WEBVTT - Thinking Sideways: Publius Enigma

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<v Speaker 1>Thinking Sideways up broke the ideas I don't know stories

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<v Speaker 1>of things we simply don't know the answer to. Hey, guys,

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<v Speaker 1>welcome to another episode of Thinking Sideways the podcast I

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<v Speaker 1>Am Devin, joined as always by Joe and Steve Hi.

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<v Speaker 1>This week we're going to talk about a mystery that

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<v Speaker 1>I thought was an Internet mystery at first, but it's not.

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<v Speaker 1>It's actually like a puzzle mystery of an Internet starts

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<v Speaker 1>at to start out Internet mystery. It was suggested by

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<v Speaker 1>Jack and Simon and maybe some other people. I don't

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<v Speaker 1>but I think it was just Jack and Simon. Uh

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<v Speaker 1>and it is called the Publius Enigmas. You guys argue

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<v Speaker 1>about that. By the way, enigma is pronounced edema. Yeah. Okay,

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<v Speaker 1>so I don't think so silent, and I'm just gonna

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<v Speaker 1>say that. I at the night of recording this, so

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<v Speaker 1>what three weeks ago, when you guys are listening to us,

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<v Speaker 1>I tweeted that this was one of the most grueling

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<v Speaker 1>research processes that I had ever had, and everyone so

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<v Speaker 1>excite did because I think everybody meant that or thought

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<v Speaker 1>that meant that it had just been doing it for

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<v Speaker 1>years and it had been so deep and hard hitting. No,

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<v Speaker 1>it was just like really painful. Uh so great, you

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<v Speaker 1>guys ready to listen to my pain and fleffery. Okay,

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<v Speaker 1>So this mystery is actually it's kind of an internet mystery,

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<v Speaker 1>but it's mostly a Pink Floyd mystery, music mystery, kind

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<v Speaker 1>of music fan mystery. Yeah, so who was this guy

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<v Speaker 1>paint Floyd? Listeners want to know Pink Floyd is a band,

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<v Speaker 1>not a person. And the mystery why we think it

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<v Speaker 1>is kind of an internet mystery why you keep going

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<v Speaker 1>back and forth? Is it actually originated on a u

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<v Speaker 1>s net forum back in the nineties. You guys, remember

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<v Speaker 1>you snat basic of basic Internet boards. Yeah, you can

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<v Speaker 1>still find this forum on Google because as mentioned in

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<v Speaker 1>the last episode that we talked about using you may

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<v Speaker 1>or may not have listened to that episode, but using

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<v Speaker 1>that kind of merged into Google goal forms forums. Excuse me,

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<v Speaker 1>so most of them still exists in this world today.

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<v Speaker 1>So when I see them on Google then looking at

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<v Speaker 1>stuff this man like migrated over over from and archived exactly.

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<v Speaker 1>But although you will may have noticed that in some

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<v Speaker 1>of those that I linked, the updates were as recent

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<v Speaker 1>as a couple of days ago, so it's not as

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<v Speaker 1>though they're dead. One of the ones that you linked

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<v Speaker 1>here actually was updated just this morning, Yeah, exactly, so

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<v Speaker 1>it's still ongoing. This whole mystery began with a cryptic

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<v Speaker 1>message posted by a user identifying him or herself only

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<v Speaker 1>as Publius, which I keep wanting to say Polebius, but

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<v Speaker 1>it's not. That's a different mystery, different mystery. This post

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<v Speaker 1>was made to the unmoderated news group Alt dot Music

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<v Speaker 1>dot Pink Dash Floyd. Publius proposed a riddle in connection

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<v Speaker 1>with the Pink Floyd album The Division bell y'all didn't

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<v Speaker 1>know that Pink Floyd released something in the nineties. Did yet, Yeah,

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<v Speaker 1>they did. It didn't end after the wall. So the

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<v Speaker 1>post basically promised that an answer to this riddle puzzle

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<v Speaker 1>would lead to a reward, and to this day, which

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<v Speaker 1>is like twenty three years later, it remains unclear if

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<v Speaker 1>the quote unquote enigma involves a genuinely solvable puzzle or

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<v Speaker 1>it's part of an early kind of Internet based contest

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<v Speaker 1>or a hoax or something that helps entirely just not

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<v Speaker 1>necessarily a hoax, but just not solvable. Yeah, totally. So

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<v Speaker 1>this whole thing kind of it was primed, I would

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<v Speaker 1>say by how Columbia Records promoted the Pink Floyd Division

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<v Speaker 1>Bell Tour in America. And that was so same year

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<v Speaker 1>as the album released. So Columbia Record Records, who was

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<v Speaker 1>the record label, flew a giant zeppelin that they called

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<v Speaker 1>the Division Bell with an E at the end. Yeah,

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<v Speaker 1>they flew the Division Bell, this zeppelin that was a

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<v Speaker 1>hundred and ninety four ft long, which is fifty They

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<v Speaker 1>flew it between concert locations, so they would start in

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<v Speaker 1>you know where the last concert had happened and then

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<v Speaker 1>fly it to the next city where the concert was

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<v Speaker 1>and they hit what two or three dozen cities in

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<v Speaker 1>this country. It was pretty scible. And I saw with

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<v Speaker 1>the map of all of the concert locations across the world,

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<v Speaker 1>and they went everywhere on that door. Yeah. Absolutely, party, party, yeah, yeah,

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<v Speaker 1>I guess in conjunction with this, Columbia Records did release

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<v Speaker 1>a electronic press kit, which are totally ubiquitous now, but

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<v Speaker 1>in those times it was kind of new tangled things. Yeah,

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<v Speaker 1>And it included things like promo spots um that had

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<v Speaker 1>been interviews with band members, footage of the airship in action,

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<v Speaker 1>and a segment that included the following little snippet quote.

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<v Speaker 1>A spokesperson for Pink Floyd has issued the following statement.

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<v Speaker 1>You have spotted the Pink Floyd airship, Do not be alarmed.

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<v Speaker 1>Pink Floyd have sent their airship to North America to

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<v Speaker 1>deliver a message. The Pink Floyd Airship is headed towards

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<v Speaker 1>a destination where all will be explained. Upon arrival, Pink

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<v Speaker 1>Floyd will communicate unquote. That kind of made people think

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<v Speaker 1>there might be something else going on with this tour

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<v Speaker 1>or the album as a whole. So when Publius showed

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<v Speaker 1>up on the use net forums, people were already a

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<v Speaker 1>little inclined to believe that there was maybe something more

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<v Speaker 1>going on here, just given that official statement from Columbia Records.

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<v Speaker 1>So everybody's anticipating egg of some sort, or you know,

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<v Speaker 1>even just additional press kit information, even just something little.

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<v Speaker 1>But what happens is Publius on June posts a message

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<v Speaker 1>called the Message onto that forum the dot music dot

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<v Speaker 1>pink Floyd that says, Joe, can you read it? Sure?

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<v Speaker 1>My friends, you haven't heard the message pink Floyd has delivered,

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<v Speaker 1>but have you listened? Perhaps I could be your guide,

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<v Speaker 1>but I will not sell the inding before you. All

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<v Speaker 1>of you must open your minds and communicate with each other,

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<v Speaker 1>as this is the only way the answers can be revealed.

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<v Speaker 1>I may help you, but only if hop skills arise. Listen, read, think, communicate.

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<v Speaker 1>If I don't promise you the answers, would you go

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<v Speaker 1>cryptic a little? Yeah? Super cryptic, and especially when well

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<v Speaker 1>some might say that, but some might say super meaningful,

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<v Speaker 1>particularly when taken with the original release. Right this message,

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<v Speaker 1>where this this hair airship is headed towards the destination

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<v Speaker 1>where all will be explained. Yeah, So that that kind

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<v Speaker 1>of spawned a lot of responses people saying, you know,

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<v Speaker 1>like okay, dude, like what's what's going on here? Like really?

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<v Speaker 1>And so there was a clarification post and I can

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<v Speaker 1>I can read this one, so Joe doesn't have to

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<v Speaker 1>read all of them. Yeah, I know, reading it's hard.

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<v Speaker 1>So it said, as some of you have suspected, the

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<v Speaker 1>division Bell is not like its predecessors. Although all great

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<v Speaker 1>music is subject to multiple interpretations, in this case there

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<v Speaker 1>is a central purpose and a designed solution for the

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<v Speaker 1>ingenious person or group of persons who recognize this and

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<v Speaker 1>where this information points to a unique prize has been secreted.

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<v Speaker 1>How and where the division bell. Listen again, look again,

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<v Speaker 1>as your thoughts will steer you leading the blind while

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<v Speaker 1>I stared out the steel in your eyes. Lyrics, artwork

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<v Speaker 1>and music will take you there. So a lot of

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<v Speaker 1>these are actually lyrics from the album, a lot of

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<v Speaker 1>these phrases. But obviously that did pique interest. One thing

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<v Speaker 1>I mean to just pause here and say, off the bat,

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<v Speaker 1>is that one of the really interesting things that was

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<v Speaker 1>happening around this was many of these posts were reposted

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<v Speaker 1>multiple times within seconds of each other, with varying degrees

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<v Speaker 1>of grammatical and spelling errors. And just typographical errors. Honestly,

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<v Speaker 1>so you can look through all of the posts. I

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<v Speaker 1>don't remember, to be honest, we have looked at so

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<v Speaker 1>many different versions of these posts. If they're all still

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<v Speaker 1>on the forum, or if it's just people have the

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<v Speaker 1>historic screenshots of what these looked like, I honestly can't remember.

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<v Speaker 1>But either way, there it's kind of interesting to see

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<v Speaker 1>that a post was posted in like two seconds later

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<v Speaker 1>it was posted, and none of the errors that occurred,

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<v Speaker 1>you know, in the first one, we're in the second

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<v Speaker 1>one in etcetera, etcetera, and that, and that happened multiple times. Actually,

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<v Speaker 1>all of these posts, if you get them as images

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<v Speaker 1>and you're able to kind of, you know, flip through

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<v Speaker 1>them one by one, one right after the X next,

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<v Speaker 1>you can actually see the text change and shift as

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<v Speaker 1>those little bits any happy on the time stamp, they're

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<v Speaker 1>they're happening within seconds. They're really close. And again I

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<v Speaker 1>don't have enough familiarity necessarily with usenet to know if

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<v Speaker 1>you could go back and delete posts if you were

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<v Speaker 1>rereading your thing and went, oh, crap, I misspelled that

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<v Speaker 1>word or I put put a weird comma there or

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<v Speaker 1>something to edit. Yeah, I was had a weird format thing.

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<v Speaker 1>I don't know if you could edit or even delete

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<v Speaker 1>and repost, and I don't know how good the the

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<v Speaker 1>system was at deleting posts and the timely fashion listen.

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<v Speaker 1>It is a giant pain even in Facebook sometimes to

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<v Speaker 1>edit stuff or to get it to delete properly. Twitter.

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<v Speaker 1>Looking at you, Twitter and something that's twenty plus years

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<v Speaker 1>ago on the Internet, it doesn't shock me that it

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<v Speaker 1>wasn't user friendly to edit or get rideut I think

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<v Speaker 1>you'd probably so that could be one explanation for all

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<v Speaker 1>these posts. And I'm gonna go ahead and say we're

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<v Speaker 1>going to read one more post and then that's it,

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<v Speaker 1>because there are a ton of posts. And if this yeah,

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<v Speaker 1>well already you both are yawning already, which I'm really

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<v Speaker 1>excited about, but not hot and hear anything. I will

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<v Speaker 1>say there are tons of really great, great There are

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<v Speaker 1>tons of analysis out there that go really, really in depth.

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<v Speaker 1>And if this story is one that grabs you, we

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<v Speaker 1>I'm trying to make this a not five hour long episode.

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<v Speaker 1>I will tell you I watched a series of videos

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<v Speaker 1>that was literally seven hours worth of analysis by one

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<v Speaker 1>person just talking into a mic. I don't want this

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<v Speaker 1>episode to be that. So we're not going to do that.

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<v Speaker 1>But if that sort of thing, if this does interest you,

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<v Speaker 1>go out and watch that and not will link to

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<v Speaker 1>some of it or I'll just talk about it later.

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<v Speaker 1>But there was one more post that I would do

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<v Speaker 1>you want to talk about? Because there was this one.

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<v Speaker 1>Well it's it's it's interesting. I don't know if it's

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<v Speaker 1>proof or not, but it's an interesting thing that happened.

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<v Speaker 1>So there was this outcry right of people just saying, hey,

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<v Speaker 1>you're just a dumb internet troll. Obviously you know you

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<v Speaker 1>have no connection. You're just you know, pulling our leg.

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<v Speaker 1>Prove it, Prove it somehow, just prove it. So this

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<v Speaker 1>third post that we're going to read, Steve, do you

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<v Speaker 1>want to read? This? One? Sure to validate the trust

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<v Speaker 1>of those who believe, as well as to reconcile the

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<v Speaker 1>doubt of others. I have gone to great lengths to

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<v Speaker 1>plan the following display of communication Monday, July East Rutherford,

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<v Speaker 1>New Jersey, approximately thirty pm, flashing white lights. There is

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<v Speaker 1>an enigma trust, and the crazy thing is is this happened.

