WEBVTT - The 13th Annual Halloween Spooktacular!

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<v Speaker 1>Welcome to Stuff you should know, a production of I

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<v Speaker 1>Heart Radio. Hey, and welcome to the spook Cast. I'm Josh,

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<v Speaker 1>and there's Chuck and there's Jerry Booberry, Roland Booberry. That

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<v Speaker 1>was the best one. I like it. And this is

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<v Speaker 1>Stuff you should Know, the Spooktacular, Spooky Halloween Edition. That's right,

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<v Speaker 1>this is our spook Tacular. That's awesome. And I went

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<v Speaker 1>back and looked and uh, we started out kind of

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<v Speaker 1>timid mm hmm with the early days, and then we

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<v Speaker 1>kind of got I think it was a few years

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<v Speaker 1>in when we finally started in with like the two

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<v Speaker 1>stories and really got our wheels. Are Halloween wheels going?

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<v Speaker 1>I can feel them just burning up the tree act

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<v Speaker 1>right now. That's right. And also this is as we

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<v Speaker 1>always like to mention, one of our two episodes of

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<v Speaker 1>the year, that we have fought tooth and nail to

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<v Speaker 1>keep ad free. That's right, because nothing will ruin a

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<v Speaker 1>spooky Halloween story more than stopping to sell stamps, That's right.

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<v Speaker 1>You just want the scares and the thrills and the

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<v Speaker 1>chills to be perfectly uninterrupted, right. Yeah. And both of

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<v Speaker 1>these stories of parents have never heard these, uh, they

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<v Speaker 1>are both fine for kids to listen to a little creepy,

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<v Speaker 1>but largely because we have to use uh what's it

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<v Speaker 1>called when you can read it public domain stories, and

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<v Speaker 1>usually those aren't you know, they're older, so they're not

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<v Speaker 1>as gross as the stories you would get today. Yeah,

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<v Speaker 1>I mean the language they use. Adults barely know what's

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<v Speaker 1>going on. Kids definitely don't. So those are the stories

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<v Speaker 1>we like to pick two good ones. So I'm looking

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<v Speaker 1>forward to these two, two quality stories. Let's start with yours.

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<v Speaker 1>The Boarded Window by Ambrose Beer. Right, yeah, Ambrose Beer

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<v Speaker 1>is one of the great journalists and spooky story writers

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<v Speaker 1>in history. I believe we already have done one Beers piece, definitely.

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<v Speaker 1>I can't remember the name of it, but it was good. Yeah,

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<v Speaker 1>it was good. I think he was also called like

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<v Speaker 1>the wickedest man alive at some point in time. No,

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<v Speaker 1>that was what's his face? You know what I'm saying.

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<v Speaker 1>I think more than one person has been called that. Okay,

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<v Speaker 1>I've been called that before. Come on, no, that's not true.

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<v Speaker 1>All right, So you want to start this one, Yeah,

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<v Speaker 1>I'll give this one a whirl, all right, And Jerry,

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<v Speaker 1>if you don't mind bringing on the amazing sound effects.

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<v Speaker 1>A hand for Jerry. Everybody, she does it up. Every year,

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<v Speaker 1>she does it up. So here we go. Everybody darken

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<v Speaker 1>the lights, pore up a spooky cider or something, and

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<v Speaker 1>here we go with the boarded window by Ambrose Beers.

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<v Speaker 1>In eighteen thirty, only a few miles away from what

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<v Speaker 1>is now the great city of Cincinnata lay an immense

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<v Speaker 1>and almost unbroken forest. The whole region was sparsely settled

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<v Speaker 1>by people of the frontier, restless souls who no sooner

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<v Speaker 1>had hewn fairly habitable homes out of the wilderness and

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<v Speaker 1>attained to that degree of prosperity which today we should

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<v Speaker 1>call indigence, than impelled by some mysterious impulse of their nature,

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<v Speaker 1>they abandoned all and pushed farther westward to encounter new

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<v Speaker 1>perils and privations, and the effort to regain the meager

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<v Speaker 1>comforts which they had voluntarily renounced. It's quite a sentence,

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<v Speaker 1>it is. It's clever, though I know, I love how

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<v Speaker 1>they pushed further westward into Cincinnati. That's right, many of

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<v Speaker 1>them had already forsaken that region for the remoter settlements.

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<v Speaker 1>But among those remaining was one who had been of

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<v Speaker 1>those first arriving. He lived alone in a house of logs,

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<v Speaker 1>surrounded on all sides by the great forest, of whose

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<v Speaker 1>gloom in silence he seemed to part, for no one

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<v Speaker 1>had ever known him to smile nor speak a needless word.

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<v Speaker 1>His simple wants were supplied by the sale or barter

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<v Speaker 1>of skins of wild animals in the river town. For

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<v Speaker 1>not a thing did he grow upon the land, which,

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<v Speaker 1>if needful, he might have claimed by right of undisturbed possession.

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<v Speaker 1>So this guy's like the king of his domain e

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<v Speaker 1>there basically definitely, But he doesn't really do anything. He

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<v Speaker 1>just kind of lays around and skins animals, I guess,

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<v Speaker 1>as we will see, there were evidences of quote improvement

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<v Speaker 1>end quote, which is kind of harsh, I think, to say,

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<v Speaker 1>A few acres of ground immediately about the house had

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<v Speaker 1>once been cleared of its trees, the decayed stumps of

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<v Speaker 1>which were half concealed by the new growth that had

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<v Speaker 1>been suffered to repair the ravage wrought by the acts.

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<v Speaker 1>Apparently the man zeal for agriculture had burned with a

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<v Speaker 1>failing flame expiring in penitential ashes. The a log house

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<v Speaker 1>with his chimney of sticks, its roof of warping clapboards

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<v Speaker 1>weighted with traversing polls, and it's quote chinking quote of

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<v Speaker 1>clay had a single door and directly opposite a window.

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<v Speaker 1>The ladder, however, was boarded up. Nobody could remember a

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<v Speaker 1>time when it was not, and no one knew why

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<v Speaker 1>it was so closed, certainly not because of the occupant's

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<v Speaker 1>dislike of light and air. For on one of those

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<v Speaker 1>rare occasions when a hunter had passed that lonely spot,

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<v Speaker 1>the recluse had commonly been seen sunning himself on his doorstep.

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<v Speaker 1>If Heaven hath provided sunshine for his need, I fancy

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<v Speaker 1>there are a few persons living today who ever knew

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<v Speaker 1>the secret of that window. But I am one, as

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<v Speaker 1>you shall see right. So, yeah, you're dis guys living

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<v Speaker 1>out there in the woods. Seems a little bit lazy,

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<v Speaker 1>and he's got a boarded up window, and he likes

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<v Speaker 1>the sun himself, And just because of his living situation

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<v Speaker 1>and where he lives, there's just no way he's wearing

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<v Speaker 1>clothes while he's sunning himself outside of his house, very

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<v Speaker 1>much naked out there. I bet um, okay, my turn. Yes.

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<v Speaker 1>The man's name was said to be Merlock. He was

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<v Speaker 1>apparently seventy years old, actually about fifty something. Besides years

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<v Speaker 1>had had a hand in his aging. His hair and

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<v Speaker 1>long full beard were white, his gray, lusterless eyes sunk

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<v Speaker 1>in his face singularly seamed with wrinkles, which appeared to

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<v Speaker 1>belong to two intersecting systems in figure. He was tall

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<v Speaker 1>and spare, with a stoop of the shoulders, a burden bearer.

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<v Speaker 1>I never saw him. These particulars I learned from my grandfather,

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<v Speaker 1>from whom I also got the man's story. When I

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<v Speaker 1>was a lad. He had known him when living nearby.

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<v Speaker 1>In that early day. One day Merlock was found in

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<v Speaker 1>his cabin dead. It was not a time and place

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<v Speaker 1>for coroners and newspapers, And I suppose it was agreed

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<v Speaker 1>that he had died from natural causes, or I should

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<v Speaker 1>have been told and should remember her. I know only that,

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<v Speaker 1>with what was probably a sense of the fitness of things,

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<v Speaker 1>the body was buried near the cabin, alongside the grave

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<v Speaker 1>of his wife, who had preceded him by so many

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<v Speaker 1>years that local tradition had retained hardly a hint of

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<v Speaker 1>her existence. That closes the final chapter of this true story.

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<v Speaker 1>Excepting indeed, the circumstance. Many years afterward, in company with

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<v Speaker 1>an equally intrepid spirit, I penetrated to the place, and

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<v Speaker 1>ventured near enough to the ruined cabin to throw a

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<v Speaker 1>stone against it, and ran away to avoid the ghost,

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<v Speaker 1>which every well informed boy thereabout knew haunted the spot.

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<v Speaker 1>But there was an earlier chapter that supplied by my grandfather,

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<v Speaker 1>when Merlock built his cabin and began laying sturdily about

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<v Speaker 1>with his axe to hue out of farm. The rifle

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<v Speaker 1>meanwhile his means of support. He was young, strong, and

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<v Speaker 1>full of hope in that eastern country. Whence he came,

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<v Speaker 1>he had married, as was the fashion, a young woman

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<v Speaker 1>and always worthy of his honest devotion, who shared the

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<v Speaker 1>dangers and privations of his lot with a willing spirit

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<v Speaker 1>and light heart. There is no known record of her name,

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<v Speaker 1>of her charms of mind and person. Tradition is silent,

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<v Speaker 1>and the doubter is at liberty to entertain his doubt.

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<v Speaker 1>But God forbid that I should share it. Of their

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<v Speaker 1>affection and happiness, there is abundant assurance in every added

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<v Speaker 1>day of the man's widowed life. For what but the

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<v Speaker 1>magnetism of a blessed memory could have changed that venturesome

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<v Speaker 1>spirit to a lot like that. All right, So he

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<v Speaker 1>had a wife, she died. He was later found dead. Yeah,

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<v Speaker 1>do you know what happened? Well, no, but he's saying

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<v Speaker 1>like he loved her very much because he didn't move

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<v Speaker 1>from that place where she died. That's right. One day

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<v Speaker 1>Merlock returned from gunning in a distant part of the

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<v Speaker 1>forest to find his wife prostrate with fever and delirious.

