:58.000
<v Speaker 2>It's incredible. Have you seen the trailer for the new

0:13:58.040 --> 0:13:58.900
<v Speaker 2>game show on Netflix?

0:13:59.640 --> 0:13:59.840
<v Speaker 4>No.

0:14:00.520 --> 0:14:03.540
<v Speaker 1>So they're actually, they beat, they built the chocolate factory

0:14:04.480 --> 0:14:06.880
<v Speaker 1>and a bunch of contestants have to go in and

0:14:06.900 --> 0:14:08.939
<v Speaker 1>you have to survive the chocolate factory to win a

0:14:08.960 --> 0:14:12.290
<v Speaker 1>lifetime supply of money instead of chocolate. But it's like

0:14:12.309 --> 0:14:15.980
<v Speaker 1>you walk into the imagination room and lickable wallpaper and

0:14:16.050 --> 0:14:16.530
<v Speaker 1>all that stuff.

0:14:16.820 --> 0:14:17.959
<v Speaker 2>It's dropping in like a month.

0:14:18.000 --> 0:14:18.440
<v Speaker 4>What?

0:14:18.860 --> 0:14:20.360
<v Speaker 2>Yeah.

0:14:20.460 --> 0:14:23.140
<v Speaker 3>If you just go on to Netflix, the ad goes

0:14:23.260 --> 0:14:24.180
<v Speaker 3>on pretty often.

0:14:24.420 --> 0:14:24.600
<v Speaker 2>Yeah.

0:14:24.740 --> 0:14:27.920
<v Speaker 4>And it looks. Okay, Netflix, check your algorithm. Why have

0:14:28.000 --> 0:14:29.120
<v Speaker 4>I not gotten this yet?

0:14:29.320 --> 0:14:29.620
<v Speaker 1>I know.

0:14:29.800 --> 0:14:31.680
<v Speaker 2>I don't know. I'm worried though. I'm worried because I

0:14:31.710 --> 0:14:32.730
<v Speaker 2>don't want it to ruin.

0:14:32.750 --> 0:14:33.850
<v Speaker 4>Oh, I'm really worried.

0:14:33.970 --> 0:14:34.970
<v Speaker 2>The joy. But I don't know.

0:14:35.130 --> 0:14:37.070
<v Speaker 3>I was thinking the same thing, but I saw one

0:14:37.090 --> 0:14:39.910
<v Speaker 3>where you're walking and then they're like, Like, they're talking about, like,

0:14:40.010 --> 0:14:42.010
<v Speaker 3>it smells the way I think it would smell.

0:14:42.030 --> 0:14:42.270
<v Speaker 1>Yes.

0:14:42.290 --> 0:14:45.620
<v Speaker 3>Like, they're, like, saying, like, their senses are picking up on, like,

0:14:45.630 --> 0:14:46.010
<v Speaker 3>all of this.

0:14:46.030 --> 0:14:48.400
<v Speaker 4>I mean, it would be a very much, like, I'm

0:14:48.460 --> 0:14:51.239
<v Speaker 4>very scared to meet my heroes kind of thing, you know?

0:14:51.260 --> 0:14:52.220
<v Speaker 2>A hundred percent.

0:14:52.480 --> 0:14:54.560
<v Speaker 1>But we are the music makers and we are the

0:14:54.600 --> 0:14:56.760
<v Speaker 1>dreamers of dreams. It's still the greatest line in any

0:14:56.780 --> 0:15:01.020
<v Speaker 1>film ever. It gives me chills every time I hear it. So, yeah, it's... Oh, yeah,

0:15:01.040 --> 0:15:01.890
<v Speaker 1>so we're best friends. Cool.

0:15:01.930 --> 0:15:02.190
<v Speaker 4>Okay.

0:15:02.330 --> 0:15:03.050
<v Speaker 2>Yes, we are.

0:15:10.060 --> 0:15:15.780
<v Speaker 4>I distinctly remember when the remake, the Johnny Depp, Charlie

0:15:15.960 --> 0:15:17.950
<v Speaker 4>and the Chocolate Factory came out.

0:15:18.040 --> 0:15:19.750
<v Speaker 2>Yeah, I know. They went pure book.

0:15:20.130 --> 0:15:23.450
<v Speaker 4>They went pure book, but I was so excited just

0:15:23.490 --> 0:15:25.470
<v Speaker 4>because I was a fan. I was a teenager or something.

0:15:25.490 --> 0:15:29.370
<v Speaker 4>But going to the midnight showing of that, I think

0:15:29.430 --> 0:15:32.030
<v Speaker 4>I also went to the midnight showing of Nacho Libre.

0:15:32.250 --> 0:15:33.570
<v Speaker 4>We just went to all the things.

0:15:33.590 --> 0:15:34.210
<v Speaker 2>That's great.

0:15:34.750 --> 0:15:37.830
<v Speaker 4>But so love movies. But so in college, senior year,

0:15:37.870 --> 0:15:38.750
<v Speaker 4>see how I got back there.

0:15:39.270 --> 0:15:42.210
<v Speaker 2>It's almost like, you know how to craft a story.

0:15:45.390 --> 0:15:48.770
<v Speaker 4>So I discovered what screenwriting was. I took like an

0:15:48.850 --> 0:15:51.580
<v Speaker 4>intro to screenwriting class and I was like, this is sick.

0:15:51.700 --> 0:15:54.660
<v Speaker 4>I love this. Cause I write as well. And then

0:15:54.680 --> 0:15:58.460
<v Speaker 4>I was like, I want to make my own senior

0:15:58.500 --> 0:16:00.700
<v Speaker 4>thesis and I'm going to write a feature and do

0:16:00.740 --> 0:16:02.680
<v Speaker 4>like an independent study. And I was going to do that.

0:16:03.440 --> 0:16:08.830
<v Speaker 4>But then I, These two gals were, gals, these two

0:16:08.870 --> 0:16:13.510
<v Speaker 4>gals were, and then I doubled down. Okay. They were like,

0:16:13.790 --> 0:16:15.450
<v Speaker 4>we want to make a short film, but one of

0:16:15.490 --> 0:16:17.560
<v Speaker 4>them wanted to edit and the other one wanted to produce.

0:16:17.780 --> 0:16:19.360
<v Speaker 4>And so they're like, do you want to write something?

0:16:19.460 --> 0:16:22.900
<v Speaker 4>And I was like, okay. So I wrote something, my

0:16:22.940 --> 0:16:25.560
<v Speaker 4>first masterpiece. And then they were like, we can't find

0:16:25.640 --> 0:16:27.730
<v Speaker 4>anyone that wants to direct a short. Do you just

0:16:27.760 --> 0:16:30.350
<v Speaker 4>want to direct it? I'm like, okay. And I did it.

0:16:30.390 --> 0:16:32.370
<v Speaker 4>And it was like, done.

0:16:32.390 --> 0:16:32.950
<v Speaker 2>You knew right away.

0:16:33.460 --> 0:16:37.359
<v Speaker 4>I knew right away I did. I, and I kid

0:16:37.380 --> 0:16:39.920
<v Speaker 4>you not, I direct the same way I do today

0:16:40.060 --> 0:16:42.940
<v Speaker 4>that I did back then. I don't know how I like,

0:16:44.080 --> 0:16:48.120
<v Speaker 4>I mean, I've always been very much like type a

0:16:48.260 --> 0:16:51.500
<v Speaker 4>over to like, you know, needing to like, if I,

0:16:52.160 --> 0:16:54.570
<v Speaker 4>I was raised on like my dad being like a

0:16:54.610 --> 0:16:58.150
<v Speaker 4>hundred percent isn't enough is 110% every time. And so, uh,

0:16:58.470 --> 0:17:02.190
<v Speaker 4>it was a blessing and a curse, but I was

0:17:02.230 --> 0:17:06.359
<v Speaker 4>just like, there's no reason why this student short film shouldn't, like,

0:17:06.740 --> 0:17:11.840
<v Speaker 4>be professional and be efficient and be this. And it

0:17:11.880 --> 0:17:15.590
<v Speaker 4>was a fantastic experience. And I've told people, like, I

0:17:15.619 --> 0:17:22.650
<v Speaker 4>feel so grateful that that first experience was that good

0:17:22.710 --> 0:17:26.130
<v Speaker 4>and where I had this cohort of students a lot

0:17:26.170 --> 0:17:28.300
<v Speaker 4>younger than me, some of my peers who just, like,

0:17:28.980 --> 0:17:31.470
<v Speaker 4>We're like, oh, captain, my captain. And like, let me

0:17:32.010 --> 0:17:38.220
<v Speaker 4>just lead with, without questioning and like, just let me like,

0:17:38.280 --> 0:17:42.400
<v Speaker 4>cause I very much create and direct from in here.

0:17:42.480 --> 0:17:44.260
<v Speaker 4>Like I can't really explain it. It's like, there's a

0:17:44.310 --> 0:17:47.790
<v Speaker 4>frequency and like. I couldn't give you like a dissertation

0:17:47.830 --> 0:17:50.130
<v Speaker 4>on why something isn't right or whatever. I can just,

0:17:50.330 --> 0:17:52.470
<v Speaker 4>I can, but I can tell you something's right here.

0:17:52.490 --> 0:17:55.400
<v Speaker 4>I will. It's not right. It's like, it's not. And so,

0:17:55.680 --> 0:17:57.699
<v Speaker 4>but if it's here, it's like, yes, I can't even

0:17:57.720 --> 0:18:01.080
<v Speaker 4>tell you why, but it's like, it's just this thing. And, um,

0:18:02.220 --> 0:18:04.060
<v Speaker 4>but they just, yeah, they let me do it. And I'm,

0:18:04.640 --> 0:18:07.480
<v Speaker 4>I learned a lot in that. Like there's this one

0:18:07.520 --> 0:18:11.530
<v Speaker 4>scene where it was a dramedy, um, called tight eyed.

0:18:12.160 --> 0:18:15.119
<v Speaker 4>and very heartfelt, but like funny and quirky and, and

0:18:15.140 --> 0:18:18.109
<v Speaker 4>a love story. But so there's this one scene at

0:18:18.140 --> 0:18:20.830
<v Speaker 4>the end though, where this guy's beating up this other guy.

0:18:21.869 --> 0:18:25.110
<v Speaker 4>And I didn't put any like sounds to the punches.

0:18:25.970 --> 0:18:28.490
<v Speaker 4>I just didn't know. I just didn't, but it was

0:18:28.530 --> 0:18:31.910
<v Speaker 4>in its own weird way. Like weird, like interesting seeing

0:18:31.950 --> 0:18:37.100
<v Speaker 4>something silent, but it was, I'll never forget that. I'm like, Oh, you,

0:18:37.320 --> 0:18:43.870
<v Speaker 4>you have to put sounds to, um, But it seemed

0:18:43.880 --> 0:18:45.770
<v Speaker 4>like it was a creative choice at the time is

0:18:45.810 --> 0:18:51.070
<v Speaker 4>what I'll say in retrospect. But after that, I just

0:18:51.090 --> 0:18:54.310
<v Speaker 4>I was like, that's it. OK, that's it. I'm applying

0:18:54.350 --> 0:18:57.600
<v Speaker 4>to film schools. I had no the film wasn't even

0:18:58.380 --> 0:19:01.340
<v Speaker 4>completely finished and edited. So I had no real. So

0:19:01.359 --> 0:19:05.040
<v Speaker 4>I'm like, I'm not applying to directing programs or anything.

0:19:05.119 --> 0:19:07.220
<v Speaker 4>But I was like, I also know that it's an

0:19:07.340 --> 0:19:10.179
<v Speaker 4>industry thing. And so I applied to producing programs.

0:19:10.420 --> 0:19:10.920
<v Speaker 2>Okay.

0:19:10.980 --> 0:19:14.200
<v Speaker 4>And, um, because I'm, I'm very good at getting done.

0:19:14.440 --> 0:19:17.020
<v Speaker 4>And so, yeah, I got, uh, and then I got

0:19:17.060 --> 0:19:21.650
<v Speaker 4>into UCLA and the Peter Stark producing program and asked

0:19:21.670 --> 0:19:23.310
<v Speaker 4>around and kind of what I should do. And it

0:19:23.350 --> 0:19:26.510
<v Speaker 4>seemed like the USC Peter Stark producing program was more

0:19:27.090 --> 0:19:29.210
<v Speaker 4>in line with me. It was run by and started

0:19:29.250 --> 0:19:33.669
<v Speaker 4>by the incredible late Larry Turman who produced the graduate

0:19:34.280 --> 0:19:37.820
<v Speaker 4>and like a slew of other iconic films. But he,

0:19:40.690 --> 0:19:44.000
<v Speaker 4>producing he was a romantic and he like his whole

0:19:44.040 --> 0:19:48.429
<v Speaker 4>vision was like a capital P producer is just as

0:19:48.510 --> 0:19:51.360
<v Speaker 4>much of an artist and a creative with a vision

0:19:51.960 --> 0:19:56.200
<v Speaker 4>as everyone else in the, in the process. And that

0:19:56.260 --> 0:19:59.669
<v Speaker 4>program was, uh, it's two years, but it was basically, uh,

0:20:00.400 --> 0:20:04.750
<v Speaker 4>you learn every aspect of how film's made from like

0:20:04.790 --> 0:20:06.930
<v Speaker 4>you take a writing course, you take a legal course,

0:20:06.970 --> 0:20:11.030
<v Speaker 4>you take a studio notes course. So that when you

0:20:11.050 --> 0:20:14.320
<v Speaker 4>go out and it's taught by just people already in

0:20:14.340 --> 0:20:19.060
<v Speaker 4>the industry doing stuff. Oh my gosh, my writing professor

0:20:19.119 --> 0:20:20.830
<v Speaker 4>person was Stu Krieger.

0:20:21.109 --> 0:20:22.449
<v Speaker 3>Oh my God, I was going to say that. I

0:20:22.490 --> 0:20:23.379
<v Speaker 3>was like, I bet you it's.

0:20:23.880 --> 0:20:24.859
<v Speaker 2>Stu, yes.

0:20:24.920 --> 0:20:25.780
<v Speaker 3>Yes, it was Stu.

0:20:25.800 --> 0:20:27.980
<v Speaker 2>And like, I mean, Fred of the pod.

0:20:28.000 --> 0:20:31.899
<v Speaker 1>And I was like, does everyone know who is teaching us?

0:20:32.160 --> 0:20:33.240
<v Speaker 3>Zenon.

0:20:33.300 --> 0:20:36.210
<v Speaker 2>He told us that. He's like, he's like my tea.

0:20:36.230 --> 0:20:38.750
<v Speaker 1>He goes, I would know because he's like half of

0:20:38.790 --> 0:20:40.270
<v Speaker 1>my class would have no idea who I was.

0:20:40.369 --> 0:20:42.090
<v Speaker 2>And the other half would be like, is there going

0:20:42.109 --> 0:20:43.840
<v Speaker 2>to be a Xenon 4? Like what's going on?

