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Speaker 1: Hey, everybody, this is Matt letting you know that Lost

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Speaker 1: Culturistas merch is finally here. Go to Cottonborough dot com

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Speaker 1: to find all the Lost Culturista's T shirts and sweatshirts

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Speaker 1: you could possibly want. We have Katie, Finalist, Reader and

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Speaker 1: Publicist t shirts as well as some Lost Culturista sweatshirts

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Speaker 1: with me and bo on them. You gotta go to

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Speaker 1: Cottonborough dot com to find all of it. Search for

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Speaker 1: Lost Culturistas and also find the link in the description

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Speaker 1: of this episode. All right, get to purchase in.

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Speaker 2: Look Mare, Oh, I see you my own look over

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Speaker 2: there is that culture?

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Speaker 3: Yes, Wow, Lost cult Ding.

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Speaker 2: Dong Lost culturisas calling wow, the first ever flop off.

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Speaker 3: Of Ding do Wait where did your brain go? Queen On?

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Speaker 3: I just full transparency. Matt and I had a beautiful

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Speaker 3: pre role as in pre recording conversation front convo, not

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Speaker 3: for you girls, not for you girls to hear some

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Speaker 3: things we keep sacred private, sacred dreams, and I just

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Speaker 3: was kind of ricocheting into lost culture.

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Speaker 1: Mode, you know, And then so we started to say lost,

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Speaker 1: that's the first time we ever haven't done a ding.

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Speaker 3: In the past. Have we been a couple of times,

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Speaker 3: and I think we just immediately choose to erase it

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Speaker 3: from remember. But it's like, I think that's do you.

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Speaker 1: Think it's that thing of like so you know, it's

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Speaker 1: like when you do something a million times then it's

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Speaker 1: hard to keep fresh. Like one thing that's been popping

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Speaker 1: up on the pod is we've been starting ding dong

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Speaker 1: very high, yes, and now it's like we barely even

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Speaker 1: did ding dong.

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Speaker 3: Well. I think it's because our past couple of days

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Speaker 3: have involved live music, a long dancing, jumping up and down, drinking.

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Speaker 1: Wine, drinking wine, beer, sometimes canned Gin and tonics. Can

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Speaker 1: I say, we're in London, Gin and Tonic culture.

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Speaker 3: It's alive, It's alive, It's all over Europe.

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Speaker 2: Honey, it's the most popular cocktail. It's actually really Culture

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Speaker 2: number nine is the most popular cocktail in.

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Speaker 3: London, London. But like Gin is like huge in Gin

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Speaker 3: is in in Iceland. When we went to Iceland, it

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Speaker 3: was just like, this is a Gin country, it's a

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Speaker 3: Gin town.

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Speaker 1: Well you know what my mother used to say. She's

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Speaker 1: of course most famous for saying Dan bird. But when

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Speaker 1: I was in high school and I was like, she

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Speaker 1: got the sense that I was starting to drink. She

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Speaker 1: was like, I don't want you drinking Gin. And I

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Speaker 1: was like what, And I was like, where the funk

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Speaker 1: would I find gin? And she turned to me and

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Speaker 1: she said, without a lot of irony at all, I

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Speaker 1: think some but she goes gin is sin.

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Speaker 2: Jin is sin.

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Speaker 3: I don't disagree, which like she.

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Speaker 2: Is like some sort of like Carrie's mother or something.

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Speaker 2: Then oh my god, and she's true, because then I did.

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Speaker 2: Of course, when you give a mouse a cookie, when

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Speaker 2: you would.

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Speaker 1: Tantalize a mouse with gin, it's gonna want to sin,

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Speaker 1: It's want to send. And so then I started getting

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Speaker 1: into Gin and I would say, I've had some of

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Speaker 1: my those sinful moments while drinking Gin.

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Speaker 3: Lately, I have had sinful moments. I've had sleepless moments,

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Speaker 3: sleepless I think the other week I had a Gin

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Speaker 3: drink before bed and then I couldn't sleep. And I

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Speaker 3: was like, damn, is.

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Speaker 2: That why I've been because last night too I could

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Speaker 2: not sleep at all.

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Speaker 3: What's going on, Mama?

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Speaker 2: I don't know. Well, I think it's the jet lag.

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Speaker 1: Famously, when you sort of travel to in a country,

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Speaker 1: that's something that's a risk you're on.

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Speaker 3: But I have not been able to sleep. Have you

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Speaker 3: been sleeping? Sleeping just fine, actually soundful, but it's taken me.

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Speaker 3: I've been here long enough where I've adjusted, and you

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Speaker 3: might be leaving just as you feel.

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Speaker 1: Yeah, like you fully Well, I'm going back to LA tomorrow,

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Speaker 1: which is going to be a twelve point five hour flight,

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Speaker 1: so I'm enough.

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Speaker 2: Of course, watch at least ten episodes of Vander Pump Role.

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Speaker 3: Now you and I are approaching VPR. Let's just get

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Speaker 3: into it. Let's get into it.

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Speaker 1: And I bet you didn't think that, with everything we've

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Speaker 1: gone through the past two weeks, that we'd start with

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Speaker 1: Vander Pumper role's But that is cultural.

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Speaker 3: Impact right there, impact right there. First of all, the

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Speaker 3: counterpoint to Jennison is Jennison, by the ways, not so

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Speaker 3: Jennison Boos. And I will say that you and I

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Speaker 3: are taking two different approaches to vander Pump consuming vander Pump. Yeah,

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Speaker 3: I am doing the abridged syllabus. Yes, that was posted

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Speaker 3: by Brahmas Instagram and whoever curated that, well done, really

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Speaker 3: good job, perfect adjust the right amount of context, you

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Speaker 3: get the exact right information. It's very important that you

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Speaker 3: watch the Miami Girl episode. It's very important that you

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Speaker 3: watch Sheinache's wedding. It's all happening in part one. We

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Speaker 3: did not. It was part one at the time, but

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Speaker 3: was part tragic. And so I'm slowly crawling along. I'm

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Speaker 3: not all the way cut up, but I did go

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Speaker 3: ahead and watch the hashtag Scandabal episodes last episode of

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Speaker 3: season ten, and of course the two parts of the

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Speaker 3: fin and the.

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Speaker 1: Way I've gone about it is I just sort of

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Speaker 1: jumped in this season and watched all of this season

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Speaker 1: and then have gone back.

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Speaker 2: And sort of start from watching them from the beginning.

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Speaker 1: Yes, so we both sort of caught up on the

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Speaker 1: reunion in different ways. Yes, in different ways in terms

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Speaker 1: of how to talk about the Scandaval and rander Hump

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Speaker 1: rules were very much there.

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Speaker 3: Obviously, some of you Katie's reader's publicists finalists out there

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Speaker 3: has been with the other pot complete ASTs have been

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Speaker 3: along with the ride since day one. We salute you Soldiers, Soldiers,

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Speaker 3: and talking to one such person, Adie Bryant, the other day,

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Speaker 3: she said, I've been watching every single episode. I can't

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Speaker 3: believe this is how it's all paid off. Because she

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Speaker 3: was watching me and being like, why am I watching this? Yeah,

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Speaker 3: and now this year she's finally like, this is why,

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Speaker 3: and that's why you stick with things. Yes, do you

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Speaker 3: hear me?

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Speaker 1: I want Katie, stop fell over the car, put the

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Speaker 1: baby down. This is why you stick with things. Okay,

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Speaker 1: if you're having any doubts about anything you're doing in

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Speaker 1: your life, stick with it. There's a scandaval at the

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Speaker 1: end of the rainbow. Okay, there really is. This is

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Speaker 1: a rule of culture number thirty. Whatever you're doing, stick

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Speaker 1: with it because there's a scandaval at the end of

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Speaker 1: the rainbow period.

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Speaker 2: Can I pick the baby up?

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Speaker 3: Katie?

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Speaker 2: You have mothering to.

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Speaker 3: Do, mother to do and we are over here daddering

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Speaker 3: because we are being young girls consuming this show. Now

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Speaker 3: talk about you're in the middle season two. I'm in

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Speaker 3: the middle of season two.

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Speaker 1: So basically it's just come to light that it seems

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Speaker 1: like Jackson Kristen fucked yes, and of course we find

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Speaker 1: out they did. I've not met a young DJ James

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Speaker 1: Kennedy in the show yet. He comes in and sort

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Speaker 1: of picks Kristen up, where Tom sand of all drops her.

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Speaker 1: Ariana has come in as sort of I don't know

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Speaker 1: how to describe it. But the coolest bartender in the world.

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Speaker 1: Can I say as a person who came up in

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Speaker 1: restaurants about this show is crucial to me because it

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Speaker 1: is such an accurate representation of career bartenders and waitresses.

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Speaker 2: And I'm sorry, that's.

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Speaker 1: Sort of the vibe, all getting sort of into it

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Speaker 1: together and being all in each other's shit. I remember

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Speaker 1: there was a time in my life where I was like,

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Speaker 1: I have to stop hanging out with everyone at this restaurant.

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Speaker 1: How can you because it will get you. It's very

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Speaker 1: hard because you're all in each other's lives. But I

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Speaker 1: know what it is restaurant culture to take over your

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Speaker 1: personal life. And they allowed that to happen, and of

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Speaker 1: course it's beautiful for us. And also they got in

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Speaker 1: a reality television show where they had to continue it.

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Speaker 1: But this is what happens when you make restaurant life

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Speaker 1: your whole life. It is incestuous and it is perfect TV.

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Speaker 1: This is a perfect reality television show.

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Speaker 3: And would you say that there's a missing element from

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Speaker 3: your experience of like, there's no chef interaction, there's no

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Speaker 3: kitchen interact.

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Speaker 1: This is where we have a missing area, Because I say,

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Speaker 1: because going into the kitchen and the drama between chefs

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Speaker 1: and waitresses, to say nothing of food runners. To say

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Speaker 1: nothing of food runners because let me tell you people, yeah,

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Speaker 1: bust people. And you do see some bussers and James

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Speaker 1: Kennedy comes in it as a busser and I'm excited for

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Speaker 1: that element because the power structure.

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Speaker 3: You see.

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Speaker 1: What I love is we get true manager drama Peter

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Speaker 1: Peter and also restaurant owner drama Lisa vander Pump. I

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Speaker 1: didn't know there was the dimension, but she really comes in.

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Speaker 1: And what I love about Lisa vander Pump is it's

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Speaker 1: so consistently this I don't care get back to work

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Speaker 1: perfect it is get back to work culture. She's like,

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Speaker 1: what's going on? If it's a table, I care. If

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Speaker 1: it's something with Jacks, I don't care. But it's always

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Speaker 1: something with Jacks.

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Speaker 3: It's always something with Jacks. But then it comes to

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Speaker 3: a head with Kristen in season.

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Speaker 2: Three four, Oh I cannot wait.

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Speaker 3: You'll see. You'll see it's so inspiring and wonderful. You

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Speaker 3: see LVPB like you haven't gone back to work. It's

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Speaker 3: told you to get back to work so many times

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Speaker 3: and you have not obeyed.

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Speaker 2: Me. Yeah, that's it.

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Speaker 3: You've disobeyed me.

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Speaker 1: Lisa vander Pump is, you've disobeyed me culture. And that's

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Speaker 1: where the coach number fifty Lisa vander Pump is, you've

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Speaker 1: disobeyed me culture. So flashing forward, I know the bullet points,

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Speaker 1: you know the bullet points. We're now in the second

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Speaker 1: part of the vander Pump Rules Reunion, and I have

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Speaker 1: to say, not only is everyone involved in the central

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Speaker 1: Triangle giving perfect reality television, Sena Gena say, Brava holding

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Speaker 1: that white claw in that it's all it's really all happening,

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Speaker 1: sweatshirt over her gown, scowling at the television because of

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Speaker 1: a restraining order from the demon Roquel demon who we

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Speaker 1: have thoughts about.

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Speaker 3: Bowen is positive and that we maybe we need to

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Speaker 3: lay off. No, no, no, it's not that. It's not

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Speaker 3: exactly a Devil's advocate.

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Speaker 2: I think this is a good point.

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Speaker 3: But I was talking to some friends sidebarring with some

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Speaker 3: other friends, and I'm just gonna say it. Yeah, I

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Speaker 3: don't think they would mind me saying this, which is

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Speaker 3: one of my catchphrases. As the readers are pointed out, yes,

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Speaker 3: I don't think they would mind me saying this, but

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Speaker 3: Cecily and Sarah Sherman have both positive that it might

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Speaker 3: be punching down so to speak to ship on Rachel

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Speaker 3: Raquel this much because she's dummy. She's dummy, and she

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Speaker 3: was literally punched in the head. Yeah, and there it

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Speaker 3: might be again. Yes, she was pushed, she was pushed

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Speaker 3: with allegedly, allegedly, and I actually believe giving don't move,

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Speaker 3: I'm taking a phone, I'm tucking my thumb and I'm

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Speaker 3: fanning my fingers out. This is really This is.

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Speaker 1: The cover of the episode this week is Bowen in

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Speaker 1: three D, and it's gonna be me in the back.

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Speaker 3: Like. I love the way he just reached out, I

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Speaker 3: reached out to really put a period, to put a

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Speaker 3: fine point on this. But Matt has rightly retorted with, well,

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Speaker 3: she did ruin these people's lives.

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Speaker 2: Correct. Here's the thing.

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Speaker 1: If you're gonna sign up for a reality show as

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Speaker 1: a dumb person, you're gonna be responsible for the dumb

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Speaker 1: shit you do in a major way, especially when it's

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Speaker 1: something this famous and impactful and something this egregious. I

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Speaker 1: mean the cuts to her in the trailer being like

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Speaker 1: I feel like now I'm watching this, and I wish

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Speaker 1: I had written her a note. I'm like girl starting

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Speaker 1: to have regrets, like you fucking fool.

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Speaker 3: It's unbelievable.

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Speaker 1: Also, I have to say, who do you identify with

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Speaker 1: in the shows?

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Speaker 2: I know who you are? Really, I think you're Katie

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Speaker 2: in a very powerful way.

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Speaker 3: Thank you for saying. I take that as a high compliment.

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Speaker 3: It is because it's meant this one. And who do

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Speaker 3: you identify with? Laala Kent? You are Lalla. You are

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Speaker 3: the icon Lala Kent.

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Speaker 1: I feel as though every time Laala goes too far,

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Speaker 1: I'm like, that's the way I would go too far.

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Speaker 2: Every time Lala is.

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Speaker 1: Lalla ing, I feel like I identify with her rage

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Speaker 1: in many as. Yes, it's rage that just righteous anger

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Speaker 1: when you your yourself or her hands are not clean.

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Speaker 3: Okay, you are one thousand percent unequivocally Lalla. Yes, I

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Speaker 3: was gonna identify myself lightly until you said Katie as

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Speaker 3: maybe as Shana but maybe not just just someone who,

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Speaker 3: like I don't know, sticks up for her friends.

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Speaker 2: No, you definitely are, but I think that you are.

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Speaker 3: You're arising, but I'm ultimately Katie's son down.

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Speaker 1: Katie, because you you have like the dry intelligence and

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Speaker 1: you see it clearly. And the thing too, is it's

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Speaker 1: like over the bullshit, finally over the bullshit.

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Speaker 3: Fucking Schwartz. What a fucking little dweet.

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Speaker 1: I have to tell you. He bothers me more than Sandibalaval.

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Speaker 1: It's like, we get it, we see it, We're over it.

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Speaker 3: Yeah, Schwartz. It's just like kind of wow.

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Speaker 1: When Katie was like, you're gonna lose a lot of

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Speaker 1: friends over this, and he's like, I don't think so,

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Speaker 1: it's like no, yeah, and you deserve to and if

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Speaker 1: you do get them back, that fucking sucks.

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Speaker 3: And he is like a roach in that way where

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Speaker 3: when you shine the light on him with his shit,

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Speaker 3: he like has to scurry away in the most obvious,

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Speaker 3: dumbest way. I'm like, this is a dumb person. Yeah.

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Speaker 1: Here's the thing is, it's like I actually think he's

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Speaker 1: even worse than that, because I don't think he's dumb.

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Speaker 1: I think he plays dumb, and I think he thinks

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Speaker 1: it's cute. I think he thinks, like, h what do

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Speaker 1: you mean, I'm Schwartz. Everybody loves me and it's like, no, dude, YEA. Ultimately,

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Speaker 1: like you have been made this man's bitch, and it's

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Speaker 1: so embarrassing. And I think that like sometimes like his

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Speaker 1: intelligence does a little bit and I'm like, oh, so

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Speaker 1: you were playing domb which makes it even worse.

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Speaker 3: Yeah, because you're trying to play in our face. I can't.

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Speaker 3: I mean, that's what makes it great TV is that

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Speaker 3: he's playing dumb, but he is ultimately smart enough to

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Speaker 3: He's smart enough quote unquote to like subjugate himself to

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Speaker 3: Sandoval in a way that is like really pathetic but

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Speaker 3: so interesting to watch.

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Speaker 1: Every time he made this shit about him, Like when

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Speaker 1: he was sitting down with Ariana in the finale and

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Speaker 1: he was like, I'm taking a beating man, and it's

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Speaker 1: just like you're talking to Ariano Maddox in this moment.

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Speaker 1: I was like, you have got to be kidding it.

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Speaker 1: And also, of course it's being edited to make it

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Speaker 1: look like that. I'm sure he was a lot more

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Speaker 1: contrite in the moment and the interaction, but like, lord god,

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Speaker 1: every time he said something about how his business is

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Speaker 1: gonna fail.

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Speaker 2: It's like, yeah, what did you think was gonna happen?

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Speaker 1: His first response when Sandoval said I'm having an affair

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Speaker 1: with Raquel or something happened with Raquel was like, well,

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Speaker 1: you need to end it because of our business, you

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Speaker 1: fucking moron, Like, look, have some foresight for us.

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Speaker 2: Second, they need to buy him out.

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Speaker 1: I think LVP and Schwartz should buy him out and

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Speaker 1: go on a fucking apology tour and that should be

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Speaker 1: the next season of the show.

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Speaker 3: Oh interesting, that's what I think. That's really good because

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Speaker 3: I feel like, from what little I know, it feels

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Speaker 3: like there's no coming back from this. And Sandy, well, can.

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Speaker 2: I say I'm gonna reveal this. I actually live very

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Speaker 2: close to Schwartz and Sandy's, yeah, and had gone there

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Speaker 2: a few times.

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Speaker 1: Sudy and I went. I went a couple of times,

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Speaker 1: like with other people. And let's just say it's haunted.

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Speaker 1: The place is cursed, and it was already not that busy,

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Speaker 1: and I don't see how it can be more busy.

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Speaker 3: When was the last time? So this is pre scandabal.

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Speaker 2: Yeah, you know what's crazy is like it was happening

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Speaker 2: among of course a punks, punks.

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Speaker 3: Wait a minute, Matt, a new word alert.

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Speaker 2: So you know, when you are amongst people, you can

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Speaker 2: also look a punkst people look you and g N S. T.

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Speaker 2: Is that how you spell?

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Speaker 3: I would say, take out the extra end you p

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Speaker 3: O n A punkst g n gst correct.

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Speaker 2: I don't know why I would throw that n in there.

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Speaker 3: Sometimes you do, sometimes you do. You could feel it

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Speaker 3: a punks to the space.

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Speaker 1: I looked at punks the space and even the other day,

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Speaker 1: like when I walked to Nelson's just like pick some

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Speaker 1: things up, and I.

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Speaker 2: Was like, wow, it is a haunted house.

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Speaker 1: And I'm not saying much more about like my own

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Speaker 1: interactions with it. But well, first of all, I'll say

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Speaker 1: it's sad because the food was actually good.

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Speaker 2: They actually figured out the menu.

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Speaker 3: Yeah. Good. I believed them. But you know I believe

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Speaker 3: I believe I believed that. Do you remember what you had?

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Speaker 1: I'm not gonna even go as far as to say

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Speaker 1: what menu items I would recommend, because guess what coming

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Speaker 1: in July? Something about her, something about shop on Robertson.

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Speaker 1: And guess what I.

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Speaker 2: Got for us?

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Speaker 1: I got us two medium black crew neck so sweatshirts

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00:15:56,760 --> 00:15:59,800
Speaker 1: that say something about her, thankful and where I'm giving

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Speaker 1: you the other one.

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00:16:00,640 --> 00:16:02,160
Speaker 2: I got one for myself and one for you.

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Speaker 1: And suffice to say this, this is an open invitation Oh,

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00:16:07,680 --> 00:16:10,480
Speaker 1: Katie Maloney and Ariana Maddox please come on, come on

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Speaker 1: the pod. I've had let's just say a DM conversation

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Speaker 1: with Katie. Oh there's interest, and listen listen Ariana. She

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Speaker 1: she's facing, she's busy, she's getting that check. God bless her.

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Speaker 1: And I keep bringing this up. I keep gutting out

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Speaker 1: on this on the pod. But we had a lovely chat, lovely.

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Speaker 3: Time together at upfronts last year's last year's upfronts where

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00:16:33,560 --> 00:16:36,120
Speaker 3: she was so sweet. I was like, I had not

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Speaker 3: watched Vanner Pump. She was like. We were talking for

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Speaker 3: a bit and then she goes and she did not

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Speaker 3: ask me this outright. She was like, do you know

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Speaker 3: who I am? Basically?

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Speaker 2: Or she know.

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Speaker 3: She was like, do you watch vander Pop? And I

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Speaker 3: was like, I'm so sorry I don't. Yeah, she goes,

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Speaker 3: that's fine whatever, Like she was just so like she

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00:16:49,120 --> 00:16:51,320
Speaker 3: was just checking in to make sure because she mean,

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Speaker 3: she wanted to get a temperature check on there or

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00:16:54,440 --> 00:16:57,360
Speaker 3: just yeah, and then we just immediately moved on from that,

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00:16:57,440 --> 00:17:01,040
Speaker 3: had a lovely conversation. Yeah, she of course obviously loves

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Speaker 3: sketch comedy.

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00:17:02,200 --> 00:17:05,200
Speaker 1: Yeah, she seeks it very serious thing see and then

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00:17:05,359 --> 00:17:07,439
Speaker 1: I asked a question I watch What Happens Live, I

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00:17:07,520 --> 00:17:10,200
Speaker 1: DM's a question in and they asked it, and oh

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00:17:10,240 --> 00:17:12,399
Speaker 1: my god, I love Matt Rogers twice, which made me

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Speaker 1: feel very seen. And I just want to say back.

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Speaker 3: We see y'all, We see y'all.

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00:17:16,920 --> 00:17:19,160
Speaker 1: And we were not saying you need our help at

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00:17:19,160 --> 00:17:21,600
Speaker 1: all for the opening of the store, any promo at all.

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00:17:21,960 --> 00:17:24,720
Speaker 1: You couldn't be more in the zeitgeist, but we want

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Speaker 1: to be a part of it.

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Speaker 2: I'm gonna be coming anyway.