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<v Speaker 1>There was no physician within miles, no neighbor, nor was

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<v Speaker 1>she in a condition to be left to someone help,

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<v Speaker 1>so he said about the task of nursing her back

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<v Speaker 1>to health. But at the end of the third day,

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<v Speaker 1>she fell into unconsciousness and so passed away, apparently with

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<v Speaker 1>never a gleam of returning reason. For what we know

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<v Speaker 1>of a nature like his, we may venture to sketch

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<v Speaker 1>in some of the details of the outline picture drawn

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<v Speaker 1>by my grandfather. When convinced that she was dead, Murlock

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<v Speaker 1>had sense enough to remember that the dead must be

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<v Speaker 1>prepared for burial and performance of that sacred duty. He

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<v Speaker 1>blundered now and again, did certain things incorrectly, and others

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<v Speaker 1>which he did correctly were done over and over. So

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<v Speaker 1>this guy's kind of stumbling through this. He's like, oh

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<v Speaker 1>my gosh, yeah, jeez, he's not doing I broke her arm. Now.

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<v Speaker 1>His occasional failures to accomplish some simple and ordinary act

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<v Speaker 1>filled him with astonishment, like that of a drunken man

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<v Speaker 1>who wonders at the suspension of familiar natural laws. He

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<v Speaker 1>was surprised, too, that he did not weep, surprised and

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<v Speaker 1>a little ashamed. Surely it is unkind not to weep

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<v Speaker 1>for the dead. Tomorrow, he said aloud, I shall have

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<v Speaker 1>to make the coffin and dig the grave, and then

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<v Speaker 1>I shall miss her when she is no longer in sight.

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<v Speaker 1>But now she is dead, of course, But it is

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<v Speaker 1>all right. It must be all right. Somehow things cannot

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<v Speaker 1>be so bad as they seem. Sad. Yeah, he's in

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<v Speaker 1>the denial stage of grief, I think, right. Yeah, for sure.

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<v Speaker 1>He stood over the body in the fading light, adjusting

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<v Speaker 1>the hair and putting the finishing touches to the simple toilet.

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<v Speaker 1>Now what does that mean? I I think he was

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<v Speaker 1>like cleaning her up, not but not like not like

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<v Speaker 1>she was peeing or pooping. Like the toilet is like

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<v Speaker 1>what they called me, the little overnight kit that you

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<v Speaker 1>take with you, that toothpaste and all that stuff. That's

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<v Speaker 1>the only thing I can think of that he was

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<v Speaker 1>like combing her hair and maybe like cleaning whatever off

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<v Speaker 1>of her mouth, or you know, get that part. But

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<v Speaker 1>just the simple toilet. I thought they meant her, but

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<v Speaker 1>I don't think could be. Was the wickedest man alive,

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<v Speaker 1>all right, So let me just uh do that since again,

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<v Speaker 1>putting the finishing touches to the simple toilet, doing all

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<v Speaker 1>mechanically with soullless care, and still through his consciousness ran

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<v Speaker 1>an under sense of conviction that all was all right,

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<v Speaker 1>that he should have her again as before, and everything explained.

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<v Speaker 1>He had no experience in grief. His capacity had not

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<v Speaker 1>been enlarged by use. His heart could not contain at all,

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<v Speaker 1>nor his imagination rightly conceive it. He did not know.

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<v Speaker 1>He was so hard struck that knowledge would come later

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<v Speaker 1>and never go grief. As an artist of powers as

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<v Speaker 1>various as the instruments upon which he plays his urges

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<v Speaker 1>for the dead, evoking some of the sharpest, shrillest notes

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<v Speaker 1>from others. The low grave chords that throb recurrent like

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<v Speaker 1>the slow beating of a distant drum. Some natures it

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<v Speaker 1>startles some, it stupefies to when it comes like the

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<v Speaker 1>stroke of an arrow, stinging all the sensibilities to a

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<v Speaker 1>keener life. To another is the blow of a bludgeon, which,

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<v Speaker 1>in crushing benumbs we may conceive Murlock to have been

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<v Speaker 1>that way affected. For and this is parenthetical, by the way,

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<v Speaker 1>and here we are upon surer ground than that of conjecture.

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<v Speaker 1>No sooner had he finished his pious work than sinking

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<v Speaker 1>into his chair by the side of the table upon

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<v Speaker 1>which the body lay, and noting how white the profile

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<v Speaker 1>showed in the deepening gloom, he laid his arms upon

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<v Speaker 1>the table's edge and dropped his face into them, tearless

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<v Speaker 1>yet and unutterably weary. At that moment came in through

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<v Speaker 1>the open window a long wailing sound, like the cry

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<v Speaker 1>of a lost child in the far deeps of the

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<v Speaker 1>darkening woods. But the man did not move again, and

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<v Speaker 1>nearer than before sounded that unearthly cry upon his failing.

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<v Speaker 1>Since perhaps it was a wild beast, perhaps it was

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<v Speaker 1>a dream. For Merlock was asleep very nice, so he

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<v Speaker 1>fixed his wife's toilet, was so just overwrought and and

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<v Speaker 1>um worn out by the experience that he fell asleep

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<v Speaker 1>with his face and arms on the table where her

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<v Speaker 1>body was. Right. Yeah, I like that long bit about

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<v Speaker 1>how grief can act as well. It stuff very good too,

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<v Speaker 1>okay me yes. Some hours later, as it afterward appeared,

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<v Speaker 1>this unfaithful watcher awoke, and, lifting his head from his arms,

0:13:52.600 --> 0:13:57.120
<v Speaker 1>intently listened. He knew not why, there in the black

0:13:57.200 --> 0:14:00.800
<v Speaker 1>darkness by the side of the dead, recalling all without

0:14:00.840 --> 0:14:04.200
<v Speaker 1>a shock, He strained his eyes to see. He knew

0:14:04.200 --> 0:14:08.640
<v Speaker 1>not what. His senses were all alert, His breath was suspended,

0:14:09.160 --> 0:14:12.280
<v Speaker 1>his blood had stilled its tides, as if to assist

0:14:12.320 --> 0:14:17.400
<v Speaker 1>the silence. Who what had waked him? And where was it?

0:14:18.160 --> 0:14:21.000
<v Speaker 1>Suddenly the table shook beneath his arms, and at the

0:14:21.040 --> 0:14:23.960
<v Speaker 1>same moment he heard, or fancied that he heard a light,

0:14:24.320 --> 0:14:28.200
<v Speaker 1>soft step, another sounds of bare feet upon the floor.

0:14:28.880 --> 0:14:31.640
<v Speaker 1>He was terrified, beyond the power to cry out or

0:14:31.760 --> 0:14:35.920
<v Speaker 1>move perforce. He waited, waited there in the darkness, through

0:14:35.960 --> 0:14:39.400
<v Speaker 1>seeming centuries of such dread as one may know yet

0:14:39.440 --> 0:14:42.360
<v Speaker 1>lived to tell. He tried vainly to speak the dead

0:14:42.400 --> 0:14:45.640
<v Speaker 1>woman's name, vainly to stretch forth his hand across the

0:14:45.680 --> 0:14:49.520
<v Speaker 1>table to learn if she were there. His throat was powerless,

0:14:49.560 --> 0:14:52.720
<v Speaker 1>his arms and hands were like lead. Then occurred something

0:14:53.080 --> 0:14:58.640
<v Speaker 1>most frightful. Some heavy body seemed hurled against the table

0:14:58.840 --> 0:15:01.240
<v Speaker 1>with an impetus that pushed it against his breast so

0:15:01.280 --> 0:15:04.320
<v Speaker 1>sharply as nearly to overthrow him. And at the same

0:15:04.360 --> 0:15:07.160
<v Speaker 1>instant he heard and felt the fall of something upon

0:15:07.240 --> 0:15:09.760
<v Speaker 1>the floor was so violent a thump that the whole

0:15:09.800 --> 0:15:13.000
<v Speaker 1>house was shaken by the impact, a scuffling, en suit,

0:15:13.240 --> 0:15:16.880
<v Speaker 1>and a confusion of sounds impossible to describe. Murlock had

0:15:16.960 --> 0:15:20.480
<v Speaker 1>risen to his feet, fear had by excess forfeited control

0:15:20.520 --> 0:15:23.200
<v Speaker 1>of his faculties. He flung his hands upon the table.

0:15:23.800 --> 0:15:30.160
<v Speaker 1>Nothing was there. Get pretty creepy for sure, because I mean,

0:15:30.200 --> 0:15:34.680
<v Speaker 1>it's just him and his wife in this cabin in Cincinnati,

0:15:35.520 --> 0:15:39.280
<v Speaker 1>and um, you know, nothing's supposed to be going on,

0:15:40.320 --> 0:15:43.360
<v Speaker 1>that's right, And this is he fell asleep for goodness sake.

0:15:46.720 --> 0:15:50.000
<v Speaker 1>There is a point at which terror may turn to madness,

0:15:50.520 --> 0:15:55.400
<v Speaker 1>and madness incites to action with no definite intent, from

0:15:55.400 --> 0:15:58.800
<v Speaker 1>no motive, but the wayward impulse of a madman. Merlock

0:15:58.920 --> 0:16:01.680
<v Speaker 1>sprang to the wall with a little groping, ceased his

0:16:01.760 --> 0:16:06.200
<v Speaker 1>loaded rifle, and without aim, discharged by the flash, which

0:16:06.240 --> 0:16:08.920
<v Speaker 1>lit up the room with a vivid illumination. He saw

0:16:08.960 --> 0:16:12.600
<v Speaker 1>an enormous panther dragging the dead woman toward the window,

0:16:13.080 --> 0:16:17.040
<v Speaker 1>its teeth fixed in her throat. Then there was darkness,

0:16:17.080 --> 0:16:21.400
<v Speaker 1>blacker than before, in silence, and when he returned to consciousness,

0:16:21.440 --> 0:16:24.280
<v Speaker 1>the sun was hot and the wood vocal with songs

0:16:24.320 --> 0:16:31.120
<v Speaker 1>of birds. All right, I didn't see that coming. I

0:16:31.120 --> 0:16:33.240
<v Speaker 1>didn't even know there are panthers in Ohio, and I

0:16:33.280 --> 0:16:37.880
<v Speaker 1>grew up in Ohio. I guess there, we're back then. Yeah,

0:16:38.000 --> 0:16:40.040
<v Speaker 1>I guess it was a long time ago. But you know,

0:16:40.080 --> 0:16:44.200
<v Speaker 1>this guy fires off his rifle just out of instinct,

0:16:44.280 --> 0:16:45.680
<v Speaker 1>like it could have been his wife. You don't know

0:16:45.680 --> 0:16:49.080
<v Speaker 1>what's going on. Yeah, I imagine him being like Barney Fife,

0:16:49.080 --> 0:16:51.200
<v Speaker 1>trying to take a shot while he's really worked up.

