WEBVTT - Poo Bear

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<v Speaker 1>R and B Money, Honey, we are.

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<v Speaker 2>Thanks take MELOCHI.

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<v Speaker 1>We are the authority on all things R and B

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<v Speaker 1>ladies and gentlemen.

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<v Speaker 2>My name is tam Day Balenti.

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<v Speaker 1>This is the R and B Money Podcast, the authority

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<v Speaker 1>they know, they know on all things.

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<v Speaker 3>All things, all thing. Yeah, R and B. Yeah, don't

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<v Speaker 3>get caught up.

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<v Speaker 1>Stop telling me you right here records, Yeah, yeah, stop

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<v Speaker 1>being me.

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<v Speaker 3>They're telling me you right hit records.

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<v Speaker 4>Hello, they're right here.

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<v Speaker 5>Records every day every day because every day is what

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<v Speaker 5>what your birthday?

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<v Speaker 3>I want to write it happy birthday himself.

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<v Speaker 1>You ain't ever gonna have the song stolen from you

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<v Speaker 1>at twelve on a million copies.

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<v Speaker 3>That happy birthday.

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<v Speaker 2>I'm sorry, I'm yelling.

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<v Speaker 3>I love it. Thanks having me, man, Thanks for having me.

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<v Speaker 3>You do this ship? Was that your year? That's not yeah,

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<v Speaker 3>that's having me.

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<v Speaker 1>Yeah, bro, bro, like you know, our pod is is

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<v Speaker 1>a flower pod to give you the flowers.

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<v Speaker 2>You so right. I don't know if we have enough

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<v Speaker 2>flowers in here.

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<v Speaker 5>Already said we didn't have enough room on we didn't

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<v Speaker 5>have enough he said, what are those?

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<v Speaker 2>Bro?

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<v Speaker 1>It's so much information and so much great musical conversation

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<v Speaker 1>that hopefully we can get to some of it. We

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<v Speaker 1>ain't gonna be able to get to most of it

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<v Speaker 1>because we would be here for a few days.

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<v Speaker 3>Hopefully we do a part two. Maybe that could be

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<v Speaker 3>the first part to what we should do is.

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<v Speaker 2>We should do this.

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<v Speaker 5>As hard as it was to get him to come

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<v Speaker 5>on this podcast, he don't do this ship he like

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<v Speaker 5>he already said.

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<v Speaker 3>But this is special. I think what you guys are doing,

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<v Speaker 3>it's such a magical environment. I think it's it's just

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<v Speaker 3>think it's very important, it's very needed, and it's something

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<v Speaker 3>that's been missing, you know, for a while. So I

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<v Speaker 3>applaud you.

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<v Speaker 1>Guys, Thank you, thank you. I think we I think

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<v Speaker 1>we do this. And then I think the other piece

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<v Speaker 1>of information is if you haven't even done it yet,

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<v Speaker 1>is people need to really see you at work.

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<v Speaker 3>Oh yeah, I love that.

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<v Speaker 2>The idea behind like like.

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<v Speaker 1>Like like what Jason Joshua Joshua does when people actually

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<v Speaker 1>sit and get to watch him.

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<v Speaker 3>In action action. Yeah, I would love that because that's yeah,

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<v Speaker 3>that's the magic. That's the magic that's different, and that

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<v Speaker 3>is exactly what you are. Brother. Oh thank you man,

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<v Speaker 3>I'm saying that. Thank you.

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<v Speaker 2>So let's get let's let's get into you know.

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<v Speaker 5>R the way you were able to invess something, which

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<v Speaker 5>it starts with Yes, listen, I want to go back

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<v Speaker 5>to the beginning, because what you the story of you

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<v Speaker 5>rapping a song at twelve?

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<v Speaker 2>Yeah, having it, having the lyrics word for word, bar

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<v Speaker 2>for bar.

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<v Speaker 3>Yeah, they borrowed them. Did you ever get the Soldier.

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<v Speaker 2>And go platinum with it?

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<v Speaker 3>Yeah? Yeah, man, I was. I was twelve in a

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<v Speaker 3>group and it.

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<v Speaker 2>Was a group.

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<v Speaker 3>It was hilarious, t w C together, we chill, it

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<v Speaker 3>was absolutely. We had a song too with the hook

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<v Speaker 3>with that hood. No, it was embarrassing. You know why

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<v Speaker 3>we embraced it as kids because Red from ABC came

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<v Speaker 3>up with it and I'm like, a b see, tw

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<v Speaker 3>was like, okay, there's some letters. We got our own letters,

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<v Speaker 3>not thinking I'm like letter, I'm like, this is corny

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<v Speaker 3>as shite, But in the moment, it was the dude

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<v Speaker 3>from ABC giving us a letter and cracking it was pop. Yeah,

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<v Speaker 3>I'm like it was eight years old to twelve on

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<v Speaker 3>solcial Train Performance. So I was inspired. But you know,

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<v Speaker 3>at that time, Chris Cross came out dissing them with

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<v Speaker 3>Jump Jump on everybody. That was a direct disc that

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<v Speaker 3>was a battle wrap for kids. In what was that

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<v Speaker 3>nineteen ninety three, ninety two, I was twelve years old.

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<v Speaker 3>Read was thirteen, and Read was my manager. Strange enough, yeah,

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<v Speaker 3>thirteen yearner. I had a thirteen year od manager and

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<v Speaker 3>I was twelve.

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<v Speaker 5>Okay, all right, it's called big business, yeah man, because

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<v Speaker 5>I'm forty eight, yeah and your forty five.

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<v Speaker 2>You forty five. So when I was young, your.

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<v Speaker 3>Like, listen to me. I know, I've been through the ropes.

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<v Speaker 3>I've been doing this shit half my life. Yeah, yeah,

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<v Speaker 3>yeah man.

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<v Speaker 2>Yeah.

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<v Speaker 3>So and I actually, you know, I mean, I wrote

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<v Speaker 3>a rap that was dissing Criss Cross and because he

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<v Speaker 3>was that's my homies. So I'm like, yeah, just dissed them.

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<v Speaker 3>And don't think you know what I'm saying because they

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<v Speaker 3>don't really. They were like yeah songs, I ea shared

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<v Speaker 3>the playground, like they weren't built for that. So I

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<v Speaker 3>wrote a rap, you know, dissing them, and I wrapped

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<v Speaker 3>it through Red and he was like, man, do it again.

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<v Speaker 3>He kept throughout the day, kept saying me, like, have

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<v Speaker 3>me recite this rhyme? Then Red disappears, ABC disappears for

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<v Speaker 3>six months, like man, that was my manager. Now he's

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<v Speaker 3>just not even answering my calls. And then I go

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<v Speaker 3>to seventh grade and my friend Kevin is like, hey, man,

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<v Speaker 3>remember that rap you recited to me. He's like, I

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<v Speaker 3>think it's on this album that Michael Bivens put out

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<v Speaker 3>on the Big ten compilation All for One, One for All.

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<v Speaker 3>That was the first single off for It was like,

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<v Speaker 3>oh for One and one for All. I don't know

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<v Speaker 3>if you guys remember that. And he had the Boys,

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<v Speaker 3>de Men, ABC, BBD, the East Coast fam So that

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<v Speaker 3>was the whole compilation. I listened to it on a

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<v Speaker 3>cassette player in Holmes home room in the seventh grade

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<v Speaker 3>and I hear it come on boom boom, check us

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<v Speaker 3>like a boot tick Tactoe, Chris cross him out the box,

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<v Speaker 3>happy jumping, not just so. And I'm like, and I

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<v Speaker 3>was so confused because I was so happy. Yeah, but

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<v Speaker 3>I was sad because I'm like, wait, let me open

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<v Speaker 3>up the credits. And then I looked at the credits

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<v Speaker 3>and understood credits. I understood credits. Well, yeah, I understood

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<v Speaker 3>what the credits were because you know, as I was

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<v Speaker 3>making music, man, I sucked at it, but I was

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<v Speaker 3>making it enough to know that the people in the

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<v Speaker 3>credits were the ones that were behind the you know,

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<v Speaker 3>the magic. So I went to read the credits, I'm

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<v Speaker 3>looking for my name, and I'm like, well, where's Red's name?

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<v Speaker 3>And then I didn't get credit. Read didn't credit. The

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<v Speaker 3>manager of the group at the time, not gonna put

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<v Speaker 3>nobody out there. But they got the credit, they got

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<v Speaker 3>the publishing for it, and that was like the first

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<v Speaker 3>time actually had something like a copyright storming from me.

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<v Speaker 3>I just happened to be twelve years old. It was

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<v Speaker 3>a young lesson. Yeah, I was in the seventh grade

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<v Speaker 3>in the middle of College Park. Did you have any.

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<v Speaker 5>Any ideas of like, I gotta get to somebody to

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<v Speaker 5>tell them that's my song.

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<v Speaker 3>I I didn't even think about that because I just

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<v Speaker 3>was said I was twelve, man, I had no They

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<v Speaker 3>were my connection to the industry. It was Red, you know,

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<v Speaker 3>so outside of Red and in Row Row, those are

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<v Speaker 3>the only two people I knew the industry. Yeah, so

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<v Speaker 3>when they disappeared, I didn't have any I had no

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<v Speaker 3>other way. So I didn't even think to like, like,

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<v Speaker 3>how could I even try to fight to get credit.

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<v Speaker 3>I was just happy and hurt at the same time.

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<v Speaker 3>It was like the Yen and the Yang, and I

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<v Speaker 3>was like excited but disappointed. You know, It's like, man,

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<v Speaker 3>this is my like this is I can hear it,

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<v Speaker 3>but it's not. It's nobody gonna know, So you know,

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<v Speaker 3>I kept that. I kept that story secret awhile because

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<v Speaker 3>I was more embarrassed by at a younger age than

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<v Speaker 3>I was like using it to show people that, like, hey, man,

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<v Speaker 3>you could get ripped off at a young age. There's

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<v Speaker 3>no there's no age limit on get ripped off. So

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<v Speaker 3>but I didn't. I didn't tell anybody for a while, man,

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<v Speaker 3>And then I started thinking it was it was cool

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<v Speaker 3>to just be a voice for people who get ripped

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<v Speaker 3>off at a young age and be like, hey, you're

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<v Speaker 3>not the only one. You know what I'm saying, and

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<v Speaker 3>you learn from those things you learn had I learned

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<v Speaker 3>at a young age, like publishing is something I didn't

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<v Speaker 3>even know what it was, and I'm like, this is

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<v Speaker 3>something serious. And then it took my cousin, Courtney Bear.

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<v Speaker 3>I don't know if you guys know Big Big Bear

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<v Speaker 3>who discovered one twelve and Jagged Edge at one talent show.

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<v Speaker 3>My cousin how I got into the music business. My

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<v Speaker 3>cousin Courtney Bear seals he's working. He works with Killing

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<v Speaker 3>Mike right now. He discovered at one talent show Tri

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<v Speaker 3>Cities High School one twelve and Jacket Edge. One twelve's

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<v Speaker 3>name used to be called Forte. It was the name

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<v Speaker 3>of him, and then Jagged Edge. I forget what the

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<v Speaker 3>name was, but it wasn't jagged Ash. Then he went

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<v Speaker 3>on and introduced one twelve to Puff Daddy, and Puffed

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<v Speaker 3>Daddy gave him the name one twelve and Jagged Ash

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<v Speaker 3>went on to Social Death for Jamaina prix Man. He

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<v Speaker 3>went and managed one twelve, moved to New York. They

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<v Speaker 3>came out the first album sold the million records. Cupid

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<v Speaker 3>only you big success. Yeah, came back and was like

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<v Speaker 3>poop be you know you can make money writing songs.

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<v Speaker 3>I'm like wow. He was like, I'm gonna put you

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<v Speaker 3>in with the guys, gonna see if you have a

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<v Speaker 3>chemistry with any synergy with with Doran and see how

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<v Speaker 3>it goes. Maybe he'll work with you. So he takes

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<v Speaker 3>me over, drops me over. Durn Jones shout out to

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<v Speaker 3>durran Q was there, you know, quinn Is Parker and

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<v Speaker 3>we created the song Anywhere. Duran had already started it

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<v Speaker 3>and already was working on it, and I just came

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<v Speaker 3>and added to the record Anywhere and that was my

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<v Speaker 3>first hit.

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<v Speaker 2>Anywhere is your first hit?

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<v Speaker 3>Yeah yeah, yeah man, yeah I was in high school.

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<v Speaker 3>I was in the eleventh grade. Yeah yeah. And mind

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<v Speaker 3>you when that came out, it didn't sound like anything like,

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<v Speaker 3>it didn't sound like anything, so might be what it was.

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<v Speaker 3>What sample is that it's interpolation original? That was Iran

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<v Speaker 3>Duran didn't sample nothing. The only thing that you're talking

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<v Speaker 3>about the replay was a wicked wicked, wicked. It's over now,

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<v Speaker 3>it's ober now. That was Mob Deep. Wiga wiga wigga

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<v Speaker 3>wiggle wiggle. That's the only got Anywhere was straight original.

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<v Speaker 3>Yeah no, no, no, Barn Barron. But the one they

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<v Speaker 3>did rip was the that Mob Deep. Remember that It's

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<v Speaker 3>over now? Yeah? Yeah man, yeah yeah yeah, he too

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<v Speaker 3>hot to stop. Yeah man, that's your question.

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<v Speaker 1>Yeah, if I can backtrack for a second, Okay, did

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<v Speaker 1>you hearing your rap, your lyrics on on that ABC song,

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<v Speaker 1>did that give you an indicator that you could really

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<v Speaker 1>do this ship or or did it take you just

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<v Speaker 1>a little while longer after that before you even settled

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<v Speaker 1>into the idea of being able to do that.

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<v Speaker 3>Yeah, because I really that never really registered what happened

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<v Speaker 3>then that it was like, Wow, I did something that

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<v Speaker 3>came out that was good enough to come out and

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<v Speaker 3>and generate a mile. Yeah I wasn't. I didn't put

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<v Speaker 3>two and two together then, but it did do something

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<v Speaker 3>to myself. Was staying this a little bit to where

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<v Speaker 3>it was like, well, it must have been cool if

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<v Speaker 3>they stole it. It must have been good enough for

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<v Speaker 3>them to steal. So that did something. It gave me

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<v Speaker 3>inspiration to be in a group.

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<v Speaker 2>You know.

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<v Speaker 3>I started a group called Young Harmony. I was My

0:11:25.880 --> 0:11:27.959
<v Speaker 3>name was Harmony. My friend's name was Young because I

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<v Speaker 3>used to harmonize. I couldn't sing really, but I had

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<v Speaker 3>a great year and we went on. We signed our

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<v Speaker 3>first deal like a few months after that happened. I

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<v Speaker 3>was still twelve years old. I signed my first record

0:11:37.760 --> 0:11:41.240
<v Speaker 3>deal with a label called Jungle Jes Records. And our

0:11:41.240 --> 0:11:44.400
<v Speaker 3>friend tell you what our advance was. We got paid

0:11:44.400 --> 0:11:46.640
<v Speaker 3>in advance. We got an advance though, let me tell

0:11:46.640 --> 0:11:50.360
<v Speaker 3>you what it was. It was a Genie suit. I

0:11:50.400 --> 0:11:52.079
<v Speaker 3>got a green one and then my homie got a

0:11:52.120 --> 0:11:55.040
<v Speaker 3>yellow one. We looked like a sprit commercial. Yeah, it

0:11:55.120 --> 0:11:55.920
<v Speaker 3>look like the Sprite.

0:11:55.679 --> 0:11:57.359
<v Speaker 2>Coming because I've had actual jungle.

0:11:58.720 --> 0:11:59.920
<v Speaker 3>Actual see I thought in the car.

0:12:00.679 --> 0:12:04.839
<v Speaker 5>No, no, no, you're talking.

0:12:05.000 --> 0:12:08.719
<v Speaker 3>You're talking about the jungle Jungle. I got you got okay? Yeah? Yeah,

0:12:09.840 --> 0:12:14.240
<v Speaker 3>many yeah yeah yeah, the Jungle day Yeah, Jungle Juice

0:12:14.840 --> 0:12:18.400
<v Speaker 3>yeah yeah, love.

0:12:18.280 --> 0:12:20.640
<v Speaker 2>You man, don't Yeah.

0:12:22.880 --> 0:12:23.760
<v Speaker 3>How old were you were?

0:12:23.800 --> 0:12:24.280
<v Speaker 2>You?

0:12:24.640 --> 0:12:29.240
<v Speaker 3>Were you? Okay? It was okay. I would say that's

0:12:29.280 --> 0:12:33.200
<v Speaker 3>child abuse. But if you're in the abuse, you get

0:12:33.600 --> 0:12:37.160
<v Speaker 3>a gee suit for an advance as your and our

0:12:37.200 --> 0:12:39.360
<v Speaker 3>manager took the whatever money it was that we were

0:12:39.360 --> 0:12:41.320
<v Speaker 3>supposed to, so it was some money. It probably was

0:12:41.320 --> 0:12:43.560
<v Speaker 3>a little bit of money. But he brought us Jeanie

0:12:43.600 --> 0:12:48.360
<v Speaker 3>suits and and kept the difference, kept the difference and

0:12:48.400 --> 0:12:50.199
<v Speaker 3>then ended up and then he ran off. He ran

0:12:50.240 --> 0:12:52.199
<v Speaker 3>off this beard and all this is said. Twelve I

0:12:52.280 --> 0:12:54.760
<v Speaker 3>was twelve, yeah, man, And so we had a single

0:12:54.840 --> 0:12:56.560
<v Speaker 3>out man because She's turning Me on. That was my

0:12:56.559 --> 0:12:58.640
<v Speaker 3>first single, and we had an album released party, a

0:12:58.679 --> 0:13:03.000
<v Speaker 3>single release party on there Forget That and through Jungle

0:13:03.040 --> 0:13:07.360
<v Speaker 3>Juice Records, and so it was it was an independent label. Yeah.