0:20:43.850 --> 0:20:45.169
<v Speaker 1>That's why I was.

0:20:45.050 --> 0:20:50.090
<v Speaker 4>Like, you guys, he wrote Venus the Penis. Like no

0:20:50.170 --> 0:20:52.109
<v Speaker 4>one got it. And also like a Troll in Central Park,

0:20:52.150 --> 0:20:57.590
<v Speaker 4>like amazing. But so that program, I always say like

0:20:58.109 --> 0:21:00.990
<v Speaker 4>the Stark program didn't teach me how to make movies.

0:21:01.050 --> 0:21:02.929
<v Speaker 4>It taught me how to make my second, third and

0:21:02.970 --> 0:21:06.930
<v Speaker 4>fourth movie because it taught me how to like navigate

0:21:06.970 --> 0:21:11.000
<v Speaker 4>the industry. And it's like, It's, like, it introduced a clock,

0:21:11.180 --> 0:21:12.870
<v Speaker 4>and it turned the clock around, and I was able

0:21:12.880 --> 0:21:14.790
<v Speaker 4>to just kind of see the mechanics of it.

0:21:15.030 --> 0:21:15.850
<v Speaker 2>Great.

0:21:15.869 --> 0:21:20.390
<v Speaker 4>Because, like, it's hard being creative out here. And, like,

0:21:20.530 --> 0:21:23.450
<v Speaker 4>it's not enough to just, like, have cool ideas.

0:21:23.930 --> 0:21:24.890
<v Speaker 3>Yeah.

0:21:24.990 --> 0:21:27.150
<v Speaker 4>I was telling this to someone last night. Like, I'm

0:21:27.190 --> 0:21:31.720
<v Speaker 4>a firm believer. Like, anything is possible. But to a

0:21:31.760 --> 0:21:33.620
<v Speaker 4>lot of people, not everything is doable.

0:21:34.180 --> 0:21:34.440
<v Speaker 3>Right.

0:21:34.680 --> 0:21:39.949
<v Speaker 4>And so, like, and I feel like I've... Pat my back.

0:21:39.990 --> 0:21:44.470
<v Speaker 4>I've become a person who has... I've now become someone

0:21:44.490 --> 0:21:46.150
<v Speaker 4>who I'm like, no, everything is doable.

0:21:47.250 --> 0:21:47.970
<v Speaker 2>Well, yeah.

0:21:48.010 --> 0:21:50.410
<v Speaker 1>I mean, especially when you've had one kind of banger

0:21:50.609 --> 0:21:53.760
<v Speaker 1>after the other. I mean, it seems like, especially for

0:21:53.840 --> 0:21:57.320
<v Speaker 1>something like Disney Channel, anything big that they're going to.

0:21:57.320 --> 0:21:59.340
<v Speaker 2>Do, it seems like they're going to come to you first,

0:21:59.940 --> 0:22:03.859
<v Speaker 2>which is pretty awesome. I mean, we just did.

0:22:03.880 --> 0:22:07.850
<v Speaker 1>I think the first film of yours we did, I think,

0:22:07.910 --> 0:22:09.470
<v Speaker 1>was Slumber Party.

0:22:09.760 --> 0:22:10.129
<v Speaker 4>Yes.

0:22:10.400 --> 0:22:11.640
<v Speaker 2>Which we loved.

0:22:11.680 --> 0:22:12.900
<v Speaker 3>We loved.

0:22:13.480 --> 0:22:14.280
<v Speaker 4>Loved.

0:22:14.340 --> 0:22:16.400
<v Speaker 2>And we got to talk to Darby. Yes.

0:22:16.720 --> 0:22:21.040
<v Speaker 3>Which is super cool. She's incredible.

0:22:21.140 --> 0:22:23.399
<v Speaker 1>But that was one of those movies where we finished

0:22:23.440 --> 0:22:25.230
<v Speaker 1>and we were kind of quiet and we talked and

0:22:25.250 --> 0:22:27.290
<v Speaker 1>we both looked at each other like, this was great.

0:22:27.670 --> 0:22:28.430
<v Speaker 4>Great.

0:22:28.530 --> 0:22:29.550
<v Speaker 2>Just because it was... So.

0:22:31.369 --> 0:22:36.440
<v Speaker 1>Doing this process, we have now seen every type, quote unquote,

0:22:36.540 --> 0:22:39.860
<v Speaker 1>and every era of the DCOM.

0:22:39.880 --> 0:22:41.520
<v Speaker 2>Going back to before it was even DCOM.

0:22:41.540 --> 0:22:44.100
<v Speaker 3>Which makes a difference. The eras make a huge difference.

0:22:44.160 --> 0:22:44.380
<v Speaker 1>Huge.

0:22:44.400 --> 0:22:46.979
<v Speaker 3>Where the channel was, what they were doing, what they

0:22:47.020 --> 0:22:52.290
<v Speaker 3>were excelling at. And for a while, after the musicals happened,

0:22:52.730 --> 0:22:55.350
<v Speaker 3>there was a time period where the channel, if they

0:22:55.369 --> 0:22:56.490
<v Speaker 3>weren't doing a musical.

0:22:57.290 --> 0:22:58.270
<v Speaker 2>Didn't know what it was.

0:22:58.510 --> 0:23:00.659
<v Speaker 3>Like what, you know what I mean? Like, was it,

0:23:00.730 --> 0:23:03.950
<v Speaker 3>it's not the, even Steven's like over the top comedy.

0:23:04.010 --> 0:23:07.229
<v Speaker 3>It's not that, but it could be, I don't know.

0:23:07.270 --> 0:23:09.250
<v Speaker 3>It was just this weird. And like slumber party was

0:23:09.290 --> 0:23:12.350
<v Speaker 3>like this, like, like us being able to like exhale

0:23:12.410 --> 0:23:15.650
<v Speaker 3>and go, okay, we're back. The channel is back. They

0:23:15.670 --> 0:23:18.410
<v Speaker 3>know what the hell they're doing, where they're going now.

0:23:18.470 --> 0:23:20.080
<v Speaker 2>That was the thing that was exactly right.

0:23:20.100 --> 0:23:22.560
<v Speaker 1>Is, you know, what you're going to get nowadays for

0:23:22.580 --> 0:23:25.119
<v Speaker 1>the most part, when you see a descendant's Or when

0:23:25.140 --> 0:23:27.040
<v Speaker 1>you see a zombies, you know what you're going to get.

0:23:27.080 --> 0:23:29.620
<v Speaker 1>It's going to be a big, lavish Kenny Ortega esque

0:23:29.800 --> 0:23:32.120
<v Speaker 1>kind of musical. There's going to be levels of dancing.

0:23:32.460 --> 0:23:34.790
<v Speaker 1>The singing is going to be incredible. The cast is

0:23:34.810 --> 0:23:36.090
<v Speaker 1>going to be great. You know what you're going to get.

0:23:36.109 --> 0:23:40.650
<v Speaker 1>It was the movies that weren't those that you were like, okay,

0:23:40.890 --> 0:23:44.250
<v Speaker 1>this could be a long 98 minutes that we're about

0:23:44.270 --> 0:23:46.490
<v Speaker 1>to get through. And then we had a couple in

0:23:46.530 --> 0:23:48.189
<v Speaker 1>a row where it was like, is it called prom

0:23:48.210 --> 0:23:49.130
<v Speaker 1>night or prom date?

0:23:49.170 --> 0:23:49.930
<v Speaker 2>Whatever that one.

0:23:50.070 --> 0:23:50.270
<v Speaker 1>Yeah.

0:23:50.290 --> 0:23:50.450
<v Speaker 4>Yeah.

0:23:50.830 --> 0:23:52.430
<v Speaker 2>I forget what it was, but it was one with my,

0:23:52.450 --> 0:23:53.040
<v Speaker 2>with Milo.

0:23:53.300 --> 0:23:54.450
<v Speaker 4>Just prom, just prom.

0:23:54.470 --> 0:23:57.600
<v Speaker 2>I think it was just prom, prom and slumber party.

0:23:57.880 --> 0:23:59.919
<v Speaker 1>And there were a few in a row where we

0:23:59.960 --> 0:24:04.620
<v Speaker 1>were like, Oh, this spin lock somewhere. We were just like,

0:24:04.720 --> 0:24:07.580
<v Speaker 1>this is now they're, they're starting to get that. It's like,

0:24:07.700 --> 0:24:09.560
<v Speaker 1>it doesn't have to be a musical and it can

0:24:09.619 --> 0:24:13.750
<v Speaker 1>still be, for kids, quote unquote, or younger people, I

0:24:13.770 --> 0:24:14.830
<v Speaker 1>guess would be the best way to say it.

0:24:14.830 --> 0:24:18.610
<v Speaker 2>Cause it's not like for little kids. And so when

0:24:18.650 --> 0:24:20.600
<v Speaker 2>we saw that, we were like, oh, it's the hangover.

0:24:20.840 --> 0:24:23.780
<v Speaker 1>It's the hangover for like younger people. This is the

0:24:23.840 --> 0:24:26.399
<v Speaker 1>coolest thing in the world. And it's so easily could

0:24:26.420 --> 0:24:27.400
<v Speaker 1>have gone off the rails.

0:24:27.260 --> 0:24:27.920
<v Speaker 2>And it never did.

0:24:28.180 --> 0:24:29.430
<v Speaker 3>That was the thing that was so cool.

0:24:29.550 --> 0:24:30.050
<v Speaker 4>It never did.

0:24:37.210 --> 0:24:40.859
<v Speaker 1>Were you, I mean, obviously, my question then becomes, you

0:24:41.160 --> 0:24:45.520
<v Speaker 1>are a fan of all the DCOMs and Disney in general.

0:24:46.180 --> 0:24:48.600
<v Speaker 1>Did you have an idea of, like, we've got to

0:24:48.740 --> 0:24:50.760
<v Speaker 1>kind of start a new era of the DCOM?

0:24:52.540 --> 0:24:52.899
<v Speaker 2>Yes.

0:24:54.340 --> 0:24:59.240
<v Speaker 4>Yes. More so just because I missed what I had. Like,

0:24:59.290 --> 0:25:03.310
<v Speaker 4>I wanted that back so bad. Right. Because I do

0:25:03.350 --> 0:25:08.129
<v Speaker 4>think it, you know, the... the fantasy kind of took over,

0:25:09.290 --> 0:25:14.680
<v Speaker 4>which I get it. It's cool. The costumes, all the things. And,

0:25:14.920 --> 0:25:16.920
<v Speaker 4>I mean, I love a good world building. Like, I'm

0:25:17.020 --> 0:25:20.940
<v Speaker 4>feeling kind of drawn to, like, wanting to see what

0:25:21.020 --> 0:25:23.240
<v Speaker 4>my world building thing is at some point.

0:25:23.850 --> 0:25:24.790
<v Speaker 2>All fantasy, by the way.

0:25:25.230 --> 0:25:26.109
<v Speaker 4>All fantasy.

0:25:26.130 --> 0:25:26.670
<v Speaker 2>It's all I reach.

0:25:26.710 --> 0:25:28.970
<v Speaker 4>It's all fantasy. I mean, I'm a romanticist.

0:25:31.140 --> 0:25:33.439
<v Speaker 2>Oh, okay. So you're a fourth wing kind of person.

0:25:33.520 --> 0:25:35.040
<v Speaker 4>Oh, fourth wing, ACOTAR.

0:25:35.180 --> 0:25:35.680
<v Speaker 3>Gotcha.

0:25:35.960 --> 0:25:37.260
<v Speaker 2>Copy that. Copy that.

0:25:37.300 --> 0:25:40.090
<v Speaker 4>Okay, fair enough. My dream is just to make the

0:25:40.380 --> 0:25:41.990
<v Speaker 4>kids ACOTAR. You know what I mean?

0:25:42.710 --> 0:25:44.609
<v Speaker 2>Okay. I have to imagine they're going to let you

0:25:44.650 --> 0:25:48.830
<v Speaker 2>do that. I hope so.

0:25:49.970 --> 0:25:54.770
<v Speaker 4>I hope so. Dreams manifest. Okay. But yeah, I was like,

0:25:55.030 --> 0:26:00.129
<v Speaker 4>I wanted so badly. I love... grounded. Like I, I,

0:26:00.369 --> 0:26:02.930
<v Speaker 4>I love ground. I love grounded characters that again, that

0:26:02.970 --> 0:26:05.530
<v Speaker 4>does not mean they can't be aliens or they can't

0:26:05.550 --> 0:26:09.629
<v Speaker 4>be anything, but like just that like real story with

0:26:10.170 --> 0:26:14.880
<v Speaker 4>real plot and real emotions that, um, that you, that

0:26:14.940 --> 0:26:17.040
<v Speaker 4>people can apply to their real life. Cause that was

0:26:17.119 --> 0:26:21.420
<v Speaker 4>my favorite thing to do is to apply something to myself. Um,

0:26:21.500 --> 0:26:27.000
<v Speaker 4>but so, um, that's like what I wanted to bring back.

0:26:27.100 --> 0:26:30.600
<v Speaker 4>Even like, we just rewatched, um, what last week in

0:26:30.619 --> 0:26:33.939
<v Speaker 4>my house, smart house. And like, my daughter's five and

0:26:33.960 --> 0:26:36.670
<v Speaker 4>a half, but like, she got it. And like, because

0:26:36.950 --> 0:26:40.050
<v Speaker 4>it's real money and she's asking questions, which I'm so

0:26:40.109 --> 0:26:42.590
<v Speaker 4>happy she's watching at this point. Cause she's starting to

0:26:42.630 --> 0:26:45.109
<v Speaker 4>ask more questions about life and she's about to be six. And,

0:26:45.950 --> 0:26:48.970
<v Speaker 4>and I want her to, she was like, where, where's

0:26:49.010 --> 0:26:51.280
<v Speaker 4>their mom? And it's like, Oh, why is he so upset?

0:26:51.480 --> 0:26:55.470
<v Speaker 4>And like, she's literally navigating her own emotions right now.

0:26:55.550 --> 0:26:59.170
<v Speaker 4>She literally, we just had a, uh, had a moment

0:26:59.290 --> 0:27:03.650
<v Speaker 4>where she's like starting to experience like shame and like,

0:27:03.690 --> 0:27:06.210
<v Speaker 4>she's doing something that she doesn't, she wishes she didn't

0:27:06.369 --> 0:27:09.350
<v Speaker 4>do or whatever. And I'm, you know, being that like

0:27:09.890 --> 0:27:14.970
<v Speaker 4>millennial parent and, and, but also where I'm like in

0:27:14.990 --> 0:27:17.409
<v Speaker 4>the best way possible where I'm like, it's okay. You

0:27:17.450 --> 0:27:19.950
<v Speaker 4>can let that go. It's okay to make a mistake. Uh,

0:27:20.150 --> 0:27:21.570
<v Speaker 4>you know, which is something I have to tell myself

0:27:21.590 --> 0:27:23.619
<v Speaker 4>all the time. 35 year old.

