WEBVTT - Weirdhouse Cinema: Devil's Express

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<v Speaker 1>Welcome to Stuff to Blow Your Mind production of My

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<v Speaker 1>Heart Radio. Hey, welcome to Weird House Cinema. This is

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<v Speaker 1>Rob Lamb and I'm Joe McCormick. In. Today we're addressing

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<v Speaker 1>the nineteen seventies six genre mash up film Devil's Express

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<v Speaker 1>also known as Gang Wars. Did you know about this

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<v Speaker 1>alternate title? Rob? Yeah, yeah, I'd run across some sort

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<v Speaker 1>of alternate trailers for it. I guess you see this

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<v Speaker 1>a lot with with with films that came came out,

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<v Speaker 1>especially back in the in the nineteen seventies, where it

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<v Speaker 1>comes out, maybe it doesn't play as well, or maybe

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<v Speaker 1>something else happens in the zeitgeist and you want to

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<v Speaker 1>you want a second shot at it, so you just

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<v Speaker 1>retitle it and put it out there again and see

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<v Speaker 1>if you catch any any viewers. So the claim that

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<v Speaker 1>I came across, uh, we should maybe it's best to

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<v Speaker 1>start with the elevator pitch. The elevator pitch here is

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<v Speaker 1>that when an ancient Chinese demon is released the subway

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<v Speaker 1>tunnels of New York, a saintly master of the martial

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<v Speaker 1>arts named Luke Curtis must summon all his courage to

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<v Speaker 1>defeat the Underground Evil. So it is a martial arts

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<v Speaker 1>demon horror movie, but it also has elements of like

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<v Speaker 1>gang fighting in the streets. And according to a write

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<v Speaker 1>up by Code Red, which I think did the Blu

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<v Speaker 1>ray rerelease of this movie, that they said that when

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<v Speaker 1>The Warriors was released theatrically, which I think would have

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<v Speaker 1>been in nineteen seventy nine, so three years after this

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<v Speaker 1>movie came out, they say, the distributor of Devil's Express

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<v Speaker 1>re titled it Gang Wars essentially to make it look

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<v Speaker 1>like a Warrior's type movie. Of course, if you haven't

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<v Speaker 1>seen The Warriors, that's just it's a movie about all

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<v Speaker 1>these weird, different little gangs in New York that have

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<v Speaker 1>their their own interesting costumes and quirks, and they're running

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<v Speaker 1>around fighting each other and all that. And I think

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<v Speaker 1>they wanted to cash in on that that Warriors magic. Yeah,

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<v Speaker 1>I mean, The Warriors is is a fabulously weird film

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<v Speaker 1>in its own right, because when we say weird gangs,

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<v Speaker 1>we mean if you haven't seen it, it's like there's

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<v Speaker 1>a baseball gang, there's the Baseball Furies. That's right. The

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<v Speaker 1>first time I saw that, that was the funniest thing

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<v Speaker 1>about it. To me, they were wearing baseball uniforms and

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<v Speaker 1>they have bats, I think. Yeah, so it's like it's

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<v Speaker 1>it's as if it's said in an alternate reality where

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<v Speaker 1>you just have a bunch of wacky, wacky gangs with

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<v Speaker 1>all these wacky themes. Uh. So it's definitely worth worth

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<v Speaker 1>checking out superior movie to what we're talking about here today.

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<v Speaker 1>But the one we're talking about here today, Devil's Express,

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<v Speaker 1>is just a wonderful mash up of of different genres,

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<v Speaker 1>uh that they all kind of slammed together awkwardly, uh

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<v Speaker 1>you know, uh, scraping up against each other sometimes jack

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<v Speaker 1>knifing around each other in a way that that is

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<v Speaker 1>ultimately quite entertaining. Yeah. So they retitled at Gang Morris

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<v Speaker 1>and there are gangs in this movie, and the gangs

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<v Speaker 1>do fight, but this movie really has more to do

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<v Speaker 1>with its star Warhawk ten Zania down a demon to

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<v Speaker 1>fight in the subway tunnels. Yes, and you know, we

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<v Speaker 1>can we can introduce war Hawk Tanzania all day and

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<v Speaker 1>and we're going to get into war Hawk Tanzania in

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<v Speaker 1>a minute. But why don't we go ahead and listen

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<v Speaker 1>to the trailer. The original TV trailer for the film

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<v Speaker 1>because you really need a narrator's voice to introduce Warhawk

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<v Speaker 1>Tanzania to the world. To take a ride on the

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<v Speaker 1>Devil's Expressed. What happens when two thousand years of evil

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<v Speaker 1>strike a city see Warhawk Tanzania match blows which the

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<v Speaker 1>Devil and those the Devil has possessed to Ford monsoon

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<v Speaker 1>take a ride on the Devil's Express. It may be

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<v Speaker 1>your last star rated R. See now, are aren't you

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<v Speaker 1>completely on board with Warhawk Tanzania the either the next

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<v Speaker 1>big thing or the cur big thing based on the

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<v Speaker 1>salesmanship in this uh, in this particular trailer. One thing

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<v Speaker 1>about the trailer is the trailer really plays it up

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<v Speaker 1>as a horror movie. I think, what do you think

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<v Speaker 1>about that? They definitely stressed the monster movie aspects of this,

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<v Speaker 1>which I think is I mean, that's what brought me

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<v Speaker 1>to it. I realized, Oh, this is not just a

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<v Speaker 1>New York City martial arts gang war movie. No, there's

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<v Speaker 1>also some sort of a subway monster in it. There's

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<v Speaker 1>a demon and um and I'm a sucker for any

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<v Speaker 1>any film that that puts monsters in a subway, especially

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<v Speaker 1>the New York subway system. Um. I'm just instantly enthralled. Oh,

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<v Speaker 1>of course there. But stylistically this film has a lot

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<v Speaker 1>of things in common with a lot of these sort

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<v Speaker 1>of crime exploitation movies of the nineteen seventies. I've seen

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<v Speaker 1>a lot of people online uh saying that it has

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<v Speaker 1>elements similar to black exploitation films, which are a a

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<v Speaker 1>genre that has has a very complicated legacy. Of course,

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<v Speaker 1>these were films that came out in the early seventies,

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<v Speaker 1>especially they're they're often said to have been inspired by

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<v Speaker 1>a couple of seminal works. One was Melvin Van Peeble's

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<v Speaker 1>Sweet Sweet Backs Badass Song, which I think came out

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<v Speaker 1>in nineteen seventy one, and another big one was Gordon

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<v Speaker 1>Parks movie Shaft. And it's debatable whether those are whether

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<v Speaker 1>those should actually be thought of as black exploitation movies themselves,

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<v Speaker 1>but they certainly are are thought to have inspired this

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<v Speaker 1>genre of films that had sort of larger than life

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<v Speaker 1>black heroes, but that also tended to deal with themes

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<v Speaker 1>of of crime. And we're often said in New York

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<v Speaker 1>City and have this complicated legacy because on one hand

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<v Speaker 1>that they had these larger than life black heroes. I've

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<v Speaker 1>read about some scholars talking about how you know, finally

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<v Speaker 1>you could have like a black hero on the level

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<v Speaker 1>of James Bond, that kind of like superhuman nous uh

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<v Speaker 1>in a movie starring in a movie of his own.

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<v Speaker 1>But then also like the term black exploitation actually was

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<v Speaker 1>coined by a member of the Double a c P

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<v Speaker 1>who is very against the genre, who because basically, I

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<v Speaker 1>think he thought that it perpetuated negative stereotypes about the

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<v Speaker 1>black communities in America. Yeah, because these were often movies

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<v Speaker 1>about crime, so that you know, you had you had

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<v Speaker 1>gangs in them, they had they had would feature uh,

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<v Speaker 1>prostitution or drugs and violence. Um. And and if you

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<v Speaker 1>just if you're just watching these films of this genre,

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<v Speaker 1>you know, it makes you think like this is all

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<v Speaker 1>there is, this is all there is to um to

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<v Speaker 1>two black culture into black life in America at the time.

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<v Speaker 1>And in a similar way, of course, you also have

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<v Speaker 1>kung fu exploitation films, and this is also the kung

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<v Speaker 1>fu exploitation film where if you watch films of this caliber,

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<v Speaker 1>you see um, basically Asian characters, Asian cultures, and certainly

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<v Speaker 1>uh in this case like Asian American life as being

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<v Speaker 1>just martial arts like, this is a movie that features

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<v Speaker 1>several different Asian actors, or at least Asian stuntman and

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<v Speaker 1>Asian martial artists, but there's not a single Asian character

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<v Speaker 1>of any depth. I like, I do not know any

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<v Speaker 1>of the Asian characters names in this film. I don't

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<v Speaker 1>know that they're given names. Yeah, that's right. And of

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<v Speaker 1>course this movie would not be the only one that

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<v Speaker 1>sort of mashed up the the seventies martial arts exploitation

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<v Speaker 1>style movie with black exploitation aesthetics. These two things had

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<v Speaker 1>collided in other films as well, but in this case

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<v Speaker 1>it also brings in horror, which is a very interesting

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<v Speaker 1>third element here, third rail. It's the third rail that

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<v Speaker 1>drives the train, you could say that. So of course

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<v Speaker 1>this is a This is a grimy seventies grindhouse film,

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<v Speaker 1>but it also borders on one of our favorite genres

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<v Speaker 1>that we've discussed before. Of course, this other genre we've

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<v Speaker 1>talked about was the supernatural wrestling movie, such as the

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<v Speaker 1>film starring El Santo, where the noble luchador hero must

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<v Speaker 1>confront a mummy or a dracula. The one we talked

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<v Speaker 1>about on the show was Santo and the Treasure of Dracula,

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<v Speaker 1>which it was a really fun movie to talk about. Uh. Here,

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<v Speaker 1>this is not exactly the same thing, but it's kind

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<v Speaker 1>of close. Because this is essentially a supernatural martial arts movie.

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<v Speaker 1>Like Warhawk, Tanzania must confront not just corrupt cops and

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<v Speaker 1>rival gangs on the gritty streets of nineteen seventies New York,

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<v Speaker 1>but the denizens of hell itself. Absolutely. Yeah, and I mean,

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<v Speaker 1>and it's ultimately it's it's a Baowolf and Grendel story.

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<v Speaker 1>You know. It's the story of the hero who must

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<v Speaker 1>travel down into the depths, into the dark realm where

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<v Speaker 1>the monster lives, in order to defeat it. Uh and

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<v Speaker 1>uh and you know that's exactly what happens in this film.

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<v Speaker 1>Speaking of which, is this our first martial arts film

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<v Speaker 1>on Weirdhouse Cinema? Have we done another pure martial arts film? Uh?

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<v Speaker 1>So many movies have elements of martial arts in them.

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<v Speaker 1>I would find it hard to believe we haven't touched

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<v Speaker 1>on anything there. But this might be the closest thing

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<v Speaker 1>to a pure martial arts movie. Yeah. All right, Well,

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<v Speaker 1>let's go ahead and talk about the people who made

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<v Speaker 1>this possible. There's a there's some several fun connections in

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<v Speaker 1>this film. Um At first glance, it might look like

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<v Speaker 1>a you know, with these z pictures from a casting standpoint,

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<v Speaker 1>where where nobody goes on to to do anything else

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<v Speaker 1>or has any kind of interesting connections for the rest

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<v Speaker 1>of the world. But that is not the case. Let's

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<v Speaker 1>start at the top with the director and also one

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<v Speaker 1>of the screenwriters, Barry rosen bore N six. He only

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<v Speaker 1>directed a couple of pictures, but he was a producer

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<v Speaker 1>on the nineteen seventy five film Black Force, where he

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<v Speaker 1>apparently met some of the stars of that that he

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<v Speaker 1>would utilize in Devil's Express And as a producer, he

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<v Speaker 1>went on to work on some at least a couple

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<v Speaker 1>of really fun projects, including Highway to Hell in he

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<v Speaker 1>was line producer on that. This is the the Wonderful

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<v Speaker 1>Hell Cop Movie, starring Patrick Bergen and the entire Stiller family.

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<v Speaker 1>Like Ben Stiller's in it, Ben Stellar's mom is in it,

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<v Speaker 1>Ben Stellar's dad is in it. Yeah, weird, so weird.

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<v Speaker 1>It is a weird film. Gilbert Godfrey shows up playing

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<v Speaker 1>Hitler uh because it's hell Uh. There's all these bizarre

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<v Speaker 1>elements in it, So that's that's definitely. Um. I haven't

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<v Speaker 1>seen it in a while, but that was one I

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<v Speaker 1>finally remember catching on like USA Network back in the day. Okay,

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<v Speaker 1>and then Rosen also produced twenty two episodes of Highlander,

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<v Speaker 1>the series, so uh, kudos on that. I can just

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<v Speaker 1>see him sending the dailies back being like no, no,

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<v Speaker 1>gotta have more juice in these quickening scenes. Now I

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<v Speaker 1>mentioned that Rosen was one of the writers on Devil's Express.

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<v Speaker 1>There are four other screenwriters that are credited, so this

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<v Speaker 1>is basically Rosen at all. Um. I'll list their names

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<v Speaker 1>quickly here, but but they didn't really I don't think

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<v Speaker 1>any of them really went on to do much else.

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<v Speaker 1>But uh, still, the people that made this possible Nicky Patton, Uh,

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<v Speaker 1>Pascal Vacuire, Ceotis Robinson, and Bobby Saberstein. These are the screenwriters.

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<v Speaker 1>Moving on, let's get to the main event here. Let's

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<v Speaker 1>get to our to our star, the man who and

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<v Speaker 1>this plays Luke. But it's hard to imagine anybody with

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<v Speaker 1>a name like this just playing someone with a name

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<v Speaker 1>like Luke. But we're talking about war Hawk Tanzania. You know.

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<v Speaker 1>I read some reviews saying like, uh, sort of deriding

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<v Speaker 1>the film for trying to rely on the what they

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<v Speaker 1>claimed was non existent star power of war Hawk Tanzania.

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<v Speaker 1>But I kind of disagree. I mean, war Hawk Tanzania

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<v Speaker 1>is clearly not a not a super experienced actor, but

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<v Speaker 1>I do kind of think he has star power. Yeah,

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<v Speaker 1>I think he absolutely has star power. I mean, he

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<v Speaker 1>he has the looks, he has this, this this really

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<v Speaker 1>righteous afro hairstyle. This, he's he's got this cool mustache.