0:13:07.360 --> 0:13:10.160
<v Speaker 3>The guy, the owner's name was Michael Jackson, same as yeah,

0:13:10.200 --> 0:13:12.880
<v Speaker 3>Michael Jackson, and he used to lock us in the

0:13:12.880 --> 0:13:15.240
<v Speaker 3>studio and I never forget that, and I didn't realize

0:13:15.240 --> 0:13:17.400
<v Speaker 3>that that was a fire hazard till I got older.

0:13:17.480 --> 0:13:19.520
<v Speaker 4>I'm like, wait, boy, I thought you were just using

0:13:19.559 --> 0:13:20.679
<v Speaker 4>the term us.

0:13:22.400 --> 0:13:24.760
<v Speaker 3>He would work outside the door of the studio and

0:13:24.960 --> 0:13:28.800
<v Speaker 3>lock us in from the outside so we couldn't get out.

0:13:28.960 --> 0:13:32.760
<v Speaker 3>So it was me on the little last Yeah, I

0:13:32.800 --> 0:13:36.679
<v Speaker 3>guess that will follow under the FILD spectrum. I had

0:13:36.679 --> 0:13:38.599
<v Speaker 3>the little leases with the little the a AD. So

0:13:38.720 --> 0:13:41.120
<v Speaker 3>I was engineering, I was making I had an SB

0:13:41.160 --> 0:13:44.280
<v Speaker 3>twelve hundred and I was making beats, I was writing songs,

0:13:44.320 --> 0:13:47.280
<v Speaker 3>I was doing choreography, I was doing everything, you know

0:13:47.320 --> 0:13:48.840
<v Speaker 3>what I mean. And he would come back in the

0:13:48.880 --> 0:13:50.960
<v Speaker 3>sun to be down let us out. And then I

0:13:51.080 --> 0:13:53.440
<v Speaker 3>had the My mom always let me go. She was like,

0:13:53.520 --> 0:13:54.920
<v Speaker 3>no matter what, you got to go to school. I

0:13:54.920 --> 0:13:56.439
<v Speaker 3>don't care if you worked till four in the morning.

0:13:56.880 --> 0:13:58.280
<v Speaker 3>She was like, you just got to go to school.

0:13:58.480 --> 0:14:02.120
<v Speaker 3>So my mom always let me. She used to drop

0:14:02.240 --> 0:14:04.120
<v Speaker 3>us off at the studio, me and my singing with

0:14:04.200 --> 0:14:06.880
<v Speaker 3>my group, and she's just like, look, you just gotta

0:14:06.920 --> 0:14:09.120
<v Speaker 3>go to school. I don't care. You can stay all night,

0:14:09.240 --> 0:14:11.600
<v Speaker 3>but by five o'clock you need to be coming home,

0:14:12.240 --> 0:14:14.360
<v Speaker 3>taking a shower and getting ready to go to school

0:14:14.400 --> 0:14:17.640
<v Speaker 3>at seven thirty. And so wow, yeah, so she let

0:14:17.720 --> 0:14:19.800
<v Speaker 3>me do that. I support my mom, you know, thank

0:14:19.840 --> 0:14:22.120
<v Speaker 3>my mom for supporting me and dropping us off. She

0:14:22.200 --> 0:14:24.200
<v Speaker 3>was like our uber back before uber, you know.

0:14:24.200 --> 0:14:24.560
<v Speaker 2>What I mean.

0:14:24.720 --> 0:14:27.040
<v Speaker 3>And she believed and she really was just a positive

0:14:27.160 --> 0:14:29.160
<v Speaker 3>like she just always told me I could do anything

0:14:29.200 --> 0:14:31.920
<v Speaker 3>and be anything I wanted to be. And I always

0:14:31.960 --> 0:14:33.920
<v Speaker 3>told my mom. I was like, and my grandma, I

0:14:33.960 --> 0:14:36.880
<v Speaker 3>was like, man, I'm gonna move us out of the hood,

0:14:36.920 --> 0:14:38.880
<v Speaker 3>you know what I'm saying. And my grandma was so

0:14:39.600 --> 0:14:42.560
<v Speaker 3>at that age like bless your heart, like you don't

0:14:42.640 --> 0:14:44.680
<v Speaker 3>understand that black people don't move out of the hood,

0:14:44.720 --> 0:14:46.280
<v Speaker 3>you know what I'm saying. But you could tell like

0:14:46.440 --> 0:14:50.200
<v Speaker 3>energy never seen light and buts she used to see me. Man.

0:14:50.240 --> 0:14:52.160
<v Speaker 3>So I grew up. My dad left when I was

0:14:52.680 --> 0:14:55.400
<v Speaker 3>seven and a half eight. He left two weeks later.

0:14:55.400 --> 0:14:58.120
<v Speaker 3>It was a tornado, like the only tornado in Connecticut history.

0:14:58.200 --> 0:15:00.200
<v Speaker 3>And new Haven is like, you know, still one of

0:15:00.200 --> 0:15:03.240
<v Speaker 3>the poor. So you're originally from originally from New Haven, Connecticut,

0:15:03.600 --> 0:15:06.280
<v Speaker 3>one of the poorer cities in America, and the tornado

0:15:06.440 --> 0:15:09.040
<v Speaker 3>came to up our apartment and then we were homeless.

0:15:09.040 --> 0:15:10.720
<v Speaker 3>So me and my mom and my brother were homeless

0:15:10.800 --> 0:15:13.400
<v Speaker 3>from I was homeless from like age eight until ten.

0:15:14.040 --> 0:15:16.560
<v Speaker 3>So we slept everywhere, you know what I mean. We

0:15:16.600 --> 0:15:18.880
<v Speaker 3>slept wherever we could sleep, and we ate when we

0:15:18.880 --> 0:15:22.240
<v Speaker 3>could eat. And the church did an offering one day

0:15:22.360 --> 0:15:24.360
<v Speaker 3>and they gave my mom like four thousand dollars. I'll

0:15:24.360 --> 0:15:27.040
<v Speaker 3>never forget that. And then we moved to Atlanta and

0:15:27.200 --> 0:15:29.760
<v Speaker 3>started over there, but we still, you know, were struggling

0:15:29.840 --> 0:15:33.440
<v Speaker 3>there and we ended up living with my grandmother and

0:15:33.480 --> 0:15:36.240
<v Speaker 3>it was like eight of us in a two bedroom apartment.

0:15:36.360 --> 0:15:40.120
<v Speaker 3>So I slept on the floor till I I probably

0:15:40.120 --> 0:15:42.920
<v Speaker 3>slept on the floor till I was about sixteen. I

0:15:42.960 --> 0:15:45.120
<v Speaker 3>got I was when I started I started to flo

0:15:45.280 --> 0:15:48.360
<v Speaker 3>You were sixteen, Yeah, man, I started making my first

0:15:49.000 --> 0:15:51.280
<v Speaker 3>like after anywhere. I started getting a little ass cap

0:15:51.360 --> 0:15:55.240
<v Speaker 3>checks and I need so what what ages? I was

0:15:55.440 --> 0:15:57.600
<v Speaker 3>seventh sixteen, and then it came out when I was seven.

0:15:57.840 --> 0:15:59.560
<v Speaker 3>I did it with dorm I was sixteen. Came out

0:15:59.560 --> 0:16:03.800
<v Speaker 3>when I was seventeen going seventeen, and then it went

0:16:03.880 --> 0:16:06.080
<v Speaker 3>in from like ninety seven to ninety eight. We can

0:16:06.120 --> 0:16:07.640
<v Speaker 3>do it anywhere. It was out. And then I also

0:16:07.680 --> 0:16:09.840
<v Speaker 3>worked with Pink when she was Burgundy. She was making

0:16:10.000 --> 0:16:11.760
<v Speaker 3>R and B music, So I don't call her pink.

0:16:11.800 --> 0:16:16.200
<v Speaker 3>She was black, she was Burgundy. Can't she was pink? Yeah,

0:16:16.240 --> 0:16:18.160
<v Speaker 3>her next album she went pink. You know what I'm saying.

0:16:18.280 --> 0:16:21.280
<v Speaker 3>I worked with I got the Burgundy Pink, but those

0:16:21.320 --> 0:16:24.280
<v Speaker 3>were you know. I told my mom and my grandmother.

0:16:24.320 --> 0:16:26.720
<v Speaker 3>Then I was like, I'm gonna move us out of here.

0:16:26.760 --> 0:16:28.840
<v Speaker 3>And I never forget, like, get my first little ask

0:16:28.880 --> 0:16:31.040
<v Speaker 3>cap check. I didn't have a bank account. I went

0:16:31.080 --> 0:16:33.240
<v Speaker 3>to the check cashing place and they take four percent out.

0:16:33.760 --> 0:16:35.920
<v Speaker 3>I never forget that. I was like, went in there

0:16:35.960 --> 0:16:37.720
<v Speaker 3>with a check and came out with money, and I

0:16:37.800 --> 0:16:41.520
<v Speaker 3>was like, wow, you care about before? Yep, it was

0:16:41.800 --> 0:16:44.400
<v Speaker 3>about four thousand, seven hundred dollars. I bought a cell phone.

0:16:44.400 --> 0:16:47.520
<v Speaker 3>I never forget that that first thing. My first purchase

0:16:47.560 --> 0:16:49.280
<v Speaker 3>was a cell phone. And then I bought a bed.

0:16:49.680 --> 0:16:52.960
<v Speaker 3>I was like, my first time. And then I started

0:16:53.000 --> 0:16:56.120
<v Speaker 3>renting a room from my cousin because I didn't want

0:16:56.160 --> 0:16:58.400
<v Speaker 3>to sleep on the floor in the two bedroom apartment

0:16:58.400 --> 0:16:59.960
<v Speaker 3>with my It was like it was eight of us,

0:17:00.080 --> 0:17:02.760
<v Speaker 3>so ended up renting the room from Bear, who discovered

0:17:02.800 --> 0:17:04.680
<v Speaker 3>once twelve. And then I got my first I bought

0:17:04.720 --> 0:17:07.680
<v Speaker 3>my first bag and I was like sixteen seventeen seventeen.

0:17:08.520 --> 0:17:13.119
<v Speaker 5>So I had anybody in a position to move you forward,

0:17:13.359 --> 0:17:17.520
<v Speaker 5>had anybody identified it as far as like I'm invest in.

0:17:17.520 --> 0:17:20.119
<v Speaker 3>Him or not? Well you ever had changed up? It

0:17:20.160 --> 0:17:23.880
<v Speaker 3>was like it was always like drug dealers, man, Thank

0:17:23.960 --> 0:17:24.720
<v Speaker 3>god for the drug.

0:17:25.119 --> 0:17:27.320
<v Speaker 4>Shout out to the dope boys. Listen, we all come

0:17:27.359 --> 0:17:27.639
<v Speaker 4>from it.

0:17:27.840 --> 0:17:31.800
<v Speaker 3>Yeah, yeah, because they was our first investors. Absolutely, you

0:17:31.840 --> 0:17:33.800
<v Speaker 3>know what I'm saying. They was the first hedge fund

0:17:35.240 --> 0:17:38.320
<v Speaker 3>dope the dope community with the first venture capitalist. Yes,

0:17:39.280 --> 0:17:42.320
<v Speaker 3>but yeah they got for that. And then yeah, what

0:17:42.400 --> 0:17:44.520
<v Speaker 3>happened was, I don't know, you guys know KP come on,

0:17:44.600 --> 0:17:47.800
<v Speaker 3>pray this. He gave me my first record deal in

0:17:47.840 --> 0:17:50.399
<v Speaker 3>a group I was in called Friction, and we signed

0:17:50.400 --> 0:17:54.000
<v Speaker 3>on the Face Records in nineteen ninety seven, nineteen ninety six. Actually,

0:17:54.520 --> 0:17:57.960
<v Speaker 3>so even with that, our then manager ran off with

0:17:58.040 --> 0:18:00.760
<v Speaker 3>our advents. He took our advents. It's the second time.

0:18:00.640 --> 0:18:03.280
<v Speaker 4>You're you're still not eighteen years old, still was still

0:18:03.280 --> 0:18:03.800
<v Speaker 4>a high school.

0:18:03.840 --> 0:18:04.680
<v Speaker 3>I'm still a high school.

0:18:04.720 --> 0:18:08.639
<v Speaker 4>Yeah, you don't fully understand what comes along with the business.

0:18:08.800 --> 0:18:09.920
<v Speaker 3>Nah, I didn't even know what. I didn't eve know

0:18:09.960 --> 0:18:10.679
<v Speaker 3>what publishing was.

0:18:10.760 --> 0:18:10.879
<v Speaker 1>You know.

0:18:11.000 --> 0:18:12.480
<v Speaker 3>My cousin was like, you could make money. I'm like

0:18:12.560 --> 0:18:15.080
<v Speaker 3>how he was like, you write songs and you get publishing,

0:18:15.160 --> 0:18:16.120
<v Speaker 3>And I'm like, are.

0:18:16.000 --> 0:18:17.159
<v Speaker 4>They showing you these contracts?

0:18:17.200 --> 0:18:19.720
<v Speaker 3>Are they showing your mother these contracts? No? No, no no.

0:18:19.760 --> 0:18:23.440
<v Speaker 3>So it was no contract, well my record contract. No.

0:18:23.680 --> 0:18:26.920
<v Speaker 3>I was just and it's so crazy how how it works. Man.

0:18:27.000 --> 0:18:28.840
<v Speaker 3>Like when I was signed as a as a twelve

0:18:28.920 --> 0:18:31.639
<v Speaker 3>year old, the person who signed us, he signed us

0:18:31.720 --> 0:18:34.320
<v Speaker 3>under a management deal and a production deal. You remember

0:18:34.320 --> 0:18:36.520
<v Speaker 3>those days, right, But they tried to but I didn't know.

0:18:37.040 --> 0:18:39.560
<v Speaker 3>In my production contract he was taking fifty percent of

0:18:39.560 --> 0:18:42.520
<v Speaker 3>my publishing, and in my management contract he was taking

0:18:42.560 --> 0:18:45.720
<v Speaker 3>the other fifty percent of my publishing. So I didn't

0:18:45.720 --> 0:18:47.640
<v Speaker 3>have I didn't have one hundred percent. I didn't even own.

0:18:47.680 --> 0:18:49.360
<v Speaker 3>I didn't even know what publishing was, and I didn't

0:18:49.400 --> 0:18:52.080
<v Speaker 3>own it. But the way God works is like my

0:18:52.200 --> 0:18:55.520
<v Speaker 3>contract ran out with both of those when I turned sixteen.

0:18:56.160 --> 0:19:00.119
<v Speaker 3>So the second I actually had my first placement on

0:19:00.320 --> 0:19:02.080
<v Speaker 3>my publishing and I didn't even know what it was.

0:19:02.160 --> 0:19:03.920
<v Speaker 3>But he was trying to get us to re sign,

0:19:04.119 --> 0:19:06.440
<v Speaker 3>and then this other this dope. It was like, nah, man,

0:19:06.640 --> 0:19:09.320
<v Speaker 3>he got your publishing and don't resign. Then we ended

0:19:09.400 --> 0:19:12.919
<v Speaker 3>up signing with my family with BMF Man. BMF was

0:19:12.960 --> 0:19:15.000
<v Speaker 3>like the first you know they gave me, you know, say,

0:19:15.000 --> 0:19:18.040
<v Speaker 3>they gave us a record deal. They paid us in cash.

0:19:19.320 --> 0:19:23.639
<v Speaker 3>That's my family. Yeah, Bro, I turned nineteen. DMF Man me,

0:19:23.800 --> 0:19:25.960
<v Speaker 3>I was there. Yeah, and me. She used to always

0:19:26.000 --> 0:19:29.040
<v Speaker 3>tell me like, look, we all going to jail except

0:19:29.119 --> 0:19:31.879
<v Speaker 3>for you. He was like, he's like, look I should

0:19:31.880 --> 0:19:34.800
<v Speaker 3>have got He told us for years bro him Pops

0:19:34.920 --> 0:19:37.400
<v Speaker 3>like Pops he did fourteen year he did a bid

0:19:37.560 --> 0:19:41.200
<v Speaker 3>for for beingf you know. So it was like, when

0:19:41.240 --> 0:19:44.560
<v Speaker 3>we go to jail, I need you to help turn

0:19:44.640 --> 0:19:48.040
<v Speaker 3>my story into a movie. So he gave me so

0:19:48.160 --> 0:19:50.600
<v Speaker 3>Meach gave me his life rights, you know what I'm saying.

0:19:50.640 --> 0:19:52.840
<v Speaker 3>And I went I had no clue. He was like,

0:19:52.880 --> 0:19:55.040
<v Speaker 3>you already in the music business. And at that time

0:19:55.080 --> 0:19:57.639
<v Speaker 3>I had did Peaches and Cream danced with me. So

0:19:57.680 --> 0:19:59.600
<v Speaker 3>they were looking at me like you already in the

0:19:59.720 --> 0:20:02.560
<v Speaker 3>energy over them, like they were just like you know,

0:20:02.680 --> 0:20:10.680
<v Speaker 3>oh well, I was eighteen. That was like cracking. Yeah,

0:20:10.680 --> 0:20:12.920
<v Speaker 3>but he was like, Yo, we're going to jail. You're

0:20:12.960 --> 0:20:16.160
<v Speaker 3>gonna be the one to bring this project and make

0:20:16.200 --> 0:20:19.240
<v Speaker 3>people understand, you know, our lifestyle and taken see it.

