1 00:00:02,960 --> 00:00:13,280 Speaker 1: We've got a week. Hey y'all, welcome to the show. 2 00:00:13,320 --> 00:00:16,000 Speaker 1: Thanks for taking the time to listen. I'm Morgan and 3 00:00:16,079 --> 00:00:19,279 Speaker 1: I'm gonna be counting down the best seven bits of 4 00:00:19,320 --> 00:00:23,439 Speaker 1: the week based on your engagement on social online calls, 5 00:00:23,560 --> 00:00:27,360 Speaker 1: all the things, and we're counting down from seven to one. Now. 6 00:00:27,440 --> 00:00:29,560 Speaker 1: Along the way, I'll bring in members from the show 7 00:00:29,600 --> 00:00:32,159 Speaker 1: to talk about some behind the scenes moments, because not 8 00:00:32,200 --> 00:00:35,000 Speaker 1: only is it y'all's favorite thing, it's also mine. We 9 00:00:35,040 --> 00:00:37,800 Speaker 1: share fun stories from the segments and sometimes they go 10 00:00:37,960 --> 00:00:40,519 Speaker 1: on other random tangents, so you never know what you're 11 00:00:40,520 --> 00:00:43,240 Speaker 1: gonna get. And this week I'm bringing on a lunchbox 12 00:00:43,240 --> 00:00:46,279 Speaker 1: and Eddie. All right, let's get going in. First up, 13 00:00:46,360 --> 00:00:49,760 Speaker 1: we have Amy. She is a mother of two and 14 00:00:49,880 --> 00:00:51,839 Speaker 1: has a parenting tip that a lot of people out 15 00:00:51,880 --> 00:00:55,840 Speaker 1: there could definitely use. I mean, parenting is hard. I'm 16 00:00:55,840 --> 00:00:58,080 Speaker 1: not a parent, but I see from my parents that 17 00:00:58,160 --> 00:01:00,279 Speaker 1: it's hard. I was a handful, so I can only 18 00:01:00,320 --> 00:01:03,360 Speaker 1: imagine the tips and hacks from parents that you would 19 00:01:03,440 --> 00:01:06,640 Speaker 1: love to know that helped and worked for them. Right. So, 20 00:01:06,880 --> 00:01:10,119 Speaker 1: Amy shared a parenting tip that works with her kids, 21 00:01:10,160 --> 00:01:13,360 Speaker 1: and it includes gift cards and chores. That's all I'm 22 00:01:13,360 --> 00:01:15,720 Speaker 1: gonna say, listen to this and you're gonna want to 23 00:01:15,800 --> 00:01:19,560 Speaker 1: use it. Number seven, we'd like to welcome the new 24 00:01:19,640 --> 00:01:22,360 Speaker 1: listeners to our radio show. If you're listening live or 25 00:01:22,400 --> 00:01:24,480 Speaker 1: you're listening on the podcast. Let me tell you a 26 00:01:24,520 --> 00:01:26,880 Speaker 1: little bit about my friend Amy. She is my co 27 00:01:26,959 --> 00:01:32,520 Speaker 1: host of what twelve thirteen years fifteen wow, fifteen years. 28 00:01:32,840 --> 00:01:35,759 Speaker 1: I met her at a restaurant named the Restaurants called Culverse. 29 00:01:36,160 --> 00:01:38,360 Speaker 1: Met her in Austin, Texas randomly. She had never done radio. 30 00:01:38,440 --> 00:01:42,080 Speaker 1: She was selling granite out of college and I was like, well, 31 00:01:42,120 --> 00:01:44,959 Speaker 1: you're funny. She joined the show and I had to 32 00:01:44,959 --> 00:01:46,200 Speaker 1: find a way to get her on the show. We 33 00:01:46,200 --> 00:01:48,840 Speaker 1: had no money, We're broke. We were in one town, 34 00:01:49,320 --> 00:01:50,720 Speaker 1: we had no money, and I was like, well, come 35 00:01:50,720 --> 00:01:53,480 Speaker 1: on and be a producer. So she came on. Then 36 00:01:53,480 --> 00:01:56,280 Speaker 1: she's my co host, one of my best friends of 37 00:01:56,360 --> 00:02:00,360 Speaker 1: my whole life. For sure. She has two kids, she's married, married. 38 00:02:01,600 --> 00:02:04,120 Speaker 1: What else am I missing about you? She's just a 39 00:02:04,160 --> 00:02:09,240 Speaker 1: lovely person that yeah yeah, yeah, yeah. But I have 40 00:02:09,240 --> 00:02:10,959 Speaker 1: two kids, but I've only been a mom for three years, 41 00:02:10,960 --> 00:02:12,760 Speaker 1: so that's a good point. Figure. I have a thirteen 42 00:02:12,800 --> 00:02:15,200 Speaker 1: year old, but I adopted her At ten, she adopted 43 00:02:15,200 --> 00:02:18,560 Speaker 1: two children from an orphanage in Haiti when she was 44 00:02:18,600 --> 00:02:20,960 Speaker 1: doing a mission trip in Haiti. She wasn't out searching 45 00:02:21,000 --> 00:02:23,399 Speaker 1: for kids. I didn't even go to work with kids. 46 00:02:23,440 --> 00:02:25,720 Speaker 1: I went to work with women. Yeah, and met these 47 00:02:25,760 --> 00:02:28,119 Speaker 1: two kids, and like you said, you felt the Lord 48 00:02:28,120 --> 00:02:30,919 Speaker 1: pollantage your heart. Well, yeah, I just knew we were 49 00:02:30,960 --> 00:02:34,079 Speaker 1: doing a domestic baby adoption in America. And then when 50 00:02:34,120 --> 00:02:36,880 Speaker 1: I saw the need where some of these women worked 51 00:02:36,919 --> 00:02:39,800 Speaker 1: was at this particular orphanage, and there was older kids, 52 00:02:40,080 --> 00:02:43,320 Speaker 1: and all the babies were matched. Even though it would 53 00:02:43,360 --> 00:02:45,640 Speaker 1: take people a few years to get those kids, they 54 00:02:45,639 --> 00:02:47,639 Speaker 1: would get on it, maybe like three or four years old. 55 00:02:47,760 --> 00:02:52,799 Speaker 1: But then the older kids, anyone over three, four, five, six, seven, eight, nine, ten, 56 00:02:52,840 --> 00:02:54,800 Speaker 1: the older they got, the less likely they were to 57 00:02:54,800 --> 00:02:58,480 Speaker 1: get matched. Because there's other things that come with adopting 58 00:02:58,520 --> 00:03:01,440 Speaker 1: older kids. And I thought, we really want to change diapers, 59 00:03:01,480 --> 00:03:03,519 Speaker 1: so we went for the older and your two kids 60 00:03:03,520 --> 00:03:07,520 Speaker 1: are aged ten and thirteen. That leads me to Amy's 61 00:03:07,520 --> 00:03:09,480 Speaker 1: parenting tip. I wanted everybody get to know Amy a 62 00:03:09,520 --> 00:03:11,880 Speaker 1: little bit, but also know that now she's going to 63 00:03:11,919 --> 00:03:14,120 Speaker 1: pass along a parenting tip that she has learned that 64 00:03:14,240 --> 00:03:16,000 Speaker 1: is now working for her right and also know that 65 00:03:16,000 --> 00:03:17,760 Speaker 1: I don't really know exactly what I'm doing, because again 66 00:03:17,800 --> 00:03:21,680 Speaker 1: I'm still technically a new parent. But I like chores 67 00:03:21,720 --> 00:03:24,280 Speaker 1: are important, they're expected at our house. You don't always 68 00:03:24,360 --> 00:03:28,200 Speaker 1: get paid something for your chores by any means, so 69 00:03:28,200 --> 00:03:31,000 Speaker 1: that's just contributing to the family. But I was going 70 00:03:31,000 --> 00:03:35,200 Speaker 1: through my wallet and found like all of these gift cards, 71 00:03:35,280 --> 00:03:38,320 Speaker 1: and even in our junk drawer, like there's gift cards 72 00:03:38,360 --> 00:03:41,960 Speaker 1: that have five dollars three dollars left on it. Maybe 73 00:03:42,120 --> 00:03:44,240 Speaker 1: when they were gifted to us they had twenty five fifty, 74 00:03:44,320 --> 00:03:46,920 Speaker 1: but then they dwindled down and I never end up 75 00:03:46,960 --> 00:03:49,840 Speaker 1: using them. But kids think that gift cards like credit 76 00:03:49,840 --> 00:03:52,440 Speaker 1: cards are so cool and they're more valuable than the 77 00:03:52,480 --> 00:03:55,119 Speaker 1: two or three dollars that's actually on there. So I'm 78 00:03:55,200 --> 00:03:57,680 Speaker 1: dumping them in a pot. And my kids can do 79 00:03:57,920 --> 00:04:01,320 Speaker 1: chores around the house that are way more than two 80 00:04:01,400 --> 00:04:04,320 Speaker 1: or three dollars, and they can get themselves a gift 81 00:04:04,320 --> 00:04:06,560 Speaker 1: card out of the big box. And gift cards do 82 00:04:06,640 --> 00:04:08,720 Speaker 1: they draw randomly, They're going to think that they hit 83 00:04:08,760 --> 00:04:10,600 Speaker 1: the lottery when they get no. They can pick I 84 00:04:10,640 --> 00:04:12,600 Speaker 1: want the target one. I want the Walmart one. I 85 00:04:12,640 --> 00:04:14,960 Speaker 1: want the Starbucks one. Oh, they're gonna love the Starbucks. 86 00:04:15,000 --> 00:04:18,360 Speaker 1: I think they're only like fifty nine cents on that one. 87 00:04:18,520 --> 00:04:22,279 Speaker 1: It's the best bits of the week with Morgan number two. 88 00:04:24,520 --> 00:04:27,240 Speaker 1: We love checking out the trends on social media and 89 00:04:27,279 --> 00:04:30,000 Speaker 1: doing segments on the show around them. And this week 90 00:04:30,040 --> 00:04:32,480 Speaker 1: there was a trend on Twitter that was about who 91 00:04:32,640 --> 00:04:36,880 Speaker 1: is the better band between Chicago and Fleetwood Mac. Personally, 92 00:04:36,920 --> 00:04:39,200 Speaker 1: I love Fleetwood Mac. I don't know a lot of 93 00:04:39,279 --> 00:04:41,359 Speaker 1: Chicago songs. You guys may make fun of me for 94 00:04:41,360 --> 00:04:44,400 Speaker 1: that because I'm young and I should probably know more 95 00:04:44,440 --> 00:04:46,840 Speaker 1: Chicago songs. I should probably know a lot of things 96 00:04:46,839 --> 00:04:48,960 Speaker 1: that I don't know. But that's okay, So Fleetwood Mac 97 00:04:49,160 --> 00:04:51,880 Speaker 1: it is for me. But because of that trend, we 98 00:04:51,960 --> 00:04:54,360 Speaker 1: decided to turn the tables and do a little battle 99 00:04:54,400 --> 00:04:57,800 Speaker 1: of the country bands. And let's just say, it's not 100 00:04:57,960 --> 00:05:02,320 Speaker 1: easy to choose between two Country Number six the Bobby 101 00:05:02,400 --> 00:05:04,800 Speaker 1: Mo Show. It's a big Twitter feud happening right now 102 00:05:04,839 --> 00:05:08,120 Speaker 1: between the fans of these two bands. So I'm gonna 103 00:05:08,160 --> 00:05:09,440 Speaker 1: read you the two bands and then I'm gonna do 104 00:05:09,480 --> 00:05:13,440 Speaker 1: my own version for you guys. Okay, it's Fleetwood Mac 105 00:05:13,520 --> 00:05:18,920 Speaker 1: against Chicago Now both seventies early eighties bands. Here is 106 00:05:19,000 --> 00:05:26,039 Speaker 1: Fleetwood Mac. Go your Own Way, Yeah, go your own 107 00:05:26,160 --> 00:05:29,280 Speaker 1: Way jam so good. And here's another song, Fleetwood Mac 108 00:05:29,640 --> 00:05:36,800 Speaker 1: oh Landslide. Yeah we have rumors, which is a jam? Okay, 109 00:05:36,960 --> 00:05:38,800 Speaker 1: what do we have from Chicago? Ray? If you leave 110 00:05:38,800 --> 00:05:45,279 Speaker 1: me now, okay, here we go. If you leave, you 111 00:05:42,839 --> 00:05:48,200 Speaker 1: take garbage? All right? What else? You're the inspiration? It's 112 00:05:48,240 --> 00:05:56,039 Speaker 1: the jam? What about the song that you know every 113 00:05:56,040 --> 00:06:00,400 Speaker 1: word to? Ray? Saturday in the Park? I days that 114 00:06:00,440 --> 00:06:03,840 Speaker 1: fought that July. That's a jam? Hunt it is? Yeah, 115 00:06:04,080 --> 00:06:06,480 Speaker 1: where do we fall on this? Fleetwood Mac or Chicago? Right? 116 00:06:06,560 --> 00:06:09,599 Speaker 1: You go first? Well, you guys know me. I'm Chicago. 117 00:06:09,720 --> 00:06:12,360 Speaker 1: My dad listened to it. I can probably sing a 118 00:06:12,360 --> 00:06:14,440 Speaker 1: lot of their songs, so I have to go with them. 119 00:06:14,839 --> 00:06:17,560 Speaker 1: I go Fleetwood Mac in a runaway victory, like not 120 00:06:17,640 --> 00:06:21,200 Speaker 1: even close, Fleetwood Mac. I can go the rest of 121 00:06:21,200 --> 00:06:23,160 Speaker 1: my life not here in Chicago. Give me Fleetwood Mac 122 00:06:23,160 --> 00:06:25,280 Speaker 1: as is a runaway then Lunchbox, Oh man, I fell 123 00:06:25,279 --> 00:06:27,960 Speaker 1: asleep when you played in Chicago. I mean that was awful. 124 00:06:28,120 --> 00:06:29,880 Speaker 1: Give me Fleetwood Mac, even though I don't really know 125 00:06:29,920 --> 00:06:32,159 Speaker 1: them either. All right? Then I'll propose one to you. Guys. 126 00:06:33,200 --> 00:06:34,960 Speaker 1: Here are the two bands the Battle of the Bands. 127 00:06:35,640 --> 00:06:46,680 Speaker 1: The first one up A little big Town, Oh better man. 128 00:06:46,800 --> 00:06:51,280 Speaker 1: Right there, here's another little big town song. Everybody loves 129 00:06:51,279 --> 00:06:56,000 Speaker 1: a good punto jam, A little big Town. We'll be 130 00:06:56,000 --> 00:06:59,240 Speaker 1: battling it out with this band right here to tell 131 00:06:59,240 --> 00:07:07,240 Speaker 1: them that's Old Dominions, Little Big Town or Oldmion. And 132 00:07:07,360 --> 00:07:08,880 Speaker 1: you know what, whoever you don't big, it's gonna be 133 00:07:08,920 --> 00:07:11,920 Speaker 1: in studio. I'm sure in the next couple of months. 134 00:07:14,640 --> 00:07:27,680 Speaker 1: Second in the Battle of the Bands, awkward and awkward, Ray, 135 00:07:27,680 --> 00:07:29,640 Speaker 1: I'll go to you first. You went first last time. 136 00:07:30,280 --> 00:07:32,400 Speaker 1: I think they've been better longer. I'm gonna go a 137 00:07:32,440 --> 00:07:35,240 Speaker 1: little big town. Old Dominion does have some hits, but 138 00:07:35,280 --> 00:07:37,120 Speaker 1: it's just been in the last five years. If I'm 139 00:07:37,120 --> 00:07:43,200 Speaker 1: not mistaken, Okay, you're not mistaken. Eddie so dumb. I 140 00:07:43,200 --> 00:07:45,160 Speaker 1: don't even know why we're doing this, but I want 141 00:07:45,160 --> 00:07:47,320 Speaker 1: to go a little big Town. I love them. I 142 00:07:47,440 --> 00:07:50,440 Speaker 1: love every single member of that band, Old Dominion. I 143 00:07:50,480 --> 00:07:52,440 Speaker 1: don't even I've tried to get to know the drummer 144 00:07:52,440 --> 00:07:54,920 Speaker 1: and no chance. I don't even talking to me. I 145 00:07:55,080 --> 00:07:58,600 Speaker 1: win and I love wit. But where there's no connection. Ken, 146 00:07:59,240 --> 00:08:04,600 Speaker 1: So we got two lbts. Amy. I love both of 147 00:08:04,720 --> 00:08:08,840 Speaker 1: the band's big time and the people, but I wanna 148 00:08:09,280 --> 00:08:22,280 Speaker 1: gotta stick with my girls, Kimberly and Karen. That Town lunchbox, listen, guys, 149 00:08:22,400 --> 00:08:25,640 Speaker 1: a little big town. They are nice, wonderful human beings. 150 00:08:26,160 --> 00:08:29,560 Speaker 1: But when it comes to band and music, it's Old Dominion. 151 00:08:30,360 --> 00:08:38,079 Speaker 1: Its Old Dominion, no doubt. All Right, there we have it. 152 00:08:38,160 --> 00:08:41,240 Speaker 1: I bet you lunch can only probably guess this song 153 00:08:41,640 --> 00:08:43,560 Speaker 1: and not mentioned any other ones. How many Old Dominion 154 00:08:43,600 --> 00:08:47,080 Speaker 1: songs do you know? Oh, we just played like three 155 00:08:47,080 --> 00:08:49,880 Speaker 1: of them. Well that was snapped back. Uh, you can 156 00:08:49,920 --> 00:08:54,640 Speaker 1: go and do hotel Key, you can do the one. 157 00:08:54,960 --> 00:08:57,360 Speaker 1: Uh that he doesn't want to be one man band. 158 00:08:57,600 --> 00:09:02,480 Speaker 1: Nice one out of nowhere, not back, Thank you. Nice? 159 00:09:02,520 --> 00:09:07,280 Speaker 1: But you didn't vote Bobby. Oh, come on, come on now. 160 00:09:08,400 --> 00:09:10,599 Speaker 1: Well they're both fantastic, right. We all have stated that 161 00:09:12,400 --> 00:09:14,600 Speaker 1: if I'm gonna have to pick one, though in the 162 00:09:14,679 --> 00:09:18,480 Speaker 1: last few years, I've said numerous times Old Dominion. Their 163 00:09:18,600 --> 00:09:22,319 Speaker 1: music is my favorite of any artist period, right like 164 00:09:22,760 --> 00:09:24,880 Speaker 1: Old Dominion. In Casey Muscraps. When they put out music, 165 00:09:24,880 --> 00:09:26,280 Speaker 1: I'm like, I'm I guarantee you it's gonna be good. 166 00:09:26,280 --> 00:09:27,719 Speaker 1: It doesn't matter what it is. That just blindly go 167 00:09:27,760 --> 00:09:30,439 Speaker 1: it's gonna be good. So because of that, I have 168 00:09:30,480 --> 00:09:32,040 Speaker 1: to pick a little big town. Just gotta knowing the longer, 169 00:09:32,120 --> 00:09:35,480 Speaker 1: like a better. I know all of them better, and 170 00:09:35,520 --> 00:09:39,360 Speaker 1: they've had it, like Ray said, a longer, a longer career. 171 00:09:40,840 --> 00:09:42,520 Speaker 1: And also I don't mind telling a little big time 172 00:09:42,800 --> 00:09:44,679 Speaker 1: or old dominion. I didn't pick them, like if they 173 00:09:44,679 --> 00:09:46,080 Speaker 1: came in, right, I'll be like, you know how it is, boys, 174 00:09:46,080 --> 00:09:48,679 Speaker 1: I don't think yeah, all right, So a little big 175 00:09:48,679 --> 00:09:51,320 Speaker 1: town wins port to one. Yeah, and we're not doing 176 00:09:51,320 --> 00:09:52,839 Speaker 1: this again, right, that's it. I don't know. Maybe in 177 00:09:52,920 --> 00:09:55,880 Speaker 1: daily there, I kind of like it. This is fun 178 00:09:56,040 --> 00:09:58,640 Speaker 1: like it. Maybe we build a tournament, Brackett, March Madness 179 00:09:58,720 --> 00:10:04,120 Speaker 1: is coming up. Yeah, that's true. It is March Madness time. Guys. 180 00:10:04,200 --> 00:10:06,600 Speaker 1: It's time to put country artists first, country artists. Let's 181 00:10:06,679 --> 00:10:10,600 Speaker 1: go in which country artist prevails? Is it Tim mcgrawl 182 00:10:10,640 --> 00:10:13,880 Speaker 1: or Kenny Chesney oh Man mcgrawl, Oh, whoa, that'd be 183 00:10:13,880 --> 00:10:16,280 Speaker 1: a good next one. Luke comes to Morgan Wall Oh. 184 00:10:19,920 --> 00:10:21,920 Speaker 1: I don't know about that. I know they're both really good. 185 00:10:21,960 --> 00:10:24,360 Speaker 1: And Luke comes just straight from the beginning. I have 186 00:10:24,360 --> 00:10:27,680 Speaker 1: to think about that. It's the best Bits of the 187 00:10:27,720 --> 00:10:33,520 Speaker 1: week with Morgan. Number two. Now. A few weeks back, 188 00:10:33,600 --> 00:10:37,040 Speaker 1: y'all might remember that Bobby was on TikTok asking country 189 00:10:37,120 --> 00:10:40,560 Speaker 1: artists to stitch him and potentially come up for a 190 00:10:40,679 --> 00:10:43,959 Speaker 1: chance to play in our studio. And while he picked 191 00:10:43,960 --> 00:10:47,000 Speaker 1: a top four, and instead of just narrowing it down 192 00:10:47,040 --> 00:10:49,600 Speaker 1: to one, we decided to bring all four of those 193 00:10:49,720 --> 00:10:52,280 Speaker 1: artists in to perform. This is like the beginning stages 194 00:10:52,280 --> 00:10:54,920 Speaker 1: of an artist, right, So they come into the studio, 195 00:10:55,000 --> 00:10:58,160 Speaker 1: they perform an original song, and they perform a cover 196 00:10:58,320 --> 00:11:01,079 Speaker 1: and I'm telling y'all there was a bad one out 197 00:11:01,120 --> 00:11:03,720 Speaker 1: of any of them. They were all fantastic. To make 198 00:11:03,760 --> 00:11:05,640 Speaker 1: sure you listen to this and then follow them on 199 00:11:05,679 --> 00:11:08,199 Speaker 1: social media because I promised you're gonna want to hear 200 00:11:08,240 --> 00:11:12,480 Speaker 1: more from them. Number five, the Friday Morning Conversation with 201 00:11:12,920 --> 00:11:15,800 Speaker 1: future country stars from TikTok. That's right. So I got 202 00:11:15,840 --> 00:11:17,599 Speaker 1: on TikTok man at this point's been three weeks or 203 00:11:17,640 --> 00:11:19,760 Speaker 1: so ago, and I said, hey, go ahead and stitch 204 00:11:19,800 --> 00:11:21,720 Speaker 1: with me here and I'll pick somebody and bring them 205 00:11:21,720 --> 00:11:24,880 Speaker 1: to the studio. Well, the four people that I picked 206 00:11:25,679 --> 00:11:27,199 Speaker 1: for people to vote for. I just brought all four 207 00:11:27,200 --> 00:11:29,280 Speaker 1: of them in. Honestly, they were all so good and 208 00:11:29,320 --> 00:11:34,559 Speaker 1: so different. So in first are Brittany Moore and Sean Williams. Hi, guys, Hey, 209 00:11:34,600 --> 00:11:36,120 Speaker 1: good to see you. Guys. How weird is this that 210 00:11:36,200 --> 00:11:37,720 Speaker 1: you're just playing on TikTok and next thing you know, 211 00:11:37,720 --> 00:11:39,439 Speaker 1: you're on the stage in this this studio. Brittany, I 212 00:11:39,480 --> 00:11:42,160 Speaker 1: ask you that first, that weird. It's it's kind of weird. Yeah. 213 00:11:42,240 --> 00:11:44,400 Speaker 1: It wasn't expecting this a month ago, for sure. And 214 00:11:44,480 --> 00:11:46,280 Speaker 1: you live in Nashville. Yeah, I've been here for about 215 00:11:46,280 --> 00:11:49,800 Speaker 1: two and a half years now and you're from where Fayetteville, Arkansas. Guys, 216 00:11:49,800 --> 00:11:53,960 Speaker 1: that no idea. When she came told me that, and 217 00:11:54,080 --> 00:11:55,960 Speaker 1: she was like I'm a favorite. I'm like, holy crap. Really, 218 00:11:56,240 --> 00:11:58,320 Speaker 1: And so then she said we met on American Idol. 219 00:11:58,440 --> 00:12:01,480 Speaker 1: And to my credit, I remembered after you said that, 220 00:12:01,520 --> 00:12:03,000 Speaker 1: did I not go? This is where we where we 221 00:12:03,000 --> 00:12:05,000 Speaker 1: were standing, what we were wearing. Yep, you validated the 222 00:12:05,000 --> 00:12:06,640 Speaker 1: facts because she said do you remember me? And I 223 00:12:06,679 --> 00:12:08,360 Speaker 1: was like, oh boy, that's a bad question for me. 224 00:12:09,240 --> 00:12:11,720 Speaker 1: She was like American Idol And then she had Savannah Georgia, 225 00:12:11,720 --> 00:12:14,280 Speaker 1: and I was like, of course I do. So you 226 00:12:14,360 --> 00:12:16,400 Speaker 1: are here, and by the way, you're so good, thank 227 00:12:16,440 --> 00:12:17,800 Speaker 1: you so much, and we're gonna hear from me in 228 00:12:17,840 --> 00:12:19,760 Speaker 1: a second. You're gonna sing. It's gonna be awesome. So, 229 00:12:19,920 --> 00:12:22,240 Speaker 1: by the way, on TikTok she has Brittany Moore music, 230 00:12:22,800 --> 00:12:25,480 Speaker 1: bri I t t a n Y Brittany more music. 