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<v Speaker 1>He's he's lean, he's mean, he can throw some kicks

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<v Speaker 1>and punches. And yes, he only has I think two

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<v Speaker 1>different delivery styles for his dialogue, but you feel it

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<v Speaker 1>when he delivers those those lines like he's still he's

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<v Speaker 1>still connecting with you. But but yeah, to think about

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<v Speaker 1>the trailer, especially a couple of trailers that I watched

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<v Speaker 1>for this, is that they really do sell war Hawk

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<v Speaker 1>Tanzania as if he is either the you know, the

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<v Speaker 1>the current big thing or the next big thing in

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<v Speaker 1>martial arts cinema. Like he is exploding. The war Hawk

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<v Speaker 1>Tanzania train is about to leave the station. Are you

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<v Speaker 1>going to get on board? Yes? I'm on board. Yes,

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<v Speaker 1>I have my tickets right here, first class. Because I mean,

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<v Speaker 1>if nothing else. It's also just an amazing name. War

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<v Speaker 1>Hawk Tanzania just undeniably cool, and we see that in

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<v Speaker 1>his character too, Like I feel we call him Luke,

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<v Speaker 1>but I feel like the characters war Hawk Tanzania as well.

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<v Speaker 1>I should also stress war Hawk Tanzania had one, I

0:12:35.679 --> 0:12:38.760
<v Speaker 1>think one film credit prior to this and no film

0:12:38.760 --> 0:12:43.160
<v Speaker 1>credits after this. Uh. He was in that that exploitation

0:12:43.200 --> 0:12:45.960
<v Speaker 1>film Black Force that I mentioned earlier that came before this,

0:12:46.600 --> 0:12:49.720
<v Speaker 1>and then he he just does not appear in anything else. Um.

0:12:49.880 --> 0:12:52.439
<v Speaker 1>And I don't think anything is really publicly known about

0:12:52.480 --> 0:12:55.240
<v Speaker 1>the man. I would say that it probably went one

0:12:55.240 --> 0:12:58.200
<v Speaker 1>of two ways though. Either after this film he has

0:12:58.200 --> 0:12:59.920
<v Speaker 1>decided that he was just going to live a private

0:13:00.040 --> 0:13:01.920
<v Speaker 1>life and be a private citizen, and if so, you know,

0:13:02.080 --> 0:13:06.040
<v Speaker 1>more power to him, or war Hawk Tanzania has spent

0:13:06.080 --> 0:13:10.079
<v Speaker 1>the decades since this movie battling actual demons and monsters

0:13:10.120 --> 0:13:12.720
<v Speaker 1>around the world, taking the fight to the forces of

0:13:12.760 --> 0:13:16.160
<v Speaker 1>evil as only war Hawk Tanzania can. He is a

0:13:16.280 --> 0:13:20.480
<v Speaker 1>he is a martial arts exorcist of your mass transit systems. Yes,

0:13:21.120 --> 0:13:24.880
<v Speaker 1>he's a fighter. He's a lover. Uh, he's a demon hunter,

0:13:24.960 --> 0:13:28.079
<v Speaker 1>He's a peace broker. He brings it all to the table.

0:13:28.360 --> 0:13:31.240
<v Speaker 1>Totally agree and believe it or not, there are other

0:13:31.240 --> 0:13:33.320
<v Speaker 1>actors in this film. I mean it seems like like

0:13:33.360 --> 0:13:35.400
<v Speaker 1>maybe they at first they thought we we'll just cast

0:13:35.400 --> 0:13:38.520
<v Speaker 1>war Hawk. We don't need anybody else. War Hawk Tanzania

0:13:38.600 --> 0:13:40.240
<v Speaker 1>is enough to fill up an entire film. But then

0:13:40.240 --> 0:13:41.800
<v Speaker 1>they as well, we have to catch all these other

0:13:41.880 --> 0:13:44.040
<v Speaker 1>roles too. Uh huh, Well, I don't know if I

0:13:44.080 --> 0:13:49.280
<v Speaker 1>know anybody's name except Rodan. Well, first there's uh, we'll

0:13:49.280 --> 0:13:51.280
<v Speaker 1>get to well, let's go ahead and hit Rodan, because

0:13:51.320 --> 0:13:55.560
<v Speaker 1>Rodan's his but Rodan's is his his companion. They're on

0:13:55.600 --> 0:13:57.600
<v Speaker 1>the same course, they're on the you know that they

0:13:57.640 --> 0:13:59.280
<v Speaker 1>seem to have the same mission in life, but it

0:13:59.320 --> 0:14:02.560
<v Speaker 1>becomes clear as we'll discuss that they do have different

0:14:02.559 --> 0:14:06.880
<v Speaker 1>agendas going on. There there's some conflict between them. Oh yeah,

0:14:06.920 --> 0:14:10.040
<v Speaker 1>there's totally conflict. But I mean, so Rodan is Luke's

0:14:10.200 --> 0:14:12.960
<v Speaker 1>student in the movie, his student of martial arts, because

0:14:13.040 --> 0:14:16.960
<v Speaker 1>Luke is a martial arts master. But whereas Luke is

0:14:17.600 --> 0:14:20.760
<v Speaker 1>you could argue pretty much lawful good. You know, he's

0:14:20.800 --> 0:14:23.760
<v Speaker 1>in many ways sort of a paladin or presented as such,

0:14:23.840 --> 0:14:26.960
<v Speaker 1>viewed as such by the creators of the film. Rodan

0:14:27.120 --> 0:14:29.160
<v Speaker 1>I would say is more in the sort of chaotic

0:14:29.280 --> 0:14:33.720
<v Speaker 1>neutral territory. Yeah, yeah, he's you know, he'll he'll be good,

0:14:33.800 --> 0:14:36.440
<v Speaker 1>especially if he's there with Luke, if you know, he

0:14:36.480 --> 0:14:38.880
<v Speaker 1>has that that war hawk energy keeping him in line.

0:14:38.920 --> 0:14:41.000
<v Speaker 1>But if he's off on his own, uh, you know,

0:14:41.040 --> 0:14:43.240
<v Speaker 1>he's he's running games all over town. As we find

0:14:43.240 --> 0:14:46.840
<v Speaker 1>out now. Rodan is played by the actor and martial

0:14:46.920 --> 0:14:51.600
<v Speaker 1>artists Wilfredo roll Dan, who lived I think nine through

0:14:52.760 --> 0:14:56.520
<v Speaker 1>so he did pass away last last year. Um Lower

0:14:56.560 --> 0:14:59.960
<v Speaker 1>East Side resident and apparently like regional at least regional

0:15:00.120 --> 0:15:02.960
<v Speaker 1>martial arts legend. Uh. He was born in Puerto Rico,

0:15:03.440 --> 0:15:06.880
<v Speaker 1>and he moved to the continental United States at a

0:15:07.000 --> 0:15:10.080
<v Speaker 1>young age. His acting career seems to have consist of

0:15:10.080 --> 0:15:12.920
<v Speaker 1>two different periods. He did some exploitation films when he

0:15:12.960 --> 0:15:15.600
<v Speaker 1>was very young, including this one, and then some other

0:15:15.800 --> 0:15:18.920
<v Speaker 1>film work later in his life after he retired from

0:15:18.920 --> 0:15:21.600
<v Speaker 1>a career as a as a pe teacher for the

0:15:21.880 --> 0:15:25.080
<v Speaker 1>for the New York City Board of Education. He you

0:15:25.120 --> 0:15:27.440
<v Speaker 1>can look him up there in his their websites about

0:15:27.480 --> 0:15:31.360
<v Speaker 1>him and memorials to him. He apparently sang he was

0:15:31.840 --> 0:15:35.920
<v Speaker 1>a much beloved uh master, I think a grand master

0:15:36.000 --> 0:15:39.120
<v Speaker 1>of a particular system of martial arts. Uh that he

0:15:39.160 --> 0:15:41.120
<v Speaker 1>did not I don't think he did not found this.

0:15:41.320 --> 0:15:44.600
<v Speaker 1>The school of Martial Arts was founded by a guy

0:15:44.600 --> 0:15:48.080
<v Speaker 1>in the name of Frank Ruez. But yeah, he was

0:15:48.160 --> 0:15:52.200
<v Speaker 1>an accomplished martial artist and like sort of a regional celebrity.

0:15:52.240 --> 0:15:54.280
<v Speaker 1>You know, you'd hear to talk about like New York

0:15:54.360 --> 0:15:57.160
<v Speaker 1>City people, you know, uh, the sort of characters that

0:15:57.160 --> 0:15:59.800
<v Speaker 1>that fill up the city that might not necessarily be

0:15:59.840 --> 0:16:03.040
<v Speaker 1>no own by people who are not themselves New Yorkers.

0:16:03.080 --> 0:16:06.960
<v Speaker 1>What seems like Wilfredo was one of those individuals. And

0:16:07.080 --> 0:16:09.080
<v Speaker 1>he's a he's he's pretty good in this movie. You

0:16:09.080 --> 0:16:11.240
<v Speaker 1>see him that I was throwing some amazing kicks and

0:16:11.640 --> 0:16:13.360
<v Speaker 1>he's he's not bad. As an actor. I feel like

0:16:13.360 --> 0:16:16.000
<v Speaker 1>he's got as a sort of a natural chrisma as well,

0:16:16.040 --> 0:16:19.160
<v Speaker 1>but also a kind of uh something you don't trust

0:16:19.160 --> 0:16:21.440
<v Speaker 1>about him. He's got a meanness to him, and of

0:16:21.480 --> 0:16:23.520
<v Speaker 1>course that comes out in the character as well. Now

0:16:23.520 --> 0:16:26.680
<v Speaker 1>there's another martial arts really partial martial artist character that

0:16:26.720 --> 0:16:29.160
<v Speaker 1>shows up earlier on and that's a cop character by

0:16:29.160 --> 0:16:34.000
<v Speaker 1>the name of Chris and Chris was played by Larry Fleischman. Uh,

0:16:34.040 --> 0:16:36.520
<v Speaker 1>this is another like Warhawk age unknown. Don't know when

0:16:36.520 --> 0:16:40.680
<v Speaker 1>this guy was born. Um, presumably still alive. British born actor.

0:16:40.720 --> 0:16:44.320
<v Speaker 1>He popped up in nine Johnny Got His Gun. He

0:16:44.440 --> 0:16:47.000
<v Speaker 1>was on All My Children, Law and Order, a couple

0:16:47.000 --> 0:16:50.640
<v Speaker 1>of video games. He's perfectly fine in this. Now another

0:16:51.200 --> 0:16:54.800
<v Speaker 1>really interesting and weird actor that shows up in this film.

0:16:54.960 --> 0:16:58.360
<v Speaker 1>Not very much like he basically shows up for two scenes,

0:16:58.840 --> 0:17:01.560
<v Speaker 1>almost as if you wander into the shot and they

0:17:01.600 --> 0:17:05.879
<v Speaker 1>decided to pay him. Um. But a wonderful, wonderful actor

0:17:05.920 --> 0:17:08.800
<v Speaker 1>that many people probably know by his his stage name,

0:17:08.840 --> 0:17:12.879
<v Speaker 1>his performance name. Talking about brother Theodore. Oh, his scene

0:17:12.880 --> 0:17:14.520
<v Speaker 1>in this movie was one of the best parts of

0:17:14.560 --> 0:17:17.680
<v Speaker 1>the whole thing. Yeah, um, I think is it two scenes?

0:17:17.760 --> 0:17:19.720
<v Speaker 1>Is he also? Is there a scene where he's looking

0:17:19.760 --> 0:17:21.520
<v Speaker 1>at a dead body in a subway with some police

0:17:21.520 --> 0:17:26.680
<v Speaker 1>officers for no real reason. Uh? If so, I missed,

0:17:26.840 --> 0:17:28.600
<v Speaker 1>don't recall that one. I remember the one where he's

0:17:28.600 --> 0:17:31.160
<v Speaker 1>preaching to the crowd, and we'll get to that later. Yeah.

0:17:31.160 --> 0:17:33.960
<v Speaker 1>He mainly just has a ranting scene. So yeah. Brother

0:17:34.040 --> 0:17:37.159
<v Speaker 1>Theodore also known as Theodore Gottlieb. He was born in

0:17:37.240 --> 0:17:40.399
<v Speaker 1>nineteen o six, died in two thousand and one, and

0:17:40.440 --> 0:17:42.399
<v Speaker 1>I read, I've read that he improved all of his

0:17:42.480 --> 0:17:46.399
<v Speaker 1>lines in this as well. Um, he was a German

0:17:46.440 --> 0:17:50.200
<v Speaker 1>American actor who performed a kind of stream of consciousness

0:17:50.280 --> 0:17:54.320
<v Speaker 1>stand up and he has a fascinating life. I was

0:17:54.359 --> 0:17:56.439
<v Speaker 1>reading the New York Times, Oh bit for him by

0:17:56.480 --> 0:18:00.840
<v Speaker 1>Douglas Martin, and the whole thing's worth reading. Fascinating character.

0:18:00.880 --> 0:18:02.600
<v Speaker 1>But I want to read just these, these, these two

0:18:02.640 --> 0:18:06.360
<v Speaker 1>snippets from it quote. Born to great wealth in Germany,

0:18:06.400 --> 0:18:08.920
<v Speaker 1>he ended up in Dachau, only to be released when

0:18:08.920 --> 0:18:13.480
<v Speaker 1>he signed over the family's great fortune for a single mark. Einstein,

0:18:14.240 --> 0:18:17.360
<v Speaker 1>said by some of Mr Gottlieb's friends to have been

0:18:17.440 --> 0:18:20.480
<v Speaker 1>his mother's lover, helped him get to the United States.

0:18:21.480 --> 0:18:25.400
<v Speaker 1>And then we also here, always an aristocrat, he suddenly

0:18:25.400 --> 0:18:29.080
<v Speaker 1>found himself working as a janitor at Stanford University, where

0:18:29.080 --> 0:18:34.479
<v Speaker 1>he managed to defeat thirty professors at chess simultaneously. So

0:18:34.680 --> 0:18:38.520
<v Speaker 1>I don't know, Okay, I don't know anything about this guy.

0:18:38.600 --> 0:18:41.320
<v Speaker 1>So I admit I'm coming from a place of ignorance.

0:18:41.320 --> 0:18:44.879
<v Speaker 1>But I feel incredulous at reading these sentences the thirty

0:18:44.960 --> 0:18:47.320
<v Speaker 1>I mean also knowing that he is very much a

0:18:47.320 --> 0:18:51.520
<v Speaker 1>performer and um uh and and kind of a professional weirdo.

0:18:52.320 --> 0:18:54.600
<v Speaker 1>I mean, I don't doubt him on the on the

0:18:54.680 --> 0:18:58.600
<v Speaker 1>core backstory here, but the chess thing raises my suspicion.