0:20:19.240 --> 0:20:20.720
<v Speaker 3>And I'm like, I don't know anybody in the in

0:20:20.760 --> 0:20:22.360
<v Speaker 3>the film or movie industry. He was like, You're gonna

0:20:22.359 --> 0:20:26.280
<v Speaker 3>figure it out. And I remember like just taking meetings

0:20:26.280 --> 0:20:28.119
<v Speaker 3>with people and I'm like, yeah, I got meet his

0:20:28.200 --> 0:20:30.600
<v Speaker 3>life rights. And then I met with James the Bows.

0:20:30.600 --> 0:20:33.360
<v Speaker 3>I don't know if you got rember, so I thought

0:20:33.640 --> 0:20:37.520
<v Speaker 3>him and he was yeah, man, James the Bow's happy birthday. Man.

0:20:37.560 --> 0:20:41.040
<v Speaker 3>He was the first one that wasn't afraid to entertain.

0:20:41.560 --> 0:20:44.080
<v Speaker 3>Everybody was like, nah, I want to I want to repercussions.

0:20:44.080 --> 0:20:46.760
<v Speaker 3>I was like, there's no percussions, Like they're not killers.

0:20:46.760 --> 0:20:50.120
<v Speaker 3>They were. They were the only crew to unite all

0:20:50.160 --> 0:20:53.920
<v Speaker 3>the game bangers like they had you know. Yeah, it

0:20:53.960 --> 0:20:56.199
<v Speaker 3>was like blue red you know what I'm saying, Yellow

0:20:56.680 --> 0:20:58.680
<v Speaker 3>everybody just come and get them out of you forget

0:20:58.680 --> 0:21:00.840
<v Speaker 3>to leave your ego, leave your colors behind, and come

0:21:00.920 --> 0:21:04.119
<v Speaker 3>get money. So you know that right there, I got it,

0:21:04.200 --> 0:21:05.840
<v Speaker 3>brought it to James the Bowls and then from there,

0:21:06.000 --> 0:21:11.000
<v Speaker 3>it took its channels to fifty cent, So thank god.

0:21:11.280 --> 0:21:13.760
<v Speaker 3>And Mitch's whole plan was I want to pay taxes

0:21:13.800 --> 0:21:15.639
<v Speaker 3>one to day. He's like, when I get out, I

0:21:15.680 --> 0:21:17.879
<v Speaker 3>want to pay taxes. He's like, I don't want to

0:21:17.920 --> 0:21:20.159
<v Speaker 3>live that life. And so, you know, shout out to

0:21:20.480 --> 0:21:23.800
<v Speaker 3>fifty the Curtis man for making that that come true

0:21:23.880 --> 0:21:28.159
<v Speaker 3>and sending little young young meats to acting school. And

0:21:28.240 --> 0:21:30.640
<v Speaker 3>you know what I mean that was it's been a blessing,

0:21:30.720 --> 0:21:32.399
<v Speaker 3>And thank you fifty cent. You know what I mean,

0:21:32.400 --> 0:21:35.440
<v Speaker 3>because I used to sleep on the floor and be

0:21:35.560 --> 0:21:38.359
<v Speaker 3>a meth like out in out here. You know what

0:21:38.359 --> 0:21:40.320
<v Speaker 3>I'm saying, you know, in the valley. Then we went

0:21:40.359 --> 0:21:42.600
<v Speaker 3>to the Marino Valley, and then you know what I'm saying.

0:21:42.720 --> 0:21:45.280
<v Speaker 3>Then it was a time when they separated. The brothers

0:21:45.280 --> 0:21:48.600
<v Speaker 3>split up in two thousand, two thousand, they split up,

0:21:48.640 --> 0:21:50.760
<v Speaker 3>and Meach was like, whoever come with me, come with me,

0:21:50.800 --> 0:21:52.879
<v Speaker 3>whoever stay with my brother, stay with my brother. And

0:21:53.200 --> 0:21:56.840
<v Speaker 3>I stayed with me, and in my group, I started

0:21:56.840 --> 0:21:59.840
<v Speaker 3>getting real jealous because of my success as a songwriter

0:22:00.000 --> 0:22:03.359
<v Speaker 3>and never started calling me Hollywood. I was never Hollywood, bro.

0:22:03.520 --> 0:22:06.320
<v Speaker 3>I'm you know, I'm still same right now, I got

0:22:06.680 --> 0:22:07.480
<v Speaker 3>you know what I'm saying.

0:22:09.520 --> 0:22:17.480
<v Speaker 6>Shout out to the fact. Yeah no, yeah no. But yeah,

0:22:17.560 --> 0:22:18.320
<v Speaker 6>that was like, you.

0:22:18.280 --> 0:22:20.920
<v Speaker 3>Know, it's hard to write the record. Come on, man,

0:22:21.520 --> 0:22:25.000
<v Speaker 3>ship that's you know, that's a bunch of steps. But nonetheless, man,

0:22:25.080 --> 0:22:28.240
<v Speaker 3>I like being f They they were there for me. Man,

0:22:28.320 --> 0:22:31.080
<v Speaker 3>we were you know, we worked, we did. It took

0:22:31.160 --> 0:22:33.360
<v Speaker 3>a minute. I was like, hey, man, when we gonna record?

0:22:34.080 --> 0:22:36.680
<v Speaker 3>He was like, you'll want to record? He signed the

0:22:36.720 --> 0:22:39.840
<v Speaker 3>record deal with you, so we didn't understand. But we

0:22:39.840 --> 0:22:42.120
<v Speaker 3>were kind of like a like a like a flex

0:22:42.200 --> 0:22:45.120
<v Speaker 3>almost like it was like it was a label. Yeah.

0:22:45.480 --> 0:22:47.719
<v Speaker 3>But I was like, so, wait, when are we gonna record?

0:22:47.760 --> 0:22:51.000
<v Speaker 3>Because I see y'all spending eighty thousand every night in

0:22:51.040 --> 0:22:53.080
<v Speaker 3>the strip club. We go to the strip club. They

0:22:53.119 --> 0:22:55.520
<v Speaker 3>would hand us money and I'd be like, I can't

0:22:55.560 --> 0:23:00.000
<v Speaker 3>really throw this, and I would throw like thirteen dollars.

0:23:00.200 --> 0:23:02.639
<v Speaker 3>I would thirt thirteen singles out of the hunting and

0:23:02.680 --> 0:23:06.360
<v Speaker 3>be like, all right, nobody's gonna notice that. I ain't

0:23:06.400 --> 0:23:08.960
<v Speaker 3>throw my whole hunting. You know what I'm saying? Going

0:23:09.000 --> 0:23:12.800
<v Speaker 3>to my find, Yeah, I'm pocketed. Yeah, I did dedicated.

0:23:13.520 --> 0:23:17.960
<v Speaker 3>I invested thirteen dollars into the dancers. But I just, man,

0:23:18.080 --> 0:23:21.000
<v Speaker 3>they always liked the shout out be a meth man

0:23:21.119 --> 0:23:24.120
<v Speaker 3>and like the image that they tried to paint. They

0:23:24.160 --> 0:23:28.200
<v Speaker 3>weren't violent. You know, everybody protects themselves no matter what

0:23:28.280 --> 0:23:30.000
<v Speaker 3>you know, it doesn't mean you're violent, and they were

0:23:30.040 --> 0:23:33.359
<v Speaker 3>about you know, they were the last you know, ones

0:23:33.400 --> 0:23:35.679
<v Speaker 3>to do it on that level. That brought all of

0:23:35.720 --> 0:23:39.199
<v Speaker 3>our cultures together. Man, like it's dope. It was an

0:23:39.200 --> 0:23:42.359
<v Speaker 3>amazing example of like, even though it was in that world,

0:23:42.440 --> 0:23:44.880
<v Speaker 3>it just showed unity and show how powerful we could

0:23:44.920 --> 0:23:47.639
<v Speaker 3>be if we come together, no matter what kang we're from.

0:23:48.160 --> 0:23:51.439
<v Speaker 3>And I just you know, I'm I'm I'm superly Like,

0:23:51.680 --> 0:23:54.040
<v Speaker 3>I'm really blessed that they were able to turn it

0:23:54.119 --> 0:23:57.240
<v Speaker 3>and fifty cent was able to make that a successful

0:23:57.240 --> 0:23:59.760
<v Speaker 3>show man, just because that was Mich's dream. That was

0:23:59.800 --> 0:24:01.720
<v Speaker 3>all always meet. His dream was like, yo, I want

0:24:01.720 --> 0:24:04.400
<v Speaker 3>to I want to want my story to be told

0:24:04.480 --> 0:24:05.800
<v Speaker 3>the right way, and I want to come out and

0:24:05.840 --> 0:24:08.880
<v Speaker 3>pay taxes. So everything set up for him to do

0:24:09.000 --> 0:24:11.960
<v Speaker 3>just that. Man. So yeah, but that was the part.

0:24:12.119 --> 0:24:14.280
<v Speaker 3>Like we go back to the investment. It was the

0:24:14.320 --> 0:24:17.840
<v Speaker 3>Dope Boys, and I was like, man, you spend man.

0:24:17.840 --> 0:24:20.080
<v Speaker 3>I just seen you spend five hundred thousand in this

0:24:20.160 --> 0:24:23.199
<v Speaker 3>trip club last week. Can we record? And he was

0:24:23.240 --> 0:24:25.440
<v Speaker 3>like yeah, he's like you want to record? I was like, yeah,

0:24:25.440 --> 0:24:29.320
<v Speaker 3>that's where we signed a recording contract with you guys. Right,

0:24:29.840 --> 0:24:31.119
<v Speaker 3>So he was like, all right, set up the studio.

0:24:31.240 --> 0:24:32.879
<v Speaker 3>So where did I go? What did I do? The

0:24:32.920 --> 0:24:36.639
<v Speaker 3>first session we did was Circle House, so I'm the

0:24:36.640 --> 0:24:38.960
<v Speaker 3>first ones to bring being met down the Circle House

0:24:39.000 --> 0:24:42.440
<v Speaker 3>and then we booked it. Then that's when I never forget.

0:24:43.160 --> 0:24:44.600
<v Speaker 3>Diddy was there and he was walking. He was like,

0:24:44.600 --> 0:24:46.120
<v Speaker 3>hey man, you liked the studio. I was like, it's

0:24:46.119 --> 0:24:48.480
<v Speaker 3>the only mind you said. Circle House was my first

0:24:48.480 --> 0:24:51.280
<v Speaker 3>session studio ever worked at. When I was twelve years old.

0:24:51.520 --> 0:24:54.760
<v Speaker 3>We mixed down that music from Young Harmony at the

0:24:54.760 --> 0:24:57.479
<v Speaker 3>Circle House. So I was there in ninety two too,

0:24:57.760 --> 0:25:01.600
<v Speaker 3>to Miami too. Well yeah, Michael with Michael Jackson with

0:25:01.760 --> 0:25:03.760
<v Speaker 3>Jungle Juice took us to Miami to mix with Lewis

0:25:03.800 --> 0:25:08.440
<v Speaker 3>DS who discovered pit Bull, Yes, Louis d Yes Brothers. Yes.

0:25:08.520 --> 0:25:11.320
<v Speaker 3>So he mixed down my first single. He mixed down

0:25:11.359 --> 0:25:13.320
<v Speaker 3>our first single when I was twelve, nineteen ninety two.

0:25:13.720 --> 0:25:15.679
<v Speaker 3>It was it was just mango trees and rock wellers

0:25:15.720 --> 0:25:18.680
<v Speaker 3>back there. No pool no, no no house like pool House.

0:25:19.400 --> 0:25:22.479
<v Speaker 3>So I talked niche in the like letting us go

0:25:22.640 --> 0:25:25.560
<v Speaker 3>record there. So I booked the tour bus, I bought

0:25:25.600 --> 0:25:29.960
<v Speaker 3>the study sessions, and then from there that's when I realized, like, man,

0:25:30.000 --> 0:25:34.280
<v Speaker 3>we might we might be up front. I was like,

0:25:34.560 --> 0:25:38.760
<v Speaker 3>when you realize, yeah, I was like, I don't think

0:25:38.800 --> 0:25:42.159
<v Speaker 3>we ever coming out. I was like, I think we

0:25:42.440 --> 0:25:44.439
<v Speaker 3>just looked good and they'd be like, I got a

0:25:44.480 --> 0:25:48.440
<v Speaker 3>group there, Blue Daventure was rapping. You know what I'm saying.

0:25:48.560 --> 0:25:52.160
<v Speaker 3>I'm like, maybe we never coming out. Yeah, And then

0:25:52.280 --> 0:25:54.920
<v Speaker 3>all the you know, all the indictments started, and that's

0:25:54.920 --> 0:25:57.199
<v Speaker 3>when me was like, look, man, he always told me

0:25:57.240 --> 0:25:58.920
<v Speaker 3>this throughout the years, like we're all going to jail,

0:25:58.920 --> 0:26:01.800
<v Speaker 3>except for you. Ended up getting their time. Everybody got

0:26:01.800 --> 0:26:04.000
<v Speaker 3>their time, and you know, dude should be getting home

0:26:04.080 --> 0:26:07.600
<v Speaker 3>and uh in a few months. So that's a blessing.

0:26:07.640 --> 0:26:10.560
<v Speaker 3>And when he comes home, he's gonna come home exactly

0:26:10.560 --> 0:26:12.600
<v Speaker 3>the way he wanted to, with you know, his story

0:26:12.680 --> 0:26:15.080
<v Speaker 3>being out there and him being able to pay some

0:26:15.119 --> 0:26:32.040
<v Speaker 3>taxes as a publisher at the time.

0:26:32.080 --> 0:26:36.320
<v Speaker 4>Ethiopia is like yo, Pool Beard he called is.

0:26:37.359 --> 0:26:41.080
<v Speaker 3>What happy birthday? I never knew you felt like that

0:26:41.119 --> 0:26:43.200
<v Speaker 3>about me. Thank you from about on my heart, No

0:26:43.320 --> 0:26:43.920
<v Speaker 3>for real, bro.

0:26:44.200 --> 0:26:47.920
<v Speaker 5>And when she started mentioning him one twelve records, I'm like, oh, yeah,

0:26:48.040 --> 0:26:51.199
<v Speaker 5>I do whatever session, Oh wow, because those are my

0:26:51.200 --> 0:26:55.720
<v Speaker 5>commercials as young niggas, like one twelve Jagget Edge, what

0:26:55.840 --> 0:26:56.560
<v Speaker 5>they were on.

0:26:57.359 --> 0:26:58.840
<v Speaker 3>It was speaking to all of us.

0:26:59.200 --> 0:27:02.439
<v Speaker 5>And to find out that someone our age also was

0:27:02.480 --> 0:27:05.520
<v Speaker 5>writing those songs, it was like, oh yeah, no, no, no,

0:27:06.080 --> 0:27:06.959
<v Speaker 5>set that shu it up.

0:27:07.240 --> 0:27:10.080
<v Speaker 3>Wow man, you know what I mean. I had a

0:27:10.119 --> 0:27:12.199
<v Speaker 3>head started. I was locked in the studio at twelve,

0:27:12.240 --> 0:27:14.560
<v Speaker 3>like they used to lock me in. So I think

0:27:14.560 --> 0:27:16.400
<v Speaker 3>I had a lot to do it, you know, being

0:27:16.400 --> 0:27:17.760
<v Speaker 3>able to do those you was gonna get your ten

0:27:17.840 --> 0:27:22.840
<v Speaker 3>thousand hours no matter what. Yeah, yeah, yep. It locked

0:27:22.840 --> 0:27:26.040
<v Speaker 3>me in. So so what do you now? You got

0:27:26.080 --> 0:27:26.760
<v Speaker 3>these records?

0:27:26.840 --> 0:27:29.880
<v Speaker 5>Yep, you've done the artist thing a little bit, you dabbling.

0:27:30.600 --> 0:27:31.879
<v Speaker 3>At that point, I made in my mind that I

0:27:31.880 --> 0:27:34.080
<v Speaker 3>didn't want to sing. That's when that happened. Yeah, because

0:27:34.119 --> 0:27:35.800
<v Speaker 3>I'm like I'm making All I wanted to do is

0:27:35.840 --> 0:27:38.680
<v Speaker 3>buy my mom my house with my grandmama after hood.

0:27:39.240 --> 0:27:43.080
<v Speaker 3>So thank god I turned nineteen and I did those records,

0:27:43.400 --> 0:27:46.560
<v Speaker 3>and then my cousin was like, look, you're gonna do

0:27:46.560 --> 0:27:48.440
<v Speaker 3>a co pubs in deal, but wait till you got

0:27:48.440 --> 0:27:51.600
<v Speaker 3>two number one. So when Peaches of Cream came out,

0:27:51.800 --> 0:27:54.000
<v Speaker 3>that was my second number one. I was nineteen and

0:27:54.040 --> 0:27:55.639
<v Speaker 3>I did a pub I didn't anything. It is the

0:27:55.640 --> 0:27:58.040
<v Speaker 3>first number one anywhere was R and B up on

0:27:58.080 --> 0:27:59.879
<v Speaker 3>the R and B charts, yep, yep, and then Peaches

0:28:00.440 --> 0:28:01.399
<v Speaker 3>on the R and B charts.

0:28:01.480 --> 0:28:02.320
<v Speaker 2>So you walked in.

0:28:03.840 --> 0:28:05.640
<v Speaker 3>I was so crazy because I was with La Read

0:28:05.760 --> 0:28:07.560
<v Speaker 3>yesterday and I'm like, bro, you gave me my first

0:28:07.600 --> 0:28:09.720
<v Speaker 3>publishing deal when I was like nineteen years old. You

0:28:09.720 --> 0:28:10.880
<v Speaker 3>gave my first six figure check.