0:27:23.660 --> 0:27:25.100
<v Speaker 2>Good lesson. Yeah, exactly.

0:27:25.180 --> 0:27:27.720
<v Speaker 4>And I'm like, it's okay. And she, and I'm telling

0:27:27.760 --> 0:27:30.680
<v Speaker 4>her this and she's literally looks at me, she's five

0:27:30.720 --> 0:27:32.810
<v Speaker 4>and a half, but she might as well be 13.

0:27:32.810 --> 0:27:34.870
<v Speaker 4>She looks at me and she's like, I know you're

0:27:34.930 --> 0:27:38.409
<v Speaker 4>saying that, but I still feel this way. Right. And

0:27:38.690 --> 0:27:44.130
<v Speaker 4>I was like, I was just like, Oh wow. That's

0:27:44.210 --> 0:27:48.140
<v Speaker 4>so true. Like, I know she's getting what I'm saying,

0:27:48.310 --> 0:27:51.210
<v Speaker 4>but she has to be the one to like figure

0:27:51.250 --> 0:27:55.149
<v Speaker 4>out how to navigate that feeling of feeling bad that

0:27:55.190 --> 0:27:59.050
<v Speaker 4>she did that thing. And like, and so that's what,

0:27:59.210 --> 0:28:03.050
<v Speaker 4>that's what I want. That's what I want to give

0:28:03.369 --> 0:28:07.399
<v Speaker 4>to people is like the time and space and to

0:28:07.540 --> 0:28:11.139
<v Speaker 4>see other young people like going through those things and

0:28:11.160 --> 0:28:15.310
<v Speaker 4>like even even in some fun romp, like the slumber party,

0:28:15.369 --> 0:28:18.190
<v Speaker 4>like it was really important to me to like ground

0:28:18.230 --> 0:28:21.550
<v Speaker 4>those girls. Like we, from the original it's, you know,

0:28:21.590 --> 0:28:23.730
<v Speaker 4>based on a book and then even from the original script,

0:28:23.790 --> 0:28:25.890
<v Speaker 4>like I was like, can I age them up just

0:28:25.930 --> 0:28:28.390
<v Speaker 4>a little bit? Because like I wanted to give them

0:28:28.510 --> 0:28:34.990
<v Speaker 4>more to like deal with emotionally. Because I think adding

0:28:35.010 --> 0:28:37.050
<v Speaker 4>that stuff also makes the comedy hit harder.

0:28:37.310 --> 0:28:37.770
<v Speaker 1>Yeah. Right.

0:28:38.090 --> 0:28:38.810
<v Speaker 2>And what a cast.

0:28:38.830 --> 0:28:42.730
<v Speaker 3>There's like such a great, yeah. And they're, When I

0:28:42.770 --> 0:28:44.230
<v Speaker 3>feel like you really did and you hit it on

0:28:44.250 --> 0:28:46.670
<v Speaker 3>the mark was such an amazing point where she's coming

0:28:46.710 --> 0:28:49.250
<v Speaker 3>out of the bathroom and they're all... She thinks she's

0:28:49.290 --> 0:28:52.820
<v Speaker 3>so right with her perspective and they're like, are you

0:28:52.880 --> 0:28:56.040
<v Speaker 3>forgetting about my situation? I get that you're having a

0:28:56.060 --> 0:28:58.820
<v Speaker 3>hard time here. And they all kind of go... It

0:28:58.860 --> 0:29:03.660
<v Speaker 3>makes her click. She's just thinking about herself. She's not

0:29:03.790 --> 0:29:08.190
<v Speaker 3>thinking about how that would affect them in different ways.

0:29:08.230 --> 0:29:11.590
<v Speaker 3>They all have different... family backgrounds.

0:29:11.650 --> 0:29:11.930
<v Speaker 2>Right.

0:29:12.050 --> 0:29:14.410
<v Speaker 3>And so I think that that kind of stuff is

0:29:14.450 --> 0:29:19.080
<v Speaker 3>where the movie was so funny and so over the

0:29:19.120 --> 0:29:21.840
<v Speaker 3>top of things, but that grounding moments were where you

0:29:21.860 --> 0:29:24.800
<v Speaker 3>were like getting chills and you're going, Oh my gosh,

0:29:24.820 --> 0:29:27.620
<v Speaker 3>like what a great lesson for a young girl to see.

0:29:27.680 --> 0:29:30.230
<v Speaker 3>And she's seen it through her friends and she's having

0:29:30.250 --> 0:29:34.330
<v Speaker 3>to kind of backpedal and all of that. And love

0:29:34.410 --> 0:29:38.210
<v Speaker 3>the music, love the big musicals. I'm a huge girl

0:29:38.310 --> 0:29:40.780
<v Speaker 3>on that. That's what I loved as well. But what

0:29:40.820 --> 0:29:43.540
<v Speaker 3>I looked to was things like Boy Meets World and

0:29:43.600 --> 0:29:46.300
<v Speaker 3>how you handle things with your friends, how you handle

0:29:46.440 --> 0:29:48.740
<v Speaker 3>issues with your brothers and sisters and your parents and

0:29:48.890 --> 0:29:52.670
<v Speaker 3>all of that. That's so important too. It's not just

0:29:52.750 --> 0:29:55.450
<v Speaker 3>like the The big musical stuff.

0:29:55.610 --> 0:29:57.680
<v Speaker 2>Well, that's how I look at it as well.

0:29:57.840 --> 0:30:03.140
<v Speaker 1>And something like Slumber Party, anytime you get the real

0:30:03.260 --> 0:30:08.300
<v Speaker 1>moments that are surrounded by the absurd, it's just.

0:30:08.120 --> 0:30:12.510
<v Speaker 2>That great jelly nougat, you know? It's like, oh my God.

0:30:12.570 --> 0:30:16.570
<v Speaker 1>Because then when you go from hedgehog car, you know,

0:30:16.690 --> 0:30:19.180
<v Speaker 1>sliding down the street to the quiet moments of, oh,

0:30:19.190 --> 0:30:20.300
<v Speaker 1>they're actually falling for each other.

0:30:20.540 --> 0:30:21.920
<v Speaker 2>It was our favorite T-Com kiss.

0:30:21.960 --> 0:30:22.700
<v Speaker 4>Dude, the best kiss.

0:30:23.180 --> 0:30:26.080
<v Speaker 3>Decom kiss we have seen yet.

0:30:26.220 --> 0:30:27.820
<v Speaker 2>Favorite Decom kiss.

0:30:27.980 --> 0:30:30.550
<v Speaker 1>And two older people ranking Decom kisses is crazy enough

0:30:30.610 --> 0:30:31.170
<v Speaker 1>and weird enough.

0:30:31.290 --> 0:30:32.570
<v Speaker 3>But it was so ridiculous.

0:30:32.610 --> 0:30:35.850
<v Speaker 2>We were like, that was so real and so good.

0:30:36.150 --> 0:30:37.030
<v Speaker 4>And it was.

0:30:37.410 --> 0:30:39.840
<v Speaker 3>Oh, it was the best. It was so cute. It

0:30:39.890 --> 0:30:41.720
<v Speaker 3>wasn't over the top. It wasn't like.

0:30:41.800 --> 0:30:42.320
<v Speaker 2>Out of the park.

0:30:42.400 --> 0:30:43.120
<v Speaker 3>It wasn't weird.

0:30:43.240 --> 0:30:43.720
<v Speaker 2>Oh, it wasn't.

0:30:43.900 --> 0:30:44.460
<v Speaker 4>Perfect.

0:30:44.520 --> 0:30:46.000
<v Speaker 3>It was a perfect first kiss.

0:30:47.140 --> 0:30:49.140
<v Speaker 2>We talked to Darby about it too. I mean, it

0:30:49.160 --> 0:30:52.050
<v Speaker 2>was such, it was so much fun. Okay.

0:30:52.090 --> 0:30:54.090
<v Speaker 1>So the next question that I have to ask to

0:30:54.130 --> 0:30:57.850
<v Speaker 1>get into our next series of questions is, were you

0:30:57.910 --> 0:30:58.790
<v Speaker 1>a Joe bros fan?

0:30:58.810 --> 0:31:10.110
<v Speaker 4>Yes. Yeah, no, I mean, they're, I don't even remember

0:31:10.130 --> 0:31:12.380
<v Speaker 4>a time where they weren't the Jonas Brothers.

0:31:12.430 --> 0:31:16.240
<v Speaker 3>You were a perfect, perfect demo as far as an age,

0:31:16.440 --> 0:31:19.180
<v Speaker 3>as far as when they first came out and like

0:31:19.960 --> 0:31:23.540
<v Speaker 3>blew up the channel. They blew up Hollywood Records. I mean,

0:31:23.560 --> 0:31:26.360
<v Speaker 3>they blew up every, they were on tour. I feel

0:31:26.380 --> 0:31:28.880
<v Speaker 3>like doing stadiums, right? Did you ever get to go

0:31:28.900 --> 0:31:29.690
<v Speaker 3>to one of their shows?

0:31:30.210 --> 0:31:34.110
<v Speaker 4>No, no. I like, that's a wild, like I love

0:31:34.160 --> 0:31:38.030
<v Speaker 4>music and music is a big part of my like process.

0:31:38.050 --> 0:31:40.210
<v Speaker 4>Like even with slumber party, when I pitched to direct

0:31:40.250 --> 0:31:42.560
<v Speaker 4>that one, like I had the whole soundtrack and the

0:31:42.600 --> 0:31:45.180
<v Speaker 4>amazing thing that was like the coolest thing with slumber party.

0:31:45.700 --> 0:31:47.740
<v Speaker 4>And there are many cool things, but at the end

0:31:47.760 --> 0:31:50.730
<v Speaker 4>when we were in the edit, I put a lot

0:31:50.770 --> 0:31:52.210
<v Speaker 4>of the songs that I, I mean, I got a

0:31:52.270 --> 0:31:53.510
<v Speaker 4>Fleetwood Mac deep track.

0:31:53.570 --> 0:31:54.690
<v Speaker 3>Which is insane.

0:31:54.930 --> 0:31:56.840
<v Speaker 4>Insane that they let me do that.

0:31:56.940 --> 0:31:58.600
<v Speaker 3>I could not believe it.

0:31:58.660 --> 0:32:01.960
<v Speaker 4>It was crazy. And then even like, even the score,

0:32:01.980 --> 0:32:07.200
<v Speaker 4>like for that kiss, I used, I loved Childish Gambino's album,

0:32:07.770 --> 0:32:09.030
<v Speaker 4>the first one that he came out with.

0:32:09.090 --> 0:32:11.510
<v Speaker 2>And there's a track on there. This is America? Yes,

0:32:11.570 --> 0:32:12.050
<v Speaker 2>that album.

0:32:12.550 --> 0:32:15.870
<v Speaker 4>And like, but there's a track on there. I think

0:32:15.900 --> 0:32:18.010
<v Speaker 4>it's called like the night me and your mama met

0:32:18.070 --> 0:32:19.750
<v Speaker 4>or something. Me and your daddy met. It's like, it's

0:32:19.890 --> 0:32:23.790
<v Speaker 4>all instrumental, but it's, but that was the inspiration for

0:32:23.830 --> 0:32:26.870
<v Speaker 4>the score behind the kiss. And like, but so like,

0:32:26.970 --> 0:32:30.930
<v Speaker 4>which that's yeah. But the, and then I was like,

0:32:31.210 --> 0:32:33.830
<v Speaker 4>I need Britney Spears. I'm not a girl, not yet

0:32:33.850 --> 0:32:35.850
<v Speaker 4>a woman like that song. I need it.

0:32:36.430 --> 0:32:36.730
<v Speaker 2>Yes.

0:32:36.840 --> 0:32:40.110
<v Speaker 4>Like I, I like the girls. I love, I have

0:32:40.490 --> 0:32:43.050
<v Speaker 4>all these feelings about femininity, masculinity and all this stuff

0:32:43.110 --> 0:32:46.130
<v Speaker 4>and how young girls are usually portrayed and all this stuff.

0:32:46.150 --> 0:32:48.200
<v Speaker 4>And I just wanted these girls to like show a

0:32:48.240 --> 0:32:51.840
<v Speaker 4>spectrum and also just have it not be about that

0:32:52.060 --> 0:32:54.440
<v Speaker 4>at all. And that doesn't mean they can't be feminine,

0:32:54.520 --> 0:32:59.020
<v Speaker 4>but like, and so I think in general, the girls like,

0:32:59.080 --> 0:33:03.040
<v Speaker 4>you know, like Paige dressed like me and Alex was just,

0:33:03.520 --> 0:33:06.140
<v Speaker 4>or Veronica, the character was like in her own thing.

0:33:06.180 --> 0:33:08.380
<v Speaker 4>And like Darby did wear a skirt, but like, I

0:33:08.380 --> 0:33:10.800
<v Speaker 4>don't know. But at the end, I just wanted people

0:33:10.820 --> 0:33:13.520
<v Speaker 4>to remember that these are 14-year-old girls. Like, this is

0:33:13.560 --> 0:33:16.880
<v Speaker 4>also 14-year-old girls. There's the 14-year-old girls that you can

0:33:17.030 --> 0:33:19.890
<v Speaker 4>see on Instagram posing and doing all that stuff. But

0:33:19.930 --> 0:33:23.250
<v Speaker 4>these are also 14-year-old girls that exist. And it doesn't

0:33:23.290 --> 0:33:27.110
<v Speaker 4>make them any less feminine, you know? But so I

0:33:27.110 --> 0:33:29.210
<v Speaker 4>was like, I want that song so bad.

0:33:29.370 --> 0:33:29.690
<v Speaker 1>Yeah.

0:33:30.030 --> 0:33:32.130
<v Speaker 4>And then we got, I mean, no way could we

0:33:32.190 --> 0:33:34.510
<v Speaker 4>afford the real Britney song. But we got to do

0:33:34.550 --> 0:33:39.820
<v Speaker 4>a cover, which is so cool. Yes. I'd say like 80%

0:33:39.820 --> 0:33:43.370
<v Speaker 4>of the music in that movie was what I originally

0:33:43.450 --> 0:33:44.070
<v Speaker 4>pitched with.

0:33:44.350 --> 0:33:44.830
<v Speaker 2>Oh man.

0:33:45.010 --> 0:33:48.190
<v Speaker 4>It was insane. I just feel like that doesn't normally happen. Um,

0:33:49.550 --> 0:33:53.450
<v Speaker 4>so thank you, Disney and the mouse. Yeah. But, uh,

0:33:53.450 --> 0:33:54.560
<v Speaker 4>what was the question?

0:33:54.930 --> 0:33:55.390
<v Speaker 2>Joe bros.

0:33:55.920 --> 0:33:56.500
<v Speaker 3>Joe bros.