231 00:12:26,120 --> 00:12:27,960 Speaker 1: How did you get your TikTok followers? For the most part, 232 00:12:28,040 --> 00:12:30,680 Speaker 1: Oh goodness that video. I had two hundred followers about 233 00:12:30,679 --> 00:12:32,880 Speaker 1: when I posted that video, and I got about I 234 00:12:32,880 --> 00:12:35,000 Speaker 1: was up to like sixteen thousand like a day later. 235 00:12:35,080 --> 00:12:37,800 Speaker 1: So for me, for not being a very good social 236 00:12:37,840 --> 00:12:40,760 Speaker 1: media person, I was pretty pretty surprised. That's really cool. 237 00:12:40,800 --> 00:12:43,520 Speaker 1: Can't complain a good for you. And Sean Williams is 238 00:12:43,559 --> 00:12:46,679 Speaker 1: here on TikTok at Sean Williams Official. Sean, how are 239 00:12:46,679 --> 00:12:48,160 Speaker 1: you pretty good about me? How you doing now? You 240 00:12:48,160 --> 00:12:50,560 Speaker 1: made the long drive here a little bit longer? So 241 00:12:50,640 --> 00:12:53,240 Speaker 1: your drive was tommy hours about a seven and a half. 242 00:12:53,360 --> 00:12:56,240 Speaker 1: You drove from where from Panama City, Florida. And your 243 00:12:56,280 --> 00:12:59,320 Speaker 1: TikTok guy, you have eighty three thousand followers. That wasn't it? 244 00:12:59,400 --> 00:13:02,280 Speaker 1: Wasn't easy. So what's been the key for you on 245 00:13:02,320 --> 00:13:05,800 Speaker 1: TikTok to kind of gain these followers? Mostly my wife, 246 00:13:06,360 --> 00:13:08,880 Speaker 1: she'll sit there and say, hey, this is trending right now, 247 00:13:08,880 --> 00:13:12,160 Speaker 1: you should do this, and I'll listen to her. That's 248 00:13:12,160 --> 00:13:13,840 Speaker 1: funny because Kaitlyn will do that with me a little 249 00:13:13,880 --> 00:13:15,000 Speaker 1: bit too. My fiance She's like, hey, you know what 250 00:13:15,040 --> 00:13:16,360 Speaker 1: people are doing it right now, let's do this, and 251 00:13:16,400 --> 00:13:18,480 Speaker 1: they'll be like, don't go, I'll do it for you. 252 00:13:19,000 --> 00:13:21,559 Speaker 1: I'm kind of dumb about you know what twenty two 253 00:13:21,600 --> 00:13:24,760 Speaker 1: year old are doing on TikTok, right, But I will say, man, 254 00:13:24,800 --> 00:13:26,679 Speaker 1: you guys cry. You guys both crushed it. You both 255 00:13:26,720 --> 00:13:28,880 Speaker 1: deserve to be here. And when I saw both your videos, 256 00:13:28,880 --> 00:13:31,240 Speaker 1: I was like, I can't pick who I like better. 257 00:13:31,400 --> 00:13:33,559 Speaker 1: I just want my audience to hear all of them. Right. Yeah. 258 00:13:33,600 --> 00:13:36,000 Speaker 1: So Sean, when you see that I put you up 259 00:13:36,000 --> 00:13:38,200 Speaker 1: on your TikTok, did all your fans go crazy? I 260 00:13:38,240 --> 00:13:41,120 Speaker 1: think I fangirled. I felt like a high school kid 261 00:13:41,120 --> 00:13:45,000 Speaker 1: all over him. That's great, man. Okay, Well, let's hear 262 00:13:45,080 --> 00:13:46,800 Speaker 1: some music. You guys don't hear some music? Yeah, I 263 00:13:46,840 --> 00:13:49,200 Speaker 1: think that's why we're here. Let's start with you, Brittany, 264 00:13:49,440 --> 00:13:53,000 Speaker 1: So first I would like to request the song that 265 00:13:53,080 --> 00:13:57,000 Speaker 1: got you here, which is Jesus and Janie. I heard 266 00:13:57,000 --> 00:13:59,600 Speaker 1: you playing this, I was like, well, I gotta meet her, 267 00:14:00,000 --> 00:14:01,240 Speaker 1: so why don't you give us a verse and a 268 00:14:01,320 --> 00:14:03,880 Speaker 1: chorus of this is an original? Right? Yes? I wrote 269 00:14:03,880 --> 00:14:06,240 Speaker 1: this with my friends Aaron Cloughton as j McDonald shout 270 00:14:06,240 --> 00:14:07,760 Speaker 1: out to them, and it's just kind of about my 271 00:14:07,760 --> 00:14:10,240 Speaker 1: story about growing up in church and kind of being 272 00:14:10,240 --> 00:14:12,760 Speaker 1: conflicted with like church, wanting to do church music, but 273 00:14:12,840 --> 00:14:15,160 Speaker 1: also wanting to do country and kind of that battle. 274 00:14:15,200 --> 00:14:16,800 Speaker 1: So I kind of fall somewhere in the middle of 275 00:14:16,880 --> 00:14:20,320 Speaker 1: Jesus and Janus. Love it. Here she is Brittany Moore. 276 00:14:27,680 --> 00:14:31,600 Speaker 1: I was raising the first pew, but grew up on 277 00:14:31,640 --> 00:14:35,520 Speaker 1: the backseat of the bus to Sunday school, out child 278 00:14:36,440 --> 00:14:39,800 Speaker 1: the counter of one old preacher wants to trust My 279 00:14:39,920 --> 00:14:42,640 Speaker 1: mama tried to keep me in the choirs that I 280 00:14:42,800 --> 00:14:46,440 Speaker 1: was bound for the brimstone and fire. Sometimes you gotta 281 00:14:46,520 --> 00:14:51,200 Speaker 1: take the heat, Sometimes you gotta run with the battle 282 00:14:51,360 --> 00:14:55,040 Speaker 1: in one hand, Vinyl and the other Greyhound ticket to 283 00:14:55,160 --> 00:15:00,840 Speaker 1: a Woodstock Summer. Found my salvation with those rocking roll 284 00:15:01,000 --> 00:15:06,119 Speaker 1: angel singing I'll fly Awayny and Bobby McGhee John three sixteen, 285 00:15:06,480 --> 00:15:10,920 Speaker 1: one of Mercedes. Won't forgive where I'm from, but I 286 00:15:11,040 --> 00:15:18,320 Speaker 1: love where I landed. Yeah, somewhere between Jesus and Jane. 287 00:15:19,120 --> 00:15:23,280 Speaker 1: Come on so good. I had goosebumps the whole time. 288 00:15:23,360 --> 00:15:25,280 Speaker 1: Thank you you knew hit me up about you as well? 289 00:15:25,360 --> 00:15:30,120 Speaker 1: Was Edweld McCain. Yeah, I know that was wild. That 290 00:15:30,240 --> 00:15:34,560 Speaker 1: was insane. So Edwld McCain sings, I'll be your crying shoulder, 291 00:15:34,880 --> 00:15:36,320 Speaker 1: and him and I have become recent friend who came 292 00:15:36,400 --> 00:15:38,240 Speaker 1: up on the show. What happened there? Did he just 293 00:15:38,280 --> 00:15:41,520 Speaker 1: see your video or how'd that happen? Yeah? I so, I, 294 00:15:41,680 --> 00:15:43,280 Speaker 1: Like I said, I had no clue even what stitching 295 00:15:43,360 --> 00:15:44,960 Speaker 1: was whenever I saw your video, so I had to 296 00:15:45,000 --> 00:15:46,840 Speaker 1: google how to do that. And then I saw that 297 00:15:46,880 --> 00:15:49,200 Speaker 1: he had dueted my video, which that was the first 298 00:15:49,240 --> 00:15:51,080 Speaker 1: notification I got, And I was like, is this like 299 00:15:51,240 --> 00:15:54,120 Speaker 1: Edwin McCain, Edward McCain, And sure enough it was so 300 00:15:54,480 --> 00:15:58,840 Speaker 1: Edward McCain close. So yeah, it was. It was wild. 301 00:15:58,960 --> 00:16:02,360 Speaker 1: That's really cool. Okay, let's go over to Sean Williams, 302 00:16:02,360 --> 00:16:04,320 Speaker 1: who lives in Florida, who drove up Seawan. Did you 303 00:16:04,320 --> 00:16:07,120 Speaker 1: ever live in Nashville? I did back in twenty fifteen, 304 00:16:07,240 --> 00:16:10,080 Speaker 1: and so you came moved back home. He thought, I'm 305 00:16:10,080 --> 00:16:11,440 Speaker 1: gonna try to do this at home, still be a 306 00:16:11,520 --> 00:16:15,000 Speaker 1: singer songwriter. You felt like, uh, I was just becoming 307 00:16:15,000 --> 00:16:18,200 Speaker 1: another Broadway singer, Like, nothing's wrong with that. I loved it, 308 00:16:18,240 --> 00:16:20,560 Speaker 1: and but it just you start to kind of see 309 00:16:20,720 --> 00:16:23,520 Speaker 1: the underlining of everything and how and there's so many 310 00:16:23,680 --> 00:16:26,480 Speaker 1: beautiful musicians down there, but they're down there and it's 311 00:16:26,680 --> 00:16:29,480 Speaker 1: you kind of get into this twist where I feel like, oh, 312 00:16:29,480 --> 00:16:31,360 Speaker 1: I'm okay with that. I was like, well, I want 313 00:16:31,400 --> 00:16:33,440 Speaker 1: to go home. Are you still playing in Florida? Yes? 314 00:16:33,760 --> 00:16:35,800 Speaker 1: So where are you playing? Like a Friday night? Friday 315 00:16:35,880 --> 00:16:38,240 Speaker 1: night play at a place called History Class Brewing Company. 316 00:16:38,480 --> 00:16:41,560 Speaker 1: Go check that out, History Class Brewing Company. Okay? Did 317 00:16:41,560 --> 00:16:43,760 Speaker 1: people they they put money in your jar because you're 318 00:16:43,760 --> 00:16:46,440 Speaker 1: so good? Sometimes? What's the most what's the most money 319 00:16:46,440 --> 00:16:50,160 Speaker 1: you ever made? Most tips and tips? I made five 320 00:16:50,280 --> 00:16:54,120 Speaker 1: hundred a couple weekends ago, hiding me. That was for 321 00:16:55,120 --> 00:16:58,200 Speaker 1: I think it was a very h cartoon song. Frozen. 322 00:16:59,640 --> 00:17:02,720 Speaker 1: You played Frozen? I did, like let it let it Go? Yeah, 323 00:17:02,960 --> 00:17:06,119 Speaker 1: on guitar. Yes, you still know it partially. Let me 324 00:17:06,160 --> 00:17:08,320 Speaker 1: hear a little bit. Listen play original in the second. 325 00:17:08,680 --> 00:17:10,119 Speaker 1: He's gonna tune up for us here. He didn't know 326 00:17:10,119 --> 00:17:11,280 Speaker 1: I was gonna ask him to do this. I might 327 00:17:11,280 --> 00:17:14,439 Speaker 1: throw a like any money here much? So? Is it 328 00:17:14,480 --> 00:17:16,919 Speaker 1: like people they start to drink and then they're like, 329 00:17:16,960 --> 00:17:18,679 Speaker 1: we really want to hear or let it go, and 330 00:17:18,760 --> 00:17:21,680 Speaker 1: they just offer you money. You hear in bars, you know, 331 00:17:21,760 --> 00:17:24,000 Speaker 1: they start shouting like free bird and whatnot. And I 332 00:17:24,359 --> 00:17:28,160 Speaker 1: typically tend to play everything that I get told to play. 333 00:17:28,320 --> 00:17:29,639 Speaker 1: Let me hear a little bit of it, let it 334 00:17:29,680 --> 00:17:36,080 Speaker 1: go from frozen, don't let them in, don't let them see. 335 00:17:36,359 --> 00:17:40,320 Speaker 1: Be the good girl you always have to be. Still, 336 00:17:40,480 --> 00:17:47,920 Speaker 1: don't feel, don't let them know. But now they come on, 337 00:17:49,000 --> 00:17:54,160 Speaker 1: let it go, Let it go. That's good boys, that's 338 00:17:54,160 --> 00:17:57,359 Speaker 1: a hard one. That's good. That's funny man, all right. 339 00:17:57,400 --> 00:18:00,960 Speaker 1: Sean Williams who met on TikTok. Now, let's do a 340 00:18:01,000 --> 00:18:03,080 Speaker 1: little the song that got you here? So the song 341 00:18:03,160 --> 00:18:04,760 Speaker 1: is called Where You Left Me? Did you write this one? 342 00:18:04,920 --> 00:18:06,760 Speaker 1: As sirted it? Would you write it with? I wrote 343 00:18:06,800 --> 00:18:10,880 Speaker 1: it with myself. Nice, always a good writing partner. So 344 00:18:11,040 --> 00:18:12,800 Speaker 1: let me hear some of this where you left me here? 345 00:18:12,920 --> 00:18:24,600 Speaker 1: All right? I don't know what to say. Way to start? 346 00:18:27,400 --> 00:18:32,879 Speaker 1: How I thought we fell in love, ro opened up 347 00:18:32,960 --> 00:18:39,919 Speaker 1: my heart. You promised you were different, that you felt 348 00:18:40,000 --> 00:18:49,359 Speaker 1: the same. It's crazy how fast things change. Because you 349 00:18:49,359 --> 00:18:56,560 Speaker 1: want me only when you want me, but when I 350 00:18:56,720 --> 00:19:04,640 Speaker 1: need you, you're not there. But when you came text, 351 00:19:05,119 --> 00:19:11,760 Speaker 1: I come running over and I just wish that you 352 00:19:11,760 --> 00:19:18,160 Speaker 1: could see out. That ain't Benn, and I know my work. 353 00:19:18,840 --> 00:19:24,600 Speaker 1: I'll let you off, go over and so I'm done 354 00:19:24,680 --> 00:19:31,080 Speaker 1: with games and sitting on your shelf. When you broke 355 00:19:31,280 --> 00:19:37,240 Speaker 1: my heart, that's what set me free. And now I 356 00:19:37,359 --> 00:19:44,080 Speaker 1: won't be where you left me. Come on, I shot man, 357 00:19:44,200 --> 00:19:46,800 Speaker 1: Thank you very much. How I keep a voice? I 358 00:19:46,840 --> 00:19:49,320 Speaker 1: have no idea. It's like he's pushing it as hard 359 00:19:49,320 --> 00:19:51,600 Speaker 1: as you can't. Everything go time. It kind of feels like, 360 00:19:51,960 --> 00:19:54,560 Speaker 1: you know, kind of like Bob Seeker meets country music. 361 00:19:54,960 --> 00:19:56,919 Speaker 1: You ever get the Bob Seacer comparison? Oh yes, when 362 00:19:56,960 --> 00:19:59,159 Speaker 1: you did Frozen, I was like this, Bob Seeker, do it? Frozen, 363 00:20:00,080 --> 00:20:03,720 Speaker 1: Silver Bolt, Boys Back and eighty two. We got two 364 00:20:03,720 --> 00:20:06,800 Speaker 1: people that I found on TikTok, Brittany Moore and Sean Williams, 365 00:20:06,960 --> 00:20:09,359 Speaker 1: how about this, Brittany. I'd like to hear maybe some 366 00:20:09,960 --> 00:20:12,000 Speaker 1: Jody Messina. Can you give us a little bit of that? 367 00:20:12,200 --> 00:20:23,840 Speaker 1: I would love to. Okay, here she has Brittany more. Baby, 368 00:20:23,880 --> 00:20:30,360 Speaker 1: Why don't you say would just get last? Leave this one? 369 00:20:30,440 --> 00:20:37,439 Speaker 1: Horsetown like two rebels without a cause? I got people 370 00:20:37,480 --> 00:20:44,240 Speaker 1: in Boston. Ain't your daddy's stealing more? We can pack 371 00:20:44,400 --> 00:20:51,600 Speaker 1: up to Marbrow tonight. Let's flip the cold. Oh that's 372 00:20:51,680 --> 00:20:58,919 Speaker 1: Carolina Tails, California, somewhere greener, somewhere warming up in the 373 00:20:59,080 --> 00:21:03,879 Speaker 1: mountains by the ocean, where it don't matter as long 374 00:21:04,000 --> 00:21:09,160 Speaker 1: as we are going somewhere together. I've got a quota. Hey, 375 00:21:09,240 --> 00:21:17,359 Speaker 1: it's Camelana Tales, California. You're killing it. Do you feel 376 00:21:17,359 --> 00:21:19,680 Speaker 1: good about your performance so far? I feel pretty good. 377 00:21:19,800 --> 00:21:24,439 Speaker 1: You feel really good? Thank you? Sean. Yes, yeah, you 378 00:21:24,480 --> 00:21:26,120 Speaker 1: have a list of songs here that that you cover. 379 00:21:26,400 --> 00:21:28,800 Speaker 1: I would like you to try Keith Whitley. Don't close 380 00:21:28,840 --> 00:21:31,840 Speaker 1: your eyes. Oh I know it's it's like it's our jam. 381 00:21:31,960 --> 00:21:33,880 Speaker 1: Can you do that one? Oh? Yes, Stephane, here we go, Sean. 382 00:21:47,680 --> 00:22:01,640 Speaker 1: I know you loved him a long time ago. Even 383 00:22:01,720 --> 00:22:10,399 Speaker 1: now in my arms you still want him my no, 384 00:22:14,760 --> 00:22:28,159 Speaker 1: but Darling, this time with short memories die. When you 385 00:22:28,280 --> 00:22:42,440 Speaker 1: hold me tonight, what don't close your eyes. Don't close 386 00:22:42,720 --> 00:22:49,600 Speaker 1: your eyes. Let it be me and don't pretend it 387 00:22:49,720 --> 00:22:58,320 Speaker 1: to him and something using what Darling just wants. Let 388 00:22:58,480 --> 00:23:06,920 Speaker 1: yesterday go and you'll fine more then you'll ever know. 389 00:23:08,640 --> 00:23:15,359 Speaker 1: Just hold me tight when you love me tonight, and 390 00:23:15,600 --> 00:23:23,480 Speaker 1: don't close your eyes. Nice job, Sean Williams. Yeah, let 391 00:23:23,480 --> 00:23:26,280 Speaker 1: me say I'm very happy with what the turnout here today, 392 00:23:27,119 --> 00:23:29,520 Speaker 1: Brittany Moore and Sean Williams, two of the four from 393 00:23:29,600 --> 00:23:31,440 Speaker 1: TikTok that I was like, all right, let's vote, but 394 00:23:31,440 --> 00:23:33,560 Speaker 1: I'm bringing all four of them in and there they are. 395 00:23:33,720 --> 00:23:36,280 Speaker 1: Nice job you two, Thank you very much. Coming up 396 00:23:36,280 --> 00:23:38,600 Speaker 1: in the next segment, Taylor Acorn and Gray Robinson. I'm 397 00:23:38,600 --> 00:23:40,399 Speaker 1: gonna perform and then one of them will win one 398 00:23:40,440 --> 00:23:49,760 Speaker 1: million dollars And I was like, this is awesome. Let's 399 00:23:49,800 --> 00:23:54,080 Speaker 1: mark started this sweat giving away. The prize is to 400 00:23:54,119 --> 00:23:55,879 Speaker 1: play for people to like, tons of people to hear 401 00:23:55,880 --> 00:23:58,080 Speaker 1: you guys, right, that's the goal. All right, great job 402 00:23:58,160 --> 00:24:02,560 Speaker 1: you guys. The Friday Morning Conversation with future country stars 403 00:24:02,600 --> 00:24:05,560 Speaker 1: from TikTok So we had four people ammy on my 404 00:24:05,600 --> 00:24:07,080 Speaker 1: TikTok where I was like, man, all four you guys 405 00:24:07,119 --> 00:24:08,760 Speaker 1: are so good, and we were trying to find a winner, 406 00:24:09,320 --> 00:24:10,840 Speaker 1: but they were all four so good. I brought all 407 00:24:10,840 --> 00:24:12,600 Speaker 1: four of them in, So we have our next two here, 408 00:24:12,880 --> 00:24:17,280 Speaker 1: Taylor Acorn and Gray Robinson. Let's guess let's be warm 409 00:24:17,320 --> 00:24:20,040 Speaker 1: and welcoming. Taylor, how are you? I'm so good? How 410 00:24:20,080 --> 00:24:23,080 Speaker 1: are you? I'm good? So I think at one point 411 00:24:23,080 --> 00:24:25,520 Speaker 1: you were on this show because you had COVID? Is 412 00:24:25,520 --> 00:24:28,920 Speaker 1: that true because you've never been in or performed. No, 413 00:24:29,080 --> 00:24:30,840 Speaker 1: we know you're I don't know if you still live 414 00:24:30,880 --> 00:24:33,280 Speaker 1: with Kaylee shore Um. I live on my own now, okay, 415 00:24:33,400 --> 00:24:35,560 Speaker 1: but you did and you both had COVID. Yeah, all 416 00:24:35,600 --> 00:24:41,840 Speaker 1: of us. It was when we were like, you have COVID? 417 00:24:42,200 --> 00:24:44,040 Speaker 1: Did you die? Are you coming to us from heaven? 418 00:24:44,080 --> 00:24:46,399 Speaker 1: That was early. It was weird. Yeah. After that, I 419 00:24:46,480 --> 00:24:49,000 Speaker 1: had like all of my family were like, are you okay? 420 00:24:49,000 --> 00:24:51,639 Speaker 1: Because I really didn't tell my mom or anything, because 421 00:24:51,680 --> 00:24:53,359 Speaker 1: my mom's one of those people that it's like you 422 00:24:53,400 --> 00:24:56,000 Speaker 1: tell her and she's like, oh my gosh, you you know, 423 00:24:56,119 --> 00:24:58,880 Speaker 1: freaks out. And I hadn't told anybody, and I had 424 00:24:58,960 --> 00:25:02,000 Speaker 1: like so many people texting me like are you okay? 425 00:25:02,080 --> 00:25:04,600 Speaker 1: Or like you on your deathbed? And we were fine. 426 00:25:04,840 --> 00:25:07,800 Speaker 1: I was honestly probably the most fine out of the 427 00:25:07,840 --> 00:25:13,000 Speaker 1: three of us. But well bounced, We're happy to have 428 00:25:13,080 --> 00:25:15,280 Speaker 1: you here, thank you, And so she sent in a 429 00:25:15,320 --> 00:25:17,159 Speaker 1: clip and I was like, dang, it's so good. You 430 00:25:17,240 --> 00:25:22,399 Speaker 1: have on TikTok ninety seven thousand followers. Yeah, how in 431 00:25:22,400 --> 00:25:25,440 Speaker 1: the world did you accumulate so many followers on TikTok? Honestly, 432 00:25:25,480 --> 00:25:29,960 Speaker 1: I don't know. I just started posting like emo covers 433 00:25:30,320 --> 00:25:35,439 Speaker 1: and I think people started to like them, and so, um, 434 00:25:35,520 --> 00:25:37,800 Speaker 1: I just kind of kept up with it, and it's 435 00:25:37,800 --> 00:25:40,240 Speaker 1: so fun for me because I love that genre music 436 00:25:40,280 --> 00:25:42,720 Speaker 1: so much. So I don't know, I kind of found 437 00:25:42,760 --> 00:25:45,640 Speaker 1: like a little group of people that enjoy what I've 438 00:25:45,680 --> 00:25:48,040 Speaker 1: been doing. So yeah, So you're a country artist who 439 00:25:48,080 --> 00:25:51,920 Speaker 1: also likes emo music, Yes, which isn't that weird anymore 440 00:25:52,000 --> 00:25:54,640 Speaker 1: because listen, when I grew up, I'm the first generation 441 00:25:54,680 --> 00:25:58,040 Speaker 1: that was into everything because we had streaming, we had downloads, 442 00:25:58,080 --> 00:26:00,159 Speaker 1: you know, and so now you should like a lot 443 00:26:00,160 --> 00:26:01,359 Speaker 1: of other stuff. Do you people give you a hard 444 00:26:01,400 --> 00:26:03,800 Speaker 1: time for like an emo music and country? Um? No, 445 00:26:04,160 --> 00:26:05,840 Speaker 1: not really. I feel like that's been the one thing 446 00:26:05,880 --> 00:26:08,280 Speaker 1: that's been really cool is that people are like, this 447 00:26:08,359 --> 00:26:11,720 Speaker 1: is really dope, Like you you're doing something a little different. 