WEBVTT - 7. Dirty Bathwater

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<v Speaker 1>This show contains terrifying, shocking, and haunting stories that some

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<v Speaker 1>listeners may find disturbing or offensive. It's two forty six am.

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<v Speaker 1>You're driving down a dirt road just off the sixty two.

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<v Speaker 1>Not a soul in sight, just you and the desert night.

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<v Speaker 1>But wait, you hear a signal off in the distance.

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<v Speaker 1>It's faint, but it grows louder. Is it the howl

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<v Speaker 1>of a coyote, the hiss of a king snake? Or

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<v Speaker 1>is it the voice of a man guiding you toward

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<v Speaker 1>a great darkness? From my Heart Radio and Overtones Media,

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<v Speaker 1>you're listening to YFT two of the only sound you'll

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<v Speaker 1>hear in the sleep old Valley. I'm Dixon Lewis, your

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<v Speaker 1>lone companion for the night, and I've got a new

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<v Speaker 1>batch of stories to keep you up as you drive

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<v Speaker 1>down the dusty, desolate highway. There's something fishy happening at

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<v Speaker 1>the Gowanas Canal and Ruby and the podcast producer goes

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<v Speaker 1>deep into the depths to unearth the mystery. What she

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<v Speaker 1>finds is more shocking than any other true crime podcast

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<v Speaker 1>could come up with. This is Dirty Bathwater by Jasmine J. T. Green.

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<v Speaker 2>So you're not gonna tell me why you left early last.

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<v Speaker 3>Night, bitch, I was hired. I need a depression now.

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<v Speaker 2>Ruby, you left the ceremony at eight point thirty. That's

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<v Speaker 2>not a depression nap. That is a depression sleep and

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<v Speaker 2>your social sleep.

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<v Speaker 4>Don't even do this when you start.

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<v Speaker 2>Screenshotting song lyrics. Something has to be up.

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<v Speaker 3>Hold on, I'm getting a phone call.

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<v Speaker 5>Okay, Hello, Hi, Hi Grace. Yes, Luna's with me. Will

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<v Speaker 5>be there soon. Yes, g is delayed again. I know,

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<v Speaker 5>I know it's the third time in a row.

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<v Speaker 4>Okay, bye, that fucking bitch.

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<v Speaker 3>No, if she wasn't so worried about being a girl

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<v Speaker 3>boss all the time, she might actually have friends.

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<v Speaker 4>You know.

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<v Speaker 2>I heard she has a blow up mattress on her

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<v Speaker 2>her dask girl.

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<v Speaker 3>I heard she sucks the body fellow because.

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<v Speaker 4>She gave her any girl. I feel so bad.

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<v Speaker 3>You honestly shouldn't.

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<v Speaker 2>Like all my friends are in the city. Jobs decides

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<v Speaker 2>like what can you do you at this point? Like

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<v Speaker 2>you could post s fine cotton from living.

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<v Speaker 6>No, I can never tell if I'm going the right way.

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<v Speaker 6>Porch Peek station Church Avenue. We all mushed together.

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<v Speaker 7>Yeah, but I think porkholder where Okay, do you.

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<v Speaker 6>Know what, Stark, we have to get off to get

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<v Speaker 6>to the canw.

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<v Speaker 3>Oh, a couple of cops after got the kill, but bigger,

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<v Speaker 3>noiseless down, thank you.

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<v Speaker 1>I can move this happening?

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<v Speaker 3>How many people do you think are gonna show up?

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<v Speaker 4>Like?

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<v Speaker 1>How many are actually gonna do it?

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<v Speaker 6>From the comments, I then like some to Oh my god,

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<v Speaker 6>I'm not gonna lie. We look good, red, really gorgeous.

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<v Speaker 4>You know, I'm burn like the lobsters.

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<v Speaker 3>What doll wear and red? You think it look like

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<v Speaker 3>any stop sign?

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<v Speaker 1>But I'm not lie. I'm hot, I know.

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<v Speaker 4>I M.

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<v Speaker 2>Ruby, Lena coming, I'm here.

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<v Speaker 4>The rest of the team.

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<v Speaker 1>You just walked in? All right?

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<v Speaker 4>Can you see my screen started? Never mind my slightest

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<v Speaker 4>morning grace. Sure. Usually the board doesn't join us for

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<v Speaker 4>our weekly pitches, but they're super curious if we have

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<v Speaker 4>any true cry ideas in the pipeline. Anyway, let's get started. Yeah, uh, Ruby,

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<v Speaker 4>huh yeah you let's start with you. What podcast ideas

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<v Speaker 4>you got for us? Anything with a serial killer?