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<v Speaker 1>It actually happened, and it happened, so it's so happened

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<v Speaker 1>that this footage from this particular live event is actually

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<v Speaker 1>the footage they used in the archival. You know, they

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<v Speaker 1>always release a DVD of it a live to. This

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<v Speaker 1>is part of this particular one concert is in that

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<v Speaker 1>so you can even pause a DVD and see, oh

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<v Speaker 1>my gosh, actually happened. And so what happened is the

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<v Speaker 1>setup of the stage. Thank you Pink Floyd. For those

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<v Speaker 1>of you who aren't totally Floyd to file, well you don't,

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<v Speaker 1>you have to, You just have to kind of vaguely

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<v Speaker 1>know about them. They were kind of one of the

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<v Speaker 1>last vestiges of these crazy rock concerts that were kind

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<v Speaker 1>of experiential more than a laser light shows. Yeah, and

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<v Speaker 1>Nine Inch Nails still does this, um but in the

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<v Speaker 1>nine inch Nails but differing. Yeah, they're they're older, so

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<v Speaker 1>they sunk and only eight inch Nails, um, but they

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<v Speaker 1>do it's it's in a different, more artistic, less like

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<v Speaker 1>flash bang way. But so the stage of this particular tour,

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<v Speaker 1>the the division bell was they had this big kind

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<v Speaker 1>of arch over the entire It was kind of like

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<v Speaker 1>a Yeah, it was like a half to opening up

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<v Speaker 1>and it had white lights all over it and then

0:14:03.360 --> 0:14:07.880
<v Speaker 1>at the bottom of the stage, which was also an arc. Yeah,

0:14:07.880 --> 0:14:12.199
<v Speaker 1>I was kind of mirrored. Were just panels of LED lights? Well,

0:14:12.200 --> 0:14:14.520
<v Speaker 1>it wasn't actually led s. I think it was probably

0:14:14.559 --> 0:14:16.920
<v Speaker 1>just light bulbs. I think they were actually l E

0:14:17.040 --> 0:14:21.040
<v Speaker 1>ed not not would they have been using L E

0:14:21.160 --> 0:14:24.760
<v Speaker 1>D s in that kind of show Devon alright, it was,

0:14:24.800 --> 0:14:27.160
<v Speaker 1>so it was it was light panels. It was you know,

0:14:27.240 --> 0:14:29.400
<v Speaker 1>four by four panels with a bunch of little light

0:14:29.440 --> 0:14:31.320
<v Speaker 1>bulbs in it, which I would call an L but

0:14:31.440 --> 0:14:33.920
<v Speaker 1>you're right, it probably wasn't actually l E ed. So

0:14:34.000 --> 0:14:36.640
<v Speaker 1>you could project, you could just do you know, flashes

0:14:36.680 --> 0:14:39.840
<v Speaker 1>of light, but you could also write designs on their

0:14:39.960 --> 0:14:44.720
<v Speaker 1>or words. And what happened is, I don't remember what

0:14:44.760 --> 0:14:48.760
<v Speaker 1>exact time it would is almost exactly ten thirty pm

0:14:49.000 --> 0:14:51.920
<v Speaker 1>on that night at that location across the bottom of

0:14:51.960 --> 0:14:54.800
<v Speaker 1>the screen it said, or the bottom of the stage

0:14:54.800 --> 0:14:58.640
<v Speaker 1>it says enigma, right, And you can see, like we

0:14:58.800 --> 0:15:01.200
<v Speaker 1>I printed a picture on the it's there. And if

0:15:01.200 --> 0:15:05.400
<v Speaker 1>you watch the footage of it, there's these really weird

0:15:05.760 --> 0:15:10.840
<v Speaker 1>what appeared to be made up characters strong in that

0:15:10.960 --> 0:15:13.680
<v Speaker 1>light panel across the bottom of the stage, and then

0:15:13.800 --> 0:15:17.120
<v Speaker 1>all of a sudden, the intensity of some of them

0:15:17.320 --> 0:15:21.080
<v Speaker 1>changes and that's when they morph into actual letters. Yeah,

0:15:21.280 --> 0:15:24.600
<v Speaker 1>so it is. It's almost like it's alien writing or

0:15:25.520 --> 0:15:28.160
<v Speaker 1>it's not actual. I'm not claiming it's a language, but

0:15:28.200 --> 0:15:31.440
<v Speaker 1>it's something it's that's what it's kind of modeled after. Yeah,

0:15:31.440 --> 0:15:33.600
<v Speaker 1>I gotta admit to I stared at those weird, those

0:15:33.640 --> 0:15:36.440
<v Speaker 1>weird hieroglyphics for a while and then lost patients and

0:15:36.480 --> 0:15:38.880
<v Speaker 1>stop the video before it actually flashed to an enigma.

0:15:38.920 --> 0:15:44.680
<v Speaker 1>But yeah, we do. Yeah, But so it actually happened

0:15:44.680 --> 0:15:49.280
<v Speaker 1>and not to me is pretty crazy, although totally explainable

0:15:49.520 --> 0:15:52.080
<v Speaker 1>under many of our theories, but I just think it's

0:15:52.120 --> 0:15:55.440
<v Speaker 1>really interesting that that actually happened. Quick question for clarification

0:15:55.800 --> 0:15:58.960
<v Speaker 1>is that obviously people were filming the Pink Floyd shows

0:15:59.000 --> 0:16:00.800
<v Speaker 1>all the time when they were at them, and this

0:16:00.840 --> 0:16:04.080
<v Speaker 1>didn't occur at any other show. Correct. It is my

0:16:04.200 --> 0:16:06.600
<v Speaker 1>understanding that this was the only time that this happened.

0:16:06.720 --> 0:16:07.960
<v Speaker 1>That was mine too, and I just want to make

0:16:08.000 --> 0:16:10.600
<v Speaker 1>sure and on top of that, just to you know,

0:16:10.680 --> 0:16:13.200
<v Speaker 1>reinforce the fact that not only was this the only

0:16:13.240 --> 0:16:15.680
<v Speaker 1>time that happened, but this was the time that Pink

0:16:15.720 --> 0:16:20.960
<v Speaker 1>Floyd put this performance on their DVD, which means at

0:16:20.960 --> 0:16:25.080
<v Speaker 1>the very least something they were at least aware of

0:16:25.160 --> 0:16:28.920
<v Speaker 1>something happening, although let's be honest, the lead members of

0:16:28.960 --> 0:16:32.480
<v Speaker 1>that band did enjoy tweaking people a little bit for sure, yes,

0:16:32.560 --> 0:16:34.840
<v Speaker 1>and might have actually been just cheer randomness that that

0:16:34.880 --> 0:16:36.640
<v Speaker 1>they might have actually listened all the shows and this

0:16:36.680 --> 0:16:38.800
<v Speaker 1>is the one where we screwed up the least, so

0:16:38.840 --> 0:16:40.880
<v Speaker 1>that's going to be the official or this is the

0:16:40.960 --> 0:16:45.320
<v Speaker 1>only one that we had the official video from because

0:16:45.360 --> 0:16:48.960
<v Speaker 1>that happens too. Yeah. Absolutely, there are a lot of reasons,

0:16:49.000 --> 0:16:51.480
<v Speaker 1>like I said, totally explainable but also at least a

0:16:51.480 --> 0:16:53.920
<v Speaker 1>little interesting. But we're not we're not in the theories yet,

0:16:53.920 --> 0:16:58.720
<v Speaker 1>so no, we're not. No, a little more to go. Unfortunately,

0:16:58.760 --> 0:17:03.000
<v Speaker 1>we have more to go. You mean awesome for twelve hours.

0:17:03.960 --> 0:17:05.840
<v Speaker 1>As mentioned, there are a ton of other posts and

0:17:05.880 --> 0:17:08.199
<v Speaker 1>will link to at least one resource for you to

0:17:08.240 --> 0:17:11.359
<v Speaker 1>be able to see all of those posts. Now, there's

0:17:11.400 --> 0:17:15.200
<v Speaker 1>a zine you guys knows you remember zine right the nineties.

0:17:15.880 --> 0:17:17.359
<v Speaker 1>For those of you who don't know, I'm gonna do

0:17:17.400 --> 0:17:19.679
<v Speaker 1>my NPR thing where they're like Batman. For those of

0:17:19.680 --> 0:17:22.840
<v Speaker 1>you who don't know, is a zine is like a magazine.

0:17:23.080 --> 0:17:26.920
<v Speaker 1>But it's more it's an independent, self published, self published

0:17:27.200 --> 0:17:30.080
<v Speaker 1>I was going to say, a self published publication usually

0:17:30.640 --> 0:17:35.600
<v Speaker 1>really small. Usually, you know, it's distribution is local, you know.

0:17:35.760 --> 0:17:37.479
<v Speaker 1>We I used to see them at Powells a lot,

0:17:37.520 --> 0:17:39.280
<v Speaker 1>and it would be the sort of thing where literally

0:17:39.600 --> 0:17:41.560
<v Speaker 1>you could like they were printed off at home and

0:17:41.640 --> 0:17:44.760
<v Speaker 1>stapled and put you know, the person who was creating

0:17:44.760 --> 0:17:46.760
<v Speaker 1>them would come in and say, like, the twelve more

0:17:46.800 --> 0:17:50.680
<v Speaker 1>copies of this this issue, and PALS employees would be like, okay,

0:17:50.760 --> 0:17:54.560
<v Speaker 1>just put them over there. It's fine magazine, Yeah, old

0:17:54.600 --> 0:17:56.879
<v Speaker 1>main entrance. Yeah, yeah, totally. And it's not you know,

0:17:56.920 --> 0:17:59.240
<v Speaker 1>not to say that they were not of any value,

0:17:59.280 --> 0:18:01.480
<v Speaker 1>but that is the kind of thing that they were.

0:18:01.520 --> 0:18:05.119
<v Speaker 1>And this zine was called maybe still is called I

0:18:05.160 --> 0:18:09.040
<v Speaker 1>couldn't I found one publication that is still in I

0:18:09.119 --> 0:18:13.159
<v Speaker 1>guess what you would call circulation. That's called Brain Damage.

0:18:14.200 --> 0:18:16.240
<v Speaker 1>But I don't think it's actually the same one anymore.

0:18:16.280 --> 0:18:18.679
<v Speaker 1>I think it's it's it looks like it's just been

0:18:18.720 --> 0:18:21.160
<v Speaker 1>around for the last couple of years. I don't think

0:18:21.160 --> 0:18:23.320
<v Speaker 1>it's even a spinoff. I think it's just somebody like

0:18:24.400 --> 0:18:29.639
<v Speaker 1>I don't know, it's it's like an anime drawing. It's different. Yeah,

0:18:29.880 --> 0:18:32.119
<v Speaker 1>so I don't think it's in any way related. But

0:18:32.200 --> 0:18:34.639
<v Speaker 1>I also can't, for one say that that's not what

0:18:34.720 --> 0:18:37.280
<v Speaker 1>this morphed into. I guess it's kind of probably a

0:18:37.359 --> 0:18:41.520
<v Speaker 1>kind of a common name for yeah, novels and zines

0:18:41.560 --> 0:18:44.280
<v Speaker 1>and everything else. Yeah, So this zne was called brain

0:18:44.359 --> 0:18:48.720
<v Speaker 1>Damage and it was a Pink Floyd fan zine that

0:18:48.840 --> 0:18:52.479
<v Speaker 1>started in April of nineteen eight six, and there was

0:18:52.760 --> 0:18:59.200
<v Speaker 1>an alleged correspondence component of it. Yeah, but the way

0:18:59.240 --> 0:19:02.960
<v Speaker 1>it was sold was you would write to this character

0:19:03.440 --> 0:19:09.320
<v Speaker 1>named Uncle Custard that as in the food yea custard

0:19:09.720 --> 0:19:14.760
<v Speaker 1>or yeah, like the food, and uh. They it seems

0:19:14.800 --> 0:19:18.640
<v Speaker 1>like fans for some reason thought that this was somebody

0:19:18.640 --> 0:19:21.960
<v Speaker 1>who was either an actual member of Pink Floyd or

0:19:22.520 --> 0:19:25.400
<v Speaker 1>had very close relations to Pink Floyd. But a lot

0:19:25.400 --> 0:19:28.680
<v Speaker 1>of people point to the fact that Jeff Jensen, who

0:19:28.800 --> 0:19:32.439
<v Speaker 1>was the editor of Brain Damage, editor and creator, the

0:19:32.440 --> 0:19:36.720
<v Speaker 1>only person on staff, he never revealed the identity of

0:19:37.040 --> 0:19:40.320
<v Speaker 1>Uncle Custard, So that meant that to these fans, So

0:19:40.400 --> 0:19:43.919
<v Speaker 1>that meant that this was a very credible source that

0:19:44.080 --> 0:19:47.160
<v Speaker 1>was close to the band. I'm not a completely made

0:19:47.200 --> 0:19:51.200
<v Speaker 1>up source. I'ment sure it was actually just Jeff Jensen

0:19:51.440 --> 0:19:56.400
<v Speaker 1>answering these waters himself or making stuff up wholesale, which

0:19:56.440 --> 0:19:58.720
<v Speaker 1>you know, yeah, he could have been writing the questions

0:19:58.760 --> 0:20:01.440
<v Speaker 1>and the answers as well a national lampoon and penthouse

0:20:01.440 --> 0:20:04.359
<v Speaker 1>always to totally totally Yeah, but you will see a

0:20:04.400 --> 0:20:08.280
<v Speaker 1>lot of people say that this is a totally credible source.