0:16:52.160 --> 0:16:58.280
<v Speaker 1>All right, let's finish this thing up. Okay. The body

0:16:58.360 --> 0:17:00.360
<v Speaker 1>lay near the window where the beasts had left it

0:17:00.400 --> 0:17:03.760
<v Speaker 1>when frightened away by the flash and report of the rifle.

0:17:04.520 --> 0:17:08.600
<v Speaker 1>The clothing was deranged, the long hair and disorder the

0:17:08.720 --> 0:17:14.280
<v Speaker 1>limbs lay anyhow, from the throat dreadfully lacerated. He had

0:17:14.320 --> 0:17:18.919
<v Speaker 1>issued a pool of blood, not yet entirely coagulated. The

0:17:19.000 --> 0:17:22.040
<v Speaker 1>ribbon with which he had bound the wrists was broken,

0:17:22.640 --> 0:17:26.679
<v Speaker 1>The hands were tightly clenched between the teeth was a

0:17:26.720 --> 0:17:36.120
<v Speaker 1>fragment the animals here, all right. I read a little

0:17:36.119 --> 0:17:40.440
<v Speaker 1>bit of what do you call it when people interpret

0:17:40.480 --> 0:17:47.919
<v Speaker 1>things I don't know? Is yeah? Sure? And you know

0:17:48.640 --> 0:17:51.199
<v Speaker 1>they seemed to be an agreement that the wife was

0:17:51.240 --> 0:17:55.600
<v Speaker 1>not dead and that he tied her up, and then

0:17:56.160 --> 0:17:58.840
<v Speaker 1>she struggled to try and free herself and like, fight

0:17:58.920 --> 0:18:03.480
<v Speaker 1>this panther. I like to think that she was dead

0:18:03.560 --> 0:18:07.200
<v Speaker 1>this being Halloween, and came back to life for one

0:18:07.320 --> 0:18:10.719
<v Speaker 1>last struggle with the panther. She was like not my man, panther,

0:18:11.760 --> 0:18:16.920
<v Speaker 1>and and saved his life. Okay, I like it. Good story.

0:18:17.280 --> 0:18:19.480
<v Speaker 1>It was a good story. Good choice, Chuck, and good

0:18:19.560 --> 0:18:22.040
<v Speaker 1>job Ambrose Bears. If you can hear us wherever you

0:18:22.080 --> 0:18:29.200
<v Speaker 1>are now, aka Josh, he's selling Santa Claus. Okay, so

0:18:29.400 --> 0:18:31.280
<v Speaker 1>you want to start mine because we don't have to

0:18:31.280 --> 0:18:34.400
<v Speaker 1>take an ad break, remember that's right. Uh yeah, sure,

0:18:34.400 --> 0:18:37.560
<v Speaker 1>we've got our parts worked out, right, we do. I

0:18:37.560 --> 0:18:42.800
<v Speaker 1>think you should take the the other guy, the landlord. Yeah,

0:18:42.880 --> 0:18:45.080
<v Speaker 1>you take the landlord because he's talking to my guy.

0:18:45.160 --> 0:18:49.360
<v Speaker 1>So that makes sense. Okay, cool, and then I'll start

0:18:49.440 --> 0:18:51.200
<v Speaker 1>this one out and we'll just kind of switch off,

0:18:51.320 --> 0:18:55.119
<v Speaker 1>right yeah. Yeah, So we're gonna read The toll House.

0:18:55.520 --> 0:18:59.080
<v Speaker 1>And it's a short story by W. W. Jacobs written

0:18:59.080 --> 0:19:01.040
<v Speaker 1>in nineteen o seven in or at least published for

0:19:01.080 --> 0:19:03.119
<v Speaker 1>the first time in ninetuen and seven. And W. W.

0:19:03.359 --> 0:19:06.520
<v Speaker 1>Jacobs was much more famous for having written The Monkeys Paw.

0:19:07.080 --> 0:19:10.000
<v Speaker 1>Oh okay, I knew, I knew that name. Yeah, he

0:19:10.000 --> 0:19:17.240
<v Speaker 1>should have entitled this the toll House parentheses. Those ain't cookies. Yeah, yeah,

0:19:17.359 --> 0:19:20.040
<v Speaker 1>I can't think of anything but that. It'll make sense

0:19:20.200 --> 0:19:23.200
<v Speaker 1>in a minute, right, Okay, remember when we did that

0:19:23.240 --> 0:19:25.920
<v Speaker 1>Cookies episode, we found out some people actually call chocolate

0:19:25.960 --> 0:19:29.880
<v Speaker 1>chip cookies toll houses. Yeah, it's weird. That is really weird.

0:19:30.000 --> 0:19:32.960
<v Speaker 1>Don't be weird people just calling chocolate chip cookies exactly.

0:19:33.400 --> 0:19:35.080
<v Speaker 1>So where are these guys from. I haven't worked on

0:19:35.080 --> 0:19:39.560
<v Speaker 1>any accents or affectations yet. Well, I think that's great.

0:19:39.600 --> 0:19:41.800
<v Speaker 1>We can just leave it up to our imaginations. But

0:19:42.040 --> 0:19:48.560
<v Speaker 1>I'm gonna guess, um, somewhere in the Middle East. Oh no, alright,

0:19:48.760 --> 0:19:53.080
<v Speaker 1>Middle East of America. Let's say. Yeah, okay, no, no,

0:19:53.160 --> 0:19:55.360
<v Speaker 1>I was kidding. I meant Middle East. No, I think

0:19:55.359 --> 0:19:57.560
<v Speaker 1>that's they're meant to be British. I think this is

0:19:57.560 --> 0:20:01.560
<v Speaker 1>set in in England. Oh out fun, this is gonna

0:20:01.600 --> 0:20:06.520
<v Speaker 1>get weird. Then I love it. Yeah that if you,

0:20:06.640 --> 0:20:09.760
<v Speaker 1>if you could stop and edit like our initial accents,

0:20:09.800 --> 0:20:12.080
<v Speaker 1>with the ones we end up on finally that they're

0:20:12.119 --> 0:20:25.000
<v Speaker 1>like night and day. All right, here we go. It's

0:20:25.040 --> 0:20:29.080
<v Speaker 1>all nonsense, said Jack Barnes. Of course people have died

0:20:29.080 --> 0:20:32.639
<v Speaker 1>in the house. People die in every house. As for

0:20:32.680 --> 0:20:35.439
<v Speaker 1>the noises wind in the chimney and rats and the

0:20:35.440 --> 0:20:39.439
<v Speaker 1>wainscott are very convincing to a nervous man. Give me

0:20:39.440 --> 0:20:43.879
<v Speaker 1>another cup of Team Megel. Lester and White are first,

0:20:44.119 --> 0:20:47.119
<v Speaker 1>said Meagel, who was presiding at the tea table. Of

0:20:47.200 --> 0:20:51.120
<v Speaker 1>the three feathers in you've had two. Lester and White

0:20:51.160 --> 0:20:55.080
<v Speaker 1>finish their cup with irritating slowness, pausing between SIPs to

0:20:55.200 --> 0:20:58.200
<v Speaker 1>sniff the aroma and to discover the sex and dates

0:20:58.200 --> 0:21:01.240
<v Speaker 1>of arrival of the strangers, which floated in some numbers

0:21:01.240 --> 0:21:05.080
<v Speaker 1>in the beverage. Now what is that? I have no idea.

0:21:05.240 --> 0:21:09.560
<v Speaker 1>I really wondered about that. It doesn't make any sense.

0:21:09.640 --> 0:21:11.560
<v Speaker 1>The only way I can make heaser tails of it.

0:21:11.720 --> 0:21:14.840
<v Speaker 1>Is if the beverage is like that a bar another

0:21:14.880 --> 0:21:17.440
<v Speaker 1>word for the bar, and there there there's people coming

0:21:17.480 --> 0:21:19.359
<v Speaker 1>in and out of this public bar that they're in.

0:21:21.960 --> 0:21:23.800
<v Speaker 1>That's all I can do. Yeah, that makes a little

0:21:23.800 --> 0:21:28.280
<v Speaker 1>bit of sense at least. Mr Meagle served them to

0:21:28.359 --> 0:21:31.760
<v Speaker 1>the brim, and then turning to the grimly expectant Mr

0:21:31.840 --> 0:21:35.880
<v Speaker 1>Barnes blandly requested him to ring for hot water. We'll

0:21:35.880 --> 0:21:38.720
<v Speaker 1>try and keep your nerves in a healthy present condition,

0:21:38.960 --> 0:21:41.600
<v Speaker 1>he remarked. For my part, I have a sort of

0:21:41.680 --> 0:21:45.480
<v Speaker 1>half and half belief in the supernatural. All sensible people have,

0:21:46.200 --> 0:21:49.240
<v Speaker 1>said Leicester. An auntie of mine saw a ghost once.

0:21:50.160 --> 0:21:53.600
<v Speaker 1>White nodded. I had an uncle that saw one, he said.