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<v Speaker 3>Yeah, yeah, for sure, but not a serial killer or

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<v Speaker 3>something better.

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<v Speaker 5>Let me see I have it in my nose.

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<v Speaker 3>App Oh, that's not that one.

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<v Speaker 1>That's a shopping loss.

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<v Speaker 3>Oh okay, yeah I got something. So I was in

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<v Speaker 3>bedside the other day and I ran into Chris. He

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<v Speaker 3>has this popular account where he gets voting advice, and

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<v Speaker 3>he ab.

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<v Speaker 4>I'm gonna stop you right there. Let's have a quick

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<v Speaker 4>chat after the meeting. Can I okay's next.

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<v Speaker 1>Baby?

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<v Speaker 4>This is the third beak in a row. You've brought

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<v Speaker 4>neighborhood gossip.

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<v Speaker 3>This isn't neighborhood gossip. It's literally what's going on in

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<v Speaker 3>our community. I was about to get to my greater

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<v Speaker 3>point about how it's a larger narrative about Look.

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<v Speaker 4>When I started off in public radio, I thought that

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<v Speaker 4>I could change the world through empathy. But shit is

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<v Speaker 4>different now. These structure Productions has been and always is,

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<v Speaker 4>looking for podcasts that can be flipped into movies. You

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<v Speaker 4>can't sell a story about one of the activists to streaming.

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<v Speaker 4>This is a business, not a bulletin board. Now, Ruby,

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<v Speaker 4>I'm gonna be real, not as your editor, but as

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<v Speaker 4>a peer. The board is seriously thinking about layoffs, and

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<v Speaker 4>the first line item to cut is the editorial team.

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<v Speaker 4>You haven't had a pitch that was adapted in the

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<v Speaker 4>last six months, and we're running out of cash. I

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<v Speaker 4>really need you to step it up and come up

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<v Speaker 4>with a story that we can sell, because in the

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<v Speaker 4>editorial pecking order, especially producers have the first to go.

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<v Speaker 4>I need a dead girl in a lake, a guy

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<v Speaker 4>to a good session. Well, we could take up social media,

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<v Speaker 4>soccer or else we're all out of oolves.

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<v Speaker 3>Okay, I got it, Well I might have something.

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<v Speaker 4>I saw something weird on the train today, Beared, Why

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<v Speaker 4>didn't you take the rest to day and will leave? Okay, okay, thanks, Grace.

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<v Speaker 3>Got hundreds of girls that are at the canal. Some

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<v Speaker 3>of them are holding signs and.

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<v Speaker 7>Fuck you Erica, take back our canal.

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<v Speaker 3>Looks like the mayor's here too.

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<v Speaker 5>Everyone, everyone, please, let's have a civil conversation.

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<v Speaker 3>Fuck you Erica, Fuck you Erica.

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<v Speaker 5>Fuck you.

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<v Speaker 7>We don't want to fucking dialogue. We want the right

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<v Speaker 7>to swim in our.

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<v Speaker 3>Someone knocked my phone out of my hand.

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<v Speaker 7>I think they bump me.

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<v Speaker 4>Uh.

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<v Speaker 2>One PM.

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<v Speaker 3>One of the protesters is standing on a bench. Everyone

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<v Speaker 3>keeps looking at her. It looks like she's some kind

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<v Speaker 3>of leader.

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<v Speaker 7>When I gathered everyone to make a statement that you

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<v Speaker 7>are closing down our parks, our libraries, our public spaces

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<v Speaker 7>and We deserve the right to access where we pay

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<v Speaker 7>our hard earned taxes on Yeah, Yeah, you tear list.

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<v Speaker 7>When I started my page, left this Liz was just

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<v Speaker 7>a space to share cripes of this city. This city

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<v Speaker 7>I dreamed about from my bedroom in Vermont and fell

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<v Speaker 7>in love with the minute. I've moved here a long

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<v Speaker 7>time ago, last summer, and now to see hundreds of you,

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<v Speaker 7>The lizlie here to make a statement to our mayor.

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<v Speaker 6>Liz, this is unlawful gathering and we will apply force

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<v Speaker 6>if necessary.

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<v Speaker 7>We will apply force by any means necessary. Yeah.