0:20:08.320 --> 0:20:11.360
<v Speaker 1>Close to a lot of people say yeah. A lot

0:20:11.359 --> 0:20:13.720
<v Speaker 1>of people do say it's Nick Mason. And they say

0:20:13.760 --> 0:20:17.840
<v Speaker 1>that because and I quote, Uncle Custard is phonetically similar

0:20:17.880 --> 0:20:23.280
<v Speaker 1>to ugly car stud is such a fan, is such

0:20:23.280 --> 0:20:26.000
<v Speaker 1>a car guy. Yeah, he is a car guy. First

0:20:26.040 --> 0:20:29.800
<v Speaker 1>of all, I take Uncle Custard an ugly car stud. No,

0:20:29.800 --> 0:20:33.760
<v Speaker 1>no for me. Second of all, do you think no,

0:20:34.160 --> 0:20:36.160
<v Speaker 1>I just there's lots of lots and lots of big

0:20:36.200 --> 0:20:38.119
<v Speaker 1>problems with this. But fine, whatever it could have been

0:20:38.160 --> 0:20:40.280
<v Speaker 1>to that of this whole circle of people, you know,

0:20:40.480 --> 0:20:42.600
<v Speaker 1>maybe they all contributed to. Maybe I said I had

0:20:42.600 --> 0:20:44.199
<v Speaker 1>a great idea for a letter to the editor. I'm

0:20:44.200 --> 0:20:46.080
<v Speaker 1>going to write the letter and the answer and just

0:20:46.119 --> 0:20:48.200
<v Speaker 1>give it to you and you can publish it. Yeah,

0:20:48.240 --> 0:20:50.640
<v Speaker 1>but I don't have the impression that there was actually

0:20:50.640 --> 0:20:55.680
<v Speaker 1>any kind of even tangential relationship between the people at

0:20:55.800 --> 0:21:00.080
<v Speaker 1>Brain Damage and the actual members of Pink Floyd and

0:21:00.080 --> 0:21:02.320
<v Speaker 1>then whatsoever. I don't I don't have that, but I'm

0:21:02.359 --> 0:21:04.719
<v Speaker 1>sure that some listener will be able to tell me

0:21:04.760 --> 0:21:10.840
<v Speaker 1>more about that. Yeah, probably Uncle Custard himself. So if

0:21:10.840 --> 0:21:14.080
<v Speaker 1>you are Uncle Custar pleas right, Yeah you can. You

0:21:14.119 --> 0:21:16.119
<v Speaker 1>just wait till the end of the episodes find how

0:21:16.200 --> 0:21:20.720
<v Speaker 1>our email address. Anyway, this is what this very credible

0:21:20.760 --> 0:21:23.160
<v Speaker 1>source had to say about this, and I'll just read

0:21:23.200 --> 0:21:25.320
<v Speaker 1>both parts of this. Actually, no, I'm gonna have Joe

0:21:25.320 --> 0:21:30.640
<v Speaker 1>read the answer as Uncle Custard. But the question that's

0:21:30.640 --> 0:21:32.280
<v Speaker 1>going to be your name from now on I think.

0:21:32.880 --> 0:21:35.520
<v Speaker 1>I don't think so, I call me the Rock. No,

0:21:35.640 --> 0:21:38.320
<v Speaker 1>You're far from it. Yeah, But the question that was

0:21:38.359 --> 0:21:44.320
<v Speaker 1>posed was who is Publius Enigma? Pause? I'm sorry. Also,

0:21:44.440 --> 0:21:46.199
<v Speaker 1>that's the only time I've ever seen it referred to

0:21:46.280 --> 0:21:49.200
<v Speaker 1>as who is Publius Enigma? Not like what is the

0:21:49.240 --> 0:21:53.520
<v Speaker 1>Publius Enigma? But whatever? Or who is? Plus? Yeah, who

0:21:53.600 --> 0:21:56.120
<v Speaker 1>is Publius Enigma? What is the meaning of it all?

0:21:56.200 --> 0:21:59.280
<v Speaker 1>And what is the treasure to be had? Questions all

0:21:59.400 --> 0:22:03.640
<v Speaker 1>to know the answered to. Here's my answer is Uncle Custard. Quote. Yes,

0:22:03.920 --> 0:22:07.399
<v Speaker 1>as the infamous Q has emphasized. Quote, you humans are

0:22:07.440 --> 0:22:10.960
<v Speaker 1>so limited unquote. This is a project for all those

0:22:11.000 --> 0:22:13.000
<v Speaker 1>out there with higher I q s. It does require

0:22:13.000 --> 0:22:15.440
<v Speaker 1>a mastery of diverse languages, along with a lot of

0:22:15.480 --> 0:22:18.600
<v Speaker 1>spare time. Now get with it. The lights were brighter,

0:22:18.720 --> 0:22:21.639
<v Speaker 1>the meaning is worn inside out. The bell has told,

0:22:22.080 --> 0:22:24.639
<v Speaker 1>and the surrogate band is coming back to life. The

0:22:24.720 --> 0:22:28.320
<v Speaker 1>actualized nonlinearly within the paradox of the theme of the

0:22:28.359 --> 0:22:33.320
<v Speaker 1>division bell communication breakdown Hint Perrine, Hint watch the Learning

0:22:33.320 --> 0:22:36.760
<v Speaker 1>to Fly video close Perrinne. It may also involve an

0:22:36.760 --> 0:22:40.439
<v Speaker 1>anomaly in the spacetime continuum. There's an obvious solution, and

0:22:40.480 --> 0:22:42.720
<v Speaker 1>you do not need to be a pink floydd story

0:22:42.760 --> 0:22:45.080
<v Speaker 1>and to figure it out. Winners will receive official entry

0:22:45.119 --> 0:22:47.200
<v Speaker 1>into the Mensis Society and some dry hays to cool

0:22:47.240 --> 0:22:49.840
<v Speaker 1>down all those neural pathways in your brain. It is

0:22:49.840 --> 0:22:52.639
<v Speaker 1>important to note that neither I nor anyone involved with

0:22:52.680 --> 0:22:55.639
<v Speaker 1>this zone will enter into any correspondence on this topic.

0:22:56.040 --> 0:22:58.880
<v Speaker 1>It's a puzzle for you, devised by the one who

0:22:58.960 --> 0:23:02.720
<v Speaker 1>loves you and to drive you mad. Besides, I'm much

0:23:02.760 --> 0:23:05.639
<v Speaker 1>too busy creating crop circles and executing think tank projects

0:23:05.640 --> 0:23:14.240
<v Speaker 1>for the Pentagon. So obvious, trolls obvious. But I will

0:23:14.280 --> 0:23:16.240
<v Speaker 1>say that there are some people who have taken this

0:23:16.560 --> 0:23:23.680
<v Speaker 1>to an extraordinary level of research to further support their

0:23:23.760 --> 0:23:27.040
<v Speaker 1>claim that they have solved the Publius Enigma. But, as

0:23:27.080 --> 0:23:30.360
<v Speaker 1>I said, an effort to keep this episode under four hours,

0:23:30.520 --> 0:23:33.000
<v Speaker 1>we are not going to dive deep into this rabbit hole,

0:23:33.040 --> 0:23:35.840
<v Speaker 1>because we could sit here and spend as I said,

0:23:36.040 --> 0:23:39.399
<v Speaker 1>probably seven hours analyzing the lyrics to all of the

0:23:39.440 --> 0:23:43.760
<v Speaker 1>different songs, and you know, diving deep into the artwork,

0:23:43.960 --> 0:23:46.040
<v Speaker 1>which I know is Steve's favorite part of this whole thing.

0:23:46.520 --> 0:23:48.879
<v Speaker 1>And but we'd rather not sit here talking about this

0:23:48.960 --> 0:23:52.800
<v Speaker 1>for seven hours. I would really rather not. I'm sorry, Um,

0:23:52.840 --> 0:23:57.920
<v Speaker 1>but like I said, I spent seven hours total of

0:23:57.960 --> 0:24:01.639
<v Speaker 1>my life watching this video. See series called Unraveling the

0:24:01.680 --> 0:24:05.919
<v Speaker 1>Publius Enigma on YouTube. This series is produced by a

0:24:05.920 --> 0:24:09.439
<v Speaker 1>guy named David Valentine. And if this mystery hooks you

0:24:09.480 --> 0:24:12.639
<v Speaker 1>and you have a high tolerance for monotone voices and

0:24:13.680 --> 0:24:17.040
<v Speaker 1>um kind of crazy ideas, at the very least, he

0:24:17.119 --> 0:24:21.359
<v Speaker 1>does do a very interesting breakdown of the lyrics of

0:24:21.400 --> 0:24:24.200
<v Speaker 1>the songs. There is an hour and a half long video.

0:24:24.240 --> 0:24:26.879
<v Speaker 1>I think it's the second video where he analyzes the

0:24:27.000 --> 0:24:30.000
<v Speaker 1>artwork and at the very end of an hour and

0:24:30.000 --> 0:24:32.480
<v Speaker 1>a half of my life said, but this artwork has

0:24:32.520 --> 0:24:41.240
<v Speaker 1>nothing to do with it, which anyway, Um, but if

0:24:41.680 --> 0:24:43.720
<v Speaker 1>you know that it was an interesting breakdown of the

0:24:43.800 --> 0:24:46.480
<v Speaker 1>lyrics at the very least of some of the songs.

0:24:46.880 --> 0:24:49.720
<v Speaker 1>His theories are a little out there for me. We

0:24:49.760 --> 0:24:52.040
<v Speaker 1>are going to talk about his theories in the theory section,

0:24:52.160 --> 0:24:55.800
<v Speaker 1>but I would recommend at the very least giving some

0:24:55.920 --> 0:24:59.080
<v Speaker 1>of it to try there. You can also obviously follow

0:24:59.119 --> 0:25:01.560
<v Speaker 1>the links well, try to post links not to his

0:25:01.840 --> 0:25:04.760
<v Speaker 1>YouTube videos because I've just told you about the YouTube

0:25:04.800 --> 0:25:08.240
<v Speaker 1>videos to watch him. Skip the artwork one because obviously

0:25:08.400 --> 0:25:11.560
<v Speaker 1>he says it's bunk and it's different in every country. Yeah, yeah,

0:25:11.600 --> 0:25:14.280
<v Speaker 1>that's true. I mean, Joe, I mean, Steve sent me

0:25:14.320 --> 0:25:17.879
<v Speaker 1>this thing. Because I think I had moved far through

0:25:18.440 --> 0:25:23.600
<v Speaker 1>all of these, I forgot to say, well, so, I

0:25:23.600 --> 0:25:26.280
<v Speaker 1>actually I forgot to like tell you guys, you know

0:25:26.320 --> 0:25:28.359
<v Speaker 1>the last we had said, I said, yeah, it's probably

0:25:28.400 --> 0:25:30.920
<v Speaker 1>worth watching at least you know, some of this stuff,

0:25:30.960 --> 0:25:33.159
<v Speaker 1>and that first one may or may not. It's kind

0:25:33.160 --> 0:25:35.719
<v Speaker 1>of an interesting primer, but that second video is like

0:25:35.800 --> 0:25:37.920
<v Speaker 1>don't don't bother. But I had forgotten to tell you that,

0:25:38.320 --> 0:25:41.000
<v Speaker 1>and Steve sent me this email. It was like, here's

0:25:41.040 --> 0:25:43.320
<v Speaker 1>all of the different artwork from all of the booklets

0:25:43.359 --> 0:25:46.200
<v Speaker 1>from all around the world. So this video was dumb

0:25:46.240 --> 0:25:48.440
<v Speaker 1>and I was like, ah, man, I could have saved

0:25:48.480 --> 0:25:53.439
<v Speaker 1>you so much time and heartache a background noise. It

0:25:53.560 --> 0:25:56.639
<v Speaker 1>wasn't It wasn't really worth it. Um But yeah, I

0:25:56.640 --> 0:25:59.280
<v Speaker 1>mean it's an interesting one. At least, Please don't email

0:25:59.320 --> 0:26:01.640
<v Speaker 1>me saying like this was a waste of my time.

0:26:01.680 --> 0:26:03.439
<v Speaker 1>I'm telling you right off the bat it might be,

0:26:03.600 --> 0:26:06.320
<v Speaker 1>but it might also be really interesting to you, and

0:26:06.359 --> 0:26:08.800
<v Speaker 1>you might actually watch it and actually, you know, you

0:26:08.840 --> 0:26:14.280
<v Speaker 1>love a brainstorm, and you'll solve the mystery. It's totally possible. Yeah,

0:26:14.640 --> 0:26:17.280
<v Speaker 1>all of that having been said, we're gonna um dive

0:26:17.320 --> 0:26:20.359
<v Speaker 1>into theories. But first we're going to take a quick break.

0:26:23.359 --> 0:26:25.760
<v Speaker 1>You have a hundred dollars in your pocket, Bobby asked

0:26:25.800 --> 0:26:28.639
<v Speaker 1>tomorrow and says he will pay you back at a

0:26:28.720 --> 0:26:32.320
<v Speaker 1>daily compound interst rate of five point three two over

0:26:32.359 --> 0:26:35.719
<v Speaker 1>the next seventeen days. When Bobby pays you back, how

0:26:35.800 --> 0:26:38.040
<v Speaker 1>much money will you have earned. It doesn't matter because

0:26:38.040 --> 0:26:40.520
<v Speaker 1>you're saving for college and Bobby is notorious for never

0:26:40.560 --> 0:26:43.199
<v Speaker 1>paying anyone back. What does that have to do with

0:26:43.240 --> 0:26:46.520
<v Speaker 1>today's sponsor? Well, making sure you don't turn into Bobby.

0:26:46.640 --> 0:26:49.760
<v Speaker 1>That's what are you considering going to college, whether you're

0:26:49.760 --> 0:26:52.040
<v Speaker 1>attending for the first time or going back to complete

0:26:52.080 --> 0:26:55.960
<v Speaker 1>your degree. There are three common financial aid mistakes most

0:26:56.000 --> 0:27:00.280
<v Speaker 1>students make that you can avoid. Discover them and Southern

0:27:00.320 --> 0:27:05.080
<v Speaker 1>New Hampshire University by texting direct d i r e

0:27:05.119 --> 0:27:09.840
<v Speaker 1>c T to five five four four three three. Founded

0:27:09.880 --> 0:27:12.480
<v Speaker 1>in ninety two, s n h u s mission has

0:27:12.480 --> 0:27:16.240
<v Speaker 1>been to make higher education accessible and affordable for everyone.

0:27:16.400 --> 0:27:19.479
<v Speaker 1>They're devoted to learning, not profit, so they've made their

0:27:19.520 --> 0:27:22.560
<v Speaker 1>New England campus available to the entire world by offering

0:27:22.600 --> 0:27:27.680
<v Speaker 1>complete degree programs online. While tuition is skyrocketing across the country,

0:27:28.080 --> 0:27:31.280
<v Speaker 1>s n h U hasn't raised their online tuition in years.

