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Speaker 1: What's up, y'all?

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Speaker 2: Is your girl licks.

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Speaker 1: Pete and Eas your girls ran the cold and you.

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Speaker 2: Are tuned in to another episode of poor.

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Speaker 1: Mind, whereas drunk mind speaks, sober thought, you a cute girl.

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Speaker 3: It's it's real festive.

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Speaker 1: I know.

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Speaker 4: That's what I was.

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Speaker 1: Trying to give, you know, a new year, new money

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Speaker 1: met I love everything.

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Speaker 3: I like that, y'all. Well, you know they still give it.

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Speaker 4: Fall by.

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Speaker 3: Technically kind of.

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Speaker 1: I don't know.

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Speaker 2: I don't know.

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Speaker 1: I don't know.

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Speaker 4: This is cold.

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Speaker 5: Well they said a whole never gets cold. They lie,

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Speaker 5: because the whole is cold. I've been cold all day.

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Speaker 5: It is cold especially Yeah, so uh as y'all know,

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Speaker 5: we are in our new set. We changed up the city.

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Speaker 5: We're gonna change a little one too. Y'all know how

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Speaker 5: we get down.

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Speaker 2: But anyway, let's get.

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Speaker 3: To the good ship.

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Speaker 4: Bitch. I'm excited.

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Speaker 1: I'm excited too.

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Speaker 2: We have a very special guest.

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Speaker 5: And when I tell y'all, this episode probably gonna go

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Speaker 5: a little long. So I hope y'all got y'all wine

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Speaker 5: poured up y'all drinks, cause we're finna have a good

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Speaker 5: time tonight.

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Speaker 3: So you want me to do it? Because I do it.

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Speaker 5: Go ahead, y'all when I tell y'all, I'm so excited,

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Speaker 5: y'all know I'm about to be saying and wrapping this

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Speaker 5: whole goddamn episode.

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Speaker 3: You know, I'm gonna just let him.

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Speaker 5: Come out and y'all gonna see, y'all give it up

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Speaker 5: for be y'all the.

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Speaker 4: Y'all you have a sa.

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Speaker 3: Put this on.

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Speaker 2: I'm gonna.

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Speaker 4: Up to man. Been doing a lot of recording. I

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Speaker 4: don't wanna get a whole the boring answer because I'm

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Speaker 4: an artist. It's suspected that I'm making music, of course,

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Speaker 4: but you know, I'm just trying to, like, you know,

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Speaker 4: really just change my whole like approach to everything in life,

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Speaker 4: you know what i mean. Like I'm I feel like

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Speaker 4: I'm entering a new season, you know what i mean.

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Speaker 4: The grown is sexy, No, that's right, grown. I'm I'm

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Speaker 4: trying to find a new a new thing that's sixty era.

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Speaker 2: I'm like, that's what we're doing now with poor minds.

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Speaker 3: You know, we used to be sitting on the floor.

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Speaker 1: With her living room and that was not grown nor six.

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Speaker 3: So yeah, we're trying to give a grown.

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Speaker 2: We got drinks.

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Speaker 4: Yeah, these these are sexy grown drinks the way good?

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Speaker 5: And mind you let me say before we get into it,

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Speaker 5: we have a bartender with us today.

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Speaker 4: Do y'all giving up for.

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Speaker 1: So tip?

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Speaker 3: That's what put my foot down?

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Speaker 5: Okay, so times a special drink today, So ty, can

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Speaker 5: you tell us about what we are drinking?

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Speaker 1: Absolutely?

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Speaker 6: What you guys have is called takeoff time to shout

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Speaker 6: out a rip to take off. It has some apple

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Speaker 6: cider in there. We have a little bit of cranberry.

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Speaker 6: I make my own syrup, so we got a little

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Speaker 6: cinnamon demorra to give it, you know, that little fall,

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Speaker 6: you know. So it's garnished with some apple slices, cinnamon, cranberries.

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Speaker 1: And some time. So this is the delicious apple.

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Speaker 3: I like it.

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Speaker 1: It's very delicious. I'm over here knocking my que cars

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Speaker 1: down because I'm taking off.

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Speaker 4: Yeah, shouts, have to take off. I don't feel bad

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Speaker 4: for drinking six hours ago.

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Speaker 3: So okay, So you.

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Speaker 5: Said so, do you feel like you're kind of like

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Speaker 5: rebranding yourself a little?

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Speaker 4: Yeah, I would say that for sure, And you know

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Speaker 4: it's like we're rebranding. I don't know. I feel like

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Speaker 4: it goes it goes hand in hand with your like

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Speaker 4: your your career changes that you make go hand in

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Speaker 4: hand with your life changes in you know what I'm saying.

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Speaker 4: It's just I don't know. It's like I just like, mentally,

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Speaker 4: I don't like to tell myself. I'm like, yeah, grown

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Speaker 4: a sexty time because I feel old, right, Yeah, when

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Speaker 4: we were unseen, we look like our generation, we look

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Speaker 4: younger in our thirties. Then, oh, you know what I'm saying.

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Speaker 5: You know what, it's crazy that you said it, because

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Speaker 5: I actually get mad when people tell me that, like

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Speaker 5: I look good for my age because we're not old.

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Speaker 5: Like I'm thirty three and people be like, oh my god,

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Speaker 5: you look so good. I'm like, this is what thirty

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Speaker 5: three looks like.

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Speaker 4: I say that guan to thirty.

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Speaker 1: Yeah, I'm three, I'm definitely grown. I mean, I feel

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Speaker 1: like it's the perception though, that people have about thirty

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Speaker 1: year olds, and I can't blame them because when you

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Speaker 1: go back and you look at how the generations before

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Speaker 1: us looked at thirty, like Niga was looking old.

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Speaker 4: This look.

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Speaker 1: Yeah, they definitely did, like it was looking old, like

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Speaker 1: we definitely look very youthful, and so I just think

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Speaker 1: people aren't used to that, so they like, oh, you

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Speaker 1: look good for your age when in reality, DC what

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Speaker 1: you look like when you're thirty?

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Speaker 4: I asked somebody in their twenties. I was like, what

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Speaker 4: do we do like thirty olds that you could tell?

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Speaker 4: We all and you know what, it's how we take pictures, how.

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Speaker 1: We take it.

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Speaker 4: They're talking about like that and look like they said,

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Speaker 4: we can't take pictures but ship and I was I

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Speaker 4: felt like, what you mean offended? Why? I don't know.

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Speaker 4: I guess like the I guess it takes us longer

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Speaker 4: to get like good shots when we take pictures.

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Speaker 1: I don't know, ain't like we need taking the pictures

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Speaker 1: like the old Yeah, oh my god, from the shoulders

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Speaker 1: look and may have some weird filters on there. You

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Speaker 1: know people love the weird.

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Speaker 5: Okay, so it's real quick because you did say you're

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Speaker 5: grown and you feel like you're in your grown and

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Speaker 5: sexy air. What is exactly a grown and sexy air

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Speaker 5: for you?

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Speaker 4: Like?

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Speaker 3: What does that mean for you?

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Speaker 4: I don't know, Like I don't feel like I want

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Speaker 4: to make rap or trap music, no more like I

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Speaker 4: want to make jazzy.

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Speaker 2: Now you know I can do a little jazz too,

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Speaker 2: So she.

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Speaker 4: Loves you, not just got you never heard nobody say

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Speaker 4: they want.

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Speaker 1: Yeah, let me.

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Speaker 4: Take off, taking up.

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Speaker 1: It's really sneaking up on Auntie.

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Speaker 3: So first of all, he needs another one.

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Speaker 5: Yeah, okay, So you want to make jazz music.

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Speaker 4: I mean I wouldn't say specifically that, but you know,

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Speaker 4: something different, Yeah, something that match the aesthetic. You know

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Speaker 4: what I'm saying. I'm all about vibe, Like I need

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Speaker 4: the vibe. Like, if you think about it, everybody wants

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Speaker 4: the good vibe. Like everybody wants that, whether they find

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Speaker 4: it through listening to music, going to concerts, drinking drugs,

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Speaker 4: or fall in love some people. Some people fall in

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Speaker 4: love as a escape, you know what I'm saying, Like,

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Speaker 4: because you know you fall in love and that oxytocin

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Speaker 4: release your brain.

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Speaker 1: Yeah, we all know somebody who loved to fall in love.

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Speaker 4: They always Yeah, it's a thing, it happens.

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Speaker 5: But I do feel like, because I said this, I'm

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Speaker 5: tired of the music. Like I don't want to hear

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Speaker 5: about people getting shot and kill no more.

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Speaker 2: I'm over it. Like I want to go to the

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Speaker 2: club and have fun and then feel the vibe. So

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Speaker 2: I definitely feel you on that.

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Speaker 4: I mean it's still like places like it still places

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Speaker 4: certain clubs that you go to and you know, like

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Speaker 4: everybody there, like you know what I'm saying, Like, ain't

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Speaker 4: nobody finna get murdered after it? But you can still

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Speaker 4: play like you know what I'm saying, the classics like

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Speaker 4: the Gucci Man, you know what I'm saying, Keith, And

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Speaker 4: you can still feel safe, like.

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Speaker 2: You can call y'all ober and they don't cancel on you.

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Speaker 1: To right you knowing that neighborhood.

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Speaker 5: Okay, So I want to go back to the beginning

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Speaker 5: of your career. So talk about you know, you coming

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Speaker 5: out as like an artist in Atlanta and you know,

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Speaker 5: being involved with like Tia, Like how was that for

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Speaker 5: you in the beginning, in the very beginning.

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Speaker 4: Man, I just I just remember. The first thing come

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Speaker 4: to my head is how hard I used to perform,

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Speaker 4: Like I used to like that, talk about I would

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Speaker 4: be screaming the microphone, performing so hard, like I was

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Speaker 4: performing all through it through Atlanta, open mics, the pache

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Speaker 4: tr Club, Crucial, I mean, performing everywhere, and like I remember,

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Speaker 4: I used to smoke clothes when I was like eighteen.

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Speaker 1: What is that? I used to yo? What it was?

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Speaker 1: It was a nasty time.

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Speaker 4: It was man.

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Speaker 1: Yeah and black and me and my friends used to

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Speaker 1: be in the team. I mean I say nineteen, I

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Speaker 1: mean you know, like college right right to be smoking in.

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Speaker 4: The wood, to get the wood wood get for me very.

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Speaker 1: Get up with my four local in my left hand,

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Speaker 1: in my hole in my right hand.

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Speaker 4: We used to have the Black and Miles and the

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Speaker 4: two eleven and the too eleven is a police called

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Speaker 4: for robbery or something.

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Speaker 1: It is.

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Speaker 4: Like living in the trench is just just like you

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Speaker 4: know what I mean. And I would change smoking and

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Speaker 4: I'll go perform and I would be performing so hard

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Speaker 4: when I got on stage, I'd be wheezing and people

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Speaker 4: would come up and as like yo like nah got asthma, Yes, okay.

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Speaker 5: So would you say you're like part of kind of

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Speaker 5: like Old Atlanta, like the Originators, because I mean in Houston,

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Speaker 5: like well I'm not from Easton, dress from Euston, but

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Speaker 5: I live in Easton for ten years, so they have

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Speaker 5: like Old Houston, like the go Ahead Rappers, like the

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Speaker 5: O G. You know. So do you feel like what's

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Speaker 5: the difference between like Old Atlanta and New Atlanta.

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Speaker 4: I feel like I feel like a lot of stuff

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Speaker 4: is coming back around again. But old Atlanta is like,

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Speaker 4: I don't know, I'm like, I feel like it's stages

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Speaker 4: to this because like I remember when I was working

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Speaker 4: at Subway and yes I was. I was the sandwich

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Speaker 4: artist sandwich.

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Speaker 1: Oh yeah, is that what they had on the application

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Speaker 1: when you were applying sandwich artists?

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Speaker 4: Happened? We had a rope and they say sandwich artist really,

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Speaker 4: but the real, the truth of the matter is I

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Speaker 4: was a sandwich artist. The cashier, the janitor, the motherfucking everything.

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Speaker 4: I'm going two people in the Subway.

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Speaker 1: I ain't never seen more than two people working.

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Speaker 4: At once bro never And it's like, you know, I

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Speaker 4: remember being in Subway at the gas station on Camera

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Speaker 4: Road working there, and I remember when Trapp music came

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Speaker 4: out and it made everybody trap at the gas station

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Speaker 4: and I thought that was so crazy because it was

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Speaker 4: like like Niggas was a part. And I'm still watching

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Speaker 4: this and I'm like, yo, this was like when he

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Speaker 4: had the PC tape and then Bone Crusher was out

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Speaker 4: and little John Trillville. So like, to me, that's like

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Speaker 4: old Atlanta and that. Yeah, but you can kind of

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Speaker 4: say also, like you know, crime ab too, that was

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Speaker 4: like real east Side, you know what I mean. But

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Speaker 4: you know, now the new Atlanta, I feel like, is

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Speaker 4: I mean even like og Maco. You could say it's

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Speaker 4: old Atlanta too, you know what I'm saying, because I feel.

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Speaker 1: Like you came out a little after but like before

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Speaker 1: the little babies and the you know different.

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Speaker 5: Yeah, it was definitely like it wasn't like trap music then.

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Speaker 4: Yeah, that was like that was something that was like,

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Speaker 4: you know because people used to compare me to outcasts

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Speaker 4: in the beginning, because I'll be in the sky and

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Speaker 4: like it was definitely like very outcasts, you know what

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Speaker 4: I'm saying, And like I remember that was like the thing,

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Speaker 4: you know what I'm saying, and you know, eventually like

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Speaker 4: having like pop records and shit like that, you know,

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Speaker 4: kind of it was like yeah, he's his own he

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Speaker 4: got his own sound or whatever. But it was like,

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Speaker 4: you know, it's like you have to find your identity

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Speaker 4: when you come out as a young artist. And the

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Speaker 4: thing is is like, no matter what, when you come out,

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Speaker 4: someone's gonna compare you to somebody. You gotta kind of like,

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Speaker 4: you know, you gotta kind of take what's out there

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Speaker 4: to kind of catch people because you can't like just

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Speaker 4: come completely left field because you're gonna just like, what

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Speaker 4: the fuck is this? You know what I mean? Right? So,

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Speaker 4: I mean I just feel like I feel like I'm

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Speaker 4: definitely a hybrid between old and New Atlanta. But I

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Speaker 4: feel like I'm at a point where I feel like

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Speaker 4: I still really haven't shown people like who I am

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Speaker 4: all the way, you know what I'm saying, Like, I

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Speaker 4: feel like it's still something that is like emerging. Now,

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Speaker 4: how did you.

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Speaker 2: Feel like about though, I'm sorry, go ahead now.

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Speaker 1: I was just gonna say yeah, because I feel like

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Speaker 1: you're always constantly finding yourself and I know you were also,

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Speaker 1: I know you just talked about working with pop artist.

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Speaker 1: So how was it working with Bruno Mars? And do

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Speaker 1: you think that you're working again in the future.

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Speaker 4: I feel like I will work with Bruno Mars again.

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Speaker 4: And you know, Bruno's done so much, like and it's

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Speaker 4: like time be flying by so fast you don't realize.

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Speaker 4: Like I was listening to Due Ops and Wholigan is

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Speaker 4: his first album, and I was like, damn that song

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Speaker 4: was on there, Damn that song and that shit was

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Speaker 4: like so long ago, man, And like I think about

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Speaker 4: this my first album came out over ten years ago. Yeh,

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Speaker 4: Like that's crazy.

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Speaker 5: Time be flying and it's crazy to think like it

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Speaker 5: came out ten years But people don't realize how young

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Speaker 5: people are, Like you're still like you made some fire

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Speaker 5: music and you were very young.

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Speaker 3: You know what I was doing when I was sweating

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Speaker 3: one tweet too.

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Speaker 2: Bad, I was at the club getting drunk. It was

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Speaker 2: like touring in the world making this fire music.

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Speaker 4: Yes, I used to hate going to the club crazy

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Speaker 4: c twenty one. I didn't start going to the club

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Speaker 4: until I was like.

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Speaker 7: Twenty three, twenty four because you had to because I

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Speaker 7: was like, man, don't book me for a club. Yeah,

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Speaker 7: you know, like like y'all understand, like I was touring

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Speaker 7: the world when it was like.

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Speaker 4: Just me and Neo. You know what I'm saying. That's

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Speaker 4: like it was just less on the bill what you had.

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Speaker 4: Like it'd be like Katie Carey austin my home and

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Speaker 4: then it'd be like Neo yeah, and then you know

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Speaker 4: what I'm saying, or like maybe flow out and then

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Speaker 4: then me and it would be like the only niggas

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Speaker 4: on the on the bill, and it was like, you know,

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Speaker 4: it used to be like kind of like you didn't

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Speaker 4: want to go overseas back then, like yeah, you know

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Speaker 4: what I mean. And it was kind of like what

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Speaker 4: what you know in the food is like the food

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Speaker 4: is like sketchy depending on where you're going, because you

301
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Speaker 4: know what I mean. You go to Hong Kong and

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Speaker 4: it's like they just got like seafood and you be like, okay, seafood,

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Speaker 4: what type of seafood?

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Speaker 3: And like from the seat, you don't know what It's definitely.

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Speaker 4: Like the noodles in the shrimp because you know what

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Speaker 4: shrimp is. You can't you know what I mean.

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Speaker 5: Okay, So I do have a question, and you don't

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Speaker 5: have to answer if you don't want to.

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Speaker 3: Because you know how to get the tea.

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Speaker 5: So I'm want because since we're talking about, you know,

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Speaker 5: you're working with Bruno Mars, how did you feel like

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Speaker 5: when you were you were in you know, one of

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Speaker 5: the heights of moments in your career.

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Speaker 2: You have this hit song.

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Speaker 5: You're traveling the world, everybody is knowing your name and

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Speaker 5: then like I remember, Lupe Fiasco had did an interview

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Speaker 5: at the time and he was saying how mad he

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Speaker 5: was that the song had went to you and that

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Speaker 5: the label just kind of shunned him and he was

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Speaker 5: like suicidal about it. So how did that make you feel?

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Speaker 5: Did you feel like it kind of took from your moment?

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Speaker 4: I mean I talked to him about it. I talked

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Speaker 4: to him about it briefly. I don't really feel like

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Speaker 4: me and Lupay had a chance to really like delve

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Speaker 4: deeply into it. But the times that we have talked,

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Speaker 4: and you know, I went on tour with Lupey, so

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Speaker 4: Lupay showed me a lot of love. We had a

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Speaker 4: lot of time to like you know, build and shit

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Speaker 4: like that, but particularly on that instance at the time,

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Speaker 4: buh not, bro, I'm sorry Loupey went through with Atlantic

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Speaker 4: what I was about to go through. Like it's like

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Speaker 4: he had already went through that, so you know, you know,

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Speaker 4: because it's like with the labels like back then, it

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Speaker 4: was like I don't know if all labels were like this,

335
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Speaker 4: but you know, at Atlantic, it was like you had

336
00:17:02,320 --> 00:17:05,399
Speaker 4: to if you wanted to put out an album, the

337
00:17:05,440 --> 00:17:08,840
Speaker 4: singles had to be produced by a certain individual at

338
00:17:08,880 --> 00:17:11,719
Speaker 4: the label, and if it wasn't produced by him, you

339
00:17:11,720 --> 00:17:14,960
Speaker 4: ain't gonna have no single. Even if you have a single,

340
00:17:15,920 --> 00:17:21,800
Speaker 4: let me get them files, let's reproduce it. And so

341
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Speaker 4: I remember we when we did Nothing on You. It

342
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Speaker 4: was originally me and Loupe on it and something I

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Speaker 4: can't remember what it was, but like something happened and

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Speaker 4: then Loupe was like, all right, fuck it, take me off,

345
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Speaker 4: let Bob have it. You know what I'm saying, because

346
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Speaker 4: it was like he had been through that bullshit so

347
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Speaker 4: much and so and so that's how that happened. And

348
00:17:41,800 --> 00:17:45,080
Speaker 4: little that I know, I was gonna go through the

349
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Speaker 4: whole hurricane and so and and something similar happened with

350
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Speaker 4: airplanes and so, you know, I mean, I'm kind of

351
00:17:56,200 --> 00:18:00,800
Speaker 4: looking back on it, I kind of feel like, you know,

352
00:18:02,240 --> 00:18:04,720
Speaker 4: maybe it was done out of spite too, to like

353
00:18:04,800 --> 00:18:06,480
Speaker 4: be like, all right, we'll fine, we won't need you, Lupeye,

354
00:18:06,520 --> 00:18:08,639
Speaker 4: we get Bob on these songs and we'll make being here,

355
00:18:08,760 --> 00:18:10,720
Speaker 4: so you know what I mean. So, I mean you

356
00:18:10,720 --> 00:18:12,439
Speaker 4: could look at it that way too, But it's like,

357
00:18:13,080 --> 00:18:15,480
Speaker 4: you know, I remember LuFe telling this story about how

358
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Speaker 4: he sampled the song and made it a hit, Like

359
00:18:17,960 --> 00:18:20,000
Speaker 4: he sampled the song and did a song and it

360
00:18:20,040 --> 00:18:22,560
Speaker 4: was a hit, and the label went and bought the

361
00:18:22,720 --> 00:18:26,639
Speaker 4: publishing of the song. He sampled just to you know

362
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Speaker 4: what I'm saying. I mean it's I mean, you know

363
00:18:30,119 --> 00:18:34,480
Speaker 4: it's it's it's savy yo music industry be hearing.