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Speaker 3: We're coming no matter what. We'd love to have you

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Speaker 3: in for a nice little chat, fun hang. It'd be

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00:17:32,600 --> 00:17:35,720
Speaker 3: a fun hanging, guaranteed. And then guess what. It coincides

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00:17:35,760 --> 00:17:38,119
Speaker 3: with the occasion of something about her.

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Speaker 1: And there's something about this opportunity that could be right.

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00:17:43,200 --> 00:17:46,000
Speaker 1: I don't know, but okay, So, in a way to

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Speaker 1: sort of transition but also give a last thought on

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Speaker 1: vander Pump, I want to say that my snatch game

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00:17:50,920 --> 00:17:51,880
Speaker 1: is DJ James.

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00:17:51,720 --> 00:17:54,480
Speaker 3: Kennedy One good, so inspired.

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Speaker 2: I'm not ready to.

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Speaker 1: Do any part of it right now because I sort

385
00:17:57,359 --> 00:18:00,240
Speaker 1: of discovered that my British accent here in London is

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00:18:00,320 --> 00:18:04,639
Speaker 1: James Kennedy it's not sort of getting better, say it is?

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00:18:04,920 --> 00:18:08,359
Speaker 4: Do you think so? Do you think? Do you think

388
00:18:08,480 --> 00:18:10,880
Speaker 4: spit shit in? It's a bit shit, it's a bit ship.

389
00:18:11,280 --> 00:18:14,919
Speaker 4: He's okay, he's okay, he's okay, he's off, he's off okay.

390
00:18:14,960 --> 00:18:17,120
Speaker 1: So I asked some British people, do people here say

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00:18:17,240 --> 00:18:20,160
Speaker 1: are you daft? And they were like maybe all these people, yeah,

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00:18:20,200 --> 00:18:24,399
Speaker 1: all they said old people. We were told very very

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Speaker 1: and no one certain terms that core blimey is has gone.

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00:18:28,600 --> 00:18:30,000
Speaker 1: It's out, it's been out.

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Speaker 3: There cool blimey coore blimey.

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Speaker 2: See.

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00:18:33,119 --> 00:18:35,680
Speaker 3: But I love it though bloody. People still throw around

398
00:18:35,680 --> 00:18:39,879
Speaker 3: bloody and I never really bloody to me, seems like

399
00:18:40,119 --> 00:18:41,440
Speaker 3: a little too on the nose.

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00:18:41,560 --> 00:18:45,760
Speaker 1: Yeah, bloody, bloody, bloody, brilliant, brilliant, bloody, brilliant in that,

401
00:18:46,440 --> 00:18:48,480
Speaker 1: and then it's bloody brilliant in.

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00:18:48,560 --> 00:18:53,280
Speaker 4: It smashed it, smashed it, knackered knacker. You're right, babes,

403
00:18:53,359 --> 00:18:56,160
Speaker 4: you're right, babes. Yeah, good okay, yeah, good yeah, good

404
00:18:56,400 --> 00:18:58,360
Speaker 4: coffee coffee should what?

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00:18:59,080 --> 00:18:59,680
Speaker 2: So get this.

406
00:19:00,480 --> 00:19:02,720
Speaker 1: The other night we're going out to the bar to

407
00:19:02,920 --> 00:19:06,119
Speaker 1: watch we watched drag Race. Had two brewers, so I

408
00:19:06,160 --> 00:19:12,120
Speaker 1: go early. Bone's working filming the film, and I go

409
00:19:12,200 --> 00:19:15,040
Speaker 1: with Matt Whitaker, our dearest dearest, and we go to

410
00:19:15,160 --> 00:19:18,160
Speaker 1: because I want to see, yes, the Rupol's drag race

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00:19:18,200 --> 00:19:18,840
Speaker 1: episode that we.

412
00:19:18,880 --> 00:19:21,000
Speaker 2: Guess judge out in the wild. So we go to

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Speaker 2: two brewers.

414
00:19:22,560 --> 00:19:28,680
Speaker 1: In chap Them Clapham Clapham Clapham. And we get there

415
00:19:28,680 --> 00:19:31,800
Speaker 1: and there's ten six to ten people there. I say,

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00:19:31,880 --> 00:19:34,880
Speaker 1: this is fine. I walk in and it's like exactly

417
00:19:34,880 --> 00:19:37,320
Speaker 1: when I'm coming on to do the snatch game. And

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00:19:37,359 --> 00:19:40,560
Speaker 1: then fast forward to Boone gets there, et cetera. We're

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Speaker 1: leaving the bar.

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Speaker 3: Oh my god.

421
00:19:43,160 --> 00:19:47,119
Speaker 2: Who walks up Tia coffee herself.

422
00:19:47,280 --> 00:19:51,000
Speaker 3: Tia Coffee herself and perplexed, perplexed, like what I just

423
00:19:51,000 --> 00:19:52,919
Speaker 3: watched you guys on that. She's like, what are you

424
00:19:52,920 --> 00:19:55,240
Speaker 3: guys doing here? We're like, what are you doing here?

425
00:19:55,480 --> 00:19:57,720
Speaker 1: And then we turned to our right and there is

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00:19:57,760 --> 00:20:02,600
Speaker 1: the legend something something wo drag race UK fucking we scream,

427
00:20:02,880 --> 00:20:03,600
Speaker 1: we screamed.

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00:20:03,600 --> 00:20:07,200
Speaker 3: We were absolutely full on doing that alan terning type

429
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Speaker 3: we did.

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00:20:07,680 --> 00:20:09,919
Speaker 1: We literally I looked at Tea Coffee and all I

431
00:20:09,920 --> 00:20:12,399
Speaker 1: could do was type was tighte And I was like

432
00:20:12,520 --> 00:20:14,440
Speaker 1: it boemost like you were shamed.

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00:20:14,760 --> 00:20:16,600
Speaker 3: You were like how many people doing this to shame?

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00:20:16,760 --> 00:20:18,639
Speaker 3: I was like, all I said, was, I mean you

435
00:20:18,680 --> 00:20:21,640
Speaker 3: two literally did the thing that She like immediately kind

436
00:20:21,640 --> 00:20:23,600
Speaker 3: of like rolled her eyes out and was like, yeah, yeah.

437
00:20:24,960 --> 00:20:27,800
Speaker 1: Isn't it like how many thousands of facts I've gone

438
00:20:27,800 --> 00:20:31,919
Speaker 1: offic It's iconic. It is so iconic, and it's like,

439
00:20:32,119 --> 00:20:35,119
Speaker 1: you know what it is. It's like when Lady Gota

440
00:20:35,119 --> 00:20:37,159
Speaker 1: came out with bad Romance and that's always gonna be

441
00:20:37,160 --> 00:20:39,920
Speaker 1: like her big song. It's like Britney Spears maybe one

442
00:20:39,920 --> 00:20:41,440
Speaker 1: more time, tea coffee.

443
00:20:41,080 --> 00:20:45,520
Speaker 3: Is typing typing, and that's just it's just gonna be it.

444
00:20:45,880 --> 00:20:48,639
Speaker 3: And she could not have been lovelier. She said, are

445
00:20:48,640 --> 00:20:50,439
Speaker 3: you guys going to Hoopla? We said, we have to

446
00:20:50,480 --> 00:20:52,000
Speaker 3: get for Sunday. We'll get into Hoopla later.

447
00:20:52,040 --> 00:20:53,920
Speaker 2: We had last the most amazing time.

448
00:20:53,920 --> 00:20:54,959
Speaker 3: Should we talk about drag race?

449
00:20:55,000 --> 00:20:55,080
Speaker 2: Now?

450
00:20:55,119 --> 00:20:56,160
Speaker 3: Should we talk about Well?

451
00:20:56,600 --> 00:20:58,600
Speaker 1: So then I turned I turned to Bowen and I said,

452
00:20:58,600 --> 00:21:02,240
Speaker 1: I'm tea coffee and you're something long And Bowen said.

453
00:21:02,200 --> 00:21:04,320
Speaker 3: That's the most racist thing you said to me in years.

454
00:21:05,440 --> 00:21:09,560
Speaker 3: In a very lightly, in a light way way. I said,

455
00:21:09,920 --> 00:21:14,520
Speaker 3: that's the most racist thing. And it was. It really

456
00:21:14,680 --> 00:21:16,920
Speaker 3: really was drag race.

457
00:21:17,560 --> 00:21:20,720
Speaker 1: Let's just say we've been sitting on this one, sitting

458
00:21:20,720 --> 00:21:22,040
Speaker 1: on a secret, Sit on a secret.

459
00:21:22,119 --> 00:21:23,159
Speaker 2: We went into that episode.

460
00:21:23,160 --> 00:21:25,280
Speaker 1: We were invited to be guest judges on the Snatch

461
00:21:25,320 --> 00:21:26,480
Speaker 1: Game of Love episode.

462
00:21:26,600 --> 00:21:28,320
Speaker 3: It was more fun than it looked. It was so

463
00:21:28,440 --> 00:21:31,560
Speaker 3: much more fun than it looked. Surreal. I mean, you

464
00:21:31,600 --> 00:21:34,199
Speaker 3: know what to me, like, have you thought this? I

465
00:21:34,200 --> 00:21:37,000
Speaker 3: can't believe that was two days. It felt like one

466
00:21:37,160 --> 00:21:40,000
Speaker 3: continuum of time. Yeah, a blur.

467
00:21:40,280 --> 00:21:40,800
Speaker 2: Can we say?

468
00:21:40,840 --> 00:21:45,560
Speaker 1: It is such a happy set, everyone's loving their life.

469
00:21:46,000 --> 00:21:49,080
Speaker 1: And I also we should say we got there like right,

470
00:21:49,280 --> 00:21:50,960
Speaker 1: I think it was two days after they had received

471
00:21:51,000 --> 00:21:54,159
Speaker 1: like another boatload of Emmy nominations. Right, So the vibes

472
00:21:54,160 --> 00:21:57,720
Speaker 1: were good, the queen's were well, it was a weird day.

473
00:21:57,920 --> 00:22:01,720
Speaker 3: Heidi was there. We were told all the queens' Snatch

474
00:22:01,760 --> 00:22:04,440
Speaker 3: Game impressions. Yes, I see a Heidi doing blackber. I go,

475
00:22:04,720 --> 00:22:06,359
Speaker 3: that's really interesting and funny.

476
00:22:06,480 --> 00:22:08,560
Speaker 2: Yeah. So the peak behind the curtain is Bowen is

477
00:22:08,640 --> 00:22:10,280
Speaker 2: sitting watching it like.

478
00:22:10,359 --> 00:22:13,080
Speaker 3: I'm watching Matt's Snatch Game round. He's watching my round,

479
00:22:13,119 --> 00:22:15,760
Speaker 3: and so I hear him cackle at the Jimbo tap dance.

480
00:22:16,160 --> 00:22:18,200
Speaker 3: My god, I can't see I have no idea what's

481
00:22:18,200 --> 00:22:20,520
Speaker 3: going on, but all I hear is Rue and Matt

482
00:22:20,720 --> 00:22:24,320
Speaker 3: Geffi I was you don't understand it.

483
00:22:24,480 --> 00:22:28,040
Speaker 1: Definitely read on television because everyone's talking about how funny

484
00:22:28,080 --> 00:22:31,159
Speaker 1: it was watching Jimbo do that tap dance and the

485
00:22:31,200 --> 00:22:34,840
Speaker 1: whole performance. But watching Jimbo do the tap dance in person,

486
00:22:35,400 --> 00:22:38,520
Speaker 1: especially because it's so quiet in the room, you have

487
00:22:38,560 --> 00:22:42,720
Speaker 1: to imagine like no other sound except the sound of

488
00:22:43,040 --> 00:22:48,399
Speaker 1: Rue screaming laughing at this justifiably yes, and also to

489
00:22:48,440 --> 00:22:52,200
Speaker 1: say nothing of Rube was screaming dying at Alexis Michelle's

490
00:22:52,200 --> 00:22:54,800
Speaker 1: b Arthur. Oh, but the Shirley Temple and the b

491
00:22:54,960 --> 00:22:57,720
Speaker 1: Arthur were great. But the Shirley Temple tap dance one

492
00:22:57,760 --> 00:23:01,320
Speaker 1: of the funniest things I have seen ever.

493
00:23:01,920 --> 00:23:05,760
Speaker 3: It's so clown school, it's so kibit qua. It's like

494
00:23:05,800 --> 00:23:09,280
Speaker 3: Canadian like. It's literally Jimbo like came up doing that,

495
00:23:09,880 --> 00:23:12,720
Speaker 3: and it's like god, it like it's perfect to marry

496
00:23:12,760 --> 00:23:13,560
Speaker 3: that into drag.

497
00:23:14,280 --> 00:23:16,240
Speaker 1: I was dying because you're on the other side of

498
00:23:16,240 --> 00:23:18,600
Speaker 1: the sugar wall, not being able to see it. Just

499
00:23:18,640 --> 00:23:21,080
Speaker 1: your mouth is like open, like because you knew something

500
00:23:21,160 --> 00:23:24,359
Speaker 1: was happening. But you could not possibly see what everyone

501
00:23:24,440 --> 00:23:27,359
Speaker 1: on set is screaming. And then so what happens is

502
00:23:27,440 --> 00:23:28,960
Speaker 1: I sort of had Let's just say it, it was like

503
00:23:29,000 --> 00:23:30,280
Speaker 1: a I have like a flop group.

504
00:23:30,560 --> 00:23:33,000
Speaker 3: I thought James was James was great, and it was

505
00:23:33,040 --> 00:23:36,440
Speaker 3: a little unfair. I think it's like, okay, let's say,

506
00:23:36,440 --> 00:23:40,440
Speaker 3: sure every gay man has Identifer Colnder impression. She made

507
00:23:40,440 --> 00:23:41,879
Speaker 3: it work for snatch game in a way that was

508
00:23:41,920 --> 00:23:44,200
Speaker 3: like great, Like she reacted to everything that was thrown

509
00:23:44,240 --> 00:23:46,520
Speaker 3: in her. She was so funny, I mean whatever, she

510
00:23:46,600 --> 00:23:46,920
Speaker 3: was great.

511
00:23:46,960 --> 00:23:49,080
Speaker 2: We'll also remember that this happened.

512
00:23:48,760 --> 00:23:51,320
Speaker 3: Last July, pre White Lotaded season two, pre.

513
00:23:51,320 --> 00:23:53,919
Speaker 1: White Little season two, so it was like both a

514
00:23:54,040 --> 00:23:57,960
Speaker 1: perfect like timing thing because now she's like uber famous,

515
00:23:57,960 --> 00:24:00,239
Speaker 1: but also at the time it was not as is

516
00:24:00,680 --> 00:24:03,800
Speaker 1: okay Jennifer Coolidge as it is now, but she was

517
00:24:03,960 --> 00:24:04,880
Speaker 1: clearly the.

518
00:24:04,840 --> 00:24:08,080
Speaker 2: Winner of that group. Agreed and was great.

519
00:24:08,720 --> 00:24:12,199
Speaker 1: But watching your group was like they crushed it so

520
00:24:12,280 --> 00:24:14,480
Speaker 1: much fun I mean even like you know, I guess

521
00:24:14,480 --> 00:24:16,719
Speaker 1: if the fourth place out of that was like La

522
00:24:16,840 --> 00:24:20,960
Speaker 1: La Ria Sukiana, like it was still like a wonderful sligh.

523
00:24:20,640 --> 00:24:23,439
Speaker 3: Yes, yes, I love Candy Cutty was great. Cut to

524
00:24:23,560 --> 00:24:26,240
Speaker 3: Candy just looking at Jimo up and down while the

525
00:24:26,240 --> 00:24:28,120
Speaker 3: tap dance was happening with a cigarette in her mouth.

526
00:24:28,119 --> 00:24:29,960
Speaker 3: I was like, that's really good.

527
00:24:30,000 --> 00:24:32,920
Speaker 1: Candy had jokes like like Ruby, I'm like, you can

528
00:24:32,960 --> 00:24:34,560
Speaker 1: call the fizz and then Candy goes.

529
00:24:34,440 --> 00:24:38,639
Speaker 3: You tell me you're the one. Mike really good. It

530
00:24:38,720 --> 00:24:39,080
Speaker 3: was good.

531
00:24:39,160 --> 00:24:41,840
Speaker 1: I mean it was great. So we did our little

532
00:24:41,840 --> 00:24:44,119
Speaker 1: lip sync. They showed about a third of it. We

533
00:24:44,160 --> 00:24:47,240
Speaker 1: did do the whole rock Sandras verse, Yes to read

534
00:24:47,280 --> 00:24:50,159
Speaker 1: You Wrote You, and then that was over in like

535
00:24:50,160 --> 00:24:51,879
Speaker 1: two hours, right, two and a half hours. That was

536
00:24:51,880 --> 00:24:52,520
Speaker 1: a shorter day.

537
00:24:52,520 --> 00:24:54,960
Speaker 3: That was a shorter day. And then it's the main

538
00:24:55,000 --> 00:24:58,720
Speaker 3: stage day that like is the full eight nine hour experience.

539
00:24:58,840 --> 00:25:03,600
Speaker 3: It's really and wild, really wild, really fun again. Silent soundstage, Yeah,

540
00:25:03,800 --> 00:25:06,879
Speaker 3: silent soundstage. Amazing to be there in person, though it

541
00:25:06,960 --> 00:25:10,800
Speaker 3: is true. They do two walks each one with the trap,

542
00:25:10,840 --> 00:25:14,719
Speaker 3: one without so that we can just say our little quips. Yeah.

543
00:25:15,240 --> 00:25:18,160
Speaker 3: Ross Matthews was next to us, so lovely, so lovely,

544
00:25:18,200 --> 00:25:19,199
Speaker 3: so helpful.

545
00:25:19,359 --> 00:25:22,040
Speaker 1: Ross was like, okay, so this is what happens, like

546
00:25:22,080 --> 00:25:24,400
Speaker 1: and like give us the download and thank god because

547
00:25:24,440 --> 00:25:26,880
Speaker 1: no one really told us, like the ins and outs,

548
00:25:26,920 --> 00:25:30,320
Speaker 1: like the t he goes, okay, so they're gonna go

549
00:25:30,359 --> 00:25:32,200
Speaker 1: with the music and then you're right down your little

550
00:25:32,280 --> 00:25:33,480
Speaker 1: jokes or whatever like and he.

551
00:25:33,440 --> 00:25:35,120
Speaker 2: Goes just like, you know, let me shall go first,

552
00:25:35,280 --> 00:25:37,200
Speaker 2: let me show go first. And that was right because

553
00:25:37,280 --> 00:25:41,159
Speaker 2: Michelle was a machine. Yep. She set the tone with

554
00:25:41,240 --> 00:25:44,000
Speaker 2: those puns totally. And Rue was also unreal and Ross

555
00:25:44,040 --> 00:25:47,040
Speaker 2: was of course amazing, like they correct me if I'm wrong,

556
00:25:47,280 --> 00:25:49,119
Speaker 2: Like that was like one of the highlights of the

557
00:25:49,200 --> 00:25:51,600
Speaker 2: day was hearing how quick they were with all of

558
00:25:51,640 --> 00:25:53,040
Speaker 2: those puns and jokes like it is.

559
00:25:53,920 --> 00:25:56,000
Speaker 3: Ye and it is like you and I just having

560
00:25:56,000 --> 00:25:58,320
Speaker 3: to like get in there. And it reminded me of

561
00:25:58,400 --> 00:26:01,720
Speaker 3: like any like writers room yep, where it's like she's

562
00:26:01,720 --> 00:26:04,000
Speaker 3: gotta like find the right opening yep. But it was

563
00:26:04,000 --> 00:26:06,800
Speaker 3: like that time it sped up to like a thousand,

564
00:26:06,960 --> 00:26:10,000
Speaker 3: It's like, okay, you got it, just really and it

565
00:26:10,080 --> 00:26:14,000
Speaker 3: was so fun and Michelle is definitely head judge vibes. Yeah,

566
00:26:14,080 --> 00:26:15,320
Speaker 3: you fall right in line.

567
00:26:15,560 --> 00:26:17,400
Speaker 1: Like and also you know, we were saying the tea

568
00:26:17,440 --> 00:26:20,520
Speaker 1: where she was talking Broadway, it was giving Michelle psage.

569
00:26:20,640 --> 00:26:23,199
Speaker 3: We were talking about Funny Girl. We were that was

570
00:26:23,200 --> 00:26:25,760
Speaker 3: when Funny Girl was going down. Yep, yep, but she

571
00:26:25,840 --> 00:26:28,760
Speaker 3: had thoughts on everything, thoughts and it was pre Lea starting,

572
00:26:29,400 --> 00:26:32,240
Speaker 3: but it was right as things were, like transitioning from

573
00:26:32,400 --> 00:26:33,359
Speaker 3: from Beanie to Leah.

574
00:26:33,400 --> 00:26:35,400
Speaker 1: So very interesting to be on the ground for that tea.

575
00:26:35,480 --> 00:26:37,879
Speaker 1: And then they tell us, oh they tell us before. So,

576
00:26:37,960 --> 00:26:40,600
Speaker 1: by the way, while Bowen did not get to see

577
00:26:40,720 --> 00:26:43,040
Speaker 1: Jimbo in person, they in the beginning of the day,

578
00:26:43,080 --> 00:26:46,119
Speaker 1: we see like an already edited version of the show

579
00:26:46,320 --> 00:26:48,000
Speaker 1: yes which was interesting.

580
00:26:48,520 --> 00:26:49,480
Speaker 2: They like put it together.

581
00:26:49,520 --> 00:26:52,359
Speaker 1: They were like, so this is what we put together

582
00:26:52,359 --> 00:26:55,040
Speaker 1: of yesterday, so you guys can have seen Snatch games.

583
00:26:55,080 --> 00:26:58,640
Speaker 2: So we did get like a complete view of the whole.

584
00:26:58,440 --> 00:27:00,439
Speaker 3: Snatch so that we could critique fairly.

585
00:27:00,640 --> 00:27:03,359
Speaker 1: Right, then they say Heidi has chosen to leave for

586
00:27:03,440 --> 00:27:06,920
Speaker 1: mental health reasons, and the queens are like shook. So

587
00:27:06,960 --> 00:27:11,840
Speaker 1: we were just like moving forward and yeah, watched the runway,

588
00:27:12,359 --> 00:27:13,160
Speaker 1: did the whole thing.

589
00:27:13,440 --> 00:27:14,840
Speaker 2: It is so quiet, You're right.

590
00:27:14,760 --> 00:27:18,159
Speaker 3: It is so cool, even during the Lipstick Assassin reveal,

591
00:27:18,320 --> 00:27:22,159
Speaker 3: when that thing is going, it is nothing so funny, silent, silent,

592
00:27:23,200 --> 00:27:23,480
Speaker 3: just like.