0:21:54.440 --> 0:21:58.000
<v Speaker 1>It always is somebody else that sees them. Well, there's

0:21:58.040 --> 0:22:00.720
<v Speaker 1>a house, said Meagle, a lot to house at an

0:22:00.760 --> 0:22:04.120
<v Speaker 1>absurdly low rate, and nobody will take it. It has

0:22:04.160 --> 0:22:07.400
<v Speaker 1>taken toll of at least one life of every family

0:22:07.440 --> 0:22:10.560
<v Speaker 1>that's lived there, however short at the time, and since

0:22:10.600 --> 0:22:14.320
<v Speaker 1>it has stood empty, caretaker after caretaker has died there.

0:22:14.760 --> 0:22:20.919
<v Speaker 1>The last caretaker died there fifteen years ago. Wow, I

0:22:21.080 --> 0:22:25.080
<v Speaker 1>love Meagle. It's really evolved. He's changed all of a

0:22:25.080 --> 0:22:28.080
<v Speaker 1>sudden that tea is doing something. Yeah, now, I just

0:22:28.119 --> 0:22:31.360
<v Speaker 1>have to remember the next time he speaks. Well, I've

0:22:31.359 --> 0:22:35.080
<v Speaker 1>tried to separate my two guys by by class. You don't,

0:22:35.080 --> 0:22:40.120
<v Speaker 1>oh nice? Okay, all right exactly, said Barnes, long enough

0:22:40.160 --> 0:22:45.520
<v Speaker 1>for legends to accumulate. Okay, I'll bet you a sovereign

0:22:45.560 --> 0:22:47.879
<v Speaker 1>you won't spend the night there alone for all your talk,

0:22:48.119 --> 0:22:55.159
<v Speaker 1>said White suddenly. And I no, said Barnes slowly. I

0:22:55.240 --> 0:22:58.920
<v Speaker 1>don't believe in ghost snore, in any supernatural things whatever,

0:22:59.480 --> 0:23:01.520
<v Speaker 1>all the aim, I admit that I should not care

0:23:01.600 --> 0:23:05.760
<v Speaker 1>to pass a night there alone. But why not? Inquired White?

0:23:06.480 --> 0:23:09.520
<v Speaker 1>Wind in the chimney, said Meagle with the green I

0:23:09.560 --> 0:23:12.840
<v Speaker 1>don't remember what Meagle founded like rats and the Wainscott

0:23:13.359 --> 0:23:18.720
<v Speaker 1>chimed in lester as you like, said Barnes, coloring. Suppose

0:23:18.800 --> 0:23:22.040
<v Speaker 1>we all go, said Meagle, start after supper and get

0:23:22.040 --> 0:23:25.320
<v Speaker 1>there about eleven. We've been walking for ten days now

0:23:25.400 --> 0:23:29.040
<v Speaker 1>without an adventure except for bonness discovery that ditch water

0:23:29.200 --> 0:23:32.880
<v Speaker 1>smells longest. There will be a novelty at any rate.

0:23:33.040 --> 0:23:35.439
<v Speaker 1>And if we break the spell by all surviving, the

0:23:35.560 --> 0:23:39.240
<v Speaker 1>grateful owner ought to come down handsome. Let's see what

0:23:39.240 --> 0:23:42.000
<v Speaker 1>the landlord has to say about it. First, said Leicester,

0:23:42.359 --> 0:23:44.560
<v Speaker 1>there is no fun in passing a night in an

0:23:44.720 --> 0:23:48.200
<v Speaker 1>ordinary empty house. Let us make sure that it is haunted.

0:23:49.040 --> 0:23:52.040
<v Speaker 1>He rang the bell, and, sending for the landlord, appealed

0:23:52.040 --> 0:23:54.320
<v Speaker 1>to him, in the name of our common humanity not

0:23:54.440 --> 0:23:57.080
<v Speaker 1>to let them waste a night watching in a house

0:23:57.320 --> 0:24:01.199
<v Speaker 1>in which specters and hobgoblins had no part. The reply

0:24:01.400 --> 0:24:04.800
<v Speaker 1>was more than reassuring, and the landlord, after describing with

0:24:04.880 --> 0:24:08.400
<v Speaker 1>considerable art the exact appearance of a head which had

0:24:08.440 --> 0:24:11.080
<v Speaker 1>been seen hanging out of a window in the moonlight,

0:24:11.560 --> 0:24:14.359
<v Speaker 1>wound up with a polite but urgent request that they

0:24:14.359 --> 0:24:17.960
<v Speaker 1>would settle his bill before they went. It's all very

0:24:18.160 --> 0:24:22.560
<v Speaker 1>well for you young gentlemen to have your fun, he said, indulgently.

0:24:22.800 --> 0:24:25.320
<v Speaker 1>But supposing, as how, you are all found dead in

0:24:25.359 --> 0:24:29.879
<v Speaker 1>the morning, what about me. It ain't called the toll

0:24:29.920 --> 0:24:35.400
<v Speaker 1>house for nothing. You know you die there, last, inquired Barnes,

0:24:35.520 --> 0:24:40.000
<v Speaker 1>with an air of polite derision. A tramp was the reply.

0:24:40.480 --> 0:24:42.840
<v Speaker 1>He went there for the sake of half a crown,

0:24:43.280 --> 0:24:49.320
<v Speaker 1>and they found him next morning hanging from the ballusters. Dead. Suicide,

0:24:49.920 --> 0:24:54.800
<v Speaker 1>said Barnes, unsound mind. The landlord nodded. That's what the

0:24:54.880 --> 0:24:58.639
<v Speaker 1>jury brought in, he said slowly, but his mind was

0:24:58.760 --> 0:25:01.600
<v Speaker 1>sound enough when he went in there. I'd known him

0:25:01.760 --> 0:25:04.760
<v Speaker 1>off and on for years. I'm a pool man, but

0:25:04.920 --> 0:25:07.280
<v Speaker 1>I wouldn't spend the night in that house for a

0:25:07.400 --> 0:25:12.280
<v Speaker 1>hundred pounds. And also, by the way, Chuck, I went

0:25:12.280 --> 0:25:15.600
<v Speaker 1>ahead and did the inflation calculator and then translated it

0:25:15.600 --> 0:25:19.480
<v Speaker 1>into USD. So he's saying, the landlord saying here that

0:25:19.520 --> 0:25:22.880
<v Speaker 1>he wouldn't spend the night in that house for nine thousand,

0:25:22.880 --> 0:25:26.080
<v Speaker 1>two hundred and seventy two pounds in today's money or

0:25:26.240 --> 0:25:28.959
<v Speaker 1>ten thousand, four hundred and eighty eight dollars and fifty

0:25:29.000 --> 0:25:37.000
<v Speaker 1>three cents in America. Very nice. He repeated this remark

0:25:37.080 --> 0:25:39.600
<v Speaker 1>as they started on their expedition. A few hours later,

0:25:40.080 --> 0:25:42.240
<v Speaker 1>they left as the inn was closing for the night.

0:25:42.520 --> 0:25:45.840
<v Speaker 1>Bolts shot noisily behind them, and as the regular customers

0:25:45.880 --> 0:25:49.240
<v Speaker 1>trudged slowly homewards, they set off at a brisk pace

0:25:49.400 --> 0:25:52.200
<v Speaker 1>in the direction of the house. Most of the cottages

0:25:52.240 --> 0:25:54.880
<v Speaker 1>were already in darkness, and lights and others went out

0:25:54.920 --> 0:25:59.879
<v Speaker 1>as they passed. All right, So I mean, here we

0:26:00.080 --> 0:26:04.240
<v Speaker 1>have four gentlemen, we have a haunted house and a

0:26:04.280 --> 0:26:06.119
<v Speaker 1>bit of a dare to each other, right to go

0:26:06.160 --> 0:26:09.000
<v Speaker 1>spend the night in that thing? Exactly? And I think

0:26:09.000 --> 0:26:11.679
<v Speaker 1>it was um, I think it was Barnes who just

0:26:11.840 --> 0:26:15.800
<v Speaker 1>apropos of nothing, started talking about how he doesn't believe

0:26:15.800 --> 0:26:18.320
<v Speaker 1>in ghosts, right, but he's like, I don't want to

0:26:18.320 --> 0:26:20.840
<v Speaker 1>go there, but it's not because of ghosts, right exactly.

0:26:20.880 --> 0:26:23.200
<v Speaker 1>So they're like, Okay, we're gonna get you out. We're

0:26:23.200 --> 0:26:26.440
<v Speaker 1>all loaded up on English tea right now, so let's

0:26:26.440 --> 0:26:29.880
<v Speaker 1>go see this haunted house. That's right. So I think

0:26:29.920 --> 0:26:32.639
<v Speaker 1>you should take over. Okay, alright, but we'll keep the

0:26:32.680 --> 0:26:36.600
<v Speaker 1>same voices, right, or should we just get really weird? Well, well,

0:26:36.760 --> 0:26:38.959
<v Speaker 1>I think it doesn't matter whether we try or not.

0:26:39.040 --> 0:26:41.000
<v Speaker 1>That's what's going to happen. Hey, I've got my guys,

0:26:41.240 --> 0:26:45.160
<v Speaker 1>so I'm talking about me then, alright, So that's uh,

0:26:45.200 --> 0:26:49.080
<v Speaker 1>that's you starting out as White. It seems rather hard

0:26:49.119 --> 0:26:51.240
<v Speaker 1>that we have got to lose Night's Rest in order

0:26:51.280 --> 0:26:55.000
<v Speaker 1>to convince Barnes of the existence of ghosts. Wit is

0:26:55.240 --> 0:27:01.640
<v Speaker 1>White from Maryland. All of a sudden, said White. It's

0:27:01.640 --> 0:27:06.120
<v Speaker 1>in a good cause, said megel a most worthy object.

0:27:06.200 --> 0:27:09.119
<v Speaker 1>And something seems to tell me that we shall succeed.

0:27:09.720 --> 0:27:15.200
<v Speaker 1>You didn't forget the candles, lester, Oh man, I love Meagle.

0:27:15.440 --> 0:27:21.200
<v Speaker 1>I gotta hang out with this guy. What's he gonna say?