364
00:18:34,600 --> 00:18:37,239
Speaker 1: It's crazy, I say because I heard that happens all

365
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Speaker 1: the time too, Like they take artists off the songs

366
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Speaker 1: and then the artists don't even know until the song

367
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Speaker 1: come out.

368
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Speaker 4: Yeah.

369
00:18:43,200 --> 00:18:46,520
Speaker 5: I feel like, if you in twenty twenty three, if

370
00:18:46,560 --> 00:18:48,560
Speaker 5: you want to be a rapper or singer, you really

371
00:18:48,680 --> 00:18:49,320
Speaker 5: love that shit?

372
00:18:49,560 --> 00:18:52,120
Speaker 3: Yeah, like you really want to.

373
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Speaker 1: Do this, We don't already heard shit about it, Like

374
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Speaker 1: that's nothing in me that would want to be like

375
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Speaker 1: a rock.

376
00:19:02,000 --> 00:19:02,440
Speaker 2: For real.

377
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Speaker 1: I feel like it's just when you get into being

378
00:19:04,960 --> 00:19:05,960
Speaker 1: on the labels.

379
00:19:06,160 --> 00:19:10,120
Speaker 4: Yeah yeah, but it's like yeah, now, like you can't like.

380
00:19:10,240 --> 00:19:12,480
Speaker 3: If you go viral on TikTok, you good.

381
00:19:12,520 --> 00:19:15,960
Speaker 4: It's a girl on TikTok. I was a what's I

382
00:19:16,000 --> 00:19:19,159
Speaker 4: don't know, damn terrible. I'm not the best TikTok person me.

383
00:19:19,480 --> 00:19:21,680
Speaker 4: It's a girl on TikTok. She has a whole following,

384
00:19:21,960 --> 00:19:24,080
Speaker 4: and she just be like writing songs and just performing

385
00:19:24,080 --> 00:19:27,080
Speaker 4: them on TikTok like they exist on TikTok. She don't

386
00:19:27,080 --> 00:19:30,679
Speaker 4: need no album. No, Like, I just feel like and

387
00:19:30,720 --> 00:19:33,399
Speaker 4: that's and that's like what you can't forget as an

388
00:19:33,480 --> 00:19:36,440
Speaker 4: artist is like just give people the vibe to put

389
00:19:36,480 --> 00:19:39,160
Speaker 4: the crack into music, Like, just get it to him,

390
00:19:39,200 --> 00:19:42,880
Speaker 4: like it's not that deep, make it sound, make it good.

391
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Speaker 1: I agree, because it's not as hard to get discovered

392
00:19:45,720 --> 00:19:47,439
Speaker 1: these days either as it used to be.

393
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Speaker 3: Right, So you would never man at Lupe, Nah, I haven't.

394
00:19:52,160 --> 00:19:55,280
Speaker 4: I'll not, like I mean to be honest, like I

395
00:19:55,320 --> 00:19:57,560
Speaker 4: feel like I don't. I don't ever feel like he

396
00:19:57,600 --> 00:19:59,720
Speaker 4: ever did anything with ill intent towards me.

397
00:20:00,080 --> 00:20:01,560
Speaker 3: It wasn't ever about you.

398
00:20:01,640 --> 00:20:03,800
Speaker 4: Yeah, it wasn't about me. I mean because because me

399
00:20:03,800 --> 00:20:06,480
Speaker 4: and him already talked out of eye, we already know

400
00:20:06,560 --> 00:20:09,320
Speaker 4: what what the system is, you know what I mean,

401
00:20:09,960 --> 00:20:13,280
Speaker 4: And so you know, I just feel like it's just

402
00:20:13,520 --> 00:20:17,479
Speaker 4: it's just an unfortunate series of events that you know,

403
00:20:17,640 --> 00:20:20,600
Speaker 4: we all were tied up into. But you know, and

404
00:20:20,600 --> 00:20:22,080
Speaker 4: it's like, you know, it's it's still a lot of

405
00:20:22,080 --> 00:20:24,160
Speaker 4: people that they used to work at Atlantic that I'm

406
00:20:24,200 --> 00:20:26,679
Speaker 4: cool with, But I just think the whole system is

407
00:20:26,720 --> 00:20:30,359
Speaker 4: just so like it's so corporate and thank god we

408
00:20:30,640 --> 00:20:32,080
Speaker 4: don't have to do that ship no more, like you

409
00:20:32,080 --> 00:20:34,680
Speaker 4: can really do your own thing, you know what I mean,

410
00:20:34,760 --> 00:20:36,600
Speaker 4: we ain't got to see them slave tunes no more.

411
00:20:41,640 --> 00:20:48,280
Speaker 5: I think about Casey and Jojo like like bird that

412
00:20:49,680 --> 00:21:07,240
Speaker 5: you know.

413
00:20:58,560 --> 00:20:59,879
Speaker 1: You just came off to.

414
00:21:00,320 --> 00:21:04,240
Speaker 4: How was that? Tom? Wait, I'm sorry speaking of slaves.

415
00:21:04,280 --> 00:21:07,920
Speaker 4: The new the new Negro spirituals Throat Baby is a

416
00:21:08,080 --> 00:21:09,200
Speaker 4: Negro Spiritual.

417
00:21:12,680 --> 00:21:16,720
Speaker 1: Before it really was trying to bust out.

418
00:21:18,520 --> 00:21:19,879
Speaker 3: He was probably really singing.

419
00:21:21,080 --> 00:21:23,399
Speaker 1: He was in their harmonize a little bit.

420
00:21:26,400 --> 00:21:26,800
Speaker 2: Blowing.

421
00:21:28,560 --> 00:21:34,200
Speaker 4: Negro was Yes, this is still to the brown. Wow,

422
00:21:34,400 --> 00:21:35,960
Speaker 4: we're taking all we're taking.

423
00:21:38,600 --> 00:21:41,840
Speaker 5: That's all we got We're taking, you know, like.

424
00:21:41,840 --> 00:21:46,240
Speaker 4: A right, I'm taking all all lies a right, mean

425
00:21:46,400 --> 00:21:50,960
Speaker 4: with my poss turning everybody get your changing.

426
00:21:53,760 --> 00:21:54,720
Speaker 1: Another?

427
00:21:55,160 --> 00:21:55,400
Speaker 8: Enough?

428
00:21:56,320 --> 00:21:57,680
Speaker 3: What what did you ask?

429
00:21:59,400 --> 00:22:01,800
Speaker 4: Okay, tour, because.

430
00:22:01,640 --> 00:22:03,560
Speaker 5: I definitely want to talk to you about your new album,

431
00:22:03,680 --> 00:22:05,000
Speaker 5: So talk about the tour.

432
00:22:04,920 --> 00:22:05,439
Speaker 3: You just went on.

433
00:22:06,400 --> 00:22:08,440
Speaker 4: I just went on a tour. Let me tell you something.

434
00:22:08,600 --> 00:22:11,760
Speaker 4: It's it's really hard to tour like these days because

435
00:22:12,080 --> 00:22:16,760
Speaker 4: we know we went on tour too for oh yeah,

436
00:22:19,119 --> 00:22:28,719
Speaker 4: I mean my tour has different it's different levels. I mean,

437
00:22:28,920 --> 00:22:31,680
Speaker 4: on the same tour, it'd be like different venues, it'd

438
00:22:31,680 --> 00:22:33,639
Speaker 4: be like you'd be at one venue and it'd be

439
00:22:33,680 --> 00:22:36,520
Speaker 4: like five thousand people and then the other Vene'll be

440
00:22:36,520 --> 00:22:43,920
Speaker 4: like a nightclub like yo, like day Like, oh ship

441
00:22:44,280 --> 00:22:47,600
Speaker 4: is it's real independents.

442
00:22:49,840 --> 00:22:50,080
Speaker 2: Tour?

443
00:22:50,520 --> 00:22:53,080
Speaker 4: Yeah, man, it was. It was a rough tour, man,

444
00:22:53,240 --> 00:22:56,280
Speaker 4: it really was rough. And I haven't been on tour

445
00:22:56,320 --> 00:23:01,680
Speaker 4: in like six six years. Wow, Okay, that's it's different now,

446
00:23:02,440 --> 00:23:04,280
Speaker 4: you know. But I think it's wild because I don't

447
00:23:04,359 --> 00:23:08,280
Speaker 4: seen like like when I was in my twenties, like

448
00:23:08,359 --> 00:23:10,359
Speaker 4: I would. I would go perform in colleges and not

449
00:23:10,440 --> 00:23:13,919
Speaker 4: be the same age as the people I'm performing for now,

450
00:23:14,000 --> 00:23:24,399
Speaker 4: I'm like twelve years old. Crowd I used to crowd service.

451
00:23:24,440 --> 00:23:25,639
Speaker 4: Ship can't do that.

452
00:23:25,200 --> 00:23:29,720
Speaker 1: No afford to fall and cute, you know.

453
00:23:29,800 --> 00:23:32,720
Speaker 4: I used to jone. I remember I would crowd serving.

454
00:23:32,760 --> 00:23:36,560
Speaker 4: Then once they started like I was like, I got

455
00:23:36,680 --> 00:23:47,399
Speaker 4: to like damn yove about it.

456
00:23:48,680 --> 00:23:50,080
Speaker 5: I want to talk about the new album because you

457
00:23:50,160 --> 00:23:52,159
Speaker 5: did have like baby take like you have to do

458
00:23:52,359 --> 00:23:55,560
Speaker 5: Oh man, how I'm a baby takee saying.

459
00:23:55,480 --> 00:23:58,520
Speaker 4: Yo, that was the last feature. Yo. We was trying

460
00:23:58,520 --> 00:24:01,080
Speaker 4: to yo. We wait, it's so long. It's the last

461
00:24:01,119 --> 00:24:03,720
Speaker 4: feature that came through the door. Who was like dang,

462
00:24:03,920 --> 00:24:06,480
Speaker 4: it almost didn't happen. He was like, dang, man, Like

463
00:24:06,600 --> 00:24:09,760
Speaker 4: this was so dope and we got it the last minute, man,

464
00:24:09,800 --> 00:24:11,440
Speaker 4: And I had to push my album back for that.

465
00:24:11,840 --> 00:24:14,320
Speaker 4: Really yeah, and it was so dope, man. Like she

466
00:24:15,000 --> 00:24:18,000
Speaker 4: she's one of the most professional artists that I've worked with.

467
00:24:18,720 --> 00:24:20,560
Speaker 4: Like I would put her on the same level of

468
00:24:20,680 --> 00:24:25,240
Speaker 4: professionalism as like Bruno Mars or you know, like she

469
00:24:25,400 --> 00:24:28,480
Speaker 4: cause man, she she recorded Versus, sent the demo recording

470
00:24:28,520 --> 00:24:31,280
Speaker 4: in and was like you with it, was like nigga,

471
00:24:31,320 --> 00:24:32,399
Speaker 4: hell yeah, we can miss this.

472
00:24:33,400 --> 00:24:34,000
Speaker 2: That's what I like.

473
00:24:34,520 --> 00:24:34,760
Speaker 4: Yeah.

474
00:24:34,800 --> 00:24:36,679
Speaker 5: I feel like a lot of the new artists they

475
00:24:36,720 --> 00:24:39,920
Speaker 5: feel like they don't have to have that respect or

476
00:24:39,960 --> 00:24:42,360
Speaker 5: they feel like, oh well I went viral and I'm

477
00:24:43,840 --> 00:24:47,800
Speaker 5: they don't want to be professional. It's hard to find

478
00:24:47,880 --> 00:24:49,359
Speaker 5: people to be professional.

479
00:24:49,840 --> 00:24:52,840
Speaker 4: Oh I love, man, what I love the people professional?

480
00:24:52,920 --> 00:24:53,080
Speaker 1: Man.

481
00:24:53,720 --> 00:24:54,840
Speaker 4: And when I get in the studio, I like to

482
00:24:54,880 --> 00:24:57,280
Speaker 4: talk about what, like what so, what we're gonna do,

483
00:24:57,359 --> 00:24:59,240
Speaker 4: what we're gonna make you know what I'm saying, Like,

484
00:24:59,520 --> 00:25:01,240
Speaker 4: I don't want to just go in there and be

485
00:25:01,359 --> 00:25:03,240
Speaker 4: like throw the ox cord on, you know what. I

486
00:25:05,119 --> 00:25:06,600
Speaker 4: want to discuss it. You know what I mean?

487
00:25:06,800 --> 00:25:10,359
Speaker 3: Right right, So who is like an artist that's like that.

488
00:25:10,480 --> 00:25:12,720
Speaker 3: You would say it's New Atlanta that you haven't worked

489
00:25:12,720 --> 00:25:13,119
Speaker 3: with that you.

490
00:25:13,119 --> 00:25:20,320
Speaker 4: Want to work with? Mmm, damn new Atlanta artists? Ship?

491
00:25:21,640 --> 00:25:26,080
Speaker 4: Uh is Baby Drill from Atlanta? I don't know who

492
00:25:26,160 --> 00:25:26,440
Speaker 4: that is?

493
00:25:27,080 --> 00:25:28,000
Speaker 3: You old?

494
00:25:31,080 --> 00:25:31,439
Speaker 2: All right?

495
00:25:32,640 --> 00:25:35,080
Speaker 4: I would want to do something with Baby Drill, like

496
00:25:35,160 --> 00:25:35,680
Speaker 4: you don't know.

497
00:25:38,440 --> 00:25:40,880
Speaker 9: Look, I'm sorry, I'm still got Luther Van draws.

498
00:25:46,200 --> 00:25:50,359
Speaker 4: Yeah, baby Drill, I want to do something with like Newdie.

499
00:25:51,600 --> 00:25:53,800
Speaker 4: I want to I want to do I want to

500
00:25:53,840 --> 00:25:55,359
Speaker 4: do like I want to get my Nate dog on,

501
00:25:55,520 --> 00:25:57,119
Speaker 4: Like I want to just sing some hooks. You know

502
00:25:57,160 --> 00:26:01,600
Speaker 4: what I'm saying, Like, like you know what I say,

503
00:26:01,760 --> 00:26:06,119
Speaker 4: get my get my little flannelong, my little fleets.

504
00:26:08,400 --> 00:26:12,399
Speaker 5: Whenever you first came out, my my sister's boyfriend that

505
00:26:12,480 --> 00:26:15,119
Speaker 5: she was dating at the time, he used to listen

506
00:26:15,240 --> 00:26:16,879
Speaker 5: to you back to back to.

507
00:26:17,000 --> 00:26:18,080
Speaker 2: I don't like who is this?

508
00:26:18,240 --> 00:26:19,800
Speaker 3: It was that so strange cloud?

509
00:26:20,000 --> 00:26:21,920
Speaker 4: Oh yeah, oh my god, he used to have that song.

510
00:26:22,040 --> 00:26:26,399
Speaker 5: Oh yes, that's like your sound has like always been different.

511
00:26:26,720 --> 00:26:28,440
Speaker 5: So who would you say, like is your inspiration?

512
00:26:30,880 --> 00:26:39,119
Speaker 4: My ship is real obscure. It's like like it was

513
00:26:39,280 --> 00:26:42,760
Speaker 4: different because like I grew up listening to like NICs, Eminem,

514
00:26:43,000 --> 00:26:48,159
Speaker 4: d m X and also Crime Mob in Shrillville and

515
00:26:48,359 --> 00:26:51,119
Speaker 4: you know Atlanta Ship like you know what I mean.

516
00:26:51,480 --> 00:26:55,000
Speaker 4: But then also I started getting like alternative rock music

517
00:26:55,119 --> 00:27:01,400
Speaker 4: like Coldplay, American Rejects, Uh, Green Day.

518
00:27:01,640 --> 00:27:03,840
Speaker 3: Oh so you had your emo you had an.

519
00:27:05,680 --> 00:27:06,560
Speaker 1: Age, went through that.

520
00:27:08,200 --> 00:27:10,000
Speaker 4: Like I went to the Paramore concert when they just

521
00:27:10,080 --> 00:27:12,000
Speaker 4: came to Atlanta, like on my birthday?

522
00:27:12,240 --> 00:27:12,440
Speaker 1: Was it?

523
00:27:13,119 --> 00:27:13,680
Speaker 4: Oh man?

524
00:27:13,760 --> 00:27:14,359
Speaker 2: It was what?

525
00:27:15,560 --> 00:27:19,240
Speaker 3: No, let me tell ya something. Haley got sould.

526
00:27:19,200 --> 00:27:23,000
Speaker 4: Yes, she got so Nigga's Paramore.

527
00:27:25,200 --> 00:27:27,040
Speaker 3: Paramore like you don't.

528
00:27:29,280 --> 00:27:31,320
Speaker 2: You can never sunk up the ox you play?

529
00:27:31,600 --> 00:27:34,159
Speaker 4: Yeah, you can play it every time. Ever, how did

530
00:27:34,240 --> 00:27:43,720
Speaker 4: we get here? My mind?

531
00:27:45,800 --> 00:27:46,520
Speaker 3: I used to have the.

532
00:27:48,119 --> 00:27:50,320
Speaker 4: Not the bane. You did not have a Bayon.

533
00:27:52,000 --> 00:27:55,119
Speaker 5: I had what things I had like a piercing and

534
00:27:55,200 --> 00:27:56,800
Speaker 5: much so it was on you.

535
00:27:57,280 --> 00:27:58,160
Speaker 4: It was on you too.

536
00:27:59,119 --> 00:27:59,760
Speaker 1: Was very hard.

537
00:28:02,840 --> 00:28:04,840
Speaker 4: Wow. So that's some time.

538
00:28:05,359 --> 00:28:07,560
Speaker 5: So when people like during that time it was like

539
00:28:08,119 --> 00:28:10,000
Speaker 5: I went through I always say I have like an

540
00:28:10,080 --> 00:28:13,119
Speaker 5: identity crisis, Like it was kind of hard for me

541
00:28:13,200 --> 00:28:16,159
Speaker 5: to identify with certain people. So like through music, it

542
00:28:16,280 --> 00:28:18,680
Speaker 5: was like I could identify with certain people like Andre

543
00:28:18,760 --> 00:28:20,240
Speaker 5: three thousands, So whenever you came out.

544
00:28:20,080 --> 00:28:22,760
Speaker 4: I was okay, he different, make abstract.

545
00:28:23,040 --> 00:28:25,320
Speaker 5: Oh I'm very abstract. Look I'm a little cup. Look

546
00:28:25,359 --> 00:28:28,080
Speaker 5: I'm a little I'm be a calm dad. But when

547
00:28:28,119 --> 00:28:30,520
Speaker 5: you kiss me by myself, I'm jamming.

548
00:28:30,680 --> 00:28:31,920
Speaker 4: Like everything.

549
00:28:32,119 --> 00:28:34,800
Speaker 3: I'm very like different with how I was raised.

550
00:28:34,840 --> 00:28:37,200
Speaker 5: So it was like, I think that's important though, that

551
00:28:37,280 --> 00:28:41,000
Speaker 5: we have artists that are different, not making, you know,

552
00:28:41,320 --> 00:28:42,040
Speaker 5: things that they just.

553
00:28:42,160 --> 00:28:43,200
Speaker 3: Expect for us to make.

554
00:28:43,600 --> 00:28:46,240
Speaker 4: Yeah, Like I had to like really fall into myself,

555
00:28:46,520 --> 00:28:48,760
Speaker 4: you know what I mean. And it's all crazy because

556
00:28:48,880 --> 00:28:51,400
Speaker 4: I had so much success and so much fame and

557
00:28:51,560 --> 00:28:54,040
Speaker 4: I've always been known to be abstract, but had to

558
00:28:54,160 --> 00:28:56,800
Speaker 4: just accept like who I am. You know what I'm saying.

