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Speaker 1: Coming to you live from the Cross Country Mortgage Campus

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Speaker 1: in Barrie, Ohio. This is Cleveland Browns Daily, brought to

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Speaker 1: you by Bally Bett now live in Ohio on eight

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Speaker 1: fifty ESPN Cleveland. Here are your hosts, bol Bishop and

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Speaker 1: Nathan Zegura.

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Speaker 2: Right, let's do live on a Thursday edition of Claire

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Speaker 2: the Brown's Daily. I am merely bo oh baby. He

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Speaker 2: is the great ze. He has returned from a sun

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Speaker 2: kiss paradise. It really was the greatest nectars in the

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Speaker 2: world at your disposal.

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Speaker 3: Ye, some good job.

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Speaker 2: One thing I did notice it was it was the

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Speaker 2: great documentary and miss k I was noticing that. And

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Speaker 2: it's so funny because it was the exact same experience

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Speaker 2: that that that we had out there was by the

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Speaker 2: time you get to the to dinner, you go cocktail. Yeah,

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Speaker 2: because you've had some damn much wine. You're done. You're done.

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Speaker 4: And then every night there's a point in the night

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Speaker 4: where you're like, I don't know that I can have

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Speaker 4: anymore wine.

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Speaker 3: And then somehow the magic of getting to.

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Speaker 4: The vineyard at eleven eleven thirty in the morning, you're

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Speaker 4: able to You're able to summon the.

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Speaker 3: Strength to go for another day. The one thing.

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Speaker 4: So flying east to west, right, I find it's hard

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Speaker 4: to get right back on clock in the situations where

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Speaker 4: east to west, flying east to west, so from here

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Speaker 4: to California, yeah, sure, three hour time difference. If if

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Speaker 4: I had a ten am flight here that got in

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Speaker 4: at noon, yeah, I think it'd be no problem. I'd say,

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Speaker 4: up till midnight easy the first night, and then boom,

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Speaker 4: you're right on clock. Sure, when you have to take

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Speaker 4: that a six am flight, so you're leaving it, you know, four,

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Speaker 4: you're up at three something in the morning, which is

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Speaker 4: really is midnight there, and you're leaving here.

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Speaker 2: Yeah at six am, yes, okay, and you're going and

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Speaker 2: you're going to California, California. Continue.

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Speaker 4: I think it's hard. You basically ultimately have to end

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Speaker 4: up staying up twenty four straight hours. Now, that's something

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Speaker 4: you can do in Vegas because you're there's a lot

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Speaker 4: going on. But to just go and visit your dad

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Speaker 4: and then say it was hard to get to mind,

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Speaker 4: it was hard for us to ever get to midnight.

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Speaker 2: Why were you trying?

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Speaker 3: Because then I feel like that I'm on clock. Go

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Speaker 3: to bed. Oh, you go to bed at midnight? Eleven

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Speaker 3: to midnight.

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Speaker 2: Yeah, yeah, okay, so that so I guess what I

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Speaker 2: would just have done is I just would have gone

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Speaker 2: to bed. Well that's what happened, which is which is fine.

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Speaker 3: Yeah it was.

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Speaker 2: It's actually great.

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Speaker 3: Turned out to be.

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Speaker 4: Yeah, you're up at you're ready to go, and you're seven,

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Speaker 4: like up at up and at them at seven am

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Speaker 4: every day.

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Speaker 3: It's great.

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Speaker 2: The far harder thing with the children is coming this way.

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Speaker 3: Well, yeah, come back on a red ice.

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Speaker 2: Well that's that the choice you made there is that's

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Speaker 2: a I made that choice. It's dicey, but you know

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Speaker 2: you do it because you get another full day in

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Speaker 2: this way and you talk yourself into it. Could it be?

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Speaker 3: And it was great?

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Speaker 4: I mean we that extra day was great and listen,

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Speaker 4: I off the red I ended up playing one of

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Speaker 4: the better golf rounds.

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Speaker 3: Of the year.

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Speaker 4: Not surprised, so I was maybe that's what I needed

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Speaker 4: to just kind of jar me up a little bit.

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Speaker 3: But yeah, it was. It was great.

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Speaker 2: You say, is the perfect flight west? Because I hate

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Speaker 2: I mean six am is I hate it? And out

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Speaker 2: of here all you get is six are.

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Speaker 4: Nine thirty or ten departure, Yeah, land around noon, you

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Speaker 4: get lunch, you still get the full day out there,

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Speaker 4: but you're not.

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Speaker 3: You're not in this.

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Speaker 4: Yeah, you know, what do I need to land in

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Speaker 4: San Francisco eight twenty five in the morning for.

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Speaker 2: We, sir, what are we going to do? We, sir,

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Speaker 2: have a broken airport. It's a reality. Yeah, there was

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Speaker 2: a time lo many years ago it was a hub,

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Speaker 2: when this was a hub and that you could fly

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Speaker 2: out of here anywhere and you had a bunch of options.

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Speaker 2: Those are the days in the long past rear view mirror,

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Speaker 2: and now you.

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Speaker 3: Are so limited.

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Speaker 2: Yeah, with getting out and you if you if you're

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Speaker 2: not on that six am.

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Speaker 3: Fly, they fly out at any other time of the day.

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Speaker 2: I think that's it six flight six or seven, and

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Speaker 2: that's going direct. Like if you go direct, like we

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Speaker 2: over Christmas, we went down to we flew into Fort Lauderdale.

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Speaker 2: You're keep a skin and we that was like a

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Speaker 2: nine to thirty wonderful because it was direct and so

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Speaker 2: that wasn't a big deal. But like every other time

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Speaker 2: that I fly west out of here at six am, Yeah,

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Speaker 2: it's too much.

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Speaker 3: It's awful.

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Speaker 4: I mean, I'm I'm old enough to remember the d

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Speaker 4: Concourse when it was just empty hustling and bustle. You

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Speaker 4: had to walk down in then back just wave to it. Yeah,

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Speaker 4: that's where you got all the regional jets were always

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Speaker 4: over there on the.

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Speaker 3: No more, no more, no more.

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Speaker 2: All right, where do we begin with this? I mean,

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Speaker 2: there's a lot to.

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Speaker 4: Get you again, and by the way, and we're transitioning

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Speaker 4: right into time you with your father.

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Speaker 3: That's true.

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Speaker 2: He was delayed three hours getting in yesterday, so was

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Speaker 2: supposed to arrive at three. So I booked his flight

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Speaker 2: through my United app So I booked it and he

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Speaker 2: was through Denver. Yeah, and so Lucifer things an animal man,

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Speaker 2: not great, so he was I knew he was delayed

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Speaker 2: before he knew he was delayed, Like he wasn't even

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Speaker 2: in the airport at the airport in Great Falls, And

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Speaker 2: I already knew that it was delayed coming out of it,

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Speaker 2: and I was trying to find a way to get around,

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Speaker 2: like what could I do to help him?

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Speaker 3: You know?

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Speaker 2: Is there another options? Of course no, nothing, everything's over sold.

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Speaker 2: So the only option was you have to fly today.

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Speaker 2: And I'm like, well, he's already up, he's already made

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Speaker 2: the trek to the airport, not an hour. Just you

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Speaker 2: know you'll left to three hours in Denver, but then

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Speaker 2: you're you're worried. Well, he hates Elway. The reason I

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Speaker 2: say that, yeah, him and Gibbe would have that in common.

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Speaker 2: So he hates Elway with like he's Probably his most

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Speaker 2: disliked sports figure is John Elway because Elway was where

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Speaker 2: I grew up at. Elway was shoved down your throat,

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Speaker 2: got it because well, we're in the Rocky Mountain region. Sure,

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Speaker 2: twelve hours to Denver. I'm not going to a game, right,

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Speaker 2: So you got Broncos every week. And a guy who

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Speaker 2: a relative that he really could not tolerate on my

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Speaker 2: mother's side, was the biggest Elway fan ever, and so

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Speaker 2: he just so I told him, I'm like, just go

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Speaker 2: to Elway's.

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Speaker 3: It's great.

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Speaker 2: In the main area there at the Denver Airport, it's

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Speaker 2: it actually feels as much like you're in a nice restaurant. Yeah,

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Speaker 2: there's a Papa Doze in Houston or Dallas that feels

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Speaker 2: that way too. There's a couple that are like that,

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Speaker 2: but that one's one where it's like you get back

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Speaker 2: in the back and you almost feel like you're at

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Speaker 2: a restaurant taking time, get yourself a nice lunch, beer,

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Speaker 2: enjoy yourself. Whatever, damn if I'm gonna go down, So

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Speaker 2: he's not going noways so as if John is pocketing

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Speaker 2: the till.

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Speaker 3: We need you, we need we. We do have to

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Speaker 3: get our fathers together.

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Speaker 2: It'd be like the Spider Man gift.

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Speaker 3: Yes, we have to get them together.

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Speaker 2: Except opposite. So he ended up getting in at six

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Speaker 2: o'clock last night. So it was all fine, and we

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Speaker 2: had and it was beautiful last night. We were hopeful

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Speaker 2: to have like an afternoon because I knew this was coming.

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Speaker 2: So that that that's going quite well. I do have

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Speaker 2: one a landscaping story I'll shared later, but the headliner

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Speaker 2: is you've gone to wine country. Mhm, what you were

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Speaker 2: prepared for? How did this match up?

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Speaker 3: Pretty spot on?

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Speaker 4: To be honest with you, it was. It's all in

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Speaker 4: the brochure. I think that certain things may be exaggerated

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Speaker 4: in and as as you know, as time goes on

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Speaker 4: and as a man ages, I think that certain things

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Speaker 4: becoming or exaggerate or pronounced the word. But it was

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Speaker 4: all the bure, honest. It could not have gone any better.

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Speaker 3: It really was.

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Speaker 4: It was a great, great trip. It was fun, good wine,

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Speaker 4: good food, we had a great time together.

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Speaker 3: It was great.

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Speaker 4: There were obviously some very funny moments, sure as pay

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Speaker 4: A as I as I dropped the pay A story

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Speaker 4: where he apparently gives for those who maybe missed that

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Speaker 4: on Tuesday, he goes into apparently and gives like various

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Speaker 4: wine clubs fake names, and one of those fake names

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Speaker 4: was pay A p E y e and he does

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Speaker 4: that p p e y e y like Pete but

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Speaker 4: with a pay.

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Speaker 3: I called him pay A.

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Speaker 4: Yeah, well he's now, yeah, he didn't use Pedro. By

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Speaker 4: the way, you asked that, I did inquire after the

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Speaker 4: driver has used that as his alias is a personal

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Speaker 4: and the reason he does miss is because so is

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Speaker 4: his email address are his initials, so just you get

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Speaker 4: just the piece. So he's like, I can have any

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Speaker 4: you know, pename that I want, And he notices when

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Speaker 4: sometimes he gives his email, he gives his name to

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Speaker 4: one company that has his email address, and then all

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Speaker 4: of a sudden he's getting emails from a bunch of

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Speaker 4: companies and he wants to know who like sold him out.

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Speaker 4: So he's like, if I see it was addressed to

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Speaker 4: pay A, and I know where I gave pay but

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Speaker 4: I was like, but you didn't even recognize you were

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Speaker 4: fighting with the guy that I would never have put

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Speaker 4: pay A in there. And then he walks to the

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Speaker 4: table outside of so we go into this like tasting room.

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Speaker 4: Guy's like, hey, he's like, I don't know, I don't

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Speaker 4: know pay I certainly want to put pay A in there.

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Speaker 4: Guys like, well, look that's what it says. He goes,

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Speaker 4: what name do you want in here? And he gave

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Speaker 4: you know, Bitar and uh. And then we get out

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Speaker 4: to the table outside and he's like, oh, yeah, I

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Speaker 4: totally gave him pay A. He's like, I used it.

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Speaker 4: I do And then he came up with this whole

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Speaker 4: story about how he does this. Sometimes we're like why,

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Speaker 4: And I said, so, somebody, what is he gonna do?

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Speaker 4: How's he gonna track him down?

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Speaker 3: Well, if somebody gives his head, I'm done with him.

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Speaker 3: I won't buy from him. That's it.

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Speaker 2: That's it.

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Speaker 4: That's so, that's that's a big payoff. That's a big payoff.

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Speaker 4: What will they do without his business? I don't know,

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Speaker 4: can't go on.

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Speaker 3: Musket On. Sue is a saint. Sue.

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Speaker 4: He is a wonderful woman and we had so much

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Speaker 4: fun with her, she's a Saints. All right, I'll give

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Speaker 4: you a I'm gonna give one story here. I mean

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Speaker 4: I could go just kind of chronologically give a couple

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Speaker 4: of stories if you'd like that, would like kind of.

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Speaker 2: Like a little yeah, I would like an oral history.

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Speaker 3: All right.

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Speaker 4: So Friday, so we get in go to the winery

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Speaker 4: that he works at, Dante, Robert and Livermore have a

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Speaker 4: lovely tasting there. You can tell he's like a celeb

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Speaker 4: there and certainly in his own mind, he's very much

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Speaker 4: a celib there, and he's, you know, yucking it up

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Speaker 4: with everybody given.

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Speaker 2: Is he norm from cheers there, Like he walks in

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Speaker 2: and it's it's like a yea.

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Speaker 4: Yeah, you know yeah, and he pay hey ya pay

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Speaker 4: a And and so we're doing taste and he's like,

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Speaker 4: you know, giving a hard time to the people that

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Speaker 4: are bringing, you know, just and in his element, like

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Speaker 4: having time his life. So we go there and then

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Speaker 4: we came back and we got s We went to

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Speaker 4: dinner at a place called spin a Yarn, which is

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Speaker 4: so Freemont is actually a it's on that the.

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Speaker 3: Outskirts of Silicon Valley.

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Speaker 4: It is a very I think there's over a quarter

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Speaker 4: of a million people there for just like a mini suburb.

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Speaker 4: It's like two hundred and sixty three hundred thousand people.

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Speaker 4: But it doesn't have a lot of great restaurants, much

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Speaker 4: to my father's chagrin. He is not a fan of that.

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Speaker 4: Now you go down into the Milpitis and then or

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Speaker 4: across into Palo Alto or over the hills, and the

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Speaker 4: livermore pleasant and there's there's plenty of good food, but

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Speaker 4: not in only a couple of places he likes. So

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Speaker 4: one of them is spin a Yarn, which is kind

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Speaker 4: of an old school Italian steakhouse.

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Speaker 3: I would call it.

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Speaker 2: Okay, So we go in.

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Speaker 3: There and.

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Speaker 4: Get a table at the bar, and I gave a

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Speaker 4: quote after observing the surroundings and every thing that was

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Speaker 4: going on, that I felt like we were in a

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Speaker 4: Saturday Night Live sketch, you know, like one where they

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Speaker 4: would kind of pan around the restaurant. They'd come back

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Speaker 4: to the people at the table talking.

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Speaker 3: Like that kind of thing.

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Speaker 2: So you had one of those ones like that, Yes,

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Speaker 2: when all of a sudden, like the waiters are coming

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Speaker 2: over all.

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Speaker 4: Yes, but this is more for the clientele. So you

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Speaker 4: had we come in and apparently it was live music

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Speaker 4: night in the bar.

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Speaker 3: I love live music night. And you had.

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Speaker 4: Somebody in a black pants, black vest, and then underneath

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Speaker 4: that was a red velvety sequiny like shirt with a collar,

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Speaker 4: yes basically, and he looked like Horatio Sands. So we're like,

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Speaker 4: we have Horatio Sands is on the guitar here and

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Speaker 4: he's slaying and then it just like what make sounds.

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Speaker 3: Like ooh ooh, and then plays amazing.

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Speaker 4: So he's going. You've got at the front corner of

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Speaker 4: the bar, the sons of Anarchy are hanging out, yes,

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Speaker 4: original four sons and there and their old ladies who

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Speaker 4: then begin dancing and like, at various points are like

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Speaker 4: tonguing on the dance floor.

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Speaker 2: You had guns man who's stopping them.

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Speaker 5: You have.

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Speaker 4: Other groups of various kind of tough looking individuals of

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Speaker 4: different backgrounds scattered throughout. And then you've got a guy

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Speaker 4: who walks through and this was I think what maybe

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Speaker 4: finally made me say and our waiters like putting on

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Speaker 4: a show.

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Speaker 3: He's a comedian. He was great.

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Speaker 4: And then the guy who kind of was like the

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Speaker 4: icing on the cake. After I'd absorbed all these various

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Speaker 4: different things and it felt like many of the groups

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Speaker 4: and they're actually in Sons of Anarchy would have been

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Speaker 4: in great conflict with one another.

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Speaker 3: They would have had the iris. Yes, totally are overans.

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Speaker 4: There was a Mayon's table, there was the Sun's table,

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Speaker 4: there were yes, you had all the tables were represented,

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Speaker 4: and god, it was unbelievable. The music was lounge singery,

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Speaker 4: but he would play some songs that you would know,

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Speaker 4: and it was in terms of actual musical execution like

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Speaker 4: a four.

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Speaker 3: Out of ten.

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Speaker 4: In terms of comedy value, ten out of ten. And

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Speaker 4: it was so loud and my poor my dad dad

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Speaker 4: take his hearing aids out because the music was killing

305
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Speaker 4: the hairing as. But he actually heard really well at

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Speaker 4: the restaurant, which was very good. But the guy who

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Speaker 4: kind of put over the top for me was guy

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Speaker 4: comes out of the bathroom, bald, long white hair, like

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Speaker 4: the curtain hair yep down to like the mid back

310
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Speaker 4: in like an orange Giants Jersey San Francisco Giants Jersey

311
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Speaker 4: go to this float like I was just like, where

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Speaker 4: is this? Where are like we're in her I just

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Speaker 4: I don't understand what's going on. So we end up

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Speaker 4: having we have a nice meal. My dad brought in,

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Speaker 4: he calls up and gets the corkage feet So brought

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Speaker 4: a couple of bottles line there and did the corkage

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Speaker 4: and it was great. We had a It really was

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Speaker 4: a great time, but it was spinning. Yarns started it

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Speaker 4: off on like an unbelievable note bo.

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Speaker 2: All right, this is a region of the country that

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Speaker 2: is known for its culinary abilities. Yes, why did you

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Speaker 2: end up here? So this is one of the three

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Speaker 2: restaurants he liked.

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Speaker 4: There was a solid it was solid enough, good pasa,

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Speaker 4: good sake, good apps.

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Speaker 2: The food was right, but it felt like to me,

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Speaker 2: I guess in the description it so it feels.

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Speaker 4: Like I didn't know anybody was that was in that

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Speaker 4: restaurant was in the restaurant.

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Speaker 3: Because it wasn't cheap. Well, I guess. Listen, it's profitable business.

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Speaker 4: It's like an old school Yeah, pretty click like old

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Speaker 4: schools Italian seakhouse. It's pretty great, like the Central Casting

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Speaker 4: Yeah yeah, yeah, it really is.

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Speaker 3: I mean it looks fantastic.

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Speaker 2: I love this. Uh it looks like they have like

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Speaker 2: those round booths, like some some half around on boosts

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Speaker 2: in there.

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Speaker 3: Yeah, that's what we were in. So we were in.

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Speaker 4: And we're and at first he gets in and it's

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Speaker 4: funny because it wasn't a perfect half round like it was.

341
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Speaker 4: Actually one side was a little bit close. And then

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Speaker 4: in the far yeah that's where where Yeah that's.

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Speaker 3: What that that was that. I'm pretty sure the one

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Speaker 3: on the rights are booth.

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Speaker 2: I love those.

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Speaker 4: So we sit in there and Kayla and I are

347
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Speaker 4: all come Fee and Susan and my dad starts banging

348
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Speaker 4: in the suit.

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Speaker 3: I need more room, move over and it's like where

350
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Speaker 3: do you want me to go? I can't go anywhere.

351
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Speaker 6: It's like scoot over.

352
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Speaker 4: So then we realized that his side was actually a

353
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Speaker 4: little bit abruptly stopped. It didn't match my side in

354
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Speaker 4: terms of the curve, so we all just kind of

355
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Speaker 4: slid down.

356
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Speaker 3: Toward my set. But he was he was happy. So

357
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Speaker 3: so that was night one, and then night two.

358
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Speaker 2: This guy we missed this guy.

359
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Speaker 4: Here's the craziest thing is the next night was gonna

360
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Speaker 4: be stand up comedy in the bar at seven thirty

361
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Speaker 4: on a Saturday, Like, can you imagine go into.

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Speaker 2: This is it's a nice it's gonna run.

363
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Speaker 3: Uh yeah, you're gonna a few hundred bucks.

364
00:16:51,120 --> 00:16:55,280
Speaker 2: Sure, and then you're you got stand up comedy, what

365
00:16:55,360 --> 00:16:55,760
Speaker 2: is going on?

366
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Speaker 3: I had no idea, So that was that was great.

367
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Speaker 4: So then uh, Saturday, we had all of Sue's family

368
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Speaker 4: was over. I had an awesome meal he made and

369
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Speaker 4: I'll say I noticed a change in one change in

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Speaker 4: my father that was was a new this is a

371
00:17:11,480 --> 00:17:15,639
Speaker 4: new wrinkle in histoire in the and I will say this,

372
00:17:15,920 --> 00:17:18,200
Speaker 4: when he has an idea in his mind of how

373
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Speaker 4: something should go, and that'll get into the next story,

374
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Speaker 4: which is one of my favorites of the trip. When

375
00:17:22,880 --> 00:17:24,399
Speaker 4: he has an idea of it is by how should

376
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Speaker 4: go in terms of laying it out, the timing of it,

377
00:17:27,119 --> 00:17:30,119
Speaker 4: what we're doing, all of that. Like, he's usually pretty like,

378
00:17:31,200 --> 00:17:33,439
Speaker 4: you don't understand this is this is this is what

379
00:17:33,480 --> 00:17:36,200
Speaker 4: it is, and anything outside of that would get him

380
00:17:36,240 --> 00:17:36,720
Speaker 4: very upset.

381
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Speaker 3: The notion of even y fantas.

382
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Speaker 4: Yeah, so we were We had a bunch of people

383
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Speaker 4: over and we had a bunch of steaks. At first,

384
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Speaker 4: I can he wasn't gonna let me suvm and I

385
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Speaker 4: was able to convince him to let me suvie the stakes.

386
00:17:47,960 --> 00:17:50,480
Speaker 4: I'm like, we're trying to make eight steaks here. I

387
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Speaker 4: think a suv is probably the best way to make

388
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Speaker 4: sure that we get this all cooked properly and timed

389
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Speaker 4: out so that it can.

390
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Speaker 3: So he did that.

391
00:18:01,040 --> 00:18:03,280
Speaker 4: Many wanted to slice every steak and just put them

392
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Speaker 4: on a huge thing. I'm like, why are we slice

393
00:18:04,680 --> 00:18:06,399
Speaker 4: every We don't need to slice every steak. Maybe we

394
00:18:06,400 --> 00:18:08,159
Speaker 4: had six steaks, eight people, that's what it was.

395
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Speaker 3: Okay.

396
00:18:09,280 --> 00:18:11,040
Speaker 4: He's like, in that way, nobody gets a full steak,

397
00:18:11,040 --> 00:18:13,359
Speaker 4: and some people don't. I said, I guarantee there are

398
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Speaker 4: plenty of people at this gathering.

399
00:18:15,040 --> 00:18:16,520
Speaker 3: That don't need a full steak.

400
00:18:16,640 --> 00:18:18,800
Speaker 4: Sure, I said, why don't we do Why don't we

401
00:18:18,880 --> 00:18:21,719
Speaker 4: serve whoever wants a full steak take one, and then

402
00:18:21,840 --> 00:18:23,040
Speaker 4: just cut the other steaks in half.

403
00:18:23,160 --> 00:18:27,760
Speaker 3: Oh, it's ridiculous. We're slicing it. Ridiculous.

404
00:18:28,280 --> 00:18:30,600
Speaker 4: Then he comes back, like twenty minutes center, he's like,

405
00:18:30,640 --> 00:18:33,440
Speaker 4: you know, I think we'll just slice every steak in half.

406
00:18:33,480 --> 00:18:36,040
Speaker 3: We'll just like each We'll just have up all the stakes.

407
00:18:35,760 --> 00:18:37,400
Speaker 4: And people take one, they could take two, they can

408
00:18:37,520 --> 00:18:38,760
Speaker 4: whatever they want, okay.

