1 00:00:00,200 --> 00:00:04,440 Speaker 1: This show contains terrifying, shocking, and haunting stories that some 2 00:00:04,600 --> 00:00:25,840 Speaker 1: listeners may find disturbing or offensive. It's two forty six am. 3 00:00:26,400 --> 00:00:29,840 Speaker 1: You're driving down a dirt road just off the sixty two. 4 00:00:30,120 --> 00:00:34,960 Speaker 1: Not a soul in sight, just you and the desert night. 5 00:00:35,720 --> 00:00:38,559 Speaker 1: But wait, you hear a signal off in the distance. 6 00:00:39,159 --> 00:00:43,960 Speaker 1: It's faint, but it grows louder. Is it the howl 7 00:00:44,080 --> 00:00:48,720 Speaker 1: of a coyote, the hiss of a king snake? Or 8 00:00:48,840 --> 00:00:51,160 Speaker 1: is it the voice of a man guiding you toward 9 00:00:51,240 --> 00:00:56,320 Speaker 1: a great darkness? From my Heart Radio and Overtones Media, 10 00:00:56,720 --> 00:01:00,640 Speaker 1: you're listening to YFT two of the only sound you'll 11 00:01:00,680 --> 00:01:04,560 Speaker 1: hear in the sleep old Valley. I'm Dixon Lewis, your 12 00:01:04,600 --> 00:01:07,520 Speaker 1: lone companion for the night, and I've got a new 13 00:01:07,560 --> 00:01:10,400 Speaker 1: batch of stories to keep you up as you drive 14 00:01:10,520 --> 00:01:16,600 Speaker 1: down the dusty, desolate highway. There's something fishy happening at 15 00:01:16,640 --> 00:01:21,240 Speaker 1: the Gowanas Canal and Ruby and the podcast producer goes 16 00:01:21,319 --> 00:01:25,280 Speaker 1: deep into the depths to unearth the mystery. What she 17 00:01:25,440 --> 00:01:29,040 Speaker 1: finds is more shocking than any other true crime podcast 18 00:01:29,080 --> 00:01:34,839 Speaker 1: could come up with. This is Dirty Bathwater by Jasmine J. T. Green. 19 00:01:52,400 --> 00:01:54,960 Speaker 2: So you're not gonna tell me why you left early last. 20 00:01:54,760 --> 00:01:57,400 Speaker 3: Night, bitch, I was hired. I need a depression now. 21 00:01:57,400 --> 00:02:00,160 Speaker 2: Ruby, you left the ceremony at eight point thirty. That's 22 00:02:00,200 --> 00:02:03,080 Speaker 2: not a depression nap. That is a depression sleep and 23 00:02:03,320 --> 00:02:04,120 Speaker 2: your social sleep. 24 00:02:04,720 --> 00:02:06,800 Speaker 4: Don't even do this when you start. 25 00:02:06,600 --> 00:02:09,600 Speaker 2: Screenshotting song lyrics. Something has to be up. 26 00:02:09,720 --> 00:02:10,880 Speaker 3: Hold on, I'm getting a phone call. 27 00:02:11,000 --> 00:02:16,639 Speaker 5: Okay, Hello, Hi, Hi Grace. Yes, Luna's with me. Will 28 00:02:16,680 --> 00:02:21,720 Speaker 5: be there soon. Yes, g is delayed again. I know, 29 00:02:21,919 --> 00:02:24,120 Speaker 5: I know it's the third time in a row. 30 00:02:25,040 --> 00:02:27,760 Speaker 4: Okay, bye, that fucking bitch. 31 00:02:28,120 --> 00:02:29,760 Speaker 3: No, if she wasn't so worried about being a girl 32 00:02:29,760 --> 00:02:31,560 Speaker 3: boss all the time, she might actually have friends. 33 00:02:32,040 --> 00:02:32,240 Speaker 4: You know. 34 00:02:32,480 --> 00:02:34,720 Speaker 2: I heard she has a blow up mattress on her 35 00:02:34,760 --> 00:02:35,840 Speaker 2: her dask girl. 36 00:02:36,280 --> 00:02:38,000 Speaker 3: I heard she sucks the body fellow because. 37 00:02:37,800 --> 00:02:42,640 Speaker 4: She gave her any girl. I feel so bad. 38 00:02:42,880 --> 00:02:44,040 Speaker 3: You honestly shouldn't. 39 00:02:44,120 --> 00:02:46,280 Speaker 2: Like all my friends are in the city. Jobs decides 40 00:02:46,320 --> 00:02:47,920 Speaker 2: like what can you do you at this point? Like 41 00:02:47,960 --> 00:02:49,720 Speaker 2: you could post s fine cotton from living. 