0:27:21.680 --> 0:27:24.760
<v Speaker 1>I brought two, was the reply all the old man

0:27:24.800 --> 0:27:28.040
<v Speaker 1>could spare. There was but little moon, and the night

0:27:28.119 --> 0:27:31.040
<v Speaker 1>was cloudy. The road between high hedges was dark, and

0:27:31.040 --> 0:27:33.560
<v Speaker 1>in one place where it ran through a wood so

0:27:33.680 --> 0:27:36.439
<v Speaker 1>black that they twice stumbled, and the uneven ground at

0:27:36.480 --> 0:27:40.560
<v Speaker 1>the side of it. Fancy leaving our comfortable beds for this,

0:27:41.040 --> 0:27:46.280
<v Speaker 1>said White again. Let me see this desirable residential suppulcher

0:27:46.320 --> 0:27:51.919
<v Speaker 1>lies to the right, doesn't it further on? Said Megel.

0:27:52.880 --> 0:27:55.360
<v Speaker 1>They walked on for some time in silence, broken only

0:27:55.440 --> 0:27:59.119
<v Speaker 1>by White's tribute to the softness, the cleanliness, and the

0:27:59.200 --> 0:28:02.520
<v Speaker 1>comfort of the head, which was receding farther and farther

0:28:02.640 --> 0:28:06.560
<v Speaker 1>into the distance. Under Meagel's guidance, they turned off at

0:28:06.640 --> 0:28:08.960
<v Speaker 1>last to the right, and after a walk of a

0:28:09.040 --> 0:28:11.320
<v Speaker 1>quarter of a mile, saw the gates of the house

0:28:11.359 --> 0:28:14.960
<v Speaker 1>before them. The lodge was almost hidden by overgrown shrubs,

0:28:15.280 --> 0:28:21.080
<v Speaker 1>and the dry was choked with rank growths. M Meagle leading,

0:28:21.119 --> 0:28:23.199
<v Speaker 1>they pushed through it until the dark pile of the

0:28:23.200 --> 0:28:27.120
<v Speaker 1>house loomed above them. There's a window at the back

0:28:27.200 --> 0:28:30.679
<v Speaker 1>where we can get in, so the landlord, says, said Lester,

0:28:31.040 --> 0:28:36.480
<v Speaker 1>as they stood before the hall floor window, said Megel, nonsense,

0:28:36.600 --> 0:28:45.320
<v Speaker 1>let's do the thing properly. Where's the knocker? He Oh,

0:28:45.360 --> 0:28:52.280
<v Speaker 1>that's my new ringtowne for you. Where's the knocker? I'm

0:28:52.320 --> 0:28:54.120
<v Speaker 1>not getting in there. Jerry isolated that and send it

0:28:54.160 --> 0:28:57.000
<v Speaker 1>to me please. He fell for it in the darkness

0:28:57.000 --> 0:29:00.680
<v Speaker 1>and gave a thundering rattat at the door. Don't a fool,

0:29:01.120 --> 0:29:07.720
<v Speaker 1>said Barnes crossly. Ghostly servants are all asleep, said Meagle gravely.

0:29:08.400 --> 0:29:11.800
<v Speaker 1>But I'll wake them up before I'm done with them.

0:29:11.880 --> 0:29:15.200
<v Speaker 1>It's scandalous keeping us out here in the dark. He

0:29:15.320 --> 0:29:17.640
<v Speaker 1>plied the knocker again, and the noise volleyed in the

0:29:17.640 --> 0:29:21.720
<v Speaker 1>emptiness beyond. Then, with a sudden exclamation, he put out

0:29:21.840 --> 0:29:26.440
<v Speaker 1>his hands and stumbled forward. Why it was open all

0:29:26.600 --> 0:29:29.800
<v Speaker 1>the time, he said, with an odd catch in his voice.

0:29:30.120 --> 0:29:32.760
<v Speaker 1>You're not getting there and really put that in there.

0:29:33.600 --> 0:29:38.160
<v Speaker 1>Come on, I don't believe it was open, said Lester,

0:29:38.320 --> 0:29:44.000
<v Speaker 1>hanging back. Somebody is playing us a trick. Nonsense, said Meagle, sharply,

0:29:44.560 --> 0:29:49.760
<v Speaker 1>give me a candle thanks, who's got a match? You'll

0:29:49.880 --> 0:29:55.960
<v Speaker 1>butt in my face? Oh wait, sorry, Barnes produced a

0:29:56.000 --> 0:29:58.760
<v Speaker 1>box and struck one, and Megal, shielding the candle with

0:29:58.800 --> 0:30:01.160
<v Speaker 1>his hand, led the way forward to the foot of

0:30:01.200 --> 0:30:06.280
<v Speaker 1>the stairs. Shut the door, somebody, he said, there's too

0:30:06.440 --> 0:30:12.480
<v Speaker 1>much draft. It is shut, said White, glancing behind him.

0:30:12.640 --> 0:30:17.200
<v Speaker 1>Megel fingered his chin. Who shut it, he inquired, looking

0:30:17.200 --> 0:30:20.760
<v Speaker 1>from one to the other, Who came in last? I did,

0:30:21.200 --> 0:30:24.840
<v Speaker 1>said Lester, But I don't remember shutting it. Perhaps I did,

0:30:24.840 --> 0:30:28.400
<v Speaker 1>though Meagle, about to speak, thought better of it, and,

0:30:28.560 --> 0:30:32.920
<v Speaker 1>still carefully guarding the flame, began to explore the house

0:30:32.960 --> 0:30:35.960
<v Speaker 1>with the others close behind. Shadows danced on the walls

0:30:35.960 --> 0:30:38.240
<v Speaker 1>and lurked in the corners as they proceeded. At the

0:30:38.280 --> 0:30:40.880
<v Speaker 1>end of the passage, they found a second staircase, and,

0:30:40.960 --> 0:30:45.760
<v Speaker 1>descending it slowly gained the first floor. Careful, said Meagle.

0:30:45.920 --> 0:30:49.040
<v Speaker 1>As they gained the landing, he held the candle forward

0:30:49.080 --> 0:30:51.840
<v Speaker 1>and showed where the balusters had broken away. Then he

0:30:51.880 --> 0:30:55.280
<v Speaker 1>peered curiously into the void beneath. This is where the

0:30:55.320 --> 0:31:00.400
<v Speaker 1>trump hanged himself. I suppose, he said, thoughtfully, you have

0:31:00.480 --> 0:31:05.040
<v Speaker 1>an unwholesome mind, said White, As they walked on this

0:31:05.120 --> 0:31:08.440
<v Speaker 1>place is quite creepy enough without you remembering that. Now,

0:31:08.520 --> 0:31:10.920
<v Speaker 1>let's find a comfortable room and have a little nip

0:31:10.920 --> 0:31:14.440
<v Speaker 1>of whiskey, a piece and a pipe. How will this too?

0:31:15.000 --> 0:31:19.480
<v Speaker 1>He Now we're talking. There's a White at every party.

0:31:19.560 --> 0:31:22.160
<v Speaker 1>I like it. He opened a door at the end

0:31:22.200 --> 0:31:24.680
<v Speaker 1>of the passage and revealed a small, square room. Meagel

0:31:25.000 --> 0:31:27.600
<v Speaker 1>led the way with a candle, and, first melting a

0:31:27.680 --> 0:31:30.680
<v Speaker 1>drop or two of tallow, stuck it on the mantelpiece.

0:31:31.160 --> 0:31:34.120
<v Speaker 1>The others seated themselves on the floor and watched pleasantly

0:31:34.160 --> 0:31:37.200
<v Speaker 1>as White drew from his pocket a small bottle of

0:31:37.200 --> 0:31:41.840
<v Speaker 1>whiskey and a tin cup. Hmmm, I've forgotten the water,

0:31:42.160 --> 0:31:47.320
<v Speaker 1>he exclaimed. I'll soon get some, said Megel. He tucked

0:31:47.360 --> 0:31:49.920
<v Speaker 1>violently at the bell handle, and the rusty jangling of

0:31:49.960 --> 0:31:52.840
<v Speaker 1>a bell sounded from a distant kitchen. He rang again.

0:31:53.560 --> 0:32:00.440
<v Speaker 1>Don't play a fool, said Barnes roughly. Megel laughed. I

0:32:00.520 --> 0:32:06.960
<v Speaker 1>only wanted to convince you, he said kindly, there ought

0:32:07.040 --> 0:32:09.960
<v Speaker 1>to be at any rate one ghost in the servants hall.

0:32:11.640 --> 0:32:15.840
<v Speaker 1>Barnes held up his hand for silence. Yess, said Meagle,

0:32:15.920 --> 0:32:19.520
<v Speaker 1>with a grin at the other two. Is anybody coming.

0:32:20.600 --> 0:32:22.960
<v Speaker 1>All right, this seems like a good switch point. So

0:32:23.680 --> 0:32:26.000
<v Speaker 1>it seems like a Meagle is like making a big,

0:32:26.720 --> 0:32:29.640
<v Speaker 1>you know, spectacle of this whole thing. He's he's a

0:32:29.640 --> 0:32:31.920
<v Speaker 1>bit of a he's a bit of a jackass. I'm

0:32:31.960 --> 0:32:35.120
<v Speaker 1>just gonna say it. Yeah, you're not taking this very seriously, No,

0:32:35.640 --> 0:32:37.520
<v Speaker 1>for sure not. And he's a little he's being a

0:32:37.560 --> 0:32:40.560
<v Speaker 1>little mean to Barnes, who's clearly on edge. Yeah. Barnes,

0:32:40.760 --> 0:32:43.240
<v Speaker 1>for all his spawning over not being afraid of ghosts,

0:32:43.240 --> 0:32:46.520
<v Speaker 1>is clearly afraid, right, and Megal is heating it up

0:32:46.560 --> 0:32:52.200
<v Speaker 1>like a puppy on a straw steak. All right, here

0:32:52.200 --> 0:32:55.480
<v Speaker 1>we go with Barnes, and then you're taking over. Good yep,

0:32:59.280 --> 0:33:03.000
<v Speaker 1>Suppose we draw this game and go back, said Barnes. Suddenly.