559
00:28:57,320 --> 00:29:01,680
Speaker 4: And it's like, you know, I've learned grown to accept

560
00:29:01,720 --> 00:29:04,400
Speaker 4: the fact, like you know what, I am a nice guy,

561
00:29:04,480 --> 00:29:12,720
Speaker 4: Like I'm pleasant to be around, right nobody, you know

562
00:29:12,760 --> 00:29:16,040
Speaker 4: what I'm saying. And I feel like it's a brave

563
00:29:16,240 --> 00:29:19,840
Speaker 4: thing to be that way in a society where everybody

564
00:29:20,080 --> 00:29:23,160
Speaker 4: want to be a rapper or street nigga. And it's like, bro,

565
00:29:23,440 --> 00:29:26,120
Speaker 4: you you ain't gotta you don't got to do all that,

566
00:29:26,680 --> 00:29:30,320
Speaker 4: like your names earl, you go this spinish schools. You

567
00:29:30,400 --> 00:29:30,800
Speaker 4: know what I mean.

568
00:29:32,040 --> 00:29:35,360
Speaker 1: But you know that age and maturation because I like

569
00:29:35,560 --> 00:29:38,200
Speaker 1: especially I could only imagine like being in the industry

570
00:29:38,200 --> 00:29:40,080
Speaker 1: at a young age, you probably feel a lot of

571
00:29:40,160 --> 00:29:42,480
Speaker 1: pressure to have a sorry image and be a person

572
00:29:42,560 --> 00:29:44,600
Speaker 1: that you didn't feel like you was being true to yourself.

573
00:29:44,720 --> 00:29:46,720
Speaker 4: Yeah, man, because I mean, like I grew up around

574
00:29:46,760 --> 00:29:49,040
Speaker 4: the same street shit everybody else did. I mean, I

575
00:29:49,200 --> 00:29:50,920
Speaker 4: was with Grant Hustle. You know what I'm saying. Like

576
00:29:51,040 --> 00:29:53,280
Speaker 4: I'm in a motorcycle club right now. You know what

577
00:29:53,320 --> 00:29:56,520
Speaker 4: I'm saying. It's like I just always been who I am, Like,

578
00:29:56,640 --> 00:29:58,560
Speaker 4: you know what I mean. So, and I feel like

579
00:29:59,240 --> 00:30:04,400
Speaker 4: it's that it's examples so that people could see like, Okay, yeah,

580
00:30:04,800 --> 00:30:07,280
Speaker 4: I can't go through emo phase. I can't go you

581
00:30:07,360 --> 00:30:09,400
Speaker 4: know what I mean, Like you need that shit you need.

582
00:30:09,800 --> 00:30:11,600
Speaker 4: Everybody can't be no.

583
00:30:15,440 --> 00:30:19,480
Speaker 3: Guy right right right? What's up y'all?

584
00:30:19,520 --> 00:30:22,280
Speaker 5: At your girl Xki Andy Schagrocery and a call And

585
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586
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587
00:30:28,920 --> 00:30:32,080
Speaker 1: Right and eat right. Absolutely, and who wants to have

588
00:30:32,200 --> 00:30:34,600
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589
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590
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592
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593
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594
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596
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Speaker 2: type today, you know what I'm saying.

597
00:30:56,560 --> 00:30:57,920
Speaker 3: So what you're gonna do is you're gonna.

598
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605
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632
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Speaker 10: So now we go, gets easy, rap this ball for little.

633
00:32:52,160 --> 00:32:52,760
Speaker 4: One thing.

634
00:32:54,000 --> 00:32:55,840
Speaker 5: You got all the team. You've been in the industry

635
00:32:55,880 --> 00:32:57,720
Speaker 5: for a very long time. But I like a little

636
00:32:57,760 --> 00:32:59,440
Speaker 5: t That's why we all sipping it right now.

637
00:33:00,160 --> 00:33:00,960
Speaker 4: Let me my drink.

638
00:33:01,400 --> 00:33:05,280
Speaker 1: So this is something that has all taken off even more.

639
00:33:05,480 --> 00:33:07,440
Speaker 3: Right, we already on another plan.

640
00:33:07,880 --> 00:33:09,280
Speaker 4: Will you know what I'm saying. It's not every day

641
00:33:09,280 --> 00:33:11,880
Speaker 4: I'm on poor mine sitting between two beautiful ladies.

642
00:33:11,880 --> 00:33:14,760
Speaker 1: You know, I'm telling y'all.

643
00:33:14,960 --> 00:33:17,360
Speaker 5: Every time we have like somebody on that I was

644
00:33:17,440 --> 00:33:19,560
Speaker 5: like a fan of, Like I think this moment that

645
00:33:19,600 --> 00:33:22,400
Speaker 5: I've had, I had this moment with ri L, I

646
00:33:22,560 --> 00:33:26,440
Speaker 5: had this moment with Paul Wall, and I had this.

647
00:33:28,360 --> 00:33:30,600
Speaker 3: Wall, and I had this moment.

648
00:33:30,480 --> 00:33:33,280
Speaker 2: With who else did we have on it?

649
00:33:33,720 --> 00:33:37,520
Speaker 3: Like yeah, so this is another.

650
00:33:37,280 --> 00:33:39,120
Speaker 5: Moment for me because like I'm saying, like I used

651
00:33:39,120 --> 00:33:43,120
Speaker 5: to really like be in my moment like jamming this nigga.

652
00:33:43,120 --> 00:33:44,320
Speaker 3: You know what I'm saying. You know I'm having the

653
00:33:44,360 --> 00:33:45,720
Speaker 3: moment right now, but I'm keeping it professional.

654
00:33:47,120 --> 00:33:49,120
Speaker 1: Okay, So we're gonna get into the band.

655
00:33:50,840 --> 00:33:51,480
Speaker 2: We're gonna get.

656
00:33:51,360 --> 00:33:51,800
Speaker 3: Into the band.

657
00:33:51,880 --> 00:33:54,560
Speaker 1: Go ahead, drinks Okay. So for the band topic we

658
00:33:54,600 --> 00:33:59,080
Speaker 1: wanted to talk about right in there, let's go dating

659
00:33:59,520 --> 00:34:01,960
Speaker 1: in the same circles? Like, is it true that you

660
00:34:02,200 --> 00:34:05,000
Speaker 1: feel like industry people date in the same circles or

661
00:34:05,040 --> 00:34:06,640
Speaker 1: you have to date in the same circles because it

662
00:34:06,720 --> 00:34:09,800
Speaker 1: seems like a lot of men in the industry rotate

663
00:34:09,880 --> 00:34:10,560
Speaker 1: the same with me.

664
00:34:10,800 --> 00:34:17,920
Speaker 4: And have you ever been in that circle? I would say, uh,

665
00:34:20,040 --> 00:34:24,719
Speaker 4: definitely in my twenties, like being in LA and New

666
00:34:24,840 --> 00:34:28,400
Speaker 4: York and Miami and all that, you be like, you know,

667
00:34:28,600 --> 00:34:31,160
Speaker 4: like you might hit up shit like yo, what you're

668
00:34:31,160 --> 00:34:32,920
Speaker 4: doing and you don't hear nothing back, and then you

669
00:34:33,400 --> 00:34:35,560
Speaker 4: look on Instagram and she would trace songs.

670
00:34:36,760 --> 00:34:37,080
Speaker 9: I'm with.

671
00:34:39,960 --> 00:34:44,680
Speaker 5: That's how I knew, girl, you know, That's how I don't.

672
00:34:43,200 --> 00:34:45,080
Speaker 4: Think I knew what dating was really until I was

673
00:34:45,200 --> 00:34:47,360
Speaker 4: like in my late twenties, Like, you.

674
00:34:47,400 --> 00:34:50,319
Speaker 5: Know what I always thought, because we never heard any

675
00:34:50,400 --> 00:34:52,320
Speaker 5: stories about you. Always thought that you were just like

676
00:34:52,520 --> 00:34:55,359
Speaker 5: had a girlfriend and you were just in a relationship.

677
00:34:54,880 --> 00:34:55,600
Speaker 4: The whole time.

678
00:34:55,760 --> 00:34:58,440
Speaker 3: I always was, Okay, so you were in a relationship.

679
00:34:58,760 --> 00:35:04,279
Speaker 4: I'm I'm mayor to my me and my wife and

680
00:35:04,320 --> 00:35:07,680
Speaker 4: known each other since we were twelve. Oh wow, and

681
00:35:07,719 --> 00:35:11,640
Speaker 4: we didn't start dating until we were like nineteen, and

682
00:35:11,760 --> 00:35:14,280
Speaker 4: then we recently got engaged.

683
00:35:15,520 --> 00:35:18,799
Speaker 3: Yeah, that's what she was talking about, real love.

684
00:35:18,880 --> 00:35:20,640
Speaker 1: But now that is well loved.

685
00:35:20,840 --> 00:35:23,080
Speaker 4: No, that's right, but like, because you know what I'm saying.

686
00:35:23,120 --> 00:35:25,680
Speaker 4: We you know what I'm saying, Like we we've been

687
00:35:25,719 --> 00:35:27,560
Speaker 4: through everything. You know what I'm saying. You know what

688
00:35:27,560 --> 00:35:27,879
Speaker 4: I'm saying.

689
00:35:27,920 --> 00:35:29,680
Speaker 1: We always found a way back.

690
00:35:29,880 --> 00:35:33,759
Speaker 4: Yeah, I know, I got hope, We've done everything. You

691
00:35:33,800 --> 00:35:35,600
Speaker 4: know what I'm saying. We hold together. You know what

692
00:35:35,600 --> 00:35:35,839
Speaker 4: I mean.

693
00:35:35,920 --> 00:35:37,920
Speaker 8: Okay, but let's talk about the time y'all was off

694
00:35:38,120 --> 00:35:39,000
Speaker 8: and what was going on?

695
00:35:39,880 --> 00:35:41,720
Speaker 3: What's going on, Bob?

696
00:35:42,480 --> 00:35:44,320
Speaker 4: What was going on? I mean, I am a Scorpio.

697
00:35:45,680 --> 00:35:47,560
Speaker 3: We know the coorpios.

698
00:35:47,800 --> 00:35:49,480
Speaker 4: Yo, I want to know why did scorpios get a

699
00:35:49,520 --> 00:35:52,520
Speaker 4: bad rap? Like what you do to everybody?

700
00:35:52,840 --> 00:35:57,120
Speaker 1: Scorpioos unhen Garfios are unhinged in their.

701
00:35:57,040 --> 00:35:59,400
Speaker 4: Horny, very I'm very hinged.

702
00:35:59,680 --> 00:36:09,640
Speaker 1: You say I'm not forty though, that's one point for drying.

703
00:36:12,400 --> 00:36:16,719
Speaker 4: I mean, can water help that? It's we I mean, so, do.

704
00:36:17,080 --> 00:36:18,880
Speaker 5: Did you ever put one of the girls that was

705
00:36:18,920 --> 00:36:22,239
Speaker 5: in rotation and rotation. I mean, you know we're talking

706
00:36:22,239 --> 00:36:24,200
Speaker 5: about ten years ago, so wife, we can give you

707
00:36:24,200 --> 00:36:24,800
Speaker 5: a little slip.

708
00:36:26,560 --> 00:36:28,760
Speaker 2: We're talking about like oh no, oh.

709
00:36:28,760 --> 00:36:31,400
Speaker 4: No, oh no, hey, you know what's I mean? Me

710
00:36:31,440 --> 00:36:33,840
Speaker 4: and Whitey was doing some rotation to ourselves. You know

711
00:36:33,880 --> 00:36:34,399
Speaker 4: what I'm saying.

712
00:36:34,680 --> 00:36:37,600
Speaker 3: But now that's right. No, that's how you keep it.

713
00:36:38,360 --> 00:36:44,400
Speaker 1: That's how you keep this read an, keeping this brand,

714
00:36:45,080 --> 00:36:45,919
Speaker 1: keeping that old brand.

715
00:36:46,000 --> 00:36:47,719
Speaker 2: But that's how I feel like. I'm not gonna lie.

716
00:36:48,120 --> 00:36:50,879
Speaker 2: I do feel like people get mad, they be like, oh,

717
00:36:51,560 --> 00:36:53,760
Speaker 2: men date the same women, the women are dating.

718
00:36:53,560 --> 00:36:54,000
Speaker 3: The same men.

719
00:36:54,080 --> 00:36:56,759
Speaker 5: But I feel like it's because it's an understanding. When

720
00:36:56,800 --> 00:36:59,560
Speaker 5: you start adding new people like your starcle with, that's

721
00:36:59,600 --> 00:36:59,840
Speaker 5: when you.

722
00:37:00,320 --> 00:37:01,239
Speaker 3: You wake up in the morning.

723
00:37:02,640 --> 00:37:04,920
Speaker 4: Yeah, I feel like, yeah, you definitely gotta But I

724
00:37:05,000 --> 00:37:07,960
Speaker 4: feel like that's something that you gotta learn because on twenties,

725
00:37:08,000 --> 00:37:11,240
Speaker 4: like you think it's like when you know twenties. I've

726
00:37:11,280 --> 00:37:13,359
Speaker 4: heard people say this, and I always say this, like, look,

727
00:37:13,880 --> 00:37:17,279
Speaker 4: if you know twenties, just be a whole, like that's

728
00:37:17,320 --> 00:37:20,719
Speaker 4: what it's for. They got to tell me that's what

729
00:37:20,840 --> 00:37:25,000
Speaker 4: it's for. We he like everybody. I know that, everybody.

730
00:37:25,080 --> 00:37:27,760
Speaker 4: I know that got married when there was like nineteen

731
00:37:28,120 --> 00:37:31,520
Speaker 4: twenty three. They're divorced now or they want to be divorced.

732
00:37:32,880 --> 00:37:36,359
Speaker 4: So it's like, I don't know. I think it's just weird,

733
00:37:36,480 --> 00:37:39,520
Speaker 4: like not weird, let me not say that. I think

734
00:37:39,680 --> 00:37:42,359
Speaker 4: like it's very difficult. From the stories that I hear,

735
00:37:43,520 --> 00:37:46,480
Speaker 4: it's very difficult dating in Atlanta. It is.

736
00:37:46,880 --> 00:37:48,200
Speaker 2: I'm dating Atlanta no more.

737
00:37:49,520 --> 00:37:52,440
Speaker 1: It's very difficult. It's very difficult because I do feel

738
00:37:52,480 --> 00:37:56,040
Speaker 1: like everybody is dating each other. Everybody's dating the same people.

739
00:37:55,840 --> 00:37:56,360
Speaker 4: But not only that.

740
00:37:56,480 --> 00:37:59,000
Speaker 3: The ratio is off. Isn't it like seventeen to one?

741
00:37:59,120 --> 00:38:02,000
Speaker 1: Yeah, it's yeah, I mean, I mean it is, it is,

742
00:38:02,120 --> 00:38:04,120
Speaker 1: but I feel like it's like that in other cities too,

743
00:38:04,200 --> 00:38:06,440
Speaker 1: and still everybody ain't dating everybody though.

744
00:38:06,680 --> 00:38:10,160
Speaker 2: Yeah, but Atlanta is very like everybody is like it's

745
00:38:10,320 --> 00:38:11,200
Speaker 2: very cloud Chase.

746
00:38:11,840 --> 00:38:14,800
Speaker 4: Yeah, it's like it's very it's like people treat you

747
00:38:14,960 --> 00:38:18,480
Speaker 4: like you disposable in Atlanta, and like, I mean, I'm

748
00:38:18,480 --> 00:38:21,960
Speaker 4: sure it's like that in other cities, but in Atlanta

749
00:38:22,200 --> 00:38:23,520
Speaker 4: it's a it's bad.

750
00:38:24,440 --> 00:38:27,960
Speaker 2: Church, he says, in Atlanta is the worst it is

751
00:38:29,280 --> 00:38:29,600
Speaker 2: out here.

752
00:38:30,000 --> 00:38:32,919
Speaker 5: It's really that's another Let me google that real quick

753
00:38:32,960 --> 00:38:34,240
Speaker 5: that's your second time.

754
00:38:37,400 --> 00:38:40,200
Speaker 4: Slow, that's my bro key on favorite word.

755
00:38:44,280 --> 00:38:45,359
Speaker 3: I know that's right.

756
00:38:45,520 --> 00:38:47,840
Speaker 1: But now I do think it's interesting though that people

757
00:38:48,000 --> 00:38:50,600
Speaker 1: date that, Like it seems like industry people date within

758
00:38:50,680 --> 00:38:54,280
Speaker 1: the same circles. But I don't know. I just feel

759
00:38:54,360 --> 00:38:58,759
Speaker 1: like it's because you just feel like these people are

760
00:38:58,840 --> 00:39:02,479
Speaker 1: on your same level and it's harder to date people

761
00:39:02,560 --> 00:39:03,720
Speaker 1: that are in a different world.

762
00:39:04,080 --> 00:39:06,200
Speaker 5: Right, That's what I said, because I feel like sometimes

763
00:39:06,480 --> 00:39:09,440
Speaker 5: like these people they get it, they are said, and

764
00:39:09,520 --> 00:39:11,719
Speaker 5: it's like you don't have to worry about them doing

765
00:39:11,800 --> 00:39:15,080
Speaker 5: certain things they already know. Like if I'm dating this girl,

766
00:39:15,640 --> 00:39:18,560
Speaker 5: she dated this high profile basketball player and I know

767
00:39:18,719 --> 00:39:21,480
Speaker 5: she was super low key. They never had a falling out,

768
00:39:21,560 --> 00:39:24,080
Speaker 5: she was never posting Instagram stories about this and that.

769
00:39:24,239 --> 00:39:25,959
Speaker 2: Okay, so I know that she cool and she don't

770
00:39:26,000 --> 00:39:28,719
Speaker 2: be doing the most and she's fine too, so why not.

771
00:39:29,000 --> 00:39:31,080
Speaker 1: But do you also think that niggas get off on

772
00:39:31,280 --> 00:39:34,799
Speaker 1: like sometimes I think niggas like dating girls that they

773
00:39:34,920 --> 00:39:36,239
Speaker 1: know other niggas than dated.

774
00:39:37,640 --> 00:39:40,320
Speaker 4: Yeah for sure. Yeah, because you like, because you want to,

775
00:39:41,239 --> 00:39:43,000
Speaker 4: Like I heard Chris Brown talk about this an interview,

776
00:39:43,040 --> 00:39:44,560
Speaker 4: It's like you want to you want to be like

777
00:39:44,719 --> 00:39:47,160
Speaker 4: what what he got it I ain't got I mean,

778
00:39:48,120 --> 00:39:49,719
Speaker 4: it's not always like that simple, but.

779
00:39:51,440 --> 00:39:58,600
Speaker 3: It's to be like, yeah, you can't tell me nothing.

780
00:39:59,120 --> 00:40:00,800
Speaker 4: And then you got some girls that just funk with

781
00:40:00,920 --> 00:40:06,160
Speaker 4: NBA players athletes, and it's a different type of it's

782
00:40:06,200 --> 00:40:09,959
Speaker 4: a different type of thing. Like you know, I'm a rapper,

783
00:40:10,040 --> 00:40:12,840
Speaker 4: you know what I'm saying. Like, and I asked my wife.

784
00:40:12,880 --> 00:40:14,440
Speaker 4: I was like, yo, like, do you think you can

785
00:40:14,520 --> 00:40:16,840
Speaker 4: every day the athlete? She was like, oh, no, definitely not.

786
00:40:17,480 --> 00:40:20,840
Speaker 1: But you know, athletes are different.

787
00:40:21,120 --> 00:40:23,200
Speaker 3: I think it's all bad first.

788
00:40:25,280 --> 00:40:29,320
Speaker 1: Period, I think, but I think athletes be on the same.

789
00:40:32,280 --> 00:40:33,680
Speaker 4: Yes, y'all are different.

790
00:40:34,160 --> 00:40:38,080
Speaker 1: Athletes are Look, if anything, I think y'all worse because

791
00:40:38,160 --> 00:40:39,080
Speaker 1: y'all have more fame.

792
00:40:40,080 --> 00:40:40,960
Speaker 2: Let's talk about it.

793
00:40:41,520 --> 00:40:47,719
Speaker 4: Let's discuss this. Yes, let's discs kick, let's discuss this.