448 00:26:12,200 --> 00:26:14,800 Speaker 1: And I feel like like people that are my age, 449 00:26:15,160 --> 00:26:17,520 Speaker 1: they've grown up listening to the same thing, so I 450 00:26:17,520 --> 00:26:19,440 Speaker 1: feel like they've been really accepting of it, which is 451 00:26:19,480 --> 00:26:22,840 Speaker 1: pretty cool. I grew up well, I kind of moved 452 00:26:22,840 --> 00:26:25,720 Speaker 1: around a little bit. Um I was. We lived in 453 00:26:25,760 --> 00:26:28,640 Speaker 1: Minnesota for a few years and then but we moved 454 00:26:28,680 --> 00:26:32,520 Speaker 1: to Pennsylvania when I was like ten, Yeah, well I 455 00:26:32,520 --> 00:26:36,119 Speaker 1: brought you to Nashville. Um, I you know. I was 456 00:26:36,160 --> 00:26:40,160 Speaker 1: working at Texas Roadhouse in Lynchburg, Virginia, and I just 457 00:26:40,800 --> 00:26:43,880 Speaker 1: I wanted to play music so bad. And I had 458 00:26:44,000 --> 00:26:46,760 Speaker 1: somebody reach out to me, who is now I guess 459 00:26:46,760 --> 00:26:49,800 Speaker 1: he's my manager now, but he'd reach out to me 460 00:26:49,840 --> 00:26:51,520 Speaker 1: and he was like, hey, I really think you should 461 00:26:51,560 --> 00:26:55,119 Speaker 1: do this, and I'd battled him with it for I 462 00:26:55,119 --> 00:26:57,480 Speaker 1: don't know, probably about a year. I was like, I 463 00:26:57,560 --> 00:26:59,480 Speaker 1: don't have any money to go out to Nashville. I 464 00:26:59,480 --> 00:27:02,080 Speaker 1: don't think I can do it. And then finally it 465 00:27:02,160 --> 00:27:04,440 Speaker 1: was like, I'm just I'm really unhappy here. I don't 466 00:27:04,480 --> 00:27:06,159 Speaker 1: want to work at Texas Roadhouse for the rest of 467 00:27:06,160 --> 00:27:10,240 Speaker 1: my life. So I moved in twenty seventeen in April, 468 00:27:10,760 --> 00:27:13,679 Speaker 1: and I've been here ever since. Well, here she is, 469 00:27:13,680 --> 00:27:15,960 Speaker 1: Taylor Acorn. She's gonna do an original first verse in 470 00:27:16,000 --> 00:27:17,879 Speaker 1: chorus of an original. What song are you gonna do 471 00:27:17,920 --> 00:27:21,320 Speaker 1: for us? Um? It's a new song. It's called true Crime. Okay, Yeah, 472 00:27:21,440 --> 00:27:23,919 Speaker 1: everybody enjoy true Crime and we'll see if she has 473 00:27:23,960 --> 00:27:26,320 Speaker 1: what it takes. There's no win, there's no prize here, 474 00:27:26,359 --> 00:27:42,600 Speaker 1: but all right, here you go, Taylor. I could have 475 00:27:42,680 --> 00:27:45,879 Speaker 1: sworn you or the one with the way that you 476 00:27:46,080 --> 00:27:50,919 Speaker 1: made me feel wayless. And Lord knows that I came undone. 477 00:27:51,359 --> 00:27:54,480 Speaker 1: It sat the pain in my heart and defaced it. 478 00:27:55,520 --> 00:27:59,680 Speaker 1: Then you come me off, kay, let me stin, and 479 00:28:00,040 --> 00:28:06,240 Speaker 1: I'm broken. Thought I knew who you were. Gotta don't 480 00:28:06,440 --> 00:28:10,520 Speaker 1: understand it. Straight out of the movie scene. I thought 481 00:28:10,560 --> 00:28:15,040 Speaker 1: that was you and me. I thought that was us city. 482 00:28:15,200 --> 00:28:19,719 Speaker 1: You could be mine, player cards right under blankets of stores, 483 00:28:19,800 --> 00:28:23,040 Speaker 1: drunk and sleepless night. Say hey, theed I super ever 484 00:28:23,359 --> 00:28:26,280 Speaker 1: in your eyes, you stole my heart and you ran 485 00:28:26,440 --> 00:28:30,520 Speaker 1: like a true crime. Now al here awake, wondering where'd 486 00:28:30,560 --> 00:28:33,199 Speaker 1: you go? And did you ever feel the same, ge, 487 00:28:33,320 --> 00:28:37,240 Speaker 1: so never know. I hate the ice superfer in your 488 00:28:37,560 --> 00:28:40,160 Speaker 1: lies and stole my heart and you ran like a 489 00:28:40,240 --> 00:28:46,680 Speaker 1: true crime and you call me off god me standing 490 00:28:46,840 --> 00:28:55,840 Speaker 1: them broken? Oh yeah, nice, think about that. I thought 491 00:28:55,840 --> 00:28:58,680 Speaker 1: I was so good? Thank you. I love Taylor's voice. 492 00:28:58,800 --> 00:29:05,200 Speaker 1: Isn't that out there already? Not yet? No, Holly Gray 493 00:29:05,280 --> 00:29:08,120 Speaker 1: Robinson is here. Hi, good to see you. Good to 494 00:29:08,160 --> 00:29:09,880 Speaker 1: see you. Where'd you grow up? I grew up in 495 00:29:09,960 --> 00:29:12,760 Speaker 1: Greensburg in North Carolina. When you come to Nashville twenty 496 00:29:12,840 --> 00:29:20,640 Speaker 1: seventeen to go to Belmont? Just graduated music degree? Uh? No, 497 00:29:21,040 --> 00:29:26,440 Speaker 1: our songwriting in the music business? Yeah, music degree? Right, songwriting? Music? 498 00:29:26,560 --> 00:29:28,680 Speaker 1: Did you? Did you say music theory? Oh no, no, 499 00:29:28,720 --> 00:29:36,160 Speaker 1: I say no, ang, but you graduate the music degree? Yes, 500 00:29:36,280 --> 00:29:38,560 Speaker 1: music degree? Yes? What's the goal for you? Um? Just 501 00:29:38,560 --> 00:29:41,160 Speaker 1: doing the songwriter artist thing and just yeah, things have 502 00:29:41,240 --> 00:29:42,840 Speaker 1: kind of taken off in the past few weeks, so 503 00:29:42,880 --> 00:29:45,360 Speaker 1: it's been kind of cool. So when did you get 504 00:29:45,400 --> 00:29:49,840 Speaker 1: on TikTok? Like maybe a month ago? Oh? Maybe? Wow? 505 00:29:50,000 --> 00:29:52,800 Speaker 1: I know, and I don't even understand it. I don't 506 00:29:52,840 --> 00:29:54,480 Speaker 1: really even know how to work the app, but it's 507 00:29:54,560 --> 00:29:59,000 Speaker 1: crazy how TikTok works. So yeah, just started and this 508 00:29:59,040 --> 00:30:00,560 Speaker 1: is now happening in it all this show so it's 509 00:30:00,600 --> 00:30:04,040 Speaker 1: criticol Wow, yeah, good for you. Thank you don't even 510 00:30:04,040 --> 00:30:07,000 Speaker 1: know how the app works? Is she's up here, She's like, wait, 511 00:30:07,000 --> 00:30:10,120 Speaker 1: I'm on TikTok someone who's been recording it from outside 512 00:30:10,120 --> 00:30:12,640 Speaker 1: the house. You sent in a cover of this city 513 00:30:12,800 --> 00:30:14,720 Speaker 1: and I was like, Dan, that's really good, And so 514 00:30:15,280 --> 00:30:16,720 Speaker 1: you're going to come into play for us? Are you? 515 00:30:16,760 --> 00:30:18,479 Speaker 1: Would you consider yourself? You had to pick one. It's 516 00:30:18,480 --> 00:30:21,200 Speaker 1: a tough category. If you just would write songs only 517 00:30:21,280 --> 00:30:23,800 Speaker 1: and be a songwriter in Nashville make a living, or 518 00:30:24,120 --> 00:30:26,640 Speaker 1: you could only be a performer, but you can't write songs. 519 00:30:26,760 --> 00:30:28,560 Speaker 1: You have to perform other people's songs your whole life. 520 00:30:28,600 --> 00:30:31,520 Speaker 1: Which would you do? Oh? Songwriter all the way? Really? Yeah? 521 00:30:31,560 --> 00:30:35,400 Speaker 1: I love to write. What's the worst song you ever wrote? Honestly, 522 00:30:35,840 --> 00:30:39,840 Speaker 1: I don't a lot of them? Probably all right, Gray 523 00:30:39,920 --> 00:30:42,640 Speaker 1: Robinson is here. This is an original song. What's it called? 524 00:30:42,760 --> 00:30:44,720 Speaker 1: It's called happy? Is it out now? Or is it 525 00:30:44,720 --> 00:30:47,280 Speaker 1: also a sneaky peeky It's coming out next ride a 526 00:30:47,640 --> 00:30:50,560 Speaker 1: March with so I'm super excited. Yes, well I'll tell 527 00:30:50,560 --> 00:30:52,400 Speaker 1: you what we'll do. We even I programmed the women 528 00:30:52,400 --> 00:30:53,840 Speaker 1: of Buy Our Country. I do the amy host and 529 00:30:53,840 --> 00:30:55,160 Speaker 1: I do the music on it. I'll put it on there. 530 00:30:55,160 --> 00:30:56,720 Speaker 1: I'll commit to it right now. I haven't even heard 531 00:30:56,720 --> 00:31:00,920 Speaker 1: it yet. Thank you. Let me y'all say nice stuff 532 00:31:00,920 --> 00:31:06,960 Speaker 1: about it. I'm just kidding. It's gonna be great. Yes, 533 00:31:07,160 --> 00:31:09,239 Speaker 1: thank you? Okay, are you ready? Are you loose? Are 534 00:31:09,240 --> 00:31:11,680 Speaker 1: you nervous? I'm ready? Are you nervous? I feel good? Good? 535 00:31:11,720 --> 00:31:13,360 Speaker 1: I like that? All right? Here we go? Here is 536 00:31:13,480 --> 00:31:23,880 Speaker 1: Gray Robinson doing happy? Remember when we were kissing for 537 00:31:24,200 --> 00:31:28,719 Speaker 1: I was in the back of your car the summer 538 00:31:28,800 --> 00:31:32,960 Speaker 1: months when nothing else mattered, waiting just to fall apart. 539 00:31:34,560 --> 00:31:38,320 Speaker 1: Who would have thought we'd be catching up you after 540 00:31:38,600 --> 00:31:41,680 Speaker 1: I hated you all of those use. It so good 541 00:31:41,760 --> 00:31:47,480 Speaker 1: to see that you're doing well. Oh I'm happy? Is 542 00:31:47,560 --> 00:31:50,800 Speaker 1: he happy that I'm happy? It took some time and 543 00:31:50,840 --> 00:31:53,960 Speaker 1: a lot of soul searching. I never thought that I 544 00:31:54,040 --> 00:31:57,760 Speaker 1: would ever find a real thing, but I didn't for ever. 545 00:31:57,880 --> 00:32:01,280 Speaker 1: Swearing's going. I can see you're in love with the 546 00:32:01,440 --> 00:32:05,280 Speaker 1: move on and it ain't hurting Maid that she moved on. 547 00:32:05,680 --> 00:32:09,640 Speaker 1: Finally found the beauty a hearty and slowly because look 548 00:32:09,680 --> 00:32:13,360 Speaker 1: at us now, we can be happy. That who happy? 549 00:32:14,280 --> 00:32:19,680 Speaker 1: Look at us now, we can be happy that who happy? 550 00:32:26,040 --> 00:32:29,400 Speaker 1: Great job. I'm gonna talk to Ammy for a second. 551 00:32:29,400 --> 00:32:32,680 Speaker 1: You guys, Joe, here's the thing, Amy's I'm happy about im. 552 00:32:33,000 --> 00:32:36,040 Speaker 1: I'm happy. I'm you're happy. I'm happy. All of them 553 00:32:36,040 --> 00:32:38,600 Speaker 1: were good. It's a relief. Sometimes I'll do these things 554 00:32:38,600 --> 00:32:39,880 Speaker 1: and I'll go, Okay, come in, we found you on 555 00:32:39,880 --> 00:32:42,600 Speaker 1: the internet, and they won't be good. All four of 556 00:32:42,600 --> 00:32:44,640 Speaker 1: our people were really good. Let go back to them. 557 00:32:44,640 --> 00:32:47,760 Speaker 1: All right, Hey guys, I'm back him. Taylor Acorn, Gray 558 00:32:47,840 --> 00:32:50,680 Speaker 1: Robinson are here. Whenever I put you up on my 559 00:32:50,760 --> 00:32:52,720 Speaker 1: TikTok and I was like, all right, you're in. What'd 560 00:32:52,720 --> 00:32:57,880 Speaker 1: you think? I was freaking out? She would have said, 561 00:32:58,240 --> 00:33:02,479 Speaker 1: another day, Oh my god. Yeah, So what's happening? Would you? 562 00:33:02,520 --> 00:33:05,600 Speaker 1: Are you still considered an independent artist? Taylorycorn I am, yeah, 563 00:33:05,760 --> 00:33:08,720 Speaker 1: very much. Though. So what's the goal for you trying 564 00:33:08,720 --> 00:33:12,320 Speaker 1: to get a record deal? Um? I mean that would 565 00:33:12,360 --> 00:33:16,360 Speaker 1: be amazing, Um, but like, I don't know, I'm just 566 00:33:16,440 --> 00:33:19,840 Speaker 1: kind of like just happy to be here. Um. I 567 00:33:19,880 --> 00:33:22,080 Speaker 1: like being able to put out music and stuff like that, 568 00:33:22,160 --> 00:33:24,480 Speaker 1: and so I just I don't know. As long as 569 00:33:24,520 --> 00:33:27,040 Speaker 1: I can continue to do that. Um, but if I 570 00:33:27,080 --> 00:33:30,040 Speaker 1: get you know, signed somewhere in the mix of that too, 571 00:33:30,160 --> 00:33:32,360 Speaker 1: that would be awesome. But can you pay the bills 572 00:33:32,440 --> 00:33:37,320 Speaker 1: now just doing music? Um? Well for the most part 573 00:33:37,400 --> 00:33:41,560 Speaker 1: right now, yes, nice, But um, for a while it 574 00:33:41,640 --> 00:33:43,800 Speaker 1: was like I had a side job too. It's good 575 00:33:43,840 --> 00:33:45,920 Speaker 1: you need you need those so you appreciate when you 576 00:33:45,920 --> 00:33:48,160 Speaker 1: can finally just do music. Yes, Like that's what it's 577 00:33:48,200 --> 00:33:49,479 Speaker 1: all about. If you go, if you're a rich kid 578 00:33:49,480 --> 00:33:50,600 Speaker 1: and you're like, I can do whatever and I just 579 00:33:50,640 --> 00:33:52,880 Speaker 1: do music, You're like, that's just a thing. However, if 580 00:33:52,920 --> 00:33:55,040 Speaker 1: you have to grind to be able to do music, 581 00:33:55,080 --> 00:33:58,280 Speaker 1: even your worst day of creating, it's still better than 582 00:33:58,320 --> 00:34:00,680 Speaker 1: your days of when you weren't doing what you loved. Yeah, 583 00:34:00,720 --> 00:34:03,160 Speaker 1: so good for you, Thank you, play us, play stuff? 584 00:34:03,200 --> 00:34:04,400 Speaker 1: Do do? Give us a little bit of a cover 585 00:34:04,480 --> 00:34:07,920 Speaker 1: here before we here is Taylor Acorn do something? Let 586 00:34:07,920 --> 00:34:10,000 Speaker 1: me let me have a request here. Okay, you say 587 00:34:10,040 --> 00:34:11,880 Speaker 1: that you're a country artist who also likes to do 588 00:34:11,960 --> 00:34:14,440 Speaker 1: some of the old the punk stuff. Yes, give us 589 00:34:14,440 --> 00:34:16,720 Speaker 1: something in that bank? Can you do that in that vein? Yeah? Okay, 590 00:34:16,800 --> 00:34:19,800 Speaker 1: did you ever listen to the Red jumpsuit apparatus. I did, okay, 591 00:34:19,800 --> 00:34:24,560 Speaker 1: I'm gonna do face down. Okay, here we go. I'm 592 00:34:24,560 --> 00:34:29,799 Speaker 1: so nervous my fingers are like shake he go. You 593 00:34:29,880 --> 00:34:33,560 Speaker 1: know you jov me crazy? One walk? What's the rhythm? 594 00:34:33,680 --> 00:34:37,680 Speaker 1: Min mat? And still never understand why you hang around? 595 00:34:38,400 --> 00:34:43,440 Speaker 1: See what's going down? Cover up with makeup in the mirror. 596 00:34:43,920 --> 00:34:47,759 Speaker 1: Tell yourself it's never gonna happen again. You cry a 597 00:34:48,080 --> 00:34:53,719 Speaker 1: moll right, and he sweps. He loves you. Do you 598 00:34:53,880 --> 00:34:58,960 Speaker 1: feel like a man when you push her around? Do 599 00:34:59,040 --> 00:35:05,240 Speaker 1: you feel but now she falls to the ground. Well, 600 00:35:05,280 --> 00:35:09,640 Speaker 1: I'll tell you, my friend, one day this world's gottenling 601 00:35:10,320 --> 00:35:17,000 Speaker 1: as your last crumbled down new she has found Hey, great, 602 00:35:17,960 --> 00:35:20,600 Speaker 1: thank you? It works too. That's a cool cool switch 603 00:35:20,680 --> 00:35:24,839 Speaker 1: up on that thank you? Do you feel yeah, that's 604 00:35:24,840 --> 00:35:29,880 Speaker 1: it right there? Coming over to you now, hello, covering 605 00:35:29,920 --> 00:35:32,440 Speaker 1: me something here? What's the what are you doing? So? 606 00:35:32,520 --> 00:35:35,520 Speaker 1: I'm doing Bubbly by Kolby Kelly, Okay, which, by the way, 607 00:35:35,560 --> 00:35:37,200 Speaker 1: kind of I hope this is not awkward for you. 608 00:35:37,239 --> 00:35:39,160 Speaker 1: But she has the biggest engagement ring on her finger. 609 00:35:40,120 --> 00:35:42,000 Speaker 1: I'm just telling you. I look at her and it's 610 00:35:42,000 --> 00:35:45,440 Speaker 1: like hard to look right because it's so it's massive. 611 00:35:45,520 --> 00:35:49,240 Speaker 1: When did you get engaged? I got engaged September fit Hey, congratulations, 612 00:35:49,040 --> 00:35:52,080 Speaker 1: thank you bab here, I'm actually jumping on a flight 613 00:35:52,200 --> 00:35:54,800 Speaker 1: right after this to go plan a wedding, like literally 614 00:35:54,840 --> 00:35:57,000 Speaker 1: leaving from here to the airport. Where's your Why are 615 00:35:57,000 --> 00:36:00,759 Speaker 1: you going to plant somewhere else? Well from North Well, 616 00:36:00,800 --> 00:36:03,560 Speaker 1: I'm actually not even getting married where I'm from either way, 617 00:36:03,640 --> 00:36:07,200 Speaker 1: but yeah, just getting married of the Greenbrier when West Virginia. 618 00:36:07,239 --> 00:36:09,960 Speaker 1: I just needed to There's a lot of things to do. 619 00:36:10,160 --> 00:36:15,600 Speaker 1: I just need to go now. So what about this guy? Yes? Yeah, 620 00:36:15,600 --> 00:36:18,239 Speaker 1: what about him? Was like, okay, this is the one 621 00:36:18,280 --> 00:36:22,399 Speaker 1: for me. Well, we're high school sweethearts. Okay, and we 622 00:36:22,520 --> 00:36:25,680 Speaker 1: have been doing long distance for like almost four years. Wow. 623 00:36:26,000 --> 00:36:29,239 Speaker 1: And then we're like both graduated and we're ready to 624 00:36:29,280 --> 00:36:31,200 Speaker 1: get married. What's his name? His first name? His name 625 00:36:31,200 --> 00:36:33,200 Speaker 1: is Zach. Zach. You better hold on, she can go 626 00:36:33,239 --> 00:36:39,200 Speaker 1: to superstardom. Better grab on. Well, congratulations, thank you, that's fantastic, 627 00:36:39,200 --> 00:36:42,520 Speaker 1: Thank you. Okay, play you say Bubbly by Colby Coup. Okay, 628 00:36:42,560 --> 00:36:53,799 Speaker 1: here it is. Then wait for a while now and 629 00:36:54,239 --> 00:36:58,160 Speaker 1: you gamm me feeling like a child now because every 630 00:36:58,200 --> 00:37:01,440 Speaker 1: time I see you, lovely thing Ace, I get the 631 00:37:01,520 --> 00:37:04,320 Speaker 1: tingles in a silly place to start in my toes, 632 00:37:04,520 --> 00:37:08,200 Speaker 1: make me crink on my nose. Wherever he goes, I 633 00:37:08,320 --> 00:37:11,960 Speaker 1: always know then you'll make me smile. Please stay for 634 00:37:12,320 --> 00:37:17,759 Speaker 1: wound down to stick your time wherever you go. The 635 00:37:17,920 --> 00:37:21,640 Speaker 1: rain is falling on my window pane, but we are 636 00:37:21,719 --> 00:37:25,759 Speaker 1: hiding in a safer place on the cover. Stay in 637 00:37:25,880 --> 00:37:29,920 Speaker 1: drying wall. You give me feelings that I endure. The 638 00:37:30,000 --> 00:37:33,680 Speaker 1: starting my toes, make me crink on my nose. Wherever 639 00:37:33,840 --> 00:37:37,160 Speaker 1: we go os, I always know they you will make 640 00:37:37,200 --> 00:37:40,759 Speaker 1: me smile. Please stay for wound down to seek your 641 00:37:40,840 --> 00:37:46,040 Speaker 1: time wherever you go. Great job, Gret Robinson. Okay, here's 642 00:37:46,040 --> 00:37:49,839 Speaker 1: what we're gonna do here, Taylor Acorn true Crime. If 643 00:37:49,880 --> 00:37:52,439 Speaker 1: I'm right here, it comes out in March twenty six, right, 644 00:37:52,880 --> 00:37:55,200 Speaker 1: is that true? Or am I lying? No, you're not lying. 645 00:37:55,480 --> 00:37:57,600 Speaker 1: It's true. We're gonna program that into the woman to 646 00:37:57,600 --> 00:38:00,560 Speaker 1: buy herd country for sure. Thank you when it comes out. 647 00:38:00,600 --> 00:38:03,680 Speaker 1: And this next week, if we haven't made the list yet, Gray, 648 00:38:03,680 --> 00:38:07,080 Speaker 1: I'm gonna put yours in, so both of you go. 649 00:38:08,000 --> 00:38:10,520 Speaker 1: I love bringing in people that that impress me and 650 00:38:10,560 --> 00:38:12,399 Speaker 1: have their own sound and their own reason for being here, 651 00:38:12,560 --> 00:38:15,399 Speaker 1: and you two definitely fit that. Just don't don't let 652 00:38:15,480 --> 00:38:19,480 Speaker 1: some executive pull you a direction you don't want to go, 653 00:38:19,600 --> 00:38:21,400 Speaker 1: because that's when you lose yourself and then when it 654 00:38:21,440 --> 00:38:23,879 Speaker 1: doesn't work, you have nobody to blame but you, so 655 00:38:24,000 --> 00:38:26,640 Speaker 1: hang in there. You both have some special thank you. 656 00:38:27,520 --> 00:38:28,759 Speaker 1: Maybe what would you like to say to them before 657 00:38:28,760 --> 00:38:32,160 Speaker 1: we no? I mean, I'm just excited to give anybody 658 00:38:32,160 --> 00:38:33,799 Speaker 1: a chance that gets to come in here and just 659 00:38:33,840 --> 00:38:38,520 Speaker 1: to see I think how crazy the world can be, 660 00:38:38,560 --> 00:38:40,560 Speaker 1: and how Taylor. I love how she's just honest and 661 00:38:40,560 --> 00:38:43,640 Speaker 1: she's like, I'm so nervous, my fingers are trembling a 662 00:38:43,640 --> 00:38:46,880 Speaker 1: little bit. I think that that's I love that feeling 663 00:38:47,080 --> 00:38:49,239 Speaker 1: of it being so fresh and new for y'all, and 664 00:38:49,280 --> 00:38:51,839 Speaker 1: like Bobby said, just stay true to who you are, 665 00:38:51,960 --> 00:38:54,399 Speaker 1: because I mean, who knows what's going to happen. But 666 00:38:54,880 --> 00:38:57,160 Speaker 1: I'm just excited that we have a platform too with 667 00:38:57,200 --> 00:39:00,160 Speaker 1: women of I Heart Country to showcase your music, like 668 00:39:00,200 --> 00:39:03,640 Speaker 1: your songs and help them be heard by more people. Well, 669 00:39:03,680 --> 00:39:09,480 Speaker 1: thank you, guys. Stay on TikTok TikTok forever. Follow them 670 00:39:09,520 --> 00:39:11,879 Speaker 1: on Instagram. Taylor, say your name, I throw my sheet away. 671 00:39:11,880 --> 00:39:13,879 Speaker 1: What's your Instagram name? Right? In Twitter tikto name, it's 672 00:39:13,920 --> 00:39:17,880 Speaker 1: tailorycorn one one. There's another Tailor Acorn. No one know what. 673 00:39:18,160 --> 00:39:21,560 Speaker 1: I think somebody made like a Tailor Acorn profile before 674 00:39:21,600 --> 00:39:23,960 Speaker 1: I got to it, because every time I go on, 675 00:39:24,040 --> 00:39:26,400 Speaker 1: I can't like change my name or anything. And I 676 00:39:26,400 --> 00:39:29,520 Speaker 1: think on TikTok when you try to, they like, don't 677 00:39:29,600 --> 00:39:31,200 Speaker 1: let you do it for a couple of months or whatever. 