409
00:18:39,040 --> 00:18:43,240
Speaker 3: And I'm like, huh yeah, okay, all right, I didn't

410
00:18:43,240 --> 00:18:45,000
Speaker 3: you know, didn't know you didn't want a trumpet. It

411
00:18:45,080 --> 00:18:47,080
Speaker 3: didn't nont belabor.

412
00:18:46,800 --> 00:18:48,679
Speaker 4: The point didn't say, oh why when we got that

413
00:18:49,280 --> 00:18:52,240
Speaker 4: good idea, A great idea, so we get so we

414
00:18:52,280 --> 00:18:53,879
Speaker 4: got there, so that was good. So that was a

415
00:18:53,960 --> 00:18:57,600
Speaker 4: very good day. And we had again a ton of wine,

416
00:18:57,600 --> 00:19:00,520
Speaker 4: ton of good food. He made steaks, lamb chops, hot links,

417
00:19:01,040 --> 00:19:02,520
Speaker 4: pesto ravioli, which.

418
00:19:02,359 --> 00:19:03,159
Speaker 3: Is always a hit with you.

419
00:19:03,680 --> 00:19:04,200
Speaker 2: God bless.

420
00:19:04,359 --> 00:19:06,480
Speaker 4: Yeah I handled the stakes, but yeah, he did the lamb.

421
00:19:06,520 --> 00:19:08,760
Speaker 4: He was in there trimming the lamb, carving it up.

422
00:19:09,119 --> 00:19:12,919
Speaker 4: He was all excited. We had a nice charcouterie board.

423
00:19:13,760 --> 00:19:15,359
Speaker 4: It was really an ex It was a It was

424
00:19:15,400 --> 00:19:17,240
Speaker 4: a feast all day long. And I had started it

425
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Speaker 4: off because a new Saint Go Tomaya was coming on

426
00:19:19,240 --> 00:19:21,199
Speaker 4: Sunday and we weren't going to be able to to

427
00:19:21,280 --> 00:19:23,919
Speaker 4: really get into the taco world on Sunday just in

428
00:19:23,960 --> 00:19:24,520
Speaker 4: Wine Country.

429
00:19:24,560 --> 00:19:26,119
Speaker 3: That didn't feel like we're going to deviate and go

430
00:19:26,119 --> 00:19:27,200
Speaker 3: into a full fiesta.

431
00:19:27,280 --> 00:19:30,560
Speaker 4: So I got there's a truck, taco truck right that

432
00:19:30,880 --> 00:19:32,800
Speaker 4: always is by their house and they never get it.

433
00:19:32,920 --> 00:19:36,240
Speaker 3: I'm like, let's check this out. Yeah, unbelievable, of course,

434
00:19:36,280 --> 00:19:37,640
Speaker 3: it was unbelievable.

435
00:19:37,680 --> 00:19:40,040
Speaker 4: Of course, tremendous. I'm like, you need you could walk

436
00:19:40,080 --> 00:19:41,760
Speaker 4: to this place. You should need to be every weekend,

437
00:19:41,760 --> 00:19:43,439
Speaker 4: you should be eating these thing. Yes, yeah, so we

438
00:19:43,480 --> 00:19:46,440
Speaker 4: got there. So anyways, a culinary light. So Sunday, which

439
00:19:46,480 --> 00:19:48,000
Speaker 4: is a long winded way of getting to this is

440
00:19:48,600 --> 00:19:50,640
Speaker 4: one of my two payas up there, but this might

441
00:19:50,680 --> 00:19:53,280
Speaker 4: be my This one just sums up so much in

442
00:19:53,320 --> 00:19:57,320
Speaker 4: one story. So we get up in the morning and

443
00:19:57,400 --> 00:20:00,000
Speaker 4: he is just he wants to leave for a while

444
00:20:00,240 --> 00:20:02,600
Speaker 4: country at ten thirty.

445
00:20:02,840 --> 00:20:03,960
Speaker 2: You're in the Helsburg area.

446
00:20:04,040 --> 00:20:04,840
Speaker 3: We're going to Healsburg.

447
00:20:04,840 --> 00:20:09,159
Speaker 4: So from your from Yes, it's about two hours calves

448
00:20:09,160 --> 00:20:10,400
Speaker 4: tip off at ten am.

449
00:20:10,240 --> 00:20:12,000
Speaker 3: By the way on this that's true day.

450
00:20:12,119 --> 00:20:12,720
Speaker 2: Yeah, that's right.

451
00:20:15,200 --> 00:20:15,520
Speaker 3: And so.

452
00:20:17,480 --> 00:20:19,600
Speaker 4: He wants we're going to we'll go in, we'll get

453
00:20:19,600 --> 00:20:23,360
Speaker 4: there like total thirty first tasting, roll through tastings. Then

454
00:20:23,400 --> 00:20:26,080
Speaker 4: we've got a dinner reservation at this place, Willie's, which

455
00:20:26,080 --> 00:20:28,840
Speaker 4: was one of the better, was phenomenal in Healdsburg.

456
00:20:32,160 --> 00:20:33,800
Speaker 3: And so he's like, all right, so we're gonna we'll

457
00:20:34,000 --> 00:20:39,600
Speaker 3: we'll eat at like ten and then we're going.

458
00:20:39,680 --> 00:20:42,440
Speaker 4: Then we're going and we'll go wine tasting and all this. Now,

459
00:20:42,480 --> 00:20:48,800
Speaker 4: as you know, I don't really eat until no, I

460
00:20:48,840 --> 00:20:51,280
Speaker 4: don't and not really I don't eat until lusch no,

461
00:20:54,520 --> 00:20:57,919
Speaker 4: So I just kind of suggested. I said, well, you know,

462
00:20:58,119 --> 00:21:01,920
Speaker 4: I don't eat breakfast, yep, making and they lovely thing

463
00:21:01,960 --> 00:21:03,560
Speaker 4: for a Kalash was thrilled with it. That's as I

464
00:21:03,800 --> 00:21:07,080
Speaker 4: don't need breakfast, yep, I said, But I can tell

465
00:21:07,119 --> 00:21:10,439
Speaker 4: you that even if I did eating at ten and

466
00:21:10,480 --> 00:21:13,320
Speaker 4: then me not eating food again until seven and seven

467
00:21:13,440 --> 00:21:16,840
Speaker 4: thirty at dinner is not It's not gonna happen. And

468
00:21:16,840 --> 00:21:18,639
Speaker 4: I'm not talking about it. Just a little charcoterie and

469
00:21:18,720 --> 00:21:21,159
Speaker 4: cheese board. It like I need lunch, Like that's just

470
00:21:21,200 --> 00:21:25,119
Speaker 4: the way my rhythm goes. He is not pleased with

471
00:21:25,200 --> 00:21:30,640
Speaker 4: the notion that I need lunch, And basically it's like, well,

472
00:21:30,680 --> 00:21:32,360
Speaker 4: then what we'll do is we'll go to a winery

473
00:21:32,440 --> 00:21:33,480
Speaker 4: and then we're gonna drive.

474
00:21:33,320 --> 00:21:35,240
Speaker 3: Twenty minutes in the opposite direction.

475
00:21:35,600 --> 00:21:37,879
Speaker 4: I will go to lunch and we'll drive twenty minutes

476
00:21:37,920 --> 00:21:39,400
Speaker 4: back when all the wineries are.

477
00:21:39,320 --> 00:21:39,880
Speaker 3: Just right here.

478
00:21:40,600 --> 00:21:43,200
Speaker 4: And I'm like, okay, look, it's like I got one

479
00:21:43,240 --> 00:21:46,359
Speaker 4: taco left over. I said, I'll take a road taco

480
00:21:47,119 --> 00:21:48,520
Speaker 4: and I said, I'll bring it and I'll have a

481
00:21:48,520 --> 00:21:53,640
Speaker 4: protein bar yep, And I'll eat that like as we're

482
00:21:53,640 --> 00:21:56,160
Speaker 4: getting there, around twelve twelve thirty, and then you know,

483
00:21:56,320 --> 00:21:58,240
Speaker 4: maybe we can find a snack in the afternoon or

484
00:21:58,280 --> 00:21:58,639
Speaker 4: something like that.

485
00:22:02,040 --> 00:22:03,720
Speaker 3: Don't make it, don't make a mess with the road talck,

486
00:22:03,800 --> 00:22:04,240
Speaker 3: don't worry.

487
00:22:04,680 --> 00:22:07,640
Speaker 4: Yeah, I got yeah, yeah, drive a roadtack all over

488
00:22:07,640 --> 00:22:14,359
Speaker 4: the place. So we go, we go, and and my

489
00:22:14,520 --> 00:22:16,879
Speaker 4: dad drives an automobile. I should have added this in.

490
00:22:17,760 --> 00:22:21,520
Speaker 4: And listen, he's getting older. Eyesight's as good. He's very

491
00:22:21,560 --> 00:22:24,280
Speaker 4: cautious now, which is good because he's here, he's he

492
00:22:24,359 --> 00:22:25,479
Speaker 4: has out there.

493
00:22:25,560 --> 00:22:31,479
Speaker 3: Yeah, there's oh my god, outrageous. So two things when

494
00:22:31,480 --> 00:22:31,960
Speaker 3: he's driving.

495
00:22:32,040 --> 00:22:35,440
Speaker 4: One is he observes a car and this car could

496
00:22:35,480 --> 00:22:38,320
Speaker 4: be stopped a thousand feet ahead. Sure, he will begin

497
00:22:38,400 --> 00:22:41,200
Speaker 4: pumping the brakes like it's a seventy three Chevy before

498
00:22:41,280 --> 00:22:44,119
Speaker 4: anti lock brakes were instituted.

499
00:22:44,560 --> 00:22:45,280
Speaker 3: So it's just like a.

500
00:22:47,000 --> 00:22:50,680
Speaker 4: You're like everybody's rocking around. Miss Kake gets a little

501
00:22:50,680 --> 00:22:52,600
Speaker 4: car sick because she she is not a fan of that.

502
00:22:52,880 --> 00:22:55,240
Speaker 4: And then the other thing was he's committed to listening

503
00:22:55,280 --> 00:23:00,000
Speaker 4: to over the air radio okay, which is great. Loves me,

504
00:23:00,200 --> 00:23:02,439
Speaker 4: it's got them all programmed in. He's very excited about it.

505
00:23:03,000 --> 00:23:03,160
Speaker 5: Now.

506
00:23:03,240 --> 00:23:05,680
Speaker 4: The problem is when you drive in certain places, signals

507
00:23:05,680 --> 00:23:06,359
Speaker 4: don't get there.

508
00:23:06,560 --> 00:23:07,159
Speaker 2: No they're not.

509
00:23:07,240 --> 00:23:08,880
Speaker 3: So you hear like, a.

510
00:23:08,560 --> 00:23:13,000
Speaker 2: I do anything for you.

511
00:23:14,280 --> 00:23:18,639
Speaker 4: Okay, Normally if you hear that, you would change the station.

512
00:23:20,280 --> 00:23:22,919
Speaker 4: At a minimum, we'll go ahead and turn that volume

513
00:23:22,960 --> 00:23:24,320
Speaker 4: down when we're just in straight stack.

514
00:23:24,400 --> 00:23:28,119
Speaker 3: But unfazed, unfaced. So finally by the last day, I

515
00:23:28,119 --> 00:23:28,400
Speaker 3: got to.

516
00:23:28,320 --> 00:23:30,760
Speaker 4: Take the Carnivan a coffee run and I like or

517
00:23:30,800 --> 00:23:32,520
Speaker 4: the next the last day, and then I hooked up

518
00:23:32,560 --> 00:23:34,119
Speaker 4: my phone so that we could just play off of

519
00:23:34,160 --> 00:23:34,879
Speaker 4: my Spotify.

520
00:23:35,359 --> 00:23:37,159
Speaker 3: I was like, can welcome to twenty twenty four? You

521
00:23:37,200 --> 00:23:38,480
Speaker 3: know you don't work? Yeah, you don't.

522
00:23:38,760 --> 00:23:41,080
Speaker 4: You can have any playlist you want, whatever you want,

523
00:23:41,119 --> 00:23:44,439
Speaker 4: whatever you want without static. It's really amazing. So we

524
00:23:44,480 --> 00:23:48,480
Speaker 4: got here, right, So we get up there. We go

525
00:23:48,520 --> 00:23:49,560
Speaker 4: to the first place, chock Hill.

526
00:23:49,600 --> 00:23:50,160
Speaker 3: He's a member.

527
00:23:50,280 --> 00:23:52,400
Speaker 4: He's all fired up there like we don't have reservations.

528
00:23:52,720 --> 00:23:54,280
Speaker 4: But he's like, oh, I'm a member, you know, can you.

529
00:23:54,280 --> 00:23:54,800
Speaker 3: Help me out?

530
00:23:56,520 --> 00:23:58,199
Speaker 4: Okay, So they help us out. So this guy who

531
00:23:58,280 --> 00:24:00,480
Speaker 4: we just meet sits us down. We got our first

532
00:24:00,480 --> 00:24:04,480
Speaker 4: glass of wine and this guy is just making conversations.

533
00:24:10,680 --> 00:24:15,000
Speaker 4: He then asks, so where are you guys going after this?

534
00:24:16,560 --> 00:24:22,000
Speaker 3: To which my father replies, this is a direct cook lunch.

535
00:24:22,040 --> 00:24:33,680
Speaker 3: Apparently lunch apparently discussed.

536
00:24:33,560 --> 00:24:35,880
Speaker 4: Discuss it, and this guy is like, what, I don't

537
00:24:35,880 --> 00:24:39,320
Speaker 4: even know talking about getting lunch, Like lunch sounds like

538
00:24:39,359 --> 00:24:40,320
Speaker 4: a nice launch.

539
00:24:41,680 --> 00:24:41,920
Speaker 6: Lunch.

540
00:24:44,119 --> 00:24:47,560
Speaker 3: Why why not? Apparently Sue is like I was a

541
00:24:47,600 --> 00:24:49,360
Speaker 3: Spitzer whine. I'm crying.

542
00:24:49,480 --> 00:24:57,400
Speaker 4: I'm like howling, laughing, rolling her eyes. To me, that

543
00:24:57,440 --> 00:25:00,719
Speaker 4: more than anything, just sums up now. Narrator would have

544
00:25:00,720 --> 00:25:02,240
Speaker 4: gone to tell you we had a lovely time taste.

545
00:25:02,280 --> 00:25:03,639
Speaker 4: We end up going across the street at Roths. We

546
00:25:03,680 --> 00:25:06,000
Speaker 4: taste over there. We ended up not having lunch. I

547
00:25:06,000 --> 00:25:08,000
Speaker 4: made the protein bar thing work and then we got

548
00:25:08,040 --> 00:25:11,439
Speaker 4: in and uh and ended up getting back, went to

549
00:25:11,440 --> 00:25:14,439
Speaker 4: dinner and had a wonderful meal at Willy's, which is

550
00:25:14,480 --> 00:25:21,000
Speaker 4: like a colectic Italian Mexican Asian sushi tapis.

551
00:25:21,200 --> 00:25:23,160
Speaker 3: So it was all my favorite things.

552
00:25:23,160 --> 00:25:25,520
Speaker 4: They had a port belly taco that was just to

553
00:25:25,600 --> 00:25:27,560
Speaker 4: die for, and yes, cocktails only by the time we

554
00:25:27,600 --> 00:25:29,959
Speaker 4: got to dinner. But yeah, lunch. Apparently to me, that

555
00:25:30,040 --> 00:25:32,280
Speaker 4: was like that's it. He's got another one. That's pretty

556
00:25:32,280 --> 00:25:33,360
Speaker 4: I'm gonna I'm gonna.

557
00:25:33,359 --> 00:25:34,239
Speaker 2: Maybe parcel these out.

558
00:25:34,280 --> 00:25:35,760
Speaker 4: I'm gonna set it up for you the break and

559
00:25:35,800 --> 00:25:37,440
Speaker 4: then you tell me if if it's okay, if you

560
00:25:37,520 --> 00:25:41,159
Speaker 4: can make their make what this is a This is

561
00:25:41,200 --> 00:25:42,800
Speaker 4: a place that a lot of people want to go to.

562
00:25:43,600 --> 00:25:46,080
Speaker 3: It's been I was there in.

563
00:25:46,800 --> 00:25:48,840
Speaker 4: We saw your hotel right down to and Willie's was

564
00:25:48,920 --> 00:25:52,080
Speaker 4: right right. Willie's is right there. I bet it had

565
00:25:52,080 --> 00:25:52,439
Speaker 4: to be there.

566
00:25:52,440 --> 00:25:54,040
Speaker 3: I bet it was. It's been there for a long time.

567
00:25:54,040 --> 00:25:54,840
Speaker 3: It's like an institution.

568
00:25:55,080 --> 00:25:55,280
Speaker 1: Yeah.

569
00:25:55,320 --> 00:25:57,560
Speaker 2: We the night we got engaged, we ate at there.

570
00:25:57,640 --> 00:25:59,760
Speaker 2: I want to say it was. It was either a

571
00:25:59,840 --> 00:26:03,359
Speaker 2: Trotter's or Charlie Palmer rests right there right in the hotel,

572
00:26:03,920 --> 00:26:06,800
Speaker 2: like the Dry Creek. Yep, that's it. Yeah, we ate

573
00:26:06,840 --> 00:26:09,760
Speaker 2: there and so we got engaged that night. That was

574
00:26:09,800 --> 00:26:14,080
Speaker 2: when like I'll tell this, I'll tell a reader's I

575
00:26:14,160 --> 00:26:16,480
Speaker 2: just version of this story. So I had set it

576
00:26:16,560 --> 00:26:18,720
Speaker 2: up to where I'd given him ahead and we were

577
00:26:18,720 --> 00:26:19,240
Speaker 2: going to get that.

578
00:26:19,359 --> 00:26:20,400
Speaker 3: I was going to pop the question.

579
00:26:20,600 --> 00:26:22,520
Speaker 2: So we go down to dinner, then you get the room, right,

580
00:26:22,560 --> 00:26:25,560
Speaker 2: So we did roses and rose petals and champagne and

581
00:26:25,640 --> 00:26:28,520
Speaker 2: all of this stuff, and yeah, sure great, Uh you

582
00:26:28,560 --> 00:26:30,720
Speaker 2: know set the mood. I'm like, we can't do candles

583
00:26:30,720 --> 00:26:32,960
Speaker 2: as a hotel. So then we got like some electric

584
00:26:33,000 --> 00:26:34,960
Speaker 2: candles or whatever, all of this stuff to do this

585
00:26:35,240 --> 00:26:38,480
Speaker 2: ultra romantic thing. And I won't get into all the detail,

586
00:26:38,520 --> 00:26:40,800
Speaker 2: but one of the things I said was is at

587
00:26:40,800 --> 00:26:44,399
Speaker 2: that time it was Jack Johnson was something that was

588
00:26:44,480 --> 00:26:46,320
Speaker 2: on the playlist, right, So I said, he you'll get

589
00:26:46,320 --> 00:26:48,480
Speaker 2: me a little Jack Johnson in here and we'll we'll

590
00:26:48,480 --> 00:26:52,320
Speaker 2: do it up. So I walk into the room. You know,

591
00:26:52,359 --> 00:26:54,080
Speaker 2: you're a little I knew the answer with the that

592
00:26:54,080 --> 00:26:55,359
Speaker 2: I knew I was gonna get a yes. But at

593
00:26:55,359 --> 00:26:57,320
Speaker 2: the same time, like you wanted to go right. So

594
00:26:57,359 --> 00:27:01,200
Speaker 2: we opened the door to the room and my wife knows,

595
00:27:01,359 --> 00:27:05,679
Speaker 2: my now wife knows what's coming, and they forgot to play.

596
00:27:06,320 --> 00:27:08,960
Speaker 2: They forgot to put the CD in. So instead of

597
00:27:10,160 --> 00:27:12,640
Speaker 2: We're always better together, whatever the hell some Jack Johnson

598
00:27:12,720 --> 00:27:14,840
Speaker 2: song instead of that. And literally you could have just

599
00:27:14,880 --> 00:27:16,960
Speaker 2: put on any Jacked any of it would have been fine.

600
00:27:16,960 --> 00:27:19,400
Speaker 2: Nora Jones at that time, Daved Matthews, There's a million.

601
00:27:19,240 --> 00:27:21,080
Speaker 3: Things that would have worked, many many things.

602
00:27:21,359 --> 00:27:30,200
Speaker 2: I got engaged to Lenny Kravitz, American woman, American woman,

603
00:27:31,760 --> 00:27:32,840
Speaker 2: I mean Ellie.

604
00:27:34,560 --> 00:27:37,760
Speaker 4: She could have thought that was intentional was booming. She

605
00:27:37,800 --> 00:27:39,359
Speaker 4: could have thought that was intention, but I couldn't.

606
00:27:39,400 --> 00:27:41,879
Speaker 2: I'm not gonna stop it. I'm in the thrusts of it.

607
00:27:42,000 --> 00:27:44,359
Speaker 4: You're like, excuse me, let's get jack job honey, Can

608
00:27:44,400 --> 00:27:44,959
Speaker 4: I hold on?

609
00:27:45,280 --> 00:27:47,199
Speaker 2: I just you know she you just went for it.

610
00:27:47,280 --> 00:27:48,399
Speaker 2: I just went what are you gonna do?

611
00:27:48,520 --> 00:27:50,120
Speaker 3: And success? Yeah? American.

612
00:27:51,800 --> 00:27:55,560
Speaker 2: What is amazing is is the area you were there

613
00:27:55,600 --> 00:27:58,800
Speaker 2: are a thousand sandwich shops. To his defense, once you

614
00:27:58,880 --> 00:28:02,040
Speaker 2: get into it, it is hard to find places. You know,

615
00:28:02,119 --> 00:28:05,040
Speaker 2: you get like a stick of bread at the yeasting,

616
00:28:05,160 --> 00:28:07,639
Speaker 2: like those bread things. But like when there aren't restaurants,

617
00:28:07,640 --> 00:28:10,120
Speaker 2: once you get into the wine, you're in the wineries

618
00:28:10,240 --> 00:28:12,840
Speaker 2: exactly a lot of people like going there.

619
00:28:12,880 --> 00:28:16,280
Speaker 3: What is we ate at the sandwich shop? The troubadour? Yeah?

620
00:28:17,080 --> 00:28:17,919
Speaker 3: Quite good?

621
00:28:18,000 --> 00:28:21,840
Speaker 2: That on the last das absolutely so you've got uh

622
00:28:22,160 --> 00:28:24,760
Speaker 2: what is the one thing you would tell people? What's

623
00:28:24,760 --> 00:28:26,600
Speaker 2: your one piece of advice for people who would want

624
00:28:26,600 --> 00:28:29,520
Speaker 2: to go out there to Healsburg, to that area, to

625
00:28:29,640 --> 00:28:32,399
Speaker 2: wine cuntry at large? What would you because if it's overwhelming,

626
00:28:32,960 --> 00:28:36,720
Speaker 2: it can be overwhelmings up, Yes, we're back.

627
00:28:37,840 --> 00:28:39,520
Speaker 4: I want to I do have to give him might

628
00:28:39,560 --> 00:28:43,640
Speaker 4: add one last little shout out. He is very knowledgeable

629
00:28:43,800 --> 00:28:48,160
Speaker 4: about wine and he it can be incredibly charming. And

630
00:28:48,200 --> 00:28:50,440
Speaker 4: so when you combine that he got all the wine

631
00:28:50,480 --> 00:28:53,720
Speaker 4: poores to like love us very quickly. Yep, with his

632
00:28:53,840 --> 00:28:57,640
Speaker 4: knowledge and comedy, and so we got we did get

633
00:28:57,680 --> 00:28:59,200
Speaker 4: lots of ports. So I think if you do your

634
00:28:59,200 --> 00:29:01,080
Speaker 4: homework and know what you're talking about, that's gonna get

635
00:29:01,080 --> 00:29:01,880
Speaker 4: you some extra.

636
00:29:01,680 --> 00:29:03,800
Speaker 3: Ports, which is extra ports are wonderful.

637
00:29:04,200 --> 00:29:05,840
Speaker 4: What I would say is, you got to go to

638
00:29:05,920 --> 00:29:08,960
Speaker 4: Naple once in your life. You're gonna pay a lot

639
00:29:08,960 --> 00:29:12,640
Speaker 4: for tastings. You really probably should have everything scheduled out

640
00:29:12,720 --> 00:29:14,240
Speaker 4: or get on one of the trips where they get

641
00:29:14,240 --> 00:29:16,080
Speaker 4: you into certain places that you would want to go.