794
00:40:49,680 --> 00:40:54,000
Speaker 4: I feel like I feel like athletes are because look,

795
00:40:54,120 --> 00:40:57,719
Speaker 4: as an athlete, you can't like be and I know

796
00:40:57,840 --> 00:40:59,759
Speaker 4: they do go to strip club as a party, but

797
00:40:59,840 --> 00:41:02,759
Speaker 4: it's like your regiment, you gotta workout and da da da,

798
00:41:03,239 --> 00:41:06,120
Speaker 4: So it's like when you're not doing that, you know

799
00:41:06,200 --> 00:41:10,200
Speaker 4: what I'm saying, dining time. So rappers we be in

800
00:41:10,239 --> 00:41:10,680
Speaker 4: the studio.

801
00:41:11,520 --> 00:41:14,360
Speaker 3: We exactly.

802
00:41:18,239 --> 00:41:18,719
Speaker 2: No more.

803
00:41:22,719 --> 00:41:25,400
Speaker 4: But I feel like it's different because I don't know

804
00:41:26,000 --> 00:41:29,040
Speaker 4: we like. I feel like I feel like rappers are

805
00:41:29,160 --> 00:41:33,000
Speaker 4: more like this who I'm fucking with, and you know

806
00:41:33,040 --> 00:41:35,520
Speaker 4: what I'm saying, You may have like maybe may have

807
00:41:35,719 --> 00:41:38,320
Speaker 4: like some new come every now and then, but you

808
00:41:38,520 --> 00:41:41,080
Speaker 4: like this one sucking with. But I feel like athletes

809
00:41:41,120 --> 00:41:42,560
Speaker 4: be like running through it like poo.

810
00:41:44,200 --> 00:41:45,320
Speaker 3: I do kind of agree that.

811
00:41:45,680 --> 00:41:47,800
Speaker 5: I feel like they gotta bit, Like athletes kind of

812
00:41:47,800 --> 00:41:49,560
Speaker 5: will have like a bitch in every city that they.

813
00:41:49,640 --> 00:41:52,759
Speaker 8: Really really like when they like, oh and I know

814
00:41:52,880 --> 00:42:00,160
Speaker 8: when I go, you know and play dirt yea, like.

815
00:42:00,120 --> 00:42:03,840
Speaker 5: When they're like, Okay, this is my Dallas bitch, Like

816
00:42:04,440 --> 00:42:08,680
Speaker 5: I just flirted out to Houston real quick. The situation maybe,

817
00:42:09,120 --> 00:42:11,280
Speaker 5: but I can't kind of agree with that, Like rappers

818
00:42:11,320 --> 00:42:13,520
Speaker 5: will have like a bitch that they fuck with and

819
00:42:13,600 --> 00:42:16,240
Speaker 5: then they'll kind of like fuck with groupies on the side,

820
00:42:16,719 --> 00:42:19,680
Speaker 5: but they really have only like one bitch that feel

821
00:42:19,800 --> 00:42:23,200
Speaker 5: like I'm his main situation, right.

822
00:42:23,719 --> 00:42:26,520
Speaker 4: But I just feel like, you know, like if I, like,

823
00:42:28,320 --> 00:42:30,200
Speaker 4: if I had a daughter, I'll just be like, look,

824
00:42:30,440 --> 00:42:33,640
Speaker 4: just try not to get and it's like, you know,

825
00:42:33,719 --> 00:42:36,400
Speaker 4: people gonna do what they want to do anyway, Like

826
00:42:36,600 --> 00:42:38,240
Speaker 4: just wait till you're like thirty.

827
00:42:38,920 --> 00:42:40,360
Speaker 2: That happening.

828
00:42:42,400 --> 00:42:46,560
Speaker 4: Not today, but like to just like get like.

829
00:42:46,640 --> 00:42:50,800
Speaker 5: You can give your daughter seriously, it's to never blame

830
00:42:50,880 --> 00:42:53,480
Speaker 5: herself because, like you said, people are going to do

831
00:42:53,560 --> 00:42:54,759
Speaker 5: what they want to do. And I think a lot

832
00:42:54,800 --> 00:42:57,520
Speaker 5: of women what they do is they blame themselves. They

833
00:42:57,640 --> 00:43:02,040
Speaker 5: go change their hair, their body. Oh if I change

834
00:43:02,080 --> 00:43:05,440
Speaker 5: it about myself or if I add more artsy or

835
00:43:05,520 --> 00:43:07,440
Speaker 5: if I if I dress like this, he's.

836
00:43:07,280 --> 00:43:08,200
Speaker 2: Gonna love me more.

837
00:43:08,760 --> 00:43:10,320
Speaker 3: It's when men do what they want to do.

838
00:43:10,440 --> 00:43:12,960
Speaker 2: It's never about you, and that that says nothing about

839
00:43:12,960 --> 00:43:13,759
Speaker 2: who you are as a woman.

840
00:43:13,760 --> 00:43:15,880
Speaker 5: It's never So that is the best thing you can

841
00:43:15,960 --> 00:43:18,760
Speaker 5: tell your daughter, your sister, your cousins, your aunties.

842
00:43:19,120 --> 00:43:21,480
Speaker 1: Whoever I show unt you should know.

843
00:43:28,600 --> 00:43:35,480
Speaker 4: You have to give me really be like cool. You

844
00:43:35,560 --> 00:43:40,040
Speaker 4: got a cool auntie. Boy, that's the best thing happens.

845
00:43:40,080 --> 00:43:42,240
Speaker 3: I'm the coolantie. I have two nephews.

846
00:43:42,280 --> 00:43:44,600
Speaker 2: I'm a cool auntie now they're still young, but.

847
00:43:44,719 --> 00:43:48,200
Speaker 1: I'm not a Yeah, I just like saying it.

848
00:43:48,480 --> 00:43:50,239
Speaker 4: You just got niggas get it out, man, Like you

849
00:43:50,280 --> 00:43:52,560
Speaker 4: gotta let him get it out. So that so that

850
00:43:52,760 --> 00:43:55,840
Speaker 4: they can get it out and they cannot fold and

851
00:43:57,280 --> 00:43:57,960
Speaker 4: later in life.

852
00:43:58,200 --> 00:43:59,719
Speaker 1: But I feel like it needs the world. It be

853
00:43:59,800 --> 00:44:03,360
Speaker 1: so much temptation. Now that's easier to say it is.

854
00:44:03,760 --> 00:44:05,600
Speaker 1: That's why niggas be folding all the time.

855
00:44:09,520 --> 00:44:12,400
Speaker 4: It takes a long time. And and like you know,

856
00:44:12,719 --> 00:44:16,320
Speaker 4: like I'm speaking from the perspective of like somebody that

857
00:44:16,360 --> 00:44:18,800
Speaker 4: I've been around the world and all types of like

858
00:44:19,280 --> 00:44:22,000
Speaker 4: women hit on me and be in all types of situations,

859
00:44:22,280 --> 00:44:25,279
Speaker 4: and it's like most niggas ain't gonna experience that. So

860
00:44:25,360 --> 00:44:27,000
Speaker 4: it's like, how do you even know if a niggas

861
00:44:27,040 --> 00:44:28,840
Speaker 4: gonna fold or not? You know what I mean. But

862
00:44:29,040 --> 00:44:31,440
Speaker 4: I do feel like once you like get to a

863
00:44:31,520 --> 00:44:37,239
Speaker 4: certain level of maturity, nigga, let me ask you a question.

864
00:44:38,560 --> 00:44:39,480
Speaker 3: Is your wife black?

865
00:44:40,320 --> 00:44:40,760
Speaker 4: Of course?

866
00:44:41,880 --> 00:44:42,120
Speaker 5: Give me.

867
00:44:50,320 --> 00:44:52,640
Speaker 1: You know she was the one because you said you knew.

868
00:44:52,800 --> 00:44:57,680
Speaker 4: I knew when I Yes, I knew when I was swelled,

869
00:44:58,040 --> 00:45:01,520
Speaker 4: and I I told her when I'm telling you. We

870
00:45:01,600 --> 00:45:04,640
Speaker 4: met in middle school, went to Henderson. Other people who

871
00:45:04,719 --> 00:45:08,600
Speaker 4: went to Henderson can attested this. I one of my

872
00:45:08,960 --> 00:45:10,800
Speaker 4: one of her friends, introduced me to her when I

873
00:45:10,880 --> 00:45:12,880
Speaker 4: was twelve, and I looked at her her eyes, and

874
00:45:12,960 --> 00:45:16,480
Speaker 4: I was like, Yep, she's the one, and I knew

875
00:45:16,520 --> 00:45:20,160
Speaker 4: it ever since. But I was chasing and chasing and chasing.

876
00:45:20,160 --> 00:45:21,600
Speaker 4: You know what I'm saying. She was You know what

877
00:45:21,640 --> 00:45:24,239
Speaker 4: I'm saying. She was, she was one of the sought

878
00:45:24,280 --> 00:45:26,880
Speaker 4: after women. And and so I had to sit there.

879
00:45:28,000 --> 00:45:32,080
Speaker 4: She was twelve, but I had to sit back and watch.

880
00:45:32,160 --> 00:45:38,759
Speaker 4: You know what I'm saying. She had options. Twelfth grade,

881
00:45:39,320 --> 00:45:42,439
Speaker 4: seventh grade, I was waiting, eighth grade, Wayne, ninth grade, Way,

882
00:45:42,719 --> 00:45:46,680
Speaker 4: tenth grade, Way, and then yeah, it was waiting. And

883
00:45:46,800 --> 00:45:50,960
Speaker 4: then eventually when I was like nineteen, I went out

884
00:45:51,000 --> 00:45:54,320
Speaker 4: to LA because she went to LA to dance, like

885
00:45:54,680 --> 00:45:57,000
Speaker 4: like real like tour, you know, hip hop dance, not

886
00:45:57,040 --> 00:46:13,680
Speaker 4: stripping day. I don't want to clarify what type of

887
00:46:13,800 --> 00:46:19,000
Speaker 4: dance was talking about. So and so, you know what

888
00:46:19,080 --> 00:46:21,680
Speaker 4: I'm saying. Like, and then we remember we went on

889
00:46:21,760 --> 00:46:24,239
Speaker 4: a date. We went to Rosco's. That was the first

890
00:46:24,360 --> 00:46:27,279
Speaker 4: date we went on in l A. And then we

891
00:46:27,480 --> 00:46:30,560
Speaker 4: rolled around that night and then I looked at her

892
00:46:30,600 --> 00:46:33,759
Speaker 4: and I was like, you want to get married? And

893
00:46:34,040 --> 00:46:37,600
Speaker 4: she was like, yeah, we should get married. We was nineteen. Yeah,

894
00:46:39,440 --> 00:46:41,600
Speaker 4: sh I met that ship, every word of it and

895
00:46:41,719 --> 00:46:43,239
Speaker 4: I was like I told your mother for the next

896
00:46:43,440 --> 00:46:43,800
Speaker 4: was twelve.

897
00:46:46,000 --> 00:46:48,760
Speaker 3: I told you this is a good love story.

898
00:46:50,200 --> 00:46:52,040
Speaker 4: But that's like I feel like certain stuff like that,

899
00:46:52,160 --> 00:46:54,560
Speaker 4: it'd be like, you know, it just be I don't know,

900
00:46:54,680 --> 00:46:56,560
Speaker 4: some shit just be like written in the stars, like

901
00:46:56,800 --> 00:46:59,040
Speaker 4: it just happened that way, because you can't playing that

902
00:46:59,120 --> 00:47:02,399
Speaker 4: type of ship. Twelve, I don't know what the life about, right,

903
00:47:03,239 --> 00:47:04,960
Speaker 4: you don't know about the whole years ahead of you.

904
00:47:07,880 --> 00:47:11,399
Speaker 5: I mean that's a start, like from twelve to like now,

905
00:47:11,480 --> 00:47:12,239
Speaker 5: like you always knew.

906
00:47:12,280 --> 00:47:13,719
Speaker 3: I felt, because I really believe that.

907
00:47:13,760 --> 00:47:16,520
Speaker 1: When you know you know, Yeah, it's like that all saying,

908
00:47:16,560 --> 00:47:18,560
Speaker 1: when you let something go, if it's for you, would

909
00:47:18,560 --> 00:47:19,600
Speaker 1: to find this way, bed.

910
00:47:20,040 --> 00:47:26,120
Speaker 4: Will everyone, it will alone.

911
00:47:26,280 --> 00:47:28,720
Speaker 1: But maybe that's maybe that's your mean.

912
00:47:30,480 --> 00:47:31,560
Speaker 4: Man, that's why he.

913
00:47:33,800 --> 00:47:38,040
Speaker 1: Won't go way, he can't stay away. Let your so mad.

914
00:47:38,960 --> 00:47:40,240
Speaker 1: Y'all are tethered.

915
00:47:42,520 --> 00:47:42,839
Speaker 4: The hip.

916
00:47:44,000 --> 00:47:46,719
Speaker 2: Okay, so let me ask you this that we done

917
00:47:46,800 --> 00:47:47,879
Speaker 2: took off, so we then.

918
00:47:47,840 --> 00:47:50,600
Speaker 4: Took off and leaving the bed. Are we done with

919
00:47:50,640 --> 00:47:51,000
Speaker 4: the baby?

920
00:47:52,480 --> 00:47:53,960
Speaker 2: I've asked you a question before we go to the

921
00:47:54,000 --> 00:47:54,880
Speaker 2: next segment, because I do.

922
00:47:55,040 --> 00:47:56,160
Speaker 3: I've been wondering for a.

923
00:47:56,200 --> 00:47:58,399
Speaker 4: Be because there's the things we could have discussed about

924
00:47:58,400 --> 00:48:06,120
Speaker 4: the bed we got. Okay, So, like I often hear

925
00:48:06,160 --> 00:48:08,840
Speaker 4: about women like, you know, not being satisfied all the

926
00:48:08,880 --> 00:48:14,719
Speaker 4: way in the bed women. Yes, So my question is

927
00:48:15,680 --> 00:48:18,560
Speaker 4: what hours of the day are we talking about? Are

928
00:48:18,600 --> 00:48:21,960
Speaker 4: we talking about seven am in the morning, after after

929
00:48:22,120 --> 00:48:26,480
Speaker 4: hours when everybody is obliterated? We are we talking about

930
00:48:26,960 --> 00:48:31,279
Speaker 4: at at a reasonable hour? Like what is it better?

931
00:48:31,520 --> 00:48:34,040
Speaker 2: Men just do not know how to please women. I

932
00:48:34,080 --> 00:48:36,320
Speaker 2: don't care if it's five at or five pm.

933
00:48:36,920 --> 00:48:38,080
Speaker 4: Y'all don't know what y'all doing.

934
00:48:38,239 --> 00:48:41,480
Speaker 1: I mean, you do have to factor in certain things

935
00:48:41,560 --> 00:48:47,600
Speaker 1: sometimes though sometimes niggas be having a hey beck and

936
00:48:47,719 --> 00:48:49,759
Speaker 1: may be trying to go for two hours.

937
00:48:52,760 --> 00:48:54,319
Speaker 3: Seven That should be the best.

938
00:48:54,600 --> 00:48:58,279
Speaker 1: You got a fresh start, nothing.

939
00:48:58,360 --> 00:48:58,880
Speaker 2: Happen to you.

940
00:48:59,040 --> 00:49:02,640
Speaker 1: You ain't now like I have no dream, I never

941
00:49:02,760 --> 00:49:06,319
Speaker 1: mean this satisfied or unsatisfied with morning d I feel

942
00:49:06,360 --> 00:49:07,120
Speaker 1: like both women do.

943
00:49:07,280 --> 00:49:07,800
Speaker 5: Like boarding s.

944
00:49:10,080 --> 00:49:13,400
Speaker 4: Y'all prefer is where it's at, right. I love bording.

945
00:49:13,480 --> 00:49:14,160
Speaker 1: I like morning s.

946
00:49:14,360 --> 00:49:15,239
Speaker 3: I like more than sex.

947
00:49:15,320 --> 00:49:18,560
Speaker 1: I agree so now because I ain't gotta do nothing,

948
00:49:18,640 --> 00:49:19,800
Speaker 1: it's already ord.

949
00:49:20,360 --> 00:49:23,000
Speaker 4: Because more th morning, would you know what I'm saying?

950
00:49:23,440 --> 00:49:27,000
Speaker 4: And and like okay, So if it's not happening in

951
00:49:27,120 --> 00:49:29,960
Speaker 4: the morning, then we have a we have a valid point,

952
00:49:30,040 --> 00:49:30,879
Speaker 4: then we have argument.

953
00:49:30,960 --> 00:49:33,200
Speaker 1: Okay. It's like if we can only get good in

954
00:49:33,320 --> 00:49:46,239
Speaker 1: the morning, So you got a three hour windows time,

955
00:49:48,120 --> 00:49:51,840
Speaker 1: you got a three hour window. So much in the

956
00:49:52,040 --> 00:49:54,359
Speaker 1: three hours are you done for the day?

957
00:49:54,440 --> 00:49:55,120
Speaker 3: You feel like me?

958
00:49:55,440 --> 00:49:58,320
Speaker 5: So if women are having problems with their men in

959
00:49:58,440 --> 00:50:00,239
Speaker 5: the bed, they need to try to get at the

960
00:50:00,280 --> 00:50:03,959
Speaker 5: dick between like seventy you saying more than.

961
00:50:03,920 --> 00:50:06,720
Speaker 4: This is the end. I'm not saying that's the answer.

962
00:50:07,239 --> 00:50:10,400
Speaker 4: I'm just saying we need to be realistic with our approach, okay,

963
00:50:10,680 --> 00:50:14,600
Speaker 4: And what would be the apro I mean, look if

964
00:50:14,680 --> 00:50:17,080
Speaker 4: we look, if we go out to dinner at ten

965
00:50:18,320 --> 00:50:22,480
Speaker 4: and then we go to I don't know, boogoloo, I

966
00:50:22,480 --> 00:50:32,399
Speaker 4: don't know, I'll swing like twelve, twelve thirty, and then

967
00:50:33,080 --> 00:50:35,600
Speaker 4: come three we go to the after hours.

968
00:50:36,800 --> 00:50:37,919
Speaker 3: Skip from twelve or three.

969
00:50:38,000 --> 00:50:40,800
Speaker 4: I can talk. Look so ten nah, but nah, we

970
00:50:41,360 --> 00:50:44,160
Speaker 4: we we This is this is date night. This is

971
00:50:44,320 --> 00:50:46,680
Speaker 4: party night, all right, This is and you know, bite

972
00:50:46,719 --> 00:50:49,080
Speaker 4: the homies out. We partying, So you got to eat

973
00:50:49,080 --> 00:50:51,479
Speaker 4: it tint pre game. Then you go to the club

974
00:50:51,800 --> 00:50:54,360
Speaker 4: twelve thirty. I'm not trying to pull up to the

975
00:50:54,360 --> 00:50:56,080
Speaker 4: club at one thirty, like, I'm not trying to make

976
00:50:56,120 --> 00:50:58,120
Speaker 4: a scene. I'm just trying to get in and have fu.

977
00:50:59,000 --> 00:51:02,719
Speaker 4: So then after that, everybody live. We're up. We're up.

978
00:51:02,920 --> 00:51:04,920
Speaker 4: We're going to the athes here, we're going. We're going

979
00:51:04,960 --> 00:51:06,759
Speaker 4: to open and we're going to what's the spot over

980
00:51:06,800 --> 00:51:08,040
Speaker 4: in blockhead Blue.

981
00:51:08,120 --> 00:51:10,080
Speaker 3: I don't know what's the place we need to go.

982
00:51:10,719 --> 00:51:11,360
Speaker 4: What's the call in?

983
00:51:12,239 --> 00:51:24,560
Speaker 1: It's after hour one six am, we'll open dawn long.

984
00:51:25,920 --> 00:51:28,840
Speaker 4: Boom, we're in the athletes booming. It's five in the morning.

985
00:51:29,480 --> 00:51:34,880
Speaker 4: Order another bottle of costumigos, just because it's open and

986
00:51:34,960 --> 00:51:39,120
Speaker 4: we're here. Get refill the hookahs, all right? Boom, round six,

987
00:51:39,440 --> 00:51:44,360
Speaker 4: round six, thirty six, thirty six thirty.

988
00:51:44,560 --> 00:51:46,280
Speaker 1: By the time we get over the top o' clock,

989
00:51:50,920 --> 00:51:57,080
Speaker 1: you got thirty minutes. Hello, we got thirty minuting thirty minutes.