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<v Speaker 3>Tensions appear to be as anything between the mayor and

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<v Speaker 3>the followers of leftist Liz, a white woman who apparently

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<v Speaker 3>loves Malcolm X.

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<v Speaker 7>We can't enter our libraries, but big box retailers keep expanding.

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<v Speaker 7>We can't afford to live here, but empty high rises

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<v Speaker 7>like dormant across Manhattan and now here in Brooklyn. We

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<v Speaker 7>want to demonstrate to you, our leader of this city,

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<v Speaker 7>that our blood is on your hands. The Gowana's Canal

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<v Speaker 7>is one of the most undesired bodies of water, and

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<v Speaker 7>the way you treat us New Yorkers is just as

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<v Speaker 7>undesirable as the water beneath.

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<v Speaker 2>Us, who.

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<v Speaker 4>Legion it's time to enter the canal.

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<v Speaker 3>All the young women that showed up in Grete soaking

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<v Speaker 3>in the canal. The mayor and her team are frantically

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<v Speaker 3>trying to convince everyone to accellent. This is soak is

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<v Speaker 3>our one of the books.

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<v Speaker 8>If you.

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<v Speaker 4>Oh, oh, oh, good morning morning.

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<v Speaker 8>We hope you had a great rest after that little

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<v Speaker 8>bob on your head. We took the scenic route to

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<v Speaker 8>get you back home on Stirling Place. While you were out,

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<v Speaker 8>we wipe the data on your phone. By the way,

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<v Speaker 8>you've got some great news. It seems like the Estra

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<v Speaker 8>dial is working for you and that anxiety. It was

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<v Speaker 8>nice reading your journal entries. I'll never understand why your generation.

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<v Speaker 8>That's everything about We came across some other stuff too,

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<v Speaker 8>all those voice memos for your little story. Yeah, you

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<v Speaker 8>should probably stop while you're a head before there's a

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<v Speaker 8>podcast made about you. Goodbye, lady Johnson.

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<v Speaker 4>Girl.

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<v Speaker 2>Why do you want to meet in the fucking supply closet?

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<v Speaker 2>And why won't you make d just hit last night?

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<v Speaker 2>And what the fuck is on your face? I got

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<v Speaker 2>a fucking black eye.

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<v Speaker 4>I'm then some fucking shit.

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<v Speaker 2>Okay, okay, You're seriously fucking freaking me out. It is honestly.

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<v Speaker 3>Creepier than I remember those girls on the train. Okay,

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<v Speaker 3>there were more of them, all wearing red. At the canal,

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<v Speaker 3>there was an influencer and she was like fighting the

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<v Speaker 3>mayor and I was taking notes on my phone, and

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<v Speaker 3>then everyone jumped in the water, and all of a sudden,

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<v Speaker 3>I clacked out, what the hell?

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<v Speaker 2>And then and then I got this, So you're joining

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<v Speaker 2>the legion of Brooklyn transexual DJs.

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<v Speaker 3>Girl, This is not a joke. I got an email

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<v Speaker 3>from a burner account with this weird audio message.

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<v Speaker 4>It freaked me out.

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<v Speaker 3>So I'm in a backup because whoever this has hacked

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<v Speaker 3>my phone. I guess I don't know. I'm freaking out.

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<v Speaker 2>Okay, all right, says think, why were they say you

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<v Speaker 2>a waste message? And like, don't people usually just like

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<v Speaker 2>send a letter with the magazine clippings for some shared girl.

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<v Speaker 1>I don't know.

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<v Speaker 3>Maybe they were worried about fingerprints.

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<v Speaker 2>Okay, okay, wait, wait, wait, wait, let me let me

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<v Speaker 2>say that USB stick. I'll be right back.

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<v Speaker 3>But don't know what the fuck you put me up

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<v Speaker 3>your DJ quite another time like this, First of.

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<v Speaker 2>All, if you remember, I had a gig last night.

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<v Speaker 2>I had offered this cute by them, and things went

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<v Speaker 2>really well. The second bitch, use your fucking head. Okay,

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<v Speaker 2>like if the voice was distorted right right right, So

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<v Speaker 2>let me see the drive.

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<v Speaker 3>Okay, what are you doing?

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<v Speaker 2>If you would come to any of my gigs, you

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<v Speaker 2>would know. So it sounds like there's a couple of

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<v Speaker 2>effects on this file. I know that sounds like fun.