0:28:11.119 --> 0:28:11.879
<v Speaker 2>You walked in.

0:28:12.280 --> 0:28:16.120
<v Speaker 3>Yeah, and what year is this, uh ninety.

0:28:15.960 --> 0:28:27.760
<v Speaker 1>Nine with two number one? Yeah at that time, yeah, yeah,

0:28:27.880 --> 0:28:31.400
<v Speaker 1>And I can only imagine.

0:28:30.400 --> 0:28:32.400
<v Speaker 5>You know, And they were already popping that ship about

0:28:32.440 --> 0:28:34.160
<v Speaker 5>you though, bro, Like this is the other part, right,

0:28:34.200 --> 0:28:40.320
<v Speaker 5>because who was popping shit? Billy Callaway, Billy Stewarts and

0:28:40.600 --> 0:28:42.600
<v Speaker 5>sure like, because you know it was this is all

0:28:42.680 --> 0:28:47.320
<v Speaker 5>family for me, Like sorry, that's bad, so for like everybody,

0:28:47.520 --> 0:28:49.280
<v Speaker 5>And that's the thing that most of the writers and

0:28:49.400 --> 0:28:52.959
<v Speaker 5>artists don't know. Sometimes the people that are cheerleading for

0:28:53.040 --> 0:28:55.440
<v Speaker 5>you and that I'm pushing. I never knew to the

0:28:55.440 --> 0:28:57.400
<v Speaker 5>rest of the industry, you know what I'm saying, because

0:28:57.440 --> 0:28:58.360
<v Speaker 5>like you said, you're keeping.

0:28:58.120 --> 0:29:00.000
<v Speaker 3>Your head down, you work, you're working. I never knew.

0:29:00.120 --> 0:29:04.240
<v Speaker 5>But these people who I if they said somebody was gold, Yeah,

0:29:04.440 --> 0:29:07.280
<v Speaker 5>they was gold to make go right. So all of

0:29:07.320 --> 0:29:09.520
<v Speaker 5>these people are already like yo, poop and poop and

0:29:09.520 --> 0:29:12.800
<v Speaker 5>poop by bro your name Wow, it was moving wow.

0:29:13.160 --> 0:29:16.000
<v Speaker 3>And that was dead. That was ninety nine, two thousand. Yeah. Yeah,

0:29:16.080 --> 0:29:18.440
<v Speaker 3>Now you do to deal with hiccough. I I did

0:29:18.480 --> 0:29:20.960
<v Speaker 3>my first deal with Hiccolls telling Eli read yesterday, I

0:29:21.000 --> 0:29:22.800
<v Speaker 3>was like, man, thank you man for believing in me.

0:29:23.000 --> 0:29:25.280
<v Speaker 3>You know, that was my first deal. And I was

0:29:25.320 --> 0:29:28.600
<v Speaker 3>able then to go and move my mom and grandma

0:29:28.640 --> 0:29:31.320
<v Speaker 3>out of that that two bedroom apartment and move him

0:29:31.320 --> 0:29:33.520
<v Speaker 3>into a house in tenth on the tenth course, tenth

0:29:33.560 --> 0:29:36.480
<v Speaker 3>hold of a golf course. Yeah, and I've never did

0:29:36.520 --> 0:29:39.520
<v Speaker 3>my grandma. I never forget moving her, was putting her

0:29:39.520 --> 0:29:41.000
<v Speaker 3>a little in her bed. I put a boy the

0:29:41.040 --> 0:29:43.160
<v Speaker 3>hospital bed, moved it right in there because I refused

0:29:43.160 --> 0:29:45.760
<v Speaker 3>to put anybody in an old folks home or retirement

0:29:45.800 --> 0:29:48.520
<v Speaker 3>whatever that was called. And I put her right looking

0:29:48.560 --> 0:29:50.760
<v Speaker 3>at the lake on the tenth hole of a golf course.

0:29:50.920 --> 0:29:53.520
<v Speaker 3>And then I was like, I told you, and she

0:29:53.680 --> 0:29:57.520
<v Speaker 3>was just like dying. But she died in that house.

0:29:57.560 --> 0:30:00.520
<v Speaker 3>She got a chance to see my hard work, me

0:30:00.720 --> 0:30:03.800
<v Speaker 3>standing out all night, sleeping on the floor, me telling

0:30:03.800 --> 0:30:05.600
<v Speaker 3>her like, I'm gonna move us out of here. She

0:30:05.720 --> 0:30:07.600
<v Speaker 3>got to see it happen. So for me, that was

0:30:07.640 --> 0:30:10.560
<v Speaker 3>like I never really cared about being famous or none

0:30:10.560 --> 0:30:11.920
<v Speaker 3>of that. I just wouldn't buy my mind as wanted

0:30:11.920 --> 0:30:13.560
<v Speaker 3>to move my mom and my grandma out the hood.

0:30:13.560 --> 0:30:16.680
<v Speaker 3>But that's amazing, bro. So that was my whole thing.

0:30:16.720 --> 0:30:18.320
<v Speaker 3>So once I did that, I was like, okay, so

0:30:18.440 --> 0:30:22.000
<v Speaker 3>now it's my new tribe right now what drives me now?

0:30:22.080 --> 0:30:25.000
<v Speaker 3>And it was just like they just don't. People don't

0:30:25.000 --> 0:30:26.960
<v Speaker 3>think I could do it again. And it turned into

0:30:27.560 --> 0:30:29.440
<v Speaker 3>I just got to prove this to myself that I

0:30:29.440 --> 0:30:32.640
<v Speaker 3>could do it again. Because the average lifespan of a

0:30:32.680 --> 0:30:35.720
<v Speaker 3>writer is two years. Producer writers two years. You get

0:30:35.720 --> 0:30:39.720
<v Speaker 3>it hit, you get hot, everybody cheerleads you, then you

0:30:39.760 --> 0:30:41.560
<v Speaker 3>start celebrating, you get caught up in it. But it's

0:30:41.560 --> 0:30:43.640
<v Speaker 3>somebody else working twice as hard as you, and they

0:30:43.640 --> 0:30:47.160
<v Speaker 3>come out with two hits. Now their sound is popping,

0:30:47.760 --> 0:30:50.040
<v Speaker 3>and you're done forever. So in my mind I was like,

0:30:50.160 --> 0:30:51.680
<v Speaker 3>I don't want to be done forever. And I always

0:30:51.720 --> 0:30:55.240
<v Speaker 3>had this fear of like what happens if my sound go?

0:30:55.560 --> 0:30:58.520
<v Speaker 3>And I didn't even realize that I was creating a sound.

0:30:58.960 --> 0:31:02.000
<v Speaker 3>I wasn't allowed to listen to secular music as a kid,

0:31:02.200 --> 0:31:06.240
<v Speaker 3>So that's why you can't compare my songs to anything

0:31:06.520 --> 0:31:09.840
<v Speaker 3>like you can't what the peaches and cream sound like nothing?

0:31:10.000 --> 0:31:13.120
<v Speaker 3>But it anywhere sound like nothing? What does? What? Where

0:31:13.160 --> 0:31:15.200
<v Speaker 3>are you now that I need you? Sound like nothing?

0:31:15.280 --> 0:31:18.320
<v Speaker 3>So and that happened because I wasn't allowed to listen

0:31:18.400 --> 0:31:20.760
<v Speaker 3>to secular music. So I wasn't I had zero influence.

0:31:20.960 --> 0:31:23.360
<v Speaker 3>I was allowed to listen to trumpet Christian trumpet music

0:31:23.360 --> 0:31:26.040
<v Speaker 3>by a guy named Phil Drisco. He was a trumpeteer

0:31:26.440 --> 0:31:29.720
<v Speaker 3>and so Christian Christian trumpet music that was all I

0:31:29.720 --> 0:31:31.800
<v Speaker 3>was allowed to listen to. That was the thing because

0:31:31.800 --> 0:31:33.400
<v Speaker 3>I ended up playing the trumpet in the market in

0:31:33.400 --> 0:31:34.880
<v Speaker 3>the band from a church kid.

0:31:36.000 --> 0:31:39.080
<v Speaker 4>So you understand you've never heard of Christian trumph.

0:31:40.000 --> 0:31:42.040
<v Speaker 3>Yeah, Phil Drisco. Look him up. He's still out right

0:31:42.040 --> 0:31:44.560
<v Speaker 3>now playing trump He got be like a hundred, but

0:31:44.600 --> 0:31:47.880
<v Speaker 3>he playing the trumpet, Bill Drisco. He made me, And

0:31:47.920 --> 0:31:50.200
<v Speaker 3>of course I ended up playing the trumpet in the

0:31:50.240 --> 0:31:52.800
<v Speaker 3>concert band, playing trumpet in the marching band. So but

0:31:52.880 --> 0:31:55.120
<v Speaker 3>it was because of my influence that was all I

0:31:55.160 --> 0:31:56.880
<v Speaker 3>was allowed to hear. So when I was going to

0:31:56.880 --> 0:31:59.480
<v Speaker 3>the studio to make songs, they sound.

0:31:59.320 --> 0:32:01.400
<v Speaker 4>It didn't sound like nothing else.

0:32:01.720 --> 0:32:03.960
<v Speaker 3>So in my mind, I'm like, this is garbage, you

0:32:04.000 --> 0:32:05.440
<v Speaker 3>know what I'm saying. So I was like, spend a

0:32:05.560 --> 0:32:08.920
<v Speaker 3>year I thought I was garbage because I couldn't make

0:32:08.960 --> 0:32:12.880
<v Speaker 3>a song that reminded us. And that's how people still

0:32:12.880 --> 0:32:14.880
<v Speaker 3>to this day. Most people they don't realize that they're

0:32:14.920 --> 0:32:17.160
<v Speaker 3>doing this, but when they listen to a song, they're

0:32:17.320 --> 0:32:20.480
<v Speaker 3>subliminally comparing it to something else and in order for

0:32:20.480 --> 0:32:23.160
<v Speaker 3>them to be like I love That's like why it

0:32:23.160 --> 0:32:26.120
<v Speaker 3>made me feel like that Marvin Garrol made me feel

0:32:26.440 --> 0:32:29.560
<v Speaker 3>so knowing that it made it. It was that much

0:32:29.680 --> 0:32:33.560
<v Speaker 3>of an uphill battle because I had zero influence. It

0:32:33.640 --> 0:32:36.000
<v Speaker 3>helped me in the law room from lawsuits because nobody

0:32:36.000 --> 0:32:37.720
<v Speaker 3>can ever say I stole that melodies because it's all

0:32:37.720 --> 0:32:40.600
<v Speaker 3>my own I created my own melodies. But at the time,

0:32:40.760 --> 0:32:42.520
<v Speaker 3>I was like, I suck, and I was like, I

0:32:42.560 --> 0:32:44.120
<v Speaker 3>just got to keep getting this garbage out of my

0:32:44.160 --> 0:32:48.240
<v Speaker 3>system because eventually something good is gonna come. Nothing good

0:32:48.280 --> 0:32:51.360
<v Speaker 3>really came. One twelfth Duran Jones started to believe in

0:32:51.400 --> 0:32:53.720
<v Speaker 3>me and he was like, nah, bro, you're good. I

0:32:53.800 --> 0:32:56.480
<v Speaker 3>was like, nah, man, it's like this sucks. And then

0:32:56.520 --> 0:32:59.720
<v Speaker 3>that's where we can do it anywhere. Pink Love is

0:32:59.720 --> 0:33:02.000
<v Speaker 3>such a crazy thing on that album when she was Burgundy,

0:33:02.400 --> 0:33:04.480
<v Speaker 3>and it gave me enough hope and I was like, well,

0:33:04.520 --> 0:33:06.760
<v Speaker 3>maybe they just tell me that because they're nice man.

0:33:06.880 --> 0:33:09.000
<v Speaker 3>Like nah, And then we worked on They brought me

0:33:09.040 --> 0:33:12.640
<v Speaker 3>on tour. I didn't graduate from high school. I went

0:33:12.680 --> 0:33:14.920
<v Speaker 3>they used me, Bro. I was singing all God bless

0:33:14.920 --> 0:33:16.880
<v Speaker 3>a child every day for everybody. You know how they

0:33:17.000 --> 0:33:20.480
<v Speaker 3>used you to be the representation for anybody. Then I

0:33:20.520 --> 0:33:22.480
<v Speaker 3>get to the twelfth grade. Mind you, I had already

0:33:22.480 --> 0:33:25.280
<v Speaker 3>made a pe in summer school in the eleventh grade. Yeah,

0:33:25.280 --> 0:33:27.440
<v Speaker 3>so in my mind I got to hit record already.

0:33:27.480 --> 0:33:30.880
<v Speaker 3>I ain't tell anybody that knows nah, but one twelve

0:33:30.960 --> 0:33:32.440
<v Speaker 3>used to pick me up, like each one of them

0:33:32.480 --> 0:33:33.760
<v Speaker 3>used to come and pick me up in school and

0:33:33.760 --> 0:33:35.680
<v Speaker 3>they'd be like, hey, man, I think I seen Slim

0:33:35.680 --> 0:33:38.920
<v Speaker 3>pick you up yesterday. I was like probably. And then

0:33:38.920 --> 0:33:40.640
<v Speaker 3>I had a bad boy jacket. You remember the bad

0:33:40.640 --> 0:33:43.480
<v Speaker 3>boy jacket with the baby. I had one. You know

0:33:43.520 --> 0:33:45.160
<v Speaker 3>what I'm saying. So you and school with a.

0:33:45.400 --> 0:33:47.840
<v Speaker 4>Boy they let her by one twelve.

0:33:47.960 --> 0:33:49.960
<v Speaker 3>Yeah, yeah, and I still didn't tell you by because

0:33:49.960 --> 0:33:52.000
<v Speaker 3>I didn't want any of anybody to feel like I

0:33:52.080 --> 0:33:54.440
<v Speaker 3>thought I was all that because I had a song

0:33:54.440 --> 0:33:56.960
<v Speaker 3>on the radio. Yeah. Now, my science teacher, mister Block,

0:33:57.400 --> 0:33:59.880
<v Speaker 3>rest in peace. I guess he used to tell me

0:34:01.760 --> 0:34:04.240
<v Speaker 3>you suck. He used to say this verbatim. He's like,

0:34:04.480 --> 0:34:06.959
<v Speaker 3>mister boyd, I need you to start paying attention in

0:34:06.960 --> 0:34:10.600
<v Speaker 3>my class because you only one percent people make it

0:34:10.600 --> 0:34:12.840
<v Speaker 3>in the music business, and you're not that one percent.

0:34:13.200 --> 0:34:15.160
<v Speaker 3>And he told me that to this. Why you said

0:34:15.200 --> 0:34:19.600
<v Speaker 3>western piece, I guess because that's because as he's saying

0:34:19.600 --> 0:34:23.040
<v Speaker 3>that to me, anywhere was in heavy rotation. Every hour.

0:34:23.320 --> 0:34:24.719
<v Speaker 3>I could have told him to be like yo if

0:34:24.719 --> 0:34:26.719
<v Speaker 3>he turned on B one on three right now, yeah

0:34:26.840 --> 0:34:29.040
<v Speaker 3>here anywhere, because it was every hour. You don't know this,

0:34:29.320 --> 0:34:31.000
<v Speaker 3>and I'm like, I'm not it's not me. It's not

0:34:31.040 --> 0:34:34.799
<v Speaker 3>in my place to say this, but all right, I'd

0:34:34.840 --> 0:34:36.959
<v Speaker 3>already been. I had already became the one percent while

0:34:36.960 --> 0:34:38.880
<v Speaker 3>I was in school. I had I had a record

0:34:38.920 --> 0:34:41.760
<v Speaker 3>on the radio and heavy rotation. I got ask captain

0:34:41.760 --> 0:34:43.040
<v Speaker 3>words when I was in high school. You know what

0:34:43.040 --> 0:34:45.279
<v Speaker 3>I'm saying. So he was saying this. And I never

0:34:45.360 --> 0:34:47.719
<v Speaker 3>told anybody because I didn't want anybody to feel uncomfortable.

0:34:47.719 --> 0:34:50.239
<v Speaker 3>Because I had some success at a young age, I

0:34:50.320 --> 0:34:53.160
<v Speaker 3>kept with a secret. Nobody still nobody knew until like

0:34:53.239 --> 0:34:55.319
<v Speaker 3>later on, and people just found out, but I never

0:34:55.440 --> 0:34:57.960
<v Speaker 3>It wasn't a thing. It wasn't like the rumor in school,

0:34:58.000 --> 0:35:01.680
<v Speaker 3>like oh Pooper did that anywhere. So I never told anybody,

0:35:01.760 --> 0:35:03.920
<v Speaker 3>and I just wanted to keep it a secret. And

0:35:03.960 --> 0:35:05.640
<v Speaker 3>I really just wanted to buy my mama house. Like

0:35:05.680 --> 0:35:07.440
<v Speaker 3>I wasn't doing it for any other reason.

0:35:08.080 --> 0:35:15.000
<v Speaker 5>But I would have up in the bad Boy take that,

0:35:15.040 --> 0:35:18.000
<v Speaker 5>Take that yeah, yeah, yeah yeah, bad Boy.

0:35:18.280 --> 0:35:26.480
<v Speaker 2>Bring my Concubine the writer of records.