642
00:29:17,000 --> 00:29:19,720
Speaker 4: It's obviously much much more expensive, and then the wines

643
00:29:19,760 --> 00:29:22,719
Speaker 4: are much more expensive just because of the NAPA area

644
00:29:22,760 --> 00:29:25,040
Speaker 4: and prestige that you know you could some places will

645
00:29:25,080 --> 00:29:27,400
Speaker 4: have their entry level cabs at like one p fifty.

646
00:29:29,120 --> 00:29:31,920
Speaker 3: It's beautiful. Go to Castel Damrosa. It's a guy.

647
00:29:32,120 --> 00:29:37,400
Speaker 4: This billionaire guy basically built a I think it's a

648
00:29:37,480 --> 00:29:42,000
Speaker 4: fourteenth century Tuscan castle. What if everything is actually all

649
00:29:42,080 --> 00:29:44,520
Speaker 4: the stones are for a Midaly, All of the Frescoes

650
00:29:44,560 --> 00:29:47,000
Speaker 4: are actually originals for a Midaly from that time period.

651
00:29:47,280 --> 00:29:49,200
Speaker 4: It's one of the most incredible things ever. And they've

652
00:29:49,200 --> 00:29:51,080
Speaker 4: got pretty solid wine. But just a cool place to visit.

653
00:29:52,080 --> 00:29:57,560
Speaker 4: But Healsburg, what's awesome about it is that we went

654
00:29:57,600 --> 00:30:02,160
Speaker 4: to many wineries where most wines were under fifty dollars

655
00:30:02,440 --> 00:30:04,680
Speaker 4: and we're still very very good. You might get the

656
00:30:04,720 --> 00:30:07,120
Speaker 4: occasional that could get up to the hundred area, but

657
00:30:07,920 --> 00:30:10,520
Speaker 4: it was very reasonably price. These are wines that you

658
00:30:10,560 --> 00:30:13,560
Speaker 4: could have for any special occasion, feel very good about

659
00:30:13,560 --> 00:30:15,960
Speaker 4: serving them, or they're priced well enough that they could

660
00:30:15,960 --> 00:30:19,120
Speaker 4: be your you know, everyday wine or whatever you're having

661
00:30:19,120 --> 00:30:21,120
Speaker 4: at home. And so I thought Healsburg from that standpoint

662
00:30:21,200 --> 00:30:24,640
Speaker 4: was really really cool. The city is very cool and

663
00:30:24,680 --> 00:30:27,680
Speaker 4: it's very pretty. Napa has some just spectacular vistas if

664
00:30:27,680 --> 00:30:30,920
Speaker 4: you get up to someone like the Mountain wineries, and

665
00:30:31,080 --> 00:30:33,720
Speaker 4: but it's you got if you like wine.

666
00:30:34,200 --> 00:30:35,880
Speaker 3: If you love wine, it's a no brainer. If you

667
00:30:36,000 --> 00:30:39,440
Speaker 3: like wine, it's it's just sit out there amongst the

668
00:30:39,560 --> 00:30:43,720
Speaker 3: vines and the sun. It's surreal. It's places on Earth.

669
00:30:43,760 --> 00:30:46,000
Speaker 2: And I think even if one of you likes wine

670
00:30:46,000 --> 00:30:48,040
Speaker 2: and the other doesn't, doesn't matter you're gonna be. It

671
00:30:48,080 --> 00:30:49,920
Speaker 2: tastes different there. It's just it does.

672
00:30:49,760 --> 00:30:51,200
Speaker 3: Taste it's all of it.

673
00:30:51,200 --> 00:30:54,880
Speaker 2: It's funny. I found the email from so my buddy's

674
00:30:54,920 --> 00:31:01,520
Speaker 2: sister married the guy who operates uh Fritz Winery, which

675
00:31:01,560 --> 00:31:05,000
Speaker 2: is in in uh in that that area, so Forts Winery,

676
00:31:05,040 --> 00:31:07,840
Speaker 2: and it was right up from Dutcher Crossing, which is

677
00:31:07,840 --> 00:31:09,880
Speaker 2: similar to like Ferrari Corona and all of that's kind

678
00:31:09,880 --> 00:31:12,160
Speaker 2: of up in there. And I found the list of

679
00:31:12,240 --> 00:31:15,640
Speaker 2: restaurants that she gave me, so uh and this was

680
00:31:15,640 --> 00:31:16,920
Speaker 2: the one that I was thinking. So we we did

681
00:31:17,000 --> 00:31:18,960
Speaker 2: eat at Dry Creepy Kitchen, So that's the place where

682
00:31:19,000 --> 00:31:21,560
Speaker 2: we ate. That's where the American woman happened. And then

683
00:31:21,560 --> 00:31:24,680
Speaker 2: we ate it ate at Madrone of Manor, which was

684
00:31:24,720 --> 00:31:27,480
Speaker 2: a that was like an old like mansion that was

685
00:31:27,480 --> 00:31:30,240
Speaker 2: like a little bit out but that was really really

686
00:31:30,240 --> 00:31:32,080
Speaker 2: cool and romantic. The other one she gave me were

687
00:31:33,000 --> 00:31:38,280
Speaker 2: Bar Diva, Bistro, Ralph Senne Luna. Some of these might

688
00:31:38,280 --> 00:31:41,360
Speaker 2: not I don't think anymore Man's Anita. Those were all

689
00:31:41,360 --> 00:31:42,080
Speaker 2: in Hillsburg.

690
00:31:42,480 --> 00:31:44,240
Speaker 3: Will add Willies to the list if you're listening.

691
00:31:46,040 --> 00:31:47,680
Speaker 2: Yeah, I have. I actually have the email from the

692
00:31:47,680 --> 00:31:48,440
Speaker 2: Hotel Heilsberg.

693
00:31:48,440 --> 00:31:48,880
Speaker 3: It's funny.

694
00:31:48,880 --> 00:31:52,760
Speaker 2: I searched Helsburg and I have the email. It's apologizing for.

695
00:31:55,320 --> 00:31:55,440
Speaker 3: You.

696
00:31:55,480 --> 00:31:58,560
Speaker 4: Blew it boy, you had one job. It worked out,

697
00:31:58,840 --> 00:32:01,040
Speaker 4: It worked okay, it worked out all right. We got

698
00:32:01,040 --> 00:32:03,200
Speaker 4: a lot to get to. I look at it.

699
00:32:03,400 --> 00:32:04,560
Speaker 3: I don't know. Actually we don't.

700
00:32:04,640 --> 00:32:07,360
Speaker 2: It's a lie. There's nothing going on. Like Jimmie and

701
00:32:07,360 --> 00:32:10,360
Speaker 2: I were talking about this yesterday. NFL wise, I don't

702
00:32:10,360 --> 00:32:13,440
Speaker 2: ever recall anything as quiet, the fact that the schedule

703
00:32:13,480 --> 00:32:15,520
Speaker 2: didn't come out this week. It's coming out next week.

704
00:32:16,080 --> 00:32:18,320
Speaker 2: Between the draft and now, there's been nothing. In the

705
00:32:18,400 --> 00:32:20,640
Speaker 2: lead up to the draft, there was nothing. It's just

706
00:32:20,680 --> 00:32:22,640
Speaker 2: a really quiet time in the sport.

707
00:32:22,760 --> 00:32:24,520
Speaker 3: We can talk about the roast. Did you watch that

708
00:32:24,880 --> 00:32:25,280
Speaker 3: we did?

709
00:32:25,480 --> 00:32:25,680
Speaker 2: Yeah?

710
00:32:25,680 --> 00:32:26,480
Speaker 3: We did, we did.

711
00:32:26,640 --> 00:32:26,800
Speaker 5: Yeah.

712
00:32:27,040 --> 00:32:27,240
Speaker 3: Yeah.

713
00:32:27,240 --> 00:32:28,120
Speaker 2: We get a lot. You get a lot of the

714
00:32:28,120 --> 00:32:29,640
Speaker 2: stuff we can weigh in on here. We're often running.

715
00:32:29,640 --> 00:32:32,360
Speaker 2: You listen to Cleveland Runs Daily on eight fifty ESPN Cleveland.

716
00:32:40,160 --> 00:32:43,320
Speaker 1: Cleveland Browns Daily, brought to you by Balley Bed Now

717
00:32:43,480 --> 00:32:47,080
Speaker 1: Live in Ohio on eight fifty esp and Cleveland.

718
00:32:57,400 --> 00:33:00,440
Speaker 2: Tickets for on sale now for WW SummerSlam Maybe in

719
00:33:00,440 --> 00:33:03,320
Speaker 2: the Round Stadium. Saturday, August third was a Cluveland Browns

720
00:33:03,360 --> 00:33:07,400
Speaker 2: dot com, slash w W SummerSlam to purchase your tickets today.

721
00:33:07,520 --> 00:33:08,000
Speaker 3: The start of.

722
00:33:08,120 --> 00:33:13,080
Speaker 2: Rookie Mini camp is coming. Rookies arrived today and then

723
00:33:13,120 --> 00:33:16,080
Speaker 2: Friday through Sunday. Some orientation, a little bit of meetings

724
00:33:16,120 --> 00:33:18,760
Speaker 2: and field work on that side of things. So we'll

725
00:33:18,760 --> 00:33:19,720
Speaker 2: get our look at these guys.

726
00:33:19,880 --> 00:33:22,080
Speaker 3: Sue enjoyed the recap said hi to bow and Gibbet.

727
00:33:22,400 --> 00:33:25,000
Speaker 3: Oh God bless Sue. Yes, please, Yes.

728
00:33:24,920 --> 00:33:26,320
Speaker 2: How's what's Pedro up to today?

729
00:33:27,480 --> 00:33:30,600
Speaker 3: I don't know, I don't know. Let me know.

730
00:33:30,640 --> 00:33:33,239
Speaker 4: He probably on that he's probably disputing some of the

731
00:33:33,240 --> 00:33:35,280
Speaker 4: facts that were that were laid for.

732
00:33:35,840 --> 00:33:36,320
Speaker 3: I don't think so.

733
00:33:36,360 --> 00:33:39,000
Speaker 4: I think it was a pretty good I think it.

734
00:33:38,960 --> 00:33:41,840
Speaker 2: Was probably a tame version and very inaccurate, but also

735
00:33:42,560 --> 00:33:46,520
Speaker 2: uh somewhat muted version of the real truth. There's a

736
00:33:46,520 --> 00:33:48,480
Speaker 2: little yeah, you did a nice job as a sun

737
00:33:48,520 --> 00:33:49,840
Speaker 2: You did a good job. I think so it was

738
00:33:49,880 --> 00:33:50,400
Speaker 2: very exact.

739
00:33:50,560 --> 00:33:51,640
Speaker 3: It really was. It was a great trip.

740
00:33:52,080 --> 00:33:54,280
Speaker 2: Did you guys make the juice you mentioned the roast

741
00:33:54,320 --> 00:33:56,360
Speaker 2: we talked about a little bit on Monday. Did you

742
00:33:57,080 --> 00:34:00,280
Speaker 2: let me ask you this forget the well, you can

743
00:34:00,320 --> 00:34:02,000
Speaker 2: get into that stuff too, But why do you think

744
00:34:02,000 --> 00:34:02,360
Speaker 2: he did.

745
00:34:02,360 --> 00:34:06,760
Speaker 4: It sounded like you got thirty million bucks.

746
00:34:06,920 --> 00:34:08,239
Speaker 2: Oh, that's what it was.

747
00:34:08,400 --> 00:34:10,000
Speaker 3: That's what I read. I don't know if it was.

748
00:34:10,000 --> 00:34:11,960
Speaker 2: Oh, I never saw a number attached to it.

749
00:34:12,000 --> 00:34:12,600
Speaker 3: I think thirty.

750
00:34:13,600 --> 00:34:14,400
Speaker 2: Well does he need that?

751
00:34:15,480 --> 00:34:17,360
Speaker 3: I think about the somebody.

752
00:34:17,160 --> 00:34:18,640
Speaker 4: Said, hey, you got to sit here and people are

753
00:34:18,640 --> 00:34:21,040
Speaker 4: gonna tell jokes for two hours for thirty million bucks,

754
00:34:21,080 --> 00:34:23,920
Speaker 4: I'd be like, sure. I'm also not Tom Brady, but

755
00:34:23,960 --> 00:34:25,520
Speaker 4: I think but I just.

756
00:34:25,840 --> 00:34:30,000
Speaker 2: Because of the the newness of the Giselle stuff, well,

757
00:34:30,040 --> 00:34:35,440
Speaker 2: some of those were vitriolic, brutal Nickicky Glazer won the

758
00:34:35,800 --> 00:34:38,520
Speaker 2: She won it. She was the winner. Her set alone.

759
00:34:38,800 --> 00:34:42,799
Speaker 6: Was by the way, so she was on Howard the

760
00:34:42,840 --> 00:34:46,120
Speaker 6: next day, and she went through all the jokes that

761
00:34:46,239 --> 00:34:47,120
Speaker 6: she couldn't use.

762
00:34:47,200 --> 00:34:49,000
Speaker 3: That's right, it were so easy.

763
00:34:49,080 --> 00:34:51,560
Speaker 2: She must have. By the way, you got to tip

764
00:34:51,600 --> 00:34:56,080
Speaker 2: your hat to her because she obviously knew that she

765
00:34:56,239 --> 00:34:58,839
Speaker 2: was going to throw one hundred and eighty. Because to

766
00:34:58,880 --> 00:35:03,200
Speaker 2: get from Los Angeles, US Sunday to in studio Howard Stern,

767
00:35:03,320 --> 00:35:06,400
Speaker 2: New York Monday morning means that she left would have

768
00:35:06,400 --> 00:35:08,759
Speaker 2: had to have leave as soon as the roast was over.

769
00:35:09,080 --> 00:35:10,839
Speaker 2: She would have been had been on a private plane

770
00:35:10,880 --> 00:35:13,319
Speaker 2: in New York and to be on Howard the next day.

771
00:35:13,600 --> 00:35:15,959
Speaker 2: So either somebody got in touch with her very quickly

772
00:35:16,000 --> 00:35:19,000
Speaker 2: and said we need you New York today, or she

773
00:35:19,120 --> 00:35:23,759
Speaker 2: knew and had that planned out, like how quickly can

774
00:35:23,800 --> 00:35:26,719
Speaker 2: you get from how quickly can you make arrangements to

775
00:35:26,760 --> 00:35:29,000
Speaker 2: get a plane from Los Angeles to New York? How

776
00:35:29,080 --> 00:35:30,040
Speaker 2: much notice do you need?

777
00:35:30,760 --> 00:35:33,359
Speaker 4: If it wasn't a certain level, not well it would

778
00:35:33,400 --> 00:35:36,920
Speaker 4: be it would take that certain level lanes in LA.

779
00:35:37,120 --> 00:35:38,880
Speaker 2: She wouldn't be at that level, but Howard would be

780
00:35:38,880 --> 00:35:40,200
Speaker 2: at that there where he could say.

781
00:35:40,080 --> 00:35:40,520
Speaker 3: I need her.

782
00:35:40,600 --> 00:35:43,239
Speaker 4: There are planes around for sure, So there, I think.

783
00:35:43,280 --> 00:35:44,840
Speaker 4: I don't think it'd be that hard to just be

784
00:35:44,880 --> 00:35:45,400
Speaker 4: like I have to go.

785
00:35:45,400 --> 00:35:47,680
Speaker 2: Down here, you're on we need you on Howard tomorrow morning.

786
00:35:47,920 --> 00:35:50,520
Speaker 3: Or it was like we're going to have this booked

787
00:35:50,520 --> 00:35:51,719
Speaker 3: and if you kill.

788
00:35:51,719 --> 00:35:55,680
Speaker 2: It's possible. Somebody knew she would kill and said, hey, trust.

789
00:35:55,400 --> 00:35:59,279
Speaker 4: Us, yeah, yeah, yeah, yeah, that's yeah, and kill she did.

790
00:35:59,719 --> 00:36:02,799
Speaker 4: I'm I takeaways just like kind of high level. And

791
00:36:02,840 --> 00:36:05,000
Speaker 4: I didn't watch the whole thing through, although I heard

792
00:36:05,000 --> 00:36:06,400
Speaker 4: there are some things that have been edited out for

793
00:36:06,480 --> 00:36:07,560
Speaker 4: when I do watch the whole thing.

794
00:36:07,440 --> 00:36:09,520
Speaker 2: Through Yeah, the Kardashian stuffy how can they do that?

795
00:36:10,239 --> 00:36:11,600
Speaker 2: How do they have that power to do that?

796
00:36:12,000 --> 00:36:12,919
Speaker 3: And why would they care?

797
00:36:13,080 --> 00:36:15,600
Speaker 2: Why would they care? It's worse the other way.

798
00:36:15,719 --> 00:36:20,200
Speaker 3: It's worse, agreed by the way he's putting away wine

799
00:36:20,239 --> 00:36:21,359
Speaker 3: and laughing here and there.

800
00:36:21,600 --> 00:36:23,560
Speaker 4: So I feel like that's it. I feel like that's

801
00:36:23,560 --> 00:36:29,360
Speaker 4: a win. An occasional chuckle, an occasional chuckle. So my

802
00:36:29,520 --> 00:36:34,279
Speaker 4: top level things were number one. I give him a

803
00:36:34,280 --> 00:36:39,000
Speaker 4: lot of credit because clearly nothing regarding him anyway was

804
00:36:39,160 --> 00:36:39,800
Speaker 4: off limits.

805
00:36:40,000 --> 00:36:42,600
Speaker 3: I mean, he got annihilated.

806
00:36:42,840 --> 00:36:45,880
Speaker 2: They did say that they you know, they were relatively

807
00:36:45,880 --> 00:36:48,600
Speaker 2: good to the kids, but the kids took some some

808
00:36:48,760 --> 00:36:51,040
Speaker 2: side blows, some glancing blows for sure.

809
00:36:51,120 --> 00:36:53,160
Speaker 3: Well part of it was his fault.

810
00:36:53,360 --> 00:36:55,160
Speaker 2: Absolutely, no, no, no question.

811
00:36:55,560 --> 00:37:00,359
Speaker 4: Yeah, I thought, has anybody heard anything more about when

812
00:37:00,360 --> 00:37:02,000
Speaker 4: he went up to Jeffrey because I saw the clip

813
00:37:02,040 --> 00:37:02,239
Speaker 4: of that.

814
00:37:02,400 --> 00:37:05,120
Speaker 2: Yes, Klazier talked about that on Stern and said that

815
00:37:05,560 --> 00:37:07,880
Speaker 2: she thought that her feeling was that that was performance

816
00:37:08,000 --> 00:37:11,080
Speaker 2: art because of how much he loves craft, but that

817
00:37:11,200 --> 00:37:12,920
Speaker 2: in fact he was not mad a Jeff Ross at all.

818
00:37:12,960 --> 00:37:15,719
Speaker 2: In fact, Ross was on something and he was on

819
00:37:15,760 --> 00:37:18,800
Speaker 2: a podcast Monday and was like no, nothing, nothing to that.

820
00:37:19,320 --> 00:37:20,799
Speaker 2: It was just part It was more part more of

821
00:37:20,880 --> 00:37:24,319
Speaker 2: performance art for craft, like that I got your back.

822
00:37:24,480 --> 00:37:26,160
Speaker 3: Yeah, yeah, that's all. That's what it was. Did you

823
00:37:26,160 --> 00:37:28,200
Speaker 3: see that? Edelman said that you could cut the tension

824
00:37:28,239 --> 00:37:29,720
Speaker 3: with a knife between.

825
00:37:29,840 --> 00:37:33,319
Speaker 2: That was probably my favorite behind the scenes was him

826
00:37:33,320 --> 00:37:35,680
Speaker 2: telling the story of Belichick, like talking to all of

827
00:37:35,719 --> 00:37:38,359
Speaker 2: his boys, and then Kraft walks into the room.

828
00:37:38,800 --> 00:37:41,680
Speaker 6: He's trying to get Belichick's attention. He's like five oh

829
00:37:41,760 --> 00:37:42,360
Speaker 6: five oh.

830
00:37:42,400 --> 00:37:46,120
Speaker 2: Yright and then the two of that, So yeah, I

831
00:37:46,120 --> 00:37:46,759
Speaker 2: mean he did.

832
00:37:46,840 --> 00:37:50,840
Speaker 4: He definitely called down there and nuked him.

833
00:37:50,960 --> 00:37:56,400
Speaker 2: That's to Atlanta, Yes, yeah, and then he tried to

834
00:37:56,440 --> 00:37:58,040
Speaker 2: save face in the roast by like this is the

835
00:37:58,040 --> 00:38:01,200
Speaker 2: greatest coach of all time and all of that.

836
00:38:00,440 --> 00:38:00,880
Speaker 3: Was a spice.

837
00:38:00,880 --> 00:38:03,640
Speaker 4: They look very uncomfortable, very in the midst of that.

838
00:38:05,320 --> 00:38:08,040
Speaker 4: So I thought everybody really had good match.

839
00:38:08,120 --> 00:38:08,600
Speaker 2: I don't.

840
00:38:09,040 --> 00:38:10,480
Speaker 4: I don't know that there was really anything that I

841
00:38:10,520 --> 00:38:12,279
Speaker 4: haven't seen the Affleck thing, that's the only thing that

842
00:38:12,280 --> 00:38:13,800
Speaker 4: I've seen that people are like, what happened?

843
00:38:13,800 --> 00:38:14,600
Speaker 3: I haven't seen whatever.

844
00:38:14,680 --> 00:38:19,880
Speaker 2: He'd rant about social media and not like social media's

845
00:38:19,880 --> 00:38:23,640
Speaker 2: ever been critical of Brady, like they love.

846
00:38:24,200 --> 00:38:24,600
Speaker 3: Another thing.

847
00:38:24,640 --> 00:38:27,200
Speaker 4: I felt was like it gave me some hope that

848
00:38:27,280 --> 00:38:33,560
Speaker 4: people can understand that comedy and still be comedy and

849
00:38:33,600 --> 00:38:38,360
Speaker 4: you can say things that are outrageous and or offensive,

850
00:38:38,520 --> 00:38:43,040
Speaker 4: but there are funny you can do that. And there

851
00:38:43,160 --> 00:38:46,080
Speaker 4: was a time, I don't know when where there would

852
00:38:46,080 --> 00:38:47,479
Speaker 4: have been a lot of people coming out of Roast

853
00:38:47,480 --> 00:38:50,360
Speaker 4: that would be up for cancelation.

854
00:38:50,760 --> 00:38:54,160
Speaker 3: Basically, there is no question.

855
00:38:54,360 --> 00:38:57,280
Speaker 2: But I'm happy that we're Like Shane Gillis hosting SNL,

856
00:38:57,360 --> 00:38:58,880
Speaker 2: we had that a couple of months ago, and he

857
00:38:59,480 --> 00:39:01,719
Speaker 2: would be some that would have probably fallen in with that.

858
00:39:02,120 --> 00:39:04,600
Speaker 2: It's funny. Like I told you, I was watching NBC

859
00:39:04,680 --> 00:39:08,040
Speaker 2: watched Arrested Development, and I watched a couple of episodes

860
00:39:08,040 --> 00:39:09,439
Speaker 2: with that. I'm like, there's no way the show gets

861
00:39:09,480 --> 00:39:12,279
Speaker 2: made now. No, And it was on network television yeah,

862
00:39:12,320 --> 00:39:14,359
Speaker 2: in the two thousands. So like I think we are

863
00:39:14,360 --> 00:39:16,400
Speaker 2: getting closer back to like everybody like, let's chill out

864
00:39:16,440 --> 00:39:18,120
Speaker 2: a little bit, a little bit on this stuff, right,

865
00:39:18,160 --> 00:39:20,120
Speaker 2: I mean inappropriates and appropriate, but like this, come on,

866
00:39:20,200 --> 00:39:21,359
Speaker 2: let's it was good.

867
00:39:22,000 --> 00:39:26,040
Speaker 4: It was It was better than like you and I.

868
00:39:26,239 --> 00:39:28,480
Speaker 2: That could have been a debacle, but they got if

869
00:39:28,480 --> 00:39:31,600
Speaker 2: they paid him thirty million which is it's an astronomical

870
00:39:31,680 --> 00:39:34,160
Speaker 2: number for that, It's still a lot for him to risk,

871
00:39:34,239 --> 00:39:37,240
Speaker 2: considering his whatever his relationship is with his ex wife,

872
00:39:37,239 --> 00:39:39,799
Speaker 2: and all the reports is she is not pleased, and I.

873
00:39:39,719 --> 00:39:42,160
Speaker 3: Can't imagine she wasn't pleased with the rest.