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<v Speaker 1>Col What do we do?

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<v Speaker 4>I know?

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<v Speaker 2>I like hoodies?

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<v Speaker 1>Like do I look like a fucking anger? Think?

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<v Speaker 4>Think?

0:12:48.679 --> 0:12:50.880
<v Speaker 3>Okay, it's what eleven forty nine.

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<v Speaker 4>Okay.

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<v Speaker 3>Grace should be finishing her last year before lunch, and

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<v Speaker 3>she always goes off for yes, exactly.

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<v Speaker 2>Black clockwork.

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<v Speaker 4>Helena. Yes, sir, No, everything is going according to plan.

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<v Speaker 4>Don't marry. I took care of baby. I'll be there

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<v Speaker 4>soon on the re size. Okay, I can pick up

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<v Speaker 4>you have a bur drive, kay.

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<v Speaker 2>Grace left her laptop on the desk.

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<v Speaker 3>Do you think there's something on there?

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<v Speaker 2>Girl? This isn't an indie thriller. We can't hack it

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<v Speaker 2>to somebody's computer.

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<v Speaker 1>Give me your phone?

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<v Speaker 3>What I unlock?

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<v Speaker 4>Your phone? Can turn on the air drop.

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<v Speaker 1>Okay, here.

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<v Speaker 2>Girl, hurry up, she'd right come back.

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<v Speaker 1>I don't know the password.

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<v Speaker 2>Think what would Grace make as her password? She's corny

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<v Speaker 2>as shit?

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<v Speaker 3>I don't hard so god, mom, love is love?

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<v Speaker 4>Uh wait?

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<v Speaker 3>I found us posting note on a monitor. Do you

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<v Speaker 3>think this might be it?

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<v Speaker 2>Try it?

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<v Speaker 3>Okay, empathy is a superpower to be fourteen.

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<v Speaker 4>That was a girl.

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<v Speaker 2>Hurry she's got a bunch of shit on her desktop.

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<v Speaker 1>Zip it up and let's get out of here. Okay,

0:14:11.400 --> 0:14:12.120
<v Speaker 1>how's this for sure?

0:14:12.160 --> 0:14:12.360
<v Speaker 4>Coming?

0:14:12.360 --> 0:14:23.160
<v Speaker 1>You fucking bitch. We'll be back with our broadcast after

0:14:23.200 --> 0:14:30.040
<v Speaker 1>these messages. What the fuck did we just do?

0:14:30.280 --> 0:14:30.360
<v Speaker 4>Know?

0:14:30.440 --> 0:14:32.120
<v Speaker 1>What the fuck? What do you think is in there?

0:14:32.280 --> 0:14:32.760
<v Speaker 1>I don't know.

0:14:33.280 --> 0:14:35.360
<v Speaker 2>Looks like there's like a bunch of text files and

0:14:35.520 --> 0:14:38.280
<v Speaker 2>there's one video and looks like a recording.

0:14:38.400 --> 0:14:39.480
<v Speaker 3>Play it, you gotta play it.

0:14:39.800 --> 0:14:41.400
<v Speaker 4>Thank you to the board for joining me on this

0:14:41.440 --> 0:14:44.240
<v Speaker 4>week's touch fase to catch everyone up to speed. You

0:14:44.280 --> 0:14:47.000
<v Speaker 4>should now be seeing the GAMP chart of outlining the

0:14:47.080 --> 0:14:53.080
<v Speaker 4>timeline thus far. Yes, we can see it now. Okay,

0:14:53.680 --> 0:14:57.680
<v Speaker 4>as you can see, we've just entered phase three. Hold on,

0:14:58.440 --> 0:15:02.560
<v Speaker 4>hold on right there, swee three. I thought we would

0:15:02.600 --> 0:15:06.200
<v Speaker 4>be at phase five by now, not still activating enzymes.

0:15:07.160 --> 0:15:10.360
<v Speaker 4>I'm so sorry for the confusion. He llow me to backtrack.