0:18:58.640 --> 0:19:01.920
<v Speaker 1>Maybe he really was a brilliant chess uh player? And

0:19:01.920 --> 0:19:04.119
<v Speaker 1>and which is you know, wiped up the matt with

0:19:04.200 --> 0:19:07.560
<v Speaker 1>a bunch of Stanford University professors. But I don't know

0:19:08.119 --> 0:19:10.240
<v Speaker 1>either way. I like them the myth building though, because

0:19:10.240 --> 0:19:12.919
<v Speaker 1>he seems this is one of those weird characters you

0:19:12.920 --> 0:19:16.800
<v Speaker 1>see show up in some stuff and um, yeah, it

0:19:16.880 --> 0:19:19.480
<v Speaker 1>seems like it's hard to tell where the mythology ends

0:19:19.480 --> 0:19:24.320
<v Speaker 1>in the real life begins with him. But anyway, he

0:19:24.080 --> 0:19:26.280
<v Speaker 1>he ended up in the United States eventually got into

0:19:26.280 --> 0:19:28.960
<v Speaker 1>acting in comedy. He had a small part in Orson

0:19:29.040 --> 0:19:31.840
<v Speaker 1>Wells The Stranger in nineteen forty six, which was his

0:19:31.880 --> 0:19:35.440
<v Speaker 1>first role, and many of our listeners probably know him

0:19:35.440 --> 0:19:39.600
<v Speaker 1>from his final picture. He shows up in nine the Bourbs.

0:19:39.640 --> 0:19:43.200
<v Speaker 1>Do you remember the Bourbs? Joe? Um? Is that the

0:19:43.240 --> 0:19:45.880
<v Speaker 1>one with Tom Hanks. I'm not sure that I've seen it.

0:19:46.520 --> 0:19:47.960
<v Speaker 1>It's it's one I saw when I was a kids.

0:19:48.000 --> 0:19:50.320
<v Speaker 1>I haven't seen it as an adult. But you have

0:19:50.520 --> 0:19:54.160
<v Speaker 1>a number of of weird character actors playing weird neighbors

0:19:54.160 --> 0:19:56.760
<v Speaker 1>in that. I think Bruce Dern is in it as

0:19:56.800 --> 0:19:59.960
<v Speaker 1>well a couple other people that you know, people would

0:20:00.240 --> 0:20:03.280
<v Speaker 1>viewers would recognize. But yeah, but yeah, Brother Theodore, isn't

0:20:03.280 --> 0:20:06.520
<v Speaker 1>it playing one of the neighborhood weirdos and it's pretty

0:20:06.600 --> 0:20:10.119
<v Speaker 1>pretty good. I'm sorry, does they have vampires? I don't

0:20:10.160 --> 0:20:13.800
<v Speaker 1>think it has vampires. I think it's just weirdos. It's

0:20:13.840 --> 0:20:15.919
<v Speaker 1>got while since I've seen it. I don't remember what

0:20:15.960 --> 0:20:18.240
<v Speaker 1>the payoff was, but there was a lot of like

0:20:18.359 --> 0:20:22.399
<v Speaker 1>creepy goings on and like suburban basements. May be confusing

0:20:22.440 --> 0:20:26.560
<v Speaker 1>the bourbs with the money pit. Yeah, different movie, but

0:20:26.720 --> 0:20:31.120
<v Speaker 1>some very similar era, I think now. Brother Theodore has

0:20:31.160 --> 0:20:36.600
<v Speaker 1>two excellent voice actor performances on his um filmography from

0:20:36.640 --> 0:20:40.040
<v Speaker 1>the animated films of Drunken and Bass. So he uh

0:20:40.119 --> 0:20:43.160
<v Speaker 1>he played Have you ever seen two? Is the Last Unicorn?

0:20:43.240 --> 0:20:48.320
<v Speaker 1>Joe No, I haven't Okay? Fabulous film score by America, wonderful,

0:20:48.320 --> 0:20:52.640
<v Speaker 1>wonderful vocal of voice acting performances throughout. But Brother Theodore

0:20:52.680 --> 0:20:58.440
<v Speaker 1>places character Rock Uh Hunchback who attends the witch Mommy Fortuna,

0:20:58.480 --> 0:21:02.080
<v Speaker 1>who runs this, uh, this I Joe of of magical

0:21:02.280 --> 0:21:05.679
<v Speaker 1>creatures and monsters, and so he's this, uh, he's this

0:21:05.720 --> 0:21:08.560
<v Speaker 1>really fun character and not a not a huge character

0:21:08.600 --> 0:21:12.080
<v Speaker 1>in the film, but a memorable one. Another character you

0:21:12.119 --> 0:21:15.280
<v Speaker 1>played in the Ranking and Bess animated films. He voiced

0:21:15.320 --> 0:21:18.960
<v Speaker 1>Gollum in nineteen seventy seven The Hobbit and in nineteen

0:21:19.000 --> 0:21:22.200
<v Speaker 1>eighties The Return of the King. Both great roles, both

0:21:22.280 --> 0:21:25.480
<v Speaker 1>great performances. Um, I have to say, I've i've I've

0:21:25.520 --> 0:21:29.199
<v Speaker 1>fallen back in love with the original animated Hobbit in

0:21:29.240 --> 0:21:32.040
<v Speaker 1>the last couple of years, and I think i'm I

0:21:32.080 --> 0:21:34.119
<v Speaker 1>can without a doubt. I can say, brother Theodore is

0:21:34.160 --> 0:21:37.000
<v Speaker 1>my Gollum. Can you sing the songs? No? I can't

0:21:37.040 --> 0:21:39.560
<v Speaker 1>sing sing the song, but has good songs in it too.

0:21:40.600 --> 0:21:43.560
<v Speaker 1>Seven The Hobbit also one movie. It's it's it's brilliant.

0:21:43.560 --> 0:21:45.840
<v Speaker 1>They managed to fit that that entire short book into

0:21:45.920 --> 0:21:48.399
<v Speaker 1>one short film. I don't think you could do it

0:21:48.440 --> 0:21:52.879
<v Speaker 1>in less than for six hour movies. Yeah, somehow they

0:21:52.880 --> 0:21:55.280
<v Speaker 1>did it. Ranken and Best. Okay, who else we got

0:21:55.320 --> 0:21:58.000
<v Speaker 1>in this? Alright? So we have some The next one

0:21:58.040 --> 0:22:01.520
<v Speaker 1>I want to mention because it's it's a weird uh credit.

0:22:01.680 --> 0:22:05.679
<v Speaker 1>On the the cast for this, there's somebody that is

0:22:05.720 --> 0:22:11.320
<v Speaker 1>referred to as um Uh Skagi Tanzania or as uh

0:22:11.440 --> 0:22:16.040
<v Speaker 1>Tissagy Iron Prist Tanzania. And I'm not sure if that's

0:22:16.040 --> 0:22:20.000
<v Speaker 1>supposed to be priest or if it's priest misspelled, like

0:22:20.040 --> 0:22:25.520
<v Speaker 1>maybe it's uh uh Sakaki Iron Priest Tanzania. I don't know.

0:22:26.080 --> 0:22:28.199
<v Speaker 1>I don't know which character this is. I don't know

0:22:28.240 --> 0:22:31.240
<v Speaker 1>why they also have the last name Tanzania. It's a

0:22:31.280 --> 0:22:34.199
<v Speaker 1>total mystery to me. It just adds to the allure

0:22:34.200 --> 0:22:37.119
<v Speaker 1>of the film. Though. Yeah, we have a We have

0:22:37.240 --> 0:22:39.680
<v Speaker 1>an actor by the name of Aki along in this

0:22:39.920 --> 0:22:42.600
<v Speaker 1>who plays a Chinese businessman. He was born in nineteen

0:22:42.600 --> 0:22:46.199
<v Speaker 1>thirty four Asian actor, born in Trinidad and Tobago. He

0:22:46.280 --> 0:22:48.280
<v Speaker 1>has a bit this is a bit part. It's not

0:22:48.320 --> 0:22:51.320
<v Speaker 1>really much to but it's memorable. We'll get to it.

0:22:51.800 --> 0:22:53.480
<v Speaker 1>But he has a number of parts in a lot

0:22:53.480 --> 0:22:56.040
<v Speaker 1>of films. Over the years. He did some acting and directing.

0:22:56.520 --> 0:22:59.679
<v Speaker 1>He was in two episodes of the original Outer Limits.

0:22:59.760 --> 0:23:01.760
<v Speaker 1>He was on the As the World Turns, He was

0:23:01.800 --> 0:23:06.680
<v Speaker 1>in The General Hospital, Jake and the Fat Man Babylon five,

0:23:06.760 --> 0:23:10.080
<v Speaker 1>and he was also in Dragging the Bruce Lee story. Okay,

0:23:10.119 --> 0:23:13.400
<v Speaker 1>we have a character actor show up as well. Uh,

0:23:13.440 --> 0:23:14.919
<v Speaker 1>and this is another one where I don't think he

0:23:14.920 --> 0:23:17.680
<v Speaker 1>really does much in this film, but the actor Teddy Wilson,

0:23:18.000 --> 0:23:22.280
<v Speaker 1>but he has some brief but minoral interactions because you

0:23:22.320 --> 0:23:24.639
<v Speaker 1>can in he's one of these actors where you know,

0:23:24.840 --> 0:23:26.960
<v Speaker 1>war Hawks great in this, but war Hawk doesn't have

0:23:27.000 --> 0:23:30.200
<v Speaker 1>a lot of nuance to his performance. But Teddy Wilson,

0:23:30.280 --> 0:23:32.520
<v Speaker 1>you can tell like this is a guy who who

0:23:32.560 --> 0:23:36.280
<v Speaker 1>gets some of the the intricacies of acting in ways

0:23:36.320 --> 0:23:38.840
<v Speaker 1>that the martial artists maybe do not. It's always an

0:23:38.840 --> 0:23:42.199
<v Speaker 1>interesting dynamic in martial arts films where the main cast

0:23:42.600 --> 0:23:45.520
<v Speaker 1>is full of martial artists, people who you could say

0:23:45.520 --> 0:23:48.040
<v Speaker 1>are martial artists first, an actors second, and then they

0:23:48.040 --> 0:23:50.520
<v Speaker 1>will often try to round it out just by filling

0:23:50.560 --> 0:23:53.680
<v Speaker 1>in like great character actors, to bring in that kind

0:23:53.680 --> 0:23:57.280
<v Speaker 1>of personality and texture that's not always there in people

0:23:57.320 --> 0:24:00.919
<v Speaker 1>who's whose first thing is martial arts. Yeah, yeah, and

0:24:00.960 --> 0:24:04.200
<v Speaker 1>so yeah, Teddy Teddy Wilson definitely stands out talented actor.

0:24:04.280 --> 0:24:09.800
<v Speaker 1>He lived through Um he played Sweet Daddy Williams on

0:24:09.840 --> 0:24:12.000
<v Speaker 1>Good Times, and he did a lot of additional TV

0:24:12.080 --> 0:24:15.879
<v Speaker 1>work popping up on big TV shows from that era, including,

0:24:15.920 --> 0:24:18.880
<v Speaker 1>but not limited to, by any means, All in the Family,

0:24:19.119 --> 0:24:22.560
<v Speaker 1>Sanford and Son, The Bionic Woman, The Jefferson's, the nineteen

0:24:22.600 --> 0:24:27.840
<v Speaker 1>eighties Twilight Zone series l a Law, Alien Nation, family Matters,

0:24:28.000 --> 0:24:30.159
<v Speaker 1>and even Tales from the Crypt. He was in the

0:24:30.200 --> 0:24:33.080
<v Speaker 1>episode Fitting Punishment. I don't know if you remember this one,

0:24:33.119 --> 0:24:36.480
<v Speaker 1>but this uh, this had a uh it involved a

0:24:36.480 --> 0:24:40.120
<v Speaker 1>black funeral home and you had the wonderful actor Moses

0:24:40.160 --> 0:24:45.120
<v Speaker 1>Gunn playing this tyrannical funeral director there like being being

0:24:45.160 --> 0:24:48.119
<v Speaker 1>just like a just really hard on his nephew. No,

0:24:48.280 --> 0:24:50.640
<v Speaker 1>I don't think I've seen it. It's it's a good

0:24:50.680 --> 0:24:53.720
<v Speaker 1>It's not like Top Shelf, uh, Tales from the Crypt,

0:24:53.840 --> 0:24:56.960
<v Speaker 1>but it's it's pretty good. And Teddy Wilson shows up

0:24:56.960 --> 0:25:00.280
<v Speaker 1>in it. Um. But yeah, Teddy Wilson was He isn't

0:25:00.280 --> 0:25:02.280
<v Speaker 1>a bunch of stuff. He was in films by John

0:25:02.359 --> 0:25:05.600
<v Speaker 1>Cassavetti's Blake Edwards, and he was in the nineteen eighties

0:25:05.600 --> 0:25:09.560
<v Speaker 1>Steve McQueen movie The Hunter. Alright. Some other names of

0:25:09.760 --> 0:25:12.640
<v Speaker 1>note and also names that are barely worth noting. There's

0:25:13.119 --> 0:25:15.679
<v Speaker 1>an actor by the name of Stephen DeFazio, who plays

0:25:15.720 --> 0:25:19.880
<v Speaker 1>Sam the lugheaded cop Um a memorable character in the film,

0:25:20.000 --> 0:25:22.800
<v Speaker 1>but this is his only film role. Um. But yeah,

0:25:22.880 --> 0:25:25.800
<v Speaker 1>he's he's pretty fun as a lugheaded conspiracy theory spreading

0:25:25.920 --> 0:25:28.680
<v Speaker 1>a police officer. Wait, is he supposed to be a lughead?