0:35:25.040 --> 0:35:29.839
<v Speaker 3>Solemn Yeah, but that like that was like, man, I

0:35:29.920 --> 0:35:33.040
<v Speaker 3>definitely nineteen twenty. I wasn't so I was making songs

0:35:33.080 --> 0:35:36.080
<v Speaker 3>that when I was doing them, it was so hard

0:35:36.080 --> 0:35:39.160
<v Speaker 3>to place them. We know as songwriters, Like I used

0:35:39.200 --> 0:35:42.279
<v Speaker 3>to try to write songs for artists, but then I

0:35:42.280 --> 0:35:45.080
<v Speaker 3>would make songs for myself because I always pretended to

0:35:45.120 --> 0:35:47.840
<v Speaker 3>be an artist. So when I would play the songs

0:35:47.840 --> 0:35:50.040
<v Speaker 3>that I wrote for artists, they would be like, nah,

0:35:50.040 --> 0:35:52.400
<v Speaker 3>what else you got it? Then when I play my

0:35:52.640 --> 0:35:54.719
<v Speaker 3>songs like I want all of those, I want I

0:35:54.760 --> 0:35:57.200
<v Speaker 3>want all that. Yeah, I'm like, why don't they want

0:35:57.239 --> 0:36:00.160
<v Speaker 3>the sh I'm writing for them? And really I figured out,

0:36:00.200 --> 0:36:02.680
<v Speaker 3>like artists, they don't want what they already sound like.

0:36:03.560 --> 0:36:10.040
<v Speaker 3>And yeah, here's a here's a fact.

0:36:10.080 --> 0:36:10.560
<v Speaker 2>Here's a fact.

0:36:10.600 --> 0:36:13.480
<v Speaker 3>Guys, as a writer, when you're going in, you know

0:36:13.640 --> 0:36:16.080
<v Speaker 3>you grew up hearing these artists, you don't really want

0:36:16.120 --> 0:36:18.399
<v Speaker 3>to study what they're working on, what they're doing, because

0:36:18.400 --> 0:36:21.719
<v Speaker 3>they did that already. So what I've learned is they

0:36:21.760 --> 0:36:25.520
<v Speaker 3>want what you would do for yourself. They don't want

0:36:25.560 --> 0:36:28.160
<v Speaker 3>what you think they would have done on their last album,

0:36:28.160 --> 0:36:30.040
<v Speaker 3>because that was their last album. So even if that

0:36:30.280 --> 0:36:32.640
<v Speaker 3>was a sound, it's they don't want to go for

0:36:32.680 --> 0:36:34.920
<v Speaker 3>that same sound on the next solum. So the secret

0:36:35.000 --> 0:36:37.960
<v Speaker 3>is make music for yourself. Write songs for yourself that

0:36:38.200 --> 0:36:41.719
<v Speaker 3>you love and hopes that they can resonate with that.

0:36:42.080 --> 0:36:44.839
<v Speaker 3>Don't try to make songs for the artists unless you're

0:36:44.880 --> 0:36:48.040
<v Speaker 3>with them every day and you know they're going through heartbreak,

0:36:48.120 --> 0:36:51.600
<v Speaker 3>you know they're in love, you know their story. You

0:36:51.640 --> 0:36:54.120
<v Speaker 3>can't really you're just getting in a car and driving

0:36:54.239 --> 0:36:58.000
<v Speaker 3>without having actual address to put in the in the ways.

0:36:58.640 --> 0:37:01.719
<v Speaker 3>So the ways, the actual address is the concept, that's

0:37:01.760 --> 0:37:04.160
<v Speaker 3>the idea, you know, ways to take you through the hood.

0:37:04.320 --> 0:37:06.399
<v Speaker 3>They take you to the hood because now they're trying

0:37:06.400 --> 0:37:08.719
<v Speaker 3>to get you to buy stuff. They're advertising pop Eyes.

0:37:08.760 --> 0:37:09.719
<v Speaker 3>You know what I'm saying. They're like, you know you

0:37:09.719 --> 0:37:12.839
<v Speaker 3>can start know you're hungry. Yeah, out the way. It's

0:37:12.920 --> 0:37:15.040
<v Speaker 3>not the greatest in Miami. Might have had you in

0:37:15.080 --> 0:37:15.920
<v Speaker 3>the hood of Miami.

0:37:16.320 --> 0:37:18.399
<v Speaker 5>It took me to some dad Is and I'm like,

0:37:18.400 --> 0:37:19.960
<v Speaker 5>oh man, let me go ahead and.

0:37:19.960 --> 0:37:24.760
<v Speaker 3>Grab this pistol, get about it. Oh yeah, yeah, good ways.

0:37:25.000 --> 0:37:28.520
<v Speaker 3>But now make records for yourself, man, because like you think,

0:37:28.520 --> 0:37:31.400
<v Speaker 3>you're writing songs for what they what you like, what

0:37:31.440 --> 0:37:33.799
<v Speaker 3>you're used to hearing, and they want what's next. They

0:37:33.840 --> 0:37:35.799
<v Speaker 3>don't want what they did already. So I learned that

0:37:36.160 --> 0:37:38.560
<v Speaker 3>with Usher, I learned that with Chris Brown. I learned

0:37:38.560 --> 0:37:41.360
<v Speaker 3>that with Justin Biebers, Like anytime I play songs that

0:37:41.440 --> 0:37:44.080
<v Speaker 3>I think would be for them, they're like no, no, no,

0:37:44.239 --> 0:37:46.600
<v Speaker 3>like quickly, and then I play. I'm like, well, I'm

0:37:46.640 --> 0:37:48.440
<v Speaker 3>just playing something I've been working on and I'm like

0:37:48.960 --> 0:37:51.719
<v Speaker 3>I want I love that, And I'm like, but that's

0:37:51.760 --> 0:37:54.120
<v Speaker 3>too mature for you, and they're like, no, that's where

0:37:54.120 --> 0:37:59.680
<v Speaker 3>we want to go. That's mine. Yeah, my rug, but

0:37:59.760 --> 0:38:02.560
<v Speaker 3>you I had a song on the radio that this

0:38:02.600 --> 0:38:04.960
<v Speaker 3>is how humble I am. I had a song on

0:38:05.000 --> 0:38:10.120
<v Speaker 3>the radio that was heating up called Alone, and I

0:38:10.280 --> 0:38:13.600
<v Speaker 3>never forget. I just met Justin and you know, I

0:38:13.640 --> 0:38:18.320
<v Speaker 3>wrote something called Recovery and and he absolutely he heard Alone.

0:38:18.520 --> 0:38:21.560
<v Speaker 3>He was like, what's that. I was like, that's my song,

0:38:21.600 --> 0:38:23.120
<v Speaker 3>but it's on the radio right now. He was like, yeah,

0:38:23.120 --> 0:38:25.319
<v Speaker 3>I don't care about that.

0:38:25.400 --> 0:38:28.440
<v Speaker 4>What you mean that is a superstar comment here.

0:38:28.600 --> 0:38:30.880
<v Speaker 3>I was like no, I'm like, it's actually out, it's growing,

0:38:30.920 --> 0:38:33.640
<v Speaker 3>you know what I'm saying. It's building momental Yeah, yeah,

0:38:33.680 --> 0:38:38.839
<v Speaker 3>it's like, how can I say this to understand my heart? Yeah?

0:38:39.040 --> 0:38:43.319
<v Speaker 3>My heart is this, Yes, get bigger? You know. It

0:38:43.360 --> 0:38:45.359
<v Speaker 3>didn't matter. And then and then I was in my mind,

0:38:45.400 --> 0:38:47.799
<v Speaker 3>I was like what but really, I'm a songwriter, and

0:38:47.840 --> 0:38:51.239
<v Speaker 3>I always just kept bringing myself back to I do

0:38:51.280 --> 0:38:53.320
<v Speaker 3>this so I can help provide a better life for

0:38:53.400 --> 0:38:57.440
<v Speaker 3>my family. And I'm like, man, you know what, you

0:38:57.480 --> 0:38:59.919
<v Speaker 3>can have it. So I gave him the record while

0:39:00.080 --> 0:39:01.880
<v Speaker 3>it was on while my version was on the radio,

0:39:01.960 --> 0:39:04.080
<v Speaker 3>and they went on the internet. They scrubbed it down,

0:39:04.200 --> 0:39:05.960
<v Speaker 3>they put down. The crazy part is you can still

0:39:06.000 --> 0:39:09.560
<v Speaker 3>find my version on YouTube, which is crazy, but they

0:39:09.680 --> 0:39:12.680
<v Speaker 3>literally took it off and then he cut it. And

0:39:12.680 --> 0:39:14.840
<v Speaker 3>that was like me understanding, like, you know what, this

0:39:14.920 --> 0:39:17.319
<v Speaker 3>is not about me, man, It's about me getting my

0:39:17.400 --> 0:39:21.000
<v Speaker 3>songs out there and getting my melodies and being able

0:39:21.000 --> 0:39:22.080
<v Speaker 3>to elevate my family.

0:39:22.160 --> 0:39:22.359
<v Speaker 1>Man.

0:39:22.400 --> 0:39:24.520
<v Speaker 3>And then if it's meant if I'm supposed to be

0:39:24.520 --> 0:39:28.360
<v Speaker 3>a singer and shy like I willingly, it'll happen. But

0:39:28.440 --> 0:39:32.480
<v Speaker 3>right now I want to I'm here. And I started

0:39:32.480 --> 0:39:33.719
<v Speaker 3>going through the rest of my album and then he

0:39:33.719 --> 0:39:36.640
<v Speaker 3>wanted certain songs. I was like, that's too that's nasty,

0:39:36.680 --> 0:39:39.640
<v Speaker 3>that's perverted. So then I have to think, like, instead

0:39:39.640 --> 0:39:41.560
<v Speaker 3>of saying grip tight, we all know what the grip

0:39:41.560 --> 0:39:45.279
<v Speaker 3>tight is, I was like, hold tight. So then grip

0:39:45.320 --> 0:39:48.360
<v Speaker 3>type became that hold on tight. Now I could be

0:39:48.360 --> 0:39:50.759
<v Speaker 3>a hug knowing what it really is on the double

0:39:50.800 --> 0:39:54.480
<v Speaker 3>ontang grip. So I started going in and he was

0:39:54.520 --> 0:39:56.080
<v Speaker 3>like I want that. I was like, well, maybe I'll

0:39:56.120 --> 0:40:00.120
<v Speaker 3>just started pging all of my braided R songs. And

0:40:00.160 --> 0:40:04.960
<v Speaker 3>that's where journals came from.

0:40:04.960 --> 0:40:13.200
<v Speaker 5>Those are like, yeah, you've given a real lesson and

0:40:13.280 --> 0:40:17.200
<v Speaker 5>a real manuscript to young songwriters.

0:40:17.320 --> 0:40:18.160
<v Speaker 3>Yeah, man, and have it.

0:40:18.480 --> 0:40:21.160
<v Speaker 5>I for one having an understanding that as a as

0:40:21.200 --> 0:40:23.799
<v Speaker 5>a songwriter, that's what you're doing. You got to be

0:40:23.800 --> 0:40:27.440
<v Speaker 5>of service. Yes, you got to. You gotta take your

0:40:27.440 --> 0:40:28.080
<v Speaker 5>ego out of it.

0:40:28.120 --> 0:40:30.000
<v Speaker 3>Take an ego out of it. What is that artist? So?

0:40:30.000 --> 0:40:30.520
<v Speaker 3>What is said?

0:40:30.600 --> 0:40:34.600
<v Speaker 4>Artists need yep yep to for all of us to

0:40:34.640 --> 0:40:36.719
<v Speaker 4>succeed in this thing. Yes, and for me to take

0:40:36.760 --> 0:40:37.640
<v Speaker 4>care of my family.

0:40:37.840 --> 0:40:39.880
<v Speaker 3>That's what we're doing it for. I mean, you know,

0:40:40.040 --> 0:40:41.880
<v Speaker 3>some people want to do it to be famous. I

0:40:41.960 --> 0:40:44.440
<v Speaker 3>never really, I never wrote songs to become famous. It

0:40:44.480 --> 0:40:47.600
<v Speaker 3>was literally to create a better lifestyle. You know, I

0:40:47.680 --> 0:40:52.160
<v Speaker 3>understood throughout the years the importance of having a platform.

0:40:52.239 --> 0:40:54.600
<v Speaker 3>You know what I'm saying, understand jumping on in the video.

0:40:54.680 --> 0:40:57.440
<v Speaker 3>I understood that later on, like why it was important

0:40:57.480 --> 0:41:01.000
<v Speaker 3>for creatives to put themselves out there with the world.

0:41:01.440 --> 0:41:04.200
<v Speaker 3>It became a thing. Yeah, when the producer became the star.

0:41:05.239 --> 0:41:08.839
<v Speaker 2>Before that, you had had your head down long.

0:41:09.000 --> 0:41:09.200
<v Speaker 3>Yeah.

0:41:09.280 --> 0:41:12.440
<v Speaker 2>Yeah, and I didn't tell I was about was due.

0:41:12.760 --> 0:41:15.600
<v Speaker 3>It was and it was you know, I mean years

0:41:15.600 --> 0:41:16.479
<v Speaker 3>and years and years.

0:41:16.560 --> 0:41:16.719
<v Speaker 7>Yeah.

0:41:16.719 --> 0:41:19.719
<v Speaker 3>I worked. Yeah, I mean I went, you know, with Draymondow.

0:41:19.760 --> 0:41:22.399
<v Speaker 3>They kidnapped me. They went to Philly, and that's when

0:41:22.440 --> 0:41:24.279
<v Speaker 3>I was working with Ryan Toby a lot with a

0:41:24.440 --> 0:41:26.400
<v Speaker 3>lot of come on, come on, speak on this confessions.

0:41:27.200 --> 0:41:30.239
<v Speaker 3>Speak on these confessions, because you're part of.

0:41:30.239 --> 0:41:34.440
<v Speaker 5>Something that if you buried it and someone found it

0:41:34.480 --> 0:41:37.000
<v Speaker 5>one hundred years later, they would understand what.

0:41:36.960 --> 0:41:37.719
<v Speaker 3>That time was.

0:41:38.040 --> 0:41:40.880
<v Speaker 5>Yeah, that's the type of album that Confessions is that

0:41:40.960 --> 0:41:43.560
<v Speaker 5>you are a part of that you helped create with

0:41:43.680 --> 0:41:47.359
<v Speaker 5>all these amazing writers and producers and the artists himself Usher.

0:41:47.239 --> 0:41:48.880
<v Speaker 3>Yeah, it was one of like for me, it was

0:41:49.880 --> 0:41:53.080
<v Speaker 3>so crazy being a songwriter trying to write songs for

0:41:53.280 --> 0:41:57.480
<v Speaker 3>Usher and then finally getting to work with him. I'm like,

0:41:57.760 --> 0:42:01.439
<v Speaker 3>I was. We were so off, Like when you think

0:42:01.480 --> 0:42:06.120
<v Speaker 3>you're writing something like you don't have no ideas, like

0:42:06.120 --> 0:42:07.800
<v Speaker 3>you don't know what they're going through. Well, you just

0:42:07.840 --> 0:42:09.440
<v Speaker 3>get in the car and start driving, like where are

0:42:09.440 --> 0:42:12.479
<v Speaker 3>we going right now? And so like just learning that,

0:42:12.560 --> 0:42:15.000
<v Speaker 3>Like you know, the very first song that that l

0:42:15.040 --> 0:42:18.760
<v Speaker 3>A read demanded that Usher cut was Superstar and Ryan

0:42:18.760 --> 0:42:22.240
<v Speaker 3>had already composed this. I came in and added whatever

0:42:22.280 --> 0:42:23.680
<v Speaker 3>I added to it, you know what I mean. That's

0:42:24.000 --> 0:42:27.440
<v Speaker 3>Ryan had already cut and created the whole, like the

0:42:27.480 --> 0:42:29.680
<v Speaker 3>majority of it, and I just came in and put

0:42:29.840 --> 0:42:31.720
<v Speaker 3>faith on the bridge and you know what I'm saying.

0:42:32.239 --> 0:42:35.279
<v Speaker 3>That was amazing. But that was the first song that

0:42:35.360 --> 0:42:38.440
<v Speaker 3>Usher cut on Confessions. Then it was caught Up. Then

0:42:38.480 --> 0:42:42.560
<v Speaker 3>it was come Following Me, but it was follow me too, Yeah,

0:42:42.600 --> 0:42:45.200
<v Speaker 3>come follow Me, and that was for Yeah, that was

0:42:45.760 --> 0:42:48.320
<v Speaker 3>that was for Mario. Come Following Me was for Mario.

0:42:48.480 --> 0:42:51.440
<v Speaker 3>And then Mario passed on it, and so we played

0:42:51.440 --> 0:42:53.840
<v Speaker 3>it for Usher in New York at the studio. He

0:42:54.000 --> 0:42:58.160
<v Speaker 3>was like, he's like, what's that? You came just in time?

0:42:58.480 --> 0:43:02.239
<v Speaker 3>Runnated and other girl tell me. He's like, low that

0:43:02.360 --> 0:43:04.840
<v Speaker 3>up right now, and he cut it immediately. That was

0:43:04.880 --> 0:43:07.759
<v Speaker 3>like the first time I didn't see ushers sit there

0:43:07.840 --> 0:43:09.920
<v Speaker 3>and Twirler's ring and be like, man, I don't know,

0:43:10.840 --> 0:43:13.880
<v Speaker 3>like you never know, Usher it was you always had

0:43:13.960 --> 0:43:17.520
<v Speaker 3>great years around you that known for you. And that

0:43:17.640 --> 0:43:19.400
<v Speaker 3>was the first time he heard a song and was

0:43:19.440 --> 0:43:23.160
<v Speaker 3>like boom, cutting immediately. But you know that the process

0:43:23.560 --> 0:43:26.560
<v Speaker 3>it was, it was frightening because it was a two

0:43:26.640 --> 0:43:29.399
<v Speaker 3>year window. We started with Usher in two thousand and two.

