WEBVTT - #476 - Dee-1

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<v Speaker 1>Whoa, what's good everybody, It's your boy at D one

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<v Speaker 1>And you could check me out on the Bootleg cav podcast.

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<v Speaker 2>Yo, Bootleg cap podcast. Man special guests in here. My

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<v Speaker 2>got D one is in the building, Yes, sir, welcome, Welcome,

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<v Speaker 2>welcome man. Twelve years later, for sure, Bro, we first

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<v Speaker 2>linked up in twenty twelve. I was on tour with Macklemore.

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<v Speaker 2>We stopped through Tucson or Phoenix, Phoenix. It was like

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<v Speaker 2>ten p yep, somehow, some way, some then you called

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<v Speaker 2>the clubhouse, yeah yep, and I ended up at the three.

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<v Speaker 2>That was like right when like the rip shop thrift

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<v Speaker 2>Shop started to pop. It was kind of like it

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<v Speaker 2>started to pop in the middle of that tour. Literally yeah, literally, yeah.

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<v Speaker 3>It's like by the time that tour ended, Maclamore was

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<v Speaker 3>a superstar. Bro. That tour was crazy.

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<v Speaker 1>We were doing like fifteen hundred and two thousand CAP

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<v Speaker 1>venues at the beginning of the tour. By the end

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<v Speaker 1>of the tour they were like, Hey, we about to

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<v Speaker 1>run this tour back and this time we're doing full arenas.

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<v Speaker 3>You know, it's crazy.

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<v Speaker 1>Yeah, So that's when we met, Bro. So thank you

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<v Speaker 1>even back then for rocking with me.

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<v Speaker 3>I don't know.

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<v Speaker 4>I was independent, so maybe you just saw me open

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<v Speaker 4>up for him and you were like, oh this do same.

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<v Speaker 2>Do I think you were doing your thing too, Like

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<v Speaker 2>I think I remember just seeing you on Like back

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<v Speaker 2>then it was like the blog game was still now

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<v Speaker 2>right to yeah, shot to Shake and making those guys

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<v Speaker 2>two Door Boys was my site. Man, I'll go there,

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<v Speaker 2>Sam Hill. I was like, yeah, I got similar taste

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<v Speaker 2>to these guys. So it was crazy too because we

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<v Speaker 2>talked about like gatekeepers before we're recording. I actually like

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<v Speaker 2>respected those quote unquote gate keepers a lot more than

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<v Speaker 2>I respect like this algorithmic playlist like situation that's happening

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<v Speaker 2>because at least, like I feel like those guys, whether

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<v Speaker 2>it was sk or Shake or whoever, like they really

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<v Speaker 2>had like taste, dad taste.

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<v Speaker 4>They had taste. Now it's just mind control. Yeah, playlists

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<v Speaker 4>ain't nothing but mind control.

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<v Speaker 1>But back then it was literally people who love music

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<v Speaker 1>who are like, if it moves me, if I like it,

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<v Speaker 1>it's getting posted it no matter how big it is,

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<v Speaker 1>and you go, it don't matter what label is pushing

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<v Speaker 1>it to me.

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<v Speaker 4>Sure you know, I mean there was integrity. There was

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<v Speaker 4>integrity back then.

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<v Speaker 2>And It's crazy too, because there were more gatekeepers than

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<v Speaker 2>per se during the blog era, but those dudes at

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<v Speaker 2>the very least have like, in my opinion, like great taste,

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<v Speaker 2>you know what I mean. Like I found so many

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<v Speaker 2>artists on those sites that were like ground level artists here, bro, Like.

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<v Speaker 1>I am who I am today because of blog era

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<v Speaker 1>hip hop. So the all hip hop dot coms of

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<v Speaker 1>the world, shout to my man, Chuck Shaking Meccas from

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<v Speaker 1>Two Dope Boys, the uh Tumabasa from MTV jams.

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<v Speaker 3>You heard oh Man music now right? Yeah?

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<v Speaker 4>John Gotti from the Smoking Section.

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<v Speaker 2>Yo, I love the speaking of guys. The Smoking Section

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<v Speaker 2>was one of my fucking favorite sites. Yeah, Bro, I

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<v Speaker 2>found like rits on there was a lot of like

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<v Speaker 2>that was a good time, man.

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<v Speaker 3>That was a good time.

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<v Speaker 2>Bro. So we're like like now that there's because we're

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<v Speaker 2>talking about gatekeepers, because you've been through kind of like

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<v Speaker 2>I would say a lot of iterations of like what

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<v Speaker 2>it means to be an artist in terms of like

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<v Speaker 2>your experiences with the industry, right, because you've been on

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<v Speaker 2>a major label as well, and now you're back to

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<v Speaker 2>kind of are you you're fully independent independent?

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<v Speaker 3>What would you say, is the.

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<v Speaker 2>Being a part of so many eras of the music industry,

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<v Speaker 2>What would you say is the most like fruitful way

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<v Speaker 2>for an artist to kind of pop from, Because like

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<v Speaker 2>now you see guys like L Russell kind of re

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<v Speaker 2>envisioning what it means to be independent. You know, there's

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<v Speaker 2>offer based shows and there's a website called even people

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<v Speaker 2>are just selling music.

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<v Speaker 4>Sanul price for the music correct right.

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<v Speaker 2>And so it just seems like there's like this like

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<v Speaker 2>quiet revolution happening, like against the machine. But like it

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<v Speaker 2>is it better than when it was, like when you

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<v Speaker 2>got in.

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<v Speaker 4>Yes, because there's middle class rap.

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<v Speaker 3>Now.

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<v Speaker 4>Back then they didn't have middle class rap.

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<v Speaker 1>You either a mega superstar or you a starving artist

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<v Speaker 1>trying to make it. Now there's all these artists who

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<v Speaker 1>are making six figures a year, even a cool seven

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<v Speaker 1>figures a year, you heard me, and half the game

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<v Speaker 1>might not even know who they are, but they just

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<v Speaker 1>super serve their fan base. They know what their niche is,

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<v Speaker 1>you feel me, and they super serve them. There's people

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<v Speaker 1>like me and like L Russell who will go direct

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<v Speaker 1>to consumer with our music. I don't I don't ever

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<v Speaker 1>put my music out directly to the DSPs. At this point,

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<v Speaker 1>I go on my website first and I tell all

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<v Speaker 1>my diehards come to d one music dot com. You

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<v Speaker 1>heard me, name your own price if you want the album.

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<v Speaker 1>So my new album that I just put out is

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<v Speaker 1>called Loaded. It debuted that number two in the world

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<v Speaker 1>on the hip hop charts, behind eminem iTunes.

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<v Speaker 3>Yeah, on iTunes, right behind.

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<v Speaker 1>Eminem number two in the world independent right, that album

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<v Speaker 1>had been out for three months on your fullhand yeow.

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<v Speaker 3>So it's like your fans got it first. Yeah, my

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<v Speaker 3>diehards got it first.

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<v Speaker 1>People paying up to one thousand dollars for the album

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<v Speaker 1>cam right, literally multiple people thousand here, a thousand and there,

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<v Speaker 1>five hundred here, two fifty there, ten dollars here, twenty

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<v Speaker 1>dollars there.

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<v Speaker 4>But you add that up now when I put it

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<v Speaker 4>on streaming.

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<v Speaker 1>To still do those type of numbers and make that

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<v Speaker 1>type of impact on streaming, it's powerful.

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<v Speaker 3>Well you know what I mean.

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<v Speaker 1>And the album consists of let me see, I had

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<v Speaker 1>Fredo Bang featured on the album. You know FREDI I

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<v Speaker 1>think you have Frederick that's my former middle school student.

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<v Speaker 3>I used to be his teacher.

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<v Speaker 1>What yeah, bagging band ruge Yeah, right, so crazy. Like

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<v Speaker 1>Fredo is on the album That's Love. That's a relationship.

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<v Speaker 1>Project Patters on the album you Hear Me That's Love.

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<v Speaker 1>That's a relationship. My brother star Ledo is on the

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<v Speaker 1>album you hear Me That's Love.

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<v Speaker 3>Try to start Leado very slept on due Mat shot

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<v Speaker 3>out to Nashville.

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<v Speaker 1>Yeah, bro, So this feels like the best ever ever

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<v Speaker 1>to where if you are willing to work hard. Before

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<v Speaker 1>it was working hard but still having to go through gatekeepers.

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<v Speaker 1>Now with social media, you can go directly to the people.

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<v Speaker 1>And when you form a connection with the people, they

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<v Speaker 1>don't care who you signed to.

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<v Speaker 4>They don't care what other artists are co signing you.

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<v Speaker 1>You know, there was an ever where you had to

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<v Speaker 1>have a big co sign to really get in.

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<v Speaker 4>You know what I'm saying. It's not like that anymore.

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<v Speaker 1>So, if you're willing to work hard and if you

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<v Speaker 1>got a product that the fans could tell, man, I

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<v Speaker 1>love your art, but I love your heart, They're gonna lock.

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<v Speaker 3>In with you, bro, and that's the key to my longevity. Yeah.

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<v Speaker 2>I was gonna say, like, it feels like, you know,

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<v Speaker 2>there's almost artists are so ignorant. I feel like there's dope,

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<v Speaker 2>independent artists, or even ignorant to the possibility of like

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<v Speaker 2>doing that. As opposed, they're chasing playlists. They're chasing the

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<v Speaker 2>wrong shit where it's like, Yo, if you even got

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<v Speaker 2>like one hundred people racking with you, one hundred people,

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<v Speaker 2>that's some enough to pay the.

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<v Speaker 3>Bills straight up, I mean straight up, straight up.

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<v Speaker 1>If you got a hundred people spending one hundred dollars

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<v Speaker 1>a year with you, that's ten rags.

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<v Speaker 4>Yeah, off of just one hundred people.

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<v Speaker 3>Yeah.

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<v Speaker 1>If you get a thousand people to spend one hundred

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<v Speaker 1>dollars a year with you, that's a hundred rags.

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<v Speaker 4>Bro.

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<v Speaker 1>People don't want to think about it like that because

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<v Speaker 1>the playlist is what it has been glamorized. Just for

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<v Speaker 1>everybody watching this, I've been on the big playlist. I'm

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<v Speaker 1>on them right now as we speak. I'm sure some

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<v Speaker 1>of my singles are on some of these big playlists

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<v Speaker 1>as we speak.

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<v Speaker 4>That stuff don't change your life.

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<v Speaker 3>Man.

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<v Speaker 1>That's somebody working out in the gym or just with

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<v Speaker 1>their music playing at the crib.

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<v Speaker 3>They're not engaged, they're not even on, but it comes on.

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<v Speaker 2>Yeah, it's like, oh, it's on, and then like you're

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<v Speaker 2>making minimum money off of I think it's thirty eight

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<v Speaker 2>hundred semi dollars off of a million streams.

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<v Speaker 1>Yeah, so you're making one third of a penny for

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<v Speaker 1>every individual stream. So then you do the math, and

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<v Speaker 1>I believe, like you said, on a million streams, that

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<v Speaker 1>might come out to like thirty eight hundred dollars. Bro,

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<v Speaker 1>if somebody listened to my music a million times, Bro,

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<v Speaker 1>I better be making more than that.

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<v Speaker 3>No, it's it's it's actually crazy.

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<v Speaker 2>It's like I feel like there has to be And

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<v Speaker 2>then there are major labels who have ownership stake in.

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<v Speaker 3>Some of the playlists or in pees that you go

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<v Speaker 3>in Spotify.

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<v Speaker 2>Yeah, and so it's like, at what point in time

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<v Speaker 2>is this whole thing like rigged against like an artist

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<v Speaker 2>that isn't on in that system. I wouldn't say rigged,

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<v Speaker 2>but it's very, very almost damn near impossible, Yeah, to

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<v Speaker 2>make a career off of music if you're just depending

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<v Speaker 2>on like the conventional.

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<v Speaker 4>Streaming income, yesps DSP, you're cooked.

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<v Speaker 3>Let you win the lottery.

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<v Speaker 4>Cap I think I got.

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<v Speaker 1>I think I counted about thirteen income streams that I

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<v Speaker 1>have just off of music.

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<v Speaker 4>I'm gonna try to recall them right now.

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<v Speaker 1>So we got streaming royalties, we got publishing, we got

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<v Speaker 1>direct to consumer, name your own price money, we got concerts,

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<v Speaker 1>we got merch we got speaking engagements. Currently, I'm a

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<v Speaker 1>college professor. I me at Harvard University and a professor

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<v Speaker 1>at Toughs University in Boston. I teach a course called

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<v Speaker 1>the Intersection of Hip Hop and Social Change, so teaching.

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<v Speaker 3>You know what I mean?

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<v Speaker 1>You got features, collabs, you feel me. You got brand

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<v Speaker 1>partnerships and endorsements.

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<v Speaker 4>When you can get those, that's nine right there.

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<v Speaker 3>You got.

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<v Speaker 1>I know I'm forgetting some more because I always think

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<v Speaker 1>about them. That's easy off the top of my head.

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<v Speaker 1>Quick nine right there.

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<v Speaker 3>You know what I mean.

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<v Speaker 4>You got sink licensing.

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<v Speaker 1>Yeah, when you get your song sinth in movies and

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<v Speaker 1>then commercials and all that and this type of stuff.

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<v Speaker 1>I don't know if I say it speaking engagements. Maybe did. Yeah,

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<v Speaker 1>But this is just a quick litt ten piece that

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<v Speaker 1>I named.

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<v Speaker 3>You know what I mean.

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<v Speaker 1>Some artists are just super focused on just one one,

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<v Speaker 1>one stream of income.

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<v Speaker 3>It ain't supposed to be like that. No more.

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<v Speaker 1>Man, You got podcasting. I just launched my first episode

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<v Speaker 1>of my podcast today. Congress it's called flipping tables with

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<v Speaker 1>D one. You heard me, because so much has been

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<v Speaker 1>happening over the past year. I don't know how much

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<v Speaker 1>you've been keeping up, man, but I've been in some

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<v Speaker 1>pretty high profile back.

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<v Speaker 3>And forth back and forth.

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<v Speaker 1>I think and Rick Ross, right, Yeah, Jim Jones meet

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<v Speaker 1>meil Rick Ross, and Joe Buden chimed in, and it

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<v Speaker 1>didn't feel fair to me that a brother like Joe Budden,

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<v Speaker 1>who I.

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<v Speaker 3>Never met before, I heard you call him out on

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<v Speaker 3>the new Yeah, on a new song.

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<v Speaker 1>Yeah, because he had three full podcast episodes where I'm

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<v Speaker 1>a topic of discussion of his, you know, and he

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<v Speaker 1>gets to in long form content, gets to speak his

0:09:53.679 --> 0:09:56.040
<v Speaker 1>piece about who he thinks D one is and how

0:09:56.080 --> 0:09:58.679
<v Speaker 1>he thinks D one is just a cloud chaser and

0:09:58.720 --> 0:10:00.199
<v Speaker 1>not legit and da.

0:10:00.160 --> 0:10:03.160
<v Speaker 4>Da da da da, and speaking down on even my faith.

0:10:03.200 --> 0:10:04.920
<v Speaker 1>You heard me, the fact that I'm Christian and all

0:10:04.920 --> 0:10:08.160
<v Speaker 1>this type of stuff. And I was, like day based

0:10:08.200 --> 0:10:10.160
<v Speaker 1>on the way I put content out, all I got

0:10:10.200 --> 0:10:13.760
<v Speaker 1>is songs and maybe ninety second reels.

0:10:13.800 --> 0:10:15.079
<v Speaker 3>So I love the fact of it.

0:10:15.160 --> 0:10:18.280
<v Speaker 4>Salute to you, even for with podcasting when you're really

0:10:18.280 --> 0:10:20.360
<v Speaker 4>a thinker. You heard me, like you're really a thinker

0:10:20.400 --> 0:10:23.760
<v Speaker 4>and a listener, so it allows you to have these

0:10:23.840 --> 0:10:27.400
<v Speaker 4>longer conversations to where you can understand someone's hard and

0:10:27.480 --> 0:10:29.280
<v Speaker 4>their thought process behind what they're doing.

0:10:29.400 --> 0:10:32.280
<v Speaker 2>Yeah, it's almost like when you watch like the news

0:10:32.960 --> 0:10:36.360
<v Speaker 2>and people like form opinions based on like four people

0:10:36.400 --> 0:10:38.160
<v Speaker 2>on TV trying to each get in their forty five

0:10:38.240 --> 0:10:41.000
<v Speaker 2>second point as opposed to like listening to like a

0:10:41.040 --> 0:10:44.319
<v Speaker 2>politician or somebody speak on like a long form conversation

0:10:44.440 --> 0:10:45.880
<v Speaker 2>where you can get like for the understanding.

0:10:45.920 --> 0:10:46.560
<v Speaker 3>It's the same shit.

0:10:46.640 --> 0:10:48.679
<v Speaker 2>It's like like like you said, like now you can

0:10:48.800 --> 0:10:51.760
<v Speaker 2>articulate your points in a greater way if you have

0:10:51.800 --> 0:10:52.520
<v Speaker 2>your own podcast.

0:10:52.679 --> 0:10:55.080
<v Speaker 1>And then Kendrick Lamug just threw me the alley oop

0:10:55.120 --> 0:10:57.160
<v Speaker 1>of all alley oops last week. You hear me sh

0:10:57.280 --> 0:10:59.120
<v Speaker 1>Now the Kendrick shit's crazy, Like where were you when

0:10:59.360 --> 0:11:03.280
<v Speaker 1>when you I was on Instagram Live. Yeah, on Instagram

0:11:03.320 --> 0:11:05.520
<v Speaker 1>Live because my city in New Orleans was very mad

0:11:05.640 --> 0:11:07.760
<v Speaker 1>with me. I was like public aneman number one last

0:11:07.760 --> 0:11:10.880
<v Speaker 1>week to New Orleans because when the announcement came out

0:11:10.920 --> 0:11:13.840
<v Speaker 1>that Kendrick was performing at the Super Bowl, so many

0:11:13.840 --> 0:11:16.880
<v Speaker 1>people in New Orleans were mad, super upset that it

0:11:16.960 --> 0:11:17.679
<v Speaker 1>wasn't Lil Wayne.

0:11:18.559 --> 0:11:21.120
<v Speaker 4>I noticed, Yeah, And I'm from New Orleans. You know,

0:11:21.160 --> 0:11:22.040
<v Speaker 4>it's my hometown.

0:11:22.720 --> 0:11:23.000
<v Speaker 3>Man.

0:11:24.000 --> 0:11:26.240
<v Speaker 1>For me to say like, yo, like, let's keep it

0:11:26.240 --> 0:11:28.559
<v Speaker 1>a buck. You heard me, Like, where's this sense of

0:11:28.720 --> 0:11:31.319
<v Speaker 1>entitlement coming from? Like the artist has to be somebody

0:11:31.360 --> 0:11:33.280
<v Speaker 1>from New Orleans just because the super Bowl is here,

0:11:33.480 --> 0:11:34.760
<v Speaker 1>number one and number two.

0:11:34.960 --> 0:11:35.959
<v Speaker 3>I was keeping it a hundred.

0:11:36.000 --> 0:11:38.880
<v Speaker 4>I'm a former middle school teacher, I'm a college professor.

0:11:39.040 --> 0:11:42.280
<v Speaker 4>I'm a dude who's hip hop music is clearly message driven,

0:11:42.320 --> 0:11:45.120
<v Speaker 4>you know what I'm saying. It got message mixed in

0:11:45.440 --> 0:11:48.200
<v Speaker 4>with dope beats and dope flow and all that. So

0:11:48.240 --> 0:11:50.280
<v Speaker 4>when we talk about the message, I was like, let's

0:11:50.320 --> 0:11:52.920
<v Speaker 4>keep it a hundred. About the message that Wayne has

0:11:52.960 --> 0:11:54.680
<v Speaker 4>often glorified in his music.

0:11:54.679 --> 0:11:58.000
<v Speaker 1>You know what I'm saying, is that something that is

0:11:58.120 --> 0:12:02.240
<v Speaker 1>necessarily conducive to one hundred million plus audience who's gonna

0:12:02.240 --> 0:12:04.280
<v Speaker 1>be watching the super Bowl have to and just me

0:12:04.400 --> 0:12:06.560
<v Speaker 1>saying that, Bro, it's the same stuff I was saying

0:12:06.600 --> 0:12:09.720
<v Speaker 1>with Rick Ross and and you know back then almost

0:12:09.760 --> 0:12:12.559
<v Speaker 1>a year ago, and the city had my back then,

0:12:12.840 --> 0:12:15.319
<v Speaker 1>but now because it applied to somebody from the city,

0:12:15.400 --> 0:12:15.760
<v Speaker 1>I just.

0:12:15.679 --> 0:12:18.560
<v Speaker 2>Said, like obviously Wayne's a legend, but I think like

0:12:19.360 --> 0:12:22.319
<v Speaker 2>if you just if you're the super Bowl and you're

0:12:22.360 --> 0:12:27.240
<v Speaker 2>the NFL, Like he just did WrestleMania.

0:12:26.520 --> 0:12:28.200
<v Speaker 3>And forgot a lot of his lyrics and it was

0:12:28.280 --> 0:12:29.120
<v Speaker 3>it was a less.

0:12:28.880 --> 0:12:32.319
<v Speaker 2>Than best performance, and like he's just had like interesting

0:12:32.600 --> 0:12:34.679
<v Speaker 2>on stage situations over the last few years.

0:12:34.800 --> 0:12:36.640
<v Speaker 3>He's like walked off and like, I.

0:12:36.640 --> 0:12:39.679
<v Speaker 2>Just don't know if I'm like yo, Like Kendrick also

0:12:39.840 --> 0:12:42.840
<v Speaker 2>happens to be like the number. I mean, like having

0:12:42.880 --> 0:12:45.679
<v Speaker 2>a crazy year and he's Kendrick Lamar, Like what are

0:12:45.720 --> 0:12:49.280
<v Speaker 2>we talking about? Like over the last decade, Like that's

0:12:49.320 --> 0:12:49.760
<v Speaker 2>the move.

0:12:50.080 --> 0:12:52.680
<v Speaker 1>He's been a glitch in the matrix in that he

0:12:52.760 --> 0:12:55.480
<v Speaker 1>clearly has a message in his music that's about pushing

0:12:55.480 --> 0:12:59.839
<v Speaker 1>things forward in life, right progression, but has become a

0:13:00.120 --> 0:13:02.160
<v Speaker 1>mainstream as you could get you know what I'm saying,

0:13:02.280 --> 0:13:03.719
<v Speaker 1>Like that's and.

0:13:03.679 --> 0:13:06.240
<v Speaker 2>He's always here and he's always been that. That's rare, bro,

0:13:06.320 --> 0:13:09.520
<v Speaker 2>It's never He's never not done what he is doing.

0:13:09.640 --> 0:13:11.800
<v Speaker 2>So what message do we want to send to the

0:13:11.920 --> 0:13:12.640
<v Speaker 2>kids at home?