678 00:39:31,280 --> 00:39:34,680 Speaker 1: So I just stuck with Taylor Acorn one. Okay, Gray, 679 00:39:34,960 --> 00:39:38,759 Speaker 1: mine's the Gray Robinson on everything. Okay, and thank there 680 00:39:38,800 --> 00:39:40,960 Speaker 1: you go, Thank you guys. Let's top them out of here. 681 00:39:43,760 --> 00:39:47,520 Speaker 1: It's the best Bits of the Week with Morgan. Number two. 682 00:39:49,320 --> 00:39:53,719 Speaker 1: A very heated topic this week naked massages. Okay, so 683 00:39:54,160 --> 00:39:57,040 Speaker 1: this all started because a listener called into the show 684 00:39:57,160 --> 00:40:00,520 Speaker 1: and had an opinion about her boyfriend going to get 685 00:40:00,560 --> 00:40:03,680 Speaker 1: a massage completely naked. Yes, he was covered with a towel, 686 00:40:03,719 --> 00:40:07,000 Speaker 1: as anyone who's gotten a massage nose right, But he 687 00:40:07,080 --> 00:40:09,800 Speaker 1: was naked underneath the towel and she had a problem 688 00:40:09,840 --> 00:40:13,239 Speaker 1: with that. So we had a very heated debate over 689 00:40:13,680 --> 00:40:17,480 Speaker 1: whether you should be totally naked, and even Lunchbox took 690 00:40:17,520 --> 00:40:20,040 Speaker 1: to the streets to ask strangers their thoughts on this. 691 00:40:20,360 --> 00:40:23,279 Speaker 1: Get heated with us because I'm telling you, these conversations 692 00:40:23,360 --> 00:40:26,920 Speaker 1: just went all over the board. Number four, we got 693 00:40:26,920 --> 00:40:29,840 Speaker 1: this voice. Listen to this, Hey, Bobby Bones, I need 694 00:40:29,840 --> 00:40:32,120 Speaker 1: some advice. This is just kind of an issue that 695 00:40:32,320 --> 00:40:34,880 Speaker 1: you know, has come to my attention via my boyfriend 696 00:40:34,920 --> 00:40:37,439 Speaker 1: who got a massage today. This is just a little weird, 697 00:40:37,560 --> 00:40:42,200 Speaker 1: but he wanted to be completely naked in the massage 698 00:40:42,280 --> 00:40:45,520 Speaker 1: and not wear his boxers. What do you think should 699 00:40:45,560 --> 00:40:47,720 Speaker 1: you wear your boxers as a dude getting a massage? 700 00:40:47,760 --> 00:40:50,200 Speaker 1: Can you get completely naked if it's a female massuse? 701 00:40:50,280 --> 00:40:54,680 Speaker 1: Is that weird? Let us know that's funny, man, But 702 00:40:54,680 --> 00:40:58,520 Speaker 1: we've been in this situation right. Listen, Amy, you go first, 703 00:40:58,600 --> 00:41:02,800 Speaker 1: have the answers. You absolutely wear boxer shorts. Oh that's 704 00:41:02,840 --> 00:41:06,520 Speaker 1: your answer? Yes? Are you speaking no doubt about it? Regardless, 705 00:41:06,560 --> 00:41:10,480 Speaker 1: I'm speaking no doubt about it. From the massage therapist perspective, 706 00:41:10,560 --> 00:41:13,000 Speaker 1: she probably wants you to wear underwear. I don't think so. 707 00:41:13,040 --> 00:41:16,520 Speaker 1: I think masseuses want you to give them access as 708 00:41:16,520 --> 00:41:18,560 Speaker 1: easily as possible to pull things down. I don't think 709 00:41:18,640 --> 00:41:21,480 Speaker 1: they need access to that region like your butt. Yeah, 710 00:41:21,480 --> 00:41:24,200 Speaker 1: of course they do. Some massage therapists don't even touch 711 00:41:24,239 --> 00:41:26,600 Speaker 1: the button anymore because they don't want to mess with it. 712 00:41:26,880 --> 00:41:30,640 Speaker 1: They're like, I don't do that anymore anymore. They ask you, 713 00:41:30,640 --> 00:41:33,719 Speaker 1: don't they don't they do? So Amy, what is your 714 00:41:33,719 --> 00:41:36,879 Speaker 1: answer here? My answer is underwear all the time. Yes, 715 00:41:37,880 --> 00:41:42,160 Speaker 1: my answer is underwear optional. Oh and I do wear 716 00:41:42,200 --> 00:41:46,000 Speaker 1: underwear because I'm embarrassed. Yeah. But if I wasn't embarrassed 717 00:41:46,040 --> 00:41:48,759 Speaker 1: and you just want to late, I think she's like, 718 00:41:48,880 --> 00:41:50,680 Speaker 1: is it weird that he wants to be naked around somebody. 719 00:41:50,680 --> 00:41:55,719 Speaker 1: I don't think it's about that. I don't think it's 720 00:41:55,760 --> 00:41:58,200 Speaker 1: about that. I don't think he wants to be naked 721 00:41:58,320 --> 00:42:00,440 Speaker 1: because it's like hot to him. I think some guy 722 00:42:00,440 --> 00:42:03,640 Speaker 1: who just want to completely be free. I say underwear optional. 723 00:42:03,800 --> 00:42:05,800 Speaker 1: If he wants an optional, I'm gonna wear my underwear. 724 00:42:06,000 --> 00:42:08,759 Speaker 1: But I don't think that's weird at all. Yeddie. I've 725 00:42:08,760 --> 00:42:11,040 Speaker 1: had a total of three massages in my life. The 726 00:42:11,080 --> 00:42:13,160 Speaker 1: first one ever, it was like, I mean really five 727 00:42:13,280 --> 00:42:15,160 Speaker 1: six years ago. My friend bought it for me in 728 00:42:15,239 --> 00:42:20,879 Speaker 1: Vegas and I took all my clothes off. You are 729 00:42:21,400 --> 00:42:23,600 Speaker 1: because she's because they literally said like, hey, it's up 730 00:42:23,640 --> 00:42:25,799 Speaker 1: to you take you take clothes off, leave whatever you want. 731 00:42:25,840 --> 00:42:27,200 Speaker 1: It's up to you. So I was like, all right, 732 00:42:27,320 --> 00:42:29,560 Speaker 1: let it all off. And it was kind of weird, 733 00:42:29,760 --> 00:42:32,640 Speaker 1: I'll admit. So my other two massages, though, I kept 734 00:42:32,719 --> 00:42:34,880 Speaker 1: my boxers on. If I could, I would keep my 735 00:42:35,000 --> 00:42:38,400 Speaker 1: jeans on. Like that's how much I am self conscious 736 00:42:38,400 --> 00:42:41,440 Speaker 1: about that. But I also know that sometimes they're like, hey, 737 00:42:41,480 --> 00:42:43,640 Speaker 1: it's up to you leaving boxes on or off. And 738 00:42:43,680 --> 00:42:45,279 Speaker 1: then if you do have them on, especially because I've 739 00:42:45,280 --> 00:42:47,719 Speaker 1: had injuries in my legs where they like having to 740 00:42:47,800 --> 00:42:50,360 Speaker 1: like pull them up and like you know when you 741 00:42:50,400 --> 00:42:54,160 Speaker 1: get like a wedge. Yeah, I'm just saying it's not 742 00:42:54,239 --> 00:42:56,200 Speaker 1: that big of a deal. I don't think he's doing 743 00:42:56,239 --> 00:43:02,759 Speaker 1: it for any any like self loving reasons. On yesterday's show, 744 00:43:02,760 --> 00:43:04,840 Speaker 1: we got a voicemail from a listener and this is 745 00:43:04,880 --> 00:43:08,400 Speaker 1: what she asked us. Hey, Bobby Bones, I need some advice. 746 00:43:08,560 --> 00:43:10,440 Speaker 1: This is just kind of an issue that you know, 747 00:43:10,480 --> 00:43:13,160 Speaker 1: has come to my attention via my boyfriend who got 748 00:43:13,160 --> 00:43:15,680 Speaker 1: a massage today. This is just a little weird, but 749 00:43:15,880 --> 00:43:20,239 Speaker 1: he wanted to be completely naked in the massage and 750 00:43:20,400 --> 00:43:23,520 Speaker 1: not wear his boxers. What do you think should you 751 00:43:23,560 --> 00:43:25,799 Speaker 1: wear your boxers as a dude getting a massage? Can 752 00:43:25,800 --> 00:43:28,279 Speaker 1: you get completely naked if it's a female massus? Is 753 00:43:28,280 --> 00:43:30,680 Speaker 1: that weird? Let us know? That was the question. So 754 00:43:30,800 --> 00:43:32,839 Speaker 1: Lunchbox went out with a microphone, which, by the way, 755 00:43:32,880 --> 00:43:34,319 Speaker 1: I did not think it was a big deal. I 756 00:43:34,360 --> 00:43:36,880 Speaker 1: don't do it. I'm underwear. But they're always like, hey, 757 00:43:37,360 --> 00:43:39,560 Speaker 1: get however you want to get well massage? You did 758 00:43:39,560 --> 00:43:40,879 Speaker 1: think it was a big deal. Yeah, so I think 759 00:43:40,880 --> 00:43:44,239 Speaker 1: it's weird. This is clip number one. Here you go. 760 00:43:44,680 --> 00:43:48,239 Speaker 1: Why would he need to do that? I mean that's 761 00:43:48,280 --> 00:43:54,719 Speaker 1: just crazy. Well he says it increases his experience. Now 762 00:43:55,200 --> 00:43:57,120 Speaker 1: not doing it as a wife, How would that make 763 00:43:57,160 --> 00:44:00,920 Speaker 1: you feel? I would hurt my feelings? No, forget it, 764 00:44:00,920 --> 00:44:03,960 Speaker 1: absolutely not. I think people are taking this as a 765 00:44:04,000 --> 00:44:07,560 Speaker 1: sexual thing. It's not. But I'm not taking it as 766 00:44:07,600 --> 00:44:09,680 Speaker 1: a sexual thing. To clarify, I just still think it's weird. 767 00:44:09,800 --> 00:44:12,600 Speaker 1: I think a massage therapists want you to have your 768 00:44:12,680 --> 00:44:15,000 Speaker 1: underwear on. I don't think they do. I think they 769 00:44:15,000 --> 00:44:17,560 Speaker 1: would ask you if they didn't. Yeah, okay, here you go. 770 00:44:17,680 --> 00:44:20,760 Speaker 1: Here's club number two. I think it's a personal preference. 771 00:44:21,000 --> 00:44:23,359 Speaker 1: You don't think it's a big deal. I mean, it's 772 00:44:23,400 --> 00:44:27,960 Speaker 1: not to me. But I'm a therapist, by the way, 773 00:44:28,400 --> 00:44:31,040 Speaker 1: So what I'm gonna say to you if it bothers 774 00:44:31,080 --> 00:44:34,680 Speaker 1: your wife, the conversation is, hey, can you can you 775 00:44:34,719 --> 00:44:37,200 Speaker 1: help walk me through like what it is? It bothers you? 776 00:44:37,200 --> 00:44:39,440 Speaker 1: Got it? Yeah, because it bothers her than something's you know, 777 00:44:39,560 --> 00:44:41,279 Speaker 1: going on, and she may want to talk about it. 778 00:44:41,320 --> 00:44:43,920 Speaker 1: All right, that's the therapeutic answer. You're welcome, Thank you, 779 00:44:43,960 --> 00:44:47,080 Speaker 1: have a great day. Was she breastfeeding whenever you're talking 780 00:44:47,080 --> 00:44:49,280 Speaker 1: to her? No? No No, no, the baby was in the stroller. 781 00:44:49,800 --> 00:44:51,719 Speaker 1: Oh okay, and people just come up and talk to 782 00:44:51,719 --> 00:44:53,800 Speaker 1: you close to your face. No, no, no, we're a 783 00:44:53,840 --> 00:44:56,000 Speaker 1: little bit away. I mean we're standing, you know, five 784 00:44:56,120 --> 00:44:58,680 Speaker 1: six feet apart, and I mean you can hear the 785 00:44:58,719 --> 00:45:01,920 Speaker 1: baby because he's just got it. Here's one more clip. 786 00:45:01,920 --> 00:45:04,720 Speaker 1: Here you go. Oh, I say, be naked, totally naked? 787 00:45:05,080 --> 00:45:10,239 Speaker 1: Why because it's more comfortable. You're un you're not restricted. Yeah, 788 00:45:10,239 --> 00:45:13,080 Speaker 1: it's I mean, it's a professional environment, it's not you know, 789 00:45:15,280 --> 00:45:17,640 Speaker 1: I've never had an issue. I've had lots of massages 790 00:45:17,640 --> 00:45:21,680 Speaker 1: and been totally naked. Never had an issue, thank you. Ye, 791 00:45:22,960 --> 00:45:24,399 Speaker 1: hey man, I never had an issue. I could every 792 00:45:24,400 --> 00:45:27,919 Speaker 1: Wednesday and Thursday and Friday. Let me I'm gonna say, 793 00:45:27,960 --> 00:45:31,640 Speaker 1: Kaylin a voice memo here. Hey, we're talking about if 794 00:45:31,680 --> 00:45:34,440 Speaker 1: it's weird to get a massage. If I were to 795 00:45:34,440 --> 00:45:36,360 Speaker 1: get a massage naked, would you think that was weird? 796 00:45:36,760 --> 00:45:42,880 Speaker 1: No underwear, No, that's what naked is. Yeah, without my skin? 797 00:45:45,680 --> 00:45:48,680 Speaker 1: What do you think if I were to get massages 798 00:45:48,719 --> 00:45:50,520 Speaker 1: totally naked? Is that weird to you? Or is that 799 00:45:50,640 --> 00:45:53,800 Speaker 1: no big deal? Send me a voice memo back. I 800 00:45:53,880 --> 00:45:56,520 Speaker 1: want to play it all right, thank you, bye, I 801 00:45:56,560 --> 00:46:01,160 Speaker 1: love you. Yeah, they give me public public love, all right, bye. Okay, 802 00:46:01,200 --> 00:46:03,239 Speaker 1: So we'll get a voice meanbo back from her. You 803 00:46:03,280 --> 00:46:06,279 Speaker 1: guys can also put us up on Facebook again. Let 804 00:46:06,360 --> 00:46:08,800 Speaker 1: us know what you think. On the show though, we vote, 805 00:46:08,880 --> 00:46:13,120 Speaker 1: is it weird? I vote no? No, yes, Lunchbox no, 806 00:46:14,239 --> 00:46:19,240 Speaker 1: Mike yes, Oh oh interesting Morgan no, okay, there's our winner. 807 00:46:19,360 --> 00:46:22,319 Speaker 1: It is not weird. According to the ship. Oh it's 808 00:46:22,360 --> 00:46:28,080 Speaker 1: so weird, especially because y'all have like we have, keep 809 00:46:28,120 --> 00:46:35,600 Speaker 1: it all contained. Okay, weirdo. It's the best bits of 810 00:46:35,680 --> 00:46:41,360 Speaker 1: the week, with Morgan number two coming in at number three. 811 00:46:41,560 --> 00:46:44,240 Speaker 1: Eddie shared on the show this week that he wrote 812 00:46:44,239 --> 00:46:47,560 Speaker 1: a jingle with the help of artists Brandon Ray for 813 00:46:47,680 --> 00:46:50,399 Speaker 1: her cheese. So naturally I had to bring on Eddie 814 00:46:50,400 --> 00:46:54,360 Speaker 1: because we needed to talk a little bit more about this. Okay, okay, 815 00:46:54,400 --> 00:46:58,760 Speaker 1: this one is cool. Your jingle fabulous, like seriously so catchy. 816 00:46:58,840 --> 00:47:01,439 Speaker 1: It was great. But how did you like decide You're 817 00:47:01,440 --> 00:47:03,400 Speaker 1: just like one day like, hey, I'm gonna write a 818 00:47:03,480 --> 00:47:05,360 Speaker 1: jingle for her She's and send it in Like what 819 00:47:05,480 --> 00:47:08,759 Speaker 1: happens so here on the show, every one of us 820 00:47:08,840 --> 00:47:10,680 Speaker 1: we have to kind of look through. Part of our 821 00:47:10,760 --> 00:47:12,400 Speaker 1: job is to look to news stories and kind of 822 00:47:12,440 --> 00:47:15,000 Speaker 1: see what's interesting to talk to talk about on the show. 823 00:47:15,480 --> 00:47:19,319 Speaker 1: So I'd ran in an article about her She's coming 824 00:47:19,320 --> 00:47:22,439 Speaker 1: out with a new bar called WHO'SI? What's It? And 825 00:47:22,600 --> 00:47:25,960 Speaker 1: initially like it's all the articles I read was like whosi, 826 00:47:26,040 --> 00:47:28,400 Speaker 1: what's it? It's the new what's him call it? And 827 00:47:28,400 --> 00:47:30,400 Speaker 1: I was like, Oh, that's kind of cool, and I 828 00:47:30,440 --> 00:47:32,040 Speaker 1: just kind of read through the article. And then a 829 00:47:32,080 --> 00:47:33,920 Speaker 1: few days passed and I said, you know what, like, 830 00:47:34,520 --> 00:47:36,920 Speaker 1: because I write songs, I write songs with raging idiot stuff. 831 00:47:36,960 --> 00:47:39,920 Speaker 1: I write songs you know, for whatever, just just just 832 00:47:39,920 --> 00:47:41,800 Speaker 1: just to write. But I've never written a jingle before. 833 00:47:41,800 --> 00:47:43,759 Speaker 1: So I called Brandon Ram. I'm like, dude, hear me out. 834 00:47:43,800 --> 00:47:46,839 Speaker 1: This is a crazy, wild idea, but I just read 835 00:47:46,880 --> 00:47:48,480 Speaker 1: this article about her she's coming out with a new 836 00:47:48,520 --> 00:47:52,359 Speaker 1: candy bar, Like, you write songs. Should we just write 837 00:47:52,400 --> 00:47:54,200 Speaker 1: a jingle and send it to him and see what happens? 838 00:47:54,280 --> 00:47:57,160 Speaker 1: He says absolutely. He's like, because he's written jingles for 839 00:47:57,840 --> 00:48:00,200 Speaker 1: many things. And he said usually, dude, there's no I'm 840 00:48:00,239 --> 00:48:02,279 Speaker 1: a reason to how this stuff works. Let's just do 841 00:48:02,320 --> 00:48:05,399 Speaker 1: it and see what happens. And we said, okay, we'll 842 00:48:05,400 --> 00:48:07,319 Speaker 1: set up a rite for Friday, and this is like 843 00:48:07,320 --> 00:48:09,279 Speaker 1: a few weeks ago, like three three, three or four 844 00:48:09,320 --> 00:48:12,080 Speaker 1: weeks ago. Friday at two o'clock, we'll do it. And 845 00:48:12,200 --> 00:48:14,200 Speaker 1: he says, Okay, I might be busy or whatever, but 846 00:48:14,280 --> 00:48:15,880 Speaker 1: just call me on Friday and we'll try to figure 847 00:48:15,880 --> 00:48:17,960 Speaker 1: it out. So I didn't really want to spend too 848 00:48:18,040 --> 00:48:20,200 Speaker 1: much of his time, so I just kind of got 849 00:48:20,239 --> 00:48:23,560 Speaker 1: my guitar like on Friday afternoon and picked it up 850 00:48:23,600 --> 00:48:25,600 Speaker 1: and I just kind of played like no no, no, no, 851 00:48:25,680 --> 00:48:27,920 Speaker 1: no no no no no. I'm like, oh that's kind 852 00:48:27,960 --> 00:48:31,239 Speaker 1: of cool, Like all right, literally, Morgan, it came out 853 00:48:31,239 --> 00:48:33,680 Speaker 1: in like ten minutes, and I just wrote it down 854 00:48:33,760 --> 00:48:35,839 Speaker 1: real fast, and then I said, hey, dude, we don't 855 00:48:35,960 --> 00:48:38,799 Speaker 1: have to waste time like writing a jingle, Like what 856 00:48:38,840 --> 00:48:40,400 Speaker 1: do you think about this? And then he calls me 857 00:48:40,480 --> 00:48:43,320 Speaker 1: right away. He's like, it's perfect, it's so good. He's like, 858 00:48:43,360 --> 00:48:45,600 Speaker 1: I made some changes to it, but this is what 859 00:48:45,640 --> 00:48:47,839 Speaker 1: we got and if we agree with it, I'll just 860 00:48:47,880 --> 00:48:49,560 Speaker 1: cut a better version of it and then we're done. 861 00:48:50,000 --> 00:48:52,120 Speaker 1: I said, so, how did you come up with the 862 00:48:52,640 --> 00:48:56,640 Speaker 1: like that background idea of how it was going to 863 00:48:56,719 --> 00:48:58,440 Speaker 1: sound in the first place? Like, I know a lot 864 00:48:58,440 --> 00:49:00,200 Speaker 1: of people listen to music and they're like, how did 865 00:49:00,200 --> 00:49:02,000 Speaker 1: they even come up with this? And I though it's 866 00:49:02,000 --> 00:49:04,840 Speaker 1: a hard question to answer, but I'm sure our listeners 867 00:49:04,880 --> 00:49:06,759 Speaker 1: want to know that. Well, the first thing I was 868 00:49:06,800 --> 00:49:09,120 Speaker 1: thinking about was like, jingles are happy, like you want 869 00:49:09,120 --> 00:49:11,080 Speaker 1: to have it, like there are just certain chords on 870 00:49:11,120 --> 00:49:13,759 Speaker 1: the guitar or an instrument that kind of you can 871 00:49:13,760 --> 00:49:16,080 Speaker 1: do happy chords, you can do sad chords, you know. 872 00:49:16,480 --> 00:49:17,800 Speaker 1: So I just knew that it doesn't have to be 873 00:49:17,880 --> 00:49:22,760 Speaker 1: upbeat like that, like that kind of thinking of a cartoon. Yeah, 874 00:49:23,160 --> 00:49:26,040 Speaker 1: how it sounds, I'm thinking really what I thought was 875 00:49:26,080 --> 00:49:29,200 Speaker 1: like sneakers like or like give me a break, give 876 00:49:29,280 --> 00:49:31,280 Speaker 1: me a break, hit cat like that kind of style 877 00:49:31,400 --> 00:49:34,040 Speaker 1: or whatever. And then I just thought, like, then it 878 00:49:34,120 --> 00:49:36,960 Speaker 1: needs to be explained what's happening with this candy bar, 879 00:49:37,040 --> 00:49:39,920 Speaker 1: And from what the articles I read is that it's 880 00:49:39,960 --> 00:49:41,919 Speaker 1: the new what's your McCall it, So I just kind 881 00:49:41,960 --> 00:49:44,719 Speaker 1: of just said, Okay, well let's describe what it is. 882 00:49:44,880 --> 00:49:47,000 Speaker 1: What's your McCall it's? Now who's you? What's it? And 883 00:49:47,040 --> 00:49:50,160 Speaker 1: that's here's the description of it. But what happened though, 884 00:49:50,800 --> 00:49:53,080 Speaker 1: was I started getting messages once we did this bit, 885 00:49:53,360 --> 00:49:55,440 Speaker 1: and people were telling me like, it's a great jingle, 886 00:49:55,560 --> 00:49:58,279 Speaker 1: but I don't think that's exactly what's happening with the 887 00:49:58,320 --> 00:50:00,680 Speaker 1: candy bar because I just saw what McCall it at 888 00:50:00,680 --> 00:50:03,480 Speaker 1: the store, So there was there was a lot of 889 00:50:03,520 --> 00:50:06,000 Speaker 1: weird confusion of just like, well, the articles I read 890 00:50:06,040 --> 00:50:08,320 Speaker 1: said it was the new watch the McCall it, but 891 00:50:08,360 --> 00:50:11,120 Speaker 1: I guess it's not replacing it. So I started to 892 00:50:11,120 --> 00:50:13,960 Speaker 1: get worried. I'm like the potential new sister candy bar 893 00:50:14,080 --> 00:50:16,359 Speaker 1: to watch McCall. Yeah, it's kind of just like it's 894 00:50:16,400 --> 00:50:18,960 Speaker 1: like it, but it's got a few different ingredients. Okay, 895 00:50:19,600 --> 00:50:22,319 Speaker 1: And so I'm I'm thinking after we did this whole 896 00:50:22,360 --> 00:50:24,680 Speaker 1: bit and like wrote the jingle, and I'm thinking like, 897 00:50:24,719 --> 00:50:27,279 Speaker 1: oh my gosh, like I just watched it, like this 898 00:50:27,320 --> 00:50:31,480 Speaker 1: is all wrong, like all the before. You keep explaining this. 899 00:50:31,800 --> 00:50:34,080 Speaker 1: Did her She's ask for people to send in a jingle? 