0:25:28.800 --> 0:25:31.560
<v Speaker 1>I get that he's like the butt of jokes, but

0:25:31.640 --> 0:25:33.480
<v Speaker 1>I thought the whole point was that he's kind of

0:25:33.480 --> 0:25:36.600
<v Speaker 1>like Harley Stone's new partner. He's like the he's I've

0:25:36.600 --> 0:25:39.960
<v Speaker 1>got a criminology degree. He's, you know, bringing this kind

0:25:40.040 --> 0:25:45.200
<v Speaker 1>of like smooth academic sensibility that's actually stupid. I mean,

0:25:45.240 --> 0:25:47.120
<v Speaker 1>maybe that's what they were going for. I got more

0:25:47.280 --> 0:25:50.520
<v Speaker 1>lugheaded conspiracy theory spreader. Uh. He he is the guy

0:25:50.560 --> 0:25:53.280
<v Speaker 1>who keeps saying that the murders caused by the demon

0:25:53.320 --> 0:25:58.119
<v Speaker 1>and the subway tunnels are actually caused by mutant cats. Okay,

0:25:58.160 --> 0:26:01.040
<v Speaker 1>but but he's fine. Clearly the they ended up like

0:26:01.119 --> 0:26:03.399
<v Speaker 1>ending on a note from him with the film, so

0:26:03.440 --> 0:26:05.399
<v Speaker 1>that they clearly like the character once they got it

0:26:05.400 --> 0:26:10.240
<v Speaker 1>on the screen. All right. Uncredited, but Ron Becks is

0:26:10.240 --> 0:26:13.800
<v Speaker 1>in this as a martial arts student. Uncredited in this picture,

0:26:13.840 --> 0:26:15.800
<v Speaker 1>but he went on to direct, produce, and star in

0:26:15.880 --> 0:26:18.400
<v Speaker 1>several low budget movies. I think is still making low

0:26:18.440 --> 0:26:24.200
<v Speaker 1>budget movies. Um, starring in pictures that he directed opposite

0:26:24.240 --> 0:26:28.560
<v Speaker 1>such names as One Time Bond, George Lasenby, and even

0:26:28.760 --> 0:26:31.320
<v Speaker 1>Eric Roberts. And you know Eric Roberts won't just appear

0:26:31.320 --> 0:26:36.520
<v Speaker 1>in anything. Um. Here's another one of note. Paul Glickmana

0:26:36.920 --> 0:26:39.400
<v Speaker 1>was the director of photography on this. He was also

0:26:39.440 --> 0:26:43.000
<v Speaker 1>a cinematographer on some other famous seventies genre films, including

0:26:43.040 --> 0:26:46.320
<v Speaker 1>The Stuff and God Told Me To Now, as far

0:26:46.359 --> 0:26:48.480
<v Speaker 1>as music goes on this film, I don't think it

0:26:48.600 --> 0:26:51.960
<v Speaker 1>really has a score per se, but they do feature

0:26:52.000 --> 0:26:55.800
<v Speaker 1>a number of different musical bits, and it features several

0:26:55.840 --> 0:27:00.320
<v Speaker 1>tracks from a music group called Rising Sun like Son

0:27:00.359 --> 0:27:03.639
<v Speaker 1>and Daughter Rising Sun, which which didn't mean anything to

0:27:03.680 --> 0:27:05.520
<v Speaker 1>me until I started looking into it a little bit.

0:27:05.800 --> 0:27:12.359
<v Speaker 1>And these songs were written by Harlem disco legend Patrick Adams. Now,

0:27:12.359 --> 0:27:15.000
<v Speaker 1>if you haven't heard of Patrick Adams, you'r you can

0:27:15.000 --> 0:27:18.320
<v Speaker 1>be forgiven for that. Apparently he's he's often um forgotten

0:27:18.400 --> 0:27:20.959
<v Speaker 1>or not recognized outside of the genre, but is what

0:27:21.119 --> 0:27:24.880
<v Speaker 1>is is very well respected within the disco genre and

0:27:25.000 --> 0:27:28.280
<v Speaker 1>in DJ circles. Uh. There was a two thousand seventeen

0:27:28.280 --> 0:27:31.080
<v Speaker 1>Guardian profile about him that described him as quote the

0:27:31.200 --> 0:27:36.680
<v Speaker 1>underground disco super producer whom DJ is still at doore. Okay,

0:27:36.680 --> 0:27:39.199
<v Speaker 1>So even if you don't know the name Patrick Adams

0:27:39.240 --> 0:27:41.640
<v Speaker 1>off the top of your your head, you've you've probably

0:27:41.720 --> 0:27:44.119
<v Speaker 1>heard some of the songs that he worked on. Uh.

0:27:44.200 --> 0:27:47.000
<v Speaker 1>Some some of these songs were prominently featured in other movies,

0:27:47.280 --> 0:27:50.880
<v Speaker 1>including Uh, Touched Me All Night Long performed by Fonda

0:27:50.960 --> 0:27:53.680
<v Speaker 1>Ray and the band Wish from four, which is a

0:27:53.720 --> 0:27:55.480
<v Speaker 1>minor hit on its own, but then it went on

0:27:55.520 --> 0:27:57.520
<v Speaker 1>to be featured in A Nightmare on Elm Street to

0:27:58.000 --> 0:28:03.199
<v Speaker 1>Freddie's Revenge. I know that movie well. Other tracks that

0:28:03.240 --> 0:28:05.920
<v Speaker 1>he had a hand in include Dance Dance Dance by

0:28:06.240 --> 0:28:10.439
<v Speaker 1>Martin Acuna, in the Bush by Music, Keep On Jumping

0:28:10.520 --> 0:28:13.280
<v Speaker 1>by Music. Um that's also the name of the seventy

0:28:13.320 --> 0:28:17.120
<v Speaker 1>eight album and you can look that up in Spotify.

0:28:17.200 --> 0:28:21.120
<v Speaker 1>It's it's great stuff, just wonderful seventies disco vibe. Also

0:28:21.280 --> 0:28:25.680
<v Speaker 1>Till You Surrender by Rainbow Brown and many others. So, uh,

0:28:26.119 --> 0:28:28.200
<v Speaker 1>this ended up. At first, I thought there wasn't gonna

0:28:28.200 --> 0:28:30.320
<v Speaker 1>be anything special with the music on this picture, but

0:28:30.440 --> 0:28:32.159
<v Speaker 1>it turns out it was very special. So if you

0:28:32.359 --> 0:28:34.360
<v Speaker 1>if you're not familiar with the work of Patrick Adams,

0:28:34.600 --> 0:28:36.800
<v Speaker 1>look it up. Uh, you've heard it before, you said,

0:28:37.000 --> 0:28:39.680
<v Speaker 1>didn't realize you've heard it before. But yeah, he had

0:28:39.720 --> 0:28:41.280
<v Speaker 1>his hand in so many great tracks, and I think

0:28:41.280 --> 0:28:43.800
<v Speaker 1>he's still making music today. I also really enjoyed the

0:28:43.840 --> 0:28:46.680
<v Speaker 1>soundtrack on this, and one of the things I liked

0:28:46.760 --> 0:28:51.600
<v Speaker 1>was the sudden transitions between like really great uh pulsing

0:28:52.000 --> 0:28:56.959
<v Speaker 1>U disco or or funk music immediately cutting to like

0:28:57.160 --> 0:29:00.280
<v Speaker 1>throbbing deep sea sound effects when it was trying to

0:29:00.280 --> 0:29:11.320
<v Speaker 1>get the demon in your mind. Yeah, all right, well

0:29:11.360 --> 0:29:14.240
<v Speaker 1>let's get the demon in mind on this episode. Let's

0:29:14.320 --> 0:29:18.480
<v Speaker 1>jump into the plot of Devil's Express. Alrighty well, the

0:29:18.560 --> 0:29:21.000
<v Speaker 1>very first thing we see we get a little title.

0:29:21.040 --> 0:29:28.760
<v Speaker 1>It says China two Where in China? Just somewhere in China,

0:29:28.880 --> 0:29:32.680
<v Speaker 1>Though it quickly becomes a parent that any scene in

0:29:32.680 --> 0:29:34.840
<v Speaker 1>this film that's supposed to take place in China is

0:29:34.840 --> 0:29:37.760
<v Speaker 1>clearly still New York. Specifically, I think they shot this

0:29:37.920 --> 0:29:42.320
<v Speaker 1>at Harriman State Park, Bear Mountain. Uh so, yeah, it's

0:29:42.320 --> 0:29:46.520
<v Speaker 1>it's very obviously not China, but it's supposed to be.

0:29:46.720 --> 0:29:49.440
<v Speaker 1>What do you think the scene of the plane landing

0:29:49.520 --> 0:29:51.720
<v Speaker 1>in Hong Kong. You think that was real stock footage.

0:29:52.360 --> 0:29:54.800
<v Speaker 1>I think it was real stock footage all the way

0:29:55.760 --> 0:29:59.480
<v Speaker 1>now here at Harriman State Park in in China, we

0:29:59.560 --> 0:30:02.080
<v Speaker 1>have some monks who are disposing of some kind of

0:30:02.160 --> 0:30:04.400
<v Speaker 1>fearful artifact. That's the first thing you see him in

0:30:04.440 --> 0:30:08.000
<v Speaker 1>a train sort of not a train, like a locomotive.

0:30:08.440 --> 0:30:11.320
<v Speaker 1>That they are walking in a row carrying this big

0:30:11.360 --> 0:30:14.120
<v Speaker 1>box like a sarcophagus almost, or like they're carrying the

0:30:14.200 --> 0:30:18.080
<v Speaker 1>ark of the covenant. And uh, they are also there.

0:30:18.120 --> 0:30:21.320
<v Speaker 1>They're being watched over by this kind of head priest guy,

0:30:21.520 --> 0:30:24.840
<v Speaker 1>and they have in their possession a mirrored amulet, and

0:30:24.880 --> 0:30:28.080
<v Speaker 1>they take this big box and the mirrored amulet deep

0:30:28.160 --> 0:30:31.680
<v Speaker 1>into a cave in the forest, and they deposit the

0:30:31.720 --> 0:30:34.840
<v Speaker 1>amulet in the box in the cave, and then I

0:30:34.840 --> 0:30:37.560
<v Speaker 1>guess it's Quentin time. And once it's quit In time,

0:30:37.600 --> 0:30:40.719
<v Speaker 1>they are all beheaded. I think this is presumably so

0:30:40.800 --> 0:30:43.040
<v Speaker 1>they take the secret of the amulet to the grave

0:30:43.120 --> 0:30:47.440
<v Speaker 1>with them. So their their leader, after beheading each of

0:30:47.480 --> 0:30:49.800
<v Speaker 1>them in a row, he cuts his own throat. And

0:30:49.840 --> 0:30:53.280
<v Speaker 1>so one would assume that the secret evil of whatever

0:30:53.400 --> 0:30:57.720
<v Speaker 1>is in that boxes is now safe forever or is it? Well, yeah,

0:30:57.960 --> 0:31:01.040
<v Speaker 1>they don't count on meddling more martial artists from the

0:31:01.120 --> 0:31:05.840
<v Speaker 1>United States coming to China and the twentieth century. One

0:31:05.880 --> 0:31:07.800
<v Speaker 1>thing I like in this movie is that, at least

0:31:07.800 --> 0:31:09.920
<v Speaker 1>in this opening scene. I think this was actually less

0:31:09.920 --> 0:31:12.200
<v Speaker 1>true in some of the later scenes, but in this

0:31:12.280 --> 0:31:15.680
<v Speaker 1>opening it has some really way over the line sound effects.

0:31:15.720 --> 0:31:18.400
<v Speaker 1>It's one of those things where somebody swings a sword

0:31:18.440 --> 0:31:20.760
<v Speaker 1>and hits nothing, just swings it in the air, but

0:31:20.880 --> 0:31:24.959
<v Speaker 1>it produces this extremely loud steel cable kind of sound.

0:31:25.960 --> 0:31:27.440
<v Speaker 1>And then after that we get to one of these

0:31:27.480 --> 0:31:30.240
<v Speaker 1>great editing montages I was talking about earlier, which is

0:31:30.320 --> 0:31:33.080
<v Speaker 1>really funny because it's cutting during the opening credits. It's

0:31:33.080 --> 0:31:36.840
<v Speaker 1>cutting between a subway tunnel with these spooky, deep chirping

0:31:37.000 --> 0:31:40.920
<v Speaker 1>sounds and no music, and then immediately back to crowded

0:31:40.960 --> 0:31:43.400
<v Speaker 1>streets in New York City with feel good music at

0:31:43.440 --> 0:31:46.560
<v Speaker 1>full volume. And then we meet our hero. We meet

0:31:46.560 --> 0:31:50.200
<v Speaker 1>Warhawk Tanzania playing this guy named Luke Curtis, and Luke

0:31:50.440 --> 0:31:53.960
<v Speaker 1>is teaching martial arts in his studio. He's sparring with

0:31:54.320 --> 0:31:57.440
<v Speaker 1>this Christian slatery kind of guy who is weird to

0:31:57.480 --> 0:32:00.960
<v Speaker 1>find out is the police detective. And apparently there's a

0:32:00.960 --> 0:32:04.000
<v Speaker 1>relationship where this guy is Luke's student and he keeps

0:32:04.000 --> 0:32:07.600
<v Speaker 1>trying to recruit Luke to become a cop. I think,

0:32:08.240 --> 0:32:11.720
<v Speaker 1>is that how you understood it? Yeah. By the way,

0:32:11.800 --> 0:32:13.840
<v Speaker 1>some of the synopsis you will find of this movie

0:32:13.880 --> 0:32:16.120
<v Speaker 1>online say that Luke is a cop, and that is

0:32:16.160 --> 0:32:19.360
<v Speaker 1>absolutely not correct. Luke is not a cop. He does

0:32:19.400 --> 0:32:23.440
<v Speaker 1>not appreciate, uh, this guy's attempts to recruit him to

0:32:23.480 --> 0:32:26.320
<v Speaker 1>be a cop, and he says something he says, next

0:32:26.360 --> 0:32:28.240
<v Speaker 1>time you try to recruit me to that pig pin

0:32:28.320 --> 0:32:34.120
<v Speaker 1>of yours, I stopped pulling my punches and ice you. Yeah. Yeah,

0:32:34.160 --> 0:32:37.320
<v Speaker 1>so yeah, not definitely not a cop. Um. But but

0:32:37.440 --> 0:32:39.320
<v Speaker 1>that doesn't mean he can't train with the cop I

0:32:39.400 --> 0:32:43.479
<v Speaker 1>think one of the key messages of this film is

0:32:43.520 --> 0:32:48.680
<v Speaker 1>that martial arts is a unifier and he can unify um,

0:32:48.720 --> 0:32:53.640
<v Speaker 1>you know, different gangs, different races, different cultures, and and

0:32:53.680 --> 0:32:56.040
<v Speaker 1>also it can it can unify you know, you can

0:32:56.080 --> 0:32:58.680
<v Speaker 1>even throw the police in there and everybody could get

0:32:58.680 --> 0:33:02.520
<v Speaker 1>along if they are practicing martial arts and sweating profusely.

0:33:02.720 --> 0:33:05.560
<v Speaker 1>If they're practicing martial arts with the right state of mind,

0:33:05.720 --> 0:33:09.480
<v Speaker 1>that seems to be Luke's ethos that martial arts is

0:33:09.520 --> 0:33:12.840
<v Speaker 1>not just about fighting, it also involves some kind of

0:33:12.920 --> 0:33:17.920
<v Speaker 1>higher wisdom and and h and an orientation toward peace. Yes.