990
00:51:58,520 --> 00:52:00,680
Speaker 4: But then well, on that same and it's gonna be

991
00:52:00,719 --> 00:52:06,240
Speaker 4: my last thought on that same token. If a nigga,

992
00:52:06,440 --> 00:52:08,160
Speaker 4: you know what I'm saying, If he can't come and

993
00:52:08,280 --> 00:52:12,399
Speaker 4: he's plowing you for three hours, you can't complain, Yes

994
00:52:12,520 --> 00:52:12,839
Speaker 4: we can.

995
00:52:13,640 --> 00:52:16,440
Speaker 3: That's too much. That's too much. You're doing too much

996
00:52:16,600 --> 00:52:17,120
Speaker 3: because if.

997
00:52:17,040 --> 00:52:21,320
Speaker 5: You know, I feel like this, women, we are always prepared.

998
00:52:22,239 --> 00:52:25,239
Speaker 5: We are always prepared, so we know. Okay, girl, I

999
00:52:25,320 --> 00:52:26,040
Speaker 5: know I'm about to go to.

1000
00:52:26,040 --> 00:52:27,799
Speaker 3: This nigga house. I don't want to get too fucked up.

1001
00:52:28,200 --> 00:52:30,560
Speaker 1: I don't want to That's how we plan our night, right,

1002
00:52:30,880 --> 00:52:35,320
Speaker 1: So why are we playing our nightey? That ain't not everybody.

1003
00:52:35,800 --> 00:52:36,400
Speaker 2: I feel like this.

1004
00:52:36,640 --> 00:52:38,480
Speaker 3: I don't like to get too drunk up. So I

1005
00:52:38,520 --> 00:52:40,399
Speaker 3: feel like, and you know that, I'm finna come home

1006
00:52:40,480 --> 00:52:40,640
Speaker 3: with you.

1007
00:52:40,840 --> 00:52:43,680
Speaker 5: Why are you getting so drunk to where you can't back.

1008
00:52:45,680 --> 00:52:49,040
Speaker 1: Rooted and considerate fucking for three hours? Is why I

1009
00:52:49,360 --> 00:52:52,600
Speaker 1: know that who she feels like can't paper I'm finna

1010
00:52:52,680 --> 00:52:53,160
Speaker 1: clock out.

1011
00:52:53,719 --> 00:52:56,839
Speaker 4: I mean, I'm exaggerating wildly, but you know what I'm saying.

1012
00:52:57,200 --> 00:52:59,279
Speaker 3: I honestly go after a wild night out.

1013
00:52:59,400 --> 00:53:00,640
Speaker 2: Most of the time, I'm not gonna lie.

1014
00:53:00,760 --> 00:53:03,600
Speaker 3: Me and my dude have passed out. It's just like, oh,

1015
00:53:03,640 --> 00:53:04,680
Speaker 3: we'll get to it tomorrow.

1016
00:53:05,560 --> 00:53:09,160
Speaker 4: That ain't Yeah, he's get on my desk. I'll handle it.

1017
00:53:11,320 --> 00:53:14,520
Speaker 1: I've said before, I'm not having six longer than thirty minutes.

1018
00:53:14,920 --> 00:53:17,560
Speaker 1: It's not happening, And thirty minutes is excessive.

1019
00:53:18,440 --> 00:53:24,160
Speaker 4: Always talking about like four playund okay, so and all

1020
00:53:24,200 --> 00:53:24,320
Speaker 4: of that.

1021
00:53:24,480 --> 00:53:28,200
Speaker 1: I'm talking about the actual acts of six. You're right,

1022
00:53:29,000 --> 00:53:30,600
Speaker 1: thirty minutes is excessive.

1023
00:53:31,040 --> 00:53:33,399
Speaker 4: That's a lot of workout. This ain't a soccer. That's

1024
00:53:33,480 --> 00:53:36,359
Speaker 4: a lie. This is this is not a soccer.

1025
00:53:36,440 --> 00:53:40,560
Speaker 1: Max needs to be fifteen fifteen, fifteen.

1026
00:53:41,960 --> 00:53:45,040
Speaker 4: Fifteen. That's a little short. That's a little short.

1027
00:53:45,120 --> 00:53:45,440
Speaker 1: Twenty.

1028
00:53:45,840 --> 00:53:48,399
Speaker 3: I think we can do twenty five, thirty, twenty five

1029
00:53:48,400 --> 00:53:48,799
Speaker 3: to thirty.

1030
00:53:48,880 --> 00:53:52,360
Speaker 4: I mean, yo, every every if it's fifteen, every fifteen

1031
00:53:52,400 --> 00:53:53,800
Speaker 4: in the minutes, gotta be busting.

1032
00:53:57,239 --> 00:54:05,880
Speaker 1: You can't say no if he takes longer than like

1033
00:54:06,040 --> 00:54:08,279
Speaker 1: twenty minutes. I have this trick that I pull out

1034
00:54:08,320 --> 00:54:09,879
Speaker 1: and if it don't work, I just know you too

1035
00:54:10,000 --> 00:54:11,320
Speaker 1: drunk and were just going to sleep.

1036
00:54:13,480 --> 00:54:14,000
Speaker 4: What's the trick?

1037
00:54:19,719 --> 00:54:20,320
Speaker 3: Follow us on?

1038
00:54:22,640 --> 00:54:22,680
Speaker 4: No?

1039
00:54:22,880 --> 00:54:26,000
Speaker 2: I feel like this, but every break from every nigga

1040
00:54:26,080 --> 00:54:26,719
Speaker 2: is not the same.

1041
00:54:27,120 --> 00:54:29,520
Speaker 4: No, it's not. But every.

1042
00:54:30,800 --> 00:54:32,800
Speaker 2: Yeah, you have one trick that'll be kind of like

1043
00:54:32,960 --> 00:54:33,919
Speaker 2: universal trick.

1044
00:54:34,400 --> 00:54:36,840
Speaker 4: Is there any trick we can discuss right now because

1045
00:54:37,040 --> 00:54:38,600
Speaker 4: I need to take some notes.

1046
00:54:39,719 --> 00:54:42,440
Speaker 5: I feel like every nigga, I feel like a universal

1047
00:54:42,520 --> 00:54:44,279
Speaker 5: trick from every nigga is like if he's hitting it

1048
00:54:44,320 --> 00:54:46,600
Speaker 5: from the back and you start fucking it back, throwing

1049
00:54:46,640 --> 00:54:49,000
Speaker 5: it back. If that don't get you in the ass

1050
00:54:49,160 --> 00:54:52,239
Speaker 5: is moving. If that don't get that nigga, you you

1051
00:54:52,400 --> 00:54:54,600
Speaker 5: too drunk, and it's time to go. Yeah, I'm not.

1052
00:55:00,040 --> 00:55:01,359
Speaker 1: Ask that bitch.

1053
00:55:02,640 --> 00:55:06,360
Speaker 3: They gonna get serious when they back. They trying not

1054
00:55:06,440 --> 00:55:06,799
Speaker 3: to look.

1055
00:55:09,480 --> 00:55:13,000
Speaker 4: Look, you know, look, I have to come down.

1056
00:55:14,320 --> 00:55:16,520
Speaker 2: You gotta let that nigga focus and let that nigga out.

1057
00:55:16,760 --> 00:55:20,279
Speaker 3: So it's so good. So I feel like that would

1058
00:55:20,320 --> 00:55:21,840
Speaker 3: be like a universal.

1059
00:55:21,680 --> 00:55:24,400
Speaker 1: It's universal, and in his head it's head tricks. You

1060
00:55:24,440 --> 00:55:27,200
Speaker 1: can do head tricks. But if I'm drunk, I'm not

1061
00:55:27,360 --> 00:55:29,680
Speaker 1: gonna I'm not am because I'll take it out and

1062
00:55:29,840 --> 00:55:43,279
Speaker 1: like you, I'll be like, man, why you want to

1063
00:55:43,320 --> 00:55:43,799
Speaker 1: give me here?

1064
00:55:43,880 --> 00:55:44,160
Speaker 5: Right now?

1065
00:55:45,040 --> 00:55:46,439
Speaker 4: Break break?

1066
00:55:46,600 --> 00:55:49,759
Speaker 2: No, nigga, I'm the fuck is you?

1067
00:55:51,840 --> 00:55:56,040
Speaker 1: That's you were on the slide. We pay with the

1068
00:55:56,160 --> 00:55:59,800
Speaker 1: fight scene, So we gonna go for sometimes.

1069
00:56:00,320 --> 00:56:03,680
Speaker 3: All right, we don't have some time.

1070
00:56:04,040 --> 00:56:06,520
Speaker 5: What's up y'all? Is your girl XP and it's your

1071
00:56:06,560 --> 00:56:08,759
Speaker 5: girls jury and the call. And one thing about me

1072
00:56:08,960 --> 00:56:10,800
Speaker 5: is I hate to waste my money.

1073
00:56:11,160 --> 00:56:13,759
Speaker 1: Yeah, me too, And that's why I love. Rocket Money

1074
00:56:14,040 --> 00:56:16,719
Speaker 1: is a personal finance app that finds and cancels your

1075
00:56:16,800 --> 00:56:21,080
Speaker 1: unwanted subscriptions, monitors your spending and helps you lower your bills.

1076
00:56:21,160 --> 00:56:24,040
Speaker 1: Help me save over forty dollars a month on subscriptions

1077
00:56:24,080 --> 00:56:25,160
Speaker 1: that I wasn't even using.

1078
00:56:25,320 --> 00:56:27,280
Speaker 5: Yes, So you know, if you're that person that signs

1079
00:56:27,360 --> 00:56:29,160
Speaker 5: up for a free trial and you forget about it,

1080
00:56:29,360 --> 00:56:29,520
Speaker 5: or you.

1081
00:56:29,560 --> 00:56:31,120
Speaker 2: Got these subscription services that.

1082
00:56:31,160 --> 00:56:33,640
Speaker 5: You forgot about, well, rocket money is gonna help you

1083
00:56:33,800 --> 00:56:36,600
Speaker 5: manage all of that. Cancel the ones that you don't need,

1084
00:56:36,760 --> 00:56:38,799
Speaker 5: keep the ones that you want, all just to save

1085
00:56:38,880 --> 00:56:39,319
Speaker 5: you money.

1086
00:56:39,600 --> 00:56:41,600
Speaker 1: Yes, if you can manage all of your expenses by

1087
00:56:41,719 --> 00:56:45,200
Speaker 1: going to rocket money dot com slash poor minds, that's

1088
00:56:45,400 --> 00:56:49,920
Speaker 1: Rocket money dot com slash poor minds, save you some money, girls, period.

1089
00:56:52,960 --> 00:56:56,640
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1090
00:56:56,640 --> 00:56:59,560
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1091
00:56:59,680 --> 00:57:03,480
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1092
00:57:03,680 --> 00:57:08,000
Speaker 5: slash poor Months. Rocket money dot com slash poor months.

1093
00:57:09,520 --> 00:57:11,680
Speaker 3: Don't get into a.

1094
00:57:17,200 --> 00:57:19,840
Speaker 5: So my bop of the week, y'all know I always

1095
00:57:19,880 --> 00:57:21,160
Speaker 5: do an R and B song for my Bop of

1096
00:57:21,200 --> 00:57:23,120
Speaker 5: the week, but I switched it up this week because

1097
00:57:23,840 --> 00:57:27,000
Speaker 5: my every time like people post something on their story.

1098
00:57:27,120 --> 00:57:28,960
Speaker 5: They'll post a song that they're listening to. I always

1099
00:57:29,000 --> 00:57:31,560
Speaker 5: go listen to it. Very rarely is it something that

1100
00:57:31,640 --> 00:57:34,320
Speaker 5: I like. But my best friend Kila had posted this

1101
00:57:34,520 --> 00:57:35,360
Speaker 5: song on her story, and.

1102
00:57:35,400 --> 00:57:37,160
Speaker 2: I was pleasantly surprised.

1103
00:57:37,520 --> 00:57:42,360
Speaker 5: So k Camp dropped a project last summer and he

1104
00:57:42,480 --> 00:57:44,680
Speaker 5: has a song on there called Woozy, and I was

1105
00:57:44,840 --> 00:57:45,920
Speaker 5: pleasantly surprised.

1106
00:57:46,440 --> 00:57:48,600
Speaker 3: It was a it's about I like it.

1107
00:57:48,720 --> 00:57:52,280
Speaker 5: I actually went and listened to the whole project, Solid Projects,

1108
00:57:52,320 --> 00:57:55,320
Speaker 5: so k Camp Woozy, that's my bop of the week.

1109
00:57:55,440 --> 00:57:57,200
Speaker 4: We're gonna hear it, you know.

1110
00:58:00,120 --> 00:58:01,920
Speaker 1: Hopefully one day we get to a point where we

1111
00:58:01,920 --> 00:58:03,880
Speaker 1: could start playing them on the show.

1112
00:58:04,040 --> 00:58:05,320
Speaker 3: You're not quite there yet.

1113
00:58:05,840 --> 00:58:06,680
Speaker 1: We're working on it.

1114
00:58:06,920 --> 00:58:09,360
Speaker 4: I see this because I see a studio audience.

1115
00:58:09,960 --> 00:58:12,880
Speaker 2: Ye talk show.

1116
00:58:13,320 --> 00:58:14,800
Speaker 1: That's when we got out of the card.

1117
00:58:15,040 --> 00:58:17,880
Speaker 4: We're not like the talk show. I see it and

1118
00:58:17,960 --> 00:58:19,560
Speaker 4: I like it, and I love it and I support it.

1119
00:58:20,120 --> 00:58:21,200
Speaker 5: You get out.

1120
00:58:27,600 --> 00:58:28,880
Speaker 7: I know, that's right.

1121
00:58:29,320 --> 00:58:31,280
Speaker 3: Okay, what's okay?

1122
00:58:31,480 --> 00:58:33,920
Speaker 1: So it's crazy because I was actually talking to somebody

1123
00:58:33,960 --> 00:58:35,560
Speaker 1: the other day and they was like, back in your

1124
00:58:35,680 --> 00:58:38,160
Speaker 1: college days, what was a song that like, if you

1125
00:58:38,320 --> 00:58:40,520
Speaker 1: was in the club, you could not leave a club

1126
00:58:40,560 --> 00:58:44,200
Speaker 1: without this song coming on, and I was like, Nasty songs.

1127
00:58:44,840 --> 00:58:48,480
Speaker 1: That was what was his name? Little Roue came out

1128
00:58:48,520 --> 00:58:59,920
Speaker 1: to the Yeah yeah, I said, yes, I've had.

1129
00:59:03,240 --> 00:59:04,880
Speaker 4: That scrumpy on and came out.

1130
00:59:05,200 --> 00:59:13,240
Speaker 1: I seen it, Bob, we seem like, yeah, that was

1131
00:59:13,320 --> 00:59:16,520
Speaker 1: like the Dallas Arrow, but like Dallas was really doing

1132
00:59:16,560 --> 00:59:20,040
Speaker 1: a thing with the music, so I was like, yeah,

1133
00:59:20,240 --> 00:59:24,320
Speaker 1: nasty song. So ironically, a lot of just came out

1134
00:59:24,360 --> 00:59:29,560
Speaker 1: with a remix to Nasty. It's called Another Nasty Song.

1135
00:59:29,560 --> 00:59:32,720
Speaker 5: And I like it was so.

1136
00:59:36,680 --> 00:59:40,840
Speaker 3: That a lot of flow.

1137
00:59:41,960 --> 00:59:43,560
Speaker 4: She got her voice.

1138
00:59:43,800 --> 00:59:45,240
Speaker 5: I think a lot of people don't realize when it

1139
00:59:45,280 --> 00:59:47,880
Speaker 5: comes to rapping, it's more than just bars, Like you

1140
00:59:48,000 --> 00:59:50,600
Speaker 5: have to have a voice that is like a good toe,

1141
00:59:50,800 --> 00:59:52,080
Speaker 5: Like her toe is really good.

1142
00:59:52,240 --> 00:59:52,760
Speaker 1: I agree.

1143
00:59:53,120 --> 00:59:57,960
Speaker 4: Yeah, Like female rappers is like really like really like

1144
00:59:58,080 --> 01:00:01,520
Speaker 4: running rap. Like It's to the point I've been pulling

1145
01:00:01,560 --> 01:00:03,080
Speaker 4: up songs and I'm like, oh, yeah, this is like

1146
01:00:03,200 --> 01:00:04,280
Speaker 4: the all female rappers.

1147
01:00:05,400 --> 01:00:07,720
Speaker 2: Yes, like female rap.

1148
01:00:07,760 --> 01:00:09,680
Speaker 5: Right now is doing so well and I love it.

1149
01:00:10,040 --> 01:00:13,680
Speaker 5: I feel like because it was so hard for anybody.

1150
01:00:13,760 --> 01:00:17,520
Speaker 3: At one point, it used to.

1151
01:00:17,560 --> 01:00:23,760
Speaker 4: Be like Foxy Brown. Look, Kim came along after that.

1152
01:00:24,040 --> 01:00:27,240
Speaker 5: They had Eve had her moment and then it was

1153
01:00:27,280 --> 01:00:30,920
Speaker 5: like when Nicky came it was literally just Nickie. This

1154
01:00:31,080 --> 01:00:33,760
Speaker 5: moment at the BET Awards when she won Best Female

1155
01:00:33,880 --> 01:00:36,160
Speaker 5: Rapper and she walked up there, she was like, oh

1156
01:00:36,240 --> 01:00:39,240
Speaker 5: my god, y'all, I'm so surprised, and the crowd started laughing,

1157
01:00:40,320 --> 01:00:45,080
Speaker 5: Are you surprised only one? Cause it's like Nikki was

1158
01:00:45,240 --> 01:00:47,720
Speaker 5: just And that's why I get mad with people kind

1159
01:00:47,720 --> 01:00:50,560
Speaker 5: of gett disrespectful sometimes because like y'all have to realize

1160
01:00:50,640 --> 01:00:52,240
Speaker 5: what she did. Like when she came in, it was

1161
01:00:52,360 --> 01:00:56,080
Speaker 5: nobody but her, and it was like she was really

1162
01:00:56,360 --> 01:00:58,280
Speaker 5: killing it, like you know, But.

1163
01:00:58,560 --> 01:01:01,480
Speaker 3: I'm glad that it's like, know, everybody's having their moments.

1164
01:01:02,400 --> 01:01:04,040
Speaker 1: A lot of girls. We have a plethora.

1165
01:01:04,720 --> 01:01:06,440
Speaker 4: Now we can all go out to the club and

1166
01:01:06,600 --> 01:01:10,560
Speaker 4: after parties and have a you know, even I don't know,

1167
01:01:11,200 --> 01:01:14,400
Speaker 4: you get what I'm saying. Yeah, like we can all

1168
01:01:14,480 --> 01:01:15,120
Speaker 4: turn up, you know what I.

1169
01:01:15,120 --> 01:01:16,640
Speaker 3: Mean, even playing fields?

1170
01:01:16,680 --> 01:01:17,040
Speaker 5: Do you still?

1171
01:01:18,400 --> 01:01:22,800
Speaker 4: Yo? I like THEE. THEE was so smooth. It was

1172
01:01:23,000 --> 01:01:34,080
Speaker 4: very small, beautiful. I mean, like I really I don't

1173
01:01:34,160 --> 01:01:34,760
Speaker 4: know what it is.

1174
01:01:35,320 --> 01:01:37,680
Speaker 2: And this is a safe space because I ain't gonna judge.

1175
01:01:37,440 --> 01:01:42,800
Speaker 4: Because I'm between two black women you could be in.

1176
01:01:44,320 --> 01:01:46,000
Speaker 3: So what do you think the earth is shaped?

1177
01:01:47,000 --> 01:01:50,920
Speaker 4: I don't know, Like you know, it could be many things,

1178
01:01:51,120 --> 01:01:56,560
Speaker 4: to be honest, but you know, I just me personally,

1179
01:01:57,720 --> 01:01:59,720
Speaker 4: you know, I just I don't trust a lot of

1180
01:02:00,560 --> 01:02:03,720
Speaker 4: I don't trust the sources that we've been trying to

1181
01:02:03,840 --> 01:02:04,240
Speaker 4: believe in.

1182
01:02:05,600 --> 01:02:07,479
Speaker 3: So that's fair, that's fair.

1183
01:02:07,960 --> 01:02:08,200
Speaker 1: You know.

1184
01:02:09,200 --> 01:02:12,000
Speaker 2: Do you think it like changes shapes sometimes?

1185
01:02:13,560 --> 01:02:17,200
Speaker 1: Like it said, shape shifter, like the rectangle?

1186
01:02:17,480 --> 01:02:19,800
Speaker 4: Yo, I've never been asked that. That's funny.