42 00:02:50,320 --> 00:03:05,320 Speaker 6: No, I can never tell if I'm going the right way. 43 00:03:05,560 --> 00:03:08,800 Speaker 6: Porch Peek station Church Avenue. We all mushed together. 44 00:03:09,760 --> 00:03:19,760 Speaker 7: Yeah, but I think porkholder where Okay, do you. 45 00:03:19,680 --> 00:03:21,000 Speaker 6: Know what, Stark, we have to get off to get 46 00:03:21,000 --> 00:03:21,800 Speaker 6: to the canw. 47 00:03:22,080 --> 00:03:27,960 Speaker 3: Oh, a couple of cops after got the kill, but bigger, 48 00:03:28,000 --> 00:03:31,200 Speaker 3: noiseless down, thank you. 49 00:03:32,480 --> 00:03:33,520 Speaker 1: I can move this happening? 50 00:03:34,040 --> 00:03:35,560 Speaker 3: How many people do you think are gonna show up? 51 00:03:36,080 --> 00:03:36,160 Speaker 4: Like? 52 00:03:36,720 --> 00:03:38,080 Speaker 1: How many are actually gonna do it? 53 00:03:38,800 --> 00:03:42,920 Speaker 6: From the comments, I then like some to Oh my god, 54 00:03:42,960 --> 00:03:46,240 Speaker 6: I'm not gonna lie. We look good, red, really gorgeous. 55 00:03:46,760 --> 00:03:48,480 Speaker 4: You know, I'm burn like the lobsters. 56 00:03:48,600 --> 00:03:50,360 Speaker 3: What doll wear and red? You think it look like 57 00:03:50,360 --> 00:03:51,440 Speaker 3: any stop sign? 58 00:03:52,160 --> 00:03:55,400 Speaker 1: But I'm not lie. I'm hot, I know. 59 00:03:55,800 --> 00:04:00,120 Speaker 4: I M. 60 00:04:03,480 --> 00:04:13,280 Speaker 2: Ruby, Lena coming, I'm here. 61 00:04:14,200 --> 00:04:14,920 Speaker 4: The rest of the team. 62 00:04:14,920 --> 00:04:18,880 Speaker 1: You just walked in? All right? 63 00:04:18,960 --> 00:04:27,000 Speaker 4: Can you see my screen started? Never mind my slightest 64 00:04:27,000 --> 00:04:34,200 Speaker 4: morning grace. Sure. Usually the board doesn't join us for 65 00:04:34,279 --> 00:04:37,919 Speaker 4: our weekly pitches, but they're super curious if we have 66 00:04:38,040 --> 00:04:47,200 Speaker 4: any true cry ideas in the pipeline. Anyway, let's get started. Yeah, uh, Ruby, 67 00:04:47,400 --> 00:04:51,560 Speaker 4: huh yeah you let's start with you. What podcast ideas 68 00:04:51,640 --> 00:04:54,960 Speaker 4: you got for us? Anything with a serial killer? 69 00:04:55,320 --> 00:04:59,359 Speaker 3: Yeah, yeah, for sure, but not a serial killer or 70 00:04:59,360 --> 00:05:00,559 Speaker 3: something better. 71 00:05:01,640 --> 00:05:03,239 Speaker 5: Let me see I have it in my nose. 72 00:05:03,360 --> 00:05:06,400 Speaker 3: App Oh, that's not that one. 73 00:05:07,200 --> 00:05:08,400 Speaker 1: That's a shopping loss. 74 00:05:08,400 --> 00:05:11,359 Speaker 3: Oh okay, yeah I got something. So I was in 75 00:05:11,400 --> 00:05:14,680 Speaker 3: bedside the other day and I ran into Chris. He 76 00:05:14,720 --> 00:05:17,360 Speaker 3: has this popular account where he gets voting advice, and 77 00:05:17,480 --> 00:05:22,279 Speaker 3: he ab. 78 00:05:20,560 --> 00:05:23,839 Speaker 4: I'm gonna stop you right there. Let's have a quick 79 00:05:23,920 --> 00:05:29,120 Speaker 4: chat after the meeting. Can I okay's next. 80 00:05:37,520 --> 00:05:37,839 Speaker 1: Baby? 81 00:05:38,839 --> 00:05:41,080 Speaker 4: This is the third beak in a row. You've brought 82 00:05:41,720 --> 00:05:42,799 Speaker 4: neighborhood gossip. 