WEBVTT - Glee Turns Back Time (“2009” S6 EP 12)

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<v Speaker 1>And that's what you really missed with Jenna.

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<v Speaker 2>And Kevin an iHeartRadio.

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<v Speaker 1>Podcast, Welcome to you, and that's what you really last podcast.

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<v Speaker 1>I don't know if I should have done that so

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<v Speaker 1>gleefully since this is the beginning of the end, but

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<v Speaker 1>here we.

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<v Speaker 2>Are, I think you should have. I think it was warranted.

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<v Speaker 1>You know that.

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<v Speaker 2>I think this is a fun episode. It's a celebration

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<v Speaker 2>of where we came from, of where it all started,

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<v Speaker 2>and a really fun concept for an episode.

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<v Speaker 1>Yeah. Well, I mean I remember when they told us

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<v Speaker 1>about this episode, that it was happening, and like I

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<v Speaker 1>remember hearing makeup starting to get ready for it, obviously

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<v Speaker 1>because there's like a lot of different books that needed

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<v Speaker 1>to be recreated, and I remember being feeling very nostalgic

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<v Speaker 1>about all of this. I'm very excited that this is

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<v Speaker 1>what they were doing. It felt really I don't know,

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<v Speaker 1>it was just really nice that they us.

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<v Speaker 2>Well, it did something interesting. I feel like, like mentally

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<v Speaker 2>or emotional to all of us. I think it was

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<v Speaker 2>the nostalgia of like we all immediately yeah, like yeah,

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<v Speaker 2>we regressed or reverted back to like how we were.

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<v Speaker 2>It's like when you go back to visit your parents

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<v Speaker 2>and you immediately become a teenager again. Yeah, and it

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<v Speaker 2>was just like it was really nice and lovely, and

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<v Speaker 2>everybody was just like, not to say people weren't nice

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<v Speaker 2>and lovely before, but it was sort of like that

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<v Speaker 2>naivete that we had in the beginning, all of a

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<v Speaker 2>sudden came back and we're like, this is fun. Remember this.

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<v Speaker 1>Yeah, I mean there was the choir room scene. Yes,

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<v Speaker 1>it is so memorable. We'll talk about that. Yeah, okay,

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<v Speaker 1>so this is season six, episode twelve, two thousand and nine.

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<v Speaker 1>Is the title. My look, wait, he landed on me again.

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<v Speaker 1>This is crazy, you.

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<v Speaker 2>Guys, Jenna, tell the people why it's crazy.

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<v Speaker 1>All right? So I have a lady book that just

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<v Speaker 1>landed on me for the second time today.

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<v Speaker 2>Don't blow it all.

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<v Speaker 1>I'm sorry, bye Bear. And when Bear died, it was

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<v Speaker 1>September of like two or three years ago, and I

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<v Speaker 1>had said my friend Alessandra, our friend who said said

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<v Speaker 1>I when my dog died, I told him to come

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<v Speaker 1>back as a butterfly and to visit me. So I

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<v Speaker 1>was like, okay, I'll do a ladybug. I like ladybugs.

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<v Speaker 1>I don't really like bugs otherwise, so I asked him

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<v Speaker 1>to come back as a ladybug. I said that to

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<v Speaker 1>him before he died. And then you and I were

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<v Speaker 1>at the iHeartRadio Festival doing our podcast from Las Vegas

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<v Speaker 1>and going to the wardrow or was it the warto

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<v Speaker 1>of the concert? Is a concert concert? And right after

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<v Speaker 1>the day after and so I came out for the

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<v Speaker 1>day and I get a text message from David and

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<v Speaker 1>when I'm in hair and makeup, and there's a ladybug

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<v Speaker 1>in our bathroom, in our bathroom, and he's like, hey bear,

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<v Speaker 1>and I was like, this is when do you ever

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<v Speaker 1>see a ladybug in your bathroom? Anyway, so I knew

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<v Speaker 1>that he came to visit me. He's a few other times,

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<v Speaker 1>but today I had him land right on my shirt.

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<v Speaker 1>And then he was hanging out on my desk when

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<v Speaker 1>we started.

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<v Speaker 2>This podcast inside the house again and.

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<v Speaker 1>Then we're I'm in the middle of recording. Just now

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<v Speaker 1>he landed on my chest. Did I knock him off?

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<v Speaker 1>On him? He was on your chest and he's alive.

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<v Speaker 1>I'm sorry, but he just came to see me, and

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<v Speaker 1>I just I love that. Okay. Anyway, it's all OK,

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<v Speaker 1>it's nice. This is full circle. Yeah, all right, So

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<v Speaker 1>this airs on March twentieth, twenty fifteen, after we've wrapped

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<v Speaker 1>the show.

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<v Speaker 2>Yes, it was actually so two episodes aired this night.

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<v Speaker 2>It was this episode first and then our series finale.

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<v Speaker 2>So Fox was like, we're getting you out of here,

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<v Speaker 2>just get them off. We've had enough of you. But

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<v Speaker 2>we're doing them separately. We're not doing two episodes right now.

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<v Speaker 2>This is just two thousand and nine, so it is

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<v Speaker 2>not the last one yet, so special.

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<v Speaker 1>Okay.

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<v Speaker 2>In the news, the number one song is still Uptown Bunk,

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<v Speaker 2>always cash that check. Number one movie is Insurgent. Did

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<v Speaker 2>you see this?

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<v Speaker 1>I have multiple times?

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<v Speaker 2>Oh, Jenna, the things you watch are you know?

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<v Speaker 1>They said that people who watch things over and over

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<v Speaker 1>again at nauseum actually have a higher EQ. So have

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<v Speaker 1>at higher EQ. Yeah, like emotional intelligence.

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<v Speaker 2>Oh I think you said like IQ.

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<v Speaker 1>No, that's definitely not true.

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<v Speaker 2>Interesting. I started to watch things over and over again,

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<v Speaker 2>so maybe my emotional intelligence is growing.

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<v Speaker 1>I'm so proud of you. Thank you anyway. Okay, so, yes,

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<v Speaker 1>I have seen Insurgent. I think Glee news this week

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<v Speaker 1>on March seventeenth.

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<v Speaker 2>Happy Saint Patrick's Day.

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<v Speaker 1>Kevin's favorite holiday. Glee the music two thousand and nine

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<v Speaker 1>ep was released. It featured five tracks from episode twelve,

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<v Speaker 1>season six, including the previously released cover Don't Stop Believe In,

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<v Speaker 1>originally performed in episode one of one, and was released

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<v Speaker 1>for digital download.

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<v Speaker 2>Only on March twenty first and twenty second. So right

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<v Speaker 2>after this aired, Jenna, myself, Darren, Jacob, Mark and Becca

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<v Speaker 2>attended the Cleek Reunion convention in Paris, France.

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<v Speaker 1>That was a fun one. So we couldn't watch the

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<v Speaker 1>finale live or we would have probably all gotten together

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<v Speaker 1>and watched it because we were in Paris doing this.

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<v Speaker 2>It was also I think there was you and me.

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<v Speaker 2>I had this strange of version to like I didn't

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<v Speaker 2>want to watch it yet.

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<v Speaker 1>Yes, we were putting it off off.

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<v Speaker 2>I was scared to watch it. I actually watched it

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<v Speaker 2>that weekend. My friend Cleo was there and we laid

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<v Speaker 2>in bed and watched the two episodes and yeah cried.

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<v Speaker 1>Yeah, I brought the dishies out. I remember sitting there

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<v Speaker 1>by myself and I think it was the weekend after

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<v Speaker 1>or whenever we got home. I remember like having to

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<v Speaker 1>prepare myself for it. But it was special. This was

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<v Speaker 1>directed by the one and only Paris Barclay, and this

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<v Speaker 1>was written by Ryan Ian and Brad course, and Everybody's back.

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<v Speaker 2>Yeah, everyone is back, and there's quite a few songs

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<v Speaker 2>in here, songs. We've already had some new songs, so

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<v Speaker 2>we have popular sung by Kurt and Rachel.

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<v Speaker 1>I mean we had to complete the Wicked Okay, I'm

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<v Speaker 1>His Child by Zella Jackson Price performed by Mercedes.

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<v Speaker 2>I Kissed a Girl performed by Tina. Did you redo this?

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<v Speaker 1>Because I actually did this version in the studio because

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<v Speaker 1>the original in the pilot we did live, yes, so

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<v Speaker 1>we never got to the studio for that one.

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<v Speaker 2>How did it feel going back to do it again?

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<v Speaker 1>It was funny, it actually got to finish a song.

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<v Speaker 1>I loved it. I liked revisiting it. It was very

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<v Speaker 1>weird to watch uh this time around, but I enjoyed

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<v Speaker 1>like actually singing it with like a I guess it

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<v Speaker 1>was still only like piano. It wasn't like a fully

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<v Speaker 1>produced number. But I really enjoy Pony even more. This

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<v Speaker 1>is Pony by Artie.

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<v Speaker 2>Don't Stop Believing, which was original yeah, by the new

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<v Speaker 2>directions and then unreleased was mister Sullivan.

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<v Speaker 1>Like hurt right where we only see his back because

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<v Speaker 1>his audition was so iconic that we couldn't quite recreate

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<v Speaker 1>that again with Chris being a foot taller and so

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<v Speaker 1>much to six years older, from a boy to a man.

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<v Speaker 2>Yeah, he looks so different, it's crazy.

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<v Speaker 1>Well yeah, I mean he was just like unrecognizable. Yeah, okay,

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<v Speaker 1>So this episode aired back to back with the series finale,

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<v Speaker 1>like we said, with Dreams True as part of a

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<v Speaker 1>special two part finale.

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<v Speaker 2>It was the most watched episode of season six, strong

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<v Speaker 2>two point seven million viewers.

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<v Speaker 1>Won't won't Wow for a fat finale, It marked the

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<v Speaker 1>highest viewership since Tested, which aired fifteen episodes.

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<v Speaker 2>Really and people saw me get ScDs and they're like,

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<v Speaker 2>you know what, I'm out, I'm done with this shows.

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<v Speaker 2>That's what happened there stops. This is only the second

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<v Speaker 2>episode of the series set in the past, the first

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<v Speaker 2>being previously unaired Christmas.

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<v Speaker 1>However, two thousand and nine is the first flashback episode

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<v Speaker 1>considered official canon.

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<v Speaker 2>Several familiar faces returned this episode. Matt Rutherford appears for

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<v Speaker 2>the first time since season one finale Journey after a

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<v Speaker 2>ninety nine episode absence, WHOA.

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<v Speaker 1>Terry Delmonico returns for the first time since season four's Glee.

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<v Speaker 1>Actually forty four episodes ago.

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<v Speaker 2>Howard Bamboo makes his first appearance since season two's Funeral

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<v Speaker 2>seventy eight episodes ago, and it marks his final appearance

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<v Speaker 2>on the series.