874
00:39:42,080 --> 00:39:44,000
Speaker 2: No or why he did it. She doesn't understand why

875
00:39:44,040 --> 00:39:45,600
Speaker 2: would you do it? We have all the money in

876
00:39:45,600 --> 00:39:47,560
Speaker 2: the world, Like why you got a three hundred million

877
00:39:47,560 --> 00:39:51,160
Speaker 2: dollars Fox deal? Like if it was for money, why why?

878
00:39:51,480 --> 00:39:53,799
Speaker 2: Why would you do it? My theory was that he

879
00:39:53,840 --> 00:39:58,480
Speaker 2: did it to humanize him. Yeah, right, because there's something

880
00:39:58,600 --> 00:40:00,399
Speaker 2: hump would you sign up for it?

881
00:40:02,480 --> 00:40:03,080
Speaker 3: I mean it would be.

882
00:40:03,120 --> 00:40:04,759
Speaker 2: If you had all the stuff that he you know,

883
00:40:04,800 --> 00:40:05,120
Speaker 2: if you.

884
00:40:05,120 --> 00:40:07,480
Speaker 3: Have, but I would, right, I mean right now.

885
00:40:08,640 --> 00:40:10,520
Speaker 2: It takes a lot to sit there, I'll admit it

886
00:40:10,520 --> 00:40:12,799
Speaker 2: takes a lot to sit there and smile while people

887
00:40:12,880 --> 00:40:16,000
Speaker 2: say things that, while are funny, there is a large

888
00:40:16,080 --> 00:40:18,840
Speaker 2: hint of truth to what about it?

889
00:40:18,920 --> 00:40:22,799
Speaker 4: I mean from Giselle's perspective, at least the bits I

890
00:40:22,880 --> 00:40:26,240
Speaker 4: heard all made were not negative about her in anyway.

891
00:40:26,360 --> 00:40:29,560
Speaker 4: It was more that she had moved on from him

892
00:40:29,920 --> 00:40:32,880
Speaker 4: rather perhaps or perhaps.

893
00:40:32,640 --> 00:40:35,200
Speaker 2: Yeah, that was quite her.

894
00:40:35,280 --> 00:40:38,120
Speaker 3: I'm sure for sure, but at least it sounded like

895
00:40:38,160 --> 00:40:40,719
Speaker 3: she was more desired than he was.

896
00:40:41,320 --> 00:40:44,360
Speaker 2: Yeah, yeah, I don't know. That was pretty wild, that stuff,

897
00:40:44,400 --> 00:40:48,280
Speaker 2: but so it'd be hard to take all of that. Yeah,

898
00:40:48,800 --> 00:40:50,200
Speaker 2: so I think it was. I think he did it

899
00:40:50,239 --> 00:40:53,239
Speaker 2: to like humanize himself and to like, look, I can

900
00:40:53,360 --> 00:40:56,000
Speaker 2: laugh about because he's almost like a robot.

901
00:40:56,239 --> 00:40:58,160
Speaker 4: Yes, way, I would say, though, like the people that

902
00:40:58,239 --> 00:40:59,959
Speaker 4: were at least from what Again, I have not seen

903
00:41:00,080 --> 00:41:01,879
Speaker 4: the entire thing, so you can tell me if I'm wrong, But.

904
00:41:01,840 --> 00:41:03,239
Speaker 2: It felt like three hours long.

905
00:41:03,280 --> 00:41:06,000
Speaker 4: So it felt like his buddies or guys who are

906
00:41:06,000 --> 00:41:09,200
Speaker 4: like his teammates's peers that he likes and respected, were

907
00:41:09,280 --> 00:41:12,719
Speaker 4: funny about him, but they weren't necessarily as mean as

908
00:41:12,840 --> 00:41:14,879
Speaker 4: like the coat the professional comedians were.

909
00:41:15,960 --> 00:41:17,160
Speaker 2: Yeah, I think that's fair.

910
00:41:17,480 --> 00:41:19,319
Speaker 4: You know, I think he would only be we say

911
00:41:19,320 --> 00:41:21,480
Speaker 4: it'd be hard, and it would probably be harder and

912
00:41:21,520 --> 00:41:24,960
Speaker 4: would hurt more if your friends were the ones who

913
00:41:25,000 --> 00:41:28,080
Speaker 4: threw out some of the like intensely mean stuff.

914
00:41:28,320 --> 00:41:31,359
Speaker 2: Yes, for sure, I co signed that last one for

915
00:41:31,400 --> 00:41:36,640
Speaker 2: you on it. Who should do it next? So I

916
00:41:36,640 --> 00:41:39,880
Speaker 2: think there is a right answer, by the way, Well.

917
00:41:39,719 --> 00:41:42,960
Speaker 4: I'm gonna have two, all right, and hopefully I'm able

918
00:41:43,000 --> 00:41:46,160
Speaker 4: with two out of everybody in humanity, all of humanity.

919
00:41:46,200 --> 00:41:47,520
Speaker 3: I think you're gonna get the right answer in one

920
00:41:47,520 --> 00:41:48,560
Speaker 3: of Is it just sports?

921
00:41:49,680 --> 00:41:52,040
Speaker 4: I did spool sports, Okay, so my answers are gonna

922
00:41:52,040 --> 00:41:54,080
Speaker 4: be sports as well. My first one was gonna be

923
00:41:54,280 --> 00:41:54,960
Speaker 4: Tiger Woods.

924
00:41:55,000 --> 00:41:59,239
Speaker 2: That's it. That's the one. It's been long enough. There's

925
00:41:59,320 --> 00:42:02,120
Speaker 2: a lot, but it's been long enough that his kids

926
00:42:02,160 --> 00:42:02,600
Speaker 2: are grown.

927
00:42:02,840 --> 00:42:03,600
Speaker 3: I don't know.

928
00:42:03,760 --> 00:42:06,120
Speaker 2: It's all been out there for fifteen years. I don't

929
00:42:06,120 --> 00:42:07,880
Speaker 2: think he'll do it. I don't think he'll do it.

930
00:42:07,920 --> 00:42:12,759
Speaker 2: He's way too protective, way too private, and there's no motivation. Yeah,

931
00:42:12,760 --> 00:42:14,600
Speaker 2: I don't think he would be funny at all because

932
00:42:14,600 --> 00:42:16,279
Speaker 2: I don't know that he would allow for it.

933
00:42:16,360 --> 00:42:17,240
Speaker 3: I don't think he would.

934
00:42:18,239 --> 00:42:20,080
Speaker 2: And honestly, there's not much you can go at him for.

935
00:42:20,239 --> 00:42:21,479
Speaker 2: Like he doesn't have Well.

936
00:42:21,360 --> 00:42:23,799
Speaker 4: There are all the interviews where he's like what he's

937
00:42:23,840 --> 00:42:25,480
Speaker 4: made many facts about.

938
00:42:25,239 --> 00:42:27,759
Speaker 2: It, sure, but we all know that I don't know that.

939
00:42:27,800 --> 00:42:30,400
Speaker 2: Like he doesn't have like a scandal. No, the worst

940
00:42:30,440 --> 00:42:33,080
Speaker 2: thing he's done is leave here awkwardly at a boys

941
00:42:33,080 --> 00:42:35,719
Speaker 2: and girls club in Connecticut. Like that's the worst of it.

942
00:42:35,840 --> 00:42:37,160
Speaker 2: Like yeah, Tiger.

943
00:42:37,719 --> 00:42:39,719
Speaker 3: Oh no, no, no, is that's the correct.

944
00:42:39,680 --> 00:42:44,279
Speaker 4: By the way, what about uh the deflate gate. He's like,

945
00:42:44,320 --> 00:42:46,239
Speaker 4: oh yeah, it just paid me Tony And I told him.

946
00:42:46,120 --> 00:42:47,239
Speaker 2: I told him I did it.

947
00:42:47,239 --> 00:42:48,920
Speaker 3: It's great. I can believe he said that.

948
00:42:49,080 --> 00:42:51,279
Speaker 2: Well, I always stand by with Even when all of

949
00:42:51,360 --> 00:42:52,440
Speaker 2: that was going on, I just thought it was such

950
00:42:52,480 --> 00:42:55,080
Speaker 2: a nonsense. You still have to throw the ball, right,

951
00:42:55,160 --> 00:42:57,719
Speaker 2: you have to read the stupid at the moment it

952
00:42:57,760 --> 00:43:00,440
Speaker 2: was getting capone for tax evasion, like this is what

953
00:43:00,440 --> 00:43:02,719
Speaker 2: we're worried about the amount of air and a ball

954
00:43:02,840 --> 00:43:08,960
Speaker 2: he supposed to throw it. Nonsense, nonsense, All right, we've

955
00:43:09,000 --> 00:43:10,960
Speaker 2: got uh, we're gonna hear from our old buddy Elliott

956
00:43:10,960 --> 00:43:13,279
Speaker 2: Wolfe heat where we'll have from that coming up. Some

957
00:43:13,360 --> 00:43:15,560
Speaker 2: other news and notes around the national football legue. List

958
00:43:15,560 --> 00:43:17,880
Speaker 2: of Cleveland Browns Daily on eight fifty ESPN Cleveland a

959
00:43:22,320 --> 00:43:25,480
Speaker 2: Cleveland Browns Daily brought to you by Bally bed Now

960
00:43:25,640 --> 00:43:53,880
Speaker 2: Live in Ohio on eight fifty esp and Cleveland and

961
00:43:53,960 --> 00:43:56,439
Speaker 2: Bo Here for my team at renew Home Exteriors. It's

962
00:43:56,480 --> 00:43:59,200
Speaker 2: time to update the exterior of your home. You know

963
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964
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966
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967
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968
00:44:14,640 --> 00:44:17,720
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969
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970
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Speaker 2: dot com for more. All right, this is from our guy,

971
00:44:26,280 --> 00:44:29,560
Speaker 2: Elliott Wolf. He was on Adam Schefter's podcast discussing the

972
00:44:29,680 --> 00:44:33,200
Speaker 2: nineteen ninety six draft and being in the Packers war

973
00:44:33,280 --> 00:44:34,080
Speaker 2: room at the time.

974
00:44:34,440 --> 00:44:36,440
Speaker 7: Well stands out on that list that you remember him

975
00:44:36,440 --> 00:44:38,040
Speaker 7: talking about the Packers drafting.

976
00:44:39,320 --> 00:44:43,000
Speaker 8: Ross Verbo was one picked in the fri guard from Iowa,

977
00:44:43,040 --> 00:44:46,480
Speaker 8: picked in the first round. John Michaels was one tackle

978
00:44:46,520 --> 00:44:48,239
Speaker 8: from usc You know that one didn't work out. That's

979
00:44:48,280 --> 00:44:50,360
Speaker 8: actually an interesting story because they were getting ready to

980
00:44:50,400 --> 00:44:55,120
Speaker 8: draft ray Lewis and Baltimore picked them right before, you know,

981
00:44:55,120 --> 00:44:57,320
Speaker 8: the pick before, and then they ended up picking John Michaels.

982
00:44:57,320 --> 00:44:59,200
Speaker 8: So he got his prediction right, but it would have

983
00:44:59,200 --> 00:45:00,640
Speaker 8: been a lot better to get ray Lewis.

984
00:45:01,080 --> 00:45:03,200
Speaker 7: Well, well, hold on, so the Packers would have taken

985
00:45:03,320 --> 00:45:05,520
Speaker 7: ray Lewis if he were available, and he went right

986
00:45:05,560 --> 00:45:06,800
Speaker 7: before them.

987
00:45:06,680 --> 00:45:07,400
Speaker 3: The pick before.

988
00:45:08,160 --> 00:45:10,200
Speaker 7: And were you in the war room to watch the

989
00:45:10,239 --> 00:45:11,480
Speaker 7: proceedings surrounding that.

990
00:45:12,480 --> 00:45:12,880
Speaker 3: I was.

991
00:45:13,360 --> 00:45:14,440
Speaker 7: And what do you remember about that?

992
00:45:15,040 --> 00:45:15,160
Speaker 1: Uh?

993
00:45:15,600 --> 00:45:17,799
Speaker 8: There was some disappointment because they actually they actually had

994
00:45:17,840 --> 00:45:20,040
Speaker 8: Ray on the phone. They were talking to Ray and

995
00:45:20,200 --> 00:45:21,480
Speaker 8: Baltimore was still on the clock.

996
00:45:21,680 --> 00:45:21,919
Speaker 3: Yep.

997
00:45:22,680 --> 00:45:26,880
Speaker 7: Really yeah, And so what do you remember about that

998
00:45:27,000 --> 00:45:28,879
Speaker 7: disappointment and then being on the phone with him?

999
00:45:29,320 --> 00:45:32,759
Speaker 8: Uh, just you know, like they thought Ray was one

1000
00:45:32,760 --> 00:45:34,680
Speaker 8: of the best players in the draft. I mean there

1001
00:45:34,680 --> 00:45:36,279
Speaker 8: were you know, there were games when Ray had like

1002
00:45:36,320 --> 00:45:38,160
Speaker 8: twenty tackles and you know, I know that's easy to

1003
00:45:38,200 --> 00:45:40,640
Speaker 8: say now he's one of the best linebackers of all time,

1004
00:45:40,800 --> 00:45:42,960
Speaker 8: you know, first ballot Hall of Fame or all that,

1005
00:45:43,080 --> 00:45:44,880
Speaker 8: But you know, he was kind of seen as an

1006
00:45:44,920 --> 00:45:47,400
Speaker 8: undersized middle linebacker back in the day, and you know

1007
00:45:47,480 --> 00:45:51,120
Speaker 8: he was he wasn't what we know is ray Lewis now.

1008
00:45:51,200 --> 00:45:53,399
Speaker 8: So Baltimore obviously got a good one.

1009
00:45:53,560 --> 00:45:55,840
Speaker 2: You know, here's the thing with that, almost everybody in

1010
00:45:55,880 --> 00:45:57,200
Speaker 2: the league passed on ray Lewis.

1011
00:45:57,400 --> 00:45:57,640
Speaker 3: Yep.

1012
00:45:57,680 --> 00:45:59,560
Speaker 2: At that time, he's an end of the first round guy.

1013
00:46:00,440 --> 00:46:01,880
Speaker 2: And the other thing is is my guess is when

1014
00:46:01,920 --> 00:46:04,680
Speaker 2: you're in that war room, even when you don't know

1015
00:46:04,680 --> 00:46:07,560
Speaker 2: that you're missing out on ray Lewis, you're just on too.

1016
00:46:07,600 --> 00:46:10,440
Speaker 2: The next Yeah, yeah, he probably liked him, would have

1017
00:46:10,440 --> 00:46:12,040
Speaker 2: liked to have had him, but you had no inclination

1018
00:46:12,080 --> 00:46:13,320
Speaker 2: who was going to be ray Lewis?

1019
00:46:13,440 --> 00:46:18,600
Speaker 4: Of course, of course, right then afterwards you're like, dang, well, yeah,

1020
00:46:19,560 --> 00:46:22,759
Speaker 4: I mean there was also no inclination that based on

1021
00:46:22,840 --> 00:46:25,279
Speaker 4: what he did in college and the way that he

1022
00:46:25,320 --> 00:46:27,319
Speaker 4: was used. Obviously that North Carolina says that Michael Jordan

1023
00:46:27,360 --> 00:46:29,440
Speaker 4: was going to be Michael Jordan. Now, Sam Bowie, you

1024
00:46:29,600 --> 00:46:32,080
Speaker 4: obviously regret that, but it was.

1025
00:46:32,080 --> 00:46:34,359
Speaker 2: A different time though. So here's the thing with that.

1026
00:46:34,880 --> 00:46:39,720
Speaker 2: In those days in the league, you drafted for your need. Period,

1027
00:46:40,239 --> 00:46:44,960
Speaker 2: Like it took Jerry Buss going to Jerry West and

1028
00:46:44,960 --> 00:46:46,520
Speaker 2: Bill Sherman as a gym at the Lakers at the

1029
00:46:46,520 --> 00:46:49,879
Speaker 2: time and saying like, you're drafting Magic Johnson because they

1030
00:46:49,880 --> 00:46:52,560
Speaker 2: wanted Sidney Moncreeve because I already had Norm Nixon. Their

1031
00:46:52,600 --> 00:46:54,239
Speaker 2: attitude was, we have a point guard, why do I

1032
00:46:54,239 --> 00:46:55,040
Speaker 2: need another point guard.

1033
00:46:55,040 --> 00:46:55,840
Speaker 3: I don't need that.

1034
00:46:55,840 --> 00:46:58,560
Speaker 2: I got one. They weren't thinking this guy's transformational. So

1035
00:46:58,640 --> 00:47:03,439
Speaker 2: like the blame Drexler, they had a great two. Yeah,

1036
00:47:03,560 --> 00:47:06,400
Speaker 2: why do I need another two? Yeah, that's how that happened.

1037
00:47:06,440 --> 00:47:08,040
Speaker 4: Ye, But I'm also saying he wasn't Like it was

1038
00:47:08,200 --> 00:47:10,399
Speaker 4: like coming out that everybody, No, he's gonna be Michael Jordan.

1039
00:47:10,480 --> 00:47:10,880
Speaker 3: We didn't.

1040
00:47:12,239 --> 00:47:15,879
Speaker 2: We are smarter now scouting athletes than we've ever been.

1041
00:47:16,480 --> 00:47:18,719
Speaker 2: It was far more of a crapshoot. There were way

1042
00:47:18,760 --> 00:47:21,800
Speaker 2: more busts now than there are now across all sports.

1043
00:47:21,800 --> 00:47:24,680
Speaker 2: We can identify talent great talent early. You go look

1044
00:47:24,719 --> 00:47:28,000
Speaker 2: at like OLG football and top one hundred recruit lists.

1045
00:47:28,200 --> 00:47:30,319
Speaker 2: The guys who are five stars most of the time

1046
00:47:30,400 --> 00:47:33,759
Speaker 2: are dudes. Most of the time. They're dudes basketball. It's

1047
00:47:33,840 --> 00:47:36,640
Speaker 2: there's almost never a basketball bust. Yeah that's you can

1048
00:47:36,760 --> 00:47:40,319
Speaker 2: spot those guys coming from one hundred miles away. But

1049
00:47:40,400 --> 00:47:43,319
Speaker 2: in those days it was it was totally different, you know,

1050
00:47:43,400 --> 00:47:47,200
Speaker 2: like you were and I think a keen thing. I mean,

1051
00:47:47,239 --> 00:47:50,640
Speaker 2: it's kind of a lot like with Miles with us, right, Like,

1052
00:47:51,440 --> 00:47:54,399
Speaker 2: thank god Miles is Miles for sure, because if he's

1053
00:47:54,440 --> 00:47:57,520
Speaker 2: not in a draft that had Watson and Mahomes, you'd

1054
00:47:57,560 --> 00:47:59,879
Speaker 2: be going, my god, but Miles was Miles, thank God.

1055
00:48:00,520 --> 00:48:02,960
Speaker 2: And that's the same thing with the kim Olajuan. The

1056
00:48:03,000 --> 00:48:05,600
Speaker 2: guy that went first was a cheam. Yeah, and you go, okay,

1057
00:48:06,040 --> 00:48:08,480
Speaker 2: he's a first BOLID Hall of Famer, Like he's a

1058
00:48:08,560 --> 00:48:12,480
Speaker 2: ticky player of all time, two time champion to.

1059
00:48:13,280 --> 00:48:14,279
Speaker 3: Out of him as a number one.

1060
00:48:14,320 --> 00:48:18,440
Speaker 2: Absolutely, it's the bowie one that everyone goes right, So

1061
00:48:18,480 --> 00:48:19,600
Speaker 2: that's always the tricky one.

1062
00:48:19,719 --> 00:48:21,560
Speaker 4: By the way, they could have just Drexler was like

1063
00:48:21,600 --> 00:48:23,520
Speaker 4: a good six seven. You could have kicked Drexler to

1064
00:48:23,560 --> 00:48:26,120
Speaker 4: the three and then made Jerome Cursey come off the

1065
00:48:26,160 --> 00:48:30,600
Speaker 4: bench and you're Terry Porter Jordan Drexler in the backcourt.

1066
00:48:30,200 --> 00:48:34,520
Speaker 2: With maybe Buckworth, will Williams and Duckworth. So yeah, for sure,

1067
00:48:34,640 --> 00:48:36,560
Speaker 2: it was just one of those things that again like

1068
00:48:36,600 --> 00:48:38,440
Speaker 2: they just didn't think that way. The other thing was

1069
00:48:38,520 --> 00:48:42,040
Speaker 2: in those are they thought you're a shooting guard. They

1070
00:48:42,040 --> 00:48:44,120
Speaker 2: weren't even thinking like you're both gonna play on the wing,

1071
00:48:44,600 --> 00:48:46,480
Speaker 2: Like there's a difference between a shooting guard and a

1072
00:48:46,520 --> 00:48:47,240
Speaker 2: small forward.

1073
00:48:47,520 --> 00:48:47,880
Speaker 3: Yeah.

1074
00:48:47,960 --> 00:48:50,480
Speaker 4: You know, how about the fact that the Blazer, so

1075
00:48:50,520 --> 00:48:54,680
Speaker 4: they twice cost themselves very good players because they had

1076
00:48:54,760 --> 00:48:56,799
Speaker 4: Drexler and didn't think about, oh well, maybe we can

1077
00:48:56,840 --> 00:48:59,320
Speaker 4: do more. They didn't play Draws and Petrickick. They ha

1078
00:48:59,360 --> 00:49:01,319
Speaker 4: Draws and Patrick and didn't play him.

1079
00:49:01,440 --> 00:49:03,200
Speaker 2: I thought you were going the other way. They drafted

1080
00:49:03,200 --> 00:49:06,919
Speaker 2: Greg Odin over Kevin Durant. H Yeah, they drafted number

1081
00:49:06,920 --> 00:49:11,719
Speaker 2: one overall Durant number two. Odin was hurt a lot

1082
00:49:11,760 --> 00:49:15,160
Speaker 2: at Ohio State, and you probably should have seen the

1083
00:49:15,200 --> 00:49:17,600
Speaker 2: red flags. The one pushback that I always give on

1084
00:49:17,640 --> 00:49:20,239
Speaker 2: the Odin thing is at the time when he came out,

1085
00:49:20,360 --> 00:49:23,520
Speaker 2: they thought everybody thought he was a combination of Bill

1086
00:49:23,600 --> 00:49:24,680
Speaker 2: Russell and Patrick Ewing.

1087
00:49:25,160 --> 00:49:25,480
Speaker 3: He was.

1088
00:49:25,880 --> 00:49:28,560
Speaker 2: He was seven to two. He was the consensus number one.

1089
00:49:28,719 --> 00:49:31,919
Speaker 2: He was the next guy after was he either right, Yeah,

1090
00:49:31,920 --> 00:49:34,400
Speaker 2: he's right after bron He was like the next Yep,

1091
00:49:34,520 --> 00:49:37,080
Speaker 2: that's it, that's the guy. And then he just the

1092
00:49:37,120 --> 00:49:41,120
Speaker 2: injuries undid him. But yeah, they've had They had a

1093
00:49:41,160 --> 00:49:43,319
Speaker 2: lot of Star Cross stuff for them and the draws

1094
00:49:43,320 --> 00:49:44,720
Speaker 2: and Stuff're right. They didn't play him.

1095
00:49:44,960 --> 00:49:46,879
Speaker 3: Sitting there just sitting there, sat on the bench, played

1096
00:49:46,880 --> 00:49:48,000
Speaker 3: a few minutes a game. Yeah.

1097
00:49:48,040 --> 00:49:51,279
Speaker 2: Absolutely, we didn't get to this one. Last week ob

1098
00:49:51,480 --> 00:49:56,040
Speaker 2: J to the Dolphins and then he goes, that's a

1099
00:49:56,080 --> 00:49:56,799
Speaker 2: nice spot for him.

1100
00:49:56,840 --> 00:49:58,279
Speaker 3: That's a very good spot. What did he end up

1101
00:49:58,320 --> 00:49:58,640
Speaker 3: signing for?

1102
00:49:58,840 --> 00:50:00,360
Speaker 2: He was eight within senate lives.

1103
00:50:01,360 --> 00:50:03,120
Speaker 3: Let's if he can get the incentives.

1104
00:50:03,200 --> 00:50:04,920
Speaker 6: I think the incentives take it up to take it.

1105
00:50:05,040 --> 00:50:07,640
Speaker 6: I think it was like a four million incentives.

1106
00:50:07,239 --> 00:50:07,600
Speaker 3: Up to eight.