83 00:05:43,520 --> 00:05:46,480 Speaker 3: This isn't neighborhood gossip. It's literally what's going on in 84 00:05:46,520 --> 00:05:49,039 Speaker 3: our community. I was about to get to my greater 85 00:05:49,120 --> 00:05:52,599 Speaker 3: point about how it's a larger narrative about Look. 86 00:05:53,200 --> 00:05:56,839 Speaker 4: When I started off in public radio, I thought that 87 00:05:56,920 --> 00:06:01,560 Speaker 4: I could change the world through empathy. But shit is 88 00:06:01,600 --> 00:06:06,600 Speaker 4: different now. These structure Productions has been and always is, 89 00:06:06,920 --> 00:06:11,039 Speaker 4: looking for podcasts that can be flipped into movies. You 90 00:06:11,120 --> 00:06:15,040 Speaker 4: can't sell a story about one of the activists to streaming. 91 00:06:15,600 --> 00:06:22,920 Speaker 4: This is a business, not a bulletin board. Now, Ruby, 92 00:06:23,839 --> 00:06:27,520 Speaker 4: I'm gonna be real, not as your editor, but as 93 00:06:27,520 --> 00:06:34,000 Speaker 4: a peer. The board is seriously thinking about layoffs, and 94 00:06:34,040 --> 00:06:37,640 Speaker 4: the first line item to cut is the editorial team. 95 00:06:37,960 --> 00:06:40,160 Speaker 4: You haven't had a pitch that was adapted in the 96 00:06:40,240 --> 00:06:45,560 Speaker 4: last six months, and we're running out of cash. I 97 00:06:45,720 --> 00:06:47,520 Speaker 4: really need you to step it up and come up 98 00:06:47,520 --> 00:06:50,240 Speaker 4: with a story that we can sell, because in the 99 00:06:50,360 --> 00:06:54,400 Speaker 4: editorial pecking order, especially producers have the first to go. 100 00:06:55,960 --> 00:06:59,320 Speaker 4: I need a dead girl in a lake, a guy 101 00:06:59,400 --> 00:07:03,640 Speaker 4: to a good session. Well, we could take up social media, 102 00:07:03,720 --> 00:07:07,080 Speaker 4: soccer or else we're all out of oolves. 103 00:07:07,640 --> 00:07:11,480 Speaker 3: Okay, I got it, Well I might have something. 104 00:07:11,680 --> 00:07:17,600 Speaker 4: I saw something weird on the train today, Beared, Why 105 00:07:17,600 --> 00:07:23,280 Speaker 4: didn't you take the rest to day and will leave? Okay, okay, thanks, Grace. 106 00:07:27,320 --> 00:07:29,640 Speaker 3: Got hundreds of girls that are at the canal. Some 107 00:07:29,680 --> 00:07:30,920 Speaker 3: of them are holding signs and. 108 00:07:31,240 --> 00:07:33,640 Speaker 7: Fuck you Erica, take back our canal. 109 00:07:34,040 --> 00:07:35,400 Speaker 3: Looks like the mayor's here too. 110 00:07:35,600 --> 00:07:40,280 Speaker 5: Everyone, everyone, please, let's have a civil conversation. 111 00:07:41,800 --> 00:07:43,679 Speaker 3: Fuck you Erica, Fuck you Erica. 112 00:07:44,040 --> 00:07:44,640 Speaker 5: Fuck you. 113 00:07:45,040 --> 00:07:47,480 Speaker 7: We don't want to fucking dialogue. We want the right 114 00:07:47,600 --> 00:07:48,480 Speaker 7: to swim in our. 115 00:07:56,800 --> 00:07:58,320 Speaker 3: Someone knocked my phone out of my hand. 116 00:07:58,400 --> 00:07:59,160 Speaker 7: I think they bump me. 117 00:08:00,120 --> 00:08:00,240 Speaker 4: Uh. 118 00:08:00,640 --> 00:08:01,520 Speaker 2: One PM. 119 00:08:01,720 --> 00:08:04,320 Speaker 3: One of the protesters is standing on a bench. Everyone 120 00:08:04,400 --> 00:08:06,760 Speaker 3: keeps looking at her. It looks like she's some kind 121 00:08:06,760 --> 00:08:07,280 Speaker 3: of leader. 122 00:08:08,040 --> 00:08:10,920 Speaker 7: When I gathered everyone to make a statement that you 123 00:08:11,000 --> 00:08:15,720 Speaker 7: are closing down our parks, our libraries, our public spaces 124 00:08:16,000 --> 00:08:18,600 Speaker 7: and We deserve the right to access where we pay 125 00:08:18,600 --> 00:08:24,480 Speaker 7: our hard earned taxes on Yeah, Yeah, you tear list. 126 00:08:25,600 --> 00:08:28,240 Speaker 7: When I started my page, left this Liz was just 127 00:08:28,240 --> 00:08:31,040 Speaker 7: a space to share cripes of this city. This city 128 00:08:31,080 --> 00:08:33,920 Speaker 7: I dreamed about from my bedroom in Vermont and fell 129 00:08:33,960 --> 00:08:35,960 Speaker 7: in love with the minute. I've moved here a long 130 00:08:36,040 --> 00:08:40,320 Speaker 7: time ago, last summer, and now to see hundreds of you, 131 00:08:41,000 --> 00:08:44,480 Speaker 7: The lizlie here to make a statement to our mayor. 