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<v Speaker 1>Oh well, almost everybody's final appearance. Yeah. This is only

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<v Speaker 1>the second episode in the series with the new Miracle title.

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<v Speaker 1>The first was one hundred and season five.

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<v Speaker 2>Coincidentally, both one hundred and two thousand and nine are

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<v Speaker 2>the twelfth episodes of the respective seasons.

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<v Speaker 1>Jenna love that it's the only episode of season six

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<v Speaker 1>in which Roderick and Sam do not appear.

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<v Speaker 2>Sam is notably absent for the first time since the

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<v Speaker 2>backup Plan thirteen episodes earlier, and that rather.

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<v Speaker 1>For delivery, just his third line of dialogue in the

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<v Speaker 1>entire series.

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<v Speaker 2>I love seeing him there. That made me really happy.

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<v Speaker 1>Ches Dejoon, he's a part of the Ogs. It's just

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<v Speaker 1>so funny because man, if I RM, I'd be like, yeah,

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<v Speaker 1>that's why I left.

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<v Speaker 2>This episode includes the final voiceovers from Artie, Kurt, Mercedes, Rachel,

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<v Speaker 2>and Tina Oh.

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<v Speaker 1>And Mercedes mother makes her first and only on screen appearance.

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<v Speaker 2>As a result, Tina remains the only original directions member

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<v Speaker 2>whose parents never appear on the show.

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<v Speaker 1>Shocker two thousand and nine was originally scheduled to air

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<v Speaker 1>before a wedding, but was ultimately pushed to air with

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<v Speaker 1>the finale Good choices.

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<v Speaker 2>We also, I know you and I were talking about

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<v Speaker 2>this beforehand. We also are under the impression that they

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<v Speaker 2>were debating airing this as the series finale. So having

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<v Speaker 2>correct the debating which episode would go first?

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<v Speaker 1>Correct, I think it's right. I mean I didn't watch

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<v Speaker 1>I haven't watched the final episode yet, so I don't know. No,

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<v Speaker 1>but this feels right to me, right because yeah, I

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<v Speaker 1>wouldn't want to in the future episode right exactly. We're

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<v Speaker 1>looking to the future, not looking backwards.

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<v Speaker 2>The episode underwent revisions due to the schedule change. It

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<v Speaker 2>was initially written by Ned Martel, but parts were rewritten

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<v Speaker 2>by Ryan Ian and Brad. While the full exon of

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<v Speaker 2>the changes are known, one confirmed alteration was the inclusion

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<v Speaker 2>of Blame, who did not appear in the original script.

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<v Speaker 1>I thought that was funny when he turned around. I

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<v Speaker 1>really like that. The best Kurt is shown sewing on

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<v Speaker 1>his machine is the same one he airs during his

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<v Speaker 1>iconic single Ladies performance in Gregor Cute.

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<v Speaker 2>I love all those things.

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<v Speaker 1>I know the Lea dregs.

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<v Speaker 2>So this episode summary Fox again, just like with the

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<v Speaker 2>airing schedule, they were like, you know what, We're just

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<v Speaker 2>gonna throw in the summaries as one. We're not going

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<v Speaker 2>to waste any anytime here. The letters are valuable, so

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<v Speaker 2>we can only use so many, So they first account

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<v Speaker 2>the summaries are Glee goes back in time to find

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<v Speaker 2>out why the original members of the new directions initially

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<v Speaker 2>signed up for Glee Club. Then Glee flashes forward to

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<v Speaker 2>see how the characters' lives have progressed five years down

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<v Speaker 2>the road in the all new special two hour series

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<v Speaker 2>finale episode.

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<v Speaker 1>Oh okay, it's two thousand and nine and we're filling

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<v Speaker 1>in the gaps from the pilot, which I love this idea.

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<v Speaker 1>This was so much fun. I remembered so excited. There

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<v Speaker 1>were some very iconic looks that need to be recreated. Leah,

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<v Speaker 1>like no lashes, dark eyebrows, Amber's quintessential Mercedes wardrobe. Oh

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<v Speaker 1>my god, she looked just as young as she didn't. Monster.

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<v Speaker 1>It's like, damn, I remember having very much shorter hair

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<v Speaker 1>at the time we filmed this, and blonde, so they

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<v Speaker 1>had to spray paint my hair essentially and then throw

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<v Speaker 1>in extensions then put the blue in, and I remember

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<v Speaker 1>coming home at night and like, I had to fully

0:12:46.520 --> 0:12:49.840
<v Speaker 1>shower every night after we shot because there would be

0:12:49.920 --> 0:12:53.720
<v Speaker 1>black like spray paint all over my pillow, all over

0:12:53.760 --> 0:12:55.800
<v Speaker 1>my shot. If I didn't. It was like if I

0:12:55.880 --> 0:12:57.840
<v Speaker 1>rub my hands over my hair, it would be like

0:12:57.880 --> 0:13:00.160
<v Speaker 1>black on my hands. Anyway, it was really fun, but.

0:13:00.240 --> 0:13:03.240
<v Speaker 2>They put hair out of funds in my bangs because

0:13:03.280 --> 0:13:06.320
<v Speaker 2>my hair was so much shorter. In truth, I was

0:13:06.360 --> 0:13:08.719
<v Speaker 2>just losing it. I didn't know that. Yeah, so that's

0:13:08.920 --> 0:13:11.920
<v Speaker 2>like the swoop isn't really swooping as a shit I

0:13:11.920 --> 0:13:12.880
<v Speaker 2>ever would have noticed.

0:13:13.559 --> 0:13:18.760
<v Speaker 1>What a great axtension. Kevin and Chris. His hair is

0:13:18.800 --> 0:13:20.959
<v Speaker 1>usually flipped up at this point. They had to do

0:13:21.120 --> 0:13:25.000
<v Speaker 1>like the comb over mart like again, and it was

0:13:25.120 --> 0:13:29.240
<v Speaker 1>just he's just so different looking than he was when

0:13:29.240 --> 0:13:32.960
<v Speaker 1>he was eighteen, obviously, so he was like the sort

0:13:32.960 --> 0:13:34.880
<v Speaker 1>of thumb. I think that was like, Okay, this is

0:13:34.920 --> 0:13:39.360
<v Speaker 1>a flashback, not a recreation, or maybe it is a recreation,

0:13:39.679 --> 0:13:41.319
<v Speaker 1>but he's still Kurt.

0:13:41.600 --> 0:13:45.200
<v Speaker 2>What I really love, though, is you could see how

0:13:45.240 --> 0:13:49.480
<v Speaker 2>everybody's acting style has changed or how they play the characters.

0:13:49.760 --> 0:13:51.959
<v Speaker 2>And I think that's a good thing of the growth

0:13:52.080 --> 0:13:54.720
<v Speaker 2>of the characters, the maturity of the characters, and how

0:13:54.760 --> 0:13:59.520
<v Speaker 2>we all go back or revert to, you know, how

0:13:59.520 --> 0:14:01.720
<v Speaker 2>we originally were doing it where everyone was just like

0:14:01.760 --> 0:14:02.840
<v Speaker 2>a little more extreme.

0:14:03.440 --> 0:14:08.160
<v Speaker 1>Yes, it was little a tiny bit more satirical, like yes.

0:14:08.320 --> 0:14:13.040
<v Speaker 2>Yeah, Like it was really fun to watch Leah original

0:14:13.120 --> 0:14:15.040
<v Speaker 2>brand Rachel.

0:14:15.640 --> 0:14:18.800
<v Speaker 1>The speed at which she speaks is unmatched.

0:14:19.040 --> 0:14:21.400
<v Speaker 2>The seriousness. There's no irony in anything.

0:14:21.880 --> 0:14:24.960
<v Speaker 1>No, and it's just it's so good, but it's set

0:14:25.000 --> 0:14:29.120
<v Speaker 1>the tone. And like her and Kurt in the scene

0:14:29.160 --> 0:14:32.320
<v Speaker 1>in the when they first meet it in the Cafegier Aia, yes,

0:14:32.720 --> 0:14:33.960
<v Speaker 1>I was like, oh man, this is.

0:14:34.160 --> 0:14:37.480
<v Speaker 2>So let's go through that. They do like a lot

0:14:37.520 --> 0:14:40.480
<v Speaker 2>of character service here, which is really nice, I think

0:14:40.520 --> 0:14:43.040
<v Speaker 2>for us personally to like see how not just our

0:14:43.080 --> 0:14:45.440
<v Speaker 2>own characters, but all the other characters that we love

0:14:45.480 --> 0:14:48.120
<v Speaker 2>on the show, how they came to be. And we

0:14:48.160 --> 0:14:51.400
<v Speaker 2>start off with Kurt, which was a little surprising to me.

0:14:52.240 --> 0:14:53.360
<v Speaker 1>They started with that one.

0:14:53.520 --> 0:14:58.520
<v Speaker 2>Well, the depression storyline of this, yes, because but I

0:14:58.640 --> 0:15:01.240
<v Speaker 2>like it because we know Kurt to be, you know,

0:15:01.320 --> 0:15:05.800
<v Speaker 2>so strong and strong willed and very much himself. But

0:15:05.920 --> 0:15:08.640
<v Speaker 2>the likelihood that he was always that way seems like

0:15:08.680 --> 0:15:10.920
<v Speaker 2>a bit of a stretch, and so we do get

0:15:11.400 --> 0:15:14.160
<v Speaker 2>you know, him going through school, having a really tough

0:15:14.200 --> 0:15:20.160
<v Speaker 2>time and looking at these incredible pamphlets outside of Emma's office.

0:15:20.320 --> 0:15:24.800
<v Speaker 1>We needed one more pamphlet, luck, we need of course

0:15:25.240 --> 0:15:28.600
<v Speaker 1>an old school jamo with like the hand sanitizer. It

0:15:28.720 --> 0:15:33.640
<v Speaker 1>always like just so good. Yeah, so Kurt's obviously looking

0:15:33.680 --> 0:15:40.320
<v Speaker 1>at this pamphlet that then sparks uh, Miss Pillsbury's concern

0:15:40.680 --> 0:15:44.520
<v Speaker 1>to bring Burton, which was a missy Bert, which I

0:15:44.760 --> 0:15:47.200
<v Speaker 1>was like, please bring in Bert and be concerned about

0:15:47.200 --> 0:15:49.440
<v Speaker 1>this pamphlet, because like, if we just wash over this,

0:15:49.520 --> 0:15:50.640
<v Speaker 1>I'll kind of be upset.

0:15:51.000 --> 0:15:53.280
<v Speaker 2>I also thought it was like you know how it's

0:15:53.320 --> 0:15:57.400
<v Speaker 2>happened in the past where they really sort of work

0:15:57.440 --> 0:15:59.720
<v Speaker 2>people into an episode just for the sake of working

0:15:59.720 --> 0:16:03.960
<v Speaker 2>them in, where all of this felt really natural, inorganic,

0:16:04.000 --> 0:16:06.280
<v Speaker 2>and it felt like a regular Glee episode.