0:15:10.560 --> 0:15:14.000
<v Speaker 4>Phase one was the influencer of recruitment stage, in which

0:15:14.040 --> 0:15:17.720
<v Speaker 4>we partnered with leftist Liz, who, as you all know,

0:15:18.000 --> 0:15:21.720
<v Speaker 4>has one point five million followers, eighty three percent of

0:15:21.720 --> 0:15:24.720
<v Speaker 4>whom are within our target demographic of eighteen to twenty

0:15:24.760 --> 0:15:29.200
<v Speaker 4>four year old women. Phase two was the mobilizing stage,

0:15:29.360 --> 0:15:34.840
<v Speaker 4>where Liaison inspires her followers around some cause. And then

0:15:34.920 --> 0:15:38.040
<v Speaker 4>yesterday we achieved Phase three with the entry of the

0:15:38.080 --> 0:15:42.119
<v Speaker 4>test subjects into the canal, which contained the necessary enzymes

0:15:42.160 --> 0:15:48.040
<v Speaker 4>for the anti aging serums. Right correct, and we're still

0:15:48.080 --> 0:15:50.000
<v Speaker 4>on track for delivery. At the end of Q two.

0:15:50.600 --> 0:15:56.640
<v Speaker 4>We've already secured the asking Christy for our PREADMA marketing campaign.

0:15:56.640 --> 0:16:00.720
<v Speaker 6>Excellent work, Grace, and I just you've noticed that the

0:16:00.760 --> 0:16:03.000
<v Speaker 6>mayor's invoice has been processed.

0:16:03.920 --> 0:16:07.440
<v Speaker 4>Finally we'll be able to shutter, structure and pivot.

0:16:08.040 --> 0:16:09.760
<v Speaker 2>Our jobs are fucking dying.

0:16:09.880 --> 0:16:10.520
<v Speaker 8>No fuck that.

0:16:10.800 --> 0:16:13.080
<v Speaker 2>We gotta link this to the press, bitch. We are

0:16:13.280 --> 0:16:15.520
<v Speaker 2>the press. At least we're supposed to be, Like, who

0:16:15.600 --> 0:16:17.640
<v Speaker 2>is gonna believe us? Everybody gonna think it's a fucking

0:16:17.680 --> 0:16:18.680
<v Speaker 2>deep fake or something.

0:16:21.280 --> 0:16:23.520
<v Speaker 3>Can we do this on our own girl, what No,

0:16:24.160 --> 0:16:26.640
<v Speaker 3>we have to post this online ourselves. We beat them

0:16:26.640 --> 0:16:29.120
<v Speaker 3>at their own fucking game. Una. We know that leaks

0:16:29.200 --> 0:16:31.880
<v Speaker 3>and pitches get killed all the fucking times, and if

0:16:31.920 --> 0:16:34.360
<v Speaker 3>they don't, then next thing, you know, some other random

0:16:34.440 --> 0:16:37.600
<v Speaker 3>editor or riders taking credit for rucking work.

0:16:37.640 --> 0:16:40.960
<v Speaker 2>Ruby, Ruby, Ruby, Ruby. People are getting fucking tested and

0:16:41.040 --> 0:16:43.280
<v Speaker 2>brainwashing ship and you're worried about clout.

0:16:44.800 --> 0:16:47.760
<v Speaker 3>Huna, Give me the phone, minds wiped and you have

0:16:47.800 --> 0:16:48.800
<v Speaker 3>a verified at Ruby.

0:16:49.360 --> 0:16:51.320
<v Speaker 8>Give me the phone, give me.

0:16:51.360 --> 0:16:59.880
<v Speaker 3>The can, Give you the phone, the fucking phone. Hi everyone,

0:17:00.160 --> 0:17:02.400
<v Speaker 3>I'm Ruby Johnson. I'm a journalist and a friend of

0:17:02.480 --> 0:17:06.440
<v Speaker 3>Luna Ruby.

0:17:06.600 --> 0:17:08.879
<v Speaker 2>You don't have to do this. You don't want to

0:17:08.920 --> 0:17:10.640
<v Speaker 2>do the new character of the Internet.

0:17:11.640 --> 0:17:12.320
<v Speaker 7>I have to.

0:17:14.000 --> 0:17:17.919
<v Speaker 3>M Yesterday there was a protest at the Guarana's Canal

0:17:18.320 --> 0:17:21.600
<v Speaker 3>organized by the popular influencer Leftist Live. I've come across

0:17:21.640 --> 0:17:24.280
<v Speaker 3>information that the protest is actually part of a larger

0:17:24.320 --> 0:17:26.320
<v Speaker 3>scheme by a venture capital group.

0:17:28.040 --> 0:17:29.440
<v Speaker 7>Joint trust me.

0:17:31.080 --> 0:17:31.320
<v Speaker 4>Thank you?