0:27:31.760 --> 0:27:33.920
<v Speaker 1>When you choose to get your education, you owe to

0:27:33.960 --> 0:27:37.280
<v Speaker 1>yourself to avoid the top three financial aid mistakes. Learn

0:27:37.320 --> 0:27:39.800
<v Speaker 1>about s n h U plus the top three financial

0:27:39.800 --> 0:27:42.960
<v Speaker 1>aid mistakes and how to avoid them by texting direct

0:27:43.240 --> 0:27:46.960
<v Speaker 1>d I R e c T to five five four

0:27:47.080 --> 0:27:50.120
<v Speaker 1>four three three. That's direct to five five four four

0:27:50.359 --> 0:27:53.600
<v Speaker 1>three three. It's in your best interests get it interest

0:27:53.800 --> 0:27:56.520
<v Speaker 1>as an interest rate. You'll get it a couple of

0:27:56.600 --> 0:28:04.560
<v Speaker 1>years we're back. Theory number one would be it's just

0:28:04.640 --> 0:28:08.560
<v Speaker 1>an internet troll, But as previously mentioned, I don't think

0:28:08.600 --> 0:28:13.000
<v Speaker 1>that's a very plausible theory. Just given the light show

0:28:13.040 --> 0:28:15.919
<v Speaker 1>that happened, I would think that it would be at

0:28:15.960 --> 0:28:19.399
<v Speaker 1>least somebody connected with it. Though, as my wonderful fiance

0:28:19.560 --> 0:28:22.720
<v Speaker 1>pointed out, he said, Oh, it could still be a troll.

0:28:22.760 --> 0:28:24.879
<v Speaker 1>It just happens that that troll is like the lighting

0:28:24.880 --> 0:28:29.080
<v Speaker 1>designer or knows the lightnings. Yeah, I was gonna go

0:28:29.119 --> 0:28:31.679
<v Speaker 1>there too. He works there or knows. I mean they

0:28:31.760 --> 0:28:34.560
<v Speaker 1>hired kids to run the freaking gates. This is the

0:28:34.560 --> 0:28:36.679
<v Speaker 1>middle of the show. The kid could have had access

0:28:36.840 --> 0:28:39.640
<v Speaker 1>for a while to go in and just play with

0:28:39.680 --> 0:28:42.479
<v Speaker 1>something and change if they know how that system works

0:28:42.800 --> 0:28:45.000
<v Speaker 1>and had acts. I will tell you from working at

0:28:45.080 --> 0:28:50.160
<v Speaker 1>venues for events not of this caliber, but of lesser caliber,

0:28:50.240 --> 0:28:53.640
<v Speaker 1>so would probably likely be even heightened. It would be

0:28:53.760 --> 0:28:55.960
<v Speaker 1>hard for somebody to gain access to that without the

0:28:56.000 --> 0:28:58.120
<v Speaker 1>proper security. You would think that would not let somebody

0:28:58.160 --> 0:28:59.680
<v Speaker 1>go in there and mess with their gear, you know,

0:29:00.040 --> 0:29:03.000
<v Speaker 1>kind of vitally important. But if it were the lightning

0:29:03.000 --> 0:29:06.120
<v Speaker 1>designer or somebody on the staff, somebody on staff, that

0:29:06.280 --> 0:29:12.560
<v Speaker 1>could be possible. Sure, yeah, totally, so okay, fine there next. Well, No,

0:29:12.880 --> 0:29:15.440
<v Speaker 1>I was just gonna follow up by saying, the other

0:29:15.640 --> 0:29:18.520
<v Speaker 1>thing is that I saw in a couple of places,

0:29:18.640 --> 0:29:20.920
<v Speaker 1>not all the places, but a couple of places that

0:29:21.240 --> 0:29:26.760
<v Speaker 1>some of the rereleased mini discs and other you know,

0:29:26.880 --> 0:29:32.680
<v Speaker 1>CDs that were being re released after this whole Publius

0:29:32.960 --> 0:29:37.840
<v Speaker 1>Enigma thing reportedly had in the artwork, like there was

0:29:37.880 --> 0:29:41.120
<v Speaker 1>a picture of a rock wall that had Enigma written

0:29:41.120 --> 0:29:43.160
<v Speaker 1>in it, or like there's a picture of a field

0:29:43.200 --> 0:29:46.840
<v Speaker 1>and there was like a Publius like hidden in the grains.

0:29:47.560 --> 0:29:49.880
<v Speaker 1>Which I don't know how much I believe that I

0:29:49.920 --> 0:29:53.080
<v Speaker 1>saw the pictures that these people were talking about, and

0:29:53.120 --> 0:29:55.440
<v Speaker 1>I agree that in the pictures that they were showing

0:29:55.480 --> 0:29:58.920
<v Speaker 1>online it looked like that. However, I do not believe

0:29:58.920 --> 0:30:03.320
<v Speaker 1>that these people would have then above photos shopping them

0:30:03.360 --> 0:30:06.040
<v Speaker 1>themselves and then putting them out there for public consumption

0:30:06.680 --> 0:30:09.400
<v Speaker 1>and buy yourself some pink Floyd. Well, even if I did,

0:30:09.720 --> 0:30:11.880
<v Speaker 1>you know, the argument is always like, oh, you just

0:30:11.880 --> 0:30:14.000
<v Speaker 1>didn't get the right copy right. It's that same thing

0:30:14.040 --> 0:30:17.760
<v Speaker 1>with the Aladdin the films, some of them that had

0:30:17.800 --> 0:30:20.440
<v Speaker 1>to be recalled because the animators had put like sex

0:30:21.080 --> 0:30:25.520
<v Speaker 1>and then the Little Mermaid with the castle thing right.

0:30:25.600 --> 0:30:29.040
<v Speaker 1>So the argument, yeah, so the argument against those when

0:30:29.040 --> 0:30:30.640
<v Speaker 1>you say like, well my copy didn't have it as,

0:30:30.680 --> 0:30:32.560
<v Speaker 1>they're like, you just didn't get the right copy, right,

0:30:32.600 --> 0:30:35.080
<v Speaker 1>So that would be the same argument there. But the

0:30:35.160 --> 0:30:38.880
<v Speaker 1>whole Little Mermaid castle thing actually just an urban legend.

0:30:38.920 --> 0:30:41.240
<v Speaker 1>I think that didn't actually see. That's exactly what I'm

0:30:41.240 --> 0:30:43.160
<v Speaker 1>saying is that, like, it would be very easy to

0:30:43.200 --> 0:30:46.960
<v Speaker 1>say to somebody you know, who says, oh, had that copy. Well,

0:30:47.000 --> 0:30:49.120
<v Speaker 1>they say I had that copy, and you'd say, well,

0:30:49.200 --> 0:30:51.600
<v Speaker 1>I didn't have that copy. Nobody knows except for you

0:30:51.640 --> 0:30:53.200
<v Speaker 1>had that copy. And they'd say, well, you just had

0:30:53.240 --> 0:30:55.800
<v Speaker 1>weird copies then, right, And then all of the pictures

0:30:55.800 --> 0:30:59.720
<v Speaker 1>online are just photoshops, super easy to do. So I

0:31:00.080 --> 0:31:02.280
<v Speaker 1>and I'm tired to believe actually animators would go to

0:31:02.320 --> 0:31:04.280
<v Speaker 1>that much trouble. In me, animation, especially back in the

0:31:04.280 --> 0:31:08.360
<v Speaker 1>old days, was a pretty labor intensive process whose movies,

0:31:08.400 --> 0:31:10.280
<v Speaker 1>and I don't know, it wouldn't surprise me that much

0:31:10.400 --> 0:31:12.360
<v Speaker 1>that they I mean, you know, there's some of the

0:31:12.400 --> 0:31:16.560
<v Speaker 1>jokes I had on in current kids movies. They're adults,

0:31:16.640 --> 0:31:20.000
<v Speaker 1>so it wouldn't surprise me too terribly much. But I

0:31:20.080 --> 0:31:23.480
<v Speaker 1>don't think it's just random troll on the Internet that

0:31:23.600 --> 0:31:26.680
<v Speaker 1>is responsible for this, but it's possible. I think it's

0:31:26.720 --> 0:31:33.360
<v Speaker 1>some kind of troll, a Bank Floyd troll. Yeah. Next

0:31:33.360 --> 0:31:37.280
<v Speaker 1>theory is the one that I spent a long time

0:31:37.640 --> 0:31:43.680
<v Speaker 1>learning about because at the beginning of this whole ruling experience,

0:31:44.120 --> 0:31:48.920
<v Speaker 1>this person David Valentine said, oh, the answer to this

0:31:49.040 --> 0:31:52.440
<v Speaker 1>is spiritual enlightenment, and I thought, great, I'm really interested

0:31:52.480 --> 0:31:54.680
<v Speaker 1>to see how this is going to pan out. But no,

0:31:54.760 --> 0:31:59.160
<v Speaker 1>it turns out that theory is actually about possession. I

0:31:59.160 --> 0:32:02.080
<v Speaker 1>have quote for one of his movies, say, right now,

0:32:02.200 --> 0:32:05.640
<v Speaker 1>the Division Bell is literally an album whose songs incorporate

0:32:05.720 --> 0:32:09.080
<v Speaker 1>themselves together to describe the process the spirit took in

0:32:09.160 --> 0:32:12.840
<v Speaker 1>possessing the listener. Unquote. I didn't say quote any but

0:32:13.160 --> 0:32:16.280
<v Speaker 1>let's quote it's quote. That's his theory is that actually

0:32:16.360 --> 0:32:23.760
<v Speaker 1>this entire album is about how Pink Floyd m hm,

0:32:24.280 --> 0:32:29.160
<v Speaker 1>how Pink Floyd possesses their listeners. Is that what he's

0:32:29.160 --> 0:32:31.240
<v Speaker 1>saying that what he's saying the spirit. Is he saying

0:32:31.280 --> 0:32:33.800
<v Speaker 1>the spirit, But the spirit does he mean just your

0:32:33.800 --> 0:32:37.040
<v Speaker 1>own soul possessing your body? No, spirit of the band.

0:32:37.400 --> 0:32:41.240
<v Speaker 1>It not even spirit means the actual band members are

0:32:41.640 --> 0:32:45.840
<v Speaker 1>physically possessing. All five of them are in me at once. Weird,

0:32:46.120 --> 0:32:48.720
<v Speaker 1>I know. And he says that actually, this is something

0:32:48.760 --> 0:32:52.840
<v Speaker 1>that most artists do, is they possess their listeners. And

0:32:52.920 --> 0:32:55.719
<v Speaker 1>this is and I should clarify that you it may

0:32:55.760 --> 0:32:57.600
<v Speaker 1>be worth going and watching this for you guys to

0:32:57.680 --> 0:32:59.800
<v Speaker 1>understand that I should clarify. This is not just like

0:33:00.080 --> 0:33:03.160
<v Speaker 1>uh oh, the spirit of the music it's so good,

0:33:03.560 --> 0:33:05.880
<v Speaker 1>like it possesses me and it overwhelms me. No, no, no,

0:33:06.400 --> 0:33:09.760
<v Speaker 1>This is an actual physical overtake of your nervous system

0:33:09.840 --> 0:33:13.720
<v Speaker 1>and body that these people are capable of doing through

0:33:13.800 --> 0:33:16.680
<v Speaker 1>their music, through you listening to their music. According to

0:33:16.720 --> 0:33:20.040
<v Speaker 1>this theory, so don't drive and listen to Pink Floyd

0:33:20.360 --> 0:33:22.760
<v Speaker 1>because they'll take over and they may not be very

0:33:22.760 --> 0:33:26.800
<v Speaker 1>good drivers and they take the car. Yeah. And so

0:33:26.840 --> 0:33:29.720
<v Speaker 1>the argument of like, you know, me being able to say, well,

0:33:29.720 --> 0:33:31.640
<v Speaker 1>like listen, dude, I listened to Division Bell and I

0:33:31.680 --> 0:33:34.680
<v Speaker 1>didn't get possessed is like, well, okay, So it describes no,

0:33:35.040 --> 0:33:38.800
<v Speaker 1>so it describes exactly the dif the situation and how

0:33:38.800 --> 0:33:41.480
<v Speaker 1>it has to be in order for the possession to

0:33:41.520 --> 0:33:43.640
<v Speaker 1>take place. So maybe you did den the lights when

0:33:43.640 --> 0:33:45.280
<v Speaker 1>the artists told you to dim the lights so you

0:33:45.320 --> 0:33:47.720
<v Speaker 1>were able to not get possessed, or maybe you looked

0:33:47.720 --> 0:33:50.440
<v Speaker 1>away so you were able to not And so again

0:33:50.480 --> 0:33:54.320
<v Speaker 1>if that you know, self confirmation of what you know

0:33:54.360 --> 0:33:58.840
<v Speaker 1>what's going on? Really yeah, so if you if you

0:33:58.840 --> 0:34:02.640
<v Speaker 1>wouldn't mind the tie, this seen exactly to the Enigma mystery.

0:34:02.680 --> 0:34:07.240
<v Speaker 1>So the Enigma Mystery is thank you because I spent

0:34:07.320 --> 0:34:09.120
<v Speaker 1>so much time in this that I didn't even tie

0:34:09.120 --> 0:34:14.520
<v Speaker 1>it in. The whole Enigma Mystery is pointing you towards

0:34:15.360 --> 0:34:20.279
<v Speaker 1>analyzing the lyrics of the Division Bell. And according to

0:34:20.320 --> 0:34:24.480
<v Speaker 1>this theory, there's a silence triad, which is three of

0:34:24.480 --> 0:34:28.839
<v Speaker 1>the songs that tie together. I should clarify on on

0:34:28.880 --> 0:34:33.160
<v Speaker 1>this album there are two of the tracks are just instrumental,

0:34:33.600 --> 0:34:37.520
<v Speaker 1>and then there's the silence triad, and then of that triad,

0:34:37.680 --> 0:34:41.560
<v Speaker 1>two of the three of the songs. I wish this

0:34:41.600 --> 0:34:43.240
<v Speaker 1>was like a physical thing so I could be showing

0:34:43.239 --> 0:34:46.960
<v Speaker 1>you guys the listeners, But basically it's there's two songs

0:34:47.200 --> 0:34:52.040
<v Speaker 1>that are the Horizontal Farm, and then there's the third

0:34:52.200 --> 0:34:55.439
<v Speaker 1>and from that third one, the other two songs on

0:34:55.600 --> 0:34:59.880
<v Speaker 1>the album are all describing the same event, these three songs.