0:16:06.840 --> 0:16:10.880
<v Speaker 1>Yes, agreed. I think that because the pilot was so

0:16:12.240 --> 0:16:17.120
<v Speaker 1>perfect and flushed out in so many ways, and they

0:16:17.120 --> 0:16:19.920
<v Speaker 1>had so much time over the sixth the course of

0:16:19.960 --> 0:16:22.080
<v Speaker 1>six years to get to know us and our characters,

0:16:22.440 --> 0:16:25.160
<v Speaker 1>like going back, I would imagine that the writers were

0:16:25.160 --> 0:16:28.560
<v Speaker 1>like this, this is kind of easy because you're literally

0:16:28.560 --> 0:16:32.480
<v Speaker 1>filling in the blanks, not that there was no like

0:16:32.560 --> 0:16:35.600
<v Speaker 1>obviously it was brilliant on its own right, but like

0:16:36.680 --> 0:16:39.240
<v Speaker 1>I can't imagine that you're like, oh, I'm so stumped,

0:16:39.320 --> 0:16:41.320
<v Speaker 1>like where would Kurt be or where would Tina bee

0:16:41.360 --> 0:16:42.400
<v Speaker 1>or where you know what I mean?

0:16:42.880 --> 0:16:46.240
<v Speaker 2>And knowing which relationships are going to end up working out, yeah,

0:16:46.280 --> 0:16:48.320
<v Speaker 2>and so being able to build upon those like watching

0:16:48.400 --> 0:16:52.600
<v Speaker 2>Kurt and Mercedes form their friendship or watching Rachel and

0:16:52.720 --> 0:16:57.960
<v Speaker 2>Kurt form their friendship, and how she gets him into

0:16:58.000 --> 0:16:59.720
<v Speaker 2>the glee club, and also the reason why he joins

0:16:59.720 --> 0:17:01.720
<v Speaker 2>a GLI glee club in the first place is because

0:17:01.760 --> 0:17:04.120
<v Speaker 2>Burt and courages him to join a team. Like all

0:17:04.160 --> 0:17:07.160
<v Speaker 2>of those little things are so simple but also so fulfilling.

0:17:07.200 --> 0:17:10.480
<v Speaker 2>I think as a viewer totally, I just really enjoyed

0:17:10.480 --> 0:17:12.880
<v Speaker 2>all those puzzle pieces just fitting together perfectly.

0:17:13.400 --> 0:17:17.760
<v Speaker 1>Yeah, agreed. So Kurt promises Bert that he's going to

0:17:17.880 --> 0:17:19.800
<v Speaker 1>join He's not going to hide in his basement, and

0:17:19.840 --> 0:17:22.800
<v Speaker 1>he's going to join a club. I think Bert was

0:17:22.840 --> 0:17:26.520
<v Speaker 1>thinking more along the lines of the football team or

0:17:26.600 --> 0:17:30.800
<v Speaker 1>like you know, like something like that, but Kurt finds

0:17:31.640 --> 0:17:35.840
<v Speaker 1>it falls into his lap. Really, he went to the cafeteria.

0:17:36.000 --> 0:17:42.200
<v Speaker 1>Nowhere to sit the bullies, Puckin' Krowsky. We'll let him

0:17:42.200 --> 0:17:44.280
<v Speaker 1>sit at the table. So he sits next to Rachel,

0:17:44.280 --> 0:17:46.800
<v Speaker 1>who's filling out all of her you know, flyers for

0:17:46.920 --> 0:17:50.440
<v Speaker 1>all of her clubs. And she tells Kurt that mister

0:17:50.440 --> 0:17:54.159
<v Speaker 1>Sue is heading up the glee club and she's going

0:17:54.240 --> 0:17:56.320
<v Speaker 1>to test his chops. And so they go to the

0:17:56.359 --> 0:18:02.200
<v Speaker 1>auditorium and they sing Popular, Adorable. Fun to see popular

0:18:02.240 --> 0:18:04.560
<v Speaker 1>as a duet, and.

0:18:04.880 --> 0:18:10.280
<v Speaker 2>Like interesting to see which characters they're singing as. I mean,

0:18:10.320 --> 0:18:14.520
<v Speaker 2>obviously they're splitting it, but like anyway, that's the side point,

0:18:14.600 --> 0:18:19.280
<v Speaker 2>but I liked seeing Leah sing Yes, those parts, the

0:18:19.400 --> 0:18:22.080
<v Speaker 2>Kristen parts. I mean, it's all Christian.

0:18:21.880 --> 0:18:23.920
<v Speaker 1>Parts, but you know what I mean, Yes, I know

0:18:23.960 --> 0:18:25.439
<v Speaker 1>what you mean. I also like to.

0:18:25.400 --> 0:18:30.399
<v Speaker 2>Talk about this Bert Bert here in storyline speaking of

0:18:30.440 --> 0:18:32.320
<v Speaker 2>everybody sort of going back to how they were playing

0:18:32.359 --> 0:18:36.600
<v Speaker 2>it before. Obviously that as actors you expect everyone to

0:18:36.920 --> 0:18:40.080
<v Speaker 2>do that, but it was so startling to see it

0:18:40.160 --> 0:18:43.000
<v Speaker 2>because you know, he gets called into Emma's office and

0:18:43.040 --> 0:18:44.920
<v Speaker 2>he's like, I know what this is about, and it's

0:18:44.920 --> 0:18:49.360
<v Speaker 2>not about that, right, And the way he addresses Kurt

0:18:49.480 --> 0:18:54.159
<v Speaker 2>or addresses that subject. The depression to Kurt is like

0:18:54.200 --> 0:18:57.320
<v Speaker 2>a little harsher than he ends up being in a

0:18:57.320 --> 0:19:02.880
<v Speaker 2>couple episodes time, if this was in sequential order, right, Yes,

0:19:03.080 --> 0:19:06.520
<v Speaker 2>and so it's so it was so nice, brilliant on

0:19:07.119 --> 0:19:09.880
<v Speaker 2>his part. Yes, and also just a little jarring. I'm like, oh,

0:19:10.119 --> 0:19:13.200
<v Speaker 2>Bert is just a little harsh here. He's it's like

0:19:13.240 --> 0:19:14.840
<v Speaker 2>I'm gonna need you to you know, sort of like

0:19:14.880 --> 0:19:17.200
<v Speaker 2>the tough dad. But we know he's a big old

0:19:17.240 --> 0:19:23.080
<v Speaker 2>softie who loves Kurt and really ushers him into like

0:19:23.520 --> 0:19:25.840
<v Speaker 2>his brave new world coming up shortly.

0:19:25.760 --> 0:19:30.679
<v Speaker 1>I know, I know. Uh Okay, So Kurt, Kurt and

0:19:30.800 --> 0:19:35.720
<v Speaker 1>Rachel they sing their song. He's joining the Blag Club,

0:19:36.400 --> 0:19:40.320
<v Speaker 1>or at least attempting to join the Big Club or

0:19:40.359 --> 0:19:42.040
<v Speaker 1>signing up to audition. Yes.

0:19:43.440 --> 0:19:46.359
<v Speaker 2>But Kurt then sees Mercedes and he's like, I need

0:19:46.400 --> 0:19:51.680
<v Speaker 2>you to help me and then says some questionable, questionable

0:19:51.680 --> 0:19:56.679
<v Speaker 2>things about only referencing black singers. Yeah that felt a

0:19:56.760 --> 0:20:04.240
<v Speaker 2>little Yeah, but we get the start of their friendship, yes,

0:20:04.680 --> 0:20:09.639
<v Speaker 2>which is nice. Yes, the same thing happened with Rachel

0:20:09.720 --> 0:20:16.680
<v Speaker 2>and Mercedes. It was all very very questionable, yes, Yes,

0:20:17.400 --> 0:20:20.960
<v Speaker 2>And we get a lot more Mercedes. We see Mercedes

0:20:21.000 --> 0:20:23.120
<v Speaker 2>is the big star of her church, and we get

0:20:23.119 --> 0:20:26.919
<v Speaker 2>into her storyline and she doesn't have many friends at school,

0:20:27.240 --> 0:20:30.719
<v Speaker 2>so she signs up for glee club, and you know,

0:20:31.480 --> 0:20:34.760
<v Speaker 2>and now that she's started this friendship with Kurt and

0:20:34.800 --> 0:20:38.560
<v Speaker 2>she sees him, I mean, you know, partially, I do

0:20:38.600 --> 0:20:41.040
<v Speaker 2>love the little foreshadow to that she's gonna have a

0:20:41.080 --> 0:20:45.240
<v Speaker 2>crush on him coming up so cute, but she's like,

0:20:45.280 --> 0:20:47.360
<v Speaker 2>you dress loudly. You just need your body to reflect

0:20:47.359 --> 0:20:50.040
<v Speaker 2>that your posture, and you know, all of that. Love

0:20:50.080 --> 0:20:53.080
<v Speaker 2>it and I love getting to see you know, more

0:20:53.119 --> 0:20:56.560
<v Speaker 2>Mercedes outside of school. We get to meet her mom.

0:20:57.200 --> 0:21:00.400
<v Speaker 1>Okay, well, yeah, so she goes to the church, right,

0:21:00.520 --> 0:21:04.760
<v Speaker 1>and Rachel's gonna go. She asks to go see her

0:21:04.800 --> 0:21:08.040
<v Speaker 1>at church. She and Rachel kind of approaches Mercedes because

0:21:08.040 --> 0:21:09.919
<v Speaker 1>she knows she's got a reputation, that she's got a

0:21:09.920 --> 0:21:11.679
<v Speaker 1>really good voice, and she's signing up for glue club, right,

0:21:11.720 --> 0:21:16.000
<v Speaker 1>and that she's going to essentially like they're gonna be competition.

0:21:16.160 --> 0:21:18.879
<v Speaker 1>Rachel already sees it, so she's like, let's go and

0:21:18.960 --> 0:21:21.520
<v Speaker 1>let me come to your church. She goes to church.

0:21:21.560 --> 0:21:25.879
<v Speaker 1>We go to church, Take me to church chamber and

0:21:25.960 --> 0:21:30.800
<v Speaker 1>she does. I mean she certainly does. She sings song honestly,

0:21:30.840 --> 0:21:33.480
<v Speaker 1>just one more song like for forever to just like

0:21:34.359 --> 0:21:39.840
<v Speaker 1>show her chops. I just was like, great, there's nothing

0:21:39.840 --> 0:21:42.119
<v Speaker 1>else I need. That's a wrap for me.

0:21:42.359 --> 0:21:42.840
<v Speaker 2>Yeah.

0:21:42.960 --> 0:21:47.560
<v Speaker 1>She sounds amazing and I love it that Rachel went though.