0:33:18.280 --> 0:33:21.080
<v Speaker 1>Now Luke's student Rodan comes in and again this is

0:33:21.120 --> 0:33:25.120
<v Speaker 1>the guy played by Wilfredo Roldan, and uh, they start

0:33:25.160 --> 0:33:27.840
<v Speaker 1>talking with the cops student here, and we find out

0:33:27.880 --> 0:33:30.280
<v Speaker 1>that Luke and Rodan are about to travel to what

0:33:30.440 --> 0:33:34.400
<v Speaker 1>Luke says is fabulous downtown Hong Kong, and then they're

0:33:34.400 --> 0:33:36.800
<v Speaker 1>going to go for a week of self improvement, which

0:33:36.800 --> 0:33:38.840
<v Speaker 1>we find it later they're going to like a monastery

0:33:38.920 --> 0:33:41.880
<v Speaker 1>of some kind to to to train to the level

0:33:41.920 --> 0:33:46.600
<v Speaker 1>of perfection like they've they've clearly both Luke and Rodana

0:33:46.600 --> 0:33:49.040
<v Speaker 1>are performing at such a high level the only way

0:33:49.040 --> 0:33:51.880
<v Speaker 1>they can improve is to is to go on journeys

0:33:51.920 --> 0:33:54.560
<v Speaker 1>like this. So after the student leaves, we we sort

0:33:54.600 --> 0:33:57.880
<v Speaker 1>of get a picture that Luke and Rodan are hope

0:33:57.880 --> 0:33:59.840
<v Speaker 1>would you I would say that it seems like they

0:33:59.840 --> 0:34:04.160
<v Speaker 1>are adjacent to the criminal underworld, but Luke at the

0:34:04.200 --> 0:34:06.360
<v Speaker 1>same time as a sort of do good or who

0:34:06.360 --> 0:34:10.399
<v Speaker 1>fights for justice. Rodan, meanwhile, not so much. He comes

0:34:10.440 --> 0:34:16.640
<v Speaker 1>off as mean, course selfish, and shortsighted. And so so

0:34:16.680 --> 0:34:19.480
<v Speaker 1>if Luke is somewhere in the lawful good zone, or

0:34:19.480 --> 0:34:21.759
<v Speaker 1>at least neutral good, he's kind of a night of

0:34:21.800 --> 0:34:25.600
<v Speaker 1>the fist. Rodan is somewhere more like chaotic neutral, he

0:34:25.719 --> 0:34:29.120
<v Speaker 1>will get into trouble. He's a rogue. Yes. And we

0:34:29.239 --> 0:34:32.480
<v Speaker 1>also learned from this interaction that, let's see, we learned

0:34:32.480 --> 0:34:34.680
<v Speaker 1>that there are gangs, and they talk about the gangs,

0:34:35.080 --> 0:34:37.799
<v Speaker 1>and we learned that they have disdained for cops and

0:34:37.880 --> 0:34:40.960
<v Speaker 1>for the man. Now they immediately go to Hong Kong

0:34:41.320 --> 0:34:43.640
<v Speaker 1>uh And in the Hong Kong segments, I wondered if

0:34:43.640 --> 0:34:45.759
<v Speaker 1>in the version of the movie you watched, was there

0:34:45.840 --> 0:34:49.319
<v Speaker 1>some dialogue audio that was missing here, Like there are

0:34:49.360 --> 0:34:53.120
<v Speaker 1>parts where they arrive and the master of this place

0:34:53.840 --> 0:34:56.399
<v Speaker 1>speaks to them, speaks to our heroes, but he's got

0:34:56.400 --> 0:34:59.880
<v Speaker 1>his back turned, and I heard nothing. Yeah. There they

0:35:00.000 --> 0:35:02.800
<v Speaker 1>were a couple of scenes in this where it maybe

0:35:02.800 --> 0:35:04.399
<v Speaker 1>it made me wonder if they didn't get the sound

0:35:04.480 --> 0:35:07.319
<v Speaker 1>quality they wanted, or they or they later decided that

0:35:07.360 --> 0:35:11.200
<v Speaker 1>the actual dialogue was unnecessary or perhaps dumb um. There's

0:35:11.239 --> 0:35:14.799
<v Speaker 1>a later scene that I particularly remember, where characters are

0:35:14.800 --> 0:35:18.320
<v Speaker 1>having a prolonged conversation and there's nothing really visually interesting

0:35:18.360 --> 0:35:22.239
<v Speaker 1>going on, but we have music playing over it. So

0:35:22.280 --> 0:35:24.520
<v Speaker 1>it really felt like, well, maybe they didn't get the

0:35:24.560 --> 0:35:26.680
<v Speaker 1>sound they needed on this particular scene, so they're just

0:35:26.680 --> 0:35:30.720
<v Speaker 1>gonna roll some some fabulous disco music on top of it. Yeah,

0:35:30.840 --> 0:35:34.200
<v Speaker 1>no complaints, but Luke has complaints. Luke has complaints about

0:35:34.280 --> 0:35:38.879
<v Speaker 1>Rodan's attitude because at this monastery, it's clear that Luke

0:35:39.040 --> 0:35:42.440
<v Speaker 1>is fully committed to attaining the highest level of martial

0:35:42.520 --> 0:35:46.839
<v Speaker 1>arts mastery. He's he's on the ball, but Rodan, he

0:35:47.160 --> 0:35:49.960
<v Speaker 1>is distracted. His head is elsewhere. His head is all

0:35:49.960 --> 0:35:53.759
<v Speaker 1>clogged up with the lingering frustrations of New York and

0:35:53.880 --> 0:35:57.400
<v Speaker 1>UH and sort of stresses and maybe desires for vengeance.

0:35:58.160 --> 0:36:01.319
<v Speaker 1>And so after he reached is the highest level of

0:36:01.360 --> 0:36:05.759
<v Speaker 1>physical prowess, Luke has to bring his mind to the

0:36:05.800 --> 0:36:09.040
<v Speaker 1>same level of transcendence, which they say is achieved by

0:36:09.040 --> 0:36:11.640
<v Speaker 1>sending him off to meditate in a special place in

0:36:11.640 --> 0:36:16.279
<v Speaker 1>the wilderness while his specially chosen favorite keeps guard over him.

0:36:16.320 --> 0:36:18.640
<v Speaker 1>And he chooses Rodan, and that does not seem like

0:36:18.640 --> 0:36:21.240
<v Speaker 1>a good choice. So while Luke is in a trance

0:36:21.280 --> 0:36:26.000
<v Speaker 1>achieving higher levels of spirituality, Rodan being Rodan, wanders off

0:36:26.080 --> 0:36:28.440
<v Speaker 1>and gets into trouble instead. And so what he does

0:36:28.560 --> 0:36:31.919
<v Speaker 1>is he wanders into a cave and oh no, it's

0:36:31.960 --> 0:36:34.239
<v Speaker 1>a cave of forgotten demons, it's the cave from the

0:36:34.239 --> 0:36:36.960
<v Speaker 1>beginning of the movie. And he finds a secret amulet,

0:36:37.280 --> 0:36:40.160
<v Speaker 1>snatches it, runs off, and then it's pretty much back

0:36:40.160 --> 0:36:42.520
<v Speaker 1>to New York. Yeah, yeah, right back into They fly

0:36:42.640 --> 0:36:44.879
<v Speaker 1>back and they've they've got they've got business to take

0:36:44.880 --> 0:36:48.320
<v Speaker 1>care of, and they're out to do it. But we

0:36:48.320 --> 0:36:52.600
<v Speaker 1>we immediately see the evil that seeps from this ancient

0:36:52.640 --> 0:36:55.640
<v Speaker 1>sarcophagus in the cave now that it's not being contained

0:36:55.680 --> 0:36:57.880
<v Speaker 1>by the power of the amulet, because the removal of

0:36:57.920 --> 0:37:01.080
<v Speaker 1>the amulet has of course released to the monster from

0:37:01.120 --> 0:37:04.680
<v Speaker 1>the cage, and we we get a montage where the

0:37:04.760 --> 0:37:08.480
<v Speaker 1>demon now travels to New York. I was wondering at first, like, wait,

0:37:08.520 --> 0:37:11.000
<v Speaker 1>why does the demon travel to New York? But maybe

0:37:11.040 --> 0:37:13.680
<v Speaker 1>he's he's after the amulet? Is that how you so

0:37:13.800 --> 0:37:15.960
<v Speaker 1>he will he must want the ammulet, like maybe he

0:37:15.960 --> 0:37:19.200
<v Speaker 1>thinks he can destroy the amulet. The film doesn't quite

0:37:19.239 --> 0:37:22.280
<v Speaker 1>explain it, but it's it's what's happening. But the demon

0:37:22.320 --> 0:37:25.160
<v Speaker 1>travels by. So first he's got he does appear to

0:37:25.160 --> 0:37:27.800
<v Speaker 1>have like a bodily form. He's not just like a ghost,

0:37:27.880 --> 0:37:30.359
<v Speaker 1>because you see he's got these hands with claws as

0:37:30.360 --> 0:37:32.960
<v Speaker 1>he's crawling up out of the water. But then he

0:37:33.000 --> 0:37:36.080
<v Speaker 1>possesses somebody and doesn't have a body anymore. He just

0:37:36.120 --> 0:37:40.239
<v Speaker 1>possesses a guy's body, and it's his boat passenger. Yeah,

0:37:40.280 --> 0:37:43.160
<v Speaker 1>just a Chinese businessman who seems to be out doing

0:37:43.160 --> 0:37:46.239
<v Speaker 1>his own thing, and now the demon is inside him.

0:37:46.280 --> 0:37:48.480
<v Speaker 1>And now it's time for the demon to take this

0:37:48.719 --> 0:37:52.400
<v Speaker 1>fleshly vessel, get on another vessel and travel to New

0:37:52.480 --> 0:37:55.160
<v Speaker 1>York as well. Right, So maybe he picked this guy

0:37:55.160 --> 0:37:57.239
<v Speaker 1>because this guy had a ticket to travel to New

0:37:57.320 --> 0:38:00.000
<v Speaker 1>York by boat. Yeah, which is traveling to New yor

0:38:00.000 --> 0:38:02.480
<v Speaker 1>work by both. That's a long trip. Yeah. Oh. But

0:38:02.600 --> 0:38:05.680
<v Speaker 1>also when the man becomes possessed by the demon, the

0:38:05.680 --> 0:38:08.960
<v Speaker 1>way they signal that is it gives him these huge,

0:38:09.080 --> 0:38:12.440
<v Speaker 1>wild white eyes with tiny pupils. It looks kind of

0:38:12.480 --> 0:38:14.959
<v Speaker 1>to me like they cut out wedges of ping pong

0:38:15.080 --> 0:38:18.400
<v Speaker 1>balls and and taped them over the actor's eyes. Do

0:38:18.440 --> 0:38:20.799
<v Speaker 1>you think that's what they're doing here. It's either that

0:38:21.160 --> 0:38:23.680
<v Speaker 1>or they had him click keep his eyes closed, and

0:38:23.719 --> 0:38:26.880
<v Speaker 1>they painted his lids white and put the black peoples

0:38:26.880 --> 0:38:30.960
<v Speaker 1>on them. Um, both of these are ridiculous directions to

0:38:31.000 --> 0:38:34.360
<v Speaker 1>go in and it looks somewhat goofy, but also, I

0:38:34.400 --> 0:38:38.640
<v Speaker 1>don't know, somewhat effective within the context of this particular film. Yes,

0:38:39.120 --> 0:38:41.040
<v Speaker 1>and so when they get to when the Demon gets

0:38:41.080 --> 0:38:43.640
<v Speaker 1>to New York, the guy immediately scrambles down into the

0:38:43.640 --> 0:38:46.880
<v Speaker 1>subway tunnels. This is where his home is now and

0:38:46.960 --> 0:38:49.839
<v Speaker 1>it's where he will remain for the rest of the film. Now,

0:38:49.880 --> 0:38:52.439
<v Speaker 1>back with our characters like Luke and Rodan, we see

0:38:52.480 --> 0:38:55.120
<v Speaker 1>we see Rodan getting into more and more trouble. He's

0:38:55.120 --> 0:38:58.360
<v Speaker 1>getting mixed up with double dealings, with drugs, with money

0:38:58.440 --> 0:39:01.880
<v Speaker 1>and gangs. And Rodan ends up with a thirst for

0:39:02.040 --> 0:39:06.640
<v Speaker 1>vengeance after he is robbed by one of the Chinese gangs. Meanwhile,

0:39:07.160 --> 0:39:09.520
<v Speaker 1>they have they talk about it and Luke chides him

0:39:09.600 --> 0:39:13.120
<v Speaker 1>for basically for messing around with this low life stuff.

0:39:13.160 --> 0:39:15.680
<v Speaker 1>He's very clear, Luke is like, this is not what

0:39:15.760 --> 0:39:18.759
<v Speaker 1>martial arts is about. Yeah, and so the movie is

0:39:18.800 --> 0:39:22.520
<v Speaker 1>projecting this sort of Jedi Sith vision of martial arts.

0:39:22.560 --> 0:39:25.000
<v Speaker 1>You can be like a you can be a good

0:39:25.000 --> 0:39:27.520
<v Speaker 1>martial artist. You can be a bad martial artist. And

0:39:27.560 --> 0:39:30.360
<v Speaker 1>if you're bad, that's not real martial arts. It's no

0:39:30.440 --> 0:39:35.600
<v Speaker 1>true scotsman about martial arts. Yeah, Luke Is is practicing

0:39:35.640 --> 0:39:41.160
<v Speaker 1>martial arts almost um, just for itself. You know, He's

0:39:41.320 --> 0:39:44.520
<v Speaker 1>he's practicing it because martial arts is like the path

0:39:44.600 --> 0:39:48.040
<v Speaker 1>to enlighten it, whereas Rodan he sees it as the

0:39:48.360 --> 0:39:51.360
<v Speaker 1>as a means of of kicking butt and advancing in

0:39:51.560 --> 0:39:56.759
<v Speaker 1>whatever criminal pursuit he's he's wandering into petty vengeance, etcetera.