0:13:12.840 --> 0:13:15.240
<v Speaker 4>Do we want to send a message that it's possible

0:13:15.559 --> 0:13:18.360
<v Speaker 4>to stand for something, you know, to have some morals,

0:13:18.440 --> 0:13:20.280
<v Speaker 4>values and principles.

0:13:19.720 --> 0:13:22.120
<v Speaker 1>And make it and make it right. That's a fire

0:13:22.200 --> 0:13:24.200
<v Speaker 1>message to send you, hear me. So when I got

0:13:24.240 --> 0:13:26.600
<v Speaker 1>the announcement that Kendrick shouted me out in his new song,

0:13:26.640 --> 0:13:29.880
<v Speaker 1>I was on Instagram live explaining this to a lot

0:13:29.880 --> 0:13:32.240
<v Speaker 1>of people in my city who were mad at my

0:13:32.320 --> 0:13:34.600
<v Speaker 1>commentary on the super Bowl, and all of a sudden,

0:13:34.840 --> 0:13:37.760
<v Speaker 1>the comments got flooded with a wave of new people saying,

0:13:37.880 --> 0:13:39.120
<v Speaker 1>Kendrick Lamach just shout.

0:13:38.920 --> 0:13:40.840
<v Speaker 4>At you out, yo, Kendrick just mentioned you.

0:13:40.880 --> 0:13:42.240
<v Speaker 1>So I didn't know if it was real or not,

0:13:42.320 --> 0:13:44.520
<v Speaker 1>but I was like, whether or not that's real.

0:13:45.040 --> 0:13:47.200
<v Speaker 3>They say he's giving you your flowers. This is amazing.

0:13:47.360 --> 0:13:49.920
<v Speaker 1>I said, the thing about flowers, y'all, is that flowers

0:13:49.960 --> 0:13:53.000
<v Speaker 1>eventually die. I said, So, if it's true what y'all

0:13:53.000 --> 0:13:54.600
<v Speaker 1>are saying, salute to Kendrick.

0:13:54.800 --> 0:13:56.679
<v Speaker 4>I love you, my brother, thank you. But I want

0:13:56.720 --> 0:13:58.120
<v Speaker 4>everybody watching his live to.

0:13:58.160 --> 0:14:02.520
<v Speaker 1>Know that I do this for the approval of somebody

0:14:02.520 --> 0:14:04.280
<v Speaker 1>that ain't They ain't even here, and that's God.

0:14:04.360 --> 0:14:05.480
<v Speaker 3>You feel me, because for.

0:14:05.520 --> 0:14:09.000
<v Speaker 1>Me, I've had the approval from the bootleg caves, now

0:14:09.040 --> 0:14:10.560
<v Speaker 1>the Kendrick Lamar's, the fans.

0:14:10.760 --> 0:14:12.760
<v Speaker 4>But I see how quick them same fans will turn

0:14:12.840 --> 0:14:13.040
<v Speaker 4>on you.

0:14:13.640 --> 0:14:16.080
<v Speaker 1>So when they talk about like you get these flowers

0:14:16.080 --> 0:14:19.280
<v Speaker 1>and you're supposed to be just almost like Mama made

0:14:19.320 --> 0:14:21.240
<v Speaker 1>it type of moment. I just know how to not

0:14:21.320 --> 0:14:23.480
<v Speaker 1>get too high on the highest and not get too

0:14:23.520 --> 0:14:24.240
<v Speaker 1>low on the lows.

0:14:24.280 --> 0:14:27.160
<v Speaker 3>You know, people should do that in life. In life, bro.

0:14:27.800 --> 0:14:30.440
<v Speaker 1>So I was like, Yo, it's amazing that in the

0:14:30.560 --> 0:14:35.080
<v Speaker 1>same week I'm experiencing condemnation from my city, everything from

0:14:35.360 --> 0:14:37.840
<v Speaker 1>people making debt threads to saying you can't come back

0:14:37.880 --> 0:14:39.840
<v Speaker 1>to the city and you canceled in New Orleans and

0:14:39.840 --> 0:14:45.120
<v Speaker 1>all this stuff, to elevation and validation from Kendrick saying

0:14:45.640 --> 0:14:48.280
<v Speaker 1>I want to be empathetic heart like d one, you

0:14:48.320 --> 0:14:48.520
<v Speaker 1>know what, I.

0:14:49.240 --> 0:14:51.160
<v Speaker 5>Want to know what he was What the end of

0:14:51.160 --> 0:14:53.320
<v Speaker 5>that line was, because he stopped. What you think it was,

0:14:53.480 --> 0:14:57.800
<v Speaker 5>I don't know, but it was well he said, but

0:14:57.920 --> 0:14:59.760
<v Speaker 5>I will, he said, I want to be empathetic.

0:15:00.120 --> 0:15:00.560
<v Speaker 3>I will.

0:15:00.640 --> 0:15:04.160
<v Speaker 4>I will exactly, So you could imagine that for sure.

0:15:04.280 --> 0:15:06.680
<v Speaker 3>No, Yeah, I thought that was super dope though.

0:15:06.760 --> 0:15:09.800
<v Speaker 2>So for you, like like you said, man like, I

0:15:09.800 --> 0:15:13.840
<v Speaker 2>feel like you've always been pushing positivity, always been very

0:15:13.960 --> 0:15:15.800
<v Speaker 2>very like ahead of the curve in terms of like

0:15:16.080 --> 0:15:17.680
<v Speaker 2>I mean not even ahead of the curve. You've always

0:15:17.960 --> 0:15:21.840
<v Speaker 2>been like integrity first as a person and you know

0:15:21.880 --> 0:15:24.120
<v Speaker 2>as an artist and as everything else comes after that, Right,

0:15:24.200 --> 0:15:27.880
<v Speaker 2>But I wonder for you, like, does that just feel

0:15:27.920 --> 0:15:31.960
<v Speaker 2>good knowing that? Like, man, you just you've got gone

0:15:31.960 --> 0:15:34.760
<v Speaker 2>through it with you know, Meek, mel Rick Ross and

0:15:35.480 --> 0:15:37.800
<v Speaker 2>people you know saying a B and C about you,

0:15:37.880 --> 0:15:41.960
<v Speaker 2>But to like have the guy you know, in my opinion,

0:15:43.000 --> 0:15:45.840
<v Speaker 2>you know, I've had Kendrick in my top five for

0:15:45.920 --> 0:15:49.520
<v Speaker 2>probably like six years, and I think after this last

0:15:49.560 --> 0:15:51.960
<v Speaker 2>twelve months, it's either him or Hove as the goat,

0:15:52.080 --> 0:15:54.480
<v Speaker 2>you know, from being honest, like personally for my list,

0:15:54.920 --> 0:15:57.960
<v Speaker 2>I always had him around four or five. But I

0:15:58.000 --> 0:16:00.480
<v Speaker 2>think he's you know what it's all said, He's gonna

0:16:00.480 --> 0:16:01.760
<v Speaker 2>be the greatest of all time, you know, with all

0:16:01.800 --> 0:16:02.600
<v Speaker 2>due respect to jay Z.

0:16:02.720 --> 0:16:06.680
<v Speaker 3>But what's that feel like though? Man? Like, it's just.

0:16:07.280 --> 0:16:10.800
<v Speaker 1>It's validation that even when people try to tell me

0:16:10.840 --> 0:16:14.520
<v Speaker 1>that I'm crazy or that I could go further faster

0:16:14.760 --> 0:16:16.120
<v Speaker 1>if I switched my message up.

0:16:16.320 --> 0:16:19.840
<v Speaker 3>It's just like it's proof that the.

0:16:19.840 --> 0:16:22.040
<v Speaker 1>People who y'all look up to and the people who

0:16:22.160 --> 0:16:24.840
<v Speaker 1>y'all might feel like can do no wrong in y'all eyes.

0:16:25.120 --> 0:16:28.080
<v Speaker 1>Those people are actually saluting a brother that's just been

0:16:28.120 --> 0:16:30.560
<v Speaker 1>consistent the whole time. And it it's like, hey, he's

0:16:30.600 --> 0:16:32.600
<v Speaker 1>gonna get a where he's destined to be in the

0:16:32.680 --> 0:16:35.440
<v Speaker 1>time he was destined to be there because I've always

0:16:35.440 --> 0:16:37.720
<v Speaker 1>put impact over income, you know what I mean.

0:16:38.080 --> 0:16:41.080
<v Speaker 3>You get into this game and if you're seeking out. Man.

0:16:41.200 --> 0:16:46.120
<v Speaker 1>Just today, bro, So, Kevin Lows stepped down as from

0:16:46.400 --> 0:16:51.360
<v Speaker 1>three hundred Entertainment or as the as the head guy Diddy.

0:16:51.440 --> 0:16:54.320
<v Speaker 1>They said Diddy is arrested as of yesterday trying to

0:16:54.320 --> 0:16:56.640
<v Speaker 1>get out on fifty million. I heard on TMZ they

0:16:56.640 --> 0:17:01.080
<v Speaker 1>say he offered fifty million dollars on buying to get out.

0:17:01.080 --> 0:17:03.800
<v Speaker 1>I think they denied it, you know, Bro, Like the

0:17:03.880 --> 0:17:06.480
<v Speaker 1>empire is crumbling, the empire as we knew it in

0:17:06.560 --> 0:17:10.520
<v Speaker 1>hip hop, to where all of this stuff that glorifies

0:17:11.280 --> 0:17:15.680
<v Speaker 1>what is evil, Like it's evil. We burying Rich Homie

0:17:15.720 --> 0:17:19.560
<v Speaker 1>KWin today, you know what I'm saying, open casket funeral televised.

0:17:19.800 --> 0:17:22.639
<v Speaker 1>So we're seeing a brother in the culture that's being buried.

0:17:22.680 --> 0:17:25.000
<v Speaker 1>God bless his soul, you know, and prayers out to

0:17:25.040 --> 0:17:27.880
<v Speaker 1>his family and friends. We're seeing that happen, and we're

0:17:27.920 --> 0:17:31.680
<v Speaker 1>seeing people who have been gatekeepers for the longest, who

0:17:31.920 --> 0:17:34.920
<v Speaker 1>have defined what music is going to get the green

0:17:34.920 --> 0:17:38.080
<v Speaker 1>button pressed and get all the marketing dollars put behind it.

0:17:38.240 --> 0:17:39.680
<v Speaker 3>People who have made.

0:17:39.520 --> 0:17:44.080
<v Speaker 4>It cool to love, to be in love with the jewelry,

0:17:44.240 --> 0:17:50.000
<v Speaker 4>the money, the music that's glorifying drug use and glorifying

0:17:50.080 --> 0:17:52.800
<v Speaker 4>the disrespect of women. But now we're seeing these people

0:17:53.040 --> 0:17:53.720
<v Speaker 4>go to jail.

0:17:54.119 --> 0:17:56.560
<v Speaker 1>Now we're seeing people that's passing away in front of

0:17:56.600 --> 0:17:59.160
<v Speaker 1>our face, and everybody is saying that was way too soon.

0:17:59.560 --> 0:18:03.360
<v Speaker 4>So it's like, now what it can't just be entertainment.

0:18:03.560 --> 0:18:05.440
<v Speaker 4>All the people in the culture who try to tell

0:18:05.480 --> 0:18:08.520
<v Speaker 4>me all these years, call man, it's just entertainment, bro.

0:18:08.880 --> 0:18:12.280
<v Speaker 1>You just always got something to complain about. Won't you

0:18:12.320 --> 0:18:16.359
<v Speaker 1>just let people get their money. That's what Rick Ross

0:18:16.400 --> 0:18:18.960
<v Speaker 1>was saying. It's like, Yo, I do this music, but

0:18:19.800 --> 0:18:23.600
<v Speaker 1>I feed my hood turkeys during Thanksgiving, you know, and literally,

0:18:23.680 --> 0:18:28.040
<v Speaker 1>in his mind, that justifies making the soundtrack to selling

0:18:28.080 --> 0:18:32.440
<v Speaker 1>dope and rapping about the glorification of murder and disrespecting

0:18:32.480 --> 0:18:35.199
<v Speaker 1>women and all that. And it's like, are you serious, bro?

0:18:35.680 --> 0:18:38.439
<v Speaker 1>In your mind it makes sense because this is just

0:18:38.480 --> 0:18:40.960
<v Speaker 1>how I feed my family. But then over here, here's

0:18:40.960 --> 0:18:43.159
<v Speaker 1>the good I'm doing in the community. We got to

0:18:43.160 --> 0:18:45.159
<v Speaker 1>have these difficult conversations in the culture.

0:18:45.200 --> 0:18:47.120
<v Speaker 2>Right now, Well, let me ask you this, right because

0:18:47.359 --> 0:18:52.359
<v Speaker 2>obviously hip hop is built on kind of like you know,

0:18:53.440 --> 0:18:56.199
<v Speaker 2>if we go back to like, you know, even like

0:18:56.720 --> 0:19:00.119
<v Speaker 2>early Biggie ten Crack commandments or you know, not. I

0:19:00.160 --> 0:19:01.560
<v Speaker 2>was kind of talking about like what it was like

0:19:01.600 --> 0:19:03.879
<v Speaker 2>to witness growing up in Queensbridge and a lot of

0:19:03.880 --> 0:19:07.240
<v Speaker 2>the you know, it's always been built on street imagery.

0:19:07.440 --> 0:19:11.359
<v Speaker 2>And you know, there's an argument to be made that

0:19:11.440 --> 0:19:14.720
<v Speaker 2>if like that's Rick Ross's truth, that's how that's his life.

0:19:14.760 --> 0:19:15.879
<v Speaker 3>And I'm not saying it is or not.

0:19:15.920 --> 0:19:18.720
<v Speaker 2>I don't want to speculate on Rick Ross's criminal history

0:19:18.800 --> 0:19:21.560
<v Speaker 2>or what is true or not. But let's say, hypothetically speaking,

0:19:21.840 --> 0:19:24.680
<v Speaker 2>Rick Ross is just speaking his truth his life experience, right,

0:19:25.600 --> 0:19:30.080
<v Speaker 2>and if that life experience equals drug use or selling

0:19:30.160 --> 0:19:34.520
<v Speaker 2>drugs or committing crime or being wrapped up in the streets,

0:19:35.440 --> 0:19:38.920
<v Speaker 2>that is his outlet. And we're just saying Rick Ross's

0:19:38.960 --> 0:19:41.760
<v Speaker 2>name because you could probably apply that to a hundred

0:19:41.800 --> 0:19:44.840
<v Speaker 2>other artists, right. But there's the argument would be that

0:19:44.920 --> 0:19:47.879
<v Speaker 2>like that's their experience. That's their life and their outlet

0:19:48.000 --> 0:19:51.720
<v Speaker 2>to express their life, and where they.

0:19:51.600 --> 0:19:55.480
<v Speaker 3>Come from is the music. So their music is where

0:19:55.480 --> 0:19:57.040
<v Speaker 3>they're going to talk about that kind of shit.

0:19:57.760 --> 0:20:01.080
<v Speaker 1>Well, there's a difference between now race and glorification.

0:20:02.080 --> 0:20:07.159
<v Speaker 2>Listen, that's a fair argument, would But my thing is is,

0:20:07.200 --> 0:20:10.400
<v Speaker 2>I think, like those conversations just need to be had,

0:20:10.480 --> 0:20:13.679
<v Speaker 2>and I think that, you know, there's a way to,

0:20:13.880 --> 0:20:16.520
<v Speaker 2>like for you to I mean, i'd be dope if you,

0:20:16.640 --> 0:20:18.960
<v Speaker 2>like you have a podcast right now, which is dope.

0:20:19.200 --> 0:20:20.760
<v Speaker 2>I think it'd be just dope for you to like

0:20:21.119 --> 0:20:23.720
<v Speaker 2>even have some off camera conversations with some of these

0:20:23.720 --> 0:20:26.119
<v Speaker 2>guys where you guys can kind of just come to

0:20:26.200 --> 0:20:28.080
<v Speaker 2>like a certain understanding and like it's like, you know,

0:20:28.320 --> 0:20:31.120
<v Speaker 2>I think you would. I said I had or seen

0:20:31.200 --> 0:20:32.960
<v Speaker 2>something you have said about Sexy Red.

0:20:33.000 --> 0:20:34.160
<v Speaker 3>If I'm wrong, am I wrong?

0:20:35.920 --> 0:20:39.840
<v Speaker 2>And like, look, there is a truth that like young

0:20:39.840 --> 0:20:42.480
<v Speaker 2>girls are influenced by Sexy Red, right, and if it's

0:20:42.480 --> 0:20:46.200
<v Speaker 2>Sexy Red or it's you know, latter, whoever it is, right,

0:20:46.880 --> 0:20:49.560
<v Speaker 2>Like the totality of all of that music and what's

0:20:49.600 --> 0:20:52.360
<v Speaker 2>being pushed it does have some sort of effect on

0:20:52.400 --> 0:20:55.320
<v Speaker 2>the culture. But hasn't it always had that. Like if

0:20:55.359 --> 0:20:57.480
<v Speaker 2>you go back to Little Kim, or you go back

0:20:57.480 --> 0:21:00.960
<v Speaker 2>to Foxy Brown or you know, and I'm not saying

0:21:00.960 --> 0:21:03.000
<v Speaker 2>it's a good or bad thing, but this isn't new, right,

0:21:03.920 --> 0:21:06.439
<v Speaker 2>Like what makes Sexy Red different from what Little Kim

0:21:06.560 --> 0:21:06.719
<v Speaker 2>was doing?

0:21:06.800 --> 0:21:06.960
<v Speaker 3>Yeah?

0:21:06.960 --> 0:21:09.159
<v Speaker 4>You know what the difference is hip hop has gotten older.

0:21:09.440 --> 0:21:12.719
<v Speaker 1>So because hip hop has gotten older, you have OG's

0:21:12.840 --> 0:21:15.160
<v Speaker 1>in hip hop now. So for every Sexy Red that's

0:21:15.160 --> 0:21:17.560
<v Speaker 1>in her twenties, you got somebody that's in their forties

0:21:17.640 --> 0:21:20.080
<v Speaker 1>or maybe their fifties who's been there, done that. And

0:21:20.119 --> 0:21:23.679
<v Speaker 1>the role of OG's in the culture should be the

0:21:23.800 --> 0:21:27.359
<v Speaker 1>role of OG's in life, which is, we're here to

0:21:27.480 --> 0:21:30.160
<v Speaker 1>mentor you and make it to where your learning curve

0:21:30.200 --> 0:21:32.480
<v Speaker 1>can be even quicker than ours was because we can

0:21:32.560 --> 0:21:34.919
<v Speaker 1>pour into you. The problem with hip hop is you

0:21:35.000 --> 0:21:37.760
<v Speaker 1>have OG's who are actually DG's.

0:21:37.880 --> 0:21:40.120
<v Speaker 4>I call them disappointing grown ups, you know what I mean.

0:21:40.560 --> 0:21:42.399
<v Speaker 3>Hey, that's some real shit right there.

0:21:42.560 --> 0:21:46.760
<v Speaker 1>Straight up though, Sure, these OG's are really DG's, and

0:21:47.160 --> 0:21:49.360
<v Speaker 1>the reason why is because they want to be relevant

0:21:49.640 --> 0:21:53.320
<v Speaker 1>with the younger generation so much so that they'll sacrifice

0:21:53.600 --> 0:21:56.520
<v Speaker 1>their knowledge that they've attained by living life for thirty

0:21:56.520 --> 0:22:00.240
<v Speaker 1>plus years more than these younger artists, and they're sacrificight

0:22:00.359 --> 0:22:03.159
<v Speaker 1>that are they sacrifice their integrity and they will employ

0:22:03.280 --> 0:22:07.639
<v Speaker 1>something called willful ignorance, meaning these older people in the culture,

0:22:07.680 --> 0:22:12.280
<v Speaker 1>these older executives, these older artists who know better, still

0:22:12.400 --> 0:22:15.680
<v Speaker 1>choose to glorify things that they know are harmful, right,

0:22:16.080 --> 0:22:18.280
<v Speaker 1>and they know it's harmful, but they're like, dang, that's

0:22:18.280 --> 0:22:19.520
<v Speaker 1>what the youngins want to hear.

0:22:19.880 --> 0:22:23.720
<v Speaker 2>And like like I'm not like it's like this, like

0:22:23.760 --> 0:22:27.000
<v Speaker 2>you said, like there's at the end of the day,

0:22:27.000 --> 0:22:30.480
<v Speaker 2>we're in the music business, and what's good for business

0:22:30.600 --> 0:22:32.000
<v Speaker 2>isn't always good for the people.

0:22:32.680 --> 0:22:36.040
<v Speaker 4>There you go, keep going, keep going, all right, So impact.

0:22:35.840 --> 0:22:37.919
<v Speaker 3>What's good for business isn't always good for the people.

0:22:38.760 --> 0:22:42.320
<v Speaker 3>And people got to pay their bills. Stop, people got

0:22:42.359 --> 0:22:43.359
<v Speaker 3>to pay their bills. keV.

0:22:43.880 --> 0:22:46.320
<v Speaker 4>My thing is when I talk about these executives, you

0:22:46.400 --> 0:22:48.679
<v Speaker 4>heard me Kevin Lyle say how far are we are

0:22:49.480 --> 0:22:49.679
<v Speaker 4>we going?

0:22:49.720 --> 0:22:51.119
<v Speaker 3>Because a lot of these guys are worth hundreds of

0:22:51.119 --> 0:22:52.240
<v Speaker 3>millions of dollars? So there you go.

0:22:52.480 --> 0:22:54.800
<v Speaker 1>So when we talk, so when the excuse becomes people

0:22:54.800 --> 0:22:57.080
<v Speaker 1>got to pay their bills. When I'm speaking to artists

0:22:57.119 --> 0:23:00.440
<v Speaker 1>who aren't starving artists, struggling artists, artists who have made

0:23:00.440 --> 0:23:03.719
<v Speaker 1>it and have become moguls and they've become multi millionaires

0:23:03.800 --> 0:23:06.480
<v Speaker 1>as well as these executives. At what point is it

0:23:06.600 --> 0:23:08.760
<v Speaker 1>like they can't use their excuse I'm just trying to

0:23:08.760 --> 0:23:09.560
<v Speaker 1>pay my bills.

0:23:09.960 --> 0:23:13.160
<v Speaker 2>No, no, no, because I'm talking about like on a lower level,

0:23:13.200 --> 0:23:16.600
<v Speaker 2>Like let's say somebody has a production company and they

0:23:16.640 --> 0:23:20.200
<v Speaker 2>find Sexy Red and they look, I got this artist

0:23:20.240 --> 0:23:21.359
<v Speaker 2>who's bubbling in Saint Louis.

0:23:21.359 --> 0:23:22.160
<v Speaker 3>I'm gonna and then.

0:23:22.080 --> 0:23:25.840
<v Speaker 2>From there it goes into the bigger you know, totality

0:23:25.840 --> 0:23:29.080
<v Speaker 2>of the system or whatever. I think that, Like I said,

0:23:29.080 --> 0:23:31.920
<v Speaker 2>I think there has to be some sort of balance.