0:21:48.240 --> 0:21:54.920
<v Speaker 1>But Rachel is clearly threatened, which we know fuels her yeah,

0:21:54.920 --> 0:21:56.760
<v Speaker 1>and also threatens her right.

0:21:56.640 --> 0:22:00.320
<v Speaker 2>Like, Mercedes clocks it immediately because Rachel's doing her sort

0:22:00.359 --> 0:22:02.119
<v Speaker 2>of gas lightly thing that she does where she's like

0:22:02.160 --> 0:22:05.159
<v Speaker 2>complimenting her and being like, oh, our voices are different,

0:22:05.240 --> 0:22:07.160
<v Speaker 2>You're gonna be doing this. I'm gonna be doing this,

0:22:07.240 --> 0:22:11.760
<v Speaker 2>and Mercedes sees through it immediately and it's like no, no, no,

0:22:11.760 --> 0:22:14.760
<v Speaker 2>no, no no. I can do everything that you can do, right,

0:22:14.920 --> 0:22:18.400
<v Speaker 2>like don't put me in a box, right, And there

0:22:19.200 --> 0:22:22.159
<v Speaker 2>lies the crux of their relationship for the rest of

0:22:22.200 --> 0:22:22.760
<v Speaker 2>the series.

0:22:22.920 --> 0:22:27.520
<v Speaker 1>Yes, and I love the like when you mentioned we

0:22:27.600 --> 0:22:29.920
<v Speaker 1>meet mercedes mom for the first one, first and only

0:22:29.960 --> 0:22:34.000
<v Speaker 1>time and her mom kind of clocks the whole uh

0:22:34.720 --> 0:22:38.040
<v Speaker 1>interaction outside of the church, and then we go to

0:22:38.080 --> 0:22:41.760
<v Speaker 1>glee club and mister Shu gives Rachel the solo right

0:22:42.440 --> 0:22:46.200
<v Speaker 1>and Mercedes gets upset, and so she goes home and

0:22:46.200 --> 0:22:50.120
<v Speaker 1>her mom's like, what's wrong, and so Mercedes like, I'm

0:22:50.119 --> 0:22:52.640
<v Speaker 1>just gonna quit. I'm just gonna quit. There's no there's

0:22:52.640 --> 0:22:54.240
<v Speaker 1>no use. I'm not gonna get the solos. I'm not

0:22:54.280 --> 0:22:58.720
<v Speaker 1>gonna be able to shine like whatever. And what the

0:22:58.760 --> 0:23:01.600
<v Speaker 1>mom says is so So it really does feel the

0:23:01.600 --> 0:23:03.800
<v Speaker 1>rest of their relationship or what we're what we've seen

0:23:03.880 --> 0:23:07.520
<v Speaker 1>in the past of like great being around great people

0:23:07.640 --> 0:23:10.600
<v Speaker 1>is only going to make you greater. It's gonna drive you,

0:23:10.720 --> 0:23:14.359
<v Speaker 1>it's going to motivate you. And they really did like

0:23:14.840 --> 0:23:17.159
<v Speaker 1>they can hold their own again. It's like kind of

0:23:17.200 --> 0:23:20.560
<v Speaker 1>like the Santana Rachel feod that we loved so much,

0:23:20.640 --> 0:23:23.679
<v Speaker 1>like they make each other better. So to see Rachel

0:23:23.760 --> 0:23:29.840
<v Speaker 1>and Mercedes kind of have that competition, sometimes friendly sometimes

0:23:29.840 --> 0:23:33.040
<v Speaker 1>not in the show like it's it's really I loved

0:23:33.080 --> 0:23:35.320
<v Speaker 1>that scene with her mom and her It was.

0:23:35.280 --> 0:23:36.880
<v Speaker 2>Really nice and it just it just made me want

0:23:37.000 --> 0:23:41.200
<v Speaker 2>more time to have more Mercedes and her mom.

0:23:41.880 --> 0:23:43.520
<v Speaker 1>Yes, like I wish I had.

0:23:43.800 --> 0:23:45.960
<v Speaker 2>I mean, also, speaking of you out of Santana is

0:23:46.560 --> 0:23:50.240
<v Speaker 2>because obviously in the beginning, the Glee Club was just

0:23:50.280 --> 0:23:53.960
<v Speaker 2>the five of us. It did make me want some

0:23:54.000 --> 0:23:57.520
<v Speaker 2>more origin stories for everybody else who came in, because

0:23:57.520 --> 0:23:59.760
<v Speaker 2>it's even though yeah, it was just a few of

0:23:59.840 --> 0:24:02.800
<v Speaker 2>us in the beginning that wasn't the Glee Club, Like

0:24:02.840 --> 0:24:06.600
<v Speaker 2>the Glee Club was like the original twelve. Yeah, yeah, exactly,

0:24:06.720 --> 0:24:09.919
<v Speaker 2>And it feels weird to not get some of it.

0:24:09.960 --> 0:24:13.119
<v Speaker 2>Like I wanted to see Santana and Quinn in the background,

0:24:13.160 --> 0:24:17.480
<v Speaker 2>and yeah, I wanted more of that, But I get it.

0:24:17.480 --> 0:24:21.600
<v Speaker 2>There's only so much time, you know, forty minutes. I know.

0:24:21.760 --> 0:24:24.919
<v Speaker 2>That's why they rolled our storylines together, right and.

0:24:25.160 --> 0:24:28.080
<v Speaker 1>And look, I think also, which I loved, but also

0:24:28.160 --> 0:24:30.480
<v Speaker 1>like to then if you know where the end is

0:24:30.520 --> 0:24:32.880
<v Speaker 1>and you're backing into it and the end is the

0:24:33.400 --> 0:24:37.159
<v Speaker 1>don't stop with the five yes, yeah, like yeah, of

0:24:37.200 --> 0:24:38.760
<v Speaker 1>course we're driving your story.

0:24:39.000 --> 0:24:39.480
<v Speaker 2>Yeah.

0:24:39.520 --> 0:24:41.719
<v Speaker 1>I love that they rolled our stories into one. I

0:24:41.720 --> 0:24:46.880
<v Speaker 1>did too, so happy, loved and I love doing a voiceover.

0:24:47.080 --> 0:24:50.840
<v Speaker 1>So Tina is I like this storyline because now we

0:24:51.000 --> 0:24:54.560
<v Speaker 1>reveal that Tina always knew that the stutter was fake,

0:24:54.920 --> 0:24:59.760
<v Speaker 1>Like yes, it's like yeah, seasons and like you know,

0:24:59.800 --> 0:25:02.800
<v Speaker 1>she reveals it obviously in Wheels, But like I was, like,

0:25:02.880 --> 0:25:06.520
<v Speaker 1>this is just it feels so good, like she had

0:25:06.560 --> 0:25:07.840
<v Speaker 1>this she was in control.

0:25:08.000 --> 0:25:11.399
<v Speaker 2>You can retroactively fix the story.

0:25:13.680 --> 0:25:17.120
<v Speaker 1>But it was really cute. And I also liked how

0:25:18.520 --> 0:25:21.720
<v Speaker 1>it was interesting to watch back that story because it's

0:25:21.760 --> 0:25:25.119
<v Speaker 1>my own, or like Tina's and how they saw it

0:25:25.200 --> 0:25:27.800
<v Speaker 1>or how they wrote it. Of like her knowing that

0:25:27.840 --> 0:25:30.360
<v Speaker 1>she could be a big star if she wasn't so

0:25:30.400 --> 0:25:33.400
<v Speaker 1>shy and like didn't hide behind the stutter, Like there

0:25:33.480 --> 0:25:36.560
<v Speaker 1>was a confidence about her that people in the audience

0:25:36.560 --> 0:25:40.239
<v Speaker 1>could see that she always had. She just it was

0:25:40.280 --> 0:25:45.160
<v Speaker 1>just hiding, you know. Yeah, I loved it.

0:25:44.720 --> 0:25:48.359
<v Speaker 2>It was nice to hear from her like that. She's like,

0:25:48.440 --> 0:25:50.399
<v Speaker 2>I'm goth. I hate everything. I don't want to be

0:25:50.520 --> 0:25:53.480
<v Speaker 2>liked by anyone whatever. I want to be friends with

0:25:53.520 --> 0:25:58.160
<v Speaker 2>people who aren't liked And it was it felt really powerful.

0:25:58.200 --> 0:26:00.240
<v Speaker 2>Tina has always felt powerful.

0:26:00.760 --> 0:26:03.040
<v Speaker 1>Yeah, but in the pilot, like I don't think she

0:26:03.119 --> 0:26:05.000
<v Speaker 1>knew her I don't think I knew her power yet,

0:26:05.240 --> 0:26:07.240
<v Speaker 1>like in the in the pilot, you know, because I

0:26:07.240 --> 0:26:08.960
<v Speaker 1>don't think anybody really knew who she was yet.

0:26:09.000 --> 0:26:11.160
<v Speaker 2>But but like the goth of it all, I think

0:26:11.320 --> 0:26:14.480
<v Speaker 2>it's like drag where it helps you. It gives you

0:26:14.520 --> 0:26:18.280
<v Speaker 2>that exterior confidence that bleeds into the interior. Yes, and

0:26:18.359 --> 0:26:20.960
<v Speaker 2>so you definitely had that in the pilot episode, like yeah,

0:26:21.000 --> 0:26:23.280
<v Speaker 2>I think putting on those clothes and the hair extensions,

0:26:23.280 --> 0:26:27.760
<v Speaker 2>like you stomped through those hallways and like I kissed

0:26:27.800 --> 0:26:32.160
<v Speaker 2>the girl was a confident performance. So I remember you

0:26:33.280 --> 0:26:35.320
<v Speaker 2>like watching the pilot to try to get like the

0:26:35.359 --> 0:26:38.360
<v Speaker 2>movements down to like figure out how are we going

0:26:38.400 --> 0:26:40.600
<v Speaker 2>to like match it up again? What was that whole process?

0:26:40.800 --> 0:26:46.480
<v Speaker 1>Like yeah, yeah, yeah, So it's funny because gosh, shooting

0:26:46.480 --> 0:26:49.720
<v Speaker 1>the actual pilot was such a blur, or that the audition.

0:26:50.320 --> 0:26:51.800
<v Speaker 1>The auditions were such a blur.

0:26:51.600 --> 0:26:52.760
<v Speaker 2>Because it felt so impromptu.

0:26:53.200 --> 0:26:55.440
<v Speaker 1>They were so rushed. I mean I think they were

0:26:55.480 --> 0:26:58.000
<v Speaker 1>like something else got cut. They could fit it in

0:26:58.040 --> 0:27:00.680
<v Speaker 1>that day. At the end of the day, none of

0:27:00.760 --> 0:27:03.000
<v Speaker 1>us had rehearsed them. I barely knew the music. I

0:27:03.040 --> 0:27:04.919
<v Speaker 1>don't think I rehearsed with Brad at all. So like

0:27:05.040 --> 0:27:07.240
<v Speaker 1>it was very off the cuffin It was like, I

0:27:07.240 --> 0:27:09.280
<v Speaker 1>guess I'm from theater. I guess this is what I do,

0:27:09.440 --> 0:27:13.359
<v Speaker 1>Like I just have to go do it. So I

0:27:13.359 --> 0:27:15.679
<v Speaker 1>think Zach had given me like two or three things.