593
00:27:23,440 --> 00:27:25,399
Speaker 1: All the lights are going dun dunt, dun't. But you

594
00:27:25,480 --> 00:27:27,640
Speaker 1: have to in your brain be like, oh, my god, Like, oh,

595
00:27:27,720 --> 00:27:31,960
Speaker 1: Rue also walks the runway to silence, yes, which was hilarious,

596
00:27:34,359 --> 00:27:36,560
Speaker 1: and they do the whole bit and then yeah, Jasmine

597
00:27:36,600 --> 00:27:40,040
Speaker 1: Kennedy came out crushed it. When they do a death drop,

598
00:27:40,160 --> 00:27:44,159
Speaker 1: the sound that the floor mix is so jarring. And

599
00:27:44,200 --> 00:27:45,639
Speaker 1: we turned to Ross and we're like, is it like

600
00:27:45,640 --> 00:27:48,119
Speaker 1: that every time? And roscoes every time it's always scary?

601
00:27:48,440 --> 00:27:49,160
Speaker 2: Wow.

602
00:27:49,840 --> 00:27:51,000
Speaker 3: I remember him saying that.

603
00:27:51,080 --> 00:27:52,360
Speaker 2: I was like, does this sound like that every time?

604
00:27:52,400 --> 00:27:54,480
Speaker 3: Every time? Oh wow?

605
00:27:54,760 --> 00:27:58,479
Speaker 1: Just like the sound of like a body hitting the floor,

606
00:27:58,920 --> 00:28:01,480
Speaker 1: Not like a fun death drop moment. It was the

607
00:28:01,560 --> 00:28:03,360
Speaker 1: sound of a body slamming to the.

608
00:28:03,280 --> 00:28:07,160
Speaker 3: Floor on fucking like a vinyl tile or whatever it is.

609
00:28:07,320 --> 00:28:10,280
Speaker 3: You know. Mayhem Miller did our hair and makeup. Oh

610
00:28:10,359 --> 00:28:14,320
Speaker 3: my god, legend, Jem legend. We love her so much.

611
00:28:14,520 --> 00:28:16,679
Speaker 3: She made us look it's you know, it's the filter

612
00:28:16,840 --> 00:28:19,040
Speaker 3: on the camera on the lens beat us down. But

613
00:28:19,119 --> 00:28:23,399
Speaker 3: we were beat down, and I mean, I've never looked bronzer.

614
00:28:23,600 --> 00:28:25,280
Speaker 3: I mean, I loved it.

615
00:28:25,280 --> 00:28:27,159
Speaker 1: It was Here's what I'll say to everyone being like

616
00:28:27,520 --> 00:28:30,920
Speaker 1: they were glowing radiant. We were beat to hell by

617
00:28:30,920 --> 00:28:34,040
Speaker 1: a drag queen and had Rue Paul's lighting yeah, that's

618
00:28:34,080 --> 00:28:35,080
Speaker 1: I mean, that's all there is.

619
00:28:35,119 --> 00:28:36,280
Speaker 3: But what else do you want?

620
00:28:36,480 --> 00:28:38,800
Speaker 2: Like, and I wish we could say that's how we looked.

621
00:28:39,160 --> 00:28:41,680
Speaker 3: No, it will never be again. It will never be again.

622
00:28:41,840 --> 00:28:43,000
Speaker 3: That's okay, that's okay.

623
00:28:43,040 --> 00:28:45,680
Speaker 2: Also, I was absolutely dying of Shigella.

624
00:28:45,880 --> 00:28:48,760
Speaker 3: Oh my god, I can't you reminded me and I

625
00:28:48,800 --> 00:28:51,080
Speaker 3: that was I remember this.

626
00:28:51,840 --> 00:28:54,560
Speaker 1: Rita's will remember when we came back from Fire Island

627
00:28:54,640 --> 00:28:57,440
Speaker 1: last year. Oh my god, I was talking about how

628
00:28:57,480 --> 00:29:00,400
Speaker 1: sick I was, how I had had interactions with gay

629
00:29:00,440 --> 00:29:03,560
Speaker 1: men that led to me being sick. Understand, we shot

630
00:29:03,560 --> 00:29:07,479
Speaker 1: this episode of drag Race a week later. I was

631
00:29:07,640 --> 00:29:09,959
Speaker 1: so ill. Bone and I were sharing a trailer. I

632
00:29:09,960 --> 00:29:13,040
Speaker 1: felt so bad for you because I was I.

633
00:29:12,960 --> 00:29:14,480
Speaker 3: Had I wanted to make sure you were okay.

634
00:29:14,640 --> 00:29:17,600
Speaker 1: I had the runs down, like I was like dehydrated

635
00:29:17,720 --> 00:29:19,800
Speaker 1: for a week leading up to it. It was the

636
00:29:19,840 --> 00:29:23,120
Speaker 1: fact that we were able to pull me together for

637
00:29:23,160 --> 00:29:25,720
Speaker 1: that was while I was really upset because I was like,

638
00:29:25,760 --> 00:29:29,120
Speaker 1: am I gonna have to like cancel drag Race because

639
00:29:29,120 --> 00:29:29,720
Speaker 1: I'm miss sick.

640
00:29:29,760 --> 00:29:31,600
Speaker 2: I'm telling you we barely made it.

641
00:29:32,000 --> 00:29:34,000
Speaker 3: I mean, no one would be able to tell.

642
00:29:33,920 --> 00:29:35,880
Speaker 1: Because of the power of lighting and hair and makeup,

643
00:29:36,280 --> 00:29:38,200
Speaker 1: and Michael Fisher dressed us down.

644
00:29:38,320 --> 00:29:39,520
Speaker 3: Thank you Michael, Thank you King.

645
00:29:39,880 --> 00:29:42,160
Speaker 1: But yeah, that was that's a little people behind the curtain.

646
00:29:42,480 --> 00:29:46,680
Speaker 1: I was dripping with sweat every second, like dying.

647
00:29:46,480 --> 00:29:50,200
Speaker 3: Dying, dying, dying, dying in a way where you're like, god,

648
00:29:50,200 --> 00:29:54,400
Speaker 3: I hate hate that feeling of when you're sick, dehydrated,

649
00:29:54,480 --> 00:29:58,959
Speaker 3: just like emptying yourself so often from either end that

650
00:29:59,000 --> 00:30:01,560
Speaker 3: you go. I didn't know I had this much content.

651
00:30:01,920 --> 00:30:05,760
Speaker 2: Yeah, I was. I was creating content all day. I

652
00:30:05,880 --> 00:30:06,479
Speaker 2: really was.

653
00:30:06,640 --> 00:30:09,840
Speaker 1: And basically, like we made it through. I think my

654
00:30:09,960 --> 00:30:13,600
Speaker 1: body was like not allowing me to fuck up that moment.

655
00:30:13,800 --> 00:30:16,040
Speaker 1: I was like, we're making it through. I mean, thank

656
00:30:16,080 --> 00:30:18,400
Speaker 1: god we did, because it was that was as much

657
00:30:18,440 --> 00:30:21,640
Speaker 1: of a life highlight as it looked like. And like

658
00:30:21,680 --> 00:30:24,120
Speaker 1: I said, everyone was so nice. And you know, I

659
00:30:24,160 --> 00:30:25,680
Speaker 1: heard a little bit about the rest of the season

660
00:30:25,720 --> 00:30:28,800
Speaker 1: and I heard it's great, and I mean, give it

661
00:30:28,880 --> 00:30:31,160
Speaker 1: up for what I'm gonna call one of the best

662
00:30:31,240 --> 00:30:34,760
Speaker 1: drag race performances in a single episode ever by Jimbo.

663
00:30:35,120 --> 00:30:38,440
Speaker 3: I mean that runway, that runway, I mean, describe what

664
00:30:38,520 --> 00:30:40,560
Speaker 3: it was like watching it come down the runway. It

665
00:30:40,640 --> 00:30:43,600
Speaker 3: was horror it was hard. We were like literally, we

666
00:30:43,600 --> 00:30:46,080
Speaker 3: were like, what the fuck are we looking at? And

667
00:30:46,120 --> 00:30:49,480
Speaker 3: then as soon as she turned all of us on

668
00:30:49,520 --> 00:30:52,800
Speaker 3: the judges table screamed screaming.

669
00:30:52,360 --> 00:30:54,880
Speaker 2: Because I really thought for a while that was her

670
00:30:54,920 --> 00:30:57,920
Speaker 2: face right there's I don't know how to describe like

671
00:30:58,040 --> 00:31:01,200
Speaker 2: it looked just like weird makeup on her face. She

672
00:31:01,280 --> 00:31:03,760
Speaker 2: was moving her head in a weird way. That's how

673
00:31:03,800 --> 00:31:05,760
Speaker 2: effective it was in person, so.

674
00:31:05,760 --> 00:31:12,000
Speaker 3: Effective the feat the bend in the knees looking completely

675
00:31:12,080 --> 00:31:15,600
Speaker 3: unnatural to the point where you're like, is this something

676
00:31:15,640 --> 00:31:18,800
Speaker 3: wrong with her? But like and within the realm of possibility,

677
00:31:18,840 --> 00:31:22,360
Speaker 3: being like wait, like what's happened? And then the turn,

678
00:31:22,560 --> 00:31:25,240
Speaker 3: I mean the two reveals. Yeah, because then the snake

679
00:31:25,240 --> 00:31:27,000
Speaker 3: popping under the apple was lovely.

680
00:31:27,200 --> 00:31:30,160
Speaker 1: I mean, when you put that together with that smash game,

681
00:31:30,440 --> 00:31:31,040
Speaker 1: it's a rap.

682
00:31:31,080 --> 00:31:33,080
Speaker 2: I mean that was the only part of the episode.

683
00:31:33,080 --> 00:31:36,640
Speaker 1: I was like, there was a lack of surprise and

684
00:31:36,680 --> 00:31:39,880
Speaker 1: suspense because kind of knew they weren't going to eliminate

685
00:31:40,000 --> 00:31:43,920
Speaker 1: someone when the HEIGHTI had left early. Definitely a slam

686
00:31:44,040 --> 00:31:48,920
Speaker 1: dunk win for Jimbo. And also we saw Jasmine earlier

687
00:31:49,000 --> 00:31:49,800
Speaker 1: in the day.

688
00:31:49,760 --> 00:31:50,800
Speaker 3: You did, I didn't see her.

689
00:31:50,960 --> 00:31:52,600
Speaker 1: I think I was like, I think I did see

690
00:31:52,640 --> 00:31:55,120
Speaker 1: her because I was like, oh, look, I think I

691
00:31:55,160 --> 00:31:56,920
Speaker 1: told you. I was like, it's Jasmine. You were like,

692
00:31:56,960 --> 00:31:58,520
Speaker 1: oh my god, really and I was like, yeah, for

693
00:31:58,560 --> 00:32:01,560
Speaker 1: sure because she's and there's no other reason for her

694
00:32:01,560 --> 00:32:04,160
Speaker 1: to be here, because I think we were told all

695
00:32:04,200 --> 00:32:06,440
Speaker 1: the queens that had been there and had been eliminated,

696
00:32:06,560 --> 00:32:08,280
Speaker 1: huh or were we.

697
00:32:07,960 --> 00:32:10,120
Speaker 3: Well we were told, yes, yes, we were told. And

698
00:32:10,160 --> 00:32:12,920
Speaker 3: then we literally saw Darien Lake pass us for the

699
00:32:12,920 --> 00:32:14,680
Speaker 3: Fame Game, for the Fame Games. I mean wait, we

700
00:32:14,680 --> 00:32:16,640
Speaker 3: got to wave at her and we waved to Dave.

701
00:32:16,920 --> 00:32:18,880
Speaker 2: I was bummed that she was, like, I was like,

702
00:32:18,920 --> 00:32:19,760
Speaker 2: I would have loved to have.

703
00:32:19,720 --> 00:32:21,160
Speaker 3: Seen her, but you know, yeah, me too.

704
00:32:21,240 --> 00:32:22,080
Speaker 2: Let me no regrets.

705
00:32:22,200 --> 00:32:34,880
Speaker 3: That was I mean, Dragars was a slave. Like Okay,

706
00:32:35,280 --> 00:32:38,320
Speaker 3: let's talk about our concert going experiences of.

707
00:32:38,360 --> 00:32:41,200
Speaker 1: Maybe what you're all here for, because can you even

708
00:32:41,280 --> 00:32:43,560
Speaker 1: believe the like the couple of weeks that we've had

709
00:32:43,600 --> 00:32:45,560
Speaker 1: that like, that wasn't even the first thing that we

710
00:32:45,640 --> 00:32:49,200
Speaker 1: jumped into. The fact that we saw Eras and Renaissance

711
00:32:49,280 --> 00:32:50,520
Speaker 1: in the last two weeks.

712
00:32:50,760 --> 00:32:52,719
Speaker 3: You being on the floor for both of those and

713
00:32:52,720 --> 00:32:55,320
Speaker 3: relatively the same spot weirdly you were on this Yes,

714
00:32:55,400 --> 00:32:58,280
Speaker 3: you were like stage you were stage left on the

715
00:32:58,280 --> 00:32:59,240
Speaker 3: floor for both shows.

716
00:32:59,360 --> 00:33:03,600
Speaker 2: Yes, well, I so let's should we do eras first? Yeah,

717
00:33:04,680 --> 00:33:08,960
Speaker 2: the aerostar, a feet of stamina, Oh, a feat of

718
00:33:09,520 --> 00:33:11,760
Speaker 2: their showcase of Songwriting.

719
00:33:12,880 --> 00:33:15,880
Speaker 3: Masterclass. Everyone in that stadium.

720
00:33:16,320 --> 00:33:18,120
Speaker 2: Oh, my best friends with each other.

721
00:33:18,000 --> 00:33:20,800
Speaker 3: Best friends with each other. The friendship bracelets. That was

722
00:33:20,840 --> 00:33:23,720
Speaker 3: so cute, so cute. I mean, we met so many

723
00:33:23,840 --> 00:33:28,200
Speaker 3: lovely people who just came up to us, gave gave

724
00:33:28,280 --> 00:33:31,960
Speaker 3: us Taylor Swift bracelets. I had one that was just

725
00:33:32,040 --> 00:33:33,760
Speaker 3: Karma is a catbead.

726
00:33:34,080 --> 00:33:36,520
Speaker 1: I got that one to actually, so that one was

727
00:33:36,560 --> 00:33:40,800
Speaker 1: really really cute. No, people were like the energy in

728
00:33:40,880 --> 00:33:44,320
Speaker 1: the stadium was definitely and yes it was MetLife Stadium,

729
00:33:44,520 --> 00:33:45,280
Speaker 1: and we'll get to that.

730
00:33:45,360 --> 00:33:48,719
Speaker 3: We'll get to that. But it was so like, to

731
00:33:49,080 --> 00:33:49,360
Speaker 3: use the.

732
00:33:49,360 --> 00:33:51,920
Speaker 2: Words of Ilana Glazer on this podcast, there was a

733
00:33:52,080 --> 00:33:56,520
Speaker 2: thick joy in the stadium. We got there. We decided

734
00:33:56,560 --> 00:33:57,960
Speaker 2: to get there a little bit late, so we caught

735
00:33:57,960 --> 00:33:59,040
Speaker 2: like the last half of.

736
00:33:59,120 --> 00:34:03,200
Speaker 1: Miss Bridgers and then we get there and Taylor from

737
00:34:03,360 --> 00:34:06,920
Speaker 1: seven to fifty five pm to eleven twenty five pm,

738
00:34:07,040 --> 00:34:09,520
Speaker 1: I guess just gives three and a half hours of

739
00:34:09,560 --> 00:34:13,120
Speaker 1: the Era's tour. This was the only way I can

740
00:34:13,200 --> 00:34:15,759
Speaker 1: describe it is it's the fucking world's biggest pop star

741
00:34:15,880 --> 00:34:20,480
Speaker 1: showcasing the most coveted, impressive library of pop music. And

742
00:34:20,680 --> 00:34:25,120
Speaker 1: it really didn't feel like anything was super missing, Like

743
00:34:25,239 --> 00:34:27,000
Speaker 1: I didn't.

744
00:34:26,480 --> 00:34:29,279
Speaker 3: If anything like it's speak now stuff, if.

745
00:34:29,200 --> 00:34:30,839
Speaker 1: Anything, yes, speak now, I would have loved to hear

746
00:34:30,880 --> 00:34:34,480
Speaker 1: like Sparks Fly we said. But also the surprise songs

747
00:34:34,520 --> 00:34:36,800
Speaker 1: we got Welcome to New York, which I could see

748
00:34:36,800 --> 00:34:38,840
Speaker 1: some people around me being like, Okay, we got Welcome

749
00:34:38,840 --> 00:34:39,319
Speaker 1: to New York.

750
00:34:39,400 --> 00:34:39,960
Speaker 2: I was thrilled.

751
00:34:40,040 --> 00:34:41,759
Speaker 3: I was thrilled with Welcome to New York, we got

752
00:34:41,800 --> 00:34:45,480
Speaker 3: Welcome to York and Clean, which before the end of Clean,

753
00:34:45,640 --> 00:34:47,560
Speaker 3: like there were some people around me who were like,

754
00:34:47,719 --> 00:34:49,960
Speaker 3: she's doing first track of nineteen nine and last track.

755
00:34:50,320 --> 00:34:51,640
Speaker 3: Is she about to announce something.

756
00:34:52,160 --> 00:34:53,200
Speaker 2: Yeah, it did feel like that.

757
00:34:53,320 --> 00:34:55,080
Speaker 1: And then but did not come to pat She did

758
00:34:55,120 --> 00:34:58,160
Speaker 1: not lovely. I mean when she announced Clean, we collapsed.

759
00:34:58,160 --> 00:35:01,200
Speaker 1: We had a physical collapse into each It was. It

760
00:35:01,280 --> 00:35:02,880
Speaker 1: was I couldn't believe it.

761
00:35:02,920 --> 00:35:05,960
Speaker 3: I couldn't believe it because she did debut a rule

762
00:35:07,320 --> 00:35:09,440
Speaker 3: for herself that she has set, which is she's allowed

763
00:35:09,480 --> 00:35:13,520
Speaker 3: to repeat a song if she either messed up a

764
00:35:13,600 --> 00:35:15,719
Speaker 3: lyric or if she feels like she could have done

765
00:35:15,760 --> 00:35:18,080
Speaker 3: it better. And I feel like I could have done

766
00:35:18,080 --> 00:35:19,200
Speaker 3: this in a higher key.

767
00:35:19,400 --> 00:35:21,360
Speaker 1: Yes, yes, yes, yes, yeah, we got most of the

768
00:35:21,440 --> 00:35:23,919
Speaker 1: nineteen eighty nine now, but my guess we did, and

769
00:35:23,960 --> 00:35:25,480
Speaker 1: we famously saw nineteen.

770
00:35:25,160 --> 00:35:28,279
Speaker 2: Eighty nine world tour there years and years ago. Do

771
00:35:28,360 --> 00:35:31,160
Speaker 2: you have highlights? I mean, I I there were so many,

772
00:35:31,239 --> 00:35:32,120
Speaker 2: But what are your highlights?

773
00:35:32,160 --> 00:35:36,640
Speaker 3: So many? I loved Cruel Summer. I love that she

774
00:35:36,719 --> 00:35:39,440
Speaker 3: set up cruel Summer. She she took a moment to

775
00:35:39,760 --> 00:35:42,120
Speaker 3: address the crowd before the bridge. He goes, we've rid

776
00:35:42,200 --> 00:35:44,720
Speaker 3: at the first bridge of the night. Yes, let's cross

777
00:35:44,719 --> 00:35:47,400
Speaker 3: it together. Oh my cross I mean screamed, and then

778
00:35:47,480 --> 00:35:51,880
Speaker 3: we all screamed. We scrowm. And then highlight for me

779
00:35:52,080 --> 00:35:53,040
Speaker 3: was folklore.

780
00:35:53,760 --> 00:35:58,279
Speaker 2: Folklore felt huge. That was one thing when it first

781
00:35:58,320 --> 00:35:58,600
Speaker 2: came out.

782
00:35:58,640 --> 00:36:01,600
Speaker 1: I remember us talking by the way we iconically first

783
00:36:01,640 --> 00:36:04,719
Speaker 1: listened to folklore in Greta Titleman's home, and when the

784
00:36:04,760 --> 00:36:06,279
Speaker 1: girls were talking and we were like.

785
00:36:06,239 --> 00:36:07,239
Speaker 2: You guys, need to stop talk.

786
00:36:07,320 --> 00:36:09,839
Speaker 3: Study and Greta were trying on outfits and showing us,

787
00:36:10,480 --> 00:36:12,960
Speaker 3: and I was like this is this isn't the time.

788
00:36:13,120 --> 00:36:17,000
Speaker 2: This is not fashion show is on in Greta's home

789
00:36:17,040 --> 00:36:18,520
Speaker 2: and someone else's.

790
00:36:18,200 --> 00:36:20,359
Speaker 3: And someone else's home. We were making rules.

791
00:36:20,080 --> 00:36:22,080
Speaker 1: I feel like weren't we always saying though, like how

792
00:36:22,120 --> 00:36:23,600
Speaker 1: is this going to feel? She's not gonna be able

793
00:36:23,600 --> 00:36:26,000
Speaker 1: to do an intimate concert of this, don't worry if

794
00:36:26,040 --> 00:36:26,839
Speaker 1: you haven't seen it yet.

795
00:36:26,920 --> 00:36:33,319
Speaker 2: Folklore feels massive. Yeah, and the Bridge of Illicit Affairs. Yeah.

796
00:36:33,320 --> 00:36:34,440
Speaker 2: I turned to you and you were like, wow, she

797
00:36:34,480 --> 00:36:35,520
Speaker 2: really fit that one in there.

798
00:36:35,560 --> 00:36:35,759
Speaker 3: Yeah.

799
00:36:36,000 --> 00:36:38,319
Speaker 1: I can't can't even tell you. It felt like the

800
00:36:38,360 --> 00:36:38,879
Speaker 1: super Bowl.

801
00:36:39,000 --> 00:36:41,280
Speaker 3: Yeah, you've I love that in your Instagram caption.

802
00:36:41,560 --> 00:36:46,360
Speaker 2: It was ma sure, And we keep saying Betty.

803
00:36:45,840 --> 00:36:49,560
Speaker 3: Who I love that song so much? Might be my

804
00:36:49,600 --> 00:36:53,720
Speaker 3: favorite off of Well, it's hard between Betty August and Mirraball.

805
00:36:54,000 --> 00:36:57,000
Speaker 3: I was missing Miraball from that sets. No problem, I'm sure.

806
00:36:57,040 --> 00:36:58,280
Speaker 3: I think she's done it.

807
00:36:58,280 --> 00:37:00,239
Speaker 2: It was I think one of the first surprise.

808
00:37:00,040 --> 00:37:04,680
Speaker 3: Yeah, yeah, yeah, yeah, but that was a highlight. I

809
00:37:04,760 --> 00:37:06,000
Speaker 3: loved Reputation.