132 00:08:44,960 --> 00:08:49,120 Speaker 6: Liz, this is unlawful gathering and we will apply force 133 00:08:49,200 --> 00:08:49,959 Speaker 6: if necessary. 134 00:08:50,360 --> 00:08:57,480 Speaker 7: We will apply force by any means necessary. Yeah. 135 00:08:58,800 --> 00:09:00,959 Speaker 3: Tensions appear to be as anything between the mayor and 136 00:09:01,000 --> 00:09:05,360 Speaker 3: the followers of leftist Liz, a white woman who apparently 137 00:09:05,400 --> 00:09:06,320 Speaker 3: loves Malcolm X. 138 00:09:06,920 --> 00:09:11,439 Speaker 7: We can't enter our libraries, but big box retailers keep expanding. 139 00:09:11,920 --> 00:09:15,040 Speaker 7: We can't afford to live here, but empty high rises 140 00:09:15,120 --> 00:09:19,880 Speaker 7: like dormant across Manhattan and now here in Brooklyn. We 141 00:09:19,920 --> 00:09:24,000 Speaker 7: want to demonstrate to you, our leader of this city, 142 00:09:24,240 --> 00:09:28,160 Speaker 7: that our blood is on your hands. The Gowana's Canal 143 00:09:28,240 --> 00:09:31,440 Speaker 7: is one of the most undesired bodies of water, and 144 00:09:31,480 --> 00:09:34,679 Speaker 7: the way you treat us New Yorkers is just as 145 00:09:34,760 --> 00:09:37,360 Speaker 7: undesirable as the water beneath. 146 00:09:37,000 --> 00:09:38,440 Speaker 2: Us, who. 147 00:09:41,360 --> 00:09:44,560 Speaker 4: Legion it's time to enter the canal. 148 00:09:45,679 --> 00:09:53,000 Speaker 3: All the young women that showed up in Grete soaking 149 00:09:53,000 --> 00:09:56,679 Speaker 3: in the canal. The mayor and her team are frantically 150 00:09:56,679 --> 00:09:58,959 Speaker 3: trying to convince everyone to accellent. This is soak is 151 00:09:59,000 --> 00:09:59,760 Speaker 3: our one of the books. 152 00:09:59,760 --> 00:09:59,920 Speaker 8: If you. 153 00:10:04,559 --> 00:10:11,040 Speaker 4: Oh, oh, oh, good morning morning. 154 00:10:11,800 --> 00:10:13,680 Speaker 8: We hope you had a great rest after that little 155 00:10:13,720 --> 00:10:16,319 Speaker 8: bob on your head. We took the scenic route to 156 00:10:16,320 --> 00:10:19,840 Speaker 8: get you back home on Stirling Place. While you were out, 157 00:10:20,320 --> 00:10:23,480 Speaker 8: we wipe the data on your phone. By the way, 158 00:10:23,800 --> 00:10:26,240 Speaker 8: you've got some great news. It seems like the Estra 159 00:10:26,320 --> 00:10:29,599 Speaker 8: dial is working for you and that anxiety. It was 160 00:10:29,679 --> 00:10:33,520 Speaker 8: nice reading your journal entries. I'll never understand why your generation. 161 00:10:33,800 --> 00:10:37,240 Speaker 8: That's everything about We came across some other stuff too, 162 00:10:37,640 --> 00:10:41,520 Speaker 8: all those voice memos for your little story. Yeah, you 163 00:10:41,520 --> 00:10:44,319 Speaker 8: should probably stop while you're a head before there's a 164 00:10:44,360 --> 00:10:47,280 Speaker 8: podcast made about you. Goodbye, lady Johnson. 165 00:10:57,120 --> 00:10:57,400 Speaker 4: Girl. 166 00:10:57,440 --> 00:10:59,520 Speaker 2: Why do you want to meet in the fucking supply closet? 167 00:10:59,559 --> 00:11:01,280 Speaker 2: And why won't you make d just hit last night? 