0:27:16.080 --> 0:27:18.399
<v Speaker 1>This one was one of them. The finger wave and

0:27:18.440 --> 0:27:22.800
<v Speaker 1>then obviously the the Groydon hit, which became like the thing.

0:27:23.520 --> 0:27:27.760
<v Speaker 1>So I remember looking back and wanting to recreate obviously

0:27:27.840 --> 0:27:29.560
<v Speaker 1>the ones that we did from the pilot, but then

0:27:29.600 --> 0:27:33.359
<v Speaker 1>also adding in a few other appropriate moves that Tina

0:27:33.359 --> 0:27:39.040
<v Speaker 1>would have done in that moment of time, and then

0:27:39.080 --> 0:27:41.960
<v Speaker 1>also just knowing that you were back there and aiding

0:27:42.040 --> 0:27:45.600
<v Speaker 1>in your you know, watching of me, we added like

0:27:45.640 --> 0:27:48.840
<v Speaker 1>the little butt thing where she leans over, which is

0:27:48.880 --> 0:27:53.000
<v Speaker 1>so funny. Yeah, I just I think you just had to,

0:27:53.200 --> 0:27:56.359
<v Speaker 1>like I just wanted to like dig back into goth Tina,

0:27:56.440 --> 0:28:00.240
<v Speaker 1>which felt so foreign to me but home and you

0:28:00.280 --> 0:28:02.800
<v Speaker 1>like step into that costume again. It was so fun

0:28:02.840 --> 0:28:05.200
<v Speaker 1>to see them like recreate all of that. But yeah,

0:28:05.280 --> 0:28:07.480
<v Speaker 1>that was really it. I mean it was just fun

0:28:07.520 --> 0:28:11.000
<v Speaker 1>to like do it at it extended and like an

0:28:11.000 --> 0:28:12.200
<v Speaker 1>extended version.

0:28:11.880 --> 0:28:14.119
<v Speaker 2>Of it, I mean, like have an intentional version of

0:28:14.160 --> 0:28:19.240
<v Speaker 2>it that you could actually record, have time to rehearse.

0:28:18.880 --> 0:28:21.840
<v Speaker 1>It, yes, yes, although I'm sure we didn't rehearse it

0:28:21.840 --> 0:28:22.400
<v Speaker 1>all that much.

0:28:22.480 --> 0:28:25.200
<v Speaker 2>But it's also like you have the edit too, so

0:28:25.240 --> 0:28:26.840
<v Speaker 2>like you have the edit of the pilot, so there's

0:28:26.880 --> 0:28:30.320
<v Speaker 2>all that time you're not necessarily shown you can add

0:28:30.320 --> 0:28:31.080
<v Speaker 2>in all those new.

0:28:30.920 --> 0:28:36.240
<v Speaker 1>Moves, yes, exactly. Now you never got an audition.

0:28:36.840 --> 0:28:38.200
<v Speaker 2>No, I just had to sit down you rock in

0:28:38.240 --> 0:28:41.200
<v Speaker 2>the boat, which I do like that we see like

0:28:41.240 --> 0:28:43.200
<v Speaker 2>shee was signing the parts once we're all into the

0:28:43.200 --> 0:28:46.120
<v Speaker 2>glee club and seeing the scene right before that, which

0:28:46.160 --> 0:28:50.160
<v Speaker 2>was very cute and fun, and also that that was

0:28:50.200 --> 0:28:53.440
<v Speaker 2>the day like none of us could keep it together.

0:28:53.600 --> 0:28:56.160
<v Speaker 2>We shot all those choir room scenes back to back

0:28:56.840 --> 0:29:01.080
<v Speaker 2>and it was like Leah was out of her mind

0:29:01.160 --> 0:29:04.440
<v Speaker 2>in a great way because she had some like crazy

0:29:04.560 --> 0:29:05.480
<v Speaker 2>offensive things to.

0:29:05.440 --> 0:29:09.800
<v Speaker 1>Say, and when she did then they were like I

0:29:09.880 --> 0:29:12.840
<v Speaker 1>remember her doing that to me and Amber that one

0:29:12.880 --> 0:29:19.400
<v Speaker 1>line and Amber could Amber not losing it? It was

0:29:19.520 --> 0:29:24.240
<v Speaker 1>so And then also watching her with that tie on

0:29:24.320 --> 0:29:27.000
<v Speaker 1>and the best like from the old with the sit

0:29:27.040 --> 0:29:30.200
<v Speaker 1>down look and like it just was all so it

0:29:30.280 --> 0:29:31.440
<v Speaker 1>just made me giggle so much.

0:29:31.560 --> 0:29:35.440
<v Speaker 2>If you have somebody sitting there so committed to saying

0:29:35.480 --> 0:29:38.200
<v Speaker 2>those crazy ass things to you, it is really hard

0:29:38.200 --> 0:29:39.760
<v Speaker 2>to keep a straight face, it really is.

0:29:40.000 --> 0:29:42.560
<v Speaker 1>And like seeing old Rachel like that, like and where

0:29:42.600 --> 0:29:44.720
<v Speaker 1>she's how far she's come? Like it was a really

0:29:44.760 --> 0:29:46.960
<v Speaker 1>a fun day to shoot because Paris was there and

0:29:46.960 --> 0:29:50.720
<v Speaker 1>I remember there's like a selfie that Paris had tweeted

0:29:50.840 --> 0:29:53.280
<v Speaker 1>out with us looking in our two thousand and nine

0:29:53.280 --> 0:29:55.800
<v Speaker 1>loves and like it was just so special. We did

0:29:55.800 --> 0:29:59.440
<v Speaker 1>the sit down your rock in the boat post and yeah, yeah,

0:29:59.560 --> 0:30:02.160
<v Speaker 1>there's so that brings you back. That's right that I

0:30:02.160 --> 0:30:05.440
<v Speaker 1>feel like those scenes in particular really got us back

0:30:05.480 --> 0:30:11.160
<v Speaker 1>to like physically took me back to a place of

0:30:11.240 --> 0:30:14.840
<v Speaker 1>sense memory where we were like in rehearsals for the point.

0:30:15.040 --> 0:30:17.640
<v Speaker 2>Yeah, and you also don't know how people are going

0:30:17.640 --> 0:30:20.240
<v Speaker 2>to react. There's something like getting in the clothes and

0:30:20.280 --> 0:30:23.120
<v Speaker 2>old makeup and we had all been through so much.

0:30:23.280 --> 0:30:25.360
<v Speaker 2>You don't know how that's going to feel. I know

0:30:25.400 --> 0:30:30.760
<v Speaker 2>that sounds very actory, but when you're all in it

0:30:30.800 --> 0:30:33.840
<v Speaker 2>together and you're back on the sets and it just

0:30:33.920 --> 0:30:36.760
<v Speaker 2>it just it feels so I wish I wish I

0:30:36.760 --> 0:30:39.560
<v Speaker 2>could verbalize it better, but it's it was really strange,

0:30:40.680 --> 0:30:43.360
<v Speaker 2>surreal mind, that is what it was.

0:30:44.000 --> 0:30:46.240
<v Speaker 1>That's exactly right, That's exactly right.

0:30:46.720 --> 0:30:49.800
<v Speaker 2>So Artie is in love Atina, has been in love

0:30:49.840 --> 0:30:53.000
<v Speaker 2>Atina so cute. We know that from the beginning, and

0:30:53.000 --> 0:30:55.120
<v Speaker 2>in his head he's all like lovey dovey, and then

0:30:55.160 --> 0:31:00.240
<v Speaker 2>he starts saying, you know, the chovenistic things outside.

0:30:59.560 --> 0:31:02.240
<v Speaker 1>But what what happened with how did Pony come about?

0:31:02.680 --> 0:31:05.160
<v Speaker 1>Did they? I remember I vaguely remember them asking you

0:31:05.200 --> 0:31:07.240
<v Speaker 1>what your audition song might have been? Like how did

0:31:07.240 --> 0:31:08.240
<v Speaker 1>they get to Pony?

0:31:08.840 --> 0:31:13.000
<v Speaker 2>Kelly texted me mm hmmm and was like, what do

0:31:13.000 --> 0:31:14.360
<v Speaker 2>you want your audition song to be?

0:31:15.080 --> 0:31:19.280
<v Speaker 1>Love that? And had you thought about it before? Well?

0:31:19.800 --> 0:31:22.280
<v Speaker 2>Throughout the entire show it had been like a running thing.

0:31:23.280 --> 0:31:25.120
<v Speaker 2>I don't know if it was like with Zach or whoever,

0:31:25.240 --> 0:31:29.120
<v Speaker 2>like Pony would be like Artie's song.

0:31:30.240 --> 0:31:31.160
<v Speaker 1>And I don't know why.

0:31:31.200 --> 0:31:33.640
<v Speaker 2>I think because I think probably because I never had

0:31:33.680 --> 0:31:36.360
<v Speaker 2>an audition song, like what would it most likely be?

0:31:36.480 --> 0:31:40.240
<v Speaker 2>So I know when Kelly texted me, obviously you don't

0:31:40.280 --> 0:31:42.200
<v Speaker 2>know if things are going to clear right, if you're

0:31:42.200 --> 0:31:44.440
<v Speaker 2>going to get the rights. Also, some of the lyrics

0:31:44.440 --> 0:31:48.080
<v Speaker 2>of Pony are really dirty, and so I just didn't

0:31:48.120 --> 0:31:50.040
<v Speaker 2>know if that was going to work. But you should,

0:31:50.400 --> 0:31:54.360
<v Speaker 2>like right, I said, like, it's it's Pony. But here

0:31:54.360 --> 0:31:57.400
<v Speaker 2>are a couple backups. I wonder if I have I

0:31:57.720 --> 0:32:00.160
<v Speaker 2>wonder if I have I created a note like in

0:32:00.240 --> 0:32:03.840
<v Speaker 2>my phone, Oh my god, because then it was like

0:32:03.880 --> 0:32:08.160
<v Speaker 2>a really big deal, like I was really scared to

0:32:08.280 --> 0:32:11.520
<v Speaker 2>like mess it up because I'm like, oh, I think

0:32:11.520 --> 0:32:15.120
<v Speaker 2>they're going to probably pick something I suggest, and I

0:32:15.280 --> 0:32:17.040
<v Speaker 2>just don't want to get this wrong.

0:32:17.720 --> 0:32:19.440
<v Speaker 1>Right. Well, They're like, if you suggest it, then you

0:32:19.440 --> 0:32:20.400
<v Speaker 1>should be able to do.