0:39:57.120 --> 0:39:59.840
<v Speaker 1>Right now, in the meantime, we get a demon transformation

0:40:00.040 --> 0:40:03.440
<v Speaker 1>scene that I had high hopes for this. It was okay,

0:40:03.520 --> 0:40:08.279
<v Speaker 1>it wasn't it wasn't crazy good. I thought it exceeded expectations. Okay, okay,

0:40:08.960 --> 0:40:10.839
<v Speaker 1>I mean do you work for me. I mean it's

0:40:10.880 --> 0:40:14.400
<v Speaker 1>poorly lit. It's in the subway, and his body just

0:40:14.440 --> 0:40:18.400
<v Speaker 1>goes super gross and starts sort of crumbling and rotting

0:40:18.440 --> 0:40:22.680
<v Speaker 1>and he becomes this this rotten, gooey skeleton man in

0:40:22.719 --> 0:40:26.160
<v Speaker 1>the subways. Yeah, so he bleeds. He first he bleeds

0:40:26.160 --> 0:40:28.960
<v Speaker 1>red blood, then he bleeds green blood. Then he tears

0:40:29.040 --> 0:40:32.040
<v Speaker 1>holes in his own torso, and then the transformation takes

0:40:32.680 --> 0:40:35.319
<v Speaker 1>I wonder if the demon had higher hopes for for

0:40:35.400 --> 0:40:37.879
<v Speaker 1>New York City, you know, like he moved to New

0:40:37.960 --> 0:40:40.080
<v Speaker 1>York in the form of a businessman. He thought he

0:40:40.160 --> 0:40:42.600
<v Speaker 1>was gonna ascend in the world. He was gonna rise up,

0:40:42.600 --> 0:40:45.040
<v Speaker 1>He's gonna be living in one of those skyscrapers making

0:40:45.080 --> 0:40:47.640
<v Speaker 1>big deals. But it just didn't work out that way,

0:40:47.640 --> 0:40:50.640
<v Speaker 1>and instead here he is rotting in the subway. That's

0:40:50.760 --> 0:40:52.719
<v Speaker 1>he goes down to the tunnels. He's like, all right,

0:40:52.800 --> 0:40:55.200
<v Speaker 1>ready for deals, and then he's looking around. He's like,

0:40:55.239 --> 0:40:57.840
<v Speaker 1>where are the deals. He's trying to make deals with rats,

0:40:57.880 --> 0:41:01.520
<v Speaker 1>He's trying to make deals with discarded you know, coffee cups,

0:41:01.960 --> 0:41:04.279
<v Speaker 1>and it's not working out. So he's like, oh, to

0:41:04.360 --> 0:41:07.200
<v Speaker 1>hell with this and just transforms. Yeah, He's like, I

0:41:07.200 --> 0:41:09.680
<v Speaker 1>guess I'll just do more killings. Now Here, we get

0:41:09.719 --> 0:41:11.759
<v Speaker 1>into a part of the movie where there are some

0:41:11.880 --> 0:41:16.200
<v Speaker 1>street fight scenes where Rodan and his friends confront a

0:41:16.320 --> 0:41:20.040
<v Speaker 1>rival gang in an alley, and uh, this New York

0:41:20.080 --> 0:41:24.960
<v Speaker 1>City street fight does involve swords, which is good choice. Yeah,

0:41:25.040 --> 0:41:27.279
<v Speaker 1>I mean the swords, but also also some just really

0:41:27.320 --> 0:41:29.879
<v Speaker 1>impressive kicks, Like I don't know that I would really

0:41:29.920 --> 0:41:33.680
<v Speaker 1>hold this up as an example of great martial arts choreography.

0:41:33.719 --> 0:41:36.400
<v Speaker 1>But it it looks pretty good. There's some really high kicks,

0:41:36.440 --> 0:41:40.240
<v Speaker 1>I mean rolled In and and Warhawk Tanzania. They can

0:41:40.280 --> 0:41:42.879
<v Speaker 1>they can really do it. Yeah. Now, at some point

0:41:42.880 --> 0:41:46.160
<v Speaker 1>in the middle of the fight the rival gang, they

0:41:46.320 --> 0:41:49.719
<v Speaker 1>see that Rodan has this amulet he's hanging on a

0:41:49.880 --> 0:41:52.760
<v Speaker 1>necklace around his neck, and one of the guys sees

0:41:52.800 --> 0:41:55.480
<v Speaker 1>that and then they're just like oh no, and they bolt.

0:41:56.200 --> 0:41:59.120
<v Speaker 1>And I guess this suggests they are aware of its

0:41:59.160 --> 0:42:03.480
<v Speaker 1>association with the indescribable evil that will turn your blood green. Yeah,

0:42:03.640 --> 0:42:06.319
<v Speaker 1>it seems to be the case. I also wonder if

0:42:06.360 --> 0:42:08.480
<v Speaker 1>if the Demon's arrival in New York, if it has

0:42:08.560 --> 0:42:12.440
<v Speaker 1>somehow had this effect on the surface world here, like

0:42:12.480 --> 0:42:15.319
<v Speaker 1>there's more conflict because the demon is present, you know,

0:42:15.719 --> 0:42:19.440
<v Speaker 1>oh yeah, getting into a vego of the Carpathian situation again. Yeah,

0:42:19.520 --> 0:42:21.600
<v Speaker 1>maybe it's kind of a Ghostbusters thing going on, Yeah,

0:42:21.920 --> 0:42:25.399
<v Speaker 1>making everybody mean Yeah. But here we reached the part

0:42:25.400 --> 0:42:27.920
<v Speaker 1>of the movie where it's cop time. So remember the

0:42:27.920 --> 0:42:31.000
<v Speaker 1>cop who was training with Luke earlier, Well, it seems

0:42:31.000 --> 0:42:34.120
<v Speaker 1>like he is a He is a grimy, chain smoking detective.

0:42:34.320 --> 0:42:36.840
<v Speaker 1>I think his first lines or some one of the

0:42:36.880 --> 0:42:38.680
<v Speaker 1>first things he says when we meet him again later

0:42:38.719 --> 0:42:41.200
<v Speaker 1>in the movie is something about how he's like drowning

0:42:41.239 --> 0:42:44.680
<v Speaker 1>in alimony payments and and what do you know, He's

0:42:44.680 --> 0:42:47.520
<v Speaker 1>got a new partner. He has a new partner who

0:42:47.560 --> 0:42:50.359
<v Speaker 1>the guy you called a lug heead. But I could

0:42:50.400 --> 0:42:52.000
<v Speaker 1>be wrong, but I think the way you're supposed to

0:42:52.000 --> 0:42:55.040
<v Speaker 1>read him is he is a nerdy, sort of by

0:42:55.080 --> 0:42:58.680
<v Speaker 1>the book academic criminology type who doesn't know anything about

0:42:58.680 --> 0:43:01.920
<v Speaker 1>the real world. Okay, it could it could could be

0:43:02.000 --> 0:43:05.239
<v Speaker 1>the game. Okay, but I got say, Officer Christopher is

0:43:05.280 --> 0:43:08.959
<v Speaker 1>Noah Harley Stone. Uh. But he does end up taking

0:43:09.000 --> 0:43:11.600
<v Speaker 1>it too personal, though I guess not as personal as

0:43:11.640 --> 0:43:14.680
<v Speaker 1>as the ultimate hero of the film, who of course

0:43:14.800 --> 0:43:17.840
<v Speaker 1>is Luke. But so they're called into solve a murder.

0:43:17.880 --> 0:43:20.280
<v Speaker 1>There has been a gruesome killing in the subway tunnels.

0:43:20.640 --> 0:43:22.520
<v Speaker 1>They say, oh, it looks like he got caught in

0:43:22.560 --> 0:43:26.120
<v Speaker 1>a meat grinder, and there's immediately a reporter on the

0:43:26.160 --> 0:43:29.879
<v Speaker 1>case trying to pride details out of Christopher Christopher, and

0:43:30.080 --> 0:43:32.960
<v Speaker 1>Christopher insists that he has a theory about who the

0:43:33.000 --> 0:43:34.799
<v Speaker 1>killer is, which is not true at all, and he

0:43:34.840 --> 0:43:38.959
<v Speaker 1>admits to his partner when the reporter leaves. But after

0:43:39.040 --> 0:43:41.000
<v Speaker 1>this we get a sense of the demons m O.

0:43:41.239 --> 0:43:43.840
<v Speaker 1>Because we watch him kill a guy. So there's a

0:43:43.840 --> 0:43:46.560
<v Speaker 1>guy who wanders down into the subway tunnels wearing a

0:43:46.560 --> 0:43:51.560
<v Speaker 1>plaid blazer, and then the demon, in a monotone voice, says,

0:43:51.640 --> 0:43:54.920
<v Speaker 1>helped me. It's dark in here, I'm stuck. And the

0:43:55.120 --> 0:43:58.000
<v Speaker 1>guy in the plaid blazers like, oh, someone needs help,

0:43:58.120 --> 0:44:00.759
<v Speaker 1>and he wanders off into the tunnel help them, and

0:44:00.800 --> 0:44:04.120
<v Speaker 1>then munch. Yeah, so we were learning that our demon

0:44:04.200 --> 0:44:07.840
<v Speaker 1>here isn't just a monster that grabs people or a

0:44:07.880 --> 0:44:12.960
<v Speaker 1>monster that possesses people. He's also a master of illusion.

0:44:13.040 --> 0:44:17.240
<v Speaker 1>Perhaps he's a deceiver. His his illusions at the climax

0:44:17.280 --> 0:44:19.200
<v Speaker 1>of the film are much better than the illusion here.

0:44:19.239 --> 0:44:22.000
<v Speaker 1>This is just a monotone voice saying things in a

0:44:22.040 --> 0:44:25.960
<v Speaker 1>way that sounds totally implausible, saying help me, I am trapped.

0:44:26.400 --> 0:44:29.960
<v Speaker 1>Later in the movie, he can fully transform into other people. Yeah, yeah, well,

0:44:29.960 --> 0:44:32.000
<v Speaker 1>maybe he's still growing in power at this point. You know,

0:44:32.040 --> 0:44:34.960
<v Speaker 1>he's still absorbing the the the energy of New York

0:44:35.000 --> 0:44:38.359
<v Speaker 1>City and transforming it into his own evil. Right. So

0:44:38.400 --> 0:44:41.680
<v Speaker 1>immediately there is a second subway victim. The detectives are

0:44:41.719 --> 0:44:45.560
<v Speaker 1>back on the case. The new partner is is vomiting

0:44:45.600 --> 0:44:48.160
<v Speaker 1>at the side of the carnage on the tracks. But

0:44:48.880 --> 0:44:51.040
<v Speaker 1>this was the part we're talking about with the conspiracy theories.

0:44:51.320 --> 0:44:53.799
<v Speaker 1>The new partner he's got, he's got something to share

0:44:53.840 --> 0:44:58.080
<v Speaker 1>with the reporter, and it's this, basically, all the animals

0:44:58.120 --> 0:45:02.359
<v Speaker 1>that live in the sewers, including cat, rats, dogs, maybe alligators,

0:45:02.760 --> 0:45:05.680
<v Speaker 1>have mutated and come up into the subway tunnels to

0:45:05.800 --> 0:45:09.279
<v Speaker 1>attack and eat people. And this seems to be an

0:45:09.280 --> 0:45:12.480
<v Speaker 1>obsession of this characters of Doctor Criminology here because in

0:45:12.560 --> 0:45:15.640
<v Speaker 1>multiple later scenes in the movie, he's explaining about how

0:45:15.680 --> 0:45:18.200
<v Speaker 1>the sewers have alligators that are twice the size of

0:45:18.239 --> 0:45:21.359
<v Speaker 1>normal alligators with fangs that will chop a man's leg

0:45:21.520 --> 0:45:24.880
<v Speaker 1>right off, and they're they're cats and dogs and rats

0:45:24.920 --> 0:45:28.440
<v Speaker 1>that survived by cannibalism down there, and it's just yet

0:45:28.560 --> 0:45:33.880
<v Speaker 1>fastered into this unnatural subworld environment and that's what's eating people.

0:45:34.120 --> 0:45:36.759
<v Speaker 1>He's like regaling the all the people hanging out at

0:45:36.800 --> 0:45:39.959
<v Speaker 1>the bar where where Luke and Rodan hang out with

0:45:39.960 --> 0:45:42.040
<v Speaker 1>with these theories later in the movie, and they seem

0:45:42.120 --> 0:45:53.040
<v Speaker 1>quite entertained. You know. I will say the middle third

0:45:53.080 --> 0:45:55.600
<v Speaker 1>of the movie does not have enough war Hawk Tanzania

0:45:55.640 --> 0:45:59.000
<v Speaker 1>in it. It's all it's mostly Rodan doing his gang

0:45:59.080 --> 0:46:02.680
<v Speaker 1>fights and then the cops investigating murders. Now, did we

0:46:02.760 --> 0:46:05.160
<v Speaker 1>mention the long scene? It just shows like a day

0:46:05.280 --> 0:46:08.680
<v Speaker 1>in the life and love of war Hock Tanzania's character, Luke. Oh,

0:46:08.719 --> 0:46:10.960
<v Speaker 1>we didn't. But it's very sweet. It's got a good soundtrack,

0:46:11.040 --> 0:46:13.000
<v Speaker 1>and it's just showing him I guess with his his

0:46:13.080 --> 0:46:15.279
<v Speaker 1>wife or I'm not quite sure who she was, his

0:46:15.320 --> 0:46:18.200
<v Speaker 1>wife or his girlfriend. Um, and it just shows them

0:46:18.280 --> 0:46:21.680
<v Speaker 1>like eating together and hanging out and it's it seems great.

0:46:21.719 --> 0:46:24.799
<v Speaker 1>There's one scene I think they're eating scrambled eggs with chopsticks.

0:46:25.160 --> 0:46:27.840
<v Speaker 1>Yes they are. Yeah, that's great. So you can reflect

0:46:27.880 --> 0:46:30.160
<v Speaker 1>on this sequence when you're stuck in the part of

0:46:30.160 --> 0:46:33.720
<v Speaker 1>the movie where there's little to no war, right, that's true.

0:46:34.320 --> 0:46:37.040
<v Speaker 1>But eventually we get back on track when Detective Christopher

0:46:37.120 --> 0:46:40.680
<v Speaker 1>Christopher concludes that the murders may have something to do

0:46:40.719 --> 0:46:44.880
<v Speaker 1>with Luke's school uh and when he approaches him about

0:46:44.880 --> 0:46:48.040
<v Speaker 1>the idea and about working together, Luke does not want

0:46:48.080 --> 0:46:51.239
<v Speaker 1>anything to do with it, again, re establishing this theme,

0:46:51.320 --> 0:46:55.000
<v Speaker 1>this dynamic that Luke from the movie's point of view,

0:46:55.120 --> 0:46:58.320
<v Speaker 1>Luke is clearly lawful, good, but he also wants nothing

0:46:58.360 --> 0:47:00.640
<v Speaker 1>to do with the police there. You know, they're they're

0:47:00.640 --> 0:47:04.879
<v Speaker 1>portrayed as a dirty, corrupt organization. Yeah, yeah, there's there's

0:47:04.880 --> 0:47:07.560
<v Speaker 1>at least one line there where they're the characters are

0:47:07.600 --> 0:47:11.120
<v Speaker 1>concerned that the heat's gonna come down and that the

0:47:11.120 --> 0:47:14.120
<v Speaker 1>police are just gonna come in indiscriminately with shotguns. You know.