1187
01:02:20,240 --> 01:02:23,280
Speaker 1: I like you, I'm just wondering, like, you don't.

1188
01:02:23,160 --> 01:02:26,800
Speaker 3: Why because I'm not. I don't judge the way people think.

1189
01:02:26,800 --> 01:02:28,480
Speaker 5: Because Dress said this the other week, she was like,

1190
01:02:28,600 --> 01:02:31,400
Speaker 5: I really wonder what goes through your mind Sometimes the

1191
01:02:31,480 --> 01:02:33,400
Speaker 5: ship that I've been thinking, I will wake up in

1192
01:02:33,440 --> 01:02:34,760
Speaker 5: the middle of the night and I have a dream

1193
01:02:34,760 --> 01:02:38,320
Speaker 5: about something and I'll just google the weird like I'm

1194
01:02:38,360 --> 01:02:39,360
Speaker 5: not even gonna get it into details.

1195
01:02:39,440 --> 01:02:41,560
Speaker 2: Why they wear Last night, I woke up at three

1196
01:02:41,600 --> 01:02:42,240
Speaker 2: o'clock in the morning.

1197
01:02:42,320 --> 01:02:44,360
Speaker 3: I had to google Liam Neeson's middle name.

1198
01:02:46,200 --> 01:02:46,400
Speaker 5: Why.

1199
01:02:49,040 --> 01:02:50,120
Speaker 1: I'm like that.

1200
01:02:50,480 --> 01:02:52,960
Speaker 4: Sometimes I'll stay up and watch how they build trains,

1201
01:02:53,880 --> 01:02:56,440
Speaker 4: like I watch how they build locomotives in nineteen twelve

1202
01:02:56,600 --> 01:02:59,480
Speaker 4: versus two thousand. Yeah, and I'd be like, damn, wow,

1203
01:02:59,680 --> 01:03:01,680
Speaker 4: didn't different quality and different, you know what I'm saying.

1204
01:03:01,720 --> 01:03:04,000
Speaker 2: And I always think about like how the highways have

1205
01:03:04,120 --> 01:03:05,360
Speaker 2: been connected.

1206
01:03:09,320 --> 01:03:12,040
Speaker 4: For military use only and then they opened them up

1207
01:03:12,080 --> 01:03:12,800
Speaker 4: to the public.

1208
01:03:14,680 --> 01:03:15,720
Speaker 3: Walk the woods.

1209
01:03:17,600 --> 01:03:18,920
Speaker 4: Just on them trails.

1210
01:03:20,200 --> 01:03:22,640
Speaker 5: So you're just unsure. So you don't think it's flat

1211
01:03:22,760 --> 01:03:24,640
Speaker 5: or you don't think it's round. How do you feel

1212
01:03:24,680 --> 01:03:24,960
Speaker 5: about that?

1213
01:03:25,160 --> 01:03:28,640
Speaker 4: Well, I will say that I don't think it's round,

1214
01:03:29,000 --> 01:03:37,680
Speaker 4: okay somewhere, but because if it's not round, then I'm like, damn,

1215
01:03:37,720 --> 01:03:39,440
Speaker 4: I don't know. This could be a part of something

1216
01:03:39,520 --> 01:03:43,240
Speaker 4: bigger that we just probably can't perceive, you know what

1217
01:03:43,280 --> 01:03:43,720
Speaker 4: I'm saying.

1218
01:03:44,640 --> 01:03:46,480
Speaker 2: So do you think there's like another.

1219
01:03:48,200 --> 01:03:49,720
Speaker 3: Planet like Earth?

1220
01:03:50,600 --> 01:03:52,560
Speaker 4: I feel like it's I feel like there's other places

1221
01:03:52,760 --> 01:03:56,600
Speaker 4: that people exist, like I feel like everywhere you go,

1222
01:03:56,800 --> 01:04:01,600
Speaker 4: it's gonna be niggas there. That's I feel. Yes, if

1223
01:04:01,680 --> 01:04:04,400
Speaker 4: they might, it might be great. Might not look like us.

1224
01:04:04,560 --> 01:04:11,200
Speaker 4: They play and.

1225
01:04:11,240 --> 01:04:15,120
Speaker 1: We girds, they gonna be like than brown.

1226
01:04:15,880 --> 01:04:16,280
Speaker 4: Why do you.

1227
01:04:17,880 --> 01:04:20,400
Speaker 1: Brown niggas came from. We're gonna be like this.

1228
01:04:20,800 --> 01:04:22,280
Speaker 5: You don't have you don't have black people do when

1229
01:04:22,280 --> 01:04:22,880
Speaker 5: they see each other.

1230
01:04:22,960 --> 01:04:23,960
Speaker 2: Do they be like.

1231
01:04:26,880 --> 01:04:27,920
Speaker 3: We see each other?

1232
01:04:28,160 --> 01:04:30,360
Speaker 4: Why do they do this? Why do we do the square?

1233
01:04:30,400 --> 01:04:33,680
Speaker 4: Why is it a square? When? Why is it the square?

1234
01:04:34,040 --> 01:04:37,480
Speaker 5: Like we did it? I don't know, but I don't

1235
01:04:37,720 --> 01:04:40,640
Speaker 5: know all the time to especially you do do that,

1236
01:04:40,760 --> 01:04:43,480
Speaker 5: especially when you're needing, you'd be like hold on, hold on, But.

1237
01:04:43,600 --> 01:04:45,080
Speaker 4: It don't even cover everything.

1238
01:04:47,120 --> 01:04:49,120
Speaker 1: Why like a sign to like hold on?

1239
01:04:49,680 --> 01:04:51,720
Speaker 5: We be we have.

1240
01:04:51,960 --> 01:04:54,240
Speaker 1: Manners and then we're trying to cover our mouth, Like

1241
01:04:54,440 --> 01:04:55,720
Speaker 1: what if I'm trying to talk, I don't want to.

1242
01:04:55,920 --> 01:05:00,520
Speaker 2: I feel like me when I tell y'all, black people

1243
01:05:00,640 --> 01:05:06,640
Speaker 2: have the best manners on earth. Yes, manners like people.

1244
01:05:06,760 --> 01:05:10,080
Speaker 5: It don't matter how young old you are, Yes ma'am.

1245
01:05:10,280 --> 01:05:12,400
Speaker 5: We'll say yes ma'am to a thirteen year old.

1246
01:05:12,880 --> 01:05:14,120
Speaker 3: It don't matter what we're saying.

1247
01:05:14,520 --> 01:05:17,080
Speaker 1: They be getting man, they'd be like, I ain't no man.

1248
01:05:17,200 --> 01:05:17,520
Speaker 11: Right.

1249
01:05:19,440 --> 01:05:20,000
Speaker 1: Was raised?

1250
01:05:20,240 --> 01:05:23,160
Speaker 4: You know, like when somebody says a good joke, you

1251
01:05:23,240 --> 01:05:25,880
Speaker 4: know what I'm saying, we respectfully take off running, you know.

1252
01:05:27,920 --> 01:05:28,160
Speaker 1: To be.

1253
01:05:31,360 --> 01:05:32,760
Speaker 2: Period period.

1254
01:05:33,440 --> 01:05:37,280
Speaker 5: I do believe, you know, like there is a whole okay,

1255
01:05:37,360 --> 01:05:40,680
Speaker 5: there's a whole galaxy of playing it and all that stuff.

1256
01:05:41,040 --> 01:05:44,200
Speaker 2: I feel like there's other galaxies that we can.

1257
01:05:44,280 --> 01:05:47,000
Speaker 5: But it's like, oh yeah, like it's impossible for us

1258
01:05:47,080 --> 01:05:48,160
Speaker 5: to reach other galaxies.

1259
01:05:48,160 --> 01:05:49,320
Speaker 1: I mean, but that's why we don't know.

1260
01:05:49,760 --> 01:05:50,400
Speaker 3: That's what I'm saying.

1261
01:05:50,440 --> 01:05:52,760
Speaker 2: But I definitely believe there's other galaxies and.

1262
01:05:52,760 --> 01:05:56,320
Speaker 3: They have like whatever their earth is with their people.

1263
01:05:56,440 --> 01:05:58,440
Speaker 4: I feel like it's something that's like not as ghetto

1264
01:05:58,600 --> 01:05:58,880
Speaker 4: as this.

1265
01:06:01,520 --> 01:06:02,720
Speaker 1: You feel like we're on the ghetto.

1266
01:06:07,240 --> 01:06:08,400
Speaker 3: Some places that are worse.

1267
01:06:09,000 --> 01:06:13,720
Speaker 4: You No, I'm positive it is. I'm sure it is.

1268
01:06:13,960 --> 01:06:15,960
Speaker 3: It's a lot to think about it.

1269
01:06:16,000 --> 01:06:19,360
Speaker 5: If you really try to think about something being never ending,

1270
01:06:19,800 --> 01:06:22,400
Speaker 5: it'll really fuck you up. Like you know, you can

1271
01:06:22,480 --> 01:06:24,320
Speaker 5: look at the ceiling and be like, okay, it stops

1272
01:06:24,400 --> 01:06:26,720
Speaker 5: right there, But if you think about the galaxy, it.

1273
01:06:26,920 --> 01:06:27,880
Speaker 3: Never never ends.

1274
01:06:28,360 --> 01:06:30,360
Speaker 1: That's all we've only gotten.

1275
01:06:30,160 --> 01:06:33,680
Speaker 4: So far telling you, Yeah, So I guess, I don't know.

1276
01:06:33,720 --> 01:06:36,400
Speaker 4: I guess like other people, I guess you get I

1277
01:06:36,440 --> 01:06:38,640
Speaker 4: guess you get kept back or you could graduate. And

1278
01:06:39,480 --> 01:06:41,520
Speaker 4: if you get kept back, you're gonna stay in the ghetto,

1279
01:06:41,720 --> 01:06:44,880
Speaker 4: and you're gonna you can go to a better place

1280
01:06:44,960 --> 01:06:45,720
Speaker 4: if you graduate.

1281
01:06:46,760 --> 01:06:49,400
Speaker 3: Look, got a little we took off this.

1282
01:06:53,960 --> 01:06:55,560
Speaker 1: Time infused with cannoby.

1283
01:06:55,760 --> 01:06:59,400
Speaker 2: Okay, okay, okay, so we're gonna move on, all right.

1284
01:06:59,440 --> 01:06:59,840
Speaker 4: I like it.

1285
01:07:00,000 --> 01:07:02,560
Speaker 3: It's not around you just don't know what I can

1286
01:07:02,640 --> 01:07:02,960
Speaker 3: suck with.

1287
01:07:03,520 --> 01:07:07,360
Speaker 4: You know, I'm gonna be fair with that organized y'all.

1288
01:07:07,400 --> 01:07:10,000
Speaker 4: I really like this. Yeah, I'm liking that we have

1289
01:07:10,320 --> 01:07:11,120
Speaker 4: car order.

1290
01:07:13,160 --> 01:07:14,680
Speaker 1: Is upside down once again.

1291
01:07:15,800 --> 01:07:16,520
Speaker 3: I'm not gonna lie.

1292
01:07:16,560 --> 01:07:17,680
Speaker 4: It's ship on my cars.

1293
01:07:17,720 --> 01:07:23,080
Speaker 5: I just keep it.

1294
01:07:23,720 --> 01:07:24,960
Speaker 1: It's so I'm having to.

1295
01:07:26,760 --> 01:07:27,040
Speaker 4: Cars.

1296
01:07:27,040 --> 01:07:29,040
Speaker 2: Don't say ship, don't need.

1297
01:07:31,360 --> 01:07:31,400
Speaker 5: So.

1298
01:07:31,640 --> 01:07:35,440
Speaker 1: Now it's for us to get into our Oh no,

1299
01:07:35,760 --> 01:07:36,840
Speaker 1: you gotta do your items with.

1300
01:07:36,920 --> 01:07:40,240
Speaker 4: The weed my car say something. The only thing said.

1301
01:07:41,040 --> 01:07:42,960
Speaker 1: I was ready to jump into the questions and.

1302
01:07:43,440 --> 01:07:45,240
Speaker 3: To do your audi of the week.

1303
01:07:45,280 --> 01:07:47,320
Speaker 2: Okay, sorry, item of the week. Of course, y'all know

1304
01:07:47,440 --> 01:07:50,440
Speaker 2: we always added to our shot mind account.

1305
01:07:50,680 --> 01:07:52,000
Speaker 3: Sorry my music lad.

1306
01:07:52,400 --> 01:07:55,520
Speaker 2: Okay, So one thing I will say, y'all know I'm

1307
01:07:55,600 --> 01:07:56,640
Speaker 2: big on hygiene.

1308
01:07:56,760 --> 01:08:01,160
Speaker 1: I'm a hygiene girl, and I feel like brushing.

1309
01:08:00,840 --> 01:08:01,800
Speaker 3: Your tongue is not enough.

1310
01:08:02,080 --> 01:08:05,360
Speaker 5: I'm tired of going on Instagram and seeing people sing

1311
01:08:05,560 --> 01:08:07,200
Speaker 5: lyrics to the favorite song and all I see is

1312
01:08:07,240 --> 01:08:07,920
Speaker 5: the white tongue.

1313
01:08:08,760 --> 01:08:10,240
Speaker 3: It's not given. What you think is giving?

1314
01:08:10,320 --> 01:08:15,160
Speaker 2: Girl looking behind that your tongue is white. Everybody needs

1315
01:08:15,200 --> 01:08:16,280
Speaker 2: to have a tongue scraper.

1316
01:08:16,760 --> 01:08:18,920
Speaker 5: And the reason I like this company is because when

1317
01:08:18,920 --> 01:08:20,639
Speaker 5: they send you a ton of scraper, it actually comes

1318
01:08:20,720 --> 01:08:21,200
Speaker 5: with the case.

1319
01:08:21,640 --> 01:08:23,040
Speaker 3: So you're just throwing to get back. It ain't no

1320
01:08:23,120 --> 01:08:24,759
Speaker 3: excuse me. You gotta quick dick appointment.

1321
01:08:25,040 --> 01:08:27,400
Speaker 2: We got at least rub your tongues.

1322
01:08:27,920 --> 01:08:30,320
Speaker 1: No, I was thinking that little real fancy. I was like,

1323
01:08:30,400 --> 01:08:31,360
Speaker 1: they send me in a row.

1324
01:08:31,640 --> 01:08:33,559
Speaker 2: They can you get two of them?

1325
01:08:33,680 --> 01:08:34,880
Speaker 3: Girl, It's real cute.

1326
01:08:35,040 --> 01:08:36,280
Speaker 2: Scrap the tongue.

1327
01:08:36,520 --> 01:08:38,439
Speaker 4: I love it. Oh damn, that's different. I ain't ever

1328
01:08:38,520 --> 01:08:39,240
Speaker 4: seen nothing like that.

1329
01:08:39,479 --> 01:08:40,080
Speaker 1: It's a good.

1330
01:08:40,280 --> 01:08:42,040
Speaker 2: It's stainless steel man.

1331
01:08:46,360 --> 01:08:48,240
Speaker 3: And after your dick appointment, because y'all be.

1332
01:08:48,320 --> 01:08:53,400
Speaker 5: Real nasty enough, Yes, I don't tongue scraper, y'all. It

1333
01:08:53,479 --> 01:08:55,920
Speaker 5: works so good like you can get and then it's long,

1334
01:08:56,040 --> 01:08:59,040
Speaker 5: so you get real de y'all please, And I'm not

1335
01:08:59,120 --> 01:09:02,960
Speaker 5: being fund of y'all your tongue. You really have to

1336
01:09:03,000 --> 01:09:05,479
Speaker 5: scrape your tongue. So I'm gonna have this in the

1337
01:09:05,520 --> 01:09:07,479
Speaker 5: shop mine. It's gonna be in the link below.

1338
01:09:07,640 --> 01:09:09,040
Speaker 3: So scrape your tongue.

1339
01:09:09,200 --> 01:09:10,400
Speaker 4: Yeah, y'all, scrape your tongue.

1340
01:09:10,520 --> 01:09:14,720
Speaker 2: Was using that you love because you have nice skin?

1341
01:09:15,000 --> 01:09:23,400
Speaker 4: Does to be I yeah, like a real boys take

1342
01:09:23,439 --> 01:09:24,240
Speaker 4: about the gallon and.

1343
01:09:26,120 --> 01:09:28,080
Speaker 1: You don't have to have to be.

1344
01:09:29,560 --> 01:09:31,640
Speaker 4: I be like when you as a man, we be

1345
01:09:31,720 --> 01:09:34,120
Speaker 4: shaving like it's it's like you hate shavings, like you

1346
01:09:34,120 --> 01:09:37,360
Speaker 4: don't want to ingrown hairs, like like why this is

1347
01:09:37,400 --> 01:09:39,680
Speaker 4: why I say it's ghetto, because why do hairs want

1348
01:09:39,720 --> 01:09:44,760
Speaker 4: to grow back? Yeah? To like stop it so so

1349
01:09:45,040 --> 01:09:49,280
Speaker 4: item that I use. My partner just got me a

1350
01:09:51,680 --> 01:09:55,920
Speaker 4: automatic barista. Is that what it's even called? I think?

1351
01:09:56,000 --> 01:09:59,479
Speaker 3: Are you talking about the that makes drinks bart?

1352
01:10:00,000 --> 01:10:00,479
Speaker 4: Oh my god.

1353
01:10:00,560 --> 01:10:05,479
Speaker 1: I bought one of my friends that for his last year.

1354
01:10:05,760 --> 01:10:07,479
Speaker 1: You have one too. I don't have one, but I

1355
01:10:07,560 --> 01:10:09,720
Speaker 1: bought it for my best for Christmas last year.

1356
01:10:10,120 --> 01:10:12,680
Speaker 4: I love it. You'll know how to handhook. Okay, well

1357
01:10:12,880 --> 01:10:21,280
Speaker 4: just learn boom hand hand hook. This my.

1358
01:10:31,160 --> 01:10:35,160
Speaker 1: Excuse, my man, I love the party. That's a good one.

1359
01:10:35,360 --> 01:10:37,840
Speaker 2: I just got mine and I love it.

1360
01:10:38,040 --> 01:10:39,880
Speaker 1: Yeah, I have mine.

1361
01:10:39,920 --> 01:10:42,280
Speaker 3: Where it makes the Long Island.

1362
01:10:43,400 --> 01:10:48,080
Speaker 4: Make make a lemon drop to the lemon drop makes everything?

1363
01:10:48,240 --> 01:10:50,719
Speaker 1: You just gotta have the four what's.

1364
01:10:52,280 --> 01:10:52,519
Speaker 4: Yeah?

1365
01:10:52,880 --> 01:10:55,479
Speaker 1: Yeah, that is a good one.

1366
01:10:56,000 --> 01:10:59,080
Speaker 4: Might want to partner up, but make one of these takeoffs?

1367
01:10:59,600 --> 01:10:59,760
Speaker 10: Right?

1368
01:11:02,720 --> 01:11:04,479
Speaker 3: Okay, So what we got next.

1369
01:11:04,960 --> 01:11:09,080
Speaker 2: Okay, take up out.

1370
01:11:11,439 --> 01:11:15,719
Speaker 1: Okay, So now it's talk to get into our favorite

1371
01:11:15,760 --> 01:11:18,240
Speaker 1: segment of the show, which is pour your heart out.

1372
01:11:18,520 --> 01:11:20,160
Speaker 1: So you know, if you have any questions, you can

1373
01:11:20,200 --> 01:11:23,280
Speaker 1: always send them to ask Poor Minds at gmail dot com.

1374
01:11:23,400 --> 01:11:25,920
Speaker 1: That's a s K p o U R in my

1375
01:11:26,120 --> 01:11:29,320
Speaker 1: n D s at gmail dot com. Let us know

1376
01:11:29,560 --> 01:11:32,560
Speaker 1: how we have helped you. You can also send testimonials,

1377
01:11:32,600 --> 01:11:34,400
Speaker 1: let us know if we put your life up. You know,

1378
01:11:34,520 --> 01:11:39,920
Speaker 1: either way, we're still here. We still gonna give advice.

1379
01:11:41,040 --> 01:11:43,479
Speaker 1: Come on, look and bring out the question.

1380
01:11:49,080 --> 01:11:56,280
Speaker 4: The envelopes down. Good, some good questions, all right, so

1381
01:11:56,360 --> 01:11:57,840
Speaker 4: we all give an advice right now?

1382
01:12:01,640 --> 01:12:02,920
Speaker 3: Long when I'm.

1383
01:12:02,840 --> 01:12:04,080
Speaker 1: Twittering a long one?