0:32:20.320 --> 0:32:23.440
<v Speaker 2>It right, and I and like it needs to like

0:32:23.480 --> 0:32:25.440
<v Speaker 2>fit the character. You know, I wasn't the one making

0:32:25.520 --> 0:32:26.360
<v Speaker 2>character decisions.

0:32:26.480 --> 0:32:29.880
<v Speaker 1>I right, Pony is. It's so right though, and I'm

0:32:29.920 --> 0:32:30.880
<v Speaker 1>so glad it did clear.

0:32:31.280 --> 0:32:32.960
<v Speaker 2>Yeah, we were texting back and forth and I was

0:32:33.400 --> 0:32:36.600
<v Speaker 2>I almost regretted sending like an option B, an option C,

0:32:36.760 --> 0:32:40.200
<v Speaker 2>because I'm like just with I didn't want somebody else

0:32:40.240 --> 0:32:43.560
<v Speaker 2>to like scandals and be like, oh actually that one.

0:32:43.640 --> 0:32:46.200
<v Speaker 2>But I mean telling you it was in safe hands.

0:32:46.160 --> 0:32:50.320
<v Speaker 1>So funny it worked out. It's so funny. Also, can

0:32:50.360 --> 0:32:55.280
<v Speaker 1>we just talk about Okay, So, Pony is it so good?

0:32:55.800 --> 0:32:59.600
<v Speaker 1>You sound great? It's very funny, how serious you were

0:32:59.600 --> 0:33:03.040
<v Speaker 1>doing it. We love it. Tina was all about it.

0:33:03.360 --> 0:33:07.479
<v Speaker 1>Mister Shoe was all about it, which is problematic, but

0:33:07.520 --> 0:33:11.040
<v Speaker 1>he also was confused by mine, but he liked yours. Well,

0:33:11.640 --> 0:33:16.920
<v Speaker 1>double standard. Yeah, a girl can be weird, but a

0:33:17.000 --> 0:33:23.400
<v Speaker 1>boy can be Yeah, a perv and still it's cool. Goodbye, Yeah,

0:33:23.480 --> 0:33:37.959
<v Speaker 1>but girls be appropriate, don't get it. We're in the

0:33:38.120 --> 0:33:41.920
<v Speaker 1>cafeteria once again, which again like bring it full circle.

0:33:42.200 --> 0:33:45.280
<v Speaker 1>We love being a cafeteria. It's like Wheels with Paris

0:33:45.280 --> 0:33:57.840
<v Speaker 1>directing and the the two other goth like fun characters

0:33:58.840 --> 0:34:04.719
<v Speaker 1>be Taylor and our two counterparts at our lunch table,

0:34:04.960 --> 0:34:09.400
<v Speaker 1>who are bullies to Kurt and Rachel. They spilled spaghetti

0:34:09.440 --> 0:34:13.360
<v Speaker 1>all over them. I'll never forget them in the background

0:34:13.400 --> 0:34:18.240
<v Speaker 1>with like spaghetti on their heads. We get dared.

0:34:19.239 --> 0:34:21.360
<v Speaker 2>I love that we were. The reason why we end

0:34:21.480 --> 0:34:23.320
<v Speaker 2>up in the Glee club is because we got dared

0:34:24.680 --> 0:34:29.640
<v Speaker 2>and the bullderers were like, yeah, oh oh no, don't

0:34:29.680 --> 0:34:31.120
<v Speaker 2>make me out a super glee club.

0:34:33.160 --> 0:34:36.040
<v Speaker 1>I wasn't already gonna do it. It was so fun.

0:34:36.160 --> 0:34:38.920
<v Speaker 2>I do think it's such like a gift to be

0:34:38.960 --> 0:34:42.160
<v Speaker 2>able to learn new things about your characters this late

0:34:42.200 --> 0:34:44.719
<v Speaker 2>into the show and it was just really sweet, Like

0:34:44.920 --> 0:34:47.040
<v Speaker 2>I love that. I love it too. I also like

0:34:47.160 --> 0:34:53.640
<v Speaker 2>we were daring these people to go bully Rachel and Kurt.

0:34:55.360 --> 0:34:58.279
<v Speaker 1>I feel like that was an already like let's be

0:34:58.480 --> 0:35:00.760
<v Speaker 1>like silly and funny kind of thing and.

0:35:00.680 --> 0:35:02.640
<v Speaker 2>Like trying to be cool, trying to.

0:35:02.560 --> 0:35:04.319
<v Speaker 1>Feb they weren't going to do it, and believing they

0:35:04.320 --> 0:35:05.440
<v Speaker 1>weren't actually going to do it.

0:35:05.520 --> 0:35:11.399
<v Speaker 2>Yeah, we get a really you know, the pilot, it's

0:35:11.440 --> 0:35:16.239
<v Speaker 2>really all about Shoe and Rachel, And we get a

0:35:16.280 --> 0:35:21.080
<v Speaker 2>lot of you know, Shoe doing the starting up the

0:35:21.080 --> 0:35:24.640
<v Speaker 2>glee club and we'll get there, but the Rachel of

0:35:24.760 --> 0:35:26.719
<v Speaker 2>it all. Some of the most memorable parts of the

0:35:26.760 --> 0:35:31.560
<v Speaker 2>pilot for me are the Rachel storyline and the voiceovers

0:35:31.800 --> 0:35:39.000
<v Speaker 2>my Space, her person behind it. Yes, all of that

0:35:39.040 --> 0:35:41.800
<v Speaker 2>fully comes back in this episode. We get more MySpace,

0:35:41.840 --> 0:35:46.000
<v Speaker 2>we get more bullying comments we have to and like

0:35:46.160 --> 0:35:50.840
<v Speaker 2>her saying she invested money.

0:35:50.000 --> 0:35:51.560
<v Speaker 1>All of hers for money.

0:35:51.719 --> 0:35:54.720
<v Speaker 2>Yeah, it was I mean, you know, in the glee

0:35:54.719 --> 0:35:57.880
<v Speaker 2>club immediately, like we know she assumed she's going to

0:35:57.960 --> 0:36:00.160
<v Speaker 2>get all the solos and fully has a freak out,

0:36:00.200 --> 0:36:04.520
<v Speaker 2>and it's it's just nice to revisit to see her

0:36:04.600 --> 0:36:08.400
<v Speaker 2>again so green and talking about how her dream is

0:36:08.400 --> 0:36:10.799
<v Speaker 2>to get to Broadway and she's not going to blow

0:36:10.840 --> 0:36:13.000
<v Speaker 2>it and she's gonna get there, and then we know

0:36:13.160 --> 0:36:18.279
<v Speaker 2>she does blow it obviously. Yeah, And like having her

0:36:18.600 --> 0:36:21.480
<v Speaker 2>early connection with mister Shu and being like, look, I'm here,

0:36:21.560 --> 0:36:22.799
<v Speaker 2>I'm going to be the leader of it. And she

0:36:22.840 --> 0:36:27.240
<v Speaker 2>gets slushy. We're introduced to the slushyet, yes, and all

0:36:27.280 --> 0:36:30.680
<v Speaker 2>all of these things again, it's like those puzzle pieces

0:36:30.800 --> 0:36:36.560
<v Speaker 2>fitting together and seeing her embody Old Rachel was so

0:36:36.600 --> 0:36:37.160
<v Speaker 2>fun to watch.

0:36:38.320 --> 0:36:43.000
<v Speaker 1>Definitely. Then obviously we have Finn, which we have to

0:36:43.160 --> 0:36:45.000
<v Speaker 1>like include him in the pilot. So I love that

0:36:45.040 --> 0:36:46.840
<v Speaker 1>they did that. I love that they were able to

0:36:46.880 --> 0:36:50.160
<v Speaker 1>incorporate him without us, you know, them having to like

0:36:50.239 --> 0:36:51.520
<v Speaker 1>pull ridiculous class.

0:36:51.320 --> 0:36:54.520
<v Speaker 2>And it feeling real because if you have like like

0:36:54.680 --> 0:36:57.759
<v Speaker 2>the king of the school, yeah, like you're we're not

0:36:57.840 --> 0:37:00.879
<v Speaker 2>friends with him yet, yeah, he we are not part

0:37:00.920 --> 0:37:04.239
<v Speaker 2>of his group, and we think he is some other thing.

0:37:04.360 --> 0:37:06.880
<v Speaker 2>And so I like having all the side conversations and

0:37:06.920 --> 0:37:10.400
<v Speaker 2>like talking behind the back about Finn felt.

0:37:10.239 --> 0:37:18.319
<v Speaker 1>Very high school. Also, ironically enough, this was kind of

0:37:18.360 --> 0:37:21.920
<v Speaker 1>the vibe that happened during the pilot. Fully, so Corey

0:37:21.960 --> 0:37:26.880
<v Speaker 1>getting stuck in Vancouver without his visa, waiting for the

0:37:26.960 --> 0:37:28.799
<v Speaker 1>visa to come through so that he could come down

0:37:28.800 --> 0:37:30.840
<v Speaker 1>and start rehearsing so we could start shooting the pilot.

0:37:30.880 --> 0:37:32.759
<v Speaker 1>We hadn't met him yet, we didn't know who our

0:37:32.760 --> 0:37:36.640
<v Speaker 1>Finn was. We'd only heard about him, and so it

0:37:36.719 --> 0:37:40.359
<v Speaker 1>really was the five of us until Corey joined. Yeh,

0:37:40.360 --> 0:37:45.160
<v Speaker 1>it got came down, and so it was so weird

0:37:46.000 --> 0:37:50.040
<v Speaker 1>to feel that again in such a different sad way.

0:37:50.160 --> 0:37:53.279
<v Speaker 1>But like we didn't have Corey for a Finn for

0:37:53.320 --> 0:37:54.319
<v Speaker 1>a long time, no, you.

0:37:54.280 --> 0:37:58.719
<v Speaker 2>Know, and having all those in between scenes of talking

0:37:58.719 --> 0:38:01.200
<v Speaker 2>about like do you like how we treated us and

0:38:01.239 --> 0:38:03.120
<v Speaker 2>all of that, and like we had that. Remember when

0:38:03.160 --> 0:38:05.520
<v Speaker 2>we first met Corey, he couldn't officially start working yet,

0:38:05.560 --> 0:38:08.120
<v Speaker 2>but he was in like he came to the studio

0:38:08.520 --> 0:38:09.920
<v Speaker 2>and so like we met him and then we went

0:38:09.960 --> 0:38:13.279
<v Speaker 2>back and like he briefed about how we were all

0:38:13.320 --> 0:38:17.560
<v Speaker 2>friends already. Yes, it was very very very similar.