900 00:50:34,160 --> 00:50:35,759 Speaker 1: Or were you just like I'm just gonna send in 901 00:50:35,760 --> 00:50:38,239 Speaker 1: a jingle? No, I just I just thought, let's just 902 00:50:38,520 --> 00:50:40,120 Speaker 1: write a jingle and send it to him. Well, then 903 00:50:40,160 --> 00:50:42,880 Speaker 1: you didn't botch it because you literally put yourself out 904 00:50:42,920 --> 00:50:45,520 Speaker 1: there when you didn't even get asked about yourself out there. Yeah, 905 00:50:45,600 --> 00:50:47,480 Speaker 1: I mean yeah, I think so, like it was just 906 00:50:47,520 --> 00:50:49,480 Speaker 1: a shot in the dark. I've never done this kind 907 00:50:49,480 --> 00:50:51,759 Speaker 1: of thing before, but it was easy to me, and 908 00:50:51,800 --> 00:50:53,600 Speaker 1: I'm like, let's just give it a shot. So do 909 00:50:53,640 --> 00:50:56,520 Speaker 1: you guys plan to like revamp it so maybe it 910 00:50:56,520 --> 00:50:59,920 Speaker 1: fits better to what's happening. So there's kind of an 911 00:51:00,160 --> 00:51:03,839 Speaker 1: update that's not really an update. Okay, we've heard back 912 00:51:03,920 --> 00:51:07,240 Speaker 1: from a Hersh's representative. Oh interesting, I like it. Yes, 913 00:51:07,280 --> 00:51:10,520 Speaker 1: So we've heard back from a hers She's representative, and 914 00:51:11,280 --> 00:51:15,280 Speaker 1: as of now, we may have to make some changes 915 00:51:15,280 --> 00:51:20,359 Speaker 1: to it, but they're not saying no, okay, yeah, that's 916 00:51:20,400 --> 00:51:23,440 Speaker 1: all they're telling me right now. Okay, so I'm really 917 00:51:23,440 --> 00:51:25,480 Speaker 1: excited about it. It really is like an update, but 918 00:51:25,520 --> 00:51:28,120 Speaker 1: not an update, right, I mean, but still cool that 919 00:51:28,239 --> 00:51:30,719 Speaker 1: one they heard it. I mean, to even have heard 920 00:51:30,719 --> 00:51:32,520 Speaker 1: it in the first places a cool thing. You're a 921 00:51:32,520 --> 00:51:36,520 Speaker 1: big company. Here was the response. We asked, have you 922 00:51:36,600 --> 00:51:39,640 Speaker 1: heard the jingle? And they go, oh, we've heard the jingle, 923 00:51:40,400 --> 00:51:44,000 Speaker 1: so yeah, apparently it's getting tossed around over there. I mean, 924 00:51:44,239 --> 00:51:46,880 Speaker 1: if they're like, yeah, we've heard it, that's cool. I 925 00:51:46,960 --> 00:51:48,920 Speaker 1: know that doesn't make you feel pretty good regardless of 926 00:51:49,000 --> 00:51:51,720 Speaker 1: what happens. Right, You took ten minutes and you decided 927 00:51:51,800 --> 00:51:54,239 Speaker 1: to do something you've never done, and you're just like, 928 00:51:54,920 --> 00:51:57,839 Speaker 1: I'm going to write this, and now hersh's is listening. Well, 929 00:51:57,960 --> 00:52:00,040 Speaker 1: here's the kind of fun twist is like, after I 930 00:52:00,040 --> 00:52:02,080 Speaker 1: wrote it, I always show my songs with my family, 931 00:52:02,120 --> 00:52:03,399 Speaker 1: I'm like, all right, what do you guys think? Because 932 00:52:03,400 --> 00:52:05,680 Speaker 1: the kids are the best, Like they're like, it's all right, 933 00:52:05,840 --> 00:52:08,680 Speaker 1: Oh that's good dad or whatever. When I played this 934 00:52:08,719 --> 00:52:11,680 Speaker 1: for them, they're like, this is so good. What's it? Like? 935 00:52:11,719 --> 00:52:15,000 Speaker 1: I love it? But I said, well, me and Brandon 936 00:52:15,040 --> 00:52:17,200 Speaker 1: thought about maybe doing a kid's version, would you guys 937 00:52:17,239 --> 00:52:19,759 Speaker 1: like to sing on it? And they're like, oh no, no, no, 938 00:52:20,239 --> 00:52:22,440 Speaker 1: we're not gonna do that. So and I try to 939 00:52:22,440 --> 00:52:25,319 Speaker 1: talk them into singing, like over and over, like, come on, guys, 940 00:52:25,320 --> 00:52:26,719 Speaker 1: it's easy. You know the song, you can do it. 941 00:52:26,760 --> 00:52:28,320 Speaker 1: They're like, no, not doing a dad, not doing a 942 00:52:28,400 --> 00:52:30,440 Speaker 1: single one of them. So I'm telling you right now, 943 00:52:30,480 --> 00:52:33,279 Speaker 1: if we get free chocolate for life, even if that's 944 00:52:33,280 --> 00:52:35,920 Speaker 1: what they give me, like you get twenty candy bars, 945 00:52:36,040 --> 00:52:38,120 Speaker 1: if they give me that, they're not getting a single 946 00:52:38,120 --> 00:52:42,960 Speaker 1: candy bar. Oh, it's all going to you. It's Oh 947 00:52:43,080 --> 00:52:45,279 Speaker 1: my gosh, that is so cool. Well, we got an 948 00:52:45,360 --> 00:52:49,880 Speaker 1: update and you potentially have a jingle coming on Hershet. 949 00:52:49,920 --> 00:52:51,640 Speaker 1: I hope, so like I hope. So, you know what, 950 00:52:51,640 --> 00:52:53,560 Speaker 1: we're just gonna manifest it. We're putting it out there 951 00:52:53,600 --> 00:52:56,880 Speaker 1: into the universe. It's happening. That'd be awesome Eddie and 952 00:52:56,920 --> 00:53:03,319 Speaker 1: Brandon's jingle. All right, Well, thanks for joining and sharing that. 953 00:53:03,400 --> 00:53:06,359 Speaker 1: I'm excited for the next, hopefully final update that you 954 00:53:06,400 --> 00:53:08,799 Speaker 1: are going to be on commercials. Oh my gosh, that 955 00:53:08,800 --> 00:53:11,399 Speaker 1: would be so awesome. Like just think you're watching on TV, 956 00:53:11,640 --> 00:53:14,160 Speaker 1: like I wrote that song. Then everybody's like, hey, we 957 00:53:14,239 --> 00:53:16,360 Speaker 1: know him, we know that guy. Yeah, you know what 958 00:53:16,440 --> 00:53:17,719 Speaker 1: I mean. I'm when he's sitting right next to you. 959 00:53:19,000 --> 00:53:21,160 Speaker 1: I'm not going anywhere. I'll start hearing it on repeat. 960 00:53:21,160 --> 00:53:22,640 Speaker 1: It'll be one of those and I'm like, dang it, 961 00:53:22,719 --> 00:53:25,360 Speaker 1: why did you write this song? No, I'm excited for 962 00:53:25,480 --> 00:53:28,520 Speaker 1: you in congratulations for even writing the jingle. Thanks margin 963 00:53:28,640 --> 00:53:30,400 Speaker 1: thank you. All right, well, listen back to this bit. 964 00:53:30,520 --> 00:53:33,040 Speaker 1: Here's Eddie talking about his jingle for the first time. 965 00:53:33,400 --> 00:53:35,880 Speaker 1: Number three. Here's a thing Eddie made. He made a 966 00:53:35,960 --> 00:53:38,640 Speaker 1: jingle for a candy bar company. Have you guys heard this? No, 967 00:53:39,239 --> 00:53:41,000 Speaker 1: So this is what Eddie does. He doesn't talk a game. 968 00:53:41,080 --> 00:53:42,879 Speaker 1: He goes out and tries to walk the game come on. 969 00:53:43,400 --> 00:53:46,040 Speaker 1: And so a few weeks ago he read that Hershey's 970 00:53:46,440 --> 00:53:50,319 Speaker 1: was putting out a candy bar. It was the watch 971 00:53:50,400 --> 00:53:52,600 Speaker 1: him to call it. That's the old version, but they 972 00:53:52,640 --> 00:53:55,640 Speaker 1: rereleased it and it's called a Whosi what's it right? 973 00:53:56,040 --> 00:53:58,520 Speaker 1: So Eddie wrote a jingle and then he sent it 974 00:53:58,560 --> 00:54:00,960 Speaker 1: to Brandon Ray to record it. You guys send it 975 00:54:01,000 --> 00:54:04,080 Speaker 1: off to Hershey's. We did, and well we'll tell you 976 00:54:04,080 --> 00:54:06,279 Speaker 1: what hersh said after this but you tell me if 977 00:54:06,320 --> 00:54:08,680 Speaker 1: you think this jingle is good? Okay, so well, in 978 00:54:08,719 --> 00:54:10,080 Speaker 1: your mind, what are you thinking as you guys wrote 979 00:54:10,080 --> 00:54:11,919 Speaker 1: this or she wrote this? Yeah, I'm thinking it's gotta 980 00:54:11,960 --> 00:54:14,600 Speaker 1: be quick, it's gotta be really cool. I'm pictured on TV. 981 00:54:14,880 --> 00:54:17,200 Speaker 1: You know, some kind of sound that sounds happy, and 982 00:54:17,239 --> 00:54:20,120 Speaker 1: it's a new candy bar. But in the jingle you 983 00:54:20,120 --> 00:54:22,200 Speaker 1: have to be descriptive of what are we talking about. 984 00:54:22,239 --> 00:54:24,440 Speaker 1: So I just went for it and described what we're 985 00:54:24,480 --> 00:54:26,520 Speaker 1: talking about and made it cool and happy. How long 986 00:54:26,760 --> 00:54:28,480 Speaker 1: is the jingle? Fifteen seconds? All right, here we go 987 00:54:31,719 --> 00:54:38,000 Speaker 1: watch a McCall. It's now but wear with chocolate on it. 988 00:54:38,000 --> 00:54:40,719 Speaker 1: It's got a new name, but it is the same. 989 00:54:41,400 --> 00:54:49,920 Speaker 1: Watch m now, what's it? That's so good? I love it? 990 00:54:49,960 --> 00:54:51,799 Speaker 1: But why did they change the name? I don't know. 991 00:54:51,840 --> 00:54:54,600 Speaker 1: They well, they discontinued what's your McCall it's a while back, 992 00:54:54,600 --> 00:54:56,600 Speaker 1: and then they rereleased it with a new name. So 993 00:54:56,920 --> 00:54:59,799 Speaker 1: I saw the news story and I was like, they've 994 00:54:59,800 --> 00:55:02,239 Speaker 1: got how to use they have to promote this thing. 995 00:55:02,280 --> 00:55:04,920 Speaker 1: So I'm thinking they're probably thinking of a jingle right now, guys, 996 00:55:05,000 --> 00:55:07,120 Speaker 1: think no more. It's right here here, I'll play one 997 00:55:07,120 --> 00:55:08,719 Speaker 1: more time before we tell you what hers She said, 998 00:55:08,760 --> 00:55:15,960 Speaker 1: Here we go watch a McCall it. Now, whosis of 999 00:55:16,040 --> 00:55:20,759 Speaker 1: peanut butter? We candy bar with chocolate? It's got but 1000 00:55:20,920 --> 00:55:29,759 Speaker 1: it is the same watching mccullar. Now, what do you 1001 00:55:29,800 --> 00:55:34,400 Speaker 1: think I'd fantastic? It's great. Yeah, I would get a 1002 00:55:34,400 --> 00:55:37,359 Speaker 1: whosy was it after it? Okay? What do you think that? 1003 00:55:37,600 --> 00:55:40,080 Speaker 1: Hershey said, Amy? Do they want to buy it? Do 1004 00:55:40,160 --> 00:55:41,839 Speaker 1: they want to put it on hold? Well, that would 1005 00:55:41,840 --> 00:55:44,640 Speaker 1: be fantastic if they said that. Don't you make a 1006 00:55:44,640 --> 00:55:46,440 Speaker 1: lot of money from jingles? Do they want to just 1007 00:55:46,440 --> 00:55:48,400 Speaker 1: send know a bunch of chocolate bars? I'm giving you 1008 00:55:48,440 --> 00:55:50,560 Speaker 1: the options here, any the options? Do they want to 1009 00:55:50,560 --> 00:55:53,560 Speaker 1: buy it? Fully? Here the options? Buy it fully? Put 1010 00:55:53,560 --> 00:55:54,880 Speaker 1: it on a hole to come back to it because 1011 00:55:54,880 --> 00:55:57,279 Speaker 1: they liked what they heard, use it, but give them 1012 00:55:57,320 --> 00:55:59,960 Speaker 1: a lot of chocolate bars, or they heard nothing from 1013 00:56:00,040 --> 00:56:03,600 Speaker 1: them at all? Radio silence. Oh man, I'm gonna have 1014 00:56:03,680 --> 00:56:05,440 Speaker 1: a little bit of hope here and say that they 1015 00:56:05,440 --> 00:56:07,600 Speaker 1: said they're putting it on hold and they'll get back 1016 00:56:07,640 --> 00:56:11,040 Speaker 1: to us or Eddie sorry and Brandon Ray because how 1017 00:56:11,080 --> 00:56:14,360 Speaker 1: cool would that be for them? I love that I 1018 00:56:14,440 --> 00:56:16,560 Speaker 1: have hope it's on hold? Raymondo, what do you think? 1019 00:56:16,640 --> 00:56:19,440 Speaker 1: What happened with Eddie? Yeah? Unfortunately already know the answer 1020 00:56:19,440 --> 00:56:21,359 Speaker 1: is I'm going to pass on this one. Okay, oh 1021 00:56:21,360 --> 00:56:24,000 Speaker 1: he knows lunchbox. I'm gonna say they were like, oh 1022 00:56:24,040 --> 00:56:25,920 Speaker 1: that's cute man, here's a chocolate bar, and they gave 1023 00:56:25,960 --> 00:56:29,160 Speaker 1: him a couple of chocolate bars. What happened with you jingle? Eddie? 1024 00:56:29,280 --> 00:56:31,520 Speaker 1: It's been a few weeks, guys, like three weeks and 1025 00:56:31,960 --> 00:56:37,680 Speaker 1: I've heard nothing, like nothing, radio silence, like was it good? 1026 00:56:37,840 --> 00:56:40,920 Speaker 1: Change a little bit of it? Anything? Zero? Where'd you 1027 00:56:40,960 --> 00:56:43,680 Speaker 1: send it? I sent it to Well, Brandon ray has 1028 00:56:43,680 --> 00:56:46,040 Speaker 1: a publishing company, so they're like, we have a connection 1029 00:56:46,040 --> 00:56:48,200 Speaker 1: at Hershey's. Will take it straight to them, no problems. 1030 00:56:48,200 --> 00:56:50,719 Speaker 1: So you're still waiting now it's been three weeks, guys. 1031 00:56:50,760 --> 00:56:52,919 Speaker 1: The candy's already out. I saw it at the store 1032 00:56:52,960 --> 00:56:56,279 Speaker 1: the other day. Let's get this thing going interesting. Let's 1033 00:56:56,280 --> 00:56:58,480 Speaker 1: hear it one more time as we retire this song 1034 00:56:58,520 --> 00:57:00,560 Speaker 1: forever and it never gets hurt again here unless you 1035 00:57:00,600 --> 00:57:06,840 Speaker 1: see it on TV. Here we go watching McCalls. Now, 1036 00:57:06,880 --> 00:57:09,880 Speaker 1: whosi what's it? Then? beIN a butter we candy bar 1037 00:57:10,000 --> 00:57:13,840 Speaker 1: with chocolate on it. It's got a name, but it's 1038 00:57:13,880 --> 00:57:21,360 Speaker 1: the same watching mccullar. Now, Whosi what's it? That's good man, 1039 00:57:21,920 --> 00:57:24,280 Speaker 1: Hey Hersey's where are you come on? Now? I want 1040 00:57:24,320 --> 00:57:28,800 Speaker 1: to wh what's it? It's the best bits of the 1041 00:57:28,840 --> 00:57:33,960 Speaker 1: week with Morgan number two. All right, we're down to 1042 00:57:34,520 --> 00:57:37,480 Speaker 1: number two on this list, and I'm bringing in Lunchbox 1043 00:57:37,520 --> 00:57:41,840 Speaker 1: because Lunchbox got a response from his wish balloon that 1044 00:57:41,920 --> 00:57:45,280 Speaker 1: he let go like over a month ago. Lunchbox like, 1045 00:57:45,320 --> 00:57:47,560 Speaker 1: how stoked are you right now? Oh? I feel really good. 1046 00:57:47,560 --> 00:57:48,880 Speaker 1: I mean, it feels good to be here. Thanks for 1047 00:57:48,920 --> 00:57:52,280 Speaker 1: having me back. How are you doing good? But you okay? 1048 00:57:52,320 --> 00:57:53,880 Speaker 1: So let's set this up a little bit about it 1049 00:57:54,040 --> 00:57:56,760 Speaker 1: month ago. It's like January nineteenth. Oh, you actually know 1050 00:57:56,840 --> 00:57:59,440 Speaker 1: the day. I have no idea what the blogs? You know? 1051 00:57:59,480 --> 00:58:01,080 Speaker 1: I had to know the date. I feel like it's 1052 00:58:01,120 --> 00:58:03,680 Speaker 1: been two years since I sent that balloon up into 1053 00:58:03,680 --> 00:58:05,640 Speaker 1: outer space and it got stuck in the tree right 1054 00:58:05,640 --> 00:58:08,439 Speaker 1: when I let it go, and I thought, oh man, 1055 00:58:08,480 --> 00:58:11,440 Speaker 1: this balloon is doomed, like it's never gonna make it anywhere. 1056 00:58:11,480 --> 00:58:13,800 Speaker 1: Then it almost ran into the apartments across the street, 1057 00:58:13,800 --> 00:58:15,680 Speaker 1: and I was like, okay, this balloon is gonna fall 1058 00:58:15,760 --> 00:58:18,160 Speaker 1: like a block away. But then here we are, you 1059 00:58:18,200 --> 00:58:22,520 Speaker 1: know what I mean, I don't know how something like that. 1060 00:58:22,600 --> 00:58:24,440 Speaker 1: And we got something in the mail and it was 1061 00:58:24,480 --> 00:58:28,000 Speaker 1: something from some dude that found the balloon and from Georgia. Yeah, 1062 00:58:28,040 --> 00:58:30,720 Speaker 1: and did something really funny like like putting a little 1063 00:58:31,440 --> 00:58:34,440 Speaker 1: what do you call them trinkets, yeadgets, a little I 1064 00:58:34,480 --> 00:58:36,360 Speaker 1: mean fake gifts, but they were. It was really a 1065 00:58:36,360 --> 00:58:38,480 Speaker 1: lot of it was pretty funny, pretty cool because it, 1066 00:58:38,680 --> 00:58:40,880 Speaker 1: lets be honest, if I found a balloon, I'm not 1067 00:58:40,920 --> 00:58:45,440 Speaker 1: gonna responds, right, But I wrote on me. I wrote 1068 00:58:45,440 --> 00:58:47,360 Speaker 1: on it, opened me, I have a note or something like. 1069 00:58:47,400 --> 00:58:49,160 Speaker 1: I forgot what I wrote exactly, but it was like 1070 00:58:49,240 --> 00:58:52,640 Speaker 1: open me. And maybe if I saw that, and maybe 1071 00:58:52,680 --> 00:58:54,600 Speaker 1: I would reply, just so maybe I could get on 1072 00:58:54,600 --> 00:58:56,560 Speaker 1: the news. Now that I'm older than I realized, the 1073 00:58:56,560 --> 00:58:58,560 Speaker 1: news might cover a story like that. Younger me would 1074 00:58:58,560 --> 00:59:00,520 Speaker 1: have just thrown in the trash. Older me is, oh 1075 00:59:00,600 --> 00:59:02,440 Speaker 1: my gosh, chance to get on the news, chance to 1076 00:59:02,440 --> 00:59:05,480 Speaker 1: be famous. Let me reply, But now I don't. I 1077 00:59:05,480 --> 00:59:07,360 Speaker 1: don't want to. I wonder if there's gonna be a 1078 00:59:07,400 --> 00:59:09,400 Speaker 1: lot of copycats, if people are gonna hear my story 1079 00:59:10,320 --> 00:59:13,000 Speaker 1: and they're gonna start sending balloons out. You know what, though, 1080 00:59:13,040 --> 00:59:15,760 Speaker 1: I hope they do, because this whole thing was like 1081 00:59:16,240 --> 00:59:19,240 Speaker 1: uplifting good news. Like you send a balloon up in 1082 00:59:19,240 --> 00:59:21,360 Speaker 1: the air and somebody over two hundred miles away was like, 1083 00:59:21,440 --> 00:59:23,720 Speaker 1: you know what, this is awesome. I'm just gonna send 1084 00:59:23,720 --> 00:59:25,920 Speaker 1: this guy some stuff. Yeah, we need more of that, 1085 00:59:26,120 --> 00:59:27,800 Speaker 1: We need more of that. But the only problem is 1086 00:59:28,560 --> 00:59:32,400 Speaker 1: for every balloon that is found, there's one hundred balloons 1087 00:59:32,400 --> 00:59:35,600 Speaker 1: that aren't found, and that hurts the animals, the environment. 1088 00:59:35,640 --> 00:59:38,080 Speaker 1: So I don't want to encourage copycats, you know, like, 1089 00:59:38,200 --> 00:59:41,040 Speaker 1: please please don't know the environment. Yeah, Like if you 1090 00:59:41,040 --> 00:59:44,240 Speaker 1: want to send up a leaf, like put a leaf 1091 00:59:44,240 --> 00:59:45,560 Speaker 1: and write something on there and throw it in the 1092 00:59:45,600 --> 00:59:47,640 Speaker 1: air and see how far it flies, that would be great. 1093 00:59:47,640 --> 00:59:50,280 Speaker 1: That would be incredible. It might go about half a foot, 1094 00:59:50,320 --> 00:59:52,440 Speaker 1: but you never know. I mean to be very your 1095 00:59:52,480 --> 00:59:54,120 Speaker 1: balloon when it went up, the trios like this thing's 1096 00:59:54,160 --> 00:59:56,160 Speaker 1: gonna bop and nobody's ever gonna find this balloon. It's 1097 00:59:56,200 --> 00:59:58,000 Speaker 1: it's just going down there. There wasn't It was a 1098 00:59:58,080 --> 01:00:00,800 Speaker 1: rocky start a boy star, but it was like a 1099 01:00:00,840 --> 01:00:04,560 Speaker 1: majestic finish. It was like it was like a Hollywood movie. Really, 1100 01:00:04,960 --> 01:00:07,880 Speaker 1: I know. Okay, So do you wish somebody else would 1101 01:00:07,920 --> 01:00:09,440 Speaker 1: have got it? I was like, maybe a millionaire and 1102 01:00:09,440 --> 01:00:12,080 Speaker 1: you got something else? Are you happy with? Oh? If 1103 01:00:12,120 --> 01:00:13,480 Speaker 1: I was gonna get if it was a millionaire was 1104 01:00:13,480 --> 01:00:15,120 Speaker 1: gonna get in, I was gonna get a million dollars. Oh, 1105 01:00:15,160 --> 01:00:18,360 Speaker 1: I'd rather a millionaire. I mean, of course i'd brother 1106 01:00:18,400 --> 01:00:20,240 Speaker 1: someone if they were rich and we're gonna give me 1107 01:00:20,280 --> 01:00:24,200 Speaker 1: something a lot cooler. Yeah. Absolutely, I would always trade up. 1108 01:00:24,240 --> 01:00:26,560 Speaker 1: There's no way I wouldn't trade down. But I would 1109 01:00:26,680 --> 01:00:29,320 Speaker 1: always trade up. Like this was great, but if it 1110 01:00:29,320 --> 01:00:31,200 Speaker 1: could have been better, I would have taken the better option. 