810
00:37:06,360 --> 00:37:09,080
Speaker 1: Reputation was just as major as you think it's going

811
00:37:09,120 --> 00:37:11,200
Speaker 1: to be. This when the snake starts coming on the

812
00:37:11,239 --> 00:37:14,480
Speaker 1: back back while you're like absolutely, it was like the

813
00:37:14,640 --> 00:37:15,799
Speaker 1: energy pick back up again.

814
00:37:15,840 --> 00:37:17,760
Speaker 2: It was like a new concert, start a new concert.

815
00:37:17,960 --> 00:37:18,840
Speaker 3: That's one thing I'll.

816
00:37:18,719 --> 00:37:24,920
Speaker 1: Compliment her on is like every era felt extremely vivid

817
00:37:25,080 --> 00:37:27,160
Speaker 1: and its own thing. Like it was like it was

818
00:37:27,200 --> 00:37:30,799
Speaker 1: almost like it was like nine or ten isolated concerts

819
00:37:30,880 --> 00:37:33,760
Speaker 1: in that way, like really smart. I think to start

820
00:37:33,800 --> 00:37:36,640
Speaker 1: with Lover because it's light out and it feels like

821
00:37:36,840 --> 00:37:39,640
Speaker 1: that that like energy picks it up, like it's like

822
00:37:39,680 --> 00:37:42,360
Speaker 1: we're doing it as like, you know, the sun is

823
00:37:42,400 --> 00:37:45,840
Speaker 1: setting and huh, by the time it's.

824
00:37:45,760 --> 00:37:48,040
Speaker 2: Reputation, there's not a light in the sky.

825
00:37:48,239 --> 00:37:51,320
Speaker 3: It's the damn we're at the fucking sex dungeon, yes,

826
00:37:51,400 --> 00:37:54,960
Speaker 3: you know, and approaching midnight for Midnight, Yes Genius, which

827
00:37:55,239 --> 00:38:00,800
Speaker 3: went really hard midnights. I was not expecting to love

828
00:38:00,920 --> 00:38:05,400
Speaker 3: live that much. Fucking Bejeweled, Oh l g B t

829
00:38:05,480 --> 00:38:09,040
Speaker 3: qu I a plus recruitment song. Actually, I'm upset.

830
00:38:08,800 --> 00:38:12,120
Speaker 2: That Jeweled is not nominated for the Diplo Award for LGBTQ.

831
00:38:12,400 --> 00:38:14,520
Speaker 3: That's a mistake on our part in terms of the

832
00:38:14,560 --> 00:38:18,320
Speaker 3: campaign timeline, in terms of the nomination's announcement timeline. Yes,

833
00:38:19,160 --> 00:38:20,319
Speaker 3: we'll get into the awards later.

834
00:38:20,480 --> 00:38:22,279
Speaker 1: Yes, And there's some things you need to know about

835
00:38:22,280 --> 00:38:24,000
Speaker 1: the awards. There's some songs you need to get off

836
00:38:24,000 --> 00:38:26,040
Speaker 1: book for, there's some things you need to prepare. But

837
00:38:26,239 --> 00:38:31,440
Speaker 1: I'll say this, the witchiness of Evermore being leaned into

838
00:38:31,920 --> 00:38:35,640
Speaker 1: I think really helped to distinguish it from from Yes Yes,

839
00:38:35,719 --> 00:38:39,160
Speaker 1: because there's a there's a stark difference between Evermore and Folklore,

840
00:38:39,200 --> 00:38:43,440
Speaker 1: which you didn't express, like Evermore felt like dark, yes yes,

841
00:38:43,840 --> 00:38:45,600
Speaker 1: and Folklore felt.

842
00:38:45,680 --> 00:38:47,399
Speaker 2: I'm just gonna say the most basic word, lighter.

843
00:38:47,440 --> 00:38:51,440
Speaker 3: It just felt its witches. Yeah, yes, Evermore is as

844
00:38:51,520 --> 00:38:54,800
Speaker 3: witches folklore is. I'm going to say this doesn't quite

845
00:38:54,800 --> 00:38:58,560
Speaker 3: feel right, but fairy, yeah, nymph, I was gonna say, yeah, yeah, yeah,

846
00:38:58,680 --> 00:39:00,920
Speaker 3: dry Ad yes, and woods.

847
00:39:00,680 --> 00:39:03,279
Speaker 2: The Burning House into Fearless, Oh my.

848
00:39:03,280 --> 00:39:06,120
Speaker 3: God, love love it.

849
00:39:06,400 --> 00:39:09,239
Speaker 1: Fearliss was also a moment Red to say nothing of Red.

850
00:39:09,280 --> 00:39:11,240
Speaker 1: I mean, maybe we're just taking Red for a granted

851
00:39:11,280 --> 00:39:14,480
Speaker 1: at this point, because Red also had Red was like

852
00:39:14,520 --> 00:39:16,480
Speaker 1: a featured moment of the show. Was like an extended

853
00:39:16,480 --> 00:39:18,959
Speaker 1: moment in the show, the ten minute all too well,

854
00:39:19,160 --> 00:39:21,279
Speaker 1: just it does exactly what you think it's gonna do.

855
00:39:21,320 --> 00:39:26,840
Speaker 3: It unifies, it unifies. She is in a fucking red

856
00:39:27,080 --> 00:39:30,040
Speaker 3: sequined trench. Coade. I want to say some kind of

857
00:39:30,160 --> 00:39:33,960
Speaker 3: cape situation, like it just looks like that stage picture

858
00:39:34,200 --> 00:39:39,320
Speaker 3: is wow. Yeah, it's it's huge. And then blank Space,

859
00:39:39,560 --> 00:39:46,200
Speaker 3: I mean widely agreed upon by many, many authoritatively musical

860
00:39:46,239 --> 00:39:48,879
Speaker 3: people that one of the best pop songs ever written.

861
00:39:48,960 --> 00:39:55,040
Speaker 2: I mean, it's it's effervescent, it lifts, it is one

862
00:39:55,040 --> 00:39:57,640
Speaker 2: of the great moments, one of the great moment concert

863
00:39:57,680 --> 00:40:00,960
Speaker 2: going history. Yes, when you listen to blank Space amongst

864
00:40:01,080 --> 00:40:01,879
Speaker 2: the girls.

865
00:40:01,760 --> 00:40:05,480
Speaker 3: Upunks to the girl, a pong, it falls up hoongs

866
00:40:05,520 --> 00:40:06,120
Speaker 3: to the girl.

867
00:40:06,000 --> 00:40:08,279
Speaker 1: It fell apongst us, and I knew that Taylor was

868
00:40:08,320 --> 00:40:10,719
Speaker 1: looking upongst Us and feeling very proud of what she

869
00:40:10,719 --> 00:40:14,520
Speaker 1: had accomplished. There also like shake it off, crushed it.

870
00:40:14,880 --> 00:40:15,839
Speaker 1: I was dancing like.

871
00:40:15,800 --> 00:40:18,600
Speaker 2: A gay man, and I really was. And I looked

872
00:40:18,600 --> 00:40:19,759
Speaker 2: over and you were being gay.

873
00:40:19,840 --> 00:40:20,800
Speaker 3: I was being gay.

874
00:40:21,080 --> 00:40:24,000
Speaker 1: We were both being pretty gay during the show throughout. Yes,

875
00:40:24,239 --> 00:40:26,359
Speaker 1: while the streams IT'SO bad blood and I'm not even

876
00:40:26,400 --> 00:40:27,319
Speaker 1: a bad blood.

877
00:40:27,000 --> 00:40:31,759
Speaker 3: Super It was so fun, fun little moment. And then

878
00:40:31,880 --> 00:40:35,920
Speaker 3: getting out of meant life was pure hell, cruel, cruel,

879
00:40:36,000 --> 00:40:38,239
Speaker 3: but we we were lucky, we were like we were

880
00:40:38,280 --> 00:40:41,759
Speaker 3: out of there. Within it was not chromatica ball level. No,

881
00:40:42,200 --> 00:40:43,680
Speaker 3: and we were just listening to tunes in the car.

882
00:40:43,760 --> 00:40:47,200
Speaker 3: We were listening to some some Mazy Peters tracks.

883
00:40:46,719 --> 00:40:50,760
Speaker 1: And we were actually were listening to an upcoming album.

884
00:40:50,840 --> 00:40:53,560
Speaker 1: Were listening we got to listen to an upcoming album.

885
00:40:53,800 --> 00:40:56,560
Speaker 3: And more on that. So more on that. So let's

886
00:40:56,640 --> 00:41:00,000
Speaker 3: talk about we're going to be seeing Renaissance Tour. We're like,

887
00:41:00,040 --> 00:41:02,600
Speaker 3: you know, have to see Renaissance Tour twice. We're gonna

888
00:41:02,600 --> 00:41:05,520
Speaker 3: see it a Met Life again, let's talk about Renaissance

889
00:41:05,960 --> 00:41:10,240
Speaker 3: in London. At first of all, wonderfully run venue.

890
00:41:10,360 --> 00:41:13,839
Speaker 2: Oh my god, this was if compared to MetLife.

891
00:41:14,120 --> 00:41:15,920
Speaker 3: This was like I was at Disney.

892
00:41:16,480 --> 00:41:20,160
Speaker 1: It was as if Okay, So getting into MetLife was

893
00:41:20,200 --> 00:41:22,800
Speaker 1: like trying to get a reservation that at the invite

894
00:41:22,800 --> 00:41:23,880
Speaker 1: only Chipprianni's.

895
00:41:24,360 --> 00:41:26,759
Speaker 3: And getting into Tottenham.

896
00:41:26,880 --> 00:41:31,200
Speaker 2: Was walking into McDonald's, walking into McDonald's, walking into McDonald's at.

897
00:41:31,080 --> 00:41:34,080
Speaker 1: Like I don't know, like one pm on a weekday.

898
00:41:34,280 --> 00:41:35,760
Speaker 1: It was like, yeah, no one's here.

899
00:41:35,760 --> 00:41:38,960
Speaker 3: Or no, it's everyone's here, but everyone's able to like

900
00:41:39,360 --> 00:41:40,600
Speaker 3: get to a touch screen.

901
00:41:40,640 --> 00:41:41,520
Speaker 2: Exactly, you know.

902
00:41:42,120 --> 00:41:45,960
Speaker 1: And I mean this was so we get there, we're

903
00:41:45,960 --> 00:41:48,239
Speaker 1: not seated together, see it together, bone was up in

904
00:41:48,239 --> 00:41:51,440
Speaker 1: the nosebleeds. Still a perfect view, Still a perfect view,

905
00:41:51,440 --> 00:41:56,640
Speaker 1: because this show bigger, pure spectacle. She's one of our.

906
00:41:56,680 --> 00:41:58,759
Speaker 1: She not one of ours, she is no. She is

907
00:41:58,800 --> 00:42:02,879
Speaker 1: our best, our greatest living performer. And people being like

908
00:42:03,440 --> 00:42:06,640
Speaker 1: Taylor or Beyonce, what was better? Don't even go there,

909
00:42:06,840 --> 00:42:09,279
Speaker 1: hant to compare it. It's apples and oranges. It is

910
00:42:09,320 --> 00:42:11,959
Speaker 1: actually the definition of apples and oranges. They should start

911
00:42:12,000 --> 00:42:17,480
Speaker 1: saying Beyonce and Tailor's because say that that's a real culture.

912
00:42:19,719 --> 00:42:22,560
Speaker 1: Twenty four, it's a core number twenty four, Apples and oranges.

913
00:42:22,719 --> 00:42:27,520
Speaker 1: They should say Beyonce's and tailors because Taylor was, like

914
00:42:27,560 --> 00:42:31,000
Speaker 1: I said, world's biggest pop star, presenting her and showcasing

915
00:42:31,040 --> 00:42:32,000
Speaker 1: her library.

916
00:42:32,680 --> 00:42:34,239
Speaker 2: Beyonce Renaissance was.

917
00:42:34,760 --> 00:42:36,120
Speaker 3: Let me get the ballads out of the way, and

918
00:42:36,239 --> 00:42:38,680
Speaker 3: let's we're going to turn this into the fucking club.

919
00:42:38,520 --> 00:42:43,799
Speaker 1: World's greatest performer and most important artist. Giving the Renaissance

920
00:42:43,880 --> 00:42:47,239
Speaker 1: Ball and installment in her career, it didn't.

921
00:42:46,960 --> 00:42:50,520
Speaker 2: Feel like cumulative, although it was.

922
00:42:50,920 --> 00:42:55,640
Speaker 1: It felt like I'm doing the Renaissance Ball, And it

923
00:42:55,680 --> 00:42:57,279
Speaker 1: was rumored that she was going to come out and

924
00:42:57,280 --> 00:43:01,600
Speaker 1: be her own opening act. She comes out uses both

925
00:43:01,640 --> 00:43:03,960
Speaker 1: the most perfect songs to open with and also the

926
00:43:03,960 --> 00:43:07,760
Speaker 1: most random songs to open with, Dangerously in Love, into

927
00:43:07,800 --> 00:43:11,040
Speaker 1: Flaws and all into one plus one into a cover

928
00:43:11,160 --> 00:43:15,960
Speaker 1: of I'm Going Down Into I Care with some Tina

929
00:43:16,280 --> 00:43:18,480
Speaker 1: Proud Mary ballad version.

930
00:43:18,400 --> 00:43:21,040
Speaker 2: Tina Turner, I'm urver deep manaight ververt deep Mountain.

931
00:43:21,160 --> 00:43:28,080
Speaker 3: Huh huh. A beautiful Renditionnelie such an unexpected original interpretation

932
00:43:28,120 --> 00:43:32,080
Speaker 3: of that song. And then like fully in her Vegas

933
00:43:32,120 --> 00:43:36,000
Speaker 3: residency gown yep, like she's changing up the looks each show,

934
00:43:36,160 --> 00:43:38,680
Speaker 3: but each show is giving like I could do a

935
00:43:38,719 --> 00:43:39,719
Speaker 3: Vegas presidency if.

936
00:43:39,680 --> 00:43:41,520
Speaker 2: I want, if I wanted, if I ever gained.

937
00:43:42,040 --> 00:43:46,719
Speaker 3: And what I find really nice about Renaissance, about the

938
00:43:46,760 --> 00:43:49,279
Speaker 3: Renaissance tour is that if I'm going to compare it

939
00:43:49,320 --> 00:43:54,600
Speaker 3: to Formation, Formation was her being like, I'm doing stadiums now,

940
00:43:54,960 --> 00:43:58,120
Speaker 3: let me give you everything, and it was just intense,

941
00:43:58,360 --> 00:44:02,680
Speaker 3: like everything out of fucking fourteen, big, big, big, and

942
00:44:02,760 --> 00:44:08,120
Speaker 3: this I feel like, was let me just give you looks, gags, fun,

943
00:44:09,080 --> 00:44:11,120
Speaker 3: everyone is having a good fucking time. It was a

944
00:44:11,280 --> 00:44:13,759
Speaker 3: par It was a fucking party in a stadium like that,

945
00:44:13,840 --> 00:44:17,400
Speaker 3: I'm like chromatica ball wasn't even necessarily giving that, Like

946
00:44:17,480 --> 00:44:20,240
Speaker 3: chromatica Ball was like this is years in the making,

947
00:44:20,440 --> 00:44:23,879
Speaker 3: Like I'm finally getting to tour with us. Renaissance tour

948
00:44:24,040 --> 00:44:26,960
Speaker 3: was like, let's just have fucking fun.

949
00:44:27,280 --> 00:44:30,279
Speaker 1: It somehow, And maybe it's because the ga that I

950
00:44:30,360 --> 00:44:32,200
Speaker 1: was in was like entirely standing on them and it

951
00:44:32,239 --> 00:44:35,320
Speaker 1: was like a dance party down there. It somehow really

952
00:44:35,360 --> 00:44:39,279
Speaker 1: made the entire stadium feel like a dance floor, and

953
00:44:39,440 --> 00:44:42,000
Speaker 1: that is like the best compliment I can give it.

954
00:44:42,000 --> 00:44:45,880
Speaker 1: It was to say nothing of like how much of

955
00:44:45,920 --> 00:44:49,200
Speaker 1: the stadium she seemed to use, Like it was like

956
00:44:49,239 --> 00:44:52,120
Speaker 1: a three sixty experience in a way, the camera being

957
00:44:52,280 --> 00:44:54,600
Speaker 1: in the skies, the way she would find the camera

958
00:44:54,680 --> 00:44:57,960
Speaker 1: and the air just like truly, no one is capable

959
00:44:58,080 --> 00:45:01,320
Speaker 1: of this. I mean, it's hard to even say highlights

960
00:45:01,360 --> 00:45:04,759
Speaker 1: because the whole thing felt like the Renaissance album, like.

961
00:45:04,760 --> 00:45:06,680
Speaker 2: A continuous party.

962
00:45:06,760 --> 00:45:10,399
Speaker 1: But I would say this section, when we were calling

963
00:45:10,440 --> 00:45:13,680
Speaker 1: the red section, she started with formation and went through

964
00:45:13,880 --> 00:45:15,480
Speaker 1: a black parade.

965
00:45:15,200 --> 00:45:18,640
Speaker 3: Through I mean my power black parade, Oh my gum,

966
00:45:18,960 --> 00:45:21,000
Speaker 3: into fucking savage.

967
00:45:21,000 --> 00:45:23,560
Speaker 2: I think, yeah savage. The woman rode out on a

968
00:45:23,600 --> 00:45:28,799
Speaker 2: tank while her daughter is the most unbothered child to

969
00:45:28,840 --> 00:45:29,920
Speaker 2: ever even imagine.

970
00:45:30,200 --> 00:45:33,200
Speaker 3: And people can, I say, people online.

971
00:45:32,800 --> 00:45:35,640
Speaker 1: Being like Blue Ivy Carter is not slaying you weren't there,

972
00:45:35,760 --> 00:45:37,040
Speaker 1: weren't there, you weren't there.

973
00:45:37,080 --> 00:45:39,320
Speaker 2: It's actually an unbothered sleigh.

974
00:45:39,600 --> 00:45:43,400
Speaker 3: She's hitting every fucking move but she's going, she's giving

975
00:45:43,400 --> 00:45:46,520
Speaker 3: you like nothing in the face and it is so

976
00:45:46,880 --> 00:45:48,799
Speaker 3: fucking perfect, perfect, perfect, So.

977
00:45:48,800 --> 00:45:54,080
Speaker 2: And she's also leading this huge like processional behind her

978
00:45:54,480 --> 00:45:57,600
Speaker 2: and you're looking right at her and it is I mean,

979
00:45:57,719 --> 00:46:00,720
Speaker 2: it's it's way more impressive than I think the stupid

980
00:46:00,760 --> 00:46:02,680
Speaker 2: tiktoks and videos are making it out to be.

981
00:46:02,760 --> 00:46:06,160
Speaker 3: She's always gonna dull and dilute it, like yeah, of

982
00:46:06,280 --> 00:46:08,680
Speaker 3: course you're not gonna get the same experience watching it

983
00:46:08,680 --> 00:46:12,080
Speaker 3: from your fucking phone. No, no, like it is something

984
00:46:12,120 --> 00:46:13,759
Speaker 3: else to be there. And then the moment that got

985
00:46:13,800 --> 00:46:16,360
Speaker 3: me was huge run of applause for Blue, like they

986
00:46:16,480 --> 00:46:19,000
Speaker 3: like showing the line on Blue. Everyone's losing their minds,

987
00:46:19,200 --> 00:46:20,640
Speaker 3: just living for this little girl.

988
00:46:20,800 --> 00:46:21,000
Speaker 2: Yeah.

989
00:46:21,120 --> 00:46:22,640
Speaker 3: Cuts to Beyonce on the Big Camp.

990
00:46:22,800 --> 00:46:27,360
Speaker 1: Yeah, the proudest, glowing, glowing and she says everybody say, hey,

991
00:46:27,480 --> 00:46:30,960
Speaker 1: miss Carter, and what I as Blue is leaving And

992
00:46:31,000 --> 00:46:34,080
Speaker 1: everyone says hey, miss Carter. And then my favorite thing

993
00:46:34,200 --> 00:46:37,880
Speaker 1: is she goes right into a fucking partition. So she's like,

994
00:46:38,080 --> 00:46:40,680
Speaker 1: now my daughter's gonna leave, and I'm gonna get into

995
00:46:40,719 --> 00:46:44,000
Speaker 1: my big slut moment, and she goes, do I have

996
00:46:44,040 --> 00:46:47,319
Speaker 1: any partition fans in the audience? As if anyone would

997
00:46:47,400 --> 00:46:51,400
Speaker 1: dare not be the biggest partition fan. She gave partition

998
00:46:51,800 --> 00:46:53,960
Speaker 1: as blue as exiting, and then I believe it was

999
00:46:54,040 --> 00:46:56,600
Speaker 1: into savage. So she was like, now that my daughter's

1000
00:46:56,640 --> 00:46:59,960
Speaker 1: not here, let me let my pussy into the wind.

1001
00:47:00,200 --> 00:47:05,920
Speaker 3: Yeah, oh my god, who that is a fucking catalog?

1002
00:47:06,400 --> 00:47:10,560
Speaker 1: Oh peer, Yeah, I mean just like and also to

1003
00:47:10,600 --> 00:47:14,160
Speaker 1: say nothing of the set list too, was just perfection

1004
00:47:14,280 --> 00:47:16,799
Speaker 1: because then she gives love on top and she lets

1005
00:47:16,840 --> 00:47:19,279
Speaker 1: the audience go into the key changes and she's just

1006
00:47:19,320 --> 00:47:21,799
Speaker 1: like helping out and she's like yes, and then it

1007
00:47:21,960 --> 00:47:24,880
Speaker 1: explodes into crazy and love and you didn't see it coming,

1008
00:47:25,360 --> 00:47:28,720
Speaker 1: and then she just begins her stomp does original choreo.

1009
00:47:29,320 --> 00:47:30,920
Speaker 2: It just takes you back to two thousand and three.

1010
00:47:31,040 --> 00:47:34,520
Speaker 1: Yeah, what I remember, like not only the music video obviously,

1011
00:47:34,560 --> 00:47:37,320
Speaker 1: but and also that iconic song which is like still

1012
00:47:37,320 --> 00:47:39,319
Speaker 1: like we said earlier, like you know, like It's that

1013
00:47:39,400 --> 00:47:42,120
Speaker 1: thing of like tea coffee will always be typing. Yeah,

1014
00:47:42,120 --> 00:47:44,279
Speaker 1: like that he gota will always be bad romance like

1015
00:47:44,520 --> 00:47:48,799
Speaker 1: Beyonce has done Beyonce since that, but still Crazy in

1016
00:47:48,880 --> 00:47:52,480
Speaker 1: Love is still that moment that we will always remember

1017
00:47:52,560 --> 00:47:55,120
Speaker 1: and I'll just never forget watching her performance on the

1018
00:47:55,200 --> 00:47:58,000
Speaker 1: VMA's that You're years and years and years ago and

1019
00:47:58,200 --> 00:48:01,000
Speaker 1: watching that original choreo. I used to fast forward it,

1020
00:48:01,120 --> 00:48:03,680
Speaker 1: rewind it, just just like watch it again and again

1021
00:48:03,680 --> 00:48:05,720
Speaker 1: and again, and just to see her do that original

1022
00:48:05,760 --> 00:48:08,719
Speaker 1: choreo again, I was like, my god, this is like

1023
00:48:08,760 --> 00:48:11,040
Speaker 1: standing the test of time in such a way.