0:35:00.560 --> 0:35:04.560
<v Speaker 1>So it's a try. It's a major interpretation of the

0:35:05.040 --> 0:35:09.360
<v Speaker 1>it is lyrics. It is I can embarrassingly enough, I

0:35:09.360 --> 0:35:12.879
<v Speaker 1>can kind of get there with the explanation of how

0:35:13.160 --> 0:35:15.400
<v Speaker 1>these all kind of get together, because there are actually

0:35:15.400 --> 0:35:19.360
<v Speaker 1>recurring themes within the lyrics in all of the different songs,

0:35:19.400 --> 0:35:23.640
<v Speaker 1>Like there are literally phrases recycled over and over again

0:35:24.080 --> 0:35:26.839
<v Speaker 1>in different songs on the album that seemed to kind

0:35:26.880 --> 0:35:29.480
<v Speaker 1>of describe the same sort of thing. And now Pink

0:35:29.480 --> 0:35:32.160
<v Speaker 1>Floyd for you know, be fan or not. They're not

0:35:32.360 --> 0:35:36.120
<v Speaker 1>lazy artists there. I mean, they may have become lazy

0:35:36.200 --> 0:35:40.400
<v Speaker 1>artists by but I can I can get behind the

0:35:40.440 --> 0:35:43.560
<v Speaker 1>thought process. I don't buy it, but I can understand

0:35:43.600 --> 0:35:46.480
<v Speaker 1>where the thought process comes in of saying, like, listen,

0:35:46.680 --> 0:35:50.839
<v Speaker 1>these are almost verbatim copy paste lyrics from one song

0:35:50.880 --> 0:35:54.959
<v Speaker 1>to another. Therefore they must be describing a similar thing.

0:35:55.360 --> 0:35:57.960
<v Speaker 1>There must be some reason for that. And you could

0:35:58.000 --> 0:36:00.640
<v Speaker 1>say the same thing about straight out of Hampton Well

0:36:00.719 --> 0:36:05.960
<v Speaker 1>to the same same phrases same. But here's the thing.

0:36:07.000 --> 0:36:09.360
<v Speaker 1>But you you're this is where you're not listening to me,

0:36:09.400 --> 0:36:12.520
<v Speaker 1>because I'm saying that this theory stipulates that every single

0:36:12.560 --> 0:36:16.879
<v Speaker 1>recording artist to ever have existed does this exact same thing.

0:36:17.440 --> 0:36:21.080
<v Speaker 1>The trick to this is that the division bell is

0:36:21.640 --> 0:36:27.480
<v Speaker 1>meant to expose it. This trick, yeah, to expose the

0:36:27.520 --> 0:36:31.840
<v Speaker 1>fact that artists are possessing there. But but here's the

0:36:31.880 --> 0:36:33.960
<v Speaker 1>problem I have with this theory. I can't defend this

0:36:34.000 --> 0:36:36.600
<v Speaker 1>theory very well. First of all, well, first of all,

0:36:37.000 --> 0:36:39.799
<v Speaker 1>it has there there you know, there really is no

0:36:40.000 --> 0:36:42.160
<v Speaker 1>tie in to the actual I mean, and that's the

0:36:42.160 --> 0:36:45.200
<v Speaker 1>problem I have with Actually, this mystery, the enigma, the

0:36:45.239 --> 0:36:48.319
<v Speaker 1>mystery that you're supposed to solve, Well, nobody ever says

0:36:48.400 --> 0:36:50.120
<v Speaker 1>what it is. You don't know what it is. It's

0:36:50.160 --> 0:36:51.879
<v Speaker 1>it's how can you solve a rider? But you don't

0:36:51.920 --> 0:36:55.560
<v Speaker 1>know what it is? I mean, And well, I mean,

0:36:55.600 --> 0:36:57.640
<v Speaker 1>but but usually a riddle has a beginning, in an

0:36:57.680 --> 0:36:59.800
<v Speaker 1>in the middle, and an ending. Fair enough, in this

0:37:00.000 --> 0:37:02.280
<v Speaker 1>particular case, the guy, the guy refers to a mystery,

0:37:02.280 --> 0:37:04.520
<v Speaker 1>but it doesn't tell you what the mystery is. And

0:37:04.600 --> 0:37:06.160
<v Speaker 1>so I guess, and this is what you're saying. This

0:37:06.160 --> 0:37:08.600
<v Speaker 1>guy was saying, is that the mystery the contest is

0:37:08.640 --> 0:37:11.799
<v Speaker 1>to say, listen hard to these lyrics and the true

0:37:11.840 --> 0:37:14.719
<v Speaker 1>meaning will will pop out at you. Yeah, and that

0:37:14.840 --> 0:37:16.759
<v Speaker 1>is and that is So that is the mystery is

0:37:16.760 --> 0:37:19.120
<v Speaker 1>the mystery of what's in these lyrics. But of course

0:37:19.280 --> 0:37:22.239
<v Speaker 1>that's all subjective because well, no, the mystery is I mean,

0:37:22.280 --> 0:37:26.239
<v Speaker 1>there's a there's a reported tangible prize at the end

0:37:26.800 --> 0:37:30.560
<v Speaker 1>when you solve the mystery of the division bell right,

0:37:30.719 --> 0:37:33.319
<v Speaker 1>and a lot of listeners stipulated and we'll talk more

0:37:33.320 --> 0:37:36.080
<v Speaker 1>about this like in later on in the theories, but

0:37:36.160 --> 0:37:39.799
<v Speaker 1>a lot of fans said, well, obviously we have to

0:37:39.840 --> 0:37:43.960
<v Speaker 1>travel to a physical location to physically retrieve a prize

0:37:43.960 --> 0:37:47.640
<v Speaker 1>that has been hidden somewhere quote unquote secreted away to

0:37:47.640 --> 0:37:52.680
<v Speaker 1>to quote Publius. But this theory stipulates that it's actually

0:37:52.719 --> 0:37:57.120
<v Speaker 1>the prize is actually solving this riddle. That's this larger concept.

0:37:57.480 --> 0:38:00.759
<v Speaker 1>I can't I honestly, I cannot defend it at all.

0:38:01.120 --> 0:38:03.880
<v Speaker 1>I can see parts of it, I can get to

0:38:04.040 --> 0:38:08.360
<v Speaker 1>parts of it. But I also think describing the same

0:38:08.400 --> 0:38:11.240
<v Speaker 1>thing over three or four different songs on an album

0:38:11.680 --> 0:38:14.480
<v Speaker 1>is just great album making, you know, just telling a

0:38:14.520 --> 0:38:18.719
<v Speaker 1>story from multiple different angles. It's just a great storytelling.

0:38:18.800 --> 0:38:23.080
<v Speaker 1>I don't think it's anything nefarious or anything. So I

0:38:23.120 --> 0:38:27.000
<v Speaker 1>can get behind the idea of you know, there's an actual,

0:38:27.239 --> 0:38:30.400
<v Speaker 1>you know, continuum of like this is this song is

0:38:30.480 --> 0:38:32.399
<v Speaker 1>leading up to the events that's happening in these three

0:38:32.440 --> 0:38:36.280
<v Speaker 1>songs from three different angles, and then this is the aftermath. Totally,

0:38:36.360 --> 0:38:39.520
<v Speaker 1>I can totally get there, but I can't get to

0:38:39.560 --> 0:38:42.200
<v Speaker 1>the part where it's like and then it was spiritual possession, man,

0:38:42.360 --> 0:38:45.000
<v Speaker 1>Like I can't get there. I can't. It's not even spiritual,

0:38:45.040 --> 0:38:47.040
<v Speaker 1>it's just it's possession. I can't. I can't get there.

0:38:47.040 --> 0:38:49.120
<v Speaker 1>I'm so sorry. I can't even get halfway there to be.

0:38:50.120 --> 0:38:51.960
<v Speaker 1>But he's not the only one who's come up with

0:38:52.000 --> 0:38:54.000
<v Speaker 1>this kind of idea. I mean that I saw a

0:38:54.040 --> 0:38:56.080
<v Speaker 1>whole bunch of stuff where people are like, it's all

0:38:56.120 --> 0:38:59.560
<v Speaker 1>about connection, man, and it's one world and one love

0:38:59.640 --> 0:39:04.000
<v Speaker 1>and one people. That I was going to say, that's

0:39:04.040 --> 0:39:08.360
<v Speaker 1>the next the next kind of I don't even I

0:39:08.400 --> 0:39:11.400
<v Speaker 1>don't even understand this one. But somebody else stipulated that

0:39:11.440 --> 0:39:16.879
<v Speaker 1>actually the prizes feedback and control feedback. I couldn't wrap

0:39:16.920 --> 0:39:18.879
<v Speaker 1>my head around this one. I'm only putting it out

0:39:18.880 --> 0:39:21.200
<v Speaker 1>there because you'll see it out there. But I couldn't.

0:39:21.239 --> 0:39:24.960
<v Speaker 1>I literally, I can just say that this person thinks

0:39:25.000 --> 0:39:28.800
<v Speaker 1>that instead of actual possession, the solving of the riddle

0:39:28.880 --> 0:39:33.479
<v Speaker 1>is feedback, feedback. The word feedback. I can't. I can't

0:39:33.480 --> 0:39:39.080
<v Speaker 1>get there. Well, that feedback can be usedful, I suppose. Yeah,

0:39:37.800 --> 0:39:42.680
<v Speaker 1>I don't know. There is a connection, interestingly to Douglas

0:39:42.680 --> 0:39:46.719
<v Speaker 1>Adams another theory we're talking about here. It's kind of

0:39:46.719 --> 0:39:50.640
<v Speaker 1>an addition. It's a weird bit of more information on

0:39:50.719 --> 0:39:55.080
<v Speaker 1>the whole enigmas. Yeah, like maybe it's source. Yeah, maybe

0:39:55.120 --> 0:39:58.880
<v Speaker 1>the source. Maybe you know, maybe Douglas Adams is responsible

0:39:58.920 --> 0:40:00.600
<v Speaker 1>for the whole thing. So yeah, I guess it is

0:40:00.600 --> 0:40:03.920
<v Speaker 1>a different theory. In general, I think if Douglas Adams

0:40:03.920 --> 0:40:06.359
<v Speaker 1>have been involved in this, it would have been funnier. Well,

0:40:06.600 --> 0:40:11.360
<v Speaker 1>I mean, so there's this really interesting quote frum Douglas Adams.

0:40:11.400 --> 0:40:13.279
<v Speaker 1>He did like a what I would call an a

0:40:13.480 --> 0:40:16.200
<v Speaker 1>m A on a uth net forum in like two

0:40:16.280 --> 0:40:19.319
<v Speaker 1>thousand on like the Douglas Adam fan And by the way,

0:40:19.320 --> 0:40:22.719
<v Speaker 1>we're talking about the Hitchhiker's Guide author Douglas Adams and

0:40:22.960 --> 0:40:27.719
<v Speaker 1>doctor just so everybody knows. Yeah, so he's actually responsible.

0:40:27.760 --> 0:40:30.719
<v Speaker 1>He has credit on the album because he is reportedly

0:40:30.880 --> 0:40:35.160
<v Speaker 1>responsible for naming the album. David Gilmour had asked him

0:40:35.320 --> 0:40:38.120
<v Speaker 1>to kind of look at some lyrics and stuff like

0:40:38.160 --> 0:40:42.279
<v Speaker 1>that as well. I don't know. I there's some so

0:40:42.320 --> 0:40:45.040
<v Speaker 1>there's some speculation with him being involved in it. The

0:40:45.080 --> 0:40:48.359
<v Speaker 1>speculation is that, well, maybe he was responsible for the

0:40:48.400 --> 0:40:52.200
<v Speaker 1>whole concept behind He was actually responsible for the whole

0:40:52.320 --> 0:40:56.160
<v Speaker 1>concept behind the album in in totality basically that he

0:40:56.239 --> 0:41:00.680
<v Speaker 1>had essentially written the lyrics and that he had the album,

0:41:00.719 --> 0:41:03.280
<v Speaker 1>and then he came up with this sort of prize

0:41:03.320 --> 0:41:05.760
<v Speaker 1>thing so that he would be responsible for the concept

0:41:05.880 --> 0:41:10.560
<v Speaker 1>behind it all. Not necessarily it's execution. Not necessarily it's execution.

0:41:10.880 --> 0:41:14.200
<v Speaker 1>But I I wish, I guess would more explain why

0:41:14.440 --> 0:41:18.360
<v Speaker 1>there would be some really crazy interpretations of it. But

0:41:18.480 --> 0:41:21.319
<v Speaker 1>I don't think. I don't think he's actually responsible for

0:41:21.360 --> 0:41:23.160
<v Speaker 1>most of it, So I don't really know. I agree

0:41:23.160 --> 0:41:26.360
<v Speaker 1>with Joe that if Adams had been involved in that way,

0:41:26.960 --> 0:41:31.000
<v Speaker 1>it would have been much cleverer. His style is pretty unmistakable. Yeah,

0:41:31.120 --> 0:41:34.000
<v Speaker 1>I would agree with that totally. Yeah, but I wanted

0:41:34.000 --> 0:41:35.640
<v Speaker 1>to throw that in there because I thought it was interesting.

0:41:35.640 --> 0:41:38.759
<v Speaker 1>I didn't really know that he was I mean that

0:41:38.800 --> 0:41:42.799
<v Speaker 1>he was even involved with pain for apparently he was

0:41:42.840 --> 0:41:45.319
<v Speaker 1>like a huge rock rockhead. Why do you say that

0:41:45.560 --> 0:41:49.560
<v Speaker 1>rock fan, fan fan? He was fan groupie. Yeah, no,

0:41:49.760 --> 0:41:52.839
<v Speaker 1>definitely not a groupie. The next series one that I

0:41:52.880 --> 0:41:55.879
<v Speaker 1>haven't actually seen anywhere else, but I thought was kind

0:41:55.880 --> 0:41:58.440
<v Speaker 1>of an interesting It's kind of a half baked theory,

0:41:58.520 --> 0:42:02.360
<v Speaker 1>but you have it, the idea that maybe Publius was

0:42:02.400 --> 0:42:05.560
<v Speaker 1>actually just a Markov chain generator, because it's you know,

0:42:05.800 --> 0:42:12.719
<v Speaker 1>that's the ergo of my life or airgot the Internet.