0:47:14.800 --> 0:47:17.399
<v Speaker 1>So I think Luke has legitimate concerns here. He doesn't

0:47:17.400 --> 0:47:20.279
<v Speaker 1>want any part of that world. Right. So meanwhile, the

0:47:20.320 --> 0:47:23.600
<v Speaker 1>subway Monster mallings and the rod In gang fights continue.

0:47:24.000 --> 0:47:27.759
<v Speaker 1>These two plot lines converge when Rodin becomes outnumbered in

0:47:27.800 --> 0:47:30.920
<v Speaker 1>a gang fight, runs down a subway tunnel to escape,

0:47:31.239 --> 0:47:34.040
<v Speaker 1>and there the demon kills him by shoving his face

0:47:34.080 --> 0:47:37.360
<v Speaker 1>into some kind of electrical panel, which fries him. Yeah.

0:47:37.400 --> 0:47:40.200
<v Speaker 1>I mean, Rodin has been really thrown down with some

0:47:40.239 --> 0:47:44.120
<v Speaker 1>amazing kicks, uh, you know, taken on multiple guys at once.

0:47:44.480 --> 0:47:46.319
<v Speaker 1>But the Monster just gets the drop on him and

0:47:46.400 --> 0:47:48.839
<v Speaker 1>just fries his face. But it's a great sequence though,

0:47:48.840 --> 0:47:50.760
<v Speaker 1>because you see him like grab his throat, you see

0:47:50.960 --> 0:47:55.680
<v Speaker 1>his face twist into this this strange expression. And then

0:47:55.800 --> 0:47:57.799
<v Speaker 1>later when we see his corpse. We we see like

0:47:57.840 --> 0:48:00.319
<v Speaker 1>a like fried Rodin, like they did some sort of

0:48:00.320 --> 0:48:03.680
<v Speaker 1>a crude but effective makeup job. Oh yeah, yeah, they

0:48:04.200 --> 0:48:07.560
<v Speaker 1>really do show him cooked. So when Luke sees this,

0:48:07.719 --> 0:48:10.080
<v Speaker 1>he is enraged and he thinks it was the work

0:48:10.120 --> 0:48:12.600
<v Speaker 1>of the Red Dragon Gang and he goes on a

0:48:12.680 --> 0:48:15.799
<v Speaker 1>martial arts rampage to meet their leader and find out

0:48:15.880 --> 0:48:19.279
<v Speaker 1>what happens. So there's another street fight scene. Uh, this

0:48:19.360 --> 0:48:21.239
<v Speaker 1>fight scene where he goes and he fights some of

0:48:21.239 --> 0:48:24.239
<v Speaker 1>the members of the gang. The opponents are mostly wearing

0:48:24.320 --> 0:48:26.120
<v Speaker 1>jeans and T shirts. But I gotta point out in

0:48:26.160 --> 0:48:30.359
<v Speaker 1>this scene, Warhawk Tanzania is dressed awesomely. He's wearing these

0:48:30.360 --> 0:48:34.879
<v Speaker 1>amazing like shiny gold pants with flared legs. Yeah yeah,

0:48:35.560 --> 0:48:37.839
<v Speaker 1>Now is this the costume that he also wears into

0:48:37.840 --> 0:48:41.400
<v Speaker 1>the final fight. I was actually wondering about that. In

0:48:41.440 --> 0:48:43.480
<v Speaker 1>the final fight when he goes to confront the demon,

0:48:43.719 --> 0:48:47.600
<v Speaker 1>he's not wearing a shirt. He's just wearing gold suspenders.

0:48:48.200 --> 0:48:50.359
<v Speaker 1>And they might they're the same kind of color as

0:48:50.480 --> 0:48:52.880
<v Speaker 1>the ones in the scene, but they might be different.

0:48:52.920 --> 0:48:57.279
<v Speaker 1>I'm not sure. At anyway, he's he's always dressed fabulously. Uh.

0:48:57.520 --> 0:48:59.520
<v Speaker 1>He goes into a fight knowing that he needs to

0:49:00.400 --> 0:49:03.400
<v Speaker 1>you know, he needs to hit hard physically but also

0:49:03.640 --> 0:49:06.200
<v Speaker 1>from a fashion standpoint. So after he goes to fight

0:49:06.200 --> 0:49:08.520
<v Speaker 1>the Red Dragons, they explained to him that they did

0:49:08.600 --> 0:49:12.080
<v Speaker 1>not in fact kill Rodan, and they take Luke to

0:49:12.320 --> 0:49:14.960
<v Speaker 1>a wise old man who will explain to the to

0:49:15.040 --> 0:49:19.080
<v Speaker 1>him the truth about the amulet and the demon. And uh,

0:49:19.239 --> 0:49:21.840
<v Speaker 1>I don't know that. It was hard to tell, but

0:49:21.920 --> 0:49:25.480
<v Speaker 1>this wise old man either has some major makeup on

0:49:25.520 --> 0:49:28.360
<v Speaker 1>his face or it's a person in a mask. Yeah,

0:49:28.360 --> 0:49:30.640
<v Speaker 1>and I was left wondering if this was in fact

0:49:30.719 --> 0:49:35.520
<v Speaker 1>the mysterious Iron Priest Tanzania. Then we encountered. I'm not sure,

0:49:36.200 --> 0:49:38.040
<v Speaker 1>but in any right, Yeah, this is the scene where

0:49:38.080 --> 0:49:41.799
<v Speaker 1>the wise old man explains what's happening to our our

0:49:41.840 --> 0:49:46.040
<v Speaker 1>heroes and sets them on the course towards the defeat

0:49:46.040 --> 0:49:49.440
<v Speaker 1>of evil. So it goes like this. The old man says,

0:49:49.880 --> 0:49:54.400
<v Speaker 1>two thousand years ago, the sorcerer Master Longtime would allow

0:49:54.560 --> 0:49:57.960
<v Speaker 1>some men to be possessed by demons, and these he

0:49:57.960 --> 0:50:02.799
<v Speaker 1>would use to terrorize villages in cities. Master Cheong Dao

0:50:02.800 --> 0:50:05.840
<v Speaker 1>produced the amulet in which he trapped the spirit of

0:50:05.840 --> 0:50:09.040
<v Speaker 1>the demon. And this is the amulet your friend took

0:50:09.480 --> 0:50:12.400
<v Speaker 1>this monster is released into the world. As long as

0:50:12.440 --> 0:50:15.799
<v Speaker 1>the Amulet exists, the demon is deprived of most of

0:50:15.880 --> 0:50:19.120
<v Speaker 1>his power. Even though he is still strong, he is

0:50:19.239 --> 0:50:22.359
<v Speaker 1>unable to tolerate And I think what he says here

0:50:22.480 --> 0:50:25.080
<v Speaker 1>is light. But for the longest time, I thought he

0:50:25.120 --> 0:50:28.520
<v Speaker 1>said flight, and I was I was just baffled, trying

0:50:28.560 --> 0:50:31.399
<v Speaker 1>to understand that that's the boat. Yeah, but I mean

0:50:31.440 --> 0:50:33.319
<v Speaker 1>it made sense because he took the boat and he's

0:50:33.360 --> 0:50:35.880
<v Speaker 1>unable to tolerate flight. And then he goes on to say,

0:50:35.960 --> 0:50:38.200
<v Speaker 1>that is why your subways are a perfect place for

0:50:38.280 --> 0:50:40.279
<v Speaker 1>him to hide. But he's got a mean light, right,

0:50:40.280 --> 0:50:42.319
<v Speaker 1>I think that is what he says. Yeah, I can't

0:50:42.320 --> 0:50:45.280
<v Speaker 1>tolerate the tolerate the light. That's why he's in the subways.

0:50:45.320 --> 0:50:47.279
<v Speaker 1>But all this with the Amulet makes sense now. He

0:50:47.320 --> 0:50:51.000
<v Speaker 1>followed the Amulet to the United States because he wants

0:50:51.000 --> 0:50:52.880
<v Speaker 1>to destroy the Annual. Its the only way that he

0:50:52.880 --> 0:50:56.920
<v Speaker 1>can achieve his maximum power. Huh. And when he finishes

0:50:56.960 --> 0:51:00.400
<v Speaker 1>the explanation, Luke reacts, he says, in my head, story

0:51:00.440 --> 0:51:03.280
<v Speaker 1>is fantastic, But in my heart, I know you're speaking

0:51:03.320 --> 0:51:06.360
<v Speaker 1>the truth. So I think we're also to understand that

0:51:06.440 --> 0:51:10.520
<v Speaker 1>Luke has Luke has powerful intuitions, right, he did an

0:51:10.520 --> 0:51:14.680
<v Speaker 1>intuition check on that story, and yeah, he nailed it.

0:51:15.040 --> 0:51:17.160
<v Speaker 1>What kind of check is that? Is that insight he

0:51:17.280 --> 0:51:20.120
<v Speaker 1>rolled the wisdom wisdom modifier? Yeah, yeah, that would be

0:51:20.239 --> 0:51:22.359
<v Speaker 1>that would be inside. So we learned from the old

0:51:22.360 --> 0:51:24.640
<v Speaker 1>Man that the demon will stop at nothing to regain

0:51:24.640 --> 0:51:27.400
<v Speaker 1>this amulet. By destroying it, he will be free, forever,

0:51:27.600 --> 0:51:34.160
<v Speaker 1>immortal and indestructible. Whoa uh so, Luke. Luke immediately admits

0:51:34.239 --> 0:51:37.520
<v Speaker 1>that he feels personally responsible for unleashing the demon in

0:51:37.600 --> 0:51:41.280
<v Speaker 1>the world because he took Rodan with him on the trip,

0:51:41.400 --> 0:51:44.200
<v Speaker 1>and Rodan was the one who stole the amulet. And

0:51:44.239 --> 0:51:46.120
<v Speaker 1>so there's only one way to fix it. It's got

0:51:46.120 --> 0:51:49.000
<v Speaker 1>to be a one on one showdown. Luke must defeat

0:51:49.040 --> 0:51:52.360
<v Speaker 1>the demon in single combat, and if he loses, the

0:51:52.440 --> 0:51:55.760
<v Speaker 1>demon will eat his soul. Do you think the demon

0:51:55.960 --> 0:51:58.280
<v Speaker 1>ate the souls of the other people are just killed them.

0:51:58.280 --> 0:52:02.799
<v Speaker 1>It's a good question. Unless he's a fast eater. I

0:52:02.840 --> 0:52:05.040
<v Speaker 1>think maybe he skipped on eating some of the souls.

0:52:05.160 --> 0:52:07.120
<v Speaker 1>I don't know, but I'm not sure exactly how this

0:52:07.160 --> 0:52:09.359
<v Speaker 1>demon consumes the souls. It's say, maybe it's just an

0:52:09.360 --> 0:52:13.239
<v Speaker 1>automatic effect that takes place whenever he murders somebody. So

0:52:13.360 --> 0:52:15.839
<v Speaker 1>Luke has warned that the demon is going to try

0:52:15.880 --> 0:52:18.680
<v Speaker 1>to attack his mind, assuming the forms of those he

0:52:18.760 --> 0:52:21.439
<v Speaker 1>loves most and those he fears most. He will use

0:52:21.520 --> 0:52:24.160
<v Speaker 1>every trick in the book, the old Man says, And

0:52:24.239 --> 0:52:27.680
<v Speaker 1>he says that while Luke is fighting, he will uh,

0:52:28.080 --> 0:52:30.520
<v Speaker 1>he will help Luke by he says, I will place

0:52:30.600 --> 0:52:33.680
<v Speaker 1>my mind with yours. Perhaps together we will be stronger

0:52:33.719 --> 0:52:36.960
<v Speaker 1>than one. Yeah, so this is so we're setting up

0:52:36.960 --> 0:52:41.720
<v Speaker 1>the ultimate battle here, good versus evil warhawk Tanzania against

0:52:41.719 --> 0:52:46.120
<v Speaker 1>an ancient demon in New York City subway tunnels. Um,

0:52:46.200 --> 0:52:48.600
<v Speaker 1>it's this is what we've been working for. This is

0:52:48.600 --> 0:52:51.479
<v Speaker 1>what the trailer promised us, right, And so the next

0:52:51.480 --> 0:52:54.360
<v Speaker 1>scene is very funny. This is when we alluded to earlier.

0:52:54.800 --> 0:52:57.440
<v Speaker 1>It's it. On one hand, you've got the foreground action,

0:52:57.480 --> 0:53:00.719
<v Speaker 1>which is Luke is arguing with Officer Christopher that he

0:53:00.760 --> 0:53:02.640
<v Speaker 1>has to go down into the subway and fight the

0:53:02.680 --> 0:53:07.640
<v Speaker 1>demon and uh, and Christopher disagrees. Meanwhile, right next to them,

0:53:07.840 --> 0:53:11.439
<v Speaker 1>I think this is theater Gottli, Right. So he's out

0:53:11.440 --> 0:53:14.399
<v Speaker 1>preaching a street sermon about how all your gods are

0:53:14.440 --> 0:53:17.879
<v Speaker 1>dead and the rats are shrieking. Yeah, it's pretty great

0:53:17.880 --> 0:53:20.800
<v Speaker 1>because he's I think he's saying something like like Jesus

0:53:20.880 --> 0:53:25.000
<v Speaker 1>Christ is dead, Buddha is dead, and then he ends

0:53:25.000 --> 0:53:27.280
<v Speaker 1>with something I think he says, and I'm not feeling

0:53:27.320 --> 0:53:32.440
<v Speaker 1>so great myself. How did that connect to the thing

0:53:32.480 --> 0:53:36.279
<v Speaker 1>about the rats shrieking? I don't know, I don't know.

0:53:36.360 --> 0:53:39.000
<v Speaker 1>It's it's his presence in this film is so weird

0:53:39.080 --> 0:53:42.319
<v Speaker 1>because it makes you wonder how it came together, how

0:53:42.360 --> 0:53:45.839
<v Speaker 1>they how they got him for this, what they told

0:53:45.920 --> 0:53:49.920
<v Speaker 1>him to do, Like it totally works, improved, it does

0:53:49.960 --> 0:53:52.919
<v Speaker 1>seem improved, and it's it adds to just the overall weird.