0:23:32.600 --> 0:23:36.520
<v Speaker 2>And I feel like for whatever reason, man, this beef

0:23:36.520 --> 0:23:39.760
<v Speaker 2>with Drake and the and the way Kendrick kind of

0:23:39.840 --> 0:23:43.359
<v Speaker 2>just pulled the mask off and the onion, each layer

0:23:43.400 --> 0:23:46.720
<v Speaker 2>of the onion on the on Drake's like this whole shit,

0:23:46.800 --> 0:23:47.320
<v Speaker 2>I feel.

0:23:47.160 --> 0:23:50.560
<v Speaker 3>Like has kind of like sparked like a ripple of

0:23:50.600 --> 0:23:52.359
<v Speaker 3>like consciousness.

0:23:52.480 --> 0:23:54.520
<v Speaker 2>Yeah, and and and it's been and you know, I

0:23:54.560 --> 0:23:58.200
<v Speaker 2>just I just met Common and Pete Rock uh for

0:23:58.720 --> 0:24:00.640
<v Speaker 2>I met him before, but I just had a conversation

0:24:00.680 --> 0:24:02.159
<v Speaker 2>with them and I just think calm, and like I

0:24:02.200 --> 0:24:03.879
<v Speaker 2>almost cried thinking them because I was like, bro, when

0:24:03.880 --> 0:24:05.600
<v Speaker 2>I was a kid, Bro, like you don't understand, like

0:24:06.280 --> 0:24:08.840
<v Speaker 2>you know. And then I was talking about like when

0:24:08.840 --> 0:24:12.680
<v Speaker 2>I was a kid, we had whatever you were looking

0:24:12.720 --> 0:24:15.000
<v Speaker 2>for there was in music, right, But what we did

0:24:15.040 --> 0:24:19.040
<v Speaker 2>have that I don't see at least being pushed in

0:24:19.080 --> 0:24:20.399
<v Speaker 2>the same way. Back in the day, there was like

0:24:20.480 --> 0:24:26.440
<v Speaker 2>Raucus Records, and like there was like a semi commercial

0:24:26.680 --> 0:24:30.800
<v Speaker 2>outlet that people could find conscious music like ty Lib

0:24:30.880 --> 0:24:33.320
<v Speaker 2>and Common and like most depth, like those guys weren't

0:24:33.359 --> 0:24:37.200
<v Speaker 2>necessarily like commercial, but they were like accessible, like people

0:24:37.359 --> 0:24:38.920
<v Speaker 2>kind of knew them. Like you could open up Double

0:24:39.000 --> 0:24:41.040
<v Speaker 2>Xcel magazine and see a write up on those guys,

0:24:41.119 --> 0:24:44.040
<v Speaker 2>right ye, Or you could listen to like Immortal Technique,

0:24:44.680 --> 0:24:46.280
<v Speaker 2>And like when I was a kid, like I learned

0:24:46.280 --> 0:24:49.480
<v Speaker 2>so much shit about like the CIA and all kind

0:24:49.480 --> 0:24:53.240
<v Speaker 2>of crazy shit just because Immortal Technique was there for real,

0:24:53.960 --> 0:24:57.040
<v Speaker 2>And like I like, like right now, like the people

0:24:57.080 --> 0:24:59.240
<v Speaker 2>doing that type of shit, whether it's yourself or whether

0:24:59.280 --> 0:25:02.760
<v Speaker 2>it's artists who it's just there's just not like there

0:25:03.240 --> 0:25:06.320
<v Speaker 2>it's not as easily accessible to the kids because it's

0:25:06.320 --> 0:25:09.159
<v Speaker 2>not tiktokable. You know what I'm saying, Like, it's not

0:25:09.520 --> 0:25:13.520
<v Speaker 2>it's not algorithm friendly, right, you know what I'm saying,

0:25:13.560 --> 0:25:15.280
<v Speaker 2>Like what's going on like like right now with like

0:25:15.280 --> 0:25:17.680
<v Speaker 2>in Gazian shit, I'm like, Yo, who's the big artist.

0:25:17.720 --> 0:25:20.679
<v Speaker 2>I'm not talking about the artists who's like super underground.

0:25:20.760 --> 0:25:23.360
<v Speaker 2>I'm talking about who's like, like, there's not a big

0:25:23.440 --> 0:25:26.520
<v Speaker 2>artist who's made like Maclimore, though shot to fucking Maclamore,

0:25:26.760 --> 0:25:29.480
<v Speaker 2>respect to him, but like, who's the artist that's gonna

0:25:29.480 --> 0:25:32.000
<v Speaker 2>step up and like speak on that shit in a

0:25:32.080 --> 0:25:34.080
<v Speaker 2>verse or something, you know what I mean, like or

0:25:34.160 --> 0:25:35.920
<v Speaker 2>like educate or you know what I mean, just stand

0:25:36.000 --> 0:25:37.800
<v Speaker 2>up and be like yeah, like this is crazy, you

0:25:37.840 --> 0:25:39.199
<v Speaker 2>know what I'm saying. And so I feel like when

0:25:39.240 --> 0:25:41.120
<v Speaker 2>I was a kid, we had the comments, We had

0:25:41.640 --> 0:25:44.640
<v Speaker 2>a mortal technique. And I don't know not to say

0:25:44.680 --> 0:25:46.919
<v Speaker 2>that there isn't people out there that are doing that,

0:25:46.960 --> 0:25:50.040
<v Speaker 2>but it's almost like so much more suppressed, you know

0:25:50.080 --> 0:25:50.639
<v Speaker 2>what I'm saying.

0:25:51.080 --> 0:25:55.480
<v Speaker 1>If you master the art of cooking up and concocting

0:25:56.520 --> 0:26:00.440
<v Speaker 1>delicious poison, and you know how to cook it up,

0:26:00.760 --> 0:26:03.640
<v Speaker 1>then how to serve it to the people and serve

0:26:03.680 --> 0:26:06.640
<v Speaker 1>it to the fan base that exists all around this country.

0:26:06.840 --> 0:26:11.399
<v Speaker 1>What happens is they develop a taste for what actually

0:26:11.480 --> 0:26:14.720
<v Speaker 1>contains a poisonous message, but because it's been force fared

0:26:14.760 --> 0:26:17.480
<v Speaker 1>to them and it's cooked so carefully with the flow,

0:26:17.800 --> 0:26:19.760
<v Speaker 1>with the beat, with the hook, with.

0:26:19.800 --> 0:26:21.440
<v Speaker 4>The marketing machine behind it.

0:26:21.720 --> 0:26:24.679
<v Speaker 1>Now, when you offer the people something different, they look

0:26:24.760 --> 0:26:29.399
<v Speaker 1>at that like, h that's nasty. So that's where artists

0:26:29.440 --> 0:26:31.960
<v Speaker 1>who are truth tellers, such as myself, people that are

0:26:32.040 --> 0:26:34.560
<v Speaker 1>on a bigger mission making purpose driven music. You know

0:26:34.600 --> 0:26:37.639
<v Speaker 1>what I'm saying, that right there becomes something where we

0:26:37.800 --> 0:26:41.960
<v Speaker 1>have to master the art of still giving people what's

0:26:41.960 --> 0:26:44.639
<v Speaker 1>delicious to them, which is the beat, which is the flow,

0:26:44.880 --> 0:26:48.440
<v Speaker 1>which is the catchiness of the hook, which is the charisma.

0:26:48.520 --> 0:26:48.919
<v Speaker 3>There you go.

0:26:49.119 --> 0:26:52.360
<v Speaker 1>But along with the message and that part right there

0:26:52.400 --> 0:26:54.040
<v Speaker 1>is something that I don't think a lot of artists

0:26:54.080 --> 0:26:56.840
<v Speaker 1>are up for that challenge because they just feel like, man,

0:26:56.880 --> 0:26:59.080
<v Speaker 1>I'm trying to do something to make this world a

0:26:59.119 --> 0:26:59.639
<v Speaker 1>better place.

0:27:00.000 --> 0:27:04.240
<v Speaker 4>Shouldn't my job be easy? No, it's never been that way.

0:27:04.560 --> 0:27:07.480
<v Speaker 1>Anybody that has a heavy calling on their life that's

0:27:07.560 --> 0:27:10.080
<v Speaker 1>meant to be a voice for the people, you might

0:27:10.119 --> 0:27:12.560
<v Speaker 1>not be well liked down here. You might have your

0:27:12.560 --> 0:27:15.199
<v Speaker 1>people turn it back on you down here, and you

0:27:15.280 --> 0:27:17.800
<v Speaker 1>still have to keep going because you know that this

0:27:17.840 --> 0:27:18.840
<v Speaker 1>movement is bigger than you.

0:27:19.240 --> 0:27:21.480
<v Speaker 4>The mission is bigger than your motion.

0:27:21.960 --> 0:27:24.560
<v Speaker 3>Let me ask you this though. So there are artists.

0:27:24.560 --> 0:27:25.040
<v Speaker 3>We'll bring up.

0:27:25.080 --> 0:27:26.880
<v Speaker 2>Fredo Bang right, you talked right in middle school. Yeah,

0:27:26.920 --> 0:27:29.040
<v Speaker 2>Fredo's a good friend of the show, good friend. I

0:27:29.080 --> 0:27:32.239
<v Speaker 2>just was talking to him last week. Somebody who has

0:27:32.240 --> 0:27:33.840
<v Speaker 2>been dope to watch him kind of mature as like

0:27:33.880 --> 0:27:36.240
<v Speaker 2>a grown man over the last like three or four years,

0:27:37.480 --> 0:27:41.359
<v Speaker 2>but without music, right, without the music that made him

0:27:41.400 --> 0:27:43.880
<v Speaker 2>like initially successful, which was a lot of like negative

0:27:44.280 --> 0:27:47.840
<v Speaker 2>violent street music. Right, he has public beasts with people

0:27:47.880 --> 0:27:49.480
<v Speaker 2>and you know, neither hearing her there.

0:27:49.480 --> 0:27:54.720
<v Speaker 3>But without that music, right, are we sure he'd be around?

0:27:55.000 --> 0:27:55.600
<v Speaker 3>Are we sure.

0:27:55.480 --> 0:27:57.480
<v Speaker 2>He'd have made it out of Baton rouge? Are we

0:27:57.520 --> 0:27:59.160
<v Speaker 2>sure he'd have a future?

0:28:00.000 --> 0:28:00.560
<v Speaker 3>You know what I'm saying.

0:28:00.640 --> 0:28:02.240
<v Speaker 2>So I do feel like with some of these artists,

0:28:02.240 --> 0:28:06.720
<v Speaker 2>it's like the music that is negative is what's keeping

0:28:06.760 --> 0:28:10.119
<v Speaker 2>them alive and what's giving them an opportunity to like

0:28:10.800 --> 0:28:15.520
<v Speaker 2>maybe grow up, get money in their pocket, change, you know.

0:28:15.560 --> 0:28:17.720
<v Speaker 2>I think of a guy like Ge Herbot, who I've

0:28:17.720 --> 0:28:20.160
<v Speaker 2>also seen just become like one of the sharpest dudes

0:28:20.160 --> 0:28:21.919
<v Speaker 2>in the music industry. If you have a conversation with

0:28:21.960 --> 0:28:23.720
<v Speaker 2>ge Herbalt, you'll be like, damn, this dude is fucking

0:28:24.160 --> 0:28:26.000
<v Speaker 2>on it. Like he started off as a kid like

0:28:26.040 --> 0:28:28.080
<v Speaker 2>a drill rapper, you know what I'm saying. And so

0:28:28.160 --> 0:28:30.560
<v Speaker 2>I feel like, what do you say to that, Like, yes,

0:28:31.440 --> 0:28:33.840
<v Speaker 2>there's obviously, you know, what you would call poison in

0:28:33.880 --> 0:28:35.639
<v Speaker 2>a lot of this music. But a lot of this music,

0:28:35.680 --> 0:28:37.320
<v Speaker 2>if it didn't exist, a lot of these dudes would

0:28:37.320 --> 0:28:39.440
<v Speaker 2>be dead or would be in prison.

0:28:39.680 --> 0:28:43.640
<v Speaker 1>So the reality is at a certain point, those artists

0:28:44.000 --> 0:28:45.959
<v Speaker 1>are going to come to where they're un in their

0:28:46.000 --> 0:28:49.320
<v Speaker 1>twenties anymore for sure, you know, and they are fathers

0:28:49.400 --> 0:28:52.560
<v Speaker 1>now and they have kids they're raising. So what happens

0:28:52.720 --> 0:28:55.200
<v Speaker 1>is they have to have people who are pouring into them,

0:28:55.240 --> 0:28:57.480
<v Speaker 1>which is why I have a relationship with Fredle and

0:28:57.920 --> 0:29:00.320
<v Speaker 1>I literally love that dude, Like he no.

0:29:00.320 --> 0:29:01.920
<v Speaker 2>He's great, He's one of the best dudes in it.

0:29:01.960 --> 0:29:04.400
<v Speaker 2>Like he's such a nice dude, man, and like he

0:29:04.480 --> 0:29:05.120
<v Speaker 2>gets it for real.

0:29:05.320 --> 0:29:08.720
<v Speaker 1>So when you know that someone has such a great heart,

0:29:08.920 --> 0:29:13.320
<v Speaker 1>right and it's so artistically talented and so giving and

0:29:13.400 --> 0:29:16.400
<v Speaker 1>so selfless. Right when you know that, and you also

0:29:16.480 --> 0:29:20.320
<v Speaker 1>know that there's an industry that does not care about

0:29:20.360 --> 0:29:23.640
<v Speaker 1>his forward progression. They don't care about his evolution as

0:29:24.120 --> 0:29:27.520
<v Speaker 1>a man, correct, They just care about even fans. So

0:29:27.600 --> 0:29:30.840
<v Speaker 1>much pressure comes from fans because the fans don't be wanting.

0:29:30.640 --> 0:29:32.480
<v Speaker 2>The artists he They don't want them to grow, They

0:29:32.480 --> 0:29:33.920
<v Speaker 2>want them for what they know them for.

0:29:34.040 --> 0:29:34.400
<v Speaker 3>There you go.

0:29:34.760 --> 0:29:37.920
<v Speaker 1>So that puts all of these artists in a very

0:29:37.960 --> 0:29:41.240
<v Speaker 1>precarious position in cav to where at a certain point

0:29:41.280 --> 0:29:44.320
<v Speaker 1>they feel like, man, I've grown out of that season

0:29:44.360 --> 0:29:46.640
<v Speaker 1>of my life, but there's so much pressure from the

0:29:46.680 --> 0:29:49.920
<v Speaker 1>fans and from the industry to keep me held down there.

0:29:50.280 --> 0:29:52.920
<v Speaker 1>That's where they have to have other people, and hopefully

0:29:53.000 --> 0:29:54.840
<v Speaker 1>I can be one of them to show them that

0:29:55.160 --> 0:29:59.960
<v Speaker 1>it's possible to grow. Peace is profitable, Positivity is profitable.

0:30:00.080 --> 0:30:01.960
<v Speaker 1>It don't have to be lame. It don't have to

0:30:01.960 --> 0:30:03.600
<v Speaker 1>mean that you fall off the face of the earth.

0:30:03.840 --> 0:30:06.680
<v Speaker 1>And it's going to require a transition. When you started

0:30:06.720 --> 0:30:08.680
<v Speaker 1>out one way, but you grew out of that. But

0:30:09.400 --> 0:30:13.440
<v Speaker 1>thank the Lord for growth, because how many people didn't

0:30:13.440 --> 0:30:14.680
<v Speaker 1>get to grow out of that season?

0:30:14.760 --> 0:30:15.000
<v Speaker 2>Right?

0:30:15.080 --> 0:30:18.120
<v Speaker 4>You know how many people got caught up in the

0:30:18.160 --> 0:30:20.680
<v Speaker 4>beef to the point where they couldn't come back from it,

0:30:20.760 --> 0:30:23.040
<v Speaker 4>you know. So I look at it like these brothers

0:30:23.040 --> 0:30:25.920
<v Speaker 4>and sisters need to realize how much of an opportunity

0:30:25.960 --> 0:30:29.920
<v Speaker 4>they have to grow and evolve. And there's so many

0:30:30.000 --> 0:30:34.440
<v Speaker 4>artists who they end up not having the ingenuity or

0:30:34.480 --> 0:30:36.960
<v Speaker 4>the courage that it takes, or the grit that it

0:30:37.000 --> 0:30:39.320
<v Speaker 4>takes to say, I'm going to evolve even if I

0:30:39.320 --> 0:30:41.240
<v Speaker 4>lose some of y'all along the way. Because not all

0:30:41.280 --> 0:30:44.960
<v Speaker 4>fans are good, not all attention is good, not all

0:30:44.960 --> 0:30:45.640
<v Speaker 4>money is good.

0:30:45.680 --> 0:30:45.800
<v Speaker 3>Bro.

0:30:46.080 --> 0:30:49.440
<v Speaker 2>So for like a lot of these younger kids, there's

0:30:49.520 --> 0:30:52.320
<v Speaker 2>kids getting signed seventeen, eighteen, nineteen, twenty years old, right,

0:30:53.560 --> 0:30:57.760
<v Speaker 2>would you say that it's on because it's I don't

0:30:57.760 --> 0:30:59.200
<v Speaker 2>think you're ever going to see a point in time

0:30:59.240 --> 0:31:03.120
<v Speaker 2>where execs give a fuck enough about the artists to

0:31:03.240 --> 0:31:05.239
<v Speaker 2>try to pull them inside and say, I don't think

0:31:05.240 --> 0:31:08.040
<v Speaker 2>we should release this dis record. That's never gonna happen.

0:31:10.640 --> 0:31:14.280
<v Speaker 2>So is it like on the you know, it's shit

0:31:14.320 --> 0:31:17.280
<v Speaker 2>gets weird. Artists gets signed, they get new management, there's

0:31:17.280 --> 0:31:22.320
<v Speaker 2>new people on their team. If you're a I think

0:31:22.400 --> 0:31:24.480
<v Speaker 2>you know, I think about Fulio and uh and Young

0:31:24.520 --> 0:31:27.320
<v Speaker 2>and as Right and I'm dude. I mean the last

0:31:27.320 --> 0:31:28.920
<v Speaker 2>time I interviewed Fulio, I was like, dude, like I

0:31:28.960 --> 0:31:30.280
<v Speaker 2>feel like I'm gonna wake up one day and You're

0:31:30.280 --> 0:31:33.160
<v Speaker 2>just gonna be dead, Like you know, yeah, I said

0:31:33.200 --> 0:31:34.560
<v Speaker 2>in an interview with them, I was like, yo, like,

0:31:34.560 --> 0:31:37.080
<v Speaker 2>when's the shit gonna stop? Like like one day, I'm afraid,

0:31:37.120 --> 0:31:39.080
<v Speaker 2>I'm all open up academics page. It's gonna say you

0:31:39.120 --> 0:31:41.560
<v Speaker 2>got killed. And I told him, I was like, where's

0:31:41.600 --> 0:31:45.120
<v Speaker 2>the line because these like that. To me, that those

0:31:45.160 --> 0:31:49.320
<v Speaker 2>two and their beef was so disrespectful and every single

0:31:49.640 --> 0:31:51.960
<v Speaker 2>possible line you could cross was crossed. It was just

0:31:52.000 --> 0:31:54.880
<v Speaker 2>inevitable that more people were gonna die. And it's like

0:31:55.600 --> 0:31:57.840
<v Speaker 2>who's behind each one of these artists that is like

0:31:58.960 --> 0:32:00.960
<v Speaker 2>not stepping in and being like, yeah, you know what

0:32:01.000 --> 0:32:01.440
<v Speaker 2>I'm saying.

0:32:02.040 --> 0:32:04.840
<v Speaker 3>But if it's also good for business.

0:32:04.520 --> 0:32:08.240
<v Speaker 1>Okay, I just had the idea care this is Accountability

0:32:08.320 --> 0:32:09.200
<v Speaker 1>is the word, right?

0:32:09.440 --> 0:32:12.000
<v Speaker 4>We need some level of accountability.

0:32:11.400 --> 0:32:14.240
<v Speaker 2>For sure here, Like if you do some stupid shit, right,

0:32:14.640 --> 0:32:17.040
<v Speaker 2>if you if you write a check, someone's gonna cash

0:32:17.040 --> 0:32:17.960
<v Speaker 2>that motherfucker that you go.

0:32:18.280 --> 0:32:21.400
<v Speaker 1>So let's talk let's be solution based right now and

0:32:21.440 --> 0:32:24.760
<v Speaker 1>figure out what would accountability look like from each end

0:32:24.800 --> 0:32:26.680
<v Speaker 1>of the industry. So in my college course, I teach

0:32:26.680 --> 0:32:31.520
<v Speaker 1>about the three c's, creators, consumers, and commissioners. Right in

0:32:31.600 --> 0:32:33.760
<v Speaker 1>the game, you got artists, you got fans, and you

0:32:33.800 --> 0:32:36.800
<v Speaker 1>got label people and media people. So what does accountability

0:32:36.840 --> 0:32:40.640
<v Speaker 1>look like from an artist's standpoint? Like, what can we say, like,

0:32:40.680 --> 0:32:43.640
<v Speaker 1>come on, man, that's the difference between telling your story

0:32:43.880 --> 0:32:46.720
<v Speaker 1>and saying something like you said some dangerous ish that

0:32:46.840 --> 0:32:48.920
<v Speaker 1>could have real life implications.

0:32:48.920 --> 0:32:50.960
<v Speaker 4>You know, what does that accountability look like?

0:32:51.040 --> 0:32:51.280
<v Speaker 3>For me?

0:32:51.400 --> 0:32:54.120
<v Speaker 1>What it looks like is now that we have ogs

0:32:54.160 --> 0:32:57.080
<v Speaker 1>and hip hop, it looks like artists being able to

0:32:57.080 --> 0:33:00.720
<v Speaker 1>come together and say, you know what, Yes, the overt

0:33:00.800 --> 0:33:03.840
<v Speaker 1>glorification of I'm gonna walk my op down, I'm spinning

0:33:03.840 --> 0:33:06.160
<v Speaker 1>the being, I'm sliding, I'm knocking your head off, DA,

0:33:06.560 --> 0:33:10.840
<v Speaker 1>the glorification of murder music needs to stop, Like we

0:33:11.280 --> 0:33:14.320
<v Speaker 1>need to say that that's going too far. The glorification

0:33:14.560 --> 0:33:18.320
<v Speaker 1>of using drugs, you know what I'm saying, Like drug

0:33:18.840 --> 0:33:22.239
<v Speaker 1>addic culture inside of music needs to be something that

0:33:22.600 --> 0:33:25.120
<v Speaker 1>we need to speak out against. To me, that's what

0:33:25.360 --> 0:33:29.920
<v Speaker 1>the overt glorification of disrespecting women, dog like to the

0:33:29.960 --> 0:33:33.400
<v Speaker 1>point where it's just they're so used to being disrespective

0:33:33.480 --> 0:33:35.040
<v Speaker 1>right now that they didn't just got to the point

0:33:35.040 --> 0:33:37.239
<v Speaker 1>where they're numb to even what they hear, you know.