0:42:13.080 --> 0:42:15.520
<v Speaker 1>But it's kind of an interesting idea of what if

0:42:15.560 --> 0:42:18.640
<v Speaker 1>somebody just fed all of the lyrics of the division

0:42:18.640 --> 0:42:21.400
<v Speaker 1>Bell into a Markov Chang generator. It would help explain

0:42:21.440 --> 0:42:25.000
<v Speaker 1>all of the weird typos and stuff like that, and

0:42:25.080 --> 0:42:29.960
<v Speaker 1>the you know, simultaneous reposting. The posts weren't necessarily they

0:42:29.960 --> 0:42:33.200
<v Speaker 1>got longer as we as you go through the timeline,

0:42:33.400 --> 0:42:37.640
<v Speaker 1>and they don't necessarily become more coherent. But I don't

0:42:37.680 --> 0:42:40.560
<v Speaker 1>I don't actually I don't know if I really Yeah,

0:42:40.600 --> 0:42:42.080
<v Speaker 1>it's one of those things where it was like I

0:42:42.080 --> 0:42:43.600
<v Speaker 1>had the idea, so I had to add it. But

0:42:43.719 --> 0:42:47.240
<v Speaker 1>also like the problem with this theory is that Markov chains,

0:42:47.280 --> 0:42:51.400
<v Speaker 1>when they have access to a rather large library of words,

0:42:51.760 --> 0:42:57.200
<v Speaker 1>have a hard time stringing sensible sentences together. And then

0:42:57.239 --> 0:42:59.920
<v Speaker 1>if you only feed it the leader the lyrics for

0:43:00.040 --> 0:43:03.760
<v Speaker 1>what eleven or twelve songs, it's a very small pool

0:43:03.800 --> 0:43:06.399
<v Speaker 1>of words because most of those words are repeated, So

0:43:06.440 --> 0:43:09.200
<v Speaker 1>it's it's got a much it can't it's not enough

0:43:09.200 --> 0:43:13.960
<v Speaker 1>words for it to have done even a remotely comprehendible job.

0:43:14.360 --> 0:43:16.760
<v Speaker 1>Or maybe they fed in the markout chain from everything

0:43:16.760 --> 0:43:20.480
<v Speaker 1>Pink Floyd ever did. Maybe, but then the word I

0:43:20.520 --> 0:43:23.680
<v Speaker 1>didn't talk about the wall, so that good point. Now

0:43:23.760 --> 0:43:26.520
<v Speaker 1>I'm thinking the mark out change just remember this to

0:43:26.680 --> 0:43:29.400
<v Speaker 1>mark out chains existed. But at the same time, I

0:43:29.440 --> 0:43:31.359
<v Speaker 1>don't know pink Floyd in the gang where all that

0:43:31.480 --> 0:43:35.400
<v Speaker 1>technologically advanced where they think about doing something like that. Rather,

0:43:35.880 --> 0:43:38.120
<v Speaker 1>I would stipulate that it was just like that was

0:43:38.160 --> 0:43:40.360
<v Speaker 1>an extension of the troll, that it was just some

0:43:40.480 --> 0:43:44.160
<v Speaker 1>random person online. But again the light show. That's my

0:43:44.200 --> 0:43:46.200
<v Speaker 1>big hold up with saying it was just like some

0:43:46.360 --> 0:43:49.160
<v Speaker 1>random person. I just still man. I mean, the whole

0:43:49.160 --> 0:43:51.920
<v Speaker 1>thing about Pink Floyd is they figured out very early

0:43:52.000 --> 0:43:55.560
<v Speaker 1>on that they could go on big solos and they

0:43:55.560 --> 0:43:59.680
<v Speaker 1>could use crazy light setups and big laser shows, and

0:44:00.120 --> 0:44:05.080
<v Speaker 1>you said, make this kind of giant experience. So I

0:44:05.080 --> 0:44:07.319
<v Speaker 1>I don't see it as being such a stretch as

0:44:07.360 --> 0:44:11.360
<v Speaker 1>somebody saying, hey, dude, have you seen this crap? You

0:44:11.360 --> 0:44:13.120
<v Speaker 1>should just like put it somewhere in there. It was like,

0:44:13.120 --> 0:44:14.640
<v Speaker 1>go ahead and do it. I mean, I could just

0:44:14.680 --> 0:44:18.319
<v Speaker 1>totally see that being the case. It's entirely it's the Tyler. Possibly. Yeah,

0:44:18.320 --> 0:44:20.279
<v Speaker 1>they saw that crap and I thought, hey, let's have

0:44:20.360 --> 0:44:22.879
<v Speaker 1>some fun, like you said, totally and then the next

0:44:22.880 --> 0:44:25.239
<v Speaker 1>show that the person who does it, hey, you want

0:44:25.239 --> 0:44:27.560
<v Speaker 1>that in there? Getting no, and we just thought that

0:44:27.600 --> 0:44:29.080
<v Speaker 1>was dumb. We shouldn't have done it. I don't care,

0:44:29.120 --> 0:44:32.040
<v Speaker 1>you know, to put it back to normal totally. Next

0:44:32.120 --> 0:44:35.319
<v Speaker 1>theory is that it was an actual physical treasure. And

0:44:35.440 --> 0:44:41.680
<v Speaker 1>I found this little snippet on Reddit what the reward is, well,

0:44:41.719 --> 0:44:46.040
<v Speaker 1>maybe where it is, and this user posted that some

0:44:46.160 --> 0:44:49.080
<v Speaker 1>of us still chip away at this every once in

0:44:49.120 --> 0:44:52.320
<v Speaker 1>a while. The page numbers of the Division Bell booklet

0:44:52.360 --> 0:44:56.240
<v Speaker 1>contain hidden binary code, a zero for every even numbered

0:44:56.239 --> 0:45:00.440
<v Speaker 1>page and a one for every odd numbered page. Stop

0:45:00.480 --> 0:45:03.319
<v Speaker 1>looking at me like that coupled with the duel heads

0:45:03.320 --> 0:45:05.799
<v Speaker 1>on page eleven, it winds up pointing to the date

0:45:05.840 --> 0:45:11.120
<v Speaker 1>of the First Armistice, November eleventh, nineteen eighteen. The last

0:45:11.239 --> 0:45:15.160
<v Speaker 1>of the Publius posts promised two clues that would lead

0:45:15.200 --> 0:45:18.640
<v Speaker 1>to a physical location that needed to be visited. A

0:45:18.719 --> 0:45:21.799
<v Speaker 1>reference to the page numbers holding great significance was the

0:45:21.840 --> 0:45:25.360
<v Speaker 1>first clue. The second clue that was was never given.

0:45:25.440 --> 0:45:28.640
<v Speaker 1>The anonymous remailer that Publius was using was shut down

0:45:29.040 --> 0:45:33.040
<v Speaker 1>due to end quote unrelated circumstances. We never actually specified

0:45:33.080 --> 0:45:36.879
<v Speaker 1>that the us eventually shut down, like not too long

0:45:36.960 --> 0:45:40.160
<v Speaker 1>after this whole thing got going, right, how long after

0:45:40.200 --> 0:45:42.319
<v Speaker 1>this did it? I actually don't remember the date that

0:45:42.480 --> 0:45:47.040
<v Speaker 1>usenet got shut Well, it was that particular anonymous server

0:45:47.600 --> 0:45:51.839
<v Speaker 1>that he was or she was the thing. But when

0:45:51.840 --> 0:45:55.360
<v Speaker 1>did this this server do you remember? Don't to be honest,

0:45:55.360 --> 0:45:58.960
<v Speaker 1>I suddenly can't remember if it was months or years later.

0:45:59.200 --> 0:46:04.640
<v Speaker 1>I thought it was years later. It wasn't one to scenario, Okay,

0:46:07.120 --> 0:46:10.000
<v Speaker 1>the shreaditorytelling is my best guess is that something was

0:46:10.040 --> 0:46:15.720
<v Speaker 1>hidden at the glade of the armist armist the location

0:46:15.760 --> 0:46:18.600
<v Speaker 1>where Germany surrendered in World War One, and we're France

0:46:18.600 --> 0:46:21.640
<v Speaker 1>surrendered at World War Two. Of course that would have

0:46:21.680 --> 0:46:25.000
<v Speaker 1>been twenty one years ago. No telling if what it

0:46:25.040 --> 0:46:27.560
<v Speaker 1>would be or even if it were still there. Sure

0:46:27.560 --> 0:46:29.960
<v Speaker 1>it was never there, because I mean, there's no point

0:46:29.960 --> 0:46:32.839
<v Speaker 1>in hiding a treasure when people have no possible way

0:46:32.880 --> 0:46:35.640
<v Speaker 1>of understanding how to find the treasure. Because all the

0:46:36.040 --> 0:46:38.880
<v Speaker 1>ever done has made right vague references to the mystery

0:46:38.880 --> 0:46:40.839
<v Speaker 1>which made may not exist. I will see the one

0:46:40.920 --> 0:46:43.640
<v Speaker 1>interesting thing. Um. I don't know if you got a

0:46:43.719 --> 0:46:46.160
<v Speaker 1>chance to actually go through all of the booklet artwork,

0:46:46.640 --> 0:46:49.759
<v Speaker 1>but at least in the United States original release of

0:46:49.760 --> 0:46:53.680
<v Speaker 1>the Division Bell, the page numbers were on little heads.

0:46:54.320 --> 0:46:56.960
<v Speaker 1>They look like it looks like the heads from Eastern Island. Well,

0:46:56.960 --> 0:46:59.080
<v Speaker 1>they look like the heads on the cover, right. Well

0:46:59.080 --> 0:47:00.880
<v Speaker 1>I'm giving people who don't know what the heads looked like.

0:47:00.880 --> 0:47:03.000
<v Speaker 1>They looked like the heads from me Islid Yeah a

0:47:03.040 --> 0:47:07.480
<v Speaker 1>little bit, Yeah, they do. Um. But the page numbers

0:47:07.480 --> 0:47:10.319
<v Speaker 1>were on little heads, and some of them there there

0:47:10.400 --> 0:47:14.200
<v Speaker 1>was no consistent placement on the page, and they each

0:47:14.320 --> 0:47:16.560
<v Speaker 1>number was in a different language. And some of the

0:47:16.640 --> 0:47:20.000
<v Speaker 1>heads were transparent, and some of them were like bright orange,

0:47:20.000 --> 0:47:21.959
<v Speaker 1>and some of them were black, and some of them

0:47:22.160 --> 0:47:25.360
<v Speaker 1>one of them had like a cutout of this the

0:47:25.480 --> 0:47:30.239
<v Speaker 1>next pages word under the white writing. So I mean

0:47:30.239 --> 0:47:32.600
<v Speaker 1>there was like a lot of variants, so that varied

0:47:32.600 --> 0:47:35.040
<v Speaker 1>from country to country as well. It did, for sure.

0:47:35.120 --> 0:47:37.560
<v Speaker 1>But I think it was interesting certainly that there's some

0:47:37.640 --> 0:47:39.680
<v Speaker 1>reference to the page numbers. And I think it's even

0:47:39.680 --> 0:47:41.879
<v Speaker 1>more interesting that some people were like, yeah, obviously it's

0:47:41.920 --> 0:47:45.280
<v Speaker 1>the binary instead of like looking into the crazy page

0:47:45.320 --> 0:47:48.239
<v Speaker 1>numbering system. That well, part of the page numbering was

0:47:48.360 --> 0:47:53.399
<v Speaker 1>in reference to God. There was one that was in God.

0:47:53.400 --> 0:47:56.239
<v Speaker 1>I want to say, it was an Indian um, what

0:47:56.400 --> 0:48:00.440
<v Speaker 1>is the what is the language in India? And thank you?

0:48:00.920 --> 0:48:03.719
<v Speaker 1>And it was written in that based on the image

0:48:03.840 --> 0:48:06.799
<v Speaker 1>that was on the page. Like that seemed to be

0:48:06.880 --> 0:48:09.759
<v Speaker 1>from what I understood in the reading, that was the

0:48:09.800 --> 0:48:12.960
<v Speaker 1>impetus of why this one was in this language and

0:48:13.040 --> 0:48:15.600
<v Speaker 1>this one was in something different some of them, but

0:48:15.680 --> 0:48:19.840
<v Speaker 1>the color scheme was different different, But again it's artistic.

0:48:20.080 --> 0:48:22.920
<v Speaker 1>It's artistic, and it varies by country because that was

0:48:23.320 --> 0:48:26.760
<v Speaker 1>the mirror ball page on in the one of the books,

0:48:26.800 --> 0:48:30.120
<v Speaker 1>the words are on an arc that followed the ball,

0:48:30.200 --> 0:48:35.839
<v Speaker 1>and on the other countries they're square, so it's it's inconsistent. Well,

0:48:35.920 --> 0:48:38.880
<v Speaker 1>and it's I mean, there's all kinds of like weird

0:48:38.920 --> 0:48:40.799
<v Speaker 1>things going on the artwork there. You could read all

0:48:40.880 --> 0:48:42.960
<v Speaker 1>kinds of stuff and all kinds of things in the

0:48:43.000 --> 0:48:45.520
<v Speaker 1>absence of the actual proof of any existence of a

0:48:45.560 --> 0:48:47.880
<v Speaker 1>mystery at all, given that nobody has given us a

0:48:47.920 --> 0:48:50.160
<v Speaker 1>clue what the mystery even is. Again, this is the

0:48:50.200 --> 0:48:52.160
<v Speaker 1>problem I have with this story. Not nothing. I have

0:48:52.200 --> 0:48:55.400
<v Speaker 1>a problem with you Devon at all, or with Pink Floyd.