0:38:17.800 --> 0:38:21.960
<v Speaker 1>Yes, so uh, Kurt is talking to Mercedes about how

0:38:22.000 --> 0:38:26.520
<v Speaker 1>he's worried that like Finn has quit and like Uh

0:38:26.719 --> 0:38:30.120
<v Speaker 1>has like quits already and then rejoined. So they call

0:38:30.160 --> 0:38:32.839
<v Speaker 1>an emergency meeting, which is the choir room that we

0:38:33.120 --> 0:38:35.160
<v Speaker 1>you know, those wonderful choir room scenes that we have,

0:38:37.040 --> 0:38:39.160
<v Speaker 1>and then we get like the moving speech from Rachel,

0:38:39.200 --> 0:38:41.520
<v Speaker 1>which would have been like the moving speech from mister

0:38:41.560 --> 0:38:43.719
<v Speaker 1>Shue that we would have gotten. Rachel took that, which

0:38:43.760 --> 0:38:48.480
<v Speaker 1>was really nice and I don't remember filming that part,

0:38:48.520 --> 0:38:52.239
<v Speaker 1>but I love that and actually reminded me of the

0:38:52.280 --> 0:38:55.200
<v Speaker 1>scene where mister Shue tells us he's leaving the glee

0:38:55.239 --> 0:38:56.319
<v Speaker 1>club in the mile.

0:38:57.600 --> 0:39:01.759
<v Speaker 2>I remember because we did, Yeah, those scenes that were

0:39:01.800 --> 0:39:03.759
<v Speaker 2>just the five of us in the fire room, we

0:39:03.800 --> 0:39:07.279
<v Speaker 2>did all on the same day, and I remember just

0:39:07.280 --> 0:39:10.319
<v Speaker 2>like going to change really quick, coming back and doing them,

0:39:10.400 --> 0:39:12.359
<v Speaker 2>and they because it was just the five of us,

0:39:12.360 --> 0:39:14.959
<v Speaker 2>because we had all been working together for so long,

0:39:15.840 --> 0:39:18.719
<v Speaker 2>it was so quick and easy. Paris is quick and easy,

0:39:19.120 --> 0:39:23.040
<v Speaker 2>and we had like a like a yeah, and like

0:39:23.120 --> 0:39:27.240
<v Speaker 2>we knew exactly how to play these characters and totally

0:39:27.880 --> 0:39:31.080
<v Speaker 2>nothing ever felt so locked in as those scenes, like

0:39:31.120 --> 0:39:35.320
<v Speaker 2>we immediately just like we're back in this is actually

0:39:35.360 --> 0:39:37.880
<v Speaker 2>two thousand and nine again, but now we have all

0:39:37.920 --> 0:39:40.360
<v Speaker 2>this experience and we know how to do it. It

0:39:40.400 --> 0:39:41.920
<v Speaker 2>was almost one of those things where it happened so

0:39:42.000 --> 0:39:45.640
<v Speaker 2>fast that I wish this choir room scene took longer, yea,

0:39:45.760 --> 0:39:47.960
<v Speaker 2>so we could like live in it. But we did

0:39:48.000 --> 0:39:50.440
<v Speaker 2>have Like you said, we had all that opportunity to

0:39:50.480 --> 0:39:52.640
<v Speaker 2>take photos and sort of like joke around because it

0:39:52.719 --> 0:39:55.440
<v Speaker 2>was moving so quickly, which was not a luxury we

0:39:55.719 --> 0:39:58.440
<v Speaker 2>normally had, no I know, so it was nice to

0:39:58.440 --> 0:40:00.440
<v Speaker 2>be able to just enjoy a bit.

0:40:00.800 --> 0:40:03.320
<v Speaker 1>It was one of the best times of the shooting

0:40:03.360 --> 0:40:05.600
<v Speaker 1>the two thousand and nine.

0:40:06.000 --> 0:40:08.719
<v Speaker 2>The other part of this is the adults, because we

0:40:08.800 --> 0:40:12.000
<v Speaker 2>get mister Shue finding out that the glee Club is

0:40:12.040 --> 0:40:14.560
<v Speaker 2>coming back, and he talks to Figgins, we get more Figgins,

0:40:14.920 --> 0:40:16.279
<v Speaker 2>we get Terry.

0:40:16.320 --> 0:40:19.759
<v Speaker 1>Harry of all when they come around the corner, it

0:40:19.880 --> 0:40:21.799
<v Speaker 1>is just what a great reveal.

0:40:21.640 --> 0:40:26.040
<v Speaker 2>Oh God, in the craft room and we get sheets

0:40:26.040 --> 0:40:29.200
<v Speaker 2>and things and Howard Bamboo and Rachel going to sheets

0:40:29.200 --> 0:40:35.680
<v Speaker 2>and things and talking like come on, and you see

0:40:35.960 --> 0:40:40.399
<v Speaker 2>I feel like Terry's little speech to her yep, it's

0:40:40.440 --> 0:40:44.560
<v Speaker 2>the perfect way to sum up her entire motivation for everything.

0:40:44.600 --> 0:40:48.000
<v Speaker 2>We're like, yeah, it's pretty horrible, but it's like a

0:40:48.080 --> 0:40:54.040
<v Speaker 2>really grounded yes response. Yes, And you're like, Okay, she's crazy.

0:40:54.360 --> 0:40:56.600
<v Speaker 1>That's why though we love Terry so much, is because

0:40:56.600 --> 0:41:00.040
<v Speaker 1>that's her whole thing. It's like it's insane, but you're like.

0:41:00.160 --> 0:41:02.840
<v Speaker 2>Okay, yeah, Like I see, I don't agree with it,

0:41:02.920 --> 0:41:04.359
<v Speaker 2>but I see how you got there.

0:41:04.719 --> 0:41:06.600
<v Speaker 1>Yes, exactly exactly.

0:41:06.760 --> 0:41:08.880
<v Speaker 2>And it's sad. And you see from the very beginning

0:41:08.920 --> 0:41:11.360
<v Speaker 2>how like she's holding shoe back and like Shoe obviously

0:41:11.400 --> 0:41:14.720
<v Speaker 2>just has the best intentions and how he's already stressed

0:41:14.719 --> 0:41:18.240
<v Speaker 2>about the infighting and all this, like it's so innocent

0:41:18.320 --> 0:41:21.720
<v Speaker 2>and like just pure fun that I it was really

0:41:23.440 --> 0:41:26.440
<v Speaker 2>I you know, we didn't get enough. I think, like

0:41:26.600 --> 0:41:31.120
<v Speaker 2>Will and Emma in the later stages of this show. Yeah,

0:41:31.160 --> 0:41:36.680
<v Speaker 2>and there's something so comforting about seeing Terry and Emma

0:41:36.840 --> 0:41:41.080
<v Speaker 2>and Will all back in their original form. And the

0:41:41.520 --> 0:41:46.800
<v Speaker 2>craziest thing to me was seeing Sue play Will played

0:41:46.800 --> 0:41:48.240
<v Speaker 2>basketball together once.

0:41:48.080 --> 0:41:53.279
<v Speaker 1>A week friendship kind of. He's like, we played ball

0:41:53.360 --> 0:41:55.480
<v Speaker 1>once week. She's like best friends, Like are.

0:41:55.320 --> 0:41:55.960
<v Speaker 2>You kidding me?

0:41:58.640 --> 0:42:07.160
<v Speaker 1>Also the Jane traveling, it's I was absolutely insane, alick

0:42:07.840 --> 0:42:08.360
<v Speaker 1>so good.

0:42:09.160 --> 0:42:12.440
<v Speaker 2>I love. That's my out of all like the storylines

0:42:12.480 --> 0:42:15.320
<v Speaker 2>that we see beforehand, you know, like Kurt and Mercedes

0:42:15.719 --> 0:42:18.279
<v Speaker 2>becoming friends, Kurt and Rachel becoming friends, You and me,

0:42:19.239 --> 0:42:22.880
<v Speaker 2>Will and Sue is what I needed.

0:42:23.440 --> 0:42:27.800
<v Speaker 1>And the just the inception of the rivalry is so brilliant.

0:42:28.280 --> 0:42:29.320
<v Speaker 1>It's so brilliant.

0:42:29.560 --> 0:42:33.200
<v Speaker 2>Sue sees the long game of this of if they

0:42:33.239 --> 0:42:35.120
<v Speaker 2>do well, we're not going to get the funding, and

0:42:35.160 --> 0:42:39.080
<v Speaker 2>that's all I care about, and she immediately turns them

0:42:39.200 --> 0:42:45.480
<v Speaker 2>their weekly basketball games with her best friend, yep into

0:42:45.920 --> 0:42:49.000
<v Speaker 2>the start of the rivalry, and it's really wonderful to see.

0:42:49.040 --> 0:42:52.240
<v Speaker 2>And I also I believe the first shot of Sue

0:42:52.320 --> 0:42:55.640
<v Speaker 2>dribbling and shooting is a double and it doesn't even

0:42:55.680 --> 0:42:57.560
<v Speaker 2>look like her, and it's a really bad wig and

0:42:57.640 --> 0:42:58.480
<v Speaker 2>I really enjoyed it.

0:42:58.560 --> 0:43:00.799
<v Speaker 1>I honestly like, I think we have to lean into

0:43:00.840 --> 0:43:05.240
<v Speaker 1>that that we know it's like it's very deaf, yes, yes,

0:43:06.480 --> 0:43:10.919
<v Speaker 1>so yeah, we see she gives him an ultimatum, she says,

0:43:10.960 --> 0:43:13.400
<v Speaker 1>drop the glee club or they won't be friends, and

0:43:13.400 --> 0:43:15.759
<v Speaker 1>he's like, are you kidding? You don't want to make

0:43:15.760 --> 0:43:19.480
<v Speaker 1>an enemy of me? And that's that's it, that's what

0:43:19.600 --> 0:43:20.000
<v Speaker 1>we got.

0:43:21.160 --> 0:43:25.319
<v Speaker 2>And then Terry's whole thing of getting him to quit,

0:43:25.440 --> 0:43:28.279
<v Speaker 2>to go get a different job because she's pregnant all

0:43:28.360 --> 0:43:31.960
<v Speaker 2>happens within this episode. And so he's leaving and we

0:43:32.040 --> 0:43:35.000
<v Speaker 2>see how sad he is and everyone doesn't want him

0:43:35.000 --> 0:43:38.319
<v Speaker 2>to go. All of that, and then we see from

0:43:38.400 --> 0:43:45.120
<v Speaker 2>his perspective, don't stop believing starting and it works every time, chills.

0:43:44.920 --> 0:43:48.239
<v Speaker 1>Every time, every time, every time.

0:43:48.360 --> 0:43:52.200
<v Speaker 2>So smart just to put it in there. It works, brilliant, brilliant.

0:43:53.239 --> 0:44:01.000
<v Speaker 1>I yeah, no notes, no, no notes. So well again,

0:44:01.560 --> 0:44:03.600
<v Speaker 1>this is such so satisfying to me.