168 00:11:01,320 --> 00:11:03,240 Speaker 2: And what the fuck is on your face? I got 169 00:11:03,240 --> 00:11:04,240 Speaker 2: a fucking black eye. 170 00:11:04,360 --> 00:11:05,440 Speaker 4: I'm then some fucking shit. 171 00:11:05,559 --> 00:11:11,079 Speaker 2: Okay, okay, You're seriously fucking freaking me out. It is honestly. 172 00:11:10,720 --> 00:11:13,640 Speaker 3: Creepier than I remember those girls on the train. Okay, 173 00:11:13,679 --> 00:11:16,160 Speaker 3: there were more of them, all wearing red. At the canal, 174 00:11:16,400 --> 00:11:19,320 Speaker 3: there was an influencer and she was like fighting the 175 00:11:19,360 --> 00:11:21,480 Speaker 3: mayor and I was taking notes on my phone, and 176 00:11:21,720 --> 00:11:23,679 Speaker 3: then everyone jumped in the water, and all of a sudden, 177 00:11:23,720 --> 00:11:25,720 Speaker 3: I clacked out, what the hell? 178 00:11:25,920 --> 00:11:29,320 Speaker 2: And then and then I got this, So you're joining 179 00:11:29,320 --> 00:11:31,200 Speaker 2: the legion of Brooklyn transexual DJs. 180 00:11:31,520 --> 00:11:33,480 Speaker 3: Girl, This is not a joke. I got an email 181 00:11:33,520 --> 00:11:35,640 Speaker 3: from a burner account with this weird audio message. 182 00:11:36,000 --> 00:11:36,560 Speaker 4: It freaked me out. 183 00:11:36,600 --> 00:11:39,040 Speaker 3: So I'm in a backup because whoever this has hacked 184 00:11:39,040 --> 00:11:41,600 Speaker 3: my phone. I guess I don't know. I'm freaking out. 185 00:11:41,640 --> 00:11:44,560 Speaker 2: Okay, all right, says think, why were they say you 186 00:11:44,559 --> 00:11:47,160 Speaker 2: a waste message? And like, don't people usually just like 187 00:11:47,200 --> 00:11:49,720 Speaker 2: send a letter with the magazine clippings for some shared girl. 188 00:11:49,880 --> 00:11:50,679 Speaker 1: I don't know. 189 00:11:50,760 --> 00:11:52,600 Speaker 3: Maybe they were worried about fingerprints. 190 00:11:52,679 --> 00:11:55,600 Speaker 2: Okay, okay, wait, wait, wait, wait, let me let me 191 00:11:55,600 --> 00:11:57,360 Speaker 2: say that USB stick. I'll be right back. 192 00:11:57,440 --> 00:12:03,280 Speaker 3: But don't know what the fuck you put me up 193 00:12:03,280 --> 00:12:05,559 Speaker 3: your DJ quite another time like this, First of. 194 00:12:05,480 --> 00:12:07,920 Speaker 2: All, if you remember, I had a gig last night. 195 00:12:08,000 --> 00:12:10,360 Speaker 2: I had offered this cute by them, and things went 196 00:12:10,440 --> 00:12:13,560 Speaker 2: really well. The second bitch, use your fucking head. Okay, 197 00:12:13,720 --> 00:12:17,920 Speaker 2: like if the voice was distorted right right right, So 198 00:12:18,720 --> 00:12:19,480 Speaker 2: let me see the drive. 199 00:12:20,280 --> 00:12:24,240 Speaker 3: Okay, what are you doing? 200 00:12:24,760 --> 00:12:26,640 Speaker 2: If you would come to any of my gigs, you 201 00:12:26,679 --> 00:12:30,679 Speaker 2: would know. So it sounds like there's a couple of 202 00:12:30,720 --> 00:12:40,360 Speaker 2: effects on this file. I know that sounds like fun. 203 00:12:42,800 --> 00:12:43,480 Speaker 1: Col What do we do? 204 00:12:43,800 --> 00:12:44,040 Speaker 4: I know? 205 00:12:44,120 --> 00:12:44,720 Speaker 2: I like hoodies? 206 00:12:44,920 --> 00:12:47,280 Speaker 1: Like do I look like a fucking anger? Think? 207 00:12:47,400 --> 00:12:47,600 Speaker 4: Think? 208 00:12:48,679 --> 00:12:50,880 Speaker 3: Okay, it's what eleven forty nine. 209 00:12:50,880 --> 00:12:51,080 Speaker 4: Okay. 210 00:12:51,280 --> 00:12:54,040 Speaker 3: Grace should be finishing her last year before lunch, and 211 00:12:54,120 --> 00:12:57,079 Speaker 3: she always goes off for yes, exactly. 