1111 01:00:31,600 --> 01:00:33,720 Speaker 1: That's like asked me, hey, you got punched in the pace, 1112 01:00:33,760 --> 01:00:36,520 Speaker 1: would you rather got punched in the arm? Absolutely okay, 1113 01:00:36,560 --> 01:00:39,760 Speaker 1: But if you trade up and it never happened, would 1114 01:00:39,800 --> 01:00:42,000 Speaker 1: you have preferred to have still tried to trade up? 1115 01:00:42,360 --> 01:00:44,480 Speaker 1: Then just get the package you got in the first place. 1116 01:00:44,520 --> 01:00:47,640 Speaker 1: I don't understand your questions, so I'm gonna just say 1117 01:00:48,160 --> 01:00:49,920 Speaker 1: I am glad I got a response. But if a 1118 01:00:49,960 --> 01:00:52,120 Speaker 1: millionaire was gonna respond and give me like money, I 1119 01:00:52,120 --> 01:00:54,960 Speaker 1: would rather have the millionaire respond and give me money. Absolutely, 1120 01:00:55,120 --> 01:00:57,840 Speaker 1: So yes, I'd if that answers your question because I 1121 01:00:57,880 --> 01:01:00,680 Speaker 1: didn't really quite okay, I didn't under my own question, 1122 01:01:00,720 --> 01:01:02,720 Speaker 1: but I's gonna roll with it. Got it? Got it? Yeah? 1123 01:01:02,720 --> 01:01:05,240 Speaker 1: I mean I was like, huh if I'm I knew 1124 01:01:05,400 --> 01:01:08,360 Speaker 1: you know when you like, no, okay, I head, I 1125 01:01:08,360 --> 01:01:11,080 Speaker 1: think I got it, the words don't come out. Yeah, no, 1126 01:01:11,160 --> 01:01:13,600 Speaker 1: no you haven't. I think that too. Sometimes I have 1127 01:01:13,640 --> 01:01:15,840 Speaker 1: a thought and I try to say it, and when 1128 01:01:15,880 --> 01:01:19,200 Speaker 1: my wife doesn't understand it, I get so frustrated because 1129 01:01:19,200 --> 01:01:21,520 Speaker 1: I'm like, how can you not understand what I just said? 1130 01:01:21,600 --> 01:01:23,480 Speaker 1: I said it so clearly in my head. I said 1131 01:01:23,480 --> 01:01:26,320 Speaker 1: it clearly, and I probably didn't sort of like you 1132 01:01:26,440 --> 01:01:29,400 Speaker 1: had that thought clearly in your head and the explanation 1133 01:01:29,480 --> 01:01:31,040 Speaker 1: kind of fell off the cliff. But I think I 1134 01:01:31,080 --> 01:01:32,800 Speaker 1: figured out what you got. Let's see if we can 1135 01:01:33,240 --> 01:01:35,680 Speaker 1: I got this. You're ready. You're saying would you rather 1136 01:01:35,720 --> 01:01:40,200 Speaker 1: have a millionaire found it? But not responded no, no, okay, 1137 01:01:40,200 --> 01:01:44,920 Speaker 1: So okay, so you got the package right? Yeah, and 1138 01:01:45,680 --> 01:01:50,040 Speaker 1: that happened, But say it went up and instead, now 1139 01:01:50,080 --> 01:01:54,040 Speaker 1: I'm losing my train of thought. Instead it goes it 1140 01:01:54,080 --> 01:01:57,640 Speaker 1: goes to Tampa, Florida, of it going to a billionaire, 1141 01:01:57,640 --> 01:01:59,880 Speaker 1: but maybe not going to a billionaire and you're getting nothing, 1142 01:02:00,000 --> 01:02:01,800 Speaker 1: would you ratter have take the risk? And the time, 1143 01:02:02,080 --> 01:02:06,320 Speaker 1: I still don't understand what I was like trying to 1144 01:02:06,360 --> 01:02:08,320 Speaker 1: say it in my head and it just wasn't it's 1145 01:02:08,360 --> 01:02:10,160 Speaker 1: not coming out how I need it to come out. 1146 01:02:11,200 --> 01:02:15,919 Speaker 1: Let this question go. Yeah, can pretend like we didn't 1147 01:02:15,960 --> 01:02:18,560 Speaker 1: just debate that for like two minutes. Yeah, Like I 1148 01:02:19,280 --> 01:02:21,400 Speaker 1: want to know if people can, please, if you're listening 1149 01:02:21,400 --> 01:02:24,640 Speaker 1: to this, please respond to me and tell us exactly 1150 01:02:24,680 --> 01:02:26,520 Speaker 1: what M two was trying to say, because I have 1151 01:02:26,560 --> 01:02:28,360 Speaker 1: no idea what Morgan number two was trying to say. 1152 01:02:28,360 --> 01:02:31,960 Speaker 1: Maybe you understand Morgan two talk. Maybe you're from Kansas 1153 01:02:32,000 --> 01:02:34,240 Speaker 1: and that's how you got I was born in Kansas too, 1154 01:02:34,280 --> 01:02:36,720 Speaker 1: So it was just it's just like it was a 1155 01:02:36,800 --> 01:02:39,800 Speaker 1: jumble thought. Yeah, your brain can't get it out right. 1156 01:02:40,440 --> 01:02:42,520 Speaker 1: My wife does that a lot. She says, Oh, it's 1157 01:02:42,520 --> 01:02:44,640 Speaker 1: because I have two kids, and I'm like, that's not 1158 01:02:44,880 --> 01:02:46,840 Speaker 1: I don't even have that excuse. I know, but that's 1159 01:02:46,880 --> 01:02:48,520 Speaker 1: what she says when she said something and she goes, 1160 01:02:48,760 --> 01:02:50,400 Speaker 1: I'm like what, She goes, I have two kids, you 1161 01:02:50,480 --> 01:02:53,320 Speaker 1: gotta understand. I'm like, no, I don't know, mom, that's 1162 01:02:53,320 --> 01:02:56,320 Speaker 1: what she calls it, I don't have dad brain. You 1163 01:02:56,400 --> 01:02:59,280 Speaker 1: have trouble with words. Nah, So I would say that's 1164 01:02:59,360 --> 01:03:02,000 Speaker 1: dad brain. You know, everybody has their problems or anything 1165 01:03:02,000 --> 01:03:05,720 Speaker 1: else you got. Okay, Well, before you go, is there 1166 01:03:05,760 --> 01:03:08,480 Speaker 1: anything you would like to say to Joe who found 1167 01:03:08,480 --> 01:03:12,160 Speaker 1: your balloon and the listeners get to hear what went down? Hey, Joe, 1168 01:03:12,200 --> 01:03:14,720 Speaker 1: if you're listening, I just want to say thank you. 1169 01:03:14,760 --> 01:03:18,520 Speaker 1: I appreciate it. Amazing, cool thing that you did, a 1170 01:03:18,520 --> 01:03:21,560 Speaker 1: lot of fun. I'm impressed that you actually replied to 1171 01:03:21,640 --> 01:03:27,000 Speaker 1: some dudes balloon. But yeah, our props to you. Claps round, applause. 1172 01:03:27,120 --> 01:03:29,640 Speaker 1: You you provided me with some enjoyment. And I never 1173 01:03:29,680 --> 01:03:31,040 Speaker 1: get mail at the station, so I was kind of 1174 01:03:31,040 --> 01:03:33,040 Speaker 1: exciting to get mail at the station. All right, Well, 1175 01:03:33,120 --> 01:03:36,080 Speaker 1: y'all heard it. I mean, lunchbox wants mail is basically 1176 01:03:36,080 --> 01:03:37,600 Speaker 1: what he was trying to say there too. I mean, 1177 01:03:37,720 --> 01:03:40,280 Speaker 1: I mean, I wasn't saying I want mail. I mean 1178 01:03:40,280 --> 01:03:41,840 Speaker 1: because I don't want you know what I mean, Like, 1179 01:03:42,320 --> 01:03:44,439 Speaker 1: some people send some stuff and I'm just like, what 1180 01:03:44,480 --> 01:03:47,400 Speaker 1: are you sending? But you want mail? But I mean 1181 01:03:47,560 --> 01:03:50,200 Speaker 1: it's the excitement of opening up a package. Right, Just 1182 01:03:50,600 --> 01:03:54,120 Speaker 1: please don't send any bad things our studio? Yeah, why 1183 01:03:54,120 --> 01:03:57,480 Speaker 1: would Why would you think that? Because I am there's 1184 01:03:57,480 --> 01:03:59,760 Speaker 1: one these people that listen to this podcast. Like, if 1185 01:03:59,800 --> 01:04:02,720 Speaker 1: they're listen to this podcast, they're the hardcore, dedicated and 1186 01:04:02,760 --> 01:04:04,320 Speaker 1: they're not going to send bad They would not send 1187 01:04:04,320 --> 01:04:07,640 Speaker 1: bad stuff. This is true. But like we've talked about 1188 01:04:07,640 --> 01:04:09,800 Speaker 1: the indiogram loosely, you at least know of it. I've 1189 01:04:09,840 --> 01:04:13,360 Speaker 1: heard you guys talking about this indiogram and people, here's 1190 01:04:13,400 --> 01:04:16,440 Speaker 1: the problem, guys, why do we live our life by 1191 01:04:16,480 --> 01:04:19,600 Speaker 1: this aniogram thing? Like why it's like the Myers Briggs 1192 01:04:19,640 --> 01:04:24,240 Speaker 1: y'all lived by forty years? Who the Myers Briggs personality test? No? 1193 01:04:24,320 --> 01:04:25,800 Speaker 1: I just know I got a good personality. I don't 1194 01:04:25,800 --> 01:04:28,360 Speaker 1: know anything about Myers Briggs. I don't need Myers Briggs 1195 01:04:28,360 --> 01:04:31,160 Speaker 1: to tell me I got a good personality. What it's not. 1196 01:04:31,280 --> 01:04:34,560 Speaker 1: It's not telling you have a good personality. It's telling 1197 01:04:34,600 --> 01:04:36,720 Speaker 1: you why you are the way you are so you 1198 01:04:36,760 --> 01:04:39,840 Speaker 1: can be a better person because of it. That's all 1199 01:04:39,880 --> 01:04:43,600 Speaker 1: it is. It's like, it's it's teaching you why you 1200 01:04:43,640 --> 01:04:46,360 Speaker 1: are the way you are and being able to use that. 1201 01:04:48,240 --> 01:04:50,120 Speaker 1: I got a question for you, how do you even 1202 01:04:50,200 --> 01:04:55,520 Speaker 1: spell indiogram? E N E D R A M. Never 1203 01:04:55,600 --> 01:04:58,440 Speaker 1: knew that. Yeah, ineogram, Okay, it's all over No, no, 1204 01:04:58,720 --> 01:05:01,080 Speaker 1: it is everywhere else. It's all I have to talk 1205 01:05:01,120 --> 01:05:04,040 Speaker 1: about is like, oh, I'm a twelve, and I'm like, 1206 01:05:04,560 --> 01:05:06,920 Speaker 1: what is? I don't know what that means? You goes 1207 01:05:07,000 --> 01:05:09,880 Speaker 1: up to nine, but I appreciate your effort. But you 1208 01:05:09,880 --> 01:05:11,400 Speaker 1: know what I'm saying that that's what they say whenever 1209 01:05:11,440 --> 01:05:13,600 Speaker 1: something happens you're like, oh, sorry, I'm a six. I'm like, 1210 01:05:14,680 --> 01:05:18,080 Speaker 1: so that excuses that behavior or that I'm supposed to 1211 01:05:18,160 --> 01:05:20,720 Speaker 1: understand what? So I'm hold on, hold on, Oh you're 1212 01:05:20,720 --> 01:05:22,760 Speaker 1: a six. Okay, and let me pull out my phone here. 1213 01:05:22,960 --> 01:05:25,640 Speaker 1: So you're a six, So that means you are a 1214 01:05:25,720 --> 01:05:29,080 Speaker 1: weirdo and you like to chew bubblegum and stick it 1215 01:05:29,080 --> 01:05:31,080 Speaker 1: in your ear. Okay, that's why you're a six. I 1216 01:05:31,120 --> 01:05:33,080 Speaker 1: get it. Okay. So what they're saying when they're like, 1217 01:05:33,960 --> 01:05:36,640 Speaker 1: you know, sorry, I'm I'm a six, is they're saying 1218 01:05:36,800 --> 01:05:40,440 Speaker 1: why they're doing what they're doing, right, but you better understand. 1219 01:05:40,480 --> 01:05:42,480 Speaker 1: But I understand that. But you can't go You can't 1220 01:05:42,520 --> 01:05:45,720 Speaker 1: expect people to know what that that number stands for. 1221 01:05:46,120 --> 01:05:49,160 Speaker 1: You can't expect everybody in this world to know, oh, 1222 01:05:49,280 --> 01:05:51,120 Speaker 1: a six has this, this, this and this and this 1223 01:05:51,160 --> 01:05:54,080 Speaker 1: and this. No, so when you say, oh, I'm a six, 1224 01:05:54,920 --> 01:05:57,080 Speaker 1: you're a six, I'd rate you more like a four. 1225 01:05:57,280 --> 01:06:03,440 Speaker 1: But okay, I never returned that was a good one. 1226 01:06:03,640 --> 01:06:05,680 Speaker 1: Tell me that a good one in Graham put that 1227 01:06:05,720 --> 01:06:09,240 Speaker 1: on your number six? All right, Well done with her, 1228 01:06:09,480 --> 01:06:13,400 Speaker 1: ran number of mine? This an indiagram. I don't know. 1229 01:06:13,440 --> 01:06:15,080 Speaker 1: You'd have to take the test. Well, you know, but 1230 01:06:15,160 --> 01:06:16,600 Speaker 1: you read the inn, you know, Graham? Tell me what 1231 01:06:16,640 --> 01:06:20,680 Speaker 1: if you read the if I don't, I don't know honestly, 1232 01:06:20,760 --> 01:06:23,280 Speaker 1: what number you I'm a two in an eight, I'm 1233 01:06:23,320 --> 01:06:27,520 Speaker 1: fifty percent of each. And I like they'll they'll relate 1234 01:06:27,640 --> 01:06:30,240 Speaker 1: like celebrities and stuft it like Bill Gates is an 1235 01:06:30,240 --> 01:06:33,840 Speaker 1: eight and a two fifty Dang, you're Bill Gates? Like you, 1236 01:06:34,800 --> 01:06:37,680 Speaker 1: I'm talking to Bill Gates? What Bill Gates? Guys, you're 1237 01:06:37,680 --> 01:06:41,080 Speaker 1: listening to the best up bits with Bill Gates? Oh yeah, yeah, 1238 01:06:41,160 --> 01:06:46,360 Speaker 1: that's mean, No, it's not. But that's okay, Okay, Well, 1239 01:06:46,520 --> 01:06:49,600 Speaker 1: before we keep going on this indiagram, dangent um. Here 1240 01:06:49,760 --> 01:06:54,160 Speaker 1: is Lunchbox getting a response to his wish balloon number 1241 01:06:54,200 --> 01:06:59,000 Speaker 1: two show, So for flashing back. This is last year 1242 01:06:59,080 --> 01:07:01,600 Speaker 1: round Christmas time. A four year old sent a letter 1243 01:07:01,600 --> 01:07:04,000 Speaker 1: to Santa, put it in a balloon and just hoped 1244 01:07:04,040 --> 01:07:06,760 Speaker 1: the balloon would land at the North Pole. It made 1245 01:07:06,760 --> 01:07:09,920 Speaker 1: its way six hundred and fifty miles before someone found 1246 01:07:09,960 --> 01:07:11,840 Speaker 1: that balloon. They didn't get all the way to Santa, 1247 01:07:11,920 --> 01:07:14,720 Speaker 1: and then they helped her with her list. They got 1248 01:07:14,760 --> 01:07:18,520 Speaker 1: some Christmas presents. Here's a really touching story. And what 1249 01:07:18,600 --> 01:07:20,800 Speaker 1: we do on this show sometimes is make touching really dumb. 1250 01:07:21,120 --> 01:07:23,320 Speaker 1: So Lunchbox has got a balloon and put in it 1251 01:07:23,400 --> 01:07:28,160 Speaker 1: this list. He wrote, Please help me. I would like 1252 01:07:28,400 --> 01:07:32,760 Speaker 1: lots of lottery, scratch off tickets, a housekeeper, a personal chef, 1253 01:07:33,360 --> 01:07:37,520 Speaker 1: a boat, and a Lambo, which is a Lamborghini. Absolutely yeah, 1254 01:07:37,520 --> 01:07:39,520 Speaker 1: everybody knows that. When you say lambo, it's known in 1255 01:07:39,680 --> 01:07:44,640 Speaker 1: circles it's called a Lamborghini. I don't know how this ends, 1256 01:07:44,760 --> 01:07:47,440 Speaker 1: so from here out, I know nothing. So someone has 1257 01:07:47,480 --> 01:07:50,080 Speaker 1: contacted you about the balloon. Someone has contacted me. I 1258 01:07:50,200 --> 01:07:53,080 Speaker 1: was told, hey, lunch you got a package, and I'm like, well, 1259 01:07:53,320 --> 01:07:56,480 Speaker 1: a package here at the station. Have you opened it? 1260 01:07:56,600 --> 01:07:59,720 Speaker 1: And I opened it and it was the mailing address 1261 01:07:59,760 --> 01:08:02,600 Speaker 1: on there yeah, well I got the letter. Oh okay, 1262 01:08:02,600 --> 01:08:04,920 Speaker 1: go ahead, that was in the box. Go ahead, that says, 1263 01:08:05,280 --> 01:08:07,960 Speaker 1: hey man, I found this balloon on the ground. I 1264 01:08:08,000 --> 01:08:10,160 Speaker 1: saw the note inside and did some digging and found 1265 01:08:10,160 --> 01:08:12,520 Speaker 1: you online. I don't listen to your show, but started 1266 01:08:12,600 --> 01:08:14,640 Speaker 1: checking you guys out. It's a pretty cool show, and 1267 01:08:14,640 --> 01:08:16,720 Speaker 1: I figured out to help you out. No way I 1268 01:08:16,760 --> 01:08:18,800 Speaker 1: can hook you up with exactly what you're looking for. 1269 01:08:19,920 --> 01:08:23,040 Speaker 1: So I did my best. Check out the contents of 1270 01:08:23,080 --> 01:08:26,240 Speaker 1: the box. Hope it brightens your day. Joe and Rome, Georgia. 1271 01:08:26,520 --> 01:08:30,599 Speaker 1: That Georgia crazy, It floated down to Georgia. We need 1272 01:08:30,640 --> 01:08:35,000 Speaker 1: to talk to Rome. Do we have in Rome Georgia? Yeah? Rome, 1273 01:08:36,120 --> 01:08:40,240 Speaker 1: Jo in Rome Georgia. Okay, you have the box with you. 1274 01:08:40,240 --> 01:08:41,639 Speaker 1: I have the box with me. A right, here we go. 1275 01:08:42,920 --> 01:08:46,320 Speaker 1: This is crazy. No, I want to send up a balloon. Okay, 1276 01:08:46,520 --> 01:08:48,519 Speaker 1: he's opening up. It's a white box. It's a white 1277 01:08:48,520 --> 01:08:53,160 Speaker 1: box's priority mail. Out of the box. First, out of 1278 01:08:53,200 --> 01:08:57,599 Speaker 1: the box. First. How many things are in there? There's one, two, three, four, Okay, 1279 01:08:57,640 --> 01:09:00,800 Speaker 1: pull the first thing out. Got me up? Oh oh, 1280 01:09:00,840 --> 01:09:08,040 Speaker 1: I bought him a toy boat. That's funny. It's like 1281 01:09:08,080 --> 01:09:11,759 Speaker 1: a hot wheels boat kind of yeah, okay, all right. Next, 1282 01:09:13,200 --> 01:09:15,360 Speaker 1: I don't know if this is to get my personal 1283 01:09:15,439 --> 01:09:19,200 Speaker 1: chef or what. Okay, three hundred dollars of monopoly money. 1284 01:09:20,000 --> 01:09:22,599 Speaker 1: I think that's just cash, right, Yeah, okay, go ahead. 1285 01:09:23,560 --> 01:09:29,080 Speaker 1: Next lottery ticket, scratch off a five dollars. Scratch it dollars, Jody, 1286 01:09:29,120 --> 01:09:31,559 Speaker 1: scratch it, no NuGet. Okay, Oh what if you win 1287 01:09:31,640 --> 01:09:36,120 Speaker 1: on that? It's gonna be crazy. Are you ready? We'll 1288 01:09:36,120 --> 01:09:39,120 Speaker 1: scratch it later on in the show. Hey, yeah, you're ready. Oh, 1289 01:09:39,200 --> 01:09:42,519 Speaker 1: this is a big one, big one. Okay, it sounds 1290 01:09:42,560 --> 01:09:46,320 Speaker 1: like keys guys because it's a book. Okay, it's a 1291 01:09:46,320 --> 01:09:48,880 Speaker 1: hot Whales Lamborghini. How funny did this guy went to 1292 01:09:48,920 --> 01:09:52,040 Speaker 1: the store and got all this stuff for him? I mean, 1293 01:09:52,120 --> 01:09:55,639 Speaker 1: that is pretty freaking funny. This isn't feel good story, 1294 01:09:55,760 --> 01:09:59,240 Speaker 1: but it's not exactly what I wanted. But I appreciate 1295 01:09:59,280 --> 01:10:02,320 Speaker 1: the creativity, the funny, the part of actually mailing me 1296 01:10:02,400 --> 01:10:06,240 Speaker 1: a box to the studio. Great, thank you, Rome Georgia. 1297 01:10:06,320 --> 01:10:09,599 Speaker 1: Did know his name's Joe? Okay? Whatever you have Joe's number? 1298 01:10:09,680 --> 01:10:11,320 Speaker 1: Is it on there? It is not on there, but 1299 01:10:11,360 --> 01:10:13,240 Speaker 1: maybe I can do some I think I have his 1300 01:10:13,320 --> 01:10:17,000 Speaker 1: address on this box and I can Uh is that stalkers? 1301 01:10:17,640 --> 01:10:19,760 Speaker 1: How do you look up his number by his address? Well, 1302 01:10:19,800 --> 01:10:21,519 Speaker 1: you find out his name and you said, maybe send 1303 01:10:21,560 --> 01:10:24,000 Speaker 1: him a message on Facebook, and okay, you go for it. 1304 01:10:23,960 --> 01:10:25,680 Speaker 1: See you can find him. Okay, I just didn't know 1305 01:10:25,680 --> 01:10:27,720 Speaker 1: if that was too creepy. No, I mean he sent 1306 01:10:27,760 --> 01:10:30,040 Speaker 1: you a box. Okay. Hey, we have to give it 1307 01:10:30,120 --> 01:10:32,519 Speaker 1: up though for Joe. Yeah, George, yeah, I have to. 1308 01:10:32,680 --> 01:10:35,960 Speaker 1: So the balloon made it all the way. Hey, look 1309 01:10:36,040 --> 01:10:38,600 Speaker 1: up the miles I got it. Oh you know the 1310 01:10:38,600 --> 01:10:41,000 Speaker 1: mileage yea from here where we are to Rome, Georgia 1311 01:10:41,120 --> 01:10:45,080 Speaker 1: is two hundred and six miles or two hundred and 1312 01:10:45,080 --> 01:10:48,479 Speaker 1: sixteen depending on the route you take. Two didn't take 1313 01:10:48,479 --> 01:10:52,880 Speaker 1: a rout faster route flies. Yeah, I'm just telling you 1314 01:10:52,920 --> 01:10:56,040 Speaker 1: what it's hey, bones, this could be the story that 1315 01:10:56,080 --> 01:10:58,920 Speaker 1: puts lunch Box on the news. Yeah, especially if you 1316 01:10:59,000 --> 01:11:01,519 Speaker 1: win the lotter. That's the story right there. If I 1317 01:11:01,560 --> 01:11:03,880 Speaker 1: win the lottery, guys, oh my gosh, we're gonna go crazy. 1318 01:11:03,960 --> 01:11:07,719 Speaker 1: If you win a thousand dollars or more. The news 1319 01:11:07,760 --> 01:11:10,000 Speaker 1: and you call back is Nico jests and trying to 1320 01:11:10,040 --> 01:11:12,639 Speaker 1: get on the news. Oh I love it. This is first. 