0:33:56.600 --> 0:33:57.380
<v Speaker 4>Joe bros.

0:33:57.900 --> 0:33:59.340
<v Speaker 3>Go into the concert. So you.

0:34:00.320 --> 0:34:00.720
<v Speaker 2>Oh yes.

0:34:00.800 --> 0:34:02.840
<v Speaker 4>I've always loved music. Music is very important to me,

0:34:03.200 --> 0:34:06.300
<v Speaker 4>but I didn't grow up, uh, getting to go.

0:34:07.310 --> 0:34:08.509
<v Speaker 2>I didn't do concerts either.

0:34:08.810 --> 0:34:12.380
<v Speaker 4>And so, um, so yeah, I like, I was a

0:34:12.460 --> 0:34:17.259
<v Speaker 4>radio girl. I like, I, you know, uh, what was

0:34:17.300 --> 0:34:19.560
<v Speaker 4>on the radio? That was, I loved the radio. Um,

0:34:20.850 --> 0:34:23.310
<v Speaker 4>And even now, I'm so analog.

0:34:23.489 --> 0:34:26.390
<v Speaker 2>Yeah, me too. I'm telling you, besties.

0:34:26.750 --> 0:34:27.310
<v Speaker 1>Oh, truly.

0:34:27.330 --> 0:34:31.970
<v Speaker 4>Super simple. I'm so exhausted from even the streaming stuff.

0:34:32.050 --> 0:34:34.859
<v Speaker 4>I'm like, can I just get cable back? I was

0:34:34.890 --> 0:34:38.520
<v Speaker 4>a remote queen. I had to navigate that so long.

0:34:39.120 --> 0:34:42.879
<v Speaker 4>And I love that feeling of like, oh, snap, that

0:34:42.900 --> 0:34:44.299
<v Speaker 4>movie's on. Oh, I got to watch that.

0:34:44.900 --> 0:34:46.130
<v Speaker 2>Yes. I'm still AOL.

0:34:47.770 --> 0:34:48.370
<v Speaker 4>Okay.

0:34:48.390 --> 0:34:49.750
<v Speaker 2>That's not even a joke.

0:34:49.870 --> 0:34:53.609
<v Speaker 1>That's an extreme you were expecting.

0:34:53.650 --> 0:34:55.310
<v Speaker 2>That is a statement. Thank you.

0:34:55.330 --> 0:34:56.610
<v Speaker 4>That is a statement.

0:34:56.650 --> 0:34:59.589
<v Speaker 2>Ride or die. Thank you very much. He loves it.

0:34:59.770 --> 0:35:01.180
<v Speaker 2>Loves it. We'll never give it up.

0:35:01.280 --> 0:35:04.120
<v Speaker 3>Unless they like shut it down.

0:35:04.160 --> 0:35:14.960
<v Speaker 2>They won't. I will fly wherever I have to. Okay.

0:35:15.000 --> 0:35:18.750
<v Speaker 2>So being such a fan, then what, Did they.

0:35:18.670 --> 0:35:21.009
<v Speaker 1>Come to you with Camp Rock 3? Were you like, oh,

0:35:21.030 --> 0:35:22.410
<v Speaker 1>my God, we're doing another one?

0:35:22.430 --> 0:35:23.169
<v Speaker 2>Yeah.

0:35:23.570 --> 0:35:26.410
<v Speaker 4>God, how did that happen? I mean, after Swimper Party

0:35:26.810 --> 0:35:31.510
<v Speaker 4>and working on other things, I had a short stint

0:35:31.910 --> 0:35:32.970
<v Speaker 4>with the Cheetah Girls.

0:35:33.430 --> 0:35:34.010
<v Speaker 3>I know.

0:35:34.030 --> 0:35:34.730
<v Speaker 2>I know.

0:35:34.870 --> 0:35:37.630
<v Speaker 3>I remember when I heard that with the script and everything.

0:35:37.670 --> 0:35:39.319
<v Speaker 3>And then it took like a whole turn.

0:35:39.340 --> 0:35:41.390
<v Speaker 4>Honest, I blame the Olympics.

0:35:42.460 --> 0:35:44.220
<v Speaker 2>Oh, I play in the Olympics for most things.

0:35:44.239 --> 0:35:45.060
<v Speaker 3>That's my take.

0:35:45.080 --> 0:35:47.660
<v Speaker 4>That is my take. But but it's OK. I'm so

0:35:47.700 --> 0:35:50.560
<v Speaker 4>happy for it and everything. But basically, I mean, I

0:35:50.580 --> 0:35:52.640
<v Speaker 4>guess the Olympics was just after that.

0:35:53.200 --> 0:35:58.279
<v Speaker 3>And how the video of the women's soccer team. You

0:35:58.300 --> 0:36:01.860
<v Speaker 3>and I were doing the podcast still already. Remember the

0:36:02.219 --> 0:36:05.580
<v Speaker 3>the women's soccer team brought strut back to life. Yeah,

0:36:05.600 --> 0:36:08.020
<v Speaker 3>that was their pump up song before they were going out.

0:36:08.540 --> 0:36:10.560
<v Speaker 3>to all the Olympic games and it kind of like

0:36:10.640 --> 0:36:13.739
<v Speaker 3>made news and all of that. And that just made

0:36:13.840 --> 0:36:17.759
<v Speaker 3>Disney go, Oh yeah. I think it made Disney remember. No,

0:36:17.780 --> 0:36:19.040
<v Speaker 3>they were already doing it.

0:36:19.070 --> 0:36:23.089
<v Speaker 4>Girls. Yeah. When that happened, they were like, we need

0:36:23.130 --> 0:36:25.830
<v Speaker 4>to pause on what we're doing and rethink what we're doing.

0:36:25.910 --> 0:36:26.469
<v Speaker 2>Yeah.

0:36:26.590 --> 0:36:29.850
<v Speaker 3>And basically beef it up. They were like, I think

0:36:29.890 --> 0:36:31.969
<v Speaker 3>they were going to just put out more of a

0:36:32.050 --> 0:36:34.609
<v Speaker 3>smaller situation. And then they beefed it up once they

0:36:34.650 --> 0:36:35.969
<v Speaker 3>realized like, Oh yeah.

0:36:36.480 --> 0:36:38.839
<v Speaker 2>That's right. This whole generation has.

0:36:39.600 --> 0:36:42.820
<v Speaker 3>You know, loved this franchise for a while.

0:36:43.540 --> 0:36:45.120
<v Speaker 4>And so your girl got.

0:36:45.590 --> 0:36:47.950
<v Speaker 3>I never got to read the script. I still want

0:36:47.989 --> 0:36:51.810
<v Speaker 3>to see the script that you had because.

0:36:51.350 --> 0:36:54.569
<v Speaker 4>I imagine it was magical. My biggest thing is, and

0:36:54.810 --> 0:36:57.330
<v Speaker 4>this isn't, you know, about Disney or anything, but just

0:36:57.390 --> 0:37:02.830
<v Speaker 4>in general, people need to not think that character-driven means small. Right.

0:37:02.850 --> 0:37:03.710
<v Speaker 4>You know what I mean? Yes.

0:37:03.969 --> 0:37:04.870
<v Speaker 2>Great way to put it.

0:37:04.870 --> 0:37:07.279
<v Speaker 4>Like, that is what bugs me all the time or

0:37:07.320 --> 0:37:10.520
<v Speaker 4>like grounded means small. Like all that means is that

0:37:10.600 --> 0:37:12.900
<v Speaker 4>you're going to fall in love with my characters.

0:37:13.400 --> 0:37:13.680
<v Speaker 2>Right.

0:37:13.719 --> 0:37:17.600
<v Speaker 4>Like there are still set pieces. There's still big moments

0:37:17.719 --> 0:37:20.960
<v Speaker 4>or whatever, but like, um, but so, yeah. Uh, but

0:37:21.000 --> 0:37:24.160
<v Speaker 4>that's just across the board. Uh, I want people to, yeah.

0:37:24.480 --> 0:37:26.719
<v Speaker 2>Yeah. Um, that's awesome.

0:37:26.739 --> 0:37:29.620
<v Speaker 4>Yeah. But I, I'm so excited for it and I'm,

0:37:30.280 --> 0:37:32.120
<v Speaker 4>you know, forever fan and.

0:37:32.640 --> 0:37:35.000
<v Speaker 3>Well, it looks like it, it opened the door for

0:37:35.040 --> 0:37:38.489
<v Speaker 3>you to then, um, jump into the Jonas Brothers to

0:37:38.530 --> 0:37:41.250
<v Speaker 3>do the Camp Rock 3. Did they approach you? Were

0:37:41.310 --> 0:37:45.010
<v Speaker 3>you just in that mix within Disney, which we know

0:37:45.050 --> 0:37:48.700
<v Speaker 3>they love to have their go-to people?

0:37:48.739 --> 0:37:51.540
<v Speaker 4>Yes. God, I hope I'm a go-to person.

0:37:51.580 --> 0:37:52.090
<v Speaker 3>Of course you are.

0:37:52.100 --> 0:37:53.400
<v Speaker 4>That's my imposter syndrome.

0:37:53.739 --> 0:37:54.440
<v Speaker 2>Of course you are.

0:37:54.739 --> 0:37:58.620
<v Speaker 4>But yeah, they were like, we're working on this. Would

0:37:58.640 --> 0:38:00.690
<v Speaker 4>you be interested? But I had never done a musical before.

0:38:00.870 --> 0:38:03.910
<v Speaker 4>So that was my big thing and that's why it

0:38:03.950 --> 0:38:06.150
<v Speaker 4>wasn't all like hey veronica do you want to do

0:38:06.190 --> 0:38:09.029
<v Speaker 4>this because i'd never done a musical before and as

0:38:09.070 --> 0:38:11.359
<v Speaker 4>you know you gotta prove to them you could do

0:38:11.430 --> 0:38:12.890
<v Speaker 4>it right.

0:38:12.660 --> 0:38:14.580
<v Speaker 1>But you also love music so in your head you're

0:38:14.600 --> 0:38:15.600
<v Speaker 1>probably like oh i know i can.

0:38:15.540 --> 0:38:17.480
<v Speaker 4>Do this and they were definitely happy with me after

0:38:17.580 --> 0:38:21.580
<v Speaker 4>slumber party um and so but i was like yeah

0:38:21.620 --> 0:38:24.200
<v Speaker 4>i want to push on that to be iconic to

0:38:24.660 --> 0:38:27.739
<v Speaker 4>reboot something but it was really important to me uh

0:38:28.200 --> 0:38:31.879
<v Speaker 4>after i read the script um that it felt like

0:38:31.920 --> 0:38:35.280
<v Speaker 4>a continuation of the story. There's nothing I hate more

0:38:35.440 --> 0:38:39.710
<v Speaker 4>than when they're like, there's this beloved iconic thing, and

0:38:39.750 --> 0:38:41.190
<v Speaker 4>let's just pretend it didn't exist.

0:38:41.250 --> 0:38:42.150
<v Speaker 2>It never happened.

0:38:42.170 --> 0:38:43.410
<v Speaker 4>And use the same premise.

0:38:43.590 --> 0:38:44.350
<v Speaker 1>Yeah, yeah, yeah.

0:38:44.410 --> 0:38:45.330
<v Speaker 3>Like, I can't.

0:38:45.690 --> 0:38:48.550
<v Speaker 4>Like, to be honest, I read, no offense to anyone involved,

0:38:48.610 --> 0:38:50.710
<v Speaker 4>I don't remember who was in it, but at some

0:38:50.750 --> 0:38:53.000
<v Speaker 4>point I got sent, like, a script for, like, a

0:38:53.060 --> 0:38:57.910
<v Speaker 4>true Beverly Hills, like, reboot, but it was not a,

0:38:58.260 --> 0:39:01.320
<v Speaker 4>it was like a, a completely, they were just using, I,

0:39:02.270 --> 0:39:05.989
<v Speaker 4>I was like, I can't, just the title and the

0:39:06.030 --> 0:39:10.990
<v Speaker 4>same kind of setup, but not great. Like it was,

0:39:11.070 --> 0:39:13.530
<v Speaker 4>it was like about social, there was like an influencer.

0:39:13.590 --> 0:39:15.029
<v Speaker 4>It was like, I was like, no, no, no, I

0:39:15.050 --> 0:39:15.690
<v Speaker 4>can't do it.

0:39:16.170 --> 0:39:16.330
<v Speaker 1>No.

0:39:16.390 --> 0:39:19.319
<v Speaker 4>And I was also like, how do you touch that movie? No,

0:39:19.340 --> 0:39:23.759
<v Speaker 4>you just leave it be. Um, and, uh, but so,

0:39:23.780 --> 0:39:25.440
<v Speaker 4>but at least, but camp rock three, it was like

0:39:25.480 --> 0:39:29.890
<v Speaker 4>a true passing of the torch. And like, you can still, uh, the,

0:39:30.060 --> 0:39:34.180
<v Speaker 4>world was the world that was. It's just introducing new

0:39:35.360 --> 0:39:38.400
<v Speaker 4>characters that you fall in love with. And so that

0:39:38.500 --> 0:39:43.280
<v Speaker 4>I was like, hell yeah, I could do that. And so, yeah.

0:39:43.410 --> 0:39:46.770
<v Speaker 4>And I just really, my whole thing was like, the

0:39:46.810 --> 0:39:51.180
<v Speaker 4>original movies, iconic, amazing. I was like, but I, it's

0:39:51.219 --> 0:39:53.700
<v Speaker 4>been however many years, like we got plus it up

0:39:53.739 --> 0:39:56.520
<v Speaker 4>a bit. Yeah. So my pitch was basically like, I'm

0:39:56.540 --> 0:39:59.040
<v Speaker 4>going to give you camp rock plus like everything we

0:39:59.100 --> 0:40:04.980
<v Speaker 4>know and love about this franchise, but like bigger, potentially

0:40:05.000 --> 0:40:11.010
<v Speaker 4>better at times. And I not, and I think, you know,

0:40:11.450 --> 0:40:13.029
<v Speaker 4>back in the day, like it was one of the

0:40:13.070 --> 0:40:16.029
<v Speaker 4>things was like wardrobe. I was like, for me, I,

0:40:16.910 --> 0:40:19.549
<v Speaker 4>I just couldn't have like even a, A t-shirt and

0:40:19.570 --> 0:40:23.190
<v Speaker 4>jeans isn't bad, but, like, when everyone's wearing a t-shirt

0:40:23.230 --> 0:40:26.310
<v Speaker 4>and jeans, that's just not my vibe. Right, right, right.