0:48:55.440 --> 0:48:59.200
<v Speaker 1>I love Pink Floyd, but this guy kept referring to

0:48:59.200 --> 0:49:01.319
<v Speaker 1>a mystery. He told us. You never gave us the

0:49:01.360 --> 0:49:03.879
<v Speaker 1>tiniest hand of what the mystery even was, fair enough.

0:49:04.000 --> 0:49:06.480
<v Speaker 1>And that's the problem that I add with this. Okay,

0:49:06.680 --> 0:49:10.360
<v Speaker 1>So I'm sorry. I see her. Yeah, the book that

0:49:10.360 --> 0:49:12.959
<v Speaker 1>we're going to sell for like ten million dollars better

0:49:13.040 --> 0:49:15.600
<v Speaker 1>you're going to burn. I'll probably try to sell it.

0:49:16.440 --> 0:49:18.640
<v Speaker 1>I'll just steal it from you and not tell you. Guys.

0:49:18.760 --> 0:49:26.439
<v Speaker 1>But dear Diary had my first kiss today. It was great. Um.

0:49:26.480 --> 0:49:29.319
<v Speaker 1>But so that must mean you have something you want

0:49:29.320 --> 0:49:31.360
<v Speaker 1>to add to this. Well, I didn't see it in

0:49:31.440 --> 0:49:34.760
<v Speaker 1>your stuff. Was there is out there? God? I cannot

0:49:34.760 --> 0:49:36.759
<v Speaker 1>think of the name of the website now, but it's

0:49:36.840 --> 0:49:38.719
<v Speaker 1>you know, it's it's got pink Floyd in the name.

0:49:39.280 --> 0:49:42.879
<v Speaker 1>But there's the guy Albert Moogli. Do you remember him. Yeah,

0:49:43.280 --> 0:49:48.399
<v Speaker 1>So this guy has these huge writings talking about how

0:49:48.480 --> 0:49:51.399
<v Speaker 1>he has been involved with the band, almost as if

0:49:51.440 --> 0:49:54.560
<v Speaker 1>he was a silent member in the band. It sounds

0:49:54.600 --> 0:49:57.040
<v Speaker 1>like he started out more of a roady and then

0:49:57.400 --> 0:50:00.640
<v Speaker 1>moved up through the ranks with them. But he tells

0:50:00.719 --> 0:50:05.960
<v Speaker 1>this story about how, oh god, who is it. It's Mason, um,

0:50:06.320 --> 0:50:09.759
<v Speaker 1>Nick Mason, thank you. I think it's Nick Mason came

0:50:09.880 --> 0:50:13.200
<v Speaker 1>up with this crazy code because he was mixing languages

0:50:13.680 --> 0:50:17.719
<v Speaker 1>to try and get everybody to know that Mooglie was

0:50:17.760 --> 0:50:21.040
<v Speaker 1>in the background and was the secret partner and helped

0:50:21.040 --> 0:50:24.000
<v Speaker 1>with all the lyrics. And if you translated it and

0:50:24.040 --> 0:50:26.120
<v Speaker 1>figured it out, you would fig out that it was

0:50:26.640 --> 0:50:28.440
<v Speaker 1>I can't remember what he called himself. His name is

0:50:28.480 --> 0:50:31.040
<v Speaker 1>Albert Moogli, but he it was, you know, the moogie

0:50:31.200 --> 0:50:33.600
<v Speaker 1>or something. And then he went on to say that

0:50:33.880 --> 0:50:37.560
<v Speaker 1>Stephen Hawking wrote the band and he had cracked the code,

0:50:37.719 --> 0:50:40.239
<v Speaker 1>but they couldn't tell Hawking because then it would all

0:50:40.320 --> 0:50:44.480
<v Speaker 1>come out. Sounds sounds pretty legit. Oh yeah, just as

0:50:44.560 --> 0:50:46.600
<v Speaker 1>legit as the story he told where he lost all

0:50:46.640 --> 0:50:49.680
<v Speaker 1>the gear for the band in the river and then

0:50:50.000 --> 0:50:52.399
<v Speaker 1>hit the van and punched himself a couple of times,

0:50:52.400 --> 0:50:54.360
<v Speaker 1>and they believed that he had been beat up. You know.

0:50:54.440 --> 0:50:57.759
<v Speaker 1>Actually reading all this stuff, you know, and I've gone

0:50:57.800 --> 0:51:00.359
<v Speaker 1>through quite a bit of it, actually starts to make

0:51:00.560 --> 0:51:04.239
<v Speaker 1>all the fandom surrounding princess and the paparazzi and all

0:51:04.239 --> 0:51:11.719
<v Speaker 1>that scene almost rational. Yeah. So the last theory we have,

0:51:12.280 --> 0:51:15.360
<v Speaker 1>either of you have any theories that you want to add, No,

0:51:15.480 --> 0:51:17.720
<v Speaker 1>I think this whole thing is just interpretation of lyrics.

0:51:17.719 --> 0:51:20.359
<v Speaker 1>So um, the last theory we have is that this

0:51:20.440 --> 0:51:22.960
<v Speaker 1>was a marketing ploy by Columbia Records, which is the

0:51:22.960 --> 0:51:27.920
<v Speaker 1>theory that I believe most of all. Reportedly in April

0:51:27.960 --> 0:51:32.040
<v Speaker 1>of two thousand five, so ten years after the whole

0:51:32.480 --> 0:51:35.879
<v Speaker 1>release of this thing. Nine, I guess Nick Mason, who

0:51:35.960 --> 0:51:39.000
<v Speaker 1>I guess is the only member of Pink Floyd that

0:51:39.000 --> 0:51:41.600
<v Speaker 1>would ever talk to anybody, because that's where all the

0:51:41.680 --> 0:51:45.359
<v Speaker 1>quotes come from. Are He's the only one who talked

0:51:45.400 --> 0:51:48.759
<v Speaker 1>about it. Maybe I don't know. He wrote he had

0:51:48.800 --> 0:51:53.600
<v Speaker 1>written this biographical book called inside Out, A Personal History

0:51:53.600 --> 0:51:56.480
<v Speaker 1>of Pink Floyd, Apparently he was at a book signing

0:51:56.480 --> 0:51:58.800
<v Speaker 1>and somebody asked him about it and he said, yeah,

0:51:59.080 --> 0:52:03.000
<v Speaker 1>the publius and does exist, but it had been started

0:52:03.000 --> 0:52:06.040
<v Speaker 1>by the record company, the band had no involvement in it,

0:52:06.280 --> 0:52:08.680
<v Speaker 1>and the prize was said to have been something like

0:52:08.760 --> 0:52:11.640
<v Speaker 1>a crop of trees planted in the clear cut area

0:52:11.719 --> 0:52:17.239
<v Speaker 1>of forest or something like that. Really crappy, actually, I

0:52:17.280 --> 0:52:19.480
<v Speaker 1>think I think that's a joke. You know. It's like

0:52:19.480 --> 0:52:21.200
<v Speaker 1>you win, you win, and they just show you a

0:52:21.200 --> 0:52:24.000
<v Speaker 1>photograph of of a clear cut that's been replanted and

0:52:24.040 --> 0:52:26.080
<v Speaker 1>they're like, here, here you go, this is your prize.

0:52:26.080 --> 0:52:28.879
<v Speaker 1>Is actually happy, Well, it's similar to what Uncle Custard said.

0:52:28.880 --> 0:52:32.000
<v Speaker 1>The prize was, right, was like complimentary entry to men

0:52:33.000 --> 0:52:37.759
<v Speaker 1>and some dry eyes. Great, okay? Cool. Um. So the

0:52:37.920 --> 0:52:41.320
<v Speaker 1>quote that it is attributed to Nick Mason about this

0:52:41.640 --> 0:52:45.080
<v Speaker 1>is um. The ploy was done by E M I.

0:52:45.640 --> 0:52:48.240
<v Speaker 1>They had a man working for them who adored puzzles.

0:52:48.600 --> 0:52:50.560
<v Speaker 1>He was working for E M I and suggested that

0:52:50.600 --> 0:52:52.920
<v Speaker 1>a puzzle be created that could be followed on the web.

0:52:53.440 --> 0:52:56.080
<v Speaker 1>The prize was never given out into this day remains unsolved,

0:52:56.200 --> 0:52:58.440
<v Speaker 1>and frankly, the puzzle for me is what was the

0:52:58.440 --> 0:53:03.520
<v Speaker 1>puzzle Yeah, I know, I said that already, but you

0:53:03.640 --> 0:53:08.240
<v Speaker 1>had twelve times. Apparently there had been a different interview

0:53:08.520 --> 0:53:12.920
<v Speaker 1>with um the Pink Floyd lighting and production designer whose

0:53:12.960 --> 0:53:15.839
<v Speaker 1>name is Mark Brickman. He was apparently the person who

0:53:15.920 --> 0:53:18.920
<v Speaker 1>was responsible for putting a name up Publius and the

0:53:19.000 --> 0:53:24.200
<v Speaker 1>like I like Publius because it sounds more like pop.

0:53:24.719 --> 0:53:26.759
<v Speaker 1>I like Publius because it sounds like I'm going to

0:53:26.880 --> 0:53:29.759
<v Speaker 1>go to the pub. All right, fair enough. Mark was

0:53:29.800 --> 0:53:32.719
<v Speaker 1>responsible for putting the lights up, and he basically said

0:53:32.719 --> 0:53:35.400
<v Speaker 1>that it was some CIA or FBI guy from some

0:53:35.560 --> 0:53:39.440
<v Speaker 1>encryption guy. Yeah, who you know what, intentionally made it

0:53:39.480 --> 0:53:43.400
<v Speaker 1>so there was no real mystery and no real solvable anything,

0:53:43.440 --> 0:53:49.920
<v Speaker 1>and it wasn't really traced. Um. But however, later um

0:53:50.080 --> 0:53:53.439
<v Speaker 1>Mark did we can't. He said, I didn't never say

0:53:53.480 --> 0:53:57.080
<v Speaker 1>any of that in that interview, basically accused the interviewer

0:53:57.239 --> 0:54:01.239
<v Speaker 1>of having made up that entire statement. Yeah, um, well,

0:54:01.280 --> 0:54:04.040
<v Speaker 1>it is kind of an incomprehensible quote, so maybe it

0:54:04.120 --> 0:54:06.040
<v Speaker 1>was made up. It could have totally been made up.

0:54:06.440 --> 0:54:09.120
<v Speaker 1>Try and read it verbatim. Yeah, so I think marketing

0:54:09.120 --> 0:54:12.680
<v Speaker 1>employee is the most likely of these. But I will

0:54:12.719 --> 0:54:17.399
<v Speaker 1>say the storm thurgis Thurgerson, who was a longtime Pink

0:54:17.400 --> 0:54:22.000
<v Speaker 1>Floyd collaborator, famously once said rumors are only true and denied.

0:54:22.880 --> 0:54:26.680
<v Speaker 1>So the denial Pink Floyd continuing to deny that they

0:54:26.719 --> 0:54:29.240
<v Speaker 1>had no personal involvement in it maybe means they actually

0:54:29.239 --> 0:54:31.400
<v Speaker 1>did have some sort of personal involvement in it, just

0:54:31.520 --> 0:54:33.640
<v Speaker 1>only because I know that they did love kind of

0:54:33.640 --> 0:54:36.719
<v Speaker 1>toying with people. They did. But I really feel like

0:54:36.800 --> 0:54:39.520
<v Speaker 1>that's just that's an easy answer. But I also feel

0:54:39.520 --> 0:54:41.600
<v Speaker 1>like the whole answer to this thing is just read

0:54:41.640 --> 0:54:45.959
<v Speaker 1>and interpret our lyrics, because everybody reads and interprets these

0:54:46.000 --> 0:54:48.960
<v Speaker 1>things differently. And that's what you find on the internet.

0:54:49.120 --> 0:54:51.799
<v Speaker 1>I can read a patchage of thorough and take it

0:54:51.840 --> 0:54:53.560
<v Speaker 1>one way, and you can read it and take it

0:54:53.600 --> 0:54:56.239
<v Speaker 1>in a slightly different way for a totally different ways,

0:54:56.400 --> 0:54:59.160
<v Speaker 1>a totally different way, and you know, and and that's

0:54:59.239 --> 0:55:02.080
<v Speaker 1>what that's what it is when you read stuff like that,

0:55:02.160 --> 0:55:05.440
<v Speaker 1>because it's not it's not linear. It's not meant to

0:55:05.480 --> 0:55:08.360
<v Speaker 1>be a linear thought, so which I don't think you

0:55:08.400 --> 0:55:11.080
<v Speaker 1>know really, which to me means unless they have some

0:55:11.320 --> 0:55:14.040
<v Speaker 1>encrypted message in their lyrics, which is possible. It is

0:55:14.080 --> 0:55:16.200
<v Speaker 1>possible unless they had that. If you want to just

0:55:16.239 --> 0:55:18.400
<v Speaker 1>read the words and discern the meeting. While you're like,

0:55:18.400 --> 0:55:21.880
<v Speaker 1>you say, it's subjective, so that's really not a valid

0:55:22.120 --> 0:55:26.160
<v Speaker 1>mystery puzzle at all. Totally agree it's not at all.

0:55:26.560 --> 0:55:30.480
<v Speaker 1>So I just think it's a really interesting thing. I

0:55:30.480 --> 0:55:32.879
<v Speaker 1>don't know why I grabbed me so much, because I did.

0:55:32.920 --> 0:55:35.239
<v Speaker 1>Do you know, you may not know by the length

0:55:35.280 --> 0:55:37.920
<v Speaker 1>of this episode, but I did so much research and

0:55:37.920 --> 0:55:46.400
<v Speaker 1>and watching and listening and hours and hours seconds. Um,

0:55:46.440 --> 0:55:49.160
<v Speaker 1>but I you know, it is interesting to me for sure,

0:55:49.200 --> 0:55:51.759
<v Speaker 1>and I hope that it is interesting to at least

0:55:51.800 --> 0:55:53.600
<v Speaker 1>some of our listeners and that they'll go do their

0:55:53.600 --> 0:55:56.120
<v Speaker 1>own research and it will engage some sort of conversation.