1107
00:50:07,680 --> 00:50:09,440
Speaker 4: That's what he should be at. And he's going to

1108
00:50:09,480 --> 00:50:14,600
Speaker 4: be in a situation where now he will exclusively see

1109
00:50:15,680 --> 00:50:18,000
Speaker 4: man a man coverage in a man in a one

1110
00:50:18,040 --> 00:50:20,120
Speaker 4: on one coverage. He will not be double teamed ever

1111
00:50:20,640 --> 00:50:24,160
Speaker 4: in that office. Oh, look at those bad Look at

1112
00:50:24,239 --> 00:50:26,760
Speaker 4: him looking up feeling good?

1113
00:50:27,080 --> 00:50:29,560
Speaker 3: Really is he's the king of the castle too.

1114
00:50:29,760 --> 00:50:32,759
Speaker 2: Look at him Rainy Tuesday, and he's a ray of sunshine.

1115
00:50:33,360 --> 00:50:39,680
Speaker 3: Raise very pain of money. Just really just babies on

1116
00:50:41,200 --> 00:50:41,560
Speaker 3: all right.

1117
00:50:41,640 --> 00:50:43,400
Speaker 2: Second hour of the program coming up next, just to

1118
00:50:43,400 --> 00:50:45,200
Speaker 2: clear the Bronzely on eight fifty ESPN.

1119
00:50:45,000 --> 00:50:55,200
Speaker 1: Cleveland Cleveland Browns Daily brought to you by Balley bed

1120
00:50:55,440 --> 00:50:59,560
Speaker 1: Now Live in Ohio on eight fifty esp in Cleveland.

1121
00:51:14,360 --> 00:51:16,200
Speaker 2: I had second hour here Cleveland brown Ziely brought to

1122
00:51:16,200 --> 00:51:18,320
Speaker 2: you by a Bounletybats sports betting partner. Here Cleveland Browns

1123
00:51:18,360 --> 00:51:22,240
Speaker 2: Now Live in Ohio. Time for some perspective, some film perspective,

1124
00:51:22,239 --> 00:51:24,359
Speaker 2: if you will, and the Twisted Ta Hired Iced Tea

1125
00:51:24,400 --> 00:51:27,040
Speaker 2: Hotline Twisted Tea Hard Iced Tea official sponsor for your

1126
00:51:27,080 --> 00:51:30,239
Speaker 2: Cleveland Browns. Keep it Twisted, Cleveland, Lance Riseland, join us

1127
00:51:30,239 --> 00:51:32,959
Speaker 2: Cleveland dot com. Lance, thank you so much for taking

1128
00:51:33,000 --> 00:51:36,160
Speaker 2: the time. Let's start. You did these incredible film breakdowns

1129
00:51:36,320 --> 00:51:38,520
Speaker 2: at Cleveland dot com. Of the various draft picks, Let's

1130
00:51:38,520 --> 00:51:41,239
Speaker 2: start with Mike Hall. It was somebody that we identified

1131
00:51:41,280 --> 00:51:44,280
Speaker 2: pretty quickly here on the program. That boy, if it worked,

1132
00:51:44,320 --> 00:51:46,520
Speaker 2: it would be kind of everything you were looking for.

1133
00:51:46,600 --> 00:51:47,840
Speaker 2: What does the film say.

1134
00:51:48,440 --> 00:51:51,560
Speaker 5: Well, the film says he's perfect situationally right. So he's

1135
00:51:51,560 --> 00:51:53,239
Speaker 5: a guy he doesn't have to come in, doesn't have

1136
00:51:53,280 --> 00:51:55,360
Speaker 5: to be a three down guy. He doesn't play the

1137
00:51:55,400 --> 00:51:57,319
Speaker 5: run really well at this point in his career. He's

1138
00:51:57,320 --> 00:51:58,920
Speaker 5: a young kid, he's twenty years old. But what he

1139
00:51:58,920 --> 00:52:01,399
Speaker 5: does really well is he rushed the pastor he's got

1140
00:52:01,440 --> 00:52:05,279
Speaker 5: an extensive feeling where he can you know, he's pass rush,

1141
00:52:05,440 --> 00:52:07,560
Speaker 5: his ability to get off the ball, his first step,

1142
00:52:08,000 --> 00:52:09,600
Speaker 5: he does a lot of things well in the pass

1143
00:52:09,680 --> 00:52:12,319
Speaker 5: rush game. And then everything he does, you know, then

1144
00:52:12,360 --> 00:52:14,040
Speaker 5: needs to work on. He can do that over time,

1145
00:52:14,120 --> 00:52:15,720
Speaker 5: he doesn't have to come in and make an impact

1146
00:52:15,800 --> 00:52:18,279
Speaker 5: on all three downs. Film tells you he's in a

1147
00:52:18,360 --> 00:52:20,880
Speaker 5: heck of an athlete. You know, twenty six plus pressures

1148
00:52:20,880 --> 00:52:22,840
Speaker 5: on the quarterback, He's constantly in the backfield. He was

1149
00:52:22,840 --> 00:52:24,680
Speaker 5: part of that really good defensive lineup Hoose State.

1150
00:52:25,400 --> 00:52:28,280
Speaker 4: What stands out You mentioned his pass rushing in the stats,

1151
00:52:28,280 --> 00:52:30,560
Speaker 4: and we've seen that quickest time to pressure. What's his

1152
00:52:30,760 --> 00:52:33,840
Speaker 4: what's his dominant move or moves that he likes to

1153
00:52:33,880 --> 00:52:35,120
Speaker 4: employ to get to the quarterback.

1154
00:52:35,480 --> 00:52:37,480
Speaker 5: Well, he's you know, he's a shorts perfect fit right,

1155
00:52:37,520 --> 00:52:39,520
Speaker 5: so he's a one gap guy, likes to get upfield.

1156
00:52:39,560 --> 00:52:41,480
Speaker 5: But his best move is a simple arm over. You know,

1157
00:52:41,560 --> 00:52:43,680
Speaker 5: some people call it a swim move. It's not really

1158
00:52:43,680 --> 00:52:46,360
Speaker 5: a swim movement. But his quick arm over, quick club

1159
00:52:46,440 --> 00:52:48,640
Speaker 5: arm over is what he wins with most of the time.

1160
00:52:49,200 --> 00:52:50,880
Speaker 5: I think, you know, as he gets to the NFL,

1161
00:52:51,160 --> 00:52:53,600
Speaker 5: he wins so much now on athletic ability, which is

1162
00:52:53,640 --> 00:52:55,520
Speaker 5: the case with a lot of guys when they come

1163
00:52:55,560 --> 00:52:58,320
Speaker 5: into the NFL. If they're NFL guys, they win because

1164
00:52:58,360 --> 00:52:59,960
Speaker 5: they're better. They get on the shoulder and they go

1165
00:53:00,040 --> 00:53:02,200
Speaker 5: in that gap. The good thing about a shorts defense.

1166
00:53:02,239 --> 00:53:04,960
Speaker 5: It's very, very simple, and you watch a shorts defense

1167
00:53:05,200 --> 00:53:07,080
Speaker 5: and the reason they're so successful is because they get

1168
00:53:07,080 --> 00:53:09,120
Speaker 5: lined up and they know exactly what they're doing and

1169
00:53:09,160 --> 00:53:11,680
Speaker 5: they get to play fast. You know, my dad always

1170
00:53:11,680 --> 00:53:13,880
Speaker 5: taught me, if your head is thinking, your feet aren't moving,

1171
00:53:14,200 --> 00:53:16,319
Speaker 5: and in the NFL, if your feet aren't moving, your beat.

1172
00:53:16,440 --> 00:53:18,160
Speaker 5: So I think what he's gonna allow him to do.

1173
00:53:18,239 --> 00:53:21,399
Speaker 5: You know, he'll be able to play fast, hasn't. He's

1174
00:53:21,480 --> 00:53:24,560
Speaker 5: best when he's on the move, So stunting, twisting, third

1175
00:53:24,560 --> 00:53:26,960
Speaker 5: down situation, he'll get in that. Why three, he's athletic

1176
00:53:27,120 --> 00:53:28,880
Speaker 5: enough to play that wide five that they need it.

1177
00:53:28,920 --> 00:53:31,560
Speaker 5: They can put him inside, put him outside, depending on

1178
00:53:31,600 --> 00:53:33,759
Speaker 5: what matchups they want for Miles and those other guys.

1179
00:53:33,760 --> 00:53:37,040
Speaker 5: But he adds a third down rush element that is

1180
00:53:37,120 --> 00:53:38,680
Speaker 5: really going to be helpful for the Browns.

1181
00:53:38,960 --> 00:53:42,240
Speaker 2: Yeah, you know, I've seen every game Mike's playing in college.

1182
00:53:42,280 --> 00:53:44,239
Speaker 2: Certainly didn't do a film breakdown like you did, and

1183
00:53:44,239 --> 00:53:47,399
Speaker 2: there were I told ze when we select him, like, dude,

1184
00:53:47,600 --> 00:53:49,200
Speaker 2: there's times when he was the best player on the

1185
00:53:49,200 --> 00:53:51,520
Speaker 2: field at Ohio State, and that was saying something like

1186
00:53:51,560 --> 00:53:55,040
Speaker 2: he was downright dominant. So We've talked about all of

1187
00:53:55,040 --> 00:53:57,560
Speaker 2: the things that he does that are great. As you're

1188
00:53:57,600 --> 00:53:59,840
Speaker 2: looking at the film, where does there need to be in.

1189
00:54:01,320 --> 00:54:03,200
Speaker 5: Well, he's got to improve against the run. So he's

1190
00:54:03,200 --> 00:54:04,719
Speaker 5: not a you know, he's not a guy who's gonna

1191
00:54:04,719 --> 00:54:06,880
Speaker 5: anchor in there as the big old three technique. You know,

1192
00:54:07,120 --> 00:54:09,360
Speaker 5: but that's really not what the Browns do. But occasionally,

1193
00:54:09,440 --> 00:54:11,200
Speaker 5: especially if he's gonna be a three down guy, he's

1194
00:54:11,200 --> 00:54:13,239
Speaker 5: got to be able to anchor in there, have a

1195
00:54:13,280 --> 00:54:16,280
Speaker 5: little bit of gap integrity, take on those double teams,

1196
00:54:16,360 --> 00:54:18,840
Speaker 5: kind of protect those linebackers at times, because when you

1197
00:54:18,880 --> 00:54:21,759
Speaker 5: blow a gap, if you're not right, those that guarter

1198
00:54:21,880 --> 00:54:24,600
Speaker 5: that tackle get the free run at your linebackers. So, uh,

1199
00:54:24,640 --> 00:54:25,920
Speaker 5: he's got to be able to play the run a

1200
00:54:25,960 --> 00:54:27,640
Speaker 5: little bit better. He's got to be. He doesn't take

1201
00:54:27,680 --> 00:54:29,680
Speaker 5: on double teams very well right now, and that's because

1202
00:54:29,680 --> 00:54:31,399
Speaker 5: simply he gets off the ball I think a little

1203
00:54:31,400 --> 00:54:34,840
Speaker 5: bit high. And again he wins so much with athleticism,

1204
00:54:35,239 --> 00:54:37,520
Speaker 5: you know, being down on that practice field last couple

1205
00:54:37,520 --> 00:54:40,080
Speaker 5: of years. You know, in the NFL, everybody's still good.

1206
00:54:40,080 --> 00:54:41,960
Speaker 5: Those guys are such unicorns. You have to be so

1207
00:54:42,040 --> 00:54:44,960
Speaker 5: fundamentally sound, and I think he'll get there, but right

1208
00:54:45,000 --> 00:54:46,719
Speaker 5: now he does not play the run very well, but

1209
00:54:46,760 --> 00:54:49,040
Speaker 5: he doesn't need to. And you know, with the Browns

1210
00:54:49,120 --> 00:54:51,359
Speaker 5: roster where it's at, they've they've gotten it to where

1211
00:54:51,400 --> 00:54:53,720
Speaker 5: they can get guys that can help in certain situations,

1212
00:54:53,760 --> 00:54:55,800
Speaker 5: and he can help right now as a pass rusher

1213
00:54:55,840 --> 00:54:56,919
Speaker 5: and learn how to play the run.

1214
00:54:57,440 --> 00:55:01,120
Speaker 4: Talking with Lance Riesland and from Cleveland, Tom and Lance,

1215
00:55:01,640 --> 00:55:04,560
Speaker 4: you probably came across watching some Mike Hall film. Our

1216
00:55:04,880 --> 00:55:07,920
Speaker 4: next pick, Zach Zenter, the big guard out of Michigan.

1217
00:55:08,600 --> 00:55:10,520
Speaker 4: What kind of stands out about him? He just seems

1218
00:55:10,560 --> 00:55:13,120
Speaker 4: to be just so solid, like just a solid player

1219
00:55:13,160 --> 00:55:14,600
Speaker 4: that should be able to be in this league for

1220
00:55:14,600 --> 00:55:14,960
Speaker 4: a while.

1221
00:55:15,080 --> 00:55:17,200
Speaker 5: Well, you know, he's probably the best offensive lineman on

1222
00:55:17,239 --> 00:55:19,240
Speaker 5: the best offensive line in the last couple of years

1223
00:55:19,280 --> 00:55:21,040
Speaker 5: in college football. And what he does really well is that,

1224
00:55:21,120 --> 00:55:22,760
Speaker 5: first of all, he comes from a hard ball offense,

1225
00:55:22,800 --> 00:55:25,360
Speaker 5: which for me is big because he's coming out of

1226
00:55:25,360 --> 00:55:28,200
Speaker 5: a huddle, which is you know, people don't understand that's important.

1227
00:55:28,239 --> 00:55:30,919
Speaker 5: He's also had the verbiage of these play calls where

1228
00:55:30,920 --> 00:55:33,480
Speaker 5: they're gonna kill it and they're gonna, they're gonna they're

1229
00:55:33,480 --> 00:55:36,879
Speaker 5: gonna have multiple you know, multiple plays within one. He's

1230
00:55:36,920 --> 00:55:39,920
Speaker 5: also been around. He's ran zone, he's run gap schemes.

1231
00:55:39,920 --> 00:55:42,040
Speaker 5: He's a great pooler. He gets to the second level

1232
00:55:42,080 --> 00:55:45,560
Speaker 5: really really well. He's got really really strong hands. He

1233
00:55:45,680 --> 00:55:48,920
Speaker 5: latches on. He uses independent hands in his pass protection,

1234
00:55:49,000 --> 00:55:50,560
Speaker 5: so he'll jabb you with that big streng arm and

1235
00:55:50,560 --> 00:55:53,040
Speaker 5: then latch down with that last And he's just a

1236
00:55:53,080 --> 00:55:56,080
Speaker 5: tech tactician. You can tell he's really really well coached.

1237
00:55:56,640 --> 00:55:58,200
Speaker 5: He's got a little bit of a mean streak, so

1238
00:55:58,239 --> 00:56:01,080
Speaker 5: he fits. You know, I always say the interior guys,

1239
00:56:01,080 --> 00:56:03,239
Speaker 5: those guards in the center, they have to be the

1240
00:56:03,360 --> 00:56:05,840
Speaker 5: nasty guys will vertically displace you at the ball. But

1241
00:56:05,880 --> 00:56:08,719
Speaker 5: outside guys have to be athletes. And you know he's

1242
00:56:08,719 --> 00:56:11,400
Speaker 5: a guy inside that he can pull, he can get

1243
00:56:11,440 --> 00:56:13,319
Speaker 5: to the next level. He can down block, he can

1244
00:56:13,360 --> 00:56:15,600
Speaker 5: do all the schemes, pin and pool, he can do

1245
00:56:15,640 --> 00:56:17,200
Speaker 5: all the things that Browns have been doing for a

1246
00:56:17,239 --> 00:56:19,480
Speaker 5: couple of years. He fits in perfect and he kind

1247
00:56:19,480 --> 00:56:21,839
Speaker 5: of gives you a little bit of freedom in terms.

1248
00:56:21,920 --> 00:56:25,000
Speaker 5: I think he can play both right and left. Doesn't

1249
00:56:25,040 --> 00:56:27,600
Speaker 5: move great laterally, but that's why he's gonna hat a garden,

1250
00:56:27,600 --> 00:56:28,280
Speaker 5: not out of tackle.

1251
00:56:28,480 --> 00:56:30,520
Speaker 4: Yeah, and you actually answer the question I was gonna

1252
00:56:30,520 --> 00:56:32,160
Speaker 4: ask about. We run a lot of pin pool. There's

1253
00:56:32,160 --> 00:56:34,839
Speaker 4: talk about his you know, ability to move laterally. But

1254
00:56:34,960 --> 00:56:36,359
Speaker 4: I was gonna say the same thing you did. When

1255
00:56:36,360 --> 00:56:38,600
Speaker 4: I watched it felt like he was incredibly effective as

1256
00:56:38,600 --> 00:56:41,480
Speaker 4: a puller for Michigan. And that's obviously you think about

1257
00:56:41,480 --> 00:56:42,960
Speaker 4: a lot of the big run plays that happened for

1258
00:56:42,960 --> 00:56:43,800
Speaker 4: the Cleveland Browns.

1259
00:56:43,960 --> 00:56:46,160
Speaker 3: It could be why a teller pulling around. It could

1260
00:56:46,160 --> 00:56:47,080
Speaker 3: be Joel pulling around.

1261
00:56:47,080 --> 00:56:48,920
Speaker 4: Sometimes it's pulling out on the same side on the

1262
00:56:48,960 --> 00:56:50,960
Speaker 4: pin pool, but that's kind of how we get a

1263
00:56:51,000 --> 00:56:52,839
Speaker 4: lot of our big runs.

1264
00:56:52,520 --> 00:56:55,319
Speaker 3: To the outside. So you like his ability to do that.

1265
00:56:55,560 --> 00:56:57,239
Speaker 5: Well, yeah, his you know, his lateral movement, so if

1266
00:56:57,280 --> 00:56:59,600
Speaker 5: you're thinking side to side like basketball shuffling, he's not great.

1267
00:56:59,640 --> 00:57:02,480
Speaker 5: So sometime he'll get a guy on an edge in

1268
00:57:02,520 --> 00:57:04,640
Speaker 5: a pass or situation that will give him some problems.

1269
00:57:04,640 --> 00:57:06,719
Speaker 5: But when you talk about vertical like he can move

1270
00:57:06,800 --> 00:57:10,000
Speaker 5: vertically straight ahead. He doesn't have a lot of shaky

1271
00:57:10,040 --> 00:57:13,000
Speaker 5: and suddenness and twitchiness inside like some guys do. If

1272
00:57:13,000 --> 00:57:14,879
Speaker 5: you think about an Aaron Donald on the defensive line,

1273
00:57:15,120 --> 00:57:17,640
Speaker 5: but he's a guy who can pull. I've actually heard

1274
00:57:17,680 --> 00:57:19,760
Speaker 5: of some people say Kenny Pool. I think that's one

1275
00:57:19,760 --> 00:57:22,040
Speaker 5: of his his ability to get off those double teams

1276
00:57:22,040 --> 00:57:23,720
Speaker 5: and get to the second level on zone and his

1277
00:57:23,800 --> 00:57:26,600
Speaker 5: ability to pin and pool. But the Browns are special.

1278
00:57:26,720 --> 00:57:28,560
Speaker 5: What they do in their counters. They'll pull those guys

1279
00:57:28,600 --> 00:57:31,120
Speaker 5: all the way around, so they'll actually secure the end

1280
00:57:31,440 --> 00:57:33,000
Speaker 5: and get those guards all the way out in the

1281
00:57:33,040 --> 00:57:35,360
Speaker 5: round they do, you know, they not just run counterpin

1282
00:57:35,440 --> 00:57:37,960
Speaker 5: and pool, but they do it a bunch of different ways.

1283
00:57:38,360 --> 00:57:40,200
Speaker 5: And he's a guy who can handle all that. And again,

1284
00:57:40,200 --> 00:57:42,720
Speaker 5: I think coming from excuse me, coming from a system

1285
00:57:42,760 --> 00:57:45,120
Speaker 5: like Michigan and Harbaugh, he's a little ahead of the

1286
00:57:45,120 --> 00:57:48,760
Speaker 5: game in terms of terminalogy. The long play calls his

1287
00:57:48,840 --> 00:57:52,240
Speaker 5: ability to get in and out, understand blitzes, understand fronts

1288
00:57:52,240 --> 00:57:54,640
Speaker 5: and coverages and things he's going to see at the

1289
00:57:54,680 --> 00:57:57,400
Speaker 5: next level. So and you know, more importantly, he's just

1290
00:57:57,400 --> 00:57:58,920
Speaker 5: a real tough guy. He's a tough dude, and you

1291
00:57:58,920 --> 00:57:59,800
Speaker 5: can see it on film.

1292
00:58:00,240 --> 00:58:02,040
Speaker 2: Lance A lot of people thought we would go receiver

1293
00:58:02,160 --> 00:58:04,640
Speaker 2: early in this draft. It wasn't until the fifth round

1294
00:58:04,640 --> 00:58:08,440
Speaker 2: that we did. Was Jamari Thrash out of Louisville. What

1295
00:58:08,800 --> 00:58:10,760
Speaker 2: do you see on tape with him. What will his

1296
00:58:10,880 --> 00:58:12,800
Speaker 2: niche be with this team.

1297
00:58:13,440 --> 00:58:15,160
Speaker 5: Well, yeah, you know everybody thought, And first of all,

1298
00:58:15,200 --> 00:58:16,720
Speaker 5: I never think you're wrong going big. You know, a

1299
00:58:16,760 --> 00:58:19,040
Speaker 5: football is from high school to pro is one inside.

1300
00:58:19,080 --> 00:58:21,320
Speaker 5: So I'll never again trying to anty up and get

1301
00:58:21,360 --> 00:58:23,880
Speaker 5: some more guys in interior. I think that's so important.

1302
00:58:23,960 --> 00:58:25,680
Speaker 5: Rash was a guy that I really liked in twenty

1303
00:58:25,680 --> 00:58:27,480
Speaker 5: two at Georgia State. He had a little bit more

1304
00:58:27,520 --> 00:58:30,600
Speaker 5: chunk to his game, meaning a lot of passes were

1305
00:58:30,600 --> 00:58:33,120
Speaker 5: attempted fifteen to twenty yards down. Feel a lot more

1306
00:58:33,160 --> 00:58:35,880
Speaker 5: of the outside routes to come back to Diggs the verticals.

1307
00:58:36,400 --> 00:58:38,600
Speaker 5: He runs well enough, but for sure his number one

1308
00:58:38,680 --> 00:58:42,200
Speaker 5: quality is his ability to stop and start, accelerate and decelerate.

1309
00:58:42,480 --> 00:58:44,440
Speaker 5: He has a great change of pace which allows him

1310
00:58:44,480 --> 00:58:47,600
Speaker 5: to create separation. I also think he's a guy that's

1311
00:58:47,600 --> 00:58:49,840
Speaker 5: going to be really special on special teams. He's the

1312
00:58:49,880 --> 00:58:52,480
Speaker 5: gunner at Louisville his last year, and then in Louisville

1313
00:58:52,480 --> 00:58:55,160
Speaker 5: they did some more quick screens with him. They didn't

1314
00:58:55,240 --> 00:58:57,560
Speaker 5: vertically get him the ball enough. Now what I like

1315
00:58:57,600 --> 00:58:59,200
Speaker 5: about him is that I think he can play both.

1316
00:58:59,240 --> 00:59:01,560
Speaker 5: He can play inside out. He's got a it seems

1317
00:59:01,560 --> 00:59:04,520
Speaker 5: like he's got a really high football que which is

1318
00:59:04,520 --> 00:59:06,080
Speaker 5: going to allow him to be in the mix for that,

1319
00:59:06,360 --> 00:59:08,400
Speaker 5: you know, fourth fifth receiver in terms of he can

1320
00:59:08,440 --> 00:59:11,200
Speaker 5: back up everybody. I think he can cover kicks. You know,

1321
00:59:11,280 --> 00:59:13,760
Speaker 5: the new kickoff is a big thing. It's gonna be

1322
00:59:13,800 --> 00:59:15,440
Speaker 5: a big thing next year in terms of it's going

1323
00:59:15,480 --> 00:59:17,640
Speaker 5: to turn into an offensive play. So they got to

1324
00:59:17,640 --> 00:59:19,680
Speaker 5: find guys that can cover and do things like that.