0:40:26.450 --> 0:40:30.910
<v Speaker 4>It doesn't compute, like, what you wear, to me, can

0:40:30.969 --> 0:40:33.989
<v Speaker 4>say who you are. Yeah. Especially in a visual medium. Like, I'm, like,

0:40:34.770 --> 0:40:38.950
<v Speaker 4>and I'm a believer, like, anyone on that screen, whether

0:40:38.969 --> 0:40:43.380
<v Speaker 4>you're background or not, like, you, I could, like, look,

0:40:43.600 --> 0:40:45.299
<v Speaker 4>I would want people to be, like, hey, that person

0:40:45.320 --> 0:40:47.739
<v Speaker 4>right there, what's their movie? You know, like, who could,

0:40:47.840 --> 0:40:48.560
<v Speaker 4>they could be the star.

0:40:48.580 --> 0:40:48.819
<v Speaker 1>Right.

0:40:49.780 --> 0:40:53.980
<v Speaker 4>Everyone is important. So I'm like, even what they're wearing,

0:40:54.120 --> 0:40:56.870
<v Speaker 4>like their kids were going to a camp for artists.

0:40:57.390 --> 0:41:02.150
<v Speaker 4>Those kids should be dressing somewhat interesting or different and

0:41:02.190 --> 0:41:04.169
<v Speaker 4>it should be cookie cutter. And so stuff like that,

0:41:04.190 --> 0:41:07.739
<v Speaker 4>I was like, that's what I want to do. you know,

0:41:07.960 --> 0:41:09.799
<v Speaker 4>plus or change.

0:41:09.820 --> 0:41:12.180
<v Speaker 3>Well, I think too, you're in like a perfect like

0:41:12.430 --> 0:41:14.930
<v Speaker 3>era for Disney to do that because back then, like,

0:41:15.150 --> 0:41:18.070
<v Speaker 3>I will tell you back with the cheetah girls, Dorinda,

0:41:18.110 --> 0:41:23.919
<v Speaker 3>my character being, you know, funky or, edgy meant like

0:41:24.080 --> 0:41:27.200
<v Speaker 3>all of a sudden I've got like striped arms and

0:41:27.239 --> 0:41:28.779
<v Speaker 3>I've got, you know what I mean? And I've got

0:41:28.840 --> 0:41:29.360
<v Speaker 3>seven belts on.

0:41:29.380 --> 0:41:30.930
<v Speaker 2>And you can do aerials in the middle of the street.

0:41:30.989 --> 0:41:33.670
<v Speaker 3>Yeah, seven belts on and a big thick jacket. You know,

0:41:33.730 --> 0:41:36.670
<v Speaker 3>it's like all, it's like they didn't have, they didn't

0:41:36.690 --> 0:41:39.890
<v Speaker 3>necessarily know the fashion in that choice. It was more

0:41:39.910 --> 0:41:41.910
<v Speaker 3>so just like what's bright. Like you go on a

0:41:42.170 --> 0:41:44.230
<v Speaker 3>Disney audition, it's like, I'm going to wear hot pink

0:41:44.630 --> 0:41:46.529
<v Speaker 3>and then I'm going to have like purple shoes. Like,

0:41:46.550 --> 0:41:48.740
<v Speaker 3>you know, it's like what kind of jumped out and,

0:41:49.420 --> 0:41:52.780
<v Speaker 3>And now Disney has definitely, and I think a lot

0:41:52.820 --> 0:41:56.129
<v Speaker 3>of it does come from that descendants vibes to where

0:41:56.150 --> 0:42:00.830
<v Speaker 3>they've gotten like cool fashion and they brought in real

0:42:00.910 --> 0:42:04.650
<v Speaker 3>designers who like take their jobs to make it again,

0:42:05.010 --> 0:42:08.040
<v Speaker 3>a younger version of like Marvel. Like they want it

0:42:08.060 --> 0:42:11.500
<v Speaker 3>to be. And Disney is finally giving the reins away

0:42:11.560 --> 0:42:14.299
<v Speaker 3>to allow that to happen versus it was like, oh no,

0:42:14.400 --> 0:42:15.140
<v Speaker 3>that's too mature.

0:42:15.160 --> 0:42:15.239
<v Speaker 1>Yeah.

0:42:15.620 --> 0:42:18.770
<v Speaker 3>Now they're letting kids look and dress the age that

0:42:18.930 --> 0:42:20.170
<v Speaker 3>kids their age dress.

0:42:20.410 --> 0:42:20.790
<v Speaker 4>Right.

0:42:20.810 --> 0:42:22.930
<v Speaker 3>So I thought was a big thing. I was going

0:42:22.950 --> 0:42:23.410
<v Speaker 3>to say this.

0:42:23.489 --> 0:42:25.330
<v Speaker 2>If you want to see Sabrina mad.

0:42:26.690 --> 0:42:29.520
<v Speaker 1>As we're watching these movies, and she'll be like, okay,

0:42:29.640 --> 0:42:32.680
<v Speaker 1>first of all, that girl's skirt was way too short.

0:42:33.040 --> 0:42:36.320
<v Speaker 2>What's going on with her shirt? And the guy's walking

0:42:36.340 --> 0:42:38.640
<v Speaker 2>around with their shirts off, and she's like, they used

0:42:38.660 --> 0:42:40.000
<v Speaker 2>to come up and be like, you've got to wear

0:42:40.020 --> 0:42:42.590
<v Speaker 2>a turtleneck, and the turtleneck has to be another turtleneck.

0:42:42.620 --> 0:42:45.290
<v Speaker 3>Turtleneck under your vest, on top of.

0:42:45.310 --> 0:42:48.509
<v Speaker 4>I remember that exact outfit, yes.

0:42:48.610 --> 0:42:50.410
<v Speaker 3>If you want to wear a spaghetti strap, you must

0:42:50.469 --> 0:42:53.770
<v Speaker 3>have this shirt. thick, and then a t-shirt on top

0:42:53.810 --> 0:42:55.790
<v Speaker 3>of the spaghetti strap. You can wear it, but you

0:42:55.810 --> 0:42:57.969
<v Speaker 3>have to have three layers on under it. And it

0:42:58.050 --> 0:43:00.220
<v Speaker 3>used to piss me off so much.

0:43:00.360 --> 0:43:01.239
<v Speaker 2>Oh, you see her just get.

0:43:01.260 --> 0:43:03.759
<v Speaker 1>You want to see Sabrina get riled up, have a

0:43:03.780 --> 0:43:06.020
<v Speaker 1>guy at a Disney movie walk by with her shirt off,

0:43:06.080 --> 0:43:07.399
<v Speaker 1>and she's like, what the actual.

0:43:07.420 --> 0:43:07.870
<v Speaker 4>What in the.

0:43:08.160 --> 0:43:08.640
<v Speaker 2>Just happened.

0:43:08.700 --> 0:43:13.660
<v Speaker 3>Is going on right now? This is not HBO.

0:43:13.700 --> 0:43:14.540
<v Speaker 2>She freaks out.

0:43:15.460 --> 0:43:16.000
<v Speaker 4>Oh, man.

0:43:16.120 --> 0:43:20.799
<v Speaker 2>Oh, that is so funny. Okay, so... did you have

0:43:20.860 --> 0:43:23.080
<v Speaker 2>any jitters shooting camp rock three?

0:43:23.120 --> 0:43:26.000
<v Speaker 1>I mean, people are like, so as, as far as

0:43:26.060 --> 0:43:29.590
<v Speaker 1>we were able to tell, it was leaked quote unquote

0:43:30.150 --> 0:43:33.049
<v Speaker 1>on the hot one show that one, one of the,

0:43:33.390 --> 0:43:34.870
<v Speaker 1>one of the Joe bros, I think it was Ricky.

0:43:35.590 --> 0:43:40.419
<v Speaker 2>Um, I don't know the Joe bros. Uh, so it was,

0:43:40.520 --> 0:43:43.100
<v Speaker 2>it was Ricky. It was Ricky or Norman. I can't remember.

0:43:43.580 --> 0:43:47.339
<v Speaker 1>Um, It said like, oh, the thing read Camp Rock

0:43:47.380 --> 0:43:50.450
<v Speaker 1>three script and that like blew up everywhere. So, A,

0:43:50.600 --> 0:43:55.910
<v Speaker 1>were you involved at this point? And B, was this

0:43:56.090 --> 0:43:59.350
<v Speaker 1>anything where you were like, I'm I'm rebooting is not

0:43:59.390 --> 0:44:02.529
<v Speaker 1>the right way. But I'm doing the third in the

0:44:02.590 --> 0:44:04.390
<v Speaker 1>line of these beloved movies.

0:44:04.410 --> 0:44:05.950
<v Speaker 2>Were you nervous at all going into this?

0:44:07.780 --> 0:44:12.759
<v Speaker 4>Yeah. No, but yes. Um, I was involved when that

0:44:12.800 --> 0:44:14.340
<v Speaker 4>happened and we were all like, whoop.

0:44:15.440 --> 0:44:16.360
<v Speaker 2>So was it a mistake?

0:44:17.500 --> 0:44:17.719
<v Speaker 4>Yes.

0:44:18.060 --> 0:44:20.100
<v Speaker 2>It was, it was a genuine, this was not set up.

0:44:20.300 --> 0:44:21.400
<v Speaker 2>It was a true mistake.

0:44:21.440 --> 0:44:25.180
<v Speaker 4>There was a new draft that after me being involved

0:44:25.360 --> 0:44:27.930
<v Speaker 4>that had been sent to them. And so they did,

0:44:28.110 --> 0:44:32.629
<v Speaker 4>they were, and we, they owed us thoughts. And so

0:44:32.670 --> 0:44:33.610
<v Speaker 4>that's what that was.

0:44:34.090 --> 0:44:35.169
<v Speaker 2>Um, yeah.

0:44:35.210 --> 0:44:37.009
<v Speaker 4>Camp Rock three was like the worst.

0:44:36.770 --> 0:44:37.989
<v Speaker 2>Kept, Secret, yeah.

0:44:38.010 --> 0:44:38.910
<v Speaker 4>Secret, secret.

0:44:39.070 --> 0:44:42.069
<v Speaker 2>We've known about it since Camp Rock 1. Exactly. Like,

0:44:42.130 --> 0:44:43.490
<v Speaker 2>it was so bad.

0:44:44.600 --> 0:44:45.160
<v Speaker 4>So funny.

0:44:45.280 --> 0:44:46.239
<v Speaker 3>But, yeah.

0:44:47.160 --> 0:44:52.300
<v Speaker 4>But I was... I wasn't nervous to reboot it because.

0:44:54.140 --> 0:44:55.900
<v Speaker 4>This is going to sound... I'm good at what I do.

0:44:56.219 --> 0:44:57.810
<v Speaker 2>Yeah, we can tell. We can tell.

0:44:58.390 --> 0:45:03.049
<v Speaker 4>I'm very prepared. I'm very, like... I knew what I

0:45:03.070 --> 0:45:05.390
<v Speaker 4>needed to do. I needed to execute it. I knew

0:45:05.410 --> 0:45:09.900
<v Speaker 4>what the plan is. Yeah. i'm honest and then the

0:45:09.980 --> 0:45:13.239
<v Speaker 4>brothers were so nice and chill.

0:45:12.900 --> 0:45:16.060
<v Speaker 2>And like and good they're just very funny too at this.

0:45:15.960 --> 0:45:20.939
<v Speaker 3>Point they're like acting chops are so beefed up they're so.

0:45:20.360 --> 0:45:23.700
<v Speaker 4>Good and like i could like i could give them

0:45:24.580 --> 0:45:26.340
<v Speaker 4>i was like okay can you go this route whatever

0:45:26.360 --> 0:45:30.080
<v Speaker 4>and they just they're dial i mean something about i

0:45:30.120 --> 0:45:31.939
<v Speaker 4>mean i've never never worked with the two of you

0:45:32.000 --> 0:45:37.660
<v Speaker 4>but like There's something about the dial that you develop

0:45:37.760 --> 0:45:40.650
<v Speaker 4>when working on these types of projects. It is, one,

0:45:40.710 --> 0:45:45.230
<v Speaker 4>a level of professionalism that is insane and unparalleled. But then, two,

0:45:45.250 --> 0:45:50.320
<v Speaker 4>it's just like, the ability to adjust your performance slightly,

0:45:50.480 --> 0:45:51.759
<v Speaker 4>it blows my mind every time.

0:45:52.020 --> 0:45:54.560
<v Speaker 1>And it's, they also, they've got a great thing where they,

0:45:54.640 --> 0:45:56.359
<v Speaker 1>and they did it in their Christmas movie as well,

0:45:56.380 --> 0:45:59.280
<v Speaker 1>where they love to make fun of themselves.

0:45:59.340 --> 0:46:03.100
<v Speaker 3>They love to lean into the things that people instantly.

0:46:03.239 --> 0:46:03.640
<v Speaker 2>Yes.

0:46:04.120 --> 0:46:07.129
<v Speaker 3>Like the things that they know, people think about each

0:46:07.290 --> 0:46:09.710
<v Speaker 3>one of them as individuals. They love it. How they

0:46:09.730 --> 0:46:12.560
<v Speaker 3>think about them as a whole, like the, so much.

0:46:12.900 --> 0:46:15.600
<v Speaker 4>It makes it so much easier. It just makes it

0:46:15.700 --> 0:46:21.230
<v Speaker 4>that they have that vibe. That was great. Also, Sherry Cola,

0:46:21.270 --> 0:46:23.609
<v Speaker 4>who plays Lark, is my best friend.

0:46:23.750 --> 0:46:24.850
<v Speaker 3>She stole that movie.

0:46:25.030 --> 0:46:28.920
<v Speaker 2>She stole it from them. She stole that movie.

0:46:29.180 --> 0:46:33.529
<v Speaker 3>Her being the one that just really... pulled everything in

0:46:33.650 --> 0:46:38.050
<v Speaker 3>and made it all just click. She was incredible.

0:46:38.150 --> 0:46:42.900
<v Speaker 4>I'm literally my best friend and godmother to my newest baby.

0:46:43.180 --> 0:46:46.460
<v Speaker 3>So like, how was that conversation of you going? Do

0:46:46.480 --> 0:46:48.279
<v Speaker 3>you want to do a Disney channel movie with me?

0:46:48.400 --> 0:46:49.140
<v Speaker 3>Come on, girl.

0:46:49.200 --> 0:46:49.759
<v Speaker 2>I know you do.

0:46:49.820 --> 0:46:51.540
<v Speaker 3>We can work together. Was it like that?

0:46:51.940 --> 0:46:56.190
<v Speaker 4>She was so down and like, and like, like I

0:46:56.230 --> 0:46:58.489
<v Speaker 4>love everyone, but like it was never anyone else.

0:46:58.989 --> 0:47:00.390
<v Speaker 2>That was the coolest thing.