0:17:35.720 --> 0:17:38.280
<v Speaker 2>Do you believe this? Have you been looking at the comments?

0:17:40.080 --> 0:17:42.960
<v Speaker 2>I think it's just people people are.

0:17:42.840 --> 0:17:44.600
<v Speaker 4>Home to the next trust.

0:17:47.200 --> 0:17:49.000
<v Speaker 7>What's the Let me see that.

0:17:55.400 --> 0:17:59.439
<v Speaker 3>You heard the recording. That was Grace, my editor at

0:17:59.480 --> 0:18:02.159
<v Speaker 3>the Structure Productions. Yeahs, we might have heard of the

0:18:02.280 --> 0:18:03.880
<v Speaker 3>Pond Award winning contact.

0:18:03.960 --> 0:18:05.439
<v Speaker 1>I'm pretty sure all of your friends are.

0:18:07.200 --> 0:18:10.000
<v Speaker 3>She was behind this plane to turn you women like

0:18:10.119 --> 0:18:13.920
<v Speaker 3>us to test subjects, to extract your youth? Are women

0:18:14.000 --> 0:18:18.439
<v Speaker 3>that to sell back to us for what profit? To

0:18:18.440 --> 0:18:24.240
<v Speaker 3>make gloom of Us feel like shit about ourselves. I

0:18:24.280 --> 0:18:27.280
<v Speaker 3>want to challenge you, all, two thousand of you, to

0:18:27.320 --> 0:18:30.280
<v Speaker 3>step up and make your voices hurt, to structure, to

0:18:30.320 --> 0:18:34.320
<v Speaker 3>these fucking venture capital stabs that our voices matter. We

0:18:34.359 --> 0:18:41.440
<v Speaker 3>can create change Today at two pm, Bloody Structure Headquarters

0:18:41.560 --> 0:18:45.160
<v Speaker 3>and tell everyone you know and we're purple, the color

0:18:45.160 --> 0:18:47.760
<v Speaker 3>our suffers sisters and queer veterans for war on the

0:18:47.760 --> 0:18:59.879
<v Speaker 3>front lines. Join me and your fellow radicals, Ruby Radical

0:19:00.160 --> 0:19:00.720
<v Speaker 3>signing off.

0:19:11.480 --> 0:19:15.080
<v Speaker 1>Dirty Bathwater is written and directed by Jasmine J. T. Green.

0:19:15.800 --> 0:19:20.240
<v Speaker 1>The executive producers are James Kim and Taylor Chacoyne. Erica

0:19:20.320 --> 0:19:24.680
<v Speaker 1>Huang is a producer, Diego Perez is a producer, Daniel

0:19:24.720 --> 0:19:28.960
<v Speaker 1>Martinez is a production sound mixer. Matthew Wong is a composer.

0:19:29.520 --> 0:19:33.760
<v Speaker 1>Theme music by Ryo Baum and Robert Garova. Artwork by

0:19:33.960 --> 0:19:38.440
<v Speaker 1>Justin D. Lee. This episode is a production of Molten Hart.

0:19:39.240 --> 0:19:43.280
<v Speaker 1>Dirty Bathwater is produced and sound design by Jasmine J. T. Green,

0:19:43.920 --> 0:19:49.480
<v Speaker 1>Scoring by Cmd Command Jasmine Mike, Operator and production assistants

0:19:49.520 --> 0:19:54.520
<v Speaker 1>by Tess Hazel, Charlotte Rodriguez and Eleanor Kagan. Credits. Music

0:19:54.680 --> 0:19:59.840
<v Speaker 1>is Talk with Me by Olivia del Schaffeir plays Ruby.

0:20:00.160 --> 0:20:04.560
<v Speaker 1>Crystal Van Loverin plays Grace, Jasmine J. T. Green plays Luna.

0:20:05.119 --> 0:20:10.200
<v Speaker 1>Eleanor Kagan plays Leftist Liz Amber Flannery Field plays Mayor Erica.

0:20:10.840 --> 0:20:15.800
<v Speaker 1>Cameron Moossar plays board member. Charlotte Rodriguez plays train Passenger

0:20:15.840 --> 0:20:20.880
<v Speaker 1>one and Protester one. Jane Niemheim plays Train Passenger two

0:20:21.320 --> 0:20:25.320
<v Speaker 1>and Protester two. You Feel In This Too is a

0:20:25.359 --> 0:20:31.159
<v Speaker 1>production of iHeart Radio and Overtones Media