0:43:29.800 --> 0:43:32.839
<v Speaker 3>Confessions didn't come out to four so and we were

0:43:32.840 --> 0:43:35.880
<v Speaker 3>making those records. I know, in my mind when I

0:43:35.920 --> 0:43:38.000
<v Speaker 3>was with Ryan, I was like, caught Up was like,

0:43:38.160 --> 0:43:40.879
<v Speaker 3>this is like he's talking to Chili and in my mind,

0:43:40.920 --> 0:43:42.799
<v Speaker 3>I'm like, he's the new Michael Jackson. So when we

0:43:42.840 --> 0:43:45.960
<v Speaker 3>approached Caught Up, we were like, what would Michael Jackson

0:43:46.000 --> 0:43:48.080
<v Speaker 3>do right now in two thousand and two, And that's

0:43:48.120 --> 0:43:51.440
<v Speaker 3>how that's absolutely yeah. So and then he went on

0:43:51.480 --> 0:43:53.360
<v Speaker 3>and did a video to match that, you know, like

0:43:53.400 --> 0:43:55.479
<v Speaker 3>the Smooth Criminal that ale. He spent God, he spent

0:43:55.520 --> 0:43:57.480
<v Speaker 3>like a million two on that video. I never forget that.

0:43:59.160 --> 0:44:01.799
<v Speaker 3>But it was just interesting because in my heart, I

0:44:02.000 --> 0:44:04.359
<v Speaker 3>knew we weren't going to make that album because I'm like,

0:44:04.520 --> 0:44:06.600
<v Speaker 3>the songs are all to you, and because and he

0:44:06.640 --> 0:44:08.759
<v Speaker 3>wasn't with they weren't together no more. So I'm like

0:44:09.160 --> 0:44:11.960
<v Speaker 3>we made these songs based on him being with Chili.

0:44:12.040 --> 0:44:14.279
<v Speaker 3>She was the superstar, he was the groupie. He was

0:44:14.320 --> 0:44:16.319
<v Speaker 3>caught up with her. You're not like the other girls

0:44:16.360 --> 0:44:18.680
<v Speaker 3>I meet every day. These were songs were about Chili

0:44:18.719 --> 0:44:21.760
<v Speaker 3>from TFC, So I'm like, he's not even gonna resonate

0:44:21.800 --> 0:44:25.120
<v Speaker 3>with this, So you know, thank god, La was locked

0:44:25.120 --> 0:44:28.920
<v Speaker 3>in his mom shout out to Usher and mister n Nettterman.

0:44:29.040 --> 0:44:31.200
<v Speaker 3>She was locked in to caught up. So we had

0:44:31.239 --> 0:44:34.600
<v Speaker 3>some emotional connections to those records. And then two years

0:44:34.680 --> 0:44:38.520
<v Speaker 3>later the album comes out and the songs made the project,

0:44:38.560 --> 0:44:41.759
<v Speaker 3>and I was like, unbelievable because he was confessing now.

0:44:42.040 --> 0:44:44.160
<v Speaker 3>So I'm like it went from like being caught up

0:44:44.520 --> 0:44:48.840
<v Speaker 3>to I fucked up. It was a full story. It

0:44:48.880 --> 0:44:51.960
<v Speaker 3>was a full story. And it's crazy enough. The concept

0:44:51.960 --> 0:44:55.239
<v Speaker 3>of the album didn't come until like almost the end.

0:44:56.200 --> 0:44:58.400
<v Speaker 3>So yeah, so it wasn't like we're like, oh, we

0:44:58.440 --> 0:45:00.120
<v Speaker 3>all know we need to be confessing some shit. We

0:45:00.160 --> 0:45:03.960
<v Speaker 3>didn't have a clue. And then that project, it was

0:45:04.040 --> 0:45:07.560
<v Speaker 3>like for me, it uh that I'm doing one man

0:45:07.680 --> 0:45:12.719
<v Speaker 3>that like one point one the first week and from

0:45:12.719 --> 0:45:16.799
<v Speaker 3>there it was like god Lee. Then I was sure

0:45:16.840 --> 0:45:19.960
<v Speaker 3>didn't think we were gonna have a single because they

0:45:20.000 --> 0:45:22.640
<v Speaker 3>put my boot on the on the on the what

0:45:22.640 --> 0:45:24.960
<v Speaker 3>do you call it? When the deluxe and then that

0:45:25.000 --> 0:45:28.200
<v Speaker 3>went to radio. I'm like, well, there goes our fourth single,

0:45:28.280 --> 0:45:32.719
<v Speaker 3>slide right there. Yeah, with Alicia. Then we did like

0:45:33.080 --> 0:45:35.960
<v Speaker 3>like somebody did a power move. I don't know if

0:45:36.040 --> 0:45:42.160
<v Speaker 3>Ryan told this, but drama down. Put p D crack,

0:45:42.239 --> 0:45:46.799
<v Speaker 3>you gum really put p D crack and then a

0:45:47.080 --> 0:45:50.600
<v Speaker 3>yes and did a remax of caught up and released

0:45:50.640 --> 0:45:53.279
<v Speaker 3>it and sent it to funk Flex and funk Flex

0:45:53.280 --> 0:45:57.040
<v Speaker 3>started dropping bombs on it, so we forced them to

0:45:57.560 --> 0:45:59.719
<v Speaker 3>so then it started the report started coming in on

0:45:59.719 --> 0:46:03.120
<v Speaker 3>the RAATEDEO and Mark Pitts was like caught up and

0:46:03.239 --> 0:46:06.799
<v Speaker 3>spinning on the radio, and then it forced them to

0:46:06.880 --> 0:46:09.080
<v Speaker 3>make it the fifth single, in his fifth and final single,

0:46:09.239 --> 0:46:12.719
<v Speaker 3>and then they on the video question.

0:46:12.600 --> 0:46:18.520
<v Speaker 1>Yeah yeah, because you you you you got the one

0:46:18.600 --> 0:46:21.399
<v Speaker 1>twelve records, you got, you got your two number one,

0:46:21.480 --> 0:46:24.279
<v Speaker 1>you got your Buve deal, You're writing, you're doing some

0:46:24.320 --> 0:46:29.560
<v Speaker 1>great things, and then you get on an album that

0:46:29.880 --> 0:46:36.160
<v Speaker 1>sells one point one in the first first week.

0:46:36.520 --> 0:46:39.239
<v Speaker 3>Yeah, how you?

0:46:39.960 --> 0:46:45.080
<v Speaker 2>I'm sure you are already assault after writer, but is

0:46:45.120 --> 0:46:50.480
<v Speaker 2>there an elevation that is out of this world? When

0:46:50.560 --> 0:46:54.160
<v Speaker 2>you sell one point one the first week, because I

0:46:54.200 --> 0:47:00.319
<v Speaker 2>know there's I've experienced. Yeah, not close to one. Win't

0:47:00.320 --> 0:47:02.560
<v Speaker 2>want more like six and fifty.

0:47:03.320 --> 0:47:05.120
<v Speaker 3>And it was a leap and you and you had.

0:47:04.960 --> 0:47:10.000
<v Speaker 1>A got a Lamborghini. That's what happened. I said, I

0:47:10.040 --> 0:47:12.360
<v Speaker 1>need a Lamba along with all these other.

0:47:13.200 --> 0:47:15.319
<v Speaker 4>When I had my turn, I didn't buy it him

0:47:15.320 --> 0:47:16.000
<v Speaker 4>by Lambo.

0:47:16.200 --> 0:47:17.279
<v Speaker 2>It was so sad for you.

0:47:19.120 --> 0:47:21.319
<v Speaker 3>I got a kid. Yeah, you gotta get those lamb

0:47:21.440 --> 0:47:23.400
<v Speaker 3>You gotta get Lambo.

0:47:22.960 --> 0:47:25.160
<v Speaker 2>I don't know it correct.

0:47:25.200 --> 0:47:26.960
<v Speaker 4>I should have bought a Lamborghini.

0:47:27.719 --> 0:47:32.359
<v Speaker 3>Yeah, wow, So did I didn't. I was. I bought

0:47:32.400 --> 0:47:35.080
<v Speaker 3>like a seventh series BMW. But I was like, what

0:47:35.120 --> 0:47:35.960
<v Speaker 3>were the calls?

0:47:36.120 --> 0:47:37.279
<v Speaker 2>Like, like what were there were?

0:47:37.360 --> 0:47:40.759
<v Speaker 3>It was? It was interesting because true enough, man, even then,

0:47:41.400 --> 0:47:42.680
<v Speaker 3>like when you came out and I was like, man,

0:47:42.680 --> 0:47:44.440
<v Speaker 3>I need you to not I need you to put

0:47:44.480 --> 0:47:48.120
<v Speaker 3>that humble ship right. I was so used to being

0:47:48.320 --> 0:47:52.880
<v Speaker 3>like hidden and tucked away that it didn't really affect

0:47:52.920 --> 0:47:55.520
<v Speaker 3>I didn't feel the effect of it because at that

0:47:55.640 --> 0:47:59.080
<v Speaker 3>time Usher gravitated to Ryan, you know what I mean,

0:47:59.200 --> 0:48:02.239
<v Speaker 3>So it more affected Ryan you know what I mean

0:48:02.360 --> 0:48:05.640
<v Speaker 3>than me because I was like the fat guy that

0:48:05.880 --> 0:48:07.440
<v Speaker 3>was I was doing a lot, and I was doing it,

0:48:07.440 --> 0:48:08.960
<v Speaker 3>but I was always in the back of the room

0:48:08.960 --> 0:48:11.920
<v Speaker 3>because I was like trying not to be seen and

0:48:12.080 --> 0:48:15.080
<v Speaker 3>like and I were like still doing vocal producing, still writing,

0:48:15.160 --> 0:48:16.719
<v Speaker 3>but then it was like all right, once I was done,

0:48:17.120 --> 0:48:19.239
<v Speaker 3>I vanished, you know what I mean. So I didn't

0:48:19.280 --> 0:48:22.080
<v Speaker 3>really feel the effect of it like I should have.

0:48:22.200 --> 0:48:24.759
<v Speaker 3>If I would have been more you were avoiding life.

0:48:25.120 --> 0:48:28.160
<v Speaker 3>I wasn't because I just felt like I was super

0:48:28.200 --> 0:48:31.240
<v Speaker 3>I was insecure, I was obese, and I just felt

0:48:31.320 --> 0:48:33.440
<v Speaker 3>like I didn't want anybody to feel like I was

0:48:33.520 --> 0:48:36.719
<v Speaker 3>trying to I was seeking attention because I wasn't. I

0:48:36.760 --> 0:48:38.560
<v Speaker 3>just wanted to continue to buy. I wanted to buy

0:48:38.560 --> 0:48:40.200
<v Speaker 3>my mom another house. At that time, I was on

0:48:40.560 --> 0:48:44.799
<v Speaker 3>my second, second, second house. So so it didn't really

0:48:44.880 --> 0:48:47.680
<v Speaker 3>affect me as much as I if I would have been, like,

0:48:48.320 --> 0:48:51.520
<v Speaker 3>let me put myself out there so people know that,

0:48:51.640 --> 0:48:53.160
<v Speaker 3>I was, like, you didn't even know I did. Come

0:48:53.160 --> 0:48:55.479
<v Speaker 3>found with me to this day, was twenty years later,

0:48:55.760 --> 0:48:58.600
<v Speaker 3>So I didn't. I just wasn't putting myself out there

0:48:58.719 --> 0:49:02.959
<v Speaker 3>enough to ride that the way that other people were doing.

0:49:03.000 --> 0:49:06.480
<v Speaker 5>Like you I have, bro I know, You're never still

0:49:06.880 --> 0:49:10.319
<v Speaker 5>I know, I know thiggas with records like you have.

0:49:10.800 --> 0:49:12.120
<v Speaker 2>Yeah, you better than me.

0:49:12.320 --> 0:49:15.960
<v Speaker 3>People. Now, I could have easily been on every record

0:49:16.000 --> 0:49:17.040
<v Speaker 3>life Happy Birthday.

0:49:17.040 --> 0:49:17.600
<v Speaker 2>You know what I'm saying.

0:49:30.280 --> 0:49:33.320
<v Speaker 4>Yeah, Tank and Tankeding loaded up the piano.

0:49:33.360 --> 0:49:35.120
<v Speaker 3>I know, Man, that's what I'm saying. We might have

0:49:35.160 --> 0:49:37.000
<v Speaker 3>to have so many Man, I might have to be

0:49:37.040 --> 0:49:37.640
<v Speaker 3>a part two.

0:49:38.480 --> 0:49:40.600
<v Speaker 4>I mean, listen, you are always invited to come hang.

0:49:40.480 --> 0:49:42.640
<v Speaker 3>Out with us, bro Man, thank you for having me. Man,

0:49:42.760 --> 0:49:45.759
<v Speaker 3>we believe in you. It starts with the belief. That's

0:49:45.760 --> 0:49:49.920
<v Speaker 3>one of my texts. I got all my quotes, all

0:49:49.920 --> 0:49:52.440
<v Speaker 3>my sayings tatted on me. Man, Happy birthday, right there.

0:49:52.760 --> 0:49:55.640
<v Speaker 3>What's the next one you said? You get nobody cares.

0:49:55.680 --> 0:49:59.520
<v Speaker 3>Nobody cares. That's how you get through life without getting

0:49:59.520 --> 0:50:04.600
<v Speaker 3>your feelings her, nobody cares. Go so perfect with those chords.

0:50:08.400 --> 0:50:16.080
<v Speaker 2>Brother Poop comes to a special part of our pod where.

0:50:18.360 --> 0:50:23.800
<v Speaker 1>We get into the mind of Pool. Yes, the people

0:50:23.840 --> 0:50:25.800
<v Speaker 1>want to know what they want to know. You've written

0:50:25.800 --> 0:50:28.880
<v Speaker 1>a lot of jams, all the jams. You've written all

0:50:28.920 --> 0:50:33.880
<v Speaker 1>the jams, man, But the most important jams.

0:50:35.800 --> 0:50:41.720
<v Speaker 3>Would be your mm hmm top FA.

0:50:43.560 --> 0:50:46.160
<v Speaker 2>Yeah, your top five.

0:50:48.960 --> 0:50:53.840
<v Speaker 3>Jop F, your.

0:50:53.760 --> 0:51:01.240
<v Speaker 1>Top fasing guys, these songs.

0:51:03.040 --> 0:51:03.560
<v Speaker 3>Were not.

0:51:05.080 --> 0:51:05.640
<v Speaker 2>Baseball.

0:51:05.840 --> 0:51:27.120
<v Speaker 7>You go, yes, everybody, top five, you.

0:51:28.480 --> 0:51:43.279
<v Speaker 3>Top five? Come on right, come on, come on now, right,

0:51:43.560 --> 0:51:47.000
<v Speaker 3>come on with the diminishings. So do these top five

0:51:47.120 --> 0:51:48.520
<v Speaker 3>need to be They don't need to be my top

0:51:49.160 --> 0:51:54.080
<v Speaker 3>my songs, none, your top five, my top r and

0:51:54.120 --> 0:51:55.720
<v Speaker 3>bast singers right now.

0:51:55.880 --> 0:51:56.720
<v Speaker 2>Singer yours?

0:51:57.320 --> 0:51:59.200
<v Speaker 3>Man? Do we start from the yours?

0:51:59.360 --> 0:52:00.840
<v Speaker 2>From where you want to start?

0:52:01.320 --> 0:52:02.040
<v Speaker 3>Five to one?

0:52:02.400 --> 0:52:04.000
<v Speaker 2>Whatever, don't matter.

0:52:04.480 --> 0:52:09.359
<v Speaker 1>No order, no order, no orders, how you feel, how

0:52:09.440 --> 0:52:10.920
<v Speaker 1>you feel the five people.

0:52:12.800 --> 0:52:15.880
<v Speaker 3>Donny Hathaway, come now, mind you. I wasn't allowed to

0:52:15.880 --> 0:52:18.200
<v Speaker 3>listen to this, so I went back later on and Discovery.

0:52:18.360 --> 0:52:21.120
<v Speaker 3>You know what I'm saying, sing this song for you?

0:52:22.200 --> 0:52:25.920
<v Speaker 3>You knew was trumpet music. Phil. Yeah, so we got

0:52:26.000 --> 0:52:28.600
<v Speaker 3>Nanny half the way. Oh my god, I'll say that

0:52:28.600 --> 0:52:30.400
<v Speaker 3>one because that's that was the one that inspired me

0:52:30.480 --> 0:52:34.800
<v Speaker 3>to even want to be in a music You got, Donny,

0:52:35.000 --> 0:52:42.480
<v Speaker 3>you got, I'm I'm gonna say it man, Mario man, yeah, ye,

0:52:43.760 --> 0:52:49.600
<v Speaker 3>I don't know if anybody, no, everybody, Okay, okay, we've

0:52:49.640 --> 0:52:51.759
<v Speaker 3>seen it in that that that that versus yeah, we

0:52:51.800 --> 0:52:57.359
<v Speaker 3>don't play about Mario, Okay, okay about Mario. That sure

0:52:57.400 --> 0:52:57.960
<v Speaker 3>was amazing.

0:52:58.440 --> 0:52:58.799
<v Speaker 2>Why not?

0:52:59.120 --> 0:53:07.759
<v Speaker 3>Yes? Why not? Is it? Donny Marios? That's three?

0:53:07.960 --> 0:53:11.799
<v Speaker 2>Yeah, m hm.

0:53:14.320 --> 0:53:20.520
<v Speaker 3>Hm oh R and B though, No, I was thinking

0:53:20.520 --> 0:53:25.480
<v Speaker 3>about Christians? Who you want throwing there?

0:53:26.000 --> 0:53:30.799
<v Speaker 4>Kim Burrell, I'm sorry because she has been such an.

0:53:33.320 --> 0:53:35.120
<v Speaker 2>Is icon. Yeah she is.