1325
00:59:19,960 --> 00:59:23,120
Speaker 5: But I think he's a guy who creates great separation,

1326
00:59:23,320 --> 00:59:26,160
Speaker 5: play multiple positions, and I think he's a guy that

1327
00:59:26,240 --> 00:59:28,920
Speaker 5: will help them Browns down the road. And again, a

1328
00:59:28,960 --> 00:59:31,920
Speaker 5: guy who needs some work, some details, but does a

1329
00:59:31,920 --> 00:59:32,919
Speaker 5: lot of things really well.

1330
00:59:33,480 --> 00:59:35,120
Speaker 4: How are his hands, because that was one of the

1331
00:59:35,480 --> 00:59:37,560
Speaker 4: questions that came up in his last year, that he

1332
00:59:37,600 --> 00:59:40,000
Speaker 4: did struggle a little bit with drops, but that he

1333
00:59:40,080 --> 00:59:42,000
Speaker 4: is an excellent route runner and separator.

1334
00:59:42,800 --> 00:59:45,040
Speaker 5: Well, you know, I thought most of his drops, like

1335
00:59:45,040 --> 00:59:47,600
Speaker 5: the obvious drops, were young early in his career at

1336
00:59:47,600 --> 00:59:49,240
Speaker 5: Georgia State. I thought the last two years and you

1337
00:59:49,280 --> 00:59:51,120
Speaker 5: look at twenty two and twenty three at Georgia State

1338
00:59:51,120 --> 00:59:53,760
Speaker 5: and Louis, he had some drops, but they were more

1339
00:59:54,520 --> 00:59:58,240
Speaker 5: the ones you weren't the simple drops like you hitch

1340
00:59:58,280 --> 01:00:00,320
Speaker 5: or a slant, things like that. They were some more

1341
01:00:00,360 --> 01:00:03,040
Speaker 5: fifty to fifty balls. He's not a great fifty fifty

1342
01:00:03,040 --> 01:00:04,800
Speaker 5: guy because he's not real big. He's a hundred eighty

1343
01:00:04,800 --> 01:00:06,760
Speaker 5: eight pounds. But what he does with that change of pace,

1344
01:00:07,160 --> 01:00:09,160
Speaker 5: he really kind of lulls you his teat. He kind

1345
01:00:09,160 --> 01:00:10,560
Speaker 5: of gives you a little bit of that Cooper in

1346
01:00:10,640 --> 01:00:13,280
Speaker 5: terms of like he'll work leverages, he'll work ang well,

1347
01:00:13,360 --> 01:00:16,440
Speaker 5: he'll work blind spots of secondary guys. He's pretty advanced

1348
01:00:16,440 --> 01:00:19,080
Speaker 5: in his route running. I think the hands will come.

1349
01:00:19,160 --> 01:00:20,800
Speaker 5: I think he's, you know, been with a bunch of

1350
01:00:20,840 --> 01:00:23,440
Speaker 5: different coordinators and things like that. But uh, you know,

1351
01:00:23,600 --> 01:00:25,040
Speaker 5: I look at guys when they catch the ball. Are

1352
01:00:25,040 --> 01:00:26,960
Speaker 5: they natural ball catchers? Did they pluck it out of

1353
01:00:26,960 --> 01:00:28,880
Speaker 5: the air and don't let him, you know, get on him?

1354
01:00:28,880 --> 01:00:30,200
Speaker 5: And he does a nice job of that. I don't

1355
01:00:30,200 --> 01:00:31,960
Speaker 5: see any issues with his hands moving forward.

1356
01:00:32,200 --> 01:00:34,200
Speaker 4: One guy that I know I'm excited about. I just

1357
01:00:34,200 --> 01:00:36,560
Speaker 4: saw our special teams coordinator above Ventron down the cafe

1358
01:00:36,640 --> 01:00:38,480
Speaker 4: and I think he's he's excited about him too, is

1359
01:00:38,560 --> 01:00:42,080
Speaker 4: Nathaniel Watson. I mean, this is a it's funny that

1360
01:00:42,120 --> 01:00:45,680
Speaker 4: six two two thirty three now is considered a giant linebacker,

1361
01:00:45,720 --> 01:00:47,880
Speaker 4: when not that long ago that probably would have been

1362
01:00:47,880 --> 01:00:50,760
Speaker 4: a smaller linebacker. But he can get up around two forty.

1363
01:00:50,800 --> 01:00:53,520
Speaker 4: But I mean so productive. You know, led the SEC

1364
01:00:53,560 --> 01:00:56,080
Speaker 4: in sacks and tackles, SEC Defensive Player of the Year.

1365
01:00:56,920 --> 01:00:58,440
Speaker 4: What do you see when you when you pop the

1366
01:00:58,480 --> 01:00:59,400
Speaker 4: tape on with Watson.

1367
01:01:00,040 --> 01:01:02,840
Speaker 5: Well, he's real long, so eighty one plus and his wingspan.

1368
01:01:02,920 --> 01:01:04,800
Speaker 5: He's also real fast, right, so he ran a four

1369
01:01:05,080 --> 01:01:09,080
Speaker 5: six something forty really really elite speed. Now, what he

1370
01:01:09,120 --> 01:01:11,800
Speaker 5: does best is he plays downhill, whether he's blitzing or

1371
01:01:11,840 --> 01:01:15,280
Speaker 5: whether he's reading ron ridn those double teams on zone,

1372
01:01:15,320 --> 01:01:17,080
Speaker 5: et cetera. He gets in that A, A and B

1373
01:01:17,240 --> 01:01:20,280
Speaker 5: gap and he's downhill. Now he's not. His weakness right now,

1374
01:01:20,320 --> 01:01:22,920
Speaker 5: i'd say, is his ability to cover man again, especially

1375
01:01:22,960 --> 01:01:26,280
Speaker 5: some NFL skill that he'll see. But he plays with

1376
01:01:26,400 --> 01:01:28,760
Speaker 5: his absolute hair on fire. So first thing you see

1377
01:01:28,800 --> 01:01:30,560
Speaker 5: is him coming in and being a cover guy on

1378
01:01:30,600 --> 01:01:32,960
Speaker 5: that kickoff. And I'm gonna say it over and over,

1379
01:01:33,000 --> 01:01:34,400
Speaker 5: I think that kickoff can be a big deal and

1380
01:01:34,400 --> 01:01:36,240
Speaker 5: they need to find guys that can really cover. So

1381
01:01:36,280 --> 01:01:38,560
Speaker 5: that's the first thing he's gonna do next. I think

1382
01:01:38,560 --> 01:01:40,560
Speaker 5: he kind of fills that Taki Taki role, right, So

1383
01:01:40,600 --> 01:01:42,240
Speaker 5: he's a guy who's gonna come in. He's going to

1384
01:01:42,280 --> 01:01:45,120
Speaker 5: be able to excel on special teams and continually learn

1385
01:01:45,160 --> 01:01:48,080
Speaker 5: the game at linebacker. You know, in Taki Taki, I

1386
01:01:48,120 --> 01:01:51,080
Speaker 5: think was a pretty substantial loss sixty six tackles last year,

1387
01:01:51,080 --> 01:01:52,960
Speaker 5: but he was also a guy who kind of gave

1388
01:01:52,960 --> 01:01:55,040
Speaker 5: you that physical guy in there who take on lead

1389
01:01:55,120 --> 01:01:57,760
Speaker 5: block things like that. So I think he's a you know,

1390
01:01:57,800 --> 01:02:00,680
Speaker 5: he's an SEC guy. So he's seeing really talented guy

1391
01:02:00,880 --> 01:02:04,640
Speaker 5: day in and day out again downhill, whether he's blitzing coming,

1392
01:02:04,800 --> 01:02:07,120
Speaker 5: if he's coming in a ARB gap and he's vertically

1393
01:02:07,120 --> 01:02:10,360
Speaker 5: getting north and south, he's a load to block. Sometimes

1394
01:02:10,400 --> 01:02:13,440
Speaker 5: he struggles a little bit with seeing things and no,

1395
01:02:13,480 --> 01:02:15,600
Speaker 5: I think we'll all come with practice. But what he

1396
01:02:15,680 --> 01:02:18,040
Speaker 5: does really well is what the Browns want him to do.

1397
01:02:18,040 --> 01:02:19,440
Speaker 5: They want him to get in the gap and go

1398
01:02:20,520 --> 01:02:22,200
Speaker 5: read what you see, believe what you see, and pull

1399
01:02:22,240 --> 01:02:23,600
Speaker 5: the trigger. And I think he's a guy who can

1400
01:02:23,640 --> 01:02:25,520
Speaker 5: do that. And like you said, you don't lead the

1401
01:02:25,560 --> 01:02:28,320
Speaker 5: SEC in those categories and not being an elite athlete,

1402
01:02:28,400 --> 01:02:31,520
Speaker 5: and you know, he runs really well he tested really well,

1403
01:02:32,240 --> 01:02:34,120
Speaker 5: and then the film tells you the same. He's just

1404
01:02:34,160 --> 01:02:36,600
Speaker 5: a guy who you know, some guys are passing measurables, right,

1405
01:02:36,640 --> 01:02:39,480
Speaker 5: so they just make plays, right, Some guys just make plays,

1406
01:02:39,480 --> 01:02:40,840
Speaker 5: And he's a guy when you look at my film,

1407
01:02:40,840 --> 01:02:41,880
Speaker 5: he just makes a ton of plays.

1408
01:02:42,000 --> 01:02:44,720
Speaker 4: So my question is he's got the size, he's got

1409
01:02:44,720 --> 01:02:47,040
Speaker 4: the speed, he has the production. He's obviously going to

1410
01:02:47,080 --> 01:02:48,120
Speaker 4: be able to be a kind of a walk up

1411
01:02:48,160 --> 01:02:50,480
Speaker 4: blitzer in this defense. He had the ten sacks last year.

1412
01:02:51,120 --> 01:02:53,160
Speaker 4: Is it just simply you know, is he maybe just

1413
01:02:53,240 --> 01:02:56,160
Speaker 4: because he's more of a two down linebacker profile today?

1414
01:02:56,320 --> 01:02:58,000
Speaker 3: Is that why he was there for the Browns.

1415
01:02:58,000 --> 01:03:00,160
Speaker 4: It just it feels like goes as productive as you

1416
01:03:00,160 --> 01:03:04,920
Speaker 4: could be in the SEC, which typically translates pretty well

1417
01:03:04,960 --> 01:03:06,480
Speaker 4: to the National Football League.

1418
01:03:07,040 --> 01:03:09,320
Speaker 5: Well, he wins a lot of it with a passion, right,

1419
01:03:09,360 --> 01:03:11,280
Speaker 5: So when you look at him as compared to like Jokay,

1420
01:03:11,360 --> 01:03:15,000
Speaker 5: he doesn't have that side to side sudden twitchiness. You know,

1421
01:03:15,160 --> 01:03:16,640
Speaker 5: you look at Joka and he looks like he could

1422
01:03:16,640 --> 01:03:19,040
Speaker 5: play slot receiver. Sometimes he's running so fast, right, so

1423
01:03:19,120 --> 01:03:20,880
Speaker 5: he kind of you know, they're looking like you said,

1424
01:03:20,880 --> 01:03:24,120
Speaker 5: they're looking for that that big hybrid dB type who's

1425
01:03:24,120 --> 01:03:26,160
Speaker 5: two twenty five or two thirty who can run jok

1426
01:03:26,320 --> 01:03:28,240
Speaker 5: is kind of the poster child that right now, just

1427
01:03:28,400 --> 01:03:29,920
Speaker 5: a guy who can do so many things and be

1428
01:03:29,960 --> 01:03:33,400
Speaker 5: an athlete. You know, Watson is not a superior athlete,

1429
01:03:33,440 --> 01:03:35,959
Speaker 5: meaning in terms of like side to side movement, change

1430
01:03:35,960 --> 01:03:39,640
Speaker 5: your direction, short area of quickness. What he is is

1431
01:03:39,680 --> 01:03:41,840
Speaker 5: a guy sees what he believed in and he just goes.

1432
01:03:41,880 --> 01:03:43,640
Speaker 5: He's like, you know, bolling up China shop kind. You know,

1433
01:03:43,680 --> 01:03:46,240
Speaker 5: he's gonna he's gonna get forward and make plays there

1434
01:03:46,240 --> 01:03:49,240
Speaker 5: in front of him. He'll struggle with guys in space,

1435
01:03:49,280 --> 01:03:51,200
Speaker 5: I think early on in terms of, you know, if

1436
01:03:51,200 --> 01:03:54,120
Speaker 5: they can get him isolated in the flats or on

1437
01:03:54,200 --> 01:03:55,800
Speaker 5: Texas routes, over the middle of things like that. I

1438
01:03:55,800 --> 01:03:57,600
Speaker 5: think there's some things that will give him trouble. But

1439
01:03:57,680 --> 01:04:00,640
Speaker 5: again I think a shorts You know that people won't

1440
01:04:00,640 --> 01:04:02,760
Speaker 5: talk about Schwartz enough. It's his ability to put people

1441
01:04:02,760 --> 01:04:05,360
Speaker 5: in really good situations. He'll never put these guys in

1442
01:04:05,440 --> 01:04:08,080
Speaker 5: situations they can't do. He's gonna put him in situations

1443
01:04:08,080 --> 01:04:09,960
Speaker 5: that they're good at. And right now, for him, that's

1444
01:04:09,960 --> 01:04:12,479
Speaker 5: getting after the that's getting half their pastor third down.

1445
01:04:12,760 --> 01:04:14,600
Speaker 5: You know he can play in nickel where he's gonna

1446
01:04:14,640 --> 01:04:16,720
Speaker 5: he's gonna drop back and coverage and rally forward and

1447
01:04:16,720 --> 01:04:18,560
Speaker 5: make tackles when you know, when they check it down

1448
01:04:18,800 --> 01:04:21,240
Speaker 5: underneath on third down. So he's just the guy gives

1449
01:04:21,280 --> 01:04:23,160
Speaker 5: you a big body and a guy who's gonna give

1450
01:04:23,160 --> 01:04:24,520
Speaker 5: you tremendous energy at practice.

1451
01:04:24,640 --> 01:04:27,760
Speaker 2: Lance, this is great man. Yeah, great info. Really appreciate you.

1452
01:04:28,160 --> 01:04:29,640
Speaker 2: Good stuff out of you. Thanks for your time.

1453
01:04:29,760 --> 01:04:31,600
Speaker 5: Oh, I appreciate it. Thanks for having me, guys, I

1454
01:04:31,680 --> 01:04:32,320
Speaker 5: appreciate it.

1455
01:04:32,400 --> 01:04:33,480
Speaker 3: All right. That's Lance R.

1456
01:04:33,520 --> 01:04:35,000
Speaker 2: Island. He's very good. That was a lot of good

1457
01:04:35,000 --> 01:04:37,440
Speaker 2: information there, Cleveland dot com. He joined on the Twisted

1458
01:04:37,480 --> 01:04:39,960
Speaker 2: Heart Iced Tea hotline Twisted T Heart Iced t official

1459
01:04:40,000 --> 01:04:43,400
Speaker 2: sponsor of your Cleveland Browns. Keep it twisted Cleveland. Uh,

1460
01:04:43,440 --> 01:04:47,200
Speaker 2: interesting comments and scenes honestly coming out of Cincinnati. In

1461
01:04:47,240 --> 01:04:48,760
Speaker 2: regard to Joe Burrow, I want to get your take

1462
01:04:48,800 --> 01:04:51,400
Speaker 2: on this coming up next Cleveland Rozalily eight fifty yesp

1463
01:04:51,480 --> 01:04:52,360
Speaker 2: and Cleveland.

1464
01:04:59,320 --> 01:05:02,560
Speaker 1: Cleveland Pounds Daily, brought to you by Bally bet Now

1465
01:05:02,680 --> 01:05:16,440
Speaker 1: live in Ohio on eight fifty ESPN Cleveland.

1466
01:05:39,960 --> 01:05:41,680
Speaker 2: All right, welcome ba here to Cleveland brown Dailey's brought

1467
01:05:41,680 --> 01:05:43,920
Speaker 2: to you by Ballet Bet sportspinning partner, your Cleveland Browns

1468
01:05:44,480 --> 01:05:45,760
Speaker 2: a fifty ESPN Cleveland.

1469
01:05:46,000 --> 01:05:47,320
Speaker 3: So Joe Burrow bulked up.

1470
01:05:47,600 --> 01:05:49,120
Speaker 2: I'll get to his comments on this stuff in a

1471
01:05:49,160 --> 01:05:51,040
Speaker 2: second of the eighteen game schedule. But he bulked up.

1472
01:05:51,040 --> 01:05:54,000
Speaker 2: He had it fifteen pounds of muscle. I was talking

1473
01:05:54,040 --> 01:05:57,680
Speaker 2: to Mike Petraglia down there earlier this week and he said,

1474
01:05:57,680 --> 01:06:03,040
Speaker 2: it's noticeable how much muscle he's added. I asked him,

1475
01:06:03,080 --> 01:06:05,840
Speaker 2: I said, well, look, one of the things that's a

1476
01:06:05,960 --> 01:06:08,479
Speaker 2: real concern and they're now talking about it out loud,

1477
01:06:08,560 --> 01:06:10,160
Speaker 2: is like, this guy's got to get through a season.

1478
01:06:10,560 --> 01:06:13,280
Speaker 2: Half of his NFL seasons he hasn't gotten through. And

1479
01:06:13,440 --> 01:06:16,960
Speaker 2: so my thing is what he is, naturally is an

1480
01:06:17,000 --> 01:06:20,040
Speaker 2: extender of the pocket, a runner when the pocket when

1481
01:06:20,040 --> 01:06:22,480
Speaker 2: they aren't there to create first downs, and he's somebody

1482
01:06:22,520 --> 01:06:25,480
Speaker 2: who holds onto the ball back end.

1483
01:06:26,600 --> 01:06:30,720
Speaker 3: Put it down first. There you go, beautiful.

1484
01:06:31,480 --> 01:06:34,520
Speaker 2: So anyway, he holds onto the ball about a half

1485
01:06:34,560 --> 01:06:37,720
Speaker 2: second long, hoping that maybe something develops with Chase downfield.

1486
01:06:38,240 --> 01:06:41,760
Speaker 2: So rather than trying to coach that stuff out of

1487
01:06:41,760 --> 01:06:43,680
Speaker 2: his game, what he did is he put on weight,

1488
01:06:44,080 --> 01:06:46,720
Speaker 2: which I do not think is a good idea, especially

1489
01:06:46,760 --> 01:06:50,120
Speaker 2: when you think about quarterbacks. Now it's all about flexibility. Yeah,

1490
01:06:50,160 --> 01:06:51,720
Speaker 2: you want to be strong with the weights and all that,

1491
01:06:51,760 --> 01:06:54,440
Speaker 2: but you want to be flexible. That's what kind of

1492
01:06:54,440 --> 01:06:56,600
Speaker 2: the trend has been. So I was surprised the last time.

1493
01:06:56,640 --> 01:06:57,760
Speaker 2: I mean, like all I could think of was like,

1494
01:06:57,800 --> 01:06:58,480
Speaker 2: Brady Came's not.

1495
01:06:58,520 --> 01:07:02,200
Speaker 3: Going to become Ben No, yeah, I don't. I don't know.

1496
01:07:02,360 --> 01:07:04,320
Speaker 4: I mean he looks good, his legs look yes, good

1497
01:07:04,360 --> 01:07:07,760
Speaker 4: and strong, but he yeah, he's to me, he's had

1498
01:07:07,840 --> 01:07:11,560
Speaker 4: kind of weirdish injuries anyway, Yes, other than the ACL

1499
01:07:11,720 --> 01:07:15,320
Speaker 4: but you know, the calf, whatever happened to risk wrist.

1500
01:07:15,680 --> 01:07:18,200
Speaker 4: You know, putting on more mass is the parts that

1501
01:07:18,240 --> 01:07:19,800
Speaker 4: can't get any bigger are not going to get any

1502
01:07:19,800 --> 01:07:20,400
Speaker 4: bigger for him.

1503
01:07:20,440 --> 01:07:24,560
Speaker 2: No, no, they're not. So he also had comment on this.

1504
01:07:24,680 --> 01:07:26,960
Speaker 2: NFL Commissioner Roger Goodell recently admitted the league may look

1505
01:07:27,000 --> 01:07:28,680
Speaker 2: to it. Oh you don't, you don't, you don't say

1506
01:07:28,920 --> 01:07:31,920
Speaker 2: to an eighteen game season. Bengals quarterback Joe Burrow was

1507
01:07:31,960 --> 01:07:34,640
Speaker 2: quick to responder, you're in favor of an additional bye week? Yes,

1508
01:07:34,720 --> 01:07:36,680
Speaker 2: Now the signal caller has doubled down a mistake by

1509
01:07:36,680 --> 01:07:39,720
Speaker 2: offering even more expansive alternative. Maybe you could do something

1510
01:07:39,760 --> 01:07:41,280
Speaker 2: like the first buy is kind of how we have

1511
01:07:41,360 --> 01:07:43,840
Speaker 2: it now, and the second by everybody has it once,

1512
01:07:44,120 --> 01:07:46,240
Speaker 2: and you make it like the Pro Bowl week, like

1513
01:07:46,280 --> 01:07:47,760
Speaker 2: an All Star break in the NBA.

1514
01:07:48,000 --> 01:07:49,960
Speaker 3: No, I don't know. People get paid.

1515
01:07:49,680 --> 01:07:51,480
Speaker 2: A lot of money to make these decisions and make

1516
01:07:51,520 --> 01:07:53,600
Speaker 2: those decisions. But we'll see how it plays out. It

1517
01:07:53,640 --> 01:07:54,680
Speaker 2: won't play out that way.

1518
01:07:54,760 --> 01:08:00,200
Speaker 4: No, no, no, no. Could you imagine if Burrow or

1519
01:08:00,280 --> 01:08:02,600
Speaker 4: Mahomes got hurt in a mid season All Star game?

1520
01:08:02,800 --> 01:08:06,800
Speaker 2: Furthermore, No, furthermore, can you imagine going to your network

1521
01:08:06,800 --> 01:08:09,400
Speaker 2: partners who pay you billions in saying we're taking order

1522
01:08:09,520 --> 01:08:11,560
Speaker 2: to take this whole week off. No, we're not gonna

1523
01:08:11,560 --> 01:08:13,479
Speaker 2: give you a Thursday night TV show. We're not giving

1524
01:08:13,520 --> 01:08:15,040
Speaker 2: you Sunday TV show Sunday night.

1525
01:08:15,360 --> 01:08:16,479
Speaker 3: You're gonna get this Pro Bowl thing.

1526
01:08:16,479 --> 01:08:18,200
Speaker 2: You're gonna get the thing instead.

1527
01:08:18,640 --> 01:08:20,320
Speaker 3: Yeah, no, no, no.

1528
01:08:20,680 --> 01:08:22,560
Speaker 2: I do think two buys is smart.

1529
01:08:23,000 --> 01:08:25,840
Speaker 4: Two buys is absolutely the way it should go, and

1530
01:08:25,880 --> 01:08:28,479
Speaker 4: it should be on a rotating basis where you have

1531
01:08:28,520 --> 01:08:31,040
Speaker 4: like kind of three three week periods and you rotate

1532
01:08:31,040 --> 01:08:32,720
Speaker 4: out a third of the league even you're still gonna

1533
01:08:32,720 --> 01:08:35,320
Speaker 4: have enough to fill every time slot on television, and

1534
01:08:35,400 --> 01:08:37,759
Speaker 4: you do it so that there are kind of three

1535
01:08:37,840 --> 01:08:41,599
Speaker 4: if you're at eighteen games, three six game seasons, so

1536
01:08:41,640 --> 01:08:44,000
Speaker 4: that you would try to make it so that you

1537
01:08:44,080 --> 01:08:48,080
Speaker 4: play five, six or seven games, yes, and then get

1538
01:08:48,360 --> 01:08:50,920
Speaker 4: a break, so that the longest stretch any team would

1539
01:08:50,920 --> 01:08:53,479
Speaker 4: ever have would be set. Would be let's see if

1540
01:08:53,479 --> 01:08:56,639
Speaker 4: you've got one after six, six and six obviously would

1541
01:08:56,640 --> 01:08:58,080
Speaker 4: make it perfectly, But we can have the whole leader.

1542
01:08:58,120 --> 01:09:00,320
Speaker 4: So you're gonna have summ at you know, five would

1543
01:09:00,320 --> 01:09:02,840
Speaker 4: be at seven. You can go five six, so that

1544
01:09:03,120 --> 01:09:05,120
Speaker 4: you could make it so that seven games would not

1545
01:09:05,439 --> 01:09:07,799
Speaker 4: you would never play more than seven consecutive games.