1024
00:48:11,440 --> 00:48:15,360
Speaker 3: And uh, to your point about like her finding the cameras,

1025
00:48:16,520 --> 00:48:19,400
Speaker 3: I think she knows her stage picture at all times

1026
00:48:19,800 --> 00:48:23,000
Speaker 3: like no one else. It's so wild. Yeah, she knows

1027
00:48:23,040 --> 00:48:27,000
Speaker 3: exactly how she looks in every single moment. Yes she does.

1028
00:48:27,600 --> 00:48:33,480
Speaker 1: Ah, I mean and every every track of Renaissance was perfect.

1029
00:48:33,600 --> 00:48:37,959
Speaker 1: I mean highlights include I mean Alien Superstar obviously fucking.

1030
00:48:38,000 --> 00:48:41,480
Speaker 2: Move was incredible, amazing, pure honey.

1031
00:48:41,640 --> 00:48:43,680
Speaker 1: Just like the like Vogue section of that, like the

1032
00:48:43,680 --> 00:48:46,799
Speaker 1: ball section of that was so unbelievable to watch. Her

1033
00:48:46,880 --> 00:48:51,920
Speaker 1: dancers are fucking phenomenal. It's just and she has never

1034
00:48:52,440 --> 00:48:54,319
Speaker 1: and this is obviously like it. It's like you have

1035
00:48:54,320 --> 00:48:55,799
Speaker 1: to toss her hands up and say this, but like,

1036
00:48:56,320 --> 00:48:57,799
Speaker 1: never looked more beautiful, never looked.

1037
00:48:58,200 --> 00:48:58,920
Speaker 2: It's insane.

1038
00:48:58,960 --> 00:49:03,960
Speaker 3: I know, I know. Mm hmm. It sounded perfect, giving

1039
00:49:04,000 --> 00:49:05,719
Speaker 3: us a live vocal start to finish.

1040
00:49:05,480 --> 00:49:10,480
Speaker 2: A million notes like never lost I know, never lost it,

1041
00:49:11,160 --> 00:49:14,880
Speaker 2: duh duh. But like I mean, and so I would say, so,

1042
00:49:14,920 --> 00:49:16,000
Speaker 2: how many times have you seen her?

1043
00:49:16,160 --> 00:49:17,480
Speaker 3: I started with missus Carter.

1044
00:49:17,480 --> 00:49:19,520
Speaker 1: Yeah, so I saw one before that, I saw this before,

1045
00:49:22,040 --> 00:49:24,279
Speaker 1: always say will always be my favorite because it was

1046
00:49:24,320 --> 00:49:26,239
Speaker 1: the most intimate. It was so intimate and so small,

1047
00:49:26,280 --> 00:49:29,040
Speaker 1: and it was just unreal because I believe that was

1048
00:49:29,120 --> 00:49:33,080
Speaker 1: like formative for me at the time. This was unreal.

1049
00:49:33,320 --> 00:49:39,160
Speaker 1: I mean, it's the Renaissance Tour. It gave everything, It

1050
00:49:39,239 --> 00:49:40,120
Speaker 1: gave everything.

1051
00:49:40,880 --> 00:49:44,960
Speaker 3: Heated. The only time she dropped quote unquote any like

1052
00:49:45,080 --> 00:49:47,319
Speaker 3: lyric or anything was heated where she literally like before

1053
00:49:47,360 --> 00:49:49,000
Speaker 3: the song before she goes into the sun, she goes,

1054
00:49:49,239 --> 00:49:51,000
Speaker 3: y'all want to help me on unheeded because like I

1055
00:49:51,000 --> 00:49:53,160
Speaker 3: get two words in too, like that you know that

1056
00:49:53,280 --> 00:49:55,640
Speaker 3: end section, and it like and I started to run

1057
00:49:55,680 --> 00:49:57,960
Speaker 3: out of breath and there's no way any one person

1058
00:49:58,000 --> 00:50:00,600
Speaker 3: can do that whole section without running out of breath. No,

1059
00:50:00,719 --> 00:50:03,319
Speaker 3: But meanwhile, like we know every fucking word. God, I

1060
00:50:03,360 --> 00:50:04,239
Speaker 3: fucking love that shit.

1061
00:50:04,280 --> 00:50:06,520
Speaker 1: She also, I have to say, like one of the

1062
00:50:06,560 --> 00:50:08,799
Speaker 1: highights for me was Break My Soul into like the

1063
00:50:08,920 --> 00:50:11,480
Speaker 1: Vogue remix and Break My Soul, which she gave also

1064
00:50:11,560 --> 00:50:13,319
Speaker 1: the whole thing and like all the names came up

1065
00:50:13,320 --> 00:50:17,319
Speaker 1: on the back wall. By the way, just claps and

1066
00:50:17,360 --> 00:50:21,280
Speaker 1: a standing ovation to the crew of both of these shows.

1067
00:50:21,440 --> 00:50:27,600
Speaker 1: I mean, the unreal production value, like the robots, the robotics,

1068
00:50:27,600 --> 00:50:30,799
Speaker 1: and the Beyonce show just like the Metropolis vibes of

1069
00:50:30,840 --> 00:50:31,560
Speaker 1: it all, like.

1070
00:50:31,680 --> 00:50:34,680
Speaker 3: Beyonce being the lay weather. Yeah yeah, yeah, I mean.

1071
00:50:34,640 --> 00:50:38,080
Speaker 1: Just like truly like when she comes out for the

1072
00:50:38,200 --> 00:50:40,960
Speaker 1: for after she opens the show, she comes out and

1073
00:50:41,000 --> 00:50:45,719
Speaker 1: she's like encased in like metallic silver, and these robots

1074
00:50:45,800 --> 00:50:48,839
Speaker 1: literally remove pieces of her garment so she can come

1075
00:50:48,840 --> 00:50:53,799
Speaker 1: out and like perform. It is it's so surreal to

1076
00:50:53,920 --> 00:50:56,840
Speaker 1: watch and it's just so perfectly realized, and she is

1077
00:50:57,200 --> 00:50:58,839
Speaker 1: holding the center the entire time.

1078
00:50:58,880 --> 00:50:59,879
Speaker 2: I mean, like it's just.

1079
00:51:00,600 --> 00:51:02,440
Speaker 3: We're very lucky that we got to see these performers.

1080
00:51:03,160 --> 00:51:06,399
Speaker 3: We went to mighty Hoopla the day after a big

1081
00:51:06,480 --> 00:51:09,719
Speaker 3: queer music festival in the UK in London, Bropel Park

1082
00:51:09,760 --> 00:51:11,640
Speaker 3: and Brixton. It was so much fun.

1083
00:51:11,719 --> 00:51:13,799
Speaker 2: As if we needed to be more blissed out, I know.

1084
00:51:13,800 --> 00:51:19,440
Speaker 3: It was just a lovely experience. We saw Dagnyagny was incredible.

1085
00:51:19,719 --> 00:51:20,719
Speaker 3: That's another like.

1086
00:51:20,719 --> 00:51:24,520
Speaker 1: Yeah, keep your eye on the live vocal on her. Wow,

1087
00:51:24,600 --> 00:51:26,719
Speaker 1: that is like pop perfection.

1088
00:51:26,880 --> 00:51:32,400
Speaker 3: That is just like I mean you want clean pop, yeah,

1089
00:51:32,520 --> 00:51:34,799
Speaker 3: not clean clean as in just like these melodies are

1090
00:51:34,880 --> 00:51:37,480
Speaker 3: like fucking Razor sharp.

1091
00:51:37,280 --> 00:51:42,000
Speaker 1: And perfect pop voice. I mean truly just really that girl.

1092
00:51:42,320 --> 00:51:43,800
Speaker 1: Then we went over and we saw.

1093
00:51:45,239 --> 00:51:47,480
Speaker 3: Who, Like, I love that she's just gotten like really

1094
00:51:47,560 --> 00:51:49,200
Speaker 3: queer and massive. Like so I've been a fan of

1095
00:51:49,200 --> 00:51:52,239
Speaker 3: hers for years now and I think she's so so

1096
00:51:52,239 --> 00:51:54,200
Speaker 3: so wonderful. Everyone should check her out. But she has

1097
00:51:54,200 --> 00:51:56,759
Speaker 3: a song called say my Name, not in reference to

1098
00:51:56,800 --> 00:52:01,160
Speaker 3: Beyonce or Destiny's Child, wonderful song and that was like

1099
00:52:01,200 --> 00:52:05,160
Speaker 3: a different, smaller venue. And then we saw Confidence Man,

1100
00:52:05,200 --> 00:52:09,560
Speaker 3: who were goofy, fun, stupid, weird and I use all

1101
00:52:09,560 --> 00:52:12,080
Speaker 3: of those words lovingly. And then we saw Jake Shears.

1102
00:52:12,200 --> 00:52:18,040
Speaker 1: Jake Shears just lovely, what incredible, iconic energy like looking

1103
00:52:18,440 --> 00:52:21,600
Speaker 1: just as good as the day one, so fun.

1104
00:52:21,560 --> 00:52:26,080
Speaker 3: So fun. And then we went to a dance party

1105
00:52:26,360 --> 00:52:28,080
Speaker 3: under a tent called Swift againin.

1106
00:52:27,920 --> 00:52:28,440
Speaker 2: Yes we did.

1107
00:52:28,480 --> 00:52:30,319
Speaker 1: We went to something called Swift again and it was

1108
00:52:30,360 --> 00:52:33,799
Speaker 1: another hour. As if we needed more tailor, we just

1109
00:52:33,880 --> 00:52:37,520
Speaker 1: heard those same songs again with hundreds and hundreds of

1110
00:52:37,520 --> 00:52:40,560
Speaker 1: British Swifties who were all equally excited to be there,

1111
00:52:41,280 --> 00:52:44,000
Speaker 1: screaming all ten minutes of the all too well ten

1112
00:52:44,040 --> 00:52:47,680
Speaker 1: minute version. Everyone was off book. Yes, we did experience

1113
00:52:47,719 --> 00:52:50,680
Speaker 1: Swift again in post aerostour, and we will be seeing

1114
00:52:50,760 --> 00:52:54,359
Speaker 1: the aerostour again, so that is where we are at.

1115
00:52:54,719 --> 00:52:57,560
Speaker 3: Yes, it's gonna be a summer of music. I'm sure

1116
00:52:57,560 --> 00:52:59,520
Speaker 3: I'll end up at one of the Madonna shows.

1117
00:53:00,080 --> 00:53:00,960
Speaker 2: Really would like to go.

1118
00:53:01,080 --> 00:53:05,320
Speaker 3: I think it's I think it's worth as our experiences

1119
00:53:05,600 --> 00:53:08,400
Speaker 3: are general, I'm saying like hour, as in like everyone's

1120
00:53:08,440 --> 00:53:11,799
Speaker 3: experience with Madonna live lately has been okay, I guess

1121
00:53:11,840 --> 00:53:14,040
Speaker 3: we're waiting around for an hour and a half, longer

1122
00:53:14,080 --> 00:53:17,720
Speaker 3: than we thought we would. Yeah, but no problem, it's Madonna.

1123
00:53:18,840 --> 00:53:21,840
Speaker 1: Apparently, we hope Pride was very giving. We missed it,

1124
00:53:21,880 --> 00:53:26,520
Speaker 1: but Jesse Ware apparently killed it. Adina was there. I'm

1125
00:53:26,520 --> 00:53:29,080
Speaker 1: gonna go next week. I'm seeing Megan thee Stallion Friday

1126
00:53:29,360 --> 00:53:30,960
Speaker 1: and then Mariah Saturday.

1127
00:53:31,040 --> 00:53:33,879
Speaker 3: Oh my god, I had heard that Edna was told

1128
00:53:34,000 --> 00:53:36,560
Speaker 3: several times to leave the stage because her set was over,

1129
00:53:36,600 --> 00:53:38,120
Speaker 3: and she just kept singing, you.

1130
00:53:38,120 --> 00:53:43,200
Speaker 1: Know what, eat, yeah, let it go. Here's what I'd

1131
00:53:43,239 --> 00:53:45,200
Speaker 1: say to anyone talking to Adena. They got off to

1132
00:53:45,200 --> 00:53:45,680
Speaker 1: stay let it.

1133
00:53:45,680 --> 00:53:47,759
Speaker 3: Go, and we love Adena, but there are videos out

1134
00:53:47,800 --> 00:53:51,759
Speaker 3: there of her bailing out on the last note of yeah.

1135
00:53:51,800 --> 00:53:54,120
Speaker 3: But you know what, though, good good, because you know

1136
00:53:54,280 --> 00:53:56,680
Speaker 3: you can't. She did the last note of de fine gravity.

1137
00:53:56,840 --> 00:54:01,879
Speaker 3: She did, she tried, she did, she did it, and

1138
00:54:02,280 --> 00:54:06,399
Speaker 3: it's growth within a set to be like for let

1139
00:54:06,400 --> 00:54:09,200
Speaker 3: it go for a storm ry John, I'm gonna throw

1140
00:54:09,239 --> 00:54:10,240
Speaker 3: the mic over to the audience.

1141
00:54:10,520 --> 00:54:11,239
Speaker 2: I'm giving it to you.

1142
00:54:11,400 --> 00:54:13,440
Speaker 3: I'm getting it to you. Gaze because you know what.

1143
00:54:13,520 --> 00:54:15,799
Speaker 2: Also that does it says, oh you gazed.

1144
00:54:15,520 --> 00:54:16,239
Speaker 3: Thing, you can do it.

1145
00:54:16,480 --> 00:54:19,719
Speaker 2: Try, go ahead, here's the mic. If you gaze, then

1146
00:54:19,760 --> 00:54:22,040
Speaker 2: you can do it. Some of them can, very few

1147
00:54:22,080 --> 00:54:24,759
Speaker 2: of them can. Some of them and they all try.

1148
00:54:24,560 --> 00:54:27,160
Speaker 3: And they all try. Have we established Idina Menzel is

1149
00:54:27,200 --> 00:54:28,520
Speaker 3: a base on this podcast or now is.

1150
00:54:28,440 --> 00:54:30,640
Speaker 1: That adena is a base. Is that one of the

1151
00:54:30,760 --> 00:54:34,320
Speaker 1: rules of culture. And also you know Adele Deseim is

1152
00:54:34,360 --> 00:54:37,080
Speaker 1: the number one moment in a culture history. So Adina

1153
00:54:37,160 --> 00:54:39,799
Speaker 1: has a massive place in the culture. And her move

1154
00:54:39,880 --> 00:54:43,680
Speaker 1: to gay icon and pride performer and pride staple, I

1155
00:54:43,680 --> 00:54:44,680
Speaker 1: think is long overdue.

1156
00:54:44,760 --> 00:54:47,360
Speaker 2: And we should also say we did see her perform

1157
00:54:47,400 --> 00:54:48,279
Speaker 2: her a new single.

1158
00:54:48,280 --> 00:54:52,640
Speaker 1: You Bet a Move from Me at the glad Awards,

1159
00:54:52,719 --> 00:54:54,359
Speaker 1: and she was and she did present us in Fire

1160
00:54:54,400 --> 00:54:56,759
Speaker 1: Island and we gave her a huge hug and she emanates.

1161
00:54:56,800 --> 00:54:58,120
Speaker 3: She emanates, and I.

1162
00:54:58,080 --> 00:55:01,200
Speaker 1: Would say, unfortunately for a move, we haven't yet talked

1163
00:55:01,200 --> 00:55:03,719
Speaker 1: about it yet on this podcast. But there is a

1164
00:55:03,760 --> 00:55:06,480
Speaker 1: song of the summer, There is a queer staple. It

1165
00:55:06,560 --> 00:55:08,000
Speaker 1: is a nominee for Record of the Year.

1166
00:55:08,280 --> 00:55:12,400
Speaker 3: It is which I think people are already trying to

1167
00:55:12,400 --> 00:55:15,719
Speaker 3: be like, oh, like it's we're oversaturated.

1168
00:55:15,880 --> 00:55:16,680
Speaker 2: No, they need to stop.

1169
00:55:16,880 --> 00:55:20,840
Speaker 3: No, you must just accept the fact that this song

1170
00:55:21,160 --> 00:55:23,720
Speaker 3: is We'll be with us for forever.

1171
00:55:24,800 --> 00:55:28,359
Speaker 2: I mean when you say put I go.

1172
00:55:28,400 --> 00:55:31,879
Speaker 1: Put um period, period, it's actually a real culture number

1173
00:55:31,920 --> 00:55:37,319
Speaker 1: eight when you say I say period, and that is

1174
00:55:37,840 --> 00:55:38,800
Speaker 1: that is forever.

1175
00:55:39,000 --> 00:55:42,320
Speaker 3: Put Um is forever. Putum is on the same level

1176
00:55:42,440 --> 00:55:46,920
Speaker 3: of staying power as Diva down. We didn't medic Boots.

1177
00:55:47,440 --> 00:55:49,399
Speaker 2: It's just if doctor ROBERTA Bobby wrote the song.

1178
00:55:49,480 --> 00:55:53,680
Speaker 3: It's doctor Roberta Bobby. It is Hi, Diva. May I

1179
00:55:53,719 --> 00:55:56,040
Speaker 3: call you Diva. My name is Detective Fierce. You're not

1180
00:55:56,080 --> 00:55:57,680
Speaker 3: in trouble, Boots. We're just trying to get the tea

1181
00:55:57,680 --> 00:56:02,520
Speaker 3: on the situation. It is part of the lexicon of Queerness.

1182
00:56:02,800 --> 00:56:05,680
Speaker 1: Get on board or else, faggot or else. The train

1183
00:56:05,800 --> 00:56:08,040
Speaker 1: is leaving the station and it's headed to Padam.

1184
00:56:08,560 --> 00:56:11,960
Speaker 3: I'm hearing rumors that Susanne Collins is rewriting the Hunger

1185
00:56:12,000 --> 00:56:18,759
Speaker 3: Games books to change PanAm to Padam. That's rumors. I am,

1186
00:56:18,920 --> 00:56:21,959
Speaker 3: I am. You are a reporter. I'm a report. Are

1187
00:56:21,960 --> 00:56:22,319
Speaker 3: you really?

1188
00:56:22,360 --> 00:56:23,280
Speaker 2: Are you break the news?

1189
00:56:23,600 --> 00:56:28,960
Speaker 3: I'm hearing rumors. Put it came on Hoopla. I hear it,

1190
00:56:29,120 --> 00:56:31,239
Speaker 3: and I know and we all activated.

1191
00:56:32,160 --> 00:56:34,680
Speaker 1: You don't even understand what happened at maighty Hoopla when

1192
00:56:34,719 --> 00:56:38,200
Speaker 1: Padam came on. The dance floor was dead then it failled.

1193
00:56:38,480 --> 00:56:39,760
Speaker 2: I don't know what to say.

1194
00:56:40,160 --> 00:56:43,600
Speaker 3: We're literally walking to the urinals and Pam came on

1195
00:56:43,680 --> 00:56:44,320
Speaker 3: and we had to stop.

1196
00:56:44,880 --> 00:56:47,520
Speaker 1: Are you guys excited to see performed at the Lost

1197
00:56:47,520 --> 00:56:48,840
Speaker 1: Culture Recess Cultural Awards.

1198
00:56:48,880 --> 00:56:49,960
Speaker 2: We might be getting a big.

1199
00:56:49,840 --> 00:57:03,440
Speaker 1: Special guest to come perform.

1200
00:57:03,560 --> 00:57:04,840
Speaker 3: Okay, let's talk about the awards.

1201
00:57:04,840 --> 00:57:08,879
Speaker 1: Okay, So now by now you know that all of

1202
00:57:08,920 --> 00:57:11,920
Speaker 1: the last Culturesis Culture Awards nominees have been announced.

1203
00:57:12,680 --> 00:57:13,919
Speaker 2: The campaign starts now.

1204
00:57:14,320 --> 00:57:17,400
Speaker 1: If you feel that you have a strong instinct as

1205
00:57:17,480 --> 00:57:22,320
Speaker 1: to what should win these categories, you need to be publicists. Yes,

1206
00:57:22,400 --> 00:57:25,600
Speaker 1: you need to get going. I need to see FYC.

1207
00:57:25,800 --> 00:57:28,120
Speaker 1: I need to see us being tagged. I need to

1208
00:57:28,120 --> 00:57:32,760
Speaker 1: see interacting with each other. I need to see campaign.

1209
00:57:32,400 --> 00:57:33,920
Speaker 3: I need to see campaigns. I need to see a

1210
00:57:33,960 --> 00:57:38,000
Speaker 3: photoshopped picture of the billboard. Period. Yes, I want to

1211
00:57:38,040 --> 00:57:40,760
Speaker 3: see a banner on the street. I want to see

1212
00:57:40,800 --> 00:57:43,000
Speaker 3: a pamphlet that you design.

1213
00:57:43,520 --> 00:57:48,480
Speaker 2: I just I want to see you guys activate, because otherwise,

1214
00:57:49,440 --> 00:57:54,000
Speaker 2: if you don't vote, period, period. If you don't vote,

1215
00:57:54,040 --> 00:57:55,160
Speaker 2: what do you think is going to happen?

1216
00:57:56,400 --> 00:57:58,280
Speaker 3: You are not going to feel like a part of

1217
00:57:58,320 --> 00:58:01,520
Speaker 3: this award show if you don't vote, If.

1218
00:58:01,360 --> 00:58:04,480
Speaker 1: You don't any words of Adina Menzelle, move for me.

1219
00:58:05,440 --> 00:58:06,480
Speaker 1: You better move for me.

1220
00:58:06,720 --> 00:58:09,120
Speaker 3: Now, what do you have to say about these being

1221
00:58:09,400 --> 00:58:13,600
Speaker 3: the front runners, the most nominated, the most nominate, I'm sorry, Yes,

1222
00:58:13,600 --> 00:58:14,280
Speaker 3: the most nominated.

1223
00:58:14,360 --> 00:58:17,640
Speaker 2: Yes we have Doja Cat, Yes, big contender.

1224
00:58:17,320 --> 00:58:22,200
Speaker 3: Oreo Cookies. Breathe by faith Hill nominated in multiple categories.

1225
00:58:22,680 --> 00:58:25,000
Speaker 2: This was not something I saw coming this now.