212 00:12:58,200 --> 00:12:59,400 Speaker 2: Black clockwork. 213 00:13:00,800 --> 00:13:05,000 Speaker 4: Helena. Yes, sir, No, everything is going according to plan. 214 00:13:05,200 --> 00:13:08,600 Speaker 4: Don't marry. I took care of baby. I'll be there 215 00:13:08,640 --> 00:13:11,960 Speaker 4: soon on the re size. Okay, I can pick up 216 00:13:11,960 --> 00:13:15,559 Speaker 4: you have a bur drive, kay. 217 00:13:19,240 --> 00:13:20,520 Speaker 2: Grace left her laptop on the desk. 218 00:13:20,520 --> 00:13:21,439 Speaker 3: Do you think there's something on there? 219 00:13:21,520 --> 00:13:23,240 Speaker 2: Girl? This isn't an indie thriller. We can't hack it 220 00:13:23,280 --> 00:13:24,160 Speaker 2: to somebody's computer. 221 00:13:24,360 --> 00:13:25,000 Speaker 1: Give me your phone? 222 00:13:25,280 --> 00:13:26,520 Speaker 3: What I unlock? 223 00:13:26,520 --> 00:13:27,680 Speaker 4: Your phone? Can turn on the air drop. 224 00:13:27,720 --> 00:13:28,800 Speaker 1: Okay, here. 225 00:13:32,559 --> 00:13:34,320 Speaker 2: Girl, hurry up, she'd right come back. 226 00:13:35,360 --> 00:13:36,600 Speaker 1: I don't know the password. 227 00:13:37,040 --> 00:13:39,600 Speaker 2: Think what would Grace make as her password? She's corny 228 00:13:39,640 --> 00:13:40,080 Speaker 2: as shit? 229 00:13:41,240 --> 00:13:49,640 Speaker 3: I don't hard so god, mom, love is love? 230 00:13:51,880 --> 00:13:52,280 Speaker 4: Uh wait? 231 00:13:52,760 --> 00:13:54,240 Speaker 3: I found us posting note on a monitor. Do you 232 00:13:54,280 --> 00:13:54,880 Speaker 3: think this might be it? 233 00:13:55,080 --> 00:13:55,600 Speaker 2: Try it? 234 00:13:55,720 --> 00:14:03,240 Speaker 3: Okay, empathy is a superpower to be fourteen. 235 00:14:04,040 --> 00:14:05,000 Speaker 4: That was a girl. 236 00:14:05,160 --> 00:14:08,480 Speaker 2: Hurry she's got a bunch of shit on her desktop. 237 00:14:08,679 --> 00:14:10,800 Speaker 1: Zip it up and let's get out of here. Okay, 238 00:14:11,400 --> 00:14:12,120 Speaker 1: how's this for sure? 239 00:14:12,160 --> 00:14:12,360 Speaker 4: Coming? 240 00:14:12,360 --> 00:14:23,160 Speaker 1: You fucking bitch. We'll be back with our broadcast after 241 00:14:23,200 --> 00:14:30,040 Speaker 1: these messages. What the fuck did we just do? 242 00:14:30,280 --> 00:14:30,360 Speaker 4: Know? 243 00:14:30,440 --> 00:14:32,120 Speaker 1: What the fuck? What do you think is in there? 244 00:14:32,280 --> 00:14:32,760 Speaker 1: I don't know. 245 00:14:33,280 --> 00:14:35,360 Speaker 2: Looks like there's like a bunch of text files and 246 00:14:35,520 --> 00:14:38,280 Speaker 2: there's one video and looks like a recording. 247 00:14:38,400 --> 00:14:39,480 Speaker 3: Play it, you gotta play it. 248 00:14:39,800 --> 00:14:41,400 Speaker 4: Thank you to the board for joining me on this 249 00:14:41,440 --> 00:14:44,240 Speaker 4: week's touch fase to catch everyone up to speed. You 250 00:14:44,280 --> 00:14:47,000 Speaker 4: should now be seeing the GAMP chart of outlining the 251 00:14:47,080 --> 00:14:53,080 Speaker 4: timeline thus far. Yes, we can see it now. Okay, 252 00:14:53,680 --> 00:14:57,680 Speaker 4: as you can see, we've just entered phase three. Hold on, 253 00:14:58,440 --> 00:15:02,560 Speaker 4: hold on right there, swee three. I thought we would 254 00:15:02,600 --> 00:15:06,200 Speaker 4: be at phase five by now, not still activating enzymes. 255 00:15:07,160 --> 00:15:10,360 Speaker 4: I'm so sorry for the confusion. He llow me to backtrack. 