0:33:37.680 --> 0:33:40.320
<v Speaker 1>So for me, that's what accountability were just talking about

0:33:40.320 --> 0:33:43.480
<v Speaker 1>from artists could look like. I'm curious as to what

0:33:43.640 --> 0:33:45.520
<v Speaker 1>because I feel like you and I may draw our

0:33:45.560 --> 0:33:47.760
<v Speaker 1>line in different places, but where do you draw the

0:33:47.800 --> 0:33:51.200
<v Speaker 1>line in terms of what accountability could look like from artists?

0:33:52.520 --> 0:33:53.360
<v Speaker 3>This is what I would say.

0:33:53.480 --> 0:33:55.720
<v Speaker 2>I would say that there are there is a certain

0:33:55.960 --> 0:34:05.880
<v Speaker 2>aspect of being naive and being somebody who is trying

0:34:05.880 --> 0:34:07.720
<v Speaker 2>to do more of what works. And if they see

0:34:07.720 --> 0:34:12.120
<v Speaker 2>what works for ABC or d YO, beef sells, right,

0:34:12.280 --> 0:34:14.160
<v Speaker 2>It's always been like that. Go back to fifty, go

0:34:14.200 --> 0:34:18.040
<v Speaker 2>back to fucking L cool J cannabis, whatever, beef is

0:34:18.080 --> 0:34:22.360
<v Speaker 2>always sold. It's always been good for business. So if

0:34:22.400 --> 0:34:26.520
<v Speaker 2>you're like a young artist and you understand, well, maybe

0:34:26.600 --> 0:34:29.359
<v Speaker 2>when I put out a normal record, I don't see

0:34:29.400 --> 0:34:32.720
<v Speaker 2>the numbers that this record does.

0:34:34.440 --> 0:34:35.200
<v Speaker 3>I don't think.

0:34:36.239 --> 0:34:38.240
<v Speaker 2>I don't think a lot of these kids are mature

0:34:38.360 --> 0:34:42.040
<v Speaker 2>enough to like take a step back and realize, like, well,

0:34:42.080 --> 0:34:45.680
<v Speaker 2>but what comes with the extra million streams or whatever.

0:34:46.080 --> 0:34:49.040
<v Speaker 2>I do think, like you said, man, there has to

0:34:49.080 --> 0:34:50.240
<v Speaker 2>be somebody to kind.

0:34:50.080 --> 0:34:52.359
<v Speaker 3>Of step in and be like, Yo, we shouldn't put

0:34:52.400 --> 0:34:52.719
<v Speaker 3>this out.

0:34:52.760 --> 0:34:55.560
<v Speaker 4>Should that be their manager? I don't know, right, Should

0:34:55.600 --> 0:34:56.640
<v Speaker 4>that be an older artist?

0:34:56.840 --> 0:34:57.160
<v Speaker 3>For me?

0:34:57.640 --> 0:34:59.719
<v Speaker 1>We talk you a white man, Yeah, we talk so

0:34:59.800 --> 0:35:02.440
<v Speaker 1>much about the black community this and the black community

0:35:02.480 --> 0:35:04.880
<v Speaker 1>that that we need people in the black community to

0:35:04.960 --> 0:35:07.640
<v Speaker 1>step in and say, Man, that little seventeen year old

0:35:07.680 --> 0:35:11.120
<v Speaker 1>that's making that murder music that reminds me of who

0:35:11.120 --> 0:35:13.279
<v Speaker 1>I was twenty years ago. But by the grace of God,

0:35:13.360 --> 0:35:16.160
<v Speaker 1>I lived to be in my thirties. Now I'm gonna

0:35:16.239 --> 0:35:18.800
<v Speaker 1>feel and I'm a successful artist. I'm gonna take it

0:35:18.880 --> 0:35:21.480
<v Speaker 1>upon myself to pour into that young brother to play

0:35:21.600 --> 0:35:23.960
<v Speaker 1>some positive seeds, you know what I mean. I think

0:35:24.000 --> 0:35:26.200
<v Speaker 1>that that's where the accountability needs to come from. It

0:35:26.200 --> 0:35:28.279
<v Speaker 1>probably won't come from the managers because all they care

0:35:28.320 --> 0:35:29.880
<v Speaker 1>about is they twenty percent commission.

0:35:29.960 --> 0:35:31.680
<v Speaker 2>Yeah, and they just want to Yo, let's go get

0:35:31.719 --> 0:35:33.360
<v Speaker 2>an advance because I'm gonna get paid even if you

0:35:33.440 --> 0:35:33.960
<v Speaker 2>never recoup.

0:35:34.080 --> 0:35:35.200
<v Speaker 3>It's child abuse. Bro.

0:35:35.320 --> 0:35:38.400
<v Speaker 4>A lot of these older managers that hurry up and find.

0:35:38.160 --> 0:35:40.680
<v Speaker 2>An artist artists into a label deal. Hey, it's a

0:35:40.680 --> 0:35:44.359
<v Speaker 2>bullshit because guess what for people who don't know when

0:35:44.400 --> 0:35:46.520
<v Speaker 2>you get it, you get pushed into a shitty record

0:35:46.560 --> 0:35:49.640
<v Speaker 2>deal by a manager, it's because that manager's just gonna

0:35:49.680 --> 0:35:52.600
<v Speaker 2>take his piece of that advance and he's never got

0:35:52.640 --> 0:35:54.680
<v Speaker 2>to recoup it. He's not signed to the shitty record label,

0:35:54.719 --> 0:35:57.239
<v Speaker 2>thank you, what the shitty terms. It's the kid that's

0:35:57.280 --> 0:35:59.359
<v Speaker 2>now fucked. So even if in nine months the shit

0:35:59.360 --> 0:36:00.799
<v Speaker 2>don't work out with the manager and the kid, the

0:36:00.800 --> 0:36:02.759
<v Speaker 2>managers got free with his money in his pocket, than

0:36:03.040 --> 0:36:04.120
<v Speaker 2>that what happens all the time.

0:36:04.239 --> 0:36:04.879
<v Speaker 3>I see that shit.

0:36:05.320 --> 0:36:07.400
<v Speaker 2>I told that shit to artists where I've been in

0:36:07.440 --> 0:36:11.759
<v Speaker 2>the studio with them and been like, yo, I'll use it.

0:36:11.800 --> 0:36:12.440
<v Speaker 3>I don't want to say.

0:36:13.120 --> 0:36:15.600
<v Speaker 2>If this is somebody who's not a kid, but somebody

0:36:15.600 --> 0:36:18.719
<v Speaker 2>who's buzzing real hard, like three years ago, and they

0:36:18.880 --> 0:36:22.480
<v Speaker 2>all of a sudden signed to like a bigger management company,

0:36:22.719 --> 0:36:25.359
<v Speaker 2>and I sadone I'm close with, you know, and they

0:36:25.360 --> 0:36:28.840
<v Speaker 2>were pushing them to sign to Atlantic. And this artist

0:36:28.880 --> 0:36:32.120
<v Speaker 2>was very I mean millionaire off of independent music sheesh.

0:36:32.160 --> 0:36:34.520
<v Speaker 2>And I was like, I was like, yo, they're only

0:36:34.560 --> 0:36:37.040
<v Speaker 2>pushing you to sign that deal because it's it was

0:36:37.080 --> 0:36:40.000
<v Speaker 2>like a million dollar advance. I was like, bro, you

0:36:40.040 --> 0:36:42.680
<v Speaker 2>could put out a hoodie tomorrow and make a million dollars.

0:36:43.600 --> 0:36:46.480
<v Speaker 2>Like they're they're pushing you because they're gonna get they're

0:36:46.480 --> 0:36:48.000
<v Speaker 2>gonna get their piece off of that. And now you're

0:36:48.040 --> 0:36:49.920
<v Speaker 2>fucked because now you can't do what got you here,

0:36:49.920 --> 0:36:52.359
<v Speaker 2>which has drop music freely, and you don't even make

0:36:52.400 --> 0:36:55.800
<v Speaker 2>the music that makes sense to be on a major

0:36:56.160 --> 0:36:58.160
<v Speaker 2>Like I've never heard you put out a record that

0:36:58.160 --> 0:36:59.799
<v Speaker 2>I said to myself, Man, if that was just on

0:36:59.840 --> 0:37:02.719
<v Speaker 2>a major label, bro, like, if it ain't broke, don't

0:37:02.760 --> 0:37:03.759
<v Speaker 2>fix it, don't And.

0:37:03.760 --> 0:37:04.920
<v Speaker 3>Ended up still ended up.

0:37:05.040 --> 0:37:06.680
<v Speaker 2>It wasn't Atlantic that they ended up signing with, but

0:37:06.680 --> 0:37:09.200
<v Speaker 2>they did end up signing with a major label and

0:37:09.800 --> 0:37:13.200
<v Speaker 2>ship's hit a wall since then. But I bet you

0:37:13.239 --> 0:37:14.840
<v Speaker 2>that management got their.

0:37:14.719 --> 0:37:16.919
<v Speaker 3>Piece and that's all they care about.

0:37:17.120 --> 0:37:19.280
<v Speaker 2>Yeah, it's crazy. So many people are in these artists pockets.

0:37:19.320 --> 0:37:22.719
<v Speaker 2>It's fucking crazy. It's so crazy. There's like four or

0:37:22.719 --> 0:37:25.240
<v Speaker 2>five hands in these from every direction. And that's before

0:37:25.239 --> 0:37:27.360
<v Speaker 2>you even look at a lawyer. Yeah, bro, because you

0:37:27.440 --> 0:37:29.680
<v Speaker 2>got your lawyer, you got your your booking agent, you

0:37:29.760 --> 0:37:31.240
<v Speaker 2>got your your day to day.

0:37:31.600 --> 0:37:35.920
<v Speaker 3>You got the motherfuckers. You got the big manager, the

0:37:35.960 --> 0:37:37.080
<v Speaker 3>small manager.

0:37:36.719 --> 0:37:41.160
<v Speaker 4>The production company, you got a production company, like so many.

0:37:41.080 --> 0:37:43.560
<v Speaker 2>Like and like look, you know, like I said, man,

0:37:43.600 --> 0:37:46.080
<v Speaker 2>like a lot of these artists, if they're smart, they grow.

0:37:46.120 --> 0:37:47.919
<v Speaker 2>Like I just had a conversation with an artist who

0:37:48.680 --> 0:37:50.920
<v Speaker 2>is finally understanding.

0:37:51.719 --> 0:37:52.560
<v Speaker 3>That he's getting.

0:37:52.320 --> 0:37:56.080
<v Speaker 2>Fucked okay, and it's like like now that he can

0:37:56.280 --> 0:37:57.759
<v Speaker 2>now that he sees it, he can't unseee it. So

0:37:57.800 --> 0:38:01.319
<v Speaker 2>he's he's adjusting figure out now that like you know,

0:38:01.719 --> 0:38:04.520
<v Speaker 2>but most artists are just like they're really gonna trust

0:38:04.520 --> 0:38:07.240
<v Speaker 2>whoever they signed to to just guide them through the industry.

0:38:07.239 --> 0:38:09.719
<v Speaker 2>And a lot of times those motherfuckers give them their

0:38:09.760 --> 0:38:10.760
<v Speaker 2>own lawyer.

0:38:10.960 --> 0:38:12.960
<v Speaker 3>Yeah. So if you're a young, up and coming.

0:38:12.760 --> 0:38:16.480
<v Speaker 2>Artist, Yeah, your lawyer represents the people who are fucking you.

0:38:16.560 --> 0:38:17.160
<v Speaker 3>Absolutely.

0:38:17.960 --> 0:38:21.200
<v Speaker 2>If you're signed to somebody, don't hire the lawyer. They

0:38:21.239 --> 0:38:26.719
<v Speaker 2>suggest who's best interest is that lawyers? Like come on, Like, so.

0:38:26.640 --> 0:38:31.120
<v Speaker 4>Here's another catch twenty two is you got fans. What

0:38:31.320 --> 0:38:35.719
<v Speaker 4>level of accountability should fans have in this industry? Because, bro,

0:38:36.000 --> 0:38:38.680
<v Speaker 4>one of the worst, most toxic places in hip hop

0:38:38.719 --> 0:38:41.399
<v Speaker 4>is the comment section. Oh it's the worst, especially after

0:38:41.440 --> 0:38:43.439
<v Speaker 4>somebody dies for sure if they had an.

0:38:43.320 --> 0:38:46.239
<v Speaker 3>Opp Oh it's bad. Oh it's bad.

0:38:46.400 --> 0:38:47.080
<v Speaker 4>It's gruesome.

0:38:47.120 --> 0:38:47.279
<v Speaker 5>Bro.

0:38:47.360 --> 0:38:50.759
<v Speaker 1>It's like it makes me cringe to be like, this

0:38:50.800 --> 0:38:53.840
<v Speaker 1>person really just passed away, and y'all are in this

0:38:53.920 --> 0:38:55.000
<v Speaker 1>person's comment section.

0:38:55.440 --> 0:38:58.799
<v Speaker 4>Just going in would almost bring tears to my eyes.

0:38:58.840 --> 0:38:59.000
<v Speaker 3>Bro.

0:38:59.120 --> 0:39:01.080
<v Speaker 2>Yeah, I mean the fans and they have some accountability,

0:39:01.160 --> 0:39:05.880
<v Speaker 2>I think. Unfortunately, like the consumer base is so numbed

0:39:06.239 --> 0:39:09.719
<v Speaker 2>to thinking that artists are like video game characters, and

0:39:09.760 --> 0:39:11.360
<v Speaker 2>I think a lot of that it gets wrapped up

0:39:11.400 --> 0:39:14.920
<v Speaker 2>in like the streaming culture, and like you go on

0:39:14.960 --> 0:39:18.480
<v Speaker 2>YouTube and watch any documentary about some of these YouTube

0:39:18.520 --> 0:39:24.320
<v Speaker 2>pages be having the most in depth documentaries about beef,

0:39:24.400 --> 0:39:27.520
<v Speaker 2>beef or and like crazy shit.

0:39:28.120 --> 0:39:29.760
<v Speaker 3>So these have millions of views.

0:39:30.239 --> 0:39:32.279
<v Speaker 2>So these artists are like, it's almost like they're watching

0:39:32.320 --> 0:39:35.040
<v Speaker 2>their favorite TV show play out live the way you

0:39:35.040 --> 0:39:37.759
<v Speaker 2>would watch power. A lot of people are watching these

0:39:37.800 --> 0:39:42.440
<v Speaker 2>fucking documentaries, right, so they're invested in the storyline of

0:39:43.680 --> 0:39:46.279
<v Speaker 2>let's say Young and A's and Julio Fulio's beef because

0:39:46.320 --> 0:39:49.240
<v Speaker 2>there's thirty eight documentaries with millions of views on YouTube

0:39:49.239 --> 0:39:52.040
<v Speaker 2>about it. So when somebody dies, they don't look at

0:39:52.040 --> 0:39:57.520
<v Speaker 2>these motherfuckers like people, they're looking at them like people

0:39:57.560 --> 0:40:01.200
<v Speaker 2>on TV. And it's crazy because our culture has produced

0:40:01.200 --> 0:40:04.839
<v Speaker 2>so much insensitivity or like real life, you see it, Bro,

0:40:05.400 --> 0:40:08.480
<v Speaker 2>people will do anything on the streets to get to

0:40:08.520 --> 0:40:13.600
<v Speaker 2>go viral. They'll literally check their integrity.

0:40:13.600 --> 0:40:19.000
<v Speaker 3>At the door and do crazy whole ship for a

0:40:19.040 --> 0:40:19.800
<v Speaker 3>million views.

0:40:20.960 --> 0:40:23.000
<v Speaker 2>They'll get punched like like I'll be seeing some of

0:40:23.000 --> 0:40:25.160
<v Speaker 2>this ship and I'm like, damn, bro. Like when I

0:40:25.200 --> 0:40:26.919
<v Speaker 2>was a kid, we had Jackass and we had Tom

0:40:26.960 --> 0:40:28.760
<v Speaker 2>Green and all kind of you know, interesting and stuff.

0:40:28.760 --> 0:40:32.640
<v Speaker 2>But nowadays, bro, the amount of wild, disrespectful shit that

0:40:32.719 --> 0:40:35.560
<v Speaker 2>goes viral is like I think it's like the boot

0:40:35.600 --> 0:40:37.080
<v Speaker 2>Gang kid who I think has gotten saved.

0:40:37.120 --> 0:40:40.239
<v Speaker 3>Yeah he got saved. Yeah he sober shoutut to. I

0:40:40.280 --> 0:40:42.000
<v Speaker 3>think his name is John Cabanney Jackobanda.

0:40:42.000 --> 0:40:45.000
<v Speaker 2>That's my dude, A good guy, right, But like when

0:40:45.080 --> 0:40:48.600
<v Speaker 2>he was going viral, I think people were seeing how

0:40:48.640 --> 0:40:50.080
<v Speaker 2>he was going viral and they're like, oh, I gotta

0:40:50.120 --> 0:40:51.680
<v Speaker 2>do I gotta one up that, and he was doing

0:40:51.719 --> 0:40:54.080
<v Speaker 2>some crazy shit. And this is just kind of the

0:40:54.080 --> 0:40:57.879
<v Speaker 2>world we live in now, where like social media and

0:40:57.960 --> 0:41:02.560
<v Speaker 2>like just like I'm like Aiden Ross, I'm at Dre's

0:41:02.680 --> 0:41:08.320
<v Speaker 2>right with fifty cent. This was Saturday Friday, and Aiden

0:41:08.400 --> 0:41:10.600
<v Speaker 2>Ross walks up trying to get into VIP but he's

0:41:10.680 --> 0:41:16.040
<v Speaker 2>like streaming it like live on the internet. So he's

0:41:16.080 --> 0:41:20.000
<v Speaker 2>like living his life for his stream and like shout

0:41:20.000 --> 0:41:23.640
<v Speaker 2>out to him. He's making money, right, you know whatever.

0:41:24.400 --> 0:41:28.239
<v Speaker 2>You know, he's doing well for himself. But like how

0:41:28.280 --> 0:41:32.239
<v Speaker 2>many kids are like okay, if Aiden Ross and Kay

0:41:32.360 --> 0:41:34.960
<v Speaker 2>Sanat and all these people, they're popping and like, I

0:41:34.960 --> 0:41:36.799
<v Speaker 2>think I love Kai by the way, I think Kay's great.

0:41:36.920 --> 0:41:37.920
<v Speaker 3>I think he's hilarious.

0:41:38.200 --> 0:41:42.800
<v Speaker 2>But like they're they're the streaming culture. And I'm not

0:41:42.840 --> 0:41:45.760
<v Speaker 2>talking about streaming in front of a computer playing music, reacting.

0:41:45.760 --> 0:41:47.759
<v Speaker 3>I'm talking about like when you're walking.

0:41:47.480 --> 0:41:49.440
<v Speaker 2>Down the street and people are on kicks streaming their

0:41:49.480 --> 0:41:52.160
<v Speaker 2>life live seeing how many times it can go viral

0:41:52.160 --> 0:41:55.760
<v Speaker 2>in a day. There's like hundreds of thousands of smaller

0:41:55.840 --> 0:41:57.439
<v Speaker 2>versions of that that are trying to be the next

0:41:57.480 --> 0:41:59.720
<v Speaker 2>that that are trying to one up and do stupid

0:41:59.760 --> 0:42:02.480
<v Speaker 2>shit on the Internet to try to get attention. And

0:42:02.880 --> 0:42:05.399
<v Speaker 2>like I said, dude, I do think the Internet has

0:42:05.440 --> 0:42:09.520
<v Speaker 2>desensitized us all to like just this is like real

0:42:09.560 --> 0:42:12.440
<v Speaker 2>life shit. People lose their life, people die, and we

0:42:12.560 --> 0:42:14.520
<v Speaker 2>never had that growing up. Like the most we had.

0:42:14.440 --> 0:42:17.560
<v Speaker 3>Was like double xl oh, world Star, Fight Works or

0:42:17.640 --> 0:42:18.600
<v Speaker 3>Yeah or world Star.

0:42:19.200 --> 0:42:21.680
<v Speaker 2>But even before that, it was like you would hear

0:42:21.760 --> 0:42:24.120
<v Speaker 2>somebody get dissed on a CD that you had to buy,

0:42:25.040 --> 0:42:26.399
<v Speaker 2>and then you would read about it.

0:42:26.920 --> 0:42:29.759
<v Speaker 3>Obviously we've lost people Tupac, Biggie, etc.

0:42:30.560 --> 0:42:35.439
<v Speaker 2>But it was never like dis documented. For every time

0:42:35.520 --> 0:42:40.520
<v Speaker 2>something happens, there's one hundred reaction videos and this internet

0:42:40.680 --> 0:42:44.799
<v Speaker 2>YouTube reaction like crime documentary culture that we live in.

0:42:44.920 --> 0:42:48.240
<v Speaker 2>Fans don't they don't give a fuck about the music,

0:42:48.800 --> 0:42:50.600
<v Speaker 2>and they don't even fuck about the artists. They give

0:42:50.600 --> 0:42:53.640
<v Speaker 2>a fuck about the drama, the storyline that they're engaged in.

0:42:53.960 --> 0:42:57.680
<v Speaker 2>They know more about the storyline of Somebody's Beep than

0:42:57.680 --> 0:43:00.239
<v Speaker 2>they do about the album that dropped a lot of

0:43:00.239 --> 0:43:00.720
<v Speaker 2>these artists.

0:43:00.760 --> 0:43:02.000
<v Speaker 3>Like obviously there's artists people.

0:43:01.800 --> 0:43:03.719
<v Speaker 2>Are engaged with, like you know, young boy guys like that,

0:43:03.760 --> 0:43:06.080
<v Speaker 2>but like, I just feel like the culture of like

0:43:06.320 --> 0:43:10.640
<v Speaker 2>content has really like dehumanized not just rappers, but just

0:43:10.719 --> 0:43:11.680
<v Speaker 2>the fucking world.

0:43:12.040 --> 0:43:13.000
<v Speaker 3>So here's my theory.