1226
00:58:25,480 --> 00:58:27,520
Speaker 1: I did not think that Breathe by faith Hill was

1227
00:58:27,520 --> 00:58:29,200
Speaker 1: going to be one of the Records of the Year nominees.

1228
00:58:29,240 --> 00:58:31,919
Speaker 2: And then, you know, when it was, I was sort

1229
00:58:31,920 --> 00:58:33,760
Speaker 2: of like, yeah, I get it, because if you listen

1230
00:58:33,800 --> 00:58:36,240
Speaker 2: to it again, and I do want everyone listening to

1231
00:58:36,280 --> 00:58:39,520
Speaker 2: it again, you do realize, actually, it's one of the

1232
00:58:39,520 --> 00:58:40,880
Speaker 2: most important songs of the year.

1233
00:58:41,000 --> 00:58:42,600
Speaker 3: It is one of the most important songs of the year.

1234
00:58:42,600 --> 00:58:44,560
Speaker 3: And then you go and then you look down the

1235
00:58:44,560 --> 00:58:49,120
Speaker 3: list and you see Santa Award for being unforgettable, Breathe

1236
00:58:49,200 --> 00:58:51,800
Speaker 3: by faith Hill.

1237
00:58:50,920 --> 00:58:54,800
Speaker 1: Up against some tough competition. Yeah, but you know, I

1238
00:58:54,800 --> 00:58:56,920
Speaker 1: don't think anyone saw this coming. And I guess as

1239
00:58:56,960 --> 00:58:58,600
Speaker 1: a Record of the Year nominee, it will be performed

1240
00:58:58,600 --> 00:59:02,040
Speaker 1: at the awards. Interesting now, speaking of other Record of

1241
00:59:02,040 --> 00:59:03,960
Speaker 1: the Year nominees that will be performed at the awards.

1242
00:59:03,960 --> 00:59:05,280
Speaker 1: If I had to say one thing, and I think

1243
00:59:05,280 --> 00:59:08,280
Speaker 1: you'll agree about this, everyone needs to be off book

1244
00:59:08,440 --> 00:59:12,360
Speaker 1: on eighth World Wonder by Kimberly Locke. We're gonna need

1245
00:59:13,120 --> 00:59:17,120
Speaker 1: a lot of audience excitement for that song because it's

1246
00:59:17,200 --> 00:59:19,000
Speaker 1: going to We've said.

1247
00:59:18,800 --> 00:59:20,320
Speaker 2: It before, but kick off the show.

1248
00:59:21,160 --> 00:59:22,000
Speaker 3: Have we said this before?

1249
00:59:22,160 --> 00:59:22,760
Speaker 2: We've said it?

1250
00:59:23,280 --> 00:59:25,800
Speaker 3: Thank God, Let's see what else do we have? We

1251
00:59:25,840 --> 00:59:27,000
Speaker 3: have All I Want for Christmas as you.

1252
00:59:27,360 --> 00:59:30,440
Speaker 1: I mean, that's going to I mean I think that

1253
00:59:30,840 --> 00:59:32,760
Speaker 1: probably going forward we're going to see All I Want

1254
00:59:32,760 --> 00:59:33,360
Speaker 1: for Christmases.

1255
00:59:33,400 --> 00:59:36,400
Speaker 2: You be a huge contender in this category.

1256
00:59:36,520 --> 00:59:39,000
Speaker 3: I think this is the first This is historic because

1257
00:59:39,040 --> 00:59:43,400
Speaker 3: this is the first time in any award show history

1258
00:59:44,600 --> 00:59:48,200
Speaker 3: for All in Want for a song to be nominated

1259
00:59:48,200 --> 00:59:50,960
Speaker 3: two years in for Record of the Year. Yeah, I

1260
00:59:51,000 --> 00:59:53,240
Speaker 3: think that that speaks to its cultural impact. But when

1261
00:59:53,280 --> 00:59:55,960
Speaker 3: I really do and remember that last year's winner was

1262
00:59:56,040 --> 00:59:59,160
Speaker 3: Drived Back by Candae, which has stood the test of

1263
00:59:59,160 --> 01:00:01,840
Speaker 3: time in its own We're still singing it, children were

1264
01:00:01,880 --> 01:00:05,640
Speaker 3: singing weddings at funerals, and.

1265
01:00:05,720 --> 01:00:09,320
Speaker 1: We're going to see what wins. I just I think

1266
01:00:09,320 --> 01:00:11,960
Speaker 1: this is a really tough race. Obviously, it's really exciting

1267
01:00:11,960 --> 01:00:15,840
Speaker 1: because all the nominees are being performed. Has really made

1268
01:00:15,840 --> 01:00:18,720
Speaker 1: a late case late in the year and.

1269
01:00:19,000 --> 01:00:20,680
Speaker 3: What's the we're missing the fifth nominee.

1270
01:00:20,720 --> 01:00:23,040
Speaker 1: Oh, the fifth nominee is if you asked me to

1271
01:00:23,160 --> 01:00:26,560
Speaker 1: you asked me to which you know you might be

1272
01:00:26,560 --> 01:00:28,520
Speaker 1: getting a special performance as well. And by might I

1273
01:00:28,560 --> 01:00:29,320
Speaker 1: mean yes.

1274
01:00:29,960 --> 01:00:33,280
Speaker 3: Might I mean yes I do. Are you okay? There's

1275
01:00:33,360 --> 01:00:37,600
Speaker 3: something going on? Everyone's congested in London? Well okay, so

1276
01:00:37,680 --> 01:00:40,760
Speaker 3: it's June and I'm sorry. The weather is fifty degrees

1277
01:00:40,880 --> 01:00:43,480
Speaker 3: or as the Brits say, you know, eighteen. I don't know.

1278
01:00:43,520 --> 01:00:44,200
Speaker 3: I can't convert.

1279
01:00:44,320 --> 01:00:46,040
Speaker 2: I was talking to a game man yesterday, I might

1280
01:00:46,160 --> 01:00:49,320
Speaker 2: hoop and he said to me, okay, so hey feva

1281
01:00:49,560 --> 01:00:51,880
Speaker 2: they call it here and I was like, oh my god, what, like,

1282
01:00:51,920 --> 01:00:52,680
Speaker 2: how do you get it?

1283
01:00:53,320 --> 01:00:55,720
Speaker 3: And he was like, well, you know, it's like, you know,

1284
01:00:56,000 --> 01:00:57,040
Speaker 3: hey fever, but you get it.

1285
01:00:57,080 --> 01:00:59,840
Speaker 1: And I was like, oh allergy. Yeah, and he goes, oh,

1286
01:01:00,160 --> 01:01:02,040
Speaker 1: I think you call it allergies and I was.

1287
01:01:02,040 --> 01:01:04,480
Speaker 2: Like, wow, to call it hey hay fever because I

1288
01:01:04,520 --> 01:01:06,480
Speaker 2: guess the hey in the air, but it's not.

1289
01:01:06,640 --> 01:01:09,520
Speaker 1: He it's dramatic to me. To me, British people calling

1290
01:01:09,560 --> 01:01:11,000
Speaker 1: allergies hay fevers dramatic.

1291
01:01:11,040 --> 01:01:15,640
Speaker 3: You live in the city, you don't live on a farm. Babe,

1292
01:01:15,880 --> 01:01:18,640
Speaker 3: you don't live on a farm, Honey, Honey, accept the

1293
01:01:18,720 --> 01:01:22,280
Speaker 3: fact that you Ben's right over there. Yeah, okay, okay.

1294
01:01:23,320 --> 01:01:27,280
Speaker 3: There's a Costa across There's a Costa Costa coffee across

1295
01:01:27,320 --> 01:01:27,720
Speaker 3: the street.

1296
01:01:27,720 --> 01:01:29,600
Speaker 1: There's a Costa coffee across the street. It's not high fever,

1297
01:01:29,680 --> 01:01:32,200
Speaker 1: it's allergy. It's okay, han, han, You're not at risk.

1298
01:01:32,320 --> 01:01:35,080
Speaker 3: You're not at risk. There's a fucking there's a Preda Mange,

1299
01:01:35,120 --> 01:01:40,800
Speaker 3: there's a Sainsbury's, there's a Tesco. It's not all these things.

1300
01:01:40,840 --> 01:01:43,200
Speaker 3: There's all these things that are not what hey.

1301
01:01:44,040 --> 01:01:45,120
Speaker 2: Mikey Hoopla was a slagh.

1302
01:01:45,640 --> 01:01:47,320
Speaker 1: We really wish we had gotten to see Kelly Rowland

1303
01:01:47,320 --> 01:01:49,840
Speaker 1: the night before, but we were seeing her goddamn sister,

1304
01:01:50,520 --> 01:01:52,880
Speaker 1: and we heard that she wore an intense black cat

1305
01:01:52,920 --> 01:01:55,560
Speaker 1: suit and gave production value, budget, talent and more.

1306
01:01:56,200 --> 01:02:00,520
Speaker 3: I mean Kelly Roland. She to Kelly Rowland gives talent,

1307
01:02:00,680 --> 01:02:06,480
Speaker 3: charisma and more and more. This is the new syntactical

1308
01:02:07,200 --> 01:02:10,840
Speaker 3: thing that Matt is innovating on, always innovating on. But

1309
01:02:11,200 --> 01:02:15,560
Speaker 3: the new thing is, and please explain this for yourself,

1310
01:02:15,600 --> 01:02:18,760
Speaker 3: but in summary, it's to say two things and then

1311
01:02:18,800 --> 01:02:20,160
Speaker 3: always followed up and more.

1312
01:02:20,640 --> 01:02:23,320
Speaker 1: So basically, like if I was to say what London

1313
01:02:23,400 --> 01:02:27,440
Speaker 1: is giving, Yeah, London is giving prosperity, culture and more.

1314
01:02:28,960 --> 01:02:31,720
Speaker 1: Bonian gives talent, charisma and more.

1315
01:02:32,880 --> 01:02:34,960
Speaker 3: What the hell was that ice beucket my eye? Becket

1316
01:02:35,040 --> 01:02:37,640
Speaker 3: is giving sounds, coldness and more and more.

1317
01:02:38,080 --> 01:02:42,280
Speaker 1: I look out to London and I'm literally seeing clouds,

1318
01:02:42,840 --> 01:02:44,120
Speaker 1: sky and more.

1319
01:02:44,440 --> 01:02:45,880
Speaker 3: It's a complete thought.

1320
01:02:46,720 --> 01:02:50,480
Speaker 1: The title of this episode is Eras Renaissance and more.

1321
01:02:53,000 --> 01:02:55,400
Speaker 3: I love it. I love that too. I love that

1322
01:02:55,480 --> 01:02:56,320
Speaker 3: so literally.

1323
01:02:56,600 --> 01:03:00,240
Speaker 1: So this was such a wild couple weeks that we

1324
01:03:00,240 --> 01:03:02,640
Speaker 1: actually made a list of things together and we've gotten

1325
01:03:02,680 --> 01:03:03,920
Speaker 1: through all them except too.

1326
01:03:04,600 --> 01:03:08,720
Speaker 2: We have to discuss the Succession finale. We do, bon Yang, what.

1327
01:03:08,760 --> 01:03:11,760
Speaker 1: Did you feel about the way that succession ended and

1328
01:03:11,920 --> 01:03:14,480
Speaker 1: how power transferred?

1329
01:03:15,880 --> 01:03:21,959
Speaker 3: Well, power did not transfer, I would say, I would

1330
01:03:22,000 --> 01:03:24,960
Speaker 3: say the only person who was really in power was

1331
01:03:25,040 --> 01:03:28,200
Speaker 3: Mansen and at the end of the day he still

1332
01:03:28,400 --> 01:03:31,640
Speaker 3: is in power. Yeah, and all along he was the

1333
01:03:31,680 --> 01:03:33,960
Speaker 3: only person who was in power. And that's a comment,

1334
01:03:34,080 --> 01:03:36,280
Speaker 3: and that's a These children were I mean, in the

1335
01:03:36,280 --> 01:03:41,120
Speaker 3: words of Roman, they were all bullshit, yeah the whole time,

1336
01:03:41,160 --> 01:03:43,840
Speaker 3: And that is the that is what the tragedy of

1337
01:03:43,880 --> 01:03:46,840
Speaker 3: this show is yep. And and what a fucking brilliant

1338
01:03:46,880 --> 01:03:49,600
Speaker 3: what a perfect, perfect finale. Yeah, I will never forget

1339
01:03:49,640 --> 01:03:50,800
Speaker 3: it with.

1340
01:03:50,960 --> 01:03:55,040
Speaker 4: This perfect finale, the cheers.

1341
01:03:58,360 --> 01:04:02,960
Speaker 1: That's where my voice is right now, y'all, you guys,

1342
01:04:03,840 --> 01:04:06,160
Speaker 1: here's what I'm gonna say right now. And I We've

1343
01:04:06,240 --> 01:04:10,800
Speaker 1: talked about hating saying this, but Sarah Snook, give her

1344
01:04:11,240 --> 01:04:14,400
Speaker 1: this was This is what I love about Succession. It

1345
01:04:14,440 --> 01:04:17,400
Speaker 1: is going to make brand names out of a few people.

1346
01:04:17,800 --> 01:04:20,680
Speaker 1: Sarah Snook. I'm so excited to see what she does next, Like,

1347
01:04:20,760 --> 01:04:24,360
Speaker 1: this was unbelievable. And also that's a tough turn in

1348
01:04:24,400 --> 01:04:29,000
Speaker 1: that almost every single episode she has an impossible task,

1349
01:04:29,480 --> 01:04:33,240
Speaker 1: but she is endlessly watchable. She fucking turns on a dime.

1350
01:04:33,360 --> 01:04:36,360
Speaker 1: You believe every second of it. It's super authentic. There's

1351
01:04:36,360 --> 01:04:40,800
Speaker 1: no one like her. Really, Sarah Snook is a finalist,

1352
01:04:40,880 --> 01:04:43,720
Speaker 1: and I'm so happy She's nominated for everything she's nominated

1353
01:04:43,760 --> 01:04:46,040
Speaker 1: for and even earns her own category.

1354
01:04:45,600 --> 01:04:48,880
Speaker 3: Earns her own category, the Shive Award, the Shivroy Awards.

1355
01:04:48,920 --> 01:04:51,440
Speaker 3: It's not the Sarah Snook Award, No, it's the Shipward.

1356
01:04:51,960 --> 01:04:57,400
Speaker 3: I've been exposed to the fan cams of SHIV slash Sarah.

1357
01:04:57,600 --> 01:05:02,000
Speaker 3: They are many, and they are all mesmerizing because you're

1358
01:05:02,160 --> 01:05:05,800
Speaker 3: just seeing clip after clip of Sarah smiling, blinking wavings,

1359
01:05:07,080 --> 01:05:09,280
Speaker 3: doing little things and going to this. I could be

1360
01:05:09,320 --> 01:05:10,360
Speaker 3: I could watch this all day.

1361
01:05:10,720 --> 01:05:15,160
Speaker 2: Yeah, I just mean like.

1362
01:05:13,320 --> 01:05:15,480
Speaker 3: But but yes, yes, yes, but I'm just saying, like,

1363
01:05:15,520 --> 01:05:17,080
Speaker 3: even just on a fan cam level.

1364
01:05:17,160 --> 01:05:20,440
Speaker 1: Oh yeah, no, when the fan cams are giving you

1365
01:05:20,560 --> 01:05:21,760
Speaker 1: know that there's fans.

1366
01:05:21,800 --> 01:05:23,880
Speaker 3: She's an analog of Patri Pascal. It's like you could

1367
01:05:23,880 --> 01:05:25,960
Speaker 3: watch we could all watch a Pa Pascal pan camp.

1368
01:05:25,960 --> 01:05:27,200
Speaker 3: We can all watch a Sarah.

1369
01:05:27,320 --> 01:05:32,440
Speaker 2: Deeply mother, deeply mother and daughter in a way deeply mother.

1370
01:05:32,280 --> 01:05:36,000
Speaker 1: Deeply daughter, an unfortunately wife in the season finale.

1371
01:05:36,360 --> 01:05:41,560
Speaker 3: Trapped trapped in the car, hand on an open palm.

1372
01:05:41,160 --> 01:05:43,400
Speaker 2: Tragic last image.

1373
01:05:43,600 --> 01:05:49,000
Speaker 3: Oh dear god, both of them. I mean, what we

1374
01:05:49,080 --> 01:05:51,160
Speaker 3: heard was, and what I think people must know at

1375
01:05:51,160 --> 01:05:54,560
Speaker 3: this point is that Kendall walking back into the room,

1376
01:05:54,760 --> 01:05:57,440
Speaker 3: acting as if the fish bowl of this fit of

1377
01:05:57,440 --> 01:06:02,200
Speaker 3: these siblings, breaking down, acting as if like no one

1378
01:06:02,240 --> 01:06:04,800
Speaker 3: had seen what has happened, and the guy'd being like

1379
01:06:04,840 --> 01:06:08,680
Speaker 3: we're done'. That was the fully ad libed yeah, we're done,

1380
01:06:08,720 --> 01:06:11,640
Speaker 3: We're done, We're done. Like what I forget the line

1381
01:06:11,680 --> 01:06:13,560
Speaker 3: it's like you don't have it. Yeah, it's like a

1382
01:06:13,600 --> 01:06:16,400
Speaker 3: little literal, but you do need to see that moment

1383
01:06:16,440 --> 01:06:18,120
Speaker 3: where you like it dawns on me.

1384
01:06:18,280 --> 01:06:20,200
Speaker 2: I loved it. I mean, just.

1385
01:06:22,040 --> 01:06:24,480
Speaker 1: A lot of people are, and I think this was

1386
01:06:24,520 --> 01:06:26,360
Speaker 1: going to be the case either way, we're just not

1387
01:06:26,560 --> 01:06:30,360
Speaker 1: necessarily satisfied because they either didn't see the shift turn

1388
01:06:30,480 --> 01:06:33,480
Speaker 1: coming or didn't buy it, or like or the whole

1389
01:06:33,520 --> 01:06:35,720
Speaker 1: season is a lead up to that turn. I would agree,

1390
01:06:35,880 --> 01:06:37,880
Speaker 1: And I also think the fact that it felt impulsive

1391
01:06:38,480 --> 01:06:40,440
Speaker 1: just goes to show that this is gonna be this

1392
01:06:40,480 --> 01:06:44,040
Speaker 1: family's reality forever. And I loved the way that it

1393
01:06:44,240 --> 01:06:47,480
Speaker 1: ended sort of not with them. Of course, they had

1394
01:06:47,640 --> 01:06:50,240
Speaker 1: like what could be deemed like a relationship ending fight,

1395
01:06:50,280 --> 01:06:53,000
Speaker 1: but I bet not. You get the sense of this people,

1396
01:06:53,080 --> 01:06:57,440
Speaker 1: these people's prison is Yes, he's sitting there staring at

1397
01:06:57,440 --> 01:07:00,480
Speaker 1: the water and like completely defeated, but there's also something

1398
01:07:00,520 --> 01:07:03,280
Speaker 1: there that's just like it's not over for him and

1399
01:07:03,400 --> 01:07:06,520
Speaker 1: trying to. I don't think it's like a death sentence

1400
01:07:06,680 --> 01:07:11,000
Speaker 1: for him. I think he's gonna keep attempting but not

1401
01:07:11,160 --> 01:07:14,080
Speaker 1: I don't know how he possibly could. But like, the

1402
01:07:14,160 --> 01:07:16,800
Speaker 1: story is not over for the family and in terms

1403
01:07:16,840 --> 01:07:19,120
Speaker 1: of a family drama sense. And that's what I really

1404
01:07:19,200 --> 01:07:21,480
Speaker 1: liked about it was that it felt like the words

1405
01:07:21,520 --> 01:07:23,960
Speaker 1: like I love you, but I can't stomach you, Like

1406
01:07:24,640 --> 01:07:27,120
Speaker 1: they're still connected and I mean there she is, like

1407
01:07:27,280 --> 01:07:29,400
Speaker 1: still connected to it in her own way, and like

1408
01:07:29,760 --> 01:07:33,120
Speaker 1: I just you get the sense that it's ongoing in

1409
01:07:33,160 --> 01:07:35,919
Speaker 1: a dramatic sense, but in a way where I'm good

1410
01:07:35,960 --> 01:07:36,720
Speaker 1: to not watch.

1411
01:07:37,200 --> 01:07:39,440
Speaker 3: I mean, I totally agree. I think that's the whole

1412
01:07:40,400 --> 01:07:42,800
Speaker 3: thing of the show is that it's this it's this

1413
01:07:42,800 --> 01:07:45,960
Speaker 3: group of people who are locked into torture because they

1414
01:07:45,960 --> 01:07:46,480
Speaker 3: are family.

1415
01:07:46,640 --> 01:07:49,880
Speaker 1: Yeah, there's there's like conclusion, but not finality is I

1416
01:07:49,880 --> 01:07:53,120
Speaker 1: would say this conclusion to the story, but there's like

1417
01:07:53,640 --> 01:07:58,840
Speaker 1: this very dark ellipses that is on their lives now.

1418
01:07:59,120 --> 01:08:01,640
Speaker 1: And I remember, like a few days ago, I read

1419
01:08:01,640 --> 01:08:04,280
Speaker 1: an article where Jeremy Strong was like, which was very

1420
01:08:04,360 --> 01:08:06,000
Speaker 1: Jeremy Strong. He was like, you know, I did a

1421
01:08:06,040 --> 01:08:08,440
Speaker 1: take where I, as Kendall, wanted to jump in the

1422
01:08:08,480 --> 01:08:10,320
Speaker 1: water because I felt he'd want to kill himself in

1423
01:08:10,320 --> 01:08:12,600
Speaker 1: that moment, and you know, they had to stop me.

1424
01:08:12,960 --> 01:08:16,320
Speaker 1: And I was like, right, and that's why that's why

1425
01:08:16,360 --> 01:08:19,160
Speaker 1: we don't have Jenna Ortego writing Wednesday. This is why

1426
01:08:19,200 --> 01:08:22,000
Speaker 1: we don't have Jeremy Strong writing succession because it really

1427
01:08:22,040 --> 01:08:23,519
Speaker 1: was supposed to end the way it was supposed to

1428
01:08:23,600 --> 01:08:24,800
Speaker 1: end without you jumping in the water.

1429
01:08:24,840 --> 01:08:26,200
Speaker 2: But I guess happy we got the take.

1430
01:08:26,760 --> 01:08:28,840
Speaker 1: Would love to see the deleted scene of Jeremy stung

1431
01:08:28,840 --> 01:08:30,400
Speaker 1: trying to like jump in the water, and they'll like,

1432
01:08:30,680 --> 01:08:34,200
Speaker 1: you know, second ad being like Jeremy, Jeremy, No, Jeremy right.

1433
01:08:34,160 --> 01:08:35,280
Speaker 2: Right, you gotta love him.