0:33:03.400 --> 0:33:06.959
<v Speaker 1>I don't believe in spirits, but nerves are outside anybody's command.

0:33:07.360 --> 0:33:09.600
<v Speaker 1>You may laugh as you like, but it really seems

0:33:09.600 --> 0:33:12.320
<v Speaker 1>to me that I heard a door open below and

0:33:12.440 --> 0:33:15.600
<v Speaker 1>steps on the stairs. His voice was drowned in a

0:33:15.680 --> 0:33:20.760
<v Speaker 1>roar of laughter. He's coming around, said Megel with a smirk.

0:33:21.200 --> 0:33:23.479
<v Speaker 1>By the time I've done with him, he will be

0:33:23.520 --> 0:33:27.680
<v Speaker 1>a confirmed believer. Well, who will go and get some water?

0:33:28.040 --> 0:33:33.520
<v Speaker 1>Will you barns now, was the reply. If there is

0:33:33.560 --> 0:33:35.479
<v Speaker 1>any it might not be safe to drink after all

0:33:35.520 --> 0:33:40.560
<v Speaker 1>these years, said Blister, we must do without it. Meagle nodded, and,

0:33:40.600 --> 0:33:42.840
<v Speaker 1>taking a seat on the floor, held out his hand

0:33:42.840 --> 0:33:46.160
<v Speaker 1>for the cup. Pipes were lit and the clean, wholesome

0:33:46.200 --> 0:33:50.920
<v Speaker 1>smell of tobacco filled the room. White produced a pack

0:33:50.960 --> 0:33:53.760
<v Speaker 1>of cards. Talk and laughter rang through the room and

0:33:53.840 --> 0:33:57.480
<v Speaker 1>died away reluctantly. In distant corners, cypercill played on the

0:33:57.560 --> 0:34:08.480
<v Speaker 1>high fi Uh Marlon Wayne showed up empty rooms. Always

0:34:08.480 --> 0:34:12.080
<v Speaker 1>delude me into the belief that I possess a deep voice,

0:34:12.680 --> 0:34:18.640
<v Speaker 1>said Megel. Tomorrow. He started with a smothered exclamation eck

0:34:19.120 --> 0:34:21.759
<v Speaker 1>as the light went out suddenly and something struck him

0:34:21.800 --> 0:34:24.439
<v Speaker 1>on the head. The others sprang to their feet. Then

0:34:24.520 --> 0:34:29.880
<v Speaker 1>Migel laughed. It's the candle, he exclaimed. I didn't stick

0:34:29.920 --> 0:34:33.600
<v Speaker 1>it enough. Barnes struck a match and, relighting the candle,

0:34:33.840 --> 0:34:36.759
<v Speaker 1>stuck it on the mantelpiece, and sitting down, took up

0:34:36.760 --> 0:34:40.880
<v Speaker 1>his cards again. What was I going to say? Said Megel? Oh,

0:34:40.920 --> 0:34:45.879
<v Speaker 1>I know tomorrow, I listen, said White, laying his hand

0:34:45.920 --> 0:34:48.959
<v Speaker 1>on the other sleep upon my word. I really thought

0:34:49.000 --> 0:34:53.120
<v Speaker 1>I heard a laugh. Look here, said Barnes. What do

0:34:53.160 --> 0:34:55.920
<v Speaker 1>you say to go him back? I've had enough of this.

0:34:56.400 --> 0:34:59.600
<v Speaker 1>I keep fancying that I hear things too, sounds of

0:34:59.680 --> 0:35:03.000
<v Speaker 1>something moving about in the passage outside. I know it's

0:35:03.000 --> 0:35:06.799
<v Speaker 1>only fancy, but it's uncomfortable. Oh you go if you

0:35:06.880 --> 0:35:10.640
<v Speaker 1>want to, said Meagle, and we will play dummy. Or

0:35:10.760 --> 0:35:13.160
<v Speaker 1>you might ask the tramp to take your hand as

0:35:13.160 --> 0:35:19.359
<v Speaker 1>you go downstairs. Barnes shivered and exclaimed angrily. He got up, and,

0:35:19.440 --> 0:35:24.680
<v Speaker 1>walking to the half closed door, listened. Go outside, said Megel,

0:35:24.680 --> 0:35:27.200
<v Speaker 1>winking at the other two. I'll dare you to go

0:35:27.320 --> 0:35:31.600
<v Speaker 1>down to the hall door and back by yourself. Co

0:35:31.840 --> 0:35:36.600
<v Speaker 1>co co co cock. Barnes came back. Oh sorry, Barnes

0:35:36.680 --> 0:35:40.680
<v Speaker 1>came back, and, bending forward, lit his pipe at the candle.

0:35:41.680 --> 0:35:44.880
<v Speaker 1>I am nervous, but rational, he said, blowing out a

0:35:44.880 --> 0:35:47.839
<v Speaker 1>thin cloud of smoke. Me nerves tell me that there

0:35:47.880 --> 0:35:51.520
<v Speaker 1>is something prowling up and down the long passage outside.

0:35:52.000 --> 0:35:55.640
<v Speaker 1>My reason tells me that it is all nonsense. Where

0:35:55.640 --> 0:35:59.120
<v Speaker 1>are my cards? He sat down again, and taking up

0:35:59.120 --> 0:36:03.000
<v Speaker 1>his hand through it carefully and led your play, white,

0:36:03.560 --> 0:36:07.640
<v Speaker 1>he said. After a pause. White made no sign. Why

0:36:07.760 --> 0:36:11.479
<v Speaker 1>he is asleep, said Meagle, wake up, old man, wake

0:36:11.600 --> 0:36:15.759
<v Speaker 1>up and play. Lester, who was sitting next to him,

0:36:15.960 --> 0:36:18.600
<v Speaker 1>took the sleeping man by the arm and shook him

0:36:18.760 --> 0:36:22.200
<v Speaker 1>gently at first, and then with some roughness. But White,

0:36:22.280 --> 0:36:25.160
<v Speaker 1>with his back against the wall and his head bowed,

0:36:25.600 --> 0:36:28.839
<v Speaker 1>made no sign. Meagle bawled in his ear and then

0:36:28.880 --> 0:36:31.960
<v Speaker 1>turned a puzzled face to the others. He sleeps like

0:36:32.040 --> 0:36:35.839
<v Speaker 1>the dead, he said, grimacing. Well there are still three

0:36:35.920 --> 0:36:41.040
<v Speaker 1>of us to keep each other company. Yes, said Lester, nodding, unless,

0:36:41.440 --> 0:36:46.320
<v Speaker 1>good Lord, suppose he broke off and eyed them trembling.

0:36:47.000 --> 0:36:52.640
<v Speaker 1>Suppose what inquired Megel. Nothing, stammered Lester. Let's wake him,

0:36:52.880 --> 0:36:59.400
<v Speaker 1>try him again, White, White, it's no good, said Meagle. Seriously,

0:36:59.440 --> 0:37:03.280
<v Speaker 1>there's something wrong about that sleep, That's what I meant,

0:37:03.760 --> 0:37:07.200
<v Speaker 1>said Lester. And if he goes to sleep like that, well,

0:37:07.200 --> 0:37:11.560
<v Speaker 1>why shouldn't Meagles sprang to his feet. Nonsense, he said roughly.

0:37:11.719 --> 0:37:15.319
<v Speaker 1>He's tired out, that's all. Still. Let's take him up

0:37:15.320 --> 0:37:18.600
<v Speaker 1>and clear out. You take his legs, and bonds will

0:37:18.680 --> 0:37:22.279
<v Speaker 1>lead the way with the candle. Yes, who's that? He

0:37:22.320 --> 0:37:25.000
<v Speaker 1>looked up quickly towards the door. I thought I heard

0:37:25.040 --> 0:37:28.520
<v Speaker 1>somebody tap, he said, with a shame faced. Laugh now

0:37:28.680 --> 0:37:36.440
<v Speaker 1>Lester up with him. One, two, Lester, Lester. He sprang

0:37:36.520 --> 0:37:40.120
<v Speaker 1>forward too late. Lester, with his face buried in his arms,

0:37:40.280 --> 0:37:43.759
<v Speaker 1>had rolled over under the floor, fast asleep, and his

0:37:43.960 --> 0:37:52.920
<v Speaker 1>utmost efforts failed to awaken him. He is asleep, he stammered, asleep. Barnes,

0:37:52.960 --> 0:37:56.040
<v Speaker 1>who had taken the candle from the mantelpiece, stood peering

0:37:56.080 --> 0:37:59.560
<v Speaker 1>at the sleepers in silence and dropping tallow over the floor.

0:38:00.280 --> 0:38:05.640
<v Speaker 1>We must get out of this, said Megal. Quick Barnes hesitated.

0:38:06.080 --> 0:38:10.440
<v Speaker 1>We can't leave him here, he began. We must, said Meagles,

0:38:10.440 --> 0:38:13.520
<v Speaker 1>in strident tones. If you go to sleep, I shall

0:38:13.560 --> 0:38:17.359
<v Speaker 1>go quick come. He seized the other by the arm

0:38:17.640 --> 0:38:20.319
<v Speaker 1>and strove to drag him to the door. Barnes shook

0:38:20.400 --> 0:38:22.920
<v Speaker 1>him off, and, putting the candle back on the mantelpiece,

0:38:23.120 --> 0:38:27.000
<v Speaker 1>tried again to arouse the sleepers. It's no good, he

0:38:27.080 --> 0:38:30.840
<v Speaker 1>said at last, and turning from them, watched Megal. Don't

0:38:30.880 --> 0:38:34.919
<v Speaker 1>you go to sleep? He said anxiously. Meagle shook his head,

0:38:35.239 --> 0:38:38.680
<v Speaker 1>and they stood for some time in uneasy silence. May

0:38:38.719 --> 0:38:45.239
<v Speaker 1>as well shut the door, said Barnes at last, I

0:38:45.280 --> 0:38:47.640
<v Speaker 1>think this is a good good time to transition over

0:38:47.680 --> 0:38:51.919
<v Speaker 1>to you. All right, I gotta say, uh, Megal, this

0:38:52.040 --> 0:38:55.960
<v Speaker 1>chap has a flair for the dramatic. He's very easily excitable.