0:43:13.719 --> 0:43:16.799
<v Speaker 1>My solution is, we need to take what we know

0:43:17.040 --> 0:43:19.759
<v Speaker 1>as hip hop culture and at this stage we need

0:43:19.800 --> 0:43:22.279
<v Speaker 1>to throw it away. Just like I'm from New Orleans

0:43:22.320 --> 0:43:24.480
<v Speaker 1>and when we had Hurricane Katrina come through, what we

0:43:24.560 --> 0:43:27.960
<v Speaker 1>knew New Orleans to be we had to throw that

0:43:28.040 --> 0:43:30.920
<v Speaker 1>away because it got swept away, right, And once it

0:43:31.000 --> 0:43:33.719
<v Speaker 1>got swept away, it didn't take away the identity of

0:43:33.840 --> 0:43:36.560
<v Speaker 1>New Orleans, but what we knew New Orleans to be

0:43:36.840 --> 0:43:39.319
<v Speaker 1>got swept away. We need to do that same thing

0:43:39.360 --> 0:43:41.759
<v Speaker 1>with hip hop because what we knew hip hop and

0:43:41.800 --> 0:43:44.320
<v Speaker 1>hip hop culture to be is something that has gotten

0:43:44.360 --> 0:43:49.000
<v Speaker 1>commandeered and kidnapped and diluted and perverted into something that

0:43:49.480 --> 0:43:51.560
<v Speaker 1>it's like, wait, it was never intended to be this

0:43:51.719 --> 0:43:53.719
<v Speaker 1>tax it can be this negative. So we need to

0:43:53.760 --> 0:43:56.640
<v Speaker 1>just sweep it all away, throw it all away, and

0:43:56.719 --> 0:43:58.680
<v Speaker 1>still have the identity of what hip hop is.

0:43:58.800 --> 0:44:00.920
<v Speaker 4>And just like we had to do in New after Katrina,

0:44:00.920 --> 0:44:03.680
<v Speaker 4>we had to rebuild. We need to rebuild hip hop

0:44:03.840 --> 0:44:06.960
<v Speaker 4>and keep the positive aspects, keep the stuff that feels

0:44:07.040 --> 0:44:09.440
<v Speaker 4>like it's progressive and saying yeah, we want that to

0:44:09.440 --> 0:44:11.320
<v Speaker 4>be a part of the culture. But all the stuff

0:44:11.320 --> 0:44:14.279
<v Speaker 4>that is clearly overtly toxic and negative, we need to

0:44:14.280 --> 0:44:16.440
<v Speaker 4>throw it away and keep it out, man, because at

0:44:16.440 --> 0:44:19.799
<v Speaker 4>this point we want to make this inclusive room for

0:44:19.880 --> 0:44:22.080
<v Speaker 4>everything and say, yeah, that's hip hop, and that's hip

0:44:22.080 --> 0:44:24.279
<v Speaker 4>hop too, and that's hip hop. And I guess, I mean,

0:44:24.320 --> 0:44:26.759
<v Speaker 4>I guess when somebody get murdered and making murder music,

0:44:26.800 --> 0:44:27.839
<v Speaker 4>I guess that's part of hip hop.

0:44:27.920 --> 0:44:30.000
<v Speaker 1>But then when somebody doing some positive week, gonna be

0:44:30.040 --> 0:44:32.640
<v Speaker 1>all right, that's hip hop. But then this is like,

0:44:33.440 --> 0:44:36.600
<v Speaker 1>we don't have any standards. So that's my vote is

0:44:36.960 --> 0:44:40.520
<v Speaker 1>as long as people are truly wanting to preserve their

0:44:40.560 --> 0:44:43.360
<v Speaker 1>idea what hip hop culture is, we're gonna be doomed

0:44:43.440 --> 0:44:47.200
<v Speaker 1>because we didn't do a good enough job being gatekeepers

0:44:47.239 --> 0:44:50.680
<v Speaker 1>of the culture to allow it to still exist in

0:44:51.320 --> 0:44:54.359
<v Speaker 1>its purest form. Things can grow, but when you see

0:44:54.400 --> 0:44:57.040
<v Speaker 1>things growing in the wrong direction, that's when you're supposed

0:44:57.080 --> 0:45:00.399
<v Speaker 1>to say and do something. The problem is, it's been

0:45:00.440 --> 0:45:02.400
<v Speaker 1>thirty some odd years at this point that has been

0:45:02.400 --> 0:45:05.040
<v Speaker 1>growing in a direction that I think everyone is like, wait,

0:45:05.080 --> 0:45:08.360
<v Speaker 1>more rappers getting murdered every year. Wait, this type of

0:45:08.400 --> 0:45:11.360
<v Speaker 1>music is on the overdoing all overdose. Now you go

0:45:11.480 --> 0:45:15.799
<v Speaker 1>to overdose culture and all of this. Now we are

0:45:15.840 --> 0:45:19.280
<v Speaker 1>seeing people we knew as moguls getting dieted on charges

0:45:19.280 --> 0:45:21.200
<v Speaker 1>that go back twenty and thirty years.

0:45:21.239 --> 0:45:23.640
<v Speaker 4>You know what I'm saying, Man, we're seeing this stuff.

0:45:23.800 --> 0:45:27.000
<v Speaker 1>We're seeing it's too normal for rappers to be doing

0:45:27.520 --> 0:45:30.200
<v Speaker 1>jail time and getting killed. This doesn't happen in other

0:45:30.280 --> 0:45:32.799
<v Speaker 1>genres of music at the rate that is happening in

0:45:32.840 --> 0:45:33.640
<v Speaker 1>hip hop, for sure.

0:45:33.719 --> 0:45:37.319
<v Speaker 2>I do think though, the overdosing aspect, I do think

0:45:38.280 --> 0:45:42.080
<v Speaker 2>that is a an overall issue just.

0:45:42.040 --> 0:45:44.320
<v Speaker 3>In music all in the world. In a way, Okay,

0:45:44.440 --> 0:45:45.000
<v Speaker 3>I would.

0:45:44.760 --> 0:45:49.600
<v Speaker 2>Agree, because defetanol shit has hit the world, like it's crazy.

0:45:49.880 --> 0:45:51.399
<v Speaker 2>You know, I have no personal people in my life

0:45:51.400 --> 0:45:53.200
<v Speaker 2>that have overdose and die that aren't rappers, that just

0:45:53.280 --> 0:45:53.800
<v Speaker 2>have jobs.

0:45:54.640 --> 0:45:55.440
<v Speaker 3>So I think that.

0:45:55.480 --> 0:45:57.960
<v Speaker 2>But but again, there's obviously music that pushes drug use

0:45:57.960 --> 0:45:59.560
<v Speaker 2>and all that. But I gotta ask you this, Like,

0:45:59.680 --> 0:46:04.040
<v Speaker 2>so there is an aspect of like, Okay, if you

0:46:04.120 --> 0:46:07.880
<v Speaker 2>think of like Sexy red right, Like I genuinely enjoy

0:46:07.960 --> 0:46:10.799
<v Speaker 2>Sexy Reds music, Like I'm a club DJ, so like

0:46:11.640 --> 0:46:14.879
<v Speaker 2>I see like how much people enjoy her shit. They

0:46:14.960 --> 0:46:19.640
<v Speaker 2>dance to it. I mean, women love her music. Where

0:46:19.680 --> 0:46:22.360
<v Speaker 2>is there like, like for you in the world that

0:46:22.400 --> 0:46:27.520
<v Speaker 2>you're you know, proposing, is there a space for like

0:46:27.680 --> 0:46:32.960
<v Speaker 2>just fun music that is not necessarily content heavy.

0:46:33.120 --> 0:46:37.120
<v Speaker 4>Yes, indeed, Bro, Bro, Bro, you don't think it's possible

0:46:37.120 --> 0:46:39.839
<v Speaker 4>to make fun music that doesn't have to I just

0:46:39.920 --> 0:46:42.359
<v Speaker 4>like be super ratchet and super.

0:46:42.120 --> 0:46:45.120
<v Speaker 2>Raunch, But I think that the ratchetness of some of

0:46:45.160 --> 0:46:46.880
<v Speaker 2>this music is like, like I was just talking to

0:46:46.920 --> 0:46:50.200
<v Speaker 2>Hurricane Chris right, and he's from Treeport, and he was saying,

0:46:50.239 --> 0:46:51.879
<v Speaker 2>like he's got a problem of fifty. He said, because

0:46:51.920 --> 0:46:53.759
<v Speaker 2>early on before fifty brought his studio there, he said,

0:46:53.760 --> 0:46:56.080
<v Speaker 2>when he brought it, he's gonna get rid of the ratchetness,

0:46:56.640 --> 0:46:59.400
<v Speaker 2>like ratchet and they call Shreeport ratchet City. It's a

0:46:59.400 --> 0:47:01.600
<v Speaker 2>part of the culture of Streetport, like that music is

0:47:01.640 --> 0:47:03.040
<v Speaker 2>a part of the culture of Streetport, even in the

0:47:03.040 --> 0:47:05.120
<v Speaker 2>oils a bounce. Music like back that Ass Up is

0:47:05.160 --> 0:47:09.040
<v Speaker 2>a fucking quite possibly, I don't know, that might be

0:47:09.040 --> 0:47:10.879
<v Speaker 2>a top three greatest hip hop song of all time

0:47:10.880 --> 0:47:14.320
<v Speaker 2>if you think about just like that song never not

0:47:14.400 --> 0:47:17.400
<v Speaker 2>get played in the club forever for the rest of eternity.

0:47:17.480 --> 0:47:20.799
<v Speaker 2>If there's clubs juvenile but back that Ass Up from

0:47:20.840 --> 0:47:24.560
<v Speaker 2>your hometown. That's a song about shaking ass, throwing ass.

0:47:24.920 --> 0:47:27.400
<v Speaker 2>But it's an important song. Would you agree or disagree?

0:47:27.520 --> 0:47:30.400
<v Speaker 1>What has made it important though, is that whenever you

0:47:30.520 --> 0:47:33.480
<v Speaker 1>offer something to people, there's always going to be an

0:47:33.560 --> 0:47:36.719
<v Speaker 1>appetite and a desire for people to have a soundtrack

0:47:36.920 --> 0:47:39.200
<v Speaker 1>to justify what it is that they're already doing or

0:47:39.239 --> 0:47:41.319
<v Speaker 1>what they want to do. So, when you think about it,

0:47:41.680 --> 0:47:44.239
<v Speaker 1>music is not supposed to be on the back end,

0:47:44.440 --> 0:47:46.520
<v Speaker 1>you know, no pun intended, but on the back end

0:47:46.800 --> 0:47:49.400
<v Speaker 1>of what's going on. Musicians are supposed to be the

0:47:49.440 --> 0:47:52.279
<v Speaker 1>cultural savance and the leaders to say where do we

0:47:52.320 --> 0:47:53.360
<v Speaker 1>want to take our people?

0:47:53.400 --> 0:47:53.880
<v Speaker 3>You feel me?

0:47:54.040 --> 0:47:56.759
<v Speaker 4>And that's the problem is musicians have fallen into well,

0:47:56.880 --> 0:47:59.160
<v Speaker 4>what do the people want? Whatever the people want, that's

0:47:59.200 --> 0:48:01.200
<v Speaker 4>what I'm going to give them. That's the problem.

0:48:01.560 --> 0:48:03.440
<v Speaker 1>I think that as a leader is about giving people

0:48:03.440 --> 0:48:06.080
<v Speaker 1>what they need, and giving them what they need is

0:48:06.120 --> 0:48:08.160
<v Speaker 1>going to change what it is that they have a

0:48:08.200 --> 0:48:09.160
<v Speaker 1>taste and a desire for.

0:48:09.440 --> 0:48:12.359
<v Speaker 2>So do you think I'm going to ask you about

0:48:12.400 --> 0:48:16.000
<v Speaker 2>that one song being from where you're from. If what

0:48:16.040 --> 0:48:18.960
<v Speaker 2>you're proposing is the truth that song doesn't exist, you

0:48:19.000 --> 0:48:19.759
<v Speaker 2>think that's a good thing?

0:48:20.040 --> 0:48:22.000
<v Speaker 3>Back that ass up. If that song didn't exist.

0:48:22.000 --> 0:48:24.920
<v Speaker 1>Now, this is me having a relationship with juvenile Legend

0:48:25.080 --> 0:48:26.600
<v Speaker 1>with his Yeah, like literally.

0:48:26.280 --> 0:48:27.920
<v Speaker 3>One of the goo Like four hundred degree is one

0:48:27.920 --> 0:48:29.799
<v Speaker 3>of my favorite alms of all time. I'm cool with Bro.

0:48:29.920 --> 0:48:32.000
<v Speaker 4>That was the soundtrack to our lifeild growing up in

0:48:32.000 --> 0:48:32.680
<v Speaker 4>New Orleans.

0:48:32.480 --> 0:48:32.560
<v Speaker 3>You know.

0:48:32.600 --> 0:48:34.920
<v Speaker 1>I mean, I think that there's a different version of

0:48:35.000 --> 0:48:37.759
<v Speaker 1>back that thing up that could have come out that

0:48:37.840 --> 0:48:43.120
<v Speaker 1>could have been just as powerful. Literally same beat, Sam Hook,

0:48:43.600 --> 0:48:45.120
<v Speaker 1>Sam Cayden should heard me, that.

0:48:45.160 --> 0:48:46.560
<v Speaker 4>Could have been just as powerful.

0:48:46.560 --> 0:48:49.480
<v Speaker 1>And I think that our world doesn't normalize that that's

0:48:49.520 --> 0:48:52.640
<v Speaker 1>even a possibility, and we just say, well, it just

0:48:52.680 --> 0:48:55.160
<v Speaker 1>had to be this one song because we can't even

0:48:55.200 --> 0:48:59.000
<v Speaker 1>imagine something being that powerful if it wasn't that. But Bro,

0:48:59.400 --> 0:49:02.319
<v Speaker 1>thankfully as artists who have come along, myself being one

0:49:02.360 --> 0:49:05.799
<v Speaker 1>of them, that's showing like, wait, this can be a hit.

0:49:05.960 --> 0:49:08.520
<v Speaker 1>This song can get played by the masses and people

0:49:08.560 --> 0:49:12.319
<v Speaker 1>loving this song, but it has a different vibe to it,

0:49:12.520 --> 0:49:15.920
<v Speaker 1>same same vibe in some ways, but it doesn't have

0:49:16.000 --> 0:49:19.200
<v Speaker 1>to all the way dip into, uh, the lowest level

0:49:19.280 --> 0:49:20.000
<v Speaker 1>of who we are.

0:49:20.560 --> 0:49:23.440
<v Speaker 3>I think what's also very like.

0:49:23.600 --> 0:49:25.840
<v Speaker 4>Summertime by Will Smith? Not to cut you off Summertime?

0:49:25.920 --> 0:49:27.560
<v Speaker 4>Summertime by Will Smith? Ain't that a classic?

0:49:27.600 --> 0:49:28.759
<v Speaker 3>So I don't know if you could throw ass the

0:49:28.760 --> 0:49:29.480
<v Speaker 3>summertime though.

0:49:29.920 --> 0:49:33.239
<v Speaker 1>Okay, is there a song that you could throw Buddha too?

0:49:33.640 --> 0:49:38.840
<v Speaker 1>That is not uh all the way in the Jewelvie

0:49:38.960 --> 0:49:39.919
<v Speaker 1>back that thing up lane.

0:49:39.960 --> 0:49:41.400
<v Speaker 4>Is there a song you could throw boot not not

0:49:41.440 --> 0:49:46.440
<v Speaker 4>that you could throw because I'm not trying to say at all. Yeah,

0:49:46.600 --> 0:49:49.480
<v Speaker 4>is there think that Let's go through the catalog. Let's

0:49:49.480 --> 0:49:54.280
<v Speaker 4>see Yay Cole, Kendrick, jay z Nis.

0:49:54.560 --> 0:49:56.840
<v Speaker 2>I mean those aren't even club artists. I'm thinking like

0:49:58.120 --> 0:49:59.680
<v Speaker 2>the Big Club Records of all time.

0:49:59.680 --> 0:50:04.320
<v Speaker 4>Okay, big club brotherers Bro, there's several keV Nelly he I.

0:50:04.640 --> 0:50:09.600
<v Speaker 2>But it's getting hot in here right right, I mean

0:50:09.640 --> 0:50:10.640
<v Speaker 2>the am getting naked.

0:50:10.640 --> 0:50:13.560
<v Speaker 1>I mean right, I'm gonna have to make the son.

0:50:13.680 --> 0:50:15.680
<v Speaker 1>Then I'm gonna have to make I'm have to make it, bro.

0:50:15.880 --> 0:50:18.480
<v Speaker 3>But so so so so listen.

0:50:18.680 --> 0:50:21.640
<v Speaker 2>I think the other answer to this is one it's

0:50:21.719 --> 0:50:24.920
<v Speaker 2>not realistic to think that like like that's even like

0:50:24.920 --> 0:50:29.280
<v Speaker 2>a real possibility. I think what is realistic is guys

0:50:29.280 --> 0:50:32.279
<v Speaker 2>like yourself, guys like Kendrick inspiring people to be like, oh,

0:50:32.320 --> 0:50:33.680
<v Speaker 2>we ain't got to do it this way. And I

0:50:33.680 --> 0:50:38.600
<v Speaker 2>think that this is the highest version of people paying

0:50:38.640 --> 0:50:41.400
<v Speaker 2>attention and being like hmm, That's why I said, like this,

0:50:41.600 --> 0:50:44.120
<v Speaker 2>somehow this beef with Drake has turned like opened up

0:50:44.120 --> 0:50:47.560
<v Speaker 2>a lot of fans' odds to being like oh shit.

0:50:48.760 --> 0:50:52.840
<v Speaker 2>And I think the problem there is, though Kendrick is

0:50:52.880 --> 0:51:01.080
<v Speaker 2>a generationally talented human being, uh, and not everyone's talented

0:51:01.080 --> 0:51:06.000
<v Speaker 2>as Kendrick Lamar where people will overlook what they might

0:51:06.120 --> 0:51:07.839
<v Speaker 2>want to hear to be like, oh, this ship is

0:51:07.920 --> 0:51:11.560
<v Speaker 2>just so good it's undeniable that I can't even deny

0:51:11.640 --> 0:51:13.399
<v Speaker 2>it because think of all the people who are hating

0:51:13.440 --> 0:51:16.520
<v Speaker 2>on Kendrick. Even when Youporia dropped and I think You're

0:51:16.520 --> 0:51:18.960
<v Speaker 2>Fouri is the best record at all the distance, it

0:51:19.080 --> 0:51:20.680
<v Speaker 2>was like they didn't have They didn't really be like

0:51:20.719 --> 0:51:22.880
<v Speaker 2>okay Kendrick until Not Like Us came out because Not

0:51:22.960 --> 0:51:23.279
<v Speaker 2>Like Us.

0:51:23.360 --> 0:51:26.719
<v Speaker 1>Was easier on it is you could dance to a club.

0:51:28.160 --> 0:51:29.480
<v Speaker 1>Oh I thought of a record by the way that

0:51:29.719 --> 0:51:33.080
<v Speaker 1>people throw booted too. They got a different vibe nice

0:51:33.120 --> 0:51:33.919
<v Speaker 1>for what by Drake?

0:51:34.160 --> 0:51:35.359
<v Speaker 3>Fair enough? Yeah?

0:51:35.560 --> 0:51:37.640
<v Speaker 2>Great record by the way. Yeah, and it's got and

0:51:37.719 --> 0:51:38.840
<v Speaker 2>it's the New Orleans sound.

0:51:38.719 --> 0:51:40.120
<v Speaker 3>New Orleans bounce You feel me?

0:51:41.000 --> 0:51:43.280
<v Speaker 2>But I'm just curious, like, like I think that would

0:51:43.280 --> 0:51:47.000
<v Speaker 2>to me be the The answer is like whatever's happening

0:51:47.080 --> 0:51:50.080
<v Speaker 2>right now with this moment of music is hoping that

0:51:50.120 --> 0:51:53.800
<v Speaker 2>it can help inspire artists to change and or artists

0:51:53.800 --> 0:51:58.480
<v Speaker 2>who are doing that type of music. Kenny Mason from Atlanta.

0:51:59.160 --> 0:52:01.200
<v Speaker 2>I mean, there's so many dope artists who are just

0:52:01.880 --> 0:52:06.200
<v Speaker 2>crazy dope, like maybe now like people might give them

0:52:06.200 --> 0:52:08.000
<v Speaker 2>a real change, even like a guy like Denzel Curry,

0:52:08.040 --> 0:52:10.360
<v Speaker 2>who I think is so is like an alien. You

0:52:10.400 --> 0:52:12.600
<v Speaker 2>know what I'm saying that Denzel Curry isn't necessarily making

0:52:12.600 --> 0:52:15.920
<v Speaker 2>like you know, Christian rap or anything, but like he's

0:52:16.480 --> 0:52:18.680
<v Speaker 2>so artistically unique as an artist where he could do

0:52:18.760 --> 0:52:22.080
<v Speaker 2>so many different things that like, you know, he's got

0:52:22.080 --> 0:52:24.759
<v Speaker 2>platinum records too, shout out to him, but you know,

0:52:24.800 --> 0:52:26.719
<v Speaker 2>I would like to see him be like up there

0:52:26.760 --> 0:52:30.160
<v Speaker 2>with the Drakes of the world or you know. And

0:52:30.200 --> 0:52:32.719
<v Speaker 2>we go on and on about artists who are dope,

0:52:33.120 --> 0:52:34.920
<v Speaker 2>but I think that that's kind of we're in this

0:52:35.000 --> 0:52:36.480
<v Speaker 2>space where it's like, Okay, well, the guy doing it

0:52:36.480 --> 0:52:39.640
<v Speaker 2>at the highest level is an alien, and really the

0:52:39.680 --> 0:52:41.600
<v Speaker 2>other guy who's doing it at that level is Jay Cole,

0:52:41.680 --> 0:52:42.960
<v Speaker 2>who's also an alien.

0:52:44.480 --> 0:52:46.840
<v Speaker 3>And I say this because those are the two.

0:52:46.640 --> 0:52:48.360
<v Speaker 2>Guys who are a part of the Big Three and

0:52:48.400 --> 0:52:50.920
<v Speaker 2>have kind of been a part of Like it's them

0:52:51.000 --> 0:52:53.200
<v Speaker 2>two and Drake, and you know, listen, Drake also is

0:52:53.239 --> 0:52:54.880
<v Speaker 2>an alien. Let's be clear it. Drake is one of

0:52:54.880 --> 0:52:59.080
<v Speaker 2>the greatest artists I've ever lived, you know. I think

0:52:59.080 --> 0:53:02.840
<v Speaker 2>that with Kendrick and Cole being so prominent throughout the

0:53:02.840 --> 0:53:08.360
<v Speaker 2>culture throughout all these years, like what's common the commonality

0:53:08.400 --> 0:53:11.880
<v Speaker 2>about both of them is that they are conscious of

0:53:11.920 --> 0:53:14.600
<v Speaker 2>what they're putting into the world. And they're two of

0:53:14.600 --> 0:53:16.400
<v Speaker 2>the biggest three that.

0:53:16.480 --> 0:53:19.720
<v Speaker 4>You go, two thirds of the Big three is super conscious.

0:53:19.440 --> 0:53:23.200
<v Speaker 2>Super conscious and super super purpose with their intent on

0:53:23.280 --> 0:53:25.760
<v Speaker 2>everything they do, whether it's an artist they sign, whether

0:53:25.800 --> 0:53:26.960
<v Speaker 2>it's a verse that they drop.