0:55:56.800 --> 0:55:58.719
<v Speaker 1>So while I will agree that I don't think the

0:55:58.880 --> 0:56:02.160
<v Speaker 1>mystery is as robust as it is made out to be,

0:56:02.560 --> 0:56:06.360
<v Speaker 1>the reading can and is interesting in places. So I

0:56:06.360 --> 0:56:09.480
<v Speaker 1>mean it's I don't feel like I wasted time. Well

0:56:09.480 --> 0:56:11.120
<v Speaker 1>I kind of do feel like I wasted time, but

0:56:11.160 --> 0:56:13.879
<v Speaker 1>it didn't waste time, if that makes sense. It does

0:56:13.880 --> 0:56:15.920
<v Speaker 1>because I'm in the same boat where I'm like, I

0:56:15.960 --> 0:56:18.879
<v Speaker 1>was so mad, I like through things when I got

0:56:18.920 --> 0:56:22.160
<v Speaker 1>to the end of that video series and was just like,

0:56:22.280 --> 0:56:24.719
<v Speaker 1>oh my god, how did I just waste so much

0:56:24.760 --> 0:56:28.000
<v Speaker 1>time on this. But at the same time, I am

0:56:28.040 --> 0:56:30.800
<v Speaker 1>happy that I watched it because there's some really interesting

0:56:30.800 --> 0:56:34.319
<v Speaker 1>stuff going on there. If only it's an interesting examination

0:56:34.320 --> 0:56:37.200
<v Speaker 1>of how people can extrapolate out given the tiniest little

0:56:37.200 --> 0:56:40.359
<v Speaker 1>bare bones of information. That's exactly it. And it said

0:56:40.400 --> 0:56:43.440
<v Speaker 1>that the phenomenon of people reading so much into this

0:56:44.560 --> 0:56:46.840
<v Speaker 1>that was and maybe that was the point of the

0:56:46.840 --> 0:56:49.200
<v Speaker 1>whole thing, was to say something just really vague and

0:56:49.239 --> 0:56:53.040
<v Speaker 1>meaningless and just see if people jumped on it and

0:56:53.080 --> 0:56:54.960
<v Speaker 1>how far they took it. Well, I mean, it's an

0:56:55.000 --> 0:56:58.920
<v Speaker 1>interesting idea, right, Like as as you said, Joe, when

0:56:59.000 --> 0:57:01.520
<v Speaker 1>I was starting to talk about this mystery, You're like, well,

0:57:01.520 --> 0:57:03.360
<v Speaker 1>it's a really old mystery though, right, it's from like

0:57:03.400 --> 0:57:06.600
<v Speaker 1>the eighties, it's pre internet. And I said, no, no,

0:57:06.680 --> 0:57:09.240
<v Speaker 1>it's from ninety four, and you said, but Pink Floyd

0:57:09.320 --> 0:57:14.840
<v Speaker 1>was making right, you know. And I think there's something

0:57:14.880 --> 0:57:17.080
<v Speaker 1>to be said for a marketing team to try to

0:57:18.200 --> 0:57:22.560
<v Speaker 1>create almost like a pre viral sense around this. I mean,

0:57:22.800 --> 0:57:25.000
<v Speaker 1>do you think as many people would still be talking

0:57:25.040 --> 0:57:29.960
<v Speaker 1>about this album anymore if there wasn't this weird thing.

0:57:30.080 --> 0:57:32.160
<v Speaker 1>I mean, we certainly wouldn't be doing an episode for

0:57:32.200 --> 0:57:37.680
<v Speaker 1>our hundreds of listeners are tens of listeners, you know,

0:57:37.720 --> 0:57:40.600
<v Speaker 1>I mean, because it just wouldn't be like, we wouldn't

0:57:40.600 --> 0:57:42.880
<v Speaker 1>care that Pink Floyd released an album in ninety four,

0:57:42.920 --> 0:57:44.760
<v Speaker 1>but now we're talking about but a lot of people

0:57:44.800 --> 0:57:46.240
<v Speaker 1>are going to be like, oh crap, they did, like,

0:57:46.320 --> 0:57:48.800
<v Speaker 1>let's go listen to Actually, I was reading the song

0:57:48.920 --> 0:57:50.760
<v Speaker 1>list and realized I knew at least one of the

0:57:50.840 --> 0:57:57.120
<v Speaker 1>songs off of it. Yeah crap, But they's good. It's good.

0:57:57.280 --> 0:57:59.840
<v Speaker 1>They are a band that I always associate to be

0:58:00.040 --> 0:58:03.680
<v Speaker 1>farther back in time. It's like, yeah, except for it

0:58:04.040 --> 0:58:07.560
<v Speaker 1>was like the Eagles, except for that that one Hell

0:58:07.680 --> 0:58:11.200
<v Speaker 1>Freezes Over album that they made there. Yeah, yeah, And

0:58:11.280 --> 0:58:14.680
<v Speaker 1>so you always just oh, well, now I'm going back

0:58:14.680 --> 0:58:18.720
<v Speaker 1>to this time frame of music totally. Yeah, that's kind

0:58:18.720 --> 0:58:20.440
<v Speaker 1>of that. That's when I knew Pink Floyd. I was

0:58:20.480 --> 0:58:22.400
<v Speaker 1>a kid and I was listening to their stuff, you know.

0:58:23.000 --> 0:58:24.680
<v Speaker 1>So yeah, I just thought it was kind of an

0:58:24.720 --> 0:58:27.680
<v Speaker 1>interesting little industry. Oh yeah, it's sorry to make you

0:58:27.760 --> 0:58:31.480
<v Speaker 1>guys trudge through the research again. It's it's just it's just,

0:58:31.920 --> 0:58:34.480
<v Speaker 1>like I said, an interesting study for the psychologists of

0:58:34.520 --> 0:58:36.800
<v Speaker 1>how people can see it's on one tiny, vague little

0:58:36.840 --> 0:58:40.160
<v Speaker 1>thing and makes something huge out of it. Yeah, so

0:58:40.360 --> 0:58:42.320
<v Speaker 1>do you have I mean, I think it was a

0:58:42.360 --> 0:58:46.200
<v Speaker 1>marketing ploy. Um. Have you ever you know that that

0:58:46.400 --> 0:58:51.360
<v Speaker 1>the word the title of Division Bell was supposedly maybe

0:58:51.400 --> 0:58:54.640
<v Speaker 1>suggested about that Adams? Yes? Do you think maybe he

0:58:54.680 --> 0:58:58.800
<v Speaker 1>was really talking about the Nazi bill? Yes? I mean

0:58:58.840 --> 0:59:01.120
<v Speaker 1>I feel more comfortable talking about like World War two

0:59:01.120 --> 0:59:02.919
<v Speaker 1>and Nazis and stuff like that, and I do about

0:59:02.960 --> 0:59:06.440
<v Speaker 1>this gibberish. I know you do. I'm sorry, I'm sorry

0:59:06.440 --> 0:59:10.160
<v Speaker 1>to make you talk about Steve. What do you think?

0:59:11.240 --> 0:59:14.560
<v Speaker 1>I I well, I would like to think that there

0:59:14.680 --> 0:59:18.440
<v Speaker 1>is something much larger to this. It is it is

0:59:18.480 --> 0:59:23.040
<v Speaker 1>either the marketing ploy or it is some fan who

0:59:23.480 --> 0:59:26.880
<v Speaker 1>just came up with a interpretation of lyrics and through

0:59:26.960 --> 0:59:30.800
<v Speaker 1>some unknown stroke of luck, managed to get that onto

0:59:30.840 --> 0:59:33.000
<v Speaker 1>the stage at the right time at the right I

0:59:33.000 --> 0:59:36.320
<v Speaker 1>mean obviously had it set up beforehand, based on the

0:59:36.360 --> 0:59:39.600
<v Speaker 1>fact that I didn't say this saying this now in

0:59:39.600 --> 0:59:42.840
<v Speaker 1>the wrap up. But that post that Publius made was

0:59:42.920 --> 0:59:46.280
<v Speaker 1>like almost a week before it actually happened, So it

0:59:46.320 --> 0:59:49.080
<v Speaker 1>wasn't even like, oh crap, I like, man, I did

0:59:49.080 --> 0:59:50.920
<v Speaker 1>it like it's an hour before and when you know,

0:59:50.960 --> 0:59:53.479
<v Speaker 1>post real quick. Oh yeah, I mean like it would

0:59:53.520 --> 0:59:55.160
<v Speaker 1>have had to have been at least a little bit

0:59:55.280 --> 1:00:00.400
<v Speaker 1>planned out, which is interesting. I gotta do something, I

1:00:00.440 --> 1:00:03.080
<v Speaker 1>gotta I gotta hurt up and meet the lighting designer

1:00:03.160 --> 1:00:06.880
<v Speaker 1>and like persuade him and then uh, you know, and

1:00:07.040 --> 1:00:08.880
<v Speaker 1>and then somehow get it done and he did, you know,

1:00:08.960 --> 1:00:12.800
<v Speaker 1>and then yeah, yeah, I made drugs blackmail who whatever

1:00:12.840 --> 1:00:16.240
<v Speaker 1>it took. Yeah, well, I will buy your theory though

1:00:16.280 --> 1:00:18.439
<v Speaker 1>that it was a marketing ploy and I thought, let's

1:00:18.440 --> 1:00:21.000
<v Speaker 1>do this new weird usenet thing and see if this

1:00:21.040 --> 1:00:24.120
<v Speaker 1>new internet thing, yeah exactly. Well, well we all know

1:00:24.200 --> 1:00:26.840
<v Speaker 1>it's not going anywhere. That internet thing, it's never gonna

1:00:26.880 --> 1:00:31.720
<v Speaker 1>take off. Never. As previously mentioned, we're going to post

1:00:31.800 --> 1:00:35.520
<v Speaker 1>some links. I'll try to post the most interesting, useful

1:00:35.600 --> 1:00:39.800
<v Speaker 1>links to you. I can't make any promises. UM. Those links,

1:00:39.840 --> 1:00:44.120
<v Speaker 1>along with links to merch and also UM. The ability

1:00:44.160 --> 1:00:46.840
<v Speaker 1>to listen to and download our episodes can be found

1:00:46.840 --> 1:00:50.560
<v Speaker 1>on our website, which is Thinking Sideways podcast dot com.

1:00:50.720 --> 1:00:53.200
<v Speaker 1>You can find us. If you don't want to listen

1:00:53.240 --> 1:00:55.720
<v Speaker 1>to us through our own website, you can find us

1:00:55.800 --> 1:01:01.200
<v Speaker 1>on iTunes and almost all streaming sites. If your podcast

1:01:01.280 --> 1:01:04.400
<v Speaker 1>provider of choice allows you to subscribe and leave a

1:01:04.440 --> 1:01:07.520
<v Speaker 1>review in a rating, please do so. UM. That's how

1:01:07.640 --> 1:01:09.760
<v Speaker 1>other people are able to find us and find out

1:01:09.760 --> 1:01:12.280
<v Speaker 1>more about us before listening to us, though we hope

1:01:12.320 --> 1:01:15.840
<v Speaker 1>they'll just listen to us, you know, blindly like sheep.

1:01:17.640 --> 1:01:21.800
<v Speaker 1>Oh yeah, do everything, stuff, do it? Do it. You

1:01:21.800 --> 1:01:24.400
<v Speaker 1>can find us on social media. We have a Facebook

1:01:24.400 --> 1:01:26.680
<v Speaker 1>group in a page, so you can like the page

1:01:26.720 --> 1:01:29.040
<v Speaker 1>and join the group. We have a Twitter which is

1:01:29.080 --> 1:01:34.400
<v Speaker 1>thinking Sideways. We also have a subreddit which is thinking

1:01:34.760 --> 1:01:41.360
<v Speaker 1>Sideways no trend anywhere. If you are Publius or Uncle

1:01:41.400 --> 1:01:46.960
<v Speaker 1>Custard or Uncle Custard or Nick Mason or any other

1:01:47.200 --> 1:01:51.160
<v Speaker 1>person involved with this case, what I think he's yeah,

1:01:51.160 --> 1:01:55.680
<v Speaker 1>that's okay. We've asked dead people to email us before

1:01:57.440 --> 1:02:01.560
<v Speaker 1>you kid Arthur C. Clark. It doesn't work if you

1:02:02.560 --> 1:02:04.880
<v Speaker 1>are anybody who wants to get in contact with us

1:02:04.920 --> 1:02:06.680
<v Speaker 1>for any reason. If even you just want to yell

1:02:06.720 --> 1:02:09.240
<v Speaker 1>at me for like butchering the idea of pink Floyd,

1:02:09.320 --> 1:02:11.680
<v Speaker 1>that's fine with me. UM. You can send us an

1:02:11.720 --> 1:02:16.200
<v Speaker 1>email at Thinking Sideways podcast at gmail dot com. UM,

1:02:16.200 --> 1:02:20.480
<v Speaker 1>and we do respond to every single email we get.

1:02:20.520 --> 1:02:23.000
<v Speaker 1>But it does sometimes take us a little while. So

1:02:23.200 --> 1:02:26.160
<v Speaker 1>thanks for your patients. In that all of that having

1:02:26.160 --> 1:02:29.000
<v Speaker 1>been said, I think we're going to go ahead on

1:02:29.320 --> 1:02:33.320
<v Speaker 1>out of here. That wasn't a coherent sentence, wasn't. It

1:02:33.400 --> 1:02:37.840
<v Speaker 1>was just like you've been reading great, Uh yeah, nothing,

1:02:37.840 --> 1:02:40.480
<v Speaker 1>I'm nothing here by Hey, guys, you want to see

1:02:40.480 --> 1:02:42.280
<v Speaker 1>that really cool wig that I got from the Pink

1:02:42.280 --> 1:02:45.600
<v Speaker 1>Floyd concert. Yeah, we have hair again. Let's do it cool.

1:02:45.920 --> 1:02:47.680
<v Speaker 1>Bye bye,