0:53:52.960 --> 0:53:56.160
<v Speaker 1>It seems right that there should be somebody in the film,

0:53:56.680 --> 0:53:59.239
<v Speaker 1>uh like, ranting about what's going on below, Like it

0:53:59.320 --> 0:54:02.040
<v Speaker 1>seems it feels appropriately New York, you know, like this

0:54:02.120 --> 0:54:05.280
<v Speaker 1>is this is some some well injected New York weirdness

0:54:05.280 --> 0:54:07.880
<v Speaker 1>into this motion picture that would be a good bumper sticker.

0:54:07.920 --> 0:54:10.320
<v Speaker 1>Though all your gods are dead and the rats are shrieking.

0:54:12.360 --> 0:54:16.000
<v Speaker 1>The poetry of this movie. Yeah, so I think while

0:54:16.480 --> 0:54:19.880
<v Speaker 1>Christopher is distracted, Luke defies the police order goes on

0:54:19.960 --> 0:54:23.759
<v Speaker 1>down anyway, because you know, he doesn't obey a man's law.

0:54:24.320 --> 0:54:27.600
<v Speaker 1>And he goes on down carrying the amulet, and the

0:54:27.640 --> 0:54:29.759
<v Speaker 1>confrontation of the Demon happens. And it's kind of like

0:54:29.800 --> 0:54:32.799
<v Speaker 1>at the end of the first Mortal Kombat game, you know,

0:54:32.840 --> 0:54:36.520
<v Speaker 1>where the boss is transforming into all the other fighters

0:54:36.520 --> 0:54:39.319
<v Speaker 1>you fought along the way. The Demon takes the but

0:54:39.400 --> 0:54:41.400
<v Speaker 1>also the Demon takes the form of people he loves.

0:54:41.400 --> 0:54:43.760
<v Speaker 1>So the Demon appears in the form of his wife,

0:54:43.840 --> 0:54:46.440
<v Speaker 1>in the form of the police, in the form of Rodan,

0:54:46.920 --> 0:54:49.279
<v Speaker 1>and in the form of a train. Yeah, it is.

0:54:49.320 --> 0:54:50.880
<v Speaker 1>It is kind of like the ye the Battle of

0:54:50.920 --> 0:54:52.920
<v Speaker 1>San Sung at the end of the first Mortal Combat.

0:54:53.080 --> 0:54:56.480
<v Speaker 1>Creatures taken on all these forms and and I, depending

0:54:56.480 --> 0:54:58.520
<v Speaker 1>on the shot, looks pretty good. I think in some

0:54:58.560 --> 0:55:02.240
<v Speaker 1>of these these scenes, like the it's your costume. Clearly

0:55:02.280 --> 0:55:05.440
<v Speaker 1>this was not it's not a Tom Tom Savini joint

0:55:05.480 --> 0:55:08.120
<v Speaker 1>here or anything, but you get it into an actual

0:55:08.200 --> 0:55:11.120
<v Speaker 1>New York City subway tunnel, and I feel like you're

0:55:11.239 --> 0:55:14.279
<v Speaker 1>lighting limitations probably do some of the work for you. Yeah,

0:55:14.280 --> 0:55:16.640
<v Speaker 1>when we see him in full form, the Demon is

0:55:16.680 --> 0:55:19.800
<v Speaker 1>a kind of skull beast from the Black Lagoon. He

0:55:20.320 --> 0:55:23.760
<v Speaker 1>has uh sort of a skull outside of his skull,

0:55:23.840 --> 0:55:26.719
<v Speaker 1>would you say, Yeah, he's kind of like imagine a

0:55:26.719 --> 0:55:31.200
<v Speaker 1>a skeleton made entirely of cartilage that then was swollen

0:55:31.360 --> 0:55:34.719
<v Speaker 1>with the corruption and evil. Uh you know this very

0:55:34.920 --> 0:55:39.359
<v Speaker 1>um you know nerdalsome kind of body to him. Yeah. Yeah, uh.

0:55:39.440 --> 0:55:41.160
<v Speaker 1>Now we'll leave it up to you to guess whether

0:55:41.160 --> 0:55:44.920
<v Speaker 1>Warholck Tanzani is is victorious and defeating the demon or not.

0:55:45.360 --> 0:55:48.320
<v Speaker 1>But one thing that happens after this is we after

0:55:48.400 --> 0:55:50.480
<v Speaker 1>the final fight, we I think, go to the hospital

0:55:51.000 --> 0:55:53.239
<v Speaker 1>and they're in the hospital. There's a scene that I

0:55:53.280 --> 0:55:55.640
<v Speaker 1>think is meant to convey a sort of like harmony

0:55:55.760 --> 0:55:59.360
<v Speaker 1>has been achieved between or the factions and gangs that

0:55:59.400 --> 0:56:01.960
<v Speaker 1>have been ang at each other earlier. It is such

0:56:02.000 --> 0:56:04.719
<v Speaker 1>a sweet, dumb ending because yeah, you have you have

0:56:04.920 --> 0:56:08.279
<v Speaker 1>the police hanging out, you have Warhawk Tanzania, You've got

0:56:08.320 --> 0:56:12.680
<v Speaker 1>members of both gangs. Everybody has come together. The supernatural

0:56:12.760 --> 0:56:16.439
<v Speaker 1>evil has been defeated and and everyone has been able

0:56:16.480 --> 0:56:20.239
<v Speaker 1>to unify. Martial arts has brought people together, and it's

0:56:20.239 --> 0:56:22.400
<v Speaker 1>going to be a new dawn in New York City.

0:56:22.800 --> 0:56:24.920
<v Speaker 1>I like it. And then over the end of credits,

0:56:25.000 --> 0:56:27.719
<v Speaker 1>you see the old man from earlier taking the amulet

0:56:27.719 --> 0:56:30.040
<v Speaker 1>out to see he goes on a boat. I'm not

0:56:30.040 --> 0:56:31.920
<v Speaker 1>sure what he's gonna do with it. Is the implication

0:56:31.960 --> 0:56:34.200
<v Speaker 1>that he'll he'll like throw it in the ocean or something.

0:56:34.400 --> 0:56:37.160
<v Speaker 1>I thought maybe he was taking it back to China. Oh,

0:56:37.239 --> 0:56:38.680
<v Speaker 1>that would make sense to put it back in the

0:56:38.719 --> 0:56:41.759
<v Speaker 1>cave where it came from, I guess, and hopefully, but

0:56:41.840 --> 0:56:45.680
<v Speaker 1>we're hopefully hide it somewhere better. Otherwise another road roadan

0:56:45.800 --> 0:56:47.520
<v Speaker 1>is going to show up and just wander into the

0:56:47.560 --> 0:56:49.759
<v Speaker 1>cave and make off with it. That cave was way

0:56:49.800 --> 0:56:53.600
<v Speaker 1>too close to the monastery. Yeah, and sadly we're not.

0:56:53.680 --> 0:56:55.200
<v Speaker 1>I was hoping they would tell us at the end,

0:56:55.600 --> 0:57:00.520
<v Speaker 1>Warhawk Tanzania will return in Warhawk Tanzania, you know, like

0:57:00.520 --> 0:57:03.040
<v Speaker 1>like I wanted more the promise of more war Hack

0:57:03.080 --> 0:57:05.359
<v Speaker 1>Tanzania at the end, or that you know, at least

0:57:05.400 --> 0:57:08.960
<v Speaker 1>that Luke would be back. But uh, sadly it did

0:57:09.000 --> 0:57:11.359
<v Speaker 1>not come to pass. Don't be sad that it's over.

0:57:11.480 --> 0:57:14.040
<v Speaker 1>Be glad that it happened. Yeah. Yeah, in a way,

0:57:14.120 --> 0:57:18.560
<v Speaker 1>like the stars aligned perfectly on this um Uh. The

0:57:18.560 --> 0:57:20.920
<v Speaker 1>the the interview that I read with will Fredo, one

0:57:20.920 --> 0:57:22.600
<v Speaker 1>of the things that he pointed out, is that he

0:57:22.640 --> 0:57:24.520
<v Speaker 1>was in some of these films and then he realized

0:57:24.560 --> 0:57:26.600
<v Speaker 1>that it was just gonna be a real struggle to

0:57:26.640 --> 0:57:29.400
<v Speaker 1>make any money, to make a living doing this, and

0:57:29.440 --> 0:57:31.560
<v Speaker 1>that's why he got He became a teacher, you know,

0:57:31.720 --> 0:57:34.400
<v Speaker 1>both in the New York school system, but then also

0:57:34.440 --> 0:57:37.120
<v Speaker 1>as a as a martial arts instructor. And so you know,

0:57:37.160 --> 0:57:40.560
<v Speaker 1>one imagines that that that's probably something like that happened

0:57:40.920 --> 0:57:44.680
<v Speaker 1>with war Hock Tanzania as well. The man behind the

0:57:44.720 --> 0:57:47.240
<v Speaker 1>myth uh, you know, moved on to something more mundane

0:57:47.240 --> 0:57:52.000
<v Speaker 1>and maybe something more satisfying um or again, Warhock Tanzania

0:57:52.040 --> 0:57:54.960
<v Speaker 1>continued the battle and it's still battling today, fighting all

0:57:55.000 --> 0:57:57.480
<v Speaker 1>the various demons in the world and their various subworld

0:57:57.560 --> 0:58:00.320
<v Speaker 1>layers and uh and and protecting the surf this world

0:58:00.360 --> 0:58:03.480
<v Speaker 1>from absolute chaos. Well, wherever he is, I hope he's

0:58:03.520 --> 0:58:07.880
<v Speaker 1>doing great. If you're listening, email us. Yeah, I mean,

0:58:08.360 --> 0:58:11.480
<v Speaker 1>you know, no joking, he was. He's terrific in this

0:58:11.600 --> 0:58:15.880
<v Speaker 1>I I love war Hawk Tanzania. Uh really delivers in

0:58:15.880 --> 0:58:19.200
<v Speaker 1>this film. Alright, So you're probably wondering where can I

0:58:19.240 --> 0:58:23.320
<v Speaker 1>get some war Hawk Tanzania. Where can I watch Devil's Express. Well,

0:58:24.200 --> 0:58:27.040
<v Speaker 1>I think the first place I saw this film, like

0:58:27.160 --> 0:58:29.840
<v Speaker 1>we're first caught my attention that I saw it on

0:58:29.920 --> 0:58:33.000
<v Speaker 1>Amazon Prime. I think it's still on Prime. You might

0:58:33.040 --> 0:58:35.680
<v Speaker 1>have to like rent it through Prime. But the full

0:58:35.720 --> 0:58:38.800
<v Speaker 1>film is also widely available on YouTube. You can find

0:58:38.800 --> 0:58:41.480
<v Speaker 1>it on to Be as well. And then also we

0:58:41.520 --> 0:58:44.080
<v Speaker 1>mentioned the Blu ray from Code Red. Uh, there's a

0:58:44.080 --> 0:58:46.880
<v Speaker 1>blu ray of the film that's that's available. It's that

0:58:47.080 --> 0:58:49.600
<v Speaker 1>he uses a two thousand, sixteen two K scan of

0:58:49.600 --> 0:58:55.000
<v Speaker 1>the original negative. So that's pretty cool. Viewer discretion is advised. Yes, definitely, definitely.

0:58:56.160 --> 0:58:58.400
<v Speaker 1>All right, Well, we're gonna go ahead and a close

0:58:58.880 --> 0:59:01.240
<v Speaker 1>close the book on this one. We're gonna go ahead

0:59:01.280 --> 0:59:06.200
<v Speaker 1>and and restore the Amulet to its subterranean crypt. But

0:59:06.320 --> 0:59:08.320
<v Speaker 1>if you would like to listen to other episodes of

0:59:08.360 --> 0:59:11.480
<v Speaker 1>Weird House Cinema, you will find them in the Stuff

0:59:11.520 --> 0:59:15.120
<v Speaker 1>to Blow your Mind podcast feed. Uh, we have Weird

0:59:15.120 --> 0:59:18.320
<v Speaker 1>House Cinema on Fridays, but our normal science episodes are

0:59:18.360 --> 0:59:20.840
<v Speaker 1>Core episodes are on Tuesdays and Thursday's Listener Mail on

0:59:20.880 --> 0:59:24.920
<v Speaker 1>Monday's and on an episode of the Artifact on Wednesdays. Uh.

0:59:25.000 --> 0:59:28.320
<v Speaker 1>You can find the podcast feed wherever you get your podcast,

0:59:28.400 --> 0:59:29.920
<v Speaker 1>but you can also go to stuff to Blow your

0:59:29.920 --> 0:59:32.200
<v Speaker 1>Mind dot com that will shoot you over to the

0:59:32.240 --> 0:59:34.640
<v Speaker 1>I Heart listing for this page, and if you look

0:59:34.680 --> 0:59:37.240
<v Speaker 1>around on that page, there's also a store button. Uh.

0:59:37.280 --> 0:59:39.959
<v Speaker 1>And indeed, if you go to the store now as

0:59:40.000 --> 0:59:42.320
<v Speaker 1>of this recording, you can get a sticker or a

0:59:42.320 --> 0:59:45.240
<v Speaker 1>magnet with the Weird House Cinema logo on it. And

0:59:45.280 --> 0:59:47.160
<v Speaker 1>I hope very soon that there will be a T

0:59:47.280 --> 0:59:49.600
<v Speaker 1>shirt available as well. They're having to do something else

0:59:49.640 --> 0:59:51.560
<v Speaker 1>with the logo file to make it work, but by

0:59:51.560 --> 0:59:54.960
<v Speaker 1>the time this episode airs, maybe maybe there'll be a shirt,

0:59:55.000 --> 0:59:57.240
<v Speaker 1>but there at least will be a sticker or a

0:59:57.240 --> 0:59:59.800
<v Speaker 1>magnet you can get. Huge thanks as always to our

0:59:59.840 --> 1:00:03.120
<v Speaker 1>ex slim audio producer Seth Nicholas Johnson. If you would

1:00:03.160 --> 1:00:05.160
<v Speaker 1>like to get in touch with us with feedback on

1:00:05.200 --> 1:00:07.800
<v Speaker 1>this episode or any other, to suggest topic for the future,

1:00:07.880 --> 1:00:09.800
<v Speaker 1>or just to say hello, you can email us at

1:00:10.120 --> 1:00:20.360
<v Speaker 1>contact at stuff to Blow your Mind dot com. Stuff

1:00:20.360 --> 1:00:22.560
<v Speaker 1>to Blow Your Mind is production of I Heart Radio.

1:00:22.920 --> 1:00:25.240
<v Speaker 1>For more podcasts my Heart Radio, visit the I Heart

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<v Speaker 1>Radio app, Apple Podcasts, or wherever you listen to your

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<v Speaker 1>favorite shows.