0:53:27.440 --> 0:53:28.480
<v Speaker 3>Even I think back to the J.

0:53:28.680 --> 0:53:30.239
<v Speaker 2>Cole conversation where he tried to sit down with a

0:53:30.239 --> 0:53:33.080
<v Speaker 2>little pump, you know, and try to explain a little pump,

0:53:33.120 --> 0:53:34.560
<v Speaker 2>but it was probably gonna happen with his career, and

0:53:34.600 --> 0:53:38.480
<v Speaker 2>it ended up happening. I think that, you know, again,

0:53:38.520 --> 0:53:42.160
<v Speaker 2>like I hope that this sparks more artists who are

0:53:42.200 --> 0:53:48.320
<v Speaker 2>inspired by Kendrick than maybe inspired by op killing music.

0:53:48.480 --> 0:53:51.279
<v Speaker 3>Mm there you go, then you go. But I don't know,

0:53:51.280 --> 0:53:52.440
<v Speaker 3>we we probably.

0:53:52.160 --> 0:53:54.320
<v Speaker 2>Won't see that for a few three, four, five years,

0:53:54.360 --> 0:53:56.400
<v Speaker 2>but then we're seeing it right now. I think we're

0:53:56.440 --> 0:53:58.000
<v Speaker 2>seeing it right now, bro. Like I said, I just

0:53:58.040 --> 0:53:58.840
<v Speaker 2>put my song.

0:53:58.640 --> 0:54:01.799
<v Speaker 1>Out yesterday called call It Like it Is, and it's

0:54:01.840 --> 0:54:05.040
<v Speaker 1>me responding to Kendrick and showing him love for a

0:54:05.760 --> 0:54:06.160
<v Speaker 1>d one.

0:54:06.440 --> 0:54:09.640
<v Speaker 3>I want to make sure that more people know who

0:54:09.680 --> 0:54:10.040
<v Speaker 3>you are.

0:54:10.120 --> 0:54:12.040
<v Speaker 1>You know what I'm saying by saying that in the song,

0:54:12.160 --> 0:54:14.680
<v Speaker 1>so that it's up to me saying bet the shift

0:54:14.760 --> 0:54:17.560
<v Speaker 1>is happening right now. I'm clearly a part of this shift.

0:54:17.719 --> 0:54:19.239
<v Speaker 1>So when I get the baton, I gotta do what

0:54:19.280 --> 0:54:21.080
<v Speaker 1>I do. So I hit them with what's the point

0:54:21.080 --> 0:54:23.200
<v Speaker 1>of writing all of these lyrics? If I'm rapping to

0:54:23.280 --> 0:54:25.439
<v Speaker 1>an audience that ain't trying to hear it. They'd rather

0:54:25.480 --> 0:54:28.000
<v Speaker 1>me blow a bag than rap about building wealth. They'd

0:54:28.080 --> 0:54:30.600
<v Speaker 1>rather me get some brain and rap about mental health.

0:54:30.640 --> 0:54:33.520
<v Speaker 1>Don't sensor me eventually try to make sense of me.

0:54:33.760 --> 0:54:36.440
<v Speaker 1>I don't need your dollars. I need you to think sensibly.

0:54:36.640 --> 0:54:39.120
<v Speaker 1>You feel good now that you're vegan. That's funny.

0:54:39.200 --> 0:54:42.040
<v Speaker 4>If you're still promoting garbage, you're just a healthy dummy.

0:54:43.000 --> 0:54:44.960
<v Speaker 4>My city don't even love me. I'm calling it, how

0:54:44.960 --> 0:54:45.239
<v Speaker 4>it is.

0:54:45.280 --> 0:54:48.400
<v Speaker 1>I'm a threat to the power structure, brain washing our kids,

0:54:48.440 --> 0:54:50.560
<v Speaker 1>fracturing all the egos of illegitimate.

0:54:50.680 --> 0:54:52.960
<v Speaker 4>He rolls, I only look up to one man because

0:54:52.960 --> 0:54:55.399
<v Speaker 4>he died. Then he rolls. I keep it too real

0:54:55.480 --> 0:54:58.279
<v Speaker 4>because life don't last too long. If everybody likes me,

0:54:58.560 --> 0:54:59.879
<v Speaker 4>I'm doing something too wrong.

0:55:00.200 --> 0:55:03.359
<v Speaker 1>Maybe in time they'll appreciate my words like nipsey Till

0:55:03.440 --> 0:55:05.799
<v Speaker 1>then I'm gonna see how fuck keeping it real gives me.

0:55:05.960 --> 0:55:08.800
<v Speaker 1>So call it like it is, call it what it ain't,

0:55:09.040 --> 0:55:10.120
<v Speaker 1>call it what you want.

0:55:10.400 --> 0:55:13.000
<v Speaker 4>No, I ain't knowing that drink. I'm speaking from the soul,

0:55:13.280 --> 0:55:15.399
<v Speaker 4>and I don't care who feel it. Yeah, hip hop

0:55:15.480 --> 0:55:17.719
<v Speaker 4>is dead, and y'all the ones who killed it. No,

0:55:17.920 --> 0:55:20.280
<v Speaker 4>I'm not impressed, and I say that with my chest.

0:55:20.640 --> 0:55:21.080
<v Speaker 3>Man.

0:55:21.320 --> 0:55:23.040
<v Speaker 2>Come on, man, come on man, what are your thoughts

0:55:23.040 --> 0:55:26.799
<v Speaker 2>on the whole Diddy situation? Crazy situation by the way,

0:55:26.880 --> 0:55:29.879
<v Speaker 2>And also also a lot of people knew that shit

0:55:29.960 --> 0:55:31.719
<v Speaker 2>was going on, So.

0:55:31.840 --> 0:55:34.120
<v Speaker 4>All the people who knew that it was going on,

0:55:34.280 --> 0:55:36.600
<v Speaker 4>they scared right now, a lot of people.

0:55:36.360 --> 0:55:38.759
<v Speaker 3>Who enabled it. There you go, they're probably going to jail.

0:55:39.200 --> 0:55:41.239
<v Speaker 3>You think they'll go to jail if he gets convicted? Now,

0:55:41.239 --> 0:55:42.400
<v Speaker 3>I don't. I don't know.

0:55:42.800 --> 0:55:45.320
<v Speaker 2>I'm not super educated to what was in the indictment

0:55:45.320 --> 0:55:48.799
<v Speaker 2>because I didn't read it. And I'd like to point

0:55:48.800 --> 0:55:53.919
<v Speaker 2>out that there are the definition I think of sex

0:55:54.000 --> 0:55:58.520
<v Speaker 2>trafficking is having someone travel over state lines for the

0:55:58.560 --> 0:56:01.960
<v Speaker 2>purpose of sexual activities. Think and a lot of rappers

0:56:01.960 --> 0:56:04.200
<v Speaker 2>are guilty of that, flying girls.

0:56:05.239 --> 0:56:07.959
<v Speaker 3>But I know they said that they got tons of video,

0:56:08.719 --> 0:56:10.279
<v Speaker 3>a lot of parent He was taping all of this.

0:56:10.360 --> 0:56:12.759
<v Speaker 3>He was taping everything on some Epstein type shit. They

0:56:12.840 --> 0:56:13.920
<v Speaker 3>called it freakoffs.

0:56:13.920 --> 0:56:17.440
<v Speaker 2>Freakoffs had one hundred bottles of loop all kind of craziness.

0:56:17.760 --> 0:56:20.719
<v Speaker 2>But he had a team, he had security, he had

0:56:20.719 --> 0:56:24.880
<v Speaker 2>people around him, He had assistants who certainly, if there

0:56:24.920 --> 0:56:28.880
<v Speaker 2>was serious crimes being committed, people being raped, I don't know,

0:56:30.040 --> 0:56:32.359
<v Speaker 2>that are a part of that. So those people are

0:56:32.520 --> 0:56:33.239
<v Speaker 2>freaking out.

0:56:34.960 --> 0:56:37.719
<v Speaker 1>Well, if all of this happened, made justice prevail, let

0:56:37.719 --> 0:56:40.400
<v Speaker 1>the empire crumble, you know what I mean, they'll be

0:56:40.440 --> 0:56:40.799
<v Speaker 1>all right.

0:56:41.400 --> 0:56:42.480
<v Speaker 3>God is still.

0:56:42.480 --> 0:56:44.840
<v Speaker 2>It's like we're like like Diddy was kind of the

0:56:44.960 --> 0:56:47.680
<v Speaker 2>epitome of like hip hop entrepreneurship.

0:56:47.680 --> 0:56:48.000
<v Speaker 3>Are hole.

0:56:48.000 --> 0:56:51.520
<v Speaker 1>Absolutely, he was the epitome of black excellence and in

0:56:51.560 --> 0:56:55.240
<v Speaker 1>our community. You know this is Black Excellence the rock? Yeah,

0:56:55.840 --> 0:56:57.640
<v Speaker 1>so we need to get rid of this old idea

0:56:57.719 --> 0:57:00.200
<v Speaker 1>we had of what Black Excellence looked like. We need

0:57:00.280 --> 0:57:02.759
<v Speaker 1>to get rid of this old idea we had of what, Oh,

0:57:02.840 --> 0:57:04.719
<v Speaker 1>this is what a mogul looks like, and this is

0:57:04.719 --> 0:57:06.040
<v Speaker 1>somebody to a spy in Rusby.

0:57:06.120 --> 0:57:10.640
<v Speaker 2>Russell Simmons has some pretty crazy allegations, right, and whatever

0:57:10.680 --> 0:57:11.200
<v Speaker 2>happened with that?

0:57:11.360 --> 0:57:11.600
<v Speaker 3>Did he?

0:57:12.120 --> 0:57:14.239
<v Speaker 2>I just watched that documentary on HBO and then I

0:57:14.239 --> 0:57:18.560
<v Speaker 2>know he went to Bali, Yeah, and the speculation is

0:57:18.760 --> 0:57:20.280
<v Speaker 2>again I don't know all. I just know that the

0:57:20.320 --> 0:57:22.720
<v Speaker 2>speculation is he went there because they don't have extradition

0:57:22.800 --> 0:57:26.360
<v Speaker 2>laws really, but that's okay. I don't know if that's

0:57:26.400 --> 0:57:27.800
<v Speaker 2>why he went there, right, But.

0:57:27.840 --> 0:57:29.560
<v Speaker 4>So all the people we look up, we grew up

0:57:29.600 --> 0:57:30.720
<v Speaker 4>looking up to Diddy.

0:57:31.360 --> 0:57:33.200
<v Speaker 1>You see what's going on with him fighting for his

0:57:33.240 --> 0:57:35.120
<v Speaker 1>life right now, Russell Simmons, They stay home and it

0:57:35.200 --> 0:57:35.640
<v Speaker 1>went to Bali.

0:57:35.880 --> 0:57:38.080
<v Speaker 3>You hear me, maybe trying to jump ships so they

0:57:38.080 --> 0:57:40.120
<v Speaker 3>can't get him. Damn Dash. You hear me.

0:57:40.440 --> 0:57:43.040
<v Speaker 4>They talking about Dame going through it right now?

0:57:43.160 --> 0:57:43.440
<v Speaker 3>Broke.

0:57:43.600 --> 0:57:45.520
<v Speaker 4>Dame said he's broke. You know whether you know what?

0:57:45.600 --> 0:57:47.640
<v Speaker 2>One thing though, I do respect about what Dame said.

0:57:48.480 --> 0:57:52.280
<v Speaker 2>He said, when you chase your dream Because I've been

0:57:52.320 --> 0:57:54.640
<v Speaker 2>around Damon, I feel like he truly is like a

0:57:57.000 --> 0:57:59.240
<v Speaker 2>Like he really is like a he got big dreams, bro.

0:57:59.360 --> 0:58:00.880
<v Speaker 2>And he said, when you chase your dreams to the

0:58:00.920 --> 0:58:03.000
<v Speaker 2>point when that I chase my dreams, when they don't

0:58:03.000 --> 0:58:05.440
<v Speaker 2>work out, you can end up broke. So you know,

0:58:05.440 --> 0:58:07.320
<v Speaker 2>I wouldn't put I haven't heard anything crazy about Dame

0:58:07.360 --> 0:58:10.880
<v Speaker 2>in terms of, like, you know, anything legally wrong he

0:58:10.960 --> 0:58:13.840
<v Speaker 2>was doing. I just think Damn just bro like he

0:58:13.920 --> 0:58:16.280
<v Speaker 2>took some big chances on certain shit that didn't work out.

0:58:16.480 --> 0:58:19.720
<v Speaker 1>Sugar Knight was a mogul, sug Knight is in prison,

0:58:19.720 --> 0:58:23.480
<v Speaker 1>in prison. There are so many different people that at

0:58:23.520 --> 0:58:24.480
<v Speaker 1>this point, y'all.

0:58:24.520 --> 0:58:26.360
<v Speaker 2>But then there's jay Z, who's the other side of that,

0:58:26.440 --> 0:58:29.040
<v Speaker 2>who's obviously you know, he's jay Z.

0:58:29.760 --> 0:58:29.960
<v Speaker 3>You know.

0:58:30.440 --> 0:58:32.520
<v Speaker 1>I think the whole point, though, is that the idea

0:58:32.760 --> 0:58:34.800
<v Speaker 1>that we had in our mind of what a mogul

0:58:35.080 --> 0:58:36.600
<v Speaker 1>had to look like and what you had to do

0:58:36.640 --> 0:58:39.200
<v Speaker 1>to become a mogul, let's throw all that out and

0:58:39.280 --> 0:58:41.120
<v Speaker 1>let's just say you definitely got to work hard to

0:58:41.160 --> 0:58:41.920
<v Speaker 1>become a mogul.

0:58:41.960 --> 0:58:45.000
<v Speaker 4>But hopefully for somebody watching this. You the next mogul,

0:58:45.160 --> 0:58:47.680
<v Speaker 4>and you can come up with your own blueprint of

0:58:47.680 --> 0:58:48.400
<v Speaker 4>what it looks like.

0:58:48.520 --> 0:58:51.720
<v Speaker 1>Because everything that we were taught in our generation, Man,

0:58:51.800 --> 0:58:54.600
<v Speaker 1>we seeing that that stuff is not working out in

0:58:54.640 --> 0:58:56.920
<v Speaker 1>the loan run for a lot of these people.

0:58:57.080 --> 0:58:58.320
<v Speaker 3>And the same thing with artists.

0:58:58.360 --> 0:59:02.000
<v Speaker 1>Man, we should have more artists who can make it

0:59:02.080 --> 0:59:06.600
<v Speaker 1>normal to age gracefully and to evolve gracefully.

0:59:06.680 --> 0:59:06.880
<v Speaker 3>You know.

0:59:07.000 --> 0:59:09.360
<v Speaker 4>I love when I see ogs like styles P.

0:59:09.880 --> 0:59:14.560
<v Speaker 2>You're right, who man, opening juice bars, sharing game, come man,

0:59:14.760 --> 0:59:15.880
<v Speaker 2>sure shout out.

0:59:15.760 --> 0:59:17.800
<v Speaker 3>To styles P. I love when I see that, Bro.

0:59:18.160 --> 0:59:22.360
<v Speaker 4>I love when I see people who like boldly embraced.

0:59:22.360 --> 0:59:24.200
<v Speaker 4>I love my man Murders out here.

0:59:24.040 --> 0:59:27.280
<v Speaker 3>In the Lady Immersed Man. Yeah, bros put it album

0:59:27.280 --> 0:59:29.040
<v Speaker 3>out together. Yeah, we put an album together. Yeah.

0:59:29.160 --> 0:59:31.200
<v Speaker 4>Like that's that's my brother right there. I love what

0:59:31.320 --> 0:59:33.400
<v Speaker 4>I love when I see my brother Loope Fiat school.

0:59:33.440 --> 0:59:33.800
<v Speaker 3>You hear me?

0:59:34.080 --> 0:59:36.560
<v Speaker 2>Who, By the way, when it comes to just rapping,

0:59:37.160 --> 0:59:39.960
<v Speaker 2>might be the goat for real goat status man, Jesus.

0:59:40.040 --> 0:59:43.200
<v Speaker 3>Yeah, I don't know if lu got real Jedi, real alien.

0:59:43.360 --> 0:59:45.640
<v Speaker 4>I don't know if Lupe even got like the energy

0:59:45.680 --> 0:59:46.600
<v Speaker 4>to dedicate to.

0:59:46.880 --> 0:59:50.120
<v Speaker 2>Bro imagine if he applied himself to come B album

0:59:50.160 --> 0:59:50.920
<v Speaker 2>Samurai Crazy.

0:59:50.960 --> 0:59:53.560
<v Speaker 4>I didn't seen it with my own twice Loope teaches

0:59:53.600 --> 0:59:55.800
<v Speaker 4>at M I T and I teach at Toughs University.

0:59:55.800 --> 0:59:59.200
<v Speaker 3>They're five minutes apart. Yeah, fucking loop dude. Yeah, listen

0:59:59.240 --> 1:00:01.320
<v Speaker 3>to mirrors. It's like nine minutes to just come on,

1:00:01.400 --> 1:00:01.960
<v Speaker 3>man excellence.

1:00:02.320 --> 1:00:05.000
<v Speaker 4>Hey, and these is my real friends that I all

1:00:05.040 --> 1:00:05.960
<v Speaker 4>three of them, not just name.

1:00:06.080 --> 1:00:09.439
<v Speaker 1>These is my real friends. Man, even even back home

1:00:09.440 --> 1:00:10.120
<v Speaker 1>in New Orleans.

1:00:10.160 --> 1:00:13.240
<v Speaker 4>My man currency, you know what I'm saying, Yeah, like

1:00:13.560 --> 1:00:14.480
<v Speaker 4>my man currency.

1:00:14.880 --> 1:00:17.000
<v Speaker 3>Just to see that this man has.

1:00:19.120 --> 1:00:22.840
<v Speaker 4>Succeeded on such a level on his own terms, but

1:00:22.880 --> 1:00:26.520
<v Speaker 4>it's still somebody who just be hanging out amidst the people, you.

1:00:26.440 --> 1:00:26.919
<v Speaker 3>Know what I mean.

1:00:27.480 --> 1:00:29.680
<v Speaker 1>There are examples in our culture to where you don't

1:00:29.720 --> 1:00:32.640
<v Speaker 1>have to crash out as you get older, or you

1:00:32.680 --> 1:00:36.240
<v Speaker 1>don't have to prostitute your integrity to try to stay

1:00:36.280 --> 1:00:39.919
<v Speaker 1>relevant with the teenagers. And we need more of that, man,

1:00:39.960 --> 1:00:41.919
<v Speaker 1>because we're starting to have it to where we're gonna

1:00:41.920 --> 1:00:45.000
<v Speaker 1>have just as many rappers in their thirties, forties, and

1:00:45.000 --> 1:00:47.160
<v Speaker 1>fifties as we got in their twenties and their teen.

1:00:47.200 --> 1:00:49.000
<v Speaker 3>What's happening damn near now.

1:00:48.880 --> 1:00:51.360
<v Speaker 4>Exactly, and who you think is supposed to be setting

1:00:51.360 --> 1:00:53.560
<v Speaker 4>the tone for the culture, the older rappers.

1:00:53.920 --> 1:00:56.120
<v Speaker 2>I think that's why it's important that Kendrick's having this

1:00:56.160 --> 1:00:59.400
<v Speaker 2>moment because I also feel like, you know, my main

1:00:59.440 --> 1:01:01.920
<v Speaker 2>gripe about Drake forever has been, like I just I

1:01:01.920 --> 1:01:04.200
<v Speaker 2>don't feel like he's ever expressed a real opinion on

1:01:04.280 --> 1:01:06.919
<v Speaker 2>many social issues in his entire career, Like we don't

1:01:06.920 --> 1:01:09.440
<v Speaker 2>know how he feels about certain shit, you know, And

1:01:09.760 --> 1:01:12.800
<v Speaker 2>I feel like he's never really taken a content risk.

1:01:14.440 --> 1:01:14.920
<v Speaker 3>A risk.

1:01:15.400 --> 1:01:18.640
<v Speaker 1>I can't associate anything in Drake's catalog with his say

1:01:18.680 --> 1:01:21.680
<v Speaker 1>life that was risky, very safe, right, even this is

1:01:21.720 --> 1:01:26.520
<v Speaker 1>what he's rapping about girls. It is business is money is.

1:01:26.920 --> 1:01:30.600
<v Speaker 4>So when you put business over impact, you will never

1:01:30.680 --> 1:01:34.240
<v Speaker 4>take a risk because risks aren't good for business when business.

1:01:34.280 --> 1:01:38.240
<v Speaker 2>Michael Jordan said he's never come out about politics because

1:01:38.280 --> 1:01:41.000
<v Speaker 2>both sides by his shoes, correct, And Okay, that's fine,

1:01:41.040 --> 1:01:42.520
<v Speaker 2>and I feel like Drake's kind of similar.

1:01:42.640 --> 1:01:46.000
<v Speaker 4>That's why you gotta respect Steph Curry and Lebron James.

1:01:45.760 --> 1:01:48.520
<v Speaker 3>Or Jalen Brown because they Kyrie Irving. Yeah, yeah, all

1:01:48.560 --> 1:01:51.000
<v Speaker 3>of the above Kyriver standing on shit cast him a

1:01:51.080 --> 1:01:51.600
<v Speaker 3>Nike deal.

1:01:51.640 --> 1:01:51.800
<v Speaker 2>Bro.

1:01:51.960 --> 1:01:55.840
<v Speaker 1>Yeah yeah, straight up, straight up. So salutes all them

1:01:55.840 --> 1:01:57.560
<v Speaker 1>brothers in athletics. So I'm gonna tell you something I

1:01:57.560 --> 1:01:59.840
<v Speaker 1>came up with, keV. I started this January first of

1:01:59.880 --> 1:02:03.680
<v Speaker 1>d It's a solution to the problems that I see

1:02:03.680 --> 1:02:04.160
<v Speaker 1>in the culture.

1:02:04.200 --> 1:02:05.560
<v Speaker 4>It's called the Platinum Pledge.

1:02:05.640 --> 1:02:07.720
<v Speaker 1>Right, we got platinum records on the wall in this

1:02:07.840 --> 1:02:10.800
<v Speaker 1>studio and everything platinum. I turned it into an acronym

1:02:10.840 --> 1:02:16.120
<v Speaker 1>that stands for people leading a transformation involving newly unified mindsets.

1:02:16.440 --> 1:02:20.640
<v Speaker 1>The Platinum Pledge simply says, this is to unify the artists,

1:02:21.000 --> 1:02:24.440
<v Speaker 1>the fans, and the execs in the industry who agreed

1:02:24.480 --> 1:02:28.720
<v Speaker 1>that we no longer need to glorify keyword, glorify murder,

1:02:29.280 --> 1:02:34.560
<v Speaker 1>drug dealing, drug use, disrespecting women, and sexual irresponsibility in

1:02:34.640 --> 1:02:35.200
<v Speaker 1>our music.