256 00:15:10,560 --> 00:15:14,000 Speaker 4: Phase one was the influencer of recruitment stage, in which 257 00:15:14,040 --> 00:15:17,720 Speaker 4: we partnered with leftist Liz, who, as you all know, 258 00:15:18,000 --> 00:15:21,720 Speaker 4: has one point five million followers, eighty three percent of 259 00:15:21,720 --> 00:15:24,720 Speaker 4: whom are within our target demographic of eighteen to twenty 260 00:15:24,760 --> 00:15:29,200 Speaker 4: four year old women. Phase two was the mobilizing stage, 261 00:15:29,360 --> 00:15:34,840 Speaker 4: where Liaison inspires her followers around some cause. And then 262 00:15:34,920 --> 00:15:38,040 Speaker 4: yesterday we achieved Phase three with the entry of the 263 00:15:38,080 --> 00:15:42,119 Speaker 4: test subjects into the canal, which contained the necessary enzymes 264 00:15:42,160 --> 00:15:48,040 Speaker 4: for the anti aging serums. Right correct, and we're still 265 00:15:48,080 --> 00:15:50,000 Speaker 4: on track for delivery. At the end of Q two. 266 00:15:50,600 --> 00:15:56,640 Speaker 4: We've already secured the asking Christy for our PREADMA marketing campaign. 267 00:15:56,640 --> 00:16:00,720 Speaker 6: Excellent work, Grace, and I just you've noticed that the 268 00:16:00,760 --> 00:16:03,000 Speaker 6: mayor's invoice has been processed. 269 00:16:03,920 --> 00:16:07,440 Speaker 4: Finally we'll be able to shutter, structure and pivot. 270 00:16:08,040 --> 00:16:09,760 Speaker 2: Our jobs are fucking dying. 271 00:16:09,880 --> 00:16:10,520 Speaker 8: No fuck that. 272 00:16:10,800 --> 00:16:13,080 Speaker 2: We gotta link this to the press, bitch. We are 273 00:16:13,280 --> 00:16:15,520 Speaker 2: the press. At least we're supposed to be, Like, who 274 00:16:15,600 --> 00:16:17,640 Speaker 2: is gonna believe us? Everybody gonna think it's a fucking 275 00:16:17,680 --> 00:16:18,680 Speaker 2: deep fake or something. 276 00:16:21,280 --> 00:16:23,520 Speaker 3: Can we do this on our own girl, what No, 277 00:16:24,160 --> 00:16:26,640 Speaker 3: we have to post this online ourselves. We beat them 278 00:16:26,640 --> 00:16:29,120 Speaker 3: at their own fucking game. Una. We know that leaks 279 00:16:29,200 --> 00:16:31,880 Speaker 3: and pitches get killed all the fucking times, and if 280 00:16:31,920 --> 00:16:34,360 Speaker 3: they don't, then next thing, you know, some other random 281 00:16:34,440 --> 00:16:37,600 Speaker 3: editor or riders taking credit for rucking work. 282 00:16:37,640 --> 00:16:40,960 Speaker 2: Ruby, Ruby, Ruby, Ruby. People are getting fucking tested and 283 00:16:41,040 --> 00:16:43,280 Speaker 2: brainwashing ship and you're worried about clout. 284 00:16:44,800 --> 00:16:47,760 Speaker 3: Huna, Give me the phone, minds wiped and you have 285 00:16:47,800 --> 00:16:48,800 Speaker 3: a verified at Ruby. 286 00:16:49,360 --> 00:16:51,320 Speaker 8: Give me the phone, give me. 287 00:16:51,360 --> 00:16:59,880 Speaker 3: The can, Give you the phone, the fucking phone. Hi everyone, 288 00:17:00,160 --> 00:17:02,400 Speaker 3: I'm Ruby Johnson. I'm a journalist and a friend of 289 00:17:02,480 --> 00:17:06,440 Speaker 3: Luna Ruby. 290 00:17:06,600 --> 00:17:08,879 Speaker 2: You don't have to do this. You don't want to 291 00:17:08,920 --> 00:17:10,640 Speaker 2: do the new character of the Internet. 292 00:17:11,640 --> 00:17:12,320 Speaker 7: I have to. 293 00:17:14,000 --> 00:17:17,919 Speaker 3: M Yesterday there was a protest at the Guarana's Canal 294 00:17:18,320 --> 00:17:21,600 Speaker 3: organized by the popular influencer Leftist Live. I've come across 295 00:17:21,640 --> 00:17:24,280 Speaker 3: information that the protest is actually part of a larger 296 00:17:24,320 --> 00:17:26,320 Speaker 3: scheme by a venture capital group. 