1321 01:11:12,640 --> 01:11:14,960 Speaker 1: Oh maybe I call anyway and be like, hey, this 1322 01:11:15,040 --> 01:11:18,360 Speaker 1: is Nico Jackson and someone sent my nephew a package 1323 01:11:18,400 --> 01:11:20,080 Speaker 1: that he's sitting up a balloon. But then that's a 1324 01:11:20,120 --> 01:11:24,120 Speaker 1: lie and it won't be you, not the nephew. We're 1325 01:11:24,120 --> 01:11:26,519 Speaker 1: gonna do about half hour, so we'll scratch this thing 1326 01:11:26,560 --> 01:11:30,680 Speaker 1: on the air. Come on, if you win any money, 1327 01:11:30,720 --> 01:11:32,479 Speaker 1: will you hook Joe up with any of it? It 1328 01:11:32,479 --> 01:11:34,120 Speaker 1: depends how much I win. No, we need to have 1329 01:11:34,120 --> 01:11:38,760 Speaker 1: a commitment. No, okay, No he won't. Wow you do. 1330 01:11:39,600 --> 01:11:41,640 Speaker 1: You're gonna know no, can be like one percent of 1331 01:11:41,680 --> 01:11:45,360 Speaker 1: what you win is right now, you're not gonna win show. Okay, 1332 01:11:45,400 --> 01:11:47,600 Speaker 1: so read to me what it is exactly it is 1333 01:11:47,600 --> 01:11:50,360 Speaker 1: gonna I have four you say, winning numbers. You scratch 1334 01:11:50,400 --> 01:11:52,519 Speaker 1: the four numbers at the top, and then you go 1335 01:11:52,560 --> 01:11:55,120 Speaker 1: down and you scratch fifteen different numbers. If any of 1336 01:11:55,160 --> 01:11:57,519 Speaker 1: those match the four numbers at the top, you win 1337 01:11:57,600 --> 01:12:00,240 Speaker 1: that amount of money, and if you get asked star, 1338 01:12:00,439 --> 01:12:03,880 Speaker 1: you win all fifteen prizes. Wow, from the top four 1339 01:12:04,080 --> 01:12:09,840 Speaker 1: Yeah that scratch us four? Mom up four scratch he's this. 1340 01:12:10,160 --> 01:12:13,519 Speaker 1: First number thirty three is what we're looking for. Next 1341 01:12:13,560 --> 01:12:17,400 Speaker 1: number is eight thirty nine. This guy's a scratcher. Let 1342 01:12:17,439 --> 01:12:19,800 Speaker 1: me tell you he is twenty five. Okay, let me 1343 01:12:19,880 --> 01:12:24,559 Speaker 1: write these down. Go ahead, thirty three, eight, yeah, thirty nine, 1344 01:12:25,240 --> 01:12:28,200 Speaker 1: twenty five, none of my lucky numbers. Here's the thing. 1345 01:12:28,240 --> 01:12:30,200 Speaker 1: If that's okay, because if like the number is eight 1346 01:12:30,240 --> 01:12:35,200 Speaker 1: on there and he starts to pull numbers and that's 1347 01:12:35,200 --> 01:12:37,160 Speaker 1: like nine and then seven, it's ok you know, it's 1348 01:12:37,320 --> 01:12:38,720 Speaker 1: you know, it's a it's a losing taking you to 1349 01:12:38,800 --> 01:12:40,559 Speaker 1: strow in the trash. All right, give us the first 1350 01:12:40,600 --> 01:12:45,400 Speaker 1: three numbers. He's scratching it off. First three number. Come on, 1351 01:12:45,560 --> 01:12:54,240 Speaker 1: Oh my god, first number? Twenty five? We won? Did 1352 01:12:54,240 --> 01:12:57,559 Speaker 1: you win? I haven't scratched up? Oh no, hey hell yeah? 1353 01:12:58,000 --> 01:13:03,000 Speaker 1: Oh no, yeah, yeah something. Are you gonna telling the truth? 1354 01:13:04,560 --> 01:13:06,080 Speaker 1: He's telling the truth out the camera. I go to 1355 01:13:06,080 --> 01:13:08,000 Speaker 1: the camera. Hold on, hold on up, so people on Facebook, 1356 01:13:09,040 --> 01:13:11,000 Speaker 1: twenty five? All right, here we go. Are you ready 1357 01:13:11,000 --> 01:13:14,200 Speaker 1: for how much? Do you? No? No, wait wait, hold 1358 01:13:14,200 --> 01:13:16,360 Speaker 1: on what I'm gonna scratch? How much I want? Let's 1359 01:13:16,400 --> 01:13:18,360 Speaker 1: do that to you? Okay, okay, what if they're all 1360 01:13:18,360 --> 01:13:22,360 Speaker 1: twenty five? Second one? Come on, let's win an six team? Okay, 1361 01:13:22,400 --> 01:13:25,800 Speaker 1: that's not one of them, but we're still good eleven. Okay, 1362 01:13:25,880 --> 01:13:29,960 Speaker 1: keep going, baby, okay, forty six. Good night. But what's 1363 01:13:29,960 --> 01:13:31,880 Speaker 1: good is we're not surrounding the other morning. Yeah, yeah, 1364 01:13:31,880 --> 01:13:36,560 Speaker 1: we're still far away. Six. I know, I thought it 1365 01:13:36,600 --> 01:13:38,160 Speaker 1: was an eight two. I got it. I got really pumped. 1366 01:13:38,320 --> 01:13:40,519 Speaker 1: All right, here we go, Come on, baby, let's win 1367 01:13:40,520 --> 01:13:46,560 Speaker 1: another one h thirty eight. Okay, okay, here's what we 1368 01:13:46,560 --> 01:13:48,160 Speaker 1: are right now. How many numbers we got down? Five? 1369 01:13:48,240 --> 01:13:51,320 Speaker 1: We've done one, two, three, four or five six and 1370 01:13:51,360 --> 01:13:54,519 Speaker 1: there are nine ago. Yeah, and he hit one number 1371 01:13:54,560 --> 01:13:56,280 Speaker 1: so far. We don't know how much you want right 1372 01:13:56,400 --> 01:13:59,000 Speaker 1: the first number out of the gate we hit. Oh 1373 01:13:59,040 --> 01:14:01,880 Speaker 1: I love a good yeah, oh yeah. Gate number one 1374 01:14:02,040 --> 01:14:04,520 Speaker 1: was good to him, baby. And if you miss lunchbox 1375 01:14:04,560 --> 01:14:06,680 Speaker 1: did say that if he won, he would give the 1376 01:14:06,680 --> 01:14:10,920 Speaker 1: guy zero percent. That's that's right. All right, Here we go, scratch, 1377 01:14:11,360 --> 01:14:13,280 Speaker 1: got nine numbers to go. Come on, the numbers are 1378 01:14:13,320 --> 01:14:33,720 Speaker 1: thirty three eighth. It's turned around right twice. He's gonna cry, hey, 1379 01:14:33,760 --> 01:14:36,559 Speaker 1: shut the camera, guy. I got a question, should we 1380 01:14:36,680 --> 01:14:38,400 Speaker 1: should we like? I think we need to pause every 1381 01:14:38,439 --> 01:14:40,200 Speaker 1: jime because every time was in a like the start 1382 01:14:40,240 --> 01:14:42,040 Speaker 1: of a new scratches. When we win, it's the first 1383 01:14:42,040 --> 01:14:47,320 Speaker 1: one out of the gate. Oh my gosh, this is bunker. Okay, 1384 01:14:47,320 --> 01:14:50,519 Speaker 1: he's got he's had two numbers so far. Aw you ready? Yeah? 1385 01:14:50,560 --> 01:14:53,640 Speaker 1: How a numbers? We have one lesson? We had last time? Eight? 1386 01:14:53,640 --> 01:15:01,240 Speaker 1: I don't remember what we had. Here we go, forty three. Okay, 1387 01:15:01,320 --> 01:15:06,320 Speaker 1: here we're good, though, let's go twenty four. Okay, it's 1388 01:15:06,360 --> 01:15:09,160 Speaker 1: not's not it he said twice though you've had twice though. Yeah, 1389 01:15:10,200 --> 01:15:29,200 Speaker 1: next is number. Show the camera. We got it, you 1390 01:15:29,320 --> 01:15:35,200 Speaker 1: got it, you got it. We don't know how much 1391 01:15:35,200 --> 01:15:37,800 Speaker 1: he's won yet, but he's hit three times on the 1392 01:15:37,840 --> 01:15:42,960 Speaker 1: same techn any time. Okay, wait, so how many numbers left? One, two, three, four, five? Okay? 1393 01:15:43,000 --> 01:15:45,400 Speaker 1: His numbers are thirty three, eight, thirty nine and twenty five. 1394 01:15:45,479 --> 01:15:48,160 Speaker 1: Let's go. Oh you're ready. He doesn't even say one. 1395 01:15:48,200 --> 01:16:09,120 Speaker 1: He just starts screaming to get the camera. You hit 1396 01:16:09,240 --> 01:16:14,080 Speaker 1: more times, so far? More times? This is unbelievable. Amy's 1397 01:16:14,080 --> 01:16:15,840 Speaker 1: looking at me like I did something. I can't set 1398 01:16:15,880 --> 01:16:21,880 Speaker 1: up the lottery. I'm just like, this is good on 1399 01:16:21,960 --> 01:16:25,080 Speaker 1: the sweat. Okay, here we go. So we have four 1400 01:16:25,160 --> 01:16:43,160 Speaker 1: numbers left. Okay, here we go. Have you ever won 1401 01:16:43,280 --> 01:16:46,840 Speaker 1: so much one ticket? Hey, scuoga, you verify that we 1402 01:16:46,880 --> 01:16:48,519 Speaker 1: had no way to set up a lottery ticket. No, 1403 01:16:48,640 --> 01:16:50,679 Speaker 1: I thought about doing it, but that's a legit tickets. 1404 01:16:50,680 --> 01:16:52,559 Speaker 1: I legit. We thought about been doing a joke. Ticket's 1405 01:16:52,560 --> 01:16:56,200 Speaker 1: a legit ticket ticket, But the guy would the guy 1406 01:16:56,280 --> 01:16:59,679 Speaker 1: have done a joke ticket? Kiss isn't a winning ticket. 1407 01:16:59,800 --> 01:17:03,080 Speaker 1: Joke tickets a losing ticket, yeah, or a joke where 1408 01:17:03,200 --> 01:17:06,040 Speaker 1: you win like a yeah, and it's not this big, 1409 01:17:06,080 --> 01:17:07,880 Speaker 1: it's like a little small. Already looked it over all? Right, 1410 01:17:07,880 --> 01:17:09,719 Speaker 1: here we go? How many left? Like, let's talk about 1411 01:17:11,120 --> 01:17:13,599 Speaker 1: are these are your bonus ones? These are my bonus ones? 1412 01:17:13,720 --> 01:17:14,960 Speaker 1: I don't know. They just put bonus to make you 1413 01:17:14,960 --> 01:17:17,519 Speaker 1: feel better. But we got three left? Oh my gosh, 1414 01:17:17,800 --> 01:17:19,920 Speaker 1: you're ready. Yeah, here we go. He starts jumping up 1415 01:17:19,920 --> 01:17:25,320 Speaker 1: me down again. I'm just gonna I'll number forty four, okay, 1416 01:17:25,320 --> 01:17:27,720 Speaker 1: but still well, I got two off two level. Okay, 1417 01:17:27,760 --> 01:17:30,120 Speaker 1: those numbers for thirty three, eight, thirty nine to twenty five. 1418 01:17:30,160 --> 01:17:38,960 Speaker 1: We need to take a breaker. We go, were we go? Okay, okay, 1419 01:17:38,960 --> 01:17:40,759 Speaker 1: one more number, then we find out how much lunchbox 1420 01:17:40,880 --> 01:17:47,680 Speaker 1: one number? Let's go one million? Come on, maybe what 1421 01:17:47,720 --> 01:17:49,800 Speaker 1: if you went to million dollars? That I would be 1422 01:17:50,000 --> 01:17:53,880 Speaker 1: super happy for him. Oh thirty two. Okay, here's where 1423 01:17:53,880 --> 01:17:57,040 Speaker 1: we are, thirty two. Just if you just turn the 1424 01:17:57,120 --> 01:18:00,240 Speaker 1: radio on. Lunchbox sent a balloon up in the year 1425 01:18:00,680 --> 01:18:04,400 Speaker 1: hot air balloon, no helium balloon. It floated off and 1426 01:18:04,439 --> 01:18:07,320 Speaker 1: inside that that helium balloon, there was a note that said, 1427 01:18:07,760 --> 01:18:10,639 Speaker 1: if you can grant my wishes whomever finds this, I'd 1428 01:18:10,720 --> 01:18:16,360 Speaker 1: like a housekeeper, a Lamborghini, a boat, scratch off lottery tickets. 1429 01:18:16,680 --> 01:18:18,600 Speaker 1: The person who found it was in Georgia, it was 1430 01:18:18,680 --> 01:18:21,400 Speaker 1: two hundred and fifty three hundred miles away. Send a 1431 01:18:21,439 --> 01:18:24,400 Speaker 1: box with all that stuff in a joking manner, toys, 1432 01:18:25,000 --> 01:18:27,360 Speaker 1: but also sent a real life scratch off for you. Correct. 1433 01:18:27,600 --> 01:18:29,680 Speaker 1: And so he has scratched? And how many numbers one 1434 01:18:30,000 --> 01:18:36,200 Speaker 1: on the same ticket? One? I believe four, two, three, four, five, five, 1435 01:18:36,880 --> 01:18:41,880 Speaker 1: all right, so every every number that has won him something. 1436 01:18:43,000 --> 01:18:44,840 Speaker 1: But we don't know, don't know. Are you ready to 1437 01:18:44,880 --> 01:18:47,400 Speaker 1: scratch the first one you want? Well, you have five, 1438 01:18:47,439 --> 01:18:50,160 Speaker 1: and let's start at the top. What would you be 1439 01:18:50,240 --> 01:18:52,559 Speaker 1: disappointed to it in? What would you be pumped about? 1440 01:18:52,640 --> 01:18:58,320 Speaker 1: Oh man, listen, I am pumped with anything over twenty 1441 01:18:58,320 --> 01:19:03,479 Speaker 1: five dollars? Okay, per yeah, okay, per number twenty five dollars. 1442 01:19:03,479 --> 01:19:10,960 Speaker 1: Here we go, first one, first one, five dollars. Okay, okay, 1443 01:19:11,600 --> 01:19:15,160 Speaker 1: we're building, we're building. Okay, they're not gonna give it 1444 01:19:15,200 --> 01:19:18,000 Speaker 1: to you right out of the gate. They're not gonna 1445 01:19:18,000 --> 01:19:19,439 Speaker 1: give me out the first day. All right, here we go. 1446 01:19:19,720 --> 01:19:26,200 Speaker 1: Next one is number eight, number eight. Okay, another winner here, okay, okay, 1447 01:19:27,120 --> 01:19:29,639 Speaker 1: we go. All right, we still got three to go. Now, lunchbox, 1448 01:19:29,680 --> 01:19:31,479 Speaker 1: here's the deal I'll make you. Kind of we've kind 1449 01:19:31,479 --> 01:19:34,280 Speaker 1: of fallen off the club. That's ten dollars. We're excited, 1450 01:19:34,320 --> 01:19:35,960 Speaker 1: and now it's kind of like let down, Like any 1451 01:19:36,000 --> 01:19:37,479 Speaker 1: would you like to buy his ticket from A for 1452 01:19:37,479 --> 01:19:40,600 Speaker 1: fifteen dollars total? For fifteen dollars and there's five that 1453 01:19:40,680 --> 01:19:43,679 Speaker 1: you won? Yeah, would you buy it from the because 1454 01:19:43,680 --> 01:19:45,960 Speaker 1: there's three more winners, so it's automatically gonna be more 1455 01:19:46,000 --> 01:19:48,720 Speaker 1: than fifteen dollars less they're all one dollars. Oh would 1456 01:19:48,720 --> 01:19:51,120 Speaker 1: they do that to you? For one of them? Could 1457 01:19:51,160 --> 01:19:54,320 Speaker 1: be worth how much a million? See? No, I wouldn't 1458 01:19:54,360 --> 01:19:56,360 Speaker 1: sell it. Okay, I wouldn't sell it. Would you sell 1459 01:19:56,400 --> 01:20:04,360 Speaker 1: it for thirty dollars? No? One, No, No, I'm I'm 1460 01:20:04,360 --> 01:20:11,280 Speaker 1: offering you thirty five dollars right now ticket because I 1461 01:20:11,320 --> 01:20:13,320 Speaker 1: can't do it. I have three winners sitting in there 1462 01:20:13,479 --> 01:20:16,439 Speaker 1: for a million dollars. Yeah. If I get a million 1463 01:20:16,520 --> 01:20:19,200 Speaker 1: freaking dollars and I sold it for thirty five, I 1464 01:20:19,200 --> 01:20:23,040 Speaker 1: would never be able to work here again. He probably wouldn't. 1465 01:20:23,200 --> 01:20:26,759 Speaker 1: I would keep last offer for that ticket fifty dollars. 1466 01:20:30,439 --> 01:20:33,320 Speaker 1: That's lunch You see the pattern of fives. Yeah, but 1467 01:20:33,360 --> 01:20:37,800 Speaker 1: he lunchbox also knows that just takes one. I'm kind 1468 01:20:37,800 --> 01:20:40,680 Speaker 1: of on your I'm already. Here's the thing. If you 1469 01:20:40,720 --> 01:20:42,559 Speaker 1: sell me this and fifty bucks and I win, you 1470 01:20:42,560 --> 01:20:44,679 Speaker 1: don't get any of the money. I'm gonna keep it all. Yeah, 1471 01:20:45,000 --> 01:20:46,920 Speaker 1: I mean the same, and that would hurt you. The 1472 01:20:46,920 --> 01:20:49,719 Speaker 1: same logic should apply about thirty five dollars versus fifty 1473 01:20:49,800 --> 01:20:52,880 Speaker 1: Like you're not is more than thirty five, okay, But 1474 01:20:53,000 --> 01:20:55,519 Speaker 1: in a grand scheme of things, if I'm telling you, 1475 01:20:55,560 --> 01:20:57,560 Speaker 1: if I win, I'm gonna sit. I'm gonna send you 1476 01:20:57,600 --> 01:20:59,599 Speaker 1: the money before you give me the ticket and it's over. 1477 01:20:59,720 --> 01:21:02,280 Speaker 1: We have proof it's my money regardless of what it is, 1478 01:21:02,360 --> 01:21:04,120 Speaker 1: and you still wouldn't be able to come back to 1479 01:21:05,000 --> 01:21:07,759 Speaker 1: lottery gods. Talk to me, please, like, oh, you're praying 1480 01:21:07,800 --> 01:21:09,680 Speaker 1: right now? Yeah, send me a sign, like, am I 1481 01:21:09,720 --> 01:21:12,960 Speaker 1: supposed to sell this? It's me the lottery god. Oh 1482 01:21:13,080 --> 01:21:17,200 Speaker 1: what are you saying about? Take that deal? It's me 1483 01:21:17,439 --> 01:21:19,760 Speaker 1: Lonnie the lottery God. Are they talking to you? Yeah? 1484 01:21:19,800 --> 01:21:24,080 Speaker 1: The lottery gods are talking to me, Lonnie the lottery God. 1485 01:21:25,160 --> 01:21:29,200 Speaker 1: He's going through puberty or something high. Let's an answer, 1486 01:21:35,680 --> 01:21:38,759 Speaker 1: all right, okay, here we go. He passed up fifty bucks. 1487 01:21:39,080 --> 01:21:41,120 Speaker 1: It's ten in all right, Scotch your third any all right? 1488 01:21:41,200 --> 01:21:57,840 Speaker 1: Number eight again? Five dollars? Okay? Who were left? And 1489 01:21:57,880 --> 01:22:00,720 Speaker 1: they're right next door to each other, their next door 1490 01:22:00,760 --> 01:22:05,040 Speaker 1: neighbors on the bottom row first and fifteen bucks right now, lunchbox, 1491 01:22:05,120 --> 01:22:09,280 Speaker 1: I'll give you thirty dollars for that ticket. I can't 1492 01:22:09,320 --> 01:22:12,559 Speaker 1: do thirty. I can do seventy five thirty That would 1493 01:22:12,600 --> 01:22:16,320 Speaker 1: be five dollars. You're going up in money for lesson show? Whoa, whoa, 1494 01:22:17,040 --> 01:22:18,960 Speaker 1: But I don't want to. I'm not moving off thirty. 1495 01:22:19,000 --> 01:22:21,920 Speaker 1: Go ahead, you take thirty. That's five dollars more than 1496 01:22:21,960 --> 01:22:30,360 Speaker 1: what you closed. Oh, let's closed. Here we go. What's 1497 01:22:30,360 --> 01:22:35,720 Speaker 1: that one dollar? See? The last one could be millions though, 1498 01:22:40,000 --> 01:22:42,360 Speaker 1: that's the last one. I haven't done it yet. I'm 1499 01:22:42,400 --> 01:22:44,240 Speaker 1: just not ready. Okay, what would you sell it for? 1500 01:22:44,439 --> 01:22:51,400 Speaker 1: Right now? You made twenty bucks? Have I made twenty? Okay? 1501 01:22:52,280 --> 01:22:57,160 Speaker 1: What would you tell that for thirty five? Pass? All right? 1502 01:22:58,000 --> 01:23:01,240 Speaker 1: You had a chance of fifty? I had a chance 1503 01:23:01,280 --> 01:23:08,120 Speaker 1: of fifty. Yeah, scratch final ticket. You already know what 1504 01:23:08,240 --> 01:23:21,120 Speaker 1: is it? Five times? That's good money? Hey, he had 1505 01:23:21,160 --> 01:23:23,839 Speaker 1: everything going your way. I mean that was the highest 1506 01:23:23,880 --> 01:23:25,920 Speaker 1: of highs, and now it's like down and the dumbs. 1507 01:23:25,960 --> 01:23:29,240 Speaker 1: It's like you're so excited, you see the finish line 1508 01:23:29,240 --> 01:23:31,000 Speaker 1: and you trip and fall and you get second place. 1509 01:23:31,600 --> 01:23:36,600 Speaker 1: Oh so I don't remember second place. Oh, everybody was 1510 01:23:36,680 --> 01:23:38,880 Speaker 1: cheering for the million. I mean they were so invested, 1511 01:23:38,960 --> 01:23:42,599 Speaker 1: and now they're all disappointed. He sounds tired, sadly, tired, 1512 01:23:42,600 --> 01:23:45,320 Speaker 1: sad right now. I mean, think about it. He just 1513 01:23:45,360 --> 01:23:48,600 Speaker 1: lost his shot at being rich and famous. You know, 1514 01:23:48,640 --> 01:23:50,320 Speaker 1: I could have fifty bucks and amy, it was like, 1515 01:23:50,360 --> 01:23:53,519 Speaker 1: God's a dumb idea. I thought it was given the 1516 01:23:53,680 --> 01:23:56,360 Speaker 1: Lonnie the lottery. God told me he did Lonnie. He 1517 01:23:56,400 --> 01:23:59,120 Speaker 1: said to do it. He did tell me to do it, idiot. 1518 01:23:59,600 --> 01:24:01,760 Speaker 1: So now did you get your Lonnie? But I didn't 1519 01:24:01,760 --> 01:24:04,360 Speaker 1: hear that no, I thought I heard something. I thought 1520 01:24:04,360 --> 01:24:06,400 Speaker 1: I heard the lottery go. Okay, now it's my fault. 1521 01:24:06,800 --> 01:24:10,960 Speaker 1: Well it is, isn't it. Did you say no, don't 1522 01:24:10,960 --> 01:24:12,840 Speaker 1: take it? But yeah, you got to find anyway like 1523 01:24:13,000 --> 01:24:17,040 Speaker 1: the financial advice. You won twenty five dollars from this box. Congratulations. 1524 01:24:19,000 --> 01:24:21,479 Speaker 1: It's great. It's like bad popcorn in a micro way 1525 01:24:21,560 --> 01:24:25,880 Speaker 1: where it's not all popping. It's the best bits of 1526 01:24:25,960 --> 01:24:31,960 Speaker 1: the week. With Morgan number two coming in at number one, 1527 01:24:32,120 --> 01:24:37,759 Speaker 1: this was probably the funniest bit that has happened or worst. Worst. 1528 01:24:38,400 --> 01:24:40,519 Speaker 1: There was no laughing from coming from one seat in 1529 01:24:40,560 --> 01:24:43,640 Speaker 1: the studio, not one bit, not one pizza laughter. What 1530 01:24:43,800 --> 01:24:47,759 Speaker 1: happened was we brought on Jared Isaacman, who came onto 1531 01:24:47,760 --> 01:24:50,240 Speaker 1: the show and he's going to be the first pilot 1532 01:24:50,320 --> 01:24:54,280 Speaker 1: of a civilian space mission. And he was raising money 1533 01:24:54,320 --> 01:24:57,479 Speaker 1: for Saint Jude for the three other seats on this trip, 1534 01:24:57,800 --> 01:24:59,599 Speaker 1: and you could donate to Saint Jude and you could 1535 01:24:59,600 --> 01:25:02,200 Speaker 1: get your in the drawing to be potentially on this 1536 01:25:02,479 --> 01:25:06,200 Speaker 1: space flight. Well, so we all put in some money 1537 01:25:06,360 --> 01:25:08,960 Speaker 1: and everybody's name on the show got put into a 1538 01:25:09,000 --> 01:25:11,920 Speaker 1: hat and we did a drawing for whose name was 1539 01:25:11,960 --> 01:25:15,360 Speaker 1: gonna get put on our submission for Saint Jude and 1540 01:25:15,439 --> 01:25:18,680 Speaker 1: a possible trip to space. Right, so, and none of 1541 01:25:18,720 --> 01:25:21,040 Speaker 1: us want to go to space because we're terrified going 1542 01:25:21,040 --> 01:25:24,160 Speaker 1: to space. To space, Okay, one person would like to 1543 01:25:24,160 --> 01:25:26,599 Speaker 1: go to space, the other ones are terrified of going 1544 01:25:26,600 --> 01:25:28,800 Speaker 1: in out of space, Like I just don't think that's 1545 01:25:28,840 --> 01:25:31,840 Speaker 1: even cool. Like no part of me wants to leave 1546 01:25:31,880 --> 01:25:36,000 Speaker 1: this atmosphere and go through the horizontal or the orizono 1547 01:25:36,280 --> 01:25:38,640 Speaker 1: what's it called ozone lay, I don't want to do 1548 01:25:38,680 --> 01:25:40,200 Speaker 1: we go through the ozone layer to get there. I 1549 01:25:40,200 --> 01:25:41,519 Speaker 1: have no idea. I don't I don't know where the 1550 01:25:41,560 --> 01:25:43,719 Speaker 1: ozone layer stops, I don't know if it's ever ending whatever, 1551 01:25:43,880 --> 01:25:46,519 Speaker 1: But no one wants to do that. I have no interest. 