1384
01:12:05,680 --> 01:12:07,240
Speaker 2: All right, question number one?

1385
01:12:07,520 --> 01:12:10,080
Speaker 5: Hey, lex Andrea, I asked y'all this on Twitter, but

1386
01:12:10,160 --> 01:12:12,479
Speaker 5: I don't know if y'all saw it. But have y'all

1387
01:12:12,520 --> 01:12:15,160
Speaker 5: ever thought about doing a cooking segment on Poor Minds.

1388
01:12:15,479 --> 01:12:17,719
Speaker 5: The poor crew would really love to see y'all throw down.

1389
01:12:17,600 --> 01:12:18,160
Speaker 3: In the kitchen.

1390
01:12:18,680 --> 01:12:23,960
Speaker 1: No, no, and hell, I say this a lot.

1391
01:12:24,360 --> 01:12:26,320
Speaker 2: I think a lot of people I do not like

1392
01:12:26,439 --> 01:12:27,800
Speaker 2: to cook. Can I cook? Guess?

1393
01:12:27,960 --> 01:12:28,639
Speaker 1: I don't back.

1394
01:12:29,120 --> 01:12:30,480
Speaker 3: And I feel like people.

1395
01:12:30,760 --> 01:12:33,800
Speaker 2: Look at women, especially like, oh you don't like to cook.

1396
01:12:33,840 --> 01:12:35,320
Speaker 3: You ain't never gonna find a husband.

1397
01:12:35,600 --> 01:12:35,880
Speaker 1: Cool?

1398
01:12:36,880 --> 01:12:41,439
Speaker 2: Be's the only thing I'm making is reservations. So will

1399
01:12:41,479 --> 01:12:42,799
Speaker 2: we ever do a cooking segment?

1400
01:12:43,000 --> 01:12:43,040
Speaker 4: No?

1401
01:12:44,400 --> 01:12:48,760
Speaker 1: No, we might have a cook on you're a chef

1402
01:12:48,880 --> 01:12:51,120
Speaker 1: on and then we'll have like a little segment that

1403
01:12:51,520 --> 01:12:51,920
Speaker 1: that day.

1404
01:12:52,040 --> 01:12:54,479
Speaker 3: No, I don't even know about that. I'll be all

1405
01:12:54,560 --> 01:12:55,160
Speaker 3: work that day.

1406
01:12:55,720 --> 01:13:01,680
Speaker 4: I have a suggestion, okay, no, head off. I feel like,

1407
01:13:02,479 --> 01:13:04,920
Speaker 4: if you were to do it, it should be foods

1408
01:13:04,960 --> 01:13:09,600
Speaker 4: you can pour, like soup or like fun do or

1409
01:13:09,680 --> 01:13:12,840
Speaker 4: something beans. Why did you go to.

1410
01:13:14,439 --> 01:13:15,440
Speaker 8: She loves.

1411
01:13:17,200 --> 01:13:17,240
Speaker 2: You?

1412
01:13:18,520 --> 01:13:22,439
Speaker 4: You can? Okay, alright, that's cool, all right, Okay, can

1413
01:13:22,520 --> 01:13:26,800
Speaker 4: you cook what I can cook? I can cook. I

1414
01:13:26,880 --> 01:13:29,080
Speaker 4: can cook. I stick to what I'm good at cooking,

1415
01:13:29,680 --> 01:13:33,160
Speaker 4: and that's it. I cook a steak dinner, okay, okay,

1416
01:13:34,240 --> 01:13:40,280
Speaker 4: like it's not, but I know how to cook it. Okay,

1417
01:13:40,800 --> 01:13:41,840
Speaker 4: a little pink in the middle.

1418
01:13:42,360 --> 01:13:43,040
Speaker 2: Medium, well.

1419
01:13:44,600 --> 01:13:51,920
Speaker 4: Like medium? No? Medium like medium medium? Y'all culture here?

1420
01:13:53,000 --> 01:13:53,240
Speaker 2: Wow?

1421
01:13:53,560 --> 01:13:53,920
Speaker 1: Medium?

1422
01:13:55,720 --> 01:13:59,719
Speaker 4: Yeah? Okay, but when I make when I make the steaks,

1423
01:13:59,720 --> 01:14:03,160
Speaker 4: I may make the steak crab legs, mashed potatoes, spinach,

1424
01:14:03,320 --> 01:14:04,439
Speaker 4: and the burnet sauce.

1425
01:14:05,640 --> 01:14:08,599
Speaker 1: Yeah you are you mean cooking, cooking.

1426
01:14:09,479 --> 01:14:12,000
Speaker 4: I'm saying, don't see what I'm saying. Don't get carried away.

1427
01:14:12,280 --> 01:14:19,080
Speaker 4: I just cooked that what I'm good at. Crab legs, it's.

1428
01:14:21,760 --> 01:14:25,040
Speaker 3: Not there again, Okay, but that's good.

1429
01:14:25,120 --> 01:14:27,200
Speaker 2: That's some good things because because you can make difference.

1430
01:14:28,680 --> 01:14:29,360
Speaker 2: You know, you're.

1431
01:14:31,439 --> 01:14:31,839
Speaker 1: Anything.

1432
01:14:32,000 --> 01:14:34,519
Speaker 2: You can make a steak sandwich is he's artist, sandwich artist?

1433
01:14:35,160 --> 01:14:38,519
Speaker 4: Yeah, see it's it's Emmy's then Emmy.

1434
01:14:39,160 --> 01:14:41,160
Speaker 1: You know a point, and I don't think I ever

1435
01:14:41,240 --> 01:14:43,880
Speaker 1: seen nobody make a steak sandwhich niggas be making pork

1436
01:14:43,960 --> 01:14:45,840
Speaker 1: chocol playing, which is port.

1437
01:14:46,760 --> 01:14:47,439
Speaker 4: I felt, you know.

1438
01:14:50,720 --> 01:14:51,000
Speaker 2: It's you.

1439
01:14:52,720 --> 01:14:56,680
Speaker 4: We done took all and then a girl, I make

1440
01:14:56,720 --> 01:14:59,760
Speaker 4: a mean you know what are yeah, make a mean.

1441
01:15:00,040 --> 01:15:01,599
Speaker 4: One of one of the things I just made I'm

1442
01:15:01,680 --> 01:15:06,840
Speaker 4: super proud of is I made a king crab chili

1443
01:15:07,000 --> 01:15:08,000
Speaker 4: lime smoke.

1444
01:15:09,080 --> 01:15:21,240
Speaker 11: I smoked chili lamp. Everybody literally literally okay.

1445
01:15:22,160 --> 01:15:26,400
Speaker 4: Literally literally smoked chili lime king crab.

1446
01:15:27,120 --> 01:15:28,640
Speaker 2: That's you.

1447
01:15:31,600 --> 01:15:34,040
Speaker 4: And I gotta I gotta cut them bitches over there.

1448
01:15:34,160 --> 01:15:38,200
Speaker 3: Yes, so you know how to cook crab. Yeah, look,

1449
01:15:38,320 --> 01:15:41,080
Speaker 3: that's not because you know what. You can overcook crab very.

1450
01:15:41,000 --> 01:15:42,800
Speaker 4: Easily, very easily. It's like you don't take all that,

1451
01:15:42,920 --> 01:15:45,040
Speaker 4: it's already it's already done.

1452
01:15:45,320 --> 01:15:46,679
Speaker 1: Pretty much pretty much.

1453
01:15:47,439 --> 01:15:52,920
Speaker 5: Okay, okay, okay, Yeah, you know how to work the grib. See,

1454
01:15:52,960 --> 01:15:55,599
Speaker 5: that's why relationships don't work out. Niggas don't know how

1455
01:15:55,600 --> 01:15:56,120
Speaker 5: to grill no.

1456
01:15:56,160 --> 01:15:58,280
Speaker 1: Moment, and they don't wear them uncle sandals when they

1457
01:15:59,200 --> 01:16:00,879
Speaker 1: with the A I would.

1458
01:16:00,640 --> 01:16:02,479
Speaker 4: Have, I would have. I would have the socks and

1459
01:16:02,520 --> 01:16:03,320
Speaker 4: the flip flops.

1460
01:16:03,120 --> 01:16:03,880
Speaker 1: The burken socks.

1461
01:16:07,960 --> 01:16:11,920
Speaker 4: You alright with me? White beater sweatpants, flip flop socks.

1462
01:16:12,280 --> 01:16:15,120
Speaker 4: Go ahead, grill brilliant.

1463
01:16:17,200 --> 01:16:23,679
Speaker 1: Yeah, I see what this question along.

1464
01:16:23,960 --> 01:16:27,680
Speaker 4: Oh that's a lot of words is.

1465
01:16:32,320 --> 01:16:36,479
Speaker 1: Hey, y'all love the show. So I'm a fem lesbian thirty.

1466
01:16:37,479 --> 01:16:40,360
Speaker 1: One day I needed some good gas and my homeboy

1467
01:16:40,439 --> 01:16:42,880
Speaker 1: gave me his plugs number. I get her to pull

1468
01:16:43,000 --> 01:16:45,599
Speaker 1: up the next day, and baby, she is so fine.

1469
01:16:46,120 --> 01:16:48,600
Speaker 1: I've been crushing since I laid eyes on her. She

1470
01:16:48,760 --> 01:16:51,960
Speaker 1: definitely has a loyal customer out of me. So anyway,

1471
01:16:52,160 --> 01:16:54,479
Speaker 1: she served me a few times and we always chop

1472
01:16:54,560 --> 01:16:57,200
Speaker 1: it up and make small talk. One day she asked

1473
01:16:57,200 --> 01:17:00,400
Speaker 1: for my I G I was too excited. She followed

1474
01:17:00,439 --> 01:17:02,720
Speaker 1: me a little later in like three pigs, so I

1475
01:17:02,800 --> 01:17:08,320
Speaker 1: knew I was in there. I return, I return, I

1476
01:17:08,479 --> 01:17:11,120
Speaker 1: returned the favor. The next time I saw her, I

1477
01:17:11,240 --> 01:17:13,360
Speaker 1: decided to work up the nerve and be bald and

1478
01:17:13,439 --> 01:17:15,559
Speaker 1: ask her out for a drink and she said yes.

1479
01:17:16,160 --> 01:17:18,320
Speaker 1: We text and set up a day, and the day

1480
01:17:18,439 --> 01:17:21,120
Speaker 1: comes and she asks for a rain check. She said,

1481
01:17:21,320 --> 01:17:23,400
Speaker 1: so much has been happening this week, and I feel

1482
01:17:23,439 --> 01:17:25,360
Speaker 1: like if we were to go, I will be there

1483
01:17:25,439 --> 01:17:27,920
Speaker 1: physically but not mentally, and I do not want to

1484
01:17:27,960 --> 01:17:31,640
Speaker 1: be that way when I'm around you. As promised, she

1485
01:17:31,720 --> 01:17:34,320
Speaker 1: would make it up to me. So fast forward. The

1486
01:17:34,439 --> 01:17:36,600
Speaker 1: next time I see her, we make small talk, but

1487
01:17:36,680 --> 01:17:38,920
Speaker 1: there is still no mention of a reschedule, and I

1488
01:17:39,080 --> 01:17:42,080
Speaker 1: was not about to bring it up. Child. It's been

1489
01:17:42,200 --> 01:17:45,080
Speaker 1: almost a month since the cancelation and I've seen her

1490
01:17:45,160 --> 01:17:48,320
Speaker 1: three times since. Mind you, she has my number. Do

1491
01:17:48,479 --> 01:17:50,840
Speaker 1: I wait to see if she says something? Do I

1492
01:17:50,920 --> 01:17:53,160
Speaker 1: bring it up? Should I forget about it and just

1493
01:17:53,280 --> 01:17:55,560
Speaker 1: leave this as a crush or is she not that

1494
01:17:55,720 --> 01:18:00,320
Speaker 1: into me? What should I do? Sincerely, a damsel industry.

1495
01:18:02,160 --> 01:18:05,639
Speaker 4: I amends, Bob.

1496
01:18:05,840 --> 01:18:08,200
Speaker 1: Let me tell you I don't know, Bob. I'll tell

1497
01:18:08,200 --> 01:18:11,679
Speaker 1: you how I feel, Bob, and how you feel.

1498
01:18:12,080 --> 01:18:15,080
Speaker 5: I had this conversation with my friend this morning, because

1499
01:18:15,280 --> 01:18:17,599
Speaker 5: I had this guy and I've told you about him before,

1500
01:18:17,640 --> 01:18:19,160
Speaker 5: and I thought I was interested in him.

1501
01:18:19,840 --> 01:18:22,960
Speaker 2: We hung out. The first time we hung out, I

1502
01:18:23,040 --> 01:18:25,320
Speaker 2: knew I didn't like him, but everybody was like, you

1503
01:18:25,400 --> 01:18:28,520
Speaker 2: know what, think outside the box, flex.

1504
01:18:28,320 --> 01:18:30,479
Speaker 5: Do this, and I'm like, you know what, okay, And

1505
01:18:30,600 --> 01:18:32,880
Speaker 5: I hung out with him three four more times and

1506
01:18:33,000 --> 01:18:35,800
Speaker 5: it's just not there. Let me tell you something about women,

1507
01:18:36,120 --> 01:18:38,960
Speaker 5: especially you know, when you like somebody and when we

1508
01:18:39,200 --> 01:18:41,960
Speaker 5: like you, we want to spend anytime you hit us

1509
01:18:42,040 --> 01:18:43,519
Speaker 5: up with, like when you be.

1510
01:18:43,600 --> 01:18:45,680
Speaker 3: In your bed outside of the night.

1511
01:18:47,360 --> 01:18:50,680
Speaker 1: But I hit a phone ringing from one side of

1512
01:18:50,720 --> 01:18:51,320
Speaker 1: the house and I.

1513
01:18:55,920 --> 01:19:01,120
Speaker 5: Anime, you say anything. I feel like, don't even like

1514
01:19:01,400 --> 01:19:02,400
Speaker 5: she's not that into you.

1515
01:19:02,600 --> 01:19:03,559
Speaker 3: Maybe she will, maybe she.

1516
01:19:03,600 --> 01:19:06,560
Speaker 1: Got something going on, but whatever, she might really have

1517
01:19:06,720 --> 01:19:08,200
Speaker 1: something on it. And that's what I'm saying.

1518
01:19:08,400 --> 01:19:11,479
Speaker 3: Sometimes she does have something going on, but it's not you.

1519
01:19:11,720 --> 01:19:13,920
Speaker 2: Whatever it is, it could be family issues, but not

1520
01:19:14,040 --> 01:19:15,280
Speaker 2: concerned about you right now.

1521
01:19:15,760 --> 01:19:18,120
Speaker 4: I feel two ways. I feel two ways about it

1522
01:19:18,680 --> 01:19:24,080
Speaker 4: from a god's perspective, like you know you gotta be

1523
01:19:24,120 --> 01:19:25,720
Speaker 4: a patient as niggas. You know.

1524
01:19:31,479 --> 01:19:35,120
Speaker 1: You gotta be you gotta learn, like you you real patient.

1525
01:19:35,320 --> 01:19:38,920
Speaker 4: I'm very patient. Well I had you know, sometimes you

1526
01:19:39,120 --> 01:19:44,080
Speaker 4: got no choice. So sometimes you may like like as

1527
01:19:44,120 --> 01:19:45,960
Speaker 4: a man, you may be pursuing a woman for like

1528
01:19:46,040 --> 01:19:53,719
Speaker 4: a year, and that's like normal. But if you flaking,

1529
01:19:54,720 --> 01:19:59,160
Speaker 4: I don't know, if you flaking and you're not in

1530
01:19:59,280 --> 01:20:01,280
Speaker 4: the other person, like if the other person is not

1531
01:20:01,400 --> 01:20:06,640
Speaker 4: trying to show interest and they're just flaking, then you

1532
01:20:06,800 --> 01:20:10,720
Speaker 4: might just need to just shift your attention elsewhere for

1533
01:20:10,880 --> 01:20:16,320
Speaker 4: probably a year, not come on back after year. Maybe.

1534
01:20:16,640 --> 01:20:19,519
Speaker 4: But see, it's a dangerous line. And I'm just my

1535
01:20:19,680 --> 01:20:22,760
Speaker 4: last thing because I don't know if you'll have other

1536
01:20:22,880 --> 01:20:26,640
Speaker 4: questions stuff. But you gotta also be careful with that

1537
01:20:27,160 --> 01:20:31,400
Speaker 4: because you don't want to like go into the past.

1538
01:20:33,439 --> 01:20:37,439
Speaker 4: That's always bad. Yeah, always bad. Yeah, never do that.

1539
01:20:37,720 --> 01:20:43,080
Speaker 4: If anybody's never you start scrolling back. If that ship

1540
01:20:43,160 --> 01:20:47,040
Speaker 4: start loading, don't scroll back.

1541
01:20:47,320 --> 01:20:49,600
Speaker 5: But I feel like when I have something going on

1542
01:20:49,920 --> 01:20:53,519
Speaker 5: and I'm not interested in somebody, but I like them,

1543
01:20:53,840 --> 01:20:55,960
Speaker 5: I let them know exactly what's going on, and I

1544
01:20:56,040 --> 01:20:58,160
Speaker 5: make things clear, like it's not a good time for me,

1545
01:20:58,439 --> 01:20:59,719
Speaker 5: just like just give me a second.

1546
01:20:59,840 --> 01:21:03,040
Speaker 2: Like, but if I'm not interested, I'd be like what

1547
01:21:03,160 --> 01:21:03,800
Speaker 2: you're doing today.

1548
01:21:03,960 --> 01:21:06,240
Speaker 3: Oh, man, I gotta walk my hamster.

1549
01:21:07,439 --> 01:21:11,640
Speaker 1: Well I'm not, but she said, But she said she

1550
01:21:11,840 --> 01:21:14,479
Speaker 1: reached out again after the fact, So that's why I'm like,

1551
01:21:14,520 --> 01:21:16,760
Speaker 1: maybe she was reaching out to her. Yeah, she said,

1552
01:21:16,800 --> 01:21:19,280
Speaker 1: the girl reached out to her again after she canceled

1553
01:21:19,320 --> 01:21:20,360
Speaker 1: on her. But that's what I'm saying.

1554
01:21:20,360 --> 01:21:22,040
Speaker 5: You know what, I'm on your time, so let me

1555
01:21:22,120 --> 01:21:23,960
Speaker 5: know whatever you got time for me. I'm not reaching

1556
01:21:23,960 --> 01:21:24,519
Speaker 5: out to you though.

1557
01:21:24,600 --> 01:21:26,559
Speaker 4: Boy, some people just want mental real estate.

1558
01:21:27,000 --> 01:21:28,799
Speaker 3: Yeah I got.

1559
01:21:33,160 --> 01:21:35,920
Speaker 5: But you know, sometimes people just be trying to see

1560
01:21:36,000 --> 01:21:37,559
Speaker 5: what type of time you want to see.

1561
01:21:39,479 --> 01:21:43,240
Speaker 4: In the beginning, though, yes, do you feel like do

1562
01:21:43,280 --> 01:21:47,080
Speaker 4: you feel like in the beginning In the.

1563
01:21:47,160 --> 01:21:49,799
Speaker 3: Beginning, Oh, I thought you was speaking some lag.

1564
01:21:51,960 --> 01:21:54,599
Speaker 4: I speak. I speak mean like I want of them.

1565
01:21:54,960 --> 01:21:57,120
Speaker 4: I'm one of the friends. I speak in mean sounds.

1566
01:21:57,360 --> 01:21:59,400
Speaker 1: And I know we was I thought we was reading

1567
01:21:59,439 --> 01:21:59,880
Speaker 1: the Bible.

1568
01:22:00,880 --> 01:22:04,120
Speaker 3: Don't speak TikTok, I speak me.

1569
01:22:04,920 --> 01:22:07,519
Speaker 4: Yeah, I speak man too, and dra.

1570
01:22:07,600 --> 01:22:08,040
Speaker 3: To speak me.

1571
01:22:08,280 --> 01:22:11,879
Speaker 1: I speak TikTok and speak I don't speak TikTok.

1572
01:22:12,240 --> 01:22:14,120
Speaker 4: So it's like, do you feel like in the beginning

1573
01:22:14,200 --> 01:22:17,439
Speaker 4: you could be too honest? Like, look, this is what

1574
01:22:17,560 --> 01:22:19,640
Speaker 4: I got going on because I don't. Sometimes I'd be like,

1575
01:22:19,720 --> 01:22:21,439
Speaker 4: I ain't gotta like, I don't want to tell you

1576
01:22:21,560 --> 01:22:24,519
Speaker 4: that I don't know you like that, Why I gotta

1577
01:22:24,560 --> 01:22:26,559
Speaker 4: tell you my whole I agree.