1546
01:09:08,240 --> 01:09:08,559
Speaker 3: Why not?

1547
01:09:09,200 --> 01:09:12,439
Speaker 2: No that there's no Yeah, there's no reason not to.

1548
01:09:12,800 --> 01:09:14,680
Speaker 2: I they'll never do it. I wish they would go

1549
01:09:14,720 --> 01:09:16,280
Speaker 2: the other way. I wish they would go to six,

1550
01:09:16,360 --> 01:09:18,840
Speaker 2: back to sixteen, and then add the two bye weeks

1551
01:09:18,840 --> 01:09:21,840
Speaker 2: in there and extend the season. That's fine, extend the

1552
01:09:21,880 --> 01:09:25,200
Speaker 2: season out in the window that it's played a little bit.

1553
01:09:25,439 --> 01:09:28,040
Speaker 2: It'll be eighteen weeks as it is now with a

1554
01:09:28,120 --> 01:09:29,320
Speaker 2: second by yeah, it.

1555
01:09:29,240 --> 01:09:31,000
Speaker 3: Would be sixteen games and two by weeks.

1556
01:09:32,080 --> 01:09:34,800
Speaker 2: Yeah, that's true. You have because you have the seventeen.

1557
01:09:34,479 --> 01:09:36,759
Speaker 4: Right now, you're at seventeen one, you're at eighteen eighteen

1558
01:09:36,840 --> 01:09:39,599
Speaker 4: and two is now now it's a twenty week season

1559
01:09:39,640 --> 01:09:41,400
Speaker 4: they have now have like that's.

1560
01:09:41,160 --> 01:09:41,960
Speaker 3: End of February.

1561
01:09:42,360 --> 01:09:44,960
Speaker 2: Goodell was talking about playing President's Day the super Bowl

1562
01:09:45,040 --> 01:09:47,840
Speaker 2: the Sunday of President's Day. You're just going, God, when

1563
01:09:47,880 --> 01:09:49,840
Speaker 2: am I ever going to be off? Will ever be off?

1564
01:09:49,920 --> 01:09:53,280
Speaker 3: And that's my that'll be your anniversary anniversary.

1565
01:09:53,400 --> 01:09:57,880
Speaker 2: Cheezu man, Yeah, it's it's such a sixteen was the

1566
01:09:57,920 --> 01:10:02,160
Speaker 2: sweet spot? I well, I don't like it for this

1567
01:10:02,240 --> 01:10:04,080
Speaker 2: is just get off my lawn stuff. But I don't

1568
01:10:04,120 --> 01:10:06,600
Speaker 2: like it from the numbers standpoint, like it makes it

1569
01:10:06,640 --> 01:10:09,280
Speaker 2: so difficult to compare. Well, yes, you're just gonna get

1570
01:10:09,320 --> 01:10:10,799
Speaker 2: guys annihilating records.

1571
01:10:11,160 --> 01:10:11,920
Speaker 3: Eighteens.

1572
01:10:11,960 --> 01:10:14,280
Speaker 4: You would just talk about the season in thirds. The

1573
01:10:14,320 --> 01:10:16,519
Speaker 4: problem is seventeen is it does.

1574
01:10:16,360 --> 01:10:18,000
Speaker 2: There's a million? No, it's seventeen.

1575
01:10:18,040 --> 01:10:18,400
Speaker 3: Stupid.

1576
01:10:18,400 --> 01:10:21,360
Speaker 4: You can't have quarters because one would be like, yeah,

1577
01:10:21,439 --> 01:10:23,439
Speaker 4: now would be thirds six, six, six and six.

1578
01:10:24,000 --> 01:10:25,320
Speaker 3: Yeah, that's a lot of ball.

1579
01:10:26,000 --> 01:10:29,000
Speaker 2: Yeah, and yeah, you think about like what happened to

1580
01:10:29,080 --> 01:10:30,720
Speaker 2: us last year injury wise, it happened to a lot

1581
01:10:30,760 --> 01:10:31,559
Speaker 2: of people in the league.

1582
01:10:32,840 --> 01:10:33,800
Speaker 3: It's just a lot of ball.

1583
01:10:33,960 --> 01:10:39,760
Speaker 2: I wish there was some way to extend, extend the

1584
01:10:39,960 --> 01:10:42,320
Speaker 2: sixteen games into a twenty week window.

1585
01:10:43,840 --> 01:10:47,720
Speaker 3: Four bye weeks. They wouldn't do that.

1586
01:10:47,760 --> 01:10:48,400
Speaker 2: Couldn't do that.

1587
01:10:49,200 --> 01:10:49,679
Speaker 3: Oh you could.

1588
01:10:49,720 --> 01:10:51,720
Speaker 2: I mean you could just have you know, every four weeks,

1589
01:10:51,760 --> 01:10:54,240
Speaker 2: you're off for a week to get healthy.

1590
01:10:55,800 --> 01:11:01,080
Speaker 3: People want to play. The bye weeks? Are two of them?

1591
01:11:01,120 --> 01:11:03,439
Speaker 3: Would be three fours to two any sports?

1592
01:11:03,520 --> 01:11:07,800
Speaker 2: Yeah, agreed, maybe a week off between them. Now now

1593
01:11:07,800 --> 01:11:10,840
Speaker 2: you're not gonna do that either. Yeah, it's tough. Yeah,

1594
01:11:10,960 --> 01:11:13,080
Speaker 2: they're never going back to sixteen. But I thought that's

1595
01:11:13,160 --> 01:11:14,920
Speaker 2: that's the number that I wish they'd get back to.

1596
01:11:14,960 --> 01:11:16,800
Speaker 2: It'll be eighteen, it'll be twenty over twenty weeks, and

1597
01:11:16,840 --> 01:11:18,640
Speaker 2: that's how they'll do it. All Right, we'll hit the

1598
01:11:18,680 --> 01:11:20,559
Speaker 2: mail bag coming up next. List to Cleveland Browns Daily

1599
01:11:20,600 --> 01:11:24,160
Speaker 2: on a fifty ESPN Cleveland.

1600
01:11:31,360 --> 01:11:34,559
Speaker 1: Cleveland Browns Daily brought to you by Balley bed Now

1601
01:11:34,680 --> 01:11:39,439
Speaker 1: Live in Ohio on eight fifty ESPN Cleveland.

1602
01:11:42,479 --> 01:11:44,559
Speaker 2: All Right, welcome back to Cleveland Browns Daily, brought you

1603
01:11:44,560 --> 01:11:46,720
Speaker 2: by Ballely bet sports winning partner, your Cleveland Browns Now

1604
01:11:46,720 --> 01:11:49,840
Speaker 2: Live in Ohio on eight fifty ESPN Cleveland Time for

1605
01:11:49,880 --> 01:11:52,519
Speaker 2: a Little mail Bag Thursday, presented by the Cross Country

1606
01:11:52,560 --> 01:11:55,559
Speaker 2: Mortgage Company, official mortgage partner, your Cleveland Browns. When it

1607
01:11:55,560 --> 01:11:57,360
Speaker 2: comes to financing, they're always going to get you home

1608
01:11:57,439 --> 01:12:01,920
Speaker 2: visits CCM dot com Today Equalizes Opportunity and MLS three

1609
01:12:02,080 --> 01:12:03,080
Speaker 2: zero two nine.

1610
01:12:03,439 --> 01:12:05,880
Speaker 3: Hello Gibbe, Hi, boys, you got a lot going on

1611
01:12:05,920 --> 01:12:08,599
Speaker 3: back there, Gibbe, he had a lot.

1612
01:12:08,680 --> 01:12:08,840
Speaker 5: You know.

1613
01:12:08,880 --> 01:12:12,320
Speaker 6: I got a ton of video expertise crushing it.

1614
01:12:14,120 --> 01:12:15,519
Speaker 2: Now you're on. Now you got it it.

1615
01:12:15,640 --> 01:12:16,559
Speaker 6: Also, that's on me.

1616
01:12:18,920 --> 01:12:21,760
Speaker 3: Your hand. No, Griff, you're now you're doing the work

1617
01:12:21,840 --> 01:12:22,000
Speaker 3: I do.

1618
01:12:22,080 --> 01:12:24,240
Speaker 6: Every shout out. Griff who came in out of the

1619
01:12:24,280 --> 01:12:29,320
Speaker 6: pasture to give me the assist, I was like, hey, dude,

1620
01:12:29,600 --> 01:12:31,559
Speaker 6: I don't know what's going on, but when the guy's

1621
01:12:31,600 --> 01:12:33,920
Speaker 6: going to break, I can't get them off the camera.

1622
01:12:35,160 --> 01:12:36,320
Speaker 6: I don't know what's going.

1623
01:12:36,320 --> 01:12:38,200
Speaker 3: Was it actually it was it simple? Or was it not?

1624
01:12:38,600 --> 01:12:42,040
Speaker 6: No? It was was like, Gibbs, I've been gone a week.

1625
01:12:42,200 --> 01:12:46,960
Speaker 6: What have you done? And I'm like, yeah, it's yeah,

1626
01:12:47,200 --> 01:12:49,840
Speaker 6: it's pretty good. I got the audio part figured out,

1627
01:12:50,160 --> 01:12:54,400
Speaker 6: but not the not the video part. So we're we're

1628
01:12:54,439 --> 01:12:58,880
Speaker 6: working through it baby steps kids. Uh speaking of baby steps,

1629
01:12:58,880 --> 01:13:00,200
Speaker 6: I don't know if you guys saw this in not

1630
01:13:00,760 --> 01:13:04,000
Speaker 6: this came down the last half hour. Former NBA forward

1631
01:13:04,080 --> 01:13:08,320
Speaker 6: Glenn big Baby Davis right sentenced by a federal judge

1632
01:13:08,360 --> 01:13:12,360
Speaker 6: today to forty months in prison plus three years supervised

1633
01:13:12,439 --> 01:13:15,879
Speaker 6: release for his twenty twenty three conviction in an alleged

1634
01:13:15,880 --> 01:13:20,639
Speaker 6: scheme to defraud the NBA's league benefits plan.

1635
01:13:22,000 --> 01:13:24,760
Speaker 3: Big Baby forty months.

1636
01:13:25,439 --> 01:13:29,320
Speaker 2: That makes me, I wonder what. Yeah, that's not great.

1637
01:13:29,439 --> 01:13:38,240
Speaker 6: Man, that's uh yikes, not great kids, not great at all.

1638
01:13:39,200 --> 01:13:41,880
Speaker 6: What is great is the mailbag. You can tweetish your

1639
01:13:41,960 --> 01:13:47,639
Speaker 6: questions at Brown's Underscore Daily. I do have a question

1640
01:13:47,720 --> 01:13:50,599
Speaker 6: for you, actually, bo Bishop, before we even start. Are

1641
01:13:50,680 --> 01:13:55,280
Speaker 6: the festivities for Bootsies festivus for the rest of us?

1642
01:13:55,320 --> 01:13:56,880
Speaker 3: Like? Are we good?

1643
01:13:57,040 --> 01:13:59,400
Speaker 6: Weatherwise? Not so great?

1644
01:13:59,280 --> 01:14:00,920
Speaker 3: Let me tear it's going to suck.

1645
01:14:01,479 --> 01:14:06,280
Speaker 2: It won't It will not at all, It will not

1646
01:14:06,360 --> 01:14:10,160
Speaker 2: at all hinder his joy. My dad got in last night.

1647
01:14:10,320 --> 01:14:13,960
Speaker 2: He's bouncing around. We got a fresh haircut, looks fantastic.

1648
01:14:14,040 --> 01:14:15,920
Speaker 2: Got a nice little glow to him from the weekend

1649
01:14:15,920 --> 01:14:18,160
Speaker 2: in the lacrosse. He's all tanned up, ready to go.

1650
01:14:18,880 --> 01:14:21,280
Speaker 2: He's flopping around like a fish in the pool last night,

1651
01:14:21,320 --> 01:14:25,400
Speaker 2: living his best life. No, I think he's ready to thrive.

1652
01:14:26,479 --> 01:14:29,080
Speaker 2: He is not one who hides from the spotlight. In fact,

1653
01:14:29,200 --> 01:14:32,760
Speaker 2: the spotlight naturally finds him. So I think this will

1654
01:14:32,800 --> 01:14:36,639
Speaker 2: only be a great moment and weekend for him, despite

1655
01:14:36,960 --> 01:14:39,439
Speaker 2: their not being the orb in the sky.

1656
01:14:39,560 --> 01:14:40,040
Speaker 3: I love that.

1657
01:14:40,120 --> 01:14:41,680
Speaker 6: I just wondered how it was going to impact your

1658
01:14:42,000 --> 01:14:42,960
Speaker 6: your party planning.

1659
01:14:43,360 --> 01:14:43,840
Speaker 3: No, we're good.

1660
01:14:43,840 --> 01:14:45,679
Speaker 2: We're at the story indoors anyway.

1661
01:14:45,840 --> 01:14:48,840
Speaker 6: Okay, fine, I wasn't sure, Like we're going through the

1662
01:14:48,880 --> 01:14:51,720
Speaker 6: Mother's Day discussion. Now we have to host well, and

1663
01:14:51,760 --> 01:14:55,000
Speaker 6: I'm like, my wife's determined to do it outside. I'm like, honey,

1664
01:14:55,040 --> 01:14:57,400
Speaker 6: it's going to require a jacket. There's no rain. But

1665
01:14:57,479 --> 01:14:58,440
Speaker 6: it's in the sixties.

1666
01:14:58,560 --> 01:15:00,439
Speaker 2: Where are we I mean, because this is and keeps

1667
01:15:00,520 --> 01:15:03,720
Speaker 2: changing on me. I know it's changed a lot. So

1668
01:15:04,400 --> 01:15:06,599
Speaker 2: it was supposed to be all right, So today sucks,

1669
01:15:07,120 --> 01:15:11,679
Speaker 2: Tomorrow is mostly going to suck. Then it's kind of cool,

1670
01:15:11,760 --> 01:15:14,400
Speaker 2: really cool. Oh Saturday is going to really suck. Saturdays

1671
01:15:14,520 --> 01:15:18,200
Speaker 2: Saturday's really bad. Thick cloud cover, showers, smaller storms, yeah,

1672
01:15:18,200 --> 01:15:19,080
Speaker 2: oh yeah, got.

1673
01:15:18,880 --> 01:15:21,200
Speaker 3: Some good Lord, it doesn't sound like golf, No.

1674
01:15:21,840 --> 01:15:28,479
Speaker 2: Sunday, Sunday Sunday. Yeah, so you're back in the mix

1675
01:15:28,640 --> 01:15:31,479
Speaker 2: for Mother's Day. Yeah, that's nice, and then Monday's okay,

1676
01:15:31,479 --> 01:15:32,800
Speaker 2: while you time, you get back into the week.

1677
01:15:32,840 --> 01:15:34,879
Speaker 3: But then you're good.

1678
01:15:35,400 --> 01:15:38,680
Speaker 2: What sucks is like it's been great for you know,

1679
01:15:39,400 --> 01:15:43,000
Speaker 2: really three weeks, it's been really good. And then this stretch,

1680
01:15:43,760 --> 01:15:45,080
Speaker 2: this stretch is bad.

1681
01:15:45,120 --> 01:15:46,240
Speaker 3: This four or five days.

1682
01:15:46,000 --> 01:15:50,479
Speaker 6: Here, yeah, uh, let's see, let's get it going here

1683
01:15:50,520 --> 01:15:55,920
Speaker 6: at Brown's Underscore daily. This is Cleveland is the reason.

1684
01:15:56,000 --> 01:15:58,760
Speaker 6: Have you guys seen Uncle Baby Billy and anything else

1685
01:15:58,880 --> 01:16:01,479
Speaker 6: like Fallout or on Amazon Prime.

1686
01:16:01,760 --> 01:16:07,240
Speaker 2: Uh, he's unbelievable and Justified, unbelievable and Justified, probably a

1687
01:16:07,320 --> 01:16:14,120
Speaker 2: top five character ever. In Justified, he's unbelievable. So he's

1688
01:16:14,160 --> 01:16:15,960
Speaker 2: in that, and he was in that before he was

1689
01:16:16,040 --> 01:16:19,880
Speaker 2: Uncle Baby Billy. He's really good in The Shield, which

1690
01:16:19,920 --> 01:16:23,000
Speaker 2: is a long ago FX show. He's very good in that.

1691
01:16:25,920 --> 01:16:27,880
Speaker 4: Me Am, I gonna be am, I just gonna be

1692
01:16:27,920 --> 01:16:30,000
Speaker 4: wanting him, Like if I were to watch Justified, I

1693
01:16:30,040 --> 01:16:33,720
Speaker 4: know he's the big bad opposite Timothy Oliphant, right, Am,

1694
01:16:33,720 --> 01:16:36,800
Speaker 4: I gonna just want him to be Uncle Baby Billy.

1695
01:16:36,960 --> 01:16:42,920
Speaker 2: I mean, the charisma is there in Justified, Okay, like

1696
01:16:43,000 --> 01:16:45,920
Speaker 2: it's a serious show. Like, so he's not, you know,

1697
01:16:45,960 --> 01:16:48,679
Speaker 2: singing out of a sheet seashell at a fictional bible.

1698
01:16:50,240 --> 01:16:52,680
Speaker 3: That was a poor use of his talents, It really was.

1699
01:16:52,800 --> 01:16:54,040
Speaker 2: It seemed like you had a good life. He was

1700
01:16:54,080 --> 01:16:55,639
Speaker 2: complaining that seemed like it was a pretty good set

1701
01:16:55,640 --> 01:16:56,920
Speaker 2: Actually it was a pretty good set up for he

1702
01:16:56,960 --> 01:16:58,880
Speaker 2: was in a suite, he was in the Bahamas with

1703
01:16:59,000 --> 01:17:01,200
Speaker 2: all you can, you all that you need. The only

1704
01:17:01,240 --> 01:17:02,760
Speaker 2: thing he had to sing at the pool and I

1705
01:17:02,760 --> 01:17:05,720
Speaker 2: guess maybe that was demeaning to him, embarrassing other than that,

1706
01:17:05,840 --> 01:17:09,280
Speaker 2: I'm an international superstar. Now come on, now, come on now.

1707
01:17:09,720 --> 01:17:10,240
Speaker 6: So he was.

1708
01:17:10,280 --> 01:17:14,160
Speaker 2: Also he was in Vice Principles with Danny McBride, but.

1709
01:17:14,120 --> 01:17:18,040
Speaker 3: That didn't land right. I never got it too serious.

1710
01:17:18,400 --> 01:17:21,400
Speaker 2: It was, you know, like the first season of Gemstones

1711
01:17:21,439 --> 01:17:25,720
Speaker 2: that got like dark, It got it just got dark. Yeah,

1712
01:17:25,960 --> 01:17:26,960
Speaker 2: you know, and it didn't need to.

1713
01:17:27,800 --> 01:17:28,719
Speaker 3: He must like dark.

1714
01:17:29,200 --> 01:17:31,040
Speaker 2: I think he likes taking you to someplace you didn't

1715
01:17:31,040 --> 01:17:31,720
Speaker 2: think you were gonna go.

1716
01:17:31,920 --> 01:17:34,600
Speaker 4: Kenny Powers had some darkness to it, very yeah. The

1717
01:17:34,720 --> 01:17:35,880
Speaker 4: end has some darkness to it.

1718
01:17:35,960 --> 01:17:38,719
Speaker 3: Yep. Yeah, Pineapple Express has some darkness.

1719
01:17:38,720 --> 01:17:41,559
Speaker 2: Sure, yep. Yeah, and he's unbelievable. And if you haven't

1720
01:17:41,560 --> 01:17:43,040
Speaker 2: seen Justified, it's awesome.

1721
01:17:43,760 --> 01:17:45,760
Speaker 3: By the way, Bobby's bringing a heater again.

1722
01:17:45,840 --> 01:17:50,400
Speaker 6: Love it, mister camantastic. Have either of you, gentlemen, seen

1723
01:17:50,439 --> 01:17:53,000
Speaker 6: the expanse on Prime video? I think it's right up

1724
01:17:53,040 --> 01:17:53,639
Speaker 6: your alleys.

1725
01:17:54,160 --> 01:17:54,320
Speaker 3: No.

1726
01:17:54,400 --> 01:17:55,320
Speaker 2: I had never even heard of it.

1727
01:17:55,479 --> 01:17:58,400
Speaker 3: Never heard of it either the expense.

1728
01:18:02,400 --> 01:18:04,000
Speaker 6: I don't know if this is appropriate or not, but

1729
01:18:04,040 --> 01:18:06,960
Speaker 6: I'm going down the road anyways, because why not not.

1730
01:18:07,160 --> 01:18:13,439
Speaker 6: Pedro is like uh Tyreon lanisteran lanister. He tells Little

1731
01:18:13,479 --> 01:18:16,160
Speaker 6: Finger he's marrying Sanza to the bail.

1732
01:18:18,720 --> 01:18:23,040
Speaker 2: So if Pedro were in Game of Thrones, I think

1733
01:18:23,120 --> 01:18:23,680
Speaker 2: he would be.

1734
01:18:28,640 --> 01:18:32,560
Speaker 3: I mean, he's not He's not Taiwan.

1735
01:18:32,760 --> 01:18:36,599
Speaker 2: Of course not he's he I'm not saying he is.

1736
01:18:36,960 --> 01:18:40,000
Speaker 2: He's this type of a human, but kind of the

1737
01:18:40,040 --> 01:18:44,240
Speaker 2: outsized sense of power Little Walder, little Walterfray.

1738
01:18:44,080 --> 01:18:45,760
Speaker 3: Waldfray, even Robert Bray.

1739
01:18:45,880 --> 01:18:47,800
Speaker 2: He has got control of this and he's got this

1740
01:18:48,080 --> 01:18:50,160
Speaker 2: this area where he's got a lot of power in

1741
01:18:50,160 --> 01:18:53,600
Speaker 2: this area. Yeah, and everyone you know, I'm not not

1742
01:18:53,720 --> 01:18:55,400
Speaker 2: none of the rest of the stuff with Frey, but

1743
01:18:55,479 --> 01:19:00,760
Speaker 2: just from the standpoint of like in his world, got

1744
01:19:01,160 --> 01:19:02,599
Speaker 2: by the way, my dad would be in there too,

1745
01:19:02,600 --> 01:19:03,400
Speaker 2: he'd be in that next.

1746
01:19:03,760 --> 01:19:13,000
Speaker 4: He also could be like Ned Stark's wife, her sister

1747
01:19:13,080 --> 01:19:16,479
Speaker 4: who is up at the U in the air, in

1748
01:19:16,520 --> 01:19:23,360
Speaker 4: the area or area wherever. That is pretty one. I'm

1749
01:19:23,400 --> 01:19:25,920
Speaker 4: in charge, really remote.

1750
01:19:26,160 --> 01:19:27,960
Speaker 2: Yeah, I want to.

1751
01:19:27,960 --> 01:19:32,000
Speaker 3: Watch the little Man flye. No, we're not going to

1752
01:19:32,040 --> 01:19:32,240
Speaker 3: do that.

1753
01:19:32,280 --> 01:19:34,639
Speaker 6: We're not going to do that. I don't think Preston

1754
01:19:34,720 --> 01:19:37,640
Speaker 6: with a question. He's got two questions. Who do you

1755
01:19:37,680 --> 01:19:40,799
Speaker 6: think one the Kenderick mar versus Drake wrap beef.

1756
01:19:41,000 --> 01:19:43,479
Speaker 3: I don't have any idea. I can't.

1757
01:19:45,240 --> 01:19:48,760
Speaker 4: Similarly, Nope, I did do some reading on this because

1758
01:19:48,760 --> 01:19:50,360
Speaker 4: I was just seeing so much about it, so I

1759
01:19:50,360 --> 01:19:52,439
Speaker 4: had somebody really break it down. And I think the

1760
01:19:52,479 --> 01:19:59,759
Speaker 4: consensus right now is that Drake has been beaten badly. Okay,

1761
01:20:00,160 --> 01:20:03,519
Speaker 4: Kendrick Lamars won the beef, although I think it took

1762
01:20:03,560 --> 01:20:06,120
Speaker 4: like a fairly serious turn. I'm supposely when Drake's bodyguards

1763
01:20:06,160 --> 01:20:07,400
Speaker 4: he got shot outside of his house.