1434
01:08:35,840 --> 01:08:39,439
Speaker 3: We needed one more from him, this man, and I

1435
01:08:39,520 --> 01:08:42,800
Speaker 3: let me just just make clear once again, this man

1436
01:08:42,840 --> 01:08:45,360
Speaker 3: is iconic. Oh please. And there was a lot of

1437
01:08:45,360 --> 01:08:48,240
Speaker 3: pickup from that story I shared. Yeah about the bathroom

1438
01:08:48,280 --> 01:08:51,040
Speaker 3: mm hmm, it is all in and we met everywhere

1439
01:08:51,080 --> 01:08:55,280
Speaker 3: we said it was ridiculous. It was so perfect. Yes,

1440
01:08:55,760 --> 01:08:57,800
Speaker 3: this is this man's process. And guess what, it works.

1441
01:08:57,840 --> 01:08:58,880
Speaker 3: That's all that matters.

1442
01:08:59,439 --> 01:09:04,080
Speaker 1: It worked better than anything else we've ever seen. I mean, look,

1443
01:09:04,400 --> 01:09:05,400
Speaker 1: I wouldn't change a thing.

1444
01:09:05,360 --> 01:09:09,080
Speaker 3: Wouldn't change a thing. Love that. Roman's last moment is

1445
01:09:09,120 --> 01:09:11,040
Speaker 3: he's back at the bar, like where we found him

1446
01:09:11,040 --> 01:09:13,439
Speaker 3: in season one, like the first scene. It's like he

1447
01:09:13,520 --> 01:09:17,040
Speaker 3: is fully well. I my interpretation of the moments we

1448
01:09:17,120 --> 01:09:19,640
Speaker 3: leave all these three siblings on is that like with

1449
01:09:19,720 --> 01:09:22,240
Speaker 3: the exception of Shiv, I guess well, no, with Ship,

1450
01:09:22,280 --> 01:09:24,960
Speaker 3: it's like these three people don't know what to do

1451
01:09:26,840 --> 01:09:33,400
Speaker 3: without this motivating force. It's the perfect ending on this

1452
01:09:33,439 --> 01:09:36,880
Speaker 3: because it's like this the whole like race is over. Yeah,

1453
01:09:36,920 --> 01:09:38,920
Speaker 3: and you end with like Kendall like staring out into

1454
01:09:38,920 --> 01:09:41,080
Speaker 3: the water because I think for him it's done. Like

1455
01:09:41,120 --> 01:09:44,760
Speaker 3: he he does not know what to do. He was

1456
01:09:44,880 --> 01:09:47,519
Speaker 3: built for this and now that this is finally taken

1457
01:09:47,520 --> 01:09:49,760
Speaker 3: away from him and he's like, I don't sow his

1458
01:09:49,840 --> 01:09:53,479
Speaker 3: existence is like meaningless. Yeah, so sad, I think the

1459
01:09:53,520 --> 01:09:58,720
Speaker 3: turn works for Shiv, especially when right before her it's

1460
01:09:58,800 --> 01:10:02,360
Speaker 3: Roman being like yeah, I'm sure whatever whatever, Like there's

1461
01:10:02,400 --> 01:10:04,920
Speaker 3: a moment of hedging you see, like a moment of

1462
01:10:04,960 --> 01:10:07,400
Speaker 3: him being like I don't know, like his you know,

1463
01:10:07,439 --> 01:10:08,000
Speaker 3: his stitches, and.

1464
01:10:08,160 --> 01:10:10,320
Speaker 1: She's like, I actually have a final move here to

1465
01:10:10,479 --> 01:10:13,120
Speaker 1: be the power player and it is down.

1466
01:10:13,280 --> 01:10:15,000
Speaker 3: I don't think the turn is unearned at all. No

1467
01:10:15,160 --> 01:10:18,320
Speaker 3: me neither, especially with the Roman think after that crazy

1468
01:10:18,400 --> 01:10:21,800
Speaker 3: hug scene, Yeah, that was insane, Like I think it

1469
01:10:21,880 --> 01:10:24,200
Speaker 3: was a perfect finale, and you can't say that for

1470
01:10:24,240 --> 01:10:26,360
Speaker 3: a lot of HBO shows, Like people still are arguing

1471
01:10:26,400 --> 01:10:29,599
Speaker 3: about the Sopranos thing. Now you know, it'same of Thrones,

1472
01:10:29,760 --> 01:10:31,559
Speaker 3: all of it all, and so like Six.

1473
01:10:31,479 --> 01:10:33,760
Speaker 2: Feet Under, it was the closest thing to perfection when it.

1474
01:10:33,760 --> 01:10:36,200
Speaker 3: Was I never saw it, Oh I know, I got.

1475
01:10:36,040 --> 01:10:40,599
Speaker 1: That finale was see yeah, I mean in an almost

1476
01:10:40,720 --> 01:10:43,800
Speaker 1: opposite way of Succession, because it actually did that thing,

1477
01:10:43,840 --> 01:10:46,200
Speaker 1: and it sort of like I guess, you know, not

1478
01:10:46,280 --> 01:10:49,160
Speaker 1: created the thing, but like perfected the thing of like

1479
01:10:49,439 --> 01:10:52,280
Speaker 1: we are seeing into the future into the ends of

1480
01:10:52,320 --> 01:10:54,679
Speaker 1: their lives, because that was the show literally about death

1481
01:10:54,760 --> 01:10:59,920
Speaker 1: and about you know, that idea of closure or lack,

1482
01:11:00,400 --> 01:11:04,200
Speaker 1: and so basically like that was the perfect ending for

1483
01:11:04,320 --> 01:11:07,600
Speaker 1: that show, was to jump into the future and see

1484
01:11:07,280 --> 01:11:09,160
Speaker 1: the great expanse.

1485
01:11:08,680 --> 01:11:09,559
Speaker 2: Of what that life was.

1486
01:11:09,560 --> 01:11:12,599
Speaker 1: Where As Succession, what it was saying was like these

1487
01:11:12,640 --> 01:11:15,600
Speaker 1: people wanted so desperately to be more than their situation

1488
01:11:15,760 --> 01:11:18,680
Speaker 1: and be more than this, but they're not. They are

1489
01:11:18,720 --> 01:11:22,479
Speaker 1: not serious people, as he said in that second episode,

1490
01:11:22,520 --> 01:11:25,280
Speaker 1: you know what I mean. It's just like ultimately they

1491
01:11:25,800 --> 01:11:28,400
Speaker 1: were defined by their station in life and it made

1492
01:11:28,439 --> 01:11:33,120
Speaker 1: them miserable. So that is the I guess, like satire

1493
01:11:33,200 --> 01:11:34,200
Speaker 1: of the whole thing.

1494
01:11:36,560 --> 01:11:38,559
Speaker 3: I will miss the show a great deal, you know,

1495
01:11:39,000 --> 01:11:39,320
Speaker 3: and it.

1496
01:11:39,280 --> 01:11:42,439
Speaker 1: Makes me sad, Like the whole state of television right now,

1497
01:11:42,600 --> 01:11:46,040
Speaker 1: it does make me sad because it's like so many

1498
01:11:46,040 --> 01:11:48,320
Speaker 1: things are ending that were so formative and have ended.

1499
01:11:48,360 --> 01:11:51,679
Speaker 1: It's like, are we creating new things? Are we creating

1500
01:11:51,760 --> 01:11:56,599
Speaker 1: new art? Like that is like this anymore? I mean

1501
01:11:56,640 --> 01:11:59,920
Speaker 1: like it really does feel not to be like Moreau

1502
01:12:00,439 --> 01:12:00,840
Speaker 1: or like.

1503
01:12:01,040 --> 01:12:02,200
Speaker 3: Uh, what's the word.

1504
01:12:02,520 --> 01:12:05,600
Speaker 1: Yeah, I'm a fatalist about the state of television and

1505
01:12:05,600 --> 01:12:07,960
Speaker 1: a state of art in general, in the state of cinema.

1506
01:12:08,040 --> 01:12:10,559
Speaker 1: But like you now, I saw Fast X and it's

1507
01:12:10,640 --> 01:12:13,040
Speaker 1: just like, is this what this is?

1508
01:12:13,040 --> 01:12:14,120
Speaker 2: Is this what this is?

1509
01:12:14,600 --> 01:12:19,160
Speaker 3: Yeah? I mean I'm excited to see Spider Verse. Oh yes,

1510
01:12:19,200 --> 01:12:22,479
Speaker 3: but that's the thing of like it is, like it's

1511
01:12:22,479 --> 01:12:25,160
Speaker 3: a franchise. It's like, yeah, but at least there's like

1512
01:12:25,160 --> 01:12:29,360
Speaker 3: a really inspiring level of like innovation there. But yeah,

1513
01:12:29,400 --> 01:12:32,720
Speaker 3: I mean, it just seems like everyone's as an end

1514
01:12:32,720 --> 01:12:34,400
Speaker 3: by everyone. We just mean like the people who like

1515
01:12:34,439 --> 01:12:37,759
Speaker 3: decide these things is just even more and more risk averse,

1516
01:12:37,760 --> 01:12:41,719
Speaker 3: which is by the way, like in terms of looking

1517
01:12:41,760 --> 01:12:43,360
Speaker 3: at things that have worked in the past and trying

1518
01:12:43,400 --> 01:12:45,640
Speaker 3: to predict and extrapolate into the future in terms of

1519
01:12:45,640 --> 01:12:47,639
Speaker 3: what it's greenlight. It's like that is something that AI

1520
01:12:47,760 --> 01:12:50,639
Speaker 3: can do. Taylor Thomlinson did a whole thing about this, like, yes,

1521
01:12:50,960 --> 01:12:55,599
Speaker 3: their jobs are the replaceable ones. Yeah, not the writers. Yeah.

1522
01:12:55,680 --> 01:12:58,000
Speaker 2: It's literally the easiest thing in the world to do,

1523
01:12:58,040 --> 01:13:01,320
Speaker 2: to just regurgitate, which actually brings me to I don't

1524
01:13:01,320 --> 01:13:02,840
Speaker 2: think so honey for me anyway.

1525
01:13:02,520 --> 01:13:04,000
Speaker 3: Okaya, do we have one more thing to discuss in

1526
01:13:04,000 --> 01:13:04,320
Speaker 3: the list?

1527
01:13:04,320 --> 01:13:05,679
Speaker 2: I could do it as my I don't think so honey,

1528
01:13:05,680 --> 01:13:06,800
Speaker 2: and that could be the jumping off point.

1529
01:13:06,840 --> 01:13:08,559
Speaker 3: I love it, okay, because it isn't I don't think

1530
01:13:08,520 --> 01:13:10,760
Speaker 3: so honey for me. Okay, I love it.

1531
01:13:19,800 --> 01:13:22,000
Speaker 1: So this is I don't think so honey people, And

1532
01:13:22,360 --> 01:13:24,240
Speaker 1: this is of course our woman segment where we just

1533
01:13:24,280 --> 01:13:28,280
Speaker 1: sort of, you know, have to drag and read and

1534
01:13:28,560 --> 01:13:31,599
Speaker 1: absolutely demolish things in pop culture that are bothering us.

1535
01:13:31,600 --> 01:13:34,040
Speaker 1: And I have to say, the third graders are getting

1536
01:13:34,240 --> 01:13:36,920
Speaker 1: into it this month, later in the month, and I

1537
01:13:36,960 --> 01:13:39,400
Speaker 1: am ready to start the conversation.

1538
01:13:39,439 --> 01:13:41,639
Speaker 3: You know what, can I promise you something as a friend,

1539
01:13:41,760 --> 01:13:44,479
Speaker 3: promise me I'm gonna get caught up on Mornings show.

1540
01:13:44,840 --> 01:13:46,880
Speaker 3: You have to and we are going to be able

1541
01:13:46,920 --> 01:13:48,360
Speaker 3: to talk about this and have a dialogue.

1542
01:13:48,560 --> 01:13:50,920
Speaker 1: Bowen, I think it's your favorite show that you don't know.

1543
01:13:51,320 --> 01:13:53,000
Speaker 1: I believe it is your favorite show yet.

1544
01:13:53,000 --> 01:13:53,439
Speaker 3: I don't mean but.

1545
01:13:53,439 --> 01:13:56,160
Speaker 2: That's of course a whole different conversation than them. We're

1546
01:13:56,160 --> 01:13:56,720
Speaker 2: about to be again.

1547
01:13:57,000 --> 01:13:58,519
Speaker 3: This is Matt Rodgers. I don't think so money his

1548
01:13:58,520 --> 01:13:59,240
Speaker 3: time starts now.

1549
01:13:59,240 --> 01:14:01,800
Speaker 1: I don't think so hrn Samantha coming back too, And

1550
01:14:02,000 --> 01:14:05,480
Speaker 1: just like that season two, I'm sorry, but it feels

1551
01:14:05,640 --> 01:14:08,840
Speaker 1: so stupid to tell us it's definitely not happening.

1552
01:14:08,880 --> 01:14:10,519
Speaker 2: It's definitely not happening. It's definitely not happening.

1553
01:14:10,560 --> 01:14:12,320
Speaker 1: And then now I don't think, so honey, that we

1554
01:14:12,360 --> 01:14:15,320
Speaker 1: know actually exactly how it's happening. I don't think, so honey,

1555
01:14:15,360 --> 01:14:18,040
Speaker 1: that these these people are hell bent on telling us

1556
01:14:18,080 --> 01:14:21,120
Speaker 1: every single thing that happens. And just like that season two,

1557
01:14:21,160 --> 01:14:24,360
Speaker 1: like we fully know about Aiden, stop teasing us in

1558
01:14:24,439 --> 01:14:26,400
Speaker 1: the trailer we've all seen online that they like pretty

1559
01:14:26,439 --> 01:14:28,040
Speaker 1: much end up together or at least go on like

1560
01:14:28,040 --> 01:14:30,720
Speaker 1: a goddamn vacation together. I don't think, so honey, that

1561
01:14:30,800 --> 01:14:34,280
Speaker 1: we know that where is tension? Where is the idea

1562
01:14:34,360 --> 01:14:37,760
Speaker 1: of surprise? We literally know Samantha is coming back and

1563
01:14:37,800 --> 01:14:39,600
Speaker 1: she's gonna have one scene and it's gonna be on

1564
01:14:39,680 --> 01:14:42,639
Speaker 1: the phone. So now what, Yeah, I guess quote unquote

1565
01:14:42,680 --> 01:14:43,880
Speaker 1: everyone's gonna watch now.

1566
01:14:43,920 --> 01:14:45,960
Speaker 2: But I don't think so, honey. Was it struggling in.

1567
01:14:45,920 --> 01:14:48,760
Speaker 1: The first place? What is this? Is sex in the

1568
01:14:48,800 --> 01:14:51,400
Speaker 1: city now just a meme generator? Is that what we're

1569
01:14:51,400 --> 01:14:54,000
Speaker 1: fully committing to now Bowen is nodding, And if that's

1570
01:14:54,040 --> 01:14:56,440
Speaker 1: the case, then I guess I think so, honey.

1571
01:14:56,160 --> 01:14:57,800
Speaker 3: Third graders go all the way off. But I don't

1572
01:14:57,800 --> 01:14:58,519
Speaker 3: think so, honey, me.

1573
01:14:58,560 --> 01:15:00,160
Speaker 2: Who loves sexing this city in the beginning?

1574
01:15:00,320 --> 01:15:02,439
Speaker 3: That's one minute. I could not agree with you more.

1575
01:15:02,520 --> 01:15:07,880
Speaker 3: I mean, is sets in the City just meme generator? Now? Yeah?

1576
01:15:07,960 --> 01:15:12,240
Speaker 3: I mean I remember talking to Cynthia Nixon. We didn't

1577
01:15:12,240 --> 01:15:16,720
Speaker 3: actors out of actress together, lovely experience love her. I

1578
01:15:16,880 --> 01:15:19,160
Speaker 3: brought up in a way that like was you know,

1579
01:15:19,560 --> 01:15:21,960
Speaker 3: not like totally honest, but I was like, I hope

1580
01:15:22,000 --> 01:15:24,439
Speaker 3: you guys know that the discourse is a compliment, which

1581
01:15:24,439 --> 01:15:25,400
Speaker 3: is what you and I have said.

1582
01:15:25,560 --> 01:15:27,920
Speaker 1: Well, I do think it's a compliment until it gets

1583
01:15:27,920 --> 01:15:30,160
Speaker 1: to a certain place where where I think it's approaching.

1584
01:15:29,960 --> 01:15:32,720
Speaker 3: Right, and so then and what she had to say was,

1585
01:15:32,760 --> 01:15:36,040
Speaker 3: you know, like Michael Patrick King the whole time when

1586
01:15:36,080 --> 01:15:38,000
Speaker 3: all like the Chad yet like you know, after Big

1587
01:15:38,080 --> 01:15:40,960
Speaker 3: dies and after all the chade moments, was like, Nope,

1588
01:15:40,960 --> 01:15:42,920
Speaker 3: this is great. After all of us were like, God,

1589
01:15:42,960 --> 01:15:46,120
Speaker 3: what's happening? Like people are really dunking on this, right,

1590
01:15:46,400 --> 01:15:48,240
Speaker 3: he was like, Nope, this is great. We have one

1591
01:15:48,280 --> 01:15:51,000
Speaker 3: water cooler moment after another and after another and after another.

1592
01:15:51,040 --> 01:15:53,479
Speaker 3: And in a way, I feel like the danger there

1593
01:15:53,560 --> 01:15:56,120
Speaker 3: is that the people who make the show are now

1594
01:15:56,160 --> 01:15:59,200
Speaker 3: motivated by those water cooler mobe exclusively, and so they

1595
01:15:59,240 --> 01:16:00,960
Speaker 3: want us to be talking about the Samantha thing as

1596
01:16:01,000 --> 01:16:03,719
Speaker 3: if it's like like that cheapens the experience of watching

1597
01:16:03,720 --> 01:16:04,080
Speaker 3: the show.

1598
01:16:04,479 --> 01:16:06,719
Speaker 1: Why would you keep it so she filmed this in March,

1599
01:16:07,200 --> 01:16:10,360
Speaker 1: why would you keep it a secret for all pr rollout? Yes,

1600
01:16:10,680 --> 01:16:13,120
Speaker 1: And I completely understand that, but it's just like, okay,

1601
01:16:13,160 --> 01:16:16,000
Speaker 1: so you would never have told us that Big died

1602
01:16:16,120 --> 01:16:20,000
Speaker 1: in the premiere of season one, right, right, but you

1603
01:16:20,080 --> 01:16:22,759
Speaker 1: would tell us that Samantha is returning when the number

1604
01:16:22,880 --> 01:16:25,439
Speaker 1: one water cooler conversation about the show is will she

1605
01:16:25,560 --> 01:16:27,920
Speaker 1: or will she not return? And in what capacity? So

1606
01:16:28,040 --> 01:16:30,559
Speaker 1: by the same argument, like, should you have told us

1607
01:16:30,600 --> 01:16:32,360
Speaker 1: that Big was gonna die? Like, I guess we quote

1608
01:16:32,439 --> 01:16:35,120
Speaker 1: unquote all would have watched. And some people are saying

1609
01:16:35,120 --> 01:16:38,720
Speaker 1: that because there's a conversation about the quality of and

1610
01:16:38,960 --> 01:16:41,360
Speaker 1: just like that not being up to snuff with sex

1611
01:16:41,400 --> 01:16:42,600
Speaker 1: and the city, that there was going to be a

1612
01:16:42,680 --> 01:16:44,640
Speaker 1: drop off, and so they had to do things like

1613
01:16:44,720 --> 01:16:48,639
Speaker 1: that or this, like in terms of revealing the plot elements.

1614
01:16:48,680 --> 01:16:51,080
Speaker 1: And I'm like, I don't think that's true. I just

1615
01:16:51,200 --> 01:16:53,360
Speaker 1: don't think that if you watched the entirety of it,

1616
01:16:53,520 --> 01:16:56,240
Speaker 1: just like that season one, and you are someone who

1617
01:16:56,280 --> 01:16:59,040
Speaker 1: participates in culture and the consumption of culture in the

1618
01:16:59,040 --> 01:17:01,400
Speaker 1: way this is and this is the monoculture, which is

1619
01:17:01,439 --> 01:17:04,519
Speaker 1: I guess what we're all here for and why we

1620
01:17:04,600 --> 01:17:06,280
Speaker 1: have this in the first place. You're not gonna not

1621
01:17:06,520 --> 01:17:09,559
Speaker 1: watch this show. And if that's the case, then like

1622
01:17:09,840 --> 01:17:11,880
Speaker 1: maybe you do have a quality issue and you have

1623
01:17:11,920 --> 01:17:14,600
Speaker 1: to look at that. But you already told us that

1624
01:17:14,640 --> 01:17:17,760
Speaker 1: Aiden was gonna be there, So why did we need

1625
01:17:17,800 --> 01:17:20,040
Speaker 1: it spoiled for us that Samantha is gonna be there?

1626
01:17:20,080 --> 01:17:20,360
Speaker 3: I know.

1627
01:17:20,560 --> 01:17:24,280
Speaker 2: And it's also like even if you said she's coming back,

1628
01:17:24,720 --> 01:17:27,400
Speaker 2: then just say that don't say it's gonna be one

1629
01:17:27,400 --> 01:17:30,240
Speaker 2: scene in the finale and it's not with the other characters.

1630
01:17:30,240 --> 01:17:32,760
Speaker 3: She did not interact with any of her castmates, didn't

1631
01:17:32,760 --> 01:17:36,400
Speaker 3: interact with Michael Patrick King, Patricia Field came back for

1632
01:17:36,520 --> 01:17:37,320
Speaker 3: one scene.

1633
01:17:37,880 --> 01:17:39,800
Speaker 2: Okay, cool, so it's gonna be a gag. She'll be

1634
01:17:39,880 --> 01:17:43,880
Speaker 2: dressed well whoa Okay, who cares?

1635
01:17:44,200 --> 01:17:47,040
Speaker 3: Who cares? Yeah, it's already it's not off to a

1636
01:17:47,040 --> 01:17:48,759
Speaker 3: great start. I mean, we'll all be watching.

1637
01:17:49,320 --> 01:17:50,960
Speaker 1: But that's the thing is, it's like we're gonna watch

1638
01:17:50,960 --> 01:17:52,360
Speaker 1: and that's but that's exactly my point.

1639
01:17:52,479 --> 01:17:56,960
Speaker 3: I totally understand we were gonna watch. It is people

1640
01:17:57,120 --> 01:18:01,800
Speaker 3: chasing entry into the monoculture at the expense of like

1641
01:18:03,000 --> 01:18:06,439
Speaker 3: an actual enjoyable experience of like consuming it.

1642
01:18:06,560 --> 01:18:08,439
Speaker 1: You know, yes, and you know what, wonder what was

1643
01:18:08,479 --> 01:18:11,000
Speaker 1: great about the monoculture or that time. It's like we

1644
01:18:11,080 --> 01:18:13,559
Speaker 1: could watch something and not know what was going to happen.