0:47:00.510 --> 0:47:04.100
<v Speaker 4>It was never anyone else. And even with Disney, like

0:47:04.120 --> 0:47:08.540
<v Speaker 4>they were like, yes. And I'm like, amazing. And so

0:47:08.580 --> 0:47:12.879
<v Speaker 4>that was so cool to do that experience together. And,

0:47:13.440 --> 0:47:16.930
<v Speaker 4>and she, she's the greatest energy to have on set

0:47:17.070 --> 0:47:19.810
<v Speaker 4>as well, which is so important for me, the vibe

0:47:19.830 --> 0:47:23.590
<v Speaker 4>of set, especially on a movie with young actors, every set,

0:47:23.690 --> 0:47:26.370
<v Speaker 4>especially I'm like, life is too short for this to

0:47:26.390 --> 0:47:28.629
<v Speaker 4>be an experience. Yes. We're going to work hard and yes,

0:47:28.690 --> 0:47:30.509
<v Speaker 4>it's not going to be perfect all the time, but like,

0:47:32.160 --> 0:47:34.319
<v Speaker 4>my goal as is the beginning of every movie my

0:47:34.340 --> 0:47:37.609
<v Speaker 4>goal is for everyone here to down the line you

0:47:37.650 --> 0:47:41.250
<v Speaker 4>look back at this experience fondly that doesn't love that

0:47:41.430 --> 0:47:44.140
<v Speaker 4>that doesn't mean every moment is perfect or whatever or

0:47:44.180 --> 0:47:46.480
<v Speaker 4>that you have to love be best friends with everyone

0:47:46.600 --> 0:47:48.509
<v Speaker 4>but like yeah I want you to be happy that

0:47:48.530 --> 0:47:49.690
<v Speaker 4>you were a part of this.

0:47:50.110 --> 0:47:52.890
<v Speaker 3>I love that because as you're talking about wanting to

0:47:52.950 --> 0:47:57.219
<v Speaker 3>create content for the audience, that is content that you

0:47:57.260 --> 0:47:59.360
<v Speaker 3>got to see this, like you were saying earlier in

0:47:59.380 --> 0:48:02.940
<v Speaker 3>the interview, we get to do these interviews with other

0:48:03.000 --> 0:48:06.250
<v Speaker 3>people that have done movies, you know, um, jump in

0:48:06.390 --> 0:48:08.430
<v Speaker 3>or we, we, you know, got to kick it up

0:48:08.510 --> 0:48:10.970
<v Speaker 3>all these different movies that they've been a part of brink,

0:48:11.450 --> 0:48:15.090
<v Speaker 3>all of that. they all have such fond memories of

0:48:15.239 --> 0:48:18.620
<v Speaker 3>making it. It's a standout job for them that they

0:48:18.680 --> 0:48:21.640
<v Speaker 3>have even years down the line. And I love that

0:48:21.680 --> 0:48:24.560
<v Speaker 3>because that was such an important thing for the directors

0:48:24.620 --> 0:48:27.140
<v Speaker 3>and people that we all worked with, you know, that

0:48:27.320 --> 0:48:31.390
<v Speaker 3>they made it that really positive experience that knowing that

0:48:31.469 --> 0:48:33.810
<v Speaker 3>you are now, you have the reins now, and that

0:48:33.870 --> 0:48:36.910
<v Speaker 3>is such a big upfront, like task for you is

0:48:37.050 --> 0:48:40.959
<v Speaker 3>so awesome because I love it. I have the best

0:48:41.020 --> 0:48:45.480
<v Speaker 3>memories of, traveling spain india everywhere doing them the things

0:48:45.500 --> 0:48:47.180
<v Speaker 3>that we did with the channel and it's like i

0:48:47.219 --> 0:48:49.819
<v Speaker 3>feel like i had the best job in the whole

0:48:49.900 --> 0:48:53.160
<v Speaker 3>world and i'm glad you're setting a platform for new

0:48:53.219 --> 0:48:56.319
<v Speaker 3>the new generation to have just that that's amazing yeah

0:48:56.520 --> 0:48:56.980
<v Speaker 3>so this.

0:48:56.880 --> 0:48:59.200
<v Speaker 1>Is super cool all right so we're gonna let you

0:48:59.239 --> 0:49:01.799
<v Speaker 1>go but before we do no I know.

0:49:02.010 --> 0:49:02.590
<v Speaker 2>I know.

0:49:03.010 --> 0:49:03.790
<v Speaker 3>We got to connect.

0:49:03.810 --> 0:49:07.130
<v Speaker 4>We all got to connect. When can I switch and

0:49:07.150 --> 0:49:08.770
<v Speaker 4>start asking you guys questions, honestly?

0:49:09.010 --> 0:49:10.330
<v Speaker 2>Do you have any for us?

0:49:10.670 --> 0:49:11.370
<v Speaker 4>Can I ask you one?

0:49:11.390 --> 0:49:11.790
<v Speaker 2>Of course.

0:49:11.810 --> 0:49:12.450
<v Speaker 4>I just want to ask one.

0:49:12.790 --> 0:49:14.069
<v Speaker 2>Of course. Ask whatever you want.

0:49:14.230 --> 0:49:22.719
<v Speaker 4>How, like, me coming on and saying that, like, you guys... are, like,

0:49:22.780 --> 0:49:24.520
<v Speaker 4>part of the reason why I do what I do. Like,

0:49:24.840 --> 0:49:26.540
<v Speaker 4>what does that feel like?

0:49:26.880 --> 0:49:27.520
<v Speaker 2>It's amazing.

0:49:27.680 --> 0:49:31.359
<v Speaker 4>Like, have you been able to internalize the impact that

0:49:31.420 --> 0:49:36.380
<v Speaker 4>you've had on so many people? The positive impact.

0:49:36.710 --> 0:49:37.750
<v Speaker 2>Do you want to go first, Sabrina?

0:49:38.130 --> 0:49:41.730
<v Speaker 3>Yeah, I'll go first. I mean, I've recently, you know,

0:49:42.450 --> 0:49:44.920
<v Speaker 3>this was a big reason why they started doing Cheetah

0:49:44.920 --> 0:49:48.400
<v Speaker 3>4 was, you know, you've got people like Meghan Trainor

0:49:48.480 --> 0:49:50.060
<v Speaker 3>coming up to me and telling me, you're the reason

0:49:50.080 --> 0:49:50.359
<v Speaker 3>why I'm.

0:49:50.320 --> 0:49:51.000
<v Speaker 4>A pop star.

0:49:51.680 --> 0:49:55.160
<v Speaker 3>The rest of the day, I could barely talk because

0:49:55.770 --> 0:49:59.630
<v Speaker 3>she's so epic to me and to know. But for me,

0:49:59.830 --> 0:50:03.589
<v Speaker 3>it's going in a room and The women that are

0:50:03.630 --> 0:50:08.450
<v Speaker 3>now boss ladies running businesses, running this and them, having

0:50:08.510 --> 0:50:11.190
<v Speaker 3>a part of the Cheetah Girls was what gave them

0:50:11.230 --> 0:50:14.190
<v Speaker 3>the confidence to reach for the stars, to go for

0:50:14.230 --> 0:50:18.610
<v Speaker 3>their dreams. Not even necessarily in the industry, right? Like everywhere.

0:50:18.750 --> 0:50:23.410
<v Speaker 3>For me, that's just like, it makes everything that all

0:50:23.450 --> 0:50:25.650
<v Speaker 3>the hard work I did for all of those years

0:50:25.860 --> 0:50:29.160
<v Speaker 3>so worth it. And know that I have like it

0:50:29.200 --> 0:50:31.090
<v Speaker 3>wasn't just a job. It was like I had an

0:50:31.160 --> 0:50:35.270
<v Speaker 3>ability to have an impact on a generation. It's something

0:50:35.290 --> 0:50:38.690
<v Speaker 3>that I'll always be grateful for. And no one can

0:50:38.730 --> 0:50:39.370
<v Speaker 3>take that away.

0:50:39.510 --> 0:50:39.750
<v Speaker 1>Right.

0:50:39.810 --> 0:50:42.540
<v Speaker 3>Like no matter what happens with this new Cheetah like

0:50:42.840 --> 0:50:46.040
<v Speaker 3>world that's happening. The moments that I had that I

0:50:46.080 --> 0:50:49.900
<v Speaker 3>was involved in are in my eyes like epic because

0:50:50.040 --> 0:50:53.480
<v Speaker 3>I really had that ability to help people grow. believe

0:50:53.500 --> 0:50:56.950
<v Speaker 3>in themselves. So that's incredible. Like, Oh, I talk about

0:50:56.989 --> 0:50:58.850
<v Speaker 3>getting teary eyed. Like, it's like, that's what it is

0:50:58.870 --> 0:50:59.170
<v Speaker 3>for me.

0:50:59.250 --> 0:51:00.510
<v Speaker 4>It's, it's unreal.

0:51:01.170 --> 0:51:03.029
<v Speaker 1>Um, yeah, kind of the same for me. I, I

0:51:03.110 --> 0:51:07.240
<v Speaker 1>didn't know until I got quote unquote dragged because again,

0:51:07.300 --> 0:51:09.319
<v Speaker 1>we talked about, I dealt with anxiety for years. So

0:51:09.719 --> 0:51:12.219
<v Speaker 1>I had a very sheltered life for a while. And

0:51:12.239 --> 0:51:14.000
<v Speaker 1>when I met my partner, she was like.

0:51:14.520 --> 0:51:15.620
<v Speaker 2>Maybe it's time to get you out in the world

0:51:15.640 --> 0:51:16.120
<v Speaker 2>a little more.

0:51:16.280 --> 0:51:18.620
<v Speaker 1>And one of the things that popped up was my

0:51:18.660 --> 0:51:22.520
<v Speaker 1>first fan convention, which I'd never done before. And so

0:51:22.920 --> 0:51:24.980
<v Speaker 1>I went and that's when I was like, okay, wait

0:51:25.000 --> 0:51:26.899
<v Speaker 1>a second. There's a line of people waiting to tell

0:51:26.940 --> 0:51:29.239
<v Speaker 1>me that this show was super important to them. And

0:51:29.320 --> 0:51:31.520
<v Speaker 1>then when Danielle and Ryder and I started Pod Meets

0:51:31.560 --> 0:51:35.150
<v Speaker 1>World and then started to do the live show, it just,

0:51:35.230 --> 0:51:36.649
<v Speaker 1>that's when we were like, oh my God.

0:51:36.730 --> 0:51:38.790
<v Speaker 2>And it's, it is, it's wonderful people. You get actors

0:51:38.810 --> 0:51:39.609
<v Speaker 2>and all that. And it's great.

0:51:39.650 --> 0:51:42.990
<v Speaker 1>But a lot of people, like you were saying, especially

0:51:43.030 --> 0:51:45.810
<v Speaker 1>for somebody like Ryder, who were like, I grew up

0:51:45.870 --> 0:51:48.350
<v Speaker 1>in a world like Sean grew up and watching you

0:51:48.469 --> 0:51:50.969
<v Speaker 1>on television made my life okay.

0:51:52.020 --> 0:51:55.140
<v Speaker 2>Is something that affects all of us all the time.

0:51:55.200 --> 0:51:57.239
<v Speaker 2>Or Eric not going to college. I didn't go to college.

0:51:57.260 --> 0:51:58.640
<v Speaker 2>I was the first one in my family who didn't go.

0:51:59.400 --> 0:52:02.040
<v Speaker 1>And so we keep seeing these things or hearing these things,

0:52:02.200 --> 0:52:06.009
<v Speaker 1>and it's life-changing. I mean, it really is, because especially

0:52:06.070 --> 0:52:09.029
<v Speaker 1>something like Boy Meets World, we were not popular when

0:52:09.050 --> 0:52:09.609
<v Speaker 1>we were on the air.

0:52:09.870 --> 0:52:11.810
<v Speaker 2>We were just, no, I know. I know.

0:52:12.210 --> 0:52:13.310
<v Speaker 3>I don't believe him either.

0:52:13.370 --> 0:52:14.049
<v Speaker 2>No, but it's true.

0:52:14.070 --> 0:52:14.290
<v Speaker 1>It's crazy.

0:52:14.310 --> 0:52:16.830
<v Speaker 2>I don't believe him either. We never got any of

0:52:16.850 --> 0:52:17.270
<v Speaker 2>the press.

0:52:17.550 --> 0:52:20.799
<v Speaker 1>It was always Sabrina and Family Matters. We were never

0:52:20.840 --> 0:52:27.690
<v Speaker 1>on the bunch, bus bench ads. We were just kind of,

0:52:27.820 --> 0:52:29.560
<v Speaker 1>I always equate us to, and you'll get this because

0:52:29.580 --> 0:52:31.589
<v Speaker 1>you love television as much as me. I always say

0:52:31.670 --> 0:52:33.330
<v Speaker 1>we were the wings of TGI.

0:52:34.170 --> 0:52:34.310
<v Speaker 4>Oh.

0:52:34.390 --> 0:52:36.750
<v Speaker 1>Where Wings is a great show that I love. People

0:52:36.790 --> 0:52:38.530
<v Speaker 1>forget it was on for eight years.

0:52:38.610 --> 0:52:38.890
<v Speaker 4>Yeah.

0:52:39.190 --> 0:52:41.290
<v Speaker 2>That was Boy Meets World. We just kept going.

0:52:41.370 --> 0:52:43.560
<v Speaker 1>We felt like we were entertaining the audience that was

0:52:43.820 --> 0:52:45.899
<v Speaker 1>at the show and our family and friends.

0:52:46.719 --> 0:52:49.560
<v Speaker 2>And so it wasn't until years later where we were like, oh,

0:52:49.620 --> 0:52:53.930
<v Speaker 2>wait a minute. This was huge. People people really loved.

0:52:53.710 --> 0:52:56.350
<v Speaker 1>This show and it really mattered to them. So it

0:52:56.390 --> 0:52:58.819
<v Speaker 1>was many years later. And then again, now that we're

0:52:58.840 --> 0:53:01.700
<v Speaker 1>doing the podcast, now we really see kind of the

0:53:02.100 --> 0:53:03.840
<v Speaker 1>the love that people had for the show, how important

0:53:03.860 --> 0:53:07.160
<v Speaker 1>it was. And being that's that's people say the biggest

0:53:07.200 --> 0:53:09.279
<v Speaker 1>compliment I can get is people come up to me

0:53:09.300 --> 0:53:11.020
<v Speaker 1>and they say, because I've talked about this constantly on

0:53:11.040 --> 0:53:15.810
<v Speaker 1>the podcast. Boy Meets World is my mash. because mash

0:53:15.830 --> 0:53:18.470
<v Speaker 1>to me is your Frazier where I watch it every night.

0:53:18.530 --> 0:53:20.140
<v Speaker 1>My wife and I fall asleep to it every night.

0:53:20.239 --> 0:53:22.299
<v Speaker 1>I know it backwards, forwards and sideways when I'm anxious,

0:53:22.340 --> 0:53:24.260
<v Speaker 1>I can literally shut my eyes and watch an episode.

0:53:24.580 --> 0:53:24.739
<v Speaker 4>Yeah.

0:53:25.000 --> 0:53:26.580
<v Speaker 2>I can rewind it. I can stop it. I can

0:53:26.660 --> 0:53:29.080
<v Speaker 2>see it. I can see it as if I'm watching

0:53:29.100 --> 0:53:29.600
<v Speaker 2>it on TV.