297 00:17:28,040 --> 00:17:29,440 Speaker 7: Joint trust me. 298 00:17:31,080 --> 00:17:31,320 Speaker 4: Thank you? 299 00:17:35,720 --> 00:17:38,280 Speaker 2: Do you believe this? Have you been looking at the comments? 300 00:17:40,080 --> 00:17:42,960 Speaker 2: I think it's just people people are. 301 00:17:42,840 --> 00:17:44,600 Speaker 4: Home to the next trust. 302 00:17:47,200 --> 00:17:49,000 Speaker 7: What's the Let me see that. 303 00:17:55,400 --> 00:17:59,439 Speaker 3: You heard the recording. That was Grace, my editor at 304 00:17:59,480 --> 00:18:02,159 Speaker 3: the Structure Productions. Yeahs, we might have heard of the 305 00:18:02,280 --> 00:18:03,880 Speaker 3: Pond Award winning contact. 306 00:18:03,960 --> 00:18:05,439 Speaker 1: I'm pretty sure all of your friends are. 307 00:18:07,200 --> 00:18:10,000 Speaker 3: She was behind this plane to turn you women like 308 00:18:10,119 --> 00:18:13,920 Speaker 3: us to test subjects, to extract your youth? Are women 309 00:18:14,000 --> 00:18:18,439 Speaker 3: that to sell back to us for what profit? To 310 00:18:18,440 --> 00:18:24,240 Speaker 3: make gloom of Us feel like shit about ourselves. I 311 00:18:24,280 --> 00:18:27,280 Speaker 3: want to challenge you, all, two thousand of you, to 312 00:18:27,320 --> 00:18:30,280 Speaker 3: step up and make your voices hurt, to structure, to 313 00:18:30,320 --> 00:18:34,320 Speaker 3: these fucking venture capital stabs that our voices matter. We 314 00:18:34,359 --> 00:18:41,440 Speaker 3: can create change Today at two pm, Bloody Structure Headquarters 315 00:18:41,560 --> 00:18:45,160 Speaker 3: and tell everyone you know and we're purple, the color 316 00:18:45,160 --> 00:18:47,760 Speaker 3: our suffers sisters and queer veterans for war on the 317 00:18:47,760 --> 00:18:59,879 Speaker 3: front lines. Join me and your fellow radicals, Ruby Radical 318 00:19:00,160 --> 00:19:00,720 Speaker 3: signing off. 319 00:19:11,480 --> 00:19:15,080 Speaker 1: Dirty Bathwater is written and directed by Jasmine J. T. Green. 320 00:19:15,800 --> 00:19:20,240 Speaker 1: The executive producers are James Kim and Taylor Chacoyne. Erica 321 00:19:20,320 --> 00:19:24,680 Speaker 1: Huang is a producer, Diego Perez is a producer, Daniel 322 00:19:24,720 --> 00:19:28,960 Speaker 1: Martinez is a production sound mixer. Matthew Wong is a composer. 323 00:19:29,520 --> 00:19:33,760 Speaker 1: Theme music by Ryo Baum and Robert Garova. Artwork by 324 00:19:33,960 --> 00:19:38,440 Speaker 1: Justin D. Lee. This episode is a production of Molten Hart. 325 00:19:39,240 --> 00:19:43,280 Speaker 1: Dirty Bathwater is produced and sound design by Jasmine J. T. Green, 326 00:19:43,920 --> 00:19:49,480 Speaker 1: Scoring by Cmd Command Jasmine Mike, Operator and production assistants 327 00:19:49,520 --> 00:19:54,520 Speaker 1: by Tess Hazel, Charlotte Rodriguez and Eleanor Kagan. Credits. Music 328 00:19:54,680 --> 00:19:59,840 Speaker 1: is Talk with Me by Olivia del Schaffeir plays Ruby. 329 00:20:00,160 --> 00:20:04,560 Speaker 1: Crystal Van Loverin plays Grace, Jasmine J. T. Green plays Luna. 330 00:20:05,119 --> 00:20:10,200 Speaker 1: Eleanor Kagan plays Leftist Liz Amber Flannery Field plays Mayor Erica. 331 00:20:10,840 --> 00:20:15,800 Speaker 1: Cameron Moossar plays board member. Charlotte Rodriguez plays train Passenger 332 00:20:15,840 --> 00:20:20,880 Speaker 1: one and Protester one. Jane Niemheim plays Train Passenger two 333 00:20:21,320 --> 00:20:25,320 Speaker 1: and Protester two. You Feel In This Too is a 334 00:20:25,359 --> 00:20:31,159 Speaker 1: production of iHeart Radio and Overtones Media