1578
01:22:26,600 --> 01:22:28,400
Speaker 3: I'm not saying that she has to be specific, but

1579
01:22:28,560 --> 01:22:29,240
Speaker 3: my whole schedule.

1580
01:22:29,320 --> 01:22:32,120
Speaker 1: Hey, I got X Y D going on, or like

1581
01:22:32,360 --> 01:22:33,280
Speaker 1: if I don't know you.

1582
01:22:33,520 --> 01:22:35,120
Speaker 5: If I don't know you, I can just say, hey,

1583
01:22:35,240 --> 01:22:37,240
Speaker 5: I got family stuff going on right now, and it's

1584
01:22:37,280 --> 01:22:38,800
Speaker 5: not a good time to just give me a moment.

1585
01:22:38,960 --> 01:22:42,760
Speaker 2: I don't have to say, hey, stole my goddamn call.

1586
01:22:45,280 --> 01:22:46,640
Speaker 4: You know what I'm saying, Like, I.

1587
01:22:46,640 --> 01:22:49,920
Speaker 5: Don't got to go into detail, but you one too, Hey,

1588
01:22:50,000 --> 01:22:51,280
Speaker 5: I got family ship going up.

1589
01:22:51,840 --> 01:22:54,679
Speaker 1: It's just respect, and I respect you when I actually

1590
01:22:54,880 --> 01:22:55,040
Speaker 1: like you.

1591
01:22:55,360 --> 01:22:58,800
Speaker 2: But if I don't, I'm told this nigga every in

1592
01:22:58,840 --> 01:22:59,919
Speaker 2: the book and he's still.

1593
01:23:06,040 --> 01:23:08,320
Speaker 1: Niggas love to say Grand Rising and.

1594
01:23:10,120 --> 01:23:10,280
Speaker 8: Leave.

1595
01:23:13,080 --> 01:23:15,760
Speaker 1: Like if a nigga tell me Grand Rising, I'm blocking you.

1596
01:23:16,200 --> 01:23:16,840
Speaker 2: I don't like it.

1597
01:23:17,120 --> 01:23:19,000
Speaker 1: I don't like it because I already know you.

1598
01:23:19,160 --> 01:23:23,479
Speaker 2: Talxic sleep the ball in her court, leave it in

1599
01:23:23,560 --> 01:23:26,000
Speaker 2: her court, you know like you, I.

1600
01:23:26,040 --> 01:23:27,519
Speaker 1: Do think she should leave the ball in the girl

1601
01:23:27,560 --> 01:23:30,040
Speaker 1: Crub I don't necessarily think that she's not interested in you.

1602
01:23:30,160 --> 01:23:32,360
Speaker 1: I think she probably not really just do guys, some

1603
01:23:32,439 --> 01:23:36,080
Speaker 1: shitt going on and your girl. I would just let

1604
01:23:36,160 --> 01:23:39,120
Speaker 1: her do what she want to do and then but

1605
01:23:39,280 --> 01:23:41,320
Speaker 1: then if she take too long whenever she trying to

1606
01:23:41,360 --> 01:23:47,439
Speaker 1: come back, Patty, how does because don't take.

1607
01:23:47,360 --> 01:23:48,080
Speaker 4: Your time home?

1608
01:23:50,840 --> 01:23:53,920
Speaker 2: Okay, Bob, so let us know what you got doing.

1609
01:23:54,439 --> 01:23:55,360
Speaker 2: What's coming up?

1610
01:23:55,960 --> 01:23:56,679
Speaker 4: Oh man?

1611
01:23:57,240 --> 01:23:58,760
Speaker 2: Checking for all that good ship?

1612
01:24:02,520 --> 01:24:02,680
Speaker 1: Right?

1613
01:24:03,360 --> 01:24:05,920
Speaker 3: You ain't no take off for you.

1614
01:24:06,160 --> 01:24:08,000
Speaker 4: No monna take off for me. I don'e took off.

1615
01:24:09,360 --> 01:24:12,960
Speaker 4: I hear the finish line we pass.

1616
01:24:15,720 --> 01:24:18,960
Speaker 3: I'm about to eat this Cheerry merry.

1617
01:24:21,520 --> 01:24:22,240
Speaker 4: Cran fery.

1618
01:24:25,200 --> 01:24:34,759
Speaker 3: This that finished.

1619
01:24:35,520 --> 01:24:38,840
Speaker 4: I really thought I just won't say I really before

1620
01:24:38,880 --> 01:24:40,920
Speaker 4: I came here today, I was like, am I really

1621
01:24:40,960 --> 01:24:42,800
Speaker 4: gonna be drinking like that? I was like, I don't

1622
01:24:42,800 --> 01:24:44,800
Speaker 4: know if they're gonna have drinks there. I mean, I

1623
01:24:44,880 --> 01:24:50,760
Speaker 4: know it's called poor minds, but okay, so I just

1624
01:24:50,840 --> 01:24:54,760
Speaker 4: want to get out of the way. What I'm working

1625
01:24:54,840 --> 01:24:57,600
Speaker 4: on is I I gotta say it like it'd be.

1626
01:24:58,080 --> 01:25:00,200
Speaker 4: I just feel like it's so like expected for me

1627
01:25:00,280 --> 01:25:02,120
Speaker 4: to be a artist, to be working on music. It's

1628
01:25:02,160 --> 01:25:04,200
Speaker 4: like you all got the single coming up, the Mistate

1629
01:25:04,240 --> 01:25:09,000
Speaker 4: coming up. I'm coming out, but I'm working on I'm

1630
01:25:09,040 --> 01:25:13,240
Speaker 4: working on producing. I would like to produce for like

1631
01:25:13,800 --> 01:25:17,840
Speaker 4: up and coming artists who who really want to like

1632
01:25:18,160 --> 01:25:24,720
Speaker 4: make big records like Bruno Mars type records like you know,

1633
01:25:24,800 --> 01:25:28,040
Speaker 4: because like I feel like I feel like, you know,

1634
01:25:28,240 --> 01:25:32,200
Speaker 4: I grew up listening to like the Ojas and Motherfuck.

1635
01:25:32,240 --> 01:25:37,040
Speaker 4: You know the song come on like it got it

1636
01:25:37,160 --> 01:25:39,760
Speaker 4: got sections and shit. I feel like, don nobody do

1637
01:25:39,840 --> 01:25:43,559
Speaker 4: that but Bruno, Now you know what I'm saying. And yeah,

1638
01:25:43,640 --> 01:25:45,880
Speaker 4: like it's a real production. So like I'm trying to

1639
01:25:45,920 --> 01:25:48,479
Speaker 4: do Ship like they produce for upcoming artists. I feel

1640
01:25:48,560 --> 01:25:52,519
Speaker 4: like trap music can incorporate. Look, I just feel like

1641
01:25:53,880 --> 01:25:57,600
Speaker 4: can we just like can we just can we just

1642
01:25:57,720 --> 01:26:01,160
Speaker 4: let trap music go? Can we linkuis shit and just

1643
01:26:01,320 --> 01:26:05,080
Speaker 4: do new ship like we we've done it all. Like

1644
01:26:05,360 --> 01:26:07,639
Speaker 4: I'm not saying the trap artists gotta stop making music,

1645
01:26:07,800 --> 01:26:11,479
Speaker 4: just like like let's make it bigger. Like there's so

1646
01:26:11,600 --> 01:26:14,879
Speaker 4: many musicians out here in Atlanta. It's so many singers,

1647
01:26:14,960 --> 01:26:17,920
Speaker 4: I mean so many like niggas playing violin guitar, Like

1648
01:26:18,320 --> 01:26:20,960
Speaker 4: bring a niggas to the studio, man like Ship like,

1649
01:26:21,280 --> 01:26:22,960
Speaker 4: God damn it, I'm.

1650
01:26:22,920 --> 01:26:24,640
Speaker 1: So I feel but I feel like people just do

1651
01:26:24,720 --> 01:26:27,080
Speaker 1: it like, well you remember, I'm sorry, Well I was

1652
01:26:27,120 --> 01:26:28,960
Speaker 1: gonna say, you know something that I really liked that

1653
01:26:29,040 --> 01:26:31,200
Speaker 1: a lot of well that artists have been doing lately

1654
01:26:31,320 --> 01:26:34,200
Speaker 1: out here. Rick Ross just had a show out here

1655
01:26:34,320 --> 01:26:38,320
Speaker 1: with a symphony. Well no, Rick Ross already had his

1656
01:26:38,680 --> 01:26:42,439
Speaker 1: oh for real? Yeah, and so Jez is about, yes, yeah,

1657
01:26:42,800 --> 01:26:45,519
Speaker 1: I love that, Like let's do that, Like, let's do that.

1658
01:26:46,000 --> 01:26:46,479
Speaker 4: I'm with that.

1659
01:26:46,640 --> 01:26:48,559
Speaker 5: Do you do you all remember back in the day

1660
01:26:48,680 --> 01:26:52,280
Speaker 5: when Twister had that soul celebrity overnight Y had that girl.

1661
01:26:52,520 --> 01:26:55,080
Speaker 3: I love that song going everywhere.

1662
01:26:54,800 --> 01:26:58,680
Speaker 5: Performing, Let's like bring instruments back, like like, I'm not

1663
01:26:58,760 --> 01:27:00,720
Speaker 5: saying that you can't make tracks music because that's what

1664
01:27:01,320 --> 01:27:04,680
Speaker 5: really identify with, but let's think outside the box when

1665
01:27:04,720 --> 01:27:05,120
Speaker 5: you are.

1666
01:27:05,520 --> 01:27:09,080
Speaker 4: Produced, because everything don't need to be like man like,

1667
01:27:09,080 --> 01:27:10,920
Speaker 4: everything don't need to be that. Because I'm tired of

1668
01:27:11,000 --> 01:27:13,280
Speaker 4: that ship, you know what I'm saying. Sometimes sometimes I

1669
01:27:13,400 --> 01:27:16,240
Speaker 4: just want to throw on some goddamn all white bricks

1670
01:27:17,200 --> 01:27:20,560
Speaker 4: like a bitch with you know what I'm saying. I

1671
01:27:20,720 --> 01:27:22,519
Speaker 4: want that, you know what I'm saying. But like everybody

1672
01:27:22,600 --> 01:27:25,080
Speaker 4: can't do that. So I mean, that's what I'm working on.

1673
01:27:25,160 --> 01:27:26,680
Speaker 4: I'm trying to, like, you know what I'm saying, work

1674
01:27:26,760 --> 01:27:28,760
Speaker 4: on behind the scenes a little bit. I want to

1675
01:27:28,800 --> 01:27:30,240
Speaker 4: be behind the scenes a little bit, you know what

1676
01:27:30,240 --> 01:27:32,439
Speaker 4: I'm saying. You know, I want to like give some advice,

1677
01:27:32,520 --> 01:27:34,439
Speaker 4: you know what I'm saying. Like I feel like I

1678
01:27:34,560 --> 01:27:37,720
Speaker 4: feel like, in some type of way, I'm gonna end

1679
01:27:37,800 --> 01:27:41,400
Speaker 4: up teaching a lot of people. I don't necessarily know

1680
01:27:41,479 --> 01:27:44,120
Speaker 4: how that's gonna happen, but I got a lot of knowledge.

1681
01:27:44,720 --> 01:27:47,760
Speaker 4: I got a will of information, So you know what

1682
01:27:47,800 --> 01:27:51,760
Speaker 4: I'm saying, Like I'm just I'm entering into my my

1683
01:27:51,920 --> 01:27:56,519
Speaker 4: og my og ye and it's a lot of it's

1684
01:27:56,560 --> 01:27:58,800
Speaker 4: a lot of artists that like I want to know,

1685
01:27:59,160 --> 01:28:00,760
Speaker 4: that want to make me, want to make it in

1686
01:28:00,800 --> 01:28:03,559
Speaker 4: the industry, and like people be deming me like yo, Bob,

1687
01:28:03,680 --> 01:28:05,080
Speaker 4: like I want to make it, but like I'm scared,

1688
01:28:05,080 --> 01:28:07,360
Speaker 4: do I gotta seal my soul? Like do I gotta do?

1689
01:28:07,840 --> 01:28:08,920
Speaker 4: You know what I'm saying, Like they don't know what

1690
01:28:09,040 --> 01:28:09,160
Speaker 4: to do.

1691
01:28:09,280 --> 01:28:10,680
Speaker 1: And I'm like I want to say, you.

1692
01:28:14,280 --> 01:28:19,920
Speaker 5: Want and I know you don't want to say, but like,

1693
01:28:20,120 --> 01:28:23,800
Speaker 5: but as far as you as an artist. Then for

1694
01:28:23,920 --> 01:28:25,840
Speaker 5: people that are your fans that are watching, like, what's

1695
01:28:25,920 --> 01:28:27,280
Speaker 5: next for you as an artist?

1696
01:28:27,479 --> 01:28:30,920
Speaker 4: As an artist, I wouldn't expect. I wouldn't expect nothing

1697
01:28:31,040 --> 01:28:36,680
Speaker 4: regular again from from me. Like it's all going to

1698
01:28:36,760 --> 01:28:39,920
Speaker 4: be different from from now from here on out, you

1699
01:28:39,960 --> 01:28:43,439
Speaker 4: know what I'm saying. And were ready and I'm still

1700
01:28:43,520 --> 01:28:46,639
Speaker 4: you know, I'm still want to collaborate with you know, artists,

1701
01:28:46,680 --> 01:28:50,599
Speaker 4: but like y'all gotta y'all gotta understand. Like I mean,

1702
01:28:50,960 --> 01:28:57,000
Speaker 4: I've collaborated with Morgan Freeman, Nicki m I have Morgan

1703
01:28:57,040 --> 01:29:01,120
Speaker 4: Freeman do the intro to Strange Clouds in two thousand. God,

1704
01:29:01,960 --> 01:29:04,800
Speaker 4: look I told you that was my song. Now remember

1705
01:29:05,600 --> 01:29:11,680
Speaker 4: I did, h Taylor Swift, Nicki, Minaj, Chris Brown, I mean, everybody,

1706
01:29:11,760 --> 01:29:16,799
Speaker 4: I mean Ship, tore Dollar Sign. Oh different, Yeah, he's different,

1707
01:29:17,000 --> 01:29:19,080
Speaker 4: He's like different. I like what he's doing too, Like

1708
01:29:19,240 --> 01:29:21,280
Speaker 4: I mean, he started out doing like a lot of

1709
01:29:21,320 --> 01:29:23,479
Speaker 4: trap ship, but he really lean into his R and

1710
01:29:23,600 --> 01:29:25,840
Speaker 4: B bag, real tough, and I like it like that.

1711
01:29:25,920 --> 01:29:27,320
Speaker 4: You know what I'm saying. You can still come back

1712
01:29:27,360 --> 01:29:28,160
Speaker 4: and do the trap ship.

1713
01:29:28,240 --> 01:29:30,679
Speaker 3: But watch Intercalactic the movie.

1714
01:29:30,920 --> 01:29:33,360
Speaker 4: Yeah, I love Intergalect. How did you get to all

1715
01:29:33,479 --> 01:29:36,759
Speaker 4: you're talking about. I thought you mean Interstellar. I was tripping.

1716
01:29:36,920 --> 01:29:38,439
Speaker 2: Oh yeah, I was talking about.

1717
01:29:40,479 --> 01:29:41,080
Speaker 4: I should watch it.

1718
01:29:41,280 --> 01:29:44,400
Speaker 5: Yes, when you listen, it's so good. When you get

1719
01:29:44,439 --> 01:29:48,120
Speaker 5: home today, you and your wife do y'all smoke?

1720
01:29:48,520 --> 01:29:50,160
Speaker 3: Yeah, okay, smoke a little.

1721
01:29:50,800 --> 01:29:58,200
Speaker 5: We want to watch just one watch Intercalactic with the

1722
01:29:58,400 --> 01:30:00,800
Speaker 5: movie on Netflix with Kid Cuddy, and then you gotta

1723
01:30:00,840 --> 01:30:02,240
Speaker 5: go listen to the album.

1724
01:30:02,720 --> 01:30:05,800
Speaker 2: The Intergalactic album, Yeah so good.

1725
01:30:06,000 --> 01:30:07,400
Speaker 4: I trust you, Oh my god.

1726
01:30:07,640 --> 01:30:09,479
Speaker 3: Ten out of ten I trusted perfect.

1727
01:30:09,960 --> 01:30:10,840
Speaker 2: It's very good.

1728
01:30:11,400 --> 01:30:14,120
Speaker 3: I was actually inspired by. I was like, wow, this

1729
01:30:14,280 --> 01:30:15,519
Speaker 3: is what it means to be created.

1730
01:30:16,280 --> 01:30:19,680
Speaker 5: Out of ten, ten out of said the album it

1731
01:30:19,800 --> 01:30:22,600
Speaker 5: was like start to finish. I never thought that I

1732
01:30:22,600 --> 01:30:24,880
Speaker 5: would listen to like Kid cutting and tied Out signing

1733
01:30:24,920 --> 01:30:26,439
Speaker 5: together and it would be perfect.

1734
01:30:26,680 --> 01:30:28,200
Speaker 4: I'm gonna get my one really ready.

1735
01:30:28,520 --> 01:30:33,360
Speaker 3: Yeah okay, y'all. So y'all know we're about to do

1736
01:30:33,560 --> 01:30:37,760
Speaker 3: a karaoke big shout out. So tell them where they can.

1737
01:30:37,680 --> 01:30:41,400
Speaker 4: Find you find me on uh find me on the

1738
01:30:41,640 --> 01:30:47,879
Speaker 4: uh not so round Earth. You don't find me on Instagram,

1739
01:30:48,280 --> 01:30:52,040
Speaker 4: Bob at Bob Bob, Twitter, b O b A T L.

1740
01:30:53,320 --> 01:30:56,759
Speaker 4: And I'm on Patreon. You can find that on my Instagram.

1741
01:30:56,920 --> 01:31:00,240
Speaker 4: So yeah, that's where I'll be at here, and I'll

1742
01:31:00,240 --> 01:31:02,599
Speaker 4: be hanging out on poor mindes and ship drinking takeoffs

1743
01:31:02,680 --> 01:31:07,640
Speaker 4: and all that type of ship taerio. So how we

1744
01:31:07,760 --> 01:31:08,040
Speaker 4: doing this?

1745
01:31:08,880 --> 01:31:11,400
Speaker 3: Left first? Who knows these? You better know the varse?

1746
01:31:12,000 --> 01:31:13,120
Speaker 3: You pick this song?

1747
01:31:14,720 --> 01:31:16,240
Speaker 4: I thought y'all was gonna help me do it?

1748
01:31:16,800 --> 01:31:17,639
Speaker 2: Y'all we help.

1749
01:31:18,479 --> 01:31:21,200
Speaker 4: So I'm saying, how we going, how we're gonna?

1750
01:31:21,280 --> 01:31:24,360
Speaker 5: Uh, I got it?

1751
01:31:24,479 --> 01:31:26,080
Speaker 4: How we gonna? Are we gonna?

1752
01:31:26,200 --> 01:31:29,320
Speaker 5: Okay, we got this all right, Okay, we're ready to ready,

1753
01:31:29,320 --> 01:31:30,400
Speaker 5: We're ready for this time.

1754
01:31:30,520 --> 01:31:31,040
Speaker 3: We're ready to.

1755
01:31:31,120 --> 01:31:34,320
Speaker 4: Song, y'all this Grabby Award winning performance.

1756
01:31:34,400 --> 01:31:41,400
Speaker 9: Yeah, little bit, little way way talk. You trying you

1757
01:31:41,520 --> 01:31:47,519
Speaker 9: shout that I'm trying to give it me who trying up?

1758
01:31:47,560 --> 01:31:52,040
Speaker 2: But I say say no, let a way, let way talk.

1759
01:31:52,240 --> 01:31:55,519
Speaker 4: Let y'all thought, let me make you your.

1760
01:31:57,200 --> 01:31:58,200
Speaker 3: I'm trying to give them.

1761
01:31:59,160 --> 01:32:01,880
Speaker 4: Don't bat. I'm trying to put all on.

1762
01:32:02,160 --> 01:32:03,439
Speaker 1: You got a little honey and.

1763
01:32:06,320 --> 01:32:11,000
Speaker 2: Get outside. What he said? They got me

1764
01:32:18,000 --> 01:32:18,360
Speaker 3: Roman