0:53:29.640 --> 0:53:30.060
<v Speaker 3>Yeah.

0:53:30.700 --> 0:53:32.910
<v Speaker 1>And so if people come up to me and say,

0:53:33.710 --> 0:53:34.830
<v Speaker 1>boy meets world is my mash.

0:53:34.969 --> 0:53:36.690
<v Speaker 2>I instantly turned to jelly because I.

0:53:36.690 --> 0:53:39.710
<v Speaker 1>Know exactly what they mean. And to have that feeling

0:53:39.770 --> 0:53:41.610
<v Speaker 1>is really incredible.

0:53:41.830 --> 0:53:43.029
<v Speaker 2>I mean, yeah.

0:53:43.340 --> 0:53:47.239
<v Speaker 3>And again, with, With what I love about your show, Will,

0:53:47.300 --> 0:53:51.920
<v Speaker 3>is like, again, it's like everyday conflicts that like kids

0:53:51.980 --> 0:53:55.700
<v Speaker 3>can use and take and, and think about what your

0:53:55.760 --> 0:54:00.220
<v Speaker 3>characters went through, you know, and, and learn from that

0:54:00.360 --> 0:54:03.040
<v Speaker 3>so that when they're hit with those, that that's what

0:54:03.060 --> 0:54:04.660
<v Speaker 3>it is. And I mean, I've got a six year old,

0:54:04.700 --> 0:54:07.100
<v Speaker 3>she just turned six and it's the same thing. Like

0:54:07.140 --> 0:54:09.780
<v Speaker 3>I want, when I watch the shows that she's watching

0:54:09.840 --> 0:54:13.870
<v Speaker 3>or if she ends up getting onto same things, I want, like,

0:54:13.910 --> 0:54:15.920
<v Speaker 3>I love Disney Plus because I'm like, I can trust

0:54:16.000 --> 0:54:19.379
<v Speaker 3>where they're going with these storylines that I don't need

0:54:19.420 --> 0:54:22.480
<v Speaker 3>to worry about, like, when she gets hit with something

0:54:22.520 --> 0:54:25.930
<v Speaker 3>that's similar, she's going to hopefully learn and know how

0:54:25.969 --> 0:54:27.890
<v Speaker 3>to handle it or not be shocked, you know?

0:54:27.910 --> 0:54:28.230
<v Speaker 2>Yeah.

0:54:28.250 --> 0:54:31.160
<v Speaker 3>But still, there's some questions she just, It shocks the.

0:54:31.219 --> 0:54:33.600
<v Speaker 2>Shit out of me. I imagine that's what it was

0:54:33.640 --> 0:54:35.420
<v Speaker 2>like to have kids. I don't know, but I imagine

0:54:35.440 --> 0:54:35.840
<v Speaker 2>that's what it is.

0:54:36.140 --> 0:54:38.279
<v Speaker 4>Okay, the last thing before you guys kick me off.

0:54:38.480 --> 0:54:40.180
<v Speaker 4>I'm not kicking you off.

0:54:41.520 --> 0:54:44.940
<v Speaker 2>We assume we're wasting your time. That's the difference.

0:54:45.320 --> 0:54:50.090
<v Speaker 4>Great. The parents in both Boy Meets World and Cheetah Girls.

0:54:51.110 --> 0:54:57.069
<v Speaker 4>I loved how the parents were utilized, represented the multi-generationalism.

0:54:57.570 --> 0:55:01.910
<v Speaker 4>It's so important to me. And like everything, like even

0:55:01.950 --> 0:55:04.370
<v Speaker 4>in slumber party, like it was so important to me

0:55:04.390 --> 0:55:08.180
<v Speaker 4>how those parents were cast and included. And like, I mean,

0:55:08.200 --> 0:55:10.259
<v Speaker 4>if I had my daughters, I'd put more parents into

0:55:10.300 --> 0:55:13.819
<v Speaker 4>what I'm, what I'm doing. But, um, because I think

0:55:13.840 --> 0:55:16.440
<v Speaker 4>that is something that I would love to see go

0:55:16.500 --> 0:55:19.800
<v Speaker 4>back the other way a little bit that like parents

0:55:20.060 --> 0:55:23.160
<v Speaker 4>got pushed more out because kids don't want to see parents. Yes,

0:55:23.219 --> 0:55:27.040
<v Speaker 4>they do. They see their parents every single day. They

0:55:27.100 --> 0:55:29.830
<v Speaker 4>want like it. And to me, like, I see what

0:55:29.890 --> 0:55:32.850
<v Speaker 4>I do is a response. Like there's a responsibility around it.

0:55:32.950 --> 0:55:35.270
<v Speaker 4>Like in, in so many ways, I love my job

0:55:35.290 --> 0:55:40.410
<v Speaker 4>so much, but like, I, I want to like kid,

0:55:40.670 --> 0:55:43.910
<v Speaker 4>we should be showcasing healthy ways that kids can interact

0:55:43.930 --> 0:55:46.370
<v Speaker 4>with their parents and the whole thing, but all that stuff.

0:55:46.710 --> 0:55:49.180
<v Speaker 4>But so like with cheetah girls, like, like even when

0:55:49.219 --> 0:55:50.380
<v Speaker 4>I got my little stint on it, I was like,

0:55:51.020 --> 0:55:53.630
<v Speaker 4>it needs to be multi-generational. It is so like that, the,

0:55:54.430 --> 0:55:57.430
<v Speaker 4>The women, the match, I had this whole match, girl,

0:55:57.450 --> 0:56:02.600
<v Speaker 4>I won't send you that script. I was like that,

0:56:02.660 --> 0:56:05.820
<v Speaker 4>like even the idea of the, of a grandma being

0:56:05.880 --> 0:56:09.000
<v Speaker 4>in it, like, because like her mom, I was like,

0:56:09.540 --> 0:56:16.299
<v Speaker 4>multi-generationalism is so important. Like, and like, I just remember that.

0:56:16.790 --> 0:56:19.210
<v Speaker 4>the parents on Boy Meets World too, like they even

0:56:19.250 --> 0:56:22.230
<v Speaker 4>had their own storylines at times that were interwoven. And

0:56:22.290 --> 0:56:26.219
<v Speaker 4>that's so important. It helped me see that my parents

0:56:26.280 --> 0:56:27.340
<v Speaker 4>were real people.

0:56:27.580 --> 0:56:29.620
<v Speaker 3>I was just going to say we're real people.

0:56:29.640 --> 0:56:30.080
<v Speaker 2>Yes.

0:56:30.200 --> 0:56:33.080
<v Speaker 4>It's not all about me. And so like, I just, parents,

0:56:33.320 --> 0:56:35.040
<v Speaker 4>I think are really frigging important.

0:56:35.280 --> 0:56:35.680
<v Speaker 2>I agree.

0:56:36.100 --> 0:56:38.600
<v Speaker 4>Within the stories as well. And you were both a

0:56:38.640 --> 0:56:39.400
<v Speaker 4>part of things.

0:56:39.560 --> 0:56:42.569
<v Speaker 1>Well, that's one of the problems that when we rewatched

0:56:43.030 --> 0:56:45.450
<v Speaker 1>the entire series, one of the problems we had, while

0:56:45.489 --> 0:56:47.070
<v Speaker 1>we thought the show got worse as it went on

0:56:47.210 --> 0:56:48.710
<v Speaker 1>is they were using the parents less and less.

0:56:49.530 --> 0:56:52.259
<v Speaker 2>And so less Mr. Feeney, less Alan and Amy towards

0:56:52.280 --> 0:56:52.920
<v Speaker 2>season seven.

0:56:52.960 --> 0:56:56.140
<v Speaker 1>And we were like, okay, this is fine, but it's

0:56:56.200 --> 0:56:59.180
<v Speaker 1>not season three where they're all the stories are interwoven

0:56:59.219 --> 0:57:01.319
<v Speaker 1>and you get the lesson from Feeney, you get the

0:57:01.360 --> 0:57:03.660
<v Speaker 1>lesson from Alan. You wanted that kind of, they could

0:57:03.680 --> 0:57:06.460
<v Speaker 1>have used Amy a lot better, but you get that.

0:57:06.300 --> 0:57:11.859
<v Speaker 2>Kind of intergenerationality, which is I think super important. You're right. So,

0:57:12.670 --> 0:57:13.950
<v Speaker 2>Oh God. Yeah. We could talk forever.

0:57:14.230 --> 0:57:15.430
<v Speaker 4>I literally could.

0:57:15.730 --> 0:57:19.130
<v Speaker 2>So two last questions. One, one, I'm going to ask

0:57:19.150 --> 0:57:20.770
<v Speaker 2>about Disney and one, I'm just going to shoot my shot.

0:57:21.890 --> 0:57:24.810
<v Speaker 1>The first, the first one is Disney comes to you

0:57:24.850 --> 0:57:28.170
<v Speaker 1>and says, pick a decom and do it any way

0:57:28.210 --> 0:57:28.840
<v Speaker 1>you want to do it.

0:57:29.490 --> 0:57:29.930
<v Speaker 2>What do you do?

0:57:30.290 --> 0:57:32.550
<v Speaker 4>I think about this so much.

0:57:32.710 --> 0:57:33.050
<v Speaker 2>Okay.

0:57:33.410 --> 0:57:40.260
<v Speaker 4>Actually. Okay. And my, my like, excitement the same part

0:57:40.300 --> 0:57:42.760
<v Speaker 4>of me that like when I see something rainbow I'm

0:57:42.780 --> 0:57:44.600
<v Speaker 4>like I gotta get it and then I don't ever

0:57:44.640 --> 0:57:46.760
<v Speaker 4>wear it because I don't wear rainbow but like the

0:57:46.800 --> 0:57:49.570
<v Speaker 4>excitement of like going to that rainbow thing okay which

0:57:49.710 --> 0:57:52.910
<v Speaker 4>has actually started something where like a lot of people

0:57:53.070 --> 0:57:55.230
<v Speaker 4>in my life think that I just like see something

0:57:55.270 --> 0:57:56.690
<v Speaker 4>rainbow and they'll buy it for me. I'm like, I

0:57:56.750 --> 0:58:00.570
<v Speaker 4>really don't actually love rainbow. I do.

0:58:00.910 --> 0:58:01.120
<v Speaker 3>It is.

0:58:01.130 --> 0:58:03.230
<v Speaker 2>It's like saying white, it's like saying white chocolate once.

0:58:03.250 --> 0:58:05.050
<v Speaker 2>And then you're like, I actually don't like white chocolate.

0:58:05.070 --> 0:58:06.110
<v Speaker 2>That's all people give me.

0:58:06.110 --> 0:58:10.060
<v Speaker 3>I did that with Hello Kitty. You guys know I'm

0:58:10.100 --> 0:58:11.560
<v Speaker 3>in my thirties.

0:58:11.680 --> 0:58:13.340
<v Speaker 4>But I also do love rainbow.

0:58:13.440 --> 0:58:15.640
<v Speaker 2>So it's really hard. Like it's a weird balance.

0:58:15.700 --> 0:58:20.040
<v Speaker 4>It's weird. They're like, Veronica, you're so hard. Um, I'm

0:58:20.060 --> 0:58:25.240
<v Speaker 4>just complicated, but, so my feeling is like Xenon.

0:58:25.580 --> 0:58:29.600
<v Speaker 3>Like I just, we thought like I, we should talk

0:58:29.660 --> 0:58:30.840
<v Speaker 3>because we've got a whole idea.

0:58:31.340 --> 0:58:34.760
<v Speaker 4>Okay. That's where I get lost. So because I'm like

0:58:34.820 --> 0:58:38.419
<v Speaker 4>doing Xenon in today's day and age is, it's like,

0:58:38.620 --> 0:58:42.860
<v Speaker 4>is a challenge. It's very, very hard. Also. I'm being

0:58:42.980 --> 0:58:46.459
<v Speaker 4>the analog girly that I am like it. I will

0:58:46.720 --> 0:58:49.960
<v Speaker 4>never just have it like riddled with tech and like

0:58:50.000 --> 0:58:50.960
<v Speaker 4>all this ever.

0:58:50.980 --> 0:58:54.959
<v Speaker 2>So, But that's your Xenon. It's a girl who doesn't

0:58:55.000 --> 0:58:55.860
<v Speaker 2>embrace technology.

0:58:56.240 --> 0:59:00.750
<v Speaker 4>I know. But, like, because my bachelorette party, I literally

0:59:00.770 --> 0:59:02.610
<v Speaker 4>had a Xenon-themed pool party.

0:59:02.670 --> 0:59:04.050
<v Speaker 2>Cetus Lapetus, you did not.

0:59:04.130 --> 0:59:10.020
<v Speaker 4>I literally did. Cetus Lapidus. Boom, boom, boom. A poor memory. Like,

0:59:10.300 --> 0:59:14.700
<v Speaker 4>I think three weeks ago, I showed my daughter Xenon

0:59:14.860 --> 0:59:17.950
<v Speaker 4>for the first time. This is where I know I have, like,

0:59:19.770 --> 0:59:21.990
<v Speaker 4>now that it took five years, where I'm like, oh

0:59:22.010 --> 0:59:25.550
<v Speaker 4>my god, you're my daughter. Watching this movie, because we

0:59:25.570 --> 0:59:28.130
<v Speaker 4>were sitting, I love watching movies in bed. I love

0:59:28.170 --> 0:59:31.680
<v Speaker 4>watching TV in bed. And like, And so we're in bed.

0:59:31.820 --> 0:59:34.320
<v Speaker 4>It's on. And we're watching. And she's getting it. She

0:59:34.380 --> 0:59:37.220
<v Speaker 4>loves it. I also rewatch it. Like, I love the

0:59:37.260 --> 0:59:39.960
<v Speaker 4>character of Xenon. She says it. They're like, Xenon, why

0:59:39.980 --> 0:59:42.070
<v Speaker 4>do you have to go out in the spacesuit and

0:59:42.110 --> 0:59:45.930
<v Speaker 4>break the rules to see the sunrise? And she goes,

0:59:46.850 --> 0:59:48.670
<v Speaker 4>why would you sit in the audience when you can

0:59:48.710 --> 0:59:51.610
<v Speaker 4>be center stage or something like that? And I was

0:59:51.650 --> 0:59:55.760
<v Speaker 4>just like, how bad? Like, she's... that's such a bad

0:59:55.920 --> 0:59:57.300
<v Speaker 4>thing for a girl to say.

0:59:57.320 --> 0:59:57.400
<v Speaker 1>Yeah.

0:59:57.920 --> 1:00:02.370
<v Speaker 4>Like unapologetically and not be a bitch or anything while

1:00:02.390 --> 1:00:04.390
<v Speaker 4>saying it. She was just like, why would I do that?