0:38:56.080 --> 0:38:59.839
<v Speaker 1>It turns out very much. I really like this guy. Yeah.

0:39:00.000 --> 0:39:02.399
<v Speaker 1>It so, just to just to recap, Lester and White

0:39:02.440 --> 0:39:06.480
<v Speaker 1>have inexplicably fallen asleep and cannot be roused. Yeah, they're

0:39:06.480 --> 0:39:09.200
<v Speaker 1>not dead, because it seems like they're definitely asleep and

0:39:09.239 --> 0:39:12.279
<v Speaker 1>breathing right, And so Megel and Barnes are freaked out,

0:39:12.280 --> 0:39:15.080
<v Speaker 1>and it's sufficiently freaky that even Meagles like, yeah, let's

0:39:15.120 --> 0:39:17.360
<v Speaker 1>let's get out of here. But Barnes, there was credit,

0:39:17.400 --> 0:39:19.239
<v Speaker 1>is like, no, we're not leaving these guys. We gotta

0:39:19.280 --> 0:39:21.120
<v Speaker 1>wake him up. Yeah, but I also get the feeling

0:39:21.160 --> 0:39:25.400
<v Speaker 1>Barnes is like, now I'm stuck with with Megel. Everybody,

0:39:25.440 --> 0:39:32.000
<v Speaker 1>No one likes that. All right, here we go. He

0:39:32.080 --> 0:39:35.239
<v Speaker 1>crossed over and closed it gently. Then, at a scuffling

0:39:35.280 --> 0:39:38.000
<v Speaker 1>noise behind him, he turned and saw Megel in a

0:39:38.080 --> 0:39:41.680
<v Speaker 1>heap on the hearthstone. With a sharp catch in his breath,

0:39:41.680 --> 0:39:44.920
<v Speaker 1>he stood motionless inside the room. The candle fluttering in

0:39:44.960 --> 0:39:48.600
<v Speaker 1>the draft show dimly the grotesque attitudes of the sleepers.

0:39:49.680 --> 0:39:52.800
<v Speaker 1>That's a great line. Beyond the door there seemed to

0:39:52.840 --> 0:39:57.759
<v Speaker 1>be his overwrought imagination, a strange and stealthy unrest. He

0:39:57.800 --> 0:40:01.920
<v Speaker 1>tried to whistle, but his lips were parched, And then

0:40:01.960 --> 0:40:04.440
<v Speaker 1>a mechanical fashion, he stooped and began to pick up

0:40:04.480 --> 0:40:07.520
<v Speaker 1>the cards which littered the floor. He stopped once or

0:40:07.560 --> 0:40:11.440
<v Speaker 1>twice and stood with bent head listening. The unrest outside

0:40:11.480 --> 0:40:15.080
<v Speaker 1>seemed to increase a loud creaking sound from the stairs.

0:40:15.800 --> 0:40:20.240
<v Speaker 1>Who's there, he cried loudly. The creaking ceased. He crossed

0:40:20.239 --> 0:40:23.120
<v Speaker 1>to the door, and, flinging it open, strode out into

0:40:23.160 --> 0:40:26.760
<v Speaker 1>the corridor. As he walked, his fears left him. Suddenly,

0:40:27.800 --> 0:40:30.600
<v Speaker 1>come on, he cried, with a low laugh. All of you,

0:40:31.000 --> 0:40:35.080
<v Speaker 1>all of you, show your faces, your infernal, ugly faces.

0:40:35.480 --> 0:40:39.680
<v Speaker 1>Don't skulk. He laughed again, and walked on, and the

0:40:39.719 --> 0:40:42.480
<v Speaker 1>heap in the fireplace put out his head toward us

0:40:42.560 --> 0:40:47.240
<v Speaker 1>fashion and listened in horror to the retreating footsteps. That's creepy.

0:40:48.080 --> 0:40:50.640
<v Speaker 1>Not until they had become inaudible in the distance did

0:40:50.640 --> 0:40:55.640
<v Speaker 1>the listeners features relax. Good Lord Lester, we've driven him bad,

0:40:56.280 --> 0:41:00.520
<v Speaker 1>he said, in a frightened whisper. We must go after him.

0:41:00.560 --> 0:41:04.200
<v Speaker 1>There was no reply. Migel sprung to his feet. Do

0:41:04.320 --> 0:41:09.200
<v Speaker 1>you hear? He cried, Stop your fooling, Now, this is serious.

0:41:09.760 --> 0:41:14.960
<v Speaker 1>What Lester, do you hear? He bent and surveyed them

0:41:14.960 --> 0:41:20.160
<v Speaker 1>in angry bewilderment. All right, he said, in a trembling voice.

0:41:20.920 --> 0:41:24.640
<v Speaker 1>You won't front me, you know. His croutch wet with

0:41:24.800 --> 0:41:31.680
<v Speaker 1>urine w w Jacobs set up his grave and applauded.

0:41:32.800 --> 0:41:35.560
<v Speaker 1>He turned away and walked with exaggerated carelessness into the

0:41:35.560 --> 0:41:38.720
<v Speaker 1>direction of the door. He even went outside and peeped

0:41:38.960 --> 0:41:42.279
<v Speaker 1>through the crack, but the sleepers did not stir. He

0:41:42.400 --> 0:41:45.759
<v Speaker 1>glanced into the blackness behind, and then came hastily into

0:41:45.800 --> 0:41:48.479
<v Speaker 1>the room again. So he's all alone at this point, right, yeah,

0:41:48.560 --> 0:41:52.160
<v Speaker 1>and freaked out. He stood for a few seconds regarding them.

0:41:52.320 --> 0:41:54.719
<v Speaker 1>The stillness in the house was horrible. He could not

0:41:54.800 --> 0:41:57.720
<v Speaker 1>even hear them breathe. With a sudden resolution, he snatched

0:41:57.760 --> 0:42:00.160
<v Speaker 1>the candle from the mantelpiece and held the flame him

0:42:00.200 --> 0:42:03.080
<v Speaker 1>to White's finger. Then, as he reeled back, stupefied, the

0:42:03.080 --> 0:42:06.840
<v Speaker 1>footsteps again became audible. He stood with a candle in

0:42:06.880 --> 0:42:10.960
<v Speaker 1>his shaking hand, listening. He heard them ascending the farther staircase,

0:42:11.440 --> 0:42:13.560
<v Speaker 1>but they stopped suddenly as he went to the door.

0:42:14.360 --> 0:42:16.799
<v Speaker 1>He walked a little way along the passage, and they

0:42:16.800 --> 0:42:19.640
<v Speaker 1>went scurrying down the stairs, and then at a jog

0:42:19.719 --> 0:42:23.200
<v Speaker 1>trot along the corridor below. He went back to the

0:42:23.239 --> 0:42:32.279
<v Speaker 1>main staircase and they ceased again. All right, so this

0:42:32.360 --> 0:42:34.680
<v Speaker 1>is getting really creepy at this point. Yeah, so you

0:42:34.680 --> 0:42:37.960
<v Speaker 1>can't see anything. All of his buddies are all in

0:42:38.080 --> 0:42:41.799
<v Speaker 1>some weird mystical sleep, and now there's phantom footsteps chasing

0:42:41.840 --> 0:42:43.719
<v Speaker 1>him around the house. All right, I think you should

0:42:43.760 --> 0:42:52.080
<v Speaker 1>take it over for a time. He hung over the ballusters,

0:42:52.200 --> 0:42:57.120
<v Speaker 1>listening and trying to pierce the blackness belowe. Then, slowly,

0:42:57.640 --> 0:43:02.080
<v Speaker 1>step by step, he made his downstairs, and, holding the

0:43:02.120 --> 0:43:06.799
<v Speaker 1>candle above his head, peered about him barns, he called out,

0:43:07.080 --> 0:43:12.000
<v Speaker 1>where are you? Shaking with fright, he made his way

0:43:12.040 --> 0:43:15.880
<v Speaker 1>along the passage, and, summoning up all his courage, pushed

0:43:15.880 --> 0:43:20.840
<v Speaker 1>open doors and gazed fearfully into empty rooms. Then quite

0:43:20.880 --> 0:43:24.200
<v Speaker 1>suddenly he heard the footsteps in front of him. He

0:43:24.320 --> 0:43:27.440
<v Speaker 1>followed slowly for fear of extinguishing the candle, until they

0:43:27.520 --> 0:43:30.359
<v Speaker 1>led him at last into a vast, bare kitchen with

0:43:30.440 --> 0:43:33.480
<v Speaker 1>damp walls and a broken floor. In front of him,

0:43:33.600 --> 0:43:37.320
<v Speaker 1>A door leading into an inside room had just closed.

0:43:37.920 --> 0:43:40.360
<v Speaker 1>He ran toward it and flung it open, and a

0:43:40.480 --> 0:43:44.040
<v Speaker 1>cold air blew out the candle. He stood aghast barns.

0:43:44.600 --> 0:43:48.320
<v Speaker 1>He cried again, don't be afraid, it is I me

0:43:48.480 --> 0:43:53.880
<v Speaker 1>go to save the day right. There was no answer.

0:43:54.280 --> 0:43:57.319
<v Speaker 1>He stood gazing into the darkness, and all the time

0:43:57.480 --> 0:44:01.120
<v Speaker 1>the idea of something close at hand watching was upon him.