0:53:35.239 --> 0:53:37.640
<v Speaker 3>Yeah, yeah, yeah, it's a whole. She got a little mini,

0:53:37.800 --> 0:53:43.200
<v Speaker 3>little Mini's little mini Minnie Barell, generations of Minnie Burrell, Yes,

0:53:43.640 --> 0:53:52.560
<v Speaker 3>multiple generations. That's four. Stevie Wonder, Stevie Wonder. Come on, yeah, yeah, man,

0:53:52.960 --> 0:53:53.960
<v Speaker 3>that's my five.

0:53:53.760 --> 0:53:57.200
<v Speaker 2>Man Okay, top five R and B songs.

0:53:59.280 --> 0:54:04.560
<v Speaker 3>So crazy because I don't listen to music, Okay, R

0:54:04.560 --> 0:54:10.120
<v Speaker 3>and B songs, I really I may you know what

0:54:11.600 --> 0:54:14.680
<v Speaker 3>I'm gonna throw. I'm gonna throw something in there right

0:54:14.760 --> 0:54:19.000
<v Speaker 3>now that I hear in my mind a song called

0:54:19.440 --> 0:54:25.799
<v Speaker 3>Maybe I Deserve. Yeah, it's just so fresh on my mind.

0:54:25.840 --> 0:54:27.399
<v Speaker 3>I'm like, I just remember.

0:54:27.080 --> 0:54:28.840
<v Speaker 4>Having that you talk about a destination.

0:54:31.200 --> 0:54:34.279
<v Speaker 3>I just remember that song sticking out so long and

0:54:34.400 --> 0:54:36.640
<v Speaker 3>like it's such a staple, like it's a part where

0:54:36.640 --> 0:54:40.360
<v Speaker 3>it's like that was to me. It was new. It

0:54:40.440 --> 0:54:42.560
<v Speaker 3>was a new style of writing too, you know what

0:54:42.560 --> 0:54:45.480
<v Speaker 3>I mean. So that's my that's my first one I.

0:54:45.480 --> 0:54:47.160
<v Speaker 4>Call that that I lost my bitch anthem.

0:54:48.520 --> 0:54:55.520
<v Speaker 3>Man's looked at it like that. Maybe I deserve Yeah

0:54:56.360 --> 0:55:00.759
<v Speaker 3>at that time like that, Yeah you want say about it? Yeah,

0:55:00.800 --> 0:55:08.800
<v Speaker 3>I come it back. I deserve we got Oh oh Cender,

0:55:08.920 --> 0:55:19.640
<v Speaker 3>my loves Stevie Wonder, Yes, yeah, unbelievable and very place

0:55:19.960 --> 0:55:27.840
<v Speaker 3>alien yeah, super player. Oh I'm gonna have to man,

0:55:28.880 --> 0:55:34.239
<v Speaker 3>I hate to say this, but all that matters, man,

0:55:35.040 --> 0:55:36.600
<v Speaker 3>I just I mean, I didn't want to say because

0:55:36.600 --> 0:55:39.359
<v Speaker 3>I wrote it, but all that matters from journals for Beaver,

0:55:40.800 --> 0:55:43.759
<v Speaker 3>just because because you know that inside that humble thing,

0:55:43.880 --> 0:55:48.319
<v Speaker 3>I know, I know, I know I'm fighting it. It's

0:55:48.360 --> 0:55:54.719
<v Speaker 3>a battle, humble flast, humble battle. Nah, It's okay. So

0:55:55.480 --> 0:56:04.200
<v Speaker 3>maybe I deserve Cender. All that matters. All that matters, man,

0:56:04.680 --> 0:56:07.960
<v Speaker 3>R and B. Come on, man, Oh, I'm gonna have

0:56:08.000 --> 0:56:17.480
<v Speaker 3>to go back to oh tripping mm hmmm mm hmm

0:56:20.040 --> 0:56:24.799
<v Speaker 3>faith Evans as soon as I get home. Come on,

0:56:25.400 --> 0:56:27.480
<v Speaker 3>I'm dig I'm going like I'm diving in because like

0:56:27.520 --> 0:56:28.759
<v Speaker 3>you know what I mean, No, I don't really listen

0:56:28.760 --> 0:56:32.399
<v Speaker 3>to music, so I'm leaving diving in what I had

0:56:32.440 --> 0:56:36.000
<v Speaker 3>that Oh man, No, that just made me think of

0:56:39.360 --> 0:56:40.960
<v Speaker 3>Carl Thomas. I wish I never met her?

0:56:41.120 --> 0:56:42.640
<v Speaker 4>Man, don't.

0:56:43.880 --> 0:56:47.080
<v Speaker 3>Man? Yeah, Like both are the ones where it was like,

0:56:48.440 --> 0:56:50.080
<v Speaker 3>can you know what it was? It's so hard for

0:56:50.239 --> 0:56:52.600
<v Speaker 3>arm beating to live in the club. So when you

0:56:52.600 --> 0:56:54.720
<v Speaker 3>have an R and B song that can live in club,

0:56:54.760 --> 0:56:58.160
<v Speaker 3>it's a big deal to be soft and hard. It's

0:56:58.239 --> 0:57:02.040
<v Speaker 3>a big deal. Tomorrow, all right, I wish it never

0:57:02.120 --> 0:57:03.120
<v Speaker 3>met her. That's four.

0:57:03.160 --> 0:57:03.560
<v Speaker 2>It's five?

0:57:03.840 --> 0:57:05.279
<v Speaker 3>No, no, no, one more? One more? One more?

0:57:05.320 --> 0:57:06.200
<v Speaker 4>You want you got one more?

0:57:06.800 --> 0:57:07.319
<v Speaker 3>That was five?

0:57:07.520 --> 0:57:11.360
<v Speaker 4>You know my great account Sure, I'm really good accounting.

0:57:11.880 --> 0:57:14.880
<v Speaker 5>Maybe I deserve all that matters as soon as I

0:57:14.920 --> 0:57:15.359
<v Speaker 5>get home.

0:57:16.440 --> 0:57:17.720
<v Speaker 3>I wish, I wish that's it.

0:57:22.840 --> 0:57:25.680
<v Speaker 2>I ain't saying no next. I ain't saying no names,

0:57:26.280 --> 0:57:27.240
<v Speaker 2>saying no names.

0:57:27.600 --> 0:57:32.720
<v Speaker 3>I ain't saying no name was yeah what you need?

0:57:33.360 --> 0:57:37.920
<v Speaker 2>Don't see man, I ain't saying.

0:57:45.400 --> 0:57:47.640
<v Speaker 4>Yeah yeah we at that part of the show. That

0:57:47.680 --> 0:57:49.480
<v Speaker 4>part is this a story?

0:57:49.600 --> 0:57:50.800
<v Speaker 3>Will you tell us a story?

0:57:51.120 --> 0:57:51.280
<v Speaker 7>Oh?

0:57:51.400 --> 0:57:54.520
<v Speaker 3>I got so many funny and fucked up? Are funny

0:57:54.560 --> 0:57:58.680
<v Speaker 3>and fucked up? Yeah? And don't got no names? The

0:57:58.720 --> 0:58:06.439
<v Speaker 3>game amazing, let's sold a story? No names? Man. At

0:58:06.480 --> 0:58:12.040
<v Speaker 3>my fastest I was in Philadelphia working with an artists

0:58:14.120 --> 0:58:18.920
<v Speaker 3>and this artist was like I love you, and I

0:58:19.000 --> 0:58:22.680
<v Speaker 3>was like, I love you too, but it was more

0:58:22.720 --> 0:58:25.000
<v Speaker 3>like I love you too, as like your music and

0:58:25.040 --> 0:58:29.240
<v Speaker 3>what you've done and contributed to our society. But I

0:58:29.360 --> 0:58:31.600
<v Speaker 3>response like, yeah, I love you too, such and such,

0:58:32.280 --> 0:58:34.240
<v Speaker 3>such and such and such and such, and then I

0:58:34.280 --> 0:58:39.640
<v Speaker 3>was like and then there was like I'm gonna cook

0:58:39.680 --> 0:58:43.240
<v Speaker 3>for you. I was like, all right, and then so

0:58:43.840 --> 0:58:47.280
<v Speaker 3>we did. We did a record two days later, come

0:58:47.400 --> 0:58:55.280
<v Speaker 3>back and she brought food. She brought food, and she

0:58:55.400 --> 0:58:59.000
<v Speaker 3>brought hot sauce. It was her own hot sauce.

0:58:59.360 --> 0:59:03.000
<v Speaker 4>Okay, she had made the hot sauce or had.

0:59:02.880 --> 0:59:06.919
<v Speaker 3>Her picture on it. Yeah. And then she made apple pie.

0:59:06.960 --> 0:59:08.560
<v Speaker 3>I'm not even in an apple pie, but she was like,

0:59:08.600 --> 0:59:11.560
<v Speaker 3>I peel these apples for you. And she was like,

0:59:11.640 --> 0:59:14.080
<v Speaker 3>I suppose in these leather pants for you. And I

0:59:14.160 --> 0:59:17.240
<v Speaker 3>was like I was starting to feel like wait, man,

0:59:17.440 --> 0:59:18.800
<v Speaker 3>Like I thought, you know what I'm saying, this was

0:59:18.800 --> 0:59:21.840
<v Speaker 3>a musical, you know what I'm saying. Yeah, And then

0:59:23.240 --> 0:59:25.800
<v Speaker 3>I walked by She's drinking red wine. She was like,

0:59:25.800 --> 0:59:27.640
<v Speaker 3>you want some wine? I was like, nah, that makes

0:59:27.680 --> 0:59:30.080
<v Speaker 3>me sleepy, you know what I'm saying. We hear the

0:59:30.160 --> 0:59:32.720
<v Speaker 3>work like we hadn't even started the sessions feeding me

0:59:32.760 --> 0:59:35.120
<v Speaker 3>and macaroni and cheese with seven cheese. I didn't even

0:59:35.120 --> 0:59:36.840
<v Speaker 3>know there was a macaroni cheese with seven cheeses at

0:59:36.840 --> 0:59:42.280
<v Speaker 3>that time. Even I couldn't name seven cheeses. And I'm

0:59:42.280 --> 0:59:45.480
<v Speaker 3>walking by. I feel something, mind you, I never had

0:59:45.480 --> 0:59:49.440
<v Speaker 3>an ass. So I walked by and she grabbed whatever

0:59:49.480 --> 0:59:51.960
<v Speaker 3>I thought was my ass, and I'm like, I had

0:59:52.000 --> 0:59:56.240
<v Speaker 3>never had anybody actually grab my ass? Was my mom

0:59:56.320 --> 0:59:57.840
<v Speaker 3>might not even have an ass to grab. I'm like,

0:59:57.840 --> 1:00:00.880
<v Speaker 3>what she's grabbing right now? Grab my ass? And I

1:00:00.920 --> 1:00:04.360
<v Speaker 3>was like that was uncomfortable. That was awkward. I'm like,

1:00:04.400 --> 1:00:06.480
<v Speaker 3>all right, try to play that off like that didn't happen.

1:00:06.760 --> 1:00:10.560
<v Speaker 3>Get upstairs in the room and studio, and it is hot,

1:00:10.680 --> 1:00:13.000
<v Speaker 3>okay because the heat rises to the top, so it's hot.

1:00:13.040 --> 1:00:16.400
<v Speaker 3>It's shit. So I'm working me the artist, the engineer,

1:00:16.920 --> 1:00:19.760
<v Speaker 3>and the engineer was like, hey, man, can I take

1:00:19.760 --> 1:00:21.920
<v Speaker 3>a quick break to go to the bathroom. I'm like cool.

1:00:22.400 --> 1:00:24.600
<v Speaker 3>As soon as he before he could leave the room,

1:00:24.920 --> 1:00:27.439
<v Speaker 3>she was like, whoa, it's shure is hot in here.

1:00:27.680 --> 1:00:29.360
<v Speaker 3>Don't you want to come out of that shirt? And

1:00:29.400 --> 1:00:33.000
<v Speaker 3>I mind you. I'm four thirty, Bro, I got titties.

1:00:33.640 --> 1:00:36.280
<v Speaker 3>You know what I'm saying. This wasn't I. I was

1:00:36.400 --> 1:00:38.480
<v Speaker 3>not proud of my titties. I used to so I

1:00:38.520 --> 1:00:41.200
<v Speaker 3>used to wear two shirts to try to hide my titties.

1:00:42.200 --> 1:00:44.080
<v Speaker 3>So I was like, it is hot, So I pulled

1:00:44.120 --> 1:00:49.360
<v Speaker 3>off a shirt, but I had on another shirt. A

1:00:49.400 --> 1:00:51.480
<v Speaker 3>why lie? How about that? You know what I'm saying

1:00:51.520 --> 1:00:53.360
<v Speaker 3>about them titties for cars? You know what I'm saying.

1:00:54.480 --> 1:00:57.400
<v Speaker 3>So then she kicks up, she comes and stands over me,

1:00:57.440 --> 1:01:00.360
<v Speaker 3>and she unzips her pants that she squolls in for me,

1:01:01.280 --> 1:01:07.120
<v Speaker 3>and I just see like these fits like net like

1:01:07.160 --> 1:01:10.200
<v Speaker 3>see you through panties. And I'm like, my heart's beating.

1:01:10.240 --> 1:01:10.360
<v Speaker 2>Bro.

1:01:10.560 --> 1:01:12.520
<v Speaker 3>Like, I'm like, I don't know what's going on. I

1:01:12.600 --> 1:01:15.000
<v Speaker 3>kind of have an idea what's happening, but it felt

1:01:15.000 --> 1:01:16.880
<v Speaker 3>like I was dreaming. It felt like it was surreal.

1:01:17.520 --> 1:01:19.600
<v Speaker 3>You know what's happening. It's not even a good part

1:01:19.640 --> 1:01:22.880
<v Speaker 3>of the store. So then as she's standing in front

1:01:22.880 --> 1:01:25.400
<v Speaker 3>of me with her pants on zipper, the engineer walks

1:01:25.440 --> 1:01:27.480
<v Speaker 3>in and then he walked right back out. He did

1:01:27.560 --> 1:01:30.160
<v Speaker 3>went on. He was like, oh my bad. He did

1:01:30.160 --> 1:01:32.440
<v Speaker 3>the one step and pivot back out. And I was

1:01:32.480 --> 1:01:34.880
<v Speaker 3>like no. I was like, hey, no, we're ready. I

1:01:34.920 --> 1:01:35.760
<v Speaker 3>was like, no, we're ready.

1:01:35.920 --> 1:01:38.200
<v Speaker 5>He thought he was saving you, and I was like, no,

1:01:38.280 --> 1:01:39.240
<v Speaker 5>we're ready to record.

1:01:39.880 --> 1:01:43.880
<v Speaker 3>Come back in cut the record. Then I get another

1:01:43.960 --> 1:01:45.480
<v Speaker 3>two days ago by I get a call from this

1:01:45.640 --> 1:01:48.360
<v Speaker 3>assistant like, yeah, such and such want to invite you

1:01:48.400 --> 1:01:51.600
<v Speaker 3>to her birthday party? Is private. She was like, but don't.

1:01:51.640 --> 1:01:53.800
<v Speaker 3>She's like, don't tell anybody. She don't want no paparazzi

1:01:53.880 --> 1:01:55.920
<v Speaker 3>there she wants. She's going to invite the people that

1:01:55.960 --> 1:01:58.840
<v Speaker 3>she wants. I'm like, amazing, so dramoned down, I was like,

1:01:58.840 --> 1:02:00.520
<v Speaker 3>hey man, y'all gonna be at the party, right. They're like,

1:02:00.520 --> 1:02:04.440
<v Speaker 3>what party? She's just I can't even say, oh yeah, yeah, yeah,

1:02:04.760 --> 1:02:05.640
<v Speaker 3>definitely not dreaming that.

1:02:05.760 --> 1:02:09.760
<v Speaker 6>She just told you know, oh yeah yeah no no,

1:02:09.800 --> 1:02:14.479
<v Speaker 6>but you already I met this person them, so.

1:02:16.000 --> 1:02:18.560
<v Speaker 3>It wasn't It was the assistant that told me. And

1:02:18.680 --> 1:02:21.320
<v Speaker 3>in my mind, why wouldn't they know, because they're the

1:02:21.400 --> 1:02:23.800
<v Speaker 3>whole reason why I even know this person. So I'm like,

1:02:23.840 --> 1:02:26.120
<v Speaker 3>I'm gonna tell that. I won't tell nobody else, but

1:02:26.160 --> 1:02:30.320
<v Speaker 3>I'm gonna tell the people that introduced me. And they're like, nah, well,

1:02:30.480 --> 1:02:32.360
<v Speaker 3>we don't know about no party. I was like, don't worry,

1:02:32.640 --> 1:02:35.600
<v Speaker 3>they're gonna call you, but I can't tell nobody, Like

1:02:35.640 --> 1:02:37.800
<v Speaker 3>you're gonna get the call, but you can't tell nobody.

1:02:37.840 --> 1:02:43.920
<v Speaker 3>All right, they're gonna call y'all, so you know, and

1:02:43.960 --> 1:02:46.440
<v Speaker 3>then so the days go by, days go by, and

1:02:46.480 --> 1:02:49.919
<v Speaker 3>then finally you know they this person they she flew

1:02:50.000 --> 1:02:52.560
<v Speaker 3>me in. Oh, you gotta flew it out. She flew yeah,

1:02:52.760 --> 1:02:53.400
<v Speaker 3>like a girl.

1:02:53.480 --> 1:02:53.600
<v Speaker 2>Bro.

1:02:53.680 --> 1:02:57.080
<v Speaker 3>I was like, wait, I'm getting flowed out, blowed out.