1:02:35.280 --> 1:02:35.440
<v Speaker 3>Right.

1:02:36.120 --> 1:02:38.320
<v Speaker 4>In doing that and putting that out there, bro, I

1:02:38.360 --> 1:02:40.880
<v Speaker 4>got so many thousands of people who have signed this.

1:02:41.000 --> 1:02:43.080
<v Speaker 4>I put it on my website. It takes two seconds

1:02:43.120 --> 1:02:43.960
<v Speaker 4>for people to sign it.

1:02:44.320 --> 1:02:47.240
<v Speaker 1>That right there is showing me how many people are

1:02:47.280 --> 1:02:49.080
<v Speaker 1>ready to be a part of this shift.

1:02:49.400 --> 1:02:49.520
<v Speaker 3>Right.

1:02:49.920 --> 1:02:51.640
<v Speaker 1>So now what I'm about to do is take it

1:02:51.680 --> 1:02:55.600
<v Speaker 1>into phase two to where all these massive amounts of people.

1:02:56.040 --> 1:02:58.480
<v Speaker 4>Charlamagne then said, I agree with that. I salute that,

1:02:58.520 --> 1:03:00.800
<v Speaker 4>I pledge allegiance to that. D I'm rocking with that.

1:03:00.960 --> 1:03:01.640
<v Speaker 3>Da da da.

1:03:01.880 --> 1:03:04.880
<v Speaker 1>So many tastes, makers, artists and everybody are ready for

1:03:04.920 --> 1:03:07.680
<v Speaker 1>this shift that now we have to know what can

1:03:07.760 --> 1:03:10.160
<v Speaker 1>hip hop look like? And let's confront some of these

1:03:10.240 --> 1:03:13.920
<v Speaker 1>uncomfortable truths about the reality of our culture and figure

1:03:13.960 --> 1:03:18.840
<v Speaker 1>out what it can look like with the extermination of

1:03:19.120 --> 1:03:22.280
<v Speaker 1>the negative, toxic elements. And that might affect some people's

1:03:22.280 --> 1:03:26.440
<v Speaker 1>bottom line, that might affect some people's streams, that might

1:03:26.520 --> 1:03:29.280
<v Speaker 1>affect some people's taste buds and what they've been auto

1:03:29.320 --> 1:03:31.840
<v Speaker 1>programmed to listen to and to support and to like.

1:03:32.120 --> 1:03:34.720
<v Speaker 1>But if you really care about the betterment of our people,

1:03:34.760 --> 1:03:38.000
<v Speaker 1>and when I say our people meaning humanity period, we

1:03:38.400 --> 1:03:41.320
<v Speaker 1>who have signed the Platinum Pledge feel like, man, just

1:03:41.400 --> 1:03:41.920
<v Speaker 1>the way to go.

1:03:42.120 --> 1:03:44.400
<v Speaker 3>So that's yeah, you know what. I just thought of

1:03:44.440 --> 1:03:44.920
<v Speaker 3>something too.

1:03:45.600 --> 1:03:48.480
<v Speaker 2>I think one of the biggest problems we have it's

1:03:48.520 --> 1:03:51.200
<v Speaker 2>gonna end up if Diddy gets convicted. A lot of

1:03:51.240 --> 1:03:53.480
<v Speaker 2>people who were just trying to keep their job are

1:03:53.480 --> 1:03:55.200
<v Speaker 2>going to go to jail too. But you know, this

1:03:55.280 --> 1:03:57.040
<v Speaker 2>music industry is filled with people just trying to keep

1:03:57.080 --> 1:03:57.439
<v Speaker 2>their job.

1:03:59.160 --> 1:04:00.760
<v Speaker 3>That's a fact. That's a fact.

1:04:00.840 --> 1:04:04.880
<v Speaker 2>If you're an r's, if you're a ev P, you

1:04:05.000 --> 1:04:05.919
<v Speaker 2>just trying to keep your job.

1:04:06.080 --> 1:04:09.320
<v Speaker 1>So they put their integrity in the background and they

1:04:09.440 --> 1:04:10.320
<v Speaker 1>produce results.

1:04:10.400 --> 1:04:12.040
<v Speaker 3>Yeah, they just try just want to put numbers on

1:04:12.040 --> 1:04:12.280
<v Speaker 3>the best.

1:04:12.480 --> 1:04:15.800
<v Speaker 1>I'm saying teprety is in the background and in the income.

1:04:15.520 --> 1:04:17.640
<v Speaker 3>They can get another year in the building, another year

1:04:17.640 --> 1:04:18.160
<v Speaker 3>in the building.

1:04:18.280 --> 1:04:20.840
<v Speaker 4>So that's the problem. So bro, we gotta how do.

1:04:20.840 --> 1:04:23.520
<v Speaker 3>We fix that. I don't know, Man, I don't know. Listen,

1:04:23.560 --> 1:04:25.720
<v Speaker 3>I'm gonna tell you this, and I'm gonna tell you this.

1:04:25.800 --> 1:04:28.720
<v Speaker 2>Elliott Grange running in Atlantic is not helping. It's not

1:04:28.760 --> 1:04:29.320
<v Speaker 2>gonna help.

1:04:29.200 --> 1:04:33.600
<v Speaker 3>Because his daddy run Universal. Yeah, it's a problem, dog,

1:04:33.840 --> 1:04:36.280
<v Speaker 3>it's a problem. Dog. Well listen, that's the same guy

1:04:36.280 --> 1:04:38.400
<v Speaker 3>who signed six ' nine dog.

1:04:38.920 --> 1:04:42.680
<v Speaker 4>Listen, brother, Ever since I've been knowing you, you've been.

1:04:44.120 --> 1:04:44.720
<v Speaker 3>In the media.

1:04:44.800 --> 1:04:45.880
<v Speaker 4>You have a platform.

1:04:46.280 --> 1:04:48.800
<v Speaker 1>I would just say, I would say and pray you

1:04:48.840 --> 1:04:51.080
<v Speaker 1>know what I'm saying that, like, man, God, like bless

1:04:51.200 --> 1:04:54.080
<v Speaker 1>my brother Bootleg keV to where all this knowledge that

1:04:54.160 --> 1:04:56.760
<v Speaker 1>he has that he knows that there has to be

1:04:56.800 --> 1:05:00.160
<v Speaker 1>a level of integrity that comes along with manager in

1:05:00.160 --> 1:05:03.080
<v Speaker 1>this platform because people for clicks and likes will get

1:05:03.160 --> 1:05:05.000
<v Speaker 1>up here and say and do well.

1:05:04.800 --> 1:05:06.800
<v Speaker 2>That's what I'll say about my ship, bro is I will,

1:05:06.960 --> 1:05:09.880
<v Speaker 2>I will. I've never you know, anytime I've had an

1:05:09.960 --> 1:05:15.720
<v Speaker 2>artist on that it's controversial for whatever, you know.

1:05:15.720 --> 1:05:17.800
<v Speaker 4>Especially I saw the young Boy interviews.

1:05:18.000 --> 1:05:19.040
<v Speaker 3>Yeah, shots a young boy.

1:05:19.120 --> 1:05:20.720
<v Speaker 2>But like, you know, in terms of that, like I

1:05:21.360 --> 1:05:23.200
<v Speaker 2>you know, like I've interviewed Texi Ray and we had

1:05:23.200 --> 1:05:25.720
<v Speaker 2>fun and it was funny and it was you know,

1:05:25.840 --> 1:05:28.400
<v Speaker 2>but in terms of like the street ship, the violent ship,

1:05:28.520 --> 1:05:30.360
<v Speaker 2>like I try to make sure that whatever I do

1:05:30.840 --> 1:05:34.000
<v Speaker 2>here is is not adding on to any of that,

1:05:34.800 --> 1:05:37.400
<v Speaker 2>or at least trying to present the idea of solutions,

1:05:37.520 --> 1:05:40.280
<v Speaker 2>you know. Like so that's kind of like my you know,

1:05:41.200 --> 1:05:43.480
<v Speaker 2>in the world in which our media is adding on

1:05:44.360 --> 1:05:49.840
<v Speaker 2>to tension, adding on to beef beef conflicts. I just

1:05:49.880 --> 1:05:52.160
<v Speaker 2>don't want anybody to ever be like, man, I heard

1:05:52.160 --> 1:05:54.520
<v Speaker 2>you say the crazy shit on the Boulet Cab podcast

1:05:55.080 --> 1:05:57.240
<v Speaker 2>and then someone loses, like you know, like loses their life,

1:05:57.320 --> 1:05:59.000
<v Speaker 2>like I'm good, Doug, Like I don't want that shit

1:05:59.040 --> 1:06:00.640
<v Speaker 2>on my heart. You know what I'm saying, And it's

1:06:00.680 --> 1:06:03.080
<v Speaker 2>not worth the it's not worth the.

1:06:03.080 --> 1:06:06.640
<v Speaker 4>View, the extra little clicks. Thank you, dog got goosebumps

1:06:06.720 --> 1:06:07.400
<v Speaker 4>under my jacket.

1:06:07.440 --> 1:06:09.960
<v Speaker 1>Because this is a man in media who with that

1:06:10.000 --> 1:06:12.400
<v Speaker 1>lit that seems small what you just said, but that

1:06:12.560 --> 1:06:16.400
<v Speaker 1>right there, wouldn't give an open platform to people who

1:06:16.440 --> 1:06:18.760
<v Speaker 1>want to come on here basically announce.

1:06:18.560 --> 1:06:19.800
<v Speaker 3>That they're about to kill they out.

1:06:19.960 --> 1:06:21.920
<v Speaker 2>So like I just had X Rated on the show,

1:06:22.200 --> 1:06:25.919
<v Speaker 2>who is a legendary independent rapper sign of Tech nine now,

1:06:26.320 --> 1:06:26.760
<v Speaker 2>but his.

1:06:26.800 --> 1:06:28.800
<v Speaker 3>Hood and Mazzie's hood they beef.

1:06:29.760 --> 1:06:32.720
<v Speaker 2>And I had a conversation about Mazzie with X Rated

1:06:32.760 --> 1:06:35.680
<v Speaker 2>on camera and he said, look, I got goosebumps. He's like,

1:06:37.440 --> 1:06:40.280
<v Speaker 2>we're both from Sacramento. This man got nominated for a Grammy,

1:06:40.400 --> 1:06:42.600
<v Speaker 2>Like we need to like be happy about that, and

1:06:42.640 --> 1:06:44.960
<v Speaker 2>like Mazzi reposted it. So it's like, I don't know

1:06:44.960 --> 1:06:47.640
<v Speaker 2>if that's like going to change their neighborhood's problems, but

1:06:47.680 --> 1:06:49.680
<v Speaker 2>if it means those two guys talk who haven't talked

1:06:49.800 --> 1:06:51.760
<v Speaker 2>and they don't have direct beef with each other, let's

1:06:51.760 --> 1:06:53.640
<v Speaker 2>be clear, it's just that. But it's just like, you know,

1:06:53.800 --> 1:06:55.760
<v Speaker 2>but but there is a lot of that going on

1:06:55.800 --> 1:06:57.680
<v Speaker 2>in that town, so you know maybe.

1:06:57.400 --> 1:07:00.240
<v Speaker 4>Who knows, No, definitely, bro, feel good about that.

1:07:00.280 --> 1:07:02.000
<v Speaker 3>Bro. It's not even about feeling good about it. It's

1:07:02.000 --> 1:07:04.240
<v Speaker 3>just like, yo, like, let's not add to this shit

1:07:04.360 --> 1:07:04.720
<v Speaker 3>like yo.

1:07:04.800 --> 1:07:07.160
<v Speaker 2>Like the content like you said, Like I said, Bro,

1:07:07.400 --> 1:07:12.160
<v Speaker 2>the content culture we're in, it's we are content addicted, Bro.

1:07:12.200 --> 1:07:13.920
<v Speaker 3>Whether it's Instagram or YouTube.

1:07:15.520 --> 1:07:17.400
<v Speaker 2>I can't work out with a YouTube without a YouTube

1:07:17.480 --> 1:07:20.160
<v Speaker 2>or a podcast playing. I always have to have something playing.

1:07:20.200 --> 1:07:22.720
<v Speaker 2>We're all addicted to it. For me, it's fantasy football

1:07:22.760 --> 1:07:27.840
<v Speaker 2>talk or political shit or whatever. We're The content culture

1:07:27.880 --> 1:07:31.600
<v Speaker 2>we live in is not good for humanity on all fronts,

1:07:31.680 --> 1:07:34.200
<v Speaker 2>not just hip hop, but on all fronts.

1:07:34.360 --> 1:07:38.280
<v Speaker 1>Dog, I had a Christian rapper hit me up before

1:07:38.360 --> 1:07:40.680
<v Speaker 1>and suggest that we fake having a rap.

1:07:40.560 --> 1:07:42.000
<v Speaker 3>Beef, which is crazy.

1:07:42.200 --> 1:07:44.600
<v Speaker 4>A Christian rapper dog hit me up and fake that

1:07:44.720 --> 1:07:46.720
<v Speaker 4>we have a rap beef and propose that to me,

1:07:47.320 --> 1:07:49.440
<v Speaker 4>and I was like, brother, I said, the problem with

1:07:49.480 --> 1:07:53.600
<v Speaker 4>that is your fans they gonna pray for me. My

1:07:53.800 --> 1:07:56.520
<v Speaker 4>fans they're gonna come for you. You hear me, So

1:07:56.560 --> 1:07:59.040
<v Speaker 4>we can't be faking nothing because where I'm from, you

1:07:59.080 --> 1:08:01.560
<v Speaker 4>don't play with Nora Beef and clearly you're doing this

1:08:01.600 --> 1:08:04.040
<v Speaker 4>because you feel like this is gonna get some extra attention,

1:08:04.160 --> 1:08:06.720
<v Speaker 4>which is some extra couture is very Unchristian, like come

1:08:06.760 --> 1:08:09.040
<v Speaker 4>on man, yes and dog, So when I have seen that,

1:08:09.400 --> 1:08:11.240
<v Speaker 4>I echo what you're saying about me. In such a

1:08:11.280 --> 1:08:14.600
<v Speaker 4>content culture, I got people who will have issues with

1:08:14.600 --> 1:08:17.280
<v Speaker 4>one another, right, And it's like, oh, we got issues. Clearly,

1:08:17.960 --> 1:08:19.880
<v Speaker 4>if we have issues with one another, and if we

1:08:20.040 --> 1:08:23.439
<v Speaker 4>truly care about the personal relationship and getting that back right,

1:08:23.920 --> 1:08:26.519
<v Speaker 4>the first conversation we have probably shouldn't be on camera,

1:08:26.640 --> 1:08:29.280
<v Speaker 4>of course not. But I got people that's hitting me

1:08:29.400 --> 1:08:31.839
<v Speaker 4>up like yeah, yeah, let's talk about our issues on camera.

1:08:33.080 --> 1:08:34.759
<v Speaker 2>That's not how That's not how the real world works.

1:08:34.840 --> 1:08:36.120
<v Speaker 2>Not everything's meant for content.

1:08:36.160 --> 1:08:38.840
<v Speaker 3>Man, I knew I wasn't crazy though, No, no, no, for sure.

1:08:38.920 --> 1:08:40.160
<v Speaker 2>I mean I see it all the time where I'm

1:08:40.160 --> 1:08:44.320
<v Speaker 2>just like, it's just like dog, like it's exhausting. Everybody's

1:08:44.320 --> 1:08:46.400
<v Speaker 2>got a camera guy, and it's just like yo, like

1:08:46.479 --> 1:08:49.160
<v Speaker 2>not everything's got to be documented like this is but

1:08:49.240 --> 1:08:51.000
<v Speaker 2>this is the world we're in, bro. It's like it's

1:08:51.040 --> 1:08:54.240
<v Speaker 2>it's unfortunate, it is what it is for you would

1:08:54.280 --> 1:08:57.960
<v Speaker 2>you say that you've I just interviewed a a dude

1:08:58.040 --> 1:08:59.960
<v Speaker 2>named Miles Minute who's a Christian brother.

1:09:00.160 --> 1:09:02.439
<v Speaker 4>You know, he on my my my album Oh No,

1:09:02.520 --> 1:09:03.479
<v Speaker 4>that came out of Yego.

1:09:04.920 --> 1:09:07.599
<v Speaker 2>Would you say I wouldn't consider you a Christian rapper.

1:09:07.640 --> 1:09:09.320
<v Speaker 2>I consider you a rapper that happens to be Christian?

1:09:09.360 --> 1:09:10.439
<v Speaker 3>Is that? Yeah?

1:09:10.479 --> 1:09:14.679
<v Speaker 4>Bro? All them titles and and the subtitles and all that. Brother,

1:09:14.960 --> 1:09:16.880
<v Speaker 4>I'm like, hey, I got into this game, just do

1:09:16.960 --> 1:09:17.800
<v Speaker 4>you and whatever?

1:09:17.840 --> 1:09:19.800
<v Speaker 3>They're just trying to make him pay. So you know

1:09:19.840 --> 1:09:21.599
<v Speaker 3>what I call it. I call it purpose driven rap.

1:09:21.640 --> 1:09:23.719
<v Speaker 3>That's what I mean. Yeah, I make purpose driven.

1:09:23.880 --> 1:09:26.240
<v Speaker 2>I was gonna say, for you, do you feel like

1:09:26.600 --> 1:09:28.680
<v Speaker 2>there's I mean you're seeing it.

1:09:29.360 --> 1:09:29.559
<v Speaker 3>You know.

1:09:29.920 --> 1:09:31.720
<v Speaker 2>We talked about like there's people who are putting on

1:09:31.760 --> 1:09:34.280
<v Speaker 2>amazing content that is positive, like like Larussell to me

1:09:34.439 --> 1:09:38.439
<v Speaker 2>is a shining beaming light of amazingness in our music industry.

1:09:38.479 --> 1:09:40.160
<v Speaker 2>And that's why I try to shot him out whenever

1:09:40.200 --> 1:09:40.439
<v Speaker 2>I can.

1:09:40.640 --> 1:09:43.240
<v Speaker 4>Yeah, yeah, we about to drive a son again.

1:09:43.400 --> 1:09:45.479
<v Speaker 2>Yeah, dude, we might look back five years from now

1:09:45.520 --> 1:09:47.280
<v Speaker 2>and be like, Yo, that a little motherfucker from Vallejo

1:09:47.479 --> 1:09:48.840
<v Speaker 2>really might have changed the rap game.

1:09:50.560 --> 1:09:54.720
<v Speaker 3>The business model at least come on, man, Yes, but

1:09:54.760 --> 1:09:55.240
<v Speaker 3>who are.

1:09:55.080 --> 1:09:56.760
<v Speaker 2>Some of the other artists that you feel like are

1:09:57.080 --> 1:10:00.479
<v Speaker 2>kind of, you know, in in a line with kind

1:10:00.479 --> 1:10:01.640
<v Speaker 2>of what you're saying.

1:10:01.439 --> 1:10:05.480
<v Speaker 4>Like the purpose driven rare. Yeah, bro, there's so many artists.

1:10:05.520 --> 1:10:08.160
<v Speaker 1>Some are Christians and some are just people that are

1:10:08.200 --> 1:10:11.600
<v Speaker 1>out here trying to make progress in this world and humanity.

1:10:11.680 --> 1:10:11.880
<v Speaker 3>Right.

1:10:12.080 --> 1:10:15.759
<v Speaker 1>So one you talked about you you got a relationship

1:10:15.800 --> 1:10:18.120
<v Speaker 1>with freda Well, one of Freddo's best friends is named

1:10:18.360 --> 1:10:22.120
<v Speaker 1>Joe Scott. That's my other former student from br from

1:10:22.160 --> 1:10:25.519
<v Speaker 1>Baker exactly, you know, representing the Baton Rouge area. Brother,

1:10:25.760 --> 1:10:28.960
<v Speaker 1>he's a beast. I guarantee you about he about to

1:10:29.000 --> 1:10:31.960
<v Speaker 1>take off. You hear me about to really take off? Like,

1:10:32.200 --> 1:10:34.280
<v Speaker 1>that's a dude who I've been rooting for for the longest.

1:10:34.280 --> 1:10:37.000
<v Speaker 1>And I'm like, I you almost there, you almost there?

1:10:37.040 --> 1:10:37.800
<v Speaker 1>You almost there?

1:10:37.920 --> 1:10:41.080
<v Speaker 4>Another brother? Who Man, we just got kindred spirits.

1:10:41.120 --> 1:10:45.559
<v Speaker 1>So me and this dude, you know, behind the scenes,

1:10:45.760 --> 1:10:47.040
<v Speaker 1>we got a real good relationship.

1:10:47.080 --> 1:10:49.080
<v Speaker 3>Dizzey Right, I love Disney Man. Man.

1:10:49.400 --> 1:10:51.120
<v Speaker 2>So I've known that kid since he was going by

1:10:51.120 --> 1:10:53.280
<v Speaker 2>Dizzy d. You know, it's crazy. I judged the Talent

1:10:53.320 --> 1:10:54.920
<v Speaker 2>Show when I lived in Vegas. I used to do

1:10:55.000 --> 1:10:58.080
<v Speaker 2>radio in Vegas. He won the challenge show at Sheic Shoes.

1:10:58.479 --> 1:11:01.719
<v Speaker 2>It was like twenty ten real and he was doing talent.

1:11:01.920 --> 1:11:03.480
<v Speaker 2>He was going by Dizzy d Flashy.

1:11:03.800 --> 1:11:06.160
<v Speaker 3>Really. Yeah, that's my brother for real. I love Disney

1:11:06.200 --> 1:11:06.920
<v Speaker 3>Man really.

1:11:07.360 --> 1:11:10.000
<v Speaker 1>Okay, So Dizzy Dizzey is a dude who I see

1:11:10.040 --> 1:11:13.520
<v Speaker 1>him from afar and I see him welcoming the evolution

1:11:13.720 --> 1:11:16.519
<v Speaker 1>as he grows and mature. Sure like he putting out

1:11:16.560 --> 1:11:19.200
<v Speaker 1>more music than ever, as he's growing wiser than ever,

1:11:19.280 --> 1:11:20.840
<v Speaker 1>you know what I'm saying. So I see that and

1:11:21.160 --> 1:11:23.519
<v Speaker 1>I'm like, oh, that's that's what we need more of

1:11:23.600 --> 1:11:24.080
<v Speaker 1>in this game.

1:11:24.160 --> 1:11:26.160
<v Speaker 2>You feel I do Price too, Shot the Price tag

1:11:26.200 --> 1:11:28.679
<v Speaker 2>formerly an Auto Push. Price is doing this thing man. Price

1:11:28.760 --> 1:11:31.559
<v Speaker 2>is pushing you know, he's pushing good ship man Shot

1:11:31.600 --> 1:11:34.720
<v Speaker 2>the Price for real. Yeah, Price is dope. Yeah he

1:11:34.520 --> 1:11:37.479
<v Speaker 2>he You remember Audio Push, yes, of course. Yeah, so

1:11:37.600 --> 1:11:39.679
<v Speaker 2>Price is from Audio Push. But he's been a solo

1:11:39.760 --> 1:11:42.080
<v Speaker 2>artist for like four years now. But he's hard. Yeah.