1:00:05.050 --> 1:00:09.590
<v Speaker 4>And she, Oh, she's so cool. But, um, Okay, but

1:00:09.630 --> 1:00:11.330
<v Speaker 4>there's this one part in the movie, I don't know

1:00:11.350 --> 1:00:13.350
<v Speaker 4>if you remember, but Protozoa is about to get on

1:00:13.390 --> 1:00:16.600
<v Speaker 4>the plane. It's so small, but I remember when I

1:00:16.640 --> 1:00:19.960
<v Speaker 4>was little watching this movie and zeroing in on this

1:00:20.080 --> 1:00:22.640
<v Speaker 4>one part back in the day, it would have easily

1:00:22.700 --> 1:00:25.710
<v Speaker 4>been made into like a gif or gif jif or whatever,

1:00:25.730 --> 1:00:28.830
<v Speaker 4>something like that. But Protozoa, I'm going to do the

1:00:28.850 --> 1:00:31.640
<v Speaker 4>move because it's very important. He's about to get on

1:00:31.660 --> 1:00:34.640
<v Speaker 4>the plane and Wyndham and them, they're talking about like,

1:00:34.660 --> 1:00:37.000
<v Speaker 4>where's Zenon with her aunt? But so before he gets

1:00:37.060 --> 1:00:42.830
<v Speaker 4>on the plane, Protozoa goes like this. He goes, before

1:00:42.850 --> 1:00:45.650
<v Speaker 4>he gets on the plane, like such a weird move.

1:00:45.670 --> 1:00:49.570
<v Speaker 4>I don't know if he does a tongue, but he's like,

1:00:49.690 --> 1:00:52.760
<v Speaker 4>and he's like thrusting and stuff. It made me laugh

1:00:52.860 --> 1:00:56.120
<v Speaker 4>all the time. I would rewind it and watch that

1:00:56.160 --> 1:00:57.990
<v Speaker 4>all the time because it just, like, hit that funny

1:00:58.050 --> 1:00:58.630
<v Speaker 4>bone in me.

1:00:58.710 --> 1:00:59.310
<v Speaker 2>Oh, God, I love it.

1:00:59.310 --> 1:00:59.650
<v Speaker 1>Every time.

1:01:00.670 --> 1:01:03.770
<v Speaker 4>I watch it. First time I've ever seen it. My

1:01:03.910 --> 1:01:06.500
<v Speaker 4>daughter is almost six. Sabrina, I would do a play

1:01:06.520 --> 1:01:08.140
<v Speaker 4>date with you. I hate play dates, but I would

1:01:08.160 --> 1:01:09.880
<v Speaker 4>do one with you and your daughter. Perfect.

1:01:09.900 --> 1:01:10.320
<v Speaker 2>Yes.

1:01:10.940 --> 1:01:17.280
<v Speaker 4>But, like... she starts busting up laughing at that move.

1:01:17.300 --> 1:01:20.200
<v Speaker 4>And she stands up on the bed in her chonies.

1:01:20.350 --> 1:01:24.640
<v Speaker 4>She's naked. We're naked household. And she just goes... and

1:01:24.680 --> 1:01:28.200
<v Speaker 4>repeats the move and i'm literally i'm like in shock

1:01:28.280 --> 1:01:31.560
<v Speaker 4>because she i didn't say anything about the moment or

1:01:31.600 --> 1:01:34.600
<v Speaker 4>anything but she it hit her bone the same way

1:01:34.620 --> 1:01:37.180
<v Speaker 4>it hit mine and then she asked she's like mom

1:01:37.220 --> 1:01:40.060
<v Speaker 4>rewind it again she goes she goes like reverse it

1:01:40.120 --> 1:01:43.000
<v Speaker 4>or something she's like reverse it reverse it and then

1:01:43.200 --> 1:01:45.900
<v Speaker 4>we watched it like 10 times in a row and

1:01:45.940 --> 1:01:47.980
<v Speaker 4>just both of us stood up on the bed and

1:01:48.000 --> 1:01:52.540
<v Speaker 4>just did that move And I was like, I literally

1:01:52.560 --> 1:01:58.050
<v Speaker 4>was like core memory. Like we'll never forget that. It

1:01:58.090 --> 1:02:01.470
<v Speaker 4>was so good, but that movie still hits so hard.

1:02:01.550 --> 1:02:04.170
<v Speaker 4>And even the love in that. So yes, I would

1:02:04.190 --> 1:02:07.010
<v Speaker 4>say Xeon, it'd be so hard, but okay. Putting this

1:02:07.070 --> 1:02:09.530
<v Speaker 4>in your brain to maybe it'll go into your, your guys'

1:02:09.550 --> 1:02:10.980
<v Speaker 4>idea for it. And then you can bring them back

1:02:11.020 --> 1:02:15.420
<v Speaker 4>to me. But I was talking when I'm editing another

1:02:15.460 --> 1:02:19.439
<v Speaker 4>movie right now, I did my first like, comedy horror

1:02:19.460 --> 1:02:24.760
<v Speaker 4>thriller you guys will like it but I was with

1:02:24.820 --> 1:02:26.960
<v Speaker 4>my editor and post producer and they were talking they

1:02:26.980 --> 1:02:31.030
<v Speaker 4>both have teenagers during COVID or whatever but they were

1:02:31.070 --> 1:02:36.090
<v Speaker 4>talking about how so many like their kids and so

1:02:36.110 --> 1:02:38.110
<v Speaker 4>many of their friends like none of them want to

1:02:38.150 --> 1:02:41.590
<v Speaker 4>drive none of them want their license like and they

1:02:41.610 --> 1:02:44.810
<v Speaker 4>were just saying I can't stand it they were saying

1:02:44.850 --> 1:02:48.580
<v Speaker 4>things about these kids though that I was like they

1:02:48.620 --> 1:02:50.000
<v Speaker 4>sound like they grew up in space.

1:02:52.380 --> 1:02:55.050
<v Speaker 2>Oh, there you go. Like, and I don't know where that,

1:02:55.410 --> 1:02:57.590
<v Speaker 2>I don't know, but.

1:02:57.670 --> 1:03:00.930
<v Speaker 4>That was the one thing where I was like, I

1:03:00.990 --> 1:03:04.770
<v Speaker 4>feel like there's something there into like, again, the character

1:03:04.790 --> 1:03:07.450
<v Speaker 4>starts with the freaking characters, the plot will come, but

1:03:07.490 --> 1:03:11.330
<v Speaker 4>like the characters of this, whatever the Xenon thing could

1:03:11.450 --> 1:03:15.010
<v Speaker 4>be and how it could relate to this younger generation,

1:03:15.090 --> 1:03:17.850
<v Speaker 4>how they could see themselves differently. but I don't know

1:03:17.890 --> 1:03:19.950
<v Speaker 4>where it goes from there, but I do think there is,

1:03:20.570 --> 1:03:26.600
<v Speaker 4>there's something, there's something. Um, but yeah, but then I also, so,

1:03:26.960 --> 1:03:32.660
<v Speaker 4>and to design that, I mean, that's like, as much

1:03:32.760 --> 1:03:35.940
<v Speaker 4>as the wardrobe was funky funk for you.

1:03:36.000 --> 1:03:36.960
<v Speaker 3>It just was young.

1:03:37.040 --> 1:03:40.320
<v Speaker 4>It just, but yeah, the rules, but like those styles

1:03:40.520 --> 1:03:42.200
<v Speaker 4>of cheetah girls and Xenon were.

1:03:42.060 --> 1:03:44.900
<v Speaker 3>Like, so yeah, for sure.

1:03:45.000 --> 1:03:50.830
<v Speaker 4>And like amazing. Amazing. And, um, I mean, wow.

1:03:51.670 --> 1:03:53.980
<v Speaker 3>So, so looking into Xenon then.

1:03:54.000 --> 1:03:58.780
<v Speaker 4>Yeah. But I also, then I'm like, Mike, do you remember, uh,

1:03:59.040 --> 1:04:00.240
<v Speaker 4>stepsister from planet weird?

1:04:00.320 --> 1:04:01.700
<v Speaker 2>Of course. We just did that one too.

1:04:01.740 --> 1:04:02.040
<v Speaker 3>Yeah.

1:04:02.100 --> 1:04:03.700
<v Speaker 4>You did. Okay.

1:04:03.720 --> 1:04:04.640
<v Speaker 3>A while ago.

1:04:04.660 --> 1:04:05.690
<v Speaker 4>I got to listen.

1:04:05.730 --> 1:04:06.550
<v Speaker 2>I don't think we loved it.

1:04:06.960 --> 1:04:09.500
<v Speaker 3>No, we didn't love it. No, the special effects were

1:04:09.560 --> 1:04:12.970
<v Speaker 3>really weird. But it was at a time during the,

1:04:14.000 --> 1:04:15.820
<v Speaker 3>it was in an era again, like you got to

1:04:15.860 --> 1:04:18.300
<v Speaker 3>take all of that into perspective. It was in an

1:04:18.460 --> 1:04:21.620
<v Speaker 3>era that they did not have the budget.

1:04:21.800 --> 1:04:23.540
<v Speaker 2>Step sister from planet weird.

1:04:23.820 --> 1:04:28.160
<v Speaker 4>But like the hot take is like, I loved how

1:04:28.940 --> 1:04:33.060
<v Speaker 4>minimal those were. I love, I like it. I, But

1:04:33.100 --> 1:04:36.780
<v Speaker 4>that's also maybe, like, I love absurdity grounded in reality.

1:04:36.880 --> 1:04:40.640
<v Speaker 4>And so that story, it was like, but maybe it

1:04:40.660 --> 1:04:42.980
<v Speaker 4>was too grounded. Because it did have a hook that

1:04:43.000 --> 1:04:46.660
<v Speaker 4>could have gone bigger. But, like, the story of the sepsis, like,

1:04:46.840 --> 1:04:50.180
<v Speaker 4>I love that movie. I love that movie. And I

1:04:50.220 --> 1:04:50.860
<v Speaker 4>love Rip Girls.

1:04:51.200 --> 1:04:53.520
<v Speaker 2>Come back. Come back.

1:04:53.620 --> 1:04:56.290
<v Speaker 1>And do a breakdown of Step Sister or Rip Girls

1:04:56.310 --> 1:04:56.590
<v Speaker 1>with us.

1:04:56.630 --> 1:04:59.130
<v Speaker 3>Yes, let's do it. Let's do it.

1:04:59.290 --> 1:05:03.270
<v Speaker 4>Guys, you're so fun. And also, guys, let's figure out

1:05:03.290 --> 1:05:05.230
<v Speaker 4>this new zine on it and all produce a movie together.

1:05:05.250 --> 1:05:05.590
<v Speaker 4>Come on.

1:05:05.610 --> 1:05:06.290
<v Speaker 3>Let's do it.

1:05:06.350 --> 1:05:06.740
<v Speaker 4>Let's do it.

1:05:06.750 --> 1:05:09.950
<v Speaker 3>That would be amazing. Coming out of Magical Rewind, we've

1:05:10.010 --> 1:05:10.790
<v Speaker 3>got to do something.

1:05:10.810 --> 1:05:14.070
<v Speaker 4>We've learned too much. When is your guys' production company starting?

1:05:14.090 --> 1:05:20.160
<v Speaker 1>Exactly. It's called Will Works for Sabrina Productions is what

1:05:20.200 --> 1:05:21.080
<v Speaker 1>it would be called.

1:05:21.700 --> 1:05:23.980
<v Speaker 3>The funds go to our couple therapy.

1:05:24.020 --> 1:05:25.120
<v Speaker 2>Cheetah Meets World.

1:05:25.800 --> 1:05:26.600
<v Speaker 3>Cheetah Meets World.

1:05:26.640 --> 1:05:30.550
<v Speaker 2>Cheetah Meets World would be our production company. That's good.

1:05:30.810 --> 1:05:34.190
<v Speaker 3>I love it. That's good. Yes, let's definitely stay in touch.

1:05:34.230 --> 1:05:34.870
<v Speaker 4>You are awesome.

1:05:34.890 --> 1:05:37.070
<v Speaker 3>We have to have you back on. We need to cover.

1:05:37.410 --> 1:05:39.300
<v Speaker 3>Half of our stuff that we needed.

1:05:39.140 --> 1:05:42.280
<v Speaker 2>To talk about. So we will have you back. You're

1:05:42.300 --> 1:05:46.120
<v Speaker 2>the best. Congratulations on everything. We love everything you've done.

1:05:46.140 --> 1:05:49.780
<v Speaker 3>On everything. And keep going. You are the perfect hands

1:05:50.160 --> 1:05:54.689
<v Speaker 3>for the channel to be. steering us back to where

1:05:54.810 --> 1:05:56.410
<v Speaker 3>we all loved about the channel back.

1:05:56.330 --> 1:05:57.970
<v Speaker 2>In the day. They got a fan in charge now,

1:05:57.990 --> 1:05:58.680
<v Speaker 2>which is pretty great.

1:05:58.720 --> 1:05:59.860
<v Speaker 3>Yes, it's perfect.

1:06:00.000 --> 1:06:00.580
<v Speaker 2>It's perfect.

1:06:00.640 --> 1:06:02.439
<v Speaker 4>I'm just making stuff that I want to watch.

1:06:02.480 --> 1:06:03.439
<v Speaker 2>That's how it should be.

1:06:03.460 --> 1:06:04.900
<v Speaker 3>You want your kids to watch, right?

1:06:04.920 --> 1:06:05.200
<v Speaker 4>Exactly.

1:06:05.220 --> 1:06:06.520
<v Speaker 3>That's the same thing I want to do.

1:06:06.580 --> 1:06:11.020
<v Speaker 4>I'm like, my, like, every decision is made by 13-year-old

1:06:11.040 --> 1:06:13.930
<v Speaker 4>Veronica and me now. And that's when, if I can

1:06:13.970 --> 1:06:18.290
<v Speaker 4>make them both happy, to me, that's winning. And that's

1:06:18.370 --> 1:06:20.560
<v Speaker 4>what I would like. So we'll see.

1:06:20.640 --> 1:06:21.040
<v Speaker 3>Love it.

1:06:21.680 --> 1:06:22.500
<v Speaker 4>You guys rock.

1:06:22.640 --> 1:06:25.430
<v Speaker 2>Thank you. You're awesome. Thank you. We'll be in touch.

1:06:25.510 --> 1:06:26.190
<v Speaker 3>Till next time.

1:06:26.210 --> 1:06:27.410
<v Speaker 4>Bye. Bye.

1:06:27.470 --> 1:06:32.330
<v Speaker 2>Bye. Damn. I could have talked to her for three hours.

1:06:32.830 --> 1:06:35.990
<v Speaker 2>You got to go. She's amazing. You're amazing. Go have fun.

1:06:36.090 --> 1:06:38.840
<v Speaker 2>Enjoy yourself. And we'll see you next time. Bye, everybody.

1:06:38.860 --> 1:06:38.930
<v Speaker 1>Bye.