1552 01:25:46,800 --> 01:25:50,160 Speaker 1: I can't even like. The Solar system just not interest 1553 01:25:50,200 --> 01:25:53,200 Speaker 1: me in one bit. No part of me wants to 1554 01:25:53,200 --> 01:25:55,160 Speaker 1: go to space, but go Well, we all put our 1555 01:25:55,240 --> 01:25:59,600 Speaker 1: names in this, and Lunchbox loses, right, But then he's like, 1556 01:25:59,640 --> 01:26:01,879 Speaker 1: I'll pay one hundred more dollars if we can redraw 1557 01:26:02,040 --> 01:26:04,760 Speaker 1: one more time, and we're not gonna spoil it because, 1558 01:26:04,800 --> 01:26:07,320 Speaker 1: in case you haven't heard it, like experiencing this for 1559 01:26:07,360 --> 01:26:11,240 Speaker 1: the first time is just hilarious. So we're not gonna 1560 01:26:11,280 --> 01:26:13,200 Speaker 1: spoil it, right, I'm not gonna spoil it. We're not 1561 01:26:13,200 --> 01:26:14,920 Speaker 1: gonna spoil it. I let's just say I spend one 1562 01:26:14,960 --> 01:26:19,880 Speaker 1: hundred dollars for nothing. Yeah. So we did a space 1563 01:26:19,960 --> 01:26:23,360 Speaker 1: draw in a redraw, and somebody's still going to space. 1564 01:26:23,400 --> 01:26:25,679 Speaker 1: And I don't think they're very happy about it. I would, 1565 01:26:25,880 --> 01:26:30,719 Speaker 1: I would never say they're pretty not happy about it. Well, 1566 01:26:30,800 --> 01:26:32,640 Speaker 1: there you have it. This is coming in at number one. 1567 01:26:32,680 --> 01:26:35,920 Speaker 1: I hope you all laugh just as much as we did. 1568 01:26:35,960 --> 01:26:38,760 Speaker 1: Well yeah, most of us. Anyway. Oh yeah, I hope 1569 01:26:38,760 --> 01:26:42,920 Speaker 1: you're having a great weekend too. Okay, thank you, thank 1570 01:26:42,960 --> 01:26:48,120 Speaker 1: you for having me. Oh you're talking, You're done. Okay. 1571 01:26:48,200 --> 01:26:50,200 Speaker 1: Number one, it's almost have for them to draw that 1572 01:26:50,240 --> 01:26:55,040 Speaker 1: person who's gonna go to space. Remember Jared Isaingman, right right, Yeah, 1573 01:26:55,200 --> 01:26:58,120 Speaker 1: he is the pilot, the billionaire. He's paying for this 1574 01:26:58,360 --> 01:27:01,080 Speaker 1: space mission. He's gonna takes someone up with him who 1575 01:27:01,160 --> 01:27:04,400 Speaker 1: donates to Saint Jude, like a raffle. We haven't put 1576 01:27:04,400 --> 01:27:08,000 Speaker 1: a name in yet. So here's my proposal. We have 1577 01:27:08,040 --> 01:27:12,959 Speaker 1: all the names in a hat. They're me, Amy, Eddie, Lunchbox, 1578 01:27:12,960 --> 01:27:15,880 Speaker 1: and Raimundo. There are five of us, each of us 1579 01:27:15,960 --> 01:27:18,080 Speaker 1: have to commit to twenty dollars to putting it in 1580 01:27:18,200 --> 01:27:21,559 Speaker 1: to donate to Saint Jude. It's one hundred bucks in total. 1581 01:27:22,280 --> 01:27:25,080 Speaker 1: But we put one person in a hundred times and 1582 01:27:25,120 --> 01:27:27,400 Speaker 1: if they get drawn, they go to space. That's easy. 1583 01:27:27,520 --> 01:27:30,519 Speaker 1: Let's do it. Okay, First of all, does everybody is 1584 01:27:30,520 --> 01:27:35,639 Speaker 1: everybody committing to the twenty dollars? Yes, that's fine. Okay, 1585 01:27:37,880 --> 01:27:41,160 Speaker 1: So we're gonna he please don't be me. It cannot 1586 01:27:41,200 --> 01:27:45,080 Speaker 1: be Why So it doesn't mean you're going to space, 1587 01:27:45,120 --> 01:27:46,560 Speaker 1: but it means we're gonna put that person in a 1588 01:27:46,640 --> 01:27:49,280 Speaker 1: hundred times, and there's no backing out bones all right, Like, 1589 01:27:50,000 --> 01:27:52,880 Speaker 1: if this person gets picked, you're going to space. Well 1590 01:27:53,080 --> 01:27:55,360 Speaker 1: you may not get drawn by him, it isn't, but 1591 01:27:56,040 --> 01:27:59,080 Speaker 1: you're the one of our team that goes up for forbid. 1592 01:28:01,720 --> 01:28:04,400 Speaker 1: Like I know, odds are that whoever this since doesn't 1593 01:28:04,439 --> 01:28:09,040 Speaker 1: get picked, but I'm still a little nervous. Okay, So 1594 01:28:09,080 --> 01:28:10,720 Speaker 1: what we're gonna do is we're gonna draw a name 1595 01:28:11,840 --> 01:28:15,839 Speaker 1: and that person is eliminated. All right, come on, okay, 1596 01:28:15,880 --> 01:28:18,519 Speaker 1: so here we go. Let's mix it up, Mix it up, 1597 01:28:18,600 --> 01:28:24,360 Speaker 1: mix it up. The first name drawn to be eliminated 1598 01:28:24,600 --> 01:28:34,719 Speaker 1: is Eddie. Yeah, let's go. Thank you Earth. I'm staying 1599 01:28:34,760 --> 01:28:38,320 Speaker 1: with you. I'm not going anywhere, but you weren't scared, 1600 01:28:38,320 --> 01:28:40,600 Speaker 1: and you would go. I'm not scared, but I have 1601 01:28:40,720 --> 01:28:42,719 Speaker 1: kids and I don't want to risk anything. I'm glad 1602 01:28:42,760 --> 01:28:45,280 Speaker 1: to be right here with my feet on Earth. You 1603 01:28:45,320 --> 01:28:50,200 Speaker 1: are not going to space. The next person that is 1604 01:28:50,240 --> 01:28:52,280 Speaker 1: not going to space with four names left in the 1605 01:28:52,320 --> 01:29:06,000 Speaker 1: head is Amy. Of course, of course, Eddie. Do you 1606 01:29:06,040 --> 01:29:08,200 Speaker 1: want to read the next name? Yeah, sure, I'd love to. Okay, 1607 01:29:08,240 --> 01:29:14,519 Speaker 1: come over here. The next person not going to space 1608 01:29:16,400 --> 01:29:27,839 Speaker 1: is Eddie. Read the name. This person's name is Raman 1609 01:29:37,120 --> 01:29:42,880 Speaker 1: Crab Bobby going to space. There's two people left, all right? 1610 01:29:42,920 --> 01:29:47,920 Speaker 1: The two great? So stupid that two people left, Eddie. 1611 01:29:47,960 --> 01:29:49,120 Speaker 1: Do you want to do? You want to do anything? 1612 01:29:49,200 --> 01:29:52,320 Speaker 1: Would love to the two people left. This next person 1613 01:29:52,479 --> 01:29:55,439 Speaker 1: is not going to space. All right, here we go. 1614 01:29:55,880 --> 01:29:59,479 Speaker 1: That person is the person who's not going to space. 1615 01:30:00,000 --> 01:30:04,639 Speaker 1: He's running back to the like, don't yellow's gonna pop 1616 01:30:04,760 --> 01:30:06,360 Speaker 1: you guys? Ready to go ahead. The next person not 1617 01:30:06,439 --> 01:30:09,880 Speaker 1: going to space is Wow, I didn't see this coming. 1618 01:30:12,200 --> 01:30:21,400 Speaker 1: It's Bobby. So that person going to space is lunch. God. 1619 01:30:22,280 --> 01:30:25,720 Speaker 1: We already knew this. We knew this. We did, yeah, 1620 01:30:25,800 --> 01:30:28,479 Speaker 1: we did. I mean the chip. This the world just 1621 01:30:28,520 --> 01:30:30,720 Speaker 1: hates me right now. And I don't know why. I 1622 01:30:30,760 --> 01:30:35,320 Speaker 1: mean with the chip, you saw it. I mean you 1623 01:30:35,360 --> 01:30:37,640 Speaker 1: saw the will spin. No, no, I understand, but the 1624 01:30:37,680 --> 01:30:39,559 Speaker 1: world is out to get me for some reason right now. 1625 01:30:39,600 --> 01:30:41,280 Speaker 1: I didn't win the lottery when it was you know, 1626 01:30:41,280 --> 01:30:44,320 Speaker 1: a billion dollars, the Mega millions and the powerball. This, 1627 01:30:44,560 --> 01:30:46,960 Speaker 1: I mean, it's just maybe I'll be better in space, 1628 01:30:47,080 --> 01:30:50,560 Speaker 1: maybe it'll beat me better. I just leave you up there. 1629 01:30:50,640 --> 01:30:53,720 Speaker 1: This is the worst. This is so awful because you know, 1630 01:30:54,000 --> 01:30:55,960 Speaker 1: like the odds are I'm not gonna get picked in this, 1631 01:30:56,040 --> 01:30:57,519 Speaker 1: but then, oh what do you know, I'm the one 1632 01:30:57,560 --> 01:30:59,680 Speaker 1: that has to go. So guess what I'm gonna get 1633 01:30:59,720 --> 01:31:02,600 Speaker 1: picked this. He's in May and whatever his name is, 1634 01:31:02,600 --> 01:31:08,160 Speaker 1: he's gonna pick me. Just oh okay, So I tell 1635 01:31:08,200 --> 01:31:11,160 Speaker 1: you what we'll do. Let's all ben Mo twenty bucks 1636 01:31:11,200 --> 01:31:14,720 Speaker 1: over to Scooba Steve Gosh and then Scooba Steve will 1637 01:31:14,720 --> 01:31:16,120 Speaker 1: do one hundred bucks and put it in the lunchbox 1638 01:31:16,160 --> 01:31:22,320 Speaker 1: his name and he and he. I think this Sunday 1639 01:31:22,479 --> 01:31:23,880 Speaker 1: is the end. I don't know if that's when they pick. 1640 01:31:23,960 --> 01:31:26,160 Speaker 1: But the Sunday is the last chance to get in this. 1641 01:31:28,560 --> 01:31:32,040 Speaker 1: We don't want to go to space lunchbox, absolutely not, 1642 01:31:32,040 --> 01:31:34,880 Speaker 1: not as there is zero chance I want to leave 1643 01:31:34,920 --> 01:31:37,879 Speaker 1: this earth more than a plane ride to another city 1644 01:31:38,000 --> 01:31:40,320 Speaker 1: that is like thirty thousand feet above the earth. I 1645 01:31:40,360 --> 01:31:42,400 Speaker 1: do not want to go to space because they disintegrate, 1646 01:31:42,479 --> 01:31:45,800 Speaker 1: and it's just there's too many problems with space and 1647 01:31:45,840 --> 01:31:48,720 Speaker 1: it scares me. And I, oh, like, I won't even 1648 01:31:48,720 --> 01:31:51,040 Speaker 1: go in the ocean way out there on a boat 1649 01:31:51,080 --> 01:31:53,080 Speaker 1: because I can't see land. And you want to send 1650 01:31:53,080 --> 01:31:56,519 Speaker 1: me up in a spaceship. Oh yeah, all right, well 1651 01:31:56,560 --> 01:31:58,800 Speaker 1: he lost the drawing. He will put me put on 1652 01:31:58,840 --> 01:32:00,519 Speaker 1: the list and we hope he goes to space, which, 1653 01:32:00,520 --> 01:32:03,720 Speaker 1: by the way, you guys can also donate, right, so 1654 01:32:03,880 --> 01:32:08,240 Speaker 1: go to inspiration four dot com. Inspiration the number four 1655 01:32:08,320 --> 01:32:11,640 Speaker 1: dot com and you haven't ntil February twenty eight and 1656 01:32:11,720 --> 01:32:14,519 Speaker 1: your own name and your own name donate. Oh what 1657 01:32:14,720 --> 01:32:17,519 Speaker 1: if all of our listeners put lunchboxes. That's not a 1658 01:32:17,520 --> 01:32:19,160 Speaker 1: bad idea. I even think about that. He's the one 1659 01:32:19,160 --> 01:32:21,720 Speaker 1: who talk that inspired that idea. Listeners, You do your 1660 01:32:21,720 --> 01:32:25,280 Speaker 1: own things, Prince, you'll be able to make Lunchbox, I 1661 01:32:25,320 --> 01:32:27,400 Speaker 1: can make a difference. I'll go mow my neighbor's yard. 1662 01:32:27,439 --> 01:32:35,360 Speaker 1: I mean goodness, inspiration for dot com. We all put 1663 01:32:35,400 --> 01:32:38,559 Speaker 1: in twenty bucks and then lunchboxes name was drawn last. 1664 01:32:39,040 --> 01:32:42,080 Speaker 1: So he was getting nominated to go to space with 1665 01:32:42,200 --> 01:32:45,160 Speaker 1: that one hundred entries. It's like a raffle with Saint Jude. 1666 01:32:46,000 --> 01:32:47,639 Speaker 1: And so he said, I'm gonna match that. I'm gonna 1667 01:32:47,640 --> 01:32:50,519 Speaker 1: pay another hundred dollars to go back into the hat, 1668 01:32:50,520 --> 01:32:53,559 Speaker 1: and we're all being drawn again. Everybody good. Yeah, the 1669 01:32:53,640 --> 01:32:57,479 Speaker 1: last person standing we will nominate to go to space 1670 01:32:58,479 --> 01:33:03,880 Speaker 1: on this space what's it called base XA Inspiration four Scooba. 1671 01:33:03,920 --> 01:33:11,360 Speaker 1: Steve is gonna draw in the hat. We have seven names, Bobby, Amy, Eddie, Lunchbox, Raymundo, 1672 01:33:12,840 --> 01:33:19,559 Speaker 1: keep scrolling for me, Morgan number two and Mike d. However, 1673 01:33:19,920 --> 01:33:21,760 Speaker 1: because Morgan number two wants to go, I don't feel 1674 01:33:21,760 --> 01:33:23,559 Speaker 1: like she should be in it. I think it should 1675 01:33:23,560 --> 01:33:27,160 Speaker 1: be anyone who's miserable at the notion of it. But 1676 01:33:27,640 --> 01:33:29,800 Speaker 1: for those of us that are miserable, having her in 1677 01:33:29,920 --> 01:33:32,599 Speaker 1: there decreases our eyes. Yeah, I just paid one hundred dollars. 1678 01:33:32,600 --> 01:33:35,240 Speaker 1: Don't even more people in the hut fair enough. But 1679 01:33:35,280 --> 01:33:37,160 Speaker 1: if she gets it, it's not that fun for us 1680 01:33:37,160 --> 01:33:39,160 Speaker 1: because she wants to go to space. But it's fun 1681 01:33:39,160 --> 01:33:41,240 Speaker 1: for her because it's like a raffle for her. It's 1682 01:33:41,240 --> 01:33:44,280 Speaker 1: still scary for her. Oh, she's terrified. She's trying to 1683 01:33:44,280 --> 01:33:47,000 Speaker 1: act tall. Yeah, all right, whatever, Like, are we ready, 1684 01:33:47,040 --> 01:33:50,240 Speaker 1: Scooba Steve. The first person not going to space will 1685 01:33:50,320 --> 01:34:01,920 Speaker 1: be please shake them off? Come on, all right, your 1686 01:34:02,000 --> 01:34:03,720 Speaker 1: name could have been next, and you're making him shake 1687 01:34:03,760 --> 01:34:06,559 Speaker 1: it all. Oh, it's true. The next person we'll never 1688 01:34:06,600 --> 01:34:10,800 Speaker 1: know that's not going to space is Yeah, it's my 1689 01:34:10,880 --> 01:34:18,599 Speaker 1: left Bobby. Yes, Okay, this is so stupid. I really 1690 01:34:18,600 --> 01:34:20,519 Speaker 1: need Morgan number two to be out because anybody going 1691 01:34:20,560 --> 01:34:25,560 Speaker 1: for joy is not joyful for me. Next person out, 1692 01:34:27,760 --> 01:34:32,800 Speaker 1: Mike boy. I am going home if this happens. I'm 1693 01:34:32,840 --> 01:34:34,960 Speaker 1: going home. By the way, Scuba is shaking the hat 1694 01:34:35,040 --> 01:34:37,280 Speaker 1: up right now in front of us. It's on camera. 1695 01:34:37,360 --> 01:34:42,000 Speaker 1: No funny business happening. Close dry Scuba. Next person up, 1696 01:34:42,160 --> 01:34:52,240 Speaker 1: Come on, I just don't believe this. Close Right now, 1697 01:34:52,280 --> 01:34:56,240 Speaker 1: there are four people left, Eddie, Lunchbox, Morgan number two 1698 01:34:56,240 --> 01:34:59,400 Speaker 1: and Mike d The next Mike's out, Mike's out. They're 1699 01:34:59,439 --> 01:35:01,639 Speaker 1: like three left that's it. You've got to be kidding. 1700 01:35:01,640 --> 01:35:06,160 Speaker 1: Hold on, Yeah, so stupid. This is exactly why I 1701 01:35:06,280 --> 01:35:08,280 Speaker 1: was a little hesitant not canay one hundred dollars, because 1702 01:35:08,320 --> 01:35:10,320 Speaker 1: I know the world as it gets me. For some reason, 1703 01:35:10,560 --> 01:35:12,920 Speaker 1: the last year has been awful to me. And here 1704 01:35:12,960 --> 01:35:15,360 Speaker 1: we go again, all these people and my name is 1705 01:35:15,360 --> 01:35:20,559 Speaker 1: still there. This is so dumb. Next person that and 1706 01:35:20,640 --> 01:35:28,439 Speaker 1: we'll not go to space is yeah? Yeah, okay, hold on, 1707 01:35:28,600 --> 01:35:32,439 Speaker 1: I am so amazing. We're split here, right. It's the 1708 01:35:32,479 --> 01:35:35,760 Speaker 1: person that we want to see the most versus h 1709 01:35:39,600 --> 01:35:43,040 Speaker 1: I don't listen. Man, God, this is the murder house 1710 01:35:43,040 --> 01:35:46,360 Speaker 1: you went to anything. This is why I'm sure myself 1711 01:35:46,360 --> 01:35:48,160 Speaker 1: on the show, and this is how I get repaid. 1712 01:35:48,479 --> 01:35:51,240 Speaker 1: This is so dumb. Can we all just vote and say, hey, 1713 01:35:51,320 --> 01:35:53,439 Speaker 1: let's let Morgan to number two have it? Okay, let's 1714 01:35:53,439 --> 01:35:55,559 Speaker 1: take a vote. Should we just let Morgan number two 1715 01:35:55,560 --> 01:35:59,000 Speaker 1: have it? No? Yes, just keep drawing. That's what we 1716 01:35:59,040 --> 01:36:01,840 Speaker 1: said we're gonna do. Lunch box, Do you want to 1717 01:36:01,880 --> 01:36:05,160 Speaker 1: draw the funny lunch boxes? Don't draw the Oh my god, 1718 01:36:05,240 --> 01:36:07,800 Speaker 1: you're gonna draw your own. I better draw. Hold it 1719 01:36:07,880 --> 01:36:11,599 Speaker 1: up high, Hold it up high, lunch box. Well, he's 1720 01:36:11,640 --> 01:36:18,400 Speaker 1: gonna draw. Don't look. Don't look at the paper yet, 1721 01:36:19,320 --> 01:36:24,920 Speaker 1: don't look at the paper if he draws okay, he 1722 01:36:24,960 --> 01:36:29,240 Speaker 1: wants to draw his name because he's eliminated. Yeah, all right, 1723 01:36:30,320 --> 01:36:33,360 Speaker 1: open it up, Open it up, lunch box. You drew 1724 01:36:33,400 --> 01:36:41,000 Speaker 1: the last name. If you go to your microphone, if 1725 01:36:41,120 --> 01:36:43,000 Speaker 1: if that's Morgan number two in your hand, you have 1726 01:36:43,080 --> 01:36:47,120 Speaker 1: lost again. I know I'm lost because Scoopa automatically started laughing. 1727 01:36:47,160 --> 01:36:53,280 Speaker 1: He looked at the sheet of paper. I drew it. 1728 01:36:53,320 --> 01:37:14,519 Speaker 1: Go ahead, working number two. There's no way, there's no way. 1729 01:37:14,920 --> 01:37:22,720 Speaker 1: Let me see others. Oh my god, but you and 1730 01:37:22,840 --> 01:37:24,639 Speaker 1: you drew it yourself. How does that make you feel? 1731 01:37:25,680 --> 01:37:27,680 Speaker 1: I mean, even worse than the dude before? This is so, 1732 01:37:27,960 --> 01:37:31,880 Speaker 1: this is awful. He already paid the other money scuba. 1733 01:37:32,680 --> 01:37:34,840 Speaker 1: He has maybe nothing. He steals me a hundred twenty bucks. 1734 01:37:34,880 --> 01:37:40,120 Speaker 1: Oh no, now, yeah you will. You got cash in there, 1735 01:37:40,680 --> 01:37:45,640 Speaker 1: that's hard roll. Well, ballers roll with cash. There's a 1736 01:37:45,960 --> 01:37:48,280 Speaker 1: one hundred and twenty dollars. That's two hundys you got, 1737 01:37:48,280 --> 01:37:49,800 Speaker 1: you got changed? What do you think he is a 1738 01:37:49,840 --> 01:37:51,800 Speaker 1: cash man? What do you when you ball? You ball? 1739 01:37:51,840 --> 01:37:54,439 Speaker 1: What can I say? You always got to have one 1740 01:37:54,479 --> 01:37:56,479 Speaker 1: hundred dollars in your pocket. Just make sure people know 1741 01:37:56,520 --> 01:37:59,720 Speaker 1: you got money. Now he's putting on his tough exterior. Gosh, 1742 01:38:00,200 --> 01:38:03,120 Speaker 1: all right, so another hunter we redraw. No, now it's 1743 01:38:03,160 --> 01:38:05,360 Speaker 1: two hundred because you got to match the pot. Oh 1744 01:38:05,400 --> 01:38:13,120 Speaker 1: he has changed. Okay, wow, yeah, that's well, you're not sorry. 1745 01:38:13,200 --> 01:38:17,080 Speaker 1: This could actually be a really cool thing. Like you're 1746 01:38:17,120 --> 01:38:21,559 Speaker 1: one of the few people in the world that it's 1747 01:38:21,600 --> 01:38:27,240 Speaker 1: the best Bits of the Week with Morgan number two. Well, 1748 01:38:27,240 --> 01:38:29,920 Speaker 1: that's a wrap for this week's show. Thank y'all for 1749 01:38:30,000 --> 01:38:32,320 Speaker 1: hanging out with me. I'm Morgan in case you didn't 1750 01:38:32,360 --> 01:38:34,280 Speaker 1: get it at the beginning, and this is the best 1751 01:38:34,280 --> 01:38:37,000 Speaker 1: Bits of the week. I really appreciate y'all taking the 1752 01:38:37,000 --> 01:38:39,400 Speaker 1: time to hang out with me and Lunchbox and Eddie 1753 01:38:39,400 --> 01:38:42,559 Speaker 1: as we relive the moments from the show this week. Plus, 1754 01:38:42,640 --> 01:38:44,479 Speaker 1: make sure you go to Bobby Bones dot com because 1755 01:38:44,479 --> 01:38:45,760 Speaker 1: we have a lot of videos up there of all 1756 01:38:45,800 --> 01:38:48,400 Speaker 1: these moments that we talked about, and you can follow 1757 01:38:48,439 --> 01:38:51,479 Speaker 1: us on Twitter, Instagram, Facebook, all the things at Bobby 1758 01:38:51,479 --> 01:38:53,960 Speaker 1: Bones Show and you can interact with us on there. Also, 1759 01:38:54,040 --> 01:38:57,000 Speaker 1: you can follow me at web Girl Morgan. Thanks again 1760 01:38:57,080 --> 01:38:59,120 Speaker 1: for taking the time to hang out with me. On 1761 01:38:59,200 --> 01:39:02,479 Speaker 1: your very precious this weekend time. I know we don't 1762 01:39:02,520 --> 01:39:06,080 Speaker 1: get enough of it, so thank y'all, goodbye, have a 1763 01:39:06,120 --> 01:39:08,160 Speaker 1: great weekend. Bre