1764
01:20:08,560 --> 01:20:10,800
Speaker 2: Okay, Well, that's just what was the beef about? What's

1765
01:20:10,840 --> 01:20:11,920
Speaker 2: the what's their beef about?

1766
01:20:12,760 --> 01:20:15,599
Speaker 4: Usually it's chick a bunch of disses, rapid disses, buck

1767
01:20:15,720 --> 01:20:16,520
Speaker 4: and forth.

1768
01:20:16,280 --> 01:20:19,519
Speaker 6: All right, all right, bonus question. Then describe your way

1769
01:20:19,560 --> 01:20:22,840
Speaker 6: out of describe your way of cooking your favorite cut

1770
01:20:22,840 --> 01:20:23,520
Speaker 6: of beef.

1771
01:20:25,680 --> 01:20:26,400
Speaker 3: Prime rip.

1772
01:20:28,240 --> 01:20:30,559
Speaker 4: And it can be souvied and then finished in the oven.

1773
01:20:30,600 --> 01:20:32,240
Speaker 4: It can be roasted, it could be smoked, it could

1774
01:20:32,240 --> 01:20:34,479
Speaker 4: be it could be a lot of things.

1775
01:20:34,720 --> 01:20:36,720
Speaker 2: Yeah, I'm a I'm a ribbi guy. I love a

1776
01:20:36,720 --> 01:20:39,000
Speaker 2: prime rib as well, but I'm a ribbi would be

1777
01:20:39,040 --> 01:20:43,600
Speaker 2: my my is my favorite cut. I don't do this

1778
01:20:43,760 --> 01:20:46,280
Speaker 2: often because it's labor intensive when I'm because I'm always

1779
01:20:46,320 --> 01:20:48,680
Speaker 2: cooking for a family. But if you can do it

1780
01:20:48,800 --> 01:20:52,360
Speaker 2: cast iron with butter, rosemary and garlic and you just

1781
01:20:52,400 --> 01:20:55,080
Speaker 2: spoon it and you can get a nice crisp crust

1782
01:20:55,120 --> 01:20:57,880
Speaker 2: on it. The crust, that's the whole operation. But it's

1783
01:20:57,920 --> 01:21:01,639
Speaker 2: hard to do with about people, Like even if you're souving,

1784
01:21:01,920 --> 01:21:04,559
Speaker 2: it's busy work. Sure, it is a oil everywhere. It's

1785
01:21:04,600 --> 01:21:06,320
Speaker 2: a mess like, it's smoky like.

1786
01:21:06,920 --> 01:21:08,360
Speaker 3: But that's that's about as man.

1787
01:21:08,400 --> 01:21:12,760
Speaker 4: This is this expanses This is six seasons science fiction

1788
01:21:12,880 --> 01:21:14,360
Speaker 4: television series.

1789
01:21:15,479 --> 01:21:17,840
Speaker 3: For six seasons. Uh.

1790
01:21:17,960 --> 01:21:23,880
Speaker 6: Kyle Benner five Tomatoes tweets the show. After watching Curb, Yes,

1791
01:21:24,040 --> 01:21:27,160
Speaker 6: do you think you become more like ld or as

1792
01:21:27,400 --> 01:21:30,400
Speaker 6: LD's wisdom just shone a light on what was always

1793
01:21:30,439 --> 01:21:34,040
Speaker 6: there while on my first watch, though, I'm struggling to

1794
01:21:34,080 --> 01:21:37,320
Speaker 6: find out for myself. It's a deep question.

1795
01:21:37,360 --> 01:21:40,000
Speaker 2: Well, I think as you get older, you get more

1796
01:21:40,280 --> 01:21:42,759
Speaker 2: set in the things that you like and your ways.

1797
01:21:42,960 --> 01:21:46,120
Speaker 2: And then, yes, with age usually comes a certain modicum

1798
01:21:46,160 --> 01:21:48,680
Speaker 2: of success, and then with that comes the ability to

1799
01:21:48,760 --> 01:21:51,320
Speaker 2: kind of pick and choose what you want. And so

1800
01:21:51,479 --> 01:21:54,720
Speaker 2: I think, yeah, I mean I've always kind of been

1801
01:21:55,280 --> 01:21:58,440
Speaker 2: pretty straightforward.

1802
01:21:58,760 --> 01:22:02,400
Speaker 4: Yeah, So I I think that I think that ld

1803
01:22:02,600 --> 01:22:05,000
Speaker 4: has great wisdom. At times, he doesn't maybe deliver it

1804
01:22:05,040 --> 01:22:06,800
Speaker 4: always in the proper way, but I think a lot

1805
01:22:06,800 --> 01:22:08,439
Speaker 4: of things that he says have a lot has a

1806
01:22:08,439 --> 01:22:11,120
Speaker 4: great deal merit. So, and then to your point, as

1807
01:22:11,120 --> 01:22:14,639
Speaker 4: you kind of get older, you become the the lanes

1808
01:22:14,680 --> 01:22:17,120
Speaker 4: you like to stay in become very clearly defined.

1809
01:22:18,040 --> 01:22:18,479
Speaker 2: That's right.

1810
01:22:19,640 --> 01:22:27,479
Speaker 6: Well, Bobby time, babbe. Bobby is rocky for a sports

1811
01:22:27,520 --> 01:22:30,120
Speaker 6: movie or an action movie. We're going to start debating this.

1812
01:22:30,160 --> 01:22:31,320
Speaker 2: So romantic comedy.

1813
01:22:32,720 --> 01:22:36,240
Speaker 3: I bet it doesn't say that it's uh, I see

1814
01:22:36,280 --> 01:22:37,080
Speaker 3: what you did there. Yeah.

1815
01:22:37,720 --> 01:22:40,960
Speaker 4: Still we're still smarting from the wedding Crashers debate of

1816
01:22:41,479 --> 01:22:42,559
Speaker 4: early twenty four.

1817
01:22:42,680 --> 01:22:47,400
Speaker 3: Twenty four. It's a sports movie. Yeah, it's a boxing movie. Yeah.

1818
01:22:48,160 --> 01:22:50,760
Speaker 4: It's a political movie. It was, it was. It's a

1819
01:22:50,760 --> 01:22:52,679
Speaker 4: propaganda movie for its time and place.

1820
01:22:52,920 --> 01:22:55,720
Speaker 2: For our age, it's it is the definitive Rocky I think.

1821
01:22:55,840 --> 01:22:56,040
Speaker 3: Yes.

1822
01:22:56,560 --> 01:22:59,120
Speaker 2: Now, if you're older than us, then people will say

1823
01:22:59,160 --> 01:23:04,519
Speaker 2: that is it Rocky three with mister ts Yeah, with Hogan. Yeah,

1824
01:23:04,520 --> 01:23:06,960
Speaker 2: most people that will say that Rocky three is like

1825
01:23:07,000 --> 01:23:07,639
Speaker 2: the best one.

1826
01:23:07,800 --> 01:23:08,000
Speaker 3: Yeah.

1827
01:23:08,240 --> 01:23:11,840
Speaker 2: Uh, Rocky one's tough on a rewatch it takes forever, yes,

1828
01:23:11,960 --> 01:23:14,960
Speaker 2: and it's bleak two is basically just a redo of

1829
01:23:15,000 --> 01:23:17,920
Speaker 2: one four for us though for our age, that's the

1830
01:23:17,960 --> 01:23:19,360
Speaker 2: defining Rocky for sure.

1831
01:23:19,920 --> 01:23:22,679
Speaker 3: Yeah. I've and Drago Brigete Neils.

1832
01:23:22,680 --> 01:23:25,280
Speaker 2: There's like six music montages.

1833
01:23:24,840 --> 01:23:28,240
Speaker 3: Yes, a lot of training montages. Yeah. No, it's it's great.

1834
01:23:28,520 --> 01:23:29,720
Speaker 3: I'd actually like to rewatch that.

1835
01:23:29,800 --> 01:23:31,880
Speaker 2: There's no damn reason for him to not take money

1836
01:23:31,880 --> 01:23:36,000
Speaker 2: to go to Russia and fight, Like he's the heavyweight

1837
01:23:36,080 --> 01:23:39,000
Speaker 2: champion of the world and he decides to get rid

1838
01:23:39,040 --> 01:23:40,960
Speaker 2: of his belt, take no money to go to Russia

1839
01:23:41,000 --> 01:23:43,160
Speaker 2: and fight to get revenge for the murder of his buddy.

1840
01:23:43,280 --> 01:23:46,400
Speaker 4: Yeah, No, that one has stupid. Why why there's an

1841
01:23:46,439 --> 01:23:49,719
Speaker 4: unnecessary part of it. Just be like the best versus

1842
01:23:49,720 --> 01:23:51,719
Speaker 4: the best, This is the USA versus US.

1843
01:23:51,840 --> 01:23:52,160
Speaker 3: Correct.

1844
01:23:52,200 --> 01:23:54,600
Speaker 2: Yeah, why do I have to not make money?

1845
01:23:54,680 --> 01:23:57,280
Speaker 3: Yeah? Why can't I make money? Silly? He trained in Siberia,

1846
01:23:57,320 --> 01:23:58,479
Speaker 3: he had doing something.

1847
01:23:59,040 --> 01:24:01,439
Speaker 6: Who is your all time favorite Disney character?

1848
01:24:02,400 --> 01:24:03,000
Speaker 3: Oh? Easy?

1849
01:24:03,080 --> 01:24:08,679
Speaker 2: King Louis Jungle Book Louis, Big King Louie. Love that guy.

1850
01:24:10,880 --> 01:24:13,200
Speaker 2: We saw him, we get we checked into Disney last year.

1851
01:24:13,240 --> 01:24:15,320
Speaker 2: He was in the lobby when we checked in King.

1852
01:24:15,640 --> 01:24:18,240
Speaker 2: I never saw him again. That's my guy.

1853
01:24:20,920 --> 01:24:21,840
Speaker 3: It's a good question.

1854
01:24:23,760 --> 01:24:25,760
Speaker 2: You mean like, I'm sure you mean like animated. I'm

1855
01:24:25,760 --> 01:24:26,840
Speaker 2: guessing is what Bobby means.

1856
01:24:27,000 --> 01:24:28,000
Speaker 3: I'm going to go with that.

1857
01:24:30,280 --> 01:24:34,840
Speaker 4: I I did enjoy in when they did robin Hood

1858
01:24:34,920 --> 01:24:37,880
Speaker 4: when they rekind of Robin was great, but also the

1859
01:24:37,880 --> 01:24:39,360
Speaker 4: Sheriff of Nottingham was pretty great.

1860
01:24:39,479 --> 01:24:43,040
Speaker 2: He was great. And hiss, hiss, that's a great one.

1861
01:24:43,120 --> 01:24:43,800
Speaker 3: That's a good movie.

1862
01:24:43,800 --> 01:24:44,519
Speaker 2: It's really good.

1863
01:24:44,640 --> 01:24:44,960
Speaker 3: Yeah.

1864
01:24:45,600 --> 01:24:48,840
Speaker 2: That was one that was omnipresident in my youth. Oh yeah, yeah,

1865
01:24:48,840 --> 01:24:50,840
Speaker 2: they haven't done a good Robin Hood in a long time. No,

1866
01:24:51,200 --> 01:24:52,679
Speaker 2: been a lot of swings at it.

1867
01:24:52,760 --> 01:24:56,080
Speaker 3: The TV show that was Oh man, that's so good.

1868
01:24:56,479 --> 01:25:00,479
Speaker 6: Yeah, Uh, what are things you're too old do but

1869
01:25:00,520 --> 01:25:02,240
Speaker 6: you still enjoy.

1870
01:25:03,840 --> 01:25:05,760
Speaker 2: I don't think there's anything that I'm too old to

1871
01:25:05,800 --> 01:25:07,080
Speaker 2: do that I still enjoy.

1872
01:25:07,160 --> 01:25:08,000
Speaker 3: I think everything.

1873
01:25:08,520 --> 01:25:11,000
Speaker 2: Is there anything that you did in your youth that you.

1874
01:25:11,439 --> 01:25:13,559
Speaker 3: I don't really play competitive basketball, That's.

1875
01:25:13,439 --> 01:25:16,360
Speaker 2: What I was here's a good one. Yeah, I love hoops,

1876
01:25:17,080 --> 01:25:18,519
Speaker 2: but it's not worth it.

1877
01:25:18,520 --> 01:25:21,080
Speaker 3: You know, I was thinking about it was like the squeeze.

1878
01:25:21,520 --> 01:25:25,840
Speaker 3: I'm not sure of two things everyone, I'm not sure

1879
01:25:25,880 --> 01:25:27,680
Speaker 3: the last time I shot a basketball.

1880
01:25:28,560 --> 01:25:29,240
Speaker 2: Oh, that's said.

1881
01:25:29,840 --> 01:25:31,559
Speaker 3: That's been a lot, so it's been a while.

1882
01:25:32,360 --> 01:25:36,479
Speaker 4: And then the other would be I'm not sure. I

1883
01:25:36,479 --> 01:25:39,040
Speaker 4: think it's we could be over twelve years. The last

1884
01:25:39,080 --> 01:25:41,960
Speaker 4: time that I played in a like a five on

1885
01:25:42,120 --> 01:25:44,360
Speaker 4: five real setting.

1886
01:25:44,960 --> 01:25:45,719
Speaker 2: Like a real game.

1887
01:25:45,920 --> 01:25:48,200
Speaker 3: Yeah, five on five.

1888
01:25:49,680 --> 01:25:51,360
Speaker 2: Well, it's hard to see even like when I was

1889
01:25:51,400 --> 01:25:53,000
Speaker 2: even in the last couple of years. If I've played

1890
01:25:53,000 --> 01:25:54,679
Speaker 2: pick up, usually a lot of times it's like four

1891
01:25:54,680 --> 01:25:55,640
Speaker 2: on four or something like that.

1892
01:25:55,720 --> 01:25:58,400
Speaker 3: Like you've played some pick up with other adults, Yes.

1893
01:25:58,400 --> 01:26:01,000
Speaker 2: Yes, in the last two or three years for sure.

1894
01:26:02,320 --> 01:26:04,000
Speaker 2: And then we always I mean I play with the

1895
01:26:04,040 --> 01:26:06,040
Speaker 2: kids all the time, all right, you know we played

1896
01:26:06,120 --> 01:26:08,479
Speaker 2: two on two or we always do the father son

1897
01:26:08,560 --> 01:26:10,479
Speaker 2: games and all that stuff. So we play that way.

1898
01:26:10,479 --> 01:26:13,479
Speaker 2: But yeah, like competitive probably been two or three years,

1899
01:26:13,640 --> 01:26:16,599
Speaker 2: five on five. Here's the thing you don't realize is

1900
01:26:17,320 --> 01:26:19,160
Speaker 2: if you when you haven't done that in a long time,

1901
01:26:19,600 --> 01:26:22,080
Speaker 2: what you forget is all of the quick twitch muscles

1902
01:26:22,080 --> 01:26:23,880
Speaker 2: that you need for that sport. Yeah, and so then

1903
01:26:23,880 --> 01:26:25,479
Speaker 2: all of a sudden, when you haven't used those quick

1904
01:26:25,520 --> 01:26:28,040
Speaker 2: to twitch muscles in years, and you do it like

1905
01:26:28,080 --> 01:26:29,880
Speaker 2: I could hardly get out of bed the next day. Yeah,

1906
01:26:29,880 --> 01:26:32,760
Speaker 2: I did an ice bath because I couldn't even move. Yeah,

1907
01:26:32,960 --> 01:26:35,560
Speaker 2: because it was like when it's like going zero to

1908
01:26:35,560 --> 01:26:37,439
Speaker 2: one hundred, like you all of a sudden, all these

1909
01:26:37,520 --> 01:26:40,040
Speaker 2: muscles that have been used, you forget how much of

1910
01:26:40,080 --> 01:26:40,599
Speaker 2: that you need.

1911
01:26:41,000 --> 01:26:44,000
Speaker 3: I know I'm noticing some of that in my secret trainings.

1912
01:26:44,280 --> 01:26:46,280
Speaker 2: Oh I bet you are noticing some of that.

1913
01:26:46,560 --> 01:26:46,920
Speaker 5: I was.

1914
01:26:47,120 --> 01:26:47,679
Speaker 3: I was sore.

1915
01:26:47,760 --> 01:26:49,759
Speaker 4: I've bet a portion of my leg that I didn't

1916
01:26:49,840 --> 01:26:53,360
Speaker 4: know I had muscle or could possibly be sore.

1917
01:26:53,680 --> 01:26:58,360
Speaker 6: I believe that what movie title best describes your life?

1918
01:26:58,680 --> 01:26:59,839
Speaker 2: The distinguished gentleman.

1919
01:27:01,560 --> 01:27:02,120
Speaker 3: I like that.

1920
01:27:03,720 --> 01:27:08,400
Speaker 2: It's a sneaky good movie. Eddie Murphy, Ye runs for Congress.

1921
01:27:08,439 --> 01:27:09,479
Speaker 2: There's a long serving.

1922
01:27:10,320 --> 01:27:11,479
Speaker 3: Hey, a couple is his name?

1923
01:27:12,040 --> 01:27:16,160
Speaker 2: Yeah, James Garden is a long serving senator in Florida.

1924
01:27:16,240 --> 01:27:20,240
Speaker 2: He dies Eddie Murphy's. His name is Jeff Johnson. One

1925
01:27:20,240 --> 01:27:22,719
Speaker 2: of my good buddies, Beck in Tallahassee's name was Jeff Johnson.

1926
01:27:23,080 --> 01:27:26,439
Speaker 2: Eddie Murphy is Jeff Johnson. He runs as Jeff Johnson.

1927
01:27:26,840 --> 01:27:29,720
Speaker 2: He his tagline is the name you know. Yeah, So

1928
01:27:29,800 --> 01:27:31,840
Speaker 2: anytime we'd see my buddy Geff johnsonuld be like Jeff

1929
01:27:31,880 --> 01:27:32,720
Speaker 2: Johnson the name you know.

1930
01:27:34,600 --> 01:27:36,200
Speaker 6: Jack Johnson today and Jeff.

1931
01:27:36,000 --> 01:27:41,080
Speaker 2: Jeff Johnson distinguished gentleman. Yeah, that's a fun fun Eddie Murphy.

1932
01:27:41,520 --> 01:27:42,000
Speaker 3: I like it.

1933
01:27:42,840 --> 01:27:44,479
Speaker 4: I just like Last of the Mohicans. I think it's

1934
01:27:44,479 --> 01:27:47,360
Speaker 4: a cool titles running around here.

1935
01:27:47,520 --> 01:27:51,360
Speaker 2: Just won't you in the in the in the Waterfalls?

1936
01:27:51,439 --> 01:27:56,200
Speaker 3: Yeah, me and Chingatch cook uh.

1937
01:27:56,240 --> 01:27:59,599
Speaker 6: In honor of Teacher Appreciation Week, who is your favorite

1938
01:27:59,640 --> 01:28:00,439
Speaker 6: teacher growing up?

1939
01:28:00,479 --> 01:28:01,760
Speaker 3: And why? I had two?

1940
01:28:02,600 --> 01:28:07,080
Speaker 2: Mister Trammer who was my football coach, history teacher, Jim

1941
01:28:07,160 --> 01:28:11,360
Speaker 2: Teacher all in one, who's a legend, and then Miss

1942
01:28:11,360 --> 01:28:12,759
Speaker 2: Stone who was my English teacher.

1943
01:28:14,160 --> 01:28:18,240
Speaker 3: I'd say from my youth, youth fro I'm talking K

1944
01:28:18,360 --> 01:28:18,800
Speaker 3: through four.

1945
01:28:18,880 --> 01:28:25,080
Speaker 4: Miss Rousseau and then from high school on I mister

1946
01:28:25,160 --> 01:28:26,760
Speaker 4: Sheets was the man. I had a lot of them,

1947
01:28:26,800 --> 01:28:30,360
Speaker 4: mister Sheets, mister Waller, mister Morneau. Yeah, bro had some

1948
01:28:30,360 --> 01:28:32,720
Speaker 4: some very some good teachers. There were a.

1949
01:28:32,640 --> 01:28:33,120
Speaker 3: Lot of fun.

1950
01:28:33,280 --> 01:28:35,559
Speaker 2: It's cool when mister Rock was another good one.

1951
01:28:35,560 --> 01:28:36,200
Speaker 3: Who's good for me?

1952
01:28:37,680 --> 01:28:41,280
Speaker 2: The impact that those people had on your life.

1953
01:28:41,200 --> 01:28:44,599
Speaker 4: Well, that's like for my dad. Yeah, lots of times

1954
01:28:44,600 --> 01:28:47,439
Speaker 4: we were with them. We run somebody that was a student. Yeah,

1955
01:28:47,920 --> 01:28:51,400
Speaker 4: low those many years ago. And yeah he's like married,

1956
01:28:52,320 --> 01:28:55,320
Speaker 4: he has not heard he's officiated the weddings of multiple

1957
01:28:55,360 --> 01:28:59,599
Speaker 4: of his students. Yeah, yeah, you make a good teachers

1958
01:28:59,640 --> 01:29:00,479
Speaker 4: make a impact.

1959
01:29:00,479 --> 01:29:03,200
Speaker 3: That's huge. Maybe they should they should.

1960
01:29:02,960 --> 01:29:06,160
Speaker 2: Make a little more mane or maybe that important thing

1961
01:29:06,320 --> 01:29:08,880
Speaker 2: for the so much more to commune. Listen to Clear

1962
01:29:08,920 --> 01:29:14,720
Speaker 2: the Brons Daily on eight fifty ESPN Cleveland, Cleveland.

1963
01:29:14,240 --> 01:29:17,320
Speaker 1: Browns Daily, Front to You by Baalley bet Now Live

1964
01:29:17,360 --> 01:29:20,720
Speaker 1: in Ohio on eight fifty eesp and Cleveland.

1965
01:29:31,360 --> 01:29:31,640
Speaker 7: M H.

1966
01:29:33,720 --> 01:29:38,080
Speaker 3: Hello, Hello, Hello, Hello.

1967
01:29:40,640 --> 01:29:42,320
Speaker 6: I can hear you now you turn your mic off?

1968
01:29:42,520 --> 01:29:46,479
Speaker 6: Now you're back, Nope, turn turn your mic back on.

1969
01:29:46,880 --> 01:29:49,439
Speaker 2: Hello. Yeah, I hear nothing.

1970
01:29:49,640 --> 01:29:51,000
Speaker 3: I don't hear you in my ear. I hear me

1971
01:29:51,080 --> 01:29:51,519
Speaker 3: in my ear.

1972
01:29:51,560 --> 01:29:53,200
Speaker 6: I hear you, I don't hear I can hear you

1973
01:29:53,200 --> 01:29:53,879
Speaker 6: through the speaker.

1974
01:29:54,520 --> 01:29:58,360
Speaker 2: Can you hear me, Dick? Yeah, I got you.

1975
01:29:59,320 --> 01:30:00,280
Speaker 3: I have seen you hear me?

1976
01:30:00,800 --> 01:30:04,040
Speaker 2: See yes, bows up? We have thirty I hear nothing.

1977
01:30:04,080 --> 01:30:06,920
Speaker 4: All right, but you're on. It'd be a nice for

1978
01:30:06,920 --> 01:30:09,000
Speaker 4: you out a light and you wouln't have to worry

1979
01:30:09,040 --> 01:30:09,320
Speaker 4: about it.

1980
01:30:09,360 --> 01:30:12,680
Speaker 6: You're on, all right.

1981
01:30:13,800 --> 01:30:14,840
Speaker 2: I'll take your word for it.

1982
01:30:15,040 --> 01:30:18,280
Speaker 3: I only hear you through throughout talking. That's how I

1983
01:30:18,320 --> 01:30:18,599
Speaker 3: am too.

1984
01:30:18,640 --> 01:30:21,000
Speaker 2: Yeah, because you're all right, I'm gonna take everybody's word

1985
01:30:21,040 --> 01:30:22,479
Speaker 2: that we're on the air. Yeah, I can tell you

1986
01:30:22,479 --> 01:30:25,400
Speaker 2: the next Sivils next, and we'll be back tomorrow.

1987
01:30:25,600 --> 01:30:26,840
Speaker 3: We will program.

1988
01:30:27,120 --> 01:30:29,799
Speaker 2: Thanks for listening Body Cleves Daily, A fifty ESPN Cleveland.

1989
01:30:33,880 --> 01:30:36,560
Speaker 1: You've been listening to Cleveland Browns Daily, a production of

1990
01:30:36,600 --> 01:30:39,799
Speaker 1: the Cleveland Browns and eight fifty ESPN Cleveland