0:44:01.239 --> 0:44:05.759
<v Speaker 1>Then suddenly the steps broke out overhead again. He drew

0:44:05.760 --> 0:44:08.680
<v Speaker 1>back hastily, and, passing through the kitchen, groped his way

0:44:08.680 --> 0:44:11.880
<v Speaker 1>along the narrow passages. He could now see better in

0:44:11.880 --> 0:44:14.720
<v Speaker 1>the darkness, and, finding himself at last at the foot

0:44:14.719 --> 0:44:18.920
<v Speaker 1>of the staircase, began to ascend it noiselessly. He reached

0:44:18.960 --> 0:44:21.400
<v Speaker 1>the landing just in time to see a figure disappear

0:44:21.440 --> 0:44:24.200
<v Speaker 1>around the angle of the wall. Still careful to make

0:44:24.280 --> 0:44:27.840
<v Speaker 1>no noise, he followed the sound of the steps until

0:44:27.880 --> 0:44:31.080
<v Speaker 1>they led him to the top floor, and he cornered

0:44:31.120 --> 0:44:34.719
<v Speaker 1>the chase. At the end of a short passage palns,

0:44:35.320 --> 0:44:42.080
<v Speaker 1>He whispered, but something stirred in the darkness. A small

0:44:42.160 --> 0:44:45.360
<v Speaker 1>circular window at the end of the passage just softened

0:44:45.400 --> 0:44:50.800
<v Speaker 1>the blackness and revealed the dim outlines of a motionless figure. Nagel,

0:44:51.040 --> 0:44:54.400
<v Speaker 1>in place of advancing, stood almost as still as a

0:44:54.400 --> 0:44:58.200
<v Speaker 1>sudden horrible doubt took possession of him. With his eyes

0:44:58.239 --> 0:45:00.840
<v Speaker 1>fixed on the shape in front, he all back slowly,

0:45:01.280 --> 0:45:04.160
<v Speaker 1>and as it advanced upon him, burst into a terrible

0:45:04.280 --> 0:45:12.399
<v Speaker 1>crod barns for god, sick is it you? I think

0:45:12.480 --> 0:45:16.239
<v Speaker 1>you take over now, okay, and then you can take

0:45:16.280 --> 0:45:18.560
<v Speaker 1>it home? How about that? Yeah? Also, I just want

0:45:18.560 --> 0:45:21.440
<v Speaker 1>to w W. Jacobs doesn't really play this up as much.

0:45:21.440 --> 0:45:23.280
<v Speaker 1>He kind of touched on it with like the creepy

0:45:23.400 --> 0:45:26.319
<v Speaker 1>vast bear kitchen with damp walls and broken floor, but

0:45:26.440 --> 0:45:31.760
<v Speaker 1>he hasn't really included the this empty, abandoned, scary, haunted

0:45:31.800 --> 0:45:34.279
<v Speaker 1>house as much of a character. So you just have

0:45:34.360 --> 0:45:37.120
<v Speaker 1>to remind yourself like, this is going on in an

0:45:37.120 --> 0:45:40.080
<v Speaker 1>empty house where this man is alone in the dark

0:45:40.200 --> 0:45:48.200
<v Speaker 1>and scared sless, scared less. The echoes of his voice

0:45:48.280 --> 0:45:50.720
<v Speaker 1>left the air quivering, but the figure before him paid

0:45:50.760 --> 0:45:53.360
<v Speaker 1>no heed. For a moment, he tried to brace his

0:45:53.440 --> 0:45:57.160
<v Speaker 1>courage up to endure its approach. Then with a smothered cry,

0:45:57.480 --> 0:46:01.600
<v Speaker 1>he turned and fled. The passages wound like a maze

0:46:02.160 --> 0:46:04.400
<v Speaker 1>and he threaded them blindly in a vain search for

0:46:04.440 --> 0:46:07.360
<v Speaker 1>the stairs if he could get down and open the

0:46:07.400 --> 0:46:11.160
<v Speaker 1>hall door. He caught his breath in a sob. The

0:46:11.239 --> 0:46:15.040
<v Speaker 1>steps had begun again, at a lumbering trot. They clattered

0:46:15.160 --> 0:46:18.279
<v Speaker 1>up and down the bare passages, in and out, up

0:46:18.280 --> 0:46:22.680
<v Speaker 1>and down, as though in search of him. He stood appalled,

0:46:23.200 --> 0:46:25.520
<v Speaker 1>and as they drew near, entered a small room and

0:46:25.560 --> 0:46:28.440
<v Speaker 1>stood behind the door. As they rushed by. He came

0:46:28.480 --> 0:46:31.560
<v Speaker 1>out and ran swiftly and noiselessly in the other direction,

0:46:31.880 --> 0:46:34.640
<v Speaker 1>and in a moment the steps were after him. He

0:46:34.760 --> 0:46:37.720
<v Speaker 1>found the long corridor and raced along it at top speed.

0:46:38.000 --> 0:46:40.279
<v Speaker 1>The stair he knew where at the end, and with

0:46:40.480 --> 0:46:44.200
<v Speaker 1>the steps close behind, he descended them in a blind haste.

0:46:44.960 --> 0:46:47.120
<v Speaker 1>The steps gained on him, and he shrank to the

0:46:47.160 --> 0:46:50.520
<v Speaker 1>side to let them pass, still continuing his headlong flight.

0:46:50.840 --> 0:46:53.440
<v Speaker 1>Then suddenly he seemed to slip off of the Earth

0:46:53.800 --> 0:47:01.399
<v Speaker 1>into space. Why don't you take it home? Okay? WHOA

0:47:05.280 --> 0:47:08.560
<v Speaker 1>lester awoke in the morning to find the sunshine streaming

0:47:08.600 --> 0:47:12.000
<v Speaker 1>into the room and white, sitting up and regarding with

0:47:12.040 --> 0:47:16.480
<v Speaker 1>some perplexity a badly blistered finger. Where are the others?

0:47:17.040 --> 0:47:22.319
<v Speaker 1>Inquired Lester. Gone, I suppose, said White. We must have

0:47:22.360 --> 0:47:26.520
<v Speaker 1>been asleep. Lester arose, and White could have used a

0:47:26.560 --> 0:47:28.839
<v Speaker 1>better a little more development, but I'm gonna just stick

0:47:28.880 --> 0:47:30.880
<v Speaker 1>with it, since that was the last quote of his.

0:47:31.080 --> 0:47:33.439
<v Speaker 1>That's right, he's he's the least interesting guy here, I think.

0:47:34.200 --> 0:47:38.280
<v Speaker 1>Lester arose, and, stretching his stiffened limbs, dusted his clothes

0:47:38.320 --> 0:47:41.680
<v Speaker 1>with his hands, and went out into the corridor. White followed.

0:47:42.280 --> 0:47:44.719
<v Speaker 1>At the noise of their approach, a figure which had

0:47:44.719 --> 0:47:47.640
<v Speaker 1>been lying asleep at the other end, sat up and

0:47:47.680 --> 0:47:53.919
<v Speaker 1>revealed the face of Barnes. Why I've been asleep, he said,

0:47:53.920 --> 0:47:57.759
<v Speaker 1>in surprise. I don't remember coming here. How did I

0:47:57.800 --> 0:48:01.319
<v Speaker 1>get here? Nice place to come? Were a nap, said

0:48:01.400 --> 0:48:05.080
<v Speaker 1>Lester severely, as he pointed to the gap and the balusters.

0:48:05.600 --> 0:48:08.879
<v Speaker 1>Look there another yard, and where would you have been?

0:48:09.760 --> 0:48:12.799
<v Speaker 1>He walked carelessly to the edge and looked over. In

0:48:12.880 --> 0:48:16.200
<v Speaker 1>response to his startled cry, the others drew near, and

0:48:16.320 --> 0:48:38.520
<v Speaker 1>all three to gazing at the dead man. Bill and

0:48:38.760 --> 0:48:41.200
<v Speaker 1>W W. Jacobs doesn't say it, but the dead man

0:48:41.480 --> 0:48:46.720
<v Speaker 1>was Megal Megal and looks you know, I think, Lester

0:48:46.800 --> 0:48:49.560
<v Speaker 1>there was exclaiming, how like that could have been you.

0:48:49.760 --> 0:48:51.959
<v Speaker 1>It could have been any of us, yeah, for sure,

0:48:52.120 --> 0:48:54.400
<v Speaker 1>but thank god it was a Megal. It was Megal,

0:48:54.760 --> 0:48:59.840
<v Speaker 1>the Central European cousin. Good stuff. That's a really good story.

0:49:00.640 --> 0:49:02.520
<v Speaker 1>That was a good story. We should do the Monkey's

0:49:02.520 --> 0:49:05.560
<v Speaker 1>Pause sometime too. Yeah. For some reason, I've been avoiding

0:49:05.560 --> 0:49:07.200
<v Speaker 1>that because it's so well known. But yeah, we should

0:49:07.239 --> 0:49:10.600
<v Speaker 1>totally do that. I honestly I've never read it, but yeah,

0:49:10.640 --> 0:49:12.720
<v Speaker 1>I just know about it from like the Simpsons Treehouse

0:49:12.760 --> 0:49:17.640
<v Speaker 1>of Horror. It's good, good story. Well that's it, everybody, right, Chuck.

0:49:17.680 --> 0:49:20.759
<v Speaker 1>I mean it's time to say Happy Halloween and all that. Right,

0:49:20.920 --> 0:49:22.960
<v Speaker 1>That's right. Do you guys be safe out there, have

0:49:23.040 --> 0:49:25.000
<v Speaker 1>fun trick or treating or going to your parties, or

0:49:25.520 --> 0:49:28.560
<v Speaker 1>if you choose to not participate, then that's fine too.

0:49:28.560 --> 0:49:31.600
<v Speaker 1>But Halloween's the best. So get out there and don't

0:49:31.600 --> 0:49:34.040
<v Speaker 1>forget to take every piece of your candy to your

0:49:34.080 --> 0:49:36.600
<v Speaker 1>local e R and weight around while they X ray

0:49:36.680 --> 0:49:40.760
<v Speaker 1>it for you. That's right, Happy Halloween, everybody from us

0:49:40.840 --> 0:50:16.920
<v Speaker 1>and Jerry h. Stuff you should Know is a production

0:50:16.960 --> 0:50:19.880
<v Speaker 1>of I Heart Radio. For more podcasts my heart Radio,

0:50:20.120 --> 0:50:23.120
<v Speaker 1>visit the i heart Radio app Apple podcasts or wherever

0:50:23.160 --> 0:50:27.440
<v Speaker 1>you listen to your favorite shows. H