1:11:42.280 --> 1:11:44.479
<v Speaker 1>And we got another brother. He from my he from

1:11:44.520 --> 1:11:46.840
<v Speaker 1>my state name carrying the Light you hear me. He'

1:11:46.840 --> 1:11:49.880
<v Speaker 1>a Christian artist carrying the Light man. Same thing He's

1:11:49.920 --> 1:11:52.120
<v Speaker 1>featured on my album that I put out recently. I

1:11:52.160 --> 1:11:53.720
<v Speaker 1>love that to dude, you know what I'm saying, Just

1:11:53.760 --> 1:11:57.920
<v Speaker 1>somebody who is unapologetic about knowing his purpose in this game.

1:11:58.120 --> 1:12:00.160
<v Speaker 1>You heard me and him saying, come on man, like

1:12:00.200 --> 1:12:03.040
<v Speaker 1>I'm I'm I'm doing it. Whether y'all not like me

1:12:03.160 --> 1:12:04.960
<v Speaker 1>or not, I'm on a big o mission. You feel

1:12:05.000 --> 1:12:07.800
<v Speaker 1>me Like, that's the type of people that no matter

1:12:07.800 --> 1:12:09.120
<v Speaker 1>what it is, or I'm about to go on tour

1:12:09.240 --> 1:12:09.919
<v Speaker 1>with uh.

1:12:10.120 --> 1:12:12.479
<v Speaker 4>I mean, he been in the game forever, but Brother

1:12:12.560 --> 1:12:13.920
<v Speaker 4>Ali shout out.

1:12:13.800 --> 1:12:15.439
<v Speaker 3>To him, I'm about to go on tour with him. Brother.

1:12:15.640 --> 1:12:17.080
<v Speaker 3>He's a fucking legend, bro.

1:12:17.680 --> 1:12:20.720
<v Speaker 4>But the thing about being a legend nowadays is you

1:12:20.760 --> 1:12:23.439
<v Speaker 4>could be a legend and still be unknown by other people.

1:12:24.080 --> 1:12:28.320
<v Speaker 4>That's the beautiful part they don't know about now.

1:12:28.760 --> 1:12:31.479
<v Speaker 3>White Van Music Man shot to Jake One that that

1:12:31.479 --> 1:12:33.479
<v Speaker 3>that what was that song The Truth with Freeway? That

1:12:33.560 --> 1:12:37.719
<v Speaker 3>shit was crazy. So shot to Brother Ali man, Yeah,

1:12:37.880 --> 1:12:38.439
<v Speaker 3>that's dope.

1:12:38.520 --> 1:12:41.720
<v Speaker 4>My brother, my brother Mac from New Orleans who used

1:12:41.760 --> 1:12:42.439
<v Speaker 4>to be with No Limit.

1:12:42.560 --> 1:12:45.120
<v Speaker 3>Yeah, like I had his album Shocked you did, we

1:12:45.200 --> 1:12:46.080
<v Speaker 3>all did? Yeah?

1:12:46.360 --> 1:12:48.799
<v Speaker 2>I had all the No Limit albums. My whole fucking

1:12:48.880 --> 1:12:51.320
<v Speaker 2>CD rack in my room. I felt like for it

1:12:51.360 --> 1:12:53.160
<v Speaker 2>was all the colorful as jewel cases.

1:12:53.200 --> 1:12:54.800
<v Speaker 4>He was more of a no limit or cash money

1:12:54.840 --> 1:12:57.360
<v Speaker 4>one hundred percent of no limit Okay, not even close.

1:12:57.760 --> 1:12:59.960
<v Speaker 3>Really, I had no limit chain and everything.

1:13:00.520 --> 1:13:04.160
<v Speaker 2>Really, Ghetto Dope was like the first the first master

1:13:04.200 --> 1:13:06.280
<v Speaker 2>PC I owned was the ice cream and Ship with

1:13:06.439 --> 1:13:11.280
<v Speaker 2>the white cover, and then uh, because No Limit was

1:13:11.280 --> 1:13:15.439
<v Speaker 2>first they were. Ghetto Dope was like Ghetto D's like

1:13:15.600 --> 1:13:18.440
<v Speaker 2>dog I know that pretty much the whole album by

1:13:18.600 --> 1:13:20.400
<v Speaker 2>like by heart, Like that's one of my favorite albums ever.

1:13:20.720 --> 1:13:23.240
<v Speaker 2>I kind of because they had like their little conflict,

1:13:23.520 --> 1:13:26.400
<v Speaker 2>I kind of shun cash money low key, but it

1:13:26.479 --> 1:13:28.120
<v Speaker 2>was just so good that you had to be like.

1:13:28.680 --> 1:13:29.720
<v Speaker 4>That's how powerful rap.

1:13:30.880 --> 1:13:32.800
<v Speaker 3>Four hundred degrees was just so good that you were like,

1:13:32.840 --> 1:13:34.200
<v Speaker 3>you couldn't deny it.

1:13:34.360 --> 1:13:36.240
<v Speaker 1>I mean, but for people who try to tell me

1:13:36.400 --> 1:13:39.560
<v Speaker 1>on these podcasts all around the country, it's just entertainment.

1:13:40.240 --> 1:13:44.680
<v Speaker 1>Rap music had a white dude growing up where it

1:13:46.080 --> 1:13:49.000
<v Speaker 1>in Phoenix saying, man, I ain't rocking with cash money.

1:13:49.040 --> 1:13:50.719
<v Speaker 4>Just on the strength of how much I am rocking

1:13:50.800 --> 1:13:53.439
<v Speaker 4>with no limit. That's the power. I ain't never met.

1:13:53.280 --> 1:13:56.360
<v Speaker 2>None of them, but I had to fucking Nolan. I

1:13:56.360 --> 1:14:00.400
<v Speaker 2>had the no Limit Jersey. I saved so much money

1:14:00.400 --> 1:14:03.639
<v Speaker 2>to buy that bitch. It was like one hundred dollars. Yeah,

1:14:03.720 --> 1:14:07.200
<v Speaker 2>I thought self. The Shaker was like so hard as

1:14:07.240 --> 1:14:08.920
<v Speaker 2>a kid, bro like charge it to the game and

1:14:08.920 --> 1:14:11.880
<v Speaker 2>the farther four boys, And of course Mystical unpredictable. And

1:14:12.280 --> 1:14:16.120
<v Speaker 2>what was the album with I Smelled Smoke? The second yo,

1:14:16.240 --> 1:14:20.640
<v Speaker 2>Mystical was so tough that missed the album with I

1:14:20.640 --> 1:14:22.200
<v Speaker 2>Smell Smoke? I think it was called unpredictable.

1:14:22.200 --> 1:14:23.760
<v Speaker 3>Actually, yeah, unpredictable.

1:14:23.880 --> 1:14:26.280
<v Speaker 4>Fucking that was that was with the with the puzzle pieces.

1:14:26.320 --> 1:14:30.320
<v Speaker 2>No, that was unpredictable was the one after that? Okay,

1:14:30.640 --> 1:14:33.960
<v Speaker 2>but nah, Mysticol was crazy? Yeah, Bro turned out he

1:14:34.040 --> 1:14:38.000
<v Speaker 2>you know, probably not the best guy.

1:14:36.960 --> 1:14:39.920
<v Speaker 3>But you know these are heroes.

1:14:40.400 --> 1:14:45.120
<v Speaker 2>Hey man, man shout out to Diddy anyway, Look man, uh,

1:14:45.280 --> 1:14:47.160
<v Speaker 2>people are able to buy and support what you're doing

1:14:47.200 --> 1:14:48.599
<v Speaker 2>on d one music dot com.

1:14:48.439 --> 1:14:51.360
<v Speaker 1>Dee the number one music dot com. Not only do

1:14:51.439 --> 1:14:53.760
<v Speaker 1>I have oh you know what, it's over there. I

1:14:53.800 --> 1:14:55.519
<v Speaker 1>got a children's book I wrote. It's a hip hop

1:14:55.640 --> 1:14:56.280
<v Speaker 1>children's book.

1:14:56.280 --> 1:14:56.680
<v Speaker 3>You hear me.

1:14:56.800 --> 1:14:59.400
<v Speaker 4>It's called David Found his Sling Shot so that's on

1:14:59.520 --> 1:15:02.320
<v Speaker 4>the on the website. It ain't gonna take number five.

1:15:02.920 --> 1:15:05.600
<v Speaker 3>Man, go grab it. Show off the book, man, I

1:15:05.640 --> 1:15:10.640
<v Speaker 3>want to Yeah, that's hard. Grab it. I got a

1:15:10.680 --> 1:15:11.960
<v Speaker 3>ten year old and a nineteen year old.

1:15:12.200 --> 1:15:16.160
<v Speaker 1>Okay word, So this is the book right here. David

1:15:16.160 --> 1:15:18.640
<v Speaker 1>found his slang shot. The whole book rhymes. It's a

1:15:18.720 --> 1:15:21.160
<v Speaker 1>hip hop book, but it's an anti bully in children's

1:15:21.160 --> 1:15:22.960
<v Speaker 1>book because I used to get bullet when I was

1:15:23.000 --> 1:15:25.519
<v Speaker 1>in kindergarten in New Orleans, and you know, in this

1:15:25.640 --> 1:15:29.360
<v Speaker 1>age of ops, this era of everybody being beefed out. Ironically,

1:15:29.400 --> 1:15:32.400
<v Speaker 1>me and my former bully are best friends to this day, really,

1:15:32.439 --> 1:15:34.559
<v Speaker 1>and it talks about how hip hop. I don't want

1:15:34.560 --> 1:15:36.639
<v Speaker 1>to get a whole book away, but hip hop actually

1:15:36.640 --> 1:15:38.720
<v Speaker 1>played a role and I was becoming best friends. So

1:15:38.960 --> 1:15:41.120
<v Speaker 1>I wanted to take my story put it out there.

1:15:41.520 --> 1:15:43.920
<v Speaker 1>So that's all my website d one music dot com.

1:15:44.680 --> 1:15:47.160
<v Speaker 1>I just put my new album loaded out right now.

1:15:48.400 --> 1:15:50.080
<v Speaker 2>Did you get like, when you write a book like this,

1:15:50.320 --> 1:15:53.320
<v Speaker 2>obviously you're selling it and you're copying it, like you're

1:15:53.400 --> 1:15:57.280
<v Speaker 2>printing these out yourself. Yes, sir, do people reach out

1:15:57.320 --> 1:15:58.720
<v Speaker 2>to try to do like a because for people wh

1:15:58.720 --> 1:15:58.920
<v Speaker 2>don't know.

1:15:58.960 --> 1:16:00.479
<v Speaker 3>The author game is like the rectal game.

1:16:00.520 --> 1:16:03.400
<v Speaker 2>But if you get an advance to write a book, like, yo,

1:16:03.720 --> 1:16:05.759
<v Speaker 2>take this this, yo, you take.

1:16:05.640 --> 1:16:07.120
<v Speaker 3>This to the fucking Barnes and Nobles.

1:16:07.160 --> 1:16:10.559
<v Speaker 1>Man that part, that part, yeah, right now, I'm the

1:16:10.600 --> 1:16:15.800
<v Speaker 1>dude that's been saying Barnes and Nobles, y'all taking too

1:16:15.840 --> 1:16:16.599
<v Speaker 1>big of a cut.

1:16:16.960 --> 1:16:17.760
<v Speaker 3>I don't doubt they are.

1:16:18.560 --> 1:16:20.880
<v Speaker 2>I'm very ignorant to that, except for I know that

1:16:21.000 --> 1:16:23.040
<v Speaker 2>authors get advances the way rappers get advanced.

1:16:23.080 --> 1:16:24.960
<v Speaker 1>Yeah, and I chose to take no advance. Better on

1:16:25.000 --> 1:16:28.400
<v Speaker 1>myself and h but this is a dope. I said

1:16:28.479 --> 1:16:30.519
<v Speaker 1>that I don't wear underground platinum with this in the

1:16:30.560 --> 1:16:33.599
<v Speaker 1>past year. Car brother. I'm not no materialistic dude. I'm

1:16:33.640 --> 1:16:36.200
<v Speaker 1>not no flashy dude. But just so y'all know, by

1:16:36.200 --> 1:16:39.080
<v Speaker 1>the grace of God, I'm not hurting at all. So

1:16:39.120 --> 1:16:41.160
<v Speaker 1>I don't want people to think that like d one

1:16:41.240 --> 1:16:42.080
<v Speaker 1>got a good heart.

1:16:42.240 --> 1:16:44.519
<v Speaker 4>But does it really like pay off?

1:16:44.920 --> 1:16:45.160
<v Speaker 3>Yes?

1:16:45.360 --> 1:16:47.760
<v Speaker 1>Yes, it pays to be independent, It pays to keep

1:16:47.760 --> 1:16:50.280
<v Speaker 1>your integrity, it pays to keep God first, and it

1:16:50.320 --> 1:16:52.280
<v Speaker 1>pays to be dope at what you do. So I

1:16:52.320 --> 1:16:57.559
<v Speaker 1>got underground Platinum children's book. I got the number two

1:16:57.560 --> 1:17:00.479
<v Speaker 1>album in the world on iTunes, loaded as our right now,

1:17:00.760 --> 1:17:01.200
<v Speaker 1>about to.

1:17:01.160 --> 1:17:05.560
<v Speaker 4>Go on tour. Professor at Toughs University, fellow at Harvard University,

1:17:05.800 --> 1:17:08.000
<v Speaker 4>and all this came from rapping.

1:17:08.080 --> 1:17:10.960
<v Speaker 3>Man, that's crazy that you started as.

1:17:10.800 --> 1:17:12.920
<v Speaker 4>A teacher, as a middle school teacher.

1:17:12.640 --> 1:17:14.080
<v Speaker 3>And now you're a professor.

1:17:15.080 --> 1:17:17.439
<v Speaker 4>Full circle, my g And ask Fredo next time you

1:17:17.479 --> 1:17:18.040
<v Speaker 4>talk to him.

1:17:18.080 --> 1:17:18.559
<v Speaker 3>I was missed.

1:17:18.640 --> 1:17:21.400
<v Speaker 1>Augustine Cradle just put a country song out. Fredo is

1:17:21.439 --> 1:17:23.719
<v Speaker 1>one of the most talented artists in the world. For sure,

1:17:23.800 --> 1:17:26.240
<v Speaker 1>he'd be sending me these songs, bro, And I just

1:17:26.280 --> 1:17:29.160
<v Speaker 1>be like, how does your brain work like this to

1:17:29.200 --> 1:17:30.759
<v Speaker 1>be able to come up with these type of things?

1:17:30.760 --> 1:17:32.400
<v Speaker 3>Bro? Like sure, it's crazy. Man.

1:17:32.840 --> 1:17:34.840
<v Speaker 4>Man, I'm gonna give you this yeah, thank you autograph

1:17:35.000 --> 1:17:36.240
<v Speaker 4>for you even if yeah.

1:17:36.320 --> 1:17:36.559
<v Speaker 3>Brother.

1:17:36.920 --> 1:17:39.280
<v Speaker 4>So I do book readings all over the country. I

1:17:39.320 --> 1:17:41.920
<v Speaker 4>go to schools, and because I'm a rapper, I wrote

1:17:41.960 --> 1:17:43.360
<v Speaker 4>the book like I was writing a song.

1:17:43.560 --> 1:17:45.320
<v Speaker 3>So I'm able to not.

1:17:45.280 --> 1:17:48.559
<v Speaker 1>Only read the book, but like perform the book while

1:17:48.600 --> 1:17:49.719
<v Speaker 1>I'm reading it to the kids.

1:17:49.760 --> 1:17:52.960
<v Speaker 3>Man, that's dope. It's amazing, bro, congrats on everything.

1:17:52.680 --> 1:17:54.800
<v Speaker 1>Thank you brother, And what else can I say yet?

1:17:54.840 --> 1:17:56.880
<v Speaker 1>A new single is out call it like it is.

1:17:57.080 --> 1:17:58.200
<v Speaker 1>Shout out to Kendrick Lamar.

1:17:58.280 --> 1:17:59.960
<v Speaker 3>Have you talked to Kendrick since the shout out?

1:18:00.080 --> 1:18:01.760
<v Speaker 1>I haven't talked to him. I just hit him on

1:18:01.800 --> 1:18:05.120
<v Speaker 1>social media. It's like, brother, you just changed my life?

1:18:05.320 --> 1:18:08.960
<v Speaker 3>Want you? Yeah? I mean, obviously you guys are part

1:18:08.960 --> 1:18:09.799
<v Speaker 3>of the same era.

1:18:10.760 --> 1:18:12.920
<v Speaker 4>We met at paid Dues in twenty eleven.

1:18:13.000 --> 1:18:16.120
<v Speaker 2>Yeah, you guys are the same literally blog era. Literally, Bro,

1:18:16.200 --> 1:18:18.240
<v Speaker 2>you guys are products is a blog era literally, So

1:18:18.320 --> 1:18:20.439
<v Speaker 2>it's kind of crazy all these years later.

1:18:20.600 --> 1:18:21.880
<v Speaker 3>For life is great.

1:18:21.920 --> 1:18:24.720
<v Speaker 1>Brother, salute to that man for what it is that

1:18:24.760 --> 1:18:27.559
<v Speaker 1>he's doing and trying to do in hip hop.

1:18:27.600 --> 1:18:30.000
<v Speaker 4>And I just I want Kendrick to know that I'm

1:18:30.000 --> 1:18:30.720
<v Speaker 4>praying for him.

1:18:30.960 --> 1:18:33.200
<v Speaker 2>I saw what you said about Joe Budden on the song,

1:18:33.240 --> 1:18:35.280
<v Speaker 2>and obviously you said that he's you know, would you

1:18:35.320 --> 1:18:36.800
<v Speaker 2>ever go on his show and talk to him?

1:18:36.840 --> 1:18:38.559
<v Speaker 3>I would love to go on Joe Budden's show.

1:18:38.479 --> 1:18:40.840
<v Speaker 2>Where they would you even think? I feel like it's

1:18:40.880 --> 1:18:43.960
<v Speaker 2>one thing to like they should open it. Like I

1:18:44.000 --> 1:18:46.320
<v Speaker 2>feel like, if you're going to be very critical of somebody,

1:18:46.360 --> 1:18:49.480
<v Speaker 2>give him the opportunity to come and have a civil discussion.

1:18:49.600 --> 1:18:51.760
<v Speaker 1>Yeah, maybe Joe Budden will listen to this and be like,

1:18:51.840 --> 1:18:54.040
<v Speaker 1>all right, cool, But I would love to have that

1:18:54.120 --> 1:18:57.080
<v Speaker 1>because communication in this culture would lead to unification.

1:18:57.360 --> 1:18:59.200
<v Speaker 4>It's okay to have a difference of opinion.

1:18:59.000 --> 1:19:02.680
<v Speaker 2>And there's a lot of nuance left out when it

1:19:02.720 --> 1:19:06.479
<v Speaker 2>comes to tweets and online back and forth. Like I'm

1:19:06.479 --> 1:19:08.839
<v Speaker 2>sure you and Rick Ross would have an amazing conversation

1:19:08.880 --> 1:19:10.559
<v Speaker 2>if there weren't cameras rolling, it was just you and

1:19:10.600 --> 1:19:11.160
<v Speaker 2>him in a room.

1:19:11.400 --> 1:19:13.800
<v Speaker 4>That part, man, you know, I pray to guard that

1:19:13.800 --> 1:19:15.000
<v Speaker 4>that could happen if it's meant to.

1:19:15.080 --> 1:19:16.240
<v Speaker 3>I don't want to force it either.

1:19:16.400 --> 1:19:19.360
<v Speaker 4>I don't want to force it, but it could be

1:19:19.439 --> 1:19:22.320
<v Speaker 4>off camera, Like off camera is totally fine with any

1:19:22.360 --> 1:19:23.560
<v Speaker 4>of these guys, because.

1:19:23.320 --> 1:19:26.680
<v Speaker 2>I think that's when the egos get dropped. And that's

1:19:27.160 --> 1:19:31.320
<v Speaker 2>not a Rick Ross specific critique. That's just everybody. When

1:19:31.320 --> 1:19:35.960
<v Speaker 2>you're not on camera, your ego isn't necessarily on full display.

1:19:36.880 --> 1:19:39.040
<v Speaker 1>You know what, there's enough mutual people in the industry

1:19:39.080 --> 1:19:41.400
<v Speaker 1>who know me and Joe Budden and who know me

1:19:41.520 --> 1:19:42.280
<v Speaker 1>and Rick Ross.

1:19:42.320 --> 1:19:46.000
<v Speaker 3>I already been talking to Jim Jones. Yeah, Jim's good guy.

1:19:46.160 --> 1:19:48.760
<v Speaker 1>Yeah, we had you know, back and forth publicly, but

1:19:49.040 --> 1:19:51.680
<v Speaker 1>we Fromed a really cool relationship.

1:19:51.800 --> 1:19:52.680
<v Speaker 3>So what about Mek.

1:19:53.520 --> 1:19:55.240
<v Speaker 4>Haven't talked to Meek, and I know a lot of

1:19:55.240 --> 1:19:56.160
<v Speaker 4>people who know Meek.

1:19:56.560 --> 1:19:58.400
<v Speaker 2>I think Meek's got to I feel like he's got

1:19:58.439 --> 1:20:00.519
<v Speaker 2>good intention. I feel like he wants to to do good.

1:20:00.600 --> 1:20:02.559
<v Speaker 2>I know he has a good heart. And you know

1:20:02.560 --> 1:20:03.400
<v Speaker 2>who I want shout out.

1:20:03.439 --> 1:20:05.280
<v Speaker 1>This is the most random shot out ever, but one

1:20:05.320 --> 1:20:06.840
<v Speaker 1>of Meek's artists, young brother.

1:20:06.920 --> 1:20:08.439
<v Speaker 4>Now, kur you heard him?

1:20:08.840 --> 1:20:12.560
<v Speaker 3>K you. That dude is talented. Bro, that dude is talented.

1:20:12.680 --> 1:20:15.559
<v Speaker 1>And I hit him up recently just on some like

1:20:16.040 --> 1:20:18.960
<v Speaker 1>oh like just ran across your content, brother, and like

1:20:19.000 --> 1:20:22.040
<v Speaker 1>I'm moved by that, and then found out after he's

1:20:22.080 --> 1:20:22.519
<v Speaker 1>signed to me.

1:20:22.840 --> 1:20:25.360
<v Speaker 3>But it's like, bro, we all connected one way, right man?

1:20:25.520 --> 1:20:27.719
<v Speaker 3>For sure? That's it there it is, man. I appreciate

1:20:27.720 --> 1:20:30.280
<v Speaker 3>you thanking. Do you want much love