1:02:57.240 --> 1:02:58.440
<v Speaker 3>It's a whole new way to say that.

1:02:58.480 --> 1:02:58.680
<v Speaker 2>Ship.

1:02:59.280 --> 1:03:02.480
<v Speaker 3>So I gotta go down. And they had like the

1:03:02.520 --> 1:03:04.640
<v Speaker 3>car I landed, and had me go straight to the

1:03:04.680 --> 1:03:06.720
<v Speaker 3>to the party where I thought was. I thought it

1:03:06.760 --> 1:03:10.880
<v Speaker 3>was a party. Get to the party, open the door.

1:03:11.120 --> 1:03:16.960
<v Speaker 3>It's a hundred candles burning and music like slow music playing,

1:03:17.400 --> 1:03:20.960
<v Speaker 3>and I'm just like, where's the people? Where's the party?

1:03:21.040 --> 1:03:23.040
<v Speaker 3>And I'm like, it's real private, you know what I'm saying.

1:03:23.040 --> 1:03:26.760
<v Speaker 3>I'm like, yeah, it was super private, private privy. I'm like,

1:03:26.840 --> 1:03:28.400
<v Speaker 3>and my mom, I'm like, all right, maybe it's a

1:03:28.440 --> 1:03:31.640
<v Speaker 3>surprise party. So people are gonna jump out. So I'm like,

1:03:31.680 --> 1:03:33.800
<v Speaker 3>where are the people, Like, where are we jumping out

1:03:33.800 --> 1:03:37.040
<v Speaker 3>from where are the others? Where are the others? Where

1:03:37.080 --> 1:03:42.560
<v Speaker 3>are the others? And then then she comes out. Bro,

1:03:44.800 --> 1:03:53.840
<v Speaker 3>she came out, and uh she came out. Bro, you

1:03:53.920 --> 1:04:02.040
<v Speaker 3>know me cried my left eye. Wait a minute, bro. Yeah.

1:04:02.120 --> 1:04:06.400
<v Speaker 3>So now I'm at the surprise, the non the surpriseless party.

1:04:07.680 --> 1:04:12.840
<v Speaker 3>But just me, I'm sweating because I'm like that it's

1:04:13.000 --> 1:04:16.800
<v Speaker 3>I'm getting hot. Sit there, here she comes and a

1:04:16.880 --> 1:04:24.680
<v Speaker 3>fucking see through rope, a sheer nightgown, naked sheer with

1:04:24.880 --> 1:04:31.640
<v Speaker 3>like fur fur naked birthday ankles, so everything covered up

1:04:31.680 --> 1:04:34.560
<v Speaker 3>was ship that we don't care this like ankles was covered,

1:04:34.600 --> 1:04:38.480
<v Speaker 3>her neck was covered. I'm like, naked, come sit on

1:04:38.480 --> 1:04:42.439
<v Speaker 3>my lap, rubbing my rubbing my pony tail, of course

1:04:42.640 --> 1:04:45.880
<v Speaker 3>the back, you know what I'm saying. And she's like, hey,

1:04:46.000 --> 1:04:51.000
<v Speaker 3>thank you for coming, Like, happy birthday, this is a

1:04:51.120 --> 1:04:54.240
<v Speaker 3>happy birthday. Came No, I just said happy birthday. Way

1:04:54.280 --> 1:04:56.400
<v Speaker 3>before that. I start happy birthday. I was like sixteen,

1:04:57.400 --> 1:05:00.920
<v Speaker 3>but man, and so I'm like she's like, thank you

1:05:00.960 --> 1:05:03.400
<v Speaker 3>for coming. I'm like, yeah, happy birthday. Where is everybody?

1:05:03.920 --> 1:05:07.000
<v Speaker 3>She's like no, it's just us. And I'm like I'm

1:05:07.040 --> 1:05:07.680
<v Speaker 3>so scared.

1:05:07.760 --> 1:05:07.880
<v Speaker 1>Bro.

1:05:08.440 --> 1:05:09.480
<v Speaker 3>She's sitting on my lap.

1:05:09.840 --> 1:05:12.400
<v Speaker 4>Yeah, mind you.

1:05:12.440 --> 1:05:14.480
<v Speaker 3>She had already asked me to call my mom before

1:05:14.680 --> 1:05:17.120
<v Speaker 3>she told my mom she loved me. I was like,

1:05:17.160 --> 1:05:21.200
<v Speaker 3>it's weird, mom. I can't say that that might give

1:05:21.240 --> 1:05:23.120
<v Speaker 3>it away, but it was, you know, it was a

1:05:23.160 --> 1:05:25.920
<v Speaker 3>similarity in the in the age my mom. So it

1:05:26.000 --> 1:05:30.040
<v Speaker 3>was weird. So I tell you know, I'm like, I'm thinking,

1:05:30.120 --> 1:05:31.880
<v Speaker 3>like I gotta get out of this in my mind.

1:05:31.960 --> 1:05:35.040
<v Speaker 3>So she's like, you want something drink? You want to

1:05:35.080 --> 1:05:38.920
<v Speaker 3>Hennessy And I'm like, I don't for me Henny Bro

1:05:39.640 --> 1:05:42.560
<v Speaker 3>yeah on some hoods ships, super hood she wanted to get. Yeah.

1:05:42.640 --> 1:05:44.920
<v Speaker 3>She was like I need to get him discombobulated, like

1:05:45.240 --> 1:05:46.880
<v Speaker 3>he needs to not be in his right mind to

1:05:46.880 --> 1:05:49.240
<v Speaker 3>get to this. So I'm like, man, I'm okay right now.

1:05:49.520 --> 1:05:52.880
<v Speaker 3>And she was like, she's like, wait, I got you something.

1:05:52.920 --> 1:05:56.840
<v Speaker 3>And I was like, what'd you get me? Bruh. She

1:05:56.960 --> 1:05:59.600
<v Speaker 3>came out with a jackiet Bro. She got me at

1:05:59.640 --> 1:06:06.440
<v Speaker 3>your chill like one from like a real store, the

1:06:06.480 --> 1:06:10.640
<v Speaker 3>one to do like sixty bands. She got chill up. Yeah,

1:06:10.720 --> 1:06:12.760
<v Speaker 3>And so I was like, oh no, I was like,

1:06:12.840 --> 1:06:14.920
<v Speaker 3>I can't you know what I'm saying. I'm like, what

1:06:15.040 --> 1:06:16.720
<v Speaker 3>is this? She was like, this is something for you,

1:06:16.800 --> 1:06:19.520
<v Speaker 3>a gift. I'm like your birthday. You know what I'm saying.

1:06:19.560 --> 1:06:22.080
<v Speaker 3>I'm like no. She put it on my sho was like,

1:06:22.280 --> 1:06:26.120
<v Speaker 3>I'm like, man, with all due respect, man I got

1:06:26.320 --> 1:06:28.800
<v Speaker 3>I went to the ship. I'm like, man, with all

1:06:28.880 --> 1:06:31.680
<v Speaker 3>due respect, I can't take this. It's just like, yeah

1:06:31.720 --> 1:06:33.200
<v Speaker 3>you can. She's like, I got it for you and

1:06:33.280 --> 1:06:35.440
<v Speaker 3>I'm not. She's like, I'm not keeping it here. She

1:06:35.520 --> 1:06:38.120
<v Speaker 3>was like, it's yours and I'm like I was like,

1:06:38.280 --> 1:06:40.600
<v Speaker 3>I was like, you know, what do you mind? I

1:06:40.640 --> 1:06:42.520
<v Speaker 3>heard it with how girls hit dudes. I was like,

1:06:43.240 --> 1:06:44.880
<v Speaker 3>do you mind if I go back to the hotels

1:06:45.000 --> 1:06:47.520
<v Speaker 3>like a freshen up? You know how the girl had

1:06:47.560 --> 1:06:48.919
<v Speaker 3>to do? But I need to do to go fresh.

1:06:49.040 --> 1:06:50.160
<v Speaker 3>So I was like, do you mind if I go

1:06:50.200 --> 1:06:52.520
<v Speaker 3>back to the Soffie tails like a freshen up? And

1:06:52.640 --> 1:06:55.440
<v Speaker 3>she was like, yeah, as long as you come back.

1:06:55.440 --> 1:06:57.640
<v Speaker 3>I was like, yeah, I'll be back. She was like,

1:06:57.760 --> 1:07:04.160
<v Speaker 3>put the jacket on his cold outside. Yeah, I'm gonna

1:07:04.160 --> 1:07:06.640
<v Speaker 3>call you now. I was like, I'm coming back. She

1:07:06.760 --> 1:07:08.760
<v Speaker 3>was like I'm gonna have the driver stay, like he's

1:07:08.760 --> 1:07:10.600
<v Speaker 3>gonna he's gonna bring you and stay and waiting. I

1:07:10.640 --> 1:07:16.480
<v Speaker 3>was like, yeah, bruh, I was sweating bullets. Bro, I've

1:07:16.560 --> 1:07:17.920
<v Speaker 3>never been That was the first time I've ever been

1:07:17.920 --> 1:07:19.560
<v Speaker 3>in that scenario on my whole life. Bro, I'm not

1:07:19.800 --> 1:07:21.760
<v Speaker 3>used to women like I wasn't coming on to me.

1:07:21.840 --> 1:07:23.360
<v Speaker 3>I was really obese. So I didn't get it. I

1:07:23.400 --> 1:07:26.760
<v Speaker 3>was confused and I was engaged. I was engaged, and

1:07:27.040 --> 1:07:30.320
<v Speaker 3>that okay, okay, so sound like I'm gay. I'm engaged.

1:07:30.360 --> 1:07:33.080
<v Speaker 3>What's happening. So now I go to the hotel and

1:07:33.240 --> 1:07:35.840
<v Speaker 3>I'm like, damn it. I spelt embarrassed. I was like,

1:07:35.880 --> 1:07:39.200
<v Speaker 3>should I call the people that introduced me, like, because

1:07:39.360 --> 1:07:42.360
<v Speaker 3>they clear didn't even getn't get invited, So it was

1:07:42.480 --> 1:07:44.920
<v Speaker 3>like I was the only invite invited. It was the

1:07:45.000 --> 1:07:49.880
<v Speaker 3>only attendee, and it yeah, And I didn't go back.

1:07:50.640 --> 1:07:53.520
<v Speaker 3>I didn't go back. I actually stayed the night at

1:07:53.560 --> 1:07:56.320
<v Speaker 3>the hotel and caught my flight because I had a

1:07:56.400 --> 1:07:59.080
<v Speaker 3>flight the next day to go back to Atlanta, Georgia.

1:07:59.120 --> 1:08:01.520
<v Speaker 3>I never went back. Man. And then it was so

1:08:01.720 --> 1:08:07.640
<v Speaker 3>crazy because this was in two thousand and one, two

1:08:07.680 --> 1:08:11.720
<v Speaker 3>thousand and two, and this was before the whole me

1:08:11.880 --> 1:08:16.559
<v Speaker 3>Too movement, right, So I had cut records on this artist,

1:08:17.200 --> 1:08:20.800
<v Speaker 3>and because I didn't sleep with her, she pulled all

1:08:20.840 --> 1:08:23.400
<v Speaker 3>my songs off the album. I was the first me

1:08:23.520 --> 1:08:26.439
<v Speaker 3>Too as a guy, and I thought about it years

1:08:26.479 --> 1:08:29.680
<v Speaker 3>and years later. I thought about a year you got

1:08:30.160 --> 1:08:37.320
<v Speaker 3>oh you got me Too too by a woman hopefully right. Yeah, okay, okay, okay, yeah,

1:08:37.360 --> 1:08:37.800
<v Speaker 3>how damn you?

1:08:41.160 --> 1:08:41.200
<v Speaker 5>No?

1:08:41.600 --> 1:08:43.400
<v Speaker 3>No, no, I know, hey man, but it was something

1:08:43.520 --> 1:08:45.240
<v Speaker 3>I remember, like when the me Too shit happened. I

1:08:45.320 --> 1:08:47.160
<v Speaker 3>called my homie who introduced I was like, hey, man,

1:08:47.479 --> 1:08:49.080
<v Speaker 3>I think I'm gonna come out with my story. He

1:08:49.160 --> 1:08:52.800
<v Speaker 3>was like no. I was like, yeah, man, they took

1:08:52.920 --> 1:08:55.040
<v Speaker 3>she took our songs off the album because I wouldn't

1:08:55.040 --> 1:08:56.880
<v Speaker 3>sleep with her. And he was like, yeah, well just

1:08:57.120 --> 1:08:57.840
<v Speaker 3>so just let it go.

1:08:58.040 --> 1:08:58.200
<v Speaker 1>Man.

1:08:58.200 --> 1:09:01.439
<v Speaker 3>I'm like, no, bro, look at this. The dude cruisers come,

1:09:01.520 --> 1:09:03.519
<v Speaker 3>all these people coming out, and I'm like, I'm gonna

1:09:03.520 --> 1:09:06.280
<v Speaker 3>be the real first guy that had this happen from

1:09:06.320 --> 1:09:09.080
<v Speaker 3>a woman woman. Yeah, and I'm like, I'm coming out.

1:09:10.240 --> 1:09:12.080
<v Speaker 3>He was like, nah, don't, man. He taught me off

1:09:12.120 --> 1:09:13.519
<v Speaker 3>the ledge. You know what I'm saying. But that was

1:09:13.600 --> 1:09:16.320
<v Speaker 3>my I hope I didn't give away too many hints,

1:09:16.720 --> 1:09:19.719
<v Speaker 3>but that was my nameless story. I never saw her again.

1:09:20.520 --> 1:09:23.320
<v Speaker 3>My friends ran into her years later and the first

1:09:23.479 --> 1:09:26.439
<v Speaker 3>question that she didn't say, Hey, how y'all doing. Oh,

1:09:26.520 --> 1:09:28.479
<v Speaker 3>it's good to see y'all, she said. The first thing

1:09:28.560 --> 1:09:32.440
<v Speaker 3>he said, she said was where's your friend with the ponytail?

1:09:32.520 --> 1:09:33.439
<v Speaker 2>The pool bear guy?

1:09:33.720 --> 1:09:35.960
<v Speaker 3>That was the first day. This was three four years later.

1:09:36.080 --> 1:09:39.840
<v Speaker 3>He's still looking for you. Yeah, man, So that's my story. Man,

1:09:39.840 --> 1:09:41.360
<v Speaker 3>I'm so glad I finally got to get that on

1:09:41.439 --> 1:09:44.880
<v Speaker 3>my chest and tell that without actually saying any names. Yeah,

1:09:45.360 --> 1:09:48.080
<v Speaker 3>amazing story. Thank you man, that really happened.

1:09:48.240 --> 1:09:53.719
<v Speaker 2>And maybe it's a surprise. Took me out here right.

1:09:56.200 --> 1:10:01.000
<v Speaker 3>Okay, we got a surprise with all us with a

1:10:01.120 --> 1:10:03.000
<v Speaker 3>macaroni and she it's eight Jesus. Now.

1:10:08.479 --> 1:10:12.120
<v Speaker 5>I can't wait see the comments I can and see

1:10:12.200 --> 1:10:19.120
<v Speaker 5>who they think it is. Try to oh man, yeah, yeah, yeah, yeah, nameless.

1:10:20.120 --> 1:10:22.479
<v Speaker 3>I was waiting on this opportunity. I wasn't gonna be

1:10:22.520 --> 1:10:23.880
<v Speaker 3>the one to reach. I was just like, man, I

1:10:23.880 --> 1:10:24.760
<v Speaker 3>would love to do that.

1:10:24.960 --> 1:10:25.200
<v Speaker 2>Man.

1:10:25.800 --> 1:10:28.360
<v Speaker 3>So thanks for having me and being so genuine and

1:10:29.160 --> 1:10:33.040
<v Speaker 3>never changing. Y'all are still the same motherfuckers. I appreciate that.

1:10:33.760 --> 1:10:36.040
<v Speaker 3>I know. It's just I see a lot of people change,

1:10:36.080 --> 1:10:38.120
<v Speaker 3>so it's thanks for being this being being the same

1:10:38.240 --> 1:10:42.920
<v Speaker 3>man and giving creating this platform for R and B. Man,

1:10:42.960 --> 1:10:46.120
<v Speaker 3>We've never really had this spot like ever outside of

1:10:46.439 --> 1:10:51.679
<v Speaker 3>what Soul trained. What was it done? Yeah, video soul

1:10:51.800 --> 1:10:55.280
<v Speaker 3>video soul right, but that's like twenty So thank you

1:10:55.360 --> 1:10:57.800
<v Speaker 3>for creating this platform and I appreciate you and you

1:10:57.880 --> 1:11:01.519
<v Speaker 3>both you both kings and your amazingly challenged as well.

1:11:01.560 --> 1:11:02.120
<v Speaker 3>Thank you man.

1:11:08.360 --> 1:11:09.439
<v Speaker 1>R and B Money.

1:11:10.600 --> 1:11:12.360
<v Speaker 5>R and B Money is a production of the Black

1:11:12.400 --> 1:11:17.160
<v Speaker 5>Effect podcast Network. For more podcasts from iHeartRadio, visit the

1:11:17.320 --> 1:11:21.120
<v Speaker 5>iHeartRadio app, Apple Podcasts, or wherever you listen to your

1:11:21.160 --> 1:11:25.040
<v Speaker 5>favorite shows. Don't forget to subscribe to and rate our show,

1:11:25.360 --> 1:11:27.960
<v Speaker 5>and you can connect with us on social media at

1:11:28.080 --> 1:11:32.280
<v Speaker 5>Jay Valentine and at the Real Tank. For the extended episode,

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<v Speaker 5>subscribe to YouTube dot com, forward Slash R and B

1:11:36.720 --> 1:11:36.960
<v Speaker 5>Money