1645
01:18:13,880 --> 01:18:16,240
Speaker 1: We could watch something and enjoy it altogether and have

1646
01:18:16,280 --> 01:18:19,599
Speaker 1: that cathartic experience altogether. Now what you've done is you've

1647
01:18:19,640 --> 01:18:24,679
Speaker 1: moved that cathartic, like communal experience to like a deadline article,

1648
01:18:25,160 --> 01:18:26,200
Speaker 1: And that sucks a bit.

1649
01:18:26,240 --> 01:18:30,439
Speaker 3: Shit it's a bit shit. Beis shit. I can't do it, but.

1650
01:18:30,439 --> 01:18:31,599
Speaker 2: That's how I feel about that.

1651
01:18:31,640 --> 01:18:33,840
Speaker 1: I mean, I'm just it was just like, wow, after

1652
01:18:34,000 --> 01:18:37,120
Speaker 1: all of that, you're gonna announce it in the trades

1653
01:18:38,400 --> 01:18:42,479
Speaker 1: in the trade now after you've also used it as like,

1654
01:18:43,320 --> 01:18:45,519
Speaker 1: you know, like a bait and switch all first season

1655
01:18:45,560 --> 01:18:48,200
Speaker 1: long about the text with her and then Carrie being

1656
01:18:48,240 --> 01:18:50,240
Speaker 1: in the same city as her and then meeting like

1657
01:18:50,400 --> 01:18:52,640
Speaker 1: agreeing to meet up, Like now you're gonna announce in

1658
01:18:52,720 --> 01:18:53,360
Speaker 1: the trades.

1659
01:18:54,080 --> 01:18:56,639
Speaker 3: It just felt really cheap to me, And.

1660
01:18:56,600 --> 01:18:58,680
Speaker 1: Like, this is the thing about like when you talk

1661
01:18:58,720 --> 01:19:00,719
Speaker 1: to Cynthia about like the discord being a compliment.

1662
01:19:00,800 --> 01:19:02,440
Speaker 3: The discourse was a compliment.

1663
01:19:02,080 --> 01:19:05,559
Speaker 1: Because it was about the wildness of chag Yeah, the

1664
01:19:05,680 --> 01:19:09,000
Speaker 1: craziness of these like women like changing and like not

1665
01:19:09,160 --> 01:19:11,160
Speaker 1: in line with what the original show was doing because

1666
01:19:11,200 --> 01:19:13,160
Speaker 1: it got people to talk about what was happening in

1667
01:19:13,200 --> 01:19:16,200
Speaker 1: the show. This is talking about the macro outside of

1668
01:19:16,200 --> 01:19:18,520
Speaker 1: the show, and that is not interesting.

1669
01:19:19,360 --> 01:19:21,040
Speaker 3: That is not interesting.

1670
01:19:21,400 --> 01:19:25,000
Speaker 1: It's the equivalent of when you watch a Housewives reunion

1671
01:19:25,080 --> 01:19:26,960
Speaker 1: and all they talk about is social media.

1672
01:19:27,080 --> 01:19:30,720
Speaker 3: It's like, it's not fun, it's not interesting. I kind

1673
01:19:30,720 --> 01:19:35,600
Speaker 3: of don't care about behavioral things. No, like about like

1674
01:19:35,640 --> 01:19:37,840
Speaker 3: these like real actors or these real people.

1675
01:19:38,360 --> 01:19:42,360
Speaker 1: If we cared, then there would be a demand for

1676
01:19:42,479 --> 01:19:44,640
Speaker 1: like you know, there's like no demand to hear more

1677
01:19:44,640 --> 01:19:47,200
Speaker 1: about the story. I think everyone's just exhausted by it.

1678
01:19:47,560 --> 01:19:50,479
Speaker 1: And so now to hear that, oh, she's coming back,

1679
01:19:50,600 --> 01:19:53,240
Speaker 1: but don't worry. The needle still hasn't moved on anything

1680
01:19:53,240 --> 01:19:55,320
Speaker 1: in terms of the relationships or whatever. Okay, so now

1681
01:19:55,320 --> 01:19:57,080
Speaker 1: it's just like you're reminding us this is not an

1682
01:19:57,080 --> 01:20:01,120
Speaker 1: interesting story for what to come back and do. One

1683
01:20:01,160 --> 01:20:05,040
Speaker 1: scene after, Kim Cattrall has expressly talked about how uncomfortable

1684
01:20:05,040 --> 01:20:08,080
Speaker 1: she is playing the character, like so, what are we

1685
01:20:08,080 --> 01:20:10,240
Speaker 1: supposed to expect that she got a huge payday and

1686
01:20:10,560 --> 01:20:13,080
Speaker 1: you got her or that like she has.

1687
01:20:12,960 --> 01:20:15,160
Speaker 2: No integrity, you know what I mean? Like, what is

1688
01:20:15,200 --> 01:20:15,920
Speaker 2: it that we're.

1689
01:20:15,760 --> 01:20:18,479
Speaker 3: Saying there's no way it's gonna be worth it? No,

1690
01:20:19,120 --> 01:20:22,360
Speaker 3: Like there's nobody that we watch him. We're like, ugh, that.

1691
01:20:22,400 --> 01:20:25,240
Speaker 2: Really she is? And thank god, I know that.

1692
01:20:25,400 --> 01:20:30,000
Speaker 3: Scratched something like no way, because you know for a

1693
01:20:30,120 --> 01:20:35,080
Speaker 3: fact that she begrudgingly came back pretty much against her will.

1694
01:20:35,640 --> 01:20:37,680
Speaker 3: I can't even like ethically consume it.

1695
01:20:38,320 --> 01:20:41,280
Speaker 1: Watch Glamorous on Netflix later in the month to see

1696
01:20:41,360 --> 01:20:43,479
Speaker 1: Kim Coatrol every episode.

1697
01:20:43,000 --> 01:20:44,840
Speaker 3: And Matt Rogers and Joel Kim Mooster in.

1698
01:20:45,080 --> 01:20:48,360
Speaker 1: We Are in the eighth episode the season. I did

1699
01:20:48,360 --> 01:20:52,639
Speaker 1: not share scenes with Kim, but Kim is Kim all

1700
01:20:52,720 --> 01:20:53,400
Speaker 1: over that show.

1701
01:20:53,600 --> 01:20:54,519
Speaker 3: Kim is in the show.

1702
01:20:54,840 --> 01:20:58,599
Speaker 2: She's in it in a major way every episode, even

1703
01:20:58,760 --> 01:20:59,200
Speaker 2: not just.

1704
01:20:59,120 --> 01:21:00,639
Speaker 3: One scene, She's in every every episode.

1705
01:21:00,800 --> 01:21:02,599
Speaker 1: But watch Sex in the City and just like that,

1706
01:21:02,680 --> 01:21:05,800
Speaker 1: get like get for fifty thousand times more conversation over

1707
01:21:05,880 --> 01:21:09,160
Speaker 1: her one scene than her entire performance in Glamorous. Like

1708
01:21:09,200 --> 01:21:12,200
Speaker 1: it's like, I hope not, but you know, it's just so,

1709
01:21:14,280 --> 01:21:17,360
Speaker 1: you know what, start a new monoculture glamorous.

1710
01:21:16,760 --> 01:21:20,120
Speaker 3: Glamorous, Make glamorous part of the monomae.

1711
01:21:19,720 --> 01:21:21,360
Speaker 2: Make glamorous part of the monoculture.

1712
01:21:21,360 --> 01:21:25,200
Speaker 1: It's rural culture number nine, Make glamorous part of the monoculture.

1713
01:21:25,479 --> 01:21:28,519
Speaker 1: And then in ten years when Kim returns to the

1714
01:21:28,560 --> 01:21:30,840
Speaker 1: Glamorous reboot, I don't want to hear.

1715
01:21:30,720 --> 01:21:33,559
Speaker 2: That it's one scene. No should be an old woman.

1716
01:21:34,560 --> 01:21:38,800
Speaker 3: Imagine her saying this about him, Zane Phillips. I just

1717
01:21:38,800 --> 01:21:42,599
Speaker 3: wish you were nicer. I just wish you were nicer.

1718
01:21:42,800 --> 01:21:45,280
Speaker 1: I just wish you were nicer, and then she tags

1719
01:21:45,360 --> 01:21:49,040
Speaker 1: Zaye on Instagram and say, hey, at Zane Phillips, leave me.

1720
01:21:49,120 --> 01:21:55,519
Speaker 3: Alone, do not wish me well? Give them good troll. Okay,

1721
01:21:55,920 --> 01:21:57,880
Speaker 3: shout out to Zaye, shout out to say we love you,

1722
01:21:58,000 --> 01:21:59,400
Speaker 3: Love you boy, love you, love you, love you.

1723
01:21:59,520 --> 01:22:02,559
Speaker 1: Okay, So this is your I don't think so, honey.

1724
01:22:02,600 --> 01:22:04,439
Speaker 1: This is your sort of big moment on the episodes

1725
01:22:04,439 --> 01:22:07,479
Speaker 1: of Dragon Rea and are you excited? I'm excited, all right,

1726
01:22:08,439 --> 01:22:11,360
Speaker 1: this is I don't think so, honey. His time starts now.

1727
01:22:11,360 --> 01:22:15,679
Speaker 3: I don't think so, honey, saying if you died tomorrow, well,

1728
01:22:15,800 --> 01:22:18,599
Speaker 3: let's hope. I don't you know when people are like,

1729
01:22:18,800 --> 01:22:21,720
Speaker 3: if you die tomorrow, oh my god, I bet you

1730
01:22:21,880 --> 01:22:24,439
Speaker 3: like this is the picture that would like make me happy.

1731
01:22:25,280 --> 01:22:29,120
Speaker 3: I'm gonna say someone said this to me recently. I

1732
01:22:29,200 --> 01:22:31,360
Speaker 3: might have even been my sister yan Yang. I love

1733
01:22:31,360 --> 01:22:32,960
Speaker 3: you so much, but why center a picture of us

1734
01:22:32,960 --> 01:22:35,440
Speaker 3: at Disney World? And she was like, if you die tomorrow,

1735
01:22:36,120 --> 01:22:38,360
Speaker 3: I remember you buy this phote out and go huh

1736
01:22:38,400 --> 01:22:42,439
Speaker 3: huh yeah yeah thirty seconds. Let's hope that doesn't happen.

1737
01:22:43,400 --> 01:22:44,880
Speaker 3: Let's hope it doesn't come to that.

1738
01:22:44,960 --> 01:22:45,679
Speaker 2: I don't want to die.

1739
01:22:45,760 --> 01:22:47,960
Speaker 3: And this is not this is not an attack on

1740
01:22:48,040 --> 01:22:51,120
Speaker 3: my sister. Oh, this is just people. Why do people

1741
01:22:51,120 --> 01:22:52,960
Speaker 3: say that? Why is that like a phrase in the

1742
01:22:53,040 --> 01:22:56,160
Speaker 3: culture and the English language? If you die tomorrow, I

1743
01:22:56,280 --> 01:22:59,960
Speaker 3: really hope. I don't. Should I be worried? Do you

1744
01:23:00,040 --> 01:23:04,160
Speaker 3: know something? I don't? Doctor? Doctor five seconds? If you

1745
01:23:04,200 --> 01:23:06,240
Speaker 3: ever say to me if you die tomorrow, I will

1746
01:23:06,280 --> 01:23:07,920
Speaker 3: say that's not appropriate.

1747
01:23:09,240 --> 01:23:11,080
Speaker 2: I don't think so, honey, that I'll ever say this

1748
01:23:11,120 --> 01:23:13,200
Speaker 2: to you. And that's one minute on you, and I

1749
01:23:13,200 --> 01:23:17,639
Speaker 2: would say this, what are the great tragedies of my life?

1750
01:23:17,840 --> 01:23:20,120
Speaker 2: One day will be your dad.

1751
01:23:20,080 --> 01:23:23,800
Speaker 3: No, it will be you die before me. I hope.

1752
01:23:23,840 --> 01:23:26,599
Speaker 2: So I'm looking at you in the eyes and saying,

1753
01:23:26,640 --> 01:23:27,000
Speaker 2: I hope.

1754
01:23:27,040 --> 01:23:30,599
Speaker 3: The way the universe is working, I think for both

1755
01:23:30,640 --> 01:23:34,240
Speaker 3: of us is that you will not have to suffer sadness.

1756
01:23:34,560 --> 01:23:35,720
Speaker 3: You will not have to suffer that.

1757
01:23:36,160 --> 01:23:38,559
Speaker 2: I can't do grief.

1758
01:23:38,720 --> 01:23:40,640
Speaker 3: Can I say I can't do it?

1759
01:23:40,680 --> 01:23:41,280
Speaker 2: I cannot do it.

1760
01:23:41,280 --> 01:23:43,080
Speaker 3: If this is how I act after, like, oh, oh

1761
01:23:43,160 --> 01:23:44,479
Speaker 3: my god, don't even get some other.

1762
01:23:44,400 --> 01:23:47,599
Speaker 2: Things in my life, I can't be doing grief. I

1763
01:23:47,680 --> 01:23:51,120
Speaker 2: have to go first. And I'm really apologized, and I

1764
01:23:51,240 --> 01:23:53,840
Speaker 2: understand this is like a morbid thing to even get into.

1765
01:23:53,880 --> 01:23:56,040
Speaker 2: And I don't even like getting into it, but I

1766
01:23:56,160 --> 01:23:56,880
Speaker 2: have to go first.

1767
01:23:57,200 --> 01:23:59,559
Speaker 1: All my acquaintances, friends, even my enemies. No, I don't

1768
01:23:59,560 --> 01:24:02,000
Speaker 1: want to say anyone to go. I'd like to go first, please,

1769
01:24:02,200 --> 01:24:05,040
Speaker 1: I don't want to deal. And then y'all have a

1770
01:24:05,080 --> 01:24:06,719
Speaker 1: renaissance concert for my funeral.

1771
01:24:07,200 --> 01:24:09,800
Speaker 3: Do the matt Rogers eras do the Matt rod Oh oh,

1772
01:24:09,880 --> 01:24:12,400
Speaker 3: that'll be a great show. That will be a joyful show.

1773
01:24:12,840 --> 01:24:18,200
Speaker 3: Literally after work one day, we're sitting around. Someone asks

1774
01:24:18,800 --> 01:24:21,960
Speaker 3: where do you think we go when we and then

1775
01:24:22,000 --> 01:24:23,680
Speaker 3: we literally go around the circle and then like the

1776
01:24:23,720 --> 01:24:27,040
Speaker 3: conversation shifts too. Someone was like, this is a really

1777
01:24:27,439 --> 01:24:30,040
Speaker 3: wild question, but I'm so curious to know. They were like,

1778
01:24:30,320 --> 01:24:32,719
Speaker 3: have you been in the presence of someone when they passed,

1779
01:24:32,720 --> 01:24:35,720
Speaker 3: like at someone's bedside, and it was three of us.

1780
01:24:35,840 --> 01:24:38,320
Speaker 3: Two of them were like yes, oh my gosh, And

1781
01:24:38,360 --> 01:24:39,960
Speaker 3: I was like and then it made me realize. I

1782
01:24:39,960 --> 01:24:42,080
Speaker 3: was like, I'm sorry, I have nothing to contribute to this,

1783
01:24:42,120 --> 01:24:44,559
Speaker 3: and that's okay. It's not something I've experienced and one

1784
01:24:44,640 --> 01:24:48,160
Speaker 3: day I will. One day I might. And I'm right

1785
01:24:48,160 --> 01:24:49,640
Speaker 3: there with you, my sister.

1786
01:24:50,880 --> 01:24:52,519
Speaker 2: You're gonna watch me fire.

1787
01:24:53,120 --> 01:24:55,519
Speaker 3: God. I hope we die at the same time, because

1788
01:24:56,520 --> 01:24:59,479
Speaker 3: I literally can't do grief because I'm in my depression

1789
01:24:59,520 --> 01:25:02,920
Speaker 3: era and you are pulling me out of it every moment.

1790
01:25:02,960 --> 01:25:07,240
Speaker 3: I'm with you, but I cannot experience true loss. If

1791
01:25:07,280 --> 01:25:11,200
Speaker 3: my sister goes, I'm done, If my parents go I'm done.

1792
01:25:11,280 --> 01:25:13,280
Speaker 2: I don't want it. I don't I'd rather not.

1793
01:25:13,680 --> 01:25:16,120
Speaker 3: I'd rather not. And again, Yang, if you're listening, I

1794
01:25:16,160 --> 01:25:17,800
Speaker 3: know you are. That was not I don't think Sony

1795
01:25:17,800 --> 01:25:19,160
Speaker 3: about you. It was just you said that, and I

1796
01:25:19,200 --> 01:25:20,360
Speaker 3: was like, wait a minute.

1797
01:25:20,120 --> 01:25:22,920
Speaker 2: Here's the thing, here's the t We're actually both in

1798
01:25:22,960 --> 01:25:23,760
Speaker 2: depression era.

1799
01:25:24,479 --> 01:25:27,760
Speaker 1: Your girl, this podcaster is also newly medicated and I'm

1800
01:25:27,800 --> 01:25:28,320
Speaker 1: loving it.

1801
01:25:28,560 --> 01:25:32,320
Speaker 2: Yes, but the fact is it's hard. It's difficult to

1802
01:25:32,520 --> 01:25:34,440
Speaker 2: live sometimes.

1803
01:25:34,600 --> 01:25:37,759
Speaker 3: And you need Even if Taylor's Hood concert or Beyonce

1804
01:25:37,880 --> 01:25:40,080
Speaker 3: won't be the panacea, it's sisterhood.

1805
01:25:40,120 --> 01:25:42,400
Speaker 1: And you cut off my sisterhood. You cut off my

1806
01:25:42,439 --> 01:25:44,839
Speaker 1: life support period starring Queen Latifa.

1807
01:25:45,280 --> 01:25:47,519
Speaker 3: Yes, is that is that the movie you interviewed her on?

1808
01:25:47,760 --> 01:25:50,160
Speaker 1: So I interviewed her years ago about Secret Life would

1809
01:25:50,600 --> 01:25:54,200
Speaker 1: And one of my favorite stories ever is that I

1810
01:25:54,320 --> 01:25:56,880
Speaker 1: was eighteen years old. I was writing for the NYU

1811
01:25:56,960 --> 01:25:59,760
Speaker 1: newspaper and I was doing the film features and film

1812
01:25:59,800 --> 01:26:01,360
Speaker 1: Revie and I got to see the Secret Life of

1813
01:26:01,400 --> 01:26:04,760
Speaker 1: Bees early and then in part of a group, I

1814
01:26:04,840 --> 01:26:10,479
Speaker 1: got to interview Gina Prince Bythewood, Sophia Canado, and Queen Latifa,

1815
01:26:10,560 --> 01:26:12,800
Speaker 1: and I sort of flopped on Gina and Sophie just

1816
01:26:12,840 --> 01:26:14,360
Speaker 1: because I was nervous and like, you know, I.

1817
01:26:14,280 --> 01:26:16,360
Speaker 3: Didn't know how. It wasn't nice to you, wasn't it.

1818
01:26:16,400 --> 01:26:17,080
Speaker 2: She wasn't nice.

1819
01:26:17,120 --> 01:26:19,599
Speaker 1: It was Another interviewer was like, he cut you off,

1820
01:26:19,640 --> 01:26:21,559
Speaker 1: So do you want to answer that question again? And

1821
01:26:21,600 --> 01:26:23,040
Speaker 1: I was like, oh, I wasn't. Kind of I didn't

1822
01:26:23,080 --> 01:26:25,839
Speaker 1: mean to, but it was a flop. So que Latifa

1823
01:26:25,960 --> 01:26:29,920
Speaker 1: comes in and she's luminous, she's super star, she is

1824
01:26:30,000 --> 01:26:33,559
Speaker 1: platinum blonde hair, it's everything she's in her Secret Life

1825
01:26:33,560 --> 01:26:37,839
Speaker 1: of Bees bad bag. So then at the end, everyone's

1826
01:26:37,880 --> 01:26:41,120
Speaker 1: like lining up to get their like press packet signed. Yeah,

1827
01:26:41,840 --> 01:26:43,960
Speaker 1: and everyone that's going up to her is like, I

1828
01:26:44,000 --> 01:26:46,720
Speaker 1: love this movie and I love you in Chicago. I

1829
01:26:46,720 --> 01:26:48,840
Speaker 1: love you in Chicago. I love you in Chicago. She

1830
01:26:48,880 --> 01:26:50,960
Speaker 1: goes yeah, yeah, yeah, yeah, yeah. So I'm like, I'm

1831
01:26:50,960 --> 01:26:52,920
Speaker 1: really about to gag her a bit. So I go

1832
01:26:53,000 --> 01:26:55,240
Speaker 1: up to her and I say, I just want to

1833
01:26:55,240 --> 01:26:59,160
Speaker 1: say I loved you in Life Support. And she looked

1834
01:26:59,240 --> 01:27:01,360
Speaker 1: up and she looked me in the eyes and she said,

1835
01:27:01,600 --> 01:27:04,519
Speaker 1: thank you so much, baby, you got the baby.

1836
01:27:04,920 --> 01:27:10,639
Speaker 3: And I said, I know that's right. I said, I

1837
01:27:10,720 --> 01:27:15,760
Speaker 3: know that's right. That's you know how to connect.

1838
01:27:16,280 --> 01:27:19,879
Speaker 2: I said, I'm saying the AIDS movie that I genuinely love.

1839
01:27:19,840 --> 01:27:23,000
Speaker 3: Of course, and then she goes, this man genuinely loved

1840
01:27:23,040 --> 01:27:23,639
Speaker 3: the AIDS movie.

1841
01:27:23,680 --> 01:27:27,320
Speaker 1: She said, this gay boy watched the AIDS movie that

1842
01:27:27,400 --> 01:27:29,280
Speaker 1: I was in, and I'm gonna thank him and I'm

1843
01:27:29,280 --> 01:27:32,439
Speaker 1: gonna look him in his eyes. I'm gonna swipe my

1844
01:27:32,600 --> 01:27:37,040
Speaker 1: platinum blonde hair out of my face in my Secret.

1845
01:27:37,160 --> 01:27:40,080
Speaker 2: Life of Bee's bag and call him baby.

1846
01:27:40,280 --> 01:27:41,320
Speaker 3: And say thank you so much.

1847
01:27:41,360 --> 01:27:41,719
Speaker 2: Baby.

1848
01:27:42,200 --> 01:27:45,639
Speaker 3: I love that story so much. We end every episode

1849
01:27:45,640 --> 01:27:56,960
Speaker 3: with the song when You're Good, So Good.

1850
01:28:01,560 --> 01:28:05,080
Speaker 1: To get more of that song, Watch Chicago, starring Queen

1851
01:28:05,160 --> 01:28:12,040
Speaker 1: La Diva and Richard Gere, Bye Bye,