0:44:04.520 --> 0:44:06.960
<v Speaker 2>I don't know what the fans think of this. I

0:44:06.960 --> 0:44:09.040
<v Speaker 2>would like to know what everybody thinks of this.

0:44:09.040 --> 0:44:11.000
<v Speaker 1>But I'm assuming if you like the pilot and you

0:44:11.040 --> 0:44:12.480
<v Speaker 1>like to show, you're gonna like this episode.

0:44:12.560 --> 0:44:15.960
<v Speaker 2>But yeah, I just I also felt like it looked

0:44:16.040 --> 0:44:18.640
<v Speaker 2>more like the pilot, like they made it visually.

0:44:19.239 --> 0:44:22.840
<v Speaker 1>Yes, look, because it was film done film, and the

0:44:22.880 --> 0:44:25.279
<v Speaker 1>colors were different and you know all the things. But

0:44:25.560 --> 0:44:26.160
<v Speaker 1>we did it.

0:44:26.200 --> 0:44:27.640
<v Speaker 2>Should we great some performances?

0:44:27.760 --> 0:44:30.040
<v Speaker 1>Let's do it.

0:44:29.600 --> 0:44:35.560
<v Speaker 2>Popular a A, I'm his child A plus, I kiss.

0:44:35.440 --> 0:44:42.600
<v Speaker 1>Girl a pony A.

0:44:40.440 --> 0:44:41.800
<v Speaker 2>Plus plus all the pluses.

0:44:42.280 --> 0:44:48.279
<v Speaker 1>All right, let's see some tarty tarty takes, uh cringe moments.

0:44:48.520 --> 0:44:52.759
<v Speaker 2>I mean, Rachel says so many racist things.

0:44:53.280 --> 0:44:59.200
<v Speaker 1>Figgins like fan that there's cripples.

0:44:56.360 --> 0:45:00.800
<v Speaker 2>And it's just things you should say galore.

0:45:01.000 --> 0:45:05.719
<v Speaker 1>Yeah, best dance, mooth pony. I don't know.

0:45:05.960 --> 0:45:09.480
<v Speaker 2>I think I Kissed a Girl has the most iconic.

0:45:10.800 --> 0:45:11.200
<v Speaker 1>It's all.

0:45:11.239 --> 0:45:13.160
<v Speaker 2>I mean, using choreo at all in this episode is

0:45:13.200 --> 0:45:14.480
<v Speaker 2>a really loose. Yeah.

0:45:14.520 --> 0:45:18.320
<v Speaker 1>Yeah, it takes us back to season one. Best song.

0:45:20.800 --> 0:45:21.760
<v Speaker 2>I liked it all.

0:45:23.120 --> 0:45:25.120
<v Speaker 1>I did too. I mean, like, if I had to

0:45:25.120 --> 0:45:29.960
<v Speaker 1>pick don't stop, I guess would be it. But did

0:45:29.960 --> 0:45:33.319
<v Speaker 1>you see Leila Fernandez doing taxi camp karaoke? Like yes,

0:45:33.560 --> 0:45:36.920
<v Speaker 1>don't start and they don't stop me. It was like

0:45:37.080 --> 0:45:38.600
<v Speaker 1>in the middle of the night or like early in

0:45:38.640 --> 0:45:41.000
<v Speaker 1>the morning, and I remember watching it without the sound

0:45:41.040 --> 0:45:43.080
<v Speaker 1>and I was like, I gotta know physically version or not,

0:45:43.160 --> 0:45:46.040
<v Speaker 1>so I like, turn this south up a little. I

0:45:46.120 --> 0:45:51.000
<v Speaker 1>was usual Leila for names. Okay, best pormance by a

0:45:51.280 --> 0:45:53.960
<v Speaker 1>prop I think the pamphlets.

0:45:54.440 --> 0:45:59.120
<v Speaker 2>Oh yeah, I think so too. I missed that. Yeah.

0:45:59.280 --> 0:46:01.840
<v Speaker 2>I mean there's a lot of props in here, but

0:46:02.000 --> 0:46:04.400
<v Speaker 2>I think the pamphlets it did something. I got a

0:46:04.440 --> 0:46:08.000
<v Speaker 2>little flutter in my heart, you know, yes, yes, and

0:46:08.040 --> 0:46:10.480
<v Speaker 2>that's not an arrhythmia.

0:46:12.000 --> 0:46:15.840
<v Speaker 1>Best lines, oh man, I mean, if we're going the

0:46:15.840 --> 0:46:18.320
<v Speaker 1>emotional route, the Rachel speech at the end.

0:46:18.920 --> 0:46:23.520
<v Speaker 2>Fair Rachel's saying, Okay, I wouldn't even being miss Sygone

0:46:23.600 --> 0:46:24.719
<v Speaker 2>or Black Dorothy.

0:46:24.400 --> 0:46:26.760
<v Speaker 1>From the Whiz, that's the one that could. We couldn't

0:46:26.920 --> 0:46:28.040
<v Speaker 1>stop lamping.

0:46:27.840 --> 0:46:31.719
<v Speaker 2>No, And I think I started laughing during this episode too, well, partially.

0:46:31.480 --> 0:46:34.360
<v Speaker 1>Because we probably we could not keep it together. And

0:46:34.360 --> 0:46:36.560
<v Speaker 1>when I say could not, like she couldn't get through

0:46:36.600 --> 0:46:39.200
<v Speaker 1>it and I remember leaving being like you guys, like,

0:46:39.320 --> 0:46:41.520
<v Speaker 1>let me just get through this, please, because it's hard

0:46:41.560 --> 0:46:43.759
<v Speaker 1>and it's fast, and she you know, you only want

0:46:43.760 --> 0:46:46.480
<v Speaker 1>to do that a few times. Like I think we

0:46:46.520 --> 0:46:47.440
<v Speaker 1>were messing it up for her.

0:46:48.480 --> 0:46:50.560
<v Speaker 2>I know it's terrible, but that might be it for

0:46:50.640 --> 0:46:53.759
<v Speaker 2>me because maybe the personal memories attached to it. But

0:46:53.880 --> 0:46:57.080
<v Speaker 2>I couldn't I couldn't stop laughing.

0:46:58.960 --> 0:47:04.719
<v Speaker 1>I'm terry saying she's but psychic. Okay performance MVP.

0:47:06.520 --> 0:47:10.200
<v Speaker 2>Oh wow. I mean I feel like we've got to

0:47:10.239 --> 0:47:11.360
<v Speaker 2>give it to the ensemble.

0:47:11.600 --> 0:47:15.200
<v Speaker 1>Yeah, a group effort here, islot.

0:47:15.960 --> 0:47:22.200
<v Speaker 2>Yeah, MVP okay, okay. Shit. We found on TikTok Jenna

0:47:22.360 --> 0:47:25.480
<v Speaker 2>all right, we got a few. So the real men

0:47:25.520 --> 0:47:32.120
<v Speaker 2>without hats who famously sang Safety Dance. Someone asked them,

0:47:32.160 --> 0:47:34.160
<v Speaker 2>what the hell does the girl say in that song?

0:47:35.120 --> 0:47:37.960
<v Speaker 2>He says, a lot of people think she says and

0:47:38.040 --> 0:47:42.200
<v Speaker 2>sing and that's incorrect. Even the Glee version says and sing,

0:47:43.160 --> 0:47:46.720
<v Speaker 2>but it's actually say dance in French.

0:47:47.320 --> 0:47:51.920
<v Speaker 1>Yeah, and he talks about Glee. Yeah, so I love Wow,

0:47:52.239 --> 0:47:55.359
<v Speaker 1>that's cool. As he's standing in front of his wall

0:47:55.400 --> 0:47:56.280
<v Speaker 1>of records.

0:47:55.960 --> 0:48:01.120
<v Speaker 2>Oh yeah, wall of plaquesla okay, and this other one

0:48:01.200 --> 0:48:01.680
<v Speaker 2>we have.

0:48:03.200 --> 0:48:07.719
<v Speaker 1>No no no no no no no no jig Sue,

0:48:08.000 --> 0:48:08.640
<v Speaker 1>jig Sau.

0:48:09.080 --> 0:48:13.759
<v Speaker 2>So we got a Jigsue, I too dead And the

0:48:13.800 --> 0:48:16.040
<v Speaker 2>tattoos are permanent they should have meaning. And it is

0:48:16.800 --> 0:48:18.920
<v Speaker 2>jig Sue in full bright color.

0:48:19.520 --> 0:48:23.560
<v Speaker 1>Wow, and it's pretty big, beautiful.

0:48:23.880 --> 0:48:28.799
<v Speaker 2>Yeah, Titty City sixteen, Savannah really really committed to that.

0:48:30.880 --> 0:48:32.600
<v Speaker 2>I don't have any thoughts on it. I just think

0:48:32.640 --> 0:48:36.680
<v Speaker 2>you really committed to it, and I appreciate you posting

0:48:36.719 --> 0:48:40.399
<v Speaker 2>it so in honor of today's episode. The third one

0:48:40.600 --> 0:48:44.600
<v Speaker 2>is from Ali Blaine every Day Ali on TikTok and

0:48:44.640 --> 0:48:47.040
<v Speaker 2>it's on the treadmill and it is trying to be

0:48:47.360 --> 0:48:49.440
<v Speaker 2>trying to be mysterious at the gym when in reality,

0:48:49.480 --> 0:48:51.759
<v Speaker 2>this is what's playing in my headphones and it's your

0:48:52.040 --> 0:48:56.880
<v Speaker 2>party version of Pony. I think that's pretty mysterious.

0:48:58.960 --> 0:49:00.960
<v Speaker 1>And also I love to that.

0:49:01.400 --> 0:49:05.600
<v Speaker 2>Yeah. Okay, so Jenna, that's the penultimate recap.

0:49:05.840 --> 0:49:08.040
<v Speaker 1>Whoa, that's so weird.

0:49:08.760 --> 0:49:11.440
<v Speaker 2>Yeah, isn't that strange?

0:49:11.680 --> 0:49:14.920
<v Speaker 1>Okay, okay, well.

0:49:14.760 --> 0:49:17.480
<v Speaker 2>Thank you for joining us. I really enjoyed that episode.

0:49:17.480 --> 0:49:19.160
<v Speaker 2>I enjoyed watching that episode.

0:49:19.360 --> 0:49:21.839
<v Speaker 1>I hope you enjoyed it too. Let us know that's

0:49:21.840 --> 0:49:22.720
<v Speaker 1>what you really missed.

0:49:23.480 --> 0:49:26.600
<v Speaker 2>Thanks for listening, and follow us on Instagram at and

0:49:26.680 --> 0:49:28.920
<v Speaker 2>that's what you really miss pod. Make sure to write

0:49:28.960 --> 0:49:31.279
<v Speaker 2>us a review and leave us five stars. See you

0:49:31.280